INTERVIEW: The Ellameno Beat

INTERVIEW: 

 The Ellameno Beat

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IT is not often one gets the opportunity to interview…

a Reggae band from Florida. The Ellemano Beat, not only provide me a glimpse into the American Reggae scene, but I get to connect with an intriguing group. Hailing from Jensen Beach, Florida; led by singer Reggie Froom, the group combine progressive Roots music and mix it with powerful horns and modern production values. I chat to the guys about new single, One of Us – the latest single to be taken from their record, Surface. I was curious how their new single differed from previous offering, Muse.

They tell me the origin of the band name and what the scene is like in Florida. I wonder whether Trump’s presidency affects them as people and musicians; what kind of gigs they have booked and whether we will get to see them rock the U.K. this year.

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Hi, gang. How are you? How has your week been?

We are great!

This week has been very exciting as we have been getting lots of response from our new single - and are starting to make noise about our album release-party in our hometown!

What is the story behind the band name, 'The Ellameno Beat'?

In the beginning, as I had my sights set on developing a band to perform my studio work, I was searching for an Identity. For some reason at this time, a memory was floating around in my head of a fellow classmate in grade school confusing the individual letters ‘L’,‘M’;‘N’,‘O’ and ‘P’ as one complex letter - due to the repetitious rhythm in which we all learn the alphabet.

During a session with my good friend Dave Richards, who currently plays bass for Shaggy, I told him the funny story and tossed the idea of spelling out the combination of letters as if it were one single entity. Within seconds, Dave came up the idea to replace ‘P’ with ‘Beat’ - and there it was!

I like to think that by taking these multiple entities and identifying them as one: the name represents the synergy that is the back bone of the sound we are after. 

PHOTO CREDIT: Ashley Kidwell Photography 

As a producer and lifelong music enthusiast, I have never been impacted more heavily than by the experience of hearing the multiple elements of an ensemble come together to create the unique, magical sound that is Reggae music!

So, it just feels natural to represent our efforts with a simple, memorable play on words that, in a way, represents that passion.

You all seem pretty close. How did the band all come together? Have you known each other for years?

All the original cast (Reggie, James; Dylon and Walker) grew up together in Jensen Beach, FL - which is a small coastal town that thrives off of fishing and surf culture. There, we were all heavily shaped and inspired by everything that place had to offer. 

We’ve all been friends since a pretty young age - being that we all came up a part of a tight, family-oriented surf community there. As the majority of us had been playing music together since we were very young as well, when the time came to start playing live, the band was already formed!live, the band was already formed!

One of Us is the latest single. What is the story behind that one?

One of Us is a special song to all of us.

It’s born of a few very special long, creative, improvisational writing sessions. At the time this song came about, I was experiencing a phase of my relationship that has now proven to have been quintessential to the foundation of my being in its current state. There were tons of thoughts swimming around in my head at this time - and One of Us represents them directly. The cadence of this song inspired me to express my honest love, belief and commitment in the synergic life that I have begun with my significant other. 

One of Us is an invitation to express. It is an invitation to shed the weight of insecurity and just be! 

It is the second single from Surface. It is a little different from the previous track, Muse. It seems you are influenced by a lot of different genres. Would that be fair to say?

Oh, yeah!

We are all constantly listening to all kinds of stuff!

I hear a little bit of Earth, Wind & Fire on One of Us. Are they a big influence of the band?

As of late, yes!

I snagged a few of their old vinyl from my parents’ collection last year - and have been really digging into them ever since. Everyone in the group loves groovy, funky tunes.

What kind of issues, subjects and stories can we expect to hear from Surface?

We have all grown immensely since our debut release.

Surface is the product of a sincere yearning to express ourselves in our current state. The path that we have found ourselves traveling for the last couple years has given us a (very) unique view of the world we are living in - and has been the catalyst for the massive fire burning inside each and every one of us.

 PHOTO CREDIT: Ashley Kidwell Photography

You are donating the album’s sales to the Mauli Ola Foundation. What can you tell me about the cause and how you became associated? What provoked you to donate money/sales revenue to them?

As they say best in their mission statement; the Mauli Ola Foundation (M.O.F.):

“is a nonprofit organization dedicated to providing hope and confidence to individuals living with genetic diseases. Harnessing the healing powers of the ocean, we introduce surfing and ocean-based activities as natural therapies. We are honored to share our knowledge of the ocean, family values and community.” 

M.O.F. is widely known in our circle and, as we as a band hold the life that the ocean has given to us so dearly, it just feels right to support a foundation that strives to use the things we are most passionate about - to benefit people truly in need!

Jensen Beach, Florida is your hometown. What is the scene like there and is it quite big in terms of music?

Jensen is a small town full of people who love music! 

Though the scene has much growing left to do; there are a couple great places to play in the area that lay the groundwork for memorable, energy-filled experiences! We have been fortunate enough to build a large, family-oriented following there - through a massive common interest in music and ocean culture.

How did Reggae come into your life? It is quite rare for a white American band to tackle the genre – or do you feel it is becoming more common and widespread?

Since the beginning, I have been exposed to Reggae by way of my parents and family friends. First was UB40 and, of course, your standard Marley records.

As I grew and dove deeper into the genre, I began to heavily explore Roots music and became addicted to the Skank.

In the last decade, the American Reggae scene has definitely experienced a lot of growth on both coasts.

America is changing; in terms of politics and its people. Is it quite a frightening time living in the 'Age of Trump'? Is he someone who provokes a lot of fear and anger in you?

It does provoke fear and anger to watch one person unravel the progress of so many who have worked in the best interest of our country and its people. 

As someone so connected to and concerned about the environment, as well as about human rights and civil liberties, it is difficult to watch the gains American society has made during my lifetime be degraded against our better interests - and the interests of our international allies.

What can you tell us about tour dates and the rest of the year? Where are you guys heading?

For the rest of the year; we plan on touring hard here on the East Coast of the U.S. to support our new album. 

Keep an eye out for new tour dates to be dropped soon.

Any chance you’ll ever come to the U.K.? What do you think of British music?

We would love to play in the U.K. A.S.A.P.!

I would describe British music as some of the most creative and expressive music I have experienced. I am a huge fan of The Beatles and the sound they pioneered. I constantly find myself reaching for old recordings from Abbey Road for inspiration and reference - in my mission to manifest the ‘Progressive Roots’ sound The Ellameno Beat is working towards.

Also, I am currently hooked on The Skints! Such an awesome take on our genre.

IN THIS PHOTO: The Skints

Are there any new artists you recommend we check out?

Stand High Patrol; The Skints; Iseo & Dodosound.

If you each had to select the album that mean the most to you; which would they be and why?

Reggie: Beck - Morning Phase

That album has led me to more personal discoveries and progression of passion than any other piece of music to date.

As an engineer, I learn something new every time I listen to it and all of its sonic glory. As a songwriter, it leaves me longing for the next writing session time and time again.

As a person, it inspires hope and confidence in who I am - and who I am becoming.

Walker: The Grateful Dead - Friend of the Devil

Every song on the album represents a different time in my life, whether it be good or bad. On that record, there is a song to help me through each one of my qualms or quarrels that I have experienced throughout my life.

Nowadays, when I hear this record, it brings me back to those times and helps me appreciate them and how they have shaped me as person. It goes without being said that it heavily ties into my current musical creativity on a daily basis.

There are so many little moments on that album that have influenced a massive amount of my own original material. 

Dylon: Red Hot Chili Peppers - Stadium Arcadium

It makes me feel like going surfing. 

The arrangement of the entire album is like no other: such a wide range of sound in one amazing package. 

Brings back memories of some of the best years of my life.

James – Sublime - Everything Under the Sun

It’s a great raw introspective into the band and who they were as people and musicians.

E.U.t.S. helps me get through the day to day better than any other album I’ve heard.

What advice would you give to any new artists starting out right now?

Be yourself! As much as you can be.

Express yourself as honestly and passionately as possible.

Finally, and for being good sports, you can each name a song and I’ll play it here (not one of yours as I’ll do that).

Reggie: Most Beautiful Girl (In the Room) - Flight of the Conchords

Dylon: Bankrobber - The Clash

James: So Aware - John Brown’s Body

Walker: Sundown Syndrome - Tame Impala

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INTERVIEW: Lauran Hibberd

INTERVIEW: 

 Lauran Hibberd

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LIFE for a talented young musician on the Isle of Wight…

has its benefits, that’s for sure. Not only are there epic festivals on the doorsteps: Lauran Hibberd has some great musicians and producers living close by. I speak to the artist about her current E.P., Favourite Shade of Blue, and whether a snippet of a new track, Parties and Babies, will find its way into the studio. Hibberd talks about artists like Laura Marling and Feist: those who have been instrumental and influential in her formative years (right up until the present-day).

I ask about tour dates and what gigs she has coming up; a few new artists who are in her mind and, whether her bedroom – where she writes all her songs – is the perfect place to create music that has personal intimacy, deep passion and incredible moments of candour.

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Hi, Lauran. How are you? How has your week been?

Hello! I’m good, thank you.

I’ve finished a new tune; played live for BBC introducing and bought orange dungarees - so this week has been kind to me.

For those new to your work; can you introduce yourself, please?

Of course.

My name is Lauran Hibberd (Lauran with an ‘A’ - not an ‘E’).  I’ve recently turned twenty and I’m a Pop/Folk-inspired singer/songwriter living on the Isle of Wight.

Favourite Shade of Blue is your latest E.P. Can you tell me about the inspiration behind the title and have you been surprised by the reaction it has got so far?

As this was my debut E.P.; I felt a real pressure to get the title right. It had to sum up a year of my work and represent me and my debut as an artist.

So, I went around the houses and came up with titles as long as your arm… but I could never settle on one. The leading single was always going to be Favourite Shade of Blue, and then, I started reading into the title and how it could translate into so many different things.

The song itself is all about how ‘blue’ can be portrayed as a colour as well as an emotion - and how there are so many shades and layers to both of those things. So, when I thought of it like that, it completely summed up the whole ethos of the E.P.

The reaction has been great! The E.P. has been a long time coming as it took me so long to get it right (I’m a bit of a perfectionist and everything in the industry takes time) - but, I’m extremely proud of it. It was also great to have a premiere by seenlondon.com - and support from BBC Introducing and Amazing Radio. I had no expectations when releasing it - so, any press/radio/feedback was a lovely surprise.

I had an incredible reaction on a recent Facebook live-stream, also. It’s a funny thing: because I spent so long working on this E.P. - and the minute it was complete - I was on to the next thing. I’m back in the studio already; working on something new coming in September.

What kind of moments and times inspired the E.P.? It sounds like some of the songs are quite emotional and hard-going? Was it quite tough writing the tracks on the E.P.?

I’m fairly young so I’m used to feeding off other people’s experiences when it comes to writing - but these tracks strictly relate to me and my home. I’m a very free writer and often don’t realise how I’m feeling until I write a set of lyrics - but I never find it tough; always enlightening.

The concept behind the E.P. was to demonstrate the happiness that comes with sadness, to signify the purity that comes with youth - but emphasise how it slowly disappears into the unavoidable… love, loss and all that falls in-between.

I see, from social media, there is a song, Parties and Babies, taking shape. Can you tell us anything about its inspiration?

Yes!

I am so excited about this track: it’s really fun, really honest and actually quite heart-warming - despite the melodramatic title.

My sound is definitely developing. I’m now listening to a wider range of artists and really experimenting songwriting-wise. This song is a really great insight of things to come.

You just played a BBC Introducing Solent Live Longue. What was that experience like? Are the musicians who played with you there the same we hear on the Favourite Shade of Blue E.P.?

Yes, it was great fun!

It was a Bestival special and I’m lucky enough to have a Main Stage slot there this year - so it was really getting us into the spirit of things. I’m so grateful for all of BBC Introducing’s support so far. I did an acoustic session for them last year; so it was great to go back full-band.

I love playing with the band (Oli Old on Guitar, Jess Eastwood on Bass and Joe Perry on Drums). They have been with me from near-enough the start. We’re all great friends as well; which makes gigging together good fun.

The musicians that played on the E.P. were different in this case, though. A huge thank you to Chris Newnham (Guitar), Rupert Brown (Drums) and producers Boe Weaver - here on the Isle of Wight.

Your official website is informative and you have many great images. You update social media and have a very professional approach to music. Do you think that is important – and should more musicians put this sort of effort and attention in?

I think it’s super-important, especially at a time where people don’t go anywhere without an iPhone. It’s the best way to reach people… and I love it.

I like to update social media regularly - just to keep people posted, and make them feel like a part of what I’m doing. I always think, a Facebook page for a musician is like a C.V. - but a prettier one that happens to have emojis on.

Can you tell me how you got that passion for music? Were you compelled by music as a child? What kind of artists were you listening to?

I started having guitar lessons at fourteen and singing and songwriting became a huge afterthought to that - and something I didn’t really know I could do until I partnered them. I was hooked as soon I’d finished my first song.

Up until that point, my listening was whatever was on the radio… it wasn’t until I started obsessing over music that I delved into artists like Bob Dylan, Joni Mitchell and, more recently, Laura Marling and Feist.

 I believe your songs come together in your bedroom. Have you always written there and do you think that quiet and privacy leads to great songs?

Every song I have ever written has been written in that bedroom.

I think it’s just where I am most at home - and comfortable enough to write freely. I keep all of my guitars on a stand by my bed; so it may also come down to laziness! I’ve just never felt the need to take it, or try it, anywhere else.

I’m definitely a 'lone-wolf' kind of writer so the quiet and privacy definitely lends itself to that. But everyone is different: that’s just the way I have grown to go about things.

The Isle of Wight is your home. What is the place like for music? Is there a varied and busy music scene there?

The Isle of Wight is a great place to grow up and definitely a great place to write songs.

There is a music scene and it is definitely varied and definitely growing and we’re also lucky enough to have numerous festivals on our door-step. I recently supported Clean Cut Kid at a brand-new venue, Strings, so things are definitely on the up; and a lot young musicians are pioneering that.

Stations like BBC Radio 6 Music and Radio X have played your music. Has it sunk in at all – how popular and widespread your music is becoming?

It’s incredible - and always unexpected.

It’s really reassuring more than anything and is always surreal but it’s the dream job! I released my first song in December 2015 so I’m really proud of how far everything has come - and what I have built up along the way.

So...I’m just really hoping it all continues on an upward path.

I hear shades of Laura Marling in your songwriting and performances. Is she someone you admire?

Definitely. I’m a huge fan.

She really got me into the world of ‘Folk’. I’ve had her album, Alas, I Cannot Swim stuck in the C.D. player in my car for about a year now - so that’s had many a-listen!

I also went to Citadel in London to watch her recently and she did not disappoint.

Can we see you on tour anytime soon? Where might we be able to catch you?

I’m hoping to tour early next year, actually; I have a few things in the pipeline so I’m hoping it all comes together.

In terms of this year, though, you can catch me at Victorious, Bestival and Ventnor Fringe. I will also be in Nambucca (London) next month and will be playing at a few universities - including Winchester in September.

So...lots of things are on the way!

IN THIS PHOTO: Billie Marten/PHOTO CREDIT: Liz Seabrook

Are there any new artists you recommend we check out?

I’m a big fan of Maggie Rogers. Her debut E.P. is incredible and definitely brings some new elements to Folk.

I’m also a fan of Billie Marten, Lucy Rose etc..

I’ve been listening to a lot of Feist and Courtney Barnett, too.

Lastly, there is an incredible guy on the Isle of Wight called Swan Levitt. It’s super-moving and I’m playing a show with him soon!

lUAR11.jpg

If you had to select the three albums that mean the most to you; which would they be and why?

(These are the albums that kind of turned my head - and made me want to listen to the artists that inspired these artists - and the artists that inspired those artists etc. On a different day, we’d probably be looking at a different three albums. These may not be my favourite now - but they are definitely where I started…)

Laura Marling – Alas, I Cannot Swim

This was the first C.D. I bought that wasn’t a ‘Now!..’ or ‘Pop Party’! I stumbled across the track, Ghosts, and became obsessed (and I still am). It’s stuck my car C.D. player; so I know it better than some of my own songs!

Feist – The Reminder

I absolutely love this album. I became really aware of the power of production etc. with this record: it was a real eye-opener. I’m definitely more into her recent albums, now, but, as a turning-point and as a songwriter.

I took a lot from this album

Bon Iver – For Emma, Forever Ago

This was my ‘music college’ album. Everyone was obsessed with Bon Iver; so I went home and listened to For Emma, Forever Ago and, thirty seconds into the first track, completely understood why. It’s beyond engaging and, as a sixteen-year old listener, was a bit mind-blowing.

This album definitely pioneers my mid-to-late-teens.

What advice would you give to any new artists starting out right now?

This is a tough one.

It’s hard to give advice to an artist because everyone has their own way of doing things - and their own vision. I would just say: make good music, write good songs; play good gigs, meet good people and let everything else run its course.

Just work hard - and be nice to people.

Finally, and for being a good sport: you can name a song and I’ll play it here (not one of yours as I’ll do that).

Great. Thanks for chatting!

I’m off to see Feist on Thursday so let’s give her new tune, Pleasure, a spin.

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INTERVIEW: Hannah Featherstone

INTERVIEW: 

 Hannah Featherstone

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BASED in Paris and, as a former resident of Brighton…

PHOTO CREDIT: Alfredo Salazar

Hannah Featherstone has experienced diverse cultures, romance and eccentricity. Her music career, whilst less eventful, has been impacted by her time in France and the U.K. I was excited to learn more about Solo and working with Noémie Daval on its video. She talks about the song’s inspiration and whether we will see her perform in Britain this year.

I ask about Paris and how it suits her style; the artists she grew up listening to and some of the albums that have been important to her – and compelled/guided her own sound.

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Hi, Hannah. How are you? How has your week been?

I’m very well, thanks.

My week has been great so far. I’ve been in the countryside in the centre of France; by a river and under the sun - touring with a British orchestra. It’s been fun to challenge myself to sing Classical pieces and I’ve really enjoyed working on orchestral arrangements my new songs.

A fine balance between relaxation and hard work!

PHOTO CREDIT: Alfredo Salazar Photography

For those new to your work; can you introduce yourself, please?

 I’m Hannah Featherstone: a Pop-Jazz singer-songwriter; born in England and raised in France. I started my journey with music when I was really young - singing with gospel choirs and playing classical piano.

I later discovered Jazz singing. I’ve always enjoyed mixing styles and playing around with my voice and strange chords.

At university, I started composing my own material. Some of my housemates and family overheard what I was doing and encouraged me to get music out there.

That’s how it all started!

Solo is the new single. What is the song about and can you remember the moment it was written?

I wrote Solo five years ago in my apartment, in Paris, in a period of romantic confusion - that moment when you’re wondering whether to wait around or move on.

Instead of beating myself up about it, I just set my emotions to music and decided to enjoy a time of restless, yet peaceful, solitude.   

Its video is online – looks like it was interesting to shoot. How was it shot because it looks like it employs some unusual visuals/techniques?

It was a bit of an experiment for all of us.

We borrowed a good camera, good lights and figured that, with a simple idea and clear direction, we could do a cool video. I teamed up with Estienne Rylle (who I also collaborated with for the music arrangement) and Noémie Daval for the ‘glitch art’ - which is creating digital errors by corrupting data.

Estienne directed the shoot and did the editing, incorporating Noémie’s glitch work into the pictures.

PHOTO CREDIT: Alfredo Salazar

Noémie Daval provides the look and effects on the video. How did you come to meet her and will you be working together again?

We met in an artist evening at a church in Paris, became friends and started working together on various projects. I took part in her project on synaesthesia called Ce Que Mes Yeux Ont Entendu (what my eyes have heard). She asked me to write a few vocal pieces that she turned into works of visual art.

We definitely plan to work on more projects together. Some are already in the pipeline…

I believe Solo is the current song from your upcoming album. What can you tell me about the album?

It’s a twelve-track album coming out later this year called Word Bound - centred on my piano and voice. I wanted to keep it quite bare in its style so the Electro sounds complement the voice - and the drums by David Allevard give the songs a nice strong groove.

The album centres around the question of what lies beyond words and beyond the representations we have of the world and people around us.

PHOTO CREDIT: Alfredo Salazar

You teamed up with Estienne Rylle for the album. What was it like working with him and what does he bring to the music?

I actually met Estienne at the point where there had been a few setbacks in getting the album recorded - when I was on the verge of giving up on the album after a few failed attempts at getting it recorded.

He was able to convince me to stick at it and see it through.. I don’t regret it one bit. He was able to get me through the final stages and really grasped the sound I was looking for. He’s a talented young artist and it’s been a privilege to work with him.

Paris is where you are based. What is the city like for music and how inspiring are its people?

Paris is a buzzing city and it’s great to be part of a culture that encourages art and creativity.

I’ve been living there for six years and I’ve enjoyed getting together with friends; stumbling upon bars that play live music and going to great concert venues.

PHOTO CREDIT: Guergana Damianova 

There’s so much going on: it’s easy to feel lost though. Paris does remind you of how small you really are!

It seems like you are at home in Paris. Any temptation to come back to England (where you were born)?

To be honest; I have been thinking about it.

I’ve always felt torn between the two countries. For the time being, Paris is where I want to be - but I definitely will be moving at some stage…to England, or elsewhere! Who knows…?!

What has been the best gig you have played in France?

Playing at the L’Olympia has been one of the highlights.

Not only because it’s the most iconic venue in Paris but, also, because I played there alongside friends as the opening act for Gregory Turpin.

But I’ve actually also found the living-room concerts I’ve done just as memorable. They’ve all been unique and it’s a real treat to be in such direct contact with the audience.

How important is the French language; the styles and cultures and different genres played in the city to your music and creativity?

As I was raised speaking both languages at once: I have a tendency to mix and match expressions from both languages. Although it could be seen as a hindrance to writing lyrics; I think it probably means I can play around with expressions and ideas a little more - by tapping into the other language.

As for the genre; I wouldn’t say that the French style has impacted me all that much. Chanson Française is mostly based on strong texts. I’d actually say living in Brighton for a few years had a greater impact on that front.

Can you tell me about the type of music you grew up listening to? Was music a big influence when you were young?

I come from a musical family - so music has always been a big influence.

I would listen to Bach, Phil Collins; Whitney Houston, Arvo Part; Bobbi McFerrin. As the rest of my family was so talented, I was often tempted just to let them get on with the musical stuff. So I did try to get away from it all. But it kept catching up with me.

I eventually decided to give it a real go myself.

What does the rest of the year hold in terms of plans and further music?

I’ll be releasing a few other tracks and videos before I get the album out in November (sometime).

I look forward to composing again as I haven’t been able to get down to that for a while.

Are there any tour dates coming up? Any opportunity to see you in the U.K.?

I’ve got a set of festivals and living-room concerts coming up in Holland, Germany and Brussels throughout August - and I’ll be doing some more in France in the autumn.

I’m also planning a few gigs in the U.K. in the near-future - I’ll keep you posted online…

IN THIS PHOTO: Charlotte & Magon

Can you reveal whether there are any new artists you recommend we check out?

I’d recommend you check Charlotte & Magon: a duo based in Paris that I met a few months back.

Great music and beautiful people!

PHOTO CREDIT: Alfredo Salazar

If you had to select the three albums that mean the most to you; which would they be and why?

Camille – Le Fil

For its insanity and originality.

Fiona Apple – When the Pawn…              

For its raw power.

And any album from Lauryn Hill

For her soul and swag.

What advice would you give to any new artists starting out right now?

Surround yourself with people you trust and don’t be swayed by what people want you to be!

Finally, and for being a good sport; you can name a song and I’ll play it here (not one of yours as I’ll do that).

Laura Mvula – Green Garden

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INTERVIEW: Up Down Go Machine

INTERVIEW: 

 Up Down Go Machine

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THE London band Up Down Go Machine; in addition to that…

intriguing name, boast some terrific and unexpected sounds. I ask about new single, Gambler, and the sonic influences that go into it. The band weaves punchy, yet delicate, Folk melodies and stripped-back guitar sounds together. In terms of theme; Gambler explores a man whose addiction takes him to the dark side – inspired by the gangster films of the 1980 and '90s.

A killer chorus and fascinating set of lyrics is not an easy thing to get right – Up Down Go Machine seem to achieve it with ease. I ask about the band’s roots and the sort of music they grew up listening to; how they managed to secure (forthcoming) gigs in New York and their fondest memories to date.

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For those new to your work; can you introduce yourself, please?

A big hello from Up Down Go Machine. 

We are made up of moi (Sam) on the drums; Stephen on the bass and the powerhouse vocals of Stephen - who also plays the guitar.

Can you reveal the origin of that band name, ‘Up Down Go Machine’?

Our singer, Stephen, on his travels, found out that the name ‘Up Down Go Machine’ is a direct translation of 'a lift' in Japanese...apparently.

At the time, he thought, "That would make a great band name!".

We decided Up Down Go Machine was a fantastic name and felt it had relevance to our music so we swiped it, branded it and gave it a logo.

Talk to me about the single, Gambler. What was the inspiration for that song?

The inspiration actually came from when Stephen was watching the movie, Casino.

The individual characters took his attention and he wanted to write lyrics that delved into the darker aspects of the gambling scene. From here, we wanted to create a sound that was ambient and deep but at the same time; had space to allow the track to build - as it moves along from chorus to chorus.

A recent review said that the track has pace, restraint and understatement - and it's this that makes it stand out. We couldn't actually agree more!

 

It is the lead-off single from your eponymous E.P. What has it been like putting the songs together? What sort of stories and tales compelled the songs?

The stories all vary: telling a different tale each time! 

We have songs about a damn bursting back In the 1700s; another based on a mermaid that falls in love with a man - and one of the tracks is focused around one of Louis Theroux documentaries about alcoholism - taking one person's stories and perspective of his/her world. 

Your music takes in many different genres and sounds. How would you describe your sound?

One of the hardest questions to answer, really!

I suppose we fall under the combination of Folk, Indie & Rock.

Our music had an overall finished sound - which is explored and polished when in the studio. We all bring our own talents and music tastes to the table. This is what makes the music so interesting to create.

How did the band get together in the first place? Take me back to those early days.

The band first came about when I (drummer, Sam) met Stephen working for Oakley.

We got onto the conversation about music and he told me played the guitar and sang. I checked him out, heard his vocals and immediately replied with....LET'S START A BAND! 

I notice Celtic Folk is evident in your music. What kind of music did you all grow up listening to?

We've all grown up listening to all sorts of music - which is what it's about!

Our singer, Stephen, comes from Wales so holds his Celtic roots close to his heart. This is a fantastic attribute to have in a band - with such a powerful vocal - as you can hear it, not only in the music, but in the raw talent of his voice.

When writing our music; all of our own personal musical backgrounds and musical tastes are brought to the table - in the hope to create something exciting and unique.

You have performed at a range of venues and locations over the years. What has been the fondest memory so far?

We have been fortunate enough to play at some amazing venues along our musical journey thus far.

For me, the fondest memories were coming off the Big Top Stage - after a stomping set at the Isle of Wight Festival...BUZZING!

Swifty followed by Shepherds Bush Empire.

I believe, among other duties, the band will tour New York very soon. How did that offer come about? How excited are you to head over there?

We have a few contacts over in N.Y. who, gratefully, are loving our music right now - so they have kindly asked us to go over there and perform at some great venues across the city!

Due to the bands overall sound, we personally feel that our music style will be well-received over stateside - so can’t wait to get over there and smash the pants off it!

Future gigs include a spot at Music Makers Festival. What was it like getting the call for that?

Very pleased!

The Music Makers Festival has a great line-up of some of the best artists around at the moment. So, it's always a pleasure to be asked to perform these sorts of shows.

The likes of BBC Radio 1 have supported your music – it seems there is a lot of love for the Up Down Go Machine brand. How did that make you feel? Does it give you the confidence to keep striding and dreaming?

Absolutely!

We are SO grateful to all of the support we receive for the band. We all have such a passion for the band and the music so there's no better feeling than to hear your music and hard work being praised by the likes of the BBC.

We're most certainly going to be striding well ahead with the music - so we only hope the price continues and we get out music out to new ears and picked up by new fans!

Are there any new artists you recommend we check out?

Get your ears around a bit of CAMP CODE: awesome Ozzie-ness!

Also, D.D Dumbo: Delightful grooves!

If you're in a chilled mood or working in a sweaty office: may I suggest Maribou State?

What advice would you give to any new artists starting out right now?

It's not always (just) about writing great music: it's just as important to create a solid brand identity for yourself/band and pushing forward with consistency.

This will make it easier for people to recognise you and your music moving forward.

Pick me some songs to finish on, guys...

We Are Augustines - Chapel Song

D.D Dumbo – Walrus

Stereophonics - More Life in a Tramp's Vest

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Follow Up Down Go Machine

INTERVIEW: George Glew

INTERVIEW: 

 George Glew

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TAKING that first step into music can be a big challenge…

but George Glew is prepared for the task at hand. He has been recording music for a while so his single, Bury Me, comes equipped with natural confidence and experience. His aim is to release a song each month (for a year).

I ask how he is feeling about this feat and whether it will lead to an album – a place to put all those songs together. He talks about the music scene in South Wales and the music he is inspired by.

I was interested to know about the songwriting process and the reason for such ambitious productivity; albums that have struck his hardest and what his tour schedule is looking like – and whether the artists that struck his ears as a child.

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Hi, George. How are you? How has your week been?

Hi! I’m very good.

It’s been a mental few days, what with Bury Me being released on Friday, but feeling very positive.

For those new to your work; can you introduce yourself, please?

Of course.

My name is George Glew and I’m a twenty-four-year-old singer-songwriter/producer from South Wales - now living in Bristol.

I have been listening to your single, Bury Me, and am interested in its origins and story. What compelled the song?

I wrote the song quite a few years back so when trying to remember the origins or the feeling I had when writing the song is difficult. I think something had happened and I just wanted to have a fresh start; become a new person.

With that, take all my wrong doings and peoples hurt with me and start fresh. This song has really stuck with me for some time and it really means a lot to me.

I hope people find their own meaning within it.

It is your debut track. Is it quite nervous or are you excited by this moment? Why was now the perfect moment to come into music?

I had been (anyway), for about a-year-and-a-half, just writing and producing songs - and I felt the need to really get music out there and start gigging again - rather than just having all these tracks that no one would ever hear.

Then, the idea of doing a track a month came up, and it seemed perfect!

But, yes, I was still a little bit nervous - but it’s out there and I can’t really do anything about it now, right?!

Can you tell me how you got into music? When was the fuse lit?

I started playing instruments from an early age: piano first, then guitar and then drums. I think the idea of creating my own music and producing etc. started when I was about sixteen. I would say that I heavily got into it when I was eighteen.

I made a small, super-basic studio in the garage at my mum’s house - and just started recording my songs and other mates’ songs as well.

I really found my flow in writing and my style when I was about twenty and I started writing songs and thinking: “These aren’t bad”.

I believe you are releasing a new track every month for the next year? What was the reason behind that decision? Can you give us a window into next month’s song?

You are correct!

The reason is, probably, the fact that I have loads of finished songs in demo-form and it just seems the best way to do things now. I also have a few different sounds in my repertoire - not just this big, Soul-y, Blues-y side (so I can show each one in its own light).

With Bury Me being one of the oldest and best songs it just had to go first. I won’t be releasing a track a month for forever - or just singles, for that matter - as I really love albums and full bodies of work.  I’m very excited about this next year!

I’m not sure whether I can tell you about next month’s release but it’s a good one and it’s got a very interesting instrument in it… 

After the twelve songs are out; will they go into an album? Any plans for an E.P. at all?

Maybe; maybe not.

It’s hard to tell just after the first release but I would love to do a special release of them all of some kind… will keep you posted on this one.

Can you tell us about your songwriting process? Do you sit down and dedicate a certain amount of time to songwriting or do you write when the moment strikes?

I try to keep to doing a track from start-to-finish, once a week: it’s hard to keep up at times but it keeps me thinking about the creative process - so that I never forget the point of being a recording artist.

I feel like it’s important to set time aside, you have to sometimes force creativity to stop your creative brain from dying.

Then again, if I feel inspired to write something, I will - there’s no set rule.

You were born and raised in South Wales. Was there an array of great music there or was it quite quiet in terms of the local scene?

At the time when I was making music and living in South Wales, there was a lot of Hardcore and Metal bands about, and not too many singer-songwriters, so, I naturally fell into playing in Alternative bands.

During my teens, it was the height of the Pop-Punk scene with bands like Kids in Glass Houses and The Blackout - but I don’t think it massively influences me now.

I met a lot of great musicians, though, and some of my favourite bands are from there: The People The Poet and Straight Lines.

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What kind of artists did you grow up listening to?

When I was little, my mum always listened to Queen, Eric Clapton and Stevie Wonder - stuff like that. So, I guess it formed my later tastes and is probably engrained in my brain. I still love that music now.

Big influences for me when I started writing were singer-songwriters like Paolo Nutini and Bon Iver, and later on, I found artists like John Mayer and Gary Clark Jr. - who really pushed my guitar playing.

Can you reveal any gigs you have coming up? Where can we see you play? 

I have a monthly residency at The Gallimaufry in Bristol which I’m really looking forward to. It’s on July 25th, August 29th and September 26th.

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How do you spend your downtime from music? Do you have any hobbies at all?

There’s very little downtime between my day-to-day job and focusing on the music - but I do find time to just relax and spend time with friends really. It’s important to recharge sometimes and remember to live and gain life experience.

I also love watching films; but with no distraction…

IN THIS PHOTO: Nugget

Are there any new artists you recommend we check out?

There are so many artists I love but I would recommend you guys checking out Sleeptalking, Keir and Nugget.

They’re all amazing artists that I’ve known for a while now. They all do amazing things - but in very different ways!

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IN THIS PHOTO: Sleeptalking

If you had to select the three albums that mean the most to you; which would they be and why?

John Mayer - Continuum

This album taught me about great musicianship and how, sometimes, less is more – also, the songwriting is just incredible!

This album alone enhanced my guitar playing so much.

Bon Iver - For Emma, Forever Ago

Probably the most beautiful album of all time - and I’ve constantly gone back to it for so many years now. It can take me to another place.

John Legend - Darkness and Light

Some of the most creative production and mixing of any recent Pop record - probably one of the only recent Pop albums I’ve loved from start-to-finish.

What advice would you give to any new artists starting out right now?

Just keep writing songs: the more you write the better your judgement becomes...

Also, stick with your gut and create what you love: whether people like it or not, you’re making the music you love and you’re going to be associated with it and performing it each night.

Work with as many people as possible to start with and learn from them -  there’s always something to learn from collaboration.

Finally, and for being a good sport; you can name a song and I’ll play it here (not one of yours as I’ll do that).

To Build a Home - The Cinematic Orchestra (ft. Patrick Watson)

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INTERVIEW: Candice Gordon

INTERVIEW: 

 Candice Gordon

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SHE has, previously, recorded an E.P. with legendary hell-raiser…

Shane MacGown - and is set to release her own album, Garden of Beasts, on 8th September. I talk to Candice Gordon about the album and the kind of stories she touches on. Living in Berlin; I was curious about the scene there and whether there are, local or otherwise, any artists she recommends we follow closely.

Gordon talks about working with label-mate A.S. Fanning (who produces her album) and the insight into new single, Nobody. Having previously lived in Dublin; I wonder whether she misses the city and any plans on going back. I learn more about Brown’s touring scheduled and, having worked with someone like Shabe MacGown, she has a bit of a wild side herself!

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Hi, Candice. How are you? How has your week been?

Grand.

I have just finished editing a video for my next single and I’m going to Frankfurt tomorrow to support Midnight Oil - so I’ve been rehearsing for that.

Tell me about Nobody. What is the origin of that song?

I used to work in shi*ty, shi*ty night clubs for money. From this experience, I had this image of vacuous desperate hedonism - I wanted to examine some driving factors of human behaviour in this album and create a sort of narrative.

Nobody is the point in the album where innocent carefreeness turns harmful. It’s basically about objectification and dispossession.

On 8th September, Garden of Beasts is out. It sounds like an interesting album. What is the inspiration and story behind that title?

When I moved to Berlin, I, frankly, became obsessed with the Nazis and the Holocaust. I wondered how on earth those people could do what they did?! How can people be so evil - the common, Average Joe people, complicit in such atrocity?!

I was immersing myself in a lot of documentaries and literature about it all and then I saw a documentary series (not about Nazis this time) called The Human Animal - and it sparked the idea of this concept album.

I was comparing things like sophistication vs. savagery; caring vs. harming; lightness vs. darkness etc. The beginning of the album is the birth: it grows through adolescence, exploration; trauma, death and, finally, a cleansing and rebirth.

I have a picture in my mind of these characters going through it all but I’m not sure if all that will be apparent to the listener.

I don’t really want to impose it on them - just hint at it - and, maybe, they will take the contemplative journey.

Oh, yeah: the title is directly inspired by Tiergarten in Berlin - but plays well with the Human Animal stuff.

What was it like having label-mate A.S. Fanning producing and Ingo Krauss mixing? What did they bring to the album?

Fanning is a grounding element for me; a solid foundation. He kept things together when they were on the verge of falling apart.

Quite a few times during the process I was ready to pack it all in. He’s also a great multi-instrumentalist and creative musician; ten/ten: would recommend. I would also highly recommend working with Ingo Krauss. He’s sort of a sonic philosopher. REALLY passionate about sound.

He just gets the job done (and to a high standard) - I am endlessly appreciative when people just do what they say they will do.

It was recorded in an Irish country house and Berlin’s Funkhaus. I know you have moved to Berlin. How important is the city and how influential are the people and cultures there when it came to Garden of Beasts?

I reckon I answered this up there but I’ll elaborate with a book recommendation - and one that I read during the writing of the album and really had an impact on me: Alone in Berlin by Hans Fallada.

For those that don’t read: they’re releasing a film version soon (or maybe already have).

You grew up in Dublin. Do you miss the city? How do the music scenes differ in Berlin and Dublin?

I do miss Dublin.

I dream I’m there often. I really miss the sea.

But, it’s too capitalistic and Catholic - and I’m too much of a hippy liberal...and I’m a woman - so it’s not a good fit right now.

Maybe I’ll move back when one of us has changed.

Many reviewers note the brooding and visceral nature of the music – a mix between Nick Cave and PJ Harvey, perhaps. Do you take that as a compliment? Are those artists important to you?

Yes, I hear this a LOT.

After I play a gig I get it too, that and Patti Smith. A LOT! I don’t get why. I really don’t get it. I don’t think I sound like any of them. I found out that Shane MacGowan phoned Nick Cave - after we worked together - and told him he should check me out - and I did swoon!

But, yeah, I don’t get it and it’s frustrating because enough people have said it; so I recognise a pattern - but I am not hugely influenced by them; although I do really like the music and highly respect them as artists.

Maybe we come from the same planet. Of course, people intend it as a compliment.

One journalist, rather wonderfully, said Nobody was the best song never to feature on the Twin Peaks soundtrack. Your music has a Lynch-ian quality. It is cinematic and dramatic. How, do you feel, cinema, drama and visuals aspects inspire your sound?

That was said about Before the Sunset Ends - which was the lead track of the E.P. (produced by MacGowan).

When I write music I see scenes like in a movie. Maybe everyone does. It is very vivid, yeah, and I love Lynch.

I would absolutely love to compose for film.

I have been working a lot with a filmmaker here in Berlin, Valquire Veljkovic. He used a few songs from Garden of Beasts on his forthcoming trilogy, Harvesting Insects, and it’s very satisfying to hear my songs placed on a beautiful film. I am planning to compose specifically for him this year.

In the past; you have worked with Shane McGowan and performed at Truck Festival. It seems like you embrace and lust after a certain rebelliousness. Would that be fair to say? How do you spend time away from music?

Some friends and I have a running joke about how Larry David I am.

I often find myself in situations that would fit right in to Curb Your Enthusiasm. He’s a rebel isn’t he, so, yeah, I’m a rebel like that?

Away from music: I don’t know.

I like movies and comedy; and vegetarian food. Any of my really rebellious behaviour...I will leave up to the imagination of the reader.

What do the coming months hold in terms of tour dates? Any plans to play the U.K. this year?

Yes.

Playing London on the 27th September on a line-up with my compadres A.S. Fanning and Louis Brennan. It’s in the Servant’s Jazz Quarters.

I will be touring in Europe in October.

Are there any new artists you recommend we check out?

Both of the aforementioned have amazing albums coming out soon.

Paddy Hanna is a talent waiting to be discovered too.

Also; a favourite band at the moment are BALOJI.

If you had to select the three albums that mean the most to you; which would they be and why?

I’ve been listening to Alan Vega’s Cubist Blues this summer.

I have a feeling it’s going to influence some future work of minute - but I can’t promise anything.

Likewise; same with The Modern Lovers’ The Modern Lovers.

I’m going to go with Kraftwerk Radio-Activity as a record that I had some pretty wild existential revelations to this.

What is the most important advice you have been offered by anyone – either, in terms of your music or something that has changed you as a person?

One thing that comes to mind: in the history of the Seattle Museum, there’s an exhibit about how the Alaskan gold-rush contributed to the growth of Seattle. They advised their residents not to go to Alaska and they had a catchphrase: “Mine the miners” - and business boomed in Seattle catering for the miners that were passing through to find their fortune in Alaska.

Of course; most of them returned broken-down and empty-handed.

I think about that regarding the music business now.

On that note: what advice would you give to any new artists starting out right now?

You’ve got to find the sweet-spot where you take your work seriously enough to work on it every day - and not too serious that you get paralysed.

You’ve got to be having fun: lighthearted but, at the same time, completely heavy - like it’s some sort of spiritual divination. Or like a drive; or a hunger for the sublime. When you’ve got good work, then you need to find the good people to work with.

People easy to work with who work hard and get stuff done. You work hard and get stuff done...and then the ship is sailing.

Also, work as fast as you can on something when the fire is lit - before it goes out.

Finally, and for being a good sport, you can name a song and I’ll play it here (not one of yours as I’ll do that).

Play me some Fela Kuti!

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INTERVIEW: Dani Robert

INTERVIEW: 

 Dani Robert

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ONE cannot deny how well the single, Clouds, has done lately.

ARTWORK: Casey Blair

Its creator, Dani Robert, talks to me about its Spotify success and whether its acclaim was expected or not. Originally from the farmlands at Pain Court - she is now based in Toronto. I ask about the music scene in the Canadian city and how it inspires her. I ask about her latest single and the inspiration behind it; whether there is anything (music-wise) is coming up – and how instrumental music was when she was young.

I ask whether Robert is coming to the U.K. and what tour dates are approaching; the three albums that mean the most to her – and whether it is a struggle being a young artist in a competitive market.

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Hi, Dani! How are you? How has your week been?

Hey.

it’s been a great week! I’ve been doing a lot of press and promo for the new single, Clouds - so a whole bunch of things keeping me busy.

I am so excited about how people have been responding to it. We just broke 100,000 Spotify spins!

Such a giant blessing!

Clouds is your new single and summer anthem. What is the story behind the song?

The song is all about a personal experience I had with a close friend of mine.

I had felt so many feelings for this person and I felt he did too - but we just never talked about it! It made me think of all the times we feel something and are so hesitant to act or even talk about it. I compared it to a cloud because clouds are there, but they’re also just vapor – similar to these experiences.

The feelings were there but weren’t really because we never acknowledged them (like vapor). So, the moral of the story is: TALK ABOUT YOUR FEELINGS!

The video looks like it was fun to film. What was the process of putting it together and how involved were you in putting the concept together?

It was such a great experience filming this video.

We worked really closely with the director, Gord Poon, to put together a story that, essentially, brought the lyrics and song itself to reality. He did a great job really taking my personal story and putting it on screen. I was pretty hands-on in the whole process too: from the initial brainstorm process to the casting - all the way to the end product.

Based on the responses I’ve been getting, I think we were able to capture a real-life experience that is allowing people to truly feel something. If you guys are able to feel something - and I mean anything at all - I’ve done my job!

It seems like a lot of time and thought was put into putting the song together. What was the process of making the song itself?

Definitely!

The song itself took about a year to fully complete. It was a long and worthwhile process that involved many people: from Mic Te to TJ; to A.M. and, of course, Ashton Adams and Kyngs - who produced the whole track.  It started off with a few lyrics and a piano rift but when I took it into the studio for the guys to listen to - they added their touches and it took a life of its own.

That night in the studio, when we finally finished everything, I remember being with my team, dancing and beaming with smiles! It’s a very personal song to me because it’s something that really happened to me!

It has been streamed thousands of times on Spotify and taken to heart by so many people. How important is that kind of reaction and reception to you?

I’m just blown away by how well received the song has been thus far – over 100,000 Spotify listens in less than two weeks!

I’m so happy you guys like it! So many people have shared with me their own feelings on how they can relate to the song, and to me, that’s really what music is all about. As an artist, I just want to connect with people of all backgrounds and walks of life. It’s so beautiful to see so many different people from around the world create their own interpretations of Clouds.

It really shows that us, as people, really aren’t so different from one another.

Is there an E.P. or album on the horizon?

Definitely.

New music is on the horizon soon – whether an E.P. or an album, that’s to be determined. I have a collection of songs in the musical vault!

Right now, we’ve just been so taken aback with the success of Clouds and I’m just really trying to soak that all up. Stay tuned, though!

You live in Toronto but are from Pain Court. How different are the two places and what was the decision to move to Toronto?

Both places are pretty different from one another- but are each beautiful in their own way.

Pain Court is a small French village that is forty-minutes away from Windsor, Ontario. It’s filled with fields, old barns and breathes at a much slower pace.

Toronto, with its diverse neighbourhoods, for the most part, is much faster-paced and taller - in a sense that there are more sky scrapers! The only structure comparable to a sky-scraper in Pain Court would be their grain bins. Haha.

Music is the thing that ultimately brought me to Toronto though. Being there has allowed me to build the team of people I currently work with today. Toronto’s music scene is extremely tight-knit as well. It’s been so humbling to be a part of a community that has bred people like Drake, Shawn Mendes and Alessia Cara!

To call these people my peers is truly an honour.

What is the music scene like there? How does it compare to other parts of Canada?

Like I said: the scene there is so tight-knit and talented!

So many international artists are from there from Drake to Alessia (Cara); The Weeknd, Justin (Bieber) - who’s just outside of Toronto.

Montreal is another place in Canada I really love. It’s also so amazing and diverse - there are so many talented groups from Montreal.

Those are probably the two places I’ve really been able to experience as of late. Canada is such a huge country. I’m hoping to see much more of it when we go on tour.

How early did you take to music? Did you start playing as a child?

I started playing the piano when I was five and began writing songs when I was seven. My babysitter, Jess taught me Heart and Soul on the piano and, from there, I couldn’t stop playing!

There are so many creative ways of looking at the world when you’re that age and I found the best way to express it was through song. I am so grateful to have the opportunity to express myself in such a way - because it really is my most comfortable method of communicating and connecting with others.

What kind of artists and albums did you grow up listening to?

Growing up, my parents always had the radio on. They listened to a lot of '60s and '70s music - and I listened to a lot of Sarah McLachlan.

As I got older, I also started listening to Chantal Kreviazuk - after my mom and aunts brought me to her concert. Watching her play, I remember hearing a voice inside me saying: “You will be doing this someday!”

Is it quite tough being a young artist coming into music? Do the ‘goods’ outweigh the ‘bads’ - or does it depend on the day?

Being a young artist sometimes has its challenges with all the responsibilities involved - and all the different hats you have to wear.

It doesn’t necessarily depend on the day because you’re always thinking and experiencing so many things at once and are always on the go. Whether that is spending hours in the studio, being in constant communication with my managers; having to meet multiple deadlines in a day, odd sleeping hours; meetings, social media management or press runs you’re always on - it doesn’t leave a whole lot of time for myself.

As a young artist, especially, I think I have the added challenge and responsibility to make sure I’m presenting myself in a proper and respectable way. I have so many young listeners that I have no choice but to make sure I set an example for them. Often, when put in that position, a lot of pressure is there to do well not only for myself but for everyone impacted by my music.

But, when I see how people are connecting to the music and my story, all those challenges and bad days are really over-shadowed. Nothing compares to seeing people connect with my music and even having it help people in their lives.

So, to answer your question: the good absolutely outweighs the bad!

How do you unwind and spend time away from music?

I spend a lot of time in nature, swimming; painting, hanging out with my family; friends and Ned the cat (which my mom will soon be making a Facebook page for - stay tuned! Haha).

My faith is also really important to me - so I like to pray and go to church.

PHOTO CREDIT: Kenneth Leung

Can you tell us whether there are any tour dates coming up? Any plans playing in the U.K. this year?

As of right now, we are in the beginning stages of talking about tourin - but I would love to come to the U.K within the next year!

I hear that in general, the music scene in Europe is incredible - as you guys have a true appreciation for music. Wonderfully enough, my primary Spotify listeners of Clouds are actually from there.

Are there any new artists you recommend we check out?

I love Anna of The North – she’s an awesome artist from Norway.

I absolutely love her sound, look and overall vibe. Her melodies are absolutely breath-taking.

PHOTO CREDIT: Jonathan Vivaas Kise

I would also recommend an upcoming Canadian rapper I’ve worked with named Brae.

He’s on the same management team that I am (AMAG) so we’ve become good friends. He’s such a talented young Canadian artist - not to mention he has such a happy-go-lucky personality. His live performances are unreal!

If you had to select the three albums that mean the most to you; which would they be and why?

Sarah McGlaughlin’s Surfacing (album) is a big one.

I was so young when I first listened to that album on my old cassette player at home. It definitely inspired me to write songs on the piano like she did. The overall beauty, depth and emotion captured on the album is beyond words.

Chantal Kreviazuk’s What If It All Means Something also had a big impact on my writing when I was young.

It was the depth and her ability to capture emotions and tell stories that drew me in. 

Lastly, Frank Ocean’s Nostalgia, Ultra, is another project that leaves me in awe.

My ears never get tired of it and I feel like I’m in a different world when I listen to it. Strawberry Swing, in particular, literally makes me cry!

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What advice would you give to any new artists starting out right now?

Music isn’t just about making songs: it’s really about discovering yourself and knowing yourself. Get to know yourself in the studio - do you need breaks? Snacks? Do you need to prance around the yard and pick daisies in the middle of a session? (That’s what I do sometimes).

Analyse yourself and get in tune. I know there’s a ‘grind’-mentality out there but, sometimes, stepping away and coming back - or even waiting for that actual experience to capture - is worth it as listeners feel and hear the difference.

Really importantly; my manager Mic Tee always reminds me, that, despite the stress - to make sure to have fun in the process!

Finally, and for being a good sport, you can name a song and I’ll play it here (not one of yours as I’ll do that).

Thank you for the wonderful interview and I hope to meet you in person soon! 

I would love it if you played The Dreamer by Anna of the North!

Thanks so much and don’t forget to follow me online: @danirobertmusic!

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Follow Dani Robert

INTERVIEW: Aminu

INTERVIEW: 

 Aminu

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AMINU is some I am intrigued by and how he has progressed…

over the last few years. Not only was he approached for Simon Cowell (for a deal) but has worked with a range of talented producers. I ask him about his new single, Love U, and its compelling video. Aminu is based in London but born in Nigeria. I ask about his heritage and whether he brings his African roots to the music – and if music was a big part of his childhood.

He tells me about future touring plans; when he first got the performance bug and the experience of working with producer Rob Ra – who seems to have a direct and honest approach (like Simon Cowell). Aminu gives a little peek into his upcoming album, DYFM, and what we can expect to hear from it.

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Hi, Aminu. How are you? How has your week been?

Hi there.

My weekend has been really nice and relaxing – although, I am getting a little cold from time to time as I'm always on the move.

Battling through different climates can be somewhat of a challenge. L.o.L.

For those new to your music; can you introduce yourself, please?

Sure.

My name is Aminu and I'm a singer-songwriter - born in Nigeria and raised in the U.K.

Tell me about the new single, Love U, and its video.

The video for Love U has been a really wonderful experience.

It came about from an old song I had written a while back. It came alive again after I played it to Rob Ra - who I’ve have worked with on other successful projects.

We then gave it a much-needed revamp and reintroduced it back into the forefront - with a fresher sound.

Is there going to be any more music arriving shortly?

The single is taken from my album, titled D.Y.F.M. - which stands for Do You Feel Me.

I'm still finalising the tracks on the album - and making sure that it gets across to all the fans!

You were born in Nigeria. Was music a big part of your childhood there?

Yes, I was born in Nigeria.

I remember growing up and hearing lots of Soul and Disco being played during our birthday parties as children. Michael Jackson’s songs and his videos - like Don’t Stop ‘Til You Get Enough and Billie Jean - just drove me to perform in front of the T.V. It, sometimes, felt like I was the only person around.

London is where I wrote my first song as a teenager. I went on to complete my studies in U.K.

Was it difficult leaving home/Nigeria and going into music?

Yes.

It was tricky but my parents saw, from my school days, that I had something. They regularly came to see my plays and shows at school. I always had a good balance between studies and creative time.

It was after university - and music wasn't paying off hugely - that they recommended I got back into the corporate world (which I did).

But, I always had time to create music after sorting out my mobile studio set up. Everywhere I’d go; so too did my music.

I believe Simon Cowell came across your music and offered you a deal. How did he come to your attention?

Simon’s situation was a really good place during my history!

It meant something to me - and it meant something huge! I wasn't offered a deal by Simon, but rather, he had come across my C.D. and advised that I had a communicative session with the top management at BMG then. I received an invite to discuss - but no agreement had come out of it.

I treated it like ammunition! It was the world telling me I got the goods so I needed to get there myself! After that; everything in my life changed!

What was it like working with Rob Ra on your new music?

Rob Ra is so unique!

He's a straight-shooter. Similar to Simon, he tells you if it’s a ‘yay’ or ‘nay’! L.o.L.

I get on well with people who are honest! He advised me to attack the market big-time - and that I had a hit on my hands so don’t keep it on the shelf. He came up with a couple of remixes for my Afrobeat track, Shake U.

I had a video shot as well, and the rest was history. Whenever we get into the studio, it's always fresh!

Your music crosses genres and sounds. Is it important to blend styles and nod to your Nigerian roots?

Yes.

It’s very important to have a mixture of stuff that everyone can bop heads to.

I want my music to reach the kids and the adults. I also want to relate to my Nigerian roots so people outside can also look into how we live, work and play out there!

What kind of music did you grow up listening to?

I grew up listening to Michael Jackson, Marvin Gaye; Frank Sinatra, Boyz II Men; Tina Turner, New Edition; Prince - and many more!

What inspires my music is reality. Reality doesn't always have to be serious! You can still live your fantasies through reality, I believe!

What have been your highlights in music thus far?

When I spent some time in the Middle East, I once had a three-piece band: a fantastic bassist; pianist, and myself. We had to serenade the guest at none-other than the Iconic Burj Al Arab Hotel - the only seven-star hotel I know to-date.

It is where I had a residency gig - that allowed me to spread my wings, make contacts and perform almost every evening. I played Jazz, Soul and R&B classics - including some original material.

Yeah. Those were my best times, doing international gigs - whether in Nigeria, U.K. or the Middle East.

Can we expect to see you tour anytime soon?

Yes.

I am currently organising a U.K. tour but this will happen if certain factors - or perhaps dots - connect properly.

The U.K. is still getting to know me and I don't want to rush - like to go with the flow a little bit.

Are there any new artists you recommend we check out?

Ermm...I would just say watch out for some artists I plan to bring over from Nigeria. The talent there is insane - and it’s digestible overseas.

But for now, I will keep it a surprise!

If you could select the three albums that mean the most to you; which would they be and why?

The three albums that meant so much to me are…

Usher – 8701; Michael Bublé - It’s Time; Aaliyah - One in a Million.

These three particular albums drew a completely different side of me as a performer - and a writer.

Usher made me feel like a superhero; Michael Bublé has the voice that I always wanted - and sang the songs I always wanted to sing. Aaliyah’s record fed me with lyrical genius and I know it doesn't make sense - but it did! With top writer/producers like R Kelly, Missy Elliot and Timbaland grooming her - you knew it would be Lit!

What advice would you give new artists coming through?

My advice to new artists is that they should never stop believing, and, I know its cliché, but the moment you stop believing you can - then there’s no point to continue.

Do whatever makes you happy and love the people who love you the most.

Finally, and for being a good sport, you can name a song (not yours as I’ll do that) and I’ll play it here.

 L.o.L. Ok.

Can you play me Bruno Mars’ That’s What I Like?

I love this song!

Thank you for giving me this time (Aminu).

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INTERVIEW: The Pocket Gods

INTERVIEW: 

 The Pocket Gods

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THERE are some bands that come and go…

and then there are those who endure and continue to inspire. The Pocket Gods are in the first camp – oh, wait, no: the second one. I catch up with them to talk about the new single, Another Sunny Day, and what it is all about. I learn more about the record-breaking album of one-hundred songs: all thirty-seconds in length (or less). It is a shot against streaming services like Spotify – and their egregious and borderline-unethical payment to artists.

Being such an established and well-heeled band; I learn about the album, The Jesus and Mary Chain – and what it is like knowing such a famous band. The Pockets Gods have been on the scene for years and gained plaudits from the likes of Steve Lamacq.

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Hi. How are you? How has your week been?

Yep. 

Crazily busy which is great gigs, interviews - and sorting out launch party for the album!

Can you tell me how The Pocket Gods got together and the secret behind your decades-spanning endurance?

Oh, crikey, well: “It was twenty years ago....Sgt. Pepper...”.

Erm, yes. I formed the band whilst working in Tower Records in London, with keyboardist Noel Storey, and recorded a demo of a song called My Next High and we were more Alt-Country at that time - even had a pedal steel, harmonica and a guy on decks!

Well, Noel and I are still in the band - which is a good start – and, despite having a cast of a-thousand ex-drummers and bass players, we all remained on friendly terms.

We just kept at it I suppose and kept recording albums - think there's about fifty-odd albums out there and nearly eight-hundred tracks been released. Also, not taking ourselves too seriously - so no massive egos.

Tell me a bit about Another Sunny Day and the inspiration behind that?

Well. I wrote the basis for the song while surviving a hot summer living in London - some dodgy bedsit in E17 and there was just know where to go to escape the heat.

I was just wishing the rain would come and wash it all away - my then-band-mate Nigel Parrington then added great bits to it and it was a hit single in Belgium for our band at the time, The High Ones. I've always thought it to be a great summer anthem so I wanted to re-record it for this album.

There is a new album out, too. What can you reveal about it?

Aha, yes.

It's our Sci-Fi-Indie-Pop opus - featuring new versions of old songs and some new more experimental tracks. It's written like a classic L.P. with an A and B-side kind of all flows together - there is even a ten-minute track on the end - which is kind of ironic; seeing as we're known for our thirty-second songs!

It is titled after the legendary Scottish band, The Jesus and Mary Chain. What is your experience of the band and how important are they to you?

Ah, yes.

They were fab. My brief experience of playing with them inspired me to form The Pocket Gods so, without them, I wouldn't have started the band. The funniest moment was when I went to audition for them at their own studio in South London - appropriately called, The Drugstore.

I learnt all the bass lines note perfect (ala Paul McCartney) and was happily playing away when Jim Reid came and whacked the bass amp on full-fuzz and distortion all the way to eleven - it was just white-noise and served me right for playing too many notes!

The band has a Guinness World Record for releasing the most tracks (one-hundred) on a digital album. How did you manage to write so many tracks and how long did it take to get them all together?

Oh, yeah, to be honest; it was hard work and was running out of ideas after about seventy songs - especially as I wanted them all to be about the music industry.

The whole album was a critique of the industry and the whole digital streaming - and lack of royalties for artists. To be honest, I wasn't aware that it was a world record until they contacted me. I chose one-hundred as it sounded cool. I wouldn't have been able to finish the album if it wasn't for friends and fans of the band recording tracks for me as well - so, thank you all!

Each track lasts thirty seconds. What is the reasoning behind this?

Ah, there you go...

Well, simply; services such as Spotify pay out a very small royalty of approx.. 0.007 after a track play reaches thirty seconds - and then no more. So, your track could be eighteen-minutes-long but you would still get the same royalty - so I thought: why give them more why not write songs that are thirty-seconds long and, by putting one-hundred of them on one album, you maximised the royalties!

The thirty-second song idea came from Professor Mike Errico in the U.S. - who wrote about it in The Independent - and challenged bands to start writing thirty-second songs.

I took up the baton!

Was there a sense, putting that album out, it would be seen as a bit unconventional? Has it been quite humbling getting such great feedback and kudos?

No, not really.

I did chat to Mike Errico about how I would never write or record conventional longer songs anymore - and we did do two more albums after the first. But, at the end of the day, I fell back in love with playing longer songs and also wanted to show our new fans that we weren't just some fad novelty protest band - but we could actually record great albums.

Yes, it's been very well-received and, especially with a young audience, even the great Steve Lamacq has said we were sounding fresh - which is great.

How do you think music has changed since you started out? Do you think the digitisation of the music world is a good or bad thing? Is it harder being in a band now?

Overall, the industry has changed so much...

It was way too slow to adapt to changing technologies which allowed piracy to reign supreme for a while - it's now only just starting to recover. I do think though people do look back with rose-tinted glasses about how great it used to be. People forget the reality was although bands got advances they were, basically, in debt to the major labels and had to pay it back.

Also, to get a decent demo. made you, would have to spend a lot of money in a decent studio to get something that sounded good - now you just pick up a MacBook and away you go.

So, technology has allowed more people to make music but, consequently, there is a lot of artists out there trying to make an impact which is hard...hence my reason for trying to create an angle and make it newsworthy - with the one-hundred-times-thirty album. 

Back in the 1990s; you were discovered by John Peel. How important was it to have your music backed by such a legend?

Actually, it was much later: it was the year he died, tragically.

I wrote a song called The Ballad of the Peshwari Naan about our local Asian restaurant and thought, after recording it, that John Peel would love it - as it was a mix of Sonic Youth and Cornershop.

So, I sent him a C.D. and forgot about it. Two years later, he calls me up saying he loved the track and gave me his home address to send more stuff (to him).

Lovely man.

Tony Wilson died shortly after finding you; your former manager nearly died of an asthma attack after taking you on. Have you managed to halt the Grim Reaper streak and, in all seriousness, was having Tony Wilson recognise your music your greatest moment?

Yeah, I think we have halted the so-called ‘curse’ to some extent - especially as Huw Stephens and Tom Robinson are fit and well (fingers-crossed, chaps).

Yeah, Tony was a legend I loved the whole Factory music scene and ethic - and he was a one-off and definite character.

He was hailing St. Albans, where we're from, as the ‘new Manchester’ - as we had bands like Enter Shikari around and we were part of that scene (but obviously not as heavy - great band though, E.S.).

It was a shame not to meet him as he died a few months before In The City festival that year - which he used to organise. We got to play the St. Albans showcase, where the best new bands from our area got to play this fabulous festival. I even accosted aforementioned Huw Stephens in a petrol station shop and asked him to come to our gig....which he did and said he enjoyed it! 

You have toured with some legendary acts over the years. Who has been the most memorable?

There's been a few, but I loved playing with The Ramonas: an all-girl tribute to my fave band, The Ramones. They were great and the gig was memorable as my wife Claire (Bass player) was seven-months pregnant at the time - but she rocked. 

What are your plans for the rest of the year? Any tour dates coming up? Another album?

Plans?!

Wayne Rooney-style hair plugs if the albums sell well...or shoes for my kids (do you know how expensive kids shoes are?!).

Yep; a few gigs looking for a decent support slot (nudge, nudge Noel Gallagher!). Gosh, another album I was supposed to be writing - another thirty-second song album this time; one-hundred-Elvis-x-thirty but have been busy promoting this one.

We also should be back on Sky T.V. as house-band on the Nub T.V. music show - which is always fun.

We got to play with Joan Armatrading, Junior and our friend and collaborator, Owen Paul on the last series! 

Are there any new artists you recommend we check out?

Yeah.

Please check out our label-mates, Flaunt - as U.S. Electro-Indie duo who has been described as a "mellower Nine Inch Nails". Their new album, Spectra, is out now and is simply the best album I've heard since Nevermind.

If you had to select the album (of another artist) that mean the most to you; which would it be and why?

Teenage Fanclub - Grand Prix

Following on from the J.A.M.C. stint, I was hanging around with a lot of the Creation bands such as Slowdive - but I really love ‘The Fannies’ (as they're known). It's (just) great Indie-Pop, lush harmonies and great song.

A very underrated band

Do you get much time to take a break from music? How do you like to spend your free time?

Ha, free time: that would be nice!

Well. My three, wee nippers take me out to the park and make me play football - I'm a massive Huddersfield Town fan (yes, there are some and, after Patrick Stewart, I'm probably the second most-famous fan).

I also like to go U.F.O. hunting as, shush, don't tell anyone, but we live next door to the U.K.'s own Area-51...seriously!

What advice would you give to any new artists starting out right now?

Give up...

No, sorry, er…don't give up. Keep at it; believe in yourself but also keep honing your craft.

Also (sounds a bit hippy-ish), but follow your destiny and follow the signs the Universe is sending you.

On a more practical-level: get out and meet contacts face-to-face. There's still nothing better and industry people are more likely to work with you if they have met you - and like you as a person 

Finally, and for being a good sport, you can name a song and I’ll play it here (not one of yours as I’ll do that).

Ok. 

Mine is Something Different by Flaunt! 

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INTERVIEW: JoAnna Lee

INTERVIEW: 

JoAnna 1.jpg

  JoAnna Lee

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THE debut album from JoAnna Lee has so many interesting…

tales, avenues and sounds. On So Free’s title track; one hears a strong young woman who is following her own path and ignoring the doubters. A sultry and passionate voice helps highlight music full of richness, strength and emotion. I talk to Oregon-born artist Lee about her album and the themes addressed within. She discusses her new home of Austin, Texas, and what the music scene is like there.

I was keen to know about her beginnings and how she came into music - leaving her home of so many years was an anxious and unsure time. I learn more about a brave and ambitious young artist who is creating some of the most intoxicating and exciting music in Texas.

I learn more about Lee’s touring plans and the kind of artists she connects to; whether we will see her in the U.K. and the story of her latest single, The Real Thing.

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Hi, JoAnna. How are you? How has your week been?

I am great!

It's been quite a busy past couple months but I am enjoying every minute of it.  

For those new to your work, can you introduce yourself, please?

I am JoAnna Lee: female singer-songwriter/guitarist; located in Austin, TX. 

I love sharing with others my feelings through my music and through my songs - I know that many people can relate.

Tell me about The Real Thing and how that song came together? Was it inspired by a particular person or relationship or just capturing a particular mood?

I wrote this after moving to Austin. I was hanging out at a local bar with a friend and there was a guy playing - who happened to be way too drunk to be performing...

I convinced him to take a break and I would cover for him - and so I did.

That moment I took over, a guy walked in through the door and I couldn't take my eyes off of him. Once I met him, we connected and it inspired the feeling of new love… and, how (all who start to make the fall question) could it be the real thing?

I believe the album, So Free, is out on 22nd September in the U.K. What can you reveal about the themes and ideas examined on the album?

So Free is a true and honest introduction and reflection of who I am and where I have been - in love, relationships and my growth into figuring out how love really is.

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You hail from a small town in Oregon. Was there a big music scene there? What was it like growing in such a place?

There definitely wasn't a big music scene there - speaking on most people’s behalf – but, through my eyes, it was something special.

So many great artists I know were living in the same town with so many talents - and we had the opportunity of being able to live in each moment and inspire and encourage each other to always keep working towards greater things.

Now, like so many great artists, Austin is home. How inspiring is the city and are there any particular bars/venues that you love playing there?

I love Austin.

Austin is my true inspiration. It inspired me to be free, to live for me and truly get to know the person I am. It made my art grow and it showed me the possibilities are endless.

So many venues I have loved playing there: Cedar Street Courtyard is definitely one of my (most) favorite places to play - but there are many that I look forward to playing at.

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How early did music arrive in your life? Did your family get you into it at a young age?

I started singing as early as I can remember.

My family definitely inspired so much, but, above it all, I always knew I wanted to sing.

Was there a particular moment when everything sort of ‘clicked’?

Every time you feel what's right in your heart is when you feel it ‘click’.

That's happened several times in my life, in so many ways.

Tell me how you came to the attention of producer Dwight Baker?

Well, one day I got a call from Les Cutmore - who's the label owner of Cutmore Records - who recently signed me. We were talking about some of my songs and he said there's this producer in Austin - and I'd like to hook you up to work on a track or two. I said yeah, why not.

So, he gives me the address - which is only about a thirty-minute drive from me - he then told me to be there tomorrow at twelve-noon and just ask for a guy called Dwight Baker!

That's how me and Dwight hooked up.

The fan numbers are building on social media; you have a lot of supporters behind you. How humbling is it and how important is the backing of your fans?

I am so very thankful.

If it wasn't for so many of the people who have supported me, I would have folded in a long time ago. So happy so many have been there through it all and will be there for me continuously.

Has there been a memory, thus far, that stands out as particularly special?

To see my music video reach as many views as it has within a short amount of time was truly humbling - and showed me that all my supporters are still listening.

What kind of tour dates are coming up? Any plans to play the U.K. very soon?

I have a lot of shows coming up. Some of them will be actually in the U.K. within the next month.

Looking forward to planning a tour soon… and just working hard to promote the new album, So Free.

Are there any new artists you recommend we check out?

Yes!

Depends on which level you are talking...

On a local basis: Adam Rodgers and Jonny Gray.

On a worldwide basis: Will Heard, NoMBE, and Jordan Rakei.

If you had to select the three albums that mean the most to you; which would they be and why

Stevie Wonder - Hotter than July

Has (on it) my favorite song of all time: All I Do.

Eric Hutchinson - Sounds Like This

One of the (most) happiest times I've felt was listening to this album.

Jamie Lidell - Jim

We…..Jamie..Jamie..Jamie….

Give this album a listen and you will know what I'm sayin’.

What advice would you give to any new artists starting out right now?

Seriously…even when you feel like you've given it all; just means you need to give more.

Prove to yourself what you love and what it is you want out of life.

Finally, and for being a good sport, you can name a song and I’ll play it here (not one of yours as I’ll do that).

Susan Tedeschi - It Hurt So Bad

That’s my jam. 

Thank you - and I look forward to visiting London in a few weeks.

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INTERVIEW: July Child

INTERVIEW:

 

 

July Child

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KIKS and Amber and two great friends who, together…

consist July Child. They share a birthday in July (the same day, in fact) and have a definite simpatico. Their music mixes ambient, soulful Pop but has a vibe of the 1990s’ best Dance – a wonderful blend that is both modern and nostalgic. Since their haunting, uplifting reworking of the 2013 classic C O O L (by Le Youth); the duo has gathered huge interested from both sides of the Atlantic. Cover versions have formed a lot of July Child’s past: they are determined to forge original material and push out on their own.

I ask Amber and Kiks about their friendship – and how they came together. They discuss new single, Be Real and whether it will lead to more material. The guys talk about London and its importance; the artists that inspire their own sound and whether each of them is planning anything big for their upcoming birthday – 29th is going to be a shared day of celebration!

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Hi, guys. How are you? How has your week been?

Amber: Hey! All good.

I’ve been away this week with my mum by the coast

Kiks: Hola!

My girlfriend, from L.A., arrived earlier this week – so, a lot of eating and sightseeing.

‘July Child’ is a name that stems from the fact, Amber and Kiks, you both share the exact same birthday. What date are your birthdays and have you bought each other presents yet? Any plans for the big day?

A: No presents yet – we usually do a joint-party if we’re both about.

K: Yeah. I think this year we’re hiring a beer garden and getting all our friends and family down.

I can’t remember the last 29th of July when it’s rained – so hoping for good weather.

How did you come to know one another? When you met; was there an instant connection and common-ground?

A: We met through music clubs at school. I think the connection came with time.

We were friends first and then Kiks asked me to sing in some of his earlier projects.

K: Even though we’ve known each other since primary school: July Child came to be after we finished university.

We’d been studying in different towns so came back to each other with a whole list of new influences and ideas for where we’d want to take a project.

Be Real is your latest track. Is there a story behind it? How did the track come together?

K: I’d been sitting on this chord sequence played out by the piano for a while. We’d recorded vocals on it but it wasn’t anything special.

One day, in the studio, I decided to copy the chords onto a new synth (Spire) and run through presets – that’s when we stumbled upon the ‘extraterrestrial’ bouncing lead synth. that’s present throughout the track.

It was a weird and slightly annoying sound but we decided to run with it. After laying out the foundation of the track, it honestly took about twenty minutes to write the lyrics.

The track has a club-going vibe and summery sensation. Is it a song you hope will be played in the clubs or do you see it more as a beach-dwelling anthem for the coming summer?

A: I think it lends itself to both really – definitely a sunset-chilled-beach vibe, though.

K: I’d say our previous material has been more suited to clubs or lazy beach days.

Be Real hits harder in the Pop realm – so, I guess our ambition for this track was to showcase ourselves as strong Pop writers.

Naturally; radio, T.V. spots; fashion collaborations are a place we’d want Be Real and its sound to go.

In the past, you have tackled cover versions – before transitioning to originals. Was it quite hard making that shift? Do you think, the fact you have that experience performing a range of different songs, made you more confident and daring as songwriters?

A: We wrote originals for years before we put our first cover out – it’s just our first ever cover (C O O L by Le Youth) was really successful and brought us to the forefront.

We love putting our own spin on covers and it does actually give us ideas for our own tracks – writing styles and lyric combinations.

K: I think covers are a great way to showcase your prowess as a producer; because you’re taking an already-successful and popular song and trying to put a completely different, but still attractive, spin on it.

Amber’s voice is so versatile that sometimes, when we’re writing originals and we get stuck, we spend an hour just recording her singing cover songs - to see if we can get inspired by anything.

Who are the bands and artists you are both inspired by? Do you have similar tastes in music?

A: I used to love Corinne Bailey Rae and my main girl is Jessie Ware – she’s amazing and I love the way she sings. We do have similar taste, mostly.

K: Yeah. I’d say now, we do!

I grew up on Indie, Rock and Metal - and it took me such a long time to admit I even slightly appreciate Electronic music.

When it comes to pure songwriting: I’m most inspired by Conor Oberst and Neil Young.

There are 1990s Club and Dance elements in your music. What is it about the decade that gets into your hearts?

A: The decade we were born!

We grew up listening to '90s Pop and Dance on Top of the Pops.

K: I remember sitting by my cassette recorder patiently waiting for my favourite songs like Waiting for Tonight by J-Lo to come on so I could record them.

It’s funny going back now and listening to those records. There are so many ideas that are still being used and regurgitated. But, to me, nothing can have that  '90s feeling - all we and other artists can do is try to replicate it.

Be Real is a hungry and uplifting track. Is there an E.P. coming anytime soon?

A: We have lots and lots of new music - so fingers crossed.

K: A few more singles coming out this summer and then, hopefully, an E.P. by the end of the year.

PHOTO CREDIT: Chris Hoare

You guys have worked for a number of labels over the years/months. Do you feel like you are still looking for that perfect label and ‘home’?

A: For sure.

We’re always open to new ideas and input – we are definitely looking for what you call ‘home’ but we want to make sure everything is right and feels right.

K: The landscape of the music industry has changed so much in the last few years.

An artist can genuinely act as their own record label, with the same amount of success, if not more. To us, it’s more important to build a team of people around you that you can trust.

Having toured throughout Europe and Asia; I presume touring is something you love to do? What dates do you have coming up?

A: Playing live is what we enjoy the most – we’re just in our element up on stage.

K: Waiting on a few important things to play out before we can book and announce shows.

We love Asia so much that we’d love to book a long tour there: going to places we’ve never been before. The U.K. has its own energy when it comes to shows and the only place we haven’t yet played is America - so hoping to get over there within the next year.

How important is London as a base and Muse? Do you envisage staying in London long-term or is there a city/country you are ‘working towards’ as it were?

A: I think London will always be our home but we’re open to ideas - if that’s where the music takes us!

K: I spent a lot of time living in L.A. over the last two years.

It’s an incredible place and there are so many like-minded musicians over there - but London is the city we see our future in. The music coming out of London is just unreal at the moment and we would love to be a part of that.

IN THIS PHOTO: Warpaint/PHOTO CREDIT: Mia Kirby

Are there any new artists you recommend we check out?

A: Well, they aren’t new, but new to me – my mate just took me to a Warpaint gig and I love them.

K: I’m going to be annoying, too!

Joe Goddard has been around for years as a member of Hot Chip - but his solo album that came out this year (Electric Lines is one of the most creative records I’ve heard in a long time).

If you each had to select the album that means the most to you; which would they be and why?

A: Jessie Ware – Devotion

I know all the words and definitely do the power-grabs while I’m listening – her voice is incredible.

K: Fleetwood Mac – Rumours

Classic and overdone I’m sure but there has never been a record so seamless and meaningful from start to finish.

What advice would you give to any new artists starting out right now?

A: Keep writing, keep positive; keep moving.

K: Don’t get ahead of yourself.

You learn more about yourself and become better every single day - so don’t get frustrated if things end up taking longer than you thought or had planned

Finally, and for being good sports, you can each name a song and I’ll play it here (not one of yours as I’ll do that).

A: Tinashe – All Hands on Deck

K: Motez – The Future

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INTERVIEW: Valenti Funk

INTERVIEW:

 

PHOTO CREDIT: Dennis Webb Jr.

 Valenti Funk

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HE is well-known around Texas for his work…

with the award-winning group, The Effinays. Valenti Funk is someone who, very soon, will be better known in the U.K. He is a multi-instrumentalist and Funk-fusion purveyor – someone whose music has charmed the masses in the U.S.

I ask the compelling artist about his album, Valenti, and the kind of themes he addresses. I learn about the Texas music scene and what he has been up to lately. The album was released on 7th June: to coincide with the birthday of the late, great Prince. I ask the Texan musician about his connection and love of Prince.

Valenti features contributions from the likes of Big Spook (Effinays’ frontman) and LaLa Johnson – introspective lyricism of Zach Pohl, Snearley and Aisha Mars. I ask Valenti Funk whether he has any U.S. dates, and whether he is coming to the U.K., the albums and musicians that have impacted him hardest – and whether there is any new material brewing.

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Hi, Valenti. How are you? How has your week been?

Man! Good. Just loving the heat. 

We complain about the heat and sun here in Texas a lot - but I secretly love it.

For those new to your work, can you introduce yourself, please?

Well howdy!

My name is Valenti Funk: born in Dallas; raised in Irving, TX - and music is my drug! 

I like to consider myself a Funk aficionado and a self-proclaimed band nerd - and I love it! (“…and I want some mo”).

Valenti is your new album. Is it as personal as the title suggests? What kind of subjects and themes are explored?

I’d say, yes: it is personal as the title suggests.

With that being said; I enjoy all types of music and you can surely hear some of those types of music I enjoy bleed through on this project. 

This project spans from party-music to conscious, thought-provoking music - with some nice groove-oriented instrumentals sprinkled in.

Is there a song from the album that is particularly memorable/important to you?

More Light would be that track. 

In my opinion, it’s the deepest track on the album (lyrically). It’s one of those tracks where two people may hear two totally different themes.

The album was released on the 7th of June to honour Prince’s birthday. How influential was Prince to you and what song/Prince moment first came to your ears?

This is where I’d like to input a picture of the big ‘Prince symbol’ I have tattooed on my right side! Without a doubt: he’s one of my top musical influences. 

I came into my ‘Prince consciousness’ at a cousin’s sleep-over. His older sister had just gotten the Purple Rain album and I recall wanting to listen to it all night, not-stop.

You are endorsed by Billy Blast Drums and play keys and percussion simultaneously. Is it important for you to have that control and, tell me, when did you first discover the drums?

It’s not important, per se, to have that control - but more so that I do enjoy guiding the groove and melody when I can. I knew I loved the drums from the time I recall literally zoning-out (trance-like state) with two tree limbs in my hands - beating on my grandmother’s three-section, barrel barbeque grill. I didn’t snap out of it until my aunt yelled out my name asking me to quiet down some.

(Side note: I’m so thankful to Billy Blast for putting me down at a time when I wasn’t where I am now, but yet, he still chose to endorse me. (I’m still working on that ‘goal’ we spoke of Billy Blast).

I know Valenti features LaLa Johnson, Zach Pohl and, among others, Aisha Mars. How did you come to know these guys and was it hard deciding how you wanted each singer/musician to fit onto the album?

Before I started my project, I pretty much had them all in mind to be on my project. Zach and I are high-school classmates who graduated together. Aisha and I use to be in a band I played keys for called Melody Memory. Joe is the lead singer for my current band, The Effinays - LaLa is just a beast I met throughout the Dallas music scene. I first met her when she came to a Melody Memory practice.

Kelyn is another beast I met in the Dallas music scene. His former band (Fatty Lumpkin) and my band at the time (Blu Pearl) seemed to (always) be doing shows together. 

PHOTO CREDIT: Dennis Webb Jr.

I met Kevin Snearly almost the same way. His band at the time (Gravity Feed) and The Effinays use to do shows together as well. I met Versatile back in high-school at a piano shop in the mall (and, yes, a mini-impromptu show happened, then, with him freestyle rapping and me on the piano). Also, the lovely High Moons are a sister-group who I’d always see at an Effinays show and knew I’d like to eventually work with them.

Julian Ayacannoo and Marquise Jones use to play sax. for The Effinays -and now have their own band called The Diamond Kings. (To whomever I forgot to mention: please forgive me!)

Texas seems like an area you are very comfortable in and inspired by. What is it about the state that inspired music and creativity?

Since we (Texas) are in the middle; I’d like to think that I was able to hear music from the East to the West Coast - and from areas in-between. So, ironically, I feel being in Texas put me in a position to hear music and gain influences from all over - even if it was introduced to Texas at a later time (mainly referring to hearing East Coast (N.Y.) and West Coast rap in the '90s - later than most).

Do you know what is coming up the rest of the year? Are you working on new material?

I’m mainly focusing on making sure the masses are aware of this project. 

My band, The Effianays, are about to start working on another project. I’m also staying busy playing drums with Ronnie Heart – so, my summer is pretty much filled up for now.

 PHOTO CREDIT: Marisol Farda

How about touring? U.S. dates coming up, I assume? Are there plans to come to the U.K.?

There are no plans for touring just yet for my solo project - but I did just get a text from Ronnie the other day (saying) that things were finalized for a Midwest tour this summer.

We don’t have any plans for touring with The Effinays this summer - but we are working on some killer Dallas (Fort Worth) shows at the moment.

PHOTO CREDIT: Dennis Webb Jr.

Who are the musicians, apart from Prince, who have inspired you and compelled you to get into music?

My, for sure, six musical influences are Prince, George Clinton; James Brown, Rick Ruben; Stevie Wonder and Dr. Dre. 

I grew up listening repeatedly to all of those guys.

Are there any new artists you recommend we check out?

Surely check out Ronnie Heart, The High Moons and Zach Pohl.

 If you had to select the three albums that mean the most to you; which would they be and why?

Wow, that’s a hard one. 

I’d have to go with James Brown - In the Jungle Groove

(For the song, Funky Drummer, alone). 

I’d, then, go with Beastie Boys – License to Ill

Mainly because it was one of the first Rap tapes I had - and I loved how funky it was (Rick Ruben produced). 

I’d then go with Prince’s Purple Rain (or the Parade album)

I feel that both of those albums show what Prince is as a whole.

Do you get much time to take a break from music? How do you like to spend your free time?

Believe it or not: I’m a big-time home-body. 

When I don’t have a show, I stay home in bed and watch The Food Network - or try and catch up on some Religious History reading.

What advice would you give to any new artists starting out right now?

DON’T STOP!

Finally, and for being a good sport, you can name a song and I’ll play it here (not one of yours as I’ll do that).

Oooh, I’m going to give you an obscure song to play! L.o.L.

Play Galt MacDermot – Space

Thank you so much for having me!

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INTERVIEW: Catherine McGrath

INTERVIEW:

 

 

Catherine McGrath

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ONE cannot help but fall in love with…

Catherine McGrath’s music. There is something about her voice and the way she performs: the incredibly personal lyrics and sense of warmth and intrigue. I talk to the Northern Ireland-born, London-based artist about her latest track, Never Wanna Fall in Love. It is, in my view, her most immediate and emotional track – I ask where the inspiration for it stems. She talks about her E.P., One, and whether, since its release, she has changed as an artist.

McGrath discusses the possibility of new work and what dates she has in the diary; a recent appearance alongside Picture This (at The Great Escape festival) and the career memories she treasures most.

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Hi, Catherine. How are you? How has your week been?

Hi!

I’m good. Just about to play a show at Under the Bridge in Chelsea - so I’m feeling excited!

For those new to your work, can you introduce yourself, please?

I’m a twenty-year-old Country/Pop singer from Ireland.

I’ve been writing music in London and Nashville and have been putting it online - and playing as many shows as I can in the past few months - and I’d love for you to have a listen!

Never Wanna Fall in Love is your most-recent single. Can you tell me about that song and how it all came together?

It was one of the first songs I wrote when I moved to London.

I can’t fully remember the process but I can remember being so nervous cause I hadn’t done much writing with other people - so I was singing super-quietly.

Haha. 

One, your E.P. released last year, received acclaim and impressive reviews. Was it a surprise seeing such love for it and how would you say you’ve changed as an artist since its release?

Yes!

I had no idea so many people would listen to it and respond so well. I don’t think I’ve changed: except for, maybe, getting a little more confident on stage etc. But, in terms of my style etc., I’m still very much the same.

Can we expect any new music later this year at all?

Yes!

I’ve been working really hard on my debut album which is going to be released towards the end of the year - with a single in the autumn.

How do songs come together for you? Do you set time to write or is it a more spontaneous process?

I usually have my songwriting sessions planned ahead, so there’s a studio to work in and I know who I’ll be writing with etc.

But, I come up with song ideas and write lyrics all the time - so I keep them in my phone until the next time I’m in a studio.

Tell me how you got started in music? Did that passion start at childhood or did you get into it a bit later on?

I’ve always loved music: mum always says I used to hum myself to sleep when I was little.

Who were the artists you grew up on and idolised as a youngster?

The music I heard most of was the music my parents played - traditional, Irish music. My dad writes his own songs; so I grew up listening to those, too.

When I turned twelve, I properly started listening to American Country – so, as a teenager, that was what I grew up to.

County Down is your home. What is the music scene like there for a young artist? Is it quite active at the moment?

Where I live specifically is a really small place: there are loads of pubs with live music and everyone loves to play.

I knew to do what I wanted to do: I needed to move to London where there were more opportunities and people to work with.

It’s always so good to go home, though, and be back around the people and music I grew up with.

I know you have recently played The Great Escape and toured with Picture This. What were those experiences like?

So much fun!

Especially the Cork shows with Picture This. There were 5,000 people per show and they were so enthusiastic and amazing. 

You have a few tour dates coming up around the U.K. Is there any particular venue you are really excited about?

I was really excited to play British Summertime festival in Hyde Park last weekend – and, also, Harvest Festival in Ireland. I’m hoping it’ll be sunny! 

If you had to look back on all your time in music and pick that one special/defining memory; what would that be would you say?

Signing my record deal with Warner Brothers was the craziest moment - that just seemed like something that would never happen.

It’s been amazing having a team of people with me along the way to give me advice and get excited about new music etc. - it definitely made a huge difference.

Are there any new artists you recommend we check out?

Seth Ennis are RaeLynn are two of my favourites right now.

If you had to select the three albums that have meant the most to you; which would they be and why?

Taylor Swift - Fearless

It was the first of Taylor’s albums I bought - and I just fell in love and bought them all from then on. I found Country music through Taylor so that introduced me to the kind of music I want to make.

Justin Bieber - My World

When I was thirteen, I was in love with Justin Bieber like every other thirteen-year-old girl, ever. I was listening to Country music but I was also listening to Pop music. Listening to that album just sounds like being thirteen again: it reminds me of some of the best times I had with my best friend.

I love how hearing a song takes you back to certain moments and that’s what hearing the album back now is like for me - so it’s special to me in that way.

Matthew McGrath - Spirit of the Village.

My dad’s always written songs. Growing up around that probably inspired me a lot. I used to try to come up with my own songs and ask him to help me figure out how to play chords on guitar.

His songs are the ones I grew up with and they’re my favourites.

What advice would you give to any new artists starting out right now?

Just to give it everything you can, if you’re able to: just set everything else aside and focus fully on music and see where it goes.

Even if it seems almost impossible; don’t be afraid to do what you really love because you’re scared that it might not work – because, maybe it will.

Finally, and for being a good sport, you can name a song and I’ll play it here (not one of yours as I’ll do that).

Rascal Flatts - Life Is a Highway

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INTERVIEW: Kerri Watt

INTERVIEW:

 

Kerri1.JPG

 

 Kerri Watt

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THERE are few people who can boast they have had a song…

A-listed by BBC Radio 2 AND worked/toured with Embrace. Kerri Watt is no ordinary artist and someone who has immense talent and promise. Old School Love is a single that mixes vintage sounds and modern urgency – a departure from her previous work but the signs of an artist who is always moving and pressing forward. I ask Watt about her previous material and why Old School Love has a different tone. She talks about Embrace and how her music comes together; the importance of getting backing from big stations and the musicians who inspire her.

I find out more about Watt’s career highlights and whether music was a pivotal part of her childhood; the albums most important to her and the advice she would offer any new songwriters coming through.

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Hi, Kerri. How are you? How has your week been?

Hey!

I’m feeling great, thanks.

The week has only begun but there’s an exciting few days ahead!

For those new to your work, can you introduce yourself, please?

I’m a singer and songwriter from Glasgow.

My lyrics tell the stories of my great loves and adventures of my life so far. Over the last couple of years, I’ve had the opportunity to travel around the U.K., Europe and the States supporting acts such as Embrace, Starsailor; Nina Nesbitt and Ward Thomas to name a few - I’ve also got to play some really fun festivals including Glastonbury and Isle of Wight!

I lived in California for a while, as a teenager, and it was at music school there that I really learnt about different styles – so, there’s definitely some Americana influences in my sound. 

Old School Love is your new track. What can you tell me about it?

Old School Love is a song straight from the heart.

A couple of years ago, I was on the road with my tour manager, Steve, telling him how amazing and different this new relationship I was in felt.

I said to him: “It feels like an old school love” and Steve goes: “That’s the name of your next single!’. So, when I got back from tour, I went away and wrote it.

It came really easily because I could use the way I described the relationship to Steve as lyrical inspiration for the song. 

How do think Old School Love differs from previous singles. It seems quite a shift from earlier work.

When I’m writing, I don’t consciously think ‘does this fit with my other songs?’ - I find it’s best to just write what comes naturally and then, if the demo gets some good feedback from people, and I also love it, I know I’m onto a winner. In my eyes, it’s just a natural progression.

I’m always evolving and learning as a songwriter. The thread that ties all my music together is the lyrical content - I always want people to feel something move inside them when they listen. 

The song mixes new styles and production values but it has a great, vintage sound. Was that a conscious decision – to mix styles and periods, as it were?

I think the thing is, with Old School Love, when you hear the title you automatically get an idea of something that’s a bit vintage and true.

So, naturally, I wanted the feel of the production to relate to the title of the song. I think, because the song tells a story, it didn’t need production to do any of the talking for it. 

How do songs come together for you? Do you set time aside to write or do they come naturally?

The writing process is always different.

I do plan weeks of writing where I’ll go to Nashville and have a number of songwriting sessions arranged. Sometimes, I’ll have some of my musician friends around the house hanging out and we’ll start jamming something - and a song will just sneak up on us out of nowhere!

Other times, I’ll have gone through something and feel so strongly about it that it just has to come out of me that day! Those are usually the best. 

With Old School Love, as I mentioned, I had the title and the idea. So, as soon as I had the chance to sit down, it came flowing out. 

Can we expect any more songs in the future?

I’ve got loads of songs demo-d at the moment; so, there’s plenty of material waiting to be recorded. You can definitely expect to be hearing more music very soon!

You have worked with Embrace in the past. How did you come to know the band?

I was introduced to the singer of the band Danny by a friend. He was very helpful and would give me advice after coming to see me play.

After I wrote Long Way Home and let Danny hear it; he introduced me to his brother Rick (the guitarist of Embrace) who is also a producer. He had some amazing ideas for the song so we started working together and the rest is history.

I’ve played festivals with them: the full band play on my recordings and this week I’ll be joining them on stage to support Coldplay at Cardiff Millennium Stadium! I’m so grateful for the doors they’ve opened for me. 

Stations like BBC Radio 2 have backed your music. What has that been like for you?

Having BBC Radio 2 support my last two singles has been a dream come true. For a station like that to get behind an unsigned artist, which I was at the time and put me on the A-List, is an absolute dream.

Getting to perform live on Radio 2 is one of my career highlights so far. 

When did you get into music? Was it always part of your childhood?

My parents introduced me to Michael Jackson very early - I’m talking like eighteen-months-old! They had the V.H.S. of his live tour and used to put it on the T.V. while I was in my cot! He stuck with me throughout my childhood and I was always in awe of him and his stage presence.

As I got a little older, I discovered Celine Dion and LeAnn Rimes. They were probably the two biggest female influences for me growing up.

I’m finally getting to see Celine live in London later this month! 

Can we expect to see you tour anytime soon?

I’m just confirming my first headline tour for the Autumn which is super-exciting.

But, I still have a bunch of shows throughout the summer - which you can check out the dates for on my website! 

What, would you say, how been your career highlights to date?

A real moment for me in my career so far was joining Starsailor on stage for a number at Paradiso in Amsterdam. The place was packed and the crowd so enthusiastic.

I really felt like I was living out my dreams – but, I have a feeling Coldplay might top that this week… 

I also remember my first open mic in Glasgow - the audience consisted of my sister, her friend and three drunk old men. That was really a test for me. Am I willing to do these kinds of gigs for as long as it takes for someone to notice me?! I’m glad I stuck it out. 

Are there any new artists you’d recommend we investigate?

Keelan Donovan - Love of Mine - that’s my new favourite song.

Keelan is an artist from Nashville that I met at a songwriters conference in L.A. in May: he’s like a mix of Paolo Nutini and Thomas Wrett.

Awesome stuff. 

Can you name the three albums that have meant the most to you – and the reasons why?

Van Morrison – Astral Weeks

This album just makes me feel so happy and so relaxed. Van is one of my biggest inspirations as a songwriter - and I think Astral Weeks is really a work of art. 

Michael Jackson – HIStory

I mean; this album is just my childhood. I don’t know how many hours I spent in front of the mirror in my room, as a seven-year-old, making up dances to Billie Jean and Don’t Stop 'Til You Get Enough.

Eagles – Hotel California

It’s a hot, sunny day: you’re driving with all the windows down; The wind is blowing your hair. You’re singing at the top of your lungs with the friends you love.

It’s the soundtrack to the perfect summer. 

What advice would you offer any new artists coming through?

Do, you.

People will like you more if you are completely honest and totally yourself. If anyone tries to change that, they’re shouldn’t be part of your journey.

Going back to the open mics: it’s always hard in the beginning and it continues to be difficult. It’s a seriously competitive industry.

But, if you think you’ve got something the world needs to hear, and you’re willing to put in the work - there’s nothing stopping you! 

Finally, and for being a good sport, you can name any song you like (not yours as I’ll do that) and I’ll play it here.

Move On Up - Curtis Mayfield 

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INTERVIEW: George Taylor

INTERVIEW:

 

 

 George Taylor

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IT has been a frenetic and busy twelve months…

for young George Taylor. He has been turning heads with a steady stream of singles. His debut album, Give It Up, got him a deal with Warner Chappell – having amassed over two-million streams in a couple of months. His music has made its way to Zane Lowe – he backed I Hear Your Song, Sweetness on his Beats 1 show. Ears are turning onto his unique blend of sounds. The London-based musician has brought out Ophelia. I ask about the song and its origins. Taylor explains the process and story behind the song: emotion and a hard situation few would expect to hear - given the sweetness and purity of the song.

He released The Youth, his previous single, last month and is one of the most consistent artists working right now. I ask Taylor about his upbringing and introduction to music; some of the artists who have influenced him and what it feels like having the support of big names – and getting those all-important streams on Spotify. He discusses the future and what it is like being signed to Warner Chappell.

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Hi, George. How are you? How has your week been?

I'm good, thank you.

I've had a good week and I'm heading down to Cornwall on a train as we speak.

For those new to your work, can you introduce yourself, please?

I am a twenty-four-year-old singer-songwriter; currently living in London - but I grew up near Leicester. I started writing songs when I was, about, thirteen - and have kept going ever since.

I've spent a long time preparing my music over the last couple of years. I'm very excited to finally release some of it.

Ophelia is your latest single. What can you tell me about it?

Ophelia is a song I wrote after a girl that I knew who was over in London on holiday – and, sadly, ended up getting sectioned - she was in hospital for a while. She has since made a full recovery and returned home.

Visiting her in the hospital was an eye-opening and emotional experience - and something I really wanted to write about.

It sounds like it was a tough and emotional song to put together. How hard was it writing and recording it – given it has very personal aspects to it?

Sometimes, my songs can come together very quickly: sometimes, it can take weeks. I wrote and recorded a full demo of it just over a year ago in my bedroom at home. I finished it in about twelve hours, from what I remember.

I really wanted to 'go in' musically and lyrically on this track - and try to create the right juxtaposition between a dream-like state and an epic-sounding chorus.

It was a song I wanted to write to try and make sense of all my experiences of mental health - so, it definitely felt and feels emotional to me, yes.

It is your second single in a month – following The Youth. It seems like you are in a productive creative state. Are you already looking ahead to the next song?

I'm always writing (or trying to) and I'm very conscious of not letting that slip. As with anything: the more you do it, the better you get.

I've got lots of new material that I'm excited for people to hear. I will have another single coming very soon.

Can we expect an E.P. later this year?

We will have to wait and see how we are going to release the next batch of song. Maybe that will be in the form of and E.P.

You are signed to Warner Chappell. Do they give you a lot of freedom to create the music you want? Is it quite comforting having their backing?

Warner Chappell have been so good to me since I signed a publishing deal with them just over a year ago.

I signed in the New York office and I have spent a lot of the last year over there and in L.A. writing and recording – and, I suppose, developing as an artist.

I feel very lucky to have met and worked so many amazing people both here and across the pond. The whole team around me, now, are giving me unbelievable support.

The single, Give It Up, notched up a couple-of-million Spotify streams. Is it quite humbling knowing so many people connected to it?

Yes.

It's nice that a lot of people have connected with that song. I didn't expect that at all for the first song that I put out. 

Now, I'm mostly (just) looking forward to my new material.

I Hear Your Song, Sweetness caught the ear of Zane Lowe. That must have been quite a moment? Is he someone you look up to?

The man, the legend played it on his Beats 1 show. I used to listen to him a lot on the radio - especially in the good days of The Strokes; when he would basically play them on-repeat.

He's obviously a great name in the industry so I'm really grateful for his support early on.

How many tour dates do you have planned? Will you be playing live a lot this year?

For the moment, I'm just letting a bit more music out - and it looks like I'm gonna be on the road before the New Year.

I can't wait to get playing shows again.

Tell me how you first came into music? Is it something you were fascinated by as a child? What kind of artists did you how up listening to?

I can't remember music ever not being an obsession.

My dad would always be playing us Dire Straits, Pink Floyd and Madness - and my first connection with music, I remember, was in the car hearing Sultans of Swing ("Check out guitar George/He knows all the chords").

When I was nine or ten, I started listening to a lot of David Bowie and listening to weirder Pink Floyd records like Meddle - and some of the Syd Barrett stuff.

In my teens, I discovered Bob Dylan and, I think, he probably got me writing songs. As I got slightly older; I started listening to Blues and Soul music. I fell in love with a lot of the great singers: Al Green, Janis Joplin and Otis Redding. This probably helped me develop my voice.

Music is demanding and time-consuming. Do you get a lot of time to chill, and if so, what do you like doing?

I seem to have weeks at a time where it can be really nonstop - and, then, weeks when there is not much going on. I think that's just to do with the stage I'm at.

So, yes, I definitely get time to chill. I enjoy playing ping pong and going to the pub when I can.

Are there any new artists you recommend we check out?

ISLAND and Otzeki, I think, are two of the most exciting new bands around.

I can't wait to see them do well.

If you had to select the three albums that mean the most to you; which would they be and why?

Pink Floyd - Dark Side of the Moon

This often feels like an obvious choice; I don't care: I think it's the greatest record ever made.

Grizzly Bear – Veckatimest

This was a very significant album in my life when I first started writing music.

It felt like one of the best written, strange and interesting things I'd ever heard - especially in modern-day guitar music.

Radiohead - In Rainbows

I didn't really get properly listening to Radiohead until I got a bit older.

But, this record, was a mind-blower for me.

What advice would you give to any new artists starting out right now?

Just do it all the time.

Play, write and listen all the time - and constantly push yourself to get better.

Also, a lot of people will try and tell you it's too hard to do - but just ignore all that bollocks and do it.

Finally, and for being a good sport, you can name a song and I’ll play it here (not one of yours as I’ll do that).

Some Things Last a Long Time - Daniel Johnston

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INTERVIEW: Daniel Molyneaux

INTERVIEW:

 

 

Daniel Molyneaux

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ALTHOUGH he was not born until 1997…

Daniel Molyneaux is an artist who has a great love and knowledge of Pop - self-proclaimed to unapologetically reign as an artist, as he says so himself. he engrossed himself in music as a child; where he had his eyes opened to legends and titans – the young-artist-in-waiting started recording at fourteen and would spend his time pouring over books of lyrics and plotting his way into music. I ask Molyneaux about his early experiences and that first taste of music; the artists that spurred him and how songs come together for him.

He, in turn, tells me about his new album, I’ll Be Waiting, and the themes behind that. Guess What? I Need You is the lead single from it – I was eager to know the story behind that gem. Molyneaux gives me a window into his creative process and what the future holds; how his favourite albums connect him to his late mother - and what he has planned for the future.

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Hi, Daniel. How are you? How has your week been?

Hey. I'm great thanks.

My week's just been promo, promo, promo for my new album, I’ll Be Waiting – though, it's been too hot for the past few nights; so I'm a tad sleep-deprived.

Haha.

For those new to your work, can you introduce yourself, please?

Sure, well...

I'm Daniel Molyneaux. I'm just a dude from London who lives, breathes and sleeps music - and Pop is my niche; though I do love incorporating elements of other genres that I love. I'm an independent artist and I control it all.

I’ll Be Waiting is your new album. What can we tell us about the songs on the record and their inspiration?

Yes. I'll Be Waiting is my newly-released album and is out on every single online store now - please purchase it and give it a listen.

When it comes to the songs off the album: they were mainly just inspired by thoughts and feelings I had at various-given times. But, in honesty, when listening back they mostly share the theme of wanting and waiting for someone. Whether it be to have sex with, to dance with: to form an official relationship with; to be back in communication with, to give me an apology I'm owed.

I'm waiting for a lot of things and I guess, throughout my sessions, it all transpired into the album’s songs - hence why I titled it I’ll Be Waiting.

Guess What? I Need You is the first single from the album. Was there a particular relationship/person that inspired that song?

Yeah.

We met on app. and we didn't officially get together; but we were getting to know each other, and, did become part of the other person's daily routine.

We spoke daily, went out etc. and I was optimistic about how things were going - and then, suddenly, when we were at our peak: they just decided to turn their back on me.

What was it like filming the video for the song?

It seems like it was quite intense at times. Filming the video was a fantastic three days.

The camera operators often wanted other shots to use on top of the singing so asked me to do things like scream and swear to the camera - so things did sometimes get quite loud on set!

Do you know which other songs might be released as singles in the future?

Yes.

I have all the singles planned out but I'd rather not say what they will be. I know being secretive about next movements is such a typical ‘artist response’, and I hate sounding typical when I speak - but I'd rather just let the singles arrive and make their mark.

Who were the artists you grew up listening to and made the biggest impact?

I grew up listening to Luther Vandross and was just inspired by the way he was so free with his expressing his emotions and vulnerability. I'd have to name Rihanna and Barry White as my major influences, also.

I was seven when she first came out and over the years I've just adored how she's evolved into an all-round artist - and makes any music endeavour she does seem so effortless and natural, whatever genre. Pop will always be my forte but jumping into other genres in such an authentic -sounding way - as Rihanna does; it is something I aim to follow.

Barry White has had a huge impact on me, also, as no other music by any other artist gives me the joyful, euphoric feeling I get when I listen to his music's production. This 'Barry-White-effect' is something I always want to come with my music.

You are based in London. How important is the city and its people to your music?

London and its people are quite important to my music as I do see and hear lot of personal issues that I face and sing - about being shared amongst the city with people I do and don’t know so I’d like to think my music comforts the people.

I’d like the city, and the whole world for that matter, to listen to my music and know that I experience similar issues likewise - and find therapy with this. Kind of like “Ah, Daniel went through it too. No-one around me seems to understand but he does. He gets it. He gets me”.

I’m not saying I’m here to be a role model or someone who can halt everybody’s issues...but, it’s always comforting to know that someone else went through similar things you did. I want London to find solace with my work.

Do songs come quite naturally to you? How do tracks come together?

Lyrics and melodies come to me at the most unexpected times, mainly melodies, and I work with producers to strengthen them and turn them into proper-structured songs.

A typical start-to-finish of a finished song would be me catching a lyric and/or melody: recording it into my phone and then asking myself if I could see this becoming a viable, strong chorus. If I'm confident, I take it to a producer and play him the voice-note - and explain where I want the song to go – like, if I want it the song to go down a ballad-path; a fall-to-the-floor-path etc. He works on composing the instrumentation - which usually alters the original melody but, as long as whatever new comes up sounds amazing to my ear, then I'm happy.

I, then, take the stems away and write my lyrics to them then. When I'm satisfied; I record my lead vocals in the studio. I then work with other people to act as external ears - to hear if, what if I've brought to them, at this stage, makes sense.

Once they approve - or advise changes and often compose harmonies/adlibs I like - I record those add-ons and play the product to my best friend and some relatives – and, if they like it, I'm satisfied.

Are you already looking ahead to the end of the year? Is there new material in mind or are you focusing on touring and promoting I’ll Be Waiting?

There won’t be any material released from me - other than the singles from I’ll Be Waiting.

I'm going to be gigging the album for the next year so won't really be in the studio much. I was last there two weeks ago, when the album came out, and am already having studio blues!

For now, it's all about promoting I'll Be Waiting.

Will you be touring your material soon? Where can we come and see you play?

I'm been touring my album through doing a lot of open mics as well as booked shows – but, please do like my Facebook page as I add my dates there.

My next show is 12th July at Undersolo in Camden.

IN THIS PHOTO: Stefflon Don

Are there any new artists you recommend we check out?

Stefflon Don. I'm really liking her vibe.

If you had to select the three albums that mean the most to you; which would they be and why?

A recent one would have to be Rihanna - ANTi.

The songs on personal growth and development are just so relatable.

I'd also have to name Sean Paul's Dutty Rock.

I was five when this came out and hearing it now always take me back to the flat in Tottenham - where my mother, sister and I lived in my early years. Its songs were the anthems of my life (back then) - so it means a lot to me now - as it's the only audible thing which brings the (most) dearest memories of my youth (that I will never live again).

For similar reasons, another album I treasure is Juanita Bynum - A Piece of My Passion.

My mother was a firm Christian and this album was what she would play around in the car, and in the house, constantly. My mum passed away when I was fifteen and, when I listen to this album and close my eyes long enough, it's almost as if I when I open them - I will see her swaying to the album in front of me as she did.

Do you get much time to take a break from music? How do you like to spend your free time?

Music is something I’m just gravitated towards so, every day I’m at least writing - if I’m not performing or recording. But, on days where a session or a gig isn’t booked, I typically just scroll endlessly through Instagram: laugh at funny memes, listen to music; eat and sleep. Haha.

For a Pop artist, my general lifestyle’s a bit boring I’m afraid. I ought to get back into the gym as well, though!

What advice would you give to any new artists starting out right now?

I'd say try not to get too caught up in the nitty-gritty technicals behind a song - but just always ask yourself how it overall sounds as you go along and remember your intentions.

Finally, and for a being a good sport, you can name a song and I’ll play it here (not one of yours as I’ll do that).

Hahahaha.

Please play Cabaret by Alice Smith

I love this one.

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Daniel9.JPG

INTERVIEW: Hero Fisher

INTERVIEW:

 

 

Hero Fisher

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EVER since she put out her first song, it seems, there has been…

PHOTO CREDIT: @saulwodak

a huge wave of affection and respect for Hero Fisher. The video for new single, Sylvie, has a low-cost horror feel – sort of like The Blair Witch Project. It is a fascinatingly eerie video – one that accompanies a song that is tender and emotive. I ask the French-raised, British-based artist about the song and what we can expect from the album, Glue Moon. It follows her hugely impressive debut, Delivery, and marks her as one of the finest songwriters we have in this country.

This notion is backed by the likes of The Horrors and Blur – both of whom were blown away by her debut album. She has collaborated with Boy George and opened for, among others, The Rolling Stones and Neil Young; garnered huge support and is tipped as a mainstream star of the future. Her protean, filmic music is matched by fiery and emphatic vocals – one is reminded of PJ Harvey and Patti Smith.

I ask her about influences and the albums she treasures; what gigs she has coming up and whether there are any big collaborations/surprises coming up.

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Hi, Hero. How are you? How has your week been?

Hi! I’m good, thanks.

My week has been full of good things since Sylvie has been released - I’m very happy to finally get some new stuff out into the world.

For those new to your work, can you introduce yourself, please?

I’m a musician, singer and songwriter. I mainly play the guitar and piano. I’m British but grew up in France - with Australian parents.

I released my first album, Delivery, in 2015 and will be releasing singles from my second album throughout this year.

The full album, Glue Moon, will come out early next year.

Tell me a bit about Sylvie and what the track is all about. How did that song come together?

Sylvie was inspired by a character from the book, Housekeeping, by Marilynne Robinson.

She’s a strange drifter who speaks of a ghost-town hidden in the woods by the lake - a place once full of life now almost gone. There are traces of houses left and she says that if you stand still and quiet, ghost children will come out of hiding.

The song, Sylvie, was written from the perspective of the ghost children.

(You asked!)

What was the video like to shoot? You edited and directed it, too. Was that quite a challenge to do or something you were determined to do?

We shot it up in the Lake District - a place I wasn’t familiar with. It’s very beautiful up there: it’s like something out of a fairy tale. There were only three of us so it was pretty makeshift - we just thought we’d go and film a load of stuff and see what looked good.

I spent some hours in the freezing rain that day and was really sick for the rest of our stay - which was a challenge.

Editing was the hard bit, as I’m just learning how to do that, but I’m very determined to be as hands-on as I possibly can be - on the visual side of things.

I just finished editing my next single, Push the Boat Out.

In the video, there is juxtaposition between the song’s haunting (beautiful) tones and a visual eeriness. Was it instinctual to make the video this way and were any films influential in terms of the storyline/direction?

A lot of the songs on this album are written with a particular place in mind: it's the wee hours by a lake under a big pale, green moon. The eeriness in the video comes from imagining this place for so long that it came through pretty organically.

Also, the album is more low-fi than the first - and I wanted the visuals to have more a homemade feel about them. So, anything with older film colours (like Kodachrome or graininess) seem to fit this album.

Sylvie has made its way onto Spotify’s Indie Songs for Slackers. Were you quite chuffed hearing that?

I was super-chuffed about Sylvie making Spotify’s Indie Songs for Slackers playlist!

Glue Moon is your sophomore album. What can you tell us about the record and how does it differ from the debut – in terms of style and song themes?

There’s a haziness/dreamlike quality to the general atmosphere of this album.

It feels a bit otherworldly and very colourful. It still has a melancholic feel, in keeping with most of my work, but I think there's a lightness and a sense of relief that comes through on this album.

You were born in Britain but raised in France – now back in London. How the music scenes in Britain and France differ? Any plans returning to France or playing some gigs there?

I only played in bars in Paris - never bigger venues; so I can't compare them, really.

I wasn't as extroverted with my songs back when I was living there. But now, I'd absolutely love a chance to play at L'Olympia or the Grand Rex (or La Cigale)!

So far, you have won fandom from Blur and opened for Neil Young; collaborate with Boy George and win praise from huge stars. Does it all feel like a dream or has that kind of patronage made you a more confident artist?

Meeting other bigger artists is a great motivator and reminder that making music for a living is actually possible.

That such amazing people are so supportive feels great.

PHOTO CREDIT: @julian_broad_studio

Any collaborations or big surprises coming up? What do you have planned for the next few months?

I've only been collaborating with close mates recently - but, I've been dabbling in writing for other artists as well.

I'm definitely more open to the idea of collaboration now that I've written two albums of my own.  

In terms of touring; where can we come see you play?

We’ll be announcing shows very soon. Keep an eye on my Facebook page

Who are the songwriters and musicians you emulate or take guidance from? What kind of music did you grow up listening to?

The two people I look to when in doubt are Bob Dylan and PJ Harvey.  I admire them both so much...also:

Jeff Buckley

Billie Holliday

Thom Yorke

Nick Cave

Are there any new artists you recommend we check out?

I’m really loving Chelsea Wolfe at the moment.

Also, Trixie Whitley and Nils Frahm.

I’ve also discovered a lovely singer from the 1950s called Connie Coverse, recently…

If you had to select the three albums that mean the most to you; which would they be and why?

Nick Cave’s Skeleton Tree AND Push the Sky Away

I can’t pick a favourite between them. There’s a delicate, spontaneous feel to both these albums that is so touching - I love these albums so much.

Astral Weeks by Van Morrison

Because, it makes me really happy and reminds me of being a kid.

Blood on the Tracks by Bob Dylan

Because, discovering it, was a massive turning-point for me in how I looked at songs and how I wrote songs from then on.  

What advice would you give to any new artists starting out right now?

Don't over-think things.

Everybody else feels like they’re winging it, too.

Finally, and for being a good sport, you can name a song and I’ll play it here (not one of yours as I’ll do that).

We No Who U R by Nick Cave

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INTERVIEW: CC Smugglers

INTERVIEW:

 

 

 CC Smugglers

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AFTER the success of their single, Rhythm…

many eyes and ears have turned the way of CC Smugglers. That song was picked up by BBC Radio 2 and BBC Radio 6 Music – the band played live sessions of the station. The boys have enjoyed sold-out shows across the U.K. and Europe; great festival appearances – including Latitude – and supporting the likes of Old Crow Medicine Show and Bruce Springsteen.

The new single, Dirty Money, is another huge track and one I was eager to find more out about. Richie from the band talks about their music and details of each member; how they all came together and what their diary is looking like – and, whether being a sextet is a benefit or quite unwieldy.

_______

Hi. How are you? How has your week been?

Hello.

I’m fine, thank you very much.

This week, we’ve just returned from three dates in Switzerland playing some great festivals - including Montreux Jazz Festival!

For those new to your work, can you introduce yourself, please?

We are a group of lads who play original music with a gung-ho attitude for cross-breeding influences, old and new, from around the world. We are very proud of our well-established reputation for absolute scorching live shows.

We use Folk instruments like fiddles, banjos; harmonicas, acoustic guitars - alongside electric guitars keyboard and full drum kits.

Did you catch Glastonbury? What was your opinion? Any performances stand out to you?

I caught bits and pieces but I don’t have a lot of time for telly really. I spent most of that weekend demoing a track I was writing – but I was aware it was on.

I do know Jamie Cullum was playing. I would have loved to have seen that live. I also watched Jeremy Corbyn’s speech on social media: that was quite interesting, I must say.

Dirty Money is the new track. What inspired the track and what can you reveal about it?

Being a musician in the music industry is hard: in the same way being a human in the 21st century is hard.

There’s always something just out of reach that will make us happy when we finally get it - and when we get it, there’s always something else… just out of reach. Money’s a bit like that. Doesn’t matter how much I earn: I’m always skint.

It’s taken me many years to realise that happiness isn’t a result from getting something, or having money or buying something. That stuff is fun, but fun isn’t happiness.

So, like many of my songs, they’re just notes to myself to remind myself of feelings - some of them we end up sharing with everyone – I think this one's relevant to most people.

Is there going to be more material coming soon? What can we expect later in the year?

We are toiling over some secret plans – just be patient, you cheeky rogues.

I am interested in the name, 'CC Smugglers' – sorry if you’ve been asked before – but where does that band name come from?

Yes, that is something we’ve been asked a few times…

Let’s just say ‘CC’ refers to the 125 C.C. motorbikes we used to ride when we were troublesome kids - riding across the fields in our home county.

You can just use your imagination for the 'smugglers' bit.

How did you guys all form in the first place? Was there an instant spark the first time you got into the studio?

I was doing stuff on my own for a few years and went into a studio to make a demo. When I made that demo the producer laid some double bass and electric guitar.

It was then that I sent those demos to my two friends Ryan and Dan - who were traveling Australia. The pair of them flew home and we started a band! We never really looked back after that!

I am interested in the six-piece – I do not see too many bands with that many members. Do you think having that strength in numbers heightens your sound and makes the creative process easier?

It has its strengths and weaknesses but, as far as being on stage, we are a force to be reckoned with - and that is because we are a large, strong; well-rehearsed team unit.

Who are the real ‘characters’/trouble-makers in ranks? Any one member the rest have to keep a cheeky eye out for?

Well, that’s a bit personal, isn’t it!?

We all have our own unique little niches:

Sam, our fiddle player: he’s the pretty boy; insists on getting his hair cut twice a month; is a front-runner in fashion and loves a bit of self- grooming.

Dan is the ladies’ favourite: tall, dark and handsome; has done a bit of modelling in the past - but is the ultimate gentleman and a real kind caring chap.

Ryan. He’s the quiet, surly one: absolutely on-point all the time - but just watch out for the quiet ones. He’s always one step ahead: captain cool.

Tom is a total gent, very stylish - and one of the best musicians I’ve had the pleasure to work with.

Iain a true Scot: can drink like a fish, tumble like a boulder and graft hard.

I’m the loudest and gobbiest. I’m a bit scatty but can, and have, talked us out of a pickle or two (I’m also damn good at driving in deep mud and snow - and have almost dangerous amounts of confidence on and off the road.)

So, there…you asked one simple question and you got a character reference of everyone. I told you I was gobby.

What has it been like getting attention from stations like BBC Radio 2 and '6 Music? They are quite diverse so it must mean you are doing something right!

It’s amazing, really.

If I could tell that funny, little loner twelve-year-old sitting in the field playing his guitar terribly (me-twelve) - or the angsty, spotty Slipknot hoody-wearing fifteen-year-old playing the school guitars in the music corridor at lunch time (me-fifteen); that, one, day he’ll be legging it round the world playing gigs and getting played on national radio station…it would have done my self-esteem the world of good.

It’s funny how things work out: it would never have happened without a huge team effort. Not only from my best mates in the band, but our families and friends - and all of the people who work with us because they believe in it.

I know you have some tour dates coming up in October. Which venues are you most looking forward to playing and are there towns/cities on the list you have not played before?

Oh, there’s loads!

The Cambridge Junction one is a biggy!

Also, London at the Union Chapel is a big old show.

What is touring like for the band? Is that a side of things you enjoy or can it be quite demanding?

Oh, man!

That’s what I live for! It can be very demanding: long drives, short sleeps - especially when voices start getting tired - but I kind of see it; in a very pretentious and non-realistic way - like being a soldier.

We go out on tour with the squad and rough it; rely on each other; bond and get through it – it’s an absolute adventure where we get to see the world and we have moments of exhilarating adrenaline every night. That’s living!

Are there any new artists you recommend we check out?

My friends have formed a band called Funeral Shakes.

I have heard their stuff and heard the plan. When it drops it is going to drop-hot. They are quite heavy but so, so clever and artistic.

Trust me: it’s going to hit the ground running.

It’s not out yet, but, boy…when it comes…

If you had to select the album that means the most to you; which would it be and why?

For me, Jamie Cullum’s Twentysomething

It has been the soundtrack to every single one of my (blossoming) relationships and crushing breakups.

It introduced me to Jazz and Swing - and there is not a song on there that doesn’t remind me of someone or something.

I will always love that album.

What advice would you give to any new artists starting out right now?

Be different, be brave and never ever think you’ve done enough.

There will always be someone out there better than you: all you can do is do your best. The competition is high so work your fingers to the bone and always go the extra mile. You never know what may come of something so never make decisions out of fear.

Don’t think of reasons why not: think of ways to make things happen.

Finally, and for being good sports, you can each name a song and I’ll play it here (not one of yours as I’ll do that).

Ok, thanks!

Here goes:

Richie: Leon Redbone – Please Don’t Talk About Me When I’m Gone

Dan: Aretha Franklin – Think

Ryan: Muddy Waters – I Want to Be Loved

Sam: John Mayer - Slow Dancing in a Burning Room (Live in L.A.)

Tom: Billy Joel - New York State of Mind

Iain: The Brandon Brown Collective (ft. KIKI KYTE) – Honey

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INTERVIEW: Sasha Brown

INTERVIEW:

 

 

Sasha Brown

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THERE are few as busy right now than Sasha Brown.

PHOTO CREDIT: @channelkish 

The singer-songwriter prepares to release her single, Parallel, on the 14th – she is busy D.J.ing at Hoxton Radio and seems to be constantly moving. She found some time to discuss her upcoming single and the story behind Parallel. I learn about her music past and how she got to this point; how influential her D.J. work is and the sort of music she is vibing to.

In addition, in a full-bodied interview, she talks about how Pete Tong discovered her music; whether she caught this year’s Glastonbury and what the approaching weeks have in store.

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Hi, Sasha. How are you? How has your week been?

Sam! I'm good, I'm good.

Busy getting ready to release my debut single! 

 For those new to your work, can you introduce yourself, please?

Hey (*wave*).

I'm Sasha Brown: singer/songwriter; saxophonist; radio D.J. and presenter. 

Did you catch Glastonbury? What was your opinion? Will you be heading to any festivals this summer?

Please, don't even go there: I'm doomed against Glasto!

I can never get tickets even though I was sitting on about five devices with my mates! I caught Ed Sheeran's performance on T.V.

I've kinda been in love with his music since seeing him at Benicassim music festival at eighteen.

Parallel is your upcoming debut single. What can you reveal about the inspiration behind that track?

It's a reflection of where we're at today. I co-wrote it with these guys Joe Kearns and Jason Elliot - who are awesome.

I came into the session with this word that had been playing on my mind for a while: parallel. 

Jason was saying how the world's kinda messed up and sometimes it's hard to feel a connection when everything feels so lost. For me, there's a frustration behind the song. It's about a relationship. Two people are moving together - in the same direction - at the same speed but, for some reason, they aren't coming together.  

From the outside, everything looks perfect but it's not - there's no connection.

How much of your personal experience and romantic endeavours go into the song?

Haha, ummmmmm.

Yeah, I mean songs I write have to mean something to me or what's the point?

What I write about doesn't necessarily relate to current relationships. I like to play on the past, present and to think about the future.

It's probably better no one knows who I'm writing about - that's a lil dangerous! 

Was it quite nerve-wracking putting the song together? How does it feel releasing a debut single to the world?!

No, it feels really right, actually.

Last year, I had a featured release off Jamie Jones’ label, Hot Creations - which got quite a lot of (BBC) Radio 1 play and support from Pete Tong. That was a dream.

It was a Techno, track, though, and I'm a Pop artist – so, for the past year, I put myself into the studio with different producers to really develop and discover my sound.

Parallel feels really good and I'm getting really positive feedback. I'm excited.

 PHOTO CREDIT: @charlicohe

The song’s video was shot in Shoreditch and is quite minimal and stripped-back. How much say did you get in the concept and what was it like working on the shoot? 

So, Charli Cohen (the fashion designer) and I have been following each other on Twitter for the past couple of years. I'm very into fashion and have done some modelling in the past. After her LFW 2017 showcase, I just messaged her saying I wanted to collaborate.

I came up with a concept for the video as I could literally see it in my head. I pitched it to her and her partner, Ben Thompson, who’s an amazing videographer and director. They were on it so we got Ben's team, PXL Post, together and shot the video one weekend! 

The shoot was really good fun. I love Charli's designs and the team were all vibing so it was great! 

Of course, you have been in music a little while and gained support from the likes of Pete Tong. It seems Parallel is a softer and more evocative song than, say, Talk On (you featured alongside Nathan Barato). What was the decision behind this stylistic change?

I was a featured artist on Nathan's track. I’m not a Techno. artist, but I do love Dance music - so it was a pleasure to do!

Funny story actually: Nathan and I met in Ibiza a few years ago. My best mate and I went up to him and his friends in the club Space - cos we thought it was hilarious that their whole crew were head-to-toes in black.

We all became friends and then Nathan and I stayed in touch - as he was a producer/D.J. and I was looking for people to work with!

I sent a couple of demos to Nathan in Toronto and then had this little idea. I still remember standing in my kitchen and singing it into my iPhone. You know how they say 'shot on an iPhone'?: well, Talk On was ‘recorded on an iPhone’! 

I sent it off to Nathan who was D.J.ing with Jamie Jones at the time, and next thing I knew, the track had been cut! It was a bit mad.

I've always been in the Pop world. I grew up on Pop and it's in my blood - so it wasn't a transition; more a case of just doing it!

PHOTO CREDIT: @nastassjathompson

Is there going to be an E.P. to follow and will you mix genres/sounds on it, perhaps?

Definitely! I've got loads of music coming; stay tuned!

Come to my gig at Secret Garden Party festival - Saturday 22nd July at twelve (midday) - and you can hear it all.

Can you tell me a bit about the musicians and bands you grew up listening to? Who are the big artists that compelled you to go into music?

I just love music.

Honestly, it's the one thing that can completely change my mood. Music has always been a massive part of my life.

I grew up on Pop. My dad bought me Abba's Gold album at eight and I loved it. I started playing the sax. but couldn't read music at the time - so my teacher had to write out all the letters so I could play the album! 

I grew up on everything, to be honest. All the great singer/songwriters like Carole King, The Supremes; Gabrielle - but I also went to dance classes every weekend so listened to a lot of Hip-Hop and RnB. I’m very into artists such as Tove Lo and Sia at the moment - but I listen to different playlists on Spotify every day, so there’s a lotttt that I like.

PHOTO CREDIT: @rhona_murphy

You are a D.J. on Hoxton Radio. How influential is that work to the music you make and what is it like working on the station?

I was Head of Music at Burst Radio (Bristol Uni.) in my last year there. I love now having my show on Hoxton Radio - Mondays 12-2 P.M. (tune in: cheeky plug) cos it means that there's constantly a reason to look for new music and share that with my listeners!

I listen to different Spotify playlists every day and get sent quite a lot of music by P.R. companies for my show - so, all the sounds I'm hearing, obviously, have an effect on me as an artist.

I play a lot of remixes on my show and Dance music because my show is on a Monday and people need a little help feeling good on a Monday. Monday’s are tough so I call my show the Feel Good Show!

I’m a little obsessed with ODESZA and Zhu - and that new Camelphat and Elderbrook tune, Cola, is just, well: it’s perfect.

I love interviewing other artists and seeing what they’re up to! I interviewed Rudimental last week who are just awesome. You can just tell how much they love music and how it brings people together.

What does the rest of the year hold in terms of gigs and appearances? Where might one come and see you play?

Secret Garden Party 12 P.M., Saturday 22nd July!

I’m so excited as I’m playing the same stage as some of my favourite acts at the moment - including Mabel, Zak Abel and Bonzai!

I’m also playing Metropolis Rising at Bicester Village on Friday 28th July.

More coming - and I’ll be posting gig dates on my socials.

Are there any new artists you recommend we check out?

Astrid S! I’m obsessed.

I saw her live at Scala last month. She’s amazing. Her single, Breathe, was co-written with some of the guys working with Tove Lo - so no wonder I like her!

Also, check out Julie Bergan: she dances as well so her stage presence is ridiculous.

ALMA, Zak Abel...ahhhhh; there are too many!

What advice would you give to any new artists starting out right now?

Work really hard.

When I interviewed Grace, from Clean Bandit, I remember asking this exact question. She said “Just work really hard”; and I was like, “yeah, and have talent”; and she was like, “No, just work really fricking hard”.

Obviously, talent has a lot to do with it but hard work will always override a talented person who’s a little lazy. You have to really want it badly in this industry.

I would also say to be present everywhere and get out and meet people – cos, in my experience, people have generally worked with me after they’ve met me. You can find networking events wherever you are. Just start to build your community.

Also, get on social media. It’s not all about the stats: figure out who you’re targeting and find a way to connect and build relationships. Music is an industry based on passion and love so people just want to work with cool people - and people they think they’re going to vibe with.

Finally, and for being a good sport, you can name a song and I’ll play it here (not one of yours as I’ll do that).

Ah, thanks.

So, there’s this wicked little tune called France by OPAL - which I include in some of my chilled D.J. sets.

Enjoy!

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INTERVIEW: Jess and the Bandits

INTERVIEW:

 

  

Jess and the Bandits

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FOLLOWING their acclaimed album, Here We Go Again, Jess and the Bandits…

proved they were a force to be reckoned with. The band found themselves much-demanded by BBC radio and T.V. – Jess became the first-ever Country star to be named an ambassador for a U.K. retail chain (Jess is from Texas). Jess, after a whirlwind romance, is engaged to Chris Peavey. I ask her and the band about that; what new song, Kings of Summer, is all about and how they have developed over the last year – and what sort of tour dates are afoot. In fact, their touring schedule is pretty full and impressive – make sure you catch them if you can!

I learn about the creative process and some of the albums/artists that make the guys hum; the reason behind re-releasing Here We Go Again; what Smoke and Mirrors, their latest album, contains and how the guys all got together in the beginning.

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Hi, guys. How are you? How have your weeks been?

So far, so good. Busy but great!

Kings of Summer is your new track. What can you tell us about it? How did the song come together?

Well, when creating a new album it’s important to not only write your own songs but to utilize some of the best writers in the world (in Nashville). We are very fortunate to work with the best who even pitch us songs they’ve written. Kings of Summer was one of those.

The minute we heard it we knew we had to make this the first new song people could hear from the new album. It’s fun, carefree and perfect for summer. In a world full of chaos; sometimes you need a song like this that (just) makes you smile!

How does your music general form? Do you write lyrics and music separately or at the same time?

It typically comes around the same time.

I write ideas and some basic lyrics so I know what I want to talk about - but it’s not until I sit in the writing-room with the other writers that it actually comes together.

You re-released of your album, Here We Go Again, as a Deluxe package. What was the decision behind releasing that back into the market?

We knew we had a while before we would be releasing album two - so this gave us an opportunity to give our fans some new music while continuing to promote the first album to new fans.

Smoke and Mirrors is your upcoming album. We will receive it in September. What kind of songs and themes will be on the record?

This album is full of strength.

From songs like the new single, I’m Not Going Home, to The Bullet and Sister - the reoccurring theme throughout this album is how strong we can be as individuals.

Whether that be in relationships, breakups; jobs or anything life tends to throw at us. There is a very soulful County-Gospel feel to this album - which we are so excited about.

Was it a lot easier to record than Here We Go Again or did it formulate quicker? What kind of changes and differences have you noticed between the two albums?

No.

I think every album has its own share of difficulties. They equally took just as long because I would never put out an album that wasn’t thoroughly thought through and formulated carefully.

The first album very much as a fun, Country-Rock feel. This new album, I feel, is deeper lyrically - still very fun but in a different way.

It also touches on Country-Rock but has much more of a Gospel influence this time.

Is there a particular song from the new album that sticks in the mind?

It’s hard to choose just one but Sister holds a special place in my heart.

Will you be touring to support the album? Where can we see you play?

Yes!

We are hitting the road in September and all of the dates are at our website: www.jessandthebandits.com

It is almost summer. Are you partaking in festivals? What are your plans for the summer months?

We sure are.

We are doing a few of the Country festivals and I have gone to a few myself just as a spectator - which is always nice!

This summer will consist of lots of trips between Houston and London - as well as promotion for the new album and upcoming tour.

It’s going to be busy!

Jess, you are recently engaged. Has that changed your creative dynamic and affected your music in any way?

I think, slightly.

Rather than talking about ‘What-if’ kind of love; I can actually speak from experience.

Sometimes, when writing, you have to use other people’s stories and it’s nice to use more of my own now in regards to the mushy-love-stuff.

How did you get musicians together for Smoke & Mirrors? Is it mostly American musicians or British ones in the fold?

We have a great mix on this album!

We recorded it in Nashville and London with Americans and Brits! We have our pick of some incredible talent on both sides of the pond!

Tell me how Jess and the Bandits all got together? Are you all friends from way back or did you meet one another gradually?

The band was formed after working together on a tour back in 2014.

Then, additional players have been added in - as we’ve all met around the music scene in the U.K. - especially the U.K. Country scene.

There is so much talent out there!

The guys filming for Oak Sessions back in May

The guys filming for Oak Sessions back in May

PHOTO CREDIT: Jess with Oak Sessions  

Are there any new artists you recommend we check out?

Oh my, there are tonnes!

There is a Country band called OSMR; Ashley McBryde is fantastic and a great Texas Country band called The Drugstore Gypsies (are really cool).

Jo Smith is worth a listen.

If you each had to select the one album that means the most to you; which would they be and why?

Jess: Stand By Your Man by Tammy Wynette

I remember listening to my grandfather playing old Country music on the radio - and this is one of the ones I remember hearing.

Anytime I hear this song - or any of the others on this album - it takes me back.

Ricci: Thriller by Michael Jackson

It was the very first record I had on C.D. I could remember listing to this as a young boy, falling asleep to it.

The songs just really resonated with me and one thing I am partial to is the production. Quincy Jones is one of the finest producers of our generation.

Dave: Michael Jackson’s Bad

It’s been with me most of my life: the best songs, musicians and artist.

Louis: The Cream of Eric Clapton

I must have listened to this a million times as a kid growing up. My mum has this record and as I started to play the guitar - this was the benchmark.

There are some amazing songs on it as well.

Steve: Night Owl by Joey Rafferty

He is a much-misunderstood and sadly-underrated singer-songwriter - and I’d even go as far to say he is my favorite singer-songwriter - which is quite a controversial thing to say because I realize there are so many good ones.

My dad also raised us listening to Rafferty.

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What advice would you give to any new artists starting out right now?

Don’t give up… it’s such a tough industry but the only ones who actually make it are the ones that don’t stop!

Finally, and for being good sports, you can each name any song and I’ll play it here (not one of yours as I’ll do that).

How about the ones mentioned above…

Michael Jackson - Thriller

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Michael Jackson - Bad

Joey Rafferty - Night Owl

Tammy Wynette - Stand By Your Man

Derek and the Dominoes - Layla

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Follow Jess and the Bandits