INTERVIEW: Monti

INTERVIEW:

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Monti

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THERE are few who have the background…

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and life of Monti. She speaks to me about her transition from the streets - and how she has turned that experience into something positive. I find out about her new track, Echo, and the story behind that; what she has planned in terms of new material; the music scene where she is in L.A. – and some of the projects she has been involved in.

Monti discusses the artists who have influenced her; the albums that have affected her (as a human and musician) and what she has planned regards touring – and whether we can see her in the U.K. anytime.

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Hi, Monti. How are you? How has your week been?

Hi! It has been incredible! Thank you!

For those new to your work; can you introduce yourself, please?

Hey, everyone! My name is Monti. I’m a recording artist, songwriter and philanthropist.

I am interested in the single, Echo. What is the tale behind the song?

Thank you! I wanted to create something deeper with my music…

I really wanted to tell my own story and the stories of the youth that I am around daily and mentor. I wanted to talk about the struggles I had, and that they still have with growing up - and are dealing with various unfortunate circumstances, including homelessness; being in foster care, abuse; addictions etc. I wanted to speak out to them and for them and, to next generation in general, let them know that I've been there - and I made it out...and so can they. 

The single, Echo, refers to our voices and the next generation’s voices - and the need to be heard. I found that I not only wanted the voices and message to be ‘heard’; but to be a heard loudly as a declaration and ‘echo’ - so it may continue on to be heard by the next person as well; so they can, hopefully, be inspired (and so on)... 

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You wrote the track with Josh Stevens. What was that experience like? Did you know each other before working on the song?

I met Josh Stevens through another project.

I was brought in the studio to work with him on that project and, later, approached him regarding my vision for my next solo artist project. He saw the potential and believed in it. This started my incredible musical relationship with him and his company, Stadium Music Enterprise - where we worked on bringing this vision to life.

When we went in for the first writing session, we were definitely in-sync. As the song progressed over time, he also found his own voice in the single, as he did the feature on it - that was also an experience shared from his own story. He’s become one of my favorites to co-write with, for sure - and I can’t wait to see what we do next!

Do you think there will be more material coming next year?

Oh yes...

I am continuing to work with Josh Stevens and Stadium Music Enterprise on an E.P. - which we are planning to release by early-2018!

Whoop whoop!

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Your lyrics address harder subjects and provoke thought. Is it quite tough being so revealing and open in your music?!

Not at all: I feel like it’s the opposite, actually.

It’s easy for me to be so open because it’s part of my purpose (of) being a music artist - in spreading my message – therefore, it comes naturally. I’ve found it’s actually tougher writing songs that have no depth or real message.

How did you manage to go from a runaway – dodging foster care systems – to a young woman releasing music? How hard has it been transitioning from that situation?

I like to say I have had guardian angels here on Earth.

During the time, I was still on and off the streets and hanging out in gang life; I ended up singing hooks for several rappers in home recording studios - and that lead me to meet artist/producer, Lamar Lacañgan. He and his family took me under their wings and mentored me. Soon enough, he started his Independent record label, O.Y.I.E. Records, and offered me a record deal; where we immediately started working on my first album - where I wrote my first songs ever. That was the start of my career as a recording artist but, more importantly, that was the start of my transformation.

I got so much more than just a record deal - but a sense of unconditional love, community and new possibilities. Lamar and his team clearly had a heart for inner city/at-risk youth - and, so, they later started the non-profit, O.Y.I.E. Music - where I became their first success story.

I always say that they and that whole experience saved my life. It definitely was not an easy transition but, for the first time, I was introduced to the power of choice and to a whole new world; one that I could be in and could accomplish greatness in - if I chose to - and, since then, I continuously keep striving, persevering and working to become better as a human being - for myself and for others to make a difference (like it was for me).

Do you feel more settled and safe at the moment? Are there plans afoot for 2018?

Yes, absolutely.

I have been so blessed surrounded by amazing people and continue to create my world with my choices one moment at a time. 2018 is going to be incredible! So many great things in the works.

We are planning to release an E.P by the middle of next year.

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What was your music upbringing life like? Which artists stood out to you when you were younger?

My mom had a very eclectic vinyl collection; made up of a wide variety of music of the roaring 1920s; Broadway show-tunes, Pop tunes from different eras - ranging from the 1960s – 1980s. As a child, I listened to all of it and then some - but mainly her Whitney Houston, Michael Jackson; Lionel Richie and Motown records (the most). Throughout my troubled childhood, I remember music becoming a bit of a refuge for me as a way to escape, I think. I always gravitated to the kind of music that had soul, passion; depth; told stories and/or just felt good to listen to.

As a teenager, specifically, I listened to a lot of Hip-Hop, R&B and Soul - mainly 2Pac, Ice Cube; Too Short, Fugees; Lauryn Hill, R Kelly; Brian McKnight, Dru Hill; Lil' Kim - and then there was Nirvana, too, of course (smiles).

How important is Los Angeles and its people to your stability and music inspiration?

I love living in L.A.!

Being around the variety of different cultures, food and art really helps build my creativity - and gives me new ideas daily. The fast lifestyle and constant drive of the people here also keep me inspired - to keep moving and creating. I only surround myself with people who motivate me to become better - and are the ‘doers’ of the world. This also plays an important role in my overall balance. I definitely need the quiet and slower times as well, which I've also found here through other activities that L.A. provides - with the beach and hikes and beautiful scenery.

So; I mostly love how L.A. can provide me with that balance as well.

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Who are the new artists you recommend we check out?

They’re not really new - as they’ve been doing this a while - but definitely check out Damien Horne and John Splithoff; then Clay Campania - who’s also one of the baddest guitar players of our generation.

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IN THIS PHOTO: Damien Horne

If you had to select the three albums that mean the most to you; which would they be and why?

During my younger childhood; I would say Janet Jackson’s Control (on cassette-tape!)

HAHA. This stands out for sure because this music inspired me to put on dance concerts in my neighborhood with my best friend - which gave me happiness and a positive outlet to escape the chaotic home environment I was surrounded in at the time.

Growing up in adolescent years; I would say HIStory: Past, Present and Future, Book I (double-disc) by Michael Jackson. I remember when this first came out; I became glued to it because it spoke to a lot of my life that had already happened - and helped me get through a lot of trauma in my life up to that point.

Then, later in early adult years, it was Lauryn Hill’s MTV Unplugged (double-disc). This changed my life, because it was the first time I had heard an artist be so raw and vulnerable and then, from that moment on, I knew I always needed to just be authentic with everything - as a person; by telling my life stories and sharing them with the world.

Can we see you perform anywhere soon? Will you be coming to the U.K. next year?

Yes! I’ll be performing at L.A.’s historical venue, Dresden, on November 20th at 9 P.M.! You can find out more on my website.

I definitely hope to be coming to the U.K. next year - if I get booked out there!

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What advice would you give to artists coming through right now?

Find and focus on what it is you really want to say; be known as and stay committed to that - as you can only do what you do...

Also, to think about ‘legacy’; as we're only here for a short time - and have been given a gift that has the power to impact people and the world immensely. So; make sure you're really doing what you want to be doing - as you're the only one who can do what you do.

No matter where you come from, or what you've been through, you can make it; if you choose to...

Christmas is not too far away. Do you have plans already - or will you be busy working?

I will definitely be busy working and getting ready for 2018.

We have lots of great things in-the-works! I will also be spending the holiday month with my family in Hawaii.

Finally, and for being a good sport; you can name a song and I’ll play it here (not one of yours as I’ll do that).

I Try by Clay Campania

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INTERVIEW: Dark Horses

INTERVIEW:

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Dark Horses

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A new track from Dark Horses is always a good thing…

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in a music world where quality and consistency are not interlinked or reliable. XIII is out and, with that numerical indicator; is bad luck and superstition at its base?! Dark Horses have an album on the way and have, in their career, supported Beck. I talk to them about their latest work and its spark; what we can expect in the coming months; how they came together in the first place – and what they will be doing with the remainder of this year.

They are heading out to support Black Rebel Motorcycle so I quiz them about their gig plans and what we can expect; any new artists we should keep our eyes open for – and the music that means the most to them.

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Hi, guys. How are you? How has your week been?

Hi. It’s been a week of Black Rebel (Motorcycle Club) at Brixton, blind dates; losing house keys and releasing our single

All-in-all…not too bad, thanks.

For those new to your work; can you introduce yourself, please?

We are Dark Horses: a five-piece band of talented chancers; a soulfully obstinate sonic family

XIII is your new single. What is the story behind it? What is the significance of the number thirteen?

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Some believe it to be unlucky - but we consider it to be a karmic number. It is the number of upheaval...so that new ground can be broken. We were also challenging ourselves, musically - you should have seen the concentrated looks on our faces while writing this song; trying to stay in the same time signature!

It seems, as you look at people being broken into numbers, there is a fear around the modern ways – and the digitisation of humanity. Is it conflicting having these feelings whilst having to rely on social media/streaming services for publicity?

We are not against digitalization: it is interesting, scary and exciting to witness the evolving marriage between humanity and technology.

We have faith in the warmth and unpredictability of human nature - let’s see how that all plays out! (if we live that long!)

I believe an album will follow. Can you reveal any songs that will appear? In terms of themes; what will you be investigating on the record?

Yes. Themes include:

Collective attitudes, runaways; authenticity at the risk of ridicule, hype machines; personal space and identity, fluid perspectives; learning from history, mathematics and silliness.

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How did the band get together at the very beginning?

As a band, we had an exceptional beginning...

Everything was done upside-down, so maybe what is important now is to recognise and value the most simple aspects of being in a band together; having fun making a racket!

In some respects, I think we can be overawed by our own history….

You have, already, supported Beck and been backed by big sources/radio stations. Is it quite hard to take in all you have achieved so far?! What have been your favourite memories from your music careers so far?

I recall checking myself out of the hospital after suspected appendicitis - in order to perform at the Royal Albert Hall for Teenage Cancer Trust…standing on that stage to honour all those brave young people and their families and friends was an emotional moment I shall never forget. The hall is built in such a way that I did not have to make any effort to project my voice and, with limited physical strength, that was definitely a bonus.

I felt at ease and very lucky to be part of such a magical evening.

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Which musicians did you all grow up listening to? What might we have heard in your childhood homes?

The Beatles, Pink Floyd; Swedish Folk music, Janis Joplin; Carole King, The Who; Prince - and plenty of Classical and Jazz.

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IN THIS PHOTO: Baby in Vain

Who are the new artists you recommend we check out?

Baby in Vain - a Danish group we saw not long ago. Really great.... 

Spring King. HAAi-

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IN THIS PHOTO: Spring King/PHOTO CREDIT: Henry Muller

If you each had to select the one album that means the most to you; which would they be and why?

Gosh. Not an easy question:

Anastasia: Carole King - Tapestry

I recall really connecting with her lyrics. She seemed to be singing to me.

Lisa Elle: Björk- Debut

When I heard this for the first time as a kid; I remember thinking: ‘That's what I want to do… sing and write stories like that.

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David: Radiohead - OK Computer

What melodies! Got me really hooked on my Telecaster.

Bobby: ABBA - Greatest Hits

Not cool - but I used to love it as a child.

Stevie: Bob Marley and the WailersLegend

What can I say - it sounded extra-good when I was stoned.

I believe you are heading out with Black Rebel Motorcycle Club. You guys pumped about that? What other dates do you have approaching?

We have opened for them when we first formed so it’s going to be fun to do it again now.

We are also doing a headline show on our way back in Budapest - a city we have fond memories of playing in before. We have another release lined up for the end of Jan and we shall return to the stage in the spring.

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I know Milan is part of the tour. Have the band ever been to Italy? Have you boned up on your Italian for the trip?!

Well; Anastasia, on bass, is from Molise - in the centre-south of Italy! We performed at Zanne Festival, in Catania, which was great; especially as the line-up was comprised of some of our favourite artists: Toy, Blond Red-Head; Clinic and B.R.M.C.!

Needless to say; we are most excited about returning - not least, for the food (smiles).

What advice would you give to artists coming through right now?

Just make music that you enjoy and excites you and, as much as you can, find a way to share it on your own terms. A lot can be done D.I.Y. nowadays: if you can create a scene for yourself and your music, it will only be more appealing to an industry who might want to work with you down the line.

Christmas is not too far away. Do you all have plans already - or will you be busy working?

Hibernating and generally warming up after gallivanting across Europe, in a van, on tour!

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As you are called ‘Dark Horses’, I have to ask: is there a member of the band with a secret – something nobody knows? Who is the biggest dark horse in the band?!

Ahh…good question! Probably, Bobby. It involves a Tinder date - and no more can be said about that!

Finally, and for being good sports; you can each name a song and I’ll play it here (not one of yours as I’ll do that).

Anastasia: Mass Datura - Fantasy Friction

David: PINS (ft. Iggy Pop) - Aggrophobe

Bobby: Donny Hathaway - Jealous Guy

Stevie: CameraSynchron

Lisa Elle: Ariel Pink - Put Your Number in My Phone

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INTERVIEW: Natali Felicia

INTERVIEW:

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Natali Felicia

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THE excited and physical sounds of Natali Felicia are all over…

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her latest single, Say It. I ask the artist about the song and the story behind it. I discover more about Natali Felicia’s songwriting process and the artists who inspire her; the music she was raised on and why she moved from Sweden to the U.K. – she has recently relocated here and spending more time in Britain.

Natali Felicia talks about working with Andreas Grube and the albums that mean most to her; whether there is going to be new music approaching; how the rest of this year will pan out – and why this week has been a particularly good one for her.

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Hi, Natali. How are you? How has your week been?

Hey! I’m alright, thanks! It’s been a quite good week.

The peak of the week was seeing Father John Misty’s show at Hammersmith Apollo in London. The first time I have seen him live. Wow; what a show and what a man!

So brilliant! Loved it. 

For those new to your work; can you introduce yourself, please?

I’m Nat; a twenty-three-year-old Dark-Pop singer-songwriter from Sthlm, Sweden. I release music under my name ‘Natali Felicia’. I’ve released some songs so far and will be releasing my debut album in the New Year - which I’m very excited about!

Say It is the new single. What is the story behind it?

Me and my producer/writer companion, Andreas Grube, wanted to paint a vision of the beautiful act of people joining forces to be stronger together; to speak up and fight together for their rights. How cliché it might sound: we are and will always be stronger TOGETHER. I think that’s worth reminding people of every now and then. It speaks strongly about not silencing oneself; to dare to speak up and make your voice heard - especially as a woman - which is something I need to learn more… 

There is that need to fight repression and sing loud. Have you faced these issues in your career/life? How much of your personal life do you take?

It’s a bit funny actually thinking about it…continuing on the point I started on in the last question...

In private, I’m actually a quite a quiet person and afraid of conflict. I’m a big observer and thinker and I’ve got a lot of reflection going on in my head. I’m quite of a drama-queen on the inside and I guess it comes out in my music. Yes, I have - and, yes, I do - take inspiration from personal life but, also, a lot from what’s going on around us in the world.

I think I tend to write about things that revolve around challenging myself and facing my fears...if that makes sense…

Is there going to be an E.P. coming next year? What are you working on?

There’s an album coming out in the spring (next year!) It’s finally complete - after some years of hard work.

I’m very excited to finally share it. 

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You have produced music alongside Andreas Grube. Will he be co-producing your future work?

Yes! Andreas is my partner-in-crime.

We started building the world of Natali Felicia in 2011 together - and we’ve written my upcoming album together.

Kjell Bergqvist, arguably Sweden's most famous actor, and the fashionista and T.V. personality Yvonne Ryding - who as Miss Sweden won the Miss Universe crown in 1984 – are your parents. How artistic and creative was your household when you were growing up?!

Not so creative and artistic as you might think, really. Haha.

Both my parents have been quite good at leaving work outside of the household growing up. However; I did spend quite a lot of time with my dad at the theatre growing up. I grew (very fascinated) about that world and I’ve always been quite of a theatre buff - and I love performing.

Did your parents pass on any of their traits and talents? Did they expose you to a lot of great music? 

They are not at all musical my parents, actually...

My beloved grandmother and my sister are very musical, though. If anything, I believe I got that bit from them. Not really. Haha. My strongest memory is my dad always playing Mungo Jerry’s In The Summertime pretty much on-repeat in the car. 

What is the music scene like in Sweden, where you are based? Is it quite contemporary and inspiring?

It’s cool!

The past six years, I’ve been based on Södermalm in Sthlm. It is a very artistic and creative part of town. It’s been very inspiring, indeed. But, I needed a change of scene and recently moved to London, actually - where I’m now building my new base.

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Who are the new artists you recommend we check out?

You should check out my friend, Nadia Nair’s, music. She’s an amazing songwriter and artist. She’s got a beautiful album out called Beautiful Poetry - and I believe more music is coming from her soon.

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If you had to select the three albums that mean the most to you; which would they be and why?

Horses - Patti Smith

She’s was a huge inspiration to me when I started writing songs.

Hounds of Love - Kate Bush

THIS WOMAN. What an artist. Also; a huge inspiration to me. One of the best albums ever, if you ask me.

For Emma, Forever Ago - Bon Iver

I never get tired of this album. Such a beautiful collection of songs. 

Can we see you perform anywhere soon? Where can we catch you play?

I’m putting a band together in London right now. You will definitely see me perform - early next year - in the U.K.

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Will you be coming to the U.K.? Have you been here before?

I've been coming to London a lot the past two years (for writing) and kinda been on my way over here for a while. Very excited to now live here full-time and work with my music. I love this city - in a love-hate kinda way.

Very inspiring. Haha…

What advice would you give to artists coming through right now?

Hold on to YOUR personality: it’s the strongest thing you have as an artist. Always surround yourself/work with people who love what you’re doing and supports you 100%.

Christmas is not too far away. Do you have plans already - or will you be busy working?

I’m going back to Sthlm for Christmas to spend time with my family. It’s been a very hectic year for me - so I’m going to try and have a much needed quite Xmas.

Finally, and for being a good sport; you can name a song and I’ll play it here (not one of yours as I’ll do that).

In the Summertime by Mungo Jerry!

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INTERVIEW: The Blackheart Orchestra

INTERVIEW:

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The Blackheart Orchestra

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THE award-winning songwriters, composers and multi-instrumentalists…

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Chrissy Mostyn and Rick Pilkington are The Blackheart Orchestra. The guys are currently touring in Germany and have a load more dates coming - as we, slowly, head into 2018. They talk about their upcoming dates and what we can expect from them next year. I ask about their latest single, Born to Live, and how they manage to fuse Classical elements with sounds of the 1980s. The guys explain how they manage to create a fulsome sound on stage; the music they grew up listening to – and whether they have time to rest this Christmas!

I discover the magic and sound that goes into The Blackheart Orchestra’s immense and symphonic sound; how they got together; how their home-city, Manchester, affects their drive and creativity – a few new artists we need to investigate.

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Hi, guys. How are you? How has your week been?

Hi, we are great, thanks.

Our week has been great. We are currently on tour in Germany - so every city, every venue and every day is an adventure at the moment.

For those new to your work; can you introduce yourself, please?

We are a multi-instrumentalist duo from Manchester. People say we are quite unique because we fuse acoustic and electric instrumentation with vintage synth sounds and percussion - and mix 1980s Pop textures with Classical.

Artists that we most often get compared to are Kate Bush, Pink Floyd; Florence and The Machine and the Cocteau Twins.

Born to Live is out now. What can you reveal about the track and its origins?

The track was written after going through a pretty emotional time: it is all about fighting back.

There are Classical influences and a nod to the 1980s. Did you grow up around quite a varied array of music? 

Very much so...

Between the two of us, we have vastly different musical backgrounds and tastes - there probably isn’t one artist or one album that we both share. It could have ended in the biggest crash and the shortest-lived band of all time - but, actually, our diversity has enriched everything we do and, by putting such odd ingredients together, we try to create new never-tasted musical flavours (which people seem to like).

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I am interested learning how The Blackheart Orchestra got together. When was that moment the band formed?

We actually met in a rehearsal space in Manchester.

Something just seemed to click instantly and, before we knew it, our first album had written itself - and we had a tour lined up.

You are mistaken for an eight-piece act (when people hear you)! You change instruments and have a range of sounds at your disposal. Is it hard keeping a track and producing such a big sound?!

We both play over six instruments each and really enjoy having so many instruments and sounds at our fingertips on stage. It feels like second-nature to us now but I guess, when you stop and think about what we are doing, our performance is like a huge choreographed dance. Every single sound is played live and we move from one instrument to another mid-song; sometimes with each of us playing two instruments at the same time. 

Louder than War recently reviewed a concert and described our stage as “An Aladdin’s Cave of a laboratory for the evening for them to conduct their sound experimentation” – but, to us, it’s just the norm to chop-and-change throughout the set. It would feel incredibly odd now to just play a guitar or piano throughout a whole set.

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Your music has, already, gained plaudit and fond focus. How does that make you feel?!

We are incredibly proud to have so many people all over the world listening to, and writing, great words about what we do.

To have our own musical heroes, who we grew up listening to and are learning from, contact us calling our music “inspiring” is just mind-blowing.

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Manchester is where you are based. What is the city like when it comes to fostering new artists?

To be honest; it doesn’t feel like we are based anywhere: we have spent most of our time together touring in many countries. But, Manchester has always been a vibrant city full of music with no shortage of places to play - and new talent blooming everywhere.

Is there going to be some more material coming in 2018? 

We have spent most of 2017 touring to promote our new album, Diving for Roses, which was released back in May - but we find being on the road is our most fertile writing environment. We have somehow managed to write the next album so, as soon as we get some downtime, we plan to get into the studio.

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IN THIS PHOTO: This Is the Kit

Which new artists do you recommend we check out?

Oh; there’s just so many - but artists that we are enjoying listening to on tour are This Is the Kit, Eivør, Kiasmos and The Great Park.

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 IN THIS PHOTO: Kiasmos

Are there any tour dates coming up?

When we come to the end of our tour of Germany, we are almost done for 2017. We have a few remaining dates in the U.K. in early-December.

Nov 20: BERLIN - Oblomov (Germany)

Nov 23: BERLIN - Culture Container

Nov 24: BERLIN - UnterRock

Nov 25: HOYERSWERDA Speicher No 1

Nov 26: DRESDEN - Wulbert's

Dec 2: SLEAFORD - Pickworth Hall (U.K.)

Dec 7:  MANCHESTER - The Cedar Room

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Then, we have a full U.K. tour planned for Feb/March, 2018 dates. So far, the dates are...

Feb 5: HAWICK - String Theory

Feb 15: CAMBRIDGE - CB2

Feb 18: BIRMINGHAM - Kitchen Garden Cafe

Feb 23: WIGAN - The Old Courts

Feb 24: STROUD - Under the Edge Arts Centre

Mar 2: MANCHESTER - 3 Minute Theatre

Mar 17: SOUTHAMPTON - The Art House

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If you each had to select the album that means the most to you; which would they be and why?

Chrissy: This is such a difficult question! I think mine would have to be Jagged Little Pill by Alanis Morissette

The album is just so raw with emotion…from rage to fragility; it’s such a perfect depiction of how creating music can be so cathartic.

Rick: Disraeli Gears by Cream

I bought it by accident when I was eleven-years-old (I bought it for the cover I had no idea who Cream were). It started my musical journey and taught me how to play guitar.

 What advice would you give to artists coming through right now?

Be yourself: everyone else is taken..."

I can’t remember who said that - but it is so true. I guess we can’t help but take influence from everything that we hear/see/experience, but it is expressing your own unique voice or view in your own way that makes it your own personal property (and your Art).

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Christmas is not too far away. Do you have plans already - or will you be busy working?

Christmas is our downtime - so we plan to be still! 

What is The Blackheart Orchestra planning for 2018? What do you hope to achieve by this time next year?

We seem to have gained a lot of momentum with Diving for Roses so I think the aim is to continue to build and get our music to as many ears and hearts as possible. We hope to have a new record ready next year, too - so it’s all exciting times ahead. 

Finally, and for being good sports; you can each name a song and I’ll play it here (not one of yours as I’ll do that).

Chrissy: Petrichor by Keaton Henson

Rick: Silver Blue by JD Souther

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INTERVIEW: Rachael Yamagata

INTERVIEW:

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Rachael Yamagata

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SINCE unveiling her album, Tightrope Walker, it has been…

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pretty hectic and busy for Rachael Yamagata. I speak to the U.S.-based artist about plans for new material and what we can expect. Yamagata is from Virginia but based in Woodstock, New York. She discusses the music scenes there and the artists she is influenced by; what she has planned for next year – and how her music has developed and progressed through the years.

Yamagata is in the U.K. and bringing her music to the British audiences. She played Salford last night and prepares to captivate Edinburgh tonight. If you have the chance to see the incredible American in the flesh – there is time to catch her as she makes her way through the country (hitting the Islington Assembly Hall on Tuesday).

PHOTOS: Laura Crosta

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Hi, Rachael. How are you? How has your week been?

Hi, there. Very good, thanks.

For those new to your work; can you introduce yourself, please?

I’m a Woodstock, N.Y.-based artist who has been writing and performing songs for seventeen years. I began my music career in Chicago and have spent time on RCA Records, Warner Bros. Records - and now an independent artist working with Thirty Tigers

My songs are heartache and tonic for a weary, yet inspired, soul. I love cats.

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Tightrope Walker was released earlier in the year. How has the reaction been? What was it like recording the album?

Folks have been really enjoying this record...

It’s new territory for me: more blatantly optimistic, but with a darker, more radical production sense. It’s the first record I’ve truly produced and we went to town with unique sounds – drumming on metal ladders; tracking rain and Moogs, horns and strings; French spoken-word etc. 

We recorded nearly everything in my house - so the vibe was very organic and experimental.

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You worked with a few other artists on the record. Who was the most memorable to record with?

We created a bit of a hive among us and had many nights filled with group dinners and fires in the backyard. Many of the musicians have come out on tour with me previously - so it felt like we were on the road again.

My sound engineer, Pete Hanlon, engineered the record and is a genius with lush soundscapes; Zach Djanikian, Owen Biddle and Kevin Salem are also long-time collaborators that brought unique flavors to the album. John Alagia co-produced with me and we have a long history of working together.

I remember him fondly as wearing his winter hat and overcoat inside when our heat went out. We made it through!

Tightrope Walker followed (2011’s) Chesapeake. How do you think the two albums differ?

Chesapeake was an emotional release – a spastic celebration really of going independent. It was very collaborative with many of my previous producers involved. We holed up in a house on the Chesapeake Bay during the summer and made our own summer camp. Most songs were tracked together - and it was very in the moment. 

Tightrope Walker had a bit more of a preconceived vision of mine intertwined in it. A lot of the demos I tracked had parts already mapped-out – but, mostly, I had a different idea of sonics that I wanted to integrate into each track.

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Is there going to be new material coming up?

Yes.

This winter I plan to do more recording. I’ve written a slew of new songs and am just wrapping up my tours to give myself time to record.

Tell me about the artists you grew up with. How influential were your parents and their tastes?

My parents introduced me to a lot of the singer-songwriters of the 1970s... 

I was really drawn to a great storyteller who could paint a picture and evoke emotion with words and melody. I loved Joni Mitchell, Cat Stevens; Elton John, Ricki Lee Jones and Paul Simon…in college, I sang in a band (Bumpus) and those guys introduced me to Nina Simone, Tom Waits; Sly and the Family Stone…

Later on, I would discover Jeff Buckley, Led Zeppelin and Rufus Wainwright. I think I’m influenced by artists all over the map - but it always comes back to a good story.

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Virginia is where you are based. What is the scene like there? What is the music like?

I’m actually based in Woodstock, N.Y. - but I was born in VA. Woodstock is a wealth of great artists with a lot of history to the town of course. It was the home of The Band, Bob Dylan and so many others. I think the community is a great hotspot for creativity and new music. 

A lot of artists recognize the magic of area - and come up and stow away to write and create.

You have Japanese and German roots. How does your heritage and background inspire your music?

I think growing up with a multitude of cultural influences opened me to the connectivity of humans across differences. I’m fascinated by what connects us through our human struggles - and how it defies any preconceived notions of how we are separate.

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You are in the U.K. to do a series of gigs. What was the reason for coming here? Have you played in the country before?

Yes. I’ve done several tours of the U.K. before, but they’ve been spread out over many years. I’m trying to return as much as I can to really serve the fans here. Live performance is such a special thing - and it offers a unique connection to the audience that I love.

Do you plan on seeing sights and having a wander when you are travelling around Britain?

I hope so...

A lot of tours involve travel during the day and full schedules - but we fit in as much as we can.

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 IN THIS PHOTO: Diane Birch

Who are the new artists you recommend we check out?

I love Emily King, Lucas Nelson; Emily Kimble, Keren Ann; Diane Birch, The Milk Carton Kids

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If you had to select the three albums that mean the most to you; which would they be and why?

Joni MitchellBlue

Her melodies are so expansive that I always think there is some huge production behind her - and am mystified that it’s often only one instrument and her voice. It reminds me how much space can be filled with a great song.

Rufus Wainwright Poses

Magical chord progressions; insane harmonies (and just) more magic (magic, magic).

Carole King Classic

To-the-point. Concise, gorgeous simplicity.

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What advice would you give to artists coming through right now?

Think out of the box. Connect. Follow your crazy ideas - and be true to yourself.

Christmas is not too far away. Do you have plans already - or will you be busy working?

Family-time, for sure.

I’ve been on the road consistently for three years straight, and it’s time…

Finally, and for being a good sport; you can name any song and I’ll play it here (not one of yours as I’ll do that).

Ballad of the Sad Young MenRoberta Flack

It’s insanely long - but will rip the heart to shreds (in a good way).

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INTERVIEW: Lisabel

INTERVIEW:

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Lisabel

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IT has been good getting to know the Italian-born…

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musician, Lisabel. She talks about her upbringing and coming to the U.K.; the sounds/artists that sparked her love of music; what she has planned for the future; a few new artists we should check out – and whether there are going to be any gigs before the end of the year.

I was keen to know more about her two singles, My Mister K and No More Blues I'm Free, and why she decided to release live versions of them Lisabel speaks about her styles and mix of genres; whether she is going to release any new music down the line – and the three albums that mean the most to her.

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Hi, Lisabel. How are you? How has your week been?

Hi, Sam. I'm very good - and my week was great, thanks! How about you?

For those new to your work; can you introduce yourself, please?

I'm a singer-songwriter based in London. I'm influenced by a mixture of styles like Jazz, R&B; Soul, Pop…I wouldn't know how to label my songwriting with one word, though - which, to me, is a good thing. Ahah!

Freedom...

My Mister K and No More Blues I'm Free are your two recent singles. What is the tale behind each?

I wrote those songs a few years ago - but I was waiting for the right moment to share them, publicly. They talk about new beginnings through the encounter of love.

What was the reason behind releasing the tracks as live videos? Was it a more natural and expressive mode of performance?

I guess so. I just wanted to showcase the songwriting more than the final arrangement. I decided to do it in my home to give an additional piece of my personality.

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How much of your creative focus and inspiration is taken from love and the subject of relationships?

A lot of it, I have to say.

People's relationships and nature are so powerful in the well-being of one's life. It's important to be grateful to those who make you feel stronger and more confident. I tend to write songs to let people know my feelings of gratefulness, joy or, sometimes, confusion (and so on...).

Is there going to be new material next year?

Yes. A lot of music is on its way...

I'm enjoying the ride of creating it, though. It's the most exciting time!

You are based in London. How important is the city? Is it somewhere that gives you motivation and influence?

Living in the city is great. There's a lot going on every day. Meeting people that are walking the same path as me is also very motivational, but I come from a small town next to the sea and the mountains called Arenzano (in Liguria, Italy).

I often miss that feeling of peacefulness that only nature can give. I do love the British countryside, though!

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DESIGN CREDIT: Francesca Maggiore

It seems, as your surname is ‘Biscaldi’, you have European roots? Tell me a little about your upbringing and coming to the U.K.

As I just mentioned, yes: I'm originally from Italy. I moved to the U.K. to study Music because I grew up listening to international music - and I've always sung in English! London is an incredible and productive hub for musicians, so it seemed like a good idea to explore music here.

Did you experience a lot of diverse music during your childhood? What sort of music were you raised on?

My parents listened to everything that was mainstream. I have vivid memories of Motown compilations in the car; numerous R&B and Pop artists. I went through a Rap, Hip-Hop and Rock phase with my brother, too!

Fun times!

What, would you say, has been your highlight so far in music?

When I was at university; I got the chance to perform a cover of a Jill Scott song called You Don't Know at the O2 Academy in Islington - as part of a students’ showcase night.

That was something!

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IN THIS PHOTO: Becca Stevens

Who are the new artists you recommend we check out?

I couldn't stop listening to Noname when her album Telefone came out last year. She's amazing - and her band is, too.

Becca Stevens' new album, Regina, is also incredible. She's not new in the industry, though!

I recommend my friend Milena. Her album, Everyday, is a mixture of Electronic-Soul and Pop. I'm featured on one of the songs and recorded some B.V.s on the album.

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Also, an instrumental band called EMANATA are worth seeking out. They play fusion-Jazz - and the music is so unique and fresh.

If you had to select the three albums that mean the most to you; which would they be and why?

Black Radio and Black Radio 2 by Robert Glasper. Also; The Lost and Found by Gretchen Parlato.

They are soundtracks of specials times!

Can we see you perform anywhere soon?

I don't have any show coming up at the moment, as I'm working on my album. I'd love to start gigging with my original music once it's all in place and ready to go!

What advice would you give to artists coming through right now?

I'm one of them, so I would say...

Write the music YOU want to listen to and never stop soul searching. Honest music can heal!

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Christmas is not too far away. Do you have plans already - or will you be busy working?

I'll actually be here in London with family. I'm looking forward to it!

Finally, and for being a good sport; you can name a song and I’ll play it here (not one of yours as I’ll do that).

Becca Stevens - Lean On

Thanks for this interview! Lis.

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INTERVIEW: Avante Black

INTERVIEW:

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 Avante Black

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THE gorgeous and fascinating…

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Avante Black is someone everyone needs in their life! The talented musician talks tome about her new single, Acid Love. I ask about its story and whether it was based on real events. She talks about future plans and the differences between the music in Sweden and the U.K. – Avante Black has Swedish roots. I discover what she has planned for Christmas and how her music comes together.

I learn more about her future plans and artists that inspire her; the sounds she was growing up with; where we can see her perform  - and what she would say to any musicians emerging at the moment.

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Hi, Avante. How are you? How has your week been?

Hi, I’m very well, thank you! My week’s been alright, so far - the weather has been a beaut! 

For those new to your work; can you introduce yourself, please?

I’m from a town called Uppsala in Sweden. I have been living in London for a few years. My work is a changing reflection of how it is to be young in love/out of love in this city…

…and about life here in general.

Tell me more about Acid Love. What is the story behind the song?

I had just found new love and, this time, it was a feeling I had never experienced before.

There are, so often, so many insecurities when you give yourself to someone; however, this time, I felt confident - and I felt like laying it all out there completely. 

It has already gained love from BBC – and many people online. Is it quite humbling and pleasing knowing the song has resonated so readily?!

Most definitely!

It’s so scary exposing your feelings so widely but, when people respond to it positively, there is no greater award. 

Do you have plans for an E.P. next year? What are you working on at the moment?

I have this group of songs that will form the E.P. At the moment, I’m looking back at a lot of experiences for inspiration.

I’m getting ready to open myself up even more...

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 PHOTO CREDITMathew Jones

This year has been a busy and memorable one for you! Is there a single memory that stands aside from the rest?

I remember, up in Nottingham in May, when I sang a song that has not yet been released; there were three people in the front just singing along to it - and I was like: ‘How do you guys know the words?!’.

It was amazing!

You have Swedish roots – but are based in London. What is the music scene like in Sweden – compared to the U.K. – and how much of your family/background do you bring to your musical ethos?

The music scene in Sweden is so different and so amazing...

I feel like genres are less significant: people just write and combine anything and end up with these amazing creations. It continues to surprise and amaze me. My dad used to be in a band called LSD in the 1960s. 'The L’ was a brutish pound. Sometimes, they’d play a reunion in our living-room, playing John Lee Hooker covers etc. My mum was more into lyrics and I grew up to Leonard Cohen, Bob Dylan and Marianne Faithful.

However, I didn’t get into playing until I was fifteen/sixteen years of age. Before then, I was already aiming to learn Arabic and study Law. After a year in London; that goal changed drastically. 

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Can you recall the first time music came into your life? Was there a single/artist that struck your heart at an early age?

I think there are so many artists that struck me at the same time.

I think my first obsession was Tupac - when I was nine. I remember getting a T-shirt for Christmas. A few years later, it was Black Sabbath, and then, Lou Reed, Bob Dylan and Leonard Cohen – they were always there from early age.

Sorry for the blurry answer: I find it hard to pick one! 

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I am interesting learning about an artist’s songwriting process. How do songs come together for you? Do you sit down and write songs – or do you rely on the muse of spontaneity?!

I rely on the instant feeling.

I might have gathered words, sentences or a melody - but most of my songs come along in the moment. I’m just practising my piano skills at the moment. As soon as I learnt a few chords from Same Drugs by Chance the Rapper; I started singing my own words and melodies over the same chords - and ended up with something new.

Sometimes; it’s like the songs write themselves. 

I feel female artists are stronger and more interesting than their male peers – yet, most of my requests come from male acts! Do you think female artists still have to struggle for equality and attention?

I think we’re all as interesting…

Being a woman is harder in so many ways – though, that doesn't mean male artist don’t struggle, too.  We’re in an amazing time with so, so many strong, talented and interesting female artists. To be honest, I hate having to divide the genders at all: an artist is an artist. If you write good songs and work hard it will show! The one problem might be not getting the right support.

Yet again, with the right motivation; you can create your own miracles. 

Are there any tour dates coming up? Where can we see you play?

I will play a very intimate show at the Servant Jazz Quarters (in Dalston) on 11th December. 

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 IN THIS PHOTO: Sälen

Who are the new artists you recommend we investigate?

My friends Sälen are a must-check-out! They continue to amaze me.

Also…Average Sex

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 IN THIS PHOTO: Average Sex/PHOTO CREDITAgnė Papievytė

If you had to select the three albums that mean the most to you; which would they be and why?

Oh…I hate this question - because I’ll change my mind as soon as I’ve sent this; but, I guess...

All Eyez on Me - Tupac

It was just such a big impact on me from early-on - and gave my young self a lot of confidence back in those days

Hung at Heart - The Growlers

I listened to it in-and-out over six months - and still am. Beach Rats will always be one of the best songs ever made.

Songs of Love and Hate - Leonard Cohen

I grew up on this album - and I think it defines me in so many ways. 

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What advice would you give to artists coming through right now?

Listen to advice but trust your guts. Keep working hard. Remember, as an artist, any backlash can be turned into something beautiful.

Christmas is not too far away. Do you have plans already - or will you be busy working?

I’m going to the South of Wales on Christmas Eve - and will spend a few days drinking cask ales and eating my body-weight in Christmas food. 

Finally, and for being a good sport; you can name any song and I’ll play it here (not one of yours as I’ll do that).

Well. My friends always end on this one when they D.J. - so I might steal it. Sorry, Max!

Macy Gray - I Try

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INTERVIEW: S.O.S

INTERVIEW:

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S.O.S

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THAT name might seem like a cry for help…

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but, when it comes to S.O.S, there is no such peril – I shall forgive the missing full-stop after the second ‘S’ in the name, too. Sophie is the woman behind the acronym. I ask her about the new single, Bloodline, and what the story is behind that; why she moved from her native Malta to London – and the artists/albums that have compelled her.

She regularly performs on the London Underground and reveals why London, and its people, are important to her drive and desires. I ask about future recordings and gig plans; whether she will ever gig in Malta again; a new artist we should keep our eyes peeled for – and how she will be spending this Christmas.

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Hi, Sophie. How are you? How has your week been?

Hi! I’m good, thanks. My week’s been busy - but fun and productive! Bloodline has just been dropped and the feedback so far has all been really positive; so, yes - a great week so far!

For those new to your work; can you introduce yourself, please?

Sure! My name is Sophie - but, on stage, I’m known as 'S.O.S'.

I’m a twenty-three-year-old singer-songwriter; originally born in Malta. At the age of eighteen, I followed my roots to the U.K. and was awarded a scholarship to study songwriting at the Institute of Contemporary Music Performance. Since then, I’ve been writing and releasing my music independently - whilst gigging around the U.K. and busking on the London Underground network.

Bloodline is your latest song. Can you tell me about its story and creation?

The idea for Bloodline came to me after someone disabled became part of my life...

I  had never spent much time around someone with a disability before so I found myself feeling a bit odd about the situation - and unintentionally ended up treated this person differently to everyone else I knew. I also began to feel sorry for them because of how different their life had to be (due to their disability).

The more I spoke to people about these thoughts, the more I realised how universal this mentality is - and how it could be applied to any category of society that doesn’t form part of what we consider to be the ‘norm’.

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Bloodline is my way of saying that at, at the end of the day; we’re all the same and shouldn’t be judged or defined by the way we look. I think this is quite an important message to get out into the world - especially given the troubled global situation we currently find ourselves in; where it seems like cultural differences divide us rather than unite us.

Do you think we are living in a time where we’re divided and troubled? Is Bloodline a need for people to come together and react?

Yes! Although the concept for Bloodline stemmed from a more personal experience, the song has developed into a universal reminder that we are all uniquely individual and should encourage and embrace people’s differences. I also strongly believe that in the face of the terror and sadness we are currently witnessing throughout the world, we should react by showing compassion and kindness towards the people around us.

At the end of the day; love and unity will always win!

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Edges of the Mind is your upcoming E.P. What are the themes and ideas you look at throughout?

Edges of the Mind is my very first E.P. and is a collection of work that I’m very excited to share with everyone.

It explores a whole load of controversial themes that are rarely highlighted inPop music. I enjoy writing about various unspoken, and sometimes awkward, topics and situations that have either effected myself or the people around me. I think that (especially) given that some of my listeners are quite young, it’s really important to be discussing topics like these - so that everyone knows that we all go through similar problems throughout our lives and it’s ok to talk about them.

How important has your gigging around London regards your honed musical skills and new ambitions?

I love gigging around London and I think over the years it’s played a major role in helping me find my confidence as a performer. If I think back to the beginning of my journey as an artist doing music and performing live in the U.K.; I was so inexperienced and nervous on stage especially since I had only just started playing the guitar. I remember my first gig was in Hammersmith and I could not have been more scared.

Since then, I practiced loads and every time I had a gig I gained little more confidence and gradually began to actually enjoy myself with a guitar on stage - instead of being a total bag of nerves. On top of the gigs, I do a lot of busking around London now, too, which is a lot of fun - and I think it’s also been a really great way of honing my skills and growing some thick skin…trying to entertain a few hard-to-please commuters.

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Your sound is contemporary and recalls acts like Lorde. What do you think of modern music and artists like Lorde and Halsey?

Ah. I love them both so much!

They both have such individual sounds which are so unique and distinct. They’re definitely trendsetters in the music industry that don’t copy anyone else. I think their music speaks volumes to the younger generations whilst still having a timeless feel to them. They inspire me constantly and I will forever look up to them.

I definitely think the world need to see more strong female artists like them right now!

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Speaking of ‘bloodlines’; you have Maltese heritage. Do you ever play in Malta and what are the differences between the music scenes there and the U.K.?

Yes! I do have Maltese blood - which I am very proud of - and which I like to shout about wherever I go. Although I’ve taken on the U.K. as my new home; I’ll never forget where I came from and I’m humbled by the amount of talent that keeps coming out of the little Maltese Islands.

The music scene in Malta is very different to the U.K. and I think that’s probably one of the main reasons why I made the move six years ago. Although I love Malta, and I can’t say enough good things about the place, I felt that the music opportunities were slightly limited and since I wanted to have a career in music; rather than just do it as a hobby.

I felt the need to be in London - where the opportunities are endless.

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Give me an impression of the artists you grew up listening to. Which artists did you discover as a youngster?

Ok; so this is going to be totally cringey...BUT I was a lot younger at the time, so please forgive me…

I’d love to give you a really cool answer here like The Beatles or Michael Jackson but, no, I (luckily) came across those brilliant artists a little later on in my life. The artists, or should I say, bands that I literally grew up listening to were Steps, S Club 7 and the Spice Girls. Yes, I admit it: I was definitely a fan of the Pop bands back in the day. My sister and I used to learn all the words and choreography from video-cassettes of their tours. Luckily, since then, I have discovered a lot more interesting and significant musicians and artist.

But I guess being a fan of those cringey bands, when I was a kid, is all part of my story!

You have performed warm-up for the likes of Take That; been celebrated by radio stations and fans – some big achievements, there! What has been your proudest moment so far in music?

Looking back I think that, although it’s hard to choose, I would have to say that my most memorable moment would have to be the time I played one of my original songs to thousands of people on the Main Stage at London Pride in Trafalgar Square - and having them all sing it back at me!

Definitely; one that I’ll share with my grandkids one day.

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IN THIS PHOTO: Sarah Close

Who are the new artists you recommend we check out?

You definitely need to check out Sarah Close and Jazz Mino!

They’re both good friends of mine and are both doing amazing things with their music right now!

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IN THIS PHOTO: Jazz Mino

If you had to select the three albums that mean the most to you; which would they be and why?

To be honest, I’m more of a singles kind of girl but, if I had to pick three albums, they’d have to be:

 + by Ed Sheeran

Because this was the album I literally had on-repeat when I first moved to London. Whenever I listen back to it now, I instantly go back to all those feelings I had as a young eighteen-year-old girl - moving away from home into scary London to try and begin a career in music.

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Pure Heroine by Lorde

Simply because it’s timeless to me. I still listen to it on a regular basis and it’s a constant form of inspiration to my music. I feel like I hear new elements in her tracks every time I have another listen - she’s so clever like that, keeping her listener hooked!

The last one would have to be a mash-up of three Michael Jackson albums: Off the Wall, Thriller and Bad

I mean…who can deny the brilliance of those albums?! Yes, I can easily say I am a massive M.J. fan! In particular, these three albums really shaped me both as an artist and as a person. I’m also a keen dancer, so I’ve always been massively inspired by the complete package this amazingly talented human being had to offer.

I (just) massively regret never seeing him live!

Can we see you perform anywhere soon? Where can we catch you play?

I’ve actually got quite a few private gigs coming up - which are all hush-hush - but people can regularly finding me busking on the London Underground (usually at Kings Cross station).

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What advice would you give to artists coming through right now?

Just keep doing what you’re doing: the world can never have too many artists and, if you believe in yourself, other people will believe in you too! The best advice I’ve ever been given in my career is to never copy what anyone else is doing - because trends come and go but the artists who will really shine through and stick around are the ones who create their own individual trend and style.

Be the trendsetter and let others copy you!

Christmas is not too far away. Do you have plans already - or will you be busy working?

I love Christmas and always look forward to it every year!

Christmas is all about family for me so, as usual, we’re planning a massive family gathering full of food, presents and booze! I always like to try and squeeze in a visit to Winter Wonderland at some point, too; so I’ll have to save a date for that.

Finally, and for being a good sport; you can name a song and I’ll play it here (not one of yours as I’ll do that).

Yes. Sure thing!

I’d love it if you could play my friend’s new single Crush! Her name is Jazz Mino and she’s doing big things with her music right now - so everyone should keep an eye out for her!

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Follow S.O.S

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INTERVIEW: Happy Abandon

INTERVIEW:

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Happy Abandon

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THE boys of Happy Abandon set time aside to talk about…

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their new music. Justin and Peter talk about the latest single, Heavy Lines, and their superb album, Facepaint. Jake - their drummer when they perform live - tells me how he came to be part of the fold. I find out about the inspiration and stories that drove them; how studies in North Carolina played an important role in the formation of Happy Abandon; the artists of the current-day they recommend – and the classic albums/acts they hold dear.

The duo/trio talk Christmas plans and the music scene where they are; challenges they faced when making their album; what touring dates they have approaching – what advice they would offer new songwriters, too.

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Hi, guys. How are you? How has your week been?

Peter: My week has been a mixture of feelings: re-acclimatising to default life, spending time with my girlfriend; catching up with friends - but mostly trying to recharge after being on the road for about two months. It’s always an odd feeling coming home after a tour - but this time, it has been exceptionally jarring.

Jake: I feel like I’ve finally recovered after about ten days of being home – I’m getting back into a semblance of a routine. I made it to Brett’s surprise birthday-party and saw a lot of great local singers take turns doing celebratory karaoke.

It’s great to be back and see familiar faces and places...

For those new to your work; can you introduce yourself, please?

Justin: Happy Abandon is what I like to call an Orchestral-Indie-Rock band. In a live setting, that manifests as a power-trio along with our drummer Jake Waits; with three-part vocal harmonies and various effects pedals, vocal processors - and various percussion flavors to help make the sound more textured. On our recordings; we have a close collaborator named Alex Thompson who provides keyboards, piano and string arrangements; which allows us to incorporate violins, cello; timpani, loads of orchestral percussion - and loads of vocals. 

What makes us different, I think, is that, though we all have studied music in some capacity - and most of us have been in choirs, marching bands; orchestras and other Rock bands over the years - the shared experience that all four of us have is theater.  I think this background helps with our work ethic when it comes to rehearsals and getting to the gigs but also in the way we value performance, dynamics and the audience’s role in a show. 

We’ve all lived in Chapel Hill, N.C. since we met as students here in 2010.

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‘Happy Abandon’ strikes me as an interesting name for the band. What is the derivation of that choice?

Peter: To me, the name ‘Happy Abandon' is a very good representation of what music, and art in general, can do to people. A state of ‘happy abandon' is somewhat, literally, blissfully disassociated; or at least that’s how I think of it. A well-written song that strikes me emotionally can take me out of my surroundings and into a place I associate with that song. Whether that emotion is positive, negative - or anything in-between - it is a choice we make every time we put on a song.

So; the choice to name the band ‘Happy Abandon’ seemed very appropriate. 

How did you guys meet in the first place? Did you all bond easily and naturally?

The three of us were students at the University of North Carolina (at Chapel Hill) at one point. We all contributed to the college music scene as well as the scene that expanded into the more major cities that surrounded our college town. The chemistry between me and Jake was unquestionable from the first time we played through, what would become, a Happy Abandon song. I respected Jake’s drumming from a band we had both previously been members of - and I was curious to see what he could do with the music I was writing at the time.

Justin was not the first bassist for the band – but, at a certain point in the band’s career, we knew we needed a committed member. Jake and I knew Justin from U.N.C. as well. I knew him as one of the most hardworking and committed musicians in the area. He seemed like the right fit.

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Jake: I was inspired by Peter’s work in Morning Brigade and, from the very beginning of Happy Abandon, I was excited to work alongside him. He had all these ideas pouring out: ideas for ways the percussion might fit into the guitar parts. It became a conversation of developing these ideas until they grew other parts and sort of had lives of their own - that was within the first year or so. When Justin joined, it was like something existential clicked into place (along with his sweet bass-lines) and I feel like the band, all of a sudden, was ready to plan tours and hit the road.

Heavy Lines is the latest single from you guys. What is the story behind it?

Peter: Heavy Lines was one of the first songs Jake and I started working on. I wrote that song before Happy Abandon was even an idea. I was writing it during a time when the relationship I was in at the time was coming to its inevitable end. The thought came to me during the scenario I describe in the song - as well as the scenario I describe in Severed Seams.

I think of those two songs as sibling songs.

Facepaint is your album. It has received a lot of praise and support. What was it like hearing it gain so much kudos?

It feels great...

I think anyone getting praise for their work would be happy about it. It’s very encouraging in this unforgiving field. I’m extremely proud of the album; each song coming from a place of significance. When I hear that others are affected by the music in a positive way, it’s very affirming.

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Was it an emotionally challenging and difficult album to put together? Did you face hurdles along the way?

The songwriting process was definitely emotionally challenging - but that’s expected.

These are songs that I’ve been working on for years: each one representing an event in my life that took some sort of emotional toll on me. Working on the album was actually an extremely pleasant experience. It was smooth, fun and eye-opening. Hearing the songs develop, instrumentally, was very trippy for me - because I had been playing these songs a certain simple way for so long; with just the ideas of other instruments.

 But, actually hearing the strings and timpani and whatnot completely changed the game. 

There are soundscapes and lush arrangements in the record. Is Facepaint, to you, part of a single narrative - or a collection of stories that represent different stages of your lives/experiences?

I had no intention of creating an album as fluid as Facepaint.

The songs we chose for the record all came from different stages of my life - but there is still a uniformity between them all. I didn’t realize this entirely until the album was finished. I found that each song was about loss and how loss can manifest itself in so many different ways.

I was happy to find a natural flow to the album.

Who are the musicians you are all inspired by?

My number-one is Sufjan Stevens.

I love his ability to bridge an individual unique sound with accessibility. His lyrics are brilliant and his compositions are very engaging. He doesn’t stick to one model. I’ve also been inspired by Sigur Rós, Andrew Bird; Belle and Sebastian, Gregory Alan Isakov; Björk, Joanna Newsom (and so many more).

Justin: As a bass player; my favorite musicians are John Entwistle of The Who and Ira Wolf Tuton of Yeasayer.  As far as bands that inspire me; I absolutely adore Radiohead, R.E.M.; St. Vincent, Grizzly Bear; Local Natives, Alt-j…I could go on forever.

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What comes next for the band? Do you have more material in mind? How are plans for 2018 going?

After touring three of the last four months, basically, non-stop; we’re taking time to be home with family and friends for the holidays - and working our survival jobs. We’ll be playing a pair of shows in Washington D.C. and New York City next month before Christmas. Then, we’ll be flying out to Holland in mid-January for a string of dates supporting Bettie Serveert - and a few other shows scattered around Western Europe. We have started messing around with some new songs and ideas - and will probably spend some more time refining and fine-tuning them. 

We have no immediate plans following our return from Holland.

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IN THIS PHOTO: And the Kids/PHOTO CREDIT: Courtney Chavanell 

Who are the new artists you recommend we check out?

Peter: Hop Along; And the Kids, Adult Jazz; Big Thief, Bully; Diet Cig, Half Waif; Petal, Mothers; Alex G, Weaves and Alvvays.

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IN THIS PHOTO: Half Waif/PHOTO CREDIT: Tonje Thilesen

Justin: Japanese Breakfast, Sunjacket; Pinegrove - the new Perfume Genius album - Birds of Avalon and Jenny Besetzt

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IN THIS PHOTO: Birds of Avalon

Those last two aren’t particularly new but they are bands from our neck of the woods that just put out new records - and they are so good.

If you each had to select the album that means the most to you; which would they be and why?

Honestly, the most important record to me might very well be Live at Leeds by The Who

It’s certainly not my favorite album - and as a live record, I don’t think it really ‘counts’ for the purposes of this question - but that’s the record that changed everything for me.  Prior to hearing this album, I was learning how to play bass and I liked listening to loads of music; but I didn’t think of it as something I could pursue beyond a hobby. 

But, hearing three instruments and three voices filling up all that space live - in the moment, warts-and-all - totally gave me a new perspective on what a band was. I probably played along to that record every day after school for two months - and I almost never go on a road trip without it.

Jake: (The untitled album by) Sigur Rós - ()

I’m fascinated by the percussion. The compositional, dynamic and emotional range of it inspire me. It is slow-moving; filled with some magic resonance or power - and the second-half, towards the end of the record, gets HUGE. It’s a masterwork in my opinion. I always find some new instrumental or vocal line that fixates me in a way that hadn’t before.

T.L.D.R.: I just sink into it. Nothing can follow me in….

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What advice would you give to artists coming through right now?

Peter: Be kind, be you; don’t put on a front, ask questions about others - rather than constantly waiting for an excuse to talk about yourself - and your achievements. Be open to opportunities, suggestions; don’t get defensive - but don’t let people push you around.

Justin: Play with people who make you feel like you can always be a better musician and person. Don’t take any opportunities for granted and always listen to your body - especially when you’re traveling for months at a time.

Jake: Be confident, stubborn and polite (not necessarily in that order).

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Where can we see you play this year? Any plans regarding coming to the U.K.?

Justin: We have upcoming shows booked in Washington D.C., New York City; Raleigh, North Carolina. Then; we’re playing shows in Oss, Goes; Ensched, Amsterdam and Arnhem - all in the Netherlands.

We are hoping to figure out a show or two in the U.K. between dates in Holland - but having ‘just’ played a couple of shows in London and Milton Keynes this past July: returning to the U.K. might be in the cards for later. We’ll see!

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Christmas is not too far away. Do you all have plans already - or will you be busy working?

Peter: My girlfriend and I are going up to D.C. to spend Christmas with my family - and I’m too excited.

Justin: It’s looking like I’ll be staying in N.Y.C. for a few days after our show spending time with my brother; then travel back to North Carolina with him for Christmas at our parents’.  I’ll probably work a bunch between Boxing Day and New Year’s.

Jake: Time to see all my family! I am fortunate to have a big extended family that gathers around the holidays. There’s always good conversation, goofing-around and love. I do have a N.Y.E. gig and, even though it’s work; there’s no way I’d rather bring in the New Year!

Finally, and for being good sports; you can each name a song and I’ll play it here (not one of yours as I’ll do that).

Peter: No Below by Speedy Ortiz

Justin: Slip Away by Perfume Genius

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INTERVIEW: NADINE

INTERVIEW:

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PHOTO CREDIT: CK Goldiing

NADINE

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SHE was born in Switzerland but…

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resides in London. I have been talking to NADINE about her new track, Rise - and working on the eye-catching video with Gareth Kay. She tells me about her move from Switzerland and working with producer Dave Holden. Rise, the E.P., will follow and is something NADINE is excited to share with the world. I ask about her upbringing and whether she was raised in a musical household; how her third E.P. (Rise) differs from her previous offerings – and whether recording the new material has been a personal experience.

NADINE offers me a window into her music and the inspiration behind it; what she has planned for Christmas; recommends a few new artists worth our consideration – and why this week has been pretty non-stop.

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Hi, NADINE. How are you? How has your week been?

Hi, Sam! I’m good, thanks.

My week has been pretty full-on - but in a good way. Lots of preparing for the E.P. launch; my first radio interview and, amongst all that celebrating, my birthday!

For those new to your work; can you introduce yourself, please?

Yes. I’m an independent singer-songwriter, originally from Switzerland; I moved to London six years ago - and have been working on my music since.

It’s great to have found a network of creatives in London!

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Rise is your new single. What is the story behind the song?

It took me a long time to write it…

I was inspired by many different events and I kept working on it during the course of almost two years. The story around this song is quite hard to put in words as it has got lots of layers to it. It’s about the vulnerable feeling in the hope of new love. It’s about having found something incredible that requires letting go of what I was used to. It’s about my experience of faith and how it challenges me beyond anything else.

I first thought it might be too personal or too mysterious but, the more badass and empowering it became, the more I wanted to share it with people!

Its video sees you working with Gareth Kay. What was it like shooting the video?

It was great.

I’m so glad I found out about Gareth’s videos online. I knew he was the right person to work with when I told him about my crazy plan of putting a trampoline in a church - and he thought it was a great idea. When on the trampoline, I thought to myself: ‘Wow. This is actually happening. It’s so much fun!’. Gareth was so kind and hilarious - and also made sure we didn’t compromise on quality amongst the madness.

The E.P., Rise, is out on 23rd November. Has it been quite a personal experience putting it together? Which songs stand out to you – and have particular meaning and impact?

The process of writing my own songs is usually a highly personal one.

It’s often interesting to then start collaborating with a producer and other musicians: that’s when it feels like a personal thing becomes a (more) common-good - which is sometimes scary, but rewarding. The opening song of the E.P. is called Pocahontas; it’s a song that means a lot to me - because the true story of Pocahontas has always inspired me (from) when I was a kid.

I’m looking forward to sharing it with people.

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PHOTO CREDIT: CK Goldiing

Dave Holden assists in production. You have worked together before. What is it about him that brings the music to life?

I always enjoy working with Dave because, next to being incredibly talented and professional, he’s also (just) one of the nicest humans to talk to - and to be creative with. His compositions are cinematic, gritty and powerful…which had a transformative effect on my ballads.

Dave also encouraged me to worry less about perfection when it comes to vocal performance - which I found empowering.

This will be your third E.P. Have you grown in confidence and ability, would you say, since your debut?

Yes, absolutely!

It’s a continuous learning-process - and I wouldn’t want to go back.

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PHOTO CREDIT: Rodycloud Photography

You are based in the U.K. Switzerland is where you hail from. What was the reason for locating to the U.K.? Are there big differences between the music scenes?

I always had an interest in the international music scene and London felt like the perfect place to connect and grow my English - and my craft as a songwriter. I love the creative atmosphere in London: it’s very inspiring and it feels more natural to be a professional songwriter here than in Switzerland...

Yet; I always love performing in Switzerland because artists are treated very nicely and there’s less a feeling of being part of an oversaturated market.

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PHOTO CREDIT: CK Goldiing

Did you grow up in a musical household? How influential were your parent regarding your music?

Yes. My parents both enjoy playing music.

My mum used to write songs and perform in a band - that’s why it always felt natural for me to want to be a performing artist. My parents have always been incredibly supportive of my endeavours - which I’m very grateful for.

Which artists are most inspiring to you? Who were the names you loved when you were younger?

I used to listen to classic 1980s/1990s Pop; for example, Whitney Houston, NSYNC and Destiny’s Child. Nowadays, I enjoy songs with lots of lyrical depth; for example, that of (the maybe lesser-known) Josh Garrels or Sleeping at Last.

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IN THIS PHOTO: Polly Money/PHOTO CREDITSarah Louise Bennett - Photographer

Who are the new artists you recommend we check out?

I’ve got an almost endless list for you - but there are some highly skilled songwriters out there…

For example: Polly Money, Beth Keeping; Shane Beales and Jules Rendell

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If you had to select the three albums that mean the most to you; which would they be and why?

It’s quite hard to pick whole albums nowadays: so I’m gonna have to go back in time a bit!

Brooke FraserFlags

The album I listened to while I started writing songs more regularly (before I moved to London).

Kye KyeFantasize

This album heavily inspired the sound of my second E.P. when I was working with producer JJ Mitchell.

StromaeRacine Carrée

I hope adding an album in French is allowed? (Indeed – Sam).

I can’t even begin to say how much I admire Stromae as an artist. There’s something (incredibly) unique about him - and he writes with such skill and integrity (and his music videos are incredible!).

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What advice would you give to artists coming through right now?

I think I’m probably the one needing advice, to be honest.

Christmas is not too far away. Do you have plans already - or will you be busy working?

I’m going to visit my family in Switzerland.

I’m also going to play a gig on 31st and am going to bring a few of my British friends with me…which should be fun!

Finally, and for being a good sport; you can name a song and I’ll play it here (not one of yours as I’ll do that).

Sleeping at LastAnger

Ryan O’Neal writes the most gorgeous lyrics and releases singles on a very regular basis. This is one of his Atlas: Emotion-series releases!

I hope you enjoy it too (smiles).

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INTERVIEW: K Anderson

INTERVIEW:

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K Anderson

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ALTHOUGH he is battling through a cold right now…

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K Anderson was keen to talk to me about his latest single, Cluttered. He discusses the complexities of love and why casual ‘dating’ is something he is not on-board with. I ask the Australian-raised, London-based songwriter about his plans for future music; which albums/artists have made the biggest impression on his heart – if there is a new artist we should all go looking for.

Anderson reveals why Cluttered departs, in terms of sound, from Bitter Wind and 14 Year Old Me; how the end of this year will be spent; what advice he would give to new songwriters – and why Cluttered was quite tough to pull together.

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Hi, K. How are you? How has your week been?

I’ve come down with the same cold the rest of London seems to be afflicted with!

For those new to your work; can you introduce yourself, please?

Sure. Although, bear with me, as I’m notoriously bad at this kind of thing! I am a Scotland-born, Australia-raised; London-based, singer-songwriter - and I lean on the side of oversharing and melodrama…

What can you tell us about the new single, Cluttered? What is the story behind it?

I’m never very good at casual dating…

I don’t understand how people can be fuc*-buddies and not develop complicated and weird feelings for each other. Cluttered is a song about this: about being certain that you don’t want to be with someone at the same time as obsessively checking their Instagram feed - and wondering how your two surnames would sound together if you decided to go double-barrelled (not that I’ve ever done that, obviously).

You have described the song as falling between Michael Stipe and Toni Basil. That sounds like quite a brew! How did you arrive at the song’s sound and dynamic?

This one took a while to come together and there are actually a few different versions I tried before starting on this path. I knew that I wanted it to be brash and a little frantic and, for me, the bass is so important in this song. Getting that sound right really helped it come together.

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The song looks at messy relationships and a brief fling turning into something more substantial. How much of the song’s core stems from your own experiences of love?

I used to fall into relationships all the time. I mean, not all the time, but I was always so shocked if someone fancied me that I didn’t want to risk losing my chance! I think, as the years have gone on, I’ve made a concerted effort to cultivate this cynical old-man vibe - which makes me far warier (and also means fewer songs about the first stages of lust!).

Cluttered is a departure from Bitter Wind and 14 Year Old Me. Was that a conscious decision – tackling new ground?

No. It never is…

I don’t want to sound cliché, but I love so many different types of music - and don’t like to limit myself to how I think other people think I should sound. For me, it’s most important to serve the song and this is the sound that Cluttered wanted to take - so, I just followed it along that path.

Can we expect any new material in 2018?

In a word: yes.

I’m working on something at the moment that I think is very exciting - but I want to keep it a secret a little bit longer, so…you’ll have to make do with a simple ‘yes’ for now.

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Which artists did you grow up listening? What kind of sounds were you experiencing when young?

My family aren’t musical, so I mostly listened to whatever was on the radio growing up (which was a lot of Easy Listening!).

When I started to listen to music ‘seriously’ (I kind of hate this term, because I always took music seriously - even when it was supposedly throw-away Pop), I was really taken by strong female singer-songwriters (and it’s only been, very recently, that I’ve enjoyed listening to men) - think Ani DiFranco, Jill Sobule and Joni Mitchell.

I am interesting finding out how songs come to you. Do you have an idea of a track or do they arrive in a flash? How long would a track lie Cluttered take to get right and fully-formed?

There’s no one way…

Sometimes, a song is very quick to form and other times…not so much…

The general thing tends to be lots of re-writing; lots of time away to view it with fresh eyes - and additions of bridges and pre-choruses six-months after I thought the thing was finished!

You have had a busy career already and must be thinking ahead. Do you have any dreams/ambitions you hope to fulfil in 2018?

You’re trying to get this secret out of me, aren’t you?

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IN THIS PHOTO: Hanne Hukkelberg

Which new artists do you recommend we check out?

Not a new artist - but I’m really enjoying the new Hanne Hukkelberg album at the moment.

Are there any tour dates coming up? Where can we see you play?

Yes! I’m doing a short acoustic set at The Reverse’s single-launch party on 25 November in London town.

If you had to select the three albums that mean the most to you; which would they be and why?

Oh, hell! That’s a tough one and depends entirely on the day you ask me….how about:

Living in Clip - Ani DiFranco

People told me about how amazing Ani was for ages - but I could never properly get into her music. Then I heard this record, which is a live album, and it all suddenly made sense. Her ease and charm come through on this record so clearly.

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Blue - Joni Mitchell

I know that people criticise this one as being too Pop and straightforward, but I don’t care. Give me this every day!

SpiceThe Spice Girls

So many memories and weird feelings wrapped up in this one!

What advice would you give to artists coming through right now?

Hustle. Create and share often.

Christmas is not too far away. Do you have plans already - or will you be busy working?

No plans yet. I tend to ignore Christmas until I have no other choice – so, I figure I’ve still got a good month before I need to panic!

Finally, and for being a good sport; you can name a song and I’ll play it here (not one of yours as I’ll do that).

Since I’ve already mentioned her:

Hanne Hukkelberg (ft. Emilie Nicolas) - Embroidery

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Follow K Anderson

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INTERVIEW: Galaxians

INTERVIEW:

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 Galaxians

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THEIR name might provoke images of outer-space…

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or classic arcade games but, as is explained; the name has a different origin. Matt, from Galaxians, discusses the new album, Let the Rhythm In, and the colours and genres they include in their music – among them, lashes of Pop and Funk. He tells me how they met their newest recruit, Em, and the great music coming out of Leeds.

I find out about Ghost Town Recording Studio in Leeds and performing there; the themes that go into the album; the artists the band/Matt was raised on – and some valuable advice for new musicians of the minute.

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Hi, Matt/guys. How are you? How has your week been?

Matt: Hi, I am/we are A-OKAY, I think! Last week was one of extreme post-tour blues, but we had a rehearsal tonight - so it's nice to get back on it.

For those new to your work; can you introduce yourself, please?

We are Galaxians; a trio from Leeds (U.K.) comprised of Emma Mason (Voice), Jed Skinner (Synthesisers and Programming) and Matt Woodward (Drums and Programming).

The band started in 2012 - and Em joined us in 2016.

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Can you tell me where that name, ‘Galaxians’, comes from? Is there a tale behind it?

We chose it just because it had a ring to it we both liked...

There's a common misconception that we are named after a computer-game - but neither of us has ever been into them; so we didn't know there was one (it’s called ‘Galaxian’, I believe).

It was just among a bunch of names we suggested - and was the one we both liked at the time.

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How did you all get together in the first place - and what was it about one another that led to the formation of the band?

Jed and I met in Leeds as a result of an email that Jed sent to my old band, Cissy.

Our synth player had recently left the band and Jed was interested in joining - but we'd actually already decided to form a new band (Azores) and didn't want a synth player as such. But, during the email exchange, I suggested Jed and I meet up and maybe jam - which we did and it was fun. I think the thing that really dawned on both of us was that we shared a common love for music - that none of our other friends were into.

From my point-of-view, I was just really into the way Jed played, too. I'd never been in a band with a synth player who played so funky - so it was a fresh and exciting thing - I was looking for a new way to approach the drums, too. A different angle. I wanted to learn a new discipline. 

Em joined us in 2016, but we've lived on the same street and known each other for over ten years. After we initially decided to collaborate on some ideas for the album; it just became obvious once we got into the studio and started working together that Em should be a permanent member of the band. 

Let the Rhythm In is your new record. What was the biggest inspiration-point in terms of themes and subject matter? 

There isn't ever a single or central inspiration-point for us, really, because we have a lot of different ideas - born out of both musical and non-musical influences and experiences.

The record didn't really stem from a singular concept or idea, but some of the themes we touch on in the lyrics are – for Emma and me particularly - a reflection of where we live and how the urban environment makes us feel.

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There are classic Disco/Boogie/1980s/R&B themes in there - romance, money; city-living, nightlife etc - but my feeling is that it's not always rooted in some of the more aspirational themes of Disco…but more along the lines of ‘ye; it's hard living in a dirty, sometimes scary, noisy city - but it's also inspiring’. In terms of creating art in a city environment; there is always inspiration amongst the decay and the noise. It's not pretty but the urban degradation, close proximity to others and the harsh realities of inner-city life can produce a certain rawness in music (that we really like).

I think that's one of the reasons I've always had an obsession with 1970s/1980s New York. 

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In terms of musical influences, there are many: Leroy Burgess, Gwen Guthrie; Jocelyn Brown, West End Records etc. It’s fair to say that we love the N.Y.C. sound, in particular, but not just the players. The way we composed and arranged the album version of How Do U Feel? was heavily influenced by John Morales and his original M&M session remixes. We really love his arrangements.

He’s one of those people whose remixes sometimes improve on the originals. His version of Lay It on the Line by Logg is a prime example. The original is great but John’s version is just something else..pun-intended (there’s also a Logg song called Something Else).

It was recorded at Ghost Town Recording Studio (Leeds) with Ross Halden. How much fun was it?! Was it pretty cool working with Halden?!

Ross is great to work with.

He doesn't have as high a profile as some other Leeds producers but, for us, he's the only person we want to work with here; partly because he understands where our sound comes from. He knows something of the history of the sound and the instruments used and gets as excited as us about reflecting on how, why and where some obscure; lo-fi, early-1980s Boogie-Funk record was made.

That's the kind of nerdiness and attention-to-detail we like… 

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A big part of working with Ross is that he's very flexible, eager to experiment; happy to try new things, encouraging and easy-going. What we've found is that as our working relationship with Ross has developed: he's taken on that fourth band member role, sometimes, and really helped us get the best out of everything - ourselves, the instruments and the songs. We feel that he actually digs what we’re doing and cares about it...

He puts up with our bullsh*t and weirdness pretty well, too.

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Leeds is your hometown. How much of the honesty and diversity of the people/landscape goes into your music?

It's a definite influence and a constant inspiration for us.

We’re all northerners - and I think it’s fair to say that northerners tend to be viewed as no-nonsense, no-bullsh*t people. There’s definitely some truth in that and I hope our music does come across as both honest and representative of where we live. I do love Leeds, but I’m not territorial about it because I love the North in general. North Yorkshire is where I grew up.

I really like West Yorkshire in general, too - and South Yorkshire is also good. In recent times I’ve grown to love places like Manchester, Sheffield and Liverpool more and more.

 

There is great diversity in the North of England. I think that diverse, multi-cultural communities are beneficial to everyone and only enrich our lives - and the cultural landscape in general. Leeds is definitely good for that. The community I live in is great. Obviously, it has its problems like any other inner-city area but, on the whole, everybody gets along well - which is all the more positive when you see how tightly the streets are packed in; how small the houses are - and how close people live to each other. 

Do you think that area of the country gets as much focus as it deserves?

No...but Leeds gets a lot more focus than some of the other towns and cities around it (Bradford, for example). Leeds is a popular, young city and it’s a consumer mecca in the North - so it does okay. Plus, it’s always had a huge student population. There's a much wider debate on the distribution of wealth and resources in England - and how it affects parts of the country that are a long way from London. Successive governments and institutions have repeatedly shown an open sense of contempt for people in the North, too. Spend a week or two visiting deprived areas of the North East and you’ll see what I mean. People from working-class communities - in the North - do feel ignored and like they don't have a voice.

It's been like that for generations…

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Referring directly to the arts; Leeds doesn’t receive as much focus as, say, Manchester or Liverpool - because its musical heritage isn’t as well known or highly trumpeted by the media. I guess one of the things I’ve always liked about Leeds is that there are really great bands (a huge number of them since pioneers like Gang of Four and Delta 5) that have always existed underground or on the fringes. It’s always had a really prolific, varied; high-quality D.I.Y. music community and a great club culture, too…but people just like it underground here!

I sometimes wonder if new bands from cities, that have a more famous music culture, find it hard to break off the shackles of that heritage - or get tired of people in the press referencing it or comparing them to it.

 

I get a sense classic Disco is quite a draw for you guys. What music did you all grow up listening to?

Classic Disco is definitely a huge passion for us, but, equally, the post-Disco, pre-House era perhaps more so, actually. I think it’s the combination of live instrumentation – acoustic drums, bass guitars etc. – blended with the early synthesisers and drum-machines that really produced some incredible music - and a lot of experimentation. (All those sub-genres that appeared – Boogie, Garage; Proto-House etc.).

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Growing up; the first records I heard were albums my parents had: Changes by David Bowie; Revolver by The Beatles - stuff like that. I first heard Kraftwerk when I was in my early-teens and that made a big impression on me; as did Hip-Hop and Electro acts from N.Y.C. like Rock Steady Crew and Break Machine. I was also really into 2 Tone Records, The Jam; early U2, The Damned; X-Ray Spex, Kate Bush; Blondie, Prince....but, by the time I started playing drums, I was into Rockabilly; The Smiths and U.K. Indie stuff - and then, Hardcore stuff. My first few bands were Hardcore or Punk bands. I was exposed to lots of really amazing music at college - because the community there was really diverse and everyone liked music a lot. 

I didn’t really get into Disco and Dance music until much later on. The really exciting thing for me was that, when I did discover Dance music, a huge world opened up. I really got into it. It was a feeling and a vibe that spoke to me and I got it. I felt at home there and started going to Techno raves and parties - and meeting a lot of different people who really opened my eyes to a lot of things. I loved it then and still do. It speaks to the hedonist in me, for sure; but it’s the sense of community and a shared feeling or moment that you really feel.

It’s about liberation, discovery and giving in to the music.    

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Are there any tour dates coming up? Where can we see you play? 

We’ve actually just completed a U.K. and European tour off the back of the album release: playing in Leeds, Bristol; Amsterdam, Jeumont; Cologne, Brussels; Lille, and London. I had a great time and met so many ace people. The hospitality you receive once you get across the English Channel, sometimes, puts us to shame. Our next gigs should be fun. We’re playing with The Moonlandingz at Church in Leeds on 19th November; then a party in The Old Angel in Nottingham on 2nd December, hosted by Pete Woosh - who is/was a member of the legendary DiY Sound System collective, there. 

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IN THIS PHOTO: Kelela

Who are the new artists you recommend we investigate?

That depends on how you define ‘new’...

I can list a few records I’m listening to right now - but they’re not new artists, as such. I’ve been listening to Kelela a lot recently and the Golden Teacher (Glasgow) album which just came out; plus, stuff by Jessy Lanza, Silver Linings (Melbourne); AMOR (Glasgow) and Talamanca System - amongst other things. My girlfriend, Reb, recently played me the new Jane Weaver record and an album by Kate Tempest; both of which I really liked. I buy tons of music regularly - but more older stuff than new...

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IN THIS PHOTO: Golden Teacher

I go through periods where I feel a little out-of-touch with new stuff. I don't tend to follow trends or focus on hyped bands that much. I still find out about a lot of music by going to gigs, but that also depends on how busy I am and how much money I have. I don’t use streaming sites or listen to a lot of stuff online; so, it sometimes takes me longer to discover stuff everyone else is already into. I like records and don’t like listening to music through a laptop - even through my hi-fi. It still sounds crappy to me…so, I’d rather listen to vinyl.

I like music on a tactile format - and vinyl is the only format for me.  

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IN THIS IMAGE: Jane Weaver/IMAGE CREDIT: Ethem Onur Bilgiç/Bant Mag

If you had to select the one album that means the most to you; which would it be and why?

I couldn’t: it’s just impossible.

The music is the meaning - and my love for it is ongoing. There are too many albums I love and music itself is too vast to pick a single album. Different albums produce different feelings connected to different things - and you can’t always compare them. It’s an art-form; so there’s subjectivity and relativity inherent in it, too. Our tastes often change throughout our lives don’t they? I still love some of the bands and artists I loved as a teenager - but there’s always music to discover now and in the future and, as I get older, my musical palette widens - and I become more open to stuff I might have hated ten years ago. 

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What advice would you give to artists coming through right now? 

I’m not really a person who should be giving advice…but here goes (not in order of importance, by the way!):

1) Do what comes naturally

2) Enjoy the process as much as the finished result

3) Don’t be a dick (like I’ve been at times)

4) Be humble (arrogance is unattractive)...

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5) Show support and solidarity with people who might be in a less privileged position than yourself

6) Speak out about things that matter

7) Don’t get too sucked in by bullsh*t. Worrying about how many likes you have on Twitter is a slippery slope

8) Respect people

9) Manage yourselves - maintain control over what you do...

10) Go on tour and visit other countries as often as possible.

Christmas is not too far away. Do you have plans already - or will you be busy working?

I'm going to visit my mum by the sea...

It's beautiful there and I always enjoy Christmas with my mum. We're not religious, by any means, so we don't go mad for Christmas...but I'll take any excuse to feast on my mother's home-cooking.

I'm back at work on the 27th December for a few days. 

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Are there any plans for next year? What goals do you hope to fulfil in the coming year?

Well. We're always thinking about new songs and the next record. Ideally, we'll have enough material for album two towards the end of next year. We're always playing shows; so that never really stops - unless one of us goes on holiday or whatever...

Finally, and for being a good sport; you can name a song and I’ll play it here (not one of yours as I’ll do that).

Confess to U by Omar S (ft. Nite Jewel)

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INTERVIEW: Luke Elliot

INTERVIEW:

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 PHOTO CREDIT: Thaddeus Rombauer

Luke Elliot

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A lot of attention has been paid the way…

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 PHOTO CREDIT: Thaddeus Rombauer

of U.S. singer-songwriter Luke Elliot. I speak to him about his acclaimed album, Dressed for the Occasion, and the stories that go into it. I ask what it was like to work with producer John Agnello and how he came to meet Christa Shaub – former manager of the Pop superstar, Rihanna. Elliot talks about his plans for the coming months and the artists who have inspired him.

He also speaks about the music scene in New Jersey and what it was like taking on a whirlwind tour of Europe; what the music industry was like when he started out; a new artist that is worthy of more focus – and how his Christmas plans are panning out.

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Hi, Luke. How are you? How has your week been?

I'm ok. I've been in a studio (in Harlem) working on new material all week.  

For those new to your work; can you introduce yourself, please?

My name is Luke Elliot. I'm from New Jersey and just finished a U.S. tour - after playing extensively in Europe for two-and-a-half years. Go buy Dressed for the Occasion.

Dressed for the Occasion is your current album. What kind of themes and stories go into the album?

It's made up of a lot of personal experiences - and a lot of other people's, too. I tend to take on characters here a lot more than I expected to. 

It just kind of happened organically.

Is there a particular song that strikes a chord with you? A personal favourite that stands aside?

Well. I have a feeling about all of them in one way or another...but I think People Like You really stands out. 

It hits a visceral part of me that the others don't.

 

Tell me more about Get ‘Em While They’re Hot and the inspiration behind that…

It has a lot to do with superstition...

I've always been a rather obsessive person and I think this song has something to do with trying to differentiate between an obsession and what's actually happening. 

It can get rather confusing.

What was it like working with producer John Agnello on the L.P.?

John is a force in the studio. He gets things done I couldn't have imagined. He has an unnatural way of taking my ideas and turning them into something that stretched far beyond their original horizon. 

(He's a good kisser, too). 

You signed with former Rihanna manager Christa Shaub and had a chance meeting with a European journalist – that seemed to set your career on the right path. Tell me more about that series of events…

I practically stalked Christa until she started managing me. 

We met through a mutual friend, years back, and I knew right away I needed someone like her to help me further my career. I called her until she picked up and when she wouldn't, I wrote her emails and messages on social media. I sent her new material and then would follow up a few hours later to ask her (her) thoughts. I was very pro-active. 

She finally took me on and we continued working the N.Y. circuit. Randomly, we met a Norwegian journalist who happened to write on me in the latest newspaper in the country. We got asked over for a tour - and things took off from there in Europe.

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 PHOTO CREDIT: Thaddeus Rombauer

Can you tell me how you got into music and what the early days were like? Was it hard starting out in the industry?

This industry sucks.

It’s a nightmare. People are awful to young musicians trying new things - at least in the United States. ‘Professionals’ won't speak to you; club owners make you grovel for your money - and sound engineers are ill-equip and hate their jobs. Once you find a fanbase, though, it changes. All of a sudden, there are people coming to your shows. If you keep working, it just happens. 

But the industry, as a whole, is an unguarded snake-pit.

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 PHOTO CREDIT: Thaddeus Rombauer

Which artists are most influential with regards your sound would you say?

Lots...

A lot of directors and authors have influenced me as well. It really ranges. There are too many to list.

I believe, before you embarked on a whirlwind tour of Europe, you never owned a passport or left the U.S.! What was it like stepping into a new world and embracing new countries?

It was a relief. I couldn't wait to travel. I think that excitement really translated to the people there. 

New Jersey is where you are based. What is it like there for a young and ambitious musician? 

I'm fortunate that I grew up near major metropolitan cities. I was always able to get away from the suburbs and see what else was going on. 

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IN THIS PHOTO: Shilpa Ray

Who are the new artists you recommend we check out?

I really like Shilpa Ray. She's great.

If you had to select the three albums that mean the most to you; which would they be and why?

I couldn't pick just three: I'm not great at answering 'all-time-favorites' questions. Right now, I've been listening to a lot of Kurt Weill.

What advice would you give to artists coming through right now?

Do what you want to do, not what other people tell you. 

Pay attention to trusted sources and new ideas - but stick with your gut. Develop and always be willing to change - but learn the difference between compromising and losing yourself. At the end of the day, your ideas are what started the whole thing.   

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Where can we see you play this year? Any plans regarding coming to the U.K.?

We are looking forward to coming back to the U.K. soon but no dates have been set yet. Right now, we are setting up tours for Greece, Turkey; Sweden, Australia and the U.S., of course.

Christmas is not too far away. Do you all have plans already - or will you be busy working?

I don't know yet. My schedule changes at the drop of a hat. I hope I'll get to see my family for a bit.

Finally, and for being a good sport; you can name a song and I’ll play it here (not one of yours as I’ll do that).

Groom Still Waiting at the Altar - Bob Dylan 

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INTERVIEW: Chris Pellnat

INTERVIEW:

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Chris Pellnat

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THIS is not the first time the name ‘Pellnat’…

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has made its way onto my blog! I reviewed Erin Pellnat last year: right now, I have been speaking with her father, Chris. I learn more about his path into music and how he got started; details about his awesome album, Honey Venom Wings – some of the choice cuts and stories that go into the record.

Chris Pellnat talks about his favourite sounds and the music scene around Hudson, N.Y.; why the area is so special to him; whether there is more to come; if we can expect arrival in the U.K. anytime soon – and whether he feels he has grown as a songwriter (whilst recording his latest album).

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Hi, Chris. How are you? How has your week been?

I’m doing pretty great. Life can be hard - but life is beautiful, too.

For those new to your work; can you introduce yourself, please?

I am a singer-songwriter from just outside of Hudson, New York (U.S.A.). I have played in numerous bands - and am currently the electric guitar player in the (Poughkeepsie) New York-based band, The Warp/The Weft.

I have done the solo singer-songwriter thing - as well as collaborations with other musicians.

Honey Venom Wings is your new album. What sort of ideas do you investigate on the record? What is the history of that title?

Honey Venom Wings is the album title and also the name of one of the songs. I named the album after this song because I felt this song best encapsulates the essence of the album - which is to say I was striving for a certain ‘elevated’ feeling that I think I came closest to achieving in the song, Honey Venom Wings.

There are several very light, fun songs on this record – even a silly novelty song called Vegetarian Blues (I am a vegetarian).

But, Honey Venom Wings is rather dark. It’s about being in a fever in a hospital and perhaps (being) near-death. But, it’s also strangely uplifting in some kind of subtle way - I think because it’s very spiritual.

The first song on the album is On the Ground, which is a dulcimer-driven Folk spiritual - it’s all about rising up to become more than we are.

Has it been a fun and illuminating process – recording and constructing the songs? Do you think you have grown a lot as a songwriter whilst making the L.P.?

Yes. I have done several recording with bands and with other singers and have dabbled a bit in recording - but this album is really the first time I focused solely on bringing some of my songs to life in a recorded form. It is very much a learning experience.

The final form/structure of a song, sometimes, isn’t worked out until it comes time to make decisions about how it’s going to come together in a recording. The recording process and tools influence the way you perceive your own songs - and the possibilities for what directions you can take them in.

It’s liberating in some ways: limiting in others.

The record veers in directions and embraces different sounds! Is that consistent with your music tastes and upbringing? Which artists did you grow up listening to?

I grew up listening to every possible thing I could...

I went through the obligatory Beatles, The Rolling Stones; Bob Dylan, and Bowie phases; then, Talking Heads and a lengthy Indie-Rock/Alt.-Folk phase; a Jazz phase (John Coltrane!); a Classical music phase (Beethoven, Mozart especially) - as well as being really into old Country music for a while (Hank Williams, Johnny Cash etc.)...but, the truth is, I’ve never really escaped from any of those phases: I still love it all and it lives within me. But, I don’t live in the past. 

My ears are always open to new sounds.

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Do you know what is coming next year? Are you working on any new material?

I am always writing and working on new ideas.

About 80% of it ends up in the garbage almost immediately: the other 20% are songs that I keep alive – to shape and fine-tune. Some of these will end up discarded, too, as my thoughts about them evolve. 

So...maybe 10% end up being songs I perform and record.

Hudson is where you are based. What is that area of New York like for music?

The entire Hudson Valley has a very vibrant music scene.

All of the cities (such as Kingston, Hudson and Poughkeepsie) are home to amazing musicians - and there are a good number of venues that welcome original music.

In addition to your own music; you collaborate with others – and perform with different musicians. Is it hard balancing those projects? Do you take a little from each area and incorporate that into your music?

I love collaborating...

My work with singers has been especially helpful to me. I do not think my voice is anything special - I am more of a songwriter than singer. But, when a super-talented vocalist sings my songs, my music really comes to life in a wonderful way. It’s magical.

I’ve also done some production for singers doing their own music – also a great learning experience in terms of internalizing and striving to really understand their work on a deep level…and act on that to hopefully convey their musical essence.

All of that influences what I do with my own music.

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Does the rise of Donald Trump impact your music? Is he someone who ‘inspires’ creativity in you?!

Politics is not a major focus for me but this presidency really has made non-political people like me focus on what is going on. I think the importance of creative pursuits and the arts is paramount now; when the nation is so divided and angry on both sides. Not that art can fix conflict - but it can show us something higher and more universal that transcends politics and goes to the heart of human existence.

We need that perspective to keep from being dragged into the partisan battles and division. That said; I did do one overtly political song. Shortly after the election of Donald Trump; Mercy Weiss and I made an anti-Trump music video for a song I previously wrote called Evil Baby.

The song didn’t start off being about Trump but, since he became President, we both saw that the song could easily be about him. Mercy sings the song and appears in the video.

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Who are the new artists you recommend we check out?

Aside from Mercy Weiss, whom I just mentioned, of course, I would recommend The Warp/The Weft (the band I play in).

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IN THIS IMAGE: Mercy Weiss

Another Hudson Valley band I really like a lot is The Sweet Clementines.

At the risk of nepotism; I would strongly recommend the Brooklyn band Caretaker - fronted by my daughter, Erin. 

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IN THIS PHOTO: Caretaker/PHOTO CREDIT: Alex Joseph

If you had to select the three albums that mean the most to you; which would they be and why?

(This is an impossible question - I could name one-hundred such albums!  But, if you insist; here are three that are very special..):

Transition - John Coltrane

Especially on this album; Coltrane shows any musician with open ears and an open mind how to navigate music and make it do your bidding. In his case, it was incredible, imaginative; visionary improvisational music - but that same kind of exploratory curiosity and intelligence are needed to move one’s music forward, regardless of the genre.

Talking Heads: 77Talking Heads

Forty years later; this record still sounds bizarre, brilliant - and unlike any other Rock album before or since.

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Sgt. Pepper’s Lonely Hearts Club Band - The Beatles

Yes, I know this is too obvious a choice to make - but I make it anyway. An uneven, in some places, muddled - but overall brilliant - record that changed everything.

Can we see you perform anywhere soon? Where can we catch you play?

I plan to do some more gigs in early-2018 (in the Hudson Valley).

Will you be coming to the U.K.? What do you think of the music over here?

No immediate plans -  but I would jump at the opportunity, should it arise!

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What advice would you give to artists coming through right now?

Be yourself - or be who you want to be - or be an elaborate persona you invent. Whatever…just don’t be what you think others want you to be.

Christmas is not too far away. Do you have plans already - or will you be busy working?

No immediate plans – just looking forward to hanging out with family. I get a couple days off from work.

Finally, and for being a good sport; you can each name a song and I’ll play it here (not one of yours as I’ll do that).

I’ll Never Get Out of This World Alive - Hank Williams

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INTERVIEW: Jennings Couch

INTERVIEW:

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Jennings Couch

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IN the raging and jam-packed sea of musicians…

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few manage to cling to the critical liferaft and make it to the tropical island of popular acclaim. It seems Jennings Couch has a fighting chance of safety and success! I speak with him about the new single, Serotonin, and a unique approach to relationships. There is a love of science and antiques in the bones of Jennings Couch – an angle I was keen to explore. He discusses his love of the sciences and some of his quirkiest possessions; the musicians who fuel his passions – and when new material is coming.

He divulges information about influence and the creative process; what he has in store regarding gigs; moving from the U.S. to the U.K. – and a new artist we should all be familiar with.

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Hi, Jennings. How are you? How has your week been?

I’ve been well, thanks!

This week has been quite busy preparing for a couple gigs next week and future single releases. I’ve got music videos, photo-shoots and rehearsals to do - and not enough me!

For those new to your work; can you introduce yourself, please?           

I was born in New York  City, in 1995, and moved to London when I was nine-years-old. I think the move really influenced the music I listened to growing up and, thus, influenced my songwriting.

I would say I’ve developed a strange mix of Alternative, Indie-Rock and Pop.

Serotonin is your new single. What can you reveal about its background and concept?

I’ve always loved philosophy and science - and I’ve always been interested in trying to take an abstract concept and turning it into a relatable song.

Serotonin is the neurotransmitter responsible for moods, particularly happiness, and I thought it would be really cool to create a love song using serotonin as the main idea; hence the chorus-line: “You’re playing havoc with my serotonin”.       

It seems you have had quite an itinerant life so far. What was the reason for moving from New York to England? Do you get a chance to go back to the U.S.?    

I came to England with my parents for their work. I would say my formative years were spent in the U.K and that’s why I adapted to this culture so well; so much so that I don’t feel American anymore and, whenever I go back to the U.S - which is only about twice a  year - it feels like I’m just a visitor...                 

Who are the artists you grew up listening to and were inspired by?       

I grew up listening to a wide range of music - from Heavy Metal to Folk.

Through every phase I went through, I believe I took any things that I enjoyed about each genre and put them into my own songwriting. For instance, I love a good Heavy Metal breakdown but I also love a beautiful Folk guitar riff. Finding a balance between what inspires me and what I am influenced by is a tricky (but satisfying) thing to do in songwriting.                

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You have spent time in bustling cities and the rural quiet. Do you source from your surroundings when it comes to music? 

I would say I don’t source ideas directly from my surroundings - but being in a new environment is always creatively stimulating for me. I actually find it quite difficult to write at home.

I often end up having my best ideas when I’m in a new place or on holiday.                        

A chance meeting with Kevin Malpass started you on the path you are on. How important was that meeting? Tell me more about it…               

Kevin and I clicked straight away…

We both enjoyed each other’s writing style and could really relate, musically. It was so important for me to meet someone who understands what I am trying to convey in my music - and he did it perfectly through his production of my tracks.                  

A new L.P. is coming soon. What themes and stories do you tackle on the record?         

The tracks that are going on the new L.P. are quite varied in their themes.

I cover subjects such as human equality and the future of our society. Again; I’m always interested in taking big ideas and consolidating them into a song or two.                  

I know a lot of scientific and philosophical subjects will be included. Do you consider yourself a bit of a science geek?! What is it about science and the world around us that compels you?    

I suppose I am a bit of a geek when it comes to science and philosophy! I’m just so interested in how the world works and how we form the reality in which we live in. I think it’s so important to question everything and remain open-minded.

There is no such thing as too much knowledge.                  

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One imagines there are collectables and rare items in your household! What are your prized possessions? What is the most unusual thing you own?           

I’ve got a real passion for antiques!

It’s just one of those strange hobbies I’ve developed over the years. My favourite era is the Victorian period; so I tend to collect items dating from 1830 to 1900. My most-prized possession is a silver Victorian pocket-watch from 1886.

It still works and I often wear it on a gold chain on my waistcoat.

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        IN THIS PHOTO: grandson       

Which new artists do you recommend we check out?  

Recently, I’ve been listening to an artist called grandson. He’s got such a unique sound that I’ve not heard before!

Definitely worth a listen.             

Are there any tour dates coming up?    

I’ve got some gigs coming up in Bristol, Cheshire and London - but I’ve also got a small tour in China the first week of December!      

I’m so excited and really hoping they like my sound over there!  

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If you had to select the three albums that mean the most to you; which would they be and why?

In my teens, I listened to a band called Lydia from Arizona in the U.S. They had an album called Illuminate - which captivated me and very much inspired the way I write today.                  

Another album that I love is Absolutes by Barcelona

It’s beautifully ethereal and always reminds me of hazy summers spent in the U.S when I was a kid.

Thirdly; I would say Parachutes by Coldplay

I love Chris Martin’s writing style and his use of big, complex chords both on the guitar and piano. Even to this day, I love every song on that album.                          

What advice would you give to artists coming through right now?                           

I was given a great piece of advice a while ago...

It was to (just) put your blinders on; keep your head down and keep doing what you’re doing - there will be a million NOs before there is one YES. There is also no ‘right’ way to be successful in music...

As long as you are prepared to have all the bases covered (i.e. social media, radio; T.V., sync,     writing for commission etc.) and you are patient; I believe it will work out.       

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Christmas is not too far away. Do you have plans already or will you be busy working? 

For Christmas, I will be visiting my relatives in my parent’s home-state of Indiana (in the U.S.).

It’s tradition that we do every year. However, before I can relax I’ve got a lot to do! From shooting music videos, rehearsing; getting ready for China - as well as preparing for the new releases in the New Year!               

Finally, and for being a good sport; you can name a song and I’ll play it here (not one of yours as I’ll do that).  

In that case, as I mentioned before; I’m really enjoying grandson at the moment.

His song, Best Friends, is wicked and should be heard! I’d love to know what people think about it

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INTERVIEW: Radio Coma

INTERVIEW:

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 Radio Coma

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MAYBE this is the first time I have featured…

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a New Zealand-based artist/band this year! That might sound reasonable but, as I discover, there is a wealth of great talent coming from the country! I talk to Radio Coma about the scene there and their hot new track, Too Young to Die. I know Jo Kelsey (the band's lead) and have featured her music before. It was good to catch up with her and the guys and ask what they will be doing next; how the Radio Coma came together; whether they are writing anything new – and if a U.K. visit is in order.

I discover the members’ musical tastes and why they gel so well; why more eyes need to point in the direction of New Zealand – and a few new acts we should investigate.

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Hi, guys. How are you? How has your week been?

Hey! We’re good - just recovering from our last few shows and planning next moves; lots of exciting stuff is happening this summer!

For those new to your work; can you introduce yourself, please?

Radio Coma is a Rock ‘n’ Roll band based in Auckland, New Zealand. We’re Johann (Bass), LJ (Drums); Ozan (Guitars) and Jo (Vocals).

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Can I ask where the name ‘Radio Coma’ comes from? Is there a personal origin or story behind it?

Ozan: I had this mixed, mainly Chinese-speaking radio-noise coming from my guitar amp during a recording session - where I was using some vintage fuzz pedals. I kept it rolling because I thought it fit that dark song nicely - and we kept it in the mix. At the beginning, it became the name of that song but that was an earlier, never-released work - when the four of us weren’t even together.

Later on, when we were struggling with a band name, we also discovered that ‘Coma’ also means the nebulous envelope around the nucleus of a comet; formed when the comet passes close to the Sun -  which gives the comet a ‘fuzzy’ appearance when viewed by a telescope - distinguishes it from stars.

It all clicked together. We all loved both ideas and kept the name...

Jo. I know you are from the U.K. How did you all find one another in New Zealand?!

Jo: I got tired of London and the concrete jungle and was feeling totally uninspired. One day, I’d had enough so went out and bought myself a plane ticket to India; sold all of my stuff and ended up travelling the world and having some amazing adventures for a year or two. Eventually, I started (wanting to) settling down and found myself in New Zealand - which seemed like the perfect combination of sunshine, nature and city life.

Ozan had moved from Istanbul and Johann from France to work here. LJ had moved from South Africa for similar reasons to me. I’d been struggling to find musicians - and found Ozan and Johann while looking through endless ‘musician wanted’ ads. We had a few jams, started writing together; were joined soon after by LJ and haven’t looked back!

Too Young to Die is the new track. Can you reveal how the song came together and what lit the spark?

Ozan: The main guitar riff was there when I was trying to form the band and working with a drummer friend. We kind of put the basic riff together - but didn’t know what to do with it. Then Jo took it and came up with the melody and the lyrics. We kept jamming on it when LJ joined the band. That was actually the first-ever song we played all together. I looked Jo in the eye at the first chorus and we knew LJ was the one (one groovy man!). LJ and Johann both had their own take on the groove...

It was there, in a couple of jam sessions, with the full lyrics  - it became our first song.

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Is there going to be a music video for the song? Any plans for future singles?

No music video plans yet!

Right now; we’re gigging as much as we can and getting our live performances better and better - whilst gaining exposure (as we’re a fairly new band). We have an E.P./album in-the-works for next year, too.

New Zealand is where you are based. I do not encounter a lot of artists from there! Is there quite an active music scene in the country?

New Zealand has a very small but a very active scene.

Currently, there are some great bands we admire and some great bands/musicians came out from New Zealand in the past - especially in the early-1980s, when there was this famous 'Dunedin' sound: an Indie/Pop formation which can be traced back to the emergence of Punk-Rock as a musical influence (in the country) in the late-1970s.

Some great bands active now (who we love) are The Datsuns, His Master’s Voice and Skinny Hobos - you guys should definitely have a listen...

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What is it like in terms of venues and labels? Do you feel the band will grow and be able to flourish in the country?

We feel like we’re growing with every gig.

Starting with our first release (in May this year); we’ve been playing shows consistently and we feel like people really appreciate and see the hard work behind every tune and every groove. We’d like to tour New Zealand soon, too. It’s the same as being in any country: I think it’s natural to want to grow and venture out internationally when the time is right.

We haven’t had much experience as a band with the N.Z. labels yet. What we did, so far, was completely independent and our own work - including recording and mixing. However, we are looking for help in order to concentrate more on songwriting and be on the (more) creative side - rather than dealing with all the technicalities.  

There is a bit of a venue crisis, to be honest. There are also some good old ones we really love. Auckland and Wellington have a few really active places with great, supportive communities and owners around them. It’s all about the battle between the arts and property developments - pretty similar to what’s been happening in London over the last few years, sadly. Our hometown, Auckland, has been accepted into the UNESCO Creative Cities Network as a City of Music, very recently. We hope this will improve the scene, add more festivals and venues to the table - where they are needed more than ever...

Coming from London - where the music industry is so saturated - it’s awesome to be in a place where it feels like people really listen to your music; appreciate and fight hard to keep the scene alive.

We’re excited to see what we can do here...

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Tell me about the artists you all grew up on. What kind of albums did you all experience and fall for in the family household?!

This is a very interesting question for us to answer - as we all grew up in different parts of the world and were exposed to different kinds of traditional music; as well as western music. The answer would be very long!

Jo: I grew up as a Classical singer in Birmingham (U.K.), the hometown of Black Sabbath and Led Zeppelin, so had a strange amalgamation of days spent singing Italian arias; nights in Rock bars - and parents who loved The Beatles. I remember dancing around the house to everything from Sgt. Pepper’s to Aretha Franklin and Etta James.

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Ozan has some Turkish influence. Raised in a musical family; he grew up listening to both Eastern/Western Folk music a lot; fell in love with Blues - when he picked up a guitar as a kid and found himself listening to all the Classic Rock, Blues and Funk greats - from the 1960s/1970s - every day.  

LJ grew up in church and played (mostly) Gospel and contemporary Christian music - until he started working as a session drummer in his twenties and he had exposure to various other styles and genres…he has no specific musical preference but has strong musical roots in Soul, Gospel and Rock - and can appreciate most genres: from Classical and Jazz to Metal.

Johann (mostly) grew up with French and Spanish music influence until he moved to U.K. - when he was twenty - where he was more exposed to Rock ‘n’ Roll and joined his first local band.

I guess our common ground is Blues and Soul and, of course, we all have  Rock ‘n’ Roll in our blood! Sol putting all these influences together and playing them louder and dirtier is kind of what we do really. We just get into our studio, start jamming - and it comes out!

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Which new artists do you recommend we check out?

There are some great Kiwi bands playing right now - check out His Master’s Voice and Skinny Hobos...

Of course; we also love bands like Rival Sons and The Delta Saints!

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IN THIS PHOTO: Rival Sons

Are there any tour dates coming up? Where can we see you play?

We’re really excited to put on a show with His Master’s Voice on 2nd December at Backbeat, Auckland - and have a few more planned early next year (check out www.radiocomaband.com for more dates). We’re also currently in the finals of the national NZ Battle of the Bands competition - which has given us a lot of shows recently. The final show is in late-December - so more shows and big plans will be announced after that!

Are there any plans regarding playing in the U.K.?

Right now, we’re working hard on N.Z. shows, an album and festivals for next year. As we’re a band of ¾ Europeans, we will definitely be there in the not-too-distant future!

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If you each had to select the one album that means the most to you; which would they be and why?

Ozan: I can never answer this with one album. On the classic side: it’s definitely Led Zeppelin’s Physical Graffiti

That album means a lot to me. The story, the production; the lyrics, the Blues; the Hard-Rock, the instrumentation in it - there is a hurdy-gurdy in it!  

More recently, in terms of sonic structure and the whole Rock ‘n’ Roll spirit, Rival SonsGreat Western Valkyrie has had a big impact on me.   

Jo: That’s hard! Whatever’s happening in life; I always come back to Led Zeppelin IV

Every single day and state of mind: there’s a song that just makes sense. I’ve also been carrying around this amazing Janis Joplin 1972 live album (In Concert) for years and years. Her energy on stage blows me away. It just seems so raw and real - and I think that kind of honesty is missing from a lot of music these days.

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LJ: Mate! That’s like asking me to choose between my mom and dad! Haha. That changes, based on my moods and my musical journey at that time…this last while it had been Them Crooked Vultures (Them Crooked Vultures) on-repeat.

Johann: I am not a big fan of picking favourites but, since Zeppelin is taken, my first thought would be Black SabbathParanoid

Not only because of Geezer’s killer bass lines and tone - but it is also a milestone in the story of Rock albums: so many classics packed into eight songs. I hope we can be as efficient!

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What advice would you give to artists coming through right now?

Ozan: Make friends….and then make more friends. Keep doing what you love and what you believe in - no matter what. People on the street, at a bar: they hear the honesty in the music...so be yourself and be authentic.

Jo: Make something you believe in and will put your heart and soul into: a project you’re not fully committed to will fall apart pretty quickly. There is a lot of soul missing from the music industry recently - let’s bring it back!

Also; remember that it’s called the ‘music business’ for a reason - you have to be prepared to treat it that way for a sustainable career doing what you love.  

Christmas is not too far away. Do you all have plans already - or will you be busy working?

We’ll probably take some downtime to see family and friends. We’re all ready to start writing more - so lots of time for jamming too, hopefully.

The best thing about New Zealand is Christmas at the beach!

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Are there any plans for next year? What goals do you hope to fulfil in the coming year?

We’re working now on an E.P./album that we hope to release next year - and have a few other things in the pipeline. (Just) more gigs, festivals and tours; some more writing - and making as much noise as we can!

Finally, and for being good sports; you can each name a song and I’ll play it here (not one of yours as I’ll do that).

Ozan: Yavuz Çetin - Oyuncak Dünya

Johann: Platero y tuCigarrito

LJ: Them Crooked VulturesElephants

Jo: Where I’ve Been - Rival Sons

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INTERVIEW: Rothwell

INTERVIEW: 

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Rothwell

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DUE out on 8th December through Bright Star Records (via Universal)…

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Freedom will be emancipated and available to the world! It will be accompanied by an arty and memorable video – one I ask Rothwell about. The bright young songwriter explains the story behind the song - and how it feels gaining kudos from the likes of Annie Mac and Justin Bieber. Rothwell has already provided guest vocals for Metrik (on the track, We Got It) and has cut her teeth at some big festivals.

Next year will see the Bristol singer-songwriter embark on new challenges and goals. I ask what she has planned and how she got into music; the musicians and sounds that have taken her this far; what it feels like gaining respect from big names – and how the remainder of this year will be spent.

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Hi, Rothwell. How are you? How has your week been?               

I’m very well, thanks. My week has been busy, but fabulous!      

For those new to your work; can you introduce yourself, please?           

Hi. I’m Rothwell. I’m singer-songwriter from Bristol. I’ve written with the likes of Metrik - and I’m now releasing my own Alt-Pop-Feel music.

Freedom is your upcoming single. Can you tell me more about it?

Freedom is a track I wrote with my friend, Kideko, about the destruction of youth and self-helplessness.

It’s a new direction for my music - and I can’t wait for everybody to hear it.

The video (coming soon) is quite arty and seductive. How did you feel seeing it back for the first time? What does the visual represent to you?

When I first watched it back; I was very excited as it fits perfectly with the artwork and the new sound. The ideas behind the visual are the juxtaposition between the beautiful colours – clashed against the subtle destruction of smoking.

Do you think, being so young, there are responsibilities and pressures that make you panic? Are too many people seek gratification from the wrong places?!

I absolutely agree and, sadly, I feel that our generation has been exposed to and brought up in an era of judgement within social media and social stereotypes.

Is there going to be more music coming down the line?

Absolutely. I am working on two more singles which will be with you all soon. I’m writing my debut album...

So; there is loads more coming!

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Justin Bieber and Annie Mac are two – of several big names – who have picked up on your music. How does that make you feel?!

I’m always so happy when anyone listens to my music...

It’s something I work really hard at - and getting recognition is amazing! When Annie played the track I danced around my living room like a kid on Christmas morning!

Many might recognise you as a guest vocalist on the Metrik track, We Got It. Was it hard transitioning from the background – now stepping into the light?

I really enjoyed the whole process with Metrik.

It actually started as a piano ballad I wrote with our friend Alex and then Metrik took it from that into his world - so I kind of feel like it was our joint musical baby! I loved performing with him at Reading Festival this year and he always lets me do my thing - so I am very, very excited releasing my own work.

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You have had a busy year playing big dates and supporting some notable stars – including Bieber. What have been your fondest times of 2017?

Playing at British Summer Time was definitely a highlight - and travelling across Europe supporting Ryan Adams was amazing!

How did you get into music? Were there particular artists you adored growing up?

I have always been into music and have studied it since I remember. I grew up listening to the likes of Julie London, Paul Simon; Nina Simone and Eagle-Eye Cherry.

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 IN THIS PHOTO: CuckooLander

Who are the new artists you recommend we check out?

Billie Eilish, Sigrid; Grace Mitchell; Elli Ingram and CuckooLander. These are the artists I’m listening to at the moment - and I’m absolutely obsessed!

There seems to be a real ‘Girl Power’ theme running through!

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If you had to select the three albums that mean the most to you; which would they be and why?

GracelandPaul Simon

Because it’s my all-time favourite. I actually have tattoos of his lyrics!    

For Emma, Forever AgoBon Iver

Because it reminds me of discovering my own passions in music as a teenager.

Stripped Christina Aguilera

I listened to this album from start-to-finish growing up - and can definitely recite every word!

Can we see you perform anywhere soon? Where can we catch you play?

I’ll be performing at the Gibson Rooms in November. I’ll be supporting Louise at Scala in the New Year.  

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What advice would you give to artists coming through right now?

Keep going, be true to yourself: things take time and if this was easy, everybody would do it!

Christmas is not too far away. Do you have plans already - or will you be busy working?

Find me in Bristol with a litre of Baileys surrounded by my family! But, yes; knowing my calendar, I will probably be in the studio on Christmas Eve or something!

Finally, and for being a good sport; you can each name a song and I’ll play it here (not one of yours as I’ll do that).

Diamonds on the Soles of Her ShoesPaul Simon

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INTERVIEW: Shenna

INTERVIEW:

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 Shenna

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TAKE a glance at Shenna and one will experience…

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smiles, colour and fascination! I have been speaking with the New York-based songwriter about her new song, MAGENTA - and how it differs from her previous offering, Made of Gold. I find out about Shenna’s favourite music and how of New York’s (five) boroughs differ, music-wise; whether we can expect to see her in the U.K. – the new artist that stands above the rest.

I discover what Shenna is doing this Christmas; how she came into music; what it was like working with Austin Bello; if an L.P. is forthcoming – and the musicians that compelled her step into music.

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Hi, Shenna. How are you? How has your week been?

Hey! It’s been cool - just been organizing some shows to end out the year!

For those new to your work; can you introduce yourself, please?

Hey guys!

My name is Shenna (Shay-nuh) and I am an Indie-Pop artist from Virginia - but currently live in N.Y.C. I am a singer-songwriter and am known for my quirky fashion, red hair - and writing songs about life experiences others can relate to.

I’m all about embracing individuality!

MAGENTA is fresh from you. What does the song represent and what influenced its creation?

MAGENTA is definitely a different vibe compared with some of my past music!

The song represents feeling sexy, confident and having all eyes on you in that moment. I picked the color ‘magenta’ as the feeling because it is such a unique color. Seriously; when you Google ‘magenta’ a lot of different colors of pink and purple tints pop up - and it’s vibrant. I was honestly influenced by Bruno Mars’ last album - and wanted to create a female type of track (in that same feel).

Austin Bello is a name I recognise! What was it like working with him?

Yes! Austin is a member of an awesome band, Forever the Sickest Kids. Austin is one of the best writers and producers I have ever met. He is very passionate about music and honest with me when working together. We go through tons of ideas and he’s like: “That’s not it, let’s think bigger: let’s get weird on this track!” (laughs).

I totally love working with him I am such a stronger writer now studying and working with him.

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MAGENTA is your first material since the album, Made of Gold. Do you think you have developed a lot in that short time? What have you learnt from your time in music so far?

I feel I have developed, for sure!

Most artists want to create music that is relevant for the radio and trending in the moment - but may be afraid of losing who they are. I feel I have learned to make music that is for today but is still true to me! I have a lot of new tunes that are so much different and some that have a similar vibe to Made of Gold. I have learned that not everyone is going to like everything you do, release; write etc. but, at the end of the day, if you put something out you have to own it - and rock it to the fullest!

It’s just like an outfit. It is all about perception and how you own it and embrace your brand.

Is a new L.P. part of your 2018 plans?

I am working on a collection of songs and, who knows…maybe an L.P. will come of it!

Tell me about the artists who inspired you to get into music…

O.M.G.…

I love Corinne Bailey Rae and Sia because of their songwriting; Rihanna, because she is a brand - from makeup to fashion to her music; Bruno Mars...because he is the ultimate performer!

If you put all these artists into one...the world would not be ready! 

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From Woodbridge, VA; you moved to New York City. How important is the city and its people regarding your music and drive?

Being in New York; there is always something to do, somewhere to go network; some show to play, etc. I lived in a suburb area in Virginia which I do miss - because it really was a great space to clear my head, write and create. Sometimes, I go back to visit for a few days and write some of my best songs - like So Low and MAGENTA.

Each of the boroughs must have a different flavour and music scene. What is your favourite part of New York State?

Yes! Each borough has its own cool vibe and scene!

Harlem is very Jazz-oriented; the Bronx is more Rap-based; Brooklyn is actually very open to a lot of genres - but is the home for some of the greatest unsigned and signed Rap acts. Manhattan is, of course, very hip and mainstream! My favorite part has to be Williamsburg, Brooklyn.

The music scene there is so cool - and a lot of people look like they belong NYLON magazine!

Your music has amassed a lot of love and support! How important are the fans and the loyalty they offer?

Without support, my career would still be ground-level.

I honestly see my support system as my team because they spread the word; purchase merchandise and keep me motivated! No matter how many releases I may have, it is always nerve-racking putting out my art to the public - and, seeing I have my dreamers to back me up and support, means the world to me, honestly.

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Do you have a favourite album and/or song from 2017? What have you been vibing with this year?

Hmm…that is a tough one.

I really like SZA. I have been vibing to Love Galore. I also really love I Feel It Coming by The Weeknd and Daft Punk - they are an amazing collab. Oh; I also love (basically) anything Chainsmokers-related.

I saw them live and, ever since, I have been hooked!

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 IN THIS PHOTO: Dua Lipa/PHOTO CREDIT: Luc Coiffait

Which new artists do you recommend we check out?

Dua Lipa has a crazy following - but she is a newer artist. I suggest anyone reading this blast her on Spotify or Apple Music right now!

Are there any tour dates coming up? Will you be coming to the U.K.?

Yes! I actually just came back from London, which was amazing - but I plan to come back to the U.K. again very soon maybe (in the spring-time!).

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If you had to select the three albums that mean the most to you; which would they be and why?

That is tough!

I would have to say Off the Wall - Michael Jackson; The Emancipation of Mimi - Mariah Carey and last, but certainly not least, Corinne Bailey Rae  - Corinne Bailey Rae

Each of these albums I grew up with as a kid and played for hours; days, months – and up until this day. They made me feel the emotion behind every song - that I would lock myself in my room for hours and just listen…

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What advice would you give to artists coming through right now?

My advice would be: there are very high moments in a rising artist's career - and, also, some very low. Despite what happens, keep your faith alive; make sure you focus on your priorities because there is always someone else outworking you - so you may have to sacrifice some of your free time.

At the end of the day; never quit on something you can’t go a day without thinking about it.

Christmas is not too far away. Do you have plans already  - or will you be busy working?

Yes! I actually am planning on releasing Christmas covers and, for the holiday, I am partnering with a huge brand for a toy drive. I am very excited for that. (As for) vacation-wise; I am going to go home to see my family and friends in Virginia for a little.

I am so excited to see everyone.

Finally, and for being a good sport; you can name a song and I’ll play it here (not one of yours as I’ll do that).

Raury - Mama

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INTERVIEW: The Coolness

INTERVIEW: 

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PHOTO CREDIT: @aldeperez 

The Coolness

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WITH a name like ‘The Coolness’; I could not…

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PHOTO CREDIT: @aldeperez

let it slip without asking just HOW cool the guys are! They talk to me about arranging and shooting the video for Chicken Leg Girl – and the fascinating story behind it! I learn more about the band’s formation and what the future holds; why this week has been a bit of a hazy one – and how important London is to The Coolness.

I hear more about gentrification and fried chicken; the music that inspires the band; working with Gsus Lopez – and some words of advice for new songwriters.

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Hi, guys. How are you? How has your week been?

We have been touring Wetherspoon pubs: not in a musical sense, but sampling the new menu (two desserts for £5). We went to see B.R.M.C. (Black Rebel Motorcycle Club) at Brixton and drank a few overpriced ales from plastic cups - so we are recovering from a slight hangover!

For those new to your work; can you introduce yourself, please?

We live in London. We’ve been doing this for a while (making records) - so we should be fairly good at it. We haven’t put out an album yet; however, we do have ten E.P.s and you can download them for free HERE

We certainly don’t fit into one specific genre of modern music. The Coolness is a well-balanced mix of Electronic-Pop, Dance; Rock and Funk. Most of the songs start out in GarageBand once we have the riff, basic chords or melody - we will then we finish them off in Logic or Pro Tools. On Chicken Leg Girl; Chaz wrote the synth bass line and sings; Dave plays the oriental-sounding lead-line (on a £20 Casio keyboard) and Eddie plays the drums. We used electronic drum-pads: that’s why it doesn’t sound entirely like a band playing in a room.

Although; we did record it live. No guitars or bass guitar on this track!

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PHOTO CREDIT: @aldeperez  

I want to know more about Chicken Leg Girl. What was the reasoning for focusing on the fast-food culture of today?

The lyrics and musical idea originally came from a vague description of a fine young lady our singer was trying (and failing) to date. The lady in question is of a physical stature that some might consider slim.  She could, however, eat more food than the entire band put together.

We put this unique feat down to good genetics...

Are you all partial to a bit of fried chicken? Do you think we have become too dependent on the fast and greasy?

‘The Fast and Greasy?’ That sounds like the best movie Robert Rodriguez never made!

We actually filmed the video for our track Semen in his studio in Texas, U.S.A. Anyway; enough with name-dropping! I put the rise in the popularity of fried chicken (in London at least) down to economic disparity and ongoing gentrification. Fried chicken shops are not really so different in calories or taste to the current wave of (rip-off) £14 gastro burger chains (Dirty Burger et al).

The difference is; the burger places are marketed to the suit the tastes of careerists: the kind of people that have moved to London to focus on a job or tourists. Fried chicken shops are basically catering for indigenous Londoners, the poor - or those who simply don’t care about trends or fashion. 

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PHOTO CREDIT: @aldeperez  

However, there is also a new ‘chicken trend’: places such as Strut & Cluck, Chic ‘n’ Sours; Wingman, Bird; Temple of Seitan and Chicken Town. This, basically, is fried chicken marketed to more middle-class types (at three-times the cost). It’s probably just as unhealthy! We are all originally from the island, Portsmouth - where it’s all about fish and chips. The only independent chains of fast-food we had growing up was Ken’s Kebabs and Uncle Sam’s - chicken was a rarity.

When we moved to London, it is was like ‘WHOAH’!

The video looked like it was ‘interesting’! Dressed as women, accompanied by a human in a chicken suit, did you get a few odd looks?! What was it like shooting the video?

We filmed the video on ‘Murder Mile’: Chatsworth Road, Hackney. A chicken shop on a corner-street called Chicken Lickin’ gave us a great deal to film one sunny Sunday. We are very grateful to them and they also do lovely pizza. No-one was harmed or abused during the video. A few young kids on BMXs gave us funny looks - but that is expected when filming on-location.

Again; Clapton is a part of London that has been heavily gentrified. Ten years ago, this road had little or no cafes, restaurants; organic shops or craft beer bars (all with black shop-fronts). That’s all changed now. Chicken Lickin’ suddenly feels like a hidden gem within a sea of pop-up, conformist; organic homogenisation.

Crystal Fighters also filmed the music video for their biggest-ever hit, Follow, on Chatsworth Road. Unfortunately, we do not think Chicken Leg Girl will sell as many records as that song - but we can only hope! L.o.L.

Gsus Lopez directed. He is in no short supply of talent! What was it like joining forces?

We have always respected Gsus’ work. We think it’s very challenging.

Anyone young and old can identify with it - and you don’t have to come from a queer or L.G.B.T. disposition or stand-point to understand its full message. We met at a Club Cool warehouse party and we were speaking about the idea for filming a video for more than one year. Originally, we were meant to have a female playing the part of the Chicken Leg Girl - but that didn’t happen last-minute. If Chaz didn’t drag up, then the video would have never of been made. Gsus and his team were a joy to work with - and we will collaborate with them in the future.

Chicken Leg Girl was Gsus’ first attempt at a music video…we hope other great artists hit him up!

Is there more material coming in 2018?

Yes. We have at least ten great songs that we need to finish recording.

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You guys are ‘The Coolness’. On a scale of Theresa May (0) to The Fonz (11) – how cool are you?! Have you any proof to back up any claims?!

While none of us identifies with her politics; in comparison to the political leaders of the past, Theresa May’s dress sense is half-decent. She has some mad jewellry and eye-shadow - it’s almost Rocky Horror Show. I could imagine The Coolness rocking a Theresa May look onstage one day! In fact; at our last few gigs, we have worn the left-over outfits from the Chicken Leg Girl video. Aprons and visors etc.

So, for now, we’d actually have to score ourselves in the minuses.

It seems your songs – and memorable song-titles – have a sense of fun and tongue-in-cheek wink. Do you think music lacks a certain humour?

Unless you have a marketable brand - or you can sell an idea - then there’s very little money left to be made from doing music these days. It’s as simple as that.

The knock-on-effect of this scenario is that, nowadays, every new or young artist is trying to write a song or develop a sound that will get played by F.M. radio or have some social media coverage. This is the only way they will ever get heard; so that cuts out swearing, nudity; drug references, radical political beliefs and profanity - all of the elements that used to make artists of interest develop a following back in the day. I guess we are just lucky and/or old enough to remember the glory days - or we simply care little about being an industry-friendly band.

Saying that...there’s still great new music out there: the only difference is people nowadays would rather meet on a dating app than at a local or new band gig. Many gig environments these days can be quite asexual places - which is a great thing, but also different from how it generally used to be in the past!

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IMAGE CREDITCaio Locke

It has been said you are solely responsible for finding Charli XCX! Did you guys really launch her – or did you discover her wandering the street in need of a lift after a late-night out?!

She was only fifteen at the time, so no, we did not ‘find her’ on the streets on a night out! We came across her page on Myspace. We listened and instantly we, undoubtedly, thought she was going to be the next Madonna or Kate Bush. So, obviously, we immeditely sent her a message; her dad called me up to discuss business and she played her first ten-plus shows supporting us.

It took her a while (about two years) to get signed - and all the time she was playing these crazy guerrilla gigs and warehouse raves with us...

Crazy, considering her parents had to accompany her to these semi-legal places full of sex, drugs and ear-splitting sound-systems.

You play on keyboards discovered in junk shops. What has been your finest find? What is the reason for this budget-priced musicianship?

The keyboards never differ too much in price or attributes. The best one we found is the Yamaha PSS 470. I got it from a second-hand shop, ran by Lou Winwood and Pete Voss, in 2008 called I Dream of Wires. You can edit the sounds and waveforms individually - which is rare. Funnily enough, Saul from Fat White Family uses this very keyboard for his new project, Insecure Men (including his main press photo).

Is Tropical used it a fair bit on their first album, too. It’s nice to know the trend is catching on: it’s an original sound to be able to achieve in this day and age of Ableton, perfection and soft synths.

Call it lo-fi for the 2010s…

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PHOTO CREDITNadia Lee

Who are the new artists you recommend we check out?

Geneva Jacuzzi. Chloe Black. INSECURE MEN. KYLYPSO. Creeping Sharia.

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IN THIS PHOTO: KYLYPSO

If you had to select the album that means the most to you; which would it be and why?

We would probably all choose Appetite for Destruction by Guns N’ Roses

It’s an obvious choice but it’s a great balance of songwriting, craftsmanship and performance captured onto tape. Add this to the fact that the band had a sleazy story behind them, combined with arguably the perfect amount of production and overdubbing that a record needs.

There’s a reason they are the highest-earning touring entity of 2017 - it probably boils down to honesty, humility and notoriety.

Can we see you perform anywhere soon? Where can we catch you play?

We are currently working on some new music videos ideas and recordings. We are not one to rush: we are called The Coolness for a reason.

We will make an announcement about shows before the New Year via social media.

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London is a city you seem suited to be, surely, a band this cool cannot be satisfied by London alone. Any plans on touring internationally? Anywhere you have always wanted to perform?

It’s true!

The London night-life and music scene is full of 1990s' sportswear, poseurs and bowl haircuts. We have toured abroad in the past and this is our next objective after releasing a few new singles. South America seems to have the best crowds and fans. Also, East Asia seems up-and-coming. We have a part-time member called Geki who hails from Japan. We seemed to do well in Eastern Europe in the past.

We would also love to go back there.

What advice would you give to artists coming through right now?

Image is everything. Treat your fans well. Put on your own shows. Get a good producer. Concentrate on the tools you already have - even if it’s only a Casio. Write and produce songs standing up; don’t labour behind a computer screen.

You only need one good song to get noticed.

Christmas is not too far away. Do you all have plans already - or will you be busy working?

We have written a Christmas song in the past called Cool Christmas. We might write another.

Finally, and for being good sports; you can name a song and I’ll play it here (not one of yours as I’ll do that).

Deadly Valentine by Charlotte Gainsbourg. Solely for the sound of the backwards piano...

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INTERVIEW: Bree Taylor

INTERVIEW:

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Bree Taylor

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I have been a fan of Bree Taylor’s music…

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since her debut single. I was keen to catch up and see how she was doing. Taylor reveals the story behind her latest track, What You’re Looking For, and the influences that go into her music. I ask how anxiety/depression and music connect with her – whether the former is helped by the latter. She tells me about the artists that have inspired her sound and what comes next.

I ask Taylor about the music scene in Canada (where she is based) and why there is such a proliferation of great acts from there; whether there are plans regards a U.K. jaunt – and how she will be spending this Christmas.

PHOTOS: Devyn Hill

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Hi, Bree. How are you? How has your week been?

It’s been great!

I’ve just been working my day-job and promoting the new single and music video for What You’re Looking For.

For those new to your work; can you introduce yourself, please?

My name is Bree Taylor and I am a singer-songwriter from Toronto, Ontario (in Canada). I have been writing since I was a little girl and have always had a passion for music. What You’re Looking For is my third single that I have released - and I am so excited that everyone is loving it. I also love acting, reading; spending time with my friends/family and dog; working out/yoga.

I also post weekly YouTube videos.

What You’re Looking For is your new single. Can you tell me the origins behind it?

Well. This song is based off a specific experience with a guy that I have a history with…

We had an intense connection from the moment we met but the timing was never on our side. However, this song has become about so much more than that experience. It is about how so many guys, nowadays, don’t know what they want when it comes to a relationship or dating - and end up wasting great girl’s time playing games.

With all the dating apps. now; guys find it so easy to meet girls and are so often just looking for a quick ‘hook-up’ - and want to use girls for their bodies instead of spending time getting to know them and letting things just happen. Unfortunately, I have encountered many of these guys in my years dating and have so many friends who have had similar experiences and struggles in the dating scene.

This song is about having the self-respect to walk away from a situation that does not serve you (or fulfil you). We all deserve to feel loved and wanted and to be someone's number-one - and that’s what I want people to take away from the song.

It seems to carry personal weight and relevance. Would you say love – and the conflicts and complexities of love – form a basis for your creative drive?

Yes. I have always been a hopeless romantic and relationships - and love/dating have been huge influences on my songwriting.

I find writing, especially songwriting, to be so therapeutic and a lot of my emotional struggles flow through into my songs. A lot of what fuels me creatively are things myself or my friends go through - and love/dating tend to be a large part of our lives and struggles. I am a storyteller and I write about anything that my heart needs to say so, whatever topic that may be...I let it flow out of me.

For now; my heart seems to want to write about love…

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I know you have an impressive body of work under your belt. Will this translate into an E.P. or album soon?

Thank you (smiles) and, yes - I will have an E.P out in the spring.

I am also working on writing new music - so lots of exciting new things in the future.

It seems, from the video of your latest single, you have a natural flair in front of the camera. Do you think you will do more acting – and continue with music – as we head into 2018?

THANK YOU! That means a lot to me - and I have actually been pursuing acting as well for the past year. I do love being in front of the camera and have found a passion for acting in recent years.

Acting is something I have had a secret passion for growing up - but was always too scared to pursue as a kid. However, over the past few years, I have been training here and there and decided to really start pursuing it after filming my first music video for Broken Dreams (a little over a year ago). I have really been working on my acting this past year - and am so glad you noticed the work I have been putting in through this new video.

I definitely have plans to continue with acting into 2018...

It seems you were born to be in music. Is it right music was in your life as early as your delivery? Do you have an entertainment/musical background and family?

It was!

I was delivered to a mix-tape my dad made for my mom when she was pregnant with me. There isn’t a lot of musical background in my family, actually. My papa, on my mom’s side, plays violin; my grandma, on my dad’s side, can sing and had been in choirs - but that is about it for musical talent in my family history. In terms of entertainment, though; my grandpa, John Badham, had an amazing career in sports radio broadcast here in Canada.

However; I am really the first person to pursue a career in music/acting in my family. 

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Can you remember the artists you grew up with?

I grew up listening to so many amazing artists.

I listened to EVERYTHING growing up...from Country, Punk; Pop - even Metal. Some bands/artists are: Blink-182, Sum 41, Avril Lavigne; ABBA, Shania Twain; Amanda Marshall, Michelle Branch; Elton John; the Eagles, AC/DC; Red Jumpsuit Apparatus; Christina Aguilera…the list goes on and on…

Some write music to normalise and rationalise anxieties and deeper feelings. What does music mean to you - and how important is it regards your happiness and spirit?

Music saved me...

I am the exact same, in that music and writing is therapy for me and, 100%, helps me deal with my anxieties and emotions. Music and creating/writing is so essential to my very existence and happiness that I can’t see myself doing anything else.

Music was there for me when I had no one; when I was struggling; when I have been at my highs – and, especially, my lows - when my faith was wavering and I want to create music that does the same for someone else. When I am singing or writing or performing, I feel like I am doing what I was meant to do and I am my happiest, best self. I thrive when I create and there is nothing better than seeing something you created come to life and people connecting with it.

Music is SO essential to my spirit and every fibre of my being.

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Canada is a breeding ground for great music. What is it about the country that leads to such excellent sounds?

I have no idea!

I think we just have incredible talent here. I know myself and many artists I know from Canada have been through a lot in our lives and have a lot to say - so that might have something to do with it. Lots of passion comes through in our music. Canada does have so much incredible talent and I think that isn’t necessarily credited to where we are from - but how we are brought up; how music has influenced and shaped us as artists - and the experiences we have to share through our music.

Are there any tour dates coming up? Where can we see you play?

Well. I am performing at a corporate Christmas party in a couple weeks - but that is a private show. I will be booking a lot more shows/festivals in the New Year; though, so be sure to check my website for show dates.

Will you be heading to the U.K. next year, do you think?

I might be!

No solid plans yet - but I would love to come out to the U.K. at some point.

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IN THIS PHOTO: Meghan Patrick

Who are the new artists you recommend we investigate?

I highly recommend my good friend Nicole Rayy. She is an incredibly talented songwriter and performer!

I also am in love with Meghan Patrick’s music. She is a Canadian Country singer who is killing it right now.

I also LOVE Phoebe Ryan. She has such a unique voice and sound.

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 IN THIS PHOTO: Phoebe Ryan

If you had to select the three albums that mean the most to you; which would they be and why?

Such a tough question! There are so many!

Shania Twain - Up!

Because I grew up a huge fan of Shania’s music - and that was one of my favourite albums of hers. It really helped me get through a lot as a kid. It holds a special place in my heart - and pretty much any Shania song brings back wonderful and happy memories for me.

Paramore - Riot!

Because it represents my Punk-Rock phase - in my teen years - that really helped influence me musically - and helped me through a lot of tough times battling depression/anxiety and dealing with being bullied in school. I listened to a lot of Punk-Rock and Metal at that time. Paramore are one of my favourite bands. There isn’t a single song on this album I don’t love and it just takes me back.

Misery Business and Crushcrushcrush are two of my all-time-favourite Paramore songs.

Taylor Swift1989

Because there isn’t a single song on that album that I don’t love - and I can listen to it over and over again. Lyrically, all her music just speaks to me - but there is a song for every mood on that album.

It is just such a well-produced and well-written album.

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What advice would you give to artists coming through right now?

Surround yourself with a great team of people who can help you make your dream come true. It is a lot of work and effort to make it in this industry and every bit of wisdom and assistance helps.

Keep your circle small and filled with positive and supportive people - and be aware of negative people who will drain you of your energy or try to take advantage of your and any success you start to have.

Also...family is everything!

Christmas is not too far away. Do you have plans already - or will you be busy working?

I don’t have any plans yet - probably will spend a lot of time with friends and family and catching up on some of my favourite shows (that I don’t get to watch often with my busy schedule).

Finally, and for being a good sport; you can name a song and I’ll play it here (not one of yours as I’ll do that).

I am OBSESSED with Taylor Swift’s new song, Gorgeous

It is so FUN and catchy; fresh and flirty - I love it! I think it is a song that all girls can relate to when they are crushing on someone. She just slays with lyrics

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Follow Bree Taylor

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