INTERVIEW: Bailey Tomkinson

INTERVIEW:

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Bailey Tomkinson

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THANKS to Bailey Tomkinson...

for chatting about her current single, 7 Minutes in Heaven, and its story. I ask about her musical past and the sort of artists who inspire her; she talks about St Ives and what the scene is like there – Tomkinson highlights some rising artists worth following.

I wanted to know what comes next for her and whether there are gigs; if her parents exposed her to a lot of music when she was a child and what she does when she is not recording and playing – she selects a great song to end the interview with.

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Hi, Bailey. How are you? How has your week been?

Action-packed! And a bit weird!

I’ve spent a bit of time in the studio, which was fun, and then I watched another local girl, Molly, win The Voice! We both actually were invited to audition at the same time but I turned it down as I didn’t think it was a good fit for me and I’d just signed a record deal but Molly only went and won it! I’m really pleased for her! 

Hell of an unusual week really!

For those new to your music; can you introduce yourself, please?

So. I’m Bailey. I’m a nineteen-year-old singer/songwriter from sunny St Ives in Cornwall. I like to write Country melodies that hopefully even people that don’t normally like Country music will want to sing along to! I’m signed to German indie label FBP Music and when I’m not performing you can usually find me in the surf!

7 Minutes in Heaven is your new track. How did that song start life?

It was a combination of things, really.

I love movies like Dazed and Confused and Nick and Norah’s Infinite Playlist for the sense they have where in one crazy night anything can happen. I thought it would be interesting to try to capture that feeling in a song. I’m nineteen years old, so you know I love a good party and we have some GREAT parties down here in St Ives. We’ve got the beach, bonfires; surfers and guitars so I thought why not write about some of them!

Are there any ambitions for the rest of 2019 in terms of music and plans?

Oh, yes, loads. I have a couple of London gigs coming up which I’m really looking forward to. I’m playing Boardmasters in August and a bunch of other festivals too which I’m really excited about; a new single and E.P. at some point to cram in too! I’d very much like to get on the road later in the year as well.

When you were growing up, which artists/records did you hold dear?

I’m part of the generation that grew up listening to Taylor Swift. I think Red is a brilliant album but I love all sorts of stuff. I listen to Sinatra. I love John Denver because he’s my grandad’s favourite. Also Sam Cooke, ABBA; the Dixie Chicks, Sugarland; Madonna, Cyndi Lauper and Jewel - honestly, I just love music.

It sounds like you have a wide variety of musical tastes. Would that be a fair assessment? Were your parents influential in that respect?

Yes. Good music is good music, right? Irrespective of genre. Our house has always been full of music. In fact, the way my dad tells it the only way to get me to sleep as a baby was for him to carry me around in my car seat singing Elvis songs! He reckons he had a left arm like Hulk Hogan back then! As I got older, they introduced me to more and more diverse music so, one minute it’d be the Eagles, then The Stone Roses, Jann Arden or Lucinder Williams…our house is never silent!

Country music is evolving at the moment. Do you think the genre is at its most open and inventive right now?

I think it’s always been an inventive genre but there’s definitely so much going on within Country music at the moment. Kacey Musgraves is a great example and Golden Hour has been a huge influence on me. My brand of Country music has a fairly big Pop side to it and she’s inspired me to not be afraid of letting that show. There are other artists too like Kane Brown and Lil Nas X who have fused different sounds and genres in with Country music - and it’s very exciting to see that growth and broadening of appeal. It’s how we can reach new people.

I definitely feel that nothing is off the table - and that’s very inspiring to an artist.

PHOTO CREDIT: Megan Hemsworth Photography

Do you have a standout memory from your time in music so far?

One of my favourite memories was my E.P. launch gig last September. We wanted something small and intimate so we picked a place called The Queen’s here in St Ives. It was so full that people were pretty much queueing to get in! It’s where I did my first open mic and my good friends and mentors The Amigos backed me; they’re fantastic! Lots of friends and family were there; everyone was singing my song, Hey Ace.

The atmosphere was so amazing and it was one of the venues busiest nights.

You are based in Cornwall. Is there a big music scene where you are?

It’s small but mighty! Here in St Ives, there’s a bunch of young musicians that are doing well and we’re all friends and support each other! Hell, one of us won The Voice this year! We’re not a big town but you’ll find live music here pretty much every night of the year. Keep your eye out for a local keyboard player called Joe Duke. He’s like the second coming of Jerry Lee Lewis.

There’s lots of local events and festivals too, including one of the biggest festivals in the U.K. in Cornwall, Boardmasters! I’ll be playing there this summer alongside Florence + The Machine, Jorja Smith; Foals, the Wu-Tang Clan; Rudimental and Sam Fender to name a few - I’m buzzing.

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Which three albums mean the most to you would you say (and why)?

Love & Forgiveness - Courtney Jaye

This was the first album that I loved every single song on. The album was Pop-Country and had this Hawaiian twist to it. I absolutely love The Beach Boys and Israel Kamakawiwo’ole, so I felt as though it was everything I loved in one album. It has certainly helped shape my music and probably me as a person! I listened to it religiously for years. It’s very hard to find now as it was taken off lots of music streaming platforms - that just adds to the appeal in a way. It’s taken on this ‘was it a dream’-like quality.

Taylor Swift - Taylor Swift

This album was the reason I do what I do. The first time I heard Mary’s Song, I was so arrested by the story. I engaged with that song on a deeper level than I had before. I started writing music after I heard this (when I was about eleven). That album kinda opened a door to Country music that I hadn’t really explored before. I grew up with John Denver and the Dixie Chicks (more traditional Country) but I soon discovered artists like Deana Carter, Tim McGraw and Carrie Underwood.

Gold: Greatest Hits – ABBA

I couldn’t really decide which album as I love them all. Every time I listen to them it puts me in the happiest mood - I could listen to them forever. I’ve been collecting their vinyl for years. My favourite songs by them are Hasta Mañana, Super Trouper and If It Wasn’t for the Nights. They make me feel as though I’m spinning under a disco ball in a sparkly dress.

If you could support any musician alive today, and choose your own rider, what would that entail?

I would love to support Kacey Musgraves or Taylor Swift. They’re two of my biggest inspirations and I’d have the usual stuff on my rider but, if I could be very picky with my rider, I’d have some Pan di Stelle biscuits ordered in because they were my favourite when I was little and living in Italy. They’re very hard to get a hold of in the U.K.! I’d have some potato waffles! Maybe just a drop of whiskey for after the show. Haha. I’m very easily pleased though.

Are you planning any gigs in the coming months?

Yeah! I’ve got some really exciting gigs coming up. I’m really looking forward to the London ones as it’s such a change in environment to the beach town I live in! I’m also buzzing for Boardmasters as I’ve been going to that festival since I was sixteen. I’ll be playing on the stage I really wanted to perform on too!!  We put everything up on my website so folks can always check out what I’m up to.

How important is performing? Do you prefer it to life in the studio?

Honestly, I love both! The studio is great because it’s where you can experiment. I’ve been playing around with an ’80s Cyndi Lauper/Madonna vibe recently and really like how it’s sounding, so having that space to just try new things is great. But there’s nothing like the buzz of playing to an audience; the interaction, the chance to just go where feels right in that moment. You can’t replicate that in a studio. 

I love that with live music: every single gig you share with an audience is a unique moment. I saw Natalie Merchant of 10,000 Maniacs last summer and she said something that struck a chord with me. She said: “Don’t get your cameras out and film everything: let’s just share this experience and let it live in our memories”.

 IN THIS PHOTO: Maggie Rogers/PHOTO CREDIT: Michael Buckner/Variety/Rex

Are there any new artists you recommend we check out?

Yeah. Definitely Maggie Rogers. I’m really into Camera Obscura and Alvvays at the moment too! And Jenny Lewis has just released an album. I have it on-repeat! On the Country scene, I think Runaway June are superb. There are loads of British Country artists emerging that I think shows a really healthy and developing scene.

 IN THIS PHOTO: Alvvays

Do you get much time to chill away from music? How do you unwind?

I’m so lucky to have such loving and supportive friends and family! One of the best things about living in a small town is that your friends are never more than fifteen minutes away! One of my favourite things to do is have a surf and then lie on the beach with my friends under the sun and listen to Israel Kamakawiwo’ole!

Finally, and for being a good sport; you can choose a song and I’ll play it here (not any of your music - I will do that).

Light On by Maggie Rodgers is such a tune!

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INTERVIEW: Izzie Derry

INTERVIEW:

Izzie Derry

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MY final interview of the week...

is with Izzie Derry who has been talking about her new track, Learn to Grow, and its background. She reveals a special musical memory and which three albums mean the most to her; some rising acts we need to watch out for and where we can catch her perform.

I ask how important it is being on stage and whether she grew up around a lot of music; who she’d support on the road if she had the chance and whether she gets time to chill away from music – Derry selects a classic song to end the interview with.

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Hi, Izzie. How are you? How has your week been?

I’m really good, thank you. How are you?

For those new to your music; can you introduce yourself, please?

I’m a twenty-year-old Folk/Country singer-songwriter from Coventry, now based in Brighton.

When did the song, Learn to Grow, come to you? What is its story?

I wrote Learn to Grow about a year ago now. Things kept going wrong and I think I was feeling a little bit lost, so I wrote Learn to Grow to kinda say that, no matter what’s thrown at me, I will carry on, learn from my mistakes and become a stronger person for it.

Is there more material coming down the line do you think?

Yes. Learn to Grow is just a little taste of my new E.P., Lost At Sea, which will be release on 24th April.

Did you grow up around a lot of music? Which artists were your favourites?

My parents are massively into music, so there was always something being played. I think my favourite when I was small was Melanie. My mum had a cassette of hers in the car and we’d sing along to Alexander Beetle on the way to school. Then, when I got a little older, it was James Taylor, Neil Young and Joni Mitchell.

PHOTO CREDIT: Russell Whitehead Photography

What does it feel like when a great song comes to you? Is it easy to describe that moment?

Sometimes it can be a very short release of emotions and, other times, it can take a lot longer and I get a little bit obsessed with it. But, once I’ve finished writing something, I always feel a lot lighter.

 Can you describe what music does to you? Is it a form of emotional release?

It’s definitely an emotional release for me; it feels so positive to turn potentially negative experiences into songs that people can find joy in.

Do you have a standout memory from your time in music so far?

I’ve been lucky enough to support some pretty awesome artists but I think the most incredible moment was just a few weeks ago. I’d just played a really intimate gig in Leamington Spa and the organiser came up to me and asked if I’d like to support Fairport Convention. I think my mouth hung open for a solid five minutes.

Being asked to support a band I’ve listened to and loved since I was a kid was just a massive shock to the system.

Which three albums mean the most to you would you say (and why)?

Firstly, Sweet Baby James by James Taylor

He’s a personal hero of mine and I was lucky enough to meet him when I was sixteen. When I met him, that was the album I took for him to sign - and it sits on my bedroom shelf to this day.

Secondly, Trouble by Ray LaMontagne

There is just so much emotion in every single song; it’s my go-to-album whenever I’m feeling sad. I can just belt out the lyrics and instantly feel better.

Finally, Harvest by Neil Young

It’s just so raw: nothing is there that doesn’t need to be. I think, sometimes in more modern music we try and put as much stuff in as possible but I really love how much space there is on this album.

If you could support any musician alive today, and choose your own rider, what would that entail?

I would have to say James Taylor and (for the rider) probably something simple like hummus and carrot sticks.

What are your plans regarding gigs/touring?

I’ll be doing a small release tour when the E.P. comes out…

24th April - Brighton; 4th May – Coventry; 5th May - Tynemouth; 7th May - Leamington Spa; 11th May – Stafford.

Is the stage somewhere you love to be? How important is it being up there?

I always love going back home and playing shows there because there’s always so much love in the room. So, I guess venues back home such as The Tin, Temperance Bar and anywhere else really.

 IN THIS PHOTO: Courtney Marie Andrews/PHOTO CREDIT: Laura E. Partain

Are there any new artists you recommend we check out?

I would definitely recommend Courtney Marie Andrews and John Craigie.

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 IN THIS PHOTO: John Craigie

Do you get much time to chill away from music? How do you unwind?

I don’t get much time to chill as I’m studying for my degree; I have a job and doing music too but I live on a boat so, when I do get some free time, I like to spend some time out at sea.

A lot of musicians find little space to detach and relax. Is this a problem that we need to address or do you think it is good having that passion and drive?

I can’t speak for everyone but I feel quite lost when I’m not working towards something in music so, for me, that passion and drive gives me a purpose and makes me feel positive.

Finally, and for being a good sport; you can choose a song and I’ll play it here (not any of your music - I will do that).

Let’s go for a Fairport Convention one given the recent news: Who Knows Where the Time Goes?

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INTERVIEW: Fletcher Pilon

INTERVIEW:

Fletcher Pilon

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I have been finding out about Fletcher Pilon...

and his new E.P., Thoughts. He discusses his musical tastes and upbringing; a few albums that are very important to him and what the music scene is like in Australia at the moment – he picks a few rising artists to look out for.

I wanted to know if there are going to be any tour dates coming up and whether he will come to the U.K. at some point; how he relaxes away from music and which artist he’d support on the road if he could – Pilon chooses a classic cut to end the interview with.

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Hi, Fletcher. How are you? How has your week been?

I’m fantastic, thank you! This has been such a great week with releasing my Thoughts E.P. and playing the release show with my band in Indy Linzbichler and Grace Labrum at the Avoca Beach Hotel on the East Coast of Australia the next day. It was actually my eighteenth, so really the best way to spend it!

For those new to your music; can you introduce yourself, please?

Hey. I’m Fletch! I’m from the Central Coast, Australia and play singer/songwriter music with some Rock influence. I’ve recently started playing with a band and bringing in some more riff-based songs as well as the Folk-influenced songs. I wrote from a place of contemplation and thought and always want to comment on something in my music.

I love poetry so elements of that come through my songwriting.

Your E.P., Thoughts, is out. What was it like putting it together? Was it quite a rewarding experience?

It was an incredibly rewarding experience. I wrote these songs by myself in my bedroom, so seeing how they came together with the band in a recording sense was just awesome. I’m just so happy that people finally get to hear all these things that I’ve wanted to say.

Are there any songs that stand out as personal favourites?

All the songs hold a deep meaning with me. In terms of lyricism, Thought Song is one that I’m really proud of. From commenting on corruption of innocence in modern media, to mining; the education system, politics and a whole lot of other things…I’m so lucky to be able to release music like this song - that is a reflection of how I approach life.

Do you remember when music came to you? Did you always grow up around different sounds?

Since I was young, I’ve always been drawn to music. I remember being only three or four and knowing all the words to a Play School album. Haha. My dad also plays guitar, so that definitely helped get me into it when I started playing and writing songs at about twelve.

Are there any ambitions for the rest of 2019 in terms of music and plans?

We’re playing some shows with the band soon and looking to add some more for June/July. I’d love to potentially record some more this year but, at the moment, I’m stoked to see out this Thoughts E.P. and the things that come with that.

Being based in Australia, what is the music scene like there? Which towns and cities do we need to look at regarding the best talent?

I’m from the Central Coast - which is about an hour north of Sydney, Australia. Sydney has an awesome music scene with lots of new bands and awesome venues. Melbourne is also hugely music-orientated; Australian music feels to be in a fantastic place at the moment.

Do you have a standout memory from your time in music so far?

Winning Australia’s Got Talent in 2016 will always be a monumental highlight for me. It was such a moving and special experience in dedicating my performances to my late little brother, Banjo. I was so honoured to be able to share his story and spread his positivity for life.

Which three albums mean the most to you would you say (and why)?

Definitely Bob Dylan’s The Times They Are a-Changin’. The lyrics on this album and the way he approaches songwriting inspires me tremendously. I teared up when I first listened to the song With God on Our Side and that weight of emotion is something that I’d like my music to bring to someone.

The Beatles’ Abbey Road is one of my favourite albums. I was on the train to Sydney when I first listened to it and I had an epiphany-like experience. From the emotion and craft in writing it just cut straight through to me.

Another album that I just admire is Jeff Buckley’s You and I. It’s a collection of demos he did as live takes that was only released a couple of years ago. His voice is just magnetising and honest. I love Julia Jacklin’s Don’t Let the Kids Win for the same reason.

If you could support any musician alive today, and choose your own rider, what would that entail?

Bob Dylan and a bottle of kombucha for rider. Haha.

Are you planning any gigs in the coming months?

Yes! Playing a few shows around the East Coast of Australia:

Sunday, 14th April - Going Off at The Swamp (Central Coast)

Sunday, 21st April - Seaview Tavern (Woolgoolga, N.S.W.)

Friday, 3rd May - Some Velvet Morning (Melbourne)

Sunday, 5th May - The Newsagency (Sydney).

And also more shows to be released soon…

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Might we see you in the U.K. this year at all?

Potentially, I’d love that! I’m planning on coming next year - once I finish school - for a bit of a music holiday with my girlfriend.

How important is performing? Do you prefer it to life in the studio?

Performing is my favourite thing to do in music. I love being in the studio but nothing compares to interacting with an audience and sharing that experience - especially when playing my own songs.

 IN THIS PHOTO: Julia Jacklin/PHOTO CREDIT: Nick Mckk

Are there any new artists you recommend we check out?

I love Julia Jacklin’s music and fully recommend that. Didirri and Joel Leggett are also sick.

 IN THIS PHOTO: Didirri

Do you get much time to chill away from music? How do you unwind?

Music can often be my chill from music. I love coming back to sitting in my studio and writing songs. I also love surfing, so the ocean is where I turn to reset.

Finally, and for being a good sport; you can choose a song and I’ll play it here (not any of your music - I will do that).

Awesome, cheers! With God on Our Side - Bob Dylan. I think the more people that appreciate Bob Dylan the better the world will be. Haha.

Thanks heaps!

Fletch.

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INTERVIEW: Caswell

INTERVIEW:

Caswell

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TAKING us into the weekend...

is the fantastic Caswell. She has been telling me about her new E.P., Blindside. I ask if there is a favourite track from the collection and when music came into her life; how she views a very busy 2018 and what plans are coming up.

I wanted to know if there are going to be tour dates coming and which albums are most important to her; if there are particular artists we need to be aware of and who she’d support on the road given the chance – Caswell picks a great song to finish the interview on.

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Hi, Caswell. How are you? How has your week been?

Hey! Yes. All good, thanks. I had my hometown E.P. launch on Thursday and the E.P. release on Friday. Then, afterwards, typically got struck down with some form of spring lurgy. Now, I’m on a potent diet of ginger and lemon tea.

For those new to your music; can you introduce yourself, please?

So. I’m an independent London-born, Suffolk-based singer-songwriter with a killer live band and I guess I make what you’d call Alternative-Electro-Neo-Soul-Pop? Or something?

 

Stay the Night is your latest single. Is there a story behind it?

I wrote this when I was seventeen and, as I wasn't a hugely strong keys player, I found I'd spend hours trying to find inspiration on the piano but fall into the same limited chord progressions and get frustrated. I then went through a phase of writing over YouTube instrumentals and found one by The Weeknd that just fitted this dark/sexy/lonely vibe for Stay the Night. That was my first proper heartbreak song - so it’s always, always gonna be one that sticks.

The song is from your new E.P., Blindside. What inspired the songs and how does it differ from your debut E.P.?

So. I wanted to amp the energy up from my previous E.P. and make it more synth-heavy. I did a lot of my biggest shows last year and I just felt I needed some more high-energy tunes for the live set as I love getting the crowd hyped at a festival. During the writing of Blindside, I had also been playing with the band a little while and the production definitely translated this.

 

Is there a track from the E.P. that you favour/prefer above the rest?

I love Control just because it feels so raw and I get to go a bit mad with the vocal - and that’s super-fun to do live. There’s an anger in the song too and that’s something I’ve not really explored before.  

2018 was a pretty busy one. What are your impressions of the year?

Yes, it was mad! The tour with Arlissa and playing Latitude were the best; I even got listed as a live highlight on the official Latitude website so that was another kind of crazy. I was also awarded the Women Make Music grant from the PRS which helped enable me to release this Blindside E.P. so massive love to them!

Do you remember when music came to you? Did you always grow up around different sounds?

So. I will forever hear the stories about how, at two, I would call myself ‘Madonna Spice’ (a merger of my two favourite acts, clearly); apparently I also took a shining to k.d. lang and Suzanne Vega as a toddler. I was always into music but weirdly a musical episode of Buffy I watched when around the age of ten inspired me to start writing! (Strange child). My mum is also a vinyl dealer so that doesn’t hurt.

Are there any ambitions for the rest of 2019 in terms of music and plans?

Absolutely. Next week I’m headed to Berlin for a week of sessions writing with BMG artists, so that’s very exciting! We’ve also got a jam-packed summer of live shows and festivals which are always the most fun.

Do you have a standout memory from your time in music so far?

Crying whilst singing my song, Brother, at an open mic at my local. It was an intense emotional experience.

Which three albums mean the most to you would you say (and why)? 

Mama’s Gun by Erykah Badu

Memories of teenage years.

In Rainbows by Radiohead

Nostalgic, emotional perfection.

Grace by Jeff Buckley

Limitless beauty.

If you could support any musician alive today, and choose your own rider, what would that entail?

I think Tame Impala, just because I’ve seen the live set and I know how epic it would be! I was obscenely obsessed a few years back. For the rider, all I know is socks are a must (according to the band, a spare change is absolutely essential…)

What are your plans regarding gigs/touring?

So. I haven’t announced some stuff as of yet but it’s going to be my busiest summer yet by far, with returns to old favourites and ventures to new live territory. Keep them peeled.

Is the stage somewhere you love to be? How important is it being up there?

Absolutely. Although it wasn’t always that way. I had terrible nerves and a little but loud voice in my head telling me everyone was bored and I should finish the songs early. It took a lot of practice but that voice only makes very occasional appearances now - and I spend the majority of the shows having the time of my life with the support of my amazing band.

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 IN THIS PHOTO: Nemi

Are there any new artists you recommend we check out?

So. I’m really feeling the new tune by friend/artist Nemi called Can’t Get Through to You and my producer’s band KYLYPSO are sick. I’m not biased- promise!

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IN THIS PHOTO: KYLPSO/PHOTO CREDIT: Jordan Woods

Do you get much time to chill away from music? How do you unwind?

Finding life/work balance is such a constant struggle. I work a normal day job then music is a whole other life/job on top. I’m usually doing emails until 11 P.M. and there's not a day I switch off - but on the weekends I do definitely like to be social and enjoy a few cheeky bevs.

Finally, and for being a good sport; you can choose a song and I’ll play it here (not any of your music - I will do that).

After You’ve Gone - Nina Simone

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INTERVIEW: Rayon Nelson

INTERVIEW:

Rayon Nelson

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THE brilliant Rayon Nelson has been telling me about...

his new track, Freedom, and what it concerns; how music came to him and the role his family played; if he has a standout career memory; what is still coming up in 2019 and the rising artists we need to get behind and spend some time with.

I ask Nelson whether there are gigs afoot and if there are any albums that stand out to him; whether there is more material coming along and the advice he’d give to approaching musicians – he selects a cool track to end things with.

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Hi, Rayon. How are you? How has your week been?

Hi, I’m good, thanks! My week’s been ok; somewhat intense but trying to chill out and enjoy moments!

For those new to your music; can you introduce yourself, please?

I’m a soulful singer and songwriter. I am self-produced so all my songs I produce but I am open to working with other producers. My music is a mainly Acoustic-Soul but I have some vibey tunes as well. I write about any and everything, but I try to be meaningful - i.e. Memories, Get Up and Freedom.

Freedom is your latest single. Is there a story behind it?

Yes, there is! So I found myself wanting to write about freedom and the issues with the killing of young youths in America i.e. the Ferguson killing. So, I started writing about that. Then, I performed at an inspiring event where I was then speaking to a friend who told me a story of a really young refugee girl who had fled a country because her father was killed. Her mother then died of starvation and she ended up travelling with strangers to Europe.

He then brought her story to Parliament as his way of doing something. I felt challenged by that conversation as I have always wanted to do things to help people in similar situations but my excuse was that I didn’t have money to donate etc. But then I realised that I may not be able to give financially but I could write a song and bring about some sort of awareness!

So that’s how the song came to be! 

I understand you took some time off of music. Was there a reason behind that?

After I released my latest E.P. (independently), I had a lot of industry interests etc. which I realise I wasn’t ready for. I also felt I was compromising my sound for labels to satisfy their wants. So, I had to just chill out and get organised, clear my mind…try sort out a team. I was having label meetings with no management, no lawyer etc. It is good that I could handle myself - but having a strong team around you is better!

Are there any ambitions for the rest of 2019 in terms of music and plans?

I have a second single coming out 26th April and my E.P. on 31st May. So, hopefully these will do good. Then I will release a few more singles at the latter part of the year!

When you were growing up, which artists/records did you hold dear?

I had quite an array of artists that I liked and listened to but, to name a few: Jimmy Cliff, Bob Marley; Smokie Norful, Usher; Donnell Jones, Mali music etc.

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It seems you take inspiration from various different sources. How important are your family and upbringing to that?

Well. My family played a lot of Soul, Reggae and old-school Gospel music in the house so I grew to love people like Jimmy Cliff, Buju Banton and Sister Nancy. This is like my foundation in terms of influence, not only because of their sound but because they spoke about real things. I was born in Jamaica on a farm in a family who ate what they grew…there were great times but also some tuff (sic) times. In one of my songs on the new E.P. I talk about this a bit and I dedicated the song to my grandparents and aunties.

I remember this one Sunday we never had enough money come in that week so we had to drink ‘pumpkin soup’ on a Sunday instead of the typical full-plate chicken/rice and peas etc. So, I understand what it means to struggle and I sing for this reason: to help my family and people out there struggling alike.

Do you have a standout memory from your time in music so far?

Uhmm. Performing at the Isle of Wight Festival was great! It was my first major festival experience to both visit and gig. But, what makes me happy most is intimate gigs where I can connect with audience.

Which three albums mean the most to you would you say (and why)?

Ohh…this one is hard! Haha. I don’t usually listen to whole albums so this might not be an accurate answer…but here we go:

Confessions by Usher

Because this reminds of college days when I started to sing. There was a guy from my school who inspired me to sing. He was so dope at that time and the first song I heard him sing was from Usher - so that’s how I started to listen to Usher. Confessions is a vibe! I loved how the album was all a confession!

Freudian by Daniel Caesar

This was released in 2018 and it has been the only new artist album that I have had on-repeats for a while. The musicality and the vibe captured me. It’s just dope.  I hope my album to come is as dope!

The Miseducation of Lauryn Hill by Lauryn Hill

Again, because of the vibe! It’s just a great album.

If you could support any musician alive today, and choose your own rider, what would that entail?

I would love to support D’Angelo! I also would love to jamm with him! That would be vocally epic! As long as I have a comfy dressing room with plenty of water (and lemon/honey-infused) then I am good. Also, no-phones policy! I want people to enjoy the moment and not caught up on their phones.

What does the rest of this year hold for you?

Pushing my E.P.; loads of gigs and collaborations.

Are you planning any gigs in the coming months?

I only plan to have one gig in April (details will be on social media). I am performing at Sofar Sounds at Orbit Sounds UK on 16th May and then at my E.P. launch on 30th May at The Finsbury.

How important is performing? Do you prefer it to life in the studio?

Performing is my favourite part of this music life. It’s never the same. I love intimate gigs. It allows me to connect with people, share myself and be authentic. It also allows moments to be created! Can you remember or imagine being in a crowd listening to your favourite artist and saying one day that this will be me!

It’s a space for dreamers to be inspired and motivated. 

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 PHOTO CREDIT: TEEKS

Are there any new artists you recommend we check out?

I have just discovered TEEKS! Love his voice and his sound is that old-school Soul sound.

Jackson Lundy - Calypso (recommended track). I just discovered this dude as well. Chilled, dreamy Soul. He is also up-and-coming!

Koffee - Toast (recommended track). It’s like a Dancehall-Pop-kinda style. I like her because her lyrics aren’t typical of Dancehall: she’s a really young artist from Spanish Town, Jamaica and she has unique sound.

Hablot Brown - She Said. They are just great! Great sound! They are still climbing the ladder!

Dayo Bello - Mine. Because he’s my friend. He is great and have so much potential!

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 IMAGE CREDIT: Jackson Lundy

Do you get much time to chill away from music? How do you unwind?

I still work full-time to pay rent so I don’t get enough time to really chill. I am trying though to chill! Haha. Hopefully, this year I will do music full-time! That’s the goal!

Finally, and for being a good sport; you can choose a song and I’ll play it here (not any of your music - I will do that).

Home Again - Michael Kiwanuka

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Follow Rayon Nelson

INTERVIEW: Eleri Angharad

INTERVIEW:

Eleri Angharad

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IT has been wonderful speaking with Eleri Angharad...

about her album, Earthbound (out on Friday), and how it came together; whether she has a standout song from the set and what it was like recording the album in Cardiff – Angharad tells me about her favourite artists and music.

I ask whether there are gigs coming up and why she takes guidance from Nashville and its artists; the musician she’d support on the road given the choice and which approaching artists should be in our sights – she selects a great song to end the interview with.

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Hi, Eleri. How are you? How has your week been?

Hello! I’m good, thank you - tired but very, very excited! So far it’s been a busy week getting everything organised for the release, but I think I’m just about ready!

For those new to your music; can you introduce yourself, please?

I’m Eleri Angharad, a Country/Pop artist from South Wales, U.K. My music is influenced by a mix of Welsh and Americana musicians such as Cerys Matthews, James Taylor and Taylor Swift. I was really drawn to Country music both growing up and after a road trip I took around the U.S., playing in Greensboro, Nashville; Chicago and New York.

Your debut album, Earthbound, is out soon. Can you reveal what inspired the songs and what it was like to record?

I chose the title, Earthbound, which is also the name of one of the tracks because it really tied in with the themes of home that run through the album - whether home is your hometown or a person or just a feeling of belonging somewhere. I travelled a lot around the U.S. and Ireland, so a lot of places feel like home to me. I’m lucky to have friends all over the world that keep really grounded, so Earthbound encompasses all of that. It’s the most honest collection of songs I’ve ever written.

I love recording music and I’ve worked with the same producer on my last two records - a fantastic guy called Lee House. We work really well together and everything seems to flow.

Is there a song from the pack that stands as a favourite?

Oh. I change my mind on this every day! At the moment, I think Stronger Stuff really stands out to me as it’s so upbeat and empowering. It’s also got a great harmonica solo blended with electric guitar, so I really love how the sound turned out!

I also love Chicago as it’s such a nostalgic song to me. It’s like a time capsule.

What was it like recording the album at Woodcroft in Cardiff?

It was a new studio for me so that was exciting. It’s a really chilled space with lovely carpets and fairy lights so it’s quite magical and relaxing - it makes me feel really creative! It’s always an absolute pleasure to work with Lee House as producer too. He always listens to my vision for the songs and makes them sound even better than I could imagine!

It was difficult at times especially playing the same guitar parts over and over but it was amazing to see myself grow and improve as a recording artist during the process and I can’t wait to see what my next project will be.

When you were growing up, which artists/records did you hold dear?

I grew up listening to a ton of my parents’ music collection including welsh artists like Cerys Matthews/Catatonia and Amy Wadge. I have always loved storytelling songs like those of James Taylor and Dolly Parton - I’m a self-confessed Taylor Swift super-fan too and her album, Fearless, really got me into Country music. These days, I really love the modern Pop twist on Country - with artists like Kacey Musgraves, Jillian Jaqueline and U.K. country duo Ward Thomas.

It seems like you take guidance from Nashville artists. What is it about the city and sound that captivates you?

Nashville is wonderful because there’s music in absolutely every bar - almost 24/7 - and yet there’s always an audience. The people there just adore music and it attracts music lovers and artists from all over the world. What struck me most was the heartbreaking honesty of Nashville artists, each one with their own story to tell and being completely unafraid to sing it to a room full of strangers with often just a guitar in hand. I really wanted to incorporate that stripped-back integrity into my own music and this record reflects the Nashville magic for me.

Do you have a standout memory from your time in music so far?

One of the best gigs I ever played was completely unplugged in a bookshop in Stockholm, Sweden. I got to meet Izzy Young - the man who booked Bob Dylan his first-ever gig - so that was pretty amazing. It was absolutely filled to the brim with people who were so supportive and attentive - I even sang in Welsh and I think that was their favourite song!

Which three albums mean the most to you would you say (and why)?

Fearless - Taylor Swift

This album really got me into Country music and exploring more and more artists.

Catatonia - International Velvet

My mum used to play this in the car all the time when I was growing up and Road Rage was my ultimate-favourite song for years. I know the whole album off by heart and I still love it. I got to write with one of the band members for my Earthbound album and that was an incredible experience.

9 to 5 and Odd Jobs - Dolly Parton

I was in a play in school where this was the soundtrack and it really got me into older Country music; it holds a lot of memories for me. I just adore Dolly in general. I think she’s wonderful!

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If you could support any musician alive today, and choose your own rider, what would that entail?

Oooh, wow! I’d actually love to support Kacey Musgraves as I feel like the show would be magical and full of sparkly things! On my rider I’d definitely have some pink gin, watermelon and strawberries.

What does the rest of this year hold for you?

Well. I’m going on a U.K. tour this month to promote the album release - playing in York, Brighton; Manchester, Bristol and London as well as some more along the way! I’ve also got a busy summer of festivals coming up, too: How the Light Gets In, Live on the Wye and Home Farm Fest (which have already been announced), so I’m also really excited about those. Maybe some more music videos, too; they’re always so much fun to release!

Are you planning any gigs in the coming months?

I’ve got my album launch next week in Cardiff – 13th April (which is now sold out). I’m playing there with my full band, The Blue Js, and I’ve got the tour. Also doing a big hometown show in Swansea on 3rd May. After that, I’m supporting Ell South in Porter’s, Cardiff on 8th May and Sarah Birch in The Cellar, Cardigan on 14th June.

How important is performing? Do you prefer it to life in the studio?

They’re very different. I love the experience of chipping away at a record in the studio and seeing my songs come to life, but I also love the buzz of performing! I’m so excited to be playing some full band shows this year as the atmosphere onstage is great. I can’t wait to share my album live with an audience. 

 IN THIS PHOTO: Violet Skies

Are there any new artists you recommend we check out?

There are some really great upcoming artists from South Wales. I’d hugely recommend listening to Pop acts like Violet Skies and Emilie Merry and, for some Country, my favourite new acts are Jillian Jacqueline, Natalie Jones and Rosey Cale.

 IN THIS PHOTO: Jillian Jacqueline

Do you get much time to chill away from music? How do you unwind?

I love to keep fit and go to the gym, although I haven’t had much time for that for a while. I also really love cooking new vegan recipes and baking. I find it so relaxing! I even have my own food blog on Instagram, What Eleri Eats.

Finally, and for being a good sport; you can choose a song and I’ll play it here (not any of your music - I will do that).

Oooh. I think I’ll pick Space Cowboy - Kacey Musgraves. It’s absolutely heartbreaking and I love a good sad song!

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Follow Eleri Angharad

INTERVIEW: Kat Cunning

INTERVIEW:

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PHOTO CREDIT: Ben Trivett 

Kat Cunning

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THE superb Kat Cunning has been discussing her great single...

Birds and how it came to life. I was keen to know if there is more material coming and what sort of music Cunning is inspired by; how important it is to be an advocate of L.G.B.T.Q.+ rights and body positivity – she picks a couple of rising artists that we need to get involved with.

I wanted to find out if there are tour dates coming up and how, as an actor, that discipline blends with her music work; how she relaxes outside of music and a few albums that mean a lot to her – Cunning selects a great song to end the interview with.

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Hi, Kat. How are you? How has your week been?

STELLAR! Played a showcase in London where David Bowie used to track; released my single, Birds, and I’m gearing up to release the video to follow. Most importantly, I got to watch plane movies on my way back...Heaven.

For those new to your music; can you introduce yourself, please?

Alt-pop? Inclusive? Sexual? Soul influence? Hot fire? It’s so hard to describe yourself but I’m often compared to vocalists like Florence and The Machine and Fiona Apple. I think it’s less about how I sound and more about the feel of the music. I write songs that mean something to me and I put my heart into them.

Birds is your new single. What is the story behind it?

When I wrote this song, I didn’t even know what it was about: it just fell out of my mouth. It felt like a nursery rhyme until the symbolism of the birds revealed themselves to be a metaphor for anxiety and insomnia. This song is for anyone who has ever been agitated, bothered or gone completely mad.  

Me, personally, I sing the song to combat the voices in my own head and the structures that are built inside and outside of me, designed to hold me back. Metaphor is cool that way. It doesn’t really shove my experience at you. You can hear your own story in the song.

Might there be more material coming later in the year?

Lots of stuff cookin’. I have two songs in particular that I’m already so excited to release and a forthcoming E.P. THIS FALLLL! I’m dead.  It’s been so long; I can’t wait to share it.

PHOTO CREDIT: Marc Harris Miller

You are an advocate of body positivity and the L.G.B.T.Q.+ community. How important is that to you?

I am a curvy and strong person. I am always being reminded that my body is weird, extra: specifically female or utterly sexual. I don’t see women like me on T.V. that play anything other than hookers and vixens. Body positivity is important to me because I feel underrepresented and I know and love so many women in more extreme cases that feel the same. The Internet is starting to turn the tides when it comes to user-generated imagery - we’re showing you what we want to show you and affirming what we want to see. That’s cellulite, scars; different ages, colors and abilities.

The same goes for queer people. I am a queer person. I want to see examples of same-sex couples and gender-fluid people thriving. I see them and love them in my life. I want to see more diversity and fewer stereotypes represented in the media. It would be more realistic, interesting and helpful to the kids that aren’t so lucky to have the colorful community I’ve found. All it takes is one character on primetime; one song that speaks to you, to motivate you to find your way.

As an actor, how does that work blend with your music? Do you bring acting disciplines into your music?

Ya. Acting helps me to be a brave performer. It also inspires me to be empathetic when I write. It’s cool to step into other people’s shoes.

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How influential is the diverse New York scene when it comes to your own sound?

Hugely! I come from a really small town in Oregon. I value space in music like my hometown. I value color in music like my community here.

When you were growing up, which artists/records did you hold dear?

I was a weird kid, man. I had a record player that my grandma saved and would play old records which were mostly show tunes and The Beatles. I think I was just as in love with the sound of the record scratch as I was with the songs themselves. As a teenager, I was into Neutral Milk Hotel, Interpol; Modest Mouse, the Ramones; The Clash and Dandy Warhols. I discovered Soul and R&B in college…

Erykah for life.

Do you have a standout memory from your time in music so far?

Getting to open for LP on tour was a dream.

Which three albums mean the most to you would you say (and why)?

James Blake - James Blake

I danced alone to this album every day for a year.

Beyoncé – Beyoncé

She presents every part of herself in this album. It’s what made me really want to dive into this industry.

Rihanna - Anti

She f*cks with every genre, sings in her own dialect; the imagery for the album is so androgynous; she champions other artists and overall doesn’t seem to care what you think.  

If you could support any musician alive today, and choose your own rider, what would that entail?

I would love to open for Christine and the Queens, Sia or Lady Gaga. I think they all draw freaky crowds that love strong women and they put on huge shows. My rider would include tequila, popcorn and Blue Point Oysters…cus I’m classy.  

Are you planning any gigs in the coming months?

Yes! Come see me in N.Y. on April 17th at Elsewhere space and I might be back in London the following week. Stay tuned!

How important is performing? Do you prefer it to life in the studio?

I need to perform. I love to write. I much prefer to sing my records on stages for people than alone in a booth. I kind of hate that and it makes me want to die. My manager is always laughing cus I have tried singing in every corner of the studio.

IN THIS PHOTO: NSTASIA

Are there any new artists you recommend we check out?

Obsessed with NSTASIA and my friend Katie Von Schleicher!

 IN THIS PHOTO: Katie Von Schleicher

Do you get much time to chill away from music? How do you unwind?

I take myself dancing. Not the bougie venues where girls stand in cocktail dresses waiting for someone to buy them a cocktail: the places you go to sweat and grind.  

Finally, and for being a good sport; you can choose a song and I’ll play it here (not any of your music - I will do that).

Love in This Club by Usher! Xoxox

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Follow Kat Cunning

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INTERVIEW: Sahara Beck

INTERVIEW:

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PHOTO CREDIT: Jeff Andersen Jnr.

Sahara Beck

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KICKING off the week is Sahara Beck...

PHOTO CREDIT: She Is Aphrodite

who has been discussing her latest track, I Haven’t Done a Thing Today. I ask about its start and whether the Australian artist has more material coming up; whether she might head out on tour and what sort of music she was raised on.

Beck suggests some rising artists to watch and talks about the past year; what advice she’d give to artists coming through and the albums that mean a lot to her – she ends the interview by picking a great song.

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Hi, Sahara. How are you? How has your week been?

My week has been good! An exciting first week of life for my new single!

For those new to your music; can you introduce yourself, please?

I'm Sahara Beck. I've been playing and releasing music since I was thirteen. I grew up on the Sunshine Coast but have been based in Brisbane for a few years now. I've just released my new single, I Haven't Done a Thing Today, which I wrote with my brother last year.

What is your new song, I Haven’t Done a Thing Today, about? When did it come to you?

It's about taking a seat and having a look at everything in my life and objectively without judging myself and, instead, just putting love into those areas. For example, in one part I speak about how my brother has always been very smart and good at everything. I used to feel competition towards him, naturally.

But I am proud of him that things come so easily to him these days. I speak about love being everywhere because I truly believe that and sometimes I forget to see that when I get caught up in mine and others egos. 

I understand more material is arriving later in the year. Can you tell us anything about that?

I guess what I can tell you is that I have been spending a lot of time writing and pushing my abilities and boundaries in that sense - over the last eighteen months. This is why I chose to travel to Los Angeles to work on the new material with Tony Buchen. He’s worked with Montaigne, Courtney Barnett and Mansionair to name a few.

We’d never worked together before and I had a strong sense he would be able to understand my vision and help me to reach that ultimate creative goal on this project (smiles). It was exciting to take that big step to work outside my comfort zone - and also really frightening!  But I am incredibly proud of what I have written and created and I am so pumped to finally release these ones to the world.

PHOTO CREDIT: Jeff Andersen Jnr.

Over the past twelve months, you have been very busy – including a support slot with Bishop Briggs. How crazy has it been and has it all been fun?!

The Bishop Briggs support was amazing. She is an incredible woman and I learnt so much from watching her perform! It was a pretty cool way to kick of the year! Around that, I've been writing a lot with many different people, rehearsing the new material with my band and it's generally been a very creative time and I've been loving it.

Did you always know you wanted to get into music? When did that passion start?

Actually, I always wanted to be an actress growing up! I started playing music as a natural progression of that expression and just started loving it so much I couldn't stop. There have been many moments in my journey that have continued to excite me and motivate me to write and perform. I remember seeing The Cat Empire for the first time at a festival and they had the audience completely in the palm of their hand - with nothing but a single vocal note and that just crushed me. I just knew I was driven to that experience.

PHOTO CREDIT: @thomasjamesisaac

When you were growing up, which artists/records did you hold dear?

I grew up listening to a lot of dramatic music of all genres, mainly Classical on my mum's side or Motown on my dad's side. My music taste growing up and even still now is so wide I am struggling to raise any particular names above others.

Being based in Brisbane, what is the music scene like there? How does it compare to cities like Sydney and Melbourne?

I think the Brisbane music scene is extremely supportive. I'm not sure what it's like in other cities as I've always lived either on the Sunshine Coast or Brisbane. 

PHOTO CREDIT: She Is Aphrodite

Do you have a standout memory from your time in music so far?

My standout memory is getting an eight-piece band together for BluesFest several years ago and performing my album to a packed-out tent! I think I was eighteen at the time and it just felt insane!

Which three albums mean the most to you would you say (and why)?

Lou Reed – Transformer

Because it's so real, lyrically and musically, to me.

Violent Soho - Hungry Ghosts

Because it's always a huge release for me listening to it.

And anything by Tame Impala…

Because Kevin can do no wrong plucking my heart-strings with his beautiful melodies.

PHOTO CREDIT: Jeff Andersen Jnr.

If you could support any musician alive today, and choose your own rider, what would that entail?

Maybe, like, Beyoncé - and then I’d request to have the same rider as she has. I reckon that would be interesting to find out (smiles).

Are you planning any gigs in the coming months?

I have a couple of announced shows coming up and some not yet announced!

I’m playing the Ipswich Festival on Friday, 12th April with Regurgitator. This will actually be the first show with my brother (who has joined the band)! And then I will be playing AltFest in Adelaide on Saturday, June 29th with some kick-ass women Dallas Frasca and Z-Star Trinity!  I haven’t been back to Adelaide for a couple of years so I’m super-excited about that show. You can expect to hear a lot of my new material in these sets - a handful of which I previewed on my single tour late last year.

How important is performing? Do you prefer it to life in the studio?

Performing is my favourite part of all of this. I love writing and recording but there's nothing like performing something that is so vulnerable and true to yourself.

 IN THIS PHOTO: The Jensens

Are there any new artists you recommend we check out?

The Jensens and Pink Matter. Pink Matter is a four-piece all-female Neo-Soul act. So great live and the best people!

IN THIS PHOTO: Pink Matter/PHOTO CREDIT: Georgia Wallace Photographer

Do you get much time to chill away from music? How do you unwind?

I like getting hooked into a good animated series to unwind my mind. I'm re-watching Rick and Morty at the moment for that reason. That show always helps me get perspective.

Finally, and for being a good sport; you can choose a song and I’ll play it here (not any of your music - I will do that).

The Jensens – Mt. Mura

That's my mate’s band and I'm loving their new direction.

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Follow Sahara Beck

INTERVIEW: Alessandro Ciminata

INTERVIEW:

Alessandro Ciminata

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MY final interview before the weekend...

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is with Alessandro Ciminata. He discusses his new track, Kings, and explains its story. I ask when he got into music and the artists he followed; whether there is more music coming along and which rising artists we should get behind.

Ciminata reveals his gig plans and states which three albums are most important to him; the musician he would support on tour above everyone and how he relaxes outside of music – the songwriter selects a cool track to end the interview with.

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Hi, Alessandro. How are you? How has your week been?

Hey, Sam! I’m good thank you! How are you? It’s been hectic so far; busy is good! Haha.

For those new to your music; can you introduce yourself, please?

I’m a London-based singer-songwriter and solo artist. I do what I call ‘retro-tinged Indie-Pop’. I like to write songs that people can relate to. I was born and raised in Italy but London-based since 2012.

Kings is your new track. Is there a story behind the song?

There is a story behind it. We watched a documentary on Netflix about celebrities being addicted to social media and all of that. I love social networks; looking at my phone is probably the first thing I do when I wake up so I’m probably the worst example but have you ever tried not to look at your phone for the next ten minutes, look around your room and outside your window instead?

Try it…now…how do you feel? We are missing out so many moments in our life by looking at a screen.

Can you recall when you started out in music? What inspired that decision?

I’ve started to record on tape music that I was listening on the radio and that I liked. I was probably a five-six-year-old kid. Then, after unsuccessful trials in football and basketball, I bought a guitar and started to play music. When I was a teenager, I suffered anxiety for a while. Playing my guitar was my escape from it.

When you were growing up, which artists/records did you hold dear?

Definitely John Mayer – Continuum is my favourite album. He changed my musical mind. The fact I decided to become a songwriter is his fault!

Do you have a standout memory from your time in music so far?

When I supported Dustin Tebbutt at a sold out show at Omeara (London) with the crowd supporting me all the way through my set; applauding me and then asking me to play one more song when my set was over.

Might there be more material arriving later this year?

Sure thing!

In terms of influence, do you think modern music plays a role? Do you feel inspired by what is happening around you?

Yes, I do. As a songwriter, it is vital to remain up-to-date with music trends. This is a great time for finding inspiration in what’s around us. We can find inspiration every day from the Internet.

Having won support from some big publications, does that give you drive and confidence?

It does but, at the same time, it makes me think I should work even harder. They can support you once but then it is hard to keep that support constant and ongoing.

Which three albums mean the most to you would you say (and why)?

John Mayer - Continuum

The album that changed my musical mind.

Jack Garratt – Phase

Jack Garratt’s music has played a big role in my life since I moved to London. I was impressed with what he was doing.

Kula Shaker - Peasants, Pigs & Astronauts

I’m not a big fan of them, not even of the album, but I remember my dad buying the album, playing it in his car a lot when I was little. This is a memory of my childhood that I can’t forget and evokes positive feelings every time I think about it.

If you could support any musician alive today, and choose your own rider, what would that entail?

Good question. Supporting John Mayer would be a dream for the teenager-me. I’d probably ask him to play me an intimate version of Slow Dancing in a Burning Room.

Are you planning any gigs in the coming months?

I’ll be playing London shows for now. We’ll see what the future holds.

How important is performing? Do you prefer it to life in the studio?

It is vital nowadays. I like to perform and to go to gigs as I think it’s what defines an artist identity and what can truly connect an artist to an audience.

 IN THIS PHOTO: M w S/PHOTO CREDIT: Amalia Navarro Photography

 Are there any new artists you recommend we check out?

Yes. My friends M w S. They are working hard too and deserve attention. Carmen Rosa, too as her voice is incredible. She recently released a song on Spotify that gives me goosebumps every time I listen to it.

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 IN THIS PHOTO: Carmen Rosa

Do you get much time to chill away from music? How do you unwind?

I don’t, really. At the moment, I have to find a balance for all the things that I do and it’s quite hard. In my free time (whenever I get some), I like to spend time with the people I love, eat new things; watch Netflix, go to gigs; football…life can be good (smiles).

Finally, and for being a good sport; you can choose a song and I’ll play it here (not any of your music - I will do that).

John Mayer - Slow Dancing In A Burning Room. It’s my favourite song ever

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Follow Alessandro Ciminata

INTERVIEW: Cameron Hawthorn

INTERVIEW:

Cameron Hawthorn

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I have been speaking with Cameron Hawthorn...

about his latest song, Dancing in the Living Room, and what it is all about. Hawthorn talks about the song’s personal message and reveals whether there is more material coming along – I ask what music he grew up listening to.

Hawthorn tells me how he got into Americana and Country and which artist he’d support if he could; whether he will play the U.K. at some point; which albums are most important to him and how he spends his free time – he selects a pretty cool song to end things with.

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Hi, Cameron. How are you? How has your week been?

My week has been great, thank you! 

For those new to your music; can you introduce yourself, please?

I am an American singer-songwriter who fuses elements of Country, Americana; Folk and Pop/Rock. I come from a small town in Kansas and find a lot of inspiration from my time in the Midwest. My new music is my most honest to date and I'm singing openhearted about who I am.

Dancing in the Living Room is your new single. What inspired you to write the track? 

I remember always thinking how special it was to dance freely with my boyfriend in the living room of our apartment - being gay, it's not as easy to dance as a couple in public together as it is for a straight couple. I wanted to express how special that moment is for a couple; when it's just the two of you in the privacy of your own four walls.

Is it difficult to talk about the pride of being in a gay relationship at this time in America? Is it liberating or was it scary discussing your experiences through music? 

The difficult part is putting it out there. But once that's over with, it feels extremely liberating. 

How did you get into music? What attracted you to genres like Americana and Country?

I've been into music from a young age. I grew up doing a lot of musical theater and learned piano pretty young. I started songwriting when I was in high-school and it was just a hobby then. When I graduated from college, I knew it was what I wanted to do with my life. I grew up on Country music. I'm from Kansas and all of my family is originally from Oklahoma. Country music is in my blood and it just feels like home to me.

Might there be more material coming later in the year?

Definitely. Be on the lookout soon for more songs that will be leading to an E.P. 

When you were growing up, which artists/records did you hold dear?

One of my first C.D.s was the Grease soundtrack. I was also obsessed with The Wizard of Oz from a very young age and would sing along with Somewhere Over the Rainbow every time I watched it. I honestly loved old musicals so much growing up. My parents would have Country radio on in the car and, on Saturday mornings, in the living room and my mamma and pappa would always have old Country tunes blaring from their little radio out on the back porch.

I didn't really get to know those artists and songs until later but that was where the roots were. As a teenager, I loved singer-songwriters like Missy Higgins, Gavin DeGraw and The Fray.

Do you have a standout memory from your time in music so far?

The release of Dancing in the Living Room has been incredible. The response from people has just been so overwhelmingly positive and it inspires me to read the comments and messages from people that have been inspired by the music and my story. That really means the world to me and more.

Which three albums mean the most to you would you say (and why)? 

Grease: The Original Soundtrack from the Motion Picture - first C.D. ever.

Chariot by Gavin DeGraw - first time I was attached to an artist and every song on an album.

Golden Hour by Kacey Musgraves - I'm so inspired by Kacey as an artist and this album is so poetic and beautiful.

If you could support any musician alive today, and choose your own rider, what would that entail?

Kacey Musgraves. All I'd ask is that she'd do a cover of Somewhere Over the Rainbow with me.

Are you planning any gigs in the coming months?

I hope to play an L.A. and Nashville show very soon!

Might we see you in the U.K. in 2019?

That would be a crazy adventure and I would love it. We'll see!

 How important is performing? Do you prefer it to life in the studio?

I love both. They're very different. I absolutely am addicted to the energy of being on stage and the element of the audience. It's electric. But the studio is often where my creativity flows as a songwriter and I love the collaboration process with producers and musicians.  

IN THIS PHOTO: Kelsy Karter

Are there any new artists you recommend we check out?

One of my best friends, Kelsy Karter, is on fire right now with her new music. I'm really digging Jade Bird and Ruston Kelly as well. 

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IN THIS PHOTO: Jade Bird/PHOTO CREDIT: Austin Roa

Do you get much time to chill away from music? How do you unwind?

I try and make time to relax. I think it's really important to have a balance of work and relaxation because I'm often inspired in moments of relaxation and ‘chillin’ - and just for my own health and sanity. I love conversation over good coffee with friends and new people. My happy place is by the water; whether that's a pool or a beach or a lake.

Finally, and for being a good sport; you can choose a song and I’ll play it here (not any of your music - I will do that).

My guilty pleasure is girl Pop. I adore an artist named Sigrid and her song, Don't Kill My Vibe, is one of my sing-it-loud-in-the-car anthems. Enjoy (smiles).

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Follow Cameron Hawthorn

INTERVIEW: Bay Ledges

INTERVIEW:

Bay Ledges

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IT has been interesting speaking with Zach of Bay Ledges...

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about the band’s latest track, I Wonder, and whether there will be a follow-up to that song at all. I was curious regarding the band’s origins and what it is like taking to the road; the albums that mean the most to Zach and whether there will be tour dates.

He discusses what it is like being based in Los Angeles and whether the band all share musical tastes; the artist he’d support if he could choose anyone and what he does when he gets some free time – Zach selects a top song to end the interview with.  

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Hi, Zach. How are you? How has your week been?

It’s been a good week so far. Been working on some new music, which always feels good.

For those new to your music; can you introduce yourself, please?

My name is Zach Hurd and I have a band called Bay Ledges.

I Wonder is out now. What is the story behind the song?

I went in and worked with writer/producer Christian Medice on this song. We’d never worked together before and we’re drawn to different production styles so it was cool to talk about where I wanted the song to go, sonically. When you’re making music on your own, you don’t really stop to think about why you’re making certain choices.

I wanted the song to feel like tape from a cassette, kind of wobbly; so we messed around with some synth sounds to find those textures. Lyrically, I had recently gone through a breakup so those feelings just ended up becoming the theme.

Might there be more material coming down the line?

Yes. There’s definitely more material coming...I’m not totally sure about a release date yet but it’s on the way!

How did Bay Ledges come together and what were the early sessions like?

I started Bay Ledges about four years ago when I moved to Los Angeles from New York City. I got a job at a restaurant and started recording songs in my bedroom. At the time, I was feeling pretty lost and working on this music became something I could really throw myself into, even though I didn’t really know where it was going. Working on B.L. reopened a creative freedom I hadn’t really felt since I was a kid. I was just having a lot of fun with it.

The sessions consisted of me sitting at my desk for hours. I’d record my acoustic guitar and chop it up to see if I could make it sound different. I’d record my sister singing and then play around with her vocals too. It was basically me coming up with a song idea, recording it and then seeing how I could mess it all up in a way that sounded more interesting to me.

Do you all share the same music tastes in the band?

We don’t all listen to the same stuff - but there’s always some overlap which is good for long van rides (smiles).

Being based in L.A., how important is the scene and people there regarding your sound?

L.A. feels like a great place to be for making music right now. I lived on the West Side of town for my first couple years, right next to the beach (which was amazing). I think that drastic contrast of environment, coming from NYC, was really helpful for me at the time and I’m sure it seeped into the music. Now, I live on the East Side which is closer to a lot of venues and other musicians I collaborate with. I feel a little more accessible to what’s going on, musically.

I’m not sure if Bay Ledges would’ve happened if I hadn’t moved to Los Angeles. There were so many things that clicked for me when I got here. Both of my sisters were living here too - having that support really helped me feel a sense of ease and confidence.

Do you have a standout memory from your time in music so far?

A big one was going on tour this past fall and getting to meet fans. We live in a time where it’s easier than ever to release your music into the world but actually connecting with the people who are listening seems a bit rarer...especially for smaller artists like me. I was so humbled by how honest some people were about certain songs helping them through some really dark times. That kind of honesty inspires me to do the same in my life and in my music.

Which three albums mean the most to you would you say (and why)?

Ugh. There are so many but, if I have to narrow it down:

Odelay by Beck

This album got me thinking about songwriting in a new way. Realizing you don’t always have to write a specific story with your lyrics; that you can create a musical/lyrical collage that’s equally as meaningful. The Dust Brothers worked on this one too and all the different sampling going on is so amazing.

Thriller by Michael Jackson

It’s hard to think about MJ’s music the same way after everything that’s come out recently. That being said, Thriller was the first album I ever got...my aunt gave it to me for my fifth birthday. I was obsessed with it: the songs, his dancing…all of it. That album had a big impact on me.

The Last Waltz by The Band

This used to play in our house all the time growing up. My dad loved The Band. He was a teacher and used to have his classes come over to our house every year to watch the film by Martin Scorsese.

Yankee Hotel Foxtrot by Wilco

Jeff Tweedy writes beautiful songs and Jay Bennett’s instrumental contributions gave the album so much more depth. I was a little late to this album but listened to it nonstop when I got it. It sounds like they gave themselves freedom to try anything in the studio but were also able to stay true to the songs. It’s got Pop elements, Rock and Americana...it’s so many things blended together.

If you could support any musician alive today, and choose your own rider, what would that entail?

I’d love to open for Kendrick Lamar - that guy is incredible. For a rider, I would just want a tour of how his show is put together; it’s such a huge undertaking. I’d love to see what goes into putting on a show like that.

Are you planning any gigs in the coming months?

We’re working on some tour dates for May/June. Still in the works but we’ll have the dates up on bayledges.com soon.

Might we see you in the U.K. in 2019?

I really hope so!

How important is performing? Do you prefer it to life in the studio?

Performing is really important to me. It allows me to connect with an audience in a different way. In my experience, music has so much more of an impact when it’s happening right in front of you. Having the opportunity to express yourself on stage is a chance to show part of who you are as an artist. I love performing and working in the studio...both things satisfy different parts of me.

What is life like on the road with the band and touring? Are there lots of highs regarding touring?

I really love touring. It’s a funny existence. You spend most of your time in a van just waiting to get to the next town but the high from a great show makes you want to keep doing it. As a band, you become a little family because you’re spending so much time together.

Last tour, we got stuck in a four-hour traffic jam and decided to make up a ghost story together...it was a terrible story and so hilarious. You end up going home with all these little jokes and realize they don’t really make sense to anyone else.

IN THIS PHOTO: Mk.gee/PHOTO CREDIT: Erica Hernandez

Are there any new artists you recommend we check out?

A few I’ve been loving lately are: Mk.gee, Still Woozy; Neil Frances and MorMor.

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IN THIS PHOTO: Still Woozy/PHOTO CREDIT: Palmer Morse

Do you get much time to chill away from music? How do you unwind?

When your work is something you love it’s easy to never step away from it, so I’m trying to get better about taking breaks. I love meeting up with friends, hitting up a good coffee shop; going surfing or just being at the beach. I also really like taking trips out to the desert.

Finally, and for being a good sport; you can choose a song and I’ll play it here (not any of your music - I will do that).

Thanks for having me! Can you play Goodie Bag by Still Woozy. That song makes you feel good

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Follow Bay Ledges

INTERVIEW: Tommy Ashby

INTERVIEW:

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Tommy Ashby

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I am starting off the week...

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 PHOTO CREDIT: Fraser Taylor

by speaking with the Scottish songwriter Tommy Ashby about the track, Cocoon, and its origins. Although he has released another track in the time between the interview being conducted and published, I wanted to know what we can expect from the upcoming E.P., Golden Arrow.

Ashby discusses albums important to him and whether there are tour dates coming up; when he began writing music and which artists inspired him growing up; how he relaxes and unwinds away from music – he picks a cool song to end the interview with.

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Hi, Tommy. How are you? How has your week been?

Hi. My week has been a bit mental. I was up in Scotland shooting a music video and supporting a lovely band called Skinny Living; then I hightailed it down to Cornwall for rehearsals and photos. To shoot the music video, we hiked twenty kilometers up to an abandoned reservoir in the snow and up the side of a waterfall in the hail, all carrying our equipment. I felt very sorry for the cameraman. Yesterday, I was in Oxfordshire recording a session doing a few songs for Bob Harris. I was very excited about that. Bob is a legend! So, it has been some week…

Also, lots of hours spent eating biscuits in my car.

For those new to your music; can you introduce yourself, please?

Ehh, hello everyone. I’m Tommy. I am a songwriter from Innerleithen in the Scottish Borders. I came down South to do a PhD in Acoustics and ended up playing a session guitar for a few artists and staying here for a bit. I’ve recorded a couple of E.P.s down in Cornwall with Sam Okell.

What is the story behind the single, Cocoon?

I wrote Cocoon in a beautiful little studio called La Frette just outside Paris having been on the road for two months straight. I was there to record guitar for another artist but, while they recorded drums, I snuck upstairs to one of the bedrooms and started tinkering on the grand piano in the corner. This was apparently the room where Nick Cave stays on his trips to the studio and I like to think some of his inspiration rubbed off because the song just fell out in one go.

I ran downstairs and grabbed a mic and started recording it on the spot. A lot of it was also recorded using my laptop microphone, super lo-fi! You can hear the birds singing outside and Olivier, the studio owner, pouring the dish water out of the window toward the end. We tried to re-record the vocals and piano but the atmosphere just wasn’t there, so the birds and splashes stayed. I think this song captures a wee moment in time, which I think is pretty cool.

It is from the E.P., Golden Arrow. What sort of themes go into the E.P. would you say?

I think the general theme is the disconnection a lot of people feel in modern society. I was definitely feeling disconnected as a result of being on tour for such a long time. I think it is a thank you to the people who make you feel needed.

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PHOTO CREDIT: Fraser Taylor

Can you tell me what sort of sounds you grew up around as a child?

My dad is a musician so we were all immersed from a young age. We had jam sessions every few nights in the house, I played guitar for my sister at various musical events around the villages and our area is a bit of a bluegrass/country music enclave, so there was lots of general pub jams too. In terms of music, mum and dad always had music on, Neil Young, Simon and Garfunkel, Dixie Chicks, John Martyn, Gillian Welch and Dave Rawlings and Jeff Buckley to name a few.

When did you begin writing? Was there a reason for stepping into music?

I have played music for as long as I can remember so I can’t really imagine not doing that. As for writing, having played for other people for a while, I began to feel like there was some stuff I wanted to say.

Your songs have been used in some pretty big T.V. shows. What does it feel like hearing one of your songs on the screen?!

To be honest, it still feels pretty weird. You know all the little quirks in the track, how some of it was recorded in your bedroom; some in a little box-room in deepest darkest Cornwall, sounds recorded by stamping on a cardboard box or just generally wailing into a microphone. So, to see it shown in a super-polished, amazing T.V. programme is quite a contrast. Who am I kidding, though. It feels amazing as well!

PHOTO CREDIT: Fraser Taylor

How does your music come together? Do you experiment on the laptop and gradually work on it - or does it depend on the song?

I think I come from a more songwriter-style approach: I try to get my song in shape with just a guitar before approaching the computer. It just means I know it hangs together as a song. I can get very excited about silly sounds and production but, if the song isn’t there, then it ain’t worth much! I try to record as much as possible before heading down to Cornwall with Sam to add all the extras. That is a fun experience; tinkering with sounds, having as many gadgets linked up as we can.

Do you have a standout memory from your time in music so far?

My first night supporting Rhodes in Utrecht a couple of years ago. It was my first gig outside of the U.K. and the audience was just incredible. It was the moment where I thought that maybe I could do this music malarkey.

I played four nights at Wembley Stadium last year as a session guitarist. That wasn’t playing my own stuff but it did feel pretty mind-blowing. Though a week later, we played the Stade de France in Paris just after they had won the semi-final of the World Cup and the atmosphere was electric. I remember glancing across at the drummer to see him crying with happiness. That sticks in my brain too.

PHOTO CREDIT: Fraser Taylor

Which three albums mean the most to you would you say (and why)?

Revival - Gillian Welch

My sister and dad do a duet on Annabelle – track-two on this album - so it always shoots my straight back to sitting in the living-room as kids singing around the fire. It’s a heartbreaking song; the whole album rings with the excitement of a first record too.

This first lines of Barroom Girls floored me when I heard them:

“Oh the night came undone like a party dress/and fell at her feet in a beautiful mess/The smoke and the whiskey came home in her curls/and they crept through the dreams of the barroom girls”.

It’s just so full of images….

Also, Jason Isbell, another artist I am a huge fan of, tweeted reviews of this album when it first came out and they were pretty bad - which is inspirational as it leaves you thinking that, if this album can get a bad review, then any album can. Pretty questionable reasoning from me but there you go.

Graceland - Paul Simon

This is just a joyous album for me. It reminds me of uni. I don’t know why I wasn’t listening to The Killers or Kings of Leon or the Arctic Monkeys like everyone else. Lyrically, he is a bloody genius.

Grace - Jeff Buckley

Ahh, Jeff. I am aware that most male singer-songwriters cite him but it would be false if I were not to include him. When I first heard Hallelujah I was transfixed. I can remember getting ribbed in school for listening to a religious song while everyone else was listening to Kanye West. Then, my player kept going and I discovered Lover, You Should’ve Come Over and I learned to love that even more. Grace, Last Goodbye and So Real: harmonically, he created a whole new palette of colours which people have been stealing from ever since. And the whole thing is just raw and beautiful!

Jeez, I need to get a bit more modern but there you go!

If you could support any musician alive today, and choose your own rider, what would that entail?

I think I would want to support Jason Isbell. He seems like a stand-up guy. His songs are brilliant and he is an amazing guitarist, so I dream that we might have a jam onstage one night!

Rider: I once got a one-pack of fig rolls for my birthday and I think that might be my ideal rider.

PHOTO CREDIT: Fraser Taylor

Are you planning any gigs in the coming months?

I have my own headline show in London on 10th April at The Slaughtered Lamb. In the lead up, I’m supporting Luke Sital-Singh in Southampton (6th), Cardiff (7th); London (8th) and Manchester (9th).

How important is performing? Do you prefer it to life in the studio?

When performing on-stage is going well, it is the best. It’s just that those moments are rare and they can disappear in seconds and I think that why people often prefer the studio. I love both. You can lose yourself in the studio for hours and hours without thinking about food or the outside world but the high you get during and after a good gig is like nothing else. Plus, things happen in the moment when playing with other musicians that you can’t replicate with overdubs in the studio. That is why I am all for live studio recordings as much as possible!

 IN THIS PHOTO: Eliza Shaddad/PHOTO CREDIT: Melanie Tjoeng

Are there any new artists you recommend we check out?

Eliza Shaddad, Tusks; RHODES, Phoebe Bridgers, Isaac Gracie; Bad Honey and Tom Speight.

 IN THIS PHOTO: Phoebe Bridgers

Do you get much time to chill away from music? How do you unwind?

I run a lot. When I was a teenager, I thought I would make a career out of athletics but injuries scuppered that. I can just concentrate on something basic like doing 400m laps in a set time. It quietens my mind. It’s not always easy, though, as people who always find exercise easy are either mental or not trying hard enough!

Finally, and for being a good sport; you can choose a song and I’ll play it here (not any of your music - I will do that).

Dylan Thomas - Better Oblivion Community Centre

It’s been my driving bop this week (smiles).

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Follow Tommy Ashby

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INTERVIEW: Lady Jane’s Revenge

INTERVIEW:

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Lady Jane’s Revenge

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IN a change of sonic direction...

the raw and heavy Lady Jane’s Revenge have been talking about their new cut, Pure, and what it concerns. I ask how the band formed and the music that inspires them – I discover whether there are tour dates coming and where we can catch them.

I was curious to know whether the guys had favourite albums and if they have time to chill; who they’d support on tour if they could and whether there is more material coming along later in the year – they each select a great song to end the interview with.

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Hi, guys. How are you? How has your week been?

Hello! We have been very well; very busy too as the new video for our single, Pure, just released last night so we have had messages and emails galore in return (which is very exciting).

The band, work; uni and children keep us very tired indeed. Haha. Shout-out to our loving partners who are the real superheroes to us!

For those new to your music; can you introduce yourselves, please?

We are a Rock/Alternative band from South-West U.K. For fans of The Used, Incubus; Faith No More. We feel we are unique and refreshing for our genre because we incorporate each of our different favoured styles and create something unexpected with each song. Our vocalist has an unusual voice for Rock due to growing up in inner-city London surrounded by many wonderful cultures. If you want motivation and a real look at the world then check us out on your fave music platforms.

Pure is your new single. Can you reveal the story behind it?

The message is one that tries to invoke the memory into the listener, of a time when they were young; free of judgement and behaviours against ‘different’; therefore reminding them also with the chorus, that we have opinions and views forced upon us by elders in our lives and mass media propaganda. We just wanna help keep pushing an open-minded and morally-good existence which, fortunately, in recent times has grown magnificently towards gender, race; species and beyond.

You know...”Unite! Not separate”.

In terms of artists, do you take inspiration from particular bands/corners?

Oh. We are an amalgamation of various inspirations. Haha. Vocally, Billy grew up on Motown, Soul; ’60s/’70s and Country music before discovering Michael Jackson - so a lot of his melodies come from those wonderful catchy, poppy vocal runs and harmonies that really delivered songs from that era. Sam, our guitarist, is absolutely mad for the true six-string icons: your usual Clapton, Page; Slash and Tremonti types, whereas our bassist James also takes influences from the technique of the Sabbaths and other originals...but he finger-picks with an added bounce and energy that the good feels of R.H.C.P. (Red Hot Chili Peppers) and Blink-182 do simply with an extra big smile on their face.

We are still learning about Adam, our new second guitarist, and our drummer, Ash, is a heavy hitter emulating the groove and power of Vinnie Paul and the amazing groove bands that followed: Pantera, Korn; Limp Bizkit etc...

How did Lady Jane’s Revenge form and find one another?

We first connected via an advert post Ash (drums) created on a musicians’ website (joinmyband.co.uk) at the very tail-end of 2014. Billy (vocals) had been tracking the opportunities on there while working solo on YouTube covers and he approached him. The two hit it off very well over the phone and continued to do so upon meeting up in person.

They then sought out a guitarist and recruited an online friend, Lorna, to be the focal main vocalist and keyboard player. Within two weeks, Sam had contacted the three and they all arranged a jam practice mid-February 2015.

Things were going well but, unfortunately, coinciding with the time James had arrived to join on bass in April; we had to make the sad decision to let Lorna go due to other instances. We then adjusted our sound and proceeded to record as a four-piece. That is until Adam added to our line-up in mid-2018: he originally was a fan of the band and we had spoken with him at shows or bumped into him occasionally due to mutual friends. We always got on well with him so, naturally, he was our first port-of-call before auditions.

Thankfully, it worked out nicely.

 Might there be more material coming later in the year?

Yes. Our intention is to release three singles in 2019! Pure is the first - and we have a few demos in our back pocket that need to be recorded properly. In which order we will release, we are still unsure. We plan to record them A.S.A.P. and we have been jamming fantastic new ideas too. We just struggle to find the time to do it all quicker - perhaps a record label can help us go full-time? Wink, wink. Hahaha.

Have you got a favourite memory from your time in music so far – the one that sticks in the mind?

Hahaha. We have memories for everything in the past four years!

A favourite would have to be when we played Fuel in Cardiff (2017). We were unable to park the van near the venue after load-in. It was a busy Bank Holiday, so we had to put the van into a car park which stated a closing time that would be after our set...so the plan was for Sam to jump off stage after our set and go get the van out the car park. He really needed to change his contact lenses as his eyes were sore. Also, we thought nothing of it and mingled with the guests...until he returned, panicked that the car park was locked until 7 a.m. the next morning! We began to fret because we slept in the van and it had our belongings and we would need to load out all our backline of gear onto the street shortly, with nowhere to put it.

Massively, the venue was kind enough to arrange for us to pick up our gear the next afternoon when they reopened. Some friends of ours that had come to the show allowed us to stay at their house for the night. But they lived in The Valleys, fifty miles from the city, and we had ten minutes to reach the last train in time; so having to leave early and miss the headliners we were touring with...we bolted to Cardiff station and got our tickets as the train arrived. Fortunately, we made it on with just what we were wearing and travelled to Bargoed and spent the night.

Sam was fretting that he would receive a massive parking fine from the car park and ensured we left at the crack of dawn to get the first train back and remove the van before it got ticketed. We arrived at 7:20 a.m.; no ticket, luckily, and had do sit around the city until 2 p.m. when we could load up our gear from the venue and then race it in time for the next stop on the tour! Hahaha.

Which one album means the most to each of you would you say (and why)?

Adam: Holding on When Moving on - Dependence

Because it helped me release negative emotions after coming out of a long-term relationship.

James: Black Sabbath - Black Sabbath

Due to discovering them (and all of their wizardry) when a young teen learning the bass guitar.

Billy: Hybrid Theory - Linkin Park

I stumbled onto their song, Crawling, by accident while watching MTV and somehow was mesmerised by this style I had never heard before. I waited four hours for it to be shown again to see the name of the song and band as I’d missed reading it the first time. The next day, I had my friends sit and wait for it to show and we were all won over instantly; walked down to Virgin Megastore and bought the album immediately. I began my life in the Alternative scene from that day.

Ash: By the Way - Red Hot Chili Peppers

That entire album was pretty much my childhood on a C.D. I listened to it every day!

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As you are Lady Jane’s Revenge, if you could choose a Jane to seek vengeance on someone, who would the Jane be and who would she be hunting down?

As we have used her name as a metaphor for our band name, it would have to be Lady Jane Grey and her revenge on King Edward VI and Lord Guildford Dudley for setting her up against her will; in a weird loophole that intentionally made her Queen in order to continue Edward’s religious theme of Catholicism in the U.K. and cut out his next-of-kin, Mary, a devout protestant. This treacherous fraud of law that Jane was forced into led to her being imprisoned and eventually beheaded as a pawn of the ‘system’.

It just seems fitting. Haha.

If you could support any musician alive today, and choose your own rider, what would that entail?

James: I would support Rise Against or Volbeat and my rider would be two pint-jugs of beer and a cigarette Cheech & Chong would be proud of, if you catch my drift. Hahaha.

Adam: Don Broco for me, with a bottle of single-barrel J.D. and a bag of large ice cubes!

Ash: I’ve been waiting for COLD to comeback and I’d love to support them! A jug of beer and chips on the side for me please.

Billy: I’d reckon Panic! at the Disco for me. To be able to be as huge as they are right now and still, technically, Alternative is a huge achievement. To play a show with them would be phenomenal. I like a good curry personally and I can’t operate without a proper cup of tea.

What advice would you give to new artists coming through?

Save, save and save up your money before starting a project and, of course, naturally during the band’s life. The expenses are huge! Rehearsals, travel to and from them; travels to shows (you don’t always get paid or earn enough), instruments and their upgrades over time.

Then, if you move onto in-ear monitoring and wireless packs, demoing; recording producer/studio, graphic designers and onto social media marketing; P.R. companies for exposure and booking agents. Quality over quantity with what you put out...and a desire to read as many blogs about managing a band as possible.

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Do you have tour dates coming up? Where can we catch you play?

Plymouth: Fri, 19th April @ The Hub/Dbs

Glastonbury: Sun, 28th April @ XPO South-West

Bridgwater: Fri, 17th May @ The Cobblestones

Yeovil: Sat, 22nd June @ The Royal Marine

Northampton: Sat, 29th June @ Hop Fest

Bristol: Sat, 10th August @ The Stag & Hounds

Manchester: Sun, 11th August @ Jimmy’s Bar

Royal Cornwall Showground: Sat, 31st August @ Cornwall Tattoo Convention

St. Ives: Sun, 29th September @ The Guildhall

With more being confirmed, follow our events via Facebook or Bandsintown.

If we came to one of your live shows, what might we expect?

You would be greeted by lots of beards, dreads and long hair (laughs). We are all very sociable and approachable and we like to get the energy high once on stage. We pride ourselves on breaking the barrier between artist and audience, by getting into the crowd where we can in our set and bonding - usually Billy can be found climbing or jumping off something when in the moment. Haha.

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 IN THIS PHOTO: Bathub Sailors/PHOTO CREDIT: Youthscreams

Are there any new artists you recommend we check out?

Bathtub Sailors for fans of Sublime. They have new music imminent. Follow them guys for sure. A New Hope from Newbury have something very special to release soon. They have music up right now for Pop-Punk lovers and so will our buddies in Fear the Atlantic. Punk Rock Black Anchors are taking over the South-West at the moment and for good reasons...alongside our mates in Last One Home. There’s a brilliant female-fronted Australian band in the vein of Paramore; pulling up roots big time named Yours Truly.

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IN THIS PHOTO: Yours Truly/PHOTO CREDIT: Brooke Harley

Do you get much time to chill away from music? How do you unwind?

Hmm. Not a lot really. Every day there are more things to work on or plan; responding to messages and emails, putting up post updates or trying to book shows. It is seriously full-on and extremely draining most of the time to be honest, especially added on top of our parental duties or regular jobs.

Finally, and for being good sports; you can each choose a song and I’ll play it here (not any of your music - I will do that).

James: Black Sabbath by the band...you’ve guessed it, Black Sabbath!

Ash: Hell Is Home by our friend and the headliner of that tour we had the parking mishap; ex-Judas Priest and Iced Earth vocalist, Tim ‘Ripper’ Owens from the Judas Priest (Demolition) album

Adam: Never in the Cards by Dependence

Billy: Forever Stuck in Our Youth by Set It Off

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Follow Lady Jane’s Revenge

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INTERVIEW: Mesadorm

INTERVIEW:

PHOTO CREDIT: Sarah Cresswell 

Mesadorm

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THE fantastic Daisy Palmer and Blythe Pepino of Mesadorm...

have been telling me about their new track, When She’s in That Mood, and what it concerns. I ask what we can expect from the upcoming album, Epicadus, and what the scene is like where they are in Bristol – Palmer and Pepino recommends some rising artists to look out for.

I ask if there are tour dates approaching and the sort of music they (Palmer and Pepino) grew up around; who they’d support on the road if they could and how they unwind away from music – they each select a great track to finish the interview with.

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Hi, guys. How are you? How has your week been?

Daisy Palmer: A good week so far - we’ve just been at our stylist’s house who has been finding us a new look for our acoustic tour. She made us a pie: highlight of the week. We are also starting to promote our new single and tour documentary directed by the legend that is Tom Jacob.

Blythe Pepino: My week has been spent mainly doing interviews on morning television representing the movement Birthstrike. My life is now split between working on Mesadorm and working as an activist within Extinction Rebellion.

For those new to your music; can you introduce yourselves, please?

Daisy: We are a genre-bending Alternative band from Bristol probably to be found occupying the ethereal space between Kate Bush, Björk and Sylvan Esso. Blythe used to front Art-Pop trio Vaults and I’m Paloma Faith’s drummer. Jo (cello) has played with Frank Turner and The Unthanks and David (bass) and Aaron (production/guitars/synth) are ridiculously talented musicians in their own right.

Blythe: Mesadorm is a project based on the true expression of art, an old-fashioned regard for a great melody and the solid bonds of friendship.

When She’s in That Mood is your latest single. How did it come together?

Blythe: When I was living in Bridport, Dorset during early-2017, I fell head over heels in love with my now-boyfriend, Joshua. At the time, I was also having an intense relationship with a woman, a dancer and musician who I found incredibly inspiring. Lost in the heady atmosphere of love and the epic English coastline at Bridport, I mused on the idea of losing yourself in another and of the beauty and free-ness within that.

Daisy: It’s a beautiful thing.

It is from the forthcoming Epicadus L.P. What was it like recording the songs and being in Eype Church?

Blythe: Eype Church has a wonderful acoustic and its dramatic setting on the Dorset cliffs is totally awe-inspiring.

Daisy: The place just has an incredible magic about it. We have performed there many times as Blythe used to be local to the area and, when the idea of recording an acoustic album came about, we all agreed that it had to be at Eype. We worked up some alternate arrangements of the existing songs from Heterogaster within the space. We then recorded the songs live with expert engineer Tim Allen. It was truly a breath of fresh air.

Do you recall when Mesadorm got together and started playing?

Daisy: Blythe, Jo and I began playing some of Blythe’s songs as an acoustic trio around 2015. At that time, Aaron was also working on the electronic production for the songs which we slowly built into the live set, with help from David on bass.

Blythe: It was a gradual and organic process achieved in our down-time which enabled us to spend time focusing on how we wanted to sound. All five of us had played together in many different combinations over the years, so we trust each other’s taste implicitly.

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PHOTO CREDIT: Sarah Cresswell 

What sort of music did you all grow up on?

Daisy: Mainly Steely Dan, David Bowie & Stevie Wonder.

Blythe: Everything! But Mum was always playing the BIG vocalists, so mainly Nina Simone and Aretha Franklin but also The Beach Boys, Labi Siffre and lots of Classical music.

How inspiring is the Bristol music scene right now?

Daisy: Bristol has always had an ace scene for left-field musicians and bands. But now there seems to be more industry infrastructure that wasn’t there when we starting playing together on the scene.  IDLES and their team are an excellent example of just that: supportive musicians with an excellent manager (big up, Mark Bent!) all based in Bristol.

Blythe: The scene has come on massively and I’m so pleased there’s a hub for the industry outside of London now.

Have you got a favourite memory from your time in music so far – the one that sticks in the mind?

Blythe: We’ve been having some magic times in the studio recently jamming for our next album which has made me very happy!

Daisy: ...And performing together at Maida Vale for BBC Introducing in January was insane! I’ve recorded in M.V. three many times but never with a project of my own - so it was life-affirming, truly.

PHOTO CREDIT: Sarah Cresswell 

Which one album means the most to each of you would you say (and why)?

Blythe: Bette Midler - Bed of Roses

Because she kicks ass!

Daisy: Duet - Doris Day and André Previn

It’s just so atmospheric and I’m a massive Doris Day fan.

If you could support any musician alive today, and choose your own rider, what would that entail?

Both: Björk - with a rider of cheesy chips.

PHOTO CREDIT: Sarah Cresswell 

What advice would you give to new artists coming through?

Daisy: Work really hard.

Blythe: Don’t do it for the money.

Do you have tour dates coming up? Where can we catch you play?

Blythe: We are touring Epicadus from 24th April - 26th May. Here are the dates:

24th April - The Forge, Bristol

25th April - The Barrelhouse, Totnes

26th April - The Rose Hill, Brighton

27th April - St Mary’s Music Hall, London

28th April - Cobalt Studios, Newcastle

29th April - Hug & Pint, Glasgow

30th April - Secret Location, Edinburgh

1st May - Burton Arms, Manchester

11th May - Rodborough Church, Stroud

25th May - Kino, St Leonards, Hastings

26th May - Poltimore Festival, Exeter

If we came to one of your live shows, what might we expect?

Blythe: Laughing whilst crying.

Daisy: Acoustic wonderment/‘Melt your face off Phatty Bom Batty’-bass.

 IN THIS PHOTO: Laura Groves/PHOTO CREDIT: Suzie Howell

Are there any new artists you recommend we check out?

Daisy: Laura Groves.

Blythe: BAS JAN.

 IN THIS PHOTO: BAS JAN/PHOTO CREDIT: Kuba Ryniewicz

Do you get much time to chill away from music? How do you unwind?

Blythe: I find meditation extremely useful in order to deal with my neurosis and anxiety. A healthy balance of work and time off is good and you need to make sure you are laughing enough.

Daisy: Laughing is the key to life.

Finally, and for being good sports; you can each choose a song and I’ll play it here (not any of your music - I will do that).

Blythe: Grizzly Bear - Mourning Sound

Daisy: Mighty Sparrow - Music & Rhythm

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Follow Mesadorm

INTERVIEW: Katmaz

INTERVIEW:

Katmaz

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I have been speaking with Katmaz...

about his recent track, I’m Done, and how it began life. I ask the Brooklyn-based artist what the scene is like there; whether producing for other musicians helps elevate his own sounds and creativity – he selects a few albums that mean a lot to him.

I ask whether there are tour dates coming up and which approaching artists we need to watch; how he relaxes away from music and whether there is a standout memory that springs to mind – Katmaz selects a cool song to end the interview with.

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Hi, Katmaz. How are you? How has your week been?

Hello. The week has been great! There’s always a weight that is lifted when you release music.

For those new to your music; can you introduce yourself, please?

My name is Matt Kaz. I go by Katmaz and I make all sorts of music for myself and others. 

Can you tell me about I’m Done and how the track came to you?

The song comes from frustration and letting go of that frustration. I wrote the music for I’m Done almost three years ago but it sat on the shelf until I faced a new challenge; then the lyrics just spilled out.

Is there going to be more coming, do you think, down the line?

Plenty more. I can’t release the details yet, but yes.

You have worked and produced for other artists. Do you feel that experience has made your own material stronger?

Absolutely. I learn something new from each artist I work with. I try to work with every genre of music and all types of artists. As Quincy (Jones) says: “There are only two kinds of music: good music and bad music”. 

When did music hit you growing up? Were you always exposed to a range of sounds?

Almost as soon as I can remember. I was five-years-old when I begged my parents to play an instrument. They presented me with drums or piano. I’m sure they were happy I chose piano. I was fortunate to grow up with music loving parents. My mom would be blasting some Whitney Houston while my father jammed out to Stevie Ray Vaughan.

You are based in Brooklyn. What is the music scene like there right now? Has it changed a lot through the years?

I love Brooklyn. I think the music scene is great and only getting better. I live in a house of music producers we call the WaveCave Studios. I’m trying to bridge some gaps and start throwing backyard concerts called WaveCave Concerts where we feature our artists and the artists we love of every genre. 

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Do you have a standout memory from your time in music so far?

We performed at venue in Brooklyn called Elsewhere this past summer. I had a few of the artists/incredible singers I produce (and some I don’t) including Rasha Jay, Tan Brown; Griffin Garnett and Terrelle Tipton on stage with me. They sang my music and we covered Prince’s I Would Die 4 U. It was very powerful and awesome time! 

Which three albums mean the most to you would you say (and why)?

That’s a tough question but, off of the top of my head:

Radiohead - In Rainbows

This is my favorite album of all time. It’s perfect. I get excited about music when I can’t be sure what the artist is doing…and Radiohead always keeps you guessing.

Neil Young – Live Rust

Neil Young is one of my favorites and the rawness of his live show is incredibly inspiring.

Blind Melon – Soup

One of the first bands I fell in love with as a kid. This album doesn’t have any hits on it, but songs like Mouthful of Cavities and The Duke shaped me. They were extremely underrated and Shannon Hoon was a genius. R.I.P.

If you could support any musician alive today, and choose your own rider, what would that entail?

Right now, I think Foals are on top of the Alt-Rock game; I’d love to open for them. Their show is so energetic and fun. Beck is another one that I think I would fit as support very well.

As far as a rider...at least five puppies to roll around with before the show; twenty honey garlic Cajun BBQ chicken wings flown in from Bar-Bill Tavern in Buffalo, N.Y. - and a framed photo of Bill Murray.

Are you planning any gigs in the coming months?

Working on some local gigs at the moment.   

Might we see you in the U.K. in 2019?

I wish! Soon, though.

How important is performing? Do you prefer it to life in the studio?

I prefer performing to everything. There is nothing more fun than being on stage…except maybe being in the studio and coming up with something great collaboratively…yea…

 IN THIS PHOTO: Psychedelic Porn Crumpets/PHOTO CREDIT: Nici Eberl

Are there any new artists you recommend we check out?

If you haven’t heard of LP, go check out her music now. Her voice is UNDENIABLE. I’m into Foals’ new record and Psychedelic Porn Crumpets rock my world. And then, of course, artists I am producing. Rasha Jay has a single called Red Coats that rocks. On the radar we have Chelsie Denise who is an incredible R&B singer that reminds me of Whitney Houston (the music industry needs Chelsie). For dance we have FAB and on the Hip-Hop side check out Jimi Tents and 718 Spank.

 IN THIS PHOTO: Chelsie Denise

Do you get much time to chill away from music? How do you unwind?

Not much time to get away, but I love films and the occasional video game.

Finally, and for being a good sport; you can choose a song and I’ll play it here (not any of your music - I will do that).

Psychedelic Porn Crumpets – Denmark / Van Gogh & Gone

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INTERVIEW: lennixx

INTERVIEW:

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lennixx

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THE epic lennixx have been talking to me...

about their new single, Bad Bird, and how it started life. I was eager to know how they formed and how the music comes together – the duo tell me what lies ahead and reveal some albums/artists who mean a lot to them.

I ask the Swedish-based duo what the scene is like for them and whether there will be tour dates; if they have a favourite memory from their career so far; which artist they’d support if they had the time and what advice they’d give to musicians coming through – lennixx pick a great track to end things on.

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Hi, guys. How are you? How has your week been?

Hi, guys! We are feeling great at the moment. We have been in the studio working on new music this week, so that is always fun. The week gets better straight away.

For those new to your music; can you introduce yourselves, please?

We are a duo called lennixx and we released our debut mix-tape last autumn called hapap. Now, we most-recently released our new single, Bad Bird. We love to play around with our voices and try out different harmonies in different ways. We are very unrestricted when it comes to genres and what our music sounds like - and we like to try different things and see what works for us.

What is your new song, Bad Bird, about? How did it come together?

Bad Bird is about a toxic relationship that has come to an end when the person in question tries to ruin things for you because they are overwhelmed by bitterness. Instead of dealing with it in a healthy way, they just try to turn everyone against you and make up dishonest rumors and talk badly about you. In the song, we reply with “I have my real friends who will always have my back/and I couldn’t care less what you have to say about me”. It was written when we just wanted to express our feelings about a certain situation in the studio.

How do songs come to you? Do you set time aside to write or is there a structure to your writing process?

We write both lyrics and melodies both in sessions and outside of sessions. Usually, the song comes together in the studio, though. The writing process can, at times, be that you start on your own on something – like an idea – and then it all comes together when we work at it in the studio. It’s usually easier to capture feelings in action, like if you think about something – it could be on a plane or the Tube or whatever you just write it down.

How did lennixx form and what was it that attracted you to one another?

We fit really well together, both personally and musically. We formed our sound together. So, it wasn’t like we were aiming to sound like a specific genre or anything – we just worked until we found what we wanted to sound like. We complete each other very well both with our voices, in songwriting and our artistry.

Do you think your music and style has changed a lot since the start?

Yeah. We think that it has changed a lot since we first started. We released our first song in 2016 and we didn’t really have a clue about what we wanted to do. It became more natural once we had more involvement in the songwriting process. You also grow up and you get new perspectives about yourself and your artist career so of course the music changes with that.

Being based in Sweden, how strong is the music coming from there right now?

Sweden has always been one of the major actors in music exports and still is today. However, we aren’t really a part of that genre or style that Sweden is mostly known for. It could be negative for us, like people assume that we are two typical Scandi-Pop girls just because we are from Sweden. But, it could also be positive for us since we do something complete different from what most Swedish music usually sounds like.

Have you got a favourite memory from your time in music so far – the one that sticks in the mind?

Our favourite memory was when we wrote one of our songs on our first mixtape called HER. It was the first time we felt: this is us. This is our vibe. Then we really found something that was special for us.

Which one album means the most to each of you would you say (and why)?

Andrea: SZA – Ctrl

Because you can listen to the album back-to-back and all the songs are great. You don’t skip any of them.

Hanna: Amy Winehouse - Back to Black

All the songs work in every situation - and whatever you are feeling. 

If you could support any musician alive today, and choose your own rider, what would that entail?

It would definitely be Frank Ocean and our rider could perhaps contain a bed, a masseur and a juicer. That would be cool!

What advice would you give to new artists coming through?

To stay true to yourself and continue do what you really believe in. Your gut is ALWAYS right and, if you like it, someone else will too. 

Do you have tour dates coming up? Where can we catch you play?

Yeah. We are playing different shows all over Sweden this year. You can catch our tour dates on our social media!

Will you be coming to the U.K. at any point?

Yes. We are coming to the U.K. to play in the fall - and hopefully during the summer too!

 IN THIS PHOTO: Summer Walker

Are there any new artists you recommend we check out?

Summer Walker, Little Simz and Ama Lou are all amazing.

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 IN THIS PHOTO: Little Simz

Do you get much time to chill away from music? How do you unwind?

We don’t really like to chill that much right now because we enjoy working a lot. But, when we do, we like to hang out with friends, watch series and sleep.

Finally, and for being good sports; you can each choose a song and I’ll play it here (not any of your music - I will do that).

Hanna: I Want You Around – Snoh Aalegra

Andrea: Tried Up – Ama Lou

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Follow lennixx

INTERVIEW: Luxley

INTERVIEW:

PHOTO CREDIT: Ollie Alexander  

Luxley

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MY first interview of the week is...

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with the fantastic Luxley. He talks about his new E.P., Chromatics, and a rare condition called chromasthesia; what the music scene is like in New Orleans and the artists/sounds that inspire him – he tells me who he’d support on tour and what his rider would be.

I ask which three albums are most important to him and what he wants people to get from his E.P.’s messages; whether he will come to the U.K. at all and which rising artists we should follow – he selects a great track to end things with.

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Hi, Luxley. How are you? How has your week been?

It’s been a great week so far - despite the lack of sleep. I’ve been finishing a record, full-time bartending to support myself and promoting my recent record, Chromatics.   

For those new to your music; can you introduce yourself, please?

My name is Ryan Gray. Some people just call me Luxley. I was born and raised in New Orleans, Louisiana. My artist name, Luxley, comes from the word, lux, which means light in Latin. I live with a condition called chromasthesia - where I see music in color. It’s also how I write my music.

PHOTO CREDIT: Joseph Frierson

I started Luxley when I left medical school in 2012. I had been producing music as a creative outlet while studying medicine at Tulane University in New Orleans, LA. I wrote my first record E.P., Spirit, while bartending full-time. It was co-produced by Ayad Al-Adhamy (ex-member of Passion Pit, Team Spirit) and engineer/mixer Justin Gerrish (Vampire Weekend, The Strokes). I had the amazing opportunity to have the E.P. featured in NYLON magazine, among other online blogs like EARMILK, The Huffington Post and Interview Magazine (founded by Andy Warhol).

Chromatics is your new E.P. What inspired its creation and what was it like putting it together?

Chromatics is an expression of my chromasthesia - a condition where I see sound as color. I discovered it when I got into a car accident when I was younger. I didn’t know how to describe the experience until I went to medical school and found literature describing it. This record is much different from my last. Chromatics is a departure from the traditional studio model of working with an outside producer.

After spending a lot of time experimenting on synths, electronics and getting to know myself more as an artist, I realized that I was passionately building a vast library of colorful sounds, textures and Pop-centric melodies that would eventually become the virtual worlds found on the record. The songs are arranged by the colors that I see and the track artwork corresponds to the colors that I see when hearing the songs. The biggest driving force for this new record is having people see the colors that I see and have them experience the feelings created by the color spectrum of the record.

Is there a song from the set that you would consider a favourite?

Near Me tends to be my favorite. I always recommend people spinning the Chromatics record while exercising or doing activities that force you to use ear buds. Immersive listening really enhances your experience with the colors of the record.

The tracks are arranged in order of colour - and it is clear the E.P. is very personal. What do you want people to take away from Chromatics?

I want people to take away the colors from the record and have the opportunity to listen to music differently by visualizing colorscapes and experiencing the unique feelings painted by them. I don’t believe you have to have chromasthesia to perceive music this way: it’s something more than that because it’s found in the universal element which I playfully denote as ‘Lx’. Lx is the element that relates to the act or quality of seeing music in color and it’s found outside ourselves. It’s free for all of us who really want it. 

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PHOTO CREDIT: Justine Bird

How did you get into music? Was it something you were passionate about from a young age?

When my parents got divorced at a young age, I found solace by teaching myself music by ear. I really couldn’t find happiness outside of music because of the family strife. I taught myself how to play piano when they bought me one before the separation. I immediately became passionate about learning other instruments like guitar, bass; audio electronic devices and vocals. I quickly moved to writing my first songs on guitar and eventually on synthesizers.

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Being based in New Orleans, how important is the music of the city and the people regarding your work?

The influence of New Orleans has really grounded me on organic instrumentation because live music is a foundation of the culture. New Orleans’ influence has become more evident in my latest record, Chromatics, as well as my next one (currently untitled). Reggae, Jazz; Blues and Funk are popular genres in the New Orleans music culture and they seep into tracks like Near Me (Reggae), No. 4 (Blues) and Take a Chance (Funk). The next record incorporates more Jazz and brass-band instrumentation, which are both staples of the New Orleans music culture.

Do you have a standout memory from your time in music so far?

930 Club in Washington, D.C. on October 20th, 2014. I played to a sold-out crowd on my birthday with Bombay Bicycle Club and Milo Greene.  I never mentioned it to the crowd that night, but I will never forget the celebration that ensued afterwards with Bombay Bicycle Club and Milo Greene in the basement of the 930 Club.

It makes me tear up when I think about that night.

PHOTO CREDIT: Ollie Alexander

Which three albums mean the most to you would you say (and why)?

Friendly Fires – Pala (a band based out of St. Albans, England)

This record re-instilled my passion for music and how I see it in color. I could literally describe all of the colors of this record in real-time if we did a listening party.

311 – From Chaos (a band based out of Omaha, Nebraska)

This record taught me so much about how to be confident and believe in yourself as an artist. This is one of the bands playing when I got into the car accident when I was younger. 

Jimmy Eat World – Futures (a band based out of Arizona)

This record taught me how to tell emotional stories through music and how to express yourself with it in a beautifully raw (Rock) manner.

If you could support any musician alive today, and choose your own rider, what would that entail?

Luxley, Tycho; Pretty Lights, Angele or ZHU.

Rider:

Craft cocktail mini-bar: I’d like to bartend for all of artists on the bill; stage and production crew and media personnel after the show. They would need to try the You Got the Lux? cocktail.

The bar would need to be stocked so that I could serve my old-fashioned riff:

§  Toasted sesame-infused rye whiskey

§  Banana

§  Rhubarb.

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PHOTO CREDIT: Joseph Frierson

o   Additional bar stock: wine selections of old and new world wines (white and red), a few bottles of Dom Perignon and Monkey 47 Gin.

·         A small D.J. booth so that a local artist or musician fan could be featured.

·         Colored lighting.

·         Personal chef who bakes amazing breads.

·         Hummus, charcuterie boards and fine cheese selections.

·         A closet or safe place to store all of my colored jump-suits.

Are you planning any gigs in the coming months?

No.

How important is performing? Do you prefer it to life in the studio?

In the long-term, I prefer the process of writing more than anything but the momentary experiences of performing live are unparalleled. I have big plans for a really vivid and unique live show in the future.

Will you come to the U.K. during 2019?

Unfortunately I won’t be, but I’ve heard from many people that I should get my music represented more in the U.K. because my style would be most receptive there.

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Are there any new artists you recommend we check out?

Angèle, Chris Malinchak; Poolside and Weval.

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 IN THIS PHOTO: Chris Malinchak

Do you get much time to chill away from music? How do you unwind?

I get very little time to step away from music because I currently work as a full-time bartender to support myself and the Luxley project. When I’m not bartending, I’m writing and promoting music. If I step away from everything to get fresh air, I go for a bike ride; swim, box or indulge in the exquisite food and cocktail culture of New Orleans. From time to time, I’ll try and catch Electronica shows at the Techno Club or Republic in New Orleans.

Finally, and for being a good sport; you can choose a song and I’ll play it here (not any of your music - I will do that).

Angèle – Flou

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Follow Luxley

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INTERVIEW: Mason Ashley

INTERVIEW:

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PHOTO CREDIT: Allie Leith

Mason Ashley

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I am ending the week of interviews...

 SINGLE ART: Sophie Mazzaro

by speaking with Mason Ashley about her recent track, Ever Had You, and whether there will be more coming. She reveals whether music provides catharsis and when she decided to follow music; which artists she grew up around and which rising artists are worth exploring.

I ask when the U.S. artist will come to the U.K. and whether she gets time to chill away from music; if she has a standout memory from her career so far – Mason Ashley selects a classic gem to end things with.

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Hi, Mason Ashley. How are you? How has your week been?

Hi! I’ve had a great week. I got to do some snow skiing in Utah, so I’m happy. 

For those new to your music; can you introduce yourself, please?

I’m Mason Ashley. I’m twenty-years-old and I’ve been writing songs and playing for half my life now. 

Ever Had You is your new track. Is there a story behind it?

I wrote Ever Had You in a matter of minutes after realizing I was in a toxic relationship. There’s a long, dramatic story behind the song...but let’s just say that the song came right as a realized that I had given out my last, last straw to this person. 

Might there be some more material later in the year?

I am currently back in the studio working on new music right now. You’ll definitely be hearing more from me later in the year and I can’t wait!

Is music a good way of getting out emotions and feelings in a healthy way? How important is music in that respect?

I have always used music as a form of therapy. Even as a kid, I found writing as a way to sort through my emotions and figure myself out in a sense. I think music is a great outlet for getting those feelings out. 

PHOTO CREDIT: Allie Leith

Can you tell me what sort of sounds you grew up around as a child?

I grew up on all kinds of music. I basically listened to whatever my parents were listening to. I loved early John Mayer, Van Morrison and Matchbox Twenty. I really just enjoyed music as a kid. I discovered Bob Dylan when I was twelve or thirteen and I think he heavily influenced my writing for years after that.  

When did you realise you wanted to pursue music? Was it quite an easy process going from there to where you are now?

I honestly think I knew from around the age of twelve. I started recording demos and performing by the time I turned thirteen and then really started taking that passion seriously. It’s definitely been a long road of trial-and-error since then. Trying to make a career in music is by no means easy. There are no certain steps you can follow or things you can do to guarantee success. It’s a lot of just putting yourself out there and hoping that the right person, or people, will hear what you have to say and appreciate it. We can’t all have the Justin Bieber story. 

Do you have a standout memory from your time in music so far?

I have a few big milestones so far: over one-million views on YouTube; someone using one of my tracks in their wedding and attending my first award show. I think my favorite story, so far, is the first time I heard myself on the radio. I was sixteen and had just released my debut E.P. I wrote more Folk/Americana music at the time.

My family and I were in Dallas, Texas at a lake house for a min-summer vacation and I remember getting a tweet from a radio D.J. - IN DALLAS of all places - saying that they would be featuring one my songs the next morning at seven. We all woke up early the next day to listen and I remember feeling so overwhelmed and proud. It was one of the most memorable and monumental moments so far.  

PHOTO CREDIT: Allie Leith

Which three artist albums mean the most to you would you say (and why)?

Bob Dylan - Bringing It All Back Home 

The first Dylan album I ever listened to from start to finish. My thirteen-year-old self sat there on my bedroom floor listening to She Belongs to Me and Mr. Tambourine Man wondering how anyone could ever want to be anything other than a songwriter. 

The 1975 – The 1975

Shortly after my Bob Dylan movement, I started broadening my musical horizon. I fell in love with all kinds of music and loved listening to anything I could find. The 1975 released their debut, self-titled album and I was hooked. Thoughtful lyrics with Brit-Rock vibes and electric guitar...the album had me listening on-repeat so I could hear all the little aspects in the production that gave it its sound. Robbers is still one of my favorite songs. 

La La Land Soundtrack 

Because...if you haven’t listened to it, you are missing out. Just the most beautifully poetic and bitter sweet soundtrack I’ve heard. If it doesn’t evoke some kind of emotion inside of you, you might be heartless. 

If you could support any musician alive today, and choose your own rider, what would that entail?

Wallows or The 1975. French press coffee and/or chai tea. Just tons of caffeine. I can out-drink anyone when it comes to coffee.  

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PHOTO CREDIT: @TheMasonAshley

Are you planning any gigs in the coming months?

I don’t have any shows on the books at the moment. I’ve mainly been focusing on getting more songs done in the studio, but definitely stay tuned because I plan to start playing live later in the year.  

How important is performing? Do you prefer it to life in the studio?

I think performing is so important. It helps solidify who you are as an artist and overall just get more comfortable with your music. I love creating and hearing a song or project come together. I absolutely love being in the studio, but I started on stage at a young age and have a very special place in my heart for performing. I love both for different reasons. 

Will you come to the U.K and play at some point?

I would love to come to the U.K. and play someday! I’ve never been and that would be a dream. 

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 IN THIS PHOTO: Wallows

Are there any new artists you recommend we check out?

One of my favorite bands right now is Wallows. Definitely check them out and try to catch them on tour because they are fantastic. I also love James Vincent McMorrow and Jack Garratt.

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IN THIS PHOTO: James Vince McMorrow

Do you get much time to chill away from music? How do you unwind?

I do have some free time to chill as of right now. I’ve been into yoga for years but I haven’t been good about sticking with it regularly until recently, so I’ve enjoyed that. I love coffee so sitting in coffee shops and people watching is also very relaxing to me. 

Finally, and for being a good sport; you can choose a song and I’ll play it here (not any of your music - I will do that).

She Belongs to Me - Bob Dylan 

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Follow Mason Ashley

INTERVIEW: DONSKOY

INTERVIEW:

PHOTO CREDIT: Ray Burmiston  

DONSKOY

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MANY thanks to Daniel (DONSKOY) for chatting...

IMAGE CREDIT: Spotify/PHOTO CREDIT: Ray Burmiston 

about his current single, Cry By the River, and I ask what comes next for him; how the German-born artist feels about his music connecting with so many people and the sort of sounds he grew up around – he provides a few new names worth taking a gander at.

I ask whether there will be tour dates and what comes next; whether there have been changes in Germany’s music scene through the years and how important it is for DONSKOY to get onto the stage – he picks a great track to end things with.

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Hi, DONSKOY. How are you? How has your week been?

My week has been incredible. I spent it in London, where I haven’t been home in a while due to filming in Germany and my studio being in Berlin. I got my indefinite leave to remain in the U.K. sorted and had some very inspirational songwriting sessions.

Could I even ask for more?

For those new to your music; can you introduce yourself, please?

Well. Seeing that usually everyone’s first question would be “Where are you from?”, I’ll start with that. I’ve had the privilege to grow up, live and love in so many different countries. I was born in Moscow, grew up in Berlin and Tel Aviv and spent the majority of the last eight years in London. All the moving in-between countries and cities, different languages and cultures have inspired my music majorly.

Privately, I am a bit of a loner who loves to eat out and spend my Sundays a little bit hungover; writing songs whilst drinking coffee and smoking cigarettes.

Cry By the River is your latest track. Is there a story behind it?

It truly is a song about me meeting up with somebody close to my heart, taking our time to sit down and cry with no fear of it being construed as weakness; never scared to be vulnerable with each other. In this day and age, when everyone is trying to scream their positivity to the world and tell us how wonderful their lives are, it is not easy to show your weaknesses.

But, I know that I feel so much better if I have a good cry. Our bodies were designed to let frustration out through tears. It’s a wonderful, near-genius mechanism - and I’ve had the privilege to have someone to cry with.

Might we see more music later in the year?

Yes. I am so excited as I just finished recording my E.P. called Didn’t I Say So with Berlin-based producer Mic Schröder. It’s coming out on 3rd May. In autumn, I’m expecting to go on tour for the first time in Germany, Austria and Switzerland. This year is all about music and I am full of inspiration to keep working on my first album.

PHOTO CREDIT: Sven Serkis

Your music has gained a lot of love from fans around the world. Does that make you feel good?

The beauty of music is that it connects people regardless of their mother tongue, sexuality; gender or heritage. It is a way for me to express my deepest and most honest feelings and thoughts. I am so thankful for every listen, share and concert ticket bought. My first concert in Berlin earlier this year filled me with enough energy I couldn’t sleep for two days. I very much hope to play my first gigs in the U.K. soon, too.

What sort of music did you grow up around as a child?

A very varied catalogue, indeed…

My parents listened to Sting and Queen obsessively. From very early age, Classical music played a big part in my life as my grandmother was also my first piano teacher. Chopin still makes me cry. But, the different countries I got to live in also left a big stamp on my musical taste. I love Russian Folk songs (they give me goosebumps!); old Yiddish songs I heard my great-grandmother hum. It was wonderful to get so much musical variety from a very early age.

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PHOTO CREDIT: Ray Burmiston  

In terms of Germany’s music, do you think there have been changes and evolution through the years?

Yes, absolutely. There has been a move towards many more acts singing in German. German Hip-Hop/Rap rules the German Spotify playlists. German Pop is on the rise again. I have to say I prefer the Neue Deutsche Welle, but it’s great that the market is full of young and aspiring talent that gets to sing in their mother tongue.

However, my heart beats for music in English.

Do you have a standout memory from your time in music so far?

The first time I got to hear the master of Cry by the River was such a special moment. We had worked on the most freakish deadlines; I left my Christmas visit at my dad’s in Switzerland after just one day to finish recording the track and when it was all done, it felt glorious. Everything from writing the song in the summer during the Munich Film Festival to recording it with my amazing band was such a fulfilling process. I cannot wait to go into the studio again to start working on my first album.

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 PHOTO CREDIT: Sven Serkis

Which three albums mean the most to you would you say (and why)?

Wrong Crowd (East 1st Street Piano Tapes) by Tom Odell

A true masterpiece of songwriting. One rarely hears true and honest storytelling like that with such gripping melodies. I felt like I was sitting right by his piano when I first heard it. Truly amazing.

Horses by Patti Smith

Every time I’m in a new city, I put this album on and start walking the streets. It inspires me so much. I’d love to meet her one day and ask her all about the time back in Hotel Chelsea with Robert Mapplethorpe.

The Times They Are a-Changin’ by Bob Dylan

Can’t explain why but I never could stop listening to it.

If you could support any musician alive today, and choose your own rider, what would that entail?

I’d love to support so many amazing artists. I’ve recently been to a Justin Timberlake concert and I can only say he is a true entertainment king. The audience was so remarkable. I’d have loved to support him. Also supporting The Rolling Stones, Tom Odell; James Bay, Tash Sultana…oh man, what a question - now I can’t stop dreaming!

Might we see you on tour in 2019?

Yes. I am going on tour in autumn. I just signed with a booking agency in Berlin and I am so psyched for it. It’s going to be my first tour so I’m also slightly scared to lose my tour virginity. Can it be autumn now, please?

 PHOTO CREDIT: Sven Serkis

Will you come to the U.K. and play at some point?

Although I started my music career in Germany, I have been living in London since 2011 – so, of course the goal is to come to the U.K. to play - and I hope 2020 will be all about that.

How important is performing? Do you prefer it to life in the studio?

I think it’s the combination that is the most important. The songs get developed in the studio to make them the versions I get to play on stage, so one thing couldn’t exist without the other for me. The studio is the safe space where I get to explore the essence of the music - the stage is my playing field where I explore the music’s effect on the audience and me. Playing live is, of course, the best feeling in the world...so I hope there will be much more of that soon!

 IN THIS PHOTO: Hamzaa

Are there any new artists you recommend we check out?

I recently discovered Hamzaa and Celeste. I love their soulful sound and lyrics that truly go under the skin. Especially You by Hamzaa and Lately by Celeste. In the last couple of weeks, I’ve also listened a lot to Tommy Cash - totally different but it makes me happy.

 IN THIS PHOTO: Celeste

Do you get much time to chill away from music? How do you unwind?

Not really: I am also a working actor and just finished shooting for a German T.V. show called Sankt Maik and a feature film called Crescendo (about an Israeli-Palestinian youth orchestra whilst being in the studio) so, sadly, there wasn’t much time off during that.

But, I’d love to go visit my family soon. They live in five different countries, so it would make quite a trip! I need a week in Tel Aviv on the beach to see my mom and little sister and a trip to Swiss mountains to see my dad and little brothers.

Finally, and for being a good sport; you can choose a song and I’ll play it here (not any of your music - I will do that).

Let’s go with Lately by Celeste. Love it!

Thank you for the interview. Daniel.

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Follow DONSKOY

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INTERVIEW: Night House

INTERVIEW:

Night House

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I have been speaking with Night House...

about his new single, Unfold, and how he arrived at that interesting moniker. I ask whether there is more material coming and what the scene is like in Brighton right now; which approaching artists we need to watch and what sort of music he grew up around.

I wanted to know how he feels his music has developed through the years and if there are gigs coming up; which artist he’d support if he could and whether there is a standout memory from his career so far – he selects a cool song to end things with.

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Hi, Night House. How are you? How has your week been?

I've just been attempting to jump-start my friend and fellow musician Michael Baker's van - sadly, unsuccessfully. Other than that, great week so far planning tours and the next releases.

For those new to your music; can you introduce yourself, please?

I'm Nick Williams, A.K.A. producer and songwriter, Night House. I adopted the name, Night House, after my Folk songwriting took a turn for the more electronic. I love blurring the lines between electronic and acoustic sounds. There are two other key players in the Night House family: Amy Squirrel on cello and Alfie Weedon our double-double bassist.

Where did the moniker, Night House, come from?

Searching for a name that fits your sound is a real challenge. I decided to turn to my favourite albums and artists for inspiration. I've always been a huge Joni Mitchell fan and, strumming through her records, I saw the track, Rainy Night House...well, you can guess the rest.

Unfold is your new single. Did it stem from a personal story?

I wrote Unfold for my best friend who was going through a very tough break-up. I wanted the song to comfort him and let him know that pain he was feeling was only temporary. Both the lyrics and the video - directed by Elliot Tatler - draw from this breakup.

Might there be an E.P. later in the year?

I'll raise you an album! We were lucky to work with producer Dan Brown (Massive Attack, Jerry Williams) on our debut-album, Everyone Is Watching from Afar, which will be out later in the year.

How do you think your music has mutated and developed since 2015?

One of the biggest changes was embracing electronic drums and the new orchestral sound brought by Alfie and Amy. Our Night House E.P. had more of an Indie band line-up, whereas this new album is far more adventurous with its arrangements. Despite embracing synths and drum machines, it still has Folk songwriting at its core with a real focus on lyrics.

Is Brighton a pretty great place when it comes to music, inspiration and people?

Brighton has an incredible music scene; one I feel fully emerged in! I could recommend hundreds of acts who deserve to be huge. It really does have that much talent here but I'll keep it to just three. Ellie Ford, harpist songwriter and all-round Brighton musical hero. We collaborated on my previous single, The Roots in the Wires. Michael Baker. We run a small promotions company together, Back in the Woods, putting on shows in Brighton - and he is one of the best songwriters out there. He's releasing his second album this year. I've been lucky enough to hear it all and it's incredible.

I've been addicted to Trip-Hop/Jazz band Bledig's debut E.P. which came out last month. We were lucky to have them as our main support for the Unfold single launch show at St. Nicholas' church and they blew everyone away!

When did music enter your life? Can you remember the first album you bought?

My parents were really into Fleetwood Mac and Simon & Garfunkel, so this really influenced my early years. I remember when all my friends were getting into heavy Metal and Rap, I was singing the praises of Rumours and Bridge Over Troubled Water - not cool at the time but they have definitely stood the test of time.

Do you have a standout memory from your time in music so far?

Supporting both Willy Mason and Ben Howard on the same night was a big highlight! But, really, often the smallest shows are the most memorable. There's a tiny town in Germany called Sohren, which we've played every time we toured Europe. They put on an incredible show and we're always so warmly welcomed back - and it's amazing to see the same faces and catch up with their lives.

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Which three albums mean the most to you would you say (and why)?

That's a really hard one, as there is too much music that I love, but today it would be...

Joni Michell – Hejira

This is a very special album to me; lyrically it's perfect. It documents Joni's solo road trip across America, reflecting on relationships; growing older and the deeper meanings of life. Musically, Joni's Jazz-tinged atmospheric guitar work, mixed with Jaco Pastorius' fretless bass, is impeccable.

Radiohead – In Rainbows

I was just listening to this whilst trying to jump-start Michael Baker’s van. On this album, I think they perfectly combined the electronic elements of Kid A with their more classic Prog-Rock sounds of OK Computer. The final track, Videotape, with its simple piano and swirling electronics was a huge inspiration to me.

Sun Kil Moon - Benji

I was introduced to this album by my friend Paul Murray, the singer-songwriter of Bee and Jackrabbit (an incredible Brighton Queer-Folk band). We were both supporting Warsaw Radio on an Irish tour and Paul put this on as we were driving home to Brighton. I was completely blown away by the naked, diary-style lyrics and it's had a big impact on my own writing.

If you could support any musician alive today, and choose your own rider, what would that entail?

I saw James Blake live a few years back and I think he's one of the most brilliant and underrated live acts. I don't really like to drink too much when performing but a good whiskey never goes wrong.

Are you planning any gigs in the coming months?

I'm going on a short joint-headline U.K. tour with Ellie Ford in April. We're playing:

03/04/2019: Sofar Sounds Southampton (venue not yet announced).

05/04/2019: St Martin’s Church, East Horsley, Guildford.

06/04/2019: The Space, Keynsham, Bristol.

Tickets available now. Head over to www.facebook.com/nighthouseuk for ticket links

How important is performing? Do you prefer it to life in the studio?

I often feel I can't really get into a song until I’ve played it live, so I often book in shows to try out new material. However, this being said, the title-track of the album, Everyone Is Watching from Afar, was made completely in the studio. We cut-and-pasted beats, synth and piano parts then overlayed so many intricate cello and string parts; so much so that it's almost impossible to play live without an orchestra! The time signatures for the verses is a technical nightmare!

 IN THIS PHOTO: Ellie Ford

Are there any new artists you recommend we check out?

From Brighton, my top picks are Michael Baker, Ellie Ford; Bledig, Bee & Jackrabbit; AK Patterson, Jouis and Yumi and the Weather. Not a new artist, but one I've just discovered is Lucy Dacus. I've been listening to Night Shift on-repeat all week.

IN THIS PHOTO: AK Patterson

Do you get much time to chill away from music? How do you unwind?

Not really! I've always been pretty bad at taking time off but, in the summer, I live to swim in the sea.

Finally, and for being a good sport; you can choose a song and I’ll play it here (not any of your music - I will do that).

Let's go for my good friend and touring buddy, Michael Baker, and my one of my favourite tracks from his first album, Anywhere Anytime Soon. Thanks!

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Follow Night House