INTERVIEW: Sapienn

INTERVIEW:

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Sapienn

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THIS is already shaping up to be a varied…

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and wide-ranging week in terms of music. I have been speaking with Sapienn about his track, This Time. I ask whether there is more material coming up and the artists/albums that have affected his own songwriting – he tells me what tour dates are coming up.

Sapienn reveals what the vibe is like in Glasgow, where he is based, and why he got into music fairly late in life; if he grew up around a lot of music; how he spends his time away from songwriting and performing – he ends the interview by selecting a classic cut.

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Hi, Sapienn. How are you? How has your week been? 

Quite busy gearing up for a single release and launch party. Played a record store, an open mic and a small outdoor festival over the weekend. 

For those new to your music; can you introduce yourself, please? 

My name is Scott Simpson, making music under the name ‘Sapienn’. I'm based in Glasgow and play as solo acoustic act. 

This Time, your new single, is out. What can you tell me about it? 

The current single is a transitional thing...

I'm releasing it off the back of a full-length album that was pretty full-on and difficult on a personal level. This new release is a stopgap until I move onto something new and more positive. 

Do you think more material will arrive later in the year? Are you in a productive and inspired mood right now? 

I've already written another E.P., which I could probably put out before the end of 2018. Beyond that, I have the bones of another album that should be ready by early next year. 

Scott. How did the moniker and identity of ‘Sapienn’ come about? What, to you, does the name represent? 

If I'm being honest, there's no real meaning in it. The name doesn't really matter to me - just as long as the songs represent something. I knew it had to be a single word with the initial 'S’: ‘Sapienn’ just sprung to mind. The additional 'N' is to help optimise search results! 

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Glasgow is where you are based. How important is the city and its people? Do you take a lot from the history and music of the area? 

I've only lived in the city for five years and I've spend most of that time looking inwards rather than outwards. The last album I released had a confessional and insular style of songwriting. I tend to write songs at home with the curtains drawn, instead of sat on park benches. My new material will be more open and living in Glasgow will, no doubt, be a part of that. 

You started taking vocals lessons at the age of thirty – some might say it is quite late. You have made up a lot of ground and worked tirelessly since. Do you look back and see how far you have come? 

It's not cool to say, but I listen to my own recordings often. It's helpful in gaining perspective. Assess what you've done in the past and find ways to improve on it. 

Did you grow up around a lot of music? Which artists compelled you to go into the industry? 

Music was my favourite thing in school and I learned lots of different instruments but I didn't start going out and playing in bands until later in life. Frank Turner has been a big influence in recent times - not necessarily from a songwriter’s perspective, but definitely in the way his career has progressed. 

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Can we see you tour this year? What gigs do you have coming along? 

Currently playing gigs to promote my latest single, including a launch show. Beyond that, I'll be taking a break for a while. I have a ridiculous number of songs written and I want to take some time to finish and release some of them. 

What do you hope to achieve in 2018? 

I found a lot of lyrics and ideas on my laptop, some that I wrote up to ten years ago. I'm planning to revisit and rework some of the best ones and put together an E.P. before the end of the year. 

Have you got a favourite memory from your time in music – the one that sticks in the mind? 

Late last year, in the run-up to Christmas, I released my first album and was trying to reach the milestone of one-hundred gigs in twelve months. Every show felt important, even the ones that were poorly attended. It felt like a good way of making up ground, having only been singing properly for a few years. 

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Which three albums mean the most to you, would you say? 

Frank Turner - Tape Deck Heart

The album was a wakeup call for me. I've never been one to talk at length about myself, but this album showed me it was ok to maybe be a little selfish in my songwriting and put my own experiences straight into a song. 

Jar of Flies by Alice in Chains

It completely changed my view of what acoustic music could be and is a massive influence on my current sound. 

Slaughter of the Soul by At the Gates

This might be my favourite album of all time. As a piece of art, and for what it's trying to be, it's as near-perfect as anything I've ever heard. 

What advice would you give to new artists coming through? 

Have more confidence! I sat around doing nothing for a long time and, while I gained much-needed perspective as a songwriter, it seemed utterly pointless without performing. 

Are there any new artists you recommend we check out? 

At this stage, I think I'm the new artist and more established acts should be recommending me! I've seen far younger singers who are vastly more experienced than me. 

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Do you get much time to chill away from music? How do you unwind? 

I like to cook ridiculously hot curries. Other than that, I play music. That's what makes me happy.

Finally, and for being a good sport; you can choose a song and I’ll play it here (not any of your music - I will do that). 

Two Princes - Spin Doctors 

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INTERVIEW: Mike Legere

INTERVIEW:

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PHOTO CREDIT: Shawn Robertson

Mike Legere

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THIS week starts…

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PHOTO CREDIT: Ally May Chadwick

with a look at Mike Legere and his latest track, Yourself. The Canadian songwriter talks about the song and what is coming up; if there are going to be any tour dates down the line – I ask him whether he is heading to the U.K. before the end of the year.

Legere discusses playing solo and as a band member; the three albums that mean the most to him; which new artist we need to check out; whether he has a favourite memory from his time in music; what sort of music he grew up around – he tells me what he hopes to achieve by the time 2018 is through.

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Hi, Mike. How are you? How has your week been?

I’m great! Just getting over a cold – but my energy is coming back and it feels really good. The week has been good; pretty hectic preparing for the release and the tour I leave for tomorrow, but fun and exciting. 

For those new to your music; can you introduce yourself, please?

I’m Mike Legere. I play Indie-Folk-Rock. I’m releasing a solo record and I play in the bands Century Thief and Places Erupt, too. I do some audio engineering and producing as well.

Yourself is your new single. What is the story behind it?

Yourself is about who we are when we are alone vs. who we are when we are with other people. It’s about how the way people define us gets ingrained in how we see ourselves and the feeling of loneliness that’s created when you separate yourself from the limits of those descriptions.

The first chorus talks about the feeling of standing in opposition and how that can feel kind of futile but then the second one explores the alternative, of embodying that persona and becoming a caricature of yourself - which is obviously limiting. I wrote it on the first Thanksgiving I ever spent alone: coming from a big family that really values our time together, there’s definitely a loneliness that seeped into it.

It is from your debut solo album, Ourselves in Public (out 8th June). Are there common stories and themes that go into the music/songs?

Yeah. The whole record is about social identity and persona. The songs explore those things in different ways from different angles.

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PHOTO CREDIT: Shawn Robertson

You recorded the album in various cool spots around the world. Was that to give the songs a more natural and varied feel? Was there a favourite experience/space from that time?

I knew when I started this project because it’s about being around other people and being in public; that I wanted to use a lot of ‘found sound’ to try and place the listener in the world I was talking about. I just was listening everywhere I went, capturing as many different sounds as I could. I was in Paris with my partner and my siblings and we went to this weird part of the city to see a show. I have no idea where it was but, on the way back, the sounds in the subway were just so interesting.

The mixture of the rumble and people talking and yelling- it was both familiar and foreign, so I got a good bit of that and it plays over the end of the album-  though I’ve altered it beyond recognition through effects like pitching and distortion. You can still hear the different elements though - and the fact that it’s all unintelligible makes it better for me.

You play in other bands. What was the reason for doing a solo record? Do you notice differences in terms of discipline and sound?

Yeah, for sure. I was writing some stuff that didn’t really suit the band as well; that’s part of it. I have always been a fan of concept albums and wanted to do a larger project where I could focus on a theme. I figured I would learn a lot about production and arrangement by doing it by myself and get to explore different sounds and play different instruments.

What sort of music did you grow up around? Was there a specific point where you knew music was what you wanted to do?

I grew up around a lot of Folk music and a lot of singer-songwriter stuff. My brother, Stewart Legere, is an incredible musician and has been for about as long as I remember. He knew so many songs when I was a kid; we would sit around with a big group of people and sing all these songs and it was always such a warm and lovely feeling. My siblings would all sing harmonies - those are some of my fondest memories from childhood, and, probably, what set me off in this direction.

I started writing songs when I was like eight. I got into production and recording when I was a teenager but I feel like I’ve always known this is what interests me most: to make a lot of music and explore different ways of doing it. 

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Can we see you tour this year? What gigs do you have coming along?

I leave on May 18th for a two-week tour to the East Coast of Canada, where I’m from. I’m actually playing my hometown on my birthday, which is fun. My tour dates are:

May 18 – Ottawa @ Pressed

May 19 – Orillia @ The Brownstone

May 24 – Charlottetown @ Baba’s Lounge

May 26 – St. John @ Peppers Pub

May 27 – Halifax @ The Carleton

May 29 – Fredericton @ Read’s Cafe and Newsstand

May 30 – St. Andrews @ Red Herring

June 1 – Montreal @ Bar L’Entre Nous

June 21 – Toronto @ The Burdock

Hopefully, I’ll be doing more throughout the year, too; just haven’t gotten that far yet.

Might you come to the U.K. and play?

I would very much love to. It’s not in the works right now, but I’ve never been to the U.K., so it’s something I hope to do eventually when it’s feasible for me.

What do you hope to achieve in 2018?

I want to get my music out there more, have more people hear it and, hopefully, find an audience that’s into it. I’m working on some follow-up material now too. I’ve got an E.P. written which I want to finish and record. Also, my bands have a bunch of things in the works that I’m recording, so I hope to finish that stuff too.

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ARTWORK CREDIT: Suse Silva

Have you got a favourite memory from your time in music – the one that sticks in the mind?

My friends back home would always hang out and pass a guitar around and share new material we were working on. We’d go song-for-song and it was always so inspiring. We still kind of do that when we have the opportunity. I cherish those memories for sure. They stick out as special.

Which three albums mean the most to you, would you say?

You Forgot It in People – Broken Social Scene

I heard that one and Feel Good Lost (I have a Feel Good Lost tattoo, actually) when I was a teenager and they both shook my world and shaped my taste in music a lot - also influenced me to move to Toronto.

Bringing It All Back Home by Bob Dylan

It was an early influence on my songwriting and I still love that one.

The Suburbs by Arcade Fire

I love how it builds on themes and on a concept but, also, explore all these different sonic avenues.  

What advice would you give to new artists coming through?

I mean, I’m still learning, so it’s hard for me to say anything with any authority...

I found one of the most rewarding things I’ve done is to work with a vocal coach, though. My singing teacher Peggy Redmond has really helped me develop as an artist - I think people are afraid of working with vocal coaches and I’m sure not all of them are as amazing as Peggy, but I can’t say enough how grateful I am to her and how much working with someone on my voice has helped me improve as an artist and musician.

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IN THIS PHOTO: Kira May/PHOTO CREDIT: Adnan Khan

Are there any new artists you recommend we check out?

Kira May. Her new album, Sense, is incredible.

Do you get much time to chill away from music? How do you unwind?

I love craft beer and hanging with close friends and family. I also run and do yoga and I find that stuff helps me keep a clear head.

Finally, and for being a good sport; you can choose a song and I’ll play it here (not any of your music - I will do that).

Kira May – Saturation

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INTERVIEW: Dhruv Visvanath

INTERVIEW:

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Dhruv Visvanath

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EVERY new week exposes me to…

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a fresh part of the world. I have been speaking with the Indian artist Dhruv Visvanath about his musical upbringing and his latest single, Wild. He talks about his early years and why he considers Bombay to be his hometown – I ask about New Delhi and what it is like being there.

Visvanath talks about the three albums that mean the most to him; whether there are any gigs coming up; what he would advise new artists coming through; if he has any plans regards coming to the U.K. – I ask whether there is more material coming before the end of the year.

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Hi, Dhruv. How are you? How has your week been?

Hey! Well, the last week has been rather hectic, actually! I’m finally traveling the world bit by bit! I’m currently in Canada and had a great time playing at the Canadian Music Week! I’m now in Montreal and looking forward to enjoying a few awesome performances here before I head off to New York for a nice holiday!

For those new to your music; can you introduce yourself, please?

I’m a singer-songwriter and a percussive-acoustic guitarist. I’m a solo percussive acoustic guitarist (or S.P.A.G. for short) and I love making music! I currently live in New Delhi, India and I hope to make music that touches people’s lives all over the world.

Wild is your current single. Can you tell me how the song came together and what inspired it?

Well, to be honest, the song was just a simple idea I’d held on to for over a year. The chorus was something that would keep repeating itself over and over again, through every little moment of my day, for over a year. When I’d finally sat down to finish it off, I knew that, no matter what I wrote, I knew that the story that would be Wild needed to hit me square in the chest every time I heard it.

What was it like putting the video together? It seems like it was a fantastic experience? Where did the experience of using sentient mops come from?

To be honest; every bit of creative thought and energy that went into creating the video was all thanks to my director Tanvi Gandhi. The video was shot and filmed in Mumbai while I was in Delhi or touring around India. The idea of the mops in today’s world was all her idea and filming the mops was definitely an amazing experience. With the crew having gone through a lot of effort to make functional prototypes of the mops, the entire video is worth it!

Is there going to be more material coming down the line?

Well having just released an album in April I think first things first I’m going to take a little holiday! But, I’ve got more material in tow and I want to try to take a bit of a break and recharge the batteries before I get on tour and start recording more new material again!

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New Delhi is your hometown. Tell me how music came into your life and what form it took. What is the city like in terms of sounds?

Well. I live in Delhi now, but I’ve always considered Bombay to be my hometown, to be honest. Music has been in my life for a very, very long time. I was seven-years-old when I started playing the piano and I’ve spent a lot of my childhood in many different parts of the world. I feel like I’ve l learnt to absorb different sounds and sensations from every environment I’ve been in! Being in Delhi has given me a lot of stability, of course.

I’ll always be grateful to the city that gave me my first start!

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Did your father’s passing, when you were sixteen, impact your course and reason to stick in New Delhi?

Well. He passed away in England when we were living there - it was only after that when we were forced to move on and try to start our lives (my family’s) all over again. It was hard, but being in the city really allowed us to focus and start all over again. Losing my father was difficult, but my mother has been a pillar of strength and she singlehandedly changed mine and my brother’s life. I don’t know what I’d do without her.

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Which artists would consider as influences in terms of the music you make?

I always look up to artists like Andy Mckee, Antoine Dufour and Don Ross for their musicality. However, as of late, I’ve really come to appreciate the talent and skill that John Mayer possesses. I honestly think that he’s the best singer-songwriter in the world. I also love bands like Snarky Puppy, and Foals - and my all-time favourite, Alter Bridge.

Can we see you tour this year? What gigs do you have coming along?

Well. I don’t know about outside the country, but I hope to set up a nice auditorium tour in India with a possible international tour in 2019. I want to do it right and be patient. I’ve worked hard to put my music out there and give it the best possible platform to be heard; I just want to make sure that when I do go on tour, I want it to kick ass!

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Might we see you in the U.K. at any point?

I can’t say for the moment, but I do hope the stars align!

What do you hope to achieve in 2018?

I really want to recharge my batteries and get to writing newer songs and making some great soundtracks! I really want to get to tour internationally and properly this time! I do hope that I can make it to the U.K. and Europe! There’s a lot to look forward to already; I don’t want to jump the queue!

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Have you got a favourite memory from your time in music – the one that sticks in the mind?

One of my favourite memories is when I’d just started playing the piano and my mum and dad both sat on my bed while I played utter nonsense on a toy Casio keyboard. They smiled and jumped with joy when I’d figure out songs in front of them. I’ll never forget that day or that feeling.

Which three albums mean the most to you, would you say?

One Day Remains - Alter Bridge

It completely changed the way I looked at the guitar. Hearing Mark Tremonti kill it on the guitar completely made me want to shred like anything.

Meteora – Linkin Park

The first album I bought with my own money. I’ll never forget that they were the first band I ever saw live. What a thrill they were to watch live and at the best possible point of their careers. I feel super-lucky.

Phil Collins - Hits

By far my favourite artist of all time. To me, this man can do no wrong, and listening to Another Day in Paradise would always make me feel so sad. I wanted to be like him; I even covered In the Air Tonight in my own way. He’s always going to be at the top of my list.

What advice would you give to new artists coming through?

I think I could use plenty of advice, to be honest!

The only thing I can really say is that one must always be prepared to work hard and really, really create the best work that you possibly can. Writing as many of your ideas down and making as much music as you can will always keep you happy! Always take some time off when you can!

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IN THIS PHOTO: Roosevelt

Are there any new artists you recommend we check out?

I really like Roosevelt and Kacey Musgraves. Actually, the latter’s latest release is amazing!

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IN THIS PHOTO: Kacey Musgraves

Do you get much time to chill away from music? How do you unwind?

I do spend a lot of time at home, sending emails and working a lot! However, my favourite thing is to play video games! I love being the protagonist and traveling through a world filled with lore and quests and, of course, eating some amazing food.

Finally, and for being a good sport; you can choose a song and I’ll play it here (not any of your music - I will do that).

Wait Up – Roosevelt

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INTERVIEW: Century Thief

INTERVIEW:

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Century Thief

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THERE is a lot to learn about Century Thief.

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I have been finding out about the band and their E.P., Deaf Beneath the Waves. I ask whether there is a track from the set they favour; what the stories behind the songs are; why they isolated themselves in a cabin to create the songs – they reveal the future in terms of gigs and what they want to accomplish before the close of 2018.

The guys tell me how they got together and when they started making music together; whether the Canadian band is coming to the U.K. to play; how they spend their time away from music; the advice they would give to new musicians – they select some cool songs to end the interview with.

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Hi, guys. How are you? How has your week been?

O: I’m good, thanks! It’s been a busy week. I’ve been rehearsing a bunch because I’m going on tour with two acts - and I’m playing the guitar in one band and bass in the other. I’m also moving downtown Toronto in the middle of the tour. But, it’s all very exciting and I can’t wait to get goin’!

M: Great, yeah! One of those bands is my solo project, so I am in a similar mode. I’m also moving Omar downtown, which I’m excited about. Also, it was Canadian Music Week, so we played a showcase and I got to see some great shows so I’m inspired and excited!

K: I am busy, good; getting over a cold, feeling the warmth of spring...

For those new to your music; can you introduce yourselves, please?

M: Hey, world! We are Century Thief. We make moody Rock music.

O: We often use ‘Trash-Lounge-Folk-Prog-Rock’ to describe ourselves. A Montreal sound engineer described us as that once and it seemed fitting so we stuck to it.

K: What Mike said…

Deaf Beneath the Waves is your latest E.P. Can you talk about the inspiration behind the songs and how it came together?

M: A couple of years ago, we did this project for In the Soil festival in St. Catharine’s where we worked with some artists; our filmmaker friends Brandon Benoit and Greg Francis and visual artists Suse Silva and Tony Darling made a film to accompany our set and built an installation. We had this idea of how places change over time and our relationship to places, and we each developed a song around that. That kind of morphed into the material we have now, including these songs and our upcoming stuff. 

O: Yeah. We’ve been working on a slew of songs for a couple years (around twelve) and we’ve decided to release the songs in sets of three-four-song E.P.s. These songs just seemed to fit together well. There are three principle songwriters in the band and we think it’s important that each E.P. showcases each songwriter. This helps keep things interesting for the listener: I hate getting into a record or E.P. and getting bored because every song sounds the same.

K: Science of Solace came out of some youthful rumination of the way our lives go that only seems to resonate more as I get a bit older. You can’t logically say steps A, B and C are going to get you from point A and B and that’s why it eventually ends in a wash of noisy celebration. Our songs tend to hit similar chords (pun intended, maybe), philosophically, and it made sense to put these three together. We didn’t know they fit until In the Soil, though. Happy accidents.

Is there a song you each gravitate towards as a highlight?

O: There are only three tracks, so I’m hoping people can listen to all of them and choose their favourite. Haha. We chose 406 as the single and I’d say you should listen to that, but I think they’re all great.

M: Yeah. I think they work well together; listen to them on your morning commute. 

K: Whatever one my mom says is her favourite. That’s to be determined…

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Did you isolate yourself in a cabin/farm when recording the material? What was the reason for this?

O: Our first record took so long to record, largely because we had to balance six members’ schedule, plus the producer. By going to the farm, we dedicated a full week to recording and we got a really solid foundation laid for the rest of the record. It was also so cool recording in such an old structure. The reverb in that house was amazing. We set up a microphone upstairs in a wooden hallway to capture the reverb on the guitars and it sounds so cool.

M: I think we kind of had a romantic idea about it as well. It was really nice to just shut all the distractions and requirements off and solidly focus on making something together for a little while. I look back on that week fondly, although I immediately (also) remember how sleep-deprived and loopy we all got by the end of it. It was late winter, too, so we were basically indoors for a week.

K: I was pissed off about how we recorded our last album. We had very little control. It was cathartic to write and record on our own for the first time. As a band that’s been playing together for so long, it felt right to be isolated and enjoying each other’s company.

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How did Century Thief get started? When did you all start jamming?

O: Well. I went to school with Mike and Kathryn at York U. and we’ve been jamming for around eight years. We used to lock ourselves in my bedroom and practice all day, once a week. Haha. We’d bring a ton of food and beer and other fun things and just work on stuff till it was perfect. A couple years later I met Adam at a coffee shop we worked at together (Coffee and All That Jazz) and he, shortly, joined the band.

Then, Colin and Dante are friends of Adam that, over time, have just become a part of our collective friend-group. Colin and Adam are also in a band together (since forever) called Honesty.

K: We started as backing bands for each other’s solo music in, like, 2010 or 2011. Then, we found out it was fun and challenging to play as a single band - and we worked well together so we’ve been doing that!

Do you all share musical tastes? Which artists do you count as influences?

O: We do; we bond over Radiohead, Arcade Fire; Broken Social Scene and so many more. With six of us, obviously, we all have our own influences and, for example, I listen to a lot of Rap that other members wouldn’t. So, when writing, we all have our own influences to draw on. Bonus: Adam has the best taste in music and is always showing us amazing new bands.

M: Adam has designed my personal life-soundtrack for the past eight months. His recommendations are really on-point.

K: Almost all musical tastes are shared except…I don’t really like some of Omar’s Emo classics. (Sorry, Omar) Makes for almost-perfect road trips.

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Where are you heading on tour? Where can we catch you?

O: We just played Ottawa, Montreal and Toronto a couple weeks ago which is becoming our usual circuit. We have a show in St. Catharines on July 6th at the Warehouse with our good buddies in Fat Moth. We’re hoping to go out to the East Coast of Canada in the fall, so keep your ear to the ground.

Do you reckon you’ll come to the U.K. and gig here at all?

We’d love to. It’s not in our immediate future, but the U.K. is in the list!

K: I’d love to!

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What do you hope to achieve in 2018?

M: We are self-producing this batch of material and it’s getting smoother as we go. I want to do more experimenting, figure out new ways to present these songs.

O: We’re hoping to continually release new content that engages and grows our fan base. We’re also hoping to play cities within that seven-hour drive from Toronto more consistently to really grow our fanbase outside of Toronto.

K: Make and play more!

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Have you each got a favourite memory from your time in music – the one that sticks in the mind?

O: It’s hard to choose one: we’ve been playing for so long and I feel like I’m trying to constantly create new positive and memorable moments in my career. There are two things I can remember specifically: we had a P.R. campaign for Pillar which was the single off our first record, Reverie, and that was the first time people were really talking about us and listening to our music. I remember reading some of the reviews and just feeling so happy people were into the music we make.

The second is that installation Mike mentioned earlier.  It was so much work to organize but we played a set in front of the film and had the installation as set design and it all came together really well. It was also in front of my hometown crowd in St. Catharines.

M: Going out to the East Coast a couple years ago was really exciting. We hadn’t done anything like that before and we were definitely in party-mode. It was so much fun; we always have a good time playing out of town together, but that was extended and it just felt great. 

K: Definitely our trip to the East Coast.

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If you could support any musician alive today, and choose your own rider, what would that entail?

O: Probably Feist. There are others that come to mind but she’s just so amazing. My rider would include smoked meats and cheeses, salads – but, like really, really good salads. Nothing too heavy before you sing (and good beer).

M: Yeah. Fruits, veggies; hummus and craft beer for the rider - Wye Oak for the artist.

K: Probably Little Dragon! For rider: coffee, Baileys; beer, sparkling water and chicken wings. I’ll steal some of the healthy stuff from Mike and Omar.

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What advice would you give to new artists coming through?

O: I always feel weird giving advice because I’m still learning so much myself. I used to say I never stop playing ever. Always try and better yourself. It is still true, but I think I’d probably say don’t wait for someone to do the work for you; don’t wait for a booking agent, a label or a manager etc. Book it yourself, promote it yourself.

Being a musician is a business and you need to treat it like one. Most people who are successful have worked their ass off away from their instrument to get to where they are.

M: Yeah. Make stuff happen for yourself. Book shows you’d want to go to: those are the ones that always turn out best for us.

K: Keep positive and an open mind. Talk to people. Find mentors. Play a lot. Record a lot.

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IMAGE CREDIT: Marin Leong

Are there any new artists you recommend we check out?

O: Again; Adam’s the guy to ask but I’m listening to a lot of Lucy Dacus and Remo Drive.
M: Little Kid. Their album, Sun Milk, is another Adam recommendation.

K: Big Thief – also, another Adam addiction.

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IN THIS PHOTO: Big Thief/PHOTO CREDIT: Shervin Lainez

Do you get much time to chill away from music? How do you unwind?

O: I cook a lot. I love cooking and I find it’s almost meditative for me. Besides that, it’s mostly music-related things or late -night video games (currently, I’m playing Star Wars II and NHL).

M: Music is definitely a really big chunk of my life - but I like to run and I love having a good beer with some family or friends. Also, television and video games help with unwinding.

K: My friends and family, my pets; beer, binge-watching shows and video games.

Finally, and for being good sports; you can each choose a song and I’ll play it here (not any of your music - I will do that).

O: Addictions - Lucy Dacus

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M: Slow Death in a Warm Bed - Little Kid

K: Drifters - Patrick Watson

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Follow Century Thief

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INTERVIEW: My Brothers and I

INTERVIEW:

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My Brothers and I

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I have been speaking with the Portland band…

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My Brothers and I about their new single, When You’re Ready, and what they have planned coming up. I ask how they started making music together and what the scene is like in Portland and whether they are coming to the U.K. – I ask who they count as idols and which artists they are inspired by.

The guys discuss what their favourite musical memories are; what they hope to achieve before the end of the year; some new artists worth looking out for; whether they get time to unwind away from music; the advice they would give to any new artists emerging – the guys each choose a song to end the interview with.

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Hi, guys. How are you? How has your week been?

Good, good. We’re traveling on a few tour dates right now and having fun playing in some cities we haven’t played before.

For those new to your music; can you introduce yourselves, please?

We’re a band that writes and plays Pop music with soul. Compiled of three brothers and our childhood friend; we go by the name My Brothers and I. We had some success with our debut album, especially with licensing and sync, but we’re super-excited for our next couple of singles leading up to our sophomore release that will be a six-song E.P.

When You’re Ready is your latest single. Can you tell me what the background to that song is?

It’s about falling for someone but they’re not planning or ready or looking for love. Sometimes, you find the right person at the wrong time but you feel you’re still going to end up together.

It is from a forthcoming E.P. What sort of songs and themes might we see featured on there?

Musically, we wanted to create a hybrid sound; blending real instruments with more synths and samples than we’ve used in the past; pushing ourselves and our sound while maintaining organic elements that leave a unique sonic fingerprint. Lyrically, our songs are about relationship, love and loss. We view relationship, romantic or otherwise, through the lens of our faith in God.

How did My Brothers and I start playing music together? Erik, Scott and David, as brothers, was it an inevitable decision (to join with Jordan)?

Jordan and Scott started their first band in 7th grade, like seventeen years ago. When Erik entered his teens he joined and then I (David) joined. When we signed our first record deal I was still in high-school. The band took many forms and many name changes, but we feel that we’ve found something special with these new songs. We’re discovering our own sound and we feel that the rhythm we’re in right now is rare.

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Which artists inspired you to make music? Who do you count as idols?

We’re huge music fans and have been inspired by many different artists. As individuals, we bring such a variety of influences, from James Blake to Chance the Rapper; Kevin Garrett to Adele.

Portland, Oregon is where you hail from. What is the music scene like there?

Just like everything in Portland, it’s weird. It’s a little bit of everything, accordions; bagpipes, Doom Metal and Jazz clubs - bands with two drummers, two bass players and two lead singers, that sort of thing. It’s very much a come as you are music scene…

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Do you have any gigs lined up? Where are you heading?

Yeah. We’re currently touring with what we call our 'stripped set', or acoustic set. We perform with a Cajon box-drum, acoustic guitar and electric guitar: no keyboards, synths or backing tracks; just playing raw. So, right none, we’re in L.A. for a few days before heading south-east to Austin, Dallas; Nashville and Atlanta.

Will we see you come over to the U.K.?

We would love nothing more than to tour in the U.K. It’s one of our goals and we’re a pretty determined bunch but, right now, there’s nothing in the works.

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What do you hope to achieve in 2018?

Honestly; our biggest hope is to make this a sustainable career.

We feel like 2018 is our year to get over the hump and become a full-time, year-round and profitable business. We hope to play a lot more shows, appear in more television shows and, most of all, up our social media game. We’ve been a little shy with social media: we’re starting to get more comfortable peeling back the curtain and letting people in; letting others see who we are as people beyond the music.

Have you each got a favourite memory from your time in music – the one that sticks in the mind?

The memory that’s stuck in my mind forever is the letters we’ve received from fans expressing how our songs have impacted their lives. One fan said our song, Scars, helped them through depression and attempted suicide. Another fan wrote us that Stay helped her and her husband fight cancer.

Those are moments you never forget. It’s a reminder of the weight a song can carry. Bruce Springsteen once said something like: “A three-minute song can change someone’s life” and we’ve always been motivated by that.

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If you could support any musician alive today, and choose your own rider, what would that entail?

Beyoncé, duh. We don’t need much, though - Diet Coke and coffee is about it.

What advice would you give to new artists coming through?

Perform live as much as you can. It’s the only way to develop all the different skills you need to succeed in the music industry. Talent will only get you so far: you have to learn how to work with people and build up a team around you.

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IN THIS PHOTO: John Splithoff

Are there any new artists you recommend we check out?

John Splithoff, James TW and our buddy from the Pacific Northwest, Allen Stone. He’s been around but, if you haven’t heard him, you have to check out Allen Stone!

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IN THIS PHOTO: Allen Stone

Do you get much time to chill away from music? How do you unwind?

We unwind with Xbox, mostly playing PUBG, right now. I’m (David) ranked top-fifty on North American servers (no big deal). We also play basketball, read a lot and watch movies.

Finally, and for being good sports; you can each choose a song and I’ll play it here (not any of your music - I will do that).

Kevin Garrett - Little Bit of You

Chance the Rapper - Blessings

John Splithoff - What If She Wants You

Shawn Mendes - Lost in Japan

 

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Follow My Brothers and I

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INTERVIEW: Robert O’Connor

INTERVIEW:

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Robert O’Connor

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HE is one of the most passionate and determined artists…

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I have encountered in quite some time! It has been great learning more about the Irish songwriter Robert O’Connor and how he has progressed the past few years. He speaks with me about his latest track, You Found Me, and how it came together; why he took a break from music; where he heads from here – I ask how important Ireland is in regards the tone and nature of O’Connor’s music.

He tells me about gig plans and a favourite musical memory; albums and artists important to him; a newer act worth checking out; the advice he would give new artists coming through; how he wants to spend the remainder of this year - O’Connor talks about working with Stuart Gray on his new song.

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Hi, Robert. How are you? How has your week been?

Hey, Sam. I’m great; happy to have another opportunity to bang on about my music! This week has been good. Since I kicked off this new single campaign, the first thing I do every morning is to check my emails and my social media before I even get out of bed. I’m sure it’s massively unhealthy but I’m in tunnel vision-mode right now. I was chosen for The Best New Indie Single of the Day today so that’s a good start to the day, for sure. I was just saying how every day one good thing d has been happening and that’s enough for me to feel encouraged and keep my motivation up!

Last night ended well, too, because my track got played on a radio station in Nashville. I’m loving listening to all these radio shows I’ve never heard from around the world.

For those new to your music; can you introduce yourself, please?

I’m yet another singer-songwriter. I look through the music blogs now and can’t believe how many under-the-radar male singer-songwriters there are. I suppose my unique selling point would be that I don’t have a guitar. Haha! I started out with more of a Pop-leaning and, when I started out as a songwriter, I was very much inspired by the music I would hear in the background of American T.V. shows growing up; all those teen shows brought some great bands to my attention like Death Cab for Cutie and Arcade Fire.

I’m gonna say, that right now, my sound is ‘Nearly Nashville’: there are Pop hooks, a bit of a Soft-Rock framework, but there’s definitely a Country influence.

You Found Me is your latest track. Can you explain its story and how it came together?

Lyrically, the song is about losing your way in life and sort of going off the deep-end a bit and then a moment where you have an awakening and realise, sh*t; this isn’t a dress rehearsal, what am I doing with my life; is it what I want to be doing?! I think, for me at least, I didn’t realise that I was dissatisfied entirely, it was a slow thing - like I say on the line “slipping slowly like a landslide” - but I woke up one day and realised that I wasn’t on the right path. The ‘You’ in the song isn’t really about someone else: it’s kind of about having an out-of-body experience, where you are looking in on yourself and, in that moment, seeing everything clearly...

A friend of mine, who went a bit off the rails with drugs recently, told me that they related to the song on a profound level because they felt the exact same way, for a different reason! I love to hear those stories…

You sort of took a step back from music and are back now. What was the reason for taking some time out?!

I really regret that time-out. I try not to, but I do, and the only way I can console myself is by saying “I’m back now”. The last time I was releasing music was back in 2013. I released a remix E.P. with a bunch of underground producers and, from that, came a really commercial track called Too Late which was definitely a different vibe for me – it was like an Avicii or Swedish House Mafia track but with a Pet Shop Boys vocal – at least that’s what people were saying back then. I didn’t have the funds to promote the track and it wasn’t the sort of thing I could really gig on the live scene here in Ireland.

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I was very, very frustrated because I believed in the song and I suppose I was already quite disappointed by my last proper E.P., Resistance, which came out a year beforehand. I had recorded that and had a guy who was shopping it around to labels but it was a really weird time in the industry pre-streaming and nobody really knew what they were doing.

No deal came through and I released it independently, but half-heartedly, and played a one-off gig that ended up probably being my best gig ever…and then that was it. I couldn’t afford to be hiring session musicians to go on tour; I had no-one to turn to and ask ‘So, what now?’ I gave up but, far back in my mind, I had hope that it wasn’t the end. Those five years have been a rollercoaster: I went back interning as a journalist and eventually got a job writing for a website and doing social media management.

The site I was working for then closed down and I was working in nightlife as a security guard - that was an eye-opener, I can tell you! While I was doing that, I took a business course and I never thought a year later I’d be using the business tips I learned to run, basically, my own business with this music project; doing the day-to-day management radio plugging and P.R. I don’t have as much money now as when I was working full-time but I am much happier to be finally back where I belong.

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Tell me about Stuart Gray and how he came to work with you. What does he add to You Found Me?

I rang Steve Hogan, who produced four songs on my first album, to see if he’d like to work together again. Turned out he’d packed up his studio and was working full-time as a drummer - but that phone call was a turning point. Before that, I’d been talking to producers here and I just couldn’t find someone that I connected with. Steve recommended Stuart Gray, who had a studio in a rural part of Ireland and he said he’d set up a meeting.

I was nervous about going into a room and singing these new songs for someone – it’s tough at the best of times but especially when you haven’t been in a studio in seven years and been living in a different world basically. That first meeting was casual and really nice. We talked about what I liked and didn’t like musically; Stuart played me some tracks he’d produced for other artists – and when I heard what he’d done for some Nashville artists, who were coming to Ireland to work with him, I knew Steve had got it right.

It was right before Christmas; we had two writing sessions in quick succession and regrouped in the New Year for two afternoons of vocals. It was a very quick process - and that was appealing to me because I’d been in situations before where it had taken months and I was feeling very eager to get back out there as soon as possible!

Will there be more material coming later this year?

There will! It’s almost time for me to start making decisions about the second single. The track is already in the can; it came from the same sessions as You Found Me – but I don’t want to just chuck it on to Spotify and hope for the best. I want to do absolutely everything in my power to get the song heard around the world. The song travels a little further down the country path and, previously, I was saying to Stuart and Steve that, maybe, I should be kind of focusing on servicing mostly American radio with this, but now the whole Country trend is happening and even the most ‘Pop’ artists like Kylie (Minogue) and Justin Timberlake are getting on board the Country train - so hopefully being ‘on trend’ will go in my favour!

I’ve been writing way more often since I stopped working as a journalist, which is kind of ironic! I think it’s because I have a purpose for the work and I’m a little bit boosted by the positive reaction to You Found Me.

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Dublin is where you were born and raised. How important is the city in regards your music? Is it an exciting place to find great music?

I’m gonna be totally honest: it’s not massively important or influential on my music. I have always been much more inspired by American music and, actually, I really like a lot of what’s coming out of the Scandinavian countries too – like First Aid Kit and Say Lou Lou; they both have very distinctive sounds. In saying that, it is an exciting place to find new music. There are countless open mic nights and, so, there’s an opportunity for everyone. I’m going to test-drive my own new material at those in the near-future. A lot of the Irish bands who tend to do well, though leave Ireland for London and often what happens then is, after they’ve found some success on the live circuit in the U.K., the Irish blogs and media all want a piece.

I don’t know. It’s a weird concept to me that you have to be validated abroad for Ireland to really take ownership of you - but I guess that’s what happens when you take cues from a bigger neighbouring country.

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Which artists do you take inspiration from when it comes to your own sounds?

I have an ever-expanding palette of influences! If we start out old-skool; I have to mention Fleetwood Mac. Then, in my teens and twenties, it was all about Death Cab for Cutie, Coldplay; Arcade Fire, John Mayer; Pet Shop Boys and Dido. Right now, I still listen to those but I’m even more passionate about discovering new acts – so I was excited to hear the Country/Urban fusion from the likes of Sam Hunt and Brett Young and I love Dream-Pop, so acts like Swimming Tapes, Few Bits; St. Lucia, Empire of the Sun and The Pierces.

Right now – and I didn’t foresee this coming at all - I’m obsessing over the new Charlie Puth album, Voicenotes. The Pop hooks are so instant you remember them after one listen and the whole record is self-produced with this kinda Hall & Oates vibe. No matter what I’m doing, I’m listening to music while I’m doing it and, if I’m not, I’m making songs up in my head…

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Can we see you tour this year? What gigs do you have coming along?

I really hope so! There’s no tour in place, but just this morning I reached out to a promoter about a meeting to discuss opportunities. I always knew I wouldn’t be ready to gig around You Found Me, but I’ve been offered gigs and it’s my number-one priority now that the single is out there in the world doing its own thing. I have never gigged outside of Ireland and that’s something I’m desperate to do this time around. With the likes of SoundCloud and Spotify Analytics, it’s become easier to see where your listeners are and so, really, you can use that data when deciding where to play live.

For me, the U.S. seems to be where the listeners are for the most part, but they’re building up in the U.K., France and Germany too. I would love to get on a few support slots to increase my visibility and just feel out how people respond to me.

How does it feel being up there on the stage? Can you describe the feeling?

It’s been a while for me, but you never forget the feeling. The songs really come to life and when you can engage the audience, that’s really special. It can be difficult when you’re playing new music because it’s not familiar to people and I suppose that’s where covers come in, but it really is a balancing act. I’ve played a lot of acoustic gigs in the past and, while that can be convenient, what I’m really excited for is to play with a full band again.

I want to bring a show that’s really energetic and has an atmosphere. I think all too much you hear ‘male singer/songwriter’ and you think ‘boring’ - but it doesn’t have to be that way!

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What do you hope to achieve in 2018?

I hope that I can build on the support I’ve had from the radio with the first single. I hope the second single resonates with people because it really is a from-the-heart song: it was written in minutes and it’s a simple song but I think it’s timeless. Actually, one of my friends said to me, “How confident are you, on a scale of one-to-ten about this single?” and I said “Conor McGregor” because I’ve never felt more confident about a song, I really do believe it’s ‘the one’.

Hopefully, Spotify and Apple Music will get on board and add me to some playlists - because that’s really the way to reach listeners now. As much as I’ve enjoyed managing myself in making this comeback actually happen, from organising the recording to reaching out to radio and all the follow-ups, I would love to have someone fighting my corner with me. If I could go into 2019 having released the three best singles of my career I think I’d be pretty happy because, at the end of the past five years, my thought has been ‘I wish I’d released music this year’ and it really made me sad no matter how content I was feeling in other areas of my life!

Have you got a favourite memory from your time in music – the one that sticks in the mind?

It jumps out straight away...

I had just had the day from hell where I was interning in a P.R. company in Dublin where the girls were bitchy and the boys were worse (think The Devil Wears Prada, except everyone wants to be Miranda Priestly). I didn’t fit in at all and each day felt like a month. At the end of this particularly awful day, I got home, opened my laptop and found an email from my then-record label – an indie in London – saying that Universal Music had been in touch and wanted to distribute my album. To go from such an extreme low to such a high was really quite a rush.

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Which three albums mean the most to you, would you say?

We’ll. Get the cliché one out of the way first and say Fleetwood Mac’s Rumours

I think if you can make a record that’s as timeless as that is, and have it click with so many generations, you’re really doing something right.

Dido - No Angel

It came out for me at a time when I think I really needed it – it was in my stereo for over a year and the way she told stories in her songs really appealed to me and made me consider song-writing as a form of therapy. It was also the beginning of my love of Trip-Hop. I loved that there was an Electronic influence: it wasn’t a straightforward middle-of-the-road, singer-songwriter album.

It’s really tough to say just three, and I do seem to be going back to albums that I heard when I was barely a teenager, but Madonna’s Ray of Light…

I think will always be one of the best bodies of work from a Pop singer and it’s been a reference point for so many artists since. I just saw, last week, that it’s twenty years old now which blows my mind. The level of reinvention on that record was phenomenal and William Orbit’s guidance was profound.

I love that she sang about fame on Drowned World/Substitute for Love - and the way they used samples from obscure underground tracks and built upon that. Like Kanye West said recently: We need to be less concerned with the ownership of ideas: it’s exciting to borrow elements from different places and make something new out of it.

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What advice would you give to new artists coming through?

Fasten your seatbelts; you’re gonna feel bipolar for this ride...

There are a lot of ups, and often a lot more downs, and you can’t let yourself lose focus. You have to believe your own hype because, if you don’t, no-one else will. (The last time out I wasn’t confident the way that I am now). Maybe it’s because I’m happier with my product, who knows, but I firmly believe that it’s not so much about luck but rather the ability to hang in there and hustle as damn hard as you can. My motto from the outset of this era was ‘Do something every day that will put you out there’, so, every single day since the end of January, I have been sending my single to bloggers, radio stations and promoters all over the world.

I’ve read countless articles about how best to approach bloggers and how to submit your music to D.J.s because I really wanted to get it right this time - and I knew no-one else was gonna do it for me! Most days I’ve had an email back, whether it’s to do an interview or it’s a play for the song on a radio station, somewhere in the world. (The last time I stuck to Ireland and that was a big mistake). Use the internet, that’s what I’d say; make yourself look as good as you can on social media and engage with other artists and any fans you pick up along the way. I have a lot to learn, though, so I’m far from an expert! Ask me again when I’ve got a hit record!

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IN THIS PHOTO: First Aid Kit

Are there any new artists you recommend we check out?

They’re not brand new but I really rate First Aid Kit. I think their single, Fireworks, is monumental and really moving. I love that it’s a bit nostalgic – generally, if it feels like the '80s or '90s, you can be almost certain that I’ll be on board.

Do you get much time to chill away from music? How do you unwind?

I find it really difficult to switch off. I’m constantly thinking that I could do more and that’s not good, I know that…but I have an insatiable hunger for success right now. The only time I can switch off (to a point) is when I’m doing something physical, like weightlifting, and it focuses the mind and you come out of it feeling physically sore but mentally a lot lighter.

I haven’t been doing as much of it as I should lately but I’m going to get back on track any day now! I had good progress last year when I really went at it and I do think that with physical strength comes mental strength.

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Finally, and for being a good sport; you can choose a song and I’ll play it here (not any of your music - I will do that).

Can I have Twin Shadow’s Saturdays (featuring HAIM)?

I heard it on a French radio station that was playing my single and it put me in the best mood. Just like that, he had a new fan because I was straight on to Apple Music to listen to his album, Caer. Again, it’s quite nostalgic, I’m still not sure who it reminds me of…maybe Bruce Springsteen. It sounds like an '80s movie - and that’s the way to my heart!

INTERVIEW: Mushy Callahan

INTERVIEW:

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Mushy Callahan

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IN many ways…

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Mushy Callahan remind me of Kings of Leon. The band has that family connection – they are all brothers in Mushy Callahan – and there is always the risk of tension and disagreement. What comes through, though, is incredible music and a deep connection. I have been speaking with the Toronto band about their E.P., Revelations, and the single, Deep Meadow.

I find out what life is like in the band and what gigs are coming up; the sort of music they vibe to and draw influence from; if we might see them in the U.K. at some point this year; if they get time to chill away from music; what the band want to accomplish before the year is through – a great window into a talented group on the grow.

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Hi, guys. How are you? How has your week been?

We are well! We are just coming off from the release of our new E.P., Revelations, and we are happy to finally share the music we’ve been working on.

For those new to your music; can you introduce yourselves, please?

We are four blood brothers: Noah, Joel; Jacob and Lucas. We’re based in Toronto, Canada and play Alternative Rock with a heavy influence from '60s'/'70s' Classic Rock.

Deep Meadow is the lead-off single from your E.P., Revelations. What is the tale behind the song?

Deep Meadow is a song about running from your past. There are some people and experiences that have weighed me down in the past and given a sense of regret. The concept of the song is about shaking off the past and not looking back.

Can you define your E.P. in terms of its subjects and what compelled the songs?

The songs came from personal experiences. One of the songs came from a feeling of love lost; another was inspired by some moments of a dream I recollected. While writing the songs, the process kind of opened my eyes and the honest style of writing unravelled its meanings to me - so we named the E.P. Revelations.

Mushy Callahan is a band of brothers. Are there advantages and disadvantages of playing as siblings?

I think there are definitely both. Some of the advantages are that we have a long history of playing music together, since childhood. It’s easier to communicate ideas without hurting someone’s feelings in the process.

One of the major disadvantages is that the fights can be tense and the personal stuff can carry into the band…but, this is now our third release so we’re pretty good at working things out.

When did you all start to make music together? Did you all grow up liking the same sort of artists, too?

We all played music together as a family when we were kids. Our parents gifted us instruments as presents (when we were kids) so we all eventually took a liking to it. We had a piano and guitars in the house so we eventually gravitated towards music and all ended starting our own bands before forming this band.

I think the music our parents listened to definitely rubbed off on us: bands like The Beatles, The Doors and Supertramp were introduced to us as kids, so I think that era of music reminds us of being kids. We eventually all found our own favourite band but, at the root of it all, I think it’s the classics that we can most relate to.

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What is Toronto like when it comes to making music and gigging?

It’s a good music city. We’ve had a lot of support from the industry here and met a lot of loyal fans. You can find virtually any style of music here and it’s been a good place to establish ourselves and get involved in the many festivals that are hosted here each year.

Where are you heading on tour? Where can we catch you?

We are likely to do some local dates (in Ontario) to promote the release of our E.P.

Do you reckon you’ll come to the U.K. and gig here at all?

We toured all over the U.K. a few years ago with a handful of shows which even included a trip up to Wales for a festival. We’d love another excuse to go back and tour as we met a lot of great people and really enjoyed the bands we played with.

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What do you hope to achieve in 2018?

We hope to gain some more traction with our newest release and tour as much as possible. We love to be on the road and playing in new places and meeting new people. We hope our E.P. garners some more attention and gives us a reason to get back in the studio.

Have you each got a favourite memory from your time in music – the one that sticks in the mind?

There have been a lot of highlights. We’ve had some festival shows and big stages that stand out for us. But, I think the (most) standout memory is the first time we had our music played on commercial radio. It was years ago, but I remember feeling proud that we’d gotten that exposure from a song we wrote and recorded. It’s always great to have radio support, but that first time was special.

If you could support any musician alive today, and choose your own rider, what would that entail?

The Rolling Stones. I think they’re one of the last great touring bands from an era that we appreciate. Our rider wouldn’t be too extensive; we’re not too picky. As long as there were beer and Canadian Club whisky, I think we’d be pretty happy.

What advice would you give to new artists coming through?

I think the only advice we’d be worthy of giving is to keep plugging at it. We’ve had a lot of ups and downs being in a band and it’s quite a commitment. We have found it’s best not to get discouraged or take things too personally. Music is a hard business to break, though.

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Are there any new artists you recommend we check out?

Yes. Always support the bands in your area in shows and social media. Commercial music will be the death of creative expression, since its less about what we feel and more about what we could get people to stream without that same connection. Bands don’t sell C.D.s so, if you hear something you like, ‘like’ it and subscribe to it on your social media - that’s a good metric for a band’s success and costs the fans nothing.

Do you get much time to chill away from music? How do you unwind?

Work-life balance is key but, in our non-music time, we like to hang out together. Sometimes, we get together for a work out and others we keep each other entertained with good stories and company. The company seems to be key on long trips from home.

Finally, and for being good sports; you can each choose a song and I’ll play it here (not any of your music - I will do that).

King of the Rodeo - Kings of Leon

Lucas: Band of Skulls – Himalayan

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Follow Mushy Callahan

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INTERVIEW: The Old Pink House

INTERVIEW:

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PHOTO CREDIT: Alex Robson

 The Old Pink House

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ONE of the best bands…

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in the North East right now; I have been chatting with The Old Pink House about their start and where they are heading in terms of gigs; what the inspiration behind Jaded, their latest single, is; what we will get from their upcoming E.P. – I learn what the scene is like in the North East (and where they are based in Newcastle) right now in terms of promising acts coming through.

I ask which new acts we need to look out for; what the band’s favourite memory is; what they hope to achieve in 2018; how it feels being supported by BBC Radio 1’s Huw Stephens; why they look to aspects of 1980s’ music for inspiration – the guys each select a tune to end the interview with.

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Hi, guys. How are you? How has your week been?

We’re good, thanks!

For those new to your music; can you introduce yourselves, please?

We’re a four-piece Cosmic-Pop band from Newcastle, U.K.

Tell me a bit about Jaded. What is the story behind the song?

The song was born out of the guitar riff, originally. I think I just started playing it in our rehearsal room and Max added in that stomping beat - which just kick-started the process and the rest came quite easily. Lyrically; the song is about dealing with your emotions becoming blunted and weary over time and the need to try to combat that.

It is the current cut from your upcoming E.P. Can you reveal the themes that inspired the E.P.?

I think the over-arching theme in all of our music is guilt in all its different forms...

Musically, we’re quite a sunny, upbeat-sounding band but I always go to darker places for the lyrics and I’m fascinated with the way we deal with negative feelings, which stems mostly from my own problems with self-worth and guilt.

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How did The Old Pink House get together? When did you first start jamming?

The band was born out of the break-up of a previous band. Max and I had been in a fledgling act which never really got off the ground and I, in particular, took it pretty hard. I just hid myself away and started working on demos which would become the first Pink House tunes. After about six months of trying to work up the courage to get out there and let people hear it, I found the other guys and we started playing shows.

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You are based out of Newcastle. What is the vibe like there? Do you think a lot of people overlook the city?

It comes and goes. We’re in a period now where people are looking at Newcastle again, which is great, because there’s always been talent up here that deserves recognition. There are, of course, some great artists who have come out of the North East like Maxïmo Park and Nadine Shah more recently but, as we’re so distant from the main music centres like Manchester and London, it does feel sometimes like we get forgotten about.

The band has been supported by, among others, BBC Radio 1’s Huw Stephens. Is it pretty strange having someone like that back you? How does it feel to get that backing?

It’s strange when anyone takes notice, really, especially since most of our music comes out of me humming a melody in the shower or staying up all night programming drum beats in my spare room. It’s a wonderful feeling knowing that something you’ve made has impacted someone in any way, really.

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PHOTO CREDIT: Alex Robson

Which artists do you count as influences? Is music of the 1980s pretty important to you guys?

We all have pretty diverse tastes which range from the likes of Black Sabbath to Kendrick Lamar. The main artists which inspired the initial spate of songs were probably Unknown Mortal Orchestra and Tame Impala and my own personal favourite band are Grizzly Bear. I think the 1980s sound sort of crept in and we fully embrace it - but I wouldn’t say that many '80s artists actually directly influence the writing of the music.

Can we see you tour this year? What gigs do you have coming along?

At the moment, we’re focused on our own hometown headline show at The Cluny in Newcastle on 18th August, which we’re really excited for. We’ll also be showing up at Liverpool Calling and Evolution Emerging festivals in June and we’re planning some U.K. dates to be announced later in the year. Keep your eyes peeled!

What do you hope to achieve in 2018?

We just want to write and release music that we’re proud of and, if that helps us reach a wider audience and make new fans, it’s just a nice side-effect.

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Have you each got a favourite memory from your time in music – the one that sticks in the mind?

I think, collectively, opening for The Cribs and the Manic Street Preachers was an experience we won’t forget. It’s the biggest stage we’ve played to date and the vibe was just so fun, it was an incredible feeling.

If you could support any musician alive today, and choose your own rider, what would that entail?

For me, it would be Grizzly Bear because I love them. For the rider, I’d demand that the actor who plays Varys in Game of Thrones comes in full costume and feeds us hand-peeled grapes on a golden, ornate divan.

What advice would you give to new artists coming through?

Ignore what other people are doing and concentrate on writing good music that you care about. Don’t let social media engagement or any of that other extraneous crap worry you: as long as the quality is there in the music, and you’re willing to put the time and hard work in, the rest will come.

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IMAGE CREDIT: Kitty Hedley

Are there any new artists you recommend we check out?

Some quality North East bands that deserve a shout out are Penguin, Callum Pitt and FEVA. Imogen is pretty amazing as well!

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IN THIS PHOTO: Callum Pitt/PHOTO CREDIT: Daniel Stark

Do you get much time to chill away from music? How do you unwind?

I try not to let music consume my life, and it can be difficult to disconnect from, but it’s important for my sanity. I’m an avid movie fan and I’ve recently been spending way too much time playing the new God of War game. It will consume your life.

Finally, and for being good sports; you can each choose a song and I’ll play it here (not any of your music - I will do that).

Peace of Mind – The Pale White

Pink Lemonade – James Bay

Hunnybee – Unknown Mortal Orchestra

California Dreamin’ – The Mamas & the Papas

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INTERVIEW: Ice Baths

INTERVIEW:

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Ice Baths

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IT has been a lot of fun…

speaking with the talented Ice Baths. I have been chatting with the guys (Tom takes up most of the responses) about their new track, Relic, and what themes inspired their eponymous, debut album - I ask whether there is a cut from the album Tom feels is strongest.

I learn how the band got together and the sounds that inspire them; what it is like releasing music on Blank Editions; if they have any gigs coming up; how they all unwind away from the stress and demands of music; if there are any new artists we need to check out – I ask whether the guys have special memories from their time in music.

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Hi, guys. How are you? How has your week been?

Tom: Fairly quiet. Al’s been touring Europe with Specimens, Jack’s working his socks off at a new job - and me and Ed are routinely recovering from hangovers.

For those new to your music; can you introduce yourselves, please?

ASL? Around two/three-years-old; Ice Baths, London? Alex – Drums/Voice; Jack – Bass; Ed – Guitar; Tom – Guitar/Voice.

Relic is your latest single. What is the tale behind the song?

It seems straightforward but it’s a tricky bastard for us. We used a spreadsheet to plan it in the studio; we wanted something tight and minimal that runs away from us into a bit of a mess. We also have a very beautiful video, shot by Lucie Rox, for it.

Your debut album is out. Can you tell me about the sort of themes and inspirations behind the songs?

A lot of the books I was reading around that time and before were hard-boiled and gritty; some classic American detective fiction. I think I wanted to aim for this stark and blunt feeling you get in those types of books.

It is released on Blank Editions. How did you come to hook up with them? Is it quite exciting being attached with them?

We took a look at the roster that David (who runs the label) had and we knew we wanted to go for it - Housewives, Ben Vince; Dairy Classics, Thurston Moore. We sent it over and he didn’t laugh at us.

Is there a cut from the album you’d select as a highlight?

I think I like Alex’s drums on Circuits a lot. Towards the end; the flourishes sound like they are going to break my speakers.

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How would you describe the sound of Ice Baths? Who do you draw inspiration from?

I like to think we’re trebly, wiry and sparse but we are probably just a sound guy’s nightmare! I was listening to a lot of Eddy Current Suppression Ring, U.S. Maple and These New Puritans around that time. I think a lot of the one-note playing was me ripping off Eddy Current Suppression Ring.

Can you remember when the band got together? When was the moment you decided to make music together?

Me and Al found each other unglamorously on Gumtree - we probably have the emails! Jack and Al have played in bands together previously; Ed did sound for us once and then we head-hunted him because his other band, Aathens, is awesome.

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Where are you heading on tour? Where can we catch you?

We’re lining up a U.K. tour later this year but, if you’re in London, we’re about to play our album launch show at The Others in Hackney on 19th May with Merlin Nova and Dairy Classics; then, a quick stop at Rough Trade on 23rd May and we’re with one of our faves, H. Grimace, at The Old Blue Last on 13th June.

What do you hope to achieve in 2018?

Not crashing a tour van on the way to Glasgow and trying out a few new tunes on the road later in the year…

Have you each got a favourite memory from your time in music – the one that sticks in the mind?

Ed getting a meal served to him on stage mid-song.

Alex: Finding myself with a morning off on my first-ever U.S. tour in a beautiful lagoon in Sedona Arizona with a guy we met at the gig before. It was his birthday and he wanted to show us his favourite secret spot. There was no one else there and it was incredibly hard to find/get to - it was one of those moments when you know you’d never have visited this place if it wasn’t for playing a show.

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If you could support any musician alive today, and choose your own rider, what would that entail?

Lawrence English (because he is living legend and one of the biggest influences on my personal music). As for a rider? Haha. To be honest, Walnut Whips are kinda having a resurgence in my life, so maybe a multi-pack of those and some kind of posh soft drink or mint tea (rock ‘n’ roll, I know!).

What advice would you give to new artists coming through?

Tom: Often, beer tokens are just raffle tickets.

Are there any new artists you recommend we check out?

Alex: Vida Vojić. She is amazing. Not a lot out yet, but she has some great stuff coming up – and she’s incredible live!

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Do you get much time to chill away from music? How do you unwind?

Toboggan hurling.

Finally, and for being good sports; you can each choose a song and I’ll play it here (not any of your music - I will do that).

Tom: The Prats – Disco Pope

Jack: Crack Cloud - Graph of Desire

Alex: Christina Vantzou - Some Limited and Waning Memory

Ed: Wu-Tang Clan - Wu-Tang: 7th Chamber Part II

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INTERVIEW: Volkova Sisters

INTERVIEW:

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Volkova Sisters

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THE past few weeks…

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have exposed me to musicians from all around the world. I have been speaking with the Budapest-formed band Volkova Sisters and ask how they got together – they have been telling me about their latest track, Faceblind, and reveal its story.

I ask them what the differences are between England and Hungary in terms of music; whether there are any new artists they would recommend to us; if they have gigs coming up where we can catch them; what we can expect from their upcoming album, Slowin Away – they  talk about their upbringing and what the future holds.

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Hi, guys. How are you? How has your week been?

Dalma: Quite intense, actually: a breakup and general life issues (smiles).

Dani: I see material for a few new songs here…

For those new to your music; can you introduce yourselves, please?

We are a group of people living in different European countries, working together for almost ten years now. We like dark and atmospheric sounds and, as kids growing up in the ‘80s, we were heavily influenced by the music of that decade. At the same time, we always aim to find new and less-explored ways in music.

Someone described our genre as ‘Goth-Tron’.

How did Volkova Sisters form? When did you all meet?

Dalma: We all knew each other from the Budapest music scene. We've been best friends with Daniel for more than a decade now; we also have had a previous band before. When we started Volkova Sisters, we knew that we were missing an element and we really didn't want to be a duo: we wanted to involve other ideas into our world and Geri just came in the right time.

Daniel showed him our first demo and the rest is history. Tibi, our drummer (who is a member of the legendary Hungarian Dark-Rock band, Sexepil), came into the picture roughly two years ago when we were thinking about ways to expand our stage presence.

Is it true you borrowed your name from a William Gibson novel? What struck you about the name?

I'm a big Sci-Fi fan, including all the side-genres, and Willian Gibson is one of my favourite authors. Very easy to read, with lots of action and quite precise future forecasts. When I read his book, Pattern Recognition, I was a mesmerized by this character pair and I thought it really resonates with the way we think about art.

Faceblind is your new single. Can you reveal its story?

Dani: We were in a car in the Hungarian countryside on our way to a week of songwriting in a remote location. It was late at night and we listened to a radio talk show about people who were ‘faceblind’. It's a rare condition of the brain when someone is unable to recognise faces. This, straight away, inspired a whole new range of characters for our mythology. We wrote the song the next day…

It is from your upcoming album, Slowin Away. What sort of stories can we expect to find in the record?

The stories revolve around all the feelings we gathered since we started to live lives less bound to a single geographical location - from feeling lonely in a metropolis to the general angst of our generation that we see from very different angles in different places.

Also; we took some inspiration from the underground Techno scene in London…so expect something more upbeat (sometimes, almost danceable).

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You formed in Hungary but are based in England. Was it difficult finding a scene and base in Hungary? How does England compare in terms of its sounds and artists?

Dalma: It was hard to gain attention in our home country but our fanbase is growing, so I'm happy that are native fellows dig our stuff. 

The U.K. still has its distinctive sound. Not from a genre perspective: I'm talking about the mixing and mastering process here. Music-wise; I don't think it's an island anymore: every European country which I've been to had a surprisingly vivid and amazing underground scene. The problem is that, if you're not looking for it, you'll not gonna find it. The markets are still segregated - and underground artist can barely compete with acts signed to major labels.

What music were you all raised on? Did you grow up in musical households?

I was, and Daniel too; both our families had massive vinyl collections and were part of the local underground scene...

Dani: Actually; my parents were part of the scene as musicians, so I spent my very early years already around studios, gigs and rehearsal rooms. Music was always playing somewhere; a lot of '80s Post-Punk, New Wave and Alternative stuff on Jugoslavian-pressed vinyl and cassette tapes copied from my parents' German friends.

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Can we see you tour this year? What gigs do you have coming along?

Dani: We'll play one gig in London this summer – this will be in Birthdays on 2nd June. Apart from a few festival dates in Hungary, we'll spend most of the summer setting up our brand new studio space and start working on some new material.

Our experience in the U.K. so far shows that there's a certain limit to your opportunities for gigs as a D.I.Y. band. To reach further, you need to be supported by a record label or a booking agency. Maybe, we'll get there with the third album (this was an open call).

What do you hope to achieve in 2018?

I think, technically, as a band, we already achieved our goals for the year. Now, it's up to our fans and everyone else out there if they will like what we've done. For the rest of the year, I'd like to chill a lot and take a very slow pace in starting something new; again, with a slightly different approach.

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Have you each got a favourite memory from your time in music – the one that sticks in the mind?

Dalma: I can't really pick one particular moment. The most touching thing for me, in general, is when I see people singing our songs. That’s when your vision starts to live its own life.

If you could support any musician alive today, and choose your own rider, what would that entail?

I would love to open for The Perfect Circle. I think Maynard is a genius.

Dani: I'd choose Daniel Lanois. I think Geri would let him play one of the solos on our gig.

What advice would you give to new artists coming through?

Dalma: Very briefly; simple advice: never give up (smiles).

Dani: Focus on yourself and your own art, not what others do or say.

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 IN THIS PHOTO: Sidsel Endresen

Are there any new artists you recommend we check out?

Well; I'm not particularly following the new trends…but I can recommend one of my favourite singers, Sidsel Endresen, as she is one of the cultic figures of the Norwegian Jazz scene.

Dani: Peggy Gou's It Makes You Forget has the best bassline of 2018 - so far (smiles).

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IN THIS PHOTO: Peggy Gou/PHOTO CREDIT: Dan Medhurst

Do you get much time to chill away from music? How do you unwind?

Dalma: It's the opposite for us, I think (smiles). Making music is our chill time (smiles).

Dani: Dalma's right. But, if I need to reset my ears, I always go to the riverside. There's a nice little beach close to our studio, only accessible during low tide.

Finally, and for being good sports; you can each choose a song and I’ll play it here (not any of your music - I will do that).

Etienne Jaumet – For Falling Asleep

Dalma: John Hassel – Vernal Equinox

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INTERVIEW: Trailhead

INTERVIEW:

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PHOTO CREDIT: Katarzyna Mazur

Trailhead

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I have been chatting with the incredible Trailhead…

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PHOTO CREDIT: Karolina Kuszyk

about the fantastic new album, Keep Walking. Berlin-based Trailhead (Tobias Panwitz) speaks about the inspirations on the album and standout cuts; which country is especially impactful when it comes to its influence; why walking and being in the open leads to songwriting – I discover if there are tour dates coming up.

Trailhead talks about musical icons and favourite albums; if there is any time to get away from music and relax; a new act to keep a track of; what he hopes to achieve before 2018 is through – he ends the interview by picking a great song.

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Hi, Trailhead. How are you? How has your week been?

Pretty good, so far. It’s a sunny Monday, so only good things so far!

For those new to your music; can you introduce yourself, please?

I’m a songwriter; conditioned both by California’s Great North Woods, where I worked in the trail crew back in the '90s, and by California’s '60s and '70s singer-songwriter scene, amongst other things - hence, my inclination to write songs about walking, trails and travels…and to call myself ‘Trailhead’.

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Keep Walking is your new album. Can you tell me the stories behind it?

Walking is my favourite means of transporting myself from one place to another. It’s rhythmic and monotonous, in a good way. Very meditative. Songs come easy to me while walking and, while doing so many times in Spain, Norway; Poland, Germany; South America and other places, I ended up with so many walking songs that I decided to put them all together on a quasi-concept album called Keep Walking. There’s a very Roots-y, earthy feel to the songs - at least to me. A musical reflexion of my walking adventures, if you will. With a strong emphasis on Spain.

Do songs come to you when you’re out walking and exploring? Is that a good place for you to muse?

It’s the best place for me. I don’t have to be thinking about anything. I don’t like to walk without a destination where I’m headed because, without it, I’d have to make my mind up about directions all the time. If I can just turn on my walking machine, I let it run and song ideas start coming with the rhythm of my walking feet.

Is there a song from the album that you would select as a favourite?

I like the easygoing flow of Walking Round Madrid (Such a great place to walk). Also, White Flag, a song about climbing Everest, is one I enjoy listening to still - even though that one’s not based on my experiences.

You have travelled a lot! Is there a particular county that stands out – in terms of the people and vibes?

As mentioned, Spain is a place I always enjoy returning to. The dryness of the inland, the Andalusian coast and mountains, where I shot my recent videos for Walking the Camino and Volcano Ground but, also, the Canary Islands with their lush vegetation and diverse climate zones...all hugely inspiring.

To me, the people have what we Germans sometimes lack: a natural positivity and the capability of having a good time without a particular reason. Norway’s amazing, too - though I never get to see the grand landscapes, because I always end up hanging out and drinking with friends there. I’ve been to Norway many times, but I haven’t yet seen a fjord!

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PHOTO CREDIT: Thorsten Biernath

When did music come into your life? What was the reason for taking it up?

I grew up in a family of Classical musicians. As a kid, I learned to play the violin. I was pretty good at it, too. But, it never really was for me. So, as a teenager, I taught myself to play guitar and piano after my brother got me hooked on The Beatles, Pink Floyd; the Eagles, Peter Gabriel and other stuff that spoke to me much more strongly.

Which artists would you count as influences?

Oh, man; which ones are not? I’d have to mention The Beatles of course and, most definitely, Tom Petty, The Jayhawks; Neil Finn…I’m a lot into melodies and harmonies.

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PHOTO CREDIT: Thorsten Biernath

Can we see you tour this year? What gigs do you have coming along?

This summer, I have a show coming up in Switzerland and, later this year, lots of gigs all over Germany. The dates are all up on www.trailheadmusic.com. I love playing. The only thing I’m worried about is my carbon footprint with all that driving.

What do you hope to achieve in 2018?

I’d like to get better at producing and mixing - something I have neglected for a long time. There’s a new walking adventure coming up and I hope to start pre-production on a new album.

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PHOTO CREDIT: Philipp Gabriel

Have you got a favourite memory from your time in music – the one that sticks in the mind?

The favourite ones for me are the ones sitting in a room with friends and guitars, singing songs. Nothing beats that. It’s such a beautiful way of connecting and sharing.

Which three albums mean the most to you, would you say?

That’s an easy one:

Wildflowers by Tom Petty; Joy by Phish and Amused to Death by Roger Waters.

What advice would you give to new artists coming through?

Keep going, set achievable goals and don’t complain.

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IN THIS PHOTO: I'm With Her

Are there any new artists you recommend we check out?

I’m a bit of a conservative who’s stuck in the '60s and '70s - so better ask me about old artists I’d recommend! But, I recently went to a show by I’m With Her. I’d definitely recommend seeing them live if you’re into vocal harmonies and Folk music. Wonderful stuff.

Do you get much time to chill away from music? How do you unwind?

My garden, my boat and walking. I love watching plants grow. Very meditative, too. Being out on the water in a kayak is a bit like walking, only, you use your arms. In Germany, we call it Wasserwandern: water hiking.

Finally, and for being a good sport; you can choose a song and I’ll play it here (not any of your music - I will do that).

Alright, cool! Let’s hear a song by The Jayhawks’ Gary Louris: True Blue.

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Follow Trailhead

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INTERVIEW: Saarloos

INTERVIEW:

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Saarloos

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MY focus turns to the Dublin boys of Saarloos…

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as they discuss their debut single, Changes. I learn more about the scene in Dublin and what it has been like supporting some huge names (including Bon Jovi) – they look ahead at gigs and where we can catch them play.

I ask the guys how they got together and how they spend time away from music; whether they are coming to the U.K. to play; what it feels like having a debut single out there; if there is more material coming later in the year – the guys end the interview by selecting a song that means a lot to them.

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Hi, guys. How are you? How has your week been?

Hi! It’s been great. We’ve been busy promoting the single and we’re blown away by the response it’s getting.

For those new to your music; can you introduce yourselves, please?

We’re a three-piece band from Dublin. We’ve been together about six months. We all have similar tastes in music and have known each other a long time. Andy and Craig went to school together and Brian and Craig met on the pub scene in Dublin (Craig likes to think he brought us all together!)

Talk to me about your debut single, Changes. What is the story behind it?

Like every great story, it started with a cup of tea! Literally, Craig was making a cup of tea when the chorus just popped into his head. He recorded it on his phone (well; after finishing the tea). A couple of days later, him and Brian sat down and it was finished within a couple of hours.

Is it exciting putting the song out there?! Did you know, instinctively, this song was the first you wanted to be released?

Yeah. It’s exciting/nerve-wracking! We put a lot of work into the song and we were really happy with how it sounded but you never know how it’s going to go. We knew straight away we wanted this as the first single because it was a new sound for us: going from an acoustic act to a full band.

Might we see more material coming in the future months?

We’re currently working on an E.P. and we’re in rehearsal rooms most days writing and practising for the upcoming tour.

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What is the craic like in Dublin? Is it a great place to play music – with lots of like-minded folks?

The craic is 90! Dublin’s great for music; Brian and Craig spent years bashing the guitars in Temple Bar. There are loads of great places to play original songs in front of live audiences - Ruby Sessions and Zodiac Sessions are two well-known open mic nights that have always been supporting up-and-coming artists.

How did Saarloos get together? Was it love at first sight?

Brian and Craig were two solo singers doing their own thing. After doing years of cover gigs, they decided to create a band. Andy was a late addition to the band, he knew the guys a long time, so he fitted in nicely. We’re very fortunate that we get along together – it makes it easier when you’ve to spend ten hours a day in a room going over and over songs.

You have already supported big names like Bon Jovi and Daniel Beddingfield! How much of an impact has that had on your ambitions and confidence?

Great question! Playing in front of that many people is terrifying and amazing. It drives you to be better and work harder to get the opportunity to do it again. At the same time, it’s great to come back and play small shows and connect with the audience.

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Do you all share musical tastes? Which artists do you count as influences?

For the most part, our tastes are very similar. Brian probably has the most eclectic taste whereas Craig has always liked the sound of an acoustic guitar so stuck to the likes of Coldplay and Snow Patrol. Andy is a massive Dolly Parton fan!

Where are you heading on tour? Where can we catch you?

We’ve a busy June planned! We start in Belgium at the end of May and finishing up in Zurich and playing shows in Germany, the Netherlands; Milan, Paris and Copenhagen. Super-excited!

Do you reckon you’ll come to the U.K. and gig here at all?

Yeah. We just got back from London playing Never Fade Sessions with Newton Faulkner. We’re playing in London’s 02 Shepard’s Bush Empire on 9th June. We’re hoping to do our own headline show there soon.

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What do you hope to achieve in 2018?

By the end of the year, we hope to do our own tour around Ireland and add in shows in places like London, the Netherlands and Germany.

Have you each got a favourite memory from your time in music – the one that sticks in the mind?

Last year Craig and Brian got to support Gavin James in the 3Arena in Dublin. Playing in front of 16,000 people was surreal!

If you could support any musician alive today, and choose your own rider, what would that entail?

We’d love to support Coldplay, but Andy’s holding out for Dolly Parton! As long as there are a few cold Coronas in the fridge we’re happy!

What advice would you give to new artists coming through?

Don’t be afraid to put yourself out there. Never turn down a gig…and enjoy it!

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IN THIS PHOTO: David Keenan/PHOTO CREDIT: Benson Portrait Studio

Are there any new artists you recommend we check out?

There are tonnes of amazing Irish Acts coming through: David Keenan, Talos and Tim Chadwick to name a few.

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Do you get much time to chill away from music? How do you unwind?

Craig is a pond aficionado - seriously, he loves them! Andy loves the outdoors. You’ll find him on a bike in the mountains most Sunday morning. As for Brian?! He couldn’t be more chilled!

Finally, and for being good sports; you can each choose a song and I’ll play it here (not any of your music - I will do that).

Craig: JCB Song - Nizlopi

Brian: Time - Tom Waits

Andy:  Islands in the Stream - Dolly Parton and Kenny Rogers!

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Follow Saarloos

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INTERVIEW: Lindsay Kay

INTERVIEW:

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Lindsay Kay

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IT has been really revealing and interesting…

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speaking with the L.A.-based songwriter, Lindsay Kay. She has been talking to me about her latest track, Invited, and the inspiration behind it. I probed Kay about her upcoming album and what the reason was behind hiring an all-female team – she reveals to me the artists and albums that have impacted her the hardest.

The Canadian-born talent tells me how she spends time away from music; what her favourite memory from music is; why she relocated from Canada to L.A.; which new artists we need to keep our ears peeled for; what she hopes to achieve before this year is through – Kay ends the interview by selecting a song perfect for the sunnier weather!

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Hi, Lindsay. How are you? How has your week been?

Hi! I’m doing well, thanks for asking. My week has been really nice. The weather in L.A. is super-beautiful right now - it’s that end of spring/beginning of summer vibe where it smells like jasmine everywhere and still isn’t too hot and it’s staying light out later and later…the best time of the year!

For those new to your music; can you introduce yourself, please?

I’m a Canadian singer-songwriter based in Los Angeles. I play and write quiet, melancholy; acoustic-based music with a subtle Jazz influence and I’m currently finishing up my debut, full-length album.

Invited, your new single, is out. Can you talk about its story and what influenced it?

I wrote Invited, and a big chunk of this album, in the fall of 2016…right before the Women’s Marches and the #MeToo movement popped off, but right in the midst of the pussy-grabbing chaos of Trump’s campaign and eventual election. So, there was a definite stirring in the air amongst women happening. One particular night, when I was walking down Hollywood Blvd, I passed a group of men and one of them started hassling me and wouldn’t let me pass.

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He touched my arm and pulled on my shirt and was just really in my space and whispering whatever in my ear. This is certainly not an isolated incident: this type of thing happens to me and all women daily, weekly, etc. But, this guy just caught me on a bad night and, because of the climate politically and socially, I was starting to awaken and realize that normalizing these events was the opposite of normal.

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I was examining my experiences as a woman more whereas, prior to that, I was just letting these things roll off my back and barely acknowledging them because, if women allowed ourselves to feel every event like this, we would just unravel, because they’re so frequent. I just remember feeling really upset and so violated and thinking to myself: ‘Why is this a difficult concept to grasp? Why do you feel entitled to my time/space/body/energy? Why do you feel no need to ask me if I want you near me? Do not touch me unless I INVITE YOU TO DO SO’. I wrote Invited the next day and it kind of felt like taking some semblance of my power back by being able to articulate this very simple idea in a concise, well-organized song form.

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I know you have an album coming out. Is it true it was created, top to bottom, by a female team? Is that a reflection of the album’s themes and meditations?

Yes, that’s true. The album centers around women’s experiences and the way in which we compress ourselves for our masculine counterparts and stay quiet; pretty and do what is expected of us and many other things pertaining to femininity. I had to enter into a really vulnerable space both to write the music and to realize it on a recording, and I simply didn’t feel comfortable putting those songs into the care of men in any sense.

I wanted to be understood in the studio and not challenged or undermined because of my gender. I wanted the songs to be understood by people who had lived those same feelings and who could really connect to the words. I wanted to see if it made a difference; if I’d be able to hear that authenticity in the music and I really believe that you can! It’s subtle but it’s tangible. It felt so wonderful to be surrounded exclusively by feminine energy in my creative life for an extended period of time.

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How was it putting an album together? Did you learn anything about yourself when recording?

This was my third go at a studio project (I have two independently-released E.P.s out under my given name) and, with each, I have learned so much and refined the process a little. This was definitely the most successful endeavour thus far, and I feel like for the first time I was really able to make an album that sounds like me. This is my voice, this is my sound; this is my message and it hasn’t been muddled or messed with in any way.

I self-produced and am the sole writer on the album, which felt very empowering and important to me - and I did all of the arranging and handpicked all of the instrumentalists myself. There were so many wonderful folks involved that helped me bring the album to life and who offered their collaborative efforts and expertise and, while I certainly couldn’t have done it without them and their incredible talent, I am really proud of the fact that I maintained complete creative control and saw my vision through exactly the way I wanted.

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The main lesson I learned while making this album is that this is truly what I am meant to do with my life – this is what I was built for. In the past, I may have lacked the confidence to give myself the credit where it was due or to walk into a studio and really feel at ease and like I had business being there. I always felt like I was faking it, or like I had something to prove (to men). But on this project, because so much of the creation of it was on my shoulders, and because I am truly so proud of the music that we made, I started to finally see that I absolutely do belong and that I’m really good at my job. Certainly, there are always moments of doubt and stress and feeling stuck – days when you’re exhausted and burnt-out and unsure of if what you’re making is working or if it’s ‘good’. But, on the whole, the experience was so creatively-fulfilling and really instilled in me a sense of confidence in my abilities that I was lacking on previous projects - and which had been holding me back creatively and otherwise.

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When did music come into your life? What was the reason for taking it up?

I started singing when I was really young, just along with songs in the car or at home and my mom noticed that I had an affinity for music and enrolled me in some children’s choirs and provided outlets to channel that into. There was no rhyme or reason to taking it up except that I just loved singing so much. I can’t remember a time that I wasn’t singing on a daily basis…I’ve been fortunate to be actively doing the thing I love most for nearly my entire life! I started playing the guitar around the age of twelve as a means to begin writing my own songs and, from there, it really started to feel like a career path.

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When did you move from Canada to L.A.? Are there big differences in terms of sound and the feel of the place?

I left Calgary when I was eighteen-years-old to go to Berklee College of Music in Boston and lived there for five years before eventually moving to L.A. in 2016. Canada has a wonderful and thriving music scene and, sometimes, I feel a little sad that I’m not as actively involved in it as I could be, simply because I’m not physically there and haven’t been in a long time. The fabulous thing about the Internet is that it makes the world so much smaller and so I am able to be actively part of the scene here and still keep up with what’s being made in Canada. I always felt drawn to being down here in the U.S. I don’t know exactly why, but I had this feeling, from a pretty young age, that it was where I was meant to be and I followed that intuition.

I love the music being made here right now. It’s an exciting time for music in L.A. It feels like anything is possible. It’s hard for me to pinpoint whether there’s a distinct difference in sound and feel between the places, but I will say that Canadian artists do seem to have this community and camaraderie and support for each other that is very special. I’d love to see more of that here.

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Which artists would you count as influences?

So many…I find myself being influenced by a lot of music that sounds absolutely nothing like the music that I make, and yet, I still learn deep lessons and store away information from them for my own work. Solange Knowles, Leonard Cohen; Sufjan Stevens, Kendrick Lamar; John Mayer, Joni Mitchell; Esperanza Spalding, Bob Dylan; Chance the Rapper, Chris Thile/Punch Brothers; Herbie Hancock, Cardi B; Frank Ocean, Harry Styles; Sampha, SZA; Elton John, John Coltrane; Miles Davis and Ryan Adams…just to name a few off the top of my head.

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Can we see you tour this year? What gigs do you have coming along?

As I’m still finishing up my album and have yet to set a release date (late summer sometime!), we haven’t booked a tour as of now. However, I will, of course, perform an album release show here in L.A. and in my hometown of Calgary when the time comes and I am in the beginning stages of conceptualizing and planning a live show, which I intend to be very visual and perhaps even a little theatrical. So, I’ll be spending the next few months plotting that and am looking forward performing again very soon.

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What do you hope to achieve in 2018?

My perfect 2018 looks like: I release this album, it resonates in a meaningful way with women and female-identifying people, I play some shows, someone somewhere pays me money for it and I have some very good meals.

Have you got a favourite memory from your time in music – the one that sticks in the mind?

Wow; this is a tough one…

There have been lots of great moments, but one is coming to mind. I seem to remember being a very quiet, socially-anxious teenager in high-school and feeling a little invisible and generally unsure of how to relate to my peers. There was some sort of an open mic thing happening at a coffee shop in town and everyone at school was going. I decided to go for it. I’d been playing out around town a lot, but no one at school really knew I played music. I was sort of living this double life: going with my mom to open mics on school nights and being exhausted the next day at school because I didn’t get to play until like midnight; recording demos on weekends, just doing whatever I could…but I hadn’t yet played my songs in front of people I knew.

I was terrified, but I got up there in front of everyone and played one or two of my own songs and people were shocked. I remember, just for this one night, feeling like people finally saw the real me and feeling appreciated and special. It was a nice moment and one of the first instances I can remember where I fell in love with performing my own music in front of people because it enabled me to be my truest self and made me feel like I had a superpower.

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Which three albums mean the most to you, would you say?

John Mayer – Continuum

Sufjan Stevens – Carrie and Lowell

John Coltrane – A Love Supreme

That was a very hard question to answer!

What advice would you give to new artists coming through?

Get good first.

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PHOTO CREDIT: Pisces Dreams/COVER DESIGN: Mark Nubar

Are there any new artists you recommend we check out?

Yes! My dear pal Alec Watson has a solo project called DPCD – he makes super beautiful acoustic music and has a truly stunning album out called Good Visions. It’s a must-listen. My friend Elizabeth Goodfellow, who is an amazing drummer and played the drums on my album, just released a fantastic album called Silly Sun. It’s the perfect summer album – super groovy, lots of synths; great balance of fun and depth.

Lara Somogyi, who I was also so fortunate to have play on my album, is an incredible harpist and she does a lot of really innovate things on the harp…she plays with pedals and different effects, ventures into electronic production; incorporates movement and just generally does a lot of unexpected and beautiful things on the instrument. Highly recommend checking out her work.

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IN THIS PHOTO: Lara Somogyi

Do you get much time to chill away from music? How do you unwind?

Yes, I definitely do. Although I do work really hard, I try to make a point of checking in with myself often and making time to relax and unwind. I’m really introverted and need quite a lot of alone time to feel good and I love being in my little apartment and cooking delicious meals.

I can get burnt-out quickly with music if I’m not feeding my creativity in other ways; so I try to consume a lot of art outside of music by going to galleries and museums frequently, going to the movies; seeing live theatre, reading lots; watching T.V, and spending quality time with my friends, who are an amazing group of creatives who understand this weird lifestyle and can commiserate and ease some of the pressure.

Routine is also really important to my well-being, and I have my little daily and weekly rituals that help me stay balanced (hiking, coffee-making; going to the farmer’s market, podcast listening etc.)

Finally, and for being a good sport; you can choose a song and I’ll play it here (not any of your music - I will do that).

Sister Golden Hair – America

A classic bop for this current L.A. weather!

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INTERVIEW: Austel

INTERVIEW:

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Austel

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THERE is a lot to digest in a song like Lost At Home…

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and its messages will connect with everyone. I have been discussing the track with Austel and what it means to her. She talks about filming its video and working with producer Adam Stark; if she is looking ahead to gigs and any other songs; which albums she courts as favourites – she recommends some new artists to have a good look at.

I asked her whether a change has come into the music; whether Austel has any plans for the remainder of the year; which artists she counts as idols; how she spends her leisure time – Austel provides some sage advice for new artists.

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Hi, Austel. How are you? How has your week been?

Hey! It’s been good, thanks. Busy, but good! Enjoying the sun.

For those new to your music; can you introduce yourself, please?

Austel is a new music project combining dark, moody songwriting with ethereal electronic soundscapes. I’ve been working both as a solo artist and in other bands for a few years, but the new direction in sound and songwriting for this project deserves its own platform. I started working with Adam Stark - my producer and bandmate - a couple of years ago and Austel is a combination of my singer-songwriter, Classical and Indie background with his experience as a composer and music technologist.

Lost At Home is your new single. Can you talk about its origins and story?

I wrote Lost At Home at a time when I was feeling very isolated and disconnected - from my surroundings, from other people and from myself. It’s about the uncomfortable realisation that the place you’ve tried so hard to convince yourself is where you belong is actually wrong and you’re compromising a huge part of yourself to be there.

The video interests me. Where was that filmed? What was it like to shoot?

The music video was directed by my friend, Matt Bell, who’s an incredible photographer and filmmaker. Matt followed me walking around London for two days with a camera and perfectly documented my experiences of feeling anonymous in the city.

It was a really cathartic video to make, as I retraced a lot of old footsteps and memories - visiting places I hadn’t been for a long time; making peace with unanswered questions and realising that what I’d been looking for was actually right here, within myself.

You are working with producer Adam Stark. How did you come to meet him? What does he add to the creative process?

Adam was one of the first people I met when I moved to London, which was pretty lucky! I was performing alongside his band Rumour Cubes at Glastonbury in 2013 and we quickly became friends. We started working on my music together in 2015 and it just worked really well - we totally understood each other’s ideas and share very similar influences. His background in composition, performance and music technology has added something (very) unique to the sound and sculpture of the songs.

He’s invaluable to the project; not only for crafting my songs with me and adding so many beautiful ideas to the production but, also, as a bandmate, all-round collaborator and friend.

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Have you noticed a change in you as a performer and writer? Do you think Lost At Home is your most confident work so far?

It’s funny, because the sentiment of Lost At Home is the opposite of confident: in fact; a lot of these songs document a time in my life when I was feeling really insecure and rudderless. However, through the process of writing, recording and releasing them; I feel like I’ve finally found my wings and started to let go of the things that I felt were holding me back. I’ve learnt so much over the past five years - both as a musician and a person - and am very excited to continue that journey.

Is there going to be more material coming later this year?

Yes! We have a debut E.P. on the way, which will be out in July. There might also be another single coming before that. Watch this space…

When did music come into your life? What was the reason for taking it up?

As far as I’m aware (and I know this is the biggest cliché), it was always there. I honestly can’t remember not singing or not being interested in music. My parents were both musicians and music lovers - there were always records playing at home and in the car.

I learnt piano from the age of five; went to a musical theatre school and performed in my school Jazz band and choir - so it was pretty inevitable that I’d end up writing my own songs and forming bands. It’s always been a very natural part of who I am.

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Which artists would you count as influences?

Eva Cassidy, Radiohead/Thom Yorke; PJ Harvey, Goldfrapp; Daughter, Bon Iver; The National, Bat for Lashes; Patti Smith, Jon Hopkins; Cocteau Twins/Elizabeth Fraser; London Grammar, Bonobo; Fever Ray, Nils Frahm; Jeff Buckley, Nina Simone; Johnny Cash, Martha Wainwright and Leonard Cohen…so many more!

Can we see you tour this year? What gigs do you have coming along?

We’ve just announced our E.P. launch show at The Finsbury, London on 23rd July! That’ll be our big show of the summer and then we’re lining a few things up for later in the year.

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What do you hope to achieve in 2018?

We’re releasing our EP, Unfold, in July alongside the launch show, so I’d like to see that do well and for people to enjoy it! Then, we want to continue making music, playing great gigs and meeting new people…this is just the beginning. We’ve got so many ideas.

Have you got a favourite memory from your time in music – the one that sticks in the mind?

I’ve had so many brilliant memories: it’s hard to choose just one! Most of my favourite memories of music involve being on stage singing songs and having a great time with people I love. It’s the best feeling in the world.

Which three albums mean the most to you, would you say?

This is the hardest question ever…but I’ll say:

Eva Cassidy – Songbird; Radiohead - The Bends and Bon Iver - Bon Iver…

PJ Harvey - Stories from the City, Stories from the Sea, Goldfrapp - Seventh Tree; The National - Trouble Will Find Me, Tracy Chapman - Tracy Chapman; Starsailor - Love Is Here, The Clash - London Calling and Elliott Smith - Either/Or are all strong contenders, too.

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What advice would you give to new artists coming through?

Stick to your gut, trust your own ideas; don’t compromise yourself or your art but, equally, don’t be scared of trying out new ideas. Surround yourself with good people who have your best interests at heart. Take a moment every now and then to zoom out, because it’s easy to forget how far you’ve come if you’re constantly looking ahead.

Don’t give up - there’s often something brilliant just around the corner; you’ve just got to keeping walking to get there.

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IN THIS PHOTO: Bryde

Are there any new artists you recommend we check out?

If you haven’t already, definitely check out my pals Amaroun, IDER; Bryde, Marie Naffah and Mono Club. All brilliant artists making amazing music.

I’m also totally obsessed with the new Middle Kids record at the moment.

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IN THIS PHOTO: Middle Kids

Do you get much time to chill away from music? How do you unwind?

Ha. My friends and family will all tell you that I’m terrible at switching off: I’m a bit of a workaholic!

It sounds simple, but one of my absolute favourite things to do is go for a long walk and listen to a record. It’s my time to think and get a bit lost in my head. I also draw a lot, write poems; read books and go to a lot of gigs, exhibitions and brunch dates with friends.

Finally, and for being a good sport; you can choose a song and I’ll play it here (not any of your music - I will do that).

Shortwave by Yo La Tengo - close your eyes for five minutes and escape.

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INTERVIEW: Dámì Sule

INTERVIEW:

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Dámì Sule

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WITH such a vivid and interesting road into music…

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I was keen to chat with Dámì Sule about his album, Rough Canvas, and some of the things that inspired the songwriting. He talks about growing up in Nigeria and moving to the U.K.; whether music holds spiritual sway and power; which artists he considers influences – Sule reveals plans for touring.

The songwriter tells me which three albums are most important to him; if he spends any time away from the rush of music; what advice he would give to new songwriters of the moment; a couple of underground acts we need to get involved with – he ends the interview by selecting a song that is in his mind right now.  

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Hi, Dámì. How are you? How has your week been?

I’m good, thank you. My week has been very eventful.

For those new to your music; can you introduce yourself, please?

I go by the name of Dámì Sule. I am twenty years of age. I write poems and I make music - born and raised in Nigeria for ten years and now living in Manchester. I would best describe my music as emotion-filled and, in some ways, thought-provoking.

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Rough Canvas is your first full-length. Can you tell me about the ideas expressed and what influenced its creation?

The whole idea of Rough Canvas is about portraying everything perfect yet imperfect. It is about finding your flaws and making it a canvas for everything beautiful to be made. I try to play with the ideas everyone can relate to, as well as drawing from my own day to day experiences. I try to believe my work is an embodiment of me; as to say I am my own influence in terms of sharing my lived experiences and putting it into my creation.

Chains seems to be a bit of a standout. Does that hold personal relevance and a special place? How did that track come together?

Chains is all about breaking free. It holds a lot of relevance in my personal life in terms of breaking the burdens ahead of me. As well as this, when writing for Chains, I tried to put myself in the shoes of the millions of common men and women I walk past in each day. I tried to put in words the problems we all face and reflect how restraining our problems can feel.

You are Nigerian-born. Do you take a lot of the music and spirits from Nigeria and put it into your work?

I definitely believe I am influenced by my upbringing in Nigeria, although I believe it's largely an unconscious process. However, in the future, I do aim to intentionally to induce the sound Nigeria carries into my music; in my pursuit to create something unique and closer to me.

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Which artists would you count as influences? Did music come into your life at an early stage?

It is really hard to consider which of the artist I listen to are influences as it isn't my aim to draw from other artists. I try to embody my own personal experiences into my music in order to make them relatable to the masses. Making music did not come to me at an early stage: I only understood the depth of my talent and how I could use it for good about a year ago.

I started writing poetry from my college days and, from then on, I began to understand what I was actually doing and what I could make it into - which is what I am doing today.

What, to you, does music mean? Does it hold a spiritual and awesome power?

Music is absolutely spiritual. That is why I aim to only create and preach positivity. I believe we listen to music in very spiritual ways in terms of when we are jubilant, sad etc.

How do you think you have grown since 2017’s (E.P.) Crayons? Have you noticed changes in your music?

I think, since my Crayons E.P., I have discovered more ways to use my voice in terms of playing around with different sounds and not sticking to a genre, B.P.M. etc. I am not the same person since making the Crayons E.P. - in terms of the fact I am older and have experienced different things since then; it has impacted my music by adding more depth.

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Can we see you tour this year? What gigs do you have coming along?

I am collaborating with The Pit LDN and Relentless Energy Drink to create a show called Introducing Dámì Sule with my live band The Youth Club. It is a show about introducing my sound to new ears. The date for the show is 21st June in Manchester – at the Zombie Shack - and tickets will be available through my website and Dice.fm.

What do you hope to achieve in 2018?

Growth. Growth has always been my aim each year. Everything else I consider as further blessings.

Which three albums mean the most to you, would you say?

The Score by Fugees, Dear Daisy: Opium by Kojey Radical and The Paradox by Jacob Banks are albums that I have indulged (plus, a couple more).

What advice would you give to new artists coming through?

To stay original.

It is very easy to sway towards the desires of others or what's the latest trend. Being original leads to longevity…and that's what I have learnt in my short time.

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IN THIS PHOTO: Indigo Dee

Are there any new artists you recommend we check out?

I would highly recommend you listen to ChinaLilly and Indigo Dee, who will be my special guest at my show on 21st June.

Do you get much time to chill away from music? How do you unwind?

I currently juggle university, placement and my part-time work away from music. So, in my very little downtime, I’m on my Xbox being LeBron James on NBA 2K18.

Finally, and for being a good sport; you can choose a song and I’ll play it here (not any of your music - I will do that).

Dry Cry by Wretch 32, Avelino (ft. Stacey Barthe)

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INTERVIEW: Hannah Scott

INTERVIEW:

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PHOTO CREDIT: Simone Lezzi 

Hannah Scott

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HER album, Pieces of the Night, is out on 22nd June…

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so I have spent the time speaking with Hannah Scott about its stories and messages. She tells me how she is adapting having been diagnosed with ankylosing spondylitis; what gigs she has coming up; if she has a favourite memory from music – Scott recommends a couple of newer artists worth some time and energy.

Scott talks about Stefano Della Casa’s role in her music and how important her time in Italy was; whether she gets any time to detach away from music; what she hopes to achieve by the end of this year; the artists she counts as idols – the young songwriter ends the interview by selecting a stunning track.

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Hi, Hannah. How are you? How has your week been?

Hi! I’m not too bad, thanks. A busy week leading up to the release of my new single, Boy in the Frame!

For those new to your music; can you introduce yourself, please?

My name is Hannah Scott. I perform ‘Contemporary Folk’ music with thoughtful lyrics and a distinctive voice (so I’m told!). I work closely with my creative partner, Stefano Della Casa, and we make, tour and release all the music just the two of us.

Pieces of the Night is your album, out on 22nd June. Can you reveal the inspiration behind the album and the moods contained within?

I would say these are honest songs about the human condition and human connection in an increasingly hectic world. These are songs inspired by family, hope and self-belief. I think, on first listen, it could come across as downbeat, but I hope there are positive messages to be taken from the lyrics.

Is it true you were recently diagnosed with a form of arthritis? Has this made a big impact on how and how often you perform?

Yes. I was diagnosed with ankylosing spondylitis (impressed if you can pronounce it: I’ve only just learnt to spell it…) about three years ago. In hindsight, I should probably have taken a break to look after myself, but I’m not very good at stopping. There have been times when Stefano has had to help me up and down from the stage! He always carries all our equipment and ends up looking like a roadie rather than an artist!

I feel guilty making you type some replies! Has that diagnosis, in a sense, made you more determined, or are you a bit more selective regarding what you write?

More determined, definitely. I try to use my physical pain to drive me forwards, even though it is tough at times. I would say I am probably more selective regarding the shows I do because travel is hard on my body. In terms of writing, I think I have a new perspective, but I’m not sure I’d say I was selective regarding what I actually write.

Many commentators and media sources have complemented your arresting vocals and beautiful songwriting. Did it take a lot of experimentation to get to where you are now?

I would say time, rather than experimentation. I’ve learnt my craft by doing it over the past ten years or so; I’ve learned how to be on stage by regularly getting up on stage and learned how to write (hopefully) good songs by getting my head down and writing.

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Who would you count as influenced regarding your own songwriting?

My early influences were artists such as Counting Crows, Ryan Adams; Ray LaMontagne - and I continue to listen to them today. Some of my favourite current artists include Christine and the Queens, John Smith and Foy Vance.

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PHOTO CREDIT: Simone Lezzi

How important is Stefano Della Casa with regards your music and progress? When did you two meet one another?

Paramount, I would say!

We met through a mutual contact when he was first moving to London and just started jamming together - and it went from there really. It’s possible we met years prior to that though because, when I lived in Italy, I regularly passed through the train station he was working in at the time! Over the past five or so years, we’ve been working very closely; all the songs on the album have been written together and I definitely wouldn’t be the artist I am without his input and presence.

Italy is where you spend a lot of time and split your time. Is it a great country to play and create in?

Yes. I’ve been in love with Italy ever since I went there just after my A-levels and decided to change my degree course to include Italian. I lived there for a year as part of my degree and that year was so important to the choices I have made and the direction I have taken. I love spending time there, whether it’s to write, perform or just be.

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Can we see you tour this year? What gigs do you have coming along?

Yes! Lots of festivals coming up over the summer. We have an album launch party on 21st June at The Nave on Bishopsgate in London and we’re also making our way north as far as Preston (Winedown, 14th June) and to Wales (Blue Sky Cafe, Bangor on 15th June). You can find more dates at my website.

What do you hope to achieve in 2018?

I’m looking forward to putting the new record out, getting on the road and meeting new people. I hope we reach some new ears with this music!

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Have you got a favourite memory from your time in music – the one that sticks in the mind?

I would say one of the highlights was performing live on Radio 2 on Dermot O’Leary’s show. He had played a previous single of mine, Hurricanes, on his ‘Some Mother’s Do Indie’ feature the previous week and it went down so well that they invited us into the studio for a live session the following week.

I also feel very privileged to have travelled with my music - not only to Italy but also twice to the U.S. (with funding from PRS Foundation and thanks to a successful PledgeMusic campaign) and Germany.

What advice would you give to new artists coming through?

Play live as much as you can, write as often as you can; see it as a journey rather than a destination.

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IN THIS PHOTO: IDER/PHOTO CREDIT: Lottie Turner

Are there any new artists you recommend we check out?

I’ve been enjoying listening to IDER and Talos recently - definitely worth a listen!

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Do you get much time to chill away from music? How do you unwind?

Ha! Occasionally! Yoga and swimming - and the moment to try and keep my body moving…

Finally, and for being a good sport; you can choose a song and I’ll play it here (not any of your music - I will do that).

Sara Bareilles – Satellite Call. LOVE this

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INTERVIEW: D.A.N

INTERVIEW:

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D.A.N

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I have been chatting with D.A.N about…

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his fantastic new track, 0300 (Human), and its nocturnal inspiration. D.A.N discusses new material and why he relocated from Northern Ireland to London; how it feels knowing his music is connecting with the public; what gigs he has lined up – I ask what music he grew up around as a child.

The multi-talented musician discusses his upbringing and bonding with music; which three albums mean the most to him; if he gets time to chill outside of music; the advice he would offer new songwriters emerging – D.A.N ends the interview by picking a pretty ace song.

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Hi, D.A.N. How are you? How has your week been?

I’m good, thanks. My week’s been pretty busy. I'm organising some upcoming things for the next few months.

For those new to your music; can you introduce yourself, please?

I’m an artist from Ireland, but I moved to London when I was eighteen. I’ve been playing and writing music since I was young – started on piano, classically, but I now create in an electronic, soulful world with a big focus on songwriting.

 

0300 (Human) is your latest single. I believe insomnia is at its heart of it. Is it based on your personal experiences?

The song is based on personal experiences - I’m definitely a person who likes staying up quite late and I think it’s in those hours when you really start to delve deep into your thoughts. The track is an admission, really, that, sometimes, I’m not totally strong and, like anyone, there are times where I break and don’t have everything together. But, by writing the song and being honest about that, it had a positive effect and it made me feel stronger.

That hour, '3.A.M.', is when we shift from consciousness to dreams. What is it about that time/mindset that compelled you to write? Is insomnia, in a way, conducive to inspiration and creativity?

I think the song’s quite autobiographical – 3 A.M. happened to be the time when I wrote it and the lyrics are the narrative of everything that was going through my mind.

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PHOTO CREDIT: Cora Hamilton

What comes next in terms of material? Might we see an E.P. later this year?

There’s definitely more music happening this year…pretty soon, actually. I’ve been living with it for a while, making sure it’s the best it can be and that it feels right, so I’m really looking forward to finally putting it out.

You are Northern Ireland-raised but live in London. What is the scene like there at the moment? What provoked the move?

I moved to London when I was eighteen - I always wanted to live here. I’d been a few times when I was younger and it seemed like the best place to pursue my music and work with the people I was inspired by. It’s such a fast-paced environment that it really teaches you to focus on what you’re doing and drives you to take it to the next level. I studied Popular Music at Goldsmiths for three years, too, and there’s always lots of stuff happening south of the river as well. I think there’s pretty much something for everyone here.

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Your music has proved popular with fans and the media alike. Does that (popularity) drive you forward to keep reaching and aiming high?

It definitely reinforces that people might like it, which I’m really grateful for. But, I think the main thing that motivates me is the connection people have with the songs. When someone relates to a subject that I’ve experienced or written about, it’s the best feeling because you feel like you’ve expressed something that people can share and take comfort in.

Give me an impression of the artists you were raised on. Was your childhood home a musical one?

My family wasn’t overly-musical but we definitely had our car trip favourites – it was a mixture of everything from Björk to Damian Rice to Shania Twain. I’d say I always really gravitated towards Pop music too and I loved a lot of that; artists like Gwen Stefani, Marina and the Diamonds - that kind of vibe. Then, I studied piano and violin classically until I was eighteen, which was a good discipline for understanding music in a different way; some of these traits I probably then transferred when making Pop music.

Do you have any gigs lined up? Where are you heading?

Some summer gigs are being confirmed at the minute, so I’m excited to announce those soon…

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 PHOTO CREDIT: Joe Hunt

If you had to select three albums that mean the most to you; which would they be and why?

Lorde – Melodrama

I think this one of the best Pop albums. It’s so instantly gratifying on a listening level but its lyrical content is what makes it so relatable. It’s a really beautifully crafted album, too. It has intricacies no other artists ever really discuss or looks into, lines like: “I overthink your punctuation use” and “I care for myself the way I used to care about you”. A modern twist without feeling overdone. Writer in the Dark is one of my favourites on it.

James Vincent McMorrow – We Move

I really love this album because of how delicate it is, but also because it knows the right moments to swell and blow up; a lot of moods to it. I’ve been a huge fan of his since We Don’t Eat and If I Had a Boat. I think this album pushed things to a new level, too, in terms of production: it merges Pop sensibilities with attention to songwriting. My favourites are One Thousand Times and Get Low. 

Jessie Ware – Tough Love

Tough Love feels like a really sophisticated Pop record. It’s got that understated voice with really luxurious production throughout. I’m a big Jessie Ware fan, so all of the albums hold a big place in my heart. Say You Love Me is one of those perfect Pop songs. It absolutely hits the nail on the head; every line means something and has a purpose – it’s strong but entirely vulnerable at the same time, which is a quality I really love in songwriting.

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What do you hope to achieve in 2018?

In 2018, I hope to keep putting out and making more music that I’m proud of, more live dates and, hopefully, reaching more people that find a connection with it too.

Have you got a favourite memory from your time in music – the one that sticks in the mind?

Being able to work with Dave Okumu has created some of the most beautiful experiences I’ve had in music  - he’s been at the heart of so many of my favourite songs, so I feel really blessed that he’s a part of mine too.

What advice would you give to new artists coming through?

Do what feels right and plan as much of it yourself as possible. Work with people who make you a better artist and who give you good energy.

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 IN THIS PHOTO: Nilüfer Yanya

Are there any new artists you recommend we check out?

There’s an artist I really like called Jamie Isaac. He’s releasing a new album soon - the song, Wings, is great.

I also love this artist called Nilüfer Yanya – the track, Baby Luv, is definitely one of my favourites.

There’s an Australian artist called Alexander Biggs. Very chilled and I really love his track, Out in the Dark.

Definitely, Grace Carter. I’ve been a fan for a while, but everyone should listen to her track, Silence. It’s one of those songs I wish I’d written.

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 IN THIS PHOTO: Grace Carter

Do you get much time to chill away from music? How do you unwind?

Yoga and walking are really great ways to take a step aside from everything for a while. I also love designing visuals and reading magazines (too) for inspiration.

Finally, and for being a good sport; you can choose a song and I’ll play it here (not any of your music - I will do that).

George Michael – Faith

This is one of my favourite songs. It’s one of those tracks that feels completely Pop but also discusses a subject matter that everyone probably can relate to at some stage. It’s a man being completely honest, which makes him a stronger character in the end, all at the same time making you feel great and helping when you listen. A genius Pop song.

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INTERVIEW: Auld

INTERVIEW:

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Auld

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THE music industry needs more artists…

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like Auld right now. I have been speaking with him (Thomas Pitts) about his sound and what he can reveal regarding his new song, Bugs in my Gut. He explains why he chooses to be genre-fluid and unlimited; how it felt seeing the positive reaction to his E.P., Curriculum Vitae – I ask whether there will be any gig dates approaching.

Auld talks to me about albums that mean a lot to him and his musical tastes; whether there are any new artists we should look out for; what we can expect from one of his live shows – he ends the interview by selecting an impactful and emotional song.

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Hi, Auld. How are you? How has your week been? 

Hello. I am pretty good; thanks very much for asking. I’ve just had a meeting with the new ‘Auld’ mascot. I am yet to get a manager or label so I’ve settled for a mascot. What he lacks in industry contacts and know-how he makes up for in morale-boosting. 

For those new to your music; can you introduce yourself, please?

My name is Thom and I am Auld. I make brooding, Electronic; Alternative, Indie-Pop.  

If applied accurately, each song should make you wanna dance and make you wanna cry; ideally, at the same time.  

Your music is genre-fluid and wide-ranging. Do you think too many artists are restrictive and narrow when it comes to their sounds? Do artists need to be a bit broader with their music? 

I can’t say what other artists should do with their music. I’ve always tried to be different because that’s what excites me and I’ve never been very good at copying what others do. That’s why I’d be rubbish in a wedding band - I hear that’s where the money is though…

Can you tell me about Bugs in My Gut? What is the inspiration behind it? 

My mascot will tell you It’s about being a sh*t person that wants so much love and respect from people but gives so little back to the world. 

I would tell you it’s about social anxiety. 

Your E.P., Curriculum Vitae, is out there. Have you been pleased with the response to it? What was it like putting it all together? 

I’ve been very pleased with it. It’s the best work I have done and it has had some very lovely write-ups. It was a pleasure to create. Writing is my favourite part of the whole process and trying new and different ways to structure songs is something I am finding very exciting now…I don’t get out much  

Did music come into your life early? Which artists struck your tender ears? 

My earliest music memories are listening to Bruce Springsteen and Tom Petty in the car with my parents on the way up to Scotland. It must have been when I was about five or six and I don’t have the greatest memory as a rule, but I remember that very vividly.  

It was when I was obsessed with the Spice Girls that I started writing songs. They were nearly all Pop bangers and they were about Boy Power and boys’ rights.

I was ahead of my time… 

Do you already have more material brewing? How far along are you looking? 

I am currently recording two E.P.s, which will make a full album. The album will be out by the end of the year. The first E.P. should be out by July. It’s not as electronic as this E.P: it’s gonna be a full band set up like they did in the early-noughties. 

Can we see you tour this year? 

October is tour time.  

What gigs do you have coming along? 

Just doing some acoustic gigs over the next few weeks and looking for London shows for when the E.P. is out. 

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What form do your live shows take? If we wanted to come along and see you play; what might we see and experience? 

We have been playing full band recently. There are six of us. We try to make it just on the edge of uncomfortable viewing so people stay interested. 

When it’s too difficult to get the band to join me, I play solo with samplers and guitars and synths. I just try to look as busy as possible. 

What do you hope to achieve in 2018? 

My main aim is to just get the music out there to as many people as possible. If I could start paying the rent with my music then that would be a good start.

I’ve got to get better at the whole social network game, as just having really amazing, superb songs aren’t enough anymore. This is why I have brought in a mascot/sponsor/marketing man to help me. 

Have you got a favourite memory from your time in music – the one that sticks in the mind? 

Someone once said my stage presence seemed quite ‘threatening’. I’m one of those boring people that people describe as ‘too nice’, so it was a dream come true to come across as threatening. 

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Which three albums mean the most to you, would you say? 

The first three that popped into my head were:

Arcade Fire - Funeral

Franck Ocean - Blond(e)

Tom Waits - Rain Dogs 

Rain Dogs always comes to mind whenever a question like this comes up and Funeral has definitely had the biggest impact on me over the last ten years or so; more than any other album. Blond(e) I choose because it’s the only album I’ve had downloaded to my phone for the last year and a half and the album as a whole is beautiful and unpredictable and, after a year and a half of listening to Nights and White Ferrari, I still get shivers of joy every single time. 

What advice would you give to new artists coming through? 

Don’t eat meat.

Be the best.

If you become successful, always remember your old pal ‘Auld’.

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IN THIS PHOTO: High Hazels

Are there any new artists you recommend we check out? 

We supported the High Hazels a couple of weeks ago. They are from Sheffield and they are beautiful: if Beach House were four lads from Sheffield then that is High Hazels. I hope that’s a compliment it is meant to be…

I am also very excited for Self Esteem’s album. It’s Rebecca from Slow Club’s solo project. 

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Do you get much time to chill away from music? How do you unwind? 

When I’m not doing music, I’m working any job I can get to pay for rent and recording. 

I’ve worked at every tourist attraction in London and I’m now doing some office work, just to get that full nine-to-five horrible commute experience I’ve heard so much about. It’s all good inspiration though. 

Finally, and for being a good sport; you can choose a song and I’ll play it here.

Frightened Rabbit - Fast Blood 

A superb songwriter, a beautiful human and a huge loss.

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INTERVIEW: Madison Ryan

INTERVIEW:

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Madison Ryan

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SHE is a teenage star-in-the-making…

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who is turning heads in the U.S. I have been learning more about Madison Ryan and her debut E.P., Primary. She tells me about the scene in Harrisburg, PA, and which albums influence her most – I ask whether there will be any tour dates coming and if she will pop by and see us in the U.K.

Ryan tells me when music came into her life and what advice she would give to new artists; if there are any artists she recommends we check out; how she spends time away from music; what she hopes to accomplish before the end of the year – Ryan selects a rather quality track to end the interview with.

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Hi, Madison. How are you? How has your week been?

Hello! I’m doing great, thank you! My week has been pretty relaxed and slow so far. 

 For those new to your music; can you introduce yourself, please?

My name is Madison Ryan. I’m eighteen-year-old Pop/Rock artist from Harrisburg, PA! I just released my debut E.P., Primary. 

 

What can you reveal about your E.P., Primary? Are there consistent themes and ideas that inspired the music?

This record is me in a nutshell.

A lot of the themes on this E.P. have to do with relationships; not just romantic ones but ones with myself, my peers and my goals. I chose to call the record 'Primary' because this is my beginning. It’s such a strong and bold word to me and I really wanted to capture that vibe with all the songs and the E.P. as a whole.  

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Was it a good experience putting it all together? Are you excited to get it out there?

It was such a great experience putting it together. I learned a lot about myself, not only as an artist but as an individual as well. It’s definitely been a long time coming and I’m so excited to finally be able to share it with the world. 

You are from Harrisburg, PA. Is the area quite busy in terms of music – or is it difficult getting your voice heard?

I’d say Harrisburg has an up-and-coming music scene. It’s pretty small but I love that: everyone knows everyone and we all work together as fellow artists. It’s really cool to have a community of artists that feels like a family. 

When did music come into your life? Which artists influenced you to write your own stuff?

Music has been in my life since before I was even born. I grew up in a musical household; it was always present. I’ve been influenced by so much over the years. To pick one main influence that inspired me to write my own music, it would definitely be Taylor Swift. I always admired how she told stories through her songs and could describe things so perfectly and cleverly. 

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Can we see you tour this year? What gigs do you have coming along?

At the moment, I have nothing lined up tour-wise. But, I do have a packed summer! I’ll be playing SummerFest in Milwaukee this July as part of the Emerging Artists Series on the Johnson Controls World Stage as well as some other cool festivals and hometown shows. 

Might you come to the U.K. and see us here?

I would LOVE to come to the U.K. It’s on my bucket list! 

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You have played some great festivals and dates so far. Do you find yourself growing in strength with every performance?

Each show is a definitely a learning experience. I grow each time, mentally and physically. After every show, I look at how I can make it better for myself and my audience. 

What do you hope to achieve in 2018?

In 2018, I hope to write more, play as many shows as possible and continue to grow as an artist and as a person. 

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Have you got a favourite memory from your time in music – the one that sticks in the mind?

My favorite memory so far was seeing Primary chart on Billboard. I never thought that was possible and I’m so grateful for all the opportunities I’ve been given. It’s truly humbling. 

Which three albums mean the most to you, would you say?

Abbey Road by The Beatles, 1989 by Taylor Swift and Mister Asylum by Highly Suspect

While these three albums don’t have much in common with each other, they have influenced my songwriting so much. These have stuck with me over the years. I can listen to these albums front-to-back, nonstop and never get tired of them. As a songwriter, that’s something I hope to achieve someday. 

What advice would you give to new artists coming through?

To new artists, the most important thing (as cliché as it sounds) is to never give up. There will be so many times, at the beginning especially, where you just want to throw in the towel. But, it’s all worth it. The highs, the lows…everything. Never stop working hard and always be kind. 

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IN THIS PHOTO: The Aces

Are there any new artists you recommend we check out?

I’m really into this new girl group right now called The Aces. I’ve been listening to them a lot lately. Definitely, check them out! I’m also really digging Tove Styrke lately. She just released a new album and it’s amazing. 

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IN THIS PHOTO: Tove Styrke

Do you get much time to chill away from music? How do you unwind?

Music is my life, even when I’m unwinding I’m always still thinking about music or at least listening to music. But, if I do get time to relax, I’ll usually just wrap myself in blankets and binge-watch Netflix shows while drinking coffee. 

Finally, and for being a good sport; you can choose a song and I’ll play it here (not any of your music - I will do that).

Hard Feelings/Loveless by Lorde!

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Follow Madison Ryan

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INTERVIEW: Alex Dingley

INTERVIEW:

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Alex Dingley

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I have been aware of Alex Dingley's music for a while...

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so it was cool to chat with him about the track, Not Alone in the Dark. He tells me about his lauded album, Beat the Babble, and releasing it in the U.K. through Libertino Records; what it was like travelling to the U.S. to record it - he reveals his favourite song from the album.

I ask Dingley what it was like working with Cate Le Bon on that record and what comes next; the musicians he counts as idols; whether there are going to be any gigs coming up; whether he gets time to unwind away from music - he selects a couple of new acts to get behind. 

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Hi, Alex. How are you? How has your week been?

Great thanks. SUNNY. I think I may have heatstroke!

For those new to your music; can you introduce yourself, please?

Hello. I'm Alex Dingley.

Not Alone in the Dark is out and about. I have heard the song. Can you reveal the story behind it?

Ummmm. I'm probably the last person you should ask...

I can lose track of where songs come from and my writing process can get quite convoluted before I filter it down again. I guess that one possible answer (of many to this question) is that I'd been watching a lot of Twin Peaks and went down a David Lynch YouTube rabbit hole; ending up where he was talking about his meditation and where thoughts come from; how they start off as 'a feeling' and bubble through the subconscious as garbled strands of half-formed mental data (I'm desperately paraphrasing here); being filtered by memory/experience/ego before emerging in sharp focus as an idea that can be expressed.

I had a notion of writing a song using these principles as a kind of lyrical template. Not necessarily THIS song but, in the end, the song and the idea fitted together. My theory was always that the 'feeling' of the song needed to be strong enough to carry the idea. Whether it worked or not, I guess isn't for me to say.

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It is from the album, Beat the Babble. Birth Records put it out in the U.S. How come it is only now getting a U.K. release (via Libertino)?

Sometimes, we're all just drifting on the sea waiting to get caught by the right wind!

Is there a cut from the record that stands out to you?

If I Asked You to Dance. Everything was live, nothing was added; nothing was taken away. It’s just the sound of those people (Cate, Tim and myself), in that room, on that day and at that time. It's like a photograph. For this reason, I find it very evocative.

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Tell me about Cate Le Bon’s involvement in the album? How did you come to meet her?

Cate and myself come from the same area of Wales. She's one of my oldest and dearest friends. She's so busy these days that doing something professionally together is the only way I get to see her.

You travelled from Wales to the West Coast of America to record it. What was that experience like? Why did that part of the world speak to you?

I felt that, if making the record was an adventure, then I'd make a better record. San Francisco was the adventure. I'd been a big fan of Kerouac, and his descriptions of California are so vivid and tangible. It was a thrill to be in the land of so many of my favourite books. We were in a place called Stinson outside San Francisco and the coastline was just jaw-dropping and so primal. I kept expecting to see a pterodactyl fly out from behind the trees.

On my day off from the studio, I went hiking through the Redwood forests, which led all the way down to Muir Woods. There were signs along the path warning you to make noise as you walked so that you wouldn't surprise a Mountain Lion out in the open – in which case, it could turn on you. I didn't take any chances and walked through this beautiful, giant; primaeval, empty forest singing nonsense at the top of my voice and clapping my hands. I passed a couple of old walkers who thought I was demented. I don't think I've ever been so happy!

There are various influences working in your music? Do you have particular musical heroes and early memories of experiencing music?

Ummmm. I dunno. For some reason, I find it hard to settle on a musical hero for any length of time. I think it's because it can be such an ephemeral medium and, possibly, gets distorted by fame more than any other art form. Today, though, it's Vivian Stanshall, Tom Waits; Graham Coxon and Euros Childs. One of my earliest childhood musical memories was listening to Lola by the Kinks and having that dawning moment of realisation about what it was on about! It felt like a rite of passage into a more adult world.

I’ve always loved music that promises to reveal some important secret to you. It gets harder to find as you get older, but it's still out there.

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Do you think there will be any more material coming later in the year?

Hope so. There's an album clanking around in there somewhere. I just need to get it out.

Can we see you tour this year? What gigs do you have coming along?

The album launch is in Cardiff on 16th June. We're going to be putting some more dates together. Keep an eye out at the Libertino webpage for details as they come in.

What do you hope to achieve in 2018?

Learn to speak Welsh. I go to classes. I'm getting better!

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Have you got a favourite memory from your time in music – the one that sticks in the mind?

Oh, God! There's a question. Most of my favourite moments wouldn't mean much to anyone else. One of my happiest memories is sat in the back seat of a car with the sun coming through the window on the way to a gig, and another adventure with Ween blasting out through the stereo. All excitement and possibilities!

I'm still a sucker for those feelings of togetherness that you can get from playing music with other people. I'm very lucky to have met so many amazing people through music.

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If you could support any musician alive today, and choose your own rider, what would that entail?

HA HA! This is one of those 'fantasy' questions yes?! I'm afraid I'm not very good at these. I've never bought into the nostalgia gig scene. My favourite time to see an artist is just before they reach their peak; when they're still pulling up trees to get there and it's exciting for everyone. You get to see them in better, more intimate venues too. Things get so sanitised and impersonal in those big places.

My favourite new album of the last year was Baxter Dury’s Prince of Tears, so I guess I'd love to support him to hear that record live. I don't really care much about a rider (red wine/olives/pistachios/bananas for luck) - what I'd really love is to have someone drive me to the gig, set up my gear; pack me up afterwards, drive me home and break the infernal cycle of carrying amplifiers up and down stairs!

What advice would you give to new artists coming through?

Don't listen to anything I say: I'm the worst person to give advice.

If you asked me again, though, and really pushed me, then I'd probably say:

As far as I can tell, every doubt about your own ability, about the worth of what you do; about the point of it all has been shared by pretty much every creative person, in every creative medium throughout the whole of mankind’s creative history. Keep at it.

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IN THIS PHOTO: Accü

Are there any new artists you recommend we check out?

Accü is amazing. She’s also found a home for her new record at Libertino. We're all a bunch of mongrels, really.

Farm Hand is great, too. It's Mark from Islets’ solo project. It's really interesting stuff. His gigs are always so incongruous. I love it!

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IN THIS PHOTO: Farm Hand

Do you get much time to chill away from music? How do you unwind?

I think that music probably IS the way that I unwind. I take my frustrations and pent-up aggression out on a guitar or a piano. My house is full of half-destroyed instruments. The angry sessions can be the most fertile, because your brain turns off and your subconscious takes over. Otherwise, I like to read. My favourite thing is to find an author that I like and to read everything they've done. Cate introduced me to Kurt Vonnegut last year and I've almost finished his novels. Next up are his collections and short stories.

H. Hawkline introduced me to Richard Brautigan the year before that and I did the same thing with him. Brautigan shot himself in Bolinas, which is the community next to Stinson where we recorded Beat the Babble. The people in Bolinas were known locally for being reclusive and they must have been so PISSED at a world-famous author killing himself in their town.

Now, they're known GLOBALLY for being reclusive! They keep ripping down the road signs which, at one time, must have made it a difficult place to find. I don't think it's such an issue now people have sat nav on their phones...

Finally, and for being a good sport; you can choose a song and I’ll play it here (not any of your music - I will do that).

Thank You! I'd like to choose Corner Shops from Cate (Le Bon) and Tim Presley's (DRINKS) Hippo Lite album

Many Thanks!

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Follow Alex Dingley

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