INTERVIEW: Brenda

INTERVIEW:

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 Brenda

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WITH a name like Brenda…

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 I had to ask the Canadian band where it comes from – and whether there is a cool story they want to share. The guys chat about their new single, Children, and why its video was shot in south-east London. I ask them about their track and what meanings/stories lie behind it; what we can expect from the E.P., Creeper, and whether touring will see them come over here.

There is a lot of good stuff in the pipeline for the band so I talk to them about the remainder of the year and what is ahead of them; the new artists we all need to switch onto – and the music that inspired them to get into the industry. 

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Hi, guys. How are you? How has your week been?

We’re great!

Currently in the process of putting the final touches on some things; creating new things and discarding other things - while juggling our work lives.

For those new to your work, can you introduce yourself, please?

Sure. Our band is Brenda.

Andrew plays the drums; Jordan plays bass; Matt plays the guitar and sings backup vocals - and John plays the guitar and sings! We’ve been doing this project together since fall, 2015. Jordan Matt and Andrew were in a Punk band previous to Brenda, based out of Toronto.

Andrew moved away for a while when we started the band with a different drummer - and, after some changes, moved back to Toronto and joined the fun.

Children is the new single. It talks about the inevitability of growing old. Was there a moment or realisation that compelled the song?

The realisation probably came when we first started getting into a studio all together...

John had some songs that he had the bare bones of (one being Children) that everyone, together, kind of fleshed-out and transformed into one if not many different beasts - before it took its final form. When we realised, after a ton of practices, that we may have something; we all collectively decided that this was something that we were really going to seriously try and do.

Everybody gets old: we might as well really do something if we were going to do it at all.

Do you chaps feel like you are awkwardly straddling childhood and adulthood? Is getting it out in song quite cathartic?

We’re sure everyone is getting a cathartic release when they write songs in some way or another - and isn’t everyone straddling adulthood and childhood?!

Children’s video consists of old home movies. Where did that footage come from? Is it original (made to look old) or taken from another source?

Artist Sarah Ann Watson, at a church service in south-east London, shot the footage on an old camcorder.

The service was a gathering to pay tribute to Joseph Grimaldi - an entertainer that was considered to be the father of modern clowning, that lived and performed in London around the late-1700s. Sarah is a family member, and close friend of ours, and she does incredible video work. She shot the footage before we finished recording and proposed it to us after.

It works really well.

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 PHOTO CREDIT: @brianmcmillanphoto

Toronto seems to be busy with life – so much so I am going to have to turn away artists from there due to the dominance on my blog. What would you say is the reason for this influx and output of quality?

There are amazing artists living all around Canada - so it seems only natural that they flock to big cities like Toronto, Montreal; Vancouver etc. Toronto has an extremely strong music community that tend to not only stick together when putting on shows, releases and whatever else - but they also open their arms to anyone that wants to get involved. Not only are the musicians open, but also the promoters.

Everyone helps everyone.

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PHOTO CREDIT: Dominique van Olm

How did Brenda get together and what is the origin of that band-name?

Like we said; Matt Jordan and Andrew were in a band together before.

Jordan met John through friends and knew that he was writing music alone - but always wanted a full-band project. They wanted to begin playing together again, so Jordan called up John…and the rest is history.

The band name kind of started as a joke that stuck. We were bouncing first names around that struck an image in our heads. ONE of us said, 'Brenda'. None of us has owned up to it but it strikes a high-school scene in the early-eighties. Ha ha.

That’s really all we have for the origin of Brenda, but it works!

Do you all share the same music tastes? Give me an insight into your record collections?

We generally ball-park the same kind of stuff at the core.

To name a bunch: The Black Lips, Fat White Family; Wand, Brian Jonestown Massacre; Ty Segall, Joe Walsh; Goblin, Jack Name; POND, Orb; Lightning Bolt; Marc Bolan, Psychic TV; Tiny Tim, Roy Orbison; Ex-Cult, Oh Sees; Night Beats, Black Rebel Motorcycle Club; Can, etc, etc, etc, etc.

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 IN THIS PHOTO: Thrifty Kids/PHOTO CREDIT: Victor Sweet

Who are the new artists you recommend we check out?

In Toronto: Crazy Bones, Hot Garbage; Jean Daddy, Possum and Thrifty Kids.

Elsewhere: Jerkcurb, Running; Speak Easy (in B.C).

What tour dates do you have approaching? Where can we see you play?

We will be at the Monarch Tavern in Toronto, October 20th - promoting a split we are doing with good friends of ours.

We are at the Piston on November 16th.

The U.K. would be a great place for you guys to perform. Do you get a chance to come over here much?

John is from the U.K. so he goes quite often.

We haven’t yet (for performing) but, hopefully, that will change!

It is coming up to Christmas. You guys have any plans at the moment?

Turkey and family!

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Can we expect an album or E.P. in 2018? What plans does the band have?

We may or may not have a full-length planned - we’ll both have to wait and see. We’ve definitely begun the process of writing songs that fit together well.

We definitely want to travel more.

What advice would you give to artists coming through right now?

Be nice to everyone and don’t be afraid to send out emails to everyone - even if you think you are annoying them.

Finally, and for being good sports; you can name a song and I’ll play it here (not one of yours as I’ll do that).

Sure…put up Crazy Bones - I Am the Sun

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INTERVIEW: VJ Jackson

INTERVIEW:

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 VJ Jackson

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VJ Jackson is a hot Dublin-based artist…

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who specialises in soulful R&B songs. He is waving the flag for Tallaght and hopes to become a household name. I speak to Jackson about his upcoming single, Famous, and what it is all about. He talks about the Irish music scene and what it is like for a young artist there – and whether he has any plans coming to the U.K. in the future. Jackson sang lead in a choir when he was young and busked in Dublin city centre when he was at BIMM – something that has helped him craft stage presence and confidence.

I ask him about artists he would recommend to us and whether there is any more material coming through before next year. Jackson talks about gigging and the artists who will be supporting him – and the albums that have made a big impact on him.

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Hi, VJ. How are you? How has your week been?

Hey, Sam, I’m good, thanks. How're things?

The week has been good and busy for me. Getting prepared to release Famous next week - and follow that up with my first headline show in The Workman’s on 19th.

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For those new to your work; can you introduce yourself, please?

Of course...I’m VJ Jackson; a Dublin-based artist specialising in soulful RnB-Pop songs. I’m a Tallaght native who has been on the Irish music scene for a few years now. Singing lead in choir from a young age and playing guitar, keys and drums; I began busking in Dublin city centre while attending BIMM college to develop my song and stage presence - something that I bring to all my performances and audiences; no matter how big or small the stage.

I’ve also just announced that my new single (and video for) Famous will be released on 5th October. We shot the video with graduates from Pulse College and will be kicking things off on Thursday 5th October - with the song available on all digital platforms - and in Tower Records - from Friday 6th.

To celebrate that, I’m putting on my debut headline show in The Workman’s Club on 19th October (with support from Rueben James, Sean X and Yomi).

Famous is your new song. What is the tale behind it?

Famous is about how people, nowadays, are generally only in music and entertainment for the fame – and because it looks easy but most of them don’t know how hard it can get to be into a sustainable position. You need to put work and sacrifice in all the time.

You have to invest in yourself and be prepared to go all the way.

I have had a look at the video and it looks like an interesting concept. Can you tell us anything about the shoot and what it was like to film?

The shoot was amazing.

We shot it on a budget - with some extra help and support - and made it work to make the best video we could - using two locations and a brilliant crew and cast.

With the concept, the thing about that is that our director, Daphne, brought an extra perspective to the song - which opened things up for me. We connected straight away on some of the ideas. At the end of the day - and hard work from all involved - it came together.

Everyone will get a chance to see what I mean on Thursday 5th!

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You confirmed your first headline show in The Workman’s Club on 19th October. Are you looking forward that show?

Yes, I’m actually just on my way into rehearsals with the band right now and we’re creating something special for the night.

Shout out to my manager Paul for making this happen, because I couldn’t have done it on my own. I’m looking forward to seeing my family and friends there - and to let them see how far I’ve come.

Rueben James, Sean X and Yomi are supporting. What is it about that trio that resonates?

Rueben has been grinding for years, same as me. We went to the same college (BIMM) and clicked from there. He’s humble and I like people that are very humble. He’s also very honest. I like to keep those people around me - and that’s why I picked him to support. We’ve also collaborated on a song before called Everything You Need - so we work very well together.

Sean X and I have a similar sound and genre and I wanted to mix the set up and not just have Hip-Hop or Rap, only - as he is a singer, too, like me.

Yomi is a young up-and-coming artist new to the game. We grew up together and he kept talking about his music. I wanted to help him out and give him an opportunity for people to hear his music.

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Is there going to be an E.P. before the end of the year?

There will definitely be another single or two before the end of the year – and, come 2018, we’ll be looking at an E.P. release. I’m constantly recording and working on my music so I have a wealth of material to choose from.

Who are the musicians that inspired you when you were young? Did you have a musical upbringing?

I was listening to Tupac, Tyrese; Neo and Chris Brown. I grew up in church, so I spent most of my Sundays there - as the lead singer of the choir at a young age - and played other instruments there too - piano, guitar and drums (which I still continue to do now).

My mum sings lead in the choir too - so that’s where I get it from, I guess!

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Dublin is your hometown. What is the city like in terms of music and venues? Is it somewhere you feel can further your career?

A great scene – it’s really buzzing right now. We’re booking shows and doing our thing, which is great.

Yes. I feel like I can further my career here: it’s a small city but that can also mean there’s more opportunity to get further and get heard.

Many people gravitate towards London and cities in the U.K. Do you think you’ll remain in Ireland – or are you settled there right now?

Yes. I will remain in Dublin because of opportunities here and the scene that’s building right now. Very soon, people will get to know the Irish scene better.

But, of course, I want to expand and play shows all over Europe, the U.S. and the world!

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Your fan numbers are rising and people are vibing to your music. How important are the fans and what message would you give them?

The fans are key: without them, or family and friends to support, artists would be nowhere.

Thanks for all the support and messages so far. Keep an eye on all my social pages and website for upcoming dates and new releases coming your way.

Are there going to be more tour dates before 2018? What are your plans for Christmas?

Yes. I hope to have more shows before Christmas.

At the moment, my manager and I are talking about a potential mini-tour before Christmas - but we’ll keep that under wraps for the minute.

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IN THIS PHOTO: Jafaris

Who are the new artists you suggest we check out?

Reuben James, Sean X; Yomi, Jafaris; Sion Hill, Killa Yan; King David, MathMan and Mango.

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IN THIS PHOTO: Sion Hill

If you had to select the three albums that mean the most to you; which would they be and why?

It’s not so much that they mean the most but they have influenced me recently;

Anderson.Paak - Malibu

Justin Bieber – Purpose

Chris Brown - Royalty

As artists; The Script and Coldplay count as influences.

What advice would you give to artists coming through right now?

Always be focused on your craft and improving it. Take time on your own and focus, the hard work pays off at the end of the day. You never know how close you are to getting to that next level.

Finally, and for being good sports; you can name a song and I’ll play it here (not one of yours as I’ll do that).

Sion Hill - Beaches

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INTERVIEW: Fai Baba

INTERVIEW:

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 Fai Baba

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THE Swiss Garage-Blues guru Fai Baba…

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announces the release of his new single, Can’t Stop Loving You. It is a fantastic song and shows an inventiveness and quality reserved to a selected few. The song explores new emotional and sonic dimensions: aspects that the musician seems to assimilate naturally into his solid core. I ask him about the song and the band he tours with; what lies ahead and whether he is coming to the U.K. in the coming weeks/months.

I learn more about music in Switzerland and how Fai Baba’s music comes together; why he spent time a shaman in a tepee – and whether his new music provides a sense of rebirth and perspective.

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Hi, Fai Baba. How are you? How has your week been?

Hey. I just came back from L.A. and I've got bad jet leg - but I'm full of energy!

For those new to your work, can you introduce yourself, please?

I'm a Psychedelic musician from Switzerland.

You are from Zürich, Switzerland. What is the music scene like there and are there quite a lot of great local artists?

Zürich is famous for Techno but there's an Indie music scene from time-to-time - it's a small city, so there's a small scene.

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Can’t Stop Loving You is your latest single. What is the story behind it and who came up with the idea?

It's a song for the one you love in your life.

If you lose your way, just listen to the one you love. I wrote the song but it’s arranged by the whole band.

How do songs come together for you? Do you write in stages or sit down and ensure you pen an entire song? What is the process for you?

It's always different.

Mostly, I just sing a song and there it is.

Can’t Stop Loving You has a wonderful, trippy video. It sounds like it was quite a gruelling and challenging shoot. Can you guide me through it and what it was like?

It was shot at some beautiful waterfalls in the valley of Maggia - in the Italian part of Switzerland. We were swimming and diving in the cold and crystal -clear water - and were absorbing the magic of Mother Nature.

Tatum Rush directed. What was it like working with him?

Tatum is a good friend of mine and working with him is always so much fun and a real adventure. 

In preparation for your latest song; you gave yourself up to a ceremony conducted by a shaman in a tepee. It involved an ancient brew named Ayahuasca. Why did you do that and did you need to shed off bad spirit and becoming reborn?

I was going through a lot of changes in my life lately and the Ayahuasca ceremony just came as a natural part in my life - and the medicine, indeed, gives you an experience of a rebirth.

What was it about that period of your life you felt the need to shed an old skin – castigate burden and demons?

The main thing was that I quit alcohol and hard-drugs: life is just too beautiful to be drunk and high all the time.

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I hear so many different blends and genres in your music. I can imagine your upbringing was eclectic. Can you remember the artists you grew up listening to? Do you find yourself listening to a wide array of artists?

It was mainly The Beatles and The Rolling Stones we were listening to at home. I listen to all kinds of music.

There's something nice and interesting in all genres...

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You are on tour – going on tour – with a great live band. Can you tell me about your band and how you met them? 

YEA! I have the most awesome band! We all love each other and always have a great time when we are on tour together.

We all met in Zürich because we all live there. 

The fifty-or-so dates you have will take you across Europe. Any countries/dates you are looking forward to? Is each show going to offer something new?

For sure...

The big cities like Berlin, Paris; Amsterdam, Reykjavik; London, Barcelona etc. - but every gig is different for us cause we don't just play a show: we play real, live music.

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You head to the U.K. in October. Have you been here before and are you looking forward to getting over here?

I've played in the U.K. before but never with this band, and sure - we're pretty damn excited. 

Who are new acts you recommend we check out?

Check out Björn Magnusson and Tatum Rush.

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IN THIS PHOTO: Björn Magnusson/PHOTO CREDIT: Lisa Lurati

If you had to select the three albums that mean the most to you; which would they be and why?

Mind Games by John Lennon

It's a record with many true love songs. 

A by Cass McCombs

It reminds me of a good time in my life.

Focus Level by Endless Boogie

When I hear that record, I go crazy.

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What advice would you give to artists coming through right now? 

Do what feels right - and drink lots of water 

Finally, and for being a good sport; you can each name a song and I’ll play it here (not one of yours as I’ll do that).

Fai: The Mamas & the Papas - California Dreamin’

Oli: The Velvet Underground – All Tomorrow’s Parties

Rodi: Beelzebub - Bruford

Domi: Motörhead - Ace of Spades

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INTERVIEW: Mark Sullivan

INTERVIEW:

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 Mark Sullivan

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IN a little over a week…

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Hertfordshire-based singer-songwriter Mark Sullivan hits the road with Emma Stevens, Megan O’Neill and James Fredholm. He is looking forward to the gigs, and no surprise – it is part of his In the Round Tour and is the start of a wonderful string of gigs. In fact; the young songwriter plays at a few great London venues and has a lot to be pleased about. His new single, Slip into Your Head, is out shortly - and is among his strongest work yet. I ask about the song’s creation and spending time in the hometown of Bruce Springsteen; what the legendary American means to him and other artists who compel his sounds.

I ask Sullivan about his music and the artists that inspired him; whether there are going to be other gigs – and whether there are any new artists we should all be aware of.

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Hi, Mark. How are you? How has your week been?

I’m doing well, thank you. My week has been great.

Finalising everything for the new single and upcoming U.K. tour has been hectic - but really exciting.

For those new to your work, can you introduce yourself, please?

My name is Mark Sullivan and I’m a guitarist/singer-songwriter from Stevenage. I have been playing the guitar since I was fourteen - and singing since I was about twenty-two.

I like junk food and a lot of things that are bad for you - but I’m also a big fan of good food.

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Slip into Your Head is the new track. What inspired the song?

Slip into Your Head is about when you love someone and you are prepared to do anything you can for them - physically and emotionally. It’s quite a deep song: it’s very different to my normal style of writing and that’s why I like it.

I feel it captures my message very well in the track.

You spent time in the U.S. and created the song in the hometown of Bruce Springsteen. Why was that part of the world somewhere you wanted to go to?

I was lucky enough to be able to work with Grammy-nominated producer Steve Greenwell on my E.P., Still Good for Nothing (available on Spotify) – and, also, this brand-new track (Slip into Your Head). I’m a massive Springsteen fan. It just so happened that Steve is from the same place as Mr. Springsteen himself. The town of Asbury Park is steeped in musical history and just being there was special - but also; to be able to write and record there was amazing and inspirational. Most nights there is live music - and some of the acts I got to see was a massive part of the experience.

It was a very special place. I’d recommend going there to anyone!

Is Springsteen someone you idolise and look up to as a songwriter and artist?

Yes, definitely! The man is a genius!

The whole town loves the guy as well. Everywhere you go in the town there will be a photo of him on a wall, in a restaurant, (somewhere) eating there - or they’ll be a personal note written by him, framed on the wall. In the studio, I was in recording and there was one of his flight cases that he had given to someone. I couldn’t believe my eyes!

What a legend of an artist that guy really is.

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Is there going to be an E.P. or album approaching? Any more music coming later this year/next?

Yes, definitely!

I am currently recording at the moment - having come back from America with lots of new hotel-room-written songs. I also have another song in the wings waiting - that we recorded in the U.S. - to be released in January (after Slip into Your Head comes out on 27th October). There will be another U.K. tour and a brand-new E.P. in April 2018.

So…a lot is happening and I’m really excited about what’s ahead.

Who are the artists you grew up listening to and influenced your music?

The first that comes to mind is The Beatles and Motown.

My mum and dad used to listen to it when I was a kid. As I started to play an instrument, I started to discover a whole world of music that I’m still discovering today. Some of my massive influences been Jimi Hendrix, Donny Hathaway; John Mayer, The Rolling Stones; Red Hot Chili Peppers, Reef; Bob Marley, Jeff Buckley; Led Zeppelin, Eric Clapton… 

I couldn’t list them all because there are too many - but there’s a few for you.

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Can you easily explain what music means to you and the advantages of being a songwriter? Is it something you feel born to do?

Music is everything to me.

It has helped me through bad times: it’s also created great memories for me. I feel it pulsing through my veins and it’s what I believe I am here to do. I am doing it and I will continue doing until I can’t do it anymore. It’s something I have to do.

You can’t really explain why: I just feel compelled to do it; to perform, to write; to create music and make my music connect with people in the same way that music has connected with me throughout my life.

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IN THIS PHOTO: St. Paul and The Broken Bones

Who are new acts you recommend we check out?

St. Paul and The Broken Bones. I would go and listen to these guys, immediately! I watched them live at Cornbury Music Festival earlier this year and they blew me away!

If you had to select the three albums that mean the most to you; which would they be and why?

Blood Sugar Sex Magik by the Red Hot Chili Peppers has definitely got to be one!

This album was a massive part of my musical maturity. Musically, this album pushed the boundaries and still sounds massive today!

Continuum by John Mayer

This album, for me, is a great journey from start to finish. John’s guitar-work is a triumph - and the album reminds me a good time in my life.

Grace by Jeff Buckley

If you haven’t heard this I would recommend listening to it. This guy’s voice and songwriting is from another planet. He has soul that Soul singers haven’t got!

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What advice would you give to artists coming through right now?

All I can really say is just believe in what you do and keep working hard.

Social media has to be active with good content and you have to have some good songs. However, music is subjective: what I like may not be what someone else likes.

Just be true to yourself.

On 27th of October, you perform as part of the In The Round Tour with Emma Stevens and Megan O’Neill. Is that the first time you would have played with them? Is that date one you are looking forward to?

The single is out on the 27th October - two days after the last tour date. Yes, I am very excited to perform with both of these great artists. I’m really looking forward to 13th October when we will be stopping in London on the tour to perform at The Slaughtered Lamb in Clerkenwell (tickets can be purchased here).

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What other dates do you have approaching and any you are especially looking forward to?

There a couple!

The first is on the U.K. tour to and it’s at The StabIes in Milton Keynes. This venue is incredible. The second is supporting a great artist called Joe Dolman at St. Pancreas Old Church on 6th November. I’ve wanted to play this venue for a while now - so I am really excited for this one too.

You have played so many gigs in your career so far. Is touring something you really enjoy and what is it about the road that speaks to you?

Yes, I love touring. You get to play to different audiences with people who don’t know your music; plus, you get to see different parts of the world.

It’s very tiring but, at the same time, very rewarding.

How is the rest of the year looking? Will you have time to relax outside of music?

The rest of this year is looking very busy - but, also, incredibly exciting.

I’m ready now to hit the road again (this year) and get out there! No time for time off yet, I’m afraid. The way I see it is I get to play music and do what I’ve always dreamt of doing - so I don’t need a holiday...yet?!

Finally, and for being a good sport; you can name a song and I’ll play it here (not one of yours as I’ll do that).

Ok. Thanks for having me! Please can you play Freedom by Jimi Hendrix

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INTERVIEW: Blue Nation

INTERVIEW:

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 Blue Nation

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I am aware there are great bands coming out of Birmingham…

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but we hear about so few of them. Maybe that is to do with media ignorance – and the reliance and exposure of London’s artists. I talk to one of Birmingham’s best. Blue Nation discuss the awesome album, Steady Your Soul, and how it came together – and what the songs are all about. Good Times is their new single and one that gets the body cranked, winding and moving. They talk about the mainstream and whether there is anything out there, like their music, that gets into the head.

I ask the fellas about future gigs and whether there are any outrageous demands on their riders; the albums they all love – and what the next few months holds in store.

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Hi, guys. How are you? How has your week been?

Hi. We are all good and working very hard on all things Blue Nation.

Last week, we played Rec Rock Festival in Derbyshire for the first time. It was a wicked boutique festival with a great vibe. 

For those new to your work, can you introduce yourself, please?

We are Blue Nation; a three-piece euphonic-riff-based rock band from Birmingham. We often wear Kaftans on stage and are trying to get the genre, ‘Kaftan Rock’, off the ground. This line-up has been together for about a year and came together very quickly - after the previous rhythm-section moved on.

Individually we are Neil Murdoch (Guitarist and Lead vocals), Chris Bloor (Drums) and Luke Weston (Bass Guitar and Backing Vocals).

By day - only because we need to...

Neil: I work in recruitment, mainly in London.

Chris: I have my own business doing custom artwork and refinishes on guitars. Neil’s ‘Clapton Fool’ S.G. in the Good Times video is one of my custom finishes.

Luke: I am a teacher working with children with autism - in a mainstream Birmingham school.

Good Times is your new single. What can you reveal about its story?

Neil: It’s about being in a place that you are struggling to get out of but knowing that the good times will return - and that you just have to push on through. Let the “good times come” captures the essence of the song.

Ask me after a couple of beers and I will elaborate.

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It is a stomping and energised track. It has a proper sense of purpose. Do you think modern music lacks urgency?

Yeah, for sure.

For too long, we have not had a band that really cut through and showed people that guitars and bands are the life blood of music. The world is so instant now: you become a sensation of this or that.

Time for a change, in my opinion.

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Luke: I don’t listen to chart stuff really but the things I’ve heard lately…it doesn’t go anywhere, does it? The music I listen to gives me identity - and its healing. Everyone is entitled to their opinion but if you think Miley Cyrus is going to give you more satisfaction or hold more substance and meaning than Pink Floyd…you’re probably not my kind of person, anyway.

Chris: If you listen to what’s coming from X Factor and Radio 1 then you’re listening to a product: something that is processed and canned for consumption by the masses. There are some amazing bands and artists around: you just have far more rubbish to sift through to find the gems now. There was an American band, I found a few years ago, called Rug and their album, 02, was incredible!

Like so many others, though, they faded away mostly undiscovered - choked out by the massive amount of rubbish that’s out there and gets played (instead of the good stuff).

The song is taken from your new album. What can you tell us about the songs that will appear on it? How does it differ from Steady Your Soul?

Neil: I so excited for the new album. We made a conscious effort to write melodic songs around riff-based Rock style. Each song will pin you to the back of the wall and make you listen. The new album is much more riff-based - I think the band needed that. Steady Your Soul has hints of riffs and was the next step for us - but this new album is a giant leap!

Chris: Steady Your Soul has great tunes on it - written by Neil and produced by Andy Macpherson. The new singles and album is just crammed with ball shaking riffs…it’s a real group effort. We quickly gelled and writing music is really easy between the three of us.

Luke: It’s the first album as this line-up - so it’s going to sound different. But, as Chris says, we seem to write songs so easily together. Expect well-written songs with nice harmonies - and riffs that are so dirty you’ll need to have a shower after hearing them (and a bit of me playing sitar, possibly).

Soon, you’ll be hitting the road with Dirty Thrills. You guys pumped about that?

Neil: So much so.

The lads in D.T. are sound and really welcoming: it makes touring with a band so much easier if they are nice lads. The D.T. lads have been sharing our stuff on social media and talking to our fans - which is cool in my book.

It gives us a great opportunity to support a very good band in top venues.

Chris: Yeah, I’m really looking forward to it. I love playing live: I absolutely live for it.

Luke: Playing live is pretty much what I live for, regardless of the gig. Dirty Thrills are great and I can’t wait to be sharing a stage with them! 

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Already; you have toured the U.S. twice. What were those experiences like and is gigging like for Blue Nation? Do you enjoy it?

Neil: (This was pre-Chris and Luke, so I will take this one…)

N.Y.C. is a mad place. We played, mostly, in Manhattan and Greenwich Village at C.B.G.B.’s, Kenny’s Castaways; Rockwood Music Hall etc. - which is steeped in history - so you try not to get overawed when standing on the same stage where Bruce Springsteen did his first N.Y. gig. Unfortunately, some of these great venues have had to close due to financial or lease issues. The audiences in some venues were tough but they always dug what we did.

By the end of the week, we had people coming to our next gig to see the English band with the kid, with the voice - so that was cool.

Touring with B.N. is a military operation (although we have nothing to do with organising it). Our manager does all the hard yards and gets us in the right place and time. For us, it's seamless and painless.

Maybe you need to ask him what it’s like touring with us? He may have a different answer.  

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It seems like, being a hot Rock band, you’d have a wild rider. Is it a pretty eye-watering set of demands from Blue Nation?!

Some things we can tell you…some we can’t.

Nah, we are not like that, to be honest. We like to treat people how we are treated. So as long as we have some water, food and snacks then we are pretty cool. If Dirty Thrills have the brown M&Ms, though, we are kicking off! (only joking)

Chris: Not really. I think we're a pretty easy bunch to please. Waitrose’s Salt and Vinegar Squares, though, are a must-have. If we don't have those, I’m not playing...

Luke: I don’t ask for too much really: I like a nice gin. I am vegan and the other two lads are vegetarian - so none of the Spinal Tap wafer thin-ham stuff. Gimme some tofu or falafel.

Birmingham is your base. Is the city quite full of great bands? What is the scene like there?

Neil: Birmingham has, and always will be, a breeding-ground for great bands. You can go into most music venues on the weekend and unearth some gems! The scene is really varied compared to other cities, in my view. You can listen to Ska one night and then a Post-Punk band the next - and an Indie band on a Sunday.

That’s what I love about Birmingham - the diversity.

Chris: Yeah. It’s energetic around the Midlands.

You can go to most venues on a Thursday, Friday or Saturday and pretty much guarantee that you'll find at least one good band playing.

Luke: There’s a lot of history and a lot of talent still here. One band to look out for is Verschiden. They are absolute quality.

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It seems like you love a mix of 1970s Classic-Rock and 1990s Britpop. Which artists do you all grow up listening to and aspire to be?

Neil: Led Zeppelin, Cream; Jimi Hendrix, Blind Faith - all of them - but also Ocean Colour Scene, the ‘Phonics (Stereophonics) and Oasis.

For me, it was Ocean Colour Scene. Steve Cradock is an exceptional guitarist and Fowler’s voice and songwriting is mind-blowing. I always wanted to be in O.C.S. and smash out Hundred Mile High City.

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Chris: I started to get into music when Britpop was at its peak.

it was magical; great bands were everywhere and all people cared about was music. They say you never get over your first love - and mine was Oasis. Their first two albums are up there with the greatest ever written. I love Ocean Colour Scene too and through that got into The Beatles - and then Hendrix - and then Led Zeppelin. I remember listening to Voodoo Child (Hendrix) for the first time and just being absolutely hypnotised by it - same with No Quarter (Led Zeppelin) and Champagne Supernova (Oasis).

Jimi Hendrix is God to me. Aside from the music, he was culturally so important. This wild-haired black guy tearing around the world with two geeky Brits - at a time when racial tensions in America were at an all-time-crazy-high level. He showed the world nationality and race doesn't mean anything at all.

It’s about what's inside the tin of beans...

Luke: I was raised listening to the most amazing music.

When I was around four; my mum and dad once dressed me up as a gnome and entered me into talent competition on holiday. I had to dance to The Gnome by Pink Floyd - so you can imagine the other music I was raised on! I prefer my 1960s and 1970s to the Britpop stuff.

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What other tour dates do you have coming up later this year?

Neil: Asking a band where they are playing is a big ask…

But, we have just started working with Ben from IAA Touring and there are some things happening - but not confirmed just yet - apart from the Dirty Thrills tour. We will be doing individual gigs and touring again to support the release of our three singles and new album next year.

Festivals offers are coming in for next year already, so it’s all go.

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Will the band get time to relax before the end of the year? What do you all do in your free time?

We are going to squeeze a little break in before the madness starts - but nothing too long. Mainly, just chilling out with friends and catching up with friends in bands. Music is never far away from us, to be honest.

Away from music, I train to keep fit; play football and watch Villa with my dad.

Chris: We’re always sending song ideas to each other - it never stops and to be honest – and I love it like that. Away from music, though, I do a lot of cycling and I am organising a music-related exhibition which should, hopefully, be amazing.

Luke: It’s a busy schedule for the next year or so! But I would much rather be busy in music than doing nothing. I do squeeze in Birmingham City football matches with my girlfriend.

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IN THIS PHOTO: MeMe Detroit/PHOTO CREDIT: JenniferStone.photography.

Who are new acts you recommend we check out?

Neil: MeMe Detroit, for sure; Charlie White and Verschieden. All great bands and artists who are going to be huge!

Chris: There’s a really good band called The Mojo Filters. I’ve seen them a few times and think they’re great.

Luke: King Gizzard & the Lizard Wizard, CHON and Car Bomb. The new At The Drive-In album, in•ter a•li•a, is incredible as well.

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If you each had to select the one album that means the most to you; which would they be and why?

Neil: Elbow – The Seldom Seen Kid

Specifically, the song Mirrorball. Why?! Because it perfectly describes the moment I met my other half.

Chris: Oasis – (What’s the Story) Morning Glory?

It’s the first album I totally fell in love with. Even listening to it today; it sounds great. Incredible songwriting - and it sounds so classy and elegant. Cast No Shadow is a five-chord masterpiece.

Luke: This one is so hard! But, I would have to say Quadrophenia by The Who

I fell in love with it at a very early age. It made me become a Mod. Every song is beautiful in its own way - and it’s my go-to album. If I’m having a sh*t day, I’ll stick it on and everything seems so much better!

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What advice would you give to artists coming through right now?

Neil: Don’t sign anything unless a lawyer has seen it.

Chris: Don’t do it for the money or the fame: do it because you love it. If you’re in it to get rich, you’ll be disappointed. If you’re in it to have a great time, then the party is this way…

Luke: Practice, practice, practice and gig, gig, gig; be yourself; use your influences - but don’t try and emulate.

Finally, and for being a good sport; you can each name a song and I’ll play it here (not one of yours as I’ll do that).

Neil: MeMe Detroit – How She Runs

Chris: Oasis - Cast No Shadow

 

Luke: Perfect Pillow by CHON

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INTERVIEW: James Fredholm

INTERVIEW:

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 James Fredholm

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I have been speaking with James Fredholm about his…

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latest track, Oars. The respected, Zurich-based musician discusses the inspiration behind the song and what Oars (released on 27th October) symbolises. It is from the forthcoming L.P., Love Is the Answer. He chats about the album and future tour dates – including a date at In the Round with Emma Stevens, Megan O’Neill and Mark Sullivan (who I feature tomorrow).

Fredholm tells me about his musical education and growing up in Austin (Texas) in the 1970s. He chats about his connection to poetry and artists like Neil Young; fond memories of his time in music – and the records that have impacted him the hardest.

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Hi, James. How are you? How has your week been? 

In one word: great!

I have been busy with marketing activities and getting ready for the upcoming U.K. tour. I will play at a club in Zurich on Thursday – I will see many of friends from this area. I have a weekend house in the Black Forest and enjoy long, autumn walks in the countryside.

For those new to your work, can you introduce yourself, please?

I grew up in Austin, Texas and came to Europe in the 1980s after university. I was in London for ten years, and then, Switzerland since 1998. I have always been true to my artistic heart but was quite busy with career and family for some years. Now I am on my 'road not taken’ as a full-time poet and singer-songwriter. 

This was always my dream.

Oars is your upcoming single. Can you tell me a bit about its background and origins?

It started as a poem and is in my poetry collection. 

The imagery was a metaphor about the search for meaning in life - and love was the intended destination. When I evolved it into a song; I was at that point of making the job change and just expanded it to reflect on how work, in my case, was kind of meaningless - an exercise in rowing.

I know a bit of the song concerns materialism and commercial lure. Do you think music is an industry obsessed with a quick dollar – or does your anger derive from industry and big businesses?

Well, in my case; it derives from doing something for the wrong reasons: specifically, a business career rather than something I felt passionate about, like art. Deep down; I always knew I was selling out: I felt kind of trapped by success; a victim of my self-doubt and social pressure.

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It is taken from the album, Love is the Answer. What does that title mean to you and how much of the record concerns battling hostilities and divisions with love?

Nice...I like that question. 

At a certain point in my life, I realized that love and people are way more important than the truth, success; being right. I had to rethink my approach to life and, over time, I get closer to my heart - which feels right. I get more distance now from what you call hostilities and divisions - I am an artist, not a soldier.

I believe you are accompanying the single (on 27th October) with a collection of poetry. Why did you decide to do that and what form will the collection take – in terms of themes and subject?

I was always writing poetry and when I started to ‘uncage’ myself it intensified. I wrote about three-hundred poems over the last five years dealing with my personal struggles, relationships and the meaning of life. The songs and the poems are interrelated and publishing them together adds to the context of what I am trying to say. 

Poems are more literate: songs are more intuitive.

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I guess you are a poet first; a musician second. Do the two disciplines overlap and interlock would you say?

Yes; they overlap beautifully.  

I also paint and find lots of connected inspiration from that as well. The source is the same: my inner-feelings and experiences; trying to express it in a meaningful way that feels right.

What was it like growing up in Texas during the 1970s? What kind of music were you raised on? Who are the artists that struck your heart?

It was amazing to be in Austin where there was this deep, authentic music scene.

Texas, itself, is a little backwards, but Austin was always different: a liberal university town with a cool, proud culture. I was raised on waves of music. First, The Beatles; then Psychedelic Rock like (Jimi) Hendrix and Led Zeppelin; eventually the more acoustic sounds of C.S.N.Y. (Crosby, Stills, Nash & Young), Neil Young (and many others).

I loved following local artists in the Austin scene - people like Stevie Ray Vaughn, Eric Johnson and Christopher Cross.

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Do you feel modern music has the same grandeur, conviction and quality as the 1970s? What are your feelings on the current scene?

Tricky question. 

I had the feeling that musicians in the ’70s were pioneers and not so much in it for business; it was more of a cause. Meanwhile, the times have changed. But, talent is talent - that has not changed. I never get tired of hearing new music. I am partial to analogue sound.

I have worked a lot with digital - but it doesn’t feel the same to me.

How is the rest of this year playing out? Where will you be spending Christmas this year?

I will be in the U.K. for the tour in October - and will probably get a place in London for the month of November. I will come back to Switzerland for Christmas, and then, to Austin for a while in the New Year.

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What tour dates do you have approaching? Where can we see you play?

Well. The In the Round tour in October will be in seven cities around the U.K. I am planning another U.K. tour in the New Year, probably March (to be confirmed later this year).

I know you are touring the U.K. soon. Is this your first time here and are you looking forward to the visit?

As I said earlier, I lived in London for ten years. I was in Brighton and Wiltshire for three months this past summer. 

I love the U.K. and plan to spend a lot more time there in the future.

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Emma Stevens is an artist you’ll be sharing the stage with. I am a fan of her music but I wonder what you connection is to her and why she is someone you are gigging with?

The tour was organized by our booking agency, IAA Touring. I have never met Emma but I like her heartfelt Indie music - and share many of the same influences she has. For me as a new artist, it is a real honour to share a stage and her fan-base.

I know we will have a great time - also with Megan and Mark.

If you had to select the three albums that mean the most to you; which would they be and why?

I would start with Neil Young’s Harvest

Second would have to be something from The Beatles - probably, Revolver

Third would be Nirvana - Nevermind

But I am glad I don’t have to narrow myself down because there is so much great music - I would be lost without it.

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What advice would you give to artists coming through right now?

Having now thought about this for all of about five minutes...

I would tell them to stay true to their hearts and to believe in themselves - no matter what comes.

It is so easy to lose yourself in today’s world.

Finally, and for being a good sport; you can each name a song and I’ll play it here (not one of yours as I’ll do that).

Well that sounds like a mood-question - and I’m in the mood to hear Flume by Bon Iver

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INTERVIEW: Us and Us Only

INTERVIEW:

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Us and Us Only

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THIS interview has been cooking for a while - so some of the…

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answers might be a bit obvious – or some a little outdated. The boys of Us and Us Only have been busy promoting their new album, Full Flower – it is their debut and a stunning record! Released on Topshelf Records; I ask them about the songs and themes explored; what the process has been like – and how supportive their label has been. Bored of Black is out there already: the title-track is a masterful work; there are so many other gems to be discovered.

Us and Us Only are from Baltimore, Maryland. I ask about the scene there and, with the grotesque Donald Trump causing endless issues – what it is like living in ‘his America’; some artists we should be aware of – and what they have planned as we creep into 2018.

PHOTOS CREDIT: Noorann Matties  

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Hi, guys. How are you? How has your week been? 

Hello! We’re, swell. It is hot-as-Hell in Baltimore.

I went to the farmer’s market and bought some coffee. My new roommate and I started preparing a garden in our backyard; saw my grandmother and talked to my dad about what I should be doing with my life.

All in all: everything is ok.

For those new to your work, can you introduce yourself, please?

We are Us and Us Only. We are not named after that one Charlatans’ album. I still haven’t listened to it - but I’m sure it’s very good. We got our name from a phrase in the liner notes of Some Girls’ The DNA Will Have Its Say.

We have five releases: two of which include our collaborators Lindsey Mills singing and Michael Tunk - who made the art for the Lifting Lake Eerie 7” and Full Flower. I’m very thankful to have the opportunity to work them.

Full Flower is our first (full-length) album and our L.P. with Topshelf Records - who are all angels, sent from Heaven above. They also recently reissued our three-song E.P., Bored Crusader, on vinyl.

Bored of Black is your new single. Give us a window into the inspiration or that song if you will? 

The title references this thing I do where I really only wear black clothing; because it’s ‘dark’ and ‘Goth’ - which is an attempt to oversimplify the actual meaning of the song.

Bored of Black is a song I wrote after making some big changes in my life. I drove to see a friend, who lived in the middle of the woods; got really lost; went into work late the next day. I had really romanticized sadness in my life and then realized that I had to be real - make more of an effort to take care of myself and the people around me.

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It is taken from the new album, Full Flower. It is your debut. Are you excited about its release and what kind of subjects and people inspired its creation?

We are very excited Full Flower is coming out. We’ve worked on this album for about two years. We had started the album with our guitarist, Dan Windsor, who played a huge role in helping to define the voice and vibe of this album. We were also fortunate enough to have Lindsey Mills come back to sing on this one.

I think one of the subjects that run pretty deep throughout the album is how necessary it is to move forward. We started writing this album when I was processing a lot of changes in my life - stuff that was positive and way overdue…but still jarring in essence. So, a lot of it is dealing with learning to care for yourself and learning to treasure the love given to you by people around you.

There are, also, some songs that are much simpler. I just always err on the side of doom-and-gloom.

Did you guys all know each other from a long back - or did Us and Us Only come together over time? 

We started because I had played a show in Baltimore a long time ago and, in a moment of weakness, left to go to sleep and forgot my guitar. I got a call saying that this person, Sean Mercer, had my guitar. I went to pick it up and we talked about playing music together. I was nervous so I asked Suica to come with me.

In the time after that, I met Dan Windsor through Sean. We played D&D (Dungeons and Dragons) sometimes and I ended up playing in his band, Dungeon Kids. I asked him to join. He worked with us on our last 7” and some of Full Flower - but went to film school to do dope sh*t in Canada. John joined after that and has been running with us…

I’ve known Lindsey Mills, who sings on Full Flower and our last release, for ten years. Her music is absolutely incredible.

Forever grateful for her presence on this album.

How important and supportive have your label, Topshelf Records, been towards your music? 

They’ve been wonderful, all along the way - Kevin, Seth, and Danielle are so obviously motivated to work with bands and artists that they love.

I’ve heard horror stories about labels, indie and major - and Topshelf is everything those labels aren’t.

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I am interested in Baltimore as a city for music. What is the scene like there? Are you seeing a lot of promising bands and artists come from Maryland?

Baltimore seems unique and magical in a lot of ways.

I think that if you aren’t from here and you tend to gravitate towards things from New York or D.C., it can be easy to miss how much is really going on here. There are venues like The Crown and the Metro Gallery - who are contributing so much to this city in regards to art.

There are larger artists like Dan Deacon and Beach House, who are both absolutely incredible, but we also have JPEGMAFIA, Chiffon and Surf Harp.

I know you have produced four E.P.s so far. How has your sound changed since your early days in 2009 and do you think the debut L.P. is a more focused and fully-realised work than your E.P.s?

There have been a lot of changes for us since 2009...

We’ve gone through members, life changes; switching instruments and (just) general progression as people. Our music has always reflected that. I don't think that we are necessarily ‘changing with the times’, so much as changing within the boundaries of our collective interests and ideas. This L.P. was a huge step for us - having only had shorter releases in the past - it gave us the first opportunity to really craft a narrative and tone rather than just a collection of where we were at musically.

This album has been the work of two long years. We’ve gone through different names, a slew of songs recorded and subsequently shelved - and more than a few different arrangements of particular songs. Bored Crusader and Full Flower both feel like we achieved what we were aiming for.

It’s difficult, but at some point, you have to trust in the song and the story that you’re telling.

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Looking down the L.P. tracklist; I am struck by one song: After Halloween Slump. That sounds like a bit of an intriguing one! It seems like song titles are important - and making them distinct. Would that be a fair assumption?

I would absolutely agree with that.

After Halloween Slump was taken from a poem by Richard Brautigan. The poem is about losing your magic; like actual magic. I wrote it at a time in my life where I was kind of started as square one again: I was basically re-learning how to be a person. So it seemed fitting...

There’s also Bored of Black, whose title is literally about my entire wardrobe consisting black clothing - in some weird effort to be Goth. It’s meant to oversimplify the content of the song - which is me deciding that I’d spent too long romanticizing sadness - and needed to get sh*t together and start moving forward.

Full Flower will be released on vinyl including gold, clear; white and blue-spatter. How important are formats like vinyl and is it important to keep these forms of music alive and visible to the younger generations?

I think that streaming services are wonderful - and there’s so many things out there that I would’ve never known about otherwise.

But, I think that people will always want a physical thing to expand upon (and associate with an album). You can look at artwork in iTunes or whatever - in this case, the art of Michael Tunk - and see that it’s beautiful and explores this vast scene...but it’s something wonderful to be able to see and identify it up close.

Shades of Death Cab for Cutie and The Weakerthans can be detected in your work. Who are the artists that have influenced your direction? 

I do have a special love for The Weakerthans...

When my grandmother had passed years ago, around when we released Dark Cloud Past, I had been listening to a lot of them and David Bazan - or his work with Pedro the Lion.

I’d say that, in the last few years, becoming more familiar with Sade has changed how I approach writing lyrics. We’ve also been influenced pretty consistently over the years by Wye Oak - who are from Baltimore.

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I have to ask whether Trump and his politics have any bearing on your lyrics and direction. How do you guys feel about him being in power and has the local music community been reacting to him in any way?

It would be difficult for our entire political situation not to influence what we make creatively.

On one hand; I write a bunch of songs acting like the world is always about to end – but, now it feels like, well…maybe this is the actual fuc*ng end of the world. 

Baltimore has responded to this, artistically (see: TT the Artist’s, Fuck Donald Trump), but this city is always making art that is a direct product of the society in which we live. I’ve been coming to shows here since I was fifteen - and seeing bands like Double Dagger.

Now, there are artists like Abdu Ali - who are making truly incredible and immensely important art. There is so much awful sh*t happening - but there are beautiful people with things to say about it here.

Can you each reveal the one album that means the most to you and why?

I’m deciding. Our collective most-important album is Prince’s Purple Rain.

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IN THIS PHOTO: Vagabon/PHOTO CREDIT: Daniel Dorsa

Who are the new/upcoming artists you advise we keep an eye out for this year at all?

Okay….so, some of these folks aren’t new or upcoming - they’ve been around…but I still want to tell you about them….

JPEGMAFIA, Nina Gala; Vagabon, Bedbug; Chiffon, Horse Jumper of Love; Surf Harp, Katie Dey; Crumb, Amazon Prime; Yohuna, Square Peg Round Hole; Johanna Warren, Museum Mouth; Puppy Problems and Go Cozy.

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IN THIS PHOTO: Johanna Warren/PHOTO CREDIT: Allyce Andrew

What advice would you give to any new artists starting out right now?

Sign with Topshelf - They’re dope.

Finally, and for being good sports, you can each name a song and I’ll play it here (not one of yours as I’ll do that).

That’s very kind of you, thank you. D.J. Us and Us Only - I like this...

Helado Negro - Runaround

Priests - Pink White House

Andy Shauf - Early to the Party

Thundercat - Them Changes

Charly Bliss - Percolator

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INTERVIEW: Stephanie Sounds

INTERVIEW:

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 Stephanie Sounds

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IT is fair to say music was born into Stephanie Sounds.

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I ask her about her upbringing and years in the church; how her father, Rev. Bazil Meade, impacted her love of music and what she has learned from him. She discusses her debut album, Much Better, and what the recording has been like; which tracks stick in her mind – and what plans she has for the next few months.

Keen to learn about her childhood and early music tastes; Stephanie Sounds reveals the artists that made an impression and what it has been like providing backing vocals to some of the music world’s biggest artists.

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Hi, Stephanie. How are you? How has your week been?

Hello! I am well thank you. 

I started this week with a good workout - so I’m ready to get to work.

For those new to your work, can you introduce yourself, please?

My name is Stephanie Sounds. I am a professional singer and, after a few years of living and working on my sound, I am ready to release my music into the world.

Your debut album, Much Better, is completed. What can you reveal about it and the stories that go into it?

My album, Much Better, is a very honest account of the ups and downs I have encountered in life so far.

The songs came about very naturally and are very personal to me.

Are there any particular tracks that mean more to you? Any that really stick in the heart?

I honestly love all my songs - as they are written from different places or from different experiences.

It seems Do You Love Me might be a particularly personal track. Tell me more about that song.

Do You Love Me is about my need of my parents love but not quite feeling like that understand me - or want to know me for who I am.

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The album explores darker issues like depression and anxiety. Did you feel it was important to address this in the album and make it more visible to those in a similar position?

Absolutely.

There’s so much focus on being strong and cracking on with life and not showing your true emotions - that people end up with depression or anxiety and not know how to process these feelings or seek help.

Music, for me, has played a major part in helping me express my feelings. It’s surprising how much a melody or lyrics can give you comfort or some clarity.

It’s important for people to know they are not alone.

How young did music arrive into your life? Can you remember the artists you grew up on?

Before I was even born - with both my parents heavily involved in music, plus a lot of my extended family, it was really in my blood. My mum has a picture of me, aged three, in my little pink dress singing on the stage - so I caught the bug very early.

I grew up listening to a whole range of artists - from Walter Hawkins to Michael Jackson and Anita Baker, and then, later on, I was hooked on all the 1990s' R&B groups and singers such as Faith Evans, Mary J. Blige; H-Town and Jodeci.

Like most teenagers, I went through my ‘Goth stage’ - and got into some ‘light’ Metal and Soft-Rock. Haha!

You dad is the Rev. Bazil Meade from the London Community Gospel Choir. Did you go to church a lot and sing? What was your upbringing like?

We attended church every week - unless the choir had a concert elsewhere. I would only really sing in church if I was performing a special number. Other than that, I would sing at the top of my voice in the congregation.

As I got older, I would be out touring with L.C.G.C. across Europe and the U.K. - often taking a few weeks off school during term time - but my teachers were great about it!

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Is it quite hard telling people you are not exactly like your dad – and you are not purely Gospel?!

Not at all.

I have always been my own person and made sure that I do what makes me happy. Some people make assumptions about what my music will be like - but I enjoy telling them otherwise...

In the past; you have provided backing vocals to some of the music world’s biggest mainstream artists. Are there particular memories that stand out? Who was the best artist you ever sang with?

I really enjoyed touring with Faithless.

I feel like I learn the most from them as I was really opened up to singing - on top of a different style of music. I also enjoyed when I toured with Westlife as a backing singer and dancer.

I love dancing and I’ve always wanted a job that could combine the two.

Your time with Faithless must have been a great experience. What was life like with the dance outfit?

I think they just toured in a different way to what I had done previously...

I was used to staying in my hotel room and maybe popping to the shops in a new city. With them, we went on long walks; sat by a lake and had lunch - or did something touristy. It taught me to really appreciate travelling and experience the culture whilst I was there - even if for a day.

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What tour dates do you have coming up? Where can we see you play?

I am a part of an amazing tour in Switzerland from the 21st October, for two weeks, called SEAT Music Session Show.

When I am back; I will get ready for my debut London show at the Hoxton Bar and Grill, on 19th November, with my band!

Very excited!

Who are new acts you recommend we check out?

I’ve recently discovered Bruno Major. He’s a beautiful songwriter and I love his sound.

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IN THIS PHOTO: Bruno Major

If you each had to select the three albums that mean the most to you; which would they be and why?

Lovers Rock by Sade

I fell in love with her when she released this album - and I’ve been hooked ever since.

Frank by Amy Winehouse

This album is timeless and I love the honesty in what she writes.

Fallen - Evanescence

This album showed me how to use a piano and orchestra in a different way in popular music - and, of course, I love the big guitars!

What advice would you give to artists coming through right now?

Develop thick skin: there’s a lot of rejection in this industry but you have to believe in yourself and be tenacious.

Finally, and for being a good sport; you can name a song and I’ll play it here (not one of yours as I’ll do that).

My favourite song at the moment is Stonemilker by Björk

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INTERVIEW: Jeremy Tuplin

INTERVIEW:

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PHOTO CREDIT: Holly Whittaker 

Jeremy Tuplin

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BEGINNING life in Somerset – now based in London…

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PHOTO CREDIT: Holly Whittaker 

Jeremy Tuplin’s debut L.P., I Dreamt I Was an Astronaut, is out on Friday. I talk to the young songwriter about the new record and how it differs from his previous E.P.s of 2014 and 2016 (Carry the Fire and Open Letters). Tuplin has been lauded by critics and praised for his unique style. Recorded with long-time producer/collaborator, Mark Estall; I Wish I Was an Astronaut was recorded in South Bermondsey.

I ask Tuplin about the musicians that came into his life young and the type of music he was raised on; whether he feels new artists are too safe and limited – and what tour dates he has before the end of the year.

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Hi, Jeremy. How are you? How has your week been?

Hey, there – I’m good, thanks.

A bit tired. It’s Monday morning and I’ve played three gigs in the last four days - with a friend’s thirtieth birthday squeezed in-between.

So…it’s been a busy week.

For those new to your work, can you introduce yourself, please?

Ok – my name’s Jeremy Tuplin. I’m a singer-songwriter from Somerset, U.K. - now living in London.

My music is within the Indie/Alternative/Folk brackets and, due to the themes and instrumentation used in the album I’m about to release, it has also been described as ‘Space-Folk’.

I Dreamt I Was an Astronaut is your new album. What is the inspiration behind that title? Does it nod back to childhood dreams?

The title combines both my love and fascination for space and the cosmos with similar feelings that I have for the realm of dreams. They’re both recurring themes in the album and are actually interests that I have developed later in life - as opposed to a nod to childhood dreams.

With the title; it’s intended to represent a very pure form of escape from reality.

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Can you tell me the themes and ideas that compelled the songs on the record?

As I mentioned, space is a big theme - more in a philosophical sense than scientific.

The idea is that what you learn from looking up can be helpful when dealing with everyday matters. Tied into all of this, earthly matters such as love and relationships are also just as prevalent across the album.

It was recorded with long-term collaborator, Mark Estall. What was it like recording with him in South Bermondsey?

It was a very enjoyable process - although a lot of hard work.

I’ve recorded two E.P.s in the past with Mark so we know each other’s methods of working very well by now. It took a decent amount of time but it wasn’t rushed - and we wanted to make sure we had everything covered. 

You might say that we’ve developed some sort of musical chemistry (or something).

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Your new work employs more acoustic sounds – mixing that with synthetic ideas and electronics. What was the reason behind this move? What are the main differences you have noticed?

I think there are a lot of differences between this record and the previous E.P.s that I’ve released.

I didn’t want to not take any risks or feel constrained by genres or instrumentation in any way; so we just went with whatever felt was right. A lot of this happened to be electronic and synth sounds - as it suited the songs and the space-focused content.

So much of today’s music is conventional and safe. Do you feel annoyed few artists are pushing themselves when they have the opportunity?

There’s lots of really interesting and unique music out there that sometimes harder to find. I think it’s a shame when they’re overlooked for music that’s more conventional or safe.

A lot of big D.J.s and names have poured praise on your music. How does it make you feel receiving that high-profile positivity?

It’s great of course (and also) because it helps get the music to a wider audience - which is the most important thing for me.

Give me a window into your upbringing. When did music come into your life?

It was always there in the background – my dad sang and played the guitar and my mum was a piano teacher. The music that they played in the car tape-deck sticks in the memory – people like Jim Croce, Rod Stewart; Sheryl Crow I seem to remember. (Billy Ray Cyrus too, actually).

I was always encouraged to be into music, I think.

Who were the musicians you idolised as a youngster?

As a teenager, I went through a Libertines phase…before that, Blur. Blur vs. Oasis in the Britpop years was when I really started getting into music.

I was always on the side of Blur.

What tour dates do you have approaching? Where can we see you play?

I’ve got the album launch gig on 26th October at Paper Dress Vintage – that will be a full, six-piece band gig. Then, in November, I’m going to Spain – playing in Madrid, Zaragoza and Barcelona - and then coming back to the U.K. to play in places like Cambridge, Oxford and Brighton.

I’ll be announcing these dates soon.

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It is, sorry to say, a few months until Christmas. Any plans for that time of year? Where will you be spending it?

I’ll be going home to Somerset. I always spend Christmas with the family in Somerset and it never grows old.

If you had to select the three albums that mean the most to you; which would they be and why?

I’m going to go with Leonard Cohen – New Skin for the Old Ceremony

As a musician and a person, he’s been the most significant for me - and that album is my favourite of his.

I can’t not include a Bob Dylan album, either - so I’ll go with Blonde on Blonde

As a lyricist, you can’t look past him - and he’s been the most influential, for me, on that level.

I’ll go with a recent one: I Love You, Honeybear by Father John Misty

I listened to it pretty much non-stop for most of 2015.

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What advice would you give to artists coming through right now?

I’ve never really felt comfortable in giving people advice…and I wouldn’t take my own advice either: I don’t really know anything. Other than ‘if it feels right then it probably is, and if it doesn’t then change it until it does’ - but that doesn’t count as advice.

Finally, and for being a good sport; you can name a song and I’ll play it here (not one of yours as I’ll do that).

Ok. This came out recently and it’s dark, but that’s why I like it – True Lies by Alex Cameron

Thank you very much!

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INTERVIEW: Logan Brill

INTERVIEW:

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 Logan Brill

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THERE are a few reasons why one should be interested…

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in the Country music star, Logan Brill. Her music channels the greats of the genre but has a contemporary feel to it. That clash of romantic nostalgia and modernity means she has lodged her sounds into the hearts of many. She will soon be here for Country Music Week, so I ask her about that – and whether she will be in the U.K. after that.

She discusses her debut U.K. single, World Still Round, and her new album, Shuteye. I find out about the themes and backstories from the record and what she has planned for the future.

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Hi, Logan. How are you? How has your week been?

I’m great, thanks! The week has been good.

I’ve been on the road a lot recently and I’m back in Nashville, briefly - so I’m enjoying some time at home.

For those new to your work, can you introduce yourself, please?

Sure. My name is Logan Brill and I’m a Country artist living in Nashville, Tennessee. I’m originally from East Tennessee and have been playing music and singing for as long as I can remember.

My sound is a little bit Country; a little bit Blues - and a little bit Rock.

World Still Round is your debut U.K. single. What is the origin of the song and can you remember the moment it came to mind?

The idea for World Still Round came about when I was writing with a friend of mine, Scooter Carusoe, in Nashville. I was dating and watching friends of mine fall in and out of relationships - and decided it was something I felt compelled to write about.

We wrote about half the song sitting at a pancake house in Nashville called the Pancake Pantry.

Shuteye is your new album. What kind of stories and themes inspired the songs on the record?

I like to think the songs on Shuteye make up a picture of my life at the time I was writing for the record.

A lot of the songs were inspired by things I was going through in my life at the time - or things friends of mine were going through - relationships coming and going and life changes that come from being in your twenties. Between the songs Tupelo and The Bees, especially, I definitely felt a theme about the concept of ‘home’ and what that meant to me.

I travel so much; I think I’m really interested in the idea of finding a place that’s yours - and missing people back home when I’m away.

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The album has already received acclaim. How important are those reviews and does it give you a lot of confidence knowing your music is beloved?

Making a record takes so much time and energy; so once it’s finally out in the world, it’s really exciting to see that it resonates with people.

It means a lot to me to know that people appreciate and relate to the music.

You are in the U.K. for Country Music Week. Is this your first time here and what is it about the event/week that pulls you here?

I’ve been lucky to make it over to the U.K. a few times over the past year-and-a-half to tour - first for the Nashville Meets London festival in 2016 and then for C2C festival in March of this year. I am so excited to be back for Country Music Week! The audiences in the U.K. have been so welcoming. With crowds in the U.K., there’s such an appreciation for original music - especially Country music.

It’s really inspiring to see.

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Nashville is your base. What is it about the Tennessee city that gets into your heart? How does it differ to Knoxville (where you were born)?

Nashville is such an amazing city.

I’ve been living here for eight years now and it’s changed so much during that time, but one thing has stayed the same: the people. Nashville is such a friendly and welcoming city it really does feel like a small town. The music scene in Nashville is competitive but it’s also really inclusive. We all support each other in a way by writing together and playing on each other’s records.

It’s really fun.

Knoxville, where I grew up, is a smaller city close to the Smoky Mountains in East Tennessee. It’s a little quieter than Nashville and has a lot of small-town charm.

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Can you remember those artists that drove you to come into music?

The music from my parents’ generation is what really inspired me to want to pursue music. Growing up, while the rest of my friends were buying Britney Spears and NSYNC records, I was geeking-out on Gram Parsons, Bob Dylan; Bonnie Raitt and the Eagles.

Was your childhood musical? Did your parents’ taste enforce your passion for music in any way?

My parents’ taste in music is definitely what inspired my passion in music.

My dad, especially, made my musical education a big priority. I remember him sitting us down to watch The Last Waltz and Pink Floyd live concerts on V.H.S. Then, when my parents split and my mom remarried, my step-dad became a big influence on my passion for music. He played in a local Knoxville band and would have me get up to sing when I was ten or eleven.

In your career; you have shared the stage with the likes of Willie Nelson. What have been your fondest memories to date? Is it daunting being on stage with such titans?

I’ve been so lucky to share the stage with some of my idols over the years.

I’ve learned so much by watching some of the musical legends I’ve been able to tour with. One of my favorite on-stage moments was when Vince Gill agreed to join me on the Grand Ole Opry stage to sing with me on my song, I Wish You Loved Me.

That was a pretty big thrill...

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PHOTO CREDIT:  Preston Leatherman

What tour dates do you have coming up? Where can we come see you play?

Coming up next, I’ll be over in London for Country Music Week. Otherwise, hoping to be back in the U.K. sometime very soon!

When are you coming back to the U.K., do you think?

No official dates yet but I’m sure I’ll be back again before too long!

Hopefully, the first part of next year?

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IN THIS PHOTO: Jillian Jacqueline

Who are new acts you recommend we check out?

I’m a huge fan of a girl named Jillian Jacqueline who will also be at Country Music Week. She’s living in Nashville and is putting out a new project that is really incredible.

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If you had to select the three albums that mean the most to you; which would they be and why?

Late for the Sky - Jackson Browne

This is a record I listened to with my dad growing up - so I have a lot of great memories linked to it. I also think it’s lyrically one of the most brilliant albums out there.

Trio - Dolly Parton, Linda Ronstadt and Emmylou Harris

Three of the most amazing female singers out there, all together on one record. Need I say more?

Wide Open Spaces - Dixie Chicks

This is the first contemporary Country record that I was totally hooked on when it came out. Every single song is solid gold and I looked up to three such strong women as a young singer.

What advice would you give to artists coming through right now?

Stick with it and always be true to yourself!

Finally, and for being a good sport; you can name a song and I’ll play it here (not one of yours as I’ll do that).

This is a tough one…

Since hearing about Don Williams’ passing last week; I’ve been going back to all his old records.

In his honor; how about his song, Tulsa Time?

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INTERVIEW: The New Faith

INTERVIEW:

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 The New Faith

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WILL, from Brighton's The New Faith, talks about...

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the band’s formation and what their new track, Fritter Away, is all about. I ask him about Brighton – where they are based – and how influential the city is. He talks about their new album, Me on You, and the stories/inspiration that went into it. I was curious to know what the remainder of the year holds for the band and, given that ecumenical-sounding name, there is any religious aspect to their moniker.

The band talk about the albums that mean the most to them and the artists that inspire them. I learn about their creative process and why they favour a more stripped-back and lo-fi approach to their music – mixing that with modern technologies to create something rich and different.

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Hi, guys. How are you? How has your week been?

Hello! Thank you for asking!

It’s been a mad week…Acoustic Sessions in London last week - a Birmingham show the day after. Football with Starsailor at the weekend and band practice two days running.

We’re active…we’re an active band!

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For those new to your work, can you introduce yourself, please?

My name is Will and I front (in) The New Faith. The rest of the band are:

Sam – Co-Writer/Guitar

Jenna – Keys

Stephen – Drums

Ali – Bass

Various – Strings/Choirs/Saxophonists/Percussionists

‘The New Faith’ is the band-name. What is the derivation of that name? How much is it based on divination and belief?

Ironically, there’s no forecast there as no-one gives a sh*t about us - and I can’t imagine anybody putting any personal investment into it...then again, I’m sure most cults aren’t rated by everyone.

Can you talk about the new single, Fritter Away? What is the story behind the song?

Fritter Away is all about looking back and warning about the future...

There are many repetitions: life can put you in the same place time and again. Don’t make the same mistakes, basically.

I was sending a message to my former self to re-assess...

It is taken from your album, Me on You. It sounds like a 'saucy' title but what were the events and ideas that went into the L.P.?

I’m glad you say ‘saucy’!

The main running themes of the album are love/youth/loss/time and repetition. There was a time of trying to talk about ending up in the same place over and over. I realised it was happening in all aspects of life - still getting pissed up; still breaking up with people and still getting crap jobs! Where a lot of the album is talking to a younger-you: I wanted a title to cover all bases - dirty, kind and poetic all-in-one.

The original title was I’m Forever the Man That I’m Going to Be, Forever - but I thought it made me sound like a pretentious cu*t…and I don’t need a title for that.

I believe there is a narrative and sense of chronology about the album – charting movement and relocation. Was the album inspired by upheaval and a sense of uncertainty?

I lived in Berlin and left with no money and no girlfriend.

Again...sort of expecting to go back into the cycle on my return but ended up being worse - definitely uncertain.

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The album is filled with older technology and a stripped-back production approach. Do you favour a simpler approach to recording and did the lack of luxury afford the music greater naturalness and a better sound?

There were aspects of older technology: there was experimenting with tape; an old Moog and classic instruments.

I would say that there was a lot of luxury in the end as Dave Izumi, the producer, took us into his lair (really a studio) and gave the tools to make this album huge. There is definitely a balance, though; a few stripped back piano tunes as well as big, super-massive instrumentations.

Some have compared you to The National and The Divine Comedy. It sounds like you have a balance of seriousness and humour in the music. Would you say this is fair and are these artists influences?

It’s fair to say there is a balance of seriousness and humour. However...

They only really have come about because they have deep voices. I don’t know anything about The Divine Comedy - other than National Express - and The National are hugely overrated - and I wouldn’t cite them as an influence.

(Everything went downhill after Sad Songs for Dirty Lovers)

There is flamboyance and various instrumentation in your music. How do songs come together and is it complicated getting all those strands together?

I wouldn’t say complicated, necessarily.

A lot of hard work has gone in from Sam and I. Getting everything in working order and getting the music written for people to play was a long process. The sort of work we put into this album is one of the defining characteristics of this album…

Also, flamboyance.

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The band hail from Brighton and Will, you front The New Faith. What is Brighton like for a young band and can you tell me how you all came together?

Sam and I met on the Internet (we’re very modern, don’t you know) and we had to get a band together.

Everyone else was a combination of friends of friends; friends of musician friends and Internet strangers.

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Do you all have similar tastes in music? Who are the artists you all grew up on?

There’s gonna be a huge mix in there!

Sam definitely the oldies: loves Bob Dylan and a bit of Prince. I was into the Dischord bands; Punk bands. - we both meet in the middle with The Fall, I think.

I used to love all that angst-driven music: everyone being dissatisfied and sticking it to THE MAN, man.

What tour dates do you have coming up? Where can we see you play?

13th October - The Brighthelm (Brighton)

21st October - The Victoria (Dalston)

Who are new acts you recommend we check out?

Sunan, who is yet to reveal themselves to the world, is a name to remember - outrageous stuff.

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If you each had to select the album that means the most to you; which would they be and why?

Will: Anthony and the Johnsons – I Am a Bird Now

It’s an unrivalled expressive personal journey. It’s open, it’s honest; there are some wonderful featured artists and the songs are extraordinary. I’m envious of somebody who could put something together that would have such a big impact on the listener.

Sam: Zombie Crash - No Mercy

It's the greatest (possibly only) lo-fi Metal album you'll ever hear. The energy on it is insane - and it's a complete hook-fest.

Stephen: ABBA - Gold

Fifteen years ago, my mum passed away and she used to love that album. I remember she'd always drop it at parties and though I hated it at the time. It’s a compilation album: it's full of stone-cold hits.

Jenna: Bonobo - Black Sands

This album inspired me to invest in my first MIDI keyboard and music production software because it was the first album I listened to which really experimented with a variety of synchs and layers – as, before this, I primarily just played the piano. This is one of the many reasons I love playing The New Faith tracks - because we experiment with many synth sounds on the tracks!

Ali: Music for Airports - Brian Eno

Do you get the chance to relax/have downtime away from music? What do you all get up to when you have time to detach?

Ok; maybe we’re not that active…

Sam and I have a label to run - so can’t get away from it!

We’re all (minus Jenna) in Brighton – so either get boozy or eat vegan food in hip cafes.

What advice would you give to artists coming through right now?

If you do bother; don’t be original and copy the same old sh*t and be a fad band - you’ll at least get eighteen months of touring and free booze!

Finally, and for being a good sport; you can each name a song and I’ll play it here (not one of yours as I’ll do that).

Will: Rites of Spring - For Want Of

Ali: Mac DeMarco – On the Level

Ste: ABBA - Does Your Mother Know?

Jenna: Talking Heads - Girlfriend Is Better

Sam: Zombie Crash – 2010 (from No Mercy)

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INTERVIEW: Outsider

INTERVIEW:

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 Outsider

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IRISH artist Outsider…

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talks to me about his self-titled E.P. and the new single, Míol Mór Mara. I ask about the use of Gaeilge in his music and whether he considers that ground-breaking - Míol Mór Mara, Gaeilge-sung, is the first time such a track has been featured in a video game (FIFA '18). Outsider tells me about that and what how he views guitar music now – and whether it is too dominated by the middle-classes. He looks ahead to touring and plans for the remainder of the year – and what it is like being signed to Warner Music.

I delve deep into a fantastic young artist and, in return, and provided an honest, open and revealing interview from someone who is making big impressions already.

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Hi, Outsider. How are you? How has your week been?

I am fighting a chest infection at the moment but my week has been incredible - lots of people getting in touch about the new E.P. and wanting to talk.

The lead single, being on the FIFA soundtrack, takes me to a lot of new ears.  

 For those new to your work, can you introduce yourself, please?

The best way to get to know me is to listen to my music and come to my shows – it’s all online. Send me a D.M., too, and introduce yourself - I will more than likely respond at some stage.

I am trying to be like Henry Rollins and reply to messages as much as possible.

 

Míol Mór Mara is the new track. Can you explain what those words mean and hat inspired the song?  

‘Míol Mór Mara’ means ‘sea whales’ and translates literally into English as ‘giant beasts of the sea’. The song is about a child with Down’s Syndrome I worked with when I was suffering from huge heartbreak - and it had a profound influence on my life. The kid was so inspiring and pulled me out of a dark place really just by spending time with him. It's got a lot of biblical references to Jonah and the Whale - which is symbolic of diving into the sea of the unknown and becoming something far greater than yourself in a spiritual sense.

The song has deep layers of symbolism and subconscious meaning and people are responding to that…they are connecting to the human element.

Your self-titled debut E.P. is where the song was taken from. What was it like recording your first E.P.? What experiences and lessons did you learn from the process?

It was arduous at times because it was recorded, engineered; mixed and produced by myself and ATLAS (My producer). just people working with big mixes was a challenge; our ears burned fast. Most bands don't even mix their own record: it gets done for them. That sounds lovely and easy but I am a control freak – it’s easier to let me be there in the long run.  I learned that you can never predict how a track might evolve and I learned to slow down a little, take my time but, overall, I enjoyed it and I want to get back in there.

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The song is featured on the FIFA '18. How did that opportunity come about and is it an important honour?

You would have to ask my publishing company exactly how that came about...

I just get to hear the good news. It’s a big honour: I am the only Irish artist on it; it’s a World Cup FIFA, which is huge - it makes me the first person to introduce the Irish language to mainstream video-gaming. Making history…that’s a huge honour.  

The soundtrack is stacked, too: the standard is great.

It is the first time a Gaeilge-sung song has been used in a video game. Is it important you retain Gaeilge roots and include it in your music?

Yeah, it is. Gaeilge is seen as a dying language in our country - maybe 20,000 speakers. Now, FIFA will bring a small piece to over 80-million people. The Irish government couldn't achieve that if they wanted to. You will have kids all over Ireland seeing Irish being used on a game they are obsessed with - and, hopefully, that will influence them to use the language more. Sometimes, I don't use Gaeilge. It’s not a personal crusade: I mean I will do it if I feel like it.

With Miol Mor Mara, the words felt important to me before I ever wrote the song, ya know. The first time was with Young Gods of Na Sionna. I will probably write whole songs in Gaeilge. It’s hard to explain, actually…good question. Super Furry Animals had that album in Welsh (Mwng). That was cool.

I of don’t know why I am doing it but that’s how I operate lately: I don't question my lyrics.

 Being based in Ireland; you must see a lot of talent around you. What is the scene like where you are? Do you think Ireland is a part of the world that gets overlooked in terms of music?

I think Ireland can get overlooked sometimes, but not right now.

Right now, there are eyes on Ireland because of the amount of successful bands here - Hozier going global changed that. No-one saw that coming. Check out Wyvern Lingo’s I Love You, Sadie - they (the band) are Irish girls. But yeah, Girlband, James Vincent McMorrow; All Tvvins, to name a few, are building fanbases I love Pleasure Beach, too. It’s a diverse scene, though. The styles are insanely different - which I like.

No-one seems to be doing the same style, really.

You are signed to Warner Music and released  Míol Mór Mara through W Songs. Do the labels give you a lot of freedom and what is it like being under the Warner Music banner?

I have total freedom: in fact, some people in Ireland told me not to use Gaeilge as it wouldn’t get radio play - whereas the people at Warner love it and really encouraged it. I think that decision speaks for itself when it ends up a globally-respected soundtrack. This is a business; you can talk all the sh*t you want about art - but good guitar-music does not record cheap and you won’t sustain for long if you are under the illusion it does. That’s why guitar music is middle-class-dominated right now. They are the only ones that can afford it - unless a label helps you. I am working-class, so I am very fortunate to have the support I do. The original punks had better gear and studios than most bands now.

You can believe the myth or face the truth.

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It seems poetry and the beauty of language is important to you. Was music or poetry big in your early life? How crucial is language and how you convey it to your music?

Yes, I love poetry...

I started with lyrics and then learned guitar. The lyrics are unbelievably important to me. You will hear references to James Joyce etc. on the new E.P. The next E.P. has references to Wallace Stevens, Philip Larkin; Lord Byron, William Butler Yeats. I love the Pixies’ lyrics. The way they combine Spanish and English; making up words. It’s cool.

Expect that from me.

Many have compared you with great artists like Bruce Springsteen and War on Drugs. Are these artists you gravitate towards?

Yeah, I do.

People are always gonna hear something they know.  But to be honest, when I was a kid, I liked my dad’s traditional Irish music taste: The Chieftains, The Dubliners. In my teens, I loved Punk music and Post- Punk. I was never a Springsteen fanatic but I always sang like him a bit and, two years ago, I got this flashback of when I was five and my Auntie would have me and my brother dancing around the room to Dancing in the Dark. That kinda stuff gets internalised in your core. She was complaining that Springsteen had changed his image and everyone was against him now.  I love Springsteen but forgot that I did for a long time.

The War on Drugs are great. They are really in their prime. If ya listen to Wagon Wheel now - where he sounded exactly like Dylan - to (new songs) now where he has his own dream-like world created…it’s a cool journey.

They were able to evolve.

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Is there going to be more material in months to come? Are you working on anything new at the moment?

Yeah, expect a new E.P. in 2018 - I am working on a new batch of songs, alright.

Who are new acts you recommend we check out?

Wyvern Lingo (I Love You, Sadie) and check out Twin Peaks (Making Breakfast).

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IN THIS PHOTO: Wyvern Lingo

If you had to select the three albums that mean the most to you; which would they be and why?

The Jesus and Mary Chain – Psychocandy

It taught me Punk could be ethereal. I think I sing like Jim Reid but people say, like Springsteen, the melody for Míol Mór Mara is in the same register as Upside Down.

My Bloody Valentine - Loveless

It taught me that someday, with enough time and money, you can make music devastatingly beautiful and to aim for that.

The Stone Roses – The Stone Roses

 It’s why I play bass and whisper on songs.

What tour dates do you have coming up? Where can we see you play?

I had to cancel one last week because of this chest infection. Keep an eye on my social media, it will all be there.

 What advice would you give to artists coming through right now?  

The best art takes time and the best guitar music takes a hell of a lot of time. That has been proven over and over.

Finally, and for being a good sport; you can name a song and I’ll play it here

Wyvern Lingo - I Love You, Sadie

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INTERVIEW: AKA George

INTERVIEW:

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 AKA George

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THE meteoric rise of AKA George…

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could have derailed his career and made him lose focus. He has, in a short time, turned down the chance to work with Pharrell Williams and Nile Rogers and seen legions of fans flock his way. The East London-based songwriter is a huge talent who can straddle genres but, on his current single, provides huge rush and funkiness. Stone Cold Classic has the potential to live up to its name and lodge itself in the minds of the masses.

So many people are responding to AKA George’s music so I ask him about his career and what it has been like so far – and why he chose to refuse Williams’ and Rogers’ deal and remain an artist on his own terms. AKA George talks about acts like The White Stripes and Muse; shares the memory of a particularly ‘eventful’ gig – and what gigs he has coming up.

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Hi, AKA George. How are you? How has your week been?

Hi. Nice to meet you. I’m doing well, thanks.

I’ve just come back from a Sofar Sounds gig and I’m eating a veggie chili. My week has been busy - I’ve been rehearsing every day for my 4th October gig at Camden Assembly - in a tiny, sweaty room with four other guys...

...twelve-hour days; too much sweat.

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PHOTO CREDIT: B@no1funkyhenry

For those new to your work, can you introduce yourself, please?

I’m George. I’m twenty-three; I’m from the countryside but now I live in East London. I write songs and I play a lot of instruments.

Stone Cold Classic is your new single. What can you tell me about its origin?

Stone Cold Classic started with a guitar riff...

I was in my room trying to play Let’s Dance by David Bowie but then I changed it up a bit and took some effects off - and it started to sound more like INXS or Blur. I recorded it there and then. I had a Spotify playlist called I’m Amazing which I created for songs that make you feel like a champion. Things like Stronger by Kanye West or Sexyback (Justin Timberlake) - you know, things that make you go “HELL, YEAH”. I guess I was listening to that when I wrote the lyrics to Stone Cold Classic. It’s about believing in yourself and owning your life.

The key lyric in my song though is “If I repeat it, maybe I’ll believe it” - because, at least for me, there’s always something lurking in the back of my mind telling me I’m not as good as I think I am.

The video looks like a blast. Did you play all the instruments on the track – as it depicts you jumping between them – and how much fun was it to shoot the video?

Yep, that’s me on all the instruments.

The video was super-fun to make. That room is actually my studio - it’s in East London and it is SMALL. It gets unbelievably hot in there when it’s just me but, when you stick a few people and some lights in there, it’s like a FURNACE. In-between each instrument we would all pile out just to breathe for a few seconds! I was aiming for something that felt real: just me in the studio doing my thing.

The recording process for the song was very quick and instinctive - and that’s what I wanted to get with the video, too. The vocals on the finished song were one take - recorded live, just holding the mic and moving around the room.

It just felt right.

I hear elements of The White Stripes and Ramones in your music. Who did you grow up idolising and obsesses over?

Seven Nation Army was a BIG song for me.

Once, me and my mate Christy decided to do an impromptu version of it at a talent show. We were at a home-schoolers festival, and earlier that week we’d done a great cover of Feeling Good (in the style of Muse) which everyone loved. Christy was like, “Fuck it, we’re amazing; let’s do White Stripes, no rehearsal, tonight.” I’m like “Hell yeah, I’ll even do it topless. AND I know the face-paint lady and I’m going to ask her to paint some cool angel wings on my back…the girls are gonna love us.”

We get on stage; there’s about two-hundred people watching (all parents). Christy starts the riff. He’s out of tune. I start singing. The mic’s off. I’m suddenly very aware that we never discussed how to start the song…or end it. My wings are melting under the stage lights. Girls don’t love us...needless to say, it didn’t go as well as we’d expected.

Our egos took a hit that night (it’s ok; I got mine back). 

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Your music has gained millions of YouTube views and social media love. How important is that kind of backing and does it all seem a bit daunting?

It used to daunt me, yeah.

A couple of years ago I had tens of millions of views - but all the numbers freaked me out and I took everything down (much to the dismay of my managers). This time, I feel like it’s a solid build. Numbers aren’t everything and I don’t think people should judge on them, but it is fantastic to see people support you - so yes, I guess they are important. 

I know you have turned the chance down to work with Pharrell Williams and Nile Rogers. Was that so you can retain independence and not be led too early in your career?

Looking back on it now, I know it probably seems crazy not to have taken those offers - but I really didn't know who I was as a musician and songwriter then. I was scared of being something that people jumped on and then jumped off a few months later. I really felt the whole YouTube thing was a novelty: an unnatural way to build a career in music. Even the word ‘viral’ was an alarm bell to me – because, if anything in nature goes viral it’s a disease, isn’t it? I think I knew in my heart that if I took my chance, then it would all crumble within a year or two. It was a risk but it paid off.

Now, if I work with other people, I know who I am. 

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PHOTO CREDIT: @huntershootsinlondon

Was there an ethical and commercial quandary turning an offer like that down?! Will you work together down the line, do you think?

If you believe in what you’re doing you don’t jump at the first glimpse of fame.

I’ve always seen things long-term - this is my life. I’d love to work with Pharrell and Nile Rodgers but at the right time - and for the right reasons.

You are unsigned at the moment. Do you think about looking for a record label or do you prefer working without that pressure and expectation?

Not at all. I think a bit of pressure and expectation is good for me.

I’d like to be signed by a great label - preferably a big one. No artist I’ve seen has managed to sustain a career without a label - at least not to the level I’m aiming at. For now, I’m concentrating on becoming a better performer, songwriter and person.

All that other stuff will follow naturally.

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PHOTO CREDIT: @kristina.emily

Can we expect an E.P. next year? How far ahead are you looking? 

Yes. I’m releasing an E.P. early next year with some songs I’m really excited about.

They still have a level of attitude but with more melodic elements and slightly more electronic production. I really want to set things alight with this next collection of songs!

Watch this space...

There are so few genuine voices and exciting artists with their own voice. What do you think of the big artists and does music lack any real bite and direction right now?

There is some great Pop music out there but, yeah, the general slew of music does lack bite at the moment.

I think part of the reason is a lack of intent and originality. People like to jump on a sound: particularly now with the ability to see via analytics/numbers how well it went down last time. It doesn’t matter though - the real ones know what they’re doing and they have the strength to put their neck on the line, speak up and trust in themselves. They’re the true stars.

Anything else is just here today, gone tomorrow.

How does the rest of 2017 look? How will you be spending the next few months? Any tour dates approaching?

Well, there’s the 4th October gig at Camden Assembly which is taking up most of my time at the moment - as I am rehearsing and programming new songs. The rest of 2017 will be spent writing and getting together the new E.P. Also, every now and then, I do a secret gig somewhere and I would like to put one of those in before Christmas.

They’re great nights and we cram loads of people into a small space - and hang around talking afterwards.

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IN THIS PHOTO: Sigrid

Who are new acts you recommend we check out?

I really like Sigrid - she’s pretty cool.

There’s a guy called Steve Lacy that I like as well - he records everything on his iPhone.

He’s not a new artist but I supported Kwabs last night at the Sofar gig and he was incredible. His voice is soulful and he had great jeans. 

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IN THIS PHOTO: Kwabs/PHOTO CREDIT: James Marcus Haney

If you had to select the three albums that mean the most to you; which would they be and why?

All That You Can’t Leave Behind by U2

Because it reminds me of my dad and it is full of great songs.

Sam’s Town by The Killers

Because it’s the album I used to play over and over by myself growing up in the country. 

Yeezus by Kanye West

Because I’d never heard anything so explosive and cutting-edge before.

What advice would you give to artists coming through right now? 

Try VERY hard at the beginning. Then, when you’re good, don’t try so hard. 

Finally, and for being a good sport; you can name a song and I’ll play it here (not one of yours as I’ll do that).

Yesss. Please, could you play a new song by Foo Fighters called T-Shirt. It’s huge.

Thanks for the questions x

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INTERVIEW: James Ghareeb

INTERVIEW:

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 James Ghareeb

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I have been speaking with James Ghareeb about…

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his latest track, Do It with Luv. The single’s artwork depicts the songwriter slumped on a sofa – on a lawn - surrounded by debris. I wondered whether that image tied to the song’s themes and, indeed, what the song was about. I ask how his music has developed since 2015’s Hanging from the Stars and whether his time posting to Vine – an eclectic selection of cover versions – strengthened him as an artist.

Ghareeb reveals his gig plans and the music he is inspired by; what the Chicago-raised musician is up to later in the year – and what the local scene is like where he is based in Peoria.

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Hi, James. How are you? How has your week been?

Hey, I’ve been great.

Just got back to Chicago from rehearsal - for my next gig out in Peoria.

For those new to your work, can you introduce yourself, please?

I am a Pop singer from Chicago. I am relocating to Los Angeles. I have an awesome band that plays with me that give Reggae and sexy vibes.

Do It with Luv is the new single. What can you reveal about its inception and was it based on a particular girl/event?

Surprisingly, it was not about a girl: it was more about life today and the struggles that the world is going through. It’s about spreading love and appreciating the goodness in the world - rather than letting negativity take over.

The artwork sees you slumped on a lawn, surrounded by the remnants of a living room. Is that a predicament you’ve faced and has love, in the past, left you a bit uprooted and shut out?

Not necessarily.

It’s more about the goofiness of the video and how to have more fun in life - it’s meant to inspire people to be more carefree.

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PHOTO CREDIT: @joshuaburch

Your road into music was when you uploaded short clips to Vine. What was the reason for this and can you remember the first video you posted?!

L.o.L. I don’t remember the first video I posted...

Vine was a great way to share original and covers. I connected to a lot of people from it and actually made a few great friends from it. 

Many of the songs you tackled were by mainstream Pop artists. Is that where a lot of your current inspiration comes from – or do you find yourself taking influence from various other areas?

To be honest, I don’t find much inspiration in Pop artists' work - except for John Mayer, of course. A lot of my inspiration stems from Folk. For a long time, I’ve gone to Ben Howard, Bon Iver and JP Cooper for my inspiration.

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How would you say your music has developed since 2015’s Hanging from the Stars? Have you grown more confident as a performer?

I have definitely grown as a performer and a musician.

My work now sounds a lot more professional and structured - with many more diverse sounds and instruments.

Your sophomore release is approaching. Can you tell me how you came to work with Tony Ghantous and what tracks will be on the new E.P.?

I’ve been working with Tony for a couple years and I am very blessed to have him and his experience. I, unfortunately, can’t give away much detail - but a couple of my favourites are Colours and Get the Whole World High.

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Peoria, Illinois is where you were raised. (It seems pretty bitching). What is it like for an aspiring musician and how has the landscape and people inspired you?

To be honest...Peoria is not the best place to follow your dream.              

But, if you truly believe in yourself, others will start to believe in you. With that being said; I began to be inspired by the emptiness I felt. Watching people start to believe in me made me stride so much further to what I truly want.

Also...the silent cornfields do kinda help sometimes. L.o.L.

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What kind of music did you grow up listening to? How important are periods like 1990s’ R&B to your current sounds?

If we are being honest, there was definitely a time where I put on a jean-jacket and sang Usher in the mirror.

I, of course, love my NSYNC and Backstreet Boys.

Your fanbase is loyal and large. What message would you send to them right now?

I would first off say, from the bottom of my heart, thank you...

Second of all; I would say if you have a dream; make sure you are doing everything in your power to make it come to life.

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What tour dates are coming up? Any plans with regards coming to the U.K.?

I have a very big show with Matt Nathanson, coming up this October, and I also have a few in Chicago.

As for the U.K.; I hope I make it out there after the album drops (for a European tour).

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IN THIS PHOTO: Dermot Kennedy

Who are new acts you recommend we check out?

Hands down Dermot Kennedy and Tom Walker.

If you had to select the three albums that mean the most to you; which would they be and why?

Every Kingdom by Ben Howard

It helped me through very low times.

How to Save a Life by The Fray

The 1975’s first album (The 1975)

It helped me to not care about what people thought. Matty is a true inspiration.

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What advice would you give to artists coming through right now?

Keep grinding: if you want something bad enough, you will get it.

Finally, and for being a good sport; you can name a song and I’ll play it here (not one of yours as I’ll do that).

Play Deep the Water by Lewis Watson

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INTERVIEW: AFFAIRS

INTERVIEW:

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 AFFAIRS

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ANY Manchester band excites me but there is something…

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about AFFAIRS that stands out. I speak with vocalist James Robinson who talks about future gigs – the band plays on Friday 27th October at Café INDIEpendent; on Saturday 4th November at Night & Day Café, Manchester. The band have released the video for the new track, Gracious World, and reveal what they have planned for the year ahead. I ask Robinson about the AFFAIRS' start and what the music scene is like in Manchester.

He provides me an opportunity to get to know a rare force who have already gained support from a range of great radio stations – D.J.s like Chris Hawkins are among fans of the group.

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Hi, guys. How are you? How has your week been?

Good, thanks.

Busy as usual working on new material – which, we hope, you can hear very soon. We’re also rehearsing for our next Manchester headline show on Saturday 4th November at Night & Day Café (Manchester) which, of course, we can’t wait for.

For those new to your work, can you introduce yourself, please?

We’re AFFAIRS; a Manchester-based five-piece made up of Liam (Guitar/Vocals), Dan (Guitar/Synth); Jack (Bass), Michael (Drums) and James (vocals).

Our sound has probably best been described as Doom-Pop. 

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What is the derivation of the name, ‘AFFAIRS’? Are there any scandalous and sneaky affairs you guys have had – or is it something less naughty?

Too many to mention, to be honest – we’re all complete scoundrels, though that’s purely coincidental. I think Liam came up with the name originally – we liked the connotations of the word but also how it doesn’t really give much away about what we sound like.

Gracious World is your new one. What is the story behind the song?

It’s basically all about rejecting the idea of being tied down to a mundane, nine-five existence – sticking two fingers up at that philosophy and going out and seeing all the world has to offer. There’s a lot of sh*t going on - but the world still has a lot of beautiful things in it if you go out and look for them. 

The video, of the band playing the song, looks like it was a good shoot. Where did that take place and what was it like filming the video?

We filmed the video in Brunswick Mill in Manchester; a couple of floors above where we used to rehearse. We had fun filming it, though it got very warm up there. It was actually filmed by a very talented friend of ours, Matt Cochrane of Little Motel – check out his stuff!

It seems, in everything you do, you challenge the mundane. Would that be fair to say?

It’s certainly a compliment.

I think we just enjoy doing our thing and expressing ourselves in our own way. If that’s challenging the mundane, I’m happy with that.

Can you remember how the band got together? Did you know, when you starting jamming, you would have all this success?

The band started at Hull University and we bonded over our tastes in music and the desire to create it ourselves.  I don’t know if we knew how things would turn out when we started - but we’ve always believed in what we’re doing.

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Your songs resonate with taste-makers. What does it feel like getting big love from D.J.s like Chris Hawkins and John Kennedy?

It’s definitely great to have their support – always nice when people dig what you do, especially when they then play it on national radio!

Looking down the list of stations that have played your music; your catchment area is massive. Why do you think your music translates so readily and widely?

We have an excellent P.R. team.

Seriously, though; l I don’t think our music has a particular regional sound to it which could explain a wider appeal. We also get about a fair bit and have played shows all over the place - so I guess people have got to know us.

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How is Manchester’s music scene shaping-up at present? Is it quite a fruitful and exciting time being a Manchester band?

I’d say it’s always a fruitful and exciting time to be in a Manchester band as I don’t think the city has ever stopped producing quality music. There are definitely some big movements going on at the moment though.

I would recommend keeping an eye on Scruff of the Neck Records - who are working with some of the best.

What is it about the city that attracts so many people in?

The people here are some of the best in the world, and the city is just a constant hive of art and activity – there’s literally always something going on.

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Is there going to be an E.P. or album down the line? Do you feel, as a band, you have enough material for a really solid L.P.?

We’ve got a few ideas in the pipeline and I definitely think the material’s there - but you’ll have to wait and see for that one.

Can you talk about the live dates you have approaching? What can one expect when coming to an AFFAIRS show?

We’re headlining Night & Day in Manchester on Saturday 4th November with three other great bands – Indigo Velvet, WEEKEND WARS and TUSCAN SUN – and it promises to be a big one. With any AFFAIRS show, we can promise energy, emotion and an immersive experience.

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IN THIS PHOTO: Larkins

Who are new acts you recommend we check out?

...the three I mentioned previously who we’re playing with in November....

We’re also digging Holy Oysters, Cassia; Larkins and Swim Mountain at the moment.

If you each had to select the one album that means the most to you; which would they be and why?

It’s fair to say that Foals’ Total Life Forever is an album that was hugely influential on Dan and Liam (as songwriters and musicians).

Two Dancers by Wild Beasts will always be special to me – it’s a great album but was also the first time I listened to their music. Hayden Thorpe’s beautifully unique vocal was like nothing else I’d heard and, as a singer (though my voice is nothing alike), it gave me encouragement that a unique vocal style fronting a band could be a success.

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What advice would you give to artists coming through right now?

It’s a bit of a cliché but be true to yourselves; believe in what you’re doing and, most of all, enjoy it – because if you don’t, you can’t expect anyone else to.

Finally, and for being good sports; you can each name a song and I’ll play it here (not one of yours as I’ll do that).

Cheers! All of these can be found on our Autumn Spotify playlist:

tonite – LCD Soundsystem

Wait for Me – Swim Mountain

Lupo – Cairobi

Lure – Holy Oysters

Day I Day – The National

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INTERVIEW: Erin & The Wildfire

INTERVIEW:

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 Erin & The Wildfire

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THE intrepid and pioneering clan of Erin & The Wildfire…

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is led by the soulfulness and beguiling allure of Erin Lunsford. The band is based out of Charlottesville, Virginia – an area which, for the wrong reasons, has been in the news lately. I ask the guys about the recent terrorist/hate attack and what their response is. I was more eager to know about their new album, Thirst – and what we can expect from it. The latest single, Great Love, has a fascinating backstory – one Lunsford describes with great clarity and richness of language!

The band selects songs and albums that mean a lot to them and I get a great window into a group that both unique and relatable – and ask where their music will take them in the next couple of months.

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Hi, guys. How are you? How has your week been? 

Our week has been v. productive so far.

We had a vocal sectional practice and a horn sectional last night. We’ve got three shows later this week that are part of our album release tour - and we are enjoying the September weather in Virginia!

For those new to your work, can you introduce yourself, please? 

Hello, Music Lovers! Erin & The Wildfire is an energetic, goofy; Funk/Soul band from Charlottesville, Virginia - and we cannot wait for you to listen to our first full-length album!

How did you all come together? The band has a great chemistry. Was that an instant thing? 

Nick, Matt; Ryan and I met in 2011 at UVA in a student recording group called ORecords, and the musical chemistry was there from the start. I was the President at the time and I had to pick people to play on various songs we performed at the end-of-semester showcases. We jelled from the beginning and all had a shared passion for performance (and dad jokes).

Saxophonist and pianist Garen Dorsey joined the band in 2016 after we played together in a Jazz-Opera in Charlottesville - written by local trumpet prodigy, John D'Earth.

The most recent addition is the magnificent trumpet player, background vocalist; flautist and pianist Austin - who we heard would be a great addition through the grapevine. 

 

Great Love is your new track. What is the song all about and can you reveal a bit about its creation? 

Great Love was the last tune we wrote before recording the album - but it has one of the oldest origin stories.

When I was a fourth year at UVA, I got dumped…hard. It was devastating and unexpected and everything you might find after a first love heartbreak. At the time, I was doing an independent music study at the time with my favorite professor/teacher (ever), Dr. Ted Coffey. I confided in him/ugly-cried through our meeting about my hurting heart - and he shared a story with me about one of his breakups. He said he'd been dumped on Christmas Day by the person he saw his entire future with and that he felt like he'd never love again in the same way. BUT, he said he never knew the greatness a love could have until his most recent relationship: "The love I have now is a Great love."

I have held those words in my heart since then and call on them when I've felt hopeless about romance. Dr. Coffey also told me in the same meeting that this would not be my last serious heartbreak (L.o.L.). #wisdom.

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It is taken from the forthcoming album, Thirst. What kind of themes and experienced inspired the tracks? Was it an easy album to put together?! 

Thirst is about my quest for love: but this leg of the journey turned up all misses; the epitome of unrequited love. I'd say a quarter of the songs are about one person in particular who I chased for a couple/few years. The song, Thirsty, was the first in the series of longing songs followed by Nothing Drowns You Out; Meant for Me, One Woman Show and, finally, Great Love. Longing turns to obsession turns to insecurity - turns to anger turns, in the end, to a surrender of sorts with Great Love.

This album wasn’t exactly easy to put together - it took us several years. The last recording we put out was in 2014 - and we have been mulling over our songs and writing new things since then.

Is there a song from the album that is particularly memorable and important? 

Every song is special in a unique way to us: from the backstory to its evolution into a fully developed piece of music; but there are some really fun moments on the records beyond the songs themselves. Top-three for me are: 1) Nick’s laugh at the end of Hot Slice - because it’s so authentic and I think it’s a nice snapshot of our mood during recording (silly). 2) My dad’s voicemail from 2007 hidden somewhere in the album… oooooooo. It’s very sentimental for me and I hope other people relate to having memorable dad voicemails on your phone from ten-plus years ago? 3) Rodell Toliver’s funky voiceover in Every Single Song on My CD Is Gonna Be a Hit Pt. 1. (Yes, that’s the full title). Rodell is a talented guy and he made that song complete when he added his voiceover. Took him two tries?! He’s the man.

Not to mention he had the stomach flu while he recorded it!

How does Erin & The Wildfire write the songs? Do you all pitch in or will each member take a different song? 

Our songwriting process usually starts with me - I generate the melody, chords and lyrics for a song and then we arrange and fill in the song as a group. It’s a challenging but fulfilling process. I usually find inspiration when I'm on long drives. I have a huge 'note' in my phone that I keep adding lyrics to as they come - but I mostly record on my phone voice memo app. I can't say it's the safest process - I'm usually driving 75 M.P.H. on the interstate when a hook hits me and I have to get to voice memos on my phone - before it's gone from my brain forever.

Recently, we’ve been doing sectionals for horns and vocals to try to write and practice more carefully - and it’s going swimmingly!

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PHOTO CREDIT: G. Milo Farineau

It is quite a long and ambitious track. Was it hard putting it all together or did it flow quite naturally? 

I assume you’re talking about our single, Great Love, that we just dropped. This tune was definitely out of our comfort-zone when we first tried it out but, at the same time, it was one of the most intuitive writing sessions we’ve had recently.

The thick rhythm change at the end of the tune was a new idea for us but it came together easily - and it’s one of the most fun moments of our live set for me. 

Charlottesville is where you are based. What is the music scene like there? Are there a lot of opportunities and cool places to play? 

Charlottesville, VA is great and the music scene is lovely here. It's home. But, dang, the dating-pool is small! (see: One Woman Show, Great Love).  Charlottesville has some excellent venues including The Ante Room, The Southern (our personal favourite) and a couple larger venues we’ve been lucky enough to play a few times each – The Jefferson Theater and The Pavilion.  

Charlottesville’s scene is growing and we are excited to be a part of it!

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How did the band react after the riots that took place in Charlottesville a few weeks back? Was that a shocking thing for you all to see?  

A12 was an incredibly sad day for all of us...

Unfortunately, we had a show about four-hours away from home with almost no cell reception - so we were frantically trying to get in touch with our friends and family who were on the ground at the terrorist attack (and our van broke down that same day so we were scrambling to get home/find a mechanic/be near wifi to make calls etc.).

It was shocking and upsetting for us but we cannot imagine the distress and the heartbreak that the black community of Charlottesville must feel after such an ugly display of racism by Nazis and K.K.K. in their own backyard. However, we are especially proud of the resilience and grace with which our fellow C-villians and Charlottesville musicians have handled the trauma.

One week after the attack, I participated in a Come Together Charlottesville Concert that was put together by Charlottesville all-star musicians Jay Pun and Jamal Milner - hosted by The Jefferson Theater. The concert featured local musicians from a variety of genres and backgrounds and even one of the A12 victims, Micah Washington, who was brave enough to share her voice on the stage that night. We raised $7000 for the victims of the terrorist attacks but more money is needed to help get these people back on their feet.

You can donate and learn more here.

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What tour dates do you have coming up? Where can we come and see you play? 

Oooooh girl; we got some shows comin’ - and more to be announced soon: 

9/21: The Camel, Richmond, VA

9/22: Chiles Peach Orchard, Crozet, VA

9/23: Starr Hill Brewery, Roanoke, VA

10/1: Jibberjazz Fest, Summit Station, PA

10/12: 622 North, Blacksburg, VA

10/13: The Southern, Charlottesville, VA

10/14: Boone Saloon, Boone, N.C.

10/20: Velvet Lounge, Washington D.C.

11/24: Rives Theater, Martinsville, VA

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PHOTO CREDIT: Rick Krajnyak

Are there any plans coming to the U.K.? Have you played over here before? 

WE WISH!!!! ALL CAPS, O.M.G.

We would love to do a European tour and come to the U.K.! I’ve done a radio interview for a station there in London - when we released our last recording in 2014. Can we hang out with you guys if we tour over there?!

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IN THIS PHOTO: Illiterate Light/PHOTO CREDIT: Photo Joe: Joey Wharton

Who are new acts you recommend we check out? 

We’ve been really enjoying Illiterate Light, Theo Katzman; Midnight Snack, Shagwuf; Anna Ash and Joey Dosik.

We could go on forever…

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IN THIS PHOTO: Anna Ash/PHOTO CREDIT: Brandon Jones

If you each had to select the album that means the most to you; which would they be and why?

Ryan: Strange Mercy by St. Vincent

It pulled me out of a rut of appreciating only older music and revitalized my interest in trying new things - especially with guitar tones and technique.

Garen: Voodoo by D'Angelo

The album is flawless. The vocals, the instrumentation; the horn arrangements and the production.... absolutely nothing on the record is out of place - and the grooves are, somehow, ahead of and behind the beat at the same time. Never been out of my rotation for longer than a few weeks.  

Nick: Mine's Brother, Sister by MewithoutYou

It was the first time I realized how powerful a coherent record could be. Each song goes perfectly into the next and there’s a consistent sound without anything feeling like the same song. Listening to the drums on that album was also the first time I realized you don’t need crazy chops to have a powerful sound.

Matt: Outkast's The Love Below (one-half of a double-album: the other record is Speaxerboxxx)

It's a masterclass in thematic unity. Few albums that I know of do as good a job of exploring/employing such a wide range of styles and influences while still maintaining complete artistic cohesion throughout the work.

Austin: Earth Wind & Fire - Greatest Hits

Because catchy leads equally good backups.

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Erin: Little Sparrow by Dolly Parton

It still brings tears to my eyes and reminds me of my first experiences with music. This album was my first glimpse into the soul of a truly masterful songwriter - and an expressive and unique singer. Dolly Parton's spirit inspires me to spread joy. Little Sparrow was the first album I really studied and learned with my mom growing up. The first tune I ever learned by myself for voice and guitar at age eleven was Marry Me. 

What advice would you give to artists coming through right now? 

I’d say just keep swimming.

We’ve been at it for six years now and it’s tiring, not gonna lie. Music performance is a constant series of highs and lows but, if you dig it, you dig it. I feel at my most alive when I’m performing with my friends and connecting with an audience - I crave it, actually. I’d tell them Fame is not the goal: being in the moment is the goal.

I’d also tell them: don’t listen to me because I’m a nobody - go ask someone more successful who knows what they’re doing. 

Finally, and for being good sports; you can each name a song and I’ll play it here (not one of yours as I’ll do that). 

We have been using this playlist to keep track of some of our favs recently. (Thanks so much for talking with us!).

• Something - Lalah Hathaway & Snarky Puppy

• Atomic Bomb - William Onyeabor

• Don’t Huzzle for Love - The Apostles

• In My Room - Jacob Collier

• Pray for Rain - Pure Bathing Culture

• Only Girl (In the World) – Rihanna

• I Try - Macy Gray

• What’s Up - 4 Non Blondes

• Sunday Morning - No Doubt

• Back Pocket – Vulfpeck

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INTERVIEW: Cherryade

INTERVIEW:

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 Cherryade

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ELLA and Alex are the bodies, souls and brains behind Cherryade and talk to…

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me about their new single, Blah Blah. They are a fresh and colourful Pop act that looks set to make big footprints in 2018. I ask them about their future plans and how they got the duo together. The guys discuss the combinations and sounds that inspire their own music and how their songs come together – whether it is a natural thing or takes a lot of time to get together.

Alex and Ella tell me about the albums and legends that have moulded them; why their music has such a rich and instant chemistry; why they have worked with a range of different producers – and those new names we need to open our eyes to.

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Hi, guys. How are you? How has your week been?

Ella: Good thanks. I just got back from Rome!

Alex: Busy!

For those new to your work, can you introduce yourself, please?

We're a new Pop duo from London.

Ella: Popping cherries everywhere!

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Blah Blah is the new song. It sounds quite dismissive and has a definite attitude. What provoked the song and how did you make it sound so addictive?!

Alex: Haha, thank you! We always use our music as a way of venting - so the attitude and general bitchiness is something that just comes naturally to us.

Ella: We’re nice in real life, we promise.

How does a song like that come to be? Do you both work on lyrics and write music separately? What is the process for the duo?

With this song, we were working with an amazing producer/songwriter called Dillistone and we all just sat down together drinking tea and bouncing ideas around. He was looking after a really cute sausage dog at the time - which I think helped a lot!

What was it like working with Dillistone on the track? Did you feel safe being with such a talented producer?

Alex: I genuinely think he's one of the most talented people we’ve worked with so far. He was just full of ideas and a nice guy.

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It seems, even this early, you have cemented a desirable and instant sound. Is that because of the chemistry with Cherryade?

Ella: Well we've been drinking the stuff for a long time - so I think that’s bound to of had some kind of weird, chemical effect on us...

Alex: It's the additives!

Ella and Alex. Can you remember when you met? How did you discover you had similar music tastes?

Ella: We've been best friends since school!

I used to bully Alex for being ginger in the playground till I realised he had all the new C.D.s I wanted. So, we became friends and I got him to burn me copies of everything. It was great!

Alex: We also both hated that Catholic school and, once we got a bit older, started venting our thoughts into GarageBand demos - whilst getting drunk on cherryade and vodka before nights out.

Hence the name. Haha!

In terms of other musicians; who are the artists you are inspired by?

Ella: Lil’ Kim was my childhood hero! I think Grimes is awesome too.

Alex: Definitely MIA. I think that was the first gig we went to together.

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Cherryade have worked with a range of different producers. Is this because you don’t want to repeat yourself - or do you feel you are free to experiment with different names?

We just love working and collaborating with different people. It’s important to us to always develop our sound and switch things up.

Ella: I think this is the best way to develop. You have to branch out and try new things and we learn something new with every song we make.

Is there more material coming? What can we expect as we head into 2018?

Alex: Yes!

Ella: We’re really going to up our game 2018: lots of stuff to come.

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IN THIS PHOTO: Baby Tap

Who are new acts you recommend we check out?

There's a guy called Baby Tap who's really fun and crazy. He's got a song called Hillary Duff - which is amazing.

Alex: Dominique is great as well. I’ve had her song, Use Me, on repeat.

Ella: There's a girl from Norwich called Ginny Dix as well - who has an AMAZING voice.

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IN THIS PHOTO: Ginny Dix

If you each had to select the album that means the most to you; which would they be and why?

Lil Kim’s Hardcore

I got it when I was eight and I had no idea what it was about - but it was pink and my favourite thing.

Alex: Ahhh, this is so tricky… I absolutely love Britney’s (Spears) Blackout album so let's go with that.

It was just really unexpected and genius Pop. I want us to make an album with Danja!

What advice would you give to artists coming through right now?

Ella: Make spreadsheets and email everyone…

Alex: …literally…everyone.

Finally, and for being good sports; you can each name a song and I’ll play it here.

Ella: Baby Tap - Hillary Duff

Alex: Dominique - Use Me

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INTERVIEW: Pale Honey

INTERVIEW:

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 Pale Honey

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IT has been a joy speaking with Pale Honey.

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The Swedish-based twosome, alongside Anders Lagerfors, create stunning and emotive music. They talk about how artists like Josh Homme and Radiohead are influential; what the music scene in Sweden is like and how they came to meet one another. The guys discuss their favourite albums and their new album, Devotion. Get These Things Out of My Head is the current single from it – they talk about its origins and history.

I ask them about tour dates and whether we will see them play the U.K. They reveal how they have evolved (in two years) since their E.P., Fiction, and what themes are explored on their new album; a great new act we should check out – and how their week has shaped up.

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Hi, girls. How are you? How has your week been?

Hello there! We’re just great.

One of us is in Art School and the other is studying so, we have been keeping ourselves busy; planning for the album release - and tried the D.J.ing career at a Foo Fighters show in Stockholm.

All good, in other words.

For those new to your work, can you introduce yourself, please?

We are Pale Honey; a Swedish band with Tuva Lodmark (on guitar and song) and Nelly Daltrey (on drums).

We enjoy beer and making music together.

Can I ask about the name, ‘Pale Honey’? Is there a particular source of inspiration for that choice?

Unfortunately, there is no epic tale of adventures behind the name: we simply decided on it because we thought it sounded good. ‘Honey’ was a particularly beautiful word to begin with but we had to add at least one word more – and, after some thinking, we decided on ‘Pale’.

Smash them together and you’ve got ‘Pale Honey’.

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The album, Devotion, is out on 13th October. What can you tell us about the themes and ideas expressed on the album? What was it like recording and creating the music for it?

Besides being released on a dangerous date: the album sums up about two years of work that we started with after the release of our debut album.

It has been written between tour dates; at home and in the studio - and we’ve been very open about the songs and have been sure to give them and ourselves time to grow during this period. The overall theme is interaction, relationships between people or the relationship to yourself. However, we are open with interpretation and if a song reminds you of something entirely else than what we sing about - then that is correct too.

We were sure to give each other time to reflect and encouraged each other to try out whatever was on our minds – and, so, it was a very recreational album to record; especially since some things that are in the final mixes are taken straight from the demos.

It seems, looking at track-names like Why Do I Always Feel This Way? there are regrets and anxieties. Was it a particularly tough and transitioning time for the both of you – in terms of relationship and self-doubt?

It is a continuous process to get to know yourself and how you relate yourself to others.

In some way, yes, it was a tough time but it was tough back when we recorded the first album as well. It all comes in waves and by creating music we can put the feelings into context. It can be frustrating wanting to write ‘the perfect song, but in the end, we’re proud of what we put out.

This time around we really worked on supporting each other and as all songs are connected to us, personally. We worked on bringing forth what we really wanted to express. Even though some songs might seem to have a very set theme; we’ve worked with being open to interpretation and how we as a band could relate differently to certain situations or themes. The lyrics are all taken from our own lives, thoughts and feelings – and, if that is not a tough thing to do, then why even bother.

It’s all about expression and exploration.

What was it like working with Anders Lagerfors on the album? What did he bring to the record?

Anders has been working with us since we recorded Fiction E.P. a few years ago. Back then, he was the cool, sound technician ready to take on work as a producer – and, after some time, he decided to join us for a tour in a combi-car filled with three others and full backline… and we’ve been kind of stuck together since. Live, he rocks the guitar and sampler; filling out the roles that neither of us other two can physically do - while playing our own instruments. In the studio, he’s back to being the producer and has great ideas that we weave together into the songs.

It is a very open collaboration where we just dig into ideas and record whatever comes up.

Get These Things Out of My Head is out. Can you explain a bit about the song and where that originates from?

It is - and we are very happy about it!

The song started as a dark demo with a tonewheel organ just rolling out the melody and the pumping drums and, from there, we kept building on it. Tuva does the song melodies and, with this particular song building into something energetic but menacing, we decided to go all in for the desperation. The lyrics ended up being about O.C.D. and the frustration surrounding the state - not being in control or unable to break free from something, swapped from another; calmer demo song.

It has been two years since your eponymous debut. Do you think you have become more discerning and precise since the debut? What are the main differences one will hear on Devotion?

We do think so!

Some of the songs on our debut album we wrote as part of learning our instruments. Being on tour really made us shape up and practice by doing. For Devotion, the only older song is Golden - which was a candidate for the first album but didn’t really come together until the second album. We’ve put a lot of work into the songs of Devotion and left some candidates out - as we wanted the songs to fit together as well as they could. While not necessarily calling it discerning, we’ve simply moved on from the first album and the experiences and created a new one. Some would call it a more ‘mature’ album and we’re definitely not disagreeing - since the debut has songs collected from when we were teenagers and stressed with finishing the album.

Devotion is more well-thought-out and personal in the way that we let everything take its time and tried; rewrote and rearranged things until they sounded as we wanted. The lyrics are a real upgrade from the debut - where we didn’t have the courage to change whatever came into our minds when recording the demos.

That is something that, hopefully, people will notice the most.

Tuva and Nelly. How did you both, and Pale Honey, come together? What was it about one another that led to the formation of a duo?

We met at the start of the eighth-grade of high-school and played different instruments together as we got to know each other. It expanded to playing outside of school too and, after trying to play with others who had ideas too different from our own, we decided to get a fresh start by being just the two of us. That is probably where the duo feeling comes from but we consider ourselves to be a band - no matter how many or few we would create music with.

The roles are fluid when writing, recording and everything else that involves us. But, live, you will see us mostly playing our respective instruments.

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Gothenburg is your base. It seems there is a lot of great music coming out of Sweden. Why do you think that is and is there a big scene where you are based?

Ah, the wonders of the socialistic Sweden.

We’ve wondered about this before and we would like to start off by saying that we are very lucky to have the time and opportunity to create and explore. For us, it was about finding each other and crossing paths with passionate people that kept encouraging us to make music. If more people are excited about music, it becomes contagious. Forget about the asshole musicians who brag about themselves and bring down others: the ones that support each other are the ones that are worth remembering and that have a blast together. In the end, we think, or at least hope, that music for us Swedes is all about having fun or having some way of expressing yourself.

We’ve got it pretty good here and, so, most of the Swedes could find the time to create and play music without it having a negative effect on their lives.

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Who are the musicians you both grew up on – and inspired you to get into music? Do you both share similar music tastes?

When we met in high-school, we kind of flirted with each other showing each other cool bands we enjoyed listening to. Nelly showed Tuva Queens of the Stone Age and Eagles of Death Metal. Tuva introduced Radiohead and Jimi Hendrix (yeah, Nelly was the cooler one). So, Josh Homme has always been a great inspiration - whatever he has done has been perfect.

Nowadays, we have pretty similar music taste but we both are drawn in different directions - and that makes our creative process fun and enriching! Everyone gets a veto when we are out on tour and blasting music in the car.

What tour dates are coming up? Any plans with regards coming to the U.K.?

Yeah, we’ll do London (The Old Blue Last) the 7th November. We’re looking so much forward to that - the best burger we’ve had on tour was in England as well, and so, we really are the lucky ones to have been booked. The previous gigs we did in London have been fantastic and, as the 7th is the only date we have set in the U.K. so far for the tour, there are no excuses for showing up! Even our cowbell will be there.

The tour dates so far are the ones below, and more are currently being added and awaiting to be announced:

05/10 Linköping, SE @ John Doe; 27/10 Aalborg, DK @ 1000 Fryd; 28/10 Copenhagen, DK @Ideal Bar; 02/11 Reykjavik, IS @ Iceland Airwaves; 03/11 Malmö, SE @ Plan B; 04/11 Jönköping, SE @ Hush Hush Club; 07/11 London, U.K. @The Old Blue Last; 11/11 Tollered, SE @ Smedjan; 15/11 Uppsala, SE @ Katalin; 16/11 Bollnäs, SE @ Bollnäs Konserthus; 17/11 Gothenburg, SE @Pustervik; 24/11 Oslo, NO @ Ingensteds;29/11 Stockholm, SE @ Debaser Strand

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IN THIS PHOTO: ShitKid/PHOTO CREDIT: Arvid Sjöö

Who are new acts you would recommend we check out?

One day, we’ll find all the cool kids before everyone else does but, until then, we are enjoying ShitKid.

We have to let out the not-so-secret fact that we are still exploring already well-established bands ourselves - so keeping up with the unpolished gems is hard.

If you each had to select the one album that means the most to you; which would it be and why?

Tuva: In Rainbows by Radiohead

Because that’s the best album that’s ever been written.

Nelly: In Rainbows is a masterpiece - but I’ll go with Kashmir’s E.A.R

I listened to it a lot at a certain point in my life.

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What advice would you give to artists coming through right now?

Keep having fun; get to know others and be kind.

Finally, and for being good sports; you can each name a song and I’ll play it here (not one of yours as I’ll do that).

What a nice opportunity! Nelly thinks the world needs more cowbell - so let’s go for Do You Wanna Rock by Danko Jones

For Tuva; the song is Drone by Chastity Belt!

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INTERVIEW: The Kondoors

INTERVIEW:

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 The Kondoors

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JESS and Gavin are a wonderful duo that makes up The Kondoors.

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I have known them for a while and can appreciate what a solid and impressive force they are – a married couple of the same musical soul and mind. I wanted to talk to them about their upcoming single, Mr Rain. It is out on 6th October and talks about the resolution of love; the light at the end of the tunnel. I quiz the duo on their musical background and how they met; whether we are going to see any more material later this year and what they have planned.

They discuss the artists who have helped mould them and the people influential to them; how their careers have evolved and how their paths intertwined and merged.  

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Hi, guys. How are you? How has your week been? 

Hi! Yeah, we're good thanks.

It's been incredibly busy few weeks for us. We just came back from Wales recording our album!

For those new to your work, can you introduce yourself, please?

Yes. We are The Kondoors, A.K.A. Jess Greenfield and Gavin Conder. We are married - despite our different surnames. Haha! 

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Mr Rain is your forthcoming single. What can you tell me about the song and how it came to life? 

That song came about after Gav was playing around with the first few chords when I was making dinner one night.

It was really catchy and knew he was on to something. It took a while to write it as we'd keep coming back to it adding bits and scrapping them. The idea behind it really was that we wanted to write a positive uplifting song that reflected the positive shift in our relationship.

We had been through so much sh*t and it felt like we had turned a corner. 

Jess and Gav. You are a couple. Were you in a duo together before embarking on a relationship – or was it the other way around? 

No. We met nearly fourteen years ago through a mutual friend who was running a band.

Gav was fronting it and they were looking for a female singer. That's when we first sung together (then). Once we became a couple (not long after), we thought we'd do some stuff together - just singing covers to earn money. It was only recently really that we wanted to make a real go of things, musically - doing what we wanted and putting our heart and soul into it.

Does being in a relationship make songwriting easier? How much of your relationship and experiences with love enforce your music? 

It is basically the crux of everything we write about, to be honest.

It is not easy to write together initially as we argue but then we somehow stumble on an idea or lyric and then it flows.

Sometimes, the songs pull on so many experiences and feelings that they are hard to sing. 

Can we expect an E.P. or album from you guys in the coming months? 

Yes, both!

Our E.P. will be out at the end of the year and we have just finished our album - and that will be out next year. We did the album at Monnow Valley in Wales live with a nine-piece band and co-produced it with Paul Stacey (Oasis/Black Crowes).

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Tell me how you both got into music. Did you both start out coverings or were you part of bands? 

Gav: I guess I got into music initially for the Rock and Roll aspect of it. I didn't start singing till I was about seventeen and I managed to get into a Soul covers band - and I realised that I could make a living out of it. I had always written songs though and always knew I wanted to be an artist. I began to meet really great musicians who introduced me to other great musicians and so on.

That's, in the end, how I met Jess. I always loved 1970s Soul and Rock - so it feels great to be writing and performing music of a similar style.

Jess: I was always around music from a very early age. My dad is a musician and I spent a lot of my childhood going around music shops and watching his gigs. I remember first going to Ronnie Scott’s aged (about) three or four! I realised I could sing aged fifteen and, after that, there was nothing else I wanted to do. I started off in covers bands and then doing lots of sessions etc. (same as Gavin).

Our lives have been incredibly parallel with each other. It's weird!

Who are the musicians that influenced you both, growing up? How important are your early experiences with music? 

Jess: Well; number-one is my dad. He not only taught me about great music but great feel and a strong work ethic. All the music he and my mum played have shaped who I am a musician. I grew up listening to lots of Latin and Soul; Funk and Rock - George Benson, Miami Sound Machine; Donny Hathaway, Stevie and so many more (from my dad) - and lots of World music and, of course, artists like The Beatles and Paul Simon from my mum.

Gav: I always loved bands like Pearl Jam and Metallica growing up. My parents were into Rock and then I heard Stevie Wonder - and my eyes were opened. 

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I can see you guys have performed some great gigs lately. Which dates stick in the mind and what have your recent gigs been like? 

Probably the Meraki Festival in St. Albans.

It was our first time on a main stage and it felt amazing. Our most recent gig was at Pizza Express in Holborn and it went down really well. We sold it out too, so that was good!

The Kondoors have so many fans and get a lot of love on social media. How much does that mean to you and what message would you give to them? 

It means everything to us. Really.

To know that people like what we do and tell their friends about it is incredible. We would like to say the biggest thank you - and to keep supporting us as that's what keeps us going.

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Have you got any plans for later this year? Will you get much chance to spend with family at all? 

Jess: I am doing a tour with John Illsley from Dire Straits for a couple of weeks, so that will be fun. Mainly though, we will be getting finishing touches done on the album.

What tour dates do you guys have coming up? 

We don't have any tour dates yet. I think next year we will do more live stuff.

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IN THIS PHOTO: Rider

Who are new acts you recommend we check out?

Yes; our friend Rider. She's incredible, both vocally and as a producer. She writes the most epic, heartfelt Pop.

Also; Vivienne Chi. Such an original artist with a really distinctive sound and voice.

If you each had to select the album that means the most to you; which would they be and why? 

Jess: Probably Jagged Little Pill by Alanis Morisette

What an amazing album. I think I had felt every emotion listening to that album. I think it helped me get through my teenage years, to be honest -  amazing songwriting and vocals.

Gav: Hard question. Probably Voodoo by D'Angelo. The playing on it is incredible - and he's like the modern-day James Brown.

What advice would you give to artists coming through right now?

It's a tough world to get into. Keep your eyes on what you want and don't be scared to do stuff yourself. Don't ever wait for anyone. If you believe in what you do and do it; someone will step in and help you with your journey.

Be nice and know what you want.

Finally, and for being good sports; you can each name a song and I’ll play it here.

Jess: I Believe (When I Fall in Love) - Stevie Wonder

We walked down the aisle to that song after we said our vows on our wedding day.

Gav: Circles by Vinegar Joe

It's just a great song. 

INTERVIEW: Sarah Hiltz

INTERVIEW:

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PHOTO CREDIT: Jordan Michaelis 

Sarah Hiltz

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CANADIAN artist Sarah Hiltz talks to me…

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about her new track, Without You. She is a singular talent whose voice is very much her own. A blend of different genres; she has echoes of greats like Billie Holiday and Joni Mitchell. I chat to her about the new single, Without You, and what we can expect from her forthcoming album, Beauty in the Blue. I find out about Hiltz’s musical past and the artists she is inspired by; what subjects inspire her music - and whether she is coming to the U.K. anytime soon.

Hiltz talks about long-term collaborators, Jordan Michaelis and David Puzak, and what the Canadian music scene is like; why her new album returns to a Folk sound – and which memories of the year stick in her mind.

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Hi, Sarah. How are you? How has your week been?

Busy, busy! (And a little sad).

I always feel a bit melancholy and nostalgic when September rolls around.

For those new to your work, can you introduce yourself, please?

Yeah! I’m an independent Canadian musician, based in Toronto.

I draw mostly from Folk and Jazz influences. Most of my songwriting focuses on finding a way to communicate the complexities of human relationships.

Without You is your new track. What can you reveal about its background and inspiration

Without You came after a long period of watching someone close to me struggle with severe depression. I’m kind of a slow processor, so it took me a long time to realize how much I was also affected by proximity. I think most of us don’t want our own pain to negatively affect the people close to us - but love doesn’t work that way. It hurts to see someone you love suffering; their pain doesn’t stop with themselves.

So, the song is kind of my way of saying, ‘hey, I’m on this road with you and we either fight or we fail together’.

It seems, from listening to the track, there is that difficulty balancing the effects of depression and maintaining a contented relationship. Was it quite hard putting that onto the page?

Yeah. It took a long time for me to be able to find the right way to describe my internal thoughts.

I spent a lot of time focusing outward; trying to tell myself ‘this isn’t about me’ - which is maybe true, in some way - but you can’t live life close together and not be deeply affected by each others’ pain. I think for me to be a better source of support - it was important for me to recognize that. But, also, important to find a way to communicate that in a way that, hopefully, doesn’t sound like blame.

I was going more for solidarity.  

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The album, Beauty in the Blue, is approaching. Can you tell me the stories and influences on the record? How much of your travels – and time as a travelling musician – go into the album?

It plays a big part, I think...

In Canada, there’s a program for artists to perform onboard our cross-country train in exchange for travel. I’ve done that trip several times and quite a few songs on the album are a direct result of that. Some of them are inspired by people I met: some are made of lyrics that I wrote while on the train… aside from all the strangers you meet and get to know on the train; it’s also really inspiring to see Canada that way.

There’s a lot of built-in time for reflection with nowhere to go and little in the way of distractions - which helps me to focus in on writing lyrics.

On it, you work with long-term collaborators Jordan Michaelis and David Puzak. What was it like working with the guys on the record?

Oh man, so great.

I love playing with them both - they sense so well where I’m going and what I’m trying to do. I’m so grateful I was able to have them in the studio with me. More than just laying down parts; they helped me express something beyond what I could capture alone - it wouldn’t be the same record without them.

It’s also the first time I’ve produced a recording that sounds like what I’m feeling or thinking - and that has a lot to do not only with Jordan and Dave and Kevin (Engineer and Co-Producer); but with everyone who worked on the album being willing to engage with the central message or theme of each song.

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PHOTO CREDIT: Jo Elis

The L.P. sees a return to Folk-driven sounds. Was this a conscious decision or did the experiences you went through demand a more contemplative and emotive direction?

In a way, it was a conscious decision.

Before we started recording, Jordan, Dave and I had been playing as a Folk-trio for a couple years. After a bunch of shows around Toronto - and a tour in Ireland and the U.K. - we had developed a certain energy - and I wanted to capture that dynamic in the studio. Most of the beds for each track are the three of us playing live in the studio.

After that, I wanted to fill in the gaps with whatever felt most natural and, usually, that was something that fell inside of a modern-Folk kind of sound. 

Is there a particular song on the album that encapsulates the entire spirit (of the record) – the one that has a particularly strong connection?!

I feel a pretty strong connection to them all.

They all seem to take turns being the thing that best expresses where I’m currently at - show-to-show, day-to-day. But, I do think of I Took a Risk as the sort of thesis statement for the record as a whole. It talks about a need to do things for myself, in my own way, and the sometimes-paralyzing self-doubt I experience after making a decision to do just that.

It’s the song that expresses my desire for clarity - and all the songs that follow are examples of me trying to find it in a particular situation.

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PHOTO CREDIT: Jo Elis

You are based in Toronto. What is the music scene like there and is it a part of the world, you think, more eyes should be trained on?

In terms of creators, I think it’s a really special place.

Toronto is home to such a wide variety of people from all over the world so the scope of music is really diverse and unique. It’s so interesting to hear where different genres and traditions meet and overlap. In terms of the industry, it’s a challenging place to survive as an independent musician: the city being as expensive as it is (the rent here, I tell ya!)

Who are the artists that compelled you to get into music? Can you remember the first musician that stuck in the mind and struck the heart?

Haha, yes. But I was really young, okay?

I think the first female musician I became aware of was Amy Grant. I remember my parents playing one of her cassettes at home and I was in the living-room and listening to it thinking, ‘I want to do what she’s doing when I grow up.’ She was just so cool with her leopard-print jacket and long, curly hair! I was three-years-old then and that was the moment I decided I wanted to sing.

I also have very early recollections of Neil Young and, having grown up an hour from Detroit, a lot of Motown artists (Martha and the Vandellas; early-Stevie Wonder) that have dug into my subconscious.

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PHOTO CREDIT: Tammy Foster

What tour dates do you have coming up? Any plans playing the U.K. this/next year?

I have a release-show on November 7th in Toronto and some dates in Western Canada later this year. I’m considering a return to the U.K. next fall but it’s unconfirmed at this point - still exploring to find the right venues and see if it will be feasible or not.

This year is nearing its end. Which memories have stuck out as being particularly special?

One really special night was the beginning of this year: I rang in the New Year on a train somewhere close to Edmonton, Alberta with a group of travellers from all over the world. As the night got later, and people started heading to bed, I was up in the dome car (where the roof and walls are all windows) with a just a few people.

Eventually, one of the staff came up and handed us the last open bottle of champagne - and said he was going to bed. We polished it off and sat watching fireworks over the city from a distance - and talked about the people we love and about music.

That night definitely stands out.

Who are new acts you recommend we check out?

Some of my favourite Toronto artists - Running Red Lights, Megan Bonnell and Abigail Lapell.

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IN THIS PHOTO: Running Red Lights

If you had to select the three albums that mean the most to you; which would they be and why?

Birth of the Cool by Miles Davis

This was the first record I heard by Miles Davis - and it was like nothing I’d ever heard before. I love the vibe, the arrangements and the melodies. You can really feel the energy of the group…even after all this time.

Wrecking Ball by Emmylou Harris

I never get tired of this album. Her voice is so unique. I love the songwriting and storytelling but, also I love, love, love the production by Daniel Lanois. It’s a Folk/Country album - but isn’t overly earthy or rootsy.

There’s something mysterious about it.

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PHOTO CREDIT: Jordan Michaelis

Emily’s D+Evolution by Esperanza Spalding

I heard the first single off this record – One - and was just floored by the melody. Esperanza Spalding is constantly pushing musical boundaries: every record she makes has its own special thing. I can hear the Joni Mitchell influence on this one and, as a fan of them both, it’s really interesting to hear that influence through Spalding’s lens. It’s also encouraging to hear someone as established as her make a record so outside-the-box.

It really defies categorization.   

What advice would you give to artists coming through right now?

Create as much as you can. Don’t let perfectionism stop you from completing something and moving on.

I’m still trying to learn that lesson - but I can see where it’s held me back.   

Finally, and for being a good sport; you can name a song and I’ll play it here (not one of yours as I’ll do that).

New Jerusalem by Cam Maclean!

Cam and I met as teens in our hometown - we took guitar lessons from the same teacher. I’ve always loved his songwriting - but this new recording may be my favourite-ever of his.

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