INTERVIEW: Crossing the Limits

INTERVIEW:

Crossing the Limits

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ONE cannot listen to a Crossing the Limits song…

without being impacted and moved. I have been speaking with the five-piece Pop-Punk band about their latest cut, Predictable, and how they all got together – I learn more about their current E.P., Perseverance, and whether more material is in their mind already.

The stunning band (their vocalist, Rachael, fields the questions) discuss tour dates and what advice they’d give to fellow songwriters emerging; if they all get much time to detach and chill away from music; which new artist we should get behind; the sort of artists who inspire Crossing the Limits – what ambitions are left to tick off for the awesome quintet.

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Hi, guys. How are you? How has your week been?

Hey! Pretty good, thanks. We had a pretty busy week last week with heading to Leeds and our first headline show in Norwich.

For those new to your music; can you introduce yourselves, please?

Yeah! We are a five-piece Pop-Punk band. Our music is pretty bright, edgy and fun.

How did Crossing the Limits get together? When did the band start?

We started up in 2016 - but the line-up wasn’t really final until around early-2017. I was looking to start up a new band after my last one had called it a day. I started posting ads online and all around town in a desperate bid to find the right people. I was looking for people with ambition, drive (and that) shared the same dream.

Things were not easy: it took a while, but everyone in this band is in it for a solid reason..and I wouldn’t change a single one. They’re like my brothers.

 

Talk to me about the song, Predictable. What is the story behind it?

The song is really standing for being who you are without apology.

Like; how many times do we all start to question ourselves because we're not doing the same as everybody else?! We doubt ourselves so much for simply being different. I got really fed up with seeing my friends and people around me throwing away what they actually wanted to do because it wasn’t realistic, or people had told them it was too difficult.

I've felt like that, so many times, where I've been made to feel like what I wanted out of life was stupid because it doesn’t fit in with what everybody else is doing. I want people to listen to this song and brush off anyone that’s tried to put down their ambitions.

How much of what you are writing at the moment is based on your experiences over the past few years – lives in different bands and areas of the country?

All of it! I'll never write about something that I haven’t gone through. These songs are all stories that have happened over the last year. It’s really cool to listen back and go back to that place in time.

Your debut E.P., Perseverance, was out a few weeks back. What has the reaction been like so far?

Amazing! We are so pleased we’ve sent C.D.s out to people in America and Germany. It’s so cool to see that our music is reaching people in those places. Our fans seem to be enjoying it - and that’s what matters most to us.

Are you already looking ahead to new material? Are you always writing?

Absolutely! We've been writing a bunch of new songs. We like to give ourselves time and come up with the best possible songs we can before making any final choices on which ones go on the next record.

You gotta let life happen for the inspiration to come in.

What sort of music did you all grow up around?

I grew up with a lot of Pop music, then I discovered Pop-Punk and it really filled in that edge I'd never really got from just straight Pop music. The guys grew up with a ton of Pop-Punk and Rock music. Avril Lavigne was always a big go-to for me.

Do you have any gigs lined up? Where are you heading?

We’re looking into booking some shows for summer, so look out for those. We just need to be on the right line-up and hitting the right places.

What do you hope to achieve in 2018?

Lots of shows and to grow our fan base is the goal for this year.

Have you each got a favourite memory from your time in music – the one that sticks in the mind?

I think collectively, as a band, we'd say opening for Against the Current in our hometown was a huge night for us. We gained so many new fans that night and had such a great time. I was always a big fan of the band We Are the In Crowd and, now Jordan Eckes has moved to playing for A.T.C. live, it was pretty damn cool to be playing alongside someone I've got a lot of respect for.

If you could support any musician alive today, and choose your own rider, what would that entail?

I'm really loving Halsey right now. I really like her vibe and I also really like how she stands for the L.G.B.T.Q. community which, as someone who is gay myself, I really respect that. She played a show in Russia and, even at risk of getting thrown in jail, still gave a shout-out to the people in the crowd holding up flags - saying she was proud of them for being brave. I thought that was bad-ass. Pvris would also be really cool to open for!

I don’t think we'd have anything too crazy: we keep talking about how we want a band dog so, probably, dogs and junk food.

What advice would you give to new artists coming through?

Stay true to your art. There’s gonna be a lot of people with a lot of different opinions. You can’t get too involved in any of that because, then, you start writing to please a million different people. Believe in what you're doing wholeheartedly and protect it.

IN THIS PHOTO: Pessimist.

Are there any new artists you recommend we check out?

A Pop-Punk band called Pessimist. They’re fairly local to us - and one of my favourite bands right now.

Do you get much time to chill away from music? How do you unwind?

I actually do find it really hard sometimes to find a balance, because music is something I live for so, when I get a minute, I'm usually thinking what needs to get done next for the band. I feel kinda guilty if I'm not being productive. When I do tell myself to step away, I like to hang with friends and family or watch weird documentaries on YouTube.

Finally, and for being good sports; you can each choose a song and I’ll play it here (not any of your music - I will do that).

Rach: All You Are Is History - State Champs

Tom: Audit in Progress – Hot Snakes

Ben: On My Teeth - Underoath

Tim: Young Blood - Good Friend

Dan: Taking Off – ONE OK ROCK

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Follow Crossing the Limits

Facebook:

https://www.facebook.com/crossingthelimitsband/

Twitter:

https://twitter.com/ctlbanduk

Instagram:

https://www.instagram.com/crossingthelimitsband/

SoundCloud:

https://soundcloud.com/crossingthelimits

Spotify:

https://open.spotify.com/artist/4FDUyxtged1bdkDc3jnpJp

INTERVIEW: Too Many Zooz

INTERVIEW:

Too Many Zooz

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MY first encounter with Too Many Zooz…

was through YouTube videos of them playing to eager and excited commuters. The Brass-House trio grabbed worldwide attention with their thrilling performances in New York’s Subway. I have been speaking with Leo about the band's YouTube videos and what the story of their single, Bedford, is.

He talks to me about upcoming gigs and what it was like working with Beyoncé; whether we will see more material later in the year; what the music vibe is like in New York – Leo tells me who he, and the band, count as influences.

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Hi, guys. How are you? How has your week been?

This is Leo speaking! We are good; back on tour and feels better than ever. When I play by myself, I can never seem to get to the level of passion and enjoyment that I reach playing in front of people, so I’m very happy to be back on tour.

For those new to your music; can you introduce yourselves, please?

We are Too Many Zooz; a Brass-House trio that started in the subways of N.Y.C. Brass-House is the sound of a D.J. mixed with the improvisational, conversational attitude of a Jazz trio.

PHOTO CREDIT: Mathieu Foucher

I first came across Too Many Zooz watching YouTube videos playing on the New York City Subway. Do you remember the first time you played there? How did you all get together?

I (Leo) met the King of Sludge playing in a Subway band called the Drumadics. One day, he told everybody in the band he wanted to play more - and that anyone can show up tomorrow morning if they want to play. I was the only person that showed. At first, it was the King of Sludge, myself and his son. We played for several months and then his son went back to school in Portland. 

One day, my good school buddy at Manhattan School of Music was just hanging out at my place and I was like: “Hey; wanna come jam with us?!” The rest is history. The first time we played it felt right, so we never stopped.  

Were you quite surprised the reaction you got and the number of people who watched videos of your Subway gigs?

Honestly, I wasn’t, but I’m probably the only person that wasn’t surprised. I knew it was special and that people would eventually enjoy our charisma all over the world. However; I did not know it would happen this fast…

Bedford is your latest track. Can you reveal how that came together and what inspired it?

Bedford is a classic ‘Brass-House piece’; I believe it’s volume 78 part 2 - meaning the song was actually made up on the spot to reflect the situation we were in. If we played a fully written-out piece, it wouldn’t have had the same chemistry. We were inspired by the L train; a train that became very important to all of us over the years.

Might we see an album or E.P. coming later this year?

Hopefully, but probably not. We have a single label deal currently, which means we can’t just release stuff whenever we want. But, we have tons of new music and I hope it will be released soon - at the very least, we will definitely be releasing singles throughout this year.

PHOTO CREDIT: Mathieu Foucher

I know you have collaborated with Beyoncé! What was that experience like?!

It was amazing and very professional. She was very kind and the whole experience was just great. There are no words to describe the feeling we had, honestly.

I am interesting finding out who you count as influences. Which artists have inspired you all?

Kanye West, Miles Davis; Diplo, Prince, Ronnie Cuber; Sean Jones, Lenny Picket; Vibes Cartel, Tupac; Migos, Michael Jackson; Beyoncé, Justin Bieber etc.

What is the music scene like in New York? Is it a wonderful place to create and play?

The music scene in New York is great, but it takes a while to get enough work to support yourself. You really have to be a good individual who is talented and driven. As long as you keep your manners and work ethic up, you will succeed and have fun.

Do you have any gigs lined up? Where are you heading?

Currently, on a European tour until the end of May…

What do you hope to achieve in 2018?

World Domination…duh!

Have you each got a favourite memory from your time in music – the one that sticks in the mind?

Beyoncé!

PHOTO CREDIT: Brandon Nagy

If you could support any musician alive today, and choose your own rider, what would that entail?

The Wu-Tang Clan - Water, Hennessy; local food...and something else that I’d rather not mention…

What advice would you give to new artists coming through?

Find something you are good at it and become great at it. If you are the best at what you do, your chance of success is heightened to an extreme level.

Are there any new artists you recommend we check out?

Five Alarm Funk.

Do you get much time to chill away from music? How do you unwind?

Honestly; we all unwind by making our own music and spending time with friends and family. I, personally, really enjoy going to the gym with my brother.

Finally, and for being a good sport; you can choose a song and I’ll play it here (not any of your music - I will do that).

Prince - Purple Rain

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Follow Too Many Zooz

PHOTO CREDIT: Brandon Nag  

Official:

http://toomanyzooz.com/

Facebook:

https://www.facebook.com/toomanyzooz/

Twitter:

https://twitter.com/TooManyZooz

Instagram:

https://www.instagram.com/toomanyzooz/

BandCamp:

https://toomanyzooz.bandcamp.com/

SoundCloud:

https://soundcloud.com/toomanyzooz

Spotify:

https://open.spotify.com/artist/72rZmJbRFSY6IFJAysfOdr

INTERVIEW: Lostchild

INTERVIEW:

 Lostchild

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THERE are few out there like Lostchild…

I have been speaking with the unique artist about his track, Blacklist, and creating its extraordinary video. The young songwriter tells me how it feels knowing his E.P., Blacklist, has gathered big reviews; what his next steps are in terms of material and touring; what music means to him – he reveals the three albums that mean the most to him.

Lostchild tells me his ambitions for the rest of the year; why he takes influences from the '80s and '90s; which new artist we should check out; the advice he would give to fellow artists coming through – he ends the interview by selecting a very fine song.

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Hi, Lostchild. How are you? How has your week been?

Me and my week have been pretty good. A little hungover today...

For those new to your music; can you introduce yourself, please?

I’m Lostchild. I grew up in a small town but finally moved to London; I write Electronic-Pop music songs about being an anxiety-ridden queer person. I love a big pop hook and the '80s.

What can you tell us about the new single, Blacklist? What inspired its creation?

Blacklist is about changing yourself to keep someone else interested. It’s about a particular relationship I had with a guy who was clearly uninterested, but I perceived him as so out of my league that I jumped through hoops to meet up with him.

I like the video a lot. Was it quite a good experience shooting it? Do you enjoy music videos?

I actually am more of a T.V. buff: I don’t watch a lot of music videos, so the ideas I have for videos are often influenced by things I’ve seen in T.V. shows. I like to tell a story. The Blacklist video was a magnificent experience; it was my first time and, hopefully not the last time, working with Gary Woods (@garyxwoods) - a really provocative director from Manchester.

He filmed me getting drunk in a hotel room; trying on all this beautiful fetish wear designed by The Freak Show (@thefreakshowuk). The end result is exactly what I wanted: a hazy memory of a hedonistic night. It’s way out of my comfort zone and I’m sure it will divide viewers, but it was so liberating.

Your E.P., Blacklist, has gathered great reviews. What themes and experiences compelled the music? How much of you is in the songs?

The E.P. is very much about how anxiety has affected my behaviour patterns…drink and drugs leading to casual sex and bad behaviour and the shame and regret that comes afterwards. Which, in itself, leads back to drink and drugs to cope. All of the songs are about vicious cycles that I know a lot of queer people go through to cope with their mental-health.

It seems like you have a love of '80s and '90s Pop. Which artists do you count as idols? Did music come into your life early?

The earliest musical obsessions I remember having was the Spice Girls and B*Witched, but my first love was Madonna. I was ten and I listened to my mum’s copy of her Ray of Light album. I’m not sure what drew me to her, but I became obsessed and would make my mum go into C.D. shops to buy her albums for me because I was too embarrassed. What I heard and saw of Madonna was a truly rebellious soul, something I always wished I could be, and I feel like she has inspired me to be unapologetically yourself, even if it ruffles some feathers.

There was a lot of other '80s and '90s artists such as Sade and George Michael, that my parents listened to a lot, which probably explains my affinity for ‘80s and ‘90s music as well.

What, to you, does music do? Is it a way of translating and expressing yourself in a unique and easy way?

Making music is a way for me to make sense of all the negative things in my life. If I didn’t make music, all the horrible things I feel, the stupid things I’ve done; they would just define me. Instead, I try to own my pain and mistakes, be honest about it all, and, hopefully, reach other people who feel like outsiders - and who frequently self-sabotage and doubt themselves.

Do you feel you’re a more confident and inventive artist since your earliest days?

More confident, certainly. More inventive…I dunno.

I made some pretty out-there music before settling on Pop. Making music people actually want to listen to in order for them to hear your message definitely requires you to be more business-savvy in your approach. So, I would say I make more accessible music than I used to but, luckily, I love a Pop hook; so, I’m simply getting better at making pop music and that makes me confident.

Do you have any gigs lined up? Where are you heading?

There are some gigs in the works for summer, but you’ll have to follow my socials (@lostchilduk) for announcements!

What do you hope to achieve in 2018?

I want to get out there and gig, meet people who recognise themselves in my music - and become a voice for the messed-up queer community!

Have you got a favourite memory from your time in music – the one that sticks in the mind?

Being on stage for the first time. Absolutely electrifying. The only time that my anxiety isn’t niggling at me is when I’m on stage performing. When I left the stage for the first time, I thought: ‘This is what I’m on this earth to do’.

If you could select the three albums that mean the most to you; which would they be and why?

Madonna - The Immaculate Collection

For being the (most) perfect collection of Pop songs ever…and Ray of Light for being the first album that made me realise I loved music.

Radiohead - Kid A

A bit out-there, I know, but this album is perfect for locking yourself away to and pretending the outside world doesn’t exist.

What advice would you give to new artists coming through?

Work hard. Make music and videos often; don’t treat it like a hobby. Keep yourself busy and people take you seriously.

IN THIS PHOTO: Diamantina/PHOTO CREDIT: @kirangidda

Are there any new artists you recommend we check out?

Diamantina. I worked with her a while back and she’s just the most inspiring and positive person you’ve ever met. Her singles, 90s Kid, Earn Me and, especially, her new single, Bandwagon, are all soulful, sassy Pop gems. Girl knows how to write a hook...

Do you get much time to chill away from music? How do you unwind?

I binge-watch T.V. shows. I love a mix of stuff from The X-Files to Bob’s Burgers to Scandal.

Finally, and for being a good sport; you can choose a song and I’ll play it here (not any of your music - I will do that).

Satin Jackets (ft. Scavenger Hunt) - Feel Good

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Follow Lostchild

Official:

https://www.lostchild.co.uk/

Facebook:

https://www.facebook.com/lostchilduk/

Twitter:

https://twitter.com/lostchilduk

Instagram:

https://www.instagram.com/lostchilduk/

YouTube:

https://www.youtube.com/user/lostchilduk

SoundCloud:

https://soundcloud.com/lostchilduk

Spotify:

https://open.spotify.com/artist/0m48xvgs3RfLa7EDF51y8I

INTERVIEW: Omer Matz

INTERVIEW:

 Omer Matz

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WHEN thinking of all the parts of the world…

I have taken this blog; it has been a while since I last visited Israel. Omer Matz gives me a chance to return to Tel Aviv and ask what the music scene is like there. The songwriter talks about his single, Hold, and what comes next for him; how he got into music; the artists who have inspired him – Matz discusses a business venture he set up for hobbyists.

I learn why the artist moved and relocated a few times; whether he took any skills from his business days to the music side of things; how he detaches away from music; whether there are any new artists to look out – I ask Matz whether he is coming to the U.K. and playing anytime soon.

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Hi, Omer. How are you? How has your week been?

Pretty good. New beginnings are always exciting: mainly learning a lot about music promotion these days.

For those new to your music; can you introduce yourself, please?

I’m thirty-two-years-old; I’ve lived in various places throughout my life (the U.S., Italy; London, Tel Aviv). I played Classical piano all of my childhood, started writing songs and playing the guitar at sixteen. At the age of twenty-two, I studied music at Goldsmiths College in London. During that period, one of my tutors spoke a lot about music for films, which I really fell in love with. London was a lot to take in at such an early stage of my music career (and of my personal career). Also, as a kid growing up near the beaches of sunny Tel Aviv, I really missed the weather, the people and felt it might be too early for me. I discovered that in my hometown, in one of the biggest music colleges in the country, they have a major in music for film.

So; I moved back home and began studying there. I wrote a few compositions for local film students but felt there was also another side of me that I needed to explore that’s not a musical side. So, I opened a business for music hobbyists that want to play in bands and gave them band lessons. The business grew fairly and, after three years, I decided to sell my part to my partner and continue exploring entrepreneurship through international startups. I got an offer to be the head of digital marketing for a start-up that was rapidly growing. Being the first employee, I was blinded by the excitement of creating something big from scratch, but it came with a price. After over a decade of having music a big part of my life, for the first time; I wasn’t doing anything connected to music for two years.

I began also exploring my hippy side at that time and remember having this awakening in the middle of an extensive meditation session. (Heads up, this is a weird story…). My hands and fingers locked up, I couldn’t move them and I saw a strong vision of a woman and we started having this internal dreamy dialogue (no drugs were involved, I swear) and she kept telling me I need to trust her. Diving deeper into this bizarre and very intense experience; I understood that this subconscious conversation was reality and my intuition slapping me in the face trying to wake me up. From there, something opened up. I began writing songs like never before. I finally felt the songs were mature enough and ready enough to see light.

I decided to quit my job and start building myself again as a musician, this time, as a songwriter - the raw and pure way it appeared in my life at age sixteen.

Hold is your new track. What is the background to the song?

After leaving my business, while working in the start-up company, we moved offices to a building with shared office space. To my surprise, one of the companies sitting in that space was the music company I have founded and separated from. Going back home that day, I realized I didn’t move on and didn’t forgive myself for giving up this beautiful creation. The song is about holding on to something that’s not there anymore. I think anyone who experienced some sort of separation from something they loved dearly can connect with the feeling.

The lyrics in of the chorus are: “And so you hold, hold till it’s cold/Till the pieces fall apart/Hold with your soul, hold till it’s cold/Someday, it all adds up together”.

It is a busy and alive song. Was it quite easy putting it together in the studio – or were there challenges and hurdles along the way?

Thanks (smiles). I’m really happy you feel that way.

I owe a lot to my producers Dotan Moshanov and Shimon Tal. They treated this song with extreme sensitivity and patience. Since this was the first song, it was also the first step into the E.P. and definitely a style-setter. The decision we made, in terms of style, had to be precise in terms of defining who I am as an artist. Strategically; this song’s purpose in the E.P. was to explore and set the tone for the other songs. It took nearly six months to build - but completely worth it.

I believe you are working on an E.P. Can you reveal some of the ideas and stories you will include?

Each song in this E.P. is a piece in the journey of deciding to become an artist. Some speak about the journey itself and some are about struggles along the way; betrayals, acceptance; fear, learning to let go of things that are stopping me from becoming something I’m so afraid of. Also; the sound and the general music production aim to give a feeling of something cinematic and scenic. I really want people to be able to visualize the stories in the songs.

Tel Aviv is your home. What is the music scene like there right now? How much do you take from the people and fellow musicians?

Tel Aviv has an amazing music scene: very eclectic, so many different genres and sub-genres that are born because there’s such an interesting mixture of family backgrounds. You can find here any genre you can think of (Afrobeat, Arabic music; Yemen Blues, Greek music; Electro-pop, Jazz and so much more). Musicians here are so talented, which might also be one reason I was afraid to go in this path for so long.

But, yes; there’s so much to take from the scene over here.

You have moved around a bit and spent time in the U.S. and U.K. You transitioned from study to set up your own business. Tell me about that venture you set up for hobbyists…

After being a private piano tutor and as a child growing up playing the piano, who didn’t learn in any formal school, I came to music college clueless. I knew how to play Chopin and Debussy, but when I had to play with a band, it was a completely different thing. I remember getting a chord chart in my audition that I could read but when the bass, drums and guitar started playing, I had no freakin’ idea what to do. So, I thought to myself: there are so many music students who learn with a private tutor, they probably don’t play in bands - which is such a huge part of your education as a musician.

So, I started off by collaborating with many music tutors who give private lessons and giving their students a platform to also have band practice. I took a player from each instrument until a band was formed and gave them two-three-hour band lessons playing Rock, Pop; Jazz…anything. I worked with a small group of professional musicians who gave the band lessons and, every three months, we would organize bandathons.

The business grew till there were about thirty bands; 80% of them were adults, to my surprise. So many different types of people: a sixty-five-year-old grandma playing the bass; a commercial pilot, a British nurse; an endless variety of people brought together by music and the desire of playing in a band. It was great fun.

How much did you learn from the business and taking care of musicians? Do you think modern artists have a lot to handle in terms of finance and promotion?

I’m still terrible with money - but it was obviously better than any business school out there. I think, today, musicians are very much similar to a business. I find a lot of musicians who are afraid to take care of the financial side and promotion side - but, it’s the most important thing you have after the music itself, of course. Nobody cares about your music as much as you do - and that passion is an engine. Even if you don’t ‘know’ how to promote, you have to be a part of it, somehow, and embrace it.  

Do you have any gigs lined up? Where are you heading?

At the moment, no.

I’m working on building up awareness, slowly, by releasing song-by-song. The plan is to release the E.P. around September and then start gigging. I’m heading anywhere.

Will we see you come over to the U.K.? Do you play here a lot?

I wish! I have played a bit with a band in London when I lived there ten years ago. Very much hoping to be back there.

What do you hope to achieve in 2018?

Recognition as a musician; connection with new people through music; building a lifestyle that will allow myself to make music.

Music, to everyone, has different meanings. What does it mean to you? How important is it in your life?

Well….

Music, for me, is the most honest place there is. It comes from a feeling that needs to be expressed. It’s usually a dominant feeling; so, if I’m struggling with something, I might try to solve it through a song. It’s a place of healing and problem-solving. In my life experience, when music wasn’t in my life, I felt lost. It’s a sense of purpose.

Have you got a favourite memory from your time in music – the one that sticks in the mind?

Wow; so many…

If I have to choose one, it’s when we finished the mastering of Hold. I had some friends come over for drinks and, as the evening went on, they asked to hear the song. Most of my closest friends didn’t even know I was in a studio twice a week producing the E.P. (that’s how exaggeratedly-scared I was). Only two or three people heard the song before but I was drunk enough to go with the flow.

I played the song (on speakers. God forbid, not live) and they were so excited they couldn’t shut up for, literally, more than five seconds. I don’t even know if they listened to the song but they wanted to hear it again and again (worth mentioning: my friends are terrible when it comes to being politically correct). To feel their excitement was so rewarding - it gave such a boost of confidence.

What advice would you give to new artists coming through?

Patience. There is a tremendous amount of stuff to deal with and manage: you don’t have to deal with everything at once. 

Are there any new artists you recommend we check out?

Yes. Two from the local music scene here in Israel: Full Trunk and ISADORA.

PHOTO CREDIT: Merav Ben Loulou

Do you get much time to chill away from music? How do you unwind?

A good few days’ hike or a surf trip somewhere (which I don’t do enough).

Finally, and for being a good sport; you can choose a song and I’ll play it here (not any of your music - I will do that).

Ásgeir - Afterglow

Such a beautiful song. A great example of the magic that happens when a beautiful song meets beautiful production. Thank you so much for this interview!

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Follow Omer Matz

Facebook:

https://www.facebook.com/omermatzmusic/

Twitter:

https://twitter.com/MatzOmer

Instagram:

https://www.instagram.com/tomorrowsbadseeds/

YouTube:

https://www.youtube.com/user/omermatz

SoundCloud:

https://soundcloud.com/omermatz

Spotify:

https://open.spotify.com/artist/0Q4ph5owI5jMcs34qwdeLy

INTERVIEW: Tomorrows Bad Seeds

INTERVIEW:

 Tomorrows Bad Seeds

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IT is a hectic and packed time for…

the guys of Tomorrows Bad Seeds. I have been chatting with them about their singles, Frequency and Trinity – both of which have videos out. The songs are taken from the album, Illuminate – the band tells me about its creation and themes.

I ask Tomorrows Bad Seeds about their formation and what it is like living in the South Bay area of Los Angeles; if they have any gigs coming up; what sort of music the band are influenced by; whether we can see them come play over in the U.K. – they recommend some new artists we should be checking out.

___________

Hi, guys. How are you? How have your weeks been?

We are doing great! This week has been wicked. We just flew back home from Charlotte, North Carolina playing at the Jamaican Me Hoppy Festival, which was an absolute blast - seeing all of the unity and diversity amongst the town. 

For those new to your music; can you introduce yourselves, please?

Moi - Frontman/Vox

Mets - Guitar/Vox

Pat - Drums 

Dre - Bass man 

Steve - Keys/Organ/Synth

The videos for Frequency and Trinity are out. What was it like filming and creating those videos?

Frequency was captured by our boy Chris (concrete) while we were writing and recording the track with our good friend, Jason J. It felt really organic and true to the vibe of the song, which was written and recorded in a matter of hours from start to finish. The session went really well, so we decided to use the footage for a video. We hope you enjoy it.

Trinity was an impromptu video done by Tom from Reel Wolf out of Canada. He was gonna be in L.A. and our boy James Wright suggested we try a video with Tom, and we chose to film at locations that have had a large impact in our lives growing up with one foot on the beach and the other in the streets; encompassing the humble beginnings as a reminder to never forget where you came from. Also, to remember (to) never lose track of where you’re going: we all buy the ticket and take the ride.

What was the reason for releasing those two songs as singles? Do they hold a special place for you?

The reason we chose to release those songs first is because of how quick the songs came to fruition from start to finish; so, it made sense for us to share them first and, of course, isn’t the deep underlying message for all of humanity, to share love where it is so badly needed all over the world? The same goals we all strive for here in the concrete jungles: giving respect to all positive ideas and living things alike. 

All of the songs off of our upcoming record, Illuminate, hold a special place to us, as we are excited to release new music and have been for a while.  

Illuminate is the album they are taken from. Are there key themes and common links that go into the music? How would you define the record?

Yes. There are some key themes and common links on this record that encompass life from beginning to end; into the illumination of its resurrection and the cycle of birth to death. We would define this record as grown Folk music, with a feel-good positive vibe and attitude but, also, touching on the realities of life - “Life is the Mission/Love is the Message” M. McEwan.

What was it like recording the album? Was it a lot of fun?

It’s always a lot of fun recording music and coming up with different ideas when one idea bounces off one another. It’s hard to expect when the magic hits, but it always does when you keep an open mind. It such a pleasure and privilege getting to work with the producer Chaz ‘ROX’ Toney out of the Island Empire Recording Studios in Carson, California. He is such a talented and hard-working producer/musician. It was many long days and even longer nights burning that midnight oil to its fullest.

We would spend long days and countless hours into the early morning working on and recording this record. It was so much fun and gave so much motivation getting to work with like-minded people we admire and respect so much.

How did Tomorrows Bad Seeds get together? How did you find one another?

Long story short; we (Mets and Moi) met in the summer of 2000 through a mutual friend. We started jamming music right on the beach break-wall where we met nearly every day, covering songs that heavily influenced us - from artists like Bob Marley, Sublime; Steel Pulse, Slightly Stoopid; the Eagles and many, many more. We would also jam in Moi’s mom’s living-room a lot, where she would give us so much love; amazing home Mexican food and constructive criticisms - and shared her theories of music with us that we still hold dear to this day. 

Later that year, we had the idea of starting a band…

Tomorrows Bad Seeds is Moises Juarez on vocals, Matthew McEwan on guitar and vocals; Johnny McEwan on drums and Al Arnado on the bass. This was the original line-up, until a year later Sean Chapman join the band playing guitar and vocals. This one ensemble lasted till about 2007 when Andre Davis joined playing the bass later on that year; Patrick Salmon joined playing the drums. That was our line-up up until Steve Aguilar started playing shows with us in 2010...

2015 is when Sean Chapman left the band and now, since, we have various people performing for us from Jeff Nisen on guitar; Steven Ingraham jammed a few shows with us and now we have Anthony Francisco on tour with us. Also, there’s Kurtis Parsons on percussion and we are looking forward to playing with many more musicians.

You hail from South Bay, Los Angeles. What is the area like for music and likeminded artists?

The South Bay of Los Angeles is a very beautiful (although it looks like the balls of California on a map, maybe. Ha) area with open coasts and beautiful beaches with good waves; nice weather and beautiful people. With a melting pot of all different kinds of music ranging from Punk-Rock, Hip-Hop; Reggae, Jazz Blues etc…there’s lots of emerging talent coming out of the South Bay. We feel blessed to represent such a beautiful place, from which we got our start.

Aside from a few backyard parties, we played for a few good friends’ birthdays (one of which, Opie Ortiz from LBDA, was at pouring his homemade Martini concoctions down our throats as we were playing - some of our greatest memories were from the beginning when it all started.) 

Hermosa Beach Pier was our first show at the Lighthouse, opening up for Too Rude. We love where we come from and love even more the fact that our city has our back - where we will be closing out some of the final shows of tour: June 1st and 2nd at Saint Rocke on 2nd Street and PCH in Hermosa Beach, California.

Do you all share the same sort of music tastes, roughly? Do you tend to listen to older stuff – or dip into a lot of new music?

We all have, relatively, some of the same taste in music, but we also like all different kinds of music. Collectively, being from Los Angeles, California there’s a melting pot of music and It is hard to just like one genre.

We all grew loving bands like Red Hot Chili Peppers, Sublime; Beastie Boys, Nirvana; Public Enemy, 2 Pac; Biggie, Eminem; Anthrax, Rage Against the Machine; Steel Pulse, Bob Marley; Long Beach Dub Allstars; Stevie Wonder, Bob Dylan; Daft Punk…the list goes on and on and on; we love music to say the least, so there are many, many more. 

What do you all hope to achieve in 2018?

We hope to Tour Europe, Asia; meet new fans, spread positive vibes and positive music; keeping the vibes alive and spreading our message.

Can we catch you perform anytime soon? What dates do you have coming up?

Illuminate spring tour dates:

4/24 - Dallas, TX

4/25 - San Antonio, TX

4/26 - Corpus Christi, TX

4/28 - Knoxville, TN

5/1 - Atlanta, GA

5/2 - Jacksonville, FL

5/4 - Cocoa Beach, FL

5/6 - Miami, FL

5/8 - Wilmington, NC

5/9 - Durham, NC

5/10 - Virginia Beach, VA

5/11 - Vienna, VA

5/12 - Brooklyn, NY

5/13 - New Bedford, MA 

5/15 - Pittsburgh, PA

5/16 - Grand Rapids, MI

5/17 - Columbus, OH 

5/18 - Chicago, IL

5/19 - St. Louis, MO

5/20 - Omaha, NE

5/23 - Pueblo, CO

5/24 - Denver, CO

5/25 - Salt Lake City, UT

5/26 - Boise, ID

5/27 - Seattle, WA

5/31 - Santa Cruz, CA 

6/1 - Hermosa Beach, CA

6/2 - Hermosa Beach, CA

6/3 - San Diego, CA

Have you each got a favourite memory from your time in music – the one that sticks in the mind?

Just being able to perform and do what we love on a daily is a true blessing.  

What advice would you give to new artists coming through?

Work hard, practice; stay honest and true to yourselves. Don’t get caught up in all the facades or masks of ego we, as people, create for ourselves.

Are there any new artists you recommend we check out?

Ease Up, LAW; The Late Ones, Jason J; Anthony Francisco, Lea Love; Yuja Wang. I mean, there is so much talent constantly emerging from all over the world that it’s so tough to keep up with the times...

IN THIS PHOTO: Lea Love

Do you all get much time to chill away from music? How do you unwind?

Yes, and we love spending time with our families and children (for Mets & Moi). We also love to surf, camp; yoga, BBQ; breakdance and jam music, paint; create or just catch up on sleep…

Finally, and for being good sports; you can each choose a song and I’ll play it here (not any of your music - I will do that).

Moi: Sammy Johnson – Don’t Say Goodbye

Mets: It’s Alright, Ma (I’m Only Bleeding) – Bob Dylan

Dre: All Time Low - Joe Bellion

Pat: The Box – Snot

Steve: Trade It All – Cory Henry & The Funk Apostles

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Follow Tomorrows Bad Seeds

Official:

http://www.labadseeds.com/

Facebook:

https://www.facebook.com/tomorrowsbadseeds

Twitter:

https://twitter.com/tmrbadseeds

Instagram:

https://www.instagram.com/tomorrowsbadseeds/

YouTube:

https://www.youtube.com/channel/UCaKuCf9kitH5cLqScNzFktQ

SoundCloud:

https://soundcloud.com/tomorrowsbadseeds

Spotify:

https://open.spotify.com/artist/4CfFkWbFTygKAWZmSJML3D

INTERVIEW: Dante Matas

INTERVIEW:

Dante Matas

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I am kicking off this week by speaking…

with Dante Matas about his latest track, Everything Nearly Fell Apart Completely. He talks about his upcoming album, A Colourful Headache (out on 4th May), and the themes that inspired it; when music came into his life; who he ranks as influences – I ask whether the songwriter has any gigs booked in.

The Canadian reveals whether he is coming to the U.K.; I ask which three albums mean the most to Matas; how he spends his free spaces away from music; whether there are any special memories from his time in music – he recommends a new artist that is worth some affection and appreciation.

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Hi, Dante. How are you? How has your week been?

I’m doing well, thanks! My week has so far consisted of teaching, practicing for our upcoming show at In the Soil festival in St. Catharines, Ontario and prepping for our tour next month!

For those new to your music; can you introduce yourself, please?

I’m Dante Matas. I make music across genres like Psychedelic-Rock, Synth-Pop, and Indie-Folk. I’ve been playing and recording music for over a decade now - and writing songs for even longer. I’ve recently started playing music with a full band and we go by the name ‘Dante Matas and the Infernal Racket’. I play synth, acoustic guitar and sing in the band. The other members are my good friends Colin McNally (Drums), Omar Shabbar (Guitar) and Joseph Landau (Bass).

Everything Nearly Fell Apart Completely is your new single. Can you talk about its origin and creation?

I came up with the main chorus melody for Everything Nearly Fell Apart Completely, probably, five years ago. That might seem crazy, but it’s true - I have the iPhone memos to prove it. This was one of those songs that I didn’t rush at all (obviously) and, instead, let happen naturally. I don’t always do that: sometimes, songs happen very quickly.

Over the next few years, I would get a new idea for another part or a lyric and add it to the song. Last summer, I decided to record everything I had come up with and ended up with a song almost seven minutes long (!). After some crazy editing, I ended up with the single as it exists today.

I actually played that seven-minute version of the song with a huge band live at Dundas Square in Toronto last summer. It was tons of fun!

Will there be more material coming later down the line?

On May 4th, I will be releasing my new album, A Colourful Headache, of which the single, Everything Nearly Fell Apart Completely, is a part of. This is really my first official full-length, so I’m super-excited to get it out there. It has lots of vocal melodies weaving around each other; some laser beam synth hooks, lo-fi punchy drums; effected electric guitar and lots of distorted bass slides. It’s quite different to my last E.P., which was a very straight-ahead Indie-Folk record.

Beyond that, I am already writing music for the next record and I can’t wait to start work on it once I get back from tour!

Can you remember when music came into your life? Was there a single moment where you decided to pursue music and do it as a career?

Music came into my life when I was maybe six-years-old and I first acknowledged what a melody was. The melody, in particular, was Ode to Joy and it was the most beautiful thing my six-year-old mind thought was possible. So; I was hooked after that.

Once I started playing the guitar in my early-teens; I noticed that writing music was the most rewarding thing I could do and I basically decided to dedicate my life to it. Of course, it’s, obviously, not that simple and there is much more to being a professional musician! I figured I’d have to learn the rest along the way.

I’m still doing that now - and I’m loving every second of it.

Which musicians did you grow up around? Who do you count as idols?

No one in my family really played music, so the only musicians I grew up around were my music teachers and my friends. I went to an arts high-school and, during breaks, my friends and I would sneak into the practice rooms and write music. I say ‘sneak’, because was in the visual art program at the school - so, I probably wasn’t supposed to be there.

My idols would have to be the musicians I looked up to when I was growing up, namely The Beatles, Radiohead and Leonard Cohen.

Do you have any gigs lined up? Where are you heading?

We leave for the main leg of the tour in mid-May. We’ll be hitting up places like Halifax, Charlottetown; Montreal, Ottawa and so many more. We’ll also be joined by our friend and Folk artist, Mike Legere, who also helped engineer A Colourful Headache.

We will also be having a big hometown release show at Burdock, in Toronto, on June 21st!

Will we see you come over to the U.K.?

Definitely. Our next tour will see us going international and we would love to come to the U.K. It’s something we are going to work towards for 2019.

What do you hope to achieve in 2018?

I hope to get A Colourful Headache to all the people that would enjoy hearing it. I hope to keep playing bigger shows and to continue learning about music and the music industry. I hope to finish recording a new collection of songs by the end of the year so we can put out another release in early-2019.  

Have you got a favourite memory from your time in music – the one that sticks in the mind?

There are so many, but I think making my first E.P. back in high-school was a really memorable experience...

My bandmates and I had no idea what we were doing but, at least for me, it made me fall in love with recording. I had been messing around with GarageBand on my computer before then, but going into an actual studio made me look at music from a producer’s perspective for the first time.

If you could select the three albums that mean the most to you; which would they be and why?

Radiohead - Ok Computer

I know everyone likes this record, but it was one of the first records I bought as a kid. The first time I listened to it was on a cold Toronto winter day and I wrapped myself in a bunch of blankets and read the lyric booklet along with it. Definitely a very meaningful record to me.

Sufjan Stevens - Age of Adz

I love this record because of how complicated the emotions are. A lot of artists tend to write sad music and really explore the depth of that. So many Pop songs are about heartbreak that, sometimes, we can forget that all emotions are equally complex. On Age of Adz; Sufjan goes all over the place and it’s really something special.

The Magnetic Fields - 69 Love Songs

This record is (so) unique. It has sixty-nine songs and every single one is a perfectly-crafted Pop song. There are beautiful melodies all over the place and, frankly, hilarious lyrics in every track.

What advice would you give to new artists coming through?

On creativity: songs and hooks are not the same thing. Songs tell stories; hooks get stuck in people’s heads. If you have only hooks then your music will be catchy but feel empty. If you don’t have any hooks then no one will sing along. Also; don’t listen to other people (like me): just make up your own rules over time through trial and error.

On getting your music heard: just keep going, but always believe in the music you’re putting out. If you do that and you’re honest with yourself about how good it is, you’ll only ever get better and people will eventually respond to it.

IN THIS PHOTO: Natalie Prass

Are there any new artists you recommend we check out?

I recently got into Natalie Prass; especially her single, Short Court Style. I love the groove of the bass and guitar - and the chorus is super-catchy. The music video makes me dizzy, though. I’d love to see her live!

Do you get much time to chill away from music? How do you unwind?

Between work and booking tours, recording; writing and playing live, I don’t do much else. I like going out with my friends now and then as well as seeing live music. I’m excited to see Paul Simon, Radiohead and The Magnetic Fields all in the next few months!

Finally, and for being a good sport; you can choose a song and I’ll play it here (not any of your music - I will do that).

I’ve got to go with that Natalie Prass song - it’s just too good.

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Follow Dante Matas

Official:

https://www.dantematas.com/

Facebook:

https://www.facebook.com/dantematasmusic/

Twitter:

https://twitter.com/Dante_Matas

Instagram:

https://www.instagram.com/dantematas/

BandCamp:

https://dantematas.bandcamp.com/

YouTube:

https://www.youtube.com/user/dantematas

SoundCloud:

https://soundcloud.com/dante-matas

INTERVIEW: Ay Wing

INTERVIEW:

PHOTO CREDIT: Sara Herrlander

Ay Wing

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HER latest single boasts a sound and brilliance…

that lodges firmly in the brain and gets the blood racing. I was eager to speak with Ay Wing about Strange and its evocative video. She tells me what it is like to create and live in Berlin; what gigs she has booked in the diary; a few albums that mean a lot to her – the songwriter recommends a new artist we need to look out for.

I ask Ay Wing about her E.P., Ice Cream Dream, and what it was like recording it. She tells me about artists who inspired her to get into songwriting; how she spends time away from music; what advice she would give to new artists coming through – she ends the interview by selecting a pretty sweet song.

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Hi, Ay Wing. How are you? How has your week been?

Quite overwhelming. It’s nice to get so much feedback for the music video to Strange.

For those new to your music; can you introduce yourself, please?

I’m a female producer and songwriter currently living in Berlin, writing tunes in the basement. So, my lack of vitamin D this year is pretty high…

Strange is your current track. What is the story behind that song?

Strange tries to find humour in an age where many of our own identities seem based on an InstaFilter and the 'right angle'.

The hook of Strange is actually a quote from an old man that asked us for directions. We were grocery shopping in our P.J.s, as you do in Berlin and, when we couldn’t help, he asked “Are you strange?" before he left.

We liked that a lot, so we kept it.

Talk to me about the cast of characters and vision in the video. What was it like seeing it all come to life?!

It was fun to get into the role of these iconic female characters. I guess I needed a reason to dress up. I had to watch all the movies again and learn their facial expressions and movements, which was quite a tricky thing for me (but a fun experience). I had an amazing team.

Yvonne Wrengler did a fantastic make-up job. Josué Cifuentes filmed it and Emily Josefine directed the video. Raphael Lepeu played The Thing and The Dragon and made me laugh during the shoot - and Martin Riesen did all the aftereffects magic.

Ice Cream Dream, your E.P., has been unleashed. Did you learn a lot about yourself whilst making the E.P.? What is your favourite cut of the pack?

I loved the process of creating. You learn a lot about yourself, about your patience; about working in a team and decision-making.

My favourite one is probably LA. It’s bouncy and has a deeper meaning.

It seems colour and vibrancy is integral to you. Do you want the listener to feel more alive when listening to your music?

That would be wonderful - if they feel more alive when they listen to it. When I create, I don’t try to think too much; I just do what I feel without thinking of any genres or outcome. 

Are there particular musicians who have influenced you and made a big impression?

I love musicians who don’t take themselves too seriously, such as The Beatles, Damon Albarn and Eminem. I love the humour in their music - and they definitely have influenced me in some ways.

You are based in Berlin. Is it a great city to make music in? Would you recommend others to come over and investigate?

I think it’s a great city. There is room for every kind of quirky project and I feel like there is a good sense of community out there. I would definitely recommend it. People help each other out. 

Do you have any gigs lined up? Where are you heading?

I play at Klunkerkranich on 2nd May in Berlin; Twin Lakes Festivals on 1st September; then, some gigs in Switzerland and, in October, I’m heading to the U.K. again for some shows.

What do you hope to achieve in 2018?

To get my next E.P. and more videos out...and play more shows.

Have you got a favourite memory from your time in music – the one that sticks in the mind?

There are so many beautiful ones.

I recently played for Sofar Sounds Edinburgh at Usher Hall. The crew was incredibly nice and well-organised - and the audience was such an attentive one. It was certainly one of the nicest experience I encountered this year.

If you could select the three albums that mean the most to you; which would they be and why?

The Miseducation of Lauryn Hill (Lauryn Hill); Nirvana’s Nevermind and Father John Misty’s Pure Comedy

These are all albums that I could listen to all day long – ones that inspired my songwriting.

What advice would you give to new artists coming through?

Try to find your own style of music and don’t listen too much to other opinions: you’ll eventually find your niche and people will resonate with your music if you create music you truly love.

IMAGE CREDIT: Julie Moorhouse

Are there any new artists you recommend we check out?

I recently played a London show with the band, BOKITO. I can highly recommend them; one of the best live acts I’ve seen in a while…

Do you get much time to chill away from music? How do you unwind?

At the moment, I try hard to make space to unwind and go to nature. That helps.

Finally, and for being a good sport; you can choose a song and I’ll play it here (not any of your music - I will do that).

BOKITO - Love Gotten

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Follow Ay Wing

Official:

http://aywing.com/

Facebook:

https://www.facebook.com/aywingmusic/

Instagram:

https://www.instagram.com/aywingmusic/

YouTube:

https://www.youtube.com/channel/UCBnFHc4RSC-gCvuCwoqg0Qw

Spotify:

https://open.spotify.com/artist/7cjLa6AQcbH9XWQYmPNpX4

INTERVIEW: The Right Now

INTERVIEW:

 The Right Now

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IT has been a while since I’ve featured an artist from Chicago…

so it is great to speak with The Right Now about their music and formation. The band has been playing for ten years and will play a joint-anniversary show with 56 Hope Road (celebrating twenty years together). I ask whether there will be other gigs coming and when we might expect some new material from the band.

The Soul band are one of the hottest in Illinois and I asked what the scene is like in Chicago; if there are any new acts we should check out; if the band are coming to the U.K. this year – Brendan and Stefanie, who answer the questions, talk about life away from music and working with the Hope for a Day charity.

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Hi, guys. How are you? How has your week been?

Brendan: It’s been great! We’ve been busy rehearsing, planning and doing interviews for the big tenth-anniversary show on Friday.

Stefanie: It’s been a great week. We are really looking forward to this ten-year anniversary show and there has been sun finally in Chicago...all good things.

For those new to your music; can you introduce yourselves, please?

Brendan: We are The Right Now; a seven-piece Soul band from Chicago, featuring the powerhouse lead vocals of Stefanie Berecz.

You are teaming up with 56 Hope Road for a hometown show. What can you tell us about that?

Yes! We’re so excited to celebrate our tenth year together as a band. It’s been a long road as we’ve played over five-hundred shows, released three albums and spent way, way too much time together. But really this band is centered on deep friendships and love…

It’s been an incredible ride together.

Stefanie: I remember some of our first shows on the road together, included playing spots that 56 (Hope Road) would recommend to us as we were just getting started. They sort of took us under their wing and played this ‘big brother’ in the business role.

This show is going to be a celebration of the family we grew into and the music we were inspired to create over all these years.

56 Hope Road are celebrating twenty years as a band. Have you been following them a while?

Brendan: There isn’t a more appropriate band that can join us for this anniversary show. We met 56 when our guitarist, Chris Corsale, joined our band in 2008 (Chris played with 56 for years). I went to lunch with 56’s drummer, Greg Fundis, and he basically schooled me in the ways of ‘starting a real band’: how to tour, promote shows; budget correctly and so on. We learned so much from those guys and girl. They are family, so it’s truly a blessing to be able to share this special bill with them.

Hope for the Day, a charity that raises awareness of suicide, is close to your heart – you are celebrating your tenth anniversary, as a dual anniversary show, and proceeds will go to the charity. What was it about Hope for the Day that compelled you to make that decision?

Stefanie: We are celebrating our tenth-anniversary this week but this month also marked the year anniversary since I lost my best friend and incredible father to my two children, David Grinslade. This band is family and, when we experience a loss, we all come together and rally together. That is what we are trying to do through this immense loss. David was the closest person to me and it pains me every day to think he was struggling with such dark thoughts and couldn’t express the mental pain he was experiencing. 

Our goal in partnering with an organization like Hope for the Day is to face the scary subject of mental-health and suicide. We want to play our part as human beings who believe in love and being there for each other. We are dedicated to making mental-health a safer thing to talk about. The choice to share our story has opened a channel to connect with fans on a deeper level and most importantly connect with those who might be struggling.

Looking back at your decade in music; how do you think you have progressed and grown?

Brendan: I only need to listen to songs I wrote in 2008, or look at pictures of our band, to really see just how much we’ve grown. The songs, now, are so much more focused in every way: lyrics, arrangements and melody. Everything just serves a more pointed purpose - and we’re really aiming higher, I think.

We’re doing a much better job of putting Stef’s voice on display and connecting with people. Oh, man; some of these photos from 2008 - I can’t believe I ever wore sandals or allowed our bassist to wear shorts. Now, it’s dapper suits…

Definitely a better look!

What do you feel is the secret to longevity? Do you feel too few modern bands have staying power?

Just keep going, no matter what. That’s the best advice I can give. No one else is going to do it for you, ultimately, and you need to find the internal drive and ambition to keep writing, touring; recording and everything else…and it pays off! I feel like, in our tenth year, we’re finally reaping the harvest of the seeds we’ve sprinkled over the past decade…

Stefanie: I would echo what Brendan said and add that you just have to align yourself with the right group of people who will continue to inspire and support you along your growth.  

Will you be releasing music this year? What is in the pipeline?

Brendan: Yes! With the political dumpster fire that’s been happening in our country, we felt that it was important to make a strong stand and record a political cover from the 1960s (perhaps the last time that this country felt so lost). We’re releasing a cover of Buffalo Springfield’s For What It’s Worth later this year. We rearranged it as an Afrobeat tune and recorded it in this crazy nineteenth-century church in central New York last October. The amazing Sergio Rios from Orgone/Killion Sound mixed it.

We also have plans for a remix 12” with Chicago’s own Star Creature. These are really dope Disco and Boogie Funk remixes of songs from last year’s Starlight.

Chicago is where you are based. How important are the city and its people? What is the scene like there in 2018?

This is the best city in the world. Aside from the obvious (pizza, hot dogs and the Cubs) there is a deep and rich musical history, especially in Soul. I think you can trace it back to Muddy Waters and draw a line to The Staple Singers, Curtis Mayfield; Chaka Khan, Donny Hathaway; Syl Johnson and on and on. (I love so much about Chicago). The music scene has great players and bands, but I think the downside is the lack of support for artists in the ‘middle’ (folks like us that aren’t starting out but aren’t Chance the Rapper).

We have a few radio stations like Vocalo, CHIRP and WLUW that support the local scene, but there isn’t a great deal of synchronicity between the promoters, clubs; fests, fans; radio, blogs and bands. It sort of seems like a free-for-all where you have to hustle and grab whatever you can. Which is very ‘Chicago’. It’s made me work my ass off to achieve what we can.

How did The Right Now get together? When did that first meeting take place?

Brendan: Stef and I met in a restaurant called Cooper’s in 2006 in a very random way. I was playing there with my previous band and the owners (Stef’s friends) asked if she could sit in. I was hesitant at first but relented. Stef sang Natural Woman and I was immediately hooked.

I decided that she should sing with my band and she eventually agreed. We’ve been writing songs and performing together ever since.

Stefanie: It’s crazy to think back on that chance meeting and now, years later, have such a remarkable story to tell. I think it hits me most when my kids start recalling memories of this band.

Do you have any gigs lined up? Where are you heading?

Brendan: We have an incredibly busy spring and summer with club shows and fests all over the Midwest and East Coast. All our tour dates are at www.therightnow.com/tour.

Can we expect to see you in the U.K. this year?

Brendan: I wish! It’s a dream of mine to tour Europe. We’re still waiting for it to all line up. This could be the year…

Stefanie: I’m itching for that opportunity. I’d like to think there are a handful of individuals who would appreciate us in the U.K.

What do you hope to achieve in 2018?

Brendan: I want to record most of our next record, play great shows and continue to have a blast with my friends on stage.

Stefanie: I look forward to recording new music and, maybe, a new video! I am also so excited to continue building our relationship with Hope for the Day.

Have you each got a favourite memory from your time in music – the one that sticks in the mind?

Brendan: I think selling out Lincoln Hall in 2010 for our first record release show stands out. We worked so hard on that album and promoting it. It was unbelievably satisfying to look out into that crowd and feel the love!

Stefanie: Selling out any show is always such a stand out memory for sure. I also loved our first time recording a session at Daytrotter. I remember so badly wanting that to happen early on in our career and we got that call this year!

What advice would you give to new artists coming through?

Brendan: I have a four-page Word doc. that I give to new artists...I should probably start charging folks for it! The biggest piece of advice I have is to follow through and do what you say you are going to do. I feel like one of the biggest reasons why we are still around is because I stick to my word and follow up with people.

Oh, also; write good songs with undeniable choruses.

IN THIS PHOTO: DeRobert & The Half-Truths

Are there any new artists you recommend we check out?

Brendan: He’s not a new artist but DeRobert & The Half-Truths are a killer Soul band from Nashville. JC Brooks Band just released a great E.P. (I co-wrote one of the tunes).

Stefanie: I’ve been digging Charlotte Day Wilson and her new album, Stone Woman (2018)

Do you all get much time to chill away from music? How do you unwind?

Brendan: Chilling isn’t really part of my life. I have three kids and run a lesson teaching business aside from The Right Now. But, when I do (have time to chill), I love to hang with my wife, putting on records and cooking.

Stefanie: I also have two young children so we live by our calendars and, when a chill day sneaks up on us, we either are glued to the couch watching movies or we get out for something spontaneous.  

Finally, and for being good sports; you can choose a song and I’ll play it here (not any of your music - I will do that).

Brendan: Slow Burn by Kacey Musgraves. Just a beautiful song. Reminds me of mid-'70s Soft-Rock. Hell, yeah!

Stefanie: My Momma Told Me - DeRobert & The Half-Truths. 

Dee is my Soul brother! Hands down, one of the best vocalists I’ve had the pleasure to work with. This whole band is killing it out there

____________

Follow The Right Now

Official:

https://www.therightnow.com/

Facebook:

https://www.facebook.com/therightnow/

Twitter:

https://twitter.com/therightnow

Instagram:

https://www.instagram.com/therightnow/

YouTube:

https://www.youtube.com/channel/UC9RpWGrCuG1C6UXRCSD11DQ

Spotify:

https://open.spotify.com/artist/3XqyH4TjDPAG8l0R9nyZti

INTERVIEW: David Sinclair Four

INTERVIEW:

 David Sinclair Four

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THE band has had a slight rejig...

since I posed questions to them. Regardless of a drumming tweak; I have been speaking with the David Sinclair Four about their upcoming album, Sweet Georgina, and the themes that inspired it. They talk to me about their musical pasts and the new artists they are reacting to - sharing some fond memories they have experienced during their time in music.

I discover what gigs they have booked and how they get such a tight and confident sound; if they get chance to unwind away from music; what advice they would offer new songwriters coming through - the guys each end the interview with a song choice.

___________

Hi, guys. How are you? How has your weeks been?

David Sinclair (Vocals/Guitar): Busy...

Geoff Peel (Guitar/Vocals): It's been a good week. Spring has finally sprung, we've been rehearsing our live show; the band is sounding great and I got a new fuzz-box with some delightfully insane sounds.

Jos Mendoza (Bass/Vocals): I am great. My week has been intense with work, but I have the David Sinclair Four rehearsals to keep me going and the album launch to keep looking forward to.

Rory Mendoza (Drums): It's been good. I've been rehearsing with the band and running through songs for DS4, having only joined the band recently.

For those new to your music; can you introduce yourselves, please?

DS: I started the band in Shepherds Bush in 2005. It was originally a trio. We became the DS4 when Geoff joined as lead guitarist in 2013, which was also when Jos became our bass player. My son, Jack Sinclair, used to be the drummer. He is now touring the world as a poker star and we have got Jos’ brother Rory in to play the drums...

We like to keep it in the family.

Sweet Georgina is your upcoming album. Can you articulate the themes and influences that go into the record? What are the key emotions you explore throughout?

Geoff and I have written all the songs on the new album. Georgina is our muse. She’s our patron saint – in fact, she’s the patron saint of all bands and songwriters. The key emotions are love, humour; joy and sadness.

It’s about living the life, which we’ve been lucky enough to do for quite a while. I remember an old rockabilly singer from Nashville, Tennessee called Cowboy Jack Clement who said that as musicians: “We’re all in the business of fun; and if we ain’t having fun, then we’re not doing our job”. Amen.

How do you think your latest record differs from everything else the David Sinclair Four has put out?

It doesn’t differ that much. It’s got ten cool songs that each tell a story with my voice and a bunch of Rock & Roll guitars. There’s maybe more emphasis on great tunes this time around - and we’ve got our Scottish Soul sister Becci Wallace involved on the vocals which adds a new harmonic dimension to the classic DS4 sound.

Will there be singles coming from the album?

We’ve already put out Sweet Georgina - the title-track - as a single and the follow-up, Little Rock & Roll. The third single from the album, The Rolling People, is released 4th May.

The band is very tight and together. Did that chemistry come naturally? How did you all meet one another?

Thanks. Geoff and I go back to the 1980s when we were hanging out together in some dark dives in Hammersmith and Jos has known Rory from the day he was born. So; it’s more about biology than chemistry in their case…

What is the best part of being in the David Sinclair Four? Is it the touring or recording you all gravitate towards?

Geoff: Well; touring and recording are two sides of the same coin. Actually, it's a three-sided coin because the other aspect is writing the songs, which is both hard and richly rewarding. Recording is amazing because that's when the songs come to life and then playing live we get to see how they are received while strutting our funky stuff. Actually, the best part of being in the DS4 is being able to bring all our influences together - Americana, Anglicana; Rock, Psychedelia; Blues, Country; Folk, whatever - mixing them up and seeing what comes out.

Jos: For me, I have always loved playing live music, and for me, getting up on that stage and playing is what makes it for me. I also play for a Blues/Rock covers band, and it is refreshing to play some original songs I have only re-joined the band after having a few years to focus on teaching, so the recording has not been part of my agenda. Nonetheless, I would love the opportunity to get in the studio again - and I am hoping that there will be more songs to put on an album in the years to come.

Rory: For me, the best part is playing with a bunch of musicians who are talented and know their stuff. It's good fun playing with these guys; I like the music (which is always a plus) and I'm looking forward to playing some gigs.

Which artists have been influential in terms of your own sound and passion?

Geoff: Hearing Eric Clapton when I was fifteen started me on this whole business but, the older I get, the more I like Stones-era Mick Taylor. Such elegant phrasing and fabulous tone. I love slide playing too and listen to Derek Trucks a lot. In the Country vein, Chris Stapleton has to get a mention, not only for his guitar playing but also for his songwriting and incredible singing.

Jos: Red Hot Chili Peppers (their stuff up from the early days up to By the Way), Jimi Hendrix and Guns N’ Roses are my top-three (right now, anyway; ask me again in a month!) All three had great sound, relentless energy onstage and have the perfect blend of proficiency and feeling the music which, for me, is what makes playing so enjoyable.

Rory: The bands that got me into music were Red Hot Chili Peppers and Dire Straits. I love a variety of music but my preference lies with the heavier side of music, such as Iron Maiden, Aerosmith; Metallica, Rage Against the Machine; Porcupine Tree, Alice in Chains; Queens of the Stone Age...well, you get the idea.

DS: The Stones and Hendrix are the untouchables. Ray Davies and Paul Weller are two of my favourite songwriters.

Do you have any gigs lined up? Where are you heading?

It all kicks off with our album launch show at The Social, Little Portland Street (W1) on 14th May. We’ve got some special guests (singers and harmonica) and we’ll be doing it in style. Then, we’re moving on to: Notting Hill Arts Club (10th Jun); Albury Festival, Guildford (22nd July); Half Moon, Putney (9th Sep); Crawdaddy, Richmond (26th Oct); Polyfest, Camden (3rd/4th Nov); Dublin Castle, Camden (30th Nov).

There are dates being added all the time, so check our website.  

If you each had to select the one album that means the most you; which would they be and why?

Geoff: There are loads of albums I could choose from, classic and modern, but one which kind of sums up the alt-rock vibe for me is Cracker's Kerosene Hat from 1993: great album, great songs and a great guitarist in the shape of Johnny Hickman.

Jos: I think I would have to go with Jeff Buckley's Grace. Along with having one of the truly great covers in Hallelujah, which is hard to do, it has some great songs that I think will stand the tests of time - and Jeff Buckley is one of those artists who pours all his emotion into his music. This is really felt in the album.

I still remember the day clearly when I first heard Dream Brother and any song that does that must be special. It is musically complete, heartfelt and has remained so over the years. Jeff Buckley is also one of my big influences and I have learnt many songs from the album.

DS: Are You Experienced by The Jimi Hendrix Experience. Everyone can play his guitar parts nowadays. But, people forget what a great singer and songwriter Hendrix was.

What do you all hope to achieve in 2018?

Geoff: Loads of gigs, new songs and recording - in that order. In my spare time, I'm going to get the acoustic out and crack the Bluegrass code.

Jos: I want to pick up where I left off with my music and start focussing on writing more songs; gain more valuable experience from others and keep going with DS4.

Rory: I'm hoping to play a tonne of gigs with the DS4 and, maybe, help come up with some new material.

DS: Fame and riches beyond belief.

Have you each got a favourite memory from your time in music – the one that sticks in the mind?

Playing snooker with Ronnie Wood backstage at a stadium in Chicago has got to be up there.

What advice would you give to new artists coming through?

Don’t stop.

IN THIS PHOTO: Molly Tuttle/PHOTO CREDIT: Anthony Scarlati Photography

Are there any new artists you recommend we check out?

Molly Tuttle; amazing Californian Bluegrass-picker, singing Townes Van Zandt’s White Freightliner Blues.

Nakhane; South African singer-songwriter. Very stylish. Lovely, high, soulful voice (like David McAlmont); wicked attitude. His band has got Charlotte Hatherley (ex-Ash) on keys and guitar and Keir Adamson on drums (who played on the new DS4 album).

IN THIS PHOTO: Nakhane/PHOTO CREDIT: Tarryn Hatchett Photography

Maaike Siegerist; ‘Dark Folk’ singer-songwriter from the Netherlands. She will be playing a support set at our launch gig at The Social on 14th May. Lovely voice – operatic range.

IN THIS PHOTO: Maaike Siegerist/PHOTO CREDIT: Catherine Rudie

Do you get much time to chill away from music? How do you unwind?

David: Down by the canal.

Geoff: I have a sculling boat I keep near Chiswick Bridge. When I want to unwind, there’s nothing better than a long paddle up to Richmond Lock and back.

Jos: Playing is unwinding. It is what I care about and what makes me happy.

Finally, and for being good sports; you can each choose a song and I’ll play it here (not any of your music - I will do that).

Geoff: If you can find it, I’d love it if you could play Every River by Kim Richey. It’s a great song. I never found out who played the lead guitar, and it rocks

David: Jenny Don’t Be Hasty by Paolo Nutini. We used to do a cover of this and it’s still one of my favourite songs. The coolest riff, great melody and neat solo

Jos: Seventh Heaven by Beck from his Colors album (and E-Pro from the Guero album if I'm allowed a second song!)

Rory: Sultans of Swing by Dire Straits

____________

Follow David Sinclair Four

 Official:

http://www.davidsinclairfour.com/

Facebook:

https://www.facebook.com/DavidSinclairFour/

Twitter:

https://twitter.com/DS4London

Instagram:

https://www.instagram.com/davidsinclairfour/

SoundCloud:

https://soundcloud.com/davidsinclairfour

YouTube:

https://www.youtube.com/channel/UCdLUh__phyWNdkNL_GTIvDQ

Spotify:

https://open.spotify.com/artist/4oMczlXHj1pt6M4ZNGR14E

INTERVIEW: Zkeletonz

INTERVIEW:

Zkeletonz

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THE business of promotion…

can be a rather tiring and never-ending one for a musician. They put in so much effort and do their very best to get their music to as many people as possible. I have been lucky enough to grab some time with Zkeletonz as they tell me about their latest single, Always, and what inspired its creation. I ask whether they have favoured memories from their time in music; how the band got together – they reveal whether more material is coming.

I asked the guys about touring and possible gigs; which musicians they count as idols; which new artists they recommend we check out – the guys select a song to end the interview with and tell me how they spend time away from music.

___________

Hi, guys. How are you? How has your week been?

Been resting in our graveyard between touring stints for the new single, Always; spinning yarns about POSTPOP and the importance of calcium. Richer Sounds, you know; the stereo shops?! They just made us Band of the Week in association with Q Magazine. We liked that!

For those new to your music; can you introduce yourselves, please?

We are the POSTPOP purveyors, princes; pioneers! We provide strong, persistent rhythms and attractive, distinctive melodies. Shake your bones to us…

 

Always is your latest track. Can you reveal the inspiration behind the song?

Sometimes, a partner moves in and you stay up very late partying, fighting or doing an intense mix of both! So, our singer Gav and his girlfriend used to stare out across the street from our apartment to the big art studios opposite producer Ed’s bedroom.

Artists in there used to paint and set up photoshoots so late that he would get annoyed by the lights. We couldn't understand why the artists would want to be on camera so early in the morning! Their building has been totally demolished now (for luxury apartments).

You have built momentum from previous singles, Trouble and Don’t Cover It Up. Can we see any new material arriving later this year?

Absolutely. The first-ever Zkeletonz E.P. is coming this summer.

The likes of Channel 4 and Radio X have supported your music. Given the fact you are new the industry; how important is that kudos?

Remember the movie Almost Famous? It famously featured Tiny Dancer by Elton John and a fictional band, Stillwater. Well; Stillwater keep telling journalists they ‘play for the fans, not the critics’...until a journalist gets them on the cover of Rolling Stone! We’re similar. Do we make music for P.R. kudos? Hell, no! Are we happy when we get some? Hell, yeah we are!

How did Zkeletonz get together?

Impromptu Hallowe’en-party-instrument-jam of course.

Which musicians do you all count as idols? Did you all grow up in musical households?

Our parents were all creative but none played or performed professionally in the end. So, we’re from ‘sing-along-to-albums-loudly’ households rather than ‘home-studio’ ones! One of our dads drew Rupert the Bear for a bit; no joke. But; I don’t think Rupert has put any records out himself?!

Our idols include Prince, David Bowie and The Human League - and our household is extremely musical now because we self-produce there!

I believe you have an annual Hallowe’en party. What does that usually entail?!

Absolute debauchery on synthesizers and guitars followed by a load of balls-and-boobs-out Disco and Techno, with a fancy dress contest in the middle. It’s always free and it’s in a really old pub where Samuel Pepys wrote his diaries and, more recently, Sean Paul shot a video with Clean Bandit.

A consistently culturally-relevant venue.

Do you have any gigs lined up? Where are you heading?

To Brighton twice for The Great Escape and to Hoxton Square Bar & Kitchen in London on Sunday 6th May. Free entry.

What do you hope to achieve in 2018?

We just hope to stay fracture, break and sprain-free. That and play festivals. Nothing else.

Have you each got a favourite memory from your time in music – the one that sticks in the mind?

Ed’s was headlining The Old Blue Last in Shoreditch which is owned and run by Vice Magazine. Gav’s was playing Fuse Festival in his hometown of Lichfield in Staffordshire, or being in the local newspaper there and knowing it was gonna land on his grandma’s doorstep that week.

Will’s was crowning Dr. Zoidberg from Futurama the winner of our first-ever annual fancy dress prize!

If you could support any musician alive today, and choose your own rider, what would that entail?

French Horn Rebellion do parties called YouTooCanWoo with another band called Pink Flamingo Rhythm Revue. Last week, they invited our friends Lejon to jam on stage with them. It was INSANE. Pure optimism unleashed. We’d do that with them around the U.S.A., especially New York.

The rider would be bottomless Cosmopolitans; purple feather boas for all and extra strobes in every venue.

What advice would you give to new artists coming through?

Work insanely hard but mediate your expectations. Smile. Stay positive. Talk to people at shows. Take feedback - even when it’s hard to hear. Write lots of new songs. They’re not too precious: they’ll come and go.

It’s the listeners who decide which become classics, not you!

IN THIS PHOTO: Lejon

Are there any new artists you recommend we check out?

Why, yes! Lejon, Jazz Mino and Kid Cupid are all great. We love remixing and playing with them.

 IN THIS PHOTO: Jazz Mino

Do you get much time to chill away from music? How do you unwind?

Ed presents a POSTPOP podcast on Boogaloo Radio alongside presenters like Klaxons and Suede. He also makes Techno when he’s not making beats for Zkeletonz or plays Zelda on Nintendo Switch. Gav sings in a community choir and watches documentaries about cults. Will plays Rachmaninoff to his cat on the piano.

Finally, and for being good sports; you can each choose a song and I’ll play it here (not any of your music - I will do that).

Gav: Scissor Sisters - I Don’t Feel Like Dancin’

​​​​​​​

Ed: Dirty Projectors – Up in Hudson

Will: Tiga – Woke

____________

Follow Zkeletonz

Facebook:

https://www.facebook.com/zkeletonz

Twitter:

https://twitter.com/thisispostpop

Instagram:

https://www.instagram.com/zkeletonz/

SoundCloud:

https://soundcloud.com/zkeletonz

YouTube:

https://www.youtube.com/channel/UCYAKAF2cxfg58wezJrFMHsw

INTERVIEW: Paul Aiden

INTERVIEW:

Paul Aiden

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MANY might recognise Paul Aiden…

as one half of the Dance duo, Chimes. I ask him what it is like releasing his solo single, Ticket 2 the Moon. It was inspired by the tragic shootings at Sandy Hook school (in the U.S.) back in 2012 – I ask Aiden whether enough is being done in the U.S. to control gun ownership/use.

He discusses his favourite musicians and the albums that mean a lot to him; where we can catch him on the road; whether there will be more material with Chimes – he shares with me a very special (and sobering) musical memory.

___________

Hi, Paul. How are you? How has your week been?

Not too bad. I’ve been busy putting the finishing touches on my third single - which will see the light of day in July. It’ll have real strings and a very small performance from my daughter, Flora (aged two). She sings with me on the harmonies right at the end of the song.

For those new to your music; can you introduce yourself, please?

Hi! I’m Paul Aiden. I write and perform with an acoustic guitar. Everything is very stripped-back and organic. I am also interested in making Electronic music, but all my own stuff is back to basics, self-written and produced (smiles).

Your debut solo single, Ticket 2 the Moon, is out. What is the story behind the song?

I wrote the first version of the song in the wake of the news (of the) terrible Sandy Hook school shooting in America six years ago, which left many very young children dead. It was kind of a way of processing it. It’s written in the style of Americana/Bluegrass. It goes down great, live!

I know there is anger towards lax gun laws. Is it distrusting seeing so many massacres occurring in the U.S.?! Do you think President Trump is doing enough?

It’s got totally out of control and one of the saddest things is people don't want their guns taken away from them because then they can’t protect themselves. It’s a ridiculous loop of stupidity.

Trump has not even come close to doing anything of merit towards the problem…

What has it been like transitioning from Dance duo Chimes and stepping out alone?

To be honest, it’s a little scary and less fun going it alone - but the great thing is, I can do both. Chimes and I have lots of releases scheduled this year. I played a fantastic solo show at Hoxton Square Bar & Kitchen last month and it was really rewarding.

The songs that went down the best were the protest songs, Ticket 2 the Moon and a new one about Brexit called I Don’t Want My Country Back. I also did a cover of Unchained Melody - from the 1960s - which I really enjoyed.

Is there going to be more material coming this year?

Yes! My next single, It’s Over Now, is coming out next month and can’t wait for everyone to hear it. The video is also something to watch out for. Directed by Ali Ingle; it features a brilliant artist friend, who plays the cello on the track, called Michael G. Moore (M.G.M.). You should check him out too. Excited!

You have an impressive list of songwriting credits to your name. Has your eclectic experience made you stronger as a writer? Was it quite natural putting your debut single together?

Yes, definitely. But, what I’ve tried to do with this material is to be totally honest and everything I’m saying in these songs is 100% real. I’ve felt the buzz of having many tracks make the top-five, but I'm really excited about the possibility of one being just under my own name.

Which musicians did you grow up around? Who do you count as idols?

I have a lot of idols, mainly Prince, Stevie Wonder; Fiona Apple and Frank Ocean but artists that have directly influenced my writing would be The Beatles, Radiohead and, maybe, my dad, who also writes and plays the guitar.

Do you have any gigs lined up? Where are you heading?

There are a few gigs in the works and maybe some festivals later in the year. I would absolutely love to take this music on the road.

What do you hope to achieve in 2018?

Run more, eat less; drink less, be happy and try not to go on my phone as much…

ALSO; I want more people to discover my music. I’m confident that, with each single, I will start to gather more attention. The music is totally natural and honest and I think, in a sea of Auto-Tune and beat matching, it will be a refreshing change.

Have you got a favourite memory from your time in music – the one that sticks in the mind?

Well. Just hearing the other day that, sadly, Avicii passed away brought back a very special memory…Avicii decided to play a song I wrote called Glowing in the Dark to 80,000 at the Tomorrowland festival. Seeing that footage was an incredible, proud moment.

If you could select the three albums that mean the most to you; which would they be and why?

Simon and Garfunkel - Wednesday Morning, 3 A.M.

It’s the Folk duo at their most pure: one mixed to the left and the other to the right; glorious harmonies, recorded in two days…their first album.

Kanye West – Yeezus

A staggeringly original masterpiece. The way Kanye suddenly stops songs in their tracks to bring in old samples at a completely different tempo shouldn't work - but it totally does.

Prince - Controversy

This album has it all: Punk, Rock; Funk, Soul; an amazing ballad. It's political, bold and risky - and all in eight songs. 1981 was a great year!

What advice would you give to new artists coming through?

Turn back now; it’s a nightmare (winks).

 IN THIS PHOTO: FLYTE

Are there any new artists you recommend we check out?

I really like the band FLYTE and was hugely impressed their album. Also, the Aussie artist Sarah Blasko is one of my wife’s all-time favourites.

IN THIS PHOTO: Sarah Blasko/PHOTO CREDIT: Kylie Coutts

Do you get much time to chill away from music? How do you unwind?

I love watching Netflix and listening to vinyl: I have a pretty big collection that is growing a little too fast.

Finally, and for being a good sport; you can choose a song and I’ll play it here (not any of your music - I will do that).

Thanks...this was fun.

Kimbra - Version of Me

____________

Follow Paul Aiden

 Official:

http://www.paulaiden.com/

Facebook:

https://www.facebook.com/thepaulaiden/

Twitter:

https://twitter.com/paulaiden

SoundCloud:

https://soundcloud.com/paulaiden

INTERVIEW: Hydrocele

INTERVIEW:

Hydrocele

___________

I am a little reluctant featuring Pop acts…

because there are those that dip into the mainstream and do not produce anything appealing or credible. That is a risk one takes as a journalist, I guess! Luckily; Hydrocele are a band who stand apart and mix gritty Rock and pulsation with something alluding to the mainstream. I have been chatting with them about their new track, What You Looking At? and what its story is;  how the guys got together; whether there is more material coming – they talk about upcoming gigs.

I ask the band whether they get time to disconnect away from music and what it was like working with producer Pete Dowsett on their latest track; whether they have a particularly fond memory from their time in music – the guys each select an album that means a lot to them.

___________

Hi, guys. For those new to your work; can you introduce yourselves, please?

We are Hydrocele. Freddie (Vocals), Neemah (guitar); Ian (drums) and, we think, the guy over there with the bass is called Jonny.

Can you reveal the story behind What You Looking At?

What You Looking At? was written by Freddie and a best mate, Ash, just jamming riffs. The lyrics and melody came fast after that. It was written/directed at a girl in a previous relationship.  

What was it like working with producer Pete Dowsett?

Working with Pete Dowsett is an amazing rollercoaster of emotions, friendship and, most importantly, memes. He takes his FIFA seriously and never stops working - even on the toilet. George works very hard for Pete - getting lunch and coffees for everyone too!

How do you think your music has developed since your debut?

The Shapeshifter was a strong debut for us, but it’s fair to say that What You Looking At? has taken a different direction. The gritty Rock sound of the current single is definitely different to the glassy Pop sound in The Shapeshifter.

We are happy with both sounds - and definitely think the diversity is good for us!

Is there more material coming down the tracks?

It’s quite possible (smiles). The best way to know is to follow all our socials and look closely for announcements.

How did the band get together in the first place?

We met at college, ACM (the Academy of Contemporary Music), and through a producer. We were all playing in different bands and kept crossing paths; we quickly realised we had similar tastes and ambitions in music but, most importantly, enjoyed working together. 

Your music has a Pop sound but it strays from the mainstream. Do you think it is important to have a unique take?

Obviously, Pop and Rock have certain elements that are pretty rigid and structured. We try to adhere to certain elements for our music to have a mainstream appeal, but we also want our music to have longevity. We want to showcase our skill and the years of practice we have put into our respective crafts.

Music wouldn’t be what it is without the emotion that this incorporates. We think that both are very important. Listening to music produced now is crucial to staying relevant but keeping in touch with your influences is just as beneficial. As we are seeing now with a lot of Pop tunes; sometimes you have to go back to go forward.

Who do you all count as influences?

As a band, we have a very diverse range of influences. Although we overlap in a lot of areas, we each have influences that explore very different corners of the musical universe: Mac DeMarco, The Smiths; Nothing But Thieves, Gregory Porter; Slaves, The Strokes; Foals, Eric Clapton; Stevie Ray Vaughan and Olatunji are but a few examples.

Do you have any gigs coming up?

Yeah! We have a really cool set of gigs coming up supporting a really cool band called OMYO. We will be supporting them at the O2 Academy Islington and the O2 Academy2 Oxford on 31st May and 2nd June respectively.

If you each had to select the one album that means the most to you; which would they be?

Freddie: Jet - Get Born

Neemah: Stevie Ray Vaughan - Instep

Ian: Michael Jackson - Thriller 

Jonny: Harry Styles - Harry Styles

What do you hope to achieve in 2018?

There is a huge amount we want to achieve in 2018! After getting a taste of the big crowds at our KOKO gig, we would love to play places like that more regularly and have more people hear our music. 

What is it like getting on stage and performing to the people? What is your favourite memory from music?

Getting on stage with your mates and getting a crowd going with the power of your music always makes the best memories, however; if we had to pick one it would be the time at a post-gig McDonald’s that Jonny managed to get a Big Tasty, right slap-bang in the middle of his back without realising.

To this day, we still don’t know how it happened…

Can you offer some advice to new songwriters?

The best piece of advice for new artists is to keep at it...

Give it your 100%. Take calculated risks. Never give up: it’s so easy to see the musicians at the top of their game and think that it’s impossible to get there, but you don’t see the years and years of hard work that’s been put in to get there in the first place. You have to create your own luck.

Which new artists should we look out for?

IN THIS PHOTO: Zävodi/PHOTO CREDIT: Szigligeti Balázs

We all listen to very different music in our spare time; finding new artists every day that inspire us. A couple to look out for would be Hungarian producer, Zävodi and Alt. Rock band, New Volume.

IN THIS PHOTO: New Volume

How do you guys unwind away from music?

We all have our own hobbies that we like to do outside of the band. Ian is actually in the top-ten worldwide players for World of Tanks and Neemah is doing his pilot’s license. Jonny is an aspiring painter and Freddie only knows music.

Finally, and for being good sports; you can each select a song to end on...

Freddie: The Greatest by Zävodi

Neemah: Eric Clapton - Behind the Mask

Ian: Lettuce - LettSanity

Jonny: Fit But You Know It - The Streets

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Follow Hydrocele

Official:

https://www.hydrocele.co.uk/

Facebook:

https://www.facebook.com/hydrocele.official/

Instagram:

https://www.instagram.com/hydrocele_official/

Twitter:

https://twitter.com/hydrocele_band

SoundCloud:

https://soundcloud.com/hydrocele_official

YouTube:

https://www.youtube.com/channel/UCB7W_x-LJhSz5RcY-jRbZ6g

Spotify:

https://open.spotify.com/artist/2F2UvlNxLY1zd1kWO6G2Cd

INTERVIEW: Tom Pointer

INTERVIEW:

Tom Pointer

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I listen to a song like Nobody…

and am curious and stunned. I wanted to speak with its creator, Tom Pointer, about the background of the track and what meaning it holds. He talks to me about being compared to the likes of Paolo Nutini and what sort of music drives him – Pointer tells me about his ambitions for the year.

I asked the songwriter what music means to him and whether there is a new artist we should check out; how he spends any time away from music; he compares Nobody to his previous single, Ruby – ending the interview with a great song shout.

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Hi, Tom. How are you? How has your week been?

Great, thanks! My new single, Nobody, came out last week and I’ve been working hard in rehearsals for my next headline show.

For those new to your music; can you introduce yourself, please?

I love Soul music and I’m a Soul artist, but I create a blend of blues-tinged Pop with some R&B influences thrown in for good measure.

Tell me about your new single, Nobody. What’s the story behind the song?

Nobody is a song about false pretences, not just of people, but also of the world we live in. Most people grow up being told strictly how life works: ‘You need this to do that, you can’t do that without this…”. In my experience, you should always rely on your personal instinct; you should make your own story.

How do you think it differs from your debut, Ruby? Was it a surprise seeing radio stations and the public take it to heart so quickly?!

Nobody has plenty of attitude, but I think Ruby has more emotion. Ruby is about a friend who went through a personal struggle and the laid-back feel gives the song a lot of feeling.

Yes, I was very pleasantly surprised! I couldn’t have asked for more support for a debut single.

Might we see an E.P. or album later this year at all?

I’ve been writing and recording with the producer Lewi White for two years now, so my E.P. is finished. I have some unreleased tracks I love - so, I’m hoping to release it later this year.

You have been compared to the likes of Paolo Nutini and Alabama Shakes. Which artists have been important in terms of your own sounds?

I went to see Alabama Shakes two years ago in Brixton and that gig will always stay with me. I had chills - they were a force of nature. I listened to a lot of Paolo Nutini growing up, but I think it was The White Stripes who inspired me to start playing the guitar. I only started singing and writing a few years ago. I was hooked on James Bay and I had to give it a go.

Do you have any gigs lined up? Where are you heading?

I’ll be at The Great Escape Festival and a show at Le Reservoir in Paris - my first time performing in Europe!

What do you hope to achieve in 2018?

To keep performing live! Being on stage is how I started. It’s the best test; there’s nowhere to hide.

I also work closely with producer Lewi White in the studio and his talent is integral to my sound - so, I want to continue working with him and finish. Whether it’s released this year or next, I can’t say…

Music, to everyone, has different meanings. What does it mean to you? How important is it in your life?

It’s a creative way to ask questions, tell a story or make a point. I’m a very relaxed person but, if I ever have any stress or problems, I throw it into a song.

Have you got a favourite memory from your time in music – the one that sticks in the mind?

I performed at an intimate Sofar Sounds gig in my hometown of Southampton in 2017. I have a lot of fond memories growing up, so I was very grateful for that opportunity.

If you could support any musician alive today, and choose your own rider, what would that entail?

James Bay. Cup of tea and a pack of ginger biscuits.

What advice would you give to new artists coming through?

Don’t compare yourself: make your own decisions and enjoy it.

IN THIS PHOTO: Sam Fender

Are there any new artists you recommend we check out?

Sam Fender. Manchester-based, very talented and lyrically-provocative.

Do you get much time to chill away from music? How do you unwind?

I’m a keen swimmer - which is a perfect escape. When I’m at home, I swim in the sea with my dad all year round.

Finally, and for being a good sport; you can choose a song and I’ll play it here (not any of your music - I will do that).

Sam Fender – Start Again

____________

Follow Tom Pointer

 Facebook:

https://www.facebook.com/tompointermusic/

Instagram:

https://www.instagram.com/tompointermusic/

Twitter:

https://twitter.com/tompointermusic

SoundCloud:

https://soundcloud.com/tompointermusic

YouTube:

https://www.youtube.com/channel/UCSRa2XPiVkDXYhGo08VHUtg?spfreload=10

Spotify:

https://open.spotify.com/artist/280IUPhRtDVzi5bZ336VJe

INTERVIEW: The Baskervilles

INTERVIEW:

The Baskervilles

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THERE are a few bands around…

who offer something with meat, nourishment and depth. That may sound like an odd brew but, in a busy music landscape; it is good to discover a band like The Baskervilles. I have been chatting with them about their latest single, Blood in My Mouth, and what comes next for them.

The guys chat about the music scene around Suffolk – they are based out of Ipswich – and where they might be heading on tour; whether they all share musical tastes; if they each have a favourite memory from music – I learn why Smash Mouth’s All Star holds special relevance for James.

___________

Hi, guys. How are you? How has your week been?

Hi. Thanks for having us. It’s been a really busy week; getting everything ready to drop the new single, but it’s all coming together and we can’t wait for 27th to get here!

For those new to your music; can you introduce yourselves, please?

We’re The Baskervilles from Ipswich in Suffolk.

Blood in My Mouth is your new track. Can you reveal its story and background?

James: Blood in My Mouth is about making a mistake during a relationship and the battle that comes if you decide to try and work through it, accompanied by the fear that if you lose that person you know you won’t get over them; you’ll be doomed to taste them like blood in your mouth wherever you go.

Despite using the word ‘doomed’ in its description; I do consider it one of our jumpier numbers.

You guys spent time working with producer Tom Donovan. Do you think he has played a role in the sound of Blood in My Mouth?

Aaron: Probably one of the biggest challenges we’ve had in the past is trying to find a studio and producer who really understands the sounds we’re trying to achieve. The first time we worked with Tom we instantly clicked: he totally got what we wanted, he started throwing in sounds and ideas that we hadn’t thought about but instantly loved.

Being in the studio with Tom is like collaborating with a mad scientist. He takes our ideas and just starts throwing all these crazy production ideas into the mix – which, then, gives us more ideas and we kind of just go around in this whirlwind of creativity until we end up with a song.

Blood in My Mouth could have easily been a raw Catfish and the Bottlemen-type song, but Tom really helped us explore all the tones and sounds we used - turning the song into something that sounds like The Baskervilles.

Will there be more material coming later this year?

James: There’ll be so much material coming, you could weave a patch on your favourite denim jacket that reads: ‘I push back hard for the Baskervilles’ - and still have enough left over for a convincing snood.

How did The Baskervilles get together?

Aaron: James and I have been in a few bands together that kind of drifted apart because of other commitments - and we were the last two standing. Callum and Blair met in the womb (they’re twins) and ended up playing in other bands together and, again, were the last two still playing music when the other members went their own ways. James had already started The Baskervilles as a side project.

We all ended up joining it, scraping the songs he already had and starting again from scratch. We’ve learnt a lot about songwriting since those early days and a lot of earlier songs have fallen by the wayside – but, we now feel like we’ve really found what we want to be playing and just want to put out music as fast as possible (which, unfortunately, is not as fast as we would like).

You hail from Suffolk. What is the music scene like there? Is it easy enough to get your voices heard?

The Suffolk music scene is quite spread out. Bury St. Edmunds has a really cool venue called The Hunter Club that puts on some really good shows. There is the John Peel Centre in Stowmarket that also have some great bands come through. Ipswich (which is where James and I live) is having a bit of a resurgence in live music as well. There is an awesome independent venue called The Smokehouse that is putting on shows nearly every night of the week - and they have made it super-friendly for performers to hire it out.

Suffolk does get missed out when bigger bands are touring, though. They tend to play Essex, skip Suffolk and then play Norfolk or Cambridge. It’s a shame, but hopefully, things will start to change if places like The Smokehouse keep doing well.

What sort of music do you all like listening to? Do you have quite similar tastes?

We all have our own tastes in music. Between us, we’ll listen to anything from The Smiths through to Kendrick Lamar, but there’s a lot of overlap. Something we all have in common though is that we get really buzzed by recordings that have great or creative production. It doesn’t really matter what genre it is: if it sounds amazing we’ll probably like it.

Do you have any gigs lined up? Where are you heading?

We’re in the middle of putting together some U.K. shows for late-May and June. Keep an eye on our Facebook and we’ll be announcing them very soon. We’ll hopefully be doing a few more shows through the rest of the year, but we also want to get back into the studio and do some more writing.

What do you hope to achieve in 2018?

Gigs and new songs...and get our music in front of as many people as possible.

Have you each got a favourite memory from your time in music – the one that sticks in the mind?

James: My parents got married when I was around eight-years-old. I didn’t really get all the hullabaloo: they’d always been mum and dad to me, ever at each other's side. Dad loved music and, while he was a stern man of few words and fewer sentiments, he’d occasionally make mum get up and dance with him to some music he had on. Seeing their first dance at their wedding really made the power of music light a fire in me, and I still tear up any time I hear Smash Mouth’s All Star.

They’re happily divorced to this day.

Aaron: The first gig I ever went to was to see Motörhead with my dad. It was also the first time I’d been to London or ridden on the Underground. I remember feeling the power of a kick-drum through a P.A. for the first time and was totally blown away. When Lemmy started playing bass, it was indescribable. It’s probably one of my favourite memories of all time.

If you could support any musician alive today, and choose your own rider, what would that entail?

Meatloaf. Meatloaf.

What advice would you give to new artists coming through?

James: Turn up on time, don’t put a drink on someone else’s amp - especially if they’ve let you borrow it - and don’t think you’re too good to talk to anyone. It won’t help you succeed, but not being a total c*nt will make the climb-down from your tepid success easier.

Aaron: Surround yourselves with people who are willing to work as hard as you are. It’s not enough for only one of you to work hard at it: everyone needs to give it 110%. Everyone on your team needs to believe in what you are doing and be willing to work for it.

Are there any new artists you recommend we check out?

We’ve played with a load of cool bands recently. A couple of our favourites were Brixton Alley and Kid Kapichi. They both have new music out at the moment and are totally worth checking out.

IN THIS PHOTO: Kid Kapichi

Do you get much time to chill away from music? How do you unwind?

Music is quite full-on at the moment for all of us; trying to fit writing, recording and gigging around full-time jobs is pretty hard. We also do a lot of stuff for the band behind the scenes. For example; we made the video for Blood in My Mouth ourselves and I had to take a few days’ holiday from work to get it edited. But, we’re not complaining! We love making music.

Finally, and for being good sports; you can choose a song and I’ll play it here (not any of your music - I will do that).

James: Smash Mouth - All Star

One last time. For Mum and Dad…

____________

Follow The Baskervilles

Official:

https://www.musicglue.com/thebaskervilles

Facebook:

https://www.facebook.com/thebaskervillesmusic

Instagram:

https://instagram.com/the_baskervilles

Twitter:

https://twitter.com/BaskervillesUK

SoundCloud:

https://soundcloud.com/thebaskervilles

YouTube:

https://www.youtube.com/thebaskervillesmusic

Spotify:

https://open.spotify.com/artist/1tMfDSojTFAMCCL0CnoDL2?si=yqO_ElW_RsibWJPMFExFMw

INTERVIEW: Equals

INTERVIEW:

 Equals

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TODAY is an important one for Equals…

as they launch their album, 1997, into the ether. It is a record packed with relevant and modern themes; thought-provoking cuts and plenty of quality. I have been talking with Ade and James (who fields most of the questions) about the album and its inspirations.

I learn how Equals came to be and what the guys have coming in terms of gigs; which musicians and albums compel them; if there are any more plans locked in for the remainder of the year – the guys let me into their world and reveal what makes Equals tick.

___________

Hi, guys. How are you? How has your week been?

James: Great. We did a great show at Sofar Sounds yesterday; getting ready to release our next single, Triumph, on Friday and the album the week after.

For those new to your music; can you introduce yourselves, please?

We’re Ade and James. Ade sings; James takes care of the music. We make Soul music and live in Dalston, London.

Letter to Leave (What Can I Say?) is your latest track – one I have reviewed. I believe there is a Brexit-related link. Was there a moment in the process, or a report from the news, that compelled the song to come together?

The first verse was written immediately after getting news that Britain had voted Brexit. Those first lines, “Hey, what you done/now everything we know has been and gone/We can’t go back we’re where we’re from”, were written that morning 24th June in a state of shock and anger at what felt like a racist and xenophobic vote – pure and simple.

Not to deny that racism played a role but, after reading reports of who voted Leave; it was pretty clear how high the Leave vote was in ex-industrial communities – whose livelihoods were decimated by Thatcher and ignored ever since – and how similar their financial situation is to us younger people living in cities, working crap jobs and paying sky-high rent (who voted Remain). So, the song is about that initial feeling of rage but, then later, the empathy and understanding.

It is taken from the album, 1997. I know there are a lot of themes included. What are the main ideas that inspired the songs?

1997 is about how it feels to have lived through the cultural, political and psychological cul-de-sac of the last twenty years – waiting for 1997 to deliver the progress it promised.

The album, as a whole, is inspired by action against the conveyor belt of mediocrity that’s experienced walking through identikit high-streets (Psalm for the Shadows); watching endless T.V. remakes (Hi-Def Retro); listening to cover versions of cover versions and bland meaningless music (Fizzy Pop)...

The juxtaposition of mind-numbing boredom but never being bored because you’re anxiously, urgently repeating meaningless patterns of behaviour and trying to be more productive (Modalert) and only having exhaustion, self-doubt and depression to show for it – which you’re convinced is, somehow, your fault (No Right)...

Time speeding up, remaking the old but being obsessed with youth (Husk) and the primacy of nostalgia as a coping mechanism (Weary Eyes) - to help us feel grounded in some kind of shared or common experience.

Do you feel, as a nation, we repeat ourselves – remaking T.V. shows and covering songs? Are we getting caught in a bit of a rut?!

It certainly feels like we’ve been stuck in a rut for a while.

Obviously, there’s been a lot of technical development in the last two decades but, in terms of cultural and social progress; it feels more limited. Look at a polling card - and the options to vote for are three bank managers with different coloured ties; turn on Netflix and choose to watch a remake of Lost in Space from the '60s, She’s Got To Have It from the ‘80s or House of Cards from the early-'90s; turn on the radio and Rockstars are covering Nina Simone (Muse) and Popstars are covering Bob Dylan (Adele); go to the cinema and it’s still James Bond, Star Trek; Batman and Harry Potter. This isn’t necessarily a ‘bad thing’ - we covered No Ordinary Love by Sade - but it’s symptomatic of a wider acquiescence that, like it or not, ‘this is the way things are’.

All that said; in the last couple of years, things have started to open up – the status quo is on its last legs and under fire from both sides – left and right. There are some Hip-Hop albums that you can imagine people still listening to in twenty, thirty years’ time; so, maybe, just maybe, we’re coming out of the rut…

Can you take me back to 1997? Can you remember where you both were when the government changed and we were provided with this idea of hope? How does it feel looking back and seeing where we are now?

I was living at home, just outside of Wolverhampton in the shitty Midlands. I didn’t really know the ins and outs of what happened; I was too young to vote but there was just something in the air; that anticipation of better things. But, then, there’s a reason why Thatcher called Blair her greatest achievement: because the wolf was still in power but in sheep’s clothing. By total coincidence, a friend of a friend, who I’ve never met, Richard Power Sayeed has just published a book called 1997: The Future That Never Happened. It’s funny; because I’d never met him but we were obviously writing about similar ideas simultaneously; probably inspired by similar life experiences and writers like Mark Fisher and Simon Reynolds.

Our album is really an expression of how it feels to have lived through the times Richard analyses in the book. Reading it really resonated with me – how the Spice Girls adopted an individualistic form of feminism called ‘Girl Power’ to sell more records; how the royals curbed republican sentiment by appearing more modern and humane after the death of Princess Diana; how the institutional racism review following the sentencing of Stephen Lawrence’s murderers clearly fell short of dealing with the problem and New Labour boosted their progressive credentials by ‘giving back’ Hong Kong, before obviously later teaming up with Bush to invade and occupy Iraq.

So, to answer your question; it feels like a massive let down, like a cruel and spineless insult – and it feels tiring that we’ve still not seen progress on many of these issues.

How did Equals get together? What brought you together?

We had a mutual friend in sax player Pete Frasier – though, through quite different scenes: Ade knew him through the North London Jazz scene, whereas James knew him from touring together in Tech-Noise bands. When James moved to London, wanting to start a new project, he asked Pete if he knew any vocalists – Ade was the first person he recommended. The first session we did together just clicked.

Ade. You were a backing singer for Amy Winehouse. What was that time like? Did you learn a lot from her?

Ade: My time with Amy was memorable, mostly for the amount of exposure I got to a world previously alien to me. She would always say to me that I belonged here and I could make it too. I'm forever indebted to her for that. Yes, there was madness, but I look back at that time with nothing but pride. The stages we touched and the people we met along the way - it was a special time with a special individual

James. Who are the musicians who compelled you and inspired your route into music?

James: My best friend at school taught me to play Nirvana riffs on an old classical guitar with only four strings on it. ‘The Banger’ we called it. But, I owe a lot to him and Kurt, of course. I grew up listening to guitar-based stuff with interesting arrangements – Pink Floyd, King Crimson; Talk Talk, Low and Tool – and I loved music that sounded both minimal and epic. 

Do you have any gigs lined up? Where are you heading?

Just done a string of shows supporting Submotion Orchestra on their U.K. tour; a headline show at Ace Hotel London and a Sofar Sounds this week - so now we’re looking at confirming festivals for the summer…

If you each had to select the one album that means the most to you; which would they be and why?

Ade: I would say Joni Mitchell’s Blue

Because it gave me writers block for ten years: I've never been impacted by songwriting in such a manner. So much so I had to pack it in and start again. It’s a masterpiece that cuts through the damn gristle! 

James: That’s a really difficult question. The best guitar tone ever recorded has got to be Siamese Dream by the Smashing Pumpkins. The album I’ve danced to most in my kitchen is Michael Jackson’s Bad; the album I fell in love to is Drums and Guns by Low – the album that inspired me to write better music is To Pimp a Butterfly by Kendrick Lamar.

What do you both hope to achieve in 2018?

Ade: It would be nice to get on the road at some point with this album. I feel it needs to be played to as many people as possible. One can dream…

James: We’ve had some reviews recently where people have used our music to talk about things that are really important to them: their mental-health, their love of music and their hopes for a better world. That’s all I want to achieve with our music – to be a critical witness to what’s going on around us and inspire that kind of writing and debate.

Have you each got a favourite memory from your time in music – the one that sticks in the mind?

Playing the beach stage at Dimensions Festival in Croatia right before the Internet was a touch.

Ade: I once sang a duet with Gwyneth Paltrow and Ronnie Wood on guitar in front of Noel Gallagher, Damon Albarn and Matt Bellamy. It was a fun night.

What advice would you give to new artists coming through?

James: In the words of the late great Bill Hicks: “Play from your fucki*g heart!”

Ade: Be nice…

IN THIS PHOTO: Benin City

Are there any new artists you recommend we check out?

James: Shout-out to our friend and collaborator Joshua Idehen and his bands, Hugh and Benin City. We sometimes use a studio in Stoke Newington next to Tom Tripp – if you haven’t heard his stuff yet then you’re not as cool as he is (smiles). Also; keep your ears pealed for our bassist Chris Hargreaves’ new live Grime project, PENGSHUi.

Ade: He's problematic, but Xxxtentacion is taking Rap to interesting places.

IN THIS PHOTO: PENGSHUi

Do you both get much time to chill away from music? How do you unwind?

James: Music is how I unwind: it’s the rest of life that’s stressful

Ade: Me too

Finally, and for being good sports; you can each choose a song and I’ll play it here (not any of your music - I will do that).

James: Stuart Warwick – Artemis 20

He’s one of the most overlooked artists in the country - such a beautiful voice; not sure he’s even making music anymore but a beautiful song about Hilary Lister, a disabled sailor who became the first female quadriplegic to sail solo around Britain – we need more stories about people like told by talents like Stuart.

Ade: Death Grips – I Break Mirrors with My Face in the United States

Sums me up, really.

____________

Follow Equals 

Official:

http://equalsband.com/

Facebook:

https://www.facebook.com/equalsband/

Instagram:

https://www.instagram.com/equalsband/

Twitter:

https://twitter.com/TheEquals

SoundCloud:

https://soundcloud.com/theequals

Spotify:

https://open.spotify.com/artist/7HGyw7kzatTmJvZCATGWf9

INTERVIEW: Binky

INTERVIEW:

Binky

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I last spoke with Binky when she released her incredible…

debut single, Fireflies. With her latest gem, Jackie D, showing that initial success was no fluke; I have been talking with the songwriter about her influences and mixing Country music in with a tougher, urban/‘London’ sound.

She tells me about the artists who have helped guide her; whether there is more material coming down the line; when she first took to music and singing; the three albums that mean the most to her – I learn what Binky has in store for the remainder of this year.

___________

Hi, Binky. How are you? How has your week been?

Hi. I feel like I am on Cloud Nine. This last week has been absolutely amazing! I am overwhelmed by the amazing support from everyone, again, following my debut single, Fireflies. I always get butterflies when releasing new music as I want to make sure I delivery nothing but the best! So; it feels like such an achievement when I get such a wonderful response to a new single.

For those new to your music; can you introduce yourself, please?

Well. Where do I start…?!

My name’s Binky and I am an aspiring Country music artist from London. I fell in love with Country music quite late in life - I was seventeen/eighteen when I first started to write and perform Country music...but I haven’t looked back since! Although I love Country music, I do love Pop, Indie and many more genres. That’s where I found my sound: I wanted to merge the Nashville Country sound with an urban, London sound.

I hope that most of you will agree that’s what I have portrayed in my singles, Fireflies and Jackie D.

Fireflies, your debut single, was a considerable success. Was it quite surprising seeing it do so well?! How did it make you feel knowing so many loved the song?!

Fireflies achieved so much more than I ever dreamed off. As my debut single, I was so nervous, as this was setting the bar for myself as an artist as well - as showing the world who I am and what I represent.

However, the incredible response and support mean more to me than I could even explain. Every single person who downloaded, streamed and shared Fireflies have made my dreams come true. I can’t wait to share so much more with you all!

Jackie D is new. What inspired you to write the song?

I actually have no idea. I and my producer, Michael Stockwell, wrote the base and melody first and then the story just fell into place. We were working from a studio in Brick Lane at the time - and I think the atmosphere of everyone being happy and going out with friends just brought this storyline to life. A young girl out on the town with friends, just looking to have fun. I mean; who can’t relate to that?!

The song is vivacious, bold and exciting. I get hints of artists like Kelsea Ballerini. Do you get a lot of inspiration from artists like this?

Yes, always. The Country market in the U.S. is swamped with so many incredible, inspiring artist, but I also find inspiration in many Pop and Rap artists. I think I relate more to the personalities of artists and the way they portray themselves.

Miley Cyrus is one of my biggest inspirations. I think she is a wonderful artist. I just love her free spirit - and she allows herself to follow her heart and enjoy everything she does.

Is there going to be more material? What is your next move going to be?

Yes. I have so much more to show you and I have big plans to bring you all lots of material this year - along with live performances, which are in the pipeline too.

That raw voice and power must have taken time to perfect! Did you start singing at a young age? What was it about Country that drew you to the genre?

I think the likes of Stevie Nicks and Tina Turner are to thank for my vocals. I fell in love with the raspy tones of Stevie Nicks when I was around thirteen-years-old. I have always sung and performed from an early age. But, I started to focus on singing professionally when I was around fifteen. But; a real role model for me was Tina Turner. No, she’s not a Country artist, but her strength and raw talent were just incredible, and I always wanted to be like her.

When I started to focus on Country music, I inspired to The Dixie Chicks, Carrie Underwood; Miranda Lambert and, of course, Dolly Parton. I absolutely love the vibrato Dolly Parton has - and this is the one thing that made me love her even more.

How important is London and its people to you? Is it a wonderful place to write music?

London is so close to my heart. To have the support and love from London means so much to me. It’s so hard to push Country music in London, as it’s not a sound the population are used to. However; I have found that, once you play it and don’t tell them its Country, that it becomes their guilty pleasure.

So, I know there is a market for me here and not just in the U.S. London is an incredible place to write; it’s very different to Nashville and other places as Londoners seem to be a tad more reckless. But; I have so much fun writing and producing in London.

Do you have any gigs lined up? Where are you heading?

I will be releasing some live gigs very soon, which you will be able to find on all of my social media (or my website).

Will you get a chance to play in the U.S.? Have you played in cities like Nashville and Austin?

Of course. My plans are to move into the U.S. market very soon which, again, you will all be informed of this very soon. I have played in Nashville around four years ago now and I absolutely loved it! I can’t wait to go back.

If you had to select the three albums that mean the most to you; which would they be and why?

Taylor Swift – 1989

This album gave me the love to merge a Country and London sound. This album was incredible - and I can only dream to have an album this amazing one day.

This isn’t an album, but I love Miley Cyrus’ (MTV) Unplugged sessions

Again; this was such a cool, laid-back funky style of Country, which represents everything I want to be myself. The vibe of these tracks is so great.

Adele – 21

This album had a massive impact on my vocals and sound today. I learnt so much about writing a wonderful love song. I feel that every track on the album - and the emotional connection she portrayed on that album - is the reason she is an astonishing artist (and one-of-the-kind).

What do you hope to achieve in 2018?

2018 is my year. I hope to achieve worldwide recognition for my music and myself as an artist - which will allow me to continue making music, perform and following my dream.

Have you got a favourite memory from your time in music – the one that sticks in the mind?

Not really. I mean; I feel like I have done so many amazing things already: it’s hard to pinpoint a moment.

What advice would you give to new artists coming through?

Do not give up. If in doubt; put your music out and take on-board all feedback, good and bad. This will make you stronger and will assist you in being the best you can be. Criticism is good. Don’t get deflated by this: turn it into a positive by working on them and getting better at everything you do.

Are there any new artists you recommend we check out?

This is really naughty, but I have spent so much time underground working on my music. I am behind on my research! But, I will be sure to share any newcomers who catch my eye.

Do you get much time to chill away from music? How do you unwind?

No. My music is constant. I’m always working on new ideas and, even when I’m not, one just pops to mind. I always carry a Dictaphone so I don’t forget new ideas if my out and about. However; I do force myself to take Sundays off – and, a majority of the time, I do.

I might do the odd bits and pieces but I try to make sure I spend most of the time with family and unwind. This always helps me start the week with a clear and focused mind.

Finally, and for being a good sport; you can choose a song and I’ll play it here (not any of your music - I will do that).

I am a massive fan of Florida Georgia Line and their new single with Bebe Rexha, Let It Be. I love this song - and it is very similar to what I am trying to do.

____________

Follow Binky 

Official:

http://binkyofficial.com/

Facebook:

https://www.facebook.com/Binkyofficial/

Instagram:

https://www.instagram.com/binky_official/

Twitter:

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INTERVIEW: Phalcons

INTERVIEW:

 Phalcons

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THIS is not the first time I have interviewed Phalcons…

but I was keen to speak with the band about their new single, Swim Away, and how it differs from their debut cut. The quartet tell me about the song’s background and what they have coming up; how they all got together – I learn how Ben, Tom; Naomi and Alex spend time away from music; the artists they are compelled by and when the band will be touring.

Ben takes up most of the questions and takes me back to the band’s start; what they all have planned for the rest of this year; which new artists are worth checking out – the guys each select a song to end the interview with.

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Hi, guys. How are you? How has your week been?

Hello! Very good, thanks. It's been a busy week!  Lots of reposting/retweeting and thanking people for plugging the new single! 

For those new to your music; can you introduce yourselves, please?

I'm Ben. I play the guitar and sing. Tom plays the bass and sings. We have Naomi on keys and vocals and Alex on the drums and vocals - and we are Phalcons.

Swim Away, your second single, is out tomorrow. Can you tell me how it came together and what inspired it?

I actually wrote this song in my head while working in a kitchen a few years ago. I had this melody stuck in my head for days and eventually figured it out on the guitar. I wasn't sure if I'd come up with it myself, or if it was someone else's song. But, I showed it to a few friends and I got the all-clear. At the time, I was moving house; out of the home I'd grown up in and was admittedly a little homesick.

So; the lyrics are a lot to with that; wanting to go back home. Then, the rest of the band came in and wrote their parts. It came together well actually. I'm quite proud of it.

Do you think you have learnt anything since your debut? Are you a more confident and ambitious band?

I've learnt that having an online presence is a full-time job! Twitter is hard to keep up with sometimes. Ha ha. You have to shamelessly promote yourself on every social media platform continuously. It can get tiring, but it's worth it in the end. I also learnt how to say ‘butterfly’ in Italian, which is pretty cool.

Can you take me back to the start? How did Phalcons come to be?

Well, originally, we were a trio: Tom, Alex and Myself. We played a few gigs in 2016, but we knew we needed another layer - and Naomi was the obvious choice. We were already good friends, so it came naturally. Plus, the keys and the fourth harmony takes it up a couple of notches.

But; we've always played in various other bands together over the years, so it was only a matter of time before we got together and did our own thing.

In terms of music; do you all share tastes and have similar favourites?

Absolutely! We're all big fans of Psychedelic music and all its sub-genres. We're constantly sending new music to each other, checking to see if the others approve. It's, literally, where we get most of our music. Obviously, we have listened to other music too; Tom and I are big Hip-Hop fans while Alex is a Bob Dylan man through and through. I love Bluegrass music, too - anything with twangy guitars and harmonised vocals is right up my street.

Also, Naomi sometimes turns into Stevie Nicks. It only happens every now and then, but any time we're out and Fleetwood Mac comes on, sh*t goes down.

What comes next in terms of material? Might we see more down the line?

Definitely. We’ve got a couple of releases lined up for the summer; another single and, hopefully, something a bit more full-length that we can promote with a tour.

Do you have any gigs lined up? Where are you heading?

Yeah; we’ve got a few coming up. We’re playing the Libertino Records showcase on 28th of this month in Cardigan, which will be the day after Swim Away is released, so really looking forward to that. We’re also playing Focus Wales on 12th May in Wrexham. Always a good time to be had there; the line-up is always great. Then, we’ll be touring during the summer to promote the next release.

During the summertime, we’ll be venturing over the border into England to play a few gigs. It’ll be nice playing to new crowds.

What do you hope to achieve in 2018?

To keep going! Continue to release material, keep playing gigs and, maybe, throw a tour or two in there somewhere. Same as any other band really. We just enjoy playing music. 

Have you got a favourite memory from your time in music – the one that sticks in the mind?

There was this one time last summer. Alex was playing for H. Hawkline at the time and they were supporting King Gizzard and The Lizard Wizard on their U.K. tour. Naomi and I went to see them in Manchester and, when we arrived, we realised Alex had managed to get us on the guest list, so we got in for free. Bonus! The gig was amazing. Loud, fast and adrenaline-fuelled: exactly what you’d expect from a King Gizz. gig. 

But, when they finished playing, Alex managed to get us backstage and we ended up having after-show champagne with the guys from King Gizzard! It was pretty surreal, actually!

If you could support any musician alive today, and choose your own rider, what would that entail?

It’d be amazing to play a gig with someone like Fleet Foxes or Crosby, Stills and Nash - someone with a big sound and loads of harmonies. We could do a seven or eight-part harmony! It’d be like a choir or something! 

Alex: We’d have to have a big bowl of JUST brown M & Ms, too. Otherwise, we won’t go on stage.

What advice would you give to new artists coming through?

Make the music you’d want to listen to!

Ben: Keep at it. Don’t give up. Contact promoters, venues and labels. Be a nuisance. Like I said before; you have to constantly sell yourself. Having a good online presence helps a lot too. That way, it’s a lot easier to promote yourselves on social media platforms…

Tom: ...and keep playing gigs! It’s a shame that bands can’t make a career for themselves solely off their live shows and releases anymore. I think we were born into the wrong decade. Ha, ha. 

IN THIS PHOTO: Men In Trust/PHOTO CREDIT: Chaudière-Appalaches T-Shirt

Are there any new artists you recommend we check out?

Ben: OMALOMA. He’s a good friend of ours that we still play with every now and then. Go check out his music! Psychedelic Space-Pop for your earholes.

Naomi: Men I Trust. They’re not that new, really: I think they formed in 2014 but their music is amazing! Dreamy, synth-driven psychedelia with sexy female vocals.

Alex: Barrie. They released their debut single (Canyons) at the start of the year and it’s so good. It’s really hard to find any other releases by them, though. I think Canyons might be the only thing they’ve put online.

Tom: Kikagaku Moyo. They’re a crazy, Psychedelic; Krautrock, Acid-Folk band from Tokyo! If you’re into bands like Acid Mothers Temple, Holy Wave; Moon Duo or, even, the Flower Travellin’ Band, then you’ll love these guys. They mix so many different genres into one. It’s amazing. It’s something I think everyone should listen to. 

IN THIS PHOTO: Kikagaku Moyo/PHOTO CREDIT: WDZIEKONSKI

Do you get much time to chill away from music? How do you unwind?

Ben: Well. Actually, we all work full-time jobs: there isn’t a lot of money in the music industry for up-and-coming bands, so it’s actually the other way around: music is the escape from the mundane nine-to-five.

Tom works as a school teacher, Naomi in media marketing; I’ve worked in kitchens since I was fourteen-years-old and, even though Alex plays as a session musician for about twelve-thirteen different bands, he also has to work part-time jobs…

But; I do like a good box set at the end of a hard day...

Finally, and for being good sports; you can each choose a song and I’ll play it here (not any of your music - I will do that).

Ben: Redspencer – Ride It Out

Alex: Andy Shauf – Quite Like You

Naomi: Club Kuru – The Memory Junkie

Tom: Laura Marling – Sophia

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Follow Phalcons

 Facebook:

https://www.facebook.com/phalcons.music/

Twitter:

https://twitter.com/PhalconsBand

SoundCloud:

https://soundcloud.com/phalconsband

INTERVIEW: Ben Hobbs

INTERVIEW:

 PHOTO CREDIT: Mike Massaro 

Ben Hobbs

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I love a modern songwriter who makes you think…

of those classic artists of old. That blend of contemporary production and epic, heartfelt songwriting is not something you see that much of – not delivered in such a stirring and memorable way. It is good to speak with Ben Hobbs and get to know him a lot better – he talks about his new work, Blue Sky EP.

I ask Hobbs if he has a standout track from the E.P.; what the inspirations and stories are; which artists he is influenced by; what he has coming up in terms of gigs; if he gets much time to unwind away from music – he ends the interview with a bit of a classic!

___________

Hi, Ben. How are you? How has your week been?

Hey! I doing well, thanks. It’s been a good week: happy to see some sunshine!

For those new to your music; can you introduce yourself, please?

Sure. I’m Ben Hobbs; a singer-songwriter, musician and producer.

Blue Sky EP is out. What are the main themes that inspired its creation?

The Blue Sky EP is inspired by positive thinking. I like to think of it as a little reminder to myself to push the things I love and try to turn bad experiences into good ones. I think each song offers a different perspective or experience on this idea.

It’s up and down in tempo and mood: some of it is more about longing and some of it about acceptance but, overall; it’s about aiming to be content.

PHOTO CREDIT: Caitlin Mogridge

It has already picked up praise and great reviews! Do you get a lot of energy from positive feedback?!

I do, absolutely. It’s one of the things about this that is, in some ways, out of your control as a new artist. So; getting good feedback motivates me a lot. It’s a great feeling hearing when people get what I’m doing.

Is there a track from the E.P. that stands out? Which do you rank as a favourite?

My favourite right now is the track Simple Life. It’s just got a summery vibe to it that I was keen to put across in my music so, in a way, it feels like a new type of song for me. But, also, Blue Sky - the closing track - I’m really proud of.

That one is good to play live, too.

Tell me how you got started in music. Which artists compelled you to follow that path?

I was always really into '70s and '80s music growing up: I just found it more appealing than what was in the charts at the time! I started playing the piano when I was about ten and then, a few years later, guitar and vocals. The Police and The Beatles made me want to play in bands and write songs. Also, my dad used to play Jeff Buckley in the car a lot and I thought he was such an inspiring artist.

PHOTO CREDIT: Jodie Canwell

South London is where you are based. What is the area like for new music and gigs?

It’s pretty good! I remember the first big gigs I went to were at Brixton Academy, so I’ve always liked that place a lot. In fact, Brixton has become a great place to play/watch gigs in terms of variety.

Who do you count as your main influences and musical idols?

The Police, Tears for Fears; Kate Bush, David Bowie; The Killers, Frank Ocean; Joni Mitchell and Bon Iver, to name a few.

PHOTO CREDIT: Jodie Canwell

If you had to choose three albums that mean the most to you; which would they be and why?

The Beatles - Magical Mystery Tour

It was the first album I owned and it had some real forward-thinking production on it (see: I Am the Walrus).

Incubus - Morning View

It reminds me of summer holidays as a kid, as I went through a stage of listening to this record a lot. Big-time nostalgia. Haha.

The Police – Synchronicity

It’s just got some of my favourite-ever songs on it - and I can always come back to it and enjoy every second.

Do you have any gigs lined up? Where are you heading off to?

It’s a work-in-progress, but there will definitely be some shows in 2018! I want to book some in the U.K. and some elsewhere; so, it’s all currently being talked about and put into action.

What do you hope to achieve in 2018?

I just want to see things continue moving. Over time, you see that there are people who really follow and love what you’re doing, and that’s amazing. I want to build on that and continue making music that I’m proud of and, hopefully, more and more people can connect with it.

Have you got a favourite memory from your time in music – the one that sticks in the mind?

The one that sticks in mind is my Asia tour at the end of last year...

I went out there not really knowing what to expect, but we had the best time. To be on the other side of the world with people in the crowd singing my songs was really special. But, the whole experience was great.

 What advice would you give to new artists coming through?

It’s hard, but try not to compare yourself to other artists in terms of success. Of course, take all the influences and inspiration you like, but I think it’s important to not try to be the next ‘whoever’ and do what you do as best you can.

But, also, don’t be afraid to listen to opinions - you can choose to ignore or take on board what people say about your music and I think that’s a really good way of discovering what you want out of it. 

 IN THIS PHOTO: Knox Fortune

Are there any new artists you recommend we check out?

Knox Fortune, Abi Ocia; Art School Girlfriend and Jim-E Stack are well worth checking out!

 IN THIS PHOTO: Abi Ocia/PHOTO CREDIT: Dami Oyetade

Do you get much time to chill away from music? How do you unwind?

To be honest, I’m normally doing something related to music but walking my dog, Murphy, is one way I ‘unwind’ (he’s pretty full-on!). Also, more recently, I’ve started doing some climbing and bouldering, which is such a good way to take your mind off things.

Finally, and for being a good sport; you can choose a song and I’ll play it here (not any of your music - I will do that).

Bruce Hornsby and the Range - The Way It Is

____________

Follow Ben Hobbs

IN THIS PHOTO: Caitlin Mogridge 

Official:

https://benhobbs.co.uk/

Facebook:

https://www.facebook.com/benhobbsmusic/

Twitter:

https://twitter.com/benhobbsmusic

Instagram:

https://www.instagram.com/benhobbsmusic/

Spotify:

https://open.spotify.com/artist/5tU5HsDRcBKvOhKjO24QPj

INTERVIEW: Deux Trois

INTERVIEW:

 Deux Trois

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THE delightful and delicious Deux Trois…

have been kind enough to talk about their formation and where they head from here. The trio tells me what the story of Late Night Girls is. The song’s themes and ideas intrigued me – the Canadian band let me into their world and reveal whether there is more material coming down the line.

I was interested to find out what the scene is like in Ontario (Canada); where they take their musical influence from; whether they have ever played in the U.K. – the guys tell me how they chill away from music.

___________

Hi, Deux Trois. How are you? How has your week been?

It’s been good! It’s been a weird week - exciting week. We dropped our single, Late Night Girls, on Thursday. It was put up for sale on Friday!

For those new to your music; can you introduce yourselves, please?

BW: I’m Ben Webb. I play guitar and sing backup vocals.

NP: I’m Nadia. I sing and play percussion.

BN: Hi. I’m Benjamin. I play the bass.

Late Night Girls seems like it has a unique inspiration! Tell me how that song came to be?

NP: I wrote the original version for my solo act about three years ago. It took a long time for it to get to this point, with a full band. It was inspired by porn. Did you guys know that when we first started playing it?

BW: Nope.

BN: I didn’t know. To me, it just meant party girls.

BW: I didn’t think porn, specifically. You guys brought it to me; it was on the table when I joined the band and the song became a Neil Diamond/The Monkees melody, you could say.

NP: It was a straight, dark Electronic song before that.

The song looks at culture and self-care, among other things. Do you think we, as people, have become less alive and connected?! Do you think we are more alone and less happy given the rise of technology?!

BW: I would say there’s a rise in contentment, rather than happiness. It’s hard to differentiate between the two. The rise in technology has made living day-to-day pretty easy. The news is no longer an after-thought: it’s in your face the second it happens.

NP: That might make it more difficult for people to have a good mindset in their everyday, though. Contentment implies a kind of disillusionment with happiness, I think.

BW: I would agree with that.

NP: I don’t know that we’re less alive, less connected. I would say we’re under an umbrella most of the time where we’re aware of so many moments happening all at once - but it’s hard to be attuned to those moments because of the lives that we live on our devices.

BW: Almost like a hyperconnectivity...there’s really no choice.

NP: You have to be in it to be a part of everything.

Hard to say if it’s loneliness that’s the key here. It feels lonely because the experiences we have face-to-face with a browser take up so much of our time. It’s isolating. But; there might be people who thrive in that. Tough question.

BN: I struggle with the obligations of the Internet every single day of my life.

The video looks pretty steamy, too! What was it like shooting it?!

BW: It was a lot of fun shooting! We had great background actors: Dima (Dmitry Uchitel) has a real way with the camera. I didn’t think it would turn out as well as it did.

NP: You have to trust me! The next one will be even better. Late Night Girls was shot in one night. It was my first time in a while shooting a video. I hadn’t (shot a video) since last March and was really excited to do something interesting. I’m proud of what we were able to accomplish. Special thanks to David Simon and Steph Natividad...also, Jolene for bringing her projector.

BW:  It was a party; I think everyone had fun.

BN: Thanks to Nadia a lot of my '80s-inspired music video dreams come true.

Will there be more songs from you guys soon?

NP: Yes! We’re releasing our next single, Dave, on May 11th.

BW: …Not to mention we’re still in the process of writing more songs.

NP: True. Also, our E.P. comes out in June, Health. A lot of music is on the horizon!

How did Deux Trois come to be? When did you form the trio?

NP: We formed the trio in November. It was serendipitous, actually. I hadn’t seen Ben in about seven or eight years and happened to see him outside his work while I was having a pint with my friend there. She and I were planning a tour and I was looking for a specific kind of guitarist.

BW: Evidently, I fit the bill (laughs). It’s been a really special experience, for sure.

NP: Before we were a trio; Benjamin and I were a drum and bass act but our collaboration started because his band, Slow High, wanted to back my solo act for one show. After that, Benjamin and I decided to continue…and here we are.

It is hard to compare you to other acts. Which artists do you all take guidance from?

BN: I take guidance from Factory Records.

BW: Always been sort of a Punk and Hardcore-kind-of-a-guy.

BN: Make it Factory Records and Iggy Pop. Gotta keep up with Ben.

NP: If I had to choose six, I would go with Rihanna, Peter Gabriel; Paul Simon, Kanye (West) and Nicky Minaj. There are more, but I will stop…Drake….

You guys are based out of Ontario. Is it a pretty cool part of the world to make music in?!

BN & BW: Yes!

BN: It’s a great location, in terms of touring music and playing shows: it’s dead-centre of all the major music markets in Eastern North America. Even Chicago is only eighteen hours away.

NP: It’s cool, but I can’t deny that it makes you long for something more. The weather, the transportation; everyone acknowledges that there’s this undercurrent of despair.

It’s kind of like a water that most people are drinking...

BW: I’d say that’s concrete.

NP: Actually it’s water (they laugh).

What do you hope to achieve in 2018?

BW: More shows, more touring; meeting more people - maybe releasing another, shorter E.P.

Have you each got a favourite memory from your time in music – the one that sticks in the mind?

BN: No. Yeah. Playing with my other band, PS I Love You, and being afforded the ability to travel; being given opportunities that I might not otherwise have had being from a small town.

BW: I don’t really remember a time in my life when I wasn’t playing music. I think one of my favourite things has been meeting new people and getting to know them on a different level. Let’s say that moment outside of Jiffy Grill. Moment - it was more like an hour, where we had an impromptu dance party with our tour mates, The Vile Bodies, just waiting. Waiting for, not sure for what. Just waiting…

NP: …I think you were waiting for me to finish breakfast...

BW: Is that what it was?

NP: Yeah – actually; I’d say the footage I got of Dylan dancing to Serge Gainsbourg on top of their car was a standout moment during that tour. He is a gem. Right now, the important moment that sticks out to me is when I allowed myself to fully experiment in a studio session by hitting things that weren’t instruments, in front of strangers.

If I hadn’t done that in a professional setting, I wouldn’t have sat down in front of the kit in July, and decided to be a drummer for our band.

If you could each select the one album that means the most to you; which would they be and why?

BN: Iggy Pop - The Idiot

It means the most to me because it was a piece of art that was the result of David Bowie and Iggy Pop wanting to get off their respective addictions and move to Berlin. They made an everlasting piece of art with Tony Visconti.

BW: Forever and Counting by Hot Water Music

It spoke to me at a certain time in my life and I still continually find things about that record that touch me emotionally.

NP: The Paul Simon Songbook by Paul Simon

I picked it up at the library when I was twelve because I liked the cover. I heard it and wrote my first song after experimenting with writing for a while before that. Up till then, it was all references and complete plagiarism.

Are there tour dates coming up? Might we see you in the U.K.?

NP: We don’t have any dates in the U.K., no.

We’re planning a summer tour but only have four dates lined up right now: May 31st at Poisson Noir in Montreal; June 1st at Bar Robo in Ottawa; June 3rd at Bovine Sex Club in Toronto and June 8th at The Toucan in Kingston.

What advice would you give to new artists coming through?

BN: Keep your day job.

NP: That’s what I’ve had to do…

BW: …Yeah, me too.

NP: It gives me drive, I think, to keep it. Reminds me of what I could have if I live in my ambition during my off hours. My best advice would be to keep a checklist of everything your band needs whenever you go anywhere to play if you don’t have tour management - we always need one because something is usually amiss. Film everything; try to have a competitive spirit with your socials.

These are all things I wished I regularly abided by.

IN THIS PHOTO: Charly Bliss

Are there any new artists you recommend we check out?

BW: Oooh; Charly Bliss.

BN: Partner…

BW: (They’re fucki*g awesome).

NP: The other day, I found Nadia Rose. She’s new to me; love her flow.

IN THIS PHOTO: Nadia Rose

Do you all get much time to chill away from music? How do you unwind?

BN: I make visual art, spend time with my cat, Vivian. I like to watch X-Files…

BW: …I was going to say that...Netflix and chill with my cat.

NP: I’m in the opposite boat, I think? I feel like I never have enough time to write. I spend a lot of time missing it, to be honest (laughs).

Finally, and for being good sports; you can all choose a song and I’ll play it here (not any of your music - I will do that).

BW: Minno by Hot Water Music

BN: What Would You Say by Part Time

NP: Ima Read - Zebra Katz. Oldie, but a goodie. Actually, a classic, really…

BN: …I’d buy that for a dollar.

____________

Follow Deux Trois

PHOTO CREDIT: Dmitry Uchitel

Facebook:

https://www.facebook.com/deuxtroismusic/

Twitter:

https://twitter.com/deuxtroismusic

Instagram:

https://www.instagram.com/deuxtroismusic/

Bandcamp:

https://deuxtrois.bandcamp.com/releases

SoundCloud:

https://soundcloud.com/deuxtroismusic

YouTube:

https://www.youtube.com/channel/UCG4E6z0m7EWNEZMW4vR8Wqw/videos

INTERVIEW: Man Without Country

INTERVIEW:

Man Without Country

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I have been spending time with Man Without Country…

and asking the man behind the name, Ryan James, how Remember the Bad Things came about. It is a stunning song from an artist who has been making big waves and looks set to hit the big leagues. I ask him what it felt like transitioning from a duo to being a solo artist; how it feels having his music played on T.V. shows – he reveals what tour dates are coming up.

I ask Ryan whether there is more material arriving this year; which three albums mean the most to him; if there is a new artist we need to get involved with – he reveals what he hopes to intend in the remainder of this year.

___________

Hi, Ryan. How are you? How has your week been?

Not too bad, thanks! Uneventful, which is fine!

For those new to your music; can you introduce yourself, please?

My name is Ryan James and I make music under the moniker ‘Man Without Country’.

Can I ask where that name, ‘Man Without Country’ comes from? Is there a story behind it?

It’s taken on multiple meanings over the years, but it originally came from a “sense of not belonging”, which still feels relevant to me even to this day. The press-bio-friendly version is that it comes from the Kurt Vonnegut book, A Man Without a Country, but, in truth; I first heard the phrase in the Tom Hanks-starring film, The Terminal.

Remember the Bad Things it out. What is the background of the song?

It’s a song about the mind’s tendency to flag negative memories as being more valuable and important to us than the positive ones. I understand why it is that we’re programmed that way, but I just couldn’t accept it. I knew that, if I wrote something about it, I would, in some way, be taking away the power of these negative thoughts, for myself and, hopefully, for others who can relate.

Is there going to be more material this year? How far ahead are you looking?

Yes, definitely. I’ve been working on an album since last year and it’s coming together. It’ll be out later this year!

Your music has been played on shows like Made in Chelsea. Is it a good experience seeing your music on the small screen?!

It’s certainly not a bad experience! It’s always nice to have that recognition - and the exposure obviously helps.

Man Without Country has gone from a duo (with Tomas Greenhalf) to you. Have you noticed a difference in sound since becoming a solo artist?

Everything’s a bit more personal now, which I’m sure has affected the sound. There’s always compromise on both sides when working with someone who shares an equal interest in the outcome as you. One benefit is that I no longer have to find ways to try to explain or translate my ideas to another person - and can just get on with it now.

Of course; the downfall is that you have nobody to share the excitement with, or tell you when something is a bit sh*t.

Do you recall when you started making music? Were there certain artists who influenced you?

Vaguely. I was very young - I think around eight. My school were offering brass instrument lessons and I guess I was just bored and decided to join. I quickly realised that it wasn’t for me and, to get out of it, I told my mum that I was more interested in keyboards.

It wasn’t until my late-teens that I first picked up a guitar and, by the time I was competent enough to just about get away with playing in bands, I would have been listening to the likes of Jimmy Eat World and Thrice. I still love both...

If you had to choose three albums that mean the most to you; which would they be and why?

Difficult one!

I’d have to say that Death Cab for Cutie’s Transatlaticism changed a lot for me and was the album that first made me realise that I wanted to write meaningful lyrics - and eventually build up the confidence to sing.

John Grant’s Pale Green Ghosts would have to be my highlight and best discovery of the past decade.

A classic one for me would have to be Depeche Mode’s Violator.

Do you have any gigs lined up? Where are you heading off to?

I do! You can catch me supporting ionnalee at Heaven, in London, on 9th May and I’ll be hitting the road with Draper in September for a co-headline U.K. run. Tickets are still available on my website!

What do you hope to achieve in 2018?

I really want to be able to physically touch and hold my next album, Infinity Mirror, in my hands.

Have you got a favourite memory from your time in music – the one that sticks in the mind?

MWC’s 2013 U.S. tour, which concluded at SXSW, was an experience I’ll never forget. It was such a great adventure.

What advice would you give to new artists coming through?

Just keep working at it and developing your craft, and don’t take drugs. Being boring is better than sucking.

IN THIS PHOTO: Empathy Test

Are there any new artists you recommend we check out?

Off the top of my head, I’ll say Empathy Test. Lovely guys with great music who are already killing it and building up a strong following without a record label. I really wish I was that screwed on starting out.

Do you get much time to chill away from music? How do you unwind?

I often find it’s best to just do something mundane. Meditation has helped a lot when I want to take a break from music. Gardening is another one - I grew some pretty impressive courgettes last year. Other than that; I enjoy travelling and spending time with my wife and dogs.

Finally, and for being a good sport; you can choose a song and I’ll play it here (not any of your music - I will do that).

As I’ve already mentioned them; let's go for Policy of Truth by Depeche Mode

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