INTERVIEW:
Public Order
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THERE might be a slight tinge of irony to Public Order…
given how epic their music is! There is Electronic smoothness - but the kind of beats and production qualities that makes one want to get their body moving and raise the voice loud. I ask the guys about their live set and whether there are any dates coming up. They talk to me about the single, Violet Skies, and the story behind it; working with vocalist Rebecca Hurn on the song; whether there is going to be some new material down the line – and how the group came together in the first place.
I ask about that name and whether there are links to the Rave culture of the 1990s; whether there is an active music scene where they are in Wales; some great new artists worth checking out; how this Christmas is going to be spent – a few albums and songs that mean a lot to the trio.
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Hi, guys. How are you? How has your week been?
Great. Thanks for interviewing us!
For those new to your work; can you introduce yourself, please?
We are Public Order; a three-piece producer/D.J. group from Merthyr.
Violet Skies is the new track. What can you tell me about it?
A melancholic Pop tune with really nice vocals from Rebecca Hurn...
PHOTO CREDIT: MY PROD
It features, as you say, Rebecca Hurn. How did you come to meet her?
We met Rebecca through the Forté Project and mutually decided to work on something together.
Rebecca. I believe you wrote the song. I know there is a bit of a personal inspiration. Was it quite an easy song to write – or was it a bit of a challenge?
We produced the track; however, Rebecca wrote the top-line!
“I wrote Violet Skies based on how I spent my summer - it’s basically about the beginning of a relationship where you’re kind of together and kind of not.” - Rebecca Hurn
Its video looks like it was fun to shoot! Was it quite a blast?! I believe the song received funding and backing. Can you tell me more about that?
We shot the video with one of our good mates Tyler Wilkins. (It was quite a chilled shoot and we had a good laugh!). We were funded to release the song by the Forté Project - who support emerging artists.
How did Public Order come together? Was it quite an instant bond between you all?
We’ve all been friends since we were little - and then starting music together. Nothing was really planned!
The band-name refers to the Rave culture of the 1990s. Was that quite an exciting and eye-opening time for you guys?
We’re only eighteen. Hahaha. But, we’ve always been inspired by that culture and the music that goes with it - even if our music doesn’t sound like it!
Looking ahead; what are you working on in terms of new material?
We’re working on some many collaborations and remixes with other vocalists/artists. There’s load to look forward to!
You are a Welsh collective – I always assume the country is quite quiet! Is there a big scene where you are? How easy is it getting exposure?
There’s loads of good music coming from Merthyr and the surrounding areas! The scenes not massive but there’s so much talent here!
IN THIS PHOTO: Rebecca Hurn
Who are the new artists you recommend we check out?
We recommend you have a listen to Rebecca Hurn’s solo stuff; as well as Upbeat Sneakers; Tracy Island, Chapel Row; Local Enemy, Florence Black and Pretty Vicious.
IN THIS PHOTO: Local Enemy
If you each had to select the one album that means the most to you; which would they be and why?
Worlds – Porter Robinson
The Stone Roses – The Stone Roses
Stoney – Post Malone
What advice would you give to artists coming through right now?
Get all your mates involved - and don’t take it too seriously!
Christmas is not too far away. Do you all have plans already - or will you be busy working?
Bit of both! Hopefully; we’ll have time for a good drink and some music stuff!
Finally, and for being good sports; you can each name a song and I’ll play it here (not one of yours as I’ll do that).
Mall Grab – Pool Party Music
Lil Peep – Star Shopping
Post Malone - Patient
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Follow Public Order
Facebook:
https://www.facebook.com/PublicOrderUK/
Twitter:
https://twitter.com/PublicOrderUK
Instagram:
https://www.instagram.com/publicorderuk/?hl=en
SoundCloud:
https://soundcloud.com/publicorderuk
Spotify:
https://open.spotify.com/track/1CZqXhRORrnRvZbhscjkPz
YouTube:
https://www.youtube.com/channel/UCG6NSXpEjqG5BGVmSlzy64Q/videos
INTERVIEW: TALMA
INTERVIEW:
TALMA
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THE five-piece Alternative-Rock band TALMA…
are gearing up for a big 2018! Their new song, Lifeline, is about getting to grips with a city like London and all the rush and isolation. I speak with the guys about their favourite music and how they all got together; whether there is going to be more material next year; the artists who influence them – and how they produce such an energetic and raw sound on stage.
I discover whether the band feels more comfortable on stage or in the studio; why artists like Morrissey are influential to them; a few albums that touch their hearts; some new artists we need to take a gander at – what they all have planned for this Christmas.
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Hi, guys. How are you? How has your week been?
All good, thanks. Very busy with the release - but it’s been exciting stuff! (I am actually writing the answer to these questions from the rehearsal studio). It’s been a bit of a mad balancing act for all of us with jobs, girlfriends; essentials - like eating to fulfil - and that’s all before we have picked up an instrument!
But, in short = all good!
For those new to your work; can you introduce yourself, please?
We are a five-piece Alternative-Rock band formed in Exeter - now hailing from London. On making the move up to the Big smoke in the summer of 2016, we have spent the time since writing and focusing on trying to hone our sound. Our influences cover a broad remit but most prominently our work is influenced by artists such as Radiohead, The Smiths and The National to name but a few...
Lifeline is your latest track. What is the song all about?
In essence; the track explores the loneliness and the sense of displacement that can come with moving to a metropolis like London. Lifeline explores the juxtaposition of being surrounded by millions of people - but still feeling a sense of loneliness and isolation. The overwhelming nature of a city like London has, for us, sometimes evoked a sense of helplessness and a need to call for help - the 'lifeline' is the thing that we are looking to clutch onto, as the weight of trying to establish yourself in such a big place, takes hold.
There is an aspect of the modern city and feeling isolated. Do you have a sense of loneliness being in a city like London?
Absolutely.
Don’t get me wrong; London is an incredible place and we count ourselves very lucky to live here, however, moving here has coincided with that awkward phase of our lives where neither of us has any idea what we are actually doing. The overwhelming visceral nature of this place sometimes beats you up a bit and, with unfamiliar surroundings, you often don’t know where to turn for help.
Moreover, I think it is quite an ‘individual’ time in our lives where people are thinking about what is best for them and how to go about achieving what they want to achieve. Sadly, though, this can often contribute to the loneliness - as you can be unsure who to turn to for help when it all gets a bit much.
PHOTO CREDIT: @Elliottrattphotography
Lifeline is a song that shows there is life in guitar music still. Do you think there is a danger Rock/Alternative artists are less relevant than past years?
Very kind of you to say! It’s a tough one. I personally think guitar-led music is making a bit of a comeback. Bands like The War on Drugs, The National; Royal Blood and many others are starting to level the playing field a little bit. Moreover, there is definitely life in the Alternative genre: acts like Angel Olsen, for example (in the States) and legends like Nick Cave have released fantastic work in the last twelve months. However, with tech getting ever better, a palette where synth and effects are becoming ever more sophisticated; it is easy to see how a guitar player just plugging into an amp is perhaps slightly losing its glamour. Artists are always looking for the next new thing and, with guitar dominating our popular music history; it is understandable that musicians are looking elsewhere to drive a tune.
However, I would say that ‘Alternative’ music, by its very definition, is music fans looking for a release from the mainstream and a rawer, more emotive, connection with the music that they listen to. The guitar has always been a great communicator of that desire and, as long as that feeling is in play, I think the guitar will always be relevant - due to its versatility and the emotions that you can get across.
The lyrics have a touch of Morrissey – and his worldview/wit. Is he someone who inspired the band? What other artists do you count as influences?
I think, loosely, The Smiths’ sound, in general, is something that we have drawn a lot of inspiration from in the past. Morrissey obviously plays a huge part in this but, in my eyes, Jonny Marr’s guitar is just as essential to that influence. In a Rock scene where baritone vocals have gone a little out of fashion, comparisons are naturally made – but, gladly our worldviews are very different! There is a similarity in that often Morrissey’s lyrics show his lack of assimilation with the world around him whilst, in Lifeline, the lyrics explore that premise and our lack of understanding of the world that we have moved into.
As a band (and as individuals) we are all influenced by a huge array of different artists from Nick Cave, Elvis Costello; Nile Rodgers and many more. All of these individual influences contribute to the sound in some way.
How did TALMA come together? What brought you guys into a band?
It all started at Exeter University. Jonny (drummer) and I were playing together in a Jazz band. We both had a mutual love of various artists and were really keen to set up a band of our own. We knew of Jack (Guitar), who played lead guitar for a Soul choir band, who brought along Pete (Bass) and then James (Guitar) later on. We were all involved in projects before the band started - but the main motivator for us was to write our own stuff and see what we could come up with.
Is there going to be new material coming next year? What are you working on?
Yes! We’ve got more yet to come, so we’ll be sure to keep you posted on that! Then, providing nobody expresses pure hatred of the new releases, we will be back in the studio doing the rounds again.
IN THIS PHOTO: Matt Maltese/PHOTO CREDIT: Holly Whitaker Photography
Who are the new artists you recommend we check out?
There is a lot of fantastic stuff out there at the moment. I am a huge fan of the singer-songwriter Matt Maltese - who is starting to make a bit of noise. Our guitar player, Jack, recommends Phoebe Bridgers (who is supporting Pinegrove in the near future). A couple of other bands that we have enjoyed recently - who have released new music - are Prom Queen, Foxygen and P.F. Philip & The Night Riders.
IN THIS PHOTO: Prom Queen
If you each had to select the one album that means the most to you; which would they be and why?
Jack: Kate Bush - Hounds of Love
It’s just great. No matter how you are feeling; it will accentuate the emotional state that you are in at that time.
Jonny: Songs of Love and Hate by Leonard Cohen
He sets the benchmark for lyric-writing and, as its winter, it’s an album to listen to in a coat.
Henry: Diamond Dogs - David Bowie
I am a huge Bowie fan - and this album sums up so much of what I love about his stuff. The narrative storytelling throughout the album; blended in with some brilliant singles – it’s just a great listen.
James: Nebraska - Bruce Springsteen
An album I have been a huge fan of for a while; often an artist who is thought of for his big live shows and anthemic tunes. Nebraska is a testament to his range and the quality of his songwriting.
Pete: Meat Is Murder - The Smiths
It’s just a brilliant album. (Bass player man of few words).
Can we see you perform anywhere soon? What gigs do you have lined-up?
We are back on stage for our last show of 2017 this Wednesday (6th December) at The New Cross Inn: one of our favourite venues in East London.
Then; we’ll be in writing-mode until making a return at The Camden Assembly on 24th February - which will be our first time playing there…so excited about that one!
It seems like your music comes to life on stage. Do you prefer the stage or studio? Where does the band feel most comfortable and alive?
Good question!
It probably varies from band member to band member; however, I would say an honest answer is that we get a lot out of both. As a group of musicians, we take an overriding joy from creating our own stuff and going on that ‘journey’ with it - from the initial jam right through to gigging it live - and then putting it under the microscope in the studio. I think we would struggle to do music without one or the other; we love playing live in front of an audience whilst we also love getting in the studio to create our own music.
A short answer to the question: we are alive and in love with both settings…
What advice would you give to artists coming through right now?
It sounds a bit superficial - but I think you just have to be ‘you’. The music industry is so overflowing with (just) ‘stuff’; whether it’s promoters, other artists; genres, all sorts - and it is very easy to get lost in the maze. It’s a case of sticking to your guns and reminding yourself of the reason why you are doing this in the first place. By all means, take as much advice from external influences as you can: hearing other opinions is healthy but be weary of the so-called ‘industry experts’ who may cloud your thoughts on what you are trying to achieve.
If you get the sound right, the rest will take care of itself. So, just be you and love what you are doing.
Christmas is not too far away. Do you all have plans already - or will you be busy working?
I think, predominantly, just having a bit of a rest! It’s been a heavy year for all of us; so I think a bit of a recharge and gearing up for another really busy one is a necessity.
Looking back at this year; has there been a moment that stands as a highlight for all of you?
I think, to come back to the studio/stage dynamic, there are two distinct memories for us...
Firstly, in terms of performing live; we took to the stage with Queen’s Spike Edney and his All-Star Band; we played some great venues and got some exposure to some amazing musicians.
However, I would say the real highlight was going into the studio with Jason Wilson (You Me at Six, Reuben) at Stake Out Studios. We have always been a bit D.I.Y. when it has come to recordings - which has been fine and really beneficial in some respects. But, to get a pro like Jason involved was brilliant. His insight and his ability to reign us in - when we were getting carried away - was so invaluable and he played a massive part in the end product.
Finally, and for being good sports; you can each name a song and I’ll play it here (not one of yours as I’ll do that).
Henry: I Need You – Prom Queen
James: I’ll Still Destroy You – The National
Jack: Kaput – Destroyer
Pete: Calypso – The Physics House Band
Jonny: Plans – Halcion
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Follow TALMA
Official:
Facebook:
https://www.facebook.com/TalmaSounds/
Twitter:
https://twitter.com/talmasounds
Instagram:
https://www.instagram.com/talmasounds/
SoundCloud:
https://soundcloud.com/talmasounds
Spotify:
https://open.spotify.com/artist/6o5QtV9YTWvBUyv6pF8ZAk
YouTube:
INTERVIEW: The Crowleys
INTERVIEW:
The Crowleys
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CANADIAN band The Crowleys tell me about their…
new single, Midnight Blue. The Hamilton clan discusses working with Evan Bond on Midnight Blue’s video; whether there is new material coming; how they all got together in the first place; if there is an active and productive music scene around Hamilton/Ontario – and whether they will favour the U.K. with their presence next year.
The guys talk about the artists who have impacted them most and new acts to look out for; some of the albums that have shaped who they are; what has been the highlight from a busy and ever-moving year – and whether the band will get a chance to rest this Christmas.
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Hi, guys. How are you? How has your week been?
The past little bit we have taken a lot of time off playing shows to get these new recordings done - and work on writing new material. But, we were provided with the opportunity to play little shows that we couldn’t turn down this weekend and last. These shows, coupled with working hard to promote the new single, has resulted in quite the whirlwind of a week.
We love it though - and the shows went extremely well.
For those new to your work; can you introduce yourself, please?
We are The Crowleys; four musicians from Hamilton, Canada that play Psychedelic music - and we work really hard at trying to make you dance.
Midnight Blue is the new release. What is the story behind the song?
Our drummer wrote the first iteration of the song a couple years ago…
The lyrics were about how your mind drifts when you can’t fall asleep and that endless cycle taking you into a deep pit - or a so-called ‘midnight blue’. Writing out the lyrics were, in a sense, a type of therapy for that happening and, to be able to put words to it creatively, was very helpful. The song was sent to our guitarist and he immediately knew what he had to put over it. We then started recording but quickly ran into one big issue with it. The song has seen a key shift down and a rewrite of the vocal melody - just because we could not get the singing down in a way that felt right. It was actually when the idea came about to scrap the song during the mixing process that gave some creative freedom to it - we had nothing left to lose.
Michael Keire, the mastermind behind Threshold Studios where we record, suggested a vocoder pedal on the vocals. It took the melody to a different level that finally worked for the rest of the song. What was once the weakest aspect of the song had become the best thing about it! We all love this song now but it is definitely a change from our usual stuff - which is why we saved it for our second single.
I am interested in the animated video! Whose concept was it? Do you think it fits with the tone and feel of the song?
Evan Bond directed and animated the music video. When we first met up with Evan, we pitched him a very basic idea of what we were thinking of for the video. After that, we gave him total freedom as to what he wanted to do with it. Evan did a fantastic job of portraying the emotion of the song, in just a short amount of time, with a minimalistic animation style.
Given the new single looks at insomnia and the mind wandering; did you get inspired following the release of the song? Did that state of mind compel new direction?
All of us in the band have had that moment of intense inspiration for writing music that pops up when we are just about to fall asleep, or during sleeplessness; like you can finally begin to think creatively after your brain has purged the information that you've been bombarded with throughout the day.
When you lie in bed unable to sleep, it is meditative in a way. So, it makes sense that you can get ideas flowing with little distraction from the outside world. This type of creative output is also very organic - because you aren't sitting down and forcing yourself to write lyrics or a melody; it just comes to you.
What are you working on at the moment in terms of future material?
Since we’ve introduced a synth to our practice space, we’ve become pretty prolific with songs ideas. We have a lot of progressions and ideas in the works and we are really excited to take them into the studio and see what comes of them.
They are kind of more R&B-chill vibes than some of the heavier psych music we’ve written in the past…but we will see what happens.
How did The Crowleys get together - and what was it about each other that meant a band forming was inevitable?
We were teenagers when we first got together.
I think the feeling you get when you are in the middle of a jam and everyone is on the exact same page is addicting and, with the four of us, that happened very often. Without explicitly stating what we wanted, our songs seemed to come up with a sound pretty quick. Now, we just continue to craft that sound and expand. We have a lot of love for each other - and playing in any other band would be very strange.
Is there quite a big music scene where you are in Hamilton (Canada)? Do you have enough opportunities to perform there?
We’ve got a great little scene going on in Hamilton...
There are a lot of other hardworking and creative musicians that inspire us to be great. Like many urban centers, we’ve experienced gentrification and the closing of music venues that made the area desirable in the first place. We’re lucky enough that we’re established enough to play some of the bigger venues that still exist in the city.
Unfortunately, there aren’t a lot of venues that are small enough to take a risk on a smaller band first starting out - and we think that’s a problem.
IN THIS PHOTO: Father Christmas/PHOTO CREDIT: Brittany Lucas
Who are the new artists you recommend we check out?
A few acts from Toronto are great: Father Christmas, Jaunt and Charlotte Day Wilson. We play with Jaunt every time we get the chance and two of the musicians in Jaunt make up Charlotte Day Wilson’s band.
Staying local, we are really excited about The Ferns and just played a wicked show with Free Love. The Bandicoots are always a good time and are sure to pack a house.
If you haven’t heard Mild High Club and King Gizzard & The Lizard Wizard’s collaboration album - check that out.
IN THIS PHOTO: Charlotte Day Wilson
If you each had to select the one album that means the most to you; which would they be and why?
It’s hard to say an album that has meant the most to us over our lifetime - but we will give you one from recent memory.
Stuart (Drums, Vocals): Congratulations by MGMT
This album changed the way I look at writing music - and how layering different parts can give a song longevity.
Cohen (Guitar, Lead Vocals): Embryonic by The Flaming Lips
The ‘Flips’ have continually taken experimental music into the pop realm. The production on this album has been very inspiring in our work. Just give it a listen.
Justyn (Guitar, Synth): Bearer of Bad News/The Party by Andy Shauf
I can’t pick between Andy Shauf’s most recent albums - because they are both so incredible. Andy is one of the greatest storytellers I have ever listened to (and he is a good ol’ Canadian boy).
Kaulin (Bass): In Rainbows by Radiohead
In Rainbows helped me through a tough time in my life. It’s probably Radiohead’s most beautiful album.
Can we see you perform anywhere soon? What gigs do you have lined-up?
We’re playing January 5th at The Casbah in Hamilton and are currently in the process of booking shows to support the E.P. we are releasing in the spring.
Do you think you’ll come play the U.K. next year?
If the stars align, we would absolutely love to. Where’s good to play? We love Temples and, if you are reading this and are a fan of Temples…we think you’ll like our music, too!
What advice would you give to artists coming through right now?
Work and don’t worry about anything else. We jammed in a basement for four years before we played our first show - and we think that really helped us be a good live band.
Christmas is not too far away. Do you all have plans already - or will you be busy working?
We’ve been having an annual potluck for the holidays with some of our closest friends: it’s one of the highlights of the holidays for us. We will also likely bust out some demos for new music over the break (if we can find time in the studio).
Looking back at this year; has there been a moment that stands as a highlight for all of you
We only have to look back to last week when we played a record show; we know it’s not much but that’s always kind of been a bucket list thing for us. The owner is a great guy (and in an awesome band called Coszmos Quartette) and we were excited to play in his shop - and to hear his encouragement was great.
Finally, and for being good sports; you can each name a song and I’ll play it here (not one of yours as I’ll do that).
Stuart: Echoes of Yesterday by Coszmos Quartette
Justyn: Break Down and Let it All Out by Nina Simone
Cohen: Suede by NxWorries (ft. Anderson. Paak & Knxwledge)
Kaulin: Friend Zone by Thundercat
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Follow The Crowleys
INTERVIEW: Louis Brennan
INTERVIEW:
Louis Brennan
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A song about the capital of the United Kingdom…
is nothing new, we know. Artists such as from The Clash, Pulp and Wiley have expressed their opinions on London – or certain parts of it! I was excited to ask Louis Brennan about his take and what his new single, London, was all about. He talks about the album, Dead Capital, and whether there is a financial leaning; maybe a nod to London being strangled and distilled – and whether there are going to be any gigs to accompany it.
Brennan talks about his music tastes and past; what he has planned going forward; whether songwriters such as Nick Cave and Father John Misty are influences – the three albums that mean the most to him, too.
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Hi, Louis. How are you? How has your week been?
Hi. I’m fine, thanks. I still have a pulse, thankfully - which is as much as you can ask for on a Monday morning. I haven’t been out of bed long...so, my week could go either way, really.
For those new to your work; can you introduce yourself, please?
I’m a songwriter from Dublin, based in London; I write songs rooted in the Folk tradition - although purists would probably disagree.
Tell me more about London. What is the story behind the track?
London is, basically, me commuting back and forth from a job I hate whilst stewing in my own self-loathing - and musing on the absurdity of some our commonest pursuits.
The video looks like it is straight out a 1980s hipster’s drug-addled dream – in a good way! It is pretty old-skool, no?
I wanted to shoot a sort of tourist/holiday-style video and present images that were recognisably ‘London’ to someone who may never have visited. I bought this camcorder and five blank tapes off eBay for £15 and decided I’d go on one of those open top tourist buses. About five minutes into the journey, the camera died. Having spent £27(??!!!) on the bus ticket; I was somewhat crestfallen!
Numerous breakages and repairs later; I somehow managed to cobble together the final thing. All the static and degradation are a result of the piece of crap camera. The subtitles I had initially wanted to make the bouncing ball karaoke type - but it was beyond my technical know-how.
It seems like you have a bond with older technologies and ways. What is the reason for that?
I like the limitations of older technologies or ways of working: it definitely makes you have to make decisions at the input - rather than output - stage. I think that adds a certain spark to the creative process - knowing that you’re capturing a moment rather than reverse-engineering it. By and large, digital culture seems to engender a disposable attitude towards art which renders it somewhat hollow - and probably has changed how much value younger generations are inclined to attribute to it.
I’m, also, just a curmudgeon…
London is from the album, Dead Capital. Is that title an allusion to the decreasing all-inclusiveness of London – or does it have a financial basis?
It’s both!
‘Dead capital’ is an economic term referring to assets which are often informally owned - and, therefore, cannot be leveraged. In the developing world, particularly, this means only the already wealthy can create surplus wealth to invest etc.; thus creating a self-perpetuating cycle of inequality. Ostensibly, the whole legal framework of property and capital is written by those at the top for their own benefit.
I feel like this could equally be applied to ideas and that we’re all walking around with heads full of dead capital; unsure how to escape an overarching clusterfu*k seemingly imposed upon us from ‘above’.
What subjects do you broach and examine on the record?
White privilege, sexual confusion; substance abuse, public transport; identity, interpersonal claustrophobia; the failure of the left – to name but a few!
You have the look of Father John Misty but the sound of John Grant and Nick Cave (fewer facial hairs but along the same line!). It seems like you have a lure towards bearded musicians but, more importantly, quality stuff! Are they important artists to you?
I’d like to consider those guys my peers - albeit a lot more successful than me! I’m a big admirer of all of their lyrics and all three are artists who seem to be on a ‘journey’ - which is something I can totally identify with.
Your music has a cerebral and witty edge. Is it important conveying something deeper in your music? What is your view on the mainstream and the music coming from there?
I get the impression that most mainstream Pop is just music by committee - where a whole load of producers sit around and focus-group songs into existence...
Obviously, there’s a huge amount of talented people involved who all work very hard but, ultimately, it’s just a commercial enterprise and bears little in relation to what I do. Like I said; I consider myself a Folk singer, so I sing about people and their experiences - and try to imbue them with some sort of meaning where often no meaning exists.
Really, nobody cares about my commute or whatever but, with humour and analysis, we realise we’re all on the same meaningless merry-go-round and, for a couple of minutes, you might have a real connection and feel a little less alone in the world
Dublin is where you started out but you are in London? What are the main differences between the two cities – in terms of their music and people?
London is probably the epicentre of European free-market capitalism - so that has is affect on the music and the people. Music is ‘the next big thing’ or something you never knew you needed in your life - but that you’ll struggle to remember in eighteen months time. Likewise, people are always busy-busy; swimming upstream, building up to the big tomorrow. British people really place a lot of value on hard work for its own sake and being ‘productive’: whereas Irish people are more likely to place value on good times and enjoying life.
Music-wise; Dublin is possibly more disposed to narrative songwriting and less fashion-led: however; the flip-side of this is an earnestness and celebration of mediocrity.
IN THIS PHOTO: Candice Gordon/PHOTO CREDIT: Maren Michaelis Photography
Who are the new artists you recommend we check out?
My good friends Candice Gordon and A.S.Fanning have both recently released stunning albums well worth checking out. I was lucky enough to work with both of them on the recording of Dead Capital - and look forward to doing so again
IN THIS PHOTO: A.S. Fanning/PHOTO CREDIT: Tom Taylor
If you had to select the three albums that mean the most to you; which would they be and why?
Dick Gaughan – Handful of Earth
The high watermark of hard-left-hard Folk!
Bob Dylan – Blood on the Tracks
The first Dylan album I ever bought - and which I subsequently worked backwards from without ever achieving the completest fervour of some people I know! Not much else needs saying about this album, really, except that it’s some of the finest songwriting ever committed to tape.
Nina Simone - Nina Simone and Piano
A masterclass in how to perform solo…just perfect.
Can we see you perform anywhere soon? What gigs do you have lined-up?
I’ll be performing an Album Launch show at the Sebright Arms (in London) on 28th February - and expect to be announcing more tour dates over the next few weeks.
What advice would you give to artists coming through right now?
Stay hydrated.
Christmas is not too far away. Do you have plans already - or will you be busy working?
I’ll be back in the loving bosom of my family in Dublin for a few days at Christmas - hopefully, enjoying some fine festive fare and libations.
Finally, and for being a good sport; you can name a song and I’ll play it here (not one of yours as I’ll do that).
Frankie Goes to Hollywood – The Power of Love
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Follow Louis Brennan
Official:
http://www.louisbrennanmusic.com/
Twitter:
https://twitter.com/loubrennanmusic
Facebook:
https://www.facebook.com/loubrennanmusic/
Instagram:
https://www.instagram.com/loubrennanmusic/
SoundCloud:
https://soundcloud.com/loubrennanmusic
YouTube:
https://www.youtube.com/channel/UC5eRh5Xg_elT5iPUgc_cmiQ
Spotify:
INTERVIEW: Mereki
INTERVIEW:
PHOTO CREDIT: Lindsey Byrnes
Mereki
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MOST of us would struggle, if we lived there, to move…
PHOTO CREDIT: Lindsey Byrnes
from Australia to another part of the world. To be fair to Mereki; she moved to L.A. – and seems rather at home there! I ask the songwriter about the move and her new E.P., Beach, and which of the songs is her favourite; what it has been like putting it together; if we can see her perform anytime soon – and what it is like gigging alongside Dhani Harrison!
Mereki tells me about the albums and musicians who mean the most to her; why there is little time for relaxation before Christmas; what she would tell new songwriters as they embark on their first steps; a few albums that are especially meaningful to her – and a few new acts that are definitely worth some time and attention.
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Hi, Mereki. How are you? How has your week been?
Hello! I’m great.
My week has been lovely. Just back from tour and settling back into L.A.
For those new to your work; can you introduce yourself, please?
Hi. I’m Mereki. I write songs that I mean and put them to music that I like - and then I try to sing them in public spaces.
Beach is your new E.P. It is an exciting and original release. What does it feel like having it out there?
It feels like freedom.
I’ve been working on this E.P. for a long time now and I’m very happy to have a cohesive piece of work in the world - I have so much more coming!
What sort of times and themes inspired the songs? Do you have a favourite number?
Mostly hard times that forced me to become a better human being, to be honest.
My favorite track is It Will; which is all about surrendering our ‘control’ gene and allowing the universe to do its thing. I also love the drums on this track and am really proud of myself for making a song with positive messaging that actually sounds cool (I think) and not cheeeeessyyyyy.
I like French Kissing. It is a strong and compelling opener. Is that based on personal relations and experiences?
Oh yes, they all are (smiles).
Thank you! I was falling in love and, therefore, feeling the full spectrum of human emotions - from romantic, gooey heart flutters to utter fear; pain and vulnerability. Ha.
It Will, which closes the E.P., is an interesting nod to the future. Can you tell me about that song and how it came together?
I had just gotten back from a songwriting trip to Iceland that had kind of shaken me back to my core - and this was actually the first song I wrote for the E.P. with a dear friend of mine, Nate Donmoyer. As I mentioned; this song is about life and letting go. Sometimes, I realize that I write songs to remind myself of what I need to remember later...
I could do with remembering the chorus of this song every day for the rest of my life, probably – “If it’s meant to happen, then it will/If it’s meant to be mine, then it will”. It’s kind of like a mantra, I guess. We humans are so silly thinking we have control over stuff all the time - and assigning so much importance to so much sh*t that doesn’t matter. Let it go! Jump in the ocean! Hug your friend! Make a joke!
Life’s too short and precious to be spent dwelling on the things we can’t change.
Los Angeles is where you are based. What is the music scene like there? Do you feel like it is the perfect place to watch your music grow?
Definitely. It’s very fertile ground to create music in; loads of amazing people to collaborate with and lots of wonderful opportunities. We (just) need to make sure you don’t drink the Kool-Aid. Stick to your guns and don’t let others tell you what your music should sound like - you’re the only one who knows that…
PHOTO CREDIT: Work Horse Studios
You were born in Australia. What was the reason for moving to the U.S.? Is there a big difference in terms of the music scenes?
Music and (just) a much bigger pond…
I like being a little fishy. I love the Australian music scene because it’s very organic and creative: I love the U.S. because there are just endless opportunities.
Who are the artists you grew up listening to? What are your early recollections of music?
My first cassette was (by) Angelique Kidjo and I would listen to it every single night to fall asleep to. After that; I became a bit of a teenybopper listening to Aqua and the Spice Girls before moving into Jewel (bless) and, eventually, Elliott Smith, The Get Up Kids and Roxy Music in my teens. Classic Aussie rock bands like INXS and Midnight Oil were kind of the soundtrack to my upbringing (by default), though; so my taste, still, is extremely varied.
My earliest recollection of music is, probably, my dad strumming on his guitar to nothing in particular.
IN THIS PHOTO: Miya Folick/PHOTO CREDIT: Maya Fuhr
Who are the new artists you recommend we check out?
Empress of. Her record, Me, that she wrote, produced; recorded and mixed herself is very close to perfection to me.
Also; Miya Follick and Tei Shi are ones to watch out for….
Oh…and that Phoebe Bridgers record!
IN THIS PHOTO: Phoebe Bridger
If you had to select the three albums that mean the most to you; which would they be and why?
Oh man; that’s rough!
Either/Or OR Figure 8 by Elliot Smith
Because they’re STILL THAT GOOD.
Heaven or Las Vegas by Cocteau Twins
Because it’s so special and perfect.
All Things Must Pass by George Harrison
No explanation needed.
Can we see you perform anywhere soon? What gigs do you have lined-up?
Eek. I just finished a tour - but I’ll have some shows lined up in L.A. for February!
PHOTO CREDIT: Steve Rose
You are the opening act for Dhani Harrison. How did that come about?! What is he like?
We were introduced by his manager, David Zonshine, because he was looking for a female vocalist for his forthcoming record - which I ended up featuring on. He’s a very wise, intelligent; unique, deep and caring soul with a huge heart. I feel very blessed to have met him and his beautiful family - think I might have known them from another lifetime actually…
What advice would you give to artists coming through right now?
Be open - but not so open that you become closed. Be strong but soft. Be kind to yourself and to others. Listen to the little voice inside your heart that always knows what to do.
Christmas is not too far away. Do you have plans already - or will you be busy working?
YES! I have my annual holiday benefit coming up this Friday for my fave women’s shelter, Alexandria House. So; I’ve been working round the clock since I got back from tour - on the decorations - and making sure everyone knows what song they're singing - and figuring out if Santa’s coming! Ha.
AND I’m releasing my first-ever original Christmas song this week...and then, next week, I’m recording the six songs I sing on Dhani’s record at a live recording of his record at Henson Studio...and THEN my family are coming and it’s all soaking in hot-tubs and drinkin’ hot chocolates from then on...or soaking in hot tubs WITH hot chocolates, if I’m lucky.
I’M WILD LIKE THAT.
Finally, and for being a good sport; you can name a song and I’ll play it here (not one of yours as I’ll do that).
Jai Paul - Jasmine
THANKS! HAPPY HOLIDAYS!
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PHOTO CREDIT: Lindsey Byrnes
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INTERVIEW: Fergus
INTERVIEW:
Fergus
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THE debut single is a hard thing…
to get right (and predict). Every artist is nervous when it comes to putting out that very first effort – the world is watching and it is quite nerve-wracking! Luckily, when it comes to Fergus; here is an artist who strikes hard with You or Nothing - it is a song I was keen to find out about. He discusses its conception and story; the sort of music he grew up listening to – and whether there are any gigs before the end of this year.
I ask Fergus how he feels this year has panned out; a few of the records that have shaped who he is today; a collection of new artists he has been following; whether there are plans in place for 2018 – what Christmas has up its sleeve for the young songwriter.
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Hi, Fergus. How are you? How has your week been?
Hey! I’m well, thanks - hope you are too...
It’s Friday evening and I’m about to have breakfast for dinner. I’m actually moving at the moment so it’s been an eventful but exciting week; topped off yesterday by seeing the grading for my first music video (coming in January).
Super-surreal!
For those new to your work; can you introduce yourself, please?
Ok; so, I’m Fergus (hi). I’m a singer/songwriter from Cambridge - now based in London. I’ve been writing songs for about four years. I tend to write based on my mood and often find my imagery and inspiration in nature. I hope people find some meaning in the songs which is relevant and personal to them.
That’s my aim, at least…
You or Nothing is your latest single. What is the story behind it?
My first! (Smiles).
I wrote You or Nothing almost three years ago - during a particularly low time. I never even uploaded or performed it. I was living in Bristol with a friend in a mouldy flat. I’d been trying the singer-songwriter thing there and felt I’d failed. We were both super-down - no friends (apart from our kind neighbours); no direction, no love - and we both ended up moving away a couple of months later (still best friends!). So, I think that’s where the desperation and craziness come from, lyrically.
It feels nice and poetic to me that this song is now the first of what is, honestly, my rebirth.
Jake Gosling produced it. What was it like working with such an experienced producer?
An embarrassment of riches - this was my first time working with any producer. Jake is such a warm and insightful guy; my nerves melted away and the whole process was just…easy….and fun!
I think we worked really well together - and can’t wait to start on the next songs.
I hear there is an E.P. due early-2018. Can you reveal the sort of songs and themes you document on the E.P.?
Ah, yes; you hear very well.
So far there’s going to be another song from around the same time as You or Nothing called Sinking. It’s about feeling helpless; like you’re not in control anymore. There’s quite a few in that vein we could use but I think the other songs will be a mixture of old and new; still reflective, acknowledging the past and present - but looking ahead to the future with hope.
How do you feel about 2017? Has it been quite an exciting and productive one?
2017 has been weird: a tale of two halves, really. The first was relaxing and indulgent; almost like I was getting all that out of the way - the calm before the storm, if you like. I met Jake in August…
Since then; everything’s happened so quick it’s been hard to keep track. But; I’m taking stock now and relishing it - because next year and beyond will be go, go, go!
Tell me about the artists you followed at a young age. Who were your early idols?
So; my dad has been known to occasionally display some pretty bad taste - fashion, jokes etc. - but his music taste has always been great. When I was really young, the house was often filled with stuff like Al Green, Simon & Garfunkel; Norah Jones, Pink Floyd and The Jam (and Stiff Little Fingers - when my mum was out).
The first artists I remember really getting into myself were Natasha Bedingfield, KT Tunstall and Goldfrapp.
Your voice has its own personality – but seems to have shades of some classics figures. Has it taken a lot of patience and work getting your voice that good?
Wow, thank you so much! I think it has taken some time to evolve (or devolve) - I had a lot of training when I was young and singing in choirs. Looking back now; to forget all of that and find my own voice has taken years.
The way I sing now is how I sing to myself - which is something I never used to do.
IN THIS PHOTO: WILSEN/PHOTO CREDIT: Shervin Lainez
Who are the new artists you recommend we check out?
WILSEN have been around for a few years but they’re new to me (and I love her voice). The video for Final is beautiful.
Soccer Mommy has a couple of nice tracks off the album (up at her Vevo). She did an Audiotree Live session recently, too, and Inside Out - on that - is really great.
IN THIS PHOTO: Soccer Mommy
Gotta check out NUXXS. Her E.P., Pearl, was released a month or so ago and it is gorgeous. Also; give Out the Blue a listen – tune!
If you haven’t already discovered Siv Jakobsen...I saw her play back in May and she’s totally magic.
He’s not a new artist but Fog Lake always puts out great stuff. I like keep a light lit, holy cross and rattlesnake (to name a few).
IN THIS PHOTO: Fog Lake
If you had to select the three albums that mean the most to you; which would they be and why?
This has been really tough!
Al Green - Let’s Stay Together
This was always playing at home in my earlier years. Hearing it takes me back to those days: when times were simpler and we were all together. It’s warm, full of life: timeless. Always brings a smile - happy or sad.
Sharon Van Etten - Because I Was in Love
Sharon is my favourite artist. This album can be hard to bear sometime - which is a good thing! It’s incredibly cathartic. Her voice is rich and heavy with emotion but still soars. Her songs are raw and vulnerable, but still sweet. I love her completely.
Rhye - Woman
An education for me - that it was not only ok but actually sexy to have androgynous vocal vibes going on. The songs and arrangements are so luscious. When The Fall dropped…it was life-changing.
Can we see you perform anywhere soon? What gigs do you have lined-up?
That’s it for the year, I’m afraid.
Hopefully, we’ll get some lined up in the New Year and hit the ground running - when the next single comes out.
I believe you played at St. Giles-in-the-Fields. How did that gig go?!
Ah; it was so great. It’s a beautiful old church and a real oasis of calm - in a busy part of London. (I actually saw Rhye play there a few years ago). I feel very lucky and grateful to have been able to perform there, too. It was my first time up under the lights for about six months; so there were one or two cobwebs that needed blowing away.
I had a super-friendly crowd and it was the day of the single release - so there was a real buzz in the place that helped me out a lot.
What advice would you give to artists coming through right now?
Not sure how qualified I am to give advice at this point…but I’ll give it a go!
I guess what I’ve learned, from my experiences so far, would probably be more useful for aspiring artists. Firstly, I’d say practice, perform and persevere - it may take time for things to align for you, but when they do, you need to be ready to make the most of it. So; practice your songs, perform them - a bedroom is not a stage - and keep doing it...
Secondly; if you want other people to believe in your music, you need to believe in your music. (And you should). But, what I really mean by that is you need to appear to do so. You need to take that inner-belief you already have and make it visible to everyone else…which might mean sometimes not being modest and not downplaying your talent (which is scary to do).
Be brave, put yourself out there and don’t be afraid to ask for help. Be protective of your work but also receptive to new ideas, different perspectives and any feedback. Collaborate or don’t...whatever works for you. There’s no right way - you’ll only find yours by trying the wrong ones first.
I don’t know if this is helpful or not. These things weren’t obvious to me and didn’t come naturally: it’s advice I’m sure I was given and wish I’d received.
Christmas is not too far away. Do you have plans already - or will you be busy working?
Every year it creeps up. Aside from the usual festivities, I’ll be working on E.P. hopefuls - before heading to my parents’ for a quiet one with our family.
We all have things to celebrate and for which to be thankful (smiles).
Is there a single highlight that stands out from the rest this year? What has been your proudest moment?
It’s got to be standing up in front of my family and friends; feeling their love and support and finally playing them my single…twice!
Finally, and for being a good sport; you can name a song and I’ll play it here (not one of yours as I’ll do that).
Awesome. Thank you so much for your questions!
Please play Science Magpie - Here Too.
I’ve been listening to this every day. It’s sunny, sexy and smooth as silk.
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INTERVIEW: JohnlikeJohn
INTERVIEW:
JohnlikeJohn
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AS the title of the latest E.P. suggests…
JohnlikeJohn have their suspicions regarding vegans! Their Vegans Are Evil Too looks at hypocrisy and meditates on the cruelty of the world – adding laughter and a dose of depreciation. I speak to their leader, John (oddly), as he explains how the band came together; the themes and ideas that are expressed in Vegans Are Evil Too; whether comparisons to Tom Waits and Joanna Newsom are welcomed – and how his/the band’s music differs from what is already out there.
I ask whether there are any gigs coming and why there is theatricality and drama in the live shows; some great new musicians we should check out and get behind – and why John’s Christmas is going to be a rather rustic and ‘unusual’ occasion.
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Hi, John. How are you? How has your week been?
Not too bad…umm; what's happened?!
I finally wrote a new song after the longest creative drought so far. I got a good idea for a music vid for it too - though it does mean saying goodbye to my hair.
At least it can be made into a scarf or a paintbrush (or something).
For those new to your work; can you introduce yourself, please?
My name is John.
Vegans Are Evil Too is the new E.P. What sources of inspiration go into it?
So...Vegans Are Evil Too, for me, is like a saying that isn't a saying - but it should be. A sort of statement to say, ‘don't take yourself too seriously: we’re all equally ridiculous’.
A generation of try-hards, though - I do include myself in that.
Are you guys big, hungry meat-eaters? Do you think vegans have a sneaky dark side?!
Well; from the age of...well; until the age of seventeen, I was a strict vegetarian, born and bred. It was only until my friend tricked me into eating a chicken fajita (told me it was Quorn) that I started eating meat.
It was like Eve biting into the Fruit of Knowledge; though it didn't enlighten me: it just made me hungry. I still hold a lot of the same morals towards meat, but I'm a hypocrite. Haha.
It's not just vegans who have a dark side: it's everyone.
It seems like Tom Waits and Joanna Newsom are influences. What is it about their music that draws you?
Joanna Newsom has that voice that makes you sad you’re not five anymore. I really like the contrast between her sweet somewhat naive voice and the darkness in her music. It's pretty much the same way I tackle hard issues - except I use comedy to soften the blow.
Tom Waits inspires the more theatrical side of my music; especially when we perform live. He's a proper song-and-dance man.
Your music has a quirky but accessible sound. Do you think too many modern bands are safe and predictable?
There's no doubt that music, these days, has become pretty vanilla (for the most part).
After decades of intricate musical and cultural evolution - from beatniks, boppers; Blues and beyond - we've ended up with Simon Cowell in charge. Oh, balls. So, yeah, artists definitely play it safe - but probably because, if they stray from the status quo, they won't make any money. But I get it. Kind of. We are continually being fed music and film that is so limp and unchallenging.
It's bland and tastes a bit like chewed gum.
As a result; people are genuinely becoming illiterate to the arts. This isn't to say there's not good work being done - there's plenty - but it lives in the shadows of the all-powerful combine.
Do you have favourite tracks from the E.P.? Is there that one moment that stands out?
Probably my favourite lyric in the whole E.P.: "Chicks just dig emotions" (from A Slice of Culture). It is something I used to say to my ex to get her angry.
Maybe it just works with exs…
Can you tell me how JohnlikeJohn came together? Is there a story behind the name, too?
Back in St. Ives, there was a guy named John. John couldn't go five seconds without saying “Like. What's your name? Umm, well; like, it's, uh John; like, um; John...like”.
Plus; it's a nice note on my own narcissism.
It seems like you have varied tastes. Who are the artists you grew up on?
Both my parents are mad on music. I don't think I know anyone with a more extensive vinyl collection than my dad. From post-War Jazz to Post-Punk; Surf-Rock and Samba. I honestly couldn't pinpoint a particular style that's directly influenced my music. It would be easy to say that British/American Folk is my main source of inspiration, and to be fair, artists like Bob Dylan, Joni Mitchell and Sandy Denny have shaped a lot of my style - but the same could be said for the The-B52’s and Frank Zappa.
Folk music is (just) the music of the people: it’s an art form that needs to be contemporary and full of new voices and opinions – otherwise, rather than being the voice of the people, it just becomes warm larger and Pete Seeger…and that's a tragedy.
IN THIS PHOTO: King Krule
Who are the new artists you recommend we check out?
King Krule is pretty cool...
Connan Mockasin is another one to check out. He looks like a blend between Andy Warhol and Philip Seymour Hoffman.
If you had to select the one album that means the most to you; which would it be and why?
Quadrophenia by The Who
It is such a powerful and beautiful album/film; so much so that I started wearing Ben Sherman and drawing the Mod sign in felt-tip pen on my bike helmet...
“We are the Mods; we are the Mods”.
What advice would you give to artists coming through right now?
I don't think I'm in the position to give anyone advice…well, not useful advice at least.
Just don't write shit*y songs about your ex-girlfriend who dumped you. But, if you do; write about how you pissed yourself you were so sad or how you put on all her clothes she left - and you kissed yourself in the mirror pretending to be her. At least it's real and makes you feel something.
The more embarrassing and frank you are about your own feelings; the more people will respond – because everyone's embarrassed.
Do you have any gigs lined up? Where can we see you play?
We play at The Islington (in Islington) quite a lot: it's a really good vibe and they have red-velvet curtains. So, it's a winner in John’s book. We've got a secret gig in the works. It's a biggie, so I can't say much.
Keep your ears pointed to my socials for more updates…
Your live shows have been noted for their sense of theatre and the peculiar. Is the stage somewhere you feel your music can speak without limits?!
At every gig, I imagine I'm the creepy compère from Cabaret - and that the rest of my band are sexy Parisian femme fatales. The reality is I usually look like a homeless cowboy at gigs - and the rest of my band are as much femme fatales as I am a teapot. My ‘origins’ are from working in theatres; which has shaped how I go about performing and preparing for a show. Usually, I decide on a character for the show. My favourite at the moment is Truman Capote (the excessively camp artist).
But, for the most part, I just get up on the stage and leave most of who I am in the wings - and (just) go crazy in front of the crowd and hope they like it.
Christmas is not too far away. Do you have plans already - or will you be busy working?
I shall be returning to Cornwall to spend Xmas in my mum’s caravan; looking forward to bathing in an oil drum full of rainwater.
Yay.
Finally, and for being good sports; you can name a song and I’ll play it here (not one of yours as I’ll do that).
B-52’s - Strobe Light
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INTERVIEW: Ashes and Dreams
INTERVIEW:
Ashes and Dreams
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THE amazing duo Ashes and Dreams certainly…
distract one’s mind from the cold and wind with their hot single, Havana. It puts the mind and body in the Cuban capital and erases the sensation of a cold winter. Lisa (from the duo) talks about their formation and what other music we can expect from them; the sounds and artists that have influenced their own music; the festivals and dates they are involved with this/next year – what Ashes and Dreams hope to achieve next year.
I find out whether the guys will perform in the U.K.; whether the long-distance duo (they are split between the U.K. and Canada) have any ambitions already for 2018; some new artists we should get behind – and some useful advice for any ambitious songwriters coming through right now.
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Hi, guys. How are you? How has your week been?
Hello, Sam! Our week has been fantastic – thank you.
We just finished performing our Chillout Groove Experience show at Selkirk’s Holiday Alley on the weekend with bass player Kris Kosie and keys player Paul Claxton (an outdoor festival – even frozen fingers and lips didn’t stop our performance!).
Liv and I also released a new episode of our Indie-Dance/Deep-House podcast, The Dream House…and we are, of course, busy promoting our new album, Havana.
For those new to your work; can you introduce yourself, please?
We are Ashes and Dreams; an Electro-Chill project originally started by myself (Lisa Saunders) and my lovely, talented bandmate, Liv Mircea. I live in Winnipeg, Canada - while Liv lives in Weston-super-Mare, U.K.
Despite the distance, we make our project work (and communicate daily).
Havana is the new track. What is the tale behind it?
Havana is the tale of two lovers dreaming of an escape to the sunny city of Havana. Lyrically, it’s based around a real-life trip my partner and I took to Holguin, Cuba, a number of years ago. Since then, we’ve had two children - and leisurely escapes to exotic destinations aren’t as often. It’s a wistful song of reminiscence.
Musically, I love hearing Liv’s influence, as he grew up in a one-time communist country (Romania) - and his father was a great admirer of communist leaders like Fidel Castro and Che Guevara.
It seems the track implores people to get away and experience something hot – like being in the Cuban capital! Was that thought in your mind when writing this?
The lyrics were written during the biting-cold Canadian months during a challenging day...
I felt like grabbing my partner by the hand and taking him on a last-minute flight to Cuba to get away from here for a bit. However, that’s not so easy when you have many obligations. We probably went skating or tobogganing instead. L.o.L.! Musically, even though it is a Chillout-Dance track; Liv said he channelled a Led Zeppelin vibe into the production of this song.
Will there be any more material coming from you guys? What are you working on?
Yes, always.
We have been experimenting with more of a Deep-House sound this past year and hope to debut some of that work in 2018. We’re also busy lining up our 2018 concert-season and will be looking forward to playing the festival circuit next summer. It’s so much fun taking our music on the road: you really do get energized by the crowd.
Aside from that; we’re super-busy with our podcast, The Dream House.
Can you tell me how you guys got together at the start?
Certainly.
Liv and I were originally in a different band together years ago - when we both lived in Toronto, Canada. I have so many fond memories of hanging around with Liv, rehearsing at Wallace Studios; writing and hanging out at his place with his then-partner (both of whom are fantastic cooks). We reconnected in 2013 and decided to start a new project, Ashes and Dreams, as a long-distance songwriting collaboration.
Liv and his new partner, Ana, are our best friends.
What sort of music did you grow up with? Do you have quite varied tastes?
Liv certainly does! He counts Eagles, Queen; Rachmaninov, Led Zeppelin; Mussorgsky, Tchaikovsky; Yes and Genesis as major influences growing up.
Personally, I was raised in a family that treasured harder Rock & Roll music (my dad and older sister loved Led Zeppelin, Pink Floyd; Heart, etc.) and for my mom, Christian music (I must know the lyrics to hundreds of Christian hymns). We would, literally, have Christian programming like Focus on the Family airing on the kitchen radio; then Living Loving Maid (She’s Just a Woman) blasting out next in the living-room. However, one day my dad played a record by Kraftwerk (The Robots, purchased from a garage-sale), and I was immediately scared, intrigued and hooked.
I love Electronic music and was more drawn to Devo, The B-52’s; then Depeche Mode, Kate Bush; Bronski Beat...anything that created a sonic atmosphere with innovative synths and melodies.
I am interested finding out what is the music scene like in Canada. Does it vary a lot depending on state and province?
As Canada is a mosaic of many different cultures; you can find literally any kind of music being performed here. That’s one of my favourite parts of living here. We have a francophone festival (Festival du Voyageur); multi-cultural festival (Folklorama - with the Indian pavilion being my favourite) and Winnipeg Folk Festival that showcases artists from around the world - from African to Australian acts.
In the Canadian Prairies, where I live, a lot of people like Country and Western music, Classic Rock; plus, like everywhere else in the world, Top-40 music. But, we also have a great E.D.M. scene and quite a few Electronic music festivals scattered throughout the country like Connect Festival in Saskatchewan - that Ashes and Dreams performed at last year - and MEME Festival here in Winnipeg.
IN THIS PHOTO: Skreamz
Who are the new artists you recommend we check out?
Oh! Where to begin?
Liv and I are doing a new podcast where we dig up new treasures to listen to. For new Indie-Dance acts, we really like Mert Omd and Skreamz’s new C.D.s; plus Mr. Agabiou, Ragasur and Chinmayi Tripathi.
Also; Litany, Nora En Pure and Dragonette.
IN THIS PHOTO: Nora En Pure
If you each had to select the one album that means the most to you; which would they be and why?
Liv says Relayer by Yes - but can’t explain why. Knowing some of Liv’s work as a painter; I can see why he’d select a Progressive-Rock album.
I find this such a hard question to answer - as there are so many. If I had to pick one, though, it would be Reach the Beach by The Fixx.
Can we see you perform anywhere soon? What gigs do you have lined-up?
We are taking our Ashes and Dreams Chillout Groove Experience show to the St. Amant FM Café on Feb. 2 and Portage la Prairie Concerts in the Park series on Aug. 2. Still signing the ink on the rest of our upcoming shows - but you can follow us on BandsInTown as we add them.
Do you plan on coming to the U.K.?
Yes. We were there in 2015 for a trip to Liv’s daughter’s wedding. Hopefully, will be there soon to play some concert dates.
What advice would you give to artists coming through right now?
Liv says: “Work, work, work! No pubs, no cinemas; no holidays, no booze; no drugs. Be ready for a lifelong battle. Haha”.
Dedication definitely is a virtue when it comes to creating music. Please make time for your music, despite life’s challenges and your own self-criticism. Embrace the fact it is so easy to record music now and do it!
This is the spirit of our song, Voice Inside.
Christmas is not too far away. Do you both have plans already - or will you be busy working?
Liv will be taking the time to get some work done - especially as he was just home to Cluj in October I can’t wait until my sister, Christina, gets here with her three boys - so we can enjoy a big family Christmas at my sister Julie’s place.
Do Ashes and Dreams have a plan for 2018? What do you have in mind?
Work as hard as possible to promote our new album, Havana; perform as many gigs as our schedule will allow, song-write for our next album; produce our monthly podcast and explore more collaborations with fellow artists...
On a personal level: approach each day with gratitude.
Finally, and for being good sports; you can each name a song and I’ll play it here (not one of yours as I’ll do that).
Liv: Say My Name – ODESZA (ft. Zyra)
Lisa: Litany - Bedroom
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Follow Ashes and Dreams
Official:
http://www.ashesanddreams.com/
Twitter:
https://twitter.com/ashesanddreams1
Facebook:
https://www.facebook.com/AshesAndDreams1
SoundCloud:
https://soundcloud.com/ashes-and-dreams
YouTube:
https://www.youtube.com/channel/UC5AxSYM06KfiDgw3GuPUOFw
Spotify:
https://open.spotify.com/album/3i5CLDx6n1rG0EIwYrO4eX
INTERVIEW: Tatyana
INTERVIEW:
Tatyana
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IT is rare discovering an artist…
who can be found on stage with a laptop and harp! There is nothing predictable, ordinary or boring about Tatyana. I speak with the itinerant songwriter about her upcoming single, Runaway, and whether there is going to be more material soon. She is based in the U.K. but has spent years abroad in Boston and Singapore – and she is half-Russian.
All of this brew and worldliness combines in her music: a rich and fascinating concoction that mixes Pop and Classical strands into something fresh and alive. I speak to her about her blossoming and evolution in music; whether she has clear plans for 2018; if the Christmas period is going to be a tranquil one – the music she loves and is influenced by.
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Hi, Tatyana. How are you? How has your week been?
Hi, Sam! I’m very well, thanks.
My week was great – I got to see some old friends and my dad was in town for a few days, too.
For those new to your work; can you introduce yourself, please?
I’m a harpist, singer-songwriter and producer. I like to combine all of it together – running my harp through all sorts of crazy effects; adding lots of lush vocals and electronic production. I call it ‘Harp-Pop’ - a genre I don’t think really exists yet.
My background is pretty mixed-up, too – I’m originally from London but have spent the last seven years abroad in Singapore and Boston, U.S.A. I’m also half-Russian, hence my name (Tatyana).
Runaway is your forthcoming single (out in December). Can you reveal the story and background of that song?
Runaway came out of a jam with some friends from Berklee.
We were in a rehearsal and started messing around in Ableton – the main groove came from that. I wrote the lyrics that same night. A lot of my songs deal with transitions, escapism and identity. I’ve lived in a lot of different places and that means I’ve had to leave lots of good friends behind when I move.
Runaway is about taking that special someone with you into the next phase of your life.
These are early days but is there going to be more music coming down the line? What are you working on?
I’m sitting on a lot of new music that I’ll be drip–feeding my audience over the next few months. Since I left Berklee (two months ago), I’ve gone through a total creative shift which has opened me up to new possibilities in my sound. I’m keen to capitalize on that - so I’ve been working on new material that feels like an evolution from my older music.
There’s a very natural progression which I think is important for my audience to see. They can follow my musical journey on Instagram and see how I develop.
You are a classically trained harpist. When did you first take up the instrument? What is it about the harp that attracts you?
I was a Classical pianist first – and started playing when I was three-years-old. When I was about ten or eleven, living in Moscow and attending a Conservatory there, I decided I wanted to play another instrument. They only had a few options for me: one of which was the harp. After seeing it for the first time, I just knew that I had to play it. I love the harp.
There’s so much beauty there - not just in its timbral qualities, but in the aesthetic of the instrument itself. I find it incredibly calming and therapeutic to play and to listen to. There is also a rich history connected to the instrument – there is some form of a harp in every culture and society throughout time.
I think that’s really special.
The Classic sounds fuse with a dark atmosphere and modern production. Are there are particular artists, doing similar things, that inspired you to take that approach?
Electronic-Pop is having a moment right now...
There are lots of amazing artists out there who are absolutely fantastic. I find James Blake, Grimes and Kimbra are some of my biggest inspirations. They are all self-produced artists which I think we will be seeing more and more of now - that it’s become increasingly easy to make music in your bedroom.
I love having total control of my output and being able to create something exactly how I hear it in my head.
I believe you are back in London – having studied Electronic Production and Sound Design/Performance at Berklee College of Music. What was that experience like?! Have you learned a lot you are going to bring to your new music?
Berklee is an incredible place – there are four-thousand musicians in the college, which means that you’re surrounded, supported and challenged by some of the most talented musicians in the world. It was an intensive program and I got so much out of being in that environment.
Having said that; I’m quite keen on ‘de-programing’ myself now - and learning to look at music through an emotional rather than an analytical lens again. Berklee gave me many tools, including a deep-rooted love and understanding of Jazz harmony, improvisation and production.
All of the things I’ve learnt and studied will have a ripple-effect on my musical output - but we will have to wait and see as to how exactly it will manifest itself!
What is the scene like in Boston – where the college is located – compared to the U.K.? Did you get a lot of time to play whilst over there?
I’m very new to the U.K. scene, so I can’t make a comparison quite yet…
But, Boston has a thriving local music scene, as well as being a funnel into the N.Y.C. scene also. I played in a few different bands, including a staple of the Boston scene – Jaggery – an Avant-Garde/Rock-Chamber group featuring viola, double bass; harp, voice; drums and keys. Boston (specifically, Allston) also has a unique underground basement show scene - which was a lot of fun to be around and to play in. Although it tends to lean towards Rock/Punk genres, there has been a recent surge of Electronic music being showcased, too.
Some of my favourite shows I played were in Allston basements!
Often, there is a difference between being a musician and artist. Do you feel you have had to learn new disciplines to transition to a fully-fledged artist? Has it been a hard transition?
I feel like I’ve always been an artist first - it was really at Berklee that I started to take on a ‘musician’ role – from being a side-woman in other people’s bands; to playing background music gigs with the harp or working as a session harpist. I feel like in those sorts of situations your duty is to serve the music; whereas an artist’s role is to create a mythology and embody the music you create.
I’m coming back to that feeling more and more now - and I’m finally in a place to actualize it.
IN THIS PHOTO: Yaeji/PHOTO CREDIT: Lydo Le
If you had to select the three albums that mean the most to you; which would they be and why?
Oooof. That’s a hard question! Okay...
Currents – Tame Impala
I just love this album so much. It’s one of the few albums I have saved on my phone - I always listen to it when I’m travelling. Just perfection in the production, songwriting and arrangement.
Black Radio – Robert Glasper Experiment
A friend showed this to me during my very first week at Berklee - and it changed my life. I’d never heard harmony like that before. It sort of shaped my path at Berklee and opened up my interest in Jazz.
Begin to Hope – Regina Spektor
I don’t really listen to this as much anymore because I beat it to death when I first discovered it - but Regina was really my first deep musical love and a huge inspiration to me growing up. She’s half-Russian, like me, and also comes from a Classical background. I learnt how to play all of these songs and I think there’s still a (cringeworthy!) cover of Us on YouTube somewhere.
Can we see you perform anywhere soon? What gigs do you have lined-up?
For now, I’m taking some time off to reconfigure my live set; so you won’t be able to see the Electronic set until the New Year. Until then, I’m doing open mics to test out some new songs I’ve been writing. In the New Year, I’m going to Sweden to play a show with a dear friend and collaborator, Matilda Gratte.
She’s amazing; check her out, too, if you get the chance!
I can imagine your live set consist a laptop/technology with the harp. What can we expect from a live show? Is it quite a modern set-up (on stage)?
I run my harp through Ableton on my MacBook and have a couple other pieces of gear like a vocal harmonizer and some Midi controllers. I’ve got a new addition, too, which is my Korg Minilogue. I can’t wait to incorporate it into my live set-up. It also depends…I perform solo but have also performed in duo and trio configurations - which means I change up my set up to accommodate the other musicians.
What advice would you give to artists coming through right now?
Turn off your phone and focus on your art.
There are so many distractions in the world right now and there’s a pressure to be always available - but that can be a difficult environment to create in...
Without focus, it’s impossible to get better.
Christmas is not too far away. Do you have plans already - or will you be busy working
I think this will be my first Christmas at home with my family in London for a while. I’m really looking forward to it.
But, other than Christmas Day itself; it’s going to be the same old grind for me!
Finally, and for being a good sport; you can name a song and I’ll play it here (not one of yours as I’ll do that).
Shake Em Off by Syd
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Follow Tatyana
INTERVIEW: AVEC
INTERVIEW:
AVEC
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AUSTRIA is a nation I have not visited…
for quite a while. I am excited to discover a great songwriter from there - AVEC is someone who excites me and has released the remixes of her song, Waiting For. The E.P. includes versions by Electronic producers Alex Schulz, HOUT and Nora Medin. First to rework the track was acclaimed producer Alex Schulz, who has a string of successful remixes in his wake. I ask AVEC about the remixes and why she decided to release the E.P.; the artists who inspired her to get into music; whether there are any tour dates coming this/next year – and what plans there are for new music.
She tells me about her current material and how it differs from 2015 E.P., Heartbeats; a couple of new names we should all keep our eyes on; the three albums that mean the most to her – and whether this Christmas will provide a chance for rest and reflection.
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Hi, AVEC. How are you? How has your week been?
Heyya. I am fine, thank you - and my week has been great so far!
How are you?
For those new to your work; can you introduce yourself, please?
My name is AVEC. I am a singer/songwriter from Austria.
I started writing my own songs in combination with the guitar when I was about fourteen-years-old. In 2015, I released my first E.P., Heartbeats, followed by the debut record, What If We Never Forget, in 2016.
I have been touring in Europe with my band and now we’re working on the second record - which will be released in 2018.
Waiting For (Alex Schulz, HOUT and Nora Medin Remix) is your new single. Can you tell me about the song and how you came to work with those guys?
I wrote the song, Waiting For, during a car-ride with my best friend. The clouds were impressive that day and we were like driving right into the sunset - it was such a pretty atmosphere.
The main topic of the song is, probably, that our entire human journey through life is somehow about 'waiting‘ - it’s like a constant condition - we are all kind of waiting for something or someone - and this can sometimes be really depressing and disappointing.
We connected via Facebook. They were all interested in the song and had the idea of remixing it; so I thought, 'why not‘ - let’s try this and it worked out pretty well, I guess.
This is the latest release of the remixes selection. What was the reason behind bringing in other producers/artists to rework the material?
It was actually just kind of an idea to try something new...
I really like to listen to remixes of artists or songs I am into - it’s interesting how a remix can change a song in a good way or in a way you never thought of it before.
Is there a particular remix that stands out? Is there a single song that, you feel, has been heightened and improved?
I really like all of them. It’s kind of hard to say which is my favourite one - cause they are all different.
Your music reflects heartbreak and life experiences. Is it quite cathartic putting these subjects into your music?!
It is, actually. I am not really good at talking about my feelings and thoughts; so my music helps me out with that. Anything that kind of bothers me or is on my mind, I try to put into my lyrics and music.
I notice a development between your 2015 E.P., Heartbeats, and your latest work. Do you feel like you have grown as a writer/singer?
Definitely. At the time we recorded the E.P. I was nineteen-year-old and I didn’t know anything about music or the music-business – so, it was like jumping into cold water. Now, I know a lot more about how I want my record to be, how it should sound; how I want the lyrics to say what I mean and so on – so, I definitely grew with every year.
Is there going to be a new release next year? What are you working on right now?
There will be a new record 2018 and I am more than excited about it - I am currently working on it.
IN THIS PHOTO: Max Parvosky
In terms of the musicians you are inspired by: do you take great guidance from new talent or older sounds? Which artists do you admire most?
I think I am more into older sounds: I love Michael Jackson for example, or B.B. King; Prince...
I admire Bon Iver, Ben Howard; The Lumineers and Keaton Henson (and, of course, many more...).
These are amazing artists with a lot of emotions and love in their songs and music.
IN THIS PHOTO: Gordi
If you had to select the three albums that mean the most to you; which would they be and why?
Oh; that’s a tough one!
Bon Iver - For Emma, Forever Ago
I love this one because of the lo-fi-recording and the ton of emotions and feelings Justin Vernon captured. I can listen to the record over and over again and I still get goosebumps - it’s perfect.
Michael Jackson – Thriller
Well; this was probably the first record I’ve bought and it is still amazing - my two favourite songs from this album are Human Nature and P.Y.T.
Kings of Leon - Only by the Night
K.O.L. are one of my favourite bands and, even though I like the older records way more than the new ones, this one is very special to me because of the last song, Cold Desert - it means a lot to me!
What advice would you give to artists coming through right now?
I think the most important thing is to love and to enjoy what you are doing and to believe in yourself.
Be yourself and don’t try to be somebody else.
What tour dates do you have approaching? Where can we see you play?
I am going to play at the Eurosonic Festival in January; a few concerts in Austria during the year, and in autumn, I and the band will be on tour with the new record (but there are no explicit dates yet).
Christmas is not too far away. Do you have plans already - or will you be busy working?
I’ll spend the days at home with my family - and probably work on a couple of new songs.
What are your aims for 2018? Do you have a game-plan you hope to fulfil?
First of all; I will release my album and play a couple of nice gigs...
Finally, and for being a good sport; you can name a song and I’ll play it here (not one of yours as I’ll do that).
Boots of Spanish Leather by Bob Dylan
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Follow AVEC
Official:
Twitter:
https://twitter.com/avec_music
Facebook:
https://www.facebook.com/officialAVEC/
Instagram:
https://www.instagram.com/officialavec/
SoundCloud:
https://soundcloud.com/avec_official
YouTube:
https://www.youtube.com/channel/UC4vbbYmRRVuXGPlagPGIS6g
Spotify:
INTERVIEW: IYKZ
INTERVIEW:
IYKZ
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IYKZ is a promising and talented…
Rap artist who has revealed his mixtape, Kings Crescent on Queens Drive, to the world. IYKZ has Nigerian roots but was born and bred in Hackney. It is a part of the world that rings true and remains in his heart – growing up on the council estate, Kings Crescent. IYKZ started as a Garage M.C. at fourteen - and has since blossomed into one of the capital’s hungriest and most exciting young artists.
I learn more about the mixtape and the influences that go into it; whether estates are becoming gentrified, or it is important they retain their roots; what comes next in terms of plans and any potential performance dates - and a few great albums that have inspired his own music.
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Hi, IYKZ. How are you? How has your week been?
I’m good. Thank you for asking! It’s been a rollercoaster, but what’s new? Haha.
For those new to your work; can you introduce yourself, please?
My name’s IYKZ. I’m a Rap artist and songwriter from the north-side of Hackney, London (U.K.).
Kings Crescent on Queens Drive is your new mixtape. What sort of sounds, themes and stories inspired its creation?
This project is about my roots, the estate where I grew up; the streets that raised me - so it was only right that went back to the art of Rap music on East Coast production. That is what I grew up listening to; mainly via artists like Nas, Wu-Tang Clan; Jay-Z and Bone Thugs-n-Harmony.
The mixtape follows the song, B-NO. What is that song all about? How did it come about?
B-NO’s is the ultimate reminder.
Even though it’s been a busy year for me; I’m still a new artist to most people and they tend to always ask “Why don’t I know about IYKZ?”. L.o.L.
So; I’m just saying that I’ve been here all along in my own little corner grinding away…earning my own stripes….
Are you already working on music for next year? What is in your mind right now?
I am! I’ve already written my next project - which will be my most personal and honest project to date. Can’t say too much right now, but it’ll be out before you know it!
It seems like you take inspiration from modern Rap/Grime artists. Which artists are you inspired by? Did you grow up with a lot of different music?
Yeah. I’m inspired by anyone doing great things, nationally or internationally. I like Skepta and Stormzy to Big Sean and Travis Scott; to James Blake and 6lack.
Growing up, I soaked in a lot of African music; just around the house and at parties but, also, a lot of Michael Jackson, Phil Collins and Tracy Chapman…hence, my wide range in taste.
Tell me about Hackney and your connection to it. How integral is the heartbeat of the street to your personality and music?!
Hackney is home.
I lived there for twenty-one years and still visit often: it’ll always be home to me. That’s where I learnt how to walk, talk - and many other life lessons I just don’t think could’ve got elsewhere. I’m very grateful to have Hackney in my heart - and it shines through in my music.
It gives me that raw edge others may not have.
It seems like the vivid scenes and social poverty of the estates affected your drive and outlook. Living in the ends; being around that much danger; what has the major impression been on you? Does it make you want to tackle the problems in estates – or is it a way of life that should remain?
It definitely did, but it’s not the same around there as it was when I was growing up. The things I was surrounded by, such as daytime prostitution and other crimes, are no longer. Most of my estate-blocks have been knocked down and there’s a big development process going on there. Gentrification has played a huge part - and it can only be a good thing.
I can only be grateful for taking the elements I needed from it when I did.
The likes of Charlie Sloth and DJ Target are among your supporters. How important is their backing?
We live in an influencer world now, with the emergence of social media and streaming platforms. There are so many artists trying to make it more than ever; so, these key figures are of even more importance now - to let people know who they should be listening to.
I just pray they continue to support and, hopefully, I’ll grow more of a platform from there.
What message would you give to your supporters out there?
Thank you for your patience and all your support. I may not have the biggest fanbase or platform right now - but I’m gonna keep working to realise my dreams.
So; stay tuned!
IN THIS PHOTO: PnB Rock
Who are the new artists you recommend we check out?
Check out A2. A dude from London. He got bars, for sure. PnB Rock has got those dope melodies on Rap/R&B. Check for him, too.
If you didn’t know already; make sure you’re up on Maleek Berry. He’s the future of the Afropop world. (We got more music coming next year, too!).
IN THIS PHOTO: Maleek Berry
If you had to select the three albums that mean the most to you; which would they be and why?
Tough question but, if I had to choose, I’d pick Nas – Stillmatic
This was what I was listening to as I was transitioning into Rap (from a Garage M.C.).
Michael Jackson – Thriller
Doesn’t really need an explanation, does it?! Haha.
Lastly; my latest mixtape, Kings Crescent on Queens Drive; as I feel it really defines me as an artist and a man. I really tried to put my personality into the art - so, the listener will know me by the end of the project.
Can we see you perform anywhere soon? What gigs do you have lined-up?
I’ve just had a headline show - which is the last of the year. But, stay tuned to my website and social media channels for updates on where I’ll be next!
What advice would you give to artists coming through right now?
Stay consistent, content...content and more content. This digital age is so fast that you’re easily forgotten if you aren’t constantly in people’s faces.
So...stay on your job and great things will happen!
Christmas is not too far away. Do you have plans already - or will you be busy working?
I’m gonna be busy working on the new project!
Haha. But, yeah; no real plans at the moment. As long as there’s good food somewhere, I’m turning up! I'm not really one for presents etc. (that’s for the kids) …but food? With mulled wine?
That’s my kinda Xmas. L.o.L.
Finally, and for being a good sport; you can name a song and I’ll play it here (not one of yours as I’ll do that).
No Security by the great Skepta! Dope record; love the beat!
________
Follow IYKZ
Official:
Twitter:
Facebook:
https://www.facebook.com/iykziykz/
Instagram:
https://www.instagram.com/IYKZIYKZ/
SoundCloud:
https://soundcloud.com/IYKZIYKZ
YouTube:
INTERVIEW: Young Jesus
INTERVIEW:
Young Jesus
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AN original and terrific band is harder to find…
that you might imagine! Fortunately, as I find out; the L.A. band, Young Jesus, are guys worth sticking with! They discuss their upcoming album, S/T, and how it differs from their past work; how the band got together; what the remainder of this year holds; whether there is a strong and changing music scene in L.A. – the songs/albums that mean the most to them.
I ask whether a trip to the U.K. is a possibility and details about their new single, Feeling. The video is a stop-motion wonder and shows the detail the band put into their music. Young Jesus tell me about the importance of preserving music’s traditional formats; being compared with Broken Social Scene - if they have a busy Christmas lined up.
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Hi, fellas. How are you? How has your week been?
Hey! We're good.
It's been an exciting week - announcing our release with Saddle Creek and all. But, also, very normal. We're back from tour so we're also back to our jobs (I (John) work at a bookstore called Skylight Books; Kern and Marcel work at the coffee shop down the street, Eric works at a cafe in Glassell Park...
It was Kern's birthday this week and we're all gonna hang out tonight and maybe do some karaoke - where I plan to sing Walking in Memphis by Marc Cohn.
For those new to your work; can you introduce yourself, please?
We started out in Chicago and now we're located in Los Angeles. We've been a band for about ten years. We do a lot of improvising and try to incorporate a lot of different influences into our tunes - from Jazz to Noise-Music to Indie-Rock.
Really…whatever moves us, which is a wide range of stuff. We try to push ourselves and trust each other as musicians and friends and try to examine extremely 'loud zones' and 'quiet spaces' as contrasts to one another. I, as a lyricist, tend to write a lot about emotion, anxiety and the sort of dissonant quality of life I feel every day…
That things don't quite fit together - but that there is (also) a beauty within that.
You have a new album, S/T, out in February. Can you talk about its title and the themes you address on it?
I like the way S/T looks.
It's both really banal to me and also carries with it a kind of crack that leaves some room - which is how I feel about just about everything. Not that things are really banal, but there are cracks in perception and solidity everywhere and they are worth investigating.
That's where life gets interesting and engaging.
PHOTO CREDIT: Killian Young
Otherwise, I end up just drifting along and not giving people the kind of attention and care they deserve. No one is ever what they present on first blush - which is a thing that is very hard to embrace while working retail all the time. The second you give yourself or someone else pause…you can allow yourself to be vulnerable and learn in that moment. That's the goal: to learn from the smaller and larger imperfections and mistakes of a life, to feel them and know them daily and not allow that darkness to take over - but rather to continue to embrace it with vulnerability and sincerity.
The implied title is "green river eddy under desert feeling storm" which was my attempt at a kind of poem. I was very taken with ancient Chinese poets like Wang Wei, Wang Anshi; Su Hui, Hsieh Ling-yün. They gave me a kind of ability to sit in contemplation and to allow simple moments to unfurl into a much larger feeling. Also, Clarice Lispector and Joy Williams: writers who get at the sort of impossibility of living and perceiving accurately and perfectly...
The frustration and (also) the funny stuff that comes from that.
PHOTO CREDIT: Emily Quirk
Feeling is its leading track – it is nine minutes long! Was it an easy choice choosing that song as a single?! Do you worry its length will mean few radio stations playing it?!
I think Feeling gets at the things we're looking to do as a band.
It doesn't give easy answers and hopefully just opens up a space for thought and interaction. If we made music based on what we thought radio stations would play, we would be very sad people. I know that is not true for a lot of people - and I have no problem with radio-friendly tunes. I love a lot of them.
But, for Eric, Kern; Marcel and I, to write according to those restrictions would be a consumer-based constraint that would be hard to live with…and I don't mean consumer like a listener, but rather a large and mysterious and corporate kind of cloud that is interested in feeding us certain things to operate within a certain system.
I don't think listeners really want that; especially now. There's something rotten in our culture and I think making things that glide along within our culture without questioning and investigating that rottenness can be troublesome. I think there's a hunger out there for an escape that should be represented. Even if it's just a few people, that's exciting. Why do so many people need to like your band? Well, money, yes. But music is a love for us - and money has a very difficult relationship with love. I don't have answers here really, but it's things we're trying to think about..all the while, I still understand if people do this for money.
It's really hard to live - and I admire anyone who gets through it. The contexts and circumstances of life are too vast to say, "This is it. Do this".
The video is stop-motion and features poetry and artwork in a visual collage. How painstaking was the creation and what was it like working with John Rossiter’s (Vocals/Guitar) work on the video?
Well, it was very cool to work with myself: I work with me and not-me all the time. I will say I am very difficult sometimes - and also, sometimes, very demanding…and, also, sometimes completely uncreative and stupid. But; I got to sit down with my friend Jordan Epstein and draw for twenty hours. I try to see a thing like a video as an opportunity to go into artistic spaces I haven't explored yet - and to test the bounds of my mental endurance.
Jordan will tell you I don't handle that very well all the time. But, it was, overall super-fun. Jordan is an old friend, so doing something so meditative allowed us to talk for a long, long time; really dig into some things - which is what I hope all of this is.
A kind of extended community where we have some time to talk and think.
People will take great interest in the L.P. Do you get nervous about reviews – how do you hope the record will be received? What has it been like signing to Saddle Creek, too?
Saddle Creek is a very natural fit for us.
We all get along really well and I think we have a kind of natural understanding of how we all live and hang out (and work.) Any sort of worries I had about working with labels has been dispelled: they're very supportive and, most importantly, good people.
Reviews will be what they will be: some people may love it and some may hate it. Or it could be very bland. But; the work itself does not define who we are. We're interested in the process of living and how we treat people day-to-day. The record's not a holy object - it changes every time we play it live, anyway. It's just a moment in time. I'd be a robot if I didn't say I hope it will be received well but, no matter what happens, it won't change the friendship and love that the four of us share...
That relationship is the cool/important thing.
Have you noticed a difference, in terms of sound and confidence, between Grow/Decompose and S/T?
Grow/Decompose was recorded with a very different band. Kern and Marcel were not on that record - and Eric wasn't featured as prominently. I tried to impose a lot of my intention on Grow/Decompose - whereas S/T is way more collaborative and open. We're trying to give each other trust and room to breathe. If we have any sort of confidence, it comes from the fact that we know each other and we have created this mode of playing together.
We believe in the thing we are doing - and we believe in each other's ability to speak and respond in kind…
How did the band get together to start? Tell me about those early days…
Woof. I left a small college in Ohio to join a band with my friends. We practiced all the time with our three acoustic guitars. It was a pretty innocent thing: somewhere between Indie-Folk and Emo. We were just having a lot of fun; being with all the drop-outs and working our weird jobs in the suburbs.
But, we were drinking too much and it was an unsustainable thing. At some point, I felt the need to be dedicated solely to the music and have the rest of it fade away. I felt irresponsible trying to play tunes and be optimistic while I was drinking heavily and very depressed. It deserved more thought; more consideration...
Not just in terms of the music...but in how a life can grow in parallel with it.
You have been compared with the likes of Pinegrove and Broken Social Scene. It seems you have a very modern aesthetic. Who are the artists you all take inspiration from?
Hmm. Kern loves Sun Ra and Anthony Braxton - and Zach Hill and The Fall. Marcel is a classically trained guitarist and composer. His interests are incredibly varied and exciting. He also grew up playing in Punk/Ska bands in Los Angeles. Eric loves ambient music like Stars of the Lid and Sigur Rós and many (many) other things. Jazz too; Bill Evans specifically. I'm very into Burial right now.
I love the later Talk Talk stuff and Mark Hollis' solo record. I love Yo La Tengo. I love Broken Social Scene. I love the new Colleen record. Grouper; Julianna Barwick; Steve Hauschildt. Alice Coltrane; Duster; Thelonious Monk. In high-school, Kern and I were both very very into At the Drive-In. A lot of the band is fusing those early Emo/Rock influences with our current interests.
I know S/T will be released on vinyl. It seems you are attached to traditional forms and methods. Is it important preserving music’s past, do you think?
That's a big question...
Music brings me immense amounts of joy and a lot of that comes from old stuff. But; the people who do the preserving tend to have a certain lens and worldview - and, usually, they've won something or hurt enough people to gain access to the ability to preserve things. So, maybe preserving can be cool. But; what is preserved does not come from an even playing field.
The act of preservation can often be a way to build a consistent cultural narrative and, like I was saying earlier, our cultural narrative is relatively fuck*d.
L.A. is where you are based. What is the city like for a young band?
The scene is really great here. Lots of excellent artists like Media Jeweler, Wreck and Reference; Pastel Felt, Fragile Gang; Jurassic Shark, Kera and the Lesbians; Goon, Slow Rose; New Balance, Young Lovers and Traps PS.
It's a place we feel very comfortable in that is very open to experimentation.
If you each had to select the one album that means the most to you; which would they be and why?
Hmm.. My mom bought me Abbey Road on C.D. when I was a kid. I listened to that on my Discman constantly - Golden Slumbers blew my mind for some reason. I like melodramatic stuff. When Paul says "SMIIIIIIIIIILES AWAAAAKE YOU WHEN YOU RISE" in that ridiculous growl I just lose my smoothie completely. I love it.
I sang Octopus's Garden in an a capella group in the fourth-grade.
Can we see you perform anywhere soon? You guys coming to the U.K. next year?
Hopefully, in 2018!
We'd love to play in the U.K. Visit some bookstores. I'd love to go on the same walk through the Suffolk W.G. Sebald did in Rings of Saturn.
What advice would you give to artists coming through right now?
Be yourself and be insistent on the thing you love. But, make sure you consider the context and circumstance you operate within.
You do not exist in a vacuum: art does not exist in a vacuum.
Christmas is not too far away. Do you all have plans already - or will you be busy working?
I'm gonna get a tree, probably, and make some paper ornaments. We'll probably all hang out. I'd like to have a Dogby then - but I won't. Maybe Eric and Jordan and I will make latkes for Hanukkah.
I have to ask, as you are called ‘Young Jesus’, if you, like Jesus, disappeared for three days – I know he was crucified – how would you spend that time off the grid?
We would spend it contemplating how to return to the world in the spookiest way possible - so that people would think we did it all for them and that they might have done a lot of bad things in their lives…but it was alright, because it's very hard to live a perfect life - and that they would be forgiven.
But; we'd also be thinking about how to let these people know we were never coming back after this brief stint hanging out as ghosts and that they should really figure out how to love each other - because there will be no judgement other than the one you ascribe to yourself.
Finally, and for being good sports; you can each name a song and I’ll play it here (not one of yours as I’ll do that).
Slice by Pope
Longer Repose by Pretend
Ambulance Blues by Neil Young
By Your Side by Sade
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INTERVIEW: Luke Daniels
INTERVIEW:
Luke Daniels
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THERE is so much to talk about…
when it comes to the awesome songwriter that is Luke Daniels. His album, Singing Ways to Feel More Junior, is an intriguing concept - and one I was eager to discover more about. Daniels explains its prerogative and stories to me. I ask him why he chose to cover the Stevie Wonder classic, Don’t You Worry 'bout a Thing; whether there is going to be any fresh material next year; if the current reign of President Trump is a topic he has been compelled to address – and what tour dates he has approaching.
Daniels tells me about the music he is inspired by and what the future might hold; some classic albums that are dear to his heart; how this Christmas is looking for him – and what exactly an ‘Electrophon’ is!
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Hi, Luke. How are you? How has your week been?
I’m on the third day of a seventeen-date Christmas tour with the Cara Dillon band - something I also did last year. For me, it’s a chance to spend time with a group of friends that I’ve been working with for almost a decade now. So; something to look forward to.
The shows are selling well - and I’m feeling quite festive as a result
For those new to your work; can you introduce yourself, please?
I am a songwriter and composer with a background in Folk and traditional music. I’ve enjoyed a long career as an instrumental player but embarked on a solo career in 2012 playing guitar, piano and melodeon.
Your album, Singing Ways to Feel More Junior, is out. It is already picking up positive reviews! Does it feel quite humbling hearing people react to it in a pleasing way?
It’s humbling to get any attention, given the breadth and quality of acoustic music currently out there. I’m lucky also to have had such a talented bunch of musicians who helped create the album’s unique sound.
What were the events and themes that inspired the record? Is there a narrative that runs through it?
Singing Ways to Feel More Junior is an album for grownups everywhere whose songs make use of children’s rhymes and female allegory to explore adult themes - which range from child consumerism, addiction; gender inequality to Donald Trump’s childhood.
Don’t You Worry ‘bout a Thing sees you tackle a Stevie Wonder classic! What is it about that song that resonates inside you?
I’ve always really liked the song - but the ‘light bulb moment’ came when I realised I could create a solo guitar part for it with a folky feel.
How important are artists like Stevie Wonder to you? Was it challenging converting a Soul song?
It’s quite high in pitch and I had work to add the extra notes to my vocal range. Combining this with the Nic Jones-inspired guitar part took time, also.
There are grown-up rhymes and female allegories on the record – the title kind of nods to that, I guess. How much of the album’s title refers to the world’s need to grow up – how much of it concerns a desire to revert to childhood and shelter from the universal storm?
Neither of these...
Children’s songs are like memes that have survived for centuries because they hold eternal truths that many people today - particularly those in a position of authority should understand. I like the idea that we can be ‘told off’ by the smaller people for whom we have a responsibility to protect and preserve our world.
The album looks at issues like consumerism, President Trump and gender equality. How important was it to address these concerns? Do you think the world has reached a stage where it needs a serious sobering-up?!
A second strand is that of motherhood, femininity and misogyny - and I’m interested in the idea that, if women and children had, perhaps, not been sorely underrepresented throughout history our male leaders would not have got us to where we find ourselves today.
Your music mixes tradition Folk - but is rooted in the modern time. Can you tell me the artists who have inspired you?
Some of my favourite artists include John Martyn, Nick Drake; Anais Mitchell, Joni Mitchell and Tony Rice.
Who are the new artists you recommend we check out?
Yes…me.
If you had to select the three albums that mean the most to you; which would they be and why?
Anais Mitchell – Hadestown; Valentin Clastrier - Les Buches Des Silences and Brad Mehldau – Live at the Village Vanguard: The Art of the Trio Volume Two are all wonderful recordings that have inspired me over the years.
Can we see you perform anywhere soon? What gigs do you have lined-up?
I have a bunch of dates coming up - all on lukedanielsmusic.com/gigs...
But, an upcoming highlight, I’d say, is Glasgow Royal Concert Hall with Brothers of the Free Reed on 31st Jan.
You have performed a U.K. tour. How much fun was that? Do you think the best crowds reside over here?
Yes, definitely. English audiences are the hugely supportive, yet reassuringly discerning.
What advice would you give to artists coming through right now?
Don’t be afraid to include meaningful content and complex ideas on your songs. Real fans will thank you for it.
Christmas is not too far away. Do you have plans already - or will you be busy working?
I’m off from 20th Dec and will be mainly wearing slippers until the start of January...
Before wrapping up; can you talk to me about your ‘Electrophon’. What exactly is it and how integral is it to your live show?
It’s a self-built mechanical musical instrument that performs my own compositions ‘programmed’; 20” steel discs, via technology, that was used in the late-nineteenth century. Its comb and bed plate was made in 1880 - which now work via syncing with an Arduino computer and digital samples.
It sounds and looks like a 6ft-high music box.
Finally, and for being a good sport; you can name a song and I’ll play it here (not one of yours as I’ll do that).
The opening track from Anais Mitchell’s Hadestown. Thank you.
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INTERVIEW: Goodnight, Sunrise
INTERVIEW:
Goodnight, Sunrise
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SOME of the best songs come out of…
despairing periods and hard times. That is the case with Goodnight, Sunrise and their new single, Remember Now. It revolves around an inter-band relationship/break-up; the resultant division has compelled a song that will strike a chord with many – the Canadian group tell me more about it. Vanessa, David and Paul are one of the most promising bands out of Toronto right now; pushing forward and keen to come to the U.K. and play here.
I ask them about the earliest days and the music that inspires them; whether they are planning ahead already; how the video for Remember Me came together; how this Christmas will play out – and advice for any new songwriters out there.
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Hi, guys. How are you? How has your week been? For those new to your work; can you introduce yourself, please?
Hi, hi, hi! We are Vanessa, David and Paul – A.KA. Goodnight, Sunrise…A.K.A. a super-fun-Indie-Rock 'n’ Roll band from Toronto, Canada!
Remember Now is your new song. I believe its origins are rooted in heartache a tough time. Can you tell us more?
Ooooooh…you want the dirt?
Basically; think Don’t Speak by No Doubt - but not at all famous. But, for real; the short version: Dave and Vanessa started out as friends, became a couple about two years into the band and recently (this summer) broke up. The song Remember Now pays homage to the friendship while remembering the pain and sadness that comes with a breakup. What they’ve been able to do is put the band, the music and the love first; to move through it and create something new...
Something whole.
Was it quite therapeutic putting the song out? Did you learn something about yourselves hearing it back?
Putting the song out was incredibly cathartic.
It was a tangible way to make sense of an emotional time; sharing the experience with others made us feel as though what we went through was worth it in the end. Music helps us make sense of our crazy journey on this planet – and we hope that our music does that for our listeners as well.
How important was director Ryan Brough with regards capturing the song’s spirit in the video?
Ryan’s vision was immeasurable. It’s funny; although we only met Ryan when the shooting began, he quickly understood us – possibly more than we understood ourselves! He had a sixth sense when it came to capturing the tiny moments, looks and laughs that make up the rich fabric of our band family. Every time we watch the video, we catch a glimpse of some secret moment that we haven’t noticed before – some secret moment that Ryan found and threw in there.
He’s totally like an intuit…but for music videos!
Is there going to be new work arriving from you guys next year?
HECK YA!
Can you take me back to the start and how Goodnight, Sunrise came to be? How did you all discover one another?
Oh God…that’s a lonnnnng story….
But it starts with David and Vanessa joining ANOTHER totally different band called The Big Deal - that’s how they met. They quit that band, started a new one; found Paul on Craigslist (as one does), and the rest is history...
What music do you each grow up listening to? Do you all share tastes?
Hahahahahahahahhhaah. Sorry. But, no; we definitely all do not share tastes – that’s what makes our music different, unique and so collaborative...
David: Michael Jackson and U2.
Paul: Pearl Jam and Led Zeppelin.
Vanessa: Britney Spears and Tiesto.
It seems like Canada is a nation with a lot of talent coming through. Is there a supportive and exciting music scene where you are? Is it easy to get gigs and support?
Absolutely! Canada is amazing. There is SO much talent - and we’ve found a supportive community in every single town we’ve ever played in. Toronto is our home and we’re proud to say that we’ve been part of an ever-growing and ever-increasing community of musicians and promoters.
We’re really lucky to be able to call this place home sweet home!
IN THIS PHOTO: Tokyo Taboo
Who are the new artists you recommend we check out?
Okay. We actually saw THE most amazing band in Toronto last month…and they were from LONDON! U.K. readers: if you ever get the chance, make sure to check out Tokyo Taboo! It was one of the best shows we’ve seen in a while - and their new album is INCREDIBLE!
In terms of Canadian artists; our faves include Sumo Cyco, July Talk and Dear Rouge!
IN THIS PHOTO: Dear Rouge
Are there plans to come to the U.K.? Have you performed here before?
Our favourite tour ever was the one we did in 2016…to the U.K. We couldn’t believe the support and enthusiasm we were met with. It was absolutely incredible and we really can’t wait to come back. We’re planning several tours to the U.K. for 2018 - depending on which festivals we get into.
We hope to be there at least twice – we love you guys and really want to make the U.K. our second-home for our musical ambitions!
What advice would you give to artists coming through right now?
Failure is an obstacle, not an absolute. Act like that’s the only truth on this crazy planet. Oh, and also; don’t be mean…
To anyone…ever (smiles).
Finally, and for being a good sport; you can name a song and I’ll play it here (not one of yours as I’ll do that).
One-hundred-percent play Make It Out Alive by Tokyo Taboo. It’s our new fave song. It’s SO rocking - and we love to support local (for you!) artists; especially those who feel as passionately as we do about supporting women in the music industry!
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INTERVIEW: Equals
INTERVIEW:
Equals
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THERE are some equations in music that are hard to figure…
and get your head around. When it comes to Equals; things are a lot more straightforward – I probably shouldn’t have started down this path! I speak to Ade of the London-based duo about their new single, Hush, and working with Awks (on that track). I ask whether there will be new material coming and what the remainder of 2017 has planned for them. Ade talks about performing as a backing singer for Amy Winehouse; I learn about the artists and sounds that inspire Equals – and some new music/artists fresh in their mind.
With an impressive body of work behind them; I was curious to discover what it was like having the everyone from BBC Radio 6 Music and The Line of Best Fit behind them; how integral London is to their heartbeat and ethos; whether there are tour dates coming soon – and why this week has been better than most!
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Hi, guys. How are you? How has your week been?
The week’s been non-stop travel - as I'm on the road with the mighty Gorillaz.
For those new to your work; can you introduce yourself, please?
We’re Ade Omotayo and James Low from R&B duo Equals.
Husk is all sorts of smooth and beautiful. It seems like a track that would have taken a bit of experimentation and construction. Was it easy putting together – or did it come in stages?
This one definitely came in stages…
James recorded the basic piano chords on a Zoom mic plugged into his iPhone - on an old piano at his mum’s house (during Christmas of 2015). It’s a bit out-of-tune and creaky but it sort of suits the vibe of the track - so we never re-recorded it. We worked up a demo with Awks that was more like Single Soul from our first E.P.; just some sub-bass and a simple beat - but the track needed more.
We gave it to a couple of other producers but that didn’t work out; so James started experimenting making it swing a little with regular electric bass and the beat. Then, we got Chris in on bass to cement the idea and, all of sudden, we had a new direction.
The last thing was the horns. We needed something to lift the chorus; Ade knew the killer horns guys and we were like: “Can you layer something up like the first forty seconds of Blue Train by John Coltrane?".
They sent part the part you hear on Husk and that was it.
Awks is the female voice on the song. She has amazing tones! How did you come to meet her? Do you think she will go far in music?
Doesn’t she just!
She played before us at a show we did down in Shoreditch. We were just like, ‘wow; we’ve gotta get her on a track!’. We ended up getting her on most of them, to be honest. She’s also a really amazing writer.
We’re really blessed to be working with her. She’ll go far – she better take us with her!
With production from – Submotion Orchestra producer – Ruckspin; bass grooves from Chris Hargreaves; horns from Killer Horns in there – it sounds like you had a great crew behind you! Was the recording a blast for you guys? What was your reaction hearing Husk back for the first time?
Ruckspin just did some additional production stuff: beefing up the snare, suggesting extra percussion. James and he went through the track together and sort of pimped it iteratively.
Similarly, with Chris, we’ve worked together in bands for years so it’s super-collaborative. The real new thing on this track was the brass. When that came back, we were like ‘aha! We can do this'. It feels like some really big albums - To Pimp a Butterfly, A Seat at the Table - have really foregrounded the horns; so it felt like we were in safe territory...even though it was new for us…
Is Husk the start of something else? Will Equals release new material in 2018?
Husk will be track-two of our debut album (to be released March 2018).
James and Ade. You have a tight bond. How did you guys meet and form the duo?
We had a mutual friend in the sax player Pete Frasier – though through quite different scenes. Ade knew him through the North London Jazz scene; whereas James knew him from touring together in Tech-Noise bands. When James moved to London, wanting to start a new project, he asked Pete if he knew any vocalists – Ade was the first person he recommended.
The first session we did together just clicked
Ade. You were Amy Winehouse’s backing singer through her career. How instrumental was that time – and what did you learn from her? Do you think there is anyone in music (now) quite like her?
Amy Winehouse is the reason I do what I do.
I dreamt of singing in front of large shoals of people - but thought it was reserved for the 'special' ones. There's a whole production line of Winehouse-type singers, but that's expected. I think, more than anything, my tastes evolved upon working with her - as she would listen to anything she considered dope.
She wanted to make a Wu-Tang album…and she wasn't joking!
Equals’ fanbase extends to BBC Radio 6 Music, The Line of Best Fit and Capital Xtra. How important is this support and growing affection?
It’s really important...
We want people to listen to our music, enjoy it; empathise with it, hear the messages; feel it, think about it. We can only do that with support and exposure. But, its more the human response we get through the exposure that’s important to us - rather than the hype for its own sake.
That’s more a means to an end…
Your sound is a special blend I cannot pinpoint! Which artists did you both grow up listening to? Do you both spend a lot of time crate-digging for modern gold and past glory?
Great question. James’ grew up in the Midlands and has early memories of his parents playing stuff like Pink Floyd. Then, he went to school during the Grunge years with Nivarna, Smashing Pumpkins…that kind of segues into Post-Rock: Slint, Do Make Say Think and Low.
Ade remembers listening to Kylie Minogue's first album! The production is shocking at times - but the songs still hold up!
In my older years, I listened to whatever I could lay my hands on. I was especially into Hip-Hop, though: Jay-Z, Kanye West; A Tribe Called Quest, Kendrick Lamar and MF Doom.
The music kind of represents a meeting of these two histories. But, obviously, is influenced by a lot of contemporary stuff, too: Solange, Frank Ocean; Nicolas Jaar, James Blake and Nils Frahm.
It seems East London is the perfect mix of cosmopolitanism and heritage. Is the city a muse that impacts all the music you record?! Do you get a lot of inspiration from the people around you?
Another great question...
It’s has a huge impact. Nearly every track on our new album features field recordings of London - particularly of, in and around Dalston (where we live) and Ade’s lived for most of his life. You can hear one at the end of Husk – a man shouting on Ridley Road market There’s one at the start of the track, too…but this was a bit different. James went around asking people how they felt about getting older - and this was one person’s answer.
London is many things: a fantastic melting pot of different cultures, music; art and people - but it’s hard too; it takes its toll, wears you down and will spit you out unless you cling on. London sometimes feels a bit like the Internet: its fast, you’re bombarded with information and people you don’t know – but, at the same time, it’s vast; almost limitless and that potential is magnetic and addictive...
That feeling definitely inspires some of the lyrics on the record.
IN THIS PHOTO: Benin City/PHOTO CREDIT: Cesare De Giglio
Who are the new artists you recommend we check out?
Shout-out to our friend and collaborator Joshua Idehen and his bands, Hugh and Benin City.
U.K. Hip-Hop never gets enough attention. Fellow Londoner Avelino has just dropped his debut album - it's well worth checking out.
We sometimes use a studio in Stoke Newington next to Tom Tripp – if you haven’t heard his stuff yet then you’re not as cool as he is (smiles).
IN THIS PHOTO: Tom Tripp
If you each had to select the one album that means the most to you; which would it be and why?
Let's Get It On by Marvin Gaye
If you're a singer; it's cool to examine how seriously you take your craft. He sounds magnificent on the entire damn album. It was my quit-or-be-better-album.
What advice would you give to artists coming through right now?
Write good lyrics: it’s really important to giving a song depth and giving people a reason to return to it. The speed of culture - and the amount of new stuff coming out all the time now - means you’ve got to give people something more to return to (and dig a little deeper).
There will always be something fresher, newer…but you need quality and longevity to stand out.
What tour dates do you have approaching? Where can we see you play?
We’ll be playing an album launch party in London, in March. We’re going all in: full-band; brass, a choir...the works!
Christmas is not too far away. Do you both have plans already - or will you be busy working?
James hates Christmas and saves up all year to fly away and escape it, and as much of January, as possible. This year brought three nephews into Ade’s life - so its bound to be a big one. It’s always about family for him. Oh...and an alternative bird. He’s gunning for ostrich this year.
Last year he had turkey and goose - big family problems…
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INTERVIEW: Tina Karol
INTERVIEW:
Tina Karol
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A lot of people outside of Ukraine…
might be unfamiliar with the wonders of Tina Karol. In fact; she has a large following around the world - but the U.K. is a territory where many unsigned and undiscovered fans exist. I have been interviewing the songwriter about the track, Blindfold, and whether 2018 will see any new material arriving. I ask Tina Karol about her career so far and what the scene is like where she is; what her latest album is all about – and what it was like working with Yoad Nevo.
I ask about her charity, Polyus Prityazhenia, and whether she will continue to commit to that work next year. I learn more about Tina Karol’s favourite music and what inspired her work; how she will spend this Christmas – and how her busy touring schedule is going at the moment.
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Hi, Tina. How are you? How has your week been?
Hi! I am very busy...
I'm currently on the Intonations tour - with a rammed, packed week full of performances (with only two days off a week). I love the stage very much and, for me, a day off is real torture. Haha! I’m having a great time; especially as I’m getting to know my new drummer, Devon Taylor.
He previously played with Rita Ora and Justin Bieber!
For those new to your work; can you introduce yourself, please?
My name is Tina Karol. Singing is my life, as are my lyrics…but I’m easy-going (laughs).
Blindfold is the new single. What is the story behind the song?
Blindfold is a mix of Slavic melodies and Trip-Hop beats. Such combinations usually don’t meet and this, for me, makes the song very valuable.
It has quite a sweeping and epic sound. It seems like it could score a film or dramatic scene. Did you have this in mind when putting the song together?
Of course.
After all; the story of this song is like a real dramatic film. I have a lot of stories: all songs are infused with my personal experiences.
The video was created alongside Gloria FX Studio. It seems like it was an amazing, immersive experience! What are your feelings looking back at it?
This was a colossal experience because Gloria FX Studios used a whole set of special-effects with invisibility-motion and live-animation with the flowers - and the dress turned into Sakura branches.
I had black dots all over my body, with markers, as the flowers blossomed out of the dots in a video - this was in order for them to catch all the detailed facial expressions. I looked really funny and then, for a long time, I couldn’t wash those dots off...
It looked very funny. I loved it!
You have a new album out – and have already released six records. What can we expect from your new L.P. in terms of themes, sounds and songs?
All my songs have a huge focus on the lyrics; with a touch of love songs. The album is a blend of influences from traditional music from my home to Trip-Hop beats from my favourite current artists.
It’s a real mix…you’ll have to wait and see…
Yoad Nevo has been brought in to the fold. What was it like working with such a legend?
Exciting and fascinating at the same time.
The most effective thing Yoad taught me was to not worry too much; to enjoy it - especially if, on one day, we do not achieve something new. At first, I thought that every day there should be an obvious result because, sometimes, if you don’t achieve something new, that is result in itself.
In the past; you have finished seventh in the Eurovision Song Contest (representing Ukraine); been a judge on The Voice Kids (Ukraine) and The Voice (Ukraine). How important and instrumental have these experiences been? Do you feel like you have been able to change lives and help other artists by featuring on these shows?
Yes. I'm happy to share my experience with people who dream of showing themselves; find themselves and understand their charisma. I'm not greedy enough to disclose vocal secrets for the show participants: my mission is to inspire, please people and increase the talent that the Lord has given me.
What is the modern music scene like in Ukraine? Is there quite a thriving and varied market?
Recently, it has been a thriving and attractive market for World music majors. We have a very talented generation that is free from the Iron Curtain - which was imposed and grafted to our parents.
You have won awards and accolades but it seems like your charity, Polyus Prityazhenia, provides a greater reward! Tell me about it and the work you do?
The ‘Pole of Attraction’ foundation has existed since 2014. It’s been carrying out its activities through my personal financing. I always give a percentage of my earnings to the fund. It buys all necessary medical equipment and medicines for children’s oncology departments - in hospitals all over Ukraine.
The aid has been provided to twenty-eight cities so far.
I am interesting learning about the music you were raised on. Which artists inspired you growing up?
Frankly speaking; I can’t name anyone in particular…
I’ve always listened to lots of absolutely different music. I’m a big fan of music as a whole - not this or that artist - and I try to learn from all styles - from Classic music to Rock.
Who are the new artists you recommend we check out
I would recommend you listen to Malbec. They are band from St. Petersburg.
If you had to select the three albums that mean the most to you; which would they be and why?
My first would be a collection of Ravel's works. I love expressionism.
Also; I would choose the first album from David Bowie (David Bowie) - for the courage of its experimentation.
Also; the album Dead Can Dance (by Dead Can Dance) for its mysticism.
What advice would you give to artists coming through right now?
Do your job sincerely: the reward will find its hero!
Can we see you perform anywhere at the moment? What gigs do you have coming up?
Right now, I'm in the all-Ukrainian tour of Intonations: thirty-five cities in Ukraine; more than fifty-five solo concerts in total.
I also created an album of national Ukrainian Christmas songs called Carols. With this album; I will be performing, in January, in the U.S.A.
Christmas is not too far away. Do you have plans already - or will you be busy working?
I want to spend Christmas with my family and my beloved son.
Finally, and for being a good sport; you can name a song and I’ll play it here (not one of yours as I’ll do that).
Play the song of your soul! Improvise…
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INTERVIEW: Winter Mountain
INTERVIEW:
Winter Mountain
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AS the weather gets colder and more wintery…
it seems only appropriate I arrive at the foot of Winter Mountain. I speak to the talented songwriter about his latest track, Platinum & Gold, and what it is like being lauded by the likes of BBC Radio 2. I Swear I Flew, his album, was released last year – this is where Platinum & Gold comes from. I ask whether there is going to be more material and what the album was inspired by; the artists, new and old, that inspire his sound – and what 2018 has in store.
I discover what one can expect from a Winter Mountain gig and how he got into music; what he is up to this Christmas; being inspired by the Irish countryside; singing alongside Seth Lakeman; advice he would give to new artists – and why Bruce Springsteen is such an important artist.
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Hi, Winter Mountain. How are you? How has your week been?
It’s been wonderful, thank you. I’ve just completed a U.K. tour with the band. It’s been incredible fun.
Looking forward to chilling out now.
For those new to your work; can you introduce yourself, please?
My name is Joseph Francis - and my stage-name Winter Mountain. Winter Mountain began life as a duo after me and the Irish songwriter Marty Syth met on a train heading southbound from Chicago to Memphis. We wrote, recorded and toured for a few years. We got signed to Cara Dillon’s indie label and released an album.
Shortly afterwards; Marty split and I’ve carried on solo.
Platinum & Gold is your new release. Can you tell me about the background to the track?
It’s about making a choice between love and fear. It’s about growth and determination - recognising your faults and harnessing the powers we possess within for making our world a better place.
It’s about not backing down...
It features backing vocals by Seth Lakeman. How did you come to meet him?! What do you think he brings to the song?
Seth is a great friend...
We first met through his brother Sam - who was managing Winter Mountain at the time. He’s been kind enough to invite me to open shows for him a lot in recent years; we’ve collaborated on a few different things now.
Your album, I Swear I Flew, gained rave reviews and kudos. Was it quite a surprise seeing such a huge and positive reaction?
The response has been great.
When you have your head and heart so deeply into your creativity and art; it’s impossible to know how anyone else may feel about it…so I’m very pleased.
The record was written and recorded between Ireland; the wild and beautiful north coast of Cornwall and across a stark, awe-inspiring winter spent in the French Alps. How important was the scenery in regards your inspiration and writing?
Natural imagery plays a huge part in my lyrics.
It’s not so much a stylistic choice as an honest representation of the world around me. I grew up walking the beaches, the coast path; the woodlands of Cornwall. As an adult, I spent five years living in Ireland. There’s not a more magical place on Earth. Also, when you’re surrounded by that scenery - as beautiful and wild as those places possess - your imagination is free to soar.
It seems like you take a lot of guidance from Ireland and its music. What is it about the music/country that compels you?
Ireland has a soul that is deep and dark and ancient. There is nowhere else on Earth where you can feel, at once, so close to both the divine and the primal.
It’s magical. The people are poets and warriors.
Are there going to be more singles from the album? Are you working on new material?
I’m working on new material at the moment. I can’t wait to get out there! I’ve spent a year touring I Swear I Flew – so; the time is right to start cultivating the new music.
Your music draws inspiration from the likes of Bruce Springsteen. Is he a hero of yours? What sort of music were you raised on?
Sure. I love The Boss. He’s a phenomenal songwriter and he has a wonderful, passionate and old-school work ethic when it comes to performing live - that I take a great deal of inspiration from.
My parents raised me on contemporary Pop (it was the 1980s, so we’re talking: The Police, David Bowie; Dire Straits, Don Henley; Stevie Nicks, Peter Gabriel...) and, at the same time, the Folk revival/singer-songwriter movement of the late-sixties/seventies (Jackson Browne, Cat Stevens; James Taylor, Joni Mitchell; Bob Dylan, Neil Young; Simon & Garfunkel… and the greatest band of all time, The Beatles!). I’m also pretty crazy about The Waterboys and Led Zeppelin.
The list is endless...
IN THIS PHOTO: Lianne La Havas/PHOTO CREDIT: Alex Lentati
Who are the new artists you recommend we check out?
There is some great stuff around these days: The War on Drugs, Lianne La Havas; The Killers, Christine and the Queens and HAIM.
Out of my circle; I would hugely recommend Albert Jones and William The Conqueror.
IN THIS PHOTO: William The Conqueror
If you had to select the three albums that mean the most to you; which would they be and why?
Blood on the Tracks by Bob Dylan; Abbey Road by The Beatles and Born to Run by Bruce Springsteen.
I could write page after page about why I love these records but the best thing to do is take them out and take a lesson. You’ll get it!
What advice would you give to artists coming through right now?
Do it because you love it. Be prepared to work very hard and to be skint for longer than you may think. Keep moving, keep reading; keep watching, keep travelling. You need to keep that creativity alive...
Also; if there is an artist or band on stage in the same room as you, then don’t talk throughout the set.
You are touring at the moment. What have been your highlights so far? Have you got any more dates for next year?
The travelling and tour van banter with the band is always so much fun. Selling out gigs is a good feeling - and we’ve done that a couple of times on this tour.
It seems your live shows are something else! Do you feel at your peak on the stage?
Thank you! I love it. I’ve had lots of practice and the band and I work hard to make sure every show is special and full of heart and soul.
Christmas is not too far away. Do you have plans already - or will you be busy working?
I’m having my tonsils out today, so wish me luck! Might be on the jelly an ice cream over Christmas!
Finally, and for being a good sport; you can name a song and I’ll play it here (not one of yours as I’ll do that).
Heroes by David Bowie, please!
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Follow Winter Mountain
Official:
http://www.wintermountain.co.uk/
Facebook:
https://www.facebook.com/wintermountain
Instagram:
https://www.instagram.com/wintermountain/
Twitter:
https://twitter.com/Winter_Mountain
YouTube:
https://www.youtube.com/channel/UCcaX2gr04G_3ZSQ2bKOGnrg
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INTERVIEW: Oxygyn
INTERVIEW:
Oxygyn
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2015 was the last time…
I got to spend some time with Oxygyn. The need to renew that supply was realised with the release of their latest single, Bubblewrap. I was interested in the title and sound so had to ask the Malta-based band what it is all about. I learn more about the scene there and whether we can see them in the U.K. next year; the new artists to look out for – and how their music has developed.
Corrode (2015) was the song I last witnessed from them. I ask whether there is more material coming and what it was like working with producer Luke Camilleri on their new track. Kurt and Katia are Oxygyn’s siblings so I find out what their musical upbringing was like; what the Maltese group have planned for Christmas – and what sort of gigs they have planned.
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Hi, guys. How are you? How has your week been?
Hey, Sam. All good here! It’s been a very busy week with the release of our new single. However, it’s been very fun too.
Seeing the response from our listeners is always a very rewarding thing.
For those new to your work; can you introduce yourself, please?
We are Oxygyn; a Maltese-based Indie-Pop band. Kurt and Katia are our front singers, while we have Luke (Funky Monkey, 141 Records) who is our resident producer and D.J. Kurt writes the lyrics of the songs, while Janelle Borg composed the music.
Our aim is to share great music with a message; one about the nature of humanity and the society which surrounds it.
ARTWORK: David Ellul
Bubblewrap is your new single. What is the story behind that?
Bubblewrap touches upon a very sensitive subject...
It speaks of how society, including the media, imposes unattainable ideals on people; dictating the way we should look, act, think and speak. While trying to reach for these ideals, we lose what makes us human (our individuality, and, gradually, turns us into clones. It is a message about individuality and standing up for your freedom of speech and thought.
How do you think it develops from the track, Corrode (2015)?
There has been massive development since our first release, Corrode.
Firstly, the electronic element introduced has given Bubblewrap a more modern edge and provides a balance between the meaning of the song and the music it is portrayed through. We believe that the evolution of our sound has matured as the band grew up - and better reflects the type of artists we want to be.
I am interested in the video. Do you think the visuals match the lyrics? Is there symbolism at work, would you say?
The music video was made with the message of the song in mind. The concept behind the video is that the very distinctive individuals are all portrayed wearing similar black clothing - sponsored by Maltese fashion designer, Parascandalo. The black clothing symbolises society imposing limitations on the person’s individuality; which is in stark contrast to the rainbow-coloured attire Kurt and Katia are styled in, symbolising their breaking free from society’s chains.
We believe that the symbolism in the video is subtle, yet effectively conveys the message we want to give.
Luke Camilleri provides production on the new track. What was it like having him on board?
Introducing Luke to the band was a leap forward in our musical style. His background of Electronic music opened up new horizons for us. His talents allowed us to explore our genre and develop our ideas into something concrete. We consider him a massive asset to the band and we look forward to working with him from here onwards.
Is there going to be more material coming in 2018?
We hope so.
We have an extensive repertoire of songs and we do see that a handful of them can be gathered to produce our first-ever E.P. Our aspiration is to record these songs over the next year and release them as a whole.
Kurt and Katia; you are siblings. How did you come to meet the rest of the band?
This was done with the help of our composer, Janelle Borg. Kurt and Janelle used to go to the same sixth-form and wrote songs together. From there, they decided to try out their songs with Katia. After their release of Corrode, Janelle introduced Kurt and Katia to Luke. It was a very organic process - which brought together people from very different contexts.
Malta is where you are based. Ia there quite an active scene there? Is there ever the temptation to move to somewhere like the U.S. or U.K.?
Malta’s music scene is relatively small but very active.
The people involved are very passionate about their art and go out of their way to create opportunities for artists to grow. However, our temptation to move out of the country and to places like the U.K. or U.S. is ever-growing…and we hope to achieve this in the coming years.
What sort of music did you all grow up listening to? Are you all quite similar in terms of tastes?
We have all grown up listening to different music. Kurt and Katia had always heard Pop and Indie growing up, while Luke was more into Electronic music. We think that this variation in taste has helped our music to develop.
IN THIS PHOTO: LEISURE/PHOTO CREDIT: Fraser Chatham Photography
Who are the new artists you recommend we check out?
We have lately started listening to LEISURE, Khalid and HAIM. Even though they aren’t really new artists: we really love their music and recommend that everyone checks them out.
IN THIS PHOTO: HAIM/PHOTO CREDIT: Getty Images
If you each had to select the one album that means the most to you; which would they be and why?
We think that would be Oh Wonder’s self-titled debut album.
We both really relate to the songs on the album and the artists themselves. We think that the lyrics and the music complement each other wonderfully and provide an insight into the thoughts and lives of Anthony and Josephine.
Can we see you perform anywhere soon? What gigs do you have lined-up?
As for the moment, we want to focus on the material we put out. We don’t have any gigs lined up and we are rather planning out our next releases and setting our plans for 2018 into action
Do you plan on coming to the U.K.?
We would love to!
Seeing that the right opportunity crops up, we’d be definitely down to visit the U.K. and play our music.
What advice would you give to artists coming through right now?
We would invite them to just be free and express themselves. There is a lot of fabricated music in the scene nowadays and we believe that there is a lack of raw, emotional and thought-provoking music.
So; we would tell new artists to produce music from the heart and keep pushing towards your goals and for what you believe in.
Christmas is not too far away. Do you all have plans already - or will you be busy working?
Christmas is a time we like to cherish with friends and family. We try to put our work and music to the side for the holidays and focus on what matters most. We would be nowhere without our family and friends - so we would want to give them their well-deserved time.
Finally, and for being good sports; you can each name a song and I’ll play it here (not one of yours as I’ll do that).
From Kurt’s end; he would like Oh Wonder’s High on Humans to be played
Katia's choice would be Breezeblocks by alt-J
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INTERVIEW: Eric Frisch
INTERVIEW:
Eric Frisch
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IT seems The Beatles are a very important act…
to the New York songwriter Eric Frisch. He talks about The Beatles' influence and which of their songs he played for four hours on-repeat; other artists who have made an impact on him; details about his latest track, Baby Don’t Stop – and how the extraordinary video (for the song) came together.
Combining the sounds/musicianship of Fleetwood Mac, Cat Stevens and The Black Keys; there is a heady and intriguing mix I was keen to know more about. Frisch talks about the New York scene and plans for new material; what gigs he approaching; the music he was exposed to as a child – and how Classical music is coming into his life at this stage (having hit thirty).
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Hi, Eric. How are you? How has your week been?
Hey there. I’m great. My week’s been amazing. I had a really nice Thanksgiving weekend in Miami with my family.
For those new to your work; can you introduce yourself, please?
My name’s Eric Frisch. I’m a thirty-year-old Indie singer/songwriter influenced by The Beatles, The Beach Boys; Cat Stevens, R.E.M.; Fleetwood Mac, Beethoven and Mozart. I’ve been living in New York for the past seven years.
Baby Don’t Stop is your new single. What is the story behind it?
I decided to play Baby Don’t Stop one night with my band at a show at The Delancey, a small dive-bar in New York (next to the Brooklyn Bridge), and the crowd absolutely loved it. I was pretty surprised - because I had written the song about ten years before I played it live for the first time. It’s just the repetition of three words,’ baby don’t stop’ (over and over again), as the song builds.
I wrote it when I was nineteen and stoned in my parents’ basement, sitting at my piano. I wish I could tell you there’s a really deep meaning behind it but, the truth is, I just kept singing these words at the piano - and it felt like it meant something and it kept building. As I was playing this song in my basement, I grabbed my RadioShack tape-recorder. The original recording is twelve minutes long; with me building up and singing Baby Don’t Stop at the piano.
I left it on my tape recorder for about ten years before I decided I wanted to record it in the studio. Why did I wait so long?! I didn’t have the confidence to play this song to a crowd for about ten years; I didn’t think anyone would get it. I was also worried that it wouldn’t translate to a recording so well.
The video is quite intriguing! It mixes a variety of old-looking footage. How did it all come together?
I think the video does a good job of capturing and enhancing the build-up and epic feeling I had in mind for the song. I knew a student filmmaker at N.Y.U. whose work I really like - and I played him the song - and he had the idea to make the video about a bunch of different people and important moments in their lives...
It would sort of focus on one couple but the video would really be about how fragile life is; how precious every moment is. Everything ties together and it's all of the little moments in life that make it so special. He had the idea of crowdsourcing a bunch of footage from all his friends...so he sent out Facebook posts, Twitter messages; emails and good old-fashioned texts; phone calls and love-letters to people we know.
At the end of the day...we had video submissions from over sixty of our friends.
In terms of sound; it, oddly, straddles The Black Keys and Phil Collins. Are those artists you are inspired by?
I really like The Black Keys and Phil Collins, so I’m flattered to hear you say that.
Who were the artists you lionised growing up? Was your childhood house musical?
The Beatles are the reason I became a musician...
The first time I heard Rubber Soul, I listened to the song You Won’t See Me on-repeat for four hours straight on a train from Toronto to Montreal - when I was seventeen and visiting my then-girlfriend. Then I got into The Beach Boys, The Moody Blues; Cat Stevens, The Rolling Stones, Bob Dylan; C.S.N.Y. (Crosby Stills, Nash & Young), Fleetwood Mac; The Mamas and the Papas, Elton John; Donovan, E.L.O.; The Kinks, Simon & Garfunkel; Sam Cooke, Van Morrison; Traveling Wilburys, The Doors; C.C.R. (Creedence Clearwater Revival) and Chicago Transit Authority.
It seems like you splice 1950s/1960s music with modern sounds. Do you think it is important to preserve older tastes – but look forward and recognise where music is right now?
I definitely think it’s important to preserve older tastes and still look forward today.
What’s really funny is, the older I get, the further back in time I go with my taste in music. When I was seventeen, it was all about the 1960s. Then; when I graduated college and turned twenty-two, I went back in time to the 1950s. Now that I’m thirty; I swear I mostly listen to Classical music from the eighteenth century - Beethoven and Mozart mostly.
What can we expect in terms of future music? Are you working on other stuff?
Speaking of Classical music; I plan on releasing an album with my new band, The Surprise Symphony, next year that will be heavily influenced by Classical music - while still looking forward and being influenced by great Rock bands today like The Black Keys, Alabama Shakes; Tame Impala etc. It’s all about production.
That’s my dream right now.
Toronto is where you started life. What compelled the decision to move to New York? Do you miss the scene back home?
I learned how to produce in my parents’ basement in Toronto when I was twenty-two - after graduating college. I knew nothing about Pro Tools but I was determined to figure it out for myself. No one helped me. I had no idea what compression and reverb were, and I didn’t know plugins existed...
So, if I wanted something to sound like it was recorded in a big hall, I would take my microphone into the shower and record it singing ten feet away from it. That’s how I did all my recordings: just figuring it out on my own like that. My parents said: “If you really want to be a musician, you should move to New York, Nashville or L.A. - because that’s where the music industry will find you...”
So; I chose New York - and I’m still waiting to be found…
What is New York like for a new artist? Is it somewhere that keeps you busy and inspired?
New York is an alright place for a new artist…
I think it’s true it’s the toughest place in the world to make it - and it toughens you up. But, sometimes, it can bring you down. I don’t think it’s the right place to start. Maybe end in New York but start somewhere else. I really like getting on the road and playing shows outside of New York.
I plan on moving to L.A. in January.
IN THIS PHOTO: Alabama Shakes
Who are the new artists you recommend we check out?
I’m not the best person to ask this question - since I mostly listen to old music. But, lately, I’ve been listening to Tame Impala, Alabama Shakes; Foxygen, Whitney; Portugal. The Man and Future Islands.
IN THIS PHOTO: Portugal. The Man/PHOTO CREDIT: Maclay Heriot
If you had to select the three albums that mean the most to you; which would they be and why?
1. Abbey Road by The Beatles
I think it’s the greatest album of all time.
2. Tea for the Tillerman by Cat Stevens
If there’s one artist I aspire to sound like, it’s Cat Stevens. So many amazing songs on this album (Teaser and the Firecat is a close second).
3. Chicago Transit Authority by Chicago
This is their debut album - and it’s an album that is so worth listening to from start to finish. Love the orchestration.
What advice would you give to artists coming through right now?
Meet as many people as you can and make as many connections as you can, at the lowest level possible, in the music industry. There are all sorts of ways to make it, I suppose, and people have a lot of ideas about success in their heads.
I think the best things happen organically. Meet someone, hit it off and start making music - or collaborating or find someone else through that person that can help you.
Do you have any gigs lined up? Where can we see you play?
I just got back from a tour of the Northeast - so I don’t have any shows lined up right now. But, I’ll probably play a farewell New York show in January.
My guess is at Pianos on the Lower East Side.
Christmas is not too far away. Do you have plans already - or will you be busy working?
I’ll be working on a new album with my band, The Surprise Symphony.
Finally, and for being a good sport; you can name a song and I’ll play it here (not one of yours as I’ll do that).
How about If I Fell by The Beatles. That song has the best harmonies...
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INTERVIEW: Adrian Underhill
INTERVIEW:
Adrian Underhill
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SUBJECTS such as balancing a heavy workload and the 1970s…
are explored in a revealing interview with Adrian Underhill. The talented songwriter tells me about the new video for CU Again and his single, Weather. The video for CU Again was created with two of his friends from film school. I ask about the concepts behind his songs and whether there is going to be more material coming – despite this being a very busy time for Underhill.
CU Again is also the name of his debut album. I ask him about working with producer Adam Bainbridge and channelling the 1970s in his music; whether there are any tour dates for him outside of North America; how he got into music in the first place – and whether Christmas is going to be a relaxed, family-orientated time for the productive songwriter.
PHOTOS: Riun Garner
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Hi, Adrian. How are you? How has your week been?
It’s been good, thank you!
For those new to your work; can you introduce yourself, please?
Sure. My name is Adrian Underhill. I’m a singer-songwriter interested in Pop songwriting, creative production and songs that come from the heart.
The video for CU Again is out. Can you talk to me about the video and what it was like seeing it come together?
Yes! This was a really fun one to do because I worked with two of my good friends from film school, Evan Crowe and Tony Massil.
Did the simple concept – a songwriter singing his own song – suit the mood and nature of the song?
Yeah, I think so!
This song has a very simple concept - it’s about this universal feeling of missing someone, and so, I wanted to try to conjure that type of connection between the singer and the listener.
It is a busy time for you! The new single, Weather, is out. What is the tale behind the song? What inspired its creation?
Yeah. This song was written quite quickly but one thing I really love about it is the production. Adam (Bainbridge) took my original demo and just kinda warped it and morphed it, almost like a remix, adding new drums and changing the keyboard sounds I had played. Then, we added the live piano and synth-bass from Brandon Coleman and Keith Eaddy.
In the end, it’s quite playful and strange - it’s a great combination of sounds.
I know the songs will appear on the album, CU Again. It is out on 9th February. What kind of songs and themes can we expect to hear?
Yes. I’m very excited to have this album out. There’s a number of different thematic directions. I think the through-line is that the songs are about things that really matter to me.
It was produced by Adam Bainbridge. He has worked with the likes of Solange! Was it important to have him involved? What did he bring to the record?
Working with Adam was really exciting for me.
I’m a big fan of his project (Kindness) and it was amazing to have his ears on this. He did a lot of crafting of drum and keyboard sounds - and also brought in an amazing live band to play overtop of the more programmed Electronic elements.
The songs have that 1970s singer-songwriter vibe. Is that a decade you have investigated a lot? Who are your main musical influences?
I wanted to write all of these songs on keys and see where that would take me (I used to play a lot more guitar). I think one of the results of that was finding all of these chords and changes that are classic in the sense of Carole King, Emitt Rhodes or Todd Rundgren (or something like that).
Do you remember how you got into music? Was there a moment you realised that this is what you want to do?!
I’ve flirted with wanting to be more serious about making music (whatever that means!) for a long time. Sometimes, it seems like it’s taken a long time to get to this point: I’m thirty-one this year and I’m putting out my first record - but I’m trying to be ok with that!
Music (and life) is a long journey.
IN THIS PHOTO: Amber Coffman
Who are the new artists you recommend we check out?
Some new artists I’m loving are Rex Orange County, Jaunt; Amber Coffman, Daniel Caesar; Charlotte Day Wilson and Bernice.
IN THIS PHOTO: Charlotte Day Wilson
If you had to select the three albums that mean the most to you; which would they be and why?
Well; here’s three things I’m listening to right now!
Rostam - Half Light
Sasac – Hyperion
Toro y Moi - Boo Boo
Can we see you perform anywhere soon? What gigs do you have lined-up?
Yes. I have some shows planned around my album release. So far, it’s:
Feb 6/2018 - New York, N.Y. - Rockwood Music Hall
Feb 8 - Toronto, ON - The Drake Underground
What advice would you give to artists coming through right now?
Hmm; well, that’s like giving advice to myself! I guess just try to do something that is true to you - try to find honesty.
Christmas is not too far away. Do you have plans already - or will you be busy working?
Yes! I will be home for a good stretch with my family in Vancouver.
Do you have a gameplan for 2018? What are your ambitions for the year ahead?
Release my first record on Feb 9th, play some shows; writing some more music and try to have fun doing it!
Finally, and for being a good sport; you can name a song and I’ll play it here (not one of yours as I’ll do that).
Bobby Caldwell - What You Won’t Do for Love
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Follow Adrian Underhill
Official:
https://www.adrianunderhillmusic.com/
Facebook:
https://www.facebook.com/adrianunderhillmusic/
Twitter:
https://twitter.com/atunderhill
Instagram:
https://www.instagram.com/atunderhill/
SoundCloud:
https://soundcloud.com/adrianunderhill
YouTube:
https://www.youtube.com/channel/UC22MOWAgH_Fr_DREx0do8VA
Spotify: