INTERVIEW: Thayler Rhys

INTERVIEW:

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Thayler Rhys

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MY mind has been on the hunt…

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for an artist who has the qualities and fabrics of Thayler Rhys. I have been chatting with the Toronto-based artist about his debut single, 10K Post Up, and how a rat-infested flat proved to be conducive, somehow, to songwriting – and what it was like living in such conditions.

The talented newcomer talks about his process and how his influences impact his own sound; whether we will see him in the U.K. at all; if there is time for him to relax away from music; how important Toronto and its people are – ending the interview with some great song choices.

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Hi, Thayler Rhys. How are you? How has your week been?

Hey, Sam. It’s been exciting and stressful, but well worth it. My first single is out!

For those new to your music; can you introduce yourself, please?

I’m a twenty-four-year-old artist from Montreal, Quebec – now, a four-year native of Toronto.

10K Post Up is your new single. Is there a story behind the song? How did it come together?

I made the song with the producer, friend and old (rat-infested) crib mate of mine, Quin. It’s one of many songs we have cooked up together. Some took hours; some aren’t even close to being done and it’s been months - and a few were did in less than fifteen minutes.

10K Post Up was one of those few.

It was a rainy day; I came over to work on some heat, did that. Quin played this beat near the end. I was like: “JHEEZ”. I got up and he looped it for a few minutes until I started to put together some melodies and words. I left not long after and, when he sent it back to me, we were like: “Hey; damn, this last thing we did is pretty sick, man”.

Things started to come together in 2016 – when you were living in a rat-infested flat with a friend! How did that environment and condition lead to songwriting impetus?!

Rats, mould; non-functioning electro. The best yet was when the kitchen ceiling flooded…and not drops, like…I’m talking shower-game-level. We lived in a house with all the familiar symptoms of a trap house.

Consequently, we had to make some dope beats.

It seems music has been a constant – but you have tried a number of jobs and lifestyles. Did you always know, when going through these phases, music was what you were meant to be doing?!

No, I didn’t: I still don’t. But, f*ck it, I love it - so let’s do it, ya know.

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Was there a moment when a lightbulb came on and you focused?

When I saw Wiz Khalifa’s Name on a Cloud video in my senior year of high-school, I knew I needed to mob with my homies and make music I would, hopefully, release some day…

Is Toronto a great city to make music and perform? What are the people like there?

Toronto is great! People are confident, hub-committed; open to all kinds of music and proud about Toronto! I really have enjoyed it here. I have been progressively meeting a lot of up-and-coming talent and everyone is really supportive of whatever your vision may be - as long as you’re passionate about it.

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Can we see any more material from you later in the year? Will there be an E.P. or album down the line?

Yep; all of those…and more!

Which musicians did you grow up on? Can you each remember the first album you ever bought?

Jheez. Uh…

Pink polo-backpack Kanye (West) had me shook, so I think that was my first album purchase on that lucrative pocket money and chores-for-change-income back in the day! My big brother got me on the 1990s classics: Pack (Tupac), Biggie (Smalls) etc. My sister was on soulful stuff: TLC and more. 

I’m pretty sure Quin would say Radiohead and more Radiohead - and Frank Ocean, since his first project.

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Can we see you tour soon? What gigs do you have coming up?

Gigs are being planned for the summer! All are Toronto-orientated for now.

Do you think you’ll come to the U.K. this year? Have you played over this way?

Hell, yeah! When the expansion allows it.

Not sure if that will be this year but my mom was born in London, so one has to represent and come to show love! (Smiles).

You are quite ‘new’ to social media, it seems – Facebook and Twitter accounts are fairly recent. Was there a reason for being away from these sites for a bit?! How important are they, do you think, regards exposure and recruiting fans?

Ya. Just thought I’d hop on the social media thing when we started the wave. Wave be small now, but stay chuned (sic.). Social media also requires a lot of effort, engagement-wise, so I’ve heard, when you’re starting out. So; I figured, when I’m ready, I’d get to it…

I’m ready!

What do you hope to achieve in 2018?

A very clear sense of direction of where the wave is heading and a happy fan-base to ride the wave with (Q and I and the close group of amazingly supportive and talented artist were working with) (Smiles).

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Have you got a favourite memory from your time in music – the one that sticks in the mind?

Yeah. When I first sang at my high-school talent show and had ladies, who didn’t know I existed beforehand, come see what’s really good with me right after I performed...

What advice would you give to new artists coming through?

I mean; I’m a really new artist, so for all the hella newer artists: patience, bare patience; then much more patience…and even more; a good work ethic (while working in a state of patience).

Do you get much time to chill away from music? How do you unwind?

I’m still a student for a little longer - and I work as well. When Quin sends me something we’ve done and I can listen to it – and think up more ideas – well…that’s my unwinding!

Finally, and for being a good sport; you can choose a song and I’ll play it here (not any of your music - I will do that).

Never by Dear Pressure

…or Roaches (Punken) by Maxo Kream

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Follow Thayler Rhys

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INTERVIEW: Coralcrown

INTERVIEW:

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Coralcrown

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I have been investigating Coralcrown auteur Luis Gotor…

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and asking about his move to the U.K. (Gotor was born in Spain). I learn more about the new track, Between the Lights, and what we can expect in the future. Coralcrown discusses the vintage sound of his music – and how he mixes that with modern ideals.

I learn more about his debut E.P., Birth (where his latest single is from), and the artists who inspire him; what gigs are coming up; if there is time away from music to detach and reflect – Coralcrown provides some handy advice for new artists.

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Hi, Coralcrown. How are you? How has your week been?

Hi! This is Luis. Feeling good! My week is been busy. Trying to get some time in-between my job to sit down and write some new music and ideas (locked in my bedroom).

For those new to your music; can you introduce yourself, please?

My name is Luis Gotor. I am from Spain. I moved to London in 2014 and, since then, I have been writing lots of music and trying to find my sound - coming from a bunch of different styles.

Can I ask where ‘Coralcrown’ came from? That name seems rather intriguing…

Haha, well, to be honest; I spent weeks trying to find a name...

I am terrible with that stuff and none of them convinced me...and then I asked Dani - the keyboardist - what he thought about a few and, with half of a name that I had he suggested (Coralcrow – ‘all together’); that’s it: one of the best gifts that I have ever had. At first, I felt a bit disappointed not be able to find the name by myself - but now I love it and I wouldn’t change it.

Between the Lights is out. Can you tell me about the story behind the song?

I think it was in a time when I felt a bit down and I needed a story to believe in love in a certain way. That kind of feeling when you want to be with someone and, when you get it, nothing else is important - and that becomes your unique and real world.

The production gives the song a vintage-cum-modern vibe. Was it important giving the song that balance and mix?

Wow, thanks. Well. It wasn’t premeditated really: my head gets bits from everywhere and makes its own mix. It seemed natural to me doing it that way. I love both and I think it’s rewarding to combine them.

The song is from your debut E.P., Birth. What sort of themes and ideas can we expect to see in the E.P.? Can you tease any others songs that will appear on it?

Birth is, you can figure from its name, all about a beginning.

It’s the start of all I want to share with people; it’s a selection of the songs that I think represented - by the time that I recorded it - the kind of sound that I wanted to show. They all are very dreamy and talk about desire. I haven’t thought much about it but, yeah, they all talk in a different way of wanting someone (in this or that way).

Whoever is coming out soon and it is a bit creepy but very true (not the murderer thing. God).

Luis. You started Coralcrown after the end of your former band. Was it quite hard transitioning from life in a band to a solo existence?

I was terrified at first with the idea of being alone and exposed - but it is a relief when nobody is stopping you and you can let flow all your ideas and, if you have to change everything a hundred times, you just do it and nobody is gonna get upset. Also, I must say, I am very particular (a pain) sometimes and I like to do things on my way.

There you go: pure honesty.

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How important was London, and its nightlife, to your decision to keep going with music?

Well. When I first came, it all seemed a bit overwhelming because everyone was having fun and all these bands were playing gigs. I thought I wouldn’t be able to do that anymore but then, as time passed, I was feeling more and more excited about the idea of coming back. Then all my passion took over and I recovered the energy to pursue it.

Which artists did you grow up listening to? Did music arrive in your life early?

I grew up listening lots of Spanish bands (Pereza, ECDL...) at first and then I became more interested in English-speaking music. I used to listen to British and American Pop-Punk bands (Blink-182, Busted...) like every teenager in the 2000s - but then I discovered the R&B from the 1950s (Chuck Berry, Elvis Presley…) and the Pop from the 1960s (The Beatles, The Rolling Stones; Pink Floyd, The Who...) and that blew my mind and put me on the road to where I am now.

However, at this point, I am a bit obsessed with the Disco-Funk from the 1970s – especially the Synth-Pop from the 1980s.

Can we see you tour soon? What gigs do you have coming up?

Yes. We’ll be at The Finsbury on 4th May presenting Birth. We can’t wait.

How important is the stage and performing live? Is there a big difference between your studio sound and live set?

I am extremely perfectionist and I like to work hard to get the best possible sound performing live.

I, personally, do like to notice the difference between studio and the live set when I go to gigs and I like to do it as well. But, at this early stage, we are happy to reproduce the songs as they are recorded.

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What do you hope to achieve in 2018?

I’d like to play as much as we can, maybe in a few small festivals. Obviously, I’ll see people liking the songs and share them with their friends: I love the idea of the songs being passed by word-of-mouth.

Also, I am planning to record a few more songs at the end of the year.

Have you got a favourite memory from your time in music – the one that sticks in the mind?

I do, and it is not a particular one: it is more a feeling that, when you are performing live with your friends (and musicians), there is a sort of magic and connection that is really addictive.

What advice would you give to new artists coming through?

I’d say do not ever give up if you believe in it.

Do you get much time to chill away from music? How do you unwind?

I don’t chill away much, really: it is a bit unhealthy and, yeah, I should. I should leave the cave more often than I do.

Finally, and for being a good sport; you can choose a song and I’ll play it here (not any of your music - I will do that).

Me and Michael – MGMT

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Follow Coralcrown

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INTERVIEW: The Great Dictators

INTERVIEW:

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The Great Dictators

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MY recent interviewing has taken me…

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all over the world. Although I have travelled a lot and featured artists from various parts; it has been a while since I included a Danish act. The Great Dictators are a fantastic band who discuss their latest single, Killing Fields, and how it came to be. I was interested knowing how the group formed and what the scene is like in Denmark right now – and whether the guys are coming to the U.K. to play.

I ask how the music has moved on since When I Waltz (their debut E.P.) and what their musical tastes are; how all the disparate sounds and genres formulate into something cohesive; if they get time away from music to reflect – what they would say to any new artists emerging.

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Hi, guys. How are you? How has your week been?

Great, thanks. Our week’s been pretty hectic with the release of our single and working on new music but, all in all, very good.

For those new to your music; can you introduce yourselves, please?

Well. We’re The Great Dictator; we’re from Denmark and we love beer. We also love to explore as many genres as possible - as long as the end result is something that will subtly rock our worlds. The overall genre is definitely some kind of melancholic Rock, though.

Killing Fields is your new song. Can you tell me what the inspiration behind it is?

Killing Fields, first of all, marks a step in a new direction for us; both genre-wise and as a band. We’ve been listening to a lot of, mostly, Electronic acts lately: Porches, Blanck Mass; Zola Jesus etc. Then, Dragut bought a drum machine - and, then, the rest is history.

The song, itself, is about the difficulties we as humans can have communicating with each other. The world is a dark but, also, a beautiful mess. There’s a lot of crap going on but hope tends to pop up; even though it’s only through small glimpses.

It is cinematic and dark; it mixes different shades together. Did the song come together naturally? How does a (The) Great Dictators song come together?

Dragut wrote the song and played around with it at his flat. Later on, we all brought our ideas; played around with it in our studio and made it sound like it does. That’s, basically, the standard procedure for every song.

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Is there going to be more material arriving? What are you working on?

There sure is.

As of now, we have the groundwork for an E.P. - that is set to be released late-2018. Killing Fields is the only finished track, but we’re working our butts off with the rest of the songs. We also hope to have one or two more singles ready before the E.P.-release.

How do you think you have changed since your debut E.P., When I Waltz?

We’ve definitely grown more as musicians - and the band constellation has changed a lot. All in all, we’ve grown more secure in what we do and stopped minding all the B.S. that tags along with being an underground act – that, sometimes, tickle the surface of local fame. We’re also more open to constantly exploring new musical directions and, hopefully, keeping our melancholic vibe intact.

How did The Great Dictators come to be? When did you meet one another?

Dragut started the project in 2011 as a musical collective, where Jakob was one of the first band members. Chris joined later on - and then it all made sense being a trio.

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I hear shades of Country and Folk; some Metal and Indie strands. Which artists inspire you all? Did you all grow up around music?

None of us grew up with musicians in the family, so it probably has more to do with our own discoveries and equally-music-interested people around us. We’re all (just) passionate music lovers with different backgrounds. Chris’ favorite genre is probably Math Rock; Jakob is into Electronic music and Dragut is a complete sucker for all genres.

Denmark is where you are based. What is the scene like there now? How does it differ to the likes of the U.S. and U.K.?

The scene, right now, is pretty standard and ordinary. It’s not necessarily a bad thing...

It seems like it’s imitating what’s going on in the rest of the world; also the U.S. and U.K. Streaming services, Pop singles and short attention-spans seem like they’re dominating, but still, there’s a cool and vivid underground scene of great acts. But, they don’t get the attention, support and money they deserve.

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Can we see you tour soon? What gigs do you have coming up?

We’re planning on (playing) gigs sometime after the summer; plus, a grand release show and a tour in early-2019.

Will you play the U.K. at all? Do you get out this way a lot?

No promises, but we’d love to have some gigs in the U.K. We have it in mind so, hopefully, next year.

Any ideas?

What do you all hope to achieve, personally, in 2018?

We’d like to drink more wine instead of beer. We still love beer but wine seems more sophisticated. Adult fluids, you know.

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Have you each got a favourite memory from your time in music – the one that sticks in the mind?

We supported Daniel Lanois when he played in Denmark a couple of years ago. He was an extremely cool dude and, fortunately, he was up for a really awkward selfie. But, in general, the band is about friendship, constantly meeting and working with new people and delivering new tunes that resonate with our fans. We’ll continue the journey and we’re up for more adventures.

What advice would you give to new artists coming through?

Write some good songs, make some good music: it might take a while, perhaps a whole fuc*ing lot of years, but keep on working on your own voice and then all the hard work  suddenly begins - with all the boring mail-writing and mingling; spending money you won’t see again but, hey: believe in yourself and then all the rest is quite unimportant.

Do you get much time to chill away from music? How do you unwind?

We really dig movies, so that’s a common panic room. We also like the soothing voice of Sir David Attenborough. But, music is our biggest passion - so almost everything has something to do with music…

Finally, and for being good sports; you can each choose a song and I’ll play it here (not any of your music - I will do that).

Christoffer: G Is for Jaile by Gallops

Jakob: Emerald Rush by Jon Hopkins

Dragut: Metal Gods by Judas Priest

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Follow The Great Dictators

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INTERVIEW: Statue

INTERVIEW:

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Statue

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FROM the working-class neighbourhoods of Brooklyn…

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it is to Belgium – where I get to discuss music with Statue. The band has released the video for the track, E. I was interested knowing more about them and the inspirations that go into their L.P., Kasper. They talk about their formation and fond memories from music; whether there are any dates in the dairy – and whether they are coming to the U.K.

The band talk about the scene in Belgium; the artists who inspired them to get into music; what they all hope to achieve throughout this year – I learn how a typical Statue song comes together.

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Hi, Statue. How are you? How has your week been?

Bart: Had a good dinner on Monday with some friends.

Emiel/Toni: Crazy-awesome! Just played our first shows of this year. Feels very good to play again.

For those new to your music; can you introduce yourselves, please?

Bart: Think Matrix fight scene music played by guitars not sounding anything like a guitar...

Lennart: ...oh...and please leave those vocals out.

E is out now. What is the story behind the single?

Antoni: It started out as a jam with a nice melody, wide-loud guitars and Rock-kinda drums. But, in the studio, we completely destroyed it...

Made it a bit more dumpster-Rock.

The video is quite quirky and fun! How was it putting it together?

While working on the song in the studio, we realised it would become a very nervous song. We couldn’t stop dancing and talked about fast cars and sports.The guys of Visual Internationals - who’ve worked out the video - came up with a crazy ping pong video-clip idea - and we immediately jumped on it.

Lennart: The recording of the video we’re pretty crazy. We rented the sports hall for a night. So, we had nine hours, a great crew and 480 ping pong balls to put it all together. Afterwards, we went to the swimming pool for two underwater shots. Pretty exhausting but loads of fun. We started at 11 P.M. and we’ve ended at 10.30 A.M. So, we were pretty fuc*ed - but we had to celebrate with some rum and red wine.

Kasper is your new album. What can you reveal about the themes and ideas that inspired its creation?

Bart: The tracks on the album started off, originally, in the likes of our previous album - Calexico Point - and originated naturally in our rehearsal space. Once in the studio, the great interaction with producer Micha Volders and Micha’s take on song structure and sound, triggered us to the more aggressive, robot-like danceable tracks you can hear on the album.

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How do songs come together for you? Do you write songs together - or does one person write the songs?

Every song started with one of the guys trying some riff, beat; a groove or whatever you want to name it. Then, the band picks in and start adding where others start toning down again; until the main theme of a song has grown. We start playing it regularly at rehearsals; from there it grows into a song that kept evolving - only taking a final form from the moment it’s recorded for the album (it will appear on).

Jan: Hours and hours of jams. For Kasper, we’ve selected ten ideas out of a-hundred-plus-hours of jams. Then, we come together; go completely insane listening to these crazy jams. Once we’ve selected the most interesting ideas, we start jamming and working on these songs for hours and hours.

Lennart: Every song is a team effort.

Did music come into your lives early? What got you hooked on it?

Bart: I can only speak for myself, but it didn’t come that early. As with many kids of my age, my interest was triggered at the age of sixteen; because I liked ‘guitar’ music - mostly Rage Against the Machine and Nirvana. For me, the reason picking up the bass instead of the guitar - like any sixteen-year-old would do - was that Lennart (yes, the same guy I’m still in with Statue) played in a Nirvana cover band and didn’t have a bass player.

Antoni: As far as I can remember, I’ve always wanted to play music and it never changed. So; I’m not sure what hooked me up. It’s just the most fun thing to do in the world!

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Which musicians did you all grow up around? Can you each remember the first album you ever bought?

We listen to very different kinds of music. But, living in Belgium; I think we all listened to bands like dEUS, Millionaire; Evil Superstars…

Emiel: I can’t remember the first album I bought. But; I think it should be something like Rammstein, Papa Roach; Slipknot, Sum 41; Metallica...

When I was fourteen, I started listening to Sonic Youth, Q.O.T.S.A.; Hüsker Du, Radiohead and Dinosaur Jr.

Bart: I didn’t grow up on a certain musician. I have been discovering new music from the moment I started consciously listening to music. The first album I ever bought was Blood on the Dancefloor - Michael Jackson.

Lennart: The first album I ever bought was By the Way – Red Hot Chili Peppers. It got me into guitar-playing. I liked the way John Frusciante approached the guitar. Afterwards, I really got into Tom Verlaine (Television), David Byrne (Talking Heads) and Feist. Oh, Feist...

She has an extraordinary way of playing the guitar. She wants to comfort you and cut your throat at the same time.

Joos: The first album I bought was Purple Pills by D12.

Jan: The Mars Volta - Frances the Mute.

You are based out of Belgium. Is the country quite active in terms of new music?!

Emiel: I believe Belgium is becoming very active in terms of new music. The last five years, the bands have been tripled. So much new music, new bands. Quite interesting but...

Lennart: ...there is a great underground scene with lots of bands with their own sound and vibe. More importantly, some of these bands find their way into the more popular circuits giving the edge to mainstream music (it’s craving for).

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Can we see you tour soon? What gigs do you have coming up?

Emiel: We’ll be playing most of the time in Belgium and the Netherlands. We’re slowly working on a team throughout Europe, so we can start playing other countries.

Will you come to the U.K. and play? What do you think of the music here?

Jezusfacory Records will distribute our album in the U.K. I think there are a lot more pubs, venues and bands in the U.K. This increases the creativity and level of the musicians.

Bart: Book us: we will tear down your club.

Antoni: We will come and visit you guys, but your E.U. exit doesn’t make it easy, though.

What do you hope to achieve in 2018?

Emiel: Play nice venues, go on tour; play a lot, play cool audiences; make a lot of fun with the band and the people we get to know on our way!

Jan: Start working on next year’s album!

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Have you each got a favourite memory from your time in music - the one that sticks in the mind?

Emiel: I think we have a lot of fantastic memories. But, there is one I still remember it was like yesterday. One time, we played and we stayed at the venue all night partying our heads off. When the morning came, we were all too drunk to drive. Only one of us could, so we all had to get in one little van with all the instruments. Someone got pressed in the trunk and another one had to sit on the roof of the car. Luckily, it was only a ten-minute drive.

Antoni: Playing at Pukkelpop was definitely one of the highlights. But, just playing the music I like with my friends just turns a big smile on my face.

What advice would you give to new artists coming through?

Antoni: Play as much with as many people as you can and do whatever you like.

Bart: You’re the musician: make the music you want to make. Don’t do it for anybody but yourself. Don’t give up.

Joos: Get out there and try to construct a sound of your own.

Lennart: Try. Fail. Fail again. Win.

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Do you get much time to chill away from music? How do you unwind?

Antoni: I don’t have much time to chill away or unwind. I don’t think any of us. If we’re not playing with Statue we’re playing in our other bands.

Lennart: As Antoni mentions, we don’t have much time left to listen to music. But, I truly enjoy listening to music on our way to a gig. In the best case; I’d love to dream away to some new albums on my couch with my headphones on...

But that’s pretty rare.

Finally, and for being good sports; you can each choose a song and I’ll play it here (not any of your music - I will do that).

Bart Weyens (Bass): The Fall - The Classical

Emiel Van Den Abbeele (Guitar): Hüsker Dü - Don’t Want to Know If You Are Lonely

Joos Houwen (Guitar): Serge Gainsbourg - En Melody

Antoni Foscez (Drums): Holy Fuck - Tom Tom

Jan Viggria (Guitar): Fu Manchu - Evil Eye

Lennart Janssen (Guitar): Ought - Habit

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Follow Statue

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Facebook:

https://www.facebook.com/Statuemusic/

Instagram:

https://www.instagram.com/statue_music/

YouTube:

https://www.youtube.com/user/nostatue

STUDIO PICS:

 Anton Coene

ALBUM ARTWORK:

Jasper Dufraing and Philip Vermeesen

INTERVIEW: Madelin

INTERVIEW:

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Madelin

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THERE aren’t many artists who arrest…

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the senses the same way as Madelin does. I have been speaking with the Brooklyn-based artist about the forthcoming E.P., The Peachmixes (officially released on 13th April). Madelin discusses the video for the High School Boys remix and featuring celebrated drag artists; what comes next in terms of gigs and material; if we can see Madelin in the U.K. – some of the artists who have inspired the music we hear on Madelin (the debut E.P.).

Madelin explains the reaction to her previous E.P. and why the material being put out now is more personal and pleasing; some advice new artists can adhere to – and whether sexual identity and gender equality are issues we need to tackle and explore in music.

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Hi, Madelin. How are you? How has your week been?

I’m good, but I’m really tired. I’m going on my third week without a day off - so I feel like a zombie.

For those new to your music; can you introduce yourself, please?

My name is Madelin. I grew up in Venice Beach California but I live in Brooklyn now. I call myself an experimental Pop artist. My music style is a cross between Björk, St. Vincent; Regina Spektor and Tove Lo. I like mixing different genres to the point of being uncategorizable. I’m inspired by intuitive melodies, found sounds and phat synths.

The High School Boys remix video is out. The video draws together Brooklyn drag performers. How did the concept come together? How important was it ensuring the visuals and messages were right?

When my collaborator, Jose Dao, and I first started conceptualizing the video we knew we wanted to work with the Brooklyn drag performers that we know and admire - and showcase them in the video. Since the song talks about a “high school boy” - whose name I can’t remember - we wanted to play with gender expectations and offer a full spectrum of gender expression. In that way; we honed in on the message of the video - which is that our memories of our experiences are fluid and always changing. We worked incredibly hard at nailing down the details of every single shot in the video.

Representing the Brooklyn artist scene properly was monumentally important to us.

It features ten-year-old, Desmond Is Amazing. Was it a lot of fun putting it all together?

Desmond was so much fun to have on set. He completely lit up the room with his fabulous energy and made everybody laugh. The experience of being on set and seeing it all come together was so rewarding. It felt like one of those cosmic moments when you’re surrounded by everyone you love and it’s like the universe is telling you you’re moving in the right direction.

The track is from the E.P., The Peachmixes. What can you reveal about the remixes that will appear? What was the reason for releasing a remix E.P.?

You can expect a very dynamic exciting E.P. with expertly-produced songs by some of my best friends who I went to college with. It spans genres, from Hip-Hop and Pop to Dancehall and Indie, but still has a cohesiveness to it. I wanted to put out this E.P. as a way to claim my power and independence as an artist. In 2017, I detached myself from my publishing company - because I felt like I was being manipulated and lead in the wrong direction musically.

As much as I love my previous Madelin E.P.; it was too influenced by people who were trying to change who I was to try and make me more marketable. The Peachmixes is all me: no one else’s advice was taken. It’s more of a redo E.P. than a remix E.P. to me. This is the start of the rest of my life in music - and it’s something I’m really proud of.

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The Madelin E.P. featured stunning cuts like High School Boys. What sort of themes and stories were influencing you around the time you wrote the E.P.?

The Madelin E.P. was written right before a really transformative time in my life. I was feeling kind of lost and like my destiny was out of my control. The feeling of people and things slipping through my fingers was a strong theme of the writing process for that E.P., as well as the feeling of moving away from your youth and being in that middle-ground of not quite knowing who you are yet...

A bit uncomfortable, but necessary for personal growth.

Do you think sexuality and identity are still awkward subjects to raise in music? Do you think there are obstacles for those who want to declare and emancipate?

I think now is the time for freedom of gender identity and sexual orientation to be in the forefront of music and art in general. Everyone should feel free to express themselves in a way that feels right to them. I, personally, consider myself genderless but still feel comfortable with ‘she’/’her’ pronouns. It’s difficult to feel comfortable expressing your gender or sexual identity when you’re still in the midst of exploring it...but I encourage everyone to give themselves the space to find what feels right to them - and to know that it’s ok if what feels right changes over time.

Never put yourself in a box or worry too much about what others will think of you. I truly believe that our souls have masculine energy, feminine energy and everything in-between. It makes sense for us to evolve in how we express our gender throughout our lives.

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You are from Bushwick, Brooklyn. It is a working-class neighbourhood. How important is the vibe and people regards your music and approach to songwriting?

I’ve lived in Bushwick for five years. It definitely influences me, musically. I feel a sense of comradery with all the artists who live here. It encourages me to stay on top of my sh*t.

What comes after the E.P.? Do you think you’ll bring any new material out before the end of this year?

Yes indeed. Expect more from me in 2018…

Did music come into your life early? What got you hooked on it?

I’ve been singing ever since I can remember. I started writing songs at age eight. I never stopped. Music got me hooked on music. I’m inspired by artists I admire. That is as true now for me as it ever was. I’m also addicted to the satisfaction I get from creating a song. It feels like the most authentic way for me to express my inner-world.

Which musicians did you grow up on? Can you remember the first album you ever bought?

I grew up listening to Motown, Pop music and classic singer-songwriters like Joni Mitchell and Paul Simon.

The first record I ever received was NSYNC’s first album - which I became obsessed with. The first one I ever bought myself was Return of Saturn by No Doubt. That’s still one of my all-time favorite records.

Can we see you tour soon? What gigs do you have coming up?

I’m taking a little time off from gigs to focus on recording new music. I’m planning on playing more shows this summer - so keep an eye on my Instagram for updates.

Do you get out to the U.K. much? Will we see you play over here?

I’ve never been to the U.K. but cross your fingers for me - that life leads me there at some point.

What do you hope to achieve in 2018?

I hope to get a ton of music recorded and to start releasing it. I want to build momentum and make a lot of art. I also want to keep enjoying living here in Brooklyn at the heart of the drag-scene here.

There’s nothing better than BK drag.

Have you got a favourite memory from your time in music – the one that sticks in the mind?

Making my very first E.P. in college, Cloud.  It’s not on Spotify right now but you can find it on SoundCloud and BandCamp under my full name, Madeline Mondrala. The process was so organic. I’m using it as a model for how I want to record music this year.

What advice would you give to new artists coming through?

Work harder than you think you need to, trust your intuition; don’t let anybody try and change you, do it because you love it not because you want money or fame…oh…and don’t take anyone’s advice….except for this advice I’m giving you right now.  

Do you get much time to chill away from music? How do you unwind?

Honestly, not a whole lot...

Between working to pay my rent and keeping up with my music hustle, it leaves very little free time. What free time I do have is spent at drag shows and queer parties, if I feel like popping off, or in my bed with my cat watching documentaries and hitting the vape pen if I feel like being a hermit.

Finally, and for being a good sport; you can choose a song and I’ll play it here (not any of your music - I will do that).

Polymorphing by Chairlift

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Follow Madelin

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INTERVIEW: Mute Choir

INTERVIEW:

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Mute Choir

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I am fascinated by Mute Choir…

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and what he is all about. Sam Arion is the man behind the moniker – he talks to me about his new music. I discover stories and ideas behind his debut album, Behind the Bars (out soon), and whether he has a standout cut. The Canadian artist talks about his influences and how music came into his life; new artists we should investigate – and whether he is coming to the U.K.

Behind the Bars’ title song is out now. It shows the talented songwriter is one of the most promising new acts around – as we find out in a revealing and personal interview.

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Hi, Mute Choir. How are you? How has your week been?

It’s been good. Been keeping very busy in the studio getting the mixing done for this record.

For those new to your music; can you introduce yourself, please?

Hi. I’m Sam. I have bigger hair than your dad in the 1980s. Hope you like the music…

When Did ‘Mute Choir’ form? Why did you decide to get into music?

Mute Choir has been a relatively new project; only really getting its legs in the past year. But, a lot of this record contains music from a few different time periods in my life - and it kinda feels like years and years of experiencing life and writing songs through all that has led up to this album and project. So, in a way, you could say ‘Mute Choir’ has always been there with me: it simply has been shaped into a more tangible form now.

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I was a visual artist as a kid - so art, in general, was always a huge part of my life. Around thirteen, I started getting really heavily into some music that helped me through some really rough times. From there, I started writing poetry and trying to sing the best I could at the time. I wanted to be able to, one day, offer the same consolation to someone going through something as the music I listened to did for me. Then it, basically, just never stopped from there.

Behind the Bars is your upcomimg, debut album. What are the main themes explored through the record?

Behind the Bars deals heavily with themes of entrapment and freedom. That became a recurring theme as I wrote more music. It related, in some way, to every song on the record; whether it’s a love song or a socio-political commentary. It would always find its way back to this universal theme, both in my music and in my life…so it sort of became an accidental concept album.

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Was it quite an easy and quick album to put together? What, typically, would comprise an average day in the studio?

I wouldn’t say so, no. Some songs were written, or partially written, years before the completion of the album - and took that time of putting them on the backburner before the finishing touches towards those songs were realized. The actual pre-production of the album comprised of me cooped up in a basement outside of the city, basically, writing and working on the tunes every day for about nine-ten months.

During that time, I was pretty isolated from just about everyone and everything; this gave me the time and peace to really reflect on my life, my emotions and my thoughts. Through that process, most of the album was written and demoed out. From there, we re-tracked all of the live instruments as well as the vocals in the studio; leading to where we are at now, in the mixing stage.

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A day at the studio, for me, can be pretty chaotic and a frustrating process. Sometimes it really feels like I need to just get something out, like a splinter boring deeper with each passing minute and, if you don’t pull it out, it will go too far in and it gets lost under your skin. So, I tend to work at a very fast rate, throwing ideas all over the place; usually using about three-per-cent of them overall. But, that’s just kinda how my brain works and, somehow or another, I find a way to organize it and make it one cohesive thought at a certain point.

I never know how long it will take because, sometimes, you start a thought but you don’t have the necessary experience to finish it. Then, one day, something happens in your life that just teaches you exactly what you needed to learn before you could finish that lyric or song.

So; it’s pretty unpredictable and I try to never set a formula or force a song to be something it isn’t meant to be.

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Do you have a favoured song off the album? Which one means the most to you?

A lot of the tunes on the record mean a lot to me in different ways, but Election Season is my jam. I don’t think I’ve felt a stronger sense of accomplishment and pride in my work with anything else I’ve done before that.

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Which musicians did you grow up on? Were you raised in an eclectic household?

I grew up on just about every style of music you could imagine. I think the first thing that really caught my attention as a kid was The Beatles as well as Punk music. From there, my taste progressed to pretty much every style and variety of music you could imagine.

Both my parents were very talented painters and visual artists - so that was definitely a big influence on me as an artist. However, I’m the only musician in my family and no one was huge on music really. My father did show me some awesome musicians as a kid like The Beatles, Terry Jacks; David Bowie and a lot of really killer legendary classic bands - and that, definitely, had a pretty huge impact on me.

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Can we see you tour soon? What gigs do you have coming up?

As we’re finishing up the record, we haven’t been doing too much in the way of shows but we have a gig coming up in May…and I’m really looking forward to getting back into the live swing of things in the next couple months. Definitely going to hit the road once the record is out.

Do you think you’ll play the U.K. at all? Have you been over here before?

I plan on it: It’s just a matter of time. I haven’t been before but I’ve been yearning to go for quite some time now. So many of my biggest influences and absolutely brilliant artists have come out of the U.K. - and I’d really like to come and play and take all of it in.

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What do you hope to achieve in 2018?

I just want to share my music with people and hope they can take something away from it. If I can do that, it’ll be a good year.

Have you got a favourite memory from your time in music – the one that sticks in the mind?

I saw LCD Soundsystem on once headlining a festival over here and that was probably the closest thing to a religious experience I’ve ever had. It changed my life; it inspired me and gave me a new kind of confidence that helped me, at the time, to take the leap into pursuing what is now Mute Choir.

What is Toronto like for new music? Is it a great city to play and perform in?

It’s cool. There’s a lot going on and there’s always kinda something for everyone here. The music scene is really diverse, but the scene is always very welcoming and I rarely feel a sense of competition amongst artists: more of a comradery than anything.

It’s a chill spot.

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What advice would you give to new artists coming through?

As cliché as this sounds: just do 'you'.

I spent so long thinking about what kind of artist I should be and where I fit. Honestly, you don’t need to decide that stuff. If you just make music as honestly as you possibly can, it will find you. Don’t worry about your ‘brand’ or your identity: it’s nearly impossible to see from a first-person perspective before you get out there.

For me, I only really discovered the music that felt like ‘me’ and felt like ‘my sound’ when I stopped caring, or trying hard to find it. I just made stuff that sounded good to my ears, without too much of a filter. Albeit, I did this for years to no avail until it finally felt right but, work at it; work as hard as you can until you find something that feels like you.

But; also give yourself time to live a little: you’re probably not going to write a good song if you don’t have any time in your life to experience anything to write about.

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Are there any new artists you recommend we check out?

Rubéhill and Deanna Petcoff have put out a couple unbelievable tunes recently. I’d definitely check them out - if you know what’s good for your eardrums…

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IN THIS PHOTO: Deanna Petcoff/PHOTO CREDIT: Sabrina Carrizo Sztainbok 

Do you get much time to chill away from music? How do you unwind?

Lately; not much, no. It’s been pretty busy and hectic over the past few months.

How do I unwind? I don’t know. I don’t imagine it would be vastly different than anyone else…I’ve never really thought about it; I don’t exactly have an ‘unwinding’ routine…I just live my life day-to-day and take it as it comes.

Finally, and for being a good sport; you can choose a song and I’ll play it here (not any of your music - I will do that)

Apartment by Rubéhill (it’s a jam)

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Follow Mute Choir

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INTERVIEW: Eleven Past One

INTERVIEW:

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 Eleven Past One

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THERE is no doubting the chops…

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of Eleven Past One! The Canadian group are on the rise and collecting fans like President Trump accrues dissatisfied and bewildered opponents. Hailing from Bowmanville; I have been speaking with the Pop group about their lauded new single, Closer, and the story behind the song; whether there is more material in the pipeline; how they, and their music, has developed and grown – and whether a tour is on the cards.

They talk to me about writing and recording in L.A.; whether they ever get time away from the hectic music industry; what they want to achieve before this year is through; advice they’d offer to new artists – and why the 1980s is a special/inspiration period for them.

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Hi, lads. How are you? How has your week been?

Hey! It’s been pretty good, pretty good.

For those new to your music; can you introduce yourselves, please?

We’re Eleven Past One. My name’s Daniel (singer), Stephen on guitar; Steve on drums and Justin on bass.

Closer is your latest single. What is the story behind that track?

Well. We went to L.A. to meet up for some writing sessions with several different writers/producers. We were with Cimo Fränkel and Rik Annema in one of those sessions. We began to write with them and came up with our song, Wrong Way Home, but they also approached us with Closer. Immediately, when we heard the first note, we knew it was something we had to be a part of.

Is it true you went out to L.A. to work on/record the song? Was that a cool experience?!

Yes; it was an amazing experience. We’ve done plenty of writing, recording and touring in L.A. There’s something magical about it. The feeling of working in the world-mecca of entertainment is always cool.

You are based in Canada normally. Is it a lot different compared to the U.S. – in terms of the music and vibe?

Well. It definitely can feel different. Radio, for example, is different. It’s hard to put your finger on it, but the U.S. has more of an international/universal sound when it comes to music, in my opinion.

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How did Eleven Past One get form? What brought the band together?

Well. After I had finished university (Daniel), my brother (Stephen); Steve and I formed the band back in 2009. Stephen and Steve had met in high-school, bonding through a fire alarm that went off at their school. Stephen went to Steve’s house that day, shared that they were both musicians and Stephen explained that his brother was a singer…

The band was formed!

You have done sterling business on YouTube and Spotify – your music is connecting with people. Is it quite touching realising so many people are reacting?

It truly is touching. It’s an incredible feeling to be able to have the access to share our music worldwide through the Internet. When people write to us about how our music has touched them in specific ways - we really treasure that.

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Is there more material coming later this year? What can you reveal regarding more music?

Well. There will be more music released this year. We’re brainstorming right now as to what song we should release next.

It seems there is a fondness for the 1980s and that period. Did you guys grow up around 1980s music? What attracts you to the decade?

I think it’s cool to experiment with music in different ways. I guess we’ve taken some 1980s elements of music and mixed them into a more current sound.

Can we see you tour soon? What gigs do you have coming up?

We would love to tour soon. Trying to put something together…

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Do you think you’ll come to the U.K. and play this year?

That’s the goal!

What do you hope to achieve, personally, in 2018?

Well, personally, there’s a lot going on in our lives. One of us is getting married this year; one of us is having a baby; some of us are moving into new homes. It’s quite exciting.

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Have you each got a favourite memory from your time in music – the one that sticks in the mind?

Daniel: Well, that’s a pretty hard question because there are PLENTY of favourite memories. One that sticks out in my mind at the moment is the time we played a sold out Molsen Amphitheatre in Toronto, Canada. It’s one of the most famous places to play around here.

Stephen: Hearing our song on radio for the first time.

Steve: For me, it was probably the time we spent living in Cocoa Beach Florida in the trailer park. Everything about those times are memorable for me. (Or, going to Gene Simmons’ house in L.A. for the first time).

Justin: Recording in a professional studio for the first time.

What advice would you give to new artists coming through?

KEEP GOING. No matter how hard it is, never give up on your dreams because, if you have the perseverance, you can accomplish anything really.

Do you all get much time to chill away from music? How do you unwind?

Daniel: Yea; we do get time to chill and just hang with family and friends. I’m a homebody during most of my down time. I love to watch countless hours of T.V. when I have the chance. Haha

Finally, and for being good sports; you can each choose a song and I’ll play it here (not any of your music - I will do that).

Daniel: Pray for Me by The Weeknd and Kendrick Lamar

Justin: Wolves by Marshmello and Selena Gomez

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Follow Eleven Past One

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INTERVIEW: Maja Francis

INTERVIEW:

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Maja Francis

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I am always keen getting interesting and original…

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female artists onto my pages. I have had a run of boys lately: it is good to have Maja Francis here talking about her song, Saved by the Summer, and the Shura Remix. She discusses her life in Sweden and music that has inspired her; whether there are gig dates coming up – and whether there is any more material coming along.

I find out whether Francis gets chance to relax outside of music; how emotions connect with her music; what she would say to new artists coming through; how she felt when her current E.P., Come Companion, garnered huge reception – ending the interview with a great song!

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Hi, Maja. How are you? How has your week been?

I’m having an emotional day, but I’m ok - just cried a little bit in my bathtub while listening to Dolly Parton, so I feel better now. 

My week has been really nice. I had a show in Stockholm and I loved every minute of it. Also; I’ve been having lots of me-time looking, at cute baby animals on Instagram and taking long baths. 

For those new to your music; can you introduce yourself, please?

I’m a Cry Baby from the south of Sweden that loves glitter.

Saved by the Summer is new. It has that feel-good vibe and harks back to the classic summer songs. What was the inspiration behind it?

It's about having your heart broken but, when summer comes, it feels a little bit easier to handle it...summer is there to lay you down on the grass telling you: 'Everything will be ok'...

It certainly adds sunshine and warmth to the world! What was your reaction when hearing it back for the first time?

I'm glad you feel that way! I started writing this song with some friends in springtime...you know; when those first sun rays come peeking out, reassuring you that brighter days will come? We finished it late summer and, when I heard the finished version, I just smiled.

It is something about this tune that makes me playful and careless.

The version we have out is Shura’s remix. What was the reason for drafting in Shura? How did you come to discover her music?

My drummer showed me her music on our way to a show last summer and I loved it. Somehow, a year later, my manager got in contact with hers and asked if she would like to do her take on Saved by the Summer...and she did! I'm super-excited about it! 

Your E.P., Come Companion, did very well! Were you surprised by its success and popularity?

I’m really happy for all the love it got! But, at the time, I was so thankful for even getting the E.P. out there. It was a long journey with lots of obstacles and setbacks. I learned a lot in that process that I’ve got real use for now that I’m releasing my new E.P.

Do you think they’ll be more material coming later this year?

I'm releasing an E.P. series called Cry Baby Pt. 1 & Pt. 2 this spring and summer! The first one is released March 23rd - so I'm counting the days now! The next one is due by early-June. By releasing Cry Baby, I’m celebrating the beauty of feelings...and of being emotional. It's like a tribute to feelings, really.

About how I think we should start wearing them like a tiara and never apologize for them.  I think the most interesting people and things in the world are the ones who have a crack or a tear somewhere. I guess Cry Baby is a place where glitter and tears can live together in symbiosis...

Without one taking out the other. 

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It seems like music, for you, is a way of putting emotions out there and finding some form of clarity. How important is it to get songs out and express yourself through music?

Music is definitely a channel for my never-ending rollercoasters…and for my emotional cycle. I even turned this ‘feelings cycle’ to tracks on my upcoming E.P.s. They’re called Feel, Break; Grow and Shine - and they’re a reminder that everything is temporary. If you let yourself feel and break down, you will be able to grow and then shine. 

What is the music scene like in Sweden? Is it quite a blossoming and diverse musical landscape?

Sweden has many amazing artists, songwriters and producers. New flowers pop up every day! But, I do miss smaller venues for Pop or Alternative music - at least where I live in Stockholm. When I lived in Nashville; I could just go down the street any day of the week finding a new act to fall in love with.

Stockholm is more of a behind-the-scenes music town.

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Which artists did you grow up listening to? Did music arrive in your life early?

Mariah Carey was my first female crush; then came Joni Mitchell and Tori Amos, Cyndi Lauper and many more. I love unique and weird voices.

My dad owned a record store where I hung out all the time as a little girl. Also, my grandmother was a singer in Sweden in the 1950s and my grandfather was a songwriter – so, I guess music has been with me since I was a baby!

Can we see you tour soon? What gigs do you have coming up?

I have some shows planned in Sweden this summer, but I would love to come play outside of Sweden! Will definitely work on making that happen (smiles).

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What do you hope to achieve in 2018?

I hope to make a Cry Baby army that will take over the world with emotions and glitter!

Have you got a favourite memory from your time in music – the one that sticks in the mind?

When I got to sing my song, Last Days of Dancing, with my friends Seinabo Sey & Amanda Bergman at one of the biggest arenas in Stockholm, with thousands of people to collect money for refugees coming to Sweden. I was, maybe, the most nervous I've ever been but Seinabo & Amanda took my hand and I felt like we became the Powerpuff girls and I could walk out there without any trouble.

Also, those babes have two of my favorite voices ever; so it was really a dream singing with them

What advice would you give to new artists coming through?

Stay in your own creative bubble! It's so easy to look at others and compare. But, in the end; the only thing that matters is you. Your music. Your art. That’s where the beauty lies…

Even if people don't get it. 

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Do you get much time to chill away from music? How do you unwind?

I try to go down south to my parents’ house a lot where I have my cat, Pony, the ocean and its quiet. Also; I make sure to get alone time with myself a few times a week so I can recover from all the buzz, take a bath and a glass of wine. Read poetry and put sequins on clothes or things in my apartment. 

Also, I like to dance in my living-room.

Finally, and for being a good sport; you can choose a song and I’ll play it here (not any of your music - I will do that).

Kate Bush - This Woman’s Work 

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Follow Maja Francis

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INTERVIEW: COVE

INTERVIEW:

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COVE

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PETE from COVE has been chatting…

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about the band's latest track, All I Believe. I discover the background to the song and their upcoming E.P., A Conscious Motion. Pete tells me how they got together and what gigs they have approaching; whether the band get time to chill away from the stage – and some new artists worth a watch.

He provides some useful advice for new artists; a favourite memory from music; important influences and idols – finishing the interview by selecting a cracking song.

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Hi, guys. How are you? How has your week been?

Hey! We're good, thanks. Just enjoying some time being back at home and starting the creative process again!

For those new to your music; can you introduce yourselves, please?

It's hard to describe the band’s sound in a concise way; but, we think of ourselves as primarily a heavy band, with influences from all over. A lot of the music we listen to that we take influence from is some of the earlier Post-Hardcore/Metalcore bands such as Underoath, Norma Jean and The Bled. We fit into that world of music, with other influences creeping in. 

All I Believe is your current single. What is the tale behind the song?

All I Believe is a song about losing everything; not only physically and externally, but, also internally...losing everything you thought you once were - losing yourself. It deals with the idea of that feeling of emptiness and loneliness when in that kind of situation - but trying to get out of it. It's a deeply personal song to, not only our vocalist Ben, but all of us in the band.

We don't like to give too much about songs away so that we don't taint what a listener may interpret it as. But; we feel the message in this song is something everyone can at least relate to in a way or have their own take on what it means to them, which, we think, is awesome. 

It is from your upcoming E.P., A Conscious Motion. Are there specific themes that inspire the songs on the E.P.?

The E.P. deals with a variety of themes from losing yourself, loved ones; inner-turmoil - a lot of the themes are quite dark. Something we've always tried to do with the band, though, is spread positivity, even though the themes are quite dark. If you look into the lyrics, a lot of them are to do with coming out of a dark time.

We don't like being negative for the sake of being negative: we just use our music as a tool to express some of the hardships we've been through that other people may listen to and be like: ‘Hey, I've been through that too, I totally understand how you feel’ – and, so, people also know they are not alone. 

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You worked with Oz Craggs on the E.P. Do you think your latest work is the most explorative and ambitious? What changes have come into the band?

Working with Oz at Hidden Track Studios is great.

He's been a friend of the band pretty much since the get-go: recorded our first E.P. with us and really understands where we wanted to go, sonically. We worked really closely with Oz this time and he definitely went above and beyond. We're all super-happy with how it sounds. I believe this is our most explorative and ambitious work to date. We really looked at the parts in songs we had written before that we liked and tried to mould those into the new songs; taking elements we liked and trying to expand on them.

We really thought about post-production on this record, too. That’s something that’s, actually, really exciting that we hadn't done much previously in the band. Laying down the main track and then experimenting with sounds over the top to enhance it with crazy pedals or effects; it's really fun and creative. I think for me, personally, that’s my favourite part of recording - and something we will definitely push even further in future with new material.  

How did Cove get together? When did you realise you had a band on your hands?

The band formed at the end of 2015 - but didn't really become anything too serious until the cycle began for the first E.P. (which was released at the end of 2016). We knew what we wanted to achieve at the beginning and took our time trying to get it right. I feel like, with everything in life, a band is a learning curve: every time you do a cycle, you learn what works well and what, potentially, doesn't. 

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What sort of music did you all grow up around? When did you decide music is what you wanted to do?

I think, for all of us; we grew up on Grunge and Punk/Pop-Punk before getting into heavy music. A few of us were proper Metal kids whilst some of the others weren't really…but we all grew up loving bands like Underoath, Taking Back Sunday; Nirvana, Finch; Architects - those bands are the bands that made us want to do music.

I think, for all of us, it's not really something you ever ‘decide’ to do: you just do it. It's like an itch you can never quite scratch. You just have the overwhelming desire to create and perform.

It is addictive.

Can we see you tour soon? What gigs do you have coming up?

Of course! You can see us on the following dates, with Parting Gift, in April! 

15th: Bournemouth – Anvil

16th: Guildford – Boileroom

17th: Nottingham - Red Rooms

18th: Manchester - Satans Hollow

19th: Huddersfield – Parish

20th: Glasgow - Garage Attic

21st: Edinburgh – Opium

22nd: Sheffield – Corporation

24th: Birmingham – Flapper

25th: Oxford – Cella

26th: Tunbridge Wells - Forum Basement

27th: Bristol - Mothers Ruin

28th: Bridgend – Hobos

30th: London - Thousand Island.

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Do you all love being on the road? Is there any mischief when you are touring together?

Playing shows is the most rewarding thing: there is literally nothing better than when you finish the last note of a song and you get a great reaction from the crowd. Seeing people know the words or mosh or head-bang - it’s just a great feeling.

We're not too bad on tour. We try and keep ourselves together and don't get too silly with booze - we just want to be on form as much as possible. We have the standard banter, though, you'd expect from five people crowded into a van. 

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IN THIS PHOTO: Sad Cops

Are there any new artists you recommend we check out?

Not a heavy band, but there's this band called Sad Cops from the States. I think they're wicked. They're still teenagers from what I can make out - but their music is super-mature. Check out their album, Liam Murphy Holt.

What do you all hope to achieve, personally, in 2018?

Play a lot of shows, meet a lot of people; have a lot of fun and write some great music! 

Have you each got a favourite memory from your time in music – the one that sticks in the mind?

I think, for us all, the first time we played The Underworld; people knew the words to some of the songs that haven't been out long. It was a great feeling. We had a great reaction at that show.

It's very reaffirming. 

What advice would you give to new artists coming through?

Don't worry if you don't get it right first time: we're all learning as we go. Be relentless.

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Do you get much time to chill away from music? How do you unwind?

Not really! When we're back from tours, we're all working our jobs and then, when we come home in the evening, we're often writing music; sorting out merch. designs etc. It's just a lifestyle you live!

Finally, and for being good sports; you can choose a song and I’ll play it here (not any of your music - I will do that).

It's got to be our boys in Bad Sign! Bad Sign - Square One

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INTERVIEW: White Room

INTERVIEW:

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 PHOTO CREDIT: Lottie Turner 

White Room

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ONE hears the music of White Room…

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and gets an instant blast of urgency and nostalgia. There is a great combination and fusion of ideas that make their songs a cut above the rest. I have been speaking with the Brighton-based band about their latest single, Twisted Celebration, and what inspired their E.P., Eight.

The band – Jake leads the questions – tell me about their formation and future gigs; artists that have inspired their music; how important touring and being on stage is; new artists we should check out – and why Brighton is a great place to inspire music.

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Hi, guys. How are you? How has your week been?

Jake: It’s been good, thanks, yeah. Just had pre-production rehearsals for our shows coming up at the end of the week – so, pretty busy (but that’s never a bad thing).

For those new to your music; can you introduce yourselves, please?

Hey there people of the Interweb. We’re White Room; made up of Jake (Vocals, Keys), Tristan (Guitar, Keys); Jacob (Guitar, Vocals), Josie (Bass, Vocals) and Hen (Drums).

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Twisted Celebration is your new song. Is there a story behind the song?

Well, to me, it’s really a song about isolation and how, the further you allow yourself to sink into it, the harder it is to crawl out again.

The video is interesting! What was it like putting it together?!

A lot of the filming actually took place syncing over a half-speed version of the track so, when sped back up to full-speed, you’d get the effect that we’re actually spinning twice as fast as the carousel can go. So, there was a lot of awkward shots hanging off horses singing along in slow-motion while attempting to keep as still as possible. Much easier said than done.

The carousel is actually an original from Brighton in 1888 and has been run by the same family for generations. Each horse is named after a different family member through the years.

Twisted Celebration is from the double-E.P., Eight. What was the reason for releasing a double-E.P.? What sort of themes and ideas inspires the music?

Well. The concepts originated around the number-eight, so it only seemed fitting we had eight tracks - and that didn’t feel long enough to call an album, so it took its form as a double-E.P., which we drip-fed over the course of a few months.

The tracks interlock around themes such as escapism, positivity and togetherness.

How did White Room get together? Was it quite a quick bond?

We all knew each other when we were young and just always had that musical connection with each other. So, yes; it was a quick bond - but a bond that has developed since we were young.

Is Brighton a perfect place to create music? Would you recommend other artists base themselves there to get inspired?

Brighton is a great city to live and create in, yes. There’s always a lot happening within the arts world down here which, of course, will be a catalyst for inspiration. It’s got that relaxed vibe - but it’s still very much a happening city with lots to sink your teeth into. 

What sort of music did you all grow up around? When did you decide music is what you wanted to do?

We all grew up with music in our lives and, as I said, most of us knew each other from a young age – so, we shared a lot of what we’d hear at home with each other and probably formed a lot of our tastes these days together back then.

For me, music was always the obvious route really; ever since I was a little’un, really. Although, when I was a young, I was pretty dreadful at every instrument I tried. Haha. But music has just always been in my bones, you know? It’s all I really want to do and I know how to do.

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Can we see you tour soon? What gigs do you have coming up?

We have our two biggest headline shows to date coming up this week in Brighton (15th) and London (16th) at Patterns and Moth Club. After that we have a string of city festivals coming up in the spring.

How does your music differ from the studio to the stage? Does the reaction from the crowd affect you?

Of course, yeah. Live, you work from the fans almost entirely. You feed off them...

Sonically-speaking; our recordings inevitably have a larger production element than we can produce in a live situation…but isn’t that part of the beauty of watching a live performance?! If you heard the same as the record you’d almost feel cheated. We’ve just recorded a few new tracks that will feature in these next shows - and arranging them into a live performance has been one of the most enjoyable parts of putting the show together.

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IN THIS PHOTO: Ralph TV

Are there any new artists you recommend we check out?

I just came across a Brighton band called Ralph TV who I liked the sound of. Also, BARBUDO; who supported us for the Brighton and London shows on the Eight tour last year. They’re brilliant.

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 IN THIS PHOTO: BARBUDO

What do you all hope to achieve, personally, in 2018?

I’d like to become a more prolific writer and question my train of thought less often while I do so. 

Tristan: To be able to play synth, organ and guitar simultaneously while reciting Churchill’s classic speech without making a mistake. 

Jacob: To increase my grasp of alternate tunings...

Josie: To articulate myself better in what I create...

Hen: Learn how to sing like Jake and Josie. 

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Have you each got a favourite memory from your time in music – the one that sticks in the mind?

Jake: Holding the 12” of Eight and flipping our own record for the first time.

Tristan: Watching Josie curling Jake’s hair on the drive up to a show in Sheffield sticks in my mind. Oh, the burns. So many, many burns.

Josie: FestEvol 2017.

Jacob: Telling Jack White I loved his new record - and him insulting my nationality in return.

Hen: Y Not Festival 2017.

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I guess being tipped and backed by Paul Weller stands as a highlight! How did that make you all feel?!

Jake: When I found out he wanted to meet us and had invited us to record at his, I cried. I think that was the moment we all decided to really get our heads down and work.

What advice would you give to new artists coming through?

Just to write as much as you can and go out and play as much as you can. We’re still trying to figure it out for ourselves. Haha.

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Do you get much time to chill away from music? How do you unwind?

People often don’t see the other side of music and how much work you have to put into it. With any passion, you have to give it your complete all and then some. It’s strenuous but the reward is always greater.

No one wants to sit in a room running a set over and over again but, when you then play the show of your life, all the work instantly becomes a joyous memory. Everyone in the band has their way of unwinding. 

I personally love to cook and to fish.

Finally, and for being good sports; you can each choose a song and I’ll play it here (not any of your music - I will do that).

Jake - Mellow Custard by BARBUDO

Tristan: Dust on Trial by Shame

Jacob: Tslamp by MGMT

Josie: Exit Only by Warehouse

Hen: The Rabies Are Back by The Moonlandingz

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Follow White Room

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INTERVIEW: Cimo Fränkel

INTERVIEW:

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Cimo Fränkel

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THERE are not many artists out there…

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who have the same ingredients and sounds as Cimo Fränkel. He discusses his latest track, I’m Alright, and where it might lead; what it is like being based in Amsterdam; if he has any other material in the locker; what his musical tastes and influences are – and why a rendition of a Michael Jackson classic got some rather ‘moody’ stares from Quincy Jones!

Fränkel talks about future gigs and what he does away from music; some artists we should all check out; what message he would give to his loyal fans – providing some advice for like-minded songwriters emerging.

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Hi, Cimo. How are you? How has your week been?

Pretty good. I am out in L.A. for writing sessions - and it is going good so far.

For those new to your music; can you introduce yourself, please?

I am a singer, songwriter and producer from Amsterdam. I have done a lot of work for other acts such as Cheat Codes, James Arthur; Armin van Buuren and more. Now, I am self-releasing my own material that is closer to me as an artist.

This is my third official solo release - and I am stoked to see the reactions to it.

I’m Alright is your new cut. What is the story behind the song?

Me and my co-writer, Rik, were not thinking of writing a song that day but ended up finishing most of this song that night. For some reason, this song just happened to us and it felt good.

It’s about the simple question in a relationship. Do you care enough for somebody to sense when something is wrong? Do you care enough to act on that feeling? Perhaps (you can), by letting them know you’re thinking of them. Sometimes, you need that late-night confirmation.

Overall, I guess I felt a bit Drake-y.

It is summer-ready and vibrant! Did you write it with one mind on festivals and summer crowds?

I actually did not. I did not consider this a summer track until other people started telling me it is. Now I am in L.A. - where it is sunny - and I’m like: ‘okay, I get it’. It’s funny how perspective can change. The song felt somewhat dark and moody to us when we wrote and produced it.

Will there be more material coming? What are you working on?

I am working on a lot of songs and a lot are finished (or at least ninety-five-percent). The 1980s-feel this track has will definitely be heard in some of the upcoming songs. Yet, some might add that they have a 1990s' feel as well.

There’s moodier material and there’s Pop-ier material.

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Did you grow up around music? Who were the artists you admired when you were young?

My father used to be in a band and would always take me to rehearsals and such. So, yes; I grew up around music. Early in my life, I got introduced to music from artists such as Michael Jackson, Stevie Wonder; Prince and so on…

My brother and I fell in love with Michael Jackson - and that is something that never changed. You can hear very well in my music that I am a Michael Jackson fan - while I am definitely not trying to mimic him. Later, I also got inspired by a lot of different 1980s and 1990s Popstars.

You are based in Amsterdam. Is there a diverse music scene there?

I guess there is, yes. There are loads of bands including (bands) that have international reach. Then there’s all the Dutch D.J.s, Dutch Hip-Hop and R&B (and way more). So, I guess you can call the music scene diverse…

Can we see you tour soon? What gigs do you have coming up?

I promised myself that, if I am doing a tour, it would be super-duper dope! I do not want to disappoint my audience. I had the pleasure to spend a lot of time on stage with Armin van Buuren for a year - and I wanna take what I have learned and create something great for myself and my audience (to enjoy). Before that time, I will do promo performances for my singles here and there.

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Do you spend much time in the U.K.? Will you perform over here?

I used to go to London a lot and I miss it - so I decided to go back A.S.A.P. Hopefully, I’ll do performances. But there is nothing scheduled yet.

What do you hope to achieve, personally, in 2018?

Ideally, I would want to have people waiting for my new song to drop. That would be the best feeling ever. To know that there are people that appreciate your music so much they can’t wait to hear the next…

Have you got a favourite memory from your time in music – the one that sticks in the mind?

It is hard to think of an absolute favourite memory…

I do know that I ended up at a party in L.A. once, celebrities everywhere (Childish Gambino, Jay-Z; Russel Simmons and Wesley Snipes) and people were performing. At some point, I was too - don’t ask me how it happened but it did. While I am singing Off the Wall by the legend Michael Jackson; I look up and see Quincy Jones looking right at me with a pretty unbothered expression.

I dropped an octave….

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What advice would you give to new artists coming through?

Don’t let anybody tell you anything unless you believe someone should tell you something. In other words; if you NEED advice, take it. If you strongly feel something should be a certain way, don’t let anybody take that away from you.

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IN THIS PHOTO: Kiana Ledé

Are there any new artists you recommend we check out?

Kiana Ledé, The Millennial Club; Mk.Gee, August Greene and Gia Koka.

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IN THIS PHOTO: Gia Koka/PHOTO CREDIT: Daniel J. Ashes

Do you get much time to chill away from music? How do you unwind?

The best way to unwind for me is to go on a vacation; or watch a couple of movies with my life partner. It can take a few days, sometimes, to fully recover from making music.

You have a lot of loyal fans out there. What message would you give to them?

Dear loyal fans: I love you and your support means, literally, the world to me. You are my future...

Finally, and for being a good sport; you can choose a song and I’ll play it here (not any of your music - I will do that).

Mk.Gee - I Know How You Get

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INTERVIEW: Archi Deep

INTERVIEW:

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Archi Deep

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FRANCE is a nation I do not get…

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to go to that often! It is always great when I have a genuine excuse to interview a great artist from there. That brings me to the awesome force of Archi Deep – this is not the first time I have encountered the terrific duo (formally, a band). I talk to them about their upcoming, eponymous album/mini-album; what we can expect from its lead single, I’m Just a Man (out on 15th April) – and what comes next for them.

They discuss their formation and influences; whether there are any tour dates confirmed; how their music has evolved through time; whether there is a good music scene in their part of France – and whether we will see them come to the U.K. this year.

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Hi, guys. How are you? How has your week been?

Feeling pretty good! Road-trippin’ in California - so, not too bad! 

For those new to your music; can you introduce yourselves, please?

We’re a guitar-and-drums band from Oleron Island in France; giving our guts on stage and feelings in our songs. Oh, and, by the way...we’re called Archi Deep. 

It has been pretty cold and snowy recently over here! What is it like where you are?

It’s has been here too. Just before we left, it was minus-twelve-degrees-Celsius (so cold) and we landed in L.A. - it was twenty-five!

I’ll call that a big jump!

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The eponymous mini-album is out soon. What was it like recording it? Was it quite a fun recording?

Yes. It was a long journey to get to the end of it: dealing with schedules, music business appointments; but, at last, it’s here. It’s been finished for a year now - and we’re currently working on the first full-length!  

As usual, the recording was amazing. It’s always good to play your songs and to hear them come alive; blowin’ out by the speakers in the control room! We can’t thank enough the ones that helped us arranged and produce it: Dominique Ledudal, Lucas Thiefaine and Frederic Scamps (thank you, guys).

Are there general themes that inspired the songwriting on the album?

I think it’s always the story of a man who can’t accept it: schizophrenic on the edge, lover on the other side; a boy who wants to keep growing but still refuses to inside! 

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I’m Just a Man is out on 15th April – the first single from the L.P. What is the story behind that one?

It’s about things you don’t wanna deal with when you’re supposed to be an adult. So, it’s a take-it-or-leave-it-here song... 

How did Archi Deep come together? What attracted you to one another?

Archi Deep was a solo band, then a trio…and now a duo. We say that pair is stable, so here we are! The music is what got us together and will keep us rocking as long as we get it burning inside.

It seems like classic Rock and 1950s music is a draw for you guys. Which artists and genres are you influenced by? 

Some obvious ones like The Beatles, Nirvana; Led Zeppelin, but also, artists like White Denim, Tingsek …Rap, Soul; Classical and, mainly, us. We’re trying to get truer with what’s inside us so, I’ll say, the main influence is Archi Deep.

 

You are based on Oleron Island. Is there a music scene there? Is it easy getting gigs?

There’s quite a lot of bands - but not much of a music scene…

It comes (a bit more) alive in the summer; so, you can easily get pub gigs or acoustic gigs around - but we’re mainly playing outside everywhere people ask us to!

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What gigs do you have coming up? Where can we see you play?

Keep checking www.archideep.com or our Facebook to get the latest news about that. A part of it should be revealed soon!

Do you think the U.K. will be among your gig plans?

Hopefully, it will! For those reading this, feel free to give us a shot and we’ll come your way as soon as we can.

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What do you hope to achieve in 2018?

Tour a lot, get the new C.D. done; expand our gig-reach to include a lot more places, meet you guys on the road – and keep kicking it again and again!

Have you each got a favourite memory from your time in music – the one that sticks in the mind?

When people come at the end of the show and say: “Thank you, you were my first real Rock gig“…

What advice would you give to new artists coming through?

Don’t give up, keep it focused: they'll always be a place for you! 

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IN THIS PHOTO: Mama's Gun

Are there any new artists you recommend we check out?

You could check out our friends from Gold Phoenix (just got back from a tour); Mama's Gun (a power trio, a la Zeppelin); Lysistrata - that are killing it all over the place right now - Krazolta who released an all analogic album with Clive Martin on board - and MAMA (a French Psych. band that are getting really good at it!). 

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IN THIS PHOTO: Lysistrata/PHOTO CREDIT: Max Chill Photography

There are many more, many more. I’ll just say: keep an eye out there and don’t be afraid to discover! 

Do you both get much time to chill away from music? How do you unwind?

Not much. Julien (the drummer) is on tour doing replacements and studio recording pretty much all-year-long and, on my side, I’m doing recording work and all the ‘dark work’ of getting the album seen; the tour, etc… 

Finally, and for being good sports; you can each choose a song and I’ll play it here (not any of your music - I will do that).

Tingsek - Gas Station Gus (Live at Ljupet)

White Denim - At Night in Dreams

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INTERVIEW: Little Brother Eli

INTERVIEW:

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Little Brother Eli

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IT has been fun talking with…

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the guys of Little Brother Eli. I ask about that name and whether there’s a story behind it. They discuss their new single, TOOTH, and whether there is more material coming; what their home of Oxford is like for music/gigs – the artists they all grew up around.

I was curious as to whether there were gigs coming up; if they get time to chill away from music; what they would tell new artists coming through; how they get that unique blend of Disco and Rock together; new talent worth seeking out – they end the interview with a great song choice.

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Hi, guys. How are you? How has your week been?

Splendid, thanks! We’re still on a high from our single launch at The Wheatsheaf in Oxford - it was a sell-out.

For those new to your music; can you introduce yourselves, please?

We’re a four-piece band from Oxford and we play Disco-Rock! We pride ourselves on our energetic live show - and we’ve just released our new single, TOOTH.

Can I ask where the band’s name, ‘Little Brother Eli,’ stems from?!

It comes from the Daniel Day Lewis film, There Will Be Blood – spoiler alert! Eli is one of the characters in the film, who meets a sad demise.

TOOTH is your latest single. What is the background of the song?

We haven’t released anything since our debut album in 2016 – we went back to the drawing board, creatively, and came out with TOOTH. It’s a pretty angry song with a sort of 16-bit computer game sound! It’s about anyone who is really grated by another human being.

Go check it out on Spotify.

Will there be more material later this year? Maybe an E.P.?

Absolutely. Two new singles are in the pipeline and we’re back in the studio at the end of March to record another song. We’re hoping to keep a steady stream of new music coming out over 2018.

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Your style is stomping and danceable – a mix of Disco and Rock. Does this reflect the artists you grew up around? Who do you count as influences?

I think, when we started the band, we were mostly influenced by artists like Jack White, The Raconteurs and Led Zeppelin. However, we’ve really mixed it up with a lot of this time around.  Everyone in the band has different tastes - from Rock to Hip-Hop to Beyoncé. We put our heads together to see what we could create.

Do you take a lot of inspiration from the modern climate? How do you think new music stacks up against the classics?

Definitely. Often, people look at the past with rose-tinted glasses: they forget about all the crap and remember the good stuff. There are tons of great artists out there at the moment - you just have to know where to look. Recently, we’ve been listening to a lot of Khrangbin in the car – go check ‘em out!

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Oxford is your base. How busy is the city in terms of great new music? Are there opportunities for young bands?

I think Oxford is, probably, one of the best places to start out in music. We’ve got a heap of good venues like the Jericho Tavern and The Wheatsheaf, as well as open mic nights like Catweazle - where you can start out and develop.

Can we see you tour soon? What gigs do you have coming up?

Lots of gigs in the diary; so head over to littlebrothereli.com to check them out – most notably, Truck Festival.

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Is the stage the environment you all prefer? Is it easy to describe the sensation and feeling you get when the crowd responds?

It’s just a real buzz playing live.

We’ve been doing it since 2013 and every gig is always a fun challenge. You’re either battling with yourself or the sound or the room, but it’s what we live for, really. However, we have been spending more and more time writing of late; so we’ve backed off a little with the gigging schedule.

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IN THIS PHOTO: BIG TOOTH

Which new artists do you recommend we check out?

BIG TOOTH played one of our ‘Eli Nights’ at The Monarch in Camden recently. We loved their Prince-inspired funky riffs!

On 20th March, Waiting for Smith will be gracing the same stage with us – a much mellower Indie affair, but just as interesting.

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IN THIS PHOTO: Waiting for Smith

What do you all hope to achieve, personally, in 2018?

To release loads of great-quality music, basically! We’ve got lots in the bag and we’re excited to share it.

Have you each got a favourite memory from your time in music – the one that sticks in the mind?

We played Common People Festival a couple of years ago. That was a real buzz. We’d been doing a lot of touring of our first album, Cold Tales, and were super-confident on stage. We went on to a full tent and nailed it - a great feeling!

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What advice would you give to new artists coming through?

I guess, just listen to advice and work really bloody hard. No one is going to put in the legwork for you; so really graft and don’t expect it to happen all at once.

Do you get much time to chill away from music? How do you unwind?

Urm…not a lot of unwinding time. If we’re not doing the day-job, we’re often gigging, writing music or creating artwork. It’s hard when your hobby is also your career…

Finally, and for being good sports; you can choose a song and I’ll play it here (not any of your music - I will do that).

Check out Back Pocket by VULFPECK!

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INTERVIEW: Brooke Law

INTERVIEW:

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Brooke Law

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STRONG female artists are underrated…

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in the industry - but they definitely warrant serious acclaim and spotlight. It has been great finding out about Brooke Law and her music. She discusses the story behind the single, Hidden, and donating the proceeds to London Black Women’s Project. I ask her what comes next and the musicians who have compelled her to take up music; whether there is new material in mind – and when music came into her life.

Law discusses her family and their support; a favourite memory from her time in music; the advice she would give to other artists coming through; what she wants to achieve this year – ending the interview with a legendary song.

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Hi, Brooke. How are you? How has your week been?

I’m great, thanks. Hope you are too! I’ve been working at an event at London Excel.

For those new to your music; can you introduce yourself, please?

I’ve been writing for about six years, working with some incredible producers and other artists. I generally write about love, disappointment and standing up for what I believe in.

Hidden is your new single. What is the tale behind the song?

The song was inspired by the film, Hidden Figures: based on a true story of three African-American women in 1960s. Despite facing significant racism and sexism, they managed to make a significant contribution to the NASA space programme - and their work continues to make an impact today.

Women are struggling all over the world for their right to have equal opportunities and continue to make significant contributions to the world we live in today.

I would like to use this song to say thank you and recognise women of yesterday, today and tomorrow.

The proceeds from the song are going to the London Black Women’s Project. What was the reason for choosing this cause?

Through visiting The London Black Women’s Project on Barking Street, I got to learn about how much ground-work they do to help women who have struggled. Their mission is to provide advice, guidance; support, advocacy and accommodation under a framework of empowerment and self-sustainability by influencing and affecting change in government policy and, by providing a safe environment.

L.B.W.P. has seven refuges with fifty-one bed spaces spread across East and North London.

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Hidden was released to celebrate International Women’s Day. It is an important day to raise arguments and start a debate. Do you think female artists have to struggle harder to get their voices heard?!

I think women definitely have it harder in the music industry: there is so much pressure on what we wear, what we don’t wear. I’ve definitely turned up to sessions where a male producer has assumed I’m just a pretty face with little experience - and then he has been surprised.

Is there a video coming for the song? What can you tell us about the story and themes?

There is a video for the song, which I’m super-proud of. I have all the women in my family in the video and flashbacks to old family tapes. It, basically, represents mothers, daughters; grandmothers and the love and care women provide in the world. It includes women who have challenged social norms and fought for equality. The video features the Million Women Rise march - which protests to end male violence towards women.

I believe music came into your life when you were a teenager. What was it about music that connected with you?

I’m a very emotional person.

I find writing a song allows you to dig deep into how you’re feeling and let it out in a way that is really empowering - because you’ve just got a song out of it. Ha!

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PHOTO CREDIT: http://www.ianbartlett.com/

Which artists did you grow up listening to? Who do you count as idols?

I really love gutsy, emotional singers. I was obsessed with the Christina Aguilera Stripped album when I was younger. I’d say my idols are Janis Joplin, Joan Armatrading; Jeff Buckley, Tina Turner and Annie Lennox. There are, obviously, sooo many incredible musicians...I could go on forever.

How important are your family roots and parents regarding your musical tastes and ethics? Are they important role models and guides?

I have a really close family...

We have gatherings nearly every weekend where my nan cooks Indian food for the army and then we always tell her off. My dad’s Jewish culture has definitely influenced my emotional and open personality. My parents are really cool. My dad used to be a hippy and my mum was a punk; so they definitely have an influence on my music.

What is coming up for you in terms of material? Might we see an E.P. later this year?

I’m hoping to start releasing my music in June. I won’t explain the sound too much, but it’s gutsy Pop with an Indian influence.

What do you hope to achieve, personally, in 2018?

More experiences and, of course, a successful debut later this year. I’m looking forward to working with London’s Black Women’s Project. 

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PHOTO CREDIT: Paul Clarke

Have you got a favourite memory from your time in music – the one that sticks in the mind?

I performed at TEDxHousesofParliament.

What advice would you give to new artists coming through?

Sing and write from the heart...and love every minute.

Do you get much time to chill away from music? How do you unwind?

I have a part-time job working in events. I wouldn’t say it’s unwinding - but I meet great people.

Finally, and for being a good sport; you can choose a song and I’ll play it here (not any of your music - I will do that).

Tracy Chapman - Talkin' 'bout a Revolution

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INTERVIEW: Kadija Kamara

INTERVIEW:

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Kadija Kamara

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SOME musicians do what they need to do…

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to get by and survive – without much extra effort and innovation. Kadija Kamara goes out of her way to make the music world better and shine a light on those deserving. I speak to her about her project, LADY, and details of her new E.P., Nothing Left to Lose; what themes/stories go into the music; whether there are any tour dates coming up – and whether the variegated moods of the E.P. come from an eclectic musical upbringing.

Kamara discusses her upbringing and whether (being unsigned) she is looking for a deal; whether she has fond memories from her time in music; some new artists we should get out ears around; three albums that mean a lot to her – she provides some advice to upcoming artists.

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Hi, Kadija. How are you? How has your week been?

I’m great, thanks. Just recovering from a cold - but as right as rain again (smiles).

For those new to your music; can you introduce yourself, please?

Hi there, new readers and listeners...

My name is Kadija Kamara; that girl-next-door who love music, singing, writing songs and performing them.  I’m quite funny at times (so my friends say) and, overall, quite easy-going to be around.

I have a love, in particular, for old Soul music but love modern music, too. I work to reflect these sounds through my music, which I call ‘Alternative-Soul’.

Nothing Left to Lose is your new E.P. What themes and ideas inspired the songs on the E.P.?

Each song follows a different mood and emotion. They were all written at different times and for different reasons. 

Nothing Left to Lose is about the struggles of life and finding the light at the end of the tunnel. It’s not based on anyone in particular - but based on two different scenarios.

Running in the Name of the Game is about keeping up with the rat-race.

Eyes on You is about spotting someone you fancy when out and the thoughts that pulsate through your head. This was written with the bass line and the mood just felt sexy at the time. L.o.L.

Like You is more delicate and intimate. It’s about trusting to love again when you meet someone worthy: putting all bad experiences behind and having that conversation with that someone about how you feel. I just felt like I needed to express this emotion in a song.

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There is a range of sounds and moods on Nothing Left to Lose. Does that reflect your upbringing and musical tastes?

Oh, yes, certainly. I’m very big on grand music arrangements and instruments; I feel it brings a great deal of energy, which I generally have a lot of.  I love guitar riffs and have a love for Soul-Rock. I wrote this song whilst listening to a lot of Jimi Hendrix (who I adore). You just feel the emotion in his songs through his guitars; the dynamics are great. 

Is there a track for you that stands out? To me, Eyes on You stands out and it seems the most instant song...

I like all of the songs, for different reasons, as they show different emotions. Eyes on You is very playful and, I guess, I haven’t shown that side of my music before. It would be hard to pick one of the four. 

I know you are unsigned at the moment. Do you think label/management backing would bring your music to a wider audience? Is that a goal for this year?

Support and backing from other areas always help, but this really depends on the type of team you have around you. If they understand your music and creative journey, I think it’s very important.

I welcome all opportunities with open arms.

You recently curated a music showcase, LADY. What was the reason for setting that up? What was the reaction like from the audience?

I woke up one morning and thought I’d love to put on a show of my own…start something fresh and original. I thought about the amount of work I do to push my music career forward and a lot of it people don’t really see. I then thought about other female musicians I know who go through the same struggle - and thought I’d love to showcase our talents under one roof; to invite our own audiences/fans to the event and introduce new music to each other.

I didn’t realise the amount of interest in female-led events and groups already out there: the response has been great. Just over a year later, LADY has had some amazing artists perform at my events - including the first LADY Festival in Oct 2017. That was very special.

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Do you think it is harder to shine in the music industry as a woman? Do you think it is harder as a black woman, too?! Does the music industry need to take a closer look at inequality – make changes and help improve things?

Most definitely as a woman and a black woman of a darker hue. We see the same type of women championed in most creative industries - and not just the music industry. If you look at the type of females who pass a certain level of success, you’ll notice some correlation. I believe colourism is a major topic at the moment. It’s something that has been happening for a long time - and I don’t see it fading fast in our lifetime. I do think it’s important to talk about it make each other aware, so we can work on creating a greater balance.

From the perspective of a woman, it is definitely extremely difficult to reach certain levels in business and any Industry. Take a look at most business hierarchies and tell me if there is an equal balance. We, as humans, still have a lot of work to do (smiles).

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Your music has gained applause and respect from radio and online sources. How does it feel gaining that sort of coverage? Does it give you fresh energy and ambition?

I am always very appreciative of any support received. It’s great, even if a small group of people acknowledged my work. It is liberating just releasing it to the world. You never know who will like it and what they will like.

I am an ambitious individual in general so I’ll always create, try new things and push myself to do more – and, yes, the positive response is always encouraging; adding fuel to the fire. 

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IN THIS PHOTO: Joan Thiele 

Who are the new artists you recommend we check out?

So. There’s a very talented lady who has become a great friend called Joan Thiele (from Milan). I did some writing with her last year and a track we wrote called Polite was recently featured in Fendi’s online Valentine’s campaign. She has a lot of great things coming. You should keep an eye open. The single is out now - you can listen to it here.

Another artist is Jodie Abacus, who I feel is a very talented songwriter and artist. He has a new E.P. out call Mild Cartoon Violence - and some great previous releases.

Another lady is Vivienne Chi, who is another great writer and artist. I love her latest song, Blood Brothers.

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IN THIS PHOTO: Ibibio Sound Machine

Michael Jablonka; a very talented artist and insane guitar player. His own music is quite exceptional:

Ibibio Sound Machine; they have two great albums that are worth checking out. A very great band, LIVE, also!

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IN THIS PHOTO: Vivienne Chi

If you had to choose the three albums that mean the most to you; which would they be and why?

Ummmmmmm (pauses for a long while).

Just three; really? Ok…I might change my mind tomorrow but here goes:

Marvin Gaye - What’s Going On (still relevant to this day...Inner City Blues and the title-track, especially).

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The Jimi Hendrix Experience - Electric Ladyland

Because it has songs like Crosstown Traffic, All Along the Watchtower and Voodoo Chile. He (just) really made me want to play the guitar.

Aretha Franklin - Lady Soul

Because it has so many wonderful songs like Groovin’, Chain of Fools; Natural Woman and Good to Me As I Am to You. Some of these songs made me want to sing so much when I was younger; testing my vocal range…

Can we see you tour soon? What gigs do you have coming up?

I just had an E.P. launch event at the end of February but will be back at my residency at The Finsbury on 27th March: LADY vs. Lost in the Manor. Other dates currently being confirmed but there will be a mini-tour in the coming months. Details to follow.

What do you hope to achieve, personally, in 2018?

Release more music, continue reaching a wider audience and kick down doors and barriers (smiles).

Have you all got a favourite memory from your time in music – the one that sticks in the mind?

I guess I would be the first time I released some music into the world. It’s really difficult letting go but, once I did that for the first time, I became less and less afraid.

What advice would you give to new artists coming through?

Be you, create the music you believe in that you feel really represents you as a person and your creative direction. Don’t be afraid to be different, even when people say: “That’s not the way it’s should be done”…

Always trust your gut.

Finally, and for being a good sport; you can choose a song and I’ll play it here (not any of your music - I will do that).

I would say any of the artists I mentioned above (smiles). Ok…I would say Vivienne Chi – Junk

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Follow Kadija Kamara

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INTERVIEW: Max Restaino

INTERVIEW:

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Max Restaino

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THE music scene has a lot of choice…

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but not that many original artists. I have been speaking with the promising, multi-talented songwriter Max Restaino about his current track, Sugar Rush, and what comes next; whether there are any tour dates approaching; touring and performing with Steps and Shane Filan – and how important his home of Sheffield is.

I learn more about Restaino’s influences and how he came into music; what it feels like being on the stage; what advice he would give to similar, new artists; how he spends his time away from music – and the musicians he grew up on.

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For those new to your music; can you introduce yourself, please?

I'm Max Restaino. I'm a songwriter, producer and a singer. I play the saxophone, piano; accordion and guitar. 

Sugar Rush is your current track. It has done really well in the clubs! What is the story and inspiration behind that track?

I was really inspired when writing Sugar Rush.

I was hoping to sound a little Maroon 5. I'm really happy with it because I worked on the chorus for weeks and didn't settle for any old melody. 

Do you think they’ll be more material coming very soon? What are you working on right now?

I’m working on a new single at the moment called Angels Cry which I have written - and is being produced by the legendary music producer, Steve Levine (who produced for Culture Club and The Beach Boys).

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You have supported Steps and are about to go on tour with Shane Filan. How does it feel securing these high-profile support slots? Did you learn a lot performing alongside Steps?

It’s a great experience supporting major artists: there is always something you learn with every show. The difference between the Rebecca Ferguson tour and the Steps (tour) was the fact Rebecca’s tour was in theatres and Steps’ was at arenas. In order to get the crowd going in the bigger venues, you have to you have to become a bigger performer and fill the stage.

Take me back to the start. How did music come into your life? When did you decide you wanted to be a songwriter?

My Italian grandparents brought back a buttoned accordion from Italy. I picked it up at five and was able to play it. From there, I went on to the piano, guitar and the saxophone. The songwriting part of it eventually surfaced and I started writing music at the age of eleven. I started producing music for myself as an artist. 

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Which musician did you grow up on? Can you remember the first album you ever bought?

My favourite music growing up, apart from Italian accordion Folk songs, were, usually, older bands such as E.L.O., Chris de Burgh and Michael Jackson. My favourite album has always been Breakfast In America by Supertramp - which is why I wanted to learn the saxophone. 

Sheffield is your home. Do you think the city gets the credit it deserves?! How does the vibe in Sheffield differ to, say, London?

Not many people know, but Sheffield has quite a rich musical history with bands like The Human League, Def Leppard; Joe Cocker and Arctic Monkeys.

I think there are, possibly, more opportunities for upcoming artists in London.

What other gigs do you have coming up? Where can we catch you play later this year?

I have my own solo gig at the O2 Academy in Islington (in London) on 19th April. I’m also going on tour in late-April to May with Shane Filan. I’m looking forward to them. They should all be really fun. All the information will be on my website.

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Can you describe the feeling you get when you’re on that stage?! Do you prefer the rush of the stage or the studiousness of the studio?

I love anything involving music...

The studio side is fun as you can be creative and come up with great ideas: the performing side is more exciting. It’s really nice getting the crowd going and transferring emotion with the songs you have written and worked on so hard. 

What do you hope to achieve in 2018?

In 2018, I would like to get my new single played on international radio and, possibly, be signed to a label with the right contract. 

Have you got a favourite memory from your time in music – the one that sticks in the mind?

There are one or two achievements that I’m proud of. One for the bucket-list was having my album, The Time It Takes, available on the shelves of HMV...playing accordion on the Gary Barlow track, Let Me Go, and, also, performing at the 02 Arena. 

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What advice would you give to new artists coming through?

I would say to any artists coming through: give it your all, always keep going and enjoy the process. 

Do you get much time to chill away from music? How do you unwind?

I like to hang out with friends. I have a table tennis table downstairs from my studio, so I look playing in breaks or after work. Ironically, my main getaway from working is listening to music. 

Finally, and for being a good sport; you can choose a song and I’ll play it here (not any of your music - I will do that).

My favourite saxophone solo on one of my favourite songs, from my favourite album by one of my favourite bands: Supertramp – The Logical Song

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Follow Max Restaino

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INTERVIEW: Schultz & Forever

INTERVIEW:

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 PHOTO CREDIT: Magnus Bach  

Schultz & Forever

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I always love speaking with Danish…

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PHOTO CREDIT: Theis Alstrup

artists, as one gets a different sensation and vantage. I have been learning more about Schultz & Forever and his (Jonathan) new video, Backwards. I learn more about his debut album, Grand Guignol, and what sort of ideas are expressed – and what the future holds for the Copenhagen-based artist.

I ask whether Schultz & Forever will come to the U.K. this year; what it was like growing up in a Christian family;  the musicians that inspired the songwriter; what advice he would give to new songwriters – and how early music came into his life.

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Hi, Jonathan. How are you? How has your week been?

Hi. I’m fine, thanks! It’s been busy, but alright.

For those new to your music; can you introduce yourself, please?

Sure! My name is Jonathan and I’ve had my little project Schultz & Forever for, approximately, seven years now. I started the project when I was sixteen so, obviously, there’s been musical changes and songwriting improvements since then.

I’m about to release my debut album, Grand Guignol, which I have spent the past two years making. It’s definitely my best work - but I could never have done it without the amazing contributing musicians and producers that have helped me make it.

I can’t wait to release it!

Grand Guignol is your debut album. What were the themes and stories that inspired the record?

The songs were all written in periods of time where I was reflecting on my own personal life, basically, and how I saw the world around me at the time of writing. There are biblical themes, which relate to my upbringing as a Christian - and which also relate to the point in my life where I had a natural turn against my idea and faith in the idea of God.

I was very inspired by the idea of creating characters in songs and expressing exaggerated feelings and thoughts, which added a kind of theatrical way of expressing my own feelings such as anxiety and anger, but also, love and hope. Most of the songs are actually a few years old - but they were totally redone and rearranged in the studio.

 

The video for Backwards is out. What is it about that song that marked it as a single? What was it like putting the video together?

To be honest; it’s just the most radio-friendly song on the record.

It’s two of my best friends, Glen Bay Grant and Ejner Seidelin, who directed the video for the song so, obviously, it was a lot of fun shooting and rehearsing the croquet choreography with them! They knew this guy named Gordon who teaches croquet; so the week following the shoot I was rehearsing it in my apartment naked in front of my two friends - together with Gordon, whom I had never met before.

It was a blast! 

Each of your three E.P.s displayed creative leaps. You have taken another step forward with Grand Guignol. Do you think it’s important to keep moving and exploring?

Definitely. Just like how I change personally, I will always change musically and creatively. It keeps it interesting to keep exploring by making the ceilings higher in the creative process of writing and recording!

Did music come into your life early? What got you hooked on it?

I got hooked on it because my big brother and my cousins were all musicians and making music. So, as the youngest in my family, I looked up to them a lot. They would give me little yellow Post-its with bands and musicians I needed to check out. I immediately became obsessed with Nick Drake and Neil Young, who inspired me to write and play music. It’s the only thing I think I’m good at; so I’m gonna keep embracing it till I die. 

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Which musician did you grow up on? Can you remember the first album you ever bought?

I think the first album I ever bought was The Smiths’ Hatful of Hollow. I wasn’t entirely happy about The Smiths at the time but I had just heard some songs from the record that I liked. Eventually, the record grew on me - and now I love it! 

I understand you grew up in a religious environment and raised as a Free Church Christian. Was that something you felt comfortable with?

I’ve always had the love, attention and comfort in my upbringing as every child should have…and I have never been a victim of any sort. My parents are the warmest and kindest people I’ve ever met and they have always put me and my siblings at first. They gave us the belief in God because they saw it as the only option - as they have had great enhancement in their life because of their faith. It was only when my own personal disconnection with God occurred that I felt like life had no meaning anymore. I started in high-school, which was the first time in my life I was surrounded by atheists - and the first time I read a school book that talked about the Big Bang and evolution.

I’m never gonna tell my children that there is or is no God: they can believe whatever they want and I think it’s important to give a child that option. 

Is faith, positively or negatively, something you bring into music? Was it hard disconnecting with a very religious life and breaking away?

It was hard to go from being a kid believing that life is a gift from God and my earthly existence was just a stairway to Heaven - and believe that my life would always be in God’s hands and protection - to finally understanding life's meaninglessness. I had to find meaning elsewhere...and music was kind of like a safe-spot and a way to distance myself from an existential crisis...

I would say now, though, that it’s been positive in the way that it has inspired me to write about it - and given me a lot of themes and feelings that I can write about and put into records.

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Can we see you tour soon? What gigs do you have coming up?

Only shows in Denmark booked right now. We’re playing Hotel Cecil, in Copenhagen, on 14th March. There’s definitely gonna be some shows outside of Denmark, but nothing in the calendar right now.

What do you hope to achieve in 2018?

I hope to be able to write and record a new record - and it would be amazing to release it at the end of 2018. It’s very important to me that I release music more frequently now!

Have you got a favourite memory from your time in music – the one that sticks in the mind?

I remember playing in a Punk band called Pink Roses when I was eleven-twelve-years-old. It was terrible music and we were, basically, just playing cover songs of The Strokes - but we told people we had written it ourselves. I remember the feeling of knowing that music would always be a huge part of my life - and that it was the only thing I would wanna do.

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 PHOTO CREDIT: Magnus Bach  

What advice would you give to new artists coming through?

To stay true to who you are - and don’t make music about your Xanax habits! 

Do you get much time to chill away from music? How do you unwind?

Yes, I do! I’ve just starred in a short film which will premiere in Empire Cinema in Copenhagen in April. I’ve recently started acting and I love it! It’s also a great way for me to distance myself from music - so that I can go back to music with new energy to write and record! 

Finally, and for being a good sport; you can choose a song and I’ll play it here (not any of your music - I will do that).

Haha! Thanks! Well. I’d recommend you play Karen Dalton - In a Station from the record, In My Own Time. The whole record is amazing!

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Follow Schultz & Forever

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INTERVIEW: Goldkey

INTERVIEW:

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Goldkey

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THE first interview of the week…

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sees me ‘jet’ to New York and speak with Goldkey – the alias of singer-songwriter, Mike Horn. He discusses the awesome new single, Faster, and the story behind it. I ask him about influences and the musicians who have guided his ideology; what New York is like in terms of fostering new music; how Faster compares to early work – and whether a trip to the U.K. is on the cards.

Goldkey chats about musical memories and new artists to check out; why Jeff Buckley is such a pivotal and entrancing force; how he relaxes and chills away from music – the interview concludes with a rather lovely song!

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Hi, Goldkey. How are you? How has your week been?

My week has been awesome, thanks for asking. Coming down from the new single release on 2nd March, which has been holding steady at number-one on Hype Machine's Popular Songs on Twitter rankings the past few days...

For those new to your music; can you introduce yourself, please?

Sure. My name is Mike Horn and I've been performing in several projects for years. Goldkey is a newer project I started at the beginning of 2017, after tracking an entire album worth of tunes - of which I eventually scrapped. Only one of those songs stood out to me as something I wanted to put out to my listeners - that song was Mountain (it can be heard here).

I've released and/or have been involved in several projects over the past couple of years. This one was more about exploration…

Faster is your new song. What is the story behind your latest work?

Faster is a song about something, mostly, everyone can relate to – trial and error but, also, finding your rhythm and wanting to slow down your pace of life.

You worked with Ben Rice on the track. How did you two meet and come to collaborate?

Ben Rice is a brilliant producer at Degraw Sound in Brooklyn, N.Y. Ben and I met years ago after one of my older Alt-Rock bands recorded at his old studio in a basement. He's the only producer I've worked with for Goldkey tunes - and is a major component of how well these songs came out.

How does Faster differ from What Am I Supposed to Do? and Mountain? Do you think you are growing in confidence and scope?

Faster is a song that I think combines all of the elements I enjoy most about music - bringing the listeners along for a wave of emotions and incorporating build-up to send a clear and concise message. With this one, I feel the songwriting is getting stronger and more personal. With every song, I'm shaping my sound even more than the track before.

That's always the goal.

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Will there be more material coming later this year?

I anticipate I will release another song or two this year - and possibly even an E.P.!

New York is your base. What is the state like in terms of new music? Do you think it is the best place in the world to be?

As I mention in my song, Mountain: “New York's the only place that I've known/and I'm sure that I belong here". For all its quirks and the stress of living and breathing N.Y.C. air, it's the only place I want to do what I'm doing.

Tell me about the artists you grew up with. Which musicians do you count as idols?

Michael Jackson is always my go-to, because I've listened to him since the moment I was born (until now). I was two-years-old when Bad was released - and I've been a fanboy ever since. Around my college years, I got into Jeff Buckley's Grace and have been diving into his catalogue headfirst ever since.

You and I are both big fans of Jeff Buckley! How did you discover his work – what is it about his music that speaks to you?

I don't think there's anyone else who has been able to replicate his sound. That's the dream of every musician, isn't it? To create a sound only you can have. His songwriting and song arrangement was extremely unorthodox and questionable at times - but that voice of his could fix almost any average song and turn it into a masterpiece.

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Can we see you tour soon? What gigs do you have coming up?

You sure can! I'll be at The Delancey in N.Y.C. on April 27th for the glamglare showcase. I have some other shows in the works that I will be announcing soon.

Do you think you’ll head to the U.K. and play? Do you like British music?

I would love to - but might need some help getting there. Haha. My first concert ever was Oasis' Morning Glory Tour in 1995. To say I'm a fan of British music is an understatement.

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IN THIS PHOTO: Phoebe Bridgers

Which new artists do you recommend we check out?

At the moment, I'm listening to a ton of Phoebe Bridgers as well as the new Jonathan Wilson record, Rare Birds. Highly recommend. 

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IN THIS PHOTO: Jonathan Wilson/PHOTO CREDIT: Andrea Nakhla

What do you hope to achieve, personally, in 2018?

I want to keep making great music and sharing it with the world.

Have you got a favourite memory from your time in music – the one that sticks in the mind?

Back in 2005, I performed a couple of shows at CBGB's 313 Gallery. I was one of the last to play there before it shut its doors. I've played to packed out rooms there a few times.

What advice would you give to new artists coming through?

Be persistent, be patient and don't lose confidence. A lot of people will turn your music away - and that's always going to be the case, since music is subjective.

Hang in there!

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Do you get much time to chill away from music? How do you unwind?

I unwind by listening to records - so not much time ‘away’ from music. Haha

Finally, and for being a good sport; you can choose a song and I’ll play it here (not any of your music - I will do that).

I'd go with Belle & Sebastian's new song, Poor Boy. It's a funky Indie tune. Enjoy!

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Follow Goldkey

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INTERVIEW: Sailing Stones

INTERVIEW:

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PHOTO CREDIT: Aubrey Simpson 

Sailing Stones

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THE songwriters who go out into the musical seas alone…

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have a task on their hand. I admire those who do! I have been speaking with Sailing Stones about her music and where that moniker comes from. She talks about her awesome new E.P., She’s a Rose, and what compelled it; what the reaction has been like to – and whether she has a preferred song from the E.P.

I ask which musicians inspired her and what gig dates she has coming up; how her experiences playing in the North of England changed her views of music; how the Bristol-based songwriter will progress later this year - she tells me how she relaxes away from music.

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Hi, Sailing Stones. How are you? How has your week been?

Hi! My week has been really good, thank you. It’s nice to be bombing around the country again doing gigs.

For those new to your music; can you introduce yourself, please?

I am a singer-songwriter who releases self-produced music under the name, Sailing Stones.

Can I ask whether there is any meaning behind that moniker? Where does ‘Sailing Stones’ come from?

‘Sailing stones’ are the name given to rocks that appear to move across Death Valley in California of their own accord. It is something to do with water freezing and melting, pushing the rocks along. They leave eerie trails across the plains. I liked how the words sounded together but it made sense, as I’d been moving and developing at quite a slow pace over a number of years - but slowly things were coming together…

She’s a Rose was released a few months ago. What inspired the E.P. – and what has the reaction been like to it?

I’m seeing all these little crocuses and snowdrops popping up this week through the melting snow. That was where I felt I was at when writing and recording these songs. I read a brilliant quote from Joni Mitchell recently about winter and how it is necessary for blossoming. It was also my first attempt at producing my own music - so it was a lot of fun. The reaction has been really positive and I’m really happy with how it’s been received.

Into Space has been played quite a bit on BBC Radio 6 Music, which took me by surprise.

She’s a Rose sounds very personal and meaningful. It has a fantastic depth and passion to it! Was it an easy work to write and put together?

Thank you! It was actually – and, sometimes, songwriting and production are quite laborious. It popped out quite effortlessly one night in the studio and the song was written, along with the bones of the production, all in one night; seven years to the day since I’d moved to London from Dublin.

Do you have a favourite song from the E.P.? Which one stands out to you?

I don’t really. I’ve lived with them for some time now and you go through phases. I am fond of She’s a Rose, but also, Sit Silent - as they were the most enjoyable and cathartic songs to write.

Is there going to be more material later this year at all?

I am planning to begin recording the next body of work (could be an album; could be an E.P.) from April, which is already in the pre-production phase. The plan is to record them quite quickly and, hopefully, they will be out by the end of the year.

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There is a lot of great music coming from further north right now (as opposed to London). Why do you think this is? Do you feel it’s a part of the country that gets ignored?

I love the North of England. When I lived in London, I would breathe a sigh of relief if ever I was up here playing. I love the people: they are warm and funny and know how to have a bit of banter. I think it’s inspiring up here – the buildings, the landscape; the general atmosphere. It’s hard to put into words. It (just) has its own uniquely soulful thing going on. In terms of being ignored; it depends what you mean. Musically, ‘no’. So much of the U.K.’s musical legacy comes from here that it can’t be ignored. Ignored, by the government, ‘yes’. It’s a disgrace, to be honest…

There are roads in Bradford in desperate need of resurfacing; swathes of beautiful buildings in the city centre are boarded-up. It’s sh*t. Here is this incredibly beautiful city with brilliant people - and it has so much to offer. It’s being terribly neglected. It was quite upsetting to see - and I don’t think people living in other parts of the country have a notion.

Did music come into your life early? What got you hooked on it?

It came into my life so early that I don’t remember what got me hooked on it. My parents’ record collection and record player probably - and their sing-songs with their friends around the kitchen table when they had parties. They had Fleetwood Mac, Neil Young and Patti Smith records… but there was something about the ritual of putting on a record, the feel of the vinyl sleeves and opening up the gatefold. I loved the whole thing. It was like a magical world that I wanted to be a part of.

That happened very young.

Which musicians did you grow up on? Can you remember the first album you ever bought?

I had pretty eclectic taste growing up and listened to everything from AC/DC to The Mamas & the Papas. I loved the girl musicians and was a Bangles super-fan – they were the first band to inspire record collecting geek-ery. I had all of their 7” and 12” singles and their first, rare releases. (I drew the line at Japanese imports, though).

I became obsessed with Neil Young as an adolescent and he was the one who made me want to write my own songs. For some reason, and, in particular, his very melancholic stuff struck a chord with me. I think the first song was Deep, Forbidden Lake.

Hooked me in massively.

Can we see you tour soon? What gigs do you have coming up?

I am on tour now…

I’m playing London (Servant Jazz Quarters) on March 14th; Eype Church in Dorset on March 23rd and finishing in Bristol (The Grain Barge) on March 25th. Manchester will be a solo gig - and I’ll be accompanied for the rest of them.

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What do you hope to achieve in 2018?

I’d like to make a record that I’m really proud of and get it out with a really strong and supportive team around me - and begin doing more gigs in Europe. I’ve set up my own label, Keep Her Lit, and would like to begin building audiences in Sweden (as I am half-Swedish) and Holland; because it’s close to home and apparently a lovely place to do shows. So long as I’m inspired and really enjoying making music and performing, and able to spend much of my time doing it, I’m happy.

Have you got a favourite memory from your time in music – the one that sticks in the mind?

That’s too hard. I have millions…

It’s everything from rousing singsongs around a table in Ireland to doing a support slot on a swanky tour and waking up to a different city each morning on the tour bus - and everything in-between. Some of the best memories are being alone and immersed in my studio, or writing something you’re really excited about.

I love it all.

What advice would you give to new artists coming through?

Don’t get into this to seek external validation or fame: do it because you love to do it.

Work on your craft and your personal best. If that is bringing you joy every day, then you’re already successful. Work towards building a healthy self-esteem so that you have a strong core and sense of worth. This will help you to attract the right people to work with and shield you from the wrong ones.

Do you get much time to chill away from music? How do you unwind?

Walking in nature, watching movies; listening to music, going home to Dublin and walking in the Wicklow mountains.

Finally, and for being a good sport; you can choose a song and I’ll play it here (not any of your music - I will do that).

Eli’s Comin’ by Laura Nyro. She was just twenty-one - and she completely blows my mind.

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INTERVIEW: LEYYA

INTERVIEW:

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 PHOTO CREDIT: Ella K. Photo / Ella Kronberger 

LEYYA

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THIS one is a little delayed going up…

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but it has been great speaking with LEYYA about their new L.P., Sauna. The duo talk about its recording and inception; whether they have a select cut from the record; what the scene is like in Austria (where they are based) – and whether they are coming over to the U.K.

I ask them about influences and how their music has changed; a new artist we need to check out; what tour dates are coming up – Marco and Sophie select a song to end the interview with.

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Hi, guys. How are you? How has your week been?

Hello. We are fine, thank you. We just came back from our album release tour and are pretty tired - but we have to prepare for Mexico and Texas as we are playing there the next week.

For those new to your work; can you introduce yourselves, please?

Hey. We are Marco and Sophie from Vienna, Austria - and we are a duo writing and producing  Pop music in different variations.

Sauna is your new album. What sort of themes and stories inspired its creation?

We have worked very hard the last two years on that.

We exactly knew what we wanted the album to sound like and made hundreds of sketches we deleted afterwards - just to translate the exact ideas we had in our heads into these final songs...

At one point, we decided to not care about any expectations we had and thought one might have about us and just make music. We took inspirations from every kind of genre and countries and didn't limit our output in any way. That kind of making music is quite fun because you don't take yourself that seriously. In the end; you end up with music you never thought you're going to make.

That was the best part.

It will be released through LasVegas Records/+1 Records. How supportive have they been to you guys?

We met Andi from Las Vegas Records at the very first beginning of our career. He has heard our very first, really crappy, demos and still signed us because he saw potential in our music. That's what we appreciate the most. Both Las Vegas Records and +1 Records are very supportive.

I guess that's because they really like our music - and that's nice.

How do you think Sauna differs from your debut L.P.? Do you feel it is a broader, more confident work?

When we started, we merged experimental Electronic with singer/songwriter influences. Now, while working on our second album, we developed a rougher and more playful sound. We now focus on instruments and sounds from all over the world - and combine them with our original, maybe even naive, way to make music.

The vocals and the beat received a spot in the foreground for a more intimate feeling and, what was very important to us in the songwriting process, is to have different layers - so that everyone can find their ‘space’ in that song. You can listen to it as a ‘simple’ Pop song...but you can also dive a little deeper and realise that there is more to that.

It is always important to us that a song doesn‘t lose its magic after hearing it two or three times - and that there is always something to discover every time you hear it.

Is there a track from the album that stands in the mind?

It's hard to only choose one song - because we have worked very hard on every single song to be 100% perfect in our heads. In general; the whole album works as a whole: it is one whole piece from beginning to the end. But, if we really have to choose then probably, In Your Head;  because it is very soft and calm in the beginning and, in the middle of the songs, there is a very hard break...and Sophie also has a strong connection to the lyrics.

How did you guys get together and form Leyya? Is there significance behind that name, too?

Sophie: Marco and I come from the same little town in Upper-Austria where it is quite hard to find someone with the same musical interests. We always made music together and, at one point where we finally found our sound, we decided to convert into a project. The name 'Leyya' was originally the name of my singer-songwriter project that we just kept.

What sort of music were you both raised on? Did you discover music at a very young age?

Sophie: In our village, we have a small music school that we both attended at an early age but, instead of joining traditional marching bands later - which was common in our village - we both concentrated more on 'modern' music. I started writing songs (in English; although I almost didn‘t know a word) when I was eleven - just with an acoustic guitar and my voice. Marco played the drums and started to produce his own 'electronic' tracks. We formed a Rock band together when we were around thirteen/ fourteen and, when we grew older, our music grew with us.

We learned a lot, just by experimenting with recording.

Vienna is where you are based. What is the city like in terms of music and opportunities?

We moved to Vienna a few years ago because, at home, we couldn’t really find an audience or someone to work with  - and that kind of limits your creative output. Although Austria is very small in general, Vienna does have a little community - and it is easier to reach certain people.

But still, most Austrian musicians concentrate on 'expanding' a little bit and try to bring their music out of Austria as well. We have loads of good musicians in Austria - but it seems as if the rest of the world fails to see that.

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IN THIS PHOTO: 5K HD/PHOTO CREDIT: Ingo Pertramer 

Who are the new artists you recommend we check out?

There’s an Austrian band, 5K HD, who have just released an amazing album.

If you each had to select the one album that means the most to you; which would they be and why?

Marco: I‘d probably choose Dark Side of the Moon by Pink Floyd because my parents used to play the album in the house, back then, when I was a child. Actually, there is no  'best album' - but there‘s just a lot of memories attached to that specific record.

Sophie: Alabama Shakes‘ - Sound and Colour. This record has such a feeling to it without getting cheesy. Every instrument is on-point and Brittany‘s vocals always drive through my spine. It has inspired me a lot the last few years.

What advice would you give to artists coming through right now?

I think it is very important to focus and stick to the music you believe in...

There will always be people trying to change your sound or the way you make music just to fit in a certain scheme -  or people who say you can‘t have success because you‘re not mainstream enough. It‘s important to believe in what you‘re doing and to withstand the pressure others give you - and you, maybe, even give yourself.

What tour dates do you have approaching? Where can we see you play?

We did a small tour around Europe in February – Germany, Austria; Netherlands, Belgium etc. In March, we‘re playing in North America, Texas and Mexico.

We‘ll continue touring in April and May with some more dates in Europe that we‘ll announce on our website.

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PHOTO CREDIT: Meyrem Bulucek

Do you think you will come and perform in the U.K.? What do you think of the music we make over here?

We have already played a few times in the U.K. - only a month ago, actually. But; we‘re coming back, for sure.

What do you hope to achieve, personally, in 2018?

We don‘t really plan into the future; especially in that kind of business; it is hard and almost impossible to do so. That‘s why we only know what‘s about to happen in a few weeks or months and,  at the moment, everything is built around the release of our new album, Sauna. We're touring in and outside of Europe - and are excited to see what the rest of 2018 has to say.

Finally, and for being good sports; you can each name a song and I’ll play it here (not one of yours as I’ll do that).

Marco: Curtis Mayfield – Hard Times

Sophie: 5K HD – Gimme

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