INTERVIEW: Yes Selma

INTERVIEW:

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Yes Selma

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I don’t think I have interviewed…

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an artist from Baltimore – none that I can think of right now! Yes Selma talks to me about his latest album, Songs of Happiness, and what sort of themes inspired the songs; why the tracks are punchy and precise; the impact of Drag City musicians; how music affects and guides him – whether we will see him in the U.K. this year.

I ask the U.S. artist why he takes a D.I.Y. approach and what the scene is like in Baltimore; which new artists we should check out; if he has any advice for new artists coming through; whether he is influenced by the music from the 1980s and 1990s – the talented young artist finishes the piece by choosing a rather good song.  

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Hi, Yes Selma. How are you? How has your week been?

I'm Ok. My week's been Ok.

For those new to your music; can you introduce yourself, please?

I write songs and make sound experiments in my bedroom. Sometimes, I record them and put them out under the name ‘Yes Selma’ which, at this point, is just a brand name. I do other things, too - but they're menial and not worth talking about.

Tell me about Songs of Happiness – released late last year. What sort of themes and stories inspired the songs on the album?

I tried to make a different kind of album. I wanted it to be chaotic and off-putting and ugly because that's how I see the world. I wanted to capture desperation, mental instability and depression. But, I also wanted to make a comedy record. It's a messy album. There's a lot of mistakes I didn't bother fixing. I wanted to make an album that no one would like.

The songs are quite short and direct. Was it important creating punchy and precise music?

I often write songs really, really fast, then I record them immediately. Because, if I take time to think about a song, I just dwell about trying to make it perfect or I'll get hung up about a particular line - and I'll always end up becoming uninterested and moving onto something else. The entire goal for me when recording is to not think. I think all the time - and it's never gotten me anywhere. But, the process of creating something allows me to free my mind.

So no; it's not important. It's just how it happens.

How important, in terms of influence, are the Drag City musicians? Do you take a lot from lo-fi artists of the 1980s and 1990s?

Yeah. Drag City is huge for me. It was such a revelation to find a label that actually focused on releasing more introspective, rawer songwriters - as well as experimental noise and so forth. D.C. really has no limits, which is really lovely for folks like me who have pretty well-rounded tastes and open minds. I am influenced by a lot of lo-fi artists around that time. I get kinda bored by high-end production. It's more interesting to hear chair creaks, breathing noises; microphone pops etc.

Is there going to be more music this year? What are you working on right now?

I just finished recording an album called Denial of Death, but I'm not sure if it'll ever be released. It's all finished though. It's mixed and everything. Maybe some label will put it out, but who knows? The title is based off a book of the same name. It's about being alive, trying to deal with being a human, I guess - in a world that's pretty much against you…

Learning to appreciate the given moment.

Which musicians did you connect with growing up? Can you remember when music came into your life?

My first true connection with music was with Hip-Hop.

My cousin got me into MF Doom, J Dilla; Tribe, Big L. - stuff like that. That was when my interests began to develop. Then, I discovered music that spoke to my identity. All those Elephant 6 bands; The Microphones and stuff like that. But, the album that changed everything was Figure 8 by Elliott Smith. I listened to it over and over. It was like I had figured out what to do with my life. Listening to that record, in particular, took me from being a music listener to a musician. I began writing songs…

Baltimore is your base. Is there quite a varied music scene there? What is the local market like?

I started going to Baltimore shows when Wham City artists (Dan Deacon, Future Islands; Ed Schrader, etc.) were becoming more well-known and less of an underground secret. It was this weird purgatory period of D.I.Y. insanity. I saw some of the craziest shows I'll ever see. The Bank was a venue in West Baltimore that was just insane. Only those who have been there can truly understand.

There's still a scene, but it's different. There are still amazing artists living here and inventive stuff happening all over the place. It's cool for me because I'm good friends with many artists I admire.

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You are a D.I.Y. artist who tackled everything. Do you think it is important having that autonomy and self-sufficiency?

It's important for me. I prefer doing everything myself because I trust myself in the artistic sense. I know how I want my music to sound. I know what I want the album artwork to look like. But, of course, no one can do everything themselves. I've had a lot of help along the way that I'm very thankful for; the most helpful being Moe Hammond, who started his own label to release my records - which I can certainly say no one else in the world would have done.

There is a growing wave of do-it-yourself musicians. Do you think more popular artists need to take a D.I.Y. approach?

I don't think there's a right or wrong way to approach it. Whatever you feel comfortable doing is probably best. If you feel you can do everything yourself and it makes you happy, then I don't see any reason why you shouldn't. If you need help from a label or a promoter, that's cool too. I guess, ultimately, it's good that the bigwig music business is dying and artists have more control over their work. I certainly respect the artists that have a D.I.Y. approach because I know they're doing it for the right reasons.

There are still a lot of good labels that exist who value and respect the artist's integrity. Friends Records and EHSE are two labels in Baltimore who have helped many artists. Feeding Tube in Western Massachusetts is another example.

Do you have any gigs booked at the moment? Where can we see you play?

I don't have any Yes Selma shows booked at the moment. Baltimore is the best place to see me for now. I just put together a band with my friend Corey (Gordy Manny) who plays drums and has helped give life to songs that I don't feel confident singing on my own. It's way more fun to play with Corey, because he's a great drummer and a great artist. We plan to do an East Coast tour this summer.

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Have you ever played in Britain? Are you a fan of the music that has come from this country?

I have not and I don't have any official plans to come; but, if I'm ever invited to play, I'd bootleg a plane ticket A.S.A.P. The best artist I discovered recently is Richard Dawson. His music has such an eerie strangeness to it. It sounds sinister at times. Ghoulish.

What do you hope to achieve in 2018?

I don't like to make goals because, once I make one, I suddenly become uninterested in achieving it. I prefer to live spontaneously, without any expectations for myself. Though, I do make short-term goals. Like, whenever I merge onto a busy highway, my goal is to not die. Every month I have a goal to make rent on time...

Have you got a favourite memory from your time in music – the one that sticks in the mind?

Listening to my music on vinyl was a pretty cool feeling. Also, playing shows with artists I admire. My first show was with Bryan Lewis Saunders, who's just the greatest. I was really nervous to play because I often have horrible stage fright and I don't really think I played that well - but he was really kind and encouraging to me. We've kept in touch. His artwork is truly one of a kind.

What advice would you give to new artists coming through?

Just make whatever you want whenever you want to for the sake of expressing yourself - and never care what other people think of it. Make stuff that you like and feel positive about existing in the world.

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IN THIS PHOTO: PonY PaYroLL bOnEs

Are there any new artists you recommend we check out?

He's not exactly new, but PonY PaYroLL bOnEs is America's hidden gem. Also, Liz Durette's new album, Four Improvisations, is really beautiful to listen to.

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Do you get much time to chill away from music? How do you unwind?

The fact is that I don't chill away from music because that is how I unwind. Life is short and fragile and pointless and can be taken away so easily. Sometimes, it's hard to find things to be happy about. Music is a good way to express yourself, particularly when you're feeling low.

I read, in Art Pepper's autobiography, that he was once put in solitary confinement - so he found a way to create pitches with a plastic cup by blowing in it at certain angles. So, he started blowing away and other inmates in neighboring cells would clap their hands or provide vocal rhythms.

I believe, if you love music, you'll be able to find it in one way or another.

Finally, and for being a good sport; you can choose a song and I’ll play it here (not any of your music - I will do that).

Let's do an olde classic: Cruel and Thin by Sun City Girls. The masters.  

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INTERVIEW: IDA KUDO

INTERVIEW:

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IDA KUDO

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IT is safe to say…

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there is nobody in the music business like IDA KUDO! Not only is her blend of Japanese and Danish D.N.A. a reason why many people are comparing her to musical legends – she is an open soul possessed with a curious and free-flying imagination. There is vulnerability and questions within IDA KUDO’s heart, too. I discover what makes the songwriter tick and how the song, Wolf, came together.

The Copenhagen-based artist reflects on her upbringing and casts forward to an upcoming music video (for Wolf) and performances; what sort of music and culture inspired her to get into the business; how Copenhagen’s diverse and multi-sided personality impacts her music and aura – the talented songwriter recommends some new musicians and chooses the three albums that mean the most to her.

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Hi, IDA. How are you? How has your week been?

Hi (smiles). I am tired but excited at the same time. My last week has been absolutely thrilling, exciting; beautiful, nerve-wrecking and intense. I have just spent three days on set for the music video for Wolf: two days in the forest by night and one day in a swimming pool doing underwater shoots in full costume!

For those new to your music; can you introduce yourself, please?

I’m a woman with a lot of energy and a need for expression: music is my platform. I write, produce and perform all my songs – it is very important to me that I feel my ‘voice’ throughout my work. My style is Indie-Pop, or Indie-Electronic, you could say. I’m very fond of a solid, powerful beat and I love to pair ‘the raw’ with the ‘well-produced'. I think my music is accessible to a broad audience – although, it has edge and I care a lot about my audience. I’d love my music to be accessible to the ‘average’ listener, but at the same time, it all comes down to my personal expression and ‘edge’ - and how they receive that!

My songs often linger in an almost ‘mythical’ universe and I use mythological themes and figures as symbols in my songs. My influences come from a combination of my Danish-Japanese background and being surrounded by a vast array of music. I’d say my music has been especially inspired by Classical composers such as Brahms, Bartok and also, visually, the Miyazaki cartoons that I watched growing up on my visits to Japan. I’m in love with spirit in music and I want to continue conveying that in my music; although, I also aim to write within certain Pop-frames.

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You have been compared to huge artists like M.I.A. and Lorde. It seems originality is your most important goal. How do you feel your music differs to what is out there?

I’m very flattered by the comparisons. Originality is definitely a key to my output and interest in music. If it isn’t original, I don’t really find it relevant! It’s very individual from musician to musician, what their motivation is - and mine is to express the uniqueness within.

That, to me, is beauty.

Is your Japanese and Danish heritage important when it comes to your unique edge? What do you ‘take’ from each country in terms of sound, image and D.N.A.?

It definitely is! From my Danish background, I’ve learned to be free; that I have my freedom and I’m allowed to sing and write in my own voice. I have a right to be individual. That drive has been nourished by my Danish heritage. From my Japanese heritage comes the edge; beauty that is different. Japanese aesthetics are really interesting, often contrasting the extremely controlled and perfected with the surreal, raw and, sometimes, absurd.

I love that contrast and I believe a lot of my lust for contrast comes from the Japanese background. Sound-wise, like I said, I grew up with Classical music which I, somehow, connect to my Danish background. The older I get, I’m getting more and more interested in the Asian style - but I’m not trying to use Asian or Japanese-sounding elements in my music intentionally. When they do occur though, I’m just happy to see that they’re moving within my subconscious.

I feel more connected to something indigenous than specifically Japanese. Sound-wise; I’m a great fan of ethnic elements and sounds, reminding me of nature and raw rhythm.

Wolf might be those best distillation of the two worlds. What is the inspiration behind the song?

The inspiration is, really, the fear that I’d like to get around. I’m afraid of many things.

As I wrote earlier on, Japanese culture is quite controlled and disciplined and, so, sometimes I find the wild and savage part of my personality confronting to the controlled side - and they are staring at each other eye to eye, trembling. So; Wolf is my savage side facing up and my expression of this: I’m scared and unsure what will happen when my inner-animal breaks the surface. It’s also a symbol of me being puzzled about men. I’m puzzled why they sometimes scare me and yet that kind of provokes me - so I felt the need to write a song about it.

The lyrics and the melody for the chorus came instinctively whilst riding my bike. I thought, ‘Oh! That’s fresh’ and then I recorded it on my phone; went to the studio and I could tell the song wanted to be written.

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Is there more material approaching? Might we see more before the end of the year?

Yes! I have another great single coming out around the beginning of June and then, around September, I will release the new E.P.

What is the music scene like in Copenhagen? Is it a city that provides opportunity and influence?

In many ways, Copenhagen is really awesome and its music scene is really blossoming. There’s so much new music and new bands with many initiatives helping upcoming artists, which is great! Also, many festivals both in summer and some in winter!  

That being said, I feel Denmark is quite small in size but also, in its way of comprehending arts and culture, it’s a place that can be quite conservative and narrow-minded. I don’t blame my country: I think it’s an amazing country and unique in many ways! I was extremely thrilled when CLASH magazine premiered Wolf because I feel, as an artist, I’m better understood abroad then I am here in the Danish music scene.

Copenhagen is the best place for me to be in Denmark. The city, in general, has an open-mindedness to culture and arts - but, I still think it’s important my music finds its way abroad.

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How does it feel having your music used by designers such as Nadia and Zehra? Is it humbling hearing it played at fashion shows?!

It was exciting to pair my music with Nadia and Zehra’s collection and a whole lot of fun! I didn’t really feel humbled: more excited. Humbling was when the director of the upcoming music video for Wolf (Agapi Triantafillidis) brought a crew of sixteen professionals to shoot (the music video) in the forest by night; in the pool by day…everybody working for free and creating true art!

That is very humbling (smiles).

You have performed at some great festivals and captivated crowds. Do you think the experience you get playing live impacts and improve your songwriting?

Definitely. Sometimes, I even try out new songs live to see if they work. Wolf, for instance, was, at first, one key lower and the tempo, some B.P.M.s slower. I tried it out at a concert and found out the key was too deep for live-singing and too slow for the concert set. So, I arranged it one note up and increased the B.P.M. as well – which, altogether, worked better. So, yes; the live experience definitely plays an important role in the writing and producing process!

What dates do you have coming up? Are there particular gigs you are really looking forward to?

SPOT festival in May and, hopefully, one in the Netherlands and one in Scotland - more to come on this! I’m excited to play abroad…

Not to forget: watch out for the Wolf music video coming out mid-April. That will be something new and fresh!

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If you had to select three albums that stand out to you; which would they be and why?

Debut by Björk – because I think it’s the best album I ever heard.

Dangerous by M.J. (Michael Jackson) - because it’s the best Pop I ever heard.

Songs of Freedom by Bob Marley - because it’s the album that changed my life.

Have you got a favourite memory from your time in music – the one that sticks in the mind?

My concert at the upcoming festival, Uhørt, was one of the best concerts ever. I felt so in-tune, vivid and happy...

My first Joan As Police Woman concert. It was an acoustic concert - and I didn’t know who she was. I didn’t expect anything. I cried from beginning to end with snot all over my face. She hit me right in the heart...

The first time I heard Jóhann Jóhannsson’s (R.I.P.) album, Englabörn, in Iceland. Nothing can compete with that heartbreaking Icelandic force of nature. Pure yearning.

What advice would you give to new artists coming through?

Stay true to yourself. Find out if you really want it…If you really, really want it; find your own path with endurance. Learn from all experiences, enjoy everything you can and remember: you are capable of achieving three times more than you expect of yourself and ten times more than what your mother expects of you. Don’t sign anything until you’ve been around it from all angles - and with professional guidance and help!

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IN THIS PHOTO: Rest in Beats

Are there any new artists you recommend we check out?

My friends, Rest in Beats, is my favourite Danish band. Just because they are extremely good. Not just good: they are really, really good and original!

Do you get much time to chill away from music? How do you unwind?

I unwind by being social and making sure the people I love, know I love them - best friends, parents and my boyfriend. I do yoga, sometimes, and take small trips to the countryside. Nature is a healer, for sure.

Finally, and for being a good sport; you can choose a song and I’ll play it here (not any of your music - I will do that).

Right; wonderful task. I’ll go with Kimbra - Top of the World

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INTERVIEW: Ace of Wands

INTERVIEW:

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Ace of Wands

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HAILING from Toronto…

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it provides me with another opportunity to visit the Canadian city and see what is happening there. Ace of Wands talk to me about their new song, Grown from Good, and what the story behind it is. I ask how they came together and what they have planned in terms of gigs and future material – they provide the names of new artists to watch.

I ask them whether they get time to chill way from music; their highlight memories from their life/music to date; whether we will see them play in the U.K. – and, as many of us might wonder, where the name, ‘Ace of Wands’, came from.

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Hi, guys. How are you? How has your week been?

Great! We are gearing up for our E.P. release-party next week in Toronto on April 6; so, for me, that means cramming in as many art projects as possible. I keep busy when I’m stressed or nervous - and this release has been a long time coming! I find working on papier-mâché sculpture, drawing and listening to music to be the most relaxing way I can fill time in advance of a big event!

For those new to your music; can you introduce yourselves, please?

We are a three-piece band from Toronto, Canada. We play reverb-drenched Rock music with lots of harmonizing vocals; giant, loud drums and, occasionally, violin. I write songs with very personal lyrics, reflecting events in my life entrenched in metaphor. I spend a lot of time thinking about the poetry of the songs and how best to express myself in only a few words. I think we sound a bit like a mix of PJ Harvey and Marika Hackman with some Aimee Mann, Beach House and Sleater-Kinney mixed in.

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Can you tell me about your new track, Grown from Good. Is there a story behind it?

I wrote Grown from Good when I was going through a significant period of depression last spring. I had just returned from a long tour across Canada and was reflecting on my life and relationships. Many things came up for me that felt like triggers for transformation and personal change. A lot of it was scary and difficult, but necessary.

The song is an expression of the feelings of confusion and self-doubt I was having at the time. 

I like the feel of the video. Do you think the images and scenes reflect the messages of the song?

Absolutely. I tried to build a costume that would be a metaphor for the transformation I was engaging in. As the water costume grows and lengthens throughout the video, eventually turning into a shroud, I wanted to show the costume as a representation of all my emotions; an all-encompassing monster, following me around, eventually swallowing me up. At the end of the video, when I take the costume off and burn it, it felt like a very cathartic exercise in letting some of it all go. 

Lee. It seems like you had to endure some arduous water temperatures for the video! Was that quite tough?!

Ha! Yes! The first filming session we did was in June last year. In Canada, the water temperatures of the lakes are still quite cold in early-spring. It felt a bit like knives stabbing me all over my body. But, for art, I will sacrifice warmth!

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Is there going to be more music/videos from Ace of Wands?

Yes! We just finished filming a second music video last month. Grow from Good is the first in a trilogy of videos; continuing the themes of transformation. The three videos will each have shared visual elements (like the fabric, fire and drone footage), as they continue the story of spiritual and physical transformation.

The other two videos will also introduce the other members of the band, one at a time. I’m an avid horror movie fan, and so, I love the idea of exploring monsters (inside and outside of ourselves) through the music videos.

As the trilogy of videos progresses, the horror elements will become quite apparent...

I believe you took your name from a tarot card. Does the band represent that denouncement of stress and the embrace of harmony and improvement?

Yes. Last year, when I was feeling so messed up in life, I started to use my tarot deck to try to clarify my feelings - and the first card I pulled was the Ace of Wands. The card represents a gift of passionate energy and focused attention, will and determination. When the three of us came together in this project, it felt like a beautiful collaboration and representation of all the forces held within the Ace of Wands card.

I chose the name, partly to solidify the ideas and image of the band, but also as a bit of a manifesto for myself: fully embracing what can be the fleeting nature of creative drive and seizing it at every opportunity. 

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How did you all find one another? Did you move in similar circles prior to setting up Ace of Wands?

Anna and I met a few years ago around the Toronto music scene. Anna’s other band, Beams, and I had played together several times. Jody and I went on tour together across Canada last winter, opening for Blue Rodeo, and connected that way. It really feels like the three of us found each other at the perfect time to create this new project.

Which musicians and albums did you all grow up around?

Lee: Tom Petty - Into the Great Wide Open; Nirvana – Nevermind; PJ Harvey - Stories from the City, Stories from the Sea; Spice Girls - Spice Girls.

Jody: Herb Alpert & the Tijuana Brass - Whipped Cream & Other Delight; Star Wars - Original Motion Picture Soundtrack; Village People – Cruisin’; Queen - The Game.

Anna: Shania Twain - The Woman in Me; Destiny’s Child – Survivor; Led Zepplin II; Pink Floyd - Dark Side of the Moon.

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Can we see you tour soon? What gigs do you have coming up?

We are playing around Toronto and Southern Ontario this spring - with our follow-up E.P. being released in the summer. If you are in Toronto, you can catch us on April 6 at the Monarch Tavern; May 23 at Burdock and April 18 in Hamilton, ON.

Will you come to the U.K. and play this year?

We would LOVE to come to the U.K. There are so many bands making music there that are so inspiring to me there right now. It would be a dream to become a part of that scene! Add us to a bill and we will be there! 

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What do you each hope to achieve in 2018?

Following the release of this first E.P.; we plan to release two more three-song E.P.s over the summer and fall. We also hope to play as many shows as possible to get ourselves…and make more art and music videos!

Have you all got a favourite memory from your time in music – the one that sticks in the mind?

Lee: I remember going to the first concert of my life. It was seeing Kate and Anna McGarrigle at the Danforth Music Hall when I was, like, three-years-old. I think I fell asleep - but I have memories of it being very exciting

Anna: I remember being six-years-old; so proud of having my own recorder, sitting on the bottom bunk in my bedroom at the cottage and figuring out how to play the intro to My Heart Will Go On from Titanic. I think that was the moment that I realized that I could play whatever I could hear in my head.

Jody: Singing Lost Together with Blue Rodeo on stage at Massey Hall last year.

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What advice would you give to new artists coming through?

Lee: Hmm…I don’t think I could give any advice because we are pretty much (just) making this up as we go along. But, the idea of self-care and self-love has become very important to me recently – which, I think are things anyone trying to make art could work on.

Anna: I think it’s very important to tour, to put yourself out there and figure out how to play in other countries, too. 

Jody: If you are going to start a band, pick a name and stay with it for as long as possible: if you aren’t going to start a band, play with as many people as possible.

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IN THIS PHOTO: The Big Moon

Are there any new artists you recommend we check out?

Lee: Angie McMahon from Australia; The Big Moon from the U.K.; Beams from Toronto; Goosebump from Toronto

Anna: Lung from Cincinnati; Ed Schrader’s Music Beat from Baltimore; Soften from Cincinnati; Vita and the Woolf from Philadelphia.

Jody: Greta Van Fleet - impressively Zepplinesque - from Michigan.

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Do you get much time to chill away from music? How do you unwind?

Lee: How can you chill away from music? Music is the chilling!

Anna: There is no escaping…

Finally, and for being good sports; you can each choose a song and I’ll play it here (not any of your music - I will do that).

Lee: Quarrel - Moses Sumney

Jody: Airbag – Radiohead

Anna: Restless, Unfocussed - Zoe Sky Jordan

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INTERVIEW: MeMe Detroit

INTERVIEW:

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 PHOTO CREDIT: Jennifer Stone 

MeMe Detroit

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SOME of the biggest names in music…

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 PHOTO CREDIT: Jennifer Stone

have adopted personas and applied war paint in order to deliver their music with extra intrigue and mystery. I have been speaking to MeMe Detroit about her looks/makeup and whether it provides freedom and release. She talks about her band and the new song, Soc Med Junkies; whether we will see some more material coming along – the artists who made an impression on her growing up.

I discover the way MeMe Detroit’s music has changed through the years; whether social media obsession is damaging our health; if she, and the band, have a standout moment from music; what gigs are coming up – MeMe Detroit provides a few new names we need to get our music minds around.

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Hi, MeMe Detroit. How are you? How has your week been?

My week's been an eventful one, with our new single due out this week. It's deadline city with rehearsals and behind-the-scenes prep!

For those new to your music; can you introduce yourself, please?

I'm MeMe Detroit; an Indie-Grunge-influenced artist from Birmingham. Myself, drummer Barney Such and Bassist Ross Adams make up our three-piece band. If you like your sleazy Grunge guitar-style bangers laden with riffs and a whole lot of melody, then that's us…

Soc Med Junkies has a pretty obvious derivation. Was the song compelled by other people and their need to spend their lives online – or was there a personal wake-up, too?

All of the above.

The whole social media phenomenon has taken society to a whole new level of ironic loneliness. It’s weird. On the one hand, it’s great that you can be in touch with people across the globe and ‘meet’ people (virtually) who you’d never get the chance to meet normally: on the other, it’s created this fake social acceptance where we’d rather talk across a keyboard or message platform than face to face.

It’s a real wake-up call if you’re ever on a train during rush-hour and you look up from your own phone…you’ll just see a sea of other phones and tablets with zombified lit-up faces staring into them. It’s really bloody weird when you take a step back and actually look at it.

It’s almost unreal. 

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Do you think, for a musician, it is hard detaching from social media? Do you think the negativity on our screens is damaging our health?

Totally! I’m a very positive person and believe strongly in positive energy. Social newsfeeds, however, seem to have a knack of fucki*g with your emotions. I don’t think there’s a single day that I’ve been on social media where I haven’t felt either anger, sadness or disdain from at least one post. There’s plenty of fun/happy stuff on there as well - but it does seem to get outweighed by the neghead (negative-head) posts quite often. If I wasn’t working in the entertainment industry, I don’t think I’d be on there to be honest.

As a musician, social media is a vital key nowadays for promotion - but it can become a pain in the arse. When you’ve got a shed-load of admin. work to do but keep getting distracted by kitten, dog and prank videos (L.o.L.). The great thing about being a musician/business owner on social media, however, is there are tools to help you schedule posts out in advance for the entire week/months. Even so, that lets me have a break from it - which does do wonders for the mindset! 

Is there going to be a new E.P. or album later this year?

There certainly is. We have another two singles due out in July and September with a full E.P. due out in November and a new album in the works for a 2019 release.

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 PHOTO CREDIT: Jennifer Stone 

How do you think you have grown as a writer since 2016’s Live to Love You'll Love to Live? 

I feel a lot more confident in my writing now and I have a much stronger vision for the direction I want to go in as a musician and artist. A big part is down to meeting Barney Such, my drummer. We have this natural chemistry, musically, and as mates. We’re on the same page: it just works and I feel like the new material packs a much bigger punch. Meeting him has also given me the buzz back…the buzz, where all you want to do is play and write twenty-four-seven. It’s ace!

Live to Love You’ll Love to Live will always have a special place in my heart, as it was kind of proof to myself that I could do something on my own after playing in bands previously and not always being 100% happy. It was kind of my catalyst for standing up on my own two feet and following my heart. 

What was the reason for the persona or ‘MeMe Detroit’? Where does that name come from?

 I wanted a name that was away from my own to have that distinction between me as I am (I’m quite a private and reserved person, to be honest, until I get to know you properly) and me as a performer (a whole different kettle of (vegan) fish!). 'MeMe' was a nickname given to me as a kid and, when brainstorming, my other half happened to be wearing a tee with ‘Detroit’ on it. Ha.

That was it really...

How does it feel putting on the ‘warpaint’ and becoming someone else? Does it create empowerment and protection, would you say?

Becoming ‘MeMe’ is the best feeling in the world. Although, it is still me; once that paint goes on, MeMe also comes out and with her comes a much bigger, more confident; no fuc*s given persona.  

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When did music enter your life? Which artists did you grow up around? 

Music entered my life before I can remember. I was singing into a mic as soon as I could hold one. I began classical training on piano at the age of six; then violin and, eventually, guitar in my teens. I grew up on a hugely diverse spectrum of music. My dad is Colombian, so I heard a hell of a lot of Latin music growing up.

I was handed down a big box full of my family’s generational vinyl with bands such as The Beatles, Bob Marley; Elvis Presley, old skool Ska records (Toots & the Maytals and Prince Buster); Michael Jackson, Madonna; right through to 1990s bands such as Radiohead, Foo Fighters and Oasis. 

That was pretty much my childhood.

Can we see you tour soon? What gigs do you have coming up?

Yeah. We will be touring in conjunction with the new releases. We have a short run of dates this week and a fuller U.K. tour scheduled in May - and again in the autumn with the festival season in between.

What do you hope to achieve in 2018?

To keep growing our fan base and keep building on what we do and love - and enjoy every second of it!

Have you got a favourite memory from your time in music – the one that sticks in the mind? 

Playing the Main Stage at Silverstone last year was pretty rad! The sun was setting in the distance as we played, and I remember thinking ‘Fu*k me! This is amazing! This is what it’s all about!’.

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 PHOTO CREDIT: Jennifer Stone 

What advice would you give to new artists coming through?

Keep believing in what you do and never let anyone tell you otherwise. Unless it’s someone giving you constructive criticism…that’s different, of course. I mean, don’t let any negheads sway your belief or focus. As long as you hold on to your own belief in yourself as an artist, the rest will fall into place. 

I heard someone today say they “hate that phrase “When we make it…..there is no ‘it’” - and they’re right! 

Life is a journey to be enjoyed, so savour every moment. Appreciate the now and just enjoy the ride without obsessing over a non-existent ‘it’.

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IN THIS PHOTO: Rews

Are there any new artists you recommend we check out?

I’m currently loving a band called Rews; A band called Asylums have just literally dropped a brand new banger today called When We Wake Up.

Also, another Birmingham-based band, Blue Nation (are worth checking out). Their latest single, Rich Girl, is a melodic, yet riff-driven delight.

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Do you get much time to chill away from music? How do you unwind?

Playing music is my release, to be honest. It’s what I do to unwind. I also do acting as well which is an ace buzz…but I guess my favourite chill-time bar-playing music is time spent chilling with my family, my two cats or hanging with my mates.

Finally, and for being a good sport; you can choose a song and I’ll play it here (not any of your music - I will do that).

A bud of mine’s band, SULPHER, have just released a killer track that I’m loving at the moment: Take a Long Hard Look.

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Follow MeMe Detroit

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INTERVIEW: ENNOR

INTERVIEW:

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ENNOR

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I have been lucky enough…

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to speak with James Creed of ENNOR about the band’s history and their new track, Farewell to Atlantis. Creed (their bass player) discusses Cornwall – where the band have played and were crafted - if Creed/the band have standout moments from their time in music – and, whether, down the line, they have some gigs booked.

Creed tells me about the band’s mix of British and American sounds; how important getting on stage and playing is; whether there are aims and goals established for the remainder of the year; wise words every new artist should adhere to – the guys each select a song to end the interview with.

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Hi, guys. How are you? How has your week been?

Great, thanks; we’re all excited to have the new track out and are rehearsing for our launch show in a few weeks - so we’re working hard in the run-up to that.

For those new to your music; can you introduce yourselves, please?

We’re a Folk-Rock band originally from Cornwall, now based around London; comprised of Tom Elliott (Vocals/Guitar), Jack Rennie (Guitar); James Creed (Bass) and Adam Williams (Drums). I think one of our favourite descriptions about ENNOR was as being ‘salty surfboys’ (though we do suck at surfing, as much as we enjoy it) – another is ‘Californwall’ sounds.

We’ve tended to write our songs for the sun and the sea; picking up from folkier roots of the South-West and combining it with our broader influences across guitar music and the energy that comes with it.

Farewell to Atlantis is your current cut. Can you reveal the story behind the song?

It’s a song about going home after a long time and the nostalgia of that journey – but, it’s also about feelings of loss that can come with change. The places we grow up inevitably change in our absence, as we do, so it makes seeing these half-familiar sights a strange mix of welcoming and a bit foreign.

The places we grow up in form such strong memories, and for us, being in our early-twenties these still paint a vivid picture in our identities – not all has turned to nostalgia just yet but, with time, we see it increasingly become so. Atlantis, in a sense, forms a metaphor for this living; changing memory – “The kingdoms of our childhood have been sunken by the sea…”.

The melodies and lyrics are heartfelt and pure. Are there particular songwriters and artists who inspired that sound/direction?

We all came in with a love of Fleetwood Mac that I think is quite apparent in the way we write, but, when writing our last couple of singles, we were very much into the driving energy of Frank Turner and The Gaslight Anthem. Some of the latest music coming out of the South and West has been incredible, though. We’ve been really enjoying the latest stuff from A Blaze of Feather (with Ben Howard’s solo work being a big influence), William the Conqueror and Matthew & the Atlas to name a few.

 Do you all have similar tastes? When did music come into your lives?

We’ve certainly got a lot in common, but we each bring something new to the process. Tom often writes from a more traditional Folk kind of direction and then the rest of us pull it around a bit until the arrangement starts to take shape. Jack and Adam still love blasting out Iron Maiden and Avenged Sevenfold when we’re on the road… but, we all crossover with the likes of Biffy Clyro, The War on Drugs and Kanye West – it’s pretty eclectic!

We’ve all been playing different styles and genres since we were very young; so we’ll throw a pretty broad range of approaches at a song before we settle on something.

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I am interested in Cornwall and the music scene there. Is it quite a productive area for musicians?! Is it easy getting gigs?

Naturally, it’s a very different scene to what’s going on in London and the other cities...

There's a real sense of vibrancy and it feels more like a community; whether it’s gear-lending, co-headline tours or anything like that, it’s a very supportive and rewarding place to be making music. But, mainly the audiences you play to are so engaging. You can feel the energy in a room, the enjoyment and emotion that has a tendency to get lost in a city venue. We’ve gigged all around London but, heading back to Cornwall and as far as the Isles of Scilly has always been a natural fit for us and, frankly, we just jump at any chance to visit.

You have a love of West Coast sounds and American vibes. Is that a part of the world that resonated and speaks to you all?

Musically and culturally, the particular resonance for us is the similarities between the surf cultures around Cornwall and coastal California. A lot of the key figures in that scene, both currently and through the '60s and '70s when it was really blossoming for the first time, are big influences for us. I’m (James) actually a dual-national myself, as my mother is from Iowa, so it’s always been a big part of my life and Jack and I have been to L.A. - but not lucky enough to catch the coastal parts yet!

Sea air just has an infectious energy I guess!

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How did ENNOR come together? When did you guys all find one another?

Tom established himself as a singer-songwriter growing up around Penzance before meeting Jack and Adam at Exeter University - but only started playing together a little after when they all ended up around London, where I also came into the fold having grown up with Jack. Everything glued very quickly and we’ve just been rolling from then ever since!

Are you planning more material? Is there going to be an E.P. later in the year?

We’ve got a few things that we’re very excited about coming up - but you’ll have to watch this space to find out more soon!

Can we see you tour soon? What gigs do you have coming up?

We’ve got our launch show at Tamesis Dock in London on 25th April; it’s a boat-bar near Lambeth Bridge and we’ve got our friends, P.F. Phillip & the Nightriders and Prima Queen supporting, which will be awesome – hopefully, not too rowdy! We’ve got a lot of plans this summer heading back onto the road which, again, we’ll be announcing very soon.

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PHOTO CREDIT: @oli_pestell

Is the stage where the band really comes alive? What is the sensation like – getting up there and performing to hungry crowds?

The music we make is always written with the live environment in mind, so that’s definitely where we feel the most at home. We’ve been fortunate to have had some very welcoming audiences, particularly when we were first dipping our feet into new areas like the Isles of Scilly. Mainly, we just have a great time whenever we play and, if that energy infects the crowd, then all the better!

What do you all hope to achieve, personally, in 2018?

We’re really pleased with how these latest tracks have been received and are looking forward to getting the chance to play them. It’s very much about getting out on the road as much as possible, then, to play these songs as much for us as for new audiences along the way.

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PHOTO CREDIT: @oli_pestell

Have you each got a favourite memory from your time in music – the one that sticks in the mind?

Tom: For me, touring to the Isles of Scilly was just amazing. It's a place that I've always loved and the people out there really enjoy their music.

Jack: With ENNOR, probably being at Boardmasters – swimming in the sea in the morning, playing the festival in the afternoon. Definitely not the worst day I’ve had….

James: Our first show on the Isles of Scilly last summer at The Seven Stones on St. Marten’s.

Adam: Think we’re all in agreement: Scillies was amazing! Another one for me was probably when I depped on drums for my good mates, ISLAND, at British Summer Time festival. I didn’t suck (I’m pretty sure) and it was just a great day all round.

What advice would you give to new artists coming through?

It can seem pretty impenetrable at times - there are bits that we’re still working out too. But, if you just keep doing what you enjoy and still have that buzz from playing, then keep at it. Finding your right audience can be a pretty key part of that, though; the right promoters and venues etc. – but, also bear in mind there are so many awesome people and places outside London and the like.

Do you get much time to chill away from music? How do you unwind?

Tom, Jack and Adam are all working full-time jobs in the arts and I’ve just started a Music degree, so we’re all pretty flat-out all the time…but we all get our moments here and there. I’m still enjoying exploring London having just moved here, but I know the others like to escape and make a break for the sea.

Finally, and for being good sports; you can each choose a song and I’ll play it here (not any of your music - I will do that).

Tom: P.F. Phillip & the Night Riders – Your Lips Are for Kissing

Jack: ISLAND – Horizon

James: The Knock – Hop Along

Adam: TALMA – Out to Sea

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Follow ENNOR

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INTERVIEW: Wyntèr

INTERVIEW:

Wyntèr

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THERE are very few who put the same…

level of passion and commitment into their music as my featured artist. Cape Town-born Wyntèr tells me about her progression into music and the story behind her new song, P.L.A.Y (released shortly) – and, what we can expect next from her.

She tells me working with producer Jay Picasso; why she decided to move from collaborations to a solo venture; how she spends time away from music; what is coming next, in terms of gigs; artists and sounds that inspire her – Wyntèr gives advice to fellow songwriters embarking on a career.

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Hi, Wyntér. How are you? How has your week been?

Hi, Sam. I’m great - thank you so much for asking. It has been an extremely busy week; doing lots of different things - working on new material and the exciting release of my new single, P.L.A.Y.

For those new to your music; can you introduce yourself, please?

Of course. My name is Wyntèr and I’m an independent artist and singer-songwriter, originally from Cape Town, South Africa and currently living in Surrey. My sound is a combination of Trap/Pop/Hip-Hop and R&B: a few different flavours, inspired by so many of my role models in music.         

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P.L.A.Y is your new single. It is edgy, full-bloodied and soulful. What is the story behind the song?

Well, firstly, thank you very much - I really do appreciate your words. Yes, P.L.A.Y is my baby and I’ve had so much fun creating this piece of music.

This song is extremely personal to me, but I feel it affects so many independent artists alike in today’s music industry. It’s taken me such a long time to get to a place where I am confident in the music I write and the person that I am. But, I made a decision to go hard. This song is about not having to adhere to anyone’s rules or be bound by ‘the industry box’ - or even listening to the restrictive comments that people may make that, subconsciously, dictate the artists we ‘re striving to be. 

On P.L.A.Y; I make a comparison to being intoxicated. Having a sense of freedom and courage that you begin to see yourself as a different person, with an ability to do anything - everything or nothing at all. Simply put: I wanted to highlight that we have the power to decide who is in control and the type of artist/person we want to be.

How did all the strands and sounds come together? Was it a fun song to see through and watch it grow?

Oh my goodness, yeah; so much fun. I’m quite a formulated writer and have a certain way of doing things but, to make reference to my response to your previous question, I only really used to write this way because it was such a common format or ‘commercial format’, which made me feel as though, if I did it that way, I be right for radio.

But, with P.L.A.Y; I kinda just said ‘F*** it!’ I broke every rule I ever adhered to and, actually, had some serious fun building a piece that fell into a category of its own.

What was it like working alongside producer, Jay Picasso? Did he bring a lot to the song? Did you both work together on the development of the song?

I have been working with Picasso for a number of years now on various projects - and it has always a pleasure and such a journey going through the motions of creating a piece together. When I wrote P.L.A.Y, it was in a completely skeletal state: an a capella track consisting of backing vocals and lead; oohs and ahhs with a different take on the chorus as to what it is now. I had taken this skeleton of an idea to Jay and we began to build around it. I knew what I wanted it to sound like, but Picasso added all the ingredients that made it the masterpiece it is today.

He has always been really intuitive with selecting appropriate sounds that, not only compliment my voice, but also the piece as a whole. Bringing a flavour that can only be produced by him; Picasso has definitely exceeded my every expectation for P.L.A.Y.

I know there will be a video for P.L.A.Y. Can you tell me about its concept and what it was like filming it?

Yes, there is. Coming very soon, actually, and I’m very excited to share this video. It was an amazing experience shooting this song but, simultaneously, an absolute challenge to film, due to the below-zero-degree weather - as the majority of it was shot outdoors and the various elements that were required of me and the characters I played.

I wanted this to be as cinematic as possible and, working with Cedavision and LewiLondon, my every expectation was met - and so much more.

The overall concept of the song is being bound by the constraints of whatever you decide is a limitation and breaking free from that inhibition. Recognising you have all the tools to manage it yourself, to make it yourself and take off the personalities of who people tell (you) you’re supposed to be and just be yourself.

Is there going to be more material coming after the single?

Definitely! Bubbles & Smoke was the first single of many this year.

I have a couple in the pipeline - and a few features on other artist's tracks. I don’t think I will release an E.P./album this year: just explore the ‘single’ world.

You have collaborated with other artists in the past. What was the reason behind stepping out there as Wyntér?

There is no better time to step out and embrace this industry.

I’ve had the privilege of collaborating with so many talented independent artists that my hunger just grew. I wanted a taste. I released an E.P. years ago and didn’t really give it the push it deserved for the time and effort I put into it. But now, I’m gonna give it my absolute all.

Throughout my career, I’ve always been told that only one-third of what you do as an independent artist is the music. The other two-thirds is grind, grind and more grind. You have to put your business-head on and work every angle that is so readily available at our fingertips - and I intend to use every resource as I venture out as Wyntér.

I feel I have something to say - and I want to share it.

Which artists were you raised on? Did music enter your life quite early? How does the music of South Africa, where you were raised, compare to that of the U.K.?

I was raised on R&B, Soul; Hip-Hop, Pop etc. Listening to artists like Michael Jackson, Brandy; SWV, Jagged Edge; 112, Earth Wind & Fire; Marvin Gaye, oh…the list goes on. My love for music started at a very young age, constantly surrounded by it, and I was raised in church and learned to read music playing the recorder (ha, I know) as part of the church orchestra, which still makes me chuckle…but it all stemmed from there.

A lot of the music in South Africa, whilst I was growing up, was American artists with very few home-grown talent. However, the Capetonian sound was always summer vibes, with a Deep-House/Dance music kinda feel - very similar to the U.K. House sound, if I were to compare. Nowadays, 90% of the music on Cape Town radio is home-grown which is very exciting for many unsigned independent artists, as they now have a platform that is circulated widely around the country.

Garage and Grime is probably the biggest differentiation between Cape Town and U.K. sound - which has really influenced my writing, overall, including melodic choruses, phrasing; overall feel and the energetic nature.

PHOTO CREDIT: Tomodo Photography

Can we see you tour soon? What gigs do you have coming up?

Nothing at the moment, but currently working with a trio to perform live sessions around London and on independent YouTube channels, local radio stations - and any opportunity I am blessed with.

What do you hope to achieve in 2018?

Where do I begin?! In 2018, I hope to release multiple singles and collaborate with as many talented artists as possible, including rappers, cross-genre singers and producers. There is no better time than the present to explore and share with like-minded people. I’d love to perform my music live, acoustically, with a D.J., a band; at festivals and various independent channels.

Lastly, but certainly not least, I’d love to have the opportunity to feature on a BBC introducing playlist and build the foundation for 2019.

Have you got a favourite memory from your time in music – the one that sticks in the mind?

Such a tricky question...

I’ve been blessed to have so many amazing experiences. But, one that sticks out the most would have to be when I was about like eleven-years-old, back in South Africa. I entered these shopping mall competitions that my nan used to drive me to. Literally, in the centre of a shopping mall, this used to happen for, like, a season every Saturday. In this particular competition, I was performing in the Gospel category singing Glory, Hallelujah…I think.

After I had sung; I walked off stage and, standing next to my nan, was this gentlemen. This shaggy-looking man approached me with tears streaming down his face and said to me: “That truly blessed me; thank you for your singing’. It was then that I realised I wanted to make and perform music that moved people the way that song had moved this man.

What advice would you give to new artists coming through?

As cheesy as it sounds, just be yourself. This industry is big enough for all of us. Everyone is blessed with different tastes, skillset and different abilities. I watched an Amy Winehouse interview once and the interviewer asked her: “Did you know that the song, Rehab, was going to be such a huge hit?”. She responded, in true Amy fashion, saying something like: “I don’t care if people like it or not – I wasn’t thinking about people when I wrote the song; I was simply writing music that I love to listen to”. 

Honestly; I can say that this was a massive hiccup for me: it took me a long time to just accept, well, me. So…do what you love; write what you love; be the artist you’d love to listen to.

IN THIS PHOTO: Jessie Reyez

Are there any new artists you recommend we check out?

Yeah. I’m a huge fan of Jessie Reyez. Her song, Gatekeeper, is massive. Bishop Briggs, too. I had The Way I Do on-repeat for, like, a month. Also, Russ. His flow is wavy. My new fave, Sinéad Harnett, leaves me weak with her sultry tones.

It’s (just) amazing to see independent artists (just) doing their thing.

IN THIS PHOTO: Bishop Briggs

Do you get much time to chill away from music? How do you unwind?

Not really. In-between teaching and working on my own original stuff, there is hardly enough hours for free time. But, I do enjoy pole dancing, a good series or five-hundred; oh…and a good puzzle - I’ve been working on the Impossible Minions for the past year and it has driven me crazy trying to solve this bloody thing.

Finally, and for being a good sport; you can choose a song and I’ll play it here (not any of your music - I will do that).

I’m Better – Missy Elliott (ft. Lamb)

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Follow Wyntèr

INTERVIEW: Hayley McKay

INTERVIEW:

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Hayley McKay

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SHE has played for Bob Harris…

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and enjoyed some wonderful memories in her career so far! Hayley McKay talks to me about her new track, Chance to Change, and why its messages will ring true with many; if there are any gigs coming this year – and, given the fact she has performed in Nashville, if she would like to return.

I ask what we can expect from her debut album; what it was like recording at Abbey Road Studios; the artists she grew up around; what she hopes to achieve in the remainder of this year – McKay ends the interview with a fantastic song selection.

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Hi, Hayley. How has your week been?

Hi! My week has been good, thanks! I've been on a radio tour up and down the country promoting my album (which is out on 27th April). I played Hyde Park Book Club in Leeds at the weekend, with the band, which was fun.

For those new to your music; can you introduce yourself, please?

So. My music has elements of Country influences, vocally, and I would say overall Pop, Americana and Country – A.K.A., P.A.C.! It also has a British sound to it. Vocally and production-wise, it's clean, but with edge.

Tell me about the new single, Chance to Change. What is the story behind it?

Chance to Change is about someone in a relationship who is sick of giving their partner so many chances to change. In the video, we see the boyfriend ignoring his girlfriend and - on his phone constantly. I wanted it to have a message within the video that communication is so important for people and, if people are constantly looking at their phones, it can be a lonely battle. The song came to me from two great Irish writers: Aoibheann Carey Philpott and Joe Philpott Jnr.

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Your debut album is out soon. What sort of themes do you explore? 

Some of the themes include loneliness, despair and communication - but, above all, hope.

What was it like recording at Abbey Road Studios?!

Yes. We had my album mastered by Geoff Pesche at Abbey Road and it was an amazing experience. It was great to be there to understand how the mastering process works; to add the final polish and have everything ready for broadcast.

You co-write the majority of the songs on the album – working with a team, too. Was it important to have personal input into your music?

Some of the songs on my album were co-writes - and some of them I've had for a while. But, it's taken me a long time to find the right production/producer for them.

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Which artists did you grow up listening to?

Some of the artists I listened to when I was younger included Whitney Houston, Celine Dion; Irene Cara and a lot of Disney songs! But, I was introduced to loads of styles from Mum and Dad's collection, not to mention the radio - which was always on in the house. I started out in musical theatre - so I listened to an awful lot of music!

I believe you met the legendary Bob Harris. What was that experience like?!

Yes. We met Bob Harris and we filmed the Under the Apple Tree music session in the studio in his garden which is, literally, under the apple tree. His voice was soothing, yes! He is such a legend - I'm reading his autobiography at the moment, which is very interesting!

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Can we see you tour this year? Where can we catch you?

Yes. I'm touring around the U.K. at the moment. The live dates are all listed on my website.

You have performed, before, in Nashville. Is it a city you feel a connection with? Do you ever think about going back?

Yes. I loved Nashville. I'd love to go back out there and do a road trip around America with my music!

What do you hope to achieve this year? 

In 2018, I hope to achieve success with my album; build my fan base and have lots of people come and see me perform live. I would also like some of my songs to get onto film/T.V. - and a publishing deal would be nice, too...

But, the right one, of course!

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Have you got a standout memory from your time in music? 

I've done some amazing gigs - so it's hard to pick just a single memory that stands out. However, one of them is opening the Toad Hall Stage at Glastonbury. Last year, I did a hometown gig at Durham Gala Theatre which I absolutely loved, because all my family and friends were there. It really was an incredible experience.

What advice would you offer new artists coming through?

Advice? Well. I would say always be open to opportunities, but try to keep as much creative control as you can. Always believe in what you do and be nice to people - because word can spread in the industry!

Everyone is unique and there is always space for new talent, so keep persevering!

IN THIS PHOTO: Hudson Taylor

Are there any new artists you recommend we check out?

Yep. Please check out Hudson Taylor and Jade Bird. They're really good

IN THIS PHOTO: Jade Bird

What do you do to unwind away from music? Do you get much spare time?

Away from music; I like to spend time with family and friends and do all the normal things: go for walks in the countryside, go to the theatre; party etc. etc.! To relax/unwind, I might go for a walk or watch a film on Netflix.

Finally, and for being a good sport; you can name any song and I’ll play it here (not one of yours as I’ll do that).

Newton Faulkner's Dream Catch Me from the album, Hand Built by Robots.

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Follow Hayley McKay

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INTERVIEW: IMAN

INTERVIEW:

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IMAN

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IT has been a while since I last spoke with IMAN…

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She tells me about her current track, For You, and how it came together; whether more music is coming up; how early music came into her life – and whether, as a child, her parents were supportive of her desire and passion to pursue this path.

IMAN discusses gigs and musical influences; a new artist we should check out; what her favourite memory from her career so far is; the advice she would give new musicians coming through – she reveals what she gets up to away from recording and performing.

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Hi, IMAN. How are you? How has your week been?

It’s been busy; very productive thank you. 

For those new to your music; can you introduce yourself, please?

I’m a London-based artist that writes my songs - and I’ve been known to co-direct and edit my own music videos. I’d say my sound is Electronic, R&B; Soul with a Pop influence. 

For You is your latest track. Is there a story behind its creation?

Yeah. I wrote it about when I ran away from home at a young age - and about how much my perception of life had changed when I returned many months later.

To me, it sounds like your most confident and personal track. Do you feel For You is your most important cut so far?

I’m not sure I’d say that: it’s a song I love and still connect with...but I have more that I’ve yet to share that are, also, very personal. 

Will there be more music coming this year?

Yes. There will be loads more; it’s all being planned out.

Can you remember when music came into your life? Which artists did you grow up around?

I didn’t really grow up around music: it was pretty much banned from the house. Hence, why I felt the need to leave home so young so that I could start pursuing it. The music I was familiar with as I was growing up was whatever happened to play on the radio. My exposure to music growing up was definitely limited.

Were your parents supportive of your desire to pursue a music career? Was it hard convincing them it was the right path?

No: they weren’t supportive - and that came from their own fear for me. They wanted me to pursue a more stable path - and I always understood that.

Recently; it was International Women’s Day. Do you feel women are overlooked in the industry? Is it important we raise awareness of the imbalance?

Obviously, there are so many female artists out - and it’s been like that for a long time. I would like to see more diversity across the board for artists, male and female, from different ethnicities particularly.

Certainly, in the music industry, it’s male-dominated and, perhaps, women are overlooked for positions in this area. Women are creative, powerful and ready more than ever to be the leaders of business - I know this. I’m sure, as we keep pushing for positions and equal pay, things will change.

It always does in the end...

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Can we see you tour soon? What gigs do you have coming up?

All my gig info will be up on www.imanmusic.co.uk and, if you join the mailing list, there’s a chance to get yourself a secret song that is strictly for the ears of my mailing list crew.

How important is it getting your music out to the people? How does it make you feel performing live?

Sharing my music is what it’s all about. Putting in all the hustle, just to have it sit on my desktop is no fun. The joy and reward come from the connection I get to make when I share my music. Performing feeds my soul and reminds me why I do it when hard times come.

What do you hope to achieve, personally, in 2018?

I want to see through the releases of my next few records; perform constantly throughout the year and connect with loads more new listeners. I hope my current fanbase continues to enjoy my new music and I also want to keep writing and start taking my D.J. sets out - as I’ve just gotten into D.J.ing.

Have you got a favourite memory from your time in music – the one that sticks in the mind?

Performing to 5,000 people at Brixton Academy was pretty insane. I remember I was buzzing with happiness for days after!

 What advice would you give to new artists coming through?

I’d say, always be honest with yourself about what you could improve and what exactly you want. Don’t shy away from your ambitions - and use every day to do something that will propel you closer to your goal.

I also think keeping the most real people around you is key.

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IN THIS PHOTO: Seinabo Sey

Are there any new artists you recommend we check out?

Seinabo Sey. She’s giving me life right now. A very authentic artist.

Do you get much time to chill away from music? How do you unwind?

I don’t get much time but, when I do, I adore hanging out with my niece and nephew. They are both toddlers and give me so much life. I also love travelling - and I’m gonna be fitting that in this year, too.

Finally, and for being a good sport; you can choose a song and I’ll play it here (not any of your music - I will do that).

 I love Seinabo Sey – I Owe you Nothing. Tunnneee! The video is sick, too.

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INTERVIEW: Justin Nozuka

INTERVIEW:

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Justin Nozuka

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MY mind turns to an artist…

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who has enjoyed a long and varied career (so far). Justin Nozuka reveals the influence behind his track, Warm Under the Light, and what we can expect from his E.P., Low Tide – Nozuka explains what it was like working with producer Chris Bond on the E.P.

I ask which musicians inspired his course into music; what it was like opening for the likes of Stevie Wonder; if the Toronto artist is going to come to the U.K. – he provides some useful advice for artists coming through right now.

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Hi, Justin. How are you? How has your week been?

Hey. I’m well. It’s been a good week!

For those new to your music; can you introduce yourself, please?

Sure. I’m a singer/songwriter based in Toronto, Canada. My sound, I would describe as a mix of Folk, Soul; R&B and Rock. I’m currently in the process of releasing new music - which I recorded the majority near Devon, England with the talented Chris Bond.  

Warm Under the Light is your new single. Can you reveal its story?

Warm Under the Light is a song I wrote for a neighbour who I would see often but never really speak to. I just found this particular person really attractive and wrote this song to express myself.

Warm Under the Light is from the E.P., Low Tide. What are the main themes and stories that inspired the music?

Low Tide consists of a song about daydreaming (Reverie). I was inspired by the word ‘reverie’ itself. It was relatable to me and felt I could write a good tune on the subject. The third is a song I wrote for an ex-partner/companion. The song wrote itself, really; just some of our memories bottled up in there with the truth that we weren’t meant to be together in the conventional (marriage) type of way.

Chris Bond produces. What was it like working with him in the studio?

Chris Bond is super-talented and a sweet man. It was comforting pursuing these recordings with someone I knew was capable of capturing the energy in a certain way.

A lot of trust and on-the-spot creativity.  

How do you think your music has developed since your 2007 debut, Holly?

A lot has changed and some has stayed the same. I think I’ve stretched out quite a bit over the past few album, post-Holly. I’ve just experimented a lot, creatively, which, I think, is really healthy. One thing that has stuck is pursuing live takes on the records. I think a strong live take captures something that can’t really be replicated through other approaches. There’s a natural breath and magic to it that I mostly prefer.

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When did music enter your life? Which artists did you grow up around?

I got into music when I was about eleven or so I think. A friend of mine started singing and it made me want to join. I listened to a lot of Pop music that was big at the time (NSYNC, Backstreet Boys; Brian McKnight, Spice Girls etc.) and heavily got into Lauryn Hill, Boyz II Men and others. Eventually, I discovered Ben Harper; oldies like Joni Mitchell down the line, which was a big influence on me.

You have supported the likes of Mary J. Blige and Stevie Wonder! Did you learn a lot from them? How crazy is it to think you have shared the same stage?!

Pretty amazing feeling opening for some of these artists. Stevie Wonder is something I will never forget. The man just exudes so much love and warmth. He inspired me to drop my guard on stage and to be open and outward in sharing love and good energy with the audience.

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I know you have a busy tour schedule coming up. Is the road somewhere you like being? Are you looking forward to coming to the U.K.?

I currently love being on the road. It’s where I want to be for a good while. I’ve spent the past few years working on recordings and being home - so I feel all this pent-up energy and just want to keep busy out here.

Super-excited to be back in the U.K. again, doing a more elaborate tour here. I did my first tour ever in the U.K. back in 2007, I believe. I have such fond memories of it. It was just me and an acoustic - and a tour manager by the name of Chas. We drove in a hybrid car…

It was a special tour for me.

What do you hope to achieve in 2018?

I look forward to putting out more new music and (to just) play a lot more. I’d like to start making headway on new songs and to (just) keep things rolling.

If you had to select three albums that stand out to you; which would they be and why?

Leif Vollebekk - Twin Solitude

Such a natural-sounding album…fantastic songwriting and delivery. My go-to and favourite album of 2017.

The War On Drugs - A Deeper Understanding

Amazing, driving energy. Love the energy on this album.

Nick Drake - Pink Moon

So comforting. Perfect for a rainy or quiet day.

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Have you got a favourite memory from your time in music – the one that sticks in the mind?

So many great moments…

Years ago, we were doing a gig in (I think) Lausanne, Switzerland. We drove through the night and I made a point that I wanted to be the navigator. We arrived as the sun came up on the top of a mountain. We couldn’t drive our van into the town of (Zurmat, I believe) and finally discovered I had entered the wrong hotel branch. It was a stressful night of driving and we all got into a big fight.

I was scared to let them know I put the wrong address in but, once I did, we all cried and hugged. Luckily, the actual hotel was only forty-five minutes away…we drove down the mountain to incredible sights and made our way to the festival to play that day.

What advice would you give to new artists coming through?

Don’t make long-term commitments…take a lot of care with your sound and long-term vision and, also, with who you bring onto your team.

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IN THIS PHOTO: Leif Vollebekk

Are there any new artists you recommend we check out?

Leif Vollebekk, if you haven’t heard already. My younger bro Henry Nozuka is putting out some new music, which I think is really special.

Do you get much time to chill away from music? How do you unwind?

I like to do stuff separate from music - biking, playing ice hockey; reading and playing chess. These things help keep me in a good spirit.

Finally, and for being a good sport; you can choose a song and I’ll play it here (not any of your music - I will do that).

Leif Vollebekk - Elegy

Hope you enjoy!

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INTERVIEW: Post Louis

INTERVIEW:

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 PHOTO CREDIT: Maya Sacks 

Post Louis

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THERE are many aspects of Post Louis…

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that compelled me to dig deep and get to know them better. I ask, firstly, about their new track, Little Jack, and the story behind it. I was curious to know why a stunning church plays a part in their world and music; how the band got together and have progressed; if they are looking ahead regarding more material – where we can catch them perform in the coming weeks.

The band – Stephanie fields most of the questions – reveal how their sound has mutated and what music they grew up around; if there are any new artists worth a shout – why they recorded Little Jack in a rural location with basic recording equipment.

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Hi. How are you? How has your week been?

Stephanie: It was alright, thanks. This week, I learnt about penal reform, Cynthia Nixon’s biography and how to backup my Helicon vocal unit – so, I can’t complain.

How was your week?

For those new to your music; can you introduce yourselves, please?

We are a five-piece called Post Louis. We’re from all over the place, but do most of our work in London.

I front the band. Robbie and his brother Andy both play guitar. Mattis plays drums and Adam plays bass.

Little Jack is out. What is the background to the track?

I had been experimenting with writing in other voices - and Little Jack came from that. Essentially, it is a character-study of someone who lives, mainly, in their own head. It’s about the pains of loneliness and low confidence and what happens when these mix with naïve sexual desire. I wanted to hint at the potential for harm, or even domination.

I have said elsewhere that Little Jack isn’t a monster, but the song is, in part, about how monsters - or wolves - are made. I believe we need to rethink how we make, force and mould some children into being ‘men’.

These are questions I’ve been thinking about for a while…and that I think are circulating in public discourse now in a way that is interesting, inspiring and troubling all at the same time.

It seems the song came together in a very simple surrounding – a basic tape recorded and a rural location! Did you feel the desire to strip away extravagances and luxuries to recharge, in a sense?!

Well. The ability to escape to the countryside like that is, arguably, quite a luxurious and lucky thing to do! But, yes - writing is labour (albeit, amazing labour), and it’s easy to side-line in favour of other less challenging things. So, Robbie and I decided to go away, stare ourselves down and get the core of the songs right.

Was it daunting following up your E.P. – one that gained huge critical acclaim?!

All of this is daunting: the whole process of putting oneself out there. I believe in the music, but the industry is hard work - and here, I come back to labour again. We all work other jobs, as do almost all the musicians I know - even the brilliant ones, even the signed ones. So, it is sometimes daunting working out how to keep standards high and keep dedicated when you are often busy and tired; the timelines are very long.

It’s worth it, though. I should say that, while I’m proud of that E.P., I think these new songs are a whole lot better than our old stuff. I hope people agree…

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PHOTO CREDIT: Maya Sacks

Is there more material coming later in the year?

Yes!

How do you feel songs like Little Jack differ to your previous work? Have you noticed an emotional and sonic shift in the band?

Emotionally, things have got darker and more personal. That was a deliberate choice. Irony doesn’t come easily to me. The darkness felt appropriate. You know, sometimes you have a bad year.

As for sonically…we have a solid five-piece line-up that hasn’t shifted for a few years; so, Adam, Andy and Mattis’ personalities and playing styles are really important now. Beyond that, we haven’t consciously changed the sound. We want to just do what we were doing before, but better.

How did Post Louis get together? When did you all meet one another?

Robbie and I have known each other for years and started making music at university. It went through loads of incarnations, from acoustic shows (just the two of us with a guitar) to performances with a string quartet and full band; back to a version with just the two of us on stage - but this time, making loads of noise with loopers, guitar pedals and synths…

When we moved back to London, we started playing with various different friends of ours. This was when Robbie’s brother Andy, who is a bit younger than us, started playing with the band. Eventually - deciding this project was very much a ‘band’ band and not a duo - we advertised, in the hope of finding two more fixed members. We put posters up at music colleges in London. I think we had some romantic idea that we might find a ridiculously-talented, classically-trained double bassist who wanted to plug in. In the event, we found a ridiculously-talented Punk bassist from Glasgow, namely Adam, who was working at the Royal Academy of Music box office and saw the poster.

I can’t remember how we found Mattis. As I told him the other day, I recently found my notes from the first time Robbie and I met him. They say ‘possibly a perfectionist?’ in the margins...  

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PHOTO CREDIT: Jacob Perlmutter

Give me an impression of the music you grew up around. Which artists did you all fall for at a young age?

At a very young age, I loved anything that was on Magic 105.4 - especially Elton John. I vividly remember coming back from a family holiday on a fateful winter day in 1998, getting in the family car at the airport and driving back home. We scrolled and scrolled through radio stations but my dad couldn’t find much-loved ‘Melody FM’. Eventually, our tired brains must have realised that the combination of Soft Rock, Soul and Lighthouse Family emanating from, what seemed to be called ‘Magic FM’, was the result of a sneaky re-brand.

Andy: The first tape I really remember loving was a Rock ‘n’ Roll compilation, The Best Rock ‘n’ Roll Album in the world…ever! After that, there was a lot of David Bowie, The Beatles and Simon & Garfunkel…and The Offspring.

Mattis:  The Rolling Stones, Creedence Clearwater Revival and Neil Young.

Robbie: Like Mattis; I was really into the Stones. My dad took me to the Bridges to Babylon tour when I was nine. Seeing Jagger strutting over a big silver bridge into the middle of Wembley Stadium blew my head off. I’ve still got the big red tongue that doubles as a glove/cushion somewhere.

Adam: I was lucky enough to have music-loving parents; so I grew up in a house of David Bowie, Prince; The Beatles, Leftfield, R.E.M. and Nirvana (to name a few). As a result, I’ve always been fascinated with music; listened to quite a lot of Pop music, Tim Westwood’s Hip-Hop radio show and, of course, growing up in the mid-'90s, the whole Blur vs. Oasis Britpop thing (the answer is ‘Pulp’, by the way).

Looking at some press shots; it seems a Norwegian church building has become a bit of a home/base. Tell me more about that…

Mattis: I live and work part-time at The Norwegian Church in London. We have been lucky to make use of the space there, both for rehearsals and as a small, intimate space for friends and family…and…the waffles are really good!

Adam: I also lived at the church for a time with Mattis, who literally took me in when I was pretty much homeless, due to the end of a long relationship. I slept in a cupboard under the stairs like a very unromantic Harry Potter for about three months until I finally got a proper room there. For a while, it was like a small commune of people you wouldn’t generally associate with a church, but it’s where I’ve met some amazing people…so it will always be a special place for me.

Having it as a rehearsal space is just the cherry on top.

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IN THIS PHOTO: Gurr

Are there any new artists you recommend we check out?

Sure, loads: it’s kinda my job these days. I love Gurr from Berlin, who are about to release their second album - and are touring with Shame and The Go Team! But, also, closer to home; I’m a big fan of Sauna Youth and DANCEHALL in London and, in my spiritual home of Glasgow: Anxiety, Freddie Quell and a brand-new band called Puppy Fat are all great (and not just because I may or may not have played with most of these people in the past).

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IN THIS PHOTO: DANCEHALL/PHOTO CREDIT: Keira-Anee Photography 

Can we see you tour soon? What gigs do you have coming up?

Stephanie: We’re playing a headline show with Parallel Lines on 27th April. It should be special - we’re curating the whole night with D.J.s until late. All the artists involved are friends of ours; some of whom, we’ve worked with before. You should come down and have a dance...

What do you each hope to achieve in 2018?

Adam: Probably the same for all of us: release more music and tour off the back of it.

Robbie: I’ve spent a long time hunkered down, mixing the new songs. So, in what’s left of 2018, I’m also looking forward to playing them live again, stripping them back to their raw essentials and gaining some perspective in doing so. 

Have you all got a favourite memory from your time in music – the one that sticks in the mind?

This is nerdy. I once had to play J.S. Bach for an audience where I knew Alfred Brendel (who is an all-time favourite) was watching. It was terrifying but really transformative.

Andy: Putting out songs is always really exciting. Even though there’s the risk that it might not be as well-received as you’d like, it’s such a great feeling to share something that you’ve been working on for a long time and that you’re proud of to the world.

Mattis: When I played KOKO with Toothless, the sound was spot-on!

Adam: Oh man; too many to mention.

Music’s pretty much been my entire life since I was a wee guy. Getting to see Interpol play Turn on the Bright Lights (my favourite album) last year was pretty special, though. As for me personally; I appreciate any moment or memory I have with regards to music, but I guess putting out my own record (FRAUEN) last year was pretty special.

Stephanie: Getting on stage with Post Louis for the first time...

We were supporting Daughn Gibson at Birthdays. There were sound issues. Nothing about it was that remarkable. I’m sure we made loads of mistakes. But, for me, it was an electrifying moment.

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What advice would you give to new artists coming through?

Andy: I don’t have any advice but, if anyone else does, then if they could forward it to me then that would be great.

Adam: Run! No, but, seriously: fight for your rights as young artists and keep spaces to perform and practice music alive.   

Do you get much time to chill away from music? How do you unwind?

Relax with a big bag of cans with the boys (note: I call everyone ‘boys', even Steph…she probably hates it).

Stephanie: I try and fight the big fights...     

Finally, and for being good sports; you can each choose a song and I’ll play it here (not any of your music - I will do that).

Adam: Desire by Ought; which is going to take some beating for the 2018 title of Song of the Year for me. It’s a wee masterpiece.

Mattis: Tempesst - Waiheke

Andy: James Taylor - Your Smiling Face

Stephanie: Matthew Wilder - Break My Stride

Robbie: Huerco S. - A Sea of Love

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INTERVIEW: Tom Anderson

INTERVIEW:

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Tom Anderson

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I have been conversing with…

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a fantastic Liverpool-based artist whose music is turning heads right now! Tom Anderson talks about his new track, Safe & Sound, and what the story behind it is. I ask what the music scene is like in Liverpool; if there are any new artists he would recommend we check out – what comes next from the talented songwriter.

Anderson tells me about the intriguing Polyphonica project and how he is helping develop it; how he got his start in music; whether he gets any chance to kick back away from music; how he feels his material has developed in a short time – he ends the interview with a rather spiffing track!

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Hi, Tom. How are you? How has your week been?

Hi! Great, thanks. Been working with some really cool artists this week - SPINN, Josh Goddard; 2ME and Stephen Geisler – so, it's been a busy one. Going to see Jessie Ware in Manchester with my girlfriend tonight – so, it's about to get even better. 

For those new to your music; can you introduce yourself, please?

I'm Tom. I used to be in a band called Venus Demilo - and I now write and produce with other artists, as well as working on my own solo project. 

Safe & Sound is your new single. Give us an insight into its story and creation.

The song was written a few months back before I went out to go and see my friends from back home. At the time, I was pretty stressed and the excitement of seeing those guys inspired the song. It's basically about how, no matter how hard things can get in our separate adult lives; when we come together once every few months to forget about all of that and act like we're fourteen again, it can be a very grounding moment. 

How do you feel Safe & Sound develops from your debut single? Were you surprised by the widespread acclaim it received?

I think, in terms of the lyrics, the new song is a bit more reflective of what I'm really like. The reviews on the last single were incredibly kind and that gave me a huge boost to know that what I'm doing is the right thing. 

What comes next in terms of material? Are there more ideas forming?

There are. I've just decided that I'm going to release as much music as the Internet can take over the next few months; so, I'm going to try and drop a new tune every two weeks until the summer. 

Tell me about your musical beginnings and the artists you grew up around. When did music arrive in your life?

I've been writing songs for as long as I can remember, as my dad was always playing when I was growing up. It was a lot of Beatles, The Police and Queen in our household (and still is).

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How important is Liverpool and its history to your musical ambition?

I came here for the first time when I was ten. We did the Magical Mystery Tour bus, the museum and everything else Beatles-related in Liverpool (which is quite a lot). Since then, I've been always been a massive fan. I grew up listening to The Coral; so it's cool working in the same place as them at Parr Street.

Now and then, if you look at what's going on with other artists like XamVolo, Jalen N'Gonda; Clean Cut Kid and Vryll Society (I'll stop the list there because I could go on for a while…), then it's a very exciting place to be. 

What does Polyphonica involve? It sounds like an interesting platform...

Polyphonica is a music platform I've been working with closely which helps with artists on creating content (pretty much everything on my Instagram is thanks to them). They've worked with a few emerging artists around Liverpool now and I think, over the next twelve months, it could become the go-to place online to find out what's happening in Pop music, generally, around the North West.

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Can we see you tour soon? What gigs do you have coming up?

I'm announcing tour dates for July early next month - currently planning on hitting up Liverpool, Manchester; Leeds, Birmingham and London. 

What do you hope to achieve in 2018?

To get some people into my music! 

Have you got a favourite memory from your time in music – the one that sticks in the mind?

When we were doing Venus Demilo, we played a house party for some LIPA students at a famous student house in Liverpool called The Lodge. Everyone was going mad and the floor was literally bouncing. That was pretty cool. 

What advice would you give to new artists coming through?

If there are more experienced people around you, listen to their advice - but you don't necessarily have to take it. 

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Are there any new artists you recommend we check out?

2ME is just about to release his debut E.P., which is sounding incredible. 

Do you get much time to chill away from music? How do you unwind?

Not massive amounts but, if I do, then I'll either spend time with my girlfriend and my dog - or playing FIFA. 

Finally, and for being a good sport; you can choose a song and I’ll play it here (not any of your music - I will do that).

Jalen N'Gonda - I Need You

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INTERVIEW: Field Report

INTERVIEW:

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Field Report

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THEY are one of the most exciting…

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and engaging bands around right now. Chris Porterfield of Field Report talks me through the band’s latest L.P., Summertime Songs, and how it feels knowing it is out. He discusses the themes that go into the record and how Field Report got together; whether there is a big music scene in Milwaukee (where they are based) – what they have planned regards touring.

I ask whether Trump’s leadership and U.S. politics affect their music; Porterfield shares a great moment from his time in music; how he spends his time away from music; if the band all share tastes in music – the advice he would give to new artists.

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Hi. How are you? How has your week been?

Hi. I am doing well. Just getting ready for a week in Texas at South by Southwest next week.

For those new to your music; can you introduce yourself, please?

My name is Chris Porterfield. I write and sing - and play the guitar in a project called Field Report.

Summertime Songs, your new album, is out. Are you excited it is completed? What was it like recording the album?

I couldn’t be more excited to get this album out.

We recorded it at a studio in Milwaukee called Wire & Vice over the course of a few months in 2016. We were there working most days: writing, gathering; recording, trying new ideas; killing bad ideas and responding to the work from the day before. 

What sort of themes and ideas compelled the songwriting?

There are a lot of narrators in various stages of relationships ending or changing.

Will there be any singles coming from the record? What are your plans on that side of things?

Yep. Three singles are out now already. Get them while they’re hot.

Take me back to the start. How did Field Report get together?

The first Field Report record came out in 2012. I’m the only original member left - people get busy and priorities change. But this lineup, Thomas Wincek on Keys, Barry Clark on Bass and Devin Drobka on Drums, is the best I’ve ever had. I’ve never been in such a good band.

I hope we can keep this lineup in place for a very long time.

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You guys are based in Milwaukee. What is the area like for music? Is it quite a busy scene?!

Milwaukee is a big enough city to have clubs to play in and for touring bands to stop through - but small enough to keep a low profile until you’re ready to share something with the rest of the world. There is a great creative community here and home to many amazing players, writers and artists. It’s been a perfect incubator for Field Report.

It’s also in the middle of the U.S.; so we can easily route tours for a few weeks on the East or the West Coast.

Do you all share tastes in music? Who are the artists you all grew up around?

I’m fundamentally a ‘songs’ person - I grew up with singer-songwriters like Joni Mitchell, Paul Simon and Leonard Cohen. Tom and Barry both have Electronic projects and Barry is a Classical double bass player. Devin is a Jazz drummer. We all overlap, too, but everyone has their wheelhouse. It’s important to me to have influences in the band beyond my own idioms - it keeps ideas fresh and exciting.

How much of your music is affected by politics and what is happening in America? Do you get riled by the situation at present?

Music and politics are inextricable.

Music is how we view the world: politics is a tool to shape the world. They mix all the time. Songs are political acts. There is a lot of parallel narrative about America in all of the breakups and relationship changes on our record. What is happening in America now is terribly upsetting, damaging and embarrassing. The majority of us here have just enough faith in the institutions of democracy to muster the patience to wait this mess out.

I am trying hard to believe that this awful moment will motivate a new generation of American leaders to get involved and right our course.

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Can we see you tour soon? What gigs do you have coming up?

Lots of American gigs for now...

Do you think you’ll come to the U.K. this year? Are you a fan of British music?

I hope so! I love the U.K. We got to come to the U.K. a few years ago supporting Jeff Tweedy. We had our own London gig, too, and Frank Turner came out to see us. It was a highlight for me. One of my favorite bands ever is The Blue Nile from Glasgow. I think there are moments on our new record that wouldn’t be out of place on a lost Blue Nile record.

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What do you hope to achieve, personally, in 2018?

I hope that people hear our new record and find it a useful and exciting tool for discovery - and that they come out to our shows so we can be in the same room and explore the songs together.

Have you got a favourite memory from your time in music – the one that sticks in the mind?

I was a part of a John Prine review at Eaux Claires festival last year. I was rehearsing with the band for the show the day before at April Base. We were in the middle of running the song I was leading and suddenly the energy in the room changed.

John Prine sauntered into the barn, walked past the band and right by me; pulled up a chair about five feet in front of me and sat down. He liked the arrangement and told me so. That was one of those moments that this job occasionally blesses you with.

What advice would you give to new artists coming through?

The only thing that all active artists today have in common is that they did not stop. Just don’t stop. Keep doing better work and keep trying to find your audience. That’s really all there is to it.

You never arrive at a place where you can coast...

Do you get much time to chill away from music? How do you unwind?

I have a one-and-half-year-old daughter who I stay at home with - unless I’m on the road. She takes up pretty much all of my time. I read a lot. I like coffee a lot. I also like watching NBA basketball (go, Milwaukee Bucks!). 

Finally, and for being a good sport; you can choose a song and I’ll play it here (not any of your music - I will do that).

The Blue Nile - Stay

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INTERVIEW: Lyndsay Pace

INTERVIEW:

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Lyndsay Pace

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AFTER speaking with a Canadian artist who has created…

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an emotional and deep mini-album; I get to shine a light on the Maltese songwriter, Lyndsay Pace. She talks to me about working with Beehive Productions on the Butterfly E.P.; whether there is going to be more material coming up; what life is like for a songwriter in Malta – if she will come to Britain and perform in 2018.

Pace discusses her music idols and tastes; how her music has developed over the past couple of years; how she gained that incredible affinity for the stage and audiences; if there is a favourite musical memory from her time so far – the Maltese songwriter reveals how she spends her time away from music.

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Hi, Lyndsay. How are you? How has your week been?

Hey (smiles). I’m good, thanks - always keeping busy with studio work and gigging around!

For those new to your music; can you introduce yourself, please?

I’m a singer/songwriter/recording artist/vocal-tutor hailing from the Mediterranean island of Malta. I always had an ultimate passion for music; carrying my natural presence and self-confident abilities through each of my stage performances. I like to differ from the other acts in the local music industry by bringing about a certain aura; a professional one which incorporates stamina, attitude and pure energy.

What are you working on at the moment? Is there new material in the pipeline?

Yes, definitely! I love making records and, in fact, I will be going abroad to Switzerland next month to record my upcoming E.P./album in collaboration with an independent B2B music company, Move Productions - who have been interested in working with me.

I’m very excited about this new project!

How do you think your music and songwriting has developed since 2015’s Sick Day?

I believe that I’m growing, musically, and continuously finding myself as an artist - especially when it comes to recording and songwriting. I like to be versatile and keep my options open - but I would describe my main genre as a mainstream sound, whilst combining Pop/Rock and up-tempo tracks.

Tell me about the E.P., Butterfly, and working with Beehive Productions. How did that come about?

I recently had launched my second Pop/Rock E.P. in collaboration with Beehive Productions entitled Butterfly (produced and written by Kenny D’Ugo, Boris Cezek and Dean Muscat). It was recorded at The Villa Brasserie, Balluta Bay in St. Julian’s during the weekly music events hosted by Get It. I have performed a live unplugged session with the trio-band and my fans also had the opportunity to get limited, signed copies as freebies on the night.

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The E.P. compilation includes releases from my repertoire, which have been playlisted on the leading radio stations during the year whilst topping the local charts as follows: Walking on Air, Mr. Vanity; Butterfly and Best Song nominee, Daphne, as a bonus track. It is, now, officially available for downloads on the digital platforms such as iTunes, Apple Music and Spotify prior to the debut release.

You are a Maltese artist. Is there a big and developing scene there? Is it easy to get exposure there?!

Well. We have a lot of talent locally and, although we have a small market, I think the competition is getting bigger and bigger! Personally, I like to see the bigger picture of things - and I’m trying to make the right connections overseas at the moment to expand in my career.

Who are the artists you grew up listening to?

From my perspective, my inspirations generally come from personal experiences and people which affect me in a way that mirrors my opinions about the world. I have influences that include top artists and multiple genres - from Pop music such as Lady Gaga and Bruno Mars; Katy Perry, P!nk; Gwen Stefani, Adele; Rihanna; Demi Lovato and Jessie J, to mention a few...

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You have a natural ability and aura! Did that connection with music and the stage come at a young age?

Well. My talents had been recognised clearly at a young age, as I showed a keen interest in the subjects of drama, dancing and singing - thus, taking up lessons before evolving my hobbies into more of a passion…quickly becoming a serious career. In fact, I also had been taking Speech Level training for years from a number of professional tutors based in the U.K. (and developing further to better my talents).

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Can we see you tour soon? What gigs do you have coming up?

Well. It certainly looks like it’s going to be a jam-packed summer, but I have no confirmed dates yet. So, make sure to stay connected on the social networks for the latest updates!

Do you think you’ll come to the U.K. and play here?

Why not?! I have performed at The Bedford a few years ago and it was such a great experience. I really should get gigging again in the U.K. sometime soon!

What do you hope to achieve in 2018?

I really hope that, in due time, I can set my foot abroad to reach my dreams of becoming an established artist - and share my music on an international level.

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Have you got a favourite memory from your time in music – the one that sticks in the mind?

Hmmmm…well. There are several experiences throughout my career that I can talk about, but my favourite is when I was selected with the top-twenty finalists of the Malta Eurovision Song Contest in 2014 with the song, Home (written and produced by Boris Cezek), which was definitely the highlight of my career - being the most-popular local festival and a major stepping stone for Maltese artists. I would definitely like to participate again in the future!

What advice would you give to new artists coming through?

I have learnt that the most important thing is to always believe in yourself and never give up on your dreams because, at the end of the day, I think that every individual is special in their own unique way!

Are there any new artists you recommend we check out?

There’s just too many to mention!

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Do you get much time to chill away from music? How do you unwind?

Well. I always like to keep myself on-the-go, but I like shopping, travelling and dining out during my free time.

Finally, and for being a good sport; you can choose a song and I’ll play it here (not any of your music - I will do that).

My all-time favourite song…

Muse – Starlight

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INTERVIEW: Marty Zylstra

INTERVIEW:

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Marty Zylstra

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IT is always difficult channelling emotional and personal experiences…

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into a cohesive, original and impressive work. Marty Zylstra tells me about his mini-album, The Dragonfly and the Spider, and the personal loss he experienced around the time of creation/recording. I ask the Canadian musician if he has standout cuts from The Dragonfly and the Spider; whether, he feels, the heaviness and intensity of the music creates a positivity and sense of hope; what it was like growing up in rural Canada – and, in terms of gigs, he has plans to come to the U.K.

Zylstra discusses musical influence and upbringing; some new artists worth a look; what he has planned for the remainder of the year – completing the interview with a rather fine song selection!

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Hi, Marty. How are you? How has your week been?

I'm great! I've been busy working on rehearsing for my launch party on March 31st at Blue Light Studios in Vancouver and, also, doing some podcasting and talking to awesome bloggers like yourself – and, also, attempting to juggle family life (my wife and I have a toddler!) and work etc. etc.!

For those new to your music; can you introduce yourself, please?

My name is Marty Zylstra. I am an independent recording artist from Vancouver B.C.! My new music sounds like Elliott Smith, Harry Nilsson; John Lennon, and Gord Downie, with a bit of Beach Boys influence. Mom Rock with dad vibes...

The Dragonfly and the Spider is your mini-album. What sort of themes and ideas compelled its creation?

Originally, I had been releasing a song at a time kind of building up a catalogue and carving out my solo career starting, in about, 2013. I played some shows and stuff and was kind of ‘getting there’ if you will - and then found out my mom had cancer. It halted the whole process and stopped me in my tracks. Her and my dad lived with us for about six-eight weeks as she was going through treatment in Vancouver. 

Then, about nine months later, my sister died also of cancer. This was all within a short, crazy period of time. The last thing on my mind was music, but I had been writing a lot and some of the ideas were developed into songs on this record.  

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I know you experienced devastating loss in a short time – losing several relatives. Did that shock force you to write and put your emotions into music?!

Yeah. The theme of grief may or not be all over this record - but I think there is a light in the dark. I would hope that how you feel after listening to the E.P. in its entirety is how I felt through the journey of grief. 

What was it like working with JP Maurice at Blue Light Studios?

He's a great producer for me because he is a songwriter first.

He was definitely able to bring out the best in each song and willing to try new sound experiments. He also speaks ‘Beatle-ese’ which makes it easy to discuss sound ideas based on music that we both love (The Beatles).

Is there a cut from The Dragonfly and the Spider that stands out? Which one do you bond with the hardest?

Moon stands out because it was such a simple idea at the beginning: just acoustic guitar and some weird whimsical lyrics about space. That being said, it has deep meaning for me talking about escaping the situation you are in and finding Heaven. Themes of God and Heaven from a childlike point-of-view. 

Wild Ones was the one that took the most time to figure out. It was the oldest song of the group of tunes and the arrangement is so simple - but, I think it's the ‘least like the others’.

Do you think the heaviness and emotional outpouring, in a way, is designed to get the listener thinking about positivity and change?!

Yes. I know that even more now after going through personal therapy for my own grief. When I listen back to the album, there is a sense of hope at the end. I would want people to feel like there is a light at the end of the tunnel after the loss of loved ones or going through difficult challenges.

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You grew up in a rural area of Canada. Was music a big part of your early life? How did the scenery and setting shape your desire to be a musician?

My first-ever musical instrument was my dad's Thorens TD160 record player (for all you vinyl aficionados). I was about (a) one-year-old when I learned how to put on records by The Carpenters. I've seen a lot of the country, having travelled as a kid. It was less common to fly from, say, Vancouver to Toronto in the 1980s, and so, we used to pile in the family wagon and tent across the country to visit my aunt and uncle and stuff. (B.T.W., my wonderful cousin Aaron sings on my song, How Could I, and he sounds beautiful). 

Music has kind of always been there. Seeing the country and having different experiences definitely allowed me to be able to have an open mind about creativity

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Can we see you tour soon? What gigs do you have coming up?

As mentioned above; I’m playing at Blue Light Studios for one of their amazing and intimate Blue Light Sessions events on March 31st. There will be other gigs announced soon, so stay posted!

Will you come and play the U.K. sometime this year?

Ideally, the answer is ‘yes’. My good pal Finn McConnell is from the U.K. (he played cello and keyboards on the E.P.) and he is always attempting to twist my arm to get over the pond.

What do you hope to achieve in 2018?

I start work on E.P. number-two in June. I hope it gets finished! I'm also hoping to put an acoustic covers E.P. out soon too. Stay tuned.

Have you got a favourite memory from your time in music – the one that sticks in the mind?

Many. I love writing songs and, when track-two was written, it flowed out of me and I wrote it in the time it took to play it. So quick. Creating music is amazing because, one minute there isn't a song and then, the next minute, it's there. 

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What advice would you give to new artists coming through?

Continue to learn songs and listen to music out of your comfort zone. 

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IN THIS PHOTO: Bend Sinister

Are there any new artists you recommend we check out?

Dom Fricot, Bend Sinister; JP Maurice; ACTORS; Ultrviolence and Wazonek (all from Vancouver/Canada!).

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IN THIS PHOTO: JP Maurice/PHOTO CREDIT: Jen van Houten

Do you get much time to chill away from music? How do you unwind?

I like to run/exercise and spend time with my family the most. But, in cliché fashion, I'm an avid hockey lover and follow the sport really closely.

Finally, and for being a good sport; you can choose a song and I’ll play it here (not any of your music - I will do that).

You should play a song from ACTORS’ new L.P. called We Don't Have to Dance - it's in my current playlist!

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INTERVIEW: Fight for Friday

INTERVIEW:

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Fight for Friday

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A tremendous band with a new E.P. on the horizon…

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it was a great reason to speak with Fight for Friday. Released on 11th May; the band’s sophomore E.P., Someone You Could Trust, promises to be a pretty epic affair. I ask them about the E.P. and the story behind the latest single, Headache. The guys talk about borrowing from The Wonder Years; how Fight for Friday came together; what gigs they have booked – which artists they all grew up on.

I ask what one could expect, were they to attend a Fight for Friday gig; if they get chance to chill away from music; the advice they would give to new artists; whether the North of England gets the credit it deserves – they end the interview by selecting some fantastic songs.

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Hi, guys. How are you? How has your week been?

Sol: Pretty good. It's been super-hectic since we announced the E.P. - but we're just about keeping up.

Matt: Not bad. We’re all feeling pretty snowed-under at the moment but, having just shot a music video, we’re really stoked to show everyone what’s next!

For those new to your music; can you introduce yourselves, please?

We're Fight for Friday and we're a Pop-Punk band from the Lake District; we've been making music together for the best part of five years and we're currently in the process of releasing our second E.P., Someone You Could Trust (out on 11th May).

Members:

Matt (A.K.A. ‘Gee’) - Drums

Lloyd - Lead Guitar

Seb - Vox

Sol – Bass

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Someone You Could Trust is your new E.P. How do you think it differs from your debut – in terms of sound and ambition?

Sol: I think all of our earlier releases, so far, were kinda leading up to this one in terms of our sound - and we've really found something we're happy with on this one.

Thematically, it's really representative of the last year or so of our lives, as a band and as individuals.

Matt: We’ve definitely done a lot of growing up for this record. The past few years have been one huge learning curve, not only musically but personally, too; becoming adults and realising that you can’t wait for things to be handed to you on a plate.

We’ve finally reached a point where we really know where we want to go as a band - and you can definitely hear that on the record.

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What sort of themes and ideas compelled the songwriting on your latest work?

We definitely looked deeper into the songwriting this time around. Instead of chucking into a song whatever comes into our heads first; we looked back on personal experiences, how we dealt with certain situations; the desire to be something and, in more than one song, the feeling of being used - alongside taking things as they come.

How important is the Wonder Years’ song, where the title comes from, to you and the direction of the E.P.?

Sol: The name was, mostly, a last-minute decision. We were about to start the release campaign for the E.P. and we desperately needed to think of one. I’ve been listening to TWY (The Wonder Years) all winter, so I decided to put on one of their albums for inspiration - and it just kinda came together. It definitely fits the themes of the E.P. - and we think it’s a cool homage to one of our favourite bands.

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Do you have a standout song from the E.P.? Which song, to you, defines Someone You Could Trust?

Matt: Honestly, I’m split between Headache and Target Practice. If you want to predict what our future sound is going to be, expect something along these lines! We wanted to take fans on a journey through this E.P., start to finish, and come out of listening to it with a sense of fulfilment. It’s a rollercoaster of emotions through and through but, for me, I think the two tracks I named allow the E.P. to be called 'Someone You Could Trust'. Without them, the record would feel a whole lot different...

If I had to make my mind up; I’d go with Target Practice, as I’ve been psyched about that song from the day we wrote it.

 

Headache is the lead single. What is the story behind it?

We took heavy inspiration from Chester Bennington's death for this track and used that as a reach into the mental-health aspect of how, when nobody is around, that can seriously affect your positivity and mental-state and, even though you’re not in a good way; there's always someone there for you if you need help. It’s not always a case of you asking for help: more, for someone else to see if you’re alright.

How did Fight for Friday find one another? Can I ask where that name comes from, too?

Lloyd: Gee and I were in a band back in year-seven/eight (2009/2010) at school, which later reformed with Sol and Jake in 2014 (who, later dropped out and doesn't play with us anymore) and, because I didn’t want to sing, I got my friend, Seb, from drama club to join as the singer/frontman - almost a year after the band had started jamming together.

The name came from a conversation at a practice - as we always practised on a Friday night after school. At the time, we said we would “fight through the week for Friday”. But the name, more or less, just happened - and it’s stuck ever since.

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You hail from Cumbia and Manchester. Do you think the North, and its music, gets the respect it deserves?

Matt: It’s definitely fair to say that we feel trapped where we come from. Obviously, that’s a cliché in our genre, but there’s literally one road in and the same road out of our town; with it also being forty-five minutes away from the motorway. As you can tell - it isn’t the combo one would hope for. There isn’t a scene for our music round here, which is why we are moving into Manchester the best we can. With Lloyd going to BIMM university; it’s opened a few doors for us to get a following down there.

That said, there's plenty of hidden gems up here waiting to be found; some of which don’t deserve the minimal attention that we get being locked away in our corner.  

Which artists did you all grow up around? Who would you count as idols?

Sol: I’ve been into Punk-Rock pretty much since I could choose what I wanted to listen to - bands such as Rancid and The Clash. Then, I got older stuff like No Cash and Choking Victim. I only really got super-into Pop-Punk in my mid-teens when I saw other local acts (and the scene that was growing at the time).

Lloyd: Bands I grew up with are Bon Jovi, McFly, Guns N’ Roses, Whitesnake; Foo Fighters, Metallica; AC/DC…bands that let guitarists express themselves, musically, and inspired generations of guitarists.

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Matt: I’ve been into Pop-Punk my entire life - without realising it until I got older. My dad set me up with an iPod and bought me Dookie when I was about five or six, and I couldn’t get enough. Only when I turned sixteen, though, was when I really got into it; starting with Blink-182 as a gateway, then diving into the genre and finding the likes of Neck Deep, ROAM; A Day to Remember, Sum 41 and countless more. Ironically, (these bands are) all of which I have been to see live, aside Green Day - the first Pop-Punk band I ever listened to.

Can we see you tour soon? What gigs do you have coming up?

Sol: We have some plans for a tour in the works for July. We also have a bunch of dates coming up - including a show at the Bobbin in Lancaster and one with Coast to Coast and Catch Fire at Satan's Hollow in Manchester, which we're super-excited about.

If anyone wants to know more, they can check out our Facebook page or Instagram for dates we have coming up. There’s a lot of behind-the-scenes stuff; so make sure you keep an eye out. We have some big gigs T.B.A.! 

27th March - Atomic, Wrexham

26th April - Satan’s Hollow, Manchester

1st June - the Salty Dog, Northwich

13th July - The Bobbin, Lancaster

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If someone wanted to come and see you play – what could they expect? Does the band have an outrageous rider at all?!

Matt: We like to put on a show.

When we were first starting out, that’s was, easily, one of the things we always worked on as a group - and we love having a high-energy, pumped atmosphere between members. But, we love it when the crowd gets involved, too, and that’s what we always work towards at every show.

Sol: I don't think we've ever been in a position to demand an outrageous rider: free beers and bottled water are always nice.

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What do you all hope to achieve in 2018?

It would be nice to have some people listening to and enjoying the music we made. We’ve worked really hard on this E.P., so it would be nice to know that other people like it as much as we do.

Matt: 2018, already, is off to an overwhelming start. The response to Headache has been insane - and it’s only the tip of the iceberg. I’d really like to see people enjoying our music and telling us what it’s done for them. A personal goal would be to get on bigger support slots/tours and, maybe, get a European date?!

Promoters, if you’re out there...you know where to find us!

What advice would you give to new artists coming through?

Keep your chin up high. It’s a very competitive market, so don’t think anything of it when you get rejected for something you wanted...because it literally happens to everyone. Just make sure you’re working the hardest you can and you’ll soon get going in no time.

There’s always another opportunity waiting...

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IN THIS IMAGE: The artwork for Wolfpeake's Strings/ART CREDIT: Lucy Ball

Are there any new artists you recommend we check out?

Sol: Our friends in Wolfpeake are doing some really cool stuff right now. They're defo worth checking out.

Do you all get much time to chill away from music? How do you unwind?

I think playing music is how I unwind. Hopefully, that won’t change if things start getting a bit more serious for us.

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Matt: Holding up a full-time job alongside this is, honestly, the hard part; so I have to agree with Sol and say this is how I unwind. There's something about playing live shows that you can’t get from anything else - which keeps me on my toes…

Finally, and for being good sports; you can each choose a song and I’ll play it here (not any of your music - I will do that).

Sol: The Wonder Years - When Keeping It Real Goes Wrong

Matt: ROAM - Over Your Head

Lloyd: Guns N’ Roses – Mr. Brownstone

Seb: Neck Deep - Staircase Wit

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INTERVIEW: Mica Millar

INTERVIEW:

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Mica Millar

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FEW artists dedicate their songwriting time…

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to recognising heroes in society. Mica Millar’s The Defender points the spotlight towards the stalwarts out there. She talks to me about the song and the project she has underway; what it was like working with Goldie on the recording; whether there is new material coming later this year – why her current song has a very personal and revelatory quality.

Millar recommends a new artist and reveals what she does away from music; what she hopes to achieve in the remainder of this year; how important Soul music is to her – she tells me when music came into her life.

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Hi, Mica. How are you? How has your week been?

It's been a very busy week with lots of ups and downs, to be honest – but, overall, it's been productive!

For those new to your music; can you introduce yourself, please?

My name’s Mica Millar. I'm a songwriter and vocalist from Manchester. 

The Defender is your new track. What is the background of the track? 

I wrote the song around ten years ago. It's been performed and produced in quite a few different versions, but I started developing it in the last two years for my forthcoming album. It's one of the songs I've always wanted to release. I worked on the recording, production and arrangement and then sent it to Goldie and James Davidson (together, known as Subjective), who loved it and said they would work on some additional production and mixing for me.

I believe Goldie was part of the recording! Was it pretty cool working alongside him?

Goldie is an amazing artist and it was a real privilege to have him work on the track with his engineer James. He really helped take the track to another level.

The Defender has another aim: to raise awareness for societal heroes. What was the reason for spotlighting this area? Have you had an experience where you have helped a stranger – or being aided by one?

This song was, to some degree, about me doubting humanity and questioning why people weren't more empathetic. Ten years after writing it, I now know that when people seem to show a lack of empathy, the reasons are very complex - it's not as simple and good and bad. I wanted the campaign to explore those complexities and tell stories of empathy.

When people help or save someone they don't even know; to me, this is one of the best examples of empathy - despite any ideas about self-preservation, not wanting to ‘get involved’. Some people in the world will act selflessly to help others. 

I'm going to be releasing my own story about being saved by strangers in a video online soon - so you'll have to wait for that one, I'm afraid.

The music video for The Defender seems like a very personal and important collaboration. Tell me more about it…

I decided I wanted the music video to incorporate people who had experienced saving or being saved by a stranger - to talk about empathy and discuss how social, cultural; political and psychological factors impact human behaviour. I think it's both a fascinating and very important topic. I collaborated with director Simon Brooks on the music video - and with an amazing team who are working on the documentary with me.

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Is there going to be more material coming before the end of the year?

I'm recording my album in May and I hope to release it soon! There will be more another single later this year, though, which I'm really excited about.

Do you feel you have entered a new creative phase as an artist? Are there any similarities between who you are now and who you were at the start of your career? 

I think, as an artist, you're always developing. At the core of my music is me, because I've always written honest songs. My view of the world has of course developed - but I'm the same person.

When did music enter your life? Which artists did you grow up around? 

My dad is a musician - so there's always been music in my life. When I was about seven, my auntie gave me her old record player. I remember my mum and dad discussing which three records I should have. They choose Stevie Wonder, The Beatles and The Beach Boys.

I can't remember which albums they were but they were absolutely the foundation of my introduction to music.

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How important is Soul music, past and present, and the heroes/heroines of the genre?

To me, Soul and Gospel music is at the root of all music, so it's fundamental above any other genre. Since I started listening to Stevie Wonder at seven-years-old, I think I became attuned to that kind of spiritual, soulful music and, even as a child with Hits ‘95 or whatever, the songs that were influenced by Gospel and Soul were my favourites. When I hear old Motown records, it just doesn't get any better than that for me.

Can we see you tour soon? What gigs do you have coming up?

I'm doing three single launches for The Defender: 4th April at Band on the Wall in Manchester; 8th April at Leaf on Bold Street in Liverpool and 10th April at The Wardrobe in Leeds. I'll be performing with my ten-piece band, which I'm really excited about. For the first time, I've added violin, cello and guitar to the line-up - so it's going to be a much bigger show this time!

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What do you hope to achieve in 2018?

I'm going to record my first album in May; so that's my main aim for 2018, which will be a huge accomplishment for me. I'm going into the studio with Lewis Hopkin, who I was introduced to by Goldie. His passion for my music and energy is absolutely amazing; so, I feel really positive about how the outcome will be.

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Have you got a favourite memory from your time in music – the one that sticks in the mind?

There are so many - it's always a bit of a rollercoaster. But, from the past year; I think finishing (the year) performing with the BBC Philharmonic Orchestra (to represent BBC Introducing) was a big highlight.

What advice would you give to new artists coming through?

I think authenticity is really important. Be who you are: don't compare yourself to other people. Just focus on what you're doing, support other people and, most importantly, enjoy the journey!

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Are there any new artists you recommend we check out?

I played a show at iluvlive in London last week and I saw a very young artist called Tora - who is an incredible vocalist and songwriter. She hasn't released any music yet, but you should watch this space. Some people are just outstanding…and she is one of them.

Do you get much time to chill away from music? How do you unwind?

I don't get that much time to chill during a release period because I do everything independently; including releasing my music and putting on my own shows. I've actually just started having hypnotherapy for relaxation and it's amazing.

Finally, and for being a good sport; you can choose a song and I’ll play it here (not any of your music - I will do that).

Aretha Franklin - You Send Me

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Follow Mica Millar

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INTERVIEW: Dame Jean

INTERVIEW:

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Dame Jean

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SO many things strike the senses…

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when approached with Dame Jean. The band have a determination and passion few others do; their music sounds like nothing out like there; there is a clear connection within the ranks. I speak to the guys about their debut single, Wasted Love, and what its story is. The band has no social media presence at the moment – they explain the reason behind that.

I ask what gigs they have coming up and what they have planned regarding new material; some new artists we need to get involved with; why humour is important to them – they end the interview with some great song selections.

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Hi, Dame Jean. How are you? How has your week been?

Tired, excited; broody…

We’re thinking of adopting now we’ve released a single.

For those new to your music; can you introduce yourselves, please?

Of course. We are a four-piece sickly, surfy; dysfunctional Rock band from all over the place who writes our own songs and play them to beautiful people.

Wasted Love is your new song. Can you reveal the inspiration behind the song?

Sammy: It was written, cathartically, during a pretty nasty break-up. It’s very spiteful, honest and bitter - but I needed to find a way to purge a lot of bad emotions quickly before they took me to a worse place and this song, for a time, let me do that.

It is the debut cut. Has it been quite exciting releasing that first song? Will there be more material arriving?

Yeah. It’s a really exciting time for us at the moment. We’ve got so much we want to do and show people, though: from crazy stuff we’ve done in the studio that can't be recreated live and messed-up videos. We had our launch-party the other night and shot the video for the next single - which will follow Wasted Love very soon.

How did the band get together? What is the inspiration behind that name, too?

We all went to the same uni, but we were in different years or courses and a strange series of events brought us together.

With regards to the name: it’s a combination of Sammy’s love for James Dean and a comment on the frequent confusion people seem to have with his sexuality and gender.

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It seems like you have a love of artists from the 1960s and 1970s. Who did you all grow up listening to?

As a band, we all have a very diverse music taste, but seem to all have an overlapping interest in the more weird and wonderful cult artists of our time.  

I have to ask about the lack of social media pages – that has garnered some raised eyebrows. Is there a reason behind this?

We didn’t feel like we’ve seen much benefit from using things like Facebook in other small bands in the past. Practically every person/new band is on there - which is great, for some reasons. But, when the state of the music industry isn’t too peachy, and the way society communicates is pretty poor, it doesn’t make sense to keep doing the same thing.

It says a lot how surprised people are because a small band like Dame Jean don’t have a Facebook page and can still function. Social media didn’t exist when any of the bands we love were around anyway. That might be a post hoc ergo propter hoc mentality but it’s worth a shot…and so far, is going okay.

Might we see a Facebook or Twitter account forming at some point?!

If we can’t get our music out there, and it’s obviously because of our lack of Facebook/Twitter, then we will find us some edible hats…

Then, we'd get over it like we all did with MySpace (sad-face emoji).  

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Can we see you tour soon? What gigs do you have coming up?

We’re playing The Pig and Fiddle in Bath on 19th; Fiddlers Club (Bristol) on 4th of May with Wayne Hussey (from The Mission). Then, we’ve got Camden Rocks in June. Though, we’re constantly booking shows and will keep everyone updated via our website.

If someone wanted to come and see you play – what could they expect? Does the band have an outrageous rider at all?!

We don’t really get riders…but, if we did, we’d probably just ask for money or emotional stability. Live, we feed off each other and drink wine until one of us gets too excited and/or something stops working. The wine usually makes its way around the crowd, too, and it’s super-gross; so you can probably expect to catch something, too.

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What do you all hope to achieve in 2018?

We’re hoping to get around and play to as many people as possible - and we are releasing an E.P.

What advice would you give to new artists coming through?

Honestly, we’re probably at the same stage; so all we could ask for is to (just) support other bands and help make your music scene as healthy as possible; the odds are stacked, so stick together and enjoy it.  

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Are there any new artists you recommend we check out?

Swimming Girls, George Glew and Novatines.  

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IN THIS PHOTO: George Glew

Do you all get much time to chill away from music? How do you unwind?

Between working and Dame Jean, our free time is mainly dedicated to sleep - but we all hang out a lot, listen to sad music and cuddle.

Looking at some of your ‘reviews’; it seems like you have a self-deprecating and humorous approach. Is it important, to the band, to keep things light?

We think so: there’s no point in taking yourself too seriously. We take music very seriously and our music means a lot to us, but we’re only doing it because it makes us happy. If you’re too precious, it’s not going to be as enjoyable - and the whole thing loses meaning.

Finally, and for being good sports; you can each choose a song and I’ll play it here (not any of your music - I will do that).

Cigarettes After Sex - Nothing's Gonna Hurt You Baby

Supergrass - Caught By the Fuzz

Courtney Barnett - Nameless, Faceless

Sharon Van Etten - Every Time the Sun Comes Up

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INTERVIEW: Goan Dogs

INTERVIEW:

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Goan Dogs

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NOT only does their name intrigue me…

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that music gets into the head and fascinates the senses! I have been chatting with Goan Dogs about their new single, Passing Through, and what the story behind it is. They tell me about that unique name and what we can expect from their upcoming E.P., Roll the Dice.

I discover the music and inspirations that drive the band; how the band got together; how a typical song comes together for them; what it was like filming the video for Passing Through – they provide helpful guidance for artists coming through.

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Hi, guys. How are you? How has your week been?

Very good; very cold.

For those new to your music; can you introduce yourselves, please?

We’re five Bristol boys, born and bred, making delicious psych-infused Rock-Pop.

Passing Through is your new single. What is the story behind the song?

It’s about passing through life. The feeling that life is short, even if it doesn’t feel it sometimes - so don’t waste it, you idiot. We can’t all be lucky enough to have a ‘nice life’ but, if you’re able to recognise the things that will make it richer, then you should bloody well make an effort to seize them.

Talk to me about the song’s video. Whose concept/idea was it? Was it interesting shooting it?

We’re lucky enough to have a talented film-maker in Sam Powell. We all contribute ideas but he and Theo Mackie (who directed this one) are the driving force who actually get it done. Then, our friend Adam Stocker comes along with a lush camera and even more great ideas and makes us look like professionals.

We, basically, came up with images that fit the lyrics (literally) and images that fit the vibe and mashed it together as raucously as possible. We wanted to have even more fun than we usually do making videos - so we didn’t choreograph that much this time. A lot of it was on-the-fly; turning up at people’s houses, putting them in fancy dress; shouting ‘action’ and moving on.

The song is taken from the E.P., Roll the Dice. What sort of things do you discuss and cover in the course of the E.P.?

 Throwing phones in the sea, minor misdemeanours; inappropriate thoughts and living.

How did Goan Dogs get together? Was the bond quite an instant one?

We’re a mix of primary school friends, or secondary schools friends or college friends; overlapping in some complex way we can’t quite remember. We love d*cking about together and love playing music – so, it was probably always just going to happen.

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PHOTO CREDIT: Alex Rawson Photography

Is there a reason for that name at all?!

Mangy, stray dogs on beaches. In Goa. It’s a thing: they’re everywhere.

Do you all pitch in when it comes to songwriting? How would a typical Goan Dogs song come together?

We’ve settled into a pretty comfortable pattern where Luke comes up with something, brings it to the band; gets torn apart and put back together again. Sometimes, they’re nearly good to go but, usually, they get reworked a lot by all of us. The best feeling is when we’re on all on the same page and just excited to get it out there.

Which musician did you all grow up on? Can you each remember the first album you ever bought?

I don’t think we all share a single musician growing up, but you can draw your conclusions from our first-ever music purchases with our own money. Beat It by Michael Jackson, Return of the Mac by Mark Morrison; Who Let the Dogs Out? by the Baha Man, The Bends by Radiohead and Praise You by Fatboy Slim.

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Can we see you tour soon? What gigs do you have coming up?

Yeah, you can - and you should! In March, we’re playing the Boileroom in Guildford on 28th; 60 Million Postcards in Bournemouth on 29th; Hoxton Square Bar & Kitchen (London) on 30th and Thekla on 31st.

How important is it to you, as a band, to get your music on the road? Is the stage somewhere you all feel comfortable?

Very important. We’ve all been in love with bands growing up where the show is what it’s all about. We’re also big fans of studio wizardry, so we have a great time during the production process. But we found out, very early on, that we like to dance around on stage, get sweaty and put on D.I.Y. light shows. Give the people what they want.

T-shirt cannon anyone?

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What do you all hope to achieve in 2018?

An album under our belt would be the bee’s knees. We’ve got plans for more E.P.s, though, because we keep writing tunes that we’re incredibly proud of (and feel like singles to us). So, maybe just worldwide recognition in 2018. That would be nice.

Have you each got a favourite memory from your time in music – the one that sticks in the mind?

It’s a bit local, but the Cube Cinema in Bristol put on a fundraiser a while back to buy itself - and we joined the line-up at Bristol Old Vic. As a band that has been on our fair share of tiny, grotty stages it was amazing. Also; achieving our major ambition of playing Glastonbury Festival in 2017.

Our next ambition is to play it again.

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What advice would you give to new artists coming through?

Make sure you love doing it so you can press on in times of dire financial straits. Also, people in the industry are all-talk but some mean it; so try and figure out who’s genuine and romance them. Lastly, expect totally contradictory advice from industry insiders if you ask what your next steps moving forward should be. Everyone knows everything and nothing.

Do you get much time to chill away from music? How do you unwind?

We all like to unwind by going to a nice relaxing day job.

Finally, and for being good sports; you can each choose a song and I’ll play it here (not any of your music - I will do that).

Rum and Coca-Cola by The Andrews Sisters

My Best Friend’s Girl by The Cars

Strangers by Sigrid

Lying Has to Stop by Soft Hair

Move On by Charlotte Dos Santos

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Follow Goan Dogs

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INTERVIEW: Aleem

INTERVIEW:

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Aleem

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FORMERLY based out of Chicago…

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it seems things are getting better and better for the L.A. artist, Aleem. I have been speaking with him about the current single, Stranger Things. He talks about his progression and supporting Fifth Harmony; whether he will come to the U.K. and play over here this year; the artists he was raised on – and, whether there is a healthy music market in Chicago.

I was curious to discover what advice he would give to new artists; the three albums that mean the most to him; some new artists worth checking out; what his ambitions are for the rest of the year – he finishes the interview with one of his favourite songs.

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Hi, Aleem. How are you? How has your week been?

I’ve been great, thanks!

For those new to your music; can you introduce yourself, please?

I’m a singer/songwriter from Chicago - and I have just recently toured with Little Mix and Fifth Harmony (these past couple of years).  

 

Stranger Things is your new single. What can you reveal about its story and creation?

Stranger Things is a love song about accepting one’s past.

The story behind the song came from a relationship I was in where I could tell my significant other was hurt and jaded from her past relationships. This was causing her to shut off and build up a wall because she was scared that her past might come up and ruin the present. The song is, basically, me shouting out saying that I accept wherever she is coming from - and that it wouldn't take away from what we have. 

Your previous single, So Damn Good, was well-received and accrued many millions of Spotify streams. Did that give you the confidence to keep pushing?

It’s incredibly humbling to see your hard work to get recognized in that honor. My job is to write stories that people can relate to. I’m extremely ecstatic and honored that so many around the world were able to connect with my songs. 

Will there be more material to come? What are you working on at the moment?

Most definitely! I’m currently in the studio writing and recording new stuff!

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You have a mix of sun-kissed tones and R&B sounds. Which artists did you grow up listening to? Were you raised in a musical household?

I’m actually the only one in my entire family that has any sort of musical talent. To this day, my family is confused on where my talent came from. I have three main artists that I am truly inspired by and model my craft around: I’m a huge fan of Bruno Mars, The Script and John Mayer. 

Chicago is where you are based. What is the music scene like there? Is Illinois quite a varied and busy musical state?

Unfortunately, Chicago doesn't have much of a Pop scene: the city is well known for its Jazz and Gospel roots. I was fortunate to get my start in Chicago learning about the industry and working on my craft – but, it wasn’t until I moved to Los Angeles that really helped kick-start my career. 

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Previously; you have opened for Fifth Harmony. Was it quite a daunting moment – or did you learn quite a lot from that experience?!

It was an epic experience. Even though it was my first-ever arena run, I’d say the results were incredible! I enjoyed every moment. You learn so much about yourself as an artist when you get an opportunity to play on such huge stages. The game is completely changed and the stakes are much higher.

I loved the challenge of being an unknown act and introducing myself to thousands of new fans! Both the Fifth Harmony and Little Mix tours were absolutely insane!

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IN THIS PHOTO: Bazzi

Who are the new artists you recommend we check out?

Bazzi is pretty awesome right now, as well as Marshmellow.

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IN THIS PHOTO: Marshmellow

If you had to choose the three albums that mean the most to you; which would they be and why?

They would come from my three favorite artists: 24K Magic - Bruno Mars; Continuum - John Mayer and The Script’s self-titled (first) album. These albums were extremely cutting-edge when they were released in their respective times. Each song on each album has a purpose. It’s not just collections of songs: each album tells a story and takes you on a journey. 

Can we see you tour soon? What gigs do you have coming up?

I’m pretty excited to be putting some U.K. dates of my own together very soon! 

Do you like performing in the U.K.?

I love performing here. It’s one of the most passionate fan bases I’ve witnessed – I love every single time I’m back. 

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What do you hope to achieve, personally, in 2018?

I hope to continue to be able to share my music around the world. I love being able to get in the studio and work on my craft - and then be able to travel and play my music live and put on a show. 

Have you got a favourite memory from your time in music – the one that sticks in the mind?

I think, overall, that feeling of when you know you have something good while working in the studio. There’s a certain energy in the room that overcomes you when you know you are recording something that will make a mark out there. I love that feeling.  

What advice would you give to new artists coming through?

Stay rehearsed! You never know when or where your opportunity will come from. Stay hungry and ready to pounce when that door opens up. 

Finally, and for being a good sport; you can choose a song and I’ll play it here (not any of your music - I will do that).

Drops of Jupiter - Train. One of my all-time favorite songs! 

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Follow Aleem

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INTERVIEW: WILDFIRES

INTERVIEW:

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WILDFIRES

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MANCHESTER is a part of the world…

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I am always keen to explore. I have been speaking with WILDFIRES about the city and why there are such strong connections among musicians. They discuss their new track, Mr Solo, and how it came together; what they have planned regards material/touring – what music they are all inspired by.

I ask whether there are new artists we should be aware of; how stunning vocals (from Poppy-Jo) add to their musical beauty; what it was like recording at Medicine Room Studios; how the band got together; if they get any time off from music – the guys all select a song to end the interview.

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Hi, WILDFIRES. How are you? How has your week been?

How’s it going!? We’re amazing! Our week has been pretty mega. We got played on BBC Radio 6 Music on Saturday and again yesterday on the BBC Introducing Mixtape - so it’s very hard not to be smiling!

For those new to your music; can you introduce yourselves, please?

We’re a four-piece Manchester band consisting of Poppy-Jo on Vocals, Ste Darling on Guitar; Nath on Bass and Si James on Drums. We like to think that we’re a bit new, a bit different and, maybe, bring a sound that people haven’t really heard before. We mix twangy guitar sounds with electronic synths to create a sort-of ‘Indie-Electro’ vibe.

Mr Solo is your latest song. Is there a story behind the song?

Everyone that has heard it has interpreted Mr Solo in so many different ways. A lot of people characterise Mr Solo and, for them, the song’s about this lonely guy that shuts himself off from the world. It actually has a bit of a deeper meaning and kind of says that we are all ‘Mr Solo’ in our own ways – so we’re all in it together.

The vocal beauty and strong production makes it an instant, yet deep, song. It mixes dirty and refined. Was that a conscious decision?

Absolutely. We’re aware of Poppy-Jo’s husky vocals - and we love to use that to our advantage by contrasting it against all the other stuff we have going on. We, originally, wrote the track all on synth but, to make it sound more ‘us’ and less dancey; we developed the chords on our instruments. It’s so fun to play for us - and we can imagine how much bigger it will be live!

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What was it like working at Medicine Room Studios?

Medicine Room Studios is so cool. It’s a former elderly people’s home and the room we record in used to be the old medicine room – hence the name!  It’s obviously very creepy but it all adds to the ambience - and it’s a great story to tell…

Dom, who produced our track, is an absolute legend, too. He was so honest; contributed loads and really knew his stuff.  The man’s a genius!

Is there going to be new material coming later in the year?

Very soon, actually! We’re recording two new singles and, hopefully, will have an album by the end of this year. The next thing we have in line, though, is Mr Solo’s music video! We’ve just started the filming and there’s definitely going to be some surprises in store with that one – think Prodigy’s Smack My Bitch Up mixed with OK Go…we can’t wait to release it.

How did you all get together? When did WILDFIRES come to be?

We have the wonders of the Internet to thank for bringing us together. We met on a kind of dating website for musicians: Natural Music Selection, we say. Hahaha. The modern-day world, eh!

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I hear everything from Nina Persson and Bombay Bicycle Club in your music. Which artists are you influenced by?

We actually all have very different music tastes in the band, which is amazing for influences (but a nightmare for the aux in the car. Haha!) We feel particularly influenced by bands like LCD Soundsystem, The xx and, in lyrical ways, Guy Garvey and Amy Winehouse. We’re all so passionate about music, that elements from our songs can be heard from all different genres...from Electronic/Dance, right through to heavy Rock!

Manchester must be a great place to create music! What is the city like for artists?

It’s definitely competitive, but the atmosphere is unreal on the music scene: Manchester’s never lost that. Every time we gig we make new friends or networks; whether it’s other bands or (just) the people that get chatting to you after you’ve played. Manchester has so much history, especially in music, so we can’t even express how proud we are not only to be to be born here, but to be creating our music here too

Can we see you tour soon? What gigs do you have coming up?

We actually have nothing set in stone yet - as we’re focussing on writing and perfecting our set-list. The idea of people being familiar with our songs when they come to watch us is really important to us - but we’re also in a hurry to get back out there, so keep your eyes peeled very soon!

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What do you hope to achieve in 2018?

We just want to get our name out there a bit more, you know!? We work so hard at this like so many other bands, and to gain recognition from it would be so fulfilling. Every new person that listens to our music (and enjoys it) is a massive achievement for us.

Anything after that is (just) a bonus!

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Have you each got a favourite memory from your time in music – the one that sticks in the mind?

Our favourite memory is probably when we played a tiny pub in Stockport called The Blossoms - where the band got their name. It was a tiny gig but felt massive because of how packed this little room was! We accidentally went too Rock and Roll for our own good and got a bit merry on stage so, by the end, we were just going mental with all these people dancing in this tiny pub – it was like a rave that just played our own music. Hahaha

What advice would you give to new artists coming through?

Stick to your guns and believe in yourself. Very cliché, but it’s something we live by! By all mean, take on criticism and listen to those that know their stuff – but, instinct and confidence is the key.

Don’t let anyone stop you from doing what you love...

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IN THIS PHOTO: Freeda

Are there any new artists you recommend we check out?

A fellow Manchester band (sorry, we back our own round ‘ere!) called Freeda (from Mossley). Really up-and-coming sound - and some proper bangers to have a dance to!

Do you all get much time to chill away from music? How do you unwind?

Truthfully? No! hahaha. We never stop! We all work full-time as well, as a band so, whenever we’re not at work, we’re writing/jamming/blogging. It’s like having a business: keeping the website, the social media up to date - it’s all very important to keep us fresh in people’s minds while we write!  On the rare occasion that we do get some time to wind-down; it’s always at the pub with a crisp cold pint of Guinness. Standard.

Finally, and for being good sports; you can each choose a song and I’ll play it here (not any of your music - I will do that).

Poppy-Jo: Take a Slice - Glass Animals

Ste: Rip It Up - Orange Juice

Nathan: Chateau - Angus & Julia Stone

Si: Gravity - John Mayer

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Follow WILDFIRES 

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