INTERVIEW: Volkova Sisters

INTERVIEW:

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Volkova Sisters

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THE past few weeks…

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have exposed me to musicians from all around the world. I have been speaking with the Budapest-formed band Volkova Sisters and ask how they got together – they have been telling me about their latest track, Faceblind, and reveal its story.

I ask them what the differences are between England and Hungary in terms of music; whether there are any new artists they would recommend to us; if they have gigs coming up where we can catch them; what we can expect from their upcoming album, Slowin Away – they  talk about their upbringing and what the future holds.

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Hi, guys. How are you? How has your week been?

Dalma: Quite intense, actually: a breakup and general life issues (smiles).

Dani: I see material for a few new songs here…

For those new to your music; can you introduce yourselves, please?

We are a group of people living in different European countries, working together for almost ten years now. We like dark and atmospheric sounds and, as kids growing up in the ‘80s, we were heavily influenced by the music of that decade. At the same time, we always aim to find new and less-explored ways in music.

Someone described our genre as ‘Goth-Tron’.

How did Volkova Sisters form? When did you all meet?

Dalma: We all knew each other from the Budapest music scene. We've been best friends with Daniel for more than a decade now; we also have had a previous band before. When we started Volkova Sisters, we knew that we were missing an element and we really didn't want to be a duo: we wanted to involve other ideas into our world and Geri just came in the right time.

Daniel showed him our first demo and the rest is history. Tibi, our drummer (who is a member of the legendary Hungarian Dark-Rock band, Sexepil), came into the picture roughly two years ago when we were thinking about ways to expand our stage presence.

Is it true you borrowed your name from a William Gibson novel? What struck you about the name?

I'm a big Sci-Fi fan, including all the side-genres, and Willian Gibson is one of my favourite authors. Very easy to read, with lots of action and quite precise future forecasts. When I read his book, Pattern Recognition, I was a mesmerized by this character pair and I thought it really resonates with the way we think about art.

Faceblind is your new single. Can you reveal its story?

Dani: We were in a car in the Hungarian countryside on our way to a week of songwriting in a remote location. It was late at night and we listened to a radio talk show about people who were ‘faceblind’. It's a rare condition of the brain when someone is unable to recognise faces. This, straight away, inspired a whole new range of characters for our mythology. We wrote the song the next day…

It is from your upcoming album, Slowin Away. What sort of stories can we expect to find in the record?

The stories revolve around all the feelings we gathered since we started to live lives less bound to a single geographical location - from feeling lonely in a metropolis to the general angst of our generation that we see from very different angles in different places.

Also; we took some inspiration from the underground Techno scene in London…so expect something more upbeat (sometimes, almost danceable).

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You formed in Hungary but are based in England. Was it difficult finding a scene and base in Hungary? How does England compare in terms of its sounds and artists?

Dalma: It was hard to gain attention in our home country but our fanbase is growing, so I'm happy that are native fellows dig our stuff. 

The U.K. still has its distinctive sound. Not from a genre perspective: I'm talking about the mixing and mastering process here. Music-wise; I don't think it's an island anymore: every European country which I've been to had a surprisingly vivid and amazing underground scene. The problem is that, if you're not looking for it, you'll not gonna find it. The markets are still segregated - and underground artist can barely compete with acts signed to major labels.

What music were you all raised on? Did you grow up in musical households?

I was, and Daniel too; both our families had massive vinyl collections and were part of the local underground scene...

Dani: Actually; my parents were part of the scene as musicians, so I spent my very early years already around studios, gigs and rehearsal rooms. Music was always playing somewhere; a lot of '80s Post-Punk, New Wave and Alternative stuff on Jugoslavian-pressed vinyl and cassette tapes copied from my parents' German friends.

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Can we see you tour this year? What gigs do you have coming along?

Dani: We'll play one gig in London this summer – this will be in Birthdays on 2nd June. Apart from a few festival dates in Hungary, we'll spend most of the summer setting up our brand new studio space and start working on some new material.

Our experience in the U.K. so far shows that there's a certain limit to your opportunities for gigs as a D.I.Y. band. To reach further, you need to be supported by a record label or a booking agency. Maybe, we'll get there with the third album (this was an open call).

What do you hope to achieve in 2018?

I think, technically, as a band, we already achieved our goals for the year. Now, it's up to our fans and everyone else out there if they will like what we've done. For the rest of the year, I'd like to chill a lot and take a very slow pace in starting something new; again, with a slightly different approach.

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Have you each got a favourite memory from your time in music – the one that sticks in the mind?

Dalma: I can't really pick one particular moment. The most touching thing for me, in general, is when I see people singing our songs. That’s when your vision starts to live its own life.

If you could support any musician alive today, and choose your own rider, what would that entail?

I would love to open for The Perfect Circle. I think Maynard is a genius.

Dani: I'd choose Daniel Lanois. I think Geri would let him play one of the solos on our gig.

What advice would you give to new artists coming through?

Dalma: Very briefly; simple advice: never give up (smiles).

Dani: Focus on yourself and your own art, not what others do or say.

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 IN THIS PHOTO: Sidsel Endresen

Are there any new artists you recommend we check out?

Well; I'm not particularly following the new trends…but I can recommend one of my favourite singers, Sidsel Endresen, as she is one of the cultic figures of the Norwegian Jazz scene.

Dani: Peggy Gou's It Makes You Forget has the best bassline of 2018 - so far (smiles).

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IN THIS PHOTO: Peggy Gou/PHOTO CREDIT: Dan Medhurst

Do you get much time to chill away from music? How do you unwind?

Dalma: It's the opposite for us, I think (smiles). Making music is our chill time (smiles).

Dani: Dalma's right. But, if I need to reset my ears, I always go to the riverside. There's a nice little beach close to our studio, only accessible during low tide.

Finally, and for being good sports; you can each choose a song and I’ll play it here (not any of your music - I will do that).

Etienne Jaumet – For Falling Asleep

Dalma: John Hassel – Vernal Equinox

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INTERVIEW: Trailhead

INTERVIEW:

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PHOTO CREDIT: Katarzyna Mazur

Trailhead

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I have been chatting with the incredible Trailhead…

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PHOTO CREDIT: Karolina Kuszyk

about the fantastic new album, Keep Walking. Berlin-based Trailhead (Tobias Panwitz) speaks about the inspirations on the album and standout cuts; which country is especially impactful when it comes to its influence; why walking and being in the open leads to songwriting – I discover if there are tour dates coming up.

Trailhead talks about musical icons and favourite albums; if there is any time to get away from music and relax; a new act to keep a track of; what he hopes to achieve before 2018 is through – he ends the interview by picking a great song.

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Hi, Trailhead. How are you? How has your week been?

Pretty good, so far. It’s a sunny Monday, so only good things so far!

For those new to your music; can you introduce yourself, please?

I’m a songwriter; conditioned both by California’s Great North Woods, where I worked in the trail crew back in the '90s, and by California’s '60s and '70s singer-songwriter scene, amongst other things - hence, my inclination to write songs about walking, trails and travels…and to call myself ‘Trailhead’.

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Keep Walking is your new album. Can you tell me the stories behind it?

Walking is my favourite means of transporting myself from one place to another. It’s rhythmic and monotonous, in a good way. Very meditative. Songs come easy to me while walking and, while doing so many times in Spain, Norway; Poland, Germany; South America and other places, I ended up with so many walking songs that I decided to put them all together on a quasi-concept album called Keep Walking. There’s a very Roots-y, earthy feel to the songs - at least to me. A musical reflexion of my walking adventures, if you will. With a strong emphasis on Spain.

Do songs come to you when you’re out walking and exploring? Is that a good place for you to muse?

It’s the best place for me. I don’t have to be thinking about anything. I don’t like to walk without a destination where I’m headed because, without it, I’d have to make my mind up about directions all the time. If I can just turn on my walking machine, I let it run and song ideas start coming with the rhythm of my walking feet.

Is there a song from the album that you would select as a favourite?

I like the easygoing flow of Walking Round Madrid (Such a great place to walk). Also, White Flag, a song about climbing Everest, is one I enjoy listening to still - even though that one’s not based on my experiences.

You have travelled a lot! Is there a particular county that stands out – in terms of the people and vibes?

As mentioned, Spain is a place I always enjoy returning to. The dryness of the inland, the Andalusian coast and mountains, where I shot my recent videos for Walking the Camino and Volcano Ground but, also, the Canary Islands with their lush vegetation and diverse climate zones...all hugely inspiring.

To me, the people have what we Germans sometimes lack: a natural positivity and the capability of having a good time without a particular reason. Norway’s amazing, too - though I never get to see the grand landscapes, because I always end up hanging out and drinking with friends there. I’ve been to Norway many times, but I haven’t yet seen a fjord!

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PHOTO CREDIT: Thorsten Biernath

When did music come into your life? What was the reason for taking it up?

I grew up in a family of Classical musicians. As a kid, I learned to play the violin. I was pretty good at it, too. But, it never really was for me. So, as a teenager, I taught myself to play guitar and piano after my brother got me hooked on The Beatles, Pink Floyd; the Eagles, Peter Gabriel and other stuff that spoke to me much more strongly.

Which artists would you count as influences?

Oh, man; which ones are not? I’d have to mention The Beatles of course and, most definitely, Tom Petty, The Jayhawks; Neil Finn…I’m a lot into melodies and harmonies.

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PHOTO CREDIT: Thorsten Biernath

Can we see you tour this year? What gigs do you have coming along?

This summer, I have a show coming up in Switzerland and, later this year, lots of gigs all over Germany. The dates are all up on www.trailheadmusic.com. I love playing. The only thing I’m worried about is my carbon footprint with all that driving.

What do you hope to achieve in 2018?

I’d like to get better at producing and mixing - something I have neglected for a long time. There’s a new walking adventure coming up and I hope to start pre-production on a new album.

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PHOTO CREDIT: Philipp Gabriel

Have you got a favourite memory from your time in music – the one that sticks in the mind?

The favourite ones for me are the ones sitting in a room with friends and guitars, singing songs. Nothing beats that. It’s such a beautiful way of connecting and sharing.

Which three albums mean the most to you, would you say?

That’s an easy one:

Wildflowers by Tom Petty; Joy by Phish and Amused to Death by Roger Waters.

What advice would you give to new artists coming through?

Keep going, set achievable goals and don’t complain.

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IN THIS PHOTO: I'm With Her

Are there any new artists you recommend we check out?

I’m a bit of a conservative who’s stuck in the '60s and '70s - so better ask me about old artists I’d recommend! But, I recently went to a show by I’m With Her. I’d definitely recommend seeing them live if you’re into vocal harmonies and Folk music. Wonderful stuff.

Do you get much time to chill away from music? How do you unwind?

My garden, my boat and walking. I love watching plants grow. Very meditative, too. Being out on the water in a kayak is a bit like walking, only, you use your arms. In Germany, we call it Wasserwandern: water hiking.

Finally, and for being a good sport; you can choose a song and I’ll play it here (not any of your music - I will do that).

Alright, cool! Let’s hear a song by The Jayhawks’ Gary Louris: True Blue.

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INTERVIEW: Saarloos

INTERVIEW:

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Saarloos

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MY focus turns to the Dublin boys of Saarloos…

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as they discuss their debut single, Changes. I learn more about the scene in Dublin and what it has been like supporting some huge names (including Bon Jovi) – they look ahead at gigs and where we can catch them play.

I ask the guys how they got together and how they spend time away from music; whether they are coming to the U.K. to play; what it feels like having a debut single out there; if there is more material coming later in the year – the guys end the interview by selecting a song that means a lot to them.

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Hi, guys. How are you? How has your week been?

Hi! It’s been great. We’ve been busy promoting the single and we’re blown away by the response it’s getting.

For those new to your music; can you introduce yourselves, please?

We’re a three-piece band from Dublin. We’ve been together about six months. We all have similar tastes in music and have known each other a long time. Andy and Craig went to school together and Brian and Craig met on the pub scene in Dublin (Craig likes to think he brought us all together!)

Talk to me about your debut single, Changes. What is the story behind it?

Like every great story, it started with a cup of tea! Literally, Craig was making a cup of tea when the chorus just popped into his head. He recorded it on his phone (well; after finishing the tea). A couple of days later, him and Brian sat down and it was finished within a couple of hours.

Is it exciting putting the song out there?! Did you know, instinctively, this song was the first you wanted to be released?

Yeah. It’s exciting/nerve-wracking! We put a lot of work into the song and we were really happy with how it sounded but you never know how it’s going to go. We knew straight away we wanted this as the first single because it was a new sound for us: going from an acoustic act to a full band.

Might we see more material coming in the future months?

We’re currently working on an E.P. and we’re in rehearsal rooms most days writing and practising for the upcoming tour.

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What is the craic like in Dublin? Is it a great place to play music – with lots of like-minded folks?

The craic is 90! Dublin’s great for music; Brian and Craig spent years bashing the guitars in Temple Bar. There are loads of great places to play original songs in front of live audiences - Ruby Sessions and Zodiac Sessions are two well-known open mic nights that have always been supporting up-and-coming artists.

How did Saarloos get together? Was it love at first sight?

Brian and Craig were two solo singers doing their own thing. After doing years of cover gigs, they decided to create a band. Andy was a late addition to the band, he knew the guys a long time, so he fitted in nicely. We’re very fortunate that we get along together – it makes it easier when you’ve to spend ten hours a day in a room going over and over songs.

You have already supported big names like Bon Jovi and Daniel Beddingfield! How much of an impact has that had on your ambitions and confidence?

Great question! Playing in front of that many people is terrifying and amazing. It drives you to be better and work harder to get the opportunity to do it again. At the same time, it’s great to come back and play small shows and connect with the audience.

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Do you all share musical tastes? Which artists do you count as influences?

For the most part, our tastes are very similar. Brian probably has the most eclectic taste whereas Craig has always liked the sound of an acoustic guitar so stuck to the likes of Coldplay and Snow Patrol. Andy is a massive Dolly Parton fan!

Where are you heading on tour? Where can we catch you?

We’ve a busy June planned! We start in Belgium at the end of May and finishing up in Zurich and playing shows in Germany, the Netherlands; Milan, Paris and Copenhagen. Super-excited!

Do you reckon you’ll come to the U.K. and gig here at all?

Yeah. We just got back from London playing Never Fade Sessions with Newton Faulkner. We’re playing in London’s 02 Shepard’s Bush Empire on 9th June. We’re hoping to do our own headline show there soon.

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What do you hope to achieve in 2018?

By the end of the year, we hope to do our own tour around Ireland and add in shows in places like London, the Netherlands and Germany.

Have you each got a favourite memory from your time in music – the one that sticks in the mind?

Last year Craig and Brian got to support Gavin James in the 3Arena in Dublin. Playing in front of 16,000 people was surreal!

If you could support any musician alive today, and choose your own rider, what would that entail?

We’d love to support Coldplay, but Andy’s holding out for Dolly Parton! As long as there are a few cold Coronas in the fridge we’re happy!

What advice would you give to new artists coming through?

Don’t be afraid to put yourself out there. Never turn down a gig…and enjoy it!

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IN THIS PHOTO: David Keenan/PHOTO CREDIT: Benson Portrait Studio

Are there any new artists you recommend we check out?

There are tonnes of amazing Irish Acts coming through: David Keenan, Talos and Tim Chadwick to name a few.

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Do you get much time to chill away from music? How do you unwind?

Craig is a pond aficionado - seriously, he loves them! Andy loves the outdoors. You’ll find him on a bike in the mountains most Sunday morning. As for Brian?! He couldn’t be more chilled!

Finally, and for being good sports; you can each choose a song and I’ll play it here (not any of your music - I will do that).

Craig: JCB Song - Nizlopi

Brian: Time - Tom Waits

Andy:  Islands in the Stream - Dolly Parton and Kenny Rogers!

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INTERVIEW: Lindsay Kay

INTERVIEW:

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Lindsay Kay

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IT has been really revealing and interesting…

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speaking with the L.A.-based songwriter, Lindsay Kay. She has been talking to me about her latest track, Invited, and the inspiration behind it. I probed Kay about her upcoming album and what the reason was behind hiring an all-female team – she reveals to me the artists and albums that have impacted her the hardest.

The Canadian-born talent tells me how she spends time away from music; what her favourite memory from music is; why she relocated from Canada to L.A.; which new artists we need to keep our ears peeled for; what she hopes to achieve before this year is through – Kay ends the interview by selecting a song perfect for the sunnier weather!

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Hi, Lindsay. How are you? How has your week been?

Hi! I’m doing well, thanks for asking. My week has been really nice. The weather in L.A. is super-beautiful right now - it’s that end of spring/beginning of summer vibe where it smells like jasmine everywhere and still isn’t too hot and it’s staying light out later and later…the best time of the year!

For those new to your music; can you introduce yourself, please?

I’m a Canadian singer-songwriter based in Los Angeles. I play and write quiet, melancholy; acoustic-based music with a subtle Jazz influence and I’m currently finishing up my debut, full-length album.

Invited, your new single, is out. Can you talk about its story and what influenced it?

I wrote Invited, and a big chunk of this album, in the fall of 2016…right before the Women’s Marches and the #MeToo movement popped off, but right in the midst of the pussy-grabbing chaos of Trump’s campaign and eventual election. So, there was a definite stirring in the air amongst women happening. One particular night, when I was walking down Hollywood Blvd, I passed a group of men and one of them started hassling me and wouldn’t let me pass.

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He touched my arm and pulled on my shirt and was just really in my space and whispering whatever in my ear. This is certainly not an isolated incident: this type of thing happens to me and all women daily, weekly, etc. But, this guy just caught me on a bad night and, because of the climate politically and socially, I was starting to awaken and realize that normalizing these events was the opposite of normal.

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I was examining my experiences as a woman more whereas, prior to that, I was just letting these things roll off my back and barely acknowledging them because, if women allowed ourselves to feel every event like this, we would just unravel, because they’re so frequent. I just remember feeling really upset and so violated and thinking to myself: ‘Why is this a difficult concept to grasp? Why do you feel entitled to my time/space/body/energy? Why do you feel no need to ask me if I want you near me? Do not touch me unless I INVITE YOU TO DO SO’. I wrote Invited the next day and it kind of felt like taking some semblance of my power back by being able to articulate this very simple idea in a concise, well-organized song form.

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I know you have an album coming out. Is it true it was created, top to bottom, by a female team? Is that a reflection of the album’s themes and meditations?

Yes, that’s true. The album centers around women’s experiences and the way in which we compress ourselves for our masculine counterparts and stay quiet; pretty and do what is expected of us and many other things pertaining to femininity. I had to enter into a really vulnerable space both to write the music and to realize it on a recording, and I simply didn’t feel comfortable putting those songs into the care of men in any sense.

I wanted to be understood in the studio and not challenged or undermined because of my gender. I wanted the songs to be understood by people who had lived those same feelings and who could really connect to the words. I wanted to see if it made a difference; if I’d be able to hear that authenticity in the music and I really believe that you can! It’s subtle but it’s tangible. It felt so wonderful to be surrounded exclusively by feminine energy in my creative life for an extended period of time.

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How was it putting an album together? Did you learn anything about yourself when recording?

This was my third go at a studio project (I have two independently-released E.P.s out under my given name) and, with each, I have learned so much and refined the process a little. This was definitely the most successful endeavour thus far, and I feel like for the first time I was really able to make an album that sounds like me. This is my voice, this is my sound; this is my message and it hasn’t been muddled or messed with in any way.

I self-produced and am the sole writer on the album, which felt very empowering and important to me - and I did all of the arranging and handpicked all of the instrumentalists myself. There were so many wonderful folks involved that helped me bring the album to life and who offered their collaborative efforts and expertise and, while I certainly couldn’t have done it without them and their incredible talent, I am really proud of the fact that I maintained complete creative control and saw my vision through exactly the way I wanted.

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The main lesson I learned while making this album is that this is truly what I am meant to do with my life – this is what I was built for. In the past, I may have lacked the confidence to give myself the credit where it was due or to walk into a studio and really feel at ease and like I had business being there. I always felt like I was faking it, or like I had something to prove (to men). But on this project, because so much of the creation of it was on my shoulders, and because I am truly so proud of the music that we made, I started to finally see that I absolutely do belong and that I’m really good at my job. Certainly, there are always moments of doubt and stress and feeling stuck – days when you’re exhausted and burnt-out and unsure of if what you’re making is working or if it’s ‘good’. But, on the whole, the experience was so creatively-fulfilling and really instilled in me a sense of confidence in my abilities that I was lacking on previous projects - and which had been holding me back creatively and otherwise.

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When did music come into your life? What was the reason for taking it up?

I started singing when I was really young, just along with songs in the car or at home and my mom noticed that I had an affinity for music and enrolled me in some children’s choirs and provided outlets to channel that into. There was no rhyme or reason to taking it up except that I just loved singing so much. I can’t remember a time that I wasn’t singing on a daily basis…I’ve been fortunate to be actively doing the thing I love most for nearly my entire life! I started playing the guitar around the age of twelve as a means to begin writing my own songs and, from there, it really started to feel like a career path.

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When did you move from Canada to L.A.? Are there big differences in terms of sound and the feel of the place?

I left Calgary when I was eighteen-years-old to go to Berklee College of Music in Boston and lived there for five years before eventually moving to L.A. in 2016. Canada has a wonderful and thriving music scene and, sometimes, I feel a little sad that I’m not as actively involved in it as I could be, simply because I’m not physically there and haven’t been in a long time. The fabulous thing about the Internet is that it makes the world so much smaller and so I am able to be actively part of the scene here and still keep up with what’s being made in Canada. I always felt drawn to being down here in the U.S. I don’t know exactly why, but I had this feeling, from a pretty young age, that it was where I was meant to be and I followed that intuition.

I love the music being made here right now. It’s an exciting time for music in L.A. It feels like anything is possible. It’s hard for me to pinpoint whether there’s a distinct difference in sound and feel between the places, but I will say that Canadian artists do seem to have this community and camaraderie and support for each other that is very special. I’d love to see more of that here.

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Which artists would you count as influences?

So many…I find myself being influenced by a lot of music that sounds absolutely nothing like the music that I make, and yet, I still learn deep lessons and store away information from them for my own work. Solange Knowles, Leonard Cohen; Sufjan Stevens, Kendrick Lamar; John Mayer, Joni Mitchell; Esperanza Spalding, Bob Dylan; Chance the Rapper, Chris Thile/Punch Brothers; Herbie Hancock, Cardi B; Frank Ocean, Harry Styles; Sampha, SZA; Elton John, John Coltrane; Miles Davis and Ryan Adams…just to name a few off the top of my head.

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Can we see you tour this year? What gigs do you have coming along?

As I’m still finishing up my album and have yet to set a release date (late summer sometime!), we haven’t booked a tour as of now. However, I will, of course, perform an album release show here in L.A. and in my hometown of Calgary when the time comes and I am in the beginning stages of conceptualizing and planning a live show, which I intend to be very visual and perhaps even a little theatrical. So, I’ll be spending the next few months plotting that and am looking forward performing again very soon.

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What do you hope to achieve in 2018?

My perfect 2018 looks like: I release this album, it resonates in a meaningful way with women and female-identifying people, I play some shows, someone somewhere pays me money for it and I have some very good meals.

Have you got a favourite memory from your time in music – the one that sticks in the mind?

Wow; this is a tough one…

There have been lots of great moments, but one is coming to mind. I seem to remember being a very quiet, socially-anxious teenager in high-school and feeling a little invisible and generally unsure of how to relate to my peers. There was some sort of an open mic thing happening at a coffee shop in town and everyone at school was going. I decided to go for it. I’d been playing out around town a lot, but no one at school really knew I played music. I was sort of living this double life: going with my mom to open mics on school nights and being exhausted the next day at school because I didn’t get to play until like midnight; recording demos on weekends, just doing whatever I could…but I hadn’t yet played my songs in front of people I knew.

I was terrified, but I got up there in front of everyone and played one or two of my own songs and people were shocked. I remember, just for this one night, feeling like people finally saw the real me and feeling appreciated and special. It was a nice moment and one of the first instances I can remember where I fell in love with performing my own music in front of people because it enabled me to be my truest self and made me feel like I had a superpower.

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Which three albums mean the most to you, would you say?

John Mayer – Continuum

Sufjan Stevens – Carrie and Lowell

John Coltrane – A Love Supreme

That was a very hard question to answer!

What advice would you give to new artists coming through?

Get good first.

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PHOTO CREDIT: Pisces Dreams/COVER DESIGN: Mark Nubar

Are there any new artists you recommend we check out?

Yes! My dear pal Alec Watson has a solo project called DPCD – he makes super beautiful acoustic music and has a truly stunning album out called Good Visions. It’s a must-listen. My friend Elizabeth Goodfellow, who is an amazing drummer and played the drums on my album, just released a fantastic album called Silly Sun. It’s the perfect summer album – super groovy, lots of synths; great balance of fun and depth.

Lara Somogyi, who I was also so fortunate to have play on my album, is an incredible harpist and she does a lot of really innovate things on the harp…she plays with pedals and different effects, ventures into electronic production; incorporates movement and just generally does a lot of unexpected and beautiful things on the instrument. Highly recommend checking out her work.

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IN THIS PHOTO: Lara Somogyi

Do you get much time to chill away from music? How do you unwind?

Yes, I definitely do. Although I do work really hard, I try to make a point of checking in with myself often and making time to relax and unwind. I’m really introverted and need quite a lot of alone time to feel good and I love being in my little apartment and cooking delicious meals.

I can get burnt-out quickly with music if I’m not feeding my creativity in other ways; so I try to consume a lot of art outside of music by going to galleries and museums frequently, going to the movies; seeing live theatre, reading lots; watching T.V, and spending quality time with my friends, who are an amazing group of creatives who understand this weird lifestyle and can commiserate and ease some of the pressure.

Routine is also really important to my well-being, and I have my little daily and weekly rituals that help me stay balanced (hiking, coffee-making; going to the farmer’s market, podcast listening etc.)

Finally, and for being a good sport; you can choose a song and I’ll play it here (not any of your music - I will do that).

Sister Golden Hair – America

A classic bop for this current L.A. weather!

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INTERVIEW: Austel

INTERVIEW:

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Austel

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THERE is a lot to digest in a song like Lost At Home…

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and its messages will connect with everyone. I have been discussing the track with Austel and what it means to her. She talks about filming its video and working with producer Adam Stark; if she is looking ahead to gigs and any other songs; which albums she courts as favourites – she recommends some new artists to have a good look at.

I asked her whether a change has come into the music; whether Austel has any plans for the remainder of the year; which artists she counts as idols; how she spends her leisure time – Austel provides some sage advice for new artists.

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Hi, Austel. How are you? How has your week been?

Hey! It’s been good, thanks. Busy, but good! Enjoying the sun.

For those new to your music; can you introduce yourself, please?

Austel is a new music project combining dark, moody songwriting with ethereal electronic soundscapes. I’ve been working both as a solo artist and in other bands for a few years, but the new direction in sound and songwriting for this project deserves its own platform. I started working with Adam Stark - my producer and bandmate - a couple of years ago and Austel is a combination of my singer-songwriter, Classical and Indie background with his experience as a composer and music technologist.

Lost At Home is your new single. Can you talk about its origins and story?

I wrote Lost At Home at a time when I was feeling very isolated and disconnected - from my surroundings, from other people and from myself. It’s about the uncomfortable realisation that the place you’ve tried so hard to convince yourself is where you belong is actually wrong and you’re compromising a huge part of yourself to be there.

The video interests me. Where was that filmed? What was it like to shoot?

The music video was directed by my friend, Matt Bell, who’s an incredible photographer and filmmaker. Matt followed me walking around London for two days with a camera and perfectly documented my experiences of feeling anonymous in the city.

It was a really cathartic video to make, as I retraced a lot of old footsteps and memories - visiting places I hadn’t been for a long time; making peace with unanswered questions and realising that what I’d been looking for was actually right here, within myself.

You are working with producer Adam Stark. How did you come to meet him? What does he add to the creative process?

Adam was one of the first people I met when I moved to London, which was pretty lucky! I was performing alongside his band Rumour Cubes at Glastonbury in 2013 and we quickly became friends. We started working on my music together in 2015 and it just worked really well - we totally understood each other’s ideas and share very similar influences. His background in composition, performance and music technology has added something (very) unique to the sound and sculpture of the songs.

He’s invaluable to the project; not only for crafting my songs with me and adding so many beautiful ideas to the production but, also, as a bandmate, all-round collaborator and friend.

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Have you noticed a change in you as a performer and writer? Do you think Lost At Home is your most confident work so far?

It’s funny, because the sentiment of Lost At Home is the opposite of confident: in fact; a lot of these songs document a time in my life when I was feeling really insecure and rudderless. However, through the process of writing, recording and releasing them; I feel like I’ve finally found my wings and started to let go of the things that I felt were holding me back. I’ve learnt so much over the past five years - both as a musician and a person - and am very excited to continue that journey.

Is there going to be more material coming later this year?

Yes! We have a debut E.P. on the way, which will be out in July. There might also be another single coming before that. Watch this space…

When did music come into your life? What was the reason for taking it up?

As far as I’m aware (and I know this is the biggest cliché), it was always there. I honestly can’t remember not singing or not being interested in music. My parents were both musicians and music lovers - there were always records playing at home and in the car.

I learnt piano from the age of five; went to a musical theatre school and performed in my school Jazz band and choir - so it was pretty inevitable that I’d end up writing my own songs and forming bands. It’s always been a very natural part of who I am.

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Which artists would you count as influences?

Eva Cassidy, Radiohead/Thom Yorke; PJ Harvey, Goldfrapp; Daughter, Bon Iver; The National, Bat for Lashes; Patti Smith, Jon Hopkins; Cocteau Twins/Elizabeth Fraser; London Grammar, Bonobo; Fever Ray, Nils Frahm; Jeff Buckley, Nina Simone; Johnny Cash, Martha Wainwright and Leonard Cohen…so many more!

Can we see you tour this year? What gigs do you have coming along?

We’ve just announced our E.P. launch show at The Finsbury, London on 23rd July! That’ll be our big show of the summer and then we’re lining a few things up for later in the year.

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What do you hope to achieve in 2018?

We’re releasing our EP, Unfold, in July alongside the launch show, so I’d like to see that do well and for people to enjoy it! Then, we want to continue making music, playing great gigs and meeting new people…this is just the beginning. We’ve got so many ideas.

Have you got a favourite memory from your time in music – the one that sticks in the mind?

I’ve had so many brilliant memories: it’s hard to choose just one! Most of my favourite memories of music involve being on stage singing songs and having a great time with people I love. It’s the best feeling in the world.

Which three albums mean the most to you, would you say?

This is the hardest question ever…but I’ll say:

Eva Cassidy – Songbird; Radiohead - The Bends and Bon Iver - Bon Iver…

PJ Harvey - Stories from the City, Stories from the Sea, Goldfrapp - Seventh Tree; The National - Trouble Will Find Me, Tracy Chapman - Tracy Chapman; Starsailor - Love Is Here, The Clash - London Calling and Elliott Smith - Either/Or are all strong contenders, too.

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What advice would you give to new artists coming through?

Stick to your gut, trust your own ideas; don’t compromise yourself or your art but, equally, don’t be scared of trying out new ideas. Surround yourself with good people who have your best interests at heart. Take a moment every now and then to zoom out, because it’s easy to forget how far you’ve come if you’re constantly looking ahead.

Don’t give up - there’s often something brilliant just around the corner; you’ve just got to keeping walking to get there.

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IN THIS PHOTO: Bryde

Are there any new artists you recommend we check out?

If you haven’t already, definitely check out my pals Amaroun, IDER; Bryde, Marie Naffah and Mono Club. All brilliant artists making amazing music.

I’m also totally obsessed with the new Middle Kids record at the moment.

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IN THIS PHOTO: Middle Kids

Do you get much time to chill away from music? How do you unwind?

Ha. My friends and family will all tell you that I’m terrible at switching off: I’m a bit of a workaholic!

It sounds simple, but one of my absolute favourite things to do is go for a long walk and listen to a record. It’s my time to think and get a bit lost in my head. I also draw a lot, write poems; read books and go to a lot of gigs, exhibitions and brunch dates with friends.

Finally, and for being a good sport; you can choose a song and I’ll play it here (not any of your music - I will do that).

Shortwave by Yo La Tengo - close your eyes for five minutes and escape.

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INTERVIEW: Dámì Sule

INTERVIEW:

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Dámì Sule

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WITH such a vivid and interesting road into music…

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I was keen to chat with Dámì Sule about his album, Rough Canvas, and some of the things that inspired the songwriting. He talks about growing up in Nigeria and moving to the U.K.; whether music holds spiritual sway and power; which artists he considers influences – Sule reveals plans for touring.

The songwriter tells me which three albums are most important to him; if he spends any time away from the rush of music; what advice he would give to new songwriters of the moment; a couple of underground acts we need to get involved with – he ends the interview by selecting a song that is in his mind right now.  

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Hi, Dámì. How are you? How has your week been?

I’m good, thank you. My week has been very eventful.

For those new to your music; can you introduce yourself, please?

I go by the name of Dámì Sule. I am twenty years of age. I write poems and I make music - born and raised in Nigeria for ten years and now living in Manchester. I would best describe my music as emotion-filled and, in some ways, thought-provoking.

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Rough Canvas is your first full-length. Can you tell me about the ideas expressed and what influenced its creation?

The whole idea of Rough Canvas is about portraying everything perfect yet imperfect. It is about finding your flaws and making it a canvas for everything beautiful to be made. I try to play with the ideas everyone can relate to, as well as drawing from my own day to day experiences. I try to believe my work is an embodiment of me; as to say I am my own influence in terms of sharing my lived experiences and putting it into my creation.

Chains seems to be a bit of a standout. Does that hold personal relevance and a special place? How did that track come together?

Chains is all about breaking free. It holds a lot of relevance in my personal life in terms of breaking the burdens ahead of me. As well as this, when writing for Chains, I tried to put myself in the shoes of the millions of common men and women I walk past in each day. I tried to put in words the problems we all face and reflect how restraining our problems can feel.

You are Nigerian-born. Do you take a lot of the music and spirits from Nigeria and put it into your work?

I definitely believe I am influenced by my upbringing in Nigeria, although I believe it's largely an unconscious process. However, in the future, I do aim to intentionally to induce the sound Nigeria carries into my music; in my pursuit to create something unique and closer to me.

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Which artists would you count as influences? Did music come into your life at an early stage?

It is really hard to consider which of the artist I listen to are influences as it isn't my aim to draw from other artists. I try to embody my own personal experiences into my music in order to make them relatable to the masses. Making music did not come to me at an early stage: I only understood the depth of my talent and how I could use it for good about a year ago.

I started writing poetry from my college days and, from then on, I began to understand what I was actually doing and what I could make it into - which is what I am doing today.

What, to you, does music mean? Does it hold a spiritual and awesome power?

Music is absolutely spiritual. That is why I aim to only create and preach positivity. I believe we listen to music in very spiritual ways in terms of when we are jubilant, sad etc.

How do you think you have grown since 2017’s (E.P.) Crayons? Have you noticed changes in your music?

I think, since my Crayons E.P., I have discovered more ways to use my voice in terms of playing around with different sounds and not sticking to a genre, B.P.M. etc. I am not the same person since making the Crayons E.P. - in terms of the fact I am older and have experienced different things since then; it has impacted my music by adding more depth.

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Can we see you tour this year? What gigs do you have coming along?

I am collaborating with The Pit LDN and Relentless Energy Drink to create a show called Introducing Dámì Sule with my live band The Youth Club. It is a show about introducing my sound to new ears. The date for the show is 21st June in Manchester – at the Zombie Shack - and tickets will be available through my website and Dice.fm.

What do you hope to achieve in 2018?

Growth. Growth has always been my aim each year. Everything else I consider as further blessings.

Which three albums mean the most to you, would you say?

The Score by Fugees, Dear Daisy: Opium by Kojey Radical and The Paradox by Jacob Banks are albums that I have indulged (plus, a couple more).

What advice would you give to new artists coming through?

To stay original.

It is very easy to sway towards the desires of others or what's the latest trend. Being original leads to longevity…and that's what I have learnt in my short time.

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IN THIS PHOTO: Indigo Dee

Are there any new artists you recommend we check out?

I would highly recommend you listen to ChinaLilly and Indigo Dee, who will be my special guest at my show on 21st June.

Do you get much time to chill away from music? How do you unwind?

I currently juggle university, placement and my part-time work away from music. So, in my very little downtime, I’m on my Xbox being LeBron James on NBA 2K18.

Finally, and for being a good sport; you can choose a song and I’ll play it here (not any of your music - I will do that).

Dry Cry by Wretch 32, Avelino (ft. Stacey Barthe)

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INTERVIEW: Hannah Scott

INTERVIEW:

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PHOTO CREDIT: Simone Lezzi 

Hannah Scott

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HER album, Pieces of the Night, is out on 22nd June…

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so I have spent the time speaking with Hannah Scott about its stories and messages. She tells me how she is adapting having been diagnosed with ankylosing spondylitis; what gigs she has coming up; if she has a favourite memory from music – Scott recommends a couple of newer artists worth some time and energy.

Scott talks about Stefano Della Casa’s role in her music and how important her time in Italy was; whether she gets any time to detach away from music; what she hopes to achieve by the end of this year; the artists she counts as idols – the young songwriter ends the interview by selecting a stunning track.

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Hi, Hannah. How are you? How has your week been?

Hi! I’m not too bad, thanks. A busy week leading up to the release of my new single, Boy in the Frame!

For those new to your music; can you introduce yourself, please?

My name is Hannah Scott. I perform ‘Contemporary Folk’ music with thoughtful lyrics and a distinctive voice (so I’m told!). I work closely with my creative partner, Stefano Della Casa, and we make, tour and release all the music just the two of us.

Pieces of the Night is your album, out on 22nd June. Can you reveal the inspiration behind the album and the moods contained within?

I would say these are honest songs about the human condition and human connection in an increasingly hectic world. These are songs inspired by family, hope and self-belief. I think, on first listen, it could come across as downbeat, but I hope there are positive messages to be taken from the lyrics.

Is it true you were recently diagnosed with a form of arthritis? Has this made a big impact on how and how often you perform?

Yes. I was diagnosed with ankylosing spondylitis (impressed if you can pronounce it: I’ve only just learnt to spell it…) about three years ago. In hindsight, I should probably have taken a break to look after myself, but I’m not very good at stopping. There have been times when Stefano has had to help me up and down from the stage! He always carries all our equipment and ends up looking like a roadie rather than an artist!

I feel guilty making you type some replies! Has that diagnosis, in a sense, made you more determined, or are you a bit more selective regarding what you write?

More determined, definitely. I try to use my physical pain to drive me forwards, even though it is tough at times. I would say I am probably more selective regarding the shows I do because travel is hard on my body. In terms of writing, I think I have a new perspective, but I’m not sure I’d say I was selective regarding what I actually write.

Many commentators and media sources have complemented your arresting vocals and beautiful songwriting. Did it take a lot of experimentation to get to where you are now?

I would say time, rather than experimentation. I’ve learnt my craft by doing it over the past ten years or so; I’ve learned how to be on stage by regularly getting up on stage and learned how to write (hopefully) good songs by getting my head down and writing.

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Who would you count as influenced regarding your own songwriting?

My early influences were artists such as Counting Crows, Ryan Adams; Ray LaMontagne - and I continue to listen to them today. Some of my favourite current artists include Christine and the Queens, John Smith and Foy Vance.

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PHOTO CREDIT: Simone Lezzi

How important is Stefano Della Casa with regards your music and progress? When did you two meet one another?

Paramount, I would say!

We met through a mutual contact when he was first moving to London and just started jamming together - and it went from there really. It’s possible we met years prior to that though because, when I lived in Italy, I regularly passed through the train station he was working in at the time! Over the past five or so years, we’ve been working very closely; all the songs on the album have been written together and I definitely wouldn’t be the artist I am without his input and presence.

Italy is where you spend a lot of time and split your time. Is it a great country to play and create in?

Yes. I’ve been in love with Italy ever since I went there just after my A-levels and decided to change my degree course to include Italian. I lived there for a year as part of my degree and that year was so important to the choices I have made and the direction I have taken. I love spending time there, whether it’s to write, perform or just be.

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Can we see you tour this year? What gigs do you have coming along?

Yes! Lots of festivals coming up over the summer. We have an album launch party on 21st June at The Nave on Bishopsgate in London and we’re also making our way north as far as Preston (Winedown, 14th June) and to Wales (Blue Sky Cafe, Bangor on 15th June). You can find more dates at my website.

What do you hope to achieve in 2018?

I’m looking forward to putting the new record out, getting on the road and meeting new people. I hope we reach some new ears with this music!

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Have you got a favourite memory from your time in music – the one that sticks in the mind?

I would say one of the highlights was performing live on Radio 2 on Dermot O’Leary’s show. He had played a previous single of mine, Hurricanes, on his ‘Some Mother’s Do Indie’ feature the previous week and it went down so well that they invited us into the studio for a live session the following week.

I also feel very privileged to have travelled with my music - not only to Italy but also twice to the U.S. (with funding from PRS Foundation and thanks to a successful PledgeMusic campaign) and Germany.

What advice would you give to new artists coming through?

Play live as much as you can, write as often as you can; see it as a journey rather than a destination.

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IN THIS PHOTO: IDER/PHOTO CREDIT: Lottie Turner

Are there any new artists you recommend we check out?

I’ve been enjoying listening to IDER and Talos recently - definitely worth a listen!

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Do you get much time to chill away from music? How do you unwind?

Ha! Occasionally! Yoga and swimming - and the moment to try and keep my body moving…

Finally, and for being a good sport; you can choose a song and I’ll play it here (not any of your music - I will do that).

Sara Bareilles – Satellite Call. LOVE this

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INTERVIEW: D.A.N

INTERVIEW:

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D.A.N

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I have been chatting with D.A.N about…

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his fantastic new track, 0300 (Human), and its nocturnal inspiration. D.A.N discusses new material and why he relocated from Northern Ireland to London; how it feels knowing his music is connecting with the public; what gigs he has lined up – I ask what music he grew up around as a child.

The multi-talented musician discusses his upbringing and bonding with music; which three albums mean the most to him; if he gets time to chill outside of music; the advice he would offer new songwriters emerging – D.A.N ends the interview by picking a pretty ace song.

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Hi, D.A.N. How are you? How has your week been?

I’m good, thanks. My week’s been pretty busy. I'm organising some upcoming things for the next few months.

For those new to your music; can you introduce yourself, please?

I’m an artist from Ireland, but I moved to London when I was eighteen. I’ve been playing and writing music since I was young – started on piano, classically, but I now create in an electronic, soulful world with a big focus on songwriting.

 

0300 (Human) is your latest single. I believe insomnia is at its heart of it. Is it based on your personal experiences?

The song is based on personal experiences - I’m definitely a person who likes staying up quite late and I think it’s in those hours when you really start to delve deep into your thoughts. The track is an admission, really, that, sometimes, I’m not totally strong and, like anyone, there are times where I break and don’t have everything together. But, by writing the song and being honest about that, it had a positive effect and it made me feel stronger.

That hour, '3.A.M.', is when we shift from consciousness to dreams. What is it about that time/mindset that compelled you to write? Is insomnia, in a way, conducive to inspiration and creativity?

I think the song’s quite autobiographical – 3 A.M. happened to be the time when I wrote it and the lyrics are the narrative of everything that was going through my mind.

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PHOTO CREDIT: Cora Hamilton

What comes next in terms of material? Might we see an E.P. later this year?

There’s definitely more music happening this year…pretty soon, actually. I’ve been living with it for a while, making sure it’s the best it can be and that it feels right, so I’m really looking forward to finally putting it out.

You are Northern Ireland-raised but live in London. What is the scene like there at the moment? What provoked the move?

I moved to London when I was eighteen - I always wanted to live here. I’d been a few times when I was younger and it seemed like the best place to pursue my music and work with the people I was inspired by. It’s such a fast-paced environment that it really teaches you to focus on what you’re doing and drives you to take it to the next level. I studied Popular Music at Goldsmiths for three years, too, and there’s always lots of stuff happening south of the river as well. I think there’s pretty much something for everyone here.

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Your music has proved popular with fans and the media alike. Does that (popularity) drive you forward to keep reaching and aiming high?

It definitely reinforces that people might like it, which I’m really grateful for. But, I think the main thing that motivates me is the connection people have with the songs. When someone relates to a subject that I’ve experienced or written about, it’s the best feeling because you feel like you’ve expressed something that people can share and take comfort in.

Give me an impression of the artists you were raised on. Was your childhood home a musical one?

My family wasn’t overly-musical but we definitely had our car trip favourites – it was a mixture of everything from Björk to Damian Rice to Shania Twain. I’d say I always really gravitated towards Pop music too and I loved a lot of that; artists like Gwen Stefani, Marina and the Diamonds - that kind of vibe. Then, I studied piano and violin classically until I was eighteen, which was a good discipline for understanding music in a different way; some of these traits I probably then transferred when making Pop music.

Do you have any gigs lined up? Where are you heading?

Some summer gigs are being confirmed at the minute, so I’m excited to announce those soon…

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 PHOTO CREDIT: Joe Hunt

If you had to select three albums that mean the most to you; which would they be and why?

Lorde – Melodrama

I think this one of the best Pop albums. It’s so instantly gratifying on a listening level but its lyrical content is what makes it so relatable. It’s a really beautifully crafted album, too. It has intricacies no other artists ever really discuss or looks into, lines like: “I overthink your punctuation use” and “I care for myself the way I used to care about you”. A modern twist without feeling overdone. Writer in the Dark is one of my favourites on it.

James Vincent McMorrow – We Move

I really love this album because of how delicate it is, but also because it knows the right moments to swell and blow up; a lot of moods to it. I’ve been a huge fan of his since We Don’t Eat and If I Had a Boat. I think this album pushed things to a new level, too, in terms of production: it merges Pop sensibilities with attention to songwriting. My favourites are One Thousand Times and Get Low. 

Jessie Ware – Tough Love

Tough Love feels like a really sophisticated Pop record. It’s got that understated voice with really luxurious production throughout. I’m a big Jessie Ware fan, so all of the albums hold a big place in my heart. Say You Love Me is one of those perfect Pop songs. It absolutely hits the nail on the head; every line means something and has a purpose – it’s strong but entirely vulnerable at the same time, which is a quality I really love in songwriting.

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What do you hope to achieve in 2018?

In 2018, I hope to keep putting out and making more music that I’m proud of, more live dates and, hopefully, reaching more people that find a connection with it too.

Have you got a favourite memory from your time in music – the one that sticks in the mind?

Being able to work with Dave Okumu has created some of the most beautiful experiences I’ve had in music  - he’s been at the heart of so many of my favourite songs, so I feel really blessed that he’s a part of mine too.

What advice would you give to new artists coming through?

Do what feels right and plan as much of it yourself as possible. Work with people who make you a better artist and who give you good energy.

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 IN THIS PHOTO: Nilüfer Yanya

Are there any new artists you recommend we check out?

There’s an artist I really like called Jamie Isaac. He’s releasing a new album soon - the song, Wings, is great.

I also love this artist called Nilüfer Yanya – the track, Baby Luv, is definitely one of my favourites.

There’s an Australian artist called Alexander Biggs. Very chilled and I really love his track, Out in the Dark.

Definitely, Grace Carter. I’ve been a fan for a while, but everyone should listen to her track, Silence. It’s one of those songs I wish I’d written.

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 IN THIS PHOTO: Grace Carter

Do you get much time to chill away from music? How do you unwind?

Yoga and walking are really great ways to take a step aside from everything for a while. I also love designing visuals and reading magazines (too) for inspiration.

Finally, and for being a good sport; you can choose a song and I’ll play it here (not any of your music - I will do that).

George Michael – Faith

This is one of my favourite songs. It’s one of those tracks that feels completely Pop but also discusses a subject matter that everyone probably can relate to at some stage. It’s a man being completely honest, which makes him a stronger character in the end, all at the same time making you feel great and helping when you listen. A genius Pop song.

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INTERVIEW: Auld

INTERVIEW:

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Auld

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THE music industry needs more artists…

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like Auld right now. I have been speaking with him (Thomas Pitts) about his sound and what he can reveal regarding his new song, Bugs in my Gut. He explains why he chooses to be genre-fluid and unlimited; how it felt seeing the positive reaction to his E.P., Curriculum Vitae – I ask whether there will be any gig dates approaching.

Auld talks to me about albums that mean a lot to him and his musical tastes; whether there are any new artists we should look out for; what we can expect from one of his live shows – he ends the interview by selecting an impactful and emotional song.

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Hi, Auld. How are you? How has your week been? 

Hello. I am pretty good; thanks very much for asking. I’ve just had a meeting with the new ‘Auld’ mascot. I am yet to get a manager or label so I’ve settled for a mascot. What he lacks in industry contacts and know-how he makes up for in morale-boosting. 

For those new to your music; can you introduce yourself, please?

My name is Thom and I am Auld. I make brooding, Electronic; Alternative, Indie-Pop.  

If applied accurately, each song should make you wanna dance and make you wanna cry; ideally, at the same time.  

Your music is genre-fluid and wide-ranging. Do you think too many artists are restrictive and narrow when it comes to their sounds? Do artists need to be a bit broader with their music? 

I can’t say what other artists should do with their music. I’ve always tried to be different because that’s what excites me and I’ve never been very good at copying what others do. That’s why I’d be rubbish in a wedding band - I hear that’s where the money is though…

Can you tell me about Bugs in My Gut? What is the inspiration behind it? 

My mascot will tell you It’s about being a sh*t person that wants so much love and respect from people but gives so little back to the world. 

I would tell you it’s about social anxiety. 

Your E.P., Curriculum Vitae, is out there. Have you been pleased with the response to it? What was it like putting it all together? 

I’ve been very pleased with it. It’s the best work I have done and it has had some very lovely write-ups. It was a pleasure to create. Writing is my favourite part of the whole process and trying new and different ways to structure songs is something I am finding very exciting now…I don’t get out much  

Did music come into your life early? Which artists struck your tender ears? 

My earliest music memories are listening to Bruce Springsteen and Tom Petty in the car with my parents on the way up to Scotland. It must have been when I was about five or six and I don’t have the greatest memory as a rule, but I remember that very vividly.  

It was when I was obsessed with the Spice Girls that I started writing songs. They were nearly all Pop bangers and they were about Boy Power and boys’ rights.

I was ahead of my time… 

Do you already have more material brewing? How far along are you looking? 

I am currently recording two E.P.s, which will make a full album. The album will be out by the end of the year. The first E.P. should be out by July. It’s not as electronic as this E.P: it’s gonna be a full band set up like they did in the early-noughties. 

Can we see you tour this year? 

October is tour time.  

What gigs do you have coming along? 

Just doing some acoustic gigs over the next few weeks and looking for London shows for when the E.P. is out. 

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What form do your live shows take? If we wanted to come along and see you play; what might we see and experience? 

We have been playing full band recently. There are six of us. We try to make it just on the edge of uncomfortable viewing so people stay interested. 

When it’s too difficult to get the band to join me, I play solo with samplers and guitars and synths. I just try to look as busy as possible. 

What do you hope to achieve in 2018? 

My main aim is to just get the music out there to as many people as possible. If I could start paying the rent with my music then that would be a good start.

I’ve got to get better at the whole social network game, as just having really amazing, superb songs aren’t enough anymore. This is why I have brought in a mascot/sponsor/marketing man to help me. 

Have you got a favourite memory from your time in music – the one that sticks in the mind? 

Someone once said my stage presence seemed quite ‘threatening’. I’m one of those boring people that people describe as ‘too nice’, so it was a dream come true to come across as threatening. 

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Which three albums mean the most to you, would you say? 

The first three that popped into my head were:

Arcade Fire - Funeral

Franck Ocean - Blond(e)

Tom Waits - Rain Dogs 

Rain Dogs always comes to mind whenever a question like this comes up and Funeral has definitely had the biggest impact on me over the last ten years or so; more than any other album. Blond(e) I choose because it’s the only album I’ve had downloaded to my phone for the last year and a half and the album as a whole is beautiful and unpredictable and, after a year and a half of listening to Nights and White Ferrari, I still get shivers of joy every single time. 

What advice would you give to new artists coming through? 

Don’t eat meat.

Be the best.

If you become successful, always remember your old pal ‘Auld’.

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IN THIS PHOTO: High Hazels

Are there any new artists you recommend we check out? 

We supported the High Hazels a couple of weeks ago. They are from Sheffield and they are beautiful: if Beach House were four lads from Sheffield then that is High Hazels. I hope that’s a compliment it is meant to be…

I am also very excited for Self Esteem’s album. It’s Rebecca from Slow Club’s solo project. 

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Do you get much time to chill away from music? How do you unwind? 

When I’m not doing music, I’m working any job I can get to pay for rent and recording. 

I’ve worked at every tourist attraction in London and I’m now doing some office work, just to get that full nine-to-five horrible commute experience I’ve heard so much about. It’s all good inspiration though. 

Finally, and for being a good sport; you can choose a song and I’ll play it here.

Frightened Rabbit - Fast Blood 

A superb songwriter, a beautiful human and a huge loss.

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Follow Auld

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INTERVIEW: Madison Ryan

INTERVIEW:

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Madison Ryan

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SHE is a teenage star-in-the-making…

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who is turning heads in the U.S. I have been learning more about Madison Ryan and her debut E.P., Primary. She tells me about the scene in Harrisburg, PA, and which albums influence her most – I ask whether there will be any tour dates coming and if she will pop by and see us in the U.K.

Ryan tells me when music came into her life and what advice she would give to new artists; if there are any artists she recommends we check out; how she spends time away from music; what she hopes to accomplish before the end of the year – Ryan selects a rather quality track to end the interview with.

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Hi, Madison. How are you? How has your week been?

Hello! I’m doing great, thank you! My week has been pretty relaxed and slow so far. 

 For those new to your music; can you introduce yourself, please?

My name is Madison Ryan. I’m eighteen-year-old Pop/Rock artist from Harrisburg, PA! I just released my debut E.P., Primary. 

 

What can you reveal about your E.P., Primary? Are there consistent themes and ideas that inspired the music?

This record is me in a nutshell.

A lot of the themes on this E.P. have to do with relationships; not just romantic ones but ones with myself, my peers and my goals. I chose to call the record 'Primary' because this is my beginning. It’s such a strong and bold word to me and I really wanted to capture that vibe with all the songs and the E.P. as a whole.  

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Was it a good experience putting it all together? Are you excited to get it out there?

It was such a great experience putting it together. I learned a lot about myself, not only as an artist but as an individual as well. It’s definitely been a long time coming and I’m so excited to finally be able to share it with the world. 

You are from Harrisburg, PA. Is the area quite busy in terms of music – or is it difficult getting your voice heard?

I’d say Harrisburg has an up-and-coming music scene. It’s pretty small but I love that: everyone knows everyone and we all work together as fellow artists. It’s really cool to have a community of artists that feels like a family. 

When did music come into your life? Which artists influenced you to write your own stuff?

Music has been in my life since before I was even born. I grew up in a musical household; it was always present. I’ve been influenced by so much over the years. To pick one main influence that inspired me to write my own music, it would definitely be Taylor Swift. I always admired how she told stories through her songs and could describe things so perfectly and cleverly. 

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Can we see you tour this year? What gigs do you have coming along?

At the moment, I have nothing lined up tour-wise. But, I do have a packed summer! I’ll be playing SummerFest in Milwaukee this July as part of the Emerging Artists Series on the Johnson Controls World Stage as well as some other cool festivals and hometown shows. 

Might you come to the U.K. and see us here?

I would LOVE to come to the U.K. It’s on my bucket list! 

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You have played some great festivals and dates so far. Do you find yourself growing in strength with every performance?

Each show is a definitely a learning experience. I grow each time, mentally and physically. After every show, I look at how I can make it better for myself and my audience. 

What do you hope to achieve in 2018?

In 2018, I hope to write more, play as many shows as possible and continue to grow as an artist and as a person. 

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Have you got a favourite memory from your time in music – the one that sticks in the mind?

My favorite memory so far was seeing Primary chart on Billboard. I never thought that was possible and I’m so grateful for all the opportunities I’ve been given. It’s truly humbling. 

Which three albums mean the most to you, would you say?

Abbey Road by The Beatles, 1989 by Taylor Swift and Mister Asylum by Highly Suspect

While these three albums don’t have much in common with each other, they have influenced my songwriting so much. These have stuck with me over the years. I can listen to these albums front-to-back, nonstop and never get tired of them. As a songwriter, that’s something I hope to achieve someday. 

What advice would you give to new artists coming through?

To new artists, the most important thing (as cliché as it sounds) is to never give up. There will be so many times, at the beginning especially, where you just want to throw in the towel. But, it’s all worth it. The highs, the lows…everything. Never stop working hard and always be kind. 

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IN THIS PHOTO: The Aces

Are there any new artists you recommend we check out?

I’m really into this new girl group right now called The Aces. I’ve been listening to them a lot lately. Definitely, check them out! I’m also really digging Tove Styrke lately. She just released a new album and it’s amazing. 

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IN THIS PHOTO: Tove Styrke

Do you get much time to chill away from music? How do you unwind?

Music is my life, even when I’m unwinding I’m always still thinking about music or at least listening to music. But, if I do get time to relax, I’ll usually just wrap myself in blankets and binge-watch Netflix shows while drinking coffee. 

Finally, and for being a good sport; you can choose a song and I’ll play it here (not any of your music - I will do that).

Hard Feelings/Loveless by Lorde!

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Follow Madison Ryan

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INTERVIEW: Alex Dingley

INTERVIEW:

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Alex Dingley

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I have been aware of Alex Dingley's music for a while...

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so it was cool to chat with him about the track, Not Alone in the Dark. He tells me about his lauded album, Beat the Babble, and releasing it in the U.K. through Libertino Records; what it was like travelling to the U.S. to record it - he reveals his favourite song from the album.

I ask Dingley what it was like working with Cate Le Bon on that record and what comes next; the musicians he counts as idols; whether there are going to be any gigs coming up; whether he gets time to unwind away from music - he selects a couple of new acts to get behind. 

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Hi, Alex. How are you? How has your week been?

Great thanks. SUNNY. I think I may have heatstroke!

For those new to your music; can you introduce yourself, please?

Hello. I'm Alex Dingley.

Not Alone in the Dark is out and about. I have heard the song. Can you reveal the story behind it?

Ummmm. I'm probably the last person you should ask...

I can lose track of where songs come from and my writing process can get quite convoluted before I filter it down again. I guess that one possible answer (of many to this question) is that I'd been watching a lot of Twin Peaks and went down a David Lynch YouTube rabbit hole; ending up where he was talking about his meditation and where thoughts come from; how they start off as 'a feeling' and bubble through the subconscious as garbled strands of half-formed mental data (I'm desperately paraphrasing here); being filtered by memory/experience/ego before emerging in sharp focus as an idea that can be expressed.

I had a notion of writing a song using these principles as a kind of lyrical template. Not necessarily THIS song but, in the end, the song and the idea fitted together. My theory was always that the 'feeling' of the song needed to be strong enough to carry the idea. Whether it worked or not, I guess isn't for me to say.

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It is from the album, Beat the Babble. Birth Records put it out in the U.S. How come it is only now getting a U.K. release (via Libertino)?

Sometimes, we're all just drifting on the sea waiting to get caught by the right wind!

Is there a cut from the record that stands out to you?

If I Asked You to Dance. Everything was live, nothing was added; nothing was taken away. It’s just the sound of those people (Cate, Tim and myself), in that room, on that day and at that time. It's like a photograph. For this reason, I find it very evocative.

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Tell me about Cate Le Bon’s involvement in the album? How did you come to meet her?

Cate and myself come from the same area of Wales. She's one of my oldest and dearest friends. She's so busy these days that doing something professionally together is the only way I get to see her.

You travelled from Wales to the West Coast of America to record it. What was that experience like? Why did that part of the world speak to you?

I felt that, if making the record was an adventure, then I'd make a better record. San Francisco was the adventure. I'd been a big fan of Kerouac, and his descriptions of California are so vivid and tangible. It was a thrill to be in the land of so many of my favourite books. We were in a place called Stinson outside San Francisco and the coastline was just jaw-dropping and so primal. I kept expecting to see a pterodactyl fly out from behind the trees.

On my day off from the studio, I went hiking through the Redwood forests, which led all the way down to Muir Woods. There were signs along the path warning you to make noise as you walked so that you wouldn't surprise a Mountain Lion out in the open – in which case, it could turn on you. I didn't take any chances and walked through this beautiful, giant; primaeval, empty forest singing nonsense at the top of my voice and clapping my hands. I passed a couple of old walkers who thought I was demented. I don't think I've ever been so happy!

There are various influences working in your music? Do you have particular musical heroes and early memories of experiencing music?

Ummmm. I dunno. For some reason, I find it hard to settle on a musical hero for any length of time. I think it's because it can be such an ephemeral medium and, possibly, gets distorted by fame more than any other art form. Today, though, it's Vivian Stanshall, Tom Waits; Graham Coxon and Euros Childs. One of my earliest childhood musical memories was listening to Lola by the Kinks and having that dawning moment of realisation about what it was on about! It felt like a rite of passage into a more adult world.

I’ve always loved music that promises to reveal some important secret to you. It gets harder to find as you get older, but it's still out there.

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Do you think there will be any more material coming later in the year?

Hope so. There's an album clanking around in there somewhere. I just need to get it out.

Can we see you tour this year? What gigs do you have coming along?

The album launch is in Cardiff on 16th June. We're going to be putting some more dates together. Keep an eye out at the Libertino webpage for details as they come in.

What do you hope to achieve in 2018?

Learn to speak Welsh. I go to classes. I'm getting better!

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Have you got a favourite memory from your time in music – the one that sticks in the mind?

Oh, God! There's a question. Most of my favourite moments wouldn't mean much to anyone else. One of my happiest memories is sat in the back seat of a car with the sun coming through the window on the way to a gig, and another adventure with Ween blasting out through the stereo. All excitement and possibilities!

I'm still a sucker for those feelings of togetherness that you can get from playing music with other people. I'm very lucky to have met so many amazing people through music.

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If you could support any musician alive today, and choose your own rider, what would that entail?

HA HA! This is one of those 'fantasy' questions yes?! I'm afraid I'm not very good at these. I've never bought into the nostalgia gig scene. My favourite time to see an artist is just before they reach their peak; when they're still pulling up trees to get there and it's exciting for everyone. You get to see them in better, more intimate venues too. Things get so sanitised and impersonal in those big places.

My favourite new album of the last year was Baxter Dury’s Prince of Tears, so I guess I'd love to support him to hear that record live. I don't really care much about a rider (red wine/olives/pistachios/bananas for luck) - what I'd really love is to have someone drive me to the gig, set up my gear; pack me up afterwards, drive me home and break the infernal cycle of carrying amplifiers up and down stairs!

What advice would you give to new artists coming through?

Don't listen to anything I say: I'm the worst person to give advice.

If you asked me again, though, and really pushed me, then I'd probably say:

As far as I can tell, every doubt about your own ability, about the worth of what you do; about the point of it all has been shared by pretty much every creative person, in every creative medium throughout the whole of mankind’s creative history. Keep at it.

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IN THIS PHOTO: Accü

Are there any new artists you recommend we check out?

Accü is amazing. She’s also found a home for her new record at Libertino. We're all a bunch of mongrels, really.

Farm Hand is great, too. It's Mark from Islets’ solo project. It's really interesting stuff. His gigs are always so incongruous. I love it!

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IN THIS PHOTO: Farm Hand

Do you get much time to chill away from music? How do you unwind?

I think that music probably IS the way that I unwind. I take my frustrations and pent-up aggression out on a guitar or a piano. My house is full of half-destroyed instruments. The angry sessions can be the most fertile, because your brain turns off and your subconscious takes over. Otherwise, I like to read. My favourite thing is to find an author that I like and to read everything they've done. Cate introduced me to Kurt Vonnegut last year and I've almost finished his novels. Next up are his collections and short stories.

H. Hawkline introduced me to Richard Brautigan the year before that and I did the same thing with him. Brautigan shot himself in Bolinas, which is the community next to Stinson where we recorded Beat the Babble. The people in Bolinas were known locally for being reclusive and they must have been so PISSED at a world-famous author killing himself in their town.

Now, they're known GLOBALLY for being reclusive! They keep ripping down the road signs which, at one time, must have made it a difficult place to find. I don't think it's such an issue now people have sat nav on their phones...

Finally, and for being a good sport; you can choose a song and I’ll play it here (not any of your music - I will do that).

Thank You! I'd like to choose Corner Shops from Cate (Le Bon) and Tim Presley's (DRINKS) Hippo Lite album

Many Thanks!

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Follow Alex Dingley

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INTERVIEW: EazyMan

INTERVIEW:

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EazyMan

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WITH his latest smash out there…

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I have been speaking with EazyMan about Hurdy Gurdy and its story. He discusses the albums that mean a lot to him and the sort of music he was raised on – I ask whether there will be more material coming later in the year.

EazyMan talks about a new artist he has just found and what advice he would give to new artists; what he wants to achieve by the end of the year; what it feels being backed by DJ Target (BBC Radio 1Xtra); what he does away from music – he shares his favourite memory from music so far.

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Hi, EazyMan. How are you? How has your week been? 

Hi, guys. I’m all good, man! Had a great week; the weather has been 10/10.

For those new to your music; can you introduce yourself, please? 

I am a U.K.-based rapper who goes by the name EazyMan.

 

Hurdy Gurdy is your new one. Is there a story behind the song? 

Well. When I was growing up, the Nokia was the phone to have and I always used to rap to the Hurdy Gurdy ringtone back in the day, so I just thought I would get a track built based on it. My friend, Wisper, is a big U.K. underground producer so I went to him and he built this masterpiece. I instantly started writing to it once I heard it and the track just came together.

It is an 8-bit, ringtone-inspired track. It is quite nostalgic in a way. Do you often look to the past when it comes to music influence?

I look everywhere for influence:  the past, the future; old artists, new artists; anything can inspire me. I just listen to the instrumental a few times and catch a vibe. My most important thing is to feel comfortable when I’m making music.

What is it about those Nokia ringtones and the phones of the past that stuck in your mind? Did you have any embarrassing moments where your phone went off or caused blushes?

Well. I grew up with these phones as a teenager, so they will always have a place in my heart. I always keep a couple tucked away for old time’s sakes. I can’t really think of any embarrassing moments that I’ve had with any phone…

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Is there going to be more material later in the year? 

Yeah, most definitely I’m working towards a project at the moment and should have something ready by the end of the year. For now, I’m going to keep releasing these singles and continue to give my fans the best version of myself that I possibly can.

The likes of DJ Target (BBC Radio 1Xtra) have supported you. How does it feel having some big names behind you? 

It’s a great feeling, you know! I mean, to know that my music is being supported by some of the most respected DJs and figures within the music business is extremely humbling. It makes me feel confident that I’m doing the right thing and to keep pushing. 

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What sort of music were you raised on? Do you have any artists you’d count as idols? 

I grew up in the '90s on Hip-Hop and R&B which, I believe, were one of the best eras in music history so, for that, I am very glad. I listened to so many artists growing up. When I was young, I would listen to Snoop Dogg, Biggie Smalls; 2 Pac etc. and then, as I got a bit older, it was Mobb Deep, DMX and The Lox.

My favourite artist would have to be 50 Cent, because he had a really big influence on my life at a time when I was not coping so well as a teenager. Listening to his music made me believe anything was possible - and I still believe that till this day.

What do you hope to achieve in 2018?

I’m just going to keep putting out quality music that people can enjoy and listen to with a smile on their face. I’m 100% sure that that one banger is going to come and the world is going to recognise me one day for my talent but I’m not rushing anything; it’s one step at a time.

Have you got a favourite memory from your time in music – the one that sticks in the mind?

My favourite moment was, most definitely, last year when I performed at Halo nightclub in Bournemouth alongside Giggs and the crowd really showed me love. The feeling of all those people rocking to my music was just surreal.

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If you could select the three albums that mean the most to you; which would they be and why?

50 Cent’s Get Rich or Die Tryin’ would be number-one

The reason would be because it got me through some dark nights - and the drive to go and chase my dreams - and I still live with this mentality today.

Second, would be Mobb Deep’s Infamy

I think that every song on this album is a banger! Havoc and Prodigy are two of the best musicians ever in my eyes and, together, their music just does it for me. They also have that hard street vibe which also helped me when I was out hustling on the roads back in the day.

My third choice would be a few so I can’t choose one, but I would say it’s between Life After Death by Biggie Smalls, I Am by Nas; Gangster and a Gentleman by Styles P or It’s Dark and Hell is Hot by DMX.

What advice would you give to new artists coming through? 

Enjoy the journey, be original and make music that you like. Don’t let anyone dictate what direction you want to go in because music has no limitations.

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IN THIS PHOTO: Ambush Buzzworl

Are there any new artists you recommend we check out?

Recently, I have been focusing on my own music so haven’t really been checking out any other artists music that much, but I was on Spotify the other day and I came across a guy called Ambush Buzzworl. I have never heard of him before but he has a track called Blood and I like it a lot so go check it out.

Do you get much time to chill away from music? How do you unwind?

I believe life is all about balance. So, I always mix things up. You know; too much of one thing can be bad for you. I always spend time with my family. My wife likes to watch films, so it’s usually cinema or something. We are also into our food, so we always out eating or clothes shopping.

Finally, and for being a good sport; you can choose a song and I’ll play it here (not any of your music - I will do that). 

Ok. Play 50 Cent - Patiently Waiting

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Follow EazyMan

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INTERVIEW: Sam and the Womp

INTERVIEW:

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Sam and the Womp

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I have been speaking with…

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Sam and the Womp about the new single, Posh Ragga. It is a busy and blissed track that gets the body moving and the spirits rising. Sam (who plays alongside Bloom in the duo) talks to me about their Bee Sides E.P. and what comes next; what they want to accomplish before the end of the year – what it feels like being compared to Dance innovators such as Basement Jaxx.

Sam tells me what comes next in terms of gigs; if he and Bloom get time to unwind away from the demands of music; the music they grew up around; how they got together and found one another – they each select a track to end the interview with.  

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Hi, guys. How are you? How has your week been?

We good but manic! Juggling various recording projects and deadlines; promoting the new single and E.P. as well as organising gigs and moving house!

For those new to your music; can you introduce yourselves, please?

We are Sam and Bloom, A.K.A., Sam and the Womp - famous for the hit song Bom Bom back in 2012. I (Sam) play the trumpet and Bloom sings. We both write the music and play various other instruments.

We like to dance and make people dance to! 

How did Sam and The Womp come to be? What was the reason behind that name, too?

I met Bloom on my birthday ten years ago and we jammed and loved what each other sounded like! The band came into being after enjoying festivals back in 2009, where we found a love for Gypsy, Ska and Dance music and thought a fusion would be fantastic! The Womp is the sound the bass makes, and the essence of what we do is brass and bass i.e. Sam and the Womp! 

Sam and Bloom. You have eclectic tastes! Which musicians did you grow up around?

We both grew up loving Radiohead and Miles Davis as well as Beastie Boys and Nirvana!

 

Talk about the track, Posh Ragga. What was the story behind it?

Posh Ragga has its roots in Turkish and Jamaican music. Sam met MC Solomon when on tour in Holland with another band called Brassroots (funky brass band) and got on well, so asked him to collaborate on this track and a few others. Solomon has been involved with the band on and off since the beginning. The rapping adds another dimension to the band, especially live.

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It harks back to the sort of sound Basement Jaxx were producing around their debut, Remedy. Do you think Dance music has lost that colour and expressionism?

I think a lot of music, especially Dance music, these days has lost true feeling and is very synthetic. We try to bring real live vibes to the recordings. Basement Jaxx also did this - and we have been compared to them often.

Your Bee Sides E.P. brings together some songs many might not have heard. When did you realise the songs featured on the E.P. warranted further airing?

We have been holding back a lot of tracks which were not really singles but great album tracks or B-sides for a number of years and felt, if we didn't release them now, we never would! These tracks always go down well live. 

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Are you looking ahead to further material and what comes next?

Yes! We wanted to build a bit of momentum this spring with the Bee Sides E.P. before releasing our brand new, super-fresh summer single. 

What do you hope to achieve in 2018? 

We hope our new music will be listened to, danced to and played out around the world! We are really excited by it all and looking forward to playing at the festivals this year.

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Have you each got a favourite memory from your time in music – the one that sticks in the mind?

Not one but three key moments! Playing at the Secret Garden Party and everyone singing back the lyrics to Bom Bom for the first time was amazing. Going on tour to Australia was even more amazing and playing Wembley Arena to 10,000 kids screaming was unbelievable! 

If you could support any musician alive today, and choose your own rider, what would that entail?

Supporting The Prodigy would be sick as they have such an amazing live vibe! Radiohead would be amazing for Bloom's new project or, if we're feeling jazzy, Wynton Marsalis - my childhood trumpet hero! 

I would like a Sunday roast for the rider with all the trimmings! 

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What gigs do you have coming up? What does your live show usually entail? 

We have our first festival on 26th May at HowTheLightGetsIn over in Hay. The audience is always very receptive and up for womping! We will perform trumpet, voice and .D.J (Dan - Sam's cousin) for this one. Bloom - artist name: 'Bloom de Wilde' - will also play a separate solo set on piano/guitar.

Lots of other festivals this summer with this line-up and the full live band is coming out in force later this year at Wilderness Festival. This is the real deal! Bloom, Sam and Solomon, - trumpet, sax; trombone, tuba bass/synth; keyboard, drums and FX!

What advice would you give to new artists coming through?

Be true to yourself - make the music you want to make, not what you think people will like. Be as live as you can on stage! Have fun! 

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IN THIS PHOTO: The Comet Is Coming/PHOTO CREDIT: Fabrice Bourgelle

Are there any new artists you recommend we check out?

Check out The Comet Is Coming – an amazing sax, synth and drums trio!  

Do you both get much time to chill away from music? How do you unwind?

Not much chilling happening at the moment as we are parents, but we have really enjoyed the recent hot weather and going to the fun fair - we went down the helter-skelter on Monday! 

Finally, and for being good sports; you can each choose a song and I’ll play it here (not any of your music - I will do that).

Bloom: Planet Dust - Bad Company

Sam: Dancing with the Moon - Balkan Beat Box

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Follow Sam and the Womp

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INTERVIEW: Sylvette

INTERVIEW:

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Sylvette

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SYLVETTE are a fantastic Manchester band…

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who have been talking to me about their latest single, Rebirth, and the inspirations behind their album, Waiting in the Bliss. I ask the guys how they got together and what the scene is like in Manchester; the music they are influences by – they recommend some new artists we need to investigate.

Sylvette reveal where their name came from and what they have coming later in the year; where we can catch them on the road; whether they have time to get away from music; what special memories stick in their mind – the guys each select a song to end the interview with.

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Hi, Sylvette. How are you? How has your week been?

We’ve been great, thanks. We have just finished our U.K. tour, which was incredible, and now Charlie (our singer, guitarist and main songwriter) is on tour with New Order in Italy and Austria; so we are having a short break from writing. We’re all really excited to get back to playing together and preparing for our gig at Dot to Dot later this month!

For those new to your music; can you introduce yourselves, please?

We are a five-piece Art-Rock band from Manchester, taking influence from the likes of Radiohead, Neutral Milk Hotel and Jeff Buckley. We’ve been playing together for just over two years and, in that time, we have done a huge amount of gigging across the U.K. - and we have just released our debut album Waiting in the Bliss.

Rebirth is your latest single. Can you describe what inspired it and the story behind it?

When I started writing Rebirth, I had an image in my mind of a man trapped in limbo after passing away. There he faces images of his past life and after working out the meaning of this he can break away and be reborn. I was reading a lot of Terence McKenna and practicing lucid dreaming during the writing process, which got me thinking about the afterlife and the idea of multiple different realities.

It is from your debut album, Waiting in the Bliss. Are there particular themes that influenced the songwriting? What was the experience like of putting the album together?

The album has a mixture of personal and concept based songs both of which were written across a long time period. A couple of the songs on the album reflect on growing up and the transition into adulthood and then a couple of the other tracks focus on the idea of the afterlife, death and rebirth.

I think it turned out this way because I was reflecting on leaving home and leaving that part of my life behind and, also, my relatives who passed away during the making of this record.

I believe you all come from different part of the U.K. and have wildly different musical tastes. How did the band find one another and coalesce into the cohesive unit we find now?

We all met in Manchester at Music College but Pete is the only Mancunian in the band. Although we all have different tastes; when we play together it just feels right - and it has done from day one. We all have a collective understanding of what we are trying to achieve. Artistically, our musical understanding of each other is getting stronger all the time. We all feel very lucky to have found each other.

Tell me about the real-life ‘Sylvette’: Picasso’s muse, Sylvette David. What is it about her that compelled the band’s name?

To be honest, when I named the band I didn’t think too much about the meaning or context of it. I just saw a Picasso painting of Sylvette that I found very striking and thought it was a really cool name. It wasn’t until a year later, when I was researching it, I realised that Sylvette was one of Picasso’s most prominent muses….

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Is it true, Charlie, you have spoken to her?! What was she like?!

Yes, it’s true; I have been very lucky to speak to her on multiple occasions. I remember the first time very clearly. I was excited and nervous to speak to someone I had admired so much but she was so personable and kind that we just had a really chilled conversation. She’s an artist herself and we had a lot in common.

I sent her our music and she liked it so much that she gave us permission to use one of her paintings for the album artwork. We couldn’t be more grateful to her for it.

Who, would you say, are the main musical icons of the band? Whose artistry do you yearn towards most?

All of our musical icons have longevity in common: artists like Joni Mitchell, Arcade Fire; Radiohead, Neutral Milk Hotel; Love, Everything Everything and Buffy Saint-Marie have been huge influences on this album. In terms of artistry; I think that Radiohead have got to be our biggest influence. The have reinvented themselves on every record and never lost sight of what is important (across their twenty-five-year career).

What is the buzz like in Manchester? You guys have quite a fanbase there. How important are the people there to you?

There’s a lot of great music happening in Manchester at the moment and it’s been the perfect place for us to start our band. The people who come to our gigs time and time again mean so much to us. It gives us confidence in our music to see people have such a strong connection to it. Playing to our Manchester fans has been the making of us. 

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Can we see you tour this year? What gigs do you have coming along?

We’ve just finished our first U.K. tour but we are in the process of sorting another one for September. Until then; you can catch us at Dot to Dot festival in Manchester on 25th May!

What do you hope to achieve in 2018?

In 2018, we hope to keep writing music that inspires us and keep steadily introducing our music to new people. It has been incredible to gig in places we have never played before and see how our music connects with people, so we are excited to do more of it!

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Have you each got a favourite memory from your time in music – the one that sticks in the mind?

Ashley (the bass player) says his favourite memory in music was the feeling playing the 02 Ritz in Manchester. It is the biggest stage we have ever played and it was awesome to see how our sound translated to that scale. Dan’s (The newest member) favourite memory in music was playing to the Folk legend Izzy Young in Sweden.

Charlie’s favourite memory was the first gig he played with New Order. The scale of the set-up and the energy in the room was unlike anything else. I couldn’t help but visualise Sylvette doing gigs like that in the future!

What advice would you give to new artists coming through?

The advice that I’d give to artists coming through is to have patience and stay focused on making great music. When we first started, we were concerned with trying to ‘make it’, but it’s become clear that it is a long journey and the only way to do it is to stick at it for years and keep making great art.

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ARTWORK: Luca Shaw

Are there any new artists you recommend we check out?

Diving Station are a local band we love. We had the privilege to gig with them last year and they’ve released a stunning debut E.P. Go listen!

Other underground bands we love include Mister Twisted, Dave C. Rupert; The Mantis Opera, New Luna and Paige Kennedy. They are all brilliant!

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IN THIS PHOTO: Dave C. Rupert

Do you get much time to chill away from music? How do you unwind?

We get very little time to chill away from music but, when we do, Pete likes to go to the gym and do martial arts; Ashley is into his gaming and Oz and Charlie love silent films.

Finally, and for being good sports; you can each choose a song and I’ll play it here (not any of your music - I will do that).

Thanks so much! Here are our song choices:

Origami Warfare – Diving Station

10 d E A T h b R E a s T – Bon Iver

The Red Telephone – Love

Streetlight – Dutch Uncles

Don’t Fear the Reaper – Blue Oyster Cult

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Follow Sylvette

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INTERVIEW: Tatum Rush

INTERVIEW:

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PHOTO CREDIT: Nora Smith 

Tatum Rush

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IT has been a real experience…

talking with Tatum Rush about the stories that go into his E.P., Mini Girls. I ask the songwriter about his music and some of his influences; whether he has a standout from the pack; which artists he grew up around; whether his Swiss and Italian D.N.A. impacts his music and aesthetic – I ask him about gigs.

Tatum Rush revels new artists to watch for; if he gets time to unwind away from music; the three albums that mean the most to him; what advice he would give to artists coming through; what he hopes to achieve before the end of the year – the ambitious and talented artist chooses a song to end the interview with.

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Hi, Tatum. How are you? How has your week been?

I won’t be able to complain about my week! I am grateful every morning for making time to do the many things that I love and not much else - I am completely blessed by the Sun God Ra.

For those new to your music; can you introduce yourself, please?

I am Tatum Rush: singer, performer; songwriter, producer and video artist; cross-pollinating (a word I detest) through today's musical landscape, from Pop to R&B; over to Latin, back to Pop; not without contraband. I am a sane and decent R. Kelly attending a total-reset Osho seminary in Doha. The un-attentive public might, flatteringly, box me as a typical mainstream artist but, if you dig under the paving stones, there’s the beach!

Your E.P., Mini Girls, is out on 1st June. Can you tell me about the themes that inspired it?

Mini Girls was inspired by...girls. Women, to be politically correct. Every song in this E.P. is a direct conversation with a female counterpart inhabiting my social, poetic and libidinal imaginary. Just like a rich girl's limited edition Barbie collection, you will find the princess from a far-away Eastern kingdom; the evangelical Brazilian bride, the Parisian philosophy student going to the club in a Mini Cooper...it is not easy to deal with these sophisticated ladies, not even for Tatum Rush - that's why you will find both turmoil and bliss in every song. 

Talk to me about the tracks. Is there a favourite you would choose from the pack?

Mini Girls is a fortunate track. Everybody I know likes it (or at least pretends to). It's a very diverse set of songs: each one is a distinct aesthetical experience. My secret favourites are Bahiana, a Pop-Latin novella and Imperial Odalisque, an orientalist Dance painting. Both songs were inspired by my past journeys to places that marked me.

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I heard a preview of Bahiana (ft. Nancy Deleuze), your next single (out on 18th May). What is the story behind the song?

Bahiana was inspired by reminiscences of images and sounds caught travelling in Northern and Central Brazil. I had in mind atmospheres like the annual ceremony for Yemoja, the Goddess of the Sea, where women in white dresses walk into the sea offering flowers and champagne to the wind. Passing glances of lovers on scooters in the neighbourhood of Santa Teresa, Rio de Janeiro...

I asked the Swiss-French-Brazilian artist Nancy Deleuze (courtesy of Electric Heroes Records) to help me write it - and I think she did something beautiful.

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You have worked with other artists before – directing the video for Fai Baba’s track, Can’t Stop Loving You. Do these collaborations give you influence and energy when it comes to your own music?

Fai Baba is my good friend.

We used to be flatmates until a rare Indian bug infestation forced the demolition of the building. It's funny. When I'm in the midst of creating music, at some point, I always try to imagine the possible facial expression of a good friend such as Fai as if he would be listening to it for the first time. Fai always gives me energy and vitality.

You are a Swiss-Italian composer. How does your background and D.N.A. guide your music and tastes?

I am very lucky; I have both American and European cultural backgrounds, plus, I travel a lot. Ticino or Switzerland has a history as a destination for so many great artists...

As I noted in a previous interview, bizarrely, many came to die in Ticino. For example, George Harrison. Today, it's a very strategic place because it is at the intersection of Paris, Berlin; Milan, Copenhagen or any other continental adult-playground EasyJet-listed city you like and, at the same time, it's full of quiet idyllic retreats on lakes and such. I try to keep my artistic intuition intact, safe from too many influences; so, often I'm happy to be able to chill by the lake and drink a Cosmopolitan.

PHOTO CREDIT: Nora Smith.

Which artists did you grow up around? Tell me who you count as idols…

A reduced list in chronological order: Michael Jackson, Riverdance; Robbie Williams, a bunch of Italian rappers; Cypress Hill, Zap Mama; Antonio Carlos Jobim, Joao Gilberto and Bossa Nova Friends; Pat Metheny, Pat Martino; Wes Montgomery, Toots Thielemans; The Beatles, Joni Mitchell; Sly and the Family Stone, R. Kelly; Erykah Badu, Claudio Villa; Piero Umiliani, Jai Paul and Joni Mitchell...again and again.

PHOTO CREDIT: Christophe Coënon

Do you have any gigs lined up? Where are you heading?

I'm presenting my E.P. in Paris at the Olympic Cafè on 27th June! I’m working on a South American tour for next fall...

What do you hope to achieve in 2018?

I really hope something goes terribly wrong with the anthem song they selected for the FIFA World Cup Russia, and that the deciding committee picks my song, Bahiana, to replace it A.S.A.P.

Have you got a favourite memory from your time in music – the one that sticks in the mind?

Yes. While working as a stagehand at a Jazz festival, I remember my mission to hail a cab for a lady hooker hired by Buddy Guy, the Blues legend, because his manager wouldn't let her ride in the limo with the crew.

During the wait, she shared with me a very interesting and vivid life story…

PHOTO CREDIT: Nora Smith

If you could select the three albums that mean the most to you; which would they be and why?

A Trip to Brazil Vol.1 and 2 is a freeway-stop Bossa Nova compilation that made me want to become a musician.

Pat Metheny Group - Still Life (Talking) is the album thanks to which I became a musician.

Erykah Badu - New Amerykah Part Two (Return of the Ankh) gave me the groove.

What advice would you give to new artists coming through?

Stop trying to come through for a month or two; do something else.

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Are there any new artists you recommend we check out?

Check out Bauchamp, Nancy Deleuze and Dorian Ravallo.

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Do you get much time to chill away from music? How do you unwind?

All the time I get to make music is luxury, so no chillin' away from nothin'. Maybe, I'll take a break to have a sip of a Cosmopolitan.

Finally, and for being a good sport; you can choose a song and I’ll play it here (not any of your music - I will do that).

Arthur Russell - Losing My Taste for the Night Life

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Follow Tatum Rush

INTERVIEW: MAYPINE

INTERVIEW:

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MAYPINE

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AS I type this…

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the talented bodies of MAYPINE are traversing the U.K. and bringing their stunning brand of music to the masses. I have been afforded some time to ask the band about their forthcoming (out on 6th July) E.P., Bend/Break, and what we can expect from it.

They talk about their formation and what Brighton (where they are based) is like for music lovers and normal folk alike; what music/artists they vibe to; if there are any new acts we need to get out ears around; if they get any chance to relax away from music – they each choose a tune to end the interview with.

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Hi, guys. How are you? How has your week been?

Jase: Very well, thank you! How are you? It’s been a busy week this week. Our new single, Give, was premiered on the Radio 1 Rock Show by Daniel P. Carter! It’s been a dream for all of us for so long so, yeah, it’s been exciting!

Becky: Great, thanks! It’s been amazing to finally release a new song - feels like a long time coming! 

Tommy: It's been great, thanks! Was at Teddy Rocks Festival seeing some of my favourite bands. Feeder and Ash were headlining - my two favourite bands of all time! I discovered so many cool bands, too.

For those new to your music; can you introduce yourselves, please?

Jase: We’re MAYPINE; we’re a five-piece Alt-Rock band based in Brighton. (F.F.O: Decade, Thrice and Lower Than Atlantis).

Bend/Break is your forthcoming E.P. Can you reveal the sort of themes and ideas that are explored throughout?

I had a very rough 2017: overcoming some hardships as a result of a house fire. It definitely took its toll on me, mentally. A lot of the pain and anguish and emotions that I felt at the time are explored on this E.P… 

Becky: it’s been great to explore some new sounds to create different atmospheres on the E.P. I feel like these new songs have allowed us to experiment more, sonically, and to use Jase’s lyrics as inspiration.

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Jase: Absolutely. We spent a long time tracking guitars for this record, messing about with effects pedals. Neil Kennedy is a wizard! I feel like the experimentation has paid off, though: these are definitely our most mature and developed songs. We’re all really proud of this record - and it’s been very therapeutic for me!

Tommy: We're not as moody in person as we are on record… 

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Is it true the E.P.’s title comes from American football parlance?

Jase: It is indeed! I’m a huge American Football fan (the sport, though; the band are cool, too). I even played a bit at university! Essentially, the term relates to the idea that a defence could give up a lot of yardage to the offence but, if they don’t allow the other team to score, they’ve bent but not broken.

As it relates to the record, it’s a metaphor for the strain that I was under for most of last year. Though I struggled mentally, I never gave in and I’m a much stronger person for having been through that experience.

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This will be your debut E.P. – despite the fact you had an E.P. out there. Do you think your previous work is not a fair and appropriate representation of where you are and what you do?

Becky: I think it was an E.P. that did reflect us, musically, at the time, as we’ll always create music that’s authentic to us and what we believe in. However, I think, whilst touring that E.P. and growing in our musicianship and friendships with each other, we changed and developed so much as musicians and people - and I feel like Bend/Break is a reflection of that.

Tommy: I'm not shy about our previous work: it got us into shape to put out the record you'll hear in July, which we are all so very proud of.

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How did MAYPINE get together? Is there a story behind the name, too?

Jase: Dan and I started writing together for another project. We knew each other from having played shows together as part of different bands. We found James and Becky on Join My Band (other sites are available…). I knew Tommy from an old band way back in the day!

Becky: My girlfriend and I came up with MAYPINE by putting random words together. We liked the idea of having an ambiguous name; one that didn’t tie us to one specific genre, to give us the room to be as creatively free as possible! 

You are based in Brighton. Is it a perfect place for a band like MAYPINE? What are the best reasons to come down to Brighton?

There’s always something going in Brighton, especially when it comes to shows and music. I love how many friends we’ve made through the scene down here and how supportive everyone is - I think Brighton always has an awesome atmosphere and a buzz! 

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Jase: The variety of vegan food in Brighton is insane! Definitely, come to Purezza (vegan pizza) or Happy Maki (vegan sushi). The music scene, as Becky said, is great! There are so many cool venues like Concorde 2 and The Haunt, right down to the smaller venues like The Hope and Ruin, Sticky Mike’s Frog Bar; The Pipeline and Green Door Store!

There’s also a bunch of festivals like The Great Escape, The Alternative Escape and Washed Out Fest…so we’re a bit spoilt for choice here, to be sure! Shout-out to Sugar Free and Indigo Music for putting on such cool shows! 

Tommy: The Brewdog bar…

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Do you all share a taste in music - or is it quite diverse in the ranks?!

Jase: We’ve all got quite diverse music tastes. I watched a Trophy Eyes documentary about Chemical Miracle; how they all had diverse musical tastes that inspired the album and it definitely inspired me when writing Bend/Break. James and I are quite big Metal fans; Tommy has an eclectic taste ranging from Fightstar to Elliott Smith; Dan is a massive Blink-182 fan... 

Becky: I love Pop and singer/songwriter stuff as well as some Indie-Rock which was what I’ve been listening to loads at the moment. At the time of writing the guitar parts for Bend/Break, I was listening to Julien Baker and Now Now a lot. 

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Where are you heading on tour? Where can we catch you?

Jase: We’re in Bristol on 12th May at Mothers Ruin and Guildford on 13th at The Star Inn with our mates, Evertim! We’ve got a bunch of shows in the pipeline, though, so watch this space…we can’t wait to get on the road and meet as many people as possible, though!

What do you hope to achieve in 2018?

Becky: We’re always striving to play to as many people as possible and share our music with as many people as possible. We always hope that people will connect with our songs and that it takes us to places we’ve never been before! 

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Have you each got a favourite memory from your time in music – the one that sticks in the mind?

Jase: Definitely, playing The Haunt recently with Silverstein. That was incredible! It was an honour to open for a band as prestigious as them (and they’re all super-nice!). I’m looking forward to making new memories with my best friends on the road! 

Tommy: Definitely, the show with Silverstein! I remember listening to their song, Smile in Your Sleep, on-repeat as a kid. I also remember supporting Fickle Friends with Jason back in 2012 or 2013. They were just starting out but absolutely blew me away!

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If you could support any musician alive today, and choose your own rider, what would that entail?

Jase: For me, it’d be The Wonder Years! As for a rider...we’re quite low-key: I guess, we’d just like some water - and some vegan snacks for me!

Tommy: Jimmy Eat World. I need to give Jim Adkins a hug and tell him that everything is ok. Best lyricist alive today.

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What advice would you give to new artists coming through?

Jase: Enjoy it! Make music you love with people that you love. It can be tough to be in a band at the best of times, so those two things are important!

Tommy: Fresh strings and tuner pedals. I've been through far too many guitars/basses over the years and I've finally learnt to treat them right!

Jase: Tommy always bleeds all over his bass! I’m not so sure that’s taking care of it, but hey ho! 

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IN THIS PHOTO: Evertim/PHOTO CREDIT: Gingerdope Photography

Are there any new artists you recommend we check out?

Jase: Evertim! Or, if you like heavier music, Tempest! Both are local bands doing big things right now (R.I.P. Idle Shores). 

Tommy: I recently discovered Lizzy Farrall. She's wonderful.

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Do you get much time to chill away from music? How do you unwind?

Jase: We all work full-time around our music so we’re always pretty busy! Spending time with family and friends is important for all of us! We’re all so passionate about music that it even seeps into our free time! We all go to gigs whenever we can! 

Finally, and for being good sports; you can each choose a song and I’ll play it here (not any of your music - I will do that).

Jase: Pyramids of Salt - The Wonder Years, please!

Becky: T-Shirt Song - Don Broco

James: Rapture - Touché Amoré

Dan: Even If She Falls – Blink-182 

Tommy: A Little Lost - Sufjan Stevens 

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Follow MAYPINE

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INTERVIEW: Laughed the Boy

INTERVIEW:

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Laughed the Boy

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A most international interviewing day finds me hopping from…

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Iceland over to Canada – having started in New Zealand! I have been settling down with Laughed the Boy and chatting about their new single, Halfway. They reveal what comes next and why video game music is important to them – they tell me whether they plan on coming over to Britain in the foreseeable future.

I ask the guys how songs come together and how they hang away from music; what they hope to achieve before the end of the year; the sort of music they all grew up around – the guys each pick a song to end the interview with.

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Hi, guys. How are you? How has your week been?

We’re good! After months of extended winter, we’ve finally gotten nice weather this week, so we’re trying to get out and enjoy it.

For those new to your music; can you introduce yourselves, please?

We’re called Laughed the Boy, which are three guys from Whitby, Ontario who now live in Toronto. We like to make honest music that captures a variety of moods but is also fun to play and listen to.

How did Laughed the Boy get together? What was the reason behind setting up the band?

It started as a recording project for myself (Chris) and my friend, Taylor. It later ended up as a solo project I worked on while I was unemployed - and had a lot of time on my hands. I eventually went into the studio with my brother (Sean) and recorded our Out of the Blue E.P. A few months later, we were accepted into Canadian Music Week and needed a live line-up, so we added my friend Brennan to the band and began playing shows.

I believe video games play a part in the decision to form Laughed the Boy! Tell me more about that…

Yea, we all love our video game music. Haha. We actually did a video game music cover album a few years ago. When I was writing the music that ended up being on our first album, I was splitting time between writing songs intended for video games on my MIDI keyboard and songs for my solo project. I ended up combining them: the song, Bell Rock, is a good example of that.

Halfway is your new track. What is the story behind the song?

It came together very quickly. We had been demoing a bunch of new songs then, one morning, I came up with the rhythm of the song and played it until it was structured into a song. We went and recorded it a few days later. The lyrics were based on personal notes and thoughts I came up with while at work.

Did it come together quite naturally? How would a song like that get written? Will one of you bring an idea to the rest of the band?

It usually depends on the song. This one was a pretty rhythmic song; Sean already had a good idea of what the drums would be. Sometimes, I’ll have a song entirely figured out before we even jam it, but other times, if it’s a fresh idea, we’ll jam it out until we all feel happy with it. Sometimes, I THINK I have something figured out, then we rehearse and I realize we have to completely change it.

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Can we expect any more music later in the year?

Absolutely. We’re looking to record an album this summer and, even if that’s not out this year, we’ll be putting out at least another single or E.P.

What sort of artists did you grow up around and are influenced by?

I grew up in the '90s, so a lot of one-hit wonders and female singer-songwriters. I think that influenced me into having to have good melodies and hooks to keep a song going. Songs from video games and T.V. shows were also a pretty big influence. I’d make up words to them even if they didn’t have any.

Are Laughed the Boy hitting the road? Where can we see you play?

We probably won’t do a big tour until after the album, so we can focus on that. In the meantime, we’ll be playing a lot around Southern Ontario.

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PHOTO CREDIT: Chris Panacci

Might you head to the U.K. at some point?

We’d love to! I’ve been there three times and we always enjoy it. I’ve played some open mic nights in Glasgow and London.

What do you hope to achieve in 2018?

Release our album and, hopefully, show some more range in terms of our sound and what we can do as a band. The new album will have more instruments on it and will take more time than Here Is Fine - which was recorded in one weekend.

Have you each got a favourite memory from your time in music – the one that sticks in the mind?

For Sean and I, probably our last show with our other band, Busker Bros. where we played the last big show at a Toronto venue called The Central before it was demolished. We went on at 1:45 A.M. on a Sunday night and it was still a rowdy capacity crowd; pretty wild show. Brennan says our album release show for Here Is Fine or, on a more general note, the first time he listened to Hemispheres by Rush.

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If you could support any musician alive today, and choose your own rider, what would that entail?

Tera Melos seem like they’d be fun guys to tour with. My rider would be a charcuterie board with at least five types of cheese and some Gatorade for after the show.

What advice would you give to new artists coming through?

Spend a lot of time around, not just your own shows, but other band’s shows. It’s great to make new friends with other musicians in the same music scene!

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IN THIS PHOTO: Blankscreen/PHOTO CREDIT: Tavia Christina

Are there any new artists you recommend we check out?

Blankscreen, Dizzy and Luna Li.

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IN THIS PHOTO: Luna Li

Do you get much time to chill away from music? How do you unwind?

I watch sports, Brennan and I play video games; we all like being outside at parks and such and hanging out with friends. I always enjoy a good hike…

Finally, and for being good sports; you can each choose a song and I’ll play it here (not any of your music - I will do that).

Chris: Staring by Viva Mars

Sean: Franks Kaktus by Dungen

Brennan: Noel Gallagher’s High Flying Birds - End Credits (Wednesday Part 2)

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Follow Laughed the Boy

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INTERVIEW: When 'Airy Met Fairy

INTERVIEW:

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When 'Airy Met Fairy

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MY curiosity for international music of the highest quality…

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takes me to the shores of When 'Airy Met Fairy. The duo tells me about their new single, Until Your Season Dries, and what its story is. I ask how they got together and whether there are any gigs coming up in the U.K. this year; what the music scene is like in Iceland (where they are based now); what we can expect from their album, Glow (out on 22nd June) – they choose highlights from the record.

I ask Mike and Thorunn if they have prizes memories from music; what advice they would give to new artists of the moment; if there is a new musician we should watch out for; how they unwind away from music – the duo select a track each to end the interview.

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Hi, guys. How are you? How has your week been?

Mike: We’ve had a terrible week. Our computer is driving us nuts! We’re currently working on a new live set - and this week our MacBook is on strike.

Thorunn: We thought the digital world was meant to make life easier?!

For those new to your music; can you introduce yourselves, please?

We are When 'Airy Met Fairy. We make music for music lovers.

Mike: We write melancholic Pop for the longing.

What is the story behind the new single, Until Your Season Dries? How did the song come to mind?

Thorunn: Until Your Season Dries is an attempt to turn the end of a relationship into a poetic death.  It’s a song about the beauty and the calm after the storm. Two warships sink; one saves himself in a lifeboat to shore, while the other starts looking for dropped off treasures beneath the ocean concrete…

Mike: …Either way, you’ll be fine.

Glow, your debut album, is out on 22nd June. What sort of themes and stories go into the songs?

Thorunn: On this album, we’re trying to catch emotions like apples in a tree. We poured our hearts out while writing these songs and then, in the studio, we stripped it all down to almost nothing.

Mike: The overproduced music environment made us feel like we had to...

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PHOTO CREDIT: Tania Feller

Is there a track from the album you both would select as highlights?

Thorunn: I personally love Penniless; Mike’s favourite is Girl. Two completely different songs, but I guess that’s cause I’m female.

Mike: We do keep Sanctify You as the last song when we perform live. So, if we had to agree on a common song, Sanctify You would definitely be our choice. We’ve played it hundreds of times and still like it.

How did When 'Airy Met Fairy get together? What was it that attracted you to one another?

We met at a festival. I was there with another band. I asked myself: ‘Who is that girl who is playing after us?’ When I heard her sing I thought to myself: ‘Wow, that has got to be the most beautiful voice I have ever heard’.

Thorunn: When 'Airy Met Fairy took such a long time to start off because we’ve had so many band members… and now we’ve ended up here, just the two of us…now more electronic than ever, hence the MacBook problems...  

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You are a Nordic duo. How does the music scene where you are differ to that of, say, the U.K. or U.S.?

Most connoisseurs can hear that I’m Icelandic. What most don’t know is that I live in Luxembourg. I miss my home country so much that I feel I have to sing to my people in order to fill that geographic gap in between us; a bit like whales do underwater.

Mike: She’s a killer whale for sure! But, music is not a country to me: it’s a universal form of expressing yourself. Nothing more or less.

Can we see you tour this year? What gigs do you have coming along?

We’ve just come back from Portugal and we’re planning a ‘behind the session’ gig at Rockhal in Luxembourg. After that, we’ll be playing at The Finsbury in London.

Thorunn: We’re super-excited about that as we had such a great experience at The Great Escape two years ago. A wonderful audience that can only be matched by the Japanese.

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Will you come and see us in the U.K.?

Mike: Yes! At The Finsbury, 7th June. Come see us!

Thorunn: We’re Great Britain lovers. I always dreamed of buying a cottage in the North of England, getting some sheep and selling wool. English people are the friendliest, most polite and helpful in Europe. They’re the only ones apologizing when you bump into them.  

What do you hope to achieve in 2018?

Mike: Tour the U.K., perform on KEXP in Seattle; sell millions of records, business as usual.

Thorunn: …I’m in!

Have you each got a favourite memory from your time in music - the one that sticks in the mind?

The first time I performed, I covered an old Elton John song at a cinema in Reykjavik. I was so nervous-bad but the crowd cheered and gave me a standing ovation. It was out of pity but, in a weird way, I felt warmth and respect.

Mike: The first time I played at a birthday in a pizzeria. We performed in the bowling area, Big Lebowski-style. It was amazing. We ended up not getting paid: the bill at the bar was bigger than the fee we got.

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If you could support any musician alive today, and choose your own rider, what would that entail?

Nick Cave and the Bad Seeds.

Thorunn: Radiohead! Huge Thom Yorke fan.

What advice would you give to new artists coming through?

Mike: Never give up. It’s not over till it’s over…

Thorunn: …The wisdom of Lenny Kravitz.

Are there any new artists you recommend we check out?

Mike: My head is blank…

Thorunn: GOSTO from Amsterdam! Such a talented guy.

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IN THIS PHOTO: GOSTO

Do you get much time to chill away from music? How do you unwind?

Mike: We play tennis and ride our bicycles.

Finally, and for being good sports; you can each choose a song and I’ll play it here (not any of your music - I will do that).

Mike: My Lady's on Fire by Ty Segall. Thank you!

Thorunn: Please play Heart It Races by Architecture in Helsinki

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INTERVIEW: Louis Baker

INTERVIEW:

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PHOTO CREDIT: Richard Parsonson 

Louis Baker

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THIS might be the first time I have…

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featured an artist from New Zealand. There might have been others but, for the life of me, I cannot think of any right now! Louis Baker talks about the New Zealand scene and why his new song, Black Crow, came together so quickly.

I ask whether there are tour dates ahead and which artists he counts as idols; what comes next for the songwriter; what advice he would give to new songwriters coming through; if he gets chance to relax away from music – Baker tells me a favourite memory from his time in music.

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Hi, Louis. How are you? How has your week been?

Doing well, thank you! The week has been super-busy with interviews, but really exciting to see my new single, Black Crow, go out.

For those new to your music; can you introduce yourself, please?

My name is Louis Baker. I am a singer-songwriter from Wellington, New Zealand and I love what I do.

It has been a year or so since your last single, Addict. Was that gap down to the need to create something worthy of following such a strong song?!

I appreciate that, thanks. To be honest, the time frame wasn’t planned. It was just about writing until something struck me…

Is it true that Black Crow was written in six hours in Sydney?! How did it come together so fast, do you think?

I don’t know. Some songs are like that and you can’t understand why.

Steve Rusch produced the song. What was it like working with him?

Steve is the man - super-relaxed and open to ideas. He’s a proper mix engineer, with a huge knowledge of using outboard gear, or mixing in the box, not to mention an absolute ninja on Pro Tools (and a top producer).

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I do not get to speak with too many New Zealand-born songwriters! Is there quite a large and varied music scene in the country?

There absolutely is. I think because of N.Z’s geographical positioning, we seem to take on a little piece of everything. There’s no doubt that there is a huge diversity here.

Which artists do you count as idols and guides? When did music come into your life?

Music came into my life at four-years-old. My idols include The Beatles, Jimi Hendrix; Michael Jackson, D’Angelo; Joni Mitchell, Jeff Buckley; Al Green, Marvin Gaye; Allen Stone and Jamie Lidell etc.

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Might we see an E.P. or album coming later this year?

Definitely.

Do you have any gigs lined up? Where are you heading?

I’m at the airport now. I’m heading to London to do nineteen dates through U.K./E.U. and finishing my new record in L.A. on the way home.

What do you hope to achieve in 2018?

A new record (released) later this year; two tours through the U.K., E.U.; Australia and N.Z.

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Have you got a favourite memory from your time in music – the one that sticks in the mind?

Meeting Q-Tip in N.Y.C. at the Red Bull Music Academy.

If you could select the three albums that mean the most to you; which would they be and why?

Electric Ladyland - The Jimi Hendrix Experience; Grace - Jeff Buckley and Voodoo - D’Angelo

I picked these three because they have all equally influenced me to be the artist I am today.

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What advice would you give to new artists coming through?

Work hard, find management; practice every day, write down your goals; learn and listen from the best, have a clear and tangible idea of your message and the kind of artist you are; know your audience, take care of your friends and family.

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Are there any new artists you recommend we check out?

Leon Bridges (Bad Bad News) and Allen Stone (Unaware).

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IN THIS PHOTO: Allen Stone

Do you get much time to chill away from music? How do you unwind?

Not really. Netflix and chill.

Finally, and for being a good sport; you can choose a song and I’ll play it here (not any of your music - I will do that).

Leon Bridges - Bad Bad News

Much love; thanks for having me x Louis.

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Follow Louis Baker

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INTERVIEW: JØUR

INTERVIEW:

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PHOTO CREDIT: Alyssa Justice Photography 

JØUR

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IF one wants an exceptional and unique artist…

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PHOTO CREDIT: Mariah Crabb Photography

with a passion that runs deep, then I know someone who ably fits the bill. Rather than being a songwriter du jour; JØUR is someone who will remain in music for years and inspire many others to put pen to paper and get their feelings onto the page.

I have been speaking with her about the new single, American Nightmare, and what she thinks of America under Trump; which albums and songwriters have influenced her; what her next steps are; if she has any tour plans lined up – JØUR tells me what she hopes to achieve before the year is through.

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Hi, JØUR. How are you? How has your week been?

The sun is shining and I’ve finally put my winter coat away this week, so I am doing great.

For those new to your music; can you introduce yourself, please?

Yes, hello. My name is JØUR!

American Nightmare is your new song. What is the story behind it?

I wrote bits and pieces of American Nightmare over a year or so, as a general reflection on my feelings towards the classic ‘American Dream’:  go to school, get a job; get married, buy a house; start a family, grow your kids, so they can do it all over again. It felt really contrary to what I wanted for my life and it seemed like that lifestyle would be more of a nightmare than a dream to me.

Meanwhile, my country unexpectedly elected Donald Trump; Black Lives Matter has been fighting for justice in our generation’s fight for Civil Rights; gun violence is at an all-time high in the U.S. and the #MeToo movement has forced a reckoning for men’s treatment of women across the globe.

I’d be remiss if I didn’t say that the song has taken on new meaning for me in the last two years since I originally wrote it.

How do you see the current situation in the U.S.? Do you think the nation is heading for disaster?

The current situation in the U.S. has, perhaps, already arrived at the point of disaster. I don’t say that sardonically, as much as I recognize that we are in a state of severe imbalance and polarization that has created a lot of unrest.

Rather than heading for disaster, however, I have more hope than ever that our country can break out of the stagnant status quo that has defined it for so long and truly believe in the power of our people to surge forth and create a change in the paradigm that favors our citizen’s well-being and safety. We are in a unique moment as a nation, with the potential to turn the tide with our collective voices.

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PHOTO: CREDIT: Hillary Olson Photography

Do you think it is important to fight against oppressors like President Trump?! What does American need to do survive and evolve from this nightmare?

Although I’m not a fan of Trump as President, his leadership has unveiled the true state of our nation. Hate crimes rose when he was elected and after the protests in Charlottesville, we could no longer hide from the truth that there is still systemic racism and hate in our country. Like I said before; we are in a unique moment and hate is largely unfiltered while he is in power...

It’s important for us, as a nation, to see where people’s attitudes truly lie so we can begin to shift the paradigm with this next generation of young people. I think that is possible. These old veins of hate may not ever be eradicated, but many of the people who embody that hate will die soon and our generation is going to be the one running the country with a new vision for what it means to experience freedom in the “Land of the free”.

What is the future looking like in terms of material? Might we see an E.P. later this year?

I can promise you there will be more music coming in 2018.

Which musicians inspired you to get into music?

I distinctly remember obsessing over Whitney Houston’s The Bodyguard record as a young child. One time, I was in the bathroom singing one of her songs into the mirror and, when I came out ,my whole family was standing outside of the door and applauded. I was so embarrassed. I think I was eight.

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PHOTO CREDIT: Alyssa Justice Photography

Do you have any gigs lined up? Where are you heading?

I have summer gigs lined up locally in the twin cities of Minnesota. Currently, I have some other ideas in the works but nothing confirmed.

Are you coming to the U.K.? Do you like British music?

That would be a dream come true. Yes. Let’s say that is on my list of goals. Regarding British music, yes, I have a few favourites. I’ll take the heat but I will always love Oasis and truly one of my favourite bands of all time is Led Zeppelin.

What do you hope to achieve in 2018?

I hope to continue down a path of creativity. I create more than just music and I want this year to be (the year) where I can say I gave myself fully to my creative potential in all areas, be it dance, painting; photography, design; music, writing or other mediums.

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PHOTO CREDIT: Hillary Olson Photography

Have you got a favourite memory from your time in music – the one that sticks in the mind?

Yes - I used to tour with HALEY (Haley Bonar) as her synth player and background vocalist and we had an outrageous time in the U.K. Every show was sold out and the people were so kind and supportive. We got to play on Jools Holland with The Temptations, which was a really special experience.

If you could select the three albums that mean the most to you; which would they be and why?

Feist – Metals

This record taught me how to use my voice like a paintbrush to make art. It changed the course of my music entirely. I learned that everything matters in a song, even the space between the notes.

Brooke Fraser - Brutal Romantic

Brooke Fraser is a poet. I have always found her music inspiring and this has influenced my lyricism. Additionally, the production on this album is nothing short of brilliant.

Led Zeppelin - BBC Sessions

This set of albums made me understand music as something spiritual.

What advice would you give to new artists coming through?

Find your strengths and use them, then build a team to fill out your weaknesses. You’ll never follow exactly in someone else’s path, so your best friend is yourself. Know yourself, know your strengths and know your limitations.

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IN THIS PHOTO: Jessica Manning/PHOTO CREDIT: Jazmayne Lynn Photography

Are there any new artists you recommend we check out?

Two dear friends of mine: Jessica Manning (What If I Run) and Andy Cook (Modern Man). Their latest records are lovely.

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IN THIS PHOTO: Andy Cook

Do you get much time to chill away from music? How do you unwind?

I am a power cleaner...

My whole world feels brighter when the dishes are done and the floor is mopped. Otherwise, I knit clothes and listen to podcasts. No T.V. in my house.

Finally, and for being a good sport; you can choose a song and I’ll play it here (not any of your music - I will do that).

Feist’s Anti-Pioneer OR Brooke Fraser’s St. Petersburg (IV Fridays). When I heard both of these songs, I felt like they were the last songs that ever needed to be written. I can listen to both on-repeat for hours…

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Follow JØUR

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