INTERVIEW: IYKZ

INTERVIEW:

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IYKZ

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IYKZ is a promising and talented…

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Rap artist who has revealed his mixtape, Kings Crescent on Queens Drive, to the world. IYKZ has Nigerian roots but was born and bred in Hackney. It is a part of the world that rings true and remains in his heart – growing up on the council estate, Kings Crescent. IYKZ started as a Garage M.C. at fourteen - and has since blossomed into one of the capital’s hungriest and most exciting young artists.

I learn more about the mixtape and the influences that go into it; whether estates are becoming gentrified, or it is important they retain their roots; what comes next in terms of plans and any potential performance dates - and a few great albums that have inspired his own music.

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Hi, IYKZ. How are you? How has your week been?

I’m good. Thank you for asking! It’s been a rollercoaster, but what’s new? Haha.

For those new to your work; can you introduce yourself, please?

My name’s IYKZ. I’m a Rap artist and songwriter from the north-side of Hackney, London (U.K.).

Kings Crescent on Queens Drive is your new mixtape. What sort of sounds, themes and stories inspired its creation?

This project is about my roots, the estate where I grew up; the streets that raised me - so it was only right that went back to the art of Rap music on East Coast production. That is what I grew up listening to; mainly via artists like Nas, Wu-Tang Clan; Jay-Z and Bone Thugs-n-Harmony.

The mixtape follows the song, B-NO. What is that song all about? How did it come about?

B-NO’s is the ultimate reminder.

Even though it’s been a busy year for me; I’m still a new artist to most people and they tend to always ask “Why don’t I know about IYKZ?”. L.o.L.

So; I’m just saying that I’ve been here all along in my own little corner grinding away…earning my own stripes….

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Are you already working on music for next year? What is in your mind right now?

I am! I’ve already written my next project - which will be my most personal and honest project to date. Can’t say too much right now, but it’ll be out before you know it!

It seems like you take inspiration from modern Rap/Grime artists. Which artists are you inspired by? Did you grow up with a lot of different music?

Yeah. I’m inspired by anyone doing great things, nationally or internationally. I like Skepta and Stormzy to Big Sean and Travis Scott; to James Blake and 6lack.

Growing up, I soaked in a lot of African music; just around the house and at parties but, also, a lot of Michael Jackson, Phil Collins and Tracy Chapman…hence, my wide range in taste.

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Tell me about Hackney and your connection to it. How integral is the heartbeat of the street to your personality and music?!

Hackney is home.

I lived there for twenty-one years and still visit often: it’ll always be home to me. That’s where I learnt how to walk, talk - and many other life lessons I just don’t think could’ve got elsewhere. I’m very grateful to have Hackney in my heart - and it shines through in my music.

It gives me that raw edge others may not have.

It seems like the vivid scenes and social poverty of the estates affected your drive and outlook. Living in the ends; being around that much danger; what has the major impression been on you? Does it make you want to tackle the problems in estates – or is it a way of life that should remain?

It definitely did, but it’s not the same around there as it was when I was growing up. The things I was surrounded by, such as daytime prostitution and other crimes, are no longer. Most of my estate-blocks have been knocked down and there’s a big development process going on there. Gentrification has played a huge part - and it can only be a good thing.

I can only be grateful for taking the elements I needed from it when I did.

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The likes of Charlie Sloth and DJ Target are among your supporters. How important is their backing?

We live in an influencer world now, with the emergence of social media and streaming platforms. There are so many artists trying to make it more than ever; so, these key figures are of even more importance now - to let people know who they should be listening to.

I just pray they continue to support and, hopefully, I’ll grow more of a platform from there.

What message would you give to your supporters out there?

Thank you for your patience and all your support. I may not have the biggest fanbase or platform right now - but I’m gonna keep working to realise my dreams.

So; stay tuned!

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IN THIS PHOTO: PnB Rock

Who are the new artists you recommend we check out?

Check out A2. A dude from London. He got bars, for sure. PnB Rock has got those dope melodies on Rap/R&B. Check for him, too.

If you didn’t know already; make sure you’re up on Maleek Berry. He’s the future of the Afropop world. (We got more music coming next year, too!).

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 IN THIS PHOTO: Maleek Berry

If you had to select the three albums that mean the most to you; which would they be and why?

Tough question but, if I had to choose, I’d pick Nas – Stillmatic

This was what I was listening to as I was transitioning into Rap (from a Garage M.C.).

Michael Jackson – Thriller

Doesn’t really need an explanation, does it?! Haha.

Lastly; my latest mixtape, Kings Crescent on Queens Drive; as I feel it really defines me as an artist and a man. I really tried to put my personality into the art - so, the listener will know me by the end of the project.

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Can we see you perform anywhere soon? What gigs do you have lined-up?

I’ve just had a headline show - which is the last of the year. But, stay tuned to my website and social media channels for updates on where I’ll be next!

What advice would you give to artists coming through right now?

Stay consistent, content...content and more content. This digital age is so fast that you’re easily forgotten if you aren’t constantly in people’s faces.

So...stay on your job and great things will happen!

Christmas is not too far away. Do you have plans already - or will you be busy working?

I’m gonna be busy working on the new project!

Haha. But, yeah; no real plans at the moment. As long as there’s good food somewhere, I’m turning up! I'm not really one for presents etc. (that’s for the kids) …but food? With mulled wine?

That’s my kinda Xmas. L.o.L.

Finally, and for being a good sport; you can name a song and I’ll play it here (not one of yours as I’ll do that).

No Security by the great Skepta! Dope record; love the beat!

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INTERVIEW: Young Jesus

INTERVIEW:

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 Young Jesus

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AN original and terrific band is harder to find…

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that you might imagine! Fortunately, as I find out; the L.A. band, Young Jesus, are guys worth sticking with! They discuss their upcoming album, S/T, and how it differs from their past work; how the band got together; what the remainder of this year holds; whether there is a strong and changing music scene in L.A. – the songs/albums that mean the most to them.

I ask whether a trip to the U.K. is a possibility and details about their new single, Feeling. The video is a stop-motion wonder and shows the detail the band put into their music. Young Jesus tell me about the importance of preserving music’s traditional formats; being compared with Broken Social Scene -  if they have a busy Christmas lined up.

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Hi, fellas. How are you? How has your week been?

Hey! We're good.

It's been an exciting week - announcing our release with Saddle Creek and all. But, also, very normal. We're back from tour so we're also back to our jobs (I (John) work at a bookstore called Skylight Books; Kern and Marcel work at the coffee shop down the street, Eric works at a cafe in Glassell Park...

It was Kern's birthday this week and we're all gonna hang out tonight and maybe do some karaoke - where I plan to sing Walking in Memphis by Marc Cohn.

For those new to your work; can you introduce yourself, please?

We started out in Chicago and now we're located in Los Angeles. We've been a band for about ten years. We do a lot of improvising and try to incorporate a lot of different influences into our tunes - from Jazz to Noise-Music to Indie-Rock.

Really…whatever moves us, which is a wide range of stuff. We try to push ourselves and trust each other as musicians and friends and try to examine extremely 'loud zones' and 'quiet spaces' as contrasts to one another. I, as a lyricist, tend to write a lot about emotion, anxiety and the sort of dissonant quality of life I feel every day…

That things don't quite fit together - but that there is (also) a beauty within that.

You have a new album, S/T, out in February. Can you talk about its title and the themes you address on it?

I like the way S/T looks.

It's both really banal to me and also carries with it a kind of crack that leaves some room - which is how I feel about just about everything. Not that things are really banal, but there are cracks in perception and solidity everywhere and they are worth investigating.

That's where life gets interesting and engaging.

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PHOTO CREDIT: Killian Young

Otherwise, I end up just drifting along and not giving people the kind of attention and care they deserve. No one is ever what they present on first blush - which is a thing that is very hard to embrace while working retail all the time. The second you give yourself or someone else pause…you can allow yourself to be vulnerable and learn in that moment. That's the goal: to learn from the smaller and larger imperfections and mistakes of a life, to feel them and know them daily and not allow that darkness to take over - but rather to continue to embrace it with vulnerability and sincerity.

The implied title is "green river eddy under desert feeling storm" which was my attempt at a kind of poem. I was very taken with ancient Chinese poets like Wang Wei, Wang Anshi; Su Hui, Hsieh Ling-yün. They gave me a kind of ability to sit in contemplation and to allow simple moments to unfurl into a much larger feeling. Also, Clarice Lispector and Joy Williams: writers who get at the sort of impossibility of living and perceiving accurately and perfectly...

The frustration and (also) the funny stuff that comes from that.

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PHOTO CREDIT: Emily Quirk

Feeling is its leading track – it is nine minutes long! Was it an easy choice choosing that song as a single?! Do you worry its length will mean few radio stations playing it?!

I think Feeling gets at the things we're looking to do as a band.

It doesn't give easy answers and hopefully just opens up a space for thought and interaction. If we made music based on what we thought radio stations would play, we would be very sad people. I know that is not true for a lot of people - and I have no problem with radio-friendly tunes. I love a lot of them.

But, for Eric, Kern; Marcel and I, to write according to those restrictions would be a consumer-based constraint that would be hard to live with…and I don't mean consumer like a listener, but rather a large and mysterious and corporate kind of cloud that is interested in feeding us certain things to operate within a certain system. 

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I don't think listeners really want that; especially now. There's something rotten in our culture and I think making things that glide along within our culture without questioning and investigating that rottenness can be troublesome. I think there's a hunger out there for an escape that should be represented. Even if it's just a few people, that's exciting. Why do so many people need to like your band? Well, money, yes. But music is a love for us - and money has a very difficult relationship with love. I don't have answers here really, but it's things we're trying to think about..all the while, I still understand if people do this for money.

It's really hard to live - and I admire anyone who gets through it. The contexts and circumstances of life are too vast to say, "This is it. Do this".

The video is stop-motion and features poetry and artwork in a visual collage. How painstaking was the creation and what was it like working with John Rossiter’s (Vocals/Guitar) work on the video?

Well, it was very cool to work with myself: I work with me and not-me all the time. I will say I am very difficult sometimes - and also, sometimes, very demanding…and, also, sometimes completely uncreative and stupid. But; I got to sit down with my friend Jordan Epstein and draw for twenty hours. I try to see a thing like a video as an opportunity to go into artistic spaces I haven't explored yet - and to test the bounds of my mental endurance.

Jordan will tell you I don't handle that very well all the time. But, it was, overall super-fun. Jordan is an old friend, so doing something so meditative allowed us to talk for a long, long time; really dig into some things - which is what I hope all of this is.

A kind of extended community where we have some time to talk and think.

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People will take great interest in the L.P. Do you get nervous about reviews – how do you hope the record will be received? What has it been like signing to Saddle Creek, too?

Saddle Creek is a very natural fit for us.

We all get along really well and I think we have a kind of natural understanding of how we all live and hang out (and work.) Any sort of worries I had about working with labels has been dispelled: they're very supportive and, most importantly, good people.

Reviews will be what they will be: some people may love it and some may hate it. Or it could be very bland. But; the work itself does not define who we are. We're interested in the process of living and how we treat people day-to-day. The record's not a holy object - it changes every time we play it live, anyway. It's just a moment in time. I'd be a robot if I didn't say I hope it will be received well but, no matter what happens, it won't change the friendship and love that the four of us share...

That relationship is the cool/important thing.

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Have you noticed a difference, in terms of sound and confidence, between Grow/Decompose and S/T?

Grow/Decompose was recorded with a very different band. Kern and Marcel were not on that record - and Eric wasn't featured as prominently. I tried to impose a lot of my intention on Grow/Decompose - whereas S/T is way more collaborative and open. We're trying to give each other trust and room to breathe. If we have any sort of confidence, it comes from the fact that we know each other and we have created this mode of playing together.

We believe in the thing we are doing - and we believe in each other's ability to speak and respond in kind…

How did the band get together to start? Tell me about those early days…

Woof. I left a small college in Ohio to join a band with my friends. We practiced all the time with our three acoustic guitars. It was a pretty innocent thing: somewhere between Indie-Folk and Emo. We were just having a lot of fun; being with all the drop-outs and working our weird jobs in the suburbs.

But, we were drinking too much and it was an unsustainable thing. At some point, I felt the need to be dedicated solely to the music and have the rest of it fade away. I felt irresponsible trying to play tunes and be optimistic while I was drinking heavily and very depressed. It deserved more thought; more consideration...

Not just in terms of the music...but in how a life can grow in parallel with it.

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You have been compared with the likes of Pinegrove and Broken Social Scene. It seems you have a very modern aesthetic. Who are the artists you all take inspiration from?

Hmm. Kern loves Sun Ra and Anthony Braxton - and Zach Hill and The Fall. Marcel is a classically trained guitarist and composer. His interests are incredibly varied and exciting. He also grew up playing in Punk/Ska bands in Los Angeles. Eric loves ambient music like Stars of the Lid and Sigur Rós and many (many) other things. Jazz too; Bill Evans specifically. I'm very into Burial right now.

I love the later Talk Talk stuff and Mark Hollis' solo record. I love Yo La Tengo. I love Broken Social Scene. I love the new Colleen record. Grouper; Julianna Barwick; Steve Hauschildt. Alice Coltrane; Duster; Thelonious Monk. In high-school, Kern and I were both very very into At the Drive-In. A lot of the band is fusing those early Emo/Rock influences with our current interests.

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I know S/T will be released on vinyl. It seems you are attached to traditional forms and methods. Is it important preserving music’s past, do you think?

That's a big question...

Music brings me immense amounts of joy and a lot of that comes from old stuff. But; the people who do the preserving tend to have a certain lens and worldview - and, usually, they've won something or hurt enough people to gain access to the ability to preserve things. So, maybe preserving can be cool. But; what is preserved does not come from an even playing field.

The act of preservation can often be a way to build a consistent cultural narrative and, like I was saying earlier, our cultural narrative is relatively fuck*d.

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L.A. is where you are based. What is the city like for a young band?

The scene is really great here. Lots of excellent artists like Media Jeweler, Wreck and Reference; Pastel Felt, Fragile Gang; Jurassic Shark, Kera and the Lesbians; Goon, Slow Rose; New Balance, Young Lovers and Traps PS.

It's a place we feel very comfortable in that is very open to experimentation. 

If you each had to select the one album that means the most to you; which would they be and why?

Hmm.. My mom bought me Abbey Road on C.D. when I was a kid. I listened to that on my Discman constantly - Golden Slumbers blew my mind for some reason. I like melodramatic stuff. When Paul says "SMIIIIIIIIIILES AWAAAAKE YOU WHEN YOU RISE" in that ridiculous growl I just lose my smoothie completely. I love it.

I sang Octopus's Garden in an a capella group in the fourth-grade.

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Can we see you perform anywhere soon? You guys coming to the U.K. next year?

Hopefully, in 2018!

We'd love to play in the U.K. Visit some bookstores. I'd love to go on the same walk through the Suffolk W.G. Sebald did in Rings of Saturn. 

What advice would you give to artists coming through right now?

Be yourself and be insistent on the thing you love. But, make sure you consider the context and circumstance you operate within.

You do not exist in a vacuum: art does not exist in a vacuum.

Christmas is not too far away. Do you all have plans already - or will you be busy working?

I'm gonna get a tree, probably, and make some paper ornaments. We'll probably all hang out. I'd like to have a Dogby then - but I won't. Maybe Eric and Jordan and I will make latkes for Hanukkah.

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I have to ask, as you are called ‘Young Jesus’, if you, like Jesus, disappeared for three days – I know he was crucified – how would you spend that time off the grid?

We would spend it contemplating how to return to the world in the spookiest way possible - so that people would think we did it all for them and that they might have done a lot of bad things in their lives…but it was alright, because it's very hard to live a perfect life - and that they would be forgiven.

But; we'd also be thinking about how to let these people know we were never coming back after this brief stint hanging out as ghosts and that they should really figure out how to love each other - because there will be no judgement other than the one you ascribe to yourself.

Finally, and for being good sports; you can each name a song and I’ll play it here (not one of yours as I’ll do that).

Slice by Pope

Longer Repose by Pretend

Ambulance Blues by Neil Young

By Your Side by Sade

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INTERVIEW: Luke Daniels

INTERVIEW:

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Luke Daniels

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THERE is so much to talk about…

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when it comes to the awesome songwriter that is Luke Daniels. His album, Singing Ways to Feel More Junior, is an intriguing concept - and one I was eager to discover more about. Daniels explains its prerogative and stories to me. I ask him why he chose to cover the Stevie Wonder classic, Don’t You Worry 'bout a Thing; whether there is going to be any fresh material next year; if the current reign of President Trump is a topic he has been compelled to address – and what tour dates he has approaching.

Daniels tells me about the music he is inspired by and what the future might hold; some classic albums that are dear to his heart; how this Christmas is looking for him – and what exactly an ‘Electrophon’ is!

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Hi, Luke. How are you? How has your week been?

I’m on the third day of a seventeen-date Christmas tour with the Cara Dillon band - something I also did last year. For me, it’s a chance to spend time with a group of friends that I’ve been working with for almost a decade now. So; something to look forward to.

The shows are selling well - and I’m feeling quite festive as a result

For those new to your work; can you introduce yourself, please?

I am a songwriter and composer with a background in Folk and traditional music. I’ve enjoyed a long career as an instrumental player but embarked on a solo career in 2012 playing guitar, piano and melodeon.

Your album, Singing Ways to Feel More Junior, is out. It is already picking up positive reviews! Does it feel quite humbling hearing people react to it in a pleasing way?

It’s humbling to get any attention, given the breadth and quality of acoustic music currently out there. I’m lucky also to have had such a talented bunch of musicians who helped create the album’s unique sound.

What were the events and themes that inspired the record? Is there a narrative that runs through it?

Singing Ways to Feel More Junior is an album for grownups everywhere whose songs make use of children’s rhymes and female allegory to explore adult themes - which range from child consumerism, addiction; gender inequality to Donald Trump’s childhood.

Don’t You Worry ‘bout a Thing sees you tackle a Stevie Wonder classic! What is it about that song that resonates inside you?

I’ve always really liked the song - but the ‘light bulb moment’ came when I realised I could create a solo guitar part for it with a folky feel.

How important are artists like Stevie Wonder to you? Was it challenging converting a Soul song?

It’s quite high in pitch and I had work to add the extra notes to my vocal range. Combining this with the Nic Jones-inspired guitar part took time, also.

There are grown-up rhymes and female allegories on the record – the title kind of nods to that, I guess. How much of the album’s title refers to the world’s need to grow up – how much of it concerns a desire to revert to childhood and shelter from the universal storm?

Neither of these...

Children’s songs are like memes that have survived for centuries because they hold eternal truths that many people today - particularly those in a position of authority should understand. I like the idea that we can be ‘told off’ by the smaller people for whom we have a responsibility to protect and preserve our world.

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The album looks at issues like consumerism, President Trump and gender equality. How important was it to address these concerns? Do you think the world has reached a stage where it needs a serious sobering-up?!

A second strand is that of motherhood, femininity and misogyny - and I’m interested in the idea that, if women and children had, perhaps, not been sorely underrepresented throughout history our male leaders would not have got us to where we find ourselves today.

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Your music mixes tradition Folk - but is rooted in the modern time. Can you tell me the artists who have inspired you?

Some of my favourite artists include John Martyn, Nick Drake; Anais Mitchell, Joni Mitchell and Tony Rice.

Who are the new artists you recommend we check out?

Yes…me.

If you had to select the three albums that mean the most to you; which would they be and why?

Anais Mitchell – Hadestown; Valentin Clastrier - Les Buches Des Silences and Brad Mehldau – Live at the Village Vanguard: The Art of the Trio Volume Two are all wonderful recordings that have inspired me over the years.

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Can we see you perform anywhere soon? What gigs do you have lined-up?

I have a bunch of dates coming up - all on lukedanielsmusic.com/gigs...

But, an upcoming highlight, I’d say, is Glasgow Royal Concert Hall with Brothers of the Free Reed on 31st Jan.

You have performed a U.K. tour. How much fun was that? Do you think the best crowds reside over here?

Yes, definitely. English audiences are the hugely supportive, yet reassuringly discerning.

What advice would you give to artists coming through right now?

Don’t be afraid to include meaningful content and complex ideas on your songs. Real fans will thank you for it.

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Christmas is not too far away. Do you have plans already - or will you be busy working?

I’m off from 20th Dec and will be mainly wearing slippers until the start of January...

Before wrapping up; can you talk to me about your ‘Electrophon’. What exactly is it and how integral is it to your live show?

It’s a self-built mechanical musical instrument that performs my own compositions ‘programmed’; 20” steel discs, via technology, that was used in the late-nineteenth century. Its comb and bed plate was made in 1880 - which now work via syncing with an Arduino computer and digital samples.

It sounds and looks like a 6ft-high music box.

Finally, and for being a good sport; you can name a song and I’ll play it here (not one of yours as I’ll do that).

The opening track from Anais Mitchell’s Hadestown. Thank you.

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INTERVIEW: Goodnight, Sunrise

INTERVIEW:

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 Goodnight, Sunrise

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SOME of the best songs come out of…

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despairing periods and hard times. That is the case with Goodnight, Sunrise and their new single, Remember Now. It revolves around an inter-band relationship/break-up; the resultant division has compelled a song that will strike a chord with many – the Canadian group tell me more about it. Vanessa, David and Paul are one of the most promising bands out of Toronto right now; pushing forward and keen to come to the U.K. and play here.

I ask them about the earliest days and the music that inspires them; whether they are planning ahead already; how the video for Remember Me came together; how this Christmas will play out – and advice for any new songwriters out there.

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Hi, guys. How are you? How has your week been? For those new to your work; can you introduce yourself, please?

Hi, hi, hi! We are Vanessa, David and Paul – A.KA. Goodnight, Sunrise…A.K.A. a super-fun-Indie-Rock 'n’ Roll band from Toronto, Canada!

Remember Now is your new song. I believe its origins are rooted in heartache a tough time. Can you tell us more?

Ooooooh…you want the dirt?

Basically; think Don’t Speak by No Doubt - but not at all famous. But, for real; the short version: Dave and Vanessa started out as friends, became a couple about two years into the band and recently (this summer) broke up. The song Remember Now pays homage to the friendship while remembering the pain and sadness that comes with a breakup. What they’ve been able to do is put the band, the music and the love first; to move through it and create something new...

Something whole.

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Was it quite therapeutic putting the song out? Did you learn something about yourselves hearing it back?

Putting the song out was incredibly cathartic.

It was a tangible way to make sense of an emotional time; sharing the experience with others made us feel as though what we went through was worth it in the end. Music helps us make sense of our crazy journey on this planet – and we hope that our music does that for our listeners as well.

How important was director Ryan Brough with regards capturing the song’s spirit in the video?

Ryan’s vision was immeasurable. It’s funny; although we only met Ryan when the shooting began, he quickly understood us – possibly more than we understood ourselves! He had a sixth sense when it came to capturing the tiny moments, looks and laughs that make up the rich fabric of our band family. Every time we watch the video, we catch a glimpse of some secret moment that we haven’t noticed before – some secret moment that Ryan found and threw in there.

He’s totally like an intuit…but for music videos!

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Is there going to be new work arriving from you guys next year?

HECK YA!

Can you take me back to the start and how Goodnight, Sunrise came to be? How did you all discover one another?

Oh God…that’s a lonnnnng story….

But it starts with David and Vanessa joining ANOTHER totally different band called The Big Deal - that’s how they met. They quit that band, started a new one; found Paul on Craigslist (as one does), and the rest is history...

What music do you each grow up listening to? Do you all share tastes?

Hahahahahahahahhhaah. Sorry. But, no; we definitely all do not share tastes – that’s what makes our music different, unique and so collaborative...

David: Michael Jackson and U2.

Paul: Pearl Jam and Led Zeppelin.

Vanessa: Britney Spears and Tiesto.

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It seems like Canada is a nation with a lot of talent coming through. Is there a supportive and exciting music scene where you are? Is it easy to get gigs and support?

Absolutely! Canada is amazing. There is SO much talent - and we’ve found a supportive community in every single town we’ve ever played in. Toronto is our home and we’re proud to say that we’ve been part of an ever-growing and ever-increasing community of musicians and promoters.

We’re really lucky to be able to call this place home sweet home!

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IN THIS PHOTO: Tokyo Taboo

Who are the new artists you recommend we check out?

Okay. We actually saw THE most amazing band in Toronto last month…and they were from LONDON! U.K. readers: if you ever get the chance, make sure to check out Tokyo Taboo! It was one of the best shows we’ve seen in a while - and their new album is INCREDIBLE!

In terms of Canadian artists; our faves include Sumo Cyco, July Talk and Dear Rouge!

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IN THIS PHOTO: Dear Rouge

Are there plans to come to the U.K.? Have you performed here before?

Our favourite tour ever was the one we did in 2016…to the U.K. We couldn’t believe the support and enthusiasm we were met with. It was absolutely incredible and we really can’t wait to come back. We’re planning several tours to the U.K. for 2018 - depending on which festivals we get into.

We hope to be there at least twice – we love you guys and really want to make the U.K. our second-home for our musical ambitions!

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What advice would you give to artists coming through right now?

Failure is an obstacle, not an absolute. Act like that’s the only truth on this crazy planet. Oh, and also; don’t be mean…

To anyone…ever (smiles).

Finally, and for being a good sport; you can name a song and I’ll play it here (not one of yours as I’ll do that).

One-hundred-percent play Make It Out Alive by Tokyo Taboo. It’s our new fave song. It’s SO rocking - and we love to support local (for you!) artists; especially those who feel as passionately as we do about supporting women in the music industry!

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INTERVIEW: Equals

INTERVIEW:

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Equals

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THERE are some equations in music that are hard to figure…

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and get your head around. When it comes to Equals; things are a lot more straightforward – I probably shouldn’t have started down this path! I speak to Ade of the London-based duo about their new single, Hush, and working with Awks (on that track). I ask whether there will be new material coming and what the remainder of 2017 has planned for them. Ade talks about performing as a backing singer for Amy Winehouse; I learn about the artists and sounds that inspire Equals – and some new music/artists fresh in their mind.

With an impressive body of work behind them; I was curious to discover what it was like having the everyone from BBC Radio 6 Music and The Line of Best Fit behind them; how integral London is to their heartbeat and ethos; whether there are tour dates coming soon – and why this week has been better than most!

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Hi, guys. How are you? How has your week been?

The week’s been non-stop travel - as I'm on the road with the mighty Gorillaz.

For those new to your work; can you introduce yourself, please?

We’re Ade Omotayo and James Low from R&B duo Equals.

         

Husk is all sorts of smooth and beautiful. It seems like a track that would have taken a bit of experimentation and construction. Was it easy putting together – or did it come in stages?

This one definitely came in stages…

James recorded the basic piano chords on a Zoom mic plugged into his iPhone - on an old piano at his mum’s house (during Christmas of 2015). It’s a bit out-of-tune and creaky but it sort of suits the vibe of the track - so we never re-recorded it. We worked up a demo with Awks that was more like Single Soul from our first E.P.; just some sub-bass and a simple beat - but the track needed more.

We gave it to a couple of other producers but that didn’t work out; so James started experimenting making it swing a little with regular electric bass and the beat. Then, we got Chris in on bass to cement the idea and, all of sudden, we had a new direction.

The last thing was the horns. We needed something to lift the chorus; Ade knew the killer horns guys and we were like: “Can you layer something up like the first forty seconds of Blue Train by John Coltrane?".

They sent part the part you hear on Husk and that was it.

Awks is the female voice on the song. She has amazing tones! How did you come to meet her? Do you think she will go far in music?

Doesn’t she just!

She played before us at a show we did down in Shoreditch. We were just like, ‘wow; we’ve gotta get her on a track!’. We ended up getting her on most of them, to be honest. She’s also a really amazing writer.

We’re really blessed to be working with her. She’ll go far – she better take us with her!

With production from – Submotion Orchestra producer – Ruckspin; bass grooves from Chris Hargreaves; horns from Killer Horns in there – it sounds like you had a great crew behind you! Was the recording a blast for you guys? What was your reaction hearing Husk back for the first time?

Ruckspin just did some additional production stuff: beefing up the snare, suggesting extra percussion. James and he went through the track together and sort of pimped it iteratively.

Similarly, with Chris, we’ve worked together in bands for years so it’s super-collaborative. The real new thing on this track was the brass. When that came back, we were like ‘aha! We can do this'. It feels like some really big albums - To Pimp a Butterfly, A Seat at the Table - have really foregrounded the horns; so it felt like we were in safe territory...even though it was new for us…

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Is Husk the start of something else? Will Equals release new material in 2018?

Husk will be track-two of our debut album (to be released March 2018).

James and Ade. You have a tight bond. How did you guys meet and form the duo?

We had a mutual friend in the sax player Pete Frasier – though through quite different scenes. Ade knew him through the North London Jazz scene; whereas James knew him from touring together in Tech-Noise bands. When James moved to London, wanting to start a new project, he asked Pete if he knew any vocalists – Ade was the first person he recommended.

The first session we did together just clicked

Ade. You were Amy Winehouse’s backing singer through her career. How instrumental was that time – and what did you learn from her? Do you think there is anyone in music (now) quite like her?

Amy Winehouse is the reason I do what I do.

I dreamt of singing in front of large shoals of people - but thought it was reserved for the 'special' ones. There's a whole production line of Winehouse-type singers, but that's expected. I think, more than anything, my tastes evolved upon working with her - as she would listen to anything she considered dope.

She wanted to make a Wu-Tang album…and she wasn't joking!

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Equals’ fanbase extends to BBC Radio 6 Music, The Line of Best Fit and Capital Xtra. How important is this support and growing affection?

It’s really important...

We want people to listen to our music, enjoy it; empathise with it, hear the messages; feel it, think about it. We can only do that with support and exposure. But, its more the human response we get through the exposure that’s important to us - rather than the hype for its own sake.

That’s more a means to an end…

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Your sound is a special blend I cannot pinpoint! Which artists did you both grow up listening to? Do you both spend a lot of time crate-digging for modern gold and past glory?

Great question. James’ grew up in the Midlands and has early memories of his parents playing stuff like Pink Floyd. Then, he went to school during the Grunge years with Nivarna, Smashing Pumpkins…that kind of segues into Post-Rock: Slint, Do Make Say Think and  Low.

Ade remembers listening to Kylie Minogue's first album! The production is shocking at times - but the songs still hold up!

In my older years, I listened to whatever I could lay my hands on. I was especially into Hip-Hop, though: Jay-Z, Kanye West; A Tribe Called Quest, Kendrick Lamar and MF Doom. 

The music kind of represents a meeting of these two histories. But, obviously, is influenced by a lot of contemporary stuff, too: Solange, Frank Ocean; Nicolas Jaar, James Blake and Nils Frahm.

It seems East London is the perfect mix of cosmopolitanism and heritage. Is the city a muse that impacts all the music you record?! Do you get a lot of inspiration from the people around you?

Another great question...

It’s has a huge impact. Nearly every track on our new album features field recordings of London - particularly of, in and around Dalston (where we live) and Ade’s lived for most of his life. You can hear one at the end of Husk – a man shouting on Ridley Road market There’s one at the start of the track, too…but this was a bit different. James went around asking people how they felt about getting older - and this was one person’s answer. 

London is many things: a fantastic melting pot of different cultures, music; art and people - but it’s hard too; it takes its toll, wears you down and will spit you out unless you cling on. London sometimes feels a bit like the Internet: its fast, you’re bombarded with information and people you don’t know – but, at the same time, it’s vast; almost limitless and that potential is magnetic and addictive... 

That feeling definitely inspires some of the lyrics on the record.

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IN THIS PHOTO: Benin City/PHOTO CREDIT: Cesare De Giglio

Who are the new artists you recommend we check out?

Shout-out to our friend and collaborator Joshua Idehen and his bands, Hugh and Benin City.

U.K. Hip-Hop never gets enough attention. Fellow Londoner Avelino has just dropped his debut album - it's well worth checking out.

We sometimes use a studio in Stoke Newington next to Tom Tripp – if you haven’t heard his stuff yet then you’re not as cool as he is (smiles).

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IN THIS PHOTO: Tom Tripp

If you each had to select the one album that means the most to you; which would it be and why?

Let's Get It On by Marvin Gaye

If you're a singer; it's cool to examine how seriously you take your craft. He sounds magnificent on the entire damn album. It was my quit-or-be-better-album.

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What advice would you give to artists coming through right now?

Write good lyrics: it’s really important to giving a song depth and giving people a reason to return to it. The speed of culture - and the amount of new stuff coming out all the time now - means you’ve got to give people something more to return to (and dig a little deeper).

There will always be something fresher, newer…but you need quality and longevity to stand out.

What tour dates do you have approaching? Where can we see you play?

We’ll be playing an album launch party in London, in March. We’re going all in: full-band; brass, a choir...the works!

Christmas is not too far away. Do you both have plans already - or will you be busy working?

James hates Christmas and saves up all year to fly away and escape it, and as much of January, as possible. This year brought three nephews into Ade’s life - so its bound to be a big one. It’s always about family for him. Oh...and an alternative bird. He’s gunning for ostrich this year.

Last year he had turkey and goose - big family problems…

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Follow Equals

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INTERVIEW: Tina Karol

INTERVIEW:

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Tina Karol

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A lot of people outside of Ukraine…

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might be unfamiliar with the wonders of Tina Karol. In fact; she has a large following around the world - but the U.K. is a territory where many unsigned and undiscovered fans exist. I have been interviewing the songwriter about the track, Blindfold, and whether 2018 will see any new material arriving. I ask Tina Karol about her career so far and what the scene is like where she is; what her latest album is all about – and what it was like working with Yoad Nevo.

I ask about her charity, Polyus Prityazhenia, and whether she will continue to commit to that work next year. I learn more about Tina Karol’s favourite music and what inspired her work; how she will spend this Christmas – and how her busy touring schedule is going at the moment.

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Hi, Tina. How are you? How has your week been?

Hi! I am very busy...

I'm currently on the Intonations tour - with a rammed, packed week full of performances (with only two days off a week). I love the stage very much and, for me, a day off is real torture. Haha! I’m having a great time; especially as I’m getting to know my new drummer, Devon Taylor.

He previously played with Rita Ora and Justin Bieber!

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For those new to your work; can you introduce yourself, please?

My name is Tina Karol. Singing is my life, as are my lyrics…but I’m easy-going (laughs).

Blindfold is the new single. What is the story behind the song?

Blindfold is a mix of Slavic melodies and Trip-Hop beats. Such combinations usually don’t meet and this, for me, makes the song very valuable.

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It has quite a sweeping and epic sound. It seems like it could score a film or dramatic scene. Did you have this in mind when putting the song together?

Of course.

After all; the story of this song is like a real dramatic film. I have a lot of stories: all songs are infused with my personal experiences.

The video was created alongside Gloria FX Studio. It seems like it was an amazing, immersive experience! What are your feelings looking back at it?

This was a colossal experience because Gloria FX Studios used a whole set of special-effects with invisibility-motion and live-animation with the flowers - and the dress turned into Sakura branches.

I had black dots all over my body, with markers, as the flowers blossomed out of the dots in a video - this was in order for them to catch all the detailed facial expressions. I looked really funny and then, for a long time, I couldn’t wash those dots off...

It looked very funny. I loved it!

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You have a new album out – and have already released six records. What can we expect from your new L.P. in terms of themes, sounds and songs?

All my songs have a huge focus on the lyrics; with a touch of love songs. The album is a blend of influences from traditional music from my home to Trip-Hop beats from my favourite current artists.

It’s a real mix…you’ll have to wait and see…

Yoad Nevo has been brought in to the fold. What was it like working with such a legend?

Exciting and fascinating at the same time.

The most effective thing Yoad taught me was to not worry too much; to enjoy it - especially if, on one day, we do not achieve something new. At first, I thought that every day there should be an obvious result because, sometimes, if you don’t achieve something new, that is result in itself.

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In the past; you have finished seventh in the Eurovision Song Contest (representing Ukraine); been a judge on The Voice Kids (Ukraine) and The Voice (Ukraine). How important and instrumental have these experiences been? Do you feel like you have been able to change lives and help other artists by featuring on these shows?

Yes. I'm happy to share my experience with people who dream of showing themselves; find themselves and understand their charisma. I'm not greedy enough to disclose vocal secrets for the show participants: my mission is to inspire, please people and increase the talent that the Lord has given me.

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What is the modern music scene like in Ukraine? Is there quite a thriving and varied market?

Recently, it has been a thriving and attractive market for World music majors. We have a very talented generation that is free from the Iron Curtain - which was imposed and grafted to our parents.

You have won awards and accolades but it seems like your charity, Polyus Prityazhenia, provides a greater reward! Tell me about it and the work you do?

The ‘Pole of Attraction’ foundation has existed since 2014. It’s been carrying out its activities through my personal financing. I always give a percentage of my earnings to the fund. It buys all necessary medical equipment and medicines for children’s oncology departments  - in hospitals all over Ukraine.

The aid has been provided to twenty-eight cities so far.

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I am interesting learning about the music you were raised on. Which artists inspired you growing up?

Frankly speaking; I can’t name anyone in particular…

I’ve always listened to lots of absolutely different music. I’m a big fan of music as a whole - not this or that artist - and I try to learn from all styles - from Classic music to Rock.

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Who are the new artists you recommend we check out

I would recommend you listen to Malbec. They are band from St. Petersburg.

If you had to select the three albums that mean the most to you; which would they be and why?

My first would be a collection of Ravel's works. I love expressionism.

Also; I would choose the first album from David Bowie (David Bowie) - for the courage of its experimentation.

Also; the album Dead Can Dance (by Dead Can Dance) for its mysticism.

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What advice would you give to artists coming through right now?

Do your job sincerely: the reward will find its hero!

Can we see you perform anywhere at the moment? What gigs do you have coming up?

Right now, I'm in the all-Ukrainian tour of Intonations: thirty-five cities in Ukraine; more than fifty-five solo concerts in total.

I also created an album of national Ukrainian Christmas songs called Carols. With this album; I will be performing, in January, in the U.S.A.

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Christmas is not too far away. Do you have plans already - or will you be busy working?

I want to spend Christmas with my family and my beloved son.

Finally, and for being a good sport; you can name a song and I’ll play it here (not one of yours as I’ll do that).

Play the song of your soul! Improvise…

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Follow Tina Karol

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INTERVIEW: Winter Mountain

INTERVIEW:

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Winter Mountain

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AS the weather gets colder and more wintery…

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it seems only appropriate I arrive at the foot of Winter Mountain. I speak to the talented songwriter about his latest track, Platinum & Gold, and what it is like being lauded by the likes of BBC Radio 2. I Swear I Flew, his album, was released last year – this is where Platinum & Gold comes from. I ask whether there is going to be more material and what the album was inspired by; the artists, new and old, that inspire his sound – and what 2018 has in store.

I discover what one can expect from a Winter Mountain gig and how he got into music; what he is up to this Christmas; being inspired by the Irish countryside; singing alongside Seth Lakeman; advice he would give to new artists – and why Bruce Springsteen is such an important artist.

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Hi, Winter Mountain. How are you? How has your week been?

It’s been wonderful, thank you. I’ve just completed a U.K. tour with the band. It’s been incredible fun.

Looking forward to chilling out now. 

For those new to your work; can you introduce yourself, please?

My name is Joseph Francis - and my stage-name Winter Mountain. Winter Mountain began life as a duo after me and the Irish songwriter Marty Syth met on a train heading southbound from Chicago to Memphis. We wrote, recorded and toured for a few years. We got signed to Cara Dillon’s indie label and released an album.

Shortly afterwards; Marty split and I’ve carried on solo. 

 

Platinum & Gold is your new release. Can you tell me about the background to the track?

It’s about making a choice between love and fear. It’s about growth and determination - recognising your faults and harnessing the powers we possess within for making our world a better place.

It’s about not backing down...

It features backing vocals by Seth Lakeman. How did you come to meet him?! What do you think he brings to the song?

Seth is a great friend...

We first met through his brother Sam - who was managing Winter Mountain at the time. He’s been kind enough to invite me to open shows for him a lot in recent years; we’ve collaborated on a few different things now.

Your album, I Swear I Flew, gained rave reviews and kudos. Was it quite a surprise seeing such a huge and positive reaction?

The response has been great.

When you have your head and heart so deeply into your creativity and art; it’s impossible to know how anyone else may feel about it…so I’m very pleased. 

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The record was written and recorded between Ireland; the wild and beautiful north coast of Cornwall and across a stark, awe-inspiring winter spent in the French Alps. How important was the scenery in regards your inspiration and writing?

Natural imagery plays a huge part in my lyrics.

It’s not so much a stylistic choice as an honest representation of the world around me. I grew up walking the beaches, the coast path; the woodlands of Cornwall. As an adult, I spent five years living in Ireland. There’s not a more magical place on Earth. Also, when you’re surrounded by that scenery - as beautiful and wild as those places possess - your imagination is free to soar. 

It seems like you take a lot of guidance from Ireland and its music. What is it about the music/country that compels you?

Ireland has a soul that is deep and dark and ancient. There is nowhere else on Earth where you can feel, at once, so close to both the divine and the primal.

It’s magical. The people are poets and warriors.

Are there going to be more singles from the album? Are you working on new material?

I’m working on new material at the moment. I can’t wait to get out there! I’ve spent a year touring I Swear I Flew – so; the time is right to start cultivating the new music.

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Your music draws inspiration from the likes of Bruce Springsteen. Is he a hero of yours? What sort of music were you raised on?

Sure. I love The Boss. He’s a phenomenal songwriter and he has a wonderful, passionate and old-school work ethic when it comes to performing live - that I take a great deal of inspiration from. 

My parents raised me on contemporary Pop (it was the 1980s, so we’re talking: The Police, David Bowie; Dire Straits, Don Henley; Stevie Nicks, Peter Gabriel...) and, at the same time, the Folk revival/singer-songwriter movement of the late-sixties/seventies (Jackson Browne, Cat Stevens; James Taylor, Joni Mitchell; Bob Dylan, Neil Young; Simon & Garfunkel… and the greatest band of all time, The Beatles!). I’m also pretty crazy about The Waterboys and Led Zeppelin.

The list is endless...

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IN THIS PHOTO: Lianne La Havas/PHOTO CREDIT: Alex Lentati

Who are the new artists you recommend we check out? 

There is some great stuff around these days: The War on Drugs, Lianne La Havas; The Killers, Christine and the Queens and HAIM.

Out of my circle; I would hugely recommend Albert Jones and William The Conqueror. 

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IN THIS PHOTO: William The Conqueror

If you had to select the three albums that mean the most to you; which would they be and why?

Blood on the Tracks by Bob Dylan; Abbey Road by The Beatles and Born to Run by Bruce Springsteen.

I could write page after page about why I love these records but the best thing to do is take them out and take a lesson. You’ll get it!

What advice would you give to artists coming through right now?

Do it because you love it. Be prepared to work very hard and to be skint for longer than you may think. Keep moving, keep reading; keep watching, keep travelling. You need to keep that creativity alive...

Also; if there is an artist or band on stage in the same room as you, then don’t talk throughout the set. 

You are touring at the moment. What have been your highlights so far? Have you got any more dates for next year?

The travelling and tour van banter with the band is always so much fun. Selling out gigs is a good feeling - and we’ve done that a couple of times on this tour. 

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It seems your live shows are something else! Do you feel at your peak on the stage? 

Thank you! I love it. I’ve had lots of practice and the band and I work hard to make sure every show is special and full of heart and soul. 

Christmas is not too far away. Do you have plans already - or will you be busy working?

I’m having my tonsils out today, so wish me luck! Might be on the jelly an ice cream over Christmas!

Finally, and for being a good sport; you can name a song and I’ll play it here (not one of yours as I’ll do that).

Heroes by David Bowie, please! 

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Follow Winter Mountain

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INTERVIEW: Oxygyn

INTERVIEW:

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  Oxygyn

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2015 was the last time…

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I got to spend some time with Oxygyn. The need to renew that supply was realised with the release of their latest single, Bubblewrap. I was interested in the title and sound so had to ask the Malta-based band what it is all about. I learn more about the scene there and whether we can see them in the U.K. next year; the new artists to look out for – and how their music has developed.

Corrode (2015) was the song I last witnessed from them. I ask whether there is more material coming and what it was like working with producer Luke Camilleri on their new track. Kurt and Katia are Oxygyn’s siblings so I find out what their musical upbringing was like; what the Maltese group have planned for Christmas – and what sort of gigs they have planned.

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Hi, guys. How are you? How has your week been?

Hey, Sam. All good here! It’s been a very busy week with the release of our new single. However, it’s been very fun too.

Seeing the response from our listeners is always a very rewarding thing.

For those new to your work; can you introduce yourself, please?

We are Oxygyn; a Maltese-based Indie-Pop band. Kurt and Katia are our front singers, while we have Luke (Funky Monkey, 141 Records) who is our resident producer and D.J. Kurt writes the lyrics of the songs, while Janelle Borg composed the music.

Our aim is to share great music with a message; one about the nature of humanity and the society which surrounds it.

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 ARTWORK: David Ellul

Bubblewrap is your new single. What is the story behind that?

Bubblewrap touches upon a very sensitive subject...

It speaks of how society, including the media, imposes unattainable ideals on people; dictating the way we should look, act, think and speak. While trying to reach for these ideals, we lose what makes us human (our individuality, and, gradually, turns us into clones. It is a message about individuality and standing up for your freedom of speech and thought.

How do you think it develops from the track, Corrode (2015)?

There has been massive development since our first release, Corrode.

Firstly, the electronic element introduced has given Bubblewrap a more modern edge and provides a balance between the meaning of the song and the music it is portrayed through. We believe that the evolution of our sound has matured as the band grew up - and better reflects the type of artists we want to be.

I am interested in the video. Do you think the visuals match the lyrics? Is there symbolism at work, would you say?

The music video was made with the message of the song in mind. The concept behind the video is that the very distinctive individuals are all portrayed wearing similar black clothing - sponsored by Maltese fashion designer, Parascandalo. The black clothing symbolises society imposing limitations on the person’s individuality; which is in stark contrast to the rainbow-coloured attire Kurt and Katia are styled in, symbolising their breaking free from society’s chains.

We believe that the symbolism in the video is subtle, yet effectively conveys the message we want to give.

Luke Camilleri provides production on the new track. What was it like having him on board?

Introducing Luke to the band was a leap forward in our musical style. His background of Electronic music opened up new horizons for us. His talents allowed us to explore our genre and develop our ideas into something concrete. We consider him a massive asset to the band and we look forward to working with him from here onwards.

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Is there going to be more material coming in 2018?

We hope so.

We have an extensive repertoire of songs and we do see that a handful of them can be gathered to produce our first-ever E.P. Our aspiration is to record these songs over the next year and release them as a whole.

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Kurt and Katia; you are siblings. How did you come to meet the rest of the band?

This was done with the help of our composer, Janelle Borg. Kurt and Janelle used to go to the same sixth-form and wrote songs together. From there, they decided to try out their songs with Katia. After their release of Corrode, Janelle introduced Kurt and Katia to Luke. It was a very organic process - which brought together people from very different contexts.

Malta is where you are based. Ia there quite an active scene there? Is there ever the temptation to move to somewhere like the U.S. or U.K.?

Malta’s music scene is relatively small but very active.

The people involved are very passionate about their art and go out of their way to create opportunities for artists to grow. However, our temptation to move out of the country and to places like the U.K. or U.S. is ever-growing…and we hope to achieve this in the coming years.

What sort of music did you all grow up listening to? Are you all quite similar in terms of tastes?

We have all grown up listening to different music. Kurt and Katia had always heard Pop and Indie growing up, while Luke was more into Electronic music. We think that this variation in taste has helped our music to develop.

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IN THIS PHOTO: LEISURE/PHOTO CREDIT: Fraser Chatham Photography

Who are the new artists you recommend we check out?

We have lately started listening to LEISURE, Khalid and HAIM. Even though they aren’t really new artists: we really love their music and recommend that everyone checks them out.

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IN THIS PHOTO: HAIM/PHOTO CREDIT: Getty Images

If you each had to select the one album that means the most to you; which would they be and why?

We think that would be Oh Wonder’s self-titled debut album.

We both really relate to the songs on the album and the artists themselves. We think that the lyrics and the music complement each other wonderfully and provide an insight into the thoughts and lives of Anthony and Josephine.  

Can we see you perform anywhere soon? What gigs do you have lined-up?

As for the moment, we want to focus on the material we put out. We don’t have any gigs lined up and we are rather planning out our next releases and setting our plans for 2018 into action

Do you plan on coming to the U.K.?

We would love to!

Seeing that the right opportunity crops up, we’d be definitely down to visit the U.K. and play our music.

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What advice would you give to artists coming through right now?

We would invite them to just be free and express themselves. There is a lot of fabricated music in the scene nowadays and we believe that there is a lack of raw, emotional and thought-provoking music.

So; we would tell new artists to produce music from the heart and keep pushing towards your goals and for what you believe in.

Christmas is not too far away. Do you all have plans already - or will you be busy working?

Christmas is a time we like to cherish with friends and family. We try to put our work and music to the side for the holidays and focus on what matters most. We would be nowhere without our family and friends - so we would want to give them their well-deserved time.

Finally, and for being good sports; you can each name a song and I’ll play it here (not one of yours as I’ll do that).

From Kurt’s end; he would like Oh Wonder’s High on Humans to be played

Katia's choice would be Breezeblocks by alt-J

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INTERVIEW: Eric Frisch

INTERVIEW:

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Eric Frisch

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IT seems The Beatles are a very important act…

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to the New York songwriter Eric Frisch. He talks about The Beatles' influence and which of their songs he played for four hours on-repeat; other artists who have made an impact on him; details about his latest track, Baby Don’t Stop – and how the extraordinary video (for the song) came together.

Combining the sounds/musicianship of Fleetwood Mac, Cat Stevens and The Black Keys; there is a heady and intriguing mix I was keen to know more about. Frisch talks about the New York scene and plans for new material; what gigs he approaching; the music he was exposed to as a child – and how Classical music is coming into his life at this stage (having hit thirty).

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Hi, Eric. How are you? How has your week been?

Hey there. I’m great. My week’s been amazing. I had a really nice Thanksgiving weekend in Miami with my family.

For those new to your work; can you introduce yourself, please?

My name’s Eric Frisch. I’m a thirty-year-old Indie singer/songwriter influenced by The Beatles, The Beach Boys; Cat Stevens, R.E.M.; Fleetwood Mac, Beethoven and Mozart. I’ve been living in New York for the past seven years.

Baby Don’t Stop is your new single. What is the story behind it?

I decided to play Baby Don’t Stop one night with my band at a show at The Delancey, a small dive-bar in New York (next to the Brooklyn Bridge), and the crowd absolutely loved it. I was pretty surprised - because I had written the song about ten years before I played it live for the first time. It’s just the repetition of three words,’ baby don’t stop’ (over and over again), as the song builds.

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I wrote it when I was nineteen and stoned in my parents’ basement, sitting at my piano. I wish I could tell you there’s a really deep meaning behind it but, the truth is, I just kept singing these words at the piano - and it felt like it meant something and it kept building. As I was playing this song in my basement, I grabbed my RadioShack tape-recorder. The original recording is twelve minutes long; with me building up and singing Baby Don’t Stop at the piano.

I left it on my tape recorder for about ten years before I decided I wanted to record it in the studio. Why did I wait so long?! I didn’t have the confidence to play this song to a crowd for about ten years; I didn’t think anyone would get it. I was also worried that it wouldn’t translate to a recording so well.

The video is quite intriguing! It mixes a variety of old-looking footage. How did it all come together?

I think the video does a good job of capturing and enhancing the build-up and epic feeling I had in mind for the song. I knew a student filmmaker at N.Y.U. whose work I really like - and I played him the song - and he had the idea to make the video about a bunch of different people and important moments in their lives...

It would sort of focus on one couple but the video would really be about how fragile life is; how precious every moment is. Everything ties together and it's all of the little moments in life that make it so special. He had the idea of crowdsourcing a bunch of footage from all his friends...so he sent out Facebook posts, Twitter messages; emails and good old-fashioned texts; phone calls and love-letters to people we know.

At the end of the day...we had video submissions from over sixty of our friends.

In terms of sound; it, oddly, straddles The Black Keys and Phil Collins. Are those artists you are inspired by?

I really like The Black Keys and Phil Collins, so I’m flattered to hear you say that.

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Who were the artists you lionised growing up? Was your childhood house musical?

The Beatles are the reason I became a musician... 

The first time I heard Rubber Soul, I listened to the song You Won’t See Me on-repeat for four hours straight on a train from Toronto to Montreal - when I was seventeen and visiting my then-girlfriend. Then I got into The Beach Boys, The Moody Blues; Cat Stevens, The Rolling Stones, Bob Dylan; C.S.N.Y. (Crosby Stills, Nash & Young), Fleetwood Mac; The Mamas and the Papas, Elton John; Donovan, E.L.O.; The Kinks, Simon & Garfunkel; Sam Cooke, Van Morrison; Traveling Wilburys, The Doors; C.C.R. (Creedence Clearwater Revival) and Chicago Transit Authority.

It seems like you splice 1950s/1960s music with modern sounds. Do you think it is important to preserve older tastes – but look forward and recognise where music is right now?

I definitely think it’s important to preserve older tastes and still look forward today.

What’s really funny is, the older I get, the further back in time I go with my taste in music. When I was seventeen, it was all about the 1960s. Then; when I graduated college and turned twenty-two, I went back in time to the 1950s. Now that I’m thirty; I swear I mostly listen to Classical music from the eighteenth century - Beethoven and Mozart mostly.

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What can we expect in terms of future music? Are you working on other stuff?

Speaking of Classical music; I plan on releasing an album with my new band, The Surprise Symphony, next year that will be heavily influenced by Classical music - while still looking forward and being influenced by great Rock bands today like The Black Keys, Alabama Shakes; Tame Impala etc. It’s all about production.

That’s my dream right now.

Toronto is where you started life. What compelled the decision to move to New York? Do you miss the scene back home?

I learned how to produce in my parents’ basement in Toronto when I was twenty-two - after graduating college. I knew nothing about Pro Tools but I was determined to figure it out for myself. No one helped me. I had no idea what compression and reverb were, and I didn’t know plugins existed...

So, if I wanted something to sound like it was recorded in a big hall, I would take my microphone into the shower and record it singing ten feet away from it. That’s how I did all my recordings: just figuring it out on my own like that. My parents said: “If you really want to be a musician, you should move to New York, Nashville or L.A. - because that’s where the music industry will find you...”

So; I chose New York - and I’m still waiting to be found…

What is New York like for a new artist? Is it somewhere that keeps you busy and inspired?

New York is an alright place for a new artist…

I think it’s true it’s the toughest place in the world to make it - and it toughens you up. But, sometimes, it can bring you down. I don’t think it’s the right place to start. Maybe end in New York but start somewhere else. I really like getting on the road and playing shows outside of New York.

I plan on moving to L.A. in January.

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IN THIS PHOTO: Alabama Shakes

Who are the new artists you recommend we check out?

I’m not the best person to ask this question - since I mostly listen to old music. But, lately, I’ve been listening to Tame Impala, Alabama Shakes; Foxygen, Whitney; Portugal. The Man and Future Islands.

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IN THIS PHOTO: Portugal. The Man/PHOTO CREDIT: Maclay Heriot

If you had to select the three albums that mean the most to you; which would they be and why?

1.       Abbey Road by The Beatles 

I think it’s the greatest album of all time.

2.       Tea for the Tillerman by Cat Stevens 

If there’s one artist I aspire to sound like, it’s Cat Stevens. So many amazing songs on this album (Teaser and the Firecat is a close second).

3.       Chicago Transit Authority by Chicago

This is their debut album - and it’s an album that is so worth listening to from start to finish. Love the orchestration.

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What advice would you give to artists coming through right now?

Meet as many people as you can and make as many connections as you can, at the lowest level possible, in the music industry. There are all sorts of ways to make it, I suppose, and people have a lot of ideas about success in their heads.

I think the best things happen organically. Meet someone, hit it off and start making music - or collaborating or find someone else through that person that can help you.

Do you have any gigs lined up? Where can we see you play?

I just got back from a tour of the Northeast - so I don’t have any shows lined up right now. But, I’ll probably play a farewell New York show in January.

My guess is at Pianos on the Lower East Side.

Christmas is not too far away. Do you have plans already - or will you be busy working?

I’ll be working on a new album with my band, The Surprise Symphony.

Finally, and for being a good sport; you can name a song and I’ll play it here (not one of yours as I’ll do that).

How about If I Fell by The Beatles. That song has the best harmonies...

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INTERVIEW: Adrian Underhill

INTERVIEW:

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 Adrian Underhill

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SUBJECTS such as balancing a heavy workload and the 1970s…

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are explored in a revealing interview with Adrian Underhill. The talented songwriter tells me about the new video for CU Again and his single, Weather. The video for CU Again was created with two of his friends from film school. I ask about the concepts behind his songs and whether there is going to be more material coming – despite this being a very busy time for Underhill.

CU Again is also the name of his debut album. I ask him about working with producer Adam Bainbridge and channelling the 1970s in his music; whether there are any tour dates for him outside of North America; how he got into music in the first place – and whether Christmas is going to be a relaxed, family-orientated time for the productive songwriter.

PHOTOS: Riun Garner

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Hi, Adrian. How are you? How has your week been?

It’s been good, thank you!

For those new to your work; can you introduce yourself, please?

Sure. My name is Adrian Underhill. I’m a singer-songwriter interested in Pop songwriting, creative production and songs that come from the heart.

The video for CU Again is out. Can you talk to me about the video and what it was like seeing it come together?

Yes! This was a really fun one to do because I worked with two of my good friends from film school, Evan Crowe and Tony Massil.

Did the simple concept – a songwriter singing his own song – suit the mood and nature of the song?

Yeah, I think so!

This song has a very simple concept - it’s about this universal feeling of missing someone, and so, I wanted to try to conjure that type of connection between the singer and the listener.

It is a busy time for you! The new single, Weather, is out. What is the tale behind the song? What inspired its creation?

Yeah. This song was written quite quickly but one thing I really love about it is the production. Adam (Bainbridge) took my original demo and just kinda warped it and morphed it, almost like a remix, adding new drums and changing the keyboard sounds I had played. Then, we added the live piano and synth-bass from Brandon Coleman and Keith Eaddy.  

In the end, it’s quite playful and strange - it’s a great combination of sounds.

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I know the songs will appear on the album, CU Again. It is out on 9th February. What kind of songs and themes can we expect to hear?

Yes. I’m very excited to have this album out. There’s a number of different thematic directions. I think the through-line is that the songs are about things that really matter to me.

It was produced by Adam Bainbridge. He has worked with the likes of Solange! Was it important to have him involved? What did he bring to the record?

Working with Adam was really exciting for me.

I’m a big fan of his project (Kindness) and it was amazing to have his ears on this. He did a lot of crafting of drum and keyboard sounds - and also brought in an amazing live band to play overtop of the more programmed Electronic elements.

The songs have that 1970s singer-songwriter vibe. Is that a decade you have investigated a lot? Who are your main musical influences?

I wanted to write all of these songs on keys and see where that would take me (I used to play a lot more guitar). I think one of the results of that was finding all of these chords and changes that are classic in the sense of Carole King, Emitt Rhodes or Todd Rundgren (or something like that).

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Do you remember how you got into music? Was there a moment you realised that this is what you want to do?!

I’ve flirted with wanting to be more serious about making music (whatever that means!) for a long time. Sometimes, it seems like it’s taken a long time to get to this point: I’m thirty-one this year and I’m putting out my first record - but I’m trying to be ok with that! 

Music (and life) is a long journey.

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IN THIS PHOTO: Amber Coffman

Who are the new artists you recommend we check out?

Some new artists I’m loving are Rex Orange County, Jaunt; Amber Coffman, Daniel Caesar; Charlotte Day Wilson and Bernice.

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IN THIS PHOTO: Charlotte Day Wilson

If you had to select the three albums that mean the most to you; which would they be and why?

Well; here’s three things I’m listening to right now! 

Rostam - Half Light

Sasac – Hyperion

Toro y Moi - Boo Boo

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Can we see you perform anywhere soon? What gigs do you have lined-up?

Yes. I have some shows planned around my album release. So far, it’s:

Feb 6/2018 - New York, N.Y. - Rockwood Music Hall

Feb 8 - Toronto, ON - The Drake Underground

What advice would you give to artists coming through right now?

Hmm; well, that’s like giving advice to myself! I guess just try to do something that is true to you - try to find honesty.

Christmas is not too far away. Do you have plans already - or will you be busy working?

Yes! I will be home for a good stretch with my family in Vancouver.

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Do you have a gameplan for 2018? What are your ambitions for the year ahead?

Release my first record on Feb 9th, play some shows; writing some more music and try to have fun doing it!

Finally, and for being a good sport; you can name a song and I’ll play it here (not one of yours as I’ll do that).

Bobby Caldwell - What You Won’t Do for Love

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INTERVIEW: Tiana Major9

INTERVIEW:

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Tiana Major9

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AS I crane my neck in the direction of 2018…

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my mind lures after the artists who will make an impact. Tiana Major9 sounds almost super-futuristic and intergalactic in some ways. In fact; her music perfectly balances future beats and classical Soul/R&B sounds. There is a fusion of Jazz and sensuality; vivacious vocals and a compelling mix of sounds and smells! I ask the East London-based songwriter about her British-Jamaican heritage and growing up three siblings. She talks to me about her new song, Levee (Let It Break) and getting support from some of the nation’s hippest and finest radio stations.

Tiana Major9 discusses her pursuit of music and the sounds she was raised on; a few new name that have caught her eye; how she will end 2017 - what it is like having so many dedicated and passionate fans around the world.

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Hi, Tiana. How are you? How has your week been?

I’ve been well, thank you! Been busy, as per. Ha.

For those new to your work; can you introduce yourself, please?

Hey newbies! My name is Tiana Major9. I am a singer-songwriter from East London. I fuse Jazz with R&B - and I style myself.

Levee (Let It Break) is your new track. What is the background of this track?

So. Levee (Let It Break) is about the art of being vulnerable and how I generally hate it - but understand that it is necessary when you love someone. In the song; I admit that (I know that) I can be reserved when it comes to expressing my true feelings - but I’m willing to do better for the sake of keeping those that love you around.

Levee (Let It Break) was also produced by Prgrshn (@Prgrshn)!

Stations like BBC R1Xtra have thrown their weight behind it. Does it give you energy and inspiration knowing your music connects?

Having stations like BBC 1Xtra backing my music is really a dream because it gives me the confidence to know that my music has the ability to connect with a wider audience.

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This is your second single – it seems like are already fully-formed and commanding! Do you feel your yourself growing in confidence and status?

Slowly.

I’m becoming more confident in my ability - now that I know the songs I write aren’t only loved by my friends and family.

Did you experience a lot of different sounds? Who were the artists you grew up with?

I grew up listening to artists like Yolanda Brown, Bebe and Cece Winans - but also Chris Brown, Amerie; Brandy and Lauryn Hill.

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What comes next in terms of singles and moves? Do you have plans for next year?

I plan to continue releasing music, visuals...more shows, of course! 2018 is gonna be a good year for Tiana Major9 music.

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IN THIS PHOTO: Iyamah/PHOTO CREDIT: @emarsdenhill

Who are the new artists you recommend we check out?

You have to check out Iyamah, Cari; Knucks, Taliwhoah and FLOHIO. All amazing; all very talented.

Thank me later!

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IN THIS PHOTO: Taliwhoah

If you had to select the three albums that mean the most to you; which would they be and why?

Lauryn Hill’s MTV Unplugged album helped me with my writing; Voodoo by D’Angelo helped me with my musicality and In a Dream by Gretchen Parlato helped me improve my vocal technique.

All amazing albums that I highly recommend you get into...

What advice would you give to artists coming through right now?

My advice to upcoming artists is to stay true to yourself, make the music you want to make and enjoy the journey.

On top of that: practice like there’s no tomorrow.

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Can we see you perform anywhere at the moment? What gigs do you have coming up?

I have a gig at Jazz Cafe on the 20th December - presented by Muzikal Seduction. You can find all the details on my socials!

Christmas is not too far away. Do you have plans already - or will you be busy working?

I work part-time, so I’ll be working - but I will continue to write (of course).

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You have a lot of dedicated fans out there. How important are they to you? What message would you give them?

Yo. It’s crazy that people actually mess with my music. L.M.A.O. I just wanna say thank you to everyone that shows support to the movement. I won’t disappoint.

2018 will be an amazing year…stay tuned!

Finally, and for being a good sport; you can name a song and I’ll play it here (not one of yours as I’ll do that).

 D’Angelo - Spanish Joint

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INTERVIEW: Sam Segurado

INTERVIEW:

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Sam Segurado

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WITH Looking for the Fox out in the atmosphere…

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I had to ask Sam Segurado about its stories and creation. He talks about the themes on the record and working with Stephen Lovatt. Segurado tells me whether it has been a productive and revealing process; whether he was around music a lot as a child – and recording new material in the wilds and scenery of his surroundings

Sam Segurado has lived in Paris and Ireland – he now resides in St. Petersburg. I ask whether he feels secure in the Russian city; if there is a great music scene there; what his plans are regards touring and 2018 – and the artists/albums that mean the most to him.

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Hi, Sam. How are you? How has your week been?

Pretty restoring. I had some time for songwriting, for practising; for catching up with friends – all that good stuff.

For those new to your work; can you introduce yourself, please?

I’m a Portuguese-Irish songwriter and singer. The genre that best fits my music right now is Indie-Folk. I’d say my biggest influences are Jeff Buckley, Justin Vernon and Josh Ritter – I like to call them my ‘trinity of Js’.

So far; I’ve made one album (out of a planned nine).

Looking for the Fox is out. Can you tell me about its creation and how it came together?

I started writing the songs about four years ago and it took about a year-and-a-half between starting recording and releasing it – so, it’s pretty satisfying to know it’s finally out there in the world at long last.

Can you tell me the themes and topics you tackle on the record?

The songs on the record were written through some of the best and most difficult times in my life. Love is the overriding theme, without a doubt. What it means to love, to lose; to break, to cross; to win in love. But, it’s not so much a roadmap of love: more, its shredded remains.

I hope people find a lot of different ways of putting it back together...

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What has it been like recording the album? Is there one song that stands out above the rest?

Making this record was pretty incredible.

To invest a part of yourself in the making of an album is unlike anything else, I think. There’s something very Potteresque about the whole process - which is why I want to do it eight more times. These records will be my Horcruxes after I’m gone...

I don’t think I can ever pick a favourite: every song has its place on the record. I would probably choose Live Wire as a stand-out track, though - because it’s the last song I wrote for the album. I was going through some emotional turbulence and that song guided me out of it - and straight to the realisation that it was time to lay these songs down.

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Is there significance behind the title of the album? What does it symbolise to you?

It has significance for myself - but I think people can choose whatever meaning fits them. I liked Stephen’s interpretation a lot: “The Fox is an elusive and beautiful creature that is all around us but rarely seen. So looking for the fox is like looking for the beauty in a world where it’s rarely actually seen. And appreciated. Or maybe it’s just about girls and shit. Who knows.”

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Stephen Lovatt is a producer you met in Ireland. What has it been like working with him?

Working with Stephen was the best experience...

We met at an open mic. he was doing sound for, got to chatting afterwards, and decided we both wanted to get far out of Dublin to start recording. We ended up driving out to a place called Bastardstown on the south-east coast of Ireland and spent a week in a cottage by the beach. That was a pretty exceptional experience - of getting to know someone through making music together. We became fast friends over the (following) months it took us to complete the album. Stephen and I just clicked, which was something I was always apprehensive when looking for a producer.

I think there’s plenty of people in the industry who treat it as a simple day-job: with Stephen, I felt like he was investing himself in the record as much as I was - the whole process felt no less creative than writing the songs themselves.

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I believe you are based in St. Petersburg. Was it an easy decision locating there? Is there a viable music scene where you are?!

The decision to move to St. P. was important and necessary to every aspect of my life except music, I think. No regrets; but, for my kind of music, there’s not much of a scene here - even open mics are far-and-few-between…so, I don’t get a lot of opportunities to play live.

The dark winters have been pretty conducive to songwriting, though...

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You have lived in Paris and Ireland. Did you learn a lot from each nation? It seems like Ireland holds a special place in your heart! What is it about the nation that resonates inside of you?

The main thing I’ve learned moving from place to place is that people everywhere are a lot more alike than they might realise - it’s put me in touch with everyone’s common humanity. I grew up in Portugal but Ireland’s where my mother’s from; it’s somewhere I’ve always come to visit but, at the same time, never really felt like I belonged - even having lived there for four years.

In a lot of ways, I feel like I’ve always lived in a foreign country...

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Among the moving and dislocation; did you experience a lot of music growing up? Who were the artists that struck you from a young age?

I had a pretty quiet upbringing, musically. It was my older brother who started encouraging me to engage with artists I liked when I was around twelve/thirteen-years-old and introduced me to other similar bands he thought I might like.

The first album I heard where I had that feeling of ‘if I wrote a song, I’d want to capture something like this’ was Evan and Jaron. That feeling, of ‘maybe I could write a song like that’, is something I’ve been chasing with artists ever since.

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IN THIS PHOTO: Scared to Be Seen

Who are the new artists you recommend we check out?

Some of my favourites from my time on the Dublin open mic. scene include Scared to Be Seen, Junior Brother; David McGeown - and his project BODIES - and Daniel Vezoja - who released his own (great) first album a year ago.

For my album launch, I had Emily Gahan supporting me - a really talented friend of mine. (Imagine Leonard Cohen with the most beautiful, ethereal voice).

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IN THIS PHOTO: BODIES

Another of my friends who joined me on the night was Hugh Clarke whose project, 93 Acres, has produced some really beautiful songs (LoveYa is gorgeous).

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 IN THIS PHOTO: Emily Gahan

If you had to select the three albums that mean the most to you; which would they be and why?

Jeff Buckley’s Live at Sin-é blew me away when I first heard it - it shows what a voice and a Telecaster can accomplish when wielded by such an excellent musician. That album was an inspiration to how I wanted to approach playing live; while Bon Iver’s For Emma, Forever Ago blew my mind about the perceived limits I had when it came to recording music.

Astral Weeks by Van Morrison is still an inspiration to me for the kind of band I’d like to play with; the freedom I’d like to achieve in recording, the electricity I want to capture.

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What advice would you give to artists coming through right now?

Read as much as you can about every aspect of the music industry.

Go through the realisation that none of it will be easy; that an artist these days starting out needs to do a lot more than just write, play and record. Believe in yourself, have a plan and don’t lose sight of why you’re doing this...

I think Letters to a Young Poet by Rainer Maria Rilke should be mandatory reading for anyone trying to be an artist of some kind.

What do you have in store for the remainder of 2017? Will you be planning next year’s releases or concentrating on gigs?

The last month of the year will be spent planning our tour for next summer: Stephen and I want to take the album songs right across Europe. Right before I moved to Russia - a year ago - we played together live at an open mic. and we realised that our connection worked just as well outside the studio.

He joined me on stage for the album launch this October and, in rehearsals, we both realised there’s still a lot more we can do with these songs in a live setting; a lot more places we can take them (which is pretty exciting).

Christmas is not too far away. Do you have plans already - or will you be busy working?

Here in Russia, Christmas comes a little bit later, but in a bigger way - most businesses shut up shop for about ten days at the beginning of January. I hope to take advantage of that time in as creative a way as possible - be it storyboarding the next music video or starting to record rough demos to send to Stephen for Album II.

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Finally, and for being a good sport; you can name a song and I’ll play it here (not one of yours as I’ll do that).

I’m going to choose She Looks Like a Rosieby Scared to Be Seen

The first time I heard this was one of those rare jaw-dropping open mic moments. I completely fell in love with the song. I went up to him, after he finished playing, because I needed to know more and he was kind enough to send me a copy before it even came out. This song is from his first E.P.

He’s released a second called Take Care, Be Well which is just as beautiful.

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INTERVIEW: Leyya

INTERVIEW:

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Leyya

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THE unpredictable nature of music means each day…

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brings something new and unexpected. Leyya are a case in point, for sure! They are a brilliant duo based out of Vienna – Austria is not a nation I spent a lot of time investigating! Marco and Sophie tell me about their fantastic new single, Drumsolo – and the video behind it. I ask about the scene in Austria and details about their new track; how Leyya came to be – and the sort of sounds they are both into.

I learn about their future plans and whether we can expect to see them come to the U.K.; whether they have any aims for 2018; what they have planned for Christmas – and the albums that mean the most to them.

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Hi, guys. How are you? How has your week been?

Hello. We are fine, thank you. We thought, that after finishing the album, we’re having a little time for other things but, apparently, that is not the case: we’re still very busy preparing the tour and the release.

For those new to your work; can you introduce yourself, please?

Hey. We are Marco and Sophie from Vienna, Austria - and we are a duo who write and produce Pop music in different variations.

Tell me about the new track, Drumsolo. What is the story behind the song?

Drumsolo is probably our favourite track of all the tracks we have ever written as Leyya. On the one hand it’s kind of ‘complex’ music-theoretically but, on the other hand, the vocal-melody is very catchy and simple - so, you don’t even notice the track’s quirkiness and that‘s the unique point of the song.

It has a very upbeat and sun-kissed sound – but some darker undertones. Was it quite an easy song to get together?! Synth pads, saxophones and bass mixes with Marco Kleebauer’s drumming. How integral was the percussion to the spirit of the song?!

Marco: As always; we started out with a rather silly idea, just for fun. Sophie and I were like: ‘Music on the radio right now sounds always the same - hooks all over the place and the vocal melody is always reduced to one or two notes‘. Don’t get us wrong here; that’s just a matter of fact, even though we do like quite a lot of that kind of music. So; we thought: ‘Let’s do something nobody does right now; even if it’s not a good idea...like a drum-solo or something hilarious like that‘.

So; we recorded a two-bar drum-solo which, unintentionally, gave the rhythmic foundation of the whole track. After laughing about the fact that we just recorded a drum-solo, we worked on a vocal melody and realised, that it actually works.

So we kept it...

What do you hope people get out of it?

We want our songs to have different layers so that everyone can find their ‘space’ in that song. You can listen to it as a ‘simple’ Pop-song...but you can also dive a little deeper and realise that there is more to that. It is always important to us that a song doesn‘t lose its magic after hearing it two or three times - and that there is always something to discover every time you hear it.

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Is there going to be more material coming next year? What do you guys have planned?

We‘re releasing our new album, Sauna, on January 26th.

We have worked very hard the last two years on that. We knew exactly what we wanted the album to sound like and made hundreds of sketches - we deleted afterwards - just to translate the exact ideas we had in our heads into these final songs. We are extremely happy with the result - and we can't wait for the people to finally hear it and to play them live.

How did you guys get together and form Leyya? Is there significance behind that name, too?

Sophie: Marco and I come from the same little town in Upper-Austria - where it is quite hard to find someone with the same musical interests. We always made music together and, at one point, where we finally found our sound, we decided to convert into a project. The name ‘Leyya‘ was originally the name of my singer-songwriter project that we just kept.

What sort of music were you both raised on? Did you discover music at a very young age?

In our village, we have a small music school that we both attended at an early age but, instead of joining traditional marching bands later - which was common in our village - we both concentrated more on ‘modern‘ music. I started writing songs (in English, although I almost didn‘t know a word) when I was eleven - just with an acoustic guitar and my voice. Marco played the drums and started to produce his own ‘Electronic’ tracks. We formed a Rock band together when we were around thirteen/fourteen and, when we grew older, our music grew with us.

We learned a lot just by experimenting with recording.

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Vienna is where you are based. What is the city like in terms of music and opportunities?

We moved to Vienna a few years ago because, at home, we couldn’t really find an audience or someone to work with - and that kind of limits your creative output. Although Austria is very small in general; Vienna does have a little community and it is easier to reach certain people. But, still, most Austrian musicians concentrate on ‘expanding‘ a little bit and try to bring their music out of Austria as well...

We have loads of good musicians in Austria - but it seems as if the rest of the world fails to see that.

Who are the new artists you recommend we check out?

An Austrian band, who has just released an album that is amazing, is 5K HD.

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IN THIS PHOTO: 5K HD/PHOTO CREDIT: Astrid Knie Photography

If you each had to select the one album that means the most to you; which would they be and why?

Marco: I‘d probably choose Dark Side of the Moon by Pink Floyd

Because my parents used to play the album in the house back then, when I was a child. Actually, there is no ‘best album’ - but there‘s just a lot of memories attached to that specific record.

Sophie: Alabama Shakes’ Sound & Colour

This record has such a feeling to it without getting cheesy. Every instrument is on-point and Brittany‘s vocals always drive through my spine. It has inspired me a lot the last few years.

What advice would you give to artists coming through right now?

I think it is very important to focus and stick to the music you believe in. There will always be people trying to change your sound or the way you make music just to fit in a certain scheme. Or people who say, you can‘t have success, because you‘re not mainstream enough.

It‘s important to believe in what you‘re doing and to withstand the pressure others give you and you maybe even give yourself.

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What tour dates do you have approaching? Where can we see you play?

We‘re doing a small tour around Europe in February: Germany, Austria; Netherlands, Belgium etc. In March, we‘re playing in North America, Texas and Mexico.

We‘ll continue touring in April and May with some more dates in Europe (that we‘ll announce on our website).

Do you think you will come and perform in the U.K.? What do you think of the music we make over here?

We have already played a few times in the U.K. - only a month ago, actually. But, we‘re coming back, for sure.

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Christmas is not too far away. Do you both have plans already - or will you be busy working?

We both are celebrating the holidays with our families but, until then, we‘ll be working towards the release - and try to start a few new things as well to keep ourselves and our creativity fresh.

Finally, and for being good sports; you can each name a song and I’ll play it here (not one of yours as I’ll do that).

Marco: Curtis Mayfield – Hard Times

Sophie: 5K HD - Gimme

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INTERVIEW: Megan Dixon Hood

INTERVIEW:

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Megan Dixon Hood

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THE scarcity of female artists I am sent for consideration…

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makes people like Megan Dixon Hood very precious. I am excited by a voice filled with soul and power. I speak with the young songwriter about her music and the new track, Alias Grace. She discusses future plans and whether there is an E.P. coming up. I find out what it is like being supported by a legend such as Sir Terry Wogan; being backed by BBC Radio 2 – and playing some up-and-coming, prestigious festivals.

I ask Megan Dixon Hood whether her new material, in her own opinion, is a progression from older work; the musicians/sounds she was raised on; how important it is getting her music out to the people – and how she will end a busy 2017.

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Hi, Megan. How are you? How has your week been?

I'm very well, thank you. I've just celebrated my birthday - so it's been a great week!

For those new to your work; can you introduce yourself, please?

As a singer-songwriter, my writing tends to lean to a darker movement; with a focus on strong lyrical content wrapped in an ethereal sound.

Alias Grace is your latest track. Can you tell me about the song and the story behind it?

My songwriting is often influenced by literature and folklore - and this specific song was inspired by the novel Alias Grace by Margaret Atwood.

The song is written from the perspective of Grace Marks - who is accused of murder as a young woman and is imprisoned most of her life. It’s suggested that she did not actually commit the murder, yet rumours spread quickly and she is soon aware that she is seen as some kind of beast - despite her natural beauty and mild manners. The nation is torn as to whether she really did commit the crime. The tone of the song is actually quite sarcastic in the way that she invites the listener to ‘step into’ her skin to see for themselves what her life is really like and then make judgements.

I suppose it makes you think about judging someone without really knowing the truth.

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You have played Rock the Farm and gained support from BBC Radio 2. Has that been a real support and drive for you?

Any radio support is a recognition of the sound I'm creating - and it’s a real encouragement for new artists like me to get that support and it’s something I'm very grateful for. Its similar to festivals such as Rock the Farm. Having these opportunities helps me reach a wider audience - which is something I always appreciate.

Early Morning Riser, released in 2014, was your debut single. Looking back at that time; how do you think you have developed as an artist? Is it quite scary seeing how far you have come?

I've developed massively, I think - mostly in confidence, both from a performance point of view (getting on stage can be nerve-wracking) but also in my ability to write. I want to keep experimenting further, lyrically and also sonically - and I'm lucky that the band I have surrounding me enable exploring sound so much fun. It is scary, in some ways, seeing how quickly time has passed. Seeing how I've developed excites me and a belief to push musical boundaries even further gives me inspiration for future projects.

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That song was praised by (the late) Sir Terry Wogan! Is that a career highlight?

Definitely! To have listened to him on the radio as a young child, and all the people that admired him - especially for me as he was someone who often supported new musicians - it was a privilege to have him play my song. Bit of a surreal moment!

Another highlight, too, was when I was asked to support Rag'n'Bone Man in Manchester a couple of years ago. Definitely another magical experience.

Can we expect some new material next year? Is there going to be an E.P. or album?

You certainly can! There will be an E.P. following Alias Grace in the New Year - and I'm really excited to share what we've been working on.

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Cheshire is where you were born; you are a Manchester graduate and have gained popularity from local crowds. Is the North of England one of the best places to make music? What is the scene like there?

I personally think it is.

I feel like my music properly began whilst I was in Manchester and I think the city really helped with that. There are some fantastic venues, big and small, and there's a lot of hardworking and creative people surrounding that. It's an inspiring place to be. Stoke-on-Trent also has a really good up-and-coming music scene with a wonderful community who really put the effort in to support local music. I live right in the middle of these cities so I essentially have the best of both worlds!

Can you tell me the artists and music you fell for at a young age? Which artists did you take to heart?

It's quite funny. I remember, as a young child, my sister and I were really into Avril Lavigne and Destiny's Child! But my dad always had music playing like Neil Young, Joni Mitchell; David Bowie, Pink Floyd - so I was always hearing a variety of music. In my early teens though I remember quite clearly falling in love with Laura Marling and she changed how I listened to music.

She's still an inspiration today...

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I know you have a new track out but are looking ahead to 2018? Do you have ambitions unfiled? Any venues you’d particularly like to play?

As I mentioned earlier; I have the new E.P. coming out in early-2018; so that's something I'll be really focusing on. I'd also really like to put a bit of a tour together and go out on the road with the band - as we always have so much fun at shows. Venue-wise; I'd love to play the Royal Albert Hall and, of course, like every musician...I'd love to play Glastonbury!

Maybe 2018 is a little early for that but, either way, they're definitely on my bucket-list!

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 IN THIS PHOTO: RUNAH

Who are the new artists you recommend we check out?

Oooh, good question! If you want to be enticed by something magical and mystical I would recommend RUNAH. She has some really beautiful songs and poetry. Also, a local band near me: Nixon Tate & the Honey Club have some cracking songs! Both Runah and Nixon (and the band) are lovely people, too.

I also came across a band online recently called MarthaGunn. I think they're Brighton-based - and I really like what they're doing at the moment.

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 IN THIS PHOTO: MarthaGunn/PHOTO CREDIT: Steve Glashier

If you had to select the three albums that mean the most to you; which would they be and why?

This is really hard to answer! Laura Marling’s I Speak Because I Can is definitely on there. As I said; she was really the first songwriter I connected with - and I would sit and listen to that album and read the lyrics alongside. She probably was the reason I started songwriting.

Angus and Julia Stone are a brother-sister duo from Australia. I don’t know what it is about them but I love every album they’ve released: there's something really hypnotic about their sound. I saw them play recently in Manchester and it was a brilliant show. I left feeling really inspired. They also remind me of my sister as we're both massive fans - so we always go and watch them together. Their recent album, Snow, is really chilled. I love it!

Dry the River's first album, Shallow Beds, really inspires me with the lyrical content; clever harmonies and unique melodies. I find I often revisit this album when I need some songwriting motivation. I'm really gutted the band are no longer together.

What advice would you give to artists coming through right now?

Ah. That's a tough one, as I still feel like I'm learning so much myself but maybe that's part of the advice: to soak up and learn as much as possible about the industry; get networking and into the creative side of it. I've found making friends with people in the industry is good, too, as it’s a great community to be part of.

Music really does bring people together. I think staying true to your own sound and style is imperative to your progression and own success.

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What tour dates do you have approaching? Where can we see you play?

I have nothing confirmed yet - but I will be back to playing shows in the New Year. Hopefully, a tour, too. So…keep your eyes and ears peeled!

How important is it getting your music out to the people? Is the stage somewhere you feel free and at your very best?

I think most musicians and writers would agree it's important to get your music out to people - as the feedback and response can definitely encourage and inspire you to keep going and write better music for yourself and listeners. The stage was once a place that terrified me, but now, I have created a whole world up on stage for myself - and it's become the best feeling ever!

I hope that, when people come to see us play, they feel the energy and excitement we have onstage.

Christmas is not too far away. Do you have plans already - or will you be busy working?

I know. I can't believe how quickly it's come around! I'm hoping to find a bit of time to do some more writing over the festive period. I always try and spend time with the family so, hopefully, it'll be a relaxing and cosy break!

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Finally, and for being a good sport; you can name a song and I’ll play it here (not one of yours as I’ll do that).

Mykonos by Fleet Foxes.

I saw them live recently and I fell in love with them even more - especially this song. I love it.

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Follow Megan Dixon Hood

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INTERVIEW: Rookes

INTERVIEW:

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Rookes

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ITS video, once watched, really gets into the head!

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It was only right I spoke with Rookes about the new single, The Heel of My Hand, and that awesome video. She chats about her transition into music and the evolution of her sound; the artists that have been instrumental in her growth; what new music will arrive – some cool new artists that are worthy of more time.

Rookes lets me know about the music scene in Birmingham and why she relocated; whether she will get time to wind-down this Christmas; a few albums that have been especially impactful – and whether there is an interesting story behind the name, ‘Rookes’.

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Hi, Rookes. How are you? How has your week been?

Hello! I’m well, thanks

For those new to your work; can you introduce yourself, please?

Yes. My name is Rookes (A.K.A., Jenny Bulcraig) and I am an Indie-Pop artist from Birmingham - currently living in London.

Is there a particular inspiration behind that name, ‘Rookes’?

I’ve always been fascinated by dark birds – they would pop up in my work as a visual artist back in the day. A lot of my music has a darker edge to it, so it seemed fitting...

Putting the ‘e’ in the word just makes it feel more like a name.  

The Heel of My Hand is your current single. Can you tell me about its story and origins?

That makes it sound a bit like an X-Men Origins story (which I enjoy)! The Heel of My Hand threads quite tightly in with the rest of my songs on my upcoming E.P.; which all circle around the pivotal experience of falling love with a woman for the first time and then losing her. It was a very difficult period - and making this record allowed me to process the pain, plus my burgeoning queer identity.

T.H.o.M.H. is the track that channels most of the deep frustration I felt about the whole situation - as well as the residue of my suppressed sexuality.

The video is out there. What is it like to shoot music videos? Is it something you enjoy doing?

It is out there, indeed!

It wasn’t the first shoot I’ve been involved with, or even the first one I’ve organised and directed, so I did have some idea of what to expect. Having a good team is absolutely key; so we got the team set up, the venue booked and then shot the whole thing in twelve hours. My director of photography (Marshall Mowbray) and myself have an ongoing creative partnership - which was a helpful element to keep things running smoothly on what is otherwise a very long, hectic day. Practically, things will always go wrong but you have to keep moving forward. Marshall is brilliant at facilitating my ideas without steamrolling them - that makes the process much more enjoyable.

It’s always wonderful to see something you have planned with meticulous care come to life.

The Game & the River is your forthcoming E.P. Can you tell me about the stories and themes you will explore throughout it?

It’s a love-and-loss record, but I do try to write as innovatively as I can; it’s good to try to write about such an old, familiar topic in a new way. I draw on a few different themes to illustrate the arc of the story although, admittedly, the track listing does not follow that sequence. The title of the E.P. - and one of the tracks - connect the game and gambling imagery that pops up, lyrically, in every single song – because, of course, falling in love is a massive gamble.

It’s going to be fun watching people spotting those metaphors...

Birmingham is where you are from. I know there is a productive and impressive music scene there. Is it somewhere you recommend people check out?

I would. You might have to dig for the good stuff - but it’s there. Birmingham has a wonderful history: Reggae, Ska; Britpop, Folk – it’s just so diverse. The folk music scene, in particular, is very well-established. I would recommend checking out the Moseley Folk events and festivals and the Ukulele Orchestra Moselele.

Plus; there are a few stand-out bands that have emerged from Birmingham who I really love – like Kioko and the Electric Swing Circus.

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What drove the decision to relocate from Birmingham? Did you feel there were too few opportunities there?!

Actually, it was completely unrelated to music. I was in a band in the Midlands at the time - but we weren’t making enough money and I couldn’t get a job. Then, I was offered a job in London and, financially, I didn’t really have a B-Plan…so I had to take it. The band broke up about six months later and then becoming a solo artist just sort-of happened by itself - because I didn’t know any other musicians in London. Well, actually…I knew one. We made friends on Twitter and he ended up becoming one of my collaborative production team.

I’m actually talking to you from the studio - where I’m working with him right now.

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Can you tell me the music you grew up on? Who are the artists you admired from a young age?

I promise you; there is not room to list them all here. I have always been around music. I actually just wrote a blurb about Annie Lennox - who has always been a constant source of inspiration - for Julie Hough (of the excellent band, HAWK); for an illustration project she’s doing. My parents gave me a lot of strong, melodic songwriters to listen to: Peter Gabriel, Bob Dylan; Beverly Craven, Paul Simon; Joni Mitchell, Phil Collins; Paul McCartney, Chris Rea; Queen… and they made me watch Top of The Pops 2 and Later….with Jools Holland on the regular.

I got access to Michael Jackson at my best friend’s house, and later came Arcade Fire, Alanis Morissette and Elbow. I discovered David Bowie and Prince horribly late!

I know you have your own blog. Can you tell me what that is about and how it came to be? What other projects are you involved with?

It’s called AKA ROOKES. The blog came about because I worked, for a while bit, in academia - and I missed stretching that intellect.

I’ve always loved cultural analysis and I’ve dabbled in music journalism; so I set up the blog as an avenue for those skills – I then expanded it to a podcast as I started to meet more and more interesting people I wanted to dialogue with. I’m actually a Patreon artist (www.patreon.com/iamrookes) which allows my fans to sponsor my work. This covers the music - live performing, recording and everything in-between; the blog, the podcast; a collaborative songwriting project and the writing of a Folk-Opera. Some of the money I raised from my fans on Patreon actually enabled me to afford to make the music video for The Heel of My Hand – it paid for about 50% of it, in the end.

The more fans I can get to sponsor me, the more creative stuff I can afford to generate – and I just give it straight back to them.

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 IN THIS PHOTO: Tash Sultana/PHOTO CREDIT: @samgehrkephotography

Who are the new artists you recommend we check out?

There is a swarm of female artists that I currently love: Zeina, Tash Sultana; Tei Shi, Chagall; Art School Girlfriend, Kimberly Anne and Princess Nokia. Plus; my brilliant label-mates (Seahorse Music) Bryde, Little Rêd; Mere Child and Me for Queen - and DIDI; who’ll be supporting me live in the West Malvern Social Club this coming month.

As for the boys – I’m currently enjoying LEISURE and Paradis.

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IN THIS PHOTO: Little Rêd/PHOTO CREDIT: Kirsten McTernan

If you had to select the three albums that mean the most to you; which would they be and why?

Paul Simon – Graceland

Because it’s existed exactly the same length of time as I have.

Elbow – The Seldom Seen Kid

Because it’s an album my parents and I all agree on.

Grimes – Art Angels

Because it put a rocket up my arse - at a time when I really needed one.

(You can read more elaborations on these and other albums on my blog).

What advice would you give to artists coming through right now?

  1. No-one actually knows what they’re doing - and mistakes are opportunities to learn. Don’t be afraid to try things and make stuff up as you go.
  2. Try not to dive straight into being a musician without any actual life-experience to write about. Go and live. Get a normal job; learn how to handle money. Have some adventures. Fall in love a bit. Help some people who need help. Read some poets…
  3. Work really hard - be really, really good – but make sure that you’re creating to please yourself rather than somebody else.
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PHOTO CREDIT: Curious Rose Photography

What do you have in store for the remainder of 2017? Will you be planning next year’s releases or concentrating on gigs?

I have a lot of plotting to do. I’m playing a gig, booking some more; resting, making a new record; writing another one...

That’s plenty for a month, I think.

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Christmas is not too far away. Do you have plans already - or will you be busy working?

I’ll be home with the family for Christmas. We’re a tight bunch.

Finally, and for being a good sport; you can name a song and I’ll play it here (not one of yours as I’ll do that).

Kate Bush – Hounds of Love, if you please.

Because; if people don’t know who Kate Bush is, then that needs to change…

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Follow Rookes

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INTERVIEW: Alex Francis

INTERVIEW:

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Alex Francis

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WITH an incredible new single out…

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it is a great time to speak with the talented singer-songwriter, Alex Francis! The Hitchin-raised artist talks about All I've Got's creation and release. I ask him about the upcoming E.P., A Stronger Love - it is released on 1st December and shows what a strong and promising talent Francis is. He talks about his music tastes and what we can expect going forward.

I ask how his new E.P. differs from These Words (his previous release) and the sounds he was raised on; the three albums that mean the most to him; whether there are gigs before the end of the year – and the advice he would offer new songwriters.

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Hi, Alex. How are you? How has your week been?

Great, thanks! I’ve just returned from a short tour of Europe with Paradisia in Paris; Antwerp, Hamburg and Berlin.

Great times were had!

For those new to your work; can you introduce yourself, please?

I’m Alex Francis. I’m a singer and songwriter from North London.

All I’ve Got is your new track. What is the story behind the song?

All I’ve Got is quite a (pretty) personal song for me. I’m being honest about the fact that the way I live my life, in a material sense, isn’t how I want it to stay forever but, even for the stresses and strains that might weigh heavy in my day-to-day - it’s clear to me that I already have the most important things that I need.

It is taken from the forthcoming E.P., A Stronger Love. What are the themes and issues you explore on the E.P.?

Each song on A Stronger Love tries to strike a positive mark on some of the emotionally difficult parts of life. Each song deals with this in its own way and I approach this through a variety of different narratives - all of which I’ve experienced to some degree.

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How would you say your new work differs from (E.P.) These Words? Do you feel you have strengthened as a songwriter?

I think the body of work on the new E.P. has a little more relativity throughout.

There are a lot of different emotions in These Words. I wanted to delve into several different themes whilst maintaining the same ‘sonic identity’ throughout; whereas, on A Stronger Love, I’ve chosen four compositions of mine that feel like they live together - and we’ve thrown a lot more dynamic into the arrangements.

I’m really happy with as a progression from where I started earlier in the year.

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Gus Pirelli produces A Stronger Love. What was it like working with him?

Gus is a fantastic listener and he really understood my vision for this E.P., especially sonically. We took a bunch of chances in the studio and created some great moments - out of methods that might have been a little ‘unorthodox’ for me before!

This E.P. is also the first time I’ve used my band on record - so that was extra-special - and Gus helped direct the flow of how we’ve interpreted everything live into a really rounded recording.

It seems, in your new music, you prioritise what you have over what you can buy/possess! Do you feel quite blessed right now?

That’s a great question – I’m quite an optimist, generally...even in my darker moments! I’m very lucky to be surrounded by people who value people more than anything. There’s a lot of love in my life. Those two things combined are, essentially, what stimulates me to live the way I do and appreciate everything for what it is - rather than constantly chase what it isn’t. (That certainly doesn’t drown my ambition though!).

I believe in making the very best out of what you have - because doing that will make you realise just how amazing it is.

What was the decision behind moving from Hitchin to London? What is it like, as a songwriter, working in London?

London happened pretty organically for me. It wasn’t a ‘huge decision’: more so the fact that, after I moved home from studying music in Brighton, the creative connections that I was making were in London - and that a bit of a ‘domino-effect’ up to the present day!

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Who were the artists you fell for at a young age? What kind of music were you raised on?

Loads of old Soul records on my mum’s side and all the great rootsy Rock stuff on my dad’s. That was the main mesh, along with loads of commercial radio-play, as you do when you’re a kid!

There were a few early musical obsessions, too – Michael Jackson, The Rolling Stones and Meat Loaf to name an eclectic three...

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Who are the new artists you recommend we check out?

I’m really struggling to stop playing Theo Katzman’s second solo record, Heartbreak Hits, at the moment. I found it last year and it’s been a regular feature since – he’s been doing his own thing outside of Vulfpeck for a while now – but this record came to me late; hence why it still feels super-fresh! I’m also enjoying the new Sam Smith record; Game Winner by Joey Dosik - and a record called A Song for Every Moon by Bruno Major.

I run a playlist on my Spotify page called Earssentials - that I’m constantly updating with new stuff that grabs me.

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IN THIS PHOTO: Joey Dosik/PHOTO CREDIT: John Hanson

If you had to select the three albums that mean the most to you; which would they be and why?

Another great question – there are definitely more than a defining three for me but, straight off the bat, I would say Michael Jackson’s Thriller

For its power, sleekness and ambition. A total reset of the popular bar for the time - and still today.

Secondly; I’ll go for Exile on Main Street by The Rolling Stones

For its unashamed bravado and ragged beauty; amazing songwriting and, personally...I consider this to be most of their best writing on one record. Controversial!

Thirdly; I’ll take Donny Hathaway - Live

As it is quite honestly the most amazing documentation of a show I’ve ever heard on record. I’m a big fan of live albums and this is totally where I’d want to come from (if I ever made my own). There’s so much vibe and the mix is amazing - for picking out little nuances and gems in all of the arrangements. The band are incredible on this - and Donny’s interpretations of popular songs, mixed with his own ballads, are a total dream set-list.

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Can we see you perform anywhere soon?

Yes! I’m launching the new E.P. this Friday (1st December) at Thousand Island (formerly Upstairs at the Garage), in Highbury, with the whole band – we’ve got some great support performing, too – so get down early!

Tickets are still on sale here.

Is gigging important? How much of a thrill do you get from performing in front of crowds?

Massively. I believe that songs grow to their full proportion and potential when they’re performed live. There’s where the real lifeblood is: in front crowds that love them as much as you do. That’s a huge ambition for me - as far as the journey (so far) goes and what’s yet to come...

Nothing beats the adrenaline of a great live show.

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What advice would you give to artists coming through right now?

I think the most useful thing I could try to say would be to stay true to your art and stay focused: there’s so much hubbub in creative industries that it’s easy to get sidelined or sidetracked onto a path that isn’t necessarily ‘you’. Surely, the thing that’s going to interest people the most is ‘you’- rather than your version of something else?!

Christmas is not too far away. Do you have plans already - or will you be busy working?

Plans are being hatched!

Christmas is always a family affair that usually involves way too much wine and way too much cheese. There’s usually a load of football to played too (which I love). I’m working with some new writers in December and I’m very excited about that. It’s going to be a creative month and we will be hard at work promoting the new E.P. (out 1st December on Spotify!)

Finally, and for being a good sport; you can name a song and I’ll play it here (not one of yours as I’ll do that).

Hard Work – Theo Katzman

INTERVIEW: Part Time Cooks

INTERVIEW:

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PHOTO CREDIT: Clayton Jones

Part Time Cooks

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I do not often get a chance to take my digital…

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ship over to Asia! On this occasion; I have been finding out about the South Korea-based Rap duo, Part Time Cooks. The guys talk about their new track, Old Friends, and why its origins are so special. I ask whether there are gigs coming and a trip to the U.K.; any new material in their minds right now - and if they have plans for 2018.

The duo discusses how they got into the game and what the music scene is like in South Korea; whether there are any new acts to keep an eye out for; how their Christmases will be spent – the music they grew up on and are inspired by.

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Hi, guys. How are you? How has your week been?

Aweh, Aweh. We are very tired.

We just came off back to back shows in Seoul and Busan (Korea) this weekend - coupled with a mixing session for our up-and-coming single. But, we can’t complain: it’s always good to stay busy.

For those new to your work; can you introduce yourself, please?

Part Time Cooks is Black Moss from Durban, South Africa and Saul Good from Chapel Hill, North Carolina. We are the joint-tie for the 'Best Rapper Alive' title - previously held by Lil Wayne. We started our group three years ago in Seoul, South Korea with the intention of becoming the biggest international success story to make it in a foreign country.

Tell me about the new song, Old Friends. What is the story behind it?

Saul: Old Friends is the first song made with our mentee, Elexven: an eleven-year-old producer from Korea, who just learned how to make beats a year ago. It is an open letter to our long-standing friends who, in the light of our recent success, may feel as though the connections are being put on the back-burner...

Moss: It's a sort of apology in advance for the strains the Rap game places on personal relationships.

There are rap beats and African colours; deep layers and explosive highs. Was it a difficult song to formulate and perfect?!

Once we had the hook down, the verses seemed to flow easily - as you can imagine; the inspiration for the lyrics is very close to heart.

At first, it was just the hook and verses - and the song sounded a bit bare. With us puzzling on how to really bring out the emotion Saul Goode, the southerner from North Carolina, suggested: “Why don’t you do that Zulu thing you do with the harmonies?”.

I turned the mic on and just started to freestyle harmonies in the intro and on the hook.

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Is it true you met in Seoul, South Korea?! How did both of you, teaching English at the time, come to meet?

Saul: We met through a mutual friend, who is also now one of our main producers, Scotty Soul. I met Moss on his first weekend out in South Korea - but we only started working together two years later.

You are still based there. Is it hard getting your music exposed and trending in a nation with a less fervent musical economy than the U.K.?

We have built a good base in Seoul; joined one of the fastest-rising Hip-Hop crews, Vis Major - and partnered up with the biggest music distributor in South Korea. It’s a more difficult (and slower) rise to the top but, I would say, it’s not that far now until our goals are realized...

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PHOTO CREDIT: Clayton Jones

Is there going to be more music coming? When can we expect an E.P., for example?

Yes! This is a Music Musings and Such exclusive: we will be releasing an E.P. titled Sacrifices in February (2018). All the music has been recorded; the music video production is underway - so fans definitely have something to look forward to!

What music do you both listen to daily? Do you take inspiration from music you hear around you?

A lot of Part Time Cooks!

Apart from our own musi; we try not to listen to too much current music - so as to not be influenced while in the writing and recording process.

Who were the artists you grew up on and followed as children?

Moss: 2Pac, Busta Rhymes; Ray Charles, Brenda Fassie; TKZee, Bone Thugs-n-Harmony; Mos Def and Talib Kweli.

Saul: Sam Cooke, Busta Rhymes; Pharoahe Monch, Nina Simone; Tribe, Eminem; Jay Z, James Brown, Slum Village; my dad, El-P and Outkast.

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PHOTO CREDIT: Franke Theunissen

In that same spirit; who are the new artists you recommend we check out?

From South Africa; I would definitely say check out the likes of YoungstaCpt, Nasty C; Raheem Kemet and Shane Eagle.

In the U.S.: Well$, J. Gunn; G Yamazawa, Deniro Farrar; Sylvan LaCue and Buddy.

In South Korea: Vis Major, Company Artists; Brwna and Junoflo.

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IN THIS PHOTO: Raheem Kemet

If you each had to select the one album that means the most to you; which would they be and why?

Saul: My homey Ben, who passed away, burned me Del the Funky Homosapien's Both Sides of the Brain in high-school. He wanted me to be me when I rapped - rather than just imitate the big artists at the time. It opened the door regards hearing so many underground artists (that influenced me in high-school).

Moss: I don’t have one. I don’t really get sentimental about things...

What advice would you give to artists coming through right now?

Work harder. Find people like Black Moss, who bring out the best in you, and stick with them. If you feel like music is what you want to do for a living; stop working a nine-five and go get it.

Cook, yo!

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PHOTO CREDIT: Anuj Madan

What tour dates do you have approaching? Where can we see you play?

Part Time Cooks are coming off a busy November in South Korea and Japan. They hit the ground running in 2018 with the release of the Sacrifices E.P. - and a February tour of Japan. In April, the Part Time Cooks will make their first tour of Africa as a group - with confirmed shows in South Africa and Kenya.

Stay updated with our show schedule at www.parttimecooks.com.

Do you think you will come and perform in the U.K.?

Of course! We would like to add on shows in Europe for our tour; so, any promoters reading this can contact our management at Campbell.al81@gmail.com.

Christmas is not too far away. Do you both have plans already - or will you be busy working?

We will make a solo trip back to their home countries - to spend time with family and perform for our day-ones.

Finally, and for being good sports; you can each name a song and I’ll play it here (not one of yours as I’ll do that).

Oliver Mtukudzi - Neria

G Yamazawa - North Cack

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INTERVIEW: Makk Mikkael

INTERVIEW:

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Makk Mikkael

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MY frustrating ambition with regards finding more women…

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to feature on this blog continues. Luckily; Makk Mikkael has arrived to provide some relief and sunshine! I talk to the talented young songwriter about the new single, Jungle, and its awesome video. She discusses subjects like urban crowding and feeling harried; how the song reflects a dark period in her life – and why she felt the need to get the subject down on paper.

I ask her about growing up and the music she got into her; whether there is more material coming down the tracks; what music means to her – those special albums that she holds close to her heart.

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Hi, Makk. How are you? How has your week been?

I’m doing great, thanks. Jungle’s been getting lots of love; super-happy about that. It’s been a hectic time - hustling with the crew to get this track out. It feels great to finally have music out!

I'm excited about what's coming next!

Jungle is your new cut. Tell me about creating the song and what it means to you?

Jungle is really special to me.

Not only is it my introduction to the music world but it’s super-personal and close to me. I wrote Jungle in what you could say was a ‘dark’ phase of my life. I was around someone who took my energy and drained me, emotionally. Looking back, I’m happy it happened - because I felt all those rollercoaster emotions which, in return, I was able to create good music from...

The video has a yellow tinge – a ‘happy colour’, as you say. Is being out in the wilderness someone you feel less alone, perhaps?!

I grew up in the Rocky Mountains - so I definitely feel at home in the wilderness.

It’s a big change going from the mountains to the ‘concrete jungle’: the pace is so much different and people are hustling, constantly. Jungle was inspired so much by my surroundings in Toronto, as well as a personal relationship. I think the mix of everything I was experiencing played a huge part in why I love the colour yellow. Yellow is my vibe. The colours will definitely morph and change with how I’m feeling - and the stages of my life.

For this album, though; yellow fit so much. I look at it as a ‘coming out of the dark’ and moving ‘towards the light’.

Tell me more about your new album and the themes you explore…

The album is coming out in the near-future.

My sound and style morphed into what it is now by listening to the early Weeknd tracks; Jessie Ware and Roy Woods. I listen to a lot of music and I feel so connected to it. The style that will be explored throughout my album will have dark, ambient; low-fi vibes. If you were to associate colours with my album...think yellow.

I’m still in the creative stages of putting together this album - and I’m constantly discovering new themes and ideas to write about. I write best when I’m feeling low or vulnerable; when I feel like the world’s on my shoulder - that’s when I’m most creative with my art. As long as I’m putting out what my soul loves and craves; I will feel good about everything that’s coming up in the future.

How much of the music was compelled by changing fortunes and coping with a relationship transformed? Was it a confusing and transforming time for you?

It was a confusing time, absolutely. I don’t know if I can really explain how I was feeling - because I wasn’t sure in that moment. Majid Jordan’s track, Changes, perfectly represents how I was feeling when Jungle was written. I had this underlying feeling of being swallowed by the ocean and, every time I would try and come up for air, I was pulled back down to the bottom of the ocean. It was like time was frozen; everything was at a standstill - my emotions and thoughts, especially.

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I was physically and mentally incapable of grasping onto anything or anyone - including myself. As an artist, it’s so important to go through ups and downs and be able to captivate how you felt, not only for yourself, but for your listeners. That’s so important to me no matter what I experience, good or bad. I have to know that I can write about it - once the dust settles and I have my clarity back. People come and go and are in your life for a reason: to teach you things and for you to grow and reflect. This person that was close to me  and, looking back, I don't know if we ever were that close. My energy was drained almost always and, back to that underwater analysis, that’s what I felt 24/7...

So; it obviously wasn't healthy - but I grew as a person and got some art out of it.

Are there going to be more singles? Is there another song you feel perfect for release?

For the next release, which will be soon (B.T.W.), I have narrowed it down to two tracks! I want to put both out A.S.A.P. When the time comes for the next track to be released, I’ll get my team involved and we’ll make the right decision.

Honestly; just putting music out is so exciting for me. That’s my passion and what I’m all about - so wouldn't have it any other way.

I want to know how you got into music. When was the seed planted?

From a very young age; all my friends and family constantly inform me of the mini-concerts I would put on in the basement. I was first onstage when I was around five or six. I was at this venue...I don’t remember where. My mom was in a band and she asked me to come up onstage with her. I sang Twinkle Twinkle Little Star and was hooked. The light and energy in the room everything had such an impact on me...

I always remember that moment when the spotlight was on me and there wasn’t a care in the world! Music is and has always been that for me. I get to express myself and be myself: I think that’s so liberating and freeing knowing, whatever you experience and go through, you can write and sing about it.

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Which artists did you connect with at a young age, would you say?

I was obsessed with Hilary Duff, Hannah Montana; Aly & AJ and JoJo. I think those were the top-four influences for me. I still watch the Aly & AJ concert tour every once and a while. They love music and I’m all about the music. I went to three Hilary Duff concerts and every time, I flipped out. I don’t view concerts the same as I did when I was younger, though. I don’t go to them to get drunk or party - which is what millennials are about. I’m always there for the show.

The joy was so intense when I was younger: now, I’m (just) like ‘I wanna get onstage; let’s do this!’.

What does music mean to you? Is it somewhere you can find safety in?

Absolutely. Music is something that completely makes or breaks me. Nothing else out there effects me the way music does. It’s so personal and close to me.

When I’m writing songs, it’s medicine for my soul. I watched this TEDTALK a while ago by Elizabeth Gilbert - who wrote Eat, Pray, Love and Big Magic. She was expressing how your art, whether it be writing, music or painting, as artists; you have to tap into your inner ‘Genius’ - which is your alter-ego. Your ‘Genius’ is an extension of your creative-self that you blame failures and success (whatever it may be) on. If you have time, I would definitely recommend watching it...

What I took away from this was it’s not your fault, as an artist, if you have an idea and lose it. We’re built on emotion and are easily breakable but, when you can blame your alter-ego, you’re not as tough on yourself - and you’re less judgemental on your thoughts and ideas.

It is (just) something I find comfort in - and keep in the back of my head when I’m writing.

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IN THIS PHOTO: Kacy Hill

Who are the new artists you recommend we check out?

Willow Smith. I know she's not a new artist; however, she has a song called IDK. It’s so groovy. Majid Jordan dropped their new album and it’s insane - all synth, atmospheric -sounding stuff. Swell is dope. Very moody and low-fi-sounding (which is my jam!).

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IN THIS PHOTO: Willow Smith

Kacy Hill’s Foreign Fields pretty much the song I have had on-repeat for the past couple months. It’s so good. I don’t think anyone mentioned (above) is a new artist (haha) but it’s not mainstream radio stuff: definitely more the left-of-centre, vibey stuff that I’m into.

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IN THIS PHOTO: Majid Jordan

Speaking of which...I created a playlist on Spotify - with the last little bits of what I’m listening to right now! It’s called Makkjams. Check it out if you want to expand your musical library...

If you had to select the three albums that mean the most to you; which would they be and why?

Love this question so much!

The 1975’s first album (The 1975)

I saw them live and was even more hooked - if that’s possible. I’ve listened to them since 2013 and it strikes the best chord in me; it’s comforting listening to them.

My second choice would be Clean (E.P.) by The Japanese House

Side note: she's signed to Dirty Hit Records - which is the 1975’s label - and the 1975 co-produce The Japanese House. Clean is the most nostalgic E.P. out there. All the feels and the videos that were released (with it) are bang-on.

Third would be Toro y Moi - Boo Boo

I (just) recently discovered it - but it’s been on-repeat since then. I feel like this album is the soundtrack to my life. It also dropped on my birthday so, if that’s not a sign, I don't know what is!

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What advice would you give to artists coming through right now?

Just do you. I think it’s so sick to be yourself in an industry that has a lot of the same thing going on. If you put in the work and hustle, you will move mountains. You’ve just gotta believe in yourself and do it...

No excuses!

What is your touring schedule looking like? Are you coming to London anytime soon?

WOULD BE SO DOWN TO GO TO LONDON.

Before I moved to Toronto, not too long ago, I was narrowing down the best places to live for music: London was up there along with L.A. I did live there for a couple of months with singer/songwriter Kiesza. Music is amazing in London (I can only imagine). It’s one of those places that has a vibe like Toronto; there’s a cool underground sound that’s poppin’. I’m going to start a tour in March/April and I couldn't be more excited. I will have quite a few more tracks released by then. I’ve been planning out my live show: the colours, vibes; everything that I want to express in my music...

It’s going to be dope.

Christmas is not too far away. Do you have plans already - or will you be busy working?

I’m going home to see my family in Calgary. We’re getting a puppy and going skiing lots - so I’m taking a break from Toronto for the month of December. I will most likely be writing while I’m home.

I'm always ready for that inspiration to strike.

Finally, and for being a good sport; you can name a song and I’ll play it here (not one of yours as I’ll do that).

Miguel (ft. Travis Scott) - Sky Walker 

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INTERVIEW: Tall Poppies

INTERVIEW:

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 Tall Poppies

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ONE looks at Tall Poppies and is…

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instantly transported to a finer time. There is something classic, vintage and stylish about the guys. I speak to them about the new track, Now, and how it got started. They tell me about future material and how the band came together. I was interested to know whether the song’s story of being jilted is something drawn from personal experience; what it was like filming the video – and how they will see the year out...

The band talk about the music that means a lot to them; why the 1960s is an important decade; why the band relocated from Australia to the U.K. – and whether there is an interesting tale behind the name ‘Tall Poppies’.

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Hi, guys. How are you? How has your week been?

Hi, Sam. Very well! We’ve been busy prepping this week for the single launch-party.

Exciting stuff!

For those new to your work; can you introduce yourself, please?

We’re an Indie-Pop four-piece (now) based in East London. We comprise of Australian twin-sister frontwomen, Catherine and Susan, on vocals, guitar and bass; Diarmuid Nugent pulling at heart-strings on violin - and Doug Fink keeping the beat on drums.

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Now is your new single. It is immediate and fresh! It sounds like it came together quickly. Is that the case?!

Yes. It was recorded after we thought we had already completed the album. It burst out one day while we were jamming in the living-room. It did capture a moment, and so, we took it to Atlas Studios in Dalston and tracked it over a weekend.

Now documents being stood up on a grey night. Has that happened to any of you? What would you do, to the culpable, if they stood you up?!

Yes. It was based on a true story - as most of our songs are. The culpable never had a second chance to repeat the offence…

There are strings and hazy beats; some 1960s touches and gorgeous harmonies. It is a busy brew! Do you think your material reflects the artists you idolise? Who were the artists you all grew up listening to?

Yes. The sound is busy and we all have quite a spectrum of influences...

The sixties vibe does stem from Beach Boys/Pet Sounds. We grew up listening to solid Pop songs - including The Beatles, and later, David Bowie and Kate Bush. Our (Cath and Suz’s) mother was an Elton John fan.

Too Low for Zero holds a special place in the heart.

The video is kind of trippy and cinematic! What was that like filming?!

It was great fun. We took the band shots at The Joint in Kings Cross on the wettest night of the year. We all arrived looking like drowned rats - but luckily we had a comb. Catherine and Susan then took the rest of the shots in Western Australia on a quick visit home. That was awesome.

The beach-goers didn’t seem to mind Susan running around with massive orange hands...

Can you tell me how you all came together? What is the origin of the band-name, ‘Tall Poppies’?

Catherine and Susan have been writing songs together since childhood; entertaining the local neighbourhood. When we moved over to the U.K., we started out as the oh-so-original ‘Susan and Catherine’. It soon became evident we needed a stage name, as people would forget them, so the more memorable ‘Tall Poppies’ was agreed upon.

It is a term used when referring to people who are resented - who are of high status. In the Australian music industry, it’s the ‘I liked them when they weren’t popular mentality’ but, according to Wikipedia, it originates from Greek mythology. Anyway; it suited our colour scheme too - as we like to wear red and have dark hair.

After the move to London, we soon met Diarmuid - who played violin on one of the songs for a set - and rapidly became a permanent fixture. Doug joined soon after having met Diarmuid through work and voila.

Here we all are.

What was the reason for the band locating from Australia to the U.K.? Do the music scenes differ greatly?

We had been playing and recorded our first album in Perth. It’s a beautiful city on the beach and there are some great venues and awesome bands - all with quite a quirky vibe. It is, however, one of the most isolated cities in the world. It was either move to London or Sydney to pursue the dream.

We chose London as the British scene was and is a real inspiration.

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Do you think we’ll see more new material next year?

Yep. We have an album to release March 2018...so stay tuned!

Who are the new artists you recommend we check out?

Susan: I have been listening to Whitney. They’ve got a cool jangly 1970s sound that is rather refreshing.

We’ve been enjoying Mac DeMarco. It’s good to hear an artist that doesn’t take themselves too seriously.  

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IN THIS PHOTO: Whitney/PHOTO CREDIT: Amanda Leigh Smith Photography

Doug: Little Mammoths are the new band of former Noah and the Whale bassist, Matt. They’ve been touring their new material this year.

Also; Drive-By Truckers. They are a bar-band for the twenty-first century.

Diarmuid: Julie Byrne’s Not Even Happiness is excellent.

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If you each had to select the one album that means the most to you; which would they be and why?

Catherine: This is a difficult question to answer - as there are so many albums that have special meanings to us. I’ve always found that when I’ve bought a Divine Comedy album something good happens in my life; new opportunities or romance. I’ve been buying the back catalogue and new albums, sporadically, when I feel like I need some good luck in my life.  

Susan: Likewise: I’ve got a few on the list! I do have a soft spot for the chocolaty tones of Jens Lekman’s album, Night Falls Over Kortedela, with his nostalgic arrangements, uplifting melodies and humour that permeates his songwriting.

Diarmuid: Björk’s Homogenic is a favourite

It was very exciting to hear at the time it came out. I listened to it through the headphones at the Virgin Megastore. It was striking to hear the Classical string arrangements work so well on such a modern Electronic album.

Doug: Van Morrison – Astral Weeks (blushing face) for his musicianship and dreamy sonic landscape.

What advice would you give to artists coming through right now?

Don’t let anything hold you back. Be as different as you like. Embrace all the spiffy tools there are for you to make your own way - without worrying about some man with a cigar in the middle.

What tour dates do you have approaching? Where can we see you play?

Aquarium in Shoreditch on the 8th December (consider it our Xmas gig).

In the New Year, we’ll announce more dates to come...

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Christmas is not too far away. Do you all have plans already - or will you be busy working?

We’ve got some quality family-time planned and will be making use of the time to write some new material, too. 

Susan: I’m planning on getting to know my new keyboard a bit better.

2018 will be a big one for you! What are your ambitions and aims for the year ahead?

We’ll be putting out the new album, Let’s Go Out, in March next year.

We’re going to sort some gigs to tour it - and following that get down the new songs we’ve been working on.

Finally, and for being good sports; you can each name a song and I’ll play it here (not one of yours as I’ll do that).

Thanks very much for the interview.

Susan: My choice is Divine Comedy – Tonight We Fly (you can play it at my funeral, too)

Catherine: Heartbreaker - Dionne Warwick

Doug : Jackie De Shannon – Put a Little Love in Your Heart

Diarmuid: Jóga – Björk

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INTERVIEW: Ina Reni

INTERVIEW:

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 Ina Reni

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THE incredible songwriter Ina Reni…

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is not a new name to me. I have been following her music a while - and am excited there is a new track/video out. She talks to me about her current track, Tiffany, and what comes next in terms of music. I ask about her previous song, I Thought You Were Gay, and how her music embraces the humorous and original. She tells me about her Christmas plans and the music she followed growing up – and working with producer King Kanobby on Tiffany.

Ina Reni lets me into her plans and past; some of the new artists worth our time; details about her her forthcoming E.P., Down to Mars – and what advice she would give to new songwriters.

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Hi, Ina. How are you? How has your week been?

My week has been very good!

I came back to London on Tuesday and, since then, I’ve had a few meeting; did two interviews and some other music video promotion stuff.

Overall, it was a calm week: one of the first calm weeks in a very long time. 

For those new to your work; can you introduce yourself, please?

I am a London-based singer-songwriter - and I make Pop music with some Alternative influences.  

Tiffany is your second single – it was released in October. What is it about? Is it based on personal experience?

Tiffany is about a situation in which you don’t feel appreciated enough by your partner - and then kind of go the extra mile just to make sure he knows what’s going to happen if he doesn’t step up his game. But it’s more of an easy, light-hearted song. I wanted to explore the idea in a kind of funny, exaggerated manner; therefore, I added all the luxury lifestyle references (“Tiffany deliveries”).  

The song wasn’t really based on a specific situation or person - but I do know the feeling.

It seems like your songs look at relationships and put a humorous spin on them. I Thought You Were Gay had its tongue in cheek – it seems like Tiffany has a similar approach. Do you think most artists write about relationships in a very literal and predictable fashion?

Well. I’m not sure about ‘most artists’ but there are definitely a lot of songs out there that are written in a very predictable way...especially when the love/relationship topic is involved.

I have been in sessions with songwriters that had quite successful careers and, after we finished the melody-line, they would say: “Okay…and now let’s just write the typical love blah-blah like “Baby I want you, tell me that you want me too”… and then ended up putting something together that had no soul in it/no cleverness/nothing. Don’t get me wrong: there can be a lot of value in simplicity and I can think of a lot of examples where songs have a very strong emotional impact on you - even though the lyrics are by definition quite generic.

But, as a listener; you can just feel when there is nothing behind it…and I’m not a fan of that. 

How and where was Tiffany written? What was the process like? Did the record come together quickly?

Tiffany was written in Inglewood, Los Angeles. Me and the producer wrote the song in about twelve hours - because we were scheduled to write one song a day, and, so that’s what we did. My producer has a great passion for weed (which is legal in California) so I recorded the song surrounded by marijuana clouds…

Unfortunately, I’m unable to get high - so it just made me cough all the time! It was a fun session though; one of my best days in L.A.

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Who produced the song? What qualities are you looking for in a producer?

The song was produced by King Kanobby; who currently works a lot with the A$AP Mob collective (A$AP Rocky, A$AP Ferg etc.). He is usually more involved with Hip-Hop records but, to me, he seemed appreciative of any kind of genre - as long as it’s a great piece of music.

What I am generally looking for in a producer, apart from the obvious, is a high degree of musicality; the absence of ego-related issues and, also, a certain amount of courage to do things differently. I think it’s very important that everyone involved feels like they have the space to try things out - to make sure the song becomes its best possible version.

I believe your E.P., Down to Mars, is out next year. What kind of themes/stories will you be addressing? Can you give us any details about the meaning of the E.P. title?

Down to Mars is a record that deals with the question: What do I really value in life and what standard am I prepared to settle for? In the songs; I raise those questions in a career-context, but also in a relationship context. To be honest, I have very high standards in both and - especially with regards to my career ambitions - I know a lot of people would rather have me set the bar a bit lower; be realistic etc. That’s where the title ‘Down to Mars’ comes into play. I consider myself quite an unpretentious, ‘down-to-earth’ person - but I made a conscious decision not to limit myself to the boundaries of what society considers normal/ordinary/'the right thing to do in my position'. Not because I’m trying to make a point, but because it’s me who has to live this life I’m building.

So; I want to make sure I’m happy with it…

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Can you tell me about your childhood and music? Did you grow up in a musical household?

I did not, per se, grow up in a musical household - but my mother was always exposing me to Classical music. Apart from that; I played the accordion as a child and even had some little concerts with it…for example; in one of Berlin’s most important revue theatres called Friedrichsstadtpalast.

As a music consumer; I have always loved a wide range of genres; especially Pop, Jazz; Classic, Hip-Hop and Funk. 

Who are the artists you were fascinated by when you were growing up?

To be hones; I often detached music/songs from the artist. I was fascinated with specific songs - but not so much with artists. Also, you have to remember, I didn’t speak English back in the day but most songs in the German charts were in English - so it was hard to build up a real connection with someone’s artistry.

But, to still answer the question: I guess, as a child, I was mostly fascinated by artists like Britney Spears and their perfect Popstar life.

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On a similar note; who are the new artists you recommend we check out?

I think Billie Eilish is a really cool new artist. I like her song, Bellyache, and, funnily enough, she also has a song called I Wish You Were Gay - which has a really interesting concept.

Other than that; I can recommend a Swedish artist called foreverandever. He’s got a song called so guud that I listen to on repeat. 

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IN THIS PHOTO: Billie Eilish

If you had to select the three albums that mean the most to you; which would they be and why?

I am not an album-person; that’s why I’m gonna name the three songs that mean the most to me. 

Astrud Gilberto - The Crickets Sing for Anamaria

When I was thirteen-years-old; I had to spend quite some time in hospital because of a severe virus infection. I listened to that record about fifty times every single day - and it made it all much easier.

Jill Scott - Love Rain

The way that song lyrically explores the dynamics of a relationship has always really moved me.  

Sufjan Stevens - For the Widows in Paradise

I think this is a religious song at its core and, though I am not religious myself, I find a lot of comfort in it; especially when I need to come to terms with difficult situations. The line “I did anything for you” at the end is a good example for a, by definition, generic lyric that becomes very powerful through its lyrical and melodic context (referring back to what I talked about in the first question…).

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What advice would you give to artists coming through right now?

Release music. Put yourself out there and don’t put all your eggs in one basket.

What tour dates do you have approaching? Where can we see you play?

I think I will do a show in January - when I put out my next single - and one in March for my E.P. launch. I don’t have specific dates yet. If you want to make sure you don’t miss any upcoming gigs, I recommend signing up to my newsletter.

Otherwise; as soon as gig dates are officially announced, you will find them on my website.

Christmas is not too far away. Do you have plans already - or will you be busy working?

Yes. I will go home to Germany and spend Christmas with my family - like every year. I have never worked as hard as I did this year and Christmas is the time when I will finally take a break from all that. 

I know you have a make-up/beauty-related YouTube channel. What was the reason for starting out? Will you be releasing a lot more videos in 2018?

I started my YouTube channel in the end of January (2017) because at the time I felt really anxious about the progress of my music career - and I just wanted a side-project that could, maybe, one day help support me, financially. Ironically, this project became way more successful than anything I ever did with music.

I’m usually posting one video a week - and I intend to keep it like that in 2018... 

Finally, and for being a good sport; you can name a song and I’ll play it here (not one of yours as I’ll do that).

The Virgins – Rich Girls

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