INTERVIEW: Dan Rawle

INTERVIEW:

Dan Rawle

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LEADING me into the weekend is Dan Rawle…

who has been talking about his upcoming single, Matter of Opinion (out on 3rd June). I ask the Oxford-based songwriter about the track’s story and whether there is more material coming before the end of the year.

Rawle tells me whether he thinks he has evolved over the past year; what he wants to achieve in the coming months; the three albums that mean the most to him; some new artists worth looking out for – he talks about future gigs and tells me how he relaxes away from music.

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Hi, Dan. How are you? How has your week been?

Hi, Sam. I’m well, ta. I have been a little under the weather but I’m on the straight and narrow now, so it’s all good. Just been working and gigging a fair bit.

For those new to your music; can you introduce yourself, please?

Sure thing. My name’s Dan Rawle (you’ve probably gathered that by now!); I’m an Oxford-based singer-songwriter with a guitar and a little songbook. I grew up in Abingdon, not far from Oxford, and have pretty much just stuck around! Musically, I've got a simple, honest sought of vibe I guess and have been likened to Passenger shaking hands with Jack Johnson at a Beatles show.

Matter of Opinion is your new single. Can you reveal the inspiration and story of the song?

So. The new single, Matter of Opinion, is a song that’s very close to my heart. It’s a song for my dad, of whom we lost to cancer when I was five (I’m now thirty). I’ve written it to say that, even though he’s not physically here anymore, he is still around in so many ways…in the belongings he left behind, in our memories and stories and in my sisters and me.

Without getting too soppy, it’s about never forgetting a loved one that’s not with us anymore...

There are hints of classic Pop and modern Acoustic in the song. It relaxes the soul and nourishes the listener. What do you hope people get from the song?

Well. I’d be really chuffed if people can connect with the song in some way and maybe even find it helpful if they’ve lost someone close. Or, simply, I hope people just enjoy listening to it.

Your 2017-E.P., It’ll All Come One Day, was well-received. Do you think, since then, you have evolved as a songwriter and learnt anything new about yourself?

Hmm. I’ve definitely learnt things about myself that seems to be happening slowly but surely over the years! In terms of writing, as any musician will know, you try to better yourself each time: a better hook, a better lyric; more this, less that! But, I’ve got a few songs on the go that I’m really excited about and that’s a most important thing I reckon.

Do you know what the next step will be in terms of material?

With the new songs, all I know at this stage is that I’m working closer to the band (Sarah Morgan and Patrick Foley) to really punch them home. There’s a subtle change in the style, which is gonna keep things fresh and new.

When did music arrive in your life? Who did you follow as a child?

I think I was always a bit musical, which was probably down to my wonderful mum. She’s always sung and played the guitar, so at least one of us four kids was going to follow suit! The first album I bought was, ahem, Britney Spears. I’d say I’m embarrassed, but I’m not. It was a tour de force! Ha. Later, I got into a lot of Pop-Punk, Oasis and then The Beatles.

Can we see you tour this year? What gigs do you have coming along?

There are a few shows coming up this summer, namely Cowley Road Carnival on 1st July. We’ll be at The Cape of Good Hope from 1-ish. Then, WaddStock on 28th July. I’m going back to basics as well through June and doing a cheeky little open mic tour of Oxford, just for a bit of fun, and to shout about the single.

How does it feel being up there on the stage? Can you describe the feeling?

Being on stage is wicked. It feels weirdly natural and exhilarating. But, there’s nothing better than playing to a crowd that is having a bloody good time and singing along! It’s hugely flattering.

What do you hope to achieve in 2018?

This is like a midyear resolution list! For 2018, I’m hoping to get the single out, obviously; buy a new car, get a new flat; see some new places and generally have a good time. Oh, and cheesy alert: think less and feel more.

Have you got a favourite memory from your time in music – the one that sticks in the mind?

Ooh, that’s tricky...

If I had to pick, it’d be the launch gig at The Library for the E.P., It’ll All Come One Day. I was so happy with how many people came and when they all sang the chorus of the title-track back at me I nearly shed a bloody tear! It’s a simple thing I know, but it means a lot.

Which three albums mean the most to you, would you say?

Three albums...let’s go with Passenger - All the Little Lights; Michael Jackson – Thriller and The Beatles – Help!

What advice would you give to new artists coming through?

I’m hardly one for giving advice here, but I would say this: believe in yourself. If you want to go somewhere, work your arse off. Don’t worry about being too self-promoting (no-one else will do it for you...unless you pay them loads). Try to be yourself and have your own little thing, even if no one else is doing it. From a writing point of view, try to hear your music back as a listener, not a writer. Get as much constructive feedback as you can; it’ll help focus things to a strong point.

That’s actually quite a lot of advice!

IN THIS PHOTO: David Ashworth

Are there any new artists you recommend we check out?

They’re not really that new anymore, but my good pals David Ashworth and The Steady Letters are damn fine musicians and writers. We’ve shared a lot of inspirations and drunken ideas - and the results can be heard for sure!

IMAGE CREDIT: Victor Hensel Photography

Do you get much time to chill away from music? How do you unwind?

When I get a little time away from music, I love to lie on the sofa and watch a good show. I’m smashing my way through Friends right now! I spend time with my girlfriend, head down the pub and I’m reading a bit, too. Currently, I’m half-way through an incredible book called The War on Women by Sue Lloyd-Roberts: a must-read.

Finally, and for being a good sport; you can choose a song and I’ll play it here (not any of your music - I will do that).

Ooh, nice; a personal request. The song that gets me jumpin’ about is Pata Pata by Miriam Makeba. One of the happiest songs I’ve ever heard.

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Follow Dan Rawle

Official:

https://www.danrawlemusic.com/

Facebook:

https://www.facebook.com/danrawlemusic

Instagram:

https://www.instagram.com/dan_rawle_music/

BandCamp:

https://danrawle.bandcamp.com/releases

Spotify:

https://open.spotify.com/artist/10WyjmBDW1sw5FNiWQ8OQW?si=dTbA4kmkSoqgMQm_tzKLlA

YouTube:

https://www.youtube.com/channel/UC50pZ7MQGWTrdozqfqbkEVQ

INTERVIEW: World Machine

INTERVIEW:

World Machine

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MY final interview of the day…

finds me speaking with the awesome World Machine. They consist of Jack Shea and Naz Kalsey and have created a stunning song in Affection. I ask the guys about their musical start and tastes; whether there is going to be more material coming down the line – they recommend new artists to investigate.

World Machine reveal what touring plans they have and how they spend time unwinding; what they would tell new artists coming through; what they have planned before the end of the year – they end the interview by selecting a couple of rather excellent songs.

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Hi, guys. How are you? How has your week been?

It’s been busy. Getting ready for the video release and our debut show on 8th June at The Islington.

For those new to your music; can you introduce yourselves, please?

We are World Machine from London, England. We consist of lead vocalist and lyricist Jack Shea and Naz Kalsey, the songwriter and producer of the band. We also have Luca Romano on drums for our live shows.

Affection is out. Can you talk about the song and how it came together?

Affection grew from a major transition period for the band. We wanted to change everything from what we were previously writing and recording. Our early tracks were darker and electronic-sounding with the lyrics becoming somewhat unreal and not connecting with us personally - like some of our early material in our previous band.

So, we decided to write a track that related to a more tender side of our writing and, by doing so, entered us into a completely different place.

Its video is out. Was it cool to film? What was it like working with Charleen Meredith?

It was extremely exciting working with Charleen. When we saw the footage she was featured in, we both were knocked out by not only her beauty but also her excellent portrayal of the female lead (for the Affection video).

It was also amazing working with Rob U., who directed the video. He understood our vision of how we wanted to illustrate the video and went far beyond this to produce something we both found to be astonishing.

Both were very fun and easy to work with.

Is there going to be more material coming for you?

Yes. We are currently working on our first E.P., EAN01, which will hopefully be out by July this year.

How did World Machine form? Do you remember the moment you met?

We first met in an Indie-Rock band we were in called Smashing Lights. After we started writing together for the group, we soon realised that we had the same taste musically and that this was completely different to what the band was releasing and playing at the time.

After nearly a year into the musical collaboration, we decided that we wanted to make a completely new sound and explore more contemporary Pop and R&B ideas. This was when World Machine was born.

Can you give me a sense of influences and the artists who impact your own sound?

Definitely by, literally, moving pictures and art culture. We try to incorporate this into our sound. Growing up listening to a lot of Garage, D&B; Soul and R&B also help put us outside the box when infusing it to our Indie-R&B-Electronic sound.

Some artists that influence our music are (definitely) Michael Jackson, Luther Vandross; Prince and Marcus Miller. We get a lot of influences from where we are and what we experience.

Where are you heading on tour? Where can we catch you?

We are playing our debut show at The Islington on 8th June. 

What do you hope to achieve in 2018?

To get our first E.P. released and to start travelling around the U.K. playing shows to the people.

Have you each got a favourite memory from your time in music – the one that sticks in the mind?

I think (just) playing our songs live to people is our biggest thrill. You start to hear the songs differently when you see people react to a track that you have spent months writing and recording...it’s a great feeling and memory.

If you could support any musician alive today, and choose your own rider, what would that entail?

Jack has an affinity for The 1975 and would love W.M. to support a band like them, purely on visual aesthetics and sound - which is amazing live! Also on the list would be Ellie Goulding (what a voice).

On our rider, we'd ask for a pony to ride us all on stage (and, also, tons of food). Jack loves fruit, so maybe a basket of fresh oranges and grapes would be his dream. Vegan/vegetarian snacks for Jack and Luca. Naz will eat anything (hopefully not the pony), so he'll be happy regardless.

What advice would you give to new artists coming through?

Let the music do the talking and the rest will come.

IN THIS PHOTO: Kudu Blue/PHOTO CREDIT: Gingerdope Photography

Are there any new artists you recommend we check out?

There are a couple of underground London bands that we like: Kudu Blue and Pelicandy.

IN THIS PHOTO: Pelicandy

Do you get much time to chill away from music? How do you unwind?

We like to keep busy as much as possible. Learning and observing from others either in music, film or art.

Finally, and for being good sports; you can each choose a song and I’ll play it here (not any of your music - I will do that).

Naz: Metrik - Chasing Sunrise

Jack: Instupendo - Boy

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Follow World Machine

Official:

http://www.worldmachineband.com/

Facebook:

https://www.facebook.com/worldmachineband

Instagram:

https://www.instagram.com/worldmachineband/

Twitter:

https://twitter.com/worldmachinetw

SoundCloud:

https://soundcloud.com/worldmachineband

Spotify:

https://open.spotify.com/artist/2a1XRkQc2RTbjGjthBrIZJ

YouTube:

https://www.youtube.com/channel/UCXyt8Z69vYY_TB0m1SqhzCQ

INTERVIEW: The Classic Kids

INTERVIEW:

PHOTO CREDIT: Cory Ingram 

The Classic Kids

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I am staying in America as I chat with The Classic Kids.

The guys talk about their start and what the story is regarding their new single, Better Days. I was curious to learn if more material was being worked on; if Better Days, to them, is their strongest cut; what the vibe is like in New York/New York City – they tell me whether there are plans regards U.K. gigs.

The Classic Kids discuss musical tastes and some newer artists that are worth some further study; how they spend time away from writing and recording; what advice they would offer fellow songwriters emerging – they share with me their favourite memories from their career so far.

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Hi, guys. How are you? How has your week been?

Hello, Music Musings and Such. First off, thank you so much for having us. This week has been excellent with the release. Just a lot of running around but we are very grateful.

For those new to your music; can you introduce yourselves, please?

Hello. We are The Classic Kids - Eric James, Max Dean; Matty Boy and Mikey G.

Better Days is your new song. Can you talk about its story and inspiration?

Better Days came about through, honestly, trying to nail a positive, happy song. While we do have some songs that are uplifting, we have more recently been living in a more serious tone as far as our music is concerned.

The concept was born of an idea our producers Shep Goodman and Aaron Accetta had initially. We took the concept and made it into what it is now, which is a positive message that you can make your Better Days through your actions and words - that no unpleasant moment is permanent and that adversity can only strengthen your convictions.

Do you think it is the strongest thing you have created? Can you feel the music getting more ambitious?

We tend to treat our songs all equal...

We love this one but we also love all our music. They all are characteristic of that that time in our lives and have defined who we are up to this point. We do feel, though, that Better Days is a song that can be applied to many different experiences and situations.

How did The Classic Kids get together? When did you start recording together?

Eric and Max have been working together for almost ten years now in previous bands. Matty isn’t too far behind that - he also was working with them in some of those acts. Mike joined us back in 2012. So, it’s safe to say that all members have been working together for quite a long time and know each other very well.

Is there more material in the pipeline? What are you working on?

There is always material in the pipeline for us. We absolutely love writing more than anything and probably have more songs than we know what to do with. We have some songs that we feel are likely candidates for our next releases but we will remain silent for now until the time is right.

New York is where you are based. How important is the city and its people in regards your music and creative angle?

New York/New York City is such a creative place to live because you’re literally surrounded by creatively-minded individuals who inspire and captivate the mind. It’s easy to see why we all got into this form of art when it’s literally everywhere. The sad part to us is that not enough really talented people ever get recognized for their efforts but, also, at the same time, a lot of people don’t wish to be spotlighted.

Where are you heading on tour? Where can we catch you?

Our touring plans at the moment are mainly East Coast (U.S.) but that’ll depend on how far our music reaches. So far, the reception is excellent, so a lot of good things could be born of that.

Do you reckon you’ll come to the U.K. and gig here at all?

Of course. We love the U.K. and have friends who live there. We love the culture and feel our music would be well-received. It’s something we really hope to accomplish in the near-future!

What do you hope to achieve in 2018?

We hope that our music reaches as many ears as possible in 2018. We have been working so hard for so long and it feels like we're finally accomplishing what we set out to do. Of course, the future is something we can only wait to see unfold - but we’re very confident that 2018 is going to be an excellent year for us...

Have you each got a favourite memory from your time in music – the one that sticks in the mind?

Eric: Oh, man; there are so many memories it is nearly impossible to really settle one. That’s why we love doing this so much. You make stories that stay with you and make you who you are today; from touring to really nailing a song that you feel is truly captivating. One thing that stands out the most is the long-lasting friendships you make along the way. Those stay with you and definitely make for some of the best memories.

Max: All my ‘favorite’ memories usually comes from the touring. Although every tour is different, there are always certain people you meet that are working on the road with you and develop a genuine connection/friendship together and have certain (usually silly) memories together that you will never forget.

Matty: There are so many great memories, but one that sticks out would be the first time we went into the studio as The Classic Kids. We had such a great vibe going into it and we were excited to start the new chapter in our music careers.

If you could support any musician alive today, and choose your own rider, what would that entail?

We would love to do a tour support with The Night Game (Martin from Boys Like Girls’ new project). That would be such an awesome tour together!

As far as our rider list, we are pretty easy-going...all we need is a case of water, Welch’s Fruit Snack; a pizza and maybe a bottle or two of Jack Daniels to keep us going. Oh, and Coke Zero...gotta always have the Coke Zero!

What advice would you give to new artists coming through?

Just put your heart and soul into your work and never miss an opportunity. If you make what you do fun then it will never feel like work. Don’t be afraid to meet people and let them know what you’re all about.

But, honestly, this can be applied to anything in life.

IN THIS PHOTO: Hotel Apache

Are there any new artists you recommend we check out?

There are a bunch - and one plus side to this new era is that new music is plentiful and easily recommended through the apps. Right now, we're listening to a lot of Young Rising Sons, Hotel Apache; KYKO, lovelytheband; Weathers, LUXTIDES and many more.

IN THIS PHOTO: LUXTIDES/PHOTO CREDIT: Betsy Newman

Do you get much time to chill away from music? How do you unwind?

We all have diverse interests outside of music when we’re not working together. We try to keep busy but we also love watching movies and playing video games when we have downtime. We also love the beach and getting out because sometimes that can inspire new ideas. We also try to take vacations to get away and decompress.

Finally, and for being good sports; you can each choose a song and I’ll play it here (not any of your music - I will do that).

Of course!

Eric James: Weathers - The Night Is Calling

​​​​​​​

Max Dean: Charlie Puth - Slow It Down

Mikey G: John Mayer - New Light

Matty: Thomas Rhett - Leave Right Now

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Follow The Classic Kids

Official:

http://theclassickids.com/

Facebook:

https://www.facebook.com/TheClassicKids/

Instagram:

https://www.instagram.com/Theclassickids/

Twitter:

https://twitter.com/theclassickids

Spotify:

https://open.spotify.com/artist/45OPmboyE2BRC8yeHwVQub

YouTube:

https://www.youtube.com/channel/UCSyZ8UEcCT74M20uC0F3U5A

INTERVIEW: CJ Teffner

INTERVIEW:

CJ Teffner

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WITH his album out later in the summer…

I have been speaking with CJ Teffner about Stars and what we can expect. He talks about standout moments from the album and what it was like working with Robyn Cage (who sings on the album).

Teffner tells me about his early musical experience and taking to performance whilst at school; what he hopes to achieve before the end of the year; what Phoenix (Arizona) is like for music and venues; which artists we should be investigating right now – Teffner ends the interview with a rather good song suggestion.

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Hi, CJ. How are you? How has your week been?

I’m great! I’ve been busy; always busy with music.

For those new to your music; can you introduce yourself, please?

Hey, everyone! I spent a long time working as a hired-gun in the studio and on the road, playing and learning many different styles - which I feel has helped me become ‘me’, if that makes sense.

Talk to me about the album, Stars. What, in your mind, defines the record in terms of themes and sounds?

Stars is a bit dark and dreamy, mostly acoustic guitar-based with piano and cello, with the exception of the song Stars itself, which ends up as a full band song by the end. There’s a lot of emotion in the songs, they’re pretty personal, wrestling with my inner-demons and making friends with them.

They’re much better as friends…

Is there a song from the record that stands out? Which do you count as a highlight?

Always a trick question! As a highlight, the song Stars.

The lyrics, that was me being vulnerable, which isn’t easy for me…but is necessary for any artist. Writing all the vocal arrangements and harmonies as well as the instrumentation took a lot of thought to get right. I’m very proud of it.

How did you come to work with Robyn Cage? What was it that attracted you to her work and style?

I worked with Robyn on a previous project and was impressed with her conviction, delivery; emotion and tone - just a very clear and honest voice. When I wrote the song Meant to Fit, her voice popped into my head and I knew she’d be perfect for it - which made her a natural for Please Forgive Me and she really liked the songs and agreed to sing the E.P.

CJ. I believe you caused a bit of havoc as a child by drumming on your mum’s table! Did you have that curiosity and passion for music at a young age? What compelled that spark?

My mom’s father was a famous coronet player; my mom, aunt and uncle are all musicians as well as my father. They were all Jazz and orchestra players so it’s just a family curse. Haha! Music was always on in my house and it was all just natural. I took piano lessons really young and we always had a piano and classical guitar, so I was always just fooling around.

How important were those school years in regards your future collaborations, productivity and desire? Would you be as strong and far along were it not for that early education and fostering?

My 7-12 grade band, Jazz ensemble and marching band were a huge impact and basis for my music. I still keep in touch with my music teacher, Mr. Solt. He encouraged me and supported me so much; he even wrote me notes to get out of study hall so I could jam in the band room! He was one of those teachers you hear about who make a difference in a kid’s life.

Phoenix, Arizona is your base. What is the area like in terms of music and venues?

I love Arizona, but…the music scene is pretty limited. There is some work for acoustic duos at restaurants and bars and a few places that have original acts, four bands a night showcase things (but, it’s mostly covers). There are some great players but, for whatever reason, the pay isn’t here so it’s a challenge to get the great players to come out…

Can we see you tour this year? What gigs do you have coming along?

I won’t be touring this year: I hope to next year. It’s the age-old situation of finding the right players who believe in my songs and want to be part of the vision.

What do you hope to achieve in 2018?

Stars will be my second release this year: The Cat’s Meow came out at the beginning of the year. I hope to put out two more releases by the year’s end, another one I’m cowriting with Robyn now; it’s totally different to Stars and is slated for the fall.

Have you got a favourite memory from your time in music – the one that sticks in the mind?

I’ve had the opportunity to work for and play with some top industry people - but the one that was very formative is when I worked with Murray Krugman (Blue Oyster Cult’s producer) and James Ball (engineer for Aerosmith and Joan Jett). I was, maybe, twenty-one; I had written some songs with an artist but then parted ways. I got a call from her months later asking if she could record the songs. I said ‘sure’.

Then, I got a call from her saying no one in the band could play my parts and would I come to the studio. I said ‘sure’ and walked in to meet these guys; I had no idea what I was stepping in to. I learned so much about arrangement and production from those two guys. Two weeks with them was equal to five years on my own.

If you could support any musician alive today, and choose your own rider, what would that entail?

Wow! What a question! While he’s still out and performing, I’d say Paul McCartney. The Beatles were a huge influence on me - and even some solo McCartney albums.

Rider? Just feed me and I’ll be more than happy to play for you!

What advice would you give to new artists coming through?

Try to find someone who will mentor you, in songwriting, the business; how to record - if that’s part of your thing. I help a couple of younger artists because I wish I’d gotten more help earlier on. Also; work in a bubble. Don’t keep asking people if they like this or like that. Be you; figure out who you are as an artist. Basically, lock yourself in your bedroom and record everything.

IN THIS PHOTO: Mika

Are there any new artists you recommend we check out?

It’s about ten-years-old but I just discovered Mika - In Cartoon Motion; amazing Pop album. Also; a duo named The Pierces; kinda dark, twisted Folk - as well as Lenka; beautiful songs and voice.

IN THIS PHOTO: The Pierces

Do you get much time to chill away from music? How do you unwind?

I’ve been into powerlifting and bodybuilding for a long time, so that’s my morning five days a week; very therapeutic. Every night, I get to walk with and watch my Doberman Xena run a golf course. She’s just so happy that it makes me happy – and, of course, spending time with my wife and adult daughter.

Finally, and for being a good sport; you can choose a song and I’ll play it here (not any of your music - I will do that).

In the Meantime by Spacehog. It’s in my top-ten ‘happy songs’ playlist.

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Follow CJ Teffner

Official:

http://www.cjteffner.com/

Facebook:

https://www.facebook.com/cjteffnermusic

Instagram:

https://www.instagram.com/cjteffner/

Twitter:

https://twitter.com/cjteffner

Spotify:

https://open.spotify.com/artist/2Rhk2cO90cyNhG5AzvwGY9?si=6JsAicGSTaWm5pOL7aEw8A

PHOTOS:

Brad Olson

INTERVIEW: Elles Bailey

INTERVIEW:

Elles Bailey

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FEW artists have enjoyed the rise and progression…

as Elles Bailey. I have been speaking with Bailey about her incredible debut album, Wildfire, and recording in Nashville. She tells me about the video for Same Flame and what is coming up next for her - she talks about her sound and why she has released a Deluxe version of Wildfire.

Critics and fans have raved about her voice and incredible sound so I ask about her influences and where she sources guidance from; she discusses new material and a return to Nashville; what advice she would provide artists emerging at the moment – Bailey recommends some current artists we need to get our ears around.

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Hi, Elles. How are you? How has your week been?

It’s been good, thanks. I just got home from Nashville after recording my second record, so have a enjoyed a rare couple of days off in the even rarer British Sunshine!

For those new to your music; can you introduce yourself, please?

Well, hi. I’m Elles Bailey and, in a nutshell, I weave rootsy Blues, Country and soulful Rock!

There is a video out for Same Flame. What is the story behind the song? What was it like shooting the video?

Same Flame is about the passion and pain in love and how both emotions can sometimes feel the same. I got to make the video over in Spain in the desert as the sun was setting – it was pretty magical, although I don’t think I appreciated just how amazing the sunset was until I watched the video back after it was edited!

Tell me about the special edition of Wildfire. What was the reason for bringing it out?

Well. I had a whole load of acoustic songs that I had recorded that I really loved and had recorded some alternative versions of the album tracks; so it made sense to bring them all out at the same time on a Deluxe version of Wildfire. I had all the artwork redesigned as well to make it super-special.

Have you been shocked by the huge love the album has received and how far it has gone?!

As an artist, you do always hope that the music you create is loved by your fans but, honestly, I have been delighted at the response to the album from my fans and from the critics far and wide. I even had Metal magazines giving it glowing reviews, which totally shocked me!

What was it like working and recording in Nashville? Is it very different to the sort of backdrops and studios you are used to?

I feel really lucky to have worked in some incredible studios in the U.K. with some super-talented musicians; however, tracking in Nashville is the most mind-blowing experience. You have to make sure you savour every second as it goes by in a flash - the musicians there work so fast. It’s amazing that, even though they do this day in and day out, they are still so creative!  Nashville definitely has a special place in my heart!

You have been called a queen of the Blues and heralded by many. Has music always been a part of your life? What is it about music that attracted you in?

I don’t know a life without music: it’s something I have always done and my life would be incomplete without it!

Will there be more material later this year? Are you working in new stuff at the moment?

I have literally just got back from Nashville, TN recording a brand new album that I am so excited to share with you soon! Watch this space for a release date!

Which artists do you count as influences?

I listen to such a broad range of music, so it’s hard to pick influences and I feel I’m inspired by so many.  Right now, I’m loving Ryan Adams’ Heartbreaker; Anderson East’s Delilah; Chris Stapleton’s Traveller; Joe Cocker Mad Dogs & Englishmen (Live at Fillmore East) and John Prines' new record, Tree of Forgiveness. John is such an incredible songwriter!

Can we see you tour this year? What gigs do you have coming along?

I am always on tour - I call it the ‘Never-ending road I call home’! You can find me touring the U.K. and Europe over the next six months with a big tour in October yet to be announced! Check out www.ellesbailey.com/tour for details of my dates!

What do you hope to achieve in 2018?

Another day off would be nice! However; to continue to build on the success of Wildfire would be amazing!

Have you got a favourite memory from your time in music – the one that sticks in the mind?

Wow, that’s a hard question. I have so many amazing moments to look back on! However, I think the two days spent tracking this last record in Sound Emporium, Nashville last month will stay with me forever! I have never had so much fun in the studio!

If you could support any musician alive today, and choose your own rider, what would that entail?

I would love to open for Mavis Staples. That would be a dream come true!

Rider…as long as it’s got Haribo and red wine on it then I’m happy – but a hot meal for starving musicians always goes down well too! Wow. I’m so Rock and Roll!

What advice would you give to new artists coming through?

Try and be the best you can be. Work hard, then work harder; then work even harder and don’t give up!  

IN THIS PHOTO: Yola Carter

Are there any new artists you recommend we check out?

Yola Carter. She is the complete and utter real deal!  Lady Nade, also, is an incredible soulful artist that you can find touring occasionally with me (smiles).

IN THIS PHOTO: Lady Nade

Do you get much time to chill away from music? How do you unwind?

I don’t really get much time away from music: I live and breathe it 24/7 but running does kinda give me a little bit of headspace

Finally, and for being a good sport; you can choose a song and I’ll play it here.

Levon Helm – When I Go Away. I just love this song!

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Follow Elles Bailey

Official:

https://www.ellesbailey.com/

Facebook:

https://www.facebook.com/ellesbailey

Instagram:

https://www.instagram.com/EllesBailey/

Twitter:

https://twitter.com/EllesBailey

Spotify:

https://open.spotify.com/artist/4NPMwh3kDwi6uVCNtmeUvU

YouTube:

https://www.youtube.com/channel/UC5_0JHwbrDxdqaGvT_qdRpw

INTERVIEW: Chersea

INTERVIEW:

Chersea

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THE fascinating and delightful Chersea is a revelation!

The Canadian songwriter has been talking about her latest track, Murphy’s Law, and its background. I learn more about her music tastes and what we will get from her upcoming L.P. – she reveals some new artists that are worth our time and attention.

Chersea talks about a favourite memory from music; why Björk is such an idol; what the scene is like over in Vancouver right now; if she has any plans regards coming to the U.K. to play live – she discusses the three albums that mean the most to her and why they resonate so hard.

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Hi, Chersea. How are you? How has your week been?

Hi, Sam! My week has been amazing. I just got back from Canadian Music Week in Toronto. Also, I had some interviews and a photo shoot. It was the first time my band and I travelled that far to play three gigs in sixteen hours; so it was pretty crazy but a lot of fun.

For those new to your music; can you introduce yourself, please?

My music is inspired by a lot of powerful female songwriters. I like to think my music is kind of a blend of Imogen Heap, Enya, Robyn and Sia, to name a few. My elevator pitch is ‘mood stabilizing Electro-Pop for all of your highs and lows’.

Can you reveal the story behind Murphy’s Law and what compelled its creation?

Murphy’s Law was intended to shed light on how it feels to be a victim of manipulation tactics in relationships. The adage ‘Murphy's Law’ means "Whatever can go wrong, will go wrong", especially if you let it. The abuse one feels isn't clear-cut, so the victim is constantly trying to feel their abuser; trying to find the good in the individual. I originally wanted to call this piece Stockholm Syndrome - because I wanted the listener to realize that you're trapped in this abusive relationship, but you have an affection for your captor who, in this case, would be your partner.

I've had first-hand experiences where I've let my partners manipulate me to a point where I completely lose control of myself within the relationship; thus, Murphy's Law comes into play because whatever can go wrong does go wrong…while trying to hold onto something that is inherently awful for your wellbeing.

There have been many culturally significant lawsuits which question the validity of a victim’s statements because of this reaction. "Why did you continue to text your abuser?", "Why did you continue to pursue the individual"; "Why did you engage in affectionate language and intimacy with the accused?": these are all questions asked by juries and attorneys in lawsuits surrounding physical, sexual and emotional abuse. While we may not have a definitive psychoanalysis as to why this is, we now know that this particular reaction has been experienced by many abused subjects.

My song, Murphy's Law, discusses these emotions and the need to feel ‘you’ - the abuser - in a way that unites victims everywhere.

Your debut L.P. is coming soon. Can you reveal any of the people you collaborated with and the sort of songs we might expect?

I’ve been working with Cody Taylor (of Fiend Recordings) for years now. A lot of the songs on this album have been a team effort with regards to writing, production and mixing. We took our songs to Ryan Worsley (Echoplant) who has worked with so many great acts like Dear Rouge and Derrival. He did some extra production and mixing on a lot of the tracks to make them feel extra-polished and industry-ready. As a multi-instrumentalist who writes and co-produces her own material, it has been amazing to branch out and have this awesome team standing behind me.

On this album, you’ll hear a lot of genre-bending as well as some pretty anxiety-driven pieces that’ll hopefully make you move and feel like your brain is taking you on an emotional rollercoaster. One piece of feedback we got was “This song sounds pretty schizophrenic” and, while I’m not diagnosed with THAT particular condition, I was thrilled to hear that the listener was emotionally jarred by the production and the piece. If these songs can put you in a frame of mind that you’ve barely observed or experienced, then we’ve done our job correctly.

How important were Fierce Panda Canada through the process? Did they provide a lot of guidance?

They have been incredible. While going through their own massive transitions, they’ve been a wonderful support system. They understand what I want for my music and myself and I feel like we’re building a really great connection through it all. At the end of the day, if you as an artist want to make your label proud just as much as yourself and your parents, you know you’re in a truly lucky position.

Is Vancouver a great city to create music is? What is the scene looking like there right now?

Vancouver is a great place to make music. There are so many talented songwriters and producers. Although we have a great songwriting city, we could use some work in the live scene. Vancouver is a notoriously tough city for performers because the current culture doesn’t really have a demand for live shows. If you’re lucky, you’ll be able to get onto some festival slots which are kind of the best way to get artists out and heard. However, we have some provincial programs that are really helping this struggle; like Creative BC. They fund a lot of projects to give locals artists a break from financial burdens. Then, we have Music BC which aims to place artists in domestic and foreign showcases/festivals to increase our chances of spreading the music. Without these two associations, performing would be quite hard in Vancouver. So, we’re definitely fortunate to have these avenues.

Which artists would you count as influences? Did music come into your life at an early stage?

I mentioned several above but, when it comes to presenting myself in the business, I’m a big fan of Björk. I love how unconventionally conventional she is. Like, you get those super-experimental songs and then a Pop anthem for the radio. I love music like that, you know, that flexes with the ebb and the flow of the artist’s desires. She is also a queen of marketing imagery: like her music videos and her wardrobe stylings. I am inspired by her approach to cinematography; so much that the video for Murphy's Law will be heavily influenced by It's Oh So Quiet.

Another woman that falls into this category is Imogen Heap. Her genius in the studio and on the stage never ceases to amaze me. She got me into looping (which is something I was somewhat successful with in the early stages of my career) and introduced me to sampling organic sounds of day-to-day life. It kind of gives the music this realness. Like on one of my new tracks, we spent a fair bit of time trying to find the perfect door slam sound.

I like the idea of music telling a story of what the human condition is like and, by modelling digital sounds over some acoustic realness, you kind of get this nostalgia from tiny bits and pieces of recognizable sounds. I also like the idea of toying with ‘alien sounds’ and creating a lot of soundscapes that feels extra-terrestrial. I guess, ultimately, I want the listener to feel like you have two feet on the ground but your head is in the clouds.

Can we see you tour this year? What gigs do you have coming along?

I have some festival stops happening all summer and we're excited to improve our stage show as a new band. We’re really excited to share the stage this summer with Brian Wilson (yes, THE Brian Wilson from The Beach Boys) on July 15th as part of Rock the Shores in Victoria, BC. So, that’ll be a very cool experience for us. For the time being, these shows will be limited to Canada, but we're hoping to make moves across the border early in the New Year; especially after my album is officially launched in late 2018.

We're also applying to festivals in Europe so, if we're lucky, we may get to venture across the pond. I will keep you posted!

Might you come to the U.K. and perform here?

I’ve been dying to come to the U.K. for years! I have some fans out and about so I would love to do that. Hopefully, I get some opportunities that bring me there. As for now, nothing is set in stone.

What do you hope to achieve in 2018?

I hope that people enjoy my creations and that they can feel them in ways that allow them to empathize and accept everyone around them for who they are. If I can make music to promote more kindness and patience around the world, that would make me very happy.

Have you got a favourite memory from your time in music – the one that sticks in the mind?

It would have to be the first real show I attended. I was fifteen and I went to an all-ages show at the Pacific Coliseum with one of my best friends Kelly to watch Panic! At the Disco. It was incredible. It was all circus-themed and kind of S&M and a little creepy. It was the first time I got to wear eyeshadow as a youngster and I had recently pierced my nose. I was going through a typical teeny-bop phase. Brendan Currie was my ultimate crush at the time and his voice was even more insane live than it was on the album. He also played my favourite Beatles tune, Eleanor Rigby, which just amped up the moment for me.

Eventually, there was a tiny mosh happening and I got bumped and dropped the new T-shirt I purchased. I went to grab it and got elbowed in the nose - with a brand new nose piercing - and my nose started spewing blood. I had to run to the washroom to stop the bleeding but ran back out with tissues in tow. I felt like a total bad-ass and it just gave me more adrenaline to bounce around with the crowd. It’s moments like these where I know I’ll always worship live music. It can change your life in an instant and leaves a lasting impression.

Which three albums mean the most to you, would you say?

1)      One of my favourite album of all times is Age of Adz by Sufjan Stevens

I’m a massive fan of all of his work, but this one really spoke to me. This work is just indescribable. Listen to the whole album from front to back to get the full effect. It is (one of the most) unique creations I've ever heard. You do this several times over and you’ll always find something new and fresh to love about it.

2)      Teen Dream by Beach House

It’s not necessarily my favourite music, but it marks the first time I really fell head-over-heels in love. To this day, I occasionally hop on the piano to play Real Love just to bring me back to that time. It makes me feel full. Spoiler: that relationship fizzled years ago, but we’re still best friends. When we get together, we always put on a song or two to reminisce.

3)      Comfort Eagle by Cake

This band has been so important to me through the years. As someone who plays horn and loves a punchy synth line, these guys know how to do it perfectly while also bringing in complex arrangements that they somehow make sound simple. They are also always constantly ironic and sometimes politically-charged but, in most cases, you really have to delve into their lyrical content and melody to extrapolate their opinions. Unless you follow their Twitter feed...they’re pretty forthright on their socials.

What advice would you give to new artists coming through?

Frankly, I’m still a new artist. My only suggestion would (to) be humble, love your craft and just be you. Gone is the age of Bubblegum Pop personas: people are becoming super-interested in authenticity. Although I write this, these are things I’m trying to constantly remind myself.

IN THIS PHOTO: Amber Mark

Are there any new artists you recommend we check out?

I recently got into Amber Mark - funnily enough, the above ex-boyfriend suggested I listen to her. Her E.P. is insanely good. This isn’t a new band but I’m obsessed with Department of Eagles. One of the members comes from the infamous Grizzly Bear, so you can hear a little flare coming out of that writing.

Lostboycrow is another project I’ve fallen into because of a suggestion from my fan/friend, Ryann. This is such a cool project that blends super-poppy beats and polyrhythmic drum samples to make a one of a kind listening experience.

IN THIS PHOTO: Lostboycrow

Do you get much time to chill away from music? How do you unwind?

Very little. Ahaha. I’m a musical director for theatre programs and do sound design as well. I also teach kids how to sing and how to write music. My life is endlessly about music. But, I’m one of the fortunate ones who can make a (humble) living doing what they love. If I really need to unwind, you’ll catch me swimming out in nature or making macarons. I love to bake.

Finally, and for being a good sport; you can choose a song and I’ll play it here (not any of your music - I will do that).

I’m gonna throw you a curveball. Maximize your window so that this music video takes up the entire screen of whatever device you’re on. Then, if you’re so inclined, you may imbibe to intensify the effects of this insane artistry: Portishead - The Rip

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Follow Chersea

Facebook:

https://www.facebook.com/cherseamusic/

Instagram:

https://www.instagram.com/cherseamusic/

Twitter:

https://twitter.com/ccherseamusicc

SoundCloud:

https://soundcloud.com/chersea

Spotify:

https://open.spotify.com/artist/5FanH97MK1FkMhGH0dh7MN

YouTube:

https://www.youtube.com/results?search_query=chersea

INTERVIEW: Zach Callison

INTERVIEW:

Zach Callison

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IT has been great speaking with Zach Callison…

about his latest single, Curtain Call. I ask him about his acting work and how that links with his music; what L.A. is like in terms of its influence and scene; what sort of themes inspired his E.P., A Picture Perfect Hollywood Heartbreak – Callison talks about his plans for the remainder of the year.

I ask him whether he’ll be over in the U.K. this year; the new talent we need to keep an eye out for; which artist, given the chance, he would love to support; what advice he would give to new artists emerging; how he spends time away from music – Callison ends the interview with a pretty cool song.

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Hi, Zach. How are you? How has your week been?

Pretty good! It’s been kind of insane lately, but all for good reasons.

For those new to your music; can you introduce yourself, please?

My name is Zach Callison. I started out and continue to work as an actor and voice actor on shows like Cartoon Network’s Steven Universe and Amazon’s Just Add Magic, and now I’m getting ready to release my first solo music project: A Picture Perfect Hollywood Heartbreak.

Tell me about the single, Curtain Call. What is the tale behind the song?

It’s really part of a larger tale. The upcoming E.P. is one long, continuous story from cover to cover and Curtain Call plays an integral role in the narrative. It’s a climactic moment where the album’s point of view shatters into two separate voices: one from the past and one to carry into the future. While my first single, War!, is very intentionally the ‘theme song’ of one of these voices; Curtain Call shows one violently interrupted by the other.

What can you reveal about your E.P., A Picture Perfect Hollywood Heartbreak? What sort of ideas and sounds has influenced the songwriting?

It’s certainly evolved beyond the typical scale of an E.P. since I started writing it…it now includes way more than the original five tracks and has become something of a short, one-act Rock musical. I’ve always been struck by the idea of a single story being told from top to bottom on a tracklist, with each song, lyric, and interlude serving the greater narrative. I believe I’ve been able to accomplish that in my own way; concept and story-based albums are not a new form of storytelling (Kendrick Lamar’s To Pimp A Butterfly is a recent example of it being done spectacularly), but I don’t know of anyone else who has done it the way me and my team have for A Picture Perfect Hollywood Heartbreak.

Records almost always have a unified sound that stamps the artist’s signature into the grooves and the whole project unifies under that banner. With my project, I wondered how I could change that norm by creating something that leaves you with one impression of the artist on track-one and takes the listener through a transformation that ends with a completely different impression by the end of the album. I changed tremendously over the course of the past few years since I wrote the first track of A Picture Perfect Hollywood Heartbreak and my goal was to bottle up my coming-of-age story and press it into one, very personal time capsule. I believe we’ve accomplished that.

You are an actor and have appeared on several different T.V. shows. Did music come before acting? Do the two link in any way?

Music, actually, did come before acting! When I was seven and living in St. Louis, my parents put me into singing lessons because of how much I loved singing at school. I ended up auditioning for a production of The Music Man at the local community college and that ended up being my first acting gig.

Eventually, the acting took off, leaving singing and piano as ‘hobbies’ that I did on the side for a while to bolster my résumé. I played in a lot of cover bands and sang for shows like Steven Universe and Sofia the First for years after that - but music as a profession wasn’t a thing for me until the end of 2015 or so.

Does your exposure and attention from your T.V. work make you more guarded as a songwriter? How much of your writing is enforced by the way you are watched and viewed by the public?

I’d say it makes me bolder, if anything. As an actor, almost 100% of the time I’m working as a mercenary; a hired gun for someone else’s script or project. While that brings me a lot of fulfillment, after a decade of doing nothing but that, I needed something where I could say things I couldn’t project anywhere else. Also, growing up as a child actor, we constantly have people warning us not to ‘go crazy’ or destroy our image by not censoring what we say…it drives you up a wall eventually. I promised myself I wouldn’t censor myself at all on this project, as that would be doing a disservice to myself and my fans.

How vital is L.A. and its people? Is it a great place to create and work?

L.A. is everything. My community of people I came up with and the people I work with now are absolutely everything to me and my work. Almost as important is the culture itself: there is no place on the planet with the same brand of artistic capitalism that this city has. It’s Hip-Hop-style hustle being practiced by a legion of creatives that breathe and bleed their own work, on a scale unrivaled by other artistic centers around the world. In most other places, the artists have to fight to carve out their own corner; in L.A., we already own the whole city…

Do you remember when music came into your life? Which artists do you count as influences?

I can’t really remember because it’s always been in my family and in my surroundings. The furthest back I can recall is watching my dad and uncle play a gig doing Rock covers back in St. Louis at around three-years-old. (I was eating a giant plate of waffle fries…important detail) It wasn’t long before I ended up on stage for the first time at five-years-old performing ‘the worm song’ for a big group of kids while on vacation.

Muse are king; they’re my number-one inspiration, always. Twenty One Pilots is solidly in the number-two spot. After that, it’s a total melting pot…I’ll just name-drop ten in no particular order: Led Zeppelin, Stevie Wonder; Hiatus Kaiyote, Kendrick Lamar; Kanye West, Death Grips; Zedd, Frank Ocean; Sturgill Simpson and Rebecca Sugar. (That last one, most of all).

Can we see you tour this year? What gigs do you have coming along?

Huge announcement on this is coming very soon! Two big L.A. shows and appearances all around North America after that. Stay tuned.

Will you come to the U.K. at all? Are you a fan of British music?

This is also being announced any day now…two of them! More to come…

Muse are my all-time favorite act and one of the biggest inspirations for Curtain Call as well as the rest of the project. I also came up on a healthy diet of '60s/'70s British classics: The Beatles, Led Zeppelin; Eric Clapton and Queen to name-drop. Radiohead, Gorillaz and George Ezra are few others I spotted just now while scrolling through my Spotify library. Harry Styles’ self-titled (album) was a revelation, as well…he’s got the best style of all the 1D guys post-breakup in my opinion.

I’ve also got a guilty pleasure-type love for the Grime sound. That’s a great scene right now.

What do you hope to achieve in 2018?

In 2018, I want the message of this project to resonate with as many people as possible; whether they be long-time fans or new ones. I want to release more music after this E.P. before the year is out and I’d like to lock-down more acting work this coming episodic or pilot season. I’ve actually been back in acting class getting back to basics for the first time in a hot minute, just to make sure I’m keeping up on that end.

Have you got a favourite memory from your time in music – the one that sticks in the mind?

Without giving too much detail, I had the honor of being able to bring in someone to work and record on A Picture Perfect Hollywood Heartbreak that is a part of one of my biggest influences and inspirations in all of music. Due to a non-publicity agreement, I can’t name this person, but they know who they are and I can’t thank them enough. It was absolutely surreal for me.

If you could support any musician alive today, and choose your own rider, what would that entail?

I can’t pick any act other than Muse: they truly have one of the best live shows in the world, on a grand scale. Dream arrangement: six continent stadium AND festival tour, full orchestra with brass sections on top of the band and bring out a bunch of awesome guests during the sets. It’s Muse and Zach Callison - so stupidly expensive lighting setups are a must.

Rider must include private charter jet with a full studio suite, a full traveling staff plus three-and-a-half metric tons of champagne - I mean, age-appropriate, non-alcoholic suitably nutritious beverages that have no alcohol…

Remember kids: murder your expectations, not your dreams.

What advice would you give to new artists coming through?

Find your community. It is absolutely essential. These past three years of making my first project have been the greatest challenge of my life and I was lucky enough to already have a supportive group of artists around me that I could go to for advice, critique and referrals. You almost always have to have a tribe of people that you make stuff with.

Also, don’t order three-and –a-half metric tons of Dom Pérignon from BevMo! Even in bulk, it’ll drive your production costs up substantially.

 IN THIS PHOTO: Grandson

Are there any new artists you recommend we check out?

Grandson are making some pretty dope Rock stuff over trap beats up north right now. I highly recommend. It’s all very politically-charged; a direction I see myself moving towards eventually.

Shout-out to my homie Jesaiah who did the background vocals for a number of tracks on A Picture Perfect Hollywood Heartbreak and has made some cool tracks as a solo artist.

IN THIS PHOTO: Jesaiah

Do you get much time to chill away from music? How do you unwind?

My time away from music is usually spent acting and vice versa…there’s not a lot of spare time these days, which I prefer, but sometimes I have to have to surrender and go watch baseball or meet up with some friends. Technically, it puts me much closer to the music (literally) but I also rave a lot. The SoCal festival scene is tops and I’ve got a great circle of friends in that now too.

Finally, and for being a good sport; you can choose a song and I’ll play it here (not any of your music - I will do that).

Twin Sized Mattress - The Front Bottoms has been getting me through some stuff lately. It’s anthemic. New friend of mine showed me it recently; you know who you are…

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Follow Zach Callison

Official:

https://www.zachcallison.com/

Facebook:

https://www.facebook.com/zachcallison/

Twitter:

https://twitter.com/zachcallison

Instagram:

https://www.instagram.com/zachcallison/

SoundCloud:

https://soundcloud.com/zach-callison

Spotify:

https://open.spotify.com/artist/57YFNq46Xx86nl7ETkd1Ei

YouTube:

https://www.youtube.com/user/ZachCallison

INTERVIEW: Ishani

INTERVIEW:

Ishani

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I have been given the chance to speak with Ishani…

and ask her about the new track, Insomnia. She tells me how it came together and why she has a great love of Trip-Hop – I ask about her Asian background and whether that affects her music and mindset.

The songwriter reveals the gigs she has coming up and what new material is coming up; what she wants to accomplish before the end of the year; the artists she grew up around; what advice she would give to upcoming musicians – she tells me why Michael Jackson is a particularly strong influence.

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Hi, Ishani. How are you? How has your week been?

Hey! I’m great, thanks. It was my birthday on 10th, so I’ve been celebrating all-week-long.

For those new to your music; can you introduce yourself, please?

I’m Ishani. I’m a singer-songwriter, producer - and I make Trip-Hop/Alt-Pop music.

Tell me about Insomnia. What inspired the track’s creation?

Insomnia is a love song to people struggling with sleeplessness and anxiety. I wrote it when I was going through it. I tend to sing about my life and experiences as I find it cathartic.

Obviously, there are concerns around sleeplessness. Do you think, with sleep-deprivation, there are positive aspects? Does it aid creativity?

A lot of artistic people feel like they do their best work at night; when you feel like everyone else is asleep. But, it is so important to maintain good sleep hygiene - especially in today's world, where our minds are constantly thinking. Our minds are so exposed to gadgets and other distractions. We aren’t just living our physical lives but a digital one and we have to shut off from both to sleep.

So, sometimes, we fail to maintain healthy boundaries. Sleep is so important for good physical and mental-health and we can take it for granted. I still definitely need a lot more sleep than I get.

What was it like working with producer Dan Clarke (Zaflon) on the track?

Co-producing the song with Dan was fantastic.

He is a great guy and he gets me and what I’m all about. He also works for Key Changes, which promotes positive mental-health through music. I resonated with this approach completely. I’m so glad that we have had this chance to work together. He is so talented and passionate about music. His solo work as Zaflon is really cool and different. Definitely check it out.

Is there going to be more material coming later in the year?

We are now working on my E.P., Stormy Emotions! Insomnia is the first of four tracks. The next single drops next month. Can’t wait to share it with you! I’m excited!

You lived in the South of England before spending the majority of your childhood in India. How much of your Asian upbringing do you inject into your music, either sonically or philosophically?

Being brought up-between two different cultures, I’ve always felt different. I’m a bit of a rebel. My core family is very supportive but I feel like I’ve had to fight society. I write about taboo subjects that we didn’t talk about in Asian communities. One of my previous songs was about violence against women, for example. I write songs to empower other people.

I’m a self-taught musician and I feel like some of the melodies I write are influenced by the songs I listened to growing up in India in the '90s.

Who are the artists you grew up around? Is there someone who struck in the mind from a young age?

Michael Jackson’s album Dangerous was huge for me growing up. It was definitely one of the albums that made me want to be a musician. As I grew older, I fell in love with Alternative-Rock and then Trip-Hop - bands like Massive Attack and Portishead for example. However, I’ve retained Michael Jackson’s interest in using music for social change and, so, that is a big part of me and my music.

It is clear you are doing something new with Trip-Hop. What is it about the genre that attracts you to experiment and push?

I love all music, but I find Trip-Hop exceptionally delicious. There is something so sexy about it. I feel like there is some unsaid code between Trip-Hop lovers. I’ve always wanted to be part of that movement but it was over by the time I started pursuing my musical career, so I’m trying to bring it back! In fact, some people hate the term ‘Trip-Hop’ but I quite like it. I’m not sure how my music will evolve but it’s the genre that’s closed to my soul.

Do you have any gigs lined up? Where are you heading?

I’m actually doing a gig next week in Peckham at The Four Quarters. I’m part of EVO (Electronic Voices in Overdrive). I’ve got lots more lined up throughout the year, which you can follow on my Facebook page.

What do you hope to achieve in 2018?

Get my E.P., Stormy Emotions, out there! I’m also working on a side-project, a new band. It’s still pretty hush-hush but we are in the studio working hard.

Have you got a favourite memory from your time in music – the one that sticks in the mind?

I’m not sure it is my favourite memory but my first gig was to an audience of 3,000 people at B my Lake festival! It was insane. I’d never even played a pub before. The microphone was too high for me and I was nervous as hell but somehow I got through it and loved every second. Now, whenever I’m feeling nervous, I remember that if I could do that, I can do this.

What advice would you give to new artists coming through?

Don’t give up, always believe in yourself and be genuine and true to your art. Love the people who support you. Give them lots of love back. In today’s world, people consume music in such a different way. It’s easy to get lost in a world of trends and hype. Seek out real people to work with and don’t let the haters get you down.

Do you get much time to chill away from music? How do you unwind?

I do yoga to chill. It’s part of my ancient culture and that’s something I try to keep up. Plus, it helps me unwind. I'm also hooked on Mario Odyssey, on my Switch. I love the level, Lake Kingdom. It’s beautiful and soooooo relaxing!

Finally, and for being a good sport; you can choose a song and I’ll play it here (not any of your music - I will do that).

I would love to hear Deadcrush by alt-J. Thanks so much!

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Follow Ishani

 Official:

http://www.ishanimusic.com/

Facebook:

https://www.facebook.com/ishanichakra/

Twitter:

https://twitter.com/IshaniChakra

SoundCloud:

https://soundcloud.com/ishanichakra

Spotify:

https://open.spotify.com/artist/4a0nY7bXA3v2bJpKg5N4Vf

YouTube:

https://www.youtube.com/user/ishanichakra

INTERVIEW: Sapienn

INTERVIEW:

Sapienn

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THIS is already shaping up to be a varied…

and wide-ranging week in terms of music. I have been speaking with Sapienn about his track, This Time. I ask whether there is more material coming up and the artists/albums that have affected his own songwriting – he tells me what tour dates are coming up.

Sapienn reveals what the vibe is like in Glasgow, where he is based, and why he got into music fairly late in life; if he grew up around a lot of music; how he spends his time away from songwriting and performing – he ends the interview by selecting a classic cut.

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Hi, Sapienn. How are you? How has your week been? 

Quite busy gearing up for a single release and launch party. Played a record store, an open mic and a small outdoor festival over the weekend. 

For those new to your music; can you introduce yourself, please? 

My name is Scott Simpson, making music under the name ‘Sapienn’. I'm based in Glasgow and play as solo acoustic act. 

This Time, your new single, is out. What can you tell me about it? 

The current single is a transitional thing...

I'm releasing it off the back of a full-length album that was pretty full-on and difficult on a personal level. This new release is a stopgap until I move onto something new and more positive. 

Do you think more material will arrive later in the year? Are you in a productive and inspired mood right now? 

I've already written another E.P., which I could probably put out before the end of 2018. Beyond that, I have the bones of another album that should be ready by early next year. 

Scott. How did the moniker and identity of ‘Sapienn’ come about? What, to you, does the name represent? 

If I'm being honest, there's no real meaning in it. The name doesn't really matter to me - just as long as the songs represent something. I knew it had to be a single word with the initial 'S’: ‘Sapienn’ just sprung to mind. The additional 'N' is to help optimise search results! 

Glasgow is where you are based. How important is the city and its people? Do you take a lot from the history and music of the area? 

I've only lived in the city for five years and I've spend most of that time looking inwards rather than outwards. The last album I released had a confessional and insular style of songwriting. I tend to write songs at home with the curtains drawn, instead of sat on park benches. My new material will be more open and living in Glasgow will, no doubt, be a part of that. 

You started taking vocals lessons at the age of thirty – some might say it is quite late. You have made up a lot of ground and worked tirelessly since. Do you look back and see how far you have come? 

It's not cool to say, but I listen to my own recordings often. It's helpful in gaining perspective. Assess what you've done in the past and find ways to improve on it. 

Did you grow up around a lot of music? Which artists compelled you to go into the industry? 

Music was my favourite thing in school and I learned lots of different instruments but I didn't start going out and playing in bands until later in life. Frank Turner has been a big influence in recent times - not necessarily from a songwriter’s perspective, but definitely in the way his career has progressed. 

Can we see you tour this year? What gigs do you have coming along? 

Currently playing gigs to promote my latest single, including a launch show. Beyond that, I'll be taking a break for a while. I have a ridiculous number of songs written and I want to take some time to finish and release some of them. 

What do you hope to achieve in 2018? 

I found a lot of lyrics and ideas on my laptop, some that I wrote up to ten years ago. I'm planning to revisit and rework some of the best ones and put together an E.P. before the end of the year. 

Have you got a favourite memory from your time in music – the one that sticks in the mind? 

Late last year, in the run-up to Christmas, I released my first album and was trying to reach the milestone of one-hundred gigs in twelve months. Every show felt important, even the ones that were poorly attended. It felt like a good way of making up ground, having only been singing properly for a few years. 

Which three albums mean the most to you, would you say? 

Frank Turner - Tape Deck Heart

The album was a wakeup call for me. I've never been one to talk at length about myself, but this album showed me it was ok to maybe be a little selfish in my songwriting and put my own experiences straight into a song. 

Jar of Flies by Alice in Chains

It completely changed my view of what acoustic music could be and is a massive influence on my current sound. 

Slaughter of the Soul by At the Gates

This might be my favourite album of all time. As a piece of art, and for what it's trying to be, it's as near-perfect as anything I've ever heard. 

What advice would you give to new artists coming through? 

Have more confidence! I sat around doing nothing for a long time and, while I gained much-needed perspective as a songwriter, it seemed utterly pointless without performing. 

Are there any new artists you recommend we check out? 

At this stage, I think I'm the new artist and more established acts should be recommending me! I've seen far younger singers who are vastly more experienced than me. 

Do you get much time to chill away from music? How do you unwind? 

I like to cook ridiculously hot curries. Other than that, I play music. That's what makes me happy.

Finally, and for being a good sport; you can choose a song and I’ll play it here (not any of your music - I will do that). 

Two Princes - Spin Doctors 

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Follow Sapienn

Official:

https://sapienn.com/

Facebook:

https://www.facebook.com/sapiennsongs/

Twitter:

https://twitter.com/sapiennsongs

SoundCloud:

https://soundcloud.com/sapiennsongs

Instagram:

https://www.instagram.com/sapiennsongs/

Spotify:

https://open.spotify.com/artist/4Pdt4Dd3TfmGtpYhQzYLJd

YouTube:

https://www.youtube.com/channel/UC0DcC2MrgckjNn7y4PfjUig

INTERVIEW: Mike Legere

INTERVIEW:

PHOTO CREDIT: Shawn Robertson

Mike Legere

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THIS week starts…

PHOTO CREDIT: Ally May Chadwick

with a look at Mike Legere and his latest track, Yourself. The Canadian songwriter talks about the song and what is coming up; if there are going to be any tour dates down the line – I ask him whether he is heading to the U.K. before the end of the year.

Legere discusses playing solo and as a band member; the three albums that mean the most to him; which new artist we need to check out; whether he has a favourite memory from his time in music; what sort of music he grew up around – he tells me what he hopes to achieve by the time 2018 is through.

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Hi, Mike. How are you? How has your week been?

I’m great! Just getting over a cold – but my energy is coming back and it feels really good. The week has been good; pretty hectic preparing for the release and the tour I leave for tomorrow, but fun and exciting. 

For those new to your music; can you introduce yourself, please?

I’m Mike Legere. I play Indie-Folk-Rock. I’m releasing a solo record and I play in the bands Century Thief and Places Erupt, too. I do some audio engineering and producing as well.

Yourself is your new single. What is the story behind it?

Yourself is about who we are when we are alone vs. who we are when we are with other people. It’s about how the way people define us gets ingrained in how we see ourselves and the feeling of loneliness that’s created when you separate yourself from the limits of those descriptions.

The first chorus talks about the feeling of standing in opposition and how that can feel kind of futile but then the second one explores the alternative, of embodying that persona and becoming a caricature of yourself - which is obviously limiting. I wrote it on the first Thanksgiving I ever spent alone: coming from a big family that really values our time together, there’s definitely a loneliness that seeped into it.

It is from your debut solo album, Ourselves in Public (out 8th June). Are there common stories and themes that go into the music/songs?

Yeah. The whole record is about social identity and persona. The songs explore those things in different ways from different angles.

PHOTO CREDIT: Shawn Robertson

You recorded the album in various cool spots around the world. Was that to give the songs a more natural and varied feel? Was there a favourite experience/space from that time?

I knew when I started this project because it’s about being around other people and being in public; that I wanted to use a lot of ‘found sound’ to try and place the listener in the world I was talking about. I just was listening everywhere I went, capturing as many different sounds as I could. I was in Paris with my partner and my siblings and we went to this weird part of the city to see a show. I have no idea where it was but, on the way back, the sounds in the subway were just so interesting.

The mixture of the rumble and people talking and yelling- it was both familiar and foreign, so I got a good bit of that and it plays over the end of the album-  though I’ve altered it beyond recognition through effects like pitching and distortion. You can still hear the different elements though - and the fact that it’s all unintelligible makes it better for me.

You play in other bands. What was the reason for doing a solo record? Do you notice differences in terms of discipline and sound?

Yeah, for sure. I was writing some stuff that didn’t really suit the band as well; that’s part of it. I have always been a fan of concept albums and wanted to do a larger project where I could focus on a theme. I figured I would learn a lot about production and arrangement by doing it by myself and get to explore different sounds and play different instruments.

What sort of music did you grow up around? Was there a specific point where you knew music was what you wanted to do?

I grew up around a lot of Folk music and a lot of singer-songwriter stuff. My brother, Stewart Legere, is an incredible musician and has been for about as long as I remember. He knew so many songs when I was a kid; we would sit around with a big group of people and sing all these songs and it was always such a warm and lovely feeling. My siblings would all sing harmonies - those are some of my fondest memories from childhood, and, probably, what set me off in this direction.

I started writing songs when I was like eight. I got into production and recording when I was a teenager but I feel like I’ve always known this is what interests me most: to make a lot of music and explore different ways of doing it. 

Can we see you tour this year? What gigs do you have coming along?

I leave on May 18th for a two-week tour to the East Coast of Canada, where I’m from. I’m actually playing my hometown on my birthday, which is fun. My tour dates are:

May 18 – Ottawa @ Pressed

May 19 – Orillia @ The Brownstone

May 24 – Charlottetown @ Baba’s Lounge

May 26 – St. John @ Peppers Pub

May 27 – Halifax @ The Carleton

May 29 – Fredericton @ Read’s Cafe and Newsstand

May 30 – St. Andrews @ Red Herring

June 1 – Montreal @ Bar L’Entre Nous

June 21 – Toronto @ The Burdock

Hopefully, I’ll be doing more throughout the year, too; just haven’t gotten that far yet.

Might you come to the U.K. and play?

I would very much love to. It’s not in the works right now, but I’ve never been to the U.K., so it’s something I hope to do eventually when it’s feasible for me.

What do you hope to achieve in 2018?

I want to get my music out there more, have more people hear it and, hopefully, find an audience that’s into it. I’m working on some follow-up material now too. I’ve got an E.P. written which I want to finish and record. Also, my bands have a bunch of things in the works that I’m recording, so I hope to finish that stuff too.

ARTWORK CREDIT: Suse Silva

Have you got a favourite memory from your time in music – the one that sticks in the mind?

My friends back home would always hang out and pass a guitar around and share new material we were working on. We’d go song-for-song and it was always so inspiring. We still kind of do that when we have the opportunity. I cherish those memories for sure. They stick out as special.

Which three albums mean the most to you, would you say?

You Forgot It in People – Broken Social Scene

I heard that one and Feel Good Lost (I have a Feel Good Lost tattoo, actually) when I was a teenager and they both shook my world and shaped my taste in music a lot - also influenced me to move to Toronto.

Bringing It All Back Home by Bob Dylan

It was an early influence on my songwriting and I still love that one.

The Suburbs by Arcade Fire

I love how it builds on themes and on a concept but, also, explore all these different sonic avenues.  

What advice would you give to new artists coming through?

I mean, I’m still learning, so it’s hard for me to say anything with any authority...

I found one of the most rewarding things I’ve done is to work with a vocal coach, though. My singing teacher Peggy Redmond has really helped me develop as an artist - I think people are afraid of working with vocal coaches and I’m sure not all of them are as amazing as Peggy, but I can’t say enough how grateful I am to her and how much working with someone on my voice has helped me improve as an artist and musician.

IN THIS PHOTO: Kira May/PHOTO CREDIT: Adnan Khan

Are there any new artists you recommend we check out?

Kira May. Her new album, Sense, is incredible.

Do you get much time to chill away from music? How do you unwind?

I love craft beer and hanging with close friends and family. I also run and do yoga and I find that stuff helps me keep a clear head.

Finally, and for being a good sport; you can choose a song and I’ll play it here (not any of your music - I will do that).

Kira May – Saturation

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Follow Mike Legere

ARTWORK CREDIT: Suse Silva 

Facebook:

https://www.facebook.com/mikelegeremusic

Twitter:

https://twitter.com/michaellegere

SoundCloud:

https://soundcloud.com/mike-legere-640354053

Instagram:

https://www.instagram.com/mikelegere1

Spotify:

https://open.spotify.com/artist/2p0wgJWCHGuiLWSULh7otT

INTERVIEW: Dhruv Visvanath

INTERVIEW:

Dhruv Visvanath

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EVERY new week exposes me to…

a fresh part of the world. I have been speaking with the Indian artist Dhruv Visvanath about his musical upbringing and his latest single, Wild. He talks about his early years and why he considers Bombay to be his hometown – I ask about New Delhi and what it is like being there.

Visvanath talks about the three albums that mean the most to him; whether there are any gigs coming up; what he would advise new artists coming through; if he has any plans regards coming to the U.K. – I ask whether there is more material coming before the end of the year.

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Hi, Dhruv. How are you? How has your week been?

Hey! Well, the last week has been rather hectic, actually! I’m finally traveling the world bit by bit! I’m currently in Canada and had a great time playing at the Canadian Music Week! I’m now in Montreal and looking forward to enjoying a few awesome performances here before I head off to New York for a nice holiday!

For those new to your music; can you introduce yourself, please?

I’m a singer-songwriter and a percussive-acoustic guitarist. I’m a solo percussive acoustic guitarist (or S.P.A.G. for short) and I love making music! I currently live in New Delhi, India and I hope to make music that touches people’s lives all over the world.

Wild is your current single. Can you tell me how the song came together and what inspired it?

Well, to be honest, the song was just a simple idea I’d held on to for over a year. The chorus was something that would keep repeating itself over and over again, through every little moment of my day, for over a year. When I’d finally sat down to finish it off, I knew that, no matter what I wrote, I knew that the story that would be Wild needed to hit me square in the chest every time I heard it.

What was it like putting the video together? It seems like it was a fantastic experience? Where did the experience of using sentient mops come from?

To be honest; every bit of creative thought and energy that went into creating the video was all thanks to my director Tanvi Gandhi. The video was shot and filmed in Mumbai while I was in Delhi or touring around India. The idea of the mops in today’s world was all her idea and filming the mops was definitely an amazing experience. With the crew having gone through a lot of effort to make functional prototypes of the mops, the entire video is worth it!

Is there going to be more material coming down the line?

Well having just released an album in April I think first things first I’m going to take a little holiday! But, I’ve got more material in tow and I want to try to take a bit of a break and recharge the batteries before I get on tour and start recording more new material again!

New Delhi is your hometown. Tell me how music came into your life and what form it took. What is the city like in terms of sounds?

Well. I live in Delhi now, but I’ve always considered Bombay to be my hometown, to be honest. Music has been in my life for a very, very long time. I was seven-years-old when I started playing the piano and I’ve spent a lot of my childhood in many different parts of the world. I feel like I’ve l learnt to absorb different sounds and sensations from every environment I’ve been in! Being in Delhi has given me a lot of stability, of course.

I’ll always be grateful to the city that gave me my first start!

Did your father’s passing, when you were sixteen, impact your course and reason to stick in New Delhi?

Well. He passed away in England when we were living there - it was only after that when we were forced to move on and try to start our lives (my family’s) all over again. It was hard, but being in the city really allowed us to focus and start all over again. Losing my father was difficult, but my mother has been a pillar of strength and she singlehandedly changed mine and my brother’s life. I don’t know what I’d do without her.

Which artists would consider as influences in terms of the music you make?

I always look up to artists like Andy Mckee, Antoine Dufour and Don Ross for their musicality. However, as of late, I’ve really come to appreciate the talent and skill that John Mayer possesses. I honestly think that he’s the best singer-songwriter in the world. I also love bands like Snarky Puppy, and Foals - and my all-time favourite, Alter Bridge.

Can we see you tour this year? What gigs do you have coming along?

Well. I don’t know about outside the country, but I hope to set up a nice auditorium tour in India with a possible international tour in 2019. I want to do it right and be patient. I’ve worked hard to put my music out there and give it the best possible platform to be heard; I just want to make sure that when I do go on tour, I want it to kick ass!

Might we see you in the U.K. at any point?

I can’t say for the moment, but I do hope the stars align!

What do you hope to achieve in 2018?

I really want to recharge my batteries and get to writing newer songs and making some great soundtracks! I really want to get to tour internationally and properly this time! I do hope that I can make it to the U.K. and Europe! There’s a lot to look forward to already; I don’t want to jump the queue!

Have you got a favourite memory from your time in music – the one that sticks in the mind?

One of my favourite memories is when I’d just started playing the piano and my mum and dad both sat on my bed while I played utter nonsense on a toy Casio keyboard. They smiled and jumped with joy when I’d figure out songs in front of them. I’ll never forget that day or that feeling.

Which three albums mean the most to you, would you say?

One Day Remains - Alter Bridge

It completely changed the way I looked at the guitar. Hearing Mark Tremonti kill it on the guitar completely made me want to shred like anything.

Meteora – Linkin Park

The first album I bought with my own money. I’ll never forget that they were the first band I ever saw live. What a thrill they were to watch live and at the best possible point of their careers. I feel super-lucky.

Phil Collins - Hits

By far my favourite artist of all time. To me, this man can do no wrong, and listening to Another Day in Paradise would always make me feel so sad. I wanted to be like him; I even covered In the Air Tonight in my own way. He’s always going to be at the top of my list.

What advice would you give to new artists coming through?

I think I could use plenty of advice, to be honest!

The only thing I can really say is that one must always be prepared to work hard and really, really create the best work that you possibly can. Writing as many of your ideas down and making as much music as you can will always keep you happy! Always take some time off when you can!

IN THIS PHOTO: Roosevelt

Are there any new artists you recommend we check out?

I really like Roosevelt and Kacey Musgraves. Actually, the latter’s latest release is amazing!

IN THIS PHOTO: Kacey Musgraves

Do you get much time to chill away from music? How do you unwind?

I do spend a lot of time at home, sending emails and working a lot! However, my favourite thing is to play video games! I love being the protagonist and traveling through a world filled with lore and quests and, of course, eating some amazing food.

Finally, and for being a good sport; you can choose a song and I’ll play it here (not any of your music - I will do that).

Wait Up – Roosevelt

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Follow Dhruv Visvanath

Official:

https://mrdhruv.com/

Facebook:

https://www.facebook.com/mrdhruvv/

Twitter:

https://twitter.com/mrdhruvv

SoundCloud:

https://soundcloud.com/dhruvvisvanath

Instagram:

https://www.instagram.com/mrdhruvv/

Spotify:

https://open.spotify.com/artist/5npIe0yBbHoAwQ5XYVVEwn

YouTube:

https://www.youtube.com/channel/UCZRWNL5Atmx7FLElr5Qjmlw

INTERVIEW: Century Thief

INTERVIEW:

Century Thief

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THERE is a lot to learn about Century Thief.

I have been finding out about the band and their E.P., Deaf Beneath the Waves. I ask whether there is a track from the set they favour; what the stories behind the songs are; why they isolated themselves in a cabin to create the songs – they reveal the future in terms of gigs and what they want to accomplish before the close of 2018.

The guys tell me how they got together and when they started making music together; whether the Canadian band is coming to the U.K. to play; how they spend their time away from music; the advice they would give to new musicians – they select some cool songs to end the interview with.

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Hi, guys. How are you? How has your week been?

O: I’m good, thanks! It’s been a busy week. I’ve been rehearsing a bunch because I’m going on tour with two acts - and I’m playing the guitar in one band and bass in the other. I’m also moving downtown Toronto in the middle of the tour. But, it’s all very exciting and I can’t wait to get goin’!

M: Great, yeah! One of those bands is my solo project, so I am in a similar mode. I’m also moving Omar downtown, which I’m excited about. Also, it was Canadian Music Week, so we played a showcase and I got to see some great shows so I’m inspired and excited!

K: I am busy, good; getting over a cold, feeling the warmth of spring...

For those new to your music; can you introduce yourselves, please?

M: Hey, world! We are Century Thief. We make moody Rock music.

O: We often use ‘Trash-Lounge-Folk-Prog-Rock’ to describe ourselves. A Montreal sound engineer described us as that once and it seemed fitting so we stuck to it.

K: What Mike said…

Deaf Beneath the Waves is your latest E.P. Can you talk about the inspiration behind the songs and how it came together?

M: A couple of years ago, we did this project for In the Soil festival in St. Catharine’s where we worked with some artists; our filmmaker friends Brandon Benoit and Greg Francis and visual artists Suse Silva and Tony Darling made a film to accompany our set and built an installation. We had this idea of how places change over time and our relationship to places, and we each developed a song around that. That kind of morphed into the material we have now, including these songs and our upcoming stuff. 

O: Yeah. We’ve been working on a slew of songs for a couple years (around twelve) and we’ve decided to release the songs in sets of three-four-song E.P.s. These songs just seemed to fit together well. There are three principle songwriters in the band and we think it’s important that each E.P. showcases each songwriter. This helps keep things interesting for the listener: I hate getting into a record or E.P. and getting bored because every song sounds the same.

K: Science of Solace came out of some youthful rumination of the way our lives go that only seems to resonate more as I get a bit older. You can’t logically say steps A, B and C are going to get you from point A and B and that’s why it eventually ends in a wash of noisy celebration. Our songs tend to hit similar chords (pun intended, maybe), philosophically, and it made sense to put these three together. We didn’t know they fit until In the Soil, though. Happy accidents.

Is there a song you each gravitate towards as a highlight?

O: There are only three tracks, so I’m hoping people can listen to all of them and choose their favourite. Haha. We chose 406 as the single and I’d say you should listen to that, but I think they’re all great.

M: Yeah. I think they work well together; listen to them on your morning commute. 

K: Whatever one my mom says is her favourite. That’s to be determined…

Did you isolate yourself in a cabin/farm when recording the material? What was the reason for this?

O: Our first record took so long to record, largely because we had to balance six members’ schedule, plus the producer. By going to the farm, we dedicated a full week to recording and we got a really solid foundation laid for the rest of the record. It was also so cool recording in such an old structure. The reverb in that house was amazing. We set up a microphone upstairs in a wooden hallway to capture the reverb on the guitars and it sounds so cool.

M: I think we kind of had a romantic idea about it as well. It was really nice to just shut all the distractions and requirements off and solidly focus on making something together for a little while. I look back on that week fondly, although I immediately (also) remember how sleep-deprived and loopy we all got by the end of it. It was late winter, too, so we were basically indoors for a week.

K: I was pissed off about how we recorded our last album. We had very little control. It was cathartic to write and record on our own for the first time. As a band that’s been playing together for so long, it felt right to be isolated and enjoying each other’s company.

How did Century Thief get started? When did you all start jamming?

O: Well. I went to school with Mike and Kathryn at York U. and we’ve been jamming for around eight years. We used to lock ourselves in my bedroom and practice all day, once a week. Haha. We’d bring a ton of food and beer and other fun things and just work on stuff till it was perfect. A couple years later I met Adam at a coffee shop we worked at together (Coffee and All That Jazz) and he, shortly, joined the band.

Then, Colin and Dante are friends of Adam that, over time, have just become a part of our collective friend-group. Colin and Adam are also in a band together (since forever) called Honesty.

K: We started as backing bands for each other’s solo music in, like, 2010 or 2011. Then, we found out it was fun and challenging to play as a single band - and we worked well together so we’ve been doing that!

Do you all share musical tastes? Which artists do you count as influences?

O: We do; we bond over Radiohead, Arcade Fire; Broken Social Scene and so many more. With six of us, obviously, we all have our own influences and, for example, I listen to a lot of Rap that other members wouldn’t. So, when writing, we all have our own influences to draw on. Bonus: Adam has the best taste in music and is always showing us amazing new bands.

M: Adam has designed my personal life-soundtrack for the past eight months. His recommendations are really on-point.

K: Almost all musical tastes are shared except…I don’t really like some of Omar’s Emo classics. (Sorry, Omar) Makes for almost-perfect road trips.

Where are you heading on tour? Where can we catch you?

O: We just played Ottawa, Montreal and Toronto a couple weeks ago which is becoming our usual circuit. We have a show in St. Catharines on July 6th at the Warehouse with our good buddies in Fat Moth. We’re hoping to go out to the East Coast of Canada in the fall, so keep your ear to the ground.

Do you reckon you’ll come to the U.K. and gig here at all?

We’d love to. It’s not in our immediate future, but the U.K. is in the list!

K: I’d love to!

What do you hope to achieve in 2018?

M: We are self-producing this batch of material and it’s getting smoother as we go. I want to do more experimenting, figure out new ways to present these songs.

O: We’re hoping to continually release new content that engages and grows our fan base. We’re also hoping to play cities within that seven-hour drive from Toronto more consistently to really grow our fanbase outside of Toronto.

K: Make and play more!

Have you each got a favourite memory from your time in music – the one that sticks in the mind?

O: It’s hard to choose one: we’ve been playing for so long and I feel like I’m trying to constantly create new positive and memorable moments in my career. There are two things I can remember specifically: we had a P.R. campaign for Pillar which was the single off our first record, Reverie, and that was the first time people were really talking about us and listening to our music. I remember reading some of the reviews and just feeling so happy people were into the music we make.

The second is that installation Mike mentioned earlier.  It was so much work to organize but we played a set in front of the film and had the installation as set design and it all came together really well. It was also in front of my hometown crowd in St. Catharines.

M: Going out to the East Coast a couple years ago was really exciting. We hadn’t done anything like that before and we were definitely in party-mode. It was so much fun; we always have a good time playing out of town together, but that was extended and it just felt great. 

K: Definitely our trip to the East Coast.

If you could support any musician alive today, and choose your own rider, what would that entail?

O: Probably Feist. There are others that come to mind but she’s just so amazing. My rider would include smoked meats and cheeses, salads – but, like really, really good salads. Nothing too heavy before you sing (and good beer).

M: Yeah. Fruits, veggies; hummus and craft beer for the rider - Wye Oak for the artist.

K: Probably Little Dragon! For rider: coffee, Baileys; beer, sparkling water and chicken wings. I’ll steal some of the healthy stuff from Mike and Omar.

What advice would you give to new artists coming through?

O: I always feel weird giving advice because I’m still learning so much myself. I used to say I never stop playing ever. Always try and better yourself. It is still true, but I think I’d probably say don’t wait for someone to do the work for you; don’t wait for a booking agent, a label or a manager etc. Book it yourself, promote it yourself.

Being a musician is a business and you need to treat it like one. Most people who are successful have worked their ass off away from their instrument to get to where they are.

M: Yeah. Make stuff happen for yourself. Book shows you’d want to go to: those are the ones that always turn out best for us.

K: Keep positive and an open mind. Talk to people. Find mentors. Play a lot. Record a lot.

IMAGE CREDIT: Marin Leong

Are there any new artists you recommend we check out?

O: Again; Adam’s the guy to ask but I’m listening to a lot of Lucy Dacus and Remo Drive.
M: Little Kid. Their album, Sun Milk, is another Adam recommendation.

K: Big Thief – also, another Adam addiction.

IN THIS PHOTO: Big Thief/PHOTO CREDIT: Shervin Lainez

Do you get much time to chill away from music? How do you unwind?

O: I cook a lot. I love cooking and I find it’s almost meditative for me. Besides that, it’s mostly music-related things or late -night video games (currently, I’m playing Star Wars II and NHL).

M: Music is definitely a really big chunk of my life - but I like to run and I love having a good beer with some family or friends. Also, television and video games help with unwinding.

K: My friends and family, my pets; beer, binge-watching shows and video games.

Finally, and for being good sports; you can each choose a song and I’ll play it here (not any of your music - I will do that).

O: Addictions - Lucy Dacus

​​​​​​​

M: Slow Death in a Warm Bed - Little Kid

K: Drifters - Patrick Watson

_____________

Follow Century Thief

Official:

http://centurythief.com/

Facebook:

https://www.facebook.com/centurythiefmusic/

Twitter:

https://twitter.com/centurythief

SoundCloud:

https://soundcloud.com/century-thief

Instagram:

https://www.instagram.com/centurythief/

Spotify:

https://open.spotify.com/artist/5eipvIKT77CIIz6iHEwv2W

BandCamp:

https://centurythief.bandcamp.com/

INTERVIEW: My Brothers and I

INTERVIEW:

My Brothers and I

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I have been speaking with the Portland band…

My Brothers and I about their new single, When You’re Ready, and what they have planned coming up. I ask how they started making music together and what the scene is like in Portland and whether they are coming to the U.K. – I ask who they count as idols and which artists they are inspired by.

The guys discuss what their favourite musical memories are; what they hope to achieve before the end of the year; some new artists worth looking out for; whether they get time to unwind away from music; the advice they would give to any new artists emerging – the guys each choose a song to end the interview with.

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Hi, guys. How are you? How has your week been?

Good, good. We’re traveling on a few tour dates right now and having fun playing in some cities we haven’t played before.

For those new to your music; can you introduce yourselves, please?

We’re a band that writes and plays Pop music with soul. Compiled of three brothers and our childhood friend; we go by the name My Brothers and I. We had some success with our debut album, especially with licensing and sync, but we’re super-excited for our next couple of singles leading up to our sophomore release that will be a six-song E.P.

When You’re Ready is your latest single. Can you tell me what the background to that song is?

It’s about falling for someone but they’re not planning or ready or looking for love. Sometimes, you find the right person at the wrong time but you feel you’re still going to end up together.

It is from a forthcoming E.P. What sort of songs and themes might we see featured on there?

Musically, we wanted to create a hybrid sound; blending real instruments with more synths and samples than we’ve used in the past; pushing ourselves and our sound while maintaining organic elements that leave a unique sonic fingerprint. Lyrically, our songs are about relationship, love and loss. We view relationship, romantic or otherwise, through the lens of our faith in God.

How did My Brothers and I start playing music together? Erik, Scott and David, as brothers, was it an inevitable decision (to join with Jordan)?

Jordan and Scott started their first band in 7th grade, like seventeen years ago. When Erik entered his teens he joined and then I (David) joined. When we signed our first record deal I was still in high-school. The band took many forms and many name changes, but we feel that we’ve found something special with these new songs. We’re discovering our own sound and we feel that the rhythm we’re in right now is rare.

Which artists inspired you to make music? Who do you count as idols?

We’re huge music fans and have been inspired by many different artists. As individuals, we bring such a variety of influences, from James Blake to Chance the Rapper; Kevin Garrett to Adele.

Portland, Oregon is where you hail from. What is the music scene like there?

Just like everything in Portland, it’s weird. It’s a little bit of everything, accordions; bagpipes, Doom Metal and Jazz clubs - bands with two drummers, two bass players and two lead singers, that sort of thing. It’s very much a come as you are music scene…

Do you have any gigs lined up? Where are you heading?

Yeah. We’re currently touring with what we call our 'stripped set', or acoustic set. We perform with a Cajon box-drum, acoustic guitar and electric guitar: no keyboards, synths or backing tracks; just playing raw. So, right none, we’re in L.A. for a few days before heading south-east to Austin, Dallas; Nashville and Atlanta.

Will we see you come over to the U.K.?

We would love nothing more than to tour in the U.K. It’s one of our goals and we’re a pretty determined bunch but, right now, there’s nothing in the works.

What do you hope to achieve in 2018?

Honestly; our biggest hope is to make this a sustainable career.

We feel like 2018 is our year to get over the hump and become a full-time, year-round and profitable business. We hope to play a lot more shows, appear in more television shows and, most of all, up our social media game. We’ve been a little shy with social media: we’re starting to get more comfortable peeling back the curtain and letting people in; letting others see who we are as people beyond the music.

Have you each got a favourite memory from your time in music – the one that sticks in the mind?

The memory that’s stuck in my mind forever is the letters we’ve received from fans expressing how our songs have impacted their lives. One fan said our song, Scars, helped them through depression and attempted suicide. Another fan wrote us that Stay helped her and her husband fight cancer.

Those are moments you never forget. It’s a reminder of the weight a song can carry. Bruce Springsteen once said something like: “A three-minute song can change someone’s life” and we’ve always been motivated by that.

If you could support any musician alive today, and choose your own rider, what would that entail?

Beyoncé, duh. We don’t need much, though - Diet Coke and coffee is about it.

What advice would you give to new artists coming through?

Perform live as much as you can. It’s the only way to develop all the different skills you need to succeed in the music industry. Talent will only get you so far: you have to learn how to work with people and build up a team around you.

IN THIS PHOTO: John Splithoff

Are there any new artists you recommend we check out?

John Splithoff, James TW and our buddy from the Pacific Northwest, Allen Stone. He’s been around but, if you haven’t heard him, you have to check out Allen Stone!

IN THIS PHOTO: Allen Stone

Do you get much time to chill away from music? How do you unwind?

We unwind with Xbox, mostly playing PUBG, right now. I’m (David) ranked top-fifty on North American servers (no big deal). We also play basketball, read a lot and watch movies.

Finally, and for being good sports; you can each choose a song and I’ll play it here (not any of your music - I will do that).

Kevin Garrett - Little Bit of You

Chance the Rapper - Blessings

John Splithoff - What If She Wants You

Shawn Mendes - Lost in Japan

 

___________

Follow My Brothers and I

Official:

http://www.mybrothersandiband.com/

Facebook:

https://www.facebook.com/MyBrothersAndIofficial/

Twitter:

https://twitter.com/mybrothersandi

Instagram:

https://www.instagram.com/mybrothersandi/

Spotify:

https://open.spotify.com/artist/01pbsrLZgBLuMIoU10Ypyb

YouTube:

https://www.youtube.com/channel/UCCmE98B3q3xazR99eJ2K4hQ

INTERVIEW: Robert O’Connor

INTERVIEW:

Robert O’Connor

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HE is one of the most passionate and determined artists…

I have encountered in quite some time! It has been great learning more about the Irish songwriter Robert O’Connor and how he has progressed the past few years. He speaks with me about his latest track, You Found Me, and how it came together; why he took a break from music; where he heads from here – I ask how important Ireland is in regards the tone and nature of O’Connor’s music.

He tells me about gig plans and a favourite musical memory; albums and artists important to him; a newer act worth checking out; the advice he would give new artists coming through; how he wants to spend the remainder of this year - O’Connor talks about working with Stuart Gray on his new song.

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Hi, Robert. How are you? How has your week been?

Hey, Sam. I’m great; happy to have another opportunity to bang on about my music! This week has been good. Since I kicked off this new single campaign, the first thing I do every morning is to check my emails and my social media before I even get out of bed. I’m sure it’s massively unhealthy but I’m in tunnel vision-mode right now. I was chosen for The Best New Indie Single of the Day today so that’s a good start to the day, for sure. I was just saying how every day one good thing d has been happening and that’s enough for me to feel encouraged and keep my motivation up!

Last night ended well, too, because my track got played on a radio station in Nashville. I’m loving listening to all these radio shows I’ve never heard from around the world.

For those new to your music; can you introduce yourself, please?

I’m yet another singer-songwriter. I look through the music blogs now and can’t believe how many under-the-radar male singer-songwriters there are. I suppose my unique selling point would be that I don’t have a guitar. Haha! I started out with more of a Pop-leaning and, when I started out as a songwriter, I was very much inspired by the music I would hear in the background of American T.V. shows growing up; all those teen shows brought some great bands to my attention like Death Cab for Cutie and Arcade Fire.

I’m gonna say, that right now, my sound is ‘Nearly Nashville’: there are Pop hooks, a bit of a Soft-Rock framework, but there’s definitely a Country influence.

You Found Me is your latest track. Can you explain its story and how it came together?

Lyrically, the song is about losing your way in life and sort of going off the deep-end a bit and then a moment where you have an awakening and realise, sh*t; this isn’t a dress rehearsal, what am I doing with my life; is it what I want to be doing?! I think, for me at least, I didn’t realise that I was dissatisfied entirely, it was a slow thing - like I say on the line “slipping slowly like a landslide” - but I woke up one day and realised that I wasn’t on the right path. The ‘You’ in the song isn’t really about someone else: it’s kind of about having an out-of-body experience, where you are looking in on yourself and, in that moment, seeing everything clearly...

A friend of mine, who went a bit off the rails with drugs recently, told me that they related to the song on a profound level because they felt the exact same way, for a different reason! I love to hear those stories…

You sort of took a step back from music and are back now. What was the reason for taking some time out?!

I really regret that time-out. I try not to, but I do, and the only way I can console myself is by saying “I’m back now”. The last time I was releasing music was back in 2013. I released a remix E.P. with a bunch of underground producers and, from that, came a really commercial track called Too Late which was definitely a different vibe for me – it was like an Avicii or Swedish House Mafia track but with a Pet Shop Boys vocal – at least that’s what people were saying back then. I didn’t have the funds to promote the track and it wasn’t the sort of thing I could really gig on the live scene here in Ireland.

I was very, very frustrated because I believed in the song and I suppose I was already quite disappointed by my last proper E.P., Resistance, which came out a year beforehand. I had recorded that and had a guy who was shopping it around to labels but it was a really weird time in the industry pre-streaming and nobody really knew what they were doing.

No deal came through and I released it independently, but half-heartedly, and played a one-off gig that ended up probably being my best gig ever…and then that was it. I couldn’t afford to be hiring session musicians to go on tour; I had no-one to turn to and ask ‘So, what now?’ I gave up but, far back in my mind, I had hope that it wasn’t the end. Those five years have been a rollercoaster: I went back interning as a journalist and eventually got a job writing for a website and doing social media management.

The site I was working for then closed down and I was working in nightlife as a security guard - that was an eye-opener, I can tell you! While I was doing that, I took a business course and I never thought a year later I’d be using the business tips I learned to run, basically, my own business with this music project; doing the day-to-day management radio plugging and P.R. I don’t have as much money now as when I was working full-time but I am much happier to be finally back where I belong.

Tell me about Stuart Gray and how he came to work with you. What does he add to You Found Me?

I rang Steve Hogan, who produced four songs on my first album, to see if he’d like to work together again. Turned out he’d packed up his studio and was working full-time as a drummer - but that phone call was a turning point. Before that, I’d been talking to producers here and I just couldn’t find someone that I connected with. Steve recommended Stuart Gray, who had a studio in a rural part of Ireland and he said he’d set up a meeting.

I was nervous about going into a room and singing these new songs for someone – it’s tough at the best of times but especially when you haven’t been in a studio in seven years and been living in a different world basically. That first meeting was casual and really nice. We talked about what I liked and didn’t like musically; Stuart played me some tracks he’d produced for other artists – and when I heard what he’d done for some Nashville artists, who were coming to Ireland to work with him, I knew Steve had got it right.

It was right before Christmas; we had two writing sessions in quick succession and regrouped in the New Year for two afternoons of vocals. It was a very quick process - and that was appealing to me because I’d been in situations before where it had taken months and I was feeling very eager to get back out there as soon as possible!

Will there be more material coming later this year?

There will! It’s almost time for me to start making decisions about the second single. The track is already in the can; it came from the same sessions as You Found Me – but I don’t want to just chuck it on to Spotify and hope for the best. I want to do absolutely everything in my power to get the song heard around the world. The song travels a little further down the country path and, previously, I was saying to Stuart and Steve that, maybe, I should be kind of focusing on servicing mostly American radio with this, but now the whole Country trend is happening and even the most ‘Pop’ artists like Kylie (Minogue) and Justin Timberlake are getting on board the Country train - so hopefully being ‘on trend’ will go in my favour!

I’ve been writing way more often since I stopped working as a journalist, which is kind of ironic! I think it’s because I have a purpose for the work and I’m a little bit boosted by the positive reaction to You Found Me.

Dublin is where you were born and raised. How important is the city in regards your music? Is it an exciting place to find great music?

I’m gonna be totally honest: it’s not massively important or influential on my music. I have always been much more inspired by American music and, actually, I really like a lot of what’s coming out of the Scandinavian countries too – like First Aid Kit and Say Lou Lou; they both have very distinctive sounds. In saying that, it is an exciting place to find new music. There are countless open mic nights and, so, there’s an opportunity for everyone. I’m going to test-drive my own new material at those in the near-future. A lot of the Irish bands who tend to do well, though leave Ireland for London and often what happens then is, after they’ve found some success on the live circuit in the U.K., the Irish blogs and media all want a piece.

I don’t know. It’s a weird concept to me that you have to be validated abroad for Ireland to really take ownership of you - but I guess that’s what happens when you take cues from a bigger neighbouring country.

Which artists do you take inspiration from when it comes to your own sounds?

I have an ever-expanding palette of influences! If we start out old-skool; I have to mention Fleetwood Mac. Then, in my teens and twenties, it was all about Death Cab for Cutie, Coldplay; Arcade Fire, John Mayer; Pet Shop Boys and Dido. Right now, I still listen to those but I’m even more passionate about discovering new acts – so I was excited to hear the Country/Urban fusion from the likes of Sam Hunt and Brett Young and I love Dream-Pop, so acts like Swimming Tapes, Few Bits; St. Lucia, Empire of the Sun and The Pierces.

Right now – and I didn’t foresee this coming at all - I’m obsessing over the new Charlie Puth album, Voicenotes. The Pop hooks are so instant you remember them after one listen and the whole record is self-produced with this kinda Hall & Oates vibe. No matter what I’m doing, I’m listening to music while I’m doing it and, if I’m not, I’m making songs up in my head…

Can we see you tour this year? What gigs do you have coming along?

I really hope so! There’s no tour in place, but just this morning I reached out to a promoter about a meeting to discuss opportunities. I always knew I wouldn’t be ready to gig around You Found Me, but I’ve been offered gigs and it’s my number-one priority now that the single is out there in the world doing its own thing. I have never gigged outside of Ireland and that’s something I’m desperate to do this time around. With the likes of SoundCloud and Spotify Analytics, it’s become easier to see where your listeners are and so, really, you can use that data when deciding where to play live.

For me, the U.S. seems to be where the listeners are for the most part, but they’re building up in the U.K., France and Germany too. I would love to get on a few support slots to increase my visibility and just feel out how people respond to me.

How does it feel being up there on the stage? Can you describe the feeling?

It’s been a while for me, but you never forget the feeling. The songs really come to life and when you can engage the audience, that’s really special. It can be difficult when you’re playing new music because it’s not familiar to people and I suppose that’s where covers come in, but it really is a balancing act. I’ve played a lot of acoustic gigs in the past and, while that can be convenient, what I’m really excited for is to play with a full band again.

I want to bring a show that’s really energetic and has an atmosphere. I think all too much you hear ‘male singer/songwriter’ and you think ‘boring’ - but it doesn’t have to be that way!

What do you hope to achieve in 2018?

I hope that I can build on the support I’ve had from the radio with the first single. I hope the second single resonates with people because it really is a from-the-heart song: it was written in minutes and it’s a simple song but I think it’s timeless. Actually, one of my friends said to me, “How confident are you, on a scale of one-to-ten about this single?” and I said “Conor McGregor” because I’ve never felt more confident about a song, I really do believe it’s ‘the one’.

Hopefully, Spotify and Apple Music will get on board and add me to some playlists - because that’s really the way to reach listeners now. As much as I’ve enjoyed managing myself in making this comeback actually happen, from organising the recording to reaching out to radio and all the follow-ups, I would love to have someone fighting my corner with me. If I could go into 2019 having released the three best singles of my career I think I’d be pretty happy because, at the end of the past five years, my thought has been ‘I wish I’d released music this year’ and it really made me sad no matter how content I was feeling in other areas of my life!

Have you got a favourite memory from your time in music – the one that sticks in the mind?

It jumps out straight away...

I had just had the day from hell where I was interning in a P.R. company in Dublin where the girls were bitchy and the boys were worse (think The Devil Wears Prada, except everyone wants to be Miranda Priestly). I didn’t fit in at all and each day felt like a month. At the end of this particularly awful day, I got home, opened my laptop and found an email from my then-record label – an indie in London – saying that Universal Music had been in touch and wanted to distribute my album. To go from such an extreme low to such a high was really quite a rush.

Which three albums mean the most to you, would you say?

We’ll. Get the cliché one out of the way first and say Fleetwood Mac’s Rumours

I think if you can make a record that’s as timeless as that is, and have it click with so many generations, you’re really doing something right.

Dido - No Angel

It came out for me at a time when I think I really needed it – it was in my stereo for over a year and the way she told stories in her songs really appealed to me and made me consider song-writing as a form of therapy. It was also the beginning of my love of Trip-Hop. I loved that there was an Electronic influence: it wasn’t a straightforward middle-of-the-road, singer-songwriter album.

It’s really tough to say just three, and I do seem to be going back to albums that I heard when I was barely a teenager, but Madonna’s Ray of Light…

I think will always be one of the best bodies of work from a Pop singer and it’s been a reference point for so many artists since. I just saw, last week, that it’s twenty years old now which blows my mind. The level of reinvention on that record was phenomenal and William Orbit’s guidance was profound.

I love that she sang about fame on Drowned World/Substitute for Love - and the way they used samples from obscure underground tracks and built upon that. Like Kanye West said recently: We need to be less concerned with the ownership of ideas: it’s exciting to borrow elements from different places and make something new out of it.

What advice would you give to new artists coming through?

Fasten your seatbelts; you’re gonna feel bipolar for this ride...

There are a lot of ups, and often a lot more downs, and you can’t let yourself lose focus. You have to believe your own hype because, if you don’t, no-one else will. (The last time out I wasn’t confident the way that I am now). Maybe it’s because I’m happier with my product, who knows, but I firmly believe that it’s not so much about luck but rather the ability to hang in there and hustle as damn hard as you can. My motto from the outset of this era was ‘Do something every day that will put you out there’, so, every single day since the end of January, I have been sending my single to bloggers, radio stations and promoters all over the world.

I’ve read countless articles about how best to approach bloggers and how to submit your music to D.J.s because I really wanted to get it right this time - and I knew no-one else was gonna do it for me! Most days I’ve had an email back, whether it’s to do an interview or it’s a play for the song on a radio station, somewhere in the world. (The last time I stuck to Ireland and that was a big mistake). Use the internet, that’s what I’d say; make yourself look as good as you can on social media and engage with other artists and any fans you pick up along the way. I have a lot to learn, though, so I’m far from an expert! Ask me again when I’ve got a hit record!

IN THIS PHOTO: First Aid Kit

Are there any new artists you recommend we check out?

They’re not brand new but I really rate First Aid Kit. I think their single, Fireworks, is monumental and really moving. I love that it’s a bit nostalgic – generally, if it feels like the '80s or '90s, you can be almost certain that I’ll be on board.

Do you get much time to chill away from music? How do you unwind?

I find it really difficult to switch off. I’m constantly thinking that I could do more and that’s not good, I know that…but I have an insatiable hunger for success right now. The only time I can switch off (to a point) is when I’m doing something physical, like weightlifting, and it focuses the mind and you come out of it feeling physically sore but mentally a lot lighter.

I haven’t been doing as much of it as I should lately but I’m going to get back on track any day now! I had good progress last year when I really went at it and I do think that with physical strength comes mental strength.

Finally, and for being a good sport; you can choose a song and I’ll play it here (not any of your music - I will do that).

Can I have Twin Shadow’s Saturdays (featuring HAIM)?

I heard it on a French radio station that was playing my single and it put me in the best mood. Just like that, he had a new fan because I was straight on to Apple Music to listen to his album, Caer. Again, it’s quite nostalgic, I’m still not sure who it reminds me of…maybe Bruce Springsteen. It sounds like an '80s movie - and that’s the way to my heart!

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Follow Robert O’Connor

Official:

https://www.iamrobertoconnor.com/

Facebook:

https://www.facebook.com/iamrobertoconnor

Twitter:

https://twitter.com/robertoconnor

Instagram:

https://www.instagram.com/iamrobertoconnor/

Spotify:

https://open.spotify.com/artist/3cGgPditxbsHzV6v6jRAXC?si=QB3D9HbuRpGw28y27FMnyg

SoundCloud:

https://soundcloud.com/iamrobertoconnor

YouTube:

https://www.youtube.com/user/Robertoconnormusic

INTERVIEW: Mushy Callahan

INTERVIEW:

Mushy Callahan

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IN many ways…

Mushy Callahan remind me of Kings of Leon. The band has that family connection – they are all brothers in Mushy Callahan – and there is always the risk of tension and disagreement. What comes through, though, is incredible music and a deep connection. I have been speaking with the Toronto band about their E.P., Revelations, and the single, Deep Meadow.

I find out what life is like in the band and what gigs are coming up; the sort of music they vibe to and draw influence from; if we might see them in the U.K. at some point this year; if they get time to chill away from music; what the band want to accomplish before the year is through – a great window into a talented group on the grow.

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Hi, guys. How are you? How has your week been?

We are well! We are just coming off from the release of our new E.P., Revelations, and we are happy to finally share the music we’ve been working on.

For those new to your music; can you introduce yourselves, please?

We are four blood brothers: Noah, Joel; Jacob and Lucas. We’re based in Toronto, Canada and play Alternative Rock with a heavy influence from '60s'/'70s' Classic Rock.

Deep Meadow is the lead-off single from your E.P., Revelations. What is the tale behind the song?

Deep Meadow is a song about running from your past. There are some people and experiences that have weighed me down in the past and given a sense of regret. The concept of the song is about shaking off the past and not looking back.

Can you define your E.P. in terms of its subjects and what compelled the songs?

The songs came from personal experiences. One of the songs came from a feeling of love lost; another was inspired by some moments of a dream I recollected. While writing the songs, the process kind of opened my eyes and the honest style of writing unravelled its meanings to me - so we named the E.P. Revelations.

Mushy Callahan is a band of brothers. Are there advantages and disadvantages of playing as siblings?

I think there are definitely both. Some of the advantages are that we have a long history of playing music together, since childhood. It’s easier to communicate ideas without hurting someone’s feelings in the process.

One of the major disadvantages is that the fights can be tense and the personal stuff can carry into the band…but, this is now our third release so we’re pretty good at working things out.

When did you all start to make music together? Did you all grow up liking the same sort of artists, too?

We all played music together as a family when we were kids. Our parents gifted us instruments as presents (when we were kids) so we all eventually took a liking to it. We had a piano and guitars in the house so we eventually gravitated towards music and all ended starting our own bands before forming this band.

I think the music our parents listened to definitely rubbed off on us: bands like The Beatles, The Doors and Supertramp were introduced to us as kids, so I think that era of music reminds us of being kids. We eventually all found our own favourite band but, at the root of it all, I think it’s the classics that we can most relate to.

What is Toronto like when it comes to making music and gigging?

It’s a good music city. We’ve had a lot of support from the industry here and met a lot of loyal fans. You can find virtually any style of music here and it’s been a good place to establish ourselves and get involved in the many festivals that are hosted here each year.

Where are you heading on tour? Where can we catch you?

We are likely to do some local dates (in Ontario) to promote the release of our E.P.

Do you reckon you’ll come to the U.K. and gig here at all?

We toured all over the U.K. a few years ago with a handful of shows which even included a trip up to Wales for a festival. We’d love another excuse to go back and tour as we met a lot of great people and really enjoyed the bands we played with.

What do you hope to achieve in 2018?

We hope to gain some more traction with our newest release and tour as much as possible. We love to be on the road and playing in new places and meeting new people. We hope our E.P. garners some more attention and gives us a reason to get back in the studio.

Have you each got a favourite memory from your time in music – the one that sticks in the mind?

There have been a lot of highlights. We’ve had some festival shows and big stages that stand out for us. But, I think the (most) standout memory is the first time we had our music played on commercial radio. It was years ago, but I remember feeling proud that we’d gotten that exposure from a song we wrote and recorded. It’s always great to have radio support, but that first time was special.

If you could support any musician alive today, and choose your own rider, what would that entail?

The Rolling Stones. I think they’re one of the last great touring bands from an era that we appreciate. Our rider wouldn’t be too extensive; we’re not too picky. As long as there were beer and Canadian Club whisky, I think we’d be pretty happy.

What advice would you give to new artists coming through?

I think the only advice we’d be worthy of giving is to keep plugging at it. We’ve had a lot of ups and downs being in a band and it’s quite a commitment. We have found it’s best not to get discouraged or take things too personally. Music is a hard business to break, though.

Are there any new artists you recommend we check out?

Yes. Always support the bands in your area in shows and social media. Commercial music will be the death of creative expression, since its less about what we feel and more about what we could get people to stream without that same connection. Bands don’t sell C.D.s so, if you hear something you like, ‘like’ it and subscribe to it on your social media - that’s a good metric for a band’s success and costs the fans nothing.

Do you get much time to chill away from music? How do you unwind?

Work-life balance is key but, in our non-music time, we like to hang out together. Sometimes, we get together for a work out and others we keep each other entertained with good stories and company. The company seems to be key on long trips from home.

Finally, and for being good sports; you can each choose a song and I’ll play it here (not any of your music - I will do that).

King of the Rodeo - Kings of Leon

Lucas: Band of Skulls – Himalayan

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Follow Mushy Callahan

Facebook:

https://www.facebook.com/mushycallahan

Twitter:

https://twitter.com/mushycallahan

Instagram:

https://www.instagram.com/mushycallahan/

Spotify:

https://open.spotify.com/artist/1WHBWGgfDJT66xsu4SQWNd?si=Y_WHWrUOQnmInn9gGsev6A

SoundCloud:

https://soundcloud.com/mushycallahan

YouTube:

https://www.youtube.com/user/MushyCallahan

INTERVIEW: The Old Pink House

INTERVIEW:

PHOTO CREDIT: Alex Robson

 The Old Pink House

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ONE of the best bands…

in the North East right now; I have been chatting with The Old Pink House about their start and where they are heading in terms of gigs; what the inspiration behind Jaded, their latest single, is; what we will get from their upcoming E.P. – I learn what the scene is like in the North East (and where they are based in Newcastle) right now in terms of promising acts coming through.

I ask which new acts we need to look out for; what the band’s favourite memory is; what they hope to achieve in 2018; how it feels being supported by BBC Radio 1’s Huw Stephens; why they look to aspects of 1980s’ music for inspiration – the guys each select a tune to end the interview with.

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Hi, guys. How are you? How has your week been?

We’re good, thanks!

For those new to your music; can you introduce yourselves, please?

We’re a four-piece Cosmic-Pop band from Newcastle, U.K.

Tell me a bit about Jaded. What is the story behind the song?

The song was born out of the guitar riff, originally. I think I just started playing it in our rehearsal room and Max added in that stomping beat - which just kick-started the process and the rest came quite easily. Lyrically; the song is about dealing with your emotions becoming blunted and weary over time and the need to try to combat that.

It is the current cut from your upcoming E.P. Can you reveal the themes that inspired the E.P.?

I think the over-arching theme in all of our music is guilt in all its different forms...

Musically, we’re quite a sunny, upbeat-sounding band but I always go to darker places for the lyrics and I’m fascinated with the way we deal with negative feelings, which stems mostly from my own problems with self-worth and guilt.

How did The Old Pink House get together? When did you first start jamming?

The band was born out of the break-up of a previous band. Max and I had been in a fledgling act which never really got off the ground and I, in particular, took it pretty hard. I just hid myself away and started working on demos which would become the first Pink House tunes. After about six months of trying to work up the courage to get out there and let people hear it, I found the other guys and we started playing shows.

You are based out of Newcastle. What is the vibe like there? Do you think a lot of people overlook the city?

It comes and goes. We’re in a period now where people are looking at Newcastle again, which is great, because there’s always been talent up here that deserves recognition. There are, of course, some great artists who have come out of the North East like Maxïmo Park and Nadine Shah more recently but, as we’re so distant from the main music centres like Manchester and London, it does feel sometimes like we get forgotten about.

The band has been supported by, among others, BBC Radio 1’s Huw Stephens. Is it pretty strange having someone like that back you? How does it feel to get that backing?

It’s strange when anyone takes notice, really, especially since most of our music comes out of me humming a melody in the shower or staying up all night programming drum beats in my spare room. It’s a wonderful feeling knowing that something you’ve made has impacted someone in any way, really.

PHOTO CREDIT: Alex Robson

Which artists do you count as influences? Is music of the 1980s pretty important to you guys?

We all have pretty diverse tastes which range from the likes of Black Sabbath to Kendrick Lamar. The main artists which inspired the initial spate of songs were probably Unknown Mortal Orchestra and Tame Impala and my own personal favourite band are Grizzly Bear. I think the 1980s sound sort of crept in and we fully embrace it - but I wouldn’t say that many '80s artists actually directly influence the writing of the music.

Can we see you tour this year? What gigs do you have coming along?

At the moment, we’re focused on our own hometown headline show at The Cluny in Newcastle on 18th August, which we’re really excited for. We’ll also be showing up at Liverpool Calling and Evolution Emerging festivals in June and we’re planning some U.K. dates to be announced later in the year. Keep your eyes peeled!

What do you hope to achieve in 2018?

We just want to write and release music that we’re proud of and, if that helps us reach a wider audience and make new fans, it’s just a nice side-effect.

Have you each got a favourite memory from your time in music – the one that sticks in the mind?

I think, collectively, opening for The Cribs and the Manic Street Preachers was an experience we won’t forget. It’s the biggest stage we’ve played to date and the vibe was just so fun, it was an incredible feeling.

If you could support any musician alive today, and choose your own rider, what would that entail?

For me, it would be Grizzly Bear because I love them. For the rider, I’d demand that the actor who plays Varys in Game of Thrones comes in full costume and feeds us hand-peeled grapes on a golden, ornate divan.

What advice would you give to new artists coming through?

Ignore what other people are doing and concentrate on writing good music that you care about. Don’t let social media engagement or any of that other extraneous crap worry you: as long as the quality is there in the music, and you’re willing to put the time and hard work in, the rest will come.

IMAGE CREDIT: Kitty Hedley

Are there any new artists you recommend we check out?

Some quality North East bands that deserve a shout out are Penguin, Callum Pitt and FEVA. Imogen is pretty amazing as well!

IN THIS PHOTO: Callum Pitt/PHOTO CREDIT: Daniel Stark

Do you get much time to chill away from music? How do you unwind?

I try not to let music consume my life, and it can be difficult to disconnect from, but it’s important for my sanity. I’m an avid movie fan and I’ve recently been spending way too much time playing the new God of War game. It will consume your life.

Finally, and for being good sports; you can each choose a song and I’ll play it here (not any of your music - I will do that).

Peace of Mind – The Pale White

Pink Lemonade – James Bay

Hunnybee – Unknown Mortal Orchestra

California Dreamin’ – The Mamas & the Papas

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Follow The Old Pink House

Facebook:

https://www.facebook.com/theoldpinkhousemusic/

Twitter:

https://twitter.com/theoldpinkhouse

Instagram:

https://www.instagram.com/theoldpinkhouse/

Spotify:

https://open.spotify.com/artist/6jd689eTs0lyeBJ4WgHQ3n?si=ygqswn83QmiDEX-JrXbtlw

SoundCloud:

https://soundcloud.com/the-old-pink-house

INTERVIEW: Ice Baths

INTERVIEW:

Ice Baths

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IT has been a lot of fun…

speaking with the talented Ice Baths. I have been chatting with the guys (Tom takes up most of the responses) about their new track, Relic, and what themes inspired their eponymous, debut album - I ask whether there is a cut from the album Tom feels is strongest.

I learn how the band got together and the sounds that inspire them; what it is like releasing music on Blank Editions; if they have any gigs coming up; how they all unwind away from the stress and demands of music; if there are any new artists we need to check out – I ask whether the guys have special memories from their time in music.

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Hi, guys. How are you? How has your week been?

Tom: Fairly quiet. Al’s been touring Europe with Specimens, Jack’s working his socks off at a new job - and me and Ed are routinely recovering from hangovers.

For those new to your music; can you introduce yourselves, please?

ASL? Around two/three-years-old; Ice Baths, London? Alex – Drums/Voice; Jack – Bass; Ed – Guitar; Tom – Guitar/Voice.

Relic is your latest single. What is the tale behind the song?

It seems straightforward but it’s a tricky bastard for us. We used a spreadsheet to plan it in the studio; we wanted something tight and minimal that runs away from us into a bit of a mess. We also have a very beautiful video, shot by Lucie Rox, for it.

Your debut album is out. Can you tell me about the sort of themes and inspirations behind the songs?

A lot of the books I was reading around that time and before were hard-boiled and gritty; some classic American detective fiction. I think I wanted to aim for this stark and blunt feeling you get in those types of books.

It is released on Blank Editions. How did you come to hook up with them? Is it quite exciting being attached with them?

We took a look at the roster that David (who runs the label) had and we knew we wanted to go for it - Housewives, Ben Vince; Dairy Classics, Thurston Moore. We sent it over and he didn’t laugh at us.

Is there a cut from the album you’d select as a highlight?

I think I like Alex’s drums on Circuits a lot. Towards the end; the flourishes sound like they are going to break my speakers.

How would you describe the sound of Ice Baths? Who do you draw inspiration from?

I like to think we’re trebly, wiry and sparse but we are probably just a sound guy’s nightmare! I was listening to a lot of Eddy Current Suppression Ring, U.S. Maple and These New Puritans around that time. I think a lot of the one-note playing was me ripping off Eddy Current Suppression Ring.

Can you remember when the band got together? When was the moment you decided to make music together?

Me and Al found each other unglamorously on Gumtree - we probably have the emails! Jack and Al have played in bands together previously; Ed did sound for us once and then we head-hunted him because his other band, Aathens, is awesome.

Where are you heading on tour? Where can we catch you?

We’re lining up a U.K. tour later this year but, if you’re in London, we’re about to play our album launch show at The Others in Hackney on 19th May with Merlin Nova and Dairy Classics; then, a quick stop at Rough Trade on 23rd May and we’re with one of our faves, H. Grimace, at The Old Blue Last on 13th June.

What do you hope to achieve in 2018?

Not crashing a tour van on the way to Glasgow and trying out a few new tunes on the road later in the year…

Have you each got a favourite memory from your time in music – the one that sticks in the mind?

Ed getting a meal served to him on stage mid-song.

Alex: Finding myself with a morning off on my first-ever U.S. tour in a beautiful lagoon in Sedona Arizona with a guy we met at the gig before. It was his birthday and he wanted to show us his favourite secret spot. There was no one else there and it was incredibly hard to find/get to - it was one of those moments when you know you’d never have visited this place if it wasn’t for playing a show.

If you could support any musician alive today, and choose your own rider, what would that entail?

Lawrence English (because he is living legend and one of the biggest influences on my personal music). As for a rider? Haha. To be honest, Walnut Whips are kinda having a resurgence in my life, so maybe a multi-pack of those and some kind of posh soft drink or mint tea (rock ‘n’ roll, I know!).

What advice would you give to new artists coming through?

Tom: Often, beer tokens are just raffle tickets.

Are there any new artists you recommend we check out?

Alex: Vida Vojić. She is amazing. Not a lot out yet, but she has some great stuff coming up – and she’s incredible live!

Do you get much time to chill away from music? How do you unwind?

Toboggan hurling.

Finally, and for being good sports; you can each choose a song and I’ll play it here (not any of your music - I will do that).

Tom: The Prats – Disco Pope

Jack: Crack Cloud - Graph of Desire

Alex: Christina Vantzou - Some Limited and Waning Memory

Ed: Wu-Tang Clan - Wu-Tang: 7th Chamber Part II

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Follow Ice Baths

Facebook:

https://www.facebook.com/icebaths/

Spotify:

https://open.spotify.com/artist/06PCe6OiavknZiaqIGsULW

SoundCloud:

https://soundcloud.com/ice-baths

INTERVIEW: Volkova Sisters

INTERVIEW:

Volkova Sisters

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THE past few weeks…

have exposed me to musicians from all around the world. I have been speaking with the Budapest-formed band Volkova Sisters and ask how they got together – they have been telling me about their latest track, Faceblind, and reveal its story.

I ask them what the differences are between England and Hungary in terms of music; whether there are any new artists they would recommend to us; if they have gigs coming up where we can catch them; what we can expect from their upcoming album, Slowin Away – they  talk about their upbringing and what the future holds.

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Hi, guys. How are you? How has your week been?

Dalma: Quite intense, actually: a breakup and general life issues (smiles).

Dani: I see material for a few new songs here…

For those new to your music; can you introduce yourselves, please?

We are a group of people living in different European countries, working together for almost ten years now. We like dark and atmospheric sounds and, as kids growing up in the ‘80s, we were heavily influenced by the music of that decade. At the same time, we always aim to find new and less-explored ways in music.

Someone described our genre as ‘Goth-Tron’.

How did Volkova Sisters form? When did you all meet?

Dalma: We all knew each other from the Budapest music scene. We've been best friends with Daniel for more than a decade now; we also have had a previous band before. When we started Volkova Sisters, we knew that we were missing an element and we really didn't want to be a duo: we wanted to involve other ideas into our world and Geri just came in the right time.

Daniel showed him our first demo and the rest is history. Tibi, our drummer (who is a member of the legendary Hungarian Dark-Rock band, Sexepil), came into the picture roughly two years ago when we were thinking about ways to expand our stage presence.

Is it true you borrowed your name from a William Gibson novel? What struck you about the name?

I'm a big Sci-Fi fan, including all the side-genres, and Willian Gibson is one of my favourite authors. Very easy to read, with lots of action and quite precise future forecasts. When I read his book, Pattern Recognition, I was a mesmerized by this character pair and I thought it really resonates with the way we think about art.

Faceblind is your new single. Can you reveal its story?

Dani: We were in a car in the Hungarian countryside on our way to a week of songwriting in a remote location. It was late at night and we listened to a radio talk show about people who were ‘faceblind’. It's a rare condition of the brain when someone is unable to recognise faces. This, straight away, inspired a whole new range of characters for our mythology. We wrote the song the next day…

It is from your upcoming album, Slowin Away. What sort of stories can we expect to find in the record?

The stories revolve around all the feelings we gathered since we started to live lives less bound to a single geographical location - from feeling lonely in a metropolis to the general angst of our generation that we see from very different angles in different places.

Also; we took some inspiration from the underground Techno scene in London…so expect something more upbeat (sometimes, almost danceable).

You formed in Hungary but are based in England. Was it difficult finding a scene and base in Hungary? How does England compare in terms of its sounds and artists?

Dalma: It was hard to gain attention in our home country but our fanbase is growing, so I'm happy that are native fellows dig our stuff. 

The U.K. still has its distinctive sound. Not from a genre perspective: I'm talking about the mixing and mastering process here. Music-wise; I don't think it's an island anymore: every European country which I've been to had a surprisingly vivid and amazing underground scene. The problem is that, if you're not looking for it, you'll not gonna find it. The markets are still segregated - and underground artist can barely compete with acts signed to major labels.

What music were you all raised on? Did you grow up in musical households?

I was, and Daniel too; both our families had massive vinyl collections and were part of the local underground scene...

Dani: Actually; my parents were part of the scene as musicians, so I spent my very early years already around studios, gigs and rehearsal rooms. Music was always playing somewhere; a lot of '80s Post-Punk, New Wave and Alternative stuff on Jugoslavian-pressed vinyl and cassette tapes copied from my parents' German friends.

Can we see you tour this year? What gigs do you have coming along?

Dani: We'll play one gig in London this summer – this will be in Birthdays on 2nd June. Apart from a few festival dates in Hungary, we'll spend most of the summer setting up our brand new studio space and start working on some new material.

Our experience in the U.K. so far shows that there's a certain limit to your opportunities for gigs as a D.I.Y. band. To reach further, you need to be supported by a record label or a booking agency. Maybe, we'll get there with the third album (this was an open call).

What do you hope to achieve in 2018?

I think, technically, as a band, we already achieved our goals for the year. Now, it's up to our fans and everyone else out there if they will like what we've done. For the rest of the year, I'd like to chill a lot and take a very slow pace in starting something new; again, with a slightly different approach.

Have you each got a favourite memory from your time in music – the one that sticks in the mind?

Dalma: I can't really pick one particular moment. The most touching thing for me, in general, is when I see people singing our songs. That’s when your vision starts to live its own life.

If you could support any musician alive today, and choose your own rider, what would that entail?

I would love to open for The Perfect Circle. I think Maynard is a genius.

Dani: I'd choose Daniel Lanois. I think Geri would let him play one of the solos on our gig.

What advice would you give to new artists coming through?

Dalma: Very briefly; simple advice: never give up (smiles).

Dani: Focus on yourself and your own art, not what others do or say.

 IN THIS PHOTO: Sidsel Endresen

Are there any new artists you recommend we check out?

Well; I'm not particularly following the new trends…but I can recommend one of my favourite singers, Sidsel Endresen, as she is one of the cultic figures of the Norwegian Jazz scene.

Dani: Peggy Gou's It Makes You Forget has the best bassline of 2018 - so far (smiles).

IN THIS PHOTO: Peggy Gou/PHOTO CREDIT: Dan Medhurst

Do you get much time to chill away from music? How do you unwind?

Dalma: It's the opposite for us, I think (smiles). Making music is our chill time (smiles).

Dani: Dalma's right. But, if I need to reset my ears, I always go to the riverside. There's a nice little beach close to our studio, only accessible during low tide.

Finally, and for being good sports; you can each choose a song and I’ll play it here (not any of your music - I will do that).

Etienne Jaumet – For Falling Asleep

Dalma: John Hassel – Vernal Equinox

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Follow Volkova Sisters

Official:

http://volkovasisters.com/

SoundCloud:

https://soundcloud.com/volkovasisters

Facebook:

https://www.facebook.com/volkovasisters

Spotify:

https://open.spotify.com/artist/2R7HJ8U8vfMaHeobFgcdZN

YouTube:

https://www.youtube.com/user/volkovasisters

INTERVIEW: Trailhead

INTERVIEW:

PHOTO CREDIT: Katarzyna Mazur

Trailhead

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I have been chatting with the incredible Trailhead…

PHOTO CREDIT: Karolina Kuszyk

about the fantastic new album, Keep Walking. Berlin-based Trailhead (Tobias Panwitz) speaks about the inspirations on the album and standout cuts; which country is especially impactful when it comes to its influence; why walking and being in the open leads to songwriting – I discover if there are tour dates coming up.

Trailhead talks about musical icons and favourite albums; if there is any time to get away from music and relax; a new act to keep a track of; what he hopes to achieve before 2018 is through – he ends the interview by picking a great song.

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Hi, Trailhead. How are you? How has your week been?

Pretty good, so far. It’s a sunny Monday, so only good things so far!

For those new to your music; can you introduce yourself, please?

I’m a songwriter; conditioned both by California’s Great North Woods, where I worked in the trail crew back in the '90s, and by California’s '60s and '70s singer-songwriter scene, amongst other things - hence, my inclination to write songs about walking, trails and travels…and to call myself ‘Trailhead’.

Keep Walking is your new album. Can you tell me the stories behind it?

Walking is my favourite means of transporting myself from one place to another. It’s rhythmic and monotonous, in a good way. Very meditative. Songs come easy to me while walking and, while doing so many times in Spain, Norway; Poland, Germany; South America and other places, I ended up with so many walking songs that I decided to put them all together on a quasi-concept album called Keep Walking. There’s a very Roots-y, earthy feel to the songs - at least to me. A musical reflexion of my walking adventures, if you will. With a strong emphasis on Spain.

Do songs come to you when you’re out walking and exploring? Is that a good place for you to muse?

It’s the best place for me. I don’t have to be thinking about anything. I don’t like to walk without a destination where I’m headed because, without it, I’d have to make my mind up about directions all the time. If I can just turn on my walking machine, I let it run and song ideas start coming with the rhythm of my walking feet.

Is there a song from the album that you would select as a favourite?

I like the easygoing flow of Walking Round Madrid (Such a great place to walk). Also, White Flag, a song about climbing Everest, is one I enjoy listening to still - even though that one’s not based on my experiences.

You have travelled a lot! Is there a particular county that stands out – in terms of the people and vibes?

As mentioned, Spain is a place I always enjoy returning to. The dryness of the inland, the Andalusian coast and mountains, where I shot my recent videos for Walking the Camino and Volcano Ground but, also, the Canary Islands with their lush vegetation and diverse climate zones...all hugely inspiring.

To me, the people have what we Germans sometimes lack: a natural positivity and the capability of having a good time without a particular reason. Norway’s amazing, too - though I never get to see the grand landscapes, because I always end up hanging out and drinking with friends there. I’ve been to Norway many times, but I haven’t yet seen a fjord!

PHOTO CREDIT: Thorsten Biernath

When did music come into your life? What was the reason for taking it up?

I grew up in a family of Classical musicians. As a kid, I learned to play the violin. I was pretty good at it, too. But, it never really was for me. So, as a teenager, I taught myself to play guitar and piano after my brother got me hooked on The Beatles, Pink Floyd; the Eagles, Peter Gabriel and other stuff that spoke to me much more strongly.

Which artists would you count as influences?

Oh, man; which ones are not? I’d have to mention The Beatles of course and, most definitely, Tom Petty, The Jayhawks; Neil Finn…I’m a lot into melodies and harmonies.

PHOTO CREDIT: Thorsten Biernath

Can we see you tour this year? What gigs do you have coming along?

This summer, I have a show coming up in Switzerland and, later this year, lots of gigs all over Germany. The dates are all up on www.trailheadmusic.com. I love playing. The only thing I’m worried about is my carbon footprint with all that driving.

What do you hope to achieve in 2018?

I’d like to get better at producing and mixing - something I have neglected for a long time. There’s a new walking adventure coming up and I hope to start pre-production on a new album.

PHOTO CREDIT: Philipp Gabriel

Have you got a favourite memory from your time in music – the one that sticks in the mind?

The favourite ones for me are the ones sitting in a room with friends and guitars, singing songs. Nothing beats that. It’s such a beautiful way of connecting and sharing.

Which three albums mean the most to you, would you say?

That’s an easy one:

Wildflowers by Tom Petty; Joy by Phish and Amused to Death by Roger Waters.

What advice would you give to new artists coming through?

Keep going, set achievable goals and don’t complain.

IN THIS PHOTO: I'm With Her

Are there any new artists you recommend we check out?

I’m a bit of a conservative who’s stuck in the '60s and '70s - so better ask me about old artists I’d recommend! But, I recently went to a show by I’m With Her. I’d definitely recommend seeing them live if you’re into vocal harmonies and Folk music. Wonderful stuff.

Do you get much time to chill away from music? How do you unwind?

My garden, my boat and walking. I love watching plants grow. Very meditative, too. Being out on the water in a kayak is a bit like walking, only, you use your arms. In Germany, we call it Wasserwandern: water hiking.

Finally, and for being a good sport; you can choose a song and I’ll play it here (not any of your music - I will do that).

Alright, cool! Let’s hear a song by The Jayhawks’ Gary Louris: True Blue.

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Follow Trailhead

PHOTO CREDIT: Karolina Kuszyk

Official:

http://www.trailheadmusic.com/walking-songs

Instagram:

https://www.instagram.com/trailheadmusic/

Twitter:

https://twitter.com/trailheadmusic

Facebook:

https://www.facebook.com/trailheadband/

Spotify:

https://open.spotify.com/user/1124683322/playlist/1gQlrahDCo1azvDu9wer8u

YouTube:

https://www.youtube.com/user/trailheadmusic

INTERVIEW: Saarloos

INTERVIEW:

Saarloos

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MY focus turns to the Dublin boys of Saarloos…

as they discuss their debut single, Changes. I learn more about the scene in Dublin and what it has been like supporting some huge names (including Bon Jovi) – they look ahead at gigs and where we can catch them play.

I ask the guys how they got together and how they spend time away from music; whether they are coming to the U.K. to play; what it feels like having a debut single out there; if there is more material coming later in the year – the guys end the interview by selecting a song that means a lot to them.

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Hi, guys. How are you? How has your week been?

Hi! It’s been great. We’ve been busy promoting the single and we’re blown away by the response it’s getting.

For those new to your music; can you introduce yourselves, please?

We’re a three-piece band from Dublin. We’ve been together about six months. We all have similar tastes in music and have known each other a long time. Andy and Craig went to school together and Brian and Craig met on the pub scene in Dublin (Craig likes to think he brought us all together!)

Talk to me about your debut single, Changes. What is the story behind it?

Like every great story, it started with a cup of tea! Literally, Craig was making a cup of tea when the chorus just popped into his head. He recorded it on his phone (well; after finishing the tea). A couple of days later, him and Brian sat down and it was finished within a couple of hours.

Is it exciting putting the song out there?! Did you know, instinctively, this song was the first you wanted to be released?

Yeah. It’s exciting/nerve-wracking! We put a lot of work into the song and we were really happy with how it sounded but you never know how it’s going to go. We knew straight away we wanted this as the first single because it was a new sound for us: going from an acoustic act to a full band.

Might we see more material coming in the future months?

We’re currently working on an E.P. and we’re in rehearsal rooms most days writing and practising for the upcoming tour.

What is the craic like in Dublin? Is it a great place to play music – with lots of like-minded folks?

The craic is 90! Dublin’s great for music; Brian and Craig spent years bashing the guitars in Temple Bar. There are loads of great places to play original songs in front of live audiences - Ruby Sessions and Zodiac Sessions are two well-known open mic nights that have always been supporting up-and-coming artists.

How did Saarloos get together? Was it love at first sight?

Brian and Craig were two solo singers doing their own thing. After doing years of cover gigs, they decided to create a band. Andy was a late addition to the band, he knew the guys a long time, so he fitted in nicely. We’re very fortunate that we get along together – it makes it easier when you’ve to spend ten hours a day in a room going over and over songs.

You have already supported big names like Bon Jovi and Daniel Beddingfield! How much of an impact has that had on your ambitions and confidence?

Great question! Playing in front of that many people is terrifying and amazing. It drives you to be better and work harder to get the opportunity to do it again. At the same time, it’s great to come back and play small shows and connect with the audience.

Do you all share musical tastes? Which artists do you count as influences?

For the most part, our tastes are very similar. Brian probably has the most eclectic taste whereas Craig has always liked the sound of an acoustic guitar so stuck to the likes of Coldplay and Snow Patrol. Andy is a massive Dolly Parton fan!

Where are you heading on tour? Where can we catch you?

We’ve a busy June planned! We start in Belgium at the end of May and finishing up in Zurich and playing shows in Germany, the Netherlands; Milan, Paris and Copenhagen. Super-excited!

Do you reckon you’ll come to the U.K. and gig here at all?

Yeah. We just got back from London playing Never Fade Sessions with Newton Faulkner. We’re playing in London’s 02 Shepard’s Bush Empire on 9th June. We’re hoping to do our own headline show there soon.

What do you hope to achieve in 2018?

By the end of the year, we hope to do our own tour around Ireland and add in shows in places like London, the Netherlands and Germany.

Have you each got a favourite memory from your time in music – the one that sticks in the mind?

Last year Craig and Brian got to support Gavin James in the 3Arena in Dublin. Playing in front of 16,000 people was surreal!

If you could support any musician alive today, and choose your own rider, what would that entail?

We’d love to support Coldplay, but Andy’s holding out for Dolly Parton! As long as there are a few cold Coronas in the fridge we’re happy!

What advice would you give to new artists coming through?

Don’t be afraid to put yourself out there. Never turn down a gig…and enjoy it!

IN THIS PHOTO: David Keenan/PHOTO CREDIT: Benson Portrait Studio

Are there any new artists you recommend we check out?

There are tonnes of amazing Irish Acts coming through: David Keenan, Talos and Tim Chadwick to name a few.

Do you get much time to chill away from music? How do you unwind?

Craig is a pond aficionado - seriously, he loves them! Andy loves the outdoors. You’ll find him on a bike in the mountains most Sunday morning. As for Brian?! He couldn’t be more chilled!

Finally, and for being good sports; you can each choose a song and I’ll play it here (not any of your music - I will do that).

Craig: JCB Song - Nizlopi

Brian: Time - Tom Waits

Andy:  Islands in the Stream - Dolly Parton and Kenny Rogers!

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