INTERVIEW: EazyMan

INTERVIEW:

1.jpeg

EazyMan

___________

WITH his latest smash out there…

2.jpeg

I have been speaking with EazyMan about Hurdy Gurdy and its story. He discusses the albums that mean a lot to him and the sort of music he was raised on – I ask whether there will be more material coming later in the year.

EazyMan talks about a new artist he has just found and what advice he would give to new artists; what he wants to achieve by the end of the year; what it feels being backed by DJ Target (BBC Radio 1Xtra); what he does away from music – he shares his favourite memory from music so far.

___________

Hi, EazyMan. How are you? How has your week been? 

Hi, guys. I’m all good, man! Had a great week; the weather has been 10/10.

For those new to your music; can you introduce yourself, please? 

I am a U.K.-based rapper who goes by the name EazyMan.

 

Hurdy Gurdy is your new one. Is there a story behind the song? 

Well. When I was growing up, the Nokia was the phone to have and I always used to rap to the Hurdy Gurdy ringtone back in the day, so I just thought I would get a track built based on it. My friend, Wisper, is a big U.K. underground producer so I went to him and he built this masterpiece. I instantly started writing to it once I heard it and the track just came together.

It is an 8-bit, ringtone-inspired track. It is quite nostalgic in a way. Do you often look to the past when it comes to music influence?

I look everywhere for influence:  the past, the future; old artists, new artists; anything can inspire me. I just listen to the instrumental a few times and catch a vibe. My most important thing is to feel comfortable when I’m making music.

What is it about those Nokia ringtones and the phones of the past that stuck in your mind? Did you have any embarrassing moments where your phone went off or caused blushes?

Well. I grew up with these phones as a teenager, so they will always have a place in my heart. I always keep a couple tucked away for old time’s sakes. I can’t really think of any embarrassing moments that I’ve had with any phone…

2.jpeg

Is there going to be more material later in the year? 

Yeah, most definitely I’m working towards a project at the moment and should have something ready by the end of the year. For now, I’m going to keep releasing these singles and continue to give my fans the best version of myself that I possibly can.

The likes of DJ Target (BBC Radio 1Xtra) have supported you. How does it feel having some big names behind you? 

It’s a great feeling, you know! I mean, to know that my music is being supported by some of the most respected DJs and figures within the music business is extremely humbling. It makes me feel confident that I’m doing the right thing and to keep pushing. 

4.jpeg

What sort of music were you raised on? Do you have any artists you’d count as idols? 

I grew up in the '90s on Hip-Hop and R&B which, I believe, were one of the best eras in music history so, for that, I am very glad. I listened to so many artists growing up. When I was young, I would listen to Snoop Dogg, Biggie Smalls; 2 Pac etc. and then, as I got a bit older, it was Mobb Deep, DMX and The Lox.

My favourite artist would have to be 50 Cent, because he had a really big influence on my life at a time when I was not coping so well as a teenager. Listening to his music made me believe anything was possible - and I still believe that till this day.

What do you hope to achieve in 2018?

I’m just going to keep putting out quality music that people can enjoy and listen to with a smile on their face. I’m 100% sure that that one banger is going to come and the world is going to recognise me one day for my talent but I’m not rushing anything; it’s one step at a time.

Have you got a favourite memory from your time in music – the one that sticks in the mind?

My favourite moment was, most definitely, last year when I performed at Halo nightclub in Bournemouth alongside Giggs and the crowd really showed me love. The feeling of all those people rocking to my music was just surreal.

56.jpeg

If you could select the three albums that mean the most to you; which would they be and why?

50 Cent’s Get Rich or Die Tryin’ would be number-one

The reason would be because it got me through some dark nights - and the drive to go and chase my dreams - and I still live with this mentality today.

Second, would be Mobb Deep’s Infamy

I think that every song on this album is a banger! Havoc and Prodigy are two of the best musicians ever in my eyes and, together, their music just does it for me. They also have that hard street vibe which also helped me when I was out hustling on the roads back in the day.

My third choice would be a few so I can’t choose one, but I would say it’s between Life After Death by Biggie Smalls, I Am by Nas; Gangster and a Gentleman by Styles P or It’s Dark and Hell is Hot by DMX.

What advice would you give to new artists coming through? 

Enjoy the journey, be original and make music that you like. Don’t let anyone dictate what direction you want to go in because music has no limitations.

ambush.jpg

IN THIS PHOTO: Ambush Buzzworl

Are there any new artists you recommend we check out?

Recently, I have been focusing on my own music so haven’t really been checking out any other artists music that much, but I was on Spotify the other day and I came across a guy called Ambush Buzzworl. I have never heard of him before but he has a track called Blood and I like it a lot so go check it out.

Do you get much time to chill away from music? How do you unwind?

I believe life is all about balance. So, I always mix things up. You know; too much of one thing can be bad for you. I always spend time with my family. My wife likes to watch films, so it’s usually cinema or something. We are also into our food, so we always out eating or clothes shopping.

Finally, and for being a good sport; you can choose a song and I’ll play it here (not any of your music - I will do that). 

Ok. Play 50 Cent - Patiently Waiting

____________

Follow EazyMan

6.jpeg

INTERVIEW: Sam and the Womp

INTERVIEW:

1.jpeg

Sam and the Womp

___________

I have been speaking with…

single.jpg

Sam and the Womp about the new single, Posh Ragga. It is a busy and blissed track that gets the body moving and the spirits rising. Sam (who plays alongside Bloom in the duo) talks to me about their Bee Sides E.P. and what comes next; what they want to accomplish before the end of the year – what it feels like being compared to Dance innovators such as Basement Jaxx.

Sam tells me what comes next in terms of gigs; if he and Bloom get time to unwind away from the demands of music; the music they grew up around; how they got together and found one another – they each select a track to end the interview with.  

___________

Hi, guys. How are you? How has your week been?

We good but manic! Juggling various recording projects and deadlines; promoting the new single and E.P. as well as organising gigs and moving house!

For those new to your music; can you introduce yourselves, please?

We are Sam and Bloom, A.K.A., Sam and the Womp - famous for the hit song Bom Bom back in 2012. I (Sam) play the trumpet and Bloom sings. We both write the music and play various other instruments.

We like to dance and make people dance to! 

How did Sam and The Womp come to be? What was the reason behind that name, too?

I met Bloom on my birthday ten years ago and we jammed and loved what each other sounded like! The band came into being after enjoying festivals back in 2009, where we found a love for Gypsy, Ska and Dance music and thought a fusion would be fantastic! The Womp is the sound the bass makes, and the essence of what we do is brass and bass i.e. Sam and the Womp! 

Sam and Bloom. You have eclectic tastes! Which musicians did you grow up around?

We both grew up loving Radiohead and Miles Davis as well as Beastie Boys and Nirvana!

 

Talk about the track, Posh Ragga. What was the story behind it?

Posh Ragga has its roots in Turkish and Jamaican music. Sam met MC Solomon when on tour in Holland with another band called Brassroots (funky brass band) and got on well, so asked him to collaborate on this track and a few others. Solomon has been involved with the band on and off since the beginning. The rapping adds another dimension to the band, especially live.

4.jpeg

It harks back to the sort of sound Basement Jaxx were producing around their debut, Remedy. Do you think Dance music has lost that colour and expressionism?

I think a lot of music, especially Dance music, these days has lost true feeling and is very synthetic. We try to bring real live vibes to the recordings. Basement Jaxx also did this - and we have been compared to them often.

Your Bee Sides E.P. brings together some songs many might not have heard. When did you realise the songs featured on the E.P. warranted further airing?

We have been holding back a lot of tracks which were not really singles but great album tracks or B-sides for a number of years and felt, if we didn't release them now, we never would! These tracks always go down well live. 

bee.jpg

Are you looking ahead to further material and what comes next?

Yes! We wanted to build a bit of momentum this spring with the Bee Sides E.P. before releasing our brand new, super-fresh summer single. 

What do you hope to achieve in 2018? 

We hope our new music will be listened to, danced to and played out around the world! We are really excited by it all and looking forward to playing at the festivals this year.

5.jpeg

Have you each got a favourite memory from your time in music – the one that sticks in the mind?

Not one but three key moments! Playing at the Secret Garden Party and everyone singing back the lyrics to Bom Bom for the first time was amazing. Going on tour to Australia was even more amazing and playing Wembley Arena to 10,000 kids screaming was unbelievable! 

If you could support any musician alive today, and choose your own rider, what would that entail?

Supporting The Prodigy would be sick as they have such an amazing live vibe! Radiohead would be amazing for Bloom's new project or, if we're feeling jazzy, Wynton Marsalis - my childhood trumpet hero! 

I would like a Sunday roast for the rider with all the trimmings! 

2.jpeg

What gigs do you have coming up? What does your live show usually entail? 

We have our first festival on 26th May at HowTheLightGetsIn over in Hay. The audience is always very receptive and up for womping! We will perform trumpet, voice and .D.J (Dan - Sam's cousin) for this one. Bloom - artist name: 'Bloom de Wilde' - will also play a separate solo set on piano/guitar.

Lots of other festivals this summer with this line-up and the full live band is coming out in force later this year at Wilderness Festival. This is the real deal! Bloom, Sam and Solomon, - trumpet, sax; trombone, tuba bass/synth; keyboard, drums and FX!

What advice would you give to new artists coming through?

Be true to yourself - make the music you want to make, not what you think people will like. Be as live as you can on stage! Have fun! 

com.jpg

IN THIS PHOTO: The Comet Is Coming/PHOTO CREDIT: Fabrice Bourgelle

Are there any new artists you recommend we check out?

Check out The Comet Is Coming – an amazing sax, synth and drums trio!  

Do you both get much time to chill away from music? How do you unwind?

Not much chilling happening at the moment as we are parents, but we have really enjoyed the recent hot weather and going to the fun fair - we went down the helter-skelter on Monday! 

Finally, and for being good sports; you can each choose a song and I’ll play it here (not any of your music - I will do that).

Bloom: Planet Dust - Bad Company

Sam: Dancing with the Moon - Balkan Beat Box

____________

Follow Sam and the Womp

3.jpeg

INTERVIEW: Sylvette

INTERVIEW:

top.jpeg

Sylvette

___________

SYLVETTE are a fantastic Manchester band…

1.jpeg

who have been talking to me about their latest single, Rebirth, and the inspirations behind their album, Waiting in the Bliss. I ask the guys how they got together and what the scene is like in Manchester; the music they are influences by – they recommend some new artists we need to investigate.

Sylvette reveal where their name came from and what they have coming later in the year; where we can catch them on the road; whether they have time to get away from music; what special memories stick in their mind – the guys each select a song to end the interview with.

___________

Hi, Sylvette. How are you? How has your week been?

We’ve been great, thanks. We have just finished our U.K. tour, which was incredible, and now Charlie (our singer, guitarist and main songwriter) is on tour with New Order in Italy and Austria; so we are having a short break from writing. We’re all really excited to get back to playing together and preparing for our gig at Dot to Dot later this month!

For those new to your music; can you introduce yourselves, please?

We are a five-piece Art-Rock band from Manchester, taking influence from the likes of Radiohead, Neutral Milk Hotel and Jeff Buckley. We’ve been playing together for just over two years and, in that time, we have done a huge amount of gigging across the U.K. - and we have just released our debut album Waiting in the Bliss.

Rebirth is your latest single. Can you describe what inspired it and the story behind it?

When I started writing Rebirth, I had an image in my mind of a man trapped in limbo after passing away. There he faces images of his past life and after working out the meaning of this he can break away and be reborn. I was reading a lot of Terence McKenna and practicing lucid dreaming during the writing process, which got me thinking about the afterlife and the idea of multiple different realities.

It is from your debut album, Waiting in the Bliss. Are there particular themes that influenced the songwriting? What was the experience like of putting the album together?

The album has a mixture of personal and concept based songs both of which were written across a long time period. A couple of the songs on the album reflect on growing up and the transition into adulthood and then a couple of the other tracks focus on the idea of the afterlife, death and rebirth.

I think it turned out this way because I was reflecting on leaving home and leaving that part of my life behind and, also, my relatives who passed away during the making of this record.

I believe you all come from different part of the U.K. and have wildly different musical tastes. How did the band find one another and coalesce into the cohesive unit we find now?

We all met in Manchester at Music College but Pete is the only Mancunian in the band. Although we all have different tastes; when we play together it just feels right - and it has done from day one. We all have a collective understanding of what we are trying to achieve. Artistically, our musical understanding of each other is getting stronger all the time. We all feel very lucky to have found each other.

Tell me about the real-life ‘Sylvette’: Picasso’s muse, Sylvette David. What is it about her that compelled the band’s name?

To be honest, when I named the band I didn’t think too much about the meaning or context of it. I just saw a Picasso painting of Sylvette that I found very striking and thought it was a really cool name. It wasn’t until a year later, when I was researching it, I realised that Sylvette was one of Picasso’s most prominent muses….

3.jpeg

Is it true, Charlie, you have spoken to her?! What was she like?!

Yes, it’s true; I have been very lucky to speak to her on multiple occasions. I remember the first time very clearly. I was excited and nervous to speak to someone I had admired so much but she was so personable and kind that we just had a really chilled conversation. She’s an artist herself and we had a lot in common.

I sent her our music and she liked it so much that she gave us permission to use one of her paintings for the album artwork. We couldn’t be more grateful to her for it.

Who, would you say, are the main musical icons of the band? Whose artistry do you yearn towards most?

All of our musical icons have longevity in common: artists like Joni Mitchell, Arcade Fire; Radiohead, Neutral Milk Hotel; Love, Everything Everything and Buffy Saint-Marie have been huge influences on this album. In terms of artistry; I think that Radiohead have got to be our biggest influence. The have reinvented themselves on every record and never lost sight of what is important (across their twenty-five-year career).

What is the buzz like in Manchester? You guys have quite a fanbase there. How important are the people there to you?

There’s a lot of great music happening in Manchester at the moment and it’s been the perfect place for us to start our band. The people who come to our gigs time and time again mean so much to us. It gives us confidence in our music to see people have such a strong connection to it. Playing to our Manchester fans has been the making of us. 

2.jpeg

Can we see you tour this year? What gigs do you have coming along?

We’ve just finished our first U.K. tour but we are in the process of sorting another one for September. Until then; you can catch us at Dot to Dot festival in Manchester on 25th May!

What do you hope to achieve in 2018?

In 2018, we hope to keep writing music that inspires us and keep steadily introducing our music to new people. It has been incredible to gig in places we have never played before and see how our music connects with people, so we are excited to do more of it!

play.jpg

Have you each got a favourite memory from your time in music – the one that sticks in the mind?

Ashley (the bass player) says his favourite memory in music was the feeling playing the 02 Ritz in Manchester. It is the biggest stage we have ever played and it was awesome to see how our sound translated to that scale. Dan’s (The newest member) favourite memory in music was playing to the Folk legend Izzy Young in Sweden.

Charlie’s favourite memory was the first gig he played with New Order. The scale of the set-up and the energy in the room was unlike anything else. I couldn’t help but visualise Sylvette doing gigs like that in the future!

What advice would you give to new artists coming through?

The advice that I’d give to artists coming through is to have patience and stay focused on making great music. When we first started, we were concerned with trying to ‘make it’, but it’s become clear that it is a long journey and the only way to do it is to stick at it for years and keep making great art.

diving.jpg

ARTWORK: Luca Shaw

Are there any new artists you recommend we check out?

Diving Station are a local band we love. We had the privilege to gig with them last year and they’ve released a stunning debut E.P. Go listen!

Other underground bands we love include Mister Twisted, Dave C. Rupert; The Mantis Opera, New Luna and Paige Kennedy. They are all brilliant!

DAVE.jpg

IN THIS PHOTO: Dave C. Rupert

Do you get much time to chill away from music? How do you unwind?

We get very little time to chill away from music but, when we do, Pete likes to go to the gym and do martial arts; Ashley is into his gaming and Oz and Charlie love silent films.

Finally, and for being good sports; you can each choose a song and I’ll play it here (not any of your music - I will do that).

Thanks so much! Here are our song choices:

Origami Warfare – Diving Station

10 d E A T h b R E a s T – Bon Iver

The Red Telephone – Love

Streetlight – Dutch Uncles

Don’t Fear the Reaper – Blue Oyster Cult

____________

Follow Sylvette

5.jpeg

INTERVIEW: Tatum Rush

INTERVIEW:

23.jpg

PHOTO CREDIT: Nora Smith 

Tatum Rush

___________

IT has been a real experience…

talking with Tatum Rush about the stories that go into his E.P., Mini Girls. I ask the songwriter about his music and some of his influences; whether he has a standout from the pack; which artists he grew up around; whether his Swiss and Italian D.N.A. impacts his music and aesthetic – I ask him about gigs.

Tatum Rush revels new artists to watch for; if he gets time to unwind away from music; the three albums that mean the most to him; what advice he would give to artists coming through; what he hopes to achieve before the end of the year – the ambitious and talented artist chooses a song to end the interview with.

___________

Hi, Tatum. How are you? How has your week been?

I won’t be able to complain about my week! I am grateful every morning for making time to do the many things that I love and not much else - I am completely blessed by the Sun God Ra.

For those new to your music; can you introduce yourself, please?

I am Tatum Rush: singer, performer; songwriter, producer and video artist; cross-pollinating (a word I detest) through today's musical landscape, from Pop to R&B; over to Latin, back to Pop; not without contraband. I am a sane and decent R. Kelly attending a total-reset Osho seminary in Doha. The un-attentive public might, flatteringly, box me as a typical mainstream artist but, if you dig under the paving stones, there’s the beach!

Your E.P., Mini Girls, is out on 1st June. Can you tell me about the themes that inspired it?

Mini Girls was inspired by...girls. Women, to be politically correct. Every song in this E.P. is a direct conversation with a female counterpart inhabiting my social, poetic and libidinal imaginary. Just like a rich girl's limited edition Barbie collection, you will find the princess from a far-away Eastern kingdom; the evangelical Brazilian bride, the Parisian philosophy student going to the club in a Mini Cooper...it is not easy to deal with these sophisticated ladies, not even for Tatum Rush - that's why you will find both turmoil and bliss in every song. 

Talk to me about the tracks. Is there a favourite you would choose from the pack?

Mini Girls is a fortunate track. Everybody I know likes it (or at least pretends to). It's a very diverse set of songs: each one is a distinct aesthetical experience. My secret favourites are Bahiana, a Pop-Latin novella and Imperial Odalisque, an orientalist Dance painting. Both songs were inspired by my past journeys to places that marked me.

sing.jpg

I heard a preview of Bahiana (ft. Nancy Deleuze), your next single (out on 18th May). What is the story behind the song?

Bahiana was inspired by reminiscences of images and sounds caught travelling in Northern and Central Brazil. I had in mind atmospheres like the annual ceremony for Yemoja, the Goddess of the Sea, where women in white dresses walk into the sea offering flowers and champagne to the wind. Passing glances of lovers on scooters in the neighbourhood of Santa Teresa, Rio de Janeiro...

I asked the Swiss-French-Brazilian artist Nancy Deleuze (courtesy of Electric Heroes Records) to help me write it - and I think she did something beautiful.

Still from Mini Girls clip 2.png

You have worked with other artists before – directing the video for Fai Baba’s track, Can’t Stop Loving You. Do these collaborations give you influence and energy when it comes to your own music?

Fai Baba is my good friend.

We used to be flatmates until a rare Indian bug infestation forced the demolition of the building. It's funny. When I'm in the midst of creating music, at some point, I always try to imagine the possible facial expression of a good friend such as Fai as if he would be listening to it for the first time. Fai always gives me energy and vitality.

You are a Swiss-Italian composer. How does your background and D.N.A. guide your music and tastes?

I am very lucky; I have both American and European cultural backgrounds, plus, I travel a lot. Ticino or Switzerland has a history as a destination for so many great artists...

As I noted in a previous interview, bizarrely, many came to die in Ticino. For example, George Harrison. Today, it's a very strategic place because it is at the intersection of Paris, Berlin; Milan, Copenhagen or any other continental adult-playground EasyJet-listed city you like and, at the same time, it's full of quiet idyllic retreats on lakes and such. I try to keep my artistic intuition intact, safe from too many influences; so, often I'm happy to be able to chill by the lake and drink a Cosmopolitan.

PHOTO CREDIT: Nora Smith.

Which artists did you grow up around? Tell me who you count as idols…

A reduced list in chronological order: Michael Jackson, Riverdance; Robbie Williams, a bunch of Italian rappers; Cypress Hill, Zap Mama; Antonio Carlos Jobim, Joao Gilberto and Bossa Nova Friends; Pat Metheny, Pat Martino; Wes Montgomery, Toots Thielemans; The Beatles, Joni Mitchell; Sly and the Family Stone, R. Kelly; Erykah Badu, Claudio Villa; Piero Umiliani, Jai Paul and Joni Mitchell...again and again.

PHOTO CREDIT: Christophe Coënon

Do you have any gigs lined up? Where are you heading?

I'm presenting my E.P. in Paris at the Olympic Cafè on 27th June! I’m working on a South American tour for next fall...

What do you hope to achieve in 2018?

I really hope something goes terribly wrong with the anthem song they selected for the FIFA World Cup Russia, and that the deciding committee picks my song, Bahiana, to replace it A.S.A.P.

Have you got a favourite memory from your time in music – the one that sticks in the mind?

Yes. While working as a stagehand at a Jazz festival, I remember my mission to hail a cab for a lady hooker hired by Buddy Guy, the Blues legend, because his manager wouldn't let her ride in the limo with the crew.

During the wait, she shared with me a very interesting and vivid life story…

PHOTO CREDIT: Nora Smith

If you could select the three albums that mean the most to you; which would they be and why?

A Trip to Brazil Vol.1 and 2 is a freeway-stop Bossa Nova compilation that made me want to become a musician.

Pat Metheny Group - Still Life (Talking) is the album thanks to which I became a musician.

Erykah Badu - New Amerykah Part Two (Return of the Ankh) gave me the groove.

What advice would you give to new artists coming through?

Stop trying to come through for a month or two; do something else.

nan.jpg

Are there any new artists you recommend we check out?

Check out Bauchamp, Nancy Deleuze and Dorian Ravallo.

dorian.jpg

Do you get much time to chill away from music? How do you unwind?

All the time I get to make music is luxury, so no chillin' away from nothin'. Maybe, I'll take a break to have a sip of a Cosmopolitan.

Finally, and for being a good sport; you can choose a song and I’ll play it here (not any of your music - I will do that).

Arthur Russell - Losing My Taste for the Night Life

____________ 

Follow Tatum Rush

INTERVIEW: MAYPINE

INTERVIEW:

very top.png

MAYPINE

___________

AS I type this…

top.jpeg

the talented bodies of MAYPINE are traversing the U.K. and bringing their stunning brand of music to the masses. I have been afforded some time to ask the band about their forthcoming (out on 6th July) E.P., Bend/Break, and what we can expect from it.

They talk about their formation and what Brighton (where they are based) is like for music lovers and normal folk alike; what music/artists they vibe to; if there are any new acts we need to get out ears around; if they get any chance to relax away from music – they each choose a tune to end the interview with.

___________

Hi, guys. How are you? How has your week been?

Jase: Very well, thank you! How are you? It’s been a busy week this week. Our new single, Give, was premiered on the Radio 1 Rock Show by Daniel P. Carter! It’s been a dream for all of us for so long so, yeah, it’s been exciting!

Becky: Great, thanks! It’s been amazing to finally release a new song - feels like a long time coming! 

Tommy: It's been great, thanks! Was at Teddy Rocks Festival seeing some of my favourite bands. Feeder and Ash were headlining - my two favourite bands of all time! I discovered so many cool bands, too.

For those new to your music; can you introduce yourselves, please?

Jase: We’re MAYPINE; we’re a five-piece Alt-Rock band based in Brighton. (F.F.O: Decade, Thrice and Lower Than Atlantis).

Bend/Break is your forthcoming E.P. Can you reveal the sort of themes and ideas that are explored throughout?

I had a very rough 2017: overcoming some hardships as a result of a house fire. It definitely took its toll on me, mentally. A lot of the pain and anguish and emotions that I felt at the time are explored on this E.P… 

Becky: it’s been great to explore some new sounds to create different atmospheres on the E.P. I feel like these new songs have allowed us to experiment more, sonically, and to use Jase’s lyrics as inspiration.

5.jpeg

Jase: Absolutely. We spent a long time tracking guitars for this record, messing about with effects pedals. Neil Kennedy is a wizard! I feel like the experimentation has paid off, though: these are definitely our most mature and developed songs. We’re all really proud of this record - and it’s been very therapeutic for me!

Tommy: We're not as moody in person as we are on record… 

6.jpeg

Is it true the E.P.’s title comes from American football parlance?

Jase: It is indeed! I’m a huge American Football fan (the sport, though; the band are cool, too). I even played a bit at university! Essentially, the term relates to the idea that a defence could give up a lot of yardage to the offence but, if they don’t allow the other team to score, they’ve bent but not broken.

As it relates to the record, it’s a metaphor for the strain that I was under for most of last year. Though I struggled mentally, I never gave in and I’m a much stronger person for having been through that experience.

11.jpeg

This will be your debut E.P. – despite the fact you had an E.P. out there. Do you think your previous work is not a fair and appropriate representation of where you are and what you do?

Becky: I think it was an E.P. that did reflect us, musically, at the time, as we’ll always create music that’s authentic to us and what we believe in. However, I think, whilst touring that E.P. and growing in our musicianship and friendships with each other, we changed and developed so much as musicians and people - and I feel like Bend/Break is a reflection of that.

Tommy: I'm not shy about our previous work: it got us into shape to put out the record you'll hear in July, which we are all so very proud of.

10.jpeg

How did MAYPINE get together? Is there a story behind the name, too?

Jase: Dan and I started writing together for another project. We knew each other from having played shows together as part of different bands. We found James and Becky on Join My Band (other sites are available…). I knew Tommy from an old band way back in the day!

Becky: My girlfriend and I came up with MAYPINE by putting random words together. We liked the idea of having an ambiguous name; one that didn’t tie us to one specific genre, to give us the room to be as creatively free as possible! 

You are based in Brighton. Is it a perfect place for a band like MAYPINE? What are the best reasons to come down to Brighton?

There’s always something going in Brighton, especially when it comes to shows and music. I love how many friends we’ve made through the scene down here and how supportive everyone is - I think Brighton always has an awesome atmosphere and a buzz! 

3.jpeg

Jase: The variety of vegan food in Brighton is insane! Definitely, come to Purezza (vegan pizza) or Happy Maki (vegan sushi). The music scene, as Becky said, is great! There are so many cool venues like Concorde 2 and The Haunt, right down to the smaller venues like The Hope and Ruin, Sticky Mike’s Frog Bar; The Pipeline and Green Door Store!

There’s also a bunch of festivals like The Great Escape, The Alternative Escape and Washed Out Fest…so we’re a bit spoilt for choice here, to be sure! Shout-out to Sugar Free and Indigo Music for putting on such cool shows! 

Tommy: The Brewdog bar…

4.jpeg

Do you all share a taste in music - or is it quite diverse in the ranks?!

Jase: We’ve all got quite diverse music tastes. I watched a Trophy Eyes documentary about Chemical Miracle; how they all had diverse musical tastes that inspired the album and it definitely inspired me when writing Bend/Break. James and I are quite big Metal fans; Tommy has an eclectic taste ranging from Fightstar to Elliott Smith; Dan is a massive Blink-182 fan... 

Becky: I love Pop and singer/songwriter stuff as well as some Indie-Rock which was what I’ve been listening to loads at the moment. At the time of writing the guitar parts for Bend/Break, I was listening to Julien Baker and Now Now a lot. 

1.jpeg

Where are you heading on tour? Where can we catch you?

Jase: We’re in Bristol on 12th May at Mothers Ruin and Guildford on 13th at The Star Inn with our mates, Evertim! We’ve got a bunch of shows in the pipeline, though, so watch this space…we can’t wait to get on the road and meet as many people as possible, though!

What do you hope to achieve in 2018?

Becky: We’re always striving to play to as many people as possible and share our music with as many people as possible. We always hope that people will connect with our songs and that it takes us to places we’ve never been before! 

gig.jpeg

Have you each got a favourite memory from your time in music – the one that sticks in the mind?

Jase: Definitely, playing The Haunt recently with Silverstein. That was incredible! It was an honour to open for a band as prestigious as them (and they’re all super-nice!). I’m looking forward to making new memories with my best friends on the road! 

Tommy: Definitely, the show with Silverstein! I remember listening to their song, Smile in Your Sleep, on-repeat as a kid. I also remember supporting Fickle Friends with Jason back in 2012 or 2013. They were just starting out but absolutely blew me away!

12.jpeg

If you could support any musician alive today, and choose your own rider, what would that entail?

Jase: For me, it’d be The Wonder Years! As for a rider...we’re quite low-key: I guess, we’d just like some water - and some vegan snacks for me!

Tommy: Jimmy Eat World. I need to give Jim Adkins a hug and tell him that everything is ok. Best lyricist alive today.

9.jpeg

What advice would you give to new artists coming through?

Jase: Enjoy it! Make music you love with people that you love. It can be tough to be in a band at the best of times, so those two things are important!

Tommy: Fresh strings and tuner pedals. I've been through far too many guitars/basses over the years and I've finally learnt to treat them right!

Jase: Tommy always bleeds all over his bass! I’m not so sure that’s taking care of it, but hey ho! 

ever.jpg

IN THIS PHOTO: Evertim/PHOTO CREDIT: Gingerdope Photography

Are there any new artists you recommend we check out?

Jase: Evertim! Or, if you like heavier music, Tempest! Both are local bands doing big things right now (R.I.P. Idle Shores). 

Tommy: I recently discovered Lizzy Farrall. She's wonderful.

LIZZ.jpg

Do you get much time to chill away from music? How do you unwind?

Jase: We all work full-time around our music so we’re always pretty busy! Spending time with family and friends is important for all of us! We’re all so passionate about music that it even seeps into our free time! We all go to gigs whenever we can! 

Finally, and for being good sports; you can each choose a song and I’ll play it here (not any of your music - I will do that).

Jase: Pyramids of Salt - The Wonder Years, please!

Becky: T-Shirt Song - Don Broco

James: Rapture - Touché Amoré

Dan: Even If She Falls – Blink-182 

Tommy: A Little Lost - Sufjan Stevens 

____________

Follow MAYPINE

2.jpeg

INTERVIEW: Laughed the Boy

INTERVIEW:

guys.jpg

Laughed the Boy

___________

A most international interviewing day finds me hopping from…

single.jpg

Iceland over to Canada – having started in New Zealand! I have been settling down with Laughed the Boy and chatting about their new single, Halfway. They reveal what comes next and why video game music is important to them – they tell me whether they plan on coming over to Britain in the foreseeable future.

I ask the guys how songs come together and how they hang away from music; what they hope to achieve before the end of the year; the sort of music they all grew up around – the guys each pick a song to end the interview with.

___________

Hi, guys. How are you? How has your week been?

We’re good! After months of extended winter, we’ve finally gotten nice weather this week, so we’re trying to get out and enjoy it.

For those new to your music; can you introduce yourselves, please?

We’re called Laughed the Boy, which are three guys from Whitby, Ontario who now live in Toronto. We like to make honest music that captures a variety of moods but is also fun to play and listen to.

How did Laughed the Boy get together? What was the reason behind setting up the band?

It started as a recording project for myself (Chris) and my friend, Taylor. It later ended up as a solo project I worked on while I was unemployed - and had a lot of time on my hands. I eventually went into the studio with my brother (Sean) and recorded our Out of the Blue E.P. A few months later, we were accepted into Canadian Music Week and needed a live line-up, so we added my friend Brennan to the band and began playing shows.

I believe video games play a part in the decision to form Laughed the Boy! Tell me more about that…

Yea, we all love our video game music. Haha. We actually did a video game music cover album a few years ago. When I was writing the music that ended up being on our first album, I was splitting time between writing songs intended for video games on my MIDI keyboard and songs for my solo project. I ended up combining them: the song, Bell Rock, is a good example of that.

Halfway is your new track. What is the story behind the song?

It came together very quickly. We had been demoing a bunch of new songs then, one morning, I came up with the rhythm of the song and played it until it was structured into a song. We went and recorded it a few days later. The lyrics were based on personal notes and thoughts I came up with while at work.

Did it come together quite naturally? How would a song like that get written? Will one of you bring an idea to the rest of the band?

It usually depends on the song. This one was a pretty rhythmic song; Sean already had a good idea of what the drums would be. Sometimes, I’ll have a song entirely figured out before we even jam it, but other times, if it’s a fresh idea, we’ll jam it out until we all feel happy with it. Sometimes, I THINK I have something figured out, then we rehearse and I realize we have to completely change it.

hhd.jpg

Can we expect any more music later in the year?

Absolutely. We’re looking to record an album this summer and, even if that’s not out this year, we’ll be putting out at least another single or E.P.

What sort of artists did you grow up around and are influenced by?

I grew up in the '90s, so a lot of one-hit wonders and female singer-songwriters. I think that influenced me into having to have good melodies and hooks to keep a song going. Songs from video games and T.V. shows were also a pretty big influence. I’d make up words to them even if they didn’t have any.

Are Laughed the Boy hitting the road? Where can we see you play?

We probably won’t do a big tour until after the album, so we can focus on that. In the meantime, we’ll be playing a lot around Southern Ontario.

6.jpg

PHOTO CREDIT: Chris Panacci

Might you head to the U.K. at some point?

We’d love to! I’ve been there three times and we always enjoy it. I’ve played some open mic nights in Glasgow and London.

What do you hope to achieve in 2018?

Release our album and, hopefully, show some more range in terms of our sound and what we can do as a band. The new album will have more instruments on it and will take more time than Here Is Fine - which was recorded in one weekend.

Have you each got a favourite memory from your time in music – the one that sticks in the mind?

For Sean and I, probably our last show with our other band, Busker Bros. where we played the last big show at a Toronto venue called The Central before it was demolished. We went on at 1:45 A.M. on a Sunday night and it was still a rowdy capacity crowd; pretty wild show. Brennan says our album release show for Here Is Fine or, on a more general note, the first time he listened to Hemispheres by Rush.

3.jpg

If you could support any musician alive today, and choose your own rider, what would that entail?

Tera Melos seem like they’d be fun guys to tour with. My rider would be a charcuterie board with at least five types of cheese and some Gatorade for after the show.

What advice would you give to new artists coming through?

Spend a lot of time around, not just your own shows, but other band’s shows. It’s great to make new friends with other musicians in the same music scene!

black.jpg

IN THIS PHOTO: Blankscreen/PHOTO CREDIT: Tavia Christina

Are there any new artists you recommend we check out?

Blankscreen, Dizzy and Luna Li.

lun.jpg

IN THIS PHOTO: Luna Li

Do you get much time to chill away from music? How do you unwind?

I watch sports, Brennan and I play video games; we all like being outside at parks and such and hanging out with friends. I always enjoy a good hike…

Finally, and for being good sports; you can each choose a song and I’ll play it here (not any of your music - I will do that).

Chris: Staring by Viva Mars

Sean: Franks Kaktus by Dungen

Brennan: Noel Gallagher’s High Flying Birds - End Credits (Wednesday Part 2)

____________

Follow Laughed the Boy

end.jpg

INTERVIEW: When 'Airy Met Fairy

INTERVIEW:

tops.jpg

When 'Airy Met Fairy

___________

MY curiosity for international music of the highest quality…

single.png

takes me to the shores of When 'Airy Met Fairy. The duo tells me about their new single, Until Your Season Dries, and what its story is. I ask how they got together and whether there are any gigs coming up in the U.K. this year; what the music scene is like in Iceland (where they are based now); what we can expect from their album, Glow (out on 22nd June) – they choose highlights from the record.

I ask Mike and Thorunn if they have prizes memories from music; what advice they would give to new artists of the moment; if there is a new musician we should watch out for; how they unwind away from music – the duo select a track each to end the interview.

___________

Hi, guys. How are you? How has your week been?

Mike: We’ve had a terrible week. Our computer is driving us nuts! We’re currently working on a new live set - and this week our MacBook is on strike.

Thorunn: We thought the digital world was meant to make life easier?!

For those new to your music; can you introduce yourselves, please?

We are When 'Airy Met Fairy. We make music for music lovers.

Mike: We write melancholic Pop for the longing.

What is the story behind the new single, Until Your Season Dries? How did the song come to mind?

Thorunn: Until Your Season Dries is an attempt to turn the end of a relationship into a poetic death.  It’s a song about the beauty and the calm after the storm. Two warships sink; one saves himself in a lifeboat to shore, while the other starts looking for dropped off treasures beneath the ocean concrete…

Mike: …Either way, you’ll be fine.

Glow, your debut album, is out on 22nd June. What sort of themes and stories go into the songs?

Thorunn: On this album, we’re trying to catch emotions like apples in a tree. We poured our hearts out while writing these songs and then, in the studio, we stripped it all down to almost nothing.

Mike: The overproduced music environment made us feel like we had to...

jsj.jpg

PHOTO CREDIT: Tania Feller

Is there a track from the album you both would select as highlights?

Thorunn: I personally love Penniless; Mike’s favourite is Girl. Two completely different songs, but I guess that’s cause I’m female.

Mike: We do keep Sanctify You as the last song when we perform live. So, if we had to agree on a common song, Sanctify You would definitely be our choice. We’ve played it hundreds of times and still like it.

How did When 'Airy Met Fairy get together? What was it that attracted you to one another?

We met at a festival. I was there with another band. I asked myself: ‘Who is that girl who is playing after us?’ When I heard her sing I thought to myself: ‘Wow, that has got to be the most beautiful voice I have ever heard’.

Thorunn: When 'Airy Met Fairy took such a long time to start off because we’ve had so many band members… and now we’ve ended up here, just the two of us…now more electronic than ever, hence the MacBook problems...  

gf.jpg

You are a Nordic duo. How does the music scene where you are differ to that of, say, the U.K. or U.S.?

Most connoisseurs can hear that I’m Icelandic. What most don’t know is that I live in Luxembourg. I miss my home country so much that I feel I have to sing to my people in order to fill that geographic gap in between us; a bit like whales do underwater.

Mike: She’s a killer whale for sure! But, music is not a country to me: it’s a universal form of expressing yourself. Nothing more or less.

Can we see you tour this year? What gigs do you have coming along?

We’ve just come back from Portugal and we’re planning a ‘behind the session’ gig at Rockhal in Luxembourg. After that, we’ll be playing at The Finsbury in London.

Thorunn: We’re super-excited about that as we had such a great experience at The Great Escape two years ago. A wonderful audience that can only be matched by the Japanese.

ggsks.jpg

Will you come and see us in the U.K.?

Mike: Yes! At The Finsbury, 7th June. Come see us!

Thorunn: We’re Great Britain lovers. I always dreamed of buying a cottage in the North of England, getting some sheep and selling wool. English people are the friendliest, most polite and helpful in Europe. They’re the only ones apologizing when you bump into them.  

What do you hope to achieve in 2018?

Mike: Tour the U.K., perform on KEXP in Seattle; sell millions of records, business as usual.

Thorunn: …I’m in!

Have you each got a favourite memory from your time in music - the one that sticks in the mind?

The first time I performed, I covered an old Elton John song at a cinema in Reykjavik. I was so nervous-bad but the crowd cheered and gave me a standing ovation. It was out of pity but, in a weird way, I felt warmth and respect.

Mike: The first time I played at a birthday in a pizzeria. We performed in the bowling area, Big Lebowski-style. It was amazing. We ended up not getting paid: the bill at the bar was bigger than the fee we got.

upsjsjsjsjskjs.jpg

If you could support any musician alive today, and choose your own rider, what would that entail?

Nick Cave and the Bad Seeds.

Thorunn: Radiohead! Huge Thom Yorke fan.

What advice would you give to new artists coming through?

Mike: Never give up. It’s not over till it’s over…

Thorunn: …The wisdom of Lenny Kravitz.

Are there any new artists you recommend we check out?

Mike: My head is blank…

Thorunn: GOSTO from Amsterdam! Such a talented guy.

GOSTO.jpg

IN THIS PHOTO: GOSTO

Do you get much time to chill away from music? How do you unwind?

Mike: We play tennis and ride our bicycles.

Finally, and for being good sports; you can each choose a song and I’ll play it here (not any of your music - I will do that).

Mike: My Lady's on Fire by Ty Segall. Thank you!

Thorunn: Please play Heart It Races by Architecture in Helsinki

____________

Follow When 'Airy Met Fairy

endsssksks.jpg

INTERVIEW: Louis Baker

INTERVIEW:

top.jpg

PHOTO CREDIT: Richard Parsonson 

Louis Baker

___________

THIS might be the first time I have…

bl.jpg

featured an artist from New Zealand. There might have been others but, for the life of me, I cannot think of any right now! Louis Baker talks about the New Zealand scene and why his new song, Black Crow, came together so quickly.

I ask whether there are tour dates ahead and which artists he counts as idols; what comes next for the songwriter; what advice he would give to new songwriters coming through; if he gets chance to relax away from music – Baker tells me a favourite memory from his time in music.

___________

Hi, Louis. How are you? How has your week been?

Doing well, thank you! The week has been super-busy with interviews, but really exciting to see my new single, Black Crow, go out.

For those new to your music; can you introduce yourself, please?

My name is Louis Baker. I am a singer-songwriter from Wellington, New Zealand and I love what I do.

It has been a year or so since your last single, Addict. Was that gap down to the need to create something worthy of following such a strong song?!

I appreciate that, thanks. To be honest, the time frame wasn’t planned. It was just about writing until something struck me…

Is it true that Black Crow was written in six hours in Sydney?! How did it come together so fast, do you think?

I don’t know. Some songs are like that and you can’t understand why.

Steve Rusch produced the song. What was it like working with him?

Steve is the man - super-relaxed and open to ideas. He’s a proper mix engineer, with a huge knowledge of using outboard gear, or mixing in the box, not to mention an absolute ninja on Pro Tools (and a top producer).

end.jpg

I do not get to speak with too many New Zealand-born songwriters! Is there quite a large and varied music scene in the country?

There absolutely is. I think because of N.Z’s geographical positioning, we seem to take on a little piece of everything. There’s no doubt that there is a huge diversity here.

Which artists do you count as idols and guides? When did music come into your life?

Music came into my life at four-years-old. My idols include The Beatles, Jimi Hendrix; Michael Jackson, D’Angelo; Joni Mitchell, Jeff Buckley; Al Green, Marvin Gaye; Allen Stone and Jamie Lidell etc.

3.jpg

Might we see an E.P. or album coming later this year?

Definitely.

Do you have any gigs lined up? Where are you heading?

I’m at the airport now. I’m heading to London to do nineteen dates through U.K./E.U. and finishing my new record in L.A. on the way home.

What do you hope to achieve in 2018?

A new record (released) later this year; two tours through the U.K., E.U.; Australia and N.Z.

67.jpg

Have you got a favourite memory from your time in music – the one that sticks in the mind?

Meeting Q-Tip in N.Y.C. at the Red Bull Music Academy.

If you could select the three albums that mean the most to you; which would they be and why?

Electric Ladyland - The Jimi Hendrix Experience; Grace - Jeff Buckley and Voodoo - D’Angelo

I picked these three because they have all equally influenced me to be the artist I am today.

ksks.jpg

What advice would you give to new artists coming through?

Work hard, find management; practice every day, write down your goals; learn and listen from the best, have a clear and tangible idea of your message and the kind of artist you are; know your audience, take care of your friends and family.

leon.jpg

Are there any new artists you recommend we check out?

Leon Bridges (Bad Bad News) and Allen Stone (Unaware).

allen.jpg

IN THIS PHOTO: Allen Stone

Do you get much time to chill away from music? How do you unwind?

Not really. Netflix and chill.

Finally, and for being a good sport; you can choose a song and I’ll play it here (not any of your music - I will do that).

Leon Bridges - Bad Bad News

Much love; thanks for having me x Louis.

____________

Follow Louis Baker

end2.jpg

INTERVIEW: JØUR

INTERVIEW:

1.jpeg

PHOTO CREDIT: Alyssa Justice Photography 

JØUR

___________

IF one wants an exceptional and unique artist…

2.jpeg

PHOTO CREDIT: Mariah Crabb Photography

with a passion that runs deep, then I know someone who ably fits the bill. Rather than being a songwriter du jour; JØUR is someone who will remain in music for years and inspire many others to put pen to paper and get their feelings onto the page.

I have been speaking with her about the new single, American Nightmare, and what she thinks of America under Trump; which albums and songwriters have influenced her; what her next steps are; if she has any tour plans lined up – JØUR tells me what she hopes to achieve before the year is through.

___________

Hi, JØUR. How are you? How has your week been?

The sun is shining and I’ve finally put my winter coat away this week, so I am doing great.

For those new to your music; can you introduce yourself, please?

Yes, hello. My name is JØUR!

American Nightmare is your new song. What is the story behind it?

I wrote bits and pieces of American Nightmare over a year or so, as a general reflection on my feelings towards the classic ‘American Dream’:  go to school, get a job; get married, buy a house; start a family, grow your kids, so they can do it all over again. It felt really contrary to what I wanted for my life and it seemed like that lifestyle would be more of a nightmare than a dream to me.

Meanwhile, my country unexpectedly elected Donald Trump; Black Lives Matter has been fighting for justice in our generation’s fight for Civil Rights; gun violence is at an all-time high in the U.S. and the #MeToo movement has forced a reckoning for men’s treatment of women across the globe.

I’d be remiss if I didn’t say that the song has taken on new meaning for me in the last two years since I originally wrote it.

How do you see the current situation in the U.S.? Do you think the nation is heading for disaster?

The current situation in the U.S. has, perhaps, already arrived at the point of disaster. I don’t say that sardonically, as much as I recognize that we are in a state of severe imbalance and polarization that has created a lot of unrest.

Rather than heading for disaster, however, I have more hope than ever that our country can break out of the stagnant status quo that has defined it for so long and truly believe in the power of our people to surge forth and create a change in the paradigm that favors our citizen’s well-being and safety. We are in a unique moment as a nation, with the potential to turn the tide with our collective voices.

3.jpeg

PHOTO: CREDIT: Hillary Olson Photography

Do you think it is important to fight against oppressors like President Trump?! What does American need to do survive and evolve from this nightmare?

Although I’m not a fan of Trump as President, his leadership has unveiled the true state of our nation. Hate crimes rose when he was elected and after the protests in Charlottesville, we could no longer hide from the truth that there is still systemic racism and hate in our country. Like I said before; we are in a unique moment and hate is largely unfiltered while he is in power...

It’s important for us, as a nation, to see where people’s attitudes truly lie so we can begin to shift the paradigm with this next generation of young people. I think that is possible. These old veins of hate may not ever be eradicated, but many of the people who embody that hate will die soon and our generation is going to be the one running the country with a new vision for what it means to experience freedom in the “Land of the free”.

What is the future looking like in terms of material? Might we see an E.P. later this year?

I can promise you there will be more music coming in 2018.

Which musicians inspired you to get into music?

I distinctly remember obsessing over Whitney Houston’s The Bodyguard record as a young child. One time, I was in the bathroom singing one of her songs into the mirror and, when I came out ,my whole family was standing outside of the door and applauded. I was so embarrassed. I think I was eight.

4.jpeg

PHOTO CREDIT: Alyssa Justice Photography

Do you have any gigs lined up? Where are you heading?

I have summer gigs lined up locally in the twin cities of Minnesota. Currently, I have some other ideas in the works but nothing confirmed.

Are you coming to the U.K.? Do you like British music?

That would be a dream come true. Yes. Let’s say that is on my list of goals. Regarding British music, yes, I have a few favourites. I’ll take the heat but I will always love Oasis and truly one of my favourite bands of all time is Led Zeppelin.

What do you hope to achieve in 2018?

I hope to continue down a path of creativity. I create more than just music and I want this year to be (the year) where I can say I gave myself fully to my creative potential in all areas, be it dance, painting; photography, design; music, writing or other mediums.

5.jpeg

PHOTO CREDIT: Hillary Olson Photography

Have you got a favourite memory from your time in music – the one that sticks in the mind?

Yes - I used to tour with HALEY (Haley Bonar) as her synth player and background vocalist and we had an outrageous time in the U.K. Every show was sold out and the people were so kind and supportive. We got to play on Jools Holland with The Temptations, which was a really special experience.

If you could select the three albums that mean the most to you; which would they be and why?

Feist – Metals

This record taught me how to use my voice like a paintbrush to make art. It changed the course of my music entirely. I learned that everything matters in a song, even the space between the notes.

Brooke Fraser - Brutal Romantic

Brooke Fraser is a poet. I have always found her music inspiring and this has influenced my lyricism. Additionally, the production on this album is nothing short of brilliant.

Led Zeppelin - BBC Sessions

This set of albums made me understand music as something spiritual.

What advice would you give to new artists coming through?

Find your strengths and use them, then build a team to fill out your weaknesses. You’ll never follow exactly in someone else’s path, so your best friend is yourself. Know yourself, know your strengths and know your limitations.

jess.jpg

IN THIS PHOTO: Jessica Manning/PHOTO CREDIT: Jazmayne Lynn Photography

Are there any new artists you recommend we check out?

Two dear friends of mine: Jessica Manning (What If I Run) and Andy Cook (Modern Man). Their latest records are lovely.

andy.jpg

IN THIS PHOTO: Andy Cook

Do you get much time to chill away from music? How do you unwind?

I am a power cleaner...

My whole world feels brighter when the dishes are done and the floor is mopped. Otherwise, I knit clothes and listen to podcasts. No T.V. in my house.

Finally, and for being a good sport; you can choose a song and I’ll play it here (not any of your music - I will do that).

Feist’s Anti-Pioneer OR Brooke Fraser’s St. Petersburg (IV Fridays). When I heard both of these songs, I felt like they were the last songs that ever needed to be written. I can listen to both on-repeat for hours…

____________

Follow JØUR

6.jpeg

INTERVIEW: GAZELLE

INTERVIEW:

main.jpg

GAZELLE

___________

WITH the weather brightening and people…

thumbnail_Shot_05_067.jpg

in a better mood; we are all looking for music that grabs the senses and elevates the soul. GAZELLE has released the exceptional and alluring Stay for the Night into the world. I ask the Liverpool-based songwriter what it is about and whether there is going to be any more material arriving later in the year.

She reveals what the scene is like in Liverpool right now; which new artists we need to get involved with; the sort of music she grew up around; if she gets any time to relax away from music – GAZELLE shares a great memory from her time in music.

___________

Hi, GAZELLE. How are you? How has your week been?

I’m really good, thank you. This week’s been filled with a lot of music: two festivals in Liverpool at the weekend and then, finally, the release of my track yesterday.

For those new to your music; can you introduce yourself, please?

I’m a singer and writer of soulful Electronic tracks. I think that’s the best way I can describe it for now…

Stay for the Night is out. It is a powerful and potent introduction. Did it take a while to put together – or was it a natural and instant creation?

It was very natural. I invited my friend round, who isn’t a musician, but I remember being particularly good at writing at school, to help me write a new song. I figured I could do the melody and guitar chords and she could help with the vocab. It all happened pretty quickly from there really; then, I got into the studio and converted it into what it is now I suppose.

I believe there is that love at first sight sensation. Is it true it is based on a friend and an instant click with someone at a festival?

Definitely, yep. My mate met her boyfriend at Leeds festival a few years ago when we were there together. I find it so much easier to write about very specific experiences. The lyrics tend to be far more descriptive that way.

I think the exact story was that he spoke to her in Welsh in the middle of a crowd and she happened to know one phrase in Welsh which was “Shut up and go to bed”, which she replied with (and the rest was history). Pretty funny. I didn’t manage to get that bit into the song, unfortunately.

4.jpg

Have you experienced that buzz and sensation yourself? How much of your own experiences go into the song, would you say?

Yeah, absolutely. Festivals are a magical thing. I’ve met many a people I fell in love with at a festival. I never saw them again, mind! But, we were definitely in love in that moment anyway.

Do you have other material in the tank for this year or are you keen to let the single get out there and make its mark?

I’m working on a few different songs at the moment. Just working out what’s best to follow Stay for the Night. Hopefully, my next song will be out in about a month. I didn’t release a song for six months - and I’m never doing that again!

You recently played The Secret Place. What was that gig like?! How were the crowd on the night?

That was an interesting gig. The crowd were really great. They always are. We weren’t too far from a chef, who was ringing his bell in time to the music. Everyone was getting involved.

3.jpg

I am interested to know when you got into music. Did you from studies to music – or was that flame alight from a very young age?

Well. I played piano and clarinet from an early age; at eight, I composed a song called ‘Jazzy Chocolate’, and had a few singing lessons, too. I then stopped music for a long time and went to university to study Chemistry. It was during a research year abroad during my degree that I decided to take a gap year and moved into an illegal underground arts commune in Paris (long, crazy story).

I then taught myself guitar, started a band and my love for music was reignited then and there. On returning to Liverpool, I decided to immerse myself in music and it's been onwards and upwards since really.

Can you give me a taste of the artists you grew up around? Which musicians compelled you at a young age?

My biggest inspiration has been Nina Simone. We used to listen to her on the way to school and back. I could have sung you the one-minute piano solo note for note in My Baby Just Cares for Me. Since then, it’s artist’s like Erykah Badu, Jessie Ware; Jamie Woon, Rhye; Tom Misch and Jorja Smith.

Liverpool is your home. Is the city still alive and teeming with musical talent? Do you pick up inspiration from the people and sounds of the street?

Liverpool is unbelievable for talent.

You think you’re just about getting to grips with the scene and all the people at the top of their game, then you’ll discover a load more you’ve never heard of. I’m really lucky to be from Liverpool; there’s so much going on and the Soul and Jazz scene is slowly but surely expanding too.

Can we see you tour this year? What gigs do you have coming along?

Mainly (just) local gigs coming up in the next few months: 19th June, Camp and Furnace; 22nd July on at Liverpool International Music Festival; BBC festival of firsts on the BBC Introducing stage in August.

up.jpg

What do you hope to achieve in 2018?

Ideally, I just want to release an E.P. that I’m unbelievably proud of and introduce people to the type of music that makes me so passionate about music itself.

Have you got a favourite memory from your time in music – the one that sticks in the mind?

I supported Soul II Soul about a year ago, which was amazing. They’re one of my dad’s favourite bands and he came to soundcheck and saw them sing Back to Life. I think that made his life and in turn made my life.

Which three albums mean the most to you, would you say?

The Internet – Ego Death

Miles Davis/Robert Glasper – Everything’s Beautiful

Jamie Woon – Making Time

What advice would you give to new artists coming through?

Do your thing: don’t do what anybody else wants you to do. You gotta be you.

SG.jpg

IN THIS PHOTO: SG Lewis

Are there any new artists you recommend we check out?

I’ve recently developed an obsession with SG Lewis - also, Yellow Days. I saw them at Sound City this weekend. Also; listen to XamVolo. He’s the king of Electronic Soul in Liverpool and his voice is insane. Listen to him.

I could go on…one more! KWAYE!

robin.jpg

IN THIS PHOTO: XamVolo/PHOTO CREDIT: Robin Clewley 

Do you get much time to chill away from music? How do you unwind?

Yoga is a big part of my life at the moment. I’ve recently realised how important physical and mental-health is and how both are so deeply connected. It took me a while but I really make sure I get a good balance and try not to party toooo much!

Trying my hardest to be sensible anyways…

Finally, and for being a good sport; you can choose a song and I’ll play it here (not any of your music - I will do that).

Oooooooh. It’s gonna have to be SG Lewis – Aura.

I just can’t cope when the bass line comes in at the start. I have to do a lil dance when I’m walking somewhere every time. Whole track is just effortless

____________

Follow GAZELLE

5.jpg

INTERVIEW: Sean McVerry

INTERVIEW:

main.jpg

Sean McVerry

___________

THE rather spiffing Sean McVerry has been talking…

priv.jpg

about his latest work, Private Lives. It is an E.P./mini-album and one I was eager to learn more about. The New York-based songwriter talks about the area and its vibe; whether more material will come later; which albums and artists are important to him – I ask whether he is coming to the U.K.

McVerry tells me how he spends time away from music; which new artists we should get behind; why he takes influence from the 1980s; when music came into his life – he provides a rather excellent song to end the interview with.

___________

Hi, Sean. How are you? How has your week been?

Hey, Sam! I’m pretty good for the most part. Currently on the brink of over-caffeination, which is a state I find myself in almost every day. It’s been a few weeks since the release, so I’ve been on a steady regimen of biking to Prospect Park, writing a few songs a week and trying not to slip into existential dread!

Also, a pipe burst in my apartment so currently there are a few dudes sawing a big ol’ hole in my ceiling. It’s sweet.

For those new to your music; can you introduce yourself, please?

Nice to meet you. My name is Sean McVerry. Do you want a sip of this iced coffee?

Tell me about the E.P., Private Lives. What themes and ideas inspired the song?

When I finished Hourglass Switchboard I and II (feel free to google those by the way!) I was kind of all over the map, stylistically-speaking. I’m turned on by so many corners of Pop music and never really committed to any sort of genre to focus in on, for better or for worse. When I moved to Brooklyn, I found myself kind of living in these New Wave records and more current-age Dance records from DFA and the like.

I pretty much set out to write a record with the same sort of themes I talk about normally in my music but, through the lens of a late-'80s-inspired Dance record. It really was a creative constraint; perhaps the most fun kind I could think of. 

There are influences of the 1980s in the songs. Is it a decade you are particularly affected by? Why do you think so many new artists are looking back to the 1980s?

Well. I think there are many factors leading to this '80s wave. I could really talk about how genre/aesthetic/style is all this big cyclical nostalgia wheel, but who wants to hear about that?! I think some of it coming down to this resurgence in analog synthesizers and the wave of bedroom producers and artists that have come out with the advent of home-recording in the last decade. I think synth and drum-machine-driven records are having a moment because those two things are so readily available to people.

I’m no exception to this - when I moved from music conservatory to Brooklyn bedroom I was given a smaller and more finite number of tools to create with. It just so happens that I bought Songs from the Big Chair on vinyl when that happened and took a dive into New Wave and Dance records from that era. 

For the next one, I may just jump over the '90s and head straight for early-2000s Pop-Punk. 

Is it true your third album is coming soon? What can you reveal about its progress?

Oh, nice; that last part was a nice accidental segue! I definitely will be putting out more music this year. Album? Maybe not? I don’t know. I am sitting on an ever-expanding pile of songs and ideas that something will happen with. To be honest, with how much everything has changed with streaming (I swear I’m not about to go on a tangent about the state of the ‘industry’), releasing single songs just may be a more efficient way to do things and get music into the ears of your fans.

An album is always on my mind and I have a whiteboard and handful of journals amassing and sculpting some larger concept for that at all times. In the meantime, though, expect more songs. 

How do you think your work has developed since 2016’s Hourglass Switchboard 1 and Hourglass Switchboard 2?

The craziest thing about those first two records was that some of those songs had been around and finished since, roughly, 2013.

I think, at my core, not a lot has changed in terms of how I write (or aim to write). I find myself constantly seeking a more efficient way to create. That’s been a journey I’ve been on since I started writing and one that I don’t think I’ll ever be totally completed. My taste has changed I guess? My pace in which I write has changed as well - and I’ve stepped in more as a producer now as well. I’m still learning so much or putting myself in a position where I can learn. 

Which artists did you grow up around? Who inspired you to get into music?

I grew up in a small town in Connecticut called Middlebury. I’d say it’s like growing up in a bubble but that would be an understatement - so I’ll say it’s like growing up in a bubble that is inside of a hyperbaric chamber. Until the internet came along, I listened to whatever I heard on the Classic Rock stations, or a few choice selects from my parents (who have great taste, thank God).

As soon as I had the know-how to set up my dad’s record player, I would listen to my mom’s Jethro Tull records, (Bruce) Springsteen and a bunch of British Invasion bands. My mom is also an incredible pianist and got me into piano when I was in elementary school. My dad sang in college and VERY loudly in church growing up, much to the dismay of my sisters and I - I was lucky to grow up in a very musical household, though.

2.jpg

I distinctly remember having Kazaa and literally typing in ‘indie music’ when I was like a seventh grader and downloading the first ten albums I saw. That’s how I got into Spoon, Kaiser Chiefs; The Shins and The Strokes. I also, simultaneously, had an affinity for Hip-Hop. I think the first C.D. I ever bought with my own money was from this Def Jam rapper Keith Murray (it holds up still). Going to SUNY Purchase, though, opened me up to a whole other realm of incredible music I probably wouldn’t have found otherwise. Freshman year of college was transformative for what I was listening to. I’ll take the time in case she read this - that my friend Ashley Sosa was responsible for hipping me to great music.  

Brooklyn is where you are based. Can you describe what it is like for a songwriter there? Do you take a lot of strength from the people and neighbourhoods around you?

You can ask my girlfriend and she will tell you I am literally a walking commercial for the borough of Brooklyn. I love living here. I’ve been in my apartment for a few years now and am lucky enough to have neighbors that don’t hate music. Obviously, there are so many great bands to see around the city and I feel like we are always subconsciously listening to each other. I do believe your environment will always a find a way to influence or make its way into your art.

As I bike around on a Sunday and hear a handful of church bands, the guy biking through Von King Park blasting Sam Cooke, and music coming out of every window, I feel like I got the pretty ideal environment to create. 

EP.jpg

Do you have any gigs lined up? Where are you heading?

Setting up a few shows in May and June, currently. Playing in Asbury Park on the 23rd, opening for Tor Miller; then, May 29th at Pianos. Lining up a little tour up the East Coast for the end of June - more on that you can find at my site. 

What do you hope to achieve in 2018?

Tour a lot, meet a lot of new folks; write some great music and make some big, incredible stuff. 

Have you got a favourite memory from your time in music – the one that sticks in the mind?

Being an independent musician comes with its particular brand of anxiety and it’s easy to overlook the positives. I will say that I’ve been fortunate enough to have a pretty incredible last couple of years filled with memories.

Touring the first E.P. is pretty tough to beat; particularly the show in Toronto at the Drake Hotel. That show was electric and one of the few times I felt truly present and grateful in the moment. 

4.jpg

If you could select the three albums that mean the most to you; which would they be and why?

Oh, man. Uhhh...

I’m going on my Spotify right now because I feel like this answer is always changing. In my mind, right now, I would say:

Talking Heads - Remain in Light  

David Byrne’s career arc is my goal. 

Sufjan Stevens - Illinois

I could say the same for Sufjan, but this record has such a gentle power to it. It lasts about a million years, but I’ve listened through to it probably more than any other record. 

Beach Boys - Pet Sounds

I’m seeing, now, the theme with these records is that I am drawn to people who push the boundaries of what Pop music can be…

What advice would you give to new artists coming through?

Write every day. Listen to yourself/body. Stay off the internet. Wear earplugs 

denetia.jpg

PHOTO CREDIT: Denitia/PHOTO CREDIT: Kat Slootsky

Are there any new artists you recommend we check out?

Oh, yeah; check out Denitia. She’s an amazing artist I’ve been producing with. Also, this artist, Lady Wray (listen to the song, Guilty).

LADY.jpg

Do you get much time to chill away from music? How do you unwind?

Famously bad at unwinding, but I try to stay on a consistent exercise schedule. Also, since we are FINALLY coming out of winter in Brooklyn, you can catch me biking anywhere/everywhere/all the time. 

Also, cooking. Oh boy, do I love cooking. 

Finally, and for being a good sport; you can choose a song and I’ll play it here (not any of your music - I will do that).

Yeah. Go listen to Sick Beat by Kero Kero Bonito 

____________

Follow Sean McVerry

3.jpg

INTERVIEW: Irene Greene

INTERVIEW:

top.jpeg

Irene Greene

___________

WITH a debut single out there…

single.jpg

I have been speaking with Irene Greene about the amazing Platinum Baby. The American songwriter discusses new artists to look out for and some albums that mean a lot to her; whether there is going to be any material coming a bit later in the year – she reveals whether there are plans to come and play in the U.K.

I ask Greene which musicians she idolises and what she has planned for the rest of the year; what gigs she has coming up; if she gets time to unwind away from her music career – the songwriter ends the interview by selecting an awesome song.

___________

Hi, Irene. How are you? How has your week been?

Just had an amazing cup of Joe, so life is good.

For those new to your music; can you introduce yourself, please?

I’m Irene Greene and my hobbies include eating lots of pasta and feeling sorry for myself! 

Platinum Baby is your debut single. Can you talk about the background of the song?

Platinum Baby is an ode to my partner - who is way too good for me. I wanted to explore and underline how love tends to be that line between admiration and obsession. 

I hear a lot of greats and legendary songwriters in your tones. Which artists did you idolise and follow growing up? Do you have quite eclectic tastes?

I would say my favorites include David Bowie, Fiona Apple; Ella Fitzgerald, Kate Bush and Marilyn Monroe. 

You were born in Philadelphia. What is the area like in terms of music? Is it quite a vibrant and appealing area for music?

To tell you the truth; I grew up in this small town called Berwyn, PA (I was once asked if I lived in the state of Philadelphia so wanted to make it easier) but I played a lot around Philly growing up. In Philly, they have great Punk and Jazz scenes, respectively (although, Punk-Jazz sounds awful and great), so I sort of teetered somewhere in the middle of those. Berwyn has choir, which I was in for four years, thank you very much. 

3.jpg

Is there going to be more material coming later in the year?

I have a spooky, 1960s-inspired music video for Platinum Baby dropping later this month and a full E.P. to come in the fall. 

Do you have any gigs lined up? Where are you heading?

I currently have no gigs lined up; working on the E.P. for this summer. 

2.jpg

Will we see you in the U.K. at all? Have you played over here before?

It would be a dream come true to play in the U.K. I have never played in the U.K. but you can bet your butt I’ll try my darnedest to play there! 

What do you hope to achieve in 2018?

In 2018, I hope to work on loving myself and writing a sh*t-ton of music. 

5.jpg

Have you got a favourite memory from your time in music – the one that sticks in the mind?

A moment from music that has stuck in my mind was the first time I performed solo in my high-school auditorium in front of the whole school. I sang and played Rhiannon by Fleetwood Mac and I remember everyone being so supportive and loving, even though I missed some of the chords. My heart was very full that night. 

If you could select the three albums that mean the most to you; which would they be and why?

My three desert island albums include Tidal by Fiona Apple, Summerteeth by Wilco and From a Basement on the Hill by Elliott Smith. All of them are robust, beautiful masterpieces from start to finish and, if you haven’t listened to them, do it now. 

What advice would you give to new artists coming through?

For a new artist coming through; I would say make sure you are practicing and writing every single day, remembering to eat, and staying authentic. Don’t write something because you think it will be a hit: write it because you want to. 

mas.jpg

IN THIS PHOTO: Mason Summit

Are there any new artists you recommend we check out?

For a new artist, I would recommend checking out Mason Summit, BAUM; Rett Madison, NoSo; Jensen McRae and Common Ground - because they are all amazing and talented people. 

BAUM.jpg

IN THIS PHOTO: BAUM/PHOTO CREDIT: Shervin Lainez. 

Do you get much time to chill away from music? How do you unwind?

Unwinding for me is a lavender-scented bath, a spooky movie and a cuddle with my love, Mason Summit. 

Finally, and for being a good sport; you can choose a song and I’ll play it here (not any of your music - I will do that).

Please check out Mason Summit’s song, Alone with You!

____________

 Follow Irene Greene

4.jpg

INTERVIEW: Johnny Powell and the Seasonal Beasts

INTERVIEW:

header.jpeg

 Johnny Powell and the Seasonal Beasts

___________

YOU get those bands that come along…

2nd.jpeg

and provide fascinating music, wonderful insight and complete depth. That is the case with Johnny Powell and the Seasonal Beasts. I speak with the band – Johnny takes up most of the responses – about their new album, Twice, and some of the inspirations that go into it.

I ask the band which artists they grew up around and why Twice’s recording and creative process had a unique edge; if they have precious memories from their time in music; why this week has been an emotional one for the band – they tell me how they got together and what their future holds.

___________

Hi, guys. How are you? How has your week been?

Hi, Sam. It’s been an unusual week for us...

Our percussionist is moving to France…today! So, it has been an emotional period for us all. We had a farewell (for now) curry together on Monday evening and it is the first Tuesday evening we haven’t rehearsed at the cabin for quite some time. Things are changing…

For those new to your music; can you introduce yourselves, please?

Well, we are Johnny Powell and the Seasonal Beasts (the other members being Ffion Atkinson, Roger Burnett and Paul Mill) and we play what is becoming known as ‘Modern Folk’, music it seems. There has been a string of strange genres thrown our way from ‘Freak-Folk’ to ‘Outsider Indie’. It must be hard to pin down.

We try to be very mindful with the music we produce and the lyrics are particularly important. The ‘Seasonal Beasts’ reference is taken from the beautiful Sea Song by Robert Wyatt. I hope he doesn’t mind.

Heave-Ho is a song you uploaded to BBC Introducing earlier this month. What is the story behind the song?

Heave-Ho is a reference to generating motivation during tough times. It’s like a war cry I guess; a physical and verbal method for shifting your mindset from feeling low, scared or tired, to being ready to face consequences or to see some humour in a very dark situation. Part of the lyrics are based on my own mother’s mental-health, which was incredibly difficult to understand.

1.jpeg

It is from the album, Twice. Can you reveal the main themes of the album? Why did you decide to record in a cabin in the Pennine moorlands?!

We used to rehearse in a huge semi-derelict mill on the moors in Old Town, above Hebden Bridge, which was an incredible experience but, literally, sub-zero temperatures – you could see the water vapour pouring out of our mouths as we sang and played on all of the videos.

3.jpeg

All the tenants were evicted for development and shortly after our percussionist, Rog, moved to the cabin and allowed us to play regularly and record at his home. It felt like our home, too, in many ways: we would cook for each other and sit on the floor and eat by the fire…imagine having a real fire after playing at the mill! We felt very fortunate. The sound and atmosphere of the music were like nothing else and we wanted to recreate that on the album, which is why much of it is recorded live.

3.jpeg

The tracks on the album deal with a wide range of subject matter, but all of the tracks seem to emphasise the power that the mind has to destroy and create something beautiful. Working with it sensitively, developing and understanding it; digging up old memories and observing present thoughts and considering their value - trying to make use of it in this precious life whilst protecting it against our usual tendencies and bad habits. There is, also, an element of coping with separation from those you love; the deep bereavement you feel when a long-term relationship ends and learning to lead a life with a completely disintegrated basis.

That sort of experience and retreat reminds me of Bon Iver. Did you find the recording and writing easier and more natural there?

Yes. We were very much at ease there. In all honesty, I think it was a sanctuary for us all in many ways. It was so conducive to the development of the strong friendships we have made. We would often arrive in the snow - the tracks unpassable by vehicle; so we would have a long snowy walk under starlight along the moorland hill to the cabin; arriving back to Rog cooking us a meal. I (Johnny) had my own pair of woolly socks hung up there that I’d ritually put on upon arrival.

hus3.jpeg

The log fire would be going and we would rehearse by candlelight. We wanted to record exactly as we performed in hope that the connection we had would come across on the album. Hopefully, it has. We left most of the natural background noises in the recording, too.

Which artists did you guys all grow up listening to? Do you have similar tastes?

Ffion: When I think of music in my childhood, my head fills up with Kate Bush, who I have never stopped loving. I also have strong memories of my parents playing traditional Folk music themselves, particularly my mum with her Irish tin whistle. She often played it as an escape from my brother and I, which I couldn’t handle at the time (lots of clothes pulling)…but I get it now.

In the band, we have equally wide-ranging tastes but all appreciate integrity. We enjoy listening to a lot of the same artists and, when we disagree or are faced with something new, we are all respectful.

6.jpeg

Johnny: Oh; so much to fit in, so I’ll keep it simple! I have an older sister and I remember her walls were covered with NME band cutouts from the '90s, I used to hear all sorts of cool stuff but the most memorable was a tape of Pixies’ Doolittle album which I played to death for years: the loose but controlled anarchy felt so liberating! When I bought my first electric guitar, I think I got a little obsessed and learnt every single track.

4.jpeg

PHOTO CREDIT: Sarah Mason

My folks used to listen to '60s’ Rock, mainly - my dad would play and sing me The Beatles’ tracks on a battered old acoustic which I still have. It was so strange hearing the real versions as I grew up. My real introduction to Alternative music was through my friend's parents, a wonderful hippy couple, with shelves of vinyl - I won’t go into that though as I’ll never stop…

Paul: I grew up listening to all sorts. It was the time of Nirvana, Faith No More and bands like that but, also, listened to Kate Bush and Prince a lot. We had a lot of Elvis in the house, too, as my dad was really into him.

Rog: Echo and the Bunnymen, Siouxsie and the Banshee; Talking Heads and Led Zeppelin.

nm.jpeg

When did Johnny Powell and the Seasonal Beasts come together? Can you recall when you all started playing together?

Myself (Johnny) and Paul have been playing together for quite a few years now but, previously, it was more experimental with Electronica, electric guitars and all sorts of unusual equipment. We started playing with Ffion and Rog in the winter of 2016 and released our first E.P., Five Past Lives, in the spring of 2017.

Rog’s style of percussion is unusually intricate and an art in itself and Ffion has a wonderful voice with delicate inflexions; so it seemed natural to go quieter, completely acoustic and make the tracks barer to allow people to witness the minor detail.

reco.jpeg

Do you have any gigs lined up? Where can we see you play?

With Rog leaving for France, we are hoping to organise a few European tours eventually but, for now, we just have two gigs booked. They sound like fantastic events, though. The first is on Sunday, 17th June at the wonderful Grayston Unity in Halifax at the Acoustica Festival – the owner, Michael Ainsworth, has brought some incredible acts to the town over recent years (Jeffrey Lewis played there last week). It’s a tiny venue, but the day festival is in the courtyard at the back.

ROB.jpeg

PHOTO CREDIT: Rob Lycett

The second gig is in Totnes on Friday, 28th September at the Dartmouth Inn. This is a Blackbird Collective show: a fantastic bunch of musicians and music lovers who have recently started putting on some brilliant shows in Devon.

We will probably book a few more in soon so people can keep an eye out at www.johnnypowell.com if they like.

13.jpeg

PHOTO CREDIT: Rob Lycett

What do you hope to achieve in 2018?

We have already started writing tracks for the next album and will probably record later this year…but where?! Maybe France!

…2018 is a little uncertain at the moment. When Rog has settled we will hopefully go over and play some gigs in France/Europe at some point.

A lot of sources have raved about your music and put their weight behind it. Does that give you the drive to keep recording and playing?

It is nice that people enjoy it but it doesn’t offer much drive in that sense. One of the things we’ve realised is that we are a sensitive band and find that we are happiest when we know we are dealing with intimate venues, friendly promoters and, simply, spending time relaxing together.

We have had to turn down a lot of gigs as our music is very delicate and easily los; so it is almost pointless travelling unless we find the right environment and crowd. I believe the thing that really motivates us to keep performing and writing is that we like hanging out together.

smoke.jpeg

Have you each got a favourite memory from your time in music – the one that sticks in the mind?

Johnny: We did a little tour of the South West last year and one of my favourite experiences was staying with our friends, Matthew and Ali in Harbertonford, and sneaking in a wander around Totnes and a trip to the beach, which we had all to ourselves.

Ffion: I would second that; being made to feel so at home with Matt and Ali and walking around Totnes - such a vibrant town. It felt like we were meant to be there…

Our album launch for Twice is what I would choose, though. After a lot of stress and hard work, the night unfolded wonderfully. We created the environment we had envisioned months before: everyone (us and them) was at ease and the sound levels were just right. It was a magical culmination of everything - which was all the more important given Rog’s imminent departure!

dr.jpeg

Paul: I think the South West tour was a wonderful thing to be part of and we played some of our best music then. However; I have memories of the gig in Andy’s piano shop in Haworth and it was just lovely. We played acoustically to a small amount of people and the sun was setting as we played (ok; it was by a road, but it was still nice...). The audience were also encouraged to not clap after each song but to just take on board what we had played and let it sink in.

Rog: Playing in my first-ever band and, halfway through a gig, hearing someone shout “Kill yourselves!" from back of the venue.

If you could support any musician alive today, and choose your own rider, what would that entail?

At the moment, I’m listening to Mount Eerie a lot…so that would be my choice (Johnny). Although, I’m not sure if he’s touring. His work is very penetrating, intensely emotional and carries a great sadness and insight with it on his recent releases.

As a rider; I never really need anything to be honest, but a friendly sound engineer is always helpful.

16.jpeg

Ffion: Peter Broderick. He is so joyful, playful and wise with an experimental and open-minded approach to life and music. His generosity is infectious and he can inspire change.

Most importantly, perhaps, I think we would LAUGH.

Rog: Damien Rice and champagne!

What advice would you give to new artists coming through?

I don’t think I’m best placed to give advice as I’ve never had much success...

For me; music always turns into a chore or a job unless I see it in a way where it may be able to help people, including myself. It can be worryingly self-indulgent if you are not aware of the reasons you are doing it. I guess, in light of that, I would say: be kind to your band members and the people you meet, listen to them and try to enjoy what you are doing – take breaks when you need them and don’t be afraid to lose yourself in the music –  that’s where the moments of beauty creep in.

julie.jpg

Are there any new artists you recommend we check out?

I have been listening to a lot of Julie Byrne, recently; Leonie Evans, too… and, not so new, but the Neva Dinova back catalogue is on right now. You May Already Be Dreaming is a beautiful album.

le.jpg

Do you get much time to chill away from music? How do you unwind?

Yes. I don’t really play much music, to be honest. I run a lot. I study dharma and have recently loved the fact that Belle and Sebastian named their latest trio of E.P.s after one of my favourite Buddhist texts, How to Solve Our Human Problems.

Ffion: Walking and cooking, which I promise to do more!

top.jpeg

Paul: Walk: it’s the only thing to do. I always think about music; so it might as well be in lovely settings. If not, then some qi gong.

Rog: Whittling and drinking beer.

Finally, and for being good sports; you can each choose a song and I’ll play it here (not any of your music - I will do that).

Johnny: Clouds – Neva Dinova

Ffion: I Hold Nothing - Mount Eerie

Rog: The Blacksmith - Eddi Reader

____________

Follow Johnny Powell and the Seasonal Beasts

end.jpeg

INTERVIEW: Mad Hawkes

INTERVIEW:

main.png

Mad Hawkes

___________

WHEN you hear and listen to Mad Hawkes…

IMG_2594.JPG

you get that confidence, sense of command and bad-ass cool coming through. I have been speaking with the American songwriter about her single, Fantasy, and what we will get from her E.P., Undone (out on 11th May).

She talks about what it is like being based in South Bay, Los Angeles and who she counts as idols; what ‘Babe Rock’ entails; whether she might come to the U.K. and play this year; which new act we need to keep an eye out for – she reveals how music came into her life.

___________

For those new to your music; can you introduce yourself, please?

Mad Hawkes is a project that has been coming to fruition over the last two years. I used to intern with Parts + Labor Records before they signed me to their label. In the four years I was there I was acting as a fly on the wall; observing everything and learning from other artists. It was super-cool to be immersed in that world. It definitely gave me the opportunity to understand what it takes to make great music and to pursue a career. 

Fantasy is out. Can you talk about the song’s inspiration and putting together the music video?

I wrote this song when I was in a place of self-sabotage, in a sense. It’s one of those things where you stiff-arm the good things in your life for no other reason than feeling like you’re not worthy. It’s a silly mindset to be in; I’m happy it passed. But, I’m even happier I was able to take a s*itty moment in my life and turn out a good song. The music video was a blast!

It was fun to add a new perspective and some type of storyline to the song. It’s always cool to see how people’s interpretations of songs differ: we all take something from it that we can apply to our own lives. 

Undone, your new E.P., is out on 11th May via Parts & Labor. What sort of things were on your mind when writing the songs? How would you define the E.P.?

The songs on this E.P. have been written over the course of two-three years. It’s really become a story of being in your early-twenties and experiencing so many things in life for the first time. I’ve gone through my first bundle of heartache and loss in this time. It’s been a moment in my life where I am learning who I am and who I want to be.

It’s hard when you don’t take the more ‘traditional’ route in life; sort of feels like you are prone to making more mistakes, which is cool. Mistakes really only mean that you’re trying new things. I’d say Undone is about trial-and-error and the feeling of losing your footing over and over again and just finding new ways to get up and get on.  

You label your sound as ‘Babe Rock’. What does the sound entail?! How important are artists like Karen O in regards your direction? 

‘Babe Rock’ is really just a term I’ve used to describe other female artists that I look up to and that I think are forceful in this industry when it comes to standing for something - and that is the kind of artist I want to be. Karen O is just an example of a kick-ass woman doing her own thing. I want to inspire strength and vulnerability the way these powerful, unique and strong women have inspired it in me. 

_MG_2335.jpg

Being based near South Bay, L.A.; how important are the beaches and bodies of the area to your songwriting? Do you borrow a lot from your experiences there and the people you come into contact with?

In general, you write about your experiences in life. So, I’m sure that growing up at the beach and living that lifestyle has inspired the music I write. I don’t know exactly how. I definitely used to beach and ocean as inspiration for many things in my life, including traveling. With that, you live more and you write more. 

Who do you count as music idols? Did you grow up around a lot of music?

I grew up with a lot of music in my life. My grampa is a great musician and my grammy is a great dancer. They grew up in L.A. in the '50s-'60s when the music scene was exploding and was exciting. They were running in the Elvis and Temptations circles back then. Their lives revolved around music and that lifestyle was handed down to my mom. She’s always listening to something and excited about something. Some of my bigger idols are Amy Winehouse and Etta James...also, Blondie. Crazy-cool chicks! 

Do you have any gigs lined up? Where are you heading?

We have a show lined up at The Satellite in Silverlake, June 13. Right now, we are working on a West Coast tour. We want to hit the road A.S.A.P.! 

MadHawkes_02.jpg

Might we see you come to the U.K. this year? Do you like British music? 

AH, I HOPE SO. If not, then very, very soon.

Course I do! So many killer classics have come from the U.K. Depeche Mode, The Cure! Oh, and I love Arctic Monkeys!

What do you hope to achieve in 2018?

I’d like to put together an awesome tour. My main goal is to play as many shows as possible; get everyone to hear the tunes!

_MG_2891 (1).jpg

Have you got a favourite memory from your time in music – the one that sticks in the mind?

My favorite, so far, has been this show we played a while back at The Satellite in Los Angeles. I think it was in March. It was the first time during a performance where I just completely let go. it was almost like a blackout, except not alcohol induced. ha. It was sooo coool to get to that place where you just say ‘fu*k it’ and unleash the beast. 

What advice would you give to new artists coming through?

I’d probably say the same things that I have been told over and over, which is: it’s really f*cking hard, so you have to be pursuing it purely for the love of making music. You just can’t give up. Most people will: you just have to outlast them and work harder than everyone else. It’s the path of most resistance, for sure. Haha. But, once you accept that, it’s the most fulfilling path in life. 

yuma.jpg

IN THIS PHOTO: Yuma X

Are there any new artists you recommend we check out?

I really love Yuma X. They are a band out of Sydney, Australia. 

Do you get much time to chill away from music? How do you unwind?

At the moment, music is all-day, every day. Even when it doesn’t need to be, it still is. But, I usually take a trip to Mexico every year to surf and such. I grew up on the beach, so my downtime is spent there for the most part. Beer is almost always involved. No…beer is definitely always involved. 

Finally, and for being a good sport; you can choose a song and I’ll play it here (not any of your music - I will do that).

Walk by Nicky Blitz

____________

Follow Mad Hawkes

MadHawkes-FantasyBTS-byHeatherHawke-1460.jpg

INTERVIEW: Salt Ashes

INTERVIEW:

SALTASHESHIGHRES (57 of 78).jpg

Salt Ashes

___________

IT has been a while since I last spoke with Salt Ashes…

HIGHRESEDITEDSELECTS-15.jpg

so it is a good time to catch up with her now - Girls is her new single and I find out what inspired the song. She talks to me about future material and her development; new artists she is compelled by; which three albums mean the most to her – she provides some good advice for new songwriters.

Salt Ashes tells me what it was like sharing the stage with Tove Styrke and Little Boots; what sort of music she grew up on; what she hopes before this year is through – she ends the interview by selecting a rather cool song I had not heard before!

___________

Hi, Salt Ashes. How are you? How has your week been?

Hey. Great, thanks. It’s been a busy week of sessions and getting ready for the new release.

For those new to your music; can you introduce yourself, please?

Yeah. I’m an Electronic/Pop artist based in the U.K. and I like gin.

Tell me a bit about your single, Girls. What inspired the song?

It’s about a situation that happens too often, I think…

When someone makes an assumption that you want more than a friendship despite telling them over and over that you don’t. I hate the ‘slut-shaming’ time we live in and hearing that ‘They were asking for it’. It’s bull*hit. We should all be able to be free to express ourselves how we want without someone deciding for you that you want more!

I last featured you back in 2016. How do you think your music has developed since then?

Music should always grow and develop with the new experiences and knowledge you have in life…I don't know; I guess I feel surer of myself as a person now and I think that’s reflected in my songwriting and what I’m writing about.

SALTASHES (1 of 3).jpg

Will there be more material coming later in the year?

Absolutely. I’m hoping to release a lot of music this year.

Having shared the stage with the likes of Tove Styrke and Little Boots; have you learnt a lot from other artists?

I loved those two gigs!

Yes; the biggest thing I’ve learnt and continue to is to make the music you want to make and be as honest as you can. Don’t follow trends. I see this with certain artists and respect them so much more for it.

HIGHRESSALTASHESWOLFJAMES-21.jpg

What sort of music were you raised on? How important was your childhood tastes to what you record now?

I was raised on a really wide range of music so, even though it, inevitably, has some kind of influence on me, I don't think it directly impacts my writing now. I grew up on music my brother and sister listened to like Madonna, TLC; Lauryn Hill, Nirvana; Oasis and, later, discovered Disco in bands like Change, Giorgio Moroder and Daft Punk…

The media certainly loves your music. Does it give you confidence knowing so many people are reacting to what you write?!

I find it pretty nerve-racking, actually; putting new music out there and waiting for the reaction…especially when the lyrics are so personal and you’ve put a lot of yourself into it. But, not everyone is going to like it and that’s cool with me.

Do you have any gigs lined up? Where are you heading?

Gigs are to be announced soon!

L1009212.jpg

What do you hope to achieve in 2018?

I want to be playing more shows this year and getting more music out.

Have you got a favourite memory from your time in music – the one that sticks in the mind?

Supporting Say Lou Lou at Heaven was a big highlight for me.

If you could select the three albums that mean the most to you; which would they be and why?

Jeff Buckley - Grace

His voice. His delivery. The Sadness. I learnt a lot from him and his songs as I was growing up.

Daft Punk - Homework

This was when my eyes opened to a whole new world of music. I put this on still when I wanna lose my mind for a bit.

A new favourite is Sampha – Process

It has so much depth and intricacies, yet and his voice gets my blood rushing.

What advice would you give to new artists coming through?

Be strong. Stick with your heart. Don’t be influenced BUT be open to ideas.

esther.jpg

IN THIS PHOTO: Esther Kirabo

Are there any new artists you recommend we check out?

I’m loving Esther Kirabo at the moment - her song, Kill U, is sick.

Do you get much time to chill away from music? How do you unwind?

Music is pretty much my life. But, I like to do yoga and drink gin with my friends. Not at the same time though – although, that could be interesting.

Finally, and for being a good sport; you can choose a song and I’ll play it here (not any of your music - I will do that).

Play that Esther Kirabo tune! I love her

____________

Follow Salt Ashes

SALTASHESHIGHRES (55 of 78).jpg

INTERVIEW: Artbreak

INTERVIEW:

3.jpg

PHOTO CREDIT: Rachel Naomi

Artbreak

___________

TOM from Artbreak has been talking with me…

2.jpg

PHOTO CREDIT: Joupin Ghamsari

about the band’s current single, Soda Can (out on 18th May). He tells me what it was like working with producer Tony Visconti and whether more material is coming up; how the band have developed since their earliest days – how the guys all got together and started making music together.

Tom reveals a favourite memory from music and whether Artbreak have common musical influences; what advice he would give to new songwriters coming through; whether he gets much time to relax away from music – he ends the interview by picking a cool song.

___________

Hi, guys. How are you? How has your week been?

Hey! Not too shabby, thank you. 

For those new to your music; can you introduce yourselves, please?

Artbreak are a South London five-piece that attempts to merge angular, disconcerting riffs with Disco-Funk choruses.

Soda Can your new single (out on 18th May). What is the story behind it?

Well. You'd have to ask our lead singer for the full lowdown, but I always read it as a stream of consciousness; a backdoor into the mind of a disturbed narrator.

It is produced by Tony Visconti. How did it get involved with your music?! What did he add to the track, would you say?

We met Tony after a gig we did a couple of years back and he liked the music; told us to stay in contact - so we did - sending him demos, new releases and such. To our surprise, he got back in touch to ask if we'd like to cut a record at his new studio so, obviously, we jumped on the chance.

In terms of adding to the track, I don't think much changed in terms of structure: maybe a bar or two ended up on the cutting room floor but it was mainly arrangement ideas that he contributed; backing vocal stacks in the chorus and sampled sounds to beef up the drum kit.

Is there going to be more material coming? Might you work with Visconti again?

There's more material on the way. As for whether we meet with Visconti again, I'm not sure - he mentioned that he'd like to but you never know.

6.jpg

PHOTO CREDIT: Rachel Naomi

How did Artbreak get together? When did you start playing together? 

Artbreak rose out of the ashes of another band called the Savage Nomads. Four of us had been playing together for a while and the music had started to evolve away from the type of music we had started with, so we decided to rebrand!

You seem to absorb a lot of sounds and influences. Who are the main artists you would highlight as inspirations? 

That's putting it lightly and, if you asked each of us that question, you'd get a totally different answer. The only band I'm sure that we're all into is the (Red Hot) Chili Peppers. Their style is definitely a big influence on what we do.

How would you say you have developed as a band since your start? Do you think you have grown in confidence and strength? 

I think our collective songwriting has gotten a lot better: we always used to come up with good ideas but, now, I think we have a better grasp of what sections fit together well and when it's best to just cut a section in half or remove it entirely. Every decision should be for the good of the overall song.

top.jpg

PHOTO CREDIT: Chris Patmore

Can we see you tour this year? What gigs do you have coming along?

You'd have to ask our manager…

What do you hope to achieve in 2018?

A triple-platinum album would be nice.

Have you each got a favourite memory from your time in music – the one that sticks in the mind?

The time in Liverpool where I'd just finished my first gig. I was incredibly nervous and terrified I was going to screw up and embarrass myself in front of all my mates, and I didn't and it went really well! I was so elated that I tripped over coming off the stage. 

5.jpg

PHOTO CREDIT: Rachel Naomi

If you could support any musician alive today, and choose your own rider, what would that entail?

Oh, man…that's a tough one. I'd probably want to support Roddy Frame of the Scottish indie outfit Aztec Camera. Firstly, cos I'm a huge fan but, secondly, because I think we'd actually get on. As much as I love Led Zeppelin, I can't see us hitting it off for some reason.

As for the rider; I'd just ask for heaps of cocaine. I could flog it on the way home and double my money.

What advice would you give to new artists coming through?

Love prevails. 

org.jpg

IN THIS PHOTO: Organised Scum

Are there any new artists you recommend we check out?

Check out a band called Organised Scum. Don't be put off by the name: it's actually very gentle, emotional music. Also; my mate is in a pretty cool band called Scent. If they ever get round to putting more music out, it'll be worth a listen.

sc.jpg

Do you get much time to chill away from music? How do you unwind?

Not really. As well as Artbreak, I also gig for a living and, when I'm not doing that, I teach guitar and bass. When I do get some time off, I tend to read about politics, which is not very relaxing. 

Finally, and for being good sports; you can each choose a song and I’ll play it here (not any of your music - I will do that).

Play some Scent. It smells good. 

____________

Follow Artbreak

7.jpg

INTERVIEW: Slim Loris

INTERVIEW:

2.jpg

Slim Loris

___________

IT has been cool chatting with…

EP.jpg

the chaps of Slim Loris. Their E.P., Wild & Untamed, is out and I was interested to know about its current single, Hideaway. The Swedish-based band talk about their style of music and how they got together; whether there is more material coming later in the year – they tell me what gigs they have approaching.

I was interested to know whether they get much time away from music and what advice they would offer any new artists emerging; if they could support any artist alive today, who that would be – they end the interview by selecting a song each.

___________

Hi, guys. How are you? How has your week been?

Very well, thank you. Been an exciting week, what with our video being released and our E.P. release coming up this week. 

For those new to your music; can you introduce yourselves, please?

We are Slim Loris from Stockholm, Sweden; a four-piece band that plays Indie-Rock mixed with ‘Scandicana’: a melancholic Swedish version of Americana. 

Hideaway is your new single. Can you tell me about it and how the track came together?

It’s a song of finding a safe place or hideaway to get away from the troubled times. 

It started off as a guitar line that our guitar player Robert wrote and presented to me that I turned into a song. We knew from the start that we wanted to do something different with it than our normal guitar, bass and drum setup. We had some ideas that our producer Pecka Hammarstedt took to another level. Very happy with the outcome. 

 

The video is pretty amusing! Whose concept was it? Do you get a big say in how your videos are presented?

It was all our director, Jonas Hong Soo Eriksson’s idea; his interpretation of the song. We know what he is capable of and pretty much gave him free hands with it. 

Is there going to be more material coming soon?

We aim to put out an E.P. a year so, hopefully, next spring there will be new material out. 

How did Slim Loris get together? When did you begin recording music?

It started out as me (Mattias) and Robert getting together just jamming in 2009. 

We´re old friends from our school days and fancied playing a bit together again. Songs started coming together and we recorded a few demos in the early days and felt we needed to take it further; so we added my old band mates from a band called Celebrate the Sun, Leon and Jonas, and recorded our first album, Down to Earth, in 2011.

 

Did you all grow up in musical households? Which artists inspired you to get into the industry?

There was always music around for all four of us growing up and a bit of amateur playing, too. Me and Leon grew up on our dads Beatles collection and – that’s been a major influence ever since. A lot of '90s stuff like Britpop and Trip-Hop with a sort of D.I.Y. mentality has also been a big influence. 

What do you hope to achieve in 2018?

Hopefully, for as many people as possible to get their eyes up for our music and to be able to get out and play live as much as possible: our favourite place to be.  

7.jpg

Have you each got a favourite memory from your time in music – the one that sticks in the mind?

Playing at the Cavern Club in Liverpool and going on a U.K. tour a few years ago was the highlight for all of us. Being influenced by The Beatles and U.K. music, in general; it was a massive experience going up on that stage. 

If you could support any musician alive today, and choose your own rider, what would that entail?

Tom Waits. Just a genius - and makes music like no one else. 

Some local beers, JD and coke; Loka (Swedish mineral water), some lighter food for three of us and stodgy belly filler for our drummer. 

3.jpg

What gigs do you have coming up? Where can we catch you play?

So far, it’s only a few ones in Stockholm booked, but there are more to come. 

On 25th May, we will play at the festival IPO Stockholm; a great festival with lots of brilliant bands (Southside Cavern at 9 P.M.). 

5.jpg

Is the stage somewhere where you all feel at your very best? How does it feel getting up there and performing to the people?

It’s our favourite place to be. Everything else just fades away and you’re in a moment of pure ecstasy, more or less. All the hard work with recording is getting paid off there, basically. 

What advice would you give to new artists coming through?

Just have fun and do what feels right and find the right people to work with that can see your vision and take it further. 

dim.jpg

IN THIS PHOTO: One of 2018's IPO participants, Dim Vanilla

Are there any new artists you recommend we check out?

Check out the bands playing at the IPO festivals. We´ve done a few and there’s always a high standard.

Do you both get much time to chill away from music? How do you unwind?

We´re all family men outside music, so any time not working or playing music is spent without families. 

Finally, and for being good sports; you can each choose a song and I’ll play it here (not any of your music - I will do that).

Frank Ocean (ft. Andre 3000) - Pink Matter 

Pearl Jam – Alive

Prince - When Doves Cry

Massive Attack - Karmacoma

____________

Follow Slim Loris

1.jpg

INTERVIEW: Mondegreen

INTERVIEW:

top.jpeg

PHOTO CREDIT: Dave Nelson Photography  

Mondegreen

___________

YOU can certainly not accuse Mondegreen of providing…

sing.jpg

little value and depth when it comes to interviews! I have been speaking with Claire, Leanne and Laura about the upcoming E.P., Change (out on 18th May), and what inspired the songs. They discuss their beginnings and whether they have grown in confidence over the past year; which new artists we need to get involved with – they each select an album that means a lot to them.

I asked the trio whether any gigs were in the pipeline; which artists they are inspired by; what they do when they are not making and playing music; if there’s any advice they’d give to new artists – a few great songs are picked to end the interview.

___________

Hi, guys. How are you? How has your week been?

Claire: Hello! Our week has been okay. We've been busy shooting the photos for the new E.P. which is coming out this month - and we have been organising our E.P. launch gig too.

For those new to your music; can you introduce yourselves, please?

Leanne: We are Mondegreen; an Indie-Folk-tinged Acoustic-Pop band from Widnes (shout out to Widnes) based in Liverpool and Chester. We're big on harmonies and like things to sound pretty.

fes.jpeg

Tell me a bit about your upcoming E.P., Change. What sort of themes inspired the songs?

The last E.P. had a more traditional Folk style based around the theme of the small town: this one has a little more attitude; it's a bit more female power-driven and we've been able to experiment with a different sound and use some new instruments.

Laura: We were also inspired by the focus on women in the music industry recently as a result of the Time’s Up initiative. So, one night, we just sat down and wrote about those experiences we’d had ourselves; the times where we had felt as though we were treated differently to male musicians or belittled. This is us standing up to that.

Will there be a single from the E.P. before its release?

Claire: We previewed the first song from it on Record Store Day. It’s called Sometimes and was the first song we all sat down and wrote together as a trio. So, that was quite exciting because it is a slightly new sound for us and we were looking forward to sharing it and will be even more excited when the whole thing comes out.

You have had a pretty busy past year or so. Have you noticed a growth in confidence since this time last year?

Laura: Playing festivals like Folk on the Dock and at The Atkinson in Southport, which is a wonderful big venue for us, really helped us grow in confidence. It was probably because it was the first time that we had people coming up to us and wanting to buy our C.D.s, so that was really special.

Leanne: The loveliest part of Folk on the Dock was that there were little girls there who wanted to get their picture taken with us, so we were living our girl band dreams that day! I think we have also gone down new avenues in the way that we write. Recording the first E.P. last year was actually a turning point for us because we heard the songs how we wanted to hear them for the first time and that pushed us to go on and try new things and to make us sound better, particularly when playing live too.

That was the first time that we had ever gone to a recording studio and we were lucky enough to be able to go to Post Electric Blues in Edinburgh and record with Rod Jones, which was pretty cool…and we were so happy with the way the songs turned out and how they developed so much that we went back again to do this E.P.

GIG.jpg

PHOTO CREDIT: Mike Burns Photography

Mondegreen is based in the North West. Is there a pretty varied and buzzing music scene there right now? Do you think many of us ignore the area in favour of London?

Laura: I don't feel that we are ignored in favour of London and honestly, I’m not sure the Liverpool music scene (the closest to us) even cares about that because it’s kind of in its own little bubble. It’s definitely varied: there are festivals for pretty much any kind of music over here. For us, though, we play in Liverpool quite often; we've often found it hard to break into those circles whereas when we’ve gone somewhere like London, people have been very receptive.

But, it’s all about knowing the right people and places to go to get gigs and then it can be great - and there are some great venues/communities like The Atkinson, which hosts bands from all over the world and over in Chester - where there seems to be a regular audience who want to come and support the music scene.

lgo.png

How did you all get together? When did the band start to play?

Claire and I met at primary school and became best friends. Our teacher used to play the guitar during assembly and started putting on guitar lessons so we started learning to play the guitar together. We played as a duo for years (ten, to be exact!). Leanne is my sister and she has been playing by herself and in various bands but would always just hang out when we would practice and started singing along so two became three!

4.jpeg

PHOTO CREDIT: Mike Burns Photography

Which musicians do you all count as favourites?

All: Idlewild…

Leanne: But, we also have to be honest and say we love Idlewild as much as the Spice Girls.

Claire: For me, it's Jason Isbell. Sheryl Crow is a favourite amongst us, too. Leanne's a fan of No Doubt and Sunny Day Real Estate and Laura would like to actually be Kacey Musgraves.

Laura: We've all grown up in very musical households. Leanne and I would always have our mum and dad’s music on in the car or in the kitchen; whether it was Elton John, ELO or the War of the Worlds’ soundtrack.

Claire: There was always a bit of Shania Twain or the Bee Gees going on in the Smith Household.

Leanne: We've all got quite varied music tastes, but it's quite similar at the same time. Like, Claire used to play Cher’s Believe on-repeat through her PlayStation 1, whereas I used to dress in leopard print and dance to it on my cassette player!

5.jpeg

PHOTO CREDIT: Mike Burns Photography

If you each had to select the one album that means the most to you; which would they be and why?

Laura: This is a difficult one because the list always grows. I could listen to The Remote Part on-repeat forever. Idlewild is the band that really got me into music because it was the first band I was introduced as a teenager.

Claire: I'm going to have to say Anastacia’s Freak of Nature, because that was the one that I used to always listen to in my old loft bedroom at the top of my voice - and is probably the thing that made me want to do all this!

Leanne: 100 Broken Windows. I probably heard this album quite late having discovered Idlewild in the same way as Laura and Claire, but the first time I heard it I just thought that this was on its own level of good.

ep.jpg

Do you have any gigs lined up? Where are you heading?

Laura: Yes, we do! So; we have our E.P. launch coming up on 18th May at The Studio in Widnes and that's part of their monthly Authentic Acoustic night. We're quite lucky because we have The Studio in Widnes which is a great venue and everyone who works there is friendly and willing to try new things; there is (just) such a good community there and the audience are always very willing to listen.

Leanne: I think, if you have something like that on your doorstep, you should make use of it. There was the worry, recently, that they may have to cancel one of their monthly nights because not enough people were coming and it's a shame because they are always great nights, but the word probably just doesn't spread far enough.

Claire: We're also playing a few places in Chester including Chester Live, Telford’s Warehouse and, also, in Liverpool. Then, we're back in Widnes again at The Snig, so we have should have a nice little summer of gigs lined up!

6.jpeg

PHOTO CREDIT: Mike Burns Photography 

What do you hope to achieve in 2018?

All: Glastonbury for the following year! Ha.

Laura: Honestly; we would really love to be able to play some festivals that maybe we've not had the chance to before and to build on from last year. Last year was the first year that we really felt like we gave the band thing a proper go - and we're just really trying to do that again but ten times more.

Leanne: We just hope that people like these songs and they reach people who've not heard of us before. It would be really nice to think that someone stumbles upon our C.D. and then hears something in it that they like…

Claire: ...and, of course, to (just) get some more songs written for the next E.P.!

Have you each got a favourite memory from your time in music – the one that sticks in the mind?

Laura: Definitely, playing Folk on the Dock last year. It was a big show for us anyway but when we got off the stage there was a line of people waiting to speak to us and buy C.D.s, which was something that had never happened to us before. So, that blew us away slightly and still makes us feel excited when we look back on it.

news.jpeg

What advice would you give to new artists coming through?

Leanne: The most important thing I would say is to make friends with people who are doing the same thing as you. If you're just going out to an open mic then go out with the intention of having a good time and playing is just the bonus, because it can be easy to forget that and just think that you're only there to play and go home. Because, it's not just playing, it's everything. It's the people who are there and the place you're in. I think, if you play like you mean it too, then people will listen.

dawn.jpg

IN THIS PHOTO: Dawn and the Embers

Are there any new artists you recommend we check out?

Laura: Yes. Strangers. We have played a few gigs with them and they're great. Dawn and the Embers because they are also a female trio and have really great songs (and are just lovely ladies).

Claire: White Little Lies. We played with them recently and their harmonies were, again, just lovely.

Leanne: Also, for no particular reason, we must also give praise to Gary Maginnis & the Like, Catherine Hardman and Careering.

wh.jpg

IN THIS PHOTO: White Little Lies

Do you get much time to chill away from music? How do you unwind?

Leanne: Honestly, this is how we unwind. We're all quite busy people anyway and this is what we have to sandwich in because we love doing it - and Laura is far too obsessive about it to ever take a step back. Claire is an avid baker and the only other thing I enjoy doing is Arrowwords.

Finally, and for being good sports; you can each choose a song and I’ll play it here (not any of your music - I will do that).

Claire: Jason Isbell – Speed Trap Town

Laura: Sorry, but, Spice Girls - Move Over (it’s an album track, at least!)

Leanne: KC and the Sunshine Band - Give it Up…

Laura: …I think that captures us pretty well, actually.

Thank you!

____________

Follow Mondegreen 

old.jpg

INTERVIEW: Lack of Afro

INTERVIEW:

main.jpg

Lack of Afro

___________

IT is time to speak with Lack of Afro…

song.jpg

about his current single, Back to the Day, and what he has planned for the future. I ask whether styles like Disco and Motown are influential when it comes to songwriting; what the main changes to the music are since 2016’s Hello Baby; what gigs are coming up – Lack of Afro recommends a new artist to watch carefully.

I ask him what we can expect from the album, Jack of All Trades (out on 18th May) and what he hopes to achieve this year; how it feels getting positive reaction from the press; what advice he would give to new songwriters – Lack of Afro shares a fond memory from his time in music.

___________

Hi, Lack of Afro. How are you? How has your week been?

Hello! All good, thanks. It’s the first show of the new album tour this Sunday, so everything is in total overdrive getting ready for that…I’m exhausted and we haven’t even started yet!

For those new to your music; can you introduce yourself, please?

I’m a producer and multi-instrumentalist from the South West of England. My music is a blend of the old with the new and I’m about to release my sixth studio album called Jack of All Trades.

Back to the Day is your new one. What is the story behind the song?

That one was written with Elliott Cole who sings vocal, plays guitar and bass on the song. I’d wanted to do a track with a Jackson 5 vibe for a while and so we gave it a crack – luckily, it turned out pretty well.

It has summer written all over it. Did you set out to pen something people could get down to?

Definitely! That was the brief really: it had to be dancefloor-worthy and it had to make people feel good.

I hear shades of Disco and Motown legends. What sort of music/artists do you vibe from?

Yeah absolutely – that track has The Jackson 5 all over it. I guess I wanted to see if I could do the genre justice. As a producer, you’re always learning. I’ve definitely learnt a lot since the last album and it’s always nice to try out genres you haven’t attempted before – experimenting with different styles, songwriting and instrumentation is kind of where it’s at for me these days...

Generally, though, it completely depends. I’ve never really stuck to one genre: I like to mix it up so I tend to be influenced by a lot of different artists working in different styles. I listen to a lot of Hip-Hop (Piñata by Freddie Gibbs is on heavy rotation at the moment), Disco (a recent favourite is Harvey Sutherland’s Expectations E.P.); Soul (Otis Redding’s Otis Blue; anything by Sam Cooke, Motown; Stax and Atlantic), Rock (forgot how good Pinkerton by Weezer is); Jazz (Cannonball Adderley’s Somethin’ Else), some amazing modern Funk and Soul by Vulfpeck; Sex & Food by Unknown Mortal Orchestra, which has a bit of everything in it and last, but by no means least, two of my all-time favourites: Tapestry by Carole King and Aja by Steely Dan.

That’s what I’ve been listening to recently. I’ll be compiling an ongoing Spotify playlist in time for the new album’s release, so people can check out what I’ve been listening to.

1.jpg

Elliott Cole is on the track. How important is it having him in the mix?

Elliott is amazing. He’s got it all really – an awesome voice, a great bass player; a fine guitarist and, to top it off, he’s a lovely bloke too! I feel very fortunate to be able to write songs with him, to be able to record his voice and I get to play live with him also. He’s just an incredible all-round musician.

DcQbBnmWsAA2UZn.jpg

Jack of All Trades is out on 18th May. What influences did you bring into the album? Were there particular themes that compelled the songwriting?

The sound I’m able to get now (together with the way of working) has changed since the last album. I have a new studio in the basement of my house that has a separate live room, as well as a 1970s ex-broadcast mixing desk in the control room that everything was recorded through. The addition of the separate live room has meant a much tighter sound when recording the drums, piano; vocals and percussion and it has allowed me to be able to experiment with the drum sounds in-particular.

All the instruments are mic’d up and ready to go which makes such a difference too – if I have an idea I don’t have to worry about setting up microphones as everything is already good to go.

With every album I do, I always set out to better the last one - at least to me, anyway. That’s always the songwriting brief: to progress and just write better ones!

Is there a song from the album, you feel, defines the album?

There isn’t, actually. I think you’d be hard pushed to pick a song from any of my albums that defines that particular record as, musically, they’re pretty much all over the place! I like to think though that, despite the disparate musical styles present in each one, that they all have certain coherence to them.

4.jpg

In the past; you have been lauded by radio and publications. Is that sort of backing important?

It’s important in that it can give you a certain confidence to keep on doing what you do. This industry can be very tough at the best of times, so hearing a track of yours on BBC Radio 6 Music (for example) can really give you a lift. Likewise; when you see your music in a film or T.V. show. I guess it’s a form of validation. As an artist, it’s vital to make music that you feel passionate about but to be able to make a living from it means that other people have to respond to it too.

Jack of All Trades is a good example of the rollercoaster. One minute, I’m thinking it’s some of the best material I’ve produced, to the next, then thinking that no-one is going to like it. It’s how it goes!

How far do you think you have come since 2016’s Hello Baby? Are you a more confident artist?

I would say so, yes.

Generally, you tend to grow more comfortable in your own skin as you get older, which is definitely true in my case and I think that has had an effect on where I am as an artist. I like to think that I’m making some of my best music these days and despite being over ten years in, I still have lots to say. I’m grateful to be able to have my own label which means there’s an outlet for any project I’d like to do.

3.jpg

What do you hope to achieve in 2018?

Honestly; I just hope that people enjoy the new album! By the way, hats off to any artist who makes an album; puts it out there and stands by it, as it’s one of the hardest things you can do.

Have you got a favourite memory from your time in music – the one that sticks in the mind?

There are so many – hearing your first single on national radio for the first time was very special (Wait a Minute, way back in 2006).

Recently, though, I had a text from Madlib who said he liked my music, which was incredible. He’s been a hero of mine for years - I remember reading interviews with him when I started out and buying all his L.P.s on Stones Throw (his Yesterday’s New Quintet project was the direct inspiration for my Unity Sextet series. I stole the idea, basically!).

We’ve actually chatted quite a lot since and I’ve learnt a lot from him. To have someone like that respond to what you do is more than you can hope for. There’s even talk of us working together, which would be insane!

What advice would you give to new artists coming through?

Stick to your guns, be honest with yourself and always have faith in your ability.

fl.jpg

Are there any new artists you recommend we check out?

The Fearless Flyers – a Vulf Records offshoot!

2.jpg

Do you get much time to chill away from music? How do you unwind?

I’m a husband and a father too, so a lot of my time is spoken for! I love the beach though and sea swimming is definitely good for the soul. I’m a rugby and cricket fan too and watch both whenever I can.

Finally, and for being a good sport; you can choose a song and I’ll play it here (not any of your music - I will do that).

A Brighter Darkness by The Mighty Mocambos

____________

Follow Lack of Afro

6.jpg

INTERVIEW: Justine of Holy Roar Records

INTERVIEW:

Db2tCJVWkAEbeDZ.jpg

Justine of Holy Roar Records

___________

IT is a busy time for Justine of Holy Roar Records…

Dbtow4mW0AArrZC.jpg

so I was lucky to catch some time with her and ask all about the Label Lodge. The Label Lodge is a collaboration of Soho Radio, AIM and Jägermeister. For more information on events, artist announcements; scheduled performances and residency details for the Label Lodge visit the Soho Radio website, the AIM website or keep an eye on #JagerSoho on Twitter.

I found out about the event and all the goings-on; how Justine got involved with Holy Roar Records; what advice she would offer anyone looking to set up a label; what it is like working alongside Jäger Soho – she tells me whether her band, Employed to Serve, are releasing new material and whether working for a label impacts and aids her music.

___________

Hi, Justine. How are you? How has your week been?

Good, thank you! I’ve been dipping in and out of the studio recording vocals for my band’s (Employed to Serve) third album and setting up the Holy Roar Label Lodge pop-up!

I am interested knowing more about Holy Roar Records. Can you tell me how it came together and what inspired you to join the fold?

Alex started the label back in 2005 and started releasing CDs for local bands and friends’ bands he liked. The label is named after one of his favourite band’s songs, Holy Roar (by Torche). I started working for the label after I finished uni in 2014.

Holy Roar was releasing Employed to Serve’s first E.P. and Alex asked me if I wanted to intern. I started interning and worked my way up to being the full-time label manager.

You have a pop-up week coming. What is the idea behind it? Where can we come and see that?

Soho Radio and Jägermeister have very kindly lent their space, Jäger Soho, to us for seven days. Each year they run the Label Lodge in association with AIM (Association of Independent Music) where they have pop-up shops from different labels from all genres for a week each - and give them a great space to sell their releases and host acoustic in stores.

e.jpeg

Which artists will be playing? What is the main objective of the event/pop-up?

The main idea behind it is to give the label a face, so to speak.

It’s nice for our followers to be able to see the people behind the label and also great for us to meet them! It’s easy to feel detached when everything is online-based. We have acoustic sets from our bands Modern Rituals, Apologies; I Have None and Serena Cherry (Svalbard).

How does it feel working with Jäger Soho? Are you excited to collaborate with the brand?

Very excited. They’ve been very welcoming and we feel very lucky to be given the opportunity to occupy such a great space!

3.jpeg

How would you define the work Holy Roar does – what is the ethos of the label? Who are the best new acts you have on the roster?

We release bands we love, not because we think they will ‘sell’, that’s the very core of our label. The label and our roster are very close-knit and help each other out: it’s more like a community as opposed to a business. Our most exciting newcomers at the moment are MØL, Giver; Modern Rituals, Boss Keloid and Garganjua. We have also released awesome new albums from Rolo Tomassi and Conjurer this year!

If anyone wanted to set up a label or join one; what would you say are the biggest advantages and pitfalls, perhaps?

One of the biggest advantages is doing something you love; meeting great new people and helping bands you love succeed. The only pitfall is, sometimes, releases don’t do as well as you’d hoped, which can be frustrating when you absolutely love the album! Apart from that, it’s a really gratifying thing to do but it’s not easy so expect to put in a lot of time!

You get out of it what you put in.

Dbto7YvXUAA_iT9.jpg

There are a lot of great labels sprouting up at the moment – most coming from larger cities like London. Do you think the openness and accessibility of music, and rise of streaming, means there is greater viability?

I think accessibility is a gift and a curse: it’s harder to stand out but at the same time easier for people to hear your music. Another great thing that’s come from streaming/digital is that a label can start by releasing bands digitally first to gauge people’s interest in buying physical albums. This means labels can start with a much smaller startup cost.

Employed to Serve is your band. How did the group get together? Do you think your work with an upcoming label positively impacts your music – giving you a better understanding of the industry and what the daily realities entail?

The band started off as a two-piece consisting of myself and guitarist Sammy Urwin and we used programmed drums for our first two E.P.S. We started to gain a great amount interest despite not having ever played a show and decided to add a (real) drummer, bassist and guitarist in the mix…two albums later and here we are!

Being in a band and working for a label really helps to understand the way the music industry works as you get both perspectives from both sides of the industry and how everything works.

1.jpeg

Is there going to be new material coming from the band? Are you working on stuff at the moment?

As of this week, we would have finished recording our third album and we can’t wait for everyone to hear it!

I understand you have a column in Kerrang! Do you think print media is still in a stable condition? What are the biggest assets of working for a reputable and solid publication like Kerrang!?

I think print media is doing well at the moment, especially when the quality of the magazines are so great! It’s really awesome to have a platform for me to yell about the bands that I love - that’s the best thing about it.

8.jpeg

What advice would you give to new artists and creative-minded people coming through?

Work hard and be nice to people. Honestly; I can’t stress enough how this industry is all about going out of your way to chat to people. You’ll meet some lifelong friends doing this.

Finally, and for being a good sport; you can choose a song and I’ll play it here.

Awesome!

Homewrecker - Fade to Oblivion

Thanks for having me!

____________

The Label Lodge pop-up dates:

23rd - 29th April: 1965 Records

30th April – 6th May: Distiller

7th – 13th May: Holy Roar

14th – 20th May: Acid Jazz

21st – 27th May: Wah Wah 45s

4th – 10th June: Women In CTRL

11th – 17th June: Wichita

18th – 24th June: 4AD

25th June – 4th July: Communion 

2nd – 8th July: Sunday Best

9th – 15th July: Partisan