INTERVIEW: XY&O

INTERVIEW:

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 XY&O

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I have known about the boys of XY&O…

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for some time now – the man who manages the band designed my website (for blog/music-related fact-hunters). I have followed their music and notice, as their popularity increases, their sounds become more confident and explorative. The guys talk about their E.P., Powder Rooms, Vol. 1, and what comes next – one assumes further volumes (or the title is a bit of a tease!). I learn about their formation and how Spotify, where their music picks up huge streaming figures, impacts their career.

Skip, Tudor and Nick talk about music tastes and what gigs are in the diary; whether they actually did meet at the University of Exeter – as the rumour goes… - and what music they all grew up on.

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Hi, guys. How are you? How has your week been?

Hello, people of the Internet. It’s nice to pop in and say ‘hello’.

Our week has been an odd one. Somehow, we managed to appear on national television from Nick’s bedroom - whilst maintaining some sort of composure. Also; we featured in all of our dads’ favourite newspaper.

So, all in all, a successful week!

For those new to your work; can you introduce yourself, please?

We’re a D.I.Y. band from Cardiff. We attempt to make music that makes you tap your feet.

Is it true you all met at the University of Exeter? Can you remember that day you all came together?

We actually didn’t all meet at the University of Exeter - I think that’s a story that has been thrown around a bit.

We’re all from South Wales and met through producing/writing music locally – but, the first demos that we threw together (Low Tide, included) were constructed in Tudor’s Exeter dorm room.

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Skip, Tudor and Nick; you work out of Tudor’s bedroom. Is that where all the songs take shape? What is the advantage of taking a D.I.Y. approach?

Tudor’s home studio is where a lot of the songs take shape. Occasionally, we start at Nick’s house but we all usually like to write individually and then meet up and share ideas in person -usually an idea that we like will get bounced around between the three of us - then we’ll all record our parts separately at home and take it from there.

I think it’s fair to say that Tudor’s place feels like the home of XY&O, though.

XY&O are unsigned. Is that something you are proud of or is there a desire to find a suitable label?

I think it’s more a question of flexibility than pride.

The way the climate of this industry has changed in the last few years means that it’s more sustainable than ever for any band to take the D.I.Y. approach. In our case, we’ve always liked having the flexibility to do what we like without answering to a label. The rapid expansion of streaming sites like Spotify make it easy for small artists to monetise their art - and that’s what has allowed us to keep working on what we love – that’s all that matters to us.

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PHOTO CREDIT: Nadine Ballantyne

Nick. You are still studying at the University of Reading. Is it hard balancing studies and music?

I actually finally managed to finish my degree a couple of months ago...

It was tough. In the past, I’ve always made time for music but trying to maintain that level of commitment, whilst doing a degree, was too much to handle if I’m honest. It was tough to go from playing Glastonbury in the summer to studying derivative securities for another year. I enjoyed my time at university but it definitely felt like I was living some sort of weird double-life: there was a couple of times when we were playing gigs the night before deadlines/finals.

The weirdest part of it is actually now that I’ve finished; this is the first time I’ve been able to spend all my time focused on music - and it’s a really weird feeling.

Power Rooms, Vol. 1 is out now. What themes and stories inspired the E.P. and what has the reaction been like so far?

It’s very early days but the reaction has been positive, yeah!

From a lyrical point of view, the songs on the E.P. are all based on real-life interactions that I’ve (Skip) had. It’s the same on the songs on Vol.2 and Vol. 3. Some of those were up-close and intense - and some were just fleeting meetings that left a mark. The songs are all about people, specific people...

Myself included.

You launched it at The Finsbury. What was the gig like and is it a venue you guys have played before?

The gig at the Finsbury was amazing.

It was our first time playing at there and I honestly don’t think it was possible for us to feel more welcome there. The promoters went to town plastering the place with XY&O banners and posters - so the place looked like a bit of an XY&O-fest! I’m pretty sure even the food menus had pictures of us on the back – so, all in all, we were super-appreciative and humbled by the amount of effort everyone had put into the promotion leading up to the gig. What was (also) amazing to see was quite a lot of genuine fans that had come from all over London and beyond to watch the gig. At first, we assumed the crowd consisted mostly of friends and random locals.

It wasn’t until after the gig we realised we had a cluster of fans looking to buy merch. and take pictures with us - which was really pretty surreal.

Are there going to be any singles from the E.P. in the future?

So. We’ve decided to structure our releases slightly differently this time around...

We plan to release two more volumes of Powder Rooms; each one containing two-three tracks. We love the idea of juxtaposing styles and textures so you can expect to find the tracks on each volume to have quite different feels to each other. This also reflects our unique individual tastes in music; sometimes the only thing connecting one release from the other is the fact it’s the same three guys behind the production and lyrics (and performance) every time.

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What type of music did you all grow up to? Who are the artists that made an impression when you were young?

Skip: Prince, John Martyn; Fleetwood Mac, The Cure and Arcade Fire are some of my favourite artists. I also owe a huge debt to bands like Blink-182, Jimmy Eat World and Kings of Leon - who sound-tracked my childhood and teenage years.

Nick: Counting Crows, The Carpenters; Jimi Hendrix, The Clash. A band that made a huge impression on me was Bombay Bicycle Club. Their debut album was some of the best guitar-based music I have heard.

Tudor: Eminem, Coldplay; One Republic, Bill Withers; Dr. Dre, Bob Marley and Stevie Wonder. I had a fascination with Rap during my early-teens - which has recently been rekindled by the likes of Kendrick (Lamar) and J. Cole. If this Haze-Pop business doesn’t work out; I’ll be looking to be the next-big-thing in Hip-Hop (haha).

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It is clear, judging by the millions of Spotify streams, there is a big demand for your music. How does it feel to know your music gets so much love on Spotify?

It’s a nice feeling knowing that people appreciate your music.

We all use Spotify day to day and there’s nothing more satisfying than flicking on a playlist and discovering great new music: it’s nice to know that there’s people out there who feel that way about us. It’s also inspiring to find our music being played so much in the States. There’s no doubt that American culture and music had a big influence on us during our earlier years so, to find such a big portion of our streams coming from that part of the world, really is amazing.

It also kinda crazy; the Internet and the likes of Spotify have allowed us to reach corners of the world we have never and may never even visit!

It is coming up to Christmas. You guys have any plans at the moment?

We’ve been called the Princes of Summer before when, in fact, it literally couldn’t be more opposite. Aha. We’re all secretly fans of winter (maybe due to our pasty complexions) so I think we’ll be praying for snow! Aside from snow-praying and Father Christmas-expecting, we’ll be doing lots of what we love: writing songs and experimenting with new ideas in our music production.

We’ve got some really exciting projects simmering at the moment - so, these next few months will consist mainly of finishing these songs to the best they can be.

Powder Rooms Vol. 2 E.P. is in-development. When can we expect to see that?

We have the songs for this volume ear-marked and (almost) ready for the world to hear. There’s a little more recording to do and some mix adjustments to make but, otherwise, they’re on-track (forgive the pun).

We can’t give a release date for Vol.2 yet as we’re still in the process of releasing more content to compliment Vol.1. We have a music video coming out (it involves toys) for Mesmerised, most likely, in early-November. After that, an acoustic, live shoot of us performing Mesmerised and Low Tide with a choir!

Expect to see that in December.

If you each had to select the one album that means the most to you; which would they be and why?

Tudor: Bob Marley – Exodus

It holds a special place in my childhood memories. This was always playing around the house when I was really young - and all night at every gathering on my mum’s side of the family. Meaningful, impactful and beautifully performed music.

Skip: Kings of Leon – Aha Shake Heartbreak

Everything about it was incredible: the lyrics, the sounds, the concepts…the flow. It changed the way I thought about music.

What advice would you give to artists coming through right now?

Believe in what you do and others will believe in you. Remember: it’s music, so it’s subjective. Everybody has an opinion but the artists who succeed are the ones who stay true to their art.

Learn as much as you can about the business of music, but ultimately, make the music that you believe in.

Finally, and for being good sports; you can name a song and I’ll play it here (not one of yours as I’ll do that).

Hall & Oates - Out of Touch

INTERVIEW: Winnie Brave

INTERVIEW:

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 Winnie Brave

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THE married duo of Winnie Brave…

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provide the music world with plenty of charm and unique spirit. I ask about their new single, Moonshine, and whether Amy and Brad are coming to the U.K. Winnie Brave is based in Canada - so I ask why Canada is producing so many great artists. They talk about the new album, Cheap Gin, and what more is coming.

The guys chat about their Winnebago and why they tour in it (and why it is so homely); what it has been like getting such a great reception – and whether they have any plans set for this Christmas.

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For those new to your work; can you introduce yourself, please?

We are Winnie Brave (Amy and Brad McIsaac); a husband-and-wife, Americana/Soul duo who tour/travel in our 1976 Winnebago with our two dogs.

Moonshine is your new single. What is the song about?

Moonshine was written by Amy (music and lyrics) one morning in February a few years ago. The song came about rather quickly and flowed from start-to-finish in under an hour – it was one of those easy songs that popped out fairly complete and without much effort or toiling. I wish they could all be that easy.

I didn’t have a set idea or story in mind at the start: I (just) let it flow and connected the dots – so to speak – what came out was a fairly traditional story of love that just wasn’t meant to be.

Catherine North Studio is where your album, Cheap Gin, was made. How was that experience?

Drums and vocals were recorded live in the main cathedral room of Catherine North Studios. The room provided the perfect acoustics for the driving train beat and the big, wide-open vocals. The large room also provided a great natural reverb - which was perfectly captured by Dan Hosh (Engineer) and his creative microphone techniques.

Will there be more material released from the album?

Lover on the Side is the second single that will be independently released before the year’s end.

Who are the other musicians who aided on the music of Cheap Gin?

The album features us, Amy and Brad McIsaac, along with Christine Bougie on Lap Steel; Adam Cannon on Drums; Lauren Campbell on Backing Vocals - and Albert Carraro on Electric Guitar.

We tour as a duo since the Winnebago only has two seatbelts.

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Why did you guys get into music and which artists have inspired that decision?

Playing music was a shared, common interest and, what started as a hobby/just-for-fun pastime, naturally progressed into something we wanted to do for a living - it became our family business. We take inspiration from such a wide collection of artists that it’s hard to narrow it down to only a few...

In the last few years, we have looked towards artists like Shovels & Rope as inspiration for what we are aiming to achieve.

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Talk to me about your 1976 Winnebago, ‘Winnie’. Why is she your chosen method of transportation? Does it feel like a home to you?!

Winnie, our 1976 Winnebago, is definitely home. She is the (most) perfect touring vehicle for us...

Having all the comforts of home (i.e. a kitchen, full bathroom; our own bed and dogs) means we can stay out on the road for extended periods of time without feeling like we’re missing anything - it’s comfortable all the time. Plus, she gets lots of attention and we have met some wonderful people - just because they were attracted to her good looks.

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You must have experienced some great times in the Winnebago?!

There are so many great memories from our travels: it’s hard to pick just one; however, there was one night on the Central Coast in California that comes to mind…

One night, we pulled off Highway 1 (California’s old coast highway) and ventured down a gravel path that led to a bluff overlooking the ocean. We made dinner and ate outside under a perfectly-clear sky. Once it got dark, we settled into bed and fell asleep listening to the waves – it was a perfect evening and there wasn’t another soul around. Around 7:30 A.M., Brad woke up and peeked out the window… “Holy s*it; we’re surrounded!” I (Amy) jolted up to see what he was referring to (naturally thinking it was the cops. L.o.L.), and, low and behold, there were about thirty cows surrounding the R.V. – extremely curious and having a good look.

I guess not many Winnebagos roam into their pasture.

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What is Canada’s music scene like now? Is it quite fertile and productive?

Finding gigs is the easy part: finding recognition is a whole other ballgame.

Having travelled to many different parts of Canada and the United States, we find that the scene is fairly similar across the board. In most circumstances, there are more bands than there are places to play.

What tour dates do you have coming up? Will you be coming to the U.K.?

We will be playing a bunch of dates throughout the remainder of the year in Western Canada - followed by a four-month tour of the United States (commencing in January 2018).

We’d love to come to the U.K.! We’d love to take Winnie for a spin around the Top Gear test-track.

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Christmas is approaching. Do you all have plans already or will you be busy working?

We will be spending this Christmas in our new home in rural, eastern Alberta; then, heading south right after the New Year (to start our U.S. tour).

What do you guys do/enjoy outside of music?

Brad: Vintage cars and guitars; craft beer and hockey.

Amy: Thrift shop-hunting and cooking a great meal (while sipping a cocktail, naturally).

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If you each had to select the one album that means the most to you; which would they be and why?

When I was about fifteen; I learned how to play the guitar and was really drawn to Sarah McLachlan. Her album, Fumbling Towards Ecstasy, was probably one of the first albums I bought that I listened to over and over again – it wasn’t long before I learned how to play all the songs… and then I cut all my hair off. L.o.L.

Brad: The first album I went deep with was Ten by Pearl Jam. I bought a pawn shop bass and a tab book and tried to master all the songs. The process of learning those songs inside and out informed my current taste in songwriting and production. My taste and influences have broadened greatly since then but that was where it began for me.

What advice would you give to artists coming through right now?

Work hard and keep working hard.

Finally, and for being good sports; you can each name a song and I’ll play it here (not one of yours as I’ll do that).

Amy: Crazy on You – Heart

Ann Wilson can SING!

Brad: Blown Wide Open - Big Wreck

Canadian content!

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Follow Winnie Brave

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INTERVIEW: Brooke Sharkey

INTERVIEW:

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 Brooke Sharkey

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SHE is based out of London…

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and is shaping up to become one of the brightest young stars here. I talk to Brooke Sharkey about her background and how she came to find music; what her new single, Offida, is all about and whether her album, Wandering Heart, is the start of great things – what we can expect next year. She talks about busking from a young age and playing across Europe; playing with Blick Bassy on 11th November – and what London is like for a young artist.

Sharkey gives me a window into her young life and what music means to her; the kind of sounds she was raised on – and what it feels like being lauded by some inspirational and beloved sources.

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Hi, Brooke. How are you? How has your week been?

Hello there. I have to say, it’s been pretty special...

I was at my mum’s house in France, and now, I’ve just arrived in Paris for a show this evening - in a little intimate venue in Montmartre. 

For those new to your work, can you introduce yourself, please?

I translate what I go through in life into music - to make my own sense of things that happened; happen and may happen to me. It’s an emotional acknowledgement of an event: the insight into a person’s state of mind, or my own. Sometimes, the music comes before I have any idea that something needs my attention. I was brought up between France and U.K. and express my songs in both languages.

I’ve spent a lot of time roaming, busking and meeting interesting people; jumping around a lot - for reasons I wasn’t sure about until a few days ago. 

Tell me about the new single, Offida. What is the tale behind the song?

Offida is the story of a lady who dedicates herself for weaving lace in a small town in Italy in the Marque region. I visited this town a few years ago and met this woman in a shop. We had a beautiful exchange and she talked about how hard it was to survive there doing was she does. I really related to this. There were all these incredible garments tucked away in her draws that don’t usually sell.

Most of what she made these days were lace butterflies that she sold for 6€ to tourists - to keep her afloat and took her a few hours to weave. I bought some lace earrings for my mum; gave her one of my albums and left the shop. She ran after me and handed me a butterfly and thanked me. I promised myself I’d give it to Jez - who ended up joining the band shortly after the song was made. I wanted to remember the exchange with this lady; not to have faith in surviving and being successful. It was deeper than that.

About her being an example of dedication to what she loved, and the song in reflection, was valuing the moment we had together; our unique exchange. I guess I wanted to give an example of one story I lived - so that, in some selfish way, could perceive most events and things that happen in life this way.

If others did too, then wow…what a place the world would be like.

The song is from your album, Wandering Heart. Can you tell me the themes of the album and what it was like to record?

The album, in retrospect, is a collection of moments, exchanges; places that a sequence of random events let me to leading the life I lead - which is one that relied nearly entirely on trust. I have been a busker most of my life and it has been my main source of spirit and income, too. The songs are refections of the good times and bad - and the challenges and the magical encounters that started to make me see things in a different light.

We toured the songs for a while before recording them. Adam Beattie (Bass or Guitar), Jez Houghton, and myself - and sometimes, Sam Pert - developed it from touring. It was a big learning curve for me to try and bring the essence of what we do on a record and it was a big challenge for me and my band member - but it was very rewarding to see it come together. I stripped each song to its essence. By that I mean, if it was a personal song, I would do it solo then build on it so the intimacy wasn’t affected. If it was about a place, I tried to capture the atmosphere with the relevant combinations of instruments and recorded it live.

Jez preferred to work alone so we let him do it his way; then he sent over his parts when he was done. The hardest part was having what I wanted and what each person in the band was satisfied delivering - and trying to adapt to their way of working too. Each of us is so unique: it’s the uniqueness of my band members that were also a bit part of this album.

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Your voice seems to take in a lot of different emotions and colours. Who are the artists you look up to and were inspired by?

I connected to the spirit of Lhasa de Sela, Silvia Perez Cruz and Tom Waits (to name a few of the bigger names) but, also, to all the bands and musicians I have been lucky to find and stumble across - being a musician of many years on the East London music scene. Through the diversity of music, I have had the chance to encounter a lot and managed to find my own voice - to express my own experiences. 

Did you bond with music quite early? What was it about music that made you want to write and perform?

My first connection with music was before I could talk.

My dad used to sing us sings; then when I got a voice and started experimenting with it. I remember trying to capture a melody by scribbling a line down on a piece of paper when I was about five. I have no idea what it is that makes us want to play. It feels good and connection and experiences come out of it - the richness only sometimes emerges later. Lots of them are revelations that I can relate back to when I stop valuing the moment. Creative works are a limitless pool that I carry on to uncover them each time I perform them. They change and grow and I change and grow.

It’s amazing to feel my way through them.

You started busking at sixteen and travelled Europe and London; France and Italy. Was that quite an enlightened time or was it quite tough?

I was still living in the same head of that girl until a few days ago - and would never have known what I was doing and how/what for. Now I can look back and see my life unfold slowly with the richness of those experiences. What it gave me was my own story that I didn’t know how to value them…but do now. The tough parts were the biggest lessons and formed me as a person.

The beautiful moments are there for me to savour forever.

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PHOTO CREDIT: Alan Schaller Photography

Looking back at your time in music; which memories and gigs stick out?

I have played so many shows: they are all unique in their own way. The launches of new releases - such as St. Pancras Old Church in 2012; Wilton’s Music Hall in 2014 and The Jazz Cafe at the end of 2016 - are very memorable because it’s a time when every part of this journey I am on comes together - and I see all the wonderful people that have helped me along the way in the same room.

It’s very overwhelming and real.

London is your base. How important is the city to your music? What is it like for a young musician here?

Every musician’s life is different: everyone has their own path. We are united by common ground but I can’t stress how much we have our own underlying fate. We may end up in the same venues at some point but how we got there and where we go afterwards is so different. London is hard, easy; full of spirit and lonely. If you want to feel life at its most intense then live in London. I wouldn’t know how it feels for a young musician. I would know, if I met them and asked them, though, they will notice all the details that make sense to them - that would be entirely different to the places, people and experiences I go through and want to write about.

That’s the beauty of art - our own unique experience and view of the same things.

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You are going to headline Union Chapel, London on 17th November. Are you looking forward to that and playing with Blick Bassy?

I first did a show with him in 2016. It was magical.

Sometimes, you need an element missing to notice other things. By that, I mean I didn’t know what he was singing about as he sings in Bassa - one of the many languages in Cameroon - and yet; I still felt like smiling, crying and tapping my foot. I have been praised and criticised for singing in French and English - as people either feel alienated or like they’re not understanding me. It is the perfect platform to imagine what I was saying.

There is something more to what Blick Bassy presents in his music. There’s a strong and vulnerable spirit. He’s amazing to watch and listen to and I trust his messages. I’m so excited about it. It’s insane. 

What other tour dates do you have coming up? Which dates are you most looking forward to?

I’m doing many dates with Blair Dunlop who is (also) quite a talent and, from our conversations, an ace person. I’m looking forward to being on the road with him - and us combining our journeys. 

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PHOTO CREDIT: Bertrand Goareguer

It is nearing the end of the year. Will you have time to rest nearer Christmas and do you have any plans for later this year?

I have been writing a new album alongside my experiences since the start of the year. The songs have been a key tool to understanding my next steps in life and diving further into myself.

I’d like to spend some time alone this December and (spend) Christmas with my family in France. 

Who are new acts you recommend we check out?

I have spent the last few months diving into music that my close friends listen to - mainly what they were brought up with - so I’m not up-to-date with current acts at the minute.

Maybe let me know if there’s something you’d like to share with me?

If you had to select the three albums that mean the most to you; which would they be and why?

Lhasa de Sela - Lhasa

This album is beautiful, but what I like most about it is her outlook, her life and her version of her life. She says “When I was young, I realised that the words you put in a song are precious”. She has spent time getting closest to who she really is: the pain and the joy.

You can feel that on this album... 

Adam Beattie - The Road Not Taken

I travelled alongside Adam all around France and Italy when he was making this album. In his revelations, intrigues and understandings; there’s nothing more valuable to listen to his creations from the events we lived together. 

Geoff Sharkey (Demos never-released and a lost tape) 

The third is this - surprisingly, it was never released officially. It was a bunch of demos, of which I had the tape, and then lost at some point in my teenage years. I remember how much they marked me and sometimes his lyrics crop up in my songs - and I say ‘hi’.

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What advice would you give to artists coming through right now?

Keep doing what you do - and trust and marvel in your personal journey.

Finally, and for being a good sport; you can name a song and I’ll play it here (not one of yours as I’ll do that).

Fleetwood Mac - Dreams

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Follow Brooke Sharkey

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INTERVIEW: MY BABY

INTERVIEW:

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 MY BABY

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THIS may be the first time…

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I have featured an Amsterdam band on the site. I have been to Germany and France but never snuck into the Netherlands. This is exciting and especially so given the ethos, dynamic and look of MY BABY. They consist frontwomen Cato von Dyck and brother Joost – New Zealand-born Daniel ‘DaFreez’ Johnston completed the line-up. Their new single, Sunflower Sutra, is a stunning one; it has a terrific video I find out more about. The video consists three parts: Birth, Ceremony and Rebirth. The totems of each individual band member are evoked. We have Rooster (courageous and hardworking – this is Daniel’s); Hare (concerned with happiness and fertility – Cato’s sign) and Pig (soft and modest sums up Joost).

It is a quirky and unique take on music so I was eager to find out more and whether we can see the guys in the U.K.; how the trio got together – and if there is any more material down the road.

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Hi, guys. How are you? How has your week been?

We're doing great.

It’s been rather busy. Only just finished the festival summer, and now, straight into the European tour for two months - so, we were busy preparing for that.

However; we did manage to find some time to work in our studio. 

For those new to your work, can you introduce yourself, please?

We are a trio based in Amsterdam - that play Roots-driven hypnotic Dance.

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What is the new single, Sunflower Sutra, all about? Can you reveal the story behind it?

Whilst writing songs for our album, Prehistoric Rhythm, we delved into ancient rituals that involved songs of worship.  Some cultures sang songs of worship for the sun as it also represented a deity - for instance, the Inca civilization or the peoples of ancient Egypt. We really fantasized about how their songs would have sounded.

The inspiration for the lyric came from discovering an old ancient Persian poem about sunflowers turning their heads to follow the sun - creating a sense of unity and symbolizing a strengthening bond.

We took the title from a poem by Allen Ginsberg. We fused all those influences to create the journey-like song that is built up out of different stages - and rhythms that represent the different stages of a ritual.

 

Tell me more about the video – as it has been nominated for a Los Angeles Music Video Festival award. Whose idea was the concept?

Ayla Spaans is a young talented filmmaker who approached us with the idea of making a video for Sunflower Sutra. She had an inspired vision and fresh interpretation of the song in mind that really tapped into the relationship between music and spirituality.

Your third album, Prehistoric Rhythm, employs different sounds, beats and styles. Do you think you have encompassed more influences as your career has progressed? 

We have always strived to fuse different styles and sounds. A lot of African beats formed the basis for quite a few songs on Prehistoric Rhythm.

Taking Influences from Indian and oriental melodies also made difference.  

How did you all get together? Were you all friends from years back?

Cato and Joost are sister and brother and have been playing together since childhood. We met Daniel over twelve years ago at a festival when he was Blues-busking around Europe (after leaving New Zealand).

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PHOTO CREDIT: Bart Heemskerk

Amsterdam is where you are based. What is the music scene like there and are there lots of great acts emerging?

Amsterdam doesn't have a particularly rich history in Rock and Pop...

But, in recent years, the number of interesting acts has increased. There is a conservatory of music where a lot of Jazz musicians, in particular, emerge. Amsterdam is home to famous venues like Paradise, Melkweg and Bimhuis.

You have been getting a lot of love from stations like BBC Radio 6 Music and Beats 1. How important is this to you and how does it make you feel?

It’s great to get that support and recognition; especially because our music is not straightforward radio-music.

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What tour dates do you have coming up? Where can we come see you play?

We have an autumn European tour coming up including U.K., Germany; Belgium, the Netherlands; Switzerland and Central/Eastern Europe.

Are you coming to the U.K. this/next year to play?

We had a great summer of festivals in the U.K. including Glastonbury, Isle of Wight; Shambala (and many others). Hopefully, that has generated interest in seeing our own headline show. 

We’ll be playing our Prehistoric Rhythm show in Leeds, Bristol; London, Manchester; Birmingham and Brighton.

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IN THIS PHOTO: Emme Woods/PHOTO CREDIT: Bella Rebel Media

Who are new acts you recommend we check out?

Emme Woods from Glasgow is an amazing singer and performer.

Echo Town is a duo supporting us on our U.K. tour. They have a great energy to watch out for.

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PHOTO CREDIT: Mitchell Giebels 

If you each had to select the album that means the most to you; which would they be and why?

Daniel: Robert Johnson's - King of the Delta Blues Singers

Robert Johnson is the most pivotal Blues influence because he was able to, so profoundly, depict the struggle of human existence and describe, in poetic imagery, what that entailed for him, personally. It's where Blues, as a Folk and a form of entertainment, meet artistry.

That discovery, for us, is part of the foundation of how we see our music and art in general.

Joost: Sly and the Family Stone - There’s a Riot Goin’ On

Sly and the Family Stone has been a prime source of inspiration in terms of Rock ethic and genius musicianship. There is a persuasive power of Gospel-meets-hippie idealism in Sly's music that is striking. There is always an expression of a dark and corrupted side (of himself) that threatens and leaves you feeling the fragility of life and all things beautiful. That is a rare combination to have shine through in your music.

It's something we aspire to...

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Cato: The Gospel According to The Staple Singers - The Staple Singers

1950s’ recordings from The Staple Singers is a collection of powerfully evocative and enchanting Gospel traditionals. The guitar-playing of Father Pops Staples is spooky - and harks back to early-Country-Blues. Then, there is the majestic voice of Mavis - who powerhouses through all the songs; backed up by the brilliant harmonies of her siblings.

Truly humbling music.

Do you get the chance to relax/have downtime away from music? What do you all get up to when you have time to detach? 

Cato likes to travel and look for vintage clothing; Joost likes to party (especially in Glasgow); Daniel likes to hike in the mountains.

What advice would you give to artists coming through right now? 

Be determined - and play as many shows as you can when you start out.

Finally, and for being a good sport; you can name a song and I’ll play it here (not one of yours as I’ll do that).

For happy Pop-Soul goodness; check out Vulfpeck – Back Pocket

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INTERVIEW: CHMBRS

INTERVIEW:

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 CHMBRS

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CHMBRS is an exciting new Electro-Pop artist…

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from Australia who has released a stunning single in Rabbit Hole. I ask about the song and the details behind it. She discusses her forthcoming E.P., EXORDIUM, and what we can expect from it; why artists like BANKS are important to her – and the musicians she fell for at a young age.

I ask CHMBRS about the Melbourne scene and whether it is a ripe and fertile landscape; what her future gig schedule looks like – and whether she will treat us to a few performances over here.

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Hi, CHMBRS. How are you? How has your week been?

Hey! It’s been good.

It’s been a good week. Lots of hustle. Definitely, time for a wine when I get home!

For those new to your work; can you introduce yourself, please?

My Pleasure! My name is CHMBRS. I am an independent, incredibly emotional Electro-Pop artist from Melbourne, Australia. My music is very much inspired by some of my favourite artists: BANKS, Lapsley; Halsey, Paramore; Broods etc.

I’ve always found music to have a strong impact on my emotions - and I want to be able to create music to capture, inspire and heal emotions.

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Rabbit Hole is your debut single. What is the story behind that song?

Rabbit Hole is the story of my constant war with my own self-doubt and anxiety.

Something I’ve always found really hard to deal with, as some young people do, and it bleeds in my insecurities with my music. I felt compelled to fit into all these different genres, songs; styles that just didn’t fit me – they didn’t feel natural.

It wasn’t until I spent a night, in tears, writing on the piano that I wrote a song (Rabbit Hole) that would define the direction of my music.

It is an evocative and eye-catching video. Can you tell me whose concept it was and what it was like to film?

It’s amazing to watch, isn’t it!

The concept and costume design was by Caitlin O’Grady (Desfura) who was also the Director of the clip. When I bared my song to her, her inspiration was almost instantaneous. We were almost unsure how we were going to bring it to life but we had so many people come into help build the concept that it all came together so well. It goes without saying a lot of work went into this clip - and by everyone involved.

We spent just over eleven hours shooting: my partner spent three or so days building the steel cage; my dancers performed in nothing but leotards and veils in under ten degrees (centigrade) – all of us filming until 5 A.M. It was equally exciting to film as it was to see as a complete video.

My favourite fact about it all is you would never have guessed…it was filmed in a driveway!

Is there going to be an E.P. coming? What can you reveal about that?

There sure is!

I can reveal that it is coming and it’s coming before Christmas (*sigh of relief)! I named my E.P. EXORDIUM - which means 'beginning/introduction' – which I felt was fitting because this piece of work, with all the varied and dramatic emotions incorporated, is just the beginning of my story.

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Is it quite exciting releasing a debut single? How do you hope Rabbit Hole will be received?

It sounds so cliché, but it really is like a rollercoaster. It’s such an emotional experience and, with (me) already being an emotion person, it was full-on! But it was such an amazing feeling to finally release a song that was so personal to me - and give it out for others to listen to and keep. I have already received some amazing feedback already but my hope, for its reception, is for it to feel different - but a good kind of different.

I hope for people to listen to Rabbit Hole and feel the deep emotions behind it; to feel empowered by it and to want to overcome whatever it is that holds them back from doing/taking/receiving the thing they desire most.

I hope Rabbit Hole moves people the way it moved me - to not be scared to take a risk and just be me.

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Melbourne is home. What is it like for a musician there? Is it the best city in the world for new music would you say?

Melbourne is great.

I think there are so many opportunities in the C.B.D. You have so many avenues; whether it’s live gigs, shows; buskers, Triple J/Triple J Unearthed – there are so many ways to expose your music in Melbourne.

I couldn’t say whether it’s the best city for new music because I haven’t seen the rest of the world - but there is so much incredible talent and amazing songwriters in Melbourne.

Can you give me an insight into the music you were raised on? Is there a band or artist that sparked that interest in music?

My music taste changed so dramatically when I was younger...

One minute, I’d be listening to a Shania Twain album; next minute I’d be listening to Foo Fighters and then putting on P!nk’s newest album. I loved listening so much music when I was little – was absolutely obsessed with Disney music for a long period. I also went through an ‘Emo’ phase (go figure!) so Rock music definitely had a strong impact on the kind of music I really wanted to perform and sing. I always thought I was going to be in a band and be like Hayley Williams. I guess, as I’ve grown, my music tastes have broadened with me.

I’m always looking for new artists to inspire me, to create sounds I’ve never heard - and lyrics my heart needed but never knew how to say.

It seems personal doubts are put into music – in the search of an answer. Would you say music is a way of dealing with doubts and struggles in your life?

Music has definitely always helped me put it all into perspective, I guess. I definitely have a lot of thoughts, doubts; questions, musings about everything and anything – sometimes, my mind is just constantly going a-mile-a-minute. Music has always had a way of taking all that weight off my shoulders and by being able to write. I’ve found it helps me to think clearer about situations – sometimes, when you’re in that situation; you only get stuck in the one view.

We all have our own struggles and demons to face: I’ve still got plenty to work on and write more songs about but I believe music has been the key to being about to cope with the weight of it all.

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Do songs come together quite easily? How do you usually write? Do tracks come together gradually or is it quite quick?

I try very hard not to ‘force’ a song.

In saying that, there’s plenty of ideas and melodies/lyrics I try to come back to if I really love them. But, if I feel like I’m working too hard for a song, the inspiration for it fizzles and I part with it. I usually like to start with chords/music before lyrics, but every now and again it changes – I’ll think of a really sick lyric and write it down to use for later or I’ll hum a melody that I can’t get out of my head.

They don’t always turn into a song but the key to songwriting that I was taught was always, ALWAYS record it. With tracks coming together, I guess it really depends on the inspiration - Rabbit Hole came together one night in a couple of hours, if that, whereas one of the tracks from the E.P. took a day or two to finish.

What are you chaps up to this Christmas? Do you visit family or have other plans?

Christmas is family time, for sure!

Praying that we actually have good weather this Christmas – would be nice to actually go for a swim on the beach five minutes from the house! Mum usually puts on a massive spread; my sister Adele and I make Sangria; my niece will make us watch Frozen for the millionth time - and my nephew will probably run around playing with his cars and dinosaurs.

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Who are the new artists you suggest we check out?

BANKS is dope - favourite artist out for sure. Really enjoying Vera Blue’s new album as well. Running Touch is sick - so is Låpsley, BROODS; Meg Mac, SAFIA.

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IN THIS PHOTO: Meg Mac/PHOTO CREDIT: Metaxia Coustas

Some really wicked Australian upcoming artists are Samsurah, ESSIE and Rya Park.

Are you touring before the end of the year? Any plans to come to the U.K.?

I am hoping!

Lots of details to get through but I am hoping to get a tour started A.S.A.P. I am hoping to get over to the U.K. next year sometime, hopefully! Keeping my fingers crossed…

If you had to select the three albums that mean the most to you; which would they be and why?

Goddess – BANKS

it’s hard to choose between her albums because they both moved me so much - but the Goddess album just hit home on so many levels. Her lyrics in these songs hit me so hard - the day I found BANKS’ music is the day I felt like I had someone on my side.

Riot! – Paramore

I could 100% sing every song on this album. I was in love with Hayley Williams for so long, I even skipped school to go see a Paramore concert – doesn’t sound that hardcore but being the A-grade student I was in high-school; that was a big thing for me. This was the album of my teen angst. I might actually play through this album tomorrow: it’s taking me back so much.

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21 - Adele

I think we all went through a crazy amount of tissues through this album. This album was such an emotional masterpiece and made not only want to be a greater and bolder singer - but to be able to make people feel as deeply as Adele made everyone feel listening to the album.

What advice would you give to artists coming through right now?

Don’t give up. Don’t give in. Stay true to yourself. Be patient.

This is not an instant gratification industry. Behind the cameras, it is hard work - every minute. But the most important thing: believe in what you are doing. People can feel that; they can tell if you believe in your own music.

Don’t be scared to be yourself: be present in every moment.

Finally, and for being a good sport; you can name a song and I’ll play it here (not one of yours as I’ll do that).

Hahaha. Jolly good. I’m trying not to be biased but BANKS’ new single just dropped – Underdog - and it is a bloody tune! Absolute killer track.

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INTERVIEW: Born Stranger

INTERVIEW:

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 Born Stranger

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FEW come along that stand you to attention…

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and make you want to dig deeper. This Is My Life is the latest single from Born Stranger and a song that shows Maddox Jones and Raife Hacking are on the top of their game. I learn more about the duo’s latest song and the story behind it; how they will be spending the rest of this year – and whether they have changed their sound in the past few months.

I ask whether there are any new artists we should keep an ear out for; the tour dates Born Stranger have in the pipeline – and whether there will be an E.P. very soon.

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Hi, guys. How are you? How has your week been?

Maddox Jones: Good, thanks.

It's Tuesday night, all is well; currently walking to our studio to finish a new song. 

For those new to your work; can you introduce yourself, please?

We are Maddox Jones (me) and Raife Hacking - and we are an Electronic-Pop duo from Northampton, U.K. – although, we now prefer to call Devon and London our homes. We are inspired by Pop music that says something different and we love anything from House music to Rock and Roll...

Good songs are always king: it doesn't matter where they come from. 

Is there a special story behind your name, ‘Born Stranger’? Where does that come from?

Well. We are all ‘born strangers’ aren't we?! We are two very different characters: Ying and Yang - that's why it works, I guess. 

 

Talk to me about This Is My Life. What is the song about, would you say?

This Is My Life is a song for the mavericks and the dreamers: for anyone who doesn't want to conform. It's about having and believing in your own voice. 

You worked with Yoad Nevo on it. What was that experience like?

We still work with him often, and he's great. He feels like a third member of the band! He has helped shape our sound massively!

Would you say you have changed a lot since Fire & the Flame and Be Someone? Do you look to inject something new into each single?

We like every single to stand alone and have its own voice - but be part of our sound as well. I would say we are always evolving and we never want to be tied down to any rules or specific sound.

Pop music is about living in the moment - and we never want to stand still creatively!

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Your music has been praised by Chloe Moretz and BBC Introducing. Is it quite an honour getting that sort of praise?

Yes. It's awesome, of course. We love it when our music connects with people. 

Spotify seems to be a place your music goes down well on. Is it beneficial and special being included on their playlists? Is it something you two chase as musicians?!

Yes, Spotify is the new radio, isn't it? Being on Spotify playlists can attract so many new fans - it's amazing. 

I am seeing a lot of duos coming up and replacing bands in terms of popularity. Do you have a theory why this is so?

Less politics and cheaper to travel around?

Haha. Mmmm…I'm not sure. I think more and more people make music in their bedroom now and you don't need a full band to sound like a full band nowadays...songwriting partnerships have always been successful as far back as Lennon and McCartney. 

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I guess duos need a solid bond and connection. Do you two get on most of the time or are there ever creative differences?

I'd say we know each other well enough to put up with each other's idiosyncrasies. We used to argue but now we know better - and it's just wasted energy as we both want the same thing! 

You are based out of London but did you two form a band after becoming friends? How did it all come together for you?

We are actually based in London, Devon and Northampton. Ha.

Northampton is where we met and grew up. Raife actually auditioned to be in an old band of mine, Newislands - and we just carried on working together ever since. 

Does Born Stranger have similar tastes in music or do you pull in different directions?

We pull in different directions - but for the common good! 

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Can we expect an E.P. or album in 2018, do you reckon?

Mmmm maybe ?! We've got enough material so let's see what happens. We love creating, so if an E.P. feels natural, we will do that. 

What are you chaps up to this Christmas? Do you visit family or have other plans?

Mmm. Family; yes. I think Raife is going to France; I'll probably stay in Northampton and spend it with my girlfriend and family. 

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IN THIS PHOTO: Caitlyn Scarlett

Are there any new artists you suggest we check out?

Mmmm - you probably know better than me. Caitlyn Scarlett is awesome; Ruby Francis and Girlhood (too).

 I've been listening to loads of old Classical music lately - so probably not much help to you here. 

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Are you touring before the end of the year? Where can we catch you play?

Mmm. Keep an eye out on our Facebook page!

If you each had to select the album that means the most to you; which would they be and why?

Depeche Mode – Violator

It’s when I first got into dark Pop music. Enjoy the Silence is my favourite song…well...it was.

Nowadays, I don't have a favourite song I'm always open and love hearing new music I've never heard before.  

What advice would you give to artists coming through right now?

Don't give up, and don't be precious - and do it because you love it!

Finally, and for being a good sport; you can name a song and I’ll play it here (not one of yours as I’ll do that). 

Girlhood - Bad Decisions 

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INTERVIEW: Late TV

INTERVIEW:

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Late TV

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SOURCING their membership from the U.K…

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the U.S. and France – there is something cosmopolitan and exotic about Late TV. The London-based sextet talks to me about their new smash, Citizen, and what the story behind it is. The band fuse Jazz-Funk, Art-Rock and cinematic sounds; each band member brings something unique and stunning to the music – the effect is simply amazing. Guitarist, Lyricist and Singer Luke Novak charts the history of the band and what the future holds.

I ask about their formation and what gigs they have coming; whether they mix trashy cultures and late-night T.V. evocations into their music – and how they separate themselves from the competition.

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Hi, guys. How are you? How has your week been?

Pretty sweet. We had a rehearsal last night…

We did a jam that lasted for ten minutes - that never stopped being fun. Now, we’ve got to carve a song out of it which, in a six-man-band, is like being a cross between a sculptor and hostage negotiator…it’s like…“I’ll give you eight bars of solo each and a helicopter to the airport..if you let me sing all over that cool bit.”

For those new to your work; can you introduce yourself, please?

My name is Luke J. Novak I am the Guitarist, Lyricist and Singer for the band, Late TV.

The rest of the group is: Richard ‘The Showman’ Bowman on Drums; Ryan Szanyi on Bass; Martin Coxall on Synth and Keys; Evesham Nicholas on Saxophone - and Mathew Halsall on Trumpet.

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Citizen is your new song. What led to the song’s creation and what kind of themes does it address?

Lyrically, the protagonist is trying to turn a negative experience into a positive one by shifting perspective. It seemed that, towards the end of the 20th century (and start of this one), culturally, we were promised a lot of action from Western society - and it turned out to be a somewhat cynical cheque that we couldn’t cash. I was chewing on that thought and, on reflection, felt it wasn’t necessarily just ‘The Man’ getting in the way: it was the mentality of our fellow citizens - like, “How dare you try to be yourself!”

The song is kicking against that attitude. I’m sure we’ve all come up against it at some time or another especially if you live, or have lived, in a small town or provincial area.

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The song has a Lynchian, dark vibe. Was it an easy track to put together and which artists/types of music inspired the track?

Most of our stuff comes from one member bringing in a loose idea.

We, then, collectively kick the sh*t out that idea until it tells us what we want to know – and, if it doesn’t spill the beans, we leave it out the back in the alley for the rats. Citizen happened just like that. I already had the lyrics and was singing them to a tune but then Martin - our keyboard player - was getting on my back about it sounding too wistful - as it was in a major key. He came out with this slinky Acid-Jazz groove; shifted it all into minor and the whole thing clicked into this deep, dark vibe.

Our bass player, Ryan, stuck some cheeky Funk-Disco slaps: the horns came up with a killer hook and our drummer, ‘The Showman’, just balanced all those different elements like spinning plates. In the middle of the song, there’s a kinda French-House-style breakdown - it’s, basically, there to deliberately wind people up! Like… “Now; what the hell are they doing?!”.  

The music, much like the song, is turning the situation around. So, in reference to Lynch influence…I think that’s what he does with his work. He takes familiar and awkward feelings and re-frames them as exotic entertainment. That’s what I hope Citizen achieves.

The video looks like it was cool to shoot. Whose idea was the concept and do you think it does justice to the song’s lyrics/themes?

A friend of mine filmed out of the window every time he went on a train journey for a year...

He originally edited it to the beats of a Techno track. He showed it to me and I thought it was perfect! You get such a cross-section of life when you look out of a train window. All these fleeting places and people. It’s like hitting fast-forward on an old video. We layered the footage with us playing the song.

It's pretty lo-fi but I really like it.

Will there be any more material next year? What are you all working on right now?

We’ve got a ton of songs that I’d love to record. However, the next single and video is ready to go. It’s called Losin’ It. I’m not sure yet when we are putting it out...but stay tuned.

How did you all get together? When was the moment you decided to form Late TV?

I’ve known Richard, our drummer, all my life: we played in school bands together and came to London together. I met Evesham when we were both playing sax in an orchestra. Mathew (on trumpet) was our ex-bass player’s, sister’s boyfriend. After that; it goes international.

Ryan, on bass, is from Chicago. He stumbled across us while looking to buy an upright bass. Martin, on synth, is from Paris. I don’t really know why he moved to London - other than, maybe, a deep, subliminal urge to find me and argue about chord changes. 

The band is called Late TV because we like to think of ourselves as the house band on a late-night chat show - for people who can’t sleep.

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It seems B-films, late-night T.V. and trashy shows are part of the sound/ethos? What bonds you guys in terms of passion and cultural tastes?

I suppose we all grew up on a certain brand of trashy Western culture - even though we are from different places, geographically. I wore a white suit at a gig once and Martin said something like: “Hey, Nash Bridges; where’s the Barracuda parked!?”. I thought, ‘F*ck you!… but, actually, this guy gets it’. What I like about T.V. and B-movies is the over-the-top sentiments and the garish intensity. I enjoy how T.V. soaps and cinema boil down all this humanity into a little tasty slice.

I’d like to think we attempt that, musically...

How would you define your music - and what stands you out from the competition?

We're a true band - in that everything is formed as a collective.

I don’t see the point of having one overriding writer in a group - you might as well make programmed music, in that case. We've got that vibey-ness of a live band – but, at shows, we join all our songs together like a D.J. set.

We want to take you on a trip the way that a good D.J. does.

It seems, in a way, your music comforts that who struggle to find any normality and live on the periphery – the outsiders and innovators. Do you think that lack of conventionality is what makes the music so special?

Yeah, man!

We're simultaneously highbrow and lowbrow. We are mutant junk-dwellers in the postmodern wastelands of Pop; collecting shards of fragmented culture and building a shelter out of it - and everyone's invited to come and hang out in that shelter.

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I am struggling to compare your music to anyone else but aware you all must be fans of other artists. Who are the musicians you all cherish and listen to?

Hmm…. let me see…

…as a group, we enjoy a pretty broad spectrum…

Vulfpeck, The Souljazz Orchestra; The Budos Band, The Meters; Sam and Dave, Herbie Hancock; Sons of Kemet, The Stepkids; Phoenix, Thundercat; Michael Jackson, Weather Report (especially with Jaco Pastorius - Ryan); Tom Waits, Jamiroquai; Rage Against the Machine, Brass Construction; Medeski, Martin and Wood; Average White Band, Crazy P….loads of stuff.  

Personally, I’m into the 1980s Post-Punk stuff, such as The Lounge Lizards. I love the band Morphine - who were a minimalist sax/drums/bass trio. I am also influenced a lot by singer-songwriters such as Bill Callahan, Tom Waits; Nick Cave and Cass McCombs. I always loved Jarvis Cocker – specifically, it’s his irony and way of looking at the world that really stuck with me growing up.

I like musicians that build their own universe - rather than bend to this one.

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Are there going to be more tour dates before 2018? What are your plans for Christmas?

We've got the Citizen launch gig on Saturday, 21st October - and we'll be arranging something else in London for late-November/early-December.

Then, we'll be back in the New Year with Losin' It.

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IMAGE CREDIT: Angry Che

Are there any new artists you suggest we check out?

This year, collectively, we’ve enjoyed the aforementioned Vulfpeck.

We like Thundercat's Drunk album... I’d say, if you're ever in London on a Friday night; check if the Sarah Tandy Trio is playing at Servant Jazz Quarters. She does it every few weeks and blows me away every time...

Other than that; everyone needs to go and listen to Folk singer Natalie Bouloudis' E.P., Dead Sea Scripts.

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If you each had to select the album that means the most to you; which would they be and why?

Luke: Nighthawks at the Diner by Tom Waits.

I got this after hearing his late-1990s stuff - but I preffered the sleeve on this one. It’s part-lounge, part-performance poetry - and part-stand-up comedy. It was written and recorded like a studio album; however, they set up a bar in the studio and brought in an audience to make it a true performance. It’s a total one-off.

Ryan: Friday Afternoon in the Universe by Medeski, Martin and Wood

Because it spans so many different areas of Jazz: from Groove to Free-Jazz, to Melodic.

Evesham: Sleepify by Vulfpeck

Because someone had to make a joke suggestion - and this album hilariously ripped-off Spotify! They made twenty-grand from five minutes of silence by asking their fans to play the silent tracks on loop while they were asleep.

Martin: Rage Against the Machine by Rage Against the Machine

Because of the best use of cowbell during an intro, ever.

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What advice would you give to artists coming through right now?

Play live at every opportunity and don’t be afraid.

The more you show your face in public, the more you get used to it…and the more fun it gets. Just remember: if it goes well, it’s fun: if it goes wrong, it's funny.

Finally, and for being good sports; you can each name a song and I’ll play it here (not one of yours as I’ll do that).

Luke: Morphine - Buena (from the Cure for Pain album)

Martin: Rage Against the Machine – Killing in the Name

Evesham: The Souljazz Orchestra – Dog Eat Dog

Ryan: Medeski, Martin and Wood – Chubb Sub

Matthew: Angelo Badalamenti - Audrey’s Dance (from the Twin Peaks soundtrack)

Richard ‘The Showman’ Bowman: 18 with a Bullet – Pete Wingfield

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INTERVIEW: LAOISE

INTERVIEW:

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PHOTO CREDIT: www.ethanhartphoto.com

LAOISE

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IT is exciting discovering an artist who seems so natural…

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that the music they produce sound effortless and pure. There is a personal – and stressful – origin to new single, Rich, that Galway-based LAOISE discusses with me. It is from her forthcoming E.P. (that follows the Halfway E.P.) and sees a new direction and impetus derive from the talented songwriter. Her upcoming E.P. is due in the spring so I ask her about future plans and what we can expect from her; what the music scene is like is Galway – and what kind of sounds she was brought up on.

A busy summer and gig experience means LAOISE’s new material is bolder and more intent than anything she has ever produced. I learn more about a sensational artist who has a very bright and promising future.

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Hi, LAOISE. How are you? How has your week been?

Hello! I’m great, thank you.

My week has been fantastic. I’m just starting to wind down after Hard Working Class Heroes Festival here in Dublin.

Had so much fun.

For those new to your work, can you introduce yourself, please?

I am LAOISE; a twenty-year-old Electro-Pop artist from Galway, Ireland.

Rich is your new single. What can you tell me about its origins and inspiration?

Rich is a track I co-wrote with Seán Behan of A Place Called Kai Studios.

It’s about an old relationship that was supported by glitz and glamour and ended up turning nastily sour. I’ve said before that I don’t deal well with being screwed over - so the song has helped me to deal with poisonous people that are luckily no longer in my life.

It is taken from your forthcoming E.P. – out next spring. Can you reveal any of the songs or ideas that will appear on the E.P.?

Yes, for sure.

Over the past year or so, I’ve found myself delving deeper and deeper into my own emotions and the different perspectives that come with them. I’ve stopped being so afraid of expressing the finer details in songs that could possibly get me in trouble with old friends. Haha.

But it’s taking my new music to higher and bigger places.

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PHOTO CREDIT: Ellie Smith

I believe your new material is a step-up from your debut E.P., Halfway. What was the decision behind the transformation?

Yes, definitely. I guess when I was writing and recording the Halfway E.P., I was still newly experimenting with electronic instruments and sounds. Now that I’ve become more familiar with them, there’s a sense of confidence and courage in my new music that I’m very excited about. If I feel like being brash, I’ll be brash. If I want to be a bit more abstruse, I can be abstruse.

I’m just learning to let myself go - and I’m basking in its ratification.

This summer, you have been busy gigging and not had much time to settle. Would you say this never-stop-rush has ensured your music has few compromises and time for reservation?

I’ve actually found that being away touring or playing festivals has given my creative side a little rest – that, when I came back into the studio to write and record, new ideas started pouring out of me. I guess because I had to keep a lid on that area on my work for a bit; I had gained some new experience I felt the need to write again.

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PHOTO CREDIT: Lucy Foster

Will you get any time to calm before the year’s end – or are things pretty manic?!

Haha, yes and no.

I always make sure to take some time to myself if it’s necessary. Of course, music is my escape and I feel it always will be - but that doesn’t mean it doesn’t need a lot of work and energy. Like most, I go through bouts of writer’s block; so, if I’m not feeling a song, I’m not feeling it - I won’t force it. Mostly though, I’m just having fun!

I wouldn’t be an artist if I wasn’t…so I’m very lucky.

Galway is your home. What is the music scene like in that part of Ireland?

Galway is such a beautiful county to grow up in.

I’m so glad I got to experience its music scene when learning music, especially during my teens. I played traditional Irish music with my parents all the time and I taught myself guitar and Folk songs so I could sing during sessions. It’s always gladdening to go home to see that it’s the same; welcoming-as-ever a scene to be in.

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Do you remember the artists that inspired you to take up music? Which albums were familiar to your young ears?

My father was fantastic for showing me incredible artists and bands like Joan Baez, Pink Floyd; Joni Mitchell…the list is endless. He played the guitar and sang – and, I think, I would’ve been too shy to do the same if it wasn’t for him. I still remember being seven or eight; the first time I heard Little Lies from Fleetwood Mac’s Tango in the Night album - and wanting to learn all the harmonies.

What tour dates do you have approaching? Where can we see you play?

I’m heading on tour with the divine Ailbhe Reddy this month! We’re playing Galway, Cork and Dublin - and I’m itching to get back out on the road. There are a few tickets left for anyone that wants to come along!

Are you coming to the U.K. at all?

I hope to get back to the U.K. very soon, yes! I don’t have any set date at the moment but I’m definitely going to be back very soon…

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PHOTO CREDIT: Lucy Foster

If you had to select the three albums that mean the most to you; which would they be and why?

Ooh, tough question...

But, I’d have to (predictably) say Rumours by Fleetwood Mac

Just because of how much it reminds me of my childhood - and because Stevie Nicks is a QUEEN.

Second would be Kate Bush’s Hounds of Love

I’ll never get over her otherworldly creativity: the way she blends vision with sound will forever inspire me.

Thirdly; Warpaint’s self-titled (2013) album changed the way I perceive music completely

Each song on this album explodes with a certain raw energy I like to draw from, particularly when recording. It’s a breath of fresh air.

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PHOTO CREDIT: Lucy Foster

What advice would you give to artists coming through right now?

My advice to new artists would be to spend a lot of time on your own sound: don’t be afraid to try something a little outside of the box because that’s what’s going to set you apart from so many other artists. Seeking advice and feedback as much as you can is always great - be it with your songs, artwork; live shows etc.

Just keep finding ways to develop and progress.

Finally, and for being a good sport; you can name a song and I’ll play it here (not one of yours as I’ll do that).

YES! I’m loving Glory by Dermot Kennedy. He’s insanely good.

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INTERVIEW: Kadija Kamara

INTERVIEW:

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PHOTO CREDIT: Garry Carbon

Kadija Kamara

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I am excited about the song Eyes on You…

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and its creator, Kadija Kamara. The London-based songwriter explains her Alternative-Soul music and why she has a love of the 1960s and 1970s. Kamara talks about her influences and a residency at The Finsbury (London). She has won the MTV Iggy Artist of the Week poll and awarded PRS for Music Individual funding for her Artistic Development Programme. In addition; she curates a new showcase, LADY – highlighting great female artists within the underground and commercial scene.

I find out more about her upbringing and the new artists we should keep our eyes out on – and what future gigs there are.

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Hi, Kadija. How are you? How has your week been?

I’m great, thank you! Busy days - but great stuff happening A.T.M.

For those new to your work, can you introduce yourself, please?

Well, hello there, new readers! My name is Kadjia Kamara and I love to sing.

On a more serious note: I am a singer/songwriter/composer/curator; working independently on my craft I call music - and other projects, like curating events and platforms for leading female musicians.

Born and bred in South London - but I love to travel and meet creatives across the globe.  I would say my sound is Alternative-Soul - which is Soul fused with other sounds. A lot of my tracks are (mainly) guitar-based - but I love merging live instruments with electronic sounds.

I’ve been lucky enough to collaborate with some amazing producers and hope to continue down this route.

Overall…huge lover of music.

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Eyes on You is your latest track. Can you reveal what the story behind the song is?

The song is about love at first sight and (just) feeling that instant connection with someone. It isn’t about anyone in particular but just a familiar feeling we may have all felt at some point.

I started writing it with a simple guitar riff, then mumbled a few words with the melody. I felt the vibe was quite sexy - so I wanted to play with my tone and flow.

It seems like an uplifting, charged stormer. How did you feel hearing it back for the first time? What are your feelings about the finished product?

Ha! This track took a while to complete.

Although I had written the lyrics quite quickly - and the basic skeleton was easy to work out - we revisited the track a couple of times; adding additional elements like synth and drum layers.

Overall, it was a relief to finally have it completed but I was very happy with the finished product - even more so to release the track.

The video is colourful and fun! What was it like shooting it?

We had a lot of fun shooting the video...

I worked with a bunch of creative friends, so I felt very relaxed and could be myself. I enjoyed putting the storyboard together with Bunny Bread, and then, the styling with Geraldine (and makeup with Stacey).

It didn’t feel like work and time seemed to fly by so quickly. I love shoots when you don’t have to be too serious. I feel at this point I can be my most comfortable at which point we capture the best pics/footage.

Is there going to be more material before the end of the year? What plans do you have regarding an E.P., for instance?

Yes. Most certainly so.

It’s been a long time coming but there is an E.P. ready … I will be out before the end of this year (all will be revealed soon). The process can be quite slow as an independent artist - but I am happy I to have such a patient and supportive fanbase, friends and family.

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PHOTO CREDIT: Garry Carbon

You describe your sound as ‘Alternative-Soul’. Which artists did you listening to as a youngster? Was Soul music a big part of your childhood?

Soul was a massive part of my life and childhood.

My parents collected vinyl; so I was always interested in Motown, Funk and Soul. I have a love for collecting vinyl myself now, too. Also, the way music was recorded back then…I love to record live with my band and capture the vibe in the studio with the musicians.

My parents played a lot of Marvin Gaye, Aretha Franklin; The O’Jays, Sister Sledge and, of course, M.J. (and much more).

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In your career; you have won MTV Iggy Artist of the Week poll and been awarded PRS for Music Individual funding for your Artist Development Programme. How important and pivotal have these moments been?

I was very humbled by both: as a creative, you create music you feel represents you. You don’t know if people will understand you or even like what you do. But, then, you put it out into the world hoping for the best...

When you receive positive feedback and gain great acknowledgement - or are even rewarded for it - it motivates you even more. I feel they helped build my confidence and release some of the doubts I may have had about continuing with music.

I’m not going anyway just yet.

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You recently curated a music night called LADY – showcasing female musicians within the underground and commercial scenes. Was this something you have been planning to do a long time? Do you feel female artists are afforded less attention than men?

The idea actually popped out of nowhere...

Other than music, I love to get involved with business plans and projects. At that particular time, I felt I wanted to create something of my own - other than just focusing on creating music as a singer-songwriter. I knew there were so many things I was great at - but hadn’t invested any time in making them work...mainly because my main focus was on me as a singer-songwriter.

I also wanted a regular gig for myself and band; to perform and grow; work on our live set and just do our thing. I don’t like the idea of chasing promoters asking for gigs: I have something of my own; in a place I was comfortable with.

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I thought about the other things I do behind the scenes like managing; P.R. video editing; events management (plus more). Sometimes, these things are overlooked … I wanted to provide a platform for others like me.

So, I spoke to Chris (the promoter for Lost in the Manor) about my idea - and he was amazing enough to give me the platform on which to run the first night. We did the second night after that and I was offered a residency. Now, almost a year later, I’m having a festival for my event, LADY, at Pop Brixton. This includes a larger line-up consisting a nine-piece band and D.J.s. I can’t believe how quickly the brand has grown - I’m excited about what’s to come next! I’m so grateful for the opportunities...

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London is your base. You have played The Finsbury many times. What does London mean to you - and is The Finsbury an important venue for you?

London is my hometown and ‘the hug’.

I have so many connections here in the music world (and personal life). I would find it difficult to live anywhere else.

I've played The Finsbury in the past and loved the vibe in there. It’s even better now since the refurbishment - the staff and promoters are all great. They are becoming part of my family.

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IN THIS PHOTO: Joan Thiele

Who are the new artists you recommend we check out?

Artists I recommend you check out …oh gosh; are you ready for my Longlist?! L.o.L.

Ok. So, some of them are new bands - and others are quite established:

Joan Thiele; Dead Man’s Knee; Jodie Abacus; Michael Jablonka; Leonn; Dornik; M w S; Zara McFarlane; Native Dancer; Tawiah; Stac; Aadae; Obenewa...

(...to name a few).

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IN THIS PHOTO: Obenewa

What tour dates do you have approaching? Where can we see you play?

So. The festival I mentioned earlier is coming up this month…but here are all of my dates so far:

Tues 3rd Oct. - PopRevue Women in Music @ Freedom Bar Soho

Sun 15th Oct. - LADY Presents: LADY Festival @ Pop Brixton

20th Oct. - Loose Lips @ The Haunt

27th Nov. - LADY (residency) @ The Finsbury

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It is coming up to Christmas (sort of!). Do you have any plans at the moment?

I usually spend the time with friends and family.

I love to have some downtime in Dec. - as most months in the year are quite hectic. Many Christmas dinners and drinks coming soon.

If you had to select the three albums that mean the most to you; which would they be and why?

Ah; that’s a difficult one…

Marvin Gaye - What’s Going On

Feel like we’re living this at the moment.

Alabama Shakes - Boys & Girls

Just feeling every song on here.

The Jimi Hendrix Experience - Are You Experienced

I just love Hendrix. This album has many great tracks I rock out to.

What advice would you give to artists coming through right now?

Don’t give up!

It’s a difficult industry but try not to focus on the politics. Remember why you started in the first place and just enjoy the journey. Learn as you go along and, most importantly, be comfortable with the music you put out.

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Finally, and for being a good sport; you can name a song and I’ll play it here (not one of yours as I’ll do that).

Ha, that was my first thought: my new single.

Ok. So, I recommend the following: Anderson .Paak - The Bird

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Follow Kadija Kamara

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INTERVIEW: Laura Llorens

INTERVIEW:

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 Laura Llorens

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FORMERLY of the American Midwest…

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Laura Llorens is now based in Paris. I chat to her about her new single, Inside Out. September was Suicide Prevention Month. As is revealed; Llorens has exposure to suicide and discusses why her latest song has personal relevance. I ask about her musical upbringing and the artists she was reared on; what compelled her to move from Wisconsin to Paris – and what it was like working with producer Charlie Chastain.

Llorens talks about forthcoming music/gigs and whether she will come to the U.K. – and provides some useful advice for upcoming artists.

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Hi, Laura. How are you?

Doing well, thank you! Yourself?

How has your week been?

My weekend has been quite nice – I’m enjoying seeing all of the feedback from the video release...

For those new to your work; can you introduce yourself, please?

I am an Indie Pop-Folk singer/songwriter originally from the Midwest in America. I’ve been living in Paris, now, for the past fifteen years.

Tell me about the single, Inside Out. It tackles and addresses suicide. Is this an area you have personal or second-hand experience of?

Yes. One of my dear friends took her own life a few years ago...

She was such an amazing person; her energy and her musical talent were real motivators for me at the time when we met. She inspired me to reach new levels in my music and to not be afraid to show the world who I was - to really be a confident woman.

Why did you decide to highlight suicide through song? Was it emotionally challenging putting it to paper?

This song actually took years to be completed. I had this guitar-riff that I had been playing for years…I had even played it for my friend. I just wasn’t able to put lyrics down and it was really bugging me that I had this music with potential - but I didn’t know what it was about yet.

When Naghmey died; I just started writing down my anger, my frustration and my love for her. It was a big let-out for me.

The video seems to capture urgency and emotion. What was it like shooting the video?

I didn’t really know what direction the shooting was going when we started but I had worked with Clarence Tokely before - and he is a great coach and director; he really brought me back into the heart of the first emotions that I felt when I learned that she was gone.

I fed off of that and just let the performances become a celebration of life…of her life.

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What has the reaction been like, so far? Do you hope the song helps change opinions and raises greater understanding?

Most people wonder why the colored powder, and for me, the color really represents calling out for help and allowing ourselves to express our feelings. Violence can sometimes be the result that our emotions make us go through. For me, the important thing is just to allow ourselves to share, talk; live, exist the way we are…

Nobody is perfect.

The song was produced by Charlie Chastain. What was it like working with Charlie?

Charlie is an amazing producer and artist...

He is a great listener and really brought me to a new level of creativity during the sessions. Inside Out was one of the first songs I recorded with him for this album - and he had a vision that the video for this song should just be contemporary dancing.

That idea stayed with me for a long time - and the result is this video.

You are from the shores of Lake Michigan. You seem more at home in Paris. What compelled the move and what are the differences between the music in Wisconsin and Paris?

Good question! I was born and raised in a small town; really quaint and full of nature. When I think of Wisconsin, I immediately go back to walks in the woods; sailing on the lake and campfires in the backyard. Wisconsin is my Folk/Acoustic music side (of me).

Paris is a completely urban setting (I actually live in one of the only parts of Paris where high-rise buildings are) and, here, I am stimulated by a totally different atmosphere - Rock and Roll and music from all around the world.

As a little girl, I dreamt of making it in a big city. I made it Paris and ended up staying.

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It seems your music is influenced by France and its classic singers. Was it a quick thing for you – bonding with the nation and people?

I really just fell in love with France; long before I had travelled here.

I studied French in school before and once arrived; saw the real beauty in their ‘traditional’ culture, revolving around meals; respecting the arts and revolution! The country of France certainly has a strong cultural identity - and it was so inspiring to become a sort of chameleon and camouflage myself in their world.

Digging Deeper, released last year, tackled everything from war and love to living in a media-driving world. Do you think you captured everything you wanted to in the album – or are there songs/topics you still want to address?

No. There are certainly so many more areas to talk about…sing about. Digging Deeper was/is a snapshot of what I was feeling about the world at that time - and I certainly hope that I will continue to try and represent other areas that need the spotlight on them in the future.

Will we see a new E.P. or L.P. next year?

2018 is going to be a year of writing for me, for sure! I do hope to release something new in the near-future.

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Are there going to be more tour dates before 2018? What are your plans for Christmas?

I am currently looking at a quick tour in the U.K. for late-fall and Christmas time -  will bring the release of one more video before the end of the year.

Who are the new artists you suggest we check out?

I would recommend checking out Hannah Featherstone (a dear friend of mine) and a French singer named Solveig.

Definitely worth the listen.

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If you had to select the three albums that mean the most to you; which would they be and why?

I would select Rumours by Fleetwood Mac

For its authenticity and amazing songs.

Alanis Morissette’s Jagged Little Pill

Because its lyrics and music really represent a time-frame of rebellion in my life - and singing my heart out until I couldn’t anymore.

Amy Winehouse’s Back to Black

An album that revealed, so candidly, the woman that she really was - and the love stories that brought her voice known more largely to the public.

What advice would you give to artists coming through right now?

I think this is more and more the case with the younger generation…but, just BE YOURSELF. Authenticity is YOU. Don’t waste time trying to become original.

Just be yourself - that is as original as it’s gonna get.

Finally, and for being a good sport; you can name a song and I’ll play it here (not one of yours as I’ll do that).  

Fleetwood Mac - Don’t Stop

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INTERVIEW: Brenda

INTERVIEW:

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 Brenda

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WITH a name like Brenda…

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 I had to ask the Canadian band where it comes from – and whether there is a cool story they want to share. The guys chat about their new single, Children, and why its video was shot in south-east London. I ask them about their track and what meanings/stories lie behind it; what we can expect from the E.P., Creeper, and whether touring will see them come over here.

There is a lot of good stuff in the pipeline for the band so I talk to them about the remainder of the year and what is ahead of them; the new artists we all need to switch onto – and the music that inspired them to get into the industry. 

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Hi, guys. How are you? How has your week been?

We’re great!

Currently in the process of putting the final touches on some things; creating new things and discarding other things - while juggling our work lives.

For those new to your work, can you introduce yourself, please?

Sure. Our band is Brenda.

Andrew plays the drums; Jordan plays bass; Matt plays the guitar and sings backup vocals - and John plays the guitar and sings! We’ve been doing this project together since fall, 2015. Jordan Matt and Andrew were in a Punk band previous to Brenda, based out of Toronto.

Andrew moved away for a while when we started the band with a different drummer - and, after some changes, moved back to Toronto and joined the fun.

Children is the new single. It talks about the inevitability of growing old. Was there a moment or realisation that compelled the song?

The realisation probably came when we first started getting into a studio all together...

John had some songs that he had the bare bones of (one being Children) that everyone, together, kind of fleshed-out and transformed into one if not many different beasts - before it took its final form. When we realised, after a ton of practices, that we may have something; we all collectively decided that this was something that we were really going to seriously try and do.

Everybody gets old: we might as well really do something if we were going to do it at all.

Do you chaps feel like you are awkwardly straddling childhood and adulthood? Is getting it out in song quite cathartic?

We’re sure everyone is getting a cathartic release when they write songs in some way or another - and isn’t everyone straddling adulthood and childhood?!

Children’s video consists of old home movies. Where did that footage come from? Is it original (made to look old) or taken from another source?

Artist Sarah Ann Watson, at a church service in south-east London, shot the footage on an old camcorder.

The service was a gathering to pay tribute to Joseph Grimaldi - an entertainer that was considered to be the father of modern clowning, that lived and performed in London around the late-1700s. Sarah is a family member, and close friend of ours, and she does incredible video work. She shot the footage before we finished recording and proposed it to us after.

It works really well.

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 PHOTO CREDIT: @brianmcmillanphoto

Toronto seems to be busy with life – so much so I am going to have to turn away artists from there due to the dominance on my blog. What would you say is the reason for this influx and output of quality?

There are amazing artists living all around Canada - so it seems only natural that they flock to big cities like Toronto, Montreal; Vancouver etc. Toronto has an extremely strong music community that tend to not only stick together when putting on shows, releases and whatever else - but they also open their arms to anyone that wants to get involved. Not only are the musicians open, but also the promoters.

Everyone helps everyone.

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PHOTO CREDIT: Dominique van Olm

How did Brenda get together and what is the origin of that band-name?

Like we said; Matt Jordan and Andrew were in a band together before.

Jordan met John through friends and knew that he was writing music alone - but always wanted a full-band project. They wanted to begin playing together again, so Jordan called up John…and the rest is history.

The band name kind of started as a joke that stuck. We were bouncing first names around that struck an image in our heads. ONE of us said, 'Brenda'. None of us has owned up to it but it strikes a high-school scene in the early-eighties. Ha ha.

That’s really all we have for the origin of Brenda, but it works!

Do you all share the same music tastes? Give me an insight into your record collections?

We generally ball-park the same kind of stuff at the core.

To name a bunch: The Black Lips, Fat White Family; Wand, Brian Jonestown Massacre; Ty Segall, Joe Walsh; Goblin, Jack Name; POND, Orb; Lightning Bolt; Marc Bolan, Psychic TV; Tiny Tim, Roy Orbison; Ex-Cult, Oh Sees; Night Beats, Black Rebel Motorcycle Club; Can, etc, etc, etc, etc.

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 IN THIS PHOTO: Thrifty Kids/PHOTO CREDIT: Victor Sweet

Who are the new artists you recommend we check out?

In Toronto: Crazy Bones, Hot Garbage; Jean Daddy, Possum and Thrifty Kids.

Elsewhere: Jerkcurb, Running; Speak Easy (in B.C).

What tour dates do you have approaching? Where can we see you play?

We will be at the Monarch Tavern in Toronto, October 20th - promoting a split we are doing with good friends of ours.

We are at the Piston on November 16th.

The U.K. would be a great place for you guys to perform. Do you get a chance to come over here much?

John is from the U.K. so he goes quite often.

We haven’t yet (for performing) but, hopefully, that will change!

It is coming up to Christmas. You guys have any plans at the moment?

Turkey and family!

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Can we expect an album or E.P. in 2018? What plans does the band have?

We may or may not have a full-length planned - we’ll both have to wait and see. We’ve definitely begun the process of writing songs that fit together well.

We definitely want to travel more.

What advice would you give to artists coming through right now?

Be nice to everyone and don’t be afraid to send out emails to everyone - even if you think you are annoying them.

Finally, and for being good sports; you can name a song and I’ll play it here (not one of yours as I’ll do that).

Sure…put up Crazy Bones - I Am the Sun

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INTERVIEW: VJ Jackson

INTERVIEW:

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 VJ Jackson

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VJ Jackson is a hot Dublin-based artist…

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who specialises in soulful R&B songs. He is waving the flag for Tallaght and hopes to become a household name. I speak to Jackson about his upcoming single, Famous, and what it is all about. He talks about the Irish music scene and what it is like for a young artist there – and whether he has any plans coming to the U.K. in the future. Jackson sang lead in a choir when he was young and busked in Dublin city centre when he was at BIMM – something that has helped him craft stage presence and confidence.

I ask him about artists he would recommend to us and whether there is any more material coming through before next year. Jackson talks about gigging and the artists who will be supporting him – and the albums that have made a big impact on him.

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Hi, VJ. How are you? How has your week been?

Hey, Sam, I’m good, thanks. How're things?

The week has been good and busy for me. Getting prepared to release Famous next week - and follow that up with my first headline show in The Workman’s on 19th.

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For those new to your work; can you introduce yourself, please?

Of course...I’m VJ Jackson; a Dublin-based artist specialising in soulful RnB-Pop songs. I’m a Tallaght native who has been on the Irish music scene for a few years now. Singing lead in choir from a young age and playing guitar, keys and drums; I began busking in Dublin city centre while attending BIMM college to develop my song and stage presence - something that I bring to all my performances and audiences; no matter how big or small the stage.

I’ve also just announced that my new single (and video for) Famous will be released on 5th October. We shot the video with graduates from Pulse College and will be kicking things off on Thursday 5th October - with the song available on all digital platforms - and in Tower Records - from Friday 6th.

To celebrate that, I’m putting on my debut headline show in The Workman’s Club on 19th October (with support from Rueben James, Sean X and Yomi).

Famous is your new song. What is the tale behind it?

Famous is about how people, nowadays, are generally only in music and entertainment for the fame – and because it looks easy but most of them don’t know how hard it can get to be into a sustainable position. You need to put work and sacrifice in all the time.

You have to invest in yourself and be prepared to go all the way.

I have had a look at the video and it looks like an interesting concept. Can you tell us anything about the shoot and what it was like to film?

The shoot was amazing.

We shot it on a budget - with some extra help and support - and made it work to make the best video we could - using two locations and a brilliant crew and cast.

With the concept, the thing about that is that our director, Daphne, brought an extra perspective to the song - which opened things up for me. We connected straight away on some of the ideas. At the end of the day - and hard work from all involved - it came together.

Everyone will get a chance to see what I mean on Thursday 5th!

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You confirmed your first headline show in The Workman’s Club on 19th October. Are you looking forward that show?

Yes, I’m actually just on my way into rehearsals with the band right now and we’re creating something special for the night.

Shout out to my manager Paul for making this happen, because I couldn’t have done it on my own. I’m looking forward to seeing my family and friends there - and to let them see how far I’ve come.

Rueben James, Sean X and Yomi are supporting. What is it about that trio that resonates?

Rueben has been grinding for years, same as me. We went to the same college (BIMM) and clicked from there. He’s humble and I like people that are very humble. He’s also very honest. I like to keep those people around me - and that’s why I picked him to support. We’ve also collaborated on a song before called Everything You Need - so we work very well together.

Sean X and I have a similar sound and genre and I wanted to mix the set up and not just have Hip-Hop or Rap, only - as he is a singer, too, like me.

Yomi is a young up-and-coming artist new to the game. We grew up together and he kept talking about his music. I wanted to help him out and give him an opportunity for people to hear his music.

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Is there going to be an E.P. before the end of the year?

There will definitely be another single or two before the end of the year – and, come 2018, we’ll be looking at an E.P. release. I’m constantly recording and working on my music so I have a wealth of material to choose from.

Who are the musicians that inspired you when you were young? Did you have a musical upbringing?

I was listening to Tupac, Tyrese; Neo and Chris Brown. I grew up in church, so I spent most of my Sundays there - as the lead singer of the choir at a young age - and played other instruments there too - piano, guitar and drums (which I still continue to do now).

My mum sings lead in the choir too - so that’s where I get it from, I guess!

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Dublin is your hometown. What is the city like in terms of music and venues? Is it somewhere you feel can further your career?

A great scene – it’s really buzzing right now. We’re booking shows and doing our thing, which is great.

Yes. I feel like I can further my career here: it’s a small city but that can also mean there’s more opportunity to get further and get heard.

Many people gravitate towards London and cities in the U.K. Do you think you’ll remain in Ireland – or are you settled there right now?

Yes. I will remain in Dublin because of opportunities here and the scene that’s building right now. Very soon, people will get to know the Irish scene better.

But, of course, I want to expand and play shows all over Europe, the U.S. and the world!

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Your fan numbers are rising and people are vibing to your music. How important are the fans and what message would you give them?

The fans are key: without them, or family and friends to support, artists would be nowhere.

Thanks for all the support and messages so far. Keep an eye on all my social pages and website for upcoming dates and new releases coming your way.

Are there going to be more tour dates before 2018? What are your plans for Christmas?

Yes. I hope to have more shows before Christmas.

At the moment, my manager and I are talking about a potential mini-tour before Christmas - but we’ll keep that under wraps for the minute.

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IN THIS PHOTO: Jafaris

Who are the new artists you suggest we check out?

Reuben James, Sean X; Yomi, Jafaris; Sion Hill, Killa Yan; King David, MathMan and Mango.

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IN THIS PHOTO: Sion Hill

If you had to select the three albums that mean the most to you; which would they be and why?

It’s not so much that they mean the most but they have influenced me recently;

Anderson.Paak - Malibu

Justin Bieber – Purpose

Chris Brown - Royalty

As artists; The Script and Coldplay count as influences.

What advice would you give to artists coming through right now?

Always be focused on your craft and improving it. Take time on your own and focus, the hard work pays off at the end of the day. You never know how close you are to getting to that next level.

Finally, and for being good sports; you can name a song and I’ll play it here (not one of yours as I’ll do that).

Sion Hill - Beaches

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INTERVIEW: Fai Baba

INTERVIEW:

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 Fai Baba

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THE Swiss Garage-Blues guru Fai Baba…

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announces the release of his new single, Can’t Stop Loving You. It is a fantastic song and shows an inventiveness and quality reserved to a selected few. The song explores new emotional and sonic dimensions: aspects that the musician seems to assimilate naturally into his solid core. I ask him about the song and the band he tours with; what lies ahead and whether he is coming to the U.K. in the coming weeks/months.

I learn more about music in Switzerland and how Fai Baba’s music comes together; why he spent time a shaman in a tepee – and whether his new music provides a sense of rebirth and perspective.

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Hi, Fai Baba. How are you? How has your week been?

Hey. I just came back from L.A. and I've got bad jet leg - but I'm full of energy!

For those new to your work, can you introduce yourself, please?

I'm a Psychedelic musician from Switzerland.

You are from Zürich, Switzerland. What is the music scene like there and are there quite a lot of great local artists?

Zürich is famous for Techno but there's an Indie music scene from time-to-time - it's a small city, so there's a small scene.

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Can’t Stop Loving You is your latest single. What is the story behind it and who came up with the idea?

It's a song for the one you love in your life.

If you lose your way, just listen to the one you love. I wrote the song but it’s arranged by the whole band.

How do songs come together for you? Do you write in stages or sit down and ensure you pen an entire song? What is the process for you?

It's always different.

Mostly, I just sing a song and there it is.

Can’t Stop Loving You has a wonderful, trippy video. It sounds like it was quite a gruelling and challenging shoot. Can you guide me through it and what it was like?

It was shot at some beautiful waterfalls in the valley of Maggia - in the Italian part of Switzerland. We were swimming and diving in the cold and crystal -clear water - and were absorbing the magic of Mother Nature.

Tatum Rush directed. What was it like working with him?

Tatum is a good friend of mine and working with him is always so much fun and a real adventure. 

In preparation for your latest song; you gave yourself up to a ceremony conducted by a shaman in a tepee. It involved an ancient brew named Ayahuasca. Why did you do that and did you need to shed off bad spirit and becoming reborn?

I was going through a lot of changes in my life lately and the Ayahuasca ceremony just came as a natural part in my life - and the medicine, indeed, gives you an experience of a rebirth.

What was it about that period of your life you felt the need to shed an old skin – castigate burden and demons?

The main thing was that I quit alcohol and hard-drugs: life is just too beautiful to be drunk and high all the time.

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I hear so many different blends and genres in your music. I can imagine your upbringing was eclectic. Can you remember the artists you grew up listening to? Do you find yourself listening to a wide array of artists?

It was mainly The Beatles and The Rolling Stones we were listening to at home. I listen to all kinds of music.

There's something nice and interesting in all genres...

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You are on tour – going on tour – with a great live band. Can you tell me about your band and how you met them? 

YEA! I have the most awesome band! We all love each other and always have a great time when we are on tour together.

We all met in Zürich because we all live there. 

The fifty-or-so dates you have will take you across Europe. Any countries/dates you are looking forward to? Is each show going to offer something new?

For sure...

The big cities like Berlin, Paris; Amsterdam, Reykjavik; London, Barcelona etc. - but every gig is different for us cause we don't just play a show: we play real, live music.

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You head to the U.K. in October. Have you been here before and are you looking forward to getting over here?

I've played in the U.K. before but never with this band, and sure - we're pretty damn excited. 

Who are new acts you recommend we check out?

Check out Björn Magnusson and Tatum Rush.

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IN THIS PHOTO: Björn Magnusson/PHOTO CREDIT: Lisa Lurati

If you had to select the three albums that mean the most to you; which would they be and why?

Mind Games by John Lennon

It's a record with many true love songs. 

A by Cass McCombs

It reminds me of a good time in my life.

Focus Level by Endless Boogie

When I hear that record, I go crazy.

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What advice would you give to artists coming through right now? 

Do what feels right - and drink lots of water 

Finally, and for being a good sport; you can each name a song and I’ll play it here (not one of yours as I’ll do that).

Fai: The Mamas & the Papas - California Dreamin’

Oli: The Velvet Underground – All Tomorrow’s Parties

Rodi: Beelzebub - Bruford

Domi: Motörhead - Ace of Spades

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INTERVIEW: Mark Sullivan

INTERVIEW:

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 Mark Sullivan

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IN a little over a week…

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Hertfordshire-based singer-songwriter Mark Sullivan hits the road with Emma Stevens, Megan O’Neill and James Fredholm. He is looking forward to the gigs, and no surprise – it is part of his In the Round Tour and is the start of a wonderful string of gigs. In fact; the young songwriter plays at a few great London venues and has a lot to be pleased about. His new single, Slip into Your Head, is out shortly - and is among his strongest work yet. I ask about the song’s creation and spending time in the hometown of Bruce Springsteen; what the legendary American means to him and other artists who compel his sounds.

I ask Sullivan about his music and the artists that inspired him; whether there are going to be other gigs – and whether there are any new artists we should all be aware of.

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Hi, Mark. How are you? How has your week been?

I’m doing well, thank you. My week has been great.

Finalising everything for the new single and upcoming U.K. tour has been hectic - but really exciting.

For those new to your work, can you introduce yourself, please?

My name is Mark Sullivan and I’m a guitarist/singer-songwriter from Stevenage. I have been playing the guitar since I was fourteen - and singing since I was about twenty-two.

I like junk food and a lot of things that are bad for you - but I’m also a big fan of good food.

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Slip into Your Head is the new track. What inspired the song?

Slip into Your Head is about when you love someone and you are prepared to do anything you can for them - physically and emotionally. It’s quite a deep song: it’s very different to my normal style of writing and that’s why I like it.

I feel it captures my message very well in the track.

You spent time in the U.S. and created the song in the hometown of Bruce Springsteen. Why was that part of the world somewhere you wanted to go to?

I was lucky enough to be able to work with Grammy-nominated producer Steve Greenwell on my E.P., Still Good for Nothing (available on Spotify) – and, also, this brand-new track (Slip into Your Head). I’m a massive Springsteen fan. It just so happened that Steve is from the same place as Mr. Springsteen himself. The town of Asbury Park is steeped in musical history and just being there was special - but also; to be able to write and record there was amazing and inspirational. Most nights there is live music - and some of the acts I got to see was a massive part of the experience.

It was a very special place. I’d recommend going there to anyone!

Is Springsteen someone you idolise and look up to as a songwriter and artist?

Yes, definitely! The man is a genius!

The whole town loves the guy as well. Everywhere you go in the town there will be a photo of him on a wall, in a restaurant, (somewhere) eating there - or they’ll be a personal note written by him, framed on the wall. In the studio, I was in recording and there was one of his flight cases that he had given to someone. I couldn’t believe my eyes!

What a legend of an artist that guy really is.

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Is there going to be an E.P. or album approaching? Any more music coming later this year/next?

Yes, definitely!

I am currently recording at the moment - having come back from America with lots of new hotel-room-written songs. I also have another song in the wings waiting - that we recorded in the U.S. - to be released in January (after Slip into Your Head comes out on 27th October). There will be another U.K. tour and a brand-new E.P. in April 2018.

So…a lot is happening and I’m really excited about what’s ahead.

Who are the artists you grew up listening to and influenced your music?

The first that comes to mind is The Beatles and Motown.

My mum and dad used to listen to it when I was a kid. As I started to play an instrument, I started to discover a whole world of music that I’m still discovering today. Some of my massive influences been Jimi Hendrix, Donny Hathaway; John Mayer, The Rolling Stones; Red Hot Chili Peppers, Reef; Bob Marley, Jeff Buckley; Led Zeppelin, Eric Clapton… 

I couldn’t list them all because there are too many - but there’s a few for you.

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Can you easily explain what music means to you and the advantages of being a songwriter? Is it something you feel born to do?

Music is everything to me.

It has helped me through bad times: it’s also created great memories for me. I feel it pulsing through my veins and it’s what I believe I am here to do. I am doing it and I will continue doing until I can’t do it anymore. It’s something I have to do.

You can’t really explain why: I just feel compelled to do it; to perform, to write; to create music and make my music connect with people in the same way that music has connected with me throughout my life.

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IN THIS PHOTO: St. Paul and The Broken Bones

Who are new acts you recommend we check out?

St. Paul and The Broken Bones. I would go and listen to these guys, immediately! I watched them live at Cornbury Music Festival earlier this year and they blew me away!

If you had to select the three albums that mean the most to you; which would they be and why?

Blood Sugar Sex Magik by the Red Hot Chili Peppers has definitely got to be one!

This album was a massive part of my musical maturity. Musically, this album pushed the boundaries and still sounds massive today!

Continuum by John Mayer

This album, for me, is a great journey from start to finish. John’s guitar-work is a triumph - and the album reminds me a good time in my life.

Grace by Jeff Buckley

If you haven’t heard this I would recommend listening to it. This guy’s voice and songwriting is from another planet. He has soul that Soul singers haven’t got!

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What advice would you give to artists coming through right now?

All I can really say is just believe in what you do and keep working hard.

Social media has to be active with good content and you have to have some good songs. However, music is subjective: what I like may not be what someone else likes.

Just be true to yourself.

On 27th of October, you perform as part of the In The Round Tour with Emma Stevens and Megan O’Neill. Is that the first time you would have played with them? Is that date one you are looking forward to?

The single is out on the 27th October - two days after the last tour date. Yes, I am very excited to perform with both of these great artists. I’m really looking forward to 13th October when we will be stopping in London on the tour to perform at The Slaughtered Lamb in Clerkenwell (tickets can be purchased here).

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What other dates do you have approaching and any you are especially looking forward to?

There a couple!

The first is on the U.K. tour to and it’s at The StabIes in Milton Keynes. This venue is incredible. The second is supporting a great artist called Joe Dolman at St. Pancreas Old Church on 6th November. I’ve wanted to play this venue for a while now - so I am really excited for this one too.

You have played so many gigs in your career so far. Is touring something you really enjoy and what is it about the road that speaks to you?

Yes, I love touring. You get to play to different audiences with people who don’t know your music; plus, you get to see different parts of the world.

It’s very tiring but, at the same time, very rewarding.

How is the rest of the year looking? Will you have time to relax outside of music?

The rest of this year is looking very busy - but, also, incredibly exciting.

I’m ready now to hit the road again (this year) and get out there! No time for time off yet, I’m afraid. The way I see it is I get to play music and do what I’ve always dreamt of doing - so I don’t need a holiday...yet?!

Finally, and for being a good sport; you can name a song and I’ll play it here (not one of yours as I’ll do that).

Ok. Thanks for having me! Please can you play Freedom by Jimi Hendrix

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INTERVIEW: Blue Nation

INTERVIEW:

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 Blue Nation

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I am aware there are great bands coming out of Birmingham…

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but we hear about so few of them. Maybe that is to do with media ignorance – and the reliance and exposure of London’s artists. I talk to one of Birmingham’s best. Blue Nation discuss the awesome album, Steady Your Soul, and how it came together – and what the songs are all about. Good Times is their new single and one that gets the body cranked, winding and moving. They talk about the mainstream and whether there is anything out there, like their music, that gets into the head.

I ask the fellas about future gigs and whether there are any outrageous demands on their riders; the albums they all love – and what the next few months holds in store.

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Hi, guys. How are you? How has your week been?

Hi. We are all good and working very hard on all things Blue Nation.

Last week, we played Rec Rock Festival in Derbyshire for the first time. It was a wicked boutique festival with a great vibe. 

For those new to your work, can you introduce yourself, please?

We are Blue Nation; a three-piece euphonic-riff-based rock band from Birmingham. We often wear Kaftans on stage and are trying to get the genre, ‘Kaftan Rock’, off the ground. This line-up has been together for about a year and came together very quickly - after the previous rhythm-section moved on.

Individually we are Neil Murdoch (Guitarist and Lead vocals), Chris Bloor (Drums) and Luke Weston (Bass Guitar and Backing Vocals).

By day - only because we need to...

Neil: I work in recruitment, mainly in London.

Chris: I have my own business doing custom artwork and refinishes on guitars. Neil’s ‘Clapton Fool’ S.G. in the Good Times video is one of my custom finishes.

Luke: I am a teacher working with children with autism - in a mainstream Birmingham school.

Good Times is your new single. What can you reveal about its story?

Neil: It’s about being in a place that you are struggling to get out of but knowing that the good times will return - and that you just have to push on through. Let the “good times come” captures the essence of the song.

Ask me after a couple of beers and I will elaborate.

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It is a stomping and energised track. It has a proper sense of purpose. Do you think modern music lacks urgency?

Yeah, for sure.

For too long, we have not had a band that really cut through and showed people that guitars and bands are the life blood of music. The world is so instant now: you become a sensation of this or that.

Time for a change, in my opinion.

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Luke: I don’t listen to chart stuff really but the things I’ve heard lately…it doesn’t go anywhere, does it? The music I listen to gives me identity - and its healing. Everyone is entitled to their opinion but if you think Miley Cyrus is going to give you more satisfaction or hold more substance and meaning than Pink Floyd…you’re probably not my kind of person, anyway.

Chris: If you listen to what’s coming from X Factor and Radio 1 then you’re listening to a product: something that is processed and canned for consumption by the masses. There are some amazing bands and artists around: you just have far more rubbish to sift through to find the gems now. There was an American band, I found a few years ago, called Rug and their album, 02, was incredible!

Like so many others, though, they faded away mostly undiscovered - choked out by the massive amount of rubbish that’s out there and gets played (instead of the good stuff).

The song is taken from your new album. What can you tell us about the songs that will appear on it? How does it differ from Steady Your Soul?

Neil: I so excited for the new album. We made a conscious effort to write melodic songs around riff-based Rock style. Each song will pin you to the back of the wall and make you listen. The new album is much more riff-based - I think the band needed that. Steady Your Soul has hints of riffs and was the next step for us - but this new album is a giant leap!

Chris: Steady Your Soul has great tunes on it - written by Neil and produced by Andy Macpherson. The new singles and album is just crammed with ball shaking riffs…it’s a real group effort. We quickly gelled and writing music is really easy between the three of us.

Luke: It’s the first album as this line-up - so it’s going to sound different. But, as Chris says, we seem to write songs so easily together. Expect well-written songs with nice harmonies - and riffs that are so dirty you’ll need to have a shower after hearing them (and a bit of me playing sitar, possibly).

Soon, you’ll be hitting the road with Dirty Thrills. You guys pumped about that?

Neil: So much so.

The lads in D.T. are sound and really welcoming: it makes touring with a band so much easier if they are nice lads. The D.T. lads have been sharing our stuff on social media and talking to our fans - which is cool in my book.

It gives us a great opportunity to support a very good band in top venues.

Chris: Yeah, I’m really looking forward to it. I love playing live: I absolutely live for it.

Luke: Playing live is pretty much what I live for, regardless of the gig. Dirty Thrills are great and I can’t wait to be sharing a stage with them! 

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Already; you have toured the U.S. twice. What were those experiences like and is gigging like for Blue Nation? Do you enjoy it?

Neil: (This was pre-Chris and Luke, so I will take this one…)

N.Y.C. is a mad place. We played, mostly, in Manhattan and Greenwich Village at C.B.G.B.’s, Kenny’s Castaways; Rockwood Music Hall etc. - which is steeped in history - so you try not to get overawed when standing on the same stage where Bruce Springsteen did his first N.Y. gig. Unfortunately, some of these great venues have had to close due to financial or lease issues. The audiences in some venues were tough but they always dug what we did.

By the end of the week, we had people coming to our next gig to see the English band with the kid, with the voice - so that was cool.

Touring with B.N. is a military operation (although we have nothing to do with organising it). Our manager does all the hard yards and gets us in the right place and time. For us, it's seamless and painless.

Maybe you need to ask him what it’s like touring with us? He may have a different answer.  

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It seems like, being a hot Rock band, you’d have a wild rider. Is it a pretty eye-watering set of demands from Blue Nation?!

Some things we can tell you…some we can’t.

Nah, we are not like that, to be honest. We like to treat people how we are treated. So as long as we have some water, food and snacks then we are pretty cool. If Dirty Thrills have the brown M&Ms, though, we are kicking off! (only joking)

Chris: Not really. I think we're a pretty easy bunch to please. Waitrose’s Salt and Vinegar Squares, though, are a must-have. If we don't have those, I’m not playing...

Luke: I don’t ask for too much really: I like a nice gin. I am vegan and the other two lads are vegetarian - so none of the Spinal Tap wafer thin-ham stuff. Gimme some tofu or falafel.

Birmingham is your base. Is the city quite full of great bands? What is the scene like there?

Neil: Birmingham has, and always will be, a breeding-ground for great bands. You can go into most music venues on the weekend and unearth some gems! The scene is really varied compared to other cities, in my view. You can listen to Ska one night and then a Post-Punk band the next - and an Indie band on a Sunday.

That’s what I love about Birmingham - the diversity.

Chris: Yeah. It’s energetic around the Midlands.

You can go to most venues on a Thursday, Friday or Saturday and pretty much guarantee that you'll find at least one good band playing.

Luke: There’s a lot of history and a lot of talent still here. One band to look out for is Verschiden. They are absolute quality.

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It seems like you love a mix of 1970s Classic-Rock and 1990s Britpop. Which artists do you all grow up listening to and aspire to be?

Neil: Led Zeppelin, Cream; Jimi Hendrix, Blind Faith - all of them - but also Ocean Colour Scene, the ‘Phonics (Stereophonics) and Oasis.

For me, it was Ocean Colour Scene. Steve Cradock is an exceptional guitarist and Fowler’s voice and songwriting is mind-blowing. I always wanted to be in O.C.S. and smash out Hundred Mile High City.

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Chris: I started to get into music when Britpop was at its peak.

it was magical; great bands were everywhere and all people cared about was music. They say you never get over your first love - and mine was Oasis. Their first two albums are up there with the greatest ever written. I love Ocean Colour Scene too and through that got into The Beatles - and then Hendrix - and then Led Zeppelin. I remember listening to Voodoo Child (Hendrix) for the first time and just being absolutely hypnotised by it - same with No Quarter (Led Zeppelin) and Champagne Supernova (Oasis).

Jimi Hendrix is God to me. Aside from the music, he was culturally so important. This wild-haired black guy tearing around the world with two geeky Brits - at a time when racial tensions in America were at an all-time-crazy-high level. He showed the world nationality and race doesn't mean anything at all.

It’s about what's inside the tin of beans...

Luke: I was raised listening to the most amazing music.

When I was around four; my mum and dad once dressed me up as a gnome and entered me into talent competition on holiday. I had to dance to The Gnome by Pink Floyd - so you can imagine the other music I was raised on! I prefer my 1960s and 1970s to the Britpop stuff.

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What other tour dates do you have coming up later this year?

Neil: Asking a band where they are playing is a big ask…

But, we have just started working with Ben from IAA Touring and there are some things happening - but not confirmed just yet - apart from the Dirty Thrills tour. We will be doing individual gigs and touring again to support the release of our three singles and new album next year.

Festivals offers are coming in for next year already, so it’s all go.

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Will the band get time to relax before the end of the year? What do you all do in your free time?

We are going to squeeze a little break in before the madness starts - but nothing too long. Mainly, just chilling out with friends and catching up with friends in bands. Music is never far away from us, to be honest.

Away from music, I train to keep fit; play football and watch Villa with my dad.

Chris: We’re always sending song ideas to each other - it never stops and to be honest – and I love it like that. Away from music, though, I do a lot of cycling and I am organising a music-related exhibition which should, hopefully, be amazing.

Luke: It’s a busy schedule for the next year or so! But I would much rather be busy in music than doing nothing. I do squeeze in Birmingham City football matches with my girlfriend.

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IN THIS PHOTO: MeMe Detroit/PHOTO CREDIT: JenniferStone.photography.

Who are new acts you recommend we check out?

Neil: MeMe Detroit, for sure; Charlie White and Verschieden. All great bands and artists who are going to be huge!

Chris: There’s a really good band called The Mojo Filters. I’ve seen them a few times and think they’re great.

Luke: King Gizzard & the Lizard Wizard, CHON and Car Bomb. The new At The Drive-In album, in•ter a•li•a, is incredible as well.

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If you each had to select the one album that means the most to you; which would they be and why?

Neil: Elbow – The Seldom Seen Kid

Specifically, the song Mirrorball. Why?! Because it perfectly describes the moment I met my other half.

Chris: Oasis – (What’s the Story) Morning Glory?

It’s the first album I totally fell in love with. Even listening to it today; it sounds great. Incredible songwriting - and it sounds so classy and elegant. Cast No Shadow is a five-chord masterpiece.

Luke: This one is so hard! But, I would have to say Quadrophenia by The Who

I fell in love with it at a very early age. It made me become a Mod. Every song is beautiful in its own way - and it’s my go-to album. If I’m having a sh*t day, I’ll stick it on and everything seems so much better!

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What advice would you give to artists coming through right now?

Neil: Don’t sign anything unless a lawyer has seen it.

Chris: Don’t do it for the money or the fame: do it because you love it. If you’re in it to get rich, you’ll be disappointed. If you’re in it to have a great time, then the party is this way…

Luke: Practice, practice, practice and gig, gig, gig; be yourself; use your influences - but don’t try and emulate.

Finally, and for being a good sport; you can each name a song and I’ll play it here (not one of yours as I’ll do that).

Neil: MeMe Detroit – How She Runs

Chris: Oasis - Cast No Shadow

 

Luke: Perfect Pillow by CHON

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INTERVIEW: James Fredholm

INTERVIEW:

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 James Fredholm

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I have been speaking with James Fredholm about his…

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latest track, Oars. The respected, Zurich-based musician discusses the inspiration behind the song and what Oars (released on 27th October) symbolises. It is from the forthcoming L.P., Love Is the Answer. He chats about the album and future tour dates – including a date at In the Round with Emma Stevens, Megan O’Neill and Mark Sullivan (who I feature tomorrow).

Fredholm tells me about his musical education and growing up in Austin (Texas) in the 1970s. He chats about his connection to poetry and artists like Neil Young; fond memories of his time in music – and the records that have impacted him the hardest.

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Hi, James. How are you? How has your week been? 

In one word: great!

I have been busy with marketing activities and getting ready for the upcoming U.K. tour. I will play at a club in Zurich on Thursday – I will see many of friends from this area. I have a weekend house in the Black Forest and enjoy long, autumn walks in the countryside.

For those new to your work, can you introduce yourself, please?

I grew up in Austin, Texas and came to Europe in the 1980s after university. I was in London for ten years, and then, Switzerland since 1998. I have always been true to my artistic heart but was quite busy with career and family for some years. Now I am on my 'road not taken’ as a full-time poet and singer-songwriter. 

This was always my dream.

Oars is your upcoming single. Can you tell me a bit about its background and origins?

It started as a poem and is in my poetry collection. 

The imagery was a metaphor about the search for meaning in life - and love was the intended destination. When I evolved it into a song; I was at that point of making the job change and just expanded it to reflect on how work, in my case, was kind of meaningless - an exercise in rowing.

I know a bit of the song concerns materialism and commercial lure. Do you think music is an industry obsessed with a quick dollar – or does your anger derive from industry and big businesses?

Well, in my case; it derives from doing something for the wrong reasons: specifically, a business career rather than something I felt passionate about, like art. Deep down; I always knew I was selling out: I felt kind of trapped by success; a victim of my self-doubt and social pressure.

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It is taken from the album, Love is the Answer. What does that title mean to you and how much of the record concerns battling hostilities and divisions with love?

Nice...I like that question. 

At a certain point in my life, I realized that love and people are way more important than the truth, success; being right. I had to rethink my approach to life and, over time, I get closer to my heart - which feels right. I get more distance now from what you call hostilities and divisions - I am an artist, not a soldier.

I believe you are accompanying the single (on 27th October) with a collection of poetry. Why did you decide to do that and what form will the collection take – in terms of themes and subject?

I was always writing poetry and when I started to ‘uncage’ myself it intensified. I wrote about three-hundred poems over the last five years dealing with my personal struggles, relationships and the meaning of life. The songs and the poems are interrelated and publishing them together adds to the context of what I am trying to say. 

Poems are more literate: songs are more intuitive.

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I guess you are a poet first; a musician second. Do the two disciplines overlap and interlock would you say?

Yes; they overlap beautifully.  

I also paint and find lots of connected inspiration from that as well. The source is the same: my inner-feelings and experiences; trying to express it in a meaningful way that feels right.

What was it like growing up in Texas during the 1970s? What kind of music were you raised on? Who are the artists that struck your heart?

It was amazing to be in Austin where there was this deep, authentic music scene.

Texas, itself, is a little backwards, but Austin was always different: a liberal university town with a cool, proud culture. I was raised on waves of music. First, The Beatles; then Psychedelic Rock like (Jimi) Hendrix and Led Zeppelin; eventually the more acoustic sounds of C.S.N.Y. (Crosby, Stills, Nash & Young), Neil Young (and many others).

I loved following local artists in the Austin scene - people like Stevie Ray Vaughn, Eric Johnson and Christopher Cross.

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Do you feel modern music has the same grandeur, conviction and quality as the 1970s? What are your feelings on the current scene?

Tricky question. 

I had the feeling that musicians in the ’70s were pioneers and not so much in it for business; it was more of a cause. Meanwhile, the times have changed. But, talent is talent - that has not changed. I never get tired of hearing new music. I am partial to analogue sound.

I have worked a lot with digital - but it doesn’t feel the same to me.

How is the rest of this year playing out? Where will you be spending Christmas this year?

I will be in the U.K. for the tour in October - and will probably get a place in London for the month of November. I will come back to Switzerland for Christmas, and then, to Austin for a while in the New Year.

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What tour dates do you have approaching? Where can we see you play?

Well. The In the Round tour in October will be in seven cities around the U.K. I am planning another U.K. tour in the New Year, probably March (to be confirmed later this year).

I know you are touring the U.K. soon. Is this your first time here and are you looking forward to the visit?

As I said earlier, I lived in London for ten years. I was in Brighton and Wiltshire for three months this past summer. 

I love the U.K. and plan to spend a lot more time there in the future.

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Emma Stevens is an artist you’ll be sharing the stage with. I am a fan of her music but I wonder what you connection is to her and why she is someone you are gigging with?

The tour was organized by our booking agency, IAA Touring. I have never met Emma but I like her heartfelt Indie music - and share many of the same influences she has. For me as a new artist, it is a real honour to share a stage and her fan-base.

I know we will have a great time - also with Megan and Mark.

If you had to select the three albums that mean the most to you; which would they be and why?

I would start with Neil Young’s Harvest

Second would have to be something from The Beatles - probably, Revolver

Third would be Nirvana - Nevermind

But I am glad I don’t have to narrow myself down because there is so much great music - I would be lost without it.

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What advice would you give to artists coming through right now?

Having now thought about this for all of about five minutes...

I would tell them to stay true to their hearts and to believe in themselves - no matter what comes.

It is so easy to lose yourself in today’s world.

Finally, and for being a good sport; you can each name a song and I’ll play it here (not one of yours as I’ll do that).

Well that sounds like a mood-question - and I’m in the mood to hear Flume by Bon Iver

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INTERVIEW: Us and Us Only

INTERVIEW:

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Us and Us Only

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THIS interview has been cooking for a while - so some of the…

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answers might be a bit obvious – or some a little outdated. The boys of Us and Us Only have been busy promoting their new album, Full Flower – it is their debut and a stunning record! Released on Topshelf Records; I ask them about the songs and themes explored; what the process has been like – and how supportive their label has been. Bored of Black is out there already: the title-track is a masterful work; there are so many other gems to be discovered.

Us and Us Only are from Baltimore, Maryland. I ask about the scene there and, with the grotesque Donald Trump causing endless issues – what it is like living in ‘his America’; some artists we should be aware of – and what they have planned as we creep into 2018.

PHOTOS CREDIT: Noorann Matties  

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Hi, guys. How are you? How has your week been? 

Hello! We’re, swell. It is hot-as-Hell in Baltimore.

I went to the farmer’s market and bought some coffee. My new roommate and I started preparing a garden in our backyard; saw my grandmother and talked to my dad about what I should be doing with my life.

All in all: everything is ok.

For those new to your work, can you introduce yourself, please?

We are Us and Us Only. We are not named after that one Charlatans’ album. I still haven’t listened to it - but I’m sure it’s very good. We got our name from a phrase in the liner notes of Some Girls’ The DNA Will Have Its Say.

We have five releases: two of which include our collaborators Lindsey Mills singing and Michael Tunk - who made the art for the Lifting Lake Eerie 7” and Full Flower. I’m very thankful to have the opportunity to work them.

Full Flower is our first (full-length) album and our L.P. with Topshelf Records - who are all angels, sent from Heaven above. They also recently reissued our three-song E.P., Bored Crusader, on vinyl.

Bored of Black is your new single. Give us a window into the inspiration or that song if you will? 

The title references this thing I do where I really only wear black clothing; because it’s ‘dark’ and ‘Goth’ - which is an attempt to oversimplify the actual meaning of the song.

Bored of Black is a song I wrote after making some big changes in my life. I drove to see a friend, who lived in the middle of the woods; got really lost; went into work late the next day. I had really romanticized sadness in my life and then realized that I had to be real - make more of an effort to take care of myself and the people around me.

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It is taken from the new album, Full Flower. It is your debut. Are you excited about its release and what kind of subjects and people inspired its creation?

We are very excited Full Flower is coming out. We’ve worked on this album for about two years. We had started the album with our guitarist, Dan Windsor, who played a huge role in helping to define the voice and vibe of this album. We were also fortunate enough to have Lindsey Mills come back to sing on this one.

I think one of the subjects that run pretty deep throughout the album is how necessary it is to move forward. We started writing this album when I was processing a lot of changes in my life - stuff that was positive and way overdue…but still jarring in essence. So, a lot of it is dealing with learning to care for yourself and learning to treasure the love given to you by people around you.

There are, also, some songs that are much simpler. I just always err on the side of doom-and-gloom.

Did you guys all know each other from a long back - or did Us and Us Only come together over time? 

We started because I had played a show in Baltimore a long time ago and, in a moment of weakness, left to go to sleep and forgot my guitar. I got a call saying that this person, Sean Mercer, had my guitar. I went to pick it up and we talked about playing music together. I was nervous so I asked Suica to come with me.

In the time after that, I met Dan Windsor through Sean. We played D&D (Dungeons and Dragons) sometimes and I ended up playing in his band, Dungeon Kids. I asked him to join. He worked with us on our last 7” and some of Full Flower - but went to film school to do dope sh*t in Canada. John joined after that and has been running with us…

I’ve known Lindsey Mills, who sings on Full Flower and our last release, for ten years. Her music is absolutely incredible.

Forever grateful for her presence on this album.

How important and supportive have your label, Topshelf Records, been towards your music? 

They’ve been wonderful, all along the way - Kevin, Seth, and Danielle are so obviously motivated to work with bands and artists that they love.

I’ve heard horror stories about labels, indie and major - and Topshelf is everything those labels aren’t.

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I am interested in Baltimore as a city for music. What is the scene like there? Are you seeing a lot of promising bands and artists come from Maryland?

Baltimore seems unique and magical in a lot of ways.

I think that if you aren’t from here and you tend to gravitate towards things from New York or D.C., it can be easy to miss how much is really going on here. There are venues like The Crown and the Metro Gallery - who are contributing so much to this city in regards to art.

There are larger artists like Dan Deacon and Beach House, who are both absolutely incredible, but we also have JPEGMAFIA, Chiffon and Surf Harp.

I know you have produced four E.P.s so far. How has your sound changed since your early days in 2009 and do you think the debut L.P. is a more focused and fully-realised work than your E.P.s?

There have been a lot of changes for us since 2009...

We’ve gone through members, life changes; switching instruments and (just) general progression as people. Our music has always reflected that. I don't think that we are necessarily ‘changing with the times’, so much as changing within the boundaries of our collective interests and ideas. This L.P. was a huge step for us - having only had shorter releases in the past - it gave us the first opportunity to really craft a narrative and tone rather than just a collection of where we were at musically.

This album has been the work of two long years. We’ve gone through different names, a slew of songs recorded and subsequently shelved - and more than a few different arrangements of particular songs. Bored Crusader and Full Flower both feel like we achieved what we were aiming for.

It’s difficult, but at some point, you have to trust in the song and the story that you’re telling.

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Looking down the L.P. tracklist; I am struck by one song: After Halloween Slump. That sounds like a bit of an intriguing one! It seems like song titles are important - and making them distinct. Would that be a fair assumption?

I would absolutely agree with that.

After Halloween Slump was taken from a poem by Richard Brautigan. The poem is about losing your magic; like actual magic. I wrote it at a time in my life where I was kind of started as square one again: I was basically re-learning how to be a person. So it seemed fitting...

There’s also Bored of Black, whose title is literally about my entire wardrobe consisting black clothing - in some weird effort to be Goth. It’s meant to oversimplify the content of the song - which is me deciding that I’d spent too long romanticizing sadness - and needed to get sh*t together and start moving forward.

Full Flower will be released on vinyl including gold, clear; white and blue-spatter. How important are formats like vinyl and is it important to keep these forms of music alive and visible to the younger generations?

I think that streaming services are wonderful - and there’s so many things out there that I would’ve never known about otherwise.

But, I think that people will always want a physical thing to expand upon (and associate with an album). You can look at artwork in iTunes or whatever - in this case, the art of Michael Tunk - and see that it’s beautiful and explores this vast scene...but it’s something wonderful to be able to see and identify it up close.

Shades of Death Cab for Cutie and The Weakerthans can be detected in your work. Who are the artists that have influenced your direction? 

I do have a special love for The Weakerthans...

When my grandmother had passed years ago, around when we released Dark Cloud Past, I had been listening to a lot of them and David Bazan - or his work with Pedro the Lion.

I’d say that, in the last few years, becoming more familiar with Sade has changed how I approach writing lyrics. We’ve also been influenced pretty consistently over the years by Wye Oak - who are from Baltimore.

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I have to ask whether Trump and his politics have any bearing on your lyrics and direction. How do you guys feel about him being in power and has the local music community been reacting to him in any way?

It would be difficult for our entire political situation not to influence what we make creatively.

On one hand; I write a bunch of songs acting like the world is always about to end – but, now it feels like, well…maybe this is the actual fuc*ng end of the world. 

Baltimore has responded to this, artistically (see: TT the Artist’s, Fuck Donald Trump), but this city is always making art that is a direct product of the society in which we live. I’ve been coming to shows here since I was fifteen - and seeing bands like Double Dagger.

Now, there are artists like Abdu Ali - who are making truly incredible and immensely important art. There is so much awful sh*t happening - but there are beautiful people with things to say about it here.

Can you each reveal the one album that means the most to you and why?

I’m deciding. Our collective most-important album is Prince’s Purple Rain.

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IN THIS PHOTO: Vagabon/PHOTO CREDIT: Daniel Dorsa

Who are the new/upcoming artists you advise we keep an eye out for this year at all?

Okay….so, some of these folks aren’t new or upcoming - they’ve been around…but I still want to tell you about them….

JPEGMAFIA, Nina Gala; Vagabon, Bedbug; Chiffon, Horse Jumper of Love; Surf Harp, Katie Dey; Crumb, Amazon Prime; Yohuna, Square Peg Round Hole; Johanna Warren, Museum Mouth; Puppy Problems and Go Cozy.

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IN THIS PHOTO: Johanna Warren/PHOTO CREDIT: Allyce Andrew

What advice would you give to any new artists starting out right now?

Sign with Topshelf - They’re dope.

Finally, and for being good sports, you can each name a song and I’ll play it here (not one of yours as I’ll do that).

That’s very kind of you, thank you. D.J. Us and Us Only - I like this...

Helado Negro - Runaround

Priests - Pink White House

Andy Shauf - Early to the Party

Thundercat - Them Changes

Charly Bliss - Percolator

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INTERVIEW: Stephanie Sounds

INTERVIEW:

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 Stephanie Sounds

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IT is fair to say music was born into Stephanie Sounds.

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I ask her about her upbringing and years in the church; how her father, Rev. Bazil Meade, impacted her love of music and what she has learned from him. She discusses her debut album, Much Better, and what the recording has been like; which tracks stick in her mind – and what plans she has for the next few months.

Keen to learn about her childhood and early music tastes; Stephanie Sounds reveals the artists that made an impression and what it has been like providing backing vocals to some of the music world’s biggest artists.

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Hi, Stephanie. How are you? How has your week been?

Hello! I am well thank you. 

I started this week with a good workout - so I’m ready to get to work.

For those new to your work, can you introduce yourself, please?

My name is Stephanie Sounds. I am a professional singer and, after a few years of living and working on my sound, I am ready to release my music into the world.

Your debut album, Much Better, is completed. What can you reveal about it and the stories that go into it?

My album, Much Better, is a very honest account of the ups and downs I have encountered in life so far.

The songs came about very naturally and are very personal to me.

Are there any particular tracks that mean more to you? Any that really stick in the heart?

I honestly love all my songs - as they are written from different places or from different experiences.

It seems Do You Love Me might be a particularly personal track. Tell me more about that song.

Do You Love Me is about my need of my parents love but not quite feeling like that understand me - or want to know me for who I am.

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The album explores darker issues like depression and anxiety. Did you feel it was important to address this in the album and make it more visible to those in a similar position?

Absolutely.

There’s so much focus on being strong and cracking on with life and not showing your true emotions - that people end up with depression or anxiety and not know how to process these feelings or seek help.

Music, for me, has played a major part in helping me express my feelings. It’s surprising how much a melody or lyrics can give you comfort or some clarity.

It’s important for people to know they are not alone.

How young did music arrive into your life? Can you remember the artists you grew up on?

Before I was even born - with both my parents heavily involved in music, plus a lot of my extended family, it was really in my blood. My mum has a picture of me, aged three, in my little pink dress singing on the stage - so I caught the bug very early.

I grew up listening to a whole range of artists - from Walter Hawkins to Michael Jackson and Anita Baker, and then, later on, I was hooked on all the 1990s' R&B groups and singers such as Faith Evans, Mary J. Blige; H-Town and Jodeci.

Like most teenagers, I went through my ‘Goth stage’ - and got into some ‘light’ Metal and Soft-Rock. Haha!

You dad is the Rev. Bazil Meade from the London Community Gospel Choir. Did you go to church a lot and sing? What was your upbringing like?

We attended church every week - unless the choir had a concert elsewhere. I would only really sing in church if I was performing a special number. Other than that, I would sing at the top of my voice in the congregation.

As I got older, I would be out touring with L.C.G.C. across Europe and the U.K. - often taking a few weeks off school during term time - but my teachers were great about it!

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Is it quite hard telling people you are not exactly like your dad – and you are not purely Gospel?!

Not at all.

I have always been my own person and made sure that I do what makes me happy. Some people make assumptions about what my music will be like - but I enjoy telling them otherwise...

In the past; you have provided backing vocals to some of the music world’s biggest mainstream artists. Are there particular memories that stand out? Who was the best artist you ever sang with?

I really enjoyed touring with Faithless.

I feel like I learn the most from them as I was really opened up to singing - on top of a different style of music. I also enjoyed when I toured with Westlife as a backing singer and dancer.

I love dancing and I’ve always wanted a job that could combine the two.

Your time with Faithless must have been a great experience. What was life like with the dance outfit?

I think they just toured in a different way to what I had done previously...

I was used to staying in my hotel room and maybe popping to the shops in a new city. With them, we went on long walks; sat by a lake and had lunch - or did something touristy. It taught me to really appreciate travelling and experience the culture whilst I was there - even if for a day.

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What tour dates do you have coming up? Where can we see you play?

I am a part of an amazing tour in Switzerland from the 21st October, for two weeks, called SEAT Music Session Show.

When I am back; I will get ready for my debut London show at the Hoxton Bar and Grill, on 19th November, with my band!

Very excited!

Who are new acts you recommend we check out?

I’ve recently discovered Bruno Major. He’s a beautiful songwriter and I love his sound.

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IN THIS PHOTO: Bruno Major

If you each had to select the three albums that mean the most to you; which would they be and why?

Lovers Rock by Sade

I fell in love with her when she released this album - and I’ve been hooked ever since.

Frank by Amy Winehouse

This album is timeless and I love the honesty in what she writes.

Fallen - Evanescence

This album showed me how to use a piano and orchestra in a different way in popular music - and, of course, I love the big guitars!

What advice would you give to artists coming through right now?

Develop thick skin: there’s a lot of rejection in this industry but you have to believe in yourself and be tenacious.

Finally, and for being a good sport; you can name a song and I’ll play it here (not one of yours as I’ll do that).

My favourite song at the moment is Stonemilker by Björk

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INTERVIEW: Jeremy Tuplin

INTERVIEW:

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PHOTO CREDIT: Holly Whittaker 

Jeremy Tuplin

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BEGINNING life in Somerset – now based in London…

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PHOTO CREDIT: Holly Whittaker 

Jeremy Tuplin’s debut L.P., I Dreamt I Was an Astronaut, is out on Friday. I talk to the young songwriter about the new record and how it differs from his previous E.P.s of 2014 and 2016 (Carry the Fire and Open Letters). Tuplin has been lauded by critics and praised for his unique style. Recorded with long-time producer/collaborator, Mark Estall; I Wish I Was an Astronaut was recorded in South Bermondsey.

I ask Tuplin about the musicians that came into his life young and the type of music he was raised on; whether he feels new artists are too safe and limited – and what tour dates he has before the end of the year.

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Hi, Jeremy. How are you? How has your week been?

Hey, there – I’m good, thanks.

A bit tired. It’s Monday morning and I’ve played three gigs in the last four days - with a friend’s thirtieth birthday squeezed in-between.

So…it’s been a busy week.

For those new to your work, can you introduce yourself, please?

Ok – my name’s Jeremy Tuplin. I’m a singer-songwriter from Somerset, U.K. - now living in London.

My music is within the Indie/Alternative/Folk brackets and, due to the themes and instrumentation used in the album I’m about to release, it has also been described as ‘Space-Folk’.

I Dreamt I Was an Astronaut is your new album. What is the inspiration behind that title? Does it nod back to childhood dreams?

The title combines both my love and fascination for space and the cosmos with similar feelings that I have for the realm of dreams. They’re both recurring themes in the album and are actually interests that I have developed later in life - as opposed to a nod to childhood dreams.

With the title; it’s intended to represent a very pure form of escape from reality.

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Can you tell me the themes and ideas that compelled the songs on the record?

As I mentioned, space is a big theme - more in a philosophical sense than scientific.

The idea is that what you learn from looking up can be helpful when dealing with everyday matters. Tied into all of this, earthly matters such as love and relationships are also just as prevalent across the album.

It was recorded with long-term collaborator, Mark Estall. What was it like recording with him in South Bermondsey?

It was a very enjoyable process - although a lot of hard work.

I’ve recorded two E.P.s in the past with Mark so we know each other’s methods of working very well by now. It took a decent amount of time but it wasn’t rushed - and we wanted to make sure we had everything covered. 

You might say that we’ve developed some sort of musical chemistry (or something).

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Your new work employs more acoustic sounds – mixing that with synthetic ideas and electronics. What was the reason behind this move? What are the main differences you have noticed?

I think there are a lot of differences between this record and the previous E.P.s that I’ve released.

I didn’t want to not take any risks or feel constrained by genres or instrumentation in any way; so we just went with whatever felt was right. A lot of this happened to be electronic and synth sounds - as it suited the songs and the space-focused content.

So much of today’s music is conventional and safe. Do you feel annoyed few artists are pushing themselves when they have the opportunity?

There’s lots of really interesting and unique music out there that sometimes harder to find. I think it’s a shame when they’re overlooked for music that’s more conventional or safe.

A lot of big D.J.s and names have poured praise on your music. How does it make you feel receiving that high-profile positivity?

It’s great of course (and also) because it helps get the music to a wider audience - which is the most important thing for me.

Give me a window into your upbringing. When did music come into your life?

It was always there in the background – my dad sang and played the guitar and my mum was a piano teacher. The music that they played in the car tape-deck sticks in the memory – people like Jim Croce, Rod Stewart; Sheryl Crow I seem to remember. (Billy Ray Cyrus too, actually).

I was always encouraged to be into music, I think.

Who were the musicians you idolised as a youngster?

As a teenager, I went through a Libertines phase…before that, Blur. Blur vs. Oasis in the Britpop years was when I really started getting into music.

I was always on the side of Blur.

What tour dates do you have approaching? Where can we see you play?

I’ve got the album launch gig on 26th October at Paper Dress Vintage – that will be a full, six-piece band gig. Then, in November, I’m going to Spain – playing in Madrid, Zaragoza and Barcelona - and then coming back to the U.K. to play in places like Cambridge, Oxford and Brighton.

I’ll be announcing these dates soon.

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It is, sorry to say, a few months until Christmas. Any plans for that time of year? Where will you be spending it?

I’ll be going home to Somerset. I always spend Christmas with the family in Somerset and it never grows old.

If you had to select the three albums that mean the most to you; which would they be and why?

I’m going to go with Leonard Cohen – New Skin for the Old Ceremony

As a musician and a person, he’s been the most significant for me - and that album is my favourite of his.

I can’t not include a Bob Dylan album, either - so I’ll go with Blonde on Blonde

As a lyricist, you can’t look past him - and he’s been the most influential, for me, on that level.

I’ll go with a recent one: I Love You, Honeybear by Father John Misty

I listened to it pretty much non-stop for most of 2015.

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What advice would you give to artists coming through right now?

I’ve never really felt comfortable in giving people advice…and I wouldn’t take my own advice either: I don’t really know anything. Other than ‘if it feels right then it probably is, and if it doesn’t then change it until it does’ - but that doesn’t count as advice.

Finally, and for being a good sport; you can name a song and I’ll play it here (not one of yours as I’ll do that).

Ok. This came out recently and it’s dark, but that’s why I like it – True Lies by Alex Cameron

Thank you very much!

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INTERVIEW: Logan Brill

INTERVIEW:

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 Logan Brill

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THERE are a few reasons why one should be interested…

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in the Country music star, Logan Brill. Her music channels the greats of the genre but has a contemporary feel to it. That clash of romantic nostalgia and modernity means she has lodged her sounds into the hearts of many. She will soon be here for Country Music Week, so I ask her about that – and whether she will be in the U.K. after that.

She discusses her debut U.K. single, World Still Round, and her new album, Shuteye. I find out about the themes and backstories from the record and what she has planned for the future.

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Hi, Logan. How are you? How has your week been?

I’m great, thanks! The week has been good.

I’ve been on the road a lot recently and I’m back in Nashville, briefly - so I’m enjoying some time at home.

For those new to your work, can you introduce yourself, please?

Sure. My name is Logan Brill and I’m a Country artist living in Nashville, Tennessee. I’m originally from East Tennessee and have been playing music and singing for as long as I can remember.

My sound is a little bit Country; a little bit Blues - and a little bit Rock.

World Still Round is your debut U.K. single. What is the origin of the song and can you remember the moment it came to mind?

The idea for World Still Round came about when I was writing with a friend of mine, Scooter Carusoe, in Nashville. I was dating and watching friends of mine fall in and out of relationships - and decided it was something I felt compelled to write about.

We wrote about half the song sitting at a pancake house in Nashville called the Pancake Pantry.

Shuteye is your new album. What kind of stories and themes inspired the songs on the record?

I like to think the songs on Shuteye make up a picture of my life at the time I was writing for the record.

A lot of the songs were inspired by things I was going through in my life at the time - or things friends of mine were going through - relationships coming and going and life changes that come from being in your twenties. Between the songs Tupelo and The Bees, especially, I definitely felt a theme about the concept of ‘home’ and what that meant to me.

I travel so much; I think I’m really interested in the idea of finding a place that’s yours - and missing people back home when I’m away.

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The album has already received acclaim. How important are those reviews and does it give you a lot of confidence knowing your music is beloved?

Making a record takes so much time and energy; so once it’s finally out in the world, it’s really exciting to see that it resonates with people.

It means a lot to me to know that people appreciate and relate to the music.

You are in the U.K. for Country Music Week. Is this your first time here and what is it about the event/week that pulls you here?

I’ve been lucky to make it over to the U.K. a few times over the past year-and-a-half to tour - first for the Nashville Meets London festival in 2016 and then for C2C festival in March of this year. I am so excited to be back for Country Music Week! The audiences in the U.K. have been so welcoming. With crowds in the U.K., there’s such an appreciation for original music - especially Country music.

It’s really inspiring to see.

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Nashville is your base. What is it about the Tennessee city that gets into your heart? How does it differ to Knoxville (where you were born)?

Nashville is such an amazing city.

I’ve been living here for eight years now and it’s changed so much during that time, but one thing has stayed the same: the people. Nashville is such a friendly and welcoming city it really does feel like a small town. The music scene in Nashville is competitive but it’s also really inclusive. We all support each other in a way by writing together and playing on each other’s records.

It’s really fun.

Knoxville, where I grew up, is a smaller city close to the Smoky Mountains in East Tennessee. It’s a little quieter than Nashville and has a lot of small-town charm.

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Can you remember those artists that drove you to come into music?

The music from my parents’ generation is what really inspired me to want to pursue music. Growing up, while the rest of my friends were buying Britney Spears and NSYNC records, I was geeking-out on Gram Parsons, Bob Dylan; Bonnie Raitt and the Eagles.

Was your childhood musical? Did your parents’ taste enforce your passion for music in any way?

My parents’ taste in music is definitely what inspired my passion in music.

My dad, especially, made my musical education a big priority. I remember him sitting us down to watch The Last Waltz and Pink Floyd live concerts on V.H.S. Then, when my parents split and my mom remarried, my step-dad became a big influence on my passion for music. He played in a local Knoxville band and would have me get up to sing when I was ten or eleven.

In your career; you have shared the stage with the likes of Willie Nelson. What have been your fondest memories to date? Is it daunting being on stage with such titans?

I’ve been so lucky to share the stage with some of my idols over the years.

I’ve learned so much by watching some of the musical legends I’ve been able to tour with. One of my favorite on-stage moments was when Vince Gill agreed to join me on the Grand Ole Opry stage to sing with me on my song, I Wish You Loved Me.

That was a pretty big thrill...

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PHOTO CREDIT:  Preston Leatherman

What tour dates do you have coming up? Where can we come see you play?

Coming up next, I’ll be over in London for Country Music Week. Otherwise, hoping to be back in the U.K. sometime very soon!

When are you coming back to the U.K., do you think?

No official dates yet but I’m sure I’ll be back again before too long!

Hopefully, the first part of next year?

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IN THIS PHOTO: Jillian Jacqueline

Who are new acts you recommend we check out?

I’m a huge fan of a girl named Jillian Jacqueline who will also be at Country Music Week. She’s living in Nashville and is putting out a new project that is really incredible.

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If you had to select the three albums that mean the most to you; which would they be and why?

Late for the Sky - Jackson Browne

This is a record I listened to with my dad growing up - so I have a lot of great memories linked to it. I also think it’s lyrically one of the most brilliant albums out there.

Trio - Dolly Parton, Linda Ronstadt and Emmylou Harris

Three of the most amazing female singers out there, all together on one record. Need I say more?

Wide Open Spaces - Dixie Chicks

This is the first contemporary Country record that I was totally hooked on when it came out. Every single song is solid gold and I looked up to three such strong women as a young singer.

What advice would you give to artists coming through right now?

Stick with it and always be true to yourself!

Finally, and for being a good sport; you can name a song and I’ll play it here (not one of yours as I’ll do that).

This is a tough one…

Since hearing about Don Williams’ passing last week; I’ve been going back to all his old records.

In his honor; how about his song, Tulsa Time?

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