INTERVIEW: The Holy Gasp

INTERVIEW: 

PHOTO CREDIT: Pedja Milosavljević

The Holy Gasp

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A lot of songs are based around personal misfortune…

PHOTO CREDIT: Karol Orzechowski

and startling revelations. That is no different regarding Beat Wave: the memorable and stunning new single from Canada's The Holy Gasp. I ask Benjamin – of The Holy Gasp – about the song and what arrives next from him (and The Holy Gasp); the sort of music that makes his mind conspire; whether there are any touring dates approaching – and if we can expect a visit to the U.K.

He talks about working with Sebastian (his musical cohort) and the scene in Toronto Island; an album that means a lot to him – and what he’d say to new musicians coming through at the moment.

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Hi, Benjamin. How are you? How has your week been?

Hey, Sam! Not too shabby, thanks. How ‘bout you?

For those new to your work; can you introduce yourself, please?

I’m Benjamin Hackman. I live on Toronto Island and lead an amorphous blob called The Holy Gasp - alongside my collaborate life-partner, Sebastian Shinwell.

Beat Wave is the new single. Tell me about its story and creation...

I wrote it on Toronto Island - where I moved after my ex-wife and I split up. I was real depressed at the time - and real lonely, too. Most days I couldn’t get out of bed. I’d lay there on stinked-up sheets, weeping... wishing for my old life back... I needed to write it out, laugh at myself; take the edge off. Divorce shocks the system, y’know. It makes you ask a whole lotta questions about how you’re gonna live your life and who you’re gonna be in your post-married world. You set out to build a future with someone and, when you call it quits on a marriage; you call it quits on that future too. So, you gotta rewrite yourself entirely.

Sebastian was real supportive. He just kept saying, “Write it out… make it as big as you need to...I’ll figure out how to arrange it” – and he did. He found a way to get a big ol’ chambre ensemble to play punk which is pretty funny if you think about it - in a Bugs-Bunny-in-tails kinda way.

It seems like the track has been brewing a while! Has it been quite an arduous and tricky track to get together?

It wasn’t a tricky track to compose or arrange - but it was definitely challenging to mix. There’s a lot happening. It was hard to find a place for every instrument and voice to have the space it needed to be heard. Craig Saltz, who mixed the track, is a very patient, detail-oriented and talented craftsman.

We owe a great debt of thanks to him for his work on our new music.     

PHOTO CREDIT: Nika Rae Zelina

The music you make seems like an orchestral Punk collective/soundtrack. Is it hard translating the sound from the studio to the stage? Do you write songs and imagine how they will sound in the live setting?

We just create what we want to hear, without regard for how logistically demanding it’ll be to pull it off. Sebastian and I set no limits whatsoever when we write. If we think something might sound cool, we try it and, if we like it, we keep it. Everything gets orchestrated using Midi software - so that we can hear all the instruments synthesized long before Sebastian scores it all out. This affords us the ability to hear the piece as it’s being orchestrated. After it’s arranged to our heart’s content, we record it verbatim and don’t stray whatsoever from the original score. Every musician, including ourselves, plays what’s on the page...

Then, after that’s all said and done, Sebastian re-arranges everything for a six-piece touring ensemble. This process takes time and requires trial-and-error with real musicians in rehearsal. The live ensemble is held to less orthodox standards than our studio musicians. They’re encouraged to interpret themselves through the music and to find ways of making their parts their own. Our organist, Joseph Organ, for example, has added a lot of his own ideas to his parts and, in doing so, has contributed to making older repertoire feel fresh and interesting. The pieces are permanently changed because of his input and interpretations.

This is a lovely way to celebrate music as an organic, evolving document.

Beat Wave was written on Toronto Island and it seems like the Canadian landscape plays a big role in the music! How inspiring is the country/geography of Canada to you and the music of The Holy Gasp?

The Canadian landscape doesn’t play a role in the music, per se, but Toronto Island specifically does. There is something to be said about living on an island; about surrounding yourself with a vast body of water every day. There’s only so far I can walk before I’m confronted by Lake Ontario - and ultimately confronted by myself.

This type of ruthless self-discovery is central my creative process. 

Who are the musicians you are all influenced by?

It’s a pretty motley list and it changes - but the big ones, at least right now, are: Tom Waits, Frank Zappa; Dead Kennedys, John Lurie; Big John Patton, Leonard Bernstein; Karen Dolton, Nick Cave; The Cramps, Primus; Pete Seeger, Nina Simone and cinema scores such as those from the early James Bond films - or the original Planet of the Apes; as well as cartoon theme songs like the ones from The Simpsons or Ren & Stimpy.

Which new artists do you recommend we check out?

The two that come to mind right away are Friendly Rich & The Lollipop People and The Sulks.
Friendly Rich’s new record, The Great Blue Heron, is terrific. It was produced by Hawksley Workman and is just real smart - and far out in all the right ways. It’s my favourite album from his massive and impressive discography. I recommend him for fans of Tom Waits and Frank Zappa.

The Sulks are the top of cool. One day, every scene depicting a teenager sneaking out of her bedroom window, to go smoke darts with her friends beneath the stars, will be soundtracked by The Sulks.

If you just wanna ride the bus and feel like a fuckin’ stud… this band’s for you.

PHOTO CREDIT: Mike Stuls

Are there any tour dates coming up? Where can we see you play?

You betcha, baby!

11/14: Sherbrooke, QC – Bar Le Magog

11/15: Moncton, NB – Plan B

11/16: Halifax, NS – The Seahorse Tavern

11/17: St. John, NB – Pepper's Pub

11/23: Quebec City, QC – Le Cercle

11/24: Trois Rivieres, QC – Zenob

11/30: Ottawa, ON – House of Targ

12/02: Toronto, ON – The Smiling Buddha

12/07: Peterborough, ON - Catalina's

12/08: Hamilton, ON - Mills Hardware

12/09: Windsor, ON – Phog Lounge

PHOTO CREDIT: Karol Orzechowski

Do you think you will come to the U.K. very soon?

Well. Sebastian’s living in London for the better part of this year - so you might be able to get him to play you some tunes. He’s real pretty on a classical guitar and quite generous with his serenades - if you ask him nice. But, as for touring the U.K., nothing is booked yet…but it’s on our minds….

In a real way.  

If you had to select the one album that means the most to you; which would it be and why?

I don’t know how possible that is to answer: I listen to a lot of records. But, I will say this: Paul Simon’s Graceland was on heavy rotation throughout the making of our new record.

Rhymin’ Simon got to us, baby. He got to us!

PHOTO CREDIT: Pedja Milosavljevic

What advice would you give to artists coming through right now?

Aesthetic normality - safe, popular; commercially accessible art…it wasn’t put here by artists. It was manufactured - and not to enhance the collective body of human understanding or to impact culture in deeply significant ways: it was put here to turn a buck. So here’s my advice: listen to the sounds in your head. Meditate on them. Try and produce them as you hear them. Vividly. Without apology. Without embarrassment. There will always be folks trying to tell you what music should and should not sound like. These people cannot hear the music in your head - nor have they tried. These people are not artists...

They are critics; business-people and fearful children - petrified of the portrayals of human experiences into which they have not journeyed. They are not muses. Do not follow them into their Shadowlands. Face as much truth as you can bear on your own…

...Never stop loving.    

Christmas is not too far away. Do you both have plans already - or will you be busy working?

Well; we’re Jewish, so… you know… we’ll eat Chinese food and watch Free Willy on V.H.S.  

Finally, and for being a good sport; you can name a song and I’ll play it here (not one of yours as I’ll do that).

Friendly Rich’s The Great Blue Heron…

… and Sulker by The Sulks, please and thanks

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Follow The Holy Gasp

Facebook:

https://www.facebook.com/TheHolyGasp

Twitter:

https://twitter.com/theholygasp

Instagram:

https://www.instagram.com/theholygasp/

SoundCloud:

https://soundcloud.com/theholygasp

BandCamp:

https://theholygasp.bandcamp.com/

INTERVIEW: Wulfman Fury

INTERVIEW:

Wulfman Fury

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THE chaps of Wulfman Fury…

tell me about their new track, Nightsweats - and what comes next for them. The five-piece hail from Sheffield. I learn more about the city’s scene and why the Yorkshire hotspot deserves more attention and acclaim. The guys tell me about their favourite music and what it is like being affiliated with Mile Kane – band member George used to perform alongside him. The boys talk about touring and why it is a natural home for them; what dates they have coming up – and a few new artists worth investigating.

I find out about their inner-workings and creative process; what they have planned for the coming year – and how a song like Nightsweats is pitched/created.

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Hi, guys. How are you? How has your week been?

Good, thanks - apart from our drummer, Dave, has tonsillitis. We have had a busy month launching the band; releasing the video and single; doing two secret warm-up shows and our first official show in Sheffield.

So; this week is a chilled one. Just doing some laid-back writing sessions.

For those new to your work; can you introduce yourself, please?

We are Wulfman Fury. A five-piece Garage-Rock band from Sheffield - who announced ourselves to the world at the beginning of October (2017).

Nightsweats is your new track. What is the background to this one?

It’s not just our ‘new track’:  it’s the first we have put out. It’s about sleep paralysis. Myself (George) has had it about six times. The first few were extremely scary and trippy. It’s where your brain wakes up but your body’s asleep. You’re aware but your body is trapped and you’re unable to move. Often; it involves a person or creature pinning you down.

It’s incredibly surreal and isn't like a dream - it feels very real!

How did a song like Nightsweats come together? Do you all pitch lines or will someone come in with the bones – the band then flesh it out?

The idea was brought into the rehearsal room by George with the chords, riff and melody - and we probably had the main bones done in about twenty minutes. George then went away and finished the lyrics. Within two weeks, we were in George’s ‘Fox Den Studios’ and finished it in under two days.

All self-produced and mixed.

It is an intense opening statement! Will there be more from Wulfman Fury?

Yes! We have twenty-two recorded tracks and we’re currently working on four new songs. It would be silly to just put it all out there straight away; so, we’re releasing a second track and video called Draw the Line at the end of next month - and a third track and video, Waterslide, at the end of December (via AWAL).

Then...an E.P. with some bonus tracks on it in January.

George. You used to play with Miles Kane but have stepped into this new venture. What was the reason for assembling the band and do you still keep in touch with Miles?!

The last ten years of me moving to Sheffield; getting into bands and producing; touring with Miles and building my own studio has all built up to this moment: to get my own band together. I’ve got an amazing set of guys around me now - and a real asset of having my own studio.

Yes, we’re still in touch but he’s over in L.A. I sent him the video for the first track the other day and he seemed to dig it.

How did you all get together and do you all share a love of the same artists, in general?

Myself and Dave, the drummer, have worked together on a few previous bands. We started the project and then started bringing in other people as the ideas progressed. Will on keys works for me in my recording studio. He’s a great all-round musician. Joe - lead guitar - is my younger brother. He can hit the harmonies and Steve is the dark horse of the band.

An amazing bass player and songwriter.

Sheffield is your base. It does not get a lot of attention in the press but is responsible for the likes of Arctic Monkeys. Do you think the press should feature more Sheffield acts?!

Sheffield is an amazing city...

I have a real love for the place and the people. It’s not just Sheffield, is it?! Like a lot of industries in this country. it’s too over-focused in the South - mainly London. It’s not surprising when you look into the backgrounds and upbringing of a lot of big artists these days: London, privately-educated; parents (are) multimillionaires. Mumford & Sons, Florence and The Machine; The Vaccines, Sam Smith... the list goes on...

The problem is; their privately-educated friends from school get the opportunity to do the free internships at labels and in the press. Those internships are out of reach for the working-class in the North. Who do these people go to look at when they’re scouting for bands and looking for new bands to write about?! Yes; their mate's new band from private school... sorry; bit of a rant there...

I think people from the press should get their arses out of London more. But at the same time, as a new artist, you shouldn't worry about the divide. Write good tunes and get them out there - and start building fans in your local city. 

What is the local scene like? Is it still as productive and epic as it was in the 1990s, would you say?

I think the local scene has really grown in the last few years.

There seems to finally be a buzz back again for new bands. There are some great smaller venues like Cafe Totem. I think, finally, bands are removing themselves from the ‘Monkeys sound’. There are some great Punk bands around here. My favourite new Sheffield band are called The Seamonsters: a six-piece all-girl band. I see real long-term potential with those.

What tour dates do you have coming up? Where can we catch you play?

We’re just focusing on Sheffield for now.

We have our first headline show 25th November at The Washington - and a big end-of-the-year blow-out show 16th December at Yellow Arch. Few shows already booked for next year - but keeping them under wraps for now.

It seems like the road is the natural hunting-ground for Wulfman Fury! Is that arena where you all feel the most alive and true?

I like your wordplay, there!

You can write, record and rehearse all you want - but playing your own songs live is what it’s all about, really.

If you had to list the dreams and goals for the band next year; what would they be, would you say?

Our main focus, for now, is to win over Sheffield.

Keep building and selling out the gigs and putting out good tracks - and just enjoy being creative together.

Can you all select the one album that means the most to you? Which would they be and why?

George: Unknown Mortal Orchestra’s self-titled (first) album

I had been listening to this album for over a year and read an interview with the singer and producer, Ruban Nielson. In it, he revealed that it was all recorded in his bedroom with one SM58 microphone - which gave me the inspiration and confidence to record and produce our tracks; instead of taking them into a big fancy studio.

Dave: Rubber Soul - The Beatles

I think it’s their finest hour as a band

Will: The Great Indoors by Brendan Croker

It was the first album to make me think about writing a song.

Joe: Fun House by The Stooges

An album with incredible energy - and some huge tunes on it.

Steve: Grace by Jeff Buckley

Because, I swear that album was given to us from God. It's the perfect mix of occasionally aggressive guitars and soulful vocals.

What advice would you give to artists coming through right now?

Have a good name and concentrate on writing: it’s, by far, the most important part. Don’t overplay your hometown: some bands I see are doing three gigs in the same week in Sheffield - people are going to switch off.

Christmas is not too far away. Do you all have plans already or will you be busy working?

We’re family boys. We will disperse back to the 'rents and be sat by the fire eating and drinking - as you should be.

Finally, and for being good sports; you can each name a song and I’ll play it here (not one of yours as I’ll do that).

George: The Budos Band - Chicago Falcon

Dave: Prince - I Wanna Be Your Lover

Will: Broken Social Scene - 7/4 (Shoreline)

Joe: Pixies - Bone Machine

Steve: I Don't Know Anything by Jamie Lenman

(His new album is killer)

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Follow Wulfman Fury

 Official:

http://wulfmanfury.com/

Facebook:

https://www.facebook.com/WulfmanFury/

Twitter:

https://twitter.com/wulfmanfury

Instagram:

https://www.instagram.com/WulfmanFury/

SoundCloud:

https://soundcloud.com/wulfmanfury

YouTube:

https://www.youtube.com/channel/UCFDS6oavRc6cXUrXD8S4mpg/videos  

INTERVIEW: Morning Tourist

INTERVIEW:

 Morning Tourist

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I got to learn more about Sean McKinney in an expansive...

and revealing interview. Morning Tourist is the alter ego of the London-based singer-songwriter. He has been gigging for a year and received local and digital radio-play. He talks to me about shows he played in Germany; how this year has been; what he has planned for the end of the year – some of the gigs he has left in the diary.

McKinney discusses his E.P., Quiet Lives (out on 10th November), and the sort of themes/songs we can expect. I find out about the musician’s influences and what music means to McKinney – and the albums that have made the biggest impact in his heart.

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Hi, Sean. How are you? How has your week been?

Good, thanks. I’m on holiday this week - which is a good start as far as weeks go.

I just moved house so have been kept busy with that. Doesn’t feel like much of a holiday when you don’t go anywhere; so I’ve been trying to replace that feeling with productivity. I got some writing done, put a dent in my book; got to the movies; saw Blade Runner 2049 (mixed feelings) and The Death of Stalin (class).

For those new to your work; can you introduce yourself, please?

My name’s Sean McKinney; I’m from Surrey and I play under the name Morning Tourist. I gig every week somewhere in London - sometimes with help - mostly by myself. I recorded my debut E.P., Quiet Lives, at the end of last year. The E.P. sounds like a band but it’s just me - and Tom Davis - who recorded it, playing the drums. The songs are somewhere between Folk, Alt-Rock and Power-Pop.

I’m really proud of how the record came out so, since then, I’ve been trying to get people to hear it - whilst slowly building towards the next one.

Tell me about the E.P., Quiet Lives. It is out on 10th November. What can we expect from it in terms of themes?

I started collecting the songs that ended up forming the record just after leaving university. So, the record seems pretty informed by that period of time; feeling a bit lost at sea, trying to figure out what to do next. I was increasingly discouraged by the traditional avenues of starting a career or entering an industry - and felt a general disconnect from my generation and the way the world was going.

It all sounds pretty sceptical and gloomy but, I guess, the resolution and levity comes from an ownership of those feelings and turning them into something you can put your faith in and take control of – which, in a roundabout way, is the record itself - or whatever your version of making a record is.

Is there a song or line from the E.P. that hits the heart hardest, would you say?

Rabbit Hole, the last song on the E.P., has a weight to it that, maybe, feels different to the other tracks. It’s kind of a tornado of unanswered and unanswerable questions; avoided truths, omens; reminders - without really resolving any of them. The repetition, and the Pink Floyd-esque inflexions, kind of give it this ‘descent-into-despair’ feeling. It was a song that fell out fully-formed more or less - which isn’t that common for me. It usually goes down well and can turn heads at gigs when people aren’t really listening...

So, yeah - probably that one.

I am in interested finding out how you got into music. Was it something that spiked the imagination as a youngster?

When I was really young; Rock music was just tied up with skateboards and Bart Simpson: something rebellious and cool. It was more an aesthetic interest than anything else. I don’t think the music actually came in ‘till later. I have a clear memory of my uncle, who played a little guitar, singing us Simon and Garfunkel songs at Christmas and stuff. I think, as well as liking the songs - which I still do - it was him holding court and having everyone’s attention when he played – and, as an ‘everyone-look-at-me’ kind of kid; I think that captured my imagination.

When I was a teenager, and I really started playing, it was Punk and (all about) being angry and contrary to everything. But, playing in bands at that age, (also) meant you were involved in a community of young creative people doing something similar; trying to break off and do your own thing.

The music wasn’t always great - but we had the right idea.

A lot of musicians are self-taught – others attending schools and academies. To me, it sounds like everything you play stems from hours or practice and intuition. Would that be a fair assumption?

Yeah, you’re about right: I did study music but I’m not sure how much my musicianship actually improved from it. That came from years of messing around on the guitar, making the pieces fit and, as you say, intuition. Not sure why this sounds wrong or right but I know what it’s supposed to sound like. You don’t need to be a great musician or a trained musician to be a good songwriter or to start a band. I think it’s about making your ability, or lack thereof, work for you.

Anyway; I’m sure I’ll be learning guitar for the rest of my life.

This summer, you performed in Germany. What was the vibe like out there? Are you keen to explore Europe more?

Germany was fantastic; I toured with my friend Bristol singer-songwriter, Ead Wood. We booked it ourselves not really knowing what to expect and, at the first date in Cologne, about thirty people turned up (this number is increasing every time I tell the story). None of them knew who we were: they just came to see whoever was playing that night. They all sat there politely for an hour-and-a-half and dropped money in a hat for us at the end. Sure enough, the exact same thing happened the following night in Berlin. There’s just a support and interest for independent music out there that is harder to find over here.

We didn’t pay for accommodation the whole time we were there - and people couldn’t have been more friendly or helpful. We partied, swam in lakes; saw friends and family. It was class. We’ve started booking another German tour for February. We were asked back everywhere we played and they seem to think we can do even better in the winter months.

It was an experiment that we are going to try and replicate with a bit more efficiency and then, following that, I will absolutely look elsewhere in Europe.

Is there going to be more material next year? Are you working on any more stuff at the moment?

I’m putting the next one together now...

Always trying to write. I’m about four/five songs in - I’d like to have seven again this time. I think that’s a good length to (still have) the arc of an album - but, on an E.P., I’m trying the George Carlin ethos of releasing one a year but, songwriting being the way it is, you don’t always get to decide when things get written. It’s also got to be a bit better than the last one - so, I’m being discerning and diligent. Hopefully, near the beginning of next year, I’m back in the studio.

Although; I do want to make sure Quiet Lives gets it’s day in court as well - before the next one takes its place...

How easy/hard is life like for an independent musician in 2017? Do you think young artists need more support, from the Government, funding and fuelling their passion?

The way technology has opened up independent artistry has, obviously, democratised things in a way that is revolutionary. It is easier now – than it ever was - to put something together and get it out there for people to find but, equally, it’s now arguably harder than ever to get paid for it. Also, now that everybody ‘can’ do it; it, sometimes, feels like everyone ‘is’ doing it - and decent artists can easily get lost or discouraged in a world of people all vying for attention. This is something I hesitate to label as ‘bad’ because, from another angle, it’s a great thing that people who want to express themselves can and are doing so. But, I still I think it’s made the landscape difficult to navigate. I do think arts funding is important at this time - but it’s also not the Government’s responsibility to ensure we all get what we want in life.

Unfortunately, anyone trying to do anything for themselves has to recognise, or at least assume, the world will be indifferent. The way Government needs to help is by protecting live music and live music institution - and making it as easy as possible for communities to offer artists the ability to create, practice and perform. Just because something doesn’t make loads of money doesn’t mean it’s not important and, in this climate, those things need to be protected. Plus, if we all had a bit more money in our pockets at the end of the month, people might be more willing to start paying for music again…

But, we would probably have to turn our guns on the banks to solve that one.

Looking back on your career so far; which memories stand out as especially fond and treasured?

I played Oxjam before I had a record, a name for the project or anything online. Due to someone pulling out, I ended up on a relatively big stage; it was the first time I’d really played a full set of these songs. Needless to say, it went down really well and I remember thinking for the first time that I might be on to something. At the end; the compère said: “Where can the people find your stuff?” and I said: “..they can’t”.

The tour of Germany was obviously a great experience and a revelatory one at that; like stumbling on the doorway to Narnia or something. It was entirely of own making and it was a success…plus, we had a lot of fun. Making the record was an amazing experience - watching something finally coming together after months and months overturning it over in your head. The process, the product - the whole thing - was incredible.

IN THIS PHOTO: Margaret Glasby

Who are the new artists you recommend we check out?

I usually get to these things late; so my idea of what’s new may differ from the reality but Margaret Glasby and Julia Jacklin only have one record - so they must qualify, right? Superb albums; real character.

IN THIS PHOTO: Julia Jacklin

The Big Thief record is great too. Unfortunately, I won’t be seeing them on their current tour. Pinegrove are also over here doing shows - that I will sadly miss. I love them and haven’t had the chance to see them - on account of my aforementioned late coming.

IN THIS PHOTO: Big Thief/PHOTO CREDIT: Shervin Lainez

If you had to select the three albums that mean the most to you; which would they be and why?

Tough this...

Ask me on a different day and I’d probably give you three different answers:

Elliott Smith – Either/Or

He’s the best. He made beautiful music that stands at a crossroads between lots of things I like. His songs have a 1960s classicism to them as well as the rough edge of Punk - and the delicacy of more intimate music. His music is undeniably melancholic and his story only feeds that - but manages to be simultaneously optimistic, outward-looking.

All of his albums are brilliant but, for me (as for many others), Either/Or is where you start.

Nirvana – Nevermind

It’s one of those ‘everyone-who-heard-it-went-out-and-started-a-band’ albums. But it’s true. it made me want to play music, scream; shout and jump around. It was just so sloppy that it made you think that you could do it too - but not so sloppy that it lost its accessibility. At some point or another, I’ve learnt how to play every song on it and, with the exception (maybe) of Smells Like Teen Spirit, I will still get excited if I hear them come on in a bar or something.

Kurt Cobain died when I was three but, undoubtedly, Nirvana was still one of the most important bands of my generation…and beyond.

Simon & Garfunkel – Bridge Over Troubled Water

As I said before; this music was around a lot when I was a kid - and I listen to it as much now as we did then. Beautiful songs, immaculately put-together and performed. It makes me nostalgic (in the best possible way) for an era that I didn’t live through; but, it still looms large over the present - as well as for my childhood.

What advice would you give to artists coming through right now?

You really have to love doing it - all of it - good and bad. If you like your songs, I’d say that’s all the encouragement you really need to keep writing and pursuing it. Have faith that you will improve and things will move forward - so long as you keep it up. Take the work seriously but don’t take yourself too seriously.

Be nice to people.

Where can we see you play this year? What dates do you have coming up?

At the moment it’s looking like this, but keep an eye on my page - more will pop up:

02/11: Hard Rock Cafe, Hyde Park Corner

05/11: Hope and Anchor, Islington 

14/11: Apples & Pears, Aldgate 

06/12: Boho, Camden

10/01: The Bedford, Balham

14/01: The Spice of Life, Soho

Christmas is not too far away. Do you have plans already - or will you be busy working?

I’m actually going to see my dad in Thailand. He’s living on a beach somewhere out there, stoned;  laughing at the rest of us. I haven’t seen him in a while so we are due a check-in. Should be fun. I’ve never done Christmas outside the U.K. before so that will be interesting.

Needless to say; I won’t be at the pub on New Year’s Eve…sorry fellas.

Finally, and for being a good sport; you can name a song and I’ll play it here (not one of yours as I’ll do that).

Can you play Hot Dreams by Timber Timbre

For no reason other than I saw them at End of the Road festival this year, not knowing who they were - and haven’t stopped listening to this song since.

Thank you.

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Follow Morning Tourist

   Facebook:

https://www.facebook.com/morningtourist

Twitter:

https://twitter.com/MorningTourist

BandCamp:

https://morningtourist.bandcamp.com/releases

YouTube:

https://www.youtube.com/channel/UCUevNbw68BExicP6WbEj0lQ

INTERVIEW: Vince James

INTERVIEW:

Vince James

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I have been speaking with Vince James…

about his new song, The Man I Want to Be. It is a song dedicated to his grandfather – who is still alive and happily married. I ask about the track and what it means to him; whether there is going to be new material arriving down the tracks; the musicians who have impacted and inspired his path – and whether there are any gigs coming up.

James is from South Wales – a part of the world with more good music than you’d think. The songwriter talks about the area and the talent present there; working with Adam Richards on his recent material – and why Jake Bugg is a big inspiration of his.

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Hi Vince. How has your week been? How are you?

I'm doing good, thanks! My week has been filled with lots of positives - and some really exciting news.

So…a pretty satisfying week overall!

For those new to your music; can you introduce yourself, please?

I'm Vince. I play my own songs - and have been for about nine years now. I'd say music is probably the most important thing in my life - along with my family and friends. I try to take all the influences I've experienced up until now and put them into my songs. I was quite fortunate that my parents listened to such great records when I was growing up - because I think it definitely sparked something within me that made me want to make great records, too!

That, and I think, I just grew up around the time that so many great bands and artists were available to listen to.

​​​​​​​

The Man I Want to Be seems to have some personal background. What is the inspiration behind it?

There's quite a personal meaning behind the song - because I wrote it for my granddad; which I gave him as an 80th birthday present. It really just talks about all the fun and mischievous things us grandkids used to get up to whilst growing up - which he was always a massive part of. It talks about his younger days and how he used to save up money from working down the mines - and then use it to go on the prowl in the local town in hope of finding the right woman…which, eventually, he managed to do - and that's when he met my grandmother which, I’m pleased to say, are both still happily married to this day.

Is an artist like Jake Bugg a big influence of yours? I hear some of his shades in your sounds.

At the time, when I was writing this record, his music was a big inspiration to me - and I did feel a certain connection to it. The style he had was particularly appealing to me. He still continues to impress me today with his music. But, there were a lot of influences I had back then - that came a lot from listening to the type and style of music that Jake Bugg plays. I think it was just because he managed to create his very own modernised interpretation of that style of music - and made it popular music to listen to in the U.K. at the time.

That is why I was so influenced by him.

What is the music scene like in Cardiff right now (where you are from)?

It's come a long way in regards to the opportunities it has to offer musicians. There are plenty of great venues to play - just in Cardiff alone They are always busy and have bands/artists playing on a nightly basis. There's also a few different scheme's that help musicians to become recognised more easily - and help them to get more exposure as artists (e.g. BBC Horizons, Forte Project). At the moment, South Wales is a pretty good place to be for musicians looking for opportunities. As far as influences go; I'm sure there's plenty to be found in South Wales...

I think, if you’re a creative kind of person, you’re always trying to take inspiration from something; no matter where you are.

Is there more material coming from you?

There's plenty more material to come!

I'm working hard in the studio at the moment; on the next releases. You can expect another record from me at the start of next year - and in the many months that follow too. I'm also starting to make plans to record an album - which means choosing what songs to be featured on it.

Writing new material; so, I have plenty of songs to choose from; to make it the best album I possibly can.

What has been your best memory from this year?

Probably would have to be when I played The Great Escape fest. It had great venues, amazing location and (just) an overall exciting atmosphere about the place. I was fortunate enough to be able to perform twice: once at an indoor venue not far from the beach and once on an outdoor stage in the town centre. I'd have to say I preferred playing the outdoor stage – (just) because the sun was shining and the crowd were amazing! 

I’m definitely planning on returning to play at next year’s Great Escape.

Tell me how you came to work with Adam Richards?

I had a few songs that I wanted to record at the time to make an E.P. So, I asked around everyone I knew and someone suggested I give Adam a ring. I'd be the first to say I was pretty lazy back then - and would always put everything off until tomorrow (which meant I’d never get round to doing it). I decided to give him a call straight away. He asked me to come down to the studio and play him a few songs - he didn't seem all that fussed at first but, as time went on, it seemed the songs grew on him.

Next thing you know; its three years later and we're still recording and making records together…

Tell me about the artists you were inspired by when you were young…

There's a lot.

I'd have to say one of them definitely has to be Jack Johnson. His music is so original: there are not many artists out there who have done what he has. His style of writing is flawless, I think. He's consistently managed to release one great record after the other - and still remained a modest and respectable artist. The second would have to be Van Morrison. The guy has done so much for music. Every time I stick one of his records on; it always seems to take me to a happy place. I think artists like him are legends in their own right and their music is timeless - which will still be appreciated in many years to come.

Which artists and genres did you grow up listening to? What type of music do you listen to?

I try not to focus on one particular genre of music - simply because it can get a bit tedious. I have huge respect for all types of music, including Americana. I grew up mainly listening to American music - so I’ll always have a bit of a soft-spot for it. But, as time passes, you’re introduced to so many other new and exciting genres of music - which I always try to take influence from and use in my songs. 

Which new artists do we need to check out?

I would highly recommend you check out The Ha'pennies - who are a London band; emerging on the scene. Their music is filled with Blues, Rock - and they're generally just a really fun band to listen to. They have an amazing energy about them; when they play live that definitely makes you want to move your feet and jump around!

Another band I can recommend - who is probably a little bit more well-known - is Whitney. They're an American band from Chicago. Their music is just really pleasant: it makes me feel like I’m a teenager again - enjoying summer with my mates. Their musicality is brilliant, too; there's a bit of everything going on strings, piano; horns etc. Definitely one of the best finds I've had recently.

IN THIS PHOTO: Whitney/PHOTO CREDIT: Miranda Chiechi

Which are your three favourite albums? Which are you most inspired by?

Conspiracy of One - The Offspring

It was the first album I ever bought. I must have been around thirteen-years-old when I got it. I was obsessed with they're single from that album, Original Prankster - I played it on-repeat wherever I went which, I’m pretty sure, was on my portable C.D player (which were incredibly trendy back then!). 

In Between Dreams - Jack Johnson

Can't fault a single song on this album: everyone is a winner for me. I grew up listening to it and it has influenced me so much! Every time I listen to it; it's like stepping into a time-machine that takes me back to when I was starting to properly play music. I'd always be playing songs from this album and trying to mimic them as best as possible - I really do think it helped me to understand the whole concept of writing a song - which would eventually help me to create all the songs that I have today.

A/B - Kaleo

Hands-down; the best album I've listened to this year. Again; I can’t fault a single song on it. It's amazing how this band have managed to become so widely recognized - being that they're from such an isolated place in the world that only has a population of 334,252 people. It's not surprising though because their music is so slick - like a brand-new sport's car.

Have you any advice for new songwriters coming through?

Enjoy it, have fun and let the good times roll!

Have you got any gigs coming up soon?

I've got a show on the 8th Nov. at the Lock Tavern (in Camden, London); another on 9th Nov. supporting The Undertones at the Birmingham 02 Academy; also, another show (supporting The Undertones) on 10th Nov at The Tramshed, Cardiff.

What have you got planned for this Christmas?

What I normally get up to around Christmas is spend time with family and friends – but, it's also one of the best times of year to play gigs - just because everyone's so merry and just generally in good spirits. So, the atmosphere at gigs is incredible. I don't recall thinking anyone should work around Christmas time if they can help it.

I thought you were meant put your feet up and relax that time of year?!

Finally, and for being a good sport, you can name a song for me to play...

Kaleo - Hot Blood

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Follow Vince James

 Official:

https://www.vincejames.co.uk/

Facebook:

https://www.facebook.com/vincejamesmusic/

Twitter:

https://twitter.com/vincejamesmusic?lang=en

YouTube:

https://www.youtube.com/channel/UCvJo2QXNRfWPE7FJdMdFg7w

Spotify:

https://open.spotify.com/artist/2SS8nqacbNIHsUzBF1UcIs

INTERVIEW: Jazz Mino

INTERVIEW:

 Jazz Mino

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COLOUR is the first thing one notices when looking at…

Jazz Mino. I talk to her about her version of Crush – she has produced an impressive reinterpretation of Jennifer Paige’s 1998 smash. Mino talks about her ‘colours campaign’ and what comes next for her; why mental-health – and raising support – is playing large on her mind; the artists she is inspired by – and what kind of dates she has approaching.

I find out what she is doing this Christmas and the advice she would offer new songwriters; what it was like working with Oliver Nelson – and receiving plaudits from the likes of BBC Radio 1.

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Hi, Jazz. How are you? How has your week been?

I’m great thanks - and had an amazing week.

I’ve been pretty much studio-bound; co-writing some new songs with my team. They are so much fun to hang out with and this week has been particularly productive and creative!

For those new to your work; can you introduce yourself, please?

Hey! I’m Jazz Mino and I absolutely love singing my heart out - whenever I get the chance!

I’m originally from Manchester but was raised in Somerset for most of my childhood - and now living in London. I’m having a great time in London. Every day is different and I feel so lucky to meet such incredible people every day from all walks of life. My upbringing and living in London has inspired me as an artist to do a colour-changing, multi-single campaign to promote diversity, equality and the importance of self-care.

I feel like these subjects are crucial to a more open, caring and positive society for us all - and something I feel very strongly about.

Crush is out now – many might hear some familiar notes. What was the reason for tackling the song?

Aha; they might!

I absolutely love the original Crush by Jennifer Paige. I was initially drawn towards Crush as it’s about letting your down and enjoying things for the now - rather than overanalysing. This is something I’ve been able to achieve by overcoming anxiety - which I’ve been working on over the past year. For me, Crush is about truly living for the moment you’re in rather than focusing on/worrying about what that moment will bring.

That said; it has a lot of your D.N.A. and unique talent in the song. Was it hard reinterpreting and making it your own?

That’s very kind, thank you! To be honest, I love reinterpreting songs and I do it all the time. I enjoy looking at every single lyric and really getting to grips with what they mean for me. When I’ve got my interpretation right, the rest is kind of second-nature - as I really am creating from my heart.

I’m very proud of it as I feel like it’s a real reflection of who I am as an artist.

The song has already been championed by BBC Radio 1 and gained a lot of love. Were you nervous about releasing and how it might be received?

I think as with every release, you always feel a little nervous as it’s so close to you. All your innermost feelings and creative vibes have been channelled into it. So, it’s great that people are loving it; in a way, it’s like them saying ‘yeah, I get you’ - which is a really nice feeling when you’re being so honest and open.

What was it like working with Oliver Nelson on the track? What did he bring to the song?

Ah; so much fun and a real milestone for me.

I’ve been a big fan of Oliver’s work for a long time - so it means a lot that he loves my vibe. I remember my manager saying (that) Oliver’s heard the track and he’s keen to work on it; I was like…WOOOO! Haha.

Tell me about your ‘Orange’ campaign - as I am interesting finding out more…

My Orange campaign is for the release of Crush. More specifically, it’s about overcoming anxiety and feeling confident; focusing on what YOU think of yourself rather than worrying what others think. When I was suffering from anxiety, I felt a constant suffocating feeling and sense of dread. I was scared to be honest about how I felt but, when I finally started to open up, I realised that I wasn’t alone - and, actually, it was quite common.

I feel like the U.K. has become much more aware and accepting of mental-health in general. I think it’s so important to talk about the subject as much as possible…so that nobody feels alone. The reason I chose the colour orange to represent the campaign was because it’s such a loud and vibrant colour.

I personally have positive associations with it and it’s my favourite colour - so it just made a lot of sense!

I believe your ‘colours’ campaign has caught the eye of various brands. It seems you are shaping into a bit of an ambassadorial figure. Given your stride for equality and self-care; do you hope to use this platform to spread those messages to a wider remit?

Yeah; it’s been great so far. I feel honoured to work with some amazing brands that really reflect who I am and what I stand for. I’ve started working with Crazy Colour (hair-dye) and Lush Hair Extensions. They both feature heavily in the campaign. Both brands are about expressing yourself so it just makes so much sense that we’re all working together. I’m in talks with a few more brands - which I’m really excited about...

So keep a watch on my Instagram for more announcements!

You were born in Manchester; raised in Somerset – now living in London. That sounds like a bit of a trek. What was the reason for the moves – and how important is London to you?

Yeah. I moved around quite a lot!

I was born in Manchester and, when I was twelve, my grandparents retired to Somerset. We’re a very close family so my mum decided to move us down, too. At first, I felt quite isolated but, as I became more familiar with it (and they, with my northern accent), I loved it. It’s so calm and peaceful: literally the opposite of London - so it’s lovely to head back there from time to time; enjoy some peace, calm and quality time with my family. 

You have Iranian roots and, your family at least, must have experienced uprooting and conflict. How instrumental are your roots when it comes to your music and messages?

I don’t know my dad (who is Iranian) but, growing up in both Manchester and Somerset, sadly, I experienced quite a few racist comments because of the way I look. Whilst I was in Manchester, I didn’t really understand what people meant because I was so young and, in my head, I was just the same as them - no different. I was slightly more affected by this in Somerset as I had more of an understanding about what prejudice was. To be honest, I wouldn’t really change how I was treated - as it helped me establish my core values at a very young age. I think it’s very sad that some people, without knowing somebody whatsoever at all, can make negative judgements about them based on their appearance. 

However, you can’t control what others do: all you can do is be mindful of the way you treat others. I try to have a positive outlook on life and treat everybody with love and kindness. Nobody is perfect but I think if you can do this most of the time…you’re on a good path!

Can you recall when music first struck you? Was there an artist or album that sparked that fuse?

My grandma taught me how to read music and play the piano - which is when I started writing songs. Since then, I’ve been inspired by so many artists over the years - from Freddie Mercury to Etta James. I think each genre of music has something you can take away and make your own. I experimented a lot and it’s only been the past year where I feel I’ve finally found who I am as an artist - and what music really inspires me and brings me to life.

IN THIS PHOTO: Sigrid/PHOTO CREDIT: Jonathan Vivaas Kise

Who are the new artists you recommend we check out?

I actually get asked this so much!

I’ve put together a weekly Spotify playlist with songs that I’ve been vibing to called In My Head. I update it every week with my favourite new songs. Right now, I’m loving Sigrid, Grace Grundy and Blood On My Shoes (by Tara Carosielli).

IN THIS PHOTO: Tara Carosielli

They all have such beautiful voices and I love how they really grab you with their innermost feelings. I really connect to them - and think you will too!

You can follow (my) In My Head playlist here.

IN THIS PHOTO: Grace Grundy/PHOTO CREDIT: Hannah Driscoll

If you had to select the three albums that mean the most to you; which would they be and why?

Ahhhh…that’s a super-hard one! So; the first is Britney Spear’s (second album) Oops!... I Did It Again

It totally captivated and made me realise, from a really young age, how much I loved Pop music - and I wanted to write, sing and perform.

Later, I became addicted to Hayley Williams’ voice (Paramore). Paramore’s Riot was, literally, my soundtrack for a year haha!

I also love Sia’s album, Some People Have Real Problems

Everything about her vocals, lyrics; melody and chord progressions just send shivers down my spine!

(Finally - this isn’t an album – but you NEED to listen to Liability by Lorde. It’s one of the most beautiful songs I’ve ever heard).

What advice would you give to artists coming through right now?

My advice would be to stay to true to yourself: don’t rush anything and really spend a lot of time working out who you are as an artist - and how you want to connect with people. It takes a long time to get all aspects to a point where you’re super-proud of what you’re representing (but it’s so worth it). 

Where can we see you play this year? What dates do you have coming up?

I’m doing a U.K. schools-tour really soon to raise awareness of mental wellbeing - and I feel so privileged to have been asked to do it. It’s so important that people, from a young age, understand that caring for your mental-health is just as important as caring for your physical health.

My team are just in the middle of planning next year’s tours dates; so I imagine they’ll be announced on my website early next year!

Christmas is not too far away. Do you have plans already - or will you be busy working?

I cannot wait for Christmas!

I’ve actually got some pretty special plans, work-wise, and with family! My sister has just got married and she’s going to be hosting Christmas for the first time this year. That said, I do feel sorry for her as it means she’ll have to cater for my dairy allergy. Haha. She is absolutely hilarious and I love it when all the family gets together. We just do silly fun stuff in the moment: play some board games and generally have a good old giggle.

In December, I’ll be changing colour in celebration of both Christmas and a brand-new song release - so keep your eyes peeled on my Instagram!

Finally, and for being a good sport; you can name a song and I’ll play it here (not one of yours as I’ll do that).

Sounds like a good deal to me…

Don’t Kill My Vibe – Sigrid

It’s an absolute banger.

_________

Follow Jazz Mino

Official:

http://www.jazzmino.com/

Facebook:

https://www.facebook.com/JazzMinoUK/

Twitter:

https://twitter.com/Jazz__Mino

YouTube:

https://www.youtube.com/user/JazzMinoUK

Instagram:

https://www.instagram.com/jazz_mino_uk/

Spotify:

https://open.spotify.com/artist/2uiFUbeyr7hVJrlnjolYct

SoundCloud:

https://soundcloud.com/jazzmino

INTERVIEW: Daniel Carlson

INTERVIEW:

 Daniel Carlson

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THE new album from Daniel Carlson is out in a week…

PHOTO CREDIT: Shinji Otani

so it is a good time to ask the man behind it about its creation. He discusses life and experiences in N.Y.C.; what goes into his new single, Problems, and the evocative artwork that fronts Not a Drawing. It is an exciting time for Carlson so I was eager to discover how he came into music and his evolution; the artists and music he was raised on – and why he splits his time between Amsterdam and the U.S.

I hear about a unique artist with a rich and multifaceted talent; someone who has ambitions for future success; a backstory many would envy – a sense of determination that has led him to where he is now…

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Hi, Daniel. How are you? How has your week been?

Yeah, I’m great - having a really good week. Enjoying some very warm weather here in N.Y.C.

For those new to your work; can you introduce yourself, please?

I’m a musician and songwriter, originally from Chicago - but now dividing my time between N.Y.C. and Amsterdam.

Not a Drawing is out on 10th November. Can you give us an impression of what to expect from the album?

A little bit of this; a little bit of that… 

The idea was to make a record where the songs felt tied together: like they were pieces of a larger puzzle. I have a real fondness for albums where the songs are linked and have extra bits at the ends - and street sounds and things like that; surprising and secret kinds of moments. So, although I certainly took a lot of time on the songwriting itself; I spent just as much - if not more - time working out how these songs would fit together. My hope is that it feels like a trip for the listener, a journey. But, more specifically, there are guitars and drums - and Mellotrons and Moogs and those kinds of things.

No horns - but only because I can’t play them.

Problems is the latest single. Is there a story behind the song - and what was it about the track that meant it has singl-status, as it were?

In terms of the lyric; I’ll leave it open to interpretation. But, I think it’s one of the songs that felt more immediate - maybe just catchier - and so, I thought, it might be a good way to draw people in and get them curious about the whole album.

The video looks like it was a cool experience. What was it like putting the video together?

It was a lot of fun to do.

I have a background in film and photography and, living in N.Y.C., you’re always trying to think of ways to show it that bring something new - even if it’s just a little bit - to the table. One of the things that I love about living here is how many people are on the street at just about any hour, day or night - it’s just a constant stream of people. So; I had this idea of showing just that - slowed down a bit - and then creating, through superimposition, an abstraction of people and traffic; a way of showing the familiar in a slightly unfamiliar way.

It was all shot within a hundred-meters of where I live; on corners and sidewalks that are very familiar to me. The editing was pretty automatic - once I’d come up with that main strategy, the mix of shots. There was some trial-and-error but it came together pretty quickly. I’m interested in learning about your attachment to art and putting album covers together.

Not a Drawing ’s cover looks extraordinary! Tell me who you worked with on that? Do you collaborate with artists in N.Y.C.?

Like so many of my peers, I was drawn to interesting album covers growing up. Even much later, in the pre-Internet days - when it wasn’t always so easy to hear something before you bought it - I’d often use covers as a guide; as a way of finding new music. In the 1990s; there was a label called Minty Fresh and, solely because of their great album art, I bought records they put out - by The Aluminum Group, Komeda; Kahimi Karie…probably a few others - that ended up becoming huge favorites of mine.

But, the idea that the cover could look great as well as give you some indication of what the record might actually sound like - that’s always been interesting to me. The other aspect of it is one of collaboration: handing off what I’ve done - a set of songs - to a visual artist and asking them to interpret it visually. Not only will they bring a highly developed visual sense to what they do but they’ll also bring a degree of objectivity that it’s impossible for me to get.

Living in N.Y.C., I’m literally surrounded by great artists. For the new record: I reached out to Nayland Blake - who’ve I known for a long time and whose work I think is brilliant: provocative, smart, and moving. In addition to be a super-accomplished artist, Nayland is also someone for whom music is a really big part of who he is - so the hope was that it might be an interesting intersection for him (as I don’t think he’d done a record cover before). But, in terms of process - and this is how I’ve done it each time - Nayland got a very early version of the record and was asked to come up with both the cover-art and the title of the record. What you see is exactly what he handed over to me.

I absolutely love it.

IN THIS PHOTO: An Amsterdam studio where Carlson recorded

I believe you were going to record (the album) with L.A. session musicians - who you have known a while. Why did the recording shift to New York?!

I’ve worked a few different ways in the past and thought, with this record, that I might take a bit from all of them. With Aviary Jackson (2010); Michael Leonhart and I were basically locked up in a room for a year, playing, singing and arranging. So, when it came time to do the next record (Me You You Me, 2014), I thought it might be fun to work really quickly. So, Chris Bruce put together a band and we cut those songs very quickly: I think we were done in three or four days.

There were things I liked and didn’t like about both of those processes; so I thought that - this time around - I’d work in L.A. for a bit; then bring the multitracks back to N.Y.C. and do overdubs there - take a bit of time to put it together. But, after having spent a couple of years writing and demoing the songs (mainly in Amsterdam, where my wife and I live part of the year) I realized that those versions - with me playing all the instruments - were sounding pretty good; that it was already beginning to sound like a record.

So, although I knew that using outside musicians would’ve brought a level of playing to it that I’m not capable of; the thought of asking those players to copy what I’d done seemed ridiculous, a real waste of their talents. That’s how it ended up being all me this time around.

Before I move on; I am fascinated by the Gizmotron. You use it on the album but there is a childhood connection, I understand? Tell us more about that….

Yeah, that’s a good one.

When I was a kid - just learning how to play - and spending way too many hours in the local guitar store, I stumbled across this little plastic device; a sort of guitar effect. It fit over the strings of an electric guitar and produced a bowing sound - not unlike a heavily processed violin or cello. I thought it was the coolest thing I’d ever heard (or seen). Much (much) later; I was reading an interview with Godley & Crème, and they were talking about this thing they’d invented called the Gizmotron - and I realized that that was it: that was the plastic thing with the multicolored buttons I’d seen all those years ago.

So, I searched and searched and never found one in working condition - they were apparently badly engineered and not terribly sturdy, so that was that. Then, last year, a guy came up with the idea of re-engineering the whole thing and started making them again as the Gizmotron 2.0 - and so I immediately got my hands on one. As it happened, the record was just about finished; but I spent a month or so laying on a bunch of Gizmo-ed guitar tracks on - and was thrilled with what those parts added.

It’s a brilliant device.

PHOTO CREDIT: JB Letchinger

Is New York the finest and most productive area for music? How inspiring is it for an artist right now?

For me, it’s always inspiring.

There’s a sense of creative competition here. While it’s friendly and healthy I think, it’s still competition and that pushes me to work - to actually get things done. With any city like this - whether London or Paris or Tokyo - you just never know who you’re standing next to and what kind of amazing project they’re working on. This is a city where your waiter could be a published novelist; where the person standing in front of you at the supermarket might – might - be the director of the documentary you just saw and loved.

It’s that kind of place and, for me, it’s a motivator.

Did you get introduced to music quite early? Who were those musicians you discovered as a youngster and compelled you to get into the scene?

Yes. Both my parents listened to a lot of music - so I was exposed to a ton of stuff as a kid: The Beatles, Leon Russell; Ray Charles, Deodato; Frank Sinatra - all kinds of things. But, it was The Beatles that inspired me to pick up a guitar; to actually figure out how to play. From there, it was onto Elvis Costello, Steely Dan; XTC, Robert Wyatt - people like that, who all remain big influences.

IN THIS PHOTO: Shuta Hasunuma

Who are the new artists you recommend we check out?

Funny thing - somebody asked me just that question the other day...

There’s a Japanese musician named Shuta Hasunuma. He’s got a record out called Melodies that I really love: it’s kind of smart and well-constructed Pop record. Then there’s Forever Pavot; a French artist who put out an album called Rhapsode - that’s really terrific. I liked that Lemon Twigs’ single - the first one.

Then it’s back to people like Phoenix, Jens Lekman; METRONOMY, Testbild!; - artists like that - although they’re not all that new.

IN THIS PHOTO: METRONOMY

What tour dates do you have coming up? Will you be coming to the U.K. soon?

I don’t have anything on the books right now. There’ll be a few N.Y.C. dates over the winter - but I’d love to come to the U.K. next year.

We’ll see.

PHOTO CREDIT: Tim Soter

Christmas is not too far away. Do you have plans already - or will you be busy working?

It’s always a good time to catch up on films and spend time with friends and family - so there’ll be a lot of that.

If you could select the three albums that mean the most to you; which would they be and why?

Ah…that’s tough! Ten would be easier - but I’ll follow the rules:

Aja by Steely Dan; Gideon Gaye by the High Llamas - and The Hissing of Summer Lawns by Joni Mitchell are all records that I come back to time and time again

Wait…Pop På Svenska by Komeda

I cheated...

What advice would you give to artists coming through right now?

Do something!

When I think back to all the years that I spent not really putting pen to paper (so to speak); it makes me a bit crazy. Yes, I had the excuse of studio-time being expensive - but that’s really no excuse at all. The fact is that it took me until my late-30s to really treat writing and playing in a serious way; to actually sit down and do it - which I learned from my wife and observing her studio practice as a visual artist.

IN THIS PHOTO: Bridget Benge

So, my advice to people coming up right now would be to get as much done as you possibly can. Work on your own. Collaborate. Say ‘yes’ to anything interesting that comes your way. I’m just finishing an E.P. with a Swedish musician who came completely out-of-the-blue and asked if I’d sing on his record - his songs, his production - and it’s been a wonderful experience.

Years ago; I would have made some excuse or other and not done it.

Finally, and for being a good sport; you can name a song and I’ll play it here (not one of yours as I’ll do that).

Yes, absolutely: Ian Dury and The Blockheads - Inbetweenies

(Didn’t know it until a few years ago - and now can’t stop listening to it).

_________

Follow Daniel Carson

IN THIS PHOTO: Bridget Beng 

Official:

http://www.danielcarlson.com/

Facebook:

https://www.facebook.com/Daniel-Carlson-184575642396/

Twitter:

https://twitter.com/dancarlsonmusic

YouTube:

https://www.youtube.com/channel/UCvTBtUHwPAWwxtBtLb0douA

Spotify:

https://open.spotify.com/artist/7o4IzYyu1N7NQTxuQDruCi

INTERVIEW: Oriion

INTERVIEW:

Oriion

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A certain cheekiness and assuredness emanate…

from Oriion - as he talks to me about the new song, Fast Lane Hearts. I ask him about its derivation and whether it (the song) is a step up from a track like Live Another Lie (I think it is). Oriion explains his process and why he has relocated to Berlin; whether there is going to be new material soon – and why he decided not to go to L.A. recently.

He tells me about influences and important albums; some new artists worth seeking out; why Berlin is such an attractive city to live in – and why he got into music in the first place.

________

Hi, Oriion. How are you? How has your week been?

Hey. Wassup!

I’m doing pretty good. I was going to Los Angeles but decided not to go at the last minute - while standing and waiting at the airport - my heart suddenly told me to go back to Berlin.

So, here I am: back in the studio and finalizing my next tracks! On top of that; my team and I are discussing my next steps. 

For those new to your work; can you introduce yourself, please?

Hi. I’m Oriion - and this won’t be the last time you will hear my name. HAHA! Just follow my steps and I will introduce you to a world full of nostalgic moments…

Fast Lane Hearts is the new single. What is the story behind it?

Well!

Have you ever felt the unsatisfying crave towards somebody; living in a fleeting world; a universe of fast lane hearts, distraction; endless options we long for that one and only feeling; two hearts becoming one, becoming time and space?!

It sounds like a lot of layers and time went into the track. Was it quick to put together – or was it tough committing to a version that sounds right to you?

I’m very versatile when it comes to layers of time - but this song was written in the stars already. This song is definitely inspired by the 1970s and '80s

The song is a step up from the previous track, Live Another Lie. How would you say the two songs differ?

Well, let me put it like this: every step I take in my life should be a step up…shouldn’t it?!

Every song you will get to hear will differ from another one - but the most important aspect in all this is to keep the nostalgia, somehow. 

Is there an E.P. on the way anytime soon?

Oh yes! We are going to release an E.P. soon enough. 

You are working with producer Lindahl, I believe. Is that for an album – or part of the E.P.? What is like working with him?

Yes. I am working with producer, best buddy and spiritual connection, Lindahl - he is part of Oriion. He helped me to discover Oriion. We would love to write songs, E.P.s and albums for a lifetime! Let’s see where life is taking us to!

We are super-excited.

I am discovering a lot of artists coming through Berlin. What is it about the city that attracts so many?

True! I really don’t know as I refused to come here in the beginning - but this city has magic in it. Come and find out yourself.

I think you will dig it!

Can you tell me the artists you grew up listening to and idolized?

Sade, Prince; Janet Jackson, Terence Trent D’Arby; Queen - and many others.

Was there a particular moment you decided to go into music? What is it about music that speaks to you?

I was always about music! I started as a dancer when I was three - and ended up singing by eleven. Music is a very powerful medium.

It is pure emotion, eternized. 

IN THIS PHOTO: Anna of the North/PHOTO CREDIT: Jonathan Vivaas Kise

Who are the new artists you recommend we check out?

Uff…so many good talents out there!

Check out RKCP; Anna of the North; TENDER; Laskaar, Jorja Smith - and and and…

(I feature most of my favourite artist in my playlists).

IN THIS PHOTO: Jorja Smith

If you had to select the three albums that mean the most to you; which would they be?

Sade - Diamond Life/Promise

Kelis – Tasty

Prince – Purple Rain (Deluxe)

What advice would you give to artists coming through right now?

To understand the concept of time and focus.

Finally, and for being a good sport; you can name a song and I’ll play it here (not one of yours as I’ll do that).

Queen – You Don’t Fool Me

_________

Follow Oriion

 Official:

https://www.oriionmusic.com/

Facebook:

https://www.facebook.com/officialoriion/

Instagram:

https://open.spotify.com/artist/4oKtQhJeLILsjxcj1cCSY8

YouTube:

https://www.youtube.com/channel/UCp9H-ojBd2Bbc3FDgA2errQ

Spotify:

https://open.spotify.com/artist/7s9LTAKRwkBQ0CqWlbE254

INTERVIEW: FRASE

INTERVIEW: 

PHOTO CREDIT: Kodiak Photography 

FRASE

________

I have been speaking to FRASE…

about his new single, The Weight. He discusses its story and how the song came together – and the artists that have inspired his sound/development. I ask about the album, FRNZ, and the sort of themes he explores in it. The Montreal musician explains why The Weight’s lyrics were gestating for a while; the city of Florence and its relevance – and what is coming up for him.

I ask about the artists FRASE holds dearest; whether he is coming to the U.K. soon; the new artists worth more time and investigation – and the advice he would offer new musicians.

________

Hi, FRASE. How are you? How has your week been?

Hey. I'm great, thanks!  My week has been pretty busy. I launched my new album, FRNZ, last week and have been promoting that and playing a lot of shows.

For those new to your work; can you introduce yourself, please?

Well. My real name is actually Fraser. I grew up in Montreal and lived there up until recently - when I moved out to Nelson, B.C. with my girlfriend. I am a singer/songwriter/producer/multi-instrumentalist - and have been writing and recording music for over a decade now. 

I want to know more about The Weight. I am guessing it shares little in common with The Band’s single (of the same name)?! What is this one about?

Ha; yeah!

This one is about a man who looks back at his past relationships and feels the burden of remorse about how he has treated some these women - ‘the weight’ of these relationships are heavy on his mind...

I know the lyrics were circling in your head for ages! Why did it take so long to get them down on paper?

That happens a lot with me: I write a little hook or some verses and never quite get to record them. This was during a period when I was touring a lot and it was not until I met Sickflip (in Mumbai, India) that I recalled these lines - and started writing the music for the words and melody.

FRNZ is the new album. Talk to me more about the stories and themes that go into the record…

The idea to call the album ‘FRNZ’ came about shortly after I wrote a song called FRNZ. It came out of nowhere really. I woke up at like 4 A.M. with some lines in my head and, by noon, I had the whole song done...

I was living in Florence, Italy at the time. The city of Florence - or ‘Firenze’, to the locals - was so friendly to me. I would say the city's name fast and it kinda sounds like ‘friends’ - FiRenZe - when you cut out the vowels, it's ‘FRNZ’. The connections I have there helped me to finish my first full-length album. Because of Facebook and social media the term ‘friends’, to me, has become too broad.

I wanted to come up with a phrase that could be more specific to the people in your life who go beyond superficial friendship - to the point of changing your life for the better and helping you realize your greatest potential self.   

 PHOTO CREDIT: Kodiak Photography

It seems like it has been a labour of love putting together? How much of your heart and soul went into the record?

Pretty much all of it. Ha. 

I do have some left, though, in case I am inspired and I keep writing and producing - and I’m on the follow-up singles already. I always put a lot of soul into my music and I hope it resonates with people.

Montreal is where you are based. What is the city like in terms of opportunities for new artists?

Montreal is great for a developing artist because it pushes you to be really f*ucking good!

There is a lot of talented people there and, every night, there is someone playing right around the corner who is more popular - and has a crazier show. So, for me, it exposed me to so much great art, music and culture - and then made me put in the work on my own music to get booked and get noticed.

(Side note: I was based in Montreal for most of my life - but I left in early-2015 to travel and tour in India and Europe. I came back for a bit in 2016 - just long enough to meet my girlfriend, Em).

We moved out to British Colombia last winter and have been here since.

Can you tell me who the musicians were that inspired you growing up?

I really have always loved Dance and Pop music; from Michael Jackson to Dance Mix '93. My jam after that was Hip-Hop - artist like the Fugees, A Tribe Called Quest - and Soul singers like Erykah Badu and D’Angelo

 IN THIS PHOTO: FKJ/PHOTO CREDIT: Jack McKain

Who are the new artists you recommend we check out?

I’m not sure how new he is, but I love Beat Machine Aron out of Iceland. I listen to his beats for days. 

Also; my homie Atamone - for that lo-fi, jazzy Hip-Hop style - is great. 

I like Masego and FKJ a lot, too. I like that video collab., Tadow!

IN THIS PHOTO: Atamone

If you had to select the three albums that mean the most to you; which would they be and why?

Oh…that’s hard! Hmmm…ok:

Fine Young Cannibals - The Raw & the Cooked

I was six or seven and had this album on tape-cassette - and listened to it on my Walkman so many times. It’s so catchy and cheesy: I don't really listen to it anymore but, man, it was huge for me as a kid. 

A Tribe Called Quest - Beats, Rhymes and Life

J Dilla-era ‘Tribe’ is the best; it was a huge influence on how I hear drums, now.

Anderson.Paak  – Malibu

This album blew me away last year and I was like, yes: finally an album I can listen to on-repeat!

What advice would you give to artists coming through right now?

Don't wait for someone to do it for you...

There is no incubator anymore: you have to go work it and be slaying every show for people to care. So; keep at it, make the best music you can and keep ya head up! 

Where can we see you play this year? Any new dates coming up?

Well. I have played over ten festivals in 2017 and toured all over Europe (Italy, Germany; Czech Republic, Bulgaria and Belgium)  and Canada - and now I'm gonna take it easy for this month! 

I have some exciting touring news for December - but I'm not sure I'm allowed to say yet…

Do you think you will visit the U.K. soon?

Hopefully. I always pass thru Gatwick on the way to Europe. I’ve always wanted to book a gig there - so let's make it happen!

Do you have a game plan for 2018? What do you want to achieve next year?

I hope to release a couple more singles early-2018 and then start to work on an E.P. before summer. I want to share with people my recording process more; so I’m gonna start filming live videos in my home-studio.

I have played a lot on the West Coast (Canada) festival circuit and I hope to get out and play in the U.S., U.K.; Australia and New Zealand festivals scenes, too.

Finally, and for being a good sport; you can name a song and I’ll play it here (not one of yours as I’ll do that).

pass dat by Marteinn!  

_________

Follow FRASE

Official:

http://frasemusic.com/

Facebook:

https://www.facebook.com/frase.w.music

SoundCloud:

https://soundcloud.com/frase-w

Instagram:

https://www.instagram.com/frasemusic/

Spotify:

https://open.spotify.com/artist/7s9LTAKRwkBQ0CqWlbE254 

INTERVIEW: Oh Geronimo

INTERVIEW:

 PHOTO CREDIT: L.A. West

Oh Geronimo

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THEY say, when explaining their new album…

 PHOTO CREDIT: L.A. West

The Sled; the music traverses peaks and valleys of companionship, ego and self-perception. That collision is what is what is explored. I ask the Canadian band about that record and the new single, No More Stones – and its rather fun and memorable video! The guys tell me about the music scene where they are and whether a U.K. visit is on the cards – and the albums they are all compelled by.

Oh Geronimo discus that unique name and how they all came together; what they have planned for this Christmas – and a few new artists they are reacting to right now.

________

Hi, guys. How are you? How has your week been?

We are well. It’s been a nice week.

For those new to your work; can you introduce yourself, please?

Hello, everyone. We are Oh Geronimo.

 PHOTO CREDIT: L.A. West

No More Stones is the latest single. What is the story behind the song?

The song is about strained friendship - but I feel like it applies to any sort of relationship (platonic or romantic).

It is taken from your album, The Sled. How was it recording the album? Was it quite a smooth and fun process?

We recorded the record at a very cottage-y studio in rural Ontario called The Chalet. We were under a tight budget/timeline; so we probably worked the fastest we’ve ever worked, musically. It was a beautiful three days, fueled by laughter and whiskey.

The video for No More Stones looks like it was memorable. What was it like shooting it and do you think the images symbolise and mirror the lyrics of the song?

It was actually pretty strenuous to shoot...

We had lots of people pulling as hard as they could on a rope for, like, twelve hours. We also had to shoot this video twice - after running into some technical issues with the first shoot. We think it captures the message of the song. Companionship is an emotional tug-of-war with unpredictable waves of tension and release.

When the going gets tough, you constantly contemplate holding on or letting go.

What, would you say, are the main themes of the L.P.?

The Sled traverses the peaks and valleys of companionship, ego; self-perception - and explores what happens when they collide.  The release of this record will mark a year since half of our band put down their torches — a year that demanded patience, persistence and resiliency. Often times the universe begs us to throw in the towel - but we’re fighters.

We will never extinguish the fire and The Sled solidifies that resolution.

 PHOTO CREDIT: L.A. West

I want to ask about the band’s name, ‘Oh Geronimo’. Is there a particular reason for that name?

The name was inspired by the antagonist from a film called War of the Buttons.

Can you reveal how you all met and started making music together?

A few of us met in high-school, became best friends; played in a band, broke up - then started a new band.

Ontario is where you are all based. Is there a lot of great new music coming from the area?

There is A LOT of great music from Ontario.

IN THIS PHOTO: Lost Cousins

Who are the new artists you suggest we check out?

Texas King, Lost Cousins; Elementals, The Kerouacs; The Lifers...this is just what we’re vibing right now. 

IN THIS PHOTO: The Lifers/PHOTO CREDIT: Nicolette Hoang 

If you each had to select the one album that means the most to you; which would they be and why?

Drew: The Strokes - Is This It

It's the first album I bought with my own money at The Bear Goes On in 2004 (for $7.99). A very special moment I will cherish forever.

T.J.: I'm gonna go with Forgiveness Rock Record by Broken Social Scene

Listening back, it's kind of the soundtrack for what was a great personal transition in my life.

Nick: Where You Want to Be by Taking Back Sunday

My brothers introduced me to the band but that album I got to discover organically. It was the first time I felt like I had to listen to the entire album - and it surpassed any expectation thirteen-ish-year-old me could have.

Kyle: I'll say Rock of Ages (live) by The Band

Colourful, poetic songs about timeless characters and places - and the best live recording I've ever heard.

Ciarán: I’m gonna go with I’m Wide Awake, It’s Morning by Bright Eyes

That record made me realize how integral lyrics are. I truly started caring about the words I was choosing to write after that.

What advice would you give to artists coming through right now?

Take risks. Make Mistakes. Don’t give up.

PHOTO CREDIT: L.A. West

Do you have gigs coming up? Where can we come and catch you play?

Only in Canada at the moment…

November 24 - Hamilton - This Ain’t Hollywood

December 1st - The Queen’s Head - Burlington

December 8th - The Burdock - Toronto

PHOTO CREDIT: L.A. West

Do you chaps plan on coming to the U.K. before too long?

That would be a dream. Maybe in 2017...we’ll see.

Christmas is approaching. Do you all have plans already or will you be busy working?

We’ll all be working our day-jobs...most of us are in the restaurant industry - which gets busy around the holidays.

Finally, and for being good sports; you can name a song and I’ll play it here (not one of yours as I’ll do that).

The Wolf by Eddie Vedder

_________

Follow Oh Geronimo

 Official:

http://www.ohgeronimo.com/

Facebook:

https://www.facebook.com/OhGeronimo/

Twitter:

https://twitter.com/oh_geronimo

SoundCloud:

https://soundcloud.com/ohgeronimomusic-1

Instagram:

https://www.instagram.com/ohgeronimo/

BandCamp:

https://ohgeronimo.bandcamp.com/

YouTube

https://www.youtube.com/channel/UCYtvpoT2mDF_PGout76NVQQ 

INTERVIEW: Jules Rendell

INTERVIEW:

 Jules Rendell

________

THERE is something about Jules Rendell…

that strikes a chord in me. I am hooked by her current single, Old Friend, and the emotion that goes into it. Rendell talks about the song and its creation; moving from Birmingham to London – and the differences between the two cities (her experiences of Manchester and being among its people, too). Rendell’s forthcoming album, Imagine, is one possessed of great heart and innovation – she tells me about it and the spark behind some of the songs.

I ask her about the artists and albums that drive her; a couple of new acts we should all seek out; the highlights of 2017 (so far) – and how she will be spending her Christmas.

PHOTOS CREDIT: CK Goldiing

________

Hi, Jules. How are you? How has your week been?

Hey! I’m really well.

Release-days are like birthdays: so many people getting in touch to congratulate you all at once - so, my spirits have been quite high since the release last Friday!

For those new to your work; can you introduce yourself, please?

Sure. I’m Jules Rendell; a soulful Pop singer-songwriter. My music is always honest, connected to real life; melodic and catchy. You’ll get an insight into my life when you listen to my lyrics and, hopefully, something about my music will provoke some kind of reaction in you - rather than just pass you by!

Old Friend is your current single. Is there a tale attached to the song?

Yeah. The first half of this year (2017) I found really hard and I struggled for the first time in ages with my mental-health. I felt under a lot of pressure to achieve stuff, be good enough; write amazing songs; earn loads of money. I was working really hard but I felt I was achieving nothing: so, I would work harder, not see my friends; not do fun things; not rest.

Anyway, I went up to my friend’s house in Manchester to get away from the rush of London and quiet myself to write. It was such a relief to be around chilled people and not face my usual pressures: friends can make you see things differently. I came back so much more relaxed and, actually, my year got a lot better from that point...

Were you going through a period of assessment and self-reflection when writing the song? It seems like the track was a sort of catharsis and release, in a way…

Yeah…

I feel like I am always assessing and reflecting - so that’s not unusual. I’m not sure I find a release in a song until I finish it (and it actually took another month or so to finish it)…certainly; when I wrote the bridge, it felt complete - and that’s the bit where you relax in the song; that is definitely a release.

The video is thought-provoking and emotional. How did the concept come together? What emotions stir in you when you hear it back?

The video is quite simple, really - it’s my story - except with two guys instead!

Why do we end up alone when we are struggling? It’s always better to be with people. You see the main actor consistently alone - except when he is reminiscing about better times - and then, of course, at the end...

I love that the video-set in the grit and grind of London - and it’s just so normal. It’s an everyday story that anyone could have.

Imagine is the album it is taken from. Can you tell us about the record and what we can expect in terms of themes and songs?

All the songs were written this year as I was struggling strong emotions; mainly feeling not ‘good enough’. It’s such an abstract feeling really - who sets the standards?! We set our own standards in essence and, if you have perfectionist tendencies; that can be really hard.

So, a lot of the songs on the album face these emotions and try to put some truth into them. My next single, Let Go, is about letting go of perfection - it’s really upbeat, vibrant and sounds free. The Return is about freeing yourself from fear and worry. Of course, there’s an obligatory love song in there, too (*smiles*).

All of the songs reflect the sounds of my city and life here.

Birmingham is the city you were born in. What compelled the decision to move to London? Did you feel the capital offered more chances?

I actually grew up in a small town just south of Birmingham - and then I moved to Manchester for a few years. I’ve been in London for a decade now. I love city life (even though it has its pressures!) and, when I moved to Manchester, it was obvious I’d be more comfortable in a bigger place.

Yes, I guess I did feel London offered me more (and it has) - but I also moved because I needed to re-assert myself in a new place, too.

I have definitely changed for the better living here. It’s also a lot warmer! Ha!

I know you felt pressured in London and went to visit a friend in Manchester. Is that city somewhere you feel more settled in?

I think that, feeling settled, is something you have to learn how to do whatever you’re surrounded by - and wherever you are. Peace comes from the inside. But, it is a slower pace of life up there - and people are friendlier.

I don’t know if I’d feel better living in Manchester or not (I’d be colder. L.o.L.) but I do know that, whenever I visit, I return in a nicer frame of mind!

Are there any particular musicians who have inspired your career and made you want to get into music?

Ha! Of course.

My influences have changed over the years - there’s so much inspiring music out there - but I remember the album that made me want to write and perform my own music: it was Jill Scott’s live album. That changed me. Recently, I have a lot of love for Jack Garrett’s album (and for ThirdStory).

They’ve both inspired me a lot and given me a lot of love back for music.

Looking back at your year; what have been your personal highlights?

A definite highlight has been making the album and making the first video.

Hearing my songs come to life has been amazing. My producers (OL Music) did an incredible job - more than I imagined. Another highlight was performing at a night called The Write House (back in August) alongside Tank and the Bangas - who are INCREDIBLE.

IN THIS PHOTO: Jordan Rakei

Who are the new artists you recommend we check out?

Tank and the Bangas! If you get to see them live; you won’t regret it.

I have recently got into Jordan Rakei and Tom Misch, too - they’ve been around for a while but I bet there are people reading this for whom they are new....

If you had to select the three albums that mean the most to you; which would they be and why?

That’s a hard question - as you have different albums for different seasons of your life.

I’ve already mentioned Jill Scott’s live album: that convinced me to start on this original music journey.

I really appreciate good lyrics so, for that, I would choose John Mayer - Continuum or Michelle Willis - See Us Through… love that album!

For vocal dexterity; I’d have to go for Lalah Hathaway’s live album (Lalah Hathaway Live)

What advice would you give to artists coming through right now?

Work at your art. Keep working at it. Write and re-write (and re-write) - and get feedback and re-write again. Do gigs. Get good at performing. Be nice to people.

People will want to help you if you are nice!

Where can we see you play this year? Any new dates coming up?

I’m about to go into a really busy season with my vocal group, Get Gospel - so I’ll be gigging properly with my new album when I have more time in the New Year! I do log all my live dates on my website - so check that out.

Christmas is not too far away. Do you have plans already - or will you be busy working?

Yep; working like a bee.

It’s the busiest time of year for me - but I always make sure I spend time with my family over the holidays, too.

Finally, and for being a good sport; you can name a song and I’ll play it here (not one of yours as I’ll do that).

Oh, coooool! Well…how about Tawo by Jordan Rakei? Hope you like it!

_________

Follow Jules Rendell

Official:

http://julesrendell.co.uk/

Facebook:

https://www.facebook.com/julesrendell/

Twitter:

https://twitter.com/julesrendell

SoundCloud:

https://soundcloud.com/julesrendell

Instagram:

https://www.instagram.com/JulesWools/

Spotify:

https://open.spotify.com/artist/6Rgwj0h4BzrVnMAFR0CvTa

YouTube:

https://www.youtube.com/channel/UCRfPsyGCDJCwNhHe7tn35nQ

INTERVIEW: Andrea Di Giovanni

INTERVIEW:

 Andrea Di Giovanni

________

THIS young songwriter has had…

a pretty hectic year so far! I have been speaking with Andrea Di Giovanni about his time in London and why he moved from Rome. He discusses the new single, Got to Blame, and the story behind it; whether there is anything coming in the pipeline; why modern artists like Beyoncé are influences; how inspiring London is as a city – and whether there are any upcoming gigs we can catch him at.

I learn more about the creative process of a modern-day Pop artist and what it takes to succeed. Di Giovanni offers some advice to new artists; the albums that mean the most to him – and a few cool artists we would be wise to check out.

________

Hi, Andrea. How are you? How has your week been?

Hiya! All good…you?

It’s been amazing. Released my new single and performed live with my band at Thousand Island!

For those new to your work; can you introduce yourself, please?

I am a twenty-three-year-old singer-songwriter, originally from Rome (Italy). I moved to London four years ago to study at the British Institute of Modern Music - where I graduated this year in Creative Musicianship.

The main artists I’m inspired by are David Bowie, Rihanna and Sam Smith. I like to combine Pop with dark electronic elements.

Got to Blame is your new single. Can you tell me about its story and origins?

I wrote Got to Blame about a year ago when I finally chose to be myself and let go of the shame that held me back for a long time. The song talks about the struggles that you find and fight on the way to self-acceptance. Life is already hard.

We need to stop criticising ourselves so harshly and live up to who we are.

The song has a big, electronic sound. Did the composition come together gradually or was it quite an organic process?

I wrote it, originally, in an acoustic way and then created a home-made demo. I’ve, then, contacted my friend Jamie Sellers at Run Wild Music and developed, in two sessions, the final arrangement.

The epic backing vocals on the track are from Lucrezia Perletti and Nadjibá Shabieva.

Is there going to be any more material coming in the next few months/next year?

After Got to Blame; I will be taking a break - as I’ve been working nine months-consecutively and need some fresh air to get new ideas for 2018. I will then write a lot; collaborating with producers in London to create a strong portfolio - to present to labels I am working with.

Tell me about the artists you are influenced by? What kind of music were you raised on?

I always loved Pop music since I was a little kid. My dad used to play me a lot of great music such as Queen, Michael Jackson and Whitney Houston - and I fell in love with music that had soul. Artists that I look up to, now, are David Bowie, Rihanna and Sam Smith - but I always like to bring my own original twist.

I believe in artists that make music that’s different from what the world presents already - rather than copying-and-pasting the top-ten charts.

What compelled the decision to move from Italy to the U.K.?

I was pretty lost in Italy...

I didn’t feel fully understood and, therefore, wasn’t able to express completely my personality. I’ve also wanted to explore the world and make new experiences - and London seemed the place to be.

When you arrived here, you studied at the British Institute of Modern Music. What did you learn from your time there and how important was is it you?

My time at BIMM has been truly amazing. I’ve grown so much since I’ve joined; met pretty incredible musicians and industry professionals - and made connections that are still working now.

Looking back this year; what has been your favourite memory so far?

My best memory so far has to be performing at Brighton Pride. Having that platform to speak to my kind of people has been (truly) a blessing I’ll never forget!

Is London influential when it comes to your music and getting ideas for songs?

Oh, hell, yes! The music scene is so diverse and eclectic here that you end up getting inspiration everywhere.

IN THIS PHOTO: Native Dancer

Who are the new artists you recommend we check out?

Indigo Face, L.E.A; Native Dancer, July Jones and Georgia Meek.

IN THIS PHOTO: July Jones

If you had to select the three albums that mean the most to you; which would they be and why?

I’d say: Frank by Amy Winehouse

Because that’s when I fell in love with her incredible voice.

Lemonade by Beyoncé

As it’s an incredibly eclectic album and not too ‘mainstream’ in terms of sound.

Whitney: The Greatest Hits by Whitney Houston

As it reminds me of the times I used to sit in my living-room and sing my heart out!

What advice would you give to artists coming through right now?

Be yourself; be resilient and have fun!

Where can we see you play this year? What dates do you have coming up?

I will be supporting my friend, Brendan Cleary’s E.P. release at Notting Hill Arts Club on 17th November (with my full-band).

Christmas is not too far away. Do you have plans already or will you be busy working?

I will be back at home in Italy - enjoying some good family time!

Finally, and for being a good sport; you can each name a song and I’ll play it here (not one of yours as I’ll do that).

I have a Spotify playlist with all the up-and-coming artists in music.

_________

Follow Andrea Di Giovanni

Official:

http://andreadigiovanni.it/

Facebook:

https://www.facebook.com/andreadigiovannimusic

Twitter:

https://twitter.com/adigiovannioff

SoundCloud:

https://soundcloud.com/Andrea-Di-Giovanni-2

Instagram:

https://www.instagram.com/andreadigiovanni/

Spotify:

https://open.spotify.com/artist/6LgSivOZVfHs4mY4TYobQa\ 

INTERVIEW: John Galea

INTERVIEW:

 John Galea

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I cannot think of many artists…

who have covered as much ground as Johh Galea. His fourth E.P., Missing Pages, was released last year and, since then, he has played the Main Stage at Sundown Festival; appeared at London Pride – the video for the single, When You Truly Love Someone, gained massive support and views on YouTube. I speak to Galea about his latest track, Honesty, and the story behind it; whether there is going to be an E.P./album arriving – and how he got into music.

He reveals when music came in his life and the evolution present in his own work; those albums/artists that have shaped who he is; what tour dates are approaching – whether there are any plans (already cemented) for next year.

________

Hi, John. How are you? How has your week been?

I’m good, thanks. Yeah; busy as ever.

For those new to your work; can you introduce yourself, please?

I am Independent singer/songwriter from sunny Great Yarmouth; now living in London - and my music is heavily influenced by piano and Soul music.

Tell me more about Honesty. What is the story behind the song?

The track, Honesty, I wrote with the amazing singer/songwriter, Frankmusik. I came up with the title, Honesty, and main chorus and took it to a writing session we had - and it developed from there. It’s a very simple - but honest - track about love and what we all need in it.

How has your music evolved since your fourth E.P., Missing Pages? Have you found yourself developing and changing as an artist?

Absolutely.

I have gone from Dance-based-Pop to more of a soulful sound (and songwriting). I still have those upbeat tracks - but they are certainly deeper, message and songwriting-wise, than my earlier music.

What was it like playing at events like London Pride and Sundown Festival? How vital were they in regards your confidence?

It is all very vital and great experience.

The fact is, as an unsigned artist, I was performing on the same stage as Craig David and Rag'n'Bone Man. It was crazy. The interaction you get from the audience - e.g., singing back the words etc. - is something you can only get playing live (and I love it).

There's nothing like performing live.

The video for Honesty documents your time at Sundown. Did you feel the images naturally scored and represented the ideas expressed in the song?

Well. The idea was there’s an honesty between performing live - and performing live is a very special thing for me. The reaction, be it good or bad, is instant and you can see, as a performer, if the crowd likes your stuff or not - and the track all about asking for that honesty in a relationship; so we thought the two would work well. Also, it gives backstage footage of Sundown and getting ready and it’s great to show people the ‘behind-the-scenes’ element of performing.

It ain't all glamorous.

Your single, When You Truly Love Someone, did big business on YouTube. Were you humbled by the response that song got?! What, do you think, was the reason for it?

I am indeed...

I knew we had something special when my producer, Oscar Lo Brutto, said that’s the one to release. He knows what he likes. The fact it has done so well on VEVO and now, being considered for a Grammy, is so cool. The track is all about the conflict of the pain when it comes to loving someone.

It is something, I guess, we all can relate to.

Music came into your life at a young age. You started writing at thirteen! Were there particular artists that compelled your spark? Why did you decide to get into the business?

I watched Mariah Carey sing once on T.V. and she blew me away - and I wanted to sing.

But, then, when my dad brought home an electric organ one day; I wanted to go deeper and see how you write songs - and write hits and write my own music – hence, the classical grades I achieved and the constant need to switch the radio on (and see what music was coming out).

IN THIS PHOTO: Lao Ra

Who are the new artists you recommend we check out?

I write for and with new artist all the time and I can’t wait to hear Lao Ra’s album when it drops.

Also; keep an eye out for a soul singer called Wayne Thurtell. He’s going to do well.

If you had to select the three albums that mean the most to you; which would they be and why?

Daydream - Mariah Carey

My first C.D. that was given to me - and I played it to death I love it. Looking In, the last track, is such a personal track - so good!

The Record - The Bee Gees

It is their greatest hits and I played it to death when it came out. I couldn’t believe how many amazing tracks they wrote for other people - as well as themselves.

Songwriting at its best!

1000 Forms of Fear - Sia

She is a musical genius and has to overcome so much to get her music out there! This album is so good and so raw - and honest and real - but commercial at the same time.

What advice would you give to artists coming through right now?

Never let anyone, including industry people, put you off doing what you want to do! Do your music homework and keep working to achieve your goals. You can do anything you want to - just got to work hard and keep on pushing even when times are hard.

We all get those days!

Where can we see you play this year? Any new dates coming up?

Not at the moment - as most of the year I have been playing live, on tour and at festivals. It’s studio-time, now, for me.

Christmas is not too far away. Do you all have plans already - or will you be busy working?

Spending it with family in Norfolk and, hopefully, get out somewhere nice for New Year.

Do you have a gameplan for 2018? What do you want to achieve next year?

I’m writing with some new artists (and myself) so will be producing, either a new E.P. or working towards my first album - and seeing how that all goes.

Finally, and for being a good sport; you can name a song and I’ll play it here (not one of yours as I’ll do that).  

You Can Do Anything - Sia

_________

Follow John Galea

Official:

http://www.johngaleamusic.com/

Facebook:

https://www.facebook.com/johngaleamusic

Twitter:

https://twitter.com/johngalea

SoundCloud:

https://soundcloud.com/johngalea

Instagram:

https://www.instagram.com/johngalea/

Spotify:

https://open.spotify.com/artist/4d4a4OLDH4OTtAUc8wF8Jg

YouTube:

https://www.youtube.com/user/JohnGaleaVEVO

INTERVIEW: AlphaCub

INTERVIEW:

AlphaCub

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CANADIAN songwriter AlphaCub…

is currently working on his full-length record with acclaimed talent such as Ken Lewis (Katy Perry, Lorde). Right now; the track, Don’t Waste My Love (produced by Alex Meade) is out there and gaining a lot of respect. I ask AlphaCub about the song and the background; he tells me the reasons he's donating proceeds to Cystic Fibrosis Canada; how 1980s Canadian music resonated at an early age – and why this week has been a stressful one. 

I learn more about an artist determined to spread his music to the people. AlphaCub talks about plans regarding U.K. performance and how his parents’ music collection inspired him – and why Canada is producing so many great artists.

PHOTOS: Michael Mangov

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Hi, AlphaCub. How are you? How has your week been?

Honestly, this week has been sh*t. Relationship stuff; family stuff - life stuff, ya know? That's how it goes. Overall in life; I'm happy.

I'm happy to be talking to you!

For those new to your work, can you introduce yourself, please?

My name is AlphaCub. Some people like it; some don't.

What can you tell us about the new track, Don’t Waste My Love?

I wrote that song with my producer, Alex Meade. It's inspired by Canadian 1980s Light-Rock. The synthy stuff: Alfie Zappacosta, Gino Vinelli; The Box and Gowan.

I just met Gowan - nicest guy.

It has quite an energised and club-ready pump! Did you want to create a track that would get people dancing?

F*ck yeah, I did!

The chorus has a great hum and addictiveness. Was that the lynchpin and muse that got that led to the song’s creation?

The chorus came first and the melody just popped into my head. I originally envisioned it with more horns but, as you move forward with an idea, it evolves.

Will there be an official video for the track – one with a concept and actors – in the pipeline?

No plans for a video but...who knows - I love putting my face on camera and showing it to people.

You are working with Ken Lewis on your upcoming album. What has it been like working with him and what did he bring to the music? Did you learn a lot from him?

Well. I've never met him in my life but his reputation speaks for itself. His mixes take my songs to the next level.

So; I like him and I can only hope he'd like me.

The proceeds from your new track go to Cystic Fibrosis Canada. What is your experience with the illness and have you had friends/family members affected?

My first agent, Paul Gourlie, passed away from C.F. almost five years ago. My niece was born with it. It's a nasty affliction and I want to help people with it in any way I can. I make music: it's the thing I have to offer a cause - and C.F. is the cause close to my heart.

Can you reveal when the album is out and what kind of themes you tackle on it?

All I can say is it'll be released in 2018.

The album is about how everyone is something else: everyone is something that you don't see.

I am getting a lot of requests from Canadian artists. You are in Toronto. What is the music scene like there and what is about Canada that produces so many interesting musicians?!

I love it here and the music scene is really exciting. As far as ‘the thing that makes us interesting’; I don't think it's any one thing - we're just a bad-ass group of people; each with our own unique history to draw from.

Do you remember the first artists that got you hooked on music? What was your record collection like when you were younger?

It was my parents’ tape collection and it had a bit of everything - from The Beatles to Air Supply; from Jann Arden to Seal.

(My dad really loved Seal.)

When I was four-years-old; my mom woke me up in the middle of the night to come watch a Bengals video. I think that was the moment it happened - or maybe it was the first time I heard Shout by Tears for Fears.

If you had to select the three albums that mean the most to you; which would they be and why?

Peter Gabriel - So

Radiohead - OK Computer

Jeff Buckley - Grace

These albums taught me how to be a songwriter and how to find my voice.

What tour dates do you have coming up? Where can we see you play?

December 1st at The Horseshoe in Toronto.

Are you coming to the U.K. soon?

I love the U.K. and I hope to get there in 2018.

What advice would you give to artists coming through right now?

Don't ever stop. You're right. People need to listen and it's your job to make them listen. Don't ever stop. Do what you love.

Nothing else matters.

Finally, and for being a good sport; you can each name a song and I’ll play it here (not one of yours as I’ll do that).

My fav. band right now is GUNSHIP and their song, The Mountain, is my jam!

Play it!

_________

Follow AlphaCub

 Facebook:

https://www.facebook.com/alphacubmusic

Twitter:

https://twitter.com/alphacubmusic

SoundCloud:

https://soundcloud.com/alphacubmusic

Instagram:

https://www.instagram.com/alphacubmusic/

Spotify:

https://open.spotify.com/artist/52GfFWKET6Mdx4NhKoyvvg

YouTube:

https://www.youtube.com/user/culvertmusic

INTERVIEW: ETCHES

INTERVIEW:

ETCHES

________

AFTER their single Love Is…

captured the public imagination and gained kudos; the lads launched into a double A-side, Human Façade/My New Empire. The former concerns an ex-adult industry whistle-blower. The song examines the effect of online pornography on the mind and consciences. My New Empire drips with 1960s Motown influence and a lo-fi rhythm section. The Liverpool band talk about their craft and how the songs came together; how they got together and started playing – what the next step is for them.

I ask them about their favourite albums and songs; what gigs we can expect them to play; how their Christmases are faring – and what the music scene is like in Liverpool right now.

________

Hi, guys. How are you? How has your week been?

As the one member of the band without a car or a Liverpool residency - I’ve been fairly shafted by Mersey rail industrial action and the ongoing Lime St. works this week.

Business as usual for everyone else…

For those new to your work; can you introduce yourself, please?

We play Alt-Pop with fat choruses.

Human Façade/My New Empire is your new double A-side (out on Friday, 3rd November). What is the origin of the songs?

We have a painfully democratic process of deciding on what ideas and half-songs are going to be fleshed out. Human Façade, at first a lazy drum and bass loop, almost didn’t make the final cut until it was welded onto another half-song that had been knocking about for years.

My New Empire appeared almost fully formed from Ross; for us then to add guitars and instrumental nuances.

Why release a double A-side? What was it about the songs that compelled you to release both?

We’ve been sitting on these songs for a while and just wanted to get them out there. At this point, the desire to have them public outweighed any release strategies.

Both songs find contrasting sounds. There is everything from Motown/Soul to Psychedelia. Would you say your current material is broader and more ambitious than your earlier stuff?

I’d say so...

In the past, our tracks began pretty far-out, and then, were gradually reigned in. We are better at telling the difference between what’s fun to play and what gets to the point more these days.

James Bragg produces. What was it like working with him?

He had no agenda and would just listen and fiddle with things - a temperament most suited to enduring us in the studio.

Can you tell me how ETCHES came together and what those early rehearsal sessions were like?

A long time ago, under various incarnations, originating in Guildford. The band is getting progressively younger (and more northern) -which 3/5ths of us are glad about.

Do you all share a love of the same artists? Who are the musicians you all look up to?

Not necessarily; although, we find common ground in Jazz, Hip-Hop; classic Pop as well as modern weirdos like Ariel Pink, UMO and King Krule.

Will your new singles lead to an album or E.P.?

It’s possible: we certainly have an album's worth of material good to go.

The band is based in Liverpool. How vibrant and busy is the city when it comes to new music? Do you think the city gets the credit it deserves?

Actually, three of us are in Liverpool: one in Manchester and one in Wigan. Admittedly, we are out-of-the-loop, almost completely, in Liverpool.

What tour dates do you chaps have coming up?

Manchester – The Castle (02/11).

London - The Islington (04/11).

Liverpool – East Village Arts Club (26/11; supporting Echobelly).

Who are the new artists you suggest we check out?

Not necessarily new artists - but this year I’ve enjoyed new albums by Richard Dawson, Xiu Xiu; OXBOW and Show Me the Body.

If you had to select the one album that means the most to you; which would it be and why?

595 by Karate

It has everything I love in equal measure: Jazz, Post-Rock and Emo. It evokes fond memories of sitting around listening to music with friends in university halls - where I first heard it.

What advice would you give to artists coming through right now?

Paul: Decide immediately whether you want to make it a career or whether you are in a band to have fun and play a few shows. If you want a career, you need to work harder than you ever have before; push yourself, your relationships and your finances further than you sometimes even feel comfortable with - and always strive towards acceptance of the fact that even then, that probably won't be enough. ‘The music industry’. That phrase is a misnomer, to say the least. Trying to be a professional musician is a kind of insanity.

But there are fun bits.

Christmas is approaching. Do you all have plans already or will you be busy working?

Quality time with loved ones all around, I think. I, however, will be working on Christmas Day; earning triple-pay…reflecting on life choices.

Finally, and for being good sports; you can each name a song and I’ll play it here (not one of yours as I’ll do that).

Paul: Somewhere Safe by Elevant as my song - and suggest people check out the labels Deathly Records and Loner Noise for new artists in the city

Ducktails – Letter of Intent

If You’re Here – Cornelius

Carolina Bela – Jorge Ben e Toquinho

Richard Dawson – Black Dog in the Sky

_________

Follow ETCHES

 Facebook:

https://www.facebook.com/etchesmusic

Twitter:

https://twitter.com/EtchesMusic

SoundCloud:

https://soundcloud.com/etchesmusic

Instagram:

https://www.instagram.com/etchesmusic/

Spotify:

https://open.spotify.com/artist/66dMe8rmr7NYsEBLhcgSeu

YouTube:

https://www.youtube.com/user/etchesofficial

INTERVIEW: Larry Gordon

INTERVIEW:

 Larry Gordon

________

I was eager to find out more concerning…

Larry Gordon’s new single, Running Away. It is also his debut and a tremendous offering that promises future brilliance. Gordon discusses working with Curb Records and whether we can see any new material before 2018; how he got started in the music business – and how it feels being compared to the likes of Justin Timberlake.

Gordon tells me about his tour with Akon – and icon he is looking forward to hitting the road with – and how it feels seeing his music used on T.V. and film; the artists/sounds he was raised on – and whether the U.S. artist is looking forward to visiting the U.K. for the first time.

________

Hi, Larry. How are you? How has your week been?

My week has been good - and very hectic at the same time. I have been super-excited about experiencing the U.K. for the first time.

For those new to your work; can you introduce yourself, please?

My name is Larry Gordon. I am a Pop artist who loves music. I write, perform and produce songs that allow you to zone-out and let the music consume you...

I call it ‘feel-good’ music.

Running Away is your debut single. Has it been a long process putting the song together – or has it gelled quite easily?

Running Away actually came together in a unique way. The chorus of the song came first and everything else just fell in line from there.

Curb Records is who you are signed to. What is it like working alongside them?

Curb Records is a very supportive company with an amazing staff. They always push you to be better. With the new Pop division at Curb Records; I’m at the right place at the right time. All the hard work I’ve done over the years is making the dream a reality as a songwriter and artist at the label.

What comes next in terms of music? Is there an E.P. afoot?

I’ll continue to perform, produce and write for myself and co-write with other artists.

Yes, an E.P. is scheduled for release late-2017 or early-2018.

What compelled your decision to come into music? Was it something you have wanted since you were small?

I’ve been in and around music since I can remember. So, I guess you can say that I’ve wanted this since childhood. Also, seeing my father and mother entertain/perform nationally and abroad compelled me to be in the music business.

You have garnered comparisons to the likes of Justin Timberlake. Is it quite daunting being linked to an artist like that?

To be honest, I am extremely humbled to be compared to someone of his magnitude. He is an amazing musician and writer.

I believe your music has already been featured in film and T.V. How did you get involved in that side of the business and what is it like hearing your song on the screen?

Yes. The songs End of the World and MV were featured on Love & Hip Hop New York and Los Angeles. The same songs were also featured in two movies: Yoga Hosier (ft. Johnny Deep) and Hoovey - which is an inspirational sports story. Film and television are two areas that I have always been interested in.

Any time that I am writing, it is (with) the intention that the song will be used in multiple areas of the industry. 

Tell me about some of the artists you were raised on…

Well. My parents had an eighteen-piece orchestra/show-band that I grew up performing in. So, I was exposed to a variety of music genres such as Big Band, Country; Rock, Gospel; Jazz, R&B; Rap and so on.

IN THIS PHOTO: Kehlani

Who are the new artists you recommend we check out?

Kehlani, Demi Lovato; Migos and Bryson Tiller.

IN THIS PHOTO: Migos

If you had to select the three albums that mean the most to you; which would they be and why?

Michael Jackson – Bad

Because it has so many classic records on this album. He opened the gateway for you to get lost in the ‘moments’ of each song.

He definitely gave you an experience. 

Usher – Confessions

This is definitely an album you let play from beginning to end. To me, it is, hands-down, one of the best-crafted albums of all time. Each song had its own individual story or situation that you could relate to.

Lil' Larry – Lybeatrics

This was the first album I ever wrote - and I did it all by myself. The reason it is so close to me, when I listen to each song, it takes me back to the place where it all started - and the main reason why I wanted to become a songwriter, artist/entertainer and producer.

What advice would you give to artists coming through right now?

Don’t put yourself in a box: have a vision and stick to it. Understand that everyone will not always agree with or see your vision – so, being ‘CONSISTENT’ is key. 

You are coming to the U.K. for the first time. Are you excited about heading here? What else will you be doing when over here?

Yes, this is my first time in the U.K.

I am extremely excited and it is an honor to be here. I remember being in history class saying to myself: “I hope I can go there one day!” I want to visit Bath, Stonehenge; Tower Bridge, Buckingham Palace etc.

I can’t wait to try some of the local cuisine like fish and chips, jellied eel; meat pies and so on. I want the full experience! (L.O.L.)

You’ll be supporting Akon. Is that something you are looking forward to? Are you a bit fan of his music?

Most definitely!

Akon is an ‘icon’ in the industry. He embodies the true definition of a ‘Pop’ superstar. I am really eager to meet, watch; listen and learn from him.

Christmas is not too far away. Do you have plans already or will you be busy working?

My plans at the moment are to be with my family and friends. I am really big on family and everyone getting together for the holidays.

Finally, and for being a good sport; you can name a song and I’ll play it here (not one of yours as I’ll do that).

Yes, of course!

I would like to hear from Sam Smith - Too Good at Goodbyes

_________

Follow Larry Gordon

Official:

https://www.larrygordononline.com/

Facebook:

https://www.facebook.com/LarryGordonMusic/

Twitter:

https://twitter.com/larrygmusic

SoundCloud:

https://soundcloud.com/Lil-Larry-Music

Instagram:

https://www.instagram.com/larrygmusic/

Spotify:

https://open.spotify.com/album/1ELKJeA63TDM6d3VhnkqRY

YouTube:

https://www.youtube.com/channel/UCJd1bmnj7byfNGsLGBmFLPg

INTERVIEW: SIIGHTS

INTERVIEW: 

 SIIGHTS

________

THIS is not the first time I have featured…

SIIGHTS on these pages. Toni and Mia talk about their current single, Alive, and what the story behind it is. They tell me how they got together and why Alive, with its anti-bullying message, is especially personal and relevant to them. The girls have had a busy week so I ask what come next and whether they have plans for later this year; the albums and artists that have inspired them most – and whether there will be tour dates upcoming.

I learn more about a fantastic and close duo who give me a view into their world and music life. They talk about a couple of artists we should check out; whether there is an E.P. approaching – and how their music has developed over the last few months.

________

Hi, Toni and Mia. How are you? How has your week been?

Hey, Sam. We’re really well, thank you. It’s been a hectic week; we just released a new track and have just got back from the U.S - so, it’s been a really busy one (which is great). 

For those new to your work; can you introduce yourself, please?

Sure. We are new duo, SIIGHTS; made up of Toni Etherson from Glasgow, Scotland - and Mia Fitz from Dublin, Ireland. 

Alive is your new track. It has already gained applause and positivity. Is it exciting knowing your music connects with people?

Yes, definitely.

It means a lot to us to get that feedback from people. We try to write about stuff that has happened to us personally - that we know might be relatable for others, too. It’s always going to be a scary process when you create something and then put it out there. At the moment, we’re doing everything ourselves - from the songwriting/recording and producing the record.

We’re so close to everything, creatively; it really is amazing to get such a positive reaction from people.

I believe there is an anti-bullying message and a need for positivity that runs through the song. Were there any other sources of inspiration and was it quite tough writing it?

Yes! we really wanted to share a message of hope and understanding to show people who’ve gone through any kind of struggle in life that they’re not alone. The video touches on some visual examples of personal struggle; the lyrics in the song explain the journey through reflecting on the situation – It’s about finding your inner-strength and realising you’re stronger than you think. 

“I won’t speak your words” is a lyric in a song but, for us, it’s a statement for anyone who’s deciding they won’t be made feel less than they are - or made to feel like they don’t fit in. It’s about saying that you won’t conform to other people’s ideals of what or how they should live their life: you won’t believe any negative things other people may say about you; that you’ll think for yourself and just be yourself.

Most of all we just wanted to make a positive, uplifting song that empowers anyone who’s felt a bit low at any point in their life.

It has a different vibe to songs like Nobody Like U. Do you make sure each song has its own skin and identity?

I guess, with every new song we write, we’re trying to portray how we’re feeling in that moment as honestly and openly as we can. Production-wise, we have so many influences - and Alive was a new side of our coin that we haven’t really shown before.

So, it’s a great to be able to share that with everyone.

Do you think there will be an E.P. or album next year?

We have so much music. We’re currently in the studio at the moment, too. L.O.L.! So, we plan on getting as much of it out there as possible; whether in the form of an E.P. or album - both are definitely things we would like to do.

Take me back to the start and how you met? How did SIIGHTS come to be?

We met in L.A. Mia was on tour with Hozier and writing on her days off. I was out there writing for other people and we were introduced. We started out writing together for other people. It's crazy what’s happened since then. L.O.L.! 

It seems like you have a sisterly bond! Is that one of the reasons the music sounds as tight and together, would you say?

I definitely think it helps...

When you’re creating music with someone, you definitely have to be on the same page and get each other’s vision. I think that’s the main reason we decided to start a project together in the first place - because we worked so well together writing in the studio...

It’s been such an amazing journey so far. 

There are more all-female duos/bands emerging. Do you feel it is important more light is shone on female acts and why do you think there is a rise at the moment?

It definitely feels like there are more female acts around lately - which we think is amazing! In an industry that has always been very male-dominated: I think it’s great that young girls are able to identify with and have strong female role models in the industry - and not just as artists but as producers, recording engineers and musicians, also.

We think It’s important that equal light is shone on females in the industry (as it is on the men).

Are there particular artists that have inspired your sound? Who did you both grow up listening to?

Mia: Definitely. I find I’m constantly being inspired by different music and things around me. Growing up, I listened to a lot of Stevie Wonder, Michael Jackson; Fleetwood Mac and quite a bit of Folk music, also.

Toni: I would listen to Brandy and Christina Aguilera; Oasis - a real mix of stuff, to be honest. I really love Soul music but, once I learned to play the guitar, Oasis and The Verve took my interest for most of my teens. L.O.L.! 

IN THIS PHOTO: Kllo

Which new artists do you recommend we check out?

We’re loving Kllo’s new track, Predicament. They’re  Australian and killing it right now. 

Also; Jaz Karis. Their Into the Wilderness E.P. is SO GOOD! The single, Sugar Don’t Be Sweet, is a vibe. 

IN THIS PHOTO: Jaz Karis

What tour dates do you have coming up? Where can we catch you play?

We’ve just got back from L.A. and are back in the studio at the moment. We’re making plans over the next few months (for 2018) - as we’re excited to come play for everyone who’s supported us online from all around the world.

We can’t wait. 

If you each had to select the one album that means the most to you; which would they be and why?

Mia: Great question - and it’s a hard one. I’d have to say I really love the album Simple Things by Zero 7.

I think it’s quite timeless.

Toni: I was going to say Brandy - Never Say Never (but I know I’ve said that before). L.O.L.! So, I’m going with London Grammar - If You Wait

This is the soundtrack to my 2015 - 2016 travels; it’s what I listened to on every long-haul flight in and out of L.A on my first few trips there - and my life really changed then. Musically, it’s just brilliant and timeless. 

What advice would you give to artists coming through right now?

Don’t give up, always believe in yourself; find influence in everything around you; don’t be scared to truly express yourself - and forget about what anyone else might think about you.

Christmas is not too far away. Do you both have plans already or will you be busy working?

We love Christmas.

We generally spend that time in the studio - and then we head home to spend time with our families, too. 

Finally, and for being good sports; you can each name a song and I’ll play it here (not one of yours as I’ll do that).

Mia: X- Ambassadors – Gorgeous (Upstate Sessions)

Toni : Billie Eilish - Ocean Eyes

_________

Follow SIIGHTS

Official:

https://www.siightsofficial.com/

Facebook:

https://www.facebook.com/siights/

Twitter:

https://twitter.com/siightsofficial

Instagram:

https://www.instagram.com/siights/

Spotify:

https://open.spotify.com/artist/59wzcVw9vvQvKIEHddgF7n

YouTube:

https://www.youtube.com/siights

INTERVIEW: Akiva

INTERVIEW:

 Akiva

________

WITH so much tension emerging in the…

political arenas of the U.K. and U.S.; it is only natural musicians would want their say. Akiva are based in Bedfordshire - and are one of the most intriguing and engaged bands around. I ask them about their new single, M.O.D., and the connection it has to the Ministry of Defence’s ‘Be the Best’ slogan – and how they feel about that. The guys discuss their feelings about President Trump and recruitment of military personnel; whether the world is in stable hands – and why they have been compelled to react.

They chat about their musical idols and how Akiva formed; the story behind M.O.D’s awesome animated video; what comes next for them – whether there will be more material surfacing very soon.

________

Hi, guys. How are you? How has your week been?

All good, thanks. Been a good week. 

Our new single, M.O.D’s been getting some good feedback - so we’re all pretty happy.

For those new to your work; can you introduce yourself, please?

Yep. We’re Akiva; a four-piece Electro-Indie outfit from Bedfordshire. We’re into analogue synth. loops; drum-beats with a groove; rolling basslines; Stones-y guitar sounds and big choruses. Our sound was probably originally inspired by all that Electro-Indie crossover stuff that came out of the nineties: The Charlatans, Primal Scream; Unkle; Black Grape; Doves, Stereo MC’s etc. – and, also more recently, the likes of The Horrors, Jamie T and Beyond The Wizards Sleeve. We’re also big fans of trying to use music to get a message across - particularly in the volatile climate we currently live in. 

We were recently described as ‘George Orwell-meets-The Killers’ - which is not far off.

Tell me about M.O.D. and the inspiration behind the song?

M.O.D. was originally written when we had that massive spate of soldiers being sent back from Afghanistan in coffins and paraded through Wooten Basset. At the time, it felt like it was happening almost every other day. There was a massive amount of respect shown for them by the public - and it was pretty emotional stuff to watch on the news every night. The tragedy of it was that it felt like all of those deaths were completely avoidable and unnecessary - particularly, in light of the fact that that war doesn’t seem to have achieved anything...

Talk to me about the video and the animations employed. Was that quite tough to put together?

Yes, but we don’t get to take any of the credit for that part!

We hooked up with an animator called Wayne McCauslin to put the video together. We put an early release of the track out to a load of music video-makers and animators - and Wayne came back with a really powerful pitch that we instantly loved. He completely understood the song, the message; our taste in music and what we’re generally about. We loved some of the stuff he’d done before, too. We’d play his other videos with the sound turned down and stick our tracks over the top - and it just felt like whatever he did would fit with our music.

We spent a couple of months going back and forwards with Wayne’s ideas and our feedback - but we didn’t really ask him to change anything he came up with. He got it right from the beginning, so we just went completely with his vision. We think he did an amazing job. It’s funny: it feels like we’ve known him for ages now, although we’ve never actually met or even spoken on the phone as everything was done by email (he lives in Germany and we’re in England).

It’ll be funny when we do finally meet up (I haven’t even got any idea what his accent is…).

Does that Ministry of Defence ‘Be the Best’ slogan, juxtaposed against the funeral parades we saw in Wootton Bassett, rile and disgust you as a band?!

We have to be careful not to get too high and mighty about this. It’s easy to have a pop at politicians - and we understand you need an army and people to protect the country. What our armed forces did in World War II, for example, was incredible; brave and inspirational - and we all owe them a massive debt. However, in the last fifteen years or so, it’s all just felt so pointless. Very few people think the wars we’ve been engaged in have actually protected us against anything. Yeah, that ‘Be the Best’ slogan did rile - that’s why it’s referenced in the song.

‘Be the Best’ was a marketing slogan trying to persuade very young lads - who didn’t know what to do with their lives - to go and stand in front of bullets for no obvious reason. In the '00s, the average age of a new army recruit was nineteen. I understand that all organisations have to do a bit of advertising to get people interested. It’s one thing using that sort of emotive language to sell someone a car: quite another to ask a kid to put their life on the line, for no apparent cause.

Politics and polemics of war play heavy in your aesthetic and mindset. What is your view regarding the way Britain is changing and the divides you see around you?

Yeah, massively so... 

I remember talking to my granddad as a kid about World War II; he was in the Navy. At that time, almost everyone had a living link in their family to someone who had fought, died or been involved at some level. We all lived in a very peaceful time but the memory and awareness of just how devastating and destructive conflict could be (was) very apparent and it affected how people thought and behaved. That living link has all but gone now and as this has disappeared: it feels like that awareness of the consequences of war has evaporated as well.

People don’t take anywhere near as much care in what they say. Highly divisive and threatening rhetoric gets flung around now in such a casual manner: it’s pretty scary where it might lead.  I don’t think it’s just Britain, either – this seems to be happening everywhere at the moment.

The same goes for the U.S. Do you feel Trump is a man who needs to be stopped? Why do you think he is someone who, apparently, speaks to a lot of Americans?!

Trump is obviously a disaster-zone.

He’s a complete imbecile with a lot of power and extremely divisive opinions - which makes him very dangerous. However, I do also think he’s a symptom of a wider problem at the moment, rather than the cause. If he gets ousted, there could equally be another populist lunatic taking the reins. Growing inequality over the last few decades has played a big part in that. There are a lot of people who are stuck in a rut with no obvious way of getting out and chancers with intellectually lazy, flawed populist ideas are now starting to appeal to them. Trump is the aristocratic, son of multi-millionaire; whose vast wealth is purely a result of his huge inheritance. 

Despite this, he managed to win the votes of millions of broke, working-class Americans. He has no idea what their experience of life is like and he certainly won’t make their lives any better – yet, they still all voted for him. Something, somewhere, must have gone very wrong with our political system for that to be able to happen.

Bedfordshire is where you are all based. How did Akiva come to be and what is the inspiration behind the name?

We all went to school together. Rob and Dave are brothers and were at junior-school with Malc. I moved down from the North and met the others at secondary-school. We started out by messing around with guitar riffs and trying to learn the odd cover - that we could play to our mates in the school talent shows and stuff. In the sixth-form, we started to take it a bit more seriously and set up camp in Dave and Rob’s foam-plastered garage - much to the disappointment of their neighbours. That’s when we formed the band properly. 

We were originally called ‘Hush’ but changed our name to Akiva in 2004 - when we released our first album. Akiva is the name of a character in an old Second World War film called Kelly’s Heroes.

Your music mixes in classics, Rave suggestion and Grunge undertones – packed inside intense and to-the-point lyrics. Who were the artists you all grew up with and source as influences?

The Grunge thing comes mainly from Nirvana - who were the first band we all got into. We were very young, then. We loved Kurt Cobain, the energy and those noisy guitars - but we didn’t really identify with the whole ‘I-hate-myself-and-want-to-die’ thing. That’s why bands like Oasis, Primal Scream; The Charlatans and the Prodigy appealed to us so much more. They had the same energy and Punk spirit - but it was all so much more uplifting. The Rave scene had that energy, too. Malc used to go to a lot of raves and my brother started D.J-ing old-skool, Drum & Bass and breakbeat - so I got a lot of those influences passed down to me.

We loved the feel and sound of a lot of Rave and old Dance tunes; however, for us, guitar music was always the first love; mainly because of its powerful ability to send a message. People like James Dean Bradfield, Ian Brown and Thom Yorke were big inspirations as they always had something important to say. 

Also, and probably most significantly, it was going back and discovering The Who and The Rolling Stones that made the biggest difference for us. That late-1960s combination of swaggering, upbeat guitar tunes with powerful, politically-tinged messages in the lyrics – incredible! Sympathy for the Devil and Won’t Get Fooled Again became our blueprints for what a song should be...

It seems your music is as influenced by the cornerstones of legendary music and Question Time/BBC Radio 4 alike. Would that be a fair assessment?!

Yeah. It seems weird for a band to say they’re influenced by Radio 4 , but I think if you going to write about something, you have to do your research and you have to understand what it is you’re talking about. We read a lot and listen to and watch a lot of programmes about news, politics; economics and history - because we want to understand things. We want to know what’s going on in the world and why. Songs with personal themes (love, loss; pain, regret and aspiration) have always been those that appeal to people the most; however, for us, it’s combining the personal and the political that makes the most powerful music. It doesn’t work with the political on its own (no-one wants to hear a song about the Government’s fiscal policy!) but, when you combine love and class-conflict..you get A Design for Life. When you mix anxiety and the Vietnam War...you get Gimme Shelter.

This was very much at the back of our minds when we wrote M.O.D. - and framed what we were trying to achieve.

George Orwell is a hero for all of you. What is it about him and his writing that connects with the band?

George Orwell was a visionary and a genius. Nothing short.

1984, in particular, is a bit of Bible for us. It’s pretty mind-blowing to think that he wrote this nearly seventy years ago - yet it couldn’t be more relevant today. The stuff about Big Brother and surveillance was prescient: look at the Edward Snowden revelations. I also remember when George W. Bush first declared the ‘War on Terror’, thinking: “Who is he actually waging war on?! Terror isn’t a country or a person it’s a concept. How can you win a war against an idea?!”. George Orwell had this nailed in the 1984 plotline: the state constantly declares itself at war with unknown and intangible enemies to create fear and uncertainty in the population. This allows them to maintain control and stay in power.

This is exactly what Bush did. Despite being one of the most incompetent presidents America has ever seen; in 2004, he managed to get re-elected - largely, in part, to this everlasting ‘War on Terror’ he’d created.

What tour dates do you have coming up? Where can we catch you play?

We’ve not got many live dates in the diary over the next few months, unfortunately. We’re focusing on writing some new songs - which we’re planning to record early next year. We’re also teaming up with Wayne again. Next week, we start work on another video for our next single - which will be called Ammunition. 

You can probably guess what the themes of this one are about, too…

If you each had to select the one album that means the most to you; which would they be and why?

Me (Dave MacK - Vocals):  Mine would probably be Tellin' Stories by The Charlatans

I had this on-repeat permanently as a teenager and still never tire of it. It’s the combination of that Stones-y, Dylan-esque swagger; Burgess’ heady, optimistic vocal drawl and those pounding drums, basslines and piano riffs - it just makes you feel so alive! I used to feel like I could do anything when I listened to this. 

I still do, now! 

Malc (Guitar): The Stone Roses’ debut album (The Stone Roses)

It has everything I adore in music swirled into a perfect package - and twinned with the coolest original artwork, personal to the band. Grooving basslines; the funkiest breakbeat drumming; an arrogant swagger; dark, cutting and topical lyrics disguised in familiar, uplifting melodic harmonies… and then; the sparkling, absorbing guitar that binds and lifts these tracks to magical perfection. If I’m happy, I want to hear this record: in my deepest despair, I reached for this album - a night out on the town is improved by hearing a track from this album.

When I pick up my Les Paul it’s this album I think of - and I fall in love with music over and over again.

Dave Merc (Drums): I’d go for Ill Communication by the Beastie Boys 

Layered; new; aged; aggressive and blissfully chilled - all in one album. It encapsulated the confusion of my late-teens, but it had a culture about it and a resilience that helped see me through those days with focus and persistence.

Rob (Bass): David Bowie – Hunky Dory would get my vote

There’s not much I can say about this album that hasn’t already said. It’s just a masterpiece and I can’t help but be moved by it every time. Bowie was a true genius. I felt like I’d lost a close friend when he died last year.

What advice would you give to artists coming through right now?

Work hard, practice loads and don't expect to make any money! You really do have to do it for the love of it - now that all music is pretty much free. That's always been our biggest motivation: trying to become as good as we can at playing and writing and trying to create something we can really be proud of. 

Christmas is not too far away. Do you all have plans already or will you be busy working?

We haven't made any Christmas plans yet. It gets a bit annoying seeing Christmas ads when we haven't even had Halloween yet.

There are still two months to go…

Finally, and for being good sports; you can each name a song and I’ll play it here (not one of yours as I’ll do that).

(With pleasure):

Propellerheads - Bang On!

Black Grape - Reverend Black Grape

Massive Attack - Unfinished Sympathy

David Bowie - Life on Mars?

_________

Follow Akiva

 Official:

https://akivaweb.wordpress.com/

Facebook:

https://www.facebook.com/akivamusic

Twitter:

https://twitter.com/akivamusic

SoundCloud:

https://soundcloud.com/akivamusic

BandCamp:

https://akivamusic.bandcamp.com/

INTERVIEW: The Americans

INTERVIEW:

PHOTO CREDIT: Concepción Studios 

The Americans

________

FEW bands would be harder to locate on Google…

PHOTO CREDIT: Mike Garnell

than The Americans. Combine it with most search-terms and you'd come up with a mass of irrelevant results! I ask the guys about the name and where it derives from; how they all got together in the start; the music/sounds that mould who they are - and whether there are any Christmas plans formed.

The boys talk about their new album, I'll Be Yours, and the themes that inspire it; their favourite tracks from the record - and why they are compelled by the old Rock and Roll masters such as Chuck Berry.

________

Hi, guys. How are you? How has your week been?

Patrick: So kind of you to ask…

Zac: It's been a good week. The Dodgers are going to the World Series. We've got a record coming out in a couple weeks.

Jake: As Zac said - and it’s my birthday on Oct. 21st.

For those new to your work; can you introduce yourself, please?

Patrick: I sing and play the guitar.

Zac: I play guitar and banjo.

Jake: I play the upright and electric bass. I also repair the pump organs.

Your band-name must be the least-Google-friendly ever! What is the relevance of the name and do you worry it might put some off?!

Zac: We got the idea from a collection of photographs called The Americans by a photographer named Robert Frank. Our first drummer, Cody Edison, was a photographer who introduced us to his work. These days, he is a full-time photographer - and took the photo on the cover of our upcoming record, I'll Be Yours.

Right now, being American in general, might put some people off - regardless of our band-name. I think that having the opportunity to travel around the world representing a side of America that embraces all the culture we have in this country, and our great music, is a privilege.

Jake: America is grander than its current state. From my view, we have the name after the Robert Frank photography series - because he showed a complex America both beautiful and ugly; rich and poor.

PHOTO CREDIT: Sari Thayer

Is it true you all got together through a shared love of busking?

Patrick: That's true: I started busking in high-school.

Zac: I have often thought of busking as more of a necessity than something I love. We all used to busk - but I think our connection was more in the music we were playing than busking itself.

Jake: Patrick and I used to busk in San Francisco over on Broadway and Kearny. I remember strippers coming out and giving us some of their one-dollar bills. We made friends with the homeless community in North Beach and even did a recording project with several of the local homeless musicians. One of the guys, Deforrest Wiggins, claims he used the C.D. we made to get himself off the street.

But, truth be told, it was just his desire to get off of it.

I’ll Be Yours is your forthcoming album. Can you tell us about the themes and ideas you explore in it?

Patrick: Devotion and solitude.

Is there a song from the album you all hold dear?

Gone at Last

Zac: I really like Long Way from Home

Jake: I was really happy with the way I’ll Be Yours came out

Your sound is Roots with Rock and Roll thrown in. It seems to hark back to pre-War Country and legends like Chuck Berry. What is it about the time period that appeals to you?

Patrick: I don't know if you could put your finger on it exactly. It was a renaissance that began soon after the invention of recorded music - and lasted over half-a-century. The phonograph record gave voices to all different musical cultures, styles and textures that had spent an eternity sequestered. Then they all started combining...

PHOTO CREDIT: Broadway Photography

It's an event that could only happen once.

Zac: I don't think there is a lot about that time period that appeals to me. I think, for most people, things were as hard then as they are now, if not harder. I guess, in general, music was better. We've all argued a lot about different ideas for why that could be. I think musicians probably just use to devote more time and effort into making music. Most musicians drew on solid traditions from the past a lot more - instead of making originality a top priority.

That being said, I think we all love Hip-Hop - which is always trying to be really progressive.

Jake: As Zac was saying, living now is quantifiably better in so many regards - it seems strange to seem sentimental. With that said, I’d say the things that appeal to me about another era would be to really ask what I like about how another era handled the human condition. People have always wanted to dance and I like the way the 1950s embraced the rumba rhythm for much of its music.

People have always had a black market and I like the bravado that came out of the '20s bootlegging and gambling songs. When there was a high mortality amongst women and children, they wrote murder ballads and used the ballad as a form of information.

PHOTO CREDIT: Brendan Pattengale

It seems like you are trying to create something new. Do you think music lacks invention, in a way?!

Patrick: No. I think all creative work necessarily involves invention. It's less like creation and more like discovery: if you discover a lode of silver that someone is already mining, you didn't discover anything.

Jake: No. I wouldn’t say that. I would never say that. I would say that musical innovation is an American trait that we hold dearly.

Zac: I would like to see more people focus on making good music, instead of trying to invent things. Invention happens naturally when people pursue whatever moves them in music as diligently as possible.

The Right Stuff is the current single from the album. What is the song all about?

Patrick: It's about failure and coming to terms with it. Creative work also necessitates failure; even becoming comfortable with it.

Los Angeles is your base. How hospitable is the city when it comes to accommodating your love of older music?

Basically, everyone I know, besides my parents, who like music that I like I met down here.

Jake: There’s a thriving scene for old American music in Los Angeles.  

Zac: There is a long history of really good music in this city. There is a train station in East L.A. called Mariachi Plaza - where Norteño musicians hang out all day and night, waiting to be picked up for parties.

A lot of the songs they play are over a-hundred-years-old.

IN THIS PHOTO: Christian Lee Hutson

Who are the new artists you recommend we check out?

Patrick: Christian Lee Hutson.

If you each had to select the one album that means the most to you; which would they be and why?

Time Out of Mine - Bob Dylan

Zac:  I'll Be Yours (comes out Nov. 3rd)

Jake: The Anthology of American Folk Music compiled by Harry Smith

What advice would you give to artists coming through right now?

Patrick: If you can develop a couple of sets' worth of songs – covers, if you have to - some bars will pay you a decent wage; no matter how small or new you are. Book some of those along with a tour - and you'll actually make money.

Jake: Coming through what?! Puberty?!

Zac: I'm not sure if I feel qualified to give anyone advice on that matter.

Christmas is not too far away. Do you have plans already - or will you be busy working?

Patrick: I'll be up in San Francisco with my folks. My brother and sister and nieces and nephews always come over Christmas morning.

Jake: We’ll be writing new material.

Finally, and for being good sports; you can each name a song and I’ll play it here (not one of yours as I’ll do that).

Patrick: 'Cross the Green Mountain - Bob Dylan

Jake: The Creole Love Call - Rahsaan Roland Kirk

Zac: Ma Blonde Est Partie - Breaux Freres

_________

Follow The Americans

PHOTO CREDIT: Concepción Studios 

Official:

http://www.theamericansmusic.com/

Facebook:

https://www.facebook.com/theamericansmusic

Twitter:

https://twitter.com/americansmusic

SoundCloud:

https://soundcloud.com/theamericansmusic

Instagram:

https://www.instagram.com/theamericansmusic/

YouTube:

https://www.youtube.com/theamericansmusic

INTERVIEW: St. Bishop

INTERVIEW:

PHOTO CREDIT: Samuel Foxton

 St. Bishop

________

HIS family know him as Stephen Bishop but, to us…

ARTWORK CREDIT: Ethan Hart

he is known as St. Bishop. I ask the Irish songwriter about his current song, Porcelain, and why it has such emotional resonance; how he started out in music - and whether coming out to his family was a tough experience. St. Bishop talks about his style and music and the artists that have been instrumental; what the music scene is like where he is - and whether there will be more material in the future.

________

Hi, Stephen. How are you? How has your week been?

Thanks for asking. I’m good.

It’s been a pretty busy week doing the last bit of prep. for the single release - but it’s been good. I have been living in Dublin full-time for over four years now and rarely get to go home to Monaghan to my parents’ house - but this week, I had a few days off and went back home and spent time with my family; so that was really nice.

For those new to your work; can you introduce yourself, please?

Yeah, so, I’m St. Bishop. I am an Alt-R&B artist based in Dublin. I have spent the last year-and-a-half writing, recording and developing my sound with producer Sean Behan from A Place Called Kai.

Talk to me about the name, ‘St. Bishop’. Is there a story behind that?

When I first started gigging my own material, I used the name 'BISHOP’ (which is my surname). I started working with a band when I was in my second year of college. But, after a few months, we parted ways and then I began working with Sean Behan - and joined his independent label A Place Called Kai. I then changed the name to St. Bishop.

There is not much of story to the name except that it’s my own name - just without a few of the letters – and, also, 'St. Bishop' makes me sound way cooler than just 'Stephen Bishop'.

ARTWORK CREDIT: Ethan Hart

I am interested in the new single, Porcelain. Is there an inspiration that led to its creation?

I wrote Porcelain, not long after coming out to my family and friends. For me, it’s the boldest statement I could make about my sexuality. Its lyrical content and emotion is inspired by my struggle with self-acceptance issues. I found the shift from adolescence to adult life quite difficult; so, I guess calling myself 'porcelain white’ is a reference to my youth and innocence - which can’t last forever and is tainted in the chorus with the unreserved expression of my sexual desire.

It was the marriage of these two ideas that created this song.

How instrumental has your coming-out been to your songwriting and writing the material you do at the moment? Was it an emotional time – revealing your homosexuality to your family?

For me, songwriting is an incredibly therapeutic process: there is nothing better than down at the piano and pouring out all of the mess that’s inside your head; it not only helps my own mental health but also has the potential to help others when they hear the song. That’s pretty cool, if you ask me. Before I came out, I tended to not write songs that were about my own life: I would shy away from being honest in my songwriting as I knew I wasn’t being honest with myself.

Like, before I came out, I would write songs where the counterpart was female - knowing fine well that I was gay.  After coming out, I was more comfortable with myself and began to write about personal experiences. This enabled me to come to terms with a lot of self-acceptance issues I’ve had.

Coming out to my family was a really lovely experience. I was really nervous but it was actually great. I’m incredibly lucky as I have such a loving and caring family. Everyone was just really happy for me. When I look back I don’t know why I didn’t do it sooner but, then, I guess I just wasn’t ready to do it when I was younger.

PHOTO CREDIT: Samul Foxton

It seems you have taken a positive approach to your sexuality – celebrating it rather than shying away. Do you feel, in society and music, there is still a lack of compassion and understanding?

For the majority of my life, I have shied away from my sexuality but, since coming out, I have just embraced it. To me, it’s only one part of my life and is just a fact about me. The same way I have brown hair or have blue eyes – it’s just thing that makes me who I am. I feel that a large part of society embrace individuality and are really open-minded when it comes to sexuality. Obviously, there are those who don’t - but I try to not focus on that. It was the passing of the marriage equality referendum in Ireland that made me realise how many people don’t actually care - and just want people to be happy and live their own lives.

So, that’s pretty awesome.

PHOTO CREDIT: Samuel Foxton

Are you inspired by modern R&B/Electro artists? What artists can we find on your playlist right now?

Yes. I am incredibly inspired by R&B/Electronic artists. It’s my favourite kind of music to listen to, which is good, because it’s the kind of music I write. Currently, I have been listening to a lot of Will Heard, NAO and Daniel Caesar. I also have been listening to a lot of Irish artists such as Jafaris, Wyvern Lingo; LAOISE and Rosie Carney (to name a few).

Did you grow up in a musical household? How early did music come into your life?

My first memory of music coming into my life was when I was about nine or ten when I sang a solo in a school play. I have one brother and one sister who both are very musical. Growing up we all sang and were involved with music, especially in secondary-school. They are both incredible singers and musicians.

Mam and Dad claim responsibility for our musical talents but I’m not sure where they came from to be honest - as neither of my parents are musicians. Having said this, music was always playing in my house when growing up. My parents both have great taste in music.

Leonard Cohen, Tracey Chapman and Norah Jones were the soundtracks to most car journeys as a child.
 

PHOTO CREDIT: Samul Foxton

Being based in Ireland; how much exposure to great venues and local artists do you have? Do you get the opportunity to bring your material to a variety of audiences?

The Irish music scene is thriving at the moment. It’s incredibly inspiring. I debuted at Electric Picnic this year, which was deadly. It was so cool to see my name on the same bill as so many awesome Irish artists. I have only begun gigging but I am so excited to take my music to different parts of the country/world and share it a variety of audiences.

Can we expect an E.P. at any point? What are you working on right now?

Yeah, so, as I said; I have worked with Sean for about a year-and-a-half and, in that time, we have recorded a good few songs, I have plans for future releases but am unsure if I will release them as a collection of songs or just as singles. I guess time will tell.

But, for now, my first single is finally out and I am really excited to share more songs/stories with people.

IN THIS PHOTO: Farah Ellie/PHOTO CREDIT: Tara Thomas Photography

Who are the new artists you recommend we check out?

From studying in BIMM, you’re exposed to so much music and become friends with so many artists. My current favourites are:

Rosie Carney, Ailbhe Reddy; Maria Kelly, LAOISE and Farah Elle (ladies; y’all are killing it).

IN THIS PHOTO: Ailbhe Reddy/PHOTO CREDIT: @keithoreillly

If you had to select the three albums that mean the most to you; which would they be and why?

That’s a tough one but I’d say NAO – For All We Know; Adele – 21 and Gregory Porter – Liquid Spirit

When I find an album I like, I tend to listen to it every day for weeks/months on end. I honestly couldn’t tell you how many times I’ve played these records. Each of these artists has massively influenced my songwriting/vocals.

What advice would you give to artists coming through right now?

I think the most important thing is to just work really hard. Don’t do things by halves: take risks and believe in yourself. It’s a scary career path but, if it’s something you want to do, just do it and don’t be apologetic.

Where can we see you play this year? What dates do you have coming up?

I’m playing some really nice shows this year. I have two stripped back gigs coming up: Sin É – 25th October and Crow Club 9th November. I have started planning a really special gig in the New Year - and I am so excited for it.

It’s gonna be sweet.

PHOTO CREDIT: Samul Foxton

Christmas is not too far away. Do you have plans already or will you be busy working?

I have no definite plans for Christmas, except spending time with family and friends and eating loads of food. That’s what Christmas is all about. I will also be working over Christmas and prepping for 2018.

Finally, and for being a good sport; you can each name a song and I’ll play it here (not one of yours as I’ll do that).

Put Your Records On – Corinne Bailey Rae (it’s an absolute tune)

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Follow St. Bishop

PHOTO CREDIT: Samuel Foxton

Facebook:

https://www.facebook.com/iamstbishop/

Twitter:

https://twitter.com/iamstbishop

SoundCloud:

https://soundcloud.com/iamstbishop

Instagram:

http://www.pictame.com/user/iamstbishop/4434097155

INTERVIEW: We Are Wolves

INTERVIEW:

 We Are Wolves

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I won't even mention the fact We Are Wolves...

are from Canada - as a lot of my current time is being taken up by artists from that part of the world! The guys recommend some great Canadain acts to watch; why each member is an integral part of the machine - and how they channel the darkness of David Lynch with the Disco funkiness of the Bee Gees!

The guys talk about their new song, I Don't Mind, and how its (dramatic and filmic) video came together; what comes next for them; what tour dates are coming up - and how they will be spending this Christmas...

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Hi. How are you? How has your week been? 

Great week! We’ve been working on some new stuff...a bit colder and darker but still Raw/Mutant-Pop. 

For those new to your work; can you introduce yourself, please?

Hummmm…ok.

We are: WE ARE WOLVES…

A Montreal band with a stand-up drummer, a Weird-Pop-cold Electronics dude - and a Latino guy; playing dark Dance bass-lines with Punk fingers…and a kind-of-Garage-guitar. You could call it ‘Mutant-Pop’.

I Don’t Mind is out there. What was the inspiration behind the song? 

We have always been fans of Disco and dark soundtracks (think, Carpenter-Moroder) but, in a strange way, we could never do a full-on weird Disco song. On our last album, we just told ourselves that we would do what we wanted and not what people expect...so we went full-on druggy-Disco…kinda.

It has been called a cross between the Bee Gees and David Lynch. It seems you embrace light and darkness in equal measures…  

I loooove light!

I really love the sun and dream of moving to Barcelona or Colombia - but only really feel alive at night..in the darkness (hahaha! Whatever that means...but still true). So, yes, I guess we do “embrace light and darkness in equal measures.”

The video for I Don’t Mind looks dramatic! What was it like seeing it back and what was the shoot like?

We have been working with that dude for a couple of videos and it seems like we share the same interest of the occult and the mystical. So, that video, mixed up with that Disco song, makes a lot of sense.

The song/video is the soundtrack for the New Age occult, as imagined by Jérémie Saindon. Is Saindon someone who brings the best out of your music in a visual form?

Yes!

We never really understand where he wants to go with his vision, his videos. But, then again, I’m not sure he understands, also...

That is exactly the reason why we work with him.

WRONG is the new album. What kind of themes and stories go into the record? 

Hummmmm…same as always. 

Love; death, but this time, it’s more psychoanalytical and less philosophical.

Can you tell me how you all met - and what it was about one another that formed We Are Wolves.

Art students bored of being art students: I always wanted to be a professional skateboarder and ended up learning to play an instrument (still learning).

Montréal is home. What is the city like for music and vibes at the moment?

Amazing! Sooo many different scenes, bands; music venues and people making it happen. 

Who are the new artists you recommend we check out?

My god! That’s hard. There are so many...

VICTIME. Choses Sauvages. Chocolat. Avec le Soleil Sortant de sa Bouche. Paul Jacobs. Incredible Woman. I.D.A.L.G. No Negative. Paupière

Lost Love. CO/TRY. Suuns. Jerusalem in My Heart. Organ Mood. Morthouse. Bernardino Femminielli

(Soooo many. It’s crazy!). 

IN THIS PHOTO: Avec le Soleil Sortant de sa Bouche/PHOTO CREDIT: Minelly Kah

What advice would you give to artists coming through right now?

Could not say anything; it’s too complex. We would need to invite the person or band for dinner and get drunk.

Do you all get the chance to detach from music? What do you all get up to when not making music? 

Hmmm…make more music.

Where can we see you play this year? What dates do you have coming up?

South America and, hopefully, Europe and Asia.

Christmas is not too far away. Do you have plans already or will you be busy working?

Going to see my family in Medellin, Colombia and, hopefully, learn some cumbia - and bring back some influences for the new album.

I love cumbia!

Finally, and for being good sports; you can each name a song and I’ll play it here (not one of yours as I’ll do that).

1: Bernardino Femminielli  - Plaisirs Américains

2: CO/NTRY  - Cash Out

3: No Negative - Cellophane

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Follow We Are Wolves

 Official:

http://www.wearewolves.net/

Facebook:

https://www.facebook.com/wearewolvesmusic/

Twitter:

https://twitter.com/wearewolvesmtl

SoundCloud:

https://soundcloud.com/we-are-wolves

Instagram:

https://www.instagram.com/wearewolvesmusic/

YouTube:

https://www.youtube.com/user/wearewolvesmontreal

BandCamp:

https://wearewolves.bandcamp.com/