INTERVIEW: Emma Taylor

INTERVIEW:

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Emma Taylor

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I have been getting to know…

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Emma Taylor and what influenced her current track, My Dear. The New York-based songwriter discusses her plans for new music and why she labels her sounds as ‘sad girl music’; how she has developed in her career; what tour dates are coming up – whether she will come to the U.K.

Taylor talks about her influences and the music she grew up around; how she spends time away from music; what advice she would give to new songwriters – Taylor recommends a great new artist we should know more about.

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Hi, Emma. How are you? How has your week been?

Hey! I’m great, thanks. My week has been pretty good - just been praying for some sunshine here in N.Y.C.

For those new to your music; can you introduce yourself, please?

I’m Emma Taylor. I’m a twenty-year-old singer-songwriter from L.A., currently living in N.Y. I write sad songs that make people feel things - and I try to create a blend of melodic and lyrical unification to create a musical journey - while paying homage to the great singer-songwriters of the '70s and '80s. I hope you’ll take this journey with me!

My Dear is your new track. What is the story behind it?

I was in London this past year for a few months and was in a very transitional period in all aspects of my life, particularly in my relationship. It led me to become very vulnerable and put me in quite an emotional state, which is perfect for songwriting. The song’s written from the perspective of someone wanting, so badly, for the relationship to work out even though promises had been constantly broken before. It’s about hoping that, maybe, this time things would be different and that, maybe, this would be the time that things change for the better.

I think most people can relate to the topic that love can be greater than struggles if you can find a way to make it work. However, there’s always that worry that things might not ever change, which is discussed throughout the song. I like to call it a heartbreak, motivational song because it really does touch on both pushing through and pulling back. My Dear helped me push past the tough times to get to the great times in my relationship; so I think it has the power to show others that things can turn around.

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You label your music ‘sad girl music’. What is the reason behind that?

For a long time, I never knew how to really describe what kind of music I make. I didn’t want to put a label on it - but I also knew I had to give people some sense of my musical identification. I had heard someone use the term ‘sad girl’ and it really stuck with me. I’m not a sad person during my day-to-day life, but writing and playing sad girl music is a deep form of self-expression and acknowledgement of emotions, good or bad.

Do you think there is ignorance and offence aimed at women regards emotion – that they are too emotional, perhaps?!

Totally. I think that, more often than not, women are scrutinized for being overly-emotional or dramatic about feelings, which is not okay. By flipping the coin and making 'sad girl' a positive, empowering thing, I think, is very beautiful and can show everyone that it’s okay to be expressive and honest - and can show the power of music that is universally relatable.

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Your E.P., Hazy, and track, New Found Sound, gained huge streaming figures. How did that make you feel?

When I first found out, I hadn’t checked my streams for over a month because I started to go a little crazy constantly checking and wanting more reactions. I got a text congratulating me on the play count and I was so confused - until I checked my streams and saw the massive increase! It was unreal. It’s still so crazy to me waking up every morning and seeing that there’s still so much growth daily on the song.

Having the song do so well overnight was validation more than anything else; that, what I’m doing is attractive to people worldwide and that my music can resonate with a larger audience than what I had expected. It’s been so incredible, especially because I’m an Indie, completely independent artist - and it has given me even more confidence to continue to create the music that moves me the most.

You have an original sound, but I am curious whether there are particular songwriters you take inspiration from...

Thanks! My biggest musical inspiration is, first and foremost, Joni Mitchell.

Growing up; my parents had this singer-songwriter playlist that they played on-repeat, and so, many of her songs from Blue were on that rotation. She’s everything I aspire to be as a songwriter and as an artist: vulnerable, unique with her melodies; a brilliant poet and storyteller. Her talent is unlike anyone else’s I’ve ever heard. Her, along with fellow Laurel Canyon songwriters James Taylor and Carole King, have been inspirational to me because of their exceptional talent in both songwriting and vocals.

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There’s a certain sound and writing ability that those '70s singer-songwriters had that made them stand out amongst the crowd. It’s one of my missions to bring that style back and pay homage to those who paved the way for the current singer-songwriter genre.

You are based in New York. How much do you take from the people and sights around you? Why did you relocate from L.A.?

My experiences and surroundings are a huge source of inspiration for me when I’m writing. I’m a pretty observant person, so I like to focus in on aspects of my environment and the people around me - to help me learn more about the area that I’m in. Because of this, moving to New York was a very crucial step in my artistic discovery, because I learned so much about how to handle myself and become more independent. What made me move to New York in the first place was because I began college at NYU. I knew that I was, eventually, going to end up in L.A. - but wanted to experience New York living before I settled into L.A. for good.

Do you have any gigs lined up? Where are you heading?

I do! I’m playing doing a short set for Vans at their Soho store in New York on April 17. I get back to L.A. in May and am working on setting up some shows there. Keep updated by following my socials and checking my website.

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Do you think you’ll come to the U.K. and perform this year?

I just got back from the U.K. and it was amazing!

The music culture is incredible and I would love to come back and play. I don’t have any plans quite yet - but it’s something I will definitely work on.

What do you hope to achieve in 2018?

I plan on releasing new music, for sure. I’m working on a few singles and will probably just stagger some single releases throughout the year. I’m also exploring music video options and ideas to explore the visual aspect of my music which, I think, could be a very great outlet for further self-expression.

On top of that; I want to gig way more and hopefully tour! Just keep checking back for updates!

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Have you got a favourite memory from your time in music – the one that sticks in the mind?

My favorite moment to date is definitely my E.P. release-party last year. I created the E.P. with my producer and did everything completely independent while entirely funding the whole project; so, spending over a year working on it was a wild experience. The release-show was just the culmination of all the time and effort that I and everyone else who worked on it had put in. It was at a really cool bar in L.A. the night of the actual release date and I filled the space with friends and family. There was, honestly, nothing but love and amazing energy in the room - and I felt completely overjoyed and at peace.

It was kind of like my inauguration into the public music scene, which was exhilarating. I played the entire E.P. live with a band and it was so incredible to have all those who I cared about most hear the songs for the first time. It’s a night for the books and it will always stick in my mind.

What advice would you give to new artists coming through?

My best advice would be to, just, be your best self and focus on you! It takes time to feel confident in your artistry and you’ll always be building who you are and will constantly be getting better; so, it’s important to follow your path and not let anyone or anything tear you down. It’s so easy to compare yourself or focus on the wrong things but, at the end of the day, if the music’s good and you believe in yourself, everything will fall into place.

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IN THIS PHOTO: YEBBA

Are there any new artists you recommend we check out?

I’m obsessed with YEBBA - and I’ve listened to her for so long. She was just featured on the new Sam Smith record and I’m so happy to see her get the recognition she deserves. I saw her live and she is truly magical.

Do you get much time to chill away from music? How do you unwind?

I really try to find a good balance between music and time to unwind.

It’s so crucial to not let the music overpower my thoughts and life - so that I can still appreciate it and let it have a positive effect on me. I try to take at least one day a week to walk around the city or binge Netflix and just have normal ‘me’ time. I’ve also gotten into photography recently, which I find to be a very incredible form of self-expression.

Finally, and for being a good sport; you can choose a song and I’ll play it here (not any of your music - I will do that).

Joni Mitchell - Both Sides Now (the original version, not the remake)

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INTERVIEW: Tamtam

INTERVIEW:

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Tamtam

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IT has been really interesting…

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discovering the details behind Tamtam’s new single, Blue. The Saudi Arabia-raised songwriter talks about moving to the U.S. and how her life changed; whether she has plans to release more material; whether she has some tour plans booked – if the U.K. is going to be part of the agenda.

I discover how important gender-equality is to her and whether more needs to be done in the industry; if Tamtam has a choice memory from her time in music; a few new artists we need to study closely – she ends the interview with a classic Jacko track!

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Hi, Tamtam. How are you? How has your week been?

I’m great! My week has been really exciting with the release of my new single, Blue, and I was also invited to perform at a music festival in Kuwait called Kuwait Rising. I can’t wait!

For those new to your music; can you introduce yourself, please?

I’m a singer and songwriter; born and raised in Saudi Arabia. I moved to California for boarding-school when I was fifteen because my parents wanted me to see the world through a different lens, and learn about other people’s ways of life so that I could understand that respecting other beliefs and perspectives of the world is so important.

I’m thankful to have learned that lesson at an early age - and I really love to write about acceptance and humanity in my music.

Tell me more about the song, Blue. What is the tale behind it?

My song, Blue, is about wallowing in the blues of a dissolved relationship, while the other person seems so ‘cool’ about it. I wrote it at a time when I was in a sad place and I felt alone in that place.

I know expression, equality and gender empowerment are important to you and your music. Do you think movements like Me Too and Time’s Up signal a reversal and hopeful future?

Definitely! It’s so important for people to come together to spread positive messages in the world and shed light on the darkness that exists so that they don’t happen again - and so that people are more aware and cautious. It’s an amazing example for others to follow and to see that we can come together for good. I do hope that we always stand up for each other in the good times as well - and that we don’t take those times for granted.

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How much of that passion to tackle societal injustices stemmed from your time growing up in Saudi Arabia? What was it like living in the country?

I definitely would not be talking about gender equality and identity if I didn’t experience living on two opposite sides of the world with completely different cultures. Growing up in Saudi Arabia was my ‘normal’ and, if I had grown up in California, that would’ve been my ‘normal’ too.

I would say that is, what I learned the most, that everyone has a different ‘normal’; so we are not here to judge other people’s way of life: we are here to embrace our own way of life and respect the different opinions that exist in the world around us, so that we can co-exist…because we can.

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What compelled the move to the U.S.? Was it hard getting a platform and spotlight in Saudi Arabia?!

I came to the U.S. to finish high-school; then I stayed for college, and then, to pursue my music. Actually, a lot of my fan base is from Saudi and the Middle East. I get a lot of comments on my YouTube videos: of girls thanking me for showing them that they can follow their dreams too. That is the biggest gift I can give. If I’m making a difference to one person in the world, then I’m doing my job here - and I’m so thankful and humbled for this opportunity.

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Will there be more material coming later this year?

Yes! This year I am focusing on singles - and I’m excited to put out my other tracks soon!

Do you have any gigs lined up? Where are you heading?

Yes! I am heading to Kuwait on April 27 to perform at Kuwait Rising music festival! Then, I’m heading to London to do a couple of shows at the beginning of May.

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Will you come and play the U.K.? Have you ever been over here?

I love London! I want to visit the rest of the U.K. (smiles).

What do you hope to achieve in 2018?

I want my music to reach more people so that I can go on a world tour soon! I want to keep collaborating with amazing artists and keep recording more tunes - because it’s my favorite thing to do.

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Have you got a favourite memory from your time in music – the one that sticks in the mind?

Yes! I will never forget the first time I ever performed with a microphone in front of an audience. I was thirteen-years-old and I sang Thriller by Michael Jackson. It was a school talent show and I had the best time performing. That night, I decided I was going to pursue music no matter what.

What advice would you give to new artists coming through?

Be positive, keep creating no matter what and listen to your gut...ALWAYS!

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IN THIS PHOTO: grandson/PHOTO CREDIT: @ashleyosborn 

Are there any new artists you recommend we check out?

Yes. Some of my favourite new artists are: grandson, Goody Grace; Makk Mikkael, MorMor - and I’m sure, many more that I can’t remember off the top of my head!

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IN THIS PHOTO: MorMor

If you had to choose the three albums that mean the most to you; which would they be and why?

Michael Jackson - Bad

Because it was the first time I ever really felt music - and I got chills listening to the lyrics, the melodies; the production. Everything about this album is amazing.

Britney Spears - …Baby One More Time

Because it was my first cassette tape! I think I was ten-years-old (smiles).

Red Hot Chili Peppers – Californication

Because I can listen to the whole album over and over. I never get bored!

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Do you get much time to chill away from music? How do you unwind?

Yes. I love going to the movies when I have the time! I love eating yummy food too (smiles). It’s nice to treat yourself to some good sushi from time to time, and finally, I love being outdoors and going on long hikes.

Finally, and for being a good sport; you can choose a song and I’ll play it here (not any of your music - I will do that).

I choose: They Don’t Care About Us by Michael Jackson. One of my faves forever!

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INTERVIEW: Mauro

INTERVIEW:

Mauro

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ON the interviewing block today…

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is the talented songwriter Mauro. He chats with me about his current track, Dubstep Heart, and why it holds personal weight – and can be appreciated by everyone who listens. The U.S. star discusses his plans for new music and whether we will catch him in the U.K.

I learn how Mauro came into music and how important it is connecting with fans; Mauro tells me how he spends time away from music; whether he takes a lot of inspiration from mainstream arbutus – and, exactly when music came into his life.

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Hi, Mauro. How are you? How has your week been?

Sam! I’m excited! I’ve been traveling, composing new music and enjoying life!

For those new to your music; can you introduce yourself, please?

World! I’m Mauro; the proud owner of the most colorful guitar on the planet, where heartbreaking and hip-shaking songs were born. I’ve had the delight of performing in a tuxedo with sneakers, lying down; in a white bow tie, like an animal, under the rain and, maybe, in a dream you had - all for over sixteen years (so far) and in front of the biggest stars I know: the people.

Dubstep Heart is out. What inspired the song? Is there a story behind it?

The legend tells the story of a broken heart that keeps beating during the darkest times. It’s one of my homages to resilience dedicated to all the survivors of adversity. I had produced different records at that time which were going to be released instead but, suddenly, an interesting series of events took place that deserved an anthem.

I started writing the chorus on a plane after promoting my previous work. Here, we have a heart that is strong yet miserable, poetically embodied in the syncopated beat of Dubstep. Hidden messages are painted within the song as well.

Is there more material coming up? Can you reveal what is coming next?

I recently finished two-hundred new songs. I’m working on this serious selecting because releasing new music is obviously in my plans. So…there’s a lot of music going on and a couple surprises to look forward to. Stay tuned!

Your music has gained support from sources all over the U.S. How important is that backing and kudos?

Fundamental. It’s gratifying to be appreciated by people who value your work objectively. To me, music is a connection and, by connecting with others, I fulfil my purpose in this life.

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Do you take a lot of inspiration from the modern mainstream? Which artists strike a chord?

I inspire myself according to my inner revolutions. Last night, I wrote an R&B song all of a sudden and, last week, I started an Alternative composition which ended up as a Rock explosion (and that’s just me). Music comes to me naturally - without having to be influenced by it.

How did music come into your life? Did you grow up around music?

Destiny-meets-work. Music was love at first sight. I’ve been an artist my whole life, permanently creating. At the age of four, I started working in fields such as painting, drawing; acting and writing - and it was a matter of time that I began creating my own music. I wrote my first album when I was ten - and have been performing ever since.

Can we see you tour soon? What gigs do you have coming up?

Actually, I’m back from tour. I had a wild time! I even had a sick photoshoot at the beach and all. Upcoming dates will be posted soon. I’m happy on the road.

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Do you think you’ll play the U.K. this year?

I’m crossing my fingers; it would be such a pleasure. I love the U.K.! Shout-out to my U.K. fans!

How important is it connecting with an audience and getting on stage? Is it somewhere you feel ‘free’ and uninhibited?

Essential. I work to tell a story on stage wherever the circumstance may be - and that’s one of the keys towards connecting with people. In my case, it’s a whole mind-soul-body experience to convey the collective of memories attached to the song that live through me. I’m only myself when I’m performing. To me, it’s like being born again. Someone once told me I transform when I’m on stage…I agree.

What do you hope to achieve in 2018?

In 2018, I’m celebrating sixteen years of music - and this is a year of transition for me. I hope the message in Dubstep Heart continues to resonate within more people. All is leading towards a new era in my career…so; we will definitely meet again at the end of the rainbow!

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Have you got a favourite memory from your time in music – the one that sticks in the mind?

Wow. I’ve got a list! Part of me is stuck in my childhood years where I started my music career. It is fascinating for me to realize I was hired at that age to perform music that I wrote and loved. If I had a time machine, I’d go back and perform with that kid.

He seems cooler than me.

What advice would you give to new artists coming through?

Be fearless. If your love of music is the reason leading your journey, then nothing and nobody will stop you from doing what you love.

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Are there any new artists you recommend we check out?

Not at the moment...

Do you get much time to chill away from music? How do you unwind?

I’m married to my music; in sickness and in health and till death do us part. I do get caught up in writing poetry, painting/drawing; photography and any other artistic activity that reinforces, amplifies or refreshes my view of music from a multitude of innovative perspectives.

Finally, and for being a good sport; you can choose a song and I’ll play it here (not any of your music - I will do that).

Barbra Streisand - Where Is It Written?

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INTERVIEW: Cable Street Collective

INTERVIEW:

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 PHOTO CREDIT: Samuel McMahon 

Cable Street Collective

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I love it when an artist puts their everything…

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into an interview! Cable Street Collective give me an authoritative and comprehensive look into their world and past; where they plan on heading – I discover the story behind their latest song, Wonderland.

The band talks to me about their upcoming (out on 4th May) E.P., Where Now from Here?, and how they have changed since their inception; the sort of music the members all enjoy; why African sounds are so important; what the choice memories from their careers are – they end the interview with some cracking song selections!

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Hi, guys. How are you? How has your week been?!

Great! We just finished shooting the music video for the second single off the upcoming E.P., So We Go (song). It involved having industrial-strength leaf-blowers fired at our faces, so that they get all distorted and pulled out of shape - and filming the results in slow motion.

Watching your cheeks ripple in the wind at 240-frames-per-second is quite a surreal experience...

For those new to your music; can you introduce yourselves, please?

We’re a London-based Indie band who plays upbeat music with a strong African influence. Tristan (Guitar, Keys) spent his childhood in Swaziland and Malawi and Aaron (Bass) is the son of Greg Kofi Brown - who played bass for the legendary Afrobeat band, Osibisa. So; they both grew up surrounded by those sounds. The rest of the band are big fans of Congolese Soukous and African music more generally; so, that’s one of the biggest influences that creep in when we write.

What can you reveal about Wonderland? What is the song all about?

The song is about relationships and how they can make you feel like you’ve lost control of yourself or your emotions. Not just during that initial honeymoon period but, also, after the relationship fails - when the dream turns nightmarish. It’s quite a bouncy, upbeat tune but Fiona’s lyrics are actually pretty sad; channelling that weary resignation you feel looking back after it’s over.

It is from your upcoming E.P., Where Now from Here? Have the songs – that will appear on the E.P. – been in your minds for a while? Are there common themes that link the songs?

We were playing a version of one of them, Anyway, as early as 2015 but the version we now play sounds quite different. The others are all more recent. They were written between the end of 2016 and last August, when we started recording them. They weren’t necessarily written to be a collection of songs but, when we listened back to them all together, we realised there are definitely common themes.

They deal with the stresses of modern life, the pressures that come with getting older and the ways in which people deal with the increasing realisation that the world isn’t as shiny and wonderful as it might once have seemed.

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Despite the fact that the music is generally pretty upbeat, the lyrics touch on some pretty dark topics - emotional breakdowns, the ways in which people self-medicate and the strains that social media puts on people and relationships…

Hence the title, Where Now from Here?

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 PHOTO CREDIT: Samuel McMahon

How do you think you have grown and developed since your debut E.P.?

Despite the last answer, we’re not actually old and embittered. Haha. We’d like to think our songwriting has matured, though, and our sound has definitely evolved. The first E.P. was recorded with live drums and more live instruments generally.

Where Now from Here? features programmed beats (admittedly, augmented with live percussion) and far more synths. This is partly as a result of line-up changes, but also, as a result of changing tastes. We were listening to stuff like Sinkane, Rostam Batmanglij and William Onyeabor when recording this - and some of that definitely snuck into the songwriting.

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When did Cable Street Collective come together? Did you all have that instant spark when you met?

Ash and Tristan went to secondary-school together and first started making music there (although ‘making music’ is, perhaps, generous - there were some pretty terrible Punk-Rock covers). They met Fiona at university and the three of them used to play open mics – although, she didn’t join the band until later, after a stint living in Australia.

The first iteration of Cable Street Collective featured Tristan’s brother on bass (who helped push the African sounds they had grown up with) and a different vocalist. But, when Fi moved back to the U.K., it was obvious that we’d ask her to join.

Dan Cat (responsible for the drum programming) was a long-standing friend who’d actually produced our first demos. He, Sam and Aaron (both friends-of-friends who we’d met through open mic nights) all came on board in 2016 when we decided to change-up the sound after the departure of our drummer and bassist.

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I know your numbers have increased since the start. Why did you decide to expand the ranks?!

We had previously played as a six-piece - but, with live drums rather than electronic beats. The line-up changes were because of changing priorities, really - the bassist and drummer, who we’re still very good mates with, weren’t as up for it as they once were.

Rather than try and replace them in a straight swap; we saw it as an opportunity to switch things up a bit sonically and experiment with new ways of making and playing music.

Do you share musical tastes? Which artists have inspired the music you make?

There are, obviously, a lot of shared musical reference points but everyone has their own influences that they bring to the mix as well. We definitely don’t agree on everything all of the time and sometimes we definitely disagree. Haha.

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I guess, inspirations we share, are things like a love of 1970s and 1980s Soukous guitar (Diblo Diabala, who played with Kanda Bongo Man and Loketo, in particular), bands like The Very Best (a Malawian-Swedish duo) and artists like Songhoy Blues and Mbongwana Star.

Then there are points where we differ a bit. Fi’s into Funk and Soul; Sam (who grew up on Shetland and played the fiddle as a kid) likes Celtic Trad-Folk, Ash is a far too into Radiohead; Tristan loves Rancid (who, Ash thinks are rubbish); Dan Cat mixes questionable Disco and Aaron loves Metal and Post-Rock. That’s not to say any of those are bad things but, yeah; we all enjoy an impassioned discussion of different artists’ musical merits.

Thankfully, when we disagree, it never gets too heated.

How important is African music to the band? Do you take a lot of guidance from the sounds of Africa?!

It’s definitely a touchstone and an influence we all share. But, as much as we borrow sounds from that part of the world (the tinkly guitars, an emphasis on rhythm; driving basslines and the love of beats and percussion); we’re still an Indie band channelling those influences into western-style songs. We are (we’d like to think) far too aware of the inappropriateness of cultural appropriation to ever claim to be something that we’re not.

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Can we see you tour soon? What gigs do you have coming up?

We’ll be doing a big E.P. launch-show in London on 18th May, followed by a couple of shows in Sheffield and Leeds - details of which are on our website. We’ll, then, be hitting the festival circuit again this summer. So, yes; we hope to see you in a sunny field or a sweaty venue very soon!

What do you hope to achieve in 2018?

This release is our main focus for now...

Beyond that, we’d love to spend some time writing new music and just jamming the ideas that have been kicking around, half-formed, for the past few months while we’ve focused on this.

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Have you each got a favourite memory from your time in music – the one that sticks in the mind?

Tristan: There’s loads...but one of my favourites was turning up to this little festival in East Anglia, only to find the backline didn’t include a drum kit. It was a proper hippy-fest; the kind where half the campsite is vans, everyone has a dog on a rope - and the Psytrance Stage and the Main Stage were the same thing...

The sound-man told us to go out the back of the stage, knock on a caravan door and ask for a ‘Dr. Damage’ who, apparently, had a home-made kit he could lend us. Turns out the drums weren’t up to much - but he did have a flask of mushroom tea which he insisted we partake in...

Fiona: It’s either Dave, our old drummer, realising about five minutes before our first set at Secret Garden Party that he’d left his cymbal case propping open a door in London, or me realising about thirty minutes before another set at S.G.P. that we’d left all my gig outfits in Ash’s flat. In both cases, so many people helped out; arriving mid-gig with a borrowed cymbal stand, or piling into my tent with all their festival gear and dressing me far better than I could dress myself!

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Ash: We have had some belting gigs at Secret Garden Party. Arguably, my favourite was on an incredibly wet weekend a few years ago. The whole festival was a total mud bath and our bassist (at the time) was on crutches, so dropped out of the gig. Our mate, Alex, was playing a kind of multi-instrumentalist vibe for us at the time, but happens to be more than a little handy on the bass. So, the show went on! We had to practice the songs in half an hour backstage - and on we went.

It was heaving down with rain outside and the Rhumba Rum Bar was packed to the rafters. The place went off and everyone was having a blast. To cap it all off, a guy who had played trumpet with us a couple of times previously turned up (off his bonce I might add) and jammed a track.

There was a kind of spontaneity to the thing. From the ashes of adversity grew one of my favourite-ever gigs.

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PHOTO CREDIT: Samuel McMahon

Dan Cat: While I was touring in the Cheshire Catz D.J. duo, we were flown to Avignon in France to play in club carved out of the bottom of a quarry called ‘Le Prive’; which is where Daft Punk first played outside of Paris. A truly humbling experience. After rocking the club, feeling like superstars and storming the decks at the after-party; we were kicked off after fifteen minutes for playing minimal Techno. The after-party crowd wanted Disco. We would have gotten away with if a journalist from DJ Mag hadn’t been with us covering the tour.

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Sam: Playing the Royal Concert Hall with Nordic Tone in 2010 was very special. It was a big group project spread across five countries and the near-impossible logistics of getting us all together meant that we knew it would probably be our last gig. It felt as though we really rose to the occasion on the night - and a five-star review in the Scotsman was the perfect end to the story.

Aaron: I’ve got a couple: both relating to Osibisa, actually. As a kid in the early-nineties, I was playing percussion on-stage with Osibisa at an event that that was live on T.V. and Pat Cash (the tennis player) joined in on guitar. Then, later in that decade, Finlay Quaye became good mates with the band. I was always the little kid he'd kick the ball around with. Then, many moons later, he called me up to come play guitar for him.

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What advice would you give to new artists coming through?

I’m not sure we’re really in the position to be doling out advice to anyone but I guess, if there’s one thing we’d suggest, it’s to make sure you’re doing it because you enjoy it – ‘it’, being writing, playing live; even the promotional stuff that goes with being in a band. Unless you’re a massive act, the financial rewards aren’t great; so, it’s all about making the experience its own reward.

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Are there any new artists you recommend we check out?

Too many to mention really, but there’s one band we’ve played alongside since fairly early days that we reckon are always worth checking out, especially live. They’re called Tankus the Henge and they sound very different to us - but they’re great craic. If you ever see them on a festival bill, go watch them. You won’t regret it.

Do you all get much time to chill away from music? How do you unwind?

Oh, yep. Aside from Aaron, who’s written for Big Narstie and played with Finlay Quaye and Rita Ora (and a whole bunch of others); none of us are full-time musicians. Ash and Dan both work in tech; Fi is an English tutor (who’s also just co-written her first play - one of the Evening Standard’s ‘must-see shows’ at VAULT Festival no less!); Sam plays in a couple of other originals bands and tutors undergraduate maths and physics on the side (as well as being a s*it-hot percussionist, he’s also a Cambridge-educated astrophysicist!) and Tristan is a journalist at Vice Media.

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The good thing about working other jobs is it removes a bit of financial pressure from the band. It also means that, while we work hard at it, music and making it is part of unwinding for all of us. If this turned into a full-time job, I guess we’d probably have to turn to astrophysics, tech; play-writing and journalism to unwind? Haha.

Finally, and for being good sports; you can each choose a song and I’ll play it here (not any of your music - I will do that).

Tristan: I’m loving Rostam’s Bike Dream at the minute. I love the way he’s taken a really poppy melody and subverted it with jarringly loud drums, wonky production and a weird vocal effect.

Ash: My jam of the week has been Sorceress by Jordan Rakei - my favourite album of 2017 and a tune I recently came back to!

Fiona: I still have Hey Now (When I Give You All My Lovin’) by Romare on-repeat. I love it when the brass kicks in.

Dan Cat: I’m digging Soft Hair’s A Goood Sign at the moment - and I found Soft Hair via LA Priest. LA Priest is the Prince of Electronica.

Sam: I Asked by Snarky Puppy (feat. Becca Stevens & Väsen). It’s a live collaboration between three of my all-time favourite acts: Becca Stevens’ unmistakable vocal is perfectly framed by Michael League’s incredible arrangement and touches of otherworldly class from Swedish Folk kings Väsen; culminating with André Ferrari’s towering percussion breakdown over a fifteen-beat cycle.

Aaron: I’ve been listening to Express My Mind by Sharna Bass a lot.

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Follow Cable Street Collective

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INTERVIEW: Mike Watson

INTERVIEW:

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Mike Watson

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2017 must rank pretty high…

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in the mind of songwriter Mike Watson. His debut single, Lying for Love, made a huge impact and he embarked on a tour of the U.K. – a whirlwind year that, by the looks of things, he is going to top! Watson chats about his current track, On Fire, and what comes next for him. The Manchester-born artist talks about the music of the city and its influence – how important the people are to his success and drive.

I ask whether we can see Watson tour later this year; the music that matters most to him; whether he gets time to relax away from music; what it was like supporting Maroon 5 – he recommends a great new artist to watch.

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Hi, Mike. How are you? How has your week been?

Hey! It’s been busy with the new single coming out, but the reaction’s been great - so; all is good!

For those new to your music; can you introduce yourself, please?

Sure. Well. I’m a British singer and songwriter, started out in a band before going solo and here I am now! I grew up in the U.K., the U.S.; Singapore and Thailand, but have finally now settled in London.

 

On Fire is your new single. Is there a story behind the song?

The song is about admitting you’ve found someone and they have a hold over you…and you're not afraid to say it. I'm sure most people can say they've felt that way about someone at some point (not every). 

It is a confident and impassioned song! What was it like putting it together in the studio? Did it go through a lot of changes?

This song, unlike Lying for Love, was more of a journey. Lying for Love took no time at all whereas, with this one, I actually changed melodies and lyrics several times, which is unusual. But, for that reason, I feel a strong sense of ownership towards it and am proud of how it turned out! 

How do you view the success your debut single, Lying for Love? It did fantastic business on Spotify. Does it seem a dream looking back?!

You never know how to predict how a track will be received - especially as it was my debut single. I was confident in the fact I thought we had a strong track that could hopefully strike a chord with people, but I never imagined to get the streaming numbers we have today! It passed 750k on Spotify, which is great…

We just have to follow that success up with On Fire!

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Do you feel like you have made leaps in a short time? Are you more confident than when you first started out?

I started out in music young and have learnt a lot from every experience I had; whether it be from good situations or bad. I’ve always been quietly confident, but know how hard I have to work in order to be a success in such a difficult and competitive industry. People may just think I started out in music when Lying for Love came out but, in reality, it’s been years in the making to get me ready.

Manchester is where you were born. Is the city a bit of a hotbed for great music? How important are the people regarding your success?

Being from Manchester, I’m a massive Oasis fan! I think most people are…

The city constantly produces great artists and definitely is a hotbed for music! I’ve a lot of family up there and they’d never let me get too ahead of myself. 

How did music come into your life? Did you grow up around music?

I grew up in a musical family. Both of my grandmas sang in choirs and my dad plays the guitar. I remember him giving me this mini-sized guitar when I was just old enough to hold it and, from there, my musical journey started! Both my parents are massive music fans so, growing up, there was a lot of music in the house…anything from the Eagles to Paul Simon to Santana would be constantly blaring out which, no doubt, wormed its way into my head.

I’m VERY thankful for that!

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Can we see you tour soon? What gigs do you have coming up?

Plans are in the making right now: you’ll have to keep your eyes on my socials for updates (smiles).

Does the fact you have supported the likes of Maroon 5 give you a lot of confidence to get out there and perform your music?!

Definitely. Playing such amazing venues like Wembley and the Manchester Arena etc. to crowds like I did on the Maroon 5 tour gave me huge confidence. You get such a buzz playing to that amount of people. I’ve always said, if you could bottle that feeling up and sell it, you’d make a fortune! To be honest; I much prefer the big venues and actually would say the smaller venues keep me on my toes more! 

What do you hope to achieve in 2018?

I hope On Fire does as well as the last single online; then the follow-up E.P. (which is all but done) does just as well too! I can’t wait to get back playing live again, so that’s something I’m looking forward to. Especially as I have two new singles to play!  

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Have you got a favourite memory from your time in music – the one that sticks in the mind?

Definitely playing the Manchester Arena. I took my younger sister to see Justin Bieber there about five years ago and said, one day, she’d see me there…so; it was nice, a few years on, for me to keep my promise and have her there to see it! 

What advice would you give to new artists coming through?

Practice; don’t take criticism too much to heart and don’t have any regrets. Any time you get the opportunity to showcase your skills, whether in the studio or on stage, DO IT! 

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IN THIS PHOTO: Khalid

Are there any new artists you recommend we check out?

I’m really into Khalid at the moment. He’s really taken off this last year and I’m really excited to see where he goes! 

Do you get much time to chill away from music? How do you unwind?

I’m very sporty. My other love, away from music, is sport...

Not only is my family musical, but my grandad is a football nut; so that’s rubbed off on me over the years. Whether watching or playing, I’m hooked! When I was born; the first thing in my cot was a football. That says it all really. I play football three times a week and get to the gym pretty much every day. If I miss a few days, I get notoriously grumpy. Haha. 

Finally, and for being a good sport; you can choose a song and I’ll play it here (not any of your music - I will do that).

A track I’m really digging at the moment is Say Something by Justin Timberlake
(ft. Chris Stapleton)! The way their voices blend is genius…it’s not often you get two male artists collaborating together! 

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 Follow Mike Watson

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INTERVIEW: Jared Lee

INTERVIEW:

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Jared Lee

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HE grew up in Boston…

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and has risen through the ranks to become one of the most intriguing songwriters and performers in music. Jared Lee tells me about collaborating with other artists and what compelled his track, Professional Lovers; what comes next for him; whether he will come to the U.K. this year – Lee talks about producing and working with some of the world’s biggest D.J.s.

I ask Jared Lee what music he grew up around and what advice he would give to new artists; how his music has developed in the past few years; what it feels like hearing his music played on T.V. shows – the U.S. artist ends the song with a pretty cool song!

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Hi, Jared. How are you? How has your week been?

Things are good. Thanks for asking! I live in L.A. and am spoiled with the best weather most of the time - so, no complaints.

For those new to your music; can you introduce yourself, please?

Of course. So; my name is Jared Lee. I grew up in Boston and I am a recording artist and, also, I write and produce for many other artists. I love performing but I really enjoy collaborating with other people on their projects as well. I am told I have a decent personality – but, maybe that’s just people being nice…

What can you tell me about the song, Professional Lovers?

I really love the song and am excited for people to hear it. I think it’s a sexy, honest and visual record that describes a really intense physical relationship and unrivalled passion. I was fortunate to work on the song with Mick Schultz (Rihanna, Kelly Clarkson and Jeremih), Mati Moon and Dirk Pate. Right now; my goal is to (just) get people’s ears on it and introduce them to some of my new music.

Will this lead to more material? Might we expect an E.P. later this year?

Definitely. I have a chunk of songs done and also have some features coming out with some of the world’s best D.J.s that I am excited about. To be honest, I am not quite sure if we will keep rolling out singles or package an E.P. – but I am definitely looking forward to releasing more. I’m also going to release an acoustic version of Professional Lovers - just me and the piano.

You have produced and written for some great D.J.s. Do you notice a big difference working with them – as opposed writing/producing your own stuff?

I have really enjoyed getting the opportunity to work in the EDM/D.J. space, as it has challenged me, creatively, and opened me up to a world which I wasn’t really familiar with a few years ago. I have become such a fan of what they do and the art they create. Seeing some of their shows and the way audiences respond to them (particularly Coachella and last year’s EDC) literally blew my mind. In any collaboration, I think it’s important that each artist bring a unique energy and flavor to the record that can result in something fresh and original. 

With my own stuff; I’m selfishly only thinking about how I will sing it, how I will perform it; does it communicate the message the right way etc.? With a D.J. collab; I, of course, have to take the other party into account and work with them to create something that, mutually, satisfies us creatively. There are times that I will just send them a song and they end up recreating the music; other times where they send me a track.

I write the lyrics and melodies to and, in the best cases, we get to be in the room together- that’s my fave.

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How did you get into music? When did it all start for you?

I was always performing from a very young age in school groups. My sister and I sang a lot in the car with my parents and I was fortunate to be able to grasp melodies and harmonies at an early age (probably, largely because of that). I was a bad music student because I never listened to instruction. Ha. I did what I felt. 

Not saying that’s the right way to approach it or not. It’s just what worked for me.

What sort of thing were you raised on? Did you listen to a lot of mainstream music – or was it more club/Dance-based music?

I was really into Boyz II Men, Brian Mcknight; James Taylor, Sting, Peabo Bryson and U2 - tried to sing along note-for-note to everything. My parents didn’t push their own musical tastes on me: they let me find the music that moved me.

How, do you think, your music has developed since, say, 2011’s Falling Through Holes? Do you think you are more confident?

I think any artist just wants to evolve and get better. 

I love those songs and am proud of them - but I am in a different mindset. Life happens, relationships come and go; tragedy occurs, amazing things develop - and this all affects the art you create. I think, now, the sound of the music I will release leans a bit less Pop-Rock than my first E.P. and. Maybe a bit more Pop/R&B/Electronic – and, of course, there are Dance records coming out. So, I am excited to perform some of the new records and see where things go next.

Your music has been featured on T.V. shows – and reached a new audience. How important is hearing your music on the screen? How does it make you feel?

It’s an incredible feeling and I'm hoping for more of it. It makes you feel proud and in, I guess, a superficial way a bit validated. But, I just get turned on by the idea that a person far, far away can be watching something you created and it can contribute (hopefully positively) to the overall experience for them. I also really love the way music (my own or not) can affect or enhance a story on screen.

It can evoke very intense emotions and, so, I have so much respect for the supervisors that put this all together and find the right songs for the right films or shows.

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Hollywood, California is where you are based. What is the music scene like there right now?

It’s a great place for music and I think, for Pop music, it’s probably the best place you could be in terms of the creative community. That being said; I think there is something here for every genre because it’s the entertainment capital of the world - and people want to be here to be close to that. Almost everyone here has musical needs, and so, the possibility of collaboration is quite high - which is exciting. 

You just have to then find what works for you. There are many great live venues and the city is, of course, oozing with talent - so you never know what you may hear or who you may hear it from. The downtown scene has been expanding a lot as well and many new live music venues have been opening up.

Do you have any gigs lined up? Where are you heading?

Right now, I'm mostly promoting the single - so it’s just a few songs here and there. 

Mostly L.A. and N.Y. but, hopefully, that expands soon.

Can we see you in the U.K. this year at all?

I hope so! I love it there. My mom grew up in London, so I have been many times and love the culture and history. I recently did a quick performance in London but am looking forward to the possibility of some more time there. I think the U.K. breeds some of the best musical talent in the world without question.

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What do you hope to achieve in 2018?

I am really excited about Professional Lovers and some of the new songs that will come out as well some of the songs I have been writing for other artists. I am hoping for many more performances and, to honestly, just get better as an artist, performer; writer, producer and person. I’m willing to put in the work and hope I can music makes people feel good...or feel something. 

I also want to learn guitar.

Have you got a favourite memory from your time in music – the one that sticks in the mind?

One is playing a show in Hollywood where Brian Mcknight was eating dinner. I was so nervous but had to try to make an impression. I did a couple originals and a cover of Prince’s Purple Rain and he came up to me after - an incredible moment as he was someone I had listened to endlessly and admired musically growing up. He was very complimentary and, a few months later, I opened a holiday Xmas show for him on the Santa Monica Promenade. He even let me use his keyboard!

I had gone from listening to this guy in my room, trying to sing like him, to using his keyboard and opening his show. It was a cool moment.

What advice would you give to new artists coming through?

Well. I think it’s similar to the advice I try to give myself every day: keep going, keep pushing; don’t stop, don’t stop, don’t stop if you believe in your art. I know that’s cliché, but it’s incredibly easy to be discouraged. Most people won’t respond to you. It’s very hard to get a large audience, but try each day to build it - even if it’s one or two people. Also, surround yourself with people you like to be around; that support you but also challenge you. 

People that are great will make your life better; not only professionally but personally. Do the things that make you happy often. Take creative breaks.

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IN THIS PHOTO: Dermot Kennedy

Are there any new artists you recommend we check out?

I love some of the new discovery playlists that the digital platforms like Spotify and Apple have because I get to hear all these new songs I have never heard and end up loving. I have lists of new artists I dig. I get very taken by emotive voices and there is so much great talent out there to be heard. Check out the guy I mention at the bottom but there are, honestly, so many - and in different genres.

Do you get much time to chill away from music? How do you unwind?

Luckily; I’m now in a climate where I can be outside all of the time comfortably. I ‘try’ to work out every day; go hiking or out to the beach (which is near me). I’m a total foodie, so I care a lot about eating - and often. I occasionally knock out a full Netflix series without stopping…just because we all need that sometimes (smiles).

Finally, and for being a good sport; you can choose a song and I’ll play it here (not any of your music - I will do that).

I heard this guy the other day I thought was great. Really expressive voice; Dermot Kennedy - Moments Passed

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Follow Jared Lee

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INTERVIEW: IAKO

INTERVIEW:

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 IAKO

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EACH time I experience a musician…

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who hails from a different part of the world; I am keen to ask how the scene differs there – compared with here in the U.K. Venice-born IAKO has moved to London but tells me how the cities differ; whether there are any performances coming up; how it feels putting out the debut single, Queen of Balance – and, what the story behind it is.

I learn what we can expect from the forthcoming Queen of Balance E.P. and when IAKO decided music is what he was supposed to be doing; if there is a new artist we need to keep our eyes out for; what he has planned for the remainder of this year – the songwriter selects a contemporary banger to end the interview with.

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Hi, IAKO. How are you? How has your week been?

It’s been fantastic, thank you! I played a great gig on Monday night; quite a good crowd and it went well, as we were trying out a couple new songs for the first time. Also, the feedback for Queen of Balance has been incredible so far, so I’m super-excited.

For those new to your music; can you introduce yourself, please?

I’m a twenty-two-year-old singer-songwriter, originally from Venice. I moved to London three years ago to make music and here I am today, trying to get my first record out into the world. I’ve just released my debut single, Queen of Balance; I’ve got another single coming out on the 20th April and an E.P., set out for release at the end of May.

It’s a very exciting time for me because it’s my first release ever.

Queen of Balance is your debut single. What is the tale behind the song? Is it exciting getting that first song out there?!

I went through a terrible period at this time last year which forced me to put music and all projects aside for quite a long time. Towards June, when I was finally getting better; I sat down and decided that I really wanted to express those moments and personal experiences in my music. Queen of Balance is the first song that came out. It’s about a relationship of course, but it’s mainly a reflection on my personality, role and perception of that relationship.

It’s incredibly scary to put out such an intimate song as your first single but, as I said; it’s been well-received by the media so far - so I’m quite excited.

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I believe the E.P. of the same name is out soon. How much does transition and the idea of movement and relocation play a role?

I’m a very rational and observant person and I’m constantly striving towards something new and different. This means that, often, I can’t quite relax and enjoy what I’ve achieved because I’m already worrying about the next challenge. In that sense, the idea of movement as a constant drive to adapt to different situations is one of the main themes of the record.

Will there be more singles from the E.P.? Is there a particular song, from the collection, that stands out as being especially personal and striking?

It’s funny, because the next single, Paint, is one of the oldest songs I’ve ever written. I wasn’t really comfortable talking about myself back then, so I used to write little stories which I would then turn into a song. Paint tells the story of a couple who lives in a dystopian future where all the colours are gone; although, it’s not about a personal experience: it’s a very important song to me, as it reminds me of my very early stages in music.

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You have Venetian background – based in London now. How do those different worlds and people influence you as a songwriter? Is it very different being in London?

A lot of my writing revolves around the contrast between the two cities. Venice is a very safe and dangerous environment at the same time. You’re surrounded by people you’ve known since you were born, which is really comfortable - but you can easily get stuck into one common mentality and give up your passions because you’re afraid of judgement.

On the other hand; London is incredibly chaotic and lonely but it really allows you to push your artistic vision to the limit. I’ve changed a lot since I moved here and I think London has had a huge impact on me. I’ve grown to be a big fan of such a fast-paced lifestyle; although I come from a completely different background.

Surrounded by history and beauty; was there much time for music living in Venice? Which artists do you remember listening to as a child?

I never really thought music was gonna be my career, despite always being really passionate about it. There’s not much of a music scene in Venice; so I never really thought of being a professional musician/artist in Italy.

My dad is all about the old Blues, so I grew up with B.B. King, John Lee Hooker; Albert King etc. But, he was also into Funk and Disco music. Quite far away from the songs on this record, I know! I can hear more of those influences in some new stuff I’ve been writing recently.

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Was there a moment where you knew music was what you were supposed to do? Was it quite scary making that leap?

I went to uni for a while back in Venice. I was studying literature, which is what I thought I would do for my whole life - but the course was not challenging at all. I was studying the same things that I knew since I was fifteen. I remember being so unmotivated and feeling low cause I had no creative ground to experiment with. So that only lasted for a few months.

I was never really scared about the choice in itself; it was way scarier once I actually got to London, cause I was only eighteen and completely on my own.

Are there any tour dates coming up? Where can we see you play?

I’m playing a full band gig on 15th April at Notting Hill Arts Club and then, on 24th May, at The Finsbury. I’m gonna be adding new dates very soon, so keep an eye on my social.

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How important is the stage for you? Can you articulate the feeling of being up there, performing to the people?

Because of the intimate nature of my music, I always try to be as genuine as possible on stage. I talk quite a lot in between the songs and I try not to take myself seriously as the songs are already quite intense. This record is all about the atmosphere flow, so you need to be willing to get into a certain mindset to enjoy it. The other night, a guy walked up to me and described my show as ‘educational’.

That made me so proud!

What do you hope to achieve in 2018?

2018, for me, is the year to really get my name out there as much as possible. I’m building a small team and I’m hoping more and more people are going to get involved. I’m also experimenting with completely new music genres. I don’t want to get stuck or too comfortable on one thing - so, you can expect very different projects coming up in the future.

Have you got a favourite memory from your time in music so far – the one that sticks in the mind?

I remember playing a house gig back in Venice - it was a tiny living room and too many people turned up; so there was no space left for performing. I ended up sitting down on the floor and holding the piano on my legs, which made the whole atmosphere even more magical as we were all incredibly close to each other.

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What advice would you give to new artists coming through?

For all I can see at this point in my career; you need your own thing. It needs to be genuine. There’s so much music out there right now, that being similar to anyone else will destroy your career in the long-run; although, it may boost your self-esteem temporarily.

I think audiences need personalities to follow rather than just nice and familiar songs. Having said that; I’m a very new artist, too, so I’ll happily listen to any good advice!

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IN THIS PHOTO: Sakura/PHOTO CREDIT: Richard Taylor

Are there any new artists you recommend we check out?

My friend, Sakura, is doing quite a good job at the moment. She’s had two singles out already - and I think you will hear from her in the future.

Do you get much time to chill away from music? How do you unwind?

I don’t really have much time away from music at the moment. I’ve been working for over a year on this record and I’m still promoting it - so that’s quite a lot of work to do. I also teach piano to kids in a music school; so I, literally, spend most of my days doing music, one way or another.

I do read as much as I can when I have time. That’s what helps me turn my brain off when I need to. I’m really into non-fiction at the moment.

Finally, and for being a good sport; you can choose a song and I’ll play it here (not any of your music - I will do that).

I’ve had this song on repeat for the whole day: Young Fathers – In My View.

I love how the production flows together with the song - and I think some of the rhythmical and melodic motifs in the song are absolutely genius...

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 Follow IAKO

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INTERVIEW: MOLLYANNA

INTERVIEW:

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MOLLYANNA

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THERE are many terrific artists…

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based in Yorkshire right now. I feel the area does not get the respect and attention it warrants. I asked the Sheffield-based band, MOLLYANNA, whether they agree with that statement. They tell me about the new single, Thief, and what inspired its creation; how the nostalgic look of its video came together; who the new artists are we should be keeping an eye out for – whether the band have any tour dates coming up.

I discover how MOLLYANNA has changed since its inception and when we can expect more material. The guys share their favourite albums and memories from music; what advice they would give to new artists emerging – and, given their busy schedule, they have any time to relax and wind down.

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Hi, guys. How are you? How has your week been?

Hey, Sam. We're pretty good. It's been a busy week, getting ready for our single launch on 31st March. It's been all-go with rehearsals!

For those new to your music; can you introduce yourselves, please?

We're MOLLYANNA; a four-piece Alternative-Rock band from Sheffield. We write gritty, melodic tunes about what goes on in our heads...

We are Bernadette (Vocals), Mike (Guitar); Josh (Bass) and Laura (Drums).

Thief is your new song. What is the story behind it?

Bernadette: This song took ages to write. Mike presented me with this amazing riff and, for months, I couldn't come up with anything to do it justice. Then, I stayed at my parents’ house in some sh*t village for two weeks cat-sitting for them. It was really lonely and I was surrounded by all these photos of me and my siblings growing up.

I wrote Thief feeling nostalgic about summertime and all the mistakes I've made; what I'd do differently if I could…

The music video was shot entirely on VHS. Was that an instant decision? What was the reason behind that?

That was a decision made by Adam Fitch (Director), really. We'd been chatting for a while, trying to decide how best to get that nostalgia across on screen, and he had the idea to do it on a camcorder from 1987. It was so much fun to film! I like the fact everyone has their own room and I travel between them - it's like I'm visiting different memories.

Is there going to be more material coming? Might we see an E.P. later this year?

We're working on some new material, and it'll hopefully result in an E.P. coming out next year. I'm really excited to get stuck into writing again.

How did MOLLYANNA get together? When did you meet one another?

Mike is one of my oldest friends and we've been making music together, one way or another, for almost eight years now. He's a technical genius and can really focus on tiny details to make sure something is perfect. I'm more ‘big picture’ and deal with melodies and structures. We work really well together.

We formed MOLLYANNA in 2016 as a duo and then recruited three other people to play live with us. Those three left last summer but we gained Josh and Laura - who are both incredibly talented and the most fun to perform and work with!

You are based out of Sheffield. Is the scene quite healthy at the moment? Do you think the area gets the credit it deserves?

Josh: I would say the scene in Sheffield is thriving at the moment. A lot of it in the past up until, maybe, mid-last year was very Indie-based - and still is to some extent. But, there are plenty of great bands coming through all genres now and it really feels like everyone involved in music around Sheffield is out to help and support one another.

It's amazing to be a part of…so, yeah; I think it does get the credit it deserves!

Who are the artists you all grew up listening to?

Bernadette: I grew up listening to Nirvana, Green Day; The Offspring, NOFX; System of a Down, Machine Head but, also, Alanis Morissette, Cyndi Lauper and Savage Garden, because, why not.

Josh: I grew up with a lot of my stepdad's music taste; so there was a lot of The Beatles, The Who; David Bowie, Talking Heads and New Order to name a few. From there, I found my own tastes and people like Jeff Buckley, John Mayer and Red Hot Chili Peppers inspired me a lot.

Mike: Sum 41, Blink-182 and System of a Down. Then, through the Red Hot Chili Peppers, I got into Soul, Jazz, and Hip-Hop - and then it just spiralled a bit.

Laura: I grew up listening to a lot of Green Day, Nirvana; Radiohead: pretty much all of the 1990s Rock bands!

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If you each had to select the one album that means the most to you; which would they be and why?

Josh: For me, it would have to be Grace by Jeff Buckley. It continues to inspire me to make music every time I listen to it, and I will always come back to it. For me, it's (just) perfection.

Bernadette: This is so hard! It'd have to be between By the Way (Red Hot Chili Peppers) and Dookie (Green Day). Teenage loner vibes.

Laura: Tough question...I guess Jagged Little Pill by Alanis Morissette. It was the first album growing up I felt I could really relate to.

Mike: Anything by The Smiths. Because it reminds me of the positive power of pure hatred.

What do you hope to achieve in 2018?

We want to write an E.P. and take this show on the road (tour).

Have you each got a favourite memory from your time in music – the one that sticks in the mind?

Laura: Too many! My best memory has to be when I and eight-hundred other drummers got together in 2012 to break the world record for the number of drummers in the same room playing in time with each other! That was mad! We also raised over £150k for the MS Society UK.

Bernadette: I put a lot of myself into our songs, so performing them live and seeing people respond to them always feels amazing. I played a sold-out gig last year where we'd squeezed one-hundred-and-thirty people into a one-hundred-capacity venue - it was so warm but the atmosphere was insane.

Mike: Probably just small breakthrough moments with songwriting - which are few and far between. Sometimes, you have to really grind to make something happen…but there have been a few moments where I’ve sat down to write something and had a full song thirty mins later. This happened once while writing Thief - and that’s probably top for now.

Josh: It’s so hard to choose one moment. I’ve played a lot of really cool gigs with a couple of bands; so I’m like Bernadette in that I love performing. But, what’s great about having joined MOLLYANNA is that it's pushed me to be a better musician - and that is something that's going to stay with me!

What advice would you give to new artists coming through?

Bernadette: work hard to perfect your music; work to your strengths and invest wisely if you need to use outside agencies for anything. Do your research!

Josh: Make sure you don't lose sight of why you got into playing music in the first place. It can be easy to get bogged down with lots of planning and admin but, if you still love the music you play and get excited about what you play, then you’ll love it.

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IN THIS PHOTO: ENGINE

Are there any new artists you recommend we check out?

Josh: Ten Eighty Trees (Newcastle/Sheffield) are amazing, as well as The Sky Moguls (Sheffield) and ENGINE (Leeds). I'd also say Kid Conventional (Sheffield) and Weekend Recovery (Leeds), who are both supporting us at our launch this month.

Bernadette: We played with some incredible guys from Nottingham called A Hundred Crowns - absolutely worth checking out. I'd also recommend Steal the City, from Sheffield, who are ace and so lovely.

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 IN THIS PHOTO: A Hundred Crowns

Where can we see you play? What gigs do you have lined up?

We have our single launch-party on 31st March in Sheffield, which we're super-excited about. We also have some local festivals (Tramlines and Heaven & Hell Fest). We're currently booking some dates further afield for summer…so stay in touch to find out more!

Do you get much time to chill away from music? How do you unwind?

Bernadette: I like to drink gin and go bouldering…separately.

Josh: I also like drinking gin. I'm training to be a journalist and I find that helps - to be able to get to the pub!

Mike: Putting on a stupid podcast and trying to learn to draw. That does it for me right now.

Laura: I'm not sure I ever unwind completely from music: I’m constantly tapping away.

Finally, and for being good sports; you can each choose a song and I’ll play it here (not any of your music - I will do that).

Josh: Ol’ '55 by Tom Waits - it’s beautiful

Bernadette: I'll Make a Man Out of You by Donny Osmond (Mulan Original Soundtrack). For like, no reason…

Laura: Cherub Rock - Smashing Pumpkins

Mike: Walk Like an Egyptian by The Bangles

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INTERVIEW: Gris-de-Lin

INTERVIEW:

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Gris-de-Lin

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ONE of my big ambitions for this year…

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is to highlight artists who have rare quality and spirit. Gris-de-Lin is a musician I had to know more about. She talks to me about making music and living down in Bridport, Dorset. I discover what the story is behind the new track, Muhammad Ali – it is from the exceptional album, Sprung. Gris-de-Lin discusses the album of the same name and whether tour dates will follow.

I ask which musicians inspire her and which new artists we should all check out; if the songwriter gets time to detach from a busy music career; what it was like recording music at a nursery school – Gris-de-Lin reveals her plans for the remainder of 2018.

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Hi, Gris-de-Lin. How are you? How has your week been?

Hey. Yeah. All good, thanks. I’ve been away a lot on tour recently, but I’m finally home and that feels pretty blissful!

For those new to your music; can you introduce yourself, please?

I’m a singer/songwriter who plays a variety of instruments; creating music by the sea in Dorset. My influences are broad, so my music has elements of Post-Rock, Alt-Folk; dark Blues and glitchy Electronica, too.

Muhammad Ali is your newest track. Can you tell me about the story behind it?

Well. The song is based on a true event – a man who must’ve escaped from some kind of institution or hospital; snuck into my old flat and slept there overnight. In the morning, he’d scarpered through an open window and all that was left was a pile of clothes and his nametag ‘Muhammad Ali’.

This got me thinking about imprisonment and the mind – so, really, I’d say the song is about the human spirit and how our freedom of thought is the one thing that can’t be caged.

It follows hot on the heels of Sprung. The video for the song looks like it was a bit of an adventure! What was it like filming it?

Yeah. It was pretty epic trudging through the woods in high heels carrying a drum kit! I wanted it to have a fairytale element - which was why we introduced all the cuddly toy voyeurs watching from behind the trees. All my videos are very D.I.Y. and made with friends; so it’s fun to see what can be done with no budget and a little bit of imagination.

I believe the album, Sprung, will follow. What was it like recording the record? Is there a track from the album, you feel, stands out from the pack?

It was a special time recording the album; I got really immersed in it. I’d wake up in the middle of the night with lyrics in my head that I had to write down (and stuff like that)! It was kind of overwhelming at times, but exciting too.

I’d say The Kick is a song that stands out – it began as an improvisation but then took on a life of its own. The lyrics were taken from a report about a rugby match in the local paper, but they ended up becoming quite poignant for me (it’s all about getting your mojo back).  

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Is it true the material was recorded in a nursery school?! What was the reason for that? Was it conducive to inspiration, would you say?

Yes, that’s right. I think, sometimes, music studios can feel a bit claustrophobic…plus, as soon as you are in a studio, you can feel under pressure. The nursery school is a really nice big space, so it meant we could set up instruments, amps and equipment everywhere and never feel hemmed in. For me, the recording experience has to be enjoyable as I think feeling relaxed makes it much easier to get good takes and to capture special spontaneous moments.

What was it like working with Chris Hamilton (Torres/Kite Base) and Rob Ellis (PJ Harvey/Anna Calvi) on the record?

It was great working with Chris - as we were really on the same wavelength from the start. There were lots of crossovers in terms of our musical taste, but he also took me beyond my comfort zone and introduced brilliant elements of dark Electronica to the mix. Rob Ellis came in for a day to put drums on a couple of the songs. That was great, as I’d been a fan of his drumming for a long time. When he plays, he is a powerhouse!

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Tell me about the artists you count as idols. Which musicians were you raised on?

Well. My parents were very into Folk music, so there was a lot of that playing in the background during my childhood. One of my favourites was an early Kate Bush record - it had scary sounds at the beginning, so I’d put it on and hide behind the sofa to listen. Joni Mitchell’s Blue was another in their collection which remains a stunning piece of work. I’m sure it inspired me when I was young. My mum was also into music from lots of different countries - and I think that’s, maybe, where my love of interesting rhythms stems from.

I wouldn’t really say I have idols – but I’m really inspired by songwriters whose lyrics manage to both tell a story but be personal too. Tom Waits and Nick Cave spring to mind here. Oh, and David Bowie, of course. When you look at the body of work he created and everything that came with it, visually, it’s kind of mind-blowing. When songs can capture the spirit of a time and place, that’s really special.

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Bridport, Dorset is home. What is the area like in terms of music? Do you take a lot of influence from the setting and people?

I’m lucky because Bridport is a small town with lots going on and lots of creative people. It’s a quirky place – an alternative haven with friendly vibes. Its nature and seaside are really stunning - and that is a constant inspiration.

Who are the artists who opened your eyes growing up?

So many. Bands like Sonic Youth, Fugazi and Mogwai really inspired me by managing to be really atmospheric and heavy at the same time. Then, there are the Alternative songwriters who continue to inspire me with songs that seem to effortlessly weave narrative storytelling with personal reflection. I’m also hugely into interesting rhythm. In this respect, Talking Heads and Can are a big inspiration; along with Afrobeat artists like Fela Kuti and my Hip-Hop heroine, Missy Elliott.

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What do you hope to achieve in 2018?

Well. It’s gonna be great to play live shows following the release of the album. I’m now working on songs for the next album – busy recording demos at the moment. I’m also collaborating on a new album with Joe Gideon and Jim Sclavunos (Nick Cave & the Bad Seeds) which we’re hoping to finish this year - and there is a new album with Gemma Ray in the pipeline, too!

Have you got a favourite memory from your time in music – the one that sticks in the mind?

The great thing about living a life centred around music is that it takes you on some real unexpected adventures. Hard to find a favourite! The tour I did with the band, Tunng, was a very special time for me, though. I’d just gone through some big life changes and was emerging out of the darkness – and being on the road with them was a breath of fresh air.

It made me realise that music is not all about the graft but about letting loose and living in the moment, too.

What advice would you give to new artists coming through?

I do think it’s getting harder to make a living from music and it saddens me that music lessons are being cut in schools. Terrible if music becomes the preserve of the wealthy who can afford it. Saying that; there will always be new artists who make their own path. There is a great quote from Patti Smith about creating a body of work that will speak for itself.

So; I’d say create and experiment constantly – and keep putting stuff out there!

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IN THIS PHOTO: Chesca Dolecka

Are there any new artists you recommend we check out?

There is an artist called Chesca Dolecka I’m a big fan of. She has something really special: almost like a female Jeff Buckley in places, with really creatively-written music and arrangements.

Also (worth checking out) a band from Bridport called HUSH! I sang some vocals on their last single – kind of Dream-Pop but with a quirky darkness to it.

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Do you get much time to chill away from music? How do you unwind?

Music is pretty obsessive, so I’m not always good at switching off! That’s why it’s good to live by the coast, though. I’ve got a dog and you can’t beat a long walk along the cliffs or through the woods to clear your head.

Finally, and for being a good sport; you can choose a song and I’ll play it here (not any of your music - I will do that).

I’d love for you to play L’Amour Stories by Deerhoof - it always makes me smile!

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INTERVIEW: Yes Selma

INTERVIEW:

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Yes Selma

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I don’t think I have interviewed…

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an artist from Baltimore – none that I can think of right now! Yes Selma talks to me about his latest album, Songs of Happiness, and what sort of themes inspired the songs; why the tracks are punchy and precise; the impact of Drag City musicians; how music affects and guides him – whether we will see him in the U.K. this year.

I ask the U.S. artist why he takes a D.I.Y. approach and what the scene is like in Baltimore; which new artists we should check out; if he has any advice for new artists coming through; whether he is influenced by the music from the 1980s and 1990s – the talented young artist finishes the piece by choosing a rather good song.  

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Hi, Yes Selma. How are you? How has your week been?

I'm Ok. My week's been Ok.

For those new to your music; can you introduce yourself, please?

I write songs and make sound experiments in my bedroom. Sometimes, I record them and put them out under the name ‘Yes Selma’ which, at this point, is just a brand name. I do other things, too - but they're menial and not worth talking about.

Tell me about Songs of Happiness – released late last year. What sort of themes and stories inspired the songs on the album?

I tried to make a different kind of album. I wanted it to be chaotic and off-putting and ugly because that's how I see the world. I wanted to capture desperation, mental instability and depression. But, I also wanted to make a comedy record. It's a messy album. There's a lot of mistakes I didn't bother fixing. I wanted to make an album that no one would like.

The songs are quite short and direct. Was it important creating punchy and precise music?

I often write songs really, really fast, then I record them immediately. Because, if I take time to think about a song, I just dwell about trying to make it perfect or I'll get hung up about a particular line - and I'll always end up becoming uninterested and moving onto something else. The entire goal for me when recording is to not think. I think all the time - and it's never gotten me anywhere. But, the process of creating something allows me to free my mind.

So no; it's not important. It's just how it happens.

How important, in terms of influence, are the Drag City musicians? Do you take a lot from lo-fi artists of the 1980s and 1990s?

Yeah. Drag City is huge for me. It was such a revelation to find a label that actually focused on releasing more introspective, rawer songwriters - as well as experimental noise and so forth. D.C. really has no limits, which is really lovely for folks like me who have pretty well-rounded tastes and open minds. I am influenced by a lot of lo-fi artists around that time. I get kinda bored by high-end production. It's more interesting to hear chair creaks, breathing noises; microphone pops etc.

Is there going to be more music this year? What are you working on right now?

I just finished recording an album called Denial of Death, but I'm not sure if it'll ever be released. It's all finished though. It's mixed and everything. Maybe some label will put it out, but who knows? The title is based off a book of the same name. It's about being alive, trying to deal with being a human, I guess - in a world that's pretty much against you…

Learning to appreciate the given moment.

Which musicians did you connect with growing up? Can you remember when music came into your life?

My first true connection with music was with Hip-Hop.

My cousin got me into MF Doom, J Dilla; Tribe, Big L. - stuff like that. That was when my interests began to develop. Then, I discovered music that spoke to my identity. All those Elephant 6 bands; The Microphones and stuff like that. But, the album that changed everything was Figure 8 by Elliott Smith. I listened to it over and over. It was like I had figured out what to do with my life. Listening to that record, in particular, took me from being a music listener to a musician. I began writing songs…

Baltimore is your base. Is there quite a varied music scene there? What is the local market like?

I started going to Baltimore shows when Wham City artists (Dan Deacon, Future Islands; Ed Schrader, etc.) were becoming more well-known and less of an underground secret. It was this weird purgatory period of D.I.Y. insanity. I saw some of the craziest shows I'll ever see. The Bank was a venue in West Baltimore that was just insane. Only those who have been there can truly understand.

There's still a scene, but it's different. There are still amazing artists living here and inventive stuff happening all over the place. It's cool for me because I'm good friends with many artists I admire.

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You are a D.I.Y. artist who tackled everything. Do you think it is important having that autonomy and self-sufficiency?

It's important for me. I prefer doing everything myself because I trust myself in the artistic sense. I know how I want my music to sound. I know what I want the album artwork to look like. But, of course, no one can do everything themselves. I've had a lot of help along the way that I'm very thankful for; the most helpful being Moe Hammond, who started his own label to release my records - which I can certainly say no one else in the world would have done.

There is a growing wave of do-it-yourself musicians. Do you think more popular artists need to take a D.I.Y. approach?

I don't think there's a right or wrong way to approach it. Whatever you feel comfortable doing is probably best. If you feel you can do everything yourself and it makes you happy, then I don't see any reason why you shouldn't. If you need help from a label or a promoter, that's cool too. I guess, ultimately, it's good that the bigwig music business is dying and artists have more control over their work. I certainly respect the artists that have a D.I.Y. approach because I know they're doing it for the right reasons.

There are still a lot of good labels that exist who value and respect the artist's integrity. Friends Records and EHSE are two labels in Baltimore who have helped many artists. Feeding Tube in Western Massachusetts is another example.

Do you have any gigs booked at the moment? Where can we see you play?

I don't have any Yes Selma shows booked at the moment. Baltimore is the best place to see me for now. I just put together a band with my friend Corey (Gordy Manny) who plays drums and has helped give life to songs that I don't feel confident singing on my own. It's way more fun to play with Corey, because he's a great drummer and a great artist. We plan to do an East Coast tour this summer.

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Have you ever played in Britain? Are you a fan of the music that has come from this country?

I have not and I don't have any official plans to come; but, if I'm ever invited to play, I'd bootleg a plane ticket A.S.A.P. The best artist I discovered recently is Richard Dawson. His music has such an eerie strangeness to it. It sounds sinister at times. Ghoulish.

What do you hope to achieve in 2018?

I don't like to make goals because, once I make one, I suddenly become uninterested in achieving it. I prefer to live spontaneously, without any expectations for myself. Though, I do make short-term goals. Like, whenever I merge onto a busy highway, my goal is to not die. Every month I have a goal to make rent on time...

Have you got a favourite memory from your time in music – the one that sticks in the mind?

Listening to my music on vinyl was a pretty cool feeling. Also, playing shows with artists I admire. My first show was with Bryan Lewis Saunders, who's just the greatest. I was really nervous to play because I often have horrible stage fright and I don't really think I played that well - but he was really kind and encouraging to me. We've kept in touch. His artwork is truly one of a kind.

What advice would you give to new artists coming through?

Just make whatever you want whenever you want to for the sake of expressing yourself - and never care what other people think of it. Make stuff that you like and feel positive about existing in the world.

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IN THIS PHOTO: PonY PaYroLL bOnEs

Are there any new artists you recommend we check out?

He's not exactly new, but PonY PaYroLL bOnEs is America's hidden gem. Also, Liz Durette's new album, Four Improvisations, is really beautiful to listen to.

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Do you get much time to chill away from music? How do you unwind?

The fact is that I don't chill away from music because that is how I unwind. Life is short and fragile and pointless and can be taken away so easily. Sometimes, it's hard to find things to be happy about. Music is a good way to express yourself, particularly when you're feeling low.

I read, in Art Pepper's autobiography, that he was once put in solitary confinement - so he found a way to create pitches with a plastic cup by blowing in it at certain angles. So, he started blowing away and other inmates in neighboring cells would clap their hands or provide vocal rhythms.

I believe, if you love music, you'll be able to find it in one way or another.

Finally, and for being a good sport; you can choose a song and I’ll play it here (not any of your music - I will do that).

Let's do an olde classic: Cruel and Thin by Sun City Girls. The masters.  

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INTERVIEW: IDA KUDO

INTERVIEW:

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IDA KUDO

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IT is safe to say…

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there is nobody in the music business like IDA KUDO! Not only is her blend of Japanese and Danish D.N.A. a reason why many people are comparing her to musical legends – she is an open soul possessed with a curious and free-flying imagination. There is vulnerability and questions within IDA KUDO’s heart, too. I discover what makes the songwriter tick and how the song, Wolf, came together.

The Copenhagen-based artist reflects on her upbringing and casts forward to an upcoming music video (for Wolf) and performances; what sort of music and culture inspired her to get into the business; how Copenhagen’s diverse and multi-sided personality impacts her music and aura – the talented songwriter recommends some new musicians and chooses the three albums that mean the most to her.

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Hi, IDA. How are you? How has your week been?

Hi (smiles). I am tired but excited at the same time. My last week has been absolutely thrilling, exciting; beautiful, nerve-wrecking and intense. I have just spent three days on set for the music video for Wolf: two days in the forest by night and one day in a swimming pool doing underwater shoots in full costume!

For those new to your music; can you introduce yourself, please?

I’m a woman with a lot of energy and a need for expression: music is my platform. I write, produce and perform all my songs – it is very important to me that I feel my ‘voice’ throughout my work. My style is Indie-Pop, or Indie-Electronic, you could say. I’m very fond of a solid, powerful beat and I love to pair ‘the raw’ with the ‘well-produced'. I think my music is accessible to a broad audience – although, it has edge and I care a lot about my audience. I’d love my music to be accessible to the ‘average’ listener, but at the same time, it all comes down to my personal expression and ‘edge’ - and how they receive that!

My songs often linger in an almost ‘mythical’ universe and I use mythological themes and figures as symbols in my songs. My influences come from a combination of my Danish-Japanese background and being surrounded by a vast array of music. I’d say my music has been especially inspired by Classical composers such as Brahms, Bartok and also, visually, the Miyazaki cartoons that I watched growing up on my visits to Japan. I’m in love with spirit in music and I want to continue conveying that in my music; although, I also aim to write within certain Pop-frames.

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You have been compared to huge artists like M.I.A. and Lorde. It seems originality is your most important goal. How do you feel your music differs to what is out there?

I’m very flattered by the comparisons. Originality is definitely a key to my output and interest in music. If it isn’t original, I don’t really find it relevant! It’s very individual from musician to musician, what their motivation is - and mine is to express the uniqueness within.

That, to me, is beauty.

Is your Japanese and Danish heritage important when it comes to your unique edge? What do you ‘take’ from each country in terms of sound, image and D.N.A.?

It definitely is! From my Danish background, I’ve learned to be free; that I have my freedom and I’m allowed to sing and write in my own voice. I have a right to be individual. That drive has been nourished by my Danish heritage. From my Japanese heritage comes the edge; beauty that is different. Japanese aesthetics are really interesting, often contrasting the extremely controlled and perfected with the surreal, raw and, sometimes, absurd.

I love that contrast and I believe a lot of my lust for contrast comes from the Japanese background. Sound-wise, like I said, I grew up with Classical music which I, somehow, connect to my Danish background. The older I get, I’m getting more and more interested in the Asian style - but I’m not trying to use Asian or Japanese-sounding elements in my music intentionally. When they do occur though, I’m just happy to see that they’re moving within my subconscious.

I feel more connected to something indigenous than specifically Japanese. Sound-wise; I’m a great fan of ethnic elements and sounds, reminding me of nature and raw rhythm.

Wolf might be those best distillation of the two worlds. What is the inspiration behind the song?

The inspiration is, really, the fear that I’d like to get around. I’m afraid of many things.

As I wrote earlier on, Japanese culture is quite controlled and disciplined and, so, sometimes I find the wild and savage part of my personality confronting to the controlled side - and they are staring at each other eye to eye, trembling. So; Wolf is my savage side facing up and my expression of this: I’m scared and unsure what will happen when my inner-animal breaks the surface. It’s also a symbol of me being puzzled about men. I’m puzzled why they sometimes scare me and yet that kind of provokes me - so I felt the need to write a song about it.

The lyrics and the melody for the chorus came instinctively whilst riding my bike. I thought, ‘Oh! That’s fresh’ and then I recorded it on my phone; went to the studio and I could tell the song wanted to be written.

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Is there more material approaching? Might we see more before the end of the year?

Yes! I have another great single coming out around the beginning of June and then, around September, I will release the new E.P.

What is the music scene like in Copenhagen? Is it a city that provides opportunity and influence?

In many ways, Copenhagen is really awesome and its music scene is really blossoming. There’s so much new music and new bands with many initiatives helping upcoming artists, which is great! Also, many festivals both in summer and some in winter!  

That being said, I feel Denmark is quite small in size but also, in its way of comprehending arts and culture, it’s a place that can be quite conservative and narrow-minded. I don’t blame my country: I think it’s an amazing country and unique in many ways! I was extremely thrilled when CLASH magazine premiered Wolf because I feel, as an artist, I’m better understood abroad then I am here in the Danish music scene.

Copenhagen is the best place for me to be in Denmark. The city, in general, has an open-mindedness to culture and arts - but, I still think it’s important my music finds its way abroad.

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How does it feel having your music used by designers such as Nadia and Zehra? Is it humbling hearing it played at fashion shows?!

It was exciting to pair my music with Nadia and Zehra’s collection and a whole lot of fun! I didn’t really feel humbled: more excited. Humbling was when the director of the upcoming music video for Wolf (Agapi Triantafillidis) brought a crew of sixteen professionals to shoot (the music video) in the forest by night; in the pool by day…everybody working for free and creating true art!

That is very humbling (smiles).

You have performed at some great festivals and captivated crowds. Do you think the experience you get playing live impacts and improve your songwriting?

Definitely. Sometimes, I even try out new songs live to see if they work. Wolf, for instance, was, at first, one key lower and the tempo, some B.P.M.s slower. I tried it out at a concert and found out the key was too deep for live-singing and too slow for the concert set. So, I arranged it one note up and increased the B.P.M. as well – which, altogether, worked better. So, yes; the live experience definitely plays an important role in the writing and producing process!

What dates do you have coming up? Are there particular gigs you are really looking forward to?

SPOT festival in May and, hopefully, one in the Netherlands and one in Scotland - more to come on this! I’m excited to play abroad…

Not to forget: watch out for the Wolf music video coming out mid-April. That will be something new and fresh!

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If you had to select three albums that stand out to you; which would they be and why?

Debut by Björk – because I think it’s the best album I ever heard.

Dangerous by M.J. (Michael Jackson) - because it’s the best Pop I ever heard.

Songs of Freedom by Bob Marley - because it’s the album that changed my life.

Have you got a favourite memory from your time in music – the one that sticks in the mind?

My concert at the upcoming festival, Uhørt, was one of the best concerts ever. I felt so in-tune, vivid and happy...

My first Joan As Police Woman concert. It was an acoustic concert - and I didn’t know who she was. I didn’t expect anything. I cried from beginning to end with snot all over my face. She hit me right in the heart...

The first time I heard Jóhann Jóhannsson’s (R.I.P.) album, Englabörn, in Iceland. Nothing can compete with that heartbreaking Icelandic force of nature. Pure yearning.

What advice would you give to new artists coming through?

Stay true to yourself. Find out if you really want it…If you really, really want it; find your own path with endurance. Learn from all experiences, enjoy everything you can and remember: you are capable of achieving three times more than you expect of yourself and ten times more than what your mother expects of you. Don’t sign anything until you’ve been around it from all angles - and with professional guidance and help!

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IN THIS PHOTO: Rest in Beats

Are there any new artists you recommend we check out?

My friends, Rest in Beats, is my favourite Danish band. Just because they are extremely good. Not just good: they are really, really good and original!

Do you get much time to chill away from music? How do you unwind?

I unwind by being social and making sure the people I love, know I love them - best friends, parents and my boyfriend. I do yoga, sometimes, and take small trips to the countryside. Nature is a healer, for sure.

Finally, and for being a good sport; you can choose a song and I’ll play it here (not any of your music - I will do that).

Right; wonderful task. I’ll go with Kimbra - Top of the World

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INTERVIEW: Ace of Wands

INTERVIEW:

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Ace of Wands

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HAILING from Toronto…

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it provides me with another opportunity to visit the Canadian city and see what is happening there. Ace of Wands talk to me about their new song, Grown from Good, and what the story behind it is. I ask how they came together and what they have planned in terms of gigs and future material – they provide the names of new artists to watch.

I ask them whether they get time to chill way from music; their highlight memories from their life/music to date; whether we will see them play in the U.K. – and, as many of us might wonder, where the name, ‘Ace of Wands’, came from.

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Hi, guys. How are you? How has your week been?

Great! We are gearing up for our E.P. release-party next week in Toronto on April 6; so, for me, that means cramming in as many art projects as possible. I keep busy when I’m stressed or nervous - and this release has been a long time coming! I find working on papier-mâché sculpture, drawing and listening to music to be the most relaxing way I can fill time in advance of a big event!

For those new to your music; can you introduce yourselves, please?

We are a three-piece band from Toronto, Canada. We play reverb-drenched Rock music with lots of harmonizing vocals; giant, loud drums and, occasionally, violin. I write songs with very personal lyrics, reflecting events in my life entrenched in metaphor. I spend a lot of time thinking about the poetry of the songs and how best to express myself in only a few words. I think we sound a bit like a mix of PJ Harvey and Marika Hackman with some Aimee Mann, Beach House and Sleater-Kinney mixed in.

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Can you tell me about your new track, Grown from Good. Is there a story behind it?

I wrote Grown from Good when I was going through a significant period of depression last spring. I had just returned from a long tour across Canada and was reflecting on my life and relationships. Many things came up for me that felt like triggers for transformation and personal change. A lot of it was scary and difficult, but necessary.

The song is an expression of the feelings of confusion and self-doubt I was having at the time. 

I like the feel of the video. Do you think the images and scenes reflect the messages of the song?

Absolutely. I tried to build a costume that would be a metaphor for the transformation I was engaging in. As the water costume grows and lengthens throughout the video, eventually turning into a shroud, I wanted to show the costume as a representation of all my emotions; an all-encompassing monster, following me around, eventually swallowing me up. At the end of the video, when I take the costume off and burn it, it felt like a very cathartic exercise in letting some of it all go. 

Lee. It seems like you had to endure some arduous water temperatures for the video! Was that quite tough?!

Ha! Yes! The first filming session we did was in June last year. In Canada, the water temperatures of the lakes are still quite cold in early-spring. It felt a bit like knives stabbing me all over my body. But, for art, I will sacrifice warmth!

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Is there going to be more music/videos from Ace of Wands?

Yes! We just finished filming a second music video last month. Grow from Good is the first in a trilogy of videos; continuing the themes of transformation. The three videos will each have shared visual elements (like the fabric, fire and drone footage), as they continue the story of spiritual and physical transformation.

The other two videos will also introduce the other members of the band, one at a time. I’m an avid horror movie fan, and so, I love the idea of exploring monsters (inside and outside of ourselves) through the music videos.

As the trilogy of videos progresses, the horror elements will become quite apparent...

I believe you took your name from a tarot card. Does the band represent that denouncement of stress and the embrace of harmony and improvement?

Yes. Last year, when I was feeling so messed up in life, I started to use my tarot deck to try to clarify my feelings - and the first card I pulled was the Ace of Wands. The card represents a gift of passionate energy and focused attention, will and determination. When the three of us came together in this project, it felt like a beautiful collaboration and representation of all the forces held within the Ace of Wands card.

I chose the name, partly to solidify the ideas and image of the band, but also as a bit of a manifesto for myself: fully embracing what can be the fleeting nature of creative drive and seizing it at every opportunity. 

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How did you all find one another? Did you move in similar circles prior to setting up Ace of Wands?

Anna and I met a few years ago around the Toronto music scene. Anna’s other band, Beams, and I had played together several times. Jody and I went on tour together across Canada last winter, opening for Blue Rodeo, and connected that way. It really feels like the three of us found each other at the perfect time to create this new project.

Which musicians and albums did you all grow up around?

Lee: Tom Petty - Into the Great Wide Open; Nirvana – Nevermind; PJ Harvey - Stories from the City, Stories from the Sea; Spice Girls - Spice Girls.

Jody: Herb Alpert & the Tijuana Brass - Whipped Cream & Other Delight; Star Wars - Original Motion Picture Soundtrack; Village People – Cruisin’; Queen - The Game.

Anna: Shania Twain - The Woman in Me; Destiny’s Child – Survivor; Led Zepplin II; Pink Floyd - Dark Side of the Moon.

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Can we see you tour soon? What gigs do you have coming up?

We are playing around Toronto and Southern Ontario this spring - with our follow-up E.P. being released in the summer. If you are in Toronto, you can catch us on April 6 at the Monarch Tavern; May 23 at Burdock and April 18 in Hamilton, ON.

Will you come to the U.K. and play this year?

We would LOVE to come to the U.K. There are so many bands making music there that are so inspiring to me there right now. It would be a dream to become a part of that scene! Add us to a bill and we will be there! 

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What do you each hope to achieve in 2018?

Following the release of this first E.P.; we plan to release two more three-song E.P.s over the summer and fall. We also hope to play as many shows as possible to get ourselves…and make more art and music videos!

Have you all got a favourite memory from your time in music – the one that sticks in the mind?

Lee: I remember going to the first concert of my life. It was seeing Kate and Anna McGarrigle at the Danforth Music Hall when I was, like, three-years-old. I think I fell asleep - but I have memories of it being very exciting

Anna: I remember being six-years-old; so proud of having my own recorder, sitting on the bottom bunk in my bedroom at the cottage and figuring out how to play the intro to My Heart Will Go On from Titanic. I think that was the moment that I realized that I could play whatever I could hear in my head.

Jody: Singing Lost Together with Blue Rodeo on stage at Massey Hall last year.

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What advice would you give to new artists coming through?

Lee: Hmm…I don’t think I could give any advice because we are pretty much (just) making this up as we go along. But, the idea of self-care and self-love has become very important to me recently – which, I think are things anyone trying to make art could work on.

Anna: I think it’s very important to tour, to put yourself out there and figure out how to play in other countries, too. 

Jody: If you are going to start a band, pick a name and stay with it for as long as possible: if you aren’t going to start a band, play with as many people as possible.

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IN THIS PHOTO: The Big Moon

Are there any new artists you recommend we check out?

Lee: Angie McMahon from Australia; The Big Moon from the U.K.; Beams from Toronto; Goosebump from Toronto

Anna: Lung from Cincinnati; Ed Schrader’s Music Beat from Baltimore; Soften from Cincinnati; Vita and the Woolf from Philadelphia.

Jody: Greta Van Fleet - impressively Zepplinesque - from Michigan.

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Do you get much time to chill away from music? How do you unwind?

Lee: How can you chill away from music? Music is the chilling!

Anna: There is no escaping…

Finally, and for being good sports; you can each choose a song and I’ll play it here (not any of your music - I will do that).

Lee: Quarrel - Moses Sumney

Jody: Airbag – Radiohead

Anna: Restless, Unfocussed - Zoe Sky Jordan

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Follow Ace of Wands

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INTERVIEW: MeMe Detroit

INTERVIEW:

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 PHOTO CREDIT: Jennifer Stone 

MeMe Detroit

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SOME of the biggest names in music…

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 PHOTO CREDIT: Jennifer Stone

have adopted personas and applied war paint in order to deliver their music with extra intrigue and mystery. I have been speaking to MeMe Detroit about her looks/makeup and whether it provides freedom and release. She talks about her band and the new song, Soc Med Junkies; whether we will see some more material coming along – the artists who made an impression on her growing up.

I discover the way MeMe Detroit’s music has changed through the years; whether social media obsession is damaging our health; if she, and the band, have a standout moment from music; what gigs are coming up – MeMe Detroit provides a few new names we need to get our music minds around.

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Hi, MeMe Detroit. How are you? How has your week been?

My week's been an eventful one, with our new single due out this week. It's deadline city with rehearsals and behind-the-scenes prep!

For those new to your music; can you introduce yourself, please?

I'm MeMe Detroit; an Indie-Grunge-influenced artist from Birmingham. Myself, drummer Barney Such and Bassist Ross Adams make up our three-piece band. If you like your sleazy Grunge guitar-style bangers laden with riffs and a whole lot of melody, then that's us…

Soc Med Junkies has a pretty obvious derivation. Was the song compelled by other people and their need to spend their lives online – or was there a personal wake-up, too?

All of the above.

The whole social media phenomenon has taken society to a whole new level of ironic loneliness. It’s weird. On the one hand, it’s great that you can be in touch with people across the globe and ‘meet’ people (virtually) who you’d never get the chance to meet normally: on the other, it’s created this fake social acceptance where we’d rather talk across a keyboard or message platform than face to face.

It’s a real wake-up call if you’re ever on a train during rush-hour and you look up from your own phone…you’ll just see a sea of other phones and tablets with zombified lit-up faces staring into them. It’s really bloody weird when you take a step back and actually look at it.

It’s almost unreal. 

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Do you think, for a musician, it is hard detaching from social media? Do you think the negativity on our screens is damaging our health?

Totally! I’m a very positive person and believe strongly in positive energy. Social newsfeeds, however, seem to have a knack of fucki*g with your emotions. I don’t think there’s a single day that I’ve been on social media where I haven’t felt either anger, sadness or disdain from at least one post. There’s plenty of fun/happy stuff on there as well - but it does seem to get outweighed by the neghead (negative-head) posts quite often. If I wasn’t working in the entertainment industry, I don’t think I’d be on there to be honest.

As a musician, social media is a vital key nowadays for promotion - but it can become a pain in the arse. When you’ve got a shed-load of admin. work to do but keep getting distracted by kitten, dog and prank videos (L.o.L.). The great thing about being a musician/business owner on social media, however, is there are tools to help you schedule posts out in advance for the entire week/months. Even so, that lets me have a break from it - which does do wonders for the mindset! 

Is there going to be a new E.P. or album later this year?

There certainly is. We have another two singles due out in July and September with a full E.P. due out in November and a new album in the works for a 2019 release.

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 PHOTO CREDIT: Jennifer Stone 

How do you think you have grown as a writer since 2016’s Live to Love You'll Love to Live? 

I feel a lot more confident in my writing now and I have a much stronger vision for the direction I want to go in as a musician and artist. A big part is down to meeting Barney Such, my drummer. We have this natural chemistry, musically, and as mates. We’re on the same page: it just works and I feel like the new material packs a much bigger punch. Meeting him has also given me the buzz back…the buzz, where all you want to do is play and write twenty-four-seven. It’s ace!

Live to Love You’ll Love to Live will always have a special place in my heart, as it was kind of proof to myself that I could do something on my own after playing in bands previously and not always being 100% happy. It was kind of my catalyst for standing up on my own two feet and following my heart. 

What was the reason for the persona or ‘MeMe Detroit’? Where does that name come from?

 I wanted a name that was away from my own to have that distinction between me as I am (I’m quite a private and reserved person, to be honest, until I get to know you properly) and me as a performer (a whole different kettle of (vegan) fish!). 'MeMe' was a nickname given to me as a kid and, when brainstorming, my other half happened to be wearing a tee with ‘Detroit’ on it. Ha.

That was it really...

How does it feel putting on the ‘warpaint’ and becoming someone else? Does it create empowerment and protection, would you say?

Becoming ‘MeMe’ is the best feeling in the world. Although, it is still me; once that paint goes on, MeMe also comes out and with her comes a much bigger, more confident; no fuc*s given persona.  

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When did music enter your life? Which artists did you grow up around? 

Music entered my life before I can remember. I was singing into a mic as soon as I could hold one. I began classical training on piano at the age of six; then violin and, eventually, guitar in my teens. I grew up on a hugely diverse spectrum of music. My dad is Colombian, so I heard a hell of a lot of Latin music growing up.

I was handed down a big box full of my family’s generational vinyl with bands such as The Beatles, Bob Marley; Elvis Presley, old skool Ska records (Toots & the Maytals and Prince Buster); Michael Jackson, Madonna; right through to 1990s bands such as Radiohead, Foo Fighters and Oasis. 

That was pretty much my childhood.

Can we see you tour soon? What gigs do you have coming up?

Yeah. We will be touring in conjunction with the new releases. We have a short run of dates this week and a fuller U.K. tour scheduled in May - and again in the autumn with the festival season in between.

What do you hope to achieve in 2018?

To keep growing our fan base and keep building on what we do and love - and enjoy every second of it!

Have you got a favourite memory from your time in music – the one that sticks in the mind? 

Playing the Main Stage at Silverstone last year was pretty rad! The sun was setting in the distance as we played, and I remember thinking ‘Fu*k me! This is amazing! This is what it’s all about!’.

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 PHOTO CREDIT: Jennifer Stone 

What advice would you give to new artists coming through?

Keep believing in what you do and never let anyone tell you otherwise. Unless it’s someone giving you constructive criticism…that’s different, of course. I mean, don’t let any negheads sway your belief or focus. As long as you hold on to your own belief in yourself as an artist, the rest will fall into place. 

I heard someone today say they “hate that phrase “When we make it…..there is no ‘it’” - and they’re right! 

Life is a journey to be enjoyed, so savour every moment. Appreciate the now and just enjoy the ride without obsessing over a non-existent ‘it’.

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IN THIS PHOTO: Rews

Are there any new artists you recommend we check out?

I’m currently loving a band called Rews; A band called Asylums have just literally dropped a brand new banger today called When We Wake Up.

Also, another Birmingham-based band, Blue Nation (are worth checking out). Their latest single, Rich Girl, is a melodic, yet riff-driven delight.

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Do you get much time to chill away from music? How do you unwind?

Playing music is my release, to be honest. It’s what I do to unwind. I also do acting as well which is an ace buzz…but I guess my favourite chill-time bar-playing music is time spent chilling with my family, my two cats or hanging with my mates.

Finally, and for being a good sport; you can choose a song and I’ll play it here (not any of your music - I will do that).

A bud of mine’s band, SULPHER, have just released a killer track that I’m loving at the moment: Take a Long Hard Look.

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Follow MeMe Detroit

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INTERVIEW: ENNOR

INTERVIEW:

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ENNOR

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I have been lucky enough…

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to speak with James Creed of ENNOR about the band’s history and their new track, Farewell to Atlantis. Creed (their bass player) discusses Cornwall – where the band have played and were crafted - if Creed/the band have standout moments from their time in music – and, whether, down the line, they have some gigs booked.

Creed tells me about the band’s mix of British and American sounds; how important getting on stage and playing is; whether there are aims and goals established for the remainder of the year; wise words every new artist should adhere to – the guys each select a song to end the interview with.

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Hi, guys. How are you? How has your week been?

Great, thanks; we’re all excited to have the new track out and are rehearsing for our launch show in a few weeks - so we’re working hard in the run-up to that.

For those new to your music; can you introduce yourselves, please?

We’re a Folk-Rock band originally from Cornwall, now based around London; comprised of Tom Elliott (Vocals/Guitar), Jack Rennie (Guitar); James Creed (Bass) and Adam Williams (Drums). I think one of our favourite descriptions about ENNOR was as being ‘salty surfboys’ (though we do suck at surfing, as much as we enjoy it) – another is ‘Californwall’ sounds.

We’ve tended to write our songs for the sun and the sea; picking up from folkier roots of the South-West and combining it with our broader influences across guitar music and the energy that comes with it.

Farewell to Atlantis is your current cut. Can you reveal the story behind the song?

It’s a song about going home after a long time and the nostalgia of that journey – but, it’s also about feelings of loss that can come with change. The places we grow up inevitably change in our absence, as we do, so it makes seeing these half-familiar sights a strange mix of welcoming and a bit foreign.

The places we grow up in form such strong memories, and for us, being in our early-twenties these still paint a vivid picture in our identities – not all has turned to nostalgia just yet but, with time, we see it increasingly become so. Atlantis, in a sense, forms a metaphor for this living; changing memory – “The kingdoms of our childhood have been sunken by the sea…”.

The melodies and lyrics are heartfelt and pure. Are there particular songwriters and artists who inspired that sound/direction?

We all came in with a love of Fleetwood Mac that I think is quite apparent in the way we write, but, when writing our last couple of singles, we were very much into the driving energy of Frank Turner and The Gaslight Anthem. Some of the latest music coming out of the South and West has been incredible, though. We’ve been really enjoying the latest stuff from A Blaze of Feather (with Ben Howard’s solo work being a big influence), William the Conqueror and Matthew & the Atlas to name a few.

 Do you all have similar tastes? When did music come into your lives?

We’ve certainly got a lot in common, but we each bring something new to the process. Tom often writes from a more traditional Folk kind of direction and then the rest of us pull it around a bit until the arrangement starts to take shape. Jack and Adam still love blasting out Iron Maiden and Avenged Sevenfold when we’re on the road… but, we all crossover with the likes of Biffy Clyro, The War on Drugs and Kanye West – it’s pretty eclectic!

We’ve all been playing different styles and genres since we were very young; so we’ll throw a pretty broad range of approaches at a song before we settle on something.

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I am interested in Cornwall and the music scene there. Is it quite a productive area for musicians?! Is it easy getting gigs?

Naturally, it’s a very different scene to what’s going on in London and the other cities...

There's a real sense of vibrancy and it feels more like a community; whether it’s gear-lending, co-headline tours or anything like that, it’s a very supportive and rewarding place to be making music. But, mainly the audiences you play to are so engaging. You can feel the energy in a room, the enjoyment and emotion that has a tendency to get lost in a city venue. We’ve gigged all around London but, heading back to Cornwall and as far as the Isles of Scilly has always been a natural fit for us and, frankly, we just jump at any chance to visit.

You have a love of West Coast sounds and American vibes. Is that a part of the world that resonated and speaks to you all?

Musically and culturally, the particular resonance for us is the similarities between the surf cultures around Cornwall and coastal California. A lot of the key figures in that scene, both currently and through the '60s and '70s when it was really blossoming for the first time, are big influences for us. I’m (James) actually a dual-national myself, as my mother is from Iowa, so it’s always been a big part of my life and Jack and I have been to L.A. - but not lucky enough to catch the coastal parts yet!

Sea air just has an infectious energy I guess!

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How did ENNOR come together? When did you guys all find one another?

Tom established himself as a singer-songwriter growing up around Penzance before meeting Jack and Adam at Exeter University - but only started playing together a little after when they all ended up around London, where I also came into the fold having grown up with Jack. Everything glued very quickly and we’ve just been rolling from then ever since!

Are you planning more material? Is there going to be an E.P. later in the year?

We’ve got a few things that we’re very excited about coming up - but you’ll have to watch this space to find out more soon!

Can we see you tour soon? What gigs do you have coming up?

We’ve got our launch show at Tamesis Dock in London on 25th April; it’s a boat-bar near Lambeth Bridge and we’ve got our friends, P.F. Phillip & the Nightriders and Prima Queen supporting, which will be awesome – hopefully, not too rowdy! We’ve got a lot of plans this summer heading back onto the road which, again, we’ll be announcing very soon.

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PHOTO CREDIT: @oli_pestell

Is the stage where the band really comes alive? What is the sensation like – getting up there and performing to hungry crowds?

The music we make is always written with the live environment in mind, so that’s definitely where we feel the most at home. We’ve been fortunate to have had some very welcoming audiences, particularly when we were first dipping our feet into new areas like the Isles of Scilly. Mainly, we just have a great time whenever we play and, if that energy infects the crowd, then all the better!

What do you all hope to achieve, personally, in 2018?

We’re really pleased with how these latest tracks have been received and are looking forward to getting the chance to play them. It’s very much about getting out on the road as much as possible, then, to play these songs as much for us as for new audiences along the way.

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PHOTO CREDIT: @oli_pestell

Have you each got a favourite memory from your time in music – the one that sticks in the mind?

Tom: For me, touring to the Isles of Scilly was just amazing. It's a place that I've always loved and the people out there really enjoy their music.

Jack: With ENNOR, probably being at Boardmasters – swimming in the sea in the morning, playing the festival in the afternoon. Definitely not the worst day I’ve had….

James: Our first show on the Isles of Scilly last summer at The Seven Stones on St. Marten’s.

Adam: Think we’re all in agreement: Scillies was amazing! Another one for me was probably when I depped on drums for my good mates, ISLAND, at British Summer Time festival. I didn’t suck (I’m pretty sure) and it was just a great day all round.

What advice would you give to new artists coming through?

It can seem pretty impenetrable at times - there are bits that we’re still working out too. But, if you just keep doing what you enjoy and still have that buzz from playing, then keep at it. Finding your right audience can be a pretty key part of that, though; the right promoters and venues etc. – but, also bear in mind there are so many awesome people and places outside London and the like.

Do you get much time to chill away from music? How do you unwind?

Tom, Jack and Adam are all working full-time jobs in the arts and I’ve just started a Music degree, so we’re all pretty flat-out all the time…but we all get our moments here and there. I’m still enjoying exploring London having just moved here, but I know the others like to escape and make a break for the sea.

Finally, and for being good sports; you can each choose a song and I’ll play it here (not any of your music - I will do that).

Tom: P.F. Phillip & the Night Riders – Your Lips Are for Kissing

Jack: ISLAND – Horizon

James: The Knock – Hop Along

Adam: TALMA – Out to Sea

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Follow ENNOR

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INTERVIEW: Wyntèr

INTERVIEW:

Wyntèr

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THERE are very few who put the same…

level of passion and commitment into their music as my featured artist. Cape Town-born Wyntèr tells me about her progression into music and the story behind her new song, P.L.A.Y (released shortly) – and, what we can expect next from her.

She tells me working with producer Jay Picasso; why she decided to move from collaborations to a solo venture; how she spends time away from music; what is coming next, in terms of gigs; artists and sounds that inspire her – Wyntèr gives advice to fellow songwriters embarking on a career.

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Hi, Wyntér. How are you? How has your week been?

Hi, Sam. I’m great - thank you so much for asking. It has been an extremely busy week; doing lots of different things - working on new material and the exciting release of my new single, P.L.A.Y.

For those new to your music; can you introduce yourself, please?

Of course. My name is Wyntèr and I’m an independent artist and singer-songwriter, originally from Cape Town, South Africa and currently living in Surrey. My sound is a combination of Trap/Pop/Hip-Hop and R&B: a few different flavours, inspired by so many of my role models in music.         

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P.L.A.Y is your new single. It is edgy, full-bloodied and soulful. What is the story behind the song?

Well, firstly, thank you very much - I really do appreciate your words. Yes, P.L.A.Y is my baby and I’ve had so much fun creating this piece of music.

This song is extremely personal to me, but I feel it affects so many independent artists alike in today’s music industry. It’s taken me such a long time to get to a place where I am confident in the music I write and the person that I am. But, I made a decision to go hard. This song is about not having to adhere to anyone’s rules or be bound by ‘the industry box’ - or even listening to the restrictive comments that people may make that, subconsciously, dictate the artists we ‘re striving to be. 

On P.L.A.Y; I make a comparison to being intoxicated. Having a sense of freedom and courage that you begin to see yourself as a different person, with an ability to do anything - everything or nothing at all. Simply put: I wanted to highlight that we have the power to decide who is in control and the type of artist/person we want to be.

How did all the strands and sounds come together? Was it a fun song to see through and watch it grow?

Oh my goodness, yeah; so much fun. I’m quite a formulated writer and have a certain way of doing things but, to make reference to my response to your previous question, I only really used to write this way because it was such a common format or ‘commercial format’, which made me feel as though, if I did it that way, I be right for radio.

But, with P.L.A.Y; I kinda just said ‘F*** it!’ I broke every rule I ever adhered to and, actually, had some serious fun building a piece that fell into a category of its own.

What was it like working alongside producer, Jay Picasso? Did he bring a lot to the song? Did you both work together on the development of the song?

I have been working with Picasso for a number of years now on various projects - and it has always a pleasure and such a journey going through the motions of creating a piece together. When I wrote P.L.A.Y, it was in a completely skeletal state: an a capella track consisting of backing vocals and lead; oohs and ahhs with a different take on the chorus as to what it is now. I had taken this skeleton of an idea to Jay and we began to build around it. I knew what I wanted it to sound like, but Picasso added all the ingredients that made it the masterpiece it is today.

He has always been really intuitive with selecting appropriate sounds that, not only compliment my voice, but also the piece as a whole. Bringing a flavour that can only be produced by him; Picasso has definitely exceeded my every expectation for P.L.A.Y.

I know there will be a video for P.L.A.Y. Can you tell me about its concept and what it was like filming it?

Yes, there is. Coming very soon, actually, and I’m very excited to share this video. It was an amazing experience shooting this song but, simultaneously, an absolute challenge to film, due to the below-zero-degree weather - as the majority of it was shot outdoors and the various elements that were required of me and the characters I played.

I wanted this to be as cinematic as possible and, working with Cedavision and LewiLondon, my every expectation was met - and so much more.

The overall concept of the song is being bound by the constraints of whatever you decide is a limitation and breaking free from that inhibition. Recognising you have all the tools to manage it yourself, to make it yourself and take off the personalities of who people tell (you) you’re supposed to be and just be yourself.

Is there going to be more material coming after the single?

Definitely! Bubbles & Smoke was the first single of many this year.

I have a couple in the pipeline - and a few features on other artist's tracks. I don’t think I will release an E.P./album this year: just explore the ‘single’ world.

You have collaborated with other artists in the past. What was the reason behind stepping out there as Wyntér?

There is no better time to step out and embrace this industry.

I’ve had the privilege of collaborating with so many talented independent artists that my hunger just grew. I wanted a taste. I released an E.P. years ago and didn’t really give it the push it deserved for the time and effort I put into it. But now, I’m gonna give it my absolute all.

Throughout my career, I’ve always been told that only one-third of what you do as an independent artist is the music. The other two-thirds is grind, grind and more grind. You have to put your business-head on and work every angle that is so readily available at our fingertips - and I intend to use every resource as I venture out as Wyntér.

I feel I have something to say - and I want to share it.

Which artists were you raised on? Did music enter your life quite early? How does the music of South Africa, where you were raised, compare to that of the U.K.?

I was raised on R&B, Soul; Hip-Hop, Pop etc. Listening to artists like Michael Jackson, Brandy; SWV, Jagged Edge; 112, Earth Wind & Fire; Marvin Gaye, oh…the list goes on. My love for music started at a very young age, constantly surrounded by it, and I was raised in church and learned to read music playing the recorder (ha, I know) as part of the church orchestra, which still makes me chuckle…but it all stemmed from there.

A lot of the music in South Africa, whilst I was growing up, was American artists with very few home-grown talent. However, the Capetonian sound was always summer vibes, with a Deep-House/Dance music kinda feel - very similar to the U.K. House sound, if I were to compare. Nowadays, 90% of the music on Cape Town radio is home-grown which is very exciting for many unsigned independent artists, as they now have a platform that is circulated widely around the country.

Garage and Grime is probably the biggest differentiation between Cape Town and U.K. sound - which has really influenced my writing, overall, including melodic choruses, phrasing; overall feel and the energetic nature.

PHOTO CREDIT: Tomodo Photography

Can we see you tour soon? What gigs do you have coming up?

Nothing at the moment, but currently working with a trio to perform live sessions around London and on independent YouTube channels, local radio stations - and any opportunity I am blessed with.

What do you hope to achieve in 2018?

Where do I begin?! In 2018, I hope to release multiple singles and collaborate with as many talented artists as possible, including rappers, cross-genre singers and producers. There is no better time than the present to explore and share with like-minded people. I’d love to perform my music live, acoustically, with a D.J., a band; at festivals and various independent channels.

Lastly, but certainly not least, I’d love to have the opportunity to feature on a BBC introducing playlist and build the foundation for 2019.

Have you got a favourite memory from your time in music – the one that sticks in the mind?

Such a tricky question...

I’ve been blessed to have so many amazing experiences. But, one that sticks out the most would have to be when I was about like eleven-years-old, back in South Africa. I entered these shopping mall competitions that my nan used to drive me to. Literally, in the centre of a shopping mall, this used to happen for, like, a season every Saturday. In this particular competition, I was performing in the Gospel category singing Glory, Hallelujah…I think.

After I had sung; I walked off stage and, standing next to my nan, was this gentlemen. This shaggy-looking man approached me with tears streaming down his face and said to me: “That truly blessed me; thank you for your singing’. It was then that I realised I wanted to make and perform music that moved people the way that song had moved this man.

What advice would you give to new artists coming through?

As cheesy as it sounds, just be yourself. This industry is big enough for all of us. Everyone is blessed with different tastes, skillset and different abilities. I watched an Amy Winehouse interview once and the interviewer asked her: “Did you know that the song, Rehab, was going to be such a huge hit?”. She responded, in true Amy fashion, saying something like: “I don’t care if people like it or not – I wasn’t thinking about people when I wrote the song; I was simply writing music that I love to listen to”. 

Honestly; I can say that this was a massive hiccup for me: it took me a long time to just accept, well, me. So…do what you love; write what you love; be the artist you’d love to listen to.

IN THIS PHOTO: Jessie Reyez

Are there any new artists you recommend we check out?

Yeah. I’m a huge fan of Jessie Reyez. Her song, Gatekeeper, is massive. Bishop Briggs, too. I had The Way I Do on-repeat for, like, a month. Also, Russ. His flow is wavy. My new fave, Sinéad Harnett, leaves me weak with her sultry tones.

It’s (just) amazing to see independent artists (just) doing their thing.

IN THIS PHOTO: Bishop Briggs

Do you get much time to chill away from music? How do you unwind?

Not really. In-between teaching and working on my own original stuff, there is hardly enough hours for free time. But, I do enjoy pole dancing, a good series or five-hundred; oh…and a good puzzle - I’ve been working on the Impossible Minions for the past year and it has driven me crazy trying to solve this bloody thing.

Finally, and for being a good sport; you can choose a song and I’ll play it here (not any of your music - I will do that).

I’m Better – Missy Elliott (ft. Lamb)

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INTERVIEW: Hayley McKay

INTERVIEW:

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Hayley McKay

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SHE has played for Bob Harris…

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and enjoyed some wonderful memories in her career so far! Hayley McKay talks to me about her new track, Chance to Change, and why its messages will ring true with many; if there are any gigs coming this year – and, given the fact she has performed in Nashville, if she would like to return.

I ask what we can expect from her debut album; what it was like recording at Abbey Road Studios; the artists she grew up around; what she hopes to achieve in the remainder of this year – McKay ends the interview with a fantastic song selection.

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Hi, Hayley. How has your week been?

Hi! My week has been good, thanks! I've been on a radio tour up and down the country promoting my album (which is out on 27th April). I played Hyde Park Book Club in Leeds at the weekend, with the band, which was fun.

For those new to your music; can you introduce yourself, please?

So. My music has elements of Country influences, vocally, and I would say overall Pop, Americana and Country – A.K.A., P.A.C.! It also has a British sound to it. Vocally and production-wise, it's clean, but with edge.

Tell me about the new single, Chance to Change. What is the story behind it?

Chance to Change is about someone in a relationship who is sick of giving their partner so many chances to change. In the video, we see the boyfriend ignoring his girlfriend and - on his phone constantly. I wanted it to have a message within the video that communication is so important for people and, if people are constantly looking at their phones, it can be a lonely battle. The song came to me from two great Irish writers: Aoibheann Carey Philpott and Joe Philpott Jnr.

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Your debut album is out soon. What sort of themes do you explore? 

Some of the themes include loneliness, despair and communication - but, above all, hope.

What was it like recording at Abbey Road Studios?!

Yes. We had my album mastered by Geoff Pesche at Abbey Road and it was an amazing experience. It was great to be there to understand how the mastering process works; to add the final polish and have everything ready for broadcast.

You co-write the majority of the songs on the album – working with a team, too. Was it important to have personal input into your music?

Some of the songs on my album were co-writes - and some of them I've had for a while. But, it's taken me a long time to find the right production/producer for them.

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Which artists did you grow up listening to?

Some of the artists I listened to when I was younger included Whitney Houston, Celine Dion; Irene Cara and a lot of Disney songs! But, I was introduced to loads of styles from Mum and Dad's collection, not to mention the radio - which was always on in the house. I started out in musical theatre - so I listened to an awful lot of music!

I believe you met the legendary Bob Harris. What was that experience like?!

Yes. We met Bob Harris and we filmed the Under the Apple Tree music session in the studio in his garden which is, literally, under the apple tree. His voice was soothing, yes! He is such a legend - I'm reading his autobiography at the moment, which is very interesting!

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Can we see you tour this year? Where can we catch you?

Yes. I'm touring around the U.K. at the moment. The live dates are all listed on my website.

You have performed, before, in Nashville. Is it a city you feel a connection with? Do you ever think about going back?

Yes. I loved Nashville. I'd love to go back out there and do a road trip around America with my music!

What do you hope to achieve this year? 

In 2018, I hope to achieve success with my album; build my fan base and have lots of people come and see me perform live. I would also like some of my songs to get onto film/T.V. - and a publishing deal would be nice, too...

But, the right one, of course!

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Have you got a standout memory from your time in music? 

I've done some amazing gigs - so it's hard to pick just a single memory that stands out. However, one of them is opening the Toad Hall Stage at Glastonbury. Last year, I did a hometown gig at Durham Gala Theatre which I absolutely loved, because all my family and friends were there. It really was an incredible experience.

What advice would you offer new artists coming through?

Advice? Well. I would say always be open to opportunities, but try to keep as much creative control as you can. Always believe in what you do and be nice to people - because word can spread in the industry!

Everyone is unique and there is always space for new talent, so keep persevering!

IN THIS PHOTO: Hudson Taylor

Are there any new artists you recommend we check out?

Yep. Please check out Hudson Taylor and Jade Bird. They're really good

IN THIS PHOTO: Jade Bird

What do you do to unwind away from music? Do you get much spare time?

Away from music; I like to spend time with family and friends and do all the normal things: go for walks in the countryside, go to the theatre; party etc. etc.! To relax/unwind, I might go for a walk or watch a film on Netflix.

Finally, and for being a good sport; you can name any song and I’ll play it here (not one of yours as I’ll do that).

Newton Faulkner's Dream Catch Me from the album, Hand Built by Robots.

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INTERVIEW: IMAN

INTERVIEW:

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IMAN

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IT has been a while since I last spoke with IMAN…

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She tells me about her current track, For You, and how it came together; whether more music is coming up; how early music came into her life – and whether, as a child, her parents were supportive of her desire and passion to pursue this path.

IMAN discusses gigs and musical influences; a new artist we should check out; what her favourite memory from her career so far is; the advice she would give new musicians coming through – she reveals what she gets up to away from recording and performing.

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Hi, IMAN. How are you? How has your week been?

It’s been busy; very productive thank you. 

For those new to your music; can you introduce yourself, please?

I’m a London-based artist that writes my songs - and I’ve been known to co-direct and edit my own music videos. I’d say my sound is Electronic, R&B; Soul with a Pop influence. 

For You is your latest track. Is there a story behind its creation?

Yeah. I wrote it about when I ran away from home at a young age - and about how much my perception of life had changed when I returned many months later.

To me, it sounds like your most confident and personal track. Do you feel For You is your most important cut so far?

I’m not sure I’d say that: it’s a song I love and still connect with...but I have more that I’ve yet to share that are, also, very personal. 

Will there be more music coming this year?

Yes. There will be loads more; it’s all being planned out.

Can you remember when music came into your life? Which artists did you grow up around?

I didn’t really grow up around music: it was pretty much banned from the house. Hence, why I felt the need to leave home so young so that I could start pursuing it. The music I was familiar with as I was growing up was whatever happened to play on the radio. My exposure to music growing up was definitely limited.

Were your parents supportive of your desire to pursue a music career? Was it hard convincing them it was the right path?

No: they weren’t supportive - and that came from their own fear for me. They wanted me to pursue a more stable path - and I always understood that.

Recently; it was International Women’s Day. Do you feel women are overlooked in the industry? Is it important we raise awareness of the imbalance?

Obviously, there are so many female artists out - and it’s been like that for a long time. I would like to see more diversity across the board for artists, male and female, from different ethnicities particularly.

Certainly, in the music industry, it’s male-dominated and, perhaps, women are overlooked for positions in this area. Women are creative, powerful and ready more than ever to be the leaders of business - I know this. I’m sure, as we keep pushing for positions and equal pay, things will change.

It always does in the end...

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Can we see you tour soon? What gigs do you have coming up?

All my gig info will be up on www.imanmusic.co.uk and, if you join the mailing list, there’s a chance to get yourself a secret song that is strictly for the ears of my mailing list crew.

How important is it getting your music out to the people? How does it make you feel performing live?

Sharing my music is what it’s all about. Putting in all the hustle, just to have it sit on my desktop is no fun. The joy and reward come from the connection I get to make when I share my music. Performing feeds my soul and reminds me why I do it when hard times come.

What do you hope to achieve, personally, in 2018?

I want to see through the releases of my next few records; perform constantly throughout the year and connect with loads more new listeners. I hope my current fanbase continues to enjoy my new music and I also want to keep writing and start taking my D.J. sets out - as I’ve just gotten into D.J.ing.

Have you got a favourite memory from your time in music – the one that sticks in the mind?

Performing to 5,000 people at Brixton Academy was pretty insane. I remember I was buzzing with happiness for days after!

 What advice would you give to new artists coming through?

I’d say, always be honest with yourself about what you could improve and what exactly you want. Don’t shy away from your ambitions - and use every day to do something that will propel you closer to your goal.

I also think keeping the most real people around you is key.

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IN THIS PHOTO: Seinabo Sey

Are there any new artists you recommend we check out?

Seinabo Sey. She’s giving me life right now. A very authentic artist.

Do you get much time to chill away from music? How do you unwind?

I don’t get much time but, when I do, I adore hanging out with my niece and nephew. They are both toddlers and give me so much life. I also love travelling - and I’m gonna be fitting that in this year, too.

Finally, and for being a good sport; you can choose a song and I’ll play it here (not any of your music - I will do that).

 I love Seinabo Sey – I Owe you Nothing. Tunnneee! The video is sick, too.

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INTERVIEW: Justin Nozuka

INTERVIEW:

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Justin Nozuka

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MY mind turns to an artist…

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who has enjoyed a long and varied career (so far). Justin Nozuka reveals the influence behind his track, Warm Under the Light, and what we can expect from his E.P., Low Tide – Nozuka explains what it was like working with producer Chris Bond on the E.P.

I ask which musicians inspired his course into music; what it was like opening for the likes of Stevie Wonder; if the Toronto artist is going to come to the U.K. – he provides some useful advice for artists coming through right now.

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Hi, Justin. How are you? How has your week been?

Hey. I’m well. It’s been a good week!

For those new to your music; can you introduce yourself, please?

Sure. I’m a singer/songwriter based in Toronto, Canada. My sound, I would describe as a mix of Folk, Soul; R&B and Rock. I’m currently in the process of releasing new music - which I recorded the majority near Devon, England with the talented Chris Bond.  

Warm Under the Light is your new single. Can you reveal its story?

Warm Under the Light is a song I wrote for a neighbour who I would see often but never really speak to. I just found this particular person really attractive and wrote this song to express myself.

Warm Under the Light is from the E.P., Low Tide. What are the main themes and stories that inspired the music?

Low Tide consists of a song about daydreaming (Reverie). I was inspired by the word ‘reverie’ itself. It was relatable to me and felt I could write a good tune on the subject. The third is a song I wrote for an ex-partner/companion. The song wrote itself, really; just some of our memories bottled up in there with the truth that we weren’t meant to be together in the conventional (marriage) type of way.

Chris Bond produces. What was it like working with him in the studio?

Chris Bond is super-talented and a sweet man. It was comforting pursuing these recordings with someone I knew was capable of capturing the energy in a certain way.

A lot of trust and on-the-spot creativity.  

How do you think your music has developed since your 2007 debut, Holly?

A lot has changed and some has stayed the same. I think I’ve stretched out quite a bit over the past few album, post-Holly. I’ve just experimented a lot, creatively, which, I think, is really healthy. One thing that has stuck is pursuing live takes on the records. I think a strong live take captures something that can’t really be replicated through other approaches. There’s a natural breath and magic to it that I mostly prefer.

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When did music enter your life? Which artists did you grow up around?

I got into music when I was about eleven or so I think. A friend of mine started singing and it made me want to join. I listened to a lot of Pop music that was big at the time (NSYNC, Backstreet Boys; Brian McKnight, Spice Girls etc.) and heavily got into Lauryn Hill, Boyz II Men and others. Eventually, I discovered Ben Harper; oldies like Joni Mitchell down the line, which was a big influence on me.

You have supported the likes of Mary J. Blige and Stevie Wonder! Did you learn a lot from them? How crazy is it to think you have shared the same stage?!

Pretty amazing feeling opening for some of these artists. Stevie Wonder is something I will never forget. The man just exudes so much love and warmth. He inspired me to drop my guard on stage and to be open and outward in sharing love and good energy with the audience.

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I know you have a busy tour schedule coming up. Is the road somewhere you like being? Are you looking forward to coming to the U.K.?

I currently love being on the road. It’s where I want to be for a good while. I’ve spent the past few years working on recordings and being home - so I feel all this pent-up energy and just want to keep busy out here.

Super-excited to be back in the U.K. again, doing a more elaborate tour here. I did my first tour ever in the U.K. back in 2007, I believe. I have such fond memories of it. It was just me and an acoustic - and a tour manager by the name of Chas. We drove in a hybrid car…

It was a special tour for me.

What do you hope to achieve in 2018?

I look forward to putting out more new music and (to just) play a lot more. I’d like to start making headway on new songs and to (just) keep things rolling.

If you had to select three albums that stand out to you; which would they be and why?

Leif Vollebekk - Twin Solitude

Such a natural-sounding album…fantastic songwriting and delivery. My go-to and favourite album of 2017.

The War On Drugs - A Deeper Understanding

Amazing, driving energy. Love the energy on this album.

Nick Drake - Pink Moon

So comforting. Perfect for a rainy or quiet day.

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Have you got a favourite memory from your time in music – the one that sticks in the mind?

So many great moments…

Years ago, we were doing a gig in (I think) Lausanne, Switzerland. We drove through the night and I made a point that I wanted to be the navigator. We arrived as the sun came up on the top of a mountain. We couldn’t drive our van into the town of (Zurmat, I believe) and finally discovered I had entered the wrong hotel branch. It was a stressful night of driving and we all got into a big fight.

I was scared to let them know I put the wrong address in but, once I did, we all cried and hugged. Luckily, the actual hotel was only forty-five minutes away…we drove down the mountain to incredible sights and made our way to the festival to play that day.

What advice would you give to new artists coming through?

Don’t make long-term commitments…take a lot of care with your sound and long-term vision and, also, with who you bring onto your team.

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IN THIS PHOTO: Leif Vollebekk

Are there any new artists you recommend we check out?

Leif Vollebekk, if you haven’t heard already. My younger bro Henry Nozuka is putting out some new music, which I think is really special.

Do you get much time to chill away from music? How do you unwind?

I like to do stuff separate from music - biking, playing ice hockey; reading and playing chess. These things help keep me in a good spirit.

Finally, and for being a good sport; you can choose a song and I’ll play it here (not any of your music - I will do that).

Leif Vollebekk - Elegy

Hope you enjoy!

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INTERVIEW: Post Louis

INTERVIEW:

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 PHOTO CREDIT: Maya Sacks 

Post Louis

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THERE are many aspects of Post Louis…

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that compelled me to dig deep and get to know them better. I ask, firstly, about their new track, Little Jack, and the story behind it. I was curious to know why a stunning church plays a part in their world and music; how the band got together and have progressed; if they are looking ahead regarding more material – where we can catch them perform in the coming weeks.

The band – Stephanie fields most of the questions – reveal how their sound has mutated and what music they grew up around; if there are any new artists worth a shout – why they recorded Little Jack in a rural location with basic recording equipment.

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Hi. How are you? How has your week been?

Stephanie: It was alright, thanks. This week, I learnt about penal reform, Cynthia Nixon’s biography and how to backup my Helicon vocal unit – so, I can’t complain.

How was your week?

For those new to your music; can you introduce yourselves, please?

We are a five-piece called Post Louis. We’re from all over the place, but do most of our work in London.

I front the band. Robbie and his brother Andy both play guitar. Mattis plays drums and Adam plays bass.

Little Jack is out. What is the background to the track?

I had been experimenting with writing in other voices - and Little Jack came from that. Essentially, it is a character-study of someone who lives, mainly, in their own head. It’s about the pains of loneliness and low confidence and what happens when these mix with naïve sexual desire. I wanted to hint at the potential for harm, or even domination.

I have said elsewhere that Little Jack isn’t a monster, but the song is, in part, about how monsters - or wolves - are made. I believe we need to rethink how we make, force and mould some children into being ‘men’.

These are questions I’ve been thinking about for a while…and that I think are circulating in public discourse now in a way that is interesting, inspiring and troubling all at the same time.

It seems the song came together in a very simple surrounding – a basic tape recorded and a rural location! Did you feel the desire to strip away extravagances and luxuries to recharge, in a sense?!

Well. The ability to escape to the countryside like that is, arguably, quite a luxurious and lucky thing to do! But, yes - writing is labour (albeit, amazing labour), and it’s easy to side-line in favour of other less challenging things. So, Robbie and I decided to go away, stare ourselves down and get the core of the songs right.

Was it daunting following up your E.P. – one that gained huge critical acclaim?!

All of this is daunting: the whole process of putting oneself out there. I believe in the music, but the industry is hard work - and here, I come back to labour again. We all work other jobs, as do almost all the musicians I know - even the brilliant ones, even the signed ones. So, it is sometimes daunting working out how to keep standards high and keep dedicated when you are often busy and tired; the timelines are very long.

It’s worth it, though. I should say that, while I’m proud of that E.P., I think these new songs are a whole lot better than our old stuff. I hope people agree…

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PHOTO CREDIT: Maya Sacks

Is there more material coming later in the year?

Yes!

How do you feel songs like Little Jack differ to your previous work? Have you noticed an emotional and sonic shift in the band?

Emotionally, things have got darker and more personal. That was a deliberate choice. Irony doesn’t come easily to me. The darkness felt appropriate. You know, sometimes you have a bad year.

As for sonically…we have a solid five-piece line-up that hasn’t shifted for a few years; so, Adam, Andy and Mattis’ personalities and playing styles are really important now. Beyond that, we haven’t consciously changed the sound. We want to just do what we were doing before, but better.

How did Post Louis get together? When did you all meet one another?

Robbie and I have known each other for years and started making music at university. It went through loads of incarnations, from acoustic shows (just the two of us with a guitar) to performances with a string quartet and full band; back to a version with just the two of us on stage - but this time, making loads of noise with loopers, guitar pedals and synths…

When we moved back to London, we started playing with various different friends of ours. This was when Robbie’s brother Andy, who is a bit younger than us, started playing with the band. Eventually - deciding this project was very much a ‘band’ band and not a duo - we advertised, in the hope of finding two more fixed members. We put posters up at music colleges in London. I think we had some romantic idea that we might find a ridiculously-talented, classically-trained double bassist who wanted to plug in. In the event, we found a ridiculously-talented Punk bassist from Glasgow, namely Adam, who was working at the Royal Academy of Music box office and saw the poster.

I can’t remember how we found Mattis. As I told him the other day, I recently found my notes from the first time Robbie and I met him. They say ‘possibly a perfectionist?’ in the margins...  

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PHOTO CREDIT: Jacob Perlmutter

Give me an impression of the music you grew up around. Which artists did you all fall for at a young age?

At a very young age, I loved anything that was on Magic 105.4 - especially Elton John. I vividly remember coming back from a family holiday on a fateful winter day in 1998, getting in the family car at the airport and driving back home. We scrolled and scrolled through radio stations but my dad couldn’t find much-loved ‘Melody FM’. Eventually, our tired brains must have realised that the combination of Soft Rock, Soul and Lighthouse Family emanating from, what seemed to be called ‘Magic FM’, was the result of a sneaky re-brand.

Andy: The first tape I really remember loving was a Rock ‘n’ Roll compilation, The Best Rock ‘n’ Roll Album in the world…ever! After that, there was a lot of David Bowie, The Beatles and Simon & Garfunkel…and The Offspring.

Mattis:  The Rolling Stones, Creedence Clearwater Revival and Neil Young.

Robbie: Like Mattis; I was really into the Stones. My dad took me to the Bridges to Babylon tour when I was nine. Seeing Jagger strutting over a big silver bridge into the middle of Wembley Stadium blew my head off. I’ve still got the big red tongue that doubles as a glove/cushion somewhere.

Adam: I was lucky enough to have music-loving parents; so I grew up in a house of David Bowie, Prince; The Beatles, Leftfield, R.E.M. and Nirvana (to name a few). As a result, I’ve always been fascinated with music; listened to quite a lot of Pop music, Tim Westwood’s Hip-Hop radio show and, of course, growing up in the mid-'90s, the whole Blur vs. Oasis Britpop thing (the answer is ‘Pulp’, by the way).

Looking at some press shots; it seems a Norwegian church building has become a bit of a home/base. Tell me more about that…

Mattis: I live and work part-time at The Norwegian Church in London. We have been lucky to make use of the space there, both for rehearsals and as a small, intimate space for friends and family…and…the waffles are really good!

Adam: I also lived at the church for a time with Mattis, who literally took me in when I was pretty much homeless, due to the end of a long relationship. I slept in a cupboard under the stairs like a very unromantic Harry Potter for about three months until I finally got a proper room there. For a while, it was like a small commune of people you wouldn’t generally associate with a church, but it’s where I’ve met some amazing people…so it will always be a special place for me.

Having it as a rehearsal space is just the cherry on top.

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IN THIS PHOTO: Gurr

Are there any new artists you recommend we check out?

Sure, loads: it’s kinda my job these days. I love Gurr from Berlin, who are about to release their second album - and are touring with Shame and The Go Team! But, also, closer to home; I’m a big fan of Sauna Youth and DANCEHALL in London and, in my spiritual home of Glasgow: Anxiety, Freddie Quell and a brand-new band called Puppy Fat are all great (and not just because I may or may not have played with most of these people in the past).

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IN THIS PHOTO: DANCEHALL/PHOTO CREDIT: Keira-Anee Photography 

Can we see you tour soon? What gigs do you have coming up?

Stephanie: We’re playing a headline show with Parallel Lines on 27th April. It should be special - we’re curating the whole night with D.J.s until late. All the artists involved are friends of ours; some of whom, we’ve worked with before. You should come down and have a dance...

What do you each hope to achieve in 2018?

Adam: Probably the same for all of us: release more music and tour off the back of it.

Robbie: I’ve spent a long time hunkered down, mixing the new songs. So, in what’s left of 2018, I’m also looking forward to playing them live again, stripping them back to their raw essentials and gaining some perspective in doing so. 

Have you all got a favourite memory from your time in music – the one that sticks in the mind?

This is nerdy. I once had to play J.S. Bach for an audience where I knew Alfred Brendel (who is an all-time favourite) was watching. It was terrifying but really transformative.

Andy: Putting out songs is always really exciting. Even though there’s the risk that it might not be as well-received as you’d like, it’s such a great feeling to share something that you’ve been working on for a long time and that you’re proud of to the world.

Mattis: When I played KOKO with Toothless, the sound was spot-on!

Adam: Oh man; too many to mention.

Music’s pretty much been my entire life since I was a wee guy. Getting to see Interpol play Turn on the Bright Lights (my favourite album) last year was pretty special, though. As for me personally; I appreciate any moment or memory I have with regards to music, but I guess putting out my own record (FRAUEN) last year was pretty special.

Stephanie: Getting on stage with Post Louis for the first time...

We were supporting Daughn Gibson at Birthdays. There were sound issues. Nothing about it was that remarkable. I’m sure we made loads of mistakes. But, for me, it was an electrifying moment.

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What advice would you give to new artists coming through?

Andy: I don’t have any advice but, if anyone else does, then if they could forward it to me then that would be great.

Adam: Run! No, but, seriously: fight for your rights as young artists and keep spaces to perform and practice music alive.   

Do you get much time to chill away from music? How do you unwind?

Relax with a big bag of cans with the boys (note: I call everyone ‘boys', even Steph…she probably hates it).

Stephanie: I try and fight the big fights...     

Finally, and for being good sports; you can each choose a song and I’ll play it here (not any of your music - I will do that).

Adam: Desire by Ought; which is going to take some beating for the 2018 title of Song of the Year for me. It’s a wee masterpiece.

Mattis: Tempesst - Waiheke

Andy: James Taylor - Your Smiling Face

Stephanie: Matthew Wilder - Break My Stride

Robbie: Huerco S. - A Sea of Love

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INTERVIEW: Tom Anderson

INTERVIEW:

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Tom Anderson

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I have been conversing with…

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a fantastic Liverpool-based artist whose music is turning heads right now! Tom Anderson talks about his new track, Safe & Sound, and what the story behind it is. I ask what the music scene is like in Liverpool; if there are any new artists he would recommend we check out – what comes next from the talented songwriter.

Anderson tells me about the intriguing Polyphonica project and how he is helping develop it; how he got his start in music; whether he gets any chance to kick back away from music; how he feels his material has developed in a short time – he ends the interview with a rather spiffing track!

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Hi, Tom. How are you? How has your week been?

Hi! Great, thanks. Been working with some really cool artists this week - SPINN, Josh Goddard; 2ME and Stephen Geisler – so, it's been a busy one. Going to see Jessie Ware in Manchester with my girlfriend tonight – so, it's about to get even better. 

For those new to your music; can you introduce yourself, please?

I'm Tom. I used to be in a band called Venus Demilo - and I now write and produce with other artists, as well as working on my own solo project. 

Safe & Sound is your new single. Give us an insight into its story and creation.

The song was written a few months back before I went out to go and see my friends from back home. At the time, I was pretty stressed and the excitement of seeing those guys inspired the song. It's basically about how, no matter how hard things can get in our separate adult lives; when we come together once every few months to forget about all of that and act like we're fourteen again, it can be a very grounding moment. 

How do you feel Safe & Sound develops from your debut single? Were you surprised by the widespread acclaim it received?

I think, in terms of the lyrics, the new song is a bit more reflective of what I'm really like. The reviews on the last single were incredibly kind and that gave me a huge boost to know that what I'm doing is the right thing. 

What comes next in terms of material? Are there more ideas forming?

There are. I've just decided that I'm going to release as much music as the Internet can take over the next few months; so, I'm going to try and drop a new tune every two weeks until the summer. 

Tell me about your musical beginnings and the artists you grew up around. When did music arrive in your life?

I've been writing songs for as long as I can remember, as my dad was always playing when I was growing up. It was a lot of Beatles, The Police and Queen in our household (and still is).

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How important is Liverpool and its history to your musical ambition?

I came here for the first time when I was ten. We did the Magical Mystery Tour bus, the museum and everything else Beatles-related in Liverpool (which is quite a lot). Since then, I've been always been a massive fan. I grew up listening to The Coral; so it's cool working in the same place as them at Parr Street.

Now and then, if you look at what's going on with other artists like XamVolo, Jalen N'Gonda; Clean Cut Kid and Vryll Society (I'll stop the list there because I could go on for a while…), then it's a very exciting place to be. 

What does Polyphonica involve? It sounds like an interesting platform...

Polyphonica is a music platform I've been working with closely which helps with artists on creating content (pretty much everything on my Instagram is thanks to them). They've worked with a few emerging artists around Liverpool now and I think, over the next twelve months, it could become the go-to place online to find out what's happening in Pop music, generally, around the North West.

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Can we see you tour soon? What gigs do you have coming up?

I'm announcing tour dates for July early next month - currently planning on hitting up Liverpool, Manchester; Leeds, Birmingham and London. 

What do you hope to achieve in 2018?

To get some people into my music! 

Have you got a favourite memory from your time in music – the one that sticks in the mind?

When we were doing Venus Demilo, we played a house party for some LIPA students at a famous student house in Liverpool called The Lodge. Everyone was going mad and the floor was literally bouncing. That was pretty cool. 

What advice would you give to new artists coming through?

If there are more experienced people around you, listen to their advice - but you don't necessarily have to take it. 

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Are there any new artists you recommend we check out?

2ME is just about to release his debut E.P., which is sounding incredible. 

Do you get much time to chill away from music? How do you unwind?

Not massive amounts but, if I do, then I'll either spend time with my girlfriend and my dog - or playing FIFA. 

Finally, and for being a good sport; you can choose a song and I’ll play it here (not any of your music - I will do that).

Jalen N'Gonda - I Need You

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