INTERVIEW: Anna Tosh

INTERVIEW: 

Anna Tosh

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ANYONE who has a love and passion for Talking Heads is…

alright by me but, with Anna Tosh, there is so much more. I talk to her about her single, Weightless, and what, in her words, it means. She talks about her sound and putting music together; what we can expect from her E.P., One Big Fire, and what will lead from that.

Tosh discusses her influences and how much came to her life; the importance of London and picking up the guitar as a teen. I understand about Anna Tosh’s gig schedule and the relevance of love when it comes to song-inspiration – and whether bands like Talking Heads are pivotal in her success and sound.

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Hi, Anna. How are you? How has your week been?

Hey!

My week has gone swimmingly. We have been in the studio mixing tracks for my E.P., One Big Fire.

For those new to your work; can you introduce yourself, please?

I’m a singer/guitarist and songwriter from London. I have recently gone solo and am putting the finishing touches on the E.P. - which will be released in October.

I am intrigued by your new single, Weightless. Can you tell me how the song came together and what it concerns?

The song was written by me and a long-term collaborator, Herman Stephens. We started it in the final days of a previous band we had together several years ago (Shotgun Venus). It languished half-finished on a hard drive until last year - when we started working together again on this project.

It’s about a recurrent dream I had, of walking across a beach and into the sea, drifting underwater and ending up in the Land of the Dead.

It is the first single from the E.P., One Big Fire. What can reveal about the title’s significance and the sort of sounds/themes addressed?

One Big Fire is about relationships and the journeys we go through with other people: trying to discover who we are ourselves.

Based in London, you must take a lot from the people and surroundings. How influential is the city as a source of inspiration?

The funny thing is that, even though I am born and bred in London - and spend 90% of my time here - I have to get out of town to connect with what it inspires in me.

I usually need to leave the city to get enough perspective to write about what I have experienced here. It’s too intense otherwise.

IMAGE CREDIT: Paul Rowson

I start most of my songs holed up in the countryside somewhere, trying to decompress from London. I constantly encounter the most diverse range of people I could ever hope to meet… I am lucky to live here.

As a teen, you learnt your guitar skills to a number of bands/musicians. Was it a valuable experience and when did you decide you needed to go solo?

I have had so many priceless experiences and I still play with (and collaborate with) other people on their projects. I love it and am constantly learning - But, last year, I knew that it was time to stick my neck out.

There’s less risk involved when you are sharing responsibility for a project. It can be easier but life is not about always taking the safe option.

Plus..I got sick of compromising!

How important were relationships – fractured and fraught – to you stepping out and getting your voice out there?

Integral.

Every relationship is a mirror to myself: a constant education and source of inspiration.

Can you tell me about your musical roots? It seems like you are compelled by a range of genres. What kind of artists and sounds did you grow up listening to?

As a kid and teenager, I was listening to a combination of ’60s Pop music, Heavy Metal and ’90s Indie. I had a cool older brother who influenced my musical tastes pretty hard.

I was most interested in Nick Cave, Sonic Youth; The Jesus and Mary Chain, Mike Patton; The Beatles, Ben Folds Five; Sheryl Crow, PJ Harvey; Guns N’ Roses, The Doors; The White Stripes…

I hear elements of Talking Heads in Weightless – with some Punk edge. Are they a band you are driven by and do you think they deserve more attention/exposure in the current age?

I got into Talking Heads about ten years ago: someone made me a mi-tape of them while I was sick. I think, in my feverish state, they wormed their way into my brain instantly.

They are the epitome of an ‘Art Band’ to me - more so than Sonic Youth, even. David Byrne has reasons why he does everything and never stays still.

I think they have the legendary status they deserve.

How far ahead are you planning? Will there be new songs later in the year?

I’m planning another E.P. next year and am about to go away for a couple of weeks to start writing it. New songs are coming all the time: I try to get at least one brand new one in the set every time we play.

Can we expect any tour dates to coincide? Where can we see you play?

One Big Fire will be released in early October and we’re having a launch party at Servant Jazz Quarters (in Dalston) to celebrate (10th Oct).

As for a tour… I’m up for it if you are!

PHOTO CREDIT: Youyang Yu

How do you spend your time away from music? Do you have time to explore the city?

Music is never far away.

There’s not a time where I clock off from thinking, planning; getting inspired… but if it’s doing my head in and I need a break, I’ll flight-mode my phone and try to get lost on Hampstead Heath - near where I live in North London.

Are there any new artists you recommend we check out?

VITO CAMARO, Black Hay and Wildhood.

If you had to select the three albums that mean the most to you; which would they be and why?

David Bowie - The Rise and Fall of Ziggy Stardust

The (most) perfect story ever told in Rock ‘n’ Roll.

PJ Harvey - Let England Shake

Sad, beautiful; intelligent, ambitious; melodic–as-hell: I hear something new every time I listen.

Iggy & the Stooges - Raw Power

If I ever need to be reminded why I chose a life in music; I listen to this.

What advice would you give to any new artists starting out right now?

Do it only if you know you can do nothing else...

Don’t be afraid of what you thought was amazing when you were seventeen. The Internet is the greatest tool invented in the last century but it will never replace real-life experience.

Finally, and for being a good sport; you can name a song and I’ll play it here (not one of yours as I’ll do that).

Cool!

Let’s stick with the Talking Heads theme: This Must Be the Place (I don’t mind if it’s the live version or the studio version).

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INTERVIEW: Fond of Rudy

INTERVIEW: 

 PHOTO CREDIT: GG Photography 

Fond of Rudy

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DIVIDING their professional existence between…

Brighton and London; the exciting, fertile and stunning quartet, Fond of Rudy have provided us with their latest single, LOVE. Fond of the upper-case-pride (OMG! was their last) – they must know I am not a big fan of it! – the boys make up for it with an interview in which they discuss London and Brighton; what the story behind their new song it – and their band name – and how it evolves from OMG!

I was eager to discover how they unwind and more about their music; the elements that go into their vibrant, summer sounds and how Matt – who provides the answers, for the most part – creates a slow-jam-style smoothness with the vocals.

The band are primed for future success: a pleasure chatting with the guys - and learning more about their songs.

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Hi, guys. How are you? How has your week been?

We are well!

This week has been hectic. Just got back from a micro-tour of the North…great fun, however, energy levels are sapped now!

Ha.

For those new to your work; can you introduce yourself, please?

We are Fond of Rudy: a Brighton/London-based Indie-Alt-Pop four-piece band.

Can you tell me – apologies if you have been asked, endlessly – where the band name, ‘Fond of Rudy’, comes from?

Haha…only a couple!

Our music, essentially, tries to encapsulate the feelings of being in and out of love; and the pursuit of it. ‘Fond of’ generally means really liking and being drawn to something - but the ‘Rudy’ part; you can consider as a blank space… you fill it in.

What is the story behind the new single, LOVE?

The track represents our take on a modern slow-jam. It's packed full of lust and emotion; tuning into that persona of missing opportunities out of fear.

It follows from OMG! and seems like, with every release, you are becoming more confident. Did you notice any differences, in terms of writing and recording, between the two songs?

Every track is carefully crafted and planned: a lot of time is spent in pre-production; making sure every element is perfect before we think about releasing it.

We just want to keep grinding out track-after-track!

Is LOVE going to feature on an E.P. at some point? Anything in the pipeline?

LOVE belongs to an E.P. titled, TWO.

Watch this space in the future - we are always putting out little clues.

Can you tell me how you all got together and how those early days were?

The band, itself, has been going for a couple of years: developing and experimenting with various styles and members. It was only last year that all the groundwork laid down - previously equated to make this formation.

Brighton is your base. How important is the city and its mix of people to your music and creativity? What is the music scene like there at the moment?

We feel like we have two home: one in Brighton and the other in London. There are some great bands in both cities.

With Brighton you can see more bands coming to fruition recently - long may it continue!

PHOTO CREDIT: MJB

You have drawn comparisons to the likes of The 1975 and Blood Orange. Are these bands you admire or do you think it is more important proving yourself on your own terms?

Both The 1975 and Blood Orange are incredible artists; we love their music. Equally as important we want to be our own entity and get audiences to long for our creations.

In describing your music, you have described it is as a sort-of South East version of Calypso-Pop. What kind of artists and sounds were you all raised on?

Being in any band, you are all bound to bring different influences and sounds to the table. On our road trips, we’ve created a playlist roulette-type game: we take turns in selecting a song throughout the journey.

The artists played range from Pop to R&B to ’80s’ Classic-Rock etc.…so many weird and wonderful sounds (too many to name!)

Fond of Rudy have a string of live dates in the next month. Which dates are you most looking forward to?

We are playing at Carfest North this coming Sunday (in Chester) and have been selected as the stage highlight for the day - so that should be pretty epic!

Also, we (always) love playing to an intimate audience in London, too.

What do you guys like to do away from music? Do you get much chance to distance yourselves from the music life?

We all work the day-shift, keep fit in the gym; running or playing sports so we are constantly busy. However, music is always on our minds when we are distanced from it.

It’s a hard to get too far away for a long period of time as we all love doing it.

Are there any new artists you recommend we check out?

Good question…hmm.

We’ve all been digging a bit of LANY recently - those guys are creating tunes.

If you had to select the one album that means the most to you; which would IT be and why?

Another good question - which, I’m sure, we would have different answers to!

For me, personally, (Matt) it would be Fleetwood Mac – Rumours

Why? Because it’s THE GOAT.

What advice would you give to any new artists starting out right now?

I’ll pass on the advice that I have received many times: keep, keep (keep) writing.

The more songs you make, the better the quality will become - practice makes perfect, as they say!

Finally, and for being good sports; you can each name any song and I’ll play it here (not one of yours as I’ll do that).

Not one of our own songs…?! Damn. We would have obviously picked our new single, LOVE. Ha!

Alright…we’ll all go for Spice Girls - Too Much

No explanation needed!

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INTERVIEW: Zap

INTERVIEW:

PHOTO CREDIT: Davey Woodhouse    

Zap

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THERE are few people who distills the essence of Zap better…

PHOTO CREDIT: Joris Felix

than the trio themselves. They are, in their own words, defined by this riddle/answer:

“What do you get when you throw a washboard, mini megaphone, ukulele, rubber chicken, some tap shoes, a trumpet, 2 kangaroos and some tzatziki into a blender? Zap grew in the artistic playground of Berlin, blossoming from a craigslist add for swing music lovers, some special feelings and generally nice times. Drawing inspiration from Bob Fosse, Louis Prima, skiffle music and ancient laundry practices, Zap creates much more than just tunes that get your feet and vocal chords loose... It's gonna be a wild physical show to lighten your load and bubble your bath!”.

I talk to the guys about their music and how they came together – sourcing members from Greece and Australia – and how Berlin, their adopted home, is suiting them. They talk about musical plans and artists they recommend; what their music consists and ‘personality quirks’ of each member.

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Hi, guys. How are you? How has your week been?

Great!

We had Will’s 30th birthday - and Gabrielle has been performing at ImPulsTanz festival in Vienna!

Petro’s walking around Berlin and taking energy!

PHOTO CREDIT: Joris Felix

For those new to your work, can you introduce yourself, please?

We are Zap.

A three-(and often, also, four)-piece Swing/Taps/Honks group living in Berlin - but originating from Australia and Greece.

We are a theatrical show brimming with smiles and finger workouts!

PHOTO CREDIT: @beboptaranto

You are based in Berlin - but you have two Australians and one Greek in the trio. How did you all come together and why choose Berlin for your base?

Gabrielle moved to Berlin to study physical Theatre; Will chased her, here, penniless after six months - and created an advertisement on craigslist looking for "fellow Swing-heads".

Petros was first to reply, and after about three weeks, we could communicate without the use of Google Translate - and strongly through music. We took it to the streets and markets around Berlin and ended up touring and playing festivals throughout Europe, Asia and Australia for the last three years!

What is the vibe like in the German capital? I can imagine it has a very different scene to Australian cities like Melbourne and Sydney?!

It has been an incredible change from the tight laws and money/time-driven cities of Australia. We have really enjoyed the everyday freedom immensely and met a lot of kindred souls from all parts of the world - searching for the open, liberated and relaxed vibes of Berlin.

Gabrielle. I guess, most of us in the U.K., know you from the Trivago adverts. Does that sort of recognition humble you or can it get quite repetitive? How do they react when you explain you’re a musician?

We mostly perform in countries where my Trivago ads are not aired, so, for now, I am remaining inconspicuous.

What are Zap working on the moment? Any fulsome, multi-coloured stompers currently gestating?! Maybe an E.P. down the line?

We have an E.P. in the oven.

We are going to lay it out in September and put a bit more love and time into than the last two. We’re excited!

We are always making fun clips of our new music and travels.

We have upcoming tours to Italy, the U.K.; Thailand and Australia.

I know you share a love of Bob Fosse and artists of that ilk. In terms of other artists/bands, do you have similar taste or are you forever trying to ‘convert’ members to the acts you like?

Petros and I both have a background and love for Latin music; Gabrielle and Petros love cheesy old Jazz numbers.

The weather is pretty shocking in the U.K. Any chance you guys are coming over here at some point to give us sunshine and a serotonin boost?!

I love it that you slipped in the ultimate British line!

We are heading over for a wedding in September - but haven’t planned a tour there yet. Perhaps, if we get into Glastonbury next year, we will come with a couple of sets of gumboots.

Everbreaking Heart was released last year. What was the reaction like to the E.P./mini-album and tell me a bit about the clip you shared on social media – of Zap in the Philippines?

We released the E.P. for something fresh to sell on our two-month East Coast of Australia tour. We haven’t had any hate-mail - and a lot of people let us know they play it a lot.

Our Unbuccen Lucky clip went off like a frog in a sock. We were lucky enough to have such beautiful and generous friends on the Island of Boracay – so, making it was fun and simple!

It has had the furthest reach thanks to a lot of Pilipino crew sharing it around!

Each trio/band has members with various ‘quirks’ and personality traits. Is there a messy member or the one who falls asleep and snores loudly? Any dirt to dish?!

Will can sometimes have a bit tad too much to drink and gets silly and in his own world on stage. It’s hard for the rest of us to keep up!

Gabrielle can sometimes get a bit grumpy on stage.

Petros snores like an elephant with pneumonia.

Are there any new artists you recommend we check out?

For sure!

Kane Muir

Facebook.com/kanemuirmusic

J.Lamotta すずめ

Facebook.com/jlamottasuzume/

IN THIS PHOTO: J.Lamotta すずめ/PHOTO CREDIT: Helen Mari Mare.

Yvy Maraey

Facebook.com/Yvy-Maraey-1683528038557488/

Harvey

Facebook.com/musicharvey

IN THIS PHOTO: Harvey/PHOTO CREDIT: Lucy Alcorn

The Milkshakes

Facebook.com/themilkshakesmusic

Los Monos Flamenco

Facebook.com/losmonosflame nco

IN THIS PHOTO: Hektisch Kunst

Hektisch Kunst

Facebook.com/hektischkunst

James Chatburn

Facebook.com/jameschatburn

IN THIS PHOTO: James Chatburn/PHOTO CREDIT: Aleksandar Jason Photography

Noah Slee

Facebook.com/noahsleemusic

Malibeau

Facebook.com/malibeauband

The Lips

Facebook.com/thelipsblues

PHOTO CREDIT: @joris.felix

If you each had to select the album that means the most to you; which would they be and why?

Will: Probably Fat Freddy’s Drop - Based on a True Story.

It encapsulates a whole lot of love: life sketches and beautiful relaxed moments that remind me of the last ten years

Gab: Sergei Prokofiev - Peter and the Wolf

This L.P. accompanied my entire childhood.

What advice would you give to any new artists starting out right now?

Busk; sell C.D.s; figure out your tricks that set you apart. Write music and create stuff as much as you can - and co-create with as many new art heads as possible.

Dream big and stay true to your heart.

Finally, and for being good sports, you can name a song and I’ll play it here (not one of yours as I’ll do that).

Fat Freddy’s Drop – Seconds

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INTERVIEW: Ben Pryer

INTERVIEW: 

Ben6.jpg

PHOTO CREDIT: Jas Poole Photography    

Ben Pryer

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IT only takes a glance of Ben Pryer to know he is not someone…

PHOTO CREDIT: Jas Poole Photography

who follows the crowd. The music industry has a fluidity and diversity that encourages variation and progression. Ben Pryer, in many ways, alludes to a golden age and style of music one does not encounter too much in 2017. Call it Rockabilly or Rock ‘n’ Roll: it is a fun, toe-provoking and captivating breath of air in an industry that suffers commercial blandness and overly-precise songs. I talk to the West Sussex-raised artist about the music of the 1950s and its influence on him.

He talks about his eponymous debut album and what we can expect from it; the relevance of artists like Elvis Presley and how, with thousands of fans behind him, it feels to be a unique and eye-catching artist – someone who not only captures the heart but plays music to get the body shaking!

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Hi, Ben. How are you? How has your week been?

Hi! I’m great!

My week has been so busy: but that’s a good sign, I think; seeing as I’m releasing my debut album!

For those new to your work; can you introduce yourself, please?

Of course!

My name Is Ben Pryer. I’m a twenty-one-year-old Rock & Roll singer/songwriter from West Sussex, England - with a huge passion for all things music!

PHOTO CREDIT: Jas Poole Photography

Your eponymous album is out. What has the writing and recording experience been like? Have you learnt a lot from it?

Yes!

Well, the writing of the album was probably the longest part, as I really wanted to focus on creating something I knew I would be really proud of. I think the writing taught me quite a lot about myself; not only as a songwriter but also as a person. I found the purest form of expression and wielded it like a tool - to create an exact musical representation of my mind at that time.

As for the recording; that’s always fun. It’s, quite literally, the icing on the cake: the coming together of your vision.

One track that stands out to me is Heartbreak Town. Can you tell me the story behind that one?

For sure.

Heartbreak Town is, probably, the most personal song on the record. It’s how I perceive my love life, all in under four minutes - which is (also) how long most relationships seem for me. Haha.

But, it’s also how I thought a lot of other people might experience love and lust - which is where the metaphor of this literal ‘Town’ came in: a place where all the lost and lonely would be between relationships - almost like a stopover.

I really liked that idea of creating a real place for a state of mind.

How much of the music is taken from personal experience; how much is fictionalised would you say?

I think most of it is taken from personal experience, with Young J.C. being the exception - which is a fictional story I made up about what I believe it would have been like for a young man to go away to war in the 1940s.

I’ve always liked war stories so I wanted to express my interest for that, also.

Looking at you, as a twenty-one-year-old, you seem to be a man from another time. It is rare to see a Rock ‘n’ Roll/Rockabilly artist in this age. Is that the sort of music you spend your childhood listening to?

 Yes!

I understand it’s not the norm. for a twenty-one-year old to be playing this sort of music, but I think we all need a little change right now. I did spend a large amount of my childhood listening to early 1950s-to-late-'60s music.

Thanks to my grandad, who introduced me to many of the artists who inspire me today - and did back then. He used to play me old records of his and we’d sit there and be in total awe.

What is it about Rockabilly that speaks to you? To me, it lacks critical pressures and seems freeing and expressive. What do you get from it?

I love Rockabilly/Rock & Roll because it’s fun.

It makes you go a little bit crazy and want to get up and dance -that’s what’s always stood out to me. Nothing else really did that for me.

Elvis Presley died, more-or-less forty years ago, now. Is he someone you idolise and emulate, in a sense?

I think, most artists of the last forty years have all been inspired by Elvis, in some form - whether they know it or not! He changed music forever. There’s nothing more inspiring than that.

I’ve always idolised Presley: he was a true hero for many. In a way, Rock ‘n’ Roll has this reputation as being legendry – but best left in the past.

Are you trying to bring it back and give it a cool, contemporary edge?

I don’t think I’m consciously trying to bring anything back.

Don’t get me wrong; it’d be amazing if I were able to do that. I’m just playing my own songs in the style that I love - and hoping that people also like it as much as I do.

But, wouldn’t it be cool to see everyone dancing in polka-dot dresses and Teddy Boy suits? Haha.

What is your view on modern music and the charts? Is being a mainstream artist something you aspire to or do you think you’d have to compromise your sound too much?

I think there’s lots of great music out there: I listen to a lot of new bands, also. I’m a big fan of Mumford and Sons. I love what they’re doing.

What sort of gigs do you have coming up? Where can we see you come and play?

I’m headlining the Radweb stage at Victorious Festival in Southsea with my live band, which should be really fun. We love it over there.

We also have some exciting shows in the pipeline for my fans to get ready for!

PHOTO CREDIT: Jas Poole Photography  

How does your music go down in the live setting? What kind of response have you been getting?

I think people are really taking to it!

I think they find it quite refreshing and different. I mean, everyone’s different, but even the grumpiest of guys can’t help but tap his foot!

Are there any new artists you recommend we check out?

I heard this guy on the radio the other day, Louis Berry.

He seems like a really cool guy and his songs are wicked.

IN THIS PHOTO: Louis Berry

If you had to select the three albums that mean the most to you; which would they be and why?

I’d have to start with The Sun Sessions from Jerry Lee Lewis

I think that compilation album is really what started me off on Rock & Roll – so, I owe a lot to it.

Secondly, Elvis’ Golden Records

It was another that really inspired me to play the guitar. I loved how diverse it was as an album.

PHOTO CREDIT: Jas Poole Photography

Lastly, John Mayer’s Born and Raised

I think it’s truly one of the most beautiful albums of the last ten years.

What advice would you give to any new artists starting out right now?

Never stop practising - and never give up!

If you truly believe you have something different, you should never let that go.

Finally, and for being a good sport; you can name any song and I’ll play it here (not one of yours as I’ll do that).

Could you play Don’t Be Cruel (by Elvis), please?

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INTERVIEW: Marina Avetisian

INTERVIEW: 

  Marina Avetisian

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I have been finding out about U.K.-based singer-songwriter…

Marina Avetisian and her new single, Shivers. It is from her E.P., All Shades of Blue (out on Friday), and, to me, has shades of Joni and Norah Jones – a hard blend to articulate and easily cohabitate together. She explains how she arrived from Russia (where she is born) and the role of Jazz, Classic and Folk in her early life; what it was like working with Nathan Britton and Brando Walker at EC1 Studios – and the story behind her latest single.

I find out more about her London life and what she has planned; what music means to her; a new artist we recommend we check out – and where she is heading in the coming days.

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Hi, Marina. How are you? How has your week been?

Hi. It’s been really good, thanks.

Getting ready to travel to Greece; the E.P. is out on Friday - so all is just great.

For those new to your work; can you introduce yourself, please?

I'm a singer and songwriter, born in Russia. I have lived in the U.K. for the past fifteen years. I have many different influences from different folk traditions and my diverse cultural backgrounds - which I take a lot of inspiration from.

My new E.P., All Shades of Blue, is coming out on the 28.07 and it's very exciting. I'm hoping it will tell you a bit more about me.  

Shivers is your new track. It lives up to its title and has romance, lust and purity at its heart. Was there a relationship/person that inspired the song? What would you say the song represents?

It started from just one line someone said to me and a very easy, light; free and beautiful feeling around it - and I think that is the mood of the song.

But, then, the song also evolved into something that has a deeper meaning for me. Shivers is a very romantic song but it is (also) a metaphor for other aspects of relationships - like relationships with life, soul; freedom, yourself and everything.

That is also the main theme for the E.P.

It has embers of modern Soul greats like Norah Jones. Were genres like Soul and Jazz prominent when you were growing up or do you take a lot from modern artists like Jones?

Thank you for such a reference.

I love Norah Jones. I went to see her in Somerset House a few weeks ago and it was stunning. She is definitely an inspiration. 

All Shades of Blue is the new E.P. What kind of memories, events and emotions influenced the songwriting? 

Songwriting is always different...

It can be some emotion, feeling or just a moment; sometimes, a very small moment or feeling that might seem insignificant and then it becomes a song. Sometimes, it's a whole song that just comes like it was always there - and I just had to catch it. Sometimes, it's several stories in one song.

But, it always comes from the heart-rhythm. 

All Shades of Blue has a lot of romance as it’s always inspiring - but it also reflects on many other things like sense of freedom; following dreams, letting things go; connections with ourselves and each other.

I like using metaphors in songs - so it's not always straightforward. 

Nathan Britton and Brando Walker feature. It was captured at EC1 Studios. What was it about those musicians, and that space, that really spoke to you?

I am really lucky to meet Nathan and Brando and work with them. They are just amazing!

I felt they really got me: my music and mood and this connection is precious. They helped me to create the natural, organic sound. They are absolutely incredible musicians - ‘sound ninjas’ - and wonderful people! We had a lot of fun recording All Shades of Blue.

Also, EC1 Studios is a great space; relaxed and focused, which is perfect for recording. It is really well-equipped and, of course, the most important thing is people who work there. They are all very professional and lovely.

There were two other musicians recording with us: Yelfris Valdes played Trumpet for Campervan Blues. He is such a great trumpet player.

Andrea Callarelli recorded Guitar for all four tracks. Me and Andrea have been playing together for few years. He just moved back to Italy and I miss him - and our good times creating music together. 

You were born in Russian and have Armenian-British roots. How does the music scene differ in this country – compared to countries like Russia? How important is your heritage and upbringing to your music?

I was playing piano as a child. Then, I played in my first band when I was fifteen. It was a girls’ band. We played Jazz standards and I played bass, there. Then, I sang in a Funk band but then I moved to U.K. – so, I didn't get to experience music scene there for very long.

But, I know some wonderful musicians out there and I know that there are many very interesting things happening. I think all my backgrounds and the diversity of cultural upbringing are integrated in my music. 

What kind of music were you listening to in Russia? Was it more mainstream Western sounds or did local artists make an impression?

I grew up, mostly, on Classical music as my grandmum was a classical pianist; some Beatles and Rolling Stones (as my dad loved them); some Russian and Armenian Folk - as that what was around.

I used to love one Russian band when I was a teen but then I discovered Jazz, Blues and Soul - and realised I loved that band cause they had many Blues elements in their music.

There were few other artists I remember that influenced me a lot. I still remember hearing Nina Simone and Stevie Wonder for the first time.

I also remember my friend went to U.K. for summer-school and brought me a tape with OK Computer by Radiohead. I was blown away. This album is still one of my favourite.

My dad used to take me to different gigs when I was a child and I remember Sting, Ray Charles; Tina Turner and James Brown. It was very inspiring to see them live. 

It seems, when you came to London to study, you fell in love and never looked back. What was it about the city that hooked you in?

I love the diversity here and it never gets boring...

There is always something new to discover in London. It is always moving and changing. I love the fact you can meet anyone from absolutely any corner of the Earth and connect.

Of course, London's art and music scene is just mind-blowing. 

Do you ever get to go back home or does life here keep you pretty busy?

Unfortunately, I don’t go home very often but I see my family and my childhood friends around in Europe.

I should try and go more often. 

Can you define what music means to you? Is it freedom or a sense of unique expression, would you say? 

Music is a journey: it's constant discoveries; it's a connection with everything: a romance between soul and matter. 

What kind of live dates do you have coming up?

I'm off travelling to Greek islands and will be playing around there. Live gigs in London will be set for the end of August/September.

Are there any new artists you recommend we check out?

Thundercat.

It's probably not that new - but I (have) just discovered him a few weeks ago and I love it. 

If you had to select the three albums that mean the most to you; which would they be and why? 

Let It Die by Feist

I just love her: she has been one of my favourite for a long time. I love every single song on this album. 

Shadow Theate by Tigran Hamasyan

It's unique and complex: a beautiful fusion of Jazz and Armenian tradition.

Play by Bob McFerrin and Chick Corea

Just because it's perfect in every single way. 

What advice would you give to any new artists starting out right now?

Always be your authentic self - because there is no one exactly like you.

Always listen to your heart and do what feels right to you and, regardless what anyone says, never give up - and follow your biggest and wildest dream. 

Finally, and for being a good sport; you can name any song and I’ll play it here (not one of yours as I’ll do that).

Lines by The Hics. It’s pretty magical. 

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INTERVIEW: Matt Koelsch

INTERVIEW: 

 Matt Koelsch

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IT is, after a chat with a North London musician…

over to America and the L.A.-based Indie-Folk singer-songwriter, Matt Koelsch. He is, as I discovered, an artist hard to define and rationalise – in the sense his music takes in many different textures and influences. I was scheduled to promote the single, Incomplete, which he talks about but, in the days after I sent the questions, the new song, Thinking of You, has been released. Koelsch talks about Incomplete but discusses the E.P., Thinking of You – and how, invariably, the title song will fit in.

He lets me know about his early life in New England and some dates he has approaching; the albums that have inspired him and what advice he would offer any new songwriters.

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Hi, Matt. How are you? How has your week been?

I’m very well. Thank you for the interview!

I am playing a string of shows on the East Coast - and then heading to L.A.

For those new to your work, can you introduce yourself, please?

I’m an L.A.-based singer-songwriter - originally from New England. My music is in the Alternative-Folk genre – although, my latest record has a bit of an Electro. vibe. 

Thinking of You and Incomplete are your new singles. Talk to me about Incomplete. What can you tell me about the song and how it came together? 

Incomplete is about falling just outside someone’s radar. 

You really enjoy being around them but they are off-limits. I co-wrote the song with one of my music friends, Alfa Bieselin.

We worked on it in person for two sessions and then passed it back and forth through the Internet for a few months.

The catchy vocals and warm cello sounds go together nicely. Was it quite hard getting the sound right or was it instinctual?

I waited about a year to record the song with the full arrangement so I had several pre-production recordings of my performance of Incomplete.

 This gave us more time to sit with the song and weave in the complementary instrumentation.

Thinking of You is your latest E.P. What has the reaction to it been like? What kind of experiences and influences went into it?

I’ve heard people react to each song claiming it is their favorite.

It’s hard to tell which one is the crowd favorite since it is available on so many different digital outlets - so there is a different one on the top of each of those lists. It seems like people like it; I don’t really know.

Ahah.

Thinking of You is inspired by leaving the comforts of home and building a new network thousands of miles away in a new environment. There is more time and space to explore and discover when you are in a completely new and foreign setting: removed from the comforts of your close network of relationships. The relationships that formed and/or dissolved during this chapter of my life were woven into the writing of this record.

Are you looking at making more music this year?

I’m always looking to make more music but my budget for recording is exhausted for the foreseeable future.

PHOTO CREDIT: Edward Baida 

I know you grew up in New England. What was it like there for a young and aspiring songwriter? Is it a part of the U.S. that has a thriving music scene?

The Boston area has a myriad of colleges and universities: it’s a great place to study music, experiment a bit and get your feet wet in a modest but sincere music scene. There are several places you can branch off to and tour within a four-hour drive: Brooklyn, Burlington, Portland; Providence and North Hampton.

I think the talent level is high and there are great musicians in New England: although, I see a lot of them moving because the opportunities in other music hubs are greater, more diverse - and they’re looking to make connections with the media, management firms and labels. 

PHOTO CREDIT: Peter Zuehlke

What kind of artists were you listening to during this time?

I listened to Classic Rock: Led Zeppelin, Guns n’ Roses and Motown.

Later, in high school, I listened to Jack Johnson, Ben Howard; John Mayer, David Gray and Dave Matthews Band.

In college, I listened to more Electronic/House music and Hip-Hop.

Can you remember the moment you gave up your job in finance to pursue music? What emotions were going through you when you quit?

I had recently been accepted into a general business cover band in Boston while (also) working my desk-job in Finance.

I was busy building client relationships, learning new songs every week - and I was overwhelmed. I was in the Boston Commons on my lunch break wearing a three-piece suit and just sat on the end of a park bench with my head in my hand.

I came to the conclusion that I needed to make a change. I did not feel completely comfortable in either setting - the stage or conference room - but something was telling me to give music more of a shot.

I had a few exit-interviews and, also, met with all of my colleagues individually to break the news first. We were part of an extensive training program and worked hard together and partied quite a bit as well; so I wanted the team to hear it from me instead of our managers that I would be moving on. 

PHOTO CREDIT: Peter Zuehlke

How easy was it moving and transitioning to music? Do you still miss New England or are you settled in L.A.? 

It was a long and windy transition.

I worked for a great music-tech company called Cakewalk which eventually led me to the engineers and musicians who helped me create my first record in 2010.

I miss New England, so I tour there a few times each year and play in New York as well.

I try to stick to locations I can get back to every six-twelve months. 

What is the music scene like in L.A.? Is it quite tough getting gigs or are there enough opportunities for young artists?

I like the music scene in L.A.

My friends are pretty involved and people work hard to keep things fresh. For the past year, there has been a mansion in Brentwood along with a staff of volunteers called SunSeshLA - hosting weekly concerts for artists and their invited guests.

The shows were always free; B.Y.O.B - and the theater fits about seventy people. There are places like this in the Hollywood Hills, too. There are tech and film home-owners who want to create a unique experience and support the arts community.

Like any city, there are plenty of places to play for young musicians to break into; but you have to look beyond the expected areas. A lot of the venues on the Sunset Strip are pay-to-play - so we usually don't spend a lot of time over there.

Most of my best opportunities and experiences have been at non-traditional venues or events. 

On that note; what dates do you have in the diary? Any plans to come to the U.K., perhaps?

I’m performing on the East Coast until August, and then, I am planning on touring more in the fall. I would love to come to the U.K. and I am open to recommendations for venues.

Camden was a lot of fun the last time I was in London.

PHOTO CREDIT: Myke Wilken 

Thinking of You is an E.P. that looks at everything from Wall Street to romance. Do you think that big move and career transition has made you a broader and more diverse songwriter? 

I think I have just opened up more as a person and the diverse array of people I have met have influenced my life and writing.

I am grateful for the journey and I think it helped me break some of the patterns I was in.

Over the course of your career, you have sold thousands of C.D.s are sharing the stage with (members of) R.E.M. What has been the highlight and biggest high?

I think some of the biggest moments happen when I am collaborating with other people on stage or in the studio - and everything just clicks into place. It really is magic. It’s so hard to describe the unifying force of a group of people playing music together.

It feels like you are all on some mission and you’re creating the soundtrack to a chapter of life.

IN THIS PHOTO: Porter Robinson

Are there any new artists you recommend we check out?

Lately, I’ve been listening to more Electro-inspired music: SOHN, ODESZA; Bob Moses, Poolside and Porter Robinson.

Also, check out my friend Alfa’s new record, Spark & Fury. I co-wrote Incomplete with her. She’s doing well: she recently toured the Philippines and just opened for Shawn Mendes.

If you had to select the three albums that mean the most to you; which would they be?

Led Zeppelin - IV

Dave Matthews and Tim Reynolds - Live at Luther College 

Fugees - The Score

I listened to these records on repeat growing up. I was fascinated by them and I would just listen to them over and over and think about them.

Sometimes, a certain record just hits you in a way that is really impactful and shapes the way you appreciate music. I think these were a few records that steered me in the direction of becoming an artist.

What advice would you give to any new artists starting out right now?

Keep exploring ways to learn new styles; whether it is through other musicians: one-on-one teaching, classroom style; videos, articles; online or books. Try not to limit yourself to the method through which the information is being transmitted to you. One way may work better than others when studying and/or writing music.

Stay involved and collaborate: try not to isolate yourself for too long.

Finally, and for being a good sport, you can name a song and I’ll play it here (not one of yours as I’ll do that).

It would be cool if you could play Alfa’s Incomplete. It’s a nice contrast and produced well. 

Thank you for the interview; have a wonderful summer!

________

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INTERVIEW: Alex Francis

INTERVIEW: 

 Alex Francis

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FEW people have as much drive and passion for music…

PHOTO CREDIT: JPBoardman

as Alex Francis. He has a series of festivals and dates throughout August – including one at Camden Assembly on 1st – and is showcasing his new single, The Last Time. I talk to him about his new track and what it is about; the E.P., These Words, and the origins and moments that went into it. Alex Francis has travelled and played across the U.S. and big British gigs like the Isle of Wight Festival.

I ask him about his music background and how he came to meet his live band; what dates he is especially looking forward to playing – and the albums that have defined and guided him as a person.

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Hi, Alex. How are you? How has your week been?

Great, thanks - busy!

Prepping for next weekend’s festival show and I’ve got two friends’ weddings to fit in between those, too.

For those new to your work; can you introduce yourself, please?

I’m Alex Francis; originally from Hertfordshire - and now residing in North London.

The Last Time is your newest track. What inspired the track and was it quite an easy one to write?

The Last Time was conceived a (some) time ago after a relationship that I had come out of; but my co-writer and I felt the theme for it was universal, so we analysed it again.

It follows the idea that it isn’t as easy as simply letting go of somebody once you’ve called it quits - even if you really want to.

Its video sees you travelling and playing around America. Which cities/areas did you film it and what was the experience in the U.S. like?

The U.S. footage in the video is from the time I spent in Brooklyn, New York - back in June. It was the second time I’d been over for music rather than leisure! (Although time was made for leisure).

It was a great trip and we got a whole load done. I’m back in Brooklyn in the autumn.

There is, in that video, clips of you playing the Isle of Wight Festival. What was that like? Is it a career highlight, so far, would you say?

Definitely a career highlight!

My live agent curates the festival so getting to perform on the bill this year was a massive treat. We couldn’t believe how well the set went down - and it was an amazing experience to perform two shows over the weekend in two pretty different settings.

The Last Time is from the E.P., These Words. How would you define the E.P. and were the songs inspired by relationships and friendships? What kind of aspects and people go into the music?

The songs are all inspired from experiences of my own; born out of themes that I feel are personal but also relatable.

I wanted the sound of things to give the listener an introduction to how I write and arrange my music - something more than just a demo. but not a fully-blown production either. The time will come around for that.

I love the idea of there being a genesis of each release. I feel as though I can take listeners along with me that way.

How did you come to meet the band you play with on the road? Do you bring in new musicians or keep the same players?

I’ve been with my core-band now for just over a year. Lucky logistics and a bunch of super passionate, incredibly talented people have meant we have been able to make it work for that long! I’m in a lucky position to have a bunch of guys working alongside me who are as invested in these songs as I am.

From time to time, things do clash and I do have a bank of like-minded individuals that I can call upon (which is a bonus in itself). However, now I have my guys and I’m so pleased with the way it’s going.

Come see a show!

You have dates in Hampshire and Hertfordshire coming up - Standon Calling (28th) among them. How excited are you about that gig – it seems like a pretty big one!

Can’t wait for Standon!

It’ll be awesome to come back to a festival in Hertfordshire: something that I haven’t done for a couple of years. We’ve got two shows on the Friday at Standon Calling - the first on the main stage at 14:00; then the BBC Introducing Stage at 17:50.

Starting life in Hitchin; you moved to Brighton and now live in North London. What was the reason for leaving Brighton and coming to London?

I was a student in Brighton at BIMM: an academy that has now expanded outward all over the U.K. and beyond.

Life got in the way after I finished studying and I actually went back home to Hertfordshire for eighteen months. It was during that time that I began to travel to London more and more often and I began collaborations with new songwriters.

Thankfully, home at the time wasn’t too far away - so I could make a regular thing out of that quickly.

Eventually, I got myself to a place where making a home out of London was the natural and logical next step for me and my career.

How influential is the city when it comes to your music and ambitions?

There are so many different things to draw upon from living in a city: life lessons, new experiences or tiny everyday details that stimulate the creative psyche. I love the diversity - it keeps me creative and motivated knowing that there are so many like-minded folks here all chasing stability and success in their own right.

It fuels me to know that a lot of the opportunities I used to fantasise about exist in the city I live in.  

Do you feel the music you grew up listening has moulded the musician you are today? Can you remember your favourite artists and albums as a youngster?

Absolutely.

I think that almost everybody’s love for music is sewn-in at a young age. Every music-lover I know says the same thing about their youth and how they knew pretty early on that music was going to be a feature in their life.

I grew up on a pretty contrasting diet of Rock and Soul music - very different, at times, but always with the same thing in common: real music that moved me in ways that I still can’t clearly describe.

What kind of live dates do you have coming up?

We’ve got a bunch more festival performances to see out - including one more show in Hertfordshire on 25th August at Goatfest; then a spot up-North (near Newcastle) in Gateshead on 26th August at Chase Park Festival.

I’ve also (just) announced another headline show in London at the Camden Assembly on 1st August partnering Oxjam - all proceeds on the night going to Oxfam!

Are there any new artists you recommend we check out?

I’m really into the current Leif Vollebekk album, Twin Solitude. He’s totally his own thing but the album has got great little subtleties that remind me of Bob Dylan’s Blood on the Tracks - which is one of my favourites ever.

Leif does so much with very little and that’s real power in songwriting as far as I’m concerned. He lets the space sing, too.

I’m also really enjoying Lianne La Havas’ Blood (Solo) E.P. - which is a selection of cuts from her latest album, Blood, performed stripped back with her electric guita.

She’s pretty mystical when she goes it alone.

IN THIS PHOTO: Lianne La Havas

If you had to select the albums that mean the most to you; which would they be and why?

Ray LaMontagne - Trouble (2004)

This album doesn’t have any particular sentiment for me more than the fact that it’s just so beautifully crafted in every measure.

I’m into so many artists that channel the organic and the soulful vibe. Not many deliver the kind of conviction and sincerity like Ray does on this album. Beautiful production from Ethan Johns.

The Rolling Stones - Exile on Main Street (1972)

My friends and I were completely obsessed with The Rolling Stones in our first couple of bands – totally immersed with everything from the music to the bravado. This is a particularly long album in general - eighteen tracks, I think.

It got A LOT of spin – mostly because it would survive most gig drives without us having to argue about the next thing to play! You can literally SMELL the damp in Keith’s basement studio when you listen to these songs.

Apparently, Jagger doesn’t dig the production on this record but I absolutely love it. It’s The Rolling Stones at their possible best - with every nuance of their amazing songwriting craft present on this record; whether it’s big ballads or total Rock ‘n’ Roll wrapped up in this ‘rough-and-ready’, sometimes-demo-sounding collection. It’s so visceral to me now - I’ll never stop listening to it.

It’s a great example of bottling up the magic you can get from the live recording: something that will never be fully recreated artificially.

What advice would you give to any new artists starting out right now?

I think; try and be as involved in everything as possible - definitely to begin with and even after you’ve begun to gather your team around you.

Everything from the performing to the digital marketing to the networking is as important as each other, I have discovered. There’s so much to grasp so quickly - whether or not you are professional - and I think it’s important to keep yourself aware of the mechanics of this industry so you can position - what it is you do best with the very best chance at every opportunity.

Finally, and for being a good sport; you can name any song and I’ll play it here (not one of yours as I’ll do that).

Better go out on the raddest 'Stones tune you’ve never heard: Can’t You Hear Me Knocking!

 ________

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INTERVIEW: Crooked Teeth

INTERVIEW: 

 Crooked Teeth

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THE germ of Crooked Teeth spread from Glasgow…

where Rob and Jo met – having played the circuit in their bands, For Abel and Evol. A couple of years down the tracks they moved to London where, following a chance meeting, they were back in each other’s lives. That is the moment Crooked Teeth formed and, after discussions and compromise, headed into the studio with their friend Sam – wielding the guitar. The trio fuse synth-propelled sounds with lyrics that address issues in society - and deeper issues few artists document.

I talk to the guys about their current single, Mirrors, and what it represents. With its LCD Soundsystem vibe; I was curious to know about the song and how it came together. The chaps discuss their beloved home of London and its merits; the differences to Glasgow and what they have in store for the remainder of the year.

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For those new to your work, can you introduce yourself, please?

Crooked Teeth: Jo, Rob and Sam.

How are you enjoying the weather right now? Any chance to hang out in the sun or too busy right now?

Always busy!

But, yes, managed to catch a bit.

Can you tell me about new single, Mirrors, and what the song is all about?

J: Mirrors is a celebration of individuality in a metropolis that’s becoming increasingly homogenised.

It’s, at once, a greyscale and psychedelic-technicolour love-letter to the city of London.

I know the song is a reflection on London’s increasing homogenisation. How do you think this gentrification is affecting the spirit and soul of the city?

S: Well, the joy of London is really the diversity of experiences; that’s it. Once that’s gone, it’s not the same city.

In terms of making art; there’s still loads going on but these days it costs so much to live here - there isn’t the breathing space for many people to put time and energy into projects just for the love of it.

Every square-meter is potential ‘luxury apartment’ - so don’t get too attached because you’ll soon be moving on.

All of us have moved here from somewhere else, though, so I’m a bit hesitant to make sweeping statements about gentrification.

How have you guys reacted to the recent incident at Grenfell and the fact Labour are becoming more popular and desired by the people of the capital?

Grenfell was horrific and totally avoidable so the reaction to that is a mixture of despair and anger, really. As well as being a terrible incident in itself, I guess a lot of people feel it as confirmation of something they were already feeling - about the way Londoners that aren’t rich are almost treated as an inconvenience.

Regarding the election: it’s encouraging. There’s been a long period of government shrugging off responsibilities with very little publicised opposition. People are seeing and feeling the results and it feels like those questions are finally being asked.

I nearly wrote an essay reply to this but decided to keep it short! 

Rob and Jo. I believe you met in Glasgow and were playing the circuit there as part of other bands. How long did it take to realise you should start your own band – and recruit Sam into the fold?

J: Rob moved to London a while before I did.

We’d never worked together in Glasgow (save for one gig where I stood in as drummer in his band (For Abel) and, when Rob found out that I’d moved here, he instantly talked about starting a new project. I suggested, much to Rob’s initial bewilderment, that we make it synth.-based - instead of the usual Rock outfits we’d grown accustomed to in Glasgow.

Rob Invited Sam along to the first jam with his guitar and pedals and we all hit it off straight away.

How does the music scene of Glasgow compare to London, would you say? Does Glasgow offer the individuality and authenticity London is losing?

It’s more constructive, in my opinion, to refer to Hackney’s music scene and the other boroughs individually - rather than an all-encompassing ‘London scene’. Hackney feels a lot like Glasgow: similar grubby little venues; not to mention a friendly sense of community among local groups and promoters/sound engineers.

There is a definite ‘Glasgow sound’ that is absent in London and likewise, but, in terms of scale and breadth of individuality, I’d say Rob and I feel just as at home here.

What are your future plans regarding music? Any E.P. or album approaching?

Yep.

We’ve got a fair bit of material recorded - or nearly there - so you’ll hear some of that soon in one form or another. 

The music is produced in Jo’s warehouse studio in Manor House. How important is that space and is it a great place to record in?

S: That space was vital in the early days.

It meant we could write and rehearse without having to shell out for studio time. For recording, it was very much a D.I.Y. effort - and the warehouse was the space we had available.

Jo knows his stuff and did a fantastic job using limited gear. It just meant we had the time to record and mix the songs how we wanted - not that we spent ages on it - but there’s no way we could have got as much done if we hadn’t had our own space.

J: Warehouse living seems to be fading out with the wave of gentrification.

It was a useful space, but with the current state of music recording technology, you can make great recordings no matter what room you’re in.

As Crooked Teeth; you play Noise-Pop and have your own style and sound. Are there any particular artists who have been influential to you guys?

S: It’s funny, because someone asked this, not long after we started, and we all came out with bands that don’t sound anything like each other.

So, maybe C.T. sounds different to all of us. We didn’t really talk about influences at all before we rehearsed.

J: It feels like we’ve brought several different elements to the table which seem to have amalgamated into something beyond our control, and so, we’re continually surprised what the comparisons people make.

What tour dates are coming up? Where can we see you play?

Our next show is supporting All the People at The Finsbury on Saturday, 26th August. We’re playing with MUX at Paper Dress Vintage on 9th Sep.

Crooked6.jpg

IN THIS PHOTO: AT/ALL

Are there any new artists you recommend we check out?

S: I’ve been listening non-stop to a record that came out about this time last year by an Australian band called AT/ALL (Sun Dog).

It’s super-good. 

J: South London-based Mx World is soon to drop her first E.P.

Her chaotic, colourful synth.-scapes are some of the most exciting music I’ve heard in years

If you each had to select one album each that has meant the most to you; which would they be and why?

S: That’s impossible!

I’ll change my mind in an hour or so but I’ll say No Pocky for Kitty by Superchunk – first, listen to my all-time-favourite band.

J: None of this would have happened if it weren’t for Portishead – Third

It shook me violently out of a creative lull and pushed me into buying some analog gear. It changed everything for me, musically.

R: I just want to choose my favourite album by my favourite band, Guerrilla, by Super Furry Animals

I love how they push the boundaries whilst using a classic songwriting formula. I probably listen to Some Things Come from Nothing every other day.

What advice would you give to any new artists starting out right now?

S: I don’t know if I’m in any position to offer advice but I guess I’d say don’t wait around for the next bit of gear or perfect opportunity: just play and record and you’ll learn and find out what works a lot quicker anyway.

Trusting your band-mates is important: being open to seeing where they take your ideas, but also, all feeling free to say when you don’t think something works.

That’s where the magic is for me.

J: You’re a band, so be in a band. Don’t be a leader: be in a band.

Appreciate your creative team and let it grow organically.

A MacBook will never, ever replace human musicians.

Finally, and for being good sports, you can each name a song and I’ll play it here (not one of yours as I’ll do that).

S: Young Shields by Casiotone for the Painfully Alone, please

J: Eclipse Total by Aries

Discovered her earlier this year at Primavera Sound. She’s wonderful.

R: STRaiGHT eDGe by Gablè

Short and simple, but I love it and all the different samples they cram into it.

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INTERVIEW: The Hyena Kill

INTERVIEW: 

 The Hyena Kill

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THIS is my second Manchester-based interview of the day…

but The Hyena Kill differ greatly to Sukh. The two-piece have shades of Queens of the Stone Age and Deftones; they rally against the ineptitude and corruption of the current government. RED is their most confident and assured track to date – the best work they have created to date. I talk to Steve and ask him how RED differs from their album, Atomised, and what he makes of the government’s handling of the Grenfell tragedy – and whether it was cathartic funnelling anger through music.

He suggests some musicians that are worth following and what it was like working with Tom Peters at Grand Studios and what the mood in camp is right now - and ripe and productive the Manchester music scene is.

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Hi, guys. How are you? How has your week been?

Hey. It’s been awesome.

Putting the finishing touches to our next single.

For those new to your work, can you introduce yourself, please?

We are Manchester-based two-piece (noise bastards), The Hyena Kill.

I’m Steve and play guitar and shout.

Lorna couldn’t do the interview but her job is to basically smash the sh*t out the drums - which she does really well.

RED is the current single from The Hyena Kill. What can you tell me about its origins?

It came out of nowhere, really.

I was in our rehearsal room quite late one night working on another song and just got fed up of not being able to finish it - and just lay on the floor with my guitar. I just came up with the main riff and just kept playing it over. That’s all I had really.

I played it to Lorna the next day and we just jammed it out. It came together really fast.

It sounds like it was a very personal and challenging song to put out. Does it feel quite cathartic now it is released?

Yeah.

Lyrically, it was definitely good to get that down - although it does feel a bit more cryptic when I listen back. I don’t think the subject is that obvious - which I kinda like looking back at.

It was recorded and mixed by Tom Peters at Grand Studios. What was it like working with Tom in Clitheroe?

We did our debut album with Tom as well as a few other recordings. We are really used to how Tom works and he just makes the sessions really relaxed - without losing any work ethic.

He’s always forthcoming with ideas and advice on how the track should sound. We love working with him.

RED is the first new material since your album, Atomised, was released (earlier in the year). Can we expect any more material later this year?

Yeah.

We have just finished another single that we have done at The Nave Studios in Leeds with Andy Hawkins. We are really proud of this one: it sounds amazing.

We feel it’s one of the best things we have ever laid down.

It seems RED signifies a definite turning up of the wick. Do you think this is your most assertive and focused track? Do you feel more together and solid a duo since your earliest work?

Personally, I think RED is just a hint at what we have been working on. Our next album will definitely be a ramp-up from Atomised - I think we have learned a lot more about ourselves as musicians since the last album. 

With such a limited set-up, you really have to push yourself to keep things interesting.

PHOTO CREDIT: Gunnar Mallon

A lot of your songs deal with addiction, self-medication and thrill-seeking. Do you guys have any political anger inside? What has been your reaction to what has happened in London (Grenfell and the terrorist attacks) and Manchester (terrorist attack there)?

The level of corruption and deceit in this country makes me so angry and frustrated. People everywhere are dying just to line pockets. I truly hope we find out the truth about what happened at Grenfell - but I fear there will be a lot of effort going in to covering up the blatant disregard for people’s lives.

This government is a complete shower of sh*t that only work to serve themselves and their rich friends. Fu*king stinks!

What is the music vibe like in Manchester? Is it the perfect place to breed music of all varieties and shapes?

It’s absolutely class!

There is so much quality and variety. It seems to just get better every year. The amount of awesome bands in our rehearsal rooms alone is mind-blowing.

I hear bits of Deftones and Queens of the Stone Age in your music. Are there particular bands you take inspiration from when creating your music?

I, without a doubt, am influenced by Rock and Punk guitarists - I’m a sucker for a filthy riff. 

Warpaint have been on heavy rotation on my stereo for a long time now as well. You can hear bits creeping into our music every now and again.

I know Lorna’s influences range anywhere from cheesy Pop to Hip-Hop. If it has a sweet beat, she’s all over it.

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Do you guys have much time to chill away from music? What do you like getting up to?

We spend a lot of time in the rehearsal room, which, basically eats up all of our spare time.

When I’m not playing music: I like to just get smashed with my friends and let off some steam.

 IN THIS PHOTO: False Advertising

Are there any new artists you recommend we check out?

Our good friends - and fellow Mancs - False Advertising and The Empty Page.

Also, Pearl Harts from London.

We love them bands

If you each had to select the album that means the most to you; which would they be and why?

It has to be White Pony by Deftones.

In my opinion, it’s a masterpiece. I still love it with the same amount of passion now as I did when I was fourteen.

The songs have all aged really well.

What advice would you give to any new artists starting out right now?

Practice and gig as much as possible - and don’t be a d*ck.

Finally, and for being good sports, you can each name a song and I’ll play it here (not one of yours as I’ll do that).

God Damn - Dead to Me

(I’ll choose for Lorna - Steve)  Warpaint - Undertow

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INTERVIEW: Sukh

INTERVIEW: 

 Sukh

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A doctor by day; pioneering musician by night…

sounds like the start of a should-be-on-the-silver-screen pitch. In actuality, it is the reality for Manchester-based Sukh - he is a sometimes-doctor and writes at all times but that is a bit clunky to fit into a single line! Since releasing his eponymous debut L.P. in 2013; the young musician has been busy bringing his Chamber-Folk and lupine vocals to the general populous. Thriving in a city as compelling and cosmopolitan as Manchester; he is making big strides and creating some of his finest-ever work. I ask him about the new track, Flight, and how important Manchester is to him.

I get an idea of the music that drives him and what his background is; what it was like working with John Simm (Cleft) and the Manchester String Quartet on his latest single and gig plans that lie ahead.

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Hi, Sukh. How are you? How has your week been?

Hi, yeah.

It’s been a busy one. It’s been good.

For those new to your work, can you introduce yourself, please?

Sure. I’m Sukh: a singer-songwriter - and sometimes a doctor - based here in Manchester.

Flight is your new single. What can you tell me about its story and origin?

Flight is a mix of old and new ideas. I had a few ideas for it. It started with the chorus and slowly developed from there. It’s a song about the transience of things both good and bad.

For the ending, I wanted to make the listener feel like they are flying.

 

John Simm (Cleft) and the Manchester String Quartet appear on the song. How did you come to meet them and what do they bring to the music?

I met John way back in a pub - after talking online for a bit - and he’s (just) an overall great musician to work with. I’ve worked with the Manchester String Quartet before and John Purton (another John) helped with the arrangements as well.

They are great to work with and deciphering the ideas I pursue.

It is taken from the forthcoming, Galactic Love Machine. I have to ask where that title comes from...

It was taken from the stars. Haha.

The true story about it is that my friend Rob came up with it when thinking of band names - and I liked it a bit too much.

What kind of themes and ideas do you look at in the album?

The themes in this album are quite simple and direct: love, acceptance; gratitude, and being a dreamer - to name a few.

Firstly, I had to decide on a sonic palate - and I wanted to create something earthy and, at times, a bit '80s. There’s quite a mix of different styles and genres on the album.

I’ll let you decide what they are.

Based in Manchester, you must be aware of how the city is changing. What is the music like there and how instrumental are the people there to your creative drive?

I love Manchester.

It’s a great place and it has a thriving city. It has introduced me to my band and to Fred - who co-produced this record. All of them shape the content in one way or the other.

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Some have compared (aspects of) your music to Coldplay. Is that a band you are inspired by? What kind of artists influences you?

My influences are broad.

Can’t say Coldplay is a direct influence. I liked their Rush of Blood to the Head era, I suppose.

Artists that influence me currently on an ever-changing list include The National, Jason Isbell; Sigur Rós, B.B. King; Alabama Shakes, Beach Boys and Phoenix.

Over the years, you have resided in other cities and tackled the open mic. scene. Was there any particular country/city that had a big effect on you – in terms of the people and music?

London and Manchester have both been instrumental.

I used to go to open mics nearly every day when I first started out in Manchester - and my time in London showed me there are so many talented musicians out there looking for their little piece of something.

Had some great nights there.

How important are authors like Tolstoy and psychologists such as Lyubomirsky? Does literature compel a lot of your music?

The psychologists influence me and Tolstoy was a master of people.

In some ways, the album is about following some of the evidence they lay out about what makes a man happy.

What kind of live dates do you have coming up? Any you are particularly looking forward to?

Kendal Calling is next week and really looking forward to it.

More to be announced soon...

After that, any plans for more music? What are you hoping to achieve over the next few months?

Gonna get the album out first and then we’ll talk more. But yes lots more coming. Still deciding whether to release another single first or whether to get the album out.

Stay tuned.

Are there any new artists you recommend we check out?

Most new artists aren’t new. Haha.

Some people that are worth a mention are people I have encountered on my circuit - including bands like Ivan Campo (extremely charming trio) and The Little Unsaid - who never ceases to amaze me with his musical prowess.

If you had to select the three albums that mean the most to you; which would they be and why?

It’s impossible to choose...but here are a few:

Bob Dylan - Blood on the Tracks

I remember the first time I listened to it and I (just) thought it was perfect.

Sigur Rós- Takk…

Seeing them on their tour of Takk… was a phenomenal experience. I was a teenager (just) discovering music.

Laura Veirs - July Flame

I have a musical crush on her.

What advice would you give to any new artists starting out right now?

It’s a long road ahead of you - and make sure you’re doing it for the music and nothing else. It won’t pay at first and it means lots of work; not just musically but in terms of almost of being a business and an enterprise.

Be passionate and keep on keeping on. 

Finally, and for being a good sport, you can name a song and I’ll play it here (not one of yours as I’ll do that).

Tilted - Christine and the Queens

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INTERVIEW: The Ellameno Beat

INTERVIEW: 

 The Ellameno Beat

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IT is not often one gets the opportunity to interview…

a Reggae band from Florida. The Ellemano Beat, not only provide me a glimpse into the American Reggae scene, but I get to connect with an intriguing group. Hailing from Jensen Beach, Florida; led by singer Reggie Froom, the group combine progressive Roots music and mix it with powerful horns and modern production values. I chat to the guys about new single, One of Us – the latest single to be taken from their record, Surface. I was curious how their new single differed from previous offering, Muse.

They tell me the origin of the band name and what the scene is like in Florida. I wonder whether Trump’s presidency affects them as people and musicians; what kind of gigs they have booked and whether we will get to see them rock the U.K. this year.

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Hi, gang. How are you? How has your week been?

We are great!

This week has been very exciting as we have been getting lots of response from our new single - and are starting to make noise about our album release-party in our hometown!

What is the story behind the band name, 'The Ellameno Beat'?

In the beginning, as I had my sights set on developing a band to perform my studio work, I was searching for an Identity. For some reason at this time, a memory was floating around in my head of a fellow classmate in grade school confusing the individual letters ‘L’,‘M’;‘N’,‘O’ and ‘P’ as one complex letter - due to the repetitious rhythm in which we all learn the alphabet.

During a session with my good friend Dave Richards, who currently plays bass for Shaggy, I told him the funny story and tossed the idea of spelling out the combination of letters as if it were one single entity. Within seconds, Dave came up the idea to replace ‘P’ with ‘Beat’ - and there it was!

I like to think that by taking these multiple entities and identifying them as one: the name represents the synergy that is the back bone of the sound we are after. 

PHOTO CREDIT: Ashley Kidwell Photography 

As a producer and lifelong music enthusiast, I have never been impacted more heavily than by the experience of hearing the multiple elements of an ensemble come together to create the unique, magical sound that is Reggae music!

So, it just feels natural to represent our efforts with a simple, memorable play on words that, in a way, represents that passion.

You all seem pretty close. How did the band all come together? Have you known each other for years?

All the original cast (Reggie, James; Dylon and Walker) grew up together in Jensen Beach, FL - which is a small coastal town that thrives off of fishing and surf culture. There, we were all heavily shaped and inspired by everything that place had to offer. 

We’ve all been friends since a pretty young age - being that we all came up a part of a tight, family-oriented surf community there. As the majority of us had been playing music together since we were very young as well, when the time came to start playing live, the band was already formed!live, the band was already formed!

One of Us is the latest single. What is the story behind that one?

One of Us is a special song to all of us.

It’s born of a few very special long, creative, improvisational writing sessions. At the time this song came about, I was experiencing a phase of my relationship that has now proven to have been quintessential to the foundation of my being in its current state. There were tons of thoughts swimming around in my head at this time - and One of Us represents them directly. The cadence of this song inspired me to express my honest love, belief and commitment in the synergic life that I have begun with my significant other. 

One of Us is an invitation to express. It is an invitation to shed the weight of insecurity and just be! 

It is the second single from Surface. It is a little different from the previous track, Muse. It seems you are influenced by a lot of different genres. Would that be fair to say?

Oh, yeah!

We are all constantly listening to all kinds of stuff!

I hear a little bit of Earth, Wind & Fire on One of Us. Are they a big influence of the band?

As of late, yes!

I snagged a few of their old vinyl from my parents’ collection last year - and have been really digging into them ever since. Everyone in the group loves groovy, funky tunes.

What kind of issues, subjects and stories can we expect to hear from Surface?

We have all grown immensely since our debut release.

Surface is the product of a sincere yearning to express ourselves in our current state. The path that we have found ourselves traveling for the last couple years has given us a (very) unique view of the world we are living in - and has been the catalyst for the massive fire burning inside each and every one of us.

 PHOTO CREDIT: Ashley Kidwell Photography

You are donating the album’s sales to the Mauli Ola Foundation. What can you tell me about the cause and how you became associated? What provoked you to donate money/sales revenue to them?

As they say best in their mission statement; the Mauli Ola Foundation (M.O.F.):

“is a nonprofit organization dedicated to providing hope and confidence to individuals living with genetic diseases. Harnessing the healing powers of the ocean, we introduce surfing and ocean-based activities as natural therapies. We are honored to share our knowledge of the ocean, family values and community.” 

M.O.F. is widely known in our circle and, as we as a band hold the life that the ocean has given to us so dearly, it just feels right to support a foundation that strives to use the things we are most passionate about - to benefit people truly in need!

Jensen Beach, Florida is your hometown. What is the scene like there and is it quite big in terms of music?

Jensen is a small town full of people who love music! 

Though the scene has much growing left to do; there are a couple great places to play in the area that lay the groundwork for memorable, energy-filled experiences! We have been fortunate enough to build a large, family-oriented following there - through a massive common interest in music and ocean culture.

How did Reggae come into your life? It is quite rare for a white American band to tackle the genre – or do you feel it is becoming more common and widespread?

Since the beginning, I have been exposed to Reggae by way of my parents and family friends. First was UB40 and, of course, your standard Marley records.

As I grew and dove deeper into the genre, I began to heavily explore Roots music and became addicted to the Skank.

In the last decade, the American Reggae scene has definitely experienced a lot of growth on both coasts.

America is changing; in terms of politics and its people. Is it quite a frightening time living in the 'Age of Trump'? Is he someone who provokes a lot of fear and anger in you?

It does provoke fear and anger to watch one person unravel the progress of so many who have worked in the best interest of our country and its people. 

As someone so connected to and concerned about the environment, as well as about human rights and civil liberties, it is difficult to watch the gains American society has made during my lifetime be degraded against our better interests - and the interests of our international allies.

What can you tell us about tour dates and the rest of the year? Where are you guys heading?

For the rest of the year; we plan on touring hard here on the East Coast of the U.S. to support our new album. 

Keep an eye out for new tour dates to be dropped soon.

Any chance you’ll ever come to the U.K.? What do you think of British music?

We would love to play in the U.K. A.S.A.P.!

I would describe British music as some of the most creative and expressive music I have experienced. I am a huge fan of The Beatles and the sound they pioneered. I constantly find myself reaching for old recordings from Abbey Road for inspiration and reference - in my mission to manifest the ‘Progressive Roots’ sound The Ellameno Beat is working towards.

Also, I am currently hooked on The Skints! Such an awesome take on our genre.

IN THIS PHOTO: The Skints

Are there any new artists you recommend we check out?

Stand High Patrol; The Skints; Iseo & Dodosound.

If you each had to select the album that mean the most to you; which would they be and why?

Reggie: Beck - Morning Phase

That album has led me to more personal discoveries and progression of passion than any other piece of music to date.

As an engineer, I learn something new every time I listen to it and all of its sonic glory. As a songwriter, it leaves me longing for the next writing session time and time again.

As a person, it inspires hope and confidence in who I am - and who I am becoming.

Walker: The Grateful Dead - Friend of the Devil

Every song on the album represents a different time in my life, whether it be good or bad. On that record, there is a song to help me through each one of my qualms or quarrels that I have experienced throughout my life.

Nowadays, when I hear this record, it brings me back to those times and helps me appreciate them and how they have shaped me as person. It goes without being said that it heavily ties into my current musical creativity on a daily basis.

There are so many little moments on that album that have influenced a massive amount of my own original material. 

Dylon: Red Hot Chili Peppers - Stadium Arcadium

It makes me feel like going surfing. 

The arrangement of the entire album is like no other: such a wide range of sound in one amazing package. 

Brings back memories of some of the best years of my life.

James – Sublime - Everything Under the Sun

It’s a great raw introspective into the band and who they were as people and musicians.

E.U.t.S. helps me get through the day to day better than any other album I’ve heard.

What advice would you give to any new artists starting out right now?

Be yourself! As much as you can be.

Express yourself as honestly and passionately as possible.

Finally, and for being good sports, you can each name a song and I’ll play it here (not one of yours as I’ll do that).

Reggie: Most Beautiful Girl (In the Room) - Flight of the Conchords

Dylon: Bankrobber - The Clash

James: So Aware - John Brown’s Body

Walker: Sundown Syndrome - Tame Impala

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INTERVIEW: Lauran Hibberd

INTERVIEW: 

 Lauran Hibberd

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LIFE for a talented young musician on the Isle of Wight…

has its benefits, that’s for sure. Not only are there epic festivals on the doorsteps: Lauran Hibberd has some great musicians and producers living close by. I speak to the artist about her current E.P., Favourite Shade of Blue, and whether a snippet of a new track, Parties and Babies, will find its way into the studio. Hibberd talks about artists like Laura Marling and Feist: those who have been instrumental and influential in her formative years (right up until the present-day).

I ask about tour dates and what gigs she has coming up; a few new artists who are in her mind and, whether her bedroom – where she writes all her songs – is the perfect place to create music that has personal intimacy, deep passion and incredible moments of candour.

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Hi, Lauran. How are you? How has your week been?

Hello! I’m good, thank you.

I’ve finished a new tune; played live for BBC introducing and bought orange dungarees - so this week has been kind to me.

For those new to your work; can you introduce yourself, please?

Of course.

My name is Lauran Hibberd (Lauran with an ‘A’ - not an ‘E’).  I’ve recently turned twenty and I’m a Pop/Folk-inspired singer/songwriter living on the Isle of Wight.

Favourite Shade of Blue is your latest E.P. Can you tell me about the inspiration behind the title and have you been surprised by the reaction it has got so far?

As this was my debut E.P.; I felt a real pressure to get the title right. It had to sum up a year of my work and represent me and my debut as an artist.

So, I went around the houses and came up with titles as long as your arm… but I could never settle on one. The leading single was always going to be Favourite Shade of Blue, and then, I started reading into the title and how it could translate into so many different things.

The song itself is all about how ‘blue’ can be portrayed as a colour as well as an emotion - and how there are so many shades and layers to both of those things. So, when I thought of it like that, it completely summed up the whole ethos of the E.P.

The reaction has been great! The E.P. has been a long time coming as it took me so long to get it right (I’m a bit of a perfectionist and everything in the industry takes time) - but, I’m extremely proud of it. It was also great to have a premiere by seenlondon.com - and support from BBC Introducing and Amazing Radio. I had no expectations when releasing it - so, any press/radio/feedback was a lovely surprise.

I had an incredible reaction on a recent Facebook live-stream, also. It’s a funny thing: because I spent so long working on this E.P. - and the minute it was complete - I was on to the next thing. I’m back in the studio already; working on something new coming in September.

What kind of moments and times inspired the E.P.? It sounds like some of the songs are quite emotional and hard-going? Was it quite tough writing the tracks on the E.P.?

I’m fairly young so I’m used to feeding off other people’s experiences when it comes to writing - but these tracks strictly relate to me and my home. I’m a very free writer and often don’t realise how I’m feeling until I write a set of lyrics - but I never find it tough; always enlightening.

The concept behind the E.P. was to demonstrate the happiness that comes with sadness, to signify the purity that comes with youth - but emphasise how it slowly disappears into the unavoidable… love, loss and all that falls in-between.

I see, from social media, there is a song, Parties and Babies, taking shape. Can you tell us anything about its inspiration?

Yes!

I am so excited about this track: it’s really fun, really honest and actually quite heart-warming - despite the melodramatic title.

My sound is definitely developing. I’m now listening to a wider range of artists and really experimenting songwriting-wise. This song is a really great insight of things to come.

You just played a BBC Introducing Solent Live Longue. What was that experience like? Are the musicians who played with you there the same we hear on the Favourite Shade of Blue E.P.?

Yes, it was great fun!

It was a Bestival special and I’m lucky enough to have a Main Stage slot there this year - so it was really getting us into the spirit of things. I’m so grateful for all of BBC Introducing’s support so far. I did an acoustic session for them last year; so it was great to go back full-band.

I love playing with the band (Oli Old on Guitar, Jess Eastwood on Bass and Joe Perry on Drums). They have been with me from near-enough the start. We’re all great friends as well; which makes gigging together good fun.

The musicians that played on the E.P. were different in this case, though. A huge thank you to Chris Newnham (Guitar), Rupert Brown (Drums) and producers Boe Weaver - here on the Isle of Wight.

Your official website is informative and you have many great images. You update social media and have a very professional approach to music. Do you think that is important – and should more musicians put this sort of effort and attention in?

I think it’s super-important, especially at a time where people don’t go anywhere without an iPhone. It’s the best way to reach people… and I love it.

I like to update social media regularly - just to keep people posted, and make them feel like a part of what I’m doing. I always think, a Facebook page for a musician is like a C.V. - but a prettier one that happens to have emojis on.

Can you tell me how you got that passion for music? Were you compelled by music as a child? What kind of artists were you listening to?

I started having guitar lessons at fourteen and singing and songwriting became a huge afterthought to that - and something I didn’t really know I could do until I partnered them. I was hooked as soon I’d finished my first song.

Up until that point, my listening was whatever was on the radio… it wasn’t until I started obsessing over music that I delved into artists like Bob Dylan, Joni Mitchell and, more recently, Laura Marling and Feist.

 I believe your songs come together in your bedroom. Have you always written there and do you think that quiet and privacy leads to great songs?

Every song I have ever written has been written in that bedroom.

I think it’s just where I am most at home - and comfortable enough to write freely. I keep all of my guitars on a stand by my bed; so it may also come down to laziness! I’ve just never felt the need to take it, or try it, anywhere else.

I’m definitely a 'lone-wolf' kind of writer so the quiet and privacy definitely lends itself to that. But everyone is different: that’s just the way I have grown to go about things.

The Isle of Wight is your home. What is the place like for music? Is there a varied and busy music scene there?

The Isle of Wight is a great place to grow up and definitely a great place to write songs.

There is a music scene and it is definitely varied and definitely growing and we’re also lucky enough to have numerous festivals on our door-step. I recently supported Clean Cut Kid at a brand-new venue, Strings, so things are definitely on the up; and a lot young musicians are pioneering that.

Stations like BBC Radio 6 Music and Radio X have played your music. Has it sunk in at all – how popular and widespread your music is becoming?

It’s incredible - and always unexpected.

It’s really reassuring more than anything and is always surreal but it’s the dream job! I released my first song in December 2015 so I’m really proud of how far everything has come - and what I have built up along the way.

So...I’m just really hoping it all continues on an upward path.

I hear shades of Laura Marling in your songwriting and performances. Is she someone you admire?

Definitely. I’m a huge fan.

She really got me into the world of ‘Folk’. I’ve had her album, Alas, I Cannot Swim stuck in the C.D. player in my car for about a year now - so that’s had many a-listen!

I also went to Citadel in London to watch her recently and she did not disappoint.

Can we see you on tour anytime soon? Where might we be able to catch you?

I’m hoping to tour early next year, actually; I have a few things in the pipeline so I’m hoping it all comes together.

In terms of this year, though, you can catch me at Victorious, Bestival and Ventnor Fringe. I will also be in Nambucca (London) next month and will be playing at a few universities - including Winchester in September.

So...lots of things are on the way!

IN THIS PHOTO: Billie Marten/PHOTO CREDIT: Liz Seabrook

Are there any new artists you recommend we check out?

I’m a big fan of Maggie Rogers. Her debut E.P. is incredible and definitely brings some new elements to Folk.

I’m also a fan of Billie Marten, Lucy Rose etc..

I’ve been listening to a lot of Feist and Courtney Barnett, too.

Lastly, there is an incredible guy on the Isle of Wight called Swan Levitt. It’s super-moving and I’m playing a show with him soon!

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If you had to select the three albums that mean the most to you; which would they be and why?

(These are the albums that kind of turned my head - and made me want to listen to the artists that inspired these artists - and the artists that inspired those artists etc. On a different day, we’d probably be looking at a different three albums. These may not be my favourite now - but they are definitely where I started…)

Laura Marling – Alas, I Cannot Swim

This was the first C.D. I bought that wasn’t a ‘Now!..’ or ‘Pop Party’! I stumbled across the track, Ghosts, and became obsessed (and I still am). It’s stuck my car C.D. player; so I know it better than some of my own songs!

Feist – The Reminder

I absolutely love this album. I became really aware of the power of production etc. with this record: it was a real eye-opener. I’m definitely more into her recent albums, now, but, as a turning-point and as a songwriter.

I took a lot from this album

Bon Iver – For Emma, Forever Ago

This was my ‘music college’ album. Everyone was obsessed with Bon Iver; so I went home and listened to For Emma, Forever Ago and, thirty seconds into the first track, completely understood why. It’s beyond engaging and, as a sixteen-year old listener, was a bit mind-blowing.

This album definitely pioneers my mid-to-late-teens.

What advice would you give to any new artists starting out right now?

This is a tough one.

It’s hard to give advice to an artist because everyone has their own way of doing things - and their own vision. I would just say: make good music, write good songs; play good gigs, meet good people and let everything else run its course.

Just work hard - and be nice to people.

Finally, and for being a good sport: you can name a song and I’ll play it here (not one of yours as I’ll do that).

Great. Thanks for chatting!

I’m off to see Feist on Thursday so let’s give her new tune, Pleasure, a spin.

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INTERVIEW: Hannah Featherstone

INTERVIEW: 

 Hannah Featherstone

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BASED in Paris and, as a former resident of Brighton…

PHOTO CREDIT: Alfredo Salazar

Hannah Featherstone has experienced diverse cultures, romance and eccentricity. Her music career, whilst less eventful, has been impacted by her time in France and the U.K. I was excited to learn more about Solo and working with Noémie Daval on its video. She talks about the song’s inspiration and whether we will see her perform in Britain this year.

I ask about Paris and how it suits her style; the artists she grew up listening to and some of the albums that have been important to her – and compelled/guided her own sound.

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Hi, Hannah. How are you? How has your week been?

I’m very well, thanks.

My week has been great so far. I’ve been in the countryside in the centre of France; by a river and under the sun - touring with a British orchestra. It’s been fun to challenge myself to sing Classical pieces and I’ve really enjoyed working on orchestral arrangements my new songs.

A fine balance between relaxation and hard work!

PHOTO CREDIT: Alfredo Salazar Photography

For those new to your work; can you introduce yourself, please?

 I’m Hannah Featherstone: a Pop-Jazz singer-songwriter; born in England and raised in France. I started my journey with music when I was really young - singing with gospel choirs and playing classical piano.

I later discovered Jazz singing. I’ve always enjoyed mixing styles and playing around with my voice and strange chords.

At university, I started composing my own material. Some of my housemates and family overheard what I was doing and encouraged me to get music out there.

That’s how it all started!

Solo is the new single. What is the song about and can you remember the moment it was written?

I wrote Solo five years ago in my apartment, in Paris, in a period of romantic confusion - that moment when you’re wondering whether to wait around or move on.

Instead of beating myself up about it, I just set my emotions to music and decided to enjoy a time of restless, yet peaceful, solitude.   

Its video is online – looks like it was interesting to shoot. How was it shot because it looks like it employs some unusual visuals/techniques?

It was a bit of an experiment for all of us.

We borrowed a good camera, good lights and figured that, with a simple idea and clear direction, we could do a cool video. I teamed up with Estienne Rylle (who I also collaborated with for the music arrangement) and Noémie Daval for the ‘glitch art’ - which is creating digital errors by corrupting data.

Estienne directed the shoot and did the editing, incorporating Noémie’s glitch work into the pictures.

PHOTO CREDIT: Alfredo Salazar

Noémie Daval provides the look and effects on the video. How did you come to meet her and will you be working together again?

We met in an artist evening at a church in Paris, became friends and started working together on various projects. I took part in her project on synaesthesia called Ce Que Mes Yeux Ont Entendu (what my eyes have heard). She asked me to write a few vocal pieces that she turned into works of visual art.

We definitely plan to work on more projects together. Some are already in the pipeline…

I believe Solo is the current song from your upcoming album. What can you tell me about the album?

It’s a twelve-track album coming out later this year called Word Bound - centred on my piano and voice. I wanted to keep it quite bare in its style so the Electro sounds complement the voice - and the drums by David Allevard give the songs a nice strong groove.

The album centres around the question of what lies beyond words and beyond the representations we have of the world and people around us.

PHOTO CREDIT: Alfredo Salazar

You teamed up with Estienne Rylle for the album. What was it like working with him and what does he bring to the music?

I actually met Estienne at the point where there had been a few setbacks in getting the album recorded - when I was on the verge of giving up on the album after a few failed attempts at getting it recorded.

He was able to convince me to stick at it and see it through.. I don’t regret it one bit. He was able to get me through the final stages and really grasped the sound I was looking for. He’s a talented young artist and it’s been a privilege to work with him.

Paris is where you are based. What is the city like for music and how inspiring are its people?

Paris is a buzzing city and it’s great to be part of a culture that encourages art and creativity.

I’ve been living there for six years and I’ve enjoyed getting together with friends; stumbling upon bars that play live music and going to great concert venues.

PHOTO CREDIT: Guergana Damianova 

There’s so much going on: it’s easy to feel lost though. Paris does remind you of how small you really are!

It seems like you are at home in Paris. Any temptation to come back to England (where you were born)?

To be honest; I have been thinking about it.

I’ve always felt torn between the two countries. For the time being, Paris is where I want to be - but I definitely will be moving at some stage…to England, or elsewhere! Who knows…?!

What has been the best gig you have played in France?

Playing at the L’Olympia has been one of the highlights.

Not only because it’s the most iconic venue in Paris but, also, because I played there alongside friends as the opening act for Gregory Turpin.

But I’ve actually also found the living-room concerts I’ve done just as memorable. They’ve all been unique and it’s a real treat to be in such direct contact with the audience.

How important is the French language; the styles and cultures and different genres played in the city to your music and creativity?

As I was raised speaking both languages at once: I have a tendency to mix and match expressions from both languages. Although it could be seen as a hindrance to writing lyrics; I think it probably means I can play around with expressions and ideas a little more - by tapping into the other language.

As for the genre; I wouldn’t say that the French style has impacted me all that much. Chanson Française is mostly based on strong texts. I’d actually say living in Brighton for a few years had a greater impact on that front.

Can you tell me about the type of music you grew up listening to? Was music a big influence when you were young?

I come from a musical family - so music has always been a big influence.

I would listen to Bach, Phil Collins; Whitney Houston, Arvo Part; Bobbi McFerrin. As the rest of my family was so talented, I was often tempted just to let them get on with the musical stuff. So I did try to get away from it all. But it kept catching up with me.

I eventually decided to give it a real go myself.

What does the rest of the year hold in terms of plans and further music?

I’ll be releasing a few other tracks and videos before I get the album out in November (sometime).

I look forward to composing again as I haven’t been able to get down to that for a while.

Are there any tour dates coming up? Any opportunity to see you in the U.K.?

I’ve got a set of festivals and living-room concerts coming up in Holland, Germany and Brussels throughout August - and I’ll be doing some more in France in the autumn.

I’m also planning a few gigs in the U.K. in the near-future - I’ll keep you posted online…

IN THIS PHOTO: Charlotte & Magon

Can you reveal whether there are any new artists you recommend we check out?

I’d recommend you check Charlotte & Magon: a duo based in Paris that I met a few months back.

Great music and beautiful people!

PHOTO CREDIT: Alfredo Salazar

If you had to select the three albums that mean the most to you; which would they be and why?

Camille – Le Fil

For its insanity and originality.

Fiona Apple – When the Pawn…              

For its raw power.

And any album from Lauryn Hill

For her soul and swag.

What advice would you give to any new artists starting out right now?

Surround yourself with people you trust and don’t be swayed by what people want you to be!

Finally, and for being a good sport; you can name a song and I’ll play it here (not one of yours as I’ll do that).

Laura Mvula – Green Garden

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INTERVIEW: Up Down Go Machine

INTERVIEW: 

 Up Down Go Machine

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THE London band Up Down Go Machine; in addition to that…

intriguing name, boast some terrific and unexpected sounds. I ask about new single, Gambler, and the sonic influences that go into it. The band weaves punchy, yet delicate, Folk melodies and stripped-back guitar sounds together. In terms of theme; Gambler explores a man whose addiction takes him to the dark side – inspired by the gangster films of the 1980 and '90s.

A killer chorus and fascinating set of lyrics is not an easy thing to get right – Up Down Go Machine seem to achieve it with ease. I ask about the band’s roots and the sort of music they grew up listening to; how they managed to secure (forthcoming) gigs in New York and their fondest memories to date.

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For those new to your work; can you introduce yourself, please?

A big hello from Up Down Go Machine. 

We are made up of moi (Sam) on the drums; Stephen on the bass and the powerhouse vocals of Stephen - who also plays the guitar.

Can you reveal the origin of that band name, ‘Up Down Go Machine’?

Our singer, Stephen, on his travels, found out that the name ‘Up Down Go Machine’ is a direct translation of 'a lift' in Japanese...apparently.

At the time, he thought, "That would make a great band name!".

We decided Up Down Go Machine was a fantastic name and felt it had relevance to our music so we swiped it, branded it and gave it a logo.

Talk to me about the single, Gambler. What was the inspiration for that song?

The inspiration actually came from when Stephen was watching the movie, Casino.

The individual characters took his attention and he wanted to write lyrics that delved into the darker aspects of the gambling scene. From here, we wanted to create a sound that was ambient and deep but at the same time; had space to allow the track to build - as it moves along from chorus to chorus.

A recent review said that the track has pace, restraint and understatement - and it's this that makes it stand out. We couldn't actually agree more!

 

It is the lead-off single from your eponymous E.P. What has it been like putting the songs together? What sort of stories and tales compelled the songs?

The stories all vary: telling a different tale each time! 

We have songs about a damn bursting back In the 1700s; another based on a mermaid that falls in love with a man - and one of the tracks is focused around one of Louis Theroux documentaries about alcoholism - taking one person's stories and perspective of his/her world. 

Your music takes in many different genres and sounds. How would you describe your sound?

One of the hardest questions to answer, really!

I suppose we fall under the combination of Folk, Indie & Rock.

Our music had an overall finished sound - which is explored and polished when in the studio. We all bring our own talents and music tastes to the table. This is what makes the music so interesting to create.

How did the band get together in the first place? Take me back to those early days.

The band first came about when I (drummer, Sam) met Stephen working for Oakley.

We got onto the conversation about music and he told me played the guitar and sang. I checked him out, heard his vocals and immediately replied with....LET'S START A BAND! 

I notice Celtic Folk is evident in your music. What kind of music did you all grow up listening to?

We've all grown up listening to all sorts of music - which is what it's about!

Our singer, Stephen, comes from Wales so holds his Celtic roots close to his heart. This is a fantastic attribute to have in a band - with such a powerful vocal - as you can hear it, not only in the music, but in the raw talent of his voice.

When writing our music; all of our own personal musical backgrounds and musical tastes are brought to the table - in the hope to create something exciting and unique.

You have performed at a range of venues and locations over the years. What has been the fondest memory so far?

We have been fortunate enough to play at some amazing venues along our musical journey thus far.

For me, the fondest memories were coming off the Big Top Stage - after a stomping set at the Isle of Wight Festival...BUZZING!

Swifty followed by Shepherds Bush Empire.

I believe, among other duties, the band will tour New York very soon. How did that offer come about? How excited are you to head over there?

We have a few contacts over in N.Y. who, gratefully, are loving our music right now - so they have kindly asked us to go over there and perform at some great venues across the city!

Due to the bands overall sound, we personally feel that our music style will be well-received over stateside - so can’t wait to get over there and smash the pants off it!

Future gigs include a spot at Music Makers Festival. What was it like getting the call for that?

Very pleased!

The Music Makers Festival has a great line-up of some of the best artists around at the moment. So, it's always a pleasure to be asked to perform these sorts of shows.

The likes of BBC Radio 1 have supported your music – it seems there is a lot of love for the Up Down Go Machine brand. How did that make you feel? Does it give you the confidence to keep striding and dreaming?

Absolutely!

We are SO grateful to all of the support we receive for the band. We all have such a passion for the band and the music so there's no better feeling than to hear your music and hard work being praised by the likes of the BBC.

We're most certainly going to be striding well ahead with the music - so we only hope the price continues and we get out music out to new ears and picked up by new fans!

Are there any new artists you recommend we check out?

Get your ears around a bit of CAMP CODE: awesome Ozzie-ness!

Also, D.D Dumbo: Delightful grooves!

If you're in a chilled mood or working in a sweaty office: may I suggest Maribou State?

What advice would you give to any new artists starting out right now?

It's not always (just) about writing great music: it's just as important to create a solid brand identity for yourself/band and pushing forward with consistency.

This will make it easier for people to recognise you and your music moving forward.

Pick me some songs to finish on, guys...

We Are Augustines - Chapel Song

D.D Dumbo – Walrus

Stereophonics - More Life in a Tramp's Vest

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INTERVIEW: George Glew

INTERVIEW: 

 George Glew

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TAKING that first step into music can be a big challenge…

but George Glew is prepared for the task at hand. He has been recording music for a while so his single, Bury Me, comes equipped with natural confidence and experience. His aim is to release a song each month (for a year).

I ask how he is feeling about this feat and whether it will lead to an album – a place to put all those songs together. He talks about the music scene in South Wales and the music he is inspired by.

I was interested to know about the songwriting process and the reason for such ambitious productivity; albums that have struck his hardest and what his tour schedule is looking like – and whether the artists that struck his ears as a child.

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Hi, George. How are you? How has your week been?

Hi! I’m very good.

It’s been a mental few days, what with Bury Me being released on Friday, but feeling very positive.

For those new to your work; can you introduce yourself, please?

Of course.

My name is George Glew and I’m a twenty-four-year-old singer-songwriter/producer from South Wales - now living in Bristol.

I have been listening to your single, Bury Me, and am interested in its origins and story. What compelled the song?

I wrote the song quite a few years back so when trying to remember the origins or the feeling I had when writing the song is difficult. I think something had happened and I just wanted to have a fresh start; become a new person.

With that, take all my wrong doings and peoples hurt with me and start fresh. This song has really stuck with me for some time and it really means a lot to me.

I hope people find their own meaning within it.

It is your debut track. Is it quite nervous or are you excited by this moment? Why was now the perfect moment to come into music?

I had been (anyway), for about a-year-and-a-half, just writing and producing songs - and I felt the need to really get music out there and start gigging again - rather than just having all these tracks that no one would ever hear.

Then, the idea of doing a track a month came up, and it seemed perfect!

But, yes, I was still a little bit nervous - but it’s out there and I can’t really do anything about it now, right?!

Can you tell me how you got into music? When was the fuse lit?

I started playing instruments from an early age: piano first, then guitar and then drums. I think the idea of creating my own music and producing etc. started when I was about sixteen. I would say that I heavily got into it when I was eighteen.

I made a small, super-basic studio in the garage at my mum’s house - and just started recording my songs and other mates’ songs as well.

I really found my flow in writing and my style when I was about twenty and I started writing songs and thinking: “These aren’t bad”.

I believe you are releasing a new track every month for the next year? What was the reason behind that decision? Can you give us a window into next month’s song?

You are correct!

The reason is, probably, the fact that I have loads of finished songs in demo-form and it just seems the best way to do things now. I also have a few different sounds in my repertoire - not just this big, Soul-y, Blues-y side (so I can show each one in its own light).

With Bury Me being one of the oldest and best songs it just had to go first. I won’t be releasing a track a month for forever - or just singles, for that matter - as I really love albums and full bodies of work.  I’m very excited about this next year!

I’m not sure whether I can tell you about next month’s release but it’s a good one and it’s got a very interesting instrument in it… 

After the twelve songs are out; will they go into an album? Any plans for an E.P. at all?

Maybe; maybe not.

It’s hard to tell just after the first release but I would love to do a special release of them all of some kind… will keep you posted on this one.

Can you tell us about your songwriting process? Do you sit down and dedicate a certain amount of time to songwriting or do you write when the moment strikes?

I try to keep to doing a track from start-to-finish, once a week: it’s hard to keep up at times but it keeps me thinking about the creative process - so that I never forget the point of being a recording artist.

I feel like it’s important to set time aside, you have to sometimes force creativity to stop your creative brain from dying.

Then again, if I feel inspired to write something, I will - there’s no set rule.

You were born and raised in South Wales. Was there an array of great music there or was it quite quiet in terms of the local scene?

At the time when I was making music and living in South Wales, there was a lot of Hardcore and Metal bands about, and not too many singer-songwriters, so, I naturally fell into playing in Alternative bands.

During my teens, it was the height of the Pop-Punk scene with bands like Kids in Glass Houses and The Blackout - but I don’t think it massively influences me now.

I met a lot of great musicians, though, and some of my favourite bands are from there: The People The Poet and Straight Lines.

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What kind of artists did you grow up listening to?

When I was little, my mum always listened to Queen, Eric Clapton and Stevie Wonder - stuff like that. So, I guess it formed my later tastes and is probably engrained in my brain. I still love that music now.

Big influences for me when I started writing were singer-songwriters like Paolo Nutini and Bon Iver, and later on, I found artists like John Mayer and Gary Clark Jr. - who really pushed my guitar playing.

Can you reveal any gigs you have coming up? Where can we see you play? 

I have a monthly residency at The Gallimaufry in Bristol which I’m really looking forward to. It’s on July 25th, August 29th and September 26th.

George11.jpg

How do you spend your downtime from music? Do you have any hobbies at all?

There’s very little downtime between my day-to-day job and focusing on the music - but I do find time to just relax and spend time with friends really. It’s important to recharge sometimes and remember to live and gain life experience.

I also love watching films; but with no distraction…

IN THIS PHOTO: Nugget

Are there any new artists you recommend we check out?

There are so many artists I love but I would recommend you guys checking out Sleeptalking, Keir and Nugget.

They’re all amazing artists that I’ve known for a while now. They all do amazing things - but in very different ways!

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IN THIS PHOTO: Sleeptalking

If you had to select the three albums that mean the most to you; which would they be and why?

John Mayer - Continuum

This album taught me about great musicianship and how, sometimes, less is more – also, the songwriting is just incredible!

This album alone enhanced my guitar playing so much.

Bon Iver - For Emma, Forever Ago

Probably the most beautiful album of all time - and I’ve constantly gone back to it for so many years now. It can take me to another place.

John Legend - Darkness and Light

Some of the most creative production and mixing of any recent Pop record - probably one of the only recent Pop albums I’ve loved from start-to-finish.

What advice would you give to any new artists starting out right now?

Just keep writing songs: the more you write the better your judgement becomes...

Also, stick with your gut and create what you love: whether people like it or not, you’re making the music you love and you’re going to be associated with it and performing it each night.

Work with as many people as possible to start with and learn from them -  there’s always something to learn from collaboration.

Finally, and for being a good sport; you can name a song and I’ll play it here (not one of yours as I’ll do that).

To Build a Home - The Cinematic Orchestra (ft. Patrick Watson)

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INTERVIEW: Candice Gordon

INTERVIEW: 

 Candice Gordon

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SHE has, previously, recorded an E.P. with legendary hell-raiser…

Shane MacGown - and is set to release her own album, Garden of Beasts, on 8th September. I talk to Candice Gordon about the album and the kind of stories she touches on. Living in Berlin; I was curious about the scene there and whether there are, local or otherwise, any artists she recommends we follow closely.

Gordon talks about working with label-mate A.S. Fanning (who produces her album) and the insight into new single, Nobody. Having previously lived in Dublin; I wonder whether she misses the city and any plans on going back. I learn more about Brown’s touring scheduled and, having worked with someone like Shabe MacGown, she has a bit of a wild side herself!

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Hi, Candice. How are you? How has your week been?

Grand.

I have just finished editing a video for my next single and I’m going to Frankfurt tomorrow to support Midnight Oil - so I’ve been rehearsing for that.

Tell me about Nobody. What is the origin of that song?

I used to work in shi*ty, shi*ty night clubs for money. From this experience, I had this image of vacuous desperate hedonism - I wanted to examine some driving factors of human behaviour in this album and create a sort of narrative.

Nobody is the point in the album where innocent carefreeness turns harmful. It’s basically about objectification and dispossession.

On 8th September, Garden of Beasts is out. It sounds like an interesting album. What is the inspiration and story behind that title?

When I moved to Berlin, I, frankly, became obsessed with the Nazis and the Holocaust. I wondered how on earth those people could do what they did?! How can people be so evil - the common, Average Joe people, complicit in such atrocity?!

I was immersing myself in a lot of documentaries and literature about it all and then I saw a documentary series (not about Nazis this time) called The Human Animal - and it sparked the idea of this concept album.

I was comparing things like sophistication vs. savagery; caring vs. harming; lightness vs. darkness etc. The beginning of the album is the birth: it grows through adolescence, exploration; trauma, death and, finally, a cleansing and rebirth.

I have a picture in my mind of these characters going through it all but I’m not sure if all that will be apparent to the listener.

I don’t really want to impose it on them - just hint at it - and, maybe, they will take the contemplative journey.

Oh, yeah: the title is directly inspired by Tiergarten in Berlin - but plays well with the Human Animal stuff.

What was it like having label-mate A.S. Fanning producing and Ingo Krauss mixing? What did they bring to the album?

Fanning is a grounding element for me; a solid foundation. He kept things together when they were on the verge of falling apart.

Quite a few times during the process I was ready to pack it all in. He’s also a great multi-instrumentalist and creative musician; ten/ten: would recommend. I would also highly recommend working with Ingo Krauss. He’s sort of a sonic philosopher. REALLY passionate about sound.

He just gets the job done (and to a high standard) - I am endlessly appreciative when people just do what they say they will do.

It was recorded in an Irish country house and Berlin’s Funkhaus. I know you have moved to Berlin. How important is the city and how influential are the people and cultures there when it came to Garden of Beasts?

I reckon I answered this up there but I’ll elaborate with a book recommendation - and one that I read during the writing of the album and really had an impact on me: Alone in Berlin by Hans Fallada.

For those that don’t read: they’re releasing a film version soon (or maybe already have).

You grew up in Dublin. Do you miss the city? How do the music scenes differ in Berlin and Dublin?

I do miss Dublin.

I dream I’m there often. I really miss the sea.

But, it’s too capitalistic and Catholic - and I’m too much of a hippy liberal...and I’m a woman - so it’s not a good fit right now.

Maybe I’ll move back when one of us has changed.

Many reviewers note the brooding and visceral nature of the music – a mix between Nick Cave and PJ Harvey, perhaps. Do you take that as a compliment? Are those artists important to you?

Yes, I hear this a LOT.

After I play a gig I get it too, that and Patti Smith. A LOT! I don’t get why. I really don’t get it. I don’t think I sound like any of them. I found out that Shane MacGowan phoned Nick Cave - after we worked together - and told him he should check me out - and I did swoon!

But, yeah, I don’t get it and it’s frustrating because enough people have said it; so I recognise a pattern - but I am not hugely influenced by them; although I do really like the music and highly respect them as artists.

Maybe we come from the same planet. Of course, people intend it as a compliment.

One journalist, rather wonderfully, said Nobody was the best song never to feature on the Twin Peaks soundtrack. Your music has a Lynch-ian quality. It is cinematic and dramatic. How, do you feel, cinema, drama and visuals aspects inspire your sound?

That was said about Before the Sunset Ends - which was the lead track of the E.P. (produced by MacGowan).

When I write music I see scenes like in a movie. Maybe everyone does. It is very vivid, yeah, and I love Lynch.

I would absolutely love to compose for film.

I have been working a lot with a filmmaker here in Berlin, Valquire Veljkovic. He used a few songs from Garden of Beasts on his forthcoming trilogy, Harvesting Insects, and it’s very satisfying to hear my songs placed on a beautiful film. I am planning to compose specifically for him this year.

In the past; you have worked with Shane McGowan and performed at Truck Festival. It seems like you embrace and lust after a certain rebelliousness. Would that be fair to say? How do you spend time away from music?

Some friends and I have a running joke about how Larry David I am.

I often find myself in situations that would fit right in to Curb Your Enthusiasm. He’s a rebel isn’t he, so, yeah, I’m a rebel like that?

Away from music: I don’t know.

I like movies and comedy; and vegetarian food. Any of my really rebellious behaviour...I will leave up to the imagination of the reader.

What do the coming months hold in terms of tour dates? Any plans to play the U.K. this year?

Yes.

Playing London on the 27th September on a line-up with my compadres A.S. Fanning and Louis Brennan. It’s in the Servant’s Jazz Quarters.

I will be touring in Europe in October.

Are there any new artists you recommend we check out?

Both of the aforementioned have amazing albums coming out soon.

Paddy Hanna is a talent waiting to be discovered too.

Also; a favourite band at the moment are BALOJI.

If you had to select the three albums that mean the most to you; which would they be and why?

I’ve been listening to Alan Vega’s Cubist Blues this summer.

I have a feeling it’s going to influence some future work of minute - but I can’t promise anything.

Likewise; same with The Modern Lovers’ The Modern Lovers.

I’m going to go with Kraftwerk Radio-Activity as a record that I had some pretty wild existential revelations to this.

What is the most important advice you have been offered by anyone – either, in terms of your music or something that has changed you as a person?

One thing that comes to mind: in the history of the Seattle Museum, there’s an exhibit about how the Alaskan gold-rush contributed to the growth of Seattle. They advised their residents not to go to Alaska and they had a catchphrase: “Mine the miners” - and business boomed in Seattle catering for the miners that were passing through to find their fortune in Alaska.

Of course; most of them returned broken-down and empty-handed.

I think about that regarding the music business now.

On that note: what advice would you give to any new artists starting out right now?

You’ve got to find the sweet-spot where you take your work seriously enough to work on it every day - and not too serious that you get paralysed.

You’ve got to be having fun: lighthearted but, at the same time, completely heavy - like it’s some sort of spiritual divination. Or like a drive; or a hunger for the sublime. When you’ve got good work, then you need to find the good people to work with.

People easy to work with who work hard and get stuff done. You work hard and get stuff done...and then the ship is sailing.

Also, work as fast as you can on something when the fire is lit - before it goes out.

Finally, and for being a good sport, you can name a song and I’ll play it here (not one of yours as I’ll do that).

Play me some Fela Kuti!

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INTERVIEW: Dani Robert

INTERVIEW: 

 Dani Robert

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ONE cannot deny how well the single, Clouds, has done lately.

ARTWORK: Casey Blair

Its creator, Dani Robert, talks to me about its Spotify success and whether its acclaim was expected or not. Originally from the farmlands at Pain Court - she is now based in Toronto. I ask about the music scene in the Canadian city and how it inspires her. I ask about her latest single and the inspiration behind it; whether there is anything (music-wise) is coming up – and how instrumental music was when she was young.

I ask whether Robert is coming to the U.K. and what tour dates are approaching; the three albums that mean the most to her – and whether it is a struggle being a young artist in a competitive market.

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Hi, Dani! How are you? How has your week been?

Hey.

it’s been a great week! I’ve been doing a lot of press and promo for the new single, Clouds - so a whole bunch of things keeping me busy.

I am so excited about how people have been responding to it. We just broke 100,000 Spotify spins!

Such a giant blessing!

Clouds is your new single and summer anthem. What is the story behind the song?

The song is all about a personal experience I had with a close friend of mine.

I had felt so many feelings for this person and I felt he did too - but we just never talked about it! It made me think of all the times we feel something and are so hesitant to act or even talk about it. I compared it to a cloud because clouds are there, but they’re also just vapor – similar to these experiences.

The feelings were there but weren’t really because we never acknowledged them (like vapor). So, the moral of the story is: TALK ABOUT YOUR FEELINGS!

The video looks like it was fun to film. What was the process of putting it together and how involved were you in putting the concept together?

It was such a great experience filming this video.

We worked really closely with the director, Gord Poon, to put together a story that, essentially, brought the lyrics and song itself to reality. He did a great job really taking my personal story and putting it on screen. I was pretty hands-on in the whole process too: from the initial brainstorm process to the casting - all the way to the end product.

Based on the responses I’ve been getting, I think we were able to capture a real-life experience that is allowing people to truly feel something. If you guys are able to feel something - and I mean anything at all - I’ve done my job!

It seems like a lot of time and thought was put into putting the song together. What was the process of making the song itself?

Definitely!

The song itself took about a year to fully complete. It was a long and worthwhile process that involved many people: from Mic Te to TJ; to A.M. and, of course, Ashton Adams and Kyngs - who produced the whole track.  It started off with a few lyrics and a piano rift but when I took it into the studio for the guys to listen to - they added their touches and it took a life of its own.

That night in the studio, when we finally finished everything, I remember being with my team, dancing and beaming with smiles! It’s a very personal song to me because it’s something that really happened to me!

It has been streamed thousands of times on Spotify and taken to heart by so many people. How important is that kind of reaction and reception to you?

I’m just blown away by how well received the song has been thus far – over 100,000 Spotify listens in less than two weeks!

I’m so happy you guys like it! So many people have shared with me their own feelings on how they can relate to the song, and to me, that’s really what music is all about. As an artist, I just want to connect with people of all backgrounds and walks of life. It’s so beautiful to see so many different people from around the world create their own interpretations of Clouds.

It really shows that us, as people, really aren’t so different from one another.

Is there an E.P. or album on the horizon?

Definitely.

New music is on the horizon soon – whether an E.P. or an album, that’s to be determined. I have a collection of songs in the musical vault!

Right now, we’ve just been so taken aback with the success of Clouds and I’m just really trying to soak that all up. Stay tuned, though!

You live in Toronto but are from Pain Court. How different are the two places and what was the decision to move to Toronto?

Both places are pretty different from one another- but are each beautiful in their own way.

Pain Court is a small French village that is forty-minutes away from Windsor, Ontario. It’s filled with fields, old barns and breathes at a much slower pace.

Toronto, with its diverse neighbourhoods, for the most part, is much faster-paced and taller - in a sense that there are more sky scrapers! The only structure comparable to a sky-scraper in Pain Court would be their grain bins. Haha.

Music is the thing that ultimately brought me to Toronto though. Being there has allowed me to build the team of people I currently work with today. Toronto’s music scene is extremely tight-knit as well. It’s been so humbling to be a part of a community that has bred people like Drake, Shawn Mendes and Alessia Cara!

To call these people my peers is truly an honour.

What is the music scene like there? How does it compare to other parts of Canada?

Like I said: the scene there is so tight-knit and talented!

So many international artists are from there from Drake to Alessia (Cara); The Weeknd, Justin (Bieber) - who’s just outside of Toronto.

Montreal is another place in Canada I really love. It’s also so amazing and diverse - there are so many talented groups from Montreal.

Those are probably the two places I’ve really been able to experience as of late. Canada is such a huge country. I’m hoping to see much more of it when we go on tour.

How early did you take to music? Did you start playing as a child?

I started playing the piano when I was five and began writing songs when I was seven. My babysitter, Jess taught me Heart and Soul on the piano and, from there, I couldn’t stop playing!

There are so many creative ways of looking at the world when you’re that age and I found the best way to express it was through song. I am so grateful to have the opportunity to express myself in such a way - because it really is my most comfortable method of communicating and connecting with others.

What kind of artists and albums did you grow up listening to?

Growing up, my parents always had the radio on. They listened to a lot of '60s and '70s music - and I listened to a lot of Sarah McLachlan.

As I got older, I also started listening to Chantal Kreviazuk - after my mom and aunts brought me to her concert. Watching her play, I remember hearing a voice inside me saying: “You will be doing this someday!”

Is it quite tough being a young artist coming into music? Do the ‘goods’ outweigh the ‘bads’ - or does it depend on the day?

Being a young artist sometimes has its challenges with all the responsibilities involved - and all the different hats you have to wear.

It doesn’t necessarily depend on the day because you’re always thinking and experiencing so many things at once and are always on the go. Whether that is spending hours in the studio, being in constant communication with my managers; having to meet multiple deadlines in a day, odd sleeping hours; meetings, social media management or press runs you’re always on - it doesn’t leave a whole lot of time for myself.

As a young artist, especially, I think I have the added challenge and responsibility to make sure I’m presenting myself in a proper and respectable way. I have so many young listeners that I have no choice but to make sure I set an example for them. Often, when put in that position, a lot of pressure is there to do well not only for myself but for everyone impacted by my music.

But, when I see how people are connecting to the music and my story, all those challenges and bad days are really over-shadowed. Nothing compares to seeing people connect with my music and even having it help people in their lives.

So, to answer your question: the good absolutely outweighs the bad!

How do you unwind and spend time away from music?

I spend a lot of time in nature, swimming; painting, hanging out with my family; friends and Ned the cat (which my mom will soon be making a Facebook page for - stay tuned! Haha).

My faith is also really important to me - so I like to pray and go to church.

PHOTO CREDIT: Kenneth Leung

Can you tell us whether there are any tour dates coming up? Any plans playing in the U.K. this year?

As of right now, we are in the beginning stages of talking about tourin - but I would love to come to the U.K within the next year!

I hear that in general, the music scene in Europe is incredible - as you guys have a true appreciation for music. Wonderfully enough, my primary Spotify listeners of Clouds are actually from there.

Are there any new artists you recommend we check out?

I love Anna of The North – she’s an awesome artist from Norway.

I absolutely love her sound, look and overall vibe. Her melodies are absolutely breath-taking.

PHOTO CREDIT: Jonathan Vivaas Kise

I would also recommend an upcoming Canadian rapper I’ve worked with named Brae.

He’s on the same management team that I am (AMAG) so we’ve become good friends. He’s such a talented young Canadian artist - not to mention he has such a happy-go-lucky personality. His live performances are unreal!

If you had to select the three albums that mean the most to you; which would they be and why?

Sarah McGlaughlin’s Surfacing (album) is a big one.

I was so young when I first listened to that album on my old cassette player at home. It definitely inspired me to write songs on the piano like she did. The overall beauty, depth and emotion captured on the album is beyond words.

Chantal Kreviazuk’s What If It All Means Something also had a big impact on my writing when I was young.

It was the depth and her ability to capture emotions and tell stories that drew me in. 

Lastly, Frank Ocean’s Nostalgia, Ultra, is another project that leaves me in awe.

My ears never get tired of it and I feel like I’m in a different world when I listen to it. Strawberry Swing, in particular, literally makes me cry!

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What advice would you give to any new artists starting out right now?

Music isn’t just about making songs: it’s really about discovering yourself and knowing yourself. Get to know yourself in the studio - do you need breaks? Snacks? Do you need to prance around the yard and pick daisies in the middle of a session? (That’s what I do sometimes).

Analyse yourself and get in tune. I know there’s a ‘grind’-mentality out there but, sometimes, stepping away and coming back - or even waiting for that actual experience to capture - is worth it as listeners feel and hear the difference.

Really importantly; my manager Mic Tee always reminds me, that, despite the stress - to make sure to have fun in the process!

Finally, and for being a good sport, you can name a song and I’ll play it here (not one of yours as I’ll do that).

Thank you for the wonderful interview and I hope to meet you in person soon! 

I would love it if you played The Dreamer by Anna of the North!

Thanks so much and don’t forget to follow me online: @danirobertmusic!

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INTERVIEW: Aminu

INTERVIEW: 

 Aminu

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AMINU is some I am intrigued by and how he has progressed…

over the last few years. Not only was he approached for Simon Cowell (for a deal) but has worked with a range of talented producers. I ask him about his new single, Love U, and its compelling video. Aminu is based in London but born in Nigeria. I ask about his heritage and whether he brings his African roots to the music – and if music was a big part of his childhood.

He tells me about future touring plans; when he first got the performance bug and the experience of working with producer Rob Ra – who seems to have a direct and honest approach (like Simon Cowell). Aminu gives a little peek into his upcoming album, DYFM, and what we can expect to hear from it.

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Hi, Aminu. How are you? How has your week been?

Hi there.

My weekend has been really nice and relaxing – although, I am getting a little cold from time to time as I'm always on the move.

Battling through different climates can be somewhat of a challenge. L.o.L.

For those new to your music; can you introduce yourself, please?

Sure.

My name is Aminu and I'm a singer-songwriter - born in Nigeria and raised in the U.K.

Tell me about the new single, Love U, and its video.

The video for Love U has been a really wonderful experience.

It came about from an old song I had written a while back. It came alive again after I played it to Rob Ra - who I’ve have worked with on other successful projects.

We then gave it a much-needed revamp and reintroduced it back into the forefront - with a fresher sound.

Is there going to be any more music arriving shortly?

The single is taken from my album, titled D.Y.F.M. - which stands for Do You Feel Me.

I'm still finalising the tracks on the album - and making sure that it gets across to all the fans!

You were born in Nigeria. Was music a big part of your childhood there?

Yes, I was born in Nigeria.

I remember growing up and hearing lots of Soul and Disco being played during our birthday parties as children. Michael Jackson’s songs and his videos - like Don’t Stop ‘Til You Get Enough and Billie Jean - just drove me to perform in front of the T.V. It, sometimes, felt like I was the only person around.

London is where I wrote my first song as a teenager. I went on to complete my studies in U.K.

Was it difficult leaving home/Nigeria and going into music?

Yes.

It was tricky but my parents saw, from my school days, that I had something. They regularly came to see my plays and shows at school. I always had a good balance between studies and creative time.

It was after university - and music wasn't paying off hugely - that they recommended I got back into the corporate world (which I did).

But, I always had time to create music after sorting out my mobile studio set up. Everywhere I’d go; so too did my music.

I believe Simon Cowell came across your music and offered you a deal. How did he come to your attention?

Simon’s situation was a really good place during my history!

It meant something to me - and it meant something huge! I wasn't offered a deal by Simon, but rather, he had come across my C.D. and advised that I had a communicative session with the top management at BMG then. I received an invite to discuss - but no agreement had come out of it.

I treated it like ammunition! It was the world telling me I got the goods so I needed to get there myself! After that; everything in my life changed!

What was it like working with Rob Ra on your new music?

Rob Ra is so unique!

He's a straight-shooter. Similar to Simon, he tells you if it’s a ‘yay’ or ‘nay’! L.o.L.

I get on well with people who are honest! He advised me to attack the market big-time - and that I had a hit on my hands so don’t keep it on the shelf. He came up with a couple of remixes for my Afrobeat track, Shake U.

I had a video shot as well, and the rest was history. Whenever we get into the studio, it's always fresh!

Your music crosses genres and sounds. Is it important to blend styles and nod to your Nigerian roots?

Yes.

It’s very important to have a mixture of stuff that everyone can bop heads to.

I want my music to reach the kids and the adults. I also want to relate to my Nigerian roots so people outside can also look into how we live, work and play out there!

What kind of music did you grow up listening to?

I grew up listening to Michael Jackson, Marvin Gaye; Frank Sinatra, Boyz II Men; Tina Turner, New Edition; Prince - and many more!

What inspires my music is reality. Reality doesn't always have to be serious! You can still live your fantasies through reality, I believe!

What have been your highlights in music thus far?

When I spent some time in the Middle East, I once had a three-piece band: a fantastic bassist; pianist, and myself. We had to serenade the guest at none-other than the Iconic Burj Al Arab Hotel - the only seven-star hotel I know to-date.

It is where I had a residency gig - that allowed me to spread my wings, make contacts and perform almost every evening. I played Jazz, Soul and R&B classics - including some original material.

Yeah. Those were my best times, doing international gigs - whether in Nigeria, U.K. or the Middle East.

Can we expect to see you tour anytime soon?

Yes.

I am currently organising a U.K. tour but this will happen if certain factors - or perhaps dots - connect properly.

The U.K. is still getting to know me and I don't want to rush - like to go with the flow a little bit.

Are there any new artists you recommend we check out?

Ermm...I would just say watch out for some artists I plan to bring over from Nigeria. The talent there is insane - and it’s digestible overseas.

But for now, I will keep it a surprise!

If you could select the three albums that mean the most to you; which would they be and why?

The three albums that meant so much to me are…

Usher – 8701; Michael Bublé - It’s Time; Aaliyah - One in a Million.

These three particular albums drew a completely different side of me as a performer - and a writer.

Usher made me feel like a superhero; Michael Bublé has the voice that I always wanted - and sang the songs I always wanted to sing. Aaliyah’s record fed me with lyrical genius and I know it doesn't make sense - but it did! With top writer/producers like R Kelly, Missy Elliot and Timbaland grooming her - you knew it would be Lit!

What advice would you give new artists coming through?

My advice to new artists is that they should never stop believing, and, I know its cliché, but the moment you stop believing you can - then there’s no point to continue.

Do whatever makes you happy and love the people who love you the most.

Finally, and for being a good sport, you can name a song (not yours as I’ll do that) and I’ll play it here.

 L.o.L. Ok.

Can you play me Bruno Mars’ That’s What I Like?

I love this song!

Thank you for giving me this time (Aminu).

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INTERVIEW: The Pocket Gods

INTERVIEW: 

 The Pocket Gods

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THERE are some bands that come and go…

and then there are those who endure and continue to inspire. The Pocket Gods are in the first camp – oh, wait, no: the second one. I catch up with them to talk about the new single, Another Sunny Day, and what it is all about. I learn more about the record-breaking album of one-hundred songs: all thirty-seconds in length (or less). It is a shot against streaming services like Spotify – and their egregious and borderline-unethical payment to artists.

Being such an established and well-heeled band; I learn about the album, The Jesus and Mary Chain – and what it is like knowing such a famous band. The Pockets Gods have been on the scene for years and gained plaudits from the likes of Steve Lamacq.

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Hi. How are you? How has your week been?

Yep. 

Crazily busy which is great gigs, interviews - and sorting out launch party for the album!

Can you tell me how The Pocket Gods got together and the secret behind your decades-spanning endurance?

Oh, crikey, well: “It was twenty years ago....Sgt. Pepper...”.

Erm, yes. I formed the band whilst working in Tower Records in London, with keyboardist Noel Storey, and recorded a demo of a song called My Next High and we were more Alt-Country at that time - even had a pedal steel, harmonica and a guy on decks!

Well, Noel and I are still in the band - which is a good start – and, despite having a cast of a-thousand ex-drummers and bass players, we all remained on friendly terms.

We just kept at it I suppose and kept recording albums - think there's about fifty-odd albums out there and nearly eight-hundred tracks been released. Also, not taking ourselves too seriously - so no massive egos.

Tell me a bit about Another Sunny Day and the inspiration behind that?

Well. I wrote the basis for the song while surviving a hot summer living in London - some dodgy bedsit in E17 and there was just know where to go to escape the heat.

I was just wishing the rain would come and wash it all away - my then-band-mate Nigel Parrington then added great bits to it and it was a hit single in Belgium for our band at the time, The High Ones. I've always thought it to be a great summer anthem so I wanted to re-record it for this album.

There is a new album out, too. What can you reveal about it?

Aha, yes.

It's our Sci-Fi-Indie-Pop opus - featuring new versions of old songs and some new more experimental tracks. It's written like a classic L.P. with an A and B-side kind of all flows together - there is even a ten-minute track on the end - which is kind of ironic; seeing as we're known for our thirty-second songs!

It is titled after the legendary Scottish band, The Jesus and Mary Chain. What is your experience of the band and how important are they to you?

Ah, yes.

They were fab. My brief experience of playing with them inspired me to form The Pocket Gods so, without them, I wouldn't have started the band. The funniest moment was when I went to audition for them at their own studio in South London - appropriately called, The Drugstore.

I learnt all the bass lines note perfect (ala Paul McCartney) and was happily playing away when Jim Reid came and whacked the bass amp on full-fuzz and distortion all the way to eleven - it was just white-noise and served me right for playing too many notes!

The band has a Guinness World Record for releasing the most tracks (one-hundred) on a digital album. How did you manage to write so many tracks and how long did it take to get them all together?

Oh, yeah, to be honest; it was hard work and was running out of ideas after about seventy songs - especially as I wanted them all to be about the music industry.

The whole album was a critique of the industry and the whole digital streaming - and lack of royalties for artists. To be honest, I wasn't aware that it was a world record until they contacted me. I chose one-hundred as it sounded cool. I wouldn't have been able to finish the album if it wasn't for friends and fans of the band recording tracks for me as well - so, thank you all!

Each track lasts thirty seconds. What is the reasoning behind this?

Ah, there you go...

Well, simply; services such as Spotify pay out a very small royalty of approx.. 0.007 after a track play reaches thirty seconds - and then no more. So, your track could be eighteen-minutes-long but you would still get the same royalty - so I thought: why give them more why not write songs that are thirty-seconds long and, by putting one-hundred of them on one album, you maximised the royalties!

The thirty-second song idea came from Professor Mike Errico in the U.S. - who wrote about it in The Independent - and challenged bands to start writing thirty-second songs.

I took up the baton!

Was there a sense, putting that album out, it would be seen as a bit unconventional? Has it been quite humbling getting such great feedback and kudos?

No, not really.

I did chat to Mike Errico about how I would never write or record conventional longer songs anymore - and we did do two more albums after the first. But, at the end of the day, I fell back in love with playing longer songs and also wanted to show our new fans that we weren't just some fad novelty protest band - but we could actually record great albums.

Yes, it's been very well-received and, especially with a young audience, even the great Steve Lamacq has said we were sounding fresh - which is great.

How do you think music has changed since you started out? Do you think the digitisation of the music world is a good or bad thing? Is it harder being in a band now?

Overall, the industry has changed so much...

It was way too slow to adapt to changing technologies which allowed piracy to reign supreme for a while - it's now only just starting to recover. I do think though people do look back with rose-tinted glasses about how great it used to be. People forget the reality was although bands got advances they were, basically, in debt to the major labels and had to pay it back.

Also, to get a decent demo. made you, would have to spend a lot of money in a decent studio to get something that sounded good - now you just pick up a MacBook and away you go.

So, technology has allowed more people to make music but, consequently, there is a lot of artists out there trying to make an impact which is hard...hence my reason for trying to create an angle and make it newsworthy - with the one-hundred-times-thirty album. 

Back in the 1990s; you were discovered by John Peel. How important was it to have your music backed by such a legend?

Actually, it was much later: it was the year he died, tragically.

I wrote a song called The Ballad of the Peshwari Naan about our local Asian restaurant and thought, after recording it, that John Peel would love it - as it was a mix of Sonic Youth and Cornershop.

So, I sent him a C.D. and forgot about it. Two years later, he calls me up saying he loved the track and gave me his home address to send more stuff (to him).

Lovely man.

Tony Wilson died shortly after finding you; your former manager nearly died of an asthma attack after taking you on. Have you managed to halt the Grim Reaper streak and, in all seriousness, was having Tony Wilson recognise your music your greatest moment?

Yeah, I think we have halted the so-called ‘curse’ to some extent - especially as Huw Stephens and Tom Robinson are fit and well (fingers-crossed, chaps).

Yeah, Tony was a legend I loved the whole Factory music scene and ethic - and he was a one-off and definite character.

He was hailing St. Albans, where we're from, as the ‘new Manchester’ - as we had bands like Enter Shikari around and we were part of that scene (but obviously not as heavy - great band though, E.S.).

It was a shame not to meet him as he died a few months before In The City festival that year - which he used to organise. We got to play the St. Albans showcase, where the best new bands from our area got to play this fabulous festival. I even accosted aforementioned Huw Stephens in a petrol station shop and asked him to come to our gig....which he did and said he enjoyed it! 

You have toured with some legendary acts over the years. Who has been the most memorable?

There's been a few, but I loved playing with The Ramonas: an all-girl tribute to my fave band, The Ramones. They were great and the gig was memorable as my wife Claire (Bass player) was seven-months pregnant at the time - but she rocked. 

What are your plans for the rest of the year? Any tour dates coming up? Another album?

Plans?!

Wayne Rooney-style hair plugs if the albums sell well...or shoes for my kids (do you know how expensive kids shoes are?!).

Yep; a few gigs looking for a decent support slot (nudge, nudge Noel Gallagher!). Gosh, another album I was supposed to be writing - another thirty-second song album this time; one-hundred-Elvis-x-thirty but have been busy promoting this one.

We also should be back on Sky T.V. as house-band on the Nub T.V. music show - which is always fun.

We got to play with Joan Armatrading, Junior and our friend and collaborator, Owen Paul on the last series! 

Are there any new artists you recommend we check out?

Yeah.

Please check out our label-mates, Flaunt - as U.S. Electro-Indie duo who has been described as a "mellower Nine Inch Nails". Their new album, Spectra, is out now and is simply the best album I've heard since Nevermind.

If you had to select the album (of another artist) that mean the most to you; which would it be and why?

Teenage Fanclub - Grand Prix

Following on from the J.A.M.C. stint, I was hanging around with a lot of the Creation bands such as Slowdive - but I really love ‘The Fannies’ (as they're known). It's (just) great Indie-Pop, lush harmonies and great song.

A very underrated band

Do you get much time to take a break from music? How do you like to spend your free time?

Ha, free time: that would be nice!

Well. My three, wee nippers take me out to the park and make me play football - I'm a massive Huddersfield Town fan (yes, there are some and, after Patrick Stewart, I'm probably the second most-famous fan).

I also like to go U.F.O. hunting as, shush, don't tell anyone, but we live next door to the U.K.'s own Area-51...seriously!

What advice would you give to any new artists starting out right now?

Give up...

No, sorry, er…don't give up. Keep at it; believe in yourself but also keep honing your craft.

Also (sounds a bit hippy-ish), but follow your destiny and follow the signs the Universe is sending you.

On a more practical-level: get out and meet contacts face-to-face. There's still nothing better and industry people are more likely to work with you if they have met you - and like you as a person 

Finally, and for being a good sport, you can name a song and I’ll play it here (not one of yours as I’ll do that).

Ok. 

Mine is Something Different by Flaunt! 

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INTERVIEW: JoAnna Lee

INTERVIEW: 

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  JoAnna Lee

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THE debut album from JoAnna Lee has so many interesting…

tales, avenues and sounds. On So Free’s title track; one hears a strong young woman who is following her own path and ignoring the doubters. A sultry and passionate voice helps highlight music full of richness, strength and emotion. I talk to Oregon-born artist Lee about her album and the themes addressed within. She discusses her new home of Austin, Texas, and what the music scene is like there.

I was keen to know about her beginnings and how she came into music - leaving her home of so many years was an anxious and unsure time. I learn more about a brave and ambitious young artist who is creating some of the most intoxicating and exciting music in Texas.

I learn more about Lee’s touring plans and the kind of artists she connects to; whether we will see her in the U.K. and the story of her latest single, The Real Thing.

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Hi, JoAnna. How are you? How has your week been?

I am great!

It's been quite a busy past couple months but I am enjoying every minute of it.  

For those new to your work, can you introduce yourself, please?

I am JoAnna Lee: female singer-songwriter/guitarist; located in Austin, TX. 

I love sharing with others my feelings through my music and through my songs - I know that many people can relate.

Tell me about The Real Thing and how that song came together? Was it inspired by a particular person or relationship or just capturing a particular mood?

I wrote this after moving to Austin. I was hanging out at a local bar with a friend and there was a guy playing - who happened to be way too drunk to be performing...

I convinced him to take a break and I would cover for him - and so I did.

That moment I took over, a guy walked in through the door and I couldn't take my eyes off of him. Once I met him, we connected and it inspired the feeling of new love… and, how (all who start to make the fall question) could it be the real thing?

I believe the album, So Free, is out on 22nd September in the U.K. What can you reveal about the themes and ideas examined on the album?

So Free is a true and honest introduction and reflection of who I am and where I have been - in love, relationships and my growth into figuring out how love really is.

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You hail from a small town in Oregon. Was there a big music scene there? What was it like growing in such a place?

There definitely wasn't a big music scene there - speaking on most people’s behalf – but, through my eyes, it was something special.

So many great artists I know were living in the same town with so many talents - and we had the opportunity of being able to live in each moment and inspire and encourage each other to always keep working towards greater things.

Now, like so many great artists, Austin is home. How inspiring is the city and are there any particular bars/venues that you love playing there?

I love Austin.

Austin is my true inspiration. It inspired me to be free, to live for me and truly get to know the person I am. It made my art grow and it showed me the possibilities are endless.

So many venues I have loved playing there: Cedar Street Courtyard is definitely one of my (most) favorite places to play - but there are many that I look forward to playing at.

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How early did music arrive in your life? Did your family get you into it at a young age?

I started singing as early as I can remember.

My family definitely inspired so much, but, above it all, I always knew I wanted to sing.

Was there a particular moment when everything sort of ‘clicked’?

Every time you feel what's right in your heart is when you feel it ‘click’.

That's happened several times in my life, in so many ways.

Tell me how you came to the attention of producer Dwight Baker?

Well, one day I got a call from Les Cutmore - who's the label owner of Cutmore Records - who recently signed me. We were talking about some of my songs and he said there's this producer in Austin - and I'd like to hook you up to work on a track or two. I said yeah, why not.

So, he gives me the address - which is only about a thirty-minute drive from me - he then told me to be there tomorrow at twelve-noon and just ask for a guy called Dwight Baker!

That's how me and Dwight hooked up.

The fan numbers are building on social media; you have a lot of supporters behind you. How humbling is it and how important is the backing of your fans?

I am so very thankful.

If it wasn't for so many of the people who have supported me, I would have folded in a long time ago. So happy so many have been there through it all and will be there for me continuously.

Has there been a memory, thus far, that stands out as particularly special?

To see my music video reach as many views as it has within a short amount of time was truly humbling - and showed me that all my supporters are still listening.

What kind of tour dates are coming up? Any plans to play the U.K. very soon?

I have a lot of shows coming up. Some of them will be actually in the U.K. within the next month.

Looking forward to planning a tour soon… and just working hard to promote the new album, So Free.

Are there any new artists you recommend we check out?

Yes!

Depends on which level you are talking...

On a local basis: Adam Rodgers and Jonny Gray.

On a worldwide basis: Will Heard, NoMBE, and Jordan Rakei.

If you had to select the three albums that mean the most to you; which would they be and why

Stevie Wonder - Hotter than July

Has (on it) my favorite song of all time: All I Do.

Eric Hutchinson - Sounds Like This

One of the (most) happiest times I've felt was listening to this album.

Jamie Lidell - Jim

We…..Jamie..Jamie..Jamie….

Give this album a listen and you will know what I'm sayin’.

What advice would you give to any new artists starting out right now?

Seriously…even when you feel like you've given it all; just means you need to give more.

Prove to yourself what you love and what it is you want out of life.

Finally, and for being a good sport, you can name a song and I’ll play it here (not one of yours as I’ll do that).

Susan Tedeschi - It Hurt So Bad

That’s my jam. 

Thank you - and I look forward to visiting London in a few weeks.

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