INTERVIEW: The New Faith

INTERVIEW:

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 The New Faith

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WILL, from Brighton's The New Faith, talks about...

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the band’s formation and what their new track, Fritter Away, is all about. I ask him about Brighton – where they are based – and how influential the city is. He talks about their new album, Me on You, and the stories/inspiration that went into it. I was curious to know what the remainder of the year holds for the band and, given that ecumenical-sounding name, there is any religious aspect to their moniker.

The band talk about the albums that mean the most to them and the artists that inspire them. I learn about their creative process and why they favour a more stripped-back and lo-fi approach to their music – mixing that with modern technologies to create something rich and different.

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Hi, guys. How are you? How has your week been?

Hello! Thank you for asking!

It’s been a mad week…Acoustic Sessions in London last week - a Birmingham show the day after. Football with Starsailor at the weekend and band practice two days running.

We’re active…we’re an active band!

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For those new to your work, can you introduce yourself, please?

My name is Will and I front (in) The New Faith. The rest of the band are:

Sam – Co-Writer/Guitar

Jenna – Keys

Stephen – Drums

Ali – Bass

Various – Strings/Choirs/Saxophonists/Percussionists

‘The New Faith’ is the band-name. What is the derivation of that name? How much is it based on divination and belief?

Ironically, there’s no forecast there as no-one gives a sh*t about us - and I can’t imagine anybody putting any personal investment into it...then again, I’m sure most cults aren’t rated by everyone.

Can you talk about the new single, Fritter Away? What is the story behind the song?

Fritter Away is all about looking back and warning about the future...

There are many repetitions: life can put you in the same place time and again. Don’t make the same mistakes, basically.

I was sending a message to my former self to re-assess...

It is taken from your album, Me on You. It sounds like a 'saucy' title but what were the events and ideas that went into the L.P.?

I’m glad you say ‘saucy’!

The main running themes of the album are love/youth/loss/time and repetition. There was a time of trying to talk about ending up in the same place over and over. I realised it was happening in all aspects of life - still getting pissed up; still breaking up with people and still getting crap jobs! Where a lot of the album is talking to a younger-you: I wanted a title to cover all bases - dirty, kind and poetic all-in-one.

The original title was I’m Forever the Man That I’m Going to Be, Forever - but I thought it made me sound like a pretentious cu*t…and I don’t need a title for that.

I believe there is a narrative and sense of chronology about the album – charting movement and relocation. Was the album inspired by upheaval and a sense of uncertainty?

I lived in Berlin and left with no money and no girlfriend.

Again...sort of expecting to go back into the cycle on my return but ended up being worse - definitely uncertain.

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The album is filled with older technology and a stripped-back production approach. Do you favour a simpler approach to recording and did the lack of luxury afford the music greater naturalness and a better sound?

There were aspects of older technology: there was experimenting with tape; an old Moog and classic instruments.

I would say that there was a lot of luxury in the end as Dave Izumi, the producer, took us into his lair (really a studio) and gave the tools to make this album huge. There is definitely a balance, though; a few stripped back piano tunes as well as big, super-massive instrumentations.

Some have compared you to The National and The Divine Comedy. It sounds like you have a balance of seriousness and humour in the music. Would you say this is fair and are these artists influences?

It’s fair to say there is a balance of seriousness and humour. However...

They only really have come about because they have deep voices. I don’t know anything about The Divine Comedy - other than National Express - and The National are hugely overrated - and I wouldn’t cite them as an influence.

(Everything went downhill after Sad Songs for Dirty Lovers)

There is flamboyance and various instrumentation in your music. How do songs come together and is it complicated getting all those strands together?

I wouldn’t say complicated, necessarily.

A lot of hard work has gone in from Sam and I. Getting everything in working order and getting the music written for people to play was a long process. The sort of work we put into this album is one of the defining characteristics of this album…

Also, flamboyance.

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The band hail from Brighton and Will, you front The New Faith. What is Brighton like for a young band and can you tell me how you all came together?

Sam and I met on the Internet (we’re very modern, don’t you know) and we had to get a band together.

Everyone else was a combination of friends of friends; friends of musician friends and Internet strangers.

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Do you all have similar tastes in music? Who are the artists you all grew up on?

There’s gonna be a huge mix in there!

Sam definitely the oldies: loves Bob Dylan and a bit of Prince. I was into the Dischord bands; Punk bands. - we both meet in the middle with The Fall, I think.

I used to love all that angst-driven music: everyone being dissatisfied and sticking it to THE MAN, man.

What tour dates do you have coming up? Where can we see you play?

13th October - The Brighthelm (Brighton)

21st October - The Victoria (Dalston)

Who are new acts you recommend we check out?

Sunan, who is yet to reveal themselves to the world, is a name to remember - outrageous stuff.

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If you each had to select the album that means the most to you; which would they be and why?

Will: Anthony and the Johnsons – I Am a Bird Now

It’s an unrivalled expressive personal journey. It’s open, it’s honest; there are some wonderful featured artists and the songs are extraordinary. I’m envious of somebody who could put something together that would have such a big impact on the listener.

Sam: Zombie Crash - No Mercy

It's the greatest (possibly only) lo-fi Metal album you'll ever hear. The energy on it is insane - and it's a complete hook-fest.

Stephen: ABBA - Gold

Fifteen years ago, my mum passed away and she used to love that album. I remember she'd always drop it at parties and though I hated it at the time. It’s a compilation album: it's full of stone-cold hits.

Jenna: Bonobo - Black Sands

This album inspired me to invest in my first MIDI keyboard and music production software because it was the first album I listened to which really experimented with a variety of synchs and layers – as, before this, I primarily just played the piano. This is one of the many reasons I love playing The New Faith tracks - because we experiment with many synth sounds on the tracks!

Ali: Music for Airports - Brian Eno

Do you get the chance to relax/have downtime away from music? What do you all get up to when you have time to detach?

Ok; maybe we’re not that active…

Sam and I have a label to run - so can’t get away from it!

We’re all (minus Jenna) in Brighton – so either get boozy or eat vegan food in hip cafes.

What advice would you give to artists coming through right now?

If you do bother; don’t be original and copy the same old sh*t and be a fad band - you’ll at least get eighteen months of touring and free booze!

Finally, and for being a good sport; you can each name a song and I’ll play it here (not one of yours as I’ll do that).

Will: Rites of Spring - For Want Of

Ali: Mac DeMarco – On the Level

Ste: ABBA - Does Your Mother Know?

Jenna: Talking Heads - Girlfriend Is Better

Sam: Zombie Crash – 2010 (from No Mercy)

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INTERVIEW: Outsider

INTERVIEW:

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 Outsider

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IRISH artist Outsider…

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talks to me about his self-titled E.P. and the new single, Míol Mór Mara. I ask about the use of Gaeilge in his music and whether he considers that ground-breaking - Míol Mór Mara, Gaeilge-sung, is the first time such a track has been featured in a video game (FIFA '18). Outsider tells me about that and what how he views guitar music now – and whether it is too dominated by the middle-classes. He looks ahead to touring and plans for the remainder of the year – and what it is like being signed to Warner Music.

I delve deep into a fantastic young artist and, in return, and provided an honest, open and revealing interview from someone who is making big impressions already.

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Hi, Outsider. How are you? How has your week been?

I am fighting a chest infection at the moment but my week has been incredible - lots of people getting in touch about the new E.P. and wanting to talk.

The lead single, being on the FIFA soundtrack, takes me to a lot of new ears.  

 For those new to your work, can you introduce yourself, please?

The best way to get to know me is to listen to my music and come to my shows – it’s all online. Send me a D.M., too, and introduce yourself - I will more than likely respond at some stage.

I am trying to be like Henry Rollins and reply to messages as much as possible.

 

Míol Mór Mara is the new track. Can you explain what those words mean and hat inspired the song?  

‘Míol Mór Mara’ means ‘sea whales’ and translates literally into English as ‘giant beasts of the sea’. The song is about a child with Down’s Syndrome I worked with when I was suffering from huge heartbreak - and it had a profound influence on my life. The kid was so inspiring and pulled me out of a dark place really just by spending time with him. It's got a lot of biblical references to Jonah and the Whale - which is symbolic of diving into the sea of the unknown and becoming something far greater than yourself in a spiritual sense.

The song has deep layers of symbolism and subconscious meaning and people are responding to that…they are connecting to the human element.

Your self-titled debut E.P. is where the song was taken from. What was it like recording your first E.P.? What experiences and lessons did you learn from the process?

It was arduous at times because it was recorded, engineered; mixed and produced by myself and ATLAS (My producer). just people working with big mixes was a challenge; our ears burned fast. Most bands don't even mix their own record: it gets done for them. That sounds lovely and easy but I am a control freak – it’s easier to let me be there in the long run.  I learned that you can never predict how a track might evolve and I learned to slow down a little, take my time but, overall, I enjoyed it and I want to get back in there.

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The song is featured on the FIFA '18. How did that opportunity come about and is it an important honour?

You would have to ask my publishing company exactly how that came about...

I just get to hear the good news. It’s a big honour: I am the only Irish artist on it; it’s a World Cup FIFA, which is huge - it makes me the first person to introduce the Irish language to mainstream video-gaming. Making history…that’s a huge honour.  

The soundtrack is stacked, too: the standard is great.

It is the first time a Gaeilge-sung song has been used in a video game. Is it important you retain Gaeilge roots and include it in your music?

Yeah, it is. Gaeilge is seen as a dying language in our country - maybe 20,000 speakers. Now, FIFA will bring a small piece to over 80-million people. The Irish government couldn't achieve that if they wanted to. You will have kids all over Ireland seeing Irish being used on a game they are obsessed with - and, hopefully, that will influence them to use the language more. Sometimes, I don't use Gaeilge. It’s not a personal crusade: I mean I will do it if I feel like it.

With Miol Mor Mara, the words felt important to me before I ever wrote the song, ya know. The first time was with Young Gods of Na Sionna. I will probably write whole songs in Gaeilge. It’s hard to explain, actually…good question. Super Furry Animals had that album in Welsh (Mwng). That was cool.

I of don’t know why I am doing it but that’s how I operate lately: I don't question my lyrics.

 Being based in Ireland; you must see a lot of talent around you. What is the scene like where you are? Do you think Ireland is a part of the world that gets overlooked in terms of music?

I think Ireland can get overlooked sometimes, but not right now.

Right now, there are eyes on Ireland because of the amount of successful bands here - Hozier going global changed that. No-one saw that coming. Check out Wyvern Lingo’s I Love You, Sadie - they (the band) are Irish girls. But yeah, Girlband, James Vincent McMorrow; All Tvvins, to name a few, are building fanbases I love Pleasure Beach, too. It’s a diverse scene, though. The styles are insanely different - which I like.

No-one seems to be doing the same style, really.

You are signed to Warner Music and released  Míol Mór Mara through W Songs. Do the labels give you a lot of freedom and what is it like being under the Warner Music banner?

I have total freedom: in fact, some people in Ireland told me not to use Gaeilge as it wouldn’t get radio play - whereas the people at Warner love it and really encouraged it. I think that decision speaks for itself when it ends up a globally-respected soundtrack. This is a business; you can talk all the sh*t you want about art - but good guitar-music does not record cheap and you won’t sustain for long if you are under the illusion it does. That’s why guitar music is middle-class-dominated right now. They are the only ones that can afford it - unless a label helps you. I am working-class, so I am very fortunate to have the support I do. The original punks had better gear and studios than most bands now.

You can believe the myth or face the truth.

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It seems poetry and the beauty of language is important to you. Was music or poetry big in your early life? How crucial is language and how you convey it to your music?

Yes, I love poetry...

I started with lyrics and then learned guitar. The lyrics are unbelievably important to me. You will hear references to James Joyce etc. on the new E.P. The next E.P. has references to Wallace Stevens, Philip Larkin; Lord Byron, William Butler Yeats. I love the Pixies’ lyrics. The way they combine Spanish and English; making up words. It’s cool.

Expect that from me.

Many have compared you with great artists like Bruce Springsteen and War on Drugs. Are these artists you gravitate towards?

Yeah, I do.

People are always gonna hear something they know.  But to be honest, when I was a kid, I liked my dad’s traditional Irish music taste: The Chieftains, The Dubliners. In my teens, I loved Punk music and Post- Punk. I was never a Springsteen fanatic but I always sang like him a bit and, two years ago, I got this flashback of when I was five and my Auntie would have me and my brother dancing around the room to Dancing in the Dark. That kinda stuff gets internalised in your core. She was complaining that Springsteen had changed his image and everyone was against him now.  I love Springsteen but forgot that I did for a long time.

The War on Drugs are great. They are really in their prime. If ya listen to Wagon Wheel now - where he sounded exactly like Dylan - to (new songs) now where he has his own dream-like world created…it’s a cool journey.

They were able to evolve.

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Is there going to be more material in months to come? Are you working on anything new at the moment?

Yeah, expect a new E.P. in 2018 - I am working on a new batch of songs, alright.

Who are new acts you recommend we check out?

Wyvern Lingo (I Love You, Sadie) and check out Twin Peaks (Making Breakfast).

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IN THIS PHOTO: Wyvern Lingo

If you had to select the three albums that mean the most to you; which would they be and why?

The Jesus and Mary Chain – Psychocandy

It taught me Punk could be ethereal. I think I sing like Jim Reid but people say, like Springsteen, the melody for Míol Mór Mara is in the same register as Upside Down.

My Bloody Valentine - Loveless

It taught me that someday, with enough time and money, you can make music devastatingly beautiful and to aim for that.

The Stone Roses – The Stone Roses

 It’s why I play bass and whisper on songs.

What tour dates do you have coming up? Where can we see you play?

I had to cancel one last week because of this chest infection. Keep an eye on my social media, it will all be there.

 What advice would you give to artists coming through right now?  

The best art takes time and the best guitar music takes a hell of a lot of time. That has been proven over and over.

Finally, and for being a good sport; you can name a song and I’ll play it here

Wyvern Lingo - I Love You, Sadie

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INTERVIEW: AKA George

INTERVIEW:

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 AKA George

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THE meteoric rise of AKA George…

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could have derailed his career and made him lose focus. He has, in a short time, turned down the chance to work with Pharrell Williams and Nile Rogers and seen legions of fans flock his way. The East London-based songwriter is a huge talent who can straddle genres but, on his current single, provides huge rush and funkiness. Stone Cold Classic has the potential to live up to its name and lodge itself in the minds of the masses.

So many people are responding to AKA George’s music so I ask him about his career and what it has been like so far – and why he chose to refuse Williams’ and Rogers’ deal and remain an artist on his own terms. AKA George talks about acts like The White Stripes and Muse; shares the memory of a particularly ‘eventful’ gig – and what gigs he has coming up.

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Hi, AKA George. How are you? How has your week been?

Hi. Nice to meet you. I’m doing well, thanks.

I’ve just come back from a Sofar Sounds gig and I’m eating a veggie chili. My week has been busy - I’ve been rehearsing every day for my 4th October gig at Camden Assembly - in a tiny, sweaty room with four other guys...

...twelve-hour days; too much sweat.

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PHOTO CREDIT: B@no1funkyhenry

For those new to your work, can you introduce yourself, please?

I’m George. I’m twenty-three; I’m from the countryside but now I live in East London. I write songs and I play a lot of instruments.

Stone Cold Classic is your new single. What can you tell me about its origin?

Stone Cold Classic started with a guitar riff...

I was in my room trying to play Let’s Dance by David Bowie but then I changed it up a bit and took some effects off - and it started to sound more like INXS or Blur. I recorded it there and then. I had a Spotify playlist called I’m Amazing which I created for songs that make you feel like a champion. Things like Stronger by Kanye West or Sexyback (Justin Timberlake) - you know, things that make you go “HELL, YEAH”. I guess I was listening to that when I wrote the lyrics to Stone Cold Classic. It’s about believing in yourself and owning your life.

The key lyric in my song though is “If I repeat it, maybe I’ll believe it” - because, at least for me, there’s always something lurking in the back of my mind telling me I’m not as good as I think I am.

The video looks like a blast. Did you play all the instruments on the track – as it depicts you jumping between them – and how much fun was it to shoot the video?

Yep, that’s me on all the instruments.

The video was super-fun to make. That room is actually my studio - it’s in East London and it is SMALL. It gets unbelievably hot in there when it’s just me but, when you stick a few people and some lights in there, it’s like a FURNACE. In-between each instrument we would all pile out just to breathe for a few seconds! I was aiming for something that felt real: just me in the studio doing my thing.

The recording process for the song was very quick and instinctive - and that’s what I wanted to get with the video, too. The vocals on the finished song were one take - recorded live, just holding the mic and moving around the room.

It just felt right.

I hear elements of The White Stripes and Ramones in your music. Who did you grow up idolising and obsesses over?

Seven Nation Army was a BIG song for me.

Once, me and my mate Christy decided to do an impromptu version of it at a talent show. We were at a home-schoolers festival, and earlier that week we’d done a great cover of Feeling Good (in the style of Muse) which everyone loved. Christy was like, “Fuck it, we’re amazing; let’s do White Stripes, no rehearsal, tonight.” I’m like “Hell yeah, I’ll even do it topless. AND I know the face-paint lady and I’m going to ask her to paint some cool angel wings on my back…the girls are gonna love us.”

We get on stage; there’s about two-hundred people watching (all parents). Christy starts the riff. He’s out of tune. I start singing. The mic’s off. I’m suddenly very aware that we never discussed how to start the song…or end it. My wings are melting under the stage lights. Girls don’t love us...needless to say, it didn’t go as well as we’d expected.

Our egos took a hit that night (it’s ok; I got mine back). 

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Your music has gained millions of YouTube views and social media love. How important is that kind of backing and does it all seem a bit daunting?

It used to daunt me, yeah.

A couple of years ago I had tens of millions of views - but all the numbers freaked me out and I took everything down (much to the dismay of my managers). This time, I feel like it’s a solid build. Numbers aren’t everything and I don’t think people should judge on them, but it is fantastic to see people support you - so yes, I guess they are important. 

I know you have turned the chance down to work with Pharrell Williams and Nile Rogers. Was that so you can retain independence and not be led too early in your career?

Looking back on it now, I know it probably seems crazy not to have taken those offers - but I really didn't know who I was as a musician and songwriter then. I was scared of being something that people jumped on and then jumped off a few months later. I really felt the whole YouTube thing was a novelty: an unnatural way to build a career in music. Even the word ‘viral’ was an alarm bell to me – because, if anything in nature goes viral it’s a disease, isn’t it? I think I knew in my heart that if I took my chance, then it would all crumble within a year or two. It was a risk but it paid off.

Now, if I work with other people, I know who I am. 

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PHOTO CREDIT: @huntershootsinlondon

Was there an ethical and commercial quandary turning an offer like that down?! Will you work together down the line, do you think?

If you believe in what you’re doing you don’t jump at the first glimpse of fame.

I’ve always seen things long-term - this is my life. I’d love to work with Pharrell and Nile Rodgers but at the right time - and for the right reasons.

You are unsigned at the moment. Do you think about looking for a record label or do you prefer working without that pressure and expectation?

Not at all. I think a bit of pressure and expectation is good for me.

I’d like to be signed by a great label - preferably a big one. No artist I’ve seen has managed to sustain a career without a label - at least not to the level I’m aiming at. For now, I’m concentrating on becoming a better performer, songwriter and person.

All that other stuff will follow naturally.

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PHOTO CREDIT: @kristina.emily

Can we expect an E.P. next year? How far ahead are you looking? 

Yes. I’m releasing an E.P. early next year with some songs I’m really excited about.

They still have a level of attitude but with more melodic elements and slightly more electronic production. I really want to set things alight with this next collection of songs!

Watch this space...

There are so few genuine voices and exciting artists with their own voice. What do you think of the big artists and does music lack any real bite and direction right now?

There is some great Pop music out there but, yeah, the general slew of music does lack bite at the moment.

I think part of the reason is a lack of intent and originality. People like to jump on a sound: particularly now with the ability to see via analytics/numbers how well it went down last time. It doesn’t matter though - the real ones know what they’re doing and they have the strength to put their neck on the line, speak up and trust in themselves. They’re the true stars.

Anything else is just here today, gone tomorrow.

How does the rest of 2017 look? How will you be spending the next few months? Any tour dates approaching?

Well, there’s the 4th October gig at Camden Assembly which is taking up most of my time at the moment - as I am rehearsing and programming new songs. The rest of 2017 will be spent writing and getting together the new E.P. Also, every now and then, I do a secret gig somewhere and I would like to put one of those in before Christmas.

They’re great nights and we cram loads of people into a small space - and hang around talking afterwards.

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IN THIS PHOTO: Sigrid

Who are new acts you recommend we check out?

I really like Sigrid - she’s pretty cool.

There’s a guy called Steve Lacy that I like as well - he records everything on his iPhone.

He’s not a new artist but I supported Kwabs last night at the Sofar gig and he was incredible. His voice is soulful and he had great jeans. 

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IN THIS PHOTO: Kwabs/PHOTO CREDIT: James Marcus Haney

If you had to select the three albums that mean the most to you; which would they be and why?

All That You Can’t Leave Behind by U2

Because it reminds me of my dad and it is full of great songs.

Sam’s Town by The Killers

Because it’s the album I used to play over and over by myself growing up in the country. 

Yeezus by Kanye West

Because I’d never heard anything so explosive and cutting-edge before.

What advice would you give to artists coming through right now? 

Try VERY hard at the beginning. Then, when you’re good, don’t try so hard. 

Finally, and for being a good sport; you can name a song and I’ll play it here (not one of yours as I’ll do that).

Yesss. Please, could you play a new song by Foo Fighters called T-Shirt. It’s huge.

Thanks for the questions x

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INTERVIEW: James Ghareeb

INTERVIEW:

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 James Ghareeb

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I have been speaking with James Ghareeb about…

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his latest track, Do It with Luv. The single’s artwork depicts the songwriter slumped on a sofa – on a lawn - surrounded by debris. I wondered whether that image tied to the song’s themes and, indeed, what the song was about. I ask how his music has developed since 2015’s Hanging from the Stars and whether his time posting to Vine – an eclectic selection of cover versions – strengthened him as an artist.

Ghareeb reveals his gig plans and the music he is inspired by; what the Chicago-raised musician is up to later in the year – and what the local scene is like where he is based in Peoria.

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Hi, James. How are you? How has your week been?

Hey, I’ve been great.

Just got back to Chicago from rehearsal - for my next gig out in Peoria.

For those new to your work, can you introduce yourself, please?

I am a Pop singer from Chicago. I am relocating to Los Angeles. I have an awesome band that plays with me that give Reggae and sexy vibes.

Do It with Luv is the new single. What can you reveal about its inception and was it based on a particular girl/event?

Surprisingly, it was not about a girl: it was more about life today and the struggles that the world is going through. It’s about spreading love and appreciating the goodness in the world - rather than letting negativity take over.

The artwork sees you slumped on a lawn, surrounded by the remnants of a living room. Is that a predicament you’ve faced and has love, in the past, left you a bit uprooted and shut out?

Not necessarily.

It’s more about the goofiness of the video and how to have more fun in life - it’s meant to inspire people to be more carefree.

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PHOTO CREDIT: @joshuaburch

Your road into music was when you uploaded short clips to Vine. What was the reason for this and can you remember the first video you posted?!

L.o.L. I don’t remember the first video I posted...

Vine was a great way to share original and covers. I connected to a lot of people from it and actually made a few great friends from it. 

Many of the songs you tackled were by mainstream Pop artists. Is that where a lot of your current inspiration comes from – or do you find yourself taking influence from various other areas?

To be honest, I don’t find much inspiration in Pop artists' work - except for John Mayer, of course. A lot of my inspiration stems from Folk. For a long time, I’ve gone to Ben Howard, Bon Iver and JP Cooper for my inspiration.

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How would you say your music has developed since 2015’s Hanging from the Stars? Have you grown more confident as a performer?

I have definitely grown as a performer and a musician.

My work now sounds a lot more professional and structured - with many more diverse sounds and instruments.

Your sophomore release is approaching. Can you tell me how you came to work with Tony Ghantous and what tracks will be on the new E.P.?

I’ve been working with Tony for a couple years and I am very blessed to have him and his experience. I, unfortunately, can’t give away much detail - but a couple of my favourites are Colours and Get the Whole World High.

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Peoria, Illinois is where you were raised. (It seems pretty bitching). What is it like for an aspiring musician and how has the landscape and people inspired you?

To be honest...Peoria is not the best place to follow your dream.              

But, if you truly believe in yourself, others will start to believe in you. With that being said; I began to be inspired by the emptiness I felt. Watching people start to believe in me made me stride so much further to what I truly want.

Also...the silent cornfields do kinda help sometimes. L.o.L.

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What kind of music did you grow up listening to? How important are periods like 1990s’ R&B to your current sounds?

If we are being honest, there was definitely a time where I put on a jean-jacket and sang Usher in the mirror.

I, of course, love my NSYNC and Backstreet Boys.

Your fanbase is loyal and large. What message would you send to them right now?

I would first off say, from the bottom of my heart, thank you...

Second of all; I would say if you have a dream; make sure you are doing everything in your power to make it come to life.

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What tour dates are coming up? Any plans with regards coming to the U.K.?

I have a very big show with Matt Nathanson, coming up this October, and I also have a few in Chicago.

As for the U.K.; I hope I make it out there after the album drops (for a European tour).

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IN THIS PHOTO: Dermot Kennedy

Who are new acts you recommend we check out?

Hands down Dermot Kennedy and Tom Walker.

If you had to select the three albums that mean the most to you; which would they be and why?

Every Kingdom by Ben Howard

It helped me through very low times.

How to Save a Life by The Fray

The 1975’s first album (The 1975)

It helped me to not care about what people thought. Matty is a true inspiration.

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What advice would you give to artists coming through right now?

Keep grinding: if you want something bad enough, you will get it.

Finally, and for being a good sport; you can name a song and I’ll play it here (not one of yours as I’ll do that).

Play Deep the Water by Lewis Watson

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INTERVIEW: AFFAIRS

INTERVIEW:

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 AFFAIRS

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ANY Manchester band excites me but there is something…

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about AFFAIRS that stands out. I speak with vocalist James Robinson who talks about future gigs – the band plays on Friday 27th October at Café INDIEpendent; on Saturday 4th November at Night & Day Café, Manchester. The band have released the video for the new track, Gracious World, and reveal what they have planned for the year ahead. I ask Robinson about the AFFAIRS' start and what the music scene is like in Manchester.

He provides me an opportunity to get to know a rare force who have already gained support from a range of great radio stations – D.J.s like Chris Hawkins are among fans of the group.

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Hi, guys. How are you? How has your week been?

Good, thanks.

Busy as usual working on new material – which, we hope, you can hear very soon. We’re also rehearsing for our next Manchester headline show on Saturday 4th November at Night & Day Café (Manchester) which, of course, we can’t wait for.

For those new to your work, can you introduce yourself, please?

We’re AFFAIRS; a Manchester-based five-piece made up of Liam (Guitar/Vocals), Dan (Guitar/Synth); Jack (Bass), Michael (Drums) and James (vocals).

Our sound has probably best been described as Doom-Pop. 

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What is the derivation of the name, ‘AFFAIRS’? Are there any scandalous and sneaky affairs you guys have had – or is it something less naughty?

Too many to mention, to be honest – we’re all complete scoundrels, though that’s purely coincidental. I think Liam came up with the name originally – we liked the connotations of the word but also how it doesn’t really give much away about what we sound like.

Gracious World is your new one. What is the story behind the song?

It’s basically all about rejecting the idea of being tied down to a mundane, nine-five existence – sticking two fingers up at that philosophy and going out and seeing all the world has to offer. There’s a lot of sh*t going on - but the world still has a lot of beautiful things in it if you go out and look for them. 

The video, of the band playing the song, looks like it was a good shoot. Where did that take place and what was it like filming the video?

We filmed the video in Brunswick Mill in Manchester; a couple of floors above where we used to rehearse. We had fun filming it, though it got very warm up there. It was actually filmed by a very talented friend of ours, Matt Cochrane of Little Motel – check out his stuff!

It seems, in everything you do, you challenge the mundane. Would that be fair to say?

It’s certainly a compliment.

I think we just enjoy doing our thing and expressing ourselves in our own way. If that’s challenging the mundane, I’m happy with that.

Can you remember how the band got together? Did you know, when you starting jamming, you would have all this success?

The band started at Hull University and we bonded over our tastes in music and the desire to create it ourselves.  I don’t know if we knew how things would turn out when we started - but we’ve always believed in what we’re doing.

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Your songs resonate with taste-makers. What does it feel like getting big love from D.J.s like Chris Hawkins and John Kennedy?

It’s definitely great to have their support – always nice when people dig what you do, especially when they then play it on national radio!

Looking down the list of stations that have played your music; your catchment area is massive. Why do you think your music translates so readily and widely?

We have an excellent P.R. team.

Seriously, though; l I don’t think our music has a particular regional sound to it which could explain a wider appeal. We also get about a fair bit and have played shows all over the place - so I guess people have got to know us.

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How is Manchester’s music scene shaping-up at present? Is it quite a fruitful and exciting time being a Manchester band?

I’d say it’s always a fruitful and exciting time to be in a Manchester band as I don’t think the city has ever stopped producing quality music. There are definitely some big movements going on at the moment though.

I would recommend keeping an eye on Scruff of the Neck Records - who are working with some of the best.

What is it about the city that attracts so many people in?

The people here are some of the best in the world, and the city is just a constant hive of art and activity – there’s literally always something going on.

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Is there going to be an E.P. or album down the line? Do you feel, as a band, you have enough material for a really solid L.P.?

We’ve got a few ideas in the pipeline and I definitely think the material’s there - but you’ll have to wait and see for that one.

Can you talk about the live dates you have approaching? What can one expect when coming to an AFFAIRS show?

We’re headlining Night & Day in Manchester on Saturday 4th November with three other great bands – Indigo Velvet, WEEKEND WARS and TUSCAN SUN – and it promises to be a big one. With any AFFAIRS show, we can promise energy, emotion and an immersive experience.

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IN THIS PHOTO: Larkins

Who are new acts you recommend we check out?

...the three I mentioned previously who we’re playing with in November....

We’re also digging Holy Oysters, Cassia; Larkins and Swim Mountain at the moment.

If you each had to select the one album that means the most to you; which would they be and why?

It’s fair to say that Foals’ Total Life Forever is an album that was hugely influential on Dan and Liam (as songwriters and musicians).

Two Dancers by Wild Beasts will always be special to me – it’s a great album but was also the first time I listened to their music. Hayden Thorpe’s beautifully unique vocal was like nothing else I’d heard and, as a singer (though my voice is nothing alike), it gave me encouragement that a unique vocal style fronting a band could be a success.

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What advice would you give to artists coming through right now?

It’s a bit of a cliché but be true to yourselves; believe in what you’re doing and, most of all, enjoy it – because if you don’t, you can’t expect anyone else to.

Finally, and for being good sports; you can each name a song and I’ll play it here (not one of yours as I’ll do that).

Cheers! All of these can be found on our Autumn Spotify playlist:

tonite – LCD Soundsystem

Wait for Me – Swim Mountain

Lupo – Cairobi

Lure – Holy Oysters

Day I Day – The National

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INTERVIEW: Erin & The Wildfire

INTERVIEW:

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 Erin & The Wildfire

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THE intrepid and pioneering clan of Erin & The Wildfire…

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is led by the soulfulness and beguiling allure of Erin Lunsford. The band is based out of Charlottesville, Virginia – an area which, for the wrong reasons, has been in the news lately. I ask the guys about the recent terrorist/hate attack and what their response is. I was more eager to know about their new album, Thirst – and what we can expect from it. The latest single, Great Love, has a fascinating backstory – one Lunsford describes with great clarity and richness of language!

The band selects songs and albums that mean a lot to them and I get a great window into a group that both unique and relatable – and ask where their music will take them in the next couple of months.

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Hi, guys. How are you? How has your week been? 

Our week has been v. productive so far.

We had a vocal sectional practice and a horn sectional last night. We’ve got three shows later this week that are part of our album release tour - and we are enjoying the September weather in Virginia!

For those new to your work, can you introduce yourself, please? 

Hello, Music Lovers! Erin & The Wildfire is an energetic, goofy; Funk/Soul band from Charlottesville, Virginia - and we cannot wait for you to listen to our first full-length album!

How did you all come together? The band has a great chemistry. Was that an instant thing? 

Nick, Matt; Ryan and I met in 2011 at UVA in a student recording group called ORecords, and the musical chemistry was there from the start. I was the President at the time and I had to pick people to play on various songs we performed at the end-of-semester showcases. We jelled from the beginning and all had a shared passion for performance (and dad jokes).

Saxophonist and pianist Garen Dorsey joined the band in 2016 after we played together in a Jazz-Opera in Charlottesville - written by local trumpet prodigy, John D'Earth.

The most recent addition is the magnificent trumpet player, background vocalist; flautist and pianist Austin - who we heard would be a great addition through the grapevine. 

 

Great Love is your new track. What is the song all about and can you reveal a bit about its creation? 

Great Love was the last tune we wrote before recording the album - but it has one of the oldest origin stories.

When I was a fourth year at UVA, I got dumped…hard. It was devastating and unexpected and everything you might find after a first love heartbreak. At the time, I was doing an independent music study at the time with my favorite professor/teacher (ever), Dr. Ted Coffey. I confided in him/ugly-cried through our meeting about my hurting heart - and he shared a story with me about one of his breakups. He said he'd been dumped on Christmas Day by the person he saw his entire future with and that he felt like he'd never love again in the same way. BUT, he said he never knew the greatness a love could have until his most recent relationship: "The love I have now is a Great love."

I have held those words in my heart since then and call on them when I've felt hopeless about romance. Dr. Coffey also told me in the same meeting that this would not be my last serious heartbreak (L.o.L.). #wisdom.

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It is taken from the forthcoming album, Thirst. What kind of themes and experienced inspired the tracks? Was it an easy album to put together?! 

Thirst is about my quest for love: but this leg of the journey turned up all misses; the epitome of unrequited love. I'd say a quarter of the songs are about one person in particular who I chased for a couple/few years. The song, Thirsty, was the first in the series of longing songs followed by Nothing Drowns You Out; Meant for Me, One Woman Show and, finally, Great Love. Longing turns to obsession turns to insecurity - turns to anger turns, in the end, to a surrender of sorts with Great Love.

This album wasn’t exactly easy to put together - it took us several years. The last recording we put out was in 2014 - and we have been mulling over our songs and writing new things since then.

Is there a song from the album that is particularly memorable and important? 

Every song is special in a unique way to us: from the backstory to its evolution into a fully developed piece of music; but there are some really fun moments on the records beyond the songs themselves. Top-three for me are: 1) Nick’s laugh at the end of Hot Slice - because it’s so authentic and I think it’s a nice snapshot of our mood during recording (silly). 2) My dad’s voicemail from 2007 hidden somewhere in the album… oooooooo. It’s very sentimental for me and I hope other people relate to having memorable dad voicemails on your phone from ten-plus years ago? 3) Rodell Toliver’s funky voiceover in Every Single Song on My CD Is Gonna Be a Hit Pt. 1. (Yes, that’s the full title). Rodell is a talented guy and he made that song complete when he added his voiceover. Took him two tries?! He’s the man.

Not to mention he had the stomach flu while he recorded it!

How does Erin & The Wildfire write the songs? Do you all pitch in or will each member take a different song? 

Our songwriting process usually starts with me - I generate the melody, chords and lyrics for a song and then we arrange and fill in the song as a group. It’s a challenging but fulfilling process. I usually find inspiration when I'm on long drives. I have a huge 'note' in my phone that I keep adding lyrics to as they come - but I mostly record on my phone voice memo app. I can't say it's the safest process - I'm usually driving 75 M.P.H. on the interstate when a hook hits me and I have to get to voice memos on my phone - before it's gone from my brain forever.

Recently, we’ve been doing sectionals for horns and vocals to try to write and practice more carefully - and it’s going swimmingly!

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PHOTO CREDIT: G. Milo Farineau

It is quite a long and ambitious track. Was it hard putting it all together or did it flow quite naturally? 

I assume you’re talking about our single, Great Love, that we just dropped. This tune was definitely out of our comfort-zone when we first tried it out but, at the same time, it was one of the most intuitive writing sessions we’ve had recently.

The thick rhythm change at the end of the tune was a new idea for us but it came together easily - and it’s one of the most fun moments of our live set for me. 

Charlottesville is where you are based. What is the music scene like there? Are there a lot of opportunities and cool places to play? 

Charlottesville, VA is great and the music scene is lovely here. It's home. But, dang, the dating-pool is small! (see: One Woman Show, Great Love).  Charlottesville has some excellent venues including The Ante Room, The Southern (our personal favourite) and a couple larger venues we’ve been lucky enough to play a few times each – The Jefferson Theater and The Pavilion.  

Charlottesville’s scene is growing and we are excited to be a part of it!

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How did the band react after the riots that took place in Charlottesville a few weeks back? Was that a shocking thing for you all to see?  

A12 was an incredibly sad day for all of us...

Unfortunately, we had a show about four-hours away from home with almost no cell reception - so we were frantically trying to get in touch with our friends and family who were on the ground at the terrorist attack (and our van broke down that same day so we were scrambling to get home/find a mechanic/be near wifi to make calls etc.).

It was shocking and upsetting for us but we cannot imagine the distress and the heartbreak that the black community of Charlottesville must feel after such an ugly display of racism by Nazis and K.K.K. in their own backyard. However, we are especially proud of the resilience and grace with which our fellow C-villians and Charlottesville musicians have handled the trauma.

One week after the attack, I participated in a Come Together Charlottesville Concert that was put together by Charlottesville all-star musicians Jay Pun and Jamal Milner - hosted by The Jefferson Theater. The concert featured local musicians from a variety of genres and backgrounds and even one of the A12 victims, Micah Washington, who was brave enough to share her voice on the stage that night. We raised $7000 for the victims of the terrorist attacks but more money is needed to help get these people back on their feet.

You can donate and learn more here.

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What tour dates do you have coming up? Where can we come and see you play? 

Oooooh girl; we got some shows comin’ - and more to be announced soon: 

9/21: The Camel, Richmond, VA

9/22: Chiles Peach Orchard, Crozet, VA

9/23: Starr Hill Brewery, Roanoke, VA

10/1: Jibberjazz Fest, Summit Station, PA

10/12: 622 North, Blacksburg, VA

10/13: The Southern, Charlottesville, VA

10/14: Boone Saloon, Boone, N.C.

10/20: Velvet Lounge, Washington D.C.

11/24: Rives Theater, Martinsville, VA

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PHOTO CREDIT: Rick Krajnyak

Are there any plans coming to the U.K.? Have you played over here before? 

WE WISH!!!! ALL CAPS, O.M.G.

We would love to do a European tour and come to the U.K.! I’ve done a radio interview for a station there in London - when we released our last recording in 2014. Can we hang out with you guys if we tour over there?!

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IN THIS PHOTO: Illiterate Light/PHOTO CREDIT: Photo Joe: Joey Wharton

Who are new acts you recommend we check out? 

We’ve been really enjoying Illiterate Light, Theo Katzman; Midnight Snack, Shagwuf; Anna Ash and Joey Dosik.

We could go on forever…

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IN THIS PHOTO: Anna Ash/PHOTO CREDIT: Brandon Jones

If you each had to select the album that means the most to you; which would they be and why?

Ryan: Strange Mercy by St. Vincent

It pulled me out of a rut of appreciating only older music and revitalized my interest in trying new things - especially with guitar tones and technique.

Garen: Voodoo by D'Angelo

The album is flawless. The vocals, the instrumentation; the horn arrangements and the production.... absolutely nothing on the record is out of place - and the grooves are, somehow, ahead of and behind the beat at the same time. Never been out of my rotation for longer than a few weeks.  

Nick: Mine's Brother, Sister by MewithoutYou

It was the first time I realized how powerful a coherent record could be. Each song goes perfectly into the next and there’s a consistent sound without anything feeling like the same song. Listening to the drums on that album was also the first time I realized you don’t need crazy chops to have a powerful sound.

Matt: Outkast's The Love Below (one-half of a double-album: the other record is Speaxerboxxx)

It's a masterclass in thematic unity. Few albums that I know of do as good a job of exploring/employing such a wide range of styles and influences while still maintaining complete artistic cohesion throughout the work.

Austin: Earth Wind & Fire - Greatest Hits

Because catchy leads equally good backups.

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Erin: Little Sparrow by Dolly Parton

It still brings tears to my eyes and reminds me of my first experiences with music. This album was my first glimpse into the soul of a truly masterful songwriter - and an expressive and unique singer. Dolly Parton's spirit inspires me to spread joy. Little Sparrow was the first album I really studied and learned with my mom growing up. The first tune I ever learned by myself for voice and guitar at age eleven was Marry Me. 

What advice would you give to artists coming through right now? 

I’d say just keep swimming.

We’ve been at it for six years now and it’s tiring, not gonna lie. Music performance is a constant series of highs and lows but, if you dig it, you dig it. I feel at my most alive when I’m performing with my friends and connecting with an audience - I crave it, actually. I’d tell them Fame is not the goal: being in the moment is the goal.

I’d also tell them: don’t listen to me because I’m a nobody - go ask someone more successful who knows what they’re doing. 

Finally, and for being good sports; you can each name a song and I’ll play it here (not one of yours as I’ll do that). 

We have been using this playlist to keep track of some of our favs recently. (Thanks so much for talking with us!).

• Something - Lalah Hathaway & Snarky Puppy

• Atomic Bomb - William Onyeabor

• Don’t Huzzle for Love - The Apostles

• In My Room - Jacob Collier

• Pray for Rain - Pure Bathing Culture

• Only Girl (In the World) – Rihanna

• I Try - Macy Gray

• What’s Up - 4 Non Blondes

• Sunday Morning - No Doubt

• Back Pocket – Vulfpeck

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INTERVIEW: Cherryade

INTERVIEW:

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 Cherryade

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ELLA and Alex are the bodies, souls and brains behind Cherryade and talk to…

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me about their new single, Blah Blah. They are a fresh and colourful Pop act that looks set to make big footprints in 2018. I ask them about their future plans and how they got the duo together. The guys discuss the combinations and sounds that inspire their own music and how their songs come together – whether it is a natural thing or takes a lot of time to get together.

Alex and Ella tell me about the albums and legends that have moulded them; why their music has such a rich and instant chemistry; why they have worked with a range of different producers – and those new names we need to open our eyes to.

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Hi, guys. How are you? How has your week been?

Ella: Good thanks. I just got back from Rome!

Alex: Busy!

For those new to your work, can you introduce yourself, please?

We're a new Pop duo from London.

Ella: Popping cherries everywhere!

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Blah Blah is the new song. It sounds quite dismissive and has a definite attitude. What provoked the song and how did you make it sound so addictive?!

Alex: Haha, thank you! We always use our music as a way of venting - so the attitude and general bitchiness is something that just comes naturally to us.

Ella: We’re nice in real life, we promise.

How does a song like that come to be? Do you both work on lyrics and write music separately? What is the process for the duo?

With this song, we were working with an amazing producer/songwriter called Dillistone and we all just sat down together drinking tea and bouncing ideas around. He was looking after a really cute sausage dog at the time - which I think helped a lot!

What was it like working with Dillistone on the track? Did you feel safe being with such a talented producer?

Alex: I genuinely think he's one of the most talented people we’ve worked with so far. He was just full of ideas and a nice guy.

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It seems, even this early, you have cemented a desirable and instant sound. Is that because of the chemistry with Cherryade?

Ella: Well we've been drinking the stuff for a long time - so I think that’s bound to of had some kind of weird, chemical effect on us...

Alex: It's the additives!

Ella and Alex. Can you remember when you met? How did you discover you had similar music tastes?

Ella: We've been best friends since school!

I used to bully Alex for being ginger in the playground till I realised he had all the new C.D.s I wanted. So, we became friends and I got him to burn me copies of everything. It was great!

Alex: We also both hated that Catholic school and, once we got a bit older, started venting our thoughts into GarageBand demos - whilst getting drunk on cherryade and vodka before nights out.

Hence the name. Haha!

In terms of other musicians; who are the artists you are inspired by?

Ella: Lil’ Kim was my childhood hero! I think Grimes is awesome too.

Alex: Definitely MIA. I think that was the first gig we went to together.

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Cherryade have worked with a range of different producers. Is this because you don’t want to repeat yourself - or do you feel you are free to experiment with different names?

We just love working and collaborating with different people. It’s important to us to always develop our sound and switch things up.

Ella: I think this is the best way to develop. You have to branch out and try new things and we learn something new with every song we make.

Is there more material coming? What can we expect as we head into 2018?

Alex: Yes!

Ella: We’re really going to up our game 2018: lots of stuff to come.

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IN THIS PHOTO: Baby Tap

Who are new acts you recommend we check out?

There's a guy called Baby Tap who's really fun and crazy. He's got a song called Hillary Duff - which is amazing.

Alex: Dominique is great as well. I’ve had her song, Use Me, on repeat.

Ella: There's a girl from Norwich called Ginny Dix as well - who has an AMAZING voice.

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IN THIS PHOTO: Ginny Dix

If you each had to select the album that means the most to you; which would they be and why?

Lil Kim’s Hardcore

I got it when I was eight and I had no idea what it was about - but it was pink and my favourite thing.

Alex: Ahhh, this is so tricky… I absolutely love Britney’s (Spears) Blackout album so let's go with that.

It was just really unexpected and genius Pop. I want us to make an album with Danja!

What advice would you give to artists coming through right now?

Ella: Make spreadsheets and email everyone…

Alex: …literally…everyone.

Finally, and for being good sports; you can each name a song and I’ll play it here.

Ella: Baby Tap - Hillary Duff

Alex: Dominique - Use Me

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INTERVIEW: Pale Honey

INTERVIEW:

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 Pale Honey

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IT has been a joy speaking with Pale Honey.

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The Swedish-based twosome, alongside Anders Lagerfors, create stunning and emotive music. They talk about how artists like Josh Homme and Radiohead are influential; what the music scene in Sweden is like and how they came to meet one another. The guys discuss their favourite albums and their new album, Devotion. Get These Things Out of My Head is the current single from it – they talk about its origins and history.

I ask them about tour dates and whether we will see them play the U.K. They reveal how they have evolved (in two years) since their E.P., Fiction, and what themes are explored on their new album; a great new act we should check out – and how their week has shaped up.

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Hi, girls. How are you? How has your week been?

Hello there! We’re just great.

One of us is in Art School and the other is studying so, we have been keeping ourselves busy; planning for the album release - and tried the D.J.ing career at a Foo Fighters show in Stockholm.

All good, in other words.

For those new to your work, can you introduce yourself, please?

We are Pale Honey; a Swedish band with Tuva Lodmark (on guitar and song) and Nelly Daltrey (on drums).

We enjoy beer and making music together.

Can I ask about the name, ‘Pale Honey’? Is there a particular source of inspiration for that choice?

Unfortunately, there is no epic tale of adventures behind the name: we simply decided on it because we thought it sounded good. ‘Honey’ was a particularly beautiful word to begin with but we had to add at least one word more – and, after some thinking, we decided on ‘Pale’.

Smash them together and you’ve got ‘Pale Honey’.

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The album, Devotion, is out on 13th October. What can you tell us about the themes and ideas expressed on the album? What was it like recording and creating the music for it?

Besides being released on a dangerous date: the album sums up about two years of work that we started with after the release of our debut album.

It has been written between tour dates; at home and in the studio - and we’ve been very open about the songs and have been sure to give them and ourselves time to grow during this period. The overall theme is interaction, relationships between people or the relationship to yourself. However, we are open with interpretation and if a song reminds you of something entirely else than what we sing about - then that is correct too.

We were sure to give each other time to reflect and encouraged each other to try out whatever was on our minds – and, so, it was a very recreational album to record; especially since some things that are in the final mixes are taken straight from the demos.

It seems, looking at track-names like Why Do I Always Feel This Way? there are regrets and anxieties. Was it a particularly tough and transitioning time for the both of you – in terms of relationship and self-doubt?

It is a continuous process to get to know yourself and how you relate yourself to others.

In some way, yes, it was a tough time but it was tough back when we recorded the first album as well. It all comes in waves and by creating music we can put the feelings into context. It can be frustrating wanting to write ‘the perfect song, but in the end, we’re proud of what we put out.

This time around we really worked on supporting each other and as all songs are connected to us, personally. We worked on bringing forth what we really wanted to express. Even though some songs might seem to have a very set theme; we’ve worked with being open to interpretation and how we as a band could relate differently to certain situations or themes. The lyrics are all taken from our own lives, thoughts and feelings – and, if that is not a tough thing to do, then why even bother.

It’s all about expression and exploration.

What was it like working with Anders Lagerfors on the album? What did he bring to the record?

Anders has been working with us since we recorded Fiction E.P. a few years ago. Back then, he was the cool, sound technician ready to take on work as a producer – and, after some time, he decided to join us for a tour in a combi-car filled with three others and full backline… and we’ve been kind of stuck together since. Live, he rocks the guitar and sampler; filling out the roles that neither of us other two can physically do - while playing our own instruments. In the studio, he’s back to being the producer and has great ideas that we weave together into the songs.

It is a very open collaboration where we just dig into ideas and record whatever comes up.

Get These Things Out of My Head is out. Can you explain a bit about the song and where that originates from?

It is - and we are very happy about it!

The song started as a dark demo with a tonewheel organ just rolling out the melody and the pumping drums and, from there, we kept building on it. Tuva does the song melodies and, with this particular song building into something energetic but menacing, we decided to go all in for the desperation. The lyrics ended up being about O.C.D. and the frustration surrounding the state - not being in control or unable to break free from something, swapped from another; calmer demo song.

It has been two years since your eponymous debut. Do you think you have become more discerning and precise since the debut? What are the main differences one will hear on Devotion?

We do think so!

Some of the songs on our debut album we wrote as part of learning our instruments. Being on tour really made us shape up and practice by doing. For Devotion, the only older song is Golden - which was a candidate for the first album but didn’t really come together until the second album. We’ve put a lot of work into the songs of Devotion and left some candidates out - as we wanted the songs to fit together as well as they could. While not necessarily calling it discerning, we’ve simply moved on from the first album and the experiences and created a new one. Some would call it a more ‘mature’ album and we’re definitely not disagreeing - since the debut has songs collected from when we were teenagers and stressed with finishing the album.

Devotion is more well-thought-out and personal in the way that we let everything take its time and tried; rewrote and rearranged things until they sounded as we wanted. The lyrics are a real upgrade from the debut - where we didn’t have the courage to change whatever came into our minds when recording the demos.

That is something that, hopefully, people will notice the most.

Tuva and Nelly. How did you both, and Pale Honey, come together? What was it about one another that led to the formation of a duo?

We met at the start of the eighth-grade of high-school and played different instruments together as we got to know each other. It expanded to playing outside of school too and, after trying to play with others who had ideas too different from our own, we decided to get a fresh start by being just the two of us. That is probably where the duo feeling comes from but we consider ourselves to be a band - no matter how many or few we would create music with.

The roles are fluid when writing, recording and everything else that involves us. But, live, you will see us mostly playing our respective instruments.

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Gothenburg is your base. It seems there is a lot of great music coming out of Sweden. Why do you think that is and is there a big scene where you are based?

Ah, the wonders of the socialistic Sweden.

We’ve wondered about this before and we would like to start off by saying that we are very lucky to have the time and opportunity to create and explore. For us, it was about finding each other and crossing paths with passionate people that kept encouraging us to make music. If more people are excited about music, it becomes contagious. Forget about the asshole musicians who brag about themselves and bring down others: the ones that support each other are the ones that are worth remembering and that have a blast together. In the end, we think, or at least hope, that music for us Swedes is all about having fun or having some way of expressing yourself.

We’ve got it pretty good here and, so, most of the Swedes could find the time to create and play music without it having a negative effect on their lives.

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Who are the musicians you both grew up on – and inspired you to get into music? Do you both share similar music tastes?

When we met in high-school, we kind of flirted with each other showing each other cool bands we enjoyed listening to. Nelly showed Tuva Queens of the Stone Age and Eagles of Death Metal. Tuva introduced Radiohead and Jimi Hendrix (yeah, Nelly was the cooler one). So, Josh Homme has always been a great inspiration - whatever he has done has been perfect.

Nowadays, we have pretty similar music taste but we both are drawn in different directions - and that makes our creative process fun and enriching! Everyone gets a veto when we are out on tour and blasting music in the car.

What tour dates are coming up? Any plans with regards coming to the U.K.?

Yeah, we’ll do London (The Old Blue Last) the 7th November. We’re looking so much forward to that - the best burger we’ve had on tour was in England as well, and so, we really are the lucky ones to have been booked. The previous gigs we did in London have been fantastic and, as the 7th is the only date we have set in the U.K. so far for the tour, there are no excuses for showing up! Even our cowbell will be there.

The tour dates so far are the ones below, and more are currently being added and awaiting to be announced:

05/10 Linköping, SE @ John Doe; 27/10 Aalborg, DK @ 1000 Fryd; 28/10 Copenhagen, DK @Ideal Bar; 02/11 Reykjavik, IS @ Iceland Airwaves; 03/11 Malmö, SE @ Plan B; 04/11 Jönköping, SE @ Hush Hush Club; 07/11 London, U.K. @The Old Blue Last; 11/11 Tollered, SE @ Smedjan; 15/11 Uppsala, SE @ Katalin; 16/11 Bollnäs, SE @ Bollnäs Konserthus; 17/11 Gothenburg, SE @Pustervik; 24/11 Oslo, NO @ Ingensteds;29/11 Stockholm, SE @ Debaser Strand

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IN THIS PHOTO: ShitKid/PHOTO CREDIT: Arvid Sjöö

Who are new acts you would recommend we check out?

One day, we’ll find all the cool kids before everyone else does but, until then, we are enjoying ShitKid.

We have to let out the not-so-secret fact that we are still exploring already well-established bands ourselves - so keeping up with the unpolished gems is hard.

If you each had to select the one album that means the most to you; which would it be and why?

Tuva: In Rainbows by Radiohead

Because that’s the best album that’s ever been written.

Nelly: In Rainbows is a masterpiece - but I’ll go with Kashmir’s E.A.R

I listened to it a lot at a certain point in my life.

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What advice would you give to artists coming through right now?

Keep having fun; get to know others and be kind.

Finally, and for being good sports; you can each name a song and I’ll play it here (not one of yours as I’ll do that).

What a nice opportunity! Nelly thinks the world needs more cowbell - so let’s go for Do You Wanna Rock by Danko Jones

For Tuva; the song is Drone by Chastity Belt!

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Follow Pale Honey

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INTERVIEW: The Kondoors

INTERVIEW:

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 The Kondoors

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JESS and Gavin are a wonderful duo that makes up The Kondoors.

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I have known them for a while and can appreciate what a solid and impressive force they are – a married couple of the same musical soul and mind. I wanted to talk to them about their upcoming single, Mr Rain. It is out on 6th October and talks about the resolution of love; the light at the end of the tunnel. I quiz the duo on their musical background and how they met; whether we are going to see any more material later this year and what they have planned.

They discuss the artists who have helped mould them and the people influential to them; how their careers have evolved and how their paths intertwined and merged.  

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Hi, guys. How are you? How has your week been? 

Hi! Yeah, we're good thanks.

It's been incredibly busy few weeks for us. We just came back from Wales recording our album!

For those new to your work, can you introduce yourself, please?

Yes. We are The Kondoors, A.K.A. Jess Greenfield and Gavin Conder. We are married - despite our different surnames. Haha! 

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Mr Rain is your forthcoming single. What can you tell me about the song and how it came to life? 

That song came about after Gav was playing around with the first few chords when I was making dinner one night.

It was really catchy and knew he was on to something. It took a while to write it as we'd keep coming back to it adding bits and scrapping them. The idea behind it really was that we wanted to write a positive uplifting song that reflected the positive shift in our relationship.

We had been through so much sh*t and it felt like we had turned a corner. 

Jess and Gav. You are a couple. Were you in a duo together before embarking on a relationship – or was it the other way around? 

No. We met nearly fourteen years ago through a mutual friend who was running a band.

Gav was fronting it and they were looking for a female singer. That's when we first sung together (then). Once we became a couple (not long after), we thought we'd do some stuff together - just singing covers to earn money. It was only recently really that we wanted to make a real go of things, musically - doing what we wanted and putting our heart and soul into it.

Does being in a relationship make songwriting easier? How much of your relationship and experiences with love enforce your music? 

It is basically the crux of everything we write about, to be honest.

It is not easy to write together initially as we argue but then we somehow stumble on an idea or lyric and then it flows.

Sometimes, the songs pull on so many experiences and feelings that they are hard to sing. 

Can we expect an E.P. or album from you guys in the coming months? 

Yes, both!

Our E.P. will be out at the end of the year and we have just finished our album - and that will be out next year. We did the album at Monnow Valley in Wales live with a nine-piece band and co-produced it with Paul Stacey (Oasis/Black Crowes).

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Tell me how you both got into music. Did you both start out coverings or were you part of bands? 

Gav: I guess I got into music initially for the Rock and Roll aspect of it. I didn't start singing till I was about seventeen and I managed to get into a Soul covers band - and I realised that I could make a living out of it. I had always written songs though and always knew I wanted to be an artist. I began to meet really great musicians who introduced me to other great musicians and so on.

That's, in the end, how I met Jess. I always loved 1970s Soul and Rock - so it feels great to be writing and performing music of a similar style.

Jess: I was always around music from a very early age. My dad is a musician and I spent a lot of my childhood going around music shops and watching his gigs. I remember first going to Ronnie Scott’s aged (about) three or four! I realised I could sing aged fifteen and, after that, there was nothing else I wanted to do. I started off in covers bands and then doing lots of sessions etc. (same as Gavin).

Our lives have been incredibly parallel with each other. It's weird!

Who are the musicians that influenced you both, growing up? How important are your early experiences with music? 

Jess: Well; number-one is my dad. He not only taught me about great music but great feel and a strong work ethic. All the music he and my mum played have shaped who I am a musician. I grew up listening to lots of Latin and Soul; Funk and Rock - George Benson, Miami Sound Machine; Donny Hathaway, Stevie and so many more (from my dad) - and lots of World music and, of course, artists like The Beatles and Paul Simon from my mum.

Gav: I always loved bands like Pearl Jam and Metallica growing up. My parents were into Rock and then I heard Stevie Wonder - and my eyes were opened. 

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I can see you guys have performed some great gigs lately. Which dates stick in the mind and what have your recent gigs been like? 

Probably the Meraki Festival in St. Albans.

It was our first time on a main stage and it felt amazing. Our most recent gig was at Pizza Express in Holborn and it went down really well. We sold it out too, so that was good!

The Kondoors have so many fans and get a lot of love on social media. How much does that mean to you and what message would you give to them? 

It means everything to us. Really.

To know that people like what we do and tell their friends about it is incredible. We would like to say the biggest thank you - and to keep supporting us as that's what keeps us going.

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Have you got any plans for later this year? Will you get much chance to spend with family at all? 

Jess: I am doing a tour with John Illsley from Dire Straits for a couple of weeks, so that will be fun. Mainly though, we will be getting finishing touches done on the album.

What tour dates do you guys have coming up? 

We don't have any tour dates yet. I think next year we will do more live stuff.

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IN THIS PHOTO: Rider

Who are new acts you recommend we check out?

Yes; our friend Rider. She's incredible, both vocally and as a producer. She writes the most epic, heartfelt Pop.

Also; Vivienne Chi. Such an original artist with a really distinctive sound and voice.

If you each had to select the album that means the most to you; which would they be and why? 

Jess: Probably Jagged Little Pill by Alanis Morisette

What an amazing album. I think I had felt every emotion listening to that album. I think it helped me get through my teenage years, to be honest -  amazing songwriting and vocals.

Gav: Hard question. Probably Voodoo by D'Angelo. The playing on it is incredible - and he's like the modern-day James Brown.

What advice would you give to artists coming through right now?

It's a tough world to get into. Keep your eyes on what you want and don't be scared to do stuff yourself. Don't ever wait for anyone. If you believe in what you do and do it; someone will step in and help you with your journey.

Be nice and know what you want.

Finally, and for being good sports; you can each name a song and I’ll play it here.

Jess: I Believe (When I Fall in Love) - Stevie Wonder

We walked down the aisle to that song after we said our vows on our wedding day.

Gav: Circles by Vinegar Joe

It's just a great song. 

INTERVIEW: Sarah Hiltz

INTERVIEW:

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PHOTO CREDIT: Jordan Michaelis 

Sarah Hiltz

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CANADIAN artist Sarah Hiltz talks to me…

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about her new track, Without You. She is a singular talent whose voice is very much her own. A blend of different genres; she has echoes of greats like Billie Holiday and Joni Mitchell. I chat to her about the new single, Without You, and what we can expect from her forthcoming album, Beauty in the Blue. I find out about Hiltz’s musical past and the artists she is inspired by; what subjects inspire her music - and whether she is coming to the U.K. anytime soon.

Hiltz talks about long-term collaborators, Jordan Michaelis and David Puzak, and what the Canadian music scene is like; why her new album returns to a Folk sound – and which memories of the year stick in her mind.

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Hi, Sarah. How are you? How has your week been?

Busy, busy! (And a little sad).

I always feel a bit melancholy and nostalgic when September rolls around.

For those new to your work, can you introduce yourself, please?

Yeah! I’m an independent Canadian musician, based in Toronto.

I draw mostly from Folk and Jazz influences. Most of my songwriting focuses on finding a way to communicate the complexities of human relationships.

Without You is your new track. What can you reveal about its background and inspiration

Without You came after a long period of watching someone close to me struggle with severe depression. I’m kind of a slow processor, so it took me a long time to realize how much I was also affected by proximity. I think most of us don’t want our own pain to negatively affect the people close to us - but love doesn’t work that way. It hurts to see someone you love suffering; their pain doesn’t stop with themselves.

So, the song is kind of my way of saying, ‘hey, I’m on this road with you and we either fight or we fail together’.

It seems, from listening to the track, there is that difficulty balancing the effects of depression and maintaining a contented relationship. Was it quite hard putting that onto the page?

Yeah. It took a long time for me to be able to find the right way to describe my internal thoughts.

I spent a lot of time focusing outward; trying to tell myself ‘this isn’t about me’ - which is maybe true, in some way - but you can’t live life close together and not be deeply affected by each others’ pain. I think for me to be a better source of support - it was important for me to recognize that. But, also, important to find a way to communicate that in a way that, hopefully, doesn’t sound like blame.

I was going more for solidarity.  

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The album, Beauty in the Blue, is approaching. Can you tell me the stories and influences on the record? How much of your travels – and time as a travelling musician – go into the album?

It plays a big part, I think...

In Canada, there’s a program for artists to perform onboard our cross-country train in exchange for travel. I’ve done that trip several times and quite a few songs on the album are a direct result of that. Some of them are inspired by people I met: some are made of lyrics that I wrote while on the train… aside from all the strangers you meet and get to know on the train; it’s also really inspiring to see Canada that way.

There’s a lot of built-in time for reflection with nowhere to go and little in the way of distractions - which helps me to focus in on writing lyrics.

On it, you work with long-term collaborators Jordan Michaelis and David Puzak. What was it like working with the guys on the record?

Oh man, so great.

I love playing with them both - they sense so well where I’m going and what I’m trying to do. I’m so grateful I was able to have them in the studio with me. More than just laying down parts; they helped me express something beyond what I could capture alone - it wouldn’t be the same record without them.

It’s also the first time I’ve produced a recording that sounds like what I’m feeling or thinking - and that has a lot to do not only with Jordan and Dave and Kevin (Engineer and Co-Producer); but with everyone who worked on the album being willing to engage with the central message or theme of each song.

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PHOTO CREDIT: Jo Elis

The L.P. sees a return to Folk-driven sounds. Was this a conscious decision or did the experiences you went through demand a more contemplative and emotive direction?

In a way, it was a conscious decision.

Before we started recording, Jordan, Dave and I had been playing as a Folk-trio for a couple years. After a bunch of shows around Toronto - and a tour in Ireland and the U.K. - we had developed a certain energy - and I wanted to capture that dynamic in the studio. Most of the beds for each track are the three of us playing live in the studio.

After that, I wanted to fill in the gaps with whatever felt most natural and, usually, that was something that fell inside of a modern-Folk kind of sound. 

Is there a particular song on the album that encapsulates the entire spirit (of the record) – the one that has a particularly strong connection?!

I feel a pretty strong connection to them all.

They all seem to take turns being the thing that best expresses where I’m currently at - show-to-show, day-to-day. But, I do think of I Took a Risk as the sort of thesis statement for the record as a whole. It talks about a need to do things for myself, in my own way, and the sometimes-paralyzing self-doubt I experience after making a decision to do just that.

It’s the song that expresses my desire for clarity - and all the songs that follow are examples of me trying to find it in a particular situation.

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PHOTO CREDIT: Jo Elis

You are based in Toronto. What is the music scene like there and is it a part of the world, you think, more eyes should be trained on?

In terms of creators, I think it’s a really special place.

Toronto is home to such a wide variety of people from all over the world so the scope of music is really diverse and unique. It’s so interesting to hear where different genres and traditions meet and overlap. In terms of the industry, it’s a challenging place to survive as an independent musician: the city being as expensive as it is (the rent here, I tell ya!)

Who are the artists that compelled you to get into music? Can you remember the first musician that stuck in the mind and struck the heart?

Haha, yes. But I was really young, okay?

I think the first female musician I became aware of was Amy Grant. I remember my parents playing one of her cassettes at home and I was in the living-room and listening to it thinking, ‘I want to do what she’s doing when I grow up.’ She was just so cool with her leopard-print jacket and long, curly hair! I was three-years-old then and that was the moment I decided I wanted to sing.

I also have very early recollections of Neil Young and, having grown up an hour from Detroit, a lot of Motown artists (Martha and the Vandellas; early-Stevie Wonder) that have dug into my subconscious.

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PHOTO CREDIT: Tammy Foster

What tour dates do you have coming up? Any plans playing the U.K. this/next year?

I have a release-show on November 7th in Toronto and some dates in Western Canada later this year. I’m considering a return to the U.K. next fall but it’s unconfirmed at this point - still exploring to find the right venues and see if it will be feasible or not.

This year is nearing its end. Which memories have stuck out as being particularly special?

One really special night was the beginning of this year: I rang in the New Year on a train somewhere close to Edmonton, Alberta with a group of travellers from all over the world. As the night got later, and people started heading to bed, I was up in the dome car (where the roof and walls are all windows) with a just a few people.

Eventually, one of the staff came up and handed us the last open bottle of champagne - and said he was going to bed. We polished it off and sat watching fireworks over the city from a distance - and talked about the people we love and about music.

That night definitely stands out.

Who are new acts you recommend we check out?

Some of my favourite Toronto artists - Running Red Lights, Megan Bonnell and Abigail Lapell.

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IN THIS PHOTO: Running Red Lights

If you had to select the three albums that mean the most to you; which would they be and why?

Birth of the Cool by Miles Davis

This was the first record I heard by Miles Davis - and it was like nothing I’d ever heard before. I love the vibe, the arrangements and the melodies. You can really feel the energy of the group…even after all this time.

Wrecking Ball by Emmylou Harris

I never get tired of this album. Her voice is so unique. I love the songwriting and storytelling but, also I love, love, love the production by Daniel Lanois. It’s a Folk/Country album - but isn’t overly earthy or rootsy.

There’s something mysterious about it.

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PHOTO CREDIT: Jordan Michaelis

Emily’s D+Evolution by Esperanza Spalding

I heard the first single off this record – One - and was just floored by the melody. Esperanza Spalding is constantly pushing musical boundaries: every record she makes has its own special thing. I can hear the Joni Mitchell influence on this one and, as a fan of them both, it’s really interesting to hear that influence through Spalding’s lens. It’s also encouraging to hear someone as established as her make a record so outside-the-box.

It really defies categorization.   

What advice would you give to artists coming through right now?

Create as much as you can. Don’t let perfectionism stop you from completing something and moving on.

I’m still trying to learn that lesson - but I can see where it’s held me back.   

Finally, and for being a good sport; you can name a song and I’ll play it here (not one of yours as I’ll do that).

New Jerusalem by Cam Maclean!

Cam and I met as teens in our hometown - we took guitar lessons from the same teacher. I’ve always loved his songwriting - but this new recording may be my favourite-ever of his.

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Follow Sarah Hiltz

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INTERVIEW: HIGHLIVES

INTERVIEW:

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 HIGHLIVES

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IF a band can accrue a large following on social media…

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they are in a good position of authority. That may seem axiomatic but HIGHLIVES’ credibility and popularity stems from the strength of their sound – not some shallow sense of fame and looks. The boys are, admittedly, not ugly but they trade on quality music. I talk to the guys about their new single, Nothing Left, and what the song is about; whether there will be an E.P. following and what their tour diary is looking like.

I ask about how they connect emotions and relationships to their music and how their new music differs to the 2015-released E.P., Misguided Youth; how they all got together at the start – and what the origin of that unique band-name is.

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For those new to your work, can you introduce yourself, please? 

Ben: Hey. We are HIGHLIVES: a Pop-Punk band based in Bristol, U.K.

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What is the origin of that band-name, ‘HIGHLIVES’?

Liam: The name was decided before the band was fully-formed - we just thought it sounded cool.

Tell me about the single, Nothing Left. What compelled it and can you remember the moment it was written? 

Ben: Liam came over to my house with the lyrics finished and within half an hour we had the majority of the song written. After that, we went to Jordan’s to record a demo and came up with some lead guitar - and over time; James came up with the bass and Steve wrote the drums.

How connected to personal realisations/experiences is the song?

From my own interpretation of the song; I feel that it is about giving it your all in a relationship and it all falling apart anyway – which, I think, a lot of people can relate to.

It has been premiered here and the U.S. Is it flattering having American sources backing your music? 

I think it’s crazy how people in other countries are listening to our music - let alone media outlets working with us.

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Is this single going to lead to a new E.P. or album? 

We don't have any plans set in stone yet but we are always writing new material - so there may be something coming soon.

How does your new material differ, it at all, to your 2015-E.P., Misguided Youth? 

Liam: Nothing Left, in particular, is a lot more Pop-y than most of our previous stuff. We've never really stuck to one sound though - so it's difficult to compare them as each song we put out tends to be very different to the last.

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Can you tell me how you all got together? Was it an instant chemistry in the HIGHLIVES camp? 

We all met through friends or friends of friends...

It took some time to learn how to work best with each other- but, now, ideas bounce quite easily off of each other. We often stick to particular ways of doing things like songwriting and organising shows - because we've figured out what works best for us as a collective and makes us most productive.

Did you all share a love of the same acts (when you met)? Who are the artists you all grew up listening to?

Ben: We all like different bands. Growing up, I always loved Sum 41, The Offspring; Blink-182 and Good Charlotte. The first C.D. I ever owned myself was Blink's self-titled album.

Who are new acts you recommend we check out? 

Better than Never: best band ever!

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If you had to select the one album that means the most to you; which would it be and why? 

All Killer No Filler by Sum 41. My dad has owned the album for as long as I can remember and I've always loved it.

Finally, and for being good sports, you can name a song and I’ll play it here (not one of yours as I’ll do that) 

Learning to Swim by Better than Never

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Follow HIGHLIVES

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INTERVIEW: Michael Oakley

INTERVIEW:

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 Michael Oakley

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ONE cannot begrudge the excellent Michael Oakley for…

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slightly delaying sending back my interview. He was, rather selfishly, getting married and moving to Canada. I speak to the Scottish-born musician about his new video, Turn Back Time, and what it was like to shoot. Oakley chats about the concept and the stories within his E.P. He is a fan of 1980s music and has a real passion for the synthesiser. I ask him about the artists he grew up with and what it is about the 1980s that strikes him.

Oakley reflects on recent changes in his life and what the future holds; whether there will be new tour dates – and what advice he would offer any new musicians emerging.

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Hi, Michael. How are you? How has your week been?

Hey…well, funny you should ask... my week has been totally crazy!

I just got married to my amazing, beautiful wife in Canada - and we have spent the past week with my family and her family (which has been really nice).

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For those new to your work, can you introduce yourself, please?

I'm a singer/songwriter from Glasgow, Scotland and I love writing and producing retro-sounding, 1980s-inspired Electronic music.

What can you tell me about the song, Turn Back Time? What is the inspiration behind it?

Turn Back Time was written at the end of 2016 when I was seeing a girl I used to know from high-school - and we were getting on great…or so I thought. She cut me off and started seeing someone else without telling me - and I found out from one of her friends that it was because she didn't think I was all that interested in her…which I was totally surprised by. I was left with an overwhelming feeling of wishing I had made more of an effort and not been so cautious - maybe things would have been different if I had.

So; that was definitely the starting point for the concept of the song and, while writing it, I thought a lot about how, when you break up with someone and move on, you still sometimes have those moments of remembering how you felt when you were with them - when things were good and wishing you could be back in that moment; even just for a little while to feel the way you used to feel and remember what it felt like when they loved you. 

Musically, I wanted the song to have a John Hughes movie soundtrack feel to it - so, I started playing with those kinds of sounds to build the emotional backdrop for the lyrics.

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It seems to, appropriately, hark back to the 1980s. What is about the decade, and Electro music, that appeals to your creative sensibilities?

Well, for me, the 1980s is the greatest decade for music…

It's a time when everything was really vibrant, colourful and larger-than-life. It's the decade which has always emotionally moved me the most - and hit me in the feels - and made me feel warm and fuzzy inside for sure - as well as sparking my lifelong love for synthesisers. 

The video looked like it was awesome to shoot. Where was it filmed and whose concept was it?

Yeah. I had the most amazing time shooting my video!

It was filmed in Long Beach, California with my great friend Brad Kinnan and Joshua Paul Millar. When Brad and I met to talk about it, we didn't really know initially what the concept of the video was going to be - other than getting a DeLorean car and revolving it around that! I then had an idea of the video revolving around a happy relationship but, at the end, you find out the girl is really dead - and what you were watching was my memories. I liked the idea of that being a sort of metaphor for what it feels like when someone you love walks out of your life...

Certainly, the person you knew and shared your life with no longer exists: the way you knew them and all you're left with is memories. It was Brad's girlfriend Madison who suggested we make the video mostly first-person perspective; from me having the memories and focus on the girl in the video, Camille Prior - who was absolutely fantastic as my dead girlfriend.

She brought a wonderful charm and melancholy to the video that was perfect. The DeLorean was great because I'm a HUGE Back to the Future fan, but for me, Camille is the centrepiece that really made the video incredibly special.

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Looking at the video and it seems you have a future as a bit of an actor. Has going into T.V. and film, as an actor or composer, ever appealed to you?

Haha! Well you know I felt quite at home being filmed, believe it or not. I thought I would get all self-conscious and flaky when the camera started rolling - but I managed to slip into character and, luckily, it translated back well on scree…so, phew!

I don't know if I'll be making a cameo appearance in Game of Thrones anytime soon, though.

Is it true your sister got you into the synth. music of the 1980s? Do you give her royalties for that great tip – or tell yourself you would have discovered the music without her help?

Well... I had to wait till she went to work first before I could sneak in and listen to it!

Then, make sure I had dusted my fingerprints off all the L.P.'s and put everything back EXACTLY how she left it when I was finished. L.o.L. 

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IMAGE CREDIT: Tony Skeor

Who are the artists from that time that first struck your ears?

New Order, Pet Shop Boys; Depeche Mode, Erasure; Duran Duran and Tears for Fears were definitely the first artists that I got obsessively into.

I still love them now just as much as when I first heard them.

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How instrumental was the music you were brought up to where you are now? Do you think music peaked in the 1980s – or is there something about the decade that stands out to you?

I would say that, contrary to what a lot of people I know, think; I really believe this is a great time for new music right now. We live in the recycled generation where, creatively-speaking, we're taking the most beloved elements from past decades; fusing them together to make something completely new - but with modern production techniques.

I also think it's great that anyone can now buy a laptop and start making music easily - and have access to the kind of creative studio tools which weren't easily available and affordable ten or twenty years ago.

Everyone has a level platform to express themselves with, musically - and that, in itself, is amazing.

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IMAGE CREDIT: Tony Skeor

How much of your E.P. deals with personal events and romantic fall-out? Was there a time, when everything was going wrong - and you felt that music was the best way to make sense of things?

Yes, absolutely.

I started writing California shortly after a very painful break-up with someone I was in a long-term relationship with. I was completely lost in every way - emotionally and spiritually. The one good thing that came from that was that I started writing again after a long period of not doing so. I felt I had something to say and needed a place to channel my despair - and writing music was my kind of cathartic way of processing everything going on in my life.

Every song on the E.P. is a love song in all the different shades you can have: a love lost, a love found and a love you're trying to find. I didn't intend to write music again for anyone else to hear except me - which I think is why it's so retro-sounding. I decided to make the kind of music I loved listening to when I was a kid just for me - and I was shocked and overwhelmed at how well my music been received so far. 

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California is the name of the E.P. You took a trip there to see John Glenn Kunkel from The New Division. How did you two spark up a friendship and how important is his friendship to your life?

Well. Apart from being a massive fan of The New Division; I had also heard and loved John's solo-work on other projects; so I contacted him in the middle of 2016 and, from that, we started talking - and I asked if he would help me with my album which, thankfully, he agreed to do!

John is one of the most talented guys I've ever met and it was a real honour for me watching him work in the studio. He's the melodic master when it comes to getting detail on a track and finding what parts melodically complement each other - and changing parts that don't so that the music flows and builds naturally.

I think I drove him crazy towards the end of the sessions with my overly-obsessive ways when I'm in a studio working! But John is one of only a few people I trust enough to just sit back and let him take complete creative control on my songs - when I feel I have taken them as far as I can and need direction to get me back in ‘the zone’.

I'm heading back to Los Angeles in a few weeks’ time so it will be great to hang out with John and my fellow bro-ducers who helped me on the album - but this time, in a non-musical capacity but, knowing us, we'll probably end up working on something one of us has started! 

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IMAGE CREDIT: Tony Skeor

What was it like recording in California? Did it provide some reflection and was it the perfect place to rebuild and find some peace?

California, for me, is the most beautiful place in the world. I travelled over 6000 miles to record my album there, in Los Angeles, with some of the most amazing musicians I've ever met - and to have a life-changing experience.

It's definitely the best thing I've ever done and was great to step outside my normal life back home; to finish what I started but, you know, I went there thinking all I was doing was recording an album and having an extended holiday - when really what I was doing was making some great new friendships - and meeting and falling in love with my now-wife. 

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IMAGE CREDIT: Tony Skeor

How did it feel heading home after that time? Were you in a better space or was there a lot to sort out?

When I returned home, I was initially elated from my trip but quickly I felt frustrated and unhappy.

I think I thought I would go away and do what I wanted to do: have a holiday and come back to my old life refreshed and ready to carry on as normal. In reality, my experiences had changed me and I couldn't continue with my old life.

I connected with my true calling again and fell back in love with writing music - and I guess with life, also. I had met someone wonderful that I wanted to be with permanently who lived half the world away.

So, yeah, that was hard to deal with because I felt trapped - and it took a few months to slowly transition away from that and leave Scotland.

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Glasgow is your home. What is the city like for a musician such as yourself? Are there a lot of artists who play the same kind of music?

I'm now living in Canada with my wife but Glasgow will always be my homeland: I just haven't had enough time to miss it yet.

I think there are a lot of musicians living in Glasgow but opportunities to be successful and break out are very limited. You can try to build a fanbase online independently however, depending on what style of music you make, it can be almost impossible to break through without any help and outside support. I was lucky that I was in the right place at the right time when I started writing again. I sent the first song I finished, Rabbit in the Headlights, to online music station New Retro Wave and, to my surprise, they loved it and put it up on their station.

The reaction I got from that was unlike anything I have ever experienced - and I think the video is now sitting at 150,000 plays…which is insane. 

What tour dates are coming up? Where can we come and see you play?

I can't wait to play live but, as yet, I haven't got any plans to tour until 2018 - so watch this space…

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IN THIS PHOTO: Ulrich Schnauss

Who are new acts you recommend we check out?

Artists I've been listening to recently are Ulrich Schnauss, The New Division; Missing Words, FM-84; The Midnight, Talamanca and deadmau5.

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PHOTO CREDIT: Brad A. Kinnan Photo + Video

If you had to select the three albums that mean the most to you; which would it be and why?

Ulrich Schnauss – Goodbye

For me, Ulrich Schnauss is the king of Electronic music. I don't think anyone makes a synthesizer talk as expressively and emotionally as he does. It's hard for me to pick one favourite Ulrich album but, if I was pushed, it would be this. Goodbye is a hauntingly beautiful album. 

Jimmy Webb - Ten Easy Pieces

Although I love Electronic music and retro-sounding stuff; I also have a love for Acoustic singer-songwriters. Jimmy Webb is one of those songwriters from the golden-era who wrote for Frank Sinatra and Glen Campbell. He never took the centre-stage and always wrote songs for other artists. On his fiftieth birthday; he decided to record himself singing his ten most-popular songs - just him on the piano…and it's one of the most beautiful albums ever recorded. 

Depeche Mode – Violator

This is the band and album that changed my life. When I first heard Enjoy the Silence, as an eight-year-old kid, I knew immediately that electronic music and synthesizers were my future as a musician. If The Beatles spawned a whole generation of kids in the 1960S - to want to pick up a guitar - then Depeche Mode are the band that spawned a generation of kids in the 1980s - to want to pick up a synthesiser. I love this album so much that I have the rose from the album cover tattooed on my arm. 

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What advice would you give to artists coming through right now? 

Always keep your music and artistic expression pure.

Don't get side-tracked, mentally, with making money from your music - or how other people are going to respond to your music. You're making music for the love of doing it and for you and no-one else. You then sell that love you have for it more than the actual music itself. It doesn't matter if you aren't talented enough or don't have the right equipment - or if you don't really know what kind of music you want to make and lack direction. All that will come in time as you develop but, right now, make a decision to be creative with what you have - and keep moving forward.

I used to be in bands before writing and singing my songs which, looking back, weren't great but it was all part of my developmental journey. I still don't think I have reached that point yet where I feel accomplished or anywhere near as good a writer as the people I listen to and respect – which, I think, is a good thing.

There’s always room to grow - no matter what level you're at.

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Finally, and for being a good sport; you can name a song and I’ll play it here (not one of yours as I’ll do that).

John Waite - Missing You

This is one of my all-time favourite songs. I'm a sucker for a power-ballad…

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Follow Michael Oakley

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INTERVIEW: Ali Tommis

INTERVIEW:

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 Ali Tommis

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THERE is no doubting Ali Tommis is a busy man right now…

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what with the video for Leave It All Behind fresh in the ether – it was released on Sunday. He talks about the E.P. of the same name and the kind of music he grew up listening to. I ask him about his E.P. and what it was like recording it; why it has a piano-driven feel and the sort of events that compelled its best moments. He discusses his musical progression and how he transformed from a hopeful young artist to someone who is gaining a lot of attention.

Tommis looks ahead to tour dates and reflects on the time that has passed – and recommends a musical name worth keeping our eyes out for.

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Hi, Ali. How are you? How has your week been?

Good, thanks.

Got rained on a lot but it was good to get a great magazine feature this week - and a lovely blog review. Also, have been getting things ready for the Leave It All Behind video premiere this Sunday (17th September).

For those new to your work, can you introduce yourself, please?

Sure.

I’m Ali. I’m twenty-five and I write my own music, sing - and plonk away on a piano. Apparently, I began playing the piano when I was three but, to be honest, I don’t remember.

Can you tell me about the upcoming E.P., Leave It All Behind? What stories and events inspired the songs?

I think it was more my situation that inspired the songs rather than particular events or stories. I wanted to be a musician at seventeen but went to university and did a degree in Business - as a ‘back-up plan.’ When I graduated at twenty-one, I was like ‘ok; now, music.’ I was naïve about how difficult that would be. I love music and I love writing and making music - and trying to forge a career out of it has been the hardest thing I have ever attempted to do.

I think Leave It All Behind is about finding the strength to leave your old life in order to strive to live a life of your dreams - and the struggle of doing that.

There is an accompanying video shot in Portmeirion. It is home to Festival No. 6 and was where Supergrass filmed (the video for) Alright. What was it like filming there?

Amazing!

An incredible place to film and I never expected them to say ‘yes’ when I asked! Huge thanks to the location manager Meurig Jones who, not only allowed us to roll around on pedal go-karts, but escorted myself, my mates and the film crew around all day on a golf-buggy…absolute star! Incidentally, the golf-buggy has a guest starring role at the end of the video.

Joshua Leo Dorfman directed it and he and his film crew were really in tune with my ideas - and a great bunch of lads. The final edit that Josh produced is amazing and really shows the passion he has for filmmaking.

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Also, two of my best mates from uni, Ed and Jamie, made the mammoth journey from Aylesbury (in England) to appear as the people chasing me in the video. I was really humbled by so many people coming together to help me make this video - and am still filled with such enormous gratitude to everyone that helped!

Is there a track on the E.P. that especially resonated and means a lot to you?

Ooh…that’s tricky. They all mean a lot to me and my favourites change all the time...

At the moment, I would say the ones that resonate the most are Leave It All Behind and The Fear.

Leave It All Behind as it really captures the moment I’m in now: a real drive to make music my career; but also something that many twenty-somethings can hopefully relate to: as in the line “Wearing a brand new look to see the same old view, guess you miss what you never even knew.”

The Fear (too) as it is a song about battling self-doubt and fear - something we all face and that, as a musician, I have faced a lot. Someone told me the other day that the song really resonated with them so that meant a lot to me - as I always want to make music that connects with people.

It is piano-driven and relies on a huge musicality and sense of feel. How early did music come to you and what compelled you to start performing?

Well. My dad is a guitarist and my mum a pianist - so I was born into a very musical household. I was always doodling on the piano at a young age - though a real interest and passion for music didn’t begin to develop till I was about fifteen when I found an old Crossroads: Best of Bon Jovi album - and discovered I could play the piano parts.

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Do you remember the artists you grew up listening to and heard around the house?

I remember my parents listening to things like Sting and Chris Rea - Sting is amazing.

My own taste began with the Best of Bon Jovi album when I was fifteen: I realised that’s probably the least-cool band going. Those choruses were so big and unapologetically anthemic that it was just exciting. I was thinking ‘what is this’? The fact that my dad didn’t like them made me listen to them more: good old teenage rebellion. That evolved into Coldplay, OneRepublic; Thirty Seconds to Mars, John Mayer and Stevie Wonder.

I played their songs on the piano and really became obsessed with how songs were made; what chord progressions were being used; what key was the song in; what was the highest note the vocalist was singing.

I became such a music nerd (and haven’t stopped).

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You began songwriting aged seventeen. Eight years on; how do you think your music has changed and evolved?

I think when I started songwriting, I hadn’t developed my own style - so I was imitating the people I was listening to a lot more. Now, I like to think that, hopefully, it’s more me that you’re hearing rather than somebody else.

How does music drive and move you as a person? What does it mean to you, personally?

It’s hard not to sound like an X Factor contestant here...

It’s what I feel the most at home doing. I feel, when I’m writing and playing music, I’m being true to myself. I think nothing has the power to move people like music doe: it’s the most powerful medium in the world. I don’t know what I’d do without it (Hopefully, that wasn’t too cheesy).

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What tour dates do you have coming up?

I’d love to say I had a sell-out tour coming soon but, at the moment, I’m playing local venues around the North Wales area. Hopefully, this E.P. can be a catalyst for playing bigger venues - and going further afield for gigs.

Your fanbase is growing and show you a lot of love. Is it important having that support and how does it affect you?

Absolutely!

It’s the fuel to keep going. In music, there are no guarantees no matter how much work you put into something. It is daunting. So, when one of my songs gets played on the radio - or when people say they can’t stop listening to one of my songs - or that a song struck a chord with them...

It inspires me to keep working.

How does the rest of 2017 look? How will you be spending the next few months?

I’m looking forward to releasing the video on the 17th - and the E.P. on the 22nd. I’ve had great feedback so far so off the back of the release. I hope to start gigging further afield and really getting this music out there as much as possible.

Towards the end of this year, I’ll be working on new material (as well).

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IN THIS PHOTO: Quarterlights/PHOTO CREDIT: Natasha Barrett

Who are new acts you recommend we check out?

There’s this new band from London area called Quarterlights that’s fronted by my friend, Ollie Clark.

He’s a phenomenal musician and plays pretty much every instrument going. For Quarterlights, he plays the keys and sings. Their songs are fantastic and they’ve got a new video out for their track Why Don’t You Like Me? Catch it here.

If you had to select the three albums that mean the most to you; which would they be and why?

Tough question….

I have to say that James Bay’s 2015-album, Chaos and the Calm has to be one my favourites

Such a classic, authentic sound - and phenomenal songwriting. His voice and guitar-playing are next-level - so definitely that’s got to be up there.

John Mayer: Where the Light Is (is) such a fantastic live album

His guitar-playing is, in my opinion, the best of his generation. He does three sets - acoustic, trio and full-band - that are all amazing. I lived off that album in university!

Finally; I’d say the 2009 album, This is War, by Thirty Seconds to Mars

Insane vocals and choruses. I remember seeing them at the Big Weekend in 2010 and thinking that they wouldn’t be able to play the songs well live - because of the vocal difficulty. I was very, very wrong! (The fact that they were being sued $30 million by EMI at the time makes it all the more impressive).

What advice would you give to artists coming through right now?

Not sure I’m in the best position to answer that question but I’d say just keep working and believing in your music!  

Finally, and for being a good sport; you can name a song and I’ll play it here (not one of yours as I’ll do that).

Ah, great!

It’s gotta be Closer to the Edge by Thirty Seconds to Mars

That drumming and those crazy vocals! Never gets old! Thanks for having me!  

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Follow Ali Tommis

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INTERVIEW: Speak, Brother

INTERVIEW:

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 Speak, Brother

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THEY boast a powerful Indie-Folk sound…

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and differ to any other band out there. Imbued with subtle Gospel tomes and hymnal strands – their storytelling abilities have been compared to the likes of Fleet Foxes. I catch up with Speak, Brother about their new single, Magnificent, and what it is all about. The guys have played throughout the U.K. and been featured on BBC Radio 2. The Midlands band are preparing for a U.K. tour in November that will see them build hype and tease ahead of the album, Young & Brave – expected sometime in spring of next year.

The boys talk about their formation and who their idols are; what they get up to in their spare time – and how it feels knowing their music is being championed and applauded around the country.

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Hi, guys. How are you? How has your week been?

Hi. Cracking, thank you!

For those new to your work, can you introduce yourself, please?

We're a group of five friends based in the Midlands.

Can I ask why the band is called ‘Speak, Brother’? Is there a special meaning/story behind that?

Many of our songs are story-based with an inclusive message that communicates value. The name, I guess, comes from desire to connect and share these stories (and hear yours).

Magnificent is the new single. What is the tale behind the song? How did the track come about?

Have you seen the recent film, Fences, with Denzel Washington? 

Well, without giving away too many spoilers, right at the end of the film – it shows the main character's daughter whose birth came in a dark place. You couldn't help but feel compassion, hope and love for that girl. That, even though three generations of pain, hurt and mistrust came before her - there was a beauty and innocence in her eyes.

It's like looking at the pure unadulterated beauty of a new-born baby. So small and fragile, yet so full of potential and purpose - and completely unaware of its own Magnificence.

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There are Gospel and harmonic touches that recall Fleet Foxes. Are bands like that – Kodaline and Of Monsters, too – important to you?

For sure.

Others (also) like Elbow, Bon Iver; Kate Rusby and Peter Gabriel inspire us consistently too.

Young & Brave, your upcoming album, is out next year. What can you tell us about the L.P. and the kind of songs we will see?

It's our debut-album for which we've worked a long, long time on. It's stretched us creatively, musically and how we work as a band together - and for that, I'm really proud.

The album will feature a wide range of styles and dynamics: from Gospel/Soul vibes to Rock energy to stripped-back Folk storytelling.

It explores themes like the innocence and wild tendencies of childhood that are beaten out of us - along with stories of love; value, brotherhood and togetherness.

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Are you excited knowing the album will be out in a few months? Has it been quite tough recording or was it quite a learning-curve?

We can't wait!

It's been a MASSIVE learning-curve. It all felt like a process of letting go of what felt comfortable; to just exploring new things and jumping in with two-feet-first. At times, it was so hard leaving the safe and familiar of where we were before.

From the off, we knew we didn't want it to sound like any other Indie-Folk band: we wanted it to be us. Gavin Monaghan, who produced it along with his partner-in-crime Joe Murray, helped us leave…or rather, pushed us off the edge! 

Are there going to be more singles from the album – before the official release?

Yep.

We have another single in November and another in February - just before its release in April.

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Stations like BBC Radio 2 are fans of your work. Is that kind of backing encouraging to the band? Does that give you the drive to keep recording and pushing high?

We're so honoured for our music to have reached national airplay.

It’s the purpose of any song to be heard, so we're thrilled. Although, regardless of who plays our songs, it'd be our hope to never stop writing music.

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What tour dates do you have coming up? Where can we come and see you play?

We have a tour coming up in November for which tickets are now available:

03/11 - Big Comfy Bookshop, Coventry

04/11 - The Globe, Hay-on-Wye

05/11 - Costa Coffee, Barrow-in-Furness

08/11 - Hare and Hounds, Birmingham

09/11 - The Cavendish Arms, London

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Can you explain what touring is like for you guys? How much of a kick do you get seeing the fans react to your music? How important is it taking music to the people?

We all seek to connect, right? It's in our D.N.A.

When we achieve a real connection at gigs with people, it really sticks with us for a while. It's so fun and you learn a little more about the world and the people within it.

How do all of you spend time away from music? Do you all have hobbies or spend your downtime taking it easy?

We all have jobs still so most spare time goes to music! Other than that, it's reading, walking; seeing family and friends. 

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IN THIS PHOTO: Wildwood Kin

Who are new acts you recommend we check out?

We'd certainly recommend our friends Wildwood Kin.

If you each had to select the album that means the most to you; which would they be and why?

I don't think there is a single album, but....

Awkward Annie - Kate Rusby

Enema of the State – Blink-182

Bon Iver - Bon Iver

Joy of Nothing - Foy Vance

To Pimp a Butterfly - Kendrick Lamar

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What advice would you give to artists coming through right now?

Try your best to not compare yourself to another - it really doesn't help. 

Finally, and for being good sports; you can each name a song and I’ll play it here (not one of yours as I’ll do that).

Ah brilliant! Any song? How about:

Matt: Strangest Thing - The War on Drugs

James: Lost Worker Bee – Elbow

Dan: Kids - OneRepublic

Sam: Burden - Foy Vance

Nath: Lionhearted - Billie Marten

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Follow Speak, Brother

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INTERVIEW: Jamie Mathias

INTERVIEW:

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 Jamie Mathias

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WHILST reading Jamie Mathias’ answers…

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it occurred to me he must be among the hungriest artists around. He has announced the release of his album, The Great Escape LP, and has been working hard since his E.P. back in 2015. Songs are compelled by the good and bad aspects of love: the capricious nature of life and the experience common to us all. Started a Fire is the album's lead-off single and one I was keen to know more about. Mathias talks about that and his creative inner-workings; which of the album’s thirteen tracks stick hardest in the mind – and what we can expect from the L.P. in general.

He chats about the rest of 2017 and what he is up to; the artists/albums that impacted him hardest – and the reason music arrived in his life.

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Hi, Jamie. How are you? How has your week been?

Hey! I’m great, thank you…how are you?

This week has been busy as ever: meetings in London, studio-work and promo for the album!

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For those new to your work, can you introduce yourself, please?

Of course!

So…I am a mid-twenties (teenager at heart) singer-songwriter. If you had to put me into a genre I’d say 'Pop' - but it’s a lot more diverse than that. I like to touch upon a few different styles and I rap a bit, too. 

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The Great Escape LP is your forthcoming release. What can you tell me about the themes that compelled the songs?

So...the album was initially intended to be an E.P. - that comprised songs that I had written about my girlfriend at the time which covered various stages in the relationship (not just the good ones). It transformed as time went on and includes tracks about my struggles as an artist and other relationships.

Apart from If Only, they are all written from personal experience. Each track tells a story about exactly where I was or how I was feeling at the particular moment it was written. I feel that’s quite important for myself personally because, once I've got something off my chest through writing, I feel much better about it - and I like to be able to look back and be reminded of where I used to be and how things have changed.

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Was it quite a hard process recording or a lot of fun? How long did it take to record the album?

I wouldn’t necessarily say recording was a "hard process" - It was a long process though, for sure.

I recorded the bulk of the album with a producer/friend who has other commitments - so it wasn’t just something I could spend three or four-weeks-solid in the studio with him. We had the odd day here and there and then I’d sit on a track for ages and go back with ideas and things that needed changing. I would say my producers did most of the hard work. Once the songs were written; it was down to them to make them come alive.

We did have a load of fun, for sure, and I’d say it probably took around a year to make in total - but that was on-and-off.

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There are thirteen tracks on the album. Which ones, would you say, are most personal and stand out in your mind?

The majority of them are personal...however; I'd say Great Escape and Started a Fire are probably the most personal - as they were written when I was not in a good place, mentally, and I poured a lot of my heart out (in those two tracks).

If Only is a very emotional song but I had actually written that for someone – who, very sadly, lost their significant other to brain-cancer at a young age. The plan for that is to release it separately as a single - and split the proceeds between Cancer Research (UK) and the hospice that treated him.

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Started a Fire, the lead single, is out in the ether. What was it about the song that made you release it first? What inspired you to write that track?

I think Started a Fire needed to be released first as it’s the song that detaches me from the relationship I was in - and what I needed to get out before I could move on from there. The next single (putting aside the charity one) will be much happier.

The song is about feeling like I had bitten off more than I could chew with the lady I was with; feeling powerless and defeated.

It boasts a memorable and impressive video. Do you like filming videos and how important is the visual aspect of music to you?

Thank you! I’m sure the director will be thrilled to hear that.

I absolutely love being part of the video process: the visual aspect is vital to me. We like to create something that’s thought-provoking and something with an actual story to follow. The videos don’t necessarily follow the exact meaning of the song - but it’s usually an extension of this and a visual representation of my director Jessie’s interpretation.

Who are the artists you grew up listening to? Was music a big part of your childhood?

I was born in the 1990s and Oasis were always on in my house. They’re still an absolutely huge part of my life and there’s never a party where they’re not played at. Michael Jackson, in terms of artistry, is an absolute idol of mine - and gutted I never got to see him live. I’ve always loved listening to music but I can’t say it was a big part of my childhood from a playing perspective. I was a late bloomer into music - as I didn’t start singing, or even know I could, until I was sixteen.

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There is richness and seduction in your vocals.  Do you work hard on your voice or is it a result of the musicians that have influenced you along the way?

Thank you very much. I don’t think anyone has ever said that to me before.

I work hard in terms of singing A LOT…but I've never been technically trained or even studied techniques - I’ve just found my own way and developed it.

Other musicians, I’m sure, have subconsciously influenced the way that I sing.

How does music come together for you? Do you set time aside to write or do songs strike when you least expect?

Writing songs, for me, is usually something that comes very naturall - especially lyrics. That being said; it’s always best when I’m in the mood for it and there’s something I need to get off my chest. (Not always negative lyrics). Sometimes, when something or someone makes me feel a particular emotion so strongly, I can’t make sense of it properly until I have it written down in a song.

I prefer that kind of songwriting to going in the studio with a blank canvas - and trying to think of something whilst uninspired.

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After the album is released, what plans do you have? Will you get a chance to rest before the end of the year?!

I plan to promote it as much as possible and then gear things up towards a tour in January. I have a lot of meetings and a lot of demands from other people to take care of - so rest isn’t really going to be an option.

I’m doing something I love, though, so I can’t complain!

What tour dates do you have coming up?

The only confirmed show is my album-launch on the 29th September at Patterns (in Brighton). I just wanted to throw something to say thank you and to give people the opportunity to hear the new songs live for the first time. There will be a tour planned for January - but I can’t announce anything until it’s confirmed…

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IN THIS PHOTO: Ren

Who are new acts you recommend we check out?

My favourite artists at the moment are two friends of mine…

The first is called Ren. He’s had a career plagued by illness - but he looks to be on the mend now and he is incredible. He’s a multi-instrumentalist, singer; songwriter, producer and rapper. His wordplay is ridiculous and his first album he did completely on his own - so make sure you check out Freckled Angels.

The other is Dom Kent. He is an exceptional songwriter and guitarist and I've watched him develop from a thirteen-year-old up until now. He’s not the best with social media but his music is amazing - and I’m really looking forward to seeing him bring out a proper release.

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If you had to select the three albums that mean the most to you; which would they be and why? 

Definitely, Maybe, The Marshall Mathers LP and Whatever People Say I Am, That’s What I’m Not

They’re three absolutely massive records I know front-to-back and they make you feel something - which is exactly what music should do.

What advice would you give to artists coming through right now? 

I’m not sure I'm the most qualified person to be answering this question, to be honest, but the main thing I would say is to keep writing and constantly promote yourself. Once you put yourself in everyone’s eye-line; you don’t want to drop out of it.

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In an ideal world; great music would speak for itself - but it’s what you do after the records have been made that is equally, or perhaps even more, important.

Finally, and for being a good sport; you can name a song and I’ll play it here (not one of yours as I’ll do that). 

Oasis – Rock ‘N’ Roll Star

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INTERVIEW: Hill

INTERVIEW:

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 Hill

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MY detox and time away from Canadian music…

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has lasted all but a few days. I have fallen off the wagon and diving right into the colourful and warm waters of Hill. I speak with the fantastic Edmonton songwriter about the local scene and how music came into her life. She talks about her new song, On Camera – and what it was like working with Caitlin Cronenberg on it. I get a real insight into her songwriting and creative process; what the future has in store and the music that inspires (Hill).

Hill has an album approaching so she discusses that and whether a U.K. stop-off is a possibility; how the rest of the year is looking – and those great local artists we need to affiliate our ears with!

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Hi, Hill. How are you? How has your week been?

Hi! It's been good: it's been full of music.

For those new to your work, can you introduce yourself, please?

I'm a Canadian writer, producer and multi-instrumentalist who loves Mexican beers and making dark, moody; intense Electronic music with thick vocals.

Talk to me about the song, On Camera. What is the song about and can you remember how it came together?

The song is about B.D.S.M., essentially.

I was in Toronto working with my buddy Mike Schlosser (my co-producer) and I was like: "Ok, I wanna go here. I wanna go this far. Are you uncomfortable?" (and he's not that type). He just makes sh*t work and gives the writer, space and helpful ideas.

I like that it ended up poetic and yet still conversational enough that, to me, it feels personal.

Its video was directed by Caitlin Cronenberg. How did you come to meet her and what was it like working on the video?

I met her through my manager at GLASSLOVES.

Caitlin is the kind of cool where she has no idea how much of a badass she is. She was so relaxed to work with and her little dude (her son) was there hanging with us. Some friends came by and brought their dog...it was easily the most relaxed, and yet, simultaneously productive set I've been on.

She's very open-minded and insanely talented.

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PHOTO CREDIT: XoVideo

Was it as fun to shoot the video and who came up with the concept?

Arthouse and Caitlin came up with the details of the treatment. It was very fun and pretty quick. The treatment is meant to be a subtle nod to the lyric.

I believe you have an album due next year. Can you tell me anything about its songs and themes you explore?

Yes. It's an assortment of songs I've made over the last couple of years - because so much has changed in my life and taste and career that I've needed to re-evaluate my sound a lot. It's ended up being a lot more intimate and intense than it was originally bound to be, and I like that. Most of the content is very personal, actually: a lot of it came out of a bad breakup I experienced in the summer of 2016. I was a bit of a mess.

It turned out to be a real metamorphosis for me - dealing with it while being surrounded by very select co-creatives and songwriting my way to the other side.

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Give It a Rest is the title-track and was picked up for rotation on KCRW (in Los Angeles). Was that quite humbling and does the fact your music is played on big stations give you a lot of drive and encouragement?

Yes! Chris at KCRW has been amazing. He is very responsive and supportive. That was very inspiring to me as an artist - who's in for the long-haul of building a career.

I believe you have experience as a top-line writer. How did you get into that side of music and is it something you enjoy?

My work as a top-line writer came about randomly, through a few people I didn't even know, passing my music around.

I do enjoy it and it has made me a much stronger writer in a very short time.

Edmonton, Canada is your base. What is the music scene like there and are there a lot of great new artists coming through?

So many.

I can't begin to express my love for the Edmonton music scene. It is so positive and inclusive. There is unbelievable talent in my hometown. I’m excited to be working with some of them.

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PHOTO CREDIT: XoVideo

Can you tell me how music came into your life and was it a big part of your young life?

I began singing when I was eight and spent a lot of time in the small world of vocalists coming up in Edmonton. I later discovered the band-scene and then moved to Toronto for college where I really dug up what it meant for me to participate in a music scene - and what kind of role I wanted.

All my growth from the time I started has been through my peers.

Who were the artists that made the biggest impression when you were growing up?

That's hard to say because I mostly listened to top-40 radio. I just grew up singing along to the greats – Whitney (Houston) and Christina (Aguilera); Mariah (Carey) and Céline (Dion). I feel like I didn’t discover my personal musical taste until my last year in college.

I just absorbed everything.

What tour dates do you guys have coming up? Any plans on coming to the U.K.?

I would love to come to the U.K. as it's where most of my current favourite artists are out of (James Blake and FKA Twigs, for example).

How does the rest of 2017 look? How will you be spending the next few months?

I'm spending a lot of time Stateside and releasing one or two more singles in preparation for the album drop. I've got a show in my hometown (on Oct 6th) with Tei Shi, ggoolldd - and U.S. girls that I'm stoked for.

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 IN THIS PHOTO: Lyra Brown/PHOTO CREDIT: @meaghan.baxter

Who are new acts you recommend we check out?

(See above…)

…as well as Daniel Caesar and Kendal Thompson (both from Toronto); Darren Frank, Lyra Brown and Scenic Route to Alaska (from Edmonton).

If you had to select the three albums that mean the most to you; which would they be and why?

This is a big question….ok.

1. James Blake - Overgrown

2. Frank Ocean - Channel Orange

3. BANKS' London E.P.

What advice would you give to artists coming through right now?

Pay attention to two things: being great at your craft and being a good human. Do the work from a place of joy or passion - and be committed to making dope sh*t.

Finally, and for being a good sport; you can name a song and I’ll play it here (not one of yours as I’ll do that).

So Am I - Ty Dolla $ign (ft. Damian Marley & Skrillex)

This is my jam right now.

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INTERVIEW: The Dharma Jerks

INTERVIEW:

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 The Dharma Jerks

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I cannot remember the last time I interviewed…

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a French artist but, thinking back, it must have been Jazz songwriter, Ellene Masri. She resides in Las Vegas, now, so there are no French-based artists on my site. The Dharma Jerks have arrived and proves what a sense of the exciting, eccentric and wonderful music is coming out of Paris – the boys are based in the capital and revelling in its opportunities.

I speak with the chaps about the video for their song, Mary Anna; whether there is any more material coming up and how The Dharma Jerks came to be. They look ahead and state whether they are coming to the U.K. – and how their week has been.

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Hi, guys. How are you? How has your week been?

Physically? Well! Psychologically…?

As an Englishman...you may not know there’s a season before fall: here, it’s never a good time to change season.

But, our E.P. release is coming and we are pretty excited!

For those new to your work, can you introduce yourself, please?

We are four guys living in Paris – we have played together for more than a year. We play Garage and Psychedelic Rock: music to jump around and being fuc*ed up (to).

Nothing particular…

Talk to me about your new single, Mary Anna. Is it inspired by a particular girl? What is the story behind the song?

We prefer not to smear a lady in public (B.T.W…was she a lady?)

Mary Anna, I know, is taken from a forthcoming E.P. What can you reveal about that and the type of songs that will be included?

It’s our first E.P.; recorded in excellent conditions - which is rare for a first shot.

We recorded it live - which means we actually play together in the record. It’s tough but it’s the best way we found to communicate the energy we wanted to share. There are six tracks.

They represent most parts of us: naive Pop, obsessive psychedelism (sic) and violence.

I want to know about the band-name, The Dharma Jerks. Does it have a Jack Kerouac link (and The Dharma Bums)?

Well done for the reference - people don’t always catch it! It’s exactly about The Dharma Bums: we just replaced ‘Jerks’ for ‘Bums’.  

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The band is based in Paris. What is the city like for new music? What is the scene like there?

There’s huge energy in Paris in term of gigs and music. Every night, a lot of great people and venues organise events.

The city, and France, has faced a lot of threats and terrorism this year. How has that affected The Dharma Jerks and do you react to politics and how the country is struck?

We don’t really put a politic meaning in what we do...

You may answer that question and say playing music is, of course, somehow politic - but we are just four Jerks playing music very loud.

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Can you remember how you all got together? What was it about you guys that meant you set up a band together?

Imagine going on a Tinder date and she becomes your girlfriend…

The drummer answered an ad from Bastien and Aurelien - who were already playing together at home in an early version of The Dharma Jerks. He then came with a friend playing guitar.

There no doubt it has worked - because we were drunk the first time we played a gig together.

You say, on your website, you play music loud so you don’t need to talk to one another. Do you guys hang a lot outside of music? What is the bond like in the band?

Relationships are simple between us.

When we need to discuss any subject; everyone brings his own knife. So, we mostly play together and hang out when we tour.

Your music can be described as Garage-Rock. Who are the artists that inspired all of you? Did you all grow up around heavy and intense music – or was it quite a diverse education?

The band almost split discussing this question...

Next, please!

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What tour dates do you guys have coming up?

We’ll be touring in December, January (2018) and February in France: Paris, Bordeaux; Poitiers (and more T.B.C. soon).

Follow our Facebook page!

Is there any chance the band will come to the U.K.?!

We are definitely looking for it!

Glad you are ok for us to use your flat when we arrive - that’s so great of you, Sam!

Who are new acts you recommend we check out?

Nope.

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If you each had to select the album that means the most to you; which would they be and why?

Louis (Drums): The Who - Who’s Next

I’ve learned to play drums in order to play these drums parts.

Matthieu (Guitar/Clavier): Rival Sons - EP

Because I can’t get tired of this.

Bastien (Vocals/Guitar): Foxygen - We Are the 21st Century Ambassadors of Peace & Magic

Maybe not the one that means the most (there are too many); not the biggest sound, either, but definitely one of the most recent slaps in my face. A summary of the ’70s, carefully applied.

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Aurélien (Bass): The Velvet Underground - Loaded

Raw, simple - but so brilliant.

What advice would you give to artists coming through right now?

Never listen to the advice of a band who hasn’t yet released their first E.P.

Finally, and for being good sports; you can each name a song and I’ll play it here (not one of yours as I’ll do that).

Take on Me - a-ha

Drugs Drugs Drugs – Tonetta

You Shouldn’t Stick Around - Foggy Tapes

Oh! Sweet Nuthin’ - The Velvet Underground 

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INTERVIEW: Josephine Oniyama

INTERVIEW:

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 Josephine Oniyama

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A soulful chanteuse from Manchester…

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Josephine Oniyama has released the lead-off single, 'Til You – it will appear on her as-yet-untitled new album. I speak with her about the song and how it all came together; what the music scene is like in Manchester – and how Oniyama got into music in the first place. She talks about appearing on Jools Holland’s Later… and how her music has developed since her album, Portrait.

I find out more about the twelve-year-old songwriter who first connected with the art and kindled that passion; picking up the guitar her mum bought her and immersing herself in music. Oniyama talks about some of the musicians who have helped bring her songs to life and plans for the future.

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Hi, Josephine. How are you? How has your week been?

Hi, I’m fine thanks. Been a nice week

The new song, 'Til You, has had some wonderful feedback - and the weather’s not too shabby.

For those new to your work, can you introduce yourself, please?

I’m from Manchester. I did lots of touring with my album, Portrait, throughout 2013/'14. The album was the culmination of many years of writing and performing (have a listen).

It’s great, now, to be releasing some new music though - and gearing up towards a new album.

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I believe an album will follow. Do you have a title yet and ideas for songs – or is it coming together gradually?

I’ve been writing steadily - pretty much since finishing touring Portrait - so the songs are just waiting to be produced, finished off etc. Not sure what songs will be on there yet though but, as soon as that’s narrowed-down, I’m sure a title will suggest itself...

I like to let it depend on how the collection of songs works as a series.

'Til You follows your critically-lauded album, Portrait. There were some big collaborators on that record. How did you come to meet them all and what was it like having so many unique artists on your record?

Well. Most came about through suggestions from management etc. as I didn’t really know anyone in the industry before making Portrait - I was just a gigging musician, so I needed introductions. I met some great people, producers; songwriters etc. like Ed Harcourt, Leo Abrahams and Crispin Hunt.

They all helped to make the album what it was.

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Following the album’s release; you played at some great festivals and performed on Jools Holland’s Later… What was your most-cherished memory from that time?

It was all a bit of a blur really - but it had taken many years to get Portrait out and I was just really proud of the release and the way it turned out. So, I suppose the highlight was just having the album in my hands - and seeing it on the shelves and online as a finished thing.

Nothing can really top that...

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What is inspiring your songwriting right now and how would you say your work has changed since your debut-album stage?

I’ve learned a lot since the last album and, with songs, I’m just trying to keep it simple and deliver a straightforward sentiment. I understand the importance of melody much more than I used to (also) - so I’m always listening out for great melodies and thinking ‘I wish I wrote that’.

But, hopefully, those things inspire something new in me.

I understand your music passion began at the age of twelve. Was there a single moment that began that love for music?

Hmm…not really.

I think that music was always something that was there, from Day One. I got my first guitar around that age - so I had some means of channelling what was probably already there.

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Manchester is your home. How important is the city and do the people give you strength and confidence to play and dream?

I think home is important no matter what you do: it’s a place that’s always familiar no matter how much things change when you’re away. The more I travel, the more I realise how unique Manchester is for nurturing dreams – and not judging people who dream. You’re very much allowed to have ideas above your station in Manchester - it’s not always the case in other places.

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What else do you do outside of music? Do you have time to explore other avenues and passions?

Luckily, the collaborations and projects I’ve been involved in over the past three years have been really incredible - so they have allowed me to explore some of my other passions. I wrote two live film-scores; collaborated with Travis on their last album - and wrote and toured with Matthew Halsall and his Gondwana Orchestra.

Are there any tour dates approaching? We can we come see you play?

Nothing to announce right now but I’m in the process of working out the schedule for the next few months…so keep an eye on my website for announcements.

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PHOTO CREDIT: Natalie McCool

Who are new acts you recommend we check out?

Check out Shunya and Natalie McCool.

If you had to select the three albums that mean the most to you; which would they be and why?

Van Morrison - Astral Weeks

Real Synch-Folk full of weird moments. I love it because it’s full of performances never to be repeated.

Fela Kuti - No Agreement

It (just) reminds me of my family; about being young and not really knowing what music was about - but knowing that it was powerful.

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Arcade Fire - The Suburbs

When I heard this album, I just couldn’t believe it. The production, performances and songs are exceptional. It’s an album that really stays with you and you can’t forget.

What advice would you give to artists coming through right now?

Hmm…advice? Same as I’d give anybody really, musical or not: have a plan. 

Finally, and for a being good sport; you can name a song and I’ll play it here (not one of yours as I’ll do that).

If you have 17:31 mins (I found a 'shorter' version) to spare; play Fela Kuti - Go Slow (from Music is the Weapon of the Future)…

…If not; maybe you can play Travis – Paralysed

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INTERVIEW: Maya Wolff

INTERVIEW:

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 Maya Wolff

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WE are lucky enough to have artists like Maya Wolff in this country…

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creating some amazing music. She is German-born but has been in the U.K. since the age of nineteen. Moving away from Pop in 2006; she has taken her music in new directions and, in the process, amassed a giant fanbase on social media. I ask whether we can expect any new material soon and what the differences are between the British and German music scenes.

Maya Wolff is a hungry and multi-talented artist who is well worth watching as we head in 2018. I learn more about her background and the way her music has evolved; how songs come together for her – and whether music struck her at a very young age

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Hi, Maya. For those new to your work; can you introduce yourself, please?

I’m a singer/songwriter based in the U.K. I work with producer all across the Electronic genres and all across the world. The piano is another one of my huge passions - which is my go-to for songwriting and, sometimes, I even compose piano pieces-only.

Music has always been part of my life and quickly transformed from a hobby to a profession during my teen years.

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Can we expect to see new music in the pipeline? What does the remainder of the year have in store in that sense?

There is an E.P. in-the-making and it’ll be an E.P. with just my name on it: not a collaboration this time - even though I’m still working on collabs., too. Hopefully, I’ll be able to reveal a release date soon - for some time in 2018!

You are based in the U.K. but hail from Germany. What provoked the move and do you see yourself returning to Germany at any point?

This is an interesting question and I feel a degree of discomfort answering this question in the light of the political madness over the last year-and-a-half...

Being German, but having lived in the U.K. since the age of nineteen, the U.K. has become my musical home - and the U.K., being such an important musical hub for music, it certainly is a massive factor why I haven’t moved back to Germany yet (apart from that special someone keeping me here too).

I’ve always been excited about British artists and the styles that have come out of the U.K. 

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What is the music scene like in Germany at the moment? How do the music scenes differ between the two nations?

I have also noticed a massive shift in the music industry in Germany - so I don’t feel quite like such an odd artist anymore - on home-ground - and more and more people find their outlets for creativity there, too. Techno has made a huge come back recently and I associate Techno with a big scene in Germany.

Both my homes have had a big influence in my music in their own ways.

How do songs come together for you? Do you set time aside to write or do they come to you naturally?

There are a few different ways of working for me...

Sometimes, I just sit down on my piano and it all just comes to me like a magic wand has been waved. Other times, I write for someone else’s track and I imagine a story or a picture-  if I don’t feel any strong emotions going on in my life at that time, I make them up. 

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What made you want to take up music? Was it a big part of your childhood?

I’ve always wanted to make the music I love listening to and, in my teen years, a huge part of my listening was Pop.

As I grew out of that, and started listening to D'n’B, House; Trance etc., I started aspiring moving into these styles. 

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I know you teach music too. What is that experience like and how rewarding is it?

Teaching, to me, is highly rewarding.

I love passing on my passions and seeing my students grow and get excited about their talents. It’s not something I planned on doing: life just kind of went that way. It’s great and also reminds me that life will always bring changes about. 

How important is the fans’ support to what you do and how far you have come?

Fans/people supporting my music are what makes it all worth it.

I can write and sing in my studio all-day-long by myself - but that gets empty after a while. If no one witnesses it…did it even happen?

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What are your most treasured and fondest memories from your time in music?

Ironically, some of my most treasured memories are me by myself on the piano, especially when I was younger, because it was those moments that sparked my dreams – and put me on the journey I’m still on..

Do you have any tour dates coming in the next few months? Where can we see you play?

I’ve taken a break from performing this year. I’m especially excited about my E.P. - coming out next year.

I’m hoping to be back on stage (lots) again!

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If you had to select the three albums that mean the most to you; which would they be and why?

Due to the change in technology; I haven’t listened much to albums as a whole in the last few years - so my three albums go way back and might not be what you expect…

Eminem - The Eminem Show 

Linkin Park – Meteora

Backstreet Boys - Millennium 

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What advice would you give to new songwriters coming through?

Never stop improving yourself - and you’ve just got to want your dream enough to realise it!

Finally, and for being a good sport, you can name any song you like and I’ll play it here.

In the light of recent events, maybe my choice should be Linkin Park’s Numb - since it was one of my album choices

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INTERVIEW: Sloan Peterson

INTERVIEW:

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 Sloan Peterson

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THE incredible Sloan Peterson is the latest project from Sydney-based…

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songwriter Joe Jackson. She steps out from the Sydney South Coast D.I.Y. scene and, rustling through vinyl and lost gems, brings an incredible concoction of 1950s guitar-based Pop and staggering jive. After arriving in Sydney (as a teenager); Jackson spent endless hours recording through a laptop and filming homemade videos. She is now twenty-four and, on 22nd September, the Sloan Peterson E.P. will be among us. I ask about the record and how she came together with her band; what themes are addressed – and whether there will be touring of the work.

Rats and 105 are already out there – I Want You has just sneaked out – and it shows Joe Jackson, and her boys, are exceptional at blending vintage Rock ‘n’ Roll with modern flair and production. The inciting and quixotic lead talks about her music past and what the scene is like in L.A. – she has spent time in the U.S. – and whether Australian music greatly differs; who her idols are and, taking a big step in music, what advice she would give any upcoming songwriters.

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Hi, Joe. How are you? How has your week been?

Hi, hey; hellooo.

My week has been dandy - incredibly busy but great - thanks for asking!

For those new to your work; can you introduce yourself, please?

I’m Sloan Peterson aaaannnnnnddd, I like to pardy…haha no, but, seriously…I’m Sloan Peterson and I write, play and perform music.

How did you come to form the band? How did you meet the guys you play with?

My bass player was the bass player for my old band and, basically, (just) put the feelers out that I needed some reliable groovers to join my gang - and Oscar and Ben fell into my lap.

It was great.

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The music, as you say, is a mix of 1950s’ guitar-Pop and Garage-Rock. There are elements of David Bowie, Buddy Holly and Elvis Presley. Are these artists a big influence and how important do you think icons like Presley are to modern music?

Well. Elvis was not only the King of Rock’n’Roll but made it mainstream - he was one of the most influential musicians of the twentieth century. I listen to so many different styles of music.

I try not to limit myself as it’s where I get most of my influence while writing. It probably shows in my songs - how much they vary in sound.

The six-track Sloan Peterson E.P. is out on 22nd September. What can you reveal about the songs, sounds and themes explored throughout?

All the songs are very different - but they all tie in together somehow.

They were mostly written about love or heartbreak - with just the right amount of upbeat songs to slower, cruiser tunes.

Joe. You moved from Los Angeles as a teen and spent hours/days/weeks sifting through old records and recording on your laptop. It seems like you blend the classic and modern when it comes to music. How important is technology and vinyl in regards your unique sound?

Well. I think the reason the past is so hypnotic to me is probably because everything wasn't as accessible as it is now. I loved that people could still be original: now nothing's original as everyone is influenced by something or someone. Technology, to me, isn't terribly important: I’d love to give away my phone; delete all my socials and go off the grid – but, unfortunately, it's such an essential part of what I do.

There is something so magical about putting on a record in the lounge-room while doing things around the house - I think everybody would agree.

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I am a big crate-digger and vinyl enthusiast, myself. Either in L.A. or Sydney; is there a place you go to when you hunt for vinyl? What has been your best discovery when sifting through dusty records?

I generally love looking through op-shops - so many hidden gems and soo much cheaper. There is a great place in Newtown, Sydney called Repressed Records - who always have bargain-bins for records, too.

So much gold there, also.

How does the music scene of Sydney differ from that of L.A.? Are there a lot of great venues and fellow bands around you?

Australia has incredible music/bands happening right now. It’s funny how distinctive the sounds differ between each city, I find. Melbourne and Byron seem to have a lot of D.I.Y. Punk music scenes; LOTS of mullet hairstyles (ha). Brisbane bands have a kinda British Pop vibe, to me, and Sydney seems to be very into Electro-laptop music.

Venue-wise, there are only a couple of standard places that people play - but I generally find L.A. quite similar to Australia…except there are a million more people in that rat race.

105 was the debut single - and made in collaboration with The Strand Arcade. What was it like filming in the same location David Bowie’s Let’s Dance was filmed in? How influential was Bowie’s aura and spirit to the video’s conception?

It was such an incredible experience to film in The Strand Arcade. There was such a great team that I worked with as well. We shot from 6 P.M and I didn't get home till 8.A.M. (the next morning).  It was insane!

I actually didn't realise David Bowie had actually shot in there for Let’s Dance but was informed while we were filming - which was pretty amazing, really.  

The black-and-white video for the follow-up single, Rats, was directed by Luke Stephenson. What was it like working with him and do you think the concept best captures your love of stars like Brigitte Bardot - and musicians such as Buddy Holly?

Rats was a very quick home-done video. We were kinda running out of time and had thrown a bunch of ideas around - but we were influenced by ’90s Grunge film clips like PJ Harvey’s Man-Size. Rats is a song about hyperactive teenagers who feel kinda lost - while trying to find their way to adulthood. I unintentionally based my performance around that: it was very different to the film a clip to 105 as I wanted it to come across relatable and natural - so no hair stylist or makeup – and, the reason for the ’60s fashion, was because I dressed myself. Haha.

That was also an unintentional fusion of eras.

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Basically, I wanted to display the behaviour of an anxiety-ridden, hyperactive teen – so, hopefully, it came across that way.

How is the tour diary looking? Are plans on coming to the U.K. sometime?

For the end of the year, we are playing a lot of low-key festivals around Australia but, hopefully, (we’ll) get some international tour planned out for next year.

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PHOTO CREDIT: @mrjeremydylan

What is it like playing with the boys and do you have to keep them in line?! Is there a member of the band who’s a bit of a trouble-maker or a bit of a diva?

I love playing with boys: they are so amazing and usually listen to what I say, straight-up – although, when I asked Jesse to wear a dress recently, he was pretty reluctant at first…but I told him that sex sells and we have to make him at least ten-times sexier on stage. Haha. I think he bought it.

Oscar, our drummer, is pretty young and definitely likes to party; Jesse, our bass player, probably gives me the most grief. He talks back a bit and changes things when playing sometimes - but such a great bass player. He reminds me of the bass player from the band The Jam - ’cause he kinda plays bass like a guitar. It’s incredible.

Ben, my lead guitarist, is just the (most) sweetest thing…

If you had to select the three albums that mean the most to you; which would it be and why?

The Beatles – (every album)

Because they are timeless.

The Lemon Twigs - Do Hollywood

Because they are incredible performers and musicians. We supported them in Sydney - it blew my haircut clean off.

Laure Briard - Sur la piste de danse

It’s a dream of mine to sing a song in French! Laure Briard has an incredible album and videos that coincide. She's very talented!

What advice would you give to artists coming through right now?

Have fun but work hard: marketing is key...and look busy always.

Finally, and for being a good sport, you can name any song and I’ll play it here (not one of yours as I’ll do that).

Jesse Redwing - Turn Away

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