INTERVIEW: The 10x

INTERVIEW:

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The 10x

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I have been talking with Parker Moore and Jeff Gingrich…

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of the band, The 10x. I ask how the new single, Think of Me, came together and whether there is more material coming; how the band got together; if there is a special memory from music they can share – the guys recommend some new musicians worth a serious look.

I ask whether a move from Michigan to Tennessee was instrumental; what the chaps have planned in the coming weeks/months; what advice they would offer anyone coming through right now – I was keen to know whether we might see The 10x in the U.K. before the end of this year.

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Hi, guys. How are you? How has your week been?

Jeff Gingrich: It’s been a wild week preparing for the new release, but we’re excited to finally have this song out.

For those new to your music; can you introduce yourselves, please?

Parker Moore: I’m Parker Moore. I play drums in The 10x. I’ve been in the band for a little over a year.

JG: I’m Jeff Gingrich. I’ve been writing music as The 10x since 2015. The first E.P. was all me with a little help on drums from a good friend. It’s changed a little since then but I’m still writing (now, with Parker) - recording and mixing everything myself.

Think of Me is your newest single. Can you reveal its background and how it came together?

Think of Me is cool because it’s the first song Parker has been here from beginning to end. We wrote the skeleton together during a ‘jam session’ and I started to hear the other parts in my head.

PM: We were in a room together for the first time since I had relocated to Nashville. I started playing this idea I had and, once Jeff started playing, you could feel something was there...

JG: I only had a bass so I was trying to explain when the parts of the song were changing in my head. I don’t think anyone really understood what I was hearing but everyone was excited at how much of the song happened during that moment.

PM: After we tracked the demo, we experienced a hard drive and laptop crash…losing all of our demos we were working on. This song only survived because we had an MP3 demo saved on Jeff’s phone. We had to rebuild the track based off of that.

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Are you looking ahead in terms of E.P.s and singles? What can we expect in the future?

JG: Yeah. The big thing now is to stay on the radar, so we’re hoping to keep releasing E.P.s. Singles are great, but I’d like to put out more content on each drop. We’re already working on a few ideas now.

How did The 10x get together? When did you all meet one another?

PM: I started playing with Jeff in a different band back in Michigan, so we were well acquainted before The 10x. Jeff asked me to play when the band first started touring. After playing out a lot, we realized we had chemistry and worked well together, so I became a member.

Talk to me about the 900-mile drive you took and a 1982 synthesizer…

JG: I watched a video of my favorite musician going through his process on one of his bigger songs. The Juno 6 was a vital part of the song. I looked online that day and there were two for sale; one in Japan and one in Pittsburgh. I left a few days later from Flint, stopped there to pick it up; got back in the car and came straight to Nashville.

It took forever.

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How important was your move from Flint, Michigan to Nashville, Tennessee?

PM: We moved at different times. For me, it’s been instrumental in my role in the band. I moved here from a small tourist town called Frankenmuth, Michigan straight to Music City! It’s been a big change and I’ve got to be way more involved with the songwriting process.

That, alone, has been rewarding. I’m also (just) glad to be where the music industry is thriving. It’s good to be surrounded by all these incredible musicians.

JG: My mindset changed when I got here. The atmosphere feels a lot different. In Flint, it’s a tough city no matter what you’re trying to do. When I got here I felt freer and realized that a lot of things that were holding me back were all inside my head. I’ve been grateful for learning that. It is prettier down here, though.

Do you have any gigs lined up? Where are you heading?

PM: We’re working on getting back to the Midwest but also want to play more in Nashville. This is where we call home now - and we want to be more of a presence in this city.

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Might you head to the U.K. at some point?

JG: Parker and I have yet to play a show outside the U.S. - but we do see our U.K. numbers growing. It could happen soon.

What do you hope to achieve in 2018?

PM: I’d like to write some great songs, play more cities and meet more of the people who are invested in what we do. That’s been the coolest thing that’s happened since I joined this band…we’ve got to connect with people who care about what we create. That’s special.

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Have you each got a favourite memory from your time in music – the one that sticks in the mind?

JG: I have two tied for first: the week we got put in 50,000 Discover Weekly (plays) on Spotify was pretty cool. It was intense waking up and seeing all the interaction; to know someone every five seconds was listening in. The other was our longest tour run. I learned a lot; specifically, how important sleep is to the person singing every night. I didn’t do a good job.

PM: Mine is the first time The 10x went to Indianapolis. It wasn’t a huge show but half the people in the room were singing along with us. That was a crazy experience knowing that we had never been in that city before and people knew our music.

If you could support any musician alive today, and choose your own rider, what would that entail?

I’d play a U2 show (laughs)…

JG: I would too, but that seems insane.

PM: I’d say Lorde.

JG: We both look up to a lot of artists. I think Lorde or Jack Antonoff (Bleachers) would make a lot of sense for us. We’re at a place where we wish we were playing something like that every night, so the question is pretty real. 

Rider - some dope wine; water so my voice doesn’t blow out during the set…I’d eat almost anything.

PM: I want a professional masseuse and a gourmet chef to cater to my every need (laughs).

What advice would you give to new artists coming through?

JG: It’s rough out here. What I’ve learned is that there is always something that will work for you. You have to find that and be consistent.

PM: Find your niche. More specifically: just be who you are. I know that’s corny but, as artists, we’re all a different combination of our influences and things that have inspired us. No one captures the same perspective on music as you can, so take advantage of it.

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IN THIS PHOTO: Sam Fender

Are there any new artists you recommend we check out?

I listen to a lot of smaller artists like Sam Fender, lovelytheband; Colony House and COIN. We also have tons of talented friends I listen to.

JG: I listened to Riah’s single, Nice, for three weeks straight. I didn’t listen to any other song.

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IN THIS PHOTO: Riah

Do you get much time to chill away from music? How do you unwind?

PM: I usually unwind by playing drums so…it’s my job, but it’s also always been my happy place. Doing this IS how I unwind.

JG: I work all day and then come home and work on music so...I think the unwinding happens when the work is good. I like when I spend hours on a song and make progress. I’ve heard it a lot and I feel it too - it’s all about the work.

When a great song is released and people love it, it’s a great feeling – but, here we are; making sure we are ready to dig back in and work more.

Finally, and for being good sports; you can each choose a song and I’ll play it here (not any of your music - I will do that).

Since I mentioned it earlier: Nice by Riah

PM: NEEDTOBREATHE’s new song, Bridges Burn. We got to play with them once and, ever since, I’ve been a fan. This new song might be their best one yet

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INTERVIEW: Jane’s Party

INTERVIEW:

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Jane’s Party

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AS we head into the weekend…

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I have been setting time aside to chat with the guys of Jane’s Party. It has been great speaking with the Toronto-based group about their new single, You’re the Light, and how it came together. I ask whether there are gigs coming up; what it was like shooting the video for You’re the Light – they reveal if they are coming to the U.K.

I was eager to explore their musical tastes and the music scene in Toronto; how they spend their time away from music; if they have any advice for new songwriters of the moment – the guys end the interview with song selections.

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Hi, guys. How are you? How has your week been?

Great week so far! Indie 88 in Toronto premiered the new video for You’re the Light and the single was released across all platforms on Friday.

For those new to your music; can you introduce yourselves, please?

Jeff (Keys, Guitar and Vox), Devon (Bass, Keys and Vox); Tom (Guitar, Vox) and Zach (Drums)

How did Jane’s Party get together? What is the reason behind that name?

We started jamming in a garage up in the Jane and Finch area of Toronto where we were all going to school together and made our first record, The Garage Sessions.

You’re the Light is your new single. Can you talk to me about the song’s story?

The song uses nautical imagery to paint a picture of being lost at sea overwhelmed by the feeling of helplessness and confusion. This refers to, simultaneously, searching for a figure or idol that is one’s guiding light through the maze of commotion we find ourselves trapped inside. 

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It was made in collaboration with Matthew Angus of Fast Romantics. What was the reason for that? What was it like working with him?

We’ve known Matt for quite some time now and have always seen eye to eye musically and creatively over the years. It was really only a matter of time before we collaborated on something special and, after bringing a handful of tunes to him, this one jumped out of the bunch and what he added instantly took the song to a place we couldn’t have reached without his guidance.

The video is quite energetic and engaging. Was the concept designed to highlight your performance skills and personalities? Was it a cool shoot?

The video was born out of a performance style aesthetic. We wanted visuals that showcased to fans what the band looks like live - the energy, emotion; passion and skill. The lighting design was done in collaboration with Nathan Whitford from Urban Visuals in Toronto. He is an acclaimed lighting designer and installation artist.

Directors Julian Peter and Kat Webber as well as art director, Tom Ionescu (also in the band), came up with the idea of having different lighting ‘worlds’. The video was shot on two Alexa mini-cameras, as well as a mini D.V. to create contrast.

We used a steady-cam and dolly-track to create different types of movement and combined L.E.D. lights with projectors to get different colour palettes.

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What is the music scene like in Toronto? Do you have favourite venues and local artists?

We have been playing around Toronto for almost ten years now and, regardless of where we reside in the future, it will always be home to us. Venues like The Cameron House, The Horseshoe Tavern and The Dakota Tavern are where we learned to play live and they offer a sense of comfort I don’t think anywhere else can.

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Do you have any gigs lined up? Where can we see you play?

We are very excited about playing Alianait Arts Festival in Iqaluit this summer along with a number of other festivals in and around Ontario. More immediately, we are supporting Jeremy Loops in Toronto and Montreal on May 3rd and 4th.

Will you come to the U.K.? Have you played here before?

We haven’t played the U.K. but we will - with Tom Odell, ideally!

What do you hope to achieve in 2018?

We hope to release a full-length record supported by an abundance of visual content and we hope to take our new music far and wide.

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Have you each got a favourite memory from your time in music – the one that sticks in the mind?

Touring Europe with Tom Odell last year. Walking on stage every night to audiences that were so energetic and supportive hasn’t been topped yet. We also got to experience touring Europe with arguably one of the best singer-songwriter pianists to come out of the U.K.

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If you could support any musician alive today, and choose your own rider, what would that entail?

Jeff: Paul McCartney - socks, underwear and whiskey.

What advice would you give to new artists coming through?

Write, record and play live. Do it often and don’t stop doing it!

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IN THIS PHOTO: Jason Isbell

Are there any new artists you recommend we check out?

Lukas Nelson, Matt Duncan; JULY TALK, Jason Isbell; Fast Romantics and Ferraro.

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IN THIS PHOTO: JULY TALK/PHOTO CREDIT: Shalan and Paul

Do you get much time to chill away from music? How do you unwind?

We make art, stay active and play in many various musical projects.

Finally, and for being good sports; you can each choose a song and I’ll play it here (not any of your music - I will do that).

Jeff: The Keys – Matt Duncan

Zach: Tom Odell – Somehow

Tom: Ferraro – Can You Feel it

Devon: Fast Romantics – Everybody’s Trying to Steal Your Heart

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INTERVIEW: Emilie Mover

INTERVIEW:

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 Emilie Mover

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IT has been a little while since I last talked…

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to an artist from Canada, so it is just as well Emilie Mover has come along! I speak to her about the new cut, Walkin' Through, and whether the track has personal relevance – she talks to me about her past and musical inspiration (revealing how her dad's musical knowledge and background has helped shape her).

Mover tells me whether there are any gigs coming up and, whether, the U.K. is part of the agenda; how she spends her time away from music; which three albums mean the most to her; the new musicians we need to support – Mover ends the interview with a rather nice song selection!

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Hi, Emilie. How are you? How has your week been?

I’m great, thanks! It’s Monday, but so far so good. Just took my puppy to the vet for vaccinations so he’s a bit mad at me…but a good week so far on the whole! Haha.

For those new to your music; can you introduce yourself, please?

My name is Emilie Mover.

Walkin' Through, your new single, was written in three different apartments. What was the reason behind this?

Well. I’m not sure if it’s a subconscious namesake thing or what, but I have literally MOVED quite a bit in my life. I think I’ve lived in almost thirty apartments over the years (counting family homes).  Also, my dad and sisters are in N.Y.C. and I’ve been moving back and forth between Toronto and New York City since I was a pre-teen; so, a lot of it has to do with going back and forth.

Walkin' Through came together quite slowly and tediously: a verse here, a verse there; so, naturally, it just ended up that it’s got a little bit of multiple apartments in it.  

What, would you say, is the song about? How did it come to mind?

Like I said; it was written over the course of a few years.

I didn’t want to rush it because it’s about something that is maybe THE most important thing to me, which is my relationship with the unseen, faith, etc. It came to mind, initially, when I was travelling across Canada on the train. Maybe I got to thinking about the big picture because watching the scenery passing through the country was just so overwhelmingly beautiful. 

Was it cool recording it at The Bathouse in Kingston?

Oh boy; was it ever! That place just has excellent, excellent vibes. I know a lot of really great recording gets done there. Also, the other musicians on the album are all actually (just) my oldest and greatest friends, so it was pretty wonderful to have the opportunity to go to the country and play music for a week in this gorgeous house. ALSO, the engineer at the Bathouse, Nyles, is a great guy and terribly talented. 

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Are you looking ahead at more material? Might we see an E.P. later in the year?

I’m working on putting together a little home studio right now. I would like to start releasing material more on the fly, sharing it spontaneously for a while. I’ve made a lot of albums but things have shifted so much: I wouldn’t mind seeing what happened to the songs and my writing process; if I just bring them into the world and then let them out as they come, as opposed to waiting for a year or two to release another cohesive album.

But, who knows…I might change my mind. 

Which musicians did you grow up around? Who do you count as idols?

My favourite question! My first and foremost musical role model is and always will be my father, Bob Mover (www.bobmover.com). He is another level of a musician that they just don’t make anymore and he taught me things about listening to and understanding music that they can’t teach in school.

He has an encyclopaedic understanding of Jazz and he got me into all of the great songwriters of the twentieth-century (Cole Porter and stuff, obviously, but also people like Johnny Mercer, Billy Strayhorn and Sammy Fain. Guys like that). He knows all of the lyrics to the songs he plays - which is a rarity among non-singers these days – but, to him, is essential. 

When I took to singing, he ‘hipped’ me (to use his phrase) to all the great Jazz singers (Billie, Ella; Sarah, Peggy; Dinah, Blossom). But, I’m also big into sax players and piano players: Charlie Parker, Lester Young; Cannonball Adderley, Coleman Hawkins; Ben Webster, Teddy Wilson; Thelonious Monk, Earl Hines; Hampton Hawes; that kind of thing.  

In my early-twenties, I got really into Soul music. I love that stuff. New Orleans, Memphis kind of stuff: Donny Hathaway, Brenton Wood; Irma Thomas, Percy Mayfield; Lee Dorsey, The Meters. Oh man, the list goes ON AND ON…

Also; can’t forget the great Stevie Wonder. He’s my main man.

Do you have any gigs lined up? Where are you heading?

Going to have a little tour in Canada and, maybe, the New York area a couple of months after the album comes out on June 5th. Right now, I’m getting ready to play Major/Minor festival at the Burdock on May 13, and for my mini-album release at the Tranzac on June 6th.

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Will we see you come over to the U.K.?

No plans as of yet, but would love that. 

What do you hope to achieve in 2018?

A new sound - but in the same spirit of timelessness, humility and love of music. 

Have you got a favourite memory from your time in music – the one that sticks in the mind?

So many, really. I would, again, say that being at Bathouse while recording this album was one of the most fun times of my life. But, I generally love being in the studio. Every time I’m in the studio I have that ‘this is where I’m meant to be’ feeling and, lately, I’ve been loving being on stage too. I’ve been playing solo and I love it. It’s like the silence is my rhythm section. 

It’s pretty nice being able to communicate and talk real sh*t like an arrow to a target with a whole room full of people. It makes me feel very happy and safe.

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If you could select the three albums that mean the most to you; which would they be and why?

Stevie Wonder - Fulfillingness' First Finale

I just feel like Stevie innately has this grasp on love as a concept that most of us have to work our whole lives to get to. He is my main man. I chose this album because it has a lot of good songs but, really, any album has at least one song that will blow the mind in its ability to communicate love through melody and harmony. I mean, I named my dog after Stevie Wonder. Haha.

Paul Simon - Paul Simon

Everything Put Together Falls Apart and Run That Body Down are both on this album. If I could choose to have written any song in the world, it would probably be Everything Put Together Falls Apart. Also; fantastic album cover. 

Luiz Bonfa – Solo in Rio 1959

This is an instrumental Bossa Nova album by the guy who is best known for writing the music for Black Orpheus. My first big love, let’s call him ‘M’, introduced it to me. He worked in record stores and a guy came in and asked if they had any good solo Brazilian guitar. M said “No, sorry”, but, then, when the guy left, he pointed to this record on the counter and said: “This is the best Brazilian guitar record”. Haha. Record stores. Either way, it really is. It has been with me ever since.I listen to it at least once a week. 

What advice would you give to new artists coming through?

I don’t think they need my advice. Maybe, don’t resist change because it’s pointless. I guess I would just say stay humble and try not to get bitter. It’s so easy to get bitter. I’ve seen it happen to a lot of guys in my dad’s generation. It doesn’t help you create. 

Are there any new artists you recommend we check out?

Have you heard of Stevie Wonder? Just kidding…

Well. He’s not a new artist, but I always tell people to check out Percy Mayfield because hardly anyone knows about him and he’s really great. He wrote Hit the Road Jack and Please Send Me Someone to Love. He was being primed to be a STAR but then he hit some hard times and it never happened. He wrote for Ray Charles a fair bit, I believe. In any case, he’s lovely.

In my city at this moment, I can’t forget to mention Jennifer Castle. She is my friend, but I listen to her records on the regular. Big fan. 

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IN THIS PHOTO: Jenniger Castle

Do you get much time to chill away from music? How do you unwind?

Music is the unwinding. That and Netflix, obviously.

Finally, and for being a good sport; you can choose a song and I’ll play it here (not any of your music - I will do that).

Oooh. Play Donny Hathaway - Jealous Guy.

That’s what is playing right now - and I think you would enjoy it. Haha

Thanks for everything!

Xo, Em.

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Follow Emilie Mover

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INTERVIEW: Mozaics

INTERVIEW:

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Mozaics

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ONLY yesterday…

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I was speaking with a band who hails from Guernsey. Now, I have been chatting with the Jersey-based band, Mozaics. I learn what the scene is like on Jersey and whether there is more material in the coming months – I discover how they came to meet J-Hus!

The guys reveal what they do away from music; whether there are any new artists we need to check out; if they feel the music they are making now has developed from their earliest days; what advice they would give to new musicians coming through – I ask how the band feels when they get on stage and deliver the music to their fans.

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Hi, guys. How are you? How has your week been?

Hello. We’re good thanks; how are you? This week has been interesting for us. The video for B.W.G.O. dropped this week and, so, we’re busy organising radio interviews and some local gigs to promote it! It’s an exciting time.

For those new to your music; can you introduce yourselves, please?

Hi. We’re Mozaics. We’re from Jersey: not the New Jersey; the old one situated off the coast of France in the Channel Islands.

Our music has been described as uplifting anthem-Indie/Trip-Hop. Basically, we’re obsessed with melodies and hooks; if it’s not catchy it doesn’t make you smile! Music that makes you smile tends to make you dance; two things that we think are extremely important.

How did Mozaics get together? When did you all meet one another?

Jersey is a pretty small island - so we’ve all kind of known each other for years. We’ve all gigged together in different bands and have had varying levels of success in different formations. Mozaics really came together in mid-2015. That’s when Craig and Chris joined Christian, who had already written and produced a few records. Tom came along shortly thereafter and the power line-up as it stands now was born.

Before We Grow Old is your latest track. What is the story behind the song?

B.W.G.O. is about a nostalgic hat-tip to a youthful relationship told by someone who didn’t know what they had and took it far too seriously.

What can we expect going forward? Is there going to be more material or any collaboration happening?

The future is rosy! We’ve been hard at work networking and expanding our relationships. Since recording B.W.G.O., we’ve written and recorded four more tracks and we’re as excited, if not maybe even a little more excited, to share those with the world in due course. Watch this space!

Tell me how you met J-Hus. How did that encounter come about?!

There isn’t really much to tell if we’re honest. We met backstage at a festival that we were both playing. He confessed to rapping over our songs during our set and we just started chatting.

Stylistically, you would say we’re very different artists; however, we share a common passion for one thing - and that’s music. Although there’s no immediate discussion about a collaboration, we’d be daft not to follow it up! The future knows no bounds, right?  

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Do you think you have grown and strengthened since your earliest days?

Without a doubt. We’ve probably all grown as musicians, individually, although we play now more for the music, so it might seem like we’ve paired it back a little from the earlier days. That is, however, where the growth has come: it’s in the songwriting and playing what’s needed for the song. Hopefully, that comes across in the tracks and in our live shows.

Don’t get me wrong; we elaborate where we need to in a live show because that’s an experience and is a completely separate piece of the Mozaics puzzle.

The video for the track, Do This with Me, gained a lot of praise for the performance and concept. Do you guys get involved a lot with pitching videos and the look of them?

Yeah; that’s a really pretty video, that one. We’re obviously biased; however, we’d really recommend it as a must-watch! We like to be involved in the decisions made around video concept. We all have ideas and visualise how it should look and these are shared early on. We are pampered somewhat in that our pals at Nifty50, who have shot all the Mozaics music videos, are masterful videographers. They’re, also, very musical.

Add to those two things the fact that they’re super-down-to-earth and genuine in everything they do. It’s pretty much a trifecta of awesome! We’re lucky to have worked with them and plan to continue to work with them as our journey continues.

Do you have any gigs lined up? Where are you heading?

Yeah. We’ll be announcing shows soon; keep an eye on our Facebook and Twitter pages. We’re also very keen to share another live-streamed gig on social media - something we tested earlier in the year and became a huge success. If you get a chance, visit our Facebook page and watch the live gig on Facebook. It was streamed live from our practice space. Off the top of my head; we’re headlining a show on 23rd June in Jersey at the Watersplash.

If you’re on the island, come and have a dance!

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How important is it getting on the stage and seeing the reaction of the crowd?

The live performance is everything. Any and every artist will say the same thing. There is no substitute for the buzz of a gig and the interaction you get from an audience of people who love music as much as you do. It’s therapeutic. It’s what artists (us) live for. If you love music and you’ve experienced music at a live gig, you can almost always recall the emotions that you felt at that gig, the lights, the sway of the crowd; it’s memorable because it’s an experience like no other.

Live music shared with people who love music is a really powerful thing.  Live performances from our favourite artists are what inspire us and what fuels our passion.  It’s the reason we make music.

What do you hope to achieve in 2018?

2018 is an exciting year.

For us, it feels like momentum has been good through 2017 - and everything has been leading to this year. We’ve been bottled up and spent the past year or so shaking things up: 2018 is about blowing the lid off (so to speak) for Mozaics. Having seen the support for the most recent single, Before We Grow Old, and knowing that we quite possibly have, dare we say it, more belters to follow; we’re super-excited and anxious to share our art with the world on a bigger stage. 

Have you each got a favourite memory from your time in music – the one that sticks in the mind?

There are probably plenty. One that really sticks out for me (Chris) has to be our first performance in this line-up at Jersey Live. I think it was 2015?

Anyways; we’d yet to play a show locally...and so no one knew what to expect. We were all really excited to play the show and I think, secretly, we knew our set was going to be something the island had never seen. Plus, we’d rehearsed it quite a bit and we were ready to share our songs with the world. We played in the middle of the day in a tent at the back of the festival in between main stage turnaround.

Not expecting much, we packed the tent after our first song, bossed the rest of the set and played an encore to a hungry audience. Thereafter, we sold every single one of our E.P.s and there was a real buzz around the festival about the band. It was pretty special and definitely a moment I’ll never forget.

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What advice would you give to new artists coming through?

We’re not really advisors - and we continue to learn, every day, that we do this. We have, however, all been doing this music thing for a number of years. We’ve all had some success in different forms and we’ve all experienced just how difficult it can be to turn heads and make people notice what you’re doing. The only bits of advice we can give derives from our own experiences. First and foremost, believe in the product and believe in the band. If you don’t believe, no one else can.

Secondly, there is no substitute for good old-fashion hard work. If you want something you have to roll your sleeves up and get busy with it. No one else is going to invest time or money in a band that isn’t interested enough to invest their own time and money in themselves.

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Thirdly; every single relationship/contact, no matter how brief with a venue contact, a fan; another band, a D.J.; a promoter, a bar manager; a friend of a friend, etc. is as important as the last. Make those relationships work for you; make sure they remember you for the right reasons. You never know when you might need to rely on them in future as part of your journey. Plus, they’re more likely to buy your music when you release it out into the world. Better yet; if they like you, they’ll probably promote you to their friends, who will promote you to their friends and so on...

Sorry...that kind of dragged on a little!

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IN THIS PHOTO: July Talk

Are there any new artists you recommend we check out?

Check out JULY TALK. They’re a really cool Canadian Rock band making waves on both sides of the Atlantic. Chris roomed with their guitarist at university. Other cool under-the-radar acts to check out are Winterfalle, Alex Alex and Tadhg Daly - all musicians from our small island in Jersey and all making waves in the music world.

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IN THIS PHOTO: Tadhg Daly

Do you get much time to chill away from music? How do you unwind?

We do. Everyone is very close with their families; most downtime is spent in their company. When not doing that, Christian meditates and does jiu-jitsu. Chris is an avid golfer and has more recently developed a passion for long-distance running. Craig is really into yoga and spends a great deal of his time reading.

Aside from being the band hunk, and the guy everyone wants as their best mate, Tommy teaches music professionally, and so, when he’s not playing with Mozaics, he’s playing with others (not in that way; at least we think). You can take Tommy out of the Music but you cant take the Music out of Tommy! 

Finally, and for being good sports; you can each choose a song and I’ll play it here (not any of your music - I will do that).

QYURRYUS by The Voidz. We’re really into this track at the moment. It’s way dope

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Follow Mozaics

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INTERVIEW: Fletcher Jackson

INTERVIEW:

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 Fletcher Jackson

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I have been speaking with the guys of Fletcher Jackson…

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about their new single, Prelude. Fletch (the band’s singer) fields the questions and chats about the next steps for the group and how they all got together. The guys each select an album that means a lot to them; Fletch talks to me about where they are heading on tour – he recommends a new artist we need to get out ears around.

Fletch also provides advice for new artists and reveals what he (and the chaps) gets up to when they disconnect from music; they each select a song to end the interview – a nice view into the busy and exciting world of Fletcher Jackson.

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Hi, guys. How are you? How has your week been?

We’re good, thanks. We’re having a crazy week! On top of dropping our new single, we're mixing the follow-ups! At this point, sleep is a luxury!

For those new to your music; can you introduce yourselves, please?

I’m Fletch. I’m the singer in the band. On guitar we have Jack. On drums we have James. Ben’s on the bass and behind the keys there’s Sean!

Tell me about your new song, Prelude. How did it come together? What is the story behind it?

James played me a drum sample that I instantly wanted to write over. It was around the time Trump was elected, so I knew I had something to say. It all came together from there!

It follows on quickly from Live a Lie. Did the big reaction to that track compel that creative continuation?

The reaction to Live a Lie was a big surprise to us all! But, we don’t like to cover the same ground twice so Prelude couldn’t be a Live A Lie part two. It had to feel new and exciting!

Will we see an E.P. arrive later this year, do you think?

You’ll definitely see more new music, for sure! If it’s in an E.P format is a different story. Streaming’s changed the game and we wanna embrace that!

 How did Fletcher Jackson get together? What is the origin of that band name?

We all met at The Academy of Music and Sound in Gateshead. I formed a band around a solo project but it quickly became a band. We took my name ‘Fletcher’ as a reference to the project that first brought us together and ‘Jackson’, the street we drink on in Gateshead, to get the band name.

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What sort of music did you all grow up on? Which musicians stick in the mind?

We all grew up surrounded by very different music. I remember (Frank) Sinatra being played a lot when I was younger whereas Jack grew up on Classic Rock - that probably explains why he’s a better guitarist than me and why I have a fascination with spats…

If you each had to select the one album that means the most to each of you; which would they be and why?

For me, it’s Kendrick’s (Lamar) To Pimp a Butterfly. It showed me how to take all your influences and use them in a modern way.

James loves The 1975’s (The 1975) first album! His approach to drumming changed after he heard it.

Ben got into bass through Rush’s Moving Pictures; so he’d probably pick that!

Sean’s is Demon Days by the Gorillaz. It was the first L.P. to get him into Rap.

For Jack, it’d be Deep Purple’s Machine Head. It’s the album that made him pick up the guitar!

Do you have any gigs lined up? Where are you heading?

On 6th May, we’re playing The Riverside as part of Newcastle’s Hit the North festival and 25th May, we’re up in Glasgow supporting Jake Bugg!

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How important is it for you to get on stage and get those songs out to the people?

It means a lot to us! Going through the process of writing and recording a song is special but very private. We just wanna share our music with people - and live is the best way to do that!

What do you hope to achieve in 2018?

To be heard by as many people as possible! We love sharing our music!

Have you each got a favourite memory from your time in music – the one that sticks in the mind?

Playing Newcastle City Hall meant a lot. Our heroes played there, so that was special!

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What advice would you give to new artists coming through?

Trust yourself but take advice from the right people. Ignore the guy in your local complaining about your guitar tone - they’re always wrong!

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IN THIS PHOTO: King Princess

Are there any new artists you recommend we check out? 

We’d highly recommend King Princess. 1950 is a banger

Do you get much time to chill away from music? How do you unwind?

Not really. We spend a lot of time making music and collaborating. There’s always something going on! I guess that’s our way of relaxing.

Finally, and for being good sports; you can each choose a song and I’ll play it here (not any of your music - I will do that).

Of course! Here’s our songs!

I’ll have Redbone by Childish Gambino

Jack’ll have Can’t Do by Everything Everything

Ben wants Ivy by Frank Ocean

Sean picks Sunshine by Flight Facilities

James will have Somebody Else by The 1975

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Follow Fletcher Jackson

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INTERVIEW: track not found

INTERVIEW:

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 track not found

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MY journalistic work allows firsts and unusual occurrences…

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that introduce me to new areas of music. In many cases, that geographical revelation is sound-based. Now, as I speak to the Guernsey-based band, track not found; it has opened my eyes to the music coming from there. The group chat about their track, Science (Gone Wrong) and what we can expect from their upcoming, debut album.

I learn how the band got together and whether they have any memories of scouting through record stores – as their new single was released on Record Store Day – and what gigs they have coming up; which new artists we need to check out; the band members each choose an album that means a lot to them - Grace Taylor (on vocals and guitar), Maisie Bisson (on vocals and bass) and Emma Thomas (on drums and vocals) let me into their world.

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Hi, guys. How are you? How has your week been?

Emma: I’m good and tired because school is busy, but I recently had my seventeenth birthday, which was fun.

Grace: Good. Writing lots of new songs, like one about my friend’s cat.

Maisie: Yeah, it’s been alright. The weather over here has been really summer, so that’s made my week, really.

For those new to your music; can you introduce yourselves, please?

We are <track not found> and we write angsty songs in whatever genre we choose. We tend to get creative and make our songs as unique, moshable and cool as possible (even if it isn’t so cool to others).

Science (Gone Wrong) is your new single. What is the inspiration behind the track?

For inspiration, we wanted to write a more…funky, jazzy song. Lyrics-wise, it’s a mix of frustration and Grace’s family relationships at the time it was written.

It was released on Record Store Day (21st April). Was there a reason for releasing it that day? How important to track not found are record stores?

It’s a day for all musicians to show off their music in a physical form that brings back the heart of music scenes around the world – record stores.

However, we are a group of broke teenagers, so we couldn’t afford to release anything in physical copies, so we thought the next best thing would be to put out online and put free download codes in our local record store for people to pick up when they buy their vinyl. We have one real record store on Guernsey, Vinyl Vaughan’s, that’s pretty cool and has some really good deals.

Vinyl shops are a good place to find old music and new things.

Do you have memories of being taken to record stores and digging through crates? Any favourite finds you’ve had at any record shops?

Emma: not necessarily a record but I once found eight Placebo singles at a record fair. That was pretty great…

Grace: I’ve recently been going to Vinyl Vaughan’s a lot more as I get into discovering different bands…

Maisie: I don’t really have memories of record stores, but I recently got my parents’ old collections of vinyl and have loved listening to all of them

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I believe you have a debut album on its way. What can you tell us about the songs and titles that will appear on the record?

Well; we’re not entirely sure which songs we’re putting on there yet but it’s going to be all our favourite originals from the past year or two and some new ones we’ve been working on more recently. Hopefully, it’ll just be a good collection of songs that people can have a good ol’ bop to.

The Only Way Is Lost, your debut, E.P. was released last year. It got great reviews! How pleasing was it seeing that sort of responses?

It was great to see that people enjoyed our music because we were super-proud of how the E.P. turned out and had so much fun recording it. It’s encouraging to see how our hard work paid off. It was really interesting to see how people were so enthusiastic about some parts of the E.P. that we hadn’t been too fussed about.

It shows you how, even when you know the music inside out, you still haven’t listened to it in the same way that other people have.

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Guernsey is where you hail from. Is there a busy music scene on the island? Is it hard getting gigs there at all?

The music scene on Guernsey is brilliant - we cannot praise it enough. The small population and close-knit community really support each other it’s easy to feel like a local celebrity when, almost every time you leave the house, you see someone who you’ve met in the scene.

The two main festivals in the summer help new bands and people get into the local scene. However, it can still be hard to get gigs as a younger band as there are strict licenses against under-18s being in pubs. There are under-18 nights organised by Sound Guernsey that are really great for us young bands.

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If you each had to select the one album that means the most to you; which would they be and why?

Emma: Origin of Symmetry – Muse

Muse has been a huge part of my life for about ten years and this album got me into drumming, as Dom Howard is my key inspiration. Muse were the first band I ever saw live - and that also really inspired me to perform

Grace: If it was just one, it would change weekly but, at the moment, probably Two Moons – Bat for Lashes

I think it’s a really beautiful album that I could listen to over and over and not get tired of it. Either that or one of Radiohead’s later albums.

Maisie: I have got to say Lazaretto – Jack White

This album really opened my eyes to the music that was out there and Jack White was the first artist who I couldn’t stop listening to. Even though I had been surrounded by music my whole life, this was the album that got me to start listening to music rather than just hearing it.

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Do you have any gigs lined up? Where are you heading?

We’ve got a quite a few gigs lined up for summer on our U.K. tour such as The Finsbury in London, which we’re super-excited for! But, before that, we’ve got a couple around Guernsey like an under-18s gig (with Sound). But, we’ve got all of our gigs up on our Facebook and Twitter so, if we have any new dates, that’s the place to look…

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What do you hope to achieve in 2018?

In 2018, we’d like to carry on writing better songs, record the full album; gain some connections while we’re on our U.K. tour and just carry on developing our stage presence. I think the main aim is just to carry on making music, gaining fans and having a good time.

Have you each got a favourite memory from your time in music – the one that sticks in the mind?

Emma: Our Epiphany gig. During the set we had two circle pits going on at the same time and, for some reason, we all ended up lying on the floor with the crowd.

Grace: My favourite memory is the first proper mosh-pit I got into at the local festival, Chaos, last year.

Maisie: When we played a gig supporting a local band and, after having a great time on stage, we could hardly move for people saying how much they enjoyed the set.

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What advice would you give to new artists coming through?

You’ve just got to love the music you make...

While other’s opinions matter, you cannot make music for anyone other than yourself. Use it as an outlet to express your emotions, both good and bad. It’s important to be open to suggestions as long as they don’t change your music to a place where you aren’t happy with it. Be in a band with friends and people you enjoy spending time with - so it’s always fun making music with them and you can truly be yourself around them.

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IN THIS PHOTO: Japanese Breakfast

Are there any new artists you recommend we check out?

Emma: Not exactly new or unknown - but, Ghost. You will not regret it.

Grace: Japanese Breakfast is very new, but is very good.

Maisie: Local bands like The Recks and Static Alice are really great, but NOVA TWINS are also really great.

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IN THIS PHOTO: NOVA TWINS/PHOTO CREDIT: Sanaa Abstrakt

Do you get much time to chill away from music? How do you unwind?

Emma: Personally, not much: juggling a relationship, A-levels, friendships and the band makes for no time. I do enjoy painting and sketching if I have any free time.

Grace: I unwind by lighting incense, eating chocolate and watching T.V. with my cat (currently, RuPaul’s Drag Race).

Maisie: If I find any time, a good book or film is usually my go-to with many cups of tea.

Finally, and for being good sports; you can each choose a song and I’ll play it here (not any of your music - I will do that).

Emma: Square Hammer by Ghost

Grace: My choice is 7, the element by Vitas. Thank you

Maisie: Yellow Sun by The Raconteurs, please!

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Follow track not found

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INTERVIEW: Screamin’ Whisper

INTERVIEW:

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Screamin’ Whisper

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AN insatiable force with a brand of music that…

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fills the body and provokes all sort of imaginative visions – Screamin’ Whisper are the band to get the heart, bones and brain buzzing. I have been speaking with them about their upcoming album, Filth, and the themes that inspired it. They talk about their latest single, Angels Don’t Watch Broken Homes, and what happens now – where they are touring and what they have planned.

The guys talk about their musical influences and how their songs come together; how the band stand out in a busy market; if they get time to unwind away from music – the lads each select a song to end the interview.

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Hi, guys. How are you? How has your week been?

Hi. Our week has been good. We’ve been rehearsing hard for our album launch on 17th May at Voodoo Rooms, Edinburgh. Our drummer, Zak, also got an ‘unconditional’ for college; doing drumming, of course...so we had a celebration.

For those new to your music; can you introduce yourselves, please?

We’re Screamin’ Whisper, an Edinburgh-based band. We’re a kind of Rock/Indie sound, I suppose. We’re a three-piece, made up of a set of identical twins, Brian and Martin - and Zak, who is almost the triplet we never had.

Angels Don’t Watch Broken Homes is your current single. What inspired the song?

Yes. It’s the newest single from our album, Filth. It was inspired by realising that, sometimes, it’s better to move on sooner rather than later – when something will never be the same again, the memories are probably better left intact.

It is from your upcoming album, Filth. Are there particular themes that influenced the songwriting?

In terms of themes, there was no conscious theme through the whole thing, really. In hindsight; it seems influenced by experiences of being young and making mistakes. Maybe finding out that the world isn’t as forgiving as you’d sometimes like...

In summary; a lot of stupidity was involved.

I hear bits of The Rolling Stones and T. Rex in your music. Would it be fair to say you have a love of Rock and Glam legends?

Yeah. There’s a lot of influence from that sort of era. Brian, our singer, gets compared, vocally, to Marc Bolan quite often, actually.

When we play live, we get compared to The Stones surprisingly often as well. I guess it’s the fact we try to put on a show. We’re not really a stagnant band when we play live: there’s a lot of space to play with on stage when you’re a three-piece, which is nice.

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What sort of music did you all grow up around? Did you always know you wanted to be musicians?

We all grew up around relatively old music: certainly, not listening to the current charts, anyway. Bands like The Doors, Bob Dylan or, even, Gorillaz all had a big impact on our early years.

We have all been quite sure music was something we wanted to do from a young age. So, when we formed in 2015 - after several years of playing together in other projects - we were quite sure that we were all set on a career in music.

How does a Screamin’ Whisper song come together? Do you all write songs together – or will someone tackle lyrics and bring it to the rest of the band?

Brian does the writing for the band. He usually sits down to write on his acoustic guitar and then brings it in to show the rest of us. Sometimes, he comes in with a full demo he recorded, with all the parts for us to hear. Other times, we just jam it out in the rehearsal room. It really depends on how clear an idea he has on what the song should be.  

There are a lot of bands out there right now. How do you guys stand out from the crowd?

I think we stand out because we try to take things into our own hands as much as possible. We design our own merchandise - which reflects the band. Things like our T-shirts that say ‘Basser Is a Knobhead’ sold out very quickly because our fans realise that our bassist is, in fact, a knobhead.

So; I think it’s more about being yourself than ever - especially when people can see a lot of sides to you by simply checking out what you’re like online.

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Do you have any gigs lined up? Where can we see you play?

Right now, we’re just focused on our album launch. We’ve been keeping gigging quite dry since the first single came out last month, to focus on rehearsal and, also, we can build a hype for the album launch next month. We’re hoping to fit in a few festivals in the summer and we’re making plans for a tour as well.

What do you hope to achieve in 2018?

We’re hoping to (just) build out following and profile on the back of the album. It’s all about continuous progress for us. Once you’re moving forward, there’s nothing to complain about. We also have plans to have our second album finished by Christmas. It’s pretty much written so, after festival season, it’ll be straight to recording, really.

Have you each got a favourite memory from your time in music – the one that sticks in the mind?

As a band, the best memory must be when we played in the National Museum in Edinburgh. It was really special; it has high ceilings and is really picturesque. (There were dinosaurs there!). But, also, we had a great showing of support that night, so the atmosphere was electric. It really was one of those magic, once-in-a-lifetime opportunities.

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If you could support any musician alive today, and choose your own rider, what would that entail?

Probably The Rolling Stones. Just to say you’d shared a stage with a band like that would be a story to tell the grandkids. I’d say they’ve got a few great stories to tell in the dressing room, too! Or, maybe, Liam Gallagher. He always has nuggets of top quality wisdom to impart - or just his outspoken opinions are a sight to behold.

As for a rider; beer is a must. Probably sandwiches or crisps, too. They’re always good to keep you going. Although, Martin doesn’t ever eat before we play. He feels like he’ll be sick if he does. I can only imagine him vomiting on the front row…like a scene from the early days of Punk!

What advice would you give to new artists coming through?

First thing is to always get things in writing. Otherwise, be real: put on a show and learn every aspect of the business. It’s your job to do it right until somebody else offers to do it for you better. That’s the practical advice out of the way…

But, as for being a band; be something that everyone else is afraid to be. If you are something that people don’t see every day, that’s more than just the music, then people will want to see it in person. Like a circus!

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IN THIS PHOTO: Imelda May

Are there any new artists you recommend we check out?

We’re big into people like Imelda May. She’s got a really cool Soul/Rockabilly vibe...or maybe Sundara Karma. They’ve got a nice, loose Indie vibe. There’s a lot of quite strong bands of that ilk around in Britain at the minute. Good stuff.

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IN THIS PHOTO: Sundara Karma/PHOTO CREDIT: Anna Maria Lopez

Do you get much time to chill away from music? How do you unwind?

Recently, there hasn’t been so much time away from music. But, when we have time, drinking is always a winner or, if it counts as time away from music, going to see local bands is also a winner.

Brian dabbles in animation and has been working on some cool visuals for the upcoming shows. Zak often can be found at the local skatepark. But, reading is generally a great escape.

Finally, and for being good sports; you can each choose a song and I’ll play it here (not any of your music - I will do that).

Okay…three choices:

We Are the Dead by David Bowie

Twilight by Elliott Smith

Muffin Man by Frank Zappa

All great songs, if you ask us!

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Follow Screamin’ Whisper

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INTERVIEW: DeLaurentis

INTERVIEW:

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 PHOTO CREDIT: Dominique Gau 

DeLaurentis

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THERE is a distinct magic that emanates…

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from the sounds of DeLaurentis. I have been speaking with the songwriter about her Big Part of a Big Sun E.P. and what inspired its songs. She talks about her connection to music and literature; why she takes care of producing her own music; how computer music changed her life and creativity – she talks about the three albums that mean the most to her.

I ask her to recommend some new artists and what tour dates are coming up; which musicians she grew up around; if she has a special memory that sticks in the mind; what she hopes to achieve before the end of the year – DeLaurentis tells me how she chills away from music.

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Hi, DeLaurentis. How are you? How has your week been?

Hi. I’m fine! We had a beautiful week in Paris - the summer weather came early. I performed a live video with my violinist friend at my home studio; we played the single from my new E.P.

For those new to your music; can you introduce yourself, please?

I’m a singer-musician and I produce everything. I record with synthesizers, controllers; loppers, vocoders etc. My music is Electronic, Pop and cinematic. I’m fascinated by the relationship between sounds and images! I grew up in an artistic family. My father is a Jazz piano player, my sister is an actress and my little brothers are musicians, too.

Big Part of a Big Sun is your new E.P. Can you tell me what sort of themes influenced the songs that appear throughout?

I composed these new songs on an island while trying to disconnect myself from city life and the crazy rhythm of the digital world. That’s why elements of nature, dreams; memories and the cycle of life are the themes of this new E.P.

Is it true you wrote the songs whilst on an island – free from distractions of social media? Did that influence themes of connecting with nature and the planet?

Yes, it’s true! Last year, I felt in a state of emergency to be in the wild and let intuition and inspiration take the reins. So, I went to an island to create and the result was immediate - because the first song I wrote was A Big Part of a Big Sun! It is an ode to the majestic sun - and the other songs came naturally after…

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How much do literature and art go into your music? Do you take a lot from literature when you conceive material?

I like to read Celtic tales and traditional myths to write songs because it helps to open ‘the doors of perception’, as William Blake stated. My favourite books are Femmes qui courent avec les loups by Clarissa Pinkola Esté and La Femme Celte by Jean Markale.

Did music suddenly mean more to you when you discovered computer music? Was that a moment when you stepped up your ambitions and aims?!

At the age of twenty-four, I discovered computer music and I understood that all the sounds and melodies in my head could be recorded and played. Infinite possibilities were opened to me!

We live in a revolutionary time: nowadays: everyone can make music at home and release it online very easily.

You are a producer, too. Do you think having control of your music makes it sounds more natural and personal?

Yes. it’s really great to feel independent and free to make music by myself. It’s more personal and singular because I can choose the sounds, the effects; the sound design, the scenario…and, sometimes, accidents and mistakes can become a personal touch!

Which musicians struck your ear when you were growing up?

The first record I listened to, when I was five, was Toulouse from Claude Nougaro, a famous singer from my own city! Afterwards, I heard my father playing Jazz standards in clubs and I used to sing Jazz a lot. In my teenage years, I discovered Trip-Hop with Portishead, Morcheeba; Björk, Massive Attack…it was a defining moment!

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PHOTO CREDIT: Thomas Guerigen

Do you have any gigs lined up? Where are you heading?

Not in the U.K. at the moment, but I have few gigs coming in France in the next months. One of them is a residence in the Montargis theatre (a small city close to Paris), where I will rehearse my new live show. At the end of the residence, I will perform my show and host a masterclass about how I connect Ableton software and Resolume software (video) on stage.

What do you hope to achieve in 2018?

I hope to perform in many places in many other countries! I would love to come to play in London, of course! I really enjoyed performing in Ecuador last January year and I would love to return to South America. I’m also working on new songs and I hope to release my first album next year.

Have you got a favourite memory from your time in music – the one that sticks in the mind?

One of my best memories as an artist is the concert I gave in 2016 with a string Classical quartet. The meeting of electronic and organic sounds is a perfect mixture. Since then, I always try to put these ingredients in my new songs!

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If you could select the three albums that mean the most to you; which would they be and why?

Laurie Anderson - Big Science

She’s one of the first women who pioneered Electronic music - and this album is a huge reference for me.

Björk - Homogenic

After the queen Laurie Anderson, there is the diva Björk; another amazing female artist who has made a mark on the music history. This album is absolute perfection.

Joni Mitchell - Both Sides Now

Because it’s beautiful, poetic; symphonic and tender. It’s her seventeenth album and, for me, it’s her best! It always reminds me that I still have a lot to do and a lot to learn!

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What advice would you give to new artists coming through?

Be true; listen to your intuition and use the music to make a link between body and spirit. Share your feelings, give your emotions and the most important thing is working hard every day. Sacha Guitry (the famous French actor, director and screenwriter) used to say that an artist is 10% luck, 10% talent and 80% hard-working!

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IN THIS PHOTO: Prequell/PHOTO CREDIT: Barrere & Simon

Are there any new artists you recommend we check out?

Yes. I recommend you a lot of new artists like Prequell, LAAKE; Oscar and the Wolf, Malvina Meinier; Grandbrothers, Penelope Antena and Superpoze.

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 IN THIS PHOTO: Malvina Meiner/PHOTO CREDIT: Lucas Lauren

Do you get much time to chill away from music? How do you unwind?

I do yoga every morning! I can’t begin a day without sun salutation. I like to walk in a park, have a glass of red wine with my friends and I enjoy cooking exotic meals like chicken curry, couscous and tom yam soup. Watching (T.V.) series is a good way to chill away from music. I prefer Science Fiction and Fantasy like Black Mirror, Stranger Things and Game of Thrones.

Finally, and for being a good sport; you can choose a song and I’ll play it here (not any of your music - I will do that).

The Singer by Teitur

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Follow DeLaurentis

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INTERVIEW: Crossing the Limits

INTERVIEW:

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Crossing the Limits

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ONE cannot listen to a Crossing the Limits song…

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without being impacted and moved. I have been speaking with the five-piece Pop-Punk band about their latest cut, Predictable, and how they all got together – I learn more about their current E.P., Perseverance, and whether more material is in their mind already.

The stunning band (their vocalist, Rachael, fields the questions) discuss tour dates and what advice they’d give to fellow songwriters emerging; if they all get much time to detach and chill away from music; which new artist we should get behind; the sort of artists who inspire Crossing the Limits – what ambitions are left to tick off for the awesome quintet.

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Hi, guys. How are you? How has your week been?

Hey! Pretty good, thanks. We had a pretty busy week last week with heading to Leeds and our first headline show in Norwich.

For those new to your music; can you introduce yourselves, please?

Yeah! We are a five-piece Pop-Punk band. Our music is pretty bright, edgy and fun.

How did Crossing the Limits get together? When did the band start?

We started up in 2016 - but the line-up wasn’t really final until around early-2017. I was looking to start up a new band after my last one had called it a day. I started posting ads online and all around town in a desperate bid to find the right people. I was looking for people with ambition, drive (and that) shared the same dream.

Things were not easy: it took a while, but everyone in this band is in it for a solid reason..and I wouldn’t change a single one. They’re like my brothers.

 

Talk to me about the song, Predictable. What is the story behind it?

The song is really standing for being who you are without apology.

Like; how many times do we all start to question ourselves because we're not doing the same as everybody else?! We doubt ourselves so much for simply being different. I got really fed up with seeing my friends and people around me throwing away what they actually wanted to do because it wasn’t realistic, or people had told them it was too difficult.

I've felt like that, so many times, where I've been made to feel like what I wanted out of life was stupid because it doesn’t fit in with what everybody else is doing. I want people to listen to this song and brush off anyone that’s tried to put down their ambitions.

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How much of what you are writing at the moment is based on your experiences over the past few years – lives in different bands and areas of the country?

All of it! I'll never write about something that I haven’t gone through. These songs are all stories that have happened over the last year. It’s really cool to listen back and go back to that place in time.

Your debut E.P., Perseverance, was out a few weeks back. What has the reaction been like so far?

Amazing! We are so pleased we’ve sent C.D.s out to people in America and Germany. It’s so cool to see that our music is reaching people in those places. Our fans seem to be enjoying it - and that’s what matters most to us.

Are you already looking ahead to new material? Are you always writing?

Absolutely! We've been writing a bunch of new songs. We like to give ourselves time and come up with the best possible songs we can before making any final choices on which ones go on the next record.

You gotta let life happen for the inspiration to come in.

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What sort of music did you all grow up around?

I grew up with a lot of Pop music, then I discovered Pop-Punk and it really filled in that edge I'd never really got from just straight Pop music. The guys grew up with a ton of Pop-Punk and Rock music. Avril Lavigne was always a big go-to for me.

Do you have any gigs lined up? Where are you heading?

We’re looking into booking some shows for summer, so look out for those. We just need to be on the right line-up and hitting the right places.

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What do you hope to achieve in 2018?

Lots of shows and to grow our fan base is the goal for this year.

Have you each got a favourite memory from your time in music – the one that sticks in the mind?

I think collectively, as a band, we'd say opening for Against the Current in our hometown was a huge night for us. We gained so many new fans that night and had such a great time. I was always a big fan of the band We Are the In Crowd and, now Jordan Eckes has moved to playing for A.T.C. live, it was pretty damn cool to be playing alongside someone I've got a lot of respect for.

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If you could support any musician alive today, and choose your own rider, what would that entail?

I'm really loving Halsey right now. I really like her vibe and I also really like how she stands for the L.G.B.T.Q. community which, as someone who is gay myself, I really respect that. She played a show in Russia and, even at risk of getting thrown in jail, still gave a shout-out to the people in the crowd holding up flags - saying she was proud of them for being brave. I thought that was bad-ass. Pvris would also be really cool to open for!

I don’t think we'd have anything too crazy: we keep talking about how we want a band dog so, probably, dogs and junk food.

What advice would you give to new artists coming through?

Stay true to your art. There’s gonna be a lot of people with a lot of different opinions. You can’t get too involved in any of that because, then, you start writing to please a million different people. Believe in what you're doing wholeheartedly and protect it.

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IN THIS PHOTO: Pessimist.

Are there any new artists you recommend we check out?

A Pop-Punk band called Pessimist. They’re fairly local to us - and one of my favourite bands right now.

Do you get much time to chill away from music? How do you unwind?

I actually do find it really hard sometimes to find a balance, because music is something I live for so, when I get a minute, I'm usually thinking what needs to get done next for the band. I feel kinda guilty if I'm not being productive. When I do tell myself to step away, I like to hang with friends and family or watch weird documentaries on YouTube.

Finally, and for being good sports; you can each choose a song and I’ll play it here (not any of your music - I will do that).

Rach: All You Are Is History - State Champs

Tom: Audit in Progress – Hot Snakes

Ben: On My Teeth - Underoath

Tim: Young Blood - Good Friend

Dan: Taking Off – ONE OK ROCK

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INTERVIEW: Too Many Zooz

INTERVIEW:

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Too Many Zooz

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MY first encounter with Too Many Zooz…

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was through YouTube videos of them playing to eager and excited commuters. The Brass-House trio grabbed worldwide attention with their thrilling performances in New York’s Subway. I have been speaking with Leo about the band's YouTube videos and what the story of their single, Bedford, is.

He talks to me about upcoming gigs and what it was like working with Beyoncé; whether we will see more material later in the year; what the music vibe is like in New York – Leo tells me who he, and the band, count as influences.

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Hi, guys. How are you? How has your week been?

This is Leo speaking! We are good; back on tour and feels better than ever. When I play by myself, I can never seem to get to the level of passion and enjoyment that I reach playing in front of people, so I’m very happy to be back on tour.

For those new to your music; can you introduce yourselves, please?

We are Too Many Zooz; a Brass-House trio that started in the subways of N.Y.C. Brass-House is the sound of a D.J. mixed with the improvisational, conversational attitude of a Jazz trio.

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PHOTO CREDIT: Mathieu Foucher

I first came across Too Many Zooz watching YouTube videos playing on the New York City Subway. Do you remember the first time you played there? How did you all get together?

I (Leo) met the King of Sludge playing in a Subway band called the Drumadics. One day, he told everybody in the band he wanted to play more - and that anyone can show up tomorrow morning if they want to play. I was the only person that showed. At first, it was the King of Sludge, myself and his son. We played for several months and then his son went back to school in Portland. 

One day, my good school buddy at Manhattan School of Music was just hanging out at my place and I was like: “Hey; wanna come jam with us?!” The rest is history. The first time we played it felt right, so we never stopped.  

Were you quite surprised the reaction you got and the number of people who watched videos of your Subway gigs?

Honestly, I wasn’t, but I’m probably the only person that wasn’t surprised. I knew it was special and that people would eventually enjoy our charisma all over the world. However; I did not know it would happen this fast…

Bedford is your latest track. Can you reveal how that came together and what inspired it?

Bedford is a classic ‘Brass-House piece’; I believe it’s volume 78 part 2 - meaning the song was actually made up on the spot to reflect the situation we were in. If we played a fully written-out piece, it wouldn’t have had the same chemistry. We were inspired by the L train; a train that became very important to all of us over the years.

Might we see an album or E.P. coming later this year?

Hopefully, but probably not. We have a single label deal currently, which means we can’t just release stuff whenever we want. But, we have tons of new music and I hope it will be released soon - at the very least, we will definitely be releasing singles throughout this year.

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PHOTO CREDIT: Mathieu Foucher

I know you have collaborated with Beyoncé! What was that experience like?!

It was amazing and very professional. She was very kind and the whole experience was just great. There are no words to describe the feeling we had, honestly.

I am interesting finding out who you count as influences. Which artists have inspired you all?

Kanye West, Miles Davis; Diplo, Prince, Ronnie Cuber; Sean Jones, Lenny Picket; Vibes Cartel, Tupac; Migos, Michael Jackson; Beyoncé, Justin Bieber etc.

What is the music scene like in New York? Is it a wonderful place to create and play?

The music scene in New York is great, but it takes a while to get enough work to support yourself. You really have to be a good individual who is talented and driven. As long as you keep your manners and work ethic up, you will succeed and have fun.

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Do you have any gigs lined up? Where are you heading?

Currently, on a European tour until the end of May…

What do you hope to achieve in 2018?

World Domination…duh!

Have you each got a favourite memory from your time in music – the one that sticks in the mind?

Beyoncé!

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PHOTO CREDIT: Brandon Nagy

If you could support any musician alive today, and choose your own rider, what would that entail?

The Wu-Tang Clan - Water, Hennessy; local food...and something else that I’d rather not mention…

What advice would you give to new artists coming through?

Find something you are good at it and become great at it. If you are the best at what you do, your chance of success is heightened to an extreme level.

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Are there any new artists you recommend we check out?

Five Alarm Funk.

Do you get much time to chill away from music? How do you unwind?

Honestly; we all unwind by making our own music and spending time with friends and family. I, personally, really enjoy going to the gym with my brother.

Finally, and for being a good sport; you can choose a song and I’ll play it here (not any of your music - I will do that).

Prince - Purple Rain

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INTERVIEW: Lostchild

INTERVIEW:

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 Lostchild

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THERE are few out there like Lostchild…

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I have been speaking with the unique artist about his track, Blacklist, and creating its extraordinary video. The young songwriter tells me how it feels knowing his E.P., Blacklist, has gathered big reviews; what his next steps are in terms of material and touring; what music means to him – he reveals the three albums that mean the most to him.

Lostchild tells me his ambitions for the rest of the year; why he takes influences from the '80s and '90s; which new artist we should check out; the advice he would give to fellow artists coming through – he ends the interview by selecting a very fine song.

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Hi, Lostchild. How are you? How has your week been?

Me and my week have been pretty good. A little hungover today...

For those new to your music; can you introduce yourself, please?

I’m Lostchild. I grew up in a small town but finally moved to London; I write Electronic-Pop music songs about being an anxiety-ridden queer person. I love a big pop hook and the '80s.

What can you tell us about the new single, Blacklist? What inspired its creation?

Blacklist is about changing yourself to keep someone else interested. It’s about a particular relationship I had with a guy who was clearly uninterested, but I perceived him as so out of my league that I jumped through hoops to meet up with him.

I like the video a lot. Was it quite a good experience shooting it? Do you enjoy music videos?

I actually am more of a T.V. buff: I don’t watch a lot of music videos, so the ideas I have for videos are often influenced by things I’ve seen in T.V. shows. I like to tell a story. The Blacklist video was a magnificent experience; it was my first time and, hopefully not the last time, working with Gary Woods (@garyxwoods) - a really provocative director from Manchester.

He filmed me getting drunk in a hotel room; trying on all this beautiful fetish wear designed by The Freak Show (@thefreakshowuk). The end result is exactly what I wanted: a hazy memory of a hedonistic night. It’s way out of my comfort zone and I’m sure it will divide viewers, but it was so liberating.

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Your E.P., Blacklist, has gathered great reviews. What themes and experiences compelled the music? How much of you is in the songs?

The E.P. is very much about how anxiety has affected my behaviour patterns…drink and drugs leading to casual sex and bad behaviour and the shame and regret that comes afterwards. Which, in itself, leads back to drink and drugs to cope. All of the songs are about vicious cycles that I know a lot of queer people go through to cope with their mental-health.

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It seems like you have a love of '80s and '90s Pop. Which artists do you count as idols? Did music come into your life early?

The earliest musical obsessions I remember having was the Spice Girls and B*Witched, but my first love was Madonna. I was ten and I listened to my mum’s copy of her Ray of Light album. I’m not sure what drew me to her, but I became obsessed and would make my mum go into C.D. shops to buy her albums for me because I was too embarrassed. What I heard and saw of Madonna was a truly rebellious soul, something I always wished I could be, and I feel like she has inspired me to be unapologetically yourself, even if it ruffles some feathers.

There was a lot of other '80s and '90s artists such as Sade and George Michael, that my parents listened to a lot, which probably explains my affinity for ‘80s and ‘90s music as well.

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What, to you, does music do? Is it a way of translating and expressing yourself in a unique and easy way?

Making music is a way for me to make sense of all the negative things in my life. If I didn’t make music, all the horrible things I feel, the stupid things I’ve done; they would just define me. Instead, I try to own my pain and mistakes, be honest about it all, and, hopefully, reach other people who feel like outsiders - and who frequently self-sabotage and doubt themselves.

Do you feel you’re a more confident and inventive artist since your earliest days?

More confident, certainly. More inventive…I dunno.

I made some pretty out-there music before settling on Pop. Making music people actually want to listen to in order for them to hear your message definitely requires you to be more business-savvy in your approach. So, I would say I make more accessible music than I used to but, luckily, I love a Pop hook; so, I’m simply getting better at making pop music and that makes me confident.

Do you have any gigs lined up? Where are you heading?

There are some gigs in the works for summer, but you’ll have to follow my socials (@lostchilduk) for announcements!

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What do you hope to achieve in 2018?

I want to get out there and gig, meet people who recognise themselves in my music - and become a voice for the messed-up queer community!

Have you got a favourite memory from your time in music – the one that sticks in the mind?

Being on stage for the first time. Absolutely electrifying. The only time that my anxiety isn’t niggling at me is when I’m on stage performing. When I left the stage for the first time, I thought: ‘This is what I’m on this earth to do’.

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If you could select the three albums that mean the most to you; which would they be and why?

Madonna - The Immaculate Collection

For being the (most) perfect collection of Pop songs ever…and Ray of Light for being the first album that made me realise I loved music.

Radiohead - Kid A

A bit out-there, I know, but this album is perfect for locking yourself away to and pretending the outside world doesn’t exist.

What advice would you give to new artists coming through?

Work hard. Make music and videos often; don’t treat it like a hobby. Keep yourself busy and people take you seriously.

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IN THIS PHOTO: Diamantina/PHOTO CREDIT: @kirangidda

Are there any new artists you recommend we check out?

Diamantina. I worked with her a while back and she’s just the most inspiring and positive person you’ve ever met. Her singles, 90s Kid, Earn Me and, especially, her new single, Bandwagon, are all soulful, sassy Pop gems. Girl knows how to write a hook...

Do you get much time to chill away from music? How do you unwind?

I binge-watch T.V. shows. I love a mix of stuff from The X-Files to Bob’s Burgers to Scandal.

Finally, and for being a good sport; you can choose a song and I’ll play it here (not any of your music - I will do that).

Satin Jackets (ft. Scavenger Hunt) - Feel Good

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INTERVIEW: Omer Matz

INTERVIEW:

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 Omer Matz

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WHEN thinking of all the parts of the world…

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I have taken this blog; it has been a while since I last visited Israel. Omer Matz gives me a chance to return to Tel Aviv and ask what the music scene is like there. The songwriter talks about his single, Hold, and what comes next for him; how he got into music; the artists who have inspired him – Matz discusses a business venture he set up for hobbyists.

I learn why the artist moved and relocated a few times; whether he took any skills from his business days to the music side of things; how he detaches away from music; whether there are any new artists to look out – I ask Matz whether he is coming to the U.K. and playing anytime soon.

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Hi, Omer. How are you? How has your week been?

Pretty good. New beginnings are always exciting: mainly learning a lot about music promotion these days.

For those new to your music; can you introduce yourself, please?

I’m thirty-two-years-old; I’ve lived in various places throughout my life (the U.S., Italy; London, Tel Aviv). I played Classical piano all of my childhood, started writing songs and playing the guitar at sixteen. At the age of twenty-two, I studied music at Goldsmiths College in London. During that period, one of my tutors spoke a lot about music for films, which I really fell in love with. London was a lot to take in at such an early stage of my music career (and of my personal career). Also, as a kid growing up near the beaches of sunny Tel Aviv, I really missed the weather, the people and felt it might be too early for me. I discovered that in my hometown, in one of the biggest music colleges in the country, they have a major in music for film.

So; I moved back home and began studying there. I wrote a few compositions for local film students but felt there was also another side of me that I needed to explore that’s not a musical side. So, I opened a business for music hobbyists that want to play in bands and gave them band lessons. The business grew fairly and, after three years, I decided to sell my part to my partner and continue exploring entrepreneurship through international startups. I got an offer to be the head of digital marketing for a start-up that was rapidly growing. Being the first employee, I was blinded by the excitement of creating something big from scratch, but it came with a price. After over a decade of having music a big part of my life, for the first time; I wasn’t doing anything connected to music for two years.

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I began also exploring my hippy side at that time and remember having this awakening in the middle of an extensive meditation session. (Heads up, this is a weird story…). My hands and fingers locked up, I couldn’t move them and I saw a strong vision of a woman and we started having this internal dreamy dialogue (no drugs were involved, I swear) and she kept telling me I need to trust her. Diving deeper into this bizarre and very intense experience; I understood that this subconscious conversation was reality and my intuition slapping me in the face trying to wake me up. From there, something opened up. I began writing songs like never before. I finally felt the songs were mature enough and ready enough to see light.

I decided to quit my job and start building myself again as a musician, this time, as a songwriter - the raw and pure way it appeared in my life at age sixteen.

Hold is your new track. What is the background to the song?

After leaving my business, while working in the start-up company, we moved offices to a building with shared office space. To my surprise, one of the companies sitting in that space was the music company I have founded and separated from. Going back home that day, I realized I didn’t move on and didn’t forgive myself for giving up this beautiful creation. The song is about holding on to something that’s not there anymore. I think anyone who experienced some sort of separation from something they loved dearly can connect with the feeling.

The lyrics in of the chorus are: “And so you hold, hold till it’s cold/Till the pieces fall apart/Hold with your soul, hold till it’s cold/Someday, it all adds up together”.

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It is a busy and alive song. Was it quite easy putting it together in the studio – or were there challenges and hurdles along the way?

Thanks (smiles). I’m really happy you feel that way.

I owe a lot to my producers Dotan Moshanov and Shimon Tal. They treated this song with extreme sensitivity and patience. Since this was the first song, it was also the first step into the E.P. and definitely a style-setter. The decision we made, in terms of style, had to be precise in terms of defining who I am as an artist. Strategically; this song’s purpose in the E.P. was to explore and set the tone for the other songs. It took nearly six months to build - but completely worth it.

I believe you are working on an E.P. Can you reveal some of the ideas and stories you will include?

Each song in this E.P. is a piece in the journey of deciding to become an artist. Some speak about the journey itself and some are about struggles along the way; betrayals, acceptance; fear, learning to let go of things that are stopping me from becoming something I’m so afraid of. Also; the sound and the general music production aim to give a feeling of something cinematic and scenic. I really want people to be able to visualize the stories in the songs.

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Tel Aviv is your home. What is the music scene like there right now? How much do you take from the people and fellow musicians?

Tel Aviv has an amazing music scene: very eclectic, so many different genres and sub-genres that are born because there’s such an interesting mixture of family backgrounds. You can find here any genre you can think of (Afrobeat, Arabic music; Yemen Blues, Greek music; Electro-pop, Jazz and so much more). Musicians here are so talented, which might also be one reason I was afraid to go in this path for so long.

But, yes; there’s so much to take from the scene over here.

You have moved around a bit and spent time in the U.S. and U.K. You transitioned from study to set up your own business. Tell me about that venture you set up for hobbyists…

After being a private piano tutor and as a child growing up playing the piano, who didn’t learn in any formal school, I came to music college clueless. I knew how to play Chopin and Debussy, but when I had to play with a band, it was a completely different thing. I remember getting a chord chart in my audition that I could read but when the bass, drums and guitar started playing, I had no freakin’ idea what to do. So, I thought to myself: there are so many music students who learn with a private tutor, they probably don’t play in bands - which is such a huge part of your education as a musician.

So, I started off by collaborating with many music tutors who give private lessons and giving their students a platform to also have band practice. I took a player from each instrument until a band was formed and gave them two-three-hour band lessons playing Rock, Pop; Jazz…anything. I worked with a small group of professional musicians who gave the band lessons and, every three months, we would organize bandathons.

The business grew till there were about thirty bands; 80% of them were adults, to my surprise. So many different types of people: a sixty-five-year-old grandma playing the bass; a commercial pilot, a British nurse; an endless variety of people brought together by music and the desire of playing in a band. It was great fun.

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How much did you learn from the business and taking care of musicians? Do you think modern artists have a lot to handle in terms of finance and promotion?

I’m still terrible with money - but it was obviously better than any business school out there. I think, today, musicians are very much similar to a business. I find a lot of musicians who are afraid to take care of the financial side and promotion side - but, it’s the most important thing you have after the music itself, of course. Nobody cares about your music as much as you do - and that passion is an engine. Even if you don’t ‘know’ how to promote, you have to be a part of it, somehow, and embrace it.  

Do you have any gigs lined up? Where are you heading?

At the moment, no.

I’m working on building up awareness, slowly, by releasing song-by-song. The plan is to release the E.P. around September and then start gigging. I’m heading anywhere.

Will we see you come over to the U.K.? Do you play here a lot?

I wish! I have played a bit with a band in London when I lived there ten years ago. Very much hoping to be back there.

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What do you hope to achieve in 2018?

Recognition as a musician; connection with new people through music; building a lifestyle that will allow myself to make music.

Music, to everyone, has different meanings. What does it mean to you? How important is it in your life?

Well….

Music, for me, is the most honest place there is. It comes from a feeling that needs to be expressed. It’s usually a dominant feeling; so, if I’m struggling with something, I might try to solve it through a song. It’s a place of healing and problem-solving. In my life experience, when music wasn’t in my life, I felt lost. It’s a sense of purpose.

Have you got a favourite memory from your time in music – the one that sticks in the mind?

Wow; so many…

If I have to choose one, it’s when we finished the mastering of Hold. I had some friends come over for drinks and, as the evening went on, they asked to hear the song. Most of my closest friends didn’t even know I was in a studio twice a week producing the E.P. (that’s how exaggeratedly-scared I was). Only two or three people heard the song before but I was drunk enough to go with the flow.

I played the song (on speakers. God forbid, not live) and they were so excited they couldn’t shut up for, literally, more than five seconds. I don’t even know if they listened to the song but they wanted to hear it again and again (worth mentioning: my friends are terrible when it comes to being politically correct). To feel their excitement was so rewarding - it gave such a boost of confidence.

What advice would you give to new artists coming through?

Patience. There is a tremendous amount of stuff to deal with and manage: you don’t have to deal with everything at once. 

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Are there any new artists you recommend we check out?

Yes. Two from the local music scene here in Israel: Full Trunk and ISADORA.

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PHOTO CREDIT: Merav Ben Loulou

Do you get much time to chill away from music? How do you unwind?

A good few days’ hike or a surf trip somewhere (which I don’t do enough).

Finally, and for being a good sport; you can choose a song and I’ll play it here (not any of your music - I will do that).

Ásgeir - Afterglow

Such a beautiful song. A great example of the magic that happens when a beautiful song meets beautiful production. Thank you so much for this interview!

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INTERVIEW: Tomorrows Bad Seeds

INTERVIEW:

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 Tomorrows Bad Seeds

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IT is a hectic and packed time for…

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the guys of Tomorrows Bad Seeds. I have been chatting with them about their singles, Frequency and Trinity – both of which have videos out. The songs are taken from the album, Illuminate – the band tells me about its creation and themes.

I ask Tomorrows Bad Seeds about their formation and what it is like living in the South Bay area of Los Angeles; if they have any gigs coming up; what sort of music the band are influenced by; whether we can see them come play over in the U.K. – they recommend some new artists we should be checking out.

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Hi, guys. How are you? How have your weeks been?

We are doing great! This week has been wicked. We just flew back home from Charlotte, North Carolina playing at the Jamaican Me Hoppy Festival, which was an absolute blast - seeing all of the unity and diversity amongst the town. 

For those new to your music; can you introduce yourselves, please?

Moi - Frontman/Vox

Mets - Guitar/Vox

Pat - Drums 

Dre - Bass man 

Steve - Keys/Organ/Synth

The videos for Frequency and Trinity are out. What was it like filming and creating those videos?

Frequency was captured by our boy Chris (concrete) while we were writing and recording the track with our good friend, Jason J. It felt really organic and true to the vibe of the song, which was written and recorded in a matter of hours from start to finish. The session went really well, so we decided to use the footage for a video. We hope you enjoy it.

Trinity was an impromptu video done by Tom from Reel Wolf out of Canada. He was gonna be in L.A. and our boy James Wright suggested we try a video with Tom, and we chose to film at locations that have had a large impact in our lives growing up with one foot on the beach and the other in the streets; encompassing the humble beginnings as a reminder to never forget where you came from. Also, to remember (to) never lose track of where you’re going: we all buy the ticket and take the ride.

What was the reason for releasing those two songs as singles? Do they hold a special place for you?

The reason we chose to release those songs first is because of how quick the songs came to fruition from start to finish; so, it made sense for us to share them first and, of course, isn’t the deep underlying message for all of humanity, to share love where it is so badly needed all over the world? The same goals we all strive for here in the concrete jungles: giving respect to all positive ideas and living things alike. 

All of the songs off of our upcoming record, Illuminate, hold a special place to us, as we are excited to release new music and have been for a while.  

Illuminate is the album they are taken from. Are there key themes and common links that go into the music? How would you define the record?

Yes. There are some key themes and common links on this record that encompass life from beginning to end; into the illumination of its resurrection and the cycle of birth to death. We would define this record as grown Folk music, with a feel-good positive vibe and attitude but, also, touching on the realities of life - “Life is the Mission/Love is the Message” M. McEwan.

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What was it like recording the album? Was it a lot of fun?

It’s always a lot of fun recording music and coming up with different ideas when one idea bounces off one another. It’s hard to expect when the magic hits, but it always does when you keep an open mind. It such a pleasure and privilege getting to work with the producer Chaz ‘ROX’ Toney out of the Island Empire Recording Studios in Carson, California. He is such a talented and hard-working producer/musician. It was many long days and even longer nights burning that midnight oil to its fullest.

We would spend long days and countless hours into the early morning working on and recording this record. It was so much fun and gave so much motivation getting to work with like-minded people we admire and respect so much.

How did Tomorrows Bad Seeds get together? How did you find one another?

Long story short; we (Mets and Moi) met in the summer of 2000 through a mutual friend. We started jamming music right on the beach break-wall where we met nearly every day, covering songs that heavily influenced us - from artists like Bob Marley, Sublime; Steel Pulse, Slightly Stoopid; the Eagles and many, many more. We would also jam in Moi’s mom’s living-room a lot, where she would give us so much love; amazing home Mexican food and constructive criticisms - and shared her theories of music with us that we still hold dear to this day. 

Later that year, we had the idea of starting a band…

Tomorrows Bad Seeds is Moises Juarez on vocals, Matthew McEwan on guitar and vocals; Johnny McEwan on drums and Al Arnado on the bass. This was the original line-up, until a year later Sean Chapman join the band playing guitar and vocals. This one ensemble lasted till about 2007 when Andre Davis joined playing the bass later on that year; Patrick Salmon joined playing the drums. That was our line-up up until Steve Aguilar started playing shows with us in 2010...

2015 is when Sean Chapman left the band and now, since, we have various people performing for us from Jeff Nisen on guitar; Steven Ingraham jammed a few shows with us and now we have Anthony Francisco on tour with us. Also, there’s Kurtis Parsons on percussion and we are looking forward to playing with many more musicians.

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You hail from South Bay, Los Angeles. What is the area like for music and likeminded artists?

The South Bay of Los Angeles is a very beautiful (although it looks like the balls of California on a map, maybe. Ha) area with open coasts and beautiful beaches with good waves; nice weather and beautiful people. With a melting pot of all different kinds of music ranging from Punk-Rock, Hip-Hop; Reggae, Jazz Blues etc…there’s lots of emerging talent coming out of the South Bay. We feel blessed to represent such a beautiful place, from which we got our start.

Aside from a few backyard parties, we played for a few good friends’ birthdays (one of which, Opie Ortiz from LBDA, was at pouring his homemade Martini concoctions down our throats as we were playing - some of our greatest memories were from the beginning when it all started.) 

Hermosa Beach Pier was our first show at the Lighthouse, opening up for Too Rude. We love where we come from and love even more the fact that our city has our back - where we will be closing out some of the final shows of tour: June 1st and 2nd at Saint Rocke on 2nd Street and PCH in Hermosa Beach, California.

Do you all share the same sort of music tastes, roughly? Do you tend to listen to older stuff – or dip into a lot of new music?

We all have, relatively, some of the same taste in music, but we also like all different kinds of music. Collectively, being from Los Angeles, California there’s a melting pot of music and It is hard to just like one genre.

We all grew loving bands like Red Hot Chili Peppers, Sublime; Beastie Boys, Nirvana; Public Enemy, 2 Pac; Biggie, Eminem; Anthrax, Rage Against the Machine; Steel Pulse, Bob Marley; Long Beach Dub Allstars; Stevie Wonder, Bob Dylan; Daft Punk…the list goes on and on and on; we love music to say the least, so there are many, many more. 

What do you all hope to achieve in 2018?

We hope to Tour Europe, Asia; meet new fans, spread positive vibes and positive music; keeping the vibes alive and spreading our message.

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Can we catch you perform anytime soon? What dates do you have coming up?

Illuminate spring tour dates:

4/24 - Dallas, TX

4/25 - San Antonio, TX

4/26 - Corpus Christi, TX

4/28 - Knoxville, TN

5/1 - Atlanta, GA

5/2 - Jacksonville, FL

5/4 - Cocoa Beach, FL

5/6 - Miami, FL

5/8 - Wilmington, NC

5/9 - Durham, NC

5/10 - Virginia Beach, VA

5/11 - Vienna, VA

5/12 - Brooklyn, NY

5/13 - New Bedford, MA 

5/15 - Pittsburgh, PA

5/16 - Grand Rapids, MI

5/17 - Columbus, OH 

5/18 - Chicago, IL

5/19 - St. Louis, MO

5/20 - Omaha, NE

5/23 - Pueblo, CO

5/24 - Denver, CO

5/25 - Salt Lake City, UT

5/26 - Boise, ID

5/27 - Seattle, WA

5/31 - Santa Cruz, CA 

6/1 - Hermosa Beach, CA

6/2 - Hermosa Beach, CA

6/3 - San Diego, CA

Have you each got a favourite memory from your time in music – the one that sticks in the mind?

Just being able to perform and do what we love on a daily is a true blessing.  

What advice would you give to new artists coming through?

Work hard, practice; stay honest and true to yourselves. Don’t get caught up in all the facades or masks of ego we, as people, create for ourselves.

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Are there any new artists you recommend we check out?

Ease Up, LAW; The Late Ones, Jason J; Anthony Francisco, Lea Love; Yuja Wang. I mean, there is so much talent constantly emerging from all over the world that it’s so tough to keep up with the times...

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IN THIS PHOTO: Lea Love

Do you all get much time to chill away from music? How do you unwind?

Yes, and we love spending time with our families and children (for Mets & Moi). We also love to surf, camp; yoga, BBQ; breakdance and jam music, paint; create or just catch up on sleep…

Finally, and for being good sports; you can each choose a song and I’ll play it here (not any of your music - I will do that).

Moi: Sammy Johnson – Don’t Say Goodbye

Mets: It’s Alright, Ma (I’m Only Bleeding) – Bob Dylan

Dre: All Time Low - Joe Bellion

Pat: The Box – Snot

Steve: Trade It All – Cory Henry & The Funk Apostles

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Follow Tomorrows Bad Seeds

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INTERVIEW: Dante Matas

INTERVIEW:

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Dante Matas

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I am kicking off this week by speaking…

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with Dante Matas about his latest track, Everything Nearly Fell Apart Completely. He talks about his upcoming album, A Colourful Headache (out on 4th May), and the themes that inspired it; when music came into his life; who he ranks as influences – I ask whether the songwriter has any gigs booked in.

The Canadian reveals whether he is coming to the U.K.; I ask which three albums mean the most to Matas; how he spends his free spaces away from music; whether there are any special memories from his time in music – he recommends a new artist that is worth some affection and appreciation.

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Hi, Dante. How are you? How has your week been?

I’m doing well, thanks! My week has so far consisted of teaching, practicing for our upcoming show at In the Soil festival in St. Catharines, Ontario and prepping for our tour next month!

For those new to your music; can you introduce yourself, please?

I’m Dante Matas. I make music across genres like Psychedelic-Rock, Synth-Pop, and Indie-Folk. I’ve been playing and recording music for over a decade now - and writing songs for even longer. I’ve recently started playing music with a full band and we go by the name ‘Dante Matas and the Infernal Racket’. I play synth, acoustic guitar and sing in the band. The other members are my good friends Colin McNally (Drums), Omar Shabbar (Guitar) and Joseph Landau (Bass).

Everything Nearly Fell Apart Completely is your new single. Can you talk about its origin and creation?

I came up with the main chorus melody for Everything Nearly Fell Apart Completely, probably, five years ago. That might seem crazy, but it’s true - I have the iPhone memos to prove it. This was one of those songs that I didn’t rush at all (obviously) and, instead, let happen naturally. I don’t always do that: sometimes, songs happen very quickly.

Over the next few years, I would get a new idea for another part or a lyric and add it to the song. Last summer, I decided to record everything I had come up with and ended up with a song almost seven minutes long (!). After some crazy editing, I ended up with the single as it exists today.

I actually played that seven-minute version of the song with a huge band live at Dundas Square in Toronto last summer. It was tons of fun!

Will there be more material coming later down the line?

On May 4th, I will be releasing my new album, A Colourful Headache, of which the single, Everything Nearly Fell Apart Completely, is a part of. This is really my first official full-length, so I’m super-excited to get it out there. It has lots of vocal melodies weaving around each other; some laser beam synth hooks, lo-fi punchy drums; effected electric guitar and lots of distorted bass slides. It’s quite different to my last E.P., which was a very straight-ahead Indie-Folk record.

Beyond that, I am already writing music for the next record and I can’t wait to start work on it once I get back from tour!

Can you remember when music came into your life? Was there a single moment where you decided to pursue music and do it as a career?

Music came into my life when I was maybe six-years-old and I first acknowledged what a melody was. The melody, in particular, was Ode to Joy and it was the most beautiful thing my six-year-old mind thought was possible. So; I was hooked after that.

Once I started playing the guitar in my early-teens; I noticed that writing music was the most rewarding thing I could do and I basically decided to dedicate my life to it. Of course, it’s, obviously, not that simple and there is much more to being a professional musician! I figured I’d have to learn the rest along the way.

I’m still doing that now - and I’m loving every second of it.

Which musicians did you grow up around? Who do you count as idols?

No one in my family really played music, so the only musicians I grew up around were my music teachers and my friends. I went to an arts high-school and, during breaks, my friends and I would sneak into the practice rooms and write music. I say ‘sneak’, because was in the visual art program at the school - so, I probably wasn’t supposed to be there.

My idols would have to be the musicians I looked up to when I was growing up, namely The Beatles, Radiohead and Leonard Cohen.

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Do you have any gigs lined up? Where are you heading?

We leave for the main leg of the tour in mid-May. We’ll be hitting up places like Halifax, Charlottetown; Montreal, Ottawa and so many more. We’ll also be joined by our friend and Folk artist, Mike Legere, who also helped engineer A Colourful Headache.

We will also be having a big hometown release show at Burdock, in Toronto, on June 21st!

Will we see you come over to the U.K.?

Definitely. Our next tour will see us going international and we would love to come to the U.K. It’s something we are going to work towards for 2019.

What do you hope to achieve in 2018?

I hope to get A Colourful Headache to all the people that would enjoy hearing it. I hope to keep playing bigger shows and to continue learning about music and the music industry. I hope to finish recording a new collection of songs by the end of the year so we can put out another release in early-2019.  

Have you got a favourite memory from your time in music – the one that sticks in the mind?

There are so many, but I think making my first E.P. back in high-school was a really memorable experience...

My bandmates and I had no idea what we were doing but, at least for me, it made me fall in love with recording. I had been messing around with GarageBand on my computer before then, but going into an actual studio made me look at music from a producer’s perspective for the first time.

If you could select the three albums that mean the most to you; which would they be and why?

Radiohead - Ok Computer

I know everyone likes this record, but it was one of the first records I bought as a kid. The first time I listened to it was on a cold Toronto winter day and I wrapped myself in a bunch of blankets and read the lyric booklet along with it. Definitely a very meaningful record to me.

Sufjan Stevens - Age of Adz

I love this record because of how complicated the emotions are. A lot of artists tend to write sad music and really explore the depth of that. So many Pop songs are about heartbreak that, sometimes, we can forget that all emotions are equally complex. On Age of Adz; Sufjan goes all over the place and it’s really something special.

The Magnetic Fields - 69 Love Songs

This record is (so) unique. It has sixty-nine songs and every single one is a perfectly-crafted Pop song. There are beautiful melodies all over the place and, frankly, hilarious lyrics in every track.

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What advice would you give to new artists coming through?

On creativity: songs and hooks are not the same thing. Songs tell stories; hooks get stuck in people’s heads. If you have only hooks then your music will be catchy but feel empty. If you don’t have any hooks then no one will sing along. Also; don’t listen to other people (like me): just make up your own rules over time through trial and error.

On getting your music heard: just keep going, but always believe in the music you’re putting out. If you do that and you’re honest with yourself about how good it is, you’ll only ever get better and people will eventually respond to it.

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IN THIS PHOTO: Natalie Prass

Are there any new artists you recommend we check out?

I recently got into Natalie Prass; especially her single, Short Court Style. I love the groove of the bass and guitar - and the chorus is super-catchy. The music video makes me dizzy, though. I’d love to see her live!

Do you get much time to chill away from music? How do you unwind?

Between work and booking tours, recording; writing and playing live, I don’t do much else. I like going out with my friends now and then as well as seeing live music. I’m excited to see Paul Simon, Radiohead and The Magnetic Fields all in the next few months!

Finally, and for being a good sport; you can choose a song and I’ll play it here (not any of your music - I will do that).

I’ve got to go with that Natalie Prass song - it’s just too good.

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Follow Dante Matas

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INTERVIEW: Ay Wing

INTERVIEW:

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PHOTO CREDIT: Sara Herrlander

Ay Wing

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HER latest single boasts a sound and brilliance…

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that lodges firmly in the brain and gets the blood racing. I was eager to speak with Ay Wing about Strange and its evocative video. She tells me what it is like to create and live in Berlin; what gigs she has booked in the diary; a few albums that mean a lot to her – the songwriter recommends a new artist we need to look out for.

I ask Ay Wing about her E.P., Ice Cream Dream, and what it was like recording it. She tells me about artists who inspired her to get into songwriting; how she spends time away from music; what advice she would give to new artists coming through – she ends the interview by selecting a pretty sweet song.

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Hi, Ay Wing. How are you? How has your week been?

Quite overwhelming. It’s nice to get so much feedback for the music video to Strange.

For those new to your music; can you introduce yourself, please?

I’m a female producer and songwriter currently living in Berlin, writing tunes in the basement. So, my lack of vitamin D this year is pretty high…

Strange is your current track. What is the story behind that song?

Strange tries to find humour in an age where many of our own identities seem based on an InstaFilter and the 'right angle'.

The hook of Strange is actually a quote from an old man that asked us for directions. We were grocery shopping in our P.J.s, as you do in Berlin and, when we couldn’t help, he asked “Are you strange?" before he left.

We liked that a lot, so we kept it.

Talk to me about the cast of characters and vision in the video. What was it like seeing it all come to life?!

It was fun to get into the role of these iconic female characters. I guess I needed a reason to dress up. I had to watch all the movies again and learn their facial expressions and movements, which was quite a tricky thing for me (but a fun experience). I had an amazing team.

Yvonne Wrengler did a fantastic make-up job. Josué Cifuentes filmed it and Emily Josefine directed the video. Raphael Lepeu played The Thing and The Dragon and made me laugh during the shoot - and Martin Riesen did all the aftereffects magic.

Ice Cream Dream, your E.P., has been unleashed. Did you learn a lot about yourself whilst making the E.P.? What is your favourite cut of the pack?

I loved the process of creating. You learn a lot about yourself, about your patience; about working in a team and decision-making.

My favourite one is probably LA. It’s bouncy and has a deeper meaning.

It seems colour and vibrancy is integral to you. Do you want the listener to feel more alive when listening to your music?

That would be wonderful - if they feel more alive when they listen to it. When I create, I don’t try to think too much; I just do what I feel without thinking of any genres or outcome. 

Are there particular musicians who have influenced you and made a big impression?

I love musicians who don’t take themselves too seriously, such as The Beatles, Damon Albarn and Eminem. I love the humour in their music - and they definitely have influenced me in some ways.

You are based in Berlin. Is it a great city to make music in? Would you recommend others to come over and investigate?

I think it’s a great city. There is room for every kind of quirky project and I feel like there is a good sense of community out there. I would definitely recommend it. People help each other out. 

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Do you have any gigs lined up? Where are you heading?

I play at Klunkerkranich on 2nd May in Berlin; Twin Lakes Festivals on 1st September; then, some gigs in Switzerland and, in October, I’m heading to the U.K. again for some shows.

What do you hope to achieve in 2018?

To get my next E.P. and more videos out...and play more shows.

Have you got a favourite memory from your time in music – the one that sticks in the mind?

There are so many beautiful ones.

I recently played for Sofar Sounds Edinburgh at Usher Hall. The crew was incredibly nice and well-organised - and the audience was such an attentive one. It was certainly one of the nicest experience I encountered this year.

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If you could select the three albums that mean the most to you; which would they be and why?

The Miseducation of Lauryn Hill (Lauryn Hill); Nirvana’s Nevermind and Father John Misty’s Pure Comedy

These are all albums that I could listen to all day long – ones that inspired my songwriting.

What advice would you give to new artists coming through?

Try to find your own style of music and don’t listen too much to other opinions: you’ll eventually find your niche and people will resonate with your music if you create music you truly love.

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IMAGE CREDIT: Julie Moorhouse

Are there any new artists you recommend we check out?

I recently played a London show with the band, BOKITO. I can highly recommend them; one of the best live acts I’ve seen in a while…

Do you get much time to chill away from music? How do you unwind?

At the moment, I try hard to make space to unwind and go to nature. That helps.

Finally, and for being a good sport; you can choose a song and I’ll play it here (not any of your music - I will do that).

BOKITO - Love Gotten

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Follow Ay Wing

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INTERVIEW: The Right Now

INTERVIEW:

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 The Right Now

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IT has been a while since I’ve featured an artist from Chicago…

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so it is great to speak with The Right Now about their music and formation. The band has been playing for ten years and will play a joint-anniversary show with 56 Hope Road (celebrating twenty years together). I ask whether there will be other gigs coming and when we might expect some new material from the band.

The Soul band are one of the hottest in Illinois and I asked what the scene is like in Chicago; if there are any new acts we should check out; if the band are coming to the U.K. this year – Brendan and Stefanie, who answer the questions, talk about life away from music and working with the Hope for a Day charity.

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Hi, guys. How are you? How has your week been?

Brendan: It’s been great! We’ve been busy rehearsing, planning and doing interviews for the big tenth-anniversary show on Friday.

Stefanie: It’s been a great week. We are really looking forward to this ten-year anniversary show and there has been sun finally in Chicago...all good things.

For those new to your music; can you introduce yourselves, please?

Brendan: We are The Right Now; a seven-piece Soul band from Chicago, featuring the powerhouse lead vocals of Stefanie Berecz.

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You are teaming up with 56 Hope Road for a hometown show. What can you tell us about that?

Yes! We’re so excited to celebrate our tenth year together as a band. It’s been a long road as we’ve played over five-hundred shows, released three albums and spent way, way too much time together. But really this band is centered on deep friendships and love…

It’s been an incredible ride together.

Stefanie: I remember some of our first shows on the road together, included playing spots that 56 (Hope Road) would recommend to us as we were just getting started. They sort of took us under their wing and played this ‘big brother’ in the business role.

This show is going to be a celebration of the family we grew into and the music we were inspired to create over all these years.

56 Hope Road are celebrating twenty years as a band. Have you been following them a while?

Brendan: There isn’t a more appropriate band that can join us for this anniversary show. We met 56 when our guitarist, Chris Corsale, joined our band in 2008 (Chris played with 56 for years). I went to lunch with 56’s drummer, Greg Fundis, and he basically schooled me in the ways of ‘starting a real band’: how to tour, promote shows; budget correctly and so on. We learned so much from those guys and girl. They are family, so it’s truly a blessing to be able to share this special bill with them.

Hope for the Day, a charity that raises awareness of suicide, is close to your heart – you are celebrating your tenth anniversary, as a dual anniversary show, and proceeds will go to the charity. What was it about Hope for the Day that compelled you to make that decision?

Stefanie: We are celebrating our tenth-anniversary this week but this month also marked the year anniversary since I lost my best friend and incredible father to my two children, David Grinslade. This band is family and, when we experience a loss, we all come together and rally together. That is what we are trying to do through this immense loss. David was the closest person to me and it pains me every day to think he was struggling with such dark thoughts and couldn’t express the mental pain he was experiencing. 

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Our goal in partnering with an organization like Hope for the Day is to face the scary subject of mental-health and suicide. We want to play our part as human beings who believe in love and being there for each other. We are dedicated to making mental-health a safer thing to talk about. The choice to share our story has opened a channel to connect with fans on a deeper level and most importantly connect with those who might be struggling.

Looking back at your decade in music; how do you think you have progressed and grown?

Brendan: I only need to listen to songs I wrote in 2008, or look at pictures of our band, to really see just how much we’ve grown. The songs, now, are so much more focused in every way: lyrics, arrangements and melody. Everything just serves a more pointed purpose - and we’re really aiming higher, I think.

We’re doing a much better job of putting Stef’s voice on display and connecting with people. Oh, man; some of these photos from 2008 - I can’t believe I ever wore sandals or allowed our bassist to wear shorts. Now, it’s dapper suits…

Definitely a better look!

What do you feel is the secret to longevity? Do you feel too few modern bands have staying power?

Just keep going, no matter what. That’s the best advice I can give. No one else is going to do it for you, ultimately, and you need to find the internal drive and ambition to keep writing, touring; recording and everything else…and it pays off! I feel like, in our tenth year, we’re finally reaping the harvest of the seeds we’ve sprinkled over the past decade…

Stefanie: I would echo what Brendan said and add that you just have to align yourself with the right group of people who will continue to inspire and support you along your growth.  

Will you be releasing music this year? What is in the pipeline?

Brendan: Yes! With the political dumpster fire that’s been happening in our country, we felt that it was important to make a strong stand and record a political cover from the 1960s (perhaps the last time that this country felt so lost). We’re releasing a cover of Buffalo Springfield’s For What It’s Worth later this year. We rearranged it as an Afrobeat tune and recorded it in this crazy nineteenth-century church in central New York last October. The amazing Sergio Rios from Orgone/Killion Sound mixed it.

We also have plans for a remix 12” with Chicago’s own Star Creature. These are really dope Disco and Boogie Funk remixes of songs from last year’s Starlight.

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Chicago is where you are based. How important are the city and its people? What is the scene like there in 2018?

This is the best city in the world. Aside from the obvious (pizza, hot dogs and the Cubs) there is a deep and rich musical history, especially in Soul. I think you can trace it back to Muddy Waters and draw a line to The Staple Singers, Curtis Mayfield; Chaka Khan, Donny Hathaway; Syl Johnson and on and on. (I love so much about Chicago). The music scene has great players and bands, but I think the downside is the lack of support for artists in the ‘middle’ (folks like us that aren’t starting out but aren’t Chance the Rapper).

We have a few radio stations like Vocalo, CHIRP and WLUW that support the local scene, but there isn’t a great deal of synchronicity between the promoters, clubs; fests, fans; radio, blogs and bands. It sort of seems like a free-for-all where you have to hustle and grab whatever you can. Which is very ‘Chicago’. It’s made me work my ass off to achieve what we can.

How did The Right Now get together? When did that first meeting take place?

Brendan: Stef and I met in a restaurant called Cooper’s in 2006 in a very random way. I was playing there with my previous band and the owners (Stef’s friends) asked if she could sit in. I was hesitant at first but relented. Stef sang Natural Woman and I was immediately hooked.

I decided that she should sing with my band and she eventually agreed. We’ve been writing songs and performing together ever since.

Stefanie: It’s crazy to think back on that chance meeting and now, years later, have such a remarkable story to tell. I think it hits me most when my kids start recalling memories of this band.

Do you have any gigs lined up? Where are you heading?

Brendan: We have an incredibly busy spring and summer with club shows and fests all over the Midwest and East Coast. All our tour dates are at www.therightnow.com/tour.

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Can we expect to see you in the U.K. this year?

Brendan: I wish! It’s a dream of mine to tour Europe. We’re still waiting for it to all line up. This could be the year…

Stefanie: I’m itching for that opportunity. I’d like to think there are a handful of individuals who would appreciate us in the U.K.

What do you hope to achieve in 2018?

Brendan: I want to record most of our next record, play great shows and continue to have a blast with my friends on stage.

Stefanie: I look forward to recording new music and, maybe, a new video! I am also so excited to continue building our relationship with Hope for the Day.

Have you each got a favourite memory from your time in music – the one that sticks in the mind?

Brendan: I think selling out Lincoln Hall in 2010 for our first record release show stands out. We worked so hard on that album and promoting it. It was unbelievably satisfying to look out into that crowd and feel the love!

Stefanie: Selling out any show is always such a stand out memory for sure. I also loved our first time recording a session at Daytrotter. I remember so badly wanting that to happen early on in our career and we got that call this year!

What advice would you give to new artists coming through?

Brendan: I have a four-page Word doc. that I give to new artists...I should probably start charging folks for it! The biggest piece of advice I have is to follow through and do what you say you are going to do. I feel like one of the biggest reasons why we are still around is because I stick to my word and follow up with people.

Oh, also; write good songs with undeniable choruses.

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IN THIS PHOTO: DeRobert & The Half-Truths

Are there any new artists you recommend we check out?

Brendan: He’s not a new artist but DeRobert & The Half-Truths are a killer Soul band from Nashville. JC Brooks Band just released a great E.P. (I co-wrote one of the tunes).

Stefanie: I’ve been digging Charlotte Day Wilson and her new album, Stone Woman (2018)

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Do you all get much time to chill away from music? How do you unwind?

Brendan: Chilling isn’t really part of my life. I have three kids and run a lesson teaching business aside from The Right Now. But, when I do (have time to chill), I love to hang with my wife, putting on records and cooking.

Stefanie: I also have two young children so we live by our calendars and, when a chill day sneaks up on us, we either are glued to the couch watching movies or we get out for something spontaneous.  

Finally, and for being good sports; you can choose a song and I’ll play it here (not any of your music - I will do that).

Brendan: Slow Burn by Kacey Musgraves. Just a beautiful song. Reminds me of mid-'70s Soft-Rock. Hell, yeah!

Stefanie: My Momma Told Me - DeRobert & The Half-Truths. 

Dee is my Soul brother! Hands down, one of the best vocalists I’ve had the pleasure to work with. This whole band is killing it out there

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Follow The Right Now

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INTERVIEW: David Sinclair Four

INTERVIEW:

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 David Sinclair Four

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THE band has had a slight rejig...

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since I posed questions to them. Regardless of a drumming tweak; I have been speaking with the David Sinclair Four about their upcoming album, Sweet Georgina, and the themes that inspired it. They talk to me about their musical pasts and the new artists they are reacting to - sharing some fond memories they have experienced during their time in music.

I discover what gigs they have booked and how they get such a tight and confident sound; if they get chance to unwind away from music; what advice they would offer new songwriters coming through - the guys each end the interview with a song choice.

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Hi, guys. How are you? How has your weeks been?

David Sinclair (Vocals/Guitar): Busy...

Geoff Peel (Guitar/Vocals): It's been a good week. Spring has finally sprung, we've been rehearsing our live show; the band is sounding great and I got a new fuzz-box with some delightfully insane sounds.

Jos Mendoza (Bass/Vocals): I am great. My week has been intense with work, but I have the David Sinclair Four rehearsals to keep me going and the album launch to keep looking forward to.

Rory Mendoza (Drums): It's been good. I've been rehearsing with the band and running through songs for DS4, having only joined the band recently.

For those new to your music; can you introduce yourselves, please?

DS: I started the band in Shepherds Bush in 2005. It was originally a trio. We became the DS4 when Geoff joined as lead guitarist in 2013, which was also when Jos became our bass player. My son, Jack Sinclair, used to be the drummer. He is now touring the world as a poker star and we have got Jos’ brother Rory in to play the drums...

We like to keep it in the family.

Sweet Georgina is your upcoming album. Can you articulate the themes and influences that go into the record? What are the key emotions you explore throughout?

Geoff and I have written all the songs on the new album. Georgina is our muse. She’s our patron saint – in fact, she’s the patron saint of all bands and songwriters. The key emotions are love, humour; joy and sadness.

It’s about living the life, which we’ve been lucky enough to do for quite a while. I remember an old rockabilly singer from Nashville, Tennessee called Cowboy Jack Clement who said that as musicians: “We’re all in the business of fun; and if we ain’t having fun, then we’re not doing our job”. Amen.

How do you think your latest record differs from everything else the David Sinclair Four has put out?

It doesn’t differ that much. It’s got ten cool songs that each tell a story with my voice and a bunch of Rock & Roll guitars. There’s maybe more emphasis on great tunes this time around - and we’ve got our Scottish Soul sister Becci Wallace involved on the vocals which adds a new harmonic dimension to the classic DS4 sound.

Will there be singles coming from the album?

We’ve already put out Sweet Georgina - the title-track - as a single and the follow-up, Little Rock & Roll. The third single from the album, The Rolling People, is released 4th May.

The band is very tight and together. Did that chemistry come naturally? How did you all meet one another?

Thanks. Geoff and I go back to the 1980s when we were hanging out together in some dark dives in Hammersmith and Jos has known Rory from the day he was born. So; it’s more about biology than chemistry in their case…

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What is the best part of being in the David Sinclair Four? Is it the touring or recording you all gravitate towards?

Geoff: Well; touring and recording are two sides of the same coin. Actually, it's a three-sided coin because the other aspect is writing the songs, which is both hard and richly rewarding. Recording is amazing because that's when the songs come to life and then playing live we get to see how they are received while strutting our funky stuff. Actually, the best part of being in the DS4 is being able to bring all our influences together - Americana, Anglicana; Rock, Psychedelia; Blues, Country; Folk, whatever - mixing them up and seeing what comes out.

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Jos: For me, I have always loved playing live music, and for me, getting up on that stage and playing is what makes it for me. I also play for a Blues/Rock covers band, and it is refreshing to play some original songs I have only re-joined the band after having a few years to focus on teaching, so the recording has not been part of my agenda. Nonetheless, I would love the opportunity to get in the studio again - and I am hoping that there will be more songs to put on an album in the years to come.

Rory: For me, the best part is playing with a bunch of musicians who are talented and know their stuff. It's good fun playing with these guys; I like the music (which is always a plus) and I'm looking forward to playing some gigs.

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Which artists have been influential in terms of your own sound and passion?

Geoff: Hearing Eric Clapton when I was fifteen started me on this whole business but, the older I get, the more I like Stones-era Mick Taylor. Such elegant phrasing and fabulous tone. I love slide playing too and listen to Derek Trucks a lot. In the Country vein, Chris Stapleton has to get a mention, not only for his guitar playing but also for his songwriting and incredible singing.

Jos: Red Hot Chili Peppers (their stuff up from the early days up to By the Way), Jimi Hendrix and Guns N’ Roses are my top-three (right now, anyway; ask me again in a month!) All three had great sound, relentless energy onstage and have the perfect blend of proficiency and feeling the music which, for me, is what makes playing so enjoyable.

Rory: The bands that got me into music were Red Hot Chili Peppers and Dire Straits. I love a variety of music but my preference lies with the heavier side of music, such as Iron Maiden, Aerosmith; Metallica, Rage Against the Machine; Porcupine Tree, Alice in Chains; Queens of the Stone Age...well, you get the idea.

DS: The Stones and Hendrix are the untouchables. Ray Davies and Paul Weller are two of my favourite songwriters.

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Do you have any gigs lined up? Where are you heading?

It all kicks off with our album launch show at The Social, Little Portland Street (W1) on 14th May. We’ve got some special guests (singers and harmonica) and we’ll be doing it in style. Then, we’re moving on to: Notting Hill Arts Club (10th Jun); Albury Festival, Guildford (22nd July); Half Moon, Putney (9th Sep); Crawdaddy, Richmond (26th Oct); Polyfest, Camden (3rd/4th Nov); Dublin Castle, Camden (30th Nov).

There are dates being added all the time, so check our website.  

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If you each had to select the one album that means the most you; which would they be and why?

Geoff: There are loads of albums I could choose from, classic and modern, but one which kind of sums up the alt-rock vibe for me is Cracker's Kerosene Hat from 1993: great album, great songs and a great guitarist in the shape of Johnny Hickman.

Jos: I think I would have to go with Jeff Buckley's Grace. Along with having one of the truly great covers in Hallelujah, which is hard to do, it has some great songs that I think will stand the tests of time - and Jeff Buckley is one of those artists who pours all his emotion into his music. This is really felt in the album.

I still remember the day clearly when I first heard Dream Brother and any song that does that must be special. It is musically complete, heartfelt and has remained so over the years. Jeff Buckley is also one of my big influences and I have learnt many songs from the album.

DS: Are You Experienced by The Jimi Hendrix Experience. Everyone can play his guitar parts nowadays. But, people forget what a great singer and songwriter Hendrix was.

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What do you all hope to achieve in 2018?

Geoff: Loads of gigs, new songs and recording - in that order. In my spare time, I'm going to get the acoustic out and crack the Bluegrass code.

Jos: I want to pick up where I left off with my music and start focussing on writing more songs; gain more valuable experience from others and keep going with DS4.

Rory: I'm hoping to play a tonne of gigs with the DS4 and, maybe, help come up with some new material.

DS: Fame and riches beyond belief.

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Have you each got a favourite memory from your time in music – the one that sticks in the mind?

Playing snooker with Ronnie Wood backstage at a stadium in Chicago has got to be up there.

What advice would you give to new artists coming through?

Don’t stop.

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IN THIS PHOTO: Molly Tuttle/PHOTO CREDIT: Anthony Scarlati Photography

Are there any new artists you recommend we check out?

Molly Tuttle; amazing Californian Bluegrass-picker, singing Townes Van Zandt’s White Freightliner Blues.

Nakhane; South African singer-songwriter. Very stylish. Lovely, high, soulful voice (like David McAlmont); wicked attitude. His band has got Charlotte Hatherley (ex-Ash) on keys and guitar and Keir Adamson on drums (who played on the new DS4 album).

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IN THIS PHOTO: Nakhane/PHOTO CREDIT: Tarryn Hatchett Photography

Maaike Siegerist; ‘Dark Folk’ singer-songwriter from the Netherlands. She will be playing a support set at our launch gig at The Social on 14th May. Lovely voice – operatic range.

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IN THIS PHOTO: Maaike Siegerist/PHOTO CREDIT: Catherine Rudie

Do you get much time to chill away from music? How do you unwind?

David: Down by the canal.

Geoff: I have a sculling boat I keep near Chiswick Bridge. When I want to unwind, there’s nothing better than a long paddle up to Richmond Lock and back.

Jos: Playing is unwinding. It is what I care about and what makes me happy.

Finally, and for being good sports; you can each choose a song and I’ll play it here (not any of your music - I will do that).

Geoff: If you can find it, I’d love it if you could play Every River by Kim Richey. It’s a great song. I never found out who played the lead guitar, and it rocks

David: Jenny Don’t Be Hasty by Paolo Nutini. We used to do a cover of this and it’s still one of my favourite songs. The coolest riff, great melody and neat solo

Jos: Seventh Heaven by Beck from his Colors album (and E-Pro from the Guero album if I'm allowed a second song!)

Rory: Sultans of Swing by Dire Straits

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INTERVIEW: Zkeletonz

INTERVIEW:

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Zkeletonz

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THE business of promotion…

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can be a rather tiring and never-ending one for a musician. They put in so much effort and do their very best to get their music to as many people as possible. I have been lucky enough to grab some time with Zkeletonz as they tell me about their latest single, Always, and what inspired its creation. I ask whether they have favoured memories from their time in music; how the band got together – they reveal whether more material is coming.

I asked the guys about touring and possible gigs; which musicians they count as idols; which new artists they recommend we check out – the guys select a song to end the interview with and tell me how they spend time away from music.

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Hi, guys. How are you? How has your week been?

Been resting in our graveyard between touring stints for the new single, Always; spinning yarns about POSTPOP and the importance of calcium. Richer Sounds, you know; the stereo shops?! They just made us Band of the Week in association with Q Magazine. We liked that!

For those new to your music; can you introduce yourselves, please?

We are the POSTPOP purveyors, princes; pioneers! We provide strong, persistent rhythms and attractive, distinctive melodies. Shake your bones to us…

 

Always is your latest track. Can you reveal the inspiration behind the song?

Sometimes, a partner moves in and you stay up very late partying, fighting or doing an intense mix of both! So, our singer Gav and his girlfriend used to stare out across the street from our apartment to the big art studios opposite producer Ed’s bedroom.

Artists in there used to paint and set up photoshoots so late that he would get annoyed by the lights. We couldn't understand why the artists would want to be on camera so early in the morning! Their building has been totally demolished now (for luxury apartments).

You have built momentum from previous singles, Trouble and Don’t Cover It Up. Can we see any new material arriving later this year?

Absolutely. The first-ever Zkeletonz E.P. is coming this summer.

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The likes of Channel 4 and Radio X have supported your music. Given the fact you are new the industry; how important is that kudos?

Remember the movie Almost Famous? It famously featured Tiny Dancer by Elton John and a fictional band, Stillwater. Well; Stillwater keep telling journalists they ‘play for the fans, not the critics’...until a journalist gets them on the cover of Rolling Stone! We’re similar. Do we make music for P.R. kudos? Hell, no! Are we happy when we get some? Hell, yeah we are!

How did Zkeletonz get together?

Impromptu Hallowe’en-party-instrument-jam of course.

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Which musicians do you all count as idols? Did you all grow up in musical households?

Our parents were all creative but none played or performed professionally in the end. So, we’re from ‘sing-along-to-albums-loudly’ households rather than ‘home-studio’ ones! One of our dads drew Rupert the Bear for a bit; no joke. But; I don’t think Rupert has put any records out himself?!

Our idols include Prince, David Bowie and The Human League - and our household is extremely musical now because we self-produce there!

I believe you have an annual Hallowe’en party. What does that usually entail?!

Absolute debauchery on synthesizers and guitars followed by a load of balls-and-boobs-out Disco and Techno, with a fancy dress contest in the middle. It’s always free and it’s in a really old pub where Samuel Pepys wrote his diaries and, more recently, Sean Paul shot a video with Clean Bandit.

A consistently culturally-relevant venue.

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Do you have any gigs lined up? Where are you heading?

To Brighton twice for The Great Escape and to Hoxton Square Bar & Kitchen in London on Sunday 6th May. Free entry.

What do you hope to achieve in 2018?

We just hope to stay fracture, break and sprain-free. That and play festivals. Nothing else.

Have you each got a favourite memory from your time in music – the one that sticks in the mind?

Ed’s was headlining The Old Blue Last in Shoreditch which is owned and run by Vice Magazine. Gav’s was playing Fuse Festival in his hometown of Lichfield in Staffordshire, or being in the local newspaper there and knowing it was gonna land on his grandma’s doorstep that week.

Will’s was crowning Dr. Zoidberg from Futurama the winner of our first-ever annual fancy dress prize!

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If you could support any musician alive today, and choose your own rider, what would that entail?

French Horn Rebellion do parties called YouTooCanWoo with another band called Pink Flamingo Rhythm Revue. Last week, they invited our friends Lejon to jam on stage with them. It was INSANE. Pure optimism unleashed. We’d do that with them around the U.S.A., especially New York.

The rider would be bottomless Cosmopolitans; purple feather boas for all and extra strobes in every venue.

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What advice would you give to new artists coming through?

Work insanely hard but mediate your expectations. Smile. Stay positive. Talk to people at shows. Take feedback - even when it’s hard to hear. Write lots of new songs. They’re not too precious: they’ll come and go.

It’s the listeners who decide which become classics, not you!

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IN THIS PHOTO: Lejon

Are there any new artists you recommend we check out?

Why, yes! Lejon, Jazz Mino and Kid Cupid are all great. We love remixing and playing with them.

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 IN THIS PHOTO: Jazz Mino

Do you get much time to chill away from music? How do you unwind?

Ed presents a POSTPOP podcast on Boogaloo Radio alongside presenters like Klaxons and Suede. He also makes Techno when he’s not making beats for Zkeletonz or plays Zelda on Nintendo Switch. Gav sings in a community choir and watches documentaries about cults. Will plays Rachmaninoff to his cat on the piano.

Finally, and for being good sports; you can each choose a song and I’ll play it here (not any of your music - I will do that).

Gav: Scissor Sisters - I Don’t Feel Like Dancin’

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Ed: Dirty Projectors – Up in Hudson

Will: Tiga – Woke

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INTERVIEW: Paul Aiden

INTERVIEW:

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Paul Aiden

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MANY might recognise Paul Aiden…

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as one half of the Dance duo, Chimes. I ask him what it is like releasing his solo single, Ticket 2 the Moon. It was inspired by the tragic shootings at Sandy Hook school (in the U.S.) back in 2012 – I ask Aiden whether enough is being done in the U.S. to control gun ownership/use.

He discusses his favourite musicians and the albums that mean a lot to him; where we can catch him on the road; whether there will be more material with Chimes – he shares with me a very special (and sobering) musical memory.

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Hi, Paul. How are you? How has your week been?

Not too bad. I’ve been busy putting the finishing touches on my third single - which will see the light of day in July. It’ll have real strings and a very small performance from my daughter, Flora (aged two). She sings with me on the harmonies right at the end of the song.

For those new to your music; can you introduce yourself, please?

Hi! I’m Paul Aiden. I write and perform with an acoustic guitar. Everything is very stripped-back and organic. I am also interested in making Electronic music, but all my own stuff is back to basics, self-written and produced (smiles).

Your debut solo single, Ticket 2 the Moon, is out. What is the story behind the song?

I wrote the first version of the song in the wake of the news (of the) terrible Sandy Hook school shooting in America six years ago, which left many very young children dead. It was kind of a way of processing it. It’s written in the style of Americana/Bluegrass. It goes down great, live!

I know there is anger towards lax gun laws. Is it distrusting seeing so many massacres occurring in the U.S.?! Do you think President Trump is doing enough?

It’s got totally out of control and one of the saddest things is people don't want their guns taken away from them because then they can’t protect themselves. It’s a ridiculous loop of stupidity.

Trump has not even come close to doing anything of merit towards the problem…

What has it been like transitioning from Dance duo Chimes and stepping out alone?

To be honest, it’s a little scary and less fun going it alone - but the great thing is, I can do both. Chimes and I have lots of releases scheduled this year. I played a fantastic solo show at Hoxton Square Bar & Kitchen last month and it was really rewarding.

The songs that went down the best were the protest songs, Ticket 2 the Moon and a new one about Brexit called I Don’t Want My Country Back. I also did a cover of Unchained Melody - from the 1960s - which I really enjoyed.

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Is there going to be more material coming this year?

Yes! My next single, It’s Over Now, is coming out next month and can’t wait for everyone to hear it. The video is also something to watch out for. Directed by Ali Ingle; it features a brilliant artist friend, who plays the cello on the track, called Michael G. Moore (M.G.M.). You should check him out too. Excited!

You have an impressive list of songwriting credits to your name. Has your eclectic experience made you stronger as a writer? Was it quite natural putting your debut single together?

Yes, definitely. But, what I’ve tried to do with this material is to be totally honest and everything I’m saying in these songs is 100% real. I’ve felt the buzz of having many tracks make the top-five, but I'm really excited about the possibility of one being just under my own name.

Which musicians did you grow up around? Who do you count as idols?

I have a lot of idols, mainly Prince, Stevie Wonder; Fiona Apple and Frank Ocean but artists that have directly influenced my writing would be The Beatles, Radiohead and, maybe, my dad, who also writes and plays the guitar.

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Do you have any gigs lined up? Where are you heading?

There are a few gigs in the works and maybe some festivals later in the year. I would absolutely love to take this music on the road.

What do you hope to achieve in 2018?

Run more, eat less; drink less, be happy and try not to go on my phone as much…

ALSO; I want more people to discover my music. I’m confident that, with each single, I will start to gather more attention. The music is totally natural and honest and I think, in a sea of Auto-Tune and beat matching, it will be a refreshing change.

Have you got a favourite memory from your time in music – the one that sticks in the mind?

Well. Just hearing the other day that, sadly, Avicii passed away brought back a very special memory…Avicii decided to play a song I wrote called Glowing in the Dark to 80,000 at the Tomorrowland festival. Seeing that footage was an incredible, proud moment.

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If you could select the three albums that mean the most to you; which would they be and why?

Simon and Garfunkel - Wednesday Morning, 3 A.M.

It’s the Folk duo at their most pure: one mixed to the left and the other to the right; glorious harmonies, recorded in two days…their first album.

Kanye West – Yeezus

A staggeringly original masterpiece. The way Kanye suddenly stops songs in their tracks to bring in old samples at a completely different tempo shouldn't work - but it totally does.

Prince - Controversy

This album has it all: Punk, Rock; Funk, Soul; an amazing ballad. It's political, bold and risky - and all in eight songs. 1981 was a great year!

What advice would you give to new artists coming through?

Turn back now; it’s a nightmare (winks).

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 IN THIS PHOTO: FLYTE

Are there any new artists you recommend we check out?

I really like the band FLYTE and was hugely impressed their album. Also, the Aussie artist Sarah Blasko is one of my wife’s all-time favourites.

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IN THIS PHOTO: Sarah Blasko/PHOTO CREDIT: Kylie Coutts

Do you get much time to chill away from music? How do you unwind?

I love watching Netflix and listening to vinyl: I have a pretty big collection that is growing a little too fast.

Finally, and for being a good sport; you can choose a song and I’ll play it here (not any of your music - I will do that).

Thanks...this was fun.

Kimbra - Version of Me

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INTERVIEW: Hydrocele

INTERVIEW:

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Hydrocele

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I am a little reluctant featuring Pop acts…

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because there are those that dip into the mainstream and do not produce anything appealing or credible. That is a risk one takes as a journalist, I guess! Luckily; Hydrocele are a band who stand apart and mix gritty Rock and pulsation with something alluding to the mainstream. I have been chatting with them about their new track, What You Looking At? and what its story is;  how the guys got together; whether there is more material coming – they talk about upcoming gigs.

I ask the band whether they get time to disconnect away from music and what it was like working with producer Pete Dowsett on their latest track; whether they have a particularly fond memory from their time in music – the guys each select an album that means a lot to them.

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Hi, guys. For those new to your work; can you introduce yourselves, please?

We are Hydrocele. Freddie (Vocals), Neemah (guitar); Ian (drums) and, we think, the guy over there with the bass is called Jonny.

Can you reveal the story behind What You Looking At?

What You Looking At? was written by Freddie and a best mate, Ash, just jamming riffs. The lyrics and melody came fast after that. It was written/directed at a girl in a previous relationship.  

What was it like working with producer Pete Dowsett?

Working with Pete Dowsett is an amazing rollercoaster of emotions, friendship and, most importantly, memes. He takes his FIFA seriously and never stops working - even on the toilet. George works very hard for Pete - getting lunch and coffees for everyone too!

How do you think your music has developed since your debut?

The Shapeshifter was a strong debut for us, but it’s fair to say that What You Looking At? has taken a different direction. The gritty Rock sound of the current single is definitely different to the glassy Pop sound in The Shapeshifter.

We are happy with both sounds - and definitely think the diversity is good for us!

Is there more material coming down the tracks?

It’s quite possible (smiles). The best way to know is to follow all our socials and look closely for announcements.

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How did the band get together in the first place?

We met at college, ACM (the Academy of Contemporary Music), and through a producer. We were all playing in different bands and kept crossing paths; we quickly realised we had similar tastes and ambitions in music but, most importantly, enjoyed working together. 

Your music has a Pop sound but it strays from the mainstream. Do you think it is important to have a unique take?

Obviously, Pop and Rock have certain elements that are pretty rigid and structured. We try to adhere to certain elements for our music to have a mainstream appeal, but we also want our music to have longevity. We want to showcase our skill and the years of practice we have put into our respective crafts.

Music wouldn’t be what it is without the emotion that this incorporates. We think that both are very important. Listening to music produced now is crucial to staying relevant but keeping in touch with your influences is just as beneficial. As we are seeing now with a lot of Pop tunes; sometimes you have to go back to go forward.

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Who do you all count as influences?

As a band, we have a very diverse range of influences. Although we overlap in a lot of areas, we each have influences that explore very different corners of the musical universe: Mac DeMarco, The Smiths; Nothing But Thieves, Gregory Porter; Slaves, The Strokes; Foals, Eric Clapton; Stevie Ray Vaughan and Olatunji are but a few examples.

Do you have any gigs coming up?

Yeah! We have a really cool set of gigs coming up supporting a really cool band called OMYO. We will be supporting them at the O2 Academy Islington and the O2 Academy2 Oxford on 31st May and 2nd June respectively.

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If you each had to select the one album that means the most to you; which would they be?

Freddie: Jet - Get Born

Neemah: Stevie Ray Vaughan - Instep

Ian: Michael Jackson - Thriller 

Jonny: Harry Styles - Harry Styles

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What do you hope to achieve in 2018?

There is a huge amount we want to achieve in 2018! After getting a taste of the big crowds at our KOKO gig, we would love to play places like that more regularly and have more people hear our music. 

What is it like getting on stage and performing to the people? What is your favourite memory from music?

Getting on stage with your mates and getting a crowd going with the power of your music always makes the best memories, however; if we had to pick one it would be the time at a post-gig McDonald’s that Jonny managed to get a Big Tasty, right slap-bang in the middle of his back without realising.

To this day, we still don’t know how it happened…

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Can you offer some advice to new songwriters?

The best piece of advice for new artists is to keep at it...

Give it your 100%. Take calculated risks. Never give up: it’s so easy to see the musicians at the top of their game and think that it’s impossible to get there, but you don’t see the years and years of hard work that’s been put in to get there in the first place. You have to create your own luck.

Which new artists should we look out for?

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IN THIS PHOTO: Zävodi/PHOTO CREDIT: Szigligeti Balázs

We all listen to very different music in our spare time; finding new artists every day that inspire us. A couple to look out for would be Hungarian producer, Zävodi and Alt. Rock band, New Volume.

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IN THIS PHOTO: New Volume

How do you guys unwind away from music?

We all have our own hobbies that we like to do outside of the band. Ian is actually in the top-ten worldwide players for World of Tanks and Neemah is doing his pilot’s license. Jonny is an aspiring painter and Freddie only knows music.

Finally, and for being good sports; you can each select a song to end on...

Freddie: The Greatest by Zävodi

Neemah: Eric Clapton - Behind the Mask

Ian: Lettuce - LettSanity

Jonny: Fit But You Know It - The Streets

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