INTERVIEW: OMYO

INTERVIEW:

OMYO

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THEIR current single was released late last year…

so I wanted to speak with the London duo OMYO about its story and background. Tom and William talk to me about their upcoming material - and whether we can catch them in the live setting. I was keen to know how OMYO came to be and whether there is any significance behind the name/acronym – and how the guys saw in the New Year.

They tell me about their influences and, on Wait for Your Love, the all-star production team they worked alongside; how it feels being a D.I.Y. act; working with Nicole Gregorczuk on their latest song (she will appear in the video); the new artists they recommend we check out – some advice for any new artists out there…

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Hi, guys. How are you? How has your week been?

Hey; how you keeping?! It's been really busy, actually.

Went to Fashion Week this week - and been sorting out a plan for our tour and album release later in the year. 

For those new to your work; can you introduce yourself, please?

The band is called OMYO. We've been together three years. We met randomly and New Year’s and made a drunken bet to write a song. Since then, we have played for BBC introducing; gigged in N.Y.C., Poland and Germany... 

How was Christmas for each of you? Did you get to spend time with family?

Christmas was nice - yeah we just chilled, really. Been eager to get back in the studio and continue where we left off last year!

Excited to get back gigging and making music…

I believe there is quite an interesting behind the story of OMYO’s creation? Is there any name-link between you and Yo La Tengo’s OHM at all?!

Hahaha; unfortunately not..

The name stands for 'Our Music, Your Opinion'. We needed a band-name - and thought it worked well. 

Wait for Your Love is the new song. It is an instant corker! How did it come together and what inspired it?

Ahhh; thank you! Really appreciate it.

The song came from a small relationship that didn't work out - and had been a waste of a lot of time (as we were so busy). So; it was initially an instrumental way of expressing the frustration which we then both connected on and built the full song - as we’d both been through these situations and thought how it could be relatable for other people.

I believe there is an all-star team producing. Tell me about their role and how you came to work with them.

Yeah; we have an amazing team working around us! We work with so many amazing producers! They've worked with some of the biggest House and R&B names out A.t.M.!

We just met them through studio sessions and became friends. We are actually the main producers on this song - which was a big step for us - and we brought in other guys for influences. Then; the final mixing was done through Dean Barratt - who has worked with some amazing people - because we met in the coffee area of our studio and became good mates.

He now mixes all our music! 

William. I believe the forthcoming, D.I.Y. video is your debut. Tell me about the concept and where it is being shot…

The video needed to be done short notice and on a very small budget; so, whilst not able to sleep, the idea suddenly came to mind to do it ourselves. I managed to reach Steve Glashier in Berlin - as we were out there for a show. He's an amazing director and he actually did all the filming; he was an amazing mentor - to help me learn the process - and I think the result really is great…

It’s a mix of taking small, loving moments and making them emphasised; to show how much they can mean - along with using colours to show how the emotions can be in a relationship. 

I believe Nicole Gregorczuk will appear (in the video). What was it like working with her?

Yeah; really good! She's such a professional. She adds an edge to the video. 

Are there plans for more material in 2018? How do you feel Wait for Your Love differs from previous tracks like Mysterious Girl?

Yeah; we have so many tracks finished - probably enough for two albums.

I think Mysterious Girl was more of a Club/Dance vibe: Wait for Your Love allows you to get lost in the story and picture the real emotion. 

You are independent and do not rely on labels and hype-machines. Is that preferably in terms of what you want to do? What is it like having stations like BBC Radio 6 Music and BBC Radio 1 behind you?

Yeah; we love the freedom that comes with running our own label.

We have full power and overall control in terms of creativity - from styling to the videos we shoot. It's great - and it helps having the backing of radio (playing the music you're creating). It’s been a lot of learning: from online marketing to Photoshop branding; networking with fashion brands and pitching constantly around the world. 

 PHOTO CREDIT: JP Cooper/PHOTO CREDIT: Getty Images

Who are the new artists you recommend we check out?

We're a massive fan of JP Cooper, The Weeknd; Tom Walker and NF.

  PHOTO CREDIT: Tom Walker/PHOTO CREDIT: Getty Images

If you each had the chance to select the one album that means the most to you – which would they be and why?

Tom: Born to Do It by Craig David

All of the songs are massive tunes. It is such a feel-good album - and this is the first album I ever bought.

Will: Bloom by Machine Gun Kelly

It is really special to me: it helped me through a very dark patch.

Is there any advice you would give to fellow artists coming through right now?

Tom: Just keep doing what you're doing! Believe in your work and hustle! People won't come and find you: you've gotta find them.

Will: Be stubborn. If you have something and it’s different and you truly believe in it…one day, people will also realise its potential. You have to believe it’s the best you can be and then go after that dream with all you have; don't take ‘no’ for an answer - and remember there’s so many different ways to get to a goal if, first time, you fail.

Can we see you perform anywhere soon? What gigs do you have coming up?

We're playing several dates over the next few months, starting with 13th January (date) at Notting Hill Arts Club. (All our dates are online at omyomusic.com). 

2018 is here. What do you have planned in terms of personal goals and ambitions? How did you both see in the New Year?

Our personal goals are very similar: trying to push for regular national air-play; to be the best artists and label-owners we can; to keep competing with the majors; to inspire other independent artists - and play as many gigs as possible.

We (just) saw in the New Year with our families (which was nice). 

Finally, and for being good sports; you can each name a song and I’ll play it here (not one of yours as I’ll do that).

Craig David - What's Your Flava?

Bee Gees – Stayin’ Alive 

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 Follow OMYO

Official:

http://www.omyomusic.com/

Facebook:

https://www.facebook.com/OMYOMUSIC/

Instagram:

https://www.instagram.com/omyomusic/

SoundCloud:

https://soundcloud.com/omyomusic

Twitter:

https://twitter.com/omyomusic

Spotify:

https://open.spotify.com/artist/55ljRDIZC2YbMFEpCK9xzA

YouTube:

https://www.youtube.com/user/williamgraydonable

INTERVIEW: Hollie Haines

INTERVIEW:

Hollie Haines

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THIS year has gotten off to a flyer in regards…

the talent coming through. Hollie Haines has been performing for a while but it seems 2018 will be a very pivotal and successful one for her! I ask the London-based songwriter the E.P., The Walls I Built (released last May), and how she feels about it, looking back. She tells me more about a conceptual album she is releasing this year;  her attachment and bond with Cambridge and Leeds – and some new artists she is backing for success.

Haines discusses her tastes and the artists she grew up on; whether she has gigs coming up; how important London is in terms of her sound/direction; the plans she has worked out for this year – what advice she would give any new songwriter of the moment.

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Hi, Hollie. How are you? How has your week been? How was Christmas?

Hey! I’m great, thanks. This week has been so nice - getting back to work after a lovely Christmas. I’m heading to New York at the end of the week (which I can’t wait for).

For those new to your work; can you introduce yourself, please?

I’m Hollie; a lyric-obsessed folkie with some Rock and Country influences. I can’t really pin it down to one genre - but I like to refer to it as music for people who like a cry to music. Emotional lyrics are my favourite thing to write...

I am very honest in my writing.

The five-track E.P., The Walls I Built, was released last May. What compelled its creation and how do you feel about it looking back?

The Walls I Built was about me releasing a collection of songs that were, at the time, the ones I was proudest of. The E.P. goes through a range of styles and I created the sounds and brought the songs to life with my band - which was a really special process to me. It felt like something I wanted to make to mark where I was at that point in my life and career (at twenty-one-years-old). I’m really proud of the E.P. and all the music on it and it definitely helped me find my footing in music and learn a lot more about the recording and releasing process.

But, looking forward; I want to create a more sonically-cohesive album with stronger themes and more input on the production from my side.

There have been a lot of positive comments and reviews of the E.P. Is it humbling seeing your music connect with people?

It’s great!

I overthink and worry a lot about my music and normally have to be subdued by my band; so it’s good to have that reiterated to me by outside people. It’s really touching to hear people say such lovely things about work I’ve put so much of myself into.

I know you are planning a seven-track concept album. Can you reveal the concept and the themes you explore?

A few months ago, I found myself at a tough point in my life. I had just graduated and was about to move to London and felt like I was going through a slight loss of self (and I needed to get re-inspired).

The idea of putting down my experiences of love and loss in an album-form really interested me - and I started to build the idea of creating the album that I would have loved to be able to turn to every time I had lost someone or something.

Was it quite a brave and hard decision recording a concept album – as they are usually quite challenging and not always well-received by the press?

This is the most excited and passionate I’ve ever felt about my music - and I’ve never wanted to work so hard at something! I know there are going to be challenges (I face) but I would rather feel excited and happy about my music and face the fears head-on - than create something I don’t have the same passion in...

I’m willing to take the risk!

I remember the moment music came into my life. Do you remember the first song/artist that entered your life? Who were the musicians you grew up on?

My dad loves music and all types of music; so I grew up on what he was listening to: Richard Thompson, Kirsty MacColl and Foo Fighters have stuck with me from that. My brother also loved Country music; so I got into that pretty early, too - and loved Taylor Swift from her Country-era.

You are based in London but have spent time in Cambridge and Leeds. Why did you decide to come down to London?

I came to the end of my music degree in Leeds and felt like I needed a change. My brother lives in London so I decided to just take the plunge and move in with him (and see how it went). It’s the best choice I could have made. I absolutely love being in such a big city and I’ve met some great people since moving.

I still visit Leeds a lot for gigs and recording - so it feels like I’ve got the best of both.

How important are the people and the city regarding your work and sound?

When I first moved, I had hardly any friends in the city and knew no musicians - which I found really hard. Once I started playing gigs and going to events I met some new people - which helped me settle in and inspired me to work harder and create more.

IN THIS PHOTO: Tamzene/PHOTO CREDIT: Tamzene

Who are the new artists you recommend we check out?

One of my favourite parts of going to Leeds College of Music was the amazing musicians I was surrounded by and watched grow. An amazing artist called Tamzene sung backing vocals on The Walls I Built. She writes such beautiful love songs.

My fellow folkie when I was in Leeds, Lauren Rycroft, is also a fantastic writer...such a great performer.

IN THIS PHOTO: Lauren Rycroft/PHOTO CREDIT: Pear & Bear Photography

If you had the chance to select the three albums that mean the most to you – which would they be and why?

Father John Misty – Pure Comedy

Marika Hackman – I’m Not Your Man

Both of these I listened to as I finished my degree and moved to London. It kept me creative and inspired when it felt quite difficult to be. They’re both fantastic musicians and incredibly clever lyricists.

Taylor Swift – Speak Now

I’ve always loved Taylor Swift and am such a fan of her evolution into Pop music - but this album sticks with me. It has no co-writes on it. Each track paints such a vivid picture of the story it tells. I love it.

Is there any advice you would give to fellow artists coming through right now?

Work hard…but also take your time. Putting in the hours on something you're passionate about is really important.

Can we see you perform anywhere soon? What gigs do you have coming up?

I’m playing at The Finsbury on the 15th January. I’ll be announcing some more shows in London and Leeds very soon.

Your live sets see you quip and share stories with the audience. Is it freeing being that open? Is it important to make that connection with them?

I’m quite an open person really - and my lyrics are so honest, already. I don’t feel like it’s sharing much more than I already am by telling the stories behind the songs. But, also, it is an important part of music to me - knowing that the people listening can relate or connect with the songs.

2018 is here. What do you have planned in terms of goals and ambitions? How did you see in the New Year?

I actually made a list of ten resolutions for 2018 (for the first time). Releasing the album this year is my biggest goal at the moment but I also want to collaborate as much as possible. I’m also planning to listen to an album I haven’t heard every week as well as take a trip to The Netherlands, alone, to do some writing.

I saw in the New Year with old friends from school. I wore a suit which I’ve been trying to be brave enough to do for ages…so it was a good start to the year!

Finally, and for being a good sport; you can name a song and I’ll play it here (not one of yours as I’ll do that).

The Big Moon – Cupid            

I’ve been obsessed with this song since summer - and the line “Time to turn and run from romance/I’m backing out” is one of my favourite lyrics from 2017.

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Follow Hollie Haines

Official:

https://www.holliehaines.com/

Facebook:

https://www.facebook.com/holliehainessongs/

SoundCloud:

https://soundcloud.com/hollie-haines

Twitter:

https://twitter.com/holliehaines

Spotify:

https://open.spotify.com/artist/3TmWI5f479FgFtRzEcs6DA

YouTube:

https://www.youtube.com/user/holliesongs

INTERVIEW: Joshua KYEOT

INTERVIEW:

 Joshua KYEOT

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THE stunning voice of Joshua KYEOT is the first thing…

that strikes you when you hear the sublime music. Only One was released last October and gained huge applause. I ask him about his upcoming single, Playground Sweethearts, and the inspiration behind it; the musicians he was raised on; what comes next for him – and whether there are any tour dates coming this year.

The talented songwriter discusses the importance of South London (his base) and new artists to recommend; how he spent this Christmas; the way the stage and his music interconnect; the albums that mean the most to him – he provides some great advice for new musicians.

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Hi, Joshua. How are you? How has your week been?

I’m well and I’m blessed.

For those new to your work; can you introduce yourself, please?

My name is Joshua KYEOT and I'm a singer, songwriter and entertainer. I released my debut single, Only One, last October – although; I have been performing around London for a long time now.

How was your Christmas? Did you manage to spend time with family?

Christmas was great - and that is exactly what I did. I spent it with the family, lots of babies running around; cousins, screaming and food. I got very competitive playing Articulate with the fam – trash-talk and all the good stuff.

Playground Sweethearts is your upcoming single. Can you tell us about its story and the meaning behind the song?

It is about a boy who was once too shy to express his feeling to a girl he knew when he was much younger. He met her a bit later on life and has regrets and is tired of regretting - so he is doing something about that.

Which musicians, would you say, have helped craft your sound? Who did you look up to growing up?

I've always loved the music of Stevie Wonder and Michael Jackson as well as Sisqo! My music is rooted in certain things you may not directly even hear in my music. I grew up on Hiplife, Highlife; Africa and Ghanaian music. I also took inspiration from the music my sister was listening to: Garage, R&B; Dru Hill, SWV... 

Some Hip-Hop too, definitely.

So far in your career, you have supported Izzy Bizu. Was that a cool experience? What is she like to play with?

It was truly a great experience.

To be given the chance to support a terrific artist whose journey is still very close to its beginning...and see her do what she does on stage and simply learn from her - that entire experience was great. I loved it.

Reminds you, if you aren’t sure, that you are on the right path…

South London is where you are based. How important is the area regarding your inspiration and music? Do you get inspired by the people around you?

I get inspired by the people around me; mainly because they are people with stories worth hearing about and learning...

Whether it’s the kids on their bikes being as mischievous as I was when I was their age; the dudes working over at the chippy - I am certainly inspired to learn from what I see in the people of South London.

IN THIS PHOTO: Gareth Esson/PHOTO CREDIT: Getty Images/Artist

Who are the new artists you recommend we check out?

Gareth Esson, Shakka; MUNDU, YEBBA and Rukhsana Merrise.

IN THIS PHOTO: YEBBA/PHOTO CREDIT: Getty Images

What do you think of the modern music scene? Do you feel music is in a good place right now?

I feel music is always in a good place; simply because there will always be great musicians doing what they love. The issue is finding it. The music scene tends to be difficult to love as an artist because it is usually controlled by ‘the MAN’ - but the companies like AWAL, and artists like Stormzy and Chance the Rapper, leading the charge on the Indie front…

I can’t be too upset.

If you had the chance to select the three albums that mean the most to you – which would they be and why?

Tough question; but I‘ve got it…

Michael Jackson – Bad

The first artist I truly wanted to be like. The music video for Bad was simply the coolest thing I had ever seen (and might still be)!

Sisqó - Unleash the Dragon

The first singer that I really tried to sound like and mimic. I remember there was a day when I was really upset because I thought I could never be a singer - because I didn’t sound enough like Sisqó. I listened to it over and over again.

Paramore – Riot

The first C.D. I bought all by myself with my own money with no one else chipping in. I wanted the guitars they had and to be able to scream and rock-out like Hayley Williams.

Is there any advice you would give to fellow artists coming through right now?

I would say work tirelessly and be willing to learn.

Can we see you perform anywhere soon? What gigs do you have coming up?

Few interesting things in the work: please follow me on all social media to keep in touch!

How important is it getting your music out there? Is the stage somewhere you feel alive and ‘at home’?

The stage is a place I love and can’t get enough of - but, still, it puts me on edge; at least before I start. I don’t want to talk to too many people before the show: just focus on my performance and perfecting it. I am quite particular about how I want my music to sound - and arrangements and all that - and I take preparation very seriously.

Once I’m on stage, I’m flying.

2018 is here. What do you have planned in terms of goals and ambitions? How did you see in the New Year?

Certainly. I am looking forward to releasing new music; playing more gigs, learning more and building on the momentum from all the work done in 2017.

Finally, and for being a good sport; you can name a song and I’ll play it here (not one of yours as I’ll do that).

Fantasy - Earth, Wind & Fire, please!

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 Follow Joshua KYEOT

Facebook:

https://www.facebook.com/JoshuaKYEOT/

Instagram:

https://www.instagram.com/joshuakyeot/

SoundCloud:

https://soundcloud.com/joshuakyeot

Twitter:

https://twitter.com/joshuakyeot

INTERVIEW: VAZUM

INTERVIEW:

VAZUM

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THERE are not too many Detroit-based artists…

that leap to mind! Perhaps, if one thinks back, that task would be less stressful – from Motown and Garag...there are choices and idols that leap to the brain. In 2018; one would struggle but, listening to the music of VAZUM; you can hear the sort of quality and imagination coming from the Michigan city. I have been speaking to Zach Pilska - who plays under the moniker of VAZUM. He talks about the hot-off-the-press E.P., VAZUM, and what themes compelled the songwriting; if there is a standout song – and the artists that have influenced the sound.

I ask about President Trump and whether he was an ‘inspiration;’; what the music scene is like in Detroit; whether we might see VAZUM play in the U.K.; how the music comes together; what plans there are for the remainder of 2018 – whether Detroit’s social and economic situation is improving at the moment.

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Hi, Zach. How are you? How has your week been?  

I am doing well. Thanks for asking.

It’s extremely cold in Detroit - single-digit temperatures. Been staying inside working on demos. Winter seems to be a good time to do that...

For those new to your work; can you introduce yourself, please? 

I am a drummer and play in a handful of Detroit-based bands. I’ve been writing music for a while - but it wasn’t until recently when it clicked. A recent break-up inspired me to follow my vision. I recorded an E.P., put a band together and started playing shows as the singer/guitarist.

How was your Christmas? Did you manage to spend time with family?

Yes. I spent time with my parents and brother. I did my annual visit to church. The priest said Christmas has become an exercise in nostalgia - and that resonated with me. There is an idea in everyone’s minds of what Christmas is supposed to look and feel like - and I think that applies to music as well.

People want to feel something from listening to music.

VAZUM’s self-titled E.P. is out. What can you reveal about its themes and inspirations?

Betrayal and trust are recurring themes as well as confrontation. The first song, Fall Guy, is about being literally thrown out of a bar. Big Bulp Lie is about the lure of the American Dream and how that can lead to a lifetime of misery...

Other songs are more positive. Agafia touches on the peace that comes with being a loner and disassociating from society.  

Is there a particular song from the E.P. that is especially inspiring or relevant?

I think the last song, What a Lovely Time, speaks to the unpredictable world we live in. These are the best and worst of times. As technology advances, does our quality of life improve along with it? In some ways ‘yes’ and some ways ‘no’. The Smartphone has an incredible amount of power over our lives and, perhaps, it’s time to start moving away from that.

It reminds me of the halcyon Detroit days when The White Stripes, The Dirtbombs and The Von Bondies ruled the roost! Are these bands that have inspired you? 

More so The Von Bondies than the others...

I’m friends with those folks and have been influenced from watching them play - mostly in their other bands including The Hounds Below and Pony Show. 

The city has become more socially deprived and violent since then. Is Detroit’s sense of unrest influential regarding your music?  

In a lot of ways, the city has improved…

There are new people moving in and new businesses opening.  In terms of being influenced by Detroit; the Jazz scene has had a lasting impression on me. I spent a good amount of time going to jam sessions and sitting in; as well as listening to different players. There’s a certain amount of bravado the Jazz-cats carry with them - and some of that attitude has rubbed off on me.

Zach. You write and record the song – utilising a band for live sets. How did you meet the band? What is the live scene like in Detroit?  

I’ve become friends with people in other bands in addition to the ones I play with. When it came to putting a band together, I had a whole roster to choose from - and personnel changes from show to show. Michael O’Connor, who is one of my good friends from FUR and VSTRS, has helped me along the way from the demo process with providing feedback. He naturally was a choice for the band. Detroit has a healthy music scene. There’s a lot of bands from all genres. Ther are several different scenes and, unfortunately, they don’t overlap as much as they could.

But; there is always something to do… 

Does the presidency of Donald Trump impact your songwriting an ambition? What is the impression of Trump in Michigan right now? 

People seem to be very angry these days...

The chorus of What a Lovely Time is aimed at Trump: “You ignorant, prejudice; bigot, bully”. He is all these things and, as a result, people are very defensive and have their guard up.    

Can you tell me the artists you grew up listening to?  

My dad played The Beatles, Talking Heads and Bob Marley a lot while driving. Then, I started watching MTV and got into the grunge bands. Smashing Pumpkins left a lasting impression: they were abrasive but had a dreamy aspect that I immediately connected with (especially on Siamese Dream). I later learned Billy Corgan’s intention with that album was to create an idyllic childhood he never had.

I feel like I lived the ideal he was envisioning and, in effect, that album was the soundtrack to my younger years. 

IN THIS PHOTO: Bent Knee/PHOTO CREDIT: MullenLowe U.S. 

Who are the new artists you recommend we check out? 

Bent Knee from Boston. I played a show with them recently. They weave intricate arrangements and parts together seamlessly. The singer has an incredible voice.

Another band (worth checking out) I played with recently, Sphaeras, who are from Singapore. They’re an all-instrumental group and also play complex music but are masters of their craft and make it look easy. 

If you had the chance to select the three albums that mean the most to you – which would they be and why? 

Smashing Pumpkins – Siamese Dream

This is the ‘perfect’ Rock record from start to finish. Crazy amounts of guitar overdubs, expressive drumming that mirrors the vocals; different types of songs, from epic jams to sappy ballads.

Depeche Mode – Violator

Another ‘perfect’ record from start to end. I began listening to Depeche Mode as an adult and they have become the most important band of my adulthood. I saw them this past summer and they are truly on a higher plane or frequency.  

Blur – 13

Different sounds from song to song - but it all sounds like the same band. Another album I can listen to from start to end.

Is there any advice you would give to fellow artists coming through right now?

The market is over-saturated. Exploit what is unique about yourself and follow through with your vision unapologetically. 

Don’t second-guess yourself and just do.  

Can we see you perform anywhere soon? What gigs do you have coming up? Any plans regarding U.K. dates? 

I’m playing in and around Michigan for the next few months. I would love to take VAZUM overseas. A band I play drums with will be going to Spain this spring.

We may make it to the UK, too.

2018 is here! What do you have planned in terms of goals and ambitions? How did you see in the New Year? 

I’m working on new songs and plan to begin recording soon. I’m aiming to release another E.P. or album in the summer or fall. 

I’ve had my share of decadence and inebriation over the past year and decided to begin New Year’s prudently with a good meal and a good glass of wine. 

Finally, and for being a good sport; you can name a song and I’ll play it here (not one of yours as I’ll do that). 

Thompson Twins – Lies

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Follow VAZUM

Official:

https://www.vazumrocks.com/

Facebook:

https://www.facebook.com/VAZUMROCKS/

Instagram:

https://www.instagram.com/vazum_rocks/

SoundCloud:

https://soundcloud.com/vazum

YouTube:

https://www.youtube.com/channel/UC4F1kh22e7OrDCgpzY9ljiw

INTERVIEW: Katharsis

INTERVIEW:

PHOTO CREDIT: Lidia Huerta 

Katharsis

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HER recent Apple Water session gained a lot…

PHOTO CREDIT: Ben Macconachie

of praise and attention. I was keen to speak with Katharsis about that performance and whether we can expect material from her soon. She discusses artists who inspire her and moving from rural Germany to London. I ask how inspiring the city is and whether she has plans concocted for this year.

There are visual elements to Kathasis’ work so I ask whether photography and cinema have helped fuel her music; whether there are any gigs coming soon; a couple of new artists we should watch out for; the albums that mean most to her – and how she saw in the New Year!

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Hi, Katharsis. How are you? How has your week been?

Hey. Thanks for having me! My week’s been good, thanks.

For those new to your work; can you introduce yourself, please?

I’m a singer, songwriter and producer; originally from Germany but I’m based in London now - and I’m about to finish my degree in Songwriting. I’d describe my music as a mixture of Classical influences, R&B and Electro-Pop - but I listen to a lot of different stuff, so I try to incorporate a bit of everything!

Lyrics are super-important to me so, whatever you hear in my lyrics, comes from personal experience.

How was your Christmas? Did you manage to spend time with family?

It was nice, thank you! I don’t get to see my family a lot - so coming back to my parent’s house makes me appreciate home more.

Your Apple Water session was put online last month. What was that experience like?

It seems like it has got a lot of great feedback…

It was a bit scary, to be honest. Haha. I am a massive perfectionist, so actually putting things out there for the world to see was a bit nerve-wracking. At the same time, it feels good to finally be able to show everyone what I’ve been working on - after going through a bit of a rebrand last year…and, yeah, the response has been great.

I can’t wait to put out a second live session later this year!

I know you are hinting new music for this year. What are you working on right now? What kinds of themes are inspiring your songwriting at the moment?

My debut single is being mixed and mastered at the moment. I think it’s my favourite song I’ve ever written, so I’m really excited to share it - I can’t give you the name yet but it’s gonna be out at the beginning of February!

I’ve also got a few more tracks lined up for 2018. I’m always inspired by love and human interaction: I find the power dynamics in relationships very interesting. I wanna get behind what makes people tick.

Mental-health is also a big inspiration to me.

PHOTO CREDIT: Lidia Huerta 

You moved from Karlsruhe, Germany to London aged eighteen. What compelled that decision and was it hard adapting to a city style – as you hail from a more rural landscape?

After I finished school; I spent a gap-year in London and completely fell in love with the city…so I decided to return.

Where I’m from, there’s not much of a music scene if you’re not in a Metal band - as cliché as that sounds! There was nowhere for me to play my music. It was difficult at first: where I’m from it’s really quiet and green; so I think the hardest thing to get used to was all the noise, actually!

PHOTO CREDIT: Aileen Lekschat

How inspiring and important is the city? Do you get a lot of motivation and guidance from the people and vibe of the capital?

I met a lot of amazing musicians and songwriters here that made me see music in dimensions that I didn’t really think about before. I learn a lot from them all the time: it’s really opened up musical horizons; if you wanna put it that way. It also makes you feel less alone in the music business - which is pretty cut-throat, of course. Having friends that know and share your struggle helps.

I also get a lot of inspiration from going to gigs and London is, of course, the place to be for live music.

Having a Classical upbringing; it is fused with R&B to create something unique. How important is your childhood tastes and early experiences to the sounds you produce now?

I started playing the piano when I was five and continued having lessons until I was twenty; so Classical music has always played a big part in my life. When I was in elementary-school, my older sisters would give me self-made C.D.s with noughties R&B on it: Nelly, Kelly Rowland; Alicia Keys and all that…and I would listen to them all day. Maybe, subconsciously, they’ve found their way back into my music today?!

As I said; I take a bit of everything…so it’s hard to tell!

PHOTO CREDIT: Lidia Huerta 

Which artists were most important to you when you were younger?

Funnily enough, I only listened to Rock, Pop-Punk and Metal when I was a teenager. I also fronted a Pop-Punk band through high-school. I really loved bands like Paramore, Jimmy Eat World and Lower Than Atlantis back then.

I still do but, of course, the music I make now is very different from that…

Listening to your work; it seems like visuals and imagery are part of who you are. Are photography, image and aesthetic beauty as important to you as music and sonic inspiration?

I think the music should always come first: no video or photoshoot can replace a great song that people connect to. But, you’re right. I really like getting artsy with photos and videos and making sure there’s imagery to go with my music - especially because I write songs from situations or images that get stuck in my head.

I also love artists like Lady Gaga - who push boundaries with their fashion and art!

IN THIS PHOTO: IDER/PHOTO CREDIT: Lottie Turner

Who are the new artists you recommend we check out?

I am really in love with IDER right now. They are two girls from London. Their style is so unique and their harmonies are gorgeous.

I also really love a band called ISLAND. They’re releasing an album this year - and I’m super-excited to hear it.

IN THIS PHOTO: ISLAND/PHOTO CREDIT: Melanie Tjoeng

If you had the chance to select the three albums that mean the most to you – which would they be and why?

Paramore - Riot!

I was thirteen and had just started singing in a Rock band – and I didn’t really have a lot of role models. So; seeing Hayley Williams front a band of boys with massive vocals like that was really encouraging.

Jimmy Eat World - Futures

A timeless album for me. I think I can listen to in ten years’ time and still love it.

Lapsley - Long Way Home

Hearing this album was eye-opening; because it was unlike anything I’d heard before. I would say it’s one of my biggest influences now.

PHOTO CREDIT: Thomas Brooker

Is there any advice you would give to fellow artists coming through right now?

It’s hard to not freak yourself out these days with social media; seeing everyone’s highlight-reel all the time. But, I’ve found it’s important to focus on yourself and your own path and to try and not compare yourself to everyone all the time.

Can we see you perform anywhere soon? What gigs do you have coming up?

I will be supporting the amazing Malory at The Finsbury on 19th Feb. We’ll be playing some brand-new songs and it’s free entry, too!

2018 is here…

PHOTO CREDIT: Ben Macconachie

What do you have planned in terms of personal goals and ambitions? How did you see in the New Year?

I spent New Year’s Eve at my sister’s place eating lots of great vegan food. Hehe.

I wanna take better care of my health this year. Career-wise; I wanna make and release loads of music and grow as a person!

Finally, and for being a good sport; you can name a song and I’ll play it here (not one of yours as I’ll do that).

I’ve been listening to Table for Two by Elli Ingram a lot lately - the lyrics are super-smart!

________

 Follow Katharsis

PHOTO CREDIT: Lidia Huerta

Official:

https://www.thisiskatharsis.com/

Facebook:

https://www.facebook.com/thisiskatharsis/

Twitter:

https://twitter.com/thisiskatharsis

Instagram:

https://www.instagram.com/thisiskatharsis/

SoundCloud:

https://soundcloud.com/thisiskatharsis

YouTube:

https://www.youtube.com/channel/UCElTIV8PbRuFAf-huxwB3mA?view_as=subscriber

INTERVIEW: Yazzy

INTERVIEW:

 Yazzy

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SHE made the news last year after conducting a mass singalong…

following a cancelled Adele concert. I have been speaking with Yazzy about that experience and what it feels like to have inspired so many people; which artists she takes to heart; the albums that mean the most to her – whether she has anything exciting planned for this year (so far).

Yazzy talks to me about her new E.P., Illusion of Love (Live in Studio), and which song from it stands out; what she did for Christmas (the interview was completed in December); the new artists we need to check out – and how she turns heartache and failed love into something hopeful and inspiring.

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Hi, Yazzy. How are you? How has your week been?

Hello! Absolutely amazing, thank you. It’s currently Christmas week and me and my siblings were given a puppy!

I hope you had a lovely Christmas, too! 

For those new to your work; can you introduce yourself, please?

My name’s Yazzy. I’m an eighteen-year-old singer/songwriting based in gorgeous North Devon. I’ve been writing, performing and recording since the age of ten.

I am a full-time musician; I sing for a lot of charities including Children's Hospice South West and ChemoHero (of which I am a patron). I gig three/four times a week. I describe myself as over emotional and over-excitable.

If you were to meet me, you’d notice I’m very chatty, bubbly and giggly…and my music is very emotional and heartwrenching. Haha!

Illusion of Love (Live in Studio), your new E.P., is out on 3rd January. Can you tell me about the themes and ideas that inspired its creation?

So…Illusion of Love is an E.P. written about love, heartbreak and life experiences. 

Is there a song on the E.P. that stands out to you? Which one makes the biggest impression?

For me; it’s Heal Me - as it’s not written about boys, love or heartbreak. Its written about a very dark time in my life where I was completely lost, unmotivated and didn’t believe in myself.

I’d lost the spark - and this song is written about wanting my mind to be healed.

It seems heartache and personal conflicts are a part of your ethos and songwriting. Do you think music is a positive way of turning something hard into a positive moment?

I think songwriting is a positive way of making something good out of something bad. A lot of my songs are written about bad experiences in my life - but at least I can turn around and say: “Hey; well at least I got a song out of that”.

Music, really, is like therapy: it’s there for you to pour your heart into.

You started writing and recording music aged ten. Was there a single moment where you decided this is what you wanted to do? How do you think your music has developed since then?

The moment, for me, when I knew it was what I wanted to do was when I was ten. I’d written my first couple of songs and recorded them in my friend’s dad’s garden-shed on a little Dictaphone. He used to burn them on C.D.S (for me) for me and mum to listen to in the car.

I thought it was so cool. I knew music was the only thing for me as soon as I started.

PHOTO CREDIT: Emzi Porcupine Hyam

You are still only eighteen, mind! Was your childhood filled with good music around the house? Which artists did you experience growing up?

Yes! my mum has great taste in music.

She used to own a shop and the albums she would have played were from artists such as Eva Cassidy, Amy Winehouse; Etta James, Nina Simone and Sam Cooke. I think you can tell, in the music I write today, that I was brought up with such soulful music. 

IN THIS PHOTO: JP Cooper/PHOTO CREDIT: Getty Images

Who are the new artists you recommend we check out?

JP Cooper and Frances, 100%. I saw Frances live last Easter with my mum. I honestly stood there and cried the whole way through.

Both of these artists are so heartfelt and pure. For me, it’s the songwriting that JP and Frances create that is (just) magic. 

IN THIS PHOTO: Frances/PHOTO CREDIT: Getty Images

If you had the chance to select the three albums that mean the most to you – which would they be and why?

Not including my own; I would say Simply Eva by Eva Cassidy

I grew up listening to it. I sing Over the Rainbow and Songbird at most gigs.

JP Cooper - Raised Under Grey Skies

I love this album as its quite a recent discovery. There’s a few tracks on the album like Closer, The Only Reason and, especially, In the Silence, where the lyrics really resonate with me. This brings me on to my final choice….

Things I’ve Never Said by Frances

I love every single track on the album: literally every track is great but, in particular, Cloud 9, Don’t Worry About Me; Say It Again (because it’s my dad’s favourite song I cover) and The Last Word. I’m convinced The Last Word is one of the greatest songs ever created and, if you love a good cry like I do, it’s the song for you.

Is there any advice you would give to fellow artists coming through right now?

Stay true to yourself and try not to really listen to anyone else’s opinions. It’s good to get people involved with your music and journey - but don’t let people’s opinions affect how you feel about things.

It’s your journey, not theirs. 

I guess conducting a mass singalong after a cancelled Adele concert must count as a personal highlight?! Did you expect so many people to singalong and participate?! How do you feel looking back at that time?

It was one of the best nights of my life. Even if there were three people there it would have been (just) as amazing. It was just SO nice to be surrounded by people who love and appreciate music. 

You have performed with Jake Bugg and for Camilla and Prince Charles. Have these moments inspired you to aim big and high?

100%. I’d love, one day, for people to be as excited to perform to me as I was to perform to Jake Bugg, Princes Charles and Camilla...

It does make you feel really inspired to aim high because, for example, with Jake Bugg, it’s a completely different life if you get your lucky break. We all start off the same gigging in pubs, busking etc. and the journey is still the same - just on a bigger, more exposed scale with more opportunities.

I’d love to be as successful as Jake Bugg. 

Can we see you perform anywhere soon? What gigs do you have coming up?

I have lots of gigs coming up but, in particular, I have my album launch at The Pier House, Westward Ho! on 5th January! I’m looking forward to that one, in particular, because I’ve organised it all myself - and I’m supported by Giardino Strings (a London-based string quartet).

I know the evening will inspire me so much and start the year off on a high. 

Do you have plans for this year already?

2018 starts with the launch of my E.P., Illusion of Love, on 3rd January - and then the launch evening on the 5th (January). 

What are your aims and ambitions for 2018?

In 2018; my New Year’s resolution is to write at least a song a week. I want to get really creative, write lots of songs and record - release a lot of songs while gaining a larger following.

That’s my aim for 2018.

Finally, and for being a good sport; you can name a song and I’ll play it here (not one of yours as I’ll do that).

Frances – The Last Words (Live) – dscvr Ones to Watch 2016

________

 Follow Yazzy

Official:

https://www.yazzymusicofficial.com/

 Facebook:

https://www.facebook.com/YazzyMusicOfficial/

Instagram:

https://www.instagram.com/yazzy_music/

Twitter:

https://twitter.com/Yazzy_Music

  SoundCloud:

https://soundcloud.com/yazzy-chamberlain

YouTube:

https://www.youtube.com/user/MissYazzyChamberlain

Spotify:

https://open.spotify.com/artist/58efHjNcVY41Ffa0GqKEQg

INTERVIEW: Stephanie O

INTERVIEW:

 PHOTO CREDIT: Sam Copeland 

Stephanie O

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ONE looks at Stephanie O and gets a sense of Joni Mitchell…

PHOTO CREDIT: Sam Copeland

which is no bad thing, that’s for sure! There is an elegance and sophistication that reminds me of her; a way with melody and beauty that evokes the legendary songwriter. I speak with Stephanie O about her attachment to Paris and the differences between the French capital and London. She discusses the artists that have inspired her and her musical upbringing; working with Doctors Without Borders - and the new artists she recommends.

I ask whether there are plans cemented for the New Year and whether there are any gigs coming up; whether a permanent stay in Paris is a possibility and the advice she would give new songwriters – and whether she feels the modern scene has potential and quality.

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Hi, Stephanie. How are you? How has your week been?

Hi Sam. I’m very well, thank you. This week has been intense (with the run-up to Christmas) but I’m finally back home and plan on taking it very easy (at least for a few days!).

For those new to your work; can you introduce yourself, please?

Hello. I’m Stephanie; a singer and songwriter from London, living in Paris. The music I make is reflective of the people I’ve met, the places I’ve been and the stories I’ve collected - and I’m currently working on a new release for 2018.

Your music has progressed over the years – I’m in the Mood for Love was unveiled earlier in the year. Have you noticed your songwriting change? Do you have plans for new work in 2018?

I think an artist’s songwriting naturally evolves as time passes – all the changes that life brings – in terms of the environment, people; circumstances; they fuel the music that’s written and I can hear those changes present in my work. I’m in the Mood for Love was recorded as a homage to Jazz - a style of music I love, which has influenced me over the years. This year, I’ve been working with an incredible producer and musician, Peter Lyons (who I’ve been recording with in London).

I love what we’ve captured and can’t wait for 2018 (when the songs will be released). 

It seems Paris has been in your heart and life the past few months. You have been working alongside Doctors Without Borders. How did you get involved with them? How special is Paris to you?

Paris has, indeed, always been in my heart…

Since moving, I’ve completely fallen in love with it in a way I could never have imagined – inspiration is everywhere and I’ve met some wonderful people that have shown me incredible kindness and warmth. Early this year, I began fundraising for MSF and the year will end with a second project to support them once again. I, like so many people, have been deeply affected by the war in Syria - such trauma and atrocities on an unimaginable scale.

I wanted to do something and contribute to helping in whatever way I could - and found that MSF was one of the charities that travel there to deliver aid. I hope to raise as much as we can for them and, as I write, would like to thank everyone that has made a contribution so far. I am so very grateful.

Will you be remaining in Paris - or splitting your time between there and London?

I’ll be remaining in Paris but I’m hopping back to London for special projects and performances. 

Tell me how you got into music and the artists that struck your ear at a young age. Did you grow up in a musical household?

I was always fascinated with instruments as a child - so I let my curiosity guide me. I started playing the violin; then moved onto harp and guitar. Playing instruments has always been the thing that relaxes me most and makes me feel good. Performing came a bit later on - but I’d been singing from an early age. I grew up in a very musical household: my dad was a D.J. for many years and has a huge record collection that is hugely mixed; from Kate Bush to Deep Purpl...and everything in-between. I remember my sister and me listening to Wuthering Heights on-rotation and being equally unsure yet intrigued by it. We’d always play the music out of these huge speakers my dad had from his gigs – they were bigger than us!

My eldest brother is a pianist and orchestral composer and would play the piano for hours on end in his room above mine; so I’d be singing along to all sorts of Classical pieces. Sometimes, I’ll hear one of those pieces play somewhere and it triggers this childhood memory; then I find out who actually composed it and it’s a really poignant discovery. My younger brother and sister love to sing, too, and we’d always be singing together.

PHOTO CREDIT: Sam Copeland

Looking at you – and the romance you put into your music – you have an air of Joni Mitchell. Is she someone, stylistically or musically, you take guidance from?

Thank you; that’s a real compliment! I greatly admire and respect Joni Mitchell as a musician and painter. I remember searching to find a way to express myself in my songwriting in my late-teens in a more meaningful and true way - and she certainly influenced me in this respect.

Authenticity resonates through her work, and equally, that is what I strive to underpin in my own work.

Already; you have covered a lot of ground. What have been your fondest memories from music – either special songs you have recorded or a great nation that stuck in the mind?

Yes. It certainly feels that way yet I feel there is so much more to be discovered. One of the most incredible moments of my career to date was recording with my former band - a collaboration with Michael Buble at Capitol Studios in L.A. It was a track for his Christmas album so, every year at around this time, I’ll be out somewhere and it will be playing - and it brings back this lovely memory.

What is your opinion on the current music scene? Do you feel it is as strong as previous years? Any albums that have really stuck in the mind?

I look at the scene objectively; viewing it as having two parts - one whose primary concern is the art and the other that is more focused on a formula. I have to separate the two when I speak about it. The former gets me the most excited and the latter is an inevitable part of the industry and machine.

I think the scene is strong and eclectic and there are many independent labels bringing through artists that are bringing new dynamism and style to the market. Some of my favourites include King Krule’s E.P.; Melody Gardot’s most-recent album, Currency of Man, and an absolute gem of a track called I Spy by Mickhael Paskalev.

 IN THIS PHOTO: Palace/PHOTO CREDIT: Getty Images

Who are the new artists you recommend we check out?

I’m not sure how ‘new’ they are - but they’re new discoveries to me! Lately, I’ve been listening to Palace, Pauline Croze and Woo.

That’s quite a mixture right there - so I’m sure there’s something for everyone.

PHOTO CREDIT: Getty Images

If you had the chance to select the three albums that mean the most to you – which would they be and why?

I could spend hours on this question…but will go with the following:

Tapestry by Carole King

This album inspired me to begin songwriting when I was in my teens. I had no idea that, later into my career, I’d have the opportunity to perform with her.

It Could Happen to You: Chet Baker Sings by Chet Baker

I was introduced to this album my I was sixteen and it really got me hooked on Vocal-Jazz. I’m still amazed at how beautifully lyrical and smooth his style of singing is. It’s a true classic.

Grace by Jeff Buckley

It’s perfection.

Is there any advice you would give to fellow artists coming through right now?

Be yourself and, if you don’t know who that is yet, don’t be scared to take time to find out.

Can we see you perform anywhere soon? What gigs do you have coming up?

Absolutely! Plans are being made for gigs in Paris early-spring - and I’m certain that we’ll arrange a few London dates too. You can find updates on my website.

The New Year is not too far away. Do you have plans already - or will you be busy working?

For New Year; there are a few ideas flying around but I’m favouring being somewhere low-key with a few close friends. It’s the days between (Christmas and New Year) that will be super-busy as I’m recording the project A Song for MSF with an excellent Jazz trio - and need to finalise the arrangement of the song.

Shortly after, I’m in the studio for the last time this year with Peter; working on the final track for the new release in 2018.

I know it is cheesy; but do you have any resolutions for the next year, either music or personal?

Eat more fruit.

Finally, and for being a good sport; you can name a song and I’ll play it here (not one of yours as I’ll do that).

Moi Moi by Albin de la Simone and Emiliana Torrini, please. It’s been my soundtrack to Paris...

________

Follow Stephanie O

PHOTO CREDIT: Sam Copeland  

Official:

https://www.stephanieomusic.com/

Facebook:

https://www.facebook.com/StephanieOmusic/

Instagram:

https://www.instagram.com/seestephanieo/

SoundCloud:

https://soundcloud.com/stephanieomusic

YouTube:

https://www.youtube.com/user/theStephanieOBrien

Spotify:

https://open.spotify.com/user/thestephanieo

INTERVIEW: Hamish Anderson

INTERVIEW:

 Hamish Anderson

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THE video for U has been around for a couple…

of months now  - but it is a great time to speak with Hamish Anderson! The Melbourne-based artist has created a fantastic song. It is from his acclaimed album, Trouble (2016) - a record that has been getting into the ears and hearts of critics and fans. I ask Anderson about the song and the people he worked with on it; whether there is going to be any more material next year; what his gig schedule is looking like – and whether there are any albums that have made a big impression.

I ask whether Anderson grew up in a musical household; the differences between Melbourne and the U.S. (where he divides his time); what he has planned for next year; some new artists to watch out for; whether we will see him in the U.K. – how he got into music in the first place.

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Hi, Hamish. How are you? How has your week been?

Hi! It’s been good so far, thank you. I’m currently at home in Melbourne Australia for the holiday-season.

For those new to your work; can you introduce yourself, please?

My name is Hamish Anderson. I’m a twenty-six-year-old singer/songwriter and guitarist from Melbourne, Australia.

U is your new single. What is the tale behind the song?

I wrote U whilst on tour in the U.S. in 2015.

The song was written very quickly, pretty much all at once - and I knew I wanted it to have a dreamy-Soul feel to it. I wanted to put two songs together with the B-section of the song - and having a different groove and feel to the first half of the song (I was definitely influenced by a lot of Paul McCartney’s songs with Wings (from the 1970s) when I did that).

The video looks kind of dreamy and interesting! Did you enjoy the shoot?

I had a great time making the video.

The video was directed by Nicolas Wendl and produced by my team at Juel Concepts. We’d worked with Nic before on the music video for my single, Little Lies. I knew I wanted the video to have a Laurel Canyon, 1970s-type of feel and for it to be a simple concept. The typewriter in it is mine and it’s really how I write music when I am not in transit. I basically (just) wrote out a bunch of keywords that I wanted to pull from for look, feel and tone - and then gave it to my manager and her team and they ran with it.

The song features Chris Bruce (Doyle Bramhall II) on bass, Aaron Sterling (John Mayer) on drums and Jerry Borge (Jonathan Wilson) on keys. How did you come to work with the guys? Was the song recorded, essentially, as a live recording?

I got very lucky to work with some really amazing musicians on my album. The producer, Jim Scott, brought in Chris Bruce - who I was a fan of as a bass player and guitarist. Jerry and I had been playing live together for a while; so, I knew I wanted him on the album. I was a fan of Aaron’s and was introduced to him through a mutual friend. 

We recorded the song and (pretty much) the whole album live with everyone in the same room playing together - and then would do a few overdubs after; depending on if and what the song needed.

U is the current release from your debut album. What are the themes and subjects that go into the record, would you say?

The album is, basically, a snapshot of what’s been happening in my life over the past three years: relationships, friendships; being away from home and starting again; relocating to a new country.

Do you have a favourite song from the album? Is there a cut that stands aside from the rest?

It’s always hard to pick but, at the moment, it’s definitely U. I’m really proud of how it turned out and I don’t get tired of listening to it (which is rare).

Can you tell me how you got into music? Was there a particular artist or album that sparked that passion?

The album that made me want to play the guitar, and be a musician, was ‘The White Album’ (The Beatles) by The Beatles. I remember hearing the song Back in the U.S.S.R. I’d never thought about guitars or music before that - but I’ve thought about them every single day since hearing that song.

‘The White Album’ is still one of my favourite albums of all time.

Were you raised in a musical household? What sort of music did you grow up listening to?

My dad and mum were always playing music around the house when me and my sister were growing up - and my dad’s vinyl collection was particularly inspiring to me. He introduced me to The Beatles, The Rolling Stones; Led Zeppelin, Eric Clapton; John Lee Hooker, Bob Dylan etc. - all my favourite artists still to this day.

Melbourne is your hometown. What is the music scene like there? Are nations like the U.S. tempting in regards opportunities – or do you prefer the vibe in Australia?

Melbourne has a great music scene but I’ve just found more success and a place to fit in in the U.S.

I’ll always love Melbourne and Australia but, at the moment, the U.S. has been a really great place to be, musically. I love being in L.A.; being surrounded by so much creativity - and to be able to go out even on a Monday night and see great bands playing Rock and Roll.  

IN THIS PHOTO: The Record Company

Who are the new artists you recommend we check out?

The Record Company, The Teskey Brothers and Ruby Velle & The Soulphonics.

IN THIS PHOTO: The Teskey Brothers/PHOTO CREDIT: Nick Mckk

What advice would you give to artists coming through right now?

I would say, don’t follow trends...

I think, because we live in the age of social media, it can be really tempting for certain musicians to change their music and style to fit in with what is going on and what’s popular. I think it's always better to make the music that you love and that is true to you - and just be who you are.

What tour dates do you have approaching? Where can we see you play? Will you be playing in the U.K.?  

The first half of the year, I’ll be playing shows in the U.S. and then, in May, I’ll be heading across to Europe to play for the first time. No shows currently booked for the U.K. but, once it gets closer to the European dates; I hope to try and work out some U.K. shows.

Christmas is nearly here. Do you all have plans already - or will you be busy working?

Over Christmas; I’ll be back home in Australia - so I’m looking forward to having a little break before getting back to work early in 2018.

What ambitions and aims do you have for 2018?

More gigs, more festivals; more recording and releasing new music!

Finally, and for being a good sport; you can name a song and I’ll play it here (not one of yours as I’ll do that).

Here Comes My Girl by Tom Petty and The Heartbreakers (what a chorus!)

________

 Follow Hamish Anderson

Official:

http://www.hamishandersonmusic.com/

Facebook:

https://www.facebook.com/hamishandersonmusic

Twitter:

https://twitter.com/hamishkanderson

Instagram:

https://www.instagram.com/hamishanderson1/

SoundCloud:

https://soundcloud.com/hamishandersonmusic

YouTube:

https://www.youtube.com/channel/UCP4rzgLbtOB4wYBAiCqhcGQ

Spotify:

https://open.spotify.com/artist/3POH5YUeAlpiT9URlf9g0P

INTERVIEW: Y.A.S

INTERVIEW:

 Y.A.S

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WHEN hunting around for artists worth investigating…

in 2018 – I would suggest Y.A.S is on your list! The upcoming songwriter has released the stunning single, Chasing the Dragon. I ask the Scottish-raised, London-based artist about the song and what its origins are. She talks to me about moving to England and some of the sounds that inspire her; what the future holds in terms of new material – if there are any tour dates we should keep our eyes out for.

Y.A.S tells me about working with Knightstarr and what music means to her; the three albums that mean the most to her; what her ambitions and aims for 2018 are; how she will be spending Christmas – and some advice to new artists out there.

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Hi, Y.A.S. How are you? How has your week been?

Hey. All good!

For those new to your work; can you introduce yourself, please?

I’m Y.A.S - an artist based in London. I write songs and sing them sometimes (smiles)

Chasing the Dragon is your current single. What can you reveal about its birth and concept?

The song kind of wrote itself...

It started with the opening line: “He tells me don’t chase the high…” - and that’s literally what happened. When that person said that to me it just really clicked and I was inspired to write Chasing the Dragon. At the time, I was in a deep depression where I felt very numb. I was obsessed with the theme of happiness and longing to feel what I felt before.

But, my favourite thing about this song is that the dragon can represent anything. For me, the dragon symbolises happiness when dealing with depression: it’s all you think about and long for but, because you are in such a negative headspace; happiness has become something mythical, like a dragon.

Its video intrigues me. It is a series of different shots that, I imagine, represent the racing thoughts and turbulence of broken love. Was it time-consuming putting it together – or quite a fun shoot?

It was definitely a fun shoot!

I think we were on-location for about twelve hours. It was all shot in one location with different, quirky rooms. It was quite hectic; I had quick outfit changes and it was back on camera again. I didn’t have much time to think about my performance - I just did it. I (just) expressed myself and experimented with so many poses and (just) hoped for the best!

The song has that huge Pop vibe and a cool, sexy Electronic pulse. It is very much the sound of now. Are you inspired by what is happening in the mainstream right now? How did you come about the sound one hears on Chasing the Dragon?

This song really just wrote itself. I had the lyrics on my phone - and my co-writer and I were chatting about them and their meaning. The producer just started a vibe - and we just went with it. It was written in under an hour and everything just felt so natural. I will always find sounds inspiring but, for this particular track, I made no references to anyone else...

it just happened.

Knightstarr produced the track. What was it like working with him?

It’s spiritual (smiles).

We usually work through the night -  there’s something about making music after midnight. I just love to watch him build the production. It’s really special witnessing him express himself.

It really amazes me the amount of talent and beauty that just oozes out of him...

Is there going to be new material next year? Are you working on anything at the moment?

I will be releasing an E.P. early next year - Chasing the Dragon being the opening track and, yeah; I’m always making music…so I’ll just be releasing it consistently and seeing what happens.

You moved from Scotland to London. What was the reason for the move? Is London somewhere that inspires you and provides energy?

I felt there was more opportunity in London: there isn't much of a music industry in Edinburgh. It was also (just) time to move on and try something new.

It seems like music is more than a career to you – it is a life-force and a reason to keep pushing. For many, it helps their mental-health and gives them comfort. What does it mean to you and who were the artists that inspired you to go into music?

I’ve always felt, ever since I was a baby, that performing and expressing myself was my purpose. It’s when I feel the most authentic. Music has always made me feel something deeper than anything else. When I make music; I am trying to feel that feeling. It can be the smallest detail in a song, just one random note that just hits me - and I feel something I can’t even put into words.

The artist that inspired me to make music was Pharrell (Williams). His production, melodies; arrangements and concepts are the reason I went into recording music.

IN THIS PHOTO: SIPPRELL

Who are the new artists you recommend we check out?

SIPPRELL is heavenly - what beauty literally sounds like.

Wes Period - I admire how liberated he is.

IN THIS PHOTO: Wes Period

If you had the chance to select the three albums that mean the most to you – which would they be and why?

This is the hardest question! I don’t know how to answer this!

Michael Jackson – HIStory: Past, Present and Future, Book I

I wouldn’t say this was even his best album – but, because it has so many of his greatest hits on it; I’ll say this one. I would listen to this album on-repeat and I (just) cannot explain how much Michael Jackson means to me...

I worshipped this man!

Nirvana – Nevermind

This means a lot to me. This reminds me of a time when I was coming-of-age and felt misunderstood. This album was my friend. The writing is so inspiring. I think it was the first time I really tried to interpret lyrics. I think this album is a demonstration of a person’s depth - and that inspires me.

This is really hard…but I’ll go with….

Kanye West – The College Dropout

This was our introduction to Kanye - and I was blown away. His honesty is the main thing I connected to. His story - of how his dreams manifested - is so inspiring. He makes you feel like anything’s possible. I think this was the album that gave me the courage to go after what I wanted.

Is there any advice you would give to fellow artists coming through right now?

Express yourself. Don’t make comparisons or try to imitate - and just PUT SH*T OUT THERE. Let the universe do the rest.

Can we see you perform anywhere soon? What gigs do you have coming up?

Probably sometime next year! I can’t wait to create a live show around my music.

Christmas and New Year are not too far away. Do you have plans already - or will you be busy working?

I will be in Cyprus (smiles).

What are your dreams and aspirations for next year regards music and your personal life?

I would love for a fanbase to grow: I want to connect with people. I want to grow as an artist and take more risks and be more liberated. 

I would like to have my poetry book published.

Finally, and for being a good sport; you can name a song and I’ll play it here (not one of yours as I’ll do that).

Can you plaaaaay….Kali Uchis - Loner

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 Follow Y.A.S

Official:

http://yasaquarius.tumblr.com/

Twitter:

https://twitter.com/YASaquarius

YouTube:

https://www.youtube.com/channel/UCkEq5PXPZpEDaZv2ndPqkRQ

INTERVIEW: EnaFay

INTERVIEW:

  EnaFay

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I have been speaking with EnaFay…

about her awesome new E.P., Arwen. It is a stunning and beautiful collection of songs that make you reflect, immerse and imagine. The German-born artist talks about her influences and upbringing; how she will spend Christmas; how important dance is to her sense of liberation and musical dynamic – and how Celtic symbolism inspired her E.P. title.

EnaFay talks about her upcoming E.P. launch in London and what she has planned for the future; the albums that mean the most to her; why she moved from Germany to Ireland; whether London is a good place to record music; a few new acts we should check out -  she tells me what she learnt about herself whilst recording Arwen.

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Hi, EnaFay. How are you? How has your week been?

Hi, Sam. I’m really good, thanks - and it’s been a busy and great week since I released my debut E.P. (only last week)! 

For those new to your work; can you introduce yourself, please?

Of course! So. I’m the artist EnaFay; singer-songwriter living in London - at the moment - born in Germany; partially raised in Ireland…so, in the same way I have several homes; my music does, too.

I play soul music but it’s a bit experimental - there’s a lot of different influences in there.

Arwen is your debut E.P. What does it feel like having it out to the world? What are the main themes you explore throughout?

It feels like a weight has been lifted off of my shoulders.

Don’t know if that surprises you but even though I loved working on it; it just feels so good to have completed it and to not be able to go back and change another thing. It has been a long process for me to get it out there. I am quite the perfectionist which, sometimes, can make it hard to…you know…let go. So, to me; one of the biggest achievements about it is to have - in fact - let it go! 

This is a theme (also) on the E.P. - “Let go, make me proud/we are no longer restricted” in the last track of the album. Restricting yourself by being too hard on yourself; restricting the other by not giving them the space they desire; finding the balance between the two poles - you and me, black-and-white; fire and water…‘Arwen’ is symbolic and it means ‘total unification of polarities’.

The title has a Celtic connection. Growing up in Ireland; is that exposure and experience of the country the reason you chose ‘Arwen’ as the title?

So, yes; ‘Arwen’ is, indeed, a Celtic symbol!

The idea behind the E.P. is finding balance in a relationship as well as yourself - so it sums it up nicely. I only came across this symbol, however, when I was already living in London - so many years after moving away from Ireland. But, I was doing research specifically on Celtic symbols in connection to myself as an artist; so, the time living there definitely had an impact on me - since I deliberately chose to make it a part of what I was working on. 

Did you learn anything about yourself whilst recording the E.P.? How much of an impact did the music make on you?

Big question. I could probably write a book on it! Haha…

As I mentioned; it was quite a long process and in that time I learnt so much. (Also, about myself). The whole E.P. felt like a not so personal matter at the beginning (quite a few songs on it I wrote about other people, not myself) and now, after three years, it feels like I have lived them all!

The truth is (this may sound like a cheesy ending); I would say I have come a lot closer to feeling balanced than I have ever been before. But this is, of course, in no way an end. One of my favourite sayings is: “Life is like riding a bicycle - to keep your balance, you must keep moving”!

I believe you are launching the E.P. in Walthamstow next month. What can you reveal about the gig?

It will be a night not to miss…this is where it all comes together…music, dance; a bit of drama and a bit of poetry. A lot of the amazing people I have been working with on this E.P. will be there, which makes me feel ever so grateful - as it shows how relationships can last! To add to that; talents I met more recently will be shaping the evening with me so, overall; I am hoping it’ll be the spring for more collaboration.

Also; it will be the day that I release the physical C.D.s, too!

Looking at videos you have filmed; it seems dance plays a big part in your life! How important is it with regards freedom, expression and adding physicality to the music?

I chose to have two dancers take on the main ‘characters’ in my music videos - as it is a physical expression of the music and the story being told. Dance, to me, leaves a lot of freedom in the way you can interpret. In this case; I wanted it to support, but not distract too much from the songs. Adding dance, to me, adds another layer - which leaves more freedom for the audience than, for example, if the singer is singing the song into the camera.

London is where you are based now. You have moved from Germany to Ireland; now to England! What was the reason for settling in London? How important is the city to you?

I came to London to study Contemporary Music Performance and, then, I stayed as it seemed like the only thing that would make sense for me to do. I had just started working with people that I wanted to continue working with. I think the overall excitement in London and drive is what makes me feel like it is the place to be for me: work hard, play hard as they say (smiles).

Which artists did you grow up listening to? Which musicians have inspired your own music?

I grew up listening to Britney Spears, J-Lo; Alicia Keys and Destiny’s Child. I pretended to be all of them (especially Beyoncé) - it was so much fun! I also went through phases listening to Eminem and Rammstein. When I was around sixteen, I think; I identified most with Alicia Keys - I was playing the piano and singing some of her songs. I got more into writing songs with the piano. I was, however, mainly classically trained on piano. Later, I switched from mainly female artists to male - it was Frank Ocean and The Weeknd for me.

Massive Attack came into the picture as well as Björk and Kate Bush - who I had never heard of before...but I was told I had a similar vibe to.

IN THIS PHOTO: Lyves

Who are the new artists you recommend we check out?

I would recommend Lyves. Very atmospheric and soothing. Also; SYML. A very touching singer/songwriter.

Emmit Fenn is an Indie/Electronic artist - very good looking, too (smiles).

IN THIS PHOTO: SYML/PHOTO CREDIT: Shervin Lainez

If you had the chance to choose the three albums that mean the most to you – which would they be?

Alicia Keys - Songs in A Minor

Drake - Nothing Was the Same

Destiny’s Child - Survivor

Is there any advice you would give to artists coming through right now?

Try and not put your life into social media’s hands. With that, I mean live a life outside of it…we are, at the moment, so pushed to put our efforts into growing a following online that it is easy to lose track what it is that actually drives us (not two more Facebook ‘likes’ or a ‘retweet’). It’s the connection happening in the rehearsal-room; in the studio or on stage.

At least that is what it is for me….

Can we see you perform anywhere soon? What gigs do you have coming up?

Right now, just at my event in January. I will probably have some more gigs coming up in February/March again, though.

Are you looking ahead at new material in 2018? Do you have ideas for a future project?

Once the E.P. Release Gig is over; I will do a lot of songwriting. I have had a lot of ideas in the past months that I never managed to turn into something more complete (due to time restrictions). So, this is what I want to focus on for some months in the New Year. What these songs will lead to exactly - I don’t know yet.

But, I have several ideas….

Christmas is almost here. Do you have plans already - or will you be busy working?

Yes; only a few days to go!

Until then; I’ll be sorting out all the presents that I still need to get…I have quite a big family. Over Christmas, I’ll be in Northern Ireland in the countryside with some of my family - but I’ll be quite busy with preparing my E.P. Release Show on 13th January!

Finally, and for being a good sport; you can name a song and I’ll play it here (not one of yours as I’ll do that).

Yay (smiles). Fear of the Water by SYML, please.

The official music video is amazing, too!

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 Follow EnaFay

 Official:

http://www.enafay.com/

Facebook:

https://www.facebook.com/enafaymusic/

Twitter:

https://twitter.com/EnaFay

SoundCloud:

https://soundcloud.com/ena-fay

Instagram:

https://www.instagram.com/enafaymusic/

Spotify:

https://open.spotify.com/artist/7mmr32mIE84ERxHU3uFsfC

YouTube:

https://www.youtube.com/channel/UCKM59Elk6fuRdSKPFYkotVQ

INTERVIEW: James Perryman

INTERVIEW:

 James Perryman

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THIS interview will be spread around my social media…

in February – when James Perryman’s latest track, Why Do You Only Love Me When I’m Stoned?, is released. It is out on 12th - and is a fantastic offering from the talent London-based songwriter (I have had a sneaky listen and can attest). Of course; I wanted to get the interview out now so people can check out Perryman’s existing work; get excited about what is to come and make sure they prepare their mind for the single - and his third E.P., The Narrow Gate (not out until April). It has been a frantic period for Perryman, so I was keen to catch up and see what his new material is all about – and the themes that have driven his latest work.

He talks to me about his time working with Angus & Julia Stone; thrilling audiences with The Honey Ants – and what it was like having The Honey Ants’ John Grimsey co-produce his (upcoming) E.P.

Perryman discusses the changes in his work and the albums that mean the most to him; some new artists to investigate; how paternal duties (for Perryman and his band) changed things; musicians that have inspired him; whether there are any gigs in the calendar; what advice he would give to new songwriters – and how it feels being compared with the likes of Father John Misty.

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Hi, James. How are you? How has your week been?

Good, thanks. Busy at the moment getting ready to release new music and rehearsing new songs for some upcoming shows.

For those new to your work; can you introduce yourself, please?

I’m a singer-songwriter from West London - and I’m soon to release my third E.P., The Narrow Gate.  It’s kind of Alt-Country (but it’s pretty broad overall).

Why Do You Only Love Me When I’m Stoned? is your new track. I love the title! What can you tell me about the song’s origins?

Thanks. Glad you like it - the title is a bit deceptive…

The song is really about the media and people’s general obsession with celebrities’ lives falling apart; whether through drugs, drink or marriages breaking down. It’s on the front covers of so many magazines - and we just feast on it.

It seems like, when these people have sorted themselves out and are well again, we just lose interest and move on to the next one.

The video shows a series of images/sketches. Who illustrated them? What was the reason for the concept/story?

I can’t really take any credit for the video: my friend Thalie Stephan did the art for the cover and the video. 

I didn’t even know she’d done the video. I just asked her to do something for the cover that was inspired by the lyrics. When she gave me the cover artwork, it turned out she’d also done this amazingly illustrated video too. She took inspiration from each line of the song and drew something.

It’s really cool. 

She’s on Instagram as invisible.supply and is definitely worth checking out.

The E.P., The Narrow Gate, is out in April – the single is released in February. What are the themes and stories explored on the E.P.?

There’s no real overarching theme on the E.P. I think, generally, all my songs come from something I feel quite strongly: I can’t just write about any old thing. 

The opening and closing tracks are really about me and my life; some of the struggles and journey so far - and knowing that we’re not alone; even in our lows. A couple of songs are about a hard time from a few of years ago when someone close to my wife and I was going through some heavy stuff around mental-health. Those songs are about how it affected each of us individually and together.

Probably, the most epic song on the E.P. is the third track, Every Piece of the Way - which is about a break-up (not mine), but that song probably carries the most angst and emotion on the E.P. 

I think there are a lot of stories in there that people will identify with.

You worked with The Honey Ants and Angus & Julia Stone. What was it like working with them?! Did you learn a lot from that time?

Yeah; both experiences were great.

I learnt a lot from Angus & Julia. It was a bit of a turning point. Before that, I was playing in a loud Rock band. Angus & Julia definitely taught me about space and depth - and being true in your songwriting. Also, you could play their songs in an arena or a living-room and they still have the same presence. I got to play some amazing places with them, too. They took me to Australia and we played Sydney Opera House on that tour.

The Honey Ants have been really cool, too. John and Rebecca are both great songwriters and really work at it all the time. They sing beautifully together, too - and have definitely influenced me harmonically on some of the newer songs I’ve been writing.

The Honey Ants’ John Grimsey co-produced The Narrow Gate. What did he bring to the work – in terms of guidance and insight?

John brought a lot to the E.P…

He’s a really good producer and has a great vision for things. He really helped shape the sound and make the songs punchier in places (and cut to the point). He produced the single, too, and got me to shorten the song - and sing it softer than I had been doing. It came out really good because of it.

What was the reason for setting up a band? How did you come to meet your cohorts?

Although we play under my name; it’s really more of a band vibe I’ve known them all for ages and we’re all good friends. It kind of just fell together a few years back. When I broke up the Rock band I was in, I started playing solo acoustic shows. After a while, I got Rob Pennel to come in and play some light percussive drums. He suggested Tom Quillfeldt on bass and, after a couple of years, we got Olivia Coghill in to sing with us (and sweeten up the harmonies). I love the guys I play with. 

I’m always gutted if one of them can’t make it to a show.

I believe paternal duties delayed the progress of your new music. Was it important for you and the band members to focus on family - before following up on To Whom It May Concern and Consumed by the View?

It wasn’t really planned: it’s just that we all ended up having kids around the same time (five of them in total!). It really put the brakes on things in terms of free-time and finishing off the E.P. Although we love playing together; I think it was really important to get our priorities straight - and get to know these new little cool people in our lives before proceeding with the E.P.

 

Your voice has been compared to the likes of Father John Misty. (I hear shades of Glen Campbell, too). Are these names you are compelled by?

Yeah, definitely. They’re both great singers.

When I was younger; I didn’t really know what my voice was: I just emulated singers that I liked. I think, eventually, I started to really identify with singers who, I felt, were delivering truth and weren’t putting it on - they were just singing in the voice they speak in. 

Johnny Cash and Sturgill Simpson are definitely a lot like that.

Which artists did you grow up listening to? Which musicians have inspired your own music?

My music taste is a bit all over the place: anything from Mastodon to Take That. I think the bands that really stand out - and have influenced the music I write - are The Beatles, The Band; The Black Crowes, Bon Iver (all the Bs) - amongst various other things. 

I grew up listening to Nirvana, Foo Fighters and Queens of the Stone Age - and I still love all that stuff. I was very influenced by my dad’s record collection, too: stuff like Crosby, Stills & Nash, the Eagles; Led Zeppelin, Evan Dando/The Lemonheads.

The Lemonheads were probably my entry to Country music because they covered some Gram Parsons and, through Gram Parsons, I discovered a load of other Country that I fell in love with.

IN THIS PHOTO: The Honey Ants/PHOTO CREDIT: http://jenmphotography.com/

Who are the new artists you recommend we check out?

Well…obviously The Honey Ants. 

There’s a great singer-songwriter called Louis Brennan (who is a mate of mine). Also; Officer is really cool. His album sounds pretty different to his live shows - but he’s great and definitely worth catching live.

IN THIS PHOTO: Officer

If you had the chance to choose the three albums that mean the most to you; which would they be?

The Band – The Band

This album is amazing. It’s just a load of guys working it out and playing in a room. It’s honest. They’ve got three great singers - and it’s just fun and groovy.

Chris Whitley and Jeff Lang – Dislocation Blues

Angus & Julia’s old drummer put this on my radar when we were in Australia. I think it’s recorded in a warehouse. It’s so cool and gnarly. Very raw. It just has a great feel and there’s so much power coming out of it - considering it’s all acoustic guitars.

R.E.M. – Up

This album is so cool. I saw R.E.M. on this tour the first time I went to Glastonbury Festival in 1999 - and it was magical. The album is so broad. (There’s a great Beach Boys influence). It’s rocky, edgy; sorrowful in places.

Love it.

Is there any advice you would give to fellow artists coming through right now?

Enjoy it. Find people you love to play with and have fun….

Also; find people to help you if you can. There’s so much stuff to sort out around gigs and releases: if you try to do it all yourself, you’ll probably run out of steam for the music.

Can we see you perform anywhere soon? What gigs do you have coming up?

I’ll be playing on 7th February at The Bedford in Balham (just ahead of the single release on 12th February). Also; I’m playing at The Coppermill in Walthamstow on 16th February (the week after the release).

Christmas is not too far away. Do you have plans already - or will you be busy working?

Hopefully; I’ll be sitting down doing nothing. My only request this year was that we didn’t host - as I’ve spent about six hours in the kitchen for the last few years.

Finally, and for being a good sport; you can name a song and I’ll play it here (not one of yours as I’ll do that).

Billy Ray Cyrus - Achy Breaky Heart! 

Haha. Cos a mate of mine has been calling me ‘Billy Ray’ recently and cussing my mullet. I’ve had it for about eight years -ain’t nothing wrong with a bit of tail!

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Follow James Perryman

Facebook:

https://www.facebook.com/jamesperrymanmusic

SoundCloud:

https://soundcloud.com/jamesperrymanmusic

Instagram:

https://www.instagram.com/jamesperrymanmusic/

Spotify:

https://open.spotify.com/artist/28sHJ6b2qsR17tU46M1zee

YouTube:

https://www.youtube.com/user/jamesperrymanmusic

INTERVIEW: Martha Ffion

INTERVIEW:

ALL PHOTOS: Laura Meek 

Martha Ffion

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THERE are some songs that intrigue the senses and cause…

the listener to conspire and dream. We Make Do is one such number and one I was keen to talk to Martha Ffion about. She discusses the background to the song and the upcoming album, Sunday Best. I ask whether her work has evolved since last year’s (E.P.) Trip and what comes next; the highlight of her year – and what it was like growing up in a Catholic household.

I ask the talented songwriter about the new artists she recommends; whether there are going to be any gigs coming up; how her week has been - what themes and ideas are explored on Sunday Best.

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Hi, Martha. How are you? How has your week been?

I am good, thank you. It’s minus-six-degrees outside - but it’s nearly Christmas and I’ve just announced my album release.

So I’m very happy.

For those new to your work; can you introduce yourself, please?

My name is Claire Martha Ffion McKay and I am a songwriter. I grew up in Warrenpoint, Northern Ireland – but I now live in Glasgow.

My music is inspired by both classic songwriting and Indie music.

Sunday Best is your latest album – out early next year. What can you reveal about the sort of themes that you explore on the record?

An overriding theme is ‘what does it mean to be good?’ - in terms of both the expectations of others and of society as a whole and how that pressure affects us.  

We Make Do is the new single from the album. What is the origin of that song?

It came out of a conversation I had with a family member...

I was feeling a bit overwhelmed - as certain things weren’t going well for me or for them and they sort of told me to toughen up a bit. The song is both expressing frustration at that stiff-upper-lip culture - but also accepting the idea that sometimes ‘just getting by’ in the face of adversity is good enough.

Your reputation has increased and strengthened following the last year’s E.P., Trip. Have you noticed yourself grow as a songwriter?

I hope so. I do feel I’ve grown into my identity more as a writer and have more confidence in what I like.

You were raised a Catholic in a small-town part of Ireland. Was it quite frustrating growing up, wanting to see more of the world? Was there a need to break from it and see the bigger world?

I loved where I grew up. It’s beside the sea and really beautiful. To be honest; I was pretty sheltered and generally content. It wasn’t until I turned eighteen that I started to get itchy feet and felt I had to move away.

Now, I’m shocked by how little I knew about the world.

IN THIS PHOTO: Andy Shauf/PHOTO CREDIT: Geoff Fitzgerald

Who are the new artists you recommend we check out?

Andy Shauf (not really new - just under-appreciated), Spinning Coin and Katie Von Schleicher.

IN THIS PHOTO: Spinning Coin/PHOTO CREDIT: Stuart Macintosh

Can we see you perform anywhere soon? What gigs do you have lined-up?

I’m playing some dates in March:

Cardiff - Clwb Ifor Bach on 7th

London - Waiting Room on 8th

Edinburgh - Sneaky Pete’s on 9th

Glasgow - Mono on 10th

Newcastle - Think Tank on 11th

Looking back at this year; has there been a moment that stands as a highlight for all of you?

Howlin’ Fling festival on the Isle of Eigg. It was one of the best festivals I’ve ever been to and one of the most fun I’ve played. It was a memorable weekend.

Also; recording the album was an amazing experience.

Finally, and for being a good sport; you can name a song and I’ll play it here (not one of yours as I’ll do that).

Kevin Morby - Dorothy (because everyone should hear this song!)

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Follow Martha Ffion

Facebook:

https://www.facebook.com/marthaffionmckay/

Twitter:

https://twitter.com/marthaffion

SoundCloud:

https://soundcloud.com/martha-ffion

Spotify:

https://open.spotify.com/artist/5Hfe2K074kukMOuccDN5Lc

YouTube:

https://www.youtube.com/channel/UCO6vO8obWc5AquttAWIDnYw/feed

INTERVIEW: Chloé Bodur

INTERVIEW:

 Chloé Bodur

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IT has been interesting speaking with Chloé Bodur…

as she discusses the difference between the people of London and Brighton (she spent eighteen years growing up in the capital but prefers the openness and easy-going fun of Brighton). Bodur tells me about her debut single, Glory, and the story behind it; what comes next in terms of music; why gender-equality is important to her – and how she will spend this Christmas.

I ask about her influences and how it feels being championed by the likes of BBC Introducing; what it easy like being raised in a mixed-race household; a new artist she recommends we check out – she gives some great advice for young songwriters coming through.

________

Hi, Chloé. How are you? How has your week been?

Good, thank you! I came back home last week for the Christmas holidays - so it’s been really nice seeing family and friends etc.

For those new to your work; can you introduce yourself, please?

I’m nineteen-years-old and am a singer/songwriter from North West London - but currently studying Music at university in Brighton. I’ve been performing with my band (big up James, Jono; Malte, Matt and Sergio) since March.

We just put out our debut single, Glory. 

Glory is your debut song. It is smooth R&B with an edge of urgency! Can you tell me about its background and creation?

Glory was originally (just) a poem I’d written...

I didn’t plan on taking it to the band but I ended up recording us jamming at my drummer’s house one day and, in the recording, you can hear me sing the word ‘glory’ here and there. I went home and played around with that voice memo and recorded my poem as lyrics over the top.

I then sent what I’d done to the boys - who loved it - and it just fell together naturally from there, really. 

It has been released via Live Nation’s Ones to Watch and produced by J.D. Reid. What has it been like working with Reid?

J and I have always been super-close; so it was easy to work with him. I’m sure we’ll collaborate properly on a tune next year. 

Various BBC stations have championed the track. Does it feel good knowing so many people are responding to it?!

Yeah, it’s amazing. When Jazz FM played Glory - that was a special moment for me.

Is there going to be new material coming? What are you working on?

Ooooooooh, yes!

I’m hoping to release a lo-fi, kinda-homemade E.P. next year with some dark jazzy tunes of mine that nobody’s ever heard. I’d like to get that all out of my system before releasing the fluffy Neo-Soul-style tunes I play with the boys. 

I’m also featuring on some Electronic releases next year. 

You were raised in a mixed household in London. How important is your upbringing and the artists you were raised on?

I think my upbringing is 99% of why I’m doing what I’m doing.

I was raised around a lot of good music - but mainly a lot of love and support. I wouldn’t have the same work ethic, motivation and belief in myself if it wasn’t for my parents and their constant love. 

Can you tell me the acts and albums you loved during your childhood?

I mainly listened to singles when I was a child: the only albums I heard were whatever my parents were playing around the house or in the car. The first album I remember rinsing by myself was Channel Orange (by Frank Ocean) - but that’s probably (just) because my memory is awful. 

What compelled your decision to move to Brighton? How do you find the people there compared to London? Is it somewhere you feel more at home?

I moved to Brighton to study and to find myself a band. The people in Brighton are so much more friendly, left-wing and P.C. than in London. They’re also much easier to please when it comes to live music - and there’s certainly a better sense of community than where I come from. I still feel more at home in London, because it’s where I grew up for eighteen years, but I do love Brighton.

It’s a great place to escape to. London is too hectic and grey sometimes. 

I know you promote empowerment of women. Does your background and start in life make you more focused to raise the rights of women – and let others know they can make it?

Yeah. I’d love to do whatever I can to empower the olive-skinned girls out there that have to put up with all the racist bullsh*t - as well as all the sexist bullsh*t. The industry is defiantly improving, though, and making an effort to be more inclusive…

But it’s still got a long way to go. 

IN THIS PHOTO: FUR/PHOTO CREDIT: Getty Images/Band

Who are the new artists you recommend we check out?

FUR are a band from my uni - Will’s in my class. He’s very lovely and a great songwriter. Their music is 1960s-inspired and impossible not to like.

Their video for If You Know That I’m Lonely is great, too. 

If you had to select the three albums that mean the most to you; which would they be and why?

Couldn’t possibly just pick three - I’m sorry!

What advice would you give to artists coming through right now?

Don’t give up and don’t compare yourself to other artists too much.

Write and finish as much as you can and share what you’re doing with people. Don’t feel disheartened if you do a show and there are only three people listening - because everyone’s been there. 

Can we see you perform anywhere at the moment? What gigs do you have coming up?

I’ll be releasing details of my headline show in London next year on my socials (Facebook, Instagram and Twitter) soon. 

Christmas is not too far away. Do you have plans already - or will you be busy working?

I will be overeating at my aunt's house, in London, as I do every year. 

Finally, and for being a good sport; you can name a song and I’ll play it here (not one of yours as I’ll do that).

George Baines - Summer Come Back

George is my flatmate and one of the best songwriters I know. He was BBC introducing Artist of the Week last month. My favourite songs of his haven’t even been recorded yet - so keep your eyes peeled for his 2018 releases.

He’s one-to-watch, for sure. 

________

 Follow Chloé Bodur

Facebook:

https://www.facebook.com/chloebodurmusic/

Instagram:

https://www.instagram.com/chloebodurmusic/

Twitter:

https://twitter.com/c_bodurmusic

SoundCloud:

https://soundcloud.com/chloe-bodur

Spotify:

https://open.spotify.com/track/4ucUZ260uit7vsvQfcDqgh

INTERVIEW: Zoey Lily

INTERVIEW:

 Zoey Lily

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THE release of a new single is always exciting…

so I have been chatting with Zoey Lily about her track, Nothing. She tells me about its background and whether there is more material planned; what it feels like to have the backing of some high-profile, reputable music sites; how her time in Les Mayons affected her music; the sounds/artists she is inspired by – and how she got into music to start with.

Zoey Lily talks about the mainstream and how it feels being an independent artist; the albums that mean the most to her; whether there are going to be any gigs in the coming weeks; what she has planned for Christmas – how important London is with regards her music and ambitions.

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Hi, Zoey Lily. How are you? How has your week been?

I’m really good, thanks. I had a very productive week as I spent a couple of days in the studio (in Leeds) working on new tracks.

For those new to your work; can you introduce yourself, please?

My name is Zoey Lily and I’m a singer/writer.

Nothing has been out a few days. What has the reaction been like to the song?

The reaction’s been good, overall. I’m really happy to finally have put out some music.

Can you tell me how it came to be and what inspired it?

This track is based on a poem I wrote last year.

I started to play around with some melodies that would fit the meaning of the poem - so it came together in a very natural way. I like the way this led to a more complex structure of the lyrics. There’s not a clear storyline but a lot of phrases with a meaning within themselves - and they only make sense when looking at the whole track.

The Line of Best Fit and Amazing Radio have already featured it. Does that give you strength and confidence – knowing big sources are responding to your music?

Yeah. It’s very motivating to see blogs like Line of Best Fit or Amazing Radio supporting my track. I think it matters who actually writes about it or features the track but, in the end, it comes down to the people - if they really like it and listen to it.

You are an unsigned artist in London. Do you think, the fact you are an independent artist, it gives you the freedom to write as you please? How important is the city and its people to your creativity?

Yes, definitely!

It’s really important to me to have the full creative control over my songwriting and music. I’d say, at the moment; London is the right place to be for me - as a substantial part of the music industry is located here and the amount of creatives is enormous.

How important are your parents, and the time spent in Les Mayons, to your music and growth?

My parents would always give me a lot of freedom as a child and supported me in whatever I was doing. I started off with playing the clarinet and acting; then, later tried gymnastics and ballet before I started to play the piano and guitar. I grew up in a very artistic environment and music has always been a crucial part of our daily life.

In Les Mayons; we’d always listen to music when getting up on weekends and when having breakfast.

How did you get into music? Was there an artist that inspired you to take it up?

Up until (like) two years ago; I never thought about going into music professionally. I started writing songs when I was thirteen but wouldn’t share the songs with anyone - I just liked ‘creating’ them. My dad was the main reason I started to play the guitar in the first place and, once I was able to accompany myself with an instrument; I started to write more and more songs.

You have achieved a lot this year. Do you have plans for new material in 2018? What is on your mind?

I’ve got much more music to come out in 2018.

I think some of the new material will be slightly unexpected to people who’ve been following me since the beginning, as they’re a bit more upbeat; still dark, though.

I don’t think I’ve achieved much yet, but thanks.

What do you think of the current mainstream? There are a lot of different artists out there! Do you think current music is pretty strong and compelling?

To be fair, I probably wouldn’t know all of the songs currently in the charts. I do listen to a lot of different music, though; from mainstream to Classical piano music. There are so many great artists around and I feel like a lot of music sounds slightly similar - so I think the main challenge is to do something unique and recognisable.

IN THIS PHOTO: Little Simz

Who are the new artists you recommend we check out?

Little Simz is one of my new favourite artists. Her lyrics are amazing and I think she developed a very specific and unique sound (which I like a lot).

If you had to select the three albums that mean the most to you; which would they be and why?

Lana Del Rey – Born to Die: The Paradise Edition

Frank Ocean – Channel Orange

Eminem – Curtain Call

Born to Die: The Paradise Edition was such a new and unexpected album. I love the tracks featuring in her short film called Tropico - and how they are connected in a story.

It’s so rare that you find an album you love every track on, and Channel Orange is definitely one of them.

Eminem’s Curtain Call feels so honest and raw, lyrically. Tracks like When I’m Gone and Mockingbird will never lose their value to me - as they’re so timeless.

Can we see you perform anywhere soon? What gigs do you have lined-up?

Yeah. I’ll be (hopefully) playing a show in spring 2018, in London.

What advice would you give to artists coming through right now?

I guess, at the moment, I’m still the one in need of advice…but, if I had to say what I think is important; it’s to know why you’re doing what and where you want to go - and then to get the right people to support you in your vision.

Christmas is not too far away. Do you have plans already - or will you be busy working?

I’ll spend Christmas in London with my aunt or go and see my grandma - who will be one-hundred on 25th December.

Finally, and for being a good sport; you can name a song and I’ll play it here (not one of yours as I’ll do that).

Frank Ocean – Pyramids

Eminem – When I’m Gone (if the other one is too long)

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Follow Zoey Lily

Official:

http://mezoeylily.com/

Facebook:

https://www.facebook.com/mezoeylily/

Instagram:

https://www.instagram.com/mezoeylily/

Twitter:

https://twitter.com/mezoeylily

Spotify:

https://open.spotify.com/artist/0LazfGmIM2fG2g9Xg3ZLWA

INTERVIEW: Nightshifts

INTERVIEW:

 Nightshifts

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MY mind raced too quickly to a name-based question…

when speaking with Nightshifts. I ask him about the song, Karma, and what the story behind it is. He discusses his music and what he hopes to achieve going forward; why there is such a busy and impressive music scene in Toronto; a few artists that are worth checking out; working with Matthew Vlahovich on his latest track – and whether he will come to the U.K. anytime soon.

I ask him what he has planned this Christmas and the music he grew up to; the albums that mean the most to him; why Bon Iver is such an important artist to him – what he would say to any new artists coming through at the moment.

________

Hi, Nightshifts. How are you? How has your week been?

I am wonderful, thank you! My week has been great: writing tunes and Christmas shopping.

For those new to your work; can you introduce yourself, please?

I am a twenty-five-year-old musician from Toronto. I spend my nights recording guitars, synths and drum machines in my bedroom. During the day, I play guitar in the Indie-folk band, Wild Rivers. I love dogs, guacamole and vinyl (in no particular order).

Before I go on – and a little name-based ‘humour’ – if you had to do a night-shift at any workplace; what would it be and why?

Late-night pizza-driver. I love driving at night; listening to music (and pizza…).

It seems, mind, you use the night to experiment with music and keep your mind active. Is sleep something that alludes you? How productive are your night-time recordings?

I’ve had troubles sleeping for most of my life...

It was something I really worried about and had anxiety around. I decided to embrace it fully and live a more nocturnal lifestyle. I used to just lay awake for hours and feel bad the next day that I had wasted so much time.

Now I use that time to write and record (sorry, roommates!).

Karma is your new track. What is the story behind it?

I have been holding on to Karma for a couple of years - it began with a beat I made one winter night…

A couple weeks later, I had the opportunity to go into the studio with Matthew Vlahlovich of Young Empires. We were looking for a starting point, so I brought up this beat. The beat had been called Karma - named after a stripper with the same name that we had hired for a friends birthday party (sorry, Mom!).

The song needed lyrics. I had recently graduated and, like many of my friends, I was having a bit of an existential crisis regarding my career path. I was thinking a lot about what I should be doing with my life. It occurred to me that no one really has those answers - and that we should be easier on ourselves.

This song was written about the sense of relief that letting go creates.

What was it like working with Matthew Vlahovich (of Young Empires) on the track?

It was fantastic. I had never collaborated with an experienced producer before and it was awesome to see how much we differed and how much we had in common.

He has been an incredible mentor ever since.

Was recording the track, and making music in general, a way to quell nerves and focus your thoughts?

It was definitely a cathartic experience.

It causes me to think deeply about whatever is on my mind. It also allows me to turn any negative experience into a productive experience. If something bad happens, I always think: at least I get a song out of it.

I understand your eponymous album is arriving soon. When will that be and what kind of subjects will you be addressing throughout?

I have been recording the songs for this album over the last couple of years. It is a very personal one. It will arrive mid-January, 2018!

The songs are all about love, growing up and figuring out what I am all about.

You produced an official remix of Bon Iver’s Michicant. Was that quite an experience and do you like stepping away and working on other artists’ music occasionally?

That was a fantastic milestone.

I remixed the song with one of my best friends. We chose that song because Bon Iver/Justin Vernon was a huge hero of ours. A few days later, Justin Vernon was tweeting about us and promoting the song. It was the first real validation I had from creating music. It was also the first time I had been paid for music - which really solidified the idea that this is what I will do for a living.

I am encountering a lot of musicians around Toronto and Vancouver. Is there something in the Canadian water, would you say?!

I think about this a lot as I find myself listening to mostly Canadian musicians. I have come to a few conclusions: we are so fortunate to have a grant system which really supports the arts. The government pays for artists to record albums - so that certainly helps. I think the drastic change in season is also a goldmine for inspiration.

Also, if we are locked inside for the frigid winter; we may as well be making beats!

IN THIS PHOTO: Andy Shauf/PHOTO CREDIT: Geoff Fitzgerald

Who are the new artists you recommend we check out?

Well. On the subject of great Canadian artists; I would check out Andy Shauf, Bahamas and Leif Vollebekk. All absolutely incredible - and you can hear the seasons in their music.

I also can’t get enough of Julia Jacklin - an incredible songwriter from Australia.

IN THIS PHOTO: Julia Jacklin/PHOTO CREDIT: @daniel.boud

If you had to select the three albums that mean the most to you; which would they be and why?

MGMT - Oracular Spectacular

It was the first time I really discovered a new band. My friend Brady and I stumbled across their MySpace before they even had a record deal. No-one sounded like them at the time. After discovering them, I became addicted to searching for undiscovered bands.

Their sounds are still showing up in my recordings.

Radiohead - In Rainbows

This was another big one for me…it just blew my mind. I just remember lying in my bed listening to it on-repeat.

Kanye West – The College Dropout

Kanye was my first musical idol. When I was eleven; my friend and his mom brought me to one of my first concerts: it was Kanye West opening for Usher. Kanye was supported by John Legend on keys; A-Trak D.J.-ing, GLC hype-manning and Christina Milian singing back up. It was incredible.

I looked up to Kanye as a role model - and still; l try to bring his confidence to my creative process.

What advice would you give to artists coming through right now?

Think very deeply about whether this is what you want to do. If you can’t live without making music, then commit yourself fully. I think a lot of artists struggle by being on the fence. The only way (I think) you will be successful is if you dive in and commit yourself to being a musician.

I also would try not to overthink the process. I struggle with this. Just make music you love; release it, promote it and repeat.

Where can we see you play this year? Any plans regarding coming to the U.K.?

It is a secret right now - but there will be some shows announced in the New Year! A lot of my family is from Britain; so I am definitely hoping to tour there soon.

Christmas is not too far away. Do you have plans already - or will you be busy working?

Lots of family-time.

I have been only working and thinking about music for the last few months: it will be nice to shut off and refresh a bit.

Finally, and for being a good sport; you can name a song and I’ll play it here (not one of yours as I’ll do that).

Bahamas - No Wrong

________

Follow Nightshifts

Facebook:

https://www.facebook.com/nightshiftss

Instagram:

https://www.instagram.com/nightshiftss/

Twitter:

https://twitter.com/nightshiftss

Spotify:

https://open.spotify.com/artist/1GLzXZd8MfzeQgkKKR7k8C

SoundCloud:

https://soundcloud.com/nightshifts

INTERVIEW: Dear Pressure

INTERVIEW:

Dear Pressure

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THEY are new on the block…

but there is a lot to be excited about when it comes to Dear Pressure. The Canadian duo discuss the single, NEVER, and how they got started in music; Quin and Matt tell me how they came about the name ‘Dear Pressure’; whether there is more material coming up; what they have lined up for Christmas – whether they experiment a lot to create such a catchy song.

I ask about their influences and upbringing; whether there are any gigs coming up before the end of this year; whether Toronto is a great place to create music; advice for any new songwriters emerging – and how this week has fared for the guys.

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Hi, guys. How are you? How has your week been?

It’s been great, thanks! Really excited about finally having some music out. We’ve also been honing in on some more tunes this week (which has been fun).

For those new to your work; can you introduce yourself, please?

We’re Quin and Matt. We pretty spend all of our time making tunes at this point - not much else to the story. 

Can I ask just ask about the name, ‘Dear Pressure’? Where does that name stem from?!

We had been messing with a ton of different band-names - and they were all really bad.  None of my friends liked any of the names we had. At a certain point, we were like: “Hey; we should stop giving into peer pressure”. 

We just word-played from there because we're weird…and then, bam, ‘Dear Pressure’ stuck.

 

Your new single, NEVER, is out. Can you reveal the story behind the song?

Matt: NEVER was a tune we made in the summer. We have diverse musical influences; so it’s been (always) a challenge to fuse them in a way that makes sense to ourselves. NEVER was one of those songs that came super-quickly and naturally - within one jam session we had most of the song laid-out. Quin wasn’t completely sold on the song so; I was like: “Dude; listen in the car and you’ll know what I’m talking about”.  

So; we went on a drive and then we both knew it we had something cool on our hands.

Quin: That’s the one good thing about cars.

The song certainly does get into the head! Did it take a look of experimentation and work to perfect its sound? How quickly did it all come together?

Making the actual song itself was easy.

It happened very quickly but we had been trying all sorts of different things for about a year.  We had so many ideas and fragments - and I guess NEVER was the song that put it all together.  

Do you feel you’ll release more material in 2018? What do you have planned?

Yea; we’re releasing an E.P. in 2018.

How did Dear Pressure come together? How long have you guys known one another?

Matt: We met in class but we didn’t talk about music - until one day, where we did talk about music because I was carrying my guitar home. The rest was history…

Quin: I ran into Matt on my way to a friend’s place and he was carrying a guitar. I asked him how he was doing and he said he had been busy with music. We just started talking from there and we showed each other some things we were working on.  

Is it a pretty good place to record music, Toronto? Why is it proving so attractive and fertile for new music?

Matt: Right now; Quin and I could be on the beach if this wasn’t Canada – but, instead, it’s minus-seventeen; so we were stuck inside recording tunes. Not really complaining about either: it’s a pretty great thing to be stuck doing. 

What sort of music did you both grow up on? Do you both come from eclectic households, musically?

Yea; we both listen to a lot of different genres. 

Quin: I grew up in Hong Kong. They play a lot of Cantopop there. But, I spent most of my time alone in front of my computer. So, when I was thirteen or so, I discovered Radiohead and The National (through the game, Portal 2) and got really into them - and then I found U.K. Garage and Dubstep tunes deep into YouTube. It’s funny; because I was just some kid who had never even been to Europe, let alone a rave or a club. But it got me into producing music – Electronic music, music with laptops.

So; I thank the Internet for that.

Matt: I’m really all over the map: I grew up listening to a lot of Blues music. I’m a huge SRV, Jimi Hendrix and BB King fan. I always go back to those records, especially Axis: Bold as Love by Hendrix and Live at the Regal by B.B. King. I also love Psychedelic-Rock.

I dig some of the modern incarnations of it - especially Tame Impala.  

IN THIS PHOTO: Joseph Ember

Who are the new artists you recommend we check out?

We’ve been working with our buddy Joseph Ember a lot. He’s about to drop some fire

If you each had to select the album that means the most to you; which would they be and why?

Quin: Untrue by Burial – or, maybe, Blonde by Frank Ocean

Matt: Empyrean - John Frusciante

I just think it is the best late-night album of all time (late-night if you’re alone and sad, though). The guy is a genius.

Can we see you perform anywhere soon? What gigs do you have lined-up?

We’re really focused on getting the record done first and then we’ll play - down the road for sure...

Do you think you’ll come to the U.K. and perform next year?

That’s the dream.

What advice would you give to artists coming through right now?

I think we’re coming through right now: so; if anyone has any advice for us, let us know…

Christmas is not too far away. Do you both have plans already - or will you be busy working?

We have plans to work - we’re always working.

Finally, and for being good sports; you can name a song and I’ll play it here (not one of yours as I’ll do that).

River Tiber’s Patience is blowing our minds

________

Follow Dear Pressure

Facebook:

https://www.facebook.com/dearpressure/

Instagram:

https://www.instagram.com/dearpressure/

Twitter:

https://twitter.com/dearpressure

SoundCloud:

https://soundcloud.com/dearpressure

INTERVIEW: Percival Elliott

INTERVIEW:

Percival Elliott

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OLLY and Samuel form Percival Elliott….

and, before I got down to things, I had to ask the origin of that name! The guys talk about the track, Forever, and what we can expect from their album, Save Your Soul. I ask whether artists like Father John Misty are important to them – as their sound reminds me of him – and what acts they are inspired by; whether there is going to be any touring; what the scene is like on the South Coast – and some names we need to look out for.

The guys have supported Fatboy Slim so I ask what that was like; if they have plans formed for next year; how this week has played out for them – and how they will be spending this Christmas.

________

Hi, guys. How are you? How has your week been?

Olly: Yea, good...I sold a Chinese bronze antique censer at auction for a friend today. I made a good price - and made a good friend very happy.

It’s been great putting Forever out; let’s see how she flies…so, yes, been a good week. How do you do? 

Samuel: It’s been an amazing week, thank you. I’ve had the great pleasure of working with some young bands with great promise in the studio. 

For those new to your work; can you introduce yourself, please?

Olly: Good day to you. We are Percival Elliott - and we write songs that move the listener, tap into the heart; shake it about then put it back in. Musical surgeons; digital doctors, if you please.

That is our job - and we love it.

Samuel: We are a band who loves all genres of music and have stitched together the beautiful sounds of a string-quartet with the clashing chords of Grunge. Just wait until you hear the rest of the album.

Forever is just the beginning...

I am interested in the name, ‘Percival Elliott’. Olly. I believe its origin has something to do with your great-grandfather. Tell me more about him… 

Olly: Well; my father informs me he was a right old English eccentric: loved his country and those around him. Apparently, very unpredictable. He would sometimes go missing for days; only to return with exciting ideas and new inventions...he was the heart of the family and a kind man. He would dress like a gentleman, whistle and hum to himself all the time. My grandma said he believed in time-travel.

I just love that! 

Samuel: We have the most amazing pictures of Mr. Elliott and his family. He really does look like a time-traveller. It was a no-brainer to name the band after such a gent. 

 

Forever is the new song from you guys. What is the background to the track?

Olly: Butterflies...blushing, love and hope.

Samuel: Love, life and everything in-between. Have you ever met someone who has enchanted your heart so much that you’d never want the feeling to fade?! Forever is the story of eternal love: the kind of love which is written about centuries after the initial spark.  

It is the first single from the album, Save Your Soul. What sort of themes and ideas inspired the new record?

Olly: Sam and I are both music fans - so the album is an eclectic mixed bag. It’s Folk-meets-Pop-meets-Rock-meets-more-familiar-sounds. We jump from singing about stalkers, to love songs; to party people.

It’s a good record, so we believe.

Samuel: We even have a ditty about a cat entitled Captain - inspired by Cat from Hell by Lynn Truss. One of my favourite tracks has to be Betty: the story of a young lady who has lost her way - accompanied by the sounds of Supertramp and Queen.

I think Betty will have to be the next single. 

Your new single has that reliable mix of vocal harmonies and hard-hitting piano sounds. Names like Father John Misty and Jeff Buckley come to mind. Are these artists who have inspired your work?

Olly: Well read. Mr. Misty is on the button right now - and Mr. Buckley has scared many a heart. Both, like many old and new artists, have been an influence on this record.  

Samuel: Father John Misty’s work is thought-provoking, mystical and highly entertaining. Josh Tillman really knows how to create a mood and traps you in that moment like an Englishman in a queue at the Post Office. 

Buckley is timeless: Grace is an album that never fails to inspire me. It’s my go-to album when I have writer's block. 

Which artists did you grow up listening to? Which musicians have inspired your own music?

Olly: Elton John, The Beatles; Neil Finn, Tom Petty; The Doors, The Beach Boys; Queen, Mr. Misty.

Cor! Sound like a festival I’d die for...

Samuel: I was brought up in a musical family with varied taste; so I was exposed to the likes of Megadeath, Asia, Anathema; Gary Numan, Peter Gabriel; right over to Classical and Jazz. At a young age, my old man would allow me to go through his vinyl collection and put on whatever I liked.

Extremely trusting of him. 

IN THIS PHOTO: Sabrina Claudio

Who are the new artists you recommend we check out?

Olly: Sam? 

Samuel: I’m loving Sabrina Claudio at the moment. Her latest album is beautiful.

The latest Steven Wilson album was a lesson in Pop music production. It’s stunning - and one to check out. 

If you each had the chance to choose the one album that means the most to you – which would they be? 

Olly: Elton John - Yellow Brick Road

Samuel: Cor; that’s unfair. Queen – Innuendo

It’s incredibly heartbreaking. 

You guys have performed to sell-out audiences and supported Fatboy Slim! What has been the highlight of your career so far?

Olly: Hard to call. We have and are having such fun. My favourite thing is grabbing new ears, turning heads with our work…but I do love playing in a classic London venue: you can sometimes feel the Rock history seeping through the walls. 

Samuel: The highlight of any show/tour, for me, is that moment right before you hit the stage. The moment of uncertainty...it’s like peering over the edge of the Grand Canyon. 

Is there any advice you would give to fellow artists coming through right now?

Olly: Embrace technology: it’s never been so good for artists to get their works on tape...and never burn a bridge...unless you got a rowing boat, Sam (smiles). 

Samuel: Write, record and release: the world needs to hear your music. 

Can we see you perform anywhere soon? What gigs do you have coming up? 

Olly: Icebreaker Festival in Portsmouth, England. It’s one of my favourite shows. It’s all going off musically in Pompey…look out for pirates!

Samuel: In February; we will be playing Icebreaker Festival. For me, this is a home-town show. I love the local festivals - as you get to hang out with the most amazing musicians and friends. There is a real community spirit to the day. 

You are based on the South Coast. What is the music scene like there? Is it a great place to find inspiration? 

Olly: The beach...Brighton is a melting pot of artists and musicians; Portsmouth is buzzing with the live music scene.

Samuel: Portsmouth is amazing for music. We have the likes of Jerry Williams, Marley Blandford; Kassisin Street and Coax - the list could go on and on. 

Christmas is not too far away. Do you both have plans already - or will you be busy working?

Olly: I intend to watch Bedknobs and Broomsticks on-repeat with my 1860 glass goblet and some vintage port and cheese. I will probably sing a few carols around the Joanna. Just time out with friends and family. 

Samuel: Christmas is all about spending time with the family…and Doctor Who!

What ambitions and aims do you have for 2018? 

Olly: Make people smile, laugh and love...that’ll do nicely.

Samuel: Live, learn and to be excellent to each other. 

Finally, and for being good sports; you can each name a song and I’ll play it here (not one of yours as I’ll do that).

Olly: Drive My Car - The Beatles

Samuel: I Went to the Store One Day – Father John Misty (Groundhog Day for lovers)

________

Follow Percival Elliott

Official:

http://www.percivalelliott.co.uk/

Facebook:

https://www.facebook.com/PercivalElliott/

Instagram:

https://www.instagram.com/percivalelliott/

Twitter:

https://twitter.com/ElliottPercival?lang=en

YouTube:

https://www.youtube.com/channel/UCPHgX4k7Ei0zgXtulQk6f8w

SoundCloud:

https://soundcloud.com/percival-elliott

INTERVIEW: Line & Circle

INTERVIEW:

 PHOTO CREDIT: Courthey Halverson  

Line & Circle

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THINGS are rather eventful and fraught…

in L.A. right now – it is understandable the guys of Line & Circle have had a busy and unpredictable time of things. I speak to them about the wildfires in California and how they have been; how the band all got together and the type of music that compels them; what they are planning for Christmas; some new acts to recommend – and advice for new artists.

I ask them about their new E.P., Vicious Folly, and the themes/stories that go into them; what it was like to record and how it feels getting such a positive reaction – and whether there is going to be any more material coming next year.

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Hi, guys. How are you? How has your week been?

Nice to meet you, Sam. Our new record just came out so it’s been busy here (but fun and exciting). Our release show is tonight - which we’re looking forward to. We’re playing at a new venue called Basic Flowers in downtown Los Angeles (which sort of feels like an after-hours art museum with a bar).

For those new to your work; can you introduce yourself, please?

Line & Circle officially began with the release of our first 7” Roman Ruins on the White Iris label (based in Los Angeles). That led to our first tours across the States; which we used to develop songs for our debut, self-titled E.P. and our first full-length called Split Figure. Now, this new E.P., Vicious Folly, has just arrived - which we finished earlier this year up at The National’s new studio in Hudson, New York. 

 PHOTO CREDIT: Courthey Halverson  

I believe you started life in Ohio – but have moved to L.A. What was the decision to move from Ohio? What is the music scene like where you are?

I still love Ohio and return frequently but change can be good - especially when you are seeking artistic inspiration from your environment and to be challenged by new circumstances. I had been coming to Los Angeles on-and-off before moving here - and good things kept happening whenever I visited. So I stayed. Maybe there is a music scene here, currently, but we don’t feel particularly attached to it...

Despite that, the friendships and creative partnerships we’ve formed here are deeply fulfilling and have made our work better.

PHOTO CREDIT: Megan McIsaac

How did you all find one another way back? Did you start recording music soon after meeting?

Good people beget good people, I like to think.

We all met through family and friends and got to working together very quickly thereafter. Finding others to be creative with can be tricky but, when you’re lucky enough to meet people you can speak a similar or complementary language with, you’re off and running. 

Vicious Folly is your new E.P. I like the contradictory title. What is the meaning behind the title?

The title-track of the E.P. was sort of born by attempting to process the events of the past couple years. I got curious about similar periods in history, where it felt like society was betraying its best values. The trial and death of Socrates came to mind: when a society was so shaken by its fall from grace that it turned on its own greatest thinker; blamed him for its decline and then killed him.

This became a bigger theme for the song, the video and the whole record — how our painful struggle for advancement can sometimes lead people to violent actions they might not have otherwise considered.

PHOTO CREDIT: Issue Magazine

What sort of themes and subjects inspired the E.P.’s creation?

The record sort of explores this belief the Romans had centuries ago: Homo homini lupus — man is a wolf to (his fellow) man. So, each song kind of ponders this idea that man himself is his own greatest threat. Man Uncouth describes this in the context of a romantic relationship; Who Runs Wild in the context of a mother-daughter conflict and Mid Bloom takes a more optimistic view – that, despite the dark turn of recent events, there is always hope real societal good can eventually spring forth as a result. Man can be a wolf to man - but he is also the only one who can save him.

The album-art became helpful in tying this all together as well. The images come from Peter Flötner's hand-painted playing cards from 16th century Germany. He used the imagery to sort of call out the perceived greed, gluttony and folly of his time. It felt so oddly modern discovering these in 2017 which, for better or worse, is a testament to some of the more enduring aspects of human behavior. Hopefully, in another five centuries, things will be…different?

Your music has garnered positive reaction from the likes of Rolling Stone. Does it provide you energy and inspiration receiving that kind of backing?!

Whenever anyone connects with our music; it feels wonderful. We’ve been getting more personal notes from people this time around, too - which makes me feel like we’re doing something right. That is inspiring. To be able to offer something up that a listener can actually internalize and complete the loop, so to speak, is crucial.

When it’s a positive reaction, all the better.

Tell me about the songs and artists you all grew up on. Which artists did you idolise when you were young?

There was a fair amount of Simon & Garfunkel and Neil Diamond in my parents’ cars growing up - which I feel lucky to have absorbed because the quality of that song-craft is superb and timeless. There was a Guns N’ Roses phase very early on: I would draw pictures of them. Oasis was totally enthralling as well - which later became a gateway for lots of the usual seminal English Rock bands (which I still hold dear; like The Smiths).  

PHOTO CREDIT: Megan McIsaac

I have seen the images of Californian wildfires! Have you guys been caught up in it?! What has been your reaction to it?

We’ve been fortunate that they haven’t impacted us directly…but the damage has been severe and this is incredibly sad. Entire neighborhoods have been destroyed; many animals have been trapped - it’s really awful. This is the latest the fire season has lasted, maybe ever; which certainly hasn’t been helped by the drought and whatever influence climate change is having. That the city is, literally, on fire is, of course, an on-the-nose metaphor for much of 2017 in general...

Thankfully, the year is coming to an end - and, hopefully, the fires will, too.

IN THIS PHOTO: Omni/PHOTO CREDIT: Sebastian Weiss

Who are the new artists you recommend we check out?

I’m fond of the band Omni (from Atlanta) - who put out a great record this year. 

Is there any advice you would give to artists coming through right now?

I’m not sure we’re the ones to ask but I think all you can do is work as hard as possible - and continue passionately making things for as long as you can. Do as much as you can yourself and don’t wait for anyone to make something happen for you. 

PHOTO CREDIT: Issue Magazine

Can we see you perform anywhere soon? Will you come to the U.K.?

We have more West Coast stuff coming in the New Year. We would love to come to the U.K. under any circumstances — hopefully, very soon.

PHOTO CREDIT: Issue Magazine

Christmas is not too far away. Do you all have plans already - or will you be busy working?

Working on new songs - but there may be some latkes and a hot chocolate or two in the near-future. L.A. is typically nice this time of year because the city gets very quiet and the streets become empty…but it’s still kinda beautiful and warm.

What do you have planned for next year? Will there be more material?

I was just sifting through all of our new demos and there is already more new stuff than we can use for the next record. I’m going to finish writing a few more this month and then the plan is to get back in the studio sometime in February.

In the meantime; we’ll keep playing shows in support of the new E.P.

Finally, and for being good sports; you can each name a song and I’ll play it here (not one of yours as I’ll do that).

Since it is winter-time (even in L.A.)...

Sixty Degrees Below by Love Tractor (Brian)

Autodidact by Swervedriver (Eric)

Fortune by Dead Can Dance (Jon)

Take a Chance With Me by Roxy Music (Garrett)

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Follow Line & Circle

 PHOTO CREDIT: Courthey Halverson   

Official:

http://www.lineandcirclemusic.com/

Facebook:

https://www.facebook.com/lineandcirclemusic/

Instagram:

https://www.instagram.com/lineandcircle/

Twitter:

https://twitter.com/LineAndCircle

YouTube:

https://www.youtube.com/user/lineandcirclemusic

SoundCloud:

https://soundcloud.com/lineandcircle

Spotify:

https://open.spotify.com/artist/6POniDj9dnMFhNsQ63MCB4

INTERVIEW: Breakers

INTERVIEW:

 Breakers

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THERE is good music and awesome vibes brewing…

in the kitchen of Breakers! The guys have been slammed and hectic lately – the interview has been out to them for a bit – but, as I find out; the boys have been promoting hard and getting their new track, Get in Line, out to the people. I ask them about their E.P., Redrum, and how this song differs; whether there is going to be new material next year; whether their crowd-funded E.P. (Redrum) was an important experience; how important small-town unemployment and isolation is to them – and what it was like filming the video for Get in Line.

I discover which artists/albums are most important to the band’s ethos; what gigs they have up their sleeves; how each of them will be spending their Christmases; a few new acts that are worth checking out – and how the band got together in the first place.

________

Hi, guys. How are you? How has your week been?

Our week has been good.

Really hyped to be sharing new music. (Sorry it has taken so long to get back to you). The run-up to Xmas is always busy for all the gigging and various things.

Thanks for asking us to do an interview...

For those new to your work; can you introduce yourself, please?

We are Breakers - a Rock band from the South East. We've just released our new single, Get in Line - which is a follow up to our debut E.P., Redrum.  

Get in Line is the new single. Can you tell me its background and story?

The song is about trying to live up to responsibilities in life; hence, 'get in line' in our changing social environment. We also wanted to write something that had a banging riff (which, hopefully, we have achieved).

I get a sense there is a concern regarding unemployment in smaller towns. Have you noticed areas you once lived in change? Do you worry about the way Britain is changing – and how most of the money is localised to the cities?

There was is an element of that.

Jamie (bassist) and I worked in a guitar shop for a while - which was good when we were younger. We've both moved on from there. I moved to London and I've found opportunity a lot easier to come by: Jamie moved into working (for systems) for the NHS. I think what I was trying to say, with Get in Line, was that things change and you've got to move with the times. Everything is more centralised but opportunities don't come to those who wait - you've got to go out and get it.

Localised money wasn't something I was too concerned with when writing this song...although, I'm not a big fan of the financial industry and what it's done to the world in general - and how they seem to keep getting away with it. But, saying that, I know people who work in it and they are good people. But, I also dislike the apathy some people have in smaller towns towards social problems - and blaming it on London and/or immigration.

I think Get in Line was musing that people - and myself included - have to be motivated and work for what you want: no one is gonna do it for you. If you don't like something, do something about it.

The video for Get in Line sees you performing whilst being lit by flashing lights! What was it like working on the video with director Simon Stolland?

Yes; that was great fun.

We did it in a space near the Blackwall Tunnel. Shooting the video was great. Simon managed to get some lights for us and our friend, Love, operated them by syncing the intensity of the strobe to the intensity (of the sections) of the song. The drone freaked out when with the strobes came on and almost gave us all a haircut - but it came out great.

Get in Line follows the E.P., Redrum. Have you noticed a change and development in your music since then? How have Breakers evolved since then?

I think we've become a bit more concise with our sound...

We seem to be straddling an Indie-Rock/Post-Hardcore sound now rather than Redrum - which is more bluesy-Rock in places. Lyrically, Get in Line, and the single which will follow (Run) are a bit more politically-charged, I suppose – although, I think some songs on the first E.P. were some of my best lyrics. Some of the songs came out in a blur and I'm still trying to figure out what they mean. I like that about lyric-writing (when they are a bit subconscious) i.e.  they make sense but your not really sure why; letting the words flow through, rather passively, than really trying to get a message across. There is always a message, I think...

Sometimes; my lyrics are just my subconscious and my conscious mind trying to work stuff out.

That E.P. was crowd-funded and afforded backers the chance to see you perform at (the sold-out) show at the Sebright Arms. Do you think you will take that approach (crowd-funding) for your next work?

We would like to do another crowd-funded thing but we also were really grateful for to those supported - and we didn't want to keep taking money off people. The next release; everything is pretty much free - and that's the way things are now. The Kickstarter campaign was great for getting people hyped for the gig; it is a great model if you’re putting on your own show. We got way more people at that show then the nights we normally play - which are normally poorly promoted. But, being a grass-roots promoter week-in-week-out is hard work - and not something I would do.

But 'pay-to-play', which I have done in the past with other bands, should be outlawed.

Is there going to be more material next year?

Our new single, Run, will be out over Christmas - and you’re the first people we have told.

Take me back to the start. How did Breakers get together? Did you all come from very different backgrounds?

Me and Jamie meet at the guitar shop. I joined a covers band with Scott, Ollie and Jamie (which is still going) and then we decided to do an originals project. I was from Stortford and they were from Hertford - not particularly different backgrounds. We spent a long time in practice rooms before releasing any music, which was good; so we came out with lots of material (which was great).

The first time I rehearsed with Ollie; it was really hot and he took his top off as he was sweating. It was gross and hilarious. (But his playing was immense). He’s a shredding-machine - so no-one minded. We practice, mainly, on this farm in the middle of nowhere (which is nice).

It’s been a great journey so far - and we are really pleased with how things are going.

Which artists did you all grow up listening to? Who are the musicians that have inspired your own music?

Jamie is into Punk, Pop and Pop-Punk; Scot is into Blues; Ollie loves AC/DC.;I love Indie, Post-Hardcore and Rock. We all like Q.O.t.S.A. (Queens of the Stone Age) and their ltest album – so, that was a big influence. But, generally, our music tastes are quite different, which I think is quite good - and make us sound like us.

Who are the new artists you recommend we check out?

We did a playlist of guys we've played with this year and who we liked You can find it on our Spotify page. It’s got The Scruff, Veridian and Baron Goodlove - who we played with recently and was a great show.

IN THIS PHOTO: Baron Goodlove

If you each had the chance to choose the one album that means the most to each of you – which would they be?

Alex: Vaya - At the Drive-In

Jamie: Cartel - Chroma

Scot: Nickelback - Silver Side Up

Ollie: Back in Black – AC/DC

Is there any advice you would give to artists coming through right now?

Don't do it…unless you love music.

Then do it!

Can we see you perform anywhere soon? What gigs do you have coming up?

5th Jan (2018) at The Finsbury

19th Jan at Rose and Crown, Stortford

Christmas is not too far away. Do you all have plans already - or will you be busy working?

We will all be celebrating with family and friends, which is what it's all about, and releasing our new single, Run - with a hilarious video which we shot ourselves. People seem to dig our funny videos.

Our last video, Salty, went semi-viral on Face(palm)book.

Finally, and for being a good sport; you can name a song and I’ll play it here (not one of yours as I’ll do that).

My Love - Baron Goodlove & The Dreadful Noise

(P.S. Sorry I broke your amp).

________

 Follow Breakers

Facebook:

https://www.facebook.com/breakerstheband

Instagram:

https://www.instagram.com/breakerstheband/

Twitter:

https://twitter.com/breakerstheband

YouTube:

https://www.youtube.com/channel/UCeEdOH9giIFoPvTvwq0G72g

SoundCloud:

https://soundcloud.com/breakers-the-band

Spotify:

https://open.spotify.com/album/5DUrsbkYRdLKZ7t0AaOTCO