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Kate Bush
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Interviews
About
Premieres
Features
Reviews
Kate Bush
Search
Featured
Sep 22, 2025
FEATURE: The Best of the Other Sides Compilation: The Last of Kate Bush Dipping into the Archive?
Sep 22, 2025
Sep 22, 2025
Sep 21, 2025
FEATURE: “Mother, Where Are the Angels?” Kate Bush’s Suspended in Gaffa at Forty-Three
Sep 21, 2025
Sep 21, 2025
Sep 21, 2025
FEATURE: A Design for Life: The Pleasure and Joy of a Music Book…and Why These Books Deserve More Attention
Sep 21, 2025
Sep 21, 2025
Sep 21, 2025
FEATURE: A Dangerous Silence: Can Any Artist Afford to Remain Neutral Regarding Gaza?
Sep 21, 2025
Sep 21, 2025
Sep 21, 2025
FEATURE: The Digital Mixtape: Songs from Albums Turning Fifty-Five in 2026
Sep 21, 2025
Sep 21, 2025
Sep 20, 2025
FEATURE: The Digital Mixtape: Songs from Albums Turning Sixty in 2026
Sep 20, 2025
Sep 20, 2025
Sep 20, 2025
FEATURE: Kate Bush’s Aerial at Twenty: The Visual Possibilities of A Sky of Honey
Sep 20, 2025
Sep 20, 2025
Sep 20, 2025
FEATURE: Humanity in Everything She Does: Kate Bush’s Present and Future
Sep 20, 2025
Sep 20, 2025
Sep 20, 2025
FEATURE: Let Me Be Myself: Halsey, The Great Impersonator and Label Restrictions
Sep 20, 2025
Sep 20, 2025
Sep 20, 2025
FEATURE: A Much Needed Offering from the Queen of Pop… Madonna and a Confessions on a Dance Floor Sequel
Sep 20, 2025
Sep 20, 2025
Sep 19, 2025
FEATURE: Pulp’s Different Class at Thirty: Inside the Sublime Disco 2000
Sep 19, 2025
Sep 19, 2025
Sep 18, 2025
FEATURE: Swap Our Places: The Exploration and Examination of Gender Roles in Kate Bush’s Music
Sep 18, 2025
Sep 18, 2025
Sep 17, 2025
FEATURE: Spotlight: Revisited: Emma-Jean Thackray
Sep 17, 2025
Sep 17, 2025
Sep 15, 2025
FEATURE: Spotlight: Night Tapes
Sep 15, 2025
Sep 15, 2025
Sep 14, 2025
FEATURE: The Digital Mixtape: Songs from Incredible Debut Albums of 2025
Sep 14, 2025
Sep 14, 2025
Sep 14, 2025
FEATURE: A Passion and Not a Distraction: The Stage Careers of Beloved Artists
Sep 14, 2025
Sep 14, 2025
Sep 14, 2025
FEATURE: The Reggae Kite: The Artists and Influences in Kate Bush’s Music
Sep 14, 2025
Sep 14, 2025
Sep 14, 2025
FEATURE: I’m Gonna Dance the Dream: Kate Bush’s The Red Shoes at Thirty-Two
Sep 14, 2025
Sep 14, 2025
Sep 14, 2025
FEATURE: Kate Bush: Something Like a Song: Hammer Horror (Lionheart)
Sep 14, 2025
Sep 14, 2025
Sep 14, 2025
FEATURE: Points of Authority: Linkin Park's Hybrid Theory at Twenty-Five
Sep 14, 2025
Sep 14, 2025
Sep 13, 2025
FEATURE: Digital Witnesses: The Importance of Three New BBC Radio DAB+ Additions
Sep 13, 2025
Sep 13, 2025
Sep 13, 2025
FEATURE: Kate Bush: The Tour of Life: What Would Be the Ultimate Project to Honour the Icon?
Sep 13, 2025
Sep 13, 2025
Sep 13, 2025
FEATURE: The First Sign of Snow: Kate Bush’s Wild Man and the Taste of a Very Special Album
Sep 13, 2025
Sep 13, 2025
Sep 13, 2025
FEATURE: A Smarter Choice: Is the Comeback of the MP3 Player a Sign of Things to Come?
Sep 13, 2025
Sep 13, 2025
Sep 13, 2025
FEATURE: Beautiful Feeling: PJ Harvey's Stories from the City, Stories from the Sea at Twenty-Five
Sep 13, 2025
Sep 13, 2025
Sep 12, 2025
FEATURE: The Digital Mixtape: Gorillaz Hits and Deep Cuts
Sep 12, 2025
Sep 12, 2025
Sep 11, 2025
FEATURE: The Most Beautiful Sunset: Kate Bush’s Aerial at Twenty
Sep 11, 2025
Sep 11, 2025
Sep 10, 2025
FEATURE: The Singles Club: 2025, and an Especially Strong Year for New Music
Sep 10, 2025
Sep 10, 2025
Sep 10, 2025
FEATURE: Prime a Dozen: In Reaction to This Year’s Mercury Prize Shortlist
Sep 10, 2025
Sep 10, 2025
Sep 10, 2025
FEATURE: Perimenopop: Why the Young and New Are Not the Most Exciting and Essential Queens of the Genre
Sep 10, 2025
Sep 10, 2025
The Archive