INTERVIEW: Anna Winkin

INTERVIEW:

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 PHOTO CREDIT: Skay 

Anna Winkin

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IT has been fascinating stepping into Anna Winkin’s world…

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and learning more about the young singer-songwriter. She tells me about her current single, The Most Important, and the E.P., Space for Love. I ask about the themes and stories that compelled both; the artists and sounds she grew up listening to; whether there are going to be more releases from the E.P. – and whether there are gigs coming before the close of the year.

Winkin discusses her background and what the music is like where she was born (in Belgium). I ask about her favourite albums and what is coming in 2018 – she gives advice to new songwriters; some thoughts that might help them in their careers.

SINGLE AND E.P. PHOTO CREDITS: Muphovi

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Hi, Anna. How are you? How has your week been?

I am good! My week has been exciting, busy and uplifting! I have just come back from Belgium - where I did my E.P. launch. It went very well. The venue was packed and we all had a great time!

I am very happy about the night!

For those new to your work; can you introduce yourself, please?

My real name is Anne-Laure Winkin and I am from Belgium. I came to London six years ago for music. I did a degree in Popular Music Performance at BIMM (London) and just finished my Masters in Jazz at Guildhall School of Music and Drama. Throughout my studies; I learned a lot about who I am as an artist and it came out as an E.P. - which was released last week (Thursday, 16th November).

I (mainly) find my inspiration in nature and spirituality - and am willing to use music to help people reconnect with themselves; have more compassion and to help create a better world.

Space for Love is your E.P. What sort of themes and ideas compelled its creation?

I am passionate about self-development. Creating this E.P .has been a process of self-discovery.

I like to use music to uplift myself and to transcend my doubt, worries and fears. It is a sort of meditation; an adjustment inside. I also have this will, through my music, to bring peace of mind, self-awareness and love to the people I am reaching. The title, Space for Love, really represents the idea of making space in our mind and our hearts; to clean up our thoughts in order to have room to receive love in all areas of our lives.

I strongly believe that our thoughts have a massive influence on our lives. Sometimes, we complain; saying that we have all sorts of problems but, if we have a closer look at our thoughts in our daily actions, we might discover that we were putting out the wrong intentions and that we had the wrong way of thinking. That’s the reason it caused a problem in the end. So, if we clean up our thoughts, we make space for better situations to come our way...

In order to create this E.P.; I had to create space for love and inspiration in myself. In each tune of the E.P., I bring up a topic that has to do with being calm and listening - in order to act with awareness, daily.

The Most Important is its current single. What is the story behind that one?

This is actually the first song I wrote from beginning-to-end!

Before that, I started to write a few songs - but never really finished them because I didn’t trust myself. I remember, on that day, I was playing the piano next to the T.V. at my parents’ in the living-room in Belgium (not a very good place for a piano, I know!) and I was arguing with my brother, who was watching T.V. - an argument about who was allowed to put the volume louder. I won - because I arrived first at the piano. It first came with the piano-lick and then the melody of the chorus came. It felt surprisingly good - and even my brother (who is not a singer at all) started to sing with me (and we were laughing about it).

After that, a verse came and then a pre-chorus. I could hear all the harmonies in my head and I was feeling very excited! When writing the lyrics, I was thinking: ‘What is my intention? What do I want to say/do to the world?!’ That’s how I started the verse: “I will pray for this world to be better etc.”.’ That was in the summer of 2013: it took me a very long time to have the guts to reveal it to my friends/musicians -  and have the courage to make this vision a reality. I had the time to grow since that year and, with time, my ideas became clearer and stronger - and this will of bringing up some type of awareness around me grew inside.

With this song, I really want to bring more compassion, love and awareness in the world.

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Is it quite satisfying seeing your work out there? Has it been quite a tough creative process?

It is! It has been a journey.

When I decided to make an E.P. - two years ago - I didn’t realise all the work that it would involve. Creating the video was also another challenge - as I wanted it to reflect my ideas in a way that people can access and relate to. I wanted to make the information and the message reachable because, with this type of message, it is easy for it to become cheesy or to be taken as visionary.

Do you know what comes next in terms of recording? Are you working on stuff for 2018?

I already have new songs that I wrote over the last couple of months - and am planning to go back to the studio around January. At the moment, I am mostly looking for a bit of exposure and to gig (both in Belgium and London).

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PHOTO CREDIT: Muphovi

Tell me about the musicians you grew up on. Who are the artists you look up to?

It is when I saw the music video of Janet Jackson All for You that I knew I wanted to become a singer. She was my first role-model.

After that, I discovered Alicia Keys (who is still one of my main influences). Destiny’s Child have also really been present in my musical evolution. My parents used to listen to a lot of African music and, as a therapist, my mother also listens to relaxation and spiritual music (Deva Premal, for example) and Celtic music such as Enya - from who I also got a bit influenced. The artists I look up to at the moment are Lianne La Havas - who I became a big fan of when she released her first E.P. in 2011! Other artists I listen to a lot at the moment are: Amel Larrieux, Sona Jobarteh; Jhené Aiko, Deva Premal; Emeli Sandé, Agnes Obel; Saint Savior, Corinne Bailey Rae etc.

Are there going to be any more songs released from that E.P.?

All the songs of the E.P. have been released (on 16th November). New music will come - either in 2018 or 2019.

You are from Godinne, Belgium. What compelled your move to the U.K.? Was there a bit music scene there?

I have been attracted by the diversity of London...

There is a music scene in Belgium but it is much wider in London - with many more opportunities in the field. I also wanted to be in a city where I could learn English and meet people from different cultures.

London is your base. What is the city like for you? Is it an inspiring place?

It is very inspiring and very rich on many levels.

I like this city because it is a place where people from all over the world come to pursue their dreams. So many people are open-minded and are ready to take risks; to follow their heart - because they know you have to make the most of your life. I really like that. I believe it is important when you have dreams and want to make them a reality; to surround yourself with people who do the same...

I also now have many friends I can call if I need musicians or advice for anything regarding the music industry etc. Even though I like it for this aspect, I really like to go back to Belgium from time to time in order to slow down - as I feel that in London everything is always going fast and people never really take breaks (shops are even open on Sundays!).

I also love going back home for its nature. Godinne is a small village near the river Meuse - and there is a lot of nature over there. I find it very relaxing and peaceful.

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IN THIS PHOTO: Ibeyi

Who are the new artists you recommend we check out?

Ibeyi, Judi Jackson and Alice Phoebe Lou.

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IN THIS PHOTO: Alice Phoebe Lou

If you had to select the three albums that mean the most to you; which would they be and why?

The Diary of Alicia Keys – Alicia Keys

Discovering Alicia Keys when I was a kid wasParadise! These songs are the songs of child/teenagehood. I could actually say that through her music: Alicia Keys taught me how to sing my heart out!

Aventine - Agnes Obel

During my degree at BIMM; I had a tendency to think that, to be a successful artist/singer, I had to be a loud singer. Thinking this way was not good for me because I am naturally shy and have a smooth tone. That yea; I discovered Agnes Obel in more depth and that made me realise that, if I want to, I can only use piano and strings and sing very silently - and still give an amazing and powerful performance.

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PHOTO CREDIT: Sophie Lex

…But Seriously - Phil Collins

This album reminds me so much of my childhood - because my parents used to listen to him a lot.

What advice would you give to artists coming through right now?

I am not sure I am in the right place to say anything - as I’ve only just started my own career. I would say to stay true to yourself and make sure you only do choices that are aligned with your heart.

What tour dates do you have approaching? Where can we see you play?

28th November: London E.P. launch upstairs at Ronnie Scott’s Jazz Club (the second E.P. launch).

30th November at 229 the venue (London).

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PHOTO CREDIT: Sophie Lex

Christmas is not too far away. Do you have plans already - or will you be busy working?

I think I will take a time for myself and my family...

These last few months have been a bit crazy - with the preparation of the release and the gigs. Now, I need to take the time to sit, be calm; read and spend quality-time with my relatives. I also want to take the time to let the inspiration come so I can write new songs.

Finally, and for being a good sport; you can name a song and I’ll play it here (not one of yours as I’ll do that).

I Wanna Be Like You - Ibeyi

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INTERVIEW: Jimmy Sweet

INTERVIEW:

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 Jimmy Sweet

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THE U.S. musician Jimmy Sweet…

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gives me some time to discuss his latest cut, You Say You Don't Love Me - in fact; it is his debut release! It is brave, in the sense that the song was originally recorded by Buzzcocks. I ask Sweet whether the band is big to him and when he first encountered them. He talks about his next moves and the music he was raised on; whether there are gigs coming up – and playing with his covers-band, The Goodtime Boys.

I learn more about Jimmy Sweet’s musical tastes and why he is a fan of Glam/British music; what he has planned for Christmas; if a U.K. tour is a reality – and why, this week especially, he is need of relaxation and a break.

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Hi, Jimmy. How are you? How has your week been?

Not bad. Taking a vacation this weekend to Santa Barbara, California. I’m looking forward to some relaxation…

For those new to your work; can you introduce yourself, please?

My name is Jimmy Sweet. I was born in San Jose, California - but I have been living in Los Angeles for nearly eighteen years.

I guess I can call it home, now...

You Say You Don't Love Me is your debut single. What was the reason for picking that song for your introduction?

I wanted to do a cover song to hopefully grab people’s attention, and being a Buzzcocks fan, it seemed like the way to go?!

It was originally performed by the British band, Buzzcocks. As an L.A. artist; how did you come to discover the band? Why did that song stand out?!

I’ve been a Buzzcocks fan since I was a teenager...

I remember seeing them live in Santa Cruz when I was sixteen-years-old. I also had the chance to open for them in Los Angeles about ten years ago - while I was playing in Hot Hot Heat at a festival. I’ve always loved the lyrics to this song.

It’s such a great love song - so it inspired me to slow it down and try sending the message in a different way.

Your take brings new aspects to the song! Can you see yourself tackling other artists’ tracks further down the line?

Absolutely! I’d love to eventually make a 1970s Punk cover album of all my favorite songs - and give them the melancholy treatment.

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Is there any more material coming soon? What are you working on right now?

I’m actually working with producer Mark Rains (Black Rebel Motorcycle Club); finishing a string of original tunes to be put out every couple months in 2018. We just finished a song called Burning Like a Fever (that’ll be released on Valentine’s Day).

You perform with your covers-band, The Goodtime Boys – which contains members of Fleet Foxes, Hot Hot Heat and The Growlers. How did you come to meet those players – and is there any possibility of an album from the band?!

We were all friends previously. A club in Hollywood, called Good Times at Davey Wayne’s, asked me if I’d put a cover-band together - and I asked them to join.

That’s where the name came from...

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L.A. is your base. What is the city like for an artist who favours the exciting and ambitious? Do you feel fulfilled there?

There are so many places to play here: it’s definitely worth living here if you’re a musician or an actor.

It never feels like you can’t fulfil your dream.

I'm interesting discovering the musicians you grew up on. What are your earliest recollections of music?

I used to sneak into my older sister’s room and steal her Misfits albums. But, I remember when she left a V.H.S. tape with no label - and I popped it on and it was a New York Dolls concert. I was thirteen-years-old and my life changed at that moment. The world was no longer a safe place...

I fuck*ng thrived on that.

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You have played on the circuit with Roland Bolan (son of T. Rex legend, Marc). Is 1970s Glam a genre/time you are inspired by?

100%! I absolutely love the British 1970s Glam movement. It only lasted from about 1970 – 1975 - but so many great songs.

Who are the new artists you recommend we check out?

 My wife’s band, The Wednesday Addams.

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IN THIS PHOTO: The Wednesday Addams

If you had to select the three albums that mean the most to you; which would they be and why?

The Stooges – Fun House

It’s gotta be one of the nastiest-sounding records I’ve ever heard (in a good way).

Pulp - Different Class

Every song is a hit! I’m a huge Jarvis Cocker fan.

The Velvet Underground - Loaded

I’m always trying to recreate that album. Perfection.

What advice would you give to artists coming through right now?

Being in a band is just a very expensive hobby. Hahahaha. 

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What tour dates do you have approaching? Where can we see you play?

I’m doing a residency, in March, at Harvard & Stone in Hollywood. I got some incredible bands that agreed to play as well. We have U.K.-based BONES; Love Zombies, Jesse Jo Stark and more.

It’s gonna be a fun month.

Christmas is not too far away. Do you have plans already - or will you be busy working?

I’m working, unfortunately - but, it never feels like Christmas in L.A. It’s sunny and warm all year!

Finally, and for being a good sport; you can name a song and I’ll play it here (not one of yours as I’ll do that).

Lemming - Lucifera 

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INTERVIEW: 1971

INTERVIEW:

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1971

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THESE are emotional and changeable times…

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for the guys of 1971. Following the death (earlier this year) of their bassist/founding member, Cameron Cranston – future plans have been revised and scrapped. I ask 1971’s Jory about the way the guys are progressing and what they have in mind. I get the lowdown on their current single, Anxiety (In the Depths of Northwestern Ontario) and how things got started for them – and whether writing/releasing their new track was a difficult process.

Jory talks about the band’s start and the music that has guided his/their progress; what the remainder of the year holds in store; the music vibe where he is – and some new artists for us to investigate.

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Hi, Jory! How are you guys? How has your week been?

It’s been pretty alright.

I was a little anxious about the music video premiere - which happened this morning - but, so far, it’s going really well. Garrett and my other band, Rust Owl, played a show last weekend - and got to see a lot of friends from out of Winnipeg.

We don’t get to see very often, so that was really great.

For those new to your work; can you introduce yourself, please?

I’m Jory. I play the drums and sing here and there. Garrett is our guitarist and singer - and Tanner is our other guitarist.

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Can I ask about the band-name (sorry to ask an obvious one!). Is that year especially important for you all?

Haha. Unfortunately, I can’t answer that question.

We used to make up a different story every time someone would ask - but the true meaning is still between us. 

Can I also ask about February this year – when your bassist/founding member, Cameron Cranston, died? He was only twenty-five. What impact did that have on the band? Did it take a while for you to regroup and continue?

Well. We’re actually not continuing as a band.

Once he passed it wasn’t a question: we knew we couldn’t continue without Cran. This E.P. coming out is the last release for us - with the last recorded material before Cran passed away.

It’s like our final tribute to him (and to the time together as a band).

Anxiety (In the Depths of Northwestern Ontario) is your new track. It, obviously, is tinged with a sense of emotion. What is the tale behind it?

Garrett wrote it a while back for Cran while he was going through a really difficult time. We can’t really get into specifics - but it was dedicated to him well before he passed.

We’d been playing it for about a year and toured it a couple times.

A new E.P., No Matter Where You Go, There You Are is forthcoming. Does the title allude to Cameron? What kind of themes run through the E.P.?

Absolutely. No Matter Where You Go, There You Are is one of his ubiquitous sayings. They’ve all resonated with us and we still quote him all the time - but that one stood out the most and always meant to us; especially now.

I think the saying speaks for itself...

I know you’ll be releasing the E.P. – via Art of the Uncarved Block – on 7” vinyl and cassette. I am impressed bands like yourself are keen to preserve traditional formats! A lot of Canadian acts are releasing material on cassettes. Is there a link between Canada and music’s heritage do you think?!

I couldn’t tell ya if I think there’s a link there...

We’ve always found cassettes to be the most popular format we’ve released on. I, personally, like cassettes quite a lot. I think their popularity has a lot to do with their convenience; since they’re easy to store; they’re cheap and not too much commitment for fans when buying them. Vinyl is expensive as hell and not always the best investment. But, for albums that I feel really committed to; vinyl is where I go.

We’re releasing the vinyl ourselves - Art of the Uncarved Block is releasing the cassettes.

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What is the music scene like around Winnipeg? It seems like Canada is among the most productive music nations around. Why do you think this is so?!

Winnipeg has a pretty recognizable scene in Canada.

There’s a lot of bands and musicians here if you compare it to our population - and even more small and large festivals in the summer…one almost every weekend.

I think there was more going on for us in the East - but there are some really great bands in Winnipeg and there’s always a show to go to. The scene is pretty tightly-knit here.

I personally love touring Canada despite the low-population density and long-ass drives. We’re pretty big hosers and more Canadian than we might like to admit - coming from a fairly isolated town in the dead-center of the Canadian shield. Driving through the landscapes, regardless of which province you're in, is always special to us. Being in the middle of nowhere is a pretty special feeling that I understand not everyone gets to experience. For that, we’re fortunate.

There is so much great music in Canada and audiences really appreciate music I think; even with the highly-saturated music market (so to speak). There’s a lot of really creative stuff coming out of here and we were extremely fortunate to have met so many like-minded individuals and amazing creators along our journey.

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Can you tell me how you all met? Was the bond instant and brotherly for you? Why did you decide to all make music together?

Yeah. It was pretty instant. We all knew each other in high-school and were friends - but playing music together really solidified our relationship. Tanner and Cran had been best friends since they were in Kindergarten.

This band was, kind of, more than a band to us. We are really like family. We spent the majority of our formative years together - and this extended family of friends sort of grew out of it in a way.

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IN THIS PHOTO: Triples

Who are the new artists you recommend we check out?

Damn. Where to start?!

I really think everyone should listen to everyone Art of the Uncarved Block is working with; especially Worst Gift, Low Sun; Shaman and Triples. Trying not to be biased here but we’re fans of everything on that label and feel real fortunate to be working with them now.

I also think people should check out Albatros; a seven-piece (I think now. They used to be a nine-piece) Punk band with a brass section from Quebec city. Dead Soft put out a killer single last summer and are always a fav.

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Other great Vancouver bands are Sightlines, Togetherness; Dad Thighs and Cheap High. Our pal Suz, from Worst Gift, writes amazing and amazingly sad songs under SVBRIII.

For Montreal; I’ve really been digging yoo doo right and Bécyk Fantôme. I saw this band from Saint John’s, NL the other week called Incredible Woman - which was the best show I’ve seen in 2017.

My pal Cassia (of Wares) put out one of my favourite albums of the year about a month ago.

As well some of the bands here in Winnipeg; Satanic Rights are some bad ass-rockers; Mmars are some bad-ass fuzz boys, Homeward Bound are great hooky Dog-Rock; M&M Meats bad-ass Meat-Wave, Permanent Mistake bad-ass mistake punk. I like Slow Leaves’ latest album, Jensen Fridfinnson, is going to have some great stuff coming out soon. Slow Spirit are great - and Pleasure Dens is a pretty good band. Roger Roger is great if you’re into really sweet Folk music. I would also say Lucas Roger - if I didn’t play in his band (because I was a fan first).

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IN THIS PHOTO: Slow Spirit

Also; everyone should listen to Missy Jacobson and Mike Procyshyn: two great songwriters from Kenora.

Lastly; my favourite album of the year was Protomartyr’s Relatives in Decent. Highly recommend.

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IN THIS IMAGE: Protomartyr

If you each had to select the one album that means the most to you; which would they be and why?

Also very tough but, instead of listing almost everyone like the last question, I’ll have to say Tournament of Hearts by the Constantines (for every reason).

What advice would you give to artists coming through right now?

Don’t wait, don’t hesitate. Learn everything you can about the way the music scene works early as possible. Even if you’re fiercely D.I.Y., like we used to be; learn how the industry works. Don’t procrastinate and shy away like we did early on.

You’ll thank yourself later...

What tour dates do you have approaching? Where can we see you play?

We won’t be touring this release but we will be playing December 23rd at the Good Will Social Club in Winnipeg; December 29th at the Kenora Curling Club.

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Are there plans to come to the U.K. down the line? Have you ever been here before?

Yes, I’m hoping to take Rust Owl to Europe in a couple years (if all works out). We have yet to tour Europe - but all our friends have had great experiences.

Christmas is not too far away. Do you all have plans already - or will you be busy working?

We’ll be rehearsing with our friends - that are filling in on bass - for the release shows, mostly. We’ll be in Kenora; so we’ll be visiting with a lot of family and catching up with close friends.

Finally, and for being a good sport; you can name a song and I’ll play it here (not one of yours as I’ll do that).

Well. I’m currently listening to Housepanther as I write this…so let’s play Housepanther’s track, Train Station Floors

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INTERVIEW: Featurette

INTERVIEW:

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 Featurette

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THERE is a political and social message behind…

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their new track, Upside Down. I ask Canadian duo Featurette about the song and whether President Trump’s governance is causing more problems than it is worth – they have clear opinions on that point! Lexie and Jon talk about their formation and the music scene where they are; the artists they respond to and admire – and whether we can see them in the U.K. next year.

They talk about their backgrounds and whether protest, given the subject of their new song, ever creates change; what new music they have planned; some great new artists we should all get involved with – and whether they will have any time to chill over the Christmas period.

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Hi, Featurette. How are you? How has your week been?

We’re great!

We’ve just finished a fun tour this weekend - so we’re coming down from that (smiles).

For those new to your work; can you introduce yourself, please?

We’re an Electro-Pop duo from Toronto - made up of Lexie Jay (Vocals, Keys) and Jon Fedorsen (Drums, Synths). We write our own tracks that are punchy and bass-forward - and love music that’s heavy-hitting and a little bit dark at times.

If you’re into Phantogram, Broods; K.Flay, or Tove Lo - you’ll probably like the sounds we make.

Upside Down is your new single. What can you tell me about its background?

Of course!

We started writing that track last year - we were inspired by the concept of the ‘Upside Down’ in Stranger Things - another world that’s not all as it seems, parallel to ours, but much darker. Over the next year, in the changing political climate we’ve been witnessing with our neighbours to the South, in many ways; we find ourselves in that parallel world right now.

The headlines are darker than ever before: things are changing, and slowly, people are waking up to realize that it’s our responsibility to do something about it - not just place blame. This summer, we revisited the track, chopped it up and resampled it - we basically flipped it on its head.

Everything’s upside-down - but it’s not just ‘them:’ it’s all of us.

It seems, actually, liberty and the devaluation of American principles are at the core. Do you think true values and ethics are being eroded by President Trump? Are his skewed views on proletariat rulership leading American into the abyss?

You got it.

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We think that the devaluation of our principles, and the skewed morality of our collective consciousness, has led us into a place where we’re extremely vulnerable. Trump, in many ways, seems to be the manifestation of society’s worst qualities and, somehow, he’s in the most powerful position in the world. But, it’s not just Trump: I don’t think we’re alone in believing that he’s not even sure of what he stands for.

Trump is more of a figurehead that a large portion of the American people are using as a platform to forget their own humanity - and wreak havoc on all those that don’t align with their views. They’re angry. They want to make up for all the wrongs that they felt have been done to them - no matter the consequences or the hypocrisy. Somehow; it’s becoming just that: it’s Us vs. Them.

It’s a dangerous time to live in...

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How effective can music and protest be when it comes to raising awareness and shaking complacency? Do you think Trump’s days are under serious threat?!

I mean; it’s a difficult thing...

How many people are going to hear this song and really listen - look past the hooks and dissect the poetry? Further still: how many of those are going to care?! I think that, since Jon and I have a platform – hopefully, a growing one - it’s important to do what we can to raise awareness for what we believe in. More than that perhaps: this is a real issue that’s affecting so many right now; we’re writing from such a real place when there’s a crisis like this.

I don’t think that Trump’s days are under serious threat…and that’s what scares me. He’s been caught in a lie; in wrongdoings and the mistreatment of women - and people so many different times - and yet…he’s still in office. There’s nothing you or I can do to change that for the moment, but it’s important to us that people aren’t scared to talk about it - so that we never make a mistake like this again.

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The track is punchy and angry. Did it lay onto tape pretty quick? I imagine it was a natural and pleasing track to capture?

It really was…

The original version - we wrote a year ago - was mostly music: a lot of the lyrics came later. It was a lot less angry. It was more beautiful and a little more organic-feeling (fewer synthetic drum machines and the like). When we saw what was happening in the political climate; it inspired us further and we took the track we had and totally ripped it apart. We kept the music but infused-in energy - and an anger that we hadn’t drawn on in such a way. Our single just prior, Bang, had some anger too; but it was a personal blow - this song is so much bigger than that. There are a lot of angry people now (angry on both sides).

Performing this track live has been like therapy for me - getting all out, you know?!

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What comes next in terms of material? Will an E.P. form part of your 2018?

We’ve been writing all summer, actually. We’ve got a lot of new tracks up our sleeves and, although we haven’t fully realized our plan yet; an E.P. might just be coming your way.

Some serious ear-worms for sure…

Can you take me back to the start and reveal how you guys got together?

This one time, at band-camp…we started a band! (*Pause for laughter*)

But, seriously, we were both teaching music at a summer-camp - which is how we met.
Jon’s brother had just won the Lottery - and he moved across the world to New Zealand; leaving behind a guitar that Jon picked up. He brought it with him to camp and wanted to play some tunes for the kids - to show them that you can always learn something new and pick up a new instrument. Great message but, unfortunately, he was a pretty terrible guitar player! He recruited me to join him to strengthen his band a little for the faculty show, and then, we just kept playing after that. We actually recorded an acoustic demo, and no, you can’t hear it!

We soon after traded-up for synths and an electric kit…and we never looked back!

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Which musicians did you both grow up idolising? How varied were your childhood homes in terms of the sounds experienced?

Oh man. So different.

Jon: I grew up listening to a huge array of music. My dad was into The Rolling Stones, Supertramp and Phil Collins; my Mom was into Simon & Garfunkel, Enya; lots of Mozart. My older brother went backwards: big into classic 1960s and 1970s Rock; 1980s Rock and Metal. Growing up, there was so much music in the house, that all that was left to take for my own was the Grunge of Nirvana, and then, the cooler fusions of Radiohead; Björk; Portishead and Lamb.

Those led me into Electronic music like Squarepusher, Four Tet and Amon Tobin - before getting into Jazz for school. I guess, during Jazz-school, I was into drummers Bill Stewart, Tony Williams; Jack DeJohnette, Trilok Gurtu - basically, anything that was super-complicated and hard to listen to passively! L.o.L! Now, I think I’ve levelled-off and can listen to music again without focusing only on the drums and the bass.

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Lexie: I went to high-school as a Music Theatre major and then followed that with a Classical Voice degree at the University of Toronto - so my music library was nerdy as hell. I got into popular music much later - and I’m still learning so many new bands these days. It’s crazy how much cool stuff is out there! I grew up idolizing Idina Menzel after I heard her in Wicked – wow; what a Voice. When I got into Opera in University; it was Diana Damrau for sure. Not what you wanted to hear probably…but that’s what got me going!

Outside of vocalists, Jason Robert Brown’s writing, especially his work The Last Five Years, was a huge influence on me. Then; I found out about song cycles and art songs in University (Benjamin Britten, Hugo Wolf and Debussy) - and that was a huge reason why our first album, CRAVE, was put together the way it was. It was actually written as a song cycle: one girl’s journey through a relationship - and how it changed her.

It seems Toronto is producing great music the same way a rabbit would produce…you know what! What would you put this down to?

What…more rabbits?!

Haha. Yeah, you’re totally right. There are so many great bands and great players - and new genres and fusion emerging - we can hardly keep up! For us, it’s really important to find those new sounds; stay ahead of the curve - and not (so much) throwback to that ‘1980s sound’, just because we’re using synths. I think that’s what keeps us sounding different

I think it’s a pretty competitive industry as well. The more great musicians there are out there, in a close proximity, the more there will be in a way.

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IN THIS PHOTO: K.Flay

Who are the new artists you recommend we check out?

K. Flay is one of my new faves - and she’s really getting her stuff out there (which is great). She speaks to the political level as well.

On a local level: For Esmé is a band that really inspired me at the beginning of our synth journey (I believe she’s coming out with some new material in 2018) and, more recently, we toured with Monowhales (also female-fronted) - who have a raw power you’re totally going to love if you’re into us.

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IN THIS IMAGE: Die Antwoord

Some old international favourites would be Moderat from Germany - a huge influence of ours actually - and Die Antwoord from South Africa.

Jon’s also into Future Bass and  San Holo – which I think you can definitely hear in our upcoming tracks.

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IN THIS PHOTO: Monowhales

If you each had to select the one album that means the most to you; which would they be and why?

Jon: I remember waiting for my brother (who skipped a whole day of high-school) to bring back a copy of Radiohead’s Kid A. We listened to it as soon as we got home and our minds were blown. How could a band do such an about-face?! When it was over, we look at each other; nodded and played it again from start to finish. I think it gave me permission to think outside the box once I started doing music on my own.

Lexie: For me; I really gravitated to Passion Pit’s Manners - that was something that really stood out for me. The sounds, especially on the vocals, were so different from the other stuff I was listening to: I thought it was really playful and unique. I think that’s in part why I use a live harmony pedal on stage now and come up with all my vocal patches for each song - so that I have the same control a guitar player would over their instrument. I want that control to shape and change my vocals to match the song perfectly, just like Passion Pit does.

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What advice would you give to artists coming through right now?

Be brave and say what you’ve gotta say. I think that honesty goes a really long way in this business.

Honest music with an honest message that you actually believe in is going to hit harder than any ‘trending’ sound or vibe. Don’t copy or chase sounds: let then influence you and then make your own way - so that you’re creating something that’s your own.

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What tour dates do you have approaching? Are you heading to the U.K. soon?

I wish! Lemme call my agent (smiles).

Tour dates are top secret at the moment but we’re hella overdue for a Toronto show - so you know we’re going to be hitting that next – then, hopefully we can jump on a plane! From what we’ve heard; you get one first impression when it comes to the U.K. market. We don’t want to blow it but we’ve got some new stuff coming - that, we think, will push this project over the top - and get us over the pond.

Christmas is not too far away. Do you both have plans already - or will you be busy working?

Writing, always writing: you can’t stop that process.

We might take a few days for the family but, when the creative juices are flowing, you have to track that stuff in!

Finally, and for being good sports; you can each name a song and I’ll play it here (not one of yours as I’ll do that).

Lexie: Kill J - Propaganda

Jon: Moderat - A New Error

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Follow Featurette

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INTERVIEW: Sands

INTERVIEW:

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Sands

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SANDS is quite to the point and brief when…

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it comes to his answers, it seems! That enigma is something that makes one want to investigate the music and discover more about the man behind it. Sands talks about the new double A-side, Let’s Run/Echoes, and tackling a Gene Clark classic. I ask whether the double A-side is coming back into fashion and what the next move is from him; whether there are going to be any tour dates – and whether Sands expected his eponymous E.P. to get such a positive reaction.

I find out about the music that Sands responds to and what he thinks about the digital takeover – whether it is preferable to physical formats – a new artist we should check out; whether he is in the Christmas spirit – and a few words (not even that!) to new musicians coming through.

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Hi, Sands. How are you? How has your week been?

Hi. All good. I’m busy mixing.

For those new to your work; can you introduce yourself, please?

I put out the Sands EP in April and a single a couple of weeks ago. More to come in 2018.

Check stuff out http://www.s-a-n-d-s.net/.  

Let’s Run/Echoes is your double A-side. What was the decision behind releasing a double A-side?

I thought both tracks had kind of the same relevance to me - as well a common musical thread. Plus; I liked the fact it reminded me of artists of the 1960s (that I love).

It seems the double A-side is coming back into fashion. Why do you think this is? Do you miss the days of physical releases – and a time when artists released double A-sides more frequently?!

Dunno. Maybe could be a sort of revival thing…

I don't want to sound like I’m looking too much at the past - as much as I love it; we must always move forward - but I definitely miss that. There was a different magic in it. I mean, you had two options to listen to music: turn on the radio and be lucky your favourite is on; go to a record shop and buy it.

If it's not in stock; order it and come back later on – don’t rely on the free Internet binge.

Echoes is your take on Gene Clark’s classic. How did you come to discover the song originally? What is it about the track that spoke to you?

I love The Byrds but, when I heard his solo stuff, I was completely blown away. 

I got into his catalogue and so much fell in love with the songwriter, singer and musician - as well as the character. There’s an incredible depth to him - truly touching and inspiring. He can have some swing, too. Echoes is the case. It clicked with me lyrically and I wish I’d written the music. 

It’s like a beautiful picture or painting. It takes you in a world of his own.

The video for Let’s Run is out. What was that experience like? Do you like the processes involved in a music video?

I wasn't involved in the making of it, honestly. I think it's a great visual that my friend did. I think it's a nice match for the track and I love the tone of it.

I'll tell you next time, then…

Your Sands EP was backed by some big names and publications. Did you expect it to receive such praise?

No, I didn't! Well...“thanks”…

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Is there going to be more music next year do you think? What do you have planned?

Another E.P. is currently being mixed - and is coming out in spring.

Who are the musicians you idolise? Which artists did you grow up listening to?

So many I love…

Lately; I've been a lot into Nick Cave and Iggy Pop.

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It seems instruments are as important to you as any other aspect of music. Which instrument did you take up first? What was it about composition and performance that resonated with you at a young age? 

My first was the drums but, with the guitar and those harmonies, I discovered the chance to write a tune.

Playing along with records made it clearer.

Who are the new artists you recommend we check out?

An Australian band called Surfing. I love them.

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If you had to select the three albums that mean the most to you; which would they be and why?

It's impossible to name three that mean the most for me, but I'll give it a go - leaving a blank space would be rude.

Screaming Trees - Sweet Oblivion

Kraftwerk – The Man-Machine

David Bowie - Scary Monsters (And Super Creeps)

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Can we see you perform anywhere soon? 

I’ll take the chance to say I don't have any gigs booked. I'm looking for musicians at the moment - because I need to set up some performances.

Get in touch…

What advice would you give to artists coming through right now?

Have stamina.

Christmas is not too far away. Do you have plans already - or will you be busy working?

Honestly; I don't give a sh*t about it!

Finally, and for being a good sport; you can name a song and I’ll play it here (not one of yours as I’ll do that).

Heaven - The Rolling Stones

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Follow Sands

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INTERVIEW: Phalcons

INTERVIEW:

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Phalcons

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ONE imagines there are few artists based…

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in rural Wales! You’d probably be right but one treasure you’ll find there is Phalcons. I speak to the band about their new single, Idle Ways, and how that came together. Ben from the band talks about the formation of Phalcons and where the guys go from here. I find out about his/the band’s tastes and the music they vibe to; what they have planned in terms of touring – some advice for new artists coming through.

Ben talks about the music scene in their part of Wales and how it feels knowing their music is striking a chord; how each member’s experiences in other bands has helped Phalcons – what they have planned for the coming year…

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Hi, guys. How are you? How has your week been?

Ben: Hi there!  We’re good, thanks. It’s been a productive week! 

Loads of radio-play, promoting the single; doing the whole social media thing. Sorting out some gigs for the next couple of months.  

Exciting stuff!

For those new to your work; can you introduce yourself, please?

My name is Ben: I sing and play guitar.

I’m Tom: I play bass and sing backing vocals.

I’m Alex: I play drums and back them vocals!

Hi, I’m Naomi - and I play synthesisers and also sing backing.

What can you tell me about the new song, Idle Ways? What’s the story behind it?

Ben: It’s quite a personal song. I wrote it after moving back from Cardiff towards the end of 2015. At the time, I was living a party lifestyle: sleep all day, up all night. I’d work part-time at a nightclub to keep me in money but, overall, 2015 was a bit of a blur. 

I was living with my then-girlfriend, who also enjoyed living fast-and-loose but, unlike me; she was also trying to complete a university course - and I was a terrible influence. So; it’s a song about two people slowly drifting apart, emotionally and physically - because of one’s ‘idle ways’.

Is there going to be more material from you guys next year? Are you working on an E.P.?

Yes, definitely! We’re always writing new material. We have another single coming out in the New Year - maybe a couple. That will eventually lead up to a bigger release for the summer - but we’ll see what happens once we have more material out there.

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The band is from North Wales - but I am interested how you all got together. How did ‘Phalcons’ come to be?

I think it was around the start of 2016…

We were all in a bit of a quiet period - or had just left our previous bands. I had a few songs that needed some instrumentation; so I got in touch with Alex and Tom and started jamming. We were tight, but we needed another layer, so we got in touch with Naomi; threw her into the mix…and here we are!  

We’ve all known each other for years, though. We’ve played in each other’s bands, toured together in separate bands; lived together and worked together. As friends go; we’re a pretty close-knit group: it’s just a bonus that we all like the same music and can play instruments!

Tom: I met the guys separately over the years…

I first spoke to Alex after watching him play guitar at a festival in Bethesda; I met Naims through a mutual friend - when we were both in school - and met Ben, properly, when I was living down in Cardiff.

Fun fact: before we knew each other; Ben referred to me as ‘Mullet Guy’.

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What is the music scene like where you are? Are there opportunities available?

Ben: We all live in rural North Wales; so there isn’t a lot going on here, really - especially at this time of the year.  There are regular gigs, local festivals and seasonal events - but not a lot of opportunities to expand your horizons. The Welsh music scene is a very small one. 

After a few years; you end up playing to the same faces, which is great, because you eventually get a very loyal fan base. But, if you limit yourself to one language, you tend to limit yourself to one country. It’s why we sing in English, rather than our native Welsh - as there are so many more opportunities and it’s easier to branch out.

I know you all come from different bands? Have you all learned a lot from those experiences – and do you think your skills and at their peak as part of Phalcons?

Yes, of course! As musicians, we’re always learning. 

Playing different music with other people always helps. But, as far as reaching our peak, I hope not!  Reaching your peak means you’ve done the best you’ll ever do right?! We have a long way to go before that! 

Watch this space!

Who are the artists you all grew up listening to?

My family has a pretty good music taste, actually! Fleetwood Mac, Van Morrison; Norah Jones, Tom Waits; Willie Nelson and Bert Jansch. My dad got me into Country music, Bluegrass and Folk early on; loads of traditional Irish music and Americana Grassroots. My mum is more into the 1970s and 1980s anthems: Prince, George Michael; Brian Adams…that kind of thing.   

My parents took me to a lot of festivals as a kid, too; so I listened to a lot of World music from quite a young age. 

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It seems you are already getting attention and fans! Is it important to have that support? Does that give you direction and drive?

Absolutely! As a band; you rely on the support of the listeners to grow as musicians. The aim is to just keep writing, keep playing; keep promoting until you get where you want to be. 

Without the fans, that would be impossible. 

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IN THIS PHOTO: Serol Serol

Who are the new artists you recommend we check out?

I’ve been listening to a lot of music that’s close to home recently... 

Serol Serol is a band to look out for in the coming months! Dreamy, psychedelic; synth-driven Space-Pop.

We’ve played a few gigs with the ARGRPH guys, too - they’re also signed to Libertino Records. I managed to see them play in Cardiff not long ago and they were f*cking amazing. Twangy, bluesy; Psyche-Rock - with a heavy dose of Shoegaze thrown in.

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IN THIS PHOTO: ARGRPH

If you had to select the album that means the most to you; which would they be and why?

Crosby, Stills and Nash – Crosby, Stills and Nash

That album was my first real experience of original 1960s Psychedelia. I was sixteen-years-old; had just joined a band and was finding my feet, musically. A close friend recommended it to me. So; I sat down and listened to it in its entirety. Then, when it finished, I listened to it again. It absolutely blew my mind. Every single track on that album is genius. The harmonies are on point and the musicianship is next level. 

It makes me want to make music...

Can we see you perform anywhere soon? Where can we catch you play?

We have a gig in Clwb Ifor Bach in Cardiff on 8th December. We’ve also got a gig on 28th December in Llanrwst - a town in our neck of the woods up in Snowdonia. We’re working on getting some gigs together for the New Year too…so, keep yer eyes peeled!

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How have you found performing so far? Has it been quite natural performing together – is the stage somewhere you all feel at home?

We’ve all been playing in bands for years now; so being on stage feels natural these days. It’s always good to play with new people too: keeps the energy fresh on and off stage.

What advice would you give to artists coming through right now?

Make the music you want to hear. Get an online presence. Promote yourselves shamelessly.

Christmas is not too far away. Do you all have plans already - or will you be busy working?

Probably working in the days around Christmas: Christmas Day is off limits. That’s family-time. I’m going to drink lots of alcohol; eat lots of turkey - and listen to Christmas songs until my ears bleed. 

Finally, and for being good sports; you can each name a song and I’ll play it here (not one of yours as I’ll do that).

Ben: Andy Shauf – The Magician

Tom: Forth Wanderers – Slop

Alex: The Only Ones – Another Girl, Another Planet

Naomi:  Alvvays – Dreams Tonight

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Follow Phalcons

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INTERVIEW: Monti

INTERVIEW:

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Monti

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THERE are few who have the background…

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and life of Monti. She speaks to me about her transition from the streets - and how she has turned that experience into something positive. I find out about her new track, Echo, and the story behind that; what she has planned in terms of new material; the music scene where she is in L.A. – and some of the projects she has been involved in.

Monti discusses the artists who have influenced her; the albums that have affected her (as a human and musician) and what she has planned regards touring – and whether we can see her in the U.K. anytime.

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Hi, Monti. How are you? How has your week been?

Hi! It has been incredible! Thank you!

For those new to your work; can you introduce yourself, please?

Hey, everyone! My name is Monti. I’m a recording artist, songwriter and philanthropist.

I am interested in the single, Echo. What is the tale behind the song?

Thank you! I wanted to create something deeper with my music…

I really wanted to tell my own story and the stories of the youth that I am around daily and mentor. I wanted to talk about the struggles I had, and that they still have with growing up - and are dealing with various unfortunate circumstances, including homelessness; being in foster care, abuse; addictions etc. I wanted to speak out to them and for them and, to next generation in general, let them know that I've been there - and I made it out...and so can they. 

The single, Echo, refers to our voices and the next generation’s voices - and the need to be heard. I found that I not only wanted the voices and message to be ‘heard’; but to be a heard loudly as a declaration and ‘echo’ - so it may continue on to be heard by the next person as well; so they can, hopefully, be inspired (and so on)... 

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You wrote the track with Josh Stevens. What was that experience like? Did you know each other before working on the song?

I met Josh Stevens through another project.

I was brought in the studio to work with him on that project and, later, approached him regarding my vision for my next solo artist project. He saw the potential and believed in it. This started my incredible musical relationship with him and his company, Stadium Music Enterprise - where we worked on bringing this vision to life.

When we went in for the first writing session, we were definitely in-sync. As the song progressed over time, he also found his own voice in the single, as he did the feature on it - that was also an experience shared from his own story. He’s become one of my favorites to co-write with, for sure - and I can’t wait to see what we do next!

Do you think there will be more material coming next year?

Oh yes...

I am continuing to work with Josh Stevens and Stadium Music Enterprise on an E.P. - which we are planning to release by early-2018!

Whoop whoop!

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Your lyrics address harder subjects and provoke thought. Is it quite tough being so revealing and open in your music?!

Not at all: I feel like it’s the opposite, actually.

It’s easy for me to be so open because it’s part of my purpose (of) being a music artist - in spreading my message – therefore, it comes naturally. I’ve found it’s actually tougher writing songs that have no depth or real message.

How did you manage to go from a runaway – dodging foster care systems – to a young woman releasing music? How hard has it been transitioning from that situation?

I like to say I have had guardian angels here on Earth.

During the time, I was still on and off the streets and hanging out in gang life; I ended up singing hooks for several rappers in home recording studios - and that lead me to meet artist/producer, Lamar Lacañgan. He and his family took me under their wings and mentored me. Soon enough, he started his Independent record label, O.Y.I.E. Records, and offered me a record deal; where we immediately started working on my first album - where I wrote my first songs ever. That was the start of my career as a recording artist but, more importantly, that was the start of my transformation.

I got so much more than just a record deal - but a sense of unconditional love, community and new possibilities. Lamar and his team clearly had a heart for inner city/at-risk youth - and, so, they later started the non-profit, O.Y.I.E. Music - where I became their first success story.

I always say that they and that whole experience saved my life. It definitely was not an easy transition but, for the first time, I was introduced to the power of choice and to a whole new world; one that I could be in and could accomplish greatness in - if I chose to - and, since then, I continuously keep striving, persevering and working to become better as a human being - for myself and for others to make a difference (like it was for me).

Do you feel more settled and safe at the moment? Are there plans afoot for 2018?

Yes, absolutely.

I have been so blessed surrounded by amazing people and continue to create my world with my choices one moment at a time. 2018 is going to be incredible! So many great things in the works.

We are planning to release an E.P by the middle of next year.

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What was your music upbringing life like? Which artists stood out to you when you were younger?

My mom had a very eclectic vinyl collection; made up of a wide variety of music of the roaring 1920s; Broadway show-tunes, Pop tunes from different eras - ranging from the 1960s – 1980s. As a child, I listened to all of it and then some - but mainly her Whitney Houston, Michael Jackson; Lionel Richie and Motown records (the most). Throughout my troubled childhood, I remember music becoming a bit of a refuge for me as a way to escape, I think. I always gravitated to the kind of music that had soul, passion; depth; told stories and/or just felt good to listen to.

As a teenager, specifically, I listened to a lot of Hip-Hop, R&B and Soul - mainly 2Pac, Ice Cube; Too Short, Fugees; Lauryn Hill, R Kelly; Brian McKnight, Dru Hill; Lil' Kim - and then there was Nirvana, too, of course (smiles).

How important is Los Angeles and its people to your stability and music inspiration?

I love living in L.A.!

Being around the variety of different cultures, food and art really helps build my creativity - and gives me new ideas daily. The fast lifestyle and constant drive of the people here also keep me inspired - to keep moving and creating. I only surround myself with people who motivate me to become better - and are the ‘doers’ of the world. This also plays an important role in my overall balance. I definitely need the quiet and slower times as well, which I've also found here through other activities that L.A. provides - with the beach and hikes and beautiful scenery.

So; I mostly love how L.A. can provide me with that balance as well.

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Who are the new artists you recommend we check out?

They’re not really new - as they’ve been doing this a while - but definitely check out Damien Horne and John Splithoff; then Clay Campania - who’s also one of the baddest guitar players of our generation.

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IN THIS PHOTO: Damien Horne

If you had to select the three albums that mean the most to you; which would they be and why?

During my younger childhood; I would say Janet Jackson’s Control (on cassette-tape!)

HAHA. This stands out for sure because this music inspired me to put on dance concerts in my neighborhood with my best friend - which gave me happiness and a positive outlet to escape the chaotic home environment I was surrounded in at the time.

Growing up in adolescent years; I would say HIStory: Past, Present and Future, Book I (double-disc) by Michael Jackson. I remember when this first came out; I became glued to it because it spoke to a lot of my life that had already happened - and helped me get through a lot of trauma in my life up to that point.

Then, later in early adult years, it was Lauryn Hill’s MTV Unplugged (double-disc). This changed my life, because it was the first time I had heard an artist be so raw and vulnerable and then, from that moment on, I knew I always needed to just be authentic with everything - as a person; by telling my life stories and sharing them with the world.

Can we see you perform anywhere soon? Will you be coming to the U.K. next year?

Yes! I’ll be performing at L.A.’s historical venue, Dresden, on November 20th at 9 P.M.! You can find out more on my website.

I definitely hope to be coming to the U.K. next year - if I get booked out there!

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What advice would you give to artists coming through right now?

Find and focus on what it is you really want to say; be known as and stay committed to that - as you can only do what you do...

Also, to think about ‘legacy’; as we're only here for a short time - and have been given a gift that has the power to impact people and the world immensely. So; make sure you're really doing what you want to be doing - as you're the only one who can do what you do.

No matter where you come from, or what you've been through, you can make it; if you choose to...

Christmas is not too far away. Do you have plans already - or will you be busy working?

I will definitely be busy working and getting ready for 2018.

We have lots of great things in-the-works! I will also be spending the holiday month with my family in Hawaii.

Finally, and for being a good sport; you can name a song and I’ll play it here (not one of yours as I’ll do that).

I Try by Clay Campania

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Follow Monti

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INTERVIEW: Dark Horses

INTERVIEW:

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Dark Horses

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A new track from Dark Horses is always a good thing…

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in a music world where quality and consistency are not interlinked or reliable. XIII is out and, with that numerical indicator; is bad luck and superstition at its base?! Dark Horses have an album on the way and have, in their career, supported Beck. I talk to them about their latest work and its spark; what we can expect in the coming months; how they came together in the first place – and what they will be doing with the remainder of this year.

They are heading out to support Black Rebel Motorcycle so I quiz them about their gig plans and what we can expect; any new artists we should keep our eyes open for – and the music that means the most to them.

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Hi, guys. How are you? How has your week been?

Hi. It’s been a week of Black Rebel (Motorcycle Club) at Brixton, blind dates; losing house keys and releasing our single

All-in-all…not too bad, thanks.

For those new to your work; can you introduce yourself, please?

We are Dark Horses: a five-piece band of talented chancers; a soulfully obstinate sonic family

XIII is your new single. What is the story behind it? What is the significance of the number thirteen?

13…

Some believe it to be unlucky - but we consider it to be a karmic number. It is the number of upheaval...so that new ground can be broken. We were also challenging ourselves, musically - you should have seen the concentrated looks on our faces while writing this song; trying to stay in the same time signature!

It seems, as you look at people being broken into numbers, there is a fear around the modern ways – and the digitisation of humanity. Is it conflicting having these feelings whilst having to rely on social media/streaming services for publicity?

We are not against digitalization: it is interesting, scary and exciting to witness the evolving marriage between humanity and technology.

We have faith in the warmth and unpredictability of human nature - let’s see how that all plays out! (if we live that long!)

I believe an album will follow. Can you reveal any songs that will appear? In terms of themes; what will you be investigating on the record?

Yes. Themes include:

Collective attitudes, runaways; authenticity at the risk of ridicule, hype machines; personal space and identity, fluid perspectives; learning from history, mathematics and silliness.

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How did the band get together at the very beginning?

As a band, we had an exceptional beginning...

Everything was done upside-down, so maybe what is important now is to recognise and value the most simple aspects of being in a band together; having fun making a racket!

In some respects, I think we can be overawed by our own history….

You have, already, supported Beck and been backed by big sources/radio stations. Is it quite hard to take in all you have achieved so far?! What have been your favourite memories from your music careers so far?

I recall checking myself out of the hospital after suspected appendicitis - in order to perform at the Royal Albert Hall for Teenage Cancer Trust…standing on that stage to honour all those brave young people and their families and friends was an emotional moment I shall never forget. The hall is built in such a way that I did not have to make any effort to project my voice and, with limited physical strength, that was definitely a bonus.

I felt at ease and very lucky to be part of such a magical evening.

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Which musicians did you all grow up listening to? What might we have heard in your childhood homes?

The Beatles, Pink Floyd; Swedish Folk music, Janis Joplin; Carole King, The Who; Prince - and plenty of Classical and Jazz.

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IN THIS PHOTO: Baby in Vain

Who are the new artists you recommend we check out?

Baby in Vain - a Danish group we saw not long ago. Really great.... 

Spring King. HAAi-

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IN THIS PHOTO: Spring King/PHOTO CREDIT: Henry Muller

If you each had to select the one album that means the most to you; which would they be and why?

Gosh. Not an easy question:

Anastasia: Carole King - Tapestry

I recall really connecting with her lyrics. She seemed to be singing to me.

Lisa Elle: Björk- Debut

When I heard this for the first time as a kid; I remember thinking: ‘That's what I want to do… sing and write stories like that.

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David: Radiohead - OK Computer

What melodies! Got me really hooked on my Telecaster.

Bobby: ABBA - Greatest Hits

Not cool - but I used to love it as a child.

Stevie: Bob Marley and the Wailers – Legend

What can I say - it sounded extra-good when I was stoned.

I believe you are heading out with Black Rebel Motorcycle Club. You guys pumped about that? What other dates do you have approaching?

We have opened for them when we first formed so it’s going to be fun to do it again now.

We are also doing a headline show on our way back in Budapest - a city we have fond memories of playing in before. We have another release lined up for the end of Jan and we shall return to the stage in the spring.

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I know Milan is part of the tour. Have the band ever been to Italy? Have you boned up on your Italian for the trip?!

Well; Anastasia, on bass, is from Molise - in the centre-south of Italy! We performed at Zanne Festival, in Catania, which was great; especially as the line-up was comprised of some of our favourite artists: Toy, Blond Red-Head; Clinic and B.R.M.C.!

Needless to say; we are most excited about returning - not least, for the food (smiles).

What advice would you give to artists coming through right now?

Just make music that you enjoy and excites you and, as much as you can, find a way to share it on your own terms. A lot can be done D.I.Y. nowadays: if you can create a scene for yourself and your music, it will only be more appealing to an industry who might want to work with you down the line.

Christmas is not too far away. Do you all have plans already - or will you be busy working?

Hibernating and generally warming up after gallivanting across Europe, in a van, on tour!

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As you are called ‘Dark Horses’, I have to ask: is there a member of the band with a secret – something nobody knows? Who is the biggest dark horse in the band?!

Ahh…good question! Probably, Bobby. It involves a Tinder date - and no more can be said about that!

Finally, and for being good sports; you can each name a song and I’ll play it here (not one of yours as I’ll do that).

Anastasia: Mass Datura - Fantasy Friction

David: PINS (ft. Iggy Pop) - Aggrophobe

Bobby: Donny Hathaway - Jealous Guy

Stevie: Camera – Synchron

Lisa Elle: Ariel Pink - Put Your Number in My Phone

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INTERVIEW: Natali Felicia

INTERVIEW:

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Natali Felicia

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THE excited and physical sounds of Natali Felicia are all over…

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her latest single, Say It. I ask the artist about the song and the story behind it. I discover more about Natali Felicia’s songwriting process and the artists who inspire her; the music she was raised on and why she moved from Sweden to the U.K. – she has recently relocated here and spending more time in Britain.

Natali Felicia talks about working with Andreas Grube and the albums that mean most to her; whether there is going to be new music approaching; how the rest of this year will pan out – and why this week has been a particularly good one for her.

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Hi, Natali. How are you? How has your week been?

Hey! I’m alright, thanks! It’s been a quite good week.

The peak of the week was seeing Father John Misty’s show at Hammersmith Apollo in London. The first time I have seen him live. Wow; what a show and what a man!

So brilliant! Loved it. 

For those new to your work; can you introduce yourself, please?

I’m Nat; a twenty-three-year-old Dark-Pop singer-songwriter from Sthlm, Sweden. I release music under my name ‘Natali Felicia’. I’ve released some songs so far and will be releasing my debut album in the New Year - which I’m very excited about!

Say It is the new single. What is the story behind it?

Me and my producer/writer companion, Andreas Grube, wanted to paint a vision of the beautiful act of people joining forces to be stronger together; to speak up and fight together for their rights. How cliché it might sound: we are and will always be stronger TOGETHER. I think that’s worth reminding people of every now and then. It speaks strongly about not silencing oneself; to dare to speak up and make your voice heard - especially as a woman - which is something I need to learn more… 

There is that need to fight repression and sing loud. Have you faced these issues in your career/life? How much of your personal life do you take?

It’s a bit funny actually thinking about it…continuing on the point I started on in the last question...

In private, I’m actually a quite a quiet person and afraid of conflict. I’m a big observer and thinker and I’ve got a lot of reflection going on in my head. I’m quite of a drama-queen on the inside and I guess it comes out in my music. Yes, I have - and, yes, I do - take inspiration from personal life but, also, a lot from what’s going on around us in the world.

I think I tend to write about things that revolve around challenging myself and facing my fears...if that makes sense…

Is there going to be an E.P. coming next year? What are you working on?

There’s an album coming out in the spring (next year!) It’s finally complete - after some years of hard work.

I’m very excited to finally share it. 

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You have produced music alongside Andreas Grube. Will he be co-producing your future work?

Yes! Andreas is my partner-in-crime.

We started building the world of Natali Felicia in 2011 together - and we’ve written my upcoming album together.

Kjell Bergqvist, arguably Sweden's most famous actor, and the fashionista and T.V. personality Yvonne Ryding - who as Miss Sweden won the Miss Universe crown in 1984 – are your parents. How artistic and creative was your household when you were growing up?!

Not so creative and artistic as you might think, really. Haha.

Both my parents have been quite good at leaving work outside of the household growing up. However; I did spend quite a lot of time with my dad at the theatre growing up. I grew (very fascinated) about that world and I’ve always been quite of a theatre buff - and I love performing.

Did your parents pass on any of their traits and talents? Did they expose you to a lot of great music? 

They are not at all musical my parents, actually...

My beloved grandmother and my sister are very musical, though. If anything, I believe I got that bit from them. Not really. Haha. My strongest memory is my dad always playing Mungo Jerry’s In The Summertime pretty much on-repeat in the car. 

What is the music scene like in Sweden, where you are based? Is it quite contemporary and inspiring?

It’s cool!

The past six years, I’ve been based on Södermalm in Sthlm. It is a very artistic and creative part of town. It’s been very inspiring, indeed. But, I needed a change of scene and recently moved to London, actually - where I’m now building my new base.

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Who are the new artists you recommend we check out?

You should check out my friend, Nadia Nair’s, music. She’s an amazing songwriter and artist. She’s got a beautiful album out called Beautiful Poetry - and I believe more music is coming from her soon.

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If you had to select the three albums that mean the most to you; which would they be and why?

Horses - Patti Smith

She’s was a huge inspiration to me when I started writing songs.

Hounds of Love - Kate Bush

THIS WOMAN. What an artist. Also; a huge inspiration to me. One of the best albums ever, if you ask me.

For Emma, Forever Ago - Bon Iver

I never get tired of this album. Such a beautiful collection of songs. 

Can we see you perform anywhere soon? Where can we catch you play?

I’m putting a band together in London right now. You will definitely see me perform - early next year - in the U.K.

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Will you be coming to the U.K.? Have you been here before?

I've been coming to London a lot the past two years (for writing) and kinda been on my way over here for a while. Very excited to now live here full-time and work with my music. I love this city - in a love-hate kinda way.

Very inspiring. Haha…

What advice would you give to artists coming through right now?

Hold on to YOUR personality: it’s the strongest thing you have as an artist. Always surround yourself/work with people who love what you’re doing and supports you 100%.

Christmas is not too far away. Do you have plans already - or will you be busy working?

I’m going back to Sthlm for Christmas to spend time with my family. It’s been a very hectic year for me - so I’m going to try and have a much needed quite Xmas.

Finally, and for being a good sport; you can name a song and I’ll play it here (not one of yours as I’ll do that).

In the Summertime by Mungo Jerry!

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INTERVIEW: The Blackheart Orchestra

INTERVIEW:

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The Blackheart Orchestra

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THE award-winning songwriters, composers and multi-instrumentalists…

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Chrissy Mostyn and Rick Pilkington are The Blackheart Orchestra. The guys are currently touring in Germany and have a load more dates coming - as we, slowly, head into 2018. They talk about their upcoming dates and what we can expect from them next year. I ask about their latest single, Born to Live, and how they manage to fuse Classical elements with sounds of the 1980s. The guys explain how they manage to create a fulsome sound on stage; the music they grew up listening to – and whether they have time to rest this Christmas!

I discover the magic and sound that goes into The Blackheart Orchestra’s immense and symphonic sound; how they got together; how their home-city, Manchester, affects their drive and creativity – a few new artists we need to investigate.

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Hi, guys. How are you? How has your week been?

Hi, we are great, thanks.

Our week has been great. We are currently on tour in Germany - so every city, every venue and every day is an adventure at the moment.

For those new to your work; can you introduce yourself, please?

We are a multi-instrumentalist duo from Manchester. People say we are quite unique because we fuse acoustic and electric instrumentation with vintage synth sounds and percussion - and mix 1980s Pop textures with Classical.

Artists that we most often get compared to are Kate Bush, Pink Floyd; Florence and The Machine and the Cocteau Twins.

Born to Live is out now. What can you reveal about the track and its origins?

The track was written after going through a pretty emotional time: it is all about fighting back.

There are Classical influences and a nod to the 1980s. Did you grow up around quite a varied array of music? 

Very much so...

Between the two of us, we have vastly different musical backgrounds and tastes - there probably isn’t one artist or one album that we both share. It could have ended in the biggest crash and the shortest-lived band of all time - but, actually, our diversity has enriched everything we do and, by putting such odd ingredients together, we try to create new never-tasted musical flavours (which people seem to like).

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I am interested learning how The Blackheart Orchestra got together. When was that moment the band formed?

We actually met in a rehearsal space in Manchester.

Something just seemed to click instantly and, before we knew it, our first album had written itself - and we had a tour lined up.

You are mistaken for an eight-piece act (when people hear you)! You change instruments and have a range of sounds at your disposal. Is it hard keeping a track and producing such a big sound?!

We both play over six instruments each and really enjoy having so many instruments and sounds at our fingertips on stage. It feels like second-nature to us now but I guess, when you stop and think about what we are doing, our performance is like a huge choreographed dance. Every single sound is played live and we move from one instrument to another mid-song; sometimes with each of us playing two instruments at the same time. 

Louder than War recently reviewed a concert and described our stage as “An Aladdin’s Cave of a laboratory for the evening for them to conduct their sound experimentation” – but, to us, it’s just the norm to chop-and-change throughout the set. It would feel incredibly odd now to just play a guitar or piano throughout a whole set.

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Your music has, already, gained plaudit and fond focus. How does that make you feel?!

We are incredibly proud to have so many people all over the world listening to, and writing, great words about what we do.

To have our own musical heroes, who we grew up listening to and are learning from, contact us calling our music “inspiring” is just mind-blowing.

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Manchester is where you are based. What is the city like when it comes to fostering new artists?

To be honest; it doesn’t feel like we are based anywhere: we have spent most of our time together touring in many countries. But, Manchester has always been a vibrant city full of music with no shortage of places to play - and new talent blooming everywhere.

Is there going to be some more material coming in 2018? 

We have spent most of 2017 touring to promote our new album, Diving for Roses, which was released back in May - but we find being on the road is our most fertile writing environment. We have somehow managed to write the next album so, as soon as we get some downtime, we plan to get into the studio.

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IN THIS PHOTO: This Is the Kit

Which new artists do you recommend we check out?

Oh; there’s just so many - but artists that we are enjoying listening to on tour are This Is the Kit, Eivør, Kiasmos and The Great Park.

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 IN THIS PHOTO: Kiasmos

Are there any tour dates coming up?

When we come to the end of our tour of Germany, we are almost done for 2017. We have a few remaining dates in the U.K. in early-December.

Nov 20: BERLIN - Oblomov (Germany)

Nov 23: BERLIN - Culture Container

Nov 24: BERLIN - UnterRock

Nov 25: HOYERSWERDA Speicher No 1

Nov 26: DRESDEN - Wulbert's

Dec 2: SLEAFORD - Pickworth Hall (U.K.)

Dec 7:  MANCHESTER - The Cedar Room

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Then, we have a full U.K. tour planned for Feb/March, 2018 dates. So far, the dates are...

Feb 5: HAWICK - String Theory

Feb 15: CAMBRIDGE - CB2

Feb 18: BIRMINGHAM - Kitchen Garden Cafe

Feb 23: WIGAN - The Old Courts

Feb 24: STROUD - Under the Edge Arts Centre

Mar 2: MANCHESTER - 3 Minute Theatre

Mar 17: SOUTHAMPTON - The Art House

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If you each had to select the album that means the most to you; which would they be and why?

Chrissy: This is such a difficult question! I think mine would have to be Jagged Little Pill by Alanis Morissette

The album is just so raw with emotion…from rage to fragility; it’s such a perfect depiction of how creating music can be so cathartic.

Rick: Disraeli Gears by Cream

I bought it by accident when I was eleven-years-old (I bought it for the cover I had no idea who Cream were). It started my musical journey and taught me how to play guitar.

 What advice would you give to artists coming through right now?

“Be yourself: everyone else is taken..."

I can’t remember who said that - but it is so true. I guess we can’t help but take influence from everything that we hear/see/experience, but it is expressing your own unique voice or view in your own way that makes it your own personal property (and your Art).

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Christmas is not too far away. Do you have plans already - or will you be busy working?

Christmas is our downtime - so we plan to be still! 

What is The Blackheart Orchestra planning for 2018? What do you hope to achieve by this time next year?

We seem to have gained a lot of momentum with Diving for Roses so I think the aim is to continue to build and get our music to as many ears and hearts as possible. We hope to have a new record ready next year, too - so it’s all exciting times ahead. 

Finally, and for being good sports; you can each name a song and I’ll play it here (not one of yours as I’ll do that).

Chrissy: Petrichor by Keaton Henson

Rick: Silver Blue by JD Souther

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INTERVIEW: Rachael Yamagata

INTERVIEW:

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Rachael Yamagata

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SINCE unveiling her album, Tightrope Walker, it has been…

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pretty hectic and busy for Rachael Yamagata. I speak to the U.S.-based artist about plans for new material and what we can expect. Yamagata is from Virginia but based in Woodstock, New York. She discusses the music scenes there and the artists she is influenced by; what she has planned for next year – and how her music has developed and progressed through the years.

Yamagata is in the U.K. and bringing her music to the British audiences. She played Salford last night and prepares to captivate Edinburgh tonight. If you have the chance to see the incredible American in the flesh – there is time to catch her as she makes her way through the country (hitting the Islington Assembly Hall on Tuesday).

PHOTOS: Laura Crosta

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Hi, Rachael. How are you? How has your week been?

Hi, there. Very good, thanks.

For those new to your work; can you introduce yourself, please?

I’m a Woodstock, N.Y.-based artist who has been writing and performing songs for seventeen years. I began my music career in Chicago and have spent time on RCA Records, Warner Bros. Records - and now an independent artist working with Thirty Tigers. 

My songs are heartache and tonic for a weary, yet inspired, soul. I love cats.

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Tightrope Walker was released earlier in the year. How has the reaction been? What was it like recording the album?

Folks have been really enjoying this record...

It’s new territory for me: more blatantly optimistic, but with a darker, more radical production sense. It’s the first record I’ve truly produced and we went to town with unique sounds – drumming on metal ladders; tracking rain and Moogs, horns and strings; French spoken-word etc. 

We recorded nearly everything in my house - so the vibe was very organic and experimental.

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You worked with a few other artists on the record. Who was the most memorable to record with?

We created a bit of a hive among us and had many nights filled with group dinners and fires in the backyard. Many of the musicians have come out on tour with me previously - so it felt like we were on the road again.

My sound engineer, Pete Hanlon, engineered the record and is a genius with lush soundscapes; Zach Djanikian, Owen Biddle and Kevin Salem are also long-time collaborators that brought unique flavors to the album. John Alagia co-produced with me and we have a long history of working together.

I remember him fondly as wearing his winter hat and overcoat inside when our heat went out. We made it through!

Tightrope Walker followed (2011’s) Chesapeake. How do you think the two albums differ?

Chesapeake was an emotional release – a spastic celebration really of going independent. It was very collaborative with many of my previous producers involved. We holed up in a house on the Chesapeake Bay during the summer and made our own summer camp. Most songs were tracked together - and it was very in the moment. 

Tightrope Walker had a bit more of a preconceived vision of mine intertwined in it. A lot of the demos I tracked had parts already mapped-out – but, mostly, I had a different idea of sonics that I wanted to integrate into each track.

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Is there going to be new material coming up?

Yes.

This winter I plan to do more recording. I’ve written a slew of new songs and am just wrapping up my tours to give myself time to record.

Tell me about the artists you grew up with. How influential were your parents and their tastes?

My parents introduced me to a lot of the singer-songwriters of the 1970s... 

I was really drawn to a great storyteller who could paint a picture and evoke emotion with words and melody. I loved Joni Mitchell, Cat Stevens; Elton John, Ricki Lee Jones and Paul Simon…in college, I sang in a band (Bumpus) and those guys introduced me to Nina Simone, Tom Waits; Sly and the Family Stone…

Later on, I would discover Jeff Buckley, Led Zeppelin and Rufus Wainwright. I think I’m influenced by artists all over the map - but it always comes back to a good story.

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Virginia is where you are based. What is the scene like there? What is the music like?

I’m actually based in Woodstock, N.Y. - but I was born in VA. Woodstock is a wealth of great artists with a lot of history to the town of course. It was the home of The Band, Bob Dylan and so many others. I think the community is a great hotspot for creativity and new music. 

A lot of artists recognize the magic of area - and come up and stow away to write and create.

You have Japanese and German roots. How does your heritage and background inspire your music?

I think growing up with a multitude of cultural influences opened me to the connectivity of humans across differences. I’m fascinated by what connects us through our human struggles - and how it defies any preconceived notions of how we are separate.

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You are in the U.K. to do a series of gigs. What was the reason for coming here? Have you played in the country before?

Yes. I’ve done several tours of the U.K. before, but they’ve been spread out over many years. I’m trying to return as much as I can to really serve the fans here. Live performance is such a special thing - and it offers a unique connection to the audience that I love.

Do you plan on seeing sights and having a wander when you are travelling around Britain?

I hope so...

A lot of tours involve travel during the day and full schedules - but we fit in as much as we can.

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 IN THIS PHOTO: Diane Birch

Who are the new artists you recommend we check out?

I love Emily King, Lucas Nelson; Emily Kimble, Keren Ann; Diane Birch, The Milk Carton Kids…

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If you had to select the three albums that mean the most to you; which would they be and why?

Joni Mitchell – Blue

Her melodies are so expansive that I always think there is some huge production behind her - and am mystified that it’s often only one instrument and her voice. It reminds me how much space can be filled with a great song.

Rufus Wainwright – Poses

Magical chord progressions; insane harmonies (and just) more magic (magic, magic).

Carole King – Classic

To-the-point. Concise, gorgeous simplicity.

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What advice would you give to artists coming through right now?

Think out of the box. Connect. Follow your crazy ideas - and be true to yourself.

Christmas is not too far away. Do you have plans already - or will you be busy working?

Family-time, for sure.

I’ve been on the road consistently for three years straight, and it’s time…

Finally, and for being a good sport; you can name any song and I’ll play it here (not one of yours as I’ll do that).

Ballad of the Sad Young Men – Roberta Flack

It’s insanely long - but will rip the heart to shreds (in a good way).

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INTERVIEW: Lisabel

INTERVIEW:

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Lisabel

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IT has been good getting to know the Italian-born…

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musician, Lisabel. She talks about her upbringing and coming to the U.K.; the sounds/artists that sparked her love of music; what she has planned for the future; a few new artists we should check out – and whether there are going to be any gigs before the end of the year.

I was keen to know more about her two singles, My Mister K and No More Blues I'm Free, and why she decided to release live versions of them Lisabel speaks about her styles and mix of genres; whether she is going to release any new music down the line – and the three albums that mean the most to her.

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Hi, Lisabel. How are you? How has your week been?

Hi, Sam. I'm very good - and my week was great, thanks! How about you?

For those new to your work; can you introduce yourself, please?

I'm a singer-songwriter based in London. I'm influenced by a mixture of styles like Jazz, R&B; Soul, Pop…I wouldn't know how to label my songwriting with one word, though - which, to me, is a good thing. Ahah!

Freedom...

My Mister K and No More Blues I'm Free are your two recent singles. What is the tale behind each?

I wrote those songs a few years ago - but I was waiting for the right moment to share them, publicly. They talk about new beginnings through the encounter of love.

What was the reason behind releasing the tracks as live videos? Was it a more natural and expressive mode of performance?

I guess so. I just wanted to showcase the songwriting more than the final arrangement. I decided to do it in my home to give an additional piece of my personality.

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How much of your creative focus and inspiration is taken from love and the subject of relationships?

A lot of it, I have to say.

People's relationships and nature are so powerful in the well-being of one's life. It's important to be grateful to those who make you feel stronger and more confident. I tend to write songs to let people know my feelings of gratefulness, joy or, sometimes, confusion (and so on...).

Is there going to be new material next year?

Yes. A lot of music is on its way...

I'm enjoying the ride of creating it, though. It's the most exciting time!

You are based in London. How important is the city? Is it somewhere that gives you motivation and influence?

Living in the city is great. There's a lot going on every day. Meeting people that are walking the same path as me is also very motivational, but I come from a small town next to the sea and the mountains called Arenzano (in Liguria, Italy).

I often miss that feeling of peacefulness that only nature can give. I do love the British countryside, though!

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DESIGN CREDIT: Francesca Maggiore

It seems, as your surname is ‘Biscaldi’, you have European roots? Tell me a little about your upbringing and coming to the U.K.

As I just mentioned, yes: I'm originally from Italy. I moved to the U.K. to study Music because I grew up listening to international music - and I've always sung in English! London is an incredible and productive hub for musicians, so it seemed like a good idea to explore music here.

Did you experience a lot of diverse music during your childhood? What sort of music were you raised on?

My parents listened to everything that was mainstream. I have vivid memories of Motown compilations in the car; numerous R&B and Pop artists. I went through a Rap, Hip-Hop and Rock phase with my brother, too!

Fun times!

What, would you say, has been your highlight so far in music?

When I was at university; I got the chance to perform a cover of a Jill Scott song called You Don't Know at the O2 Academy in Islington - as part of a students’ showcase night.

That was something!

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IN THIS PHOTO: Becca Stevens

Who are the new artists you recommend we check out?

I couldn't stop listening to Noname when her album Telefone came out last year. She's amazing - and her band is, too.

Becca Stevens' new album, Regina, is also incredible. She's not new in the industry, though!

I recommend my friend Milena. Her album, Everyday, is a mixture of Electronic-Soul and Pop. I'm featured on one of the songs and recorded some B.V.s on the album.

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Also, an instrumental band called EMANATA are worth seeking out. They play fusion-Jazz - and the music is so unique and fresh.

If you had to select the three albums that mean the most to you; which would they be and why?

Black Radio and Black Radio 2 by Robert Glasper. Also; The Lost and Found by Gretchen Parlato.

They are soundtracks of specials times!

Can we see you perform anywhere soon?

I don't have any show coming up at the moment, as I'm working on my album. I'd love to start gigging with my original music once it's all in place and ready to go!

What advice would you give to artists coming through right now?

I'm one of them, so I would say...

Write the music YOU want to listen to and never stop soul searching. Honest music can heal!

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Christmas is not too far away. Do you have plans already - or will you be busy working?

I'll actually be here in London with family. I'm looking forward to it!

Finally, and for being a good sport; you can name a song and I’ll play it here (not one of yours as I’ll do that).

Becca Stevens - Lean On

Thanks for this interview! Lis.

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INTERVIEW: Avante Black

INTERVIEW:

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 Avante Black

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THE gorgeous and fascinating…

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Avante Black is someone everyone needs in their life! The talented musician talks tome about her new single, Acid Love. I ask about its story and whether it was based on real events. She talks about future plans and the differences between the music in Sweden and the U.K. – Avante Black has Swedish roots. I discover what she has planned for Christmas and how her music comes together.

I learn more about her future plans and artists that inspire her; the sounds she was growing up with; where we can see her perform  - and what she would say to any musicians emerging at the moment.

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Hi, Avante. How are you? How has your week been?

Hi, I’m very well, thank you! My week’s been alright, so far - the weather has been a beaut! 

For those new to your work; can you introduce yourself, please?

I’m from a town called Uppsala in Sweden. I have been living in London for a few years. My work is a changing reflection of how it is to be young in love/out of love in this city…

…and about life here in general.

Tell me more about Acid Love. What is the story behind the song?

I had just found new love and, this time, it was a feeling I had never experienced before.

There are, so often, so many insecurities when you give yourself to someone; however, this time, I felt confident - and I felt like laying it all out there completely. 

It has already gained love from BBC – and many people online. Is it quite humbling and pleasing knowing the song has resonated so readily?!

Most definitely!

It’s so scary exposing your feelings so widely but, when people respond to it positively, there is no greater award. 

Do you have plans for an E.P. next year? What are you working on at the moment?

I have this group of songs that will form the E.P. At the moment, I’m looking back at a lot of experiences for inspiration.

I’m getting ready to open myself up even more...

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 PHOTO CREDIT: Mathew Jones

This year has been a busy and memorable one for you! Is there a single memory that stands aside from the rest?

I remember, up in Nottingham in May, when I sang a song that has not yet been released; there were three people in the front just singing along to it - and I was like: ‘How do you guys know the words?!’.

It was amazing!

You have Swedish roots – but are based in London. What is the music scene like in Sweden – compared to the U.K. – and how much of your family/background do you bring to your musical ethos?

The music scene in Sweden is so different and so amazing...

I feel like genres are less significant: people just write and combine anything and end up with these amazing creations. It continues to surprise and amaze me. My dad used to be in a band called LSD in the 1960s. 'The L’ was a brutish pound. Sometimes, they’d play a reunion in our living-room, playing John Lee Hooker covers etc. My mum was more into lyrics and I grew up to Leonard Cohen, Bob Dylan and Marianne Faithful.

However, I didn’t get into playing until I was fifteen/sixteen years of age. Before then, I was already aiming to learn Arabic and study Law. After a year in London; that goal changed drastically. 

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Can you recall the first time music came into your life? Was there a single/artist that struck your heart at an early age?

I think there are so many artists that struck me at the same time.

I think my first obsession was Tupac - when I was nine. I remember getting a T-shirt for Christmas. A few years later, it was Black Sabbath, and then, Lou Reed, Bob Dylan and Leonard Cohen – they were always there from early age.

Sorry for the blurry answer: I find it hard to pick one! 

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I am interesting learning about an artist’s songwriting process. How do songs come together for you? Do you sit down and write songs – or do you rely on the muse of spontaneity?!

I rely on the instant feeling.

I might have gathered words, sentences or a melody - but most of my songs come along in the moment. I’m just practising my piano skills at the moment. As soon as I learnt a few chords from Same Drugs by Chance the Rapper; I started singing my own words and melodies over the same chords - and ended up with something new.

Sometimes; it’s like the songs write themselves. 

I feel female artists are stronger and more interesting than their male peers – yet, most of my requests come from male acts! Do you think female artists still have to struggle for equality and attention?

I think we’re all as interesting…

Being a woman is harder in so many ways – though, that doesn't mean male artist don’t struggle, too.  We’re in an amazing time with so, so many strong, talented and interesting female artists. To be honest, I hate having to divide the genders at all: an artist is an artist. If you write good songs and work hard it will show! The one problem might be not getting the right support.

Yet again, with the right motivation; you can create your own miracles. 

Are there any tour dates coming up? Where can we see you play?

I will play a very intimate show at the Servant Jazz Quarters (in Dalston) on 11th December. 

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 IN THIS PHOTO: Sälen

Who are the new artists you recommend we investigate?

My friends Sälen are a must-check-out! They continue to amaze me.

Also…Average Sex! 

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 IN THIS PHOTO: Average Sex/PHOTO CREDIT: Agnė Papievytė

If you had to select the three albums that mean the most to you; which would they be and why?

Oh…I hate this question - because I’ll change my mind as soon as I’ve sent this; but, I guess...

All Eyez on Me - Tupac

It was just such a big impact on me from early-on - and gave my young self a lot of confidence back in those days

Hung at Heart - The Growlers

I listened to it in-and-out over six months - and still am. Beach Rats will always be one of the best songs ever made.

Songs of Love and Hate - Leonard Cohen

I grew up on this album - and I think it defines me in so many ways. 

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What advice would you give to artists coming through right now?

Listen to advice but trust your guts. Keep working hard. Remember, as an artist, any backlash can be turned into something beautiful.

Christmas is not too far away. Do you have plans already - or will you be busy working?

I’m going to the South of Wales on Christmas Eve - and will spend a few days drinking cask ales and eating my body-weight in Christmas food. 

Finally, and for being a good sport; you can name any song and I’ll play it here (not one of yours as I’ll do that).

Well. My friends always end on this one when they D.J. - so I might steal it. Sorry, Max!

Macy Gray - I Try

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INTERVIEW: S.O.S

INTERVIEW:

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S.O.S

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THAT name might seem like a cry for help…

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but, when it comes to S.O.S, there is no such peril – I shall forgive the missing full-stop after the second ‘S’ in the name, too. Sophie is the woman behind the acronym. I ask her about the new single, Bloodline, and what the story is behind that; why she moved from her native Malta to London – and the artists/albums that have compelled her.

She regularly performs on the London Underground and reveals why London, and its people, are important to her drive and desires. I ask about future recordings and gig plans; whether she will ever gig in Malta again; a new artist we should keep our eyes peeled for – and how she will be spending this Christmas.

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Hi, Sophie. How are you? How has your week been?

Hi! I’m good, thanks. My week’s been busy - but fun and productive! Bloodline has just been dropped and the feedback so far has all been really positive; so, yes - a great week so far!

For those new to your work; can you introduce yourself, please?

Sure! My name is Sophie - but, on stage, I’m known as 'S.O.S'.

I’m a twenty-three-year-old singer-songwriter; originally born in Malta. At the age of eighteen, I followed my roots to the U.K. and was awarded a scholarship to study songwriting at the Institute of Contemporary Music Performance. Since then, I’ve been writing and releasing my music independently - whilst gigging around the U.K. and busking on the London Underground network.

Bloodline is your latest song. Can you tell me about its story and creation?

The idea for Bloodline came to me after someone disabled became part of my life...

I  had never spent much time around someone with a disability before so I found myself feeling a bit odd about the situation - and unintentionally ended up treated this person differently to everyone else I knew. I also began to feel sorry for them because of how different their life had to be (due to their disability).

The more I spoke to people about these thoughts, the more I realised how universal this mentality is - and how it could be applied to any category of society that doesn’t form part of what we consider to be the ‘norm’.

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Bloodline is my way of saying that at, at the end of the day; we’re all the same and shouldn’t be judged or defined by the way we look. I think this is quite an important message to get out into the world - especially given the troubled global situation we currently find ourselves in; where it seems like cultural differences divide us rather than unite us.

Do you think we are living in a time where we’re divided and troubled? Is Bloodline a need for people to come together and react?

Yes! Although the concept for Bloodline stemmed from a more personal experience, the song has developed into a universal reminder that we are all uniquely individual and should encourage and embrace people’s differences. I also strongly believe that in the face of the terror and sadness we are currently witnessing throughout the world, we should react by showing compassion and kindness towards the people around us.

At the end of the day; love and unity will always win!

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Edges of the Mind is your upcoming E.P. What are the themes and ideas you look at throughout?

Edges of the Mind is my very first E.P. and is a collection of work that I’m very excited to share with everyone.

It explores a whole load of controversial themes that are rarely highlighted inPop music. I enjoy writing about various unspoken, and sometimes awkward, topics and situations that have either effected myself or the people around me. I think that (especially) given that some of my listeners are quite young, it’s really important to be discussing topics like these - so that everyone knows that we all go through similar problems throughout our lives and it’s ok to talk about them.

How important has your gigging around London regards your honed musical skills and new ambitions?

I love gigging around London and I think over the years it’s played a major role in helping me find my confidence as a performer. If I think back to the beginning of my journey as an artist doing music and performing live in the U.K.; I was so inexperienced and nervous on stage especially since I had only just started playing the guitar. I remember my first gig was in Hammersmith and I could not have been more scared.

Since then, I practiced loads and every time I had a gig I gained little more confidence and gradually began to actually enjoy myself with a guitar on stage - instead of being a total bag of nerves. On top of the gigs, I do a lot of busking around London now, too, which is a lot of fun - and I think it’s also been a really great way of honing my skills and growing some thick skin…trying to entertain a few hard-to-please commuters.

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Your sound is contemporary and recalls acts like Lorde. What do you think of modern music and artists like Lorde and Halsey?

Ah. I love them both so much!

They both have such individual sounds which are so unique and distinct. They’re definitely trendsetters in the music industry that don’t copy anyone else. I think their music speaks volumes to the younger generations whilst still having a timeless feel to them. They inspire me constantly and I will forever look up to them.

I definitely think the world need to see more strong female artists like them right now!

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Speaking of ‘bloodlines’; you have Maltese heritage. Do you ever play in Malta and what are the differences between the music scenes there and the U.K.?

Yes! I do have Maltese blood - which I am very proud of - and which I like to shout about wherever I go. Although I’ve taken on the U.K. as my new home; I’ll never forget where I came from and I’m humbled by the amount of talent that keeps coming out of the little Maltese Islands.

The music scene in Malta is very different to the U.K. and I think that’s probably one of the main reasons why I made the move six years ago. Although I love Malta, and I can’t say enough good things about the place, I felt that the music opportunities were slightly limited and since I wanted to have a career in music; rather than just do it as a hobby.

I felt the need to be in London - where the opportunities are endless.

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Give me an impression of the artists you grew up listening to. Which artists did you discover as a youngster?

Ok; so this is going to be totally cringey...BUT I was a lot younger at the time, so please forgive me…

I’d love to give you a really cool answer here like The Beatles or Michael Jackson but, no, I (luckily) came across those brilliant artists a little later on in my life. The artists, or should I say, bands that I literally grew up listening to were Steps, S Club 7 and the Spice Girls. Yes, I admit it: I was definitely a fan of the Pop bands back in the day. My sister and I used to learn all the words and choreography from video-cassettes of their tours. Luckily, since then, I have discovered a lot more interesting and significant musicians and artist.

But I guess being a fan of those cringey bands, when I was a kid, is all part of my story!

You have performed warm-up for the likes of Take That; been celebrated by radio stations and fans – some big achievements, there! What has been your proudest moment so far in music?

Looking back I think that, although it’s hard to choose, I would have to say that my most memorable moment would have to be the time I played one of my original songs to thousands of people on the Main Stage at London Pride in Trafalgar Square - and having them all sing it back at me!

Definitely; one that I’ll share with my grandkids one day.

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IN THIS PHOTO: Sarah Close

Who are the new artists you recommend we check out?

You definitely need to check out Sarah Close and Jazz Mino!

They’re both good friends of mine and are both doing amazing things with their music right now!

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IN THIS PHOTO: Jazz Mino

If you had to select the three albums that mean the most to you; which would they be and why?

To be honest, I’m more of a singles kind of girl but, if I had to pick three albums, they’d have to be:

 + by Ed Sheeran

Because this was the album I literally had on-repeat when I first moved to London. Whenever I listen back to it now, I instantly go back to all those feelings I had as a young eighteen-year-old girl - moving away from home into scary London to try and begin a career in music.

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Pure Heroine by Lorde

Simply because it’s timeless to me. I still listen to it on a regular basis and it’s a constant form of inspiration to my music. I feel like I hear new elements in her tracks every time I have another listen - she’s so clever like that, keeping her listener hooked!

The last one would have to be a mash-up of three Michael Jackson albums: Off the Wall, Thriller and Bad

I mean…who can deny the brilliance of those albums?! Yes, I can easily say I am a massive M.J. fan! In particular, these three albums really shaped me both as an artist and as a person. I’m also a keen dancer, so I’ve always been massively inspired by the complete package this amazingly talented human being had to offer.

I (just) massively regret never seeing him live!

Can we see you perform anywhere soon? Where can we catch you play?

I’ve actually got quite a few private gigs coming up - which are all hush-hush - but people can regularly finding me busking on the London Underground (usually at Kings Cross station).

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What advice would you give to artists coming through right now?

Just keep doing what you’re doing: the world can never have too many artists and, if you believe in yourself, other people will believe in you too! The best advice I’ve ever been given in my career is to never copy what anyone else is doing - because trends come and go but the artists who will really shine through and stick around are the ones who create their own individual trend and style.

Be the trendsetter and let others copy you!

Christmas is not too far away. Do you have plans already - or will you be busy working?

I love Christmas and always look forward to it every year!

Christmas is all about family for me so, as usual, we’re planning a massive family gathering full of food, presents and booze! I always like to try and squeeze in a visit to Winter Wonderland at some point, too; so I’ll have to save a date for that.

Finally, and for being a good sport; you can name a song and I’ll play it here (not one of yours as I’ll do that).

Yes. Sure thing!

I’d love it if you could play my friend’s new single Crush! Her name is Jazz Mino and she’s doing big things with her music right now - so everyone should keep an eye out for her!

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Follow S.O.S

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INTERVIEW: Happy Abandon

INTERVIEW:

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Happy Abandon

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THE boys of Happy Abandon set time aside to talk about…

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their new music. Justin and Peter talk about the latest single, Heavy Lines, and their superb album, Facepaint. Jake - their drummer when they perform live - tells me how he came to be part of the fold. I find out about the inspiration and stories that drove them; how studies in North Carolina played an important role in the formation of Happy Abandon; the artists of the current-day they recommend – and the classic albums/acts they hold dear.

The duo/trio talk Christmas plans and the music scene where they are; challenges they faced when making their album; what touring dates they have approaching – what advice they would offer new songwriters, too.

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Hi, guys. How are you? How has your week been?

Peter: My week has been a mixture of feelings: re-acclimatising to default life, spending time with my girlfriend; catching up with friends - but mostly trying to recharge after being on the road for about two months. It’s always an odd feeling coming home after a tour - but this time, it has been exceptionally jarring.

Jake: I feel like I’ve finally recovered after about ten days of being home – I’m getting back into a semblance of a routine. I made it to Brett’s surprise birthday-party and saw a lot of great local singers take turns doing celebratory karaoke.

It’s great to be back and see familiar faces and places...

For those new to your work; can you introduce yourself, please?

Justin: Happy Abandon is what I like to call an Orchestral-Indie-Rock band. In a live setting, that manifests as a power-trio along with our drummer Jake Waits; with three-part vocal harmonies and various effects pedals, vocal processors - and various percussion flavors to help make the sound more textured. On our recordings; we have a close collaborator named Alex Thompson who provides keyboards, piano and string arrangements; which allows us to incorporate violins, cello; timpani, loads of orchestral percussion - and loads of vocals. 

What makes us different, I think, is that, though we all have studied music in some capacity - and most of us have been in choirs, marching bands; orchestras and other Rock bands over the years - the shared experience that all four of us have is theater.  I think this background helps with our work ethic when it comes to rehearsals and getting to the gigs but also in the way we value performance, dynamics and the audience’s role in a show. 

We’ve all lived in Chapel Hill, N.C. since we met as students here in 2010.

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‘Happy Abandon’ strikes me as an interesting name for the band. What is the derivation of that choice?

Peter: To me, the name ‘Happy Abandon' is a very good representation of what music, and art in general, can do to people. A state of ‘happy abandon' is somewhat, literally, blissfully disassociated; or at least that’s how I think of it. A well-written song that strikes me emotionally can take me out of my surroundings and into a place I associate with that song. Whether that emotion is positive, negative - or anything in-between - it is a choice we make every time we put on a song.

So; the choice to name the band ‘Happy Abandon’ seemed very appropriate. 

How did you guys meet in the first place? Did you all bond easily and naturally?

The three of us were students at the University of North Carolina (at Chapel Hill) at one point. We all contributed to the college music scene as well as the scene that expanded into the more major cities that surrounded our college town. The chemistry between me and Jake was unquestionable from the first time we played through, what would become, a Happy Abandon song. I respected Jake’s drumming from a band we had both previously been members of - and I was curious to see what he could do with the music I was writing at the time.

Justin was not the first bassist for the band – but, at a certain point in the band’s career, we knew we needed a committed member. Jake and I knew Justin from U.N.C. as well. I knew him as one of the most hardworking and committed musicians in the area. He seemed like the right fit.

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Jake: I was inspired by Peter’s work in Morning Brigade and, from the very beginning of Happy Abandon, I was excited to work alongside him. He had all these ideas pouring out: ideas for ways the percussion might fit into the guitar parts. It became a conversation of developing these ideas until they grew other parts and sort of had lives of their own - that was within the first year or so. When Justin joined, it was like something existential clicked into place (along with his sweet bass-lines) and I feel like the band, all of a sudden, was ready to plan tours and hit the road.

Heavy Lines is the latest single from you guys. What is the story behind it?

Peter: Heavy Lines was one of the first songs Jake and I started working on. I wrote that song before Happy Abandon was even an idea. I was writing it during a time when the relationship I was in at the time was coming to its inevitable end. The thought came to me during the scenario I describe in the song - as well as the scenario I describe in Severed Seams.

I think of those two songs as sibling songs.

Facepaint is your album. It has received a lot of praise and support. What was it like hearing it gain so much kudos?

It feels great...

I think anyone getting praise for their work would be happy about it. It’s very encouraging in this unforgiving field. I’m extremely proud of the album; each song coming from a place of significance. When I hear that others are affected by the music in a positive way, it’s very affirming.

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Was it an emotionally challenging and difficult album to put together? Did you face hurdles along the way?

The songwriting process was definitely emotionally challenging - but that’s expected.

These are songs that I’ve been working on for years: each one representing an event in my life that took some sort of emotional toll on me. Working on the album was actually an extremely pleasant experience. It was smooth, fun and eye-opening. Hearing the songs develop, instrumentally, was very trippy for me - because I had been playing these songs a certain simple way for so long; with just the ideas of other instruments.

 But, actually hearing the strings and timpani and whatnot completely changed the game. 

There are soundscapes and lush arrangements in the record. Is Facepaint, to you, part of a single narrative - or a collection of stories that represent different stages of your lives/experiences?

I had no intention of creating an album as fluid as Facepaint.

The songs we chose for the record all came from different stages of my life - but there is still a uniformity between them all. I didn’t realize this entirely until the album was finished. I found that each song was about loss and how loss can manifest itself in so many different ways.

I was happy to find a natural flow to the album.

Who are the musicians you are all inspired by?

My number-one is Sufjan Stevens.

I love his ability to bridge an individual unique sound with accessibility. His lyrics are brilliant and his compositions are very engaging. He doesn’t stick to one model. I’ve also been inspired by Sigur Rós, Andrew Bird; Belle and Sebastian, Gregory Alan Isakov; Björk, Joanna Newsom (and so many more).

Justin: As a bass player; my favorite musicians are John Entwistle of The Who and Ira Wolf Tuton of Yeasayer.  As far as bands that inspire me; I absolutely adore Radiohead, R.E.M.; St. Vincent, Grizzly Bear; Local Natives, Alt-j…I could go on forever.

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What comes next for the band? Do you have more material in mind? How are plans for 2018 going?

After touring three of the last four months, basically, non-stop; we’re taking time to be home with family and friends for the holidays - and working our survival jobs. We’ll be playing a pair of shows in Washington D.C. and New York City next month before Christmas. Then, we’ll be flying out to Holland in mid-January for a string of dates supporting Bettie Serveert - and a few other shows scattered around Western Europe. We have started messing around with some new songs and ideas - and will probably spend some more time refining and fine-tuning them. 

We have no immediate plans following our return from Holland.

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IN THIS PHOTO: And the Kids/PHOTO CREDIT: Courtney Chavanell 

Who are the new artists you recommend we check out?

Peter: Hop Along; And the Kids, Adult Jazz; Big Thief, Bully; Diet Cig, Half Waif; Petal, Mothers; Alex G, Weaves and Alvvays.

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IN THIS PHOTO: Half Waif/PHOTO CREDIT: Tonje Thilesen

Justin: Japanese Breakfast, Sunjacket; Pinegrove - the new Perfume Genius album - Birds of Avalon and Jenny Besetzt. 

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IN THIS PHOTO: Birds of Avalon

Those last two aren’t particularly new but they are bands from our neck of the woods that just put out new records - and they are so good.

If you each had to select the album that means the most to you; which would they be and why?

Honestly, the most important record to me might very well be Live at Leeds by The Who

It’s certainly not my favorite album - and as a live record, I don’t think it really ‘counts’ for the purposes of this question - but that’s the record that changed everything for me.  Prior to hearing this album, I was learning how to play bass and I liked listening to loads of music; but I didn’t think of it as something I could pursue beyond a hobby. 

But, hearing three instruments and three voices filling up all that space live - in the moment, warts-and-all - totally gave me a new perspective on what a band was. I probably played along to that record every day after school for two months - and I almost never go on a road trip without it.

Jake: (The untitled album by) Sigur Rós - ()

I’m fascinated by the percussion. The compositional, dynamic and emotional range of it inspire me. It is slow-moving; filled with some magic resonance or power - and the second-half, towards the end of the record, gets HUGE. It’s a masterwork in my opinion. I always find some new instrumental or vocal line that fixates me in a way that hadn’t before.

T.L.D.R.: I just sink into it. Nothing can follow me in….

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What advice would you give to artists coming through right now?

Peter: Be kind, be you; don’t put on a front, ask questions about others - rather than constantly waiting for an excuse to talk about yourself - and your achievements. Be open to opportunities, suggestions; don’t get defensive - but don’t let people push you around.

Justin: Play with people who make you feel like you can always be a better musician and person. Don’t take any opportunities for granted and always listen to your body - especially when you’re traveling for months at a time.

Jake: Be confident, stubborn and polite (not necessarily in that order).

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Where can we see you play this year? Any plans regarding coming to the U.K.?

Justin: We have upcoming shows booked in Washington D.C., New York City; Raleigh, North Carolina. Then; we’re playing shows in Oss, Goes; Ensched, Amsterdam and Arnhem - all in the Netherlands.

We are hoping to figure out a show or two in the U.K. between dates in Holland - but having ‘just’ played a couple of shows in London and Milton Keynes this past July: returning to the U.K. might be in the cards for later. We’ll see!

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Christmas is not too far away. Do you all have plans already - or will you be busy working?

Peter: My girlfriend and I are going up to D.C. to spend Christmas with my family - and I’m too excited.

Justin: It’s looking like I’ll be staying in N.Y.C. for a few days after our show spending time with my brother; then travel back to North Carolina with him for Christmas at our parents’.  I’ll probably work a bunch between Boxing Day and New Year’s.

Jake: Time to see all my family! I am fortunate to have a big extended family that gathers around the holidays. There’s always good conversation, goofing-around and love. I do have a N.Y.E. gig and, even though it’s work; there’s no way I’d rather bring in the New Year!

Finally, and for being good sports; you can each name a song and I’ll play it here (not one of yours as I’ll do that).

Peter: No Below by Speedy Ortiz

Justin: Slip Away by Perfume Genius

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Follow Happy Abandon

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INTERVIEW: NADINE

INTERVIEW:

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PHOTO CREDIT: CK Goldiing

NADINE

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SHE was born in Switzerland but…

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resides in London. I have been talking to NADINE about her new track, Rise - and working on the eye-catching video with Gareth Kay. She tells me about her move from Switzerland and working with producer Dave Holden. Rise, the E.P., will follow and is something NADINE is excited to share with the world. I ask about her upbringing and whether she was raised in a musical household; how her third E.P. (Rise) differs from her previous offerings – and whether recording the new material has been a personal experience.

NADINE offers me a window into her music and the inspiration behind it; what she has planned for Christmas; recommends a few new artists worth our consideration – and why this week has been pretty non-stop.

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Hi, NADINE. How are you? How has your week been?

Hi, Sam! I’m good, thanks.

My week has been pretty full-on - but in a good way. Lots of preparing for the E.P. launch; my first radio interview and, amongst all that celebrating, my birthday!

For those new to your work; can you introduce yourself, please?

Yes. I’m an independent singer-songwriter, originally from Switzerland; I moved to London six years ago - and have been working on my music since.

It’s great to have found a network of creatives in London!

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Rise is your new single. What is the story behind the song?

It took me a long time to write it…

I was inspired by many different events and I kept working on it during the course of almost two years. The story around this song is quite hard to put in words as it has got lots of layers to it. It’s about the vulnerable feeling in the hope of new love. It’s about having found something incredible that requires letting go of what I was used to. It’s about my experience of faith and how it challenges me beyond anything else.

I first thought it might be too personal or too mysterious but, the more badass and empowering it became, the more I wanted to share it with people!

Its video sees you working with Gareth Kay. What was it like shooting the video?

It was great.

I’m so glad I found out about Gareth’s videos online. I knew he was the right person to work with when I told him about my crazy plan of putting a trampoline in a church - and he thought it was a great idea. When on the trampoline, I thought to myself: ‘Wow. This is actually happening. It’s so much fun!’. Gareth was so kind and hilarious - and also made sure we didn’t compromise on quality amongst the madness.

The E.P., Rise, is out on 23rd November. Has it been quite a personal experience putting it together? Which songs stand out to you – and have particular meaning and impact?

The process of writing my own songs is usually a highly personal one.

It’s often interesting to then start collaborating with a producer and other musicians: that’s when it feels like a personal thing becomes a (more) common-good - which is sometimes scary, but rewarding. The opening song of the E.P. is called Pocahontas; it’s a song that means a lot to me - because the true story of Pocahontas has always inspired me (from) when I was a kid.

I’m looking forward to sharing it with people.

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PHOTO CREDIT: CK Goldiing

Dave Holden assists in production. You have worked together before. What is it about him that brings the music to life?

I always enjoy working with Dave because, next to being incredibly talented and professional, he’s also (just) one of the nicest humans to talk to - and to be creative with. His compositions are cinematic, gritty and powerful…which had a transformative effect on my ballads.

Dave also encouraged me to worry less about perfection when it comes to vocal performance - which I found empowering.

This will be your third E.P. Have you grown in confidence and ability, would you say, since your debut?

Yes, absolutely!

It’s a continuous learning-process - and I wouldn’t want to go back.

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PHOTO CREDIT: Rodycloud Photography

You are based in the U.K. Switzerland is where you hail from. What was the reason for locating to the U.K.? Are there big differences between the music scenes?

I always had an interest in the international music scene and London felt like the perfect place to connect and grow my English - and my craft as a songwriter. I love the creative atmosphere in London: it’s very inspiring and it feels more natural to be a professional songwriter here than in Switzerland...

Yet; I always love performing in Switzerland because artists are treated very nicely and there’s less a feeling of being part of an oversaturated market.

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PHOTO CREDIT: CK Goldiing

Did you grow up in a musical household? How influential were your parent regarding your music?

Yes. My parents both enjoy playing music.

My mum used to write songs and perform in a band - that’s why it always felt natural for me to want to be a performing artist. My parents have always been incredibly supportive of my endeavours - which I’m very grateful for.

Which artists are most inspiring to you? Who were the names you loved when you were younger?

I used to listen to classic 1980s/1990s Pop; for example, Whitney Houston, NSYNC and Destiny’s Child. Nowadays, I enjoy songs with lots of lyrical depth; for example, that of (the maybe lesser-known) Josh Garrels or Sleeping at Last.

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IN THIS PHOTO: Polly Money/PHOTO CREDIT: Sarah Louise Bennett - Photographer

Who are the new artists you recommend we check out?

I’ve got an almost endless list for you - but there are some highly skilled songwriters out there…

For example: Polly Money, Beth Keeping; Shane Beales and Jules Rendell…

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If you had to select the three albums that mean the most to you; which would they be and why?

It’s quite hard to pick whole albums nowadays: so I’m gonna have to go back in time a bit!

Brooke Fraser – Flags

The album I listened to while I started writing songs more regularly (before I moved to London).

Kye Kye – Fantasize

This album heavily inspired the sound of my second E.P. when I was working with producer JJ Mitchell.

Stromae – Racine Carrée

I hope adding an album in French is allowed? (Indeed – Sam).

I can’t even begin to say how much I admire Stromae as an artist. There’s something (incredibly) unique about him - and he writes with such skill and integrity (and his music videos are incredible!).

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What advice would you give to artists coming through right now?

I think I’m probably the one needing advice, to be honest.

Christmas is not too far away. Do you have plans already - or will you be busy working?

I’m going to visit my family in Switzerland.

I’m also going to play a gig on 31st and am going to bring a few of my British friends with me…which should be fun!

Finally, and for being a good sport; you can name a song and I’ll play it here (not one of yours as I’ll do that).

Sleeping at Last – Anger

Ryan O’Neal writes the most gorgeous lyrics and releases singles on a very regular basis. This is one of his Atlas: Emotion-series releases!

I hope you enjoy it too (smiles).

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INTERVIEW: K Anderson

INTERVIEW:

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K Anderson

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ALTHOUGH he is battling through a cold right now…

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K Anderson was keen to talk to me about his latest single, Cluttered. He discusses the complexities of love and why casual ‘dating’ is something he is not on-board with. I ask the Australian-raised, London-based songwriter about his plans for future music; which albums/artists have made the biggest impression on his heart – if there is a new artist we should all go looking for.

Anderson reveals why Cluttered departs, in terms of sound, from Bitter Wind and 14 Year Old Me; how the end of this year will be spent; what advice he would give to new songwriters – and why Cluttered was quite tough to pull together.

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Hi, K. How are you? How has your week been?

I’ve come down with the same cold the rest of London seems to be afflicted with!

For those new to your work; can you introduce yourself, please?

Sure. Although, bear with me, as I’m notoriously bad at this kind of thing! I am a Scotland-born, Australia-raised; London-based, singer-songwriter - and I lean on the side of oversharing and melodrama…

What can you tell us about the new single, Cluttered? What is the story behind it?

I’m never very good at casual dating…

I don’t understand how people can be fuc*-buddies and not develop complicated and weird feelings for each other. Cluttered is a song about this: about being certain that you don’t want to be with someone at the same time as obsessively checking their Instagram feed - and wondering how your two surnames would sound together if you decided to go double-barrelled (not that I’ve ever done that, obviously).

You have described the song as falling between Michael Stipe and Toni Basil. That sounds like quite a brew! How did you arrive at the song’s sound and dynamic?

This one took a while to come together and there are actually a few different versions I tried before starting on this path. I knew that I wanted it to be brash and a little frantic and, for me, the bass is so important in this song. Getting that sound right really helped it come together.

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The song looks at messy relationships and a brief fling turning into something more substantial. How much of the song’s core stems from your own experiences of love?

I used to fall into relationships all the time. I mean, not all the time, but I was always so shocked if someone fancied me that I didn’t want to risk losing my chance! I think, as the years have gone on, I’ve made a concerted effort to cultivate this cynical old-man vibe - which makes me far warier (and also means fewer songs about the first stages of lust!).

Cluttered is a departure from Bitter Wind and 14 Year Old Me. Was that a conscious decision – tackling new ground?

No. It never is…

I don’t want to sound cliché, but I love so many different types of music - and don’t like to limit myself to how I think other people think I should sound. For me, it’s most important to serve the song and this is the sound that Cluttered wanted to take - so, I just followed it along that path.

Can we expect any new material in 2018?

In a word: yes.

I’m working on something at the moment that I think is very exciting - but I want to keep it a secret a little bit longer, so…you’ll have to make do with a simple ‘yes’ for now.

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Which artists did you grow up listening? What kind of sounds were you experiencing when young?

My family aren’t musical, so I mostly listened to whatever was on the radio growing up (which was a lot of Easy Listening!).

When I started to listen to music ‘seriously’ (I kind of hate this term, because I always took music seriously - even when it was supposedly throw-away Pop), I was really taken by strong female singer-songwriters (and it’s only been, very recently, that I’ve enjoyed listening to men) - think Ani DiFranco, Jill Sobule and Joni Mitchell.

I am interesting finding out how songs come to you. Do you have an idea of a track or do they arrive in a flash? How long would a track lie Cluttered take to get right and fully-formed?

There’s no one way…

Sometimes, a song is very quick to form and other times…not so much…

The general thing tends to be lots of re-writing; lots of time away to view it with fresh eyes - and additions of bridges and pre-choruses six-months after I thought the thing was finished!

You have had a busy career already and must be thinking ahead. Do you have any dreams/ambitions you hope to fulfil in 2018?

You’re trying to get this secret out of me, aren’t you?

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IN THIS PHOTO: Hanne Hukkelberg

Which new artists do you recommend we check out?

Not a new artist - but I’m really enjoying the new Hanne Hukkelberg album at the moment.

Are there any tour dates coming up? Where can we see you play?

Yes! I’m doing a short acoustic set at The Reverse’s single-launch party on 25 November in London town.

If you had to select the three albums that mean the most to you; which would they be and why?

Oh, hell! That’s a tough one and depends entirely on the day you ask me….how about:

Living in Clip - Ani DiFranco

People told me about how amazing Ani was for ages - but I could never properly get into her music. Then I heard this record, which is a live album, and it all suddenly made sense. Her ease and charm come through on this record so clearly.

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Blue - Joni Mitchell

I know that people criticise this one as being too Pop and straightforward, but I don’t care. Give me this every day!

Spice – The Spice Girls

So many memories and weird feelings wrapped up in this one!

What advice would you give to artists coming through right now?

Hustle. Create and share often.

Christmas is not too far away. Do you have plans already - or will you be busy working?

No plans yet. I tend to ignore Christmas until I have no other choice – so, I figure I’ve still got a good month before I need to panic!

Finally, and for being a good sport; you can name a song and I’ll play it here (not one of yours as I’ll do that).

Since I’ve already mentioned her:

Hanne Hukkelberg (ft. Emilie Nicolas) - Embroidery

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INTERVIEW: Galaxians

INTERVIEW:

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 Galaxians

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THEIR name might provoke images of outer-space…

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or classic arcade games but, as is explained; the name has a different origin. Matt, from Galaxians, discusses the new album, Let the Rhythm In, and the colours and genres they include in their music – among them, lashes of Pop and Funk. He tells me how they met their newest recruit, Em, and the great music coming out of Leeds.

I find out about Ghost Town Recording Studio in Leeds and performing there; the themes that go into the album; the artists the band/Matt was raised on – and some valuable advice for new musicians of the minute.

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Hi, Matt/guys. How are you? How has your week been?

Matt: Hi, I am/we are A-OKAY, I think! Last week was one of extreme post-tour blues, but we had a rehearsal tonight - so it's nice to get back on it.

For those new to your work; can you introduce yourself, please?

We are Galaxians; a trio from Leeds (U.K.) comprised of Emma Mason (Voice), Jed Skinner (Synthesisers and Programming) and Matt Woodward (Drums and Programming).

The band started in 2012 - and Em joined us in 2016.

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Can you tell me where that name, ‘Galaxians’, comes from? Is there a tale behind it?

We chose it just because it had a ring to it we both liked...

There's a common misconception that we are named after a computer-game - but neither of us has ever been into them; so we didn't know there was one (it’s called ‘Galaxian’, I believe).

It was just among a bunch of names we suggested - and was the one we both liked at the time.

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How did you all get together in the first place - and what was it about one another that led to the formation of the band?

Jed and I met in Leeds as a result of an email that Jed sent to my old band, Cissy.

Our synth player had recently left the band and Jed was interested in joining - but we'd actually already decided to form a new band (Azores) and didn't want a synth player as such. But, during the email exchange, I suggested Jed and I meet up and maybe jam - which we did and it was fun. I think the thing that really dawned on both of us was that we shared a common love for music - that none of our other friends were into.

From my point-of-view, I was just really into the way Jed played, too. I'd never been in a band with a synth player who played so funky - so it was a fresh and exciting thing - I was looking for a new way to approach the drums, too. A different angle. I wanted to learn a new discipline. 

Em joined us in 2016, but we've lived on the same street and known each other for over ten years. After we initially decided to collaborate on some ideas for the album; it just became obvious once we got into the studio and started working together that Em should be a permanent member of the band. 

Let the Rhythm In is your new record. What was the biggest inspiration-point in terms of themes and subject matter? 

There isn't ever a single or central inspiration-point for us, really, because we have a lot of different ideas - born out of both musical and non-musical influences and experiences.

The record didn't really stem from a singular concept or idea, but some of the themes we touch on in the lyrics are – for Emma and me particularly - a reflection of where we live and how the urban environment makes us feel.

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There are classic Disco/Boogie/1980s/R&B themes in there - romance, money; city-living, nightlife etc - but my feeling is that it's not always rooted in some of the more aspirational themes of Disco…but more along the lines of ‘ye; it's hard living in a dirty, sometimes scary, noisy city - but it's also inspiring’. In terms of creating art in a city environment; there is always inspiration amongst the decay and the noise. It's not pretty but the urban degradation, close proximity to others and the harsh realities of inner-city life can produce a certain rawness in music (that we really like).

I think that's one of the reasons I've always had an obsession with 1970s/1980s New York. 

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In terms of musical influences, there are many: Leroy Burgess, Gwen Guthrie; Jocelyn Brown, West End Records etc. It’s fair to say that we love the N.Y.C. sound, in particular, but not just the players. The way we composed and arranged the album version of How Do U Feel? was heavily influenced by John Morales and his original M&M session remixes. We really love his arrangements.

He’s one of those people whose remixes sometimes improve on the originals. His version of Lay It on the Line by Logg is a prime example. The original is great but John’s version is just something else..pun-intended (there’s also a Logg song called Something Else).

It was recorded at Ghost Town Recording Studio (Leeds) with Ross Halden. How much fun was it?! Was it pretty cool working with Halden?!

Ross is great to work with.

He doesn't have as high a profile as some other Leeds producers but, for us, he's the only person we want to work with here; partly because he understands where our sound comes from. He knows something of the history of the sound and the instruments used and gets as excited as us about reflecting on how, why and where some obscure; lo-fi, early-1980s Boogie-Funk record was made.

That's the kind of nerdiness and attention-to-detail we like… 

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A big part of working with Ross is that he's very flexible, eager to experiment; happy to try new things, encouraging and easy-going. What we've found is that as our working relationship with Ross has developed: he's taken on that fourth band member role, sometimes, and really helped us get the best out of everything - ourselves, the instruments and the songs. We feel that he actually digs what we’re doing and cares about it...

He puts up with our bullsh*t and weirdness pretty well, too.

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Leeds is your hometown. How much of the honesty and diversity of the people/landscape goes into your music?

It's a definite influence and a constant inspiration for us.

We’re all northerners - and I think it’s fair to say that northerners tend to be viewed as no-nonsense, no-bullsh*t people. There’s definitely some truth in that and I hope our music does come across as both honest and representative of where we live. I do love Leeds, but I’m not territorial about it because I love the North in general. North Yorkshire is where I grew up.

I really like West Yorkshire in general, too - and South Yorkshire is also good. In recent times I’ve grown to love places like Manchester, Sheffield and Liverpool more and more.

 

There is great diversity in the North of England. I think that diverse, multi-cultural communities are beneficial to everyone and only enrich our lives - and the cultural landscape in general. Leeds is definitely good for that. The community I live in is great. Obviously, it has its problems like any other inner-city area but, on the whole, everybody gets along well - which is all the more positive when you see how tightly the streets are packed in; how small the houses are - and how close people live to each other. 

Do you think that area of the country gets as much focus as it deserves?

No...but Leeds gets a lot more focus than some of the other towns and cities around it (Bradford, for example). Leeds is a popular, young city and it’s a consumer mecca in the North - so it does okay. Plus, it’s always had a huge student population. There's a much wider debate on the distribution of wealth and resources in England - and how it affects parts of the country that are a long way from London. Successive governments and institutions have repeatedly shown an open sense of contempt for people in the North, too. Spend a week or two visiting deprived areas of the North East and you’ll see what I mean. People from working-class communities - in the North - do feel ignored and like they don't have a voice.

It's been like that for generations…

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Referring directly to the arts; Leeds doesn’t receive as much focus as, say, Manchester or Liverpool - because its musical heritage isn’t as well known or highly trumpeted by the media. I guess one of the things I’ve always liked about Leeds is that there are really great bands (a huge number of them since pioneers like Gang of Four and Delta 5) that have always existed underground or on the fringes. It’s always had a really prolific, varied; high-quality D.I.Y. music community and a great club culture, too…but people just like it underground here!

I sometimes wonder if new bands from cities, that have a more famous music culture, find it hard to break off the shackles of that heritage - or get tired of people in the press referencing it or comparing them to it.

 

I get a sense classic Disco is quite a draw for you guys. What music did you all grow up listening to?

Classic Disco is definitely a huge passion for us, but, equally, the post-Disco, pre-House era perhaps more so, actually. I think it’s the combination of live instrumentation – acoustic drums, bass guitars etc. – blended with the early synthesisers and drum-machines that really produced some incredible music - and a lot of experimentation. (All those sub-genres that appeared – Boogie, Garage; Proto-House etc.).

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Growing up; the first records I heard were albums my parents had: Changes by David Bowie; Revolver by The Beatles - stuff like that. I first heard Kraftwerk when I was in my early-teens and that made a big impression on me; as did Hip-Hop and Electro acts from N.Y.C. like Rock Steady Crew and Break Machine. I was also really into 2 Tone Records, The Jam; early U2, The Damned; X-Ray Spex, Kate Bush; Blondie, Prince....but, by the time I started playing drums, I was into Rockabilly; The Smiths and U.K. Indie stuff - and then, Hardcore stuff. My first few bands were Hardcore or Punk bands. I was exposed to lots of really amazing music at college - because the community there was really diverse and everyone liked music a lot. 

I didn’t really get into Disco and Dance music until much later on. The really exciting thing for me was that, when I did discover Dance music, a huge world opened up. I really got into it. It was a feeling and a vibe that spoke to me and I got it. I felt at home there and started going to Techno raves and parties - and meeting a lot of different people who really opened my eyes to a lot of things. I loved it then and still do. It speaks to the hedonist in me, for sure; but it’s the sense of community and a shared feeling or moment that you really feel.

It’s about liberation, discovery and giving in to the music.    

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Are there any tour dates coming up? Where can we see you play? 

We’ve actually just completed a U.K. and European tour off the back of the album release: playing in Leeds, Bristol; Amsterdam, Jeumont; Cologne, Brussels; Lille, and London. I had a great time and met so many ace people. The hospitality you receive once you get across the English Channel, sometimes, puts us to shame. Our next gigs should be fun. We’re playing with The Moonlandingz at Church in Leeds on 19th November; then a party in The Old Angel in Nottingham on 2nd December, hosted by Pete Woosh - who is/was a member of the legendary DiY Sound System collective, there. 

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IN THIS PHOTO: Kelela

Who are the new artists you recommend we investigate?

That depends on how you define ‘new’...

I can list a few records I’m listening to right now - but they’re not new artists, as such. I’ve been listening to Kelela a lot recently and the Golden Teacher (Glasgow) album which just came out; plus, stuff by Jessy Lanza, Silver Linings (Melbourne); AMOR (Glasgow) and Talamanca System - amongst other things. My girlfriend, Reb, recently played me the new Jane Weaver record and an album by Kate Tempest; both of which I really liked. I buy tons of music regularly - but more older stuff than new...

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IN THIS PHOTO: Golden Teacher

I go through periods where I feel a little out-of-touch with new stuff. I don't tend to follow trends or focus on hyped bands that much. I still find out about a lot of music by going to gigs, but that also depends on how busy I am and how much money I have. I don’t use streaming sites or listen to a lot of stuff online; so, it sometimes takes me longer to discover stuff everyone else is already into. I like records and don’t like listening to music through a laptop - even through my hi-fi. It still sounds crappy to me…so, I’d rather listen to vinyl.

I like music on a tactile format - and vinyl is the only format for me.  

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IN THIS IMAGE: Jane Weaver/IMAGE CREDIT: Ethem Onur Bilgiç/Bant Mag

If you had to select the one album that means the most to you; which would it be and why?

I couldn’t: it’s just impossible.

The music is the meaning - and my love for it is ongoing. There are too many albums I love and music itself is too vast to pick a single album. Different albums produce different feelings connected to different things - and you can’t always compare them. It’s an art-form; so there’s subjectivity and relativity inherent in it, too. Our tastes often change throughout our lives don’t they? I still love some of the bands and artists I loved as a teenager - but there’s always music to discover now and in the future and, as I get older, my musical palette widens - and I become more open to stuff I might have hated ten years ago. 

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What advice would you give to artists coming through right now? 

I’m not really a person who should be giving advice…but here goes (not in order of importance, by the way!):

1) Do what comes naturally

2) Enjoy the process as much as the finished result

3) Don’t be a dick (like I’ve been at times)

4) Be humble (arrogance is unattractive)...

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5) Show support and solidarity with people who might be in a less privileged position than yourself

6) Speak out about things that matter

7) Don’t get too sucked in by bullsh*t. Worrying about how many likes you have on Twitter is a slippery slope

8) Respect people

9) Manage yourselves - maintain control over what you do...

10) Go on tour and visit other countries as often as possible.

Christmas is not too far away. Do you have plans already - or will you be busy working?

I'm going to visit my mum by the sea...

It's beautiful there and I always enjoy Christmas with my mum. We're not religious, by any means, so we don't go mad for Christmas...but I'll take any excuse to feast on my mother's home-cooking.

I'm back at work on the 27th December for a few days. 

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Are there any plans for next year? What goals do you hope to fulfil in the coming year?

Well. We're always thinking about new songs and the next record. Ideally, we'll have enough material for album two towards the end of next year. We're always playing shows; so that never really stops - unless one of us goes on holiday or whatever...

Finally, and for being a good sport; you can name a song and I’ll play it here (not one of yours as I’ll do that).

Confess to U by Omar S (ft. Nite Jewel)

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INTERVIEW: Luke Elliot

INTERVIEW:

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 PHOTO CREDIT: Thaddeus Rombauer

Luke Elliot

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A lot of attention has been paid the way…

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 PHOTO CREDIT: Thaddeus Rombauer

of U.S. singer-songwriter Luke Elliot. I speak to him about his acclaimed album, Dressed for the Occasion, and the stories that go into it. I ask what it was like to work with producer John Agnello and how he came to meet Christa Shaub – former manager of the Pop superstar, Rihanna. Elliot talks about his plans for the coming months and the artists who have inspired him.

He also speaks about the music scene in New Jersey and what it was like taking on a whirlwind tour of Europe; what the music industry was like when he started out; a new artist that is worthy of more focus – and how his Christmas plans are panning out.

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Hi, Luke. How are you? How has your week been?

I'm ok. I've been in a studio (in Harlem) working on new material all week.  

For those new to your work; can you introduce yourself, please?

My name is Luke Elliot. I'm from New Jersey and just finished a U.S. tour - after playing extensively in Europe for two-and-a-half years. Go buy Dressed for the Occasion.

Dressed for the Occasion is your current album. What kind of themes and stories go into the album?

It's made up of a lot of personal experiences - and a lot of other people's, too. I tend to take on characters here a lot more than I expected to. 

It just kind of happened organically.

Is there a particular song that strikes a chord with you? A personal favourite that stands aside?

Well. I have a feeling about all of them in one way or another...but I think People Like You really stands out. 

It hits a visceral part of me that the others don't.

 

Tell me more about Get ‘Em While They’re Hot and the inspiration behind that…

It has a lot to do with superstition...

I've always been a rather obsessive person and I think this song has something to do with trying to differentiate between an obsession and what's actually happening. 

It can get rather confusing.

What was it like working with producer John Agnello on the L.P.?

John is a force in the studio. He gets things done I couldn't have imagined. He has an unnatural way of taking my ideas and turning them into something that stretched far beyond their original horizon. 

(He's a good kisser, too). 

You signed with former Rihanna manager Christa Shaub and had a chance meeting with a European journalist – that seemed to set your career on the right path. Tell me more about that series of events…

I practically stalked Christa until she started managing me. 

We met through a mutual friend, years back, and I knew right away I needed someone like her to help me further my career. I called her until she picked up and when she wouldn't, I wrote her emails and messages on social media. I sent her new material and then would follow up a few hours later to ask her (her) thoughts. I was very pro-active. 

She finally took me on and we continued working the N.Y. circuit. Randomly, we met a Norwegian journalist who happened to write on me in the latest newspaper in the country. We got asked over for a tour - and things took off from there in Europe.

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 PHOTO CREDIT: Thaddeus Rombauer

Can you tell me how you got into music and what the early days were like? Was it hard starting out in the industry?

This industry sucks.

It’s a nightmare. People are awful to young musicians trying new things - at least in the United States. ‘Professionals’ won't speak to you; club owners make you grovel for your money - and sound engineers are ill-equip and hate their jobs. Once you find a fanbase, though, it changes. All of a sudden, there are people coming to your shows. If you keep working, it just happens. 

But the industry, as a whole, is an unguarded snake-pit.

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 PHOTO CREDIT: Thaddeus Rombauer

Which artists are most influential with regards your sound would you say?

Lots...

A lot of directors and authors have influenced me as well. It really ranges. There are too many to list.

I believe, before you embarked on a whirlwind tour of Europe, you never owned a passport or left the U.S.! What was it like stepping into a new world and embracing new countries?

It was a relief. I couldn't wait to travel. I think that excitement really translated to the people there. 

New Jersey is where you are based. What is it like there for a young and ambitious musician? 

I'm fortunate that I grew up near major metropolitan cities. I was always able to get away from the suburbs and see what else was going on. 

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IN THIS PHOTO: Shilpa Ray

Who are the new artists you recommend we check out?

I really like Shilpa Ray. She's great.

If you had to select the three albums that mean the most to you; which would they be and why?

I couldn't pick just three: I'm not great at answering 'all-time-favorites' questions. Right now, I've been listening to a lot of Kurt Weill.

What advice would you give to artists coming through right now?

Do what you want to do, not what other people tell you. 

Pay attention to trusted sources and new ideas - but stick with your gut. Develop and always be willing to change - but learn the difference between compromising and losing yourself. At the end of the day, your ideas are what started the whole thing.   

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Where can we see you play this year? Any plans regarding coming to the U.K.?

We are looking forward to coming back to the U.K. soon but no dates have been set yet. Right now, we are setting up tours for Greece, Turkey; Sweden, Australia and the U.S., of course.

Christmas is not too far away. Do you all have plans already - or will you be busy working?

I don't know yet. My schedule changes at the drop of a hat. I hope I'll get to see my family for a bit.

Finally, and for being a good sport; you can name a song and I’ll play it here (not one of yours as I’ll do that).

Groom Still Waiting at the Altar - Bob Dylan 

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INTERVIEW: Chris Pellnat

INTERVIEW:

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Chris Pellnat

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THIS is not the first time the name ‘Pellnat’…

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has made its way onto my blog! I reviewed Erin Pellnat last year: right now, I have been speaking with her father, Chris. I learn more about his path into music and how he got started; details about his awesome album, Honey Venom Wings – some of the choice cuts and stories that go into the record.

Chris Pellnat talks about his favourite sounds and the music scene around Hudson, N.Y.; why the area is so special to him; whether there is more to come; if we can expect arrival in the U.K. anytime soon – and whether he feels he has grown as a songwriter (whilst recording his latest album).

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Hi, Chris. How are you? How has your week been?

I’m doing pretty great. Life can be hard - but life is beautiful, too.

For those new to your work; can you introduce yourself, please?

I am a singer-songwriter from just outside of Hudson, New York (U.S.A.). I have played in numerous bands - and am currently the electric guitar player in the (Poughkeepsie) New York-based band, The Warp/The Weft.

I have done the solo singer-songwriter thing - as well as collaborations with other musicians.

Honey Venom Wings is your new album. What sort of ideas do you investigate on the record? What is the history of that title?

Honey Venom Wings is the album title and also the name of one of the songs. I named the album after this song because I felt this song best encapsulates the essence of the album - which is to say I was striving for a certain ‘elevated’ feeling that I think I came closest to achieving in the song, Honey Venom Wings.

There are several very light, fun songs on this record – even a silly novelty song called Vegetarian Blues (I am a vegetarian).

But, Honey Venom Wings is rather dark. It’s about being in a fever in a hospital and perhaps (being) near-death. But, it’s also strangely uplifting in some kind of subtle way - I think because it’s very spiritual.

The first song on the album is On the Ground, which is a dulcimer-driven Folk spiritual - it’s all about rising up to become more than we are.

Has it been a fun and illuminating process – recording and constructing the songs? Do you think you have grown a lot as a songwriter whilst making the L.P.?

Yes. I have done several recording with bands and with other singers and have dabbled a bit in recording - but this album is really the first time I focused solely on bringing some of my songs to life in a recorded form. It is very much a learning experience.

The final form/structure of a song, sometimes, isn’t worked out until it comes time to make decisions about how it’s going to come together in a recording. The recording process and tools influence the way you perceive your own songs - and the possibilities for what directions you can take them in.

It’s liberating in some ways: limiting in others.

The record veers in directions and embraces different sounds! Is that consistent with your music tastes and upbringing? Which artists did you grow up listening to?

I grew up listening to every possible thing I could...

I went through the obligatory Beatles, The Rolling Stones; Bob Dylan, and Bowie phases; then, Talking Heads and a lengthy Indie-Rock/Alt.-Folk phase; a Jazz phase (John Coltrane!); a Classical music phase (Beethoven, Mozart especially) - as well as being really into old Country music for a while (Hank Williams, Johnny Cash etc.)...but, the truth is, I’ve never really escaped from any of those phases: I still love it all and it lives within me. But, I don’t live in the past. 

My ears are always open to new sounds.

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Do you know what is coming next year? Are you working on any new material?

I am always writing and working on new ideas.

About 80% of it ends up in the garbage almost immediately: the other 20% are songs that I keep alive – to shape and fine-tune. Some of these will end up discarded, too, as my thoughts about them evolve. 

So...maybe 10% end up being songs I perform and record.

Hudson is where you are based. What is that area of New York like for music?

The entire Hudson Valley has a very vibrant music scene.

All of the cities (such as Kingston, Hudson and Poughkeepsie) are home to amazing musicians - and there are a good number of venues that welcome original music.

In addition to your own music; you collaborate with others – and perform with different musicians. Is it hard balancing those projects? Do you take a little from each area and incorporate that into your music?

I love collaborating...

My work with singers has been especially helpful to me. I do not think my voice is anything special - I am more of a songwriter than singer. But, when a super-talented vocalist sings my songs, my music really comes to life in a wonderful way. It’s magical.

I’ve also done some production for singers doing their own music – also a great learning experience in terms of internalizing and striving to really understand their work on a deep level…and act on that to hopefully convey their musical essence.

All of that influences what I do with my own music.

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Does the rise of Donald Trump impact your music? Is he someone who ‘inspires’ creativity in you?!

Politics is not a major focus for me but this presidency really has made non-political people like me focus on what is going on. I think the importance of creative pursuits and the arts is paramount now; when the nation is so divided and angry on both sides. Not that art can fix conflict - but it can show us something higher and more universal that transcends politics and goes to the heart of human existence.

We need that perspective to keep from being dragged into the partisan battles and division. That said; I did do one overtly political song. Shortly after the election of Donald Trump; Mercy Weiss and I made an anti-Trump music video for a song I previously wrote called Evil Baby.

The song didn’t start off being about Trump but, since he became President, we both saw that the song could easily be about him. Mercy sings the song and appears in the video.

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Who are the new artists you recommend we check out?

Aside from Mercy Weiss, whom I just mentioned, of course, I would recommend The Warp/The Weft (the band I play in).

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IN THIS IMAGE: Mercy Weiss

Another Hudson Valley band I really like a lot is The Sweet Clementines.

At the risk of nepotism; I would strongly recommend the Brooklyn band Caretaker - fronted by my daughter, Erin. 

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IN THIS PHOTO: Caretaker/PHOTO CREDIT: Alex Joseph

If you had to select the three albums that mean the most to you; which would they be and why?

(This is an impossible question - I could name one-hundred such albums!  But, if you insist; here are three that are very special..):

Transition - John Coltrane

Especially on this album; Coltrane shows any musician with open ears and an open mind how to navigate music and make it do your bidding. In his case, it was incredible, imaginative; visionary improvisational music - but that same kind of exploratory curiosity and intelligence are needed to move one’s music forward, regardless of the genre.

Talking Heads: 77 – Talking Heads

Forty years later; this record still sounds bizarre, brilliant - and unlike any other Rock album before or since.

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Sgt. Pepper’s Lonely Hearts Club Band - The Beatles

Yes, I know this is too obvious a choice to make - but I make it anyway. An uneven, in some places, muddled - but overall brilliant - record that changed everything.

Can we see you perform anywhere soon? Where can we catch you play?

I plan to do some more gigs in early-2018 (in the Hudson Valley).

Will you be coming to the U.K.? What do you think of the music over here?

No immediate plans -  but I would jump at the opportunity, should it arise!

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What advice would you give to artists coming through right now?

Be yourself - or be who you want to be - or be an elaborate persona you invent. Whatever…just don’t be what you think others want you to be.

Christmas is not too far away. Do you have plans already - or will you be busy working?

No immediate plans – just looking forward to hanging out with family. I get a couple days off from work.

Finally, and for being a good sport; you can each name a song and I’ll play it here (not one of yours as I’ll do that).

I’ll Never Get Out of This World Alive - Hank Williams

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