INTERVIEW: Jessicka

INTERVIEW:

Jessicka

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A brilliant new track is out there…

and I was eager to speak with the woman behind Penniless Fools. The multi-talented Jessicka discusses the track and what motivated its progress; whether its themes of social dislocation and poverty are indicative of the times in which we live – she tells me what it was like shooting the video for the song.

I ask Jessicka what Vancouver is like for music and whether she will come to the U.K. this year; if there are three albums that mean a lot to her; what advice she would give to upcoming artists – she highlights some new artists we need to throw our weight behind.

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Hi, Jessicka. How are you? How has your week been?

Hello! I’m pretty excited. The week has been great: the new video came out and I’m so happy with how it turned out, so it’s nice to be able to share.

For those new to your music; can you introduce yourself, please?

I’m Jessicka; an Indie-Pop artist from Vancouver with a dance addiction.

Penniless Fools is your new track. What inspired you to put pen to paper?

It seemed like every time I went back to my small hometown after moving to the city another local shop had closed down and another megastore had opened up. Families I had known my whole life were forced to close their stores because they couldn’t compete with the prices. Watching that transition really moved me; I guess this is my little protest song.

Its video interests me! How did the concept come together – was it fun to film?

This video was so fun to film. I used to spend every summer in Merritt so filming the small-town shots up there was really satisfying; it felt really good to be there. Finally, I got a chance to just be myself in a video, not wondering if I’m going to drown or be constricted to some wacky ballet tutu and a wig(even though costumes are my favourite thing).

Conceptually, we wanted to convey how hard small towns are being hit and the warmth you feel when in you’re in a place like that and contrast it with the harsh glass and steel city feel. It’s a bit of a critique on our little city here and how it’s ‘developing’.

Do you think, as consumers, we are poorer in terms of jobs and opportunities? Have you noticed economic belt-tightening in the music industry?

It’s undeniable that the music industry has tightened its belt: how could it not when you look at the difference in how we consume music? But, it doesn’t make me feel hopeless. If anything, now that the live performance is where you really have to shine and catch your audience, you have to bring it. I’ve been seeing just amazing vocal and musical performances and more experimentation with costume and presentation and, personally, I appreciate that.

As for outside the music world, I’ve felt concern for the middle-class since the first automated checkout. Not to sound apocalyptic but it seemed like the first step in machines replacing people...anyway; this is a can of worms I shouldn’t open here...

What comes next in terms of material? Are you working on new ideas?

YES! My producer, Bradley Ferguson, and I are planning on doing the first E.P., acoustically, on our haunted upright piano. After that, we’re going to start working on new beats for the next record. We have some new inspiration and really want to strike while the iron’s hot.

As a Vancouver-based artist; how have you noticed the music scene change and expand over the past few years?

In Pop music, yes, definitely. It felt like all I kept seeing was this throwback scene that was obsessed with sounding exactly like The Rolling Stones or Neil Young and, if you used one sample or Auto-Tuned anything on your album they would completely disregard you. So, now that we have groups like Little Destroyer, Tei Shi and Youngblood coming out with wicked Pop music and putting on amazing shows, I feel way more excited about at least this scene in Vancouver.

Can we see you tour this year? What gigs do you have coming along?

Yep! I’ll be in Ontario doing the Friday night concert series in Brampton and then Hillside Fest in Guelph right after!

Might you come to the U.K. and tour this year?

That would make me so happy. It’s been too long since I’ve been to the U.K. but, so far, it’s mostly Canadian dates.

What do you hope to achieve in 2018?

Stardom and riches, obviously, but I would love to get on the road and really tweak the live show. Touring would be number-one but I just want to keep creating and get some of this new material off the ground. I’m excited for the next chapter and the new sounds we want to work on.

Have you got a favourite memory from your time in music – the one that sticks in the mind?

This will sound odd, but a few years ago, I helped put on a tribute to the songs of Disney and played with the string trio, Gentle Party. The event over-sold by a couple of hundred and we packed a local venue to the rafters! It was so fun to sing songs from my childhood to a super-enthusiastic audience.

Which three albums mean the most to you, would you say?

Strange Mercy - St. Vincent   

This was her crossover album: from using lots of concert band instruments to a more Pop sounds. Her use of Moog blew my mind…and those sexy lyrics! Surgeon is a super-sexy tune.

Adventures In Your Own Backyard - Patrick Watson

A gorgeous, engaging album by a wonderful human. This is one of the albums that brought me out of a writing funk.

Anti - Rihanna    

Obviously, this is a more recent choice, but as soon as I heard this album my faith in the Pop world was restored. Songs one-through-eight are perfection to me.

What advice would you give to new artists coming through?

Stick to your vision: only you can do it. Your voice is unique. There was a time when I felt swayed to write specifically for radio and the owner of Light Organ said: “Don’t worry about that. Keep doing what you were doing, that’s why we signed you”. All the writer’s block went away and music was fun again.

IN THIS PHOTO: Tei Shi

Are there any new artists you recommend we check out?

Tei Shi, Jessie Reyez; Anna Wise, Leikeli47 and LION BABE.

IN THIS PHOTO: Jessie Reyez

Do you get much time to chill away from music? How do you unwind?

Well. I’m a bit of granny and like to get out in nature and look at birds. I’m a bird nerd. Photography is another pastime. It’s great to indulge in visuals instead of audio sometimes.

Finally, and for being a good sport; you can choose a song and I’ll play it here (not any of your music - I will do that).

This is by far the hardest question…

I’m going with an oldie: Hotel - Broken Social Scene

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Follow Jessicka

Facebook:

https://www.facebook.com/jessickamusic/

Twitter:

https://twitter.com/jessickamusic

Instagram:

https://www.instagram.com/jessickamusic/

Spotify:

https://open.spotify.com/artist/69LuZP8tLC8m268w9sHj2i

INTERVIEW: Only Takes A Day

INTERVIEW:

Only Takes A Day

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THE chaps of Only Takes A Day…

let me into their world and explain the origin of their new song, Reach. They tell me whether modern Hip-Hop needs a bit of a shake-up – the guys highlight a new artist we need to get behind.

Fabien and Shaanvir talk about their love of The Streets and Hip-Hop; whether they each have a favourite memory from their time in music; which artist, if they could choose any, they would support – I ask how they both unwind away from music.

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Hi, guys. How are you? How has your week been?

Our week has been great, thanks! Always busy trying to balance music and a job at the same time, but somehow make it work…

For those new to your music; can you introduce yourselves, please?

For sure. So. We are Only Takes A Day; a disastrous duo from North London who is trying to scrape a living by mixing Folk and Hip-Hop like oil and water. Fabien is the talent and Shaanvir is the eye-candy (obviously). Best way to get an idea of what we do is to listen to some of our tracks (or come and see us live!).

When did Only Takes A Day get together? What is the meaning behind that name?

O.T.A.D. started at a party about four years ago now. I played his version of Reach to Fabien and that was it. We arranged a jam session and worked on more songs. Back then, we were going under a different name and realised we were so hard to find online so we needed something new. I was going through a bit of a rough patch when a friend invited him out to Glastonbury.

Anyone who has been to Glastonbury knows how nuts it is but, while I was there, I played at the open mic on the Croissant Neuf stage. It was strange but, after that day, everything looked and felt better. I told my friend and he turned around and said: “Only takes a day”.

Can you reveal what inspired the song, Reach? Is it a representation of the contrasts we see in modern-day life?

The whole song was written as a sort of stream-of-consciousness. I was basically pissing around on my guitar and just started coming up with the lyrics. I really liked what was coming up, so I quickly called my brother to the room and got him to write down what I was saying. A lot of it is just what I think and believe on a day to day basis.

A lot of people would like to think they can provide definitive answers but, actually, the world is riddled with insecurity and it is important to acknowledge that but not lose sight of your core values.

Fabien. What was it about the track that compelled you? Do you think it is the finest thing Only Takes A Day have created?

I think it was how lyrically-charged the song was. When Shaanvir first played it to me, I had never really heard anything like it. It was really creative and something I wanted to get on board with. It is definitely one of our favourite songs to perform but would not say it the finest thing we have created.

There is still plenty more to come from Only Takes A Day!

You are influenced by Hip-Hop – it goes against the Americanised strain we see in music now. Do you think Hip-Hop needs a shake-up?

Not really. There will always be subjectively good and bad music. A lot of the music today allows us to carve the little niche we are making for ourselves. Plus, music will always change. That is the nature of it: if you’re not a fan of what is happening now then just be patient.

In many ways, you remind me of The Streets and British Hip-Hop of the early-'00s. Is that a period of music you are influenced by?

Oh, absolutely. I got Original Pirate Material when I was in secondary-school. I saw The Streets at ‘Ally Pally’ when I was sixteen with Mitchell. I suppose, like all musicians, we are hoping to build up our fanbase; write some more music and play more gigs. Basically, do all the things we find fun…

Have you each got a favourite memory from your time in music – the one that sticks in the mind?

I would say for both of us, it was playing at Subsonic Festival a few years ago. There were about four-hundred people on a hill in Wales and we were playing in the woods. It was a great weekend.

If you could support any musician alive today, and choose your own rider, what would that entail?

That is an awesome question. I am not sure. On a global scale, supporting Childish Gambino would be incredible but I would say, as a childhood dream, it would be The Streets. That would be incredible. Neither of us is super-cool so our rider would probably just be a pizza each and some beers. Maybe some computer games. Oh, and some food for my dog…and someone who would deliberately lose at arm wrestles (to us) to boost our confidence.

What advice would you give to new artists coming through?

Just have fun. If you’re not having fun then what is the point?!

IN THIS PHOTO: Joel Bailey

Are there any new artists you recommend we check out?

 Loads. I would recommend anyone to just go and check out their local open mics if they fancy a pint. But, we always enjoy performing with Joel Bailey and Urband Soul. They are awesome.

Do you get much time to chill away from music? How do you unwind?

Music is generally how we unwind. We need full-time jobs to sustain us, so playing music is our respite.

Finally, and for being good sports; you can choose a song and I’ll play it here (not any of your music - I will do that).

Dan Le Sac vs Scroobius Pip - You Will See Me

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Follow Only Takes A Day

Facebook:

https://www.facebook.com/OnlyTakesADay/

Twitter:

https://twitter.com/OnlyTakesADay

Instagram:

https://www.instagram.com/onlytakesaday/

SoundCloud:

https://soundcloud.com/onlytakesaday

Spotify:

https://open.spotify.com/artist/18ZwiU4AXEvU5YgA1sz3hb?si=gF1sglw0S6e8TJAx8PxTUw

INTERVIEW: MADI

INTERVIEW:

MADI

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I have been exploring the work of MADI…

and have been talking to a very talented songwriter. She reveals the story behind her new song, Intimate, and who is in her live band; why she rebranded from ‘Maddie Jones’ – what the scene is like where she is in Wales.

I was keen to know whether any gigs were in the calendar; what sort of music she was raised on; how she spends her time away from music; three albums that mean a lot to her – MADI recommends some cool new artists.

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Hi, MADI. How are you? How has your week been?

Great, thanks. I’m off to Budapest tomorrow to commiserate my birthday, so am pretty excited about all the goulash and baths I’m gonna have.

For those new to your music; can you introduce yourself, please?

I call it ‘Weirdo-Pop’. A posher description would be electronically-tinged Art-Pop. I used to write a lot from the guitar, but I’ve been experimenting with samples and production for the last year or two, which is why I renamed myself ‘MADI’ this year. The live band includes Dan Fitzgerald (Guitar, Pedal Wizardry and Modular Synth), Chay Lockyer (Bass and Things) and Rich Welsby (Drums and Things).

Talk to me about Intimate and what the single is all about. Was it quite an easy song to put together?

The song comes from my feelings about different forms of intimacy...

There’s the intimacy when you first get together with someone and are sort of obsessive; then the playful getting to knowing each other. Then, there are things that come later, like blazing arguments and sitting in comfortable silence - which are just as intimate in their own way. Couples in their nineties are intimate in a completely different way to those in their twenties.

Musically, I was playing with a lot of samples and so I layered up a lot of elements in my version made in my studio at home. I tinkered with it A LOT, then eventually took it over to Charlie Francis (my producer) and we worked on it a lot together, to get the feel exactly right.

‘MADI’ is the reincarnation of ‘Maddie Jones’, as it were. Do you feel like you are a different person as MADI? Is there going to be more MADI material?

MADI is a clear character/aesthetic for me. ‘Maddie Jones’ changed a lot and dipped in and out of different styles because it was harder to differentiate from me and my tastes as an individual. There are two more songs already planned for release in the coming months: All Work and No Play (about balance of responsibility and hedonism, as you can probably guess) and Dirty (Word) (inspired by some of my experiences as a woman and feminist).

What was the reason behind the rebrand? Did you feel you took that part of your career as far as possible?

That part of my career felt like it had meandered a lot and lacked clear focus and direction. Stepping back from performing live allowed me to think about what I really wanted to do and the type of music I wanted to make. I wasn’t satisfied with the way things were. I’ve thought a lot about my goals as an artist - and MADI is the result. 

Is there a big music scene where you are in Wales? What is the local vibe like?

There is an incredibly varied scene here - though I speak mostly from my experience of Cardiff. Womanby St. is a central hub of activity (it was saved from disastrous problems with developers by the Save Womanby St. campaign recently). There are more venues appearing gradually, but we could always do with more. HUB Festival at the end of August is a good snapshot of some of the variety in the scene here.

What sort of music were you raised on? Was music always on when you were younger?

My parents had a great collection; everything from Led Zeppelin to Vangelis to Ella Fitzgerald. I also studied music from a young age, so there was a lot of Classical, Jazz etc. in the mix too. When I started buying more of my own music, I got into bands like Red Hot Chili Peppers, Smashing Pumpkins and Queen (in a big way!). I’ve had big Queens of the Stone Age and Prince obsessions since too.

Can we see you tour this year? What gigs do you have coming along?

I’m currently developing a new live show to compliment the stylistic relaunch of the music (involving lights, projections and costume etc.). It’ll be launched later in the year.

Is it possible to describe the feeling you get when up on stage? Is it were you feel most natural and alive?

I love being on the stage because I can’t see a bloody thing when I’m in the crowd (I’m five-foot-three). It’s a weird combination of feelings because I’m sort of extroverted but also intensely sort of shy in a weird way. I communicate a lot of my most complex feelings through my songs though, so it is liberating. When everything is right, and the crowd are with you, it’s the best possible feeling.

What do you hope to achieve in 2018?

Record more songs; film LOTS of videos (I intend to have a video for every song); launch and film the live show; start booking up our tour and festival calendar!

Have you got a favourite memory from your time in music – the one that sticks in the mind?

It would be hard to pin down one! Each album/E.P. launch I’ve done has always been pretty life-affirming - when so much work goes in and eventually pays off.

Which three albums mean the most to you, would you say?

I have to give a nod to Queen as I had a deep obsession as a teenager. A Night at the Opera is my favourite probably. 

I love St. Vincent and her self-titled album is one I played a lot and was inspired by.

A recent favourite is Kimbra’s The Golden Echo after a friend suggested I might like it after hearing Intimate.

What advice would you give to new artists coming through?

Know thyself! You can go through the motions of being an artist but, if you don’t know what you want to achieve, you will work a lot but not feel like you’re achieving much.

IN THIS PHOTO: Dan Bettridge

Are there any new artists you recommend we check out?

Some of my Cardiff buddies!

Dan Bettridge – Sexy-voiced folky vibe.

Junior Bill – A melting pot of vibes you can skank to.

Afro Cluster – Afro-Funk Hip-Hop

Rainbow Maniac - Dirty Rock ‘n’ Roll

Charlie Francis - The Songs for Singers album features a load of different singers from Wales.

IN THIS PHOTO: Charlie Francis

Do you get much time to chill away from music? How do you unwind?

Music is pretty much my life! I love good food and cooking! Festivals, travelling; comedy, hanging out with my nutty friends and family. Sounds like a Lonely Hearts ad!

Finally, and for being a good sport; you can choose a song and I’ll play it here (not any of your music - I will do that).

My Iron Lung - Radiohead

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Follow MADI

Official:

https://www.madibanduk.com/

Facebook:

https://www.facebook.com/madibanduk

Twitter:

https://twitter.com/madibanduk

Instagram:

https://www.instagram.com/madibanduk/

SoundCloud:

https://soundcloud.com/madibanduk

INTERVIEW: Seaker

INTERVIEW:

Seaker

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I am kicking this week off…

by speaking with Seaker about her new track, Words, and what the story behind it is. She tells me about recording and creating in London; whether there is more work coming along later in the year; why she moved from the North down to the capital – she reveals a few albums that have impacted her in a big way.

Seaker recommends some new artists to look out for and tells me about gigs; what sort of sounds/artists influence her; what music means to her; how she relaxes away from music – she ends the interview by choosing a classic track.

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Hi, Seaker. How are you? How has your week been?

Hi, Sam. I'm doing well, thank you; currently treading water in a sea of emails. This is fairly representative of how the week has been so far really, with a rehearsal thrown in. Mind you, it's only Tuesday so the rhythm of the week is yet to fully unfold...

For those new to your music; can you introduce yourself, please?

I'm Kiran and I make music under the name of ‘Seaker’. I have a home studio In North London (U.K.) where I write, flesh out and record most of the songs and then I get little bits of help from a few trusted musical friends. I know lots of artists will feel this but I find it hard to align with one particular genre. It is Pop at its core.

I like layers of dreamy sounds and harmonies and music that crawls from delicate tiny-ness into a rushing waterfall of big drums, pianos and all that filmic stuff. It's an ongoing journey to get the sound right.

Words is a title attached to many songs. I have heard none that stick in the mind as long as yours. Can you tell me how the song came to mind and what it means to you?

That's kind of you to say - and I'm glad it resonated with you on some level.

I didn't name the song until it was finished. I've always liked the idea of starting with a title and fleshing out a song from there, but it doesn't seem to happen that way with me. I often write songs based on a fragment of a feeling I have and that can come from anywhere. I, somehow, turn that feeling into a story in my head, often with characters. It's very emotion-led and, sometimes, it's like I'm being guided rather than actually coming up with ideas. 

Words emerged after I was chatting with a friend about relationship experiences and, later, I started to think about how, as adults, we never stop being vulnerable and this can manifest in behaviours in relationships that can make us spiky or negative, when, actually, our heart is saying something else or really, in that moment, just crying out for love. This is also a track about wanting to be enough for someone, flaws and all. ‘Words’ felt like the right title - as it's often hard to find the right ones.

It seems people are already reacting heavily to the track. How important is it seeing those great reviews and positive words?

I'm glad it appears that way!

I'm not sure that's how it feels, to be honest. It can be quite emotionally draining when you're doing your own press as, no matter how much you want to intellectualise the process and separate yourself from the track so as not to take anything too personally - in reality, that is hard. I'm such a sensitive person deep down that sometimes it can feel a bit soul-destroying and like you're shouting into an abyss and no one is listening or cares. At the same time, I have had some amazing support from lovely people and I am so grateful for that. 

If you're feeling a little defeated, it feels euphoric when someone takes the time to listen and get back to you with a positive response and there are some really decent, lovely people out there no matter what you might hear about this industry. It's such an honour when you find them and they support you. It isn't the primary motivation, but good reviews help keep you going mentally as well as being a boost musically.

Do you see more material arriving later this year? Is your North London home quite a hive of songwriting activity?

There will be another track in a couple of months-ish, as my aim is to get a regular flow of material happening. I have been the queen of the stop-start approach (not purposefully!) and have had huge gaps between past songs - mainly because I was doing every step from the writing to the press, so it all took ages. I have had a little bit of help with production this time around and it has sped up the process. I hope I can keep some momentum going this time. That's the aim.

When I'm not doing promo with every spare minute, I am writing a lot of the time. I miss it so much at the moment as the past three weeks have been solid admin. I'll get my writing time back very soon though and I can't wait.

What compelled the move from the North down to London? Do you think London is a place that offers opportunities others do not?

I actually went further North before coming South, as I went to university in Edinburgh so lived there for four years. I was on a different path for a while - possibly into Psychology in some way. The yearning for music got too much for me to ignore and I knew if I chose to do anything else I would end up being unhappy so I decided to move to London but saw out my degree as I was over halfway through it by then. A lot of my family live here and I've been visiting regularly since I was a child. Both of my brothers are here so, apart from the fact that it's a good place to be for musical development, it was an obvious place to move to anyway and I wanted to live here.

I think there are opportunities here, obviously, but, as time goes on, perhaps it's becoming easier to manage things from elsewhere. I think that once you're at a certain point in your career you certainly don't need to be in London and can run things from anywhere really. People do so many different things and settle in so many different ways; I think what you make of things anywhere is more down to the individual than anything else. That said, you will probably need to come to London at some point for a meeting or a show.

Give me a sense of your musical tastes – it seems you have a wide range of influences. Who, would you say, are the main role models in terms of sound and aesthetic?

I'm quite a visual writer and thinker, so I think imagery informs my writing as much as other music in many ways. I often think of vast landscapes or war scenes, or anything with an epic filmic vibe when I am writing. Ever since I saw Robin Hood Prince of Thieves when I was a kid, I have daydreamt about scenes from that film and being in them. I sometimes see them when I listen back to my tracks. That film definitely sparked something in me, which is still there in my creativity process now. I was transfixed as a kid and I still carry that feeling sometimes.

Sound-wise, bits and pieces from all over the place influence me. I love the swooning guitar style of Mark Knopfler; the delicate balance of dynamics that Ry X seems to pull off so well, plus his aesthetic is so dreamy, which I love. At the moment, I am obsessed with the drum sounds in a heap of Daughter tracks. They do delicate to epic so well. Bat for Lashes and Lykke Li are two more modern influences as I particularly love their individuality and commitment to the art. The dialogue of Leonard Cohen and the way he could dress up a love song into something melancholic has impacted the way I write and shape sound. I'll always be in awe of that man.

Sade is another big influence, musically, aesthetically and personally. She is musical royalty to me. There are so many others but I have a terrible memory. I apologise.

If you could articulate what music means and why it resonates with you, what would you say? Is songwriting something that lets you be open and free in a unique and beautiful way?

For me, songwriting is cathartic and necessary. My head fills up with so many thoughts that sometimes writing a song feels like the only way I can stay connected to the earth without losing the plot. I get really antsy and nothing seems to make sense to me if I go for a long period of no writing. It doesn't even feel like a choice really…

It's clichéd, but music has transfixed me since I was a small child. My dad is a huge music fan so there was always music around and my whole life is intertwined in one long soundtrack. Certain songs instantly take me back to being seven years old and I can still feel now what I felt then. It is so powerful. Nothing does that to me in the same way. I've been close with some art and poetry, but sound does something extra to me.

Can we see you tour this year? What gigs do you have coming along?

At the moment, I just have the one booked in but I'm hoping that will change very soon. We're playing at Birthdays in Dalston on 15th June, supporting Gazel. We're doing a bit of a stripped back set. I'm excited - it has been a while since we played a show.

What do you hope to achieve in 2018?

I'd like to put out more music I'm proud of and try to make some new human connections through the songs. I would love to tour. I have this picture in my head of a crowd of people who are waiting to discover my music even though they don't know it yet and it's up to me to go and find them. So, I'll be looking for those people. Knowing the vast emotion we can feel from music and how it can move me so deeply, if I could do that for anyone else, I would consider that a big win.

Earning money to keep making music as much as I can is obviously part of the dream, I can't deny that. It's not the fire behind me, though. If making lots of money was my primary goal, I wouldn't be attempting the music industry.

Have you got a favourite memory from your time in music – the one that sticks in the mind?

I'm not sure I have a single one as there have been so many varied experiences in different bands and projects that were all special in their own way. A few years back I was working with Talvin Singh, who invited me to convert some Indian poetry into a melody to go over his playing and sing it live with him. That was pretty special.

 Which three albums mean the most to you, would you say?

I really don't know how to answer this as I don't have these sorts of lists or ranked albums and never really think of music in that way. I have such varied moods and tastes that it's impossible and I would be here forever. So, I'll just tell you about three that have made a particular impact at the time:

1. Leonard Cohen - I'm Your Man

This was my introduction to Mr. Cohen and we would listen to this as a family when I was young. His voice and particular use of words stopped me in my tracks. I also started to sing harmony by copying the backing singers.

2. Jewel - Pieces of You

I was in the States on a family holiday when this album came out and I bought it on C.D. at Tower Records not knowing who she was. When I heard Jewel Kilcher's voice, I think I almost started crying. The depth of her tone and the way she would put so much emotion in to her songs by using her voice as an instrument blew my mind. Also, as a young girl growing up, I loved all the acoustic guitar-y heartbreak songs. I love that woman. She is still such an inspiration.

3.  Sade - Lovers Rock

Every song on this album gets me and it's like a comfort blanket. I return to this album when I need a musical hug and a reminder that quality reigns in the long-run.

What advice would you give to new artists coming through?

Try to find your inner-instinct and hold on to it. Make music you like yourself and be authentic. You may not feel it, but just who you are is perfect. Get good at your craft and stay curious. Also, remember that once you have your songs ready, you need people to send them to. Make friends. Be nice. Find the good people and stick together. Help each other out. This sh*t is hard and you're not crazy (or you might be, but that's ok too).

 IN THIS PHOTO: Lyves

Are there any new artists you recommend we check out?

I feel like one myself! If it's ok, I will list a couple of friends of mine who are doing their thing and I think are great. Lyves and Robert Ray. Totally different genre-wise but both authentic, great artists. They're both a constant support to me as well so I want to big them up.

Do you get much time to chill away from music? How do you unwind?

I'm happiest when I'm writing and (providing I'm not battling the song) I find it quite relaxing to lose hours in the tunnel of creating. I get into nature as much as I can. I love trees. Walking my dog keeps me sane and I do quite a lot of yoga, for my mind as well as my body.

I also like wine.

Finally, and for being a good sport; you can choose a song and I’ll play it here (not any of your music - I will do that).

Joan Baez - Diamonds and Rust

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Follow Seaker

Official:

https://www.seakermusic.com/

Facebook:

https://www.facebook.com/seakermusic/

Twitter:

https://twitter.com/seakermusic

Instagram:

https://www.instagram.com/seakermusic/

SoundCloud:

https://soundcloud.com/seakermusic

INTERVIEW: Early Hours

INTERVIEW:

Early Hours

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THE guys of Early Hours started life in South Africa…

but are based over here in the U.K. now. I ask Jake and Adam about their formation and what they can reveal regarding the new single, Blink. They tell me what they are doing next and if there are any gigs lined up now they are in the country.

Early Hours recommend some new artists and tell me what the scene is like in Cape Town right now; if there are fond memories they have from their time in music; whether they get time to chill outside of their musical life – the guys reveal what they hope to accomplish before the end of the year.

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Hi, guys. How are you? How has your week been?

Been a busy old week! Jake just flew down from America and we got to see each other for the first time in four months (we’ve taken the first half of the year off as Jake studies songwriting in Boston and Adam is studying Production in Liverpool, but we’ve relocated to the U.K. for the next three months). So, there’s been a lot of catching up, rehearsing and listening to the new Arctic Monkeys album.

We’re a combination of jet-lagged and excited for this summer we’re about to spend together.

For those new to your music; can you introduce yourselves, please?

We are Early Hours, an Indie-Afropop band consisting of Jake Bennett and Adam Rothschild; bred in Cape Town, South Africa and now based in the U.K. seeking out world domination on a budget…

Blink is out now. What inspired the song?

Blink came about through a period of uncertainty. We put out a song called Smells Like Summer as we finished high-school, which went viral online and became the first track in our country’s history to get over a million plays on SoundCloud. We felt like the world was ours for the taking but South Africa is a small place and it’s tricky and expensive to escape from.

So, while we wanted to be out seeing the world and meeting all these fans we’d generated through the power of the Internet, we felt a bit stuck. Blink is about that period and about that feeling that the world is passing you by but with a silver-lining of hope that, despite all the worries we have, the best parts of this world might be sitting right in front of you.

The track is perfect for the summer! Was it written with festivals and celebration in mind?

Oh, absolutely. We come from one of the most beautiful, sun-kissed and joyous countries in the world and it’s always been our goal to bring a slice of that cake to the rest of the world. The irony and the beauty in Blink is that it’s coming out right as we get the chance to do just that. We can’t wait to take it to every festival and celebration the U.K. will let us into!

Might we see more material coming later this year?

Absolutely. We can’t say when, but our advice is don’t blink.

Jake and Adam. How did you find one another and form Early Hours?

Jake was born in England and moved to South Africa and Adam was a South African with a fascination with the U.K. music scene. We met on our first day of high-school and bonded over a mutual love of Arctic Monkeys. We formed a lifelong friendship out of that singular conversation. The band is pretty much just a product, and an extension of that friendship, paired with a dream to get back to the U.K. and be a part of that scene we’re both so in love with.

You have achieved worldwide acclaim and worked with some great producers. Do you think travel and great collaborations make your work stronger and broader?

Without doubt. The reason this partnership works is because we push each other...

But, the real magic is formed when we combine that competitive spirit with the outside world; whether it’s life on the road informing the lyrics or a general fascination with other country’s music scenes. One person in particular that changed our sound and our way of working is an Australian producer named JP Fung, who we emailed out of the blue because we were a fan of the Australian music scene and, in particular, a band called Last Dinosaurs (who he produced).

We didn’t expect a reply, but he liked our music and we’ve been working and writing with him ever since. He’s our biggest collaborator and he feels like a very close friend - even though we’ve never even met face to face.  

You hail from Cape Town. What is the music scene like there? Is it quite easy to get gigs?!

It’s small but deadly. The relative lack of bands and venues mean those in the scene have to compete with each other for the country’s affection. But, at the same time, it comes with a feeling that we’re all working towards the same goal of having South African music recognised – be it by the world or by the local community who are lost in the Billboard Hot 100 Chart.

That feeling, and the hard work it takes to achieve that goal, builds a pretty nurturing family spirit. There's always a great sense of pride when someone from your community breaks the boundaries and starts to take off. Jeremy Loops is the country’s latest and greatest export and we’re all firmly behind him, while furiously trying to catch up.

What do you hope to achieve in 2018?

We feel like landing in the U.K. last week was an achievement in itself as it was kind of the culmination of eight years of our friendship and playing music with each other. Now, the goal is to connect with as much of our U.K. fanbase as possible and play in the venues and the spots we’ve dreamed about since high-school. We also hope to achieve a pretty profound knowledge of what makes a good English pub.

Have you each got a favourite memory from your time in music – the one that sticks in the mind?

As we said earlier; when we were in high-school, we put out a song called Smells Like Summer which took off online and led to us jumping on a plane the day we finished our final exams; leaving our hometown together for the first time and flying to New York to record a song. That feeling of escape, and our first leap into the great unknown, will stick with us forever. It’s a feeling we try to tap into with every show we play and every song we write.

If you could support any musician alive today, and choose your own rider, what would that entail?

Arctic Monkeys was the band that we bonded over in the first place, so that would be pretty sweet. Though there is that old saying about how you should never meet your heroes - so maybe that could be a risky business. We got the chance to tour with The Lumineers last year when they came to South Africa. They were a band we didn’t know much about but really got into as a result of that experience.

As for the rider, we’re pretty easy to please. A few bottles of tap water, some fresh towels and 2000 Smarties hand-sorted into different colours is all we ask for.   

What gigs do you have coming up? Will you come to the U.K.?

Just arrived! We had our first show in London at the O2 Academy this week and we’re off to Bristol in June. Other than that, keep an eye on our social media (Instagram and Twitter handles are @earlyhoursband) to see where we’re popping up next.

What advice would you give to new artists coming through?

Make sure you only eat the orange Smarties.

IN THIS PHOTO: Shortstraw

Are there any new artists you recommend we check out?

We’ve been enjoying some other South African bands recently. If you like your music kissed by the sun make sure you check out Shortstraw and Beatenberg.

IN THIS PHOTO: Beatenberg

Do you both get much time to chill away from music? How do you unwind?

We grew up underneath the watchful eye of Table Mountain and that instilled a great love for the outdoors. Running up there, or just getting out of the house and into Mother Nature’s pocket, has always been a great way to unwind and a wonderful source of inspiration.

Finally, and for being good sports; you can each choose a song and I’ll play it here (not any of your music - I will do that).

Jake: way it goes - Hippo Campus

Adam: South of the River - Tom Misch

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Follow Early Hours

Facebook:

https://www.facebook.com/EarlyHoursOfficial/

Twitter:

https://twitter.com/EarlyHoursBand

Instagram:

https://www.instagram.com/earlyhoursband/

SoundCloud:

https://soundcloud.com/earlyhours

Spotify:

https://open.spotify.com/artist/7opSSXbFHlnoN8edZUv2YD

INTERVIEW: Claude Munson

INTERVIEW:

Claude Munson

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MY final interview before next week…

is with the terrific Canadian songwriter Claude Munson. He has been chatting with me about his record, The Silence Came After. I ask whether he has a standout from the album; which musicians he counts as influences – Munson recommends some new artists that are worth catching up with.

I ask whether gigs are on the cards and what the scene is like in Ottawa; if he is coming to the U.K. this year; how he spends time detaching from music; three albums that mean a lot to him – Munson reveals what he has planned for the remainder of 2018.

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Hi, Claude. How are you? How has your week been?

Hey! I’m good. It’s been a busy and exciting week. I just released my sophomore album, The Silence Came After, via Record Centre Records and performed a sold-out show at the National Arts Centre’s Fourth Stage. Happy that the album is finally out and available for the people - and happy to be performing more live shows.

For those new to your music; can you introduce yourself, please?

My name is Claude Munson and I’m singer-songwriter from Ottawa, ON. I perform in a five-piece band: two guitars, synths; drum and bass. Whether drenched in crystalline synths or stripped bare, I aim to write songs that tackle modern life and love with radical intimacy.

Some people call my music ‘Impressionist-Folk’ or ‘Art-Folk’.  

The Silence Came After is out. Can you reveal the themes and ideas that go into the album?

The Silence Came After is somewhat of an autobiographical record. I believe I'm trying to convey some truth about myself and my experience. One of the themes on the album is a kind of escapism and a constant need to run away from myself. I think, with this album, I confronted my past and learned more about myself in the process.

My music is also a kind of therapy for me: I write songs to try to make sense of my heart and my head.

Is there a track from the album you’d highlight as a favourite?

Broken Stairs is currently my favourite track.

The music video for it was just recently premiered on PopMatters the day before my album launch.  For the video, we chose the concept of getting lost in your own city. I was inspired by my teenage years of walking and hiking around Ottawa and Hull with my friends. We would go out and discover graffiti walls and abandoned things like the old train tracks that cross the Ottawa River and bridge Ontario and Québec. 

Do you feel the record is your most realised and satisfying work?

I do. We spent a few years making this album and did our best to not cut corners. Whether it was envisioning the album, writing; arranging or recording the songs, everything seemed to take longer than expected. I think it’s because everyone working on the record wanted it to be the best it could be. Each song is its own universe and they’re all treated uniquely. I’m proud of this album.

Which musicians did you grow up around? Who do you count as idols?

There are many, but I’ll try to keep it short! When I was younger, I would listen to old stuff like Billie Holiday and old Jazz records. I think this gave me an interest in singing melodies. In the early-two-thousands, Kurt Vile came to Ottawa and played Babylon nightclub. I was too young and too much of a dweeb to go to the show but I still bought his album, Smoke Ring for My Halo. I would always listen to this record before a writing session.

War on Drugs’ early stuff painted a nice picture for me: I really like what was going on there. The Sea and Cake (from Chicago) had an influence on some of the writing on the album. Something about the momentum in the music really inspired me - this feeling can be found on Broken Stairs. Bruce Springsteen’s Nebraska made me want to write more intimate songs. I would listen to that album a lot. Worthy mentions: Bright Eyes, Mazzy Star; Elliott Smith, Devendra Banhart; Andrew Bird, Patrick Watson; The Shins, Sufjan Stevens; Wilco, M. Ward; Jeff Buckley, Van Morrison; Nick Drake, Tom Petty and Paul Simon.

Sidenote: I’ve always been a big fan of Canadian Indie artists such Feist, Broken Social Scene; Stars, Bry Web; Chad Van Gaalen, Joel Plasket and Jen Grant. 

You are based out of Ottawa. What is the music scene like there? Are there a lot of great local acts?

It’s quite eclectic compared to when I was a teenager. Ottawa is a city that is constantly growing and changing. I’ve seen venues come and go but I think that means there’s stuff happening and people are trying stuff to see what works. There are more music festivals then before (big and small) and more than enough opportunities for bands to book shows and play. 

There is a good musical community here and anyone is likely to find something they like. I think Ottawa needs more medium-sized venues as to attract more out of town acts and maybe some bigger names; that would really draw people out to go see more music. There are many great local acts I would highly recommend: Her Harbor, Scattered Clouds; Trails, Shadowhand; Keturah Johnson, Sparklesaurus and Pony Girl to name a few!

Can we see you tour this year? What gigs do you have coming along?

Most probably! We are currently some shows to promote the album launch. We just played in Ottawa and Montreal this past weekend and we are heading to Toronto for a show at the Burdock on June 5th. 

Might you come and play the U.K. this year at all?

It would be a dream! I love to be on the road and my goal has always been to play everywhere I can. I feel as though people in the U.K. would enjoy the record. Even though my name is Claude, all my lyrics are in English!

What do you hope to achieve in 2018?

For my album to reach more ears, to write more songs; to make more music videos, to take some time off and remember to be human. I want to play some shows in scary America and beautiful Europe - and start recording a new album. I also hope to be a better person every day and give back to the community.

Have you got a favourite memory from your time in music – the one that sticks in the mind?

I miss the ‘jams’. I used to be part of a French band that busked in different towns in the South of France. We would hitchhike to a town, play in front of the cafes at night to buy food and drinks then sleep on couches at night…the vagabond days, I call ‘em. Those were my richest musical experiences to date. 

Which three albums mean the most to you, would you say?

Buena Vista Social Club - Buena Vista Social Club 

When I was very young living in Asia with my family (my father was CTV News correspondent), we had this album playing with us everywhere we went. Every time I hear any song on that album, I instantly feel at peace and calm. It’s such a musically-rich record, so much talent; there is something very romantic about the album. 

Paul Simon – Graceland

When I was learning how to sing and play the guitar, I made it my mission to learn as many songs off this album as possible. This album was always my feel-good go-to album. I love the way Paul Simon writes songs. I feel like there is a universal message of love and compassion in his music.

Bruce Springsteen – Nebraska

I was listening to this album while deciding which demos I would bring to the band. Time It Takes, the last song of the album, is a bit of an homage to the crudeness of Nebraska.

What advice would you give to new artists coming through?

Believe in yourself. Go for it. The only thing holding you back is that silly voice inside your head. Be patient with your material. Create experiences that build up your self-confidence. Share your thoughts and feelings with others. Help yourself grow. Be proud of what you can do: don’t try to be like others: you can’t escape your own uniqueness so embrace it.

IN THIS PHOTO: Kevin Morby

Are there any new artists you recommend we check out?

I may be late to the game on this one but I just discovered Kevin Morby. Amazing stuff, Singing Saw: great song. Land of Talk from Montreal is also worth checking out. Her music is inspiring and her musicianship is out of this world. Great voice and guitar work. 

IN THIS PHOTO: Land of Talk/PHOTO CREDIT: Matt Williams

Do you get much time to chill away from music? How do you unwind?

These days, not really, but that’s what I’m hoping for soon! Nature is a happy place for me so any kind of nature adventure is definitely my jam. In Ottawa and Gatineau we are surrounded by beautiful provincial parks so I try to go hiking and camping whenever I can. As a full-time cook, it’s hard to find the time.

My family has a cottage in New Brunswicka (a province on the East Coast of Canada). I’m hoping to sneak away there for a week or two this summer to decompress, chill on the beaches; read, play the guitar and spend time with my extended family – and eat some lobster. Very basic stuff but very good for the soul. I wrote three songs on that beach for The Silence Came After: Madness, Love Comes Knocking and Sweet Love. 

Finally, and for being a good sport; you can choose a song and I’ll play it here (not any of your music - I will do that).

The Sea and Cake - Any Day

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Follow Claude Munson

Facebook:

https://www.facebook.com/claude.munson

Twitter:

https://twitter.com/claudemunson

Instagram:

https://www.instagram.com/claudemunson/

SoundCloud:

https://soundcloud.com/claudemunson-1

Bandcamp:

https://claudemunson.bandcamp.com/

INTERVIEW: Conformist

INTERVIEW:

 Conformist

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THERE is a lot to unpick when it comes to Conformist…

and I was keen to learn more about his new release, Lifestyle Revised – reworkings of the songs that appear on Lifestyle Bible. He chats about the producers who remixed the songs and what is coming up for him; what the music scene is like around the Cardiff area – Conformist reveals whether he is touring at all or not.

The songwriter talks about new artists to look out for and what he hopes to achieve this year; why he keeps a low profile on social media; how he chills away from music – Conformist tells me the three albums that mean the most to him.

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Hi, Conformist. How are you? How has your week been?

Doing fine, thanks; it’s been good. I’m enjoying the sun, reading in the park during the day; working on music in the evenings. I’ve even got a mild suntan.

For those new to your music; can you introduce yourself, please?

I’m Michael Simmons and I make Electronic music under the name ‘Conformist’. I grew up in a small village in Pembrokeshire, West Wales and now live in Cardiff. I’ve been making experimental music since I was about eight-years-old.

I’ve released two albums: Paid to Fake It in 2013 and Lifestyle Bible in 2016. I’m about to release a remix record on 15th June called Lifestyle Revised.

Tell me the reason behind re-releasing Trust Exercises. How did Man Without Country get involved with the remix?

When I was making Lifestyle Bible, I sensed there were other directions the tracks could be going in but I thought that, rather than do it myself, it would be cooler to get input from other artists and let them take the tracks to other places.

When I first started thinking of artists to get involved with, Man Without Country were one of my immediate preferences to work with. I’ve been a fan of their sound for a long time and I also saw connections with myself and them, in terms of how meticulous and layered their work was. I got in touch with Ryan. I think he, possibly, hadn’t remixed such a ‘random’ track before, so it was perhaps a challenge for him. But, the end result is excellent.

Lifestyle Bible was released in 2016 – Lifestyle Revised takes the songs and pairs them with producers. What has the experience been like?

Really refreshing. When you’re making your own music, you can be guilty of not seeing all possibilities for the direction of a piece. But, having other artists listen to my tracks and come back to me with the versions that they did was quite inspiring. It makes you see a fuller and more focused picture.

Were you surprised by the original album’s positive feedback? Did that give you the desire to see what new life could be unearthed from the songs?

These days, I’m honestly not massively concerned with what feedback my records get. It used to bother me if I got a bad review and, on the flip, if I got a positive review I’d think I was a genius. You can get to caught up in the positive and negative comments. 

Conformist isn’t for everyone. When I realised that, it was really liberating…

Is there a particular remix that stands out to you? Which is your highlight?

I’m really pleased with all of them and grateful to all of the artists for getting involved – so, I wouldn’t really want to single out a (single) track as a standout. They each have elements which I like: the Mark Pistel mix has an old-skool Industrial vibe; Mark was in Meat Beat Manifesto and Consolidated back in the day so can sense that blueprint on the track; the Kayla Painter mix is really abstract and spacey, but has a 140 B.P.M. pulsing rhythm part way through - it works so well. 

The Man Without County mix is huge. It has an evocative, cinematic feel. 

What is the music scene like in Cardiff, where you are based? Which musicians inspired you to take up songwriting/producing?

I’m kind of in my own bubble doing Conformist so I don’t tend to get out to gigs or get involved in the local scene as much as I’d like, but I do know there is a strong sense of community in the scene. About a year ago, there was talk of a few of the coolest venues in Cardiff being closed down to make way for the building of luxury flats...it was pretty inspiring to see everyone banding together at that time to help the cause. It definitely solidified the scene; made it stronger.

When I was younger, I was inspired by watching television and movies as much as by other artists. I’d always liked the idea of taking sounds out of other platforms and re-arranging them - so when I discovered artists like Steinski, I was really inspired.

You keep quiet a low profile when it comes to interviews and social media. Is that so you can focus on the music and what is most important?

I’m not huge on social media: I don’t feel the need to tweet what I’m eating - it often reeks of desperation. I find it a bit sycophantic, seeking others approval, so I try to avoid giving my opinions on topics; don’t directly post on my pages unless it is music-related. I try not to engage.

Interviews are fine. I could talk music all day.

 Can we see you tour this year? What gigs do you have coming along?

I’d like to tour this year, why not, but currently no plans. It’s hard to see Conformist doing a conventional tour but, maybe, some one-off shows. The venue is important. It has to be the right audience.

What do you hope to achieve in 2018?

Once this record is done, I’d like to get a new Conformist E.P. out in the autumn. I’ve got some tracks which are fresh and I really want to get them out before Christmas; maybe five or six tracks, a little longer and more experimental than the last album. Slower B.P.M.s; room to think.

Have you got a favourite memory from your time in music – the one that sticks in the mind?

Actually, getting a nice email from Chris Carter of Throbbing Gristle was super-cool and a highlight. He was really kind and encouraging of my music; a total gent. I’m a big admirer of his work, so it was a big deal to myself.

Which three albums mean the most to you, would you say?

Meat Loaf – Bat Out of Hell I, II and III!

Nahhh, joking. Ummm. I really like Deceit by This Heat; the White Noise An Electric Storm album and maybe one of the early Public Enemy records...It Takes a Nation of Millions to Hold Us Back. 

All are a big influence on myself, production-wise.

What advice would you give to new artists coming through?

Have perspective: the music you’re making may be important to yourself but it doesn’t mean it’s great. Don’t attempt to mimic other artists. Don’t get mad at criticism. 

IN THIS PHOTO: Kelly Lee Owens/ARTWORK: Kim Hiorthøy

Are there any new artists you recommend we check out?

Kelly Lee Owens is doing some productions which I’m really jealous of. She is excellent. An artist called Accü (I think she is from West Wales). I saw her video, Did You Count Your Eyes?, the other day which I thought was cool.

IN THIS PHOTO: Accü

Do you get much time to chill away from music? How do you unwind?

It’s mostly music stuff 24/7. I’m pretty intense about it. But, I’m a massive movie fan and I do quite a bit of running, short-distance stuff, like four K.M. a few times a week. People seem surprised I run: maybe disappointed cos it’s not very Rock ‘n’ Roll...?

Finally, and for being a good sport; you can choose a song and I’ll play it here (not any of your music - I will do that).

Squarepusher - Tomorrow World

Killer melody!

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Follow Conformist

Official:

http://www.conformistmusic.co.uk/

Facebook:

https://www.facebook.com/conformistmusic

Twitter:

https://twitter.com/conformistmusic

Instagram:

https://www.instagram.com/conformistmusic/

SoundCloud:

https://soundcloud.com/conformistmusic

YouTube:

https://www.youtube.com/user/conformistmusic

INTERVIEW: Kidd Bayou

INTERVIEW:

 Kidd Bayou

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JOEY and Luke of Kidd Bayou have been discussing…

their new single, Gold, with me and what we will see from them in the future. I ask how they got together and bonded; whether a similar taste in music is what got Kidd Bayou progressing and smoking – the U.S. act look ahead and discuss touring and what they want to accomplish before the end of the year.

I was curious whether the boys planned on coming to the U.K. and whether there are new artists we need to seek out; what their favourite memories from music are – the guys tell me how they chill away from their busy music careers.

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Hi, guys. How are you? How has your week been?

Joey: The week has been good. Got a couple practices in with the band - really trying to work out the kinks to for our release show.

For those new to your music; can you introduce yourselves, please?

Joey: My name is Joey...

Luke: …and my name is Luke Hall.  We are two guys.

Joey: We are a couple friends who happen to make music together.

What is the story behind the new single, Gold? Is there a background to it?

Joey: Yeah. There is, actually. When I was writing Gold, I think it was one of the first tracks we recorded on the album; I wanted to have this themed album where all the songs were about different historical events that had some significance. I wrote Gold about, hopefully, this is obvious enough, the Gold Rush. There are some lyrics about Sutter’s Mill and James Marshall, the San Francisco 49ers….

I would recommend Wikipedia if you need a refresher.

Lisa Rono provides backing vocals. How did you come to meet her? What, do you feel, she adds to the mix?

Luke: I’ve known Lisa since middle-school. She’s super-talented. At the time we were working on Gold, I was also working with Lisa on her solo project. I played her the track and she hummed some harmonies - and she was gracious enough to sing on it. I think her voice really elevates the song. It’s haunting and beautiful.

How did Kidd Bayou start life? When did you meet one another?

Joey: We met in L.A. at a party. I have told this story several times but I am not sure exactly how it all went down, but we decided that it was a party at my house. I think it was Christmas-themed. I was wearing a onesie and Luke showed up also in a onesie. So, you know, it just clicked. I was like: “I like this dude”.

The rest is history.

Luke: That sounds about right. One of my friends, Tien, was living with Joey at the time. Such a bonus to find a new friend at that party.

It seems, Luke and Joey, you have similar tastes in music. Is that common ground a reason why you are so connected as a duo?

Joey: I think it’s that and we are friends first and foremost: we both are musicians and had our own bands previously.  I was a big fan of Luke’s old band, Dayplayer, as well as his solo stuff, Last Home. So, it was pretty natural for us to start playing together. It was great. There was no pressure. It was just two guys throwing around a few ideas and seeing what stuck. Sticky Stars is what stuck.

Luke: It certainly helps that we share similar tastes. We throw ideas off of each other and, since they are distillations of our common inspirations, they usually aren’t too far off the mark.

I know you are both from different parts of the U.S. Where are Kidd Bayou based right now?

Joey: I recently moved back to Chicago and Luke is still in Portland. So, I guess we are bi-coastal if you consider Lake Michigan a coast. I get out to Portland a decent amount. The last time I was out there me and Luke actually laid down a new track.

So, we are still creating but it’s in fits and spurts.

Luke: Lake Michigan is not a coast…

Joey: Splitting hairs.

Where are you heading on tour? Where can we catch you?

I am trying to figure that out right now. The plan is to have a release show in Chicago and then hopefully, after that, one in Portland. Maybe late-June for Chicago.

Might we see you in the U.K. at some point?

That would be ideal. There are no current plans but I would love to do a little tour out that way.

What do you hope to achieve in 2018?

Luke: I hope to live to see 2019...

Joey: Simple enough.

Have you each got a favourite memory from your time in music – the one that sticks in the mind?

The first time we jammed together. It was in a tiny little practice space in L.A. Luke played the drums and I played the guitar. I think we recorded some of it. I think of few little bits may have made their way on the record.

Luke: Yeah, that was the start of something special.

If you could support any musician alive today, and choose your own rider, what would that entail?

Joey: Death Cab for Cutie or The Shins. I think we have a similar sound. They are very influential in my songwriting.

My rider would be honey mustard pretzels.

Luke: Nada Surf!

My rider would have to include some salt and vinegar potato chips.

What advice would you give to new artists coming through?

Joey: Make music because you love to do it not because you want to be famous.

Luke: Exactly. Focus on your art and the rest will follow.

IN THIS PHOTO: Haley Heynderickx/PHOTO CREDIT: Evan James Atwood

Are there any new artists you recommend we check out?

Joey: I am so out of the loop these days. I usually get my music from Luke.

Luke: Haley Heynderickx, Futurebirds; Diarrhea Planet, Now, Now and [E]mpress.

IN THIS PHOTO: Now, Now

Do you get much time to chill away from music? How do you unwind?

Joey: I would say the majority of us hanging out is outside of music. That’s why this whole thing is special; music comes second after friendship. I think that’s why it was so easy to make a record: there was no pressure; it’s just two buddies hanging out who happen to make music.

I unwind with a beer and some conversation with friends.    

Luke: …and golf, when I can find the time and it’s not raining in Portland. Golf is a major outlet for me, and Joey too, I think. It’s nice to be outside for a few hours and turn off.

Joey: ...and get frustrated with yourself for four hours. 

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Follow Kidd Bayou

Facebook:

https://www.facebook.com/kiddbayou/

Twitter:

https://twitter.com/KiddBayou

SoundCloud:

https://soundcloud.com/kiddbayou

Spotify:

https://open.spotify.com/artist/62dVJBZNEVA0B2X7Cni37T

BandCamp:

https://kiddbayou.bandcamp.com/releases

INTERVIEW: Chris Tavener

INTERVIEW:

 Chris Tavener

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IT is not often I get to encounter a songwriter…

who mixes traditional sounds with satirical and humorous edges. Chris Tavener has been spending time and telling me about his live album, Is He Joking? ... I ask him which songwriters he takes inspiration from and what it was like recording the album.

Tavener tells me about new artists turning his head and what advice he would give to upcoming musicians; what it feels like being provided kudos by Tim Minchin’s management company; if it is important, given the times we are in, we can laugh as well as provide something deep – he selects a trio of albums that have made a big impression on his life.

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Hi, Chris. How are you? How has your week been?

I'm very well, thank you. My week has been fun so far but very administrative: emailing venues in mainland Europe.

For those new to your music; can you introduce yourself, please?

My name's Chris Tavener. I am a satirical Folk singer-songwriter using humour and an acoustic guitar to tell social commentary stories about the world we live in. I'm constantly performing live in the U.K.

Is He Joking? ... is your new live album. What was it like filming it in the Three Minute Theatre (Manchester)?

It was brilliant! John and Gina, who run the theatre, are lovely people with an admirable work ethic and they've certainly turned it into a quirky place. There are mannequins tied to the ceiling and an axolotl tank right next to the seats. It's the perfect venue to host an intimate concert - and I was so pleased to perform in it for the album recording.

There are newer numbers combined with older ones. What was the reaction like to the newer material? What was the vibe like in that space?

The reaction to the new material was great. In fact, if I were to do it again, I would have liked all the material to be new to the audience. The first reaction to a song or a punchline is very often the best. Performing that new material for the first time, and simultaneously committing it to a record, was both nerve-wracking and really rewarding.

I can't thank the people who attended that show enough. They created such a brilliant atmosphere and I think you can hear it on the album/D.V.D. now.

Your songs are satirical in nature. Given the times we are in; do you think it is important we can laugh as well as criticise?! Are enough songwriters going beyond the cliché and ignoring the satirical?!

Yes - and even better to do both in one breath! That's just one of the things I love about great satire: it's the ability to be cynical about something while, at the same time, being funny, silly or playful. A lot of people are calling this a great age of satire and I think it's coming back into fashion among songwriters as we come to terms with these dark and uncertain times. 

The album (of the live show) has been well-reviewed and Tim Minchin’s management has contacted you. What is it like knowing it resounds and connects with people?

It's incredibly validating to know that people of that stature are interested in what I'm doing. I've always wanted to write music that connects with people; music that they can relate to. Above all else, that's what I'm striving for. When I get a laugh, that sort of signifies to me that I've touched on something the audience has identified with.

Give me an impression of the songwriters and speakers who influence you. Do you mix a love of classic satirists like Tom Lehrer with traditional artists?

I most certainly try to. I, love Tom Lehrer Randy Newman; Loudon Wainwright III, Bob Dylan and Arlo Guthrie for their lyrics, especially, and I would call them all influences. But, I think I've also been inspired by modern voices like Alex Turner, Courtney Barnett; Paolo Nutini, Laura Marling and, very recently, Jade Bird...

I always make sure that the music is allowed as much care and time as the words. Originally, I'm a musician first: I hope that's what separates me from many comedians who use music. The songs of Billy Joel, The Beatles; Jim Croce and Oasis all influenced me.

 What comes next for you? Will there be more material, live or studio-recorded?

Next is a tour of the U.K. and Europe. It's hard to see past that at this point. I'm thinking about whether a studio-recorded album or live album should be next. I'll probably base it on this release, whether it's a success or not…

I have a couple of smaller releases before then, including a single about the World Cup 2018; a weekly video series and, perhaps, something for Christmas.

Can we see you tour this year? What gigs do you have coming along?

Absolutely. I'll be touring in Europe in September and the U.K. will have to wait until October to November. I'm travelling further than I've ever gone before. Very exciting!

All details will be at www.christavener.co.uk/events after announcements.

What do you hope to achieve in 2018?

I'd like this album and D.V.D. release to open doors for me that weren't there before. I don't know yet what they'll be but I just keep working at every small idea that comes into my head and every opportunity that comes my way. I have been asked to do a couple of song commissions for a new documentary and a charity organisation this month.

Have you got a favourite memory from your time in music – the one that sticks in the mind?

So many amazing memories to choose from…

It'd be easy to say the album recording shows, so I won't mention those (even though I have...) and I'll go for something left-field.

I'm always astounded by the generosity of strangers. One of the perks of this job is getting to be around people at their most jolly. Recently, I was playing a gig in London where a group of afternoon drinkers kept buying shots for me. It was eventually decided that I would come with them after the gig to a party. It turned out to be a private birthday party where I had to act casual and pretend I knew whose birthday it was...

Which three albums mean the most to you, would you say?

You do ask some tough questions! All great questions, too:

Courtney Barnett's debut album, Sometimes I Sit and Think, and Sometimes I Just Sit, means a lot to me. I was a follower of hers years before it came out. I have a memory of listening to it while sweeping a floor in my last day job before becoming a full-time musician.

Bob Dylan's Bringing It All Back Home has always been one of my favourite albums of his. Nothing invigorates me more than that opening track, Subterranean Homesick Blues. I can't believe that, fifty years since its release, the song can still do that.

Arctic Monkeys’ Whatever People Say I Am, That's What I'm Not. I played this album into the ground in my late-teens and I still know every word and every note. For partly sentimental reasons, I can't ignore this album's influence.

What advice would you give to new artists coming through?

I often say the same thing but I think it's an important point: look for what makes you distinctive and original. I heard a lecturer talk about a micro-niche in music once and it seems that every famous artist has one.

It's certainly not job number-one if you're finding your feet: it will happen naturally but just try to be aware of how you can differentiate yourself from other musicians. That's the way to stick in an audience's head.

I would also say having some business acumen gets you a lot further in this digital world where artists are much more independent than they used to be.  

 IN THIS PHOTO: Joel Gardner

Are there any new artists you recommend we check out?

If I'm allowed to mention unsigned artists then I could be here all day answering that question…

I think Joel Gardner, Izzie Walsh; Carl North & The Lonely Hearts, Thom Morecroft and Robbie Cavanagh are all very good to name just a few.

I like Superorganism, Jade Bird and Ezra Furman - who are all new artists on their way up. 

IN THIS PHOTO: Thom Morecroft/PHOTO CREDIT: Rosalinda Hindle

Do you get much time to chill away from music? How do you unwind?

I don't, and it is something I hope to change; to get a better work/life balance. I enjoy reading, running and travelling when I'm not working on my music.

Finally, and for being a good sport; you can choose a song and I’ll play it here (not any of your music - I will do that).

Could you please play Keb’ Mo’ – You Can Love Yourself. A friend recommended Keb’ Mo’ to me a short while ago. He sounds incredible with his authentic Blues sound and effortlessly poetic lyrics. One day, I'll hope to play like him instead of writing about Cliché Blues...

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Follow Chris Tavener

Official:

http://www.christavener.co.uk/

Facebook:

https://www.facebook.com/ChrisTavener/

Instagram:

https://www.instagram.com/christavener/

Twitter:

https://twitter.com/ChrisTavener

SoundCloud:

https://soundcloud.com/christavener

YouTube:

https://www.youtube.com/channel/UCdIAZgzl1vPUwbGT7PJq73g

BandCamp:

https://christavener.bandcamp.com/

INTERVIEW: Mitch Bradford

INTERVIEW:

Mitch Bradford

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OVER to America I go…

to speak with Mitch Bradford about his new tune, Come Meet Your Lover. I have been chatting with Bradford about his favourite music and which artists have driven him; why he took a job with Google; the influence of California to his career development – he chooses three albums that have played a big role in his life.

I learn whether there will be more material and gigs coming later in the year; whether he experiences a lot of classic songwriters growing up in Texas; which new artists we need to get involved with – he shares a favourite memory from his time in music.

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Hi, Mitch. How are you? How has your week been?

Really good! Thank you.

For those new to your music; can you introduce yourself, please?

I’m Mitch Bradford, an Americana musician from Brownsville, TX. I live in Los Angeles.

Come Meet Your Lover is your latest single. Can you tell me about its story and background?

It’s about the excitement of romance; how the expectation of romance is often more exciting than romance itself. I think that’s what it’s about. But the songs take on a life of their own - your interpretation is as good as mine…

Are there going to be more songs coming later this year? What are you working on?

Yeah. We should have two-three more singles come out. Then, we’ll release the whole record and tour.

It seems like, growing up in Texas, you experienced classic songwriters like Joni Mitchell and Neil Young. How important were those early sounds to you?

Pretty important. I’ve tried to remake Neil Young’s Harvest a couple of times now. Haha! I think it was their mix of melody and lyrics that got to me. Those older songwriters worked hard to write songs that meant something…and that had an impact.

Is it true you worked for a time with Google?! What was the reason for that? Did you learn anything about yourself whilst there – or did it spur you to make more music?

Yes! I think it taught me to surround myself with great people: you’re only as good as the people you surround yourself with. I took that idea into the studio as well. The musicians we had on the record – guys like Matt Ross-Spang, Al Gamble; Ken Coomer, Dave Cousar; Dave Smith, Rick Steff; Scott Bomar, Susan Marshall; Reba Russell, Sam Shoup –were amazing. They elevated the work because they’re such good players.

I believe a sort of ‘epiphany’ moment happened when you were driving down the coast of California? Was that the moment you realised music was what you wanted to do?

No. Haha! It was the moment I knew I wanted to move to California, though...

Which artists do you take inspiration from when it comes to your own sounds?

All the folks mentioned; Jackson Browne, Van Morrison; Bob Dylan, Joni Mitchell; Neil Young, Willie Nelson and Muddy Waters.

Can we see you tour this year? What gigs do you have coming along?

Yes. We’re planning as we speak.

What do you hope to achieve in 2018?

I hope to have this record, Love Is Kind, land well. I’m excited to get it out there.

Have you got a favourite memory from your time in music – the one that sticks in the mind?

I remember, on the second day we were recording at Sam Phillips, I kind of had a surreal moment. It had been a dream to work on a record with Matt Ross-Spang there. In that studio. It had all come true. It’s hard to describe, but it was powerful. A feeling of agency…and accomplishment.

Which three albums mean the most to you, would you say?

For Everyman by Jackson Browne; Prairie Wind by Neil Young; Modern Times by Bob Dylan.

What advice would you give to new artists coming through?

Follow your heart.

IN THIS PHOTO: Peter Hochstedler

Are there any new artists you recommend we check out?

There’s a lot of good new artists I know. They don’t get much radio play, though. Bland Scott, out in West Texas, is great. My friend Peter Hochstedler has made some killer records. Twiga, a band in N.Y.C., are cool. There are lots of good folks out there playing music - you just need tune in.

IN THIS PHOTO: Twiga

Do you get much time to chill away from music? How do you unwind?

I find it hard to relax…

Finally, and for being a good sport; you can choose a song and I’ll play it here (not any of your music - I will do that).

Ready or Not by Jackson Browne

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Follow Mitch Bradford

Official:

http://www.mitchbradford.com/

Facebook:

https://www.facebook.com/mitchbradfordmusic/

Instagram:

https://www.instagram.com/bradfordmitchell/

SoundCloud:

https://soundcloud.com/mitchbradford

Spotify:

https://open.spotify.com/artist/5hBcQGddB3Hup530hw3xGB

INTERVIEW: Fergus

INTERVIEW:

Fergus

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THIS is one of those interviews…

where you delve into an artist’s heart and really discover what drives them. Fergus has been telling me how music enriches him and what it means; what the story is behind his current single, Sinking; he tells me how it improves/differs from his debut, You or Nothing.

Fergus talks about overcoming hard times and which artists have inspired him to go into music; which three albums have made the biggest impression on him; a few new artists we need to keep a watch over; what he wants to accomplish before the year’s end – he leaves some helpful advice for songwriters emerging.

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Hi, Fergus. How are you? How has your week been?

Hello! I'm well, thanks. Been soaking up some sun this week, working on a couple of songs and getting ready for hitting the studio again next week.

For those new to your music; can you introduce yourself, please?

I'm Fergus and I'm a singer-songwriter. I write based on my mood and tend to find a lot of my imagery and inspiration in nature. It’s a cathartic process for me and I hope people can also find some catharsis of their own within the songs.

Above all, I want to make something beautiful.

Sinking is your new track. What is the story behind it?

Sinking is really about feeling helpless and not being in control. I wrote it when I was feeling directionless, personally, and also very much under someone’s control. It’s an intimate and scary song full of stormy imagery to evoke an inner-turmoil with an end in sight - but not the one you want.

It follows your debut, You or Nothing. How do you think you have developed since then?

I'm growing in confidence all the time for a start and taking more risks; evolving the sound through experimentation. Sinking is a much darker song with more going on in the production - definitely a sign of things to come.

Will there be more material arriving later in the year?

Yes, absolutely, there will be another two singles coming out of what is now going to be a half album, due to release end of summer/early-autumn. Can't wait!

The music industry is busy and competitive. It can be stressful. What is it that keeps you pushing and aiming high?

I think, deep down, I’ve always had very lofty dreams and fiercely-guarded ambitions. I have spent a lot of time thinking about them and imagining doing the stuff I want to do so vividly it gives me goose bumps. Sometimes, I feel like I'm crazy and the obstacles to overcome are insurmountable but I remember that feeling and it keeps me going, keeps me hoping. I've received a few knock-backs in my time - and will many more I'm sure - but I'm at the point now that all they will do is fuel me.

My relationship with music is just that - a relationship -: sometimes I don't love what I do, but it is what I have to do and I think that complexity comes across in the songs. Someone once asked me: “So, is music what gets you out of bed in the morning?" and I said: "It's what keeps me up at night”.

I notice there is a certain emotion and melancholy in your music. Is it true you used to perform with choirs? What is it about a sense of inner-investigation and wistfulness that attracts you?

Yes - my musical background is in choral music. I spent my childhood and adolescence performing around the world. Amazing experiences, amazing training; did miss out on some kid stuff though. After all that was over, I was suddenly an adult with no idea who I was or what I wanted to do. I spent years soul-searching, drifting. It helped that I'm a classic over-thinker and spend most of my time going over things in my head, reliving bad moments...it's not so much that it attracts me; just the way I’m wired.

I spent most of my life feeling numb, so now I feel things very deeply but often struggle to rationalise them and digest really what I'm feeling and why. It's important for me to get outside and see the bigger picture.

Which musicians inspired you growing up? Did you grow up in a musical household?

I always gravitated to singer-songwriters growing up: KT Tunstall, Natasha Bedingfield and Norah Jones. My mum can sing and play the piano and my sister's very musical too. My dad is the biggest music fan - but sadly can’t play or sing at all! The house was a filled with everything from Classical to Punk.

Do you have any gigs lined up? Where are you heading?

Yes. Stay tuned for some announcements there (smiles).

What do you hope to achieve in 2018?

I can’t wait to get the half-album out - we’ve done some interesting things on it and I think it will really tell a story. Then, I’m getting some gigs under my belt and building a fanbase. 

Have you got a favourite memory from your time in music – the one that sticks in the mind?

Yes! A few weeks ago, I was in the studio and Jake wanted to record this song I'd been sending him little vids of me singing (such a tease). I'd only written the chorus though, so Jake spent about forty mins making this amazing beat to go under it while I wrote the verses.

I saw my parents that night and played them the song. My dad said to my mum: “Look how happy he is!". We're putting the finishing touches on it next week and it'll hopefully be the next single (smiles).

If you could select the three albums that mean the most to you; which would they be and why?

Al Green - Let’s Stay Together

This was always playing at home in my earlier years. Hearing it takes me back to those days: when times were simpler and we were all together. It’s warm, full of life: timeless. Always brings a smile - happy or sad.

Sharon Van Etten - Because I Was in Love

Sharon is my favourite artist. This album can be hard to bear sometimes, which is a good thing! It’s incredibly cathartic. Her voice is rich and heavy with emotion but still soars. Her songs are raw and vulnerable and still sweet. I love her completely.

Rhye - Woman

An education for me - that it was not only ok, but actually sexy, to have androgynous vocal vibes going on. The songs and arrangements are so luscious. When The Fall dropped…it was life-changing.

What advice would you give to new artists coming through?

I think, for hungry artists, knowing when to be patient and when to be impatient can be a tricky thing: impatience is great when it drives you to reach higher and higher but, equally, you can’t run before you can walk…

As with most things, timing is everything. Frustration is a feeling you can actually use that everyone has had and can relate to. At this stage, feeling like you are keeping busy can be tough but it is important to embrace some downtime and look after yourself; to keep from burning out. Before long, you’ll be fighting to carve out some time for yourself anyway! Write as much as possible but don’t force it: some songs need time to form and settle and decide what they wanna be.

Everyone is different, but if you are planning to have a very long career (like I am!) I think you have to be willing to let things take their time to build up more naturally and reach your true fans.

Be open to and supportive of others, we’re all in the same boat - paddling is more effective when you’re doing it together.

Are there any new artists you recommend we check out?

Jade Bird. Loving her song, Lottery; already well on her way to being huge. The Modern Strangers. I caught these guys a few weeks ago at Birthdays in Dalston; great, catchy tunes, THICK live sound. My mates The Shantics have their first E.P. coming out around June/July and it’s gonna be a good one! Stevie Nicks gets me going.

IN THIS PHOTO: The Modern Strangers/PHOTO CREDIT: Stew Capper

Do you get much time to chill away from music? How do you unwind?

Honestly, it's never really not on my mind - head full of songs! Now the weather's nicer, I'm spending a lot of time outside which really helps me gain some clarity. I do like to watch T.V and love films. Sillier the better if I want to unwind (smiles).

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Follow Fergus

Facebook:

https://www.facebook.com/intofergus/

Twitter:

https://twitter.com/intofergus

Instagram:

https://www.instagram.com/intofergus/

SoundCloud:

https://soundcloud.com/intofergus

Spotify:

https://open.spotify.com/artist/1ftEZp05l2lczXUxg27fyK?si=huaPSh7vSSSdOztee1l1rQ

INTERVIEW: Escapade

INTERVIEW:

Escapade

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MY final interview of the week is…

with the Leicester-based band Escapade. The guys tell me about their new single, Take My Love, and what we will see in the coming months; whether this year is going to be the one where they break through and conquer – they reveal what gigs they have coming up soon.

I ask how they all got together and what the music scene is like in Leicester; what one might expect from their live shows; how they all spend time away from music; which new acts we should get involved with – the guys end the interview by picking a song each.

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Hi, guys. How are you? How has your week been?

Were all good, thanks – just getting prepared for a weekend full of gigs for us! Hometown show is in Leicester on Saturday and then off to Liverpool to play two shows at the Cavern Club and Cavern Pub.

For those new to your music; can you introduce yourselves, please?

We are Escapade; a four-piece Brit-Rock band from Leicestershire! We have Sam Wyatt on Vocals and Rhythm Guitar; Adam Bailey on Lead Guitar; Jordan Alleston on Bass/Backing Vocals and Martin Wenham on Pots and Pans.

Take My Love is your new one. Is there a story behind the song? How did it come together?

No story behind it: it’s all in the title; maybe a little bit of rejection thrown in there. It started off with a riff that Sam played that sounded a little Country-style so we jammed it like that for a while. Then, Adam came up with the picking part you can hear in the background; then it came to what it is now, after a lot of stripping back and rewriting.

Is there more material due from you guys? What is the spirit like in camp?

There’s plenty of new material to come. We will have a second single released before we bring out the full E.P. Even then, we have been writing some new songs that we are looking to record towards the latter end of the year.

You have enjoyed success already this year and seem to be on the way up. Is 2018 the year for Escapade to dominate and strike out?

We hope so! Every gig seems to get bigger and better for us. We recently played the O2 Academy2 in Birmingham for SoundWaves music competition, which was a near-sellout crowd and it just blew us away! We just want to spread out across the U.K. and get our name out there and get new ears to our music and gigs.

How did you all get together? How important is/was Leicester and the scene there?

Sam and Adam both started as an acoustic duo (just) performing originals and covers around the Leicester music scene. We soon outgrew that and felt we needed to form a band. So, we recruited Jordan through a friend who recommended him and then Martin via the ways of social media. That is Escapade!

There are some great Rock and Alternative bands coming through. Do you think they are genres that are struggling for exposure and direction at the moment?

Guitar music, I feel, is struggling to get much airplay at the minute. You can get whatever genre of music out there if people like it.

Where are you heading on tour? Where can we catch you?

Well. We have no plans to go on tour yet but, if we win the overall U.K. finals of SoundWaves music competition, then that is one of the prizes! We are keen to go on/win as we just want to get out and across the U.K. The final for that is June 23rd at O2 Institute3, Birmingham.

If we came and saw one of your shows; what could we expect in terms of the set and experience?

The set is going to be loud! With the good audience response, we will cause a tremor!

What do you hope to achieve in 2018?

The same as any year for us: more exposure, new fans and the chance to play bigger venues. We would love to jump on as a support act for a major band - that would be the ultimate goal!

Have you each got a favourite memory from your time in music – the one that sticks in the mind?

It would have to be the regional finals of SoundWaves competition at the O2 Academy Birmingham. It was a rammed night and we were on second-to-last, so everyone was well-oiled. We came on stage to a roar of fans chanting “Escapade!” We smashed the set and the judges’ comments just blew us away!

One judge said we should be headlining Glastonbury Main Stage with that performance…

If you could support any musician alive today, and choose your own rider, what would that entail?

Adam: Probably someone like Noel Gallagher, as I think our music would go down well with him and the crowd. (For the rider) Pepperoni pizza, deep pan; stuffed crust and lager

Sam: Kasabian for me. The rider would be beer, water and cigarettes.

Martin: The Rolling Stones! On my rider would be Fanta Orange, Hop House 13 Lager; Kripsy Kreme doughnuts and possibly a stir-fry.

Jordan: The Libertines - Xbox, Fortnite and SOUR SUCKERS!

What advice would you give to new artists coming through?

Adam: Keep the momentum going; gig as much as you can; practice hard and build a loyal fanbase. I think the rest will sort itself out.

IN THIS PHOTO: Wooly Mammoths

Are there any new artists you recommend we check out?

I’m massively into a band we went and watched earlier this year called The Brew - definitely worth checking out! It’s probably one of the only gigs where I just stood there in amazement for the whole set!

Sam: Wooly Mammoths, RedFaces and Annabel Allum.

Martin: The Interrupters.

Jordan: LEONTAS from London.

IN THIS PHOTO: Annabel Allum

Do you get much time to chill away from music? How do you unwind?

Adam: I like to go fishing with my dad.

Sam: Listening to music.

Martin: Chilling at home in front of Sky Sports and playing some Xbox.

Finally, and for being good sports; you can each choose a song and I’ll play it here (not any of your music - I will do that).

Adam: The Brew – Johnny Moore

Sam: Wild World by Cat Stevens

Jordan: The Music – The People

Martin: Like a Rolling Stone – Bob Dylan

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Follow Escapade

Facebook:

https://www.facebook.com/escapadeuk/

Twitter:

https://twitter.com/EscapadeUK

Instagram:

https://www.instagram.com/escapadeukofficial/

SoundCloud:

https://soundcloud.com/escapade-uk

YouTube:

https://www.youtube.com/user/winwoodscc

INTERVIEW: Dan Rawle

INTERVIEW:

Dan Rawle

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LEADING me into the weekend is Dan Rawle…

who has been talking about his upcoming single, Matter of Opinion (out on 3rd June). I ask the Oxford-based songwriter about the track’s story and whether there is more material coming before the end of the year.

Rawle tells me whether he thinks he has evolved over the past year; what he wants to achieve in the coming months; the three albums that mean the most to him; some new artists worth looking out for – he talks about future gigs and tells me how he relaxes away from music.

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Hi, Dan. How are you? How has your week been?

Hi, Sam. I’m well, ta. I have been a little under the weather but I’m on the straight and narrow now, so it’s all good. Just been working and gigging a fair bit.

For those new to your music; can you introduce yourself, please?

Sure thing. My name’s Dan Rawle (you’ve probably gathered that by now!); I’m an Oxford-based singer-songwriter with a guitar and a little songbook. I grew up in Abingdon, not far from Oxford, and have pretty much just stuck around! Musically, I've got a simple, honest sought of vibe I guess and have been likened to Passenger shaking hands with Jack Johnson at a Beatles show.

Matter of Opinion is your new single. Can you reveal the inspiration and story of the song?

So. The new single, Matter of Opinion, is a song that’s very close to my heart. It’s a song for my dad, of whom we lost to cancer when I was five (I’m now thirty). I’ve written it to say that, even though he’s not physically here anymore, he is still around in so many ways…in the belongings he left behind, in our memories and stories and in my sisters and me.

Without getting too soppy, it’s about never forgetting a loved one that’s not with us anymore...

There are hints of classic Pop and modern Acoustic in the song. It relaxes the soul and nourishes the listener. What do you hope people get from the song?

Well. I’d be really chuffed if people can connect with the song in some way and maybe even find it helpful if they’ve lost someone close. Or, simply, I hope people just enjoy listening to it.

Your 2017-E.P., It’ll All Come One Day, was well-received. Do you think, since then, you have evolved as a songwriter and learnt anything new about yourself?

Hmm. I’ve definitely learnt things about myself that seems to be happening slowly but surely over the years! In terms of writing, as any musician will know, you try to better yourself each time: a better hook, a better lyric; more this, less that! But, I’ve got a few songs on the go that I’m really excited about and that’s a most important thing I reckon.

Do you know what the next step will be in terms of material?

With the new songs, all I know at this stage is that I’m working closer to the band (Sarah Morgan and Patrick Foley) to really punch them home. There’s a subtle change in the style, which is gonna keep things fresh and new.

When did music arrive in your life? Who did you follow as a child?

I think I was always a bit musical, which was probably down to my wonderful mum. She’s always sung and played the guitar, so at least one of us four kids was going to follow suit! The first album I bought was, ahem, Britney Spears. I’d say I’m embarrassed, but I’m not. It was a tour de force! Ha. Later, I got into a lot of Pop-Punk, Oasis and then The Beatles.

Can we see you tour this year? What gigs do you have coming along?

There are a few shows coming up this summer, namely Cowley Road Carnival on 1st July. We’ll be at The Cape of Good Hope from 1-ish. Then, WaddStock on 28th July. I’m going back to basics as well through June and doing a cheeky little open mic tour of Oxford, just for a bit of fun, and to shout about the single.

How does it feel being up there on the stage? Can you describe the feeling?

Being on stage is wicked. It feels weirdly natural and exhilarating. But, there’s nothing better than playing to a crowd that is having a bloody good time and singing along! It’s hugely flattering.

What do you hope to achieve in 2018?

This is like a midyear resolution list! For 2018, I’m hoping to get the single out, obviously; buy a new car, get a new flat; see some new places and generally have a good time. Oh, and cheesy alert: think less and feel more.

Have you got a favourite memory from your time in music – the one that sticks in the mind?

Ooh, that’s tricky...

If I had to pick, it’d be the launch gig at The Library for the E.P., It’ll All Come One Day. I was so happy with how many people came and when they all sang the chorus of the title-track back at me I nearly shed a bloody tear! It’s a simple thing I know, but it means a lot.

Which three albums mean the most to you, would you say?

Three albums...let’s go with Passenger - All the Little Lights; Michael Jackson – Thriller and The Beatles – Help!

What advice would you give to new artists coming through?

I’m hardly one for giving advice here, but I would say this: believe in yourself. If you want to go somewhere, work your arse off. Don’t worry about being too self-promoting (no-one else will do it for you...unless you pay them loads). Try to be yourself and have your own little thing, even if no one else is doing it. From a writing point of view, try to hear your music back as a listener, not a writer. Get as much constructive feedback as you can; it’ll help focus things to a strong point.

That’s actually quite a lot of advice!

IN THIS PHOTO: David Ashworth

Are there any new artists you recommend we check out?

They’re not really that new anymore, but my good pals David Ashworth and The Steady Letters are damn fine musicians and writers. We’ve shared a lot of inspirations and drunken ideas - and the results can be heard for sure!

IMAGE CREDIT: Victor Hensel Photography

Do you get much time to chill away from music? How do you unwind?

When I get a little time away from music, I love to lie on the sofa and watch a good show. I’m smashing my way through Friends right now! I spend time with my girlfriend, head down the pub and I’m reading a bit, too. Currently, I’m half-way through an incredible book called The War on Women by Sue Lloyd-Roberts: a must-read.

Finally, and for being a good sport; you can choose a song and I’ll play it here (not any of your music - I will do that).

Ooh, nice; a personal request. The song that gets me jumpin’ about is Pata Pata by Miriam Makeba. One of the happiest songs I’ve ever heard.

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Follow Dan Rawle

Official:

https://www.danrawlemusic.com/

Facebook:

https://www.facebook.com/danrawlemusic

Instagram:

https://www.instagram.com/dan_rawle_music/

BandCamp:

https://danrawle.bandcamp.com/releases

Spotify:

https://open.spotify.com/artist/10WyjmBDW1sw5FNiWQ8OQW?si=dTbA4kmkSoqgMQm_tzKLlA

YouTube:

https://www.youtube.com/channel/UC50pZ7MQGWTrdozqfqbkEVQ

INTERVIEW: World Machine

INTERVIEW:

World Machine

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MY final interview of the day…

finds me speaking with the awesome World Machine. They consist of Jack Shea and Naz Kalsey and have created a stunning song in Affection. I ask the guys about their musical start and tastes; whether there is going to be more material coming down the line – they recommend new artists to investigate.

World Machine reveal what touring plans they have and how they spend time unwinding; what they would tell new artists coming through; what they have planned before the end of the year – they end the interview by selecting a couple of rather excellent songs.

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Hi, guys. How are you? How has your week been?

It’s been busy. Getting ready for the video release and our debut show on 8th June at The Islington.

For those new to your music; can you introduce yourselves, please?

We are World Machine from London, England. We consist of lead vocalist and lyricist Jack Shea and Naz Kalsey, the songwriter and producer of the band. We also have Luca Romano on drums for our live shows.

Affection is out. Can you talk about the song and how it came together?

Affection grew from a major transition period for the band. We wanted to change everything from what we were previously writing and recording. Our early tracks were darker and electronic-sounding with the lyrics becoming somewhat unreal and not connecting with us personally - like some of our early material in our previous band.

So, we decided to write a track that related to a more tender side of our writing and, by doing so, entered us into a completely different place.

Its video is out. Was it cool to film? What was it like working with Charleen Meredith?

It was extremely exciting working with Charleen. When we saw the footage she was featured in, we both were knocked out by not only her beauty but also her excellent portrayal of the female lead (for the Affection video).

It was also amazing working with Rob U., who directed the video. He understood our vision of how we wanted to illustrate the video and went far beyond this to produce something we both found to be astonishing.

Both were very fun and easy to work with.

Is there going to be more material coming for you?

Yes. We are currently working on our first E.P., EAN01, which will hopefully be out by July this year.

How did World Machine form? Do you remember the moment you met?

We first met in an Indie-Rock band we were in called Smashing Lights. After we started writing together for the group, we soon realised that we had the same taste musically and that this was completely different to what the band was releasing and playing at the time.

After nearly a year into the musical collaboration, we decided that we wanted to make a completely new sound and explore more contemporary Pop and R&B ideas. This was when World Machine was born.

Can you give me a sense of influences and the artists who impact your own sound?

Definitely by, literally, moving pictures and art culture. We try to incorporate this into our sound. Growing up listening to a lot of Garage, D&B; Soul and R&B also help put us outside the box when infusing it to our Indie-R&B-Electronic sound.

Some artists that influence our music are (definitely) Michael Jackson, Luther Vandross; Prince and Marcus Miller. We get a lot of influences from where we are and what we experience.

Where are you heading on tour? Where can we catch you?

We are playing our debut show at The Islington on 8th June. 

What do you hope to achieve in 2018?

To get our first E.P. released and to start travelling around the U.K. playing shows to the people.

Have you each got a favourite memory from your time in music – the one that sticks in the mind?

I think (just) playing our songs live to people is our biggest thrill. You start to hear the songs differently when you see people react to a track that you have spent months writing and recording...it’s a great feeling and memory.

If you could support any musician alive today, and choose your own rider, what would that entail?

Jack has an affinity for The 1975 and would love W.M. to support a band like them, purely on visual aesthetics and sound - which is amazing live! Also on the list would be Ellie Goulding (what a voice).

On our rider, we'd ask for a pony to ride us all on stage (and, also, tons of food). Jack loves fruit, so maybe a basket of fresh oranges and grapes would be his dream. Vegan/vegetarian snacks for Jack and Luca. Naz will eat anything (hopefully not the pony), so he'll be happy regardless.

What advice would you give to new artists coming through?

Let the music do the talking and the rest will come.

IN THIS PHOTO: Kudu Blue/PHOTO CREDIT: Gingerdope Photography

Are there any new artists you recommend we check out?

There are a couple of underground London bands that we like: Kudu Blue and Pelicandy.

IN THIS PHOTO: Pelicandy

Do you get much time to chill away from music? How do you unwind?

We like to keep busy as much as possible. Learning and observing from others either in music, film or art.

Finally, and for being good sports; you can each choose a song and I’ll play it here (not any of your music - I will do that).

Naz: Metrik - Chasing Sunrise

Jack: Instupendo - Boy

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Follow World Machine

Official:

http://www.worldmachineband.com/

Facebook:

https://www.facebook.com/worldmachineband

Instagram:

https://www.instagram.com/worldmachineband/

Twitter:

https://twitter.com/worldmachinetw

SoundCloud:

https://soundcloud.com/worldmachineband

Spotify:

https://open.spotify.com/artist/2a1XRkQc2RTbjGjthBrIZJ

YouTube:

https://www.youtube.com/channel/UCXyt8Z69vYY_TB0m1SqhzCQ

INTERVIEW: The Classic Kids

INTERVIEW:

PHOTO CREDIT: Cory Ingram 

The Classic Kids

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I am staying in America as I chat with The Classic Kids.

The guys talk about their start and what the story is regarding their new single, Better Days. I was curious to learn if more material was being worked on; if Better Days, to them, is their strongest cut; what the vibe is like in New York/New York City – they tell me whether there are plans regards U.K. gigs.

The Classic Kids discuss musical tastes and some newer artists that are worth some further study; how they spend time away from writing and recording; what advice they would offer fellow songwriters emerging – they share with me their favourite memories from their career so far.

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Hi, guys. How are you? How has your week been?

Hello, Music Musings and Such. First off, thank you so much for having us. This week has been excellent with the release. Just a lot of running around but we are very grateful.

For those new to your music; can you introduce yourselves, please?

Hello. We are The Classic Kids - Eric James, Max Dean; Matty Boy and Mikey G.

Better Days is your new song. Can you talk about its story and inspiration?

Better Days came about through, honestly, trying to nail a positive, happy song. While we do have some songs that are uplifting, we have more recently been living in a more serious tone as far as our music is concerned.

The concept was born of an idea our producers Shep Goodman and Aaron Accetta had initially. We took the concept and made it into what it is now, which is a positive message that you can make your Better Days through your actions and words - that no unpleasant moment is permanent and that adversity can only strengthen your convictions.

Do you think it is the strongest thing you have created? Can you feel the music getting more ambitious?

We tend to treat our songs all equal...

We love this one but we also love all our music. They all are characteristic of that that time in our lives and have defined who we are up to this point. We do feel, though, that Better Days is a song that can be applied to many different experiences and situations.

How did The Classic Kids get together? When did you start recording together?

Eric and Max have been working together for almost ten years now in previous bands. Matty isn’t too far behind that - he also was working with them in some of those acts. Mike joined us back in 2012. So, it’s safe to say that all members have been working together for quite a long time and know each other very well.

Is there more material in the pipeline? What are you working on?

There is always material in the pipeline for us. We absolutely love writing more than anything and probably have more songs than we know what to do with. We have some songs that we feel are likely candidates for our next releases but we will remain silent for now until the time is right.

New York is where you are based. How important is the city and its people in regards your music and creative angle?

New York/New York City is such a creative place to live because you’re literally surrounded by creatively-minded individuals who inspire and captivate the mind. It’s easy to see why we all got into this form of art when it’s literally everywhere. The sad part to us is that not enough really talented people ever get recognized for their efforts but, also, at the same time, a lot of people don’t wish to be spotlighted.

Where are you heading on tour? Where can we catch you?

Our touring plans at the moment are mainly East Coast (U.S.) but that’ll depend on how far our music reaches. So far, the reception is excellent, so a lot of good things could be born of that.

Do you reckon you’ll come to the U.K. and gig here at all?

Of course. We love the U.K. and have friends who live there. We love the culture and feel our music would be well-received. It’s something we really hope to accomplish in the near-future!

What do you hope to achieve in 2018?

We hope that our music reaches as many ears as possible in 2018. We have been working so hard for so long and it feels like we're finally accomplishing what we set out to do. Of course, the future is something we can only wait to see unfold - but we’re very confident that 2018 is going to be an excellent year for us...

Have you each got a favourite memory from your time in music – the one that sticks in the mind?

Eric: Oh, man; there are so many memories it is nearly impossible to really settle one. That’s why we love doing this so much. You make stories that stay with you and make you who you are today; from touring to really nailing a song that you feel is truly captivating. One thing that stands out the most is the long-lasting friendships you make along the way. Those stay with you and definitely make for some of the best memories.

Max: All my ‘favorite’ memories usually comes from the touring. Although every tour is different, there are always certain people you meet that are working on the road with you and develop a genuine connection/friendship together and have certain (usually silly) memories together that you will never forget.

Matty: There are so many great memories, but one that sticks out would be the first time we went into the studio as The Classic Kids. We had such a great vibe going into it and we were excited to start the new chapter in our music careers.

If you could support any musician alive today, and choose your own rider, what would that entail?

We would love to do a tour support with The Night Game (Martin from Boys Like Girls’ new project). That would be such an awesome tour together!

As far as our rider list, we are pretty easy-going...all we need is a case of water, Welch’s Fruit Snack; a pizza and maybe a bottle or two of Jack Daniels to keep us going. Oh, and Coke Zero...gotta always have the Coke Zero!

What advice would you give to new artists coming through?

Just put your heart and soul into your work and never miss an opportunity. If you make what you do fun then it will never feel like work. Don’t be afraid to meet people and let them know what you’re all about.

But, honestly, this can be applied to anything in life.

IN THIS PHOTO: Hotel Apache

Are there any new artists you recommend we check out?

There are a bunch - and one plus side to this new era is that new music is plentiful and easily recommended through the apps. Right now, we're listening to a lot of Young Rising Sons, Hotel Apache; KYKO, lovelytheband; Weathers, LUXTIDES and many more.

IN THIS PHOTO: LUXTIDES/PHOTO CREDIT: Betsy Newman

Do you get much time to chill away from music? How do you unwind?

We all have diverse interests outside of music when we’re not working together. We try to keep busy but we also love watching movies and playing video games when we have downtime. We also love the beach and getting out because sometimes that can inspire new ideas. We also try to take vacations to get away and decompress.

Finally, and for being good sports; you can each choose a song and I’ll play it here (not any of your music - I will do that).

Of course!

Eric James: Weathers - The Night Is Calling

​​​​​​​

Max Dean: Charlie Puth - Slow It Down

Mikey G: John Mayer - New Light

Matty: Thomas Rhett - Leave Right Now

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Follow The Classic Kids

Official:

http://theclassickids.com/

Facebook:

https://www.facebook.com/TheClassicKids/

Instagram:

https://www.instagram.com/Theclassickids/

Twitter:

https://twitter.com/theclassickids

Spotify:

https://open.spotify.com/artist/45OPmboyE2BRC8yeHwVQub

YouTube:

https://www.youtube.com/channel/UCSyZ8UEcCT74M20uC0F3U5A

INTERVIEW: CJ Teffner

INTERVIEW:

CJ Teffner

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WITH his album out later in the summer…

I have been speaking with CJ Teffner about Stars and what we can expect. He talks about standout moments from the album and what it was like working with Robyn Cage (who sings on the album).

Teffner tells me about his early musical experience and taking to performance whilst at school; what he hopes to achieve before the end of the year; what Phoenix (Arizona) is like for music and venues; which artists we should be investigating right now – Teffner ends the interview with a rather good song suggestion.

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Hi, CJ. How are you? How has your week been?

I’m great! I’ve been busy; always busy with music.

For those new to your music; can you introduce yourself, please?

Hey, everyone! I spent a long time working as a hired-gun in the studio and on the road, playing and learning many different styles - which I feel has helped me become ‘me’, if that makes sense.

Talk to me about the album, Stars. What, in your mind, defines the record in terms of themes and sounds?

Stars is a bit dark and dreamy, mostly acoustic guitar-based with piano and cello, with the exception of the song Stars itself, which ends up as a full band song by the end. There’s a lot of emotion in the songs, they’re pretty personal, wrestling with my inner-demons and making friends with them.

They’re much better as friends…

Is there a song from the record that stands out? Which do you count as a highlight?

Always a trick question! As a highlight, the song Stars.

The lyrics, that was me being vulnerable, which isn’t easy for me…but is necessary for any artist. Writing all the vocal arrangements and harmonies as well as the instrumentation took a lot of thought to get right. I’m very proud of it.

How did you come to work with Robyn Cage? What was it that attracted you to her work and style?

I worked with Robyn on a previous project and was impressed with her conviction, delivery; emotion and tone - just a very clear and honest voice. When I wrote the song Meant to Fit, her voice popped into my head and I knew she’d be perfect for it - which made her a natural for Please Forgive Me and she really liked the songs and agreed to sing the E.P.

CJ. I believe you caused a bit of havoc as a child by drumming on your mum’s table! Did you have that curiosity and passion for music at a young age? What compelled that spark?

My mom’s father was a famous coronet player; my mom, aunt and uncle are all musicians as well as my father. They were all Jazz and orchestra players so it’s just a family curse. Haha! Music was always on in my house and it was all just natural. I took piano lessons really young and we always had a piano and classical guitar, so I was always just fooling around.

How important were those school years in regards your future collaborations, productivity and desire? Would you be as strong and far along were it not for that early education and fostering?

My 7-12 grade band, Jazz ensemble and marching band were a huge impact and basis for my music. I still keep in touch with my music teacher, Mr. Solt. He encouraged me and supported me so much; he even wrote me notes to get out of study hall so I could jam in the band room! He was one of those teachers you hear about who make a difference in a kid’s life.

Phoenix, Arizona is your base. What is the area like in terms of music and venues?

I love Arizona, but…the music scene is pretty limited. There is some work for acoustic duos at restaurants and bars and a few places that have original acts, four bands a night showcase things (but, it’s mostly covers). There are some great players but, for whatever reason, the pay isn’t here so it’s a challenge to get the great players to come out…

Can we see you tour this year? What gigs do you have coming along?

I won’t be touring this year: I hope to next year. It’s the age-old situation of finding the right players who believe in my songs and want to be part of the vision.

What do you hope to achieve in 2018?

Stars will be my second release this year: The Cat’s Meow came out at the beginning of the year. I hope to put out two more releases by the year’s end, another one I’m cowriting with Robyn now; it’s totally different to Stars and is slated for the fall.

Have you got a favourite memory from your time in music – the one that sticks in the mind?

I’ve had the opportunity to work for and play with some top industry people - but the one that was very formative is when I worked with Murray Krugman (Blue Oyster Cult’s producer) and James Ball (engineer for Aerosmith and Joan Jett). I was, maybe, twenty-one; I had written some songs with an artist but then parted ways. I got a call from her months later asking if she could record the songs. I said ‘sure’.

Then, I got a call from her saying no one in the band could play my parts and would I come to the studio. I said ‘sure’ and walked in to meet these guys; I had no idea what I was stepping in to. I learned so much about arrangement and production from those two guys. Two weeks with them was equal to five years on my own.

If you could support any musician alive today, and choose your own rider, what would that entail?

Wow! What a question! While he’s still out and performing, I’d say Paul McCartney. The Beatles were a huge influence on me - and even some solo McCartney albums.

Rider? Just feed me and I’ll be more than happy to play for you!

What advice would you give to new artists coming through?

Try to find someone who will mentor you, in songwriting, the business; how to record - if that’s part of your thing. I help a couple of younger artists because I wish I’d gotten more help earlier on. Also; work in a bubble. Don’t keep asking people if they like this or like that. Be you; figure out who you are as an artist. Basically, lock yourself in your bedroom and record everything.

IN THIS PHOTO: Mika

Are there any new artists you recommend we check out?

It’s about ten-years-old but I just discovered Mika - In Cartoon Motion; amazing Pop album. Also; a duo named The Pierces; kinda dark, twisted Folk - as well as Lenka; beautiful songs and voice.

IN THIS PHOTO: The Pierces

Do you get much time to chill away from music? How do you unwind?

I’ve been into powerlifting and bodybuilding for a long time, so that’s my morning five days a week; very therapeutic. Every night, I get to walk with and watch my Doberman Xena run a golf course. She’s just so happy that it makes me happy – and, of course, spending time with my wife and adult daughter.

Finally, and for being a good sport; you can choose a song and I’ll play it here (not any of your music - I will do that).

In the Meantime by Spacehog. It’s in my top-ten ‘happy songs’ playlist.

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Follow CJ Teffner

Official:

http://www.cjteffner.com/

Facebook:

https://www.facebook.com/cjteffnermusic

Instagram:

https://www.instagram.com/cjteffner/

Twitter:

https://twitter.com/cjteffner

Spotify:

https://open.spotify.com/artist/2Rhk2cO90cyNhG5AzvwGY9?si=6JsAicGSTaWm5pOL7aEw8A

PHOTOS:

Brad Olson

INTERVIEW: Elles Bailey

INTERVIEW:

Elles Bailey

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FEW artists have enjoyed the rise and progression…

as Elles Bailey. I have been speaking with Bailey about her incredible debut album, Wildfire, and recording in Nashville. She tells me about the video for Same Flame and what is coming up next for her - she talks about her sound and why she has released a Deluxe version of Wildfire.

Critics and fans have raved about her voice and incredible sound so I ask about her influences and where she sources guidance from; she discusses new material and a return to Nashville; what advice she would provide artists emerging at the moment – Bailey recommends some current artists we need to get our ears around.

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Hi, Elles. How are you? How has your week been?

It’s been good, thanks. I just got home from Nashville after recording my second record, so have a enjoyed a rare couple of days off in the even rarer British Sunshine!

For those new to your music; can you introduce yourself, please?

Well, hi. I’m Elles Bailey and, in a nutshell, I weave rootsy Blues, Country and soulful Rock!

There is a video out for Same Flame. What is the story behind the song? What was it like shooting the video?

Same Flame is about the passion and pain in love and how both emotions can sometimes feel the same. I got to make the video over in Spain in the desert as the sun was setting – it was pretty magical, although I don’t think I appreciated just how amazing the sunset was until I watched the video back after it was edited!

Tell me about the special edition of Wildfire. What was the reason for bringing it out?

Well. I had a whole load of acoustic songs that I had recorded that I really loved and had recorded some alternative versions of the album tracks; so it made sense to bring them all out at the same time on a Deluxe version of Wildfire. I had all the artwork redesigned as well to make it super-special.

Have you been shocked by the huge love the album has received and how far it has gone?!

As an artist, you do always hope that the music you create is loved by your fans but, honestly, I have been delighted at the response to the album from my fans and from the critics far and wide. I even had Metal magazines giving it glowing reviews, which totally shocked me!

What was it like working and recording in Nashville? Is it very different to the sort of backdrops and studios you are used to?

I feel really lucky to have worked in some incredible studios in the U.K. with some super-talented musicians; however, tracking in Nashville is the most mind-blowing experience. You have to make sure you savour every second as it goes by in a flash - the musicians there work so fast. It’s amazing that, even though they do this day in and day out, they are still so creative!  Nashville definitely has a special place in my heart!

You have been called a queen of the Blues and heralded by many. Has music always been a part of your life? What is it about music that attracted you in?

I don’t know a life without music: it’s something I have always done and my life would be incomplete without it!

Will there be more material later this year? Are you working in new stuff at the moment?

I have literally just got back from Nashville, TN recording a brand new album that I am so excited to share with you soon! Watch this space for a release date!

Which artists do you count as influences?

I listen to such a broad range of music, so it’s hard to pick influences and I feel I’m inspired by so many.  Right now, I’m loving Ryan Adams’ Heartbreaker; Anderson East’s Delilah; Chris Stapleton’s Traveller; Joe Cocker Mad Dogs & Englishmen (Live at Fillmore East) and John Prines' new record, Tree of Forgiveness. John is such an incredible songwriter!

Can we see you tour this year? What gigs do you have coming along?

I am always on tour - I call it the ‘Never-ending road I call home’! You can find me touring the U.K. and Europe over the next six months with a big tour in October yet to be announced! Check out www.ellesbailey.com/tour for details of my dates!

What do you hope to achieve in 2018?

Another day off would be nice! However; to continue to build on the success of Wildfire would be amazing!

Have you got a favourite memory from your time in music – the one that sticks in the mind?

Wow, that’s a hard question. I have so many amazing moments to look back on! However, I think the two days spent tracking this last record in Sound Emporium, Nashville last month will stay with me forever! I have never had so much fun in the studio!

If you could support any musician alive today, and choose your own rider, what would that entail?

I would love to open for Mavis Staples. That would be a dream come true!

Rider…as long as it’s got Haribo and red wine on it then I’m happy – but a hot meal for starving musicians always goes down well too! Wow. I’m so Rock and Roll!

What advice would you give to new artists coming through?

Try and be the best you can be. Work hard, then work harder; then work even harder and don’t give up!  

IN THIS PHOTO: Yola Carter

Are there any new artists you recommend we check out?

Yola Carter. She is the complete and utter real deal!  Lady Nade, also, is an incredible soulful artist that you can find touring occasionally with me (smiles).

IN THIS PHOTO: Lady Nade

Do you get much time to chill away from music? How do you unwind?

I don’t really get much time away from music: I live and breathe it 24/7 but running does kinda give me a little bit of headspace

Finally, and for being a good sport; you can choose a song and I’ll play it here.

Levon Helm – When I Go Away. I just love this song!

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Follow Elles Bailey

Official:

https://www.ellesbailey.com/

Facebook:

https://www.facebook.com/ellesbailey

Instagram:

https://www.instagram.com/EllesBailey/

Twitter:

https://twitter.com/EllesBailey

Spotify:

https://open.spotify.com/artist/4NPMwh3kDwi6uVCNtmeUvU

YouTube:

https://www.youtube.com/channel/UC5_0JHwbrDxdqaGvT_qdRpw

INTERVIEW: Chersea

INTERVIEW:

Chersea

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THE fascinating and delightful Chersea is a revelation!

The Canadian songwriter has been talking about her latest track, Murphy’s Law, and its background. I learn more about her music tastes and what we will get from her upcoming L.P. – she reveals some new artists that are worth our time and attention.

Chersea talks about a favourite memory from music; why Björk is such an idol; what the scene is like over in Vancouver right now; if she has any plans regards coming to the U.K. to play live – she discusses the three albums that mean the most to her and why they resonate so hard.

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Hi, Chersea. How are you? How has your week been?

Hi, Sam! My week has been amazing. I just got back from Canadian Music Week in Toronto. Also, I had some interviews and a photo shoot. It was the first time my band and I travelled that far to play three gigs in sixteen hours; so it was pretty crazy but a lot of fun.

For those new to your music; can you introduce yourself, please?

My music is inspired by a lot of powerful female songwriters. I like to think my music is kind of a blend of Imogen Heap, Enya, Robyn and Sia, to name a few. My elevator pitch is ‘mood stabilizing Electro-Pop for all of your highs and lows’.

Can you reveal the story behind Murphy’s Law and what compelled its creation?

Murphy’s Law was intended to shed light on how it feels to be a victim of manipulation tactics in relationships. The adage ‘Murphy's Law’ means "Whatever can go wrong, will go wrong", especially if you let it. The abuse one feels isn't clear-cut, so the victim is constantly trying to feel their abuser; trying to find the good in the individual. I originally wanted to call this piece Stockholm Syndrome - because I wanted the listener to realize that you're trapped in this abusive relationship, but you have an affection for your captor who, in this case, would be your partner.

I've had first-hand experiences where I've let my partners manipulate me to a point where I completely lose control of myself within the relationship; thus, Murphy's Law comes into play because whatever can go wrong does go wrong…while trying to hold onto something that is inherently awful for your wellbeing.

There have been many culturally significant lawsuits which question the validity of a victim’s statements because of this reaction. "Why did you continue to text your abuser?", "Why did you continue to pursue the individual"; "Why did you engage in affectionate language and intimacy with the accused?": these are all questions asked by juries and attorneys in lawsuits surrounding physical, sexual and emotional abuse. While we may not have a definitive psychoanalysis as to why this is, we now know that this particular reaction has been experienced by many abused subjects.

My song, Murphy's Law, discusses these emotions and the need to feel ‘you’ - the abuser - in a way that unites victims everywhere.

Your debut L.P. is coming soon. Can you reveal any of the people you collaborated with and the sort of songs we might expect?

I’ve been working with Cody Taylor (of Fiend Recordings) for years now. A lot of the songs on this album have been a team effort with regards to writing, production and mixing. We took our songs to Ryan Worsley (Echoplant) who has worked with so many great acts like Dear Rouge and Derrival. He did some extra production and mixing on a lot of the tracks to make them feel extra-polished and industry-ready. As a multi-instrumentalist who writes and co-produces her own material, it has been amazing to branch out and have this awesome team standing behind me.

On this album, you’ll hear a lot of genre-bending as well as some pretty anxiety-driven pieces that’ll hopefully make you move and feel like your brain is taking you on an emotional rollercoaster. One piece of feedback we got was “This song sounds pretty schizophrenic” and, while I’m not diagnosed with THAT particular condition, I was thrilled to hear that the listener was emotionally jarred by the production and the piece. If these songs can put you in a frame of mind that you’ve barely observed or experienced, then we’ve done our job correctly.

How important were Fierce Panda Canada through the process? Did they provide a lot of guidance?

They have been incredible. While going through their own massive transitions, they’ve been a wonderful support system. They understand what I want for my music and myself and I feel like we’re building a really great connection through it all. At the end of the day, if you as an artist want to make your label proud just as much as yourself and your parents, you know you’re in a truly lucky position.

Is Vancouver a great city to create music is? What is the scene looking like there right now?

Vancouver is a great place to make music. There are so many talented songwriters and producers. Although we have a great songwriting city, we could use some work in the live scene. Vancouver is a notoriously tough city for performers because the current culture doesn’t really have a demand for live shows. If you’re lucky, you’ll be able to get onto some festival slots which are kind of the best way to get artists out and heard. However, we have some provincial programs that are really helping this struggle; like Creative BC. They fund a lot of projects to give locals artists a break from financial burdens. Then, we have Music BC which aims to place artists in domestic and foreign showcases/festivals to increase our chances of spreading the music. Without these two associations, performing would be quite hard in Vancouver. So, we’re definitely fortunate to have these avenues.

Which artists would you count as influences? Did music come into your life at an early stage?

I mentioned several above but, when it comes to presenting myself in the business, I’m a big fan of Björk. I love how unconventionally conventional she is. Like, you get those super-experimental songs and then a Pop anthem for the radio. I love music like that, you know, that flexes with the ebb and the flow of the artist’s desires. She is also a queen of marketing imagery: like her music videos and her wardrobe stylings. I am inspired by her approach to cinematography; so much that the video for Murphy's Law will be heavily influenced by It's Oh So Quiet.

Another woman that falls into this category is Imogen Heap. Her genius in the studio and on the stage never ceases to amaze me. She got me into looping (which is something I was somewhat successful with in the early stages of my career) and introduced me to sampling organic sounds of day-to-day life. It kind of gives the music this realness. Like on one of my new tracks, we spent a fair bit of time trying to find the perfect door slam sound.

I like the idea of music telling a story of what the human condition is like and, by modelling digital sounds over some acoustic realness, you kind of get this nostalgia from tiny bits and pieces of recognizable sounds. I also like the idea of toying with ‘alien sounds’ and creating a lot of soundscapes that feels extra-terrestrial. I guess, ultimately, I want the listener to feel like you have two feet on the ground but your head is in the clouds.

Can we see you tour this year? What gigs do you have coming along?

I have some festival stops happening all summer and we're excited to improve our stage show as a new band. We’re really excited to share the stage this summer with Brian Wilson (yes, THE Brian Wilson from The Beach Boys) on July 15th as part of Rock the Shores in Victoria, BC. So, that’ll be a very cool experience for us. For the time being, these shows will be limited to Canada, but we're hoping to make moves across the border early in the New Year; especially after my album is officially launched in late 2018.

We're also applying to festivals in Europe so, if we're lucky, we may get to venture across the pond. I will keep you posted!

Might you come to the U.K. and perform here?

I’ve been dying to come to the U.K. for years! I have some fans out and about so I would love to do that. Hopefully, I get some opportunities that bring me there. As for now, nothing is set in stone.

What do you hope to achieve in 2018?

I hope that people enjoy my creations and that they can feel them in ways that allow them to empathize and accept everyone around them for who they are. If I can make music to promote more kindness and patience around the world, that would make me very happy.

Have you got a favourite memory from your time in music – the one that sticks in the mind?

It would have to be the first real show I attended. I was fifteen and I went to an all-ages show at the Pacific Coliseum with one of my best friends Kelly to watch Panic! At the Disco. It was incredible. It was all circus-themed and kind of S&M and a little creepy. It was the first time I got to wear eyeshadow as a youngster and I had recently pierced my nose. I was going through a typical teeny-bop phase. Brendan Currie was my ultimate crush at the time and his voice was even more insane live than it was on the album. He also played my favourite Beatles tune, Eleanor Rigby, which just amped up the moment for me.

Eventually, there was a tiny mosh happening and I got bumped and dropped the new T-shirt I purchased. I went to grab it and got elbowed in the nose - with a brand new nose piercing - and my nose started spewing blood. I had to run to the washroom to stop the bleeding but ran back out with tissues in tow. I felt like a total bad-ass and it just gave me more adrenaline to bounce around with the crowd. It’s moments like these where I know I’ll always worship live music. It can change your life in an instant and leaves a lasting impression.

Which three albums mean the most to you, would you say?

1)      One of my favourite album of all times is Age of Adz by Sufjan Stevens

I’m a massive fan of all of his work, but this one really spoke to me. This work is just indescribable. Listen to the whole album from front to back to get the full effect. It is (one of the most) unique creations I've ever heard. You do this several times over and you’ll always find something new and fresh to love about it.

2)      Teen Dream by Beach House

It’s not necessarily my favourite music, but it marks the first time I really fell head-over-heels in love. To this day, I occasionally hop on the piano to play Real Love just to bring me back to that time. It makes me feel full. Spoiler: that relationship fizzled years ago, but we’re still best friends. When we get together, we always put on a song or two to reminisce.

3)      Comfort Eagle by Cake

This band has been so important to me through the years. As someone who plays horn and loves a punchy synth line, these guys know how to do it perfectly while also bringing in complex arrangements that they somehow make sound simple. They are also always constantly ironic and sometimes politically-charged but, in most cases, you really have to delve into their lyrical content and melody to extrapolate their opinions. Unless you follow their Twitter feed...they’re pretty forthright on their socials.

What advice would you give to new artists coming through?

Frankly, I’m still a new artist. My only suggestion would (to) be humble, love your craft and just be you. Gone is the age of Bubblegum Pop personas: people are becoming super-interested in authenticity. Although I write this, these are things I’m trying to constantly remind myself.

IN THIS PHOTO: Amber Mark

Are there any new artists you recommend we check out?

I recently got into Amber Mark - funnily enough, the above ex-boyfriend suggested I listen to her. Her E.P. is insanely good. This isn’t a new band but I’m obsessed with Department of Eagles. One of the members comes from the infamous Grizzly Bear, so you can hear a little flare coming out of that writing.

Lostboycrow is another project I’ve fallen into because of a suggestion from my fan/friend, Ryann. This is such a cool project that blends super-poppy beats and polyrhythmic drum samples to make a one of a kind listening experience.

IN THIS PHOTO: Lostboycrow

Do you get much time to chill away from music? How do you unwind?

Very little. Ahaha. I’m a musical director for theatre programs and do sound design as well. I also teach kids how to sing and how to write music. My life is endlessly about music. But, I’m one of the fortunate ones who can make a (humble) living doing what they love. If I really need to unwind, you’ll catch me swimming out in nature or making macarons. I love to bake.

Finally, and for being a good sport; you can choose a song and I’ll play it here (not any of your music - I will do that).

I’m gonna throw you a curveball. Maximize your window so that this music video takes up the entire screen of whatever device you’re on. Then, if you’re so inclined, you may imbibe to intensify the effects of this insane artistry: Portishead - The Rip

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Follow Chersea

Facebook:

https://www.facebook.com/cherseamusic/

Instagram:

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Twitter:

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SoundCloud:

https://soundcloud.com/chersea

Spotify:

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INTERVIEW: Zach Callison

INTERVIEW:

Zach Callison

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IT has been great speaking with Zach Callison…

about his latest single, Curtain Call. I ask him about his acting work and how that links with his music; what L.A. is like in terms of its influence and scene; what sort of themes inspired his E.P., A Picture Perfect Hollywood Heartbreak – Callison talks about his plans for the remainder of the year.

I ask him whether he’ll be over in the U.K. this year; the new talent we need to keep an eye out for; which artist, given the chance, he would love to support; what advice he would give to new artists emerging; how he spends time away from music – Callison ends the interview with a pretty cool song.

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Hi, Zach. How are you? How has your week been?

Pretty good! It’s been kind of insane lately, but all for good reasons.

For those new to your music; can you introduce yourself, please?

My name is Zach Callison. I started out and continue to work as an actor and voice actor on shows like Cartoon Network’s Steven Universe and Amazon’s Just Add Magic, and now I’m getting ready to release my first solo music project: A Picture Perfect Hollywood Heartbreak.

Tell me about the single, Curtain Call. What is the tale behind the song?

It’s really part of a larger tale. The upcoming E.P. is one long, continuous story from cover to cover and Curtain Call plays an integral role in the narrative. It’s a climactic moment where the album’s point of view shatters into two separate voices: one from the past and one to carry into the future. While my first single, War!, is very intentionally the ‘theme song’ of one of these voices; Curtain Call shows one violently interrupted by the other.

What can you reveal about your E.P., A Picture Perfect Hollywood Heartbreak? What sort of ideas and sounds has influenced the songwriting?

It’s certainly evolved beyond the typical scale of an E.P. since I started writing it…it now includes way more than the original five tracks and has become something of a short, one-act Rock musical. I’ve always been struck by the idea of a single story being told from top to bottom on a tracklist, with each song, lyric, and interlude serving the greater narrative. I believe I’ve been able to accomplish that in my own way; concept and story-based albums are not a new form of storytelling (Kendrick Lamar’s To Pimp A Butterfly is a recent example of it being done spectacularly), but I don’t know of anyone else who has done it the way me and my team have for A Picture Perfect Hollywood Heartbreak.

Records almost always have a unified sound that stamps the artist’s signature into the grooves and the whole project unifies under that banner. With my project, I wondered how I could change that norm by creating something that leaves you with one impression of the artist on track-one and takes the listener through a transformation that ends with a completely different impression by the end of the album. I changed tremendously over the course of the past few years since I wrote the first track of A Picture Perfect Hollywood Heartbreak and my goal was to bottle up my coming-of-age story and press it into one, very personal time capsule. I believe we’ve accomplished that.

You are an actor and have appeared on several different T.V. shows. Did music come before acting? Do the two link in any way?

Music, actually, did come before acting! When I was seven and living in St. Louis, my parents put me into singing lessons because of how much I loved singing at school. I ended up auditioning for a production of The Music Man at the local community college and that ended up being my first acting gig.

Eventually, the acting took off, leaving singing and piano as ‘hobbies’ that I did on the side for a while to bolster my résumé. I played in a lot of cover bands and sang for shows like Steven Universe and Sofia the First for years after that - but music as a profession wasn’t a thing for me until the end of 2015 or so.

Does your exposure and attention from your T.V. work make you more guarded as a songwriter? How much of your writing is enforced by the way you are watched and viewed by the public?

I’d say it makes me bolder, if anything. As an actor, almost 100% of the time I’m working as a mercenary; a hired gun for someone else’s script or project. While that brings me a lot of fulfillment, after a decade of doing nothing but that, I needed something where I could say things I couldn’t project anywhere else. Also, growing up as a child actor, we constantly have people warning us not to ‘go crazy’ or destroy our image by not censoring what we say…it drives you up a wall eventually. I promised myself I wouldn’t censor myself at all on this project, as that would be doing a disservice to myself and my fans.

How vital is L.A. and its people? Is it a great place to create and work?

L.A. is everything. My community of people I came up with and the people I work with now are absolutely everything to me and my work. Almost as important is the culture itself: there is no place on the planet with the same brand of artistic capitalism that this city has. It’s Hip-Hop-style hustle being practiced by a legion of creatives that breathe and bleed their own work, on a scale unrivaled by other artistic centers around the world. In most other places, the artists have to fight to carve out their own corner; in L.A., we already own the whole city…

Do you remember when music came into your life? Which artists do you count as influences?

I can’t really remember because it’s always been in my family and in my surroundings. The furthest back I can recall is watching my dad and uncle play a gig doing Rock covers back in St. Louis at around three-years-old. (I was eating a giant plate of waffle fries…important detail) It wasn’t long before I ended up on stage for the first time at five-years-old performing ‘the worm song’ for a big group of kids while on vacation.

Muse are king; they’re my number-one inspiration, always. Twenty One Pilots is solidly in the number-two spot. After that, it’s a total melting pot…I’ll just name-drop ten in no particular order: Led Zeppelin, Stevie Wonder; Hiatus Kaiyote, Kendrick Lamar; Kanye West, Death Grips; Zedd, Frank Ocean; Sturgill Simpson and Rebecca Sugar. (That last one, most of all).

Can we see you tour this year? What gigs do you have coming along?

Huge announcement on this is coming very soon! Two big L.A. shows and appearances all around North America after that. Stay tuned.

Will you come to the U.K. at all? Are you a fan of British music?

This is also being announced any day now…two of them! More to come…

Muse are my all-time favorite act and one of the biggest inspirations for Curtain Call as well as the rest of the project. I also came up on a healthy diet of '60s/'70s British classics: The Beatles, Led Zeppelin; Eric Clapton and Queen to name-drop. Radiohead, Gorillaz and George Ezra are few others I spotted just now while scrolling through my Spotify library. Harry Styles’ self-titled (album) was a revelation, as well…he’s got the best style of all the 1D guys post-breakup in my opinion.

I’ve also got a guilty pleasure-type love for the Grime sound. That’s a great scene right now.

What do you hope to achieve in 2018?

In 2018, I want the message of this project to resonate with as many people as possible; whether they be long-time fans or new ones. I want to release more music after this E.P. before the year is out and I’d like to lock-down more acting work this coming episodic or pilot season. I’ve actually been back in acting class getting back to basics for the first time in a hot minute, just to make sure I’m keeping up on that end.

Have you got a favourite memory from your time in music – the one that sticks in the mind?

Without giving too much detail, I had the honor of being able to bring in someone to work and record on A Picture Perfect Hollywood Heartbreak that is a part of one of my biggest influences and inspirations in all of music. Due to a non-publicity agreement, I can’t name this person, but they know who they are and I can’t thank them enough. It was absolutely surreal for me.

If you could support any musician alive today, and choose your own rider, what would that entail?

I can’t pick any act other than Muse: they truly have one of the best live shows in the world, on a grand scale. Dream arrangement: six continent stadium AND festival tour, full orchestra with brass sections on top of the band and bring out a bunch of awesome guests during the sets. It’s Muse and Zach Callison - so stupidly expensive lighting setups are a must.

Rider must include private charter jet with a full studio suite, a full traveling staff plus three-and-a-half metric tons of champagne - I mean, age-appropriate, non-alcoholic suitably nutritious beverages that have no alcohol…

Remember kids: murder your expectations, not your dreams.

What advice would you give to new artists coming through?

Find your community. It is absolutely essential. These past three years of making my first project have been the greatest challenge of my life and I was lucky enough to already have a supportive group of artists around me that I could go to for advice, critique and referrals. You almost always have to have a tribe of people that you make stuff with.

Also, don’t order three-and –a-half metric tons of Dom Pérignon from BevMo! Even in bulk, it’ll drive your production costs up substantially.

 IN THIS PHOTO: Grandson

Are there any new artists you recommend we check out?

Grandson are making some pretty dope Rock stuff over trap beats up north right now. I highly recommend. It’s all very politically-charged; a direction I see myself moving towards eventually.

Shout-out to my homie Jesaiah who did the background vocals for a number of tracks on A Picture Perfect Hollywood Heartbreak and has made some cool tracks as a solo artist.

IN THIS PHOTO: Jesaiah

Do you get much time to chill away from music? How do you unwind?

My time away from music is usually spent acting and vice versa…there’s not a lot of spare time these days, which I prefer, but sometimes I have to have to surrender and go watch baseball or meet up with some friends. Technically, it puts me much closer to the music (literally) but I also rave a lot. The SoCal festival scene is tops and I’ve got a great circle of friends in that now too.

Finally, and for being a good sport; you can choose a song and I’ll play it here (not any of your music - I will do that).

Twin Sized Mattress - The Front Bottoms has been getting me through some stuff lately. It’s anthemic. New friend of mine showed me it recently; you know who you are…

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Follow Zach Callison

Official:

https://www.zachcallison.com/

Facebook:

https://www.facebook.com/zachcallison/

Twitter:

https://twitter.com/zachcallison

Instagram:

https://www.instagram.com/zachcallison/

SoundCloud:

https://soundcloud.com/zach-callison

Spotify:

https://open.spotify.com/artist/57YFNq46Xx86nl7ETkd1Ei

YouTube:

https://www.youtube.com/user/ZachCallison

INTERVIEW: Ishani

INTERVIEW:

Ishani

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I have been given the chance to speak with Ishani…

and ask her about the new track, Insomnia. She tells me how it came together and why she has a great love of Trip-Hop – I ask about her Asian background and whether that affects her music and mindset.

The songwriter reveals the gigs she has coming up and what new material is coming up; what she wants to accomplish before the end of the year; the artists she grew up around; what advice she would give to upcoming musicians – she tells me why Michael Jackson is a particularly strong influence.

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Hi, Ishani. How are you? How has your week been?

Hey! I’m great, thanks. It was my birthday on 10th, so I’ve been celebrating all-week-long.

For those new to your music; can you introduce yourself, please?

I’m Ishani. I’m a singer-songwriter, producer - and I make Trip-Hop/Alt-Pop music.

Tell me about Insomnia. What inspired the track’s creation?

Insomnia is a love song to people struggling with sleeplessness and anxiety. I wrote it when I was going through it. I tend to sing about my life and experiences as I find it cathartic.

Obviously, there are concerns around sleeplessness. Do you think, with sleep-deprivation, there are positive aspects? Does it aid creativity?

A lot of artistic people feel like they do their best work at night; when you feel like everyone else is asleep. But, it is so important to maintain good sleep hygiene - especially in today's world, where our minds are constantly thinking. Our minds are so exposed to gadgets and other distractions. We aren’t just living our physical lives but a digital one and we have to shut off from both to sleep.

So, sometimes, we fail to maintain healthy boundaries. Sleep is so important for good physical and mental-health and we can take it for granted. I still definitely need a lot more sleep than I get.

What was it like working with producer Dan Clarke (Zaflon) on the track?

Co-producing the song with Dan was fantastic.

He is a great guy and he gets me and what I’m all about. He also works for Key Changes, which promotes positive mental-health through music. I resonated with this approach completely. I’m so glad that we have had this chance to work together. He is so talented and passionate about music. His solo work as Zaflon is really cool and different. Definitely check it out.

Is there going to be more material coming later in the year?

We are now working on my E.P., Stormy Emotions! Insomnia is the first of four tracks. The next single drops next month. Can’t wait to share it with you! I’m excited!

You lived in the South of England before spending the majority of your childhood in India. How much of your Asian upbringing do you inject into your music, either sonically or philosophically?

Being brought up-between two different cultures, I’ve always felt different. I’m a bit of a rebel. My core family is very supportive but I feel like I’ve had to fight society. I write about taboo subjects that we didn’t talk about in Asian communities. One of my previous songs was about violence against women, for example. I write songs to empower other people.

I’m a self-taught musician and I feel like some of the melodies I write are influenced by the songs I listened to growing up in India in the '90s.

Who are the artists you grew up around? Is there someone who struck in the mind from a young age?

Michael Jackson’s album Dangerous was huge for me growing up. It was definitely one of the albums that made me want to be a musician. As I grew older, I fell in love with Alternative-Rock and then Trip-Hop - bands like Massive Attack and Portishead for example. However, I’ve retained Michael Jackson’s interest in using music for social change and, so, that is a big part of me and my music.

It is clear you are doing something new with Trip-Hop. What is it about the genre that attracts you to experiment and push?

I love all music, but I find Trip-Hop exceptionally delicious. There is something so sexy about it. I feel like there is some unsaid code between Trip-Hop lovers. I’ve always wanted to be part of that movement but it was over by the time I started pursuing my musical career, so I’m trying to bring it back! In fact, some people hate the term ‘Trip-Hop’ but I quite like it. I’m not sure how my music will evolve but it’s the genre that’s closed to my soul.

Do you have any gigs lined up? Where are you heading?

I’m actually doing a gig next week in Peckham at The Four Quarters. I’m part of EVO (Electronic Voices in Overdrive). I’ve got lots more lined up throughout the year, which you can follow on my Facebook page.

What do you hope to achieve in 2018?

Get my E.P., Stormy Emotions, out there! I’m also working on a side-project, a new band. It’s still pretty hush-hush but we are in the studio working hard.

Have you got a favourite memory from your time in music – the one that sticks in the mind?

I’m not sure it is my favourite memory but my first gig was to an audience of 3,000 people at B my Lake festival! It was insane. I’d never even played a pub before. The microphone was too high for me and I was nervous as hell but somehow I got through it and loved every second. Now, whenever I’m feeling nervous, I remember that if I could do that, I can do this.

What advice would you give to new artists coming through?

Don’t give up, always believe in yourself and be genuine and true to your art. Love the people who support you. Give them lots of love back. In today’s world, people consume music in such a different way. It’s easy to get lost in a world of trends and hype. Seek out real people to work with and don’t let the haters get you down.

Do you get much time to chill away from music? How do you unwind?

I do yoga to chill. It’s part of my ancient culture and that’s something I try to keep up. Plus, it helps me unwind. I'm also hooked on Mario Odyssey, on my Switch. I love the level, Lake Kingdom. It’s beautiful and soooooo relaxing!

Finally, and for being a good sport; you can choose a song and I’ll play it here (not any of your music - I will do that).

I would love to hear Deadcrush by alt-J. Thanks so much!

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Follow Ishani

 Official:

http://www.ishanimusic.com/

Facebook:

https://www.facebook.com/ishanichakra/

Twitter:

https://twitter.com/IshaniChakra

SoundCloud:

https://soundcloud.com/ishanichakra

Spotify:

https://open.spotify.com/artist/4a0nY7bXA3v2bJpKg5N4Vf

YouTube:

https://www.youtube.com/user/ishanichakra