INTERVIEW: Bairbre Anne

INTERVIEW:

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Bairbre Anne

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THE wonderful Bairbre Anne has been telling me...

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about her new single, 27, and its story; whether we might see more material coming along and what she thinks of the contemporary music scene – I ask her whether there are a few albums that stand out and mean a lot to her.

The Dublin-based songwriter tells me what comes next and explains when music came into her life; which upcoming musicians we should all investigate and tells me if she gets time to unwind away from music – Bairbre Anne selects a great song to close the interview with.

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Hi, Bairbre Anne. How are you? How has your week been?

Hi! I’ve had a busy week promoting my new music - but I’m very happy it’s finally out in the world.

For those new to your music; can you introduce yourself, please?

I’m an Irish musician and writer of songs. I currently live in Dublin but I work with a super team in London. Working with them, I’ve already released two E.P.s: Arrows and Sparks.

Is there a story behind the new single, 27?

I wrote 27 when I was, in fact, twenty-seven; in a rut and felt completely lost. It was a song to reassure myself that everything would figure itself out and to just take things one day at a time. I think everyone needs that reassurance at various stages in their life.

Are you looking ahead regarding more material? What are your plans in that respect?

Yes. I am going to release my debut album later in the year which I’m really excited about!

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When did music come into your life? Can you remember the first song you heard?

I was always surrounded by music. My dad is a sound engineer and my mum has a huge love and appreciation for music. I don’t remember the exact song but some of my earliest memories would be going into the backroom of our house when it was dark out, turning on the light and using the reflection of the glass sliding doors as my personal stage. Belting out the likes of Hey Jude by The Beatles, all of the Grease soundtrack songs and probably some Spice Girls numbers.

Which artists were important to you growing up? Who do you rank as idols?

I started writing songs on the piano at an early age so, from around the age of twelve,  I was obsessed with any woman at the time who was playing the piano and writing her own songs – Alicia Keys, Vanessa Carlton; Tori Amos, Missy Higgins; Norah Jones etc. I was also heavily influenced by anything my older brother was listening to. He introduced me to a lot of great Irish musicians and bands - Glen Hansard and The Frames, Gemma Hayes; Damien Rice and Bell X1 to name a few.

As an Irish artist, what is the vibe like where you are? Do you think Irish music gets the attention that it deserves?

I think Ireland is known for having one of the best music scenes going! We have a lot of amazing homegrown talent going on! Dublin is definitely a hub for music. There’s always something going on; live music is everywhere.

How do you view the modern music scene? Do you listen to a lot of contemporary music?

I do listen to contemporary music and I think some of it is amazing. I think this wave of Electronic music is interesting but I’m afraid, if there’s no musical instruments on the stage, I won’t be hanging around.

Do you have a standout memory from your time in music so far?

Getting to play at the National Concert Hall in Dublin and Ulster Hall in Belfast. They are absolutely stunning venues and standing on those stages gave me goosebumps.

Which three albums mean the most to you would you say (and why)?

There are too many albums to choose from: here are three of my favourites:

Imogen Heap – Ellipse

Watch the ‘making of’ documentary and then listen to it. It Is a masterpiece and she is a genius.

The Frames – Fitzcarraldo

My teenage years were made up of going to Frames gigs and screaming “Revelate” at the top of my lungs.

Gemma Hayes – The Hollow of Morning

This woman taught me what it means to write a sad song.

If you could support any musician alive today, and choose your own rider, what would that entail?

Stevie Nicks (Fleetwood Mac) – purely to sit her down and talk me through those initial years of Fleetwood Mac. They sound bonkers! The rider – I don’t know – to demand Lindsey Buckingham join the band again...and some nice white wine!

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Might we see you on tour in 2019?

Possibly. Keep an eye on my website!

How important is performing? Do you prefer it to life in the studio?

They are both very separate things. I enjoy them both! I love going into the studio in London, and the process involved in recording new music! I also love going on stage and making the same songs sound just as good with one instrument.

 IN THIS PHOTO: Kacey Musgraves/PHOTO CREDIT: Kelly Christine/Courtesy of Mercury Nashville

Are there any new artists you recommend we check out?

Who I’m currently listening to a lot: Theo Katzman; Kacey Musgraves; Natalie Prass; The Magpie Salute.

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 IN THIS PHOTO: Natalie Prass

Do you get much time to chill away from music? How do you unwind?

I love to travel and explore new places with my camera! You can check out some of the photos I’ve taken by looking up ‘She Shoots Green’ on Instagram!

Finally, and for being a good sport; you can choose a song and I’ll play it here (not any of your music - I will do that).

Theo Katzman – My Heart Is Dead! What a tune!

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INTERVIEW: Scott Lavene

INTERVIEW:

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Scott Lavene

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I am starting this week by speaking with Scott Lavene...

as he discusses his latest track, Methylated Blue, and how it all came to pass. He talks about filming its video in New York; which albums and sounds have made a big impression on him and what he can reveal about his upcoming album – Lavene reveals some new artists that we need to get involved with.

I ask if there are any tour dates coming up and, if he had the chance, which artist he’d support on tour; the advice he would provide to approaching musicians and which career memory stands out from the pack – he picks a cool tune to end the interview with.

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Hi, Scott. How are you? How has your week been?

Hi there, Music Musings and Such. I’m ok, thanks. My week’s been swell. Mainly writing and staring out of the window.

For those new to your music; can you introduce yourself, please?

Yeah. I’m Scott Lavene, an Essex boy. A songwriter. I make Punk ballads and Gutter-Pop; been compared to the ’70s English mob that Stiff Records put out: Ian Dury, Wreckless Eric and Elvis Costello. High prais,e indeed

Methylated Blue is your new song. How did that song start life?

It was one of those songs that emerged, fully-formed. I was part of a theatre show last year and sat at a piano during a break, sorted out the chords and melody and then the words came fast later at home.

What was it like putting the video together? Did you have much say in terms of its concept?

It was all me. The song is set in New York and the label were kind enough to let me use the budget for the video to go there and make it myself with a mate. It was great. Few ghosts from the past and bitterly cold but it’s such a great place. You could film anything and make a great video but we chose Harlem and Coney Island.

There is an album coming later this year. Is there anything you can reveal regarding song themes and sounds?

Yeah, sure. The songs are stories. One is about having a speed habit and working in a factory, one about my dislike for small talk; one about being skint, one about the afterlife; cynical takes on modern life, weird and wonky Pop. In terms of sound, I was going for a Serge Gainsbourg-meets-Chas and Dave and I think that, by jove, we’ve done it. 

When did music come into your life? Can you remember the first song you heard?

Music has been part of my life since the start. Apparently, I took 7-inches to nursery. Every memory has a song attached. Stray Cats’ Runaway Boys is my first memory of music. 

Which artists were important to you growing up? Who do you rank as idols?

At first, The Beatles, Stevie Wonder; Stax and Motown. Cheesy Pop and power ballads. I was into old Soul music as a small kid. Then I was a ’60s obsessive as a teenager, the Woodstock lot: The Doors, Small Faces; Joni Mitchell, Velvet Underground. I lived like it was San Francisco in the ’60s but it was actually Romford in the late-’90s.I mean, too many people are important to me to list. I haven’t even put anyone from this century. I’m a nostalgic fool, really. Idols would be Iggy Pop, Tom Waits; Nick Cave, Ian Dury and David Byrne. I like songs. I like singers. I like oddballs.

Do you have a standout memory from your time in music so far?

Steve Lamacq playing my first single. Dream come true. I can retire now.

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Which three albums mean the most to you would you say (and why)?

Now that’s hard, but here you go.

Elliot Smith – Either/Or

It’s a cuddle. It lets you know that it’s ok to feel sad and that you’re not alone.

The Libertines – Up the Bracket

It reminds me of youth and rebellion. It’s chaotic and loose - brilliant.

The Beatles - Revolver

Perfect songs. Incredible band.

Might we see you on tour in 2019?

Yes. A couple of times. With a full band in June upon release of the album and then a solo tour in the autumn.

You have received support from D.J.s like Steve Lamacq. How rewarding is that sort of attention?

I probably care too much about that stuff sometimes but he’s a bloody hero isn’t he? 6 Music is on constantly in my flat, so to hear one of my songs on it is mind-blowing. More please. But, if my career goes down the sh*tter, I can keep that and bore my kids with it when they grow up.  

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If you could support any musician alive today, and choose your own rider, what would that entail?

Tom Waits - just so I could watch him from the side of the stage. My rider would be Crunchy Nut Cornflakes, tea bags; a kettle and a trumpet. I really want a trumpet.

How important is performing? Do you prefer it to life in the studio?

I wouldn’t say I prefer it. I could live in a studio forever. Playing live is a buzz, a fix. Making people laugh, cry and wince is pure joy and I’m grateful for every show as I’ve done my share of jobs I hate.

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 IN THIS PHOTO: Shop Girls

Are there any new artists you recommend we check out?

Shop Girls, a songwriter from Cardiff. He’s got a few songs on SoundCloud. I love him. He can’t afford to get his E.P. mastered so, if there’s any fat cats reading this, give the kid a leg-up. You already know her but I’m completely in love with Adrianne Lenker’s songs and voice. Heaven.

 IN THIS PHOTO: Adrianne Lenker

Do you get much time to chill away from music? How do you unwind?

I live by the coast, so I swim in the sea a lot but I unwind with music and books and films.

Finally, and for being a good sport; you can choose a song and I’ll play it here (not any of your music - I will do that).

The Clean – Anything Can Happen

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INTERVIEW: ELVIN

INTERVIEW:

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ELVIN

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THE fantastic ELVIN has been telling me about...

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the video for her track, Wonder, and what it was like filming it. I ask what we can expect from her upcoming E.P., The Garden, and what sort of themes inspired the songs – she reveals whether there is a standout track/personal favourite from the E.P.

I ask whether there will be tour dates coming and which rising artists we need to follow; what sort of music she loves and the albums that mean the most to her – she ends the interview by selecting a great track I have not heard.

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Hi, ELVIN. How are you? How has your week been?

I am so great! Earlier this week, I was on Resonance FM with The Lallas and, last week, Hoxton Radio with Jodie Bryant. I am so encouraged by the fact I am suddenly getting so much support from independent radio.  

For those new to your music; can you introduce yourself, please?

I am a singer/songwriter-producer. I write and produce ornate, epic ‘popera,’ set in Electronic, Classical soundscapes.

 

Wonder is your new track. What is the inspiration behind it? What was it like filming the video?

Wonder is about the re-awakening and freeing of my child-like imagination. It marks the beginning of my creativity as an artist. This video is the second stage of the development of this idea as a special visual project. The characters in the video are all styled by me as toys from a toy-box - and it’s a live and acoustic version of the song.

Filming was quite the nightmare. I arrived on set to a gas leak and everyone standing outside. I had to stand on tables, flapping a dusty weird pollutant out of the room before I could even convince everyone it was safe to film. I had one shot at this - because equipment was provided for by Yamaha - so I had to demonstrate I was a worthwhile artist for them to support. Thank God we did the entire thing in one take and Raja Virdi, who has literally shot for Rihanna, London Grammar etc. etc. – and was a dream to work with.  

Once we got filming it flowed like magic under his guardianship.   

 

Your E.P., The Garden, is out soon. Can you reveal the sort of themes and songs that will appear?

The Garden is a magical world I’ve created to hold my stories and experiences. We travel via my ‘conscious stream’ by rowboat, which weaves in and out of the E.P. at different points. We start down The Garden Path at the beginning where I describe starting out on my musical journey and how that feels. We then end in a field of Lavender, where I lose my friend, Jessie.

Throughout, I use the garden as a metaphor. For example, Sweet Sensations is a blue/purple delphinium. So, in this song, I am describing the sensations I am being given in this time of my life as somebody giving me this flower and relating them in the context of a playground in the garden and riding my bicycle through the garden with this person.

Do you have a standout track from the set at all?

I am pretty excited about Valley of Roses. I love Latin and I am so thrilled to be getting away with dropping some Latin in the chorus. It’s my Valentine’s gift to all my fans as one rose is not enough! In this song, I get called back to love by a voice I can hear in the distance; the place I imagine to be a valley of roses where love exists in its purest form.

When did music come into your life? Did your parents play a big role?

Yes!  My mum is a flautist and a composer too. She taught me a great deal of what I know. My entire family is musical and actually that is my sister playing the glock and singing in the video for Wonder. She had to step in at the last minute because my glock player was sick - that’s just what the best sisters do! I am so grateful to her.

Which artists were important to you growing up? Who do you rank as idols?

The Beatles, Queen; Bowie...these guys were pretty creatively free and completely themselves. In adulthood, it’s been Marina and the Diamonds, Florence and the Machine. I love Laurel Halo too. It’s hard to pick just one idol: they’ve all been important to me in different ways.

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How important and influential is London as a base in terms of creativity? 

It’s unbelievable how much where you live inspires and influences your music. My music has definitely changed since moving back to Shoreditch. I feel it’s is so much edgier and ahead of the curve because of the fact I live in the centre of the creative universe! I meet so many interesting people in London every single day. It’s not just the music they chose to share with me but their stories and keeping me knee deep in challenging, forward-thinking conversation.  

I love it here, but it’s also important to travel too. I am missing New York at the moment. Last year, I was making music for a label in Berlin that was entirely Techno. I spent a lot of time in the incredible parks of Berlin and this, plus their Wanderlust exhibition at The National Gallery, hugely inspired The Garden.

Do you have a standout memory from your time in music so far?

I think this past year has been one of the most incredible of my musical life and it just keeps getting better. I broke into the opening of The Ned (a hotel in bank) and it basically kick-started everything because it was there I met the marketing director of Yamaha and he gave me so much support in the early stages. But, honestly, I could write a book of my insane experiences of the music industry.

Which three albums mean the most to you would you say (and why)? 

Usher - 8701

This album is most-closely correlated to my teenage emotional experiences. It was the backdrop to my breakups and parties.

The Beatles – Sgt. Pepper’s Lonely Hearts Club Band

Because their songs are so classic; they unite people with huge and profound statements in tandem with musical magic.

Disney Compilation Albums

Secretly, I love Disney. Please don’t tell anyone.

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If you could support any musician alive today, and choose your own rider, what would that entail?

Haha. Ok. I would chose Nothing but Thieves. Besides loving their music, Dominic is a friend and he promised me he would teach me how to solve a Rubik Cube. I would ask for an infinite number of Rubik’s Cubes to be provided, because I am certain it would take that many!

Might we see you on tour in 2019?

Yes, please! Hopefully, if everything goes amazingly. If not, I will certainly do some special performances and I will make sure I let everyone on Instagram, Facebook and Twitter know and that they are invited.  

How important is performing? Do you prefer it to life in the studio?

It’s a shame I can’t perform more because all of this was born out of simply how much I love singing. It’s basically quite expensive for me to do so, because I don’t believe in my musicians not being paid and my sound is quite epic. I did a performance once where I needed so many performers on stage with me, the stage wasn’t big enough...so I had to put two trumpeters in the crowd, which ended up being amazing!  

I’ve also had a full orchestra play my music (the London City Orchestra) which, again, was completely incredible. Because I have a big sound, it might be a while before enough people are streaming or buying my music that I can feed that back into playing for a live audience. I have so many artistic ideas I am yet to make a reality! But, I’ll need to generate some support to make this happen.

For starters, I want to bring The Garden to life! One way I could do so is with brand partnerships, so I am looking into this at the moment. Plus, I am starting to generate interest from publishers and labels now which may be able to help.  

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 IN THIS PHOTO: Rhi

Are there any new artists you recommend we check out?

I love the fresh, new Electronic happenings in Berlin and Britain: Rhi and Laurel Halo, incredible female producers who, of course, I naturally want to support the most. Then comes my friends Titas and the Fox, who make lo-fi Electronic-Jazz.

 IN THIS PHOTO: Laurel Halo/PHOTO CREDIT: Sylvie Weber

Do you get much time to chill away from music? How do you unwind?

No. I have very little downtime and that’s just the truth. If you want a career in music, you have to work exceptionally hard because it won’t financially sustain you, immediately (if ever). So, I work extremely hard. I make absolutely sure I make time for my friends, because nothing surpasses the importance of being a good friend. Other than this, sometimes, if I have time to unwind then you’ll find me in the steam room or on the tennis court!

Finally, and for being a good sport; you can choose a song and I’ll play it here (not any of your music - I will do that).

I would love it if you played my friend’s music, Titas and the Fox. His E.P. is called Coffee and Eggs; he’s one of my best friends and I’m super-proud of him releasing his first pieces of music too!

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INTERVIEW: Birthday Card

INTERVIEW:

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Birthday Card

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MY final piece of the week is an interview with...

the Brighton-based band, Birthday Card. I ask the guys what they can reveal about their new track, Shy Away, and whether there might be more material coming down the tracks; albums that they hold dear and how they have progressed as a band – they select some approaching musicians worth a shout.

The band talk about their musical upbringing and reveal which artist they’d support if they could; whether there are any tour dates coming up and tell me how they chill away from writing/recording – the guys each select a great track to end things on.

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Hi, guys. How are you? How has your week been?

Josh: Hey. Our week’s been good, thanks. We’ve been super-busy writing new material, rehearsing for upcoming shows and sorting out the last few bits ready for the release of Shy Away.

For those new to your music; can you introduce yourselves, please?

Josh: I’m Josh - I sing and play guitar.

Leslie: Hey. I’m Leslie, drummer of the band.

George: I’m George – I play synths.

Conor: I’m Conor – I play lead guitar.

Tom: Hi. I’m Tom – bass guitar.

How did Birthday Card find one another? Have you known each other long?

Leslie: We’ve all actually been connected in some way or another over the years - a few of us went to school together and also played together in an old band. The town we’re from is pretty small so even before we started playing we all knew each other in one way or another. 

Shy Away is your new track. What is the story behind it?

Josh: The song itself is about overcoming self-doubt and anxieties. This is told through the story of a slightly awkward introduction between two people which eventually blossoms.

I’d had the lyrics for some time and was waiting for the right piece of music to lay them over. When the other guys started playing their parts, it all seemed to gel perfectly.

Might there be an E.P. coming later in the year? 

Conor: That’s right. We’ll be releasing our debut E.P. in the first half of 2019. We’ve just been in the studio with Marcus Yates, who recorded and produced Shy Away - which is also the E.P.’s opening track. That’s all we can say for now…

Looking back at last year, how far do you think you progressed as a band? 

Conor: The thing I love about playing in this band is there’s always a sense of forward momentum, of taking the next step up. We had a great 2018: releasing two singles and supporting Sleeper on their sold out tour, which was a complete privilege. A year on, we’re now putting out Shy Away, which feels to us like a big step in the evolution of our sound and, likewise, gearing up towards our first E.P. It feels like we’re really building up our following at the moment too which is amazing, because we really believe in what we do. To have that appreciated by others is a great feeling.

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What sort of music did you all grow up on?

Josh: My mum and dad used to play all sorts around the house when I was really young. One minute we’d have Nat King Cole on, then the next minute we’re dancing round the living room to Hanson. I also remember listening to a lot of The Neptunes and early N.E.R.D growing up.

Tom: Whatever was on my dad’s car stereo really: Punk, Reggae...you name it!

Leslie: Lots of Motown and R&B.

Conor: My dad has a pretty eclectic music taste so I listened to all sorts growing up - anything from The Clash and Bowie, through to New Order and Otis Redding. I’d say we all have a pretty rich musical background - in terms of listening - which all very subtly contributes to building our sound.

Have you got a favourite memory from your time in music so far – the one that sticks in the mind? 

Josh: That’s a difficult question as there’s been many. My favourite memory would have to be the countless hours we all spent together waiting in Leslie’s shed before even knew the band was a band. So many of those ideas and parts that were written in there have been reused in songs that are in our current set.

Which one album means the most to each of you would you say (and why)?

Tom: Pool by Porches. I think all of us in the band have probably listened to it about a million times each!

Conor: Hard to pick any single album, but one favourite is Steve McQueen by Prefab Sprout. Paddy McAloon’s songwriting is timeless.

Leslie: It would probably be The 1975’s debut for me. It’s just so good!

Josh: In Search of… - N.E.R.D. My dad used to play it all the time. It brings back memories of good times.

If you could support any musician alive today, and choose your own rider, what would that entail?

Josh: I’d love to say Nick Cave but I don’t think that line-up would make much sense musically. So probably The Neighbourhood or The 1975.

As for the rider, I’d want Gucci sliders and some of that rum DJ Khalid’s always going on about on Instagram. I think it’s called Bumbu?

What advice would you give to new artists coming through?

Leslie: Don’t take our advice...

Do you have tour dates coming up? Where can we catch you play? 

Conor: We’ve got lots of dates in the pipeline which will be announced very soon, so keep an eye out for those. Our next shows are in London on Saturday, 2nd March, playing at Thousand Island with Only Sun and next Tuesday (5th March) at Komedia in Brighton, supporting the lovely Only the Poets.

If we came to one of your live shows, what might we expect? 

Tom: Faithful recreations of our recorded material, but in a world of their own. There’s also a lot of unreleased material in there too so, if you want to hear some new songs, come and see us!

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 IN THIS PHOTO: SPINN/PHOTO CREDIT: Sam Crowston

Are there any new artists you recommend we check out?

Josh: SPINN, for sure.

Conor: Not necessarily new but certainly on the up - I’ve been listening a lot to a House D.J. called Laurence Guy. Super-melodic and really relaxing.

Tom: I don’t think he’s particularly new but this producer called Lusine is definitely worth a listen.

 IN THIS PHOTO: Laurence Guy/PHOTO CREDIT: Esther Riess

Do you get much time to chill away from music? How do you unwind? 

George: We’ve all worked quite hard at setting up our lives in a way where we get to spend as much time as we can writing and playing new music with each other. I honestly don’t think any of us are particularly interested in spending much time away from music: we have so much fun and get so much fulfilment out of doing it. It’s more like this is what we get to do to unwind from the stress of day-to-do day life.

Finally, and for being good sports; you can each choose a song and I’ll play it here (not any of your music - I will do that).

Josh: Air Stryp by Big Red Machine

Conor: Please play Lovin’ You by Minnie Riperton

George: Freelance by Toro y Moi

Tom: I’d like to hear I Need Your Lovin’ by Teena Marie

Leslie: You Don’t Know – 702

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INTERVIEW: FiFi Rong

INTERVIEW:

FiFi Rong

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IT is good to catch up with FiFi Rong as the video...

for her single, Sin City, is out and she tells me about it. I wanted to know which musicians/sounds were important to her growing up and if there is more music coming along soon – she reveals a rising artist that we need to investigate.

I ask how she feels she has progressed as an artist and whether she has any standout music memories; if there are any tour dates in the diary and whether she gets much time to unwind away from things – Rong selects a great track to end the interview with.

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Hi, FiFi. How are you? How has your week been?

I’m very good, thanks. It’s been very, very busy as always. Non-stop challenges.

For those new to your music; can you introduce yourself, please?

I’m a vocalist-songwriter and I produce all my solo work and mix them sometimes too. My music is a fluid blend of many genres and elements. The main vibes consist of U.K. Bass and Underground and my Chinese flair in vocal delivery.

 

The video for Sin City is out. What inspired you to write the song and what was it like putting the video together?

It was a real story from my past in Hong Kong and I merged a lot fictional stuff such as murder in the story and song as I was watching serial killer documentaries while I was writing the song. It was not smooth-sailing making this video but I knew exactly what I wanted so I wasn’t discouraged at any point. Delay was not denial. It was just a matter of time. I knew I had the creativity and resources to finish it and put it out into the world.

I needed to make it just right, so it took a while. 

Might we see more material coming soon? What are you working on right now?

Next up will be a collaboration song called Nahi with a Berlin label, Save the Black Beauty, on their L.P. Also, I’m working on several projects, including a solo full length and more (smiles). 

Which artists were important to you growing up? Who do you rank as idols?

There are whole bunch of Chinese Rock artists that truly integrated authentic Chinese music into Western Rock. I think that influenced me a lot in regards what I’m doing now. It was once possible but a bit of a lost art as those artists were really going through a lot of poverty and pain. It wasn’t a chosen thing: it was the society.

Musicians who insisted on doing Rock had no money, unlike today’s Indie artists. Good art can come from any place but great art sometimes come from deep suffering. Idols: true legends like Michael Jackson, Eminem and some more...but not a lot.

How do you think you have progressed as a musician since you started out?

I have more patience and tolerance of the down-cycle when creativity doesn’t flow. I’m more productive on average and I like me more in general.

Your music has a very visual edge to it. Do you think in a visual sense when you are writing songs?

Not really. My music comes from words; words come from feelings and I make music for my words/feelings and I create visual to suit the music. It’s all in one package. But, if I was a filmmaker first and foremost, I would actually write music just for visuals, yes.

Do you have a standout memory from your time in music so far?

Hmm. There are lots of memories but what is burnt deep in my psyche has to be the U.K. tour with Tricky. It was my first time on a proper stage in O2 Academy Bristol. I almost died from fear on stage; didn’t know where to put my hands and I cried the whole night till second day as it was too scary and I was too disappointed in myself. And, on the second day, I was totally in the zone at O2. I had the time of my life. I was flying high! Then, Manchester Academy was even more amazing. I felt so connected and ‘one’ with everyone. Still, to this date, I can’t figure out how I got from day-one as a complete mess to day-two as a complete natural!?

My little mind went for the biggest rollercoaster ride of my life. I had many amazing writing experiences and good stage experiences but nothing was as thrilling as those three days. It’s like any drug: the first time gets you the highest as it’s unexpected.

Which albums mean the most to you would you say (and why)? 

There are too many in Chinese! But, on top of my mind, here are the English ones: 

Pink Floyd - The Dark Side of the Moon and Tricky – Maxinquaye. 

If you could support any musician alive today, and choose your own rider, what would that entail?

I’m not picky. I just need good monitor system, good lighting and a room that’s not cold so I can relax before I go on (smiles).

What advice would you give to new artists coming through?

I’m still new in many ways and I haven’t come through - so I can’t tell them anything I haven’t nailed. Everyone has their own path and strengths and they are the best judges for themselves.

Do you think there are going to any tour dates coming up?

I’m independent, which mean I do absolutely everything and I have the freedom to take as long as need. I’m in the middle of my album creation so, until that is in shape, I wouldn’t want to distract myself. 

How important is performing? Do you prefer it to life in the studio?

Different challenges. Both are important because they make me grow. And growth is fundamental as, if I don’t grow, life loses its purpose. 

Are there any new artists you recommend we check out?

I just found out a musician called Zoolon I’m digging. 

Do you get much time to chill away from music? How do you unwind?

I love learning in many fields. For me, it’s relaxing and fun in order to absorb new knowledge. 

Finally, and for being a good sport; you can choose a song and I’ll play it here (not any of your music - I will do that).

Lower Dens - Truss Me

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INTERVIEW: Kudu Blue

INTERVIEW:

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PHOTO CREDIT: Kay Ibrahim

Kudu Blue

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I have been finding out about the Brighton group Kudu Blue...

and what the story is behind their new single, Mountain Song. I was keen to know what they have planned going forward and how the band formed; what the scene is like in Brighton and whether there are approaching artists worth watching out for.

The band share their favourite albums and memories; they provide advice to musicians coming through and tell me what tour dates are in the diary – they select some cool songs to end the interview with.

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Hi, guys. How are you? How has your week been?

Hey! We're great been working on some music and rehearsing so it's been fun! We also had a show in Bristol at the Louisiana with Cub Sport and a show in London supporting another Brighton band, Loyal, at the Moth Club.

For those new to your music; can you introduce yourselves, please?

Sure. We're Kudu Blue (Tom, Owen; Clem and Creeda). We all live in Brighton and have been making music Electronic tunes together for four years now.

Mountain Song is new. How did it start life and what is it about?

We actually wrote this well over two years ago now. It came together when we were rehearsing. Since then, it's gone through a few different forms to arrive at where it is now. The track is about knowing what's good for you but finding it hard to do it and having to deal with your own reluctance.

I love the harmonies in your music. Did you always experiment with harmonies or is it something quite new?

Thank you! I’ve always enjoyed recording harmonies but it's something that I’ve got much more into with the new E.P. and the tracks that we're recording at the moment. I also find it the most enjoyable part of recording vocals now. You can get really creative with them which I love.

Might we see more material coming down the line?

100%. It might seem like we've been off the scene for a little bit but we've been writing loads so have got bags of new material on the way.

How did Kudu Blue find one another?

Tom and Owen were childhood friends; they met Creeda in Brighton as well. I moved down from Birmingham and we all just met through our love of music. We were playing together in various different bands and projects in Brighton before we got together as a four-piece.

In terms of music, do you share tastes? Would one find similar albums in your collections?

Yeah. There are definitely artists that we all have a shared love for but we also have another side of our tastes where they are quite different. I think what's great about us working together as a group is all of our different influences come together to make something a bit different.

What is Brighton like as a base? How inspiring is the place?

It's beautiful. Coming from Birmingham, I really appreciate being by the sea and getting that fresh air every day. It is a really creative city and there's a close-knit music community here which is great. Everyone knows each other and supports each other’s music.

Have you got a favourite memory from your time in music so far – the one that sticks in the mind?

Hmmm. Probably playing KOKO in Camden. It was the biggest show we've done to date and the energy there was amazing. Hopefully we'll get to experience some more shows like that. 

Which one album means the most to each of you would you say (and why)?

Clem: D'Angelo – Voodoo

I love every track on that album. D'Angelo is a big inspiration for me. His music is unmistakably his and you can hear so many influences in it.

Tom: Ram Narayan – North India: The Art of the Sarangi

While this album hasn't had any discernible influence on Kudu's music, it made me fall in love with music all over again; it showed me that music was capable of a lot more than I'd previously thought possible.

Creeda: In Rainbows – Radiohead

For me, it's just the most beautifully crafted album from start to finish. The soundscape is so ethereal and it’s probably the only album I've listened to over one-hundred times and still not got bored of.

Owen: Portishead – Dummy

I grew up in Bristol and this album is steeped in ’90s Bristol Nostalgia. Such beautiful, crisp production; so ahead of its time. And Beth Gibbons’ voice still haunts me to this day. 

If you could support any musician alive today, and choose your own rider, what would that entail?

Probably Cher or Shania Twain. On the rider would be a bath tub full of Nik Naks. We’re all addicted at the moment. And some vegan toasties for Tom.

What advice would you give to new artists coming through?

Keep plugging away. There are hard times but it’s worth it if you’re able to express yourself creatively. But also to look after yourselves and your mental-health. There are so many ups and downs that it can be tricky to remain stable in the music industry. It’s ok to take a break every now and then.

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PHOTO CREDIT: Marieke Macklon Photography

Do you have tour dates coming up? Where can we catch you play?

14th March – Lille Vega, Copenhagen (Tennyson support)

15th March – Berghain/Kantine, Berlin (Tennyson support)

17th March – Hydrozagadka, Warsaw (Tennyson support)

21st March – Le Pop-Up du Label, Paris (Tennyson support)

23rd March – Hoxton Bar & Kitchen, London (Tennyson support)

24th March – The Sound House, Dublin (Tennyson support)

6th April - The Old Market, Brighton (MOVES Festival)

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PHOTO CREDIT: Bobbie Johnson/PHOTO CREDIT: Aaron Wood

Are there any new artists you recommend we check out?

Bobbie Johnson. She's a rapper, singer and producer from Brighton. She's amazing. Cousin Kula are one of the most exciting U.K. live acts at the moment mixing Prog psychedelics with Synthpop. I saw Moses Sumney at Royal Festival Hall in 2018 - and it was one of the best gigs I’ve been to.

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 IN THIS PHOTO: Cousin Kula

Do you get much time to chill away from music? How do you unwind?

Yeah. We find time; we all like food A LOT. We like cooking and going out for food. Going to watch live bands and the occasional mad night out. Mmmmm, food.

Finally, and for being good sports; you can each choose a song and I’ll play it here (not any of your music - I will do that).

Girls of the Internet - When U Go

Cousin Kula - Jelly Love

Kelis (ft. André 3000) - Millionaire

Childish Gambino – Redbone

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INTERVIEW: Threatmantics

INTERVIEW:

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Threatmantics

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THE guys of Threatmantics...

have been speaking with me about the Welsh music scene and how they came to be; what inspired their new album, Shadow on Your Heart, and whether they have any gigs coming along – they reveal some rising acts to watch.

I ask about the boys’ record collections and tastes; which albums they count as favourites and the artists they’d support on the road given the chance – they each select an excellent track to round the interview off with.

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Hi, guys. How are you? How has your week been?

Andrew: Very good, thanks. The last week has been hectic: new album being released and all. Truthfully, it’s mostly been nice to hear how people have been enjoying it. I was told that one absolutely jam-packed bar in Cardiff put our album on in full as soon as the Six Nations game between Wales and England ended. I found the idea of that quite odd. I imagine it’s a bit of a departure from the typical Welsh bar’s post-game mix of Tom Jones and Stereophonics.

Heddwyn: We did stack all the Pop hits at the top of the album, so I guess that could work. This week has been totally full-on. Shadow on Your Heart is the first album we’ve put out ourselves, so all the stuff like mailing pre-orders; getting records in shops, coordinating the online stuff - it’s been an almost overwhelming shock to the system at times. Plus, my arm still hurts a bit from printing all those album sleeves. We had an artist, John Abell, design the cover art as a woodcut and we hand printed each one. When I say ‘we’, John did most of it: I helped. It’s a really physical process that’s kind of hard on the knees as well. Worth it though. Those covers are beautiful, individual works of art!

For those new to your music; can you introduce yourselves, please?

Heddwyn: We are a maverick Art-Rock four-piece from Cardiff. Myself on vocals and viola; Andrew on guitar; Graf on bass and Huw on drums.

How did Threatmantics start life? When did you all get together?

Heddwyn: We formed in Cardiff Art School way back in 2005. Back then we had a different guitarist and Huw would play the basslines on a keyboard while drumming. Andrew became our guitarist just before our second album and Graf invented the role of Threatmantics bass player soon after.

Tell me about your new album, Shadow on Your Heart. Was it quite a quick album to put together or was it quite a gradual process?

Heddwyn: The songwriting and recording of it was actually pretty fluid. The sound of it was well-formed and translated really well in the studio. It’s everything that followed that took time. We had a couple of hard maybes from some labels, but it became apparent we were going to have to put it out ourselves; navigating the music industry in its unfiltered state. At times it’s been like staring into the Ark of the Covenant: faces turning to melty plasticine as you try and navigate the PRS website. On top of all that, we decided to hand-print three-hunred record sleeves! The end, however, has more than justified the means.

What sort of themes and inspirations go into the songs on the record?

Heddwyn: Musically, this is our first record with a full-time bass guitar player. As a result, so many of the songs started with bass and drums. We’d never really written that way before. It’s definitely given the record a different sound. As for themes, there are a few. The use of respectable veneers to hide lies and malicious intent is a recurring one. I used quite a few films as jumping-off-points for some of the songs on there - Heaven’s Gate, Funny Games; Office Space, The Third Man plus a few more. To set the mood, or as a spark for other ideas.

In terms of music, do you share tastes? Would one find similar albums in your collections?

Graf: Not really. I think this is reflected in the difficulty to pin down what it is that we do. We all bring differing tastes and influences to the table, chuck it all in a pot and then poke it with breadsticks until you’ve got a meal/band (I might try and get the Fondue-Rock scene off the ground. Probably not though.) Obviously, we all cross over at various points but there’s very little we *all* totally agree on except maybe Mclusky/FOTL and Gorky’s/Euros Childs.

Heddwyn: You’d find completely different tastes between my C.D. collection, my vinyl collection and what’s on my phone. It’s a complete mess before we even think about comparing it to the rest the band.

Andrew: My taste is broad - which means I do touch on a lot of different aspects of the other guy’s tastes. If I had to say a point where our tastes coalesce, it’s Super Furry Animals and Gorky’s Zygotic Mynci with a hint of AC/DC (one member might disagree with that last one).

You are a Welsh band. Do you find there is still an underappreciation of Welsh music and the quality there?

Andrew: There seems to have been a slight shift regarding attitudes towards Welsh music, in particular music sung through the Welsh language. The Internet has given an outlet for Welsh language bands to reach out further than ever and people are listening. That’s pretty heartening for me.

Graf: We are a European band. Now is not the time for pigeonholes and borders.

Heddwyn: We did record half the album in Paris after all. When we first started out, we’d get people come up to us really annoyed that we sang some songs in Welsh. Like we’d offended them somehow. That doesn’t seem to happen anymore, which is progress of sorts I guess. Though you still get people who are bitterly, stridently nationalistic about being Welsh but who really hate the language and anyone who speaks it. It’s really weird.

Have you got a favourite memory from your time in music so far – the one that sticks in the mind?

Andrew: Playing before The Zombies, ten minutes up the road from where I was born, was a big deal for me.

Heddwyn: That Rheola Fest was a lot of fun! There are so many moments from playing gigs or being on tour…or even just practice session. But maybe the thing that pokes through past all that was when we got the first box of our first album through from Domino. The feeling of pride in that plastic-wrapped bundle of legitimacy was pretty singular. It’s like when we finally finished hand-printing and then assembling our new record; seeing them all stacked up and ready to go. It’s a different kind of emotional reward to playing live. Not better, just different.

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Which one album means the most to each of you would you say (and why)?

Graf: Super Furry Animals – Radiator

Consistently my number-one album for the last twenty years. Had it on both sides of a C90 tape and listened to it on the bus to and from college every day which, with hindsight, may well have played a very large part in me making the decision to move from the Midlands to Cardiff. Every different machine, headphones or speakers I play it on brings out a new line or melody or hook I’ve not noticed before (even now). It really is the gift that keeps giving.

Andrew: Stevie Wonder – Innervisions

I first heard it at the start of summer, right after the long slog of GCSEs. Every time I hear it now, I’m taken back to that feeling of total freedom and warm breezes. The songs are amazing too, obviously.

Heddwyn: When I was very young, I got given my uncle’s collection of Bob Dylan records. At the time, I was obsessed with The Times They Are a-Changin’ but it’s probably The Freewheelin’ Bob Dylan that’s stayed with me the most, even if that’s mostly due to songs that aren’t his.  

If you could support any musician alive today, and choose your own rider, what would that entail?

Andrew: I’d support either Ariana Grande or Guided by Voices and would have all of the halloumi fries on my rider, please.

Heddwyn: I want halloumi fries! I’d love to support Micachu/Mica Levi. Thought the stuff she did with The Shapes was great and the soundtrack for Under the Skin was just ridiculously good. I’d be intrigued to see how she’d perform live now, how those two worlds would interweave.

What advice would you give to new artists coming through?

Andrew: Don’t wait for someone else to do it for you. In 2019, it’s easier than ever to put yourself out there and control your own destiny.

Graf: You can do it. It’s in your own hands. Don’t wait for someone else’s approval. If you want to do it just get on and do it. Also, if that person seems a bit creepy or sketchy or useless it’s probably because they are a bit creepy and/or sketchy and/or useless.

Heddwyn: Don’t have only halloumi fries on your rider: get some fruit and veg on there too.

Do you have tour dates coming up? Where can we catch you play?

Graf: Firming up details of a London show in the very near-future and summer festival dates to be announced soon. We’re always open to offers.

If we came to one of your live shows, what might we expect?

Andrew: Graf climbing on something, usually.

Heddwyn: The unexpected! Guitar solos on viola, viola solos on guitar! Punk, Rock; Folk, Pop and Metal all coming at you from every conceivable angle. Oh, and Pokémon tattoos.

 IN THIS PHOTO: Silent Forum/PHOTO CREDIT: The Shoot

Are there any new artists you recommend we check out?

Andrew: Silent Forum, Big Thing; Perfect Body, Omaloma; Los Blancos, Serol Serol; Joe Armon-Jones and PREP are all relatively recent artists I’ve enjoyed. Silent Forum recently supported us at our album launch show.

Graf: Silent Forum, Perfect Body and Oh Peas!

Heddwyn: Zefur Wolves have a new album out soon. Their last one was great. Troubled Soul is such a good song! Not sure if they count as new but I don’t exactly have my finger on the pulse.

IN THIS PHOTO: Big Thing

Do you get much time to chill away from music? How do you unwind?

Andrew: I mostly unwind from music by learning about music. It’s a problem. I’m the kind of guy who entertains himself by researching an artist’s chart history. Read in to that what you will.

Graf: Ah. Those sweet, sweet day jobs.

Heddwyn: Yeah, I work as a sound engineer/designer. Threatmantics ties in pretty well with that - there’s a lot of crossover. Away from sound and music it’s probably films, T.V.; PlayStation - the usual. I do enjoy a pub quiz. Huw probably has the most interesting hobby: he plays flag American football for Cardiff on the weekends.

Finally, and for being good sports; you can each choose a song and I’ll play it here (not any of your music - I will do that).

Andrew: Carw - Lanterns

Graf: Gorky’s Zygotic Mynci – The Wizard & the Lizard. It came up on shuffle while I was in the park in the sunshine this lunchtime which reminded me what absolute bonkers-genius it is

Heddwyn: The Victorian English Gentlemens Club - Fire in the Wife. Criminally underrated

Huw (in absentia): Mclusky - Lightsaber Cocksucking Blues. It’s what he would have wanted

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INTERVIEW: Hawksley Workman

INTERVIEW:

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Hawksley Workman

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IT is a bit of a brief chat but Hawksley Workman...

has been telling me about his single, Stoners Never Dream, and its music video; what we can expect from the album, Medium Age Wasteland (out 1st March), and whether he has a favourite cut from the record - I ask whether he has any particular favourite albums and sounds.

The songwriter reveals a few approaching artists worth a look and whether he prefers life in the studio or stage; what he does away from music and the advice he would give to songwriters emerging right now - he selects a cool song to end the interview with.

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Hi, Hawksley. How are you? How has your week been?  

Great. Excited for new music to come out on March 1st, though it’s always a strange time… 

For those new to your music; can you introduce yourself, please?

I’m Hawksley Workman: writes songs; does the shows; wrote a play; started a Rock band; wrote some more songs.

The video for Stoners Never Dream is out. How did the concept come together? What is the song about?

I thought it might be funny to portray babies. So full of life and promise... as stay-at-home stoner burn-outs.  

Tell me about the album, Median Age Wasteland, and its themes? How did the music come together?

There's a lot of nostalgia on Median Age Wasteland. Lots of looking back at the late twentieth-century. Some humorous stuff, some awfully sad stuff. As usual, too, there's all the standard anthropomorphizing of birds and wolves and foxes. I wrote this record in the mornings on coffee. It was mostly winter and I was hunkering down. It was my first winter in Montréal.

Do you have a personal favourite song from the album?

Definitely Battlefords. It feels like a real beautiful surprise.

Which artists were important to you growing up? Who do you rank as idols?

The Beatles, Michael Jackson; Led Zeppelin, Chick Corea; The Smiths, Bruce Cockburn and Laurie Anderson.

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Do you have a standout memory from your time in music so far?

I played with David Bowie in a Roman coliseum in the South of France one time. That was a definite standout.

What is the music scene like in Canada right now and how do you think it differs from the rest of the world?

The scene is changing - like it is everywhere I imagine. But maybe I’m not really part of a scene and maybe I don't really know. But my sense is the new music models like streaming are having a drastic affect.

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Which three albums mean the most to you would you say (and why)? 

It's really hard to say. That list might change every day but at this moment: Joni Mitchell - The Hissing of Summer Lawns, Bruce Cockburn - Dancing in the Dragon's Jaws and Frank Zappa - Joe's Garage. 

What advice would you give to new artists coming through?  

Well, goodness. I'd say that music is a calling, which is to say it is the life that chooses YOU, you don't choose IT.

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Do you think there are going to any tour dates coming up?  

There's lots of tour dates posted and still being announced at hawksleyworkman.com.

How important is performing? Do you prefer it to life in the studio?

I love both. I really, honestly, don't have a favourite.

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 IN THIS PHOTO: Daniel Romano

Are there any new artists you recommend we check out?  

Daniel Romano, Andy Shauf and Donovan Woods.

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 IN THIS PHOTO: Andy Shauf/PHOTO CREDIT: Zach Caddy

Do you get much time to chill away from music? How do you unwind?  

Music kinda just lives in my skin - at least that's how it feels. I like riding my bike and lifting weights too.

Finally, and for being a good sport; you can choose a song and I’ll play it here (not any of your music - I will do that). 

I'd love to hear Laurie Anderson - Gravity's Angel. Thanks for this!

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INTERVIEW: Izzy Thomas

INTERVIEW:

Izzy Thomas

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TO start this week...

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Izzy Thomas has been discussing her new single, Trouble (Pull the Trigger), and what it is about; if we might get some more material soon and the albums that hold a special place in her heart; the artists she grew up listening to.

I wanted to know whether there will be tour dates and how Thomas’ songs come to mind; which artists she’d support if she had the opportunity; which rising artists are worth a look – she ends the interview by selecting a great new song.

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Hi, Izzy. How are you? How has your week been?

Hectic as always but can't complain!

For those new to your music; can you introduce yourself, please? 

I am a half-British, half-Iranian recording artist that writes songs with a mixture of Alternative-Pop, along with the soul of Blues but the attitude of Rock.

Trouble (Pull That Trigger) is your new single. What is the tale behind it?

Trouble (Pull the Trigger) is an anthem for anybody who has felt belittled or like an outcast in their life. This song’s about standing up for yourself towards the B.S. that stands in your way! I feel like, especially for women right now, this is a big deal.

Is there going to be more material coming later this year?

Definitely. My next single is getting mastered today. I have visuals and a story for its music video in my head!

Which artists were important to you growing up? Who do you rank as idols?

Michael Jackson, I’d say, was the biggest influence; Queen, vocally and, for her message, Christina Aguilera. Her first Stripped album - where she wrote with the likes of Linda Perry and Alicia Keys - was absolutely amazing. It was so diverse but still represented her.

How do songs come to you? Will you set time aside to write or do you let inspiration hit? 

A bit of both really. I think all songwriters agree that you can put in the work and have a cool song but, when it comes from a particular happening or emotion, then often the song will kinda just fall on your lap.

Do you have a standout memory from your time in music so far?

Last week, I was premiered by Billboard! That was pretty cool. I don’t know...my career is surprising me all the time.

Which three albums mean the most to you would you say (and why)? 

Michael Jackson – Bad

Dirty Diana is my favourite song!

Christina Aguilera – Stripped

Honest, real and raw.

Green Day - American Idiot

Very political but for all the right reasons. This sound smacked me in the face when I was a kid. I really got more in to Punk after this.

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If you could support any musician alive today, and choose your own rider, what would that entail?

Bishop Briggs is really cool; Lenny Kravitz, someone like that! I'd request Jaffa Cakes on my rider - vegan Jaffa Cakes though!

You campaign for Autism Awareness. What was the reason for getting involved for that charity? 

My brother has Asperger’s syndrome. I think, if a young person like myself was visiting schools and educating young people on what it actually is, my brother would have had a much easier childhood. I would have too.

What advice would you give to new artists coming through?

A lot of voices will give you a lot of different pieces of advice: don’t forget to listen to your voice...and your gut!

Do you think there are going to any tour dates coming up?

Tour, maybe, in a few months. I plan to (definitely) do a few festivals this year. 

How important is performing? Do you prefer it to life in the studio?

I like the freedom of playing live: in the studio everything's a little too perfect and nothing’s spontaneous. Performing is when you get first-hand experience of how your song is going down with the listener. 

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Are there any new artists you recommend we check out?

KilliT are an awesome new Rock band who are also friends of mine. Donna Missal is cool; Gareth Esson and Finding Kate.

 IN THIS PHOTO: Donna Missal

Do you get much time to chill away from music? How do you unwind?

I like to be around my friends and family. I’m easily pleased! It’s important because it keeps me grounded. I love going to this shooting ranch in Camden. We fire at targets and it’s the most fun thing!

Finally, and for being a good sport; you can choose a song and I’ll play it here (not any of your music - I will do that).

Finding Kate - Drowning 

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INTERVIEW: SVRCINA

INTERVIEW:

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SVRCINA

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MY only interview of the weekend is with SVRCINA...

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who has been telling me about her new single, Insecure, and filming its amazing video. I ask whether there might be more material coming along and what it was like finding Insecure on Spotify playlists; what Nashville is like as a base and which rising artists we need to watch out for.

SVRCINA discusses her musical process and upbringing; how she unwinds away from music and the albums that mean the most to her – she selects a pretty cool song to end the interview and provides some treasured memories from her career.

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Hi, SVRCINA. How are you? How has your week been?

Oh my heavens, hello! Thank you so much for asking! I’m doing well and my week has been wonderful so far. The weather in Nashville has been a bit cold and rainy but I’ve been cosy working from my apartment, drinking endless amounts of coffee and tackling more administrative aspects. BUT, starting tomorrow, I’ll get to be creative and have writing sessions the rest of the week! I hope your week is off to a spectacular start also!

For those new to your music; can you introduce yourself, please?

Yes! My name is SVRCINA and I’m an independent, Alternative-Pop artist based in Nashville, TN. Originally from Dearborn, MI, I moved to Nashville in 2010 with my parents at fourteen after signing my first publishing deal. Living and working in Nashville has been a slow and steady journey and the artist I am now is not the artist I thought I would be when I moved...but I’m so grateful for the refining process.

A study abroad trip to China in 2016 really sparked something in me and it led me to start expanding and exploring what collaboration looked/sounded like with creatives in other major music cities around the world, like London and Berlin. The process of traveling and meeting so many new people and experiencing different cultures has really inspired and shaped the music I’ve been creating. It’s been an adventure experimenting with blending Pop and light/ethereal elements with global flavors, merging Nashville with the international music community. 

Insecure is your new single. Is it based on personal experiences? 

So. I confess the song wasn’t initially inspired by a specific experience but, on many occasions, I have related to the overarching themes of being willing to recognize when you’re in an extremely unhealthy relationship and regaining a sense of freedom and independence by establishing personal boundaries. It’s an important song for me because, even as a little girl, I can remember so many instances of wrestling with severe insecurity; trying to please everyone around me to the point of simply not being truthful and feeling totally paralyzed in fear. I found that trying to play the field of ‘people pleasing’ accomplished quite the opposite every single time and, whatever situation I was facing, it always escalated in the wrong direction with all parties involved.  

The confidence expressed in the song isn’t embracing being arrogant but rather advocates being both loving and honest. I don’t think I really grasped that it was possible to be both at the same time but, as I’m learning that it is, I’m also learning that, when necessary, it’s really okay to draw healthy boundaries.

The video looks pretty cool. Was it cool working on that?

It was such an awesome experience! I am in total awe and admiration of Bree Marie Fish and her crew for her amazing creativity for this video. We had a brainstorming session with Bree and my manager and team at Resin8 Music, Wendy Duffy and Emma Smith. We really dove in and talked through the core message of the song and what would aesthetically feel authentic. Bree’s concept sparked from the themes of recognizing when a relationship is unhealthy and exercising the freedom to establish personal boundaries. We also talked through the project as a whole and certain goals we are trying to accomplish visually, combining ethereal and sophisticated elements with a global feel wherever possible.

Creating a music video is new territory for me, so it was majorly helpful to process everything together and really stretch myself to think outside the box in how a universal concept could be expressed in a different, artful way. After our round table discussion, Bree created the video concept and sent our team a treatment and there was no question in our minds that this direction was a super creative way to go. 

What was it like seeing the song promoted by Spotify and featuring on their playlists?

I just went in waves of crying! Haha. I’m definitely a sentimental person and was constantly overwhelmed - knowing how many people are involved - and worked so hard to bring the song to life. As an independent team, everyone was so generous with their creativity and have been relentless advocates. So, to catch a glimmer of Spotify’s support and see it start to immediately resonate felt like the biggest high-five and hug for our entire team. 

Might we see more material coming soon?

Yes! We’re releasing a project, single-by-single, and have some collaborations sprinkled in between! Our next release is a collaboration set for March 1st with Enhanced artist Man Cub. I wrote the topline with a dear friend and collaborator, Michael McEachern, and am super-excited about it. The next single from my project is set for March 29! 

Which artists were important to you growing up? Who do you rank as idols?

Growing up, Christian and Praise and Worship music were foundational for me and I gradually started expanding and fell in love with Country music and then Adult Contemporary and other genres (you could say that I’m an old soul). I would come home from school and practice different songs from artists like Natalie Grant, Brooke Fraser; Rascal Flatts, Faith Hill; Reba, Patsy Cline and Céline Dion. It’s a bit all over the map but, once I moved to Nashville and started working, that’s when my perspective started to shift and even more so in the Pop/Electronic space starting in 2014. I have always been drawn to singers that are super-emotional.

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Nashville is where you are from. Is it a great city to get inspired by and find opportunities?

Although I wasn’t born in Nashville, it has truly become my home. The journey of living and working in Nashville has been completely transformative and I can’t overstate how much I’ve learned here and how grateful I am for the community. The city is growing and evolving just as much as the people and it’s been so exciting to have a front row seat to the changes, to watch up and coming artists/producers/writers of all genres succeed and play a role in being creative.

There are so many that I’m completely inspired by and, on the whole, I’ve found the community to be extremely supportive of one-another and openhearted to collaboration!

Do you have a standout memory from your time in music so far?

That’s so tough. I have so many.

But, if I can combine a set of memories, early last year I took a giant leap of faith and spent three months living and working in Berlin, Germany. In that season, my publisher was an arm of Kobalt Music and the Kobalt Berlin team was extremely gracious to pair me with many producers and writers in the local community. I fell so in love with the city, the people and the creative community there.

Everything about that season was so far outside my comfort but it was a pivotal and most refreshing time of creative and personal discovery. And, in that time, the lightbulb went on in so many ways for me and my team and helped us set the course for the artistic direction visually/sonically with all these new releases!

Which three albums mean the most to you would you say (and why)? 

Definitely a pretty eclectic mix here but here we go:

Rascal Flatts - Feels Like Today

I confess the song God Bless the Broken Road was the original spark that inspired me to want to be a singer. At eight, I essentially heard the song and saw the music video and somehow determined that singing was something I wanted to do in some form or fashion for the rest of my life. I would come home from school and run down to the basement in our house, turn on the album and practice singing to all the songs for hours. I love the storytelling aspect of Country music and this was my first introduction to the genre. 

Brooke Fraser – Albertine

I don’t even remember who introduced me to this project but I remember buying it when I was twelve (probs my mom buying it; thanks mom!), and it was the first artist I was exposed to that wrote all her own songs. I would listen to the album from top to bottom, over and over again; reading every word in the C.D. lining and enthralled by how beautifully poetic the lyrics were. And, even in my limited understanding of the meaning to most of the songs, I was inspired by the idea of using music as a vehicle to say something meaningful.

Ellie Goulding - Halcyon Days

I have one older brother, Dallas, who’s four-and-a-half years older than me. After he left for college and started working, my mom would always encourage us to not lose touch with each other...but for us to do everything we can to build/strengthen our relationship no matter what direction our lives took. My brother is a true music lover and has such a great ear. He started sending me artists he was discovering and sharing new music became a way we started building a genuine friendship.

I remember this album was one of the first that he shared and I completely fell in love with every single song and even more with the idea that we’d found something to relate to each other. Right around that time, I was also just beginning to explore pop music artistically so this album became a significant reference point. 

If you could support any musician alive today, and choose your own rider, what would that entail?

Great question. There are so many artists I would honestly fall over to support. I feel like I’d probably say someone different in different seasons but a dream would definitely be to support an artist like Clean Bandit. I love their creative approach, infusing global elements and the way they collaborate with other artists. They’re super-inspiring to me and supporting them would be a total slice of heaven.

And, ideally, I’d keep the rider vibe super-low-key but I confess coffee would always be embraced with an open heart (and is very essential to my creative process and overall existence).

What advice would you give to new artists coming through?

I’m learning so much every day and I’ve barely scratched the surface but maybe the first thing that comes to mind is to embrace the slow and steady process of creative exploration, enduring rejection; doing a deeper search for the ‘why’ behind the ‘what’ and seeking true wisdom from those you trust. I learned there are no shortcuts around the process of refinement and, while it can feel excruciatingly slow and painful, growth upon a solid foundation is crucial for longevity. 

I also believe it’s super-important to not allow your heart to be hardened/jaded by disappointment and rejection. Both are part of the process and it will wonders for your level of joy, if you can allow them to build within you character and perseverance and embrace an element of flexibility for your journey to go in maybe a different direction than you thought.

Do you think there are going to any tour dates coming up?

I believe so, yes! We’re planning for an L.P. release show in Nashville sometime mid-May and looking at possibly some potential tour dates in the late May/June realm!

How important is performing? Do you prefer it to life in the studio?

In this season of being an artist, performing is a definitely a newer element to incorporate - but a hugely significant one for me. My manager, Wendy Duffy, and I and our growing team have been spending the last five years really digging into the artist development process and everyone has been so patient and gracious. But now that my project is coming together, I’m so ready to start sharing it in the live setting.

As for preference, I don’t think I have one. I love the creative process. Being able to dig for the best performance in the studio and creating melodies never gets old but then, once it all gets put together, being able to express a song live is totally fulfilling in a different way!

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 IN THIS PHOTO: Daniella Mason

Are there any new artists you recommend we check out?

There are so many incredible artists in the Nashville area that are slaying and super-inspiring. To name just a few: Super Duper, Daniella Mason; Sam Tinnesz, Fleurie; SOLARSUNS, Sarah Reeves; Stela Cole, Brigetta and Jon Santana. 

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IN THIS PHOTO: Sarah Reeves

Do you get much time to chill away from music? How do you unwind?

I do love music so much, so working is definitely not something I dread. But it is important to step away and refresh! I'm a fervent advocate of a quality dinner party. Haha. Probably one of my favorite things in the whole world is wrapping up the day and just sitting at the kitchen table, or sharing a cup of coffee with my mom or family or friends and having quality/deep conversations about life.

Sometimes, I feel like a granny but I really do love sharing stories; hearing/learning about other people’s lives and just chatting - maybe playing a card game or some antique shopping or something delightful like that. And, if it’s super-low-key (as in, I’m by myself), deep cleaning/re-organizing is an extremely relaxing/satisfying option. 

Finally, and for being a good sport; you can choose a song and I’ll play it here (not any of your music - I will do that).

Human - Daniella Mason

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INTERVIEW: Bellah

INTERVIEW:

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Bellah

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THIS is definitely the final interview of the week...

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and I have been speaking with Bellah about her music and the new track, Never Loved. She reveals its story and discusses the upcoming E.P., Last Train Home. I was curious to know which albums have made the biggest impact on her and whether she prefers the stage or the studio.

Bellah talks about future plans and highlights some rising artists to watch; whether there will be any tour dates and what advice she would provide musicians emerging – she selects a cool song to end the interview with.

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Hi, Bellah. How are you? How has your week been?

Hey! I’m great, thank you. My week’s been good too.

For those new to your music; can you introduce yourself, please?

My name is Bellah. I’m twenty-two, London-born Nigerian; originally from North London but now I reside in Essex. I grew up doing musical theatre and so I developed a love for music and the arts from there. I started writing and creating my own music when I was seventeen and I’ve been working on me and my music since then.

Never Loved is your new single. Is there a story behind it?

I had a weird and frustrating end to a previous relationship and I was looking to him for closure but he wasn’t willing to give me that. So, I had a bunch of unanswered questions and it was infuriating. They say you should write down your feelings apparently and so I started writing diary entries and that did not help one bit. Haha!

So, I guess the song was the closure I needed.

It is from the upcoming E.P. Last Train Home. What sort of themes and experiences do you bring to the tracks?

Last Train Home is literally my thoughts recorded. Every song is different but fits perfectly on the E.P. (It’s actually quite weird). They’re not all love songs - which I thought was needed because I wanted it to be as me as possible - and I don’t think I’m at a stage in life where I can write those and actually mean it.

Which artists were important to you growing up? Who do you rank as idols?

Michael Jackson, Lauryn Hill; Destiny’s Child, Luther Vandross; Usher, Justin Timberlake; Ne-Yo…the list goes on really.

Which three albums mean the most to you would you say (and why)?

The Miseducation of Lauryn Hill – Lauryn Hill; So Far Gone (mixtape) – Drake (I know it’s not an album but O.M.G.) and Off the Wall - Michael Jackson

The Miseducation of Lauryn Hill is self-explanatory: I mean, to me, they all are but that album really showed me what it was to be an open book. That album was incredible.

The So Far Gone mixtape is actually a masterpiece. I was thirteen, singing about things I had no business singing about and I loved every minute of it. Lust for Life, Sooner than Later; Houstatlantavegas - absolutely amazing.

Off the Wall has my favourite song of all time on it - Rock with You. Michael is a genius and this whole album just makes me feel warm.

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If you could support any musician alive today, and choose your own rider, what would that entail?

I would love to support H.E.R., Kehlani or Ariana Grande.

And my rider would just be excessive amounts of Chinese/Japanese food, Fiji Water; strawberries, raspberries; grapefruits, mangos; strawberry lemonade and a humidifier.

What advice would you give to new artists coming through?

Study and work on your craft until you become undeniable; never stop learning and listen to the people around you that you consider more advanced or more credible to you.

Do you think there are going to any tour dates coming up?

I couldn’t tell you if I wanted to (haha), but hopefully.

How important is performing? Do you prefer it to life in the studio?

If you asked this question a year ago I would have told you I preferred performing but spending time creating and writing holds a special place in my heart now so I love performing and life in the studio equally.

What is your favourite career memory so far?

A stand out moment for me in music was when I performed at a local festival in 2014. It was held outside in a tent and for the whole day before I performed it was clear skies and then, ten minutes before I performed, it started pouring down with rain. This forced everyone - whether they where attending the show or not - to huddle into the tent. So, I got a much bigger crowd than I expected and fate just so had it that my now managers were in the audience. I had dancers and backing vocalists; it really felt like my concert!

 IN THIS PHOTO: Summer Walker

Are there any new artists you recommend we check out?

I’ve been obsessed with Summer Walker. She’s really cool.

What do you think of the modern scene and the sounds coming out?

I think music is evolving as it does and as it should. I’m happy that music has more influences from around the world now as well. I’m here for the fusion of genres and creating new sounds. I also love that R&B is making a comeback!

Do you get much time to chill away from music? How do you unwind?

I don’t really but, when I do have time to myself, I love travelling and eating. Food is amazing. Haha!

Finally, and for being a good sport; you can choose a song and I’ll play it here (not any of your music - I will do that).

needy - Ariana Grande

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INTERVIEW: Matthew Gordon Price

INTERVIEW:

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PHOTO CREDIT: Taylor Harford

Matthew Gordon Price

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THIS time around...

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I get to speak with Matthew Gordon Price about his new single, Grow Old Together, and how that came to life. I ask what sort of music compels him and what he has in store going forward; some approaching artists we need to check out and how he unwinds away from music.

Price discusses his tour plans and gives advice to upcoming artists; how his music has evolved since his earliest days and which artist(s) he’d support on tour if he had the chance – he picks a cool song to end the interview with.

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Hi, Matthew. How are you? How has your week been?

It’s been a bit hectic and we’ve had lots of practice for a few live sessions which are coming up but, apart from that, just focusing on the new releases

For those new to your music; can you introduce yourself, please?

I was born in Somerset, originally, and now live in Devon. I’m in a few projects currently but my main focus is my original material which currently showcases an Indie-Folk vibe but I’m always writing different types of tracks – Classical, Indie; Rock-y-Folk stuff so, in the future, there might be a surprise or two.

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When did music arrive in your life? Did you discover it young?

Ever since I was young, I’d always be found creating mix tapes or listening to my parent’s collection of music which ranged from Bob Marley to Queen.

Are there any musicians you consider to be idols and big influences for you?

My Favourite band is and always will be Queen (maybe The Kinks. Haha) but my main influences are Damien Rice, Noah Gundersen and Keaton Henson.

Can you talk about your new single, Grow Old Together, and what it concerns?

It has a different pace to what I usually write but I really wanted to get my more upbeat Folk tunes out this year and I feel this track will have a few people saying “this is different”…hopefully. The song itself is about how sometimes you feel you’ve found the one you’re meant to spend the rest of your life with but end up being wrong…and then you fall into something new but you’re wrong again (haha) until finally you actually get it right.

Do you feel like there might be even more material coming later in the year?

I have a few more tracks lined up which will probably appear on an E.P. together. They will be Arrows and Everything I Could.

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How do you feel your music has changed and evolved since the early days?

I’ll be honest: in the early days I couldn’t really sing, couldn’t really play a guitar very well or write very well. Haha. So, I’ll say that, hopefully, it keeps changing and I keep experimenting with sounds to really craft songs that I am proud of and that people enjoy.

Have you got a favourite memory from your time in music so far – the one that sticks in the mind?

I wouldn’t say a fave memory but I’ll say that sometimes when you have a gig or even live session where you almost lose yourself in the moment and you’re really gone. Hard to explain but I’ve had it a few times and nothing comes close to that…well, currently, anyway…

Which three albums mean the most to you would you say (and why)?

Keaton Henson - Romantic Works

A Classical album by one of my fave musicians – it’s perfect.

Damien Rice – O

This is, by far, my fave album and it’s because Damien Rice. Simple

Queen - Greatest Hits

It got me through my whole childhood and it’s still up there as one of my faves.

If you could support any musician alive today, and choose your own rider, what would that entail?

I’d love to support Mumford & Sons, Matt Corby or Damien Rice. My rider would have to include bottle of Honey Jack Daniel’s; Papa John’s pizza and probably some Dreemys from Aldi.

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What advice would you give to new artists coming through?

Practice a lot. Write a lot. And email every venue at least three times (if they don’t reply to you the first two times - persistence is key).

Do you think there are going to any tour dates coming up?

We have a few for 2019 and festivals but we can’t announce anything yet I’m afraid. More info on www.matthewgordonprice.com.

How important is it being on stage and performing to the people?

It’s funny as I started music because I wanted to entertain, then I learned how to play and write and then became much more involved with writing for myself and thought I’ll play what I want etc. But now I’m in the middle and realise you got to please the crowd but also you have to write for yourself.

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 IN THIS PHOTO: Noah Gundersen/PHOTO CREDIT: Eric Tra

Are there any new artists you recommend we check out?

Allen Stone; Noah Gundersen; Jamie Yost; Drakes Island.

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 IN THIS PHOTO: Jamie Yost/PHOTO CREDIT: Richie Bolgiani

Do you get much time to chill away from music? How do you unwind?

I usually get Monday to Thursdays off from singing but usually we are doing some sort of admin and sometimes we do have to practice.

Finally, and for being a good sport; you can choose a song and I’ll play it here (not any of your music - I will do that).

Drakes Island – Only Passing Through

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INTERVIEW: Callaghan Belle

INTERVIEW:

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Callaghan Belle

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THANKS to the terrific Callaghan Belle...

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for telling me about her recent single, Dear Detroit, and what it is about. I ask her about her base of Detroit and how she views the music of the present and the icons of the past; whether there are particular records that have inspired her and whether there is more material coming along.

The young songwriter discusses artists she counts as idols; who she’d support on tour if she had the chance; whether there is any advice she’d give to rising artists – she picks an excellent song to end things on.

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Hi, Callaghan Belle. How are you? How has your week been?

Thank you so much for having me! My week has been chaotic and exciting. I’ve been waiting to release music for a long time.

For those new to your music; can you introduce yourself, please?

Yes, of course. I’m a songwriter and musician from Detroit but I currently live in Los Angeles. I’ve been working behind the scenes as a songwriter for a few years - but now I’m finally releasing material as an artist.

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When did music arrive in your life? Did you discover it young?

It’s funny...I can’t remember a time before music and I don’t know why it started. When I was really young, I’d write a couple songs every day. At some point, my mom realized I had about ten notebooks full of lyrics. From there, my parents were supportive. I didn’t realize there was anything unusual about a little kid writing music: I thought everyone was doing it.

Which artists do you count as role models and inspirations?

So many. My current list includes The Beatles, Lana Del Rey; Kelly Clarkson, JoJo; The Pretty Reckless, Troye Sivan; Dolly Parton, Led Zeppelin; Aly & AJ…I could go on.

Dear Detroit is your new single. Can you reveal the story behind it?

I wrote Dear Detroit after a meeting at The Beverly Hills Hotel where I’d been told that my music needed to be “more about guns” and conflict. It was ignorant advice coming from people in such a privileged environment. But it inspired me to write about the internal battle that takes place when you move away from home. This is a song about feeling homesick for a sense of belonging, whether that stems from a person, a place; an emotion etc.

Thinking about Detroit, do you have any thoughts regarding the changing sound of the city and your favourite Detroit icons?

Wow, great question. My fascination with Detroit icons started very young - Anita Baker is actually my godmother. So, I grew up around one of the most soulful voices in history. I think it’s incredible that Motown, Bob Seger; Eminem etc. all come from the same city. To me, that says so much about Detroit and its depth.

What is Detroit like for a young songwriter? Is its slight inner-city regeneration a positive sign?

I’ve lived in Los Angeles for almost three years now so I’m kind of ‘the outsider’ who shouldn’t comment on the state of the city. But, when I was growing up, I was pretty isolated as a songwriter. Right before I moved, some friends of mine bought a church in Corktown and turned it into a recording studio. The goal was to create a collaborative place for musicians to meet and work. Now it’s this full community of artists and songwriters and it’s absolutely beautiful. Progress like that contributes so much to positive regeneration. 

Do you feel like there might be even more material coming later in the year?

Yes! It’s crazy to admit this but my first album has actually been done for two years now. People kept telling me to wait to release it and I listened for some reason. Now, people are asking why I still want to release it. You just can’t win. (Laughs). But, Sovereign is my baby. So, it’ll be out later this year. I’m also releasing a song called Paranoia on February 22.

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Have you got a favourite memory from your time in music so far – the one that sticks in the mind?

My favourite memory is probably working with JoJo. It was one of those moments where I had to be professional but my inner ten-year-old was absolutely freaking out. She’s the reason I started singing, so working with her and listening to her sing my lyrics was just surreal.

Which three albums mean the most to you would you say (and why)?

In no particular order:

Breakaway – Kelly Clarkson

I learned to sing from this album! When I was eight-years-old, I would sing along to Since U Been Gone at the top of my lungs during every car ride with my mom. Kelly has been my vocal inspiration for as long as I can remember.

Born to Die - Lana Del Rey

This album changed my entire approach to songwriting. Lana sings poetry. Her music showed me that you can paint a story and create an entire persona through your lyrics.

Beatles for Sale - The Beatles

This album just brings me back to my childhood. I was raised on The Beatles.

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If you could support any musician alive today, and choose your own rider, what would that entail?

I’d love to tour with any powerhouse female artist. Kelly Clarkson, Ariana Grande; Kelsea Ballerini -I’ll go any genre. That’s the goal. Are we talking dressing room rider? I’m pretty low-maintenance. I’d probably ask for a piano and a jar of peanut butter. (Laughs).

What advice would you give to new artists coming through?

Ugh. I’m a new artist coming through! (Laughs). I don’t feel entitled enough to give advice yet. But, I guess I’d say just do your thing. You will get so much unsolicited advice about your sound, your look and your choices. At some point, it will overwhelm you. Take it all with a grain of salt and follow your instincts. You don’t want to launch a career on a song you only half believe in. Do your thing.

Do you think there are going to any tour dates coming up?

I’ve wanted to tour since I was a little girl. So, yes, hopefully sooner rather than later.

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 IN THIS PHOTO: Sasha Sloan

Are there any new artists you recommend we check out?

Some new artists I’ve been listening to lately are Sasha Sloan, Alec Benjamin; Bahari, Lennon Stella… I could go on.

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 IN THIS PHOTO: Lennon Stella

Do you get much time to chill away from music? How do you unwind?

I actually go to school in my free time: I’m majoring in political science. So, after a day in the studio, I come home and read about political theories. (Laughs). It definitely doesn’t help me unwind. But, I think the key to not burning out is achieving balance. So, on an ideal chill day, I’m completely unplanned. I’ll spend time with my friends. I love road trips. I love traveling. Going to the beach, hiking; playing the piano. Being spontaneous and creative is key.

Finally, and for being a good sport; you can choose a song and I’ll play it here (not any of your music - I will do that).

There’s a song called Janey by Foy Vance. It’s a few years old but it’s helped me repeatedly pull through heartbreak and grief. I’m sharing just in case anybody needs to hear it right now

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INTERVIEW: Shayfer James

INTERVIEW:

PHOTO CREDIT: Acid Test Photography  

Shayfer James

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WITH an E.P. out in the world...

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I have been speaking with Shayfer James about Hope and a Hand Grenade and the latest track, Mercy Down. James talks about music arriving in his life and which three albums are most important to him – he recommends some rising artists to check out.

I ask what his home of New Jersey is like in terms of music and whether there will be tour dates; whether he feels it is important to put spirit and uplift into his music – the musician picks a great live track to end the interview with.

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Hi, Shayfer. How are you? How has your week been?

Been a damn fine week, thank you. In fact, the highest-streaming week on Spotify I’ve ever had, so that’s exciting news!

For those new to your music; can you introduce yourself, please?

Certainly. I’m a singer-songwriter, performer and film composer from New Jersey, U.S.A.

Hope and a Hand Grenade is your new E.P. Can you reveal what sort of themes inspired the songs?

The general theme was that hope really cannot exist without hopelessness; that we can’t expect things to be good or positive all the time. Life is an endless, beautiful; wonderful and perpetually more fascinating cycle of creation and destruction.

Mercy Down is the latest video released. What was the reason for the concept behind the video? Do you get much say regarding direction etc.?

I came up with the concept and directed it myself - though the D.P. Christopher M. Elassad had a huge hand in bringing the shot footage concept to life. I couldn’t have done it without him. The editor, Chris Wronka, was super-patient with me as I found more and more stock footage to help get my point across. I’ll leave the reason for it up to the watcher to decide (smiles).

Even though there are some dark tones in your music, you like to create a sense of uplift. Do you feel it is important to challenge the listener?

I think, even in everyday conversation, we either overthink or don’t think enough about how our ethics inform our social performance. I don’t know if it is important to challenge listeners but I do think it’s important to balance truth and rhetoric to tell a story in a way that is truthful but also entertaining.

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PHOTO CREDIT: Luz Maxine Nienow Castelazo

When did music arrive in your life? Did you discover it young?

Indeed. A pretty terrible accident almost took two of my fingers when I was very young. My mother nursed my hand back to health on the piano, so I’d say it discovered me thanks to her.

New Jersey is where you are from. How inspiring is the music around you and the history of Jersey?

New Jersey has an amazing history in every way, including musically. I mean, Frank Sinatra, The Four Seasons; The Misfits, Sugarhill Gang and Bruce Springsteen? It wasn’t just because I was from N.J. that I listened to these artists: they were all iconic and a big part of the music I was raised on.

PHOTO CREDIT: Cyrience Creative Studios

Have you got a favourite memory from your time in music so far – the one that sticks in the mind?

I think my favorite memories are always built around letting go a bit more. Trusting the talents and decisions of other artists I work with. Micromanaging is fuc*ing exhausting and it’s amazing to be surrounded by talented people who make it totally unnecessary.

Which three albums mean the most to you would you say (and why)?

Nat King Cole - Nat King Cole at the Piano

My favorite singer of all time in his perfect element.

Sam Cooke - Live at the Harlem Square Club, 1963

Raw, unchained genius. His energy is palatable. So amazing.

Robert Plant and Alison Krauss - Raising Sand

I love T. Bone Burnett’s production on this album and hearing these two legendary singers take on familiar songs in truly unique way makes me so happy. I love falling asleep to this album.

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PHOTO CREDIT: Acid Test Photography/Joe Velez

If you could support any musician alive today, and choose your own rider, what would that entail?

That’s a tough one! I think I’d want to open for Elvis Costello, Fiona Apple or David Byrne - each for different but equally exciting reasons. My rider would be really simple: a bottle of Bluecoat Gin and some chocolate-covered pretzels with sea salt.

What advice would you give to new artists coming through?

Keep going. It’s a marathon, not a sprint. 

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PHOTO CREDIT: Acid Test Photography/Joe Velez

Do you think there are going to any tour dates coming up?

I’m trying to be really strategic with touring. I’m watching my Spotify numbers and, as listenership increases, I start looking for good clubs and fans that can help me promote in the area. Right now, I’ve got my eyes on Chicago, Seattle; San Antonio and Los Angeles. It isn’t really necessary to get in the van anymore. I go where I know I can make my fans, the promoters and myself happy.

Might you come to the U.K. and perform at some point?

Would absolutely love to perform in the U.K.! I monitor regional streaming closely and will certainly plan a trip when the demand is there.

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 IN THIS PHOTO: Brian Lawlor

Are there any new artists you recommend we check out?

I have the pleasure of occasionally playing music with a total genius named Brian Lawlor. He’s a level of composer and keyboard player that is just astounding and humbling to me; exists as comfortably inside the box as he does outside of it. He’s playing keys with me at the E.P. release show in N.Y.C. on March 8th (at Rockwood Music Hall).

Really excited about that! I also really dig Coyle Girelli’s Love Kills record. It’s great throwback songwriting with a more polished modern production vibe.

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 IN THIS PHOTO: Coyle Girelli

Do you get much time to chill away from music? How do you unwind?

I enjoy silence a lot of the time I’m not creating. Silence is where all the good sh*t happens. I’m also really enjoying my NES Classic.

Finally, and for being a good sport; you can choose a song and I’ll play it here (not any of your music - I will do that).

I’d love if you played Bring It on Home to Me from Sam Cooke - Live at the Harlem Square Club, 1963

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Follow Shayfer James

INTERVIEW: SUMif

INTERVIEW:

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SUMif

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THE fantastic SUMif has been telling me about...

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her latest single, Obvious, and what its tale is. I wanted to discover which artists she grew up around and whether we might see more material coming along – SUMif reveals when music became her life and what life is like in San Francisco.

The U.S. songwriter chooses a few albums that are important to her; whether she will come to the U.K. and play; the artist she’d support given the chance and some rising musicians we need to follow – she chooses a cool track to end the interview with.

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Hi, SUMif. How are you? How has your week been?

Fabulous! I just got back from a week skiing in Japan actually!

For those new to your music; can you introduce yourself, please?

Sure thing. I’m SUMif. I’m based in San Francisco, California and I make Electro-Pop music. My main goal is to make you dance, or bob your head...or move at least a little. 

Obvious is your new track. What is the story behind the song?

Obvious is about the moment when I met someone who opened my eyes, who allowed me to see my truth clearly. At the time, I had been avoiding the reality of a certain situation but, all of a sudden, the answer was sitting in front of me in plain sight.  

Is there going to be more material coming along this year?

Always and forever will you be getting new material from me! But, yes, I have a little E.P. coming out very soon followed by many new singles and another E.P. 

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Do you recall which artists you were listening to growing up?

Yes! Lots of The Beatles, Sheryl Crow and Mary Chapin Carpenter. Those are the distinct names I can remember my parents loving, so they were often plated at home or in the car. 

Was there a moment when you realised songwriting and music was your calling?

I wrote a song my senior year of high-school about a boy (lolz) I met who lived across the country. We met at a pre-college summer camp of sorts. I was crazy about him and wrote this poppy little song on my acoustic guitar and sang it for my school talent show.

Someway, somehow, my song ended up getting voted our class graduation song  the song they play when you throw your hats up in the air…in front of the three-thousand-plus people in the audience…usually a song like Green Day’s Good Riddance (Time of Your Life) or Vitamin C’s Graduation would win.

It was the first time in my life that others saw my art and especially my songwriting as something worth paying attention to. I used this song to audition to the music program at NYU and, when I got in, it further led me to believe in myself as a songwriter. 

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You have become a San Francisco staple. How important is the area and the people?

S.F. is truly home. I could gush about the beauty of the Bay area for ages. I arrived in S.F. six years ago knowing essentially no one. I built a life there, one that I am so, so proud of. I am surrounded by the most fun brilliant excellent supportive people I could imagine there - they’re my family.

On top of that, I’ve able to build up my music project there and am a big fish in a little pond. In the Bay, they play me on the radio and I’m a go-to support act for smaller Pop acts that come through town. These are things that wouldn’t happen to me in L.A. where there are so many people trying to do exactly what I am.   

Do you have a standout memory from your time in music so far?

So, so many but, in this moment, I would say playing Pride on the main stage last summer. It was beyond my wildest hopes for the performance. The sun was shining; it was hot (very rare for S.F.) and there were somewhere between five-hundred and one-thousand people watching me but they weren’t just watching; they were jumping and singing and...it was everything. Playing at Pride and waving around a rainbow flag was really a true symbol of freedom for me and my journey with coming out and coming to terms with being gay. 

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Which three albums mean the most to you would you say (and why)?

Odesza - In Return

Cinematic-Pop that makes me jump and pretend to bang on drums no matter where I am or what I’m doing. I’ve seen Odesza live over ten times – they truly embody my goal of making people want to move with my music. 

Tove Lo - Lady Wood

Tove Lo is an incredible songwriter, performer and artist. She is one of my biggest inspirations.   

Jack’s Mannequin - Everything in Transit

This album came out right around the time I got my first car, where it held a permanent position in the C.D. player. Each track was and still is Pop-Rock perfection in my book.     

If you could support any musician alive today, and choose your own rider, what would that entail?

Tove Lo. My rider would definitely have a ton of Harmless Harvest Coconut Water and RX bars. 

What advice would you give to new artists coming through?

Be authentic, be unapologetically yourself and don’t give up when it gets frustrating or hard - because it will be frustrating or hard most of the time. 

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Do you think there are going to any tour dates coming up?

I sure hope so. Right now, just S.F. on March 1st for Noise Pop Festival.

Might you come to the U.K. and play at some point?

Dying to! Help me make it happen?

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 IN THIS PHOTO: Dagny/PHOTO CREDIT: Jonathan Vivaas Kise

Are there any new artists you recommend we check out?

I’m a HUGE Scandinavian Pop fanatic…and my faves right now are Dagny, Sigrid; LÉON and ALMA.

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 IN THIS PHOTO: Sigrid

Do you get much time to chill away from music? How do you unwind?

I travel quite a bit, so I essentially save up my ‘chill time’ and my spend time away from music while seeing new places. My greatest passion aside from music is exploring new places but, when I’m at home and living a normal week, I tell myself that, if I have time to watch T.V. or a movie, then I have time to work on music.

So, I try not to do many ‘wind down’ activates. I am working on reading more though! I am learning French and, while it’s not really unwinding, it is something completely different that I do enjoy. 

Finally, and for being a good sport; you can choose a song and I’ll play it here (not any of your music - I will do that).

Hmmm. SO hard to pick just one song. But, right now, let’s go with Flight Facilities – Clair de Lune. Thanks so much!

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Follow SUMif

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INTERVIEW: Rasha Jay

INTERVIEW:

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Rasha Jay

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I am a little late putting this online...

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PHOTO CREDIT: Jordan Tempro 

but I have been speaking with Rasha Jay about her new single, Red Coat. I ask what it concerns and what we can expect from her upcoming E.P., High Dive – Rasha Jay talks about breaking down boundaries and when music came into her life.

The songwriter discusses a few albums important to her; whether she has plans for this year and what it is like stepping into Blues – a genre dominated by men – and whether there are challenges – she picks a great song to end the interview with.

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Hi, Rasha Jay. How are you? How has your week been?

I am well, thank you. My week has been great!

For those new to your music; can you introduce yourself, please?

I am Rasha Jay; a singer and songwriter from the U.S. in the Alternative/Blues genre, mostly. Blues, mainly, because of how my voice comes across, I suppose, and Alternative in how I write my songs.

Can you tell me when you got into music? Were there particular records or artists that inspired that passion?

My family tells me that I’ve been singing since I was two or three; a relative would teach me Gospel songs on the front porch. I don’t recall it but seems about right! I was deeply drawn to music early on, hearing melodies and singing all of the time. Prince’s Sign o’ the Times album sticks out for me - I think it was mainly a black cover. I recall opening the album and reading the lyrics and being fascinated with the grooves.  

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 PHOTO CREDIT: @sayjor

You play in a Blues-Rock/Alt-Blues mould. It is traditionally populated by white men. Were there any hesitations stepping into that world?

No hesitations at all! It’s about storytelling and standing firm, singing your song. I have a song to sing and I rest on great shoulders; those unbridled voices I admire so much. I want to push it forward. I want to expand the story.

Do you think it is important that artists break down walls and barriers in order to bring about progression and evolution?

Yes, absolutely! I love the classic songs like everyone else but they’ve been done before. (And again and again as they should be). But, I’m more curious about what’s around the corner; what’s going to be a part of that lexicon that we can look back on in years to come? And, personally, am I pushing myself to seek new ways to convey my thoughts in song?

Red Coat is your new single. Is there a story behind it at all?

Red Coat is a song that I wrote, in part, years ago but it didn’t make my first E.P. It was something that always lingered around my mind, though. I sang the guitar riff all the time - it wouldn’t leave me. The song is about the murky, thick part of knowing yourself and how love can be abrasive. It’s also about how other’s behaviour can keep you from giving all that you have. To keep a part of yourself wrapped up is, I feel, perfectly fine and it happens within every relationship.

Can you reveal any details about your upcoming E.P., High Dive, and the sort of themes explored?

High Dive is a short journey about exploring different emotions, those that are conflicting and those that are tough. And, purposely, the songs have questions posed within the songs. They are questions that people ask of you and you ask of yourself.

Do you already have plans for 2019?

Yes. I can’t wait to release this single and its video! I’m also going to give listeners an inside view about how Red Coat was made in the studio with my co-producer, Katmaz. I can’t wait to go home to Maryland and sing these new songs live for my hometown and I’m planning my E.P. release show.

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 PHOTO CREDIT: Jordan Tempro 

Have you got a favourite memory from your time in music so far – the one that sticks in the mind?

My favorite time so far...that is tough!

But, I will say that playing live is my favorite thing to do and I am fortunate to know some talented musicians. One sticks out: my first show at The Twisted Elm in New Jersey a few years back. I’m playing with a new guitarist, Mike, and when my set was done they yelled “One more!” I was so shocked and humbled. Mike and I didn’t plan anything.

I looked to him and said “Plush by Stone Temple Pilots?” He nodded ‘yes’ and hit the chords. I had no idea if he knew it. I ended up doing two more encores that night. He knows every song. I keep him close to this day!

Which three albums mean the most to you would you say (and why)?

Michael Jackson - Thriller

For every reason imaginable; all the reasons. I used to close my eyes and wish that P.Y.T. was written for me. And, I was like, six-years-old! 

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Anita Baker - Rapture

My aunt and grandmother had her poster on their walls! She was my earliest female representation of a Rock star. I hadn’t heard a voice like that and I watched everyone who heard her songs have so many different responses. Some would get quiet and sway, others would jump up and sing out. That is real power.

Janet Jackson - Control

I danced and danced to this album as a kid. I knew every move she did on the videos; I was Janet in my mind. I thought I wanted to be both dancer and singer. I still dance but it’s reduced itself to jumping around and hip-swaying.

If you could support any musician alive today, and choose your own rider, what would that entail?

The Arctic Monkeys! My rider would just be a huge fan and some water. The fan and water to help me not faint at the thought of opening for them.  

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PHOTO CREDIT: Jordan Tempro

What advice would you give to new artists coming through?

I would say that whatever you are creating, know that everyone won’t be on board and you’ll have to ride alone. And that’s alright. Keep going.

Do you have tour dates coming up? Where can we catch you play?

I’m working on that, I promise! I played in the U.K. previously. Looking to head back there as well.

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 IN THIS PHOTO: Katmaz

Are there any new artists you recommend we check out?

My producer, Katmaz. His music is brooding and bubbling all at once. He gets me and my dark style and Red Coat couldn’t have sounded the way it does without our sync.

Do you get much time to chill away from music? How do you unwind?

I unwind by listening to more music - I don’t want to get away from it. Late at night, I’m always looking for shows such as Rick and Morty and The Great British Bake Off.

Finally, and for being a good sport; you can choose a song and I’ll play it here (not any of your music - I will do that).

In true encore fashion, Plush by Stone Temple Pilots

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Follow Rasha Jay

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INTERVIEW: Glass Peaks

INTERVIEW:

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PHOTO CREDIT: Ant Adams

Glass Peaks

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THANKS to the guys of Glass Peaks...

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for talking with me about their new single, Misery, and how it came together. I was keen to learn how long they have known one another and whether they have plans for more material – they reveal some approaching artists worth looking out for.

I discover what sort of music the guys vibe to and how they spend their free time; which albums mean the most to them and how they are coping with the slightly cold weather – they each select a great song to end things with.

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Hi, guys. How are you? How has your week been?

Alf: Great, thanks! This week has been manic. We just put out our latest single, Misery, so we’ve been busy spreading it far and wide! 

Jake: It's been pretty beautiful, thank you. Releasing new music into the world is always satisfying.

For those new to your music; can you introduce yourselves, please?

Alf: Sure! We’re Glass Peaks; a three piece based in Kent/London. We write songs: some are really aggressively loud and intense, others are a lot more intricate with softer tones - we have a diverse musical palette. There’s a strong sense of the ’80s that seems to always find its way back into our music. 

Jake: Three idiots who try to write music…

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PHOTO CREDIT: Ant Adams

Are you managing to stay warm in the winter weather?! Does it inspire musical ideas?

Alf: Yes. I have a new scarf that I love loads. I think I’m going to wear it in July, that’s how much I love it. For me, it actually has the opposite effect. I get really bummed out by the U.K. climate in the winter. I feel far more creative in the summer months, generally. But, you never know! Ideas for music can just hit you randomly out of nowhere!

Jake: I'm ALWAYS boiling so the winter is great for me. We've just had a wood cabin built at the back of my garden which is lovely to write in over the winter months.

Grant: I really hate the sun so this winter weather is perfect for me. I feel winter is a much more inspiration season than most.

Misery is your latest track. What is the tale behind the song?

Alf: It’s loosely based on Stephen King’s novel, Misery. It’s real dark story that was adapted into a terrifying film starring Cathy Bates. I wrote the lyrics after watching that movie one weekend accompanied by the worst hangover I’ve ever had. It was of those tunes that just fell out of me. The whole track is a commentary on addictive personalities and the idea of craving something. 

There is a new label, Close-Up. Is that Glass Peaks’ label?

Alf: No, it’s not our label but I believe we’re the first band to sign to it! The Close-Up team are our booking agents and they decided to team up with a Modern Sky and start their own label. When they approached us to sign Misery to it we were absolutely thrilled. We’ve been working with Close-Up for years so it felt very logical and natural. 

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What is coming next for you guys in terms of material?

Alf: We have the next three (potentially four) tracks almost ready to go so we’re just planning those releases now. There’s so much work that goes into each release so we just want to make sure we get it right! We’re also putting out a video for Misery shortly, so do be sure to check that out!

Jake: In 2019, I would like to release as much music as we can. Show the world what we have in our back pocket.

Grant: A diverse spectrum I feel is what's on the horizon. Some of the new songs are a little different to what we've done before.

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How did the band form? Do you recall when you all met?

Alf: I’ve known Jake for years. We used to work with one another at a terrible music exhibition - but it enabled us to pretty much play the guitar all day which was amazing. Jake went travelling to the States for a year and, when he returned, he started Glass Peaks with Grant. I got involved a little later down the line. 

Jake: We grew from the ground, like an oak tree.

Grant: Yeah. Me and Jake were in a band before Glass Peaks and, as Alfie said, when he returned from the U.S. we started something new and fresh. Oh...and asked Alf to tag along.

In terms of music, do you share tastes? Would one find similar albums in your collections?

Alf: We do generally, yeah! I think you’d find a lot of crossover. We all share a love of Radiohead, Foals; Peter Gabriel etc. I’m really into the whole Shoegaze sound i.e. My Bloody Valentine, Ringo Deathstarr etc. I’m listening to loads of Beach House and The Phoenix Foundation at the moment. Grant has the best music taste of anybody I know though. It’s so unbelievably diverse; he’s always pulling corkers out of the bag when we’re driving around on tour. 

Jake: If we're ever a bit down, I'll just stick on a bit of George Michael and instantly the mood is lifted. We all love good music, no matter what genre.

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PHOTO CREDIT: Ant Adams

Have you got a favourite memory from your time in music so far – the one that sticks in the mind?

Alf: We played the Isle of Wight Festival in 2018 which was pretty amazing. That definitely sticks in my mind as one to remember. I have some great memories of being in the studio in the summer and just really enjoying that intensely creative time with the guys. They’re always really great memories. 

Jake: Oh, man, we could do a separate article about all the stupid sh*t we've got up to over the years. So many memories. I absolutely love these boys and the memories we've made.

Grant: I'll give you a bizarre one. Us three walking around Newcastle with a big group of lads. Led by a man holding a roman legionnaire sword asking who's in his gang.

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 PHOTO CREDIT: Ant Adams

Which one album means the most to each of you would you say (and why)?

Alf: There are so many but Amnesiac by Radiohead stands out. I really like the fact that, despite it being recorded in the same sessions as Kid A, they decided to create another entire album that follows almost an entirely different narrative. It has some of my favourite tracks on it. Knives Out being a personal favourite. 

Jake: I would have to say Foals - Antidote.  It was an album that changed the way I played guitar forever. 

Grant: So many for different reasons but here is one - Silent Alarm by Bloc Party. It was the album that really sucked me into music and playing.

If you could support any musician alive today, and choose your own rider, what would that entail?

Alf: You know what; I’d love to get on the Wolf Alice support slot. I’m a huge fan of their early work as well as Visions of a Life and I think, sonically, it would work really well. The rider would be made up of largely beers, beers and more beers. I think I can speak on behalf of the whole band in regard to that. Haha.

Jake: I would like to support The 1975. The fans are mad. Beers, hummus; crisps, beers; Nandos and puppies.

Grant: If they got back together The Maccabees. I miss them so much and our sounds would work together I think. Alf's already got the rider sorted.

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PHOTO CREDIT: Jordan Logan

Do you have tour dates coming up? Where can we catch you play?

Alf: We certainly do! We’re playing in Bristol at the Hy-Brasil Music Club on 20th Feb and we’re in London on the 22nd Feb at Hoxton Square Bar & Kitchen. Both shows are with the lovely lads in Bedroom Boredom. We’ve just confirmed a few festival shows that we’re super-stoked about - we’ll be announcing those in due course. 

What advice would you give to new artists coming through?

Alf: I’d say just make sure you’re one-hundred percent up for it. You can’t make a real go of it unless you have more than one-hundred percent commitment and energy. You need to learn to take constructive criticism well (and also accept that some people will just straight up hate your music for no real reason). 

Be prepared for knock-backs, setbacks; disappointments and more. If you can get through all of that with your chin up, good things will start to happen and it makes them all the more worth it. 

Jake: Save money now. You'll need it.

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 IN THIS PHOTO: Shanghai Blues

Are there any new artists you recommend we check out?

Alf: Hot Dreams are an amazing new artist who you should definitely check out. They recently posted the most gorgeous live performance video I’ve ever seen. Really stunning stuff. Submariner are another band to keep your eyes and ears open for; great lads with a great sound. Our roster pals Shanghai Blues and Hows Harry are all doing bits as well. There’s a lot of really great music out there right now. 

Jake: Another Sky and Calva Louise.

Grant: Sarpa Salpa are definitely a band you need to check out! Also, I don't know if these are now considered NEW, but Indoor Pets. Get on Teriyaki.

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 IN THIS PHOTO: Indoor Pets

Do you get much time to chill away from music? How do you unwind?

Alf: Not really, no! Haha. But I wouldn’t have it any other way. When we do get downtime, I just like catching up with my mates. Spending time with the people you love is very important. 

Jake: I'm a barber and that's something I absolutely love and makes me feel very calm. Apart from working and making music, I enjoy talking to my dog like she's a human.

Grant: Playing Football Manger till ungodly hours of the morning. Stress-preventing.

Finally, and for being good sports; you can each choose a song and I’ll play it here (not any of your music - I will do that).

Alf: What a treat! Can you please play Chillers by Another Sky? I’m absolutely obsessed with that band at the moment and the track is just perfect poetry

Jake: Spice Girls - 2 Become 1

Grant: Amazing! Could you conjure The Distance by Cake

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Follow Glass Peaks

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INTERVIEW: Rivah Jordan

INTERVIEW:

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PHOTO CREDIT: Roxanne Haynes

Rivah Jordan

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THE captivating and charismatic Rivah Jordan...

has been telling me about his musical tastes and his particular sound; what the story behind his new track, Shoebox, is; whether there is going to be more coming from him and what sort of influences go into his arsenal.

Rivah Jordan talks about the challenges he has faced in life and his philosophy; what sort of music captured him young; whether there are any rising artists to look out for – he picks a great song to end the interview with.

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Hi, Rivah. How are you? How has your week been?

Oh, man. Today, I’m trying to bend with the breeze like a tree, for my week has been character building to say the least. I like to think I’m dealing with it well. Thanks for having me, I appreciate it.

For those new to your music; can you introduce yourself, please?

I’m the guy that effortlessly goes from Sean Paul to Skepta in six seconds...Rivah Jordan, the big artist with the big label in London, Sound Killaz Music. I’m a bit of an advocate for mental-health awareness and financial education. I write my own songs, make my own music; mix and master, will do my own artwork and shoot my own video if necessary and can and will do those things for other people. I’m a handsome, tall; light-skinned guy with dreadlocks and streaks of grey. I’m an entrepreneur and an educator. I’ll give you food. What more can I say?

Shoebox is your new track. Is there a background to the track?          

There most certainly is. It’s like the background music to my life. Call my line-up when you’re tripping, please don’t do that…I have to set boundaries every day; manage expectations, keep my business running which allows me to continue to live and grow; make music and stack the pinky in the shoebox. It’s a delicate balance.

I have to count up my blessings when unexpected expenses jump up on me as I can now afford them mostly. I can drop a rack (£1000) or stack some money, it’s kinda calm now. That hasn’t always been my position: I remember it taking me almost three years to save £1000. Nipsey Hussle said “That’s why they follow me, they think I know the way”.

I can feel a lot of people gravitating towards my energy. I really want to share something of value with them. I think Shoebox is the beginning, the first lesson; ALWAYS PAY YOURSELF FIRST. You pay the bills, the bank; the car loan, everybody else. Start loving yourself, start paying yourself; start saving. You’re worth it, you deserve it. I LOVE YOU!

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Might we see more material coming out this year?

I have a single called P.I.C. (Partner in Crime) ready. The song is finished. I have a remix or two; artwork is ready. I just need to finalise a mix and master. I’m late for Valentine’s, I’ve accepted it. I’m still coming with it, though. I have ten-twenty songs and am still creating so I want to finish up an album for this year. I have singles I produced by Prezident Brown and Cookie the Herbalist.

I recently mastered an E.P. for my brother Matthew Radics. I have an album of Dubs or Instrumental Reggae versions of original songs. I’m ambitious. I’m trying to get busy. I’d be really disappointed with myself if you didn’t see more material this year, let’s put it that way.

When did music come into your life? Did you have favourite artists as a child?

My father is Jack Radics (Google Twist and Shout (Jack Radics with Chaka Demus & Pliers - it’s fun!). With him being a musician, I think it’s appropriate for me to carry on the tradition. I was in studios, just being fascinated by the equipment and the lights from before I had any idea of the relevance of those experiences. I grew up in Jamaica so, as a child, it was popular artists in the dancehall from the late-'80s and early-'90s such as Bounty Killa, Shabba; Buju Banton and Beenie Man. Moving to the U.K. and getting into Hip Hop, I was a massive 2Pac fan.

I think it was 2Pac lyrics my friend heard me reciting that got him excited about me rapping. He was convinced I’d be great at it: I had no idea what he was talking about at the time.

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I love your style and the way you bring Trap music to new heights. Does that blend of Trap and Reggae come very naturally?

Thank you (smiles). I think it does come quite naturally. I often compare music with cooking and it’s about a meeting of styles and flavours. The dynamic of the population and the motto of Jamaica is ‘out of many, one people’. The cultural explosion coming from that place is the result of the diversity. We like it, we take it; we make it our own. We turn our hands and make fashion. We continue to compile all that has come before us and is around us into new and original stuff be it from Reggae, to toasting; to rapping, to Hip-Hop; to Dub, to Jungle; to EDM and beyond and then a little bit further.

Trap is just one of the things I blend with Reggae but I think my superpower is turning everything into Reggae. Hahaha. First, I like to understand rules; then it’s about bending them and pushing their limits with a view of creating a place and sound of my own. I think that’s always my aim.

You have seen troubles and faced challenges in life. Do you think that has impacted your ambitions and why you bonded to music?

That is 100% how it goes. I recently recorded a rapper diagnosed with diabetes. He dropped a line, which was something along the lines of: “I used to think of success as having the newest reg (car registration plate). Now success is about having the use of two of my legs”. Them bars hit me hard. As much as I advocate financial education and financial freedom, they are in my mind; an aspect of mental-health. There are people who have mental-health problems from suffering financial abuse - many people reading this may be unaware something like this exists….

I had no idea it existed either at a time or that I was being subjected to that kind of abuse. I once thought abuse was only really physical and maybe verbal, just a little. I now understand the scope for being abused is much broader than that...you could be emotionally or psychologically abused - and there is more that I don’t need to get into.

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PHOTO CREDIT: Roxanne Haynes

Drill music captivates the frustration of an entire generation and, if you listen to it, it’s really sad; really afraid and really angry. Millennials are trapping out the bando. When I listen to popular radio stations, they aren’t really playing a bunch of new bands like Oasis or Blur like when I moved to the U.K. The fact that the music is changing and the ways in which it’s changing says a lot. Different experiences are being shared; different problems are being solved and addressed.

I think the realignment of your ambitions is natural. I like music with a message, I like music with powerful feelings and emotions but try never to discredit music which I may not perceive as being powerful as it can be a different medicine for a different ailment, from which I do not suffer.

Sometimes, mindless music can be good as it works your mind less and gives it time to rest - that’s valuable too. I remember just wanting to sell drugs and be rich like Dipset. Given the money I actually bought studio equipment though, not chains or clothes. Now, I still want chains and clothes but I’m getting a better understanding of the values I have as a person and the values I want to bring across as a musician. I want to help people, I want to help myself; I want to heal people, I want to heal myself.

I want the platform to show people what they can be, to help people to become more; I want the Bentley for inspirational purposes and the Rolex for motivational use only. Hahaha. I want to help people identify with issues, find solutions and work through them. So, where some aims remain the same, some are completely different.

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Have you got a favourite memory from your time in music so far – the one that sticks in the mind?

Probably headlining the Montenegro Sun Reggae Festival in 2015. How rotten drunk I got the next night and how I have not arrived at that level of intoxication again since. EXIT Fest in Serbia is always a blast, though and the West Coast of America is crazy.

I have a few…

Which three albums mean the most to you would you say (and why)?

Rivah Jordan - Jah Works (2012, Sound Killaz Music)

My first self-produced and self-released E.P. on my own label. This was really the beginning for Rivah Jordan.

Rivah Jordan - Hustlers World (2015, Sound Killaz Music)

My first self-produced and self-released full-length album on my own label.

Fido Guido - Realtà e Cultura (distributed by Sound Killaz Music)

I think this may be the single-highest-grossing product I have released. I worked on one song and licenced the product for distribution on my label. Eye-opening experience.

If you could support any musician alive today, and choose your own rider, what would that entail?

I’d love to open for the Migos. That’s a show I’d enjoy watching every night.

My rider needs would be water, weed; fruits, nuts and probably something strong/warm to drink if the vocals need warming up. I don’t think we need to talk about per diems, meals; transport, accommodation and all that mandatory stuff.

Right now, I think for a professional it’s all pretty routine.

What advice would you give to new artists coming through?

My Instagram: @RivahJordan. D.M. me, innit (laughs).

If that’s long, just be confident and remember: the music business is 10% music and 90% business. If your music is doing bits, just focus on improving your business. If your music isn’t doing bits, just focus on improving your business. D.M. me, tho, for real. It’s love.

Do you think there are going to be any tour dates coming up?

I think there are going to be loads because promoters are going to be all in my D.M.s offering me money to sing and I’ll be more than willing to do business. They may email soundkillaz@gmail.com to book me. I’ll put my own shows on too when the time is right.

How important is it being on stage and performing to the people?

I don’t know if there are words to quantify how important live performances are. So, let’s just say it’s of the utmost importance. Imagine asking a footballer how important is it to go out and play games? It’s about the number of appearances, how you well you performed and statistics. Seeing people react to your music or hearing about their reactions is completely different from being in their presence while they are reacting. Crowds let you know what you’re doing wrong or right, where and how to improve.

It’s super-important.

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 IN THIS PHOTO: Pharoah

Are there any new artists you recommend we check out?

My brother Matthew Radics, TALAPATON; SABE and Pharoah. That’s pretty much the gang…all on IG. I love Lil Baby, Gunna; Moneybagg Yo and Jacquees and they are some of the artists you’ll catch me listening to.

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 IN THIS PHOTO: Lil Baby

Do you get much time to chill away from music? How do you unwind?

Getting human contact and interaction, hanging out with friends; socialising. Getting in contact with nature. I love walks and driving down country lanes when I get the chance. I play basketball. I like video games. I read. I run a property management business, an independent label and I’m pursuing a career in music. Sometimes, I just want to sit in silence, smoke a joint and contemplate. Hot baths are great, too.

Downtime is essential though and being self-employed and self-motivated, a lot of the time I need to remind myself downtime is needed; it’s healthy and that it’s ok to have it. I like to embrace downtime when it presents itself.

Finally, and for being a good sport; you can choose a song and I’ll play it here (not any of your music - I will do that).

Play Future - Crushed Up...no, no, no: Meek Mill - Respect the Game or, hold on...try Frostbite (Remix) with Offset and Rich the Kid...or one of them. I don’t know. Thanks for having me. All the best!

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Follow Rivah Jordan

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INTERVIEW: Roman Harris

INTERVIEW:

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Roman Harris

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THE fantastic Roman Harris...

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has been telling me about his new track, The Smell of Heather, and its unique inspiration; what it was like putting together the video and whether there is more material coming along – he recommends some rising artists to look out for.

I ask how music came to him and whether he has three favourite albums; how he spends time away from music and the advice he would give to emerging artists right now – Harris selects a cool song to end the interview with.

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Hi, Roman. How are you? How has your week been?

Heya. I’m alive, I’m well; I’m grateful to be here, so all is good. It has been a very demanding week but really exciting too - releasing new music is always exciting.

For those new to your music; can you introduce yourself, please?

Well. I’d have to start with a ‘hello and nice to meet you’. Now that we’ve got that out the way...I’m that fusion of Indie, Folk and R&B that you didn’t know existed but will be truly happy you found.

The Smell of Heather is your latest track. Is there a story attached to the song?

I think many of the best songs ever written have a story attached to them - and The Smell of Heather is no different. I came across a book of poetry called Heather’s Book, written by the poet Vivian Anglin. It was an honest, compassionate and raunchy collection of poetry that told the story of the relationship between a man who wanted to see a woman beat her addiction and a woman whose addiction was forever pulling her away. The first poem in the book was entitled The Smell of Heather and it was this poem that inspired the song. The poem starts:

“The smell of Heather still lingers in my room/She came in a hurry and left too soon”

It’s these lines that form the idea for the chorus of the song. I would definitely encourage people to read this book as much as I would encourage them to listen to the song.

Its video is out. How involved did you get regarding the concept?

Yes, indeed! The video is out now and available to the world on YouTube. The concept was more or less already there, since the song tells a story but the director, Ngadi Vandy, was responsible for bringing it all together and Olucreates was the man behind the camera. They were a great team.

I must also tip my hat to Yana Penrose, Pete Hardingham and Kaid Hussain who were the actors in the video. They were all so fantastic to work with. I gave some artistic guidance here and there but, for the most part, I let the creatives do their thing and they did great

Might there be more material coming later in the year?

I’m glad you asked...

The Smell of Heather is just the start for 2019. I’ll be releasing more material throughout the year with my next single, Get Me Got Me, coming soon. But, for now, it’s all about The Smell of Heather and getting as many ears onto this song as possible.

The Smell of Heather is your debut song. How long were you writing music and experimenting before then?

Oh, wow! I’ve been writing for years now, mostly for other artists. My first break came with a song called Falling produced by Snakehips featuring Malika and released through Sony Music Entertainment. This song opened up a number of doors for me and was followed up by my first featured release entitled Moving Again produced by Cr3on and Marcus and released through PM Recordings in the Netherlands. Although I love writing for other people, it was a burning desire to make a mark with my own music and my own sound. That’s what has led me to where I am now.

You are from Brixton in South London. Do you draw any inspiration from the people and sounds around you?

Brixton is a fantastic part of London. The streets of Brixton are filled with stories and inspiration but I’d be lying if I said it was only Brixton that I drew inspiration from. That area is a major part of my life, my upbringing and my creative world. However, I was also raised for many years in Georgetown, Guyana and have travelled to other parts of the world, including Africa, Australia; America, the Caribbean. The list goes on, so I draw inspiration from everywhere I go; every experience I have and every person that I meet.

When did music come into your life? Did you have favourite artists as a child?

Music was in my life from as early as I can remember. I would love looking through my parents’ record collection. The artwork was so captivating and there was something so special about vinyl that a whole generation may sadly never understand. Growing up Prince, Guns N’ Roses, Snoop Doggy Dog; Jimi Hendrix, even Alice Cooper were played in my house. But, as far as a favourite artist, that’s easy and for every child I’m sure it was the same…Phil Collins!

Ahhhh, I’m just kidding. Although Phil is a legend, it was Michael Jackson! Thriller! Bad! Come on! I remember the Bad album cover. I would dress all in black and stick clothes pegs on myself to try and recreate the look of the jacket he was wearing.

Oh, the shame!

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Have you got a favourite memory from your time in music so far – the one that sticks in the mind?

There’s been some really amazing moments thus far but I think my favourite memory in music has been watching a crowd of people vibe to a song that I wrote. Looking at their faces and the joy that they were feeling from hearing it while they were also totally oblivious to the fact that I had anything to do with creating it. Some may say that’s strange but it was that feeling of being on the outside and seeing people genuinely enjoy something, not because they know I had something to do with it but simply because they really love it that much.

That was priceless.

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Which three albums mean the most to you would you say (and why)?

8701 – Usher

This album was the soundtrack to my first serious relationship. I was fifteen-years-old and every time I listen to this album it takes me back to those early years of relationship innocence and those feelings surface all over again. It makes me smile.

Parachutes – Coldplay

What a beautiful album. Parachutes was my introduction to Coldplay and there was just something so honest and warm about those songs and the songwriting that I instantly fell in love with their work. It also timestamps a very pivotal period in my life when I’d returned to the U.K. from Guyana and was about embark on a whole new life direction. The title of the album almost fits in with the sentiment. It’s almost as though they were my parachute easing me to a safe landing.

The Battle of Los Angeles – Rage Against the Machine

Sometimes, you meet people and they open up your musical world. I was in a three-piece band once upon a time and the bass player introduced me to R.A.T.M. and this album. Mind Blowing! These guys were amazing; knew how to rock and had such a strong message. One of the best albums ever!

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If you could support any musician alive today, and choose your own rider, what would that entail?

I’d absolutely love to support Foy Vance. The guy just makes it all look so effortless, his songs are crafted so beautifully and he holds an audience with such charisma. There’s a lot to learn from a man like that, not to mention he’s Irish and the Irish are amongst my favourite people.

Now, to my rider. This is not going to be very Rock and Roll and also far from diva-ish. I do like healthy eating so loads of water, fruit; salads, red wine and my guilty pleasure: mince pies with double cream.

What advice would you give to new artists coming through?

I’d give this advice to new artists, old artists and those somewhere in-between. Firstly, ‘it’s always too early to quit’. Keeping that dream alive for just one more day may be all you need to see it come to fruition. Secondly, do not let social media rule you. These days nothing can break your will faster than spending ages looking at the lives of others. Thirdly and finally, love to create.

Fall in love over and over again with the buzz of creating something new and try your best to remember why you do this. We’re privileged to be able to make something from nothing. Never forget that and never take it for granted.

Do you think there are going to be any tour dates coming up?

Watch this space. The best way to do that is to follow me online - for social media it’s @iamromanharris - or keep an eye on my website.

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 IN THIS PHOTO: Max Cyrus

Are there any new artists you recommend we check out?

Yes, indeed! Max Cyrus, Mia Pearl; DeeRiginal and MALIKA. I am a genuine fan of all of their work; do give them a follow and keep an eye out for their music in 2019!

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 IN THIS PHOTO: MALIKA

Do you get much time to chill away from music? How do you unwind?

I think it’s so important to find ways to relax and unwind. It’s the only way that we can come back and bring the best so I always make time for me. Whether that be going to the gym, movies; travelling or just lying in bed all day watching re-runs of The Fresh Prince. I find a way to relax but I always find my way back to doing what I love. Making sweet music.

Finally, and for being a good sport; you can choose a song and I’ll play it here (not any of your music - I will do that).

The song I’d like to choose is called Untitiled by Rodney P featuring Lanre Sulola and produced by Max Cyrus Music. It’s a really great and powerful song and different to a lot of what you hear at the moment

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Follow Roman Harris

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INTERVIEW: Marie Dahlstrøm

INTERVIEW:

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Marie Dahlstrøm

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IT has been great speaking with Marie Dahlstrøm...

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about her new single, Mood, and working with Secaina. I ask what sort of music influences her and whether she has three favourite albums; if there will be tour dates and if there is a rising artist we need to look out for.

Dahlstrøm gives some useful advice for artists coming through and tells me how she relaxes when she has time; when she got into music and whether we might see more material coming along – she picks a great song to end the interview with.

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Hi, Marie. How are you? How has your week been?

Hey! I am good; had a nice week. Just got back from playing a show in Rome.

For those new to your music; can you introduce yourself, please?

I am Danish. I sing, write; play and produce. Mostly. And I’m also studying a PhD at the moment. I live in London.

Mood is your latest track. Can you tell us when that was written and its inspiration?

Actually, Secaina and I were put in the same session last summer whilst at a female writing camp called She Writes. We did a song with another girl which included the bridge-section from Mood...half a year later we got together and both had a connection to that bridge. From that we created the rest of Mood one evening in my flat. It’s inspired by real life, mostly. A story of love. 

The visuals for the video are interesting. How did that all come together?

Over the last few years, I’ve been receiving so many nice videos from dancers around the world creating routines to my songs. I guess I wanted to create a music video which included dance for that reason. So, I put a request for dancers on my IG story and Sally and Douglas (dancing in the Mood video) sent me a video with their routine for the video.

Is there going to be more material coming from you this year?

Yes. I am currently working on my album. So, hopefully this will be ready in time.

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Do you recall when you got into music? Did you always know it was what you wanted to do?

I’ve been into music since I was little but I didn’t know this was what I wanted to do until I actually started releasing music.

Would you say there are artists you are inspired by and emulate?

Hmm. I could not say emulate. Definitely inspired by. I think especially the music that I started listen to in later teenage years have inspired me a lot.

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You hail from Rockslide, Denmark. What is the music vibe like there? Is there a lot of great music?

Roskilde is known from their massive music festival and it’s a very creative city with great music opportunities for kids. But I don’t know many artists from Roskilde.  

Have you got a favourite memory from your time in music so far – the one that sticks in the mind?

Hmmm. There have been many good ones! I think every single experience since I released my project, NINE, have been amazing. The last two years have brought me so much good energy- everything from going to Corsica to write Kanel; to recording and releasing Her Songs in Los Angeles and playing a sold out show at my favourite venue in Copenhagen, Montmartre!

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Which three albums mean the most to you would you say (and why)?

Musiq Soulchild – Soulstar

I think Musiq Souldchild is just one of my favourite artists ever (laughs).

Lizz Wright – Salt

So much integrity and purpose in her lyrics and delivery. I’ve learned a lot from her music.

Jill Scott – Experience: Jill Scott 826+

The live album I have rinsed the most! A definite classic. And inspiration to band leading.

If you could support any musician alive today, and choose your own rider, what would that entail?

I’d probably ask for a pop-up steam room, only organic foods; red wine and green tea; water in glass bottles – and have everything recyclable!

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What advice would you give to new artists coming through?

Try and remain true to yourself, your sound. Know who you are. Trust your intuition.

Do you think there are going to be any tour dates coming up?

Yes! Working on it.

Is the stage somewhere you love to be? Can you describe the feeling when you are up there?

I didn’t use to love the stage, when I was younger. I always made excuses for not going on stage, but now I love it. I love it, mostly because of the communitive vibe me and my band create on stage. It’s such a nice bond and atmosphere.

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 IN THIS PHOTO: The Naked Eye/PHOTO CREDIT: @create_often

Are there any new artists you recommend we check out?

The Naked Eye! She’s about to release the most amazing project.

Do you get much time to chill away from music? How do you unwind?

Not really but, when I do, I go for runs quite a lot, play tennis and see my family back in Denmark.

Finally, and for being a good sport; you can choose a song and I’ll play it here (not any of your music - I will do that).

I would say Lucy Pearl – Trippin’! Such a vibe!

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Follow Marie Dahlstrøm

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