INTERVIEW: July Child

INTERVIEW:

 

 

July Child

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KIKS and Amber and two great friends who, together…

consist July Child. They share a birthday in July (the same day, in fact) and have a definite simpatico. Their music mixes ambient, soulful Pop but has a vibe of the 1990s’ best Dance – a wonderful blend that is both modern and nostalgic. Since their haunting, uplifting reworking of the 2013 classic C O O L (by Le Youth); the duo has gathered huge interested from both sides of the Atlantic. Cover versions have formed a lot of July Child’s past: they are determined to forge original material and push out on their own.

I ask Amber and Kiks about their friendship – and how they came together. They discuss new single, Be Real and whether it will lead to more material. The guys talk about London and its importance; the artists that inspire their own sound and whether each of them is planning anything big for their upcoming birthday – 29th is going to be a shared day of celebration!

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Hi, guys. How are you? How has your week been?

Amber: Hey! All good.

I’ve been away this week with my mum by the coast

Kiks: Hola!

My girlfriend, from L.A., arrived earlier this week – so, a lot of eating and sightseeing.

‘July Child’ is a name that stems from the fact, Amber and Kiks, you both share the exact same birthday. What date are your birthdays and have you bought each other presents yet? Any plans for the big day?

A: No presents yet – we usually do a joint-party if we’re both about.

K: Yeah. I think this year we’re hiring a beer garden and getting all our friends and family down.

I can’t remember the last 29th of July when it’s rained – so hoping for good weather.

How did you come to know one another? When you met; was there an instant connection and common-ground?

A: We met through music clubs at school. I think the connection came with time.

We were friends first and then Kiks asked me to sing in some of his earlier projects.

K: Even though we’ve known each other since primary school: July Child came to be after we finished university.

We’d been studying in different towns so came back to each other with a whole list of new influences and ideas for where we’d want to take a project.

Be Real is your latest track. Is there a story behind it? How did the track come together?

K: I’d been sitting on this chord sequence played out by the piano for a while. We’d recorded vocals on it but it wasn’t anything special.

One day, in the studio, I decided to copy the chords onto a new synth (Spire) and run through presets – that’s when we stumbled upon the ‘extraterrestrial’ bouncing lead synth. that’s present throughout the track.

It was a weird and slightly annoying sound but we decided to run with it. After laying out the foundation of the track, it honestly took about twenty minutes to write the lyrics.

The track has a club-going vibe and summery sensation. Is it a song you hope will be played in the clubs or do you see it more as a beach-dwelling anthem for the coming summer?

A: I think it lends itself to both really – definitely a sunset-chilled-beach vibe, though.

K: I’d say our previous material has been more suited to clubs or lazy beach days.

Be Real hits harder in the Pop realm – so, I guess our ambition for this track was to showcase ourselves as strong Pop writers.

Naturally; radio, T.V. spots; fashion collaborations are a place we’d want Be Real and its sound to go.

In the past, you have tackled cover versions – before transitioning to originals. Was it quite hard making that shift? Do you think, the fact you have that experience performing a range of different songs, made you more confident and daring as songwriters?

A: We wrote originals for years before we put our first cover out – it’s just our first ever cover (C O O L by Le Youth) was really successful and brought us to the forefront.

We love putting our own spin on covers and it does actually give us ideas for our own tracks – writing styles and lyric combinations.

K: I think covers are a great way to showcase your prowess as a producer; because you’re taking an already-successful and popular song and trying to put a completely different, but still attractive, spin on it.

Amber’s voice is so versatile that sometimes, when we’re writing originals and we get stuck, we spend an hour just recording her singing cover songs - to see if we can get inspired by anything.

Who are the bands and artists you are both inspired by? Do you have similar tastes in music?

A: I used to love Corinne Bailey Rae and my main girl is Jessie Ware – she’s amazing and I love the way she sings. We do have similar taste, mostly.

K: Yeah. I’d say now, we do!

I grew up on Indie, Rock and Metal - and it took me such a long time to admit I even slightly appreciate Electronic music.

When it comes to pure songwriting: I’m most inspired by Conor Oberst and Neil Young.

There are 1990s Club and Dance elements in your music. What is it about the decade that gets into your hearts?

A: The decade we were born!

We grew up listening to '90s Pop and Dance on Top of the Pops.

K: I remember sitting by my cassette recorder patiently waiting for my favourite songs like Waiting for Tonight by J-Lo to come on so I could record them.

It’s funny going back now and listening to those records. There are so many ideas that are still being used and regurgitated. But, to me, nothing can have that  '90s feeling - all we and other artists can do is try to replicate it.

Be Real is a hungry and uplifting track. Is there an E.P. coming anytime soon?

A: We have lots and lots of new music - so fingers crossed.

K: A few more singles coming out this summer and then, hopefully, an E.P. by the end of the year.

PHOTO CREDIT: Chris Hoare

You guys have worked for a number of labels over the years/months. Do you feel like you are still looking for that perfect label and ‘home’?

A: For sure.

We’re always open to new ideas and input – we are definitely looking for what you call ‘home’ but we want to make sure everything is right and feels right.

K: The landscape of the music industry has changed so much in the last few years.

An artist can genuinely act as their own record label, with the same amount of success, if not more. To us, it’s more important to build a team of people around you that you can trust.

Having toured throughout Europe and Asia; I presume touring is something you love to do? What dates do you have coming up?

A: Playing live is what we enjoy the most – we’re just in our element up on stage.

K: Waiting on a few important things to play out before we can book and announce shows.

We love Asia so much that we’d love to book a long tour there: going to places we’ve never been before. The U.K. has its own energy when it comes to shows and the only place we haven’t yet played is America - so hoping to get over there within the next year.

How important is London as a base and Muse? Do you envisage staying in London long-term or is there a city/country you are ‘working towards’ as it were?

A: I think London will always be our home but we’re open to ideas - if that’s where the music takes us!

K: I spent a lot of time living in L.A. over the last two years.

It’s an incredible place and there are so many like-minded musicians over there - but London is the city we see our future in. The music coming out of London is just unreal at the moment and we would love to be a part of that.

IN THIS PHOTO: Warpaint/PHOTO CREDIT: Mia Kirby

Are there any new artists you recommend we check out?

A: Well, they aren’t new, but new to me – my mate just took me to a Warpaint gig and I love them.

K: I’m going to be annoying, too!

Joe Goddard has been around for years as a member of Hot Chip - but his solo album that came out this year (Electric Lines is one of the most creative records I’ve heard in a long time).

If you each had to select the album that means the most to you; which would they be and why?

A: Jessie Ware – Devotion

I know all the words and definitely do the power-grabs while I’m listening – her voice is incredible.

K: Fleetwood Mac – Rumours

Classic and overdone I’m sure but there has never been a record so seamless and meaningful from start to finish.

What advice would you give to any new artists starting out right now?

A: Keep writing, keep positive; keep moving.

K: Don’t get ahead of yourself.

You learn more about yourself and become better every single day - so don’t get frustrated if things end up taking longer than you thought or had planned

Finally, and for being good sports, you can each name a song and I’ll play it here (not one of yours as I’ll do that).

A: Tinashe – All Hands on Deck

K: Motez – The Future

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INTERVIEW: Valenti Funk

INTERVIEW:

 

PHOTO CREDIT: Dennis Webb Jr.

 Valenti Funk

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HE is well-known around Texas for his work…

with the award-winning group, The Effinays. Valenti Funk is someone who, very soon, will be better known in the U.K. He is a multi-instrumentalist and Funk-fusion purveyor – someone whose music has charmed the masses in the U.S.

I ask the compelling artist about his album, Valenti, and the kind of themes he addresses. I learn about the Texas music scene and what he has been up to lately. The album was released on 7th June: to coincide with the birthday of the late, great Prince. I ask the Texan musician about his connection and love of Prince.

Valenti features contributions from the likes of Big Spook (Effinays’ frontman) and LaLa Johnson – introspective lyricism of Zach Pohl, Snearley and Aisha Mars. I ask Valenti Funk whether he has any U.S. dates, and whether he is coming to the U.K., the albums and musicians that have impacted him hardest – and whether there is any new material brewing.

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Hi, Valenti. How are you? How has your week been?

Man! Good. Just loving the heat. 

We complain about the heat and sun here in Texas a lot - but I secretly love it.

For those new to your work, can you introduce yourself, please?

Well howdy!

My name is Valenti Funk: born in Dallas; raised in Irving, TX - and music is my drug! 

I like to consider myself a Funk aficionado and a self-proclaimed band nerd - and I love it! (“…and I want some mo”).

Valenti is your new album. Is it as personal as the title suggests? What kind of subjects and themes are explored?

I’d say, yes: it is personal as the title suggests.

With that being said; I enjoy all types of music and you can surely hear some of those types of music I enjoy bleed through on this project. 

This project spans from party-music to conscious, thought-provoking music - with some nice groove-oriented instrumentals sprinkled in.

Is there a song from the album that is particularly memorable/important to you?

More Light would be that track. 

In my opinion, it’s the deepest track on the album (lyrically). It’s one of those tracks where two people may hear two totally different themes.

The album was released on the 7th of June to honour Prince’s birthday. How influential was Prince to you and what song/Prince moment first came to your ears?

This is where I’d like to input a picture of the big ‘Prince symbol’ I have tattooed on my right side! Without a doubt: he’s one of my top musical influences. 

I came into my ‘Prince consciousness’ at a cousin’s sleep-over. His older sister had just gotten the Purple Rain album and I recall wanting to listen to it all night, not-stop.

You are endorsed by Billy Blast Drums and play keys and percussion simultaneously. Is it important for you to have that control and, tell me, when did you first discover the drums?

It’s not important, per se, to have that control - but more so that I do enjoy guiding the groove and melody when I can. I knew I loved the drums from the time I recall literally zoning-out (trance-like state) with two tree limbs in my hands - beating on my grandmother’s three-section, barrel barbeque grill. I didn’t snap out of it until my aunt yelled out my name asking me to quiet down some.

(Side note: I’m so thankful to Billy Blast for putting me down at a time when I wasn’t where I am now, but yet, he still chose to endorse me. (I’m still working on that ‘goal’ we spoke of Billy Blast).

I know Valenti features LaLa Johnson, Zach Pohl and, among others, Aisha Mars. How did you come to know these guys and was it hard deciding how you wanted each singer/musician to fit onto the album?

Before I started my project, I pretty much had them all in mind to be on my project. Zach and I are high-school classmates who graduated together. Aisha and I use to be in a band I played keys for called Melody Memory. Joe is the lead singer for my current band, The Effinays - LaLa is just a beast I met throughout the Dallas music scene. I first met her when she came to a Melody Memory practice.

Kelyn is another beast I met in the Dallas music scene. His former band (Fatty Lumpkin) and my band at the time (Blu Pearl) seemed to (always) be doing shows together. 

PHOTO CREDIT: Dennis Webb Jr.

I met Kevin Snearly almost the same way. His band at the time (Gravity Feed) and The Effinays use to do shows together as well. I met Versatile back in high-school at a piano shop in the mall (and, yes, a mini-impromptu show happened, then, with him freestyle rapping and me on the piano). Also, the lovely High Moons are a sister-group who I’d always see at an Effinays show and knew I’d like to eventually work with them.

Julian Ayacannoo and Marquise Jones use to play sax. for The Effinays -and now have their own band called The Diamond Kings. (To whomever I forgot to mention: please forgive me!)

Texas seems like an area you are very comfortable in and inspired by. What is it about the state that inspired music and creativity?

Since we (Texas) are in the middle; I’d like to think that I was able to hear music from the East to the West Coast - and from areas in-between. So, ironically, I feel being in Texas put me in a position to hear music and gain influences from all over - even if it was introduced to Texas at a later time (mainly referring to hearing East Coast (N.Y.) and West Coast rap in the '90s - later than most).

Do you know what is coming up the rest of the year? Are you working on new material?

I’m mainly focusing on making sure the masses are aware of this project. 

My band, The Effianays, are about to start working on another project. I’m also staying busy playing drums with Ronnie Heart – so, my summer is pretty much filled up for now.

 PHOTO CREDIT: Marisol Farda

How about touring? U.S. dates coming up, I assume? Are there plans to come to the U.K.?

There are no plans for touring just yet for my solo project - but I did just get a text from Ronnie the other day (saying) that things were finalized for a Midwest tour this summer.

We don’t have any plans for touring with The Effinays this summer - but we are working on some killer Dallas (Fort Worth) shows at the moment.

PHOTO CREDIT: Dennis Webb Jr.

Who are the musicians, apart from Prince, who have inspired you and compelled you to get into music?

My, for sure, six musical influences are Prince, George Clinton; James Brown, Rick Ruben; Stevie Wonder and Dr. Dre. 

I grew up listening repeatedly to all of those guys.

Are there any new artists you recommend we check out?

Surely check out Ronnie Heart, The High Moons and Zach Pohl.

 If you had to select the three albums that mean the most to you; which would they be and why?

Wow, that’s a hard one. 

I’d have to go with James Brown - In the Jungle Groove

(For the song, Funky Drummer, alone). 

I’d, then, go with Beastie Boys – License to Ill

Mainly because it was one of the first Rap tapes I had - and I loved how funky it was (Rick Ruben produced). 

I’d then go with Prince’s Purple Rain (or the Parade album)

I feel that both of those albums show what Prince is as a whole.

Do you get much time to take a break from music? How do you like to spend your free time?

Believe it or not: I’m a big-time home-body. 

When I don’t have a show, I stay home in bed and watch The Food Network - or try and catch up on some Religious History reading.

What advice would you give to any new artists starting out right now?

DON’T STOP!

Finally, and for being a good sport, you can name a song and I’ll play it here (not one of yours as I’ll do that).

Oooh, I’m going to give you an obscure song to play! L.o.L.

Play Galt MacDermot – Space

Thank you so much for having me!

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INTERVIEW: Catherine McGrath

INTERVIEW:

 

 

Catherine McGrath

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ONE cannot help but fall in love with…

Catherine McGrath’s music. There is something about her voice and the way she performs: the incredibly personal lyrics and sense of warmth and intrigue. I talk to the Northern Ireland-born, London-based artist about her latest track, Never Wanna Fall in Love. It is, in my view, her most immediate and emotional track – I ask where the inspiration for it stems. She talks about her E.P., One, and whether, since its release, she has changed as an artist.

McGrath discusses the possibility of new work and what dates she has in the diary; a recent appearance alongside Picture This (at The Great Escape festival) and the career memories she treasures most.

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Hi, Catherine. How are you? How has your week been?

Hi!

I’m good. Just about to play a show at Under the Bridge in Chelsea - so I’m feeling excited!

For those new to your work, can you introduce yourself, please?

I’m a twenty-year-old Country/Pop singer from Ireland.

I’ve been writing music in London and Nashville and have been putting it online - and playing as many shows as I can in the past few months - and I’d love for you to have a listen!

Never Wanna Fall in Love is your most-recent single. Can you tell me about that song and how it all came together?

It was one of the first songs I wrote when I moved to London.

I can’t fully remember the process but I can remember being so nervous cause I hadn’t done much writing with other people - so I was singing super-quietly.

Haha. 

One, your E.P. released last year, received acclaim and impressive reviews. Was it a surprise seeing such love for it and how would you say you’ve changed as an artist since its release?

Yes!

I had no idea so many people would listen to it and respond so well. I don’t think I’ve changed: except for, maybe, getting a little more confident on stage etc. But, in terms of my style etc., I’m still very much the same.

Can we expect any new music later this year at all?

Yes!

I’ve been working really hard on my debut album which is going to be released towards the end of the year - with a single in the autumn.

How do songs come together for you? Do you set time to write or is it a more spontaneous process?

I usually have my songwriting sessions planned ahead, so there’s a studio to work in and I know who I’ll be writing with etc.

But, I come up with song ideas and write lyrics all the time - so I keep them in my phone until the next time I’m in a studio.

Tell me how you got started in music? Did that passion start at childhood or did you get into it a bit later on?

I’ve always loved music: mum always says I used to hum myself to sleep when I was little.

Who were the artists you grew up on and idolised as a youngster?

The music I heard most of was the music my parents played - traditional, Irish music. My dad writes his own songs; so I grew up listening to those, too.

When I turned twelve, I properly started listening to American Country – so, as a teenager, that was what I grew up to.

County Down is your home. What is the music scene like there for a young artist? Is it quite active at the moment?

Where I live specifically is a really small place: there are loads of pubs with live music and everyone loves to play.

I knew to do what I wanted to do: I needed to move to London where there were more opportunities and people to work with.

It’s always so good to go home, though, and be back around the people and music I grew up with.

I know you have recently played The Great Escape and toured with Picture This. What were those experiences like?

So much fun!

Especially the Cork shows with Picture This. There were 5,000 people per show and they were so enthusiastic and amazing. 

You have a few tour dates coming up around the U.K. Is there any particular venue you are really excited about?

I was really excited to play British Summertime festival in Hyde Park last weekend – and, also, Harvest Festival in Ireland. I’m hoping it’ll be sunny! 

If you had to look back on all your time in music and pick that one special/defining memory; what would that be would you say?

Signing my record deal with Warner Brothers was the craziest moment - that just seemed like something that would never happen.

It’s been amazing having a team of people with me along the way to give me advice and get excited about new music etc. - it definitely made a huge difference.

Are there any new artists you recommend we check out?

Seth Ennis are RaeLynn are two of my favourites right now.

If you had to select the three albums that have meant the most to you; which would they be and why?

Taylor Swift - Fearless

It was the first of Taylor’s albums I bought - and I just fell in love and bought them all from then on. I found Country music through Taylor so that introduced me to the kind of music I want to make.

Justin Bieber - My World

When I was thirteen, I was in love with Justin Bieber like every other thirteen-year-old girl, ever. I was listening to Country music but I was also listening to Pop music. Listening to that album just sounds like being thirteen again: it reminds me of some of the best times I had with my best friend.

I love how hearing a song takes you back to certain moments and that’s what hearing the album back now is like for me - so it’s special to me in that way.

Matthew McGrath - Spirit of the Village.

My dad’s always written songs. Growing up around that probably inspired me a lot. I used to try to come up with my own songs and ask him to help me figure out how to play chords on guitar.

His songs are the ones I grew up with and they’re my favourites.

What advice would you give to any new artists starting out right now?

Just to give it everything you can, if you’re able to: just set everything else aside and focus fully on music and see where it goes.

Even if it seems almost impossible; don’t be afraid to do what you really love because you’re scared that it might not work – because, maybe it will.

Finally, and for being a good sport, you can name a song and I’ll play it here (not one of yours as I’ll do that).

Rascal Flatts - Life Is a Highway

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INTERVIEW: Kerri Watt

INTERVIEW:

 

Kerri1.JPG

 

 Kerri Watt

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THERE are few people who can boast they have had a song…

A-listed by BBC Radio 2 AND worked/toured with Embrace. Kerri Watt is no ordinary artist and someone who has immense talent and promise. Old School Love is a single that mixes vintage sounds and modern urgency – a departure from her previous work but the signs of an artist who is always moving and pressing forward. I ask Watt about her previous material and why Old School Love has a different tone. She talks about Embrace and how her music comes together; the importance of getting backing from big stations and the musicians who inspire her.

I find out more about Watt’s career highlights and whether music was a pivotal part of her childhood; the albums most important to her and the advice she would offer any new songwriters coming through.

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Hi, Kerri. How are you? How has your week been?

Hey!

I’m feeling great, thanks.

The week has only begun but there’s an exciting few days ahead!

For those new to your work, can you introduce yourself, please?

I’m a singer and songwriter from Glasgow.

My lyrics tell the stories of my great loves and adventures of my life so far. Over the last couple of years, I’ve had the opportunity to travel around the U.K., Europe and the States supporting acts such as Embrace, Starsailor; Nina Nesbitt and Ward Thomas to name a few - I’ve also got to play some really fun festivals including Glastonbury and Isle of Wight!

I lived in California for a while, as a teenager, and it was at music school there that I really learnt about different styles – so, there’s definitely some Americana influences in my sound. 

Old School Love is your new track. What can you tell me about it?

Old School Love is a song straight from the heart.

A couple of years ago, I was on the road with my tour manager, Steve, telling him how amazing and different this new relationship I was in felt.

I said to him: “It feels like an old school love” and Steve goes: “That’s the name of your next single!’. So, when I got back from tour, I went away and wrote it.

It came really easily because I could use the way I described the relationship to Steve as lyrical inspiration for the song. 

How do think Old School Love differs from previous singles. It seems quite a shift from earlier work.

When I’m writing, I don’t consciously think ‘does this fit with my other songs?’ - I find it’s best to just write what comes naturally and then, if the demo gets some good feedback from people, and I also love it, I know I’m onto a winner. In my eyes, it’s just a natural progression.

I’m always evolving and learning as a songwriter. The thread that ties all my music together is the lyrical content - I always want people to feel something move inside them when they listen. 

The song mixes new styles and production values but it has a great, vintage sound. Was that a conscious decision – to mix styles and periods, as it were?

I think the thing is, with Old School Love, when you hear the title you automatically get an idea of something that’s a bit vintage and true.

So, naturally, I wanted the feel of the production to relate to the title of the song. I think, because the song tells a story, it didn’t need production to do any of the talking for it. 

How do songs come together for you? Do you set time aside to write or do they come naturally?

The writing process is always different.

I do plan weeks of writing where I’ll go to Nashville and have a number of songwriting sessions arranged. Sometimes, I’ll have some of my musician friends around the house hanging out and we’ll start jamming something - and a song will just sneak up on us out of nowhere!

Other times, I’ll have gone through something and feel so strongly about it that it just has to come out of me that day! Those are usually the best. 

With Old School Love, as I mentioned, I had the title and the idea. So, as soon as I had the chance to sit down, it came flowing out. 

Can we expect any more songs in the future?

I’ve got loads of songs demo-d at the moment; so, there’s plenty of material waiting to be recorded. You can definitely expect to be hearing more music very soon!

You have worked with Embrace in the past. How did you come to know the band?

I was introduced to the singer of the band Danny by a friend. He was very helpful and would give me advice after coming to see me play.

After I wrote Long Way Home and let Danny hear it; he introduced me to his brother Rick (the guitarist of Embrace) who is also a producer. He had some amazing ideas for the song so we started working together and the rest is history.

I’ve played festivals with them: the full band play on my recordings and this week I’ll be joining them on stage to support Coldplay at Cardiff Millennium Stadium! I’m so grateful for the doors they’ve opened for me. 

Stations like BBC Radio 2 have backed your music. What has that been like for you?

Having BBC Radio 2 support my last two singles has been a dream come true. For a station like that to get behind an unsigned artist, which I was at the time and put me on the A-List, is an absolute dream.

Getting to perform live on Radio 2 is one of my career highlights so far. 

When did you get into music? Was it always part of your childhood?

My parents introduced me to Michael Jackson very early - I’m talking like eighteen-months-old! They had the V.H.S. of his live tour and used to put it on the T.V. while I was in my cot! He stuck with me throughout my childhood and I was always in awe of him and his stage presence.

As I got a little older, I discovered Celine Dion and LeAnn Rimes. They were probably the two biggest female influences for me growing up.

I’m finally getting to see Celine live in London later this month! 

Can we expect to see you tour anytime soon?

I’m just confirming my first headline tour for the Autumn which is super-exciting.

But, I still have a bunch of shows throughout the summer - which you can check out the dates for on my website! 

What, would you say, how been your career highlights to date?

A real moment for me in my career so far was joining Starsailor on stage for a number at Paradiso in Amsterdam. The place was packed and the crowd so enthusiastic.

I really felt like I was living out my dreams – but, I have a feeling Coldplay might top that this week… 

I also remember my first open mic in Glasgow - the audience consisted of my sister, her friend and three drunk old men. That was really a test for me. Am I willing to do these kinds of gigs for as long as it takes for someone to notice me?! I’m glad I stuck it out. 

Are there any new artists you’d recommend we investigate?

Keelan Donovan - Love of Mine - that’s my new favourite song.

Keelan is an artist from Nashville that I met at a songwriters conference in L.A. in May: he’s like a mix of Paolo Nutini and Thomas Wrett.

Awesome stuff. 

Can you name the three albums that have meant the most to you – and the reasons why?

Van Morrison – Astral Weeks

This album just makes me feel so happy and so relaxed. Van is one of my biggest inspirations as a songwriter - and I think Astral Weeks is really a work of art. 

Michael Jackson – HIStory

I mean; this album is just my childhood. I don’t know how many hours I spent in front of the mirror in my room, as a seven-year-old, making up dances to Billie Jean and Don’t Stop 'Til You Get Enough.

Eagles – Hotel California

It’s a hot, sunny day: you’re driving with all the windows down; The wind is blowing your hair. You’re singing at the top of your lungs with the friends you love.

It’s the soundtrack to the perfect summer. 

What advice would you offer any new artists coming through?

Do, you.

People will like you more if you are completely honest and totally yourself. If anyone tries to change that, they’re shouldn’t be part of your journey.

Going back to the open mics: it’s always hard in the beginning and it continues to be difficult. It’s a seriously competitive industry.

But, if you think you’ve got something the world needs to hear, and you’re willing to put in the work - there’s nothing stopping you! 

Finally, and for being a good sport, you can name any song you like (not yours as I’ll do that) and I’ll play it here.

Move On Up - Curtis Mayfield 

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INTERVIEW: George Taylor

INTERVIEW:

 

 

 George Taylor

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IT has been a frenetic and busy twelve months…

for young George Taylor. He has been turning heads with a steady stream of singles. His debut album, Give It Up, got him a deal with Warner Chappell – having amassed over two-million streams in a couple of months. His music has made its way to Zane Lowe – he backed I Hear Your Song, Sweetness on his Beats 1 show. Ears are turning onto his unique blend of sounds. The London-based musician has brought out Ophelia. I ask about the song and its origins. Taylor explains the process and story behind the song: emotion and a hard situation few would expect to hear - given the sweetness and purity of the song.

He released The Youth, his previous single, last month and is one of the most consistent artists working right now. I ask Taylor about his upbringing and introduction to music; some of the artists who have influenced him and what it feels like having the support of big names – and getting those all-important streams on Spotify. He discusses the future and what it is like being signed to Warner Chappell.

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Hi, George. How are you? How has your week been?

I'm good, thank you.

I've had a good week and I'm heading down to Cornwall on a train as we speak.

For those new to your work, can you introduce yourself, please?

I am a twenty-four-year-old singer-songwriter; currently living in London - but I grew up near Leicester. I started writing songs when I was, about, thirteen - and have kept going ever since.

I've spent a long time preparing my music over the last couple of years. I'm very excited to finally release some of it.

Ophelia is your latest single. What can you tell me about it?

Ophelia is a song I wrote after a girl that I knew who was over in London on holiday – and, sadly, ended up getting sectioned - she was in hospital for a while. She has since made a full recovery and returned home.

Visiting her in the hospital was an eye-opening and emotional experience - and something I really wanted to write about.

It sounds like it was a tough and emotional song to put together. How hard was it writing and recording it – given it has very personal aspects to it?

Sometimes, my songs can come together very quickly: sometimes, it can take weeks. I wrote and recorded a full demo of it just over a year ago in my bedroom at home. I finished it in about twelve hours, from what I remember.

I really wanted to 'go in' musically and lyrically on this track - and try to create the right juxtaposition between a dream-like state and an epic-sounding chorus.

It was a song I wanted to write to try and make sense of all my experiences of mental health - so, it definitely felt and feels emotional to me, yes.

It is your second single in a month – following The Youth. It seems like you are in a productive creative state. Are you already looking ahead to the next song?

I'm always writing (or trying to) and I'm very conscious of not letting that slip. As with anything: the more you do it, the better you get.

I've got lots of new material that I'm excited for people to hear. I will have another single coming very soon.

Can we expect an E.P. later this year?

We will have to wait and see how we are going to release the next batch of song. Maybe that will be in the form of and E.P.

You are signed to Warner Chappell. Do they give you a lot of freedom to create the music you want? Is it quite comforting having their backing?

Warner Chappell have been so good to me since I signed a publishing deal with them just over a year ago.

I signed in the New York office and I have spent a lot of the last year over there and in L.A. writing and recording – and, I suppose, developing as an artist.

I feel very lucky to have met and worked so many amazing people both here and across the pond. The whole team around me, now, are giving me unbelievable support.

The single, Give It Up, notched up a couple-of-million Spotify streams. Is it quite humbling knowing so many people connected to it?

Yes.

It's nice that a lot of people have connected with that song. I didn't expect that at all for the first song that I put out. 

Now, I'm mostly (just) looking forward to my new material.

I Hear Your Song, Sweetness caught the ear of Zane Lowe. That must have been quite a moment? Is he someone you look up to?

The man, the legend played it on his Beats 1 show. I used to listen to him a lot on the radio - especially in the good days of The Strokes; when he would basically play them on-repeat.

He's obviously a great name in the industry so I'm really grateful for his support early on.

How many tour dates do you have planned? Will you be playing live a lot this year?

For the moment, I'm just letting a bit more music out - and it looks like I'm gonna be on the road before the New Year.

I can't wait to get playing shows again.

Tell me how you first came into music? Is it something you were fascinated by as a child? What kind of artists did you how up listening to?

I can't remember music ever not being an obsession.

My dad would always be playing us Dire Straits, Pink Floyd and Madness - and my first connection with music, I remember, was in the car hearing Sultans of Swing ("Check out guitar George/He knows all the chords").

When I was nine or ten, I started listening to a lot of David Bowie and listening to weirder Pink Floyd records like Meddle - and some of the Syd Barrett stuff.

In my teens, I discovered Bob Dylan and, I think, he probably got me writing songs. As I got slightly older; I started listening to Blues and Soul music. I fell in love with a lot of the great singers: Al Green, Janis Joplin and Otis Redding. This probably helped me develop my voice.

Music is demanding and time-consuming. Do you get a lot of time to chill, and if so, what do you like doing?

I seem to have weeks at a time where it can be really nonstop - and, then, weeks when there is not much going on. I think that's just to do with the stage I'm at.

So, yes, I definitely get time to chill. I enjoy playing ping pong and going to the pub when I can.

Are there any new artists you recommend we check out?

ISLAND and Otzeki, I think, are two of the most exciting new bands around.

I can't wait to see them do well.

If you had to select the three albums that mean the most to you; which would they be and why?

Pink Floyd - Dark Side of the Moon

This often feels like an obvious choice; I don't care: I think it's the greatest record ever made.

Grizzly Bear – Veckatimest

This was a very significant album in my life when I first started writing music.

It felt like one of the best written, strange and interesting things I'd ever heard - especially in modern-day guitar music.

Radiohead - In Rainbows

I didn't really get properly listening to Radiohead until I got a bit older.

But, this record, was a mind-blower for me.

What advice would you give to any new artists starting out right now?

Just do it all the time.

Play, write and listen all the time - and constantly push yourself to get better.

Also, a lot of people will try and tell you it's too hard to do - but just ignore all that bollocks and do it.

Finally, and for being a good sport, you can name a song and I’ll play it here (not one of yours as I’ll do that).

Some Things Last a Long Time - Daniel Johnston

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INTERVIEW: Daniel Molyneaux

INTERVIEW:

 

 

Daniel Molyneaux

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ALTHOUGH he was not born until 1997…

Daniel Molyneaux is an artist who has a great love and knowledge of Pop - self-proclaimed to unapologetically reign as an artist, as he says so himself. he engrossed himself in music as a child; where he had his eyes opened to legends and titans – the young-artist-in-waiting started recording at fourteen and would spend his time pouring over books of lyrics and plotting his way into music. I ask Molyneaux about his early experiences and that first taste of music; the artists that spurred him and how songs come together for him.

He, in turn, tells me about his new album, I’ll Be Waiting, and the themes behind that. Guess What? I Need You is the lead single from it – I was eager to know the story behind that gem. Molyneaux gives me a window into his creative process and what the future holds; how his favourite albums connect him to his late mother - and what he has planned for the future.

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Hi, Daniel. How are you? How has your week been?

Hey. I'm great thanks.

My week's just been promo, promo, promo for my new album, I’ll Be Waiting – though, it's been too hot for the past few nights; so I'm a tad sleep-deprived.

Haha.

For those new to your work, can you introduce yourself, please?

Sure, well...

I'm Daniel Molyneaux. I'm just a dude from London who lives, breathes and sleeps music - and Pop is my niche; though I do love incorporating elements of other genres that I love. I'm an independent artist and I control it all.

I’ll Be Waiting is your new album. What can we tell us about the songs on the record and their inspiration?

Yes. I'll Be Waiting is my newly-released album and is out on every single online store now - please purchase it and give it a listen.

When it comes to the songs off the album: they were mainly just inspired by thoughts and feelings I had at various-given times. But, in honesty, when listening back they mostly share the theme of wanting and waiting for someone. Whether it be to have sex with, to dance with: to form an official relationship with; to be back in communication with, to give me an apology I'm owed.

I'm waiting for a lot of things and I guess, throughout my sessions, it all transpired into the album’s songs - hence why I titled it I’ll Be Waiting.

Guess What? I Need You is the first single from the album. Was there a particular relationship/person that inspired that song?

Yeah.

We met on app. and we didn't officially get together; but we were getting to know each other, and, did become part of the other person's daily routine.

We spoke daily, went out etc. and I was optimistic about how things were going - and then, suddenly, when we were at our peak: they just decided to turn their back on me.

What was it like filming the video for the song?

It seems like it was quite intense at times. Filming the video was a fantastic three days.

The camera operators often wanted other shots to use on top of the singing so asked me to do things like scream and swear to the camera - so things did sometimes get quite loud on set!

Do you know which other songs might be released as singles in the future?

Yes.

I have all the singles planned out but I'd rather not say what they will be. I know being secretive about next movements is such a typical ‘artist response’, and I hate sounding typical when I speak - but I'd rather just let the singles arrive and make their mark.

Who were the artists you grew up listening to and made the biggest impact?

I grew up listening to Luther Vandross and was just inspired by the way he was so free with his expressing his emotions and vulnerability. I'd have to name Rihanna and Barry White as my major influences, also.

I was seven when she first came out and over the years I've just adored how she's evolved into an all-round artist - and makes any music endeavour she does seem so effortless and natural, whatever genre. Pop will always be my forte but jumping into other genres in such an authentic -sounding way - as Rihanna does; it is something I aim to follow.

Barry White has had a huge impact on me, also, as no other music by any other artist gives me the joyful, euphoric feeling I get when I listen to his music's production. This 'Barry-White-effect' is something I always want to come with my music.

You are based in London. How important is the city and its people to your music?

London and its people are quite important to my music as I do see and hear lot of personal issues that I face and sing - about being shared amongst the city with people I do and don’t know so I’d like to think my music comforts the people.

I’d like the city, and the whole world for that matter, to listen to my music and know that I experience similar issues likewise - and find therapy with this. Kind of like “Ah, Daniel went through it too. No-one around me seems to understand but he does. He gets it. He gets me”.

I’m not saying I’m here to be a role model or someone who can halt everybody’s issues...but, it’s always comforting to know that someone else went through similar things you did. I want London to find solace with my work.

Do songs come quite naturally to you? How do tracks come together?

Lyrics and melodies come to me at the most unexpected times, mainly melodies, and I work with producers to strengthen them and turn them into proper-structured songs.

A typical start-to-finish of a finished song would be me catching a lyric and/or melody: recording it into my phone and then asking myself if I could see this becoming a viable, strong chorus. If I'm confident, I take it to a producer and play him the voice-note - and explain where I want the song to go – like, if I want it the song to go down a ballad-path; a fall-to-the-floor-path etc. He works on composing the instrumentation - which usually alters the original melody but, as long as whatever new comes up sounds amazing to my ear, then I'm happy.

I, then, take the stems away and write my lyrics to them then. When I'm satisfied; I record my lead vocals in the studio. I then work with other people to act as external ears - to hear if, what if I've brought to them, at this stage, makes sense.

Once they approve - or advise changes and often compose harmonies/adlibs I like - I record those add-ons and play the product to my best friend and some relatives – and, if they like it, I'm satisfied.

Are you already looking ahead to the end of the year? Is there new material in mind or are you focusing on touring and promoting I’ll Be Waiting?

There won’t be any material released from me - other than the singles from I’ll Be Waiting.

I'm going to be gigging the album for the next year so won't really be in the studio much. I was last there two weeks ago, when the album came out, and am already having studio blues!

For now, it's all about promoting I'll Be Waiting.

Will you be touring your material soon? Where can we come and see you play?

I'm been touring my album through doing a lot of open mics as well as booked shows – but, please do like my Facebook page as I add my dates there.

My next show is 12th July at Undersolo in Camden.

IN THIS PHOTO: Stefflon Don

Are there any new artists you recommend we check out?

Stefflon Don. I'm really liking her vibe.

If you had to select the three albums that mean the most to you; which would they be and why?

A recent one would have to be Rihanna - ANTi.

The songs on personal growth and development are just so relatable.

I'd also have to name Sean Paul's Dutty Rock.

I was five when this came out and hearing it now always take me back to the flat in Tottenham - where my mother, sister and I lived in my early years. Its songs were the anthems of my life (back then) - so it means a lot to me now - as it's the only audible thing which brings the (most) dearest memories of my youth (that I will never live again).

For similar reasons, another album I treasure is Juanita Bynum - A Piece of My Passion.

My mother was a firm Christian and this album was what she would play around in the car, and in the house, constantly. My mum passed away when I was fifteen and, when I listen to this album and close my eyes long enough, it's almost as if I when I open them - I will see her swaying to the album in front of me as she did.

Do you get much time to take a break from music? How do you like to spend your free time?

Music is something I’m just gravitated towards so, every day I’m at least writing - if I’m not performing or recording. But, on days where a session or a gig isn’t booked, I typically just scroll endlessly through Instagram: laugh at funny memes, listen to music; eat and sleep. Haha.

For a Pop artist, my general lifestyle’s a bit boring I’m afraid. I ought to get back into the gym as well, though!

What advice would you give to any new artists starting out right now?

I'd say try not to get too caught up in the nitty-gritty technicals behind a song - but just always ask yourself how it overall sounds as you go along and remember your intentions.

Finally, and for a being a good sport, you can name a song and I’ll play it here (not one of yours as I’ll do that).

Hahahaha.

Please play Cabaret by Alice Smith

I love this one.

_____

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Daniel9.JPG

INTERVIEW: Hero Fisher

INTERVIEW:

 

 

Hero Fisher

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EVER since she put out her first song, it seems, there has been…

PHOTO CREDIT: @saulwodak

a huge wave of affection and respect for Hero Fisher. The video for new single, Sylvie, has a low-cost horror feel – sort of like The Blair Witch Project. It is a fascinatingly eerie video – one that accompanies a song that is tender and emotive. I ask the French-raised, British-based artist about the song and what we can expect from the album, Glue Moon. It follows her hugely impressive debut, Delivery, and marks her as one of the finest songwriters we have in this country.

This notion is backed by the likes of The Horrors and Blur – both of whom were blown away by her debut album. She has collaborated with Boy George and opened for, among others, The Rolling Stones and Neil Young; garnered huge support and is tipped as a mainstream star of the future. Her protean, filmic music is matched by fiery and emphatic vocals – one is reminded of PJ Harvey and Patti Smith.

I ask her about influences and the albums she treasures; what gigs she has coming up and whether there are any big collaborations/surprises coming up.

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Hi, Hero. How are you? How has your week been?

Hi! I’m good, thanks.

My week has been full of good things since Sylvie has been released - I’m very happy to finally get some new stuff out into the world.

For those new to your work, can you introduce yourself, please?

I’m a musician, singer and songwriter. I mainly play the guitar and piano. I’m British but grew up in France - with Australian parents.

I released my first album, Delivery, in 2015 and will be releasing singles from my second album throughout this year.

The full album, Glue Moon, will come out early next year.

Tell me a bit about Sylvie and what the track is all about. How did that song come together?

Sylvie was inspired by a character from the book, Housekeeping, by Marilynne Robinson.

She’s a strange drifter who speaks of a ghost-town hidden in the woods by the lake - a place once full of life now almost gone. There are traces of houses left and she says that if you stand still and quiet, ghost children will come out of hiding.

The song, Sylvie, was written from the perspective of the ghost children.

(You asked!)

What was the video like to shoot? You edited and directed it, too. Was that quite a challenge to do or something you were determined to do?

We shot it up in the Lake District - a place I wasn’t familiar with. It’s very beautiful up there: it’s like something out of a fairy tale. There were only three of us so it was pretty makeshift - we just thought we’d go and film a load of stuff and see what looked good.

I spent some hours in the freezing rain that day and was really sick for the rest of our stay - which was a challenge.

Editing was the hard bit, as I’m just learning how to do that, but I’m very determined to be as hands-on as I possibly can be - on the visual side of things.

I just finished editing my next single, Push the Boat Out.

In the video, there is juxtaposition between the song’s haunting (beautiful) tones and a visual eeriness. Was it instinctual to make the video this way and were any films influential in terms of the storyline/direction?

A lot of the songs on this album are written with a particular place in mind: it's the wee hours by a lake under a big pale, green moon. The eeriness in the video comes from imagining this place for so long that it came through pretty organically.

Also, the album is more low-fi than the first - and I wanted the visuals to have more a homemade feel about them. So, anything with older film colours (like Kodachrome or graininess) seem to fit this album.

Sylvie has made its way onto Spotify’s Indie Songs for Slackers. Were you quite chuffed hearing that?

I was super-chuffed about Sylvie making Spotify’s Indie Songs for Slackers playlist!

Glue Moon is your sophomore album. What can you tell us about the record and how does it differ from the debut – in terms of style and song themes?

There’s a haziness/dreamlike quality to the general atmosphere of this album.

It feels a bit otherworldly and very colourful. It still has a melancholic feel, in keeping with most of my work, but I think there's a lightness and a sense of relief that comes through on this album.

You were born in Britain but raised in France – now back in London. How the music scenes in Britain and France differ? Any plans returning to France or playing some gigs there?

I only played in bars in Paris - never bigger venues; so I can't compare them, really.

I wasn't as extroverted with my songs back when I was living there. But now, I'd absolutely love a chance to play at L'Olympia or the Grand Rex (or La Cigale)!

So far, you have won fandom from Blur and opened for Neil Young; collaborate with Boy George and win praise from huge stars. Does it all feel like a dream or has that kind of patronage made you a more confident artist?

Meeting other bigger artists is a great motivator and reminder that making music for a living is actually possible.

That such amazing people are so supportive feels great.

PHOTO CREDIT: @julian_broad_studio

Any collaborations or big surprises coming up? What do you have planned for the next few months?

I've only been collaborating with close mates recently - but, I've been dabbling in writing for other artists as well.

I'm definitely more open to the idea of collaboration now that I've written two albums of my own.  

In terms of touring; where can we come see you play?

We’ll be announcing shows very soon. Keep an eye on my Facebook page

Who are the songwriters and musicians you emulate or take guidance from? What kind of music did you grow up listening to?

The two people I look to when in doubt are Bob Dylan and PJ Harvey.  I admire them both so much...also:

Jeff Buckley

Billie Holliday

Thom Yorke

Nick Cave

Are there any new artists you recommend we check out?

I’m really loving Chelsea Wolfe at the moment.

Also, Trixie Whitley and Nils Frahm.

I’ve also discovered a lovely singer from the 1950s called Connie Coverse, recently…

If you had to select the three albums that mean the most to you; which would they be and why?

Nick Cave’s Skeleton Tree AND Push the Sky Away

I can’t pick a favourite between them. There’s a delicate, spontaneous feel to both these albums that is so touching - I love these albums so much.

Astral Weeks by Van Morrison

Because, it makes me really happy and reminds me of being a kid.

Blood on the Tracks by Bob Dylan

Because, discovering it, was a massive turning-point for me in how I looked at songs and how I wrote songs from then on.  

What advice would you give to any new artists starting out right now?

Don't over-think things.

Everybody else feels like they’re winging it, too.

Finally, and for being a good sport, you can name a song and I’ll play it here (not one of yours as I’ll do that).

We No Who U R by Nick Cave

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Follow Hero Fisher

INTERVIEW: CC Smugglers

INTERVIEW:

 

 

 CC Smugglers

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AFTER the success of their single, Rhythm…

many eyes and ears have turned the way of CC Smugglers. That song was picked up by BBC Radio 2 and BBC Radio 6 Music – the band played live sessions of the station. The boys have enjoyed sold-out shows across the U.K. and Europe; great festival appearances – including Latitude – and supporting the likes of Old Crow Medicine Show and Bruce Springsteen.

The new single, Dirty Money, is another huge track and one I was eager to find more out about. Richie from the band talks about their music and details of each member; how they all came together and what their diary is looking like – and, whether being a sextet is a benefit or quite unwieldy.

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Hi. How are you? How has your week been?

Hello.

I’m fine, thank you very much.

This week, we’ve just returned from three dates in Switzerland playing some great festivals - including Montreux Jazz Festival!

For those new to your work, can you introduce yourself, please?

We are a group of lads who play original music with a gung-ho attitude for cross-breeding influences, old and new, from around the world. We are very proud of our well-established reputation for absolute scorching live shows.

We use Folk instruments like fiddles, banjos; harmonicas, acoustic guitars - alongside electric guitars keyboard and full drum kits.

Did you catch Glastonbury? What was your opinion? Any performances stand out to you?

I caught bits and pieces but I don’t have a lot of time for telly really. I spent most of that weekend demoing a track I was writing – but I was aware it was on.

I do know Jamie Cullum was playing. I would have loved to have seen that live. I also watched Jeremy Corbyn’s speech on social media: that was quite interesting, I must say.

Dirty Money is the new track. What inspired the track and what can you reveal about it?

Being a musician in the music industry is hard: in the same way being a human in the 21st century is hard.

There’s always something just out of reach that will make us happy when we finally get it - and when we get it, there’s always something else… just out of reach. Money’s a bit like that. Doesn’t matter how much I earn: I’m always skint.

It’s taken me many years to realise that happiness isn’t a result from getting something, or having money or buying something. That stuff is fun, but fun isn’t happiness.

So, like many of my songs, they’re just notes to myself to remind myself of feelings - some of them we end up sharing with everyone – I think this one's relevant to most people.

Is there going to be more material coming soon? What can we expect later in the year?

We are toiling over some secret plans – just be patient, you cheeky rogues.

I am interested in the name, 'CC Smugglers' – sorry if you’ve been asked before – but where does that band name come from?

Yes, that is something we’ve been asked a few times…

Let’s just say ‘CC’ refers to the 125 C.C. motorbikes we used to ride when we were troublesome kids - riding across the fields in our home county.

You can just use your imagination for the 'smugglers' bit.

How did you guys all form in the first place? Was there an instant spark the first time you got into the studio?

I was doing stuff on my own for a few years and went into a studio to make a demo. When I made that demo the producer laid some double bass and electric guitar.

It was then that I sent those demos to my two friends Ryan and Dan - who were traveling Australia. The pair of them flew home and we started a band! We never really looked back after that!

I am interested in the six-piece – I do not see too many bands with that many members. Do you think having that strength in numbers heightens your sound and makes the creative process easier?

It has its strengths and weaknesses but, as far as being on stage, we are a force to be reckoned with - and that is because we are a large, strong; well-rehearsed team unit.

Who are the real ‘characters’/trouble-makers in ranks? Any one member the rest have to keep a cheeky eye out for?

Well, that’s a bit personal, isn’t it!?

We all have our own unique little niches:

Sam, our fiddle player: he’s the pretty boy; insists on getting his hair cut twice a month; is a front-runner in fashion and loves a bit of self- grooming.

Dan is the ladies’ favourite: tall, dark and handsome; has done a bit of modelling in the past - but is the ultimate gentleman and a real kind caring chap.

Ryan. He’s the quiet, surly one: absolutely on-point all the time - but just watch out for the quiet ones. He’s always one step ahead: captain cool.

Tom is a total gent, very stylish - and one of the best musicians I’ve had the pleasure to work with.

Iain a true Scot: can drink like a fish, tumble like a boulder and graft hard.

I’m the loudest and gobbiest. I’m a bit scatty but can, and have, talked us out of a pickle or two (I’m also damn good at driving in deep mud and snow - and have almost dangerous amounts of confidence on and off the road.)

So, there…you asked one simple question and you got a character reference of everyone. I told you I was gobby.

What has it been like getting attention from stations like BBC Radio 2 and '6 Music? They are quite diverse so it must mean you are doing something right!

It’s amazing, really.

If I could tell that funny, little loner twelve-year-old sitting in the field playing his guitar terribly (me-twelve) - or the angsty, spotty Slipknot hoody-wearing fifteen-year-old playing the school guitars in the music corridor at lunch time (me-fifteen); that, one, day he’ll be legging it round the world playing gigs and getting played on national radio station…it would have done my self-esteem the world of good.

It’s funny how things work out: it would never have happened without a huge team effort. Not only from my best mates in the band, but our families and friends - and all of the people who work with us because they believe in it.

I know you have some tour dates coming up in October. Which venues are you most looking forward to playing and are there towns/cities on the list you have not played before?

Oh, there’s loads!

The Cambridge Junction one is a biggy!

Also, London at the Union Chapel is a big old show.

What is touring like for the band? Is that a side of things you enjoy or can it be quite demanding?

Oh, man!

That’s what I live for! It can be very demanding: long drives, short sleeps - especially when voices start getting tired - but I kind of see it; in a very pretentious and non-realistic way - like being a soldier.

We go out on tour with the squad and rough it; rely on each other; bond and get through it – it’s an absolute adventure where we get to see the world and we have moments of exhilarating adrenaline every night. That’s living!

Are there any new artists you recommend we check out?

My friends have formed a band called Funeral Shakes.

I have heard their stuff and heard the plan. When it drops it is going to drop-hot. They are quite heavy but so, so clever and artistic.

Trust me: it’s going to hit the ground running.

It’s not out yet, but, boy…when it comes…

If you had to select the album that means the most to you; which would it be and why?

For me, Jamie Cullum’s Twentysomething

It has been the soundtrack to every single one of my (blossoming) relationships and crushing breakups.

It introduced me to Jazz and Swing - and there is not a song on there that doesn’t remind me of someone or something.

I will always love that album.

What advice would you give to any new artists starting out right now?

Be different, be brave and never ever think you’ve done enough.

There will always be someone out there better than you: all you can do is do your best. The competition is high so work your fingers to the bone and always go the extra mile. You never know what may come of something so never make decisions out of fear.

Don’t think of reasons why not: think of ways to make things happen.

Finally, and for being good sports, you can each name a song and I’ll play it here (not one of yours as I’ll do that).

Ok, thanks!

Here goes:

Richie: Leon Redbone – Please Don’t Talk About Me When I’m Gone

Dan: Aretha Franklin – Think

Ryan: Muddy Waters – I Want to Be Loved

Sam: John Mayer - Slow Dancing in a Burning Room (Live in L.A.)

Tom: Billy Joel - New York State of Mind

Iain: The Brandon Brown Collective (ft. KIKI KYTE) – Honey

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INTERVIEW: Sasha Brown

INTERVIEW:

 

 

Sasha Brown

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THERE are few as busy right now than Sasha Brown.

PHOTO CREDIT: @channelkish 

The singer-songwriter prepares to release her single, Parallel, on the 14th – she is busy D.J.ing at Hoxton Radio and seems to be constantly moving. She found some time to discuss her upcoming single and the story behind Parallel. I learn about her music past and how she got to this point; how influential her D.J. work is and the sort of music she is vibing to.

In addition, in a full-bodied interview, she talks about how Pete Tong discovered her music; whether she caught this year’s Glastonbury and what the approaching weeks have in store.

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Hi, Sasha. How are you? How has your week been?

Sam! I'm good, I'm good.

Busy getting ready to release my debut single! 

 For those new to your work, can you introduce yourself, please?

Hey (*wave*).

I'm Sasha Brown: singer/songwriter; saxophonist; radio D.J. and presenter. 

Did you catch Glastonbury? What was your opinion? Will you be heading to any festivals this summer?

Please, don't even go there: I'm doomed against Glasto!

I can never get tickets even though I was sitting on about five devices with my mates! I caught Ed Sheeran's performance on T.V.

I've kinda been in love with his music since seeing him at Benicassim music festival at eighteen.

Parallel is your upcoming debut single. What can you reveal about the inspiration behind that track?

It's a reflection of where we're at today. I co-wrote it with these guys Joe Kearns and Jason Elliot - who are awesome.

I came into the session with this word that had been playing on my mind for a while: parallel. 

Jason was saying how the world's kinda messed up and sometimes it's hard to feel a connection when everything feels so lost. For me, there's a frustration behind the song. It's about a relationship. Two people are moving together - in the same direction - at the same speed but, for some reason, they aren't coming together.  

From the outside, everything looks perfect but it's not - there's no connection.

How much of your personal experience and romantic endeavours go into the song?

Haha, ummmmmm.

Yeah, I mean songs I write have to mean something to me or what's the point?

What I write about doesn't necessarily relate to current relationships. I like to play on the past, present and to think about the future.

It's probably better no one knows who I'm writing about - that's a lil dangerous! 

Was it quite nerve-wracking putting the song together? How does it feel releasing a debut single to the world?!

No, it feels really right, actually.

Last year, I had a featured release off Jamie Jones’ label, Hot Creations - which got quite a lot of (BBC) Radio 1 play and support from Pete Tong. That was a dream.

It was a Techno, track, though, and I'm a Pop artist – so, for the past year, I put myself into the studio with different producers to really develop and discover my sound.

Parallel feels really good and I'm getting really positive feedback. I'm excited.

 PHOTO CREDIT: @charlicohe

The song’s video was shot in Shoreditch and is quite minimal and stripped-back. How much say did you get in the concept and what was it like working on the shoot? 

So, Charli Cohen (the fashion designer) and I have been following each other on Twitter for the past couple of years. I'm very into fashion and have done some modelling in the past. After her LFW 2017 showcase, I just messaged her saying I wanted to collaborate.

I came up with a concept for the video as I could literally see it in my head. I pitched it to her and her partner, Ben Thompson, who’s an amazing videographer and director. They were on it so we got Ben's team, PXL Post, together and shot the video one weekend! 

The shoot was really good fun. I love Charli's designs and the team were all vibing so it was great! 

Of course, you have been in music a little while and gained support from the likes of Pete Tong. It seems Parallel is a softer and more evocative song than, say, Talk On (you featured alongside Nathan Barato). What was the decision behind this stylistic change?

I was a featured artist on Nathan's track. I’m not a Techno. artist, but I do love Dance music - so it was a pleasure to do!

Funny story actually: Nathan and I met in Ibiza a few years ago. My best mate and I went up to him and his friends in the club Space - cos we thought it was hilarious that their whole crew were head-to-toes in black.

We all became friends and then Nathan and I stayed in touch - as he was a producer/D.J. and I was looking for people to work with!

I sent a couple of demos to Nathan in Toronto and then had this little idea. I still remember standing in my kitchen and singing it into my iPhone. You know how they say 'shot on an iPhone'?: well, Talk On was ‘recorded on an iPhone’! 

I sent it off to Nathan who was D.J.ing with Jamie Jones at the time, and next thing I knew, the track had been cut! It was a bit mad.

I've always been in the Pop world. I grew up on Pop and it's in my blood - so it wasn't a transition; more a case of just doing it!

PHOTO CREDIT: @nastassjathompson

Is there going to be an E.P. to follow and will you mix genres/sounds on it, perhaps?

Definitely! I've got loads of music coming; stay tuned!

Come to my gig at Secret Garden Party festival - Saturday 22nd July at twelve (midday) - and you can hear it all.

Can you tell me a bit about the musicians and bands you grew up listening to? Who are the big artists that compelled you to go into music?

I just love music.

Honestly, it's the one thing that can completely change my mood. Music has always been a massive part of my life.

I grew up on Pop. My dad bought me Abba's Gold album at eight and I loved it. I started playing the sax. but couldn't read music at the time - so my teacher had to write out all the letters so I could play the album! 

I grew up on everything, to be honest. All the great singer/songwriters like Carole King, The Supremes; Gabrielle - but I also went to dance classes every weekend so listened to a lot of Hip-Hop and RnB. I’m very into artists such as Tove Lo and Sia at the moment - but I listen to different playlists on Spotify every day, so there’s a lotttt that I like.

PHOTO CREDIT: @rhona_murphy

You are a D.J. on Hoxton Radio. How influential is that work to the music you make and what is it like working on the station?

I was Head of Music at Burst Radio (Bristol Uni.) in my last year there. I love now having my show on Hoxton Radio - Mondays 12-2 P.M. (tune in: cheeky plug) cos it means that there's constantly a reason to look for new music and share that with my listeners!

I listen to different Spotify playlists every day and get sent quite a lot of music by P.R. companies for my show - so, all the sounds I'm hearing, obviously, have an effect on me as an artist.

I play a lot of remixes on my show and Dance music because my show is on a Monday and people need a little help feeling good on a Monday. Monday’s are tough so I call my show the Feel Good Show!

I’m a little obsessed with ODESZA and Zhu - and that new Camelphat and Elderbrook tune, Cola, is just, well: it’s perfect.

I love interviewing other artists and seeing what they’re up to! I interviewed Rudimental last week who are just awesome. You can just tell how much they love music and how it brings people together.

What does the rest of the year hold in terms of gigs and appearances? Where might one come and see you play?

Secret Garden Party 12 P.M., Saturday 22nd July!

I’m so excited as I’m playing the same stage as some of my favourite acts at the moment - including Mabel, Zak Abel and Bonzai!

I’m also playing Metropolis Rising at Bicester Village on Friday 28th July.

More coming - and I’ll be posting gig dates on my socials.

Are there any new artists you recommend we check out?

Astrid S! I’m obsessed.

I saw her live at Scala last month. She’s amazing. Her single, Breathe, was co-written with some of the guys working with Tove Lo - so no wonder I like her!

Also, check out Julie Bergan: she dances as well so her stage presence is ridiculous.

ALMA, Zak Abel...ahhhhh; there are too many!

What advice would you give to any new artists starting out right now?

Work really hard.

When I interviewed Grace, from Clean Bandit, I remember asking this exact question. She said “Just work really hard”; and I was like, “yeah, and have talent”; and she was like, “No, just work really fricking hard”.

Obviously, talent has a lot to do with it but hard work will always override a talented person who’s a little lazy. You have to really want it badly in this industry.

I would also say to be present everywhere and get out and meet people – cos, in my experience, people have generally worked with me after they’ve met me. You can find networking events wherever you are. Just start to build your community.

Also, get on social media. It’s not all about the stats: figure out who you’re targeting and find a way to connect and build relationships. Music is an industry based on passion and love so people just want to work with cool people - and people they think they’re going to vibe with.

Finally, and for being a good sport, you can name a song and I’ll play it here (not one of yours as I’ll do that).

Ah, thanks.

So, there’s this wicked little tune called France by OPAL - which I include in some of my chilled D.J. sets.

Enjoy!

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INTERVIEW: Jess and the Bandits

INTERVIEW:

 

  

Jess and the Bandits

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FOLLOWING their acclaimed album, Here We Go Again, Jess and the Bandits…

proved they were a force to be reckoned with. The band found themselves much-demanded by BBC radio and T.V. – Jess became the first-ever Country star to be named an ambassador for a U.K. retail chain (Jess is from Texas). Jess, after a whirlwind romance, is engaged to Chris Peavey. I ask her and the band about that; what new song, Kings of Summer, is all about and how they have developed over the last year – and what sort of tour dates are afoot. In fact, their touring schedule is pretty full and impressive – make sure you catch them if you can!

I learn about the creative process and some of the albums/artists that make the guys hum; the reason behind re-releasing Here We Go Again; what Smoke and Mirrors, their latest album, contains and how the guys all got together in the beginning.

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Hi, guys. How are you? How have your weeks been?

So far, so good. Busy but great!

Kings of Summer is your new track. What can you tell us about it? How did the song come together?

Well, when creating a new album it’s important to not only write your own songs but to utilize some of the best writers in the world (in Nashville). We are very fortunate to work with the best who even pitch us songs they’ve written. Kings of Summer was one of those.

The minute we heard it we knew we had to make this the first new song people could hear from the new album. It’s fun, carefree and perfect for summer. In a world full of chaos; sometimes you need a song like this that (just) makes you smile!

How does your music general form? Do you write lyrics and music separately or at the same time?

It typically comes around the same time.

I write ideas and some basic lyrics so I know what I want to talk about - but it’s not until I sit in the writing-room with the other writers that it actually comes together.

You re-released of your album, Here We Go Again, as a Deluxe package. What was the decision behind releasing that back into the market?

We knew we had a while before we would be releasing album two - so this gave us an opportunity to give our fans some new music while continuing to promote the first album to new fans.

Smoke and Mirrors is your upcoming album. We will receive it in September. What kind of songs and themes will be on the record?

This album is full of strength.

From songs like the new single, I’m Not Going Home, to The Bullet and Sister - the reoccurring theme throughout this album is how strong we can be as individuals.

Whether that be in relationships, breakups; jobs or anything life tends to throw at us. There is a very soulful County-Gospel feel to this album - which we are so excited about.

Was it a lot easier to record than Here We Go Again or did it formulate quicker? What kind of changes and differences have you noticed between the two albums?

No.

I think every album has its own share of difficulties. They equally took just as long because I would never put out an album that wasn’t thoroughly thought through and formulated carefully.

The first album very much as a fun, Country-Rock feel. This new album, I feel, is deeper lyrically - still very fun but in a different way.

It also touches on Country-Rock but has much more of a Gospel influence this time.

Is there a particular song from the new album that sticks in the mind?

It’s hard to choose just one but Sister holds a special place in my heart.

Will you be touring to support the album? Where can we see you play?

Yes!

We are hitting the road in September and all of the dates are at our website: www.jessandthebandits.com

It is almost summer. Are you partaking in festivals? What are your plans for the summer months?

We sure are.

We are doing a few of the Country festivals and I have gone to a few myself just as a spectator - which is always nice!

This summer will consist of lots of trips between Houston and London - as well as promotion for the new album and upcoming tour.

It’s going to be busy!

Jess, you are recently engaged. Has that changed your creative dynamic and affected your music in any way?

I think, slightly.

Rather than talking about ‘What-if’ kind of love; I can actually speak from experience.

Sometimes, when writing, you have to use other people’s stories and it’s nice to use more of my own now in regards to the mushy-love-stuff.

How did you get musicians together for Smoke & Mirrors? Is it mostly American musicians or British ones in the fold?

We have a great mix on this album!

We recorded it in Nashville and London with Americans and Brits! We have our pick of some incredible talent on both sides of the pond!

Tell me how Jess and the Bandits all got together? Are you all friends from way back or did you meet one another gradually?

The band was formed after working together on a tour back in 2014.

Then, additional players have been added in - as we’ve all met around the music scene in the U.K. - especially the U.K. Country scene.

There is so much talent out there!

The guys filming for Oak Sessions back in May

The guys filming for Oak Sessions back in May

PHOTO CREDIT: Jess with Oak Sessions  

Are there any new artists you recommend we check out?

Oh my, there are tonnes!

There is a Country band called OSMR; Ashley McBryde is fantastic and a great Texas Country band called The Drugstore Gypsies (are really cool).

Jo Smith is worth a listen.

If you each had to select the one album that means the most to you; which would they be and why?

Jess: Stand By Your Man by Tammy Wynette

I remember listening to my grandfather playing old Country music on the radio - and this is one of the ones I remember hearing.

Anytime I hear this song - or any of the others on this album - it takes me back.

Ricci: Thriller by Michael Jackson

It was the very first record I had on C.D. I could remember listing to this as a young boy, falling asleep to it.

The songs just really resonated with me and one thing I am partial to is the production. Quincy Jones is one of the finest producers of our generation.

Dave: Michael Jackson’s Bad

It’s been with me most of my life: the best songs, musicians and artist.

Louis: The Cream of Eric Clapton

I must have listened to this a million times as a kid growing up. My mum has this record and as I started to play the guitar - this was the benchmark.

There are some amazing songs on it as well.

Steve: Night Owl by Joey Rafferty

He is a much-misunderstood and sadly-underrated singer-songwriter - and I’d even go as far to say he is my favorite singer-songwriter - which is quite a controversial thing to say because I realize there are so many good ones.

My dad also raised us listening to Rafferty.

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What advice would you give to any new artists starting out right now?

Don’t give up… it’s such a tough industry but the only ones who actually make it are the ones that don’t stop!

Finally, and for being good sports, you can each name any song and I’ll play it here (not one of yours as I’ll do that).

How about the ones mentioned above…

Michael Jackson - Thriller

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Michael Jackson - Bad

Joey Rafferty - Night Owl

Tammy Wynette - Stand By Your Man

Derek and the Dominoes - Layla

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INTERVIEW: Sharlene-Monique

INTERVIEW:

 

  

Sharlene-Monique

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NOT content with being a successful musician and songwriter…

Sharlene-Monique runs an inspirational blog, Uniquely You. Drawing from her church/Gospel background; Sharlene-Monique brings messages of self-improvement and acceptance into her songs – You is the perfect example of her uplifting brand of songwriting. Produced by her husband Chris Morris; it is a captivating number and one that looks to the future. I ask her about upcoming songs and whether there is more music approaching; how important her childhood visits to church were – and what role her faith plays in her present endeavours.

I learn more about Sharelene-Monique’s tour dates and what her fondest musical memory is; what is was like working with her husband – with some advice for songwriting newcomers.

IMAGES: Relm Photography (except where noted)

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Hi, Sharlene-Monique. How are you? How has your week been?

Hey.

I’m having a great week so far.

For those new to your work, can you introduce yourself, please?

I’m a singer-songwriter, dancer; speaker and blogger.

I’m really passionate about inspiring people and encouraging them using the mediums said above.

You is your new single. Can you tell me about its origin and what inspired it?

You was written in 2014 around the time when I really began to discover my greatness. I had spent so many years prior to that feeling inadequate, from my body image to my talents. 

You is my gift to anyone who has ever felt like they weren’t good enough.

Talk to me about the video. How did the concept come together and can you tell me about the people who appear on it?

The video was produced by MsMono Productions (http://www.msmono.com) and they were excellent. We wanted to find a unique way to tell the story of the song visually - and Karla Williams (the scriptwriter) done that so well along with Rebecca Coley (the director).

Without her knowing, she showed many elements of my childhood in the video. The video features some amazing actors, in particular, Jessica Hagan and Aquila Grant - who play the same character (Jesse) at different ages.

What was it like working with producer (your husband) Chris Morris on the song?

It’s been amazing to do a project together. He is very particular and he pushes me to ensure I give my best.

He has a wide range of musical influences from Hans Zimmer to Robert Glasper - so the production to this song is quite a masterpiece in my opinion.

In addition to music, you are an inspiration speaker and blogger. How do those ‘roles’ feed into music? Is there a connection between them, would you say?

Yes.

My blog is called Be Uniquely You and it’s an inspirational and fashion blog. I very often do talks around the themes of my blog which are purpose, self-confidences and self-esteem. I love it when I get the opportunity to speak.

 IMAGE CREDIT: @rebekahsarahofficia

Be Uniquely You is your blog. It promotes self-confidence and self-love. What was the reason for setting it up?

I primarily set it up for women to be inspired to embrace all of who they are.

But, I have had men message me who enjoy the blog - so it’s for anyone who wants to see diversity celebrated.

I believe you spent a lot of your childhood/youth in church. How important is that background to your music? How much of the spiritual and religious do you apply to your music?

Yes I did and that’s a good question.

My church background plays a huge part in who I am today and the music that comes out of me. My passion to inspire and help people comes from my faith and belief in God - and the fact that, even though the people who listen to my music may not share the same faith as me - we all can connect on a human level.

We all have down days and up days. I want my music to be something all people can relate to and hopefully be impacted by in a positive way.

Is there an E.P. or album coming later this year?

Yes.

My E.P. will be out later this around October.

Can we see you touring at any point? Where can we come see you play?

My next tour date is in Glasgow on 23rd July at the Drygate.

I’ll also be at St John's Church, Hoxton on 18th August for my headline event.

What kind of music did you grow up listening to? Were you surrounded by a lot of genres and different sounds?

No.

To be honest, I listened to a lot of Gospel music growing up - and little R&B. My dad played the piano and was always learning songs for church services and concerts. I love Gospel music.

You have been involved in music for a while now. Is there a particular moment/memory that stands in the mind?

I can’t think of one particular moment.

But, as long as I can remember, I loved the stage: it honestly feels like home.

Are there any new artists you recommend we check out?

I love Cynthia Erivo, Tawiah; Shan Smile, Bianca Rose; Mariam and Yebba.

All except Yebba are U.K. artists - who have amazing talents.

If you had to select the three albums that mean the most to you; which would they be and why?

I find this question hard and I honestly can’t pick three...sorry.

But, one would be The Miseducation of Lauryn Hill by Lauryn Hill - because it’s a vocal and lyrical work or art.

What advice would you give to any new artists starting out right now?

Figure what it is you want to say.

There are so many artists out there right now so make your music relevant and be honest. I think that’s what people connect with: your truth.

Finally, and for being a good sport, you can name a song and I’ll play it here (not one of yours as I’ll do that).

I Was Created for This by Tweet

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