INTERVIEW: Winter

INTERVIEW:

Winter

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THIS year has already been a big one for Winter…

and looks set to keep the pace hard and fast. I have been speaking with their singer, Samira, about the single, Zoey, and how her album, Ethereality, came together. She talks about writing right out of college; how she makes her music sound is natural and stunning – she talks about her influences and favourite albums.

I ask the U.S. artist what Echo Park is like as a base and muse; if the band is coming to the U.K. to play this year; if there is a favourite musical memory that sticks in her mind; some new artists that she would single out – Samira finishes the interview by choosing a rather awesome song.

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Hi, Samira. How are you? How has your week been?

It’s been great! We had our record release show - and now are in Florida starting our East Coast tour with Surfer Blood. 

For those new to your music; can you introduce yourself, please?

I’m Samira Winter from the L.A. based Dream-Pop band, Winter. We just released our second full-length, Ethereality.

Tell us more about Zoey. What is the inspiration behind the song?

Zoey is about my cat Zoey. In the lyrics, I talk about how dear she is to me and tell her to now worry when I’m gone.  

It is the second track from the album, Ethereality. What are the main themes you explore throughout?

In a way, the album goes from daytime to nighttime songs. The songs range from themes of friendship, boyfriends; my cat and inspiration from the color blue. Most of the songs are very personal and were written as a way to process what was going on at that time.

I believe you started writing the album right after you left college. Was there a reason you wrote the album at that time?

Not really. I’m always writing songs and then collect them and record them. I had written the first album during college, so I kept writing and it blossomed into the second record.

The songs feel very natural and intuitive. How did the songs come together? Did you record them at home?

My songwriting process is pretty intuitive and I do like to make choices that feel the most natural. I wrote them and recorded some of them as demos at home. But, then, I worked on the arrangements with my band and recorded them at a studio called Comp-ny.

Echo Park is your base. Is the area quite promising regards great music? How much do you take from the people and scenery?

Echo Park is a big part of my life still today...

It’s where I live, work; go to shows and it was where I wrote and worked on the arrangements for the album. I am very inspired by my surroundings, the people and the music scene in Echo Park.

When did you get into music? What sort of artists did you grow up around?

I’ve loved music my whole life and started playing and writing when I was twelve. I grew up in Brazil, so I was around a lot of Brazilian music and musicians. On my own, I would look up artists from the U.K. and the U.S. In my teens; I listened to a lot of Pavement, Yo La Tengo and Rilo Kiley. 

Do you have any gigs lined up? Where are you heading?

We are on tour up the East Coast this April and then coming back and playing some Californian dates in May!

Will you guys come and play the U.K.? Have you ever been over here?

I would love to. We are working on a European tour at some point these coming months. I’ve never been!

What do you hope to achieve in 2018?

I hope to record another record, tour Europe, Brazil and Argentina. 

Have you got a favourite memory from your time in music – the one that sticks in the mind?

Hmmm; that’s a really hard question because I have a lot of great music memories. I love stage-diving - it’s a very exhilarating feeling. So, I guess those are fond memories of being in the air in a crowd. 

What advice would you give to new artists coming through?

Don’t be self-conscious: create in a way that feels natural to you; not trying to sound like someone else.

IN THIS PHOTO: BOYO/PHOTO CREDIT: Julien Kelly-Gross

Are there any new artists you recommend we check out?

Yes! BOYO, Vinyl Williams and Potty Mouth. 

 IN THIS PHOTO: Vinyl Williams/PHOTO CREDIT: Bokeh Monster

If you had to choose the three albums that mean the most to you; which would they be and why?

Gal Costa – Gal Costa; MBV - Isn’t Anything and Alvvays – Alvvays

I love them and know them so well. They’ve been with me in a lot of different times in my life and I feel like they will always be with me no matter how much things may change. 

Do you get much time to chill away from music? How do you unwind?

Music, itself, doesn’t ever tire me out, it fuels me. It’s really just all the other more logistical stuff and emails that can be exhausting. I unwind by dancing PONY SWEAT, practising the DeRose Method and hanging out with my sister Emilie. 

Finally, and for being a good sport; you can choose a song and I’ll play it here (not any of your music - I will do that).

I’ve been really into the U.K. band, Happyness. If you could play their song, Falling Down.

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Follow Winter

Facebook:

https://www.facebook.com/daydreamingwinter

Twitter:

https://twitter.com/samirawinter

Instagram:

https://www.instagram.com/daydreamingwinter/

Bandcamp:

https://daydreamingwinter.bandcamp.com/

YouTube:

https://www.youtube.com/user/daydreamingwinter

SoundCloud:

https://soundcloud.com/daydreamingwinter

INTERVIEW: Sophia Danai

INTERVIEW:

 Sophia Danai

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YOU get a real sense of emotion and passion…

when hearing the song, Come Thru. It is from the wonderful Canadian artist, Sophia Danai – she talks about the track's history and creation. I ask her about filming the single’s video; what we can expect from her album, Real Lies – she tells me why Canada is producing such great artist.

Danai tells me how and when music came into her life; some fresh acts we need to keep our ears out for; how music fulfils and nourishes her – Danai tells me whether there are any tour dates coming up (whether, among those dates, the U.K. is part of her plans).

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Hi, Sophia. How are you? How has your week been?

Great. It’s been a bit of a whirlwind with the release. It feels so exciting/terrifying to have this record in the world.

For those new to your music; can you introduce yourself, please?

Hey! My name is Sophia Danai and I am from Vancouver B.C. I’m a singer/songwriter and I use my music to get me through some difficult sh*t - in the hope that it will help others too.

Come Thru seems to reflect a spirit fighting against hard times and strain. What, to you, is the story behind the song?

This song is about my marriage falling apart and finally being able to let go of everything that haunted me about it. I was very young when we met and, although it only lasted for a year, it was an intense, tumultuous experience that I’m happy to be on the other side of. 

At the core, this song is about claiming your space and standing up for yourself when it can be the most difficult.

The video looks like it was a pretty interesting experience. Was it quite cathartic and fun filming it?!

Yes, it was incredible. The director, Jon Thomas, took my idea and ran with it. He shot, directed and edited the piece. It was especially cathartic because the guitar I broke in the video was the one I bought on my honeymoon in Bruges. I wanted the guitar I broke to be mine and to mean something. I wanted the video to represent breaking cycles and rising from the ashes.

Everything that was once beautiful can be ugly, and vice versa - everything comes full circle.

It is from your upcoming album, Real Lies. What can we expect from the record in terms of themes and ideas?

“Real eyes realize real lies” - that quote is the inspiration for the title. To me, it represents how our truth is always evolving and, how, with every lesson and change in our life, we uncover the layers to get closer to who we really are. Being able to identify how we lie to ourselves and what lies we have internalized about ourselves from others is very powerful. For me, I feel like this record is my true debut and everything I’ve gone through up until this point has allowed me to let go, open up and share my story.

We are all human and have flaws and feel insecure at times - it’s about having compassion for ourselves and others and trusting the process.

How did the breakup of a marriage and creative struggles affect you as a hungry musician? Did you question what you wanted to be in life?

Of course! I can’t tell you how many times I thought, should I really be pursuing this; who am I kidding; I can’t do this. My ex was actually the first person who ever recorded me so it was even more horrible when it ended because I felt like I had lost my relationship and all we had created together.

None of it ever got released but I felt like I truly lost everything. The biggest gift I got from that split was learning I could do so much on my own; I learnt how to produce myself, started working with a variety of different people - and doing gigs with just me and a guitar.

It’s important to have a great team around you but it’s also important to know that, if you just have yourself, you can make magic happen. When I went into myself and focused on my craft, I attracted the right people and was able to make my vision come to life. 

PHOTO CREDIT: Alaina Michelle Photography

How does music enrich and guide you as a person? Did you have any childhood musical idols?

Music is my healer; where I can express my sadness, anger, insecurity and love. It’s the way I process my emotions and connect with God. I feel like when I truly connect and get to that special place where a song pours out: I am connecting to a source that connects us all. It’s something very spiritual for me. My childhood idols are Otis Redding, Aretha Franklin; Alicia Keys, Amy Winehouse; Portishead, Destiny’s Child; Lauryn Hill, Fiona Apple and Shania Twain (I could go on!).

PHOTO CREDIT: Tatum McLea

I am hearing a lot of great Canadian musicians come through. What is it about the country and people that inspire terrific music?

Hmm…maybe that we only have three-four months of summer and lots of time to hibernate and create! Also - Vancouver is especially beautiful with its mountains, ocean and forests that will take your breath away. Our government also helps fund musicians, which is huge!

This record was made, in part, by a grant I received by Factor and Creative BC. It enabled me to make my dream project independently, which was a game-changer.

Do you have any gigs lined up? Where are you heading off to?

Waldorf: May 5th - Vancouver, B.C.

The Drake Underground: May 10th - Canadian Music Week, Toronto (Ontario).

Might you head to the U.K. and play here?

Yes, absolutely, I want to - and it will happen over the next year or two.

What do you hope to achieve in 2018?

Global domination with my music but, you know…baby steps (smiles). Ha. Honestly; I want to continue evolving and enjoy the journey that my music is taking me on. I’m so excited to share what I’ve created.

Have you got a favourite memory from your time in music – the one that sticks in the mind?

I have so many amazing music memories.

Recently, I was finishing a long day of gigging and rehearsing and then I went to jam at a friend’s. I felt such a sense of joy that my daily life consists of so much music! Anytime I am writing or on stage; I feel a sense of deep gratitude; it’s such a privilege to do what I love for a living - and I don’t take that for granted.

What advice would you give to new artists coming through?

Take time to develop your craft; focus on being great and honing your talent. No one can deny artistry and skill. You will find strength in the confidence you gain from this and attract the right team to help you amplify your vision and execute your dream! Trust your intuition: you know what’s right for you - and don’t forget that!

If it doesn’t feel right, it probably isn’t.

IN THIS PHOTO: Omar Khan

Are there any new artists you recommend we check out?

There are amazing artists coming out of Vancouver like Omar Khan, Brevner; DANI Le Rose, The Boom Booms and Little Destroyer.

Also; my girl Kendall Thompson from Toronto.

IN THIS PHOTO: DANI Le Rose

Do you get much time to chill away from music? How do you unwind?

Time off?! What’s that?! (Laughs). Right now, I’m not taking a lot of time off but, when I do, I make dinner with friends; go for a swim or go to the movies. I just saw A Quiet Place and it was so, so good - I cried the whole time. I’m a big baby in movies though. I cry at everything.

Finally, and for being a good sport; you can choose a song and I’ll play it here (not any of your music - I will do that).

People by Omar Khan

Thank you so much!

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Follow Sophia Danai

Facebook:

https://www.facebook.com/sophiadanaimusic

Twitter:

https://twitter.com/sophiadanai

Instagram:

https://www.instagram.com/sophiadanai/

Bandcamp:

https://sophiadanai.bandcamp.com/

YouTube:

https://www.youtube.com/user/worldofsophiadanai

Spotify:

https://open.spotify.com/artist/6Ia7771A6V03c60pbHI03X

INTERVIEW: RJ Thompson

INTERVIEW:

 RJ Thompson

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I love talking with artists from the North…

as one gets a different perspective, flavour and personality. RJ Thompson tells me about the music scene in Newcastle upon Tyne and what inspired his latest work, Think About You. I ask the songwriter whether he was surprised at the positive reaction his album, Echo Chamber, received – he talks about influences and gigs.

Thompson talks about new artists he is reacting to; whether, he feels, the North of England gets the respect and prominence it warrants; how he spends his time away from music – he ends the interview by selecting a current Beck cracker.

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Hi, RJ. How are you? How has your week been?

It’s been pretty good, thanks! Working on something pretty cool, so, I’m happy!

For those new to your music; can you introduce yourself, please?

Sure…well. I’m a singer-songwriter. I’ve just come off a tour supporting Jools Holland around the U.K. - and I’ve just released my new album, Echo Chamber, and the latest single, Think About You.

Think About You is out. Can you tell me about the song and the inspiration behind it?

The true meaning of the song is to be kept secret but, listening to the lyrics; you can probably tell that it is about a relationship coming to an end.

It is a slinky and soulful tune. How do you manage to provoke such physicality and passion into music?! Is it something coded in you?

I just write from the heart, really…I’ve grown up with loads of different styles of music, so I feel lucky enough to be able to reference a few different genres.

Which artists, would you say, are responsible for your pursuit of a music career?

Michael Jackson, originally. When I was very young, I was obsessed with the way he created music and rhythms with his vocals. I then started to listen to a lot of classic songwriters such as Bob Dylan and Bruce Springsteen - and their music has taught me so much.

Echo Chamber, released last year, gained great reviews. Has it been encouraging knowing how well it has done?!

Yeah, it has. Ultimately, I make music for myself as an outlet and to have pride in something I have created. But, it’s always nice to hear that it has resonated with other people, too.

Can we see any more material later in the year?

Watch this space!

You are based in Newcastle upon Tyne. What is the area like for music right now?

It’s really strong! There’s a lot of great young bands and some great venues. Although, it’s sad to see some of the smaller grassroots venues shutting.

Do you think the North East gets enough attention and focus?

I think London is, obviously, the focal point in the U.K. but there are some good organisations (Generator, being one) that are highlighting new talent in our area. I think it’s definitely getting attention at the minute.

Do you have any gigs lined up? Where are you heading?

We’re hoping to announce a tour soon, but it’s hush-hush!

What do you hope to achieve in 2018?

Too many things. You’ll be hearing a lot more from me in the next twelve months, hopefully!

Have you got a favourite memory from your time in music – the one that sticks in the mind?

My band and I were fortunate to be asked to support Jools Holland at the Royal Albert Hall. That was definitely the standout moment so far!

What advice would you give to new artists coming through?

Write, write, write!

IN THIS PHOTO: Jake Houlsby/PHOTO CREDIT: Molly Mackay

Are there any new artists you recommend we check out?

Jake Houlsby is making a bit of a name for himself around Newcastle. He’s definitely one to watch.

Do you get much time to chill away from music? How do you unwind?

Family time…that’s the most important thing, right?! I try to spend as much time with them as possible really.

Finally, and for being a good sport; you can choose a song and I’ll play it here (not any of your music - I will do that).

Hmmm. Probably something from Beck’s new album. How about Up All Night

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Follow RJ Thompson

 Official:

http://www.rjthompsonmusic.com/

Facebook:

https://www.facebook.com/rjthompsonmusic

Twitter:

https://twitter.com/rjthompsonmusic

Instagram:

https://www.instagram.com/rjthompsonmusic/

SoundCloud:

https://soundcloud.com/rjthompson

YouTube:

https://www.youtube.com/channel/UCRhwIp7BgMlX3Qu2rlPBJdg

Spotify:

https://open.spotify.com/artist/23EMvTZCbRVurwNYZXmyru

INTERVIEW: PLYA

INTERVIEW:

 PHOTO CREDIT: Fraser Taylor 

PLYA

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THEY are relatively new to my ears…

but there is no denying there is ample allure and class in the ranks of PLYA. I have been speaking with the trio about their new track, Feast My Eye, and what the story behind it is. They tell me about their early days and how their music has built; if there is more material coming along soon – the guys select an album that means a lot to them.

I was keen to know if there were gigs approaching; what they hope to achieve in the remainder of the year; how their live sound differs to that we witness in the studio; if there is advice they’d give to new artists emerging – they let me into the wonderful and always-inspiring PLYA camp.

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Hi, PLYA. How are you? How has your week been?

Absolutely brilliant! We’re in Los Angeles this week, so can’t complain!

For those new to your music; can you introduce yourselves, please?

Julia: Hey. I’m Julia and I play synths and lead vocals in PLYA. We make dark Electronic Pop that blends dreamy electronic textures, driving guitars and anthemic melodies!

Will: Sup. I’m will and I play drums and percussion in the band…

Kris: Hello. I’m Kris and I play the guitar!

Feast My Eye is your new track. Is there a story behind it?

Julia: Our new song, Feast My Eye, encapsulates that dark, satisfying moment of relishing in the downfall and misfortune of somebody who has treated you badly in the past. But; it's the guilt of enjoying it that lingers in your mind.

It was surprisingly easy to write!

I like the pace and energy of the video. What was it like filming it? Do you like shooting videos?

Will: We love shooting music videos! We’re always imaging how our music would look as a visual piece - It’s quite funny when we’re writing. If there is a cool lyric or vibe then we’re often shouting things out like, “Ash; imagine if we shot a video where *this* or *that* happens”, before we’ve even finished recording the song! Hah.

Julia: We all believe that the music videos are the most important way of portraying the visual aesthetic of the band or the song in question. So; we’re always striving to film something that's not just like a band performance but also something that offers insight or even adds a deeper meaning beyond lyrics.

PHOTO CREDIT: Roberto Vivancos

Feast My Eye is your third single. Do you think you have grown since your earliest moments?

Yeah. We actually wrote this song pretty early on and it’s we all loved it so I guess it set a benchmark and definitely pushed harder to improve our songwriting and shaped how we writing our newer songs. I love the fact that it has a relatable story, a big melodic chorus as well as a cool atmospheric texture beneath it all to create some space.

What can we expect in terms of future material? Are you working on stuff?

Kris: Indeed, we are! We’ve finished an E.P. that we hope to release towards the end of the year.

Right now, we’re releasing a series of singles to help build some momentum and get the PLYA name out there a bit. We’re in Los Angeles at the moment recording with lots of talented producers, so yeah; we’re hoping to get a few new tracks up our sleeve by the end of the month!

If you each had to select the one album that means the most to you; which would they be and why?

Kris. For Emma, Forever Ago - Bon Iver

An absolutely beautiful album that you have to listen to from start to finish.

Will: David Bowie - The Rise and Fall of Ziggy Stardust

I listened to this when I was a kid then, when I got older; I remember having the epiphany of realising the whole concept and narrative surrounding the album. I still also love the idea of an artist completely reinventing themselves or taking on a different persona.

Julia: Eminem - The Slim Shady EP

When I was younger; I used to listen to this on-repeat in my bedroom. It opened my eyes to a whole new genre of other artists.

Do you guys have any gigs lined up? Where can we see you play?

Will: In London, we’re playing Birthdays in Dalton on 19th May with Alvarez Kings, who are our mates from Sheffield. It’s one of our favourite venues in London: it’s got great sound, burgers and beer!

Kris: We’re also heading to Spain to play O Son Do Camiño festival in June! Seeing our band name on the same poster as The Killers and Two Door Cinema Club is awesome; so we’re looking forward to that!

How much does your ‘stage sound’ differ to what we hear in your studio cuts?

Julia: I’d say that, on stage, our sound is definitely grittier and less polished than the recordings. Having Will playing live acoustic drums as well as electronic samples really opens things up a bit, sonically.

PHOTO CREDIT: Ellie Mitchell Photography

What do you hope to achieve in 2018?

Will: I guess to just play as many gigs as possible and try and make new fans and friends everywhere we can. I’d love to play some gigs in Europe! It will be really nice for the E.P. to be out so we can present a whole body of work and be like, ‘This is us’!

Have you each got a favourite memory from your time in music – the one that sticks in the mind?

For me, it was when we sold-out our first headline show in London. Hands down, this felt like such an accomplishment seeing that our new music resonated enough with people to come and check us out live.

We only had one song out at the time, so the rush of playing eight songs that no one’s heard before was very nerve-racking but so exciting! We partied pretty hard after it too!

Kris: We filmed this awesome 360° video in Sphere Studios for our track, Adrenaline. We wanted to make a video that gave our fans a unique insight into the song.  We highlighted the instrumentations of the song in a V.R. world where three of each of us is better than one. We love that everyone’s journey path watching the video is different: you can't watch the video twice in the same way.  

Julia: Yeah. I think being in Sphere Studios was a highlight too. It’s so beautiful in there; it deserves to be seen in its full 360° glory! I got to play on Adele’s piano, which you don't get to do every day!

IN THIS PHOTO: Lara Harvey Photography

What advice would you give to new artists coming through?

I mean, we’re still relatively new to the game, but I’d say whilst concentrating on writing and composing decent tracks I think that you’ve also got to put yourself out there - and meet and network with as many people as you can; integrate yourself into the local scene. If there is a band you want to support or collaborate with, then go to their gig and meet them.

Every cool opportunity we’ve been offered all links back to meeting someone face-to-face: it’s always more successful than a blanket email. 

Will: Totally! Events like Great Escape, BBC Amplify and PRS talks are great opportunities for this.

IN THIS PHOTO: Fickle Friends

Are there any new artists you recommend we check out?

Julia: Absolutely! The music scene in London at the moment is unbelievably good at the moment. Fickle Friends have released their debut album, which is full of Pop bangers.

Kris: I’ve been listening to Superorganism loads!

Will: Tom Misch is my current South London hero. South of the River is such a tune!

IN THIS PHOTO: Superorganism

Do you all get much time to chill away from music? How do you unwind?

Kris: I travel whenever I can. If we haven't got any gigs on, I like to go down camping in Cornwall or somewhere on the coast to unwind and be away from technology!

Finally, and for being good sports; you can each choose a song and I’ll play it here (not any of your music - I will do that).

For sure. We actually update our Spotify playlist every month with all the new tracks that we’ve been listening to! You can subscribe here

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Follow PLYA

PHOTO CREDIT: Fraser Taylor  

Official:

https://www.plyaband.com/

Facebook:

https://www.facebook.com/PLYAband/

Twitter:

https://twitter.com/plyaband

Instagram:

https://www.instagram.com/PLYAband/

SoundCloud:

https://soundcloud.com/PLYAband

YouTube:

https://www.youtube.com/channel/UC3hjchQCNrA6YlpJ0sIZmFQ

Spotify:

https://open.spotify.com/artist/7ic9h4HxC9vccg3mk4NRFV?si=d38yD8-XTme1_qLV-0Gm4Q

INTERVIEW: Still + Storm

INTERVIEW:

 PHOTO CREDIT: Chris Strong 

Still + Storm

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MY mind turns to Still + Storm…

 PHOTO CREDIT: Chris Strong

I have been speaking with the exciting duo about their new song, All of These Things, and whether there will be more material later down the line. The Chicago pairing of Rachel and Dave Raymond talk about their partnership and creative process – they reveal whether they’ll come to the U.K.

Still + Storm talk about their love of Radiohead and what they have planned for the rest of the year; what their diary is looking like; whether they both share similar musical tastes; if there is a new artist to watch – they give some great advice for fresh artists emerging.

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Hi, guys. How are you? How has your week been?

Hi, there! Thanks for talking with us. This week has been really exciting since we just released our new song and music video for All of These Things. We are really proud to share it with everyone. 

For those new to your music; can you introduce yourselves, please?

Still + Storm is a duo that consists of (me) Rachel Raymond and Dave Raymond. We are partners in music…and life! You may have heard David’s music from his former project, Damiera, or his current ones, Hidden Hospitals and Given Names. 

What is the derivation of that name, ‘Still + Storm’? When did the duo come together?

The name comes from a Brand New lyric: “They say that the captain stays fast with the ship through still and storm”. The sentiment speaks to integrity - which is something Dave and I strive for in our lives and work. We had been together as a couple for about three years before we began Still + Storm. We released our first E.P., Found, in 2014 and have been creating together ever since.

 

All of These Things is the new track. What is the story behind it?

In general, it’s a lament to all of the seemingly innocuous things in life that have a hidden darkness underneath. Scuff the surface and the shine comes right off. Specifically, I wrote this song reflecting on my strong beliefs related to animal rights. Since the meaning behind the song is quite dark; Dave intentionally created lightness and motion into the music. Also, I love the angsty guitar line in the chorus that our producer (J. Hall) wrote for the song.

I think the influence of all three of us gave the song needed dimension. 

PHOTO CREDIT: Daniel Fickle

Will there be more material coming later this year?

Absolutely. Our first E.P., Found, gave us a chance to create our signature sound. We landed on a layered, dreamy soundscape that is intentionally void of guitars. Break Away, our second E.P., integrated guitar and hints of Rock elements. For our next release, we plan to peel off a few more layers and create a stripped down, more straightforward Rock/Pop album. The magic is created in the studio, though, so don’t quote me on that!

Anything can happen.

Chicago is where you are based. How does the music scene differ compared to other parts of America?

That’s an interesting question…

I think it used to be easier to differentiate regional sounds when independent record labels ran the scene. The current Chicago scene, in my experience, is musically and culturally diverse. I also find it to be supportive and welcoming. That’s the best part, truly - making new friends at every show. 

PHOTO CREDIT: Jaret Ferratusco

I get the sense you have fairly similar musical tastes. Would this be true? How important is 1990s' Grunge, for instance?

If you’re referring to Dave and me, I would say that’s accurate. We are the same age and, although we grew up in different parts of the country, we had some similar music experiences. We grew up on our parents’ records. Later, Grunge music and culture was very important to me (and still is). I am nostalgic to a fault; so the 1990s are a time I look back on often.

Dave identified more with the Hip-Hop genre in the '90s and draws his influence from many current artists as well. We both consistently love the music that Thom Yorke makes - and Beck’s aesthetic. We still drink wine to Sam Cooke. 

Are there tour dates approaching? Where can we see you play?

We are focusing on writing, recording and releasing for the upcoming months, but we consistently jump on shows in Chicago. Track us on Bandsintown to be in the know!

PHOTO CREDIT: Jaret Ferratusco

Will you come and play in the U.K. this year?

Yes. What have you got for us?!

What do you hope to achieve in 2018?

We hope to create some new and interesting art. Music, merchandise - all of it. We’ve got the freedom of being able to twist the lens each time we make recordings for Still + Storm. It’s fun to dream of what a core idea, feeling or sound could be for the production process. Currently, we’re dreaming of our next E.P…and warm weather. 

If you each had to select the one album that means the most to you; which would it be and why?

Impossible! We love so many albums. I think many albums held intense meaning at different times in my life. I will say, though - for our wedding, I walked out to the intro of Codex off of The King of Limbs by Radiohead…

As you have probably figured out, I love Radiohead. A lot.

PHOTO CREDIT: David Raymond

Have you got a favourite memory from your time in music – the one that sticks in the mind?

I think the most memorable was our first Still + Storm show. We went straight out on tour and our first show was in Omaha, Nebraska. This was cool for a number of reasons but, mostly for me, because I was so influenced by the Saddle Creek (record label) bands, which is based in Omaha.

We came to find out that the owners of the venue we played are members of Cursive and the drummer from The Faint happened to be in attendance that night and caught our set. He said some kind words and it was an absolutely surreal experience for me. First show success!

What advice would you give to new artists coming through?

I think the most important thing is to be courteous and kind. I am so grateful for all of the artists and audience I've come across that have been so supportive before and after our shows. Pay that consideration forward: when you are attending or playing shows just start a conversation, buy their album and watch them perform...

The world is large but the music community can be quite small. Tiny gestures are often the most memorable. 

IN THIS PHOTO: Given Names

Are there any new artists you recommend we check out?

I am a bit biased but I adore Given Names - the Electronic, down-tempo project Dave is involved in. It has so much depth and beauty. It is worth a look and a listen.

Finally, and for being good sports; you can each choose a song and I’ll play it here (not any of your music - I will do that).

Sylvan Esso - Slack Jaw

CLOSENESS - More Romantic

____________

Follow Still + Storm

PHOTO CREDIT: Jaret Ferratusco 

Facebook:

https://www.facebook.com/stillandstorm/

Twitter:

https://twitter.com/stillxstorm

Instagram:

https://www.instagram.com/stillxstorm/

INTERVIEW: Foliage

INTERVIEW:

 Foliage

___________

THERE is a lot to digest when it comes to Foliage…

and his music. Manuel Joseph Walker is the man behind the moniker. He has been talking about his album, III, and the stories behind the songs; how it differs from his earliest work; whether the U.S. songwriter is planning on coming to the U.K. at all – he talks about the music he was raised on.

I ask what the scene is like around Southern California; what he hopes to achieve this year; if it is daunting releasing a third album by the age of twenty; what his favourite musical memory is – he ends the interview with a cool song!

___________

Hi, Foliage. How are you? How has your week been?

Hi, Sam. I'm doing great; my week has been well. I just turned twenty about two weeks ago (April 3rd) and released my third single, The Other Day. It's been doing quite well and I’m really glad about how well it's been received. I've watched a huge jump in Spotify monthly listeners from 2,000 to over 32,000 in a very short time. It's really bizarre and feels really great. I hope these numbers can stick and people will keep listening and enjoy my music for time and time again. 

For those new to your music; can you introduce yourself, please?

Hi. My name is Manuel Joseph Walker. I am a twenty-year-old from San Bernardino, CA. I currently reside in Rialto, CA, which is about ten minutes away from S.B. I started going to school in Rialto in about 7th grade and met some friends that would later become my best friends today. I started creating music in my sophomore year of high-school at the age of sixteen using nothing but an old Windows XP computer, Ableton and a guitar.

I have two records out; my first I released at age sixteen, called Truths (2015; Human Sounds Records/2017 reissue; Z Tapes) and last year's Silence (2017; Spirit Goth Records). My third record, III, is out this Friday, April 20th and I'm really excited for you all to hear.

It is my favorite record, and I think it is my best. I hope you love it and you think so too. I put my heart and soul into this and I strive to make each record better and better. No filler whatsoever: just great music for you to enjoy endlessly.

The album, III, out now. What sort of ideas influenced the songs? Was it quite an interesting experience recording the record?

Last year's Silence saw me in a naïve, abusive relationship, and trying to escape that. Being my first real girlfriend and all, the amount of love I carried...or thought I had anyway, in my young mind and heart was just a young, naive, seventeen-year-old Manuel. A hopeless romantic longing for the comfort and sweet gestures he watched in shows like How I Met Your Mother (which I sampled dialogue from in the intro for The Other Day - the third single from III).

With this year's III; I feel back on my feet, with my head on my shoulders and a more secure head. I know how to be treated and I've come to hold more value in truer things like friendship and family. I wanted to write a record on that as well as my love life over the past year - up to my now over, sort-of ‘relationship’.

There's probably like two-three girls in here that have songs about them, but most of them are about this one really cool girl. I really cared for this girl and it was awesome getting to know her over the time spent together. We had lots of fun and I'll always cherish the time spent together. I just thought she was really awesome and, as all relationships do inevitably come to an end, valued her friendship over her love; I couldn't bear to potentially hurt her. Track one, It's Time, being the narrative of me standing my ground and remaining independent: "It's time to rehearse our goodbyes for a minute or two/I must take me away from you. Eventually, we'll die and I’ll find another just like you/just like you..."

How Have You Been? is about somebody you miss, that you haven't seen in a while; that you'd love to hear from once again. Take Your Time, I Don't Mind is about having patience in a slow forming relationship, whether that be of love or lust, and not pushing each other's issues onto one another.

Come Over is about the girl you really want to ask out. Overcoming shyness, as well as meeting and telling each other about ourselves. Decision is the first song where the 'really cool girl' I had previously mentioned comes into play, all of, I guess, the more honest songs on this record are about her, so you can guess. This song is about wanting to see each other more often, we can both feel it; we're getting closer. My insecurity gets the best of me: "You go to school/I stay in my room high. Been smoking with my friends to pass the time. You go to work/I've got no goals in mind. I write this song you listen then decide…" Will we become something, who knows? "To take me in your arms/and never let me fall out. To take me in your heart/and show me what you're all about..." 

Value is my favorite track from the new record. The track tells the story of a modern romance and not wanting to rush into things. Simply enjoying our time and friendship together as it goes, and not wanting to put any strain on us by enforcing any labels: "Can we skip that part about falling in love with each other? I value you too much as a person to potentially hurt you". It's been a while since I have been in any sort of relationship, as it was for her, and the track acts as a confession of my feelings towards our time spent. "It's too early on to tell you how I feel about you. I know you're nervous too/it's been a while since you've been out too. I know that you really like me, and I would like to, let you know that I’m into you. It's been a long time since I’ve said that before but I mean that, how about you?"

League is about another girl, who I really liked previously, but didn't get the chance to end up seeing due to her insecurities, claiming I was out of her league. "Our time gets only wasted away/when you think this way…that first time we hung out, we didn't get the chance to follow-up to find out our similarities, that could tell me..." Is it something more? I just can't possibly believe when she says I’m out of her league; I truly like her and I'd like her to see that: "Hey girl, can you tell me what you wanted to see in me? Hey girl, can you tell me what you wanted to seek from me? You say I’m out of your league but that's not true, you beautiful fool..."

I'll Miss You returns to the girl most of the songs are about...after we have parted ways. The reason being my lack of commitment and not wanting to jump into a relationship with such strong feelings so soon. I wanted time to take us, as our love had seemed to grow very naturally. I'll cherish the time we spent together and I wish her good luck in her future endeavors of life: "We could've been something if you wanted to stay. We could've been something but you want me to change...I'll miss you and all the days we'd stay up late. I'll miss you,/I'd rather not partake in cliché...I'll wish you all the best in your days..." The Other Day is, probably, the most personal song on the record. This song means a few things, most importantly it's about my trust issues. Falling in love and having a companion has its perks but has many cons that people aren't aware of.

This is me at my most vulnerable self: "When you said you missed me the other day/did you really mean that? You took my heart away..." My last record was about me going through the motions and escaping an abusive relationship I was in. Here, I am; back again with a secure mind and heart, knowing true values and how I should be treated. No matter how bold I may seem to stand my ground whilst being in love, there's a soft side in there: "If you did/it meant a lot to me. Others have said that before but it's never struck a chord within me...” Affection is more than sex: affection is a connection and true friendship: "Oh, I thought I'd let you know for sure/I liked you for who you were/not just cause you took off clothes...”

Though; we may have come to an end and I wasn't ready to be in a relationship; I still cared for her and I wish her the best in her future endeavors - most importantly, not rushing into things and creating false love in her own mind. "Oh, I thought I'd let you know for sure/I liked you for who you were/don't rush into your next lover".

Let's Go Home is the final track and really ties it all together - one of my favorite songs I've ever written. It opens with a sample from Toy Story 2 of Woody saying "Let's go home"; which I often quoted in real life as well as grew up on the movies HEAVILY. I s*it you not, I had so much Toy Story-related gear, I even owned a Woody vest and hat. Haha. This is the truest song of remaining you and having complete focus. Knowing what really matters in life and looking out for your own best interest. Not constantly longing for love and falling into depressive and, in my case, with my O.C.D., compulsive cycles.

Ridding yourself of all form of relationship and valuing true things like family and friendship, living your life to the fullest. This life is short, focus on now: "Let's go home/where you're comfy In chase/and I'll take my pace...I know that you want me to be your man well I say no...Can I live my life for a little while? Do you mind/I've got a long way to go in my life. How far am I? I've got a long way to go in my life...Where am I? Am I? Am I? Let's Go Home..."

Moral of the record: People come and go; keep your feet on the ground and your head on your shoulders and remain YOU.

Is there a song from the album that, to you, stand out from the rest?

Honestly: all of them...

Value is my favorite but ALL of them are amazing. I thoroughly love this record; it's my favorite, it's the most ‘me’ record I've ever done and I promise I’m going to keep getting better and better with each one.

How do you think your latest album differs from your previous two? Have you incorporated new sounds in?

It's the best one - and I think you'll think so too. I've really gone back to my roots here, bringing back the ‘chorus’ sound of my early E.P. that came before Truths, entitled Singles, but with a revamped and polished sound to match the growth in songwriting and production of Foliage. I've always refrained from using too much chorus in my records as there are so many Mac Demarco copycats out there, doing it super-blatantly…I won't say names.

I used chorus in the way I've been known to use for many years since my early recordings and in my live performances, and I wanted to capture that on my newest record. I've always been inspired by Johnny Marr's guitar tone; I was a huge fan of The Smiths growing up.

You are only twenty! Is it quite daunting releasing music at such a young age? When did you first come into music and start recording?

I think it's given me a lot of room to grow and experiment with my sound over the years. Starting at sixteen; I’ve written SO many songs, I've had so many ideas - but only a few turns into songs. I've had a lot of time to gain knowledge and push myself with not only producing in Ableton, but songwriting as well. I like to make J Dilla-esque beats on the side as well as Math-Rock. Will never be released, but I just love to create music and practice new production methods.

I've mainly stuck in the Indie-Rock field; Truths being a bit more Shoegaze-y and reverb-heavy with underlying jangle Pop and Post-Punk roots, whereas Silence being the quintessential clean, yet somehow hazy, modern revival of 1980s' Indie roots, as well as 2010s' Indie-Pop, a la Two Door Cinema Club and Phoenix.

I've come to clean up and just polish the Foliage sound more and more with each record. III is the most well-executed, produced and well-written work I've done so far. It pays true homage to my roots of music and the music I love the most: 1980s Indie/Jangle-Pop. These are my favorite songs I’ve ever written and it's so awesome to see that all the newer songs are gaining more attention than my earlier work, which was already praised through the BandCamp community and small indie D.I.Y. circles.

What sort of music did you grow up around? Did your parents expose you to a lot of different sounds?

I look pretty f*cking pale. Haha. But, we're a Chicano family. We own a lot of Chevrolet Impalas and ‘Low-Riders’; so my dad constantly bumped oldies and Chicano Rap like Lil Rob and MC Magic. He played a bunch of stuff like The Temptations, Dion and the Belmonts and Ritchie Valens. He also introduced me to some amazing s*it like Zapp, Timex Social Club and Cyndi Lauper.

My older sister is the one who introduced me to Indie music. She showed me The Smiths and The Cure when I was in, like, 4th or 5th grade - and that was the first time music gave me goosebumps. I fell in love with music. I just dove deeper into Indie-Rock as I got older, with bands like Bloc Party, Oberhofer; Two Door Cinema Club and Phoenix.

You are based out of Southern California. How important are the people and sounds of the area in regards to your own music?

I wouldn't say it's important at all. I will say this though: I am inspired by the amazing friends I have made as well as the amazing musician friends I have made. There's this band from my town San Bernardino, we're all really close homies; they're called Daise. Amazing musicians and dear friends of mine who deserve to be huge.

Do you have any gigs lined up? Where are you heading?

I have a record release show for III, this Saturday 4/21 at The Moroccan Lounge in Los Angeles, CA. Playing alongside Foliage will be underground favorites: Ruby Haunt, Harmless and TWEN. Tickets are on sale now. Hoping to tour throughout the year.

Anyone reading this and wants me to play in your city? Reach out to: foliagemgmt@gmail.com Upcoming dates: 4/21: The Moroccan Lounge (Los Angeles, CA); 4/27: Rialto High (Rialto, CA); 5/1: Brick & Mortar Music Hall (San Francisco, CA); 5/27: Weber Rations (Los Angeles, CA).

Will we see you come over to the U.K.?

I'd fuc*ing love that. Trying to make some big things happen this year. Hit me up: foliagemgmt@gmail.com

What do you hope to achieve in 2018?

I hope to have achieved a secure career in music. I hope my record does super-well and my fanbase keeps growing as rapidly as it is. I hope all of my new fans will go back and check out my last two records because they WILL NOT be disappointed whatsoever. I've put a lot of time and care into all of these. I hope you enjoy and have enjoyed my growth throughout the years. I'm not done yet (smiles).

Have you got a favourite memory from your time in music - one that sticks to your mind?

Foliage played High Sunn's E.P. Release Show for Hopeless Romantic last year in San Francisco at Bottom of the Hill. Justin and the band are very dear friends of mine. I met Justin in 2016; we toured around California. The release show was so beautiful but, what made the trip memorable, was a car ride with Justin. On our way to dinner, his parents' treat (so fu*king sweet of them), Justin had said: "I can't believe I’m sitting next to Foliage; Manuel Joseph Walker. Hahaha." I was like: "Aw man; I'm nobody special. Haha" - and he says to me: “Dude, you are my hero; I looked up to you for a really long time. I wanted to be you". Those words shattered my heart, coming from someone as amazing as Justin. I told him "thank you" and laughed and blushed...

We had a wonderful dinner with his parents, my band at the time and his band. We bid our goodbyes after dinner that night and it was so heartbreaking. When I got home; I had a High Sunn Hopeless Romantic E.P. to remember to the trip by and I placed it on my shelf in my room. I was listening to High Sunn as soon as I got home. I was explaining to my brother, Anthony, who plays bass in my band for live shows, The Conversation. Upon telling him what Justin said, I burst into tears. I couldn't stop crying for like two or three hours. Hahaha. I messaged Justin some heartwarming messages and texts telling him how much I love him and his family and how grateful I was to have a wonderful friend. Another time that really wowed me was becoming friends with Justin Vallesteros - Craft Spells himself. Super-inspirational to me when I started; loved that he was a lone-producer and musician.

He considers himself more of a producer than a musician, and I feel the same. We both love skateboarding, J Dilla and marijuana. Haha. My kind of guy. Messaging him the night before I released the first single of III, he told me that my guitar work has gotten "really f*cking good" and that I have even inspired him to pick up the guitar again. Huge moment of joy for me. What an awesome guy. We swapped demos and talked about the future and hanging out the next time in S.F.

If you could support any musician alive today, and choose your own rider, what would that entail?

Honestly; I don't even know. I really fu*k with chocolate chip cookies; so cookies could be one. Skittles are pretty dank too. Hahaha.

What advice would you give to new artists coming through?

DON'T GIVE UP. BE PATIENT. I've almost given up many times out of discouragement. It may seem a long way to the top but, if the music is good, it's good. Someone's gonna hear, eventually, and your hard work will pay off.

IN THIS PHOTO: Sonif

Are there any new artists you recommend we check out?

I'll put three...

Hank LW, Sonif and BeerBellyJake 

IN THIS PHOTO: BeerBelly Jake

Do you get much time to chill away from music? How do you unwind?

I tend to spend MOST of my days working on music but, recently, as the music gets more popular, I just find myself on the computer more and more often; talking to people, sending emails - stuff like that. I do give myself a lot of free time, though. I like to unwind by chilling with my homies and smoking many bowls of marijuana. Hahaha.

Finally, and for being a good sport; you can choose a song and I’ll play it here (not any of your music, I'll do that)

Not a song, but this is my brother Anthony's debut E.P. - and his first hand at music. It's really good...and I recommend you listen.

Mineman is my favorite track

Thanks, Manuel (Foliage).

____________

Follow Foliage

Facebook:

https://www.facebook.com/M.JosephWalkerisFoliage/

Twitter:

https://twitter.com/foliage_man

Instagram:

https://www.instagram.com/foliage_man

Soundcloud:

https://soundcloud.com/foliagemusic

BandCamp:

https://foliagemusic.bandcamp.com/album/iii

Spotify:

https://open.spotify.com/artist/6GO4Noo5C7TXVHxGNClp2w

INTERVIEW: Gravves

INTERVIEW:

 Gravves

___________

THE guys of Gravves have been telling me more…

about their new tune, Hello Sailor. I was interested finding out about its origins and how they feel about getting attention from Radio X; what we can expect from their E.P., Oh, the Joy; how they got together – I ask how they feel about the spate of heavy and urgent bands coming through right now.

The lads talk to me about their future plans and gig dates; which musicians they count as idols; whether there are any new acts we need to get behind – they tell me how they unwind away from music.

___________

Hi, guys. How are you? How has your week been?

We're good! Working at the day jobs, apart from Ad, who is in Japan. So; we haven't really seen much of each other for the past month, which is a bit strange.

For those new to your music; can you introduce yourselves, please?

We are Gravves; a three-piece noisy Rock band from North Wales; made up of Adam Hughes (Bass/Shouting), David Thomas (Guitar/Singing) and Tom Williams (Drums/Minor Backing Vocals).

Talk to me about your song, Hello Sailor. It has been getting attention from Radio X and NME. What inspired the song – has the reaction surprised you at all?!

Like most of our songs, on the surface, it's a bit mad but, beneath, it's quite emotive. It's about getting through that horrible limbo moment of a breakup...

The reaction has really taken us by surprise; we're still trying to process it. We've never been picked up by Radio X before, and being Track of the Day on NME just doesn't seem real. When you sit on songs for a while, it's easy to lose perspective of what your good tunes are.

So, it's a confidence boost too. Anything which can help us get it out there is massively appreciated. We don't take it for granted.

The song is taken from the E.P., Oh, the Joy. What sort of themes influenced the songwriting throughout?

Frustration and progress; getting through hard times, with some cynical humor thrown in. We don't take ourselves too seriously: we just want people to come down, get a bit weird and have a good time, no matter what is happening in their life. 

That's the message at the centre of it all.

How did Gravves get together? Take me back to the start…

Adam and Dave were in school together and grew up playing in bands. Later, they met me (Tom) through the local music scene. There's a lot of cross-pollination in bands where we live.

You are based up in North Wales. Is there much of a scene where you are? Is it easy enough to get gigs and get your music out to people?

There's such a high calibre of music in North Wales. It's an exciting time to be part of the scene. We're biased, but we believe some of the best new music in the U.K. comes from where we are. The pinnacle of it all is an event in Wrexham called Focus Wales. It showcases new Welsh music and draws in some big names too. In recent years, we've had the likes of Slaves, The Joy Formidable; Future of the Left, British Sea Power just to name a few...

A lot of heavy and raw bands are coming through right now. Do you think Punk and Rock are starting to overtake Pop in terms of impact and popularity?!

Rock and Punk will always be a bit of an outsider thing. If you take a look at BBC Radio 1's playlist, there's still a lack of heavy/raw bands but there's also Daniel P. Carter's show, which is massively popular. We like Pop music, though. There's some great stuff on the radio which is still new and adventurous: Dua Lipa, Post Malone and The Weeknd...

Going back to your question, though. Maybe Rock and Punk isn't taking over but people are more open to hearing it now. People's listening habits are so different. It wouldn't be weird to speak to someone who loves Black Sabbath just as much as they love Beyoncé.

Which musicians do you all count as idols?

We tend to look at whole bands more than specific people - Queens of the Stone Age, Death from Above; The Eighties Matchbox B-Line Disaster, Pulled Apart By Horses and Foals. That's not an exhaustive list, though.

Do you have any gigs lined up? Where are you heading?

We do! After the EP is released, we are heading to the following places:

28th April - LIVERPOOL, Wrong Festival

4th May - SALFORD, The Eagle Inn

6th May - LIVERPOOL, Sound City

10th May - WREXHAM, Focus Wales

11th May - PRESTON, The Ferret

12th May - WREXHAM, Focus Wales

19th May - NEWCASTLE-UNDER-LYME, The Rigger

26th May - LLANIDLOES, Kingsfest

27th May - DIGBETH, Wagon & Horses

20th June - LONDON, Aces & Eights

21st June - LONDON, Sebright Arms

What do you hope to achieve in 2018?

We want to get to the point where people look a poster, see our name on and think: ‘Oh yeah; I know them. I definitely want to go to that’. We're happy with the E.P., so getting it out to as many people as possible is a big aim for us. That's going to plan so far. Once it's out, we'll be on to the next thing; whatever that is.

We'll keep pushing forward, though. Everything which is happening for us right now is amazing - but we want to see how much further we can take it.

Have you each got a favourite memory from your time in music – the one that sticks in the mind?

When you've been releasing music for years, it can feel like you're bashing your head against a wall after a while. We've each been in bands where members have left; the spark has disappeared or it just wasn't working anymore. When we started Gravves; we might have lowered our expectations a bit. We thought people would only be casually interested.

Then. we played a couple of gigs after our first E.P. - namely Wrong Festival in Liverpool and Focus Wales - and people filled into the room before we started. None of us had felt that sort of buzz for a long time, and it definitely added a bit of purpose.

If you could support any musician alive today, and choose your own rider, what would that entail?

We're playing with Future of the Left this month, who we love! Probably them and Queens of the Stone Age - just so we can meet Josh Homme.

We would probably be dull and sensible with the rider, to be honest. Plenty of booze though.

What advice would you give to new artists coming through?

Don't forget to enjoy yourselves: that is the whole point after all. You don't need to play loads of gigs; just good ones. You don't need to play for free. Any promoter worth their salt will at least give you petrol money. When you record, make the most of each release.

Throw together a video; send it off to as many places as you can. Ask for feedback if you don't get a response - you don't need to shape yourself around it, but sometimes a bit of constructive criticism can be really helpful.

IN THIS PHOTO: YONAKA/PHOTO CREDIT: Ryan Saradjola

Are there any new artists you recommend we check out?

LOADS...

YONAKA, Bryde; Chupa Cabra, Kidsmoke; Wax Futures, Mammoth Weed Wizard Bastard; Pushing Daisies and Dearist.

IN THIS PHOTO: Kidsmoke

Do you get much time to chill away from music? How do you unwind?

We have to squeeze music in around our jobs, childcare; family etc., so, not really! That can be exhausting sometimes. This past month has probably been the longest downtime we've had in a while. It's been nice, but we're itching to get out there again.

Thanks for this mate. We appreciate it...

____________

Follow Gravves

 Official:

http://www.gravves.com/

Facebook:

https://www.facebook.com/gravvesgravvesgravves

Twitter:

https://twitter.com/gravvesgravves

Instagram:

https://www.instagram.com/gravvesgravvesgravves/

Soundcloud:

https://soundcloud.com/gravvesgravves

YouTube:

https://www.youtube.com/channel/UCOcwmf1NJMPceakj3ntc5RA

INTERVIEW: Atlantic Machine

INTERVIEW:

 Atlantic Machine

___________

WITH a cracking new single out there for the people…

I have been chatting with Atlantic Machine about I Don’t Wanna Be Your Friend. The duo of Jim Lowe and Tiffany Page talk about the song’s background and their upcoming album, Mosquito (out on 18th May). I ask how Atlantic Machine got together and the sort of music that compels them – they talk about gigs and plans going forward.

The duo talks about favourite new artists and an album that means a lot to each of them; what advice they would offer new musicians emerging; if they ever get chance to detach from music – they tell me what one can expect from one of their live sets.

___________

Hi, guys. How are you? How has your week been?

Great, thanks. Been busy this week working on the video for the next single called Toronto - out April 27th.

For those new to your music; can you introduce yourselves, please?

Atlantic Machine is a London-based duo fronted by vocalists Jim Lowe and Tiffany Page.

I Don’t Wanna Be Your Friend is your latest cut. What is the story behind the song?

The story is fairly self-explanatory as read in the title but presented in a more tongue-in-cheek way.

A new album is out on 18th May called Mosquito. What can you reveal about the stories and inspirations that go into it? What was it like recording it?

The album has nine tracks inspired by many different themes, spanning from good and bad relationships; heartache and losing a friend, to feeling upbeat with some nostalgic moments. It was great fun to record the album and collaborate with talented musicians. It’s always exciting hearing the songs develop into their final form.

Is there a track from the album you would select as a highlight?

One of our favourite tracks is Automatic. It has some pretty special drum playing and string arrangements on it which capture a cinematic vibe.

How did Atlantic Machine find one another? Jim and Tiffany; how did you find one another?

As well as being the man behind Atlantic Machine, Jim is a Grammy Award-winning producer who works with many other artists. Jim met Tiffany whilst working on her Mercury-signed album in 2010.

How do you think your music has developed since your first sessions? Are you always learning and integrating new sounds?

The first, self-titled (Atlantic Machine) album was written, mixed and produced by Jim as a solo artist. Mosquito, however, sees Jim collaborating with Tiffany Page, which has brought a new flavour to the music. This album is slightly heavier than the first record and we’ve mixed vintage synths along with guitars and real strings.

Yes, we are always experimenting with new sounds and have no set boundaries with what we are laying on the tracks.

What sort of music were you raised on? Is there an artist you both gravitate towards?

Tiffany was raised on Neil Young, The Doors; Grateful Dead and anything '70s. Jim was raised on various things from the late-'70s and '80s, including David Bowie, Lou Reed; The Police, Japan and Iggy Pop. Both of us are pretty open-minded and into whatever has good vibes.

Do you have any gigs lined up? Where are you heading?

There are some gigs in the pipeline yet to be confirmed…

If we came and saw an Atlantic Machine show; what could we expect in terms of the sounds, set and sensation?

It would be a rocking, upbeat set with singalong tunes - including a few moody tracks.

If you each had to select the one album that means the most to you; which would they be and why?

For Jim, it would be Lou Reed – Transformer

Yes, a classic record. I was introduced to this at an early age and it just stuck with me. It just had a cool sound and great songs but, really I was drawn in by the album’s front cover!

For Tiff; her favourite would be Nirvana – MTV Unplugged in New York!

What do you hope to achieve in 2018?

We hope to bring Mosquito to many live audiences and keep being creative.

Have you each got a favourite memory from your time in music – the one that sticks in the mind?

For Tiff; being on a plane with Brian May from Queen and experiencing Glastonbury 2010.  For Jim; jamming with Jeff Beck, Ronnie Wood and Kelly Jones - and also meeting Keith Richards backstage in L.A., 2003.

What advice would you give to new artists coming through?

Just keep working hard, craft good songs and maintain an endless drive. Believe in yourself!

Are there any new artists you recommend we check out?

Jim really likes Wolf Alice. Also, Jim worked with a guy called Leaone, who has a good baritone voice and thought-provoking songs.

IN THIS PHOTO: Leaone

Do you all get much time to chill away from music? How do you unwind?  

What’s really good fun is finding the inspiration for videos and artwork. It gives your ears a rest and lets your eyes do the work.

Finally, and for being good sports; you can each choose a song and I’ll play it here (not any of your music - I will do that).

The Doors - The Spy

David Bowie - Ashes to Ashes

____________

Follow Atlantic Machine 

Facebook:

https://www.facebook.com/MachineAtlantic/

Twitter:

https://twitter.com/MachineAtlantic

YouTube:

https://www.youtube.com/channel/UCjZT-utqa0gR2o2mt3k7JTg

INTERVIEW: CHANCES

INTERVIEW:

 CHANCES

___________

THE tremendous trio of CHANCES…

are readying themselves for the release of their debut album, Traveler, and have been discussing its latest single, Fire to Go. I learn how the guys got together and learn what the music scene is like in Montreal – they recommend a new act to watch and discuss the music that inspires them.

I was keen to know whether they are coming to the U.K. and whether they have a precious memory from their time in music; what they have plotted for the rest of the year; the advice they would give new artists of the moment – they each select a great song to end the interview.

___________

Hi, guys. How are you? How has your week been?

Hey, Sam. Thanks for taking the time to listen to our music! We're busy getting things ready for our album launch and tour which kicks off in Montreal at the Phi Centre on April 26th, followed by dates in Quebec City, Toronto; Hamilton and Ottawa. Super-exciting! It's our first album…we can't wait to release it into the world!

For those new to your music; can you introduce yourselves, please?

We're a trio based out of Montreal. Chloé and I play synths/keys and sing; Vincent plays the drums. We've been together since 2016. CHANCES is a mix of our influences and cultures. We like to blend Pop hooks, synths and vocal harmonies with both electronic and organic sounds. The songs are rhythm-based because the writing usually starts off with one of Vincent's drum sequences or beats. Chloé and I share lead singer duties, often singing in unison or in harmony.

We're inspired by World music as well and like to see how we can fit that influence into catchy melodies with original harmonies. There's a feeling of openness to what we do, a willingness to stay curious and to touch upon universal themes.

To be visual about it…in concert, Chloé and I face each other with mirrored synth/keyboard set-ups. Vince is directly in the middle of us at his drum - and with the audience, we form a circle. From the beginning, we had the word 'empowerment' in mind. It's been a guiding element in the creation of the songs and our live show. Writing songs that will give energy to those singing and listening. This band is a lot about sharing and communion amongst the three of us and with our audience. There's a give-and-take we strive for that feels really good when it's happening.

What can you reveal about Fire to Go and how the song came together?

Fire to Go is an ode to resilience. It's a break-up song that was written to inspire strength. We have a way of writing together as a trio that works really well for us. This time, Chloé started with one of Vince's beats and composed the melody. I felt the melody had something powerful about it; especially with the way the chorus lifts-off. I sat down and came up with the first draft of lyrics. The rest came together as a trio; working on the arrangement and finishing the lyrics together. It was a fluid process. 

There is a relationship angle in the song – standing strong against easy temptation. Have you all experienced bad breakups and going back to someone?

I think that, whenever you break up with someone, there's always a certain amount of building yourself back up that happens afterwards: there's a period of time where you need to take care of yourself and figure out who you are now that you're not with that person anymore. This song is about that…it's about finding your footing again and believing in yourself; standing your ground, protecting your boundary. Sometimes, that's easier said than done and music can help inspire courage

When did CHANCES form? How did you all meet?

We met in Montreal and toured together to promote Chloé's second album. We realized there was something special about the three of us onstage together. We knew we wanted to keep playing together when her tour ended in 2016. So, we decided to try writing as a trio to see where it would take us. We went on a road trip to Bon Iver's Eaux Claires festival in Wisconsin in the summer of 2016. It really inspired us to see so many incredible bands; a lot of them with female lead singers of all ages and backgrounds – and, of course, Bon Iver live was equally amazing; we're all fans of his work. 

We came back from Wisconsin with our band name and lots of ideas for the project and started writing and recording.

I always ask Canadian bands whether there is a great scene in the country. What is it like for a musician in Canada?

We live in Montreal, which has a really vibrant scene! There are so many fantastic bands and artists coming out of Montreal and Quebec these days! We feel lucky to be a part of that scene!

Traveler, your debut album, is out (27th April). What themes inspired the songwriting? Was it fun to record the record?

Traveler is a collection of songs that talk about different themes ranging from love, truth; the power of your words, women's issues; kundalini/chi, breakups; loss and courage. 

We recorded it bit by bit over the past few years with our co-producer/recording engineer, Pierre Girard. We call him our ‘fourth band-mate’, even though he doesn't play live with us. He was a really important ally in the studio. The recording process was exciting, sometimes challenging and sometimes flowing easily. As we grew as a band, we also learned how to work together in the studio. It was really fun to hear the songs come together, transform and each become a shining diamond.

When you write a song, it pours out of your heart and mind often in a simple, rough form and you don't necessarily know how it will sound when it's all finished, arranged and recorded; especially in this type of project. You keep polishing it and polishing it till it reflects emotion in just the right way and makes you feel the way you want to feel when you sing it and listen to it. That made this a pretty exciting record to make!

Do you have any gigs lined up? Where are you heading?

We have a few gigs coming up! 

April 26th - Traveler album release show:  Phi Centre, Montreal

May 3rd - le District, Quebec QC

May 8th - This Ain't Hollywood, Hamilton ON

May 9th - The Burdock, Toronto ON

May 10th - National Arts Centre, Ottawa ON

June 12th - Centre des Arts, Opening for Alex Nevsky, Baie Comeau, QC

June 13th - Salle Jean-Marc Dion, Opening for Alex Nevsky, Sept-Iles, QC

June 15th - Felix Leclerc Cultural Centre, Opening for Alex Nevsky, La Tuque, QC

July 28th - Place du Marché, Shawinigan QC

August 2nd - Salle Jean-Pierre Houde, Chateauguay QC

August 9th - L'ange Cornu, L'assomption, QC

October 13th - Outremont Theatre, Montreal QC

Will we see you come over to the U.K.?

We would really love to tour the U.K. and are putting that out there (smiles). We're currently looking for an international booker…our show is ready to hit the road!

What do you hope to achieve in 2018? 

We would love to tour outside of Canada. We, basically, want to play these songs, reach out to as many people as possible and see the world as we do it! We also want to keep writing new material and to collaborate on a few songs as well. 

Have you each got a favourite memory from your time in music – the one that sticks in the mind?

A few summers ago, we were touring in northern Quebec. We had stopped in a small sea-side village called Petite Vallée. One night, Vincent cooked up an amazing meal over a fire on the beach. We used flat stones as plates and had this amazing seafood pasta meal and white wine as the sun went down; sitting around the glowing fire, the Atlantic Ocean as a backdrop. It was unforgettable!

If you could support any musician alive today, and choose your own rider, what would that entail?

Oh wow; what a fun question! 

Seeing as Bon Iver was sort of a spiritual father/guide to our band; I would have to say we would love to open for him! 

Our rider…

Chips, kombucha; chocolate, red licorice; veggies, fruit; Diet Coke, Diet Pepsi; beer, crackers; gouda and Babybel.

What advice would you give to new artists coming through?

Write.

Read, see inspiring movies; travel, keep your brain fed.

Take walks. Play outside. 

Write some more.

Check out some live shows. Learn a new instrument.

IN THIS PHOTO: Thus Owls

Are there any new artists you recommend we check out?

We recommend Thus Owls. They aren't exactly new but they don't have the recognition they deserve!  They're based out of Montreal and their music is magic. Here's a link to one of their songs.  

Do you get much time to chill away from music? How do you unwind?

All three of us love to travel. Vince is a great cook; I (Gen) jog and do indoor climbing; Chloé hangs out with friends and jogs.

Finally, and for being good sports; you can each choose a song and I’ll play it here (not any of your music - I will do that).

Thanks (smiles).

Vincent: You and I - Local Natives

Chloé: Fourth of July by Sufjan Stevens

Gen: New York by St. Vincent

____________

Follow CHANCES

Official:

https://chancesmusic.bandcamp.com/releases

Facebook:

https://www.facebook.com/chancesmusicchances/

Twitter:

https://twitter.com/CHANCESMUSIC11

Instagram:

https://www.instagram.com/chancesmusic/

Soundcloud:

https://soundcloud.com/chancesmusicchances

YouTube:

https://www.youtube.com/channel/UCuua84OXwsai2TEZ8PIUlPQ

BAND PHOTOS:

Etienne Dufresne

INTERVIEW: Sisteray

INTERVIEW:

Sisteray

___________

I am pleased I get a chance to chat with Sisteray…

as it has been a little while since I last featured the boys on my pages. They tell me more about their new single, Algorithm Prison, and the story behind it. I ask whether privacy and data protection is something we need to all be more aware of; if the guys have more material brewing for later in the year – they talk about their formation and how their music has progressed since the earliest days.

I learn more about the tour dates booked and new artists we should be checking out; what the mood is like in the Sisteray camp; if they spend time away from music relaxing – the guys each select a song to end the interview.

___________

Hi, guys. How are you? How has your week been?

It’s always non-stop in Camp Sisteray. This E.P. isn’t even out yet and we’re already back at Sisteray H.Q. in Haggerston writing new material…always moving forward. Algorithm Prison was premiered on Radio X on Thursday and we’ve been announced as the headliner for Soma Fest in Chelsea on 21st April; so, a good week all in all.

For those new to your music; can you introduce yourselves, please?

We are Sisteray from London Town and we are the future of the Post-Post-Post Punk generation.

Algorithm Prison sounds like an interesting title! What is the story behind the song?

This tune is more of a rallying call than a storyteller. Niall does this spoken-word part in the middle of the song when we play it live which goes: “This is Algorithm Prison. It's is about the darker side of social media. We’re fed up of having random posts and adverts rammed down our throats day in and day out and we want to know if you’re happy being a target market because we’re not!”. That sums up the song perfectly.

At a time when the Cambridge Analytica scandal is still raw; do you think we all need to be wary of privacy and how much of our data is being given away?

Yes, absolutely. Should someone in, I don’t know, Outer Mongolia, be able to target people in rural U.K. towns with ads saying immigrants are coming to take their jobs?! Absolutely not. That sort of thing is dangerous to our democracy - and who knows what would happen if malicious people got hold of your personal information?!

We started our own Cambridge Analytica-style personality test called ‘Are You Trapped in an Algorithm Prison?’ under the guise of ‘Hoxton Analytica’. It’s ironic, but a lot of people ended up signing up to our mailing list to take the test.

I last chatted with you about your 15 Minutes. It had an original concept. Do you feel it is important to keep fresh and stand away from the mainstream/predictable?

Absolutely. People consume music much differently these days and it’s important that you live and breathe what you do as an act. We believed in every aspect of 15 Minutes, from the theme, to the art; the special fifteen-minute shows we performed and to ensure the release was exactly fifteen minutes long, as that was our fifteen minutes… a moment in time where we could put down our flag and make a real statement.

I understand an E.P. is due very soon. Can you reveal its title and the sort of themes that inspired the songs?

We can’t reveal the title until Vallance Records does but it’s another statement piece from us, that’s for sure. Algorithm Prison provides a great taste of what’s to come. We take shots at the press, the stale state of the music industry and more…

That’s all Sisteray can say for now!

How did Sisteray come together? Do you share similar tastes in music?

We came together under odd circumstances, really. I’d wanted to start and band for a while and had been writing some tunes with my brother, the original drummer. I met Niall at some Thrash Metal gig at the old 12-Bar Club in Denmark Street. Me, Ryan and Niall wrote some tunes and booked a gig in Camden. Mick was an old workmate who joined three weeks before our first show, learning all the bass parts on an electric guitar. Believe it or not, the first time he ever strummed a bass was at our first ever gig!

Calum Landau recently joined us last year on the drums. He’s a fantastic musician and songwriter, as well as an up and coming producer/engineer - and definitely brings a lot to the band.

We all have quite eclectic tastes in music. In the tour van, we’ll listen to anything from The Clash to Eminem; Blondie, The Velvet Underground; Kendrick Lamar, Pixies; Bob Marley, Django Reinhardt and The Specials. We’ll listen to anything, really.

If you each had to select the one album that means the most to you; which would they be and why?

Nirvana – In Utero

One of the most honest albums ever made. Still gives me chills.

Do you guys have any gigs lined up? Where can we see you play?

21st April – Soma Fest, Chelsea

8th April – Café INDIEpendent, Scunthorpe

1st May – The Workman’s Club, Dublin

3rd May – The Black Gate Cultural Centre, Galway

18th May – The Great Escape Festival, Brighton

19th May - The Royal Standard, Sheffield

2nd June – Camden Rocks Festival, London

20th July – NambuccaPalooza Festival @ Nambucca, London

14th-15th September – AnfiRock Festival, Huelva

17th October – 100 Club, London

If you had the chance to support an artist, and choose any rider; what would that include?

Would love to warm up the crowd for John Cooper Clarke, the same way he used to warm-up Punk crowds; that’d be something special. As for a rider; just a table tennis table, some balls and a bat. That’d keep us entertained for hours, just as the Sheffield Hallam Uni student union did.

Oh…and some vegan sausages for our Mick.

What do you hope to achieve in 2018?

We just want to connect as many people as possible; make them feel part of a community. We’d like to give as many hardworking grassroots bands and venues a leg-up as possible and make and release as much music as possible.

Have you each got a favourite memory from your time in music – the one that sticks in the mind?

Our Camden Rocks headline set at The Good Mixer (last sometime). That was the most eventful hour or so of my life…I’d never seen so many people packed into a space like that! Non-stop crowd-surfing all night; just the way it should be!

What advice would you give to new artists coming through?

Don’t rush into anything: take your time to develop a great sound and great songs and don’t be afraid to make mistakes along the way because that’s how you learn. Also, copy no one. Be yourself and don’t be afraid to be different…even if it takes a while to break through…

Eventually, you’ll stand out from the crowd.

Are there any new artists you recommend we check out?

485C, The Black Roses; Aerial Salad and Nadia Sheikh.

Do you all get much time to chill away from music? How do you unwind?

No, not really! Whenever we’re not selling vegan pies or promoting our own shows, we’re on the road or going to gigs! We live and breathe everything we do and we love it!

Finally, and for being good sports; you can each choose a song and I’ll play it here (not any of your music - I will do that).

Calum: The Lemon Twigs – These Words

Niall: A$AP Rocky – A$AP Forever

Dan: The Vaselines – Son of a Gun

Mick: Novelist - Stop Killing the Mandem

____________

Follow Sisteray

Facebook:

https://www.facebook.com/sisterayuk

Instagram:

https://www.instagram.com/sisterayuk/

Twitter:

https://twitter.com/sisterayuk

YouTube:

https://www.youtube.com/channel/UCOVPk89e9CkwhjUEUI-beuQ

Spotify:

https://open.spotify.com/artist/6V3DWPiSRV61NH7sK1xVb2

INTERVIEW: PBSR

INTERVIEW:

PBSR

___________

IT has been cool speaking with PBSR…

about his upcoming E.P., …and dusky doors. It is released on 27th April and is crammed with wonderful songs and fascinating insights. He reveals the inspiration behind the song, Volcano, and what defines the E.P. as a whole.

PBSR talks about moving from Spain to London; how he got started in music; the albums and artists who mean a lot to him; what gigs he has lined up; what advice he would give to new musicians – he tells me about a particularly fond musical memory.

___________

Hi, PBSR. How are you? How has your week been?

It’s been great, thanks. Just arrived from my hometown, where I’ve been chilling for a week. Also, I'm doing a gig as the bass player of MAVICA.

For those new to your music; can you introduce yourself, please?

I am a 24-year-old composer and multi-instrumentalist from Murcia, Spain. I’ve got a Classical background and also write music for pictures - in addition to working with graphic designers, photographers and other artists in art exhibitions and performances.

...and dusky doors is your new E.P. How would you define it in terms of the themes it explores?

This E.P. represents a journey that starts when I left Spain to come to study in London - and all those ‘dusky doors’ that I’ve had to face since then. There is openness and embrace of the natural world throughout.

How important was it providing a lyrically and musically panoramic, scenic sensation?

I feel that music is intimately related to the image and, therefore, to the (visual) world we live in.  

I am interested in the song, Volcano. Can you talk a bit about how it came together and the role it has in the E.P.?

It’s got a very important role in the E.P., at least for me, as it was the song that gave me the inspiration to shape the E.P. - and it kind of influenced the rest of the songs to have a similar aesthetic approach.

What do you hope people get from the E.P.? Is there a message you want the listener to take away?

The process of making this E.P. has taught me a lot of things: to be patient, to trust myself and to work consistently until something is done. Hopefully, people can read through that message and, through the music, find themselves their own meaning.

Murcia, in South East Spain, is where you were raised. Did your parents bring music into your life at an early age?

Yes. My mother played in a Folk band in Murcia and my father has been my source of music inspiration from an early age. I started to study classical guitar when I was seven with an old Admira Spanish guitar that my mother had.

Can you remember a time or artist who changed your world and set you on this path?

My father used to play a lot of Mike Oldfield. I think he was one of the first and most important musicians I’ve ever paid attention to - and I still think I have something that reminds me of him in my music. Later on, when I was sixteen, bands like Sigur Rós and Explosions in the Sky opened my mind to other territories I had never explored before.

Do you have any gigs lined up? Where are you heading?

I’ll be playing WAM Festival in Murcia on 5th May. It’s going to be great to present my new E.P. there - in front of all the people that have seen me grow, both as a person and as a musician.

I’m also supporting Telefon Tel Aviv on 24th June at Achspace, London.

If you had to select the three albums that mean the most to you; which would they be and why?

Mike Oldfield - Tubular Bells III

It was the first album I probably listened to from a critical and musical perspective, still being a kid.

Sigur Rós - Takk

With this album, I matured my musical taste and it opened a whole new world of possibilities never heard before.

Bon Iver - 22, A Million

An album that’s had a massive impact on me, emotionally and inspirationally-speaking.

What do you hope to achieve in 2018?

To play in as many places I can. In a few months, I’ll have the band ready, so we’ll be able to expand the set and reach a larger audience, hopefully.

Have you got a favourite memory from your time in music - the one that sticks in the mind?

I used to play with my older brother, Guille, and my friend el Monfly in a sort of American Punk-Rock band and it was hilarious. A few weeks back, I watched a few videos and I can’t believe it’s been more than ten years already!

What advice would you give to new artists coming through?

Just be honest with yourself and with your music.

IN THIS IMAGE: The album cover for Nonduermas (by Rey Lobo)

Are there any new artists you recommend we check out?

MAVICA, Rey Lobo; Malena Zavala and ASTRO...

 IN THIS PHOTO: Malena Zavala/PHOTO CREDIT: Victoria Cranstoun and Malena Zaval

Do you get much time to chill away from music? How do you unwind?

I try to meditate every day: it’s the way I’ve found to not think of anything.

Finally, and for being a good sport; you can choose a song and I’ll play it here (not any of your music - I will do that).

Sufjan Stevens – Movement II – Sleeping Invaders

____________

Follow PBSR

 Official:

http://www.pbsrworld.com/

Facebook:

https://www.facebook.com/pbsrworld/

Instagram:

https://www.instagram.com/pbsr.world/

Twitter:

https://twitter.com/PBSRworld

Soundcloud:

https://soundcloud.com/pbsrworld

YouTube:

https://www.youtube.com/channel/UC_mrtTijaJ2eVM9KMO4xylQ

Spotify:

https://open.spotify.com/artist/1hcR66sinceJiPFq2AgCGs

INTERVIEW: Patricia Vonne

INTERVIEW:

 Patricia Vonne

___________

THE prolific and extraordinary Patricia Vonne…

has been discussing her new album, Top of the Mountain. It is a full and intriguing record that boasts her traditional mix of English and Spanish-sung lyrics. I ask her about the album’s themes and why she concentrated on the idea of human embrace and uplift.

She talks to me about her upbringing and career so far; whether she has a favourite memory from music; if there will be tour dates outside of her home in the U.S.; what advice she would offer new artists of the moment – I ask what it feels like to be hailed as a Renaissance woman of Austin, Texas.

___________

Hi, Patricia. How are you? How has your week been?

I’m in Germany on a five-week tour promoting my seventh album, Top of the Mountain - so, I’m having a great time sharing my music and rockin’ each town!

For those new to your music; can you introduce yourself, please?

I’m a Latin Roots rocker from San Antonio, Texas residing in Austin. All my albums are bilingual. My music is Texas-influenced Roots Rock with a Latin flavor. My song, Traeme Paz, was featured in the film, Once Upon a Time in Mexico. 

 

Your seventh album, Top of the Mountain, is out on 25th May. What are the main themes and ideas you investigate through the record?

Triumph of the human spirit (Top of the Mountain); finding love the second time around (Tidal Wave); the power of the Holy Spirit (Illuminaria); love lost (God’s Hands); a wedding song (Canción de la Boda); Western mythology (Western Blood); Elvis (Graceland Trip); a song for my mother (Madre de Perla); human survival (City Is Alive); the challenges of dating in this day and age of online dating and #MeToo (Lil’ Lobo) - and  Lekker Ding is a coquettish love song inspired by the Dutch band, Golden Earring. It’s a charming Dutch phrase meaning  ‘sweet thing’ - which the lead singer called out to me when I shared the bill with them.

There is a celebration of the human spirit and the need to embrace something powerful and healing. Do you think, in these turbulent times, that message is paramount?!

Yes. It is paramount that we the people need to stand up and use our voices to resist the powers that be - that are devoid of human decency and moral compass. We are living in dark times.

The first track, Citadel, expresses this urgency: “This world is changing/our hands are tied/I’ve seen hatred lead the blind/Out of darkness comes the light/no more hatred no more lies”.

Have you noticed a shift from your earliest material? How do you manage to stay fresh but keep your identity intact?

For me, it’s about finding inspiration. I found tremendous inspiration with each song, and some were exciting collaborations. I love to travel and meet people from all over the world. I love languages and incorporating different cultures into the music. I’m always searching for a fine muse and curiosity ignites the fire.

 

You are a recent winner at the Madrid International Film Festival - Best Animation for Huerta de San Vicente. How did that make you feel?! Tell us more about that video…

That experience was life-altering. The honor of winning Best Animation in Lorca’s ancestral country is the greatest honor and confirms my intention of keeping his spirit alive and honoring his contributions. An added gift was meeting his niece, Laura Garcia Lorca. She invited me to an exhibition celebrating his life at Residencia de Estudiantes, which was the progressive school in Madrid where he met his influential friends Salvador Dali and Luis Buñuel.

I wrote the song as a homage to Federico García Lorca; one of the most influential Spanish poets of the 20th century. He was also a playwright and theatre director who, in a career that spanned nineteen years before his untimely death during the Spanish Civil War, resurrected the most basic strains of Spanish poetry.

Lorca spent summers at the Huerta de San Vicente from 1926-1936. Here he wrote some of his major works such as Romancero Gitano (Gypsy Ballads, 1928), Bodas de Sangre (1933’s Blood Wedding); Yerma (1934) and Casa de Bernarda Alba (1936), which I feature in my animation.

I visited his home, which is now a museum, in Granada, Spain and the experience was so impactful it inspired the song and animation.

I used original illustrations and stop-motion photography; illustrations by Patricia Vonne and Michael Martin. Rotoscoped by Johnny Villarreal (Edge of Imagination Station); music and lyrics shot and edited by Patricia Vonne.

You have been called a Renaissance woman of Austin, Texas. What is Austin like for an ambitious songwriter?

Austin offers a great quality of life. It’s a liberal pocket in a conservative state. It’s the home of many influential artists, so the potential to be able to collaborate with them is great. With over 4000 musicians in Austin, the competition is also stiff, so it keeps you on your game.

We have entities like Austin Music Foundation that offer complimentary educational programs about the business, which is very helpful.

Every night of the week, you can go out and listen to live music, which is very inspiring. One of my favorites is Jimmie Vaughan at his weekend residency at CBoys. He gave me the best tip on guitar-playing since I’ve been playing lead on my instrumental compositions...he told me: “Just play what you hear”...

Thanks, Jimmie!

Which musicians mean the most to you? What sounds did you grow up around?

I would listen to the Cruzados, Lone Justice; Johnny Reno, Buddy Holly and Elvis...

I was greatly influenced by the Mexican folksongs of the Mariachis growing up in San Antonio. My parents encouraged music in the house and we would sing as a family, with my mom accompanying us on Spanish guitar and teaching us how to harmonize.

I feel honored to have worked with or shared the bill with some of my musical heroes like Joe Ely, Rosie Flores; Charlie Sexton, Alejandro Escovedo; Texas Tornadoes, Johnny Reno; Joe King Carrasco, Raul Malo; Los Lobos, Flaco Jimenez and Doyle Bramhall, to name a few.

Can we see you perform soon? Where are you heading?

A complete list of live dates is on my website. I’m on tour in Europe right now promoting Top of the Mountain. I have C.D. release parties back home in Austin TX at the Continental Club, May 26th; June 2nd at Sam’s Burger Jt. in my hometown of San Antonio and June 8th in Houston at the Continental Club.  I’ll be returning in the fall in Europe.

Will you head to the U.K. at all? Are you a fan of our music?

I toured the U.K. back in 2006 and got to perform a private event for Sir Michael Parkinson. I struck up a conversation with him about the film, The Slipper and the Rose, with British actress Gemma Craven (which is a family favorite). I enjoyed it immensely. I’d love to return.

What do you hope to achieve in 2018?

After the release of my new album, I look forward to producing more music videos and animation films with my own Bandolera Productions.

Have you got a favourite memory from your time in music – the one that sticks in the mind?

Touring as a member of Tito and Tarantula...

They scored many of my brother’s films, From Dusk Till Dawn, Desperado and Machete. Tito Larriva, the lead singer-songwriter, had a band called the Cruzados. They were hugely influential in my music. On my debut album, I wrote El Cruzado as an homage. On my new album, I co-wrote Western Blood with the lead guitarist of the Cruzados, Steven Medina Hufsteter. That was a dream come true - and I got to play lead guitar on the recording. I feel like an honorary Cruzado!

What advice would you give to new artists coming through?

Believe in yourself and your art. You have one life to live...so make it count.

____________

Follow Patricia Vonne 

Official:

http://www.patriciavonne.com/

Facebook:

https://www.facebook.com/PatriciaVonneMusic/

Instagram:

https://www.instagram.com/PatriciaVonne/

Twitter:

https://twitter.com/patriciavonne

YouTube:

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INTERVIEW: Marchildon!

INTERVIEW:

Marchildon!

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IT is great discovering an artist…

who has had a long career and continues to make bold and fascinating moves. I have been speaking with Marchildon! about the new track, Sweet Potato Kisses, and what we can expect from his album, Please Pass the Potatoes. He tells me about fond music memories and the new artists we need to check out.

The Canadian songwriter reveals the inspiration behind his latest single and how that amazing and nostalgic video came to be; what the scene is like in Toronto right now; if he will come to the U.K. and play – he ends the interview with a cool song.

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Hi, Marchildon! How are you? How has your week been?

I’m well. This week has been exciting. It feels good to release new music.

For those new to your music; can you introduce yourself, please?

I’ve been making music in Toronto for about sixteen years. The music I write and perform is Rock ‘n’ Roll songs sprinkled with a velvety Country tinge. I began playing bass in the critically-lauded, now-defunct Math-Rock quartet, From Fiction. While playing in From Fiction, I was encouraged to pursue my own projects. I had never really played the guitar before with songwriting as a focus. I quickly realized how fun and creatively rewarding it was.

So; ten full-length albums and one E.P. later; I think it’s fair to say that I’m happily obsessed…

Sweet Potato Kisses is your new single. What is the derivation of the track?

Sweet Potato Kisses is a song I wrote for my son, Charles. I quit my full-time job to take a part-time job on weekends when he was a one-year-old. I stayed home with him during the week when my wife went back to work. He loved mashed sweet potatoes for lunch. He’d have this orange sheen around his mouth and then he’d kiss my knees while I played the guitar for him, which he loved.

So, the song was right in front of me. He’d just stare at me with those big blue eyes. The song is about when a parent finds focus with their child and appreciates the time spent.

The video was shot by your uncle in the 1980s, is that right?! Was it hard digging it up – or was it something you had safe and treasured?

Yes. My uncle shot the footage on a VHS-C video camera in ’85 or ’86. I emailed my Aunt Mary around a year ago inquiring. They miraculously had it in a long-forgotten box in their basement. It was like receiving treasure! Really meaningful. I digitized the footage and then my friend Valerie Calam edited it.

Please Pass the Potatoes, your eleventh album, is out on 4th May. What sort of themes are addressed throughout? I sense a ‘potato’ theme shaping up…!

The album is about the simplicity of happiness, the relaxing joy of monogamy and a driving ambition for self-awareness; all seen through the lens of family life. As for potatoes, they are really easy to grow. You are very likely to end up with accidental potatoes. Just like a surprise pregnancy!

Is it hard coming up with new angles and materials so far into a career?! Does music itself give you constant inspiration?!

Not at all. I swear by a Lou Reed lyric from that Velvet song, Some Kinda Love: “Between thought and expression lies a lifetime”.

Yeah; I just love music. My evenings are mostly spent listening. It’s easy these days to keep up with what’s out there. I believe constant inspiration comes from constant repetition and practice. I believe everyone has a creative muscle. You just have to take the time to exercise it…

As Lou said: “The possibilities are endless”.

Toronto is where you are based. How would you describe the city’s music scene right now?

The Toronto music scene is constantly shifting and full of surprises. It’s a wonderful place to live and be creative. There are so many pockets with different scenes. I can go watch a Roots band or attend an Ambient music night. Whatever your flavour. 

The scene is overwhelming with talented people, young and old. It’s exciting!

What do you hope to achieve in 2018?

The same thing I’ve always hoped to achieve: giving my current musical project existence and then moving on. It’s very important to eventually get away from what you’ve been attached to creatively. Start from scratch; turn your eyes into a blank canvas and go for a long walk.

Have you got a favourite memory from your time in music – the one that sticks in the mind?

Definitely, the time spent in Chicago recording the From Fiction L.P. with Steve Albini. He was such a great person. Watching him work was inspiring; one of the most articulate people I've ever met; hard-working and to the point. I had serviced my Fender Bassman before leaving for Chicago.

Right when we were about to hit the record button, he came in over the talk-back and said: “Something doesn't sound right with your amp, Owen”. So, down he came along the winding stairs in his mechanic suit and took the grill off my amp. He got me to hit a couple notes. It was discovered that one of the two speakers on the amp wasn't working. So, I ended up using one of his homemade speakers, which sounded way better. So much chunk and aggressive low end. We were all amazed.

If you could select the three albums that mean the most to you; which would they be and why?

Have Moicy by Michael Hurley, The Unholy Model Rounders, Jeffrey Frederick and the Clamtones.

This is my all-time favourite Folk-Rock album. Listening to this album made me realize that you can write songs about anything. As long as you mean it. Also; Jeffrey Fredrick doesn’t get enough credit. His songs are clever and heartfelt.

Top Track: What Made My Hamburger Disappear by Jeffrey Frederick and the Clamtones

Crazy Rhythms by The Feelies

I love a jingle-jangle sounding guitar. It just doesn't get any better than this: a real meditative listen from beginning to end.

Top Track: Forces at Work

Cowboy in Sweden by Lee Hazlewood 

This album blends cowboy songs with Psychedelic production; well-written songs that exist in a world of their own. Everyone is always talking Phil Spector production: I say ‘Lee Hazlewood production!’.

Top Track: The Night Before

Are there tour dates coming up? Might we see you in the U.K.?

I will be playing The Cameron House in Toronto on May 4th to celebrate the release of Please Pass The Potatoes. (I’ll be playing on) Saturday, May 12th in Hamilton at the Capitol Bar. Opening acts for the shows: Julie Kendall (1977) and Jose Miguel Contreras (By Divine Right)

Unfortunately, no U.K. shows.

Is the stage somewhere you love being? How does it feel getting up there and playing songs to the people?

I was involved in a lot of theatre during my teens and early-twenties. Some film as well. I took acting in college. I like being on the stage. Playing songs in front of people is fun but what I love more is spontaneous banter. If I’m on top of my game with the stage banter, I find it fuels my band’s performance. It makes everyone loosen their grip and relax into their parts.

This is usually followed by stage moves and newfound postures. That’s when you know the show is cooking. That combination is what I live for when playing live.

What advice would you give to new artists coming through?

I would say just focus on your body of work and try not to get too obsessed with the notion of ‘making it’.

 IN THIS PHOTO: CupcakKe

Are there any new artists you recommend we check out?

Oh yeah. Here’s a list of artists I admire from this year so far:

Cupcakke, Sidney Gish; Shopping, Onyx Collective, Nap Eyes; TNC6, Maxo Kream; Birthing Hips, JPEGMAFIA; Ought, Loma; Jennifer Castle, No Age; Rolling Blackouts Costal Fever, Cut Worms; The Men, EMA; Portal, The Soft Moon; Lea Bertucci, Tal National; Iceage, Beach House; U.S. Girls, John Prine, Parquet Courts; Suuns, A.A.L; Mark Renner, MorMor; Colin Fisher, Victime; Dick Stusso, Abyss X; Park Jiha, Grouper, Kraus; Eric Chenaux, Andre Ethier; Wand, Snail Mail; Kilchhofer, Jenny Hval; Vive la Void, Jean Grae; Quelle Chris and Kamasi Washington.

 IN THIS PHOTO: Jean Grae

Do you get much time to chill away from music? How do you unwind?

It’s not really something I like to get away from. It’s always on my mind because it’s the only thing in life that I’m in total control of. No one’s telling me what to do with it because it’s inside my head. It’s my own private playful secret. It brings me great joy.

How do I unwind? Listening to records. It slows everything down.

Finally, and for being a good sport; you can choose a song and I’ll play it here (not any of your music - I will do that).

So Hot (Wash Away All of My Tears) by Spacemen 3. Thanks a lot Sam. This was fun!

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Follow Marchildon!

 Official:

http://www.purplehillrecords.com/

Facebook:

https://www.facebook.com/Purple-Hill-Records-29372939270/

Instagram:

https://www.instagram.com/purplehillrecords/

Twitter:

https://twitter.com/PurpleHillBand

YouTube:

https://www.youtube.com/channel/UCRkctfo973iPWjnHuNlVjJQ

INTERVIEW: RUEN

INTERVIEW:

 RUEN

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RUEN has been talking with me…

about her debut single, Bad Behaviour, and its background. I ask her whether there will be more material to follow; if there are new artists we should be backing this year; what it is like working with Palm Bay Music – I ask whether RUEN thinks female artists are being overlooked.

She is a producer and musician so, with that in mind, I ask why she transitioned from behind the microphone to step out-front; what gigs she has in the pipeline; whether her childhood household was a musical one – RUEN talks about ambitions and aims for the rest of 2018.

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Hi, RUEN. How are you? How has your week been?

I’m good. A little tired, as I’ve just adopted a little puppy - but it’s been a great week, thanks!

For those new to your music; can you introduce yourself, please?

Sure thing. My music has been described as early PJ Harvey-meets-Yeah Yeah Yeahs after a heavy night out sleeping with your ex.

Bad Behaviour is your debut single. Can you tell me about the background and how the song came together?

I wrote part of the song ages ago and then stumbled across it before Christmas last year whilst going through voice memos on my phone. I thought to myself: ‘Hmmmm; I actually quite like this…why didn’t I do anything with it?!’ I then brought it to a writing session and the song developed from there.

It’s about someone in an abusive relationship that keeps going back.

The track is quite Jazz-tinged and smoky. Was it a fun track to put together?

It really was. I actually ended up using most of the demo takes and then added to it later down the line. I love the break after the chorus - I had fun looping it over and over in the studio and jamming guitar ideas over it.

Will there be more material coming along? Can you reveal what other singles are in the pipeline?

There is, yes! My next single is due to be released in June and, following that, there will be a couple more singles.

What is it like working with Palm Bay Music? Do you get a lot of creative freedom and mobility?

As one of the founders of Palm Bay Music, I wanted to create a home for the music I was making - and so I set up an Independent music label. It’s been quite an exciting venture; we already have a second artist we are working with and are planning to release more music later this year.

You are a producer-turned-musician. What compelled the decision to embark on your own music career?

I’ve been very musical from an early age and was always playing in bands growing up. I think there was a point when working with other artists where I was thinking: ‘this is really cool - I wish it could be my song’. I really enjoy the production side of music as it can be so creative. I started co-writing for the first time last year and then thought to myself: ‘I love these songs; I’m going to have a go at self-producing and then release them’.

Female producers and artists are relatively overlooked and under-promoted. Do you think this is a problem that needs correcting?

I think it’s more about people’s awareness than a problem that needs correcting. The music industry has always been very much male-dominated, especially form the recording side of it, but I think more women are now speaking up and making themselves known.

The rise in social media has provided a platform for women to speak more about what they’re doing and, through this, I think they are gaining more recognition and people’s awareness and perceptions are changing.

Which musicians influenced you to take up music? Who are your childhood heroes?

I grew up with watching my mum play in bands and was always taken to her gigs. I think that got me into playing music, initially. My parents’ music was an eclectic mix of Folk and Heavy Rock; so there was lots of Queen, Deep Purple; Van Halen and Led Zeppelin when growing up.

When I started buying my own music, I was listening to a lot of Muse, Yeah Yeah Yeahs; PJ Harvey, Incubus and Placebo.

Can we see you tour soon? What gigs do you have coming up?

You can, yes. I’ll be at The Finsbury in London on 3rd July.

What do you hope to achieve in 2018?

That’s a hard one to answer! Musically, I’d love to do some more writing and start recording some new music. I already have a few new ideas that I’m ready to take into the studio. I’d also love for my music to reach as many ears as possible!

Have you got a favourite memory from your time in music – the one that sticks in the mind?

I worked with singer-songwriter Kimberly Anne recently on her album project and we recorded a track at Konk Studios in London. That was pretty cool. Such an iconic studio and seeped in so much history. It felt really great working there.

What advice would you give to new artists coming through?

Oh, wow. Well, as a new artist myself, that’s a tricky one! I guess I would say keep writing songs. I think we can get so caught up in everything else that is involved in being an artist these days such as being you own manager, accountant; label, booking agent, social media manager etc. that we forget that it’s all about the music we make.

So, yeah… just keep writing - it’s all about the songs.

IN THIS PHOTO: ARK

Are there any new artists you recommend we check out?

There’s an artist called ARK who I wrote with last year and she’s amazing. She has just released a new single. You should also go check out DIDI - proper Pop-Punk-Rock. She’s a great songwriter.

IN THIS PHOTO: DIDI

Do you get much time to chill away from music? How do you unwind?

I always make sure I get downtime.

When music turns from a hobby into a job, I find it’s so important to do non-musical things to wind down. I like to go walking and I often take long walks along the beach, which also often end up with sitting in a pub with a pint. I love reading and have a strange obsession with crime dramas - Netflix is my go-to at the moment. I enjoy watching Luther.

Finally, and for being a good sport; you can choose a song and I’ll play it here (not any of your music - I will do that).

I came across this band on Spotify called BLOXX and I’ve been hooked! Their song, Curtains, is currently on my regular listening list

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Follow RUEN

 Facebook:

https://www.facebook.com/ruenmusic/

Instagram:

https://www.instagram.com/iamruen/

Twitter:

https://twitter.com/iamruen

Soundcloud:

https://soundcloud.com/iamruen

INTERVIEW: Dakota Danielle

INTERVIEW:

Dakota Danielle

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THE debut single is always…

an exciting and eventful occasion for any artist. I have been speaking with the American songwriter Dakota Danielle about One Church and what inspired it. She talks about the artists who have inspired her to take up music; what it is like living and playing in Nashville; whether there is more material arriving this year – I ask whether she will come to the U.K. and play.

Dakota Danielle tells me about her studies in Tennessee and what she has planned for the rest of this year; if there are new artists we should get our ears around; what the music scene is like in Illinois (where she hails from) – the songwriter talks to me about her favourite albums and what she does away from music.

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Hi, Dakota. How are you? How has your week been?

Hi! I am doing good (smiles). My week has been busy - but in a good way!

For those new to your music; can you introduce yourself, please?

Of course! My name is Dakota Danielle and I am originally from Teutopolis, IL. I graduated from Middle Tennessee State and have been living in Nashville for two years, now pursuing a music career.

Your debut single, One Church, is out. What is the story behind it?

This song is about my hometown. It has a population of 1600 people and consists of one church and three bars. This song was written about the common characteristics (you hear) small towns have, but yet, there is still something unique about the town I am from.

What was it like working with Mookie & Evan (and) Michael J. Clouse III on the song?

It was a lot of fun! They were great to work with! I felt like my song was in good hands the whole time and we all shared the same vision.

Is there going to be more material coming? Might we see an E.P. later in the year?

Yes. There will be more music coming! I have another single recorded that I am excited to put out there later this year (smiles).

How did you get into songwriting? Was there an artist you were compelled by at a young age?

Songwriting, for me, started when I picked up the guitar my senior year of high-school. I wrote a song about my aunt who had passed away when I was young. I played it for my family and seeing how something I had written touch them emotionally made me really want to dive more into songwriting.

I grew up listening to Aretha Franklin, Toby Keith; Dolly Parton, The Beach Boys; Neil Diamond and more. I feel like I had a lot of different artists that influenced my love of music.

I know you are taking Nashville by storm – studying a degree in Commercial Songwriting at Middle Tennessee State University as you go. What are the people like in Nashville? Is it a great place to play?

I love Nashville! I feel like I am in a small town living in a big city (smiles). All the people I have met so far have been very nice and supportive. I love how there is music playing almost everywhere you go. It influences me and keeps me motivated.

You are from Illinois. What are the main differences between there and Tennessee, would you say?!

In Illinois, there is definitely more fields, farms and flat land - also, windmills are a common thing. I had a few friends comment on how they have never seen a windmill...and that was so strange to me because I saw them a lot living in Illinois (smiles).

Do you have any gigs lined up? Where are you heading?

I do! I am playing in Carbondale, IL, coming up and various places around Nashville in the coming weeks.

Will you come to the U.K. and play? Have you visited here before?

I would love to someday travel to the U.K. and play! I have never been.

If you had to select three albums that mean the most to you; which would they be and why?

I would have to pick the three albums I remember listening to all the time growing up because it brings me back to those memories.

Toby Keith - 35 Biggest Hits

I would have How Do You Like Me Now?! on-repeat

Aretha Franklin - Greatest Hits

Respect was my jam!

The Beach Boys - Sounds of Summer: The Very Best of The Beach Boys

Loved singing along to, pretty much, every song on this album!

What do you hope to achieve in 2018?

I hope to advance my music career in 2018 as well as grow as a person. I would love to have my music heard by multiple people in the hopes of helping them express joy or sadness.

Have you got a favourite memory from your time in music – the one that sticks in the mind?

I will always remember the very first time I performed in public. It was at the Effingham Country Fair Talent Show. I played New Strings by Miranda Lambert and it was the first time any of my friends/family really heard me sing. It was a memory I will never forget (smiles).

What advice would you give to new artists coming through?

I would tell them to never give up, believe in yourself and don’t be afraid to step outside of your comfort zone - because that will help you learn and grow as an artist (smiles).

 IN THIS PHOTO: Meg Williams/PHOTO CREDIT: Desirae Cop

Are there any new artists you recommend we check out?

Yes! My friends Meg Williams, Allie Keck; Jessilynn Kidd, Cory Fisher; Meredith Joi, Stevie Woodward; Luke Caccetta, Taylor Martin and New North are a few off the top of my head!

IN THIS PHOTO: Meredith Joi

Do you get much time to chill away from music? How do you unwind?

Music is a part of my life and, without it, I feel lost...but, if I have time to chill and unwind, I am definitely a Netflix person.

Finally, and for being a good sport; you can choose a song and I’ll play it here (not any of your music - I will do that).

I am choosing a song that I always love to listen to! Dust on the Bottle - David Lee Murphy (smiles)

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Follow Dakota Danielle

Official:

https://www.dakotadanielle.com/

Facebook:

https://www.facebook.com/dakotadaniellemusic/

Instagram:

https://www.instagram.com/dakotadaniellemusic/

Twitter:

https://twitter.com/DDanielleMusic

Spotify:

https://open.spotify.com/artist/5dsoBGWAERV53KgiJrZLHj

INTERVIEW: Hein Cooper

INTERVIEW:

PHOTO CREDIT: Eve Thomas

Hein Cooper

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FROM the North of England…

PHOTO CREDIT: Eve Thomas

I am now speaking with a songwriter who hails from Australia. Hein Cooper talks about his current track, Hear My Voice, and what it was like touring his debut album in Cornwall – the brilliant and celebrated The Art of Escape.

I ask Cooper whether he will tour in the U.K. and which artists have inspired him to get into music. He explains why this week has been a bit tough; what the scene is like in Sydney (where he is based) and whether he feels like he is moving into a new creative phase – Cooper closes the interview by choosing a pretty stunning song.

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Hi, Hein. How are you? How has your week been?

Hey, there. I'm good! I've been told to rest my voice by my doctor, so the last week has been a challenge regards not talking to anyone and staying quiet at home!

For those new to your music; can you introduce yourself, please?

I'm a singer-songwriter from Australia working with music inspired by artists like Frank Ocean, Bon Iver; Ben Howard and Chet Faker. I love the idea of what is possible with Pop music: a song can be very left-of-field and still be a Pop hit.

I think my music is an exploration of a more authentic version of Pop. 

Hear My Voice is your new single. What is the story behind the song?

I wrote this song over a year or so. It took its time and started off as a poem I had written; then I wrote the music later on and placed it in. It's a conversation I'm having with myself about the self-discovery I'd been going through at the time.

It delves into the idea that we create different versions of ourselves as we live and grow - and it asks the question: 'Is there any real self behind all these people?'

In a way, it seems to be the start of a new phase for you. Do you think this is a big change and time of transition?!

Yes. I think so. I've had a lot of time since the release of my debut album to tour and think about music. I think this has really given me a new perspective and maturity to what I'm working on now. 

What was it like working with producer Will Hicks on the track?

It was great. He's one of those people who's got a casual vibe whilst doing real complicated stuff and, because it was only the two of us in the studio together, he kept it flowing well. 

PHOTO CREDIT: Eve Thomas

You toured your debut album, The Art of Escape, and lived in Cornwall. What was that experience like? Did you learn a lot about yourself in that setting?!

Yes. As I said earlier; touring definitely moulded me as a person. Through 2016-2017, I played hundreds of shows through Europe and the U.S. without very much luxury or certainty. I'd be in Europe and have three-four shows booked weeks apart and have to figure out what to do in-between, without breaking the bank...

This led to staying with friends of friends, even grandparents of friends, in cities, small towns; near the ocean, arriving late at night and sometimes being stranded! It kept changing and, at times, it wasn't even clear what was happening the following week.

I think all of this really helped me develop into someone who was able to deal with that kind of stuff. It certainly helped me write new music. I ended up living in Cornwall for seven months after that and, basically, wrote music the whole time.

Sydney is where you are from. What is the music scene like there? Are there big differences between Australian and British music?

Sydney has a load of great musicians and songwriters at the moment and I think, more and more, are moving here which keeps lifting the vibe. It's the kind of place where you can get to the beach through the day and see a gig at night - which is pretty good in my opinion.

Is there more material arriving later in the year?

Yes.

Which artists did you grow up around? Did you live in a very musical household?

My grandma was an Opera singer and my brother played Classical piano, but my parents weren't very musical. I started listening to music a lot more when I went to high-school. I fell in love with artists like Angus and Julia Stone and Jack Johnson. I was learning guitar and they had all these cool things for me to try and learn.

Do you have any gigs lined up? Where are you heading?

Yes!

April 27th: Black Bear Lodge (Brisbane)

April 28th: Penny Black (Melbourne)

April 29th: Porch Sessions (Adelaide)

May 3rd: Leadbelly (Sydney)

What do you hope to achieve in 2018?

I'm taking it all as it comes (as things are always changing and reshaping), but I'd like to have more music out and get out there in the world to perform for as many people as possible.

Have you got a favourite memory from your time in music – the one that sticks in the mind?

There's a load. I've had one particular experience performing in Hamburg, Germany to a sold-out audience that I'll never forget. When people are all there in one room to hear your songs and you get the chance to share it, it is truly magical.

What advice would you give to new artists coming through?

Be real. Don't worry if you're different to what's currently popular, because artists come and go these days like they were never even there - so, you may as well give people something you feel is true to you.

IN THIS PHOTO: Julia Michaels

Are there any new artists you recommend we check out?

It's super-Pop, but I dig Julia Michaels. Others are Nick Hakim, SZA and Beach House.

IN THIS IMAGE: SZA

Do you get much time to chill away from music? How do you unwind?

Usually, it's a pretty constant thing - at least it's running through my mind always. If I get a chance, I like to go surfing.

Finally, and for being a good sport; you can choose a song and I’ll play it here (not any of your music - I will do that).

Thank you (smiles). Frank Ocean - Thinkin Bout You

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Follow Hein Cooper

Official:

https://www.heincooper.com/

Facebook:

https://www.facebook.com/heincoopermusic/

Instagram:

https://www.instagram.com/heincooper/

Twitter:

https://twitter.com/HeinCooperMusic

Spotify:

https://open.spotify.com/artist/75Cb1lVnzQa6mPaJA16Ho0

Soundcloud:

https://soundcloud.com/heincoopermusic

YouTube:

https://www.youtube.com/channel/UC_F0o-B1oztyo4Fh4nsew-A/videos

INTERVIEW: Beth Macari

INTERVIEW:

 Beth Macari

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I have been chatting with the awesome Beth Macari…

about her new single, Clone. It is out on 18th May and I have been given access to the track ahead of its release. It is a confident and inspiringly upbeat song from a young songwriter on the rise. I speak to Macari about her home of Newcastle upon Tyne and whether more material will come; the music she grew up around – what touring dates she has booked.

Macari talks about supporting Rae Morris and the albums that mean the most to her; what advice she would give to new artists; if she gets much time to relax away from music – a fascinating window into the life and work of Beth Macari.

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Hi, Beth. How are you? How has your week been?

I am great, thank you! I am en route to Barcelona; so, it is a good week so far.

For those new to your music; can you introduce yourself, please?

I am a Soul/Pop singer and songwriter from Newcastle upon Tyne.

Clone is out on 18th May. Can you reveal how the song came together?

I was in the studio. I wasn't in a great mood; so, I felt inspired to write a sassy but uplifting song – and, so, Clone was born.

PHOTO CREDIT: Daniel Stark, Vicky Hedley

The song has a classic Pop vibe you do not hear much nowadays. Was it important mixing modern sounds with those classic roots?

Definitely. That's what my music is about: channelling the sounds that inspire me but keeping the production fresh.

Which musicians have inspired your sound? Do you find greater inspiration in new or older acts?

I have always been inspired by the big voices of soul such as Aretha Franklin, Chaka Khan and Stevie Wonder. But, there are so many current artists and sounds that inspire me. I love listening to Anne-Marie and Jessie Ware at the moment.

Will there be an E.P. or album later this year?

I am working on the music for my debut album at the moment.

Newcastle upon Tyne is your home. What is the area like for music? Do you take a lot from the people and sounds around you?

Newcastle has some great music venues and a great live music scene. One thing I do take from the people around me is the dedication to their art. We Geordies give our music everything we have got.

You have supported big names - including Rae Morris. How important have these experiences been? Which artist, do you think, has taught you the most?

Rae Morris was lush. She had so much energy and appreciation for the audience. Every gig is as important as the next one. I try to learn something from every show I play.

Do you have any gigs lined up? Where are you heading?

I am really looking forward to performing at Hit the North Festival, in Newcastle, in May.

I’m also performing at Hardwick Live and Bingley Music Live in the summer and I will be hitting the road with my band later this year.

If you had to select the three albums that mean the most; which would they be and why?

Joss Stone – The Soul Sessions Vol. 2

Because it’s just lush - and I love her cover of Teardrops.

Paramore - Paramore

Because it’s so fun and has such a diverse mix of songs and interludes.

Alicia Keys - Unplugged

Because I love how raw and true her voice is. Her early music (such as Fallin' and A Woman’s Worth) will always be some of my favourite songs.  

Have you got a favourite memory from your time in music – the one that sticks in the mind?

When Nicole Scherzinger told me my voice came from the baby Jesus.

What advice would you give to new artists coming through?

Don’t forget why you are doing it. It’s easy to get caught up in the technicalities of the music industry: try to focus on your creativity and passion. 

IN THIS PHOTO: Anne-Marie

Are there any new artists you recommend we check out?

Anne-Marie! I was lucky enough to meet her when she performed on a Sky One show I fronted the house band on - and she was so lovely. Since then; I have followed her music and really love her sound.

Do you get much time to chill away from music? How do you unwind?

I like to go out for food with friends and family or go to the comedy stand in Newcastle. I think it’s really important to find time to switch off.

Finally, and for being a good sport; you can choose a song and I’ll play it here (not any of your music - I will do that).

I recently performed with The Manchester Camerata on a Motown and Northern Soul Show and Heatwave by Martha Reeves and the Vandellas has been stuck in my head ever since...

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Follow Beth Macari

PHOTO CREDIT: Ollie Rillands 

Facebook:

https://www.facebook.com/bethmacarimusic/

Instagram:

https://www.instagram.com/bethmacariofficial/

Twitter:

https://twitter.com/BethMacari

Spotify:

https://open.spotify.com/artist/4Ed1Lbt202UlmZRX7KQL75

Soundcloud:

https://soundcloud.com/beth-macari 

INTERVIEW: Cocoa Futures

INTERVIEW:

Cocoa FUtures

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THERE are musicians I always look to feature…

more than once because, every time I include them, there is a new angle or interesting revelation. I have been speaking with Cocoa Futures (Greg) about the hot new single, Sink in the Water, and its backstory. He looks ahead and reveals plans to release more material; why he and his band went on a brief hiatus – he tells me whether there are any dates in the diary.

I ask Greg what music he is influenced by and the new acts we need to keep an eye out for; if he has a favourite memory from his time in music; how he spends his relaxation time – he ends the interview with a rather good song choice!

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Hi, Cocoa Futures. How are you? How has your week been?

Good, thanks. Watched a bit of the Commonwealth Games. That was weird. Had a trip to Brixton. That was nice. Made a Gousto box. That kind of thing…

For those new to your music; can you introduce yourselves, please?

I’m Greg. I make music under the name ‘Cocoa Futures’ with my friends, Dave and Nick. We put out a debut E.P. in late-2016 and we’re following it up this year.

Sink in the Water is your latest track. What is the tale behind that one?

It’s about getting older and thinking about whether you’re growing or not. Not in a physical way: it’s not a song about getting taller...

You hooked up with producer Brendan Williams. What did he bring to the recording, do you think? Was it a good experience working at Manchester’s Low Four Studios?

Brendan and his studio are both great. It’s a pleasure to work with him.

What did he bring? I think you can think too deeply about why good producers are good producers. I think it, basically, comes down to the fact he’s really bloody good at music - and that he shares a vision of where things could go.

He’s also not afraid to bring out the bongos. 

The new track comes after a bit of a hiatus. Do you feel recharged and repurposed as a band?

Things feel pretty good at the moment; it’s nice to be popping songs out and playing shows. Things have also really livened up with a fancy new shirt that I bought.

I believe five other songs will be released this year! Can you reveal which song comes next?

Sorry. I’m not actually sure yet (smiles).

PHOTO CREDIT: Rou Gilissen

It seems Sink in the Water is a new direction for the band. The songwriting takes from new areas. Were particular artists in mind when writing the song?

I’ve been listening to loads of Prefab Sprout and The Blue Nile. I love how the songs are sung - and that’s definitely an influence.

The mood seems pretty good in the camp. Is this, do you think, the best time for Cocoa Futures?!

I think it’s a good time; I feel quite nice. It’s good to have six songs that I believe in coming out this year.

I’ve also given up vaping, which I think has made my voice better. Life is good.

What do you hope to achieve in 2018?

I’d love to play some more shows outside of London. Also; to be proud of the music that we’ve put out.

If you each had to choose the album that means the most; which would they be and why?

I’ll be a dictator and pick for everyone: In Rainbows (Radiohead). Cos it’s great.

Can we catch you perform anytime soon? What dates do you have coming up?

Yep. We’re playing our first full band show of the year on Friday, 11th May at Paper Dress Vintage in London.

Have you got a favourite memory from your time in music – the one that sticks in the mind?

Playing The Great Escape last year was really, really fun. A lovely, attentive crowd - and all done in time for tea.

What advice would you give to new artists coming through?

Don’t think too much...

IN THIS PHOTO: Kylypso

Are there any new artists you recommend we check out?

Kylypso’s last tune was a banger; Coby Sey keeps putting out amazing music; Hejira are incredible; Koalas from Manchester – played with these lot recently. Great!

IN THIS PHOTO: Koalas/PHOTO CREDIT: Adrian Lambert

Do you all get much time to chill away from music? How do you unwind?

Yes. I like watching golf. Golf is life.

Finally, and for being good sports; you can each choose a song and I’ll play it here (not any of your music - I will do that).

Stephane Sévérac – Hold on

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Follow Cocoa Futures

Official:

https://www.cocoafuturesband.com/

Facebook:

https://www.facebook.com/cocoafutures

Instagram:

https://www.instagram.com/cocoafutures/

Twitter:

https://twitter.com/cocoafuture

Spotify:

https://open.spotify.com/artist/06wSoowaQECM5FhKiLIXeJ

Soundcloud:

https://soundcloud.com/cocoafutures

INTERVIEW: Beach Riot

INTERVIEW:

Beach Riot

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MY quest for superb band-made music…

takes me to the shores of Beach Riot. I have been talking to Rory (Guitars/Vocals) about their latest pearl, Serial Scruff, and what the heck it is all about. He talks about their formation and how they have developed since their start – I ask whether new material is planned for the coming months.

Rory tell me what it is like having the support of Daniel P. Carter; the artists the band are influenced by; what their gig schedule is looking like; who they would support if they had the chance (and a dream rider to go with it); the albums that mean the most to them – Rory selects some new artists to get our gnashers around!

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Hi, guys. How are you? How has your week been?

Hey! Pretty damn good, thank you. Nice to finally not feel like we live in the tundra, eh!?

For those new to your music; can you introduce yourselves, please?

I’m Rory (Guitar/Vocals) and we have Cami (Guitar/Vocals), Jim (Bass/Vocals) and Jonny (Drums).

Serial Scruff is your latest track. What is the story behind it?

I (Rory) was watching a documentary on this serial killer in America, and the psychology behind him, and it just got me thinking about what goes through someone’s mind. For some reason, lyrics just started pouring out of me - which they usually don’t...

Obviously; I could never actually know someone’s thoughts, so it’s all very hypothetical and, basically, more of a story. But, it suited the feeling of the song I’d just written: kinda bleak and anthemic.

The video, shot in the woods in black-and-white, looks like it was cool to shoot. Who came up with the concept? What was it like filming it?!

It was definitely cool: it was February and feckin’ freezing! But, super-fun to do. It was all the amazing mind and vision of Jim, our bassist. It’s kinda open to interpretation: we didn’t want to go too much into a literal story, but it’s got some nice cult-like Blair Witch-kinda-vibes going on.

Daniel P. Carter has played the song! What is it like having kudos from a D.J. like that?!

Unbelievably mind-blowing, to be honest! I considered packing up and retiring to some distant island after that (laughs).

How do you think you have developed since She’s a Hurricane. You sound more confident in your new song. Would that be a fair assessment?

That’s nice to hear! I think that first single was perfect for us because it really laid the foundation for what we are: a super-sweaty, energetic live band (hopefully, with a catchy chorus or two thrown in). This latest single is a bit more of a song if that makes sense.

But, it still has our fuzz-fest trademark all over it - although, our next single is gonna have a slightly different feeling to it…so, stay tuned (smiles).

Might we see a Beach Riot E.P. coming soon?

You, 100%, definitely might…

You have had a busy past few months! What are the things you have learnt about music and the band during that time?

We’ve learnt that it’s really important to be nice to people, to support your fellow bands and friends and, most importantly, to (just) do what you do best and have loads of fun doing it. Don’t look elsewhere and try to predict/copy everyone else. Be the people down the front singing along to your fellow bands; not at the back with your arms folded.

WE’RE ALL IN IT TOGETHER!

How did Beach Riot form? When did you all find one another?

So, I was playing bass in another band, but I had just had written a few absolute fuzz-monsters that I had to exorcise from my body...so, I went to the perfect duo of Jimmy and Jonny to get some demos done. They sounded so good and I had so much fun - that I just knew I needed to do something proper with them. A mutual friend sent me the way of Cami and, luckily, she felt the same about the songs...

We never really practised, to be honest: we just learnt the songs and got gigging. This band is built on just having fun and not labouring too much on all the details. So, I took the plunge and left my last band - and I haven’t looked back.

Who are the musicians you count as heroes and idols?

Jim, my bassist, is, basically, my main music idol. I love everything that boy does. He’s the most talented, humble and incredible musician I know. I wish I could write songs like he does. After that, I can’t ignore the obvious Kurt Cobain inspiration. He taught me that you don’t need to have complicated chords or songs, or clever lyrics: it’s about the hooks and the feeling and the passion.

Mr. Josh Homme has also got a big part to play in the sound, as have an old English band called Cable. Finally, all the killer female-influenced bands I’ve grown up loving: The Breeders, Sleater Kinney; The Passions, Courtney Love…to name a few.

I know the rest of the band would say similar names. One massive one for Cami and Jim is the legend that is PJ Harvey.

Do you guys have any gigs lined up? Where are you heading?

We have a tonne of shows booked! We’re headlining The Lock Tavern in London on 28th April and, before that, we’re headlining The Prince Albert in Brighton on the 19th. May is gonna have us play at (at) least two Alternative Escape shows on Friday 18th - with a warm-up show the night before at The Social. There’s a few more dotted about, too.

Basically, we gig non-stop (smiles).

If you had to select a dream artist to support, and a perfect rider, what would that include?

Hands down, Demob Happy.

We all love that band and they’ve recently come to a few of our shows and moshed - which is, basically, a dream come true. Awesome guys as well. Our rider would probably be red wine and four rounds of Sobs’ mozzarella sticks (Sobs is this dive of a late night takeaway in Brighton. It’s glorious).

If you each had to select the one album that means the most; which would they be and why?

I’m not with the others, so I’m gonna have to selfishly answer this one alone. I wish I could say something cool and interesting, but, I think if I had to pick one, it has to be Nevermind. It’s no exaggeration to say that, hearing that when I was twelve/thirteen, literally, changed my life.

What do you all hope to achieve in 2018?

I think we’d love to get out and tour proper and if we can get some festivals in, too. We’d be pretty chuffed with that.

Have you each got a favourite memory from your time in music – the one that sticks in the mind?

Again, just me (Rory). Sorry. I think my favourite memory is actually a very recent one. We played a show for Bitch Craft in Brighton that was packed out and rammed at, like, 1 A.M. or something and people were moshing, crowd-surfing and singing along. Going from writing these songs in my room and imagining people doing that to actually having it happen in front of you...I mean; that’s what it’s all about right!? Dream...

What advice would you give to new artists coming through?

Do what you love, not what you think other people will love. Get involved in your local scene, support your local amazing promoters and bands. Be part of something not on the edge of something. Know when to stick up for your band...

Are there any new artists you recommend we check out?

Not sure how new they count now, because they are KILLING IT, but our pals, Calva Louise, are cosmic.

Also: Two Tribes, Cutting Ties; Skinny Milk and many, many more…

IN THIS PHOTO: Two Tribes/PHOTO CREDIT: Natasha Rukavishnikova

Do you guys get much time to chill away from music? How do you unwind?

Wine, Sobs; nice British ale, stories about how amazing the wine and food is in Argentina; cats, barge holidays; coffee, Japanese food – and, probably, more wine.

Finally, and for being good sports; you can each choose a song and I’ll play it here (not any of your music - I will do that).

Freeze the Atlantic by Cable

Anything by Ty Segal for Jonny

Anything old from PJ Harvey for Cami and Jim

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Follow Beach Riot

 Facebook:

https://www.facebook.com/wearebeachriot/

Twitter:

https://twitter.com/wearebeachriot

YouTube:

https://www.youtube.com/channel/UCb6zWfkBlvufsLrGwK87tmw

Spotify:

https://open.spotify.com/artist/55bBJNuY224tmQf4odUqXV

Soundcloud:

https://soundcloud.com/wearebeachriot

INTERVIEW: Bleona

INTERVIEW:

Bleona

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THERE is something alluring and utterly…

entrancing about Bleona. Maybe it is the accent and the way she sings; perhaps it is the passion and seductiveness she puts into the music – there is a feast for the soul, eyes and heart! I have been speaking with the Albanian-born, California-based artist about her new song, Wicked Love, and what follows that (Bleona’s just number one in the Billboard Breakout Dance Songs Chart).

She talks about moving from Albania to the U.S. - and shares a favourite musical memory. Bleona reveals her favourite music and what gigs are coming up; what it was like recording and creating Wicked Love; if we will see her in the U.K. this year; what it was like working with Timbaland – the Albanian songwriter tells me what it is like being revered as a musical icon.

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Hi, Bleona. How are you? How has your week been?

Hi, darling. As I am writing these answers for this interview, I am sitting in the lounge of the Westlake Recording Studios in Los Angeles, CA. I just finished my vocals from my new record called I Don’t Need Your Love, while now, I am getting ready to give this interview for Wicked Love - which is already out, as you know.

For those new to your music; can you introduce yourself, please?

My name is Bleona…

I have been singing and performing since I was five. I have released eight albums back home and I am working on my first album in English (Executive Producers: Timbaland, Federico Vindver and Rob Knox etc.)

My music is Dance-Pop and is fun - but, it also has a very strong message about female empowerment! Back home, I have always been known as a rebellious entertainer and my music now, in English, is not any different.

Wicked Love is out. What can you reveal about its creation?

It is a song about real love, but that which is twisted. I got in the studio with the amazing Rob Knox and we came up with a record of real feelings; about how people are not perfect, because the human race is not perfect but, in the end, you still LOVE THEM and you still would do everything for them...

It has heat-sauciness and tropical bliss! Did you write it with summer and festivals in mind?!

No. It just what came out for our hearts in the studio but, given the fact that in Los Angeles it is always summer, it would be super-hard to come up with a ‘winter-colour’ type of record (smiles).

Is there going to be more material coming down the line?

Absolutely. As I said earlier; I just finished the second record today. It is really beautiful. My plan is to finish my first English E.P. and release teaching songs and videos every two months – so, I will be a little ‘busy’ this year (smiles).

You were born in Albania but found your way to L.A. What compelled the reason to come to Los Angeles?! What is the city like for music and inspiration?

If you want to rock the world, there is only one place you need to start from: Los Angeles, California. I just happened to want exactly that. It is the only way to start. If you make it in the U.S., you have made it pretty much everywhere! I love this country and I am privileged to live in the U.S.!

A lot of Americans don't understand how lucky they are to be born in the U.S. Coming from a different world, I understand that nothing is impossible in America. 

Did you always want to be an Albanian icon?

I fell in love with the music at a very early age. All I knew is that I wanted to do music and I wanted to be on stage. The fame, the money and the icon status came later. It wasn’t planned…I just did what I loved and I loved doing it.

Music, I know, came into your life very early. Was there a particular artist that motivated you to start songwriting?

I was raised listening to Celine Dion, Whitney Houston and Mariah Carey - which happened to be the three greatest voices of this world!

So, I was very clear, since I was a little girl, that ‘this profession I have chosen’; it wasn’t going to take ‘just talent’, but hard work and dedication; some self-sacrifice and self-discipline - and, I think they are, absolutely, some of the people that inspired me on writing my own records.

What was it like hooking with Timbaland? What did he bring to singles, Show Off and Pass Out?

Timbaland was a challenge...but I love to challenges; I LIVE for challenges…

I love to challenge myself! EVERY DAY! It’s funny you are mentioning his name right now because, as we speak, he is working in Studio D and I am working out of the Studio E at Westlake Studios. We just greeted each other when I first got in the building and, as I was entering, Tim was like: “Here comes ‘Miss Dedication!”.

It is heart-warming, after all these years, to hear that one of the world’s best music producers; the first thing that comes on his mind when they see you is the word ‘DEDICATION’. I am happy about this fact as I want to be respected as an artist - especially from other professionals like Timbaland.

So, today overall, I am having a great day...

What do you hope to achieve in 2018?

I hope for my music to be played everywhere - and I hope for people to have the time of their lives while they are listening to it. That’s all.

Which albums are most important to you – in terms of their power and impact?

Adele, Sam Smith and Bruno Mars, I would say, translate to POWER!

Can we catch you perform anytime soon? What dates do you have coming up?

My next concert will be in N.Y.C. at the end of April.

Will you come to the U.K. and play this year?

I would love to do that. I am looking forward to people inviting me to sing in the U.K.

Have you got a favourite memory from your time in music – the one that sticks in the mind?

It would take long nights to talk about memories in music for me. I remember, when I did my first tour ever, I passed through the main square of the town on my way to my concert. I saw so many people gathered together, like 20-30,000 people, and I asked my team that was with me in the car: “What else is going on tonight other than my concert? Where are these people going?”...

They started laughing and they said: “They are here for your concert, indeed!” I was like: “Whaaaaaaaa?! They all came to see meeee?!”

It was a very strange feeling that I will never forget…

What advice would you give to new artists coming through?

Good is the enemy of great!

Do you get much time to chill away from music?

No, because I would die and I would be like a vegetable...

How do you unwind?!

What’s that?! I like going with 100 miles/hr. Slowing down has never been my thing…

Finally, and for being a good sport; you can choose a song and I’ll play it here (not any of your music - I will do that).

Breathe - Jax Jones (ft. Ina Wroldsen)

I would love to have a record with him on it. I think he is fantastic.

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Follow Bleona

 Official:

https://www.iambleona.com/

Facebook:

https://www.facebook.com/Bleona

Twitter:

https://twitter.com/bleona

Instagram:

https://www.instagram.com/bleona/

YouTube:

https://www.youtube.com/BleonaQWorld

Spotify:

https://open.spotify.com/artist/4GL4UxOpLEkaMrgK9SQWN7?si=VhizBNsbSvyXVRfX6Sm3ow

Soundcloud:

https://soundcloud.com/bleona