INTERVIEW: Ina Reni

INTERVIEW:

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Ina Reni

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I always love catching up with Ina Reni…

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because she brings her personality to the page. This time; I have been speaking with her about the debut E.P., Down to Mars, and the ideas that inspired it. She discusses her early life and musical tastes; why London is so important to her creativity and style; whether she has a favoured cut from her E.P. – whether she was affected by the recent snow.

I ask whether there will be any future singles from Down to Mars and what she hopes to achieve this year; how she manages to spend time away from music – a couple of new artists we should all be aware of.

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Hi, Ina. How are you? How has your week been?

My week has been good. I just came from holidays and, to be honest, wasn’t as productive as I usually am - but I guess, sometimes, it takes a few days to get back into your normal routine.

For those new to your music; can you introduce yourself, please?

I am a half-German, half-Bulgarian singer-songwriter who makes Pop music with some Alternative influences.

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Were you affected by the snow we have been having? As a musician; was it quite an inconvenience?!

Coming from Germany; I found it astonishing how many problems a few centimetres of snow can cause in this country! Half of my meetings for that week were rescheduled and public transport was really badly affected. But, of course; I understand it’s very rare here in the U.K. - so the systems to deal with it are not in place. But, that aside; I enjoyed the snow a lot.

Snow is one of my favourite things in the world!

Your E.P., Down to Mars, is out. What themes and ideas inspired the E.P.?

The E.P. is, actually, quite reflective of the sort of topics I was dealing during the last few years. Tiffany and All That Ice are about certain phenomena you find in relationships, like being taken for granted or (also) the tendency to stop spending quality time with each other - assuming extrinsic factors will make up for it. Peachy is about living in the moment and cutting out unnecessary negativity and stress from your life. I’m super-bad at that, so I wanted to make a song that always reminds me to chill a little when stress takes the upper-hand.

Finally; Down To Mars is about my decision to pursue goals and dreams that other people deem unrealistic and ultimately disapprove of - simply because music as a profession doesn’t seem lucrative enough. There is also a remix of my first single, I Thought You Were Gay, on the E.P. - which is super-different to the original version! Music-wise; it’s a Pop record with influences of Ska, Dancehall - and even some Blues.

Down to Mars is your debut E.P. Was it exciting putting it all together? Do you have a favourite song from the E.P.?

Yeah, it was very exciting. The whole process took place in Inglewood, L.A. and, for two weeks, I was, literary, in the studio twenty-four-seve; writing and recording one song a day with the producers. My favourite song is Down to Mars - because the topic is so close to my heart. 

Will we see any new singles? Are you working on a single-release/video right now?

No. I have done it rather the other way around: I released two singles from the E.P. prior to the Down to Mars (E.P.) release. First of all, there was Tiffany, for which I have also shot a music video. Then, there was Peachy - which was just an audio release. 

You are based in London but have German roots. Do you get chance to play back in Berlin?

I did play a festival in Berlin last year: this year, I haven’t planned anything yet. But; I will be going to the studio in Berlin at the end of March to work with a German producer (who is really great). In general, I love Berlin. I grew up there and it’s where I feel most at home.

When did music come into your life? Did you grow up around a lot of music? 

Music has been the most important thing in my life since I can think...

I started playing accordion at a young age and then moved over to piano; singing and writing at the age of fourteen. But; I remember that, even before I started writing properly, I would always make up songs in the shower - terrible ones, actually. My family members are still traumatised!

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How important is London to you? Do you get inspired a lot by the people and neighbourhoods?

London is important to me because most of my friends and music contacts are based here. Other than that, to be entirely honest, the city has drained me a little with its fast-paced, rather anonymous vibe. Most times, I get inspired by experiences happening outside London. For instance; I often get super-inspired when I’m back in Berlin or after I come back from a holiday.

What do you hope to achieve in 2018?

In 2018; I want to put out lots of music and, hopefully, some of it will do well! Other than that; I want to write more songs for other artists; attend more exciting professional writing camps and grow my YouTube following.

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Have you got a favourite memory from your time in music – the one that sticks in the mind?

During one of the many times that I went busking on Portobello Road, I once accumulated an especially big crowd and, by the end of my set, the whole street was dancing to my rendition of Bitch Better Have My Money (it was a request). I love that feeling of being really connected with my audience. One moment we are all strangers and the next moment we all share this really special experience with each other - and it becomes a little temporary community! 

What advice would you give to new artists coming through?

Think outside the box - and don’t take ‘no’ for an answer.

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IN THIS PHOTO: CYN

Are there any new artists you recommend we check out?

There is an artist called CYN that you should check out - she has a really fresh sound and good lyrics.

Another interesting new artist that I recently discovered is Sabrina Claudio. She is a beautiful woman that does some sort of sensual R’n’B.

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IN THIS PHOTO: Sabrina Claudio

Do you get much time to chill away from music? How do you unwind?

For me, the best way to relax is through sports. I love skiing and playing golf or tennis - or, if I have the chance, snorkelling. Other than that; I find playing Classical piano or drawing pencil portraits super-relaxing.

Finally, and for being a good sport; you can choose a song and I’ll play it here (not any of your music - I will do that).

CYN – Alright

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INTERVIEW: Until the Ribbon Breaks

INTERVIEW:

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Until the Ribbon Breaks

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WITH an eponymous album out in the world…

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it was a good time to speak with Until the Ribbon Breaks. Pete and Elliot discuss the album and the themes behind it; how they connect visuals/cinema to their music; why personal struggles and addiction played a role in the music – and created a challenge for the guys.

They talk to me about getting exposure and what tour dates they have coming up; a new act we should keep our eyes out for; the music they were both raised on; a fond musical memory that sticks in the mind – we get a top-notch track to end the interview.

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Hi, guys. How are you? How has your week been?

Hi, hello; hi. Very well, thank you. We’ve just come off the back of playing KCRW, which was a wonderful experience. If you don’t know it; KCRW is L.A.’s best radio station…and, yes, I am biased.

For those new to your music; can you introduce yourselves, please?

Indeed. We are a band of two - once three – and we are Pete and myself, Elliot.  Pete is the singer and I am the drummer. We work together in the studio - but mainly Pete is the visionary for the amazing ideas we come out with.

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How did Until the Ribbon Breaks get together? Were you all friends from way back?

Until the Ribbon Breaks was born out of many failed attempts at bands. Pete and I have been working in bands together since high-school. We had an amazing music department that we spent the majority of our time at. (Props to Mrs Richards who always had my back; even when I was badly-behaved).  Pete and I first met over my first MP3 player - I think it could hold around three songs. 

Anyway; I had Mos Def's Ms. Fat Booty on it  -and the rest is history. 

Your eponymous album is dusted and out. What are the themes and ideas that influenced the songwriting?

Pete here; hello! In retrospect, almost entirely the record seems to be about finding a way out; overcoming through adversity and strength. It was never written to have an overarching theme – but it certainly ended up that way.  

Pete. I believe addiction and personal struggles played a part. Was it hard putting that sort of honesty onto the page?

No. I find it harder to write songs that are not honest. Writing seems to be my only real way of expressing how I really feel. Again, it is never intended - and often I learn things about what has been troubling me sub-consciously, through putting my thoughts onto paper.  

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You have also released a statement online. Tell us more about that…

The last thing I wanted was to use my experience as some kind of marketing tool…

However, it seemed disingenuous to not address the reason that we had been away for so long. Also, if that statement and our story identifies, and can potentially even help one person, then I'm glad it is out there.

It seems, as a band, you have a cinematic and visual mind – that goes into your videos. Do you think images/visuals and music are closely linked?

To me, inseparable. Some of my earliest memories of music are of watching my father’s copy of Pink Floyd’s visual interpretation/movie of The Wall. I have always listened to and loved film scores - and it is inevitably what I would like to end up doing.  

Give me a window into your musical tastes. Which artists inspire you as musicians?

Unlike Pete; I don’t really have much of a musical family: I think my mum was playing M people to me as a kid which, if you haven’t heard them…you probably don’t need to. I found my way to Michael Jackson’s Bad and I was on my way. I spent many a trip drumming on the dash of the car to it. Also, there was a Welsh band called Stereophonics who kind of paved the way for me wanting to play music to people.

These days, I’m playing Kendrick (Lamar) a lot - probably too much. 

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Can we see you tour soon? What gigs do you have coming up?

Yes, please! I don’t think Pete will mind me saying…we went into this album campaign kind of cautious about the live thing; both of us wanting to play again but also aware of his recovery and what a big challenge the live would be. After playing a couple of small shows at the end of last year, and us both really loving being back up there; I think I’m going to say yes, for sure.

Watch this space...

How important is the stage to you? Is being there where you all feel at your very best?

For me, the stage is the most important part: playing live is where my heart is at.

There were many years where I didn’t enjoy the studio and detached myself from that process – but, during our time between records, I’ve found myself working on production. I find the process of working out how we’ll play the complicated productions live a stressful but exciting process. It can take weeks of programming and figuring out who’s playing what - but the payoff is great.  I do sometimes wonder what it would be like if we were a guitar band…

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IN THIS PHOTO: Lo Moon

Which new artists do you recommend we check out?

I’m loving Lo Moon at the moment. I think they released their record the same day as us. Go check them out...

What do you hope to achieve, personally, in 2018?

I’m getting married in April - don’t they say it’s all downhill from there?

Have you each got a favourite memory from your time in music – the one that sticks in the mind?

Definitely; (I) will always remember a show supporting our friends London Grammar in Montreal. I’ve never heard an audience make so much noise (good noise; not the throwing rotten fruit type of noise). They made so much noise we couldn’t start the last song of the set. It brought us all to tears - and something I will certainly never forget.

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What advice would you give to new artists coming through?

Work hard as fu*k and expect not get paid for it. BUT, keep going: there’s nothing more fulfilling than following your passion. 

Do you all get much time to chill away from music? How do you unwind?

Time spent away from music usually consists of something dog-related. My wife-to-be runs a dog-walking and boarding company, Wolfpack LA, so there’s, quite often, pups everywhere - and probably some poop to clean up.

Finally, and for being good sports; you can choose a song and I’ll play it here (not any of your music - I will do that).

Well. Seeing as I mentioned them earlier, let’s get on Lo Moon - Loveless

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INTERVIEW: Kylypso

INTERVIEW:

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Kylypso

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THERE are a few three-pieces running around…

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in music but none, so far as I can tell, who have the same ideals and sound as Kylypso. I speak to the London trio about their new single, Deep Blue, and how it differs to their previous effort, Blame Love. They talk about their formation and future plans; what music they were influenced by growing up – and how their sounds come together.

I was eager to learn whether there were dates in the diary; whether they had some advice for new artists of the moment; if they each have a favourite memory from their time in music – and whether there was a bit of a trouble-maker in the ranks…

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Hi, guys. How are you? How has your week been?

Hiya! Very good, thanks. We have been rehearsing all week learning our own songs and also playing live with a drummer for the first time - so it has been fun.

For those new to your music; can you introduce yourselves, please?

We are three-piece, Kylypso, from London; we play Psychedelic Indie...we are comprised of Rudi (Guitar/Vocals), Tom (Bass, Vocals) and Hugh (Keys).

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It has been pretty cold and snowy recently! Have you been affected by it? Does it provide you more time to stay in and make music?

It has been freezing! My (Rudi’s) room is where we do a lot of our writing. We have a small set-up in there. It gets particularly cold; so we have been working wearing coats and hats.

Lots of coffee keeps us warm...

Deep Blue is your new song. What is the inspiration behind that?

We loved the idea of the colour deep-blue to represent the ‘ideal’ you hold someone to at the beginning of a relationship. The song sits in a moment where reality is eroding this image, but it is a beautiful thing to fight for. We also wanted to bring in some ideas of living in the moment and diving into things fully - even with a risk of being hurt. Musically, we took this idea to try to write parts of the instrumental to a ‘blue sky’ or ‘deep-sea’ theme - almost approaching the song visually. We love the idea of approaching a song at these kinds of angles.

How do you think Deep Blue follows from tracks like Blame Love? Have you grown in confidence as songwriters?

For sure.

Blame Love was written when we were still settling on the sound - that has become more defined as KYLYPSO. As we were able to set up the boundaries of what we could call the ’KYLYPSO Sound’; we then knew what boundaries to push and explore. Having complete freedom is quite destructive when writing music: the more you can define a direction, the more so you can focus in on pushing the envelope – it’s kind of a weird paradox you would guess wouldn’t happen until it is experienced.

Is there an E.P. on its way? What are you guys working on?

For now, we like the idea of just releasing singles this year. We are packing each song with a printed zine and digital edition via a website; so we are making more of each release and delving deeper into each song - rather than going for the E.P.

Our plan may well change by the summer though!

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How did Kylypso get together? Was there an instant spark between you?

Tom needed a keyboard player for his old band: Rudi jumped in and, soon, started writing some songs. Hugh had mixed some songs for Rudi’s old band - so was brought in for some production work on KYLYPSO songs...

But, we were finding that the three-way collaboration was working; we were on the same wavelength…so Hugh jumped in.

Which musicians did you all grow up around? Were you all raised in musical households?

Rudi: My dad loves The Beatles; so I grew up with loads of their albums. They are very multifaceted; so you can grab lots of different bits of musicality from their different albums. As a teenager, I moved towards guitar sounds I liked: Nirvana, Rage Against the Machine and The Mars Volta.

Tom: Exactly the same with my dad and The Beatles. I grew up in a house with a piano and a Beatles book. I actually ended up learning loads of Beatles songs before I heard them on the record.

Hugh: I grew up on a diet of great songwriters like Paul Simon, Cat Stevens and Pink Floyd etc. - all thanks to my parents. My dad played guitar so, naturally, I started to learn too; albeit upside-down, being left-handed. I was heavily inspired by Blues/Folk guitarists - and didn’t move onto keys until much later in life.

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Can we see you tour soon? What gigs do you have coming up?

We have one London show coming up. We are looking to get together a tour soon - most likely, in the U.K. We love the idea of collaborating on some live performance; in terms of people we are working with (to produce zines and videos). We are putting together a skateboarding video - so are looking into playing in a skate-park or something like that.

Is touring something you all love? How important is it to get up on stage and perform?

For sure. Since KYLYPSO is a relatively new planet in our musical universe, we haven't had the chance to tour yet. We have all been playing live shows as sessions for other people and in previous bands - it really brings the songs to life and gives them a new dimension.

We can’t wait to play them to real-life people.

What do you all hope to achieve in 2018?

Align KYLYPSO to record an album...we have lots of songs for our singles plan...

We would love to create one concise body of work. We need the space, time and space-time to combine it into one thing.

Have you each got a favourite memory from your time in music – the one that sticks in the mind?

Rudi: I have a memory from my old band...

We had recorded a song in our drummer’s house, creating a vocal booth with his mattress and bed-sheets; recording drums in a practice room. It was eventually played on Zane Lowe’s Radio 1 show and we were all listening in the room shouting at the radio and laughing about how our weird song about a mountain - recorded between bedrooms and cupboards - was being played on national radio.

Hugh: There are so many great moments in creating music. For me, it is that great feeling when you are working on a song and everything just clicks and falls into place. I haven’t found anything that comes close to that feeling yet. But, one specific moment that stands out was the first recording I did at Abbey Road. I remember stopping and thinking ‘how the fu*k have I ended up here!?’ -  knowing all the great albums that have been recorded there…

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What advice would you give to new artists coming through?

Don’t tell anyone your band name or put any music online…

Ok; really, I would say that it is important to synchronise your efforts. Think about your live shows syncing up with your song releases - which can sync up with promoting towards a goal. This will help build momentum in one direction; rather than playing random shows dotted around and throwing songs out into the digital wind.

Do you guys get much time to chill away from music? How do you unwind?

We don’t get much time: it is all-engulfing but we do love tennis and find it is an amazing way to unwind. Hopefully, we will be making a tennis video for one of our songs in the summer!

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Which band member, would you say, is the biggest trouble-maker or ‘character’? Is there one member you need to keep your eye on?!

Definitely, Hugh…

He pretends he is from the North of England and has an accent all the time: no one really knows where he is from, but it’s not there. Also, we suspect he is a part-time archaeologist - but won’t admit it.

Finally, and for being good sports; you can choose a song and I’ll play it here (not any of your music - I will do that).

YESSSSS. Could you please play The Sun by Myd.

THANKS!

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INTERVIEW: Cat Turner

INTERVIEW:

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Cat Turner

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YOU have a pretty varied choice…

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when it comes to solo artists! Whatever your tastes, persuasions and preferences: somewhere, anywhere, there is an artist to fulfil demand. I have been speaking with an artist who stands on her own feet. Cat Turner tells me about her new single, Waster, and her E.P., Contrast; what we can expect in terms of gigs – how visuals and images link to her music.

Turner chats about her home in Galway; whether we will see her in the U.K. soon; the sounds she is influenced by; if there are any new artists worth keeping an eye out for; what she hopes to achieve before the end of the year – how she chills away from music.

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Hi, Cat. How are you? How has your week been?

I'm super-tired but very hyped from the excitement of the week. How are you?

For those new to your music; can you introduce yourself, please?

Sure thing! Well. I'm Cat Turner. I started producing and releasing my own music over the past year. I guess I'd describe it as an angsty Alt-Pop!

It has been pretty cold and snowy recently! Have you been affected by it?! Does it provide you more time to stay in and make music?

Yeah, it's been so cold! I'm always cold, anyway; so this week it’s been lots of hot water bottles and four pairs of socks! Ha. Other than that; I was lucky to not really be affected. I did stay inside for those couple of days but I was finishing mastering the E.P. - so may not have left anyway, if I'm honest.

Waster is your new track. What is the story behind the song?

Waster is an internal battle with myself. Sometimes, I'm pretty harsh on myself and think I hold myself back - and other times, I can see how hard I work and can appreciate that. Waster is those two sides facing each other…

It is taken from the E.P., Contrast. What sort of ideas inspired the songwriting? Was it fun recording it?

I think I'd find it really hard to find one thing that inspired me - because I try and take inspiration from everything that happens around me. Listening to as much music as I could was super-important, though. The recording process, for sure, had its highs and lows: I really challenged myself with this, as I did absolutely everything myself from start to release. It, maybe, made it more stressful - but incredibly rewarding.

I can proudly say the Contrast E.P. is me.

Your music is best described as Goth-Pop. Are there particular artists that influence your own sound?

Goth-Pop! I love that so much…

Very much me as a person, too! When it comes to writing, I try not to be too influenced by any one artist’s sound. But, what really influences and helps me is other artists’ attitudes. I love someone polarising that still keeps doing what they're doing. Very into Tove Lo, Halsey; Grimes and Post Malone at the moment.

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It seems like you have increased in confidence and power. Do you feel you have grown as an artist? What, would you say, is the reason for that?

100%! It comes from actually believing in what I do, I guess.

I use to just play keyboard and I hated it. It wasn't what I wanted. But, since learning to produce and changing my stage set-up; I feel like I'm where I'm supposed to be with music.

Your music incorporates visual style and sense. It seems image and visuals are linked to your music. Do you feel it is important to project a sense of theatre and cinema?

I think it's so important! When you deal with everyday emotions and interactions using art; I think that, in itself, is so theatrical. The visuals feel like a natural accompaniment to the music. I like to also make my visuals myself. I have some things ready to be released at the moment that are visually odd (but very me).

Galway is where you are based. Is there a music scene over there? How easy is it getting gigs and attention?

Yeah! The vibe in Galway is the best. Almost any night of the week, you can discover some new music by (just) leaving your house. I've played a couple of gigs here and they've been so great. The audience, here, really wants to listen.

Hoping to play more soon…

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Can we see you tour soon? What gigs do you have coming up?

Well. The E.P. comes out this week and, after that I'll, for sure, be playing. Keep an eye on my socials for updates on that!

What do you hope to achieve in 2018?

Hmm. Take over the world? Ha. Well; this E.P. was a huge achievement - although I do hope to have some more releases this year. I want to live on the road really!

That's the dream.

Have you got a favourite memory from your time in music – the one that sticks in the mind?

One that sticks out in my mind was a couple (actually, they weren't a couple - which kinda made it) dramatically kissing and realising the mistake they'd made while I was playing a super-sad song. I love the idea of people having real moments to my music.

What advice would you give to new artists coming through?

There are no rules!

People will tell you there's a right way to do things, but it's only right if it's what you wanna be doing. Make sure you're who you want to be first - and don't think you have to be like any other artist.

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Are there any new artists you recommend we check out?

Yas! One of my best mates, HOST, is just about to release her first single and it's soo good! She also makes her own stuff - and I can promise you there's so much more good music to come.

Do you get much time to chill away from music? How do you unwind?

I think I'll have a little more breathing room now, but I generally like to spend all the time I can on music. I like to keep busy as much as I can, but unwind time is generally T.V., drinks or (just) chatting with my mates.

Finally, and for being a good sport; you can choose a song and I’ll play it here (not any of your music - I will do that).

Ah! So hard to just pick one song...but I'm gonna go with MGMT's new song, Me and Michael. Currently obsessed!

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INTERVIEW: Seán McGowan

INTERVIEW:

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Seán McGowan

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WITH a song like Off the Rails in the ether…

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it was about time I had a talk with Seán McGowan about things in general! He chats about his music tastes; the inspiration behind his new song; what we can expect from the upcoming album, Son of the Smith – what advice he would provide new artists.

McGowan discusses working with Sam Duckworth (Get Cape. Wear Cape. Fly); which new artist we should check out; what he did when bad weather struck recently – ending the interview with a great song choice!

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Hi, Seán. How are you? How has your week been?

Hello! Not too bad, thanks. It's been cold and snowy but very lovely. 

For those new to your music; can you introduce yourself, please?

I'm Seán...

It has been pretty cold and snowy recently! Have you been affected by it? Does it provide you more time to stay in and make music?

Yeah - I got the night off work! I mean; I should definitely have been doing that. But, really, I was playing FIFA and watching Godless on Netflix! 

Off the Rails is your new track. Can you talk about its story and background?

Off the Rails is about a house party from a few years ago. It's a shout-out to my pals who I love dearly - and how they keep me grounded and sane! 

It is a raw and urgent track. What was it like recording the song? Did you get it down pretty quickly?

Yeah - it was the easiest of the album to track.

It was never gonna be on the record, originally - then it ended up being the first single. But, yeah, we tracked it live; overdubbed a few parts - then I shouted me head off for three mins! 

Son of the Smith is out on 11th May. What themes inspired your debut album?

Everything around me, really. The same stuff that influences and inspires everyone, I would have thought.

Calling it how I see it and telling stories... 

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Do you have a favourite song from the album? Which one made the biggest impact on you?

There's a song called Sprinhill which took me six years to write. That one's special to me. 

Sam Duckworth (Get Cape. Wear Cape. Fly) is part of your band. How did you meet him? How did your band come together?

Sam's not in me band - but he did produce my album.

Sam slid into my D.M.s on Twitter many years ago to ask me to do some backing vocals for one of his albums. I've considered him a best friend ever since, to be honest. My band is made up of my pals. My drummer, Mike, works in the same gaff as me. Deano, on guitar, has been a best bud and played with me for years. Jay, on bass, engineers our records and was definitely the missing component.

We're four very different people - but I think that's why we have such a laugh. 

Which musicians did you grow up around? Were you raised in a musical household?

Billy Bragg, The Clash; The Jam, The Pogues; The Specials - all of those bands. My folks aren't musical themselves, but they've got good taste! Also, every family party in Ireland ends up in a sing-song.

So; I reckon that would have influenced me a lot! 

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You have a busy gig schedule coming up. Which dates are you most looking forward to?

I'm looking forward to them all, genuinely. I love this job. In Dublin, I'll be catching up with cousins, which will be great. I love Berlin, too, in particular. 

Do you love being on stage? How important is it getting that instant reaction from the crowd?

Yeah, it's the best bit. Everything outside of performing has the capacity to be stressful. But, when you're up there you're in control of everything - and having a laugh whilst ya do it! 

What do you hope to achieve in 2018?

Just more touring, really. I try not to set too many targets to avoid disappointment. Haha. 

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Have you got a favourite memory from your time in music – the one that sticks in the mind?

Singing A New England with Billy Bragg! 

What advice would you give to new artists coming through?

TOUR - it's where you learn everything…and always be nice to everyone. 

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IN THIS PHOTO: Anna's Anchor

Are there any new artists you recommend we check out?

Anna's Anchor! He's supporting me on my Irish and U.K. run! 

Do you get much time to chill away from music? How do you unwind?

It's a twenty-four-hour-a-day job, for sure. You're always thinking about something music-related. I like FIFA and Netflix - and pub with pals is always a giggle! 

Finally, and for being a good sport; you can choose a song and I’ll play it here (not any of your music - I will do that).

Tom Waits – Rosie, please! 

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INTERVIEW: 10 o’Clock Chemical

INTERVIEW:

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PHOTO CREDIT: Will Hutchinson

10 o’Clock Chemical

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ONE of the questions I was super-keen to learn…

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the answer for concerned the story behind 10 o’Clock Chemical’s name – whether there was a special reason they chose it. I find out about the band’s debut single, Babylon Is Fallen, and whether there is a political edge; what the scene is like around Stoke-on-Trent (where they are based) – and what tour dates they have approaching.

I discover what sounds/artists drive the boys; the new artists they suggest we keep an eye out for; whether the members get time to recharge away from music; what the band hopes to achieve before the end of the year – and whether there is more material coming.

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Hi, guys. How are you? How has your week been?

Busy but on-track and buzzing - having some great responses from our debut single.

For those new to your music; can you introduce yourselves, please?

We are a band called 10 o’Clock Chemical: a four-piece based in Stoke and Derbyshire - and we play Synth-Pop, Dance and Rock.

Babylon Is Fallen is your debut cut. What is the story of the song?

It's about letting go of old habits, unveiling truths and the drive for new information. I wrote it a couple of years ago when I was obsessed with George Orwell's 1984 and what it would be like to live in a nightmare Big Brother state - but now, it's naturally become a call to revolt against an increasing control on our activities and words we're not too unfamiliar with in 2018.

I believe you spend fifteen months squirrelled away! Was it quite a relief to get the song out after all that time?!

Yeah, so long. We should have maybe renamed the band 'The Mole Rats!' Relief, yes, but necessary...

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PHOTO CREDIT: Mark Vyse

Babylon Is Fallen was produced by Matt Johnson. Do you think his input helped add something special to the song?

We've been working with Matt on a lot of tracks now - and the guy is a wizard. He really brought Babylon' up to date from being a bedroom demo...and taught us a lot about sonic consistency.

Do you get ‘motivated’ and angered by what is happening in the country? What are your feelings regards the U.K. and our Government?

Well. We are four different people with four different views politically (The E.U. debate is a good one at parties!) but I think the main feeling at the moment is, perhaps, confusion. Straight answers are short: everything seems uncertain and the anxiety is causing a lot of friction. It's more saddening when it significantly affects families and relationships - so, I think it's important, as a band, we use our music to bring people together rather than get too caught up in the crossfire.

We are a small island with challenges to come - and we can still be courteous without compromising our individual truths.

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PHOTO CREDIT: Mark Vyse

How did the band come together? Is there a story behind the name, ’10 o’Clock Chemical’?

I think a lot of interviewers have avoided this question - in fear of it being an acid reference or something. It's actually much nerdier...

I got the name during a rough patch with insomnia and started studying the process of the circadian rhythm-cycle - at least in the U.K., the latest time for the sun to set on the horizon is approximately 10 P.M...a time, naturally, our brain releases the chemical melatonin which basically signals darkness and, in turn, gets us off to sleep at night. Without this darkness on the surface, we are unable to rest or dream; so it brings a real nice yin-and-yang feeling to the concept.

10 o'Clock Chemical is just another term for melatonin - or n-acetyl-5-methoxytryptamine to the chemists...

I believe there is an E.P. coming in June? Can you reveal any of the stories that go into the E.P.?!

Indeed. Every track is pretty much centred on modern social challenges and potential consequences of everything from endless consumerism to entertainment and social media.

It's going to be a conspiracy theorist's wet dream.

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Which artists are most important to you? Who do you count as influences?

Muse and Gorillaz are the big boys; Twenty One Pilots are also cool A.F.; then, the later material of The Sunshine Underground. Steel Pulse is one of Danny's Hardcore influences - so there's a growing Dub/Reggae pulse brewing in some of our contemporary material - which could start seeing the light of day soon also.

Can we see you tour soon? What gigs do you have coming up?

Tour dates to be released soon!

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IN THIS PHOTO: Bishop Briggs

Which new artists do you recommend we check out?

One girl I can't keep off at the moment is Bishop Briggs. Her voice is soaring I believe she supported Coldplay on their last tour. Another cool dude we know is Youngr: truly a multi-talented genius in Electronica at the minute.

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What do you each hope to achieve, personally, in 2018?

Recognition and to grow our fanbase bigger; accumulated by a big bunch of live shows outside of our Northern domain.

Have you all got a favourite memory from your time in music – the one that sticks in the mind?

Our bassist, Josh, never seems to shut up about the time he danced to a full crowd on stage pissed-up with a pumpkin - but I'm sure he's going to do better than that with the year to come!

Ours, collectively, was probably when we won Best New Artist at the Staffordshire and Cheshire Music Awards last year. Champagne ahoy - and we partied right through the night with that one.

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What advice would you give to new artists coming through?

Practice, patience; strategy. Network!

Do you get much time to chill away from music? How do you unwind?

We're part of a tightly-knitted community around the Stoke music scene so, if we're not making music; we're more than likely out socialising at other gigs and events. Otherwise, skateboarding/BMX; fast bikes and plotting world domination in our favourite fast food joint, Chunky Chicken.

Finally, and for being good sports; you can each choose a song and I’ll play it here (not any of your music - I will do that).

Rone – Gravity

Dennis Ferrer – Hey Hey

Beastie Boys – Make Some Noise

Sam & Dave – Hold on I'm Coming

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Follow 10 O’Clock Chemical

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INTERVIEW: The Giant Peach

INTERVIEW:

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The Giant Peach

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SOME might expect ‘James’ to answer the questions…

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but, instead, I get Harrison and Max – members of the incredible Vermont band, The Giant Peach. They talk about their formation and how the music has developed; what one can expect from their album, Pulling Teeth (out on 21st April) – and what they have planned in terms of gigs.

I ask whether they are coming to the U.K.; what the scene is like where they are; how they disconnect from the busy world of music; the sounds they are influenced by; whether U.S. politics has a bearing on what they produce – whether there is a special meaning/story behind their band-name.

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Hi, guys. How are you? How has your week been?

Harrison: Life is pretty busy right now - but things are good. We’ve been running around trying to get the word out about this record; we’re working on new music, we’ve got several shows in the next week and we’re trying to find some time for the studio this spring. It’s always hectic trying to run a band on top of our personal lives – but no complaints.

For those new to your music; can you introduce yourselves, please?

Sure. I’m Harrison and I write the tunes. I got into this all to try and make the kind of music I want to hear more of – familiar songs and stories that you’ve never heard. I realized, pretty quickly, that this is far too big an undertaking for just me - and that’s about when we formed The Giant Peach…

We’re just now ready to release our first adventure together, Pulling Teeth, this spring.

Max: My name is Max and I play guitar. I was along for the ride during the writing and recording of Pulling Teeth - but, also, for everything that went on around it. 'The Peach' is pretty young - but Harrison and I have been making music together for years now...

Harrison: Max really does it all, by the way: he plays bass and drums on a couple of the tracks on Pulling Teeth. The other members of The Giant Peach, proper, are Jacob Shashoua, the younger of the Brothers Shashoua, on Drums; Gloria Breck on Violin and often Keys and Mike Nunziante on the Slide Guitar – he’s currently abroad on the Easter Islands.

Your debut album, Pulling Teeth, is out on 21st April. What sort of themes influenced the songwriting?

Pulling Teeth came about as easily as the name might suggest. It’s a deeply personal story but not one that’s unique to me, I don’t think. I wrote these songs over the course of a tumultuous and ultimately terminal romance; tried to put into them the un-tempered excitement of first love and the inevitable loss of innocence that accompanied its end. We tracked the record ourselves, mostly in my dorm room at Middlebury College (with the exception of Coats, which we did with the wonderful people over at Meadowlark Studios).

We’re very excited about it!

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Do you each have a favourite cut on the record?

Used has always stood out to me…

It’s the last song we added to Pulling Teeth. I’d had the melody for years - but, I guess, I didn’t have the words or the experiences to make it right until last year. I finished Used right before facing-down the end of my relationship at the time - and it very much captures where I was.

Max: I love the fifth track, titled (…). It’s a statement of a melodic idea that happens throughout Pulling Teeth in various forms - and it has a mystery and innocence that really draws me to it. When you’re listening to the record the whole way through, it almost serves as an introduction to this sort of B-side (where the record turns a little more inward).

Take me back to the start of The Giant Peach. How did you all find one another?

Harrison: We all met at Middlebury College in Vermont, where we did undergrad. Max and I met my junior year. I was doing a lot of songwriter-y stuff at the time, while he was primarily a Jazz/Blues guy. We hit it off immediately and he really pushed me to develop these songs more. Max and Jacob are brothers. Gloria’s background is as an orchestra musician and classical pianist – I tracked her down after seeing a recital of hers – and Mike and I had been friends for a while. He’s a real-deal Folk musician. He plays with this really amazing, wholesome band, Alpacka (check them out)!

We all came together in service of the songs on Pulling Teeth; trying to bring them to life - and it became clear that we all spoke a common language. We became very good friends: we’re lucky to love one another so much. Of course, there are many, many more wonderful people with a part in Pulling Teeth – even if the music itself is personal, collaboration has always guided the process...

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Can I ask about the band’s name?! Is there a Roald Dahl link there?!

It took us a long time to settle on 'The Giant Peach' which, I suppose, does come from the Roald Dahl book, James and the Giant Peach. I’d just had the phrase in my head for years. For a while, we were playing under another literary name, Reader; lifted from Italo Calvino’s If on a Winter’s Night a Traveler (a favorite of ours) but it didn’t fit. We eventually settled on 'The Giant Peach’ just because it feels good – although, I suppose there’s some shared narrative in it: a lonely boy in a bad situation leaving his woes behind and facing down his fears; joining some ragtag bunch on a giant peach?

You’re based out of Vermont. What is the scene like where you are?

Vermont, as a state, is very collaborative and supportive – the music scene is no different. It’s a small but tight-knit crowd and there are tons of really talented musicians around. It is a little isolated, but, that said, it’s impossible not to love this state for how beautiful it and the people within it are.

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Do politics and the things happening in the U.S. government compel any musical moments? What are your views regarding Trump and his administration?

I’ve always been too wrapped up in myself to be much of a political writer, unfortunately, but the current political climate in the U.S. has prompted us to re-examine our relationship with valuable programs under threat; this was a large part of our decision to donate half the pre-order proceeds of Pulling Teeth in support of Planned Parenthood (after which point the record will be available for free).

The actions and viewpoints of the Trump administration are a clear indication of how divided we have become as Americans on many levels – as people of varying colors and persuasions, as representatives and constituents, Democrats and Republicans – but I am hopeful that from this we can remember that, while the things we hold in common unite us: it is our differences that make us American.

Which musician did you all grow up on? Can you each remember the first album you ever bought?

I had a long Punk phase - and I think the first record I bought was Dookie by Green Day when I was, maybe, twelve? But, before that; I spent many long car rides with my parents listening to Billy Joel, The Beatles and James Taylor. Jasper Sloan Yip has been a tremendous influence on me as a songwriter since I was in high-school – he has a new record out, Post Meridiem, which is absolutely amazing.

Max: I grew up listening to Jazz. My dad loves Jazz. My first album ever was I Can’t Stop by Al Green. Stevie Ray Vaughan was the first musician who grabbed me long-term. I’ve gone through many phases since then: RnB, Rap and Metal. John Mayer has been really influential to me both as a guitarist and as a songwriter. I think Jacob’s first record was a Dixie Chicks (record) – both that and my Al Green record were gifts from my aunt and uncle.

Can we see you tour soon? What gigs do you have coming up?

Harrison: We have a hectic couple of weeks coming up but, looking forward, our books are pretty open. We’ll be playing a couple of schools and heading down the coast for a bit during the summer - and have some exciting additions in the works. In the meantime; we’re focusing our efforts on promoting Pulling Teeth and making plans to record the next one sometime this spring!

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Do you think you’ll come to the U.K. soon? Have you ever played over here?

We haven’t had a chance to make it to the U.K., yet - but, we are really hopeful we will do so in the future.

What do you all hope to achieve in 2018?

We want to come to the U.K.!

This year should be a pretty exciting time for us all – Max and Gloria will be graduating from Middlebury; I’ll be entering my second year of grad school; Jacob’s starting his math major…

Things are going to be shaking up a bit. But we’re excited to keep making music together.

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Have you each got a favourite memory from your time in music – the one that sticks in the mind?

I have to say getting the masters for Pulling Teeth back was pretty exciting for me. Almost all these songs were born too late at night in my bedroom; just me and an acoustic guitar so, to finally hear them brought to life by all the wonderful folks that worked on this record, was overwhelming. These are really personal songs; so it’s always gratifying when someone can find some familiar feeling or some part of themselves in my music - and then breathe their own experience into it.

Max: Our first show together was a big one for me. I know Jacob feels the same: he always talks about this moment where we were all facing one another and rocking out. It was a kind of excitement I haven’t quite gotten back yet. We recently played the same venue again and it felt very different.

Still fun, but different.

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What advice would you give to new artists coming through?

Harrison: For songwriters; this is something I wish I’d learned earlier...

There is no flash of inspiration or divinity in the pursuit of art: those happy mistakes that turn into something special are a numbers game - and they happen a lot more the more music you make. But, you have to show up for work...

You’re going to write a lot of bad music - don’t be afraid to do so. You might make a mistake in one song that works in another down the line. You have to ruin a lot of songs before you can get it right. Also; sometimes it will be frustrating and difficult - and I don’t know that that ever goes away.

It’s worth it though, I think.

Max: Trust the process, trust yourself and trust your music. Trust that what you’re doing is good.

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Do you get much time to chill away from music? How do you unwind?

Harrison: As a band; we spend a lot of our time cooking and eating together, drinking whiskey. It’s always important to spend time with the people you love. We’re all pretty voracious readers. I’m reading White Teeth right now at Gloria’s suggestion - and we like to keep active.

Jacob loves skiing.

Max: After a long day of music; there’s nothing like some more guitar to help unwind. There’s always more to explore…

Harrison: We once played for six hours at a private party (we were having so much fun). Afterwards, everyone was dancing and partying late into the morning; lights off, furniture pushed against the walls. People were yelling, Jacob was going wild on the dancefloor - and Max was sitting in the corner, playing Bach inventions on an acoustic guitar.

Finally, and for being good sports; you can each choose a song and I’ll play it here (not any of your music - I will do that).

Harrison: How about Fake Hawaii by Public Library Commute?

Max: Longer Than a Day Without You by Munro the Band

Gloria: Mora by Alpacka

Jacob: New Friends by Pinegrove

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Follow The Giant Peach

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INTERVIEW: RÓSA

INTERVIEW:

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RÓSA

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I am excited about everything RÓSA…

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put out there. The L.A. band talks to me about their latest jewel, Nightmare, and the inspirations behind their E.P., The Taste of Another. I find out how the music came together and the sounds that inspire them; how certain decades inspire their music; whether Trump’s presidency impacts the way they write – and whether they are coming to the U.K. soon.

I ask about the L.A. scene and how they unwind away from music; if they have a favourite memory from their careers so far; whether there will be more singles coming up – what advice Will, who helms the questions, would give to new songwriters emerging.

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For those new to your music; can you introduce yourselves, please?

We are RÓSA. We are a band from L.A. and we make synth-driven Pop music. I am the singer; my name is Will. Taylor plays guitar and synth and Mike drums and engineers (and produces our music).

They are my best friends. 

Nightmare is your latest track. What is the story behind the song?

Nightmare is a song about regretting the past and feeling uncomfortable in a place where something significant had happened. This, in particular, was something I experienced vividly in the downtown area of my town. 

It is from the upcoming E.P., The Taste of Another. Are there consistent themes that run through the E.P.?

The only consistent theme is love and our relationship with regret - and deriving meaning from the past. 

Will there be more songs released from the E.P.? Maybe, a video for Nightmare?

No video for now - but the E.P. does have two additional songs that are also great.

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It seems like the 1980s – and a certain vibe – is influential to you. Is that the decade/type of music you all gravitate towards? What kind of stuff were you raised on?

We were actually raised on older stuff from the 1960s and 1970s. We just love the sounds from that era. 

How did RÓSA get together? When did you all meet?

We met a religious conference in San Diego and talked music and just went for it - and here we are today.

California is where you are based out of. How important is the city and its people to you?

The L.A./O.C. area is huge for us. We love being from here. L.A. is inspiring and challenging and O.C. is comfortable and fun. It’s all cool.

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Do you, as a band, react to what President Trump is doing to the nation? Do his decisions compel any songwriting at all?

We react, for sure. We talk a lot about the political climate. It doesn’t influence our writing, however. We work in the interpersonal realm. Political commentary is excessive in my opinion. Especially from people who don’t know sh*t...

Like most musicians.

Can we see you tour soon? What gigs do you have coming up?

We just headlined The Satellite in L.A. We have no wider touring planned currently. 

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Do you think you’ll ever come to the U.K.? Do you listen to British music at all?

Yes. We, for sure, will get to the U.K. and we love British artists. We love Adele - does that count?! 

What do you hope to achieve, as a band, in 2018?

We hope to write everybody’s favorite album. 

Have you each got a favourite memory from your time in music – the one that sticks in the mind?

Our headline set at itsaschoolnight in Hollywood was really great. We all jammed and had fun.

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What advice would you give to new artists coming through?

Write a sh*t-ton of great music before you do anything publicly. Play shows before you put music out. Don’t listen to anyone but yourselves about your music. 

Do you all get much time to chill away from music? How do you unwind?

We unwind with our girlfriends. 

Finally, and for being good sports; you can each choose a song and I’ll play it here (not any of your music - I will do that).

Will: People to Go by Strange Names

Tay: If the Car Beside You Moves Ahead by James Blake

Mike: Pain by The War on Drugs 

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Follow RÓSA

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INTERVIEW: Falcon Jane

INTERVIEW:

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PHOTO CREDIT: Deviio

Falcon Jane

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MY departure from Canadian music is brief…

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as I speak with Sara May of Falcon Jane. She talks about the band’s formation and their new single, Go with the Flow. I ask about the video: a stunning and personal clip she directed and edited. She speaks about the upcoming album, Feelin’ Freaky, and what goes into it; what tour dates the guys have coming up – and whether they will head to the U.K.

The band select their favourite memories from music; a tune each to end the interview: Sara May discusses Ontario and the scene there; how the band has shaped and grown through the years – providing some advice to new songwriters emerging.

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Hi, Sara May. How are you? How has your week been?

Feeling pretty-plez T.B.H.! Been a pretty great week hearing all the nice things people are saying about our new track!

For those new to your music; can you introduce yourself, please?

Sure. I (Sara May) lead a band called Falcon Jane. We’re from a small town in Ontario, Canada. We make what we call ‘Plez-Rock’ music, -which is short for ‘pleasant-rock’. Basically, smooth; chill Rock music that’s soft around the edges but still digs deep.

Go with the Flow is your new track. What can you reveal about its story and history?

Go with the Flow was the last song to be written for our new album. It was created at a time when I was constantly being told (either by others or myself) to “go with the flow”. That’s not really an easy task for me: I’m a bit controlling and very analytical. To move along calmly with the current requires a certain amount of confidence, positivity and trust in the universe.

So; the song juxtaposes this ideal chill attitude with my eternal questioning and worrying.

The video is pretty interesting! Was it good to shoot?

The video shoot was super-fun! It was (just) me and my best friend driving to cool spots around my town and filming me sing a song in cool outfits. Sounds like the best day ever, doesn’t it?!

It was edited and directed by you, Sara May. What was the reason for that? Did you want to put a personal touch on things?

I’ve never felt so close to a song as I do to Go with the Flow. I love it! It feels like my baby. So; I needed the video to be very true to me. I honestly don’t think I would have been able to hand the reins over to someone else to make a video for this one - I would have been such a bad back-seat director.

The visuals came pretty easily to me and I have a background in filmmaking - so I just knew it was something I had to do myself.

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Feelin’ Freaky is your upcoming album – the third from the band. What are the main themes and ideas that inspired the songwriting?

My songwriting process is pretty fluid: I don’t think about the songs before I write them.

Afterwards, I can look at a song and think: ‘Oh, that’s about such-and-such’ but, while I’m writing; I’m just tapping into whatever I want to say most at that moment …whatever feels truest to me and I write it down. So, the themes and ideas in Feelin’ Freaky are various. Death is always a big theme for me - so that’s in there a bit - helplessness and fear; love, purity; questioning what it means to be human.

I did feel pretty freaky throughout the process.

Do you feel Falcon Jane have developed since the start? Has the music expanded and grown, do you think?

I started Falcon Jane as a solo project in 2012. I was making weird bedroom Folk music that was crammed up with raw, cheeky lyrics - and it has, obviously, grown quite a lot since then. Now we are a five-piece band making music that’s full of righteous riffs, chill fills and sick licks! The lyrics still weigh pretty heavily and the authenticity in them has remained - but I’m older now and wanna sing about different stuff in a more mature way.

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PHOTO CREDIT: Mike Poisson

How did you all meet one another? When did you guys start jamming together?

Falcon Jane seems to have an ever-changing lineup but Andrew (bassist & drummer) and I have been the core of it for the past four years. We met through our guitarist at the time and became fast friends! The rest of the members fell into place naturally: Aidan (drummer) and I met at a summer theatre program about eleven years ago and started hanging out again recently. Branson (guitarist) lives down the street from Andrew and Racquel (synth player) and I had a divine appointment by bumping into each other at a cafe like ten minutes after she bought my first album.

 

You are from Ontario. Is it quite an upcoming part of Canada for new music? What is it about the area that is proving attractive to many?

Southern Ontario is like the nucleus of Canada.

I’m not sure the exact number but a large portion of our population is here. That being said; Canada is a huge country with a very diverse population. Yes, a lot of new music comes out of Ontario - specifically Toronto - but there is new, interesting; creative music being created all across the country - and it’s so important to recognize those artists as well.

Can we see you tour soon? What gigs do you have coming up?

We’ve got some gigs coming up in Toronto and small towns in Ontario - and we hope to tour western Canada this summer. Come see us:

March 3rd: Toronto, ON - The Smiling Buddha

April 20th: Woodstock, ON - Burnt Brick Café

April 21st: Flesherton, ON - Bicycle Cafe

April 28th: Guelph, ON - Brothers Brewing Company.

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Do you think you’ll ever come to the U.K.? Do you listen to British music at all?

We would love to come to the U.K.! We’ve been talking about it lately, actually. Just gotta get everything in order!

I bet I listen to a lot of British music but I’m not the type of person to look into where a band is from: I just listen to the music. I’m always surprised when I hear musicians’ accents in interviews.

What do you hope to achieve, as a band, in 2018?

Fame! Fortune! Success! L.o.L! Just want to release Feelin’ Freaky and for it to be heard by as many people as possible…and start writing the next album, of course.

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Have you each got a favourite memory from your time in music – the one that sticks in the mind?

I loved our summertime jams last year - playing frisbee, walking barefoot in the field; laughing a lot and making really cool music in preparation for recording our album.

Rocky: A memory in music that sticks in my mind is when we played in Halifax. It was a magical night with magical people and magical music.

Branson: When we played the Gladstone the second time. It was (I think) our first show as a five-piece and I was like: ‘Holy crap, we just put on a killer show!’.

Andrew: I remember playing at Club Art a few years ago with Falcon Jane. It was fun because our big group of friends just hung out all day and then had a party at Jay’s house across the street. I remember just feelin’ real good about having such cool friends and being in such a cool band.

Aidan: That time I fell asleep at the Handle Bar and Andrew woke me up at the bar.

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What advice would you give to new artists coming through?

Be yourself, have fun; find people you really jive with and stick with them, roll with the punches; find out what motivates you, feel freaky; go with the flow!

Do you all get much time to chill away from music? How do you unwind?

Cook food, eat food; be outside in the silence. But music helps me unwind as well.

Rocky: Music can be chill - so it doesn’t really matter if I have time away from it or not but, I guess, like, nature hikes?

Branson: Definitely get time away from music - but to unwind; I guess I’d say playing sports.

Andrew: I never get time away from music because I’m constantly thinking about it, listening to it or playing it. I have a serious addiction...

Aidan: Going on hikes with my dogs; maybe listening to a podcast

Finally, and for being good sports; you can each choose a song and I’ll play it here (not any of your music - I will do that).

Sara: Our Father Star – How to React

Rocky: Nomadic Homes – Hidden Messages

Branson: Billie Holiday – Crazy He Calls Me

Andrew: Suburban Lawns – Janitor

Aidan: Slowdive – When the Sun Hit

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Follow Falcon Jane

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INTERVIEW: Esme Bridie

INTERVIEW:

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Esme Bridie

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IT can be hard juggling…

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academic duties and songwriting demands! Esme Bridie tells me about that balance and what we can expect from her forthcoming album, Today It Rains (out on 23rd March). I ask her about her studies and what she hopes to achieve; the artists who have inspired her most – what touring dates she has coming up.

The young songwriter tells me about working with producer Colin McKay and what advice she would give to fellow artists; if there is a standout memory from her time in music; making music in Merseyside – and why knitting has come into her life!

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Hi, Esme. How are you? How has your week been?

Hello! I am good, thank you. My week has been good so far. It’s been a cold one, though: lots of staying inside and avoiding this weather!

For those new to your music; can you introduce yourself, please?

I am a singer-songwriter from Merseyside - taking influence from classic artists such as Joni Mitchell and Paul Simon.

It has been pretty cold and snowy recently. Have you been affected by it? Does it provide you more time to stay in and make music?

Yeah. I’m currently in Leeds and it’s pretty snowy here! My uni has closed for a couple of days which means I have been able to stay in and write songs - without feeling guilty for not going to the library and writing my essays instead. Haha.

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Your debut album, Today It Rains, is out on 23rd March. What sort of themes and ideas compelled the songwriting?

The songs on this album were written over the past couple of years. The themes include love, loss; loneliness, standing up for yourself and hopefulness – so, all the usual emotions you get at twenty-one. Hah!

Is there a song from the album that stands out from the pack – the one you feel closest to?

Hmmm…it’s so hard to pick one…but I think I’d have to say Only Lonely People. I wrote it at a bit of a low point about a year-and-a-half ago - and I just love how this version came out. It’s quite simple with just backing vocals mainly but, for me, the recording perfectly captures the emotion I had when I wrote it.

Shout out to Ellie Rose Smith and Thom Morecroft who sang backing vocals on it!

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Colin McKay produced. What was it like working with him on the album?

It was wonderful working with Colin. I learnt a lot from him regarding production and arrangement. We did a lot of the production stuff together in the summer when we spent about eight hours a day on it. It’s a good thing he had some entertaining stories to keep us in good spirits! Even though it was hard work; I miss that time of working with Colin.

It was a unique experience.

I understand Today It Rains was recorded in parts – you were travelling to and from university to your home. Was it quite a difficult album to put together?

Yes. I am currently finishing my degree at Leeds College of Music but my family home is on the Wirral - so I have been very much between the two for a while. It hasn’t been too bad, really. I did have to travel back a lot - but that just meant I had a lot of songwriting time on the train (which is never a bad thing).

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You are a young artist but have an exceptional ear for melody! Which musicians, do you think, are responsible for that? Which artists did you grow up around?

I am inspired by artists like Joni Mitchell, Paul Simon and Carole King. More current artists include the Staves, Lucy Rose and Laura Marling. So, I suppose, it’s a mix up of all of those.

What is the music scene like in Merseyside? How important are the people and the environment to you?

I love gigging in Liverpool. There is such a lovely atmosphere there for my kind of music. People will come out to gigs all the time; just because they love hearing new music. It is usually a very encouraging and friendly vibe from the audience and from other artists.

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Can we see you tour soon? What gigs do you have coming up?

Yes! I am touring my album in March. I will play Leeds, Liverpool; Manchester London and York. Then, I have a couple of nice Leeds gigs booked in for April - as well as Focus festival in Wales in May.

It’s all looking very exciting!

Is the stage somewhere you love? Do you change your sound – compared to the studio – when you hit the stage?

I always get very nervous right before I go on stage and then, as soon as I’m up there, I just focus all of that energy into the emotion of the songs. I love performing. It sounds a little bit hippy but it kind of takes me out of myself in a way. It is such an awesome adrenalin-rush that, sometimes, it doesn’t feel real. I think that my sound in the studio is pretty similar to how I am live.

That’s what I like to go for when I record, anyway: just trying to capture my natural sound.

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What do you hope to achieve in 2018?

2018 is looking like a very busy year for me! I’ll be finishing my degree and releasing my first album - so that feels pretty big right now. After that; I want to just keep gigging as much as possible, write more and see where it all leads.

Have you got a favourite memory from your time in music – the one that sticks in the mind?

I played solo at the Royal Albert Hall last November as part of the Music for Youth showcase. It was incredible! That is a very special musical memory for me.

What advice would you give to new artists coming through?

Well. I am still a new artist myself but, from my experience to this point; I guess I have learnt that you have to really love the creative part. You have to be almost addicted to the writing process and the performing - because all the other stuff around it, like the business side, can feel quite overwhelming at times.

However, if you love it enough; it won’t matter and you’ll just keep pushing.

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Do you get much time to chill away from music? How do you unwind?

I love being creative with my hands - like painting or sewing. My most-recent hobby at the moment, though, is knitting. I have made a scarf - and I am currently working on a patchwork blanket. It’s so relaxing!

Finally, and for being a good sport; you can choose a song and I’ll play it here (not any of your music - I will do that).

Okay. Here is a song that came on my Spotify playlist while I was answering these questions: it’s called The Sweetest Thing by Camera Obscura. I love it. It is so uplifting!

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Follow Esme Bridie

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INTERVIEW: The 27

INTERVIEW:

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The 27

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THERE are not many bands…

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who can say they have been approved by Beyoncé! The 27 can claim that so, with that in mind; I was eager to learn more about them. Their new single, Tell Me, is out in April and I ask what the story behind it is – and whether they can reveal the famous face who will appear in the video.

They discuss their tastes and whether there is a special story behind their name; what tour dates are in the pipeline; if there is any advice they would offer new artists – if they all get time to detach away from music.

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Hi, guys. How are you? How has your week been?

Hello, nice to meet you. This week has been good, thanks – or, at least for Henry, as he’s been in L.A. avoiding this weather.

For those new to your music; can you introduce yourselves, please?

Well. We’re The 27. Our names are Henry Parker (Guitar and Vocals), David Page (Bass Guitar and Vocals) and Tom Michell (Guitar and Vocals). We also have a drummer, sometimes.

What can you reveal about the new song, Tell Me? How did that come together?

Well. It’s a song about bafflement and confusion of seeing someone be in love with someone who treats them badly and is in general completely wrong for them; yet, they seem to like them all the same. It was originally all recorded in Barnet at the Next Room - and then an alternative mix was done out in L.A.

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I know the video will feature a famous face. Can you reveal who the ‘national treasure’ is?! How much fun was the video itself?

I’d be very happy to spill the beans but I don’t know if I’m allowed to yet. ‘National treasure’ is an interesting description, though. I can and will rule out Judi Dench, Nicholas Parsons and Michael Gambon, though.

Previous visuals have included appearances by the likes of Rhian Sugden – you have filmed at Amy Winehouse’s old house in Camden. How crucial are videos and getting them right?

Well. I think they are very important now; so much so that they are all part and parcel with being a recording artist now. In the past, we’ve always let other people come up with the video concepts...and we've just done what we’re told – whereas, with this latest video, we were much more involved with the creative side.

Is there going to be more music from you guys? What are you working on?

Well. We’re working on more singles and an E.P. which might all get bumped into an album - depending on how well this next release goes.

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Your band-name is ‘The 27’. Is that an allusion to ‘The 27 Club’? What does it refer to?

Not really…maybe a little bit.

We were looking for a name and we went through loads of terrible ideas: we decided we wanted something short and simple. Then, we had the idea that it should be a number - as there aren’t so many band-names that are numbers. Then, a friend - who was twenty-seven at the time – said: “How about The 27?”.

It’s a cool number and, obviously, we realised there was ‘The 27 Club’ - which is pretty relevant in music. Also; it was the only name the one or all of us didn’t hate…

Which musician did you all grow up on? Can you each remember the first album you ever bought?

I think we all grew up with Rock ‘n’ Roll to some degree. Also, Oasis and Blur were both in the charts back then - which kind of tied in with that a little. By the time I was at the age where music really mattered in one’s life, downloads had taken over. The first album I was given though was a Monkees greatest hits tape when I was about five or six.

It seems you have a fondness for 1960s artists like Crosby, Stills, Nash & Young. Is this period of music inspirational to you?

We’re kinda inspired by all eras of music - which will probably be more prevalent in our latest batch of records. That being said, we are a guitar-based band with three vocalists - and that era is pretty well-drenched in vocal harmony and guitars so, definitely, ‘yes’.

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Can we see you tour soon? What gigs do you have coming up?

Well. I’m not quite sure yet.  I think they’re all being confirmed in the next two weeks but, yes; we will be out playing very soon.

What do you hope to achieve in 2018?

Money, success - and finally re-watching all the series of Midsomer Murders.

Have you each got a favourite memory from your time in music – the one that sticks in the mind?

Well. The musician’s life is so well-populated with amazing and crazy memories: some horrifying and some fantastic. Then, to multiply that by three people; it’s really hard to pick one…

I think, for the sake of this article; the first time the three of us sang together has to be up there though.

What advice would you give to new artists coming through?

Well. I’m not sure we’ve really broken through yet: so I don’t think we should go dispensing advice to others just yet. I guess one thing I’ve noticed is that nowadays; everyone who ‘makes it’ seems to have a completely different story and journey…therefore their experiences aren’t going to be relevant to one’s self. Lastly, history seldom repeats itself in the music industry; therefore, it’s always good to take any ‘career’ advice with a pinch of salt.

Do you all get much time to chill away from music? How do you unwind?

Music is our life and we love playing it.

Therefore, we never really need to ‘get away’ from it. Normally, it’s nice to actually sit back and listen to music - as opposed to playing it. Occasionally, though, it’s good to break open a box-set from a 1980s or 1990s British T.V. series.

Finally, and for being good sports; you can each choose a song and I’ll play it here (not any of your music - I will do that).

Henry: Brandy (You’re a Fine Girl) by Looking Glass

David: September by Earth Wind & Fire 

Tom: For What It’s Worth by Buffalo Springfield

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INTERVIEW: For Esmé

INTERVIEW:

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For Esmé

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IT has been awesome speaking…

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with For Esmé’s front-person, Martha Meredith. She has been talking about the new single, Doubtmouth, and what comes next in terms of material. I ask about her tastes and what we can expect in terms of gigs; whether she will bring the band over to the U.K. (she is based in Canada) – and how she manages to unwind away from music.

Martha talks more about sexism in the industry and how she fights against it; why it is important to create parity; some new artists we need to look out for - and what it was like studying at Queen’s University.

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Hi, how are you? How has your week been?

Hi. My last week was a little nuts since I shot two music videos and released a single, but hey: busy is good.

For those new to your music; can you introduce yourself, please?

I’m Martha Meredith; front-person and creative director of For Esmé; writing to you from Parkdale in Toronto.

Doubtmouth is your new single. Can you reveal the story behind the song?

Absolutely. I’ve worked on a few all-male teams in the last few years and I kept running into this problem where, when I was passionate about my opinions on things and confident in my knowledge, people seemed to get annoyed. I noticed, in contrast, that the exact same attitude was totally acceptable when expressed by men.

I got to work on these projects because of my opinions and knowledge but, then; these dudes would be mad when I expressed them in a way that was inconvenient to them. I found I had to word things in this certain, careful way to be taken seriously and they didn’t - and I got really frustrated by that.

It is taken from the upcoming album, Righteous Woman. Are there certain themes and stories that inspired the songwriting?

Totally. I’ve always identified as a feminist but, in reality, I’m really trying to dig into what that means in my own life - I ran into a lot of difficult questions. In trying to find my own voice and raise it, I was self-conscious of taking up space as a white woman who has had a ton of privilege in life. I was also in the midst of planning my wedding to my longtime partner and found I was terrified. Not about being with him, but about the attitudes I felt people were projecting onto me about what it means to be a wife.

I realized that, even as an outspoken feminist, I still was applying all this pressure on myself to fit into a certain role of what a woman is ‘supposed’ to be like - and the record is about confronting those expectations in myself.

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I get the feeling there is a frustration that stems from years of working for and around men and remaining silent – seen as ‘too confident’ and bold! Do you feel you have been silenced and judged because you are confident?!

In my experience, a lot of men who say they love strong women don’t actually love it so much when that strength is directed at them: when she tells them they’re wrong, really sticks up for herself or knows more about something than they do. I think an equally important part of this conversation, though, is the role women play in this. The pressure women feel to be really accommodating and nurturing gets internalized. I know I have not always stood up for myself with the emotion I felt because I was scared to be labeled. The threat of being called a ‘bitch’ or being told you’re too emotional is real.

While I have certainly experienced being silenced, my biggest hurdle is learning not to silence myself; to stop caring so much about being some perfect (and fictional) example of womanhood. Our culture is screaming toxic gendered ideas at us 24/7 from billboards, magazines; T.V. - and it’s a lot of hard work to shut that out and listen to yourself (and speak your own truth).

There is sexism in music and the world at large. How important is it for female artists to stand up and ensure they are not overlooked?!

I think it’s important to stand up against sexism for sure - and it can be a pretty thankless task. I think too, though, that there is a beautiful movement happening right now. When women really support each other’s initiatives we can change the landscape of the industry and the culture at large. I’ve been really fortunate to be a part of founding the Toronto Womxn in Music community - which we call TWIM. We’re a grassroots organization connecting woman in the industry here in Toronto…and it’s been such a rewarding experience.

Maybe we didn’t have the channels before that: we needed to lift each other up and help each other be heard - and I am seeing that change. The key thing is that the work is never done. We have to keep fighting hard; not just for women’s voices but for all marginalized voices to be heard and celebrated. The homogeneity of the music scene is boring! It’s so much more interesting and exciting when it’s vast and inclusive.

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How important was your time studying at Queen’s University? Did study there provoke you to explore feminine anger/roles and channel that through songwriting?

It did and it didn’t.

I studied Psychology and Politics and learned a lot about sexism and feminism that way - but sexism in academia is just as big a problem as anywhere else. My time in university was early-days in my feminist awakening and I think that even though I was working on my feminist ideas, my scope was so limited. I had a lot of blind-spots. I mentioned internalizing things before and I think my time in university involved a lot of discord: on the one hand, I was this confident and outspoken woman; on the other, I still had all this internalized misogyny that I hadn’t confronted yet. I was still trying to be a ‘chill girl’ back then. I wasn’t great at calling people out; maybe because I hadn’t quite learned how to call myself out yet either.

That emotional discord, though, IS why I started writing music - and continues to be my driving force. Writing songs about conflicting feelings is, for me, the best way to get to the bottom of them

What is it like recording and playing in Toronto? Is the city a pretty open and exciting place to be?

Toronto has so much to offer. Sometimes, it saddens me because I think there is so much brilliance here but it always feels like the city has a bit of an identity crisis. We want to be this major international player but we don’t have our sh*t sorted, you know?! All the D.I.Y. music venues keep shutting down and it’s getting too expensive for artists to even live here. That being said; Toronto is home to so many of my favourite artists and the arts community is very enriching. It’s a beautiful scene; full of so much potential and so much great work.

Which artists are most important to you? Who do you count as influences?

Lyrically, I’ve been heavily influenced by Fiona Apple, Emily Haines and Karen O. I love the boldness with which these women show their feelings so unabashedly. Musically, the most played records in my house are Todd Terje’s It’s Album Time and Kate Bush’s Hounds of Love.

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Can we see you tour soon? What gigs do you have coming up?

We have lots of things coming up in Canada in the next few months. It’s Canadian Music Week in May and then we’re having a big album launch and what we call ‘the 401 tour’ - the highway that connects all the major cities in Ontario to one another.

Do you think you’ll come to the U.K. this year?

I want to come to the U.K. so bad…and tour Europe more extensively. We’ve had so much support from the U.K., online, and never had the chance yet to come play there. Honestly; I sometimes feel like Europe ‘gets’ For Esmé more than Canada - so it’s definitely one of my ambitions to get over there and play for you!

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IN THIS PHOTO: The Highest Order

Which new artists do you recommend we check out?

My favourite Toronto band is The Highest Order - it’s psychedelic Country music and the best thing going. Front-person Simone Schmidt also has an incredible solo endeavour called Fiver. In both projects, Simone shines as the ultimate lyrical craftsperson - insanely intricate, poetic and political. My friends Saxsyndrum (from Montreal) make the best experimental Dance music (sax and drum-based) that makes me want to move so much. I had them play my wedding as a special late-night performance...

Recently, I was super-impressed with Vivek Shraya’s new project called Too Attached and their E.P. called Angry. It is brave and bold and super-badass. The new FRIGS record is amazing, too — Bria Selmena is so raw and real...and it’s super-powerful. Oh, and Land of Talk - Life After Youth!

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PHOTO CREDIT: Too Attached/PHOTO CREDIT: Nick Wong

What do you hope to achieve, personally, in 2018?

Honestly, to release myself from the shackles of my own perfectionism! I know that sounds intense but I am my own biggest obstacle most of the time.

Have you got a favourite memory from your time in music – the one that sticks in the mind?

It’s hard to pick one!

I get a lot of joy from performing and a different and equally important sense of fulfilment from writing something new that I am obsessed with. Those ‘aha’ moments are what I live for. But, a pretty magical night for me was when we played the WayHome festival here and we did a surprise late-night show that started just after Neil Young performed. There was a pretty serious dance party from this huge crowd that just sort of appeared in the darkness. Neil and his wife cruised past our trailer on a double bicycle earlier in the day and I was like: ‘Is this real life?!’.

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What advice would you give to new artists coming through?

Listen to yourself: not to what everyone else is doing.

Do you get much time to chill away from music? How do you unwind?

I read a lotttt. I love to escape to the wilderness and get out of the city whenever I can. I spend a lot of time on an island on Georgian Bay (when it’s not winter).

Finally, and for being a good sport; you can choose a song and I’ll play it here (not any of your music - I will do that).

My pick would be Land of Talk’s This Time. I think it’s so beautiful - it makes me cry, but in, like, a hopeful way, if that makes sense.

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Follow For Esmé

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INTERVIEW: Nuela Charles

INTERVIEW:

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Nuela Charles

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WE shall make this three…

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for Canadian artists of the day! I have been chatting with Edmonton-based Nuela Charles about her latest gem, Do It Right. She tells me about her musical growth and upbringing; being influenced by the Soul greets; working with Rob Kleiner on her latest track – and seeing her album, The Grand Hustle, pick up honours and awards.

Charles talks about the way she disconnects from music; if we will see her in the U.K.; what she aims to achieve later this year; some worthy advice for new artists – some new talent worth a bit of our attention and time.

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Hi, Nuela. How are you? How has your week been?

Hello! I’m great, thank you! My week has definitely been exciting for sure.

For those new to your music; can you introduce yourself, please?

My name is Nuela (new-ella) Charles. I am a singer-songwriter based in Edmonton, Canada - and I like to say that my music could be the soundtrack to a James Bond movie (smiles).

Do It Right is your latest single. Can you tell me about the inspiration behind that song?

Do It Right was written in Los Angeles while I was on a two-week writing trip to London (England) and L.A. We wanted to make something upbeat and catchy and, when we got the title, it kind of just wrote itself after. The title perfectly sums it up: If you’re gonna do it, better do it right! It’s kinda cheeky.

But; I wanted to talk about instances in my life when I’ve had people approach me and totally miss the mark.

You worked with Rob Kleiner on the song. What was it like working with him?

Working with Rob was great.

It was my first time meeting him and I’m so happy we were able to come out of our first session together with an amazing song!

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Do It Right has a powerful, soulful sound! It sounds like music stirs passion in you! How important is music in everything you do?

I literally cannot go through a day without music in my life...

If I’m not creating it, I have to be listening to it. I love discovering new sounds and powerful vocals – it’s (just) really inspiring for me.

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The Grand Hustle, your sophomore album, was nominated for Adult Contemporary Album of the Year for 2018’s JUNO Awards. What was it like receiving that news?

Finding out I was nominated was an amazing feeling! I actually overslept - so I missed the actual announcement in the morning because of the time difference between Toronto and Edmonton. But, a colleague of mine was there and sent me a video clip of the announcement - so it was super-rad!

Does an honour like that change how you approach future music? Are you already thinking of new ideas?

I’m currently wrapping up my next project and the nomination is definitely an added bonus! I think it helps in how people perceive what one does - when you’re associated with something like a JUNO; or a BRIT or a Grammy - but I don’t think it has changed my approach. My goal is always to create something better than the last time.

It seems like the greats of Soul are idols of yours. Which musicians did you grow up around? Were you raised in a musical household?

As a kid, my parents would play classic Whitney Houston, Marvin Gaye and Stevie Wonder all the time. As I grew up, it was all about the vocal delivery. Alanis Morissette was a huge one for me in my teens – stylistically different, but vocally super-powerful.

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What gigs do you have coming up? Where can we see you play?

I’ll be performing as part of the JUNO Festival in Vancouver in March and then festivals starting in June - mainly in Canada and my first in Seattle, U.S.; all of which haven’t been announced yet - so, I, technically, have to wait to give specifics (smiles).

Do you think you’ll visit the U.K. at all?

That is one of the next steps for me. I love most everything musical that comes out of there and, although I’ve been to London a few times for writing, I haven’t the opportunity to play there yet.

Looking to change that with the new music coming out later this year!

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What do you hope to achieve in 2018?

More music. Definitely more music…and a lot more live shows.

Have you got a favourite memory from your time in music – the one that sticks in the mind?

A few years ago, I was asked to open up for Ziggy Marley in a wonderful seated theatre and it was an amazing experience! We play two totally different styles - but his audience totally took me in and we had a blast!

What advice would you give to new artists coming through?

The one thing I tell everyone is 'know the business and don’t quit'. Because, once you stop, it’s over…and you’ll always ask yourself ‘what if’. My parents gave me two years to pursue music - and that was nine years ago.

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IN THIS PHOTO: Tom Misch

Are there any new artists you recommend we check out?

To be honest; I’m super-late on new artists. I just discovered Tom Misch - his latest collab. with De La Soul is amazing. Rationale has (also) recently caught my attention.

Sam Fender is also a new fave!

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IN THIS PHOTO: Sam Fender

Do you get much time to chill away from music? How do you unwind?

When I need a break, I like to watch movies. It still keeps me in a creative space but it’s a different kind of creativity and it takes me, albeit for a brief moment, to another place. When I REALLY need a break, I usually take a trip somewhere.

Finally, and for being a good sport; you can choose a song and I’ll play it here (not any of your music - I will do that).

Ooooo; I like this game. I have to, then say: Tom Misch and De La Soul – It Runs Through Me. It’s all about the music!

Thanks so much!

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Follow Nuela Charles

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INTERVIEW: Deanna Petcoff

INTERVIEW:

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 Deanna Petcoff

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I am staying in Toronto…

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as I have been investigating Terribly True – the latest single from Canadian star, Deanna Petcoff. She talks about the song’s origins and what comes next; which artists/sounds inspire her drive; how all the elements (to her latest song) came together – and whether it was hard departing from her band, Pins & Needles.

I learn more about her touring plans and whether she is coming to the U.K.; if she has a favourite memory(ies) from music so far; new artists we should give more time to – if there is any chance to detach from a busy music career and relax.

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Hi, Deanna. How are you? How has your week been?

Hi! My week has been wonderful. I just put my song out into the world - so I am very happy.

For those new to your music; can you introduce yourself, please?

Sure! I am a Canadian musician based out of Toronto and I’ve been playing music for six years professionally. I started this solo project about a year ago with my friend and collaborator, Alex Stavropoulos-Laurie - who really helped shape my sound and vision.

I’m now working on an E.P. and playing shows!

What is the story behind your single, Terribly True?

Terribly True is about the feeling of realizing you’re not really in love with someone you’re seeing and having to come to terms with the fact that you’ll have to hurt them. It’s hard to feel like you’re the antagonist of your own life, but standing by what you really believe rather than what you want to believe is vital in order to be happy. 

There are a lot of elements and sounds working away in the song. Did it take a while to get it together?! Do you think you were vibing particular artists when recording and writing it?

My producer Alex and I spoke a lot about influences and inspiration before we did the demo - including Angel Olsen, Alabama Shakes, and mainly, David Bowie - as he’s one of my major influences in general. Alex knows that my favourite vocalists are 1960s Soul singers and we thought a lot about that vintage quality in the tones and arrangement decisions.

Will there be more material soon? What are you working on?

We are working on an E.P.; still planning out arrangements with my band and Alex. We want the record to reflect my style and have the emotional honesty that I strive for in delivery and production.

Your solo career stemmed from the disbandment of Pins & Needles. Was it hard seeing the band break? Was it difficult transitioning to life as a solo artist?

I think, because the band broke up amicably, it has been an easy transition for me. It will always be strange playing without my girls: they’re my best friends and playing shows with them for five years was the best thing anyone could ask for. Having the support of my bandmates has made everything better – and, similarly, I support all of them in their endeavours.

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It seems you have eclectic tastes! Which artists did you grow up around? When did music come into your life?

I definitely do have broad tastes: everything from Billie Holiday to Brockhampton influences me. For me; if I can feel authenticity or true honesty in the music, any element of the music, I’m drawn to it. I grew up around a lot of Classic Rock from my dad: major influences like Queen, Prince and The Rolling Stones; as well as music that’s important to my mom like Frank Sinatra, Todd Rundgren and Carole King.

Music was around me for my entire childhood: it felt like a natural progression into creating it myself.

What gigs do you have coming up? Where can we see you play?

I am playing April 2 at The Smiling Buddha in Toronto and there again May 27th. I’m currently solidifying more dates for in between there - and as well for the summer.

Do you think you’ll visit the U.K. at all? Have you ever been over here before?

I have never played in the U.K. but I am itching to! I hope to make it over there in the next year or so!

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What do you hope to achieve in 2018?

My goal for 2018 is to put out my E.P. and play as many shows as I can - to make sure the set and the record are everything they can be. With the help of my band-mates Callum Maudsley, Julian Psihogios and Dylan Burett, as well as my producer Alex; we’re hoping to push this project as far as we can go in the next year.

Have you got a favourite memory from your time in music – the one that sticks in the mind?

Probably one of the best experiences of my life was playing the Canadian festival Field Trip three years ago with my band, Pins & Needles. It really felt like a life goal completed and I hope to play more festivals as time goes on. Honestly, though; all of my experiences with Pins & Needles were memorable - and that time of my life is something I cherish dearly.

What advice would you give to new artists coming through?

Get connected with local artists through going to shows and joining a collective! Keep working with people that can challenge you and help you become a better artist. Working unopposed is unproductive and, especially when you have a community of artists, it’s so important to stay together and help each other.

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IN THIS PHOTO: Luna Li/PHOTO CREDIT: August Kay Photography 

Are there any new artists you recommend we check out?

Yes! Check out Luna Li, The Beaches; Hex, Casper Skulls; Weaves and Language Arts! These are all Canadian superstars!

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IN THIS PHOTO: The Beaches/PHOTO CREDIT: Maya Fuhr

Do you get much time to chill away from music? How do you unwind?

I love hanging out with my friends and my family when I’m not making music. My roommate and I host a lot of parties at our house - and we like to surround ourselves with people we love and admire as much as humanly possible.

Toronto seems to be one of the fastest-growing centres for new music. Do you think there is a reason the Canadian city is so popular and productive?

I think there are some really good collectives and labels making huge efforts in Toronto right now to bring young people into the music scene. Places like Girls Rock Camp Toronto are really trying to inspire the younger generation of women and female-identifying youth to play music and get their voices out there…as well as record labels like Buzz Records and Royal Mountain; as well as Fried Records - who actively cultivate local artists.

The sense of community is really strong here - and it’s only going to get bigger.

Finally, and for being a good sport; you can choose a song and I’ll play it here (not any of your music - I will do that).

Breaking Glass by David Bowie! One of my favourite tracks of all time

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Follow Deanna Petcoff

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INTERVIEW: Cubs Refrain

INTERVIEW:

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Cubs Refrain

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I have not been to Canada too much the past couple of weeks…

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so it is about time I made a return! I have been listening to and chatting with Cubs Refrain. Jordan and Erin discuss their new single, When It Started, and their forthcoming album, Tell Me You Love Me; how they got started and whether there are tour dates planned – and whether a visit to the U.K. is a possibility.

I was keen to know what the scene is like in Canada and why Toronto is so up-and-coming; if they get time to chill away from music; whether they had eclectic musical childhoods; how important it is to gig and keep musically active in Canada – what Cubs Refrain hope to achieve as we head further into this year.

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Hi, guys. How are you? How has your week been?

We’re great, thanks. It’s been a crazy week of work and exams, mixed in with the release of When It Started and then, to top it off; we played our first show on Saturday. We feel like it’s been pretty productive, though.

For those new to your music; can you introduce yourselves, please?

We are an indie Synth-Pop duo from Toronto that plays a mix of sounds - kind of like a mash-up between CHVRCHES, M83 and Oh Wonder. 

When It Started is your new single. What is the story behind that track?

Erin: The song came together when we decided to write a concept album, which centres on two young characters navigating their first romantic relationship. I wanted to write a song that would describe their first experiences together; when exhilaration and adventure are at a high. I channeled many personal memories from my adolescence into the song; experiences shared with friends and from early relationships that involved anything that would get us into trouble - as well as feelings of insecurity I held on my own.

I really wanted to make the song about the characters learning to share parts of themselves, mixed with the wild sense of urgency and false confidence that youth tend to hold.

It is taken from the forthcoming album, Tell Me You Love Me. Is there a narrative and story that runs through the album?

Yes. Tell Me You Love Me is a concept album and story that we developed over the past two years. We wanted to play off of the nostalgia of young love - which is a theme that some of our favourite albums revolve around. It follows these two teenagers who fall in and out of love, experiencing the highs and the depths of their emotions as they learn about themselves and about each other.

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We made the decision around the time the album was mastered to only distribute physical copies in 12” vinyl. We wrote an album that was meant to be heard from top-to-bottom and we felt that the only format to do that justice was vinyl. There’s also a real nostalgia and romanticism to vinyl - and we felt that it was a great parallel to those themes we played off of when writing the album.

What was it like recording the record? Did the songs come together quite naturally?

We actually put the entire album together ourselves... 

We wrote quite a lot using soft synths originally (actually, it started to be very e-piano/clav-driven) and then fell in love with the warmth of the analog hardware synths. Once we got a hold of a few good synths, our sound really transformed into what is heard on the album. 

We recorded all of the synths, vocals and other instruments ourselves in Jordan’s apartment in Toronto. He rented a three-bedroom apartment with a buddy and used one room as a studio. That’s also where Jordan did all of the editing and mix for the album.

We worked on the story and the songwriting a lot. Things really started coming together when we began to storyboard our characters and understand them and their emotions. It really helped the music flow in a natural way. Being so narrative-driven; we feel as though we would not have realized the story as well if we had not fleshed out these characters as thoroughly as we did.

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How did Cubs Refrain come together? Is there a story behind that name, too?!

Jordan: We actually started the band unofficially when I was working in British Columbia and Erin was working in Spain. I had a vision for a sort of down-tempo Electro/R&B-type group (basically Oh Wonder, but heavier Electronic) and I really wanted Erin on board to sing. I knew she had a background in keys and a killer voice; so I put together some demos to try out - which we thought had a lot of potential. We both ended up in Toronto around the end of 2015 and started to work on our sound more seriously.

Erin: When I think of how we started; I always think of a festival that we went to with a big group of friends that first summer. We were so inspired by the artistry and atmosphere that we started thinking, ‘maybe we could actually make this work’. I think that’s when we decided to seriously go for it.

In terms of the name, we agreed early on that we’d let others interpret that the way they want to. What we will say is that part of it means something important to each of us.

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What sort of music did you both grow up around? Did you have eclectic backgrounds?

Jordan: I grew up listening to a lot of Classic-Rock, Punk; Blues and Folk. Oddly though, in high-school; I had a pretty big Classical and Metal phase (roughly at the same time). I didn’t ever listen to much Electronic music - so the transition into an (essentially) entirely synth-based genre was quite a shift. I am definitely much more open and listen to many more genres of music than I did when I was young.

Erin: Being the youngest in my family, I’d say I was pretty impressionable - and took recommendations from anywhere. I was exposed mostly to Folk and Rock early on and, later, I got more into Pop-Punk and Alternative Rock. My playlists were always all over the place, though, with random artists from Mozart to Duran Duran; 1980s New Wave synth-pop hits were the best feel-good tunes.

Toronto is thriving in terms of its music. Why is it such an appealing place for musicians, would you say?!

Toronto is incredibly diverse and that’s likely a huge reason why it appeals to musicians. There is a taste or a scene for all types and you can reach a lot of people without actually going too far. It’s a great city to experiment in: probably one of the most forward-thinking cities, musically.

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Can we see you tour soon? What gigs do you have coming up?

We’re hoping to tour a bit in the summer and into the fall throughout Eastern Canada; so, for anyone in the area, look out for those dates!

The big gig we’re focused on right now will be our album release-show - which is tentatively set for early-mid-April.

How important is it to gig and play in Canada? Do your live performances sound very different to studio-recorded music?

It’s huge. So much of your reputation is based on your live show. We’re fortunate to have such supportive friends, family and fans spread out across Ontario. We think it’s important that we establish a strong foothold here. This album has a lot of implicitly-rooted sentiments that we think are felt pretty strongly in Canadian youth - so there’s a lot of potential for it to really resonate here.

As for our live shows; we definitely try to maintain as much of our sound as we have on the record. We have all of these fantastic synths that are so powerful. It’s an incredible thing to hear when they’re all playing together. It’s the type of sound that we’d want to hear live out of bands in the same genre. We remember being absolutely blown away by CHVRCHES’ sound the first time we saw them play: it was the sound we wanted to try and emulate in our own way.

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Do you think a U.K. visit will be on the cards? Have you played here before?

We’ve never played in the U.K., although we’d absolutely love to and hope to in the near-future. The musical climate in the U.K., Canada and Australia seems to be very similar - and has a lot of great Indie artists producing some incredible music. We think the U.K. is a great market for us to try and reach - and a tour would be an awesome way to introduce ourselves.

What do you hope to achieve in 2018?

Right now, our main focus is on releasing the album.

It’s been a long time coming for us and we’re extremely excited for it to finally be heard as a whole. As we mentioned previously, we’re going to continue to gig here in Toronto and, hopefully, line up a tour in the fall. By the end of 2018, we’d really like to have a broader, foundational fanbase and be poised for a big summer of festivals in 2019.

Hopefully, all our vinyl will be sold by then… 

Have you each got a favourite memory from your time in music – the one that sticks in the mind?

Erin: I had the best time in university playing with my band at the time, Sloths in Denim. It was a pretty relaxed group: we did mostly covers but we just had a lot of fun together. We played a few shows and faced off with Jordan's band in a bit of friendly competition. It's exciting to look back on that and compare to where Jordan and I are now with Cubs Refrain.

We've put so much into the front-end of our original music - so we're just getting into gigging again now…and I'm getting pumped...because that's my favourite part.

Jordan: There are too many to count: music has been such a huge part of my life. We (Cubs Refrain) recently played our first show together and I remember actually being startled by the power and ferocity of our synths. It was the first time I heard us play at full-volume through the venue mains and it was actually a bit scary. These synths are crazy-powerful but an absolute dream to pla (It’s kind of what I’d imagine setting off a big explosion would be like).

An awesome thing to behold - but a power to wield very carefully.

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What advice would you give to new artists coming through?

Your work ethic has to be relentless and more than just on your music (which also has to be very good). The more artists we meet, the more we realize that you have to learn to wear all hats at all times. It extends beyond music into marketing, advertising; social media, production; web design, graphic design - the list goes on. Point being; if you can learn these skills and be really effective with them, then you’ll have an easier time building your brand. 

With all that said; patience is key - even if it means working a full-time job and doing music on the side for a while. To give you an idea; Erin is currently working full-time as a civil engineer and, until Jordan left his job (to finish the album and go to school for Audio Production), he was working full-time as a mechanical engineer.

A head-first dive into the life of a working musician is the dream - but it’s not always realistic.

Do you get much time to chill away from music? How do you unwind?

Jordan: Essentially, none. Haha. I’m currently at school for Audio Production at a private college in London (Ontario) called OIART (Ontario Institute of Audio Recording Technology); so I’m working on music/sound projects full-time - about six days per week. Any other free time I have, I’m working on stuff with Cubs.

Erin: I’d really love to spend more time on music, actually, but I work nine-five and spend almost every other moment focusing on the band as is. I don’t allow myself much time to chill and I’m trying to change that. Incorporating little things into my routine like meditation and yoga has helped recently.

But, when I can otherwise; I like to unwind by spending time with friends and family - whether it’s at home, at the bar or on some weekend trip out of the city.

Finally, and for being good sports; you can each choose a song and I’ll play it here (not any of your music - I will do that).

Jordan: Daytona/Fever by Roosevelt. Technically two tracks - but they run seamlessly one into another (If you have to choose only one, use Fever).

Erin: Time to Dance by The Jezabels

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INTERVIEW: BRIDGE

INTERVIEW:

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BRIDGE

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THINGS are really looking up…

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for the super-talented BRIDGE. She has released her sophomore single, Charlie - and I was eager to discover what it is all about. The Sydney native discusses the scene back home; the differences between Sydney and Melbourne (where she has spent a lot of time); whether we can see her arrive in the U.K. – and who she counts as influential musical guides.

I ask whether there is more music coming and why the record for Charlie had some ‘sticky’ moments; if she has any words for new artists emerging; how this week has fared for her – she ends this interview with a cool song!

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Hi, BRIDGE. How are you? How has your week been?

I’m really good, thanks! The track is going super-well - which is exciting. But, in even-more-amazing-news; I managed to find a genuine Ralph Lauren polo hat in an op-shop discount bin in Amsterdam for seven euros.

Summer, here I come!

For those new to your music; can you introduce yourself, please?

Hey, guys; I’m BRIDGE. My actual name is Brigid. I’m twenty-three-years-old and I’m from Sydney, Australia. Music has always played a huge role in my life. My dad is a music teacher and my mum is a musician too - and my siblings and I were all brought up learning to play Classical music. I started on the violin at five.

But, we were always encouraged to explore what we were capable of as much as we could and to branch out into other styles! I like to think my sound gains influence from all of these experiences, as well from my musical inspirations like Gordi, Meg Mac and, not to mention, James Taylor.

Charlie is your latest track. Can you reveal the origin of that song?

I wrote this song on my last trip to Germany...

It was a pouring rainy day and I was trapped inside; so started writing. I wrote the song with just a guitar - but the driving drum-beat is something I definitely imagined from the start of the writing process.

You have worked with producer Ben McCarthy. What does he add to the recording process?

Ben is truly amazing.

Putting aside the absolute technical proficiency and professionalism that he works with; the most striking thing about the process was how comfortable an environment his studio was. The space he created, as well as his eagerness to harness all the potential of the song, made me feel like he was a real partner in its creation.

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Is it true you had difficulty recording at Sing Sing Studios?! Was that for Charlie ?!

It was certainly difficult at the time that’s for sure!

Sing Sing Studios is, undoubtedly, one of the best studios in Melbourne but, during the recording process, Melbourne was undergoing a downpour of torrential proportion - and the sound of the rain on the studio roof kept on leaking through the sound-gate. After trying our best to work around it; we made the decision to incorporate it into the song - which was a great idea, as it ties back into the day that the song was first made.

Personally…I think it takes the song to a completely new level.

Will there be more material this year? What else are you working on right now?

I’m always writing new stuff and I have a catalogue of new material that I’m hoping to release in the near-future…so stay tuned!

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Melbourne seems like a vibrant and fascinating area of the world! What is the music scene like there?

Well, look; as a native Sydneysider, I feel I’d be betraying my homeland if I was too complimentary! But, honestly; Melbourne definitely deserves its reputation. In terms of small bars and live music venues: it’s truly the cream of the crop.

Although, I still reckon the coffee is better in Sydney…

If you had to sell the city to someone: what would you highlight as the main reasons to come?

Shopping, food; culture, tram: I feel all of the stereotypical reasons to go to Melbourne really are the best selling-points!

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Did music come into your life early? What got you hooked on it?

Yes. As I said; I grew up learning and playing music from a very young age! I think what really got me hooked, though, was when I started branching out and experimenting with other instruments such as piano and guitar - and writing my own stuff.

That’s when music really became less of a chore and more of a hobby for me.

Which musician did you grow up around? Can you remember the first album you ever bought?

I think the first album that I ever bought was Barbie Slumber Party 2002/Barbie Pool Party Mix, Volume 2 (money well spent, if you ask me) - but mum and dad made sure that my music tastes were a touch more diverse. The Beach Boys and Paul Simon are two that definitely stand out as early loves of mine.

Can we see you tour soon? What gigs do you have coming up?

I’m actually in Europe for the next year and I’m hoping to play a few gigs here and there - but no concrete plans at the moment. Although, if you chuck me a follow on social media then you’ll be the first to know…

Do you get over to the U.K. much? Will we see you play over here?

I actually played a small gig in Chiswick earlier this year - which was an amazing experience - and definitely one that I’d like recreate at some point.

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What do you hope to achieve in 2018?

I guess a top-of-the-charts single would probably be asking too much?!

But, if not that; just being able to create music and, hopefully, play in some cool, off-the-beaten-track venues around Europe.

Have you got a favourite memory from your time in music – the one that sticks in the mind?

I actually had a pretty unreal experience two weeks ago in Germany...

I’m currently based in this tiny town called Tübingen and I went along to this jam night with some mates at this tiny cellar bar under the castle. I got up and played Charlie on the piano but, by the second verse, I had a whole band of German locals playing along - it was pretty surreal!

What advice would you give to new artists coming through?

Truth be told; I’m still pretty new to the game myself but, if there’s anything I’ve found, it’s that it’s so helpful to connect with other artists - to try and get advice and see how they do it! In actual fact, that’s how I managed to find Ben McCarthy - he’d recorded one of Gordi’s E.P.s (which I really loved) so I managed to get in touch with her and she sent me his name.

Do you get much time to chill away from music? How do you unwind?

I sure do!

Music is obviously a massive part of who I am...but I also have a lot of other things I love to do! Travel is a big one - and I love watching a bit of footy.

Finally, and for being a good sport; you can choose a song and I’ll play it here (not any of your music - I will do that).

Mumford & Sons - There Will Be Time

This song is from their Johannesburg E.P. and it’s such a different vibe to their normal stuff! They recorded this E.P. during their tour in South Africa in 2016 - and for this song, they collaborated with a Senegalese singer, Baaba Maal…and the result is unreal.

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INTERVIEW: Rhys Lewis

INTERVIEW:

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Rhys Lewis

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THE solo songwriter market has many players…

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but few that continue to create progressive and impressive music. Rhys Lewis fits into that exclusive club. I have been speaking with the talented musician about his E.P., Bad Timing, and what inspired the songs; whether he has a favourite moment from it; which artists he counts as idols; how London is suiting his creative and personal flow – what advice he would give to artists.

I ask Lewis whether there are new artists he recommends; how he unwinds away from music; whether there are gigs coming up soon; where he goes from here – how important his fans’ love is.

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Hi, Rhys. How are you? How has your week been?

I’m very well, thanks! It’s been cold but great: can’t get my head around this weather! 

For those new to your music; can you introduce yourself, please?

I’m twenty-six. Originally from Oxfordshire but I been living in London for seven years now - and I’m a budding singer-songwriter! 

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Your E.P., Bad Timing, is out. What are the inspirations behind the songs? Any key themes that influenced the songwriting?

I guess, for this E.P., the first two tracks came from the breakdown of my last relationship. It’s all still quite fresh; so it feels weird having songs out there that are so open about it all. Themes of disconnect and loss are at the heart of it - and the sadness that comes with having to sacrifice something you don’t want to give up. 

Do you have a favourite song from the E.P.? Is there one that stands out?

My favourite is Reason to Hate You.

I like that it’s just the song: no production; still quite raw. The lyrics sum up completely how I was feeling - so I’m glad they are still the main focus. I also recorded that one live - so I have quite fond memories of the session. 

The track, Bloodstains, is already out. Has it been good getting the song out there? What has the reaction been like so far?

It’s been amazing seeing the reaction people have had to my music.

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People from all over the world message and say that one of my songs has been the soundtrack to their drive to work or helped them through a break-up; or the song they dance with their kids to in the living room. So it’s crazy to step back and realise that my music is playing in people’s lives.

In just over a year, I’ve had 20,000,000 streams on Spotify…which blows my mind. 

How did you get into music? Did you grow up in a very musical household?

My parents weren’t really that musical but my dad had a guitar - and both my parents listened to lots of great music. But, they were really encouraging (of me) trying music at school and, when I picked up the guitar at ten-years-old, that was it: I was obsessed!

Which artists do you count as idols? 

Blake Mills. He’s a GENIUS. You only need one... 

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You are situated in London. Do you draw any energy and creative guidance from the people? Is it the best place to be for an ambitious musician?

I’ve definitely been affected by living here. One of my songs is about the bittersweet relationship I have with living here. One the one hand, there’s so much going on and it’s a very creative place; on the other, it’s crowded, expensive and creatively draining...! I don’t think it’s essential that you live in London as a musician: there are some great cities in the U.K. that have an equally-exciting musical community.

It’s just important that you find a place that inspires you to do your best work and maybe a place that promotes collaboration and creativity. If you’re making something exciting and shouting about it; the industry heads will find you wherever you are. 

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 IN THIS PHOTO: Jade Bird

Are there any new artists you recommend we check out?

Jade Bird, Lewis Capaldi; Freya Ridings, Jalen N’Gonda; Franc Moody, Dermot Kennedy and Lily Moore. There are so many at the minute: I could go on for ages!

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IN THIS PHOTO: Freya Ridings

Can we see you tour soon? What gigs do you have coming up?

I’m on tour in Europe in April - and then doing a small U.K. tour at the start of May! 

What do you hope to achieve, personally, in 2018?

I try not to set too many goals: I (just) aim for each year to be better than the last. So, releasing more music, playing bigger shows; passing my driving test and seeing my family more are all part of the plan for 2018!

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Have you got a favourite memory from your time in music – the one that sticks in the mind?

Playing a sold-out show in Amsterdam to 600 people at the end of my European tour was definitely one of those pinch-yourself-moments. My family and friends were there too - so it was a special gig!

How important is the support of the fans and the love you get online? Do they motivate you to reach high and push on?

You know what; I never thought I’d say this but having that connection with fans really does inspire you and motivate you to do better. Especially when you’ve met a lot of those people on tour after a show: their words of encouragement and support really go a long way - and remind you that there are people out there that enjoy the music you’re making. Sounds cheesy, but you put your heart and soul into creating music and then labels - and whatnot - judge it based on streams and data.

So nice to have a connection with the people that judge it for what it is: music. 

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What advice would you give to new artists coming through?

Write or play or practice or study every single day. Focus on making music that excites you, because if it doesn’t excite you, it won’t excite anyone else. Obviously, social media is important but you can’t truly build a lasting following without good music - so let that be the thing that comes first.

Do you get much time to chill away from music? How do you unwind?

I don’t get loads of time but, when I do, I like to play sport and stay active. I recently (just) got into chess, so I’ve been trying to get good at that - I’m still sh*t. Reading is also good. It stops me from staring at a screen - which is the main benefit, I think! 

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INTERVIEW: Hero Fisher

INTERVIEW:

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Hero Fisher

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A new track from Hero Fisher is always…

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reason for interest and celebration. The London-based songwriter talks about Lonely and whether there will be more material. I ask her how her music has changed and whether she has stepped up her game; whether, she feels, the stage is somewhere she feels free and connected; if we can see her tour this year – what sort of music she was raised on.

Fisher reveals what it is like getting acclaim from big names (including Blur’s Dave Rowntree) and what she hopes to achieve this year; how she spends any free time away from music; a favourite memory from her time in music – she ends the interview with a rather cracking song selection.

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 Hi, Hero. How are you? How has your week been?

Hi! I’m good, thanks. I’ve been walking around snowy London. It’s looking magical out there!

For those new to your music; can you introduce yourself, please?

My name is Hero Fisher. I grew up in France with Australian parents and am now living in London. I’ll be releasing my second album, Glue Moon, before the summer. I’m really proud of it and can’t wait to share it with you!

Lonely is your new track. Can you talk about the story and inspiration for it?

I think the song is about warped perceptions - and how our individual perceptions are the only reality we actually have.

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Do you think they’ll be a video for the song? You create great and unique videos! Do you have an idea in mind for Lonely?

Thank you! I have made a video for this one. I, visually, wanted something meditative rather than narrative (for Lonely). The viewer just follows me along a drive; seemingly never-ending. It looks a bit like dream and is entirely open to interpretation:

Will there be more material this year? What are you working on?

Yes! We will be releasing a new single soon called Life Through Closed Eyes - along with a video directed by the wonderful Julian Broad.

Last year was a busy one for you. It seems like Lonely brings in new shades and ideas. Was it a conscious decision - to change things up a bit?

I initially wrote it as a kind of songwriting exercise - thinking someone other than me would sing it. But, it sort of just got darker and darker and it ended up fitting nicely in the album. I like to let songs happen organically: songs tend to take a shape of their own. I suppose I consciously make the decision to let the song lead the way.

I just decide whether to release it or not!

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It seems you and music and perfect partners. What was the reason for taking up music? Did you feel like it was the best way to express yourself – in a way you couldn’t have done otherwise?

Thank you. Yes, I definitely feel like that! I struggle to talk about my music because I make music to describe what feels indescribable.

Which artists do you count as idols? Did you grow up around a lot of different music?

Yes. My folks played all sorts of sounds around the house as I was growing up. I fell hard for Bob Dylan pretty young - and Leonard Cohen, Billie Holiday; PJ Harvey, Radiohead; Edith Piaf, Nick Cave...

You have courted some praise from some big names. Blur’s Dave Rowntree has expressed his fondness! Is it encouraging realising receiving applause from high-profile names/sources?  

Yes. It’s a wonderful thing to be appreciated by artists I admire so much. I work hard to make the best music I can - so it’s always good to get the nod from anyone really!

Can we see you tour soon? What gigs do you have coming up?

We’ll be playing new songs from the upcoming album on the 15th March at St. Pancras Old Church and at The Great Escape on the 19th May. I hope we see you there!

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PHOTO CREDIT: Brett Walker

I have seen you perform and can attest to your skills on stage. Is it somewhere you feel able to communicate fully and honestly with your listeners?

Thank you for coming to a show! I’d be lying if I said I didn’t get stage fright. It’s a real challenge for me - which is why I do it, I think! I’m still learning how to perform and probably always will be. But, when you’ve managed to channel what you’d hoped to and hold an audience’s attention…and made them feel something strong; it’s a magical moment.

I don’t know any other feeling like it.

What do you hope to achieve, personally, in 2018?

I very much hope the album will be loved - and that we’ll be able to tour Glue Moon for a while.

Have you got a favourite memory from your time in music – the one that sticks in the mind?

I would say recording the album in Monnow Valley Studio is a really happy time in my mind. It’s in the middle of nowhere with nothing but lambs and chickens; fields and trees, a little river running by. The night was so quiet and the air felt so clean.

I love the recording process. When we’ve brought together a solid and inspiring team of people and once we’re on a roll; it feels like a real achievement to have made it to that point!

What advice would you give to new artists coming through?

I would say don’t try to be anyone else. What will make you stand out is only you; your perception and the way you describe it. Don’t do anything you don’t want to do. Be flexible. Be kind. Be ruthless…

Don’t smash a burger just before a show or you’ll get sleepy.

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PHOTO CREDIT: @sonyajasinskiphotograph

Do you get much time to chill away from music? How do you unwind?

I don’t really listen to music all that much: I like the quiet. I love to read. I’m really into Shirley Jackson’s writing at the moment. I recommend We Have Always Lived in the Castle.

Finally, and for being a good sport; you can choose a song and I’ll play it here (not any of your music - I will do that).

Joan As Police Woman – Warning Bell

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INTERVIEW: Soho Radio

INTERVIEW:

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Soho Radio

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IT has been interesting speaking with Rachael Bird…

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the Station Manager of Soho Radio. She talks to me about the station’s ethos and why it continues to grow; why she joined the station and some of the best aspects of working where she does – and the reasons so many independent radio stations are forming around the capital.

Rachael tells me about the Jäger Soho collaboration: Soho Radio working with Jägermeister and the initiatives that are taking place right now; why the two parties have a close and productive working relationship – and why this will continue for a long time to come.

I learn more about The Vinyl Sessions and unique aspect to that project; festivals and outdoor events that Soho Radio and Jägermeister are involved with; some memorable performances that have happened as part of The Vinyl Sessions – why the new follower/discover should keep their eyes peeled to the goings-on of Soho Radio and Jägermeister.

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Hi. Who am I speaking to? How are you? How has your week been?

Hi! I’m Rachael; the Station Manager of Soho Radio. I am very well, thanks - hope you are too! Typical week at Soho Radio: mental!

I am a fan of Soho Radio and the work done on the station. What, to you, defines Soho Radio and what it is all about?

Soho Radio is a platform for hugely talented artists, D.J.s and producers; with a community vibe and a family spirit. Our eclectic roster is made up of shows from the likes of music journalist Pete Paphides, Dub maestro Dennis Bovell; Hacienda legend Mike Pickering and Primal Scream bassist Simone Marie. Inspired by Soho’s diverse culture, Soho Radio draws together musicians, artists; filmmakers, poets and the generally curious from across the globe.

We love that our presenters can play anything and say anything.

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When did you join Soho Radio and what, to you, is the biggest benefit of working for the station?

I’ve been here since the first day of broadcasting and I absolutely love it.

The benefit for me is being amongst a bunch of hugely creative people who all love radio just as much as I do - and are all supporting the work we are doing.

There are quite a few independent, rising London stations offering a great choice of music and talent for music lovers. Why do you feel radio is enjoying constant success and appreciation?

Online radio stations provide a platform for creative talents to spread their passion for music, culture; art, food and more. People don’t want to hear the same five songs from the commercial stations: they want fresh, exciting and engaging radio, which the online platforms are delivering, through their freedom of having no set playlists or guidelines. The online radio station market is thriving with the likes of Radar, NTS; Balamii (and more) all offering something slightly different, yet sharing the same ethos...

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Tell me about the work Soho Radio is doing with Jägermeister. How did the collaboration come about?

Our collaboration on Jäger Soho consists of Vinyl Sessions, Jäger Music radio shows; events and live broadcasts from festivals around the country. We also host pop-up residencies at the Jäger Soho space in Soho Radio - we’ve had Goldie’s yoga company, Yogangsters; Notion Magazine, the AIM Label Lodge takeover and more.

The collaboration came about from a shared love of music between Soho Radio and Jägermeister - which helps solidify our partnership on Jäger Soho.

The Vinyl Session is something that intrigues me. It involves a band/artist coming in and playing a song or two. Tell me about the bespoke lathe and the recording straight to vinyl. That sounds like a tough thing to perfect! What was the reason behind that idea?!

The radio station incorporates a designated performance area with a bespoke vinyl lathe, hand-crafted explicitly for the sessions. Instead of just a normal radio session; here at Soho Radio, we cut each intimate live performance directly to vinyl and film it in 360-Virtual Reality to create an exclusive package; producing a unique physical and virtual representation of the live session.

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The vinyl renaissance is truly underway and the Soho Radio Vinyl Sessions are an integral part of the revival: bringing exclusivity to the art through the incorporation of a radio station and vinyl-pressing facilities in one place. The project showcases technologies a century apart through the one-off nature of the vinyl recording; to the immersive experience of a virtual reality film.

What has been the most memorable performance in the series so far, would you say?

Seun Kuti & Egypt 80 was pretty special – we had fifteen musicians in the Jäger Soho space; all filmed in 360-V.R. It was our first dip into the vinyl-cutting process - definitely a good one to start with! Another one I will remember for a while was vocal musician Reeps One, who was joined by the London Contemporary Voices.

A mix of beatboxing and a choir – it sounded amazing!

In addition; there are outdoor festivals and events where Soho Radio and Jägermeister work together. What do you have planned for this year?

Jägermeister have an incredible experiential venue called the JägerHaus which they bring to selected festivals each summer. It’s made up of a number of different performance, entertainment and socialising spaces but, at its core, is a constant stream of incredible live music. This year’s festivals and line-ups are top-secret at the moment - but we definitely hope to bring our listeners some live broadcasts and exclusive band interviews from the JägerHaus this summer…so watch this space!

I know there are a few other brands and companies that have shown their support. Are these collaborations important in terms of exposure and spreading the message?

The support we get from brands and companies is great: it really helps to increase the Soho Radio exposure and spread the word. We want to continue to grow and develop our listener base and (just) play good music to the people. The advantage of being an online station is that our listeners are placed all over the world - not just Soho.

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What else can you tell us about the partnership? Why should I, as a music lover, follow it closely?

Our Vinyl Sessions are one-of-a-kind – a showcase of technologies decades apart – and the array of reputable artists who are on-board to cut a session direct to vinyl is very exciting. Keep watch over the next year to hear the latest instalment of the sessions.

Finally, and for being a good sport; I’ll let you choose a song and I’ll play it here.

The Greater Experience – Don’t Forget to Remember

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Follow Soho Radio

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INTERVIEW: Ellie Occleston

INTERVIEW:

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Ellie Occleston

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I have been speaking with teenager Ellie Occleston…

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as she discusses her new single, Splinters. I ask what comes next in terms of gigs and material; relocating to Spain from Merseyside; some of her treasured memories from music – and some great new artists we should all be more aware of.

Occleston talks about Michael Kiwanuka and Sir Elton John; how important London is regarding her music and ambition; whether she takes time away from music to relax; advice she would give to new artists emerging; whether Splinters, her debut single, is a nervous move – whether it was hard convincing her parents to come back to the U.K. and let her pursue a career in music.

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Hi, Ellie. How are you? How has your week been?

With the release of Splinters alongside my studies (I am still at school doing A-levels); it´s been complete madness but a lot of fun…

To be honest; the feedback and support I have had, and the love that´s been shown for Splinters, has taken my breath away - and it feels a bit like it`s happening to somebody else!

For those new to your music; can you introduce yourself, please?

Okey dokey. I would say I am somewhere between Indie-Pop and Indie-Folk with occasional undertones of Jazz and Soul – so not really a specific genre. I have really strong acoustic roots but recently started to experiment and arrange my music in a full-band setting…which has helped me further develop my overall sound in terms of both my songwriting and performance – and it also gives me versatility and scalability when I perform in different venues.

Splinters is your debut single. What is the story behind the song?

When I write songs, I try to use my personal view and experience to create something that people can relate to from different angles: whereas Splinters comes from what was a tough situation for me. I wrote it from a broader view of those situations we have all been in that eat away at you and, if you don't have a sense of perspective and positivity, it will end up being all-consuming.

Is it quite daunting putting out that first song?! How do you feel knowing it is going out to the world?

I am so excited to release this track and hope that Splinters resonates with people and they are able to find a connection with my lyrics and music. I am equally as nervous, however, but, as my grandad always used to tell me: "It´s better to be looked over than overlooked"

So here´s hoping...

How was it working with Jon Moon on the track? What do you think he brought to the song?

In a word: EPIC.

Jon has worked with a huge list of incredible people including Amy Winehouse, Florence + The Machine; Paolo Nutini, Two Door Cinema Club etc. - so I feel really humbled to have worked with him. He is so talented, experienced and such a nice guy - and he really listened to what I wanted in terms of creative ideas for the track and helped me capture them perfectly.

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You started like in Merseyside and relocated to Spain. Was it hard acclimatising to a new culture and living there? Did you write a lot of music when you were in Spain?

Yes. At first; it was really hard in terms of culture and language - particularly as I attended a Spanish school. So, during that initial period, songwriting and music were my escape and rapidly became my obsession. Once I became bilingual, things were easier - but my love for songwriting and music, thankfully, persisted. I also think it was a great experience and opened my mind completely; giving me the freedom to feel comfortable with who I am and to put that authenticity into my music.

How did you end back up in the U.K.? Was it hard convincing your parents?

Obviously; the lifestyle and the weather are vastly different in Madrid compared to London, so you would think it was a hard sell. However, my family are really supportive, and so, when I explained what I wanted to do; why and how I could make it happen they relented – plus, about a year of me continuously asking probably helped!  

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How important is London and the U.K. regarding your growth and music?

Super-important.

Since being back in the U.K., and London specifically, I have realised that it is one huge melting-pot of every kind of music you could imagine. Being exposed to a wide variety of new and different genres really made me think about the type of music I was making; being able to blur the boundaries that lie between ‘genres’ - and to combine their relevant appealing elements to create something unique and authentic to me.

Do you think they’ll be more music soon? What are you working on?

Yes. I recorded Splinters alongside some other new tracks at Sensible Studios in North London and, depending on how things go with Splinters (fingers crossed…); I plan to release a follow-up single soon. Whilst it´s just me and the piano on Splinters, I was lucky enough to have some stellar people on these other tracks - including Dale Davis on Bass (he was Amy Winehouse´s bassist and musical director); Jon Moody on Keys (who is part of the emerging and totally stunning band, FrancMoody), and Andy Mapp (Katrina and the Waves) on Drums. Sensible Studios is such an amazing place with a stunning music history: just so inspiring.

Also, while recording there, I had the pleasure of meeting Gary Powell (The Libertines) and JP Cooper (who ‘popped in’ for a chat) – it was totally surreal but they were such nice people.

Which artists are most important to you? Who do you count as influences?

I think it´s healthy and fun to listen to a whole range of music: I love everything from Classic Folk, to Hip-Hop; to Jazz and anything Indie. The types of artists I really connect to are those who tell their own experiences, from an angle unique to them but in a way that anyone can interpret it as they please. I think I have many influences, but if I had to name the most influential on me they would be: Palace, Joni Mitchell; David Bowie, Paolo Nutini; Tom Odell and Fleetwood Mac.

Can we see you tour soon? What gigs do you have coming up?

Currently, no tour planned - but I have some London gigs coming up in the next few weeks including (for the) Coffee Music Project (Soho); The Fix (Fitzrovia), plus a couple of other gigs in the pipeline. I am lining up some potential festival appearances.

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IN THIS PHOTO: Rex Orange County

Which new artists do you recommend we check out?

Oh, there are too many to choose from! I’m really loving Rex Orange County at the moment - not sure if he´s emerging or already emerged but I have followed him for over a year or so - and it makes me so excited to see artists I love blow up! Others I´m really into: Crumb, Palace; Yellow Days, Cosmo Pyke…

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IN THIS PHOTO: Palace

What do you hope to achieve, personally, in 2018?

It´s been an interesting and rollercoaster year for me already - and it's only February! A clear focus for me is to complete my schooling/A-levels as well as progressing in my music - and then to then take stock of potential opportunities so I can decide what would be the best way forward for me, in terms of both personal and musical development.

Have you got a favourite memory from your time in music – the one that sticks in the mind?

Hands-down, it has to be a songwriting masterclass run by Michael Kiwanuka at the Royal Albert Hall. Not only meeting him: he is a stunning musician and person. I got to share Splinters on piano – which just happened to be Sir Elton John´s Red Piano….

I was far more nervous about not damaging the piano than performing to one of my favourite songwriters!

What advice would you give to new artists coming through?

This is a tricky one because it´s different for everyone but, if I had to say one thing (it's only one as you can say it all in one breath!); I´d say perform as much as you can, accept the bad with the good; write as much as you can, listen to and watch as much different music as humanly possible… and just have fun!

Do you get much time to chill away from music? How do you unwind?

To be honest; the way I chill away from music is by listening to music! Instrumental music really relaxes me: I love Classical music and am currently really into Lofi Hip-Hop. I also love shopping: it´s very therapeutic! I also just love chilling with my mates and my sister.

Finally, and for being a good sport; you can choose a song and I’ll play it here (not any of your music - I will do that).

Oh, exciting! It´s going to have to be… Live Well by Palace

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Follow Ellie Occleston

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