INTERVIEW:
it actually is. Finding a band from that part of the world would seem unlikely. Luckily, SuperGlu adds a bit of spark to the near-deserted Suffolk town - and have released the video for their awesome track, Welcome Home. The guys released their E.P., Horse, last year and are building their profile with every new release.
Their bass player, Krista, guides me through their coming-together and the inspiration behind their music...
I was keen to know the artists SuperGlu are influenced by and what the future holds for them; if there is a music scene in Manningtree and any advice they would give to upcoming musicians.
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Hi, guys. How are you? How has your week been?
Good, thanks.
Had a day off (today) and ended up throwing away all my clothes. Feel purged but not really sure if I've got anything to wear tomorrow....
For those new to your work, can you introduce yourself, please?
We are SuperGlu: a four-piece Indie-Rock act from South-East England.
My name is Krista. I am the bass player of said band and taller than an average chest of drawers.
Sitting next to me is Ben Brown. He is at playing an unplugged electric guitar and is (a) probable lactose intolerant.
Nice to meet you….
Welcome Home is the new single. What can you reveal about the track and its origins?
It was written with a hangover after a house-party.
Ben thinks it sounds a bit like Yankee Doodle. There is a park in Mistley (swans; smells like malt) called the 'Welcome Home' field. Perhaps it's a bit about that...
That…and being in love... or whatever songs are normally supposed to be about.
You all formed in Britain’s smallest town, Manningtree. How did four people with such similar sensibilities and ambitions find one another in such a small place?
There are only around thirty people that live in the town. There are three pubs and two Indian restaurants.
To be honest, I'm surprised it took us this long to find each other!
Is the reason you have such a big sound to counteract the confines of where you hail from?
Not really.
It just kind of happened. If you play loud you get noticed in a bar/go deaf.
Is it true, between you, there is a regional Disco-dancer; a boat-dweller and abstract painter? It sounds like a film waiting to happen, surely?!
It's true!
Though, I haven't danced in a while. Ben W. lives on a boat with his ex-wife and her kids (don't ask!). Ben Brown recently opened his first solo exhibition (of what look like stolen children's paintings) at the Minories Art Gallery in Colchester.
Alex is soon-to-be an official marathon runner.
What do you have planned in terms of E.P.s and albums?
We are currently finishing something - we aren't sure if it's an E.P. or album.
There are elements of Ramones and Japandroids in your music. Are these artists you grew up listening to?
Someone sent Rockaway Beach (a year ago) to Ben Brown and he listened to it in a traffic jam - as it was the only C.D. he had.
He was driving past Stonehenge.
PHOTO CREDIT: Yakub Merchant
Huw Stephens, of BBC Radio 1, has championed your music. How important is his backing?
Loads.
I remember the first time Diving Bell got played on his show. We were all dancing around the living-room, shouting really loudly and, probably, pissing off our neighbours.
Do you think the music industry is becoming too digitised and sterile, in a lot of ways?
I really miss the feeling of opening up a C.D. case and listening to an album back-to-front on repeat. But, then again, streaming has enabled loads of artist to get themselves out there.
Who knows...?!
With such varied hobbies; how do SuperGlu unstick from the music? Do you all hang away from the band?
Yeah...
The Browns are brothers - so they have to kind of hang-out.
We have quite a large group of friends around the Suffolk area - who we live to drink with on the weekends.
Balancing social life, band and working nine-to-five is pretty hard, though.
Are there any new artists you recommend we check out?
There's, also, a new band called Oasis everyone's raving about - has two brothers in; a bit like Ben and Alex.
If you each had to select the album that means the most to you; which would they be and why?
(Selections chosen by Krista).
Jeff Buckley: Grace
It reminds me of the past present and future - and, every time I listen; I hear something new.
For Ben Ward….I am guessing anything by Blink-182
To make himself feel young again.
Alex; probably something I've never heard o - but I'll say anything by Pete and The Pirates
As we were listening to them the other day in the car and, judging by his shouting and cans of beer drank in the back seat, he likes them quite a bit.
For Ben Brown…I'll make him choose Support Mistley Swans by Dingus Khan
Because it's the best album on the planet.
What advice would you give to any new artists starting out right now?
Don't give up your day job.
Finally, and for being good sports, you can each name a song and I’ll play it here (not one of yours as I’ll do that).
Krista: Fade into You by Mazzy Star
Ben Brown: Made a List by Dingus Khan
Ben Ward: What's My Age Again? by Blink-182
Alex Brown: Mr Understanding by Pete and the Pirates
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Follow SuperGlu
PHOTO CREDIT: Yakub Merchant
Facebook:
https://www.facebook.com/supergluband/
Twitter:
https://twitter.com/SuperGlu_band
Instagram:
https://www.instagram.com/supergluband/?hl=en
SoundCloud:
https://soundcloud.com/supergluband
Spotify:
https://open.spotify.com/artist/5EqIrmwX29iNZq3OxAldSR
BandCamp:
https://supergluband.bandcamp.com/
YouTube:
INTERVIEW: Adam Prince King
INTERVIEW:
Adam Prince King
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THERE are few characters like Adam Prince King in the music industry.
As I prepare a Kilimanjaro-esque climb up a mountain of reviews and interviews; I am weeding out those that will require some embellishment and visual flourishes – augmenting and uncovering hidden depths and bringing the shine to the surface. That is not needed for Adam Prince King - as he is someone immured from boredom and the mundane: a veritable human-festival of eccentricity, fun and fascination.
I talk to the London-based songwriter about his latest tune, Before the Sun Goes Down; its video – since the questions were sent; a video has appeared – and what it feels like having the critical ear firmly lodged against his chest (or mouth: whichever is less weird/more appropriate).
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Hi, Adam. How are you? How has your week been?
I'm really good and really sh*t all at the same time! Life's funny like that.
I'm good because I'm looking forward to the release and people seeing my new video - and sh*t because releasing music petrifies me…ah, life!
For those new to your work, can you introduce yourself, please?
I'm Adam Prince King. I'm a London-based music producer and singer - with a fondness of avocados and an addiction to hooks and melodies.
Before the Sun Goes Down is the new single. What can you tell me about it?
It's happy and sad all in one; bleak yet hopeful.
What do you think about it? I want to be the interviewer! (I like it - Sam).
Will there be a video for the single? What future plans do you have for it?
The video is ready to be put out anytime now...
My plans are to go to number one; win a Grammy and live in a beach hut (with WiFi) in Barbados - but the universe may have other plans, so I just do my thing and see what happens!
What's that saying...we make plans and God laughs at us (or something like that)?
It follows on from the previous song, Flamingos, but has a different vibe/sound. Was there a conscious decision to create something different from that single – whilst retaining a unique 'Adam Prince King sound'?
I hate pigeonholing my sound and creating the same song over and over...
I feel like it's evolve-or-die for my creativity. I agree, the production is simpler and more restricted but also feel my essence, my lyrics and voice tie the songs together.
The single has buzz and uplift but moodiness and emotion. Is it difficult being open and raw in a song but keeping the overall textures accessible and engaging?
I have always loved writing raw lyrics but to an uplifting piece of music: I love juxtaposition. The Smiths did that really well.
Were you shocked Flamingos went viral and got such a huge reception? Did that motivate you to keep striving and working hard?
It's a double-edged sword.
You feel like, woooooo! People like what I'm doing and it's motivating but then the little head-Devil pops in and says "It's a fluke, you silly little man; people will soon find out you're a fraud and that you’re an awful artist."
But, then, you have to find a way of pushing forward regardless.
I believe an E.P. is out later in the year. What can you reveal about that?
It has five tracks on it and my favourite one is a track called Witches.
It should be released through a really cool label - that mainly deals in getting music into T.V and film - but I can't fully confirm yet as we are still negotiating.
Can you tell me about some of your musical influences and the artists you grew up listening to?
I grew up listening to a lot of Cypriot music and, also, lots of old Elvis and Cat Stevens records - when I was very young.
I can hear bits of David Bowie’s work in your own music. Is he someone influential to you?
Yes.
David Bowie is my father; Kate Bush is my mother.
You sport quite a, let’s say, 'peculiar' look. What was the reason for adopting this style and do you think it adds to your musical style?
Is it the moustache!?
I guess I'm quite eccentric but it's not something I overly-think about. If I see something that resonates with me I wear it - I love colour and vibrancy, both in my music and in my fashion choices.
When I was a kid, I used to dress myself and go to primary school in a shimmery waistcoat paired with a red bow tie and Albert Einstein hair – so, I guess I've always been peculiar.
Any tour dates approaching? Where can we come see you play?
I hope to play Sofar sounds in London pretty soon.
If you had to select the three albums that mean most to you; which would they be and why?
Joni Mitchell - Blue
The lyrics, the melodies; the voice - Joni just knows.
The Darjeeling Limited: Original Soundtrack
Because it's one of my favourite films - and I love all the songs.
Britney Spears - Blackout
Amid her breakdown; she produced one of the best Pop albums I'd heard in years - the production was slick. She worked with the best producers.
I have a soft spot for Britney - don't judge!
Are there any new artists you recommend we check out?
Do you know what: I'm so out of the loop!
I need to listen to new music! I'm stuck in the '70s and '80s at the moment!
What advice would you give to artists coming through right now?
Keeping on the Britney theme: you better work, bitch!
Finally, and for being a good sport, you can name a song and I’ll play it here (not one of yours as I’ll do that).
This could be fun. Hahaha!
Ummmm…the theme from Buffy the Vampire Slayer, please!
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Follow Adam Prince King
Official:
https://www.adamprinceking.com/
Facebook:
https://www.facebook.com/adamprincekingmusic/
Twitter:
https://twitter.com/adamprinceking
Instagram:
https://www.instagram.com/adamprinceking/
SoundCloud:
https://soundcloud.com/adamprinceking
Spotify:
https://open.spotify.com/artist/2RPMdwteLtPo3OVltehKFX
YouTube:
https://www.youtube.com/channel/UCxr0Aa5Vc9X4ycUBsyStVLQ?sub_confirmation=1
INTERVIEW: Glam Skanks
INTERVIEW:
Glam Skanks
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THE captivating and eye-catching quartet of Ali, Veronica; Cassie and Millie…
makes up Glam Skanks. They have been described as an all-female band-version of The Rocky Horror Picture Show. Their album, Glitter City, mixes theatre and spectacle with mixes of older-days Glam-Rock with the sort of mainstream sensibilities that makes them an accessible option. It is their infectiousness and unique personalities that are alluring audiences and marking them out for big things.
I talk to the U.S. band about supporting Adam Ant and lending Alice Cooper their make-up. They talk about enviable Rock and Roll memories and how they hope to redress the gender imbalance in music; their favourite albums and songs and their treasured memories of the road.
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Hi, girls. How are you? How have your weeks been?
Glam Skanks: We’re great!
Just got done filming a new music video.
For those new to your work, can you introduce yourself, please?
Yeah. We’ve got Ali on Lead Vocals; V. on Lead Guitar; Millie on Bass and Cassie on Drums.
Can you tell me how Glam Skanks got together? Have you been friends for years now? How did that band name come about?
Glam Skanks started when V. and Ali met on Craigslist...
They had both posted, almost identical ads, looking for female musicians - for a Glam-Rock-inspired band. After a few years of playing with other girls, Millie and Cassie - who had been playing in bands together since their early-teens - joined up.
The band name came when we booked our first gig. We didn't have a name and knew we needed something to start promoting. After a friend joked about making 'lamb shanks' into ‘glam shanks’, the name ‘Glam Skanks’ came up - and we thought it perfectly fit our vibe.
I know you played Camden Rocks. What was that experience like?
It was incredible.
The whole experience of going to England - and playing in another country - was amazing enough and then, to add playing such a well-known festival, was a dream come true.
PHOTO CREDIT: Dave Cox
Any more dates coming later this year?
We’re working on something...
We have a gig with Adam Ant at The Roundhouse (in London) in December - and were hoping to book a tour around it.
Some have said Glam Skanks are what a Rocky Horror Picture Show house-band would be like. Do you think that is a fair assessment? Is that film/show something you girls are a fan of?
That’s a great description of us...
We’re huge fans of The Rocky Horror Picture Show. We grew up going to midnight showings all dressed up - and always thought we would be a great fit to play before the movie started.
PHOTO CREDIT: Dave Cox
In addition to opening for Alice Cooper; you supported Adam Ant on his U.K. tour - and you’ll be back to open his show at The Roundhouse in December. What is he like to work with? How did that invite come about?
He’s great to work with: a true showman and an absolute professional.
We share some mutual acquaintances with Adam and, when they had shown him our videos, he liked us enough to ask us to come along and tour with him.
I heard Alice Cooper asked to borrow your make-up. What was your response to that?!
At first, we laughed, because we thought he was joking!
When we found out he was serious, we, obviously let him use whatever he wanted.
In Kevin Smith’s film, Yoga Hosers, you had one of your songs featured. You have hung with Aerosmith’s Joe Perry. How do things like this happen? Is there a standout memory from all these crazy experiences?
We’re lucky that we have some connections that run in the family. V’s dad, Bruce Witkin, is a member of the Hollywood Vampires and has produced and worked with a lot of famous artists.
One standout memory was the night we opened for the Hollywood Vampires. We got to jump onstage with Alice Cooper and sang School’s Out with him and the whole band.
Glitter City is the new album. What can you tell us about the themes and ideas that compelled the record?
There wasn’t really any particular theme or idea: we just wanted to make a record that sounded like the music we love - but with our own twist.
That said, there’s definitely an underlying tone of female empowerment. Even though there are not many songs that are explicitly about that; we went in with the mindset of wanting to inspire other girls and women with our music.
Veronica. You grew up in a unique Hollywood Rock and Roll family. Was it possible to have a ‘normal’ childhood or was it quite strange? What is Hollywood like for a young and ambitious artist?
I don’t know if anyone, technically, has a ‘normal childhood’ - but mine didn't feel that different from anyone else’s.
Hollywood is hard for any young artist but I was at least lucky enough to have a bit of a head-start since I'm from L.A. - and have the advice and help from my dad.
PHOTO CREDIT: Dave Cox
Millie. You almost didn’t join the band. Why was that and what changed your mind?
I was super-busy with other bands and had just moved to Los Angeles - so, I wasn't sure about joining another group.
The girls won me over with their passion and drive for music and fun personalities - so I gave it a shot.
Listening to you girls play, your music and power can match any male band. Why do you feel there is still gender inequality and sexism in music? Is that something you are keen to tackle?
Thank you...
Unfortunately, there’s still gender inequality and sexism everywhere in our everyday lives - so music isn't going to be any different, especially when Rock ‘n’ Roll is considered a boys-club.
That’s something we hope to change, not just in the music industry, but everywhere - so all girls and women are treated fairly and equally no matter their race, social status or sexuality.
Your brand of music, 'Glitter-Rock', has changed since the early days. What have been the main changes and do you feel more bands should play in the genre?
It’s funny because, to us, Glam and Glitter-Rock aren’t really a sound but more of an attitude and, in that sense, it’s never changed.
It’s about the stage-show and the spectacle - and that is one thing that more bands these days could use.
I can imagine you have your fair share of touring anecdotes! Any particularly vivid or ‘memorable’ ones?!
Yes!
We had a night in Manchester where we stayed at a sort of tavern and we were immediately thrown off when we walked in - because there were Christmas decorations up in the middle of May. We didn't think too much of it but, later that night, we noticed our door didn't really lock and, when we tried to move our beds together, we found blood splattered on the walls.
We decided to not-so-gracefully sneak out at 4:30 A.M.
Are there any new artists you recommend we check out?
Right now, we’re into The Lemon Twigs.
They put out a great record last year.
IN THIS PHOTO: The Lemon Twigs/PHOTO CREDIT: Riku Ikeya
If you each had to select the album that has meant the most to you; which would they be and why?
Veronica: That’s so hard because there’s so many that have had a huge impact on me, but, I guess I’ll have to choose The Rise and Fall of Ziggy Stardust and the Spiders from Mars by David Bowie.
Every song on that album is perfect and the concept of youth and alienation still hits home.
Ali: Probably Rumours by Fleetwood Mac
I just feel so happy and inspired when I listen to it. Every song is perfect. I never get sick of listening to it.
Millie: I never have just one album that I fall back on because I'm always changing what go-to album – but, for sure, one of my favorite albums is Panty Raid by Fabulous Disaster: an all-girl Pop-Punk band from San Francisco - where I grew up and saw as a teenager.
They have inspired me to play music and get in an all-girl band. Their songs sing about heartbreak, annoying preps. (and etc) - everything I can relate to!
Cassie: I would say Deloused in the Comatorium by Mars Volta
Just like Millie; it's hard to pinpoint one specific album or artist because I'm influenced by so many different styles of music - but this one is definitely top-five because of the instrumentation. It really influenced me to push my drumming.
What advice would you give to any new artists starting out right now?
Just go for it!
Don’t be afraid that it might not happen or ‘I might not make it’: you can’t start a revolution if you don't go out and try to make it happen.
Finally, and for being good sports, you can each name a song and I’ll play it here (not one of yours as I’ll do that).
Veronica: Anything by David Bowie
Ali: Please play It's Late by Queen - this song is brilliant
Millie: Please play Free Money from Patti Smith
Cassie: Please play Take a Chance on Me by ABBA
That’s our backstage pump-me-up song whenever we're on tour.
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Follow Glam Skanks
Official:
Facebook:
https://www.facebook.com/Glamskanx/
Twitter:
https://twitter.com/glamskanks
Instagram:
https://www.instagram.com/glamskanks/
SoundCloud:
https://soundcloud.com/glamskanks
Spotify:
https://open.spotify.com/artist/4u6p3yHcVdgmzAiArcbfEc
YouTube:
INTERVIEW: Farrago
INTERVIEW:
Farrago
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FARRAGO are an exciting and rock-solid…
Alt-Folk/Indie band that marries lush cinematic sounds with powerful acoustic guitars and silky bass – plenty of expressive percussion and epic vocals. I talk to lead singer Ian (in the photo above) about the band’s career and recording their E.P., Oh, Beautiful Darkness, at Abbey Road Studios. He tells me about arriving in London in 2012 – having started his music lust in Brisbane; having walked out of a fruit-picking job – and how they all found one another.
I learn more about the E.P. and what one can expect on 7th September at The Finsbury – where the video for Better Than Real Life will be projected during the performance. Ian discusses the musicians that matter most to him and each of the band picks a song to end the interview with.
ALL FARRAGO PHOTOS: Sebastian Trustman (unless indicated otherwise)
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Hi, Ian. How are you? How has your week been?
Hi! It has been great – and hectic.
Lots of exciting work going on with the new E.P. - which is being pressed at this very moment.
For those new to your work, can you introduce yourself, please?
I’m Ian Bennett: lead singer, guitarist and songwriter of Farrago – an Alt-Folk band made up of myself plus Tina Longford (on Violin and B.V.s); Simone Feroci (on Bass and B.V.s) and Jack Robson (on Drums).
The music is a real mixture of Folk, with Rock, Indie; Jazz and Blues thrown in for good measure.
PHOTO CREDIT: Mr. Fizzy
I am interested in Farrago’s origins. I believe it was 2009 and a busking outfit birth? Can you expand on that and how you became the band you are now?
Farrago was born on the streets of Brisbane, Australia - after walking out of a fruit-picking job.
It was just two of us back then – me on vocals and guitar and my partner, Ruth, on melodica. It was amazing, to me, people were more into our original tunes than the covers. There was a real thirst for hearing new music.
We played our way around Australia and New Zealand, in venues and on the street, then, spent some time in India writing new material and making some D.I.Y. recordings.
But, I really missed having a whole-band-sound; so we came back to England to keep the project growing. The line-up we have now is just what I was hoping for!
Big, dynamic and bold.
You arrived in London in 2012. What compelled that decision and how influential is London to your music?
I’m from London, and so, coming home was always on the cards...
London is hugely important to my music: I love the vibe and variety here. I love that London draws people in from all around the world. I’m always meeting inspirational musicians from all walks of life. Also, London pushes you hard!
To get anywhere, you have to work like crazy - which certainly keeps the standards high! I met all my band-mates whilst playing various live shows in London - so I have a lot to thank this city for!
The E.P., Oh, Beautiful Darkness, was recorded at Abbey Road Studios. What was it like recording at such a hallowed space?
Man...it was incredible.
I felt like a kid in a sweet shop – so much great gear that has been used by some of the best musicians in the world. It was humbling and unbelievably exciting to be there for a while. We recorded the E.P. in the main studios but I have to thank the Abbey Road Institute for making it happen. We worked with two fantastic students – Noah Dayan and Lucas Cristoff – who took us under their wing.
The future of the recording industry is in safe hands!
PHOTO CREDIT: Mr. Fizzy
Can you tell me how that opportunity came about?
Myself and Simone were playing a few tunes at an open mic. at The Magic Garden in Battersea and Lucas happened to be there in the audience. It’s a great open mic. for meeting other serious musos – a night called Sing for Your Supper; run by a very passionate poet and friend called Carl Chamberlain. I got chatting to Lucas and the rest is history!
I met Noah at the Institute and we hit it off immediately. They co-engineered - and Noah mixed the E.P.
When will the E.P. be launched? I understand the video for Better Than Real Life will be shown for the first time there? What can you tell us about the video and its storyline?
The E.P. will be released on 7th September - with a launch party the same night at The Finsbury pub (in Manor House).
The Better Than Real Life video is going to be projected during the performance. It has been great fun making it with director Daria Lanz; actress Stephanie Cannon; Director of Photography Philip Moran and the band. We’ve been messing around with L.E.D. lasers; paint, masks - and confusing members of the public in the process!
Better Than Real Life is about a character that prefers to live in the digital world - rather than reality – so, all the scenes are about the tension and release this creates.
Uncle Onion Records is the band’s label. What was the decision behind releasing the E.P. on your own label? Did it provide a freer creative construct?
I decided to create the label, back in 2014, for the release of our first studio-E.P., All Beginnings Are Illusions.
It was, mainly, so that we can build-up our own catalogue of music without any external forces coming into play. It has been a steep learning-curve but it has been useful learning more about how the industry works. I love the ethos of D.I.Y. and community building - so I wanted Farrago to reflect this.
How do songs come together for Farrago? Do you all collaborate or will someone write lyrics – the remaining members pitching in with the music?
I’m constantly writing new material at home.
The ones that stick I bring to the band. By the time they hear the songs, they already have a structure and lyrics. Tina, Simone and Jack bring their musical magic to the songs at this point. This way, I can filter out the songs that don’t make the grade - before the others spend any time on them.
It’s a pretty productive way of working, I find...
PHOTO CREDIT: Mr. Fizzy
Are other there any tour dates later in the year? Which dates are you most looking forward to?
We’re holding off on new dates until after the launch.
My next focus is on getting festival bookings for 2018…so keep an eye out! The odd gig will creep in though, I’m sure.
Keep an eye on the website for dates...
Do you have anything else planned in terms of more music? Do you think ahead to the next record or are you very much focused on the latest E.P.?
There’s always plenty of new music in the pipeline.
Once the launch has happened, I’ll be working with the band on a handful of new songs that I’m focusing on at the moment.
I’ll be looking to record another E.P. or album in 2018.
How do Farrago unwind and is there ever a chance to break away from the music?
That’s a good question!
I’m around music, pretty much 24/7. I spend most of my free-time seeing my mates play music or going to music community events. My favourite way to escape for a bit is to go to a festival – preferably, a very chilled one, like Womad or End of the Road.
Last year, I saw The Shins, Joanna Newsom; Teleman, Ezra Furman; Savages and Kevin Morby all play on the same festival bill. It was incredible!
Who are new acts you recommend we check out?
I am lucky enough to have some very talented mates...
Russell Joslin is a Folk music tour de force. He sings with Sarah McCaig and they are simply stunning together.
Tom Hyatt writes and performs a lot in London. Well worth checking out.
My friend, Mary Erskine, has a band called Me for Queen. She is incredible (Russell, Sarah and Tom will be playing with us at the launch).
(Probably) the artist I most admire at the moment is Scott Matthews. His songwriting and voice are truly inspirational. He won an Ivor Novello for his song, Elusive. It gives me shivers just thinking about it!
If you had to select the album that means the most to you; which would it be and why?
I’d probably have to say Grace by Jeff Buckley.
It completely blew me away the first time I heard it and has been a benchmark ever since. As far as I’m concerned, it has everything an album should have: incredible dynamics, feeling and depth…and, of course, there’s his voice.
My god; what a voice.
What advice would you give to artists coming through right now?
My advice would be to always get what you want from it. It’s a weird time we’re living through - with consumerism ruling everything - but the craft of songwriting takes time and perseverance - so enjoy the ride and trust yourself.
Everyone will have their opinion about what you should do but, ultimately, it’s what you want from it that matters.
Finally, and for being good sports, you can each name a song and I’ll play it here (not one of yours as I’ll do that).
Ian: Elusive by Scott Matthews
Simone: Beautiful Freak by Eels
Tina Longford: Play Dead by Björk
Jack Robson: The Bronx by Booker T. Jones (ft. Lou Reed)
________
Follow Farrago
INTERVIEW: I Am Willow
INTERVIEW:
I Am Willow
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THE Valetta-born artist I Am Willow shows the stunning brand of music…
coming out of Malta (she is now based in London). Time Out and Annie Lennox are fans of her music; she has been featured by BBC Introduction - and someone who can hold an audience spellbound by her voice alone. There is something simple and effective when one hears songs like Oceanful and Hearts in the Night (the new single from the talented singer-songwriter). I speak with her about the song’s story and how her music comes together; the musicians that have inspired her and what the music scene in Malta is like.
She talks about music and childhood; whether there will be an E.P. arriving and how big relationships and the personal are to her songwriting – and a couple of new artists we should all be aware of.
_________
Hi. How are you? How has your week been?
I’m feeling pretty good - now that I’ve finally started to share my music with the world. The response so far has been incredibly encouraging and I feel particularly inspired.
For those new to your work, can you introduce yourself, please?
I’m a girl that loves to go to my 'safe space': under a willow tree; looking out at the world and then writing about it. I’m human and definitely have my flaws - and this all comes across in my music. I love books and films so you could say my music carries a certain cinematic atmosphere.
However; the Pop princess inside of me always finds a way of showing itself.
Talk to me about the single, Hearts in the Night. What is the song about and was it an easy creative/recording process?
Hearts in the Night was the result of a completely improvised session with Benbrick - my co-writer and producer. We had never worked together before and we had no specific targets on the day we did. This song was an incredibly organic result of our two creative souls coming together and trusting each other.
Funnily enough, the song is actually about trust and allowing someone to show you the way. Imagine being blindfolded and allowing someone to take you by the hand - and cross you over the busiest street in New York.
That’s what this song is about: trust.
It follows the popular and impactful, Oceanful. How do you think the tracks differ and, in terms of sound and lyrics, were you keen to create something new and distinct?
When I work with producers; there’s always an element of trust involved.
I have to believe that they will bring something that I wouldn’t even have thought of to the song and that it will take the song to a much better place.
The beauty of Oceanful and Hearts in the Night is that they were the result of the first session with both sets of producers. In the case of Oceanful; it was Zeke McUmber and Ron Haney. Both songs were written on the day of production and neither session was meant to be an 'I Am Willow session'.
Indeed, I Am Willow didn't even exist when Oceanful was written: it was the seed that started the whole project. And, to answer your question, lyrically the songs differ immensely - because I was in a very different emotional place. The mood is, especially, more intense in Oceanful (boy problems), for example.
However, the main difference - which I find beautiful - comes from the fact that I am working with different producers. They each bring their own individual stamp to my music. It’s completely real, raw and organic.
Is there going to be an E.P. or album arriving at some point?
Let’s just say there’s much more music coming your way….
How important are personal relations and experiences to your songwriting? Do you take a lot from your own life and write about what you go through? How much is fictionalised and abstract, in that sense?
Everything I write about is absolutely genuine and true.
I write about my own experiences, my strengths and fears – and, sometimes, I’ll take lyrical inspiration from books.
But, to me, songwriting is a form of therapy.
Listening to your latest track, and the reception you are getting, it seems like you are in a good and creative period. How do you think you have developed as a songwriter the last year or so?
All I know is that the music people are responding to all happened as a result of trust.
I wasn’t trying to please anyone. I wasn’t expecting anything to come of it. So, I want to continue to throw myself into completely organic situations and trust that sometimes we will have similar results.
One thing I do feel is that I trust myself a lot more.
Born in Malta; you are based in the U.K. What is the music scene in Malta like – compared to the U.K.? Are there a lot of great artists making waves over there?
Malta is a really beautiful setting for a creative person…up to a point.
It’s a very small place, and with it, comes very few opportunities - which is why, I feel, like there’s a lot of potential that doesn’t really reach its maximum. But, the potential in those waters is evident - even to the highest-trained experts.
I’ve heard it said so many times before: “There’s something in the water”.
Can you tell me about the musicians you grew up listening to and your idols?
I grew up on Classical music. I was playing the piano from the age of four and my grandmother was my teacher. Even on Sunday picnics; the first things she would say to me was “Did you practice?”.
But, I have very fond memories of dancing to the Spice Girls with my mum and then, later, being completely mesmerised by Kate Bush, and then, Tori Amos.
Later, I collected a few more idols like Goldfrapp, Radiohead; Beyoncé, Jungle; alt-J … it’s a funny list - but I have a pretty wild selection.
Annie Lennox is a big fan of your music. Is it weird getting love from someone so huge?! Have you ever performed with her – or is that something you’d like to do?
It’s weird and it’s not...
We often look up to these icons and forget they’re just human beings, like us. I write music from the heart - so it’s bound to resonate with someone. It just so happened to be Annie, which, don’t get me wrong, is the honour of all honours. Performing for her was as amazing as it was terrifying. I will treasure it forever.
If I ever get the chance to perform with her; I would take it in a heartbeat!
You are classically-trained and have a cinematic and emotional palette. How influential are culture and the arts with regards your music? Do you connect film, literature and finery with your own personality and way of working?
Yes.
I would have to say I am very influenced by any other creative form: art exhibitions, film and dance (and all sorts). But, I would say, the primary source is (definitely) literature. When I find a good book; I am transported so completely that I can step back at any time – and, sometimes, lose my train-of-thought, mid-conversation. It’s very annoying to some. Haha.
Of course; it is inevitable that this has some effect on my songwriting.
Are there any tour dates later in the year? Where can we see you perform?
Keep an eye out on my social media pages/@iamwillowmusic for news of a performance on 16th Sept.
IN THIS PHOTO: JP Saxe
If you had to select the three albums that mean the most to you; which would they be and why?
Goldfrapp - Felt Mountain
They introduced me to production as a state of mind - and I have always wanted to try the same thing.
Ludovico Einaudi - La Scala Concert
I’ve seen his music used in film and it is (just) stunning. I have recently started composing some piano pieces that this album has inspired.
Blur - Midlife: A Beginner’s Guide
Because it has such a sense of identity and freedom (I, simply, love it).
What advice would you give to artists coming through right now?
Stop trying to be who you think everyone wants you to be and just be you - it will surprise you!
Finally, and for being a good sport, you can name a song and I’ll play it here (not one of yours as I’ll do that).
ODESZA - Kusanagi
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Twitter:
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Spotify:
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INTERVIEW: Couling Brothers
INTERVIEW:
PHOTO CREDIT: Gordon Couling
Couling Brothers
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AS I jettison and embargo certain types of interviews…
it is great to receive a rare one to the inbox – not accepting interviews where an artist has very few photos, I mean. Couling Brothers, in a sense, are one of the last acts who I take in whose online portfolio is not as stocked and illustrative as many – there is a slight aversion and distance from social media. I talk to Toby and Ollie about their musical bond and their upbringing; what stories and explorations go into their songs.
They split their time – and bodies, a lot of time – between the U.K. and Australia so I was eager to learn whether there will be any tour dates; insight into their fantastic album, // REDDA //, and the musicians/albums that have inspired them to write their own material – and the other musicians that help give // REDDA // its candour, personality and wealth.
ALL PHOTOS (EXCEPT WHERE LISTED): Ollie Couling
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Hi, guys. How are you? How has your week been?
What’s up, Sam.
Very good, thanks, mate.
For those new to your work, can you introduce yourself, please?
Ollie: Hi. We are Ollie and Toby - Couling Brothers.
Toby: Sons of the same mum and dad; brothers and best mates: currently living in London, England and Melbourne, Australia.
How did the decision come together to form Couling Brothers? Was there a moment when a song sparked something or was it a more gradual process?
O: As brothers; our partnership formed thirty-two years ago - when we first met.
We have always been extremely close and into the same things - so this project was (just) a good excuse to join forces.
T: It probably started after a recording session at The Fold Studios - where we used to work and live. I used to have my drums set pretty much full-time, so, after recording sessions for other bands, using the studio, we used to just hit record and jam.
On one of these nights; we came up with the piece of music for Sad Night - we both went completely mad until very late that night/morning trying to work out these crazy timings – but, what appears on the album, is basically unchanged from that jam.
I guess it was, at that point, I knew we would have to have that on a record - along with some other ideas that had been brewing for a while.
O: The reason for (actually) getting in the studio and doing it was a slightly more practical one. I had a long-running injury to my wrist and needed surgery, so, before my operation, we decided to book a week at a studio. We really wanted to work with Owain Jenkins at StudiOwz; so we just went for it with very little agenda and a few pretty sketchy ideas.
That week produced 90% of the tracks on the album – plus, a few more that didn’t make the cut. However, it took over a year before we went back to record the vocals. The break did work out nicely, though, as the final track - Dear My Home - was written in that period and has turned out to be a special song - that really completes the album and puts a massive full-stop at the end.
Can you remember those early days and the kind of music you were playing?
Yes; very much.
We come from a very musical family. Our mum is an incredible pianist and we both learnt a lot about music from just listening to her play - and absorbing her sound and use of harmony. Later on, in our late-teens-to-early-twenties; we both played in a band together called 8Fold - for a bunch of amazing years. It was a great time of discovery in which we all lived and breathed music.
Toby and I used to jam together in our basement almost every day - and I think a lot of the core ideas that appear on the album was a result of this time experimenting. We used to love just locking in on a groove together and could do that for hours.
// REDDA // is your new album. Can you talk to me about the title and the kind of themes you address within?
We went to Iceland in June last year and saw the word ‘// REDDA //’ printed in a magazine. We didn’t know the meaning of the word at the time but I think Toby just liked the look of it.
T: I looked up the meaning and it translates to something like ‘to fix’ or ‘to work through a problem’. It fit the concept of the album, so it kind of stuck.
O: The theme of the album is about the transition from your late-twenties into your thirties.
It has a lot to do with the claustrophobia of living in London and wanting to get out, basically - but always getting sucked back in.
Listening to the music; you observe real life and mix the spectacular with mundane. How much of your day-to-day experiences go into the songs?
Absolutely everything.
This was literally the soundtrack in my head.
T: I think as perceptive, creative-thinking and empathetic people; we can’t help but pick up and absorb life, in both its mad and mundane ways.
Ollie and I know each other on such a deep level, too - and the music is a parallel symmetry of both of our minds.
Talk to me about the track, Stripes on the Table. It is a song that intrigues me. Is there a story behind that?
O: Yes. There is story behind all of the songs.
Stripes' is based on how a quite a long and complicated event unfolded. I was in business with a very good friend for about five years, but, when I decided I needed to move on; working things out got very complicated between us - and our friendship was massively tested, as a result. The song is about how difficult I found it afterward: trying to start out again on my own when up to that point I had only done music. I didn’t have any academic qualifications to my name and felt really unemployable - so it’s about freaking out about that.
I think that it must be something that a lot of people who make a commitment to art or music go through at some stage. Having gone through it - and come out the other end - it made me realise that the skills you learn as a ‘creative person’ are so valuable - and far more practical that what you learn at university (I went to uni. afterwards).
I wish this kind of stuff is better recognised in society.
Toby and Ollie. You wrote the songs but there are one or two musicians who appear on the album. Was it quite a smooth recording process and how did you come to meet the other musicians that feature on // REDDA //?
T: We were always sure of who we wanted to play on the record and what instruments they would work with.
Rob Lamont played most bass parts as he just understands our brotherly rhythmic flow - and just makes things feel great. He also played some great keys parts – especially on Life Without a Hat. Matt Park is such a talented musician who oozes emotion and compliments our music perfectly with his pedal steel-playing. We knew his sound and performance would feature heavily on quite a few tracks – one, in particular, being Dear My Home.
Our mum is a huge inspiration for us both; so we were extremely happy when she came to come visit us in Wales to record on the last studio session. Will Rixon has been on the scene in London even before I moved here so we were super-chuffed to have him shred some trumpet on Sad Night. Thom Sinnet was chilling at the studio in Wales when we needed bass on Life Without a Hat - so he stepped up and completely nailed what we had in mind for the bass part.
Owain Fleetwood recording the songs. What was it like working with him?
He is an absolute badass!
He is a good friend, a very skilled engineer and knows all his equipment, instruments and studio like the back of his hand. He understood what we were looking for and always helped us get something sounding how we imagined or better.
O: We must also mention Matt Wiggins - who mixed the entire record. He did such a great job taking the music and lifting the mixes to a higher place.
Is there going to be a video or single-release soon? What are your plans for the album and its promotion?
There are no plans to make a video or to release a single: it was never like that. We would love to do some live shows at some point with all the guys who played on the record - but that’s going to have to wait until I get back from Australia.
Hopefully, we can work something out for spring/summer 2018!
T: We both (just) wanted to make an album for us, really.
It was a perfect way to spend time together with a focus. Looking back now, it almost feels like it was some sort of audio-therapy.
O: As far as promotion goes: we would love to try and get a bit of radio-play in the U.K. and Australia.
There is an awesome radio station out in Melbourne called PBS - that is really good at supporting new music and giving unsigned artists, airplay. It’s a community-funded station with volunteer D.J.s, so they have an amazing range of genres. There are a few D.J.s who have shown some interest in playing some of the tracks off // REDDA // so, hopefully, we might be able to get a little buzz going in Melbourne. Maybe, we could even convince all the guys who played on the record to fly out to play some shows over there…that would be insane!
You can listen to PBS online at www.pbsfm.org.au. I, literally, can’t rate it highly enough!
There is no Facebook or Twitter account for the Couling Brothers. What was the reasoning behind that decision and do you worry it threatens a sense of anonymity?
For now, we have decided to stay off social media… leave Facebook alone for cat-lovers and Twitter for Donald Trump.
Haha!
T: I think we are both happy that it is on BandCamp – which, we believe, has a better sound-quality than most other online music platforms. Like you mentioned in a previous question, we “observe real life” - so that’s what we’ll keep doing with this project for now.
Toby. You are a drummer and producer. Kevin Spacey has praised your playing. What is it like getting praise from him? How did you first come to bond with the drums?
Haha!
That was a surreal and funny experience. I was playing at Ronnie Scott’s with Tony Allen, Speech Debelle and Roots Manuava one evening. After the show, I was packing my drum kit down, when I noticed a pair of shoes turn up in my peripheral vision. I looked up and it was Kevin Spacey!
I was quite overwhelmed to see a face I knew so well in front of me. He introduced himself and then said some nice comments about my playing style. I led him to meet the other guys backstage and we all had a nice post-show hang.
I think, rather than drums specifically, I think rhythm has always been important to me. I have always felt rhythm in all things and when I had the opportunity to learn the drums (age eight), I jumped at the chance. It gave me a new voice and understanding in life. I have spent a lot of my drumming career in recording studios, so, have picked up lots of things and learnt and observed a lot about the techniques - emotion, social structure and nature of a studio situation.
I am involved with many projects as a drummer/producer and feel that all that experience gave me a great platform and understanding of how to approach the album. Ollie is gifted with a large knowledge of production and engineering too – so, we feel as a team we have a good balance and knowledge base to create new music.
What is coming up for Couling Brothers? Any tour dates approaching?
O: Toby is coming over in January 2018 and we are going to do some walking in New Zealand. That’s the next thing in the calendar for Couling Brothers.
T When the time is right to play live; we’ll play our hearts out. It will happen!
Who are new acts you recommend we check out?
O: At the moment, I’m really into a Melbourne-based artist called D.D Dumbo.
I’ve listened to his album every day for about two weeks straight, now. Check out his album, Utopia Defeated.
T: (I also absolutely dig D.D Dumbo).
A band called Tweed & Hyenas released an album called Yates quite recently - which is wicked!
(Also, the recent Bon Iver album, 22, A Million).
If you each had to select the album that means the most to you; which would it be and why?
That is a hard question…
I think the band that gave us both the inspiration to pursue music when we were young was probably a band called Reef. Their first album, Replenish, is amazing - and will always be amazing!
What advice would you give to artists coming through right now?
O: Just be yourselves…
T: Yea…be yourselves, bold and trust your instincts.
Collaborate with people and practice hard at the beginning, middle and the end.
Finally, and for being good sports, you can each name a song and I’ll play it here (not one of yours as I’ll do that).
O: Pleasure – Universal
T: Tweed & Hyenas – Norðasta Horn
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INTERVIEW: Adam & Elvis
INTERVIEW:
Adam & Elvis
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THE strangeness and savagery Adam & Elvis brings to their music…
has got critics standing like meerkats sensing a tiger looming large – if those two animals even share a continent! In any case; the band have been vibrating stages and propelling bodies with their intoxicating sounds. I speak with brothers Thomas and Patrick Malone about the latest single, Wasting Away, and what it is about.
They chat about Reading – where they are from – and what the scene is like; how the four of them came together and what they have planned for the remainder of this year.
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Hi, guys. How are you? How has your week been?
Been pretty dang amazing in a global context.
For those new to your work, can you introduce yourself, please?
We're a five-piece Alternative-Pop band from Reading that is interested in releasing good albums as often as physically and emotionally possible - and seeing what's left of us at the end.
Wasting Away, in addition to its cheery title, deals with life’s brevity and the human condition. It is an upbeat song – considering it could be seen as quite pessimistic. What was the reason for creating a song so uplifting and hopeful?
I think there's proximity between the somber and the hopeful: they breed one and other.
What impacted the song’s creation? Was there a general feeling you needed to write something like this or did a particular event compel that drive?
No. I think about death a lot, or as much as everyone else does, but I have too short an attention-span to be distracted by distractions.
There is a refusal/dismissle of the afterlife; a need to do everything we can in this life. Is there any one thing each of you has always dreamt of doing – maybe a dream holiday or musical goal?
I'd like to write a to-do list and do all the things on it.
An Adam & Elvis album is out later in September. What can you reveal about the themes and songs that will appear on the record?
Bits about weddings on fire; artists only working on the weekends; people eating mosquitoes to spite lovers (etc etc.!).
Where does the title, Through Snow and Small Talk, come from?
Chose the art for the album; saw the snow and the drudgery - and supposed playfulness - of winter weather reminded me of small-talk.
Patrick and Tom; you are brothers. Did you share similar tastes as youngsters and what was the decision behind forming the band?
We were sh*t at football so thought we had better start a band - or no one will ever think we're important.
How did you come across Steve and Dan? What is it about the guys that meant they were made for the band?
Dan served us drinks; Steve went to school with Tom.
You, like The Amazons, are based out of Reading. Is it a fertile place to make music? What is it like getting gigs in the town?
Yeah. There are lots of people making music in Reading. There's some nice people who put us on and then give us a pittance and some beer.
The Amazons are very boring though. I'm sure they're nice but I imagine you have to listen with a toaster balanced on your head in a bath-full of water - so there's the potential that something edgy might happen.
What do you guys do when not performing and recording? Do you all get much time to hang out? Anyone have any hobbies in the band?
We spend most of our time practicing together; getting drunk talking about music, films; politics or the normal jazz.
Do you have any tour dates approaching? Where can we come and see you play?
We've got three release shows: 30th September, (Reading) Oakford Social Club; 6th October, (Oxford) The Wheatsheaf and 7th October, (London) Finborough Arms.
We've had a lot of people trying to get us back up North after the last time we went there – so, we'll be back there before the end of the year.
Who are new acts you recommend we check out?
Love Wesley Gonzalez, Meatraffle; Phobophobes and Pit Ponies.
IN THIS PHOTO: Photophobes/PHOTO CREDIT: Holly Whitaker Photography
If you each had to select an album to take to a desert island; which would it be and why?
Thomas Malone: Leonard Cohen - I'm Your Man
Patrick Malone: Pixies – Bossanova
What advice would you give to artists coming through right now?
Find a day-time job you can do tired - and allows you time to scribble lyrics on paper during the day because, if you're going to make interesting and subversive music, you will have to pay the bills with another job
Finally, and for being good sports, you can each name a song and I’ll play it here (not one of yours as I’ll do that).
Patrick: Wesley Gonzalez - Not That Kind of Guy
Thomas: Leonard Cohen - Everybody Knows
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INTERVIEW: Benjamin Stevie
INTERVIEW:
Benjamin Stevie
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IT would be easy enough to throw jealousy…
the way of Benjamin Stevie. The Edmonton-born, Toronto-based songwriter has a very spiritual and relaxed approach to music: in the sense, he allows the environment and landscape around him to influence his music. That is how the seeds for Yellow Bird - his new single - were planted. I learn more about the song’s gestation and his forthcoming album, Cara Cara. He talks about American under Trump and the music he was raised on.
I ask him about the music scene in Canada and some of the artists he recommends; what is was like recording in the idyllic spendour of Joshua Tree – a desert studio not far from the iconic spot – and what kind of gigs are approaching.
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Hey, Ben. How are you? How has your week been?
I’m great, thanks!
The week has been really beautiful. I played my first show with this new band and it was really special. Toronto is really a special place in the summer and this summer has been incredibly revelatory - and I’m overjoyed to be surrounded by so many beautiful people.
For those new to your music, can you introduce yourself, please?
Sure.
I’ve been playing music in various projects since I was thirteen; starting in the Punk scene in Edmonton - where I grew up - I played in the same band for twelve years. I moved to Toronto around ten years ago, where I started to do stuff on my own.
While it took me a while to find my stride with the solo stuff; I feel really happy with where it’s all at these days. In the last few years, I’ve been able to connect with so many beautiful people and had a wonderful time doing it.
PHOTO CREDIT: Anthony Tuccitto
Can you tell me about your new song, Yellow Bird? What is the story behind it?
Sometimes with lyrics, the melodies and words just come and you kind of find out what they’re saying, afterwards. The song, to me, is about shedding falsehood, ego; attachment and gaining freedom through that. It was definitely a reflection of my own personal experience.
Our unique experience of this existence is not to be defined and measured as it has maybe been told to us. But, the truth can never fully be told.
How did you come to work in the desert near Joshua Tree? What was the experience like?
So. I had come to the high desert in California after visiting my parents in British Columbia - where I came up with the first lines of the song while strumming on their deck.
A yellow bird flew past and I just started singing the first couple lines. When I got to California, I was a bit nervous as Adam and I had never worked together - and I didn’t know if I was going to bring the noise you know.
The location of the studio was a windy, expansive plateau on top of the desert mountains - right in between Joshua Tree and Big Bear. It was serene, magical and a bit foreboding (and harsh). I can still remember the feeling of being up there as inspiring a sort of calm and sense of solitude that forced me to evaluate my life in a real way. Also, in places like that; music resonates in a clearer way than in the city.
The song came out of those hills and right through me. That’s the best way I can explain it. Haha.
Your album, Cara Cara, will be released on 22nd September. It seems like it will be very eclectic. What themes are addressed within?
Yeah. The album is a very eclectic mix of music that really came together organically.
After being in so many situations in the ‘industry’ - that were looking to control the creativity and felt like they were choking me out - I was happy to kind of freely create with no real agenda other than getting the work done. I guess, in a sense, the lyrics reflect that energy as well. Obviously, there are songs about love, loss; joy and pain - you know...the basic stuff.
But, I think there is some clarity to it in a way for me. The themes, overall, are about appreciating where you are in the knowledge that you’re only here and now; never there and then - finding peace and truth through acceptance and love.
What sort of emotions and ideas compel your music? How important is the environment and natural energy of the location to your creativity?
I look to cultivate a sense of truth and light in my life which, I guess, could be called spiritual - and music without heart is just noise. I do my best to put that in it because the music that touches me is always wholehearted. The environment and landscape inevitably enter into the music - simply by the impressions of your daily life being filtered through you at any given time and place.
I do my best to remain empty and still in the mind and find when I can get to that the inspiration can flow through much easier. Humility and honesty are goals I strive for every day - and I find with that comes just a little more peace.
Tell me how the album came other and what the experience was like.
The album was recorded in a bunch of different places over about a year but the bulk of it was at one studio in Toronto, over the summer. We would go in with either a rough idea of a song - or a full song and work out the arrangements (etc.) in the studio. Different people would be involved on a day, other producers; players (etc.) who would lend their ideas as well.
A few times, we would inevitably come up with an idea on the spot and work on that. Like Mind Movie; I just started playing this riff one day, and for three days straight, we worked on the whole thing until it was done. It was amazing to have that luxury of time in the studio to try ideas out and be able to realize them without too much stress.
Also, I guess you could say we did a lot of post-production making a lot of small changes or additions to things - after the actual studio work was done. All in all; it was one of the best times I’ve ever had making music.
PHOTO CREDIT: Anthony Tuccitto
What do you make of the situation with Trump and the way America is headed? How do you assess the current political structure in the U.S.?
I grew up in a politicized household and in a highly-politicized music scene where I was exposed early on to ‘radical’ ideas which I think of more as common sense, humanistic ideas - so I pay some attention to what is going on. For myself, I tend look at the longer arc of things more than what’s going on day-to –day - so I see the current situation as more symptomatic of the downfall of this tragically misled society.
We’ve lived on borrowed time for so long and the people have been fed so many lies for so long that we’re physically, socially; culturally and spiritually malnourished- starving to make some sense of things; so we easily fall victim to divisive hateful political messages. If I could say anything, I would say anger breeds hate on both sides. But, the more productive and powerful thing would be to turn disgust and anger into empathy and love.
How musically-minded were your parents? What is your first memory of music?
I remember my parents had Whitney Houston’s first album when it came out - and I have this vivid memory of being about five and dancing in the living room with these girls my mom babysat. I lost my mind and felt entirely free in that moment.
I guess it was probably How Will I Know, as that’s the most dance-y but, really, that whole album has a very special place in my heart. I’ve been looking for that moment of freedom and musical connection ever since.
Have you got any gigs coming up? Any plans on coming to the U.K.?
Doing some shows this side of the world in the next little while but I definitely have my eye on the U.K. and Europe – so, fingers-crossed, I’ll be there before long.
Who are the new artists you recommend we check out?
I live in my little box where I don’t see too much of what’s happening musically these days but my friend, Matty Tavares - who produced some of the record - just released the first single, Embarrassed, off of his new album.
Hmmm…also, Charlotte Day Wilson is another Toronto artist making some beautiful stuff right now.
IN THIS PHOTO: Charlotte Day Wilson/PHOTO CREDIT: Devon Little
What is the advice you would offer to new artists emerging?
I’d say: do your best to connect with and develop your own intuitive sense of the music. Work at it and be as honest as you can with yourself; yet, gentle with yourself at the same time.
You’re not going to be amazing at certain things at first but, if you cultivate the connection between your heart and your music, one day, hopefully, you have a garden full of beautiful flowers.
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PHOTO CREDIT: Anthony Tuccitto
Facebook:
https://www.facebook.com/benjaminstevie/
Twitter:
https://twitter.com/BenjaminStevie?lang=en
Instagram:
https://www.instagram.com/benjaminstevie/
Spotify:
https://open.spotify.com/artist/06ZVnBRVWngP7hMjnJsWRq
SoundCloud:
https://soundcloud.com/benjaminstevie
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INTERVIEW: Shanghai Blues
INTERVIEW:
Shanghai Blues
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THERE are a lot of bands out there; most of whom are described as…
PHOTO CREDIT: Ant Adams Photography
‘promising’ and ‘worth your time’. This can, in a lot of cases, by hyperbole and myopic. When it comes to Shanghai Blues; those words would fit them comfortably – I have no doubt they will make strides very soon. I talk to them about the single, Those Three Words, and what it is all about. They tell me how they have developed as a band and the importance of East London as a base.
Looking ahead; the guys discuss their plans and gigs; look back at the artists that have made an impact on them and provide a couple of names we should be aware of – those musicians that will be making an impact very soon.
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Hi, guys. How are you? How has your week been?
Great!
Loving the reaction we're getting for the new single.
For those new to your work, can you introduce yourself, please?
We are just four guys from East London.
We drink beer, eat chicken and play really fuc*ing loud.
You have been around for quite a few months now. How did you all come together? Can you remember the first song you laid down as a group?
We all met at school but played in different bands growing up. We decided, last year, to all come together and give it a go - and we're-super excited about how it’s going. Some of those early songs are not worth remembering!
Sick was one of those very early ones that made it out there!
Where does that band name, ‘Shanghai Blues’ stem from? Does it hold cultural and personal significance?
It’s homage to a dingy Chinese restaurant that is, sadly, no longer with us. That’s about as significant as it gets.
Those Three Words is your new single. Can you tell me about the origins and what compelled the single?
The song revolves around a broken heart reminiscing (of) ‘when things were easier’ - when it was just the protagonist and their partner. All the songs we write are very personal to us but this one, in particular, was written from a broken heart within the band.
How easy was it putting the song together? Did it flow naturally or was it assembled over a course of days/weeks?
Once we had the main guitar part down; all the other instruments fell into place - as well as the lyrics - so it was one of the more natural songs we've written.
Oz Craggs produced and mixed the song. What did he bring to the recording in terms of guidance and talent?
Oz is a fuck*ng gun.
We always have so much fun with him in the studio. One thing he did bring was a sweet new sofa. Anyone who's been in with Oz knew about the bench. Haha.
Aside from that, we always find him so easy to work with and everything happens very naturally. He gets us and our sound.
Working with him has influenced a lot - down to what guitar pedals and amps we use.
Your social media numbers are growing. Your fans seem to connect with your music. How much does that mean to you?
It means so fu*king much!
I don't think we really knew what to expect when we started the band – but, to see the reaction from so many people, from all over the world, is great.
We've always got time for the fans so hit us up!
Critics are really pushing the music. That must be humbling getting such acclaim, right?
It's great to have a positive reaction to the music - whether its critics or not. We just want to make music we enjoy and, if other people enjoy it, too, that’s even better.
Is Those Three Words the catalyst for an E.P. or album? What do you guys have planned?
We may or may not actually have another single coming veryyyy soon.
Keep your eyes peeled!
Can you reveal the sort of bands and artists you grew up listening to? How important was music to all of you during childhood?
I would say we all have a pretty eclectic selection of music that we grew up listening to - from Grime to Metal.
Nothing is ever set in stone and I think that’s been a big influence on our style and music.
How inspiring is East London – where you are based – to your creative drive? Is it providing a lot of gig opportunities for the band?
I think East London has influenced us and inspired us in different ways.
We all grew up and still live here, rehearse here; get battered here. There isn’t much of a music scene here to be totally honest - but you’ll always find little hidden gems now and then!
What kind of tour dates do you have approaching?
Can’t give away too much, but we’ve got a massive show that we’ll be announcing soon - going to be our biggest one yet!
PHOTO CREDIT: Ant Adams Photography
Who are new acts you recommend we check out?
Our boys in Glass Peaks are slayyyying it at the moment.
Obviously, if you haven’t seen what J Hus has done - you should deffo check him out.
IN THIS PHOTO: Glass Peaks/PHOTO CREDIT: Ant Adams Photo
If you had to each select the one albums that mean most to you; which would it be and why?
Reece: Probably Grace by Jeff Buckley
It (just) has so much feeling and emotion.
Mike: Never Mind the Bollocks… by the Sex Pistols
The first record I ever owned and, the second I put it on, I knew that all I wanted to do was music.
What advice would you give to artists coming through right now?
Keep going and don’t give up. It’s a long, hard journey that we’re only just starting out on ourselves - but it’s so worth it.
Finally, and for being good sports, you can each name a song and I’ll play it here (not one of yours as I’ll do that).
Reece: Jay Som - The Bus Song
Mike: Nilüfer Yanya - Keep on Calling
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INTERVIEW: Robot
INTERVIEW:
Robot
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THE moniker might suggest an artist who detaches emotions from music…
and creates something processed and calculated. That couldn’t be further from the truth with regards Robot. Its ‘creator’, Robbie Moore, started like in the U.K. but is now based in Berlin. I ask him about that transition and whether life is better over in Germany – and how, having his own studio, he gets to welcome a variety of interesting musicians.
He talks to me about his forthcoming album, Vedgdbol, and whether it differs from his previous, 33.(3) – if new components have come in or there has been an emotional transformation. I was interested to know more about his most-recent video, Bones – from the 33.(3) album – and whether visuals (it is a very arresting film) are important to him.
ALL PHOTOS (except album cover): Elsa Quarsell
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Hi, Robot. How are you? How has your week been?
It's been pretty crazy.
Finishing off Jesper Munk's new album while trying to learn how to make an animation for my next music video - stop-motion, Terry Gilliam-style; using bits of paper instead of the computer (why do I always make life so difficult for myself?!).
For those new to your work, can you introduce yourself, please?
My name is Robbie Moore and I try to make melodic, intensely-emotional Pop music (using wooden instruments).
I am also very interested in human emotions and the way that people behave as a result. It's, as though, our brains are somewhat robotic in nature: following the programming that our emotions set out.
I find it endlessly fascinating and I try to put my observations of myself and people dear to me into my music.
On 27th October, you release the album, Vedgdbol. What can you reveal about the type of songs and themes explored on the record?
My first album, 33.(3), took me a long time to make. I played pretty much everything myself; locked in my studio - whenever I had a break in my schedule. I'm very proud of that record, but for this one, I wanted to explore a more spontaneous and upbeat approach. I had an idea that it should be something like a 1960s' Dance record. So...I sat down for two days and wrote as many chord progressions and riffs as would come out - without spending very long on each one.
I ended up with forty sketches: some had quickly turned into proto-songs; others remained (just) a basic idea. Then, I booked some of Berlin's finest players for three days in the studio. I fed them the sketches (basically turning them into robots) and we rattled through fifteen songs in those three days.
I, then, spent a further three or four weeks myself - writing vocals, overdubbing more instruments; editing and finally putting the finished album together. I think the concept worked well and I'm already planning the next album which will take it a step further! You'll have to wait and see, though!
Thematically and lyrically, this one deals with the pressure that artists feel when having to find a meaningful outlet for brains - which are very often completely overloaded with emotion - as well as social themes like gender identity and finding your place in the world.
Bones is the first single from the album. What is the story behind the song and will there be more singles from the album?
Actually, Bones was on the last record!
The first single (end of September) will be called Anybody Else (But You).
What was it like making the video for the song? Do you get quite involved with every stage of a video?
Well, the Bones video involved me being covered completely in black latex body-paint for ten hours - while my friend Armando Seijo painted a skeleton on me!
As I mentioned before; the video for my next single, Anybody Else (But You), is an animation...very time-consuming but I'm very interested in the art-form; so I'm enjoying the process.
I do generally get very involved in this!
What is the origin of the title, Vedgdbol?
The title, Vedgdbol, came from the feeling I often have that the pressures of life's work and art are turning me into a metaphorical 'vegetable'. It's an English saying: describing somebody who's brain doesn't work too well. I wanted it to be spelled wrong, too - as if I couldn't write it properly anymore.
I figured I would ask my six-year-old son to help me - and that's how he spelled it first time...so that's what I used.
I think it's perfect.
How does your new record, released less than a year ago, differ to 33.(3)? Have you taken in new influences and gained more confidence in that time?
Well. I'm definitely more confident.
As I said; the last record took a long time and it was such a relief to finally finish it. It can become a real nightmare when a piece of art takes too long to accomplish...like a writers-block, times-one-hundred! I'm feeling pretty inspired and motivated right now. I think there's a lot of stuff that's been waiting to get out!
On Vedgdbol; you embrace more of the 1960s/Garage sounds. What compelled a bit of a sound change?
I've always loved that kind of aesthetic and I wanted to see what would happen if I tried to start off in that style - and then bring in my natural more thoughtful stuff on top. I also see 33.(3) as the birth of the 'Robot' character...all those songs are written from an extremely innocent standpoint: like a child is observing the human race and is able to keep notes on their behaviour.
I see Vedgdbol as the Robot becoming a teenager: letting its hair down - but, the experience of living as a human is beginning to take its toll! Plus, I wanted to have some more upbeat songs to play live. I think it makes a pretty interesting set now.
The songs from 33.(3) have a new lease-of-life as we play them with a new type of energy, too.
Who are the artists you grew up on and compelled your move into music?
I was always obsessed with The Beach Boys as a kid...then The Beatles, Bowie; all the usual stuff. I've always considered myself a student of songwriting, primarily. I was never interested in musicianship, really. I always felt that the biggest challenge was the writing process - so that's what I spent my time practicing.
I can play a lot of instruments in an emergency but I don't know any scales or any music theory. It keeps it mysterious to me, which I like – and, also, forces me to use my ears!
Robbie Moore is your real name. You started life in Britain but are in Germany now. What compelled the move and how do the music cultures differ between the two nations?
Britain is a difficult place, artistically, these days - especially London.
It's way too expensive to allow a relaxed artistic approach – and, as a result, the music scene is extremely cluttered, desperate and self-conscious. I had an idea that I could, possibly, get something good going in Berlin; so I took a chance...and it paid off, really. I've been way more productive since living here.
It's a wonderful place for the mind; very little judgment from others; everyone has a spirit of adventure - the opposite to London, I'm afraid!
I believe you have seen a lot of bands come through the doors of your Berlin studio. What is it like hanging with cool bands and do you have any favourite memories?
In many ways, it is a total dream-job: people come to work with me, specifically because of the little musical niche that I occupy - which means, I generally get to do a lot of playing and I'm generally really into the stuff that I work on. As a result; I usually get on well with the people I work with. It is, also, sometimes very challenging, though!
Helping somebody to realise their artistic vision in the studio can be a tricky process. There usually isn't too much money around for people to spend months in the studio; so we have to work quickly.
But, as hard as it can be...I do love the challenge! The relationship between artist/producer/musician in, the studio, is an incredibly intense one - very good, deep friendships can be quickly formed. You become like a family for a brief period of time, and, of course, often those friendships last after the job is done!
Recently, I've done things like the new L.A. Salami album. He's brilliant and getting a lot of attention at the moment. Also; the new Jesper Munk album...it's sounding really amazing - very excited about that one!
Are there any gigs/tour dates coming up at all?
We are doing a tour with Jesper Munk and Lary in October (15th - 18th): Munich, Hamburg; Cologne and Berlin...and then some more dates in November in support of Vedgdbol's release.
Who are new acts you recommend we check out?
Check out L.A. Salami!
IN THIS PHOTO: L.A. Salami/PHOTO CREDIT: Ken Abrams/ What's Up Newp
If you had to select the three albums that mean the most to you; which would they be and why?
Probably Pet Sounds
Because it combines unbelievably creative songwriting with a bunch of studio musicians at the top of their game - all playing live together, very inventive instrument combinations; topped with the best vocal arrangements The Beach Boys ever did.
Then...Hunky Dory
Because it was (just) at the perfect moment between 'Folk (David) Bowie' and 'Glam Bowie'.
Then, probably, Marquee Moon by Television
Just…because!
What advice would you give to artists coming through right now?
Don't do what you think you ought to do.
First: make yourself as weird and crazy as you can; push yourself into an unknown place; challenge your own ideas of what music can sound like (it can sound like anything). Then, afterward, sift through the chaos and try to guide your favourite bits back down to Earth - to live as a human moment on record.
Finally, and for being a good sport, you can name a song and I’ll play it here (not one of yours as I’ll do that).
How about Mack the Bomb by Pete Seeger
Seems appropriate somehow - which is a shame - but it's an amazing track!
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INTERVIEW: IIDimensionz
INTERVIEW:
IIDimensionz
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BEFORE being a congratulator: I have to be a prevaricator and critical instigator…
of the IIDimensionz boys. I’m sure that’s a flow they can appreciate – apologies for syntax and grammar fracture - but Nathan and Jermaine have, in my mind, created something interesting and original with Closer – a summer-ready banger than samples/is influenced by Rosie Gaines’ smash, Closer than Close. The lads have a huge connection (being cousins) so I hope they put more images on their social media - and transfer them from Instagram to Facebook. One of my ball-busting demands is for musicians to become more aesthetically-minded so, luckily, they project interest and physicality in their music...
I talk to them about their latest song and what we can expect from their forthcoming E.P., Love from Above. They open up about their musician dads and their influence; the importance of East London and how they manage to mash old-school magic from the 1980s and '90s - with the modern-day sounds of Funk and Dance. They are an interesting and ambitious duo that is ready and primed for future successes...
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Hi, guys. How are you? How has your week been?
Nathan: Hi. Thanks so much for having us!
We’ve just been busy promoting this single - and in the studio, as well.
Jermaine: Hi! We’ve been great, thank you.
Yeah. Just working a lot.
For those new to your work, can you introduce yourselves, please?
Nathan: I’m Nathan Williams.
Jermaine: I’m Jermaine Williams, and together, we’re IIDimensionz.
Closer is the new single. Can you tell me what it is all about?
Nathan: Well. It’s about a relationship I was previously in. Such a complicated situation where we never actually fell in love but we spent a lot of time together; enjoying each other’s company and just creating memories together.
I’m thankful that it ended on a positive note, though!
It samples Rosie Gaines’ famous song, Closer than Close. What is it about that song, and Gaines, that made you want to sample it?
Jermaine: When Nathan and I create music; the main aim is to create a sound that bridges the gap between old-school and new-school music.
Closer than Close was one of our favourite Garage songs from the '90s growing up - so we just reworked a short segment using that famous melody - it all happened so naturally.
Nathan: Yeah. As Jermaine said; we grew up listening to that track and it’s an all-time classic. We grew up in an era where Garage was quite a dominant genre in the house-party scene. With Jermaine D.J.ing at house parties; it was always a favourite to be played.
Plus, Rosie’s voice, melodies and vocal range were just phenomenal!
Has she heard Closer yet? What does she think of it?
You know what; we’re not even sure!
If she has listened to it, I think she would enjoy it and be proud of what we’ve done with our interpretation of the song. So, if you’re reading this, Rosie: take a listen if you haven’t already and shout us!
*Both laugh*
I get the sense you two love 1980s and '90s R&B/Pop. What is it about those decades and genres that appeal to you?
Yeah. So, I was brought up on '80s Motown, Funk; rare Groove – that real old-school sound – by my father.
So, that was my foundation. It also helped me to become a better and more versatile drummer.
Jermaine: I was mainly brought up around 90s' R&B by my father - so that played a heavy part in the musical side of my journey.
Nathan: We both love their musicality and truth in their songs. Plus, the music was always positive and had a vibe to it that made us bust a move!
*Laughs*
Love from Above is the upcoming E.P. What kind of songs and stories will one discover on the E.P.?
Love from Above is all about bridging the gap between old-school and new-school – so, the 80s' Funk/Motown and 90s' R&B meeting the new-school R&B, Hip-Hop and Funk sounds.
We share our experiences through our lyrics. It’s just a feel-good body of work.
Jermaine: Hopefully, you guys feel the same way about it - when you finally get your hands on it!
Mark Asari and rapper Nick Brewer appear as vocalists. How did you come to meet them and what did they bring to the EP – in terms of style and dynamics?
Nathan: Well. I knew Mark from playing as a drummer for a Gospel group - and he was their backing singer at the time. I always took a liking to his vocals so he just came to mind when thinking of a singer to feature on this record.
Jermaine: Yeah. Nathan suggested Mark when we were thinking of singers. Nick, we knew through the church/Gospel circuit.
He actually went to the same secondary school as us, as well! So, that just added extra musical chemistry between us.
Nathan: Yeah. They both brought their unique vibe to the record. You know they’re so talented but what made it even more special was the fact that we all understood what the end goal was.
Based in East London; can you tell me how you formed IIDimensionz? As cousins, have you always shared a love of music?
Jermaine: Yeah. So, obviously, we’re cousins – our fathers are brothers.
Our fathers are both musicians - as well being involved in the music business. Nathan’s dad plays bass and my dad plays guitar.
My dad had a studio at home and was constantly rehearsing for shows – so, growing up around that inspired the both of us to find a deep interest and take a serious liking to music.
Nathan: Yeah. It happened very organically. Timing was everything.
We spent a lot of sleepless nights in the studio trying to figure out how our sounds would blend. But that soon took shape and, boom, it just clicked! That was the day that direction and passion both gelled together perfectly.
How instrumental were your dads and their music tastes? They both work in music. Do they still give guidance and support?
Jermaine: They were very instrumental – to say the least!
As we mentioned earlier, they introduced us to the whole world of music and classic records. Timeless music.
To this day, we still listen to it. We do still get influenced by it and vibe with their music.
Nathan: With guidance and support, they are extremely supportive.
My dad is our manager so he’s there to guide us every step of the way – keep us in line, as well! *Laughs*.
But, yeah, both of our fathers are so supportive and push us to be the very best that we can be.
Of course, as a production duo, you take care of everything yourselves. How important is it having that control over your work?
We wouldn’t say everything: we have to give credit where it’s due - we have a good friend, Nathaniel Ledwidge. He mixed our records. The artists you hear - as vocalists on the records on the E.P. - as well; they all contributed individually in their own unique way.
But, as for production and the general consciousness of our duo; we love to have creative control to a certain extent.
Jermaine: We do love to learn and take constructive criticism as well.
At the end of the day; that’s how you progress and improve your craft.
Are there any tour dates later in the year? Where can we see you perform?
Nathan: Yeah. That’s all going to happen.
For now, we’re just focusing on rehearsing for live shows and preparing for live performances.
Jermaine: You can stay up-to-date with all of this information by following us on social media - mainly our Instagram page (@2Dimensionz) - for our latest information.
IN THIS PHOTO: Tom Misch
Who are new acts you recommend we check out?
Nathan: We recently listened to a guy called Tom Misch - and his track, South by the River.
I’m not too sure if he’s up-and-coming but he’s new to us; he’s dope! Would love to collab. with him.
Jermaine: SZA, as well.
She’s real cool; great artistry!
IN THIS PHOTO: SZA
If you each had to select the album that means the most to you, which would it be and why?
Michael Jackson – Off the Wall
M.J. has been an influential artist throughout my life growing up - and there’s just so much that I take from that album.
Nathan: I’d say Marvin Sapp – Greatest Hits
Simply because each song speaks to me. It reminds me and lets me know how God sees me and values me and who I am in him.
It’s important for us both, really.
What advice would you give to artists coming through right now?
Nathan: Remember that your WHY is far more important than WHAT you do.
Remember that you’ve been gifted with life on Earth to make a change for the better and, through your gift/skills that you’ve been blessed with, you have the greatest opportunity to succeed!
Jermaine: Never give up or take ‘no’ for an answer!
If you get knocked back; just keep a strong faith and believe that this isn’t the end.
Finally, and for being good sports, you can each name a song and I’ll play it here (not one of yours as I’ll do that).
Jermaine: Aaliyah – Back & Forth
Nathan: Michael Jackson – Rock with You
________
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INTERVIEW: Vivienne Chi
INTERVIEW:
Vivienne Chi
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ARRIVING in the U.K. and laying down her mark as…
one of the most intriguing new artists on the block; I speak with Spanish-born Vivienne Chi about her move to Britain and whether, having come to a new country, there is a sense of displacement and identity struggle. Her songs deal with issues such as this and JUNK – always dislike an upper-case song-title, but there you go! – so I ask about the song and what compelled its creation.
She talks to me about her influences and how important London is to her; the music she grew up with and, with new material in her pocket, whether we can see her perform in the near-future.
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Hi, Vivienne. How are you? How has your week been?
I’m great, cheers.
Could do with some sun, sand and sea.
For those new to your work, can you introduce yourself, please?
Hello. I’m Vivienne Chi.
I’ve been writing music for about ten years; working with different artists producers and musicians. It’s been an amazing, tough industry - but I’m embracing that aspect of it.
I’m a bit of a loner: keeping the creative flow going is my constant goal. I’m really enjoying where I’m at the moment; putting songs out there and moving on to the next…
What is the story behind the single, Junk? Tell me more about it…
Junk is about the balance between freedom, happiness and madness.
As humans, we have delicate relationships with our minds, mental health and a responsibility for our own mental hygiene. I think we also put ourselves under immense pressure to earn, work; socialise, follow the rules; break the rules, be cool; be relevant - and it’s never-ending. I remember watching a homeless lady in Camden who appeared mad - but also free and happy.
Maybe a little madness is the answer? Who knows?
In terms of sound; how would you say the song differs from the single, Vivienne? Did you make any big changes in terms of style and approach?
I’m lucky enough to work with an amazing producer called Harry Tarlton. We get each other, creatively.
I wanted gypsy-liberated layered noise, pots and pans; festival sounding with big drums…to reflect the idea of the song….like theatre; a story.
Vivienne was the same in the way it has an aggy chorus and a delicate verse - to sync. with the dual -personality of the song.
Your songs talk about belonging and personal realisations. Having moved from Spain to the U.K.; do you feel you struggle with identity and your place in the world?
Absolutely.
Especially, trying to get into the music industry - where you are rejected and questioned and pick apart ALL the time. It messes with your head. When I moved back from Spain, I knew no one in London - so had to start from scratch - I grew up fast. I’m naturally a shy person, so it was tricky.
I’m at the point now where I’ve found some amazing people to work with (and friends). I’m just doing my thing and loving it.
What compelled the move from Spain to Britain? Is there a marked difference between the music scenes in both nations?
I moved from a small town in Spain where there was no opportunity for music for me - apart from bar gigs.
London is completely multicultural with so much to offer, music-wise. I knew I’d learn a lot and get something going much easier here.
How important is London and its heartbeat to the rhythm and dynamic behind your music?
I keep saying I’d like to get out one day but I’m basically sucked in now!
All my work, friends (everything) is here and I travel enough for London to stay fresh. I know so many people putting on nights, making amazing stuff happen - it’s hard to leave.
The people I work with have been conditioned, musically, by London - the standard is so high that I’ve been able to make some good music.
When you arrived in London, you had to juggle working various jobs with recording. Do you still need to do that or have things got ‘easier’ since you starting getting attention?
It’s a case of spinning plates: keeping different projects going; staying in the loop.
I’ve never had a nine-five so I’m used to being proactive. I guess things have gotten easier, yes…my time in London has given me the chance to establish myself as a performer.
How important are those plaudits and praise to your passion and determination?
It’s really amazing to hear lovely compliments. It does mean a lot to me.
I do music to feed my soul but I also want people to feel it and like it and identify with it. I’m putting parts of my life down on tape - including my struggles. If I can, in some way, help someone who’s having those same troubles then that’s amazing.
Can you give me an indication regarding the artists who you grew up with? What kind of music did you hear as a child?
Prince, Massive Attack; Leftfield, Kate Bush; Jeff Buckley, Björk; Lauryn Hill, Erykah Badu; D’Angelo, ZZ Top; Portishead, Layla Hathaway and De La Soul
Is there an E.P. or album coming in the future? What does the rest of the year hold?
I’m putting out an E.P. towards the end of the year…
What tour dates do you have approaching? Where can we come and see you play?
I’m not playing live until next year…
I’m independent, so I have to manage my time really carefully. I’m going to focus on this E.P. release.
Then, next year, I'll do the festivals …
Who are new acts you recommend we check out?
I’m obsessed with a band called Honeyfeet. I think they’ve been around for a while. I caught their set at Wilderness festival and then Boomtown. The front-lady is out-of-this-world-incredible. Her voice is something else.
I‘m also listening to Julia Jacklin, BADBADNOTGOOD and Methyl Ethel.
If you each had to select the three albums that mean the most to you; which would it be and why?
Lenny Kravitz - Mama Said
The first album I owned. My cousin bought it for me. I was so thrilled.
Prince – Diamonds and Pearls
Changed my life.
D’Angelo – Voodoo
For obvious reasons.
Lauryn Hill - The Miseducation of Lauryn Hill
I sang, sang (and sang) to this album. Fave track: Tell Him.
What advice would you give to artists coming through right now?
Dig deep, keep creating; don’t rush to put music out. Wait until you’re one-hundred-percent happy with it.
Work hard. Exercise!
Finally, and for being a good sport, you can name a song and I’ll play it here (not one of yours as I’ll do that).
Lover, You Should’ve Come Over – Jeff Buckley
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Follow Vivienne Chi
Official:
Facebook:
https://www.facebook.com/viviennechimusic/?ref=br_rs
Twitter:
https://twitter.com/vivienne_chi
Instagram:
https://www.instagram.com/viviennechimusic/
Spotify:
https://open.spotify.com/artist/4MTj2lUJ9Gg2J3WFyGFZrw
SoundCloud:
https://soundcloud.com/vivienne_chi
YouTube:
INTERVIEW: Cold Reading
INTERVIEW:
Cold Reading
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IF you’ve heard one Swiss Emo/Indie band…
you’ve probably been listening to Cold Reading. There might be another one but, given they have unique real estate, I was interested finding more about the boys. Books & Comfort is the latest song from the powerhouse collective – taken from their forthcoming E.P., Sojourner. They guide me through its creation and inspiration; talk about some of the music (and books) that inspire them and how the remainder of 2017 is patching out.
I talk to the chaps about their European success and, consider they have played in the U.K., there is any intention of returning anytime soon. They provide background on their latest single and the emotions and dynamics that feed into their unique blend.
________
Hi, guys. How are you? How has your week been?
Marc: Hey. We’re all fine, I guess.
Very exciting to release the first new music in two years, of course.
For those new to your work; can you introduce yourself, please?
We are a four-piece rock band from Lucerne, Switzerland called Cold Reading.
Our sound can be placed somewhere between Emo, Indie and Alternative Rock - and we formed in 2014.
We've got Mike on Vocals/Keys, Chris on Guitar/Vocals; Arthur on Bass/Vocals and Marc on Drums.
Can you tell me how you got together in the first place and where the name ‘Cold Reading’ came from?
Chris: I’ve known Mike for years now and we’ve played together before. Arthur and I met later and played together in a band called Face the Front. Then, we met Marc at a show and formed Cold Reading - after the disbandment Face the Front.
After getting Mike on board; our current line-up was complete.
Books & Comfort is your new single. What can you tell us about the song and its meaning?
Mike: Books & Comfort was, actually, the last song we wrote for the new E.P.
We certainly meant it to be a rather fast-paced, to-the-point song and it was soon decided that it would be a fitting first taste/single. With regards its content; it’s a play of thoughts on the desire to slip into another body. There are times when you think all your problems can be solved by running away.
In the end, however, one has to learn how to deal with one’s weaknesses and try to change them into something positive.
I get a sense of battling against struggle and finding a positive outlook on life (from the song). Was there a particular occasion or moment that inspired the song? Is it a track relevant and meaningful to all of you?
Yeah, you got that right.
As with many of our songs; the lyrics are simultaneously somewhat autobiographical and abstract. There was not a specific occasion that is being dealt with in the song - it’s more a processing of thoughts that I’ve had time and time again – and (about) how I’m striving to turn them into something more optimistic.
Arthur: While Mike is the lyricist - and certainly has the deepest connection to them - we certainly ‘feel’ them as well. As we are a very democratic and collaborative band, every song is a new baby for everyone – and, I think, Books & Comfort is absolutely a ‘relevant’ song in our limited discography.
Marc: Yeah. It’s probably my favourite song of ours (until now, at least).
Sojourner is your E.P. – coming out on 22nd September. Can you reveal any other songs that will appear on it?
Well. There will be four songs on the album.
One of them is the title track - of which you can find an acoustic version online already.
I rarely get to interview Swiss bands. What is the music scene like there and how easy it is getting your music out to the people of Switzerland?
Switzerland is a great country to play in regard to how well you are treated as a band.
It is so small, however, that there’s no point of actually touring only in Switzerland - at least not if you are a small band playing a relatively marginalized style of music (like we are). The scene is tightly-knit, though, so you can count on a loyal fan base and cool opportunities popping up - like supporting some bigger bands.
PHOTO CREDIT: Luke Bateman Photo
It seems Books & Comfort, already, has garnered attention from German, British and American sources. Is it quite surprising hearing your music being taken to heart in these nations?
It’s very flattering that the likes of New Noise Magazine, Mosh (Hit the Floor), Intro Magazine (and more) were kind enough to premiere or write features about our music.
We don’t take it for granted and are just excited about everyone who takes pleasure in listening to our tunes.
Your music, I find, has progressed and evolved over the last couple of years. How would you say it has changed?
We just like to keep challenging ourselves...
We do have a core sound and style that we want to keep playing. For example, we won’t abandon our beloved quiet-loud dynamics any time soon, I guess. However, we always try to implement out-of-the-box approaches, different synth and guitar sounds; varying song structures and the like.
Or, as is the case with Books & Comfort, we challenge ourselves to streamline a song - which is often even harder to do for us.
PHOTO CREDIT: Luke Bateman Photo
Who are the artists you all grew up listening to?
Chregi: Marilyn Manson used to be my favourite artist as an early-teen. Soon all the Emo bands - like Taking Back Sunday and Brand New - that were huge at the time took over.
Marc: I listened to terrible American radio Rock for far too long. I think La Dispute and Alexisonfire were my gateway bands to the realms of Post-Hardcore; '90s Emo and all that stuff.
Mike: When I was younger; I started listening to Punk-Rock. I was totally into NOFX, Propagandhi and all these melodic Punk bands. What I loved most about Punk-Rock was that everybody could do it. You didn’t have to be a pro. to do what you want.
Yeah, I loved this D.I.Y. ethic and it’s still part of me.
Arthur: Since my parents kept spinning The Clash and Buzzcocks records over and over again; I ended up being a big fan of Punk music - even before my teenage years.
I, then, soon got into all the classic Pop punk stuff like Blink-182, New Found Glory etc. which, somehow, led me to discover smaller Pop/Punk/Emo/Indie bands.
Have you any tour dates coming up at all? Might we see you in the U.K. at some point?
Marc: Apart from playing a few shows in Switzerland, we are heading out on a ten-day tour in October. Unfortunately, it won’t take us to the U.K. but we’re excited to be hitting France, Germany and, possibly, Austria.
We enjoyed our U.K. trip last summer and definitely plan to come back next year. It’s just difficult to handle with our jobs and university (and that kind of stuff).
Are there any new artists you recommend we check out?
I’m currently digging Backwards Charm: an Austrian band we became friends with.
The new Sinai Vessel record is great (even though they aren’t really new: they’re gaining some steam this year).
IN THIS PHOTO: Backwards Charm
Mike: I really dig Portugal. The Man’s latest album, called Woodstock. It’s my favourite of this summer.
Check it out, it’s great.
Arthur: The Tiny Engine-signed band Wild Pink released an album which definitely is, for me, an A.o.T.Y. (album of the year) contender.
There’s also a German band called Leoniden - who released a hell of a debut album this year.
IN THIS PHOTO: Leoniden
If you had to select the one album that means the most to each of you; which would they be and why?
Chregi: Brand New – Deja Entendu
It’s an absolute classic of the genre and easily my most-listened-to album. It’s still so great to jam it in the van.
Marc: It’s gotta be Death Cab for Cutie’s Transatlanticism
Not only is it an absolute masterpiece of melancholic Indie-Pop-Rock; it (just) holds a special place in my heart and takes me right back to the time and place when I listened to it religiously.
Mike: That’s a tough question...I mean, there are so many good records out there. But, if I had to pick one, I’d choose The Devil and God & are Raging Inside Me by Brand New
I love the whole idea behind the record. The profound lyrics still guide me through life.
Arthur: I’ll have to say American Football’s L.P. 1 (eponymous album)
It somehow made its way to my ears during a fitting period in my life leaving a big emotional connection toward its songs.
Also, given your literature-referencing song and band name; if each of you could only rescue one book from a burning building – bear with me on this one! – which would they be?
Chregi: City of Thieves by David Benioff
Marc: Jonathan Franzen’s The Corrections
Mike: The Dark Tower series by Stephen King
I read these seven books the fourth time in a row now - and every time I still discover new things.
For me, it’s just a masterpiece because it’s such a great mixture of genres and one of the greatest stories ever written.
What advice would you give to any new artists starting out right now?
Marc: I don’t think we are really in a position to answer this question satisfyingly.
It’s a game with so many factors in it and only one-in-a-thousand will make it big - so you might as well just do what you want to; write the songs that you want to. Stay true to yourself and have fun. On a more practical note, it certainly helps if you show up at (local) shows - or even book and promote shows on your own.
You will make new friends, discover great bands and make connections that can help your own band as well…so it’s a win-win-win.
Mike: Make music because you love it - and don’t think too much about getting famous. Write songs and have fun.
Simply stay true to yourself.
Arthur: Marc already put in words what I’d have said perfectly….
Finally, and for being good sports; you can each name a song and I’ll play it here (not one of yours as I’ll do that).
Chregi: Manchester Orchestra – The Alien
Marc: Slowdive – Don’t Know Why
Mike: Portugal. The Man – Live in the Moment
Arthur: Leoniden – Nevermind
________
Follow Cold Reading
Official:
Facebook:
https://www.facebook.com/coldreadingband/
Twitter:
https://twitter.com/coldreadingband
Instagram:
https://www.instagram.com/coldreadingband/
Spotify:
https://open.spotify.com/artist/2hF1SQUkMYdZ35YogbA0iA
BandCamp:
https://coldreading1.bandcamp.com/
YouTube:
INTERVIEW: The Cuckoos
INTERVIEW:
The Cuckoos
________
THERE is something sickeningly envy-provoking about a thirty-something…
journalist interviewing a hot band whose eldest member is twenty-one! Not that I am jealous or anything but, putting aside the stress ball, I have been talking with The Cuckoos’, Kenneth Frost. He talks to me about the coming-together of the band and how their home, Austin, is championing their music.
The band’s eponymous E.P. was released in April so I ask whether there will be singles released; the artists/sounds that helped influence their sound and the gigs they have coming up.
________
Hi. How are you? How has your week been?
Good!
We’ve just been working on lots of new tunes.
For those new to your work, can you introduce yourself, please?
I'm Kenneth Frost of The Cuckoos.
Tell me how you guys got together and the inspiration behind the name, ‘The Cuckoos’. It sounds like you share a common viewpoint when it comes to music.
We met through various mutual friends and musicians around Austin - and we share lots of love for a lot of the same artists.
The name came from me (just) watching One Flew Over The Cuckoo’s Nest one day. I thought it had a good ring to it.
Classic Rock christened your music as “spectacular”. Is getting that kind of kudos encouraging?
Of course.
It's always nice to be complimented on our work.
Your eponymous E.P. was released in April. What kind of themes and experiences did you channel for the E.P.’s songs?
The songs were inspired by love, growing up; heartbreak…all the usual Rock and Roll stuff.
Are you planning any future single releases from the E.P.?
Yes.
We've got tons of music we're working on and hopefully we'll drop a new single real soon!
What has the reaction been like so far? Has it gone down pretty well with people?
People seem to dig it from what I gather.
The response at shows has been really encouraging. We’ll see what happens from here.
Austin is your base. What is the scene like in the Texan city? What are the best venues for a band like yours to play?
There's lots of cool venues for Rock and Roll groups - and Psychedelic bands - to play. The Electric Church is really groovy because they've got a killer light show. I like Hotel Vegas and Swan Dive a lot, too.
Looking at you – and hearing the music – one gets the impression of the 1960s and the classic artists of that time. What kind of music were you all brought up on?
We all listen to, and grew up with, tons of music from all over the spectrum.
At the time of the recording, I think we were very much on a late-'60s kick, for sure. But, I mean, we listen to everything from the Pixies, Kate Bush and Miles Davis to Joy Division, Chic and Pink Floyd.
We just love groovy music.
It seems you mix new artists like Tame Impala with the energy and prowess of The Doors – but have your own personality and sound. Was it quite hard getting that mix right?
I think, when we play, we really (just) try to have fun and just express ourselves. The music we like listening to definitely shows in that - and we're proud of our influences.
It's not really a mix we had to get right: we're just doing our thing because we love it and we like the way it sounds.
How was your first-ever SXSW experience - it sounds like that is the Mecca for any U.S. artist!
Well, we live in Austin so SXSW is always in our lives to some degree each year – but this year was great. We had a ton of fun, played some groovy shows; did a lot of interviews and stuff.
It was really cool.
What kind of gigs do you have coming up? Any plans on coming to the U.K. this year?
We just got back from England and then had a show in New York just a little while ago.
Other than that, we've just got some gigs planned locally in Austin - but I'm sure we'll head back over to England in the not-too-distant future.
Are there any new acts you recommend we check out?
I've been listening to Psychic Mirrors, Soft Hair and Ariel Pink a lot lately (they're new to me) but there's also a cool Psych. scene in Austin brewing up.
We just played a show with The Halfways and Sherry at The Electric Church - and those are a couple of groups with a lot of potential.
IN THIS PHOTO: The Millbrook Estates
There's also a band called The Millbrook Estates - formerly known as Roaring Sun - that is making some killer music…so check 'em out!
If you each had to select the one album that means most to you; which would it be and why?
I can't choose one.
I'd say it's a three-way-tie between Joy Division's Unknown Pleasures; Strange Days by The Doors and 1999 by Prince.
The first time I listened to each of those they blew my mind. The first time I heard 1999, I was visiting my mother for the holidays, and I woke up really early one morning at like five or six A.M. It was really chilly, so I put on a leather jacket and rode my bike around town as the sky went from black to a purgatory-like white; really listening to songs like Little Red Corvette and Lady Cab Driver for the first time.
It changed the way I look at music.
What advice would you give to artists coming through right now?
Work hard, do what you want; be respectful, have fun and don't be afraid to be a lil wild.
Finally, and for being a good sport, you can name a song and I’ll play it here (not one of yours as I’ll do that).
I've been digging Running Up That Hill (A Deal with God) by Kate Bush, lately
________
Follow The Cuckoos
Official:
http://www.thecuckoosaustin.com/
Facebook:
https://www.facebook.com/thecuckoosaustin/
Twitter:
https://twitter.com/TheCuckoosATX
Instagram:
https://www.instagram.com/thecuckoos/
Spotify:
https://open.spotify.com/artist/64iabHO8nawCxWlco2cH3z
SoundCloud:
https://soundcloud.com/the-cuckoos
YouTube:
INTERVIEW: The RPMs
INTERVIEW:
The RPMs
________
CHRIS Hawkins, he of BBC Radio 6 Music, has claimed Brighton’s…
The RPMs have “more hooks than a harbour”. That is a bold and old-world claim that I had to contest with the guys – just how many hooks can one band have?! The boys discuss Brighton and why it is the perfect place to brew their unique and arresting music; the skinny on their latest track, Things I Forgot to Do - and what we can expect in the future.
The band has released a tour schedule tease (video) and are preparing for some big dates. I ask about their inception and how songs form; whether they have evolved/changed since their applauded album, Digital Disobedience, and, given the choice, the one album (each) they would cherish above all else.
(The guys completed the interview a few weeks back but only just got the answers back - so don't be confused by the timeline!)
_________
Hi, guys. How are you? How has your week been?
Hey!
Very good, thanks. Yeah; we've had a brilliant week as we're playing ButeFest 2017 and just come off the road supporting that great bunch of guys, We Are Scientist!
For those new to your work; can you introduce yourself, please?
Jack Valero - Frontman and Guitar player
Miguel Comse - Bass and B.V.s
Callum James – Drums
Give me the lowdown on the new single, Things I Forgot to Do. What is it all about?
This song is about that universal feeling of struggling...
As soon as you feel you have a grip on things, something comes along to knock it all down or you miss something crucial that throws everything out of whack. It's a feeling we can all relate to - but I think it's particularly prevalent in our age group. Young people slowly trying to figure out who the hell they are - and where their place is in it all.
It can be a very confusing time but also an exciting one, thwart with adventure and creativity.
The E.P., Agents of Change, was released in April. What has the reaction been like to it? Will there be more releases from it or any new material later this year?
The reaction's been good...
I think there's a lot of young people out there who are worried about the same things we are and want to talk about them. Especially now, when our generation is feeling more and more isolated with society: berating us so-called 'millennials' for being lazy, entitled and without purpose - when it couldn't be further from the truth.
So, there's a whole generation out there looking for something to latch onto that belongs to us - and connects us like the Internet has.
How do songs come together for you? Do you all write together or tackle it separately?
Well, sometimes Jack (the frontman) will come in with an idea and everyone will then add to it and build around it…but, it's becoming more and more collaborative as we go on, which is brilliant - cos you always get the absolute best stuff when working together.
Digital Disobedience was your much-lauded debut. How do you think your latest E.P. differs? Are you more confident and different from when you started out?
Yeh. We've made a conscious decision to change and try new things every time we've gone to record.
Like, Digital Disobedience was all loud guitars and angry teenagers: whereas Agents of Change has a slightly more mature approach - with more focus on hooks and production. We all feel it's very important creatively to step out of your comfort-zone as you can discover so much more about yourself and your ability - and keeps your creative mind fresh with new challenges.
We were very inspired by David Bowie's approach towards creativity as he would always be challenging himself (and it seemed to work pretty well for him).
Chris Hawkins (BBC Radio 6 Music) says you have “more hooks than a harbour”. That must be pretty flattering. Can you quantify just how many hooks you do have?!
Ha ha! Yeh. We all love that quote - we all shout it out now when we're on tour. It's our 'toppa-most-of-the-poppa-most'!
It's hard to really quantify every hook - as some of them the listener isn't even supposed to be aware of - they just love the sound or want to start moving.
What 'makes' a hook can be different for different people: it's the wonderful intangible nature of music!
But, in short, the answer is…lots.
Brighton is where you are based. How influential is the vibe and buzz of the city when it comes to your music?
Brighton is our home, sweet home and we absolutely love it!
There's just nowhere else like it in Britain. You can feel the creative and enthusiastic vibes oozing out the walls and through the streets. It's had quite a big influence on us as everything new comes through here and it's full of all sorts of new young upcoming artists - so our music began to take a far more contemporary style.
Also, where we've started to focus far more on beats - which Things I Forgot to Do is a particularly good example - is due to the fact there are quite a few Funk and Dance kind of bands around that people just wanna dance all night to in the clubs.
But, Brighton has such a diverse music scene that you just end up taking inspiration from everywhere.
Are there a lot of bars and venues down there for bands to play? What is it about the city that you all love so much?
Ha ha! Yeh; just a few.
We've got pubs, bars; clubs and theatres up the wazoo! Wherever you go, on any day: there's gonna be something happening - normally music-based. That's the beauty of it: there's always something going on.
It's just alive all day, every day.
Even if a shop closes: a brand-spanking-new one will pop up in its place a week later - selling something crazy like vegan dildos or something. It's such a forward-thinking place with one of the biggest Gay Pride parades - and they're now just finishing up one of the biggest wind farms in Britain; just off the coast.
The people here are always so proactive and turned-on. If you see something on the news, you'll probably see people picketing about it the next day.
Music is everywhere, on every street corner: in every venue to even just drifting out of someone's window. We wouldn't wanna be anywhere else right now.
You are all so young but have accrued plaudits and great gigs. Does it feel daunting or have you sort of got used to the popularity and acclaim?
Ah, thank you so much. Stop it! You're making us blush!
Yeh, it can be very daunting when you get big gigs come through that you know you need to go really well; but I think we've gained enough experience now that we can handle most things that might come our way.
We all know we can rely on each other as well to deal with anything big and daunting.
Camden Rocks and Isle of Wight Festival were two big gigs this year. What were those experiences like?
Fantastic.
Camden Rocks is always jumpin' and we always have fun there…and Isle of Wight was a first for us - but we had a great time as it's a really well-run festival and we got to hang out with some music friends of ours, Asylums and The Strypes.
We actually had a few of The Strypes (boys) see our set and the bass player Pete O'Hanlon come over after and tell us he really enjoyed it.
IN THIS PHOTO: The band with James Peter Hunt at Isle of Wight
What upcoming gigs can you tell us about?
Our next lot of dates are The Big Feastival on August 26th; RivFest on September 2nd and Radar Love on September 7th!
Looking forward to all of them - because we love getting out and playing everywhere as much as possible. So, this time, getting up to ButeFest will quite the adventure. 110 Above: looking forward to being a part of such a brilliant lineup; Big Feastival is (a festival) run by Jamie Oliver and Alex James from Blur - so we're hoping there will be cheese and a healthy school dinner on the rider!
Radar Love, the brilliant club night in Derby; RivFest 2017 is special to us as it was set up to honour the memory of River Reeves - and the members of Viola Beach and their manager, who tragically lost their lives last February - and we had the honour of playing their first year.
The River Reeves Foundation is already doing amazing work in Warrington to support young talent with the money raised - and we're proud to have been asked back to play again this year.
IN THIS PHOTO: Berries/PHOTO CREDIT: Michele Britton
Are there any new artists you recommend we check out?
Black Honey: Brighton lot, too; hung out with them a few times around town.
BERRIES: great all-girl three-piece with a great combination of hooks and Punk rawness.
Rex Orange County: particularly the track, Uno - which has some amazing and really poignant lyrics.
And…Cabbage: saw them at Glastonbury; was very impressed and even got to meet them after - and they were a great bunch of guys.
IN THIS PHOTO: BERRIES
If you each had to select the one album that means the most to you; which would they be and why?
Jack: The Rise and Fall of Ziggy Stardust and the Spiders from Mars by David Bowie
Because it helped me get through my latter-school years and showed me a world outside (of it) filled with possibilities.
Callum: AM by Arctic Monkeys
Because it taught me not to be afraid to mix traditional Indie with other types of music - such as Rap and Dance etc.
Miguel: Heartbreaker by Ryan Adams
Because it inspired me to start writing my own songs.
What advice would you give to any new artists starting out right now?
I don't know if we're in a position to really give out much advice, yet…
But, if we would say anything, it would be to be ready for the long -haul and always keep pushing - and always try new things out of your comfort-zone.
Getting stuck in one thing and one place is the biggest of killers when it comes to advancing as a musician and creative.
Finally, and for being good sports; you can name any song and I’ll play it here (not one of yours as I’ll do that).
Fantastic.
Can you please play There She Goes by The La's - as it's one of our favourite songs and we wished we'd written it.
_________
Follow The RPMs
INTERVIEW: Steve Rodgers
INTERVIEW:
Steve Rodgers
________
QUITE a few artists have some famous ties but when it comes…
to Steve Rodgers; he has quite a prestigious and illustrious background. His father is the legendary musician Paul Rodgers – his sister, Jasmine, one of the finest new artists in the U.K. He has seen his work praised by Jimmy Page and Roger Taylor. There is no doubt Rodgers has witnessed a busy and exciting start to his career: toured and performed alongside other artists and marked himself as one of those songwriters to watch.
I ask Rodgers about his new single, I Will Grow, and working with producer Ken Nelson; what to expect from his upcoming album and some of those artists he tips for future success...
_________
Hi, Steve. How are you? How has your week been?
It’s been great, thank you – how are you?
For those new to your work; can you introduce yourself, please?
I'm a singer/songwriter from the U.K. - who has just finished a new album with producer Ken Nelson (Coldplay, Snow Patrol; Gomez, Paolo Nutini) and mixed by Adrian Bushby (Muse, Foo Fighters)
I Will Grow is your new single. What can you tell us about its inspiration and what it means to you?
I was at a gig and the promoter’s girlfriend was a life-coach - and was asking for some music for her website. I felt that it had to be a piano song. I went home and wrote the song and sent it to her the next day.
It's about how 'life' can happen to all of us: no matter our background; it’s about how we pick ourselves up time after time; how we overcome our struggles. We either sink or we grow. We have to adapt and learn to succeed - even when life is being hard on us.
It’s about being triumphant in the face of adversity.
Ken Nelson produced the track. What was it like working with him?
It was great.
He is fantastic at getting the right sound. It’s exactly how I wanted to record the album: very organic, no Auto-Tune – what you hear is what we play. I love some of The Beatles' albums where every song had a different vibe - and that's what I tried to do with this album.
So, we have songs that are full-electric band: just a piano, recorded live; acoustic band or just a guitar etc. We recorded at Elevator Studio in Liverpool at a time when the city was having a celebration of music, too - which was great.
On every street corner, there was a piano left standing for passers-by to play. It was great to hear buskers, school-children; Classical, Jazz and Blues musicians; mothers and office workers creating music.
The video sees you in woodland, playing the piano. What was it like filming there and do you think the images/setting act as a metaphor for the song’s messages?
I was brought up there - so, it’s almost my back garden.
Yes; climbing a hill is a bit like life I guess: it’s enjoyable but can be hard at times – but ultimately growing and learning makes us feel alive.
PHOTO CREDIT: Jane Judd
Will the song form the basis of an E.P. or album? What is in the pipeline?
Yes, I have.
My first album, called Steve Rodgers, is being launched this October.
The likes of Jimmy Page and Roger Taylor have heaped praise on you. Is it quite scary getting that kind of kudos from legends?! Does it motivate you to keep recording?
No, it’s not scary.
It's a huge, huge compliment and icing on the cake to what I do already. To be out there doing what I love, and having an audience enjoy it, is what it’s all about.
Your dad is Free/Bad Company’s Paul Rodgers. Does your dad offer support and have you learn a lot from him, as a musician?
I've had to figure a lot out myself and I like it that way - because it means I've earned it. I have, of course, learnt a lot by just being around him - and hearing him sing and play at home; as well as on stage.
He's always been very encouraging. We recorded a charity song together called This Place Called Home - about all the steelworks shutting down in the U.K.
The money goes to Zoe's Baby Hospice in Middlesbrough - where my dad and family come from. It was great to watch him in the studio as an adult and see how focused he is on everything within the song.
I have met and reviewed Jasmine Rodgers. It seems there are a lot of very talented musicians in the family! Any plans to work with her anytime soon?
We have spent ten years in the same band, Boa; travelled and toured and recorded two albums – plus, done an acoustic tour together.
So, we have kind of done that already - but I think we would definitely do it again.
What was it like growing up in the family household? What kind of music were you listening to and did famous musicians often drop by for a cuppa?
It was how you would imagine...
Dad would be in the studio; my sister on the guitar (in her room) and me on the piano, downstairs. Earlier on, Dad had always tried to steer us both away from the 'business' as it can be tough. However, we would see him singing his heart out around the house or running upstairs with band members - and we thought: ''Hang on, he's having way too much fun here in this 'business".
I used to borrow dad's L.P.s and, so, I'd be introduced to whatever he had - like Albert King/Born Under a Bad Sign; Miles Davis/Tutu; Holst/The Planets – I remember I listened to a lot of Blues (for a thirteen-year- old: really old Blues, too) and I loved it.
Yes, we would often have famous people stop by: Jimmy Page, Peter Grant (Led Zeppelin/Bad Company’s manager); Bill Wyman and Bryan Adams - amongst the ones I can remember.
Your new work is, in my view, your most confident and memorable. How would you say you have changed and evolved since the early days – in your band, Boa, where you released two albums, for example?
Thank you very much.
I reckon, back then, I was more focused on how the music sounded – whereas, now, I feel I have something to say. I guess I felt lost for many years and wanted to find answers.
I think, like most of us, we're wondering what it’s all about - and is there a better way to live…to thrive rather than just exist.
So...it comes out in the songs along with heartbreaks and moments of real joy.
Where can we see you perform this year? Do you have any tour dates coming up?
Yes.
I'm really excited (to be) coming back over to play with my band on a U.K. tour.
OCTOBER
Friday 20th: The Bull Theatre, Barnet
21st: Cranleigh Arts Centre, Surrey
23rd: Waterfront Studio, Norwich
26th: The Diamond, Notts.
27th: The Globe, Newcastle
28th: The Salty Dog, Northwich
29th: The Cavern Club, Liverpool
30th: The Speakeasy (at The Voodoo Rooms), Edinburgh
IN THIS PHOTO: Jasmine Rodgers
Are there any new artists you recommend we check out?
No; just me! L.o.L
Yes. Obviously my sister, Jasmine Rodgers.
Scott Matthews is a favourite of mine.
If you had to select the one album that means the most to you; which would it be and why?
Any Led Zeppelin album – it always feels so warm and speaks of some other force that exists Plus...the musicianship is stellar.
What advice would you give to any new artists starting out right now?
I'd say get a great team of people behind you that love what they're doing.
Finally, and for being good sports; you can each name any song and I’ll play it here (not one of yours as I’ll do that).
Great, thank you…
Birdy – Wings
(Thanks again for the interview. Warm regards, Steve).
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Follow Steve Rodgers
INTERVIEW: FØNX
INTERVIEW:
PHOTO CREDIT: Emily Elizabeth
FØNX
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THERE is a rare charisma and sense of attraction one feels when listening to…
PHOTO CREDIT: Asia Pracz Photography
the music of FØNX. I have been spinning his new track, Can’t Get Enough, for a while and find something new each time I play it. For that reason, it was interesting chatting with the East Sussex-based songwriter about the track’s origins. He discusses working alongside Grammy-winning producer Tommaso Colliva and how he managed to transition between a period of sofa-surfing and where he is now.
I get a peek into the creative mindset of someone who recommends the music of Eminem alongside Frank Ocean and Ben Howard. The enigma and contrasts of FØNX are apparent in the music – that imbued with so much nuance and allure.
FØNX is live-streaming his latest track tomorrow - via his Facebook page - so make sure you get a first-hand representation and experience of the incredible music.
_________
Hi, FØNX. How are you? How has your week been?
I’m great, thanks. How are you doing?
It’s been an awesome week so far! The single came out last Friday - so there’s been a constant stream of things to do and people to talk to which is great.
For those new to your work, can you introduce yourself, please?
I’m FØNX. I’m an artist/songwriter/producer - forever on the move.
Tell me a bit about your new track, Can’t Get Enough. What compelled the song?
The track, Can’t Get Enough, came about after a night out with a friend in Brighton - during The Great Escape Festival weekend. During the night, he told me how he recently had a bad trip on something funky and was tripping out for twenty-hours straight - which sounded pretty horrendous.
Forward a few days later, and I still had his story going through my head and thinking how nuts it sounded, so, I started penning some lyrics down and that’s how the initial ideas starting flowing.
Was it true you found yourself sofa-surfing and busking? How did things get to that point where you had to live like that?
When you put it like that, it sounds bad - but it wasn’t quite like that. I was moving house and it was that in-between stage where you don’t have your old home to live in anymore and you don’t have a new one to move into yet.
So, I was just sofa-surfing with friends for a couple of months, which was cool, but a bit random not knowing where you’re going to be staying the next night!
Lucky, I have some cool friends with sofas to lend! It was during this time that I started writing Can’t Get Enough and I remember turning my mate’s living-room into a little make-shift studio - while he was at work during the day - to record the demo.
IN THIS PHOTO: Tommaso Colliva
Tommaso Colliva produced. Was it quite daunting working with a Grammy-winning producer? What did Colliva bring to the process in terms of expertise and insight?
It was awesome working with Tommaso because he really wanted to get to know where my mind was at and what I liked; down to my favourite films, music I’m digging and everything else - so we could draw from that palette, if you like. It felt like we were on the same wave-length in terms of wanting to experiment with sounds; find something unique within what we were doing and not being afraid to try something outside the box. His studio is sick too. He has a lot of analogue and vintage gear, so we used some bits in our recording sessions.
The whole process just felt really exciting for me as it was the first time I had worked with a producer on my stuff. It was amazing going to the studio every day to work on these songs and ideas that were born in my room.
Tommaso won his Grammy during our initial recording sessions so it was pretty cool walking into the studio, one day, to see his Grammy had arrived. It definitely has a presence to it. Feels like you’re in good hands when you can see that in the corner of your eye!
How do songs like Can’t Get Enough come together? Do you set time aside to write or is it a more natural process?
The initial spark of an idea is usually a natural process as something will trigger an idea or story for me that I’ll want to carry on writing about. I guess, once I have that, it becomes more about setting the time aside for writing. I usually want to write about something specific or express a certain way I’m feeling before I write it - instead of forcing a thought or a song idea to then write a song out of it (if that makes sense?!).
Then there’s a point where musical ideas meet the lyrics. This process I find has to be more forced as you are trying out different musical ideas with different lyrics until something clicks - and you feel like you’re onto something.
Sometimes, I can write most of a song, produce (up) a demo for it and still be missing a verse. But I know I will eventually find what I want to say and come back to it later.
PHOTO CREDIT: Emily Nelson
What has been your most-treasured memory in terms of gigs and achievements?
I think writing the next song feels like the biggest achievement each time for me because that’s my favourite part of the process - and means the most to me as it’s something I’ve created and can treasure forever - whether it reaches a lot of other people or not.
Hearing my song being played on BBC Radio 1 for the first time was a big deal for me too. This was when I wrote music under my old name, in a slightly different vibe.
How important is London to your work and outlook on life? It seems like you vibe hard from the people and sights of the city.
London is really important.
There’s this buzz I feel when I’m London that I can feed off for inspiration. When I’m there, I feel more inspired than anywhere else. I feel I can think outside the box and look at things in a different way.
It’s definitely a good place to write for me.
Is there going to be new material or hookups in the future? What have you got brewing?
Definitely: lots of new material to come in the near-future.
I’ve been writing solidly for the past couple of years and I almost feel like the music, in terms of releasing and sharing, has now got to catch up with where I’m at now. So, yes, there’s a lot more to come and I really can’t wait to start getting it out.
It seems like you take a lot of influence from the likes of Frank Ocean and Childish Gambino. Is American R&B music you connect hardest to or are your tastes quite broad?
Yeah, I’d say you’re right.
It’s definitely one of my favourite genres of music right now. It’s the sort of stuff I stick on with friends and dance to - but I also love how artists within that genre are pushing forward and searching for something different and surprising within production and song form. It’s exciting.
My tastes are pretty broad but, at the moment, I’m loving artists like Anderson Paak, Kendrick Lamar; John Mayer, Mac Miller; George Benson, Tom Misch and Francis and the Lights (to name a few!).
PHOTO CREDIT: @emelizabeth
Do you have any tour dates approaching? Where can we come and see you play?
I’m playing a few intimate Sofar Sounds shows over August - which I’m really looking forward to. These are some of my favourite shows to play right now as you can really connect with people in a way you don’t in a big music venue or festival. I’m also going to be playing a few London shows in September:
Saturday 19th August - Sofar Sounds, London
Monday 21st August - Sofar Sounds, Bath
Sunday 27th August - Sofar Sounds, Cambridge
Wednesday 30th August - Sofar Sounds, Cardiff
Friday 8th September - The Spice of Life, London
Tuesday 19th September - The Bedford, Balham
Thursday 26th October - Aloft Hotel, Excel London
Tuesday 5th December - Sofar Sounds, Southampton.
IN THIS PHOTO: Tom Misch
Who are new acts you recommend we check out?
Puma Blue, WAX; Rob Araujo and Tom Misch.
If you had to select the three albums that mean the most to you; which would it be and why?
That’s a really difficult question…can I pick ten?!
Earth, Wind & Fire - I Am
My earliest memory of music is listening to this album in the car…you just can’t go wrong. It’s a magic record from start to finish.
Eminem – Encore
This was the first album I bought with my own money. I used to listen to it on my Walkman on the way to school. I knew all the lyrics and played it on repeat for quite some time!
PHOTO CREDIT: Emily Nelson
Ben Howard - Every Kingdom
It reminds me of a magical time when I starting studying music in London and experiencing that buzz for the first time and falling in love. Not quite the style of music I’m listening to much these days, but still, a beautiful record.
What advice would you give to artists coming through right now?
Keep writing and never think you have the song - or ‘hit’, as people like to call it.
Support other artists.
Finally, and for being a good sport, you can name a song and I’ll play it here (not one of yours as I’ll do that).
Tom Misch - South of the River
__________
Follow FØNX
PHOTO CREDIT: Emily Elizabeth
Official:
Facebook:
https://www.facebook.com/fonxmusic/
Twitter:
Instagram:
https://www.instagram.com/fonxmusic/
Spotify:
https://open.spotify.com/artist/1HKfOnFdrJOXSXHyx8JOvN
SoundCloud:
https://soundcloud.com/fonxmusic
YouTube:
https://www.youtube.com/user/coreyfoxfardellmusic
INTERVIEW: Mari
INTERVIEW:
Mari
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THE stock of Italian-born, British-based artist Mari...
is rising considerably right now. She is, presently, working on her second album and has gathered fans from around the globe. I talk to her about her background and how, she feels, she has progressed as an artist. In a few weeks, she is in London performing as part of an ensemble group – a collection of musicians paying tribute to the great Jeff Buckley (and his only studio album, Grace). I ask about that night and what one might expect; collaborating with a long-time friend of Buckley, Gary Lucas, and how recording (for her new album) is going.
She discusses those artists instrumental forging her as an artist and how British music differs from that which she was raised on; advice to new artists coming through and how she came to discover music in the first place.
________
Hi, Mari. How are you? How has your week been?
Hi, Sam.
I am very well, thanks!
For those new to your work, can you introduce yourself, please?
Hi, everyone.
I'm Mari Conti and I am a singer-songwriter – working, at the moment, on my second album (which I hope to share with you soon).
Are you working on new music at the moment? Are there ideas forming in the form of an E.P./single?
Yes, I do.
I am currently finishing my second album with producer and singer-songwriter, Mozez Wright - for Numen Records (record label). Mozez and I collaborated already in the past: we co- wrote my debut album, Gentle Beauty (Numen Records).
For this next album, we are thinking to go out first with an E.P., and then, to release the album - but we don't know as yet...
Blue Is My Favourite Colour was (the single) released last year and got a huge reaction. Were you surprised by the big reaction that got? What was it like working with Mozez on that track?
To be honest with you; I was a bit surprised mostly, because, I think that the meaning - and the lyrics - of the track are quite strong. Most of the times an emergent artist, like myself, should go out, maybe, with songs a little bit more 'Pop'.
But, me and Mozez believe in the power of messages through the music – and, in this respect, we need to follow our desires. I’ll take this opportunity to thank the Italian songwriter Vincenzo Incenzo - with whom we co -wrote the track. He is amazing (check him out!).
Working with Mozez has been a great experience for my artistic growth. I was one of his huge fans (at the time, he was the frontman for the band, Zero 7) and still, I am! I consider myself very lucky for having met him - and for being produced by him for the second time.
Can you tell me how you got into music and the kind of songs you were playing in those early days?
I have always been immersed in music.
Since I was a teenager, I started to sing in several bands across Italy and Europe. I have studied a bit of piano and vocals for a long time.
I have always been curious in (knowing) different kinds of music. Initially, I used to sing other artists songs: putting together many different cover bands. It's been ten years-or-so that I have been writing my own tracks.
I came across to the Trip-Hop and Chillout music - discovering bands like Zero 7, Air; Goldfrapp, Massive Attack; Portishead... I literally fell in love with that sort of dreamy, spooky music and sound.
Did you grow up in a musical family? Who were the artists your parents were playing around the house?
My parents are not musicians but they love music.
When I was a little girl, my dad and mum used to play '1960s and '70s records on their jukebox; listening to all kind of artists and music (Rock, Blues; Soul...Marvin Gaye, Nina Simone; Ben E. King, The Beatles - just to name a few).
I used to listen to some Italian music as well - especially Lucio Battisti (I love him!) and Mina.
You were born in Italy but live in London. How does the music scene differ here and what compelled you to relocate?
When I decided to move in London, I originally had an invitation from Mozez to spend some time there; trying to write an album together. I (just) accepted straight away because I thought Mozez was the perfect person to understand my inner musical universe.
I also thought I would have had more chances in England rather than in Italy - for my music to be heard from a wider crowd. That's because I think the nature of my sound is still a bit far from what the Italian musical approach is.
But, my dream is, of course, to be appreciated a little bit, everywhere!
Tell me about your involvement with the Grace/Jeff Buckley tribute that will take place on 9th September? What is the night/event all about?
I’ve known Gary (since) more than ten years.
We had other occasions in the past to perform together, and every time, it is such a powerful experience for me!
The event is a tribute to Jeff Buckley and his incredible voice and talent. For this appointment, I have been invited by Gary Lucas to perform with him at Upstairs at the Ritzy in Brixton, London (on 9th September, 2017).
We will perform some of Lucas and Buckley’s songs that they wrote together during their collaboration (between 1991 and 1992). Some of the songs we will play are actually contained in Jeff Buckley album, Songs to No One (released in 2002).
I am honoured to give my tribute to Jeff Buckley and I am glad sharing the stage with a friend and incredible artist such as Gary Lucas. There will be also other artists and band playing on that night. I am sure it will be a great night!
IN THIS PHOTO: Jeff Buckley
You have collaborated with Gary Lucas – who wrote and performed with Buckley. What is he like and how involved has he been involved in the organisation of the tribute event?
Gary is a sensitive and good-hearted person; an amazing musician and composer – and, also, very generous. He gave me the chance to write together (with him) a song dedicated to Jeff Buckley - which was meant to be given to him before he left this world. It is an unreleased song that I wrote the lyrics and the melody for - and Gary Lucas composed the music.
I wish, one day, it could be heard out there. I am not aware of how involved Gary is in the creation of this particular event. However, Gary has been - and he is - a supporter of Jeff's music for years - being (also) a collaborator of his.
You share the bill, that night, with several other performers. Do you know what you’ll be playing and what the other acts are going to sing?
We are gonna play some songs that Gary and Jeff wrote together but I don't know what the other artists are going to sing and perform.
How did you come to hear/discover Buckley’s work? Have you always been a fan of his? What does his music mean to you?
Some time ago, a dear friend of mine, Francesca, suggested I listen to the album, Grace. At that time, the debut album of Jeff Buckley had just been released.
I never heard his music until that moment but I trusted her (she always had a great musical taste! Thank you forever, Francesca).
I remember, one day, I decided to listen to Grace for the first time. In that moment, I think I had one of the most mystical experiences ever of my life. It was a sort of blast. I remember at a point tears came out from my eyes - and I just couldn't stop them. I think that's when I couldn't be able to stop listening to his music.
I started to search everywhere for his C.D.s, bootlegs; D.V.D.s, books…Jeff's voice is such a blessing to me.
Are there any tour dates later in the year? Where can we see you perform?
I am currently working on my next album and I am a bit busy with different projects at the moment. I think I will start again to perform, hopefully, over the next few months - in winter, maybe.
Who are new acts you recommend we check out?
There are two artists, Mico and Michael Arkk, who are coming out with some good and new music. They are currently working with Mozez (as well) for Numen Records record label.
I have heard already some of their unreleased music - and I think they are very interesting artists to check out.
If you had to select the three albums that mean the most to you; which would it be and why?
Ok…
It’s a bit difficult to reduce to three albums (my favourite ones) but I'll try.
I would say Grace (Jeff Buckley); Wings (Mozez) and Felt Mountain (Goldfrapp).
What advice would you give to artists coming through right now?
I would suggest one be courageous in discovering as much music as possible - of all kinds. I believe that is fundamental for an artist to be passionate about other artists' music.
It is important and it helps to discover your own musical vision and sound.
Finally, and for being a good sport, you can name a song and I'll play it here ( not one of yours as I'll do that).
Ok...just the first one (it came across) to my mind right now…
All I Need by Air!
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Follow Mari
INTERVIEW: Moxi
INTERVIEW:
Moxi
________
OVER in Los Angeles; the Indie/Dream-Pop duo Moxi…
are creating love and buzz from their music. Anna and Andy Toy provide ethereal vocals and moody keys (respectively) and source from a range of sounds and genres – including cinematic grandeur, the 1980s’ New Wave movement and dark threads. It is that darkness and sense of reflection that is brought up in the interview. I ask the duo – Anna fields most of the responses – how they got together and what they can tell me about their new single, Paclew. I find out about their E.P., Figures Bathed in Light, and why they chose to write the songs in a cabin out in Big Bear.
They explain some of the inspiration and tales that go into the E.P.; where they will be performing in the coming weeks and whether there’s any advice they would give to newcomer songwriters.
________
Hi, guys. How are you? How has your week been?
We are great!
Our week has been really fun because we released our new single, Paclew, last week - and we've continued to get so much love on it.
It's really exciting.
For those new to your work, can you introduce yourself, please?
We are Anna and Andy Toy of Moxi.
Moxi is a Dream-Pop duo from Los Angeles. We write dreamy music about all sorts of weird things.
We love our cat-child Lewis the most and spend our free time drinking wine, cooking at home; watching horror movies and listening to True Crime podcasts.
Paclew is the new single. How did the song come together and what is the idea behind it?
Andy writes all the tracks for Moxi and he had written this track and titled it Paclew (after our cat) - sort of as a place-holder name but we never changed it. While the song was partially inspired by the love for our cat, Mr. Lewis; I (Anna) wrote the lyrics about the depressed dark and twisty state my mind loves to go to way too often.
The song is about overcoming that and rising above it.
It is taken from the upcoming E.P., Figures Bathed in Light. What kind of themes and songs can we expect from the E.P.?
This E.P. is, probably, our most cohesively-themed E.P. yet.
We wrote all of the songs on a writing retreat we took in Big Bear, CA last year. We rented a cabin in the middle of nowhere for a few days: holed ourselves up in it with a ton of wine and wrote what is now the Figures Bathed in Light E.P.
We wanted to explore themes of light vs. dark; good and evil, spirituality; the supernatural. All of this probably sounds kind of out-there - but we've both always been fascinated by things we can't explain.
A lot of the songs on the E.P. are also written about personal life events - navigating our way through the ups and downs of life.
Am I right in thinking the title track stemmed from a near-fatal car crash? How did a life-threatening situation like that lead to a moment of musical brilliance?
Yes, you are right!
We were involved in a terrible car crash a few years ago in which we both walked away with only a few scratches. It was a terrifying experience and we both felt like we survived for a reason.
Anna: I remember getting home that night and crying myself to sleep because I just felt like we had been so close to death - and I didn't really know how to process it. I always process my feelings by writing music - so we went pretty full force into creating as much art as we could after that. We wrote and recorded the demo. for Figures Bathed in Light a few weeks later.
Andy: We both felt like we were so close to death and that nearness became a catalyst for creativity for me. I wanted to try to recreate that emotion through music.
It was produced by Emmy Award-winning songwriter Bobby Hartry; Bryan Cook mixed. What was it like working with those kinds of people? Did they add a lot to the recording process?
We absolutely LOVE working with both of these talented guys. They both play such a big part in Moxi.
Anna: We met Bryan at a backyard house show we played five-or-so years ago. I remember talking to him after the show and I knew instantly we were kindred spirits. He's a true artist in the way he approaches mixing and I love the way he thinks outside the box. It's so fun to give him a song and see the way he transforms it through the mix.
Andy: Bobby is a creative genius and we love working with him. He remains our connection with reality when we get inside our heads too much. I remember sending him five versions of the same song one afternoon - because I couldn't decide what direction to take the song in. Haha!
Is it true a lot of the E.P. came together in a desolate, remote cabin in Big Bear? What was the reason behind going up there? Was it easy to disconnect from real life, in a sense, and isolate yourselves?
Yes, this is all true.
Almost all the songs on the E.P. were written on this weekend getaway to Big Bear. We'd been feeling creative but wanted a change of scenery and pace to get us into the right headspace for writing. We had so much fun. We rented the cutest cabin, brought a ton of wine; cooked veggie lasagna and didn't leave the house for three days. We wrote all day and would stay up late drinking Chartreuse and working out lyrics.
For us, writing is the fun part and it comes pretty naturally. It's how we process things so holing up in a cabin for three days to write music was a little slice of Heaven to us.
What did you pick up from that environment that you wouldn’t if you were based in a city?
Well, for one, we didn't have any of the normal distractions we would have had if we were home in the city. I also love cold weather, snow and forests. I (Anna) grew up in Colorado - which L.A. is nothing like - so getting away and being somewhere cold always refreshes and inspires me.
We also took this trip knowing we wanted to write several songs - so just having focus and zero distractions really goes a long way.
Anna and Andy. Can you tell me how you both got together and started playing music? Was it an instant and easy bond?
Anna: I used to write and play Folk music as a solo artist. Andy was hired to play on one of my E.P.s so we met in the studio. I was going through the world’s worst breakup at the time and he always jokes that when he met me he was like: "Who is that depressed girl in the corner?”
He started playing live with me and we became fast friends. We started recording covers at his house on the weekend for fun and everything always felt so easy and right together, creatively. I got a call to write a song for a housing development commercial and called Andy to see if he'd want to help me...
He sent over a track that afternoon and I scribbled lyrics on my drive to his house and, about three hours later, we had written the song, In my Dreams - which would later become the title-track to Moxi's first E.P.
After we wrote our first song together, we knew we had something special. Moxi is very much an equal effort on both of our parts - and I don't think either of us would have made music like this if we hadn't found each other.
So, I guess we were destined.
So far, you have had music played on T.V. and shared the stage with big names; earned an impressive amount of streaming figures on Spotify. Is there a memory that stands out for each of you?
Honestly; all of it has been so fun and there’s so many things that stand out for me. Some favorites would be opening for Gungor at the El Rey. That venue is just magical and the sound is insane in there. I think most of my favorite memories, thus far, have happened this last year with this project. We just filmed our first full-fledged ‘big kid’ music video and I'm so excited about it.
We got to create and film it with two of our best friends - who just happen to be two of the most-talented video guys out there. I've been given so much creative freedom with this project and it's been so fun this year to dream up crazy ideas in my head - and then see them come to life.
Do you have any tour dates approaching? Where can we come and see you play?
YES!
We have several local shows: August 19th - Echo Park Rising, Echo Park CA; September 8th - Holiday in Costa Mesa, CA; September 28th - The Wayfarer in Costa Mesa, CA.
MORE SHOWS COMING!
Any plans regards coming to the U.K.?
Oh, we would absolutely LOVE to come to the U.K. Someone reading this should bring us or invite us! Haha.
IN THIS PHOTO: Maggie Rogers
Who are new acts you recommend we check out?
Maggie Rogers is my new girl-crush.
I also love Sofi Tukker. They are (just) such positive lights.
IN THIS PHOTO: Sofi Tukker/PHOTO CREDIT : @luismoraphoto
If you had to select the one album that means most to you; which would it be and why?
Anna: Ryan Adams - Demolition
I've listened to that record more than any album, probably, and it's one of those records that can speak to you in so many different ways. I think Ryan Adams is an absolute genius.
What advice would you give to artists coming through right now?
Always be willing to learn and to put the hard work in.
We've learned so much since we first started and now, more than ever, I understand that keeping an open mind and being willing to learn and try new things is so key.
Don't be afraid to take the long-road because there’s so much to be learned from that. I'd also let young female artists know that we are all on our own journey and don't compare yourself to other people - because it's not going to do anything to help push you forward.
Creating art is a daring and brave thing to do - so we have to stick together and encourage one another on our own individual paths.
________
Follow Moxi
Official:
Facebook:
https://www.facebook.com/moxilovesyou/
Instagram:
https://www.instagram.com/moxilovesyou/
Twitter:
https://twitter.com/moxilovesyou
YouTube:
https://www.youtube.com/user/moxilovesyou
SoundCloud:
INTERVIEW: Camden Cox
INTERVIEW:
Camden Cox
________
ONE looks at Camden Cox in the video for her new single, Gold, and is…
instantly mesmerised and invested. It is a video that certainly catches the imagination and gets into the mind. I talk to her about that and the origin of the song. She tells me more about future plans and the kind of artists/albums that have forged and inspired her own music. There are strong Dance and Electro. vibes with the song – and a sprinkling of Pop – so I was keen to know how the song came together and what it is was like working on the track with Jaded and Mark Ralph.
Looking ahead to the coming months; Camden Cox explains where her music might take her; she provides some wise advice to upcoming artists and reveals a few of the artists she recommends we check out.
________
Hi, Camden. How are you? How has your week been?
Hey! Great, thank you.
It's been a crazy week: knackered after being in the studio writing every day and promoting the new single - but ready to celebrate the release!
For those new to your work, can you introduce yourself, please?
So. I'm Camden (real name: after Camden Palace - which is now the legendary Koko) and I'm a singer/songwriter who loves Dance music and heavy bass!
I grew up on Club music and Drum ‘n’ Bass - so I've always wanted to create something that people can party to.
Gold is your latest track. What can you reveal about its origins and inspirations?
Gold means anything that is taken from you - be it money, sex; freedom, favours; trust, etc.
I was inspired by experience!
Jaded and Mark Ralph helped bring the song to life. What role did they play and how instrumental were they?
I wrote Gold with Jaded in the studio one day.
I was jamming some melodies while the boys were in between the piano and the computer cooking up a storm. I wanted to express a situation I was in at the time, into lyrics, keeping it as indirect as possible!
We were all so happy with the demo: it was gritty and so old-school; about six-minutes-long! Then, we passed it over to Mark who got me into his studio to re-record the vocals with his sparkly equipment - where he then cut it down to a sensible length and took it to the next level!
In terms of sound; Gold has a real modern Dance vibe but has a gorgeous and romantic undertone. How personal is the song and were you inspired by any particular songs/artists when writing it?
The song is extremely personal.
it sounds like a happy party-banger, but, when you listen to the lyrics carefully, you'll find that there's real and relatable meaning behind them.
“Now I'm standing here alone/now you've got the gold” expresses the stupidity you feel once you realise you've let something go - and you should have been more careful!
In terms of sound: I was inspired by Touch Me (Rui da Silva) and Robin S. - Show Me Love.
The video looked like it was fun to shoot. Who directed it and what was it like filming?
It was so much fun!
I came up with the initial concept. I then presented that to Daniel Spencer (Turn and Shoot Photography) who added (even more) ideas: simplified it and took my vision into reality. We directed and edited it together - but he was the genius behind the final product.
It was a messy shoot; as you can imagine. We spent hours cleaning up glitter and gold paint but it was all worth it!
Will there be any more songs coming? An E.P., perhaps?
I'll definitely be releasing another single soon - probably in a couple of months’ time...
Can you tell me how you got into music? How young were you when you first discovered it?
I was always running around the house singing from such a young age - and I still have pretend-interviews that my dad filmed for me to make me feel like a Popstar!
He was in a band and my mum was a club promoter - so I was inspired by both of them for their love of music. As I got older, I started to get my head down and write lyrics (which were initially poems)!
Then, I used to sing them over anything I could get my hands on!
I guess everyone remembers the first song they discovered. Which was the track that first got into your mind?
I will always remember this song because I was obsessed with it before I even knew what music was: Orinoco Flow (Sail Away) by Enya!
I have no idea why I liked it so much but I now have the lyrics tattooed on my arm!
Your own music has a contemporary vibe but I wonder who are the artists you grew up listening to?
I grew up listening to a variety of genres: from the likes of The Prodigy, Sweet Female Attitude; Pendulum, Faithless…to the opposite end of the spectrum: Britney Spears and The Spice Girls - which is where I get my poppy tone from!
The modern Pop market is competitive and varied. Do you ever worry about the demands and pressures in the industry? How do you think you stand out from your peers?
We're all going for the same thing but that's where the comparison ends. Anybody who works hard enough will get where they need to be.
I've been making Dance music right from the get-go and it's only in the last couple of years it's become popular - but I just keep doing my thing and believing in myself.
IN THIS PHOTO: @cameronlouiswarren and @laurenmilesyh (with Camden Cox)
Everybody has something unique: so I just need to remember that I do too.
Do you have any tour dates approaching? Where can we come and see you play?
I do!
I'm doing a quick set at Fire on August 18th - for the L.G.B.T. crowd! It's a club-night so I'll definitely be performing Gold and a couple of others!
I, then, have a headline show coming up - which I'll be announcing VERY SOON!
IN THIS PHOTO: Disciples
Who are new acts you recommend we check out?
My favourite act on the market right now has got to be Disciples. Their music is classy and has a quality Dance vibe.
Also, my boys Jaded are killing it right now with their latest tune, In the Morning.
If you had to select the three albums that mean most to you; which would they be and why?
It would have to be Massive Attack - Collected
Because it's (just) the best ever.
Alex Clare - The Lateness of the Hour
Because I was super-inspired by him - and I referenced him a lot when I was trying to pin-down producers to work with.
Robyn - Robyn
Because I rinsed this album like you'll never know! I love her.
What advice would you give to artists coming through right now?
Believe in YOU and your vision.
Get a good team together who are passionate - and don't wait around for people to do things for you.
Only you can make this happen.
Finally, and for being a good sport, you can name any song and I’ll play it here (not one of yours as I’ll do that).
Opal Blue - Taking My Love Away (TUNE)
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