INTERVIEW: Run Maggie Run

INTERVIEW:

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Run Maggie Run

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FROM a Chicago force of nature…

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I head to the shores of a band with equal force and fortitude. The Hamilton-based band Run Maggie Run has been talking about their new single, Endlessly, and whether more material will come – the Canadian band discuss their formation and the sort of artists who have inspired them.

The chaps recall fond memories and tell me where they are touring; if international gigs are a possibility; all the new artists we need to get our ears around; whether they have any more plans for the remainder of 2018 – they end the interview by selecting some cool tunes!

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Hi, guys. How are you? How has your week been?

Peter: We’re great! This week has definitely been a busy one, with the release of the new single and all. But, super-rewarding as well - it really is an amazing feeling to see people vibe and resonate with something that we’ve worked so hard on.

For those new to your music; can you introduce yourselves, please?

Certainly! We’re Run Maggie Run; a group of five Canadian fellas who love making music. We’ve been described as ‘Vaguely haunting Indie Folk-Pop’ before and, to date, we still haven’t come up with a better description of our sound!

Can you talk about the new single, Endlessly? What is the story behind the track?

Gavin: We’re right in the middle of putting together our first album. We had a line-up switch: our first drummer left the group and we sorta floundered in limbo for a month or two before adding Jared, our current keyboardist. It was during this time that we started messing around with some more electronic elements as well - and with all this change there was a lot of uncertainty as to how the band was going to move forward.

Endlessly was the first track we wrote with Jared in the group, and for us, I think it was exactly what we needed. The success of putting this tune together is what gave us the confidence to keep moving forward with this new line-up/approach.

Dylan: This tune began as one of those ‘Let’s-all-make-noise!’ sort of jams, if I recall correctly, and, as mentioned previously, was the first track written with our current roster. This was really a sort of spur-of-the-moment connection between the five of us and I feel it really built a solid foundation and was a great ice-breaker for the tracks that have followed. It has really felt like a rebirth in a sense; a band change that was accompanied by a shift in focus and sound that couldn’t have been more refreshing and inspiring!

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Jared: The verse’s structure came together as a collaboration between Peter and Gavin. I’ll be honest; at first, the three-chord nature with F major opening and closing the sequence was not something I bought in on originally - though I’m all in on it now! I was messing around with a bunch of chord progressions and one eventually led to the chorus. Darren and I also developed the outro, over which Dylan put this killer guitar line with great amounts of delay. All was left to add some Gavin-esque vocals and lyrics - and we had a new song!

Darren: This song had something for everyone in the band: it was a bit of an amalgamation of what we all wanted to write. It is one of the only songs we wrote from scratch as a spur-of-the-moment jam and I think that added so much to the emotion it has. Ultimately, I think it makes people feel the way we wanted them to feel and that was the main goal.

What was it like putting the video together? Was it fun to shoot?

Peter: The shoot itself was definitely a lot of fun - we shot it with our good friend Rohann Agalawatte (of R.O.Creative) in a bowling alley basement after the alley had closed; so the actual shooting was all done around 1-3 A.M. The set and overall look turned out way better than we had ever hoped – however, there was a price to pay and that came in the form of carrying seven massive CRT T.V.s up and down a full set of stairs. Unfortunately, we’re musicians and not powerlifters so that was definitely a bit of a physical struggle!

That being said, the end product was definitely worth it in our opinion and we have to give a lot of that credit to Rohann for being a wizard with the visuals.

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Is there more material coming from you guys? What are you working on?

There most certainly is! We won’t give away specifics for now, but more music is definitely coming - if any folks are interested, maybe keep an eye out around August. Our social media’s will be giving you all the right hints and details at the appropriate times.

Jared: The best previews are given at our shows. We’re continuously writing new material and, presently, this is the only place (apart from the rare Insta-live broadcast) to hear our new repertoire…

Run Maggie Run formed in 2016. How did you guys find one another? Is there a story behind the name?

Peter: Of the original line-up, all of us were students at Sherwood Secondary School in Hamilton, Ontario and had all been friends throughout our time there. Gavin and Darren were in a group called Citizen Kid in high-school while myself, Dylan and our original drummer, Devin, played on our own. After high-school, Citizen Kid ended up disbanding and, after a few months of Gavin using the moniker as a solo act, he brought the rest of us in.

Around the time that Devin left, I went to an Engineering Society Coffeehouse (I was and still am an Eng student at the University of Waterloo) and found out that Jared, who I had known previously, was an absolute wizard on the keys. I asked him to join once we had the vacancy and he accepted!

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Jared: Peter heard me play (and sing - though that was a more of a detractor I think!) at said coffee house. It wasn’t until about two months later that a message on Facebook came through asking if I knew any drummers or keyboardists. I jokingly replied: “Is that an offer (to join your band)?” Turns out I had very similar tastes in music. After a few trial rehearsals in January of 2017, I started playing live with the group in the following month.

 Gavin: As for the name, there’s an old Folk song by a band called The Journeyman, and one of the refrains in it is “Run, Maggie, run/Chase the rising sun”. I used to listen to this song all the time with my dad, so it’s kind of kept a special place in my heart and just seemed super-appropriate as a moniker.

Do you think the material you are making now is the truest sense of who you are and what the band is all about?

Dylan: In this current stage of our musical careers, I’d like to think we are only just graduating into something deeply atmospheric and emotionally-driven. We are really giving our all and going over everything with a fine-toothed comb when it comes to songwriting and planning for future events.

So; I would say our current material is the truest sense of who we are now but would like to add that there can only be progress made from here. We can only really learn to express ourselves deeper and more accurately as time goes on. I guess what I mean is ‘yes’, but this is only the tip of the iceberg…

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Where are you heading on tour? Where can we catch you?

Peter: We’ve got a small four-day tour coming up at the beginning of June around Ontario with some buddies of ours from a band called Swim Team - we’re hitting up St. Catharines @ The Green Room on 2nd and Toronto @ The Painted Lady on 3rd.

If anyone reading is around and interested, stop by and give us a shout!

Might you come and play the U.K. this year? Do you get a chance to gig over here?

As much as we would absolutely love to, international gigging is really tough for us - all of us work full-time to support both ourselves and what we do with the band and even getting the time off is difficult, not to mention the money, permits etc. It’s 100% on the to-do list and we have a few touring grants in our sights to help us make it a reality but, unfortunately, it’s just not practical for us at the moment!

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What do you hope to achieve in 2018?

Essentially, we’re just looking to do what we’ve been doing for the past year: writing tunes and sharing/playing them wherever we can, whenever we can and to whomever we can!

Dylan: I think, for us, 2018 is going to be a very slow and thought-out year of fine-tuning our sound and capabilities as musicians, with the general focus on releases we have planned as well as learning to achieve a more viable work-life balance with all of this. As stated previously, we are all working full-time in order to keep the R.M.R. train going and it is a blast - but some finer organization can only mean for cleaner work!

Have you each got a favourite memory from your time in music – the one that sticks in the mind?

Peter: For me, that’s probably going to have to be music class in grade 12. I had music then a spare as my final two classes of the day in the final term of grade 12, which was absolutely awesome in the first place.

What made it even better, though, was that me and Gavin were actually the only two percussionists in the class; since most of the stuff we did in class was based around scales, we were sorta just allowed to head to the auditorium adjacent to the music room under the pretence of practicing rudiments and just noodle on all the random instruments in there.

So, yeah; I got to spend half of my final high-school term literally just goofing around on piano, drums; timpani, vibraphone and guitar. Definitely, the best semester I’ve ever had.

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Jared: I spent two semesters working at Harvard Medical School in Boston and was fortunate enough to have seats to see the Handel and Haydn Society’s production of the St Matthew Passion by J.S. Bach. Bach’s my number-two composer of ‘Classical’ (or should I say ‘Baroque’?) music. I have no words to describe that performance…

Darren: I think my favourite moment playing music was being on stage in front of over 200 people for our first album-release show. That show was the most eye-opening moment of my music career because of the sheer fact that the people that were there were there for us. It is a feeling like no other.

If you could support any musician alive today, and choose your own rider, what would that entail?

Dylan: To be honest, I think you’ve got me personally on the ropes here. There are just too many brilliant artists that inspire and entertain me over and over again, ranging from local artists we already gig with to long-gone '50s Swing groups and straight-up Deathcore metal bands. Being able to get on stage and support any act using any gear is already a true treasure to me that I think I’d rather wait and see what could happen.

Jared: I hear The National puts on a pretty good party. Lots of keys in there that I could jump on pretty quickly. Also, anything Jonny Greenwood.

Gavin: Definitely J. Tillman, also known as Father John Misty. For starters, his music is awesome. But, even outside of that, I feel like hanging out with him would just be an experience-and-a-half as he always seems to have something interesting to say. That and the fact that any man with a beard like that knows how to party.

Darren: I would have to say John Mayer. John Mayer is one of the most talented guitarists of our lifetime and one of the most versatile musicians around. I would love to just be there with him to learn more than anything.

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PHOTO CREDIT: Ryan Gaynor

What advice would you give to new artists coming through?

Peter: I suppose my advice would be to do what you want to do. If you want to make Billboard top-40-style hits because that’s the music you love, go for it. If you love ambient Polka and that’s what you wanna make, go for it. The farther you go into the music industry, the more you realize it is an industry and, as such, there’s a good argument to be made for creating music with a stronger popular appeal…but I think that, at the end of the day, if you don’t love the music that you’re creating it will show...

Dylan: …and knowing your audience, your sound and how to make your sound fit in well with other bands/acts of the same or similar genre. This is really important towards gaining a decent network fast. In our early stages, we found a small handful of bands that really sounded great next to our music and I think it really helped coax listeners in and definitely helped spread our name as well as the bands we have played with. Knowing your sound and who it caters to and being able to fit into that spot.

Jared: I believe it was Robin Pecknold of Fleet Foxes who says that the coolest thing about being a musician is that you get to pick your fans. I think everyone can appreciate that any particular piece of music will have universal appeal. So, don’t worry about that! If you build it, they will come!

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IN THIS PHOTO: Long Range Hustle

Are there any new artists you recommend we check out?

Peter: There’s a lot of great talent in the Ontario region. I’d recommend High Waters from Ottawa for a more Radiohead-meets-Hey-Rosetta vibe; James Blonde from Niagara for a more Pop-Rock-oriented Muse sound; The Kents from Lindsey for a great Indie-Rock sound; Ellevator from Hamilton for a Synth-Rock/Pop vibe; Long Range Hustle for a more Folk-ier Indie-Rock sound - and Boniface from Winnipeg for some great Indie-Rock tunes. I could go on for hours, but I’ll leave it at that for now!

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IN THIS PHOTO: Ellevator

Dylan: Hobo Johnson; Open Mike Eagle, Lewis Del Mar; Maps & Atlases

Jared: I’ll double-down on Long Range Hustle. I’ll also add Family of Things!

Gavin: I’d give a shout to Rival Consoles or Foreign Fields! They've been around for a while, but I've just recently started listening to them. Nick Hakim and Bill Ryder-Jones as well!

Darren: I would recommend a listen to one of the first groups we’ve ever played with: Birds of Bellwoods.

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IN THIS PHOTO: Birds of Bellwoods

Do you get much time to chill away from music? How do you unwind?

Dylan: Aside from my day-job, my life is surrounded by music. Constantly listening and adventuring deeper down the streaming rabbit hole. I really like to just unwind with good food, good music and good company.

Jared: We all are sporting jobs or at school, so hanging out together is usually centred around music. We’re still all greatly interested in what each other has to say about everything sound; so this isn’t a problem for us! As for on my own: I golf.

Gavin: To be honest, I’m pretty much doing something related to music every day. If I'm not playing music with one of the two bands I'm a part of, I'm recording or writing music. If I'm not recording or writing music, I'm probably playing some WoW or Rainbow Six Siege.

Darren: I would say that the best way to unwind for me is to sit out in my backyard and play the guitar for myself with a cold brew. Honestly; music is my way of relaxing. It’s why I love it so much.

Finally, and for being good sports; you can each choose a song and I’ll play it here (not any of your music - I will do that).

Peter: Mercy - Plants and Animals

Dylan: Honeybody - Kishi Bashi

Jared: Bollywood - Patrick Watson

Gavin: Doomed - Moses Sumney

Darren: Bon Iver - 715 - CR∑∑KS

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INTERVIEW: Birds of Chicago

INTERVIEW:

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 Birds of Chicago

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IT has been a pleasure speaking with Birds of Chicago…

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PHOTO CREDIT: Yve Assad Photography

as they tell me about the new album, Love in Wartime. I learn about the album’s themes and where they head next; how they got together and the importance of Chicago to their music and passion – they reveal whether music, in these tough times, is a catharsis.

I ask whether certain decades and periods have inspired their music; what tour dates are approaching; if there is a new artist we should look out for; whether they get the time to breathe away from music – Birds of Chicago talk about playing in the U.K.

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Hi, guys. How are you? How has your week been?

This week has been nuttier than some, from a travel perspective. We finished a five-week run in Europe with a concert in Shetland, Scotland…then back to London and then on to D.C. One day off (today) to catch up on emails and laundry and then headfirst into North American fest. season with Del Fest and Nowhere Else festival.

For those new to your music; can you introduce yourselves, please?

We’re Birds of Chicago. We’re a collective of about seven musicians. We ebb and flow as far as who’s on the road - but the constants are Alli Russell and JT Nero… 

Love in Wartime is your new album. Can you talk about the themes and inspirations that go into it, thematically?

For me, the mandate for music, and art in general, is to allow you to wrestle with the bleakest, most terrifying or otherwise completely shit*y aspects of being alive on this planet in a way that somehow feels joyful. That’s all Rock and Roll has ever been to me, but that’s everything…

Obviously, Chicago plays a big role in your name – ‘Birds of Chicago’ – but was it vital when it came to the tones and subjects of the album? How compelling was it as a backdrop?

When we chose the name in 2013, I felt it was important to represent Chicago in that fundamental way, because Chicago’s energy - its swirling mass of energies, I should say - has always informed our sound and our poetry in a massive way.

Allison and JT. How did you meet one another? Was there an instant musical connection when you met?  

We met through mutual musical pals. The musical connection was instant and powerful; so powerful that we spent an absurd year or so trying to pretend that there wasn’t anything else between us. We were both scared of messing up the musical bond that was there.

I hear elements of the 1970s and other decades; there is a mix of sounds and sensations. Who do you rank as the most important musicians in terms of your own sounds?

There is no doubt we were channelling some '60s and '70s concept album energy with this record but, at the same time, I can’t think of an album that was a specific touchstone…more a fondness for the ambition to create something with some real peaks and valleys in its scope - and a confidence to bring a wide sonic palette to bear and still imprint our identity upon it. That is something I associate with so many iconic records of that time frame; whether it was The Band, Marvin Gaye, Paul Simon; Joni Mitchell and Sly Stone…

In terms of, politically, what is happening in the U.S. and the state of the world in general; is music both a catharsis and a way of translating frustrations into something productive? Is music a way of rationalising what we are all going through? 

It has and has always been. However rough we think it is now, it’s been a lot rougher - and music has always been that forum that allows one the miracle chance to hold up the bleakest aspects of human existence, right alongside the most fantastic joys and treat them both with something bordering on ecstasy. 

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PHOTO CREDIT: Yve Assad Photography 

Can we see you tour this year? What gigs do you have coming along? 

It will be hard to avoid us! We’ll be touring all-year-long. All over North America and Europe.

I do believe you are stopping off in the U.K. Have you played here before? What do you think of the music here?

Birds of Chicago have played the U.K. several times. We like it very much. The U.K. Americana scene is particularly strong right now. At last year’s Americana conference, the U.K. artists really showed out. Yola Carter, for instance, came in and shut the whole thing down every time she opened her mouth. Exciting times.

What do you hope to achieve in 2018? 

I would like to diversify my portfolio, financially. I am considering moving three or four-hundred dollars from my checking to something financial advisers call a ‘savings account’. I’d like to play a ton of shows in many ports of call and write a bunch of songs. We keep it simple around here

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Have you each got a favourite memory from your time in music – the one that sticks in the mind?

We sang Paradise with John Prine for the finale of the Ann Arbor Folk Fest this year. Nothing tops that.

What advice would you give to new artists coming through?

 If you are considering getting a gold front tooth now that you have a little money coming in, probably don’t do that. If you are writing a song that has a little bit of an Island groove; avoid consciously or sub-consciously singing in a fake patois. 

If you feature harmony singing in your sound, try to avoid using the adjective ‘stunning’ in your bio when you describe your harmonies. That’s about all I’ve got…

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IN THIS PHOTO: Raina Rose

Are there any new artists you recommend we check out?

Raina Rose. A formidable poet, witch and truth singer. Full disclosure: I am producing her next record!

Do you get much time to chill away from music? How do you unwind? 

We aren’t ever away from music but, when we are away from touring, I have been doing some production work with my partner, Steve Dawson. Alli has been training in mixed martial arts. She has always been interested in ancient forms of fighting, but she’s specifically focused now on developing the most efficient, brutal combination of many of the old disciplines.

Finally, and for being good sports; you can each choose a song and I’ll play it here (not any of your music - I will do that).  

Stella seed - Sean Hayes (from the album Run Wolves Run)

Anaïs Mitchell - Dyin Day (from Young Man in America)

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INTERVIEW: Virgin Suicide

INTERVIEW:

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Virgin Suicide

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BEFORE I slope into the weekend…

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I have been catching up with Virgin Suicide and asking about their new single, Madonna. The Danish band talk about playing The Great Escape festival and what their next moves will be; how they got together – I ask how the music of the 1980s found its way into their own sounds.

Virgin Suicide talk about a favoured musical memory and whether there are any tour plans; what the scene is like in Denmark right now; what advice they would give to new artists coming through – they recommend a new artist that is worth seeking out.

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Hi, guys. How are you? How has your week been?

Good! It’s been good. But, we’re maybe a little depressed after haven such a wonderful at The Great Escape festival in the weekend - and before that, the similar SPOT festival in Denmark.

For those new to your music; can you introduce yourselves, please?

We’re Virgin Suicide; a band based in Copenhagen, Denmark. Five people making Indie-Pop/Rock.

What can you tell me about your new single, Madonna? What inspired it and how did it come together?

It’s inspired by a sort everyday social anxiety: the feeling of being misplaced in your ‘favourite environment’. That can be a tough one. Your friends hear to sing, Madonna for instance, but inside you’re blue.

You released your second album recently. Can you see yourself releasing any more material this year?

Yes! We are hoping to let another single go within the year.

How did Virgin Suicide get together? Have you all known one another for a while?

We’re becoming pretty old friends. A couple of us grew up together and we have already played together for five-six years. Within those years we have spent A LOT of time together, so we’re very close.

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It seems like you have a love of the 1980s - but cast your net quite wide. Do you all have quite eclectic tastes and favourites?

Yes, definitely. We all like very different sorts of music.

Denmark is where you are based. What is the music scene like where you are? Might you have time to come to the U.K. this year?

The scene in Denmark is great. Lots of good artists. But, yes, we’re also looking towards playing shows in U.K.

Where are you heading on tour? Where can we catch you?

We already finished our tour for the album, so now it’s about making the next single. Sorry! But, hopefully, we’ll be back on the road soon. It’s just a single (smiles).

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Is it true you played The Great Escape this year? How did that go?

Yes; it went very well! Such an awesome experience to be and play in Brighton. Had a good show and hung around on the pier playing air hockey for a whole afternoon after the festival. Definitely coming back to play the area as much as possible...

What do you hope to achieve in 2018?

We hope to do a tour in Asia - and release another catchy new single.

Have you each got a favourite memory from your time in music – the one that sticks in the mind?

Playing Roskilde Festival for 6000-8000 people must be it. There’s a special vibe about that festival. So very happy that we got the chance to feel it!

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If you could support any musician alive today, and choose your own rider, what would that entail?

Kendrick Lamar.

What advice would you give to new artists coming through?

Don’t be stressed out about the whole SoMe part - and you don’t have to sing Madonna at parties if you don’t feel like it (smiles).

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IN THIS PHOTO: DIET/PHOTO CREDIT: Rasmus Laurvig

Are there any new artists you recommend we check out?

Check out the Danish band DIET. They just released an E.P.

Do you get much time to chill away from music? How do you unwind?

We hang out at the beach in Brighton or play quiz games at home. Also, we like to do lunches in nature with beer and snaps.

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INTERVIEW: Magenta

INTERVIEW:

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Magenta

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A lot of female songwriters exist out there…

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but one gets something fresh and enticing when it comes to Magenta. I have been speaking with her (Hannah) about the amazing new single, Circles, and whether more material is arriving later – she recommends a few artists worth a closer look.

Magenta talks to me about playing with her band and what exciting plans she has coming up; three albums that mean a lot to her; the advice she would offer new songwriters of the moment – she ends the song by choosing a current track for our delectation.

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Hi, Hannah. How are you? How has your week been?

Hi Sam! I’m well, thanks. Right now, I’m walking in the Yorkshire Dales and having a little R’n’R time. I have my single launch next week which is exciting - and a lot to sort out ahead of that!

For those new to your music; can you introduce yourself, please?

Hello. I’m Magenta. I’m an emerging singing songwriter from London. My debut single, Circles, is out on 8th June!

How did the persona of ‘Magenta’ come to be? What does it represent to you?

It’s my middle name, straight up.

Circles is your debut single. Is there a story behind the track?

The lyrics are very personal: about an ex-boyfriend of mine. Sometimes, when writing songs, the lyric and the melody just come together but, in this instance, I’d been writing with an Irish chap Rob Shiels on another song and we had about fifteen minutes before he had to leave for the airport...

I had these lyrics/thoughts on a computer, in no particular order, and he started strumming the guitar, and then I started singing and the song just came out in almost one go…we had a few tweaks when we listened back, but it was pretty fully-formed. Rob came up with the “I try walking in straight lines” lyric, which I think is the clever lyric in the song.

Will there be more material coming later in the year?

Most definitely, the next single will be Look Good in Blue, out in September. I’m also crowd-funding to release an E.P.

I have a song Japan,  co-written with the wonderful Michael Garvin (twenty-three number-ones, including George Benson's Never Give Up on a Good Thing and Jennifer Lopez’s Waiting for Tonight) - out on Michael’s album later this year.

I believe you have been involved in music a while. What enforced the decision to move into music and record your own material?

Actually, I have been writing for fun for the last few years and a friend started training to be a life-coach and, through conversations with her, it emerged that this was something worth exploring. So, here we are!

It took a few weeks for the idea to sink in and them to start visualising what might happen.

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Which artists inspire you most in terms of your own sound?

Joni Mitchell, The Bird and the Bee; The Cardigans, Sigrid and early-Madonna. I really want to listen to more Leonard Cohen.

Can we see you tour this year? What gigs do you have coming along?

I’m having a launch party for my single, Circles, on 7th June in Shoreditch.  After that event, I’m sure I will want to do it all again! To find out when the next gig will be, follow my Facebook or my join my mailing list.

If we came and saw you play; what would the live show consist of in terms of material and feel?

I’m told I have an “emotive British sound”. Expect well-written songs and a heartfelt performance: think Dusty Springfield, Adele and Barbra Streisand. My band is brilliant - they are predominantly Jazz musicians, so you get these lovely grooves and ornamentation creep into the playing. I’ll name-drop them quickly, too, so you can check out Matt Carter (Piano), Seth Tackaberry (Bass) and Bubu (Drums); Luca Harb (Guitar) and Gillian Mott (Violin).

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What do you hope to achieve in 2018?

Keep on honing my craft and writing songs. Keep my head above water (smiles).

Have you got a favourite memory from your time in music – the one that sticks in the mind?

I have so many.

When I was younger, I sang in a youth choir and that bedded in so many amazing memories - working with inspiring conductors who showed us how to appreciate music and exposed us to so many great styles of music; making a beautiful and brilliant sound.

For me, it’s always about collaboration.

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Which three albums mean the most to you, would you say?

Air - Moon Safari

Every instrumental line in that album is totally sing-able.

Kate Bush - Ariel

The production is just amazing - an album I wish I had made. You can hear the craft coming out of it.

It’s so hard to choose only three; I’d have to say either Joni Mitchell – Blue

It’s so lyrically-dense and wonderful - some early-Madonna which is just full of hooks, or Michael Jackson, for the same reasons.

What advice would you give to new artists coming through?

Listen and write as much as you can. Find your tribe of fellow songwriters. Love music!

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 IN THIS PHOTO: Jacob Collier/PHOTO CREDIT: Betsy Newman Photography

Are there any new artists you recommend we check out?

He’s not so new anymore, but some people may not have heard of the amazing Jacob Collier. 

Also, a couple of songwriters are working super-hard - Beth Keeping and Emily Faye. Really nice watching them grow and establish themselves (smiles).

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Do you get much time to chill away from music? How do you unwind?

Not really! I listen to music to unwind: Jazz and Classical. I try to get out into nature and go on long walks when I can, too.

Finally, and for being a good sport; you can choose a song and I’ll play it here (not any of your music - I will do that).

At the moment, I’m listening to Charlie Puth’s new album - I really rate him and I love straight-up Pop.

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INTERVIEW: lightcraft

INTERVIEW:

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lightcraft

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THIS is the first time…

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I have featured a band from Indonesia on my blog! It is great to speak with lightcraft about their awesome track, Walk on Fire, and what its origin is. The chaps talk about their musical tastes and share favourite memories from their time in music – they recommend some new artists to look out for.

I ask whether lightcraft will come to the U.K. and they tell me what the music scene is like in Jakarta (Indonesia); what they want to accomplish before the end of this year; if they get time to chill outside of music – they each pick a song to end the interview on.

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Hi, guys. How are you? How has your week been?

Imam: Hullo, Sam, how are you? We’re good, thanks! It’s been an okay week for us; rather uneventful, though, but it’s been all right. Had a few meetings with potential stakeholders, did an interview and a short set for a local online radio station and we’re playing a semi-acoustic set tomorrow for an opening of an art gallery. Live music tends to take a backseat during Ramadan down here, so it’s good that we’ve still got things to do!

For those new to your music; can you introduce yourselves, please?

Well; we’re lightcraft and we’re from Jakarta, Indonesia. We describe our sound as anthemic Indie-Rock – very wide, very big and straight to the heart; songs to soundtrack anybody’s life at any given moment, basically.

Safarilhaj (Fari): It all began in Kuala Lumpur, Malaysia in 2005, when we were still at uni. By 2006, we decided to try and give it a go at becoming a real band with original songs. We released an E.P. that year called The Modern Seasons and we haven’t looked back since.

Enrico: We’re a band of brothers, essentially; more a family than a musical unit.

Walk on Fire is a big and anthemic song. How did it come together? What is the story behind the track?

Imam: I actually wrote the song about more than a year ago. At the time, a very close family relative of mine had just passed away. Compounded by the fact that there were also a couple of deaths in the family prior to that, and someone very dear to me had been struck down by a serious illness the year before, it triggered this realisation that life is short and we have to make the most of it.

It’s a message that I would like to convey to the listeners; to actually live one’s life to the fullest, always do good and be kind to others and to always look forward rather than dwell on the past.

What comes next for you? Will there be more material before the end of the year?

Yes. Walk on Fire was just the beginning of something that might just be a milestone in our journey thus far - as we will be releasing our new album in August.

Yopi: The last time we came up with a full-length album was 2014, so we’re very excited about it…

Imam: We will be slowly releasing a few more singles on digital platforms prior to the launch of the new album as well.

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How did lightcraft get together? When did you find one another?

It was in 2005, while studying at university in Kuala Lumpur, Malaysia, when our old drummer and I decided to form a band. We played in a band whilst in high-school and fate brought us to the same uni; so we thought we should give it another go. Coincidentally, one of our housemates was Fari (Safarilhaj), who we knew could play the guitar…

Fari: Yeah. So, they asked me to join up and then I roped in a friend of mine to play bass. Another housemate of ours had a mate who could play the piano, which turned out to be Enrico. He permanently joined the cause about a few months later…

Enrico: Then we went and played a battle-of-the-bands festival. We didn’t win the thing, unfortunately, but we discovered that we had the same passion and we were able to create something together. Fast forward a few years later – after many chops and changes in our line-up and a lot of maturing on our side – and Yopi came into the fray…

Yopi: They had just returned to Jakarta and were looking for a drummer. As I was playing in this music project with Fari and another one of our previous bassists, they asked me to give it a go - and I’m still here!

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You are based in Jakarta, Indonesia. What is the music scene like there? Is there a blend of Eastern and Western music?

Imam: Very creative, very dynamic and, also, quite saturated as there are so many bands and musicians here due to the number of our population. The rapid advancement in technology has given the opportunity for Indonesian musicians to shine as there are a lot of platforms for them to showcase their music and, yes, there is a blend of Eastern and Western music, although not as ethnically-sounding as you might think. The two biggest genres here are Dangdut and Indo-Pop.

In terms of childhood tastes; did you guys all grow up on the same sort of music?

Fari: Nope, not at all! We grew up listening to very different music. I was a huge Rock fan – Bon Jovi, Guns N’ Roses et al.

Yopi: I have always been a Grunge-head. My adolescent years were filled with Nirvana.

Enrico: I used to listen to everything, really.

Imam: …and then I came along and got them to listen to my music collection! Then we found a middle-ground and just clicked. I was listening to my mum’s Jazz records and ‘80s Pop when I was a kid. It progressed to Britpop and the ‘Cool Britannia’ era, which then continued to the emergence of the likes of Travis, Coldplay; Starsailor and the likes.

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Where are you heading on tour? Where can we catch you?

Yopi: Most Indonesian Indie bands don’t really go on tour – we go on weekend tours! Musicians down here tend to have day jobs, like us, so it’s quite rare for us to embark on a long tour. Our next gig abroad will be at Playtime Festival 2018 in Ulaanbaatar, Mongolia which is happening from July 6th-8th.

Enrico: I would’ve never imagined that we would be playing an international music festival in Mongolia, of all places! We’re very grateful.

Might you come and play the U.K. this year? Do you get a chance to gig over here?

Imam: We were all set to play Liverpool Sound City again this year – we first played there in 2016 – but our visas were issued after the festival had ended due to a technical mishap, so we had no choice but to pull out. Hopefully, we could come back next year and do a proper tour. Our love for the U.K. and its music knows no bounds.

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What do you hope to achieve in 2018?

Fari: We’re hoping that our upcoming album will become a huge success and propel us towards bigger things. We’re quite confident that it will be able to leave a mark on people.

Imam: We also have a few more domestic and overseas music festival appearances in the pipeline, which we hope could help us create the impact that we need as we introduce our new songs and new concept.

Enrico: Basically, we want every year to be better than the previous year and 2018 is no exception - especially with all the plans that we have in store.

Yopi: Fingers crossed!

Have you each got a favourite memory from your time in music – the one that sticks in the mind?

Performing in front of my parents when I was still in high-school.

Enrico: The first time someone actually approached us and asked for our autographs.

Imam: Probably the first time we played a show abroad.

Fari: In Russia, after we played our set, a girl came over and told me that we made her day. That really melted my heart.

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If you could support any musician alive today, and choose your own rider, what would that entail?

Enrico: It would be Muse and, for my rider, I’d like a NORD Stage 3 and a good cup of coffee.

Yopi: Radiohead. As for my rider, as many pints of cider as possible!

Fari: I’d go for Foals and I want my favourite coffee brand, Coffeemix, which is only available in Indonesia.

Imam: Coldplay or Snow Patrol. Rider-wise, a supply of cough syrup; a hot cuppa and a bag of crisps.

What advice would you give to new artists coming through?

Enrico: Never give up on your dreams!

Yopi: Always be patient and maintain your creativity.

Imam: Stay humble but be confident.

Fari: Being overly-technical doesn’t guarantee good music.

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IN THIS PHOTO: WYLAND

Are there any new artists you recommend we check out?

Fari: Singaporean indie-electronic-pop band M1ldl1fe.

Yopi: The Melodrama, a Folk-Pop act who hails from my hometown, Tasikmalaya, in Indonesia.

Imam: WYLAND, a New Jersey-based Indie-Rock quartet.

Enrico: JokoinBerlin, an Indonesian Indie band.

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IN THIS PHOTO: JokoinBerlin

Do you get much time to chill away from music? How do you unwind?

Imam: Not really. It always haunts each and every moment of my waking hours! I’d unwind by playing a spot of FIFA on the PS4 and play football or futsal. Yes, I am footy mad!

Fari: No. Well, I like to find somewhere quiet to just sit down alone with my thoughts - and I like to play FIFA too.

Yopi: Nope! Even when I do unwind, I would still listen to music. Mainly, I’d spend my free time with my wife and son.

Enrico: Nah. My life now revolves around music. Away from it, I’d find good food and get a lot of sleep!

Finally, and for being good sports; you can each choose a song and I’ll play it here (not any of your music - I will do that).

Enrico: GoGo Penguin – Hopopono

Yopi: Big Scary – The Opposite of Us

Fari: Everything Everything – A Fever Dream

Imam: The Horrors – Something to Remember Me By

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Follow lightcraft

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INTERVIEW: Bouts

INTERVIEW:

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Bouts

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KEEPING this week kicking…

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is the music of Bouts – in the form of the sensational cut, Face Up. Barry from the band tells me about their current song and what we can expect going forward; how the chaps got together in the first place – whether they have moved forward and evolved as a unit since their earliest days.

I learn about some cool new acts; if there is a treasured memory for the group; where we can catch the guys play; what Bouts want to achieve before the end of the year – Barry choose a song to end the interview on.

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Hi, guys. How are you? How has your week been?

Barry: Our week has been full of intrigue - as we try to agree our upcoming record’s tracklisting and celebrate receiving the finished masters (even though the record won’t see the light of day just yet). So…a mixed bag.

For those new to your music; can you introduce yourselves, please?

Energetic, enthusiastic; melodic, guitar-centric tension and release. It’s like Emo without the melodrama; like Grunge without the moshing; like shoe-gazing without the shoes.

What is the story behind your new single, Face Up? Was it a track that naturally came together?

Yes. it came together very quickly in a remote house in the west of Ireland at the start of 2017. It was almost fully-formed at inception and has barely changed since (we even have the cellphone footage to prove it). We knew it was an exciting track with an immediate hook and, hopefully, by now we have a radar for that sort of thing.

It definitely wasn’t going to allow us to let it slip away like many ideas often do.

The song has already been gathering love and support. Does it give you energy and purpose knowing your songs connect so freely?

That’s a very kind, leading question! We certainly hope our songs connect. It’s more and more of a challenge to grab people’s attention these days. Spotify is such a plentiful environment that our attention spans have reduced as the access to music has multiplied exponentially. Although, having said that, a good song will always stand out.

A cliché but a damn accurate one.

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Is there more material coming later in the year?

A second single from the album will be released over the summer, with possibly a third to follow in the autumn - and the album most likely early-2019.

How do you think you have progressed as a band in the past few years?

We’re more relaxed. Ironically, we’ve grown together as individuals even as our geographical dispersion has become more pronounced (we live in Ireland, the U.K. and the Netherlands). I guess there is a growing maturity. Our slightly frenetic, in-your-face sound of the earlier stuff has dissipated into a more-rounded and concentrated type of approach both stylistically and in songwriting terms.

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How did Bouts get together? Did you all bond over shared tastes?

We all shared very similar and complementary tastes. We liked our Pavement, Pixes; Thermals, Grandaddy and Nada Surf etc. That made things easy at the start for sure. We would often go to the same gigs and a couple of us had overlapped in different projects before we got together. I think, more recently, we listen to stuff like Speedy Ortiz, Francis and the Lights or Blood Orange, but have a soft spot for our old-skool Indie-shmindie.

Is Dublin a great place to make music? What is the vibe like there right now?

Well. Only two of the four of us live there now so we can’t fully vouch for the current vibe. As a place to make music generally, though, Dublin has always been comfortable and supportive. This comfort can be both its strength and weakness. There is an undoubted tight-knit community around each scene and people doing great work as both artists and producers.

It definitely punches above its weight. Everyone knows everyone and frequent cross-collaborations are common. But, its size can be claustrophobic and maybe a little stifling. It’s also hard to find a critical mass audience when playing locally as the audience for independent music is just much smaller. However; bands do break out – Girl Band being just one recent example of that…

Where are you heading on tour? Where can we catch you?

We’re lining up a few shows in Ireland and the U.K. between now and the end of the year - but expect much more from the beginning of 2019.

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What do you hope to achieve in 2018?

To re-enter people’s consciousness as a group (we’ve been dormant for most of the last four years) and let everybody know that good Indie-guitar music – or whatever label you want to put on it – are far from dead and buried and, indeed, something to embrace as essential again.

Have you each got a favourite memory from your time in music – the one that sticks in the mind?

I probably speak for all the guys when I say that playing after the great Bobby Womack and before Emeli Sandé at a concert in Dublin (in 2013) was probably our weirdest collective memory moment. Also, the Brooklyn apartment we stayed at during CMJ in New York - back in 2012 - had an old Victorian free-standing bath in the kitchen. It was the only way of washing ourselves and certainly made breakfast…interesting.

If you could support any musician alive today, and choose your own rider, what would that entail?

We partially fulfilled that when we supported Cloud Nothings in Dublin a few years back. We are all huge fans of Dylan Baldi…perhaps Stephen Malkmus, though. He’s just such a legend.

A rider consisting of some nonsense, hipster craft-brew beers, hummus; carrots, crisps; salty chocolate and a non-fussy assortment of triangular sandwiches would also do very nicely, thank you very much.

What advice would you give to new artists coming through?

Write, write, write. You may knock out a couple of decent tunes initially through sheer energy, excitement and talent but, to keep doing so consistently, you need to recycle idea after idea, learn to recognise good from bad; develop an internal quality control radar, broaden your influences as much as possible and then realise, after all that, that maybe you can now actually write semi-decent tunes. It takes literally hundreds of attempts (and many bands) to get there though.

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IN THIS PHOTO: Snail Mail

Are there any new artists you recommend we check out?

Now, Now, Snail Mail; Krystal Klear, Forth Wanderers; Soccer Mommy and (Sandy) Alex G.

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IN THIS PHOTO: Soccer Mommy

Do you get much time to chill away from music? How do you unwind?

We’re all pretty consistent and heavy travel-addicts – also, badminton. But, maybe I’m speaking for myself there….

Finally, and for being good sports; you can choose a song and I’ll play it here (not any of your music - I will do that).

Pavement – Grounded

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Follow Bouts

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INTERVIEW: Jade Helliwell

INTERVIEW:

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Jade Helliwell

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THE superb Jade Helliwell is one of the most stirring…

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and exceptional voices in British music right now. I ask her about her love of music and the artists who motivate her. She tells me about her E.P., Infatuation, and what themes inspired the work; what gigs she has coming up; whether Nashville is somewhere, given her love of Country, she would love to perform – Helliwell suggests a new artist for us to watch.

I ask whether there are plans for the remainder of the year and what it feels like delivering music on stage; if she has a favourite memory from her career in music; what advice she would give to upcoming artists – Helliwell tells me how she relaxes away from music.

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Hi, Jade. How are you? How has your week been?

Hello. I’m great, thanks. I’m having a lovely week filled with live sessions and writing.

For those new to your music; can you introduce yourself, please?

Yeah, sure. I’m Jade Helliwell; I live in West Yorkshire. I have been performing for most of my life. I taught myself how to play the guitar when I was nineteen and began writing my own songs and I haven’t looked back.

What can you reveal about your new E.P., Infatuation? What sort of ideas and stories inspired the songs?

The new E.P. is a collection of songs that all link in some way to the feeling of being infatuated by somebody. Some of the songs are fun and upbeat and tell stories of yearning for someone to notice you; others are more sombre and tell the story of heartbreak.

Repeat is the lead single and the idea behind that song was that when you find someone you’re happy with, you no longer search for the perfect love song to describe your relationship as that person becomes your perfect love song.

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Your Forget the Night E.P. resonated and proved popular. Were you encouraged and motivated by the success and attention it garnered?!

Yes. it definitely motivated me to record and release another E.P. The fans took to my music so kindly and asked for more - so it was great to know there were people out there ready and wanting to hear more.

Is the single, Repeat, your favourite song of recent times? Do you find yourself liking certain songs (you have written) depending on mood and situation?

Yes. Repeat is one of my favourites. It’s really fun and catchy so, hopefully, audiences will be able to take to it and join in at live shows. Yeah; I change my mind a lot - it does depend on what mood I’m in and also what kind of event I’m performing at. Sometimes, I love the upbeat songs and other times I enjoy the slower ballads more.

It seems like you draw from a large range of musical sources. Is your record collection pretty eclectic would you say?!

Yes. My record collection is very eclectic. I have music from old Country artists like Patsy Cline and Johnny Cash as well as new Country artists like Carrie Underwood and Luke Bryan. I have C.D.s from the ‘divas’ such as Judy Garland, Whitney Houston and Celine Dion; lots of Pop music (Ariane Grande, Ed Sheeran; Little Mix, Dua Lipa and Anne-Marie); singer-songwriters (Ed Sheeran, George Ezra; James Bay and Hozier). I love Motown music and musical soundtracks and lots more. There are even a few Rap and Classical albums in my collection!

If I like a song, I like it - doesn’t matter which genre it is. To me, I think that’s great and I can use that love of different genres in my own writing.

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Your mind, inevitably, draws towards Country. Have you been to Nashville – is it a place you can see yourself spending a lot of time in?

I have been three times - but each time on holiday. I was lucky enough to perform at a female writer’s night on my first trip and the open mic night at The Bluebird Café. I’m really eager to get back over and book some shows and writing sessions. I would love to become a frequent visitor to Nashville.

Can we see you tour this year? What gigs do you have coming along?

Hopefully, at some point! I have lots of exciting shows. Throughout the summer, you can catch me at Buckle and Boots, Nashville Meets London and FSA.

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How do you feel when you get on stage and perform to crowds? Is it easy to put that feeling into words?

It is hard to describe how it feels to perform: it’s a mix of excitement, joy and nerves. It’s hard to describe how it feels to put yourself on stage to perform to people and see them singing along, smiling and enjoying themselves. It’s an incredible feeling.

What do you hope to achieve in 2018?

I would like to achieve some success on radio and also to perform for audiences up and down the country.

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Have you got a favourite memory from your time in music – the one that sticks in the mind?

My favourite memory is one from not so long ago. I performed at Buckle and Boots’ ‘In the Round’ at the festival alongside Sonia Leigh and Jenn Bostic. That Friday, I had quit my job as a teaching assistant to pursue music full-time... 

I have been feeling worried that I had made the wrong decision and things wouldn’t work out. When I played the round, the reaction was unbelievable. I felt at home on the stage talking about my music and felt blessed to be in such great company. I remember feeling slightly overwhelmed and I knew right then that leaving my job was the best decision I could have made.

That gig will always stick in my mind as the moment I realised that maybe I could make a real career out of music.

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Which three albums mean the most to you, would you say?

All of my releases mean a lot to me for different reasons. Secrets was my first full-length release. It will always be special to me as it was my first introduction to people.

Forget the Night was my first step into the Country scene. It’s also the E.P. that caught most people’s attention due to the aftermath of the viral video I was in.

Infatuation is something I’m incredibly proud of - and I believe it is exactly the kind of music I’ve been longing to make.

What advice would you give to new artists coming through?

My advice would be to be present. Get to as many shows as possible. Meet people; be willing to travel and play for very little to make connections and build friendships within the industry.

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IN THIS PHOTO: Becky Lawrence

Are there any new artists you recommend we check out?

I would recommend Becky Lawrence. She’s got an amazing voice and has a great E.P. out!

Do you get much time to chill away from music? How do you unwind?

I do occasionally. I am one extreme to the other. Sometimes, my way of relaxing on a day off is to go out eating and have a few drinks and a night out. Other times, I just want a bubble bath, a dressing gown and a Netflix-marathon in bed!

Finally, and for being a good sport; you can choose a song and I’ll play it here (not any of your music - I will do that).

Ah, thanks so much. I would love to hear Ashley McBryde – The Jacket. I’ve had it on-repeat all month!

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Follow Jade Helliwell

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INTERVIEW: Jessicka

INTERVIEW:

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Jessicka

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A brilliant new track is out there…

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and I was eager to speak with the woman behind Penniless Fools. The multi-talented Jessicka discusses the track and what motivated its progress; whether its themes of social dislocation and poverty are indicative of the times in which we live – she tells me what it was like shooting the video for the song.

I ask Jessicka what Vancouver is like for music and whether she will come to the U.K. this year; if there are three albums that mean a lot to her; what advice she would give to upcoming artists – she highlights some new artists we need to throw our weight behind.

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Hi, Jessicka. How are you? How has your week been?

Hello! I’m pretty excited. The week has been great: the new video came out and I’m so happy with how it turned out, so it’s nice to be able to share.

For those new to your music; can you introduce yourself, please?

I’m Jessicka; an Indie-Pop artist from Vancouver with a dance addiction.

Penniless Fools is your new track. What inspired you to put pen to paper?

It seemed like every time I went back to my small hometown after moving to the city another local shop had closed down and another megastore had opened up. Families I had known my whole life were forced to close their stores because they couldn’t compete with the prices. Watching that transition really moved me; I guess this is my little protest song.

Its video interests me! How did the concept come together – was it fun to film?

This video was so fun to film. I used to spend every summer in Merritt so filming the small-town shots up there was really satisfying; it felt really good to be there. Finally, I got a chance to just be myself in a video, not wondering if I’m going to drown or be constricted to some wacky ballet tutu and a wig(even though costumes are my favourite thing).

Conceptually, we wanted to convey how hard small towns are being hit and the warmth you feel when in you’re in a place like that and contrast it with the harsh glass and steel city feel. It’s a bit of a critique on our little city here and how it’s ‘developing’.

Do you think, as consumers, we are poorer in terms of jobs and opportunities? Have you noticed economic belt-tightening in the music industry?

It’s undeniable that the music industry has tightened its belt: how could it not when you look at the difference in how we consume music? But, it doesn’t make me feel hopeless. If anything, now that the live performance is where you really have to shine and catch your audience, you have to bring it. I’ve been seeing just amazing vocal and musical performances and more experimentation with costume and presentation and, personally, I appreciate that.

As for outside the music world, I’ve felt concern for the middle-class since the first automated checkout. Not to sound apocalyptic but it seemed like the first step in machines replacing people...anyway; this is a can of worms I shouldn’t open here...

What comes next in terms of material? Are you working on new ideas?

YES! My producer, Bradley Ferguson, and I are planning on doing the first E.P., acoustically, on our haunted upright piano. After that, we’re going to start working on new beats for the next record. We have some new inspiration and really want to strike while the iron’s hot.

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As a Vancouver-based artist; how have you noticed the music scene change and expand over the past few years?

In Pop music, yes, definitely. It felt like all I kept seeing was this throwback scene that was obsessed with sounding exactly like The Rolling Stones or Neil Young and, if you used one sample or Auto-Tuned anything on your album they would completely disregard you. So, now that we have groups like Little Destroyer, Tei Shi and Youngblood coming out with wicked Pop music and putting on amazing shows, I feel way more excited about at least this scene in Vancouver.

Can we see you tour this year? What gigs do you have coming along?

Yep! I’ll be in Ontario doing the Friday night concert series in Brampton and then Hillside Fest in Guelph right after!

Might you come to the U.K. and tour this year?

That would make me so happy. It’s been too long since I’ve been to the U.K. but, so far, it’s mostly Canadian dates.

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What do you hope to achieve in 2018?

Stardom and riches, obviously, but I would love to get on the road and really tweak the live show. Touring would be number-one but I just want to keep creating and get some of this new material off the ground. I’m excited for the next chapter and the new sounds we want to work on.

Have you got a favourite memory from your time in music – the one that sticks in the mind?

This will sound odd, but a few years ago, I helped put on a tribute to the songs of Disney and played with the string trio, Gentle Party. The event over-sold by a couple of hundred and we packed a local venue to the rafters! It was so fun to sing songs from my childhood to a super-enthusiastic audience.

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Which three albums mean the most to you, would you say?

Strange Mercy - St. Vincent   

This was her crossover album: from using lots of concert band instruments to a more Pop sounds. Her use of Moog blew my mind…and those sexy lyrics! Surgeon is a super-sexy tune.

Adventures In Your Own Backyard - Patrick Watson

A gorgeous, engaging album by a wonderful human. This is one of the albums that brought me out of a writing funk.

Anti - Rihanna    

Obviously, this is a more recent choice, but as soon as I heard this album my faith in the Pop world was restored. Songs one-through-eight are perfection to me.

What advice would you give to new artists coming through?

Stick to your vision: only you can do it. Your voice is unique. There was a time when I felt swayed to write specifically for radio and the owner of Light Organ said: “Don’t worry about that. Keep doing what you were doing, that’s why we signed you”. All the writer’s block went away and music was fun again.

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IN THIS PHOTO: Tei Shi

Are there any new artists you recommend we check out?

Tei Shi, Jessie Reyez; Anna Wise, Leikeli47 and LION BABE.

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IN THIS PHOTO: Jessie Reyez

Do you get much time to chill away from music? How do you unwind?

Well. I’m a bit of granny and like to get out in nature and look at birds. I’m a bird nerd. Photography is another pastime. It’s great to indulge in visuals instead of audio sometimes.

Finally, and for being a good sport; you can choose a song and I’ll play it here (not any of your music - I will do that).

This is by far the hardest question…

I’m going with an oldie: Hotel - Broken Social Scene

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Follow Jessicka

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INTERVIEW: Only Takes A Day

INTERVIEW:

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Only Takes A Day

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THE chaps of Only Takes A Day…

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let me into their world and explain the origin of their new song, Reach. They tell me whether modern Hip-Hop needs a bit of a shake-up – the guys highlight a new artist we need to get behind.

Fabien and Shaanvir talk about their love of The Streets and Hip-Hop; whether they each have a favourite memory from their time in music; which artist, if they could choose any, they would support – I ask how they both unwind away from music.

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Hi, guys. How are you? How has your week been?

Our week has been great, thanks! Always busy trying to balance music and a job at the same time, but somehow make it work…

For those new to your music; can you introduce yourselves, please?

For sure. So. We are Only Takes A Day; a disastrous duo from North London who is trying to scrape a living by mixing Folk and Hip-Hop like oil and water. Fabien is the talent and Shaanvir is the eye-candy (obviously). Best way to get an idea of what we do is to listen to some of our tracks (or come and see us live!).

When did Only Takes A Day get together? What is the meaning behind that name?

O.T.A.D. started at a party about four years ago now. I played his version of Reach to Fabien and that was it. We arranged a jam session and worked on more songs. Back then, we were going under a different name and realised we were so hard to find online so we needed something new. I was going through a bit of a rough patch when a friend invited him out to Glastonbury.

Anyone who has been to Glastonbury knows how nuts it is but, while I was there, I played at the open mic on the Croissant Neuf stage. It was strange but, after that day, everything looked and felt better. I told my friend and he turned around and said: “Only takes a day”.

Can you reveal what inspired the song, Reach? Is it a representation of the contrasts we see in modern-day life?

The whole song was written as a sort of stream-of-consciousness. I was basically pissing around on my guitar and just started coming up with the lyrics. I really liked what was coming up, so I quickly called my brother to the room and got him to write down what I was saying. A lot of it is just what I think and believe on a day to day basis.

A lot of people would like to think they can provide definitive answers but, actually, the world is riddled with insecurity and it is important to acknowledge that but not lose sight of your core values.

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Fabien. What was it about the track that compelled you? Do you think it is the finest thing Only Takes A Day have created?

I think it was how lyrically-charged the song was. When Shaanvir first played it to me, I had never really heard anything like it. It was really creative and something I wanted to get on board with. It is definitely one of our favourite songs to perform but would not say it the finest thing we have created.

There is still plenty more to come from Only Takes A Day!

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You are influenced by Hip-Hop – it goes against the Americanised strain we see in music now. Do you think Hip-Hop needs a shake-up?

Not really. There will always be subjectively good and bad music. A lot of the music today allows us to carve the little niche we are making for ourselves. Plus, music will always change. That is the nature of it: if you’re not a fan of what is happening now then just be patient.

In many ways, you remind me of The Streets and British Hip-Hop of the early-'00s. Is that a period of music you are influenced by?

Oh, absolutely. I got Original Pirate Material when I was in secondary-school. I saw The Streets at ‘Ally Pally’ when I was sixteen with Mitchell. I suppose, like all musicians, we are hoping to build up our fanbase; write some more music and play more gigs. Basically, do all the things we find fun…

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Have you each got a favourite memory from your time in music – the one that sticks in the mind?

I would say for both of us, it was playing at Subsonic Festival a few years ago. There were about four-hundred people on a hill in Wales and we were playing in the woods. It was a great weekend.

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If you could support any musician alive today, and choose your own rider, what would that entail?

That is an awesome question. I am not sure. On a global scale, supporting Childish Gambino would be incredible but I would say, as a childhood dream, it would be The Streets. That would be incredible. Neither of us is super-cool so our rider would probably just be a pizza each and some beers. Maybe some computer games. Oh, and some food for my dog…and someone who would deliberately lose at arm wrestles (to us) to boost our confidence.

What advice would you give to new artists coming through?

Just have fun. If you’re not having fun then what is the point?!

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IN THIS PHOTO: Joel Bailey

Are there any new artists you recommend we check out?

 Loads. I would recommend anyone to just go and check out their local open mics if they fancy a pint. But, we always enjoy performing with Joel Bailey and Urband Soul. They are awesome.

Do you get much time to chill away from music? How do you unwind?

Music is generally how we unwind. We need full-time jobs to sustain us, so playing music is our respite.

Finally, and for being good sports; you can choose a song and I’ll play it here (not any of your music - I will do that).

Dan Le Sac vs Scroobius Pip - You Will See Me

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INTERVIEW: MADI

INTERVIEW:

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MADI

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I have been exploring the work of MADI…

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and have been talking to a very talented songwriter. She reveals the story behind her new song, Intimate, and who is in her live band; why she rebranded from ‘Maddie Jones’ – what the scene is like where she is in Wales.

I was keen to know whether any gigs were in the calendar; what sort of music she was raised on; how she spends her time away from music; three albums that mean a lot to her – MADI recommends some cool new artists.

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Hi, MADI. How are you? How has your week been?

Great, thanks. I’m off to Budapest tomorrow to commiserate my birthday, so am pretty excited about all the goulash and baths I’m gonna have.

For those new to your music; can you introduce yourself, please?

I call it ‘Weirdo-Pop’. A posher description would be electronically-tinged Art-Pop. I used to write a lot from the guitar, but I’ve been experimenting with samples and production for the last year or two, which is why I renamed myself ‘MADI’ this year. The live band includes Dan Fitzgerald (Guitar, Pedal Wizardry and Modular Synth), Chay Lockyer (Bass and Things) and Rich Welsby (Drums and Things).

Talk to me about Intimate and what the single is all about. Was it quite an easy song to put together?

The song comes from my feelings about different forms of intimacy...

There’s the intimacy when you first get together with someone and are sort of obsessive; then the playful getting to knowing each other. Then, there are things that come later, like blazing arguments and sitting in comfortable silence - which are just as intimate in their own way. Couples in their nineties are intimate in a completely different way to those in their twenties.

Musically, I was playing with a lot of samples and so I layered up a lot of elements in my version made in my studio at home. I tinkered with it A LOT, then eventually took it over to Charlie Francis (my producer) and we worked on it a lot together, to get the feel exactly right.

‘MADI’ is the reincarnation of ‘Maddie Jones’, as it were. Do you feel like you are a different person as MADI? Is there going to be more MADI material?

MADI is a clear character/aesthetic for me. ‘Maddie Jones’ changed a lot and dipped in and out of different styles because it was harder to differentiate from me and my tastes as an individual. There are two more songs already planned for release in the coming months: All Work and No Play (about balance of responsibility and hedonism, as you can probably guess) and Dirty (Word) (inspired by some of my experiences as a woman and feminist).

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What was the reason behind the rebrand? Did you feel you took that part of your career as far as possible?

That part of my career felt like it had meandered a lot and lacked clear focus and direction. Stepping back from performing live allowed me to think about what I really wanted to do and the type of music I wanted to make. I wasn’t satisfied with the way things were. I’ve thought a lot about my goals as an artist - and MADI is the result. 

Is there a big music scene where you are in Wales? What is the local vibe like?

There is an incredibly varied scene here - though I speak mostly from my experience of Cardiff. Womanby St. is a central hub of activity (it was saved from disastrous problems with developers by the Save Womanby St. campaign recently). There are more venues appearing gradually, but we could always do with more. HUB Festival at the end of August is a good snapshot of some of the variety in the scene here.

What sort of music were you raised on? Was music always on when you were younger?

My parents had a great collection; everything from Led Zeppelin to Vangelis to Ella Fitzgerald. I also studied music from a young age, so there was a lot of Classical, Jazz etc. in the mix too. When I started buying more of my own music, I got into bands like Red Hot Chili Peppers, Smashing Pumpkins and Queen (in a big way!). I’ve had big Queens of the Stone Age and Prince obsessions since too.

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Can we see you tour this year? What gigs do you have coming along?

I’m currently developing a new live show to compliment the stylistic relaunch of the music (involving lights, projections and costume etc.). It’ll be launched later in the year.

Is it possible to describe the feeling you get when up on stage? Is it were you feel most natural and alive?

I love being on the stage because I can’t see a bloody thing when I’m in the crowd (I’m five-foot-three). It’s a weird combination of feelings because I’m sort of extroverted but also intensely sort of shy in a weird way. I communicate a lot of my most complex feelings through my songs though, so it is liberating. When everything is right, and the crowd are with you, it’s the best possible feeling.

What do you hope to achieve in 2018?

Record more songs; film LOTS of videos (I intend to have a video for every song); launch and film the live show; start booking up our tour and festival calendar!

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Have you got a favourite memory from your time in music – the one that sticks in the mind?

It would be hard to pin down one! Each album/E.P. launch I’ve done has always been pretty life-affirming - when so much work goes in and eventually pays off.

Which three albums mean the most to you, would you say?

I have to give a nod to Queen as I had a deep obsession as a teenager. A Night at the Opera is my favourite probably. 

I love St. Vincent and her self-titled album is one I played a lot and was inspired by.

A recent favourite is Kimbra’s The Golden Echo after a friend suggested I might like it after hearing Intimate.

What advice would you give to new artists coming through?

Know thyself! You can go through the motions of being an artist but, if you don’t know what you want to achieve, you will work a lot but not feel like you’re achieving much.

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IN THIS PHOTO: Dan Bettridge

Are there any new artists you recommend we check out?

Some of my Cardiff buddies!

Dan Bettridge – Sexy-voiced folky vibe.

Junior Bill – A melting pot of vibes you can skank to.

Afro Cluster – Afro-Funk Hip-Hop

Rainbow Maniac - Dirty Rock ‘n’ Roll

Charlie Francis - The Songs for Singers album features a load of different singers from Wales.

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IN THIS PHOTO: Charlie Francis

Do you get much time to chill away from music? How do you unwind?

Music is pretty much my life! I love good food and cooking! Festivals, travelling; comedy, hanging out with my nutty friends and family. Sounds like a Lonely Hearts ad!

Finally, and for being a good sport; you can choose a song and I’ll play it here (not any of your music - I will do that).

My Iron Lung - Radiohead

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INTERVIEW: Seaker

INTERVIEW:

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Seaker

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I am kicking this week off…

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by speaking with Seaker about her new track, Words, and what the story behind it is. She tells me about recording and creating in London; whether there is more work coming along later in the year; why she moved from the North down to the capital – she reveals a few albums that have impacted her in a big way.

Seaker recommends some new artists to look out for and tells me about gigs; what sort of sounds/artists influence her; what music means to her; how she relaxes away from music – she ends the interview by choosing a classic track.

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Hi, Seaker. How are you? How has your week been?

Hi, Sam. I'm doing well, thank you; currently treading water in a sea of emails. This is fairly representative of how the week has been so far really, with a rehearsal thrown in. Mind you, it's only Tuesday so the rhythm of the week is yet to fully unfold...

For those new to your music; can you introduce yourself, please?

I'm Kiran and I make music under the name of ‘Seaker’. I have a home studio In North London (U.K.) where I write, flesh out and record most of the songs and then I get little bits of help from a few trusted musical friends. I know lots of artists will feel this but I find it hard to align with one particular genre. It is Pop at its core.

I like layers of dreamy sounds and harmonies and music that crawls from delicate tiny-ness into a rushing waterfall of big drums, pianos and all that filmic stuff. It's an ongoing journey to get the sound right.

Words is a title attached to many songs. I have heard none that stick in the mind as long as yours. Can you tell me how the song came to mind and what it means to you?

That's kind of you to say - and I'm glad it resonated with you on some level.

I didn't name the song until it was finished. I've always liked the idea of starting with a title and fleshing out a song from there, but it doesn't seem to happen that way with me. I often write songs based on a fragment of a feeling I have and that can come from anywhere. I, somehow, turn that feeling into a story in my head, often with characters. It's very emotion-led and, sometimes, it's like I'm being guided rather than actually coming up with ideas. 

Words emerged after I was chatting with a friend about relationship experiences and, later, I started to think about how, as adults, we never stop being vulnerable and this can manifest in behaviours in relationships that can make us spiky or negative, when, actually, our heart is saying something else or really, in that moment, just crying out for love. This is also a track about wanting to be enough for someone, flaws and all. ‘Words’ felt like the right title - as it's often hard to find the right ones.

It seems people are already reacting heavily to the track. How important is it seeing those great reviews and positive words?

I'm glad it appears that way!

I'm not sure that's how it feels, to be honest. It can be quite emotionally draining when you're doing your own press as, no matter how much you want to intellectualise the process and separate yourself from the track so as not to take anything too personally - in reality, that is hard. I'm such a sensitive person deep down that sometimes it can feel a bit soul-destroying and like you're shouting into an abyss and no one is listening or cares. At the same time, I have had some amazing support from lovely people and I am so grateful for that. 

If you're feeling a little defeated, it feels euphoric when someone takes the time to listen and get back to you with a positive response and there are some really decent, lovely people out there no matter what you might hear about this industry. It's such an honour when you find them and they support you. It isn't the primary motivation, but good reviews help keep you going mentally as well as being a boost musically.

Do you see more material arriving later this year? Is your North London home quite a hive of songwriting activity?

There will be another track in a couple of months-ish, as my aim is to get a regular flow of material happening. I have been the queen of the stop-start approach (not purposefully!) and have had huge gaps between past songs - mainly because I was doing every step from the writing to the press, so it all took ages. I have had a little bit of help with production this time around and it has sped up the process. I hope I can keep some momentum going this time. That's the aim.

When I'm not doing promo with every spare minute, I am writing a lot of the time. I miss it so much at the moment as the past three weeks have been solid admin. I'll get my writing time back very soon though and I can't wait.

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What compelled the move from the North down to London? Do you think London is a place that offers opportunities others do not?

I actually went further North before coming South, as I went to university in Edinburgh so lived there for four years. I was on a different path for a while - possibly into Psychology in some way. The yearning for music got too much for me to ignore and I knew if I chose to do anything else I would end up being unhappy so I decided to move to London but saw out my degree as I was over halfway through it by then. A lot of my family live here and I've been visiting regularly since I was a child. Both of my brothers are here so, apart from the fact that it's a good place to be for musical development, it was an obvious place to move to anyway and I wanted to live here.

I think there are opportunities here, obviously, but, as time goes on, perhaps it's becoming easier to manage things from elsewhere. I think that once you're at a certain point in your career you certainly don't need to be in London and can run things from anywhere really. People do so many different things and settle in so many different ways; I think what you make of things anywhere is more down to the individual than anything else. That said, you will probably need to come to London at some point for a meeting or a show.

Give me a sense of your musical tastes – it seems you have a wide range of influences. Who, would you say, are the main role models in terms of sound and aesthetic?

I'm quite a visual writer and thinker, so I think imagery informs my writing as much as other music in many ways. I often think of vast landscapes or war scenes, or anything with an epic filmic vibe when I am writing. Ever since I saw Robin Hood Prince of Thieves when I was a kid, I have daydreamt about scenes from that film and being in them. I sometimes see them when I listen back to my tracks. That film definitely sparked something in me, which is still there in my creativity process now. I was transfixed as a kid and I still carry that feeling sometimes.

Sound-wise, bits and pieces from all over the place influence me. I love the swooning guitar style of Mark Knopfler; the delicate balance of dynamics that Ry X seems to pull off so well, plus his aesthetic is so dreamy, which I love. At the moment, I am obsessed with the drum sounds in a heap of Daughter tracks. They do delicate to epic so well. Bat for Lashes and Lykke Li are two more modern influences as I particularly love their individuality and commitment to the art. The dialogue of Leonard Cohen and the way he could dress up a love song into something melancholic has impacted the way I write and shape sound. I'll always be in awe of that man.

Sade is another big influence, musically, aesthetically and personally. She is musical royalty to me. There are so many others but I have a terrible memory. I apologise.

If you could articulate what music means and why it resonates with you, what would you say? Is songwriting something that lets you be open and free in a unique and beautiful way?

For me, songwriting is cathartic and necessary. My head fills up with so many thoughts that sometimes writing a song feels like the only way I can stay connected to the earth without losing the plot. I get really antsy and nothing seems to make sense to me if I go for a long period of no writing. It doesn't even feel like a choice really…

It's clichéd, but music has transfixed me since I was a small child. My dad is a huge music fan so there was always music around and my whole life is intertwined in one long soundtrack. Certain songs instantly take me back to being seven years old and I can still feel now what I felt then. It is so powerful. Nothing does that to me in the same way. I've been close with some art and poetry, but sound does something extra to me.

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Can we see you tour this year? What gigs do you have coming along?

At the moment, I just have the one booked in but I'm hoping that will change very soon. We're playing at Birthdays in Dalston on 15th June, supporting Gazel. We're doing a bit of a stripped back set. I'm excited - it has been a while since we played a show.

What do you hope to achieve in 2018?

I'd like to put out more music I'm proud of and try to make some new human connections through the songs. I would love to tour. I have this picture in my head of a crowd of people who are waiting to discover my music even though they don't know it yet and it's up to me to go and find them. So, I'll be looking for those people. Knowing the vast emotion we can feel from music and how it can move me so deeply, if I could do that for anyone else, I would consider that a big win.

Earning money to keep making music as much as I can is obviously part of the dream, I can't deny that. It's not the fire behind me, though. If making lots of money was my primary goal, I wouldn't be attempting the music industry.

Have you got a favourite memory from your time in music – the one that sticks in the mind?

I'm not sure I have a single one as there have been so many varied experiences in different bands and projects that were all special in their own way. A few years back I was working with Talvin Singh, who invited me to convert some Indian poetry into a melody to go over his playing and sing it live with him. That was pretty special.

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 Which three albums mean the most to you, would you say?

I really don't know how to answer this as I don't have these sorts of lists or ranked albums and never really think of music in that way. I have such varied moods and tastes that it's impossible and I would be here forever. So, I'll just tell you about three that have made a particular impact at the time:

1. Leonard Cohen - I'm Your Man

This was my introduction to Mr. Cohen and we would listen to this as a family when I was young. His voice and particular use of words stopped me in my tracks. I also started to sing harmony by copying the backing singers.

2. Jewel - Pieces of You

I was in the States on a family holiday when this album came out and I bought it on C.D. at Tower Records not knowing who she was. When I heard Jewel Kilcher's voice, I think I almost started crying. The depth of her tone and the way she would put so much emotion in to her songs by using her voice as an instrument blew my mind. Also, as a young girl growing up, I loved all the acoustic guitar-y heartbreak songs. I love that woman. She is still such an inspiration.

3.  Sade - Lovers Rock

Every song on this album gets me and it's like a comfort blanket. I return to this album when I need a musical hug and a reminder that quality reigns in the long-run.

What advice would you give to new artists coming through?

Try to find your inner-instinct and hold on to it. Make music you like yourself and be authentic. You may not feel it, but just who you are is perfect. Get good at your craft and stay curious. Also, remember that once you have your songs ready, you need people to send them to. Make friends. Be nice. Find the good people and stick together. Help each other out. This sh*t is hard and you're not crazy (or you might be, but that's ok too).

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 IN THIS PHOTO: Lyves

Are there any new artists you recommend we check out?

I feel like one myself! If it's ok, I will list a couple of friends of mine who are doing their thing and I think are great. Lyves and Robert Ray. Totally different genre-wise but both authentic, great artists. They're both a constant support to me as well so I want to big them up.

Do you get much time to chill away from music? How do you unwind?

I'm happiest when I'm writing and (providing I'm not battling the song) I find it quite relaxing to lose hours in the tunnel of creating. I get into nature as much as I can. I love trees. Walking my dog keeps me sane and I do quite a lot of yoga, for my mind as well as my body.

I also like wine.

Finally, and for being a good sport; you can choose a song and I’ll play it here (not any of your music - I will do that).

Joan Baez - Diamonds and Rust

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INTERVIEW: Early Hours

INTERVIEW:

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Early Hours

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THE guys of Early Hours started life in South Africa…

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but are based over here in the U.K. now. I ask Jake and Adam about their formation and what they can reveal regarding the new single, Blink. They tell me what they are doing next and if there are any gigs lined up now they are in the country.

Early Hours recommend some new artists and tell me what the scene is like in Cape Town right now; if there are fond memories they have from their time in music; whether they get time to chill outside of their musical life – the guys reveal what they hope to accomplish before the end of the year.

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Hi, guys. How are you? How has your week been?

Been a busy old week! Jake just flew down from America and we got to see each other for the first time in four months (we’ve taken the first half of the year off as Jake studies songwriting in Boston and Adam is studying Production in Liverpool, but we’ve relocated to the U.K. for the next three months). So, there’s been a lot of catching up, rehearsing and listening to the new Arctic Monkeys album.

We’re a combination of jet-lagged and excited for this summer we’re about to spend together.

For those new to your music; can you introduce yourselves, please?

We are Early Hours, an Indie-Afropop band consisting of Jake Bennett and Adam Rothschild; bred in Cape Town, South Africa and now based in the U.K. seeking out world domination on a budget…

Blink is out now. What inspired the song?

Blink came about through a period of uncertainty. We put out a song called Smells Like Summer as we finished high-school, which went viral online and became the first track in our country’s history to get over a million plays on SoundCloud. We felt like the world was ours for the taking but South Africa is a small place and it’s tricky and expensive to escape from.

So, while we wanted to be out seeing the world and meeting all these fans we’d generated through the power of the Internet, we felt a bit stuck. Blink is about that period and about that feeling that the world is passing you by but with a silver-lining of hope that, despite all the worries we have, the best parts of this world might be sitting right in front of you.

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The track is perfect for the summer! Was it written with festivals and celebration in mind?

Oh, absolutely. We come from one of the most beautiful, sun-kissed and joyous countries in the world and it’s always been our goal to bring a slice of that cake to the rest of the world. The irony and the beauty in Blink is that it’s coming out right as we get the chance to do just that. We can’t wait to take it to every festival and celebration the U.K. will let us into!

Might we see more material coming later this year?

Absolutely. We can’t say when, but our advice is don’t blink.

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Jake and Adam. How did you find one another and form Early Hours?

Jake was born in England and moved to South Africa and Adam was a South African with a fascination with the U.K. music scene. We met on our first day of high-school and bonded over a mutual love of Arctic Monkeys. We formed a lifelong friendship out of that singular conversation. The band is pretty much just a product, and an extension of that friendship, paired with a dream to get back to the U.K. and be a part of that scene we’re both so in love with.

You have achieved worldwide acclaim and worked with some great producers. Do you think travel and great collaborations make your work stronger and broader?

Without doubt. The reason this partnership works is because we push each other...

But, the real magic is formed when we combine that competitive spirit with the outside world; whether it’s life on the road informing the lyrics or a general fascination with other country’s music scenes. One person in particular that changed our sound and our way of working is an Australian producer named JP Fung, who we emailed out of the blue because we were a fan of the Australian music scene and, in particular, a band called Last Dinosaurs (who he produced).

We didn’t expect a reply, but he liked our music and we’ve been working and writing with him ever since. He’s our biggest collaborator and he feels like a very close friend - even though we’ve never even met face to face.  

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You hail from Cape Town. What is the music scene like there? Is it quite easy to get gigs?!

It’s small but deadly. The relative lack of bands and venues mean those in the scene have to compete with each other for the country’s affection. But, at the same time, it comes with a feeling that we’re all working towards the same goal of having South African music recognised – be it by the world or by the local community who are lost in the Billboard Hot 100 Chart.

That feeling, and the hard work it takes to achieve that goal, builds a pretty nurturing family spirit. There's always a great sense of pride when someone from your community breaks the boundaries and starts to take off. Jeremy Loops is the country’s latest and greatest export and we’re all firmly behind him, while furiously trying to catch up.

What do you hope to achieve in 2018?

We feel like landing in the U.K. last week was an achievement in itself as it was kind of the culmination of eight years of our friendship and playing music with each other. Now, the goal is to connect with as much of our U.K. fanbase as possible and play in the venues and the spots we’ve dreamed about since high-school. We also hope to achieve a pretty profound knowledge of what makes a good English pub.

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Have you each got a favourite memory from your time in music – the one that sticks in the mind?

As we said earlier; when we were in high-school, we put out a song called Smells Like Summer which took off online and led to us jumping on a plane the day we finished our final exams; leaving our hometown together for the first time and flying to New York to record a song. That feeling of escape, and our first leap into the great unknown, will stick with us forever. It’s a feeling we try to tap into with every show we play and every song we write.

If you could support any musician alive today, and choose your own rider, what would that entail?

Arctic Monkeys was the band that we bonded over in the first place, so that would be pretty sweet. Though there is that old saying about how you should never meet your heroes - so maybe that could be a risky business. We got the chance to tour with The Lumineers last year when they came to South Africa. They were a band we didn’t know much about but really got into as a result of that experience.

As for the rider, we’re pretty easy to please. A few bottles of tap water, some fresh towels and 2000 Smarties hand-sorted into different colours is all we ask for.   

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What gigs do you have coming up? Will you come to the U.K.?

Just arrived! We had our first show in London at the O2 Academy this week and we’re off to Bristol in June. Other than that, keep an eye on our social media (Instagram and Twitter handles are @earlyhoursband) to see where we’re popping up next.

What advice would you give to new artists coming through?

Make sure you only eat the orange Smarties.

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IN THIS PHOTO: Shortstraw

Are there any new artists you recommend we check out?

We’ve been enjoying some other South African bands recently. If you like your music kissed by the sun make sure you check out Shortstraw and Beatenberg.

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IN THIS PHOTO: Beatenberg

Do you both get much time to chill away from music? How do you unwind?

We grew up underneath the watchful eye of Table Mountain and that instilled a great love for the outdoors. Running up there, or just getting out of the house and into Mother Nature’s pocket, has always been a great way to unwind and a wonderful source of inspiration.

Finally, and for being good sports; you can each choose a song and I’ll play it here (not any of your music - I will do that).

Jake: way it goes - Hippo Campus

Adam: South of the River - Tom Misch

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INTERVIEW: Claude Munson

INTERVIEW:

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Claude Munson

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MY final interview before next week…

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is with the terrific Canadian songwriter Claude Munson. He has been chatting with me about his record, The Silence Came After. I ask whether he has a standout from the album; which musicians he counts as influences – Munson recommends some new artists that are worth catching up with.

I ask whether gigs are on the cards and what the scene is like in Ottawa; if he is coming to the U.K. this year; how he spends time detaching from music; three albums that mean a lot to him – Munson reveals what he has planned for the remainder of 2018.

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Hi, Claude. How are you? How has your week been?

Hey! I’m good. It’s been a busy and exciting week. I just released my sophomore album, The Silence Came After, via Record Centre Records and performed a sold-out show at the National Arts Centre’s Fourth Stage. Happy that the album is finally out and available for the people - and happy to be performing more live shows.

For those new to your music; can you introduce yourself, please?

My name is Claude Munson and I’m singer-songwriter from Ottawa, ON. I perform in a five-piece band: two guitars, synths; drum and bass. Whether drenched in crystalline synths or stripped bare, I aim to write songs that tackle modern life and love with radical intimacy.

Some people call my music ‘Impressionist-Folk’ or ‘Art-Folk’.  

The Silence Came After is out. Can you reveal the themes and ideas that go into the album?

The Silence Came After is somewhat of an autobiographical record. I believe I'm trying to convey some truth about myself and my experience. One of the themes on the album is a kind of escapism and a constant need to run away from myself. I think, with this album, I confronted my past and learned more about myself in the process.

My music is also a kind of therapy for me: I write songs to try to make sense of my heart and my head.

Is there a track from the album you’d highlight as a favourite?

Broken Stairs is currently my favourite track.

The music video for it was just recently premiered on PopMatters the day before my album launch.  For the video, we chose the concept of getting lost in your own city. I was inspired by my teenage years of walking and hiking around Ottawa and Hull with my friends. We would go out and discover graffiti walls and abandoned things like the old train tracks that cross the Ottawa River and bridge Ontario and Québec. 

Do you feel the record is your most realised and satisfying work?

I do. We spent a few years making this album and did our best to not cut corners. Whether it was envisioning the album, writing; arranging or recording the songs, everything seemed to take longer than expected. I think it’s because everyone working on the record wanted it to be the best it could be. Each song is its own universe and they’re all treated uniquely. I’m proud of this album.

Which musicians did you grow up around? Who do you count as idols?

There are many, but I’ll try to keep it short! When I was younger, I would listen to old stuff like Billie Holiday and old Jazz records. I think this gave me an interest in singing melodies. In the early-two-thousands, Kurt Vile came to Ottawa and played Babylon nightclub. I was too young and too much of a dweeb to go to the show but I still bought his album, Smoke Ring for My Halo. I would always listen to this record before a writing session.

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War on Drugs’ early stuff painted a nice picture for me: I really like what was going on there. The Sea and Cake (from Chicago) had an influence on some of the writing on the album. Something about the momentum in the music really inspired me - this feeling can be found on Broken Stairs. Bruce Springsteen’s Nebraska made me want to write more intimate songs. I would listen to that album a lot. Worthy mentions: Bright Eyes, Mazzy Star; Elliott Smith, Devendra Banhart; Andrew Bird, Patrick Watson; The Shins, Sufjan Stevens; Wilco, M. Ward; Jeff Buckley, Van Morrison; Nick Drake, Tom Petty and Paul Simon.

Sidenote: I’ve always been a big fan of Canadian Indie artists such Feist, Broken Social Scene; Stars, Bry Web; Chad Van Gaalen, Joel Plasket and Jen Grant. 

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You are based out of Ottawa. What is the music scene like there? Are there a lot of great local acts?

It’s quite eclectic compared to when I was a teenager. Ottawa is a city that is constantly growing and changing. I’ve seen venues come and go but I think that means there’s stuff happening and people are trying stuff to see what works. There are more music festivals then before (big and small) and more than enough opportunities for bands to book shows and play. 

There is a good musical community here and anyone is likely to find something they like. I think Ottawa needs more medium-sized venues as to attract more out of town acts and maybe some bigger names; that would really draw people out to go see more music. There are many great local acts I would highly recommend: Her Harbor, Scattered Clouds; Trails, Shadowhand; Keturah Johnson, Sparklesaurus and Pony Girl to name a few!

Can we see you tour this year? What gigs do you have coming along?

Most probably! We are currently some shows to promote the album launch. We just played in Ottawa and Montreal this past weekend and we are heading to Toronto for a show at the Burdock on June 5th. 

Might you come and play the U.K. this year at all?

It would be a dream! I love to be on the road and my goal has always been to play everywhere I can. I feel as though people in the U.K. would enjoy the record. Even though my name is Claude, all my lyrics are in English!

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What do you hope to achieve in 2018?

For my album to reach more ears, to write more songs; to make more music videos, to take some time off and remember to be human. I want to play some shows in scary America and beautiful Europe - and start recording a new album. I also hope to be a better person every day and give back to the community.

Have you got a favourite memory from your time in music – the one that sticks in the mind?

I miss the ‘jams’. I used to be part of a French band that busked in different towns in the South of France. We would hitchhike to a town, play in front of the cafes at night to buy food and drinks then sleep on couches at night…the vagabond days, I call ‘em. Those were my richest musical experiences to date. 

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Which three albums mean the most to you, would you say?

Buena Vista Social Club - Buena Vista Social Club 

When I was very young living in Asia with my family (my father was CTV News correspondent), we had this album playing with us everywhere we went. Every time I hear any song on that album, I instantly feel at peace and calm. It’s such a musically-rich record, so much talent; there is something very romantic about the album. 

Paul Simon – Graceland

When I was learning how to sing and play the guitar, I made it my mission to learn as many songs off this album as possible. This album was always my feel-good go-to album. I love the way Paul Simon writes songs. I feel like there is a universal message of love and compassion in his music.

Bruce Springsteen – Nebraska

I was listening to this album while deciding which demos I would bring to the band. Time It Takes, the last song of the album, is a bit of an homage to the crudeness of Nebraska.

What advice would you give to new artists coming through?

Believe in yourself. Go for it. The only thing holding you back is that silly voice inside your head. Be patient with your material. Create experiences that build up your self-confidence. Share your thoughts and feelings with others. Help yourself grow. Be proud of what you can do: don’t try to be like others: you can’t escape your own uniqueness so embrace it.

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IN THIS PHOTO: Kevin Morby

Are there any new artists you recommend we check out?

I may be late to the game on this one but I just discovered Kevin Morby. Amazing stuff, Singing Saw: great song. Land of Talk from Montreal is also worth checking out. Her music is inspiring and her musicianship is out of this world. Great voice and guitar work. 

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IN THIS PHOTO: Land of Talk/PHOTO CREDIT: Matt Williams

Do you get much time to chill away from music? How do you unwind?

These days, not really, but that’s what I’m hoping for soon! Nature is a happy place for me so any kind of nature adventure is definitely my jam. In Ottawa and Gatineau we are surrounded by beautiful provincial parks so I try to go hiking and camping whenever I can. As a full-time cook, it’s hard to find the time.

My family has a cottage in New Brunswicka (a province on the East Coast of Canada). I’m hoping to sneak away there for a week or two this summer to decompress, chill on the beaches; read, play the guitar and spend time with my extended family – and eat some lobster. Very basic stuff but very good for the soul. I wrote three songs on that beach for The Silence Came After: Madness, Love Comes Knocking and Sweet Love. 

Finally, and for being a good sport; you can choose a song and I’ll play it here (not any of your music - I will do that).

The Sea and Cake - Any Day

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INTERVIEW: Conformist

INTERVIEW:

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 Conformist

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THERE is a lot to unpick when it comes to Conformist…

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and I was keen to learn more about his new release, Lifestyle Revised – reworkings of the songs that appear on Lifestyle Bible. He chats about the producers who remixed the songs and what is coming up for him; what the music scene is like around the Cardiff area – Conformist reveals whether he is touring at all or not.

The songwriter talks about new artists to look out for and what he hopes to achieve this year; why he keeps a low profile on social media; how he chills away from music – Conformist tells me the three albums that mean the most to him.

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Hi, Conformist. How are you? How has your week been?

Doing fine, thanks; it’s been good. I’m enjoying the sun, reading in the park during the day; working on music in the evenings. I’ve even got a mild suntan.

For those new to your music; can you introduce yourself, please?

I’m Michael Simmons and I make Electronic music under the name ‘Conformist’. I grew up in a small village in Pembrokeshire, West Wales and now live in Cardiff. I’ve been making experimental music since I was about eight-years-old.

I’ve released two albums: Paid to Fake It in 2013 and Lifestyle Bible in 2016. I’m about to release a remix record on 15th June called Lifestyle Revised.

Tell me the reason behind re-releasing Trust Exercises. How did Man Without Country get involved with the remix?

When I was making Lifestyle Bible, I sensed there were other directions the tracks could be going in but I thought that, rather than do it myself, it would be cooler to get input from other artists and let them take the tracks to other places.

When I first started thinking of artists to get involved with, Man Without Country were one of my immediate preferences to work with. I’ve been a fan of their sound for a long time and I also saw connections with myself and them, in terms of how meticulous and layered their work was. I got in touch with Ryan. I think he, possibly, hadn’t remixed such a ‘random’ track before, so it was perhaps a challenge for him. But, the end result is excellent.

Lifestyle Bible was released in 2016 – Lifestyle Revised takes the songs and pairs them with producers. What has the experience been like?

Really refreshing. When you’re making your own music, you can be guilty of not seeing all possibilities for the direction of a piece. But, having other artists listen to my tracks and come back to me with the versions that they did was quite inspiring. It makes you see a fuller and more focused picture.

Were you surprised by the original album’s positive feedback? Did that give you the desire to see what new life could be unearthed from the songs?

These days, I’m honestly not massively concerned with what feedback my records get. It used to bother me if I got a bad review and, on the flip, if I got a positive review I’d think I was a genius. You can get to caught up in the positive and negative comments. 

Conformist isn’t for everyone. When I realised that, it was really liberating…

Is there a particular remix that stands out to you? Which is your highlight?

I’m really pleased with all of them and grateful to all of the artists for getting involved – so, I wouldn’t really want to single out a (single) track as a standout. They each have elements which I like: the Mark Pistel mix has an old-skool Industrial vibe; Mark was in Meat Beat Manifesto and Consolidated back in the day so can sense that blueprint on the track; the Kayla Painter mix is really abstract and spacey, but has a 140 B.P.M. pulsing rhythm part way through - it works so well. 

The Man Without County mix is huge. It has an evocative, cinematic feel. 

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What is the music scene like in Cardiff, where you are based? Which musicians inspired you to take up songwriting/producing?

I’m kind of in my own bubble doing Conformist so I don’t tend to get out to gigs or get involved in the local scene as much as I’d like, but I do know there is a strong sense of community in the scene. About a year ago, there was talk of a few of the coolest venues in Cardiff being closed down to make way for the building of luxury flats...it was pretty inspiring to see everyone banding together at that time to help the cause. It definitely solidified the scene; made it stronger.

When I was younger, I was inspired by watching television and movies as much as by other artists. I’d always liked the idea of taking sounds out of other platforms and re-arranging them - so when I discovered artists like Steinski, I was really inspired.

You keep quiet a low profile when it comes to interviews and social media. Is that so you can focus on the music and what is most important?

I’m not huge on social media: I don’t feel the need to tweet what I’m eating - it often reeks of desperation. I find it a bit sycophantic, seeking others approval, so I try to avoid giving my opinions on topics; don’t directly post on my pages unless it is music-related. I try not to engage.

Interviews are fine. I could talk music all day.

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 Can we see you tour this year? What gigs do you have coming along?

I’d like to tour this year, why not, but currently no plans. It’s hard to see Conformist doing a conventional tour but, maybe, some one-off shows. The venue is important. It has to be the right audience.

What do you hope to achieve in 2018?

Once this record is done, I’d like to get a new Conformist E.P. out in the autumn. I’ve got some tracks which are fresh and I really want to get them out before Christmas; maybe five or six tracks, a little longer and more experimental than the last album. Slower B.P.M.s; room to think.

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Have you got a favourite memory from your time in music – the one that sticks in the mind?

Actually, getting a nice email from Chris Carter of Throbbing Gristle was super-cool and a highlight. He was really kind and encouraging of my music; a total gent. I’m a big admirer of his work, so it was a big deal to myself.

Which three albums mean the most to you, would you say?

Meat Loaf – Bat Out of Hell I, II and III!

Nahhh, joking. Ummm. I really like Deceit by This Heat; the White Noise An Electric Storm album and maybe one of the early Public Enemy records...It Takes a Nation of Millions to Hold Us Back. 

All are a big influence on myself, production-wise.

What advice would you give to new artists coming through?

Have perspective: the music you’re making may be important to yourself but it doesn’t mean it’s great. Don’t attempt to mimic other artists. Don’t get mad at criticism. 

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IN THIS PHOTO: Kelly Lee Owens/ARTWORK: Kim Hiorthøy

Are there any new artists you recommend we check out?

Kelly Lee Owens is doing some productions which I’m really jealous of. She is excellent. An artist called Accü (I think she is from West Wales). I saw her video, Did You Count Your Eyes?, the other day which I thought was cool.

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IN THIS PHOTO: Accü

Do you get much time to chill away from music? How do you unwind?

It’s mostly music stuff 24/7. I’m pretty intense about it. But, I’m a massive movie fan and I do quite a bit of running, short-distance stuff, like four K.M. a few times a week. People seem surprised I run: maybe disappointed cos it’s not very Rock ‘n’ Roll...?

Finally, and for being a good sport; you can choose a song and I’ll play it here (not any of your music - I will do that).

Squarepusher - Tomorrow World

Killer melody!

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INTERVIEW: Kidd Bayou

INTERVIEW:

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 Kidd Bayou

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JOEY and Luke of Kidd Bayou have been discussing…

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their new single, Gold, with me and what we will see from them in the future. I ask how they got together and bonded; whether a similar taste in music is what got Kidd Bayou progressing and smoking – the U.S. act look ahead and discuss touring and what they want to accomplish before the end of the year.

I was curious whether the boys planned on coming to the U.K. and whether there are new artists we need to seek out; what their favourite memories from music are – the guys tell me how they chill away from their busy music careers.

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Hi, guys. How are you? How has your week been?

Joey: The week has been good. Got a couple practices in with the band - really trying to work out the kinks to for our release show.

For those new to your music; can you introduce yourselves, please?

Joey: My name is Joey...

Luke: …and my name is Luke Hall.  We are two guys.

Joey: We are a couple friends who happen to make music together.

What is the story behind the new single, Gold? Is there a background to it?

Joey: Yeah. There is, actually. When I was writing Gold, I think it was one of the first tracks we recorded on the album; I wanted to have this themed album where all the songs were about different historical events that had some significance. I wrote Gold about, hopefully, this is obvious enough, the Gold Rush. There are some lyrics about Sutter’s Mill and James Marshall, the San Francisco 49ers….

I would recommend Wikipedia if you need a refresher.

Lisa Rono provides backing vocals. How did you come to meet her? What, do you feel, she adds to the mix?

Luke: I’ve known Lisa since middle-school. She’s super-talented. At the time we were working on Gold, I was also working with Lisa on her solo project. I played her the track and she hummed some harmonies - and she was gracious enough to sing on it. I think her voice really elevates the song. It’s haunting and beautiful.

How did Kidd Bayou start life? When did you meet one another?

Joey: We met in L.A. at a party. I have told this story several times but I am not sure exactly how it all went down, but we decided that it was a party at my house. I think it was Christmas-themed. I was wearing a onesie and Luke showed up also in a onesie. So, you know, it just clicked. I was like: “I like this dude”.

The rest is history.

Luke: That sounds about right. One of my friends, Tien, was living with Joey at the time. Such a bonus to find a new friend at that party.

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It seems, Luke and Joey, you have similar tastes in music. Is that common ground a reason why you are so connected as a duo?

Joey: I think it’s that and we are friends first and foremost: we both are musicians and had our own bands previously.  I was a big fan of Luke’s old band, Dayplayer, as well as his solo stuff, Last Home. So, it was pretty natural for us to start playing together. It was great. There was no pressure. It was just two guys throwing around a few ideas and seeing what stuck. Sticky Stars is what stuck.

Luke: It certainly helps that we share similar tastes. We throw ideas off of each other and, since they are distillations of our common inspirations, they usually aren’t too far off the mark.

I know you are both from different parts of the U.S. Where are Kidd Bayou based right now?

Joey: I recently moved back to Chicago and Luke is still in Portland. So, I guess we are bi-coastal if you consider Lake Michigan a coast. I get out to Portland a decent amount. The last time I was out there me and Luke actually laid down a new track.

So, we are still creating but it’s in fits and spurts.

Luke: Lake Michigan is not a coast…

Joey: Splitting hairs.

Where are you heading on tour? Where can we catch you?

I am trying to figure that out right now. The plan is to have a release show in Chicago and then hopefully, after that, one in Portland. Maybe late-June for Chicago.

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Might we see you in the U.K. at some point?

That would be ideal. There are no current plans but I would love to do a little tour out that way.

What do you hope to achieve in 2018?

Luke: I hope to live to see 2019...

Joey: Simple enough.

Have you each got a favourite memory from your time in music – the one that sticks in the mind?

The first time we jammed together. It was in a tiny little practice space in L.A. Luke played the drums and I played the guitar. I think we recorded some of it. I think of few little bits may have made their way on the record.

Luke: Yeah, that was the start of something special.

If you could support any musician alive today, and choose your own rider, what would that entail?

Joey: Death Cab for Cutie or The Shins. I think we have a similar sound. They are very influential in my songwriting.

My rider would be honey mustard pretzels.

Luke: Nada Surf!

My rider would have to include some salt and vinegar potato chips.

What advice would you give to new artists coming through?

Joey: Make music because you love to do it not because you want to be famous.

Luke: Exactly. Focus on your art and the rest will follow.

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IN THIS PHOTO: Haley Heynderickx/PHOTO CREDIT: Evan James Atwood

Are there any new artists you recommend we check out?

Joey: I am so out of the loop these days. I usually get my music from Luke.

Luke: Haley Heynderickx, Futurebirds; Diarrhea Planet, Now, Now and [E]mpress.

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IN THIS PHOTO: Now, Now

Do you get much time to chill away from music? How do you unwind?

Joey: I would say the majority of us hanging out is outside of music. That’s why this whole thing is special; music comes second after friendship. I think that’s why it was so easy to make a record: there was no pressure; it’s just two buddies hanging out who happen to make music.

I unwind with a beer and some conversation with friends.    

Luke: …and golf, when I can find the time and it’s not raining in Portland. Golf is a major outlet for me, and Joey too, I think. It’s nice to be outside for a few hours and turn off.

Joey: ...and get frustrated with yourself for four hours. 

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Follow Kidd Bayou

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INTERVIEW: Chris Tavener

INTERVIEW:

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 Chris Tavener

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IT is not often I get to encounter a songwriter…

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who mixes traditional sounds with satirical and humorous edges. Chris Tavener has been spending time and telling me about his live album, Is He Joking? ... I ask him which songwriters he takes inspiration from and what it was like recording the album.

Tavener tells me about new artists turning his head and what advice he would give to upcoming musicians; what it feels like being provided kudos by Tim Minchin’s management company; if it is important, given the times we are in, we can laugh as well as provide something deep – he selects a trio of albums that have made a big impression on his life.

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Hi, Chris. How are you? How has your week been?

I'm very well, thank you. My week has been fun so far but very administrative: emailing venues in mainland Europe.

For those new to your music; can you introduce yourself, please?

My name's Chris Tavener. I am a satirical Folk singer-songwriter using humour and an acoustic guitar to tell social commentary stories about the world we live in. I'm constantly performing live in the U.K.

Is He Joking? ... is your new live album. What was it like filming it in the Three Minute Theatre (Manchester)?

It was brilliant! John and Gina, who run the theatre, are lovely people with an admirable work ethic and they've certainly turned it into a quirky place. There are mannequins tied to the ceiling and an axolotl tank right next to the seats. It's the perfect venue to host an intimate concert - and I was so pleased to perform in it for the album recording.

There are newer numbers combined with older ones. What was the reaction like to the newer material? What was the vibe like in that space?

The reaction to the new material was great. In fact, if I were to do it again, I would have liked all the material to be new to the audience. The first reaction to a song or a punchline is very often the best. Performing that new material for the first time, and simultaneously committing it to a record, was both nerve-wracking and really rewarding.

I can't thank the people who attended that show enough. They created such a brilliant atmosphere and I think you can hear it on the album/D.V.D. now.

Your songs are satirical in nature. Given the times we are in; do you think it is important we can laugh as well as criticise?! Are enough songwriters going beyond the cliché and ignoring the satirical?!

Yes - and even better to do both in one breath! That's just one of the things I love about great satire: it's the ability to be cynical about something while, at the same time, being funny, silly or playful. A lot of people are calling this a great age of satire and I think it's coming back into fashion among songwriters as we come to terms with these dark and uncertain times. 

The album (of the live show) has been well-reviewed and Tim Minchin’s management has contacted you. What is it like knowing it resounds and connects with people?

It's incredibly validating to know that people of that stature are interested in what I'm doing. I've always wanted to write music that connects with people; music that they can relate to. Above all else, that's what I'm striving for. When I get a laugh, that sort of signifies to me that I've touched on something the audience has identified with.

Give me an impression of the songwriters and speakers who influence you. Do you mix a love of classic satirists like Tom Lehrer with traditional artists?

I most certainly try to. I, love Tom Lehrer Randy Newman; Loudon Wainwright III, Bob Dylan and Arlo Guthrie for their lyrics, especially, and I would call them all influences. But, I think I've also been inspired by modern voices like Alex Turner, Courtney Barnett; Paolo Nutini, Laura Marling and, very recently, Jade Bird...

I always make sure that the music is allowed as much care and time as the words. Originally, I'm a musician first: I hope that's what separates me from many comedians who use music. The songs of Billy Joel, The Beatles; Jim Croce and Oasis all influenced me.

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 What comes next for you? Will there be more material, live or studio-recorded?

Next is a tour of the U.K. and Europe. It's hard to see past that at this point. I'm thinking about whether a studio-recorded album or live album should be next. I'll probably base it on this release, whether it's a success or not…

I have a couple of smaller releases before then, including a single about the World Cup 2018; a weekly video series and, perhaps, something for Christmas.

Can we see you tour this year? What gigs do you have coming along?

Absolutely. I'll be touring in Europe in September and the U.K. will have to wait until October to November. I'm travelling further than I've ever gone before. Very exciting!

All details will be at www.christavener.co.uk/events after announcements.

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What do you hope to achieve in 2018?

I'd like this album and D.V.D. release to open doors for me that weren't there before. I don't know yet what they'll be but I just keep working at every small idea that comes into my head and every opportunity that comes my way. I have been asked to do a couple of song commissions for a new documentary and a charity organisation this month.

Have you got a favourite memory from your time in music – the one that sticks in the mind?

So many amazing memories to choose from…

It'd be easy to say the album recording shows, so I won't mention those (even though I have...) and I'll go for something left-field.

I'm always astounded by the generosity of strangers. One of the perks of this job is getting to be around people at their most jolly. Recently, I was playing a gig in London where a group of afternoon drinkers kept buying shots for me. It was eventually decided that I would come with them after the gig to a party. It turned out to be a private birthday party where I had to act casual and pretend I knew whose birthday it was...

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Which three albums mean the most to you, would you say?

You do ask some tough questions! All great questions, too:

Courtney Barnett's debut album, Sometimes I Sit and Think, and Sometimes I Just Sit, means a lot to me. I was a follower of hers years before it came out. I have a memory of listening to it while sweeping a floor in my last day job before becoming a full-time musician.

Bob Dylan's Bringing It All Back Home has always been one of my favourite albums of his. Nothing invigorates me more than that opening track, Subterranean Homesick Blues. I can't believe that, fifty years since its release, the song can still do that.

Arctic Monkeys’ Whatever People Say I Am, That's What I'm Not. I played this album into the ground in my late-teens and I still know every word and every note. For partly sentimental reasons, I can't ignore this album's influence.

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What advice would you give to new artists coming through?

I often say the same thing but I think it's an important point: look for what makes you distinctive and original. I heard a lecturer talk about a micro-niche in music once and it seems that every famous artist has one.

It's certainly not job number-one if you're finding your feet: it will happen naturally but just try to be aware of how you can differentiate yourself from other musicians. That's the way to stick in an audience's head.

I would also say having some business acumen gets you a lot further in this digital world where artists are much more independent than they used to be.  

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 IN THIS PHOTO: Joel Gardner

Are there any new artists you recommend we check out?

If I'm allowed to mention unsigned artists then I could be here all day answering that question…

I think Joel Gardner, Izzie Walsh; Carl North & The Lonely Hearts, Thom Morecroft and Robbie Cavanagh are all very good to name just a few.

I like Superorganism, Jade Bird and Ezra Furman - who are all new artists on their way up. 

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IN THIS PHOTO: Thom Morecroft/PHOTO CREDIT: Rosalinda Hindle

Do you get much time to chill away from music? How do you unwind?

I don't, and it is something I hope to change; to get a better work/life balance. I enjoy reading, running and travelling when I'm not working on my music.

Finally, and for being a good sport; you can choose a song and I’ll play it here (not any of your music - I will do that).

Could you please play Keb’ Mo’ – You Can Love Yourself. A friend recommended Keb’ Mo’ to me a short while ago. He sounds incredible with his authentic Blues sound and effortlessly poetic lyrics. One day, I'll hope to play like him instead of writing about Cliché Blues...

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Follow Chris Tavener

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INTERVIEW: Mitch Bradford

INTERVIEW:

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Mitch Bradford

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OVER to America I go…

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to speak with Mitch Bradford about his new tune, Come Meet Your Lover. I have been chatting with Bradford about his favourite music and which artists have driven him; why he took a job with Google; the influence of California to his career development – he chooses three albums that have played a big role in his life.

I learn whether there will be more material and gigs coming later in the year; whether he experiences a lot of classic songwriters growing up in Texas; which new artists we need to get involved with – he shares a favourite memory from his time in music.

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Hi, Mitch. How are you? How has your week been?

Really good! Thank you.

For those new to your music; can you introduce yourself, please?

I’m Mitch Bradford, an Americana musician from Brownsville, TX. I live in Los Angeles.

Come Meet Your Lover is your latest single. Can you tell me about its story and background?

It’s about the excitement of romance; how the expectation of romance is often more exciting than romance itself. I think that’s what it’s about. But the songs take on a life of their own - your interpretation is as good as mine…

Are there going to be more songs coming later this year? What are you working on?

Yeah. We should have two-three more singles come out. Then, we’ll release the whole record and tour.

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It seems like, growing up in Texas, you experienced classic songwriters like Joni Mitchell and Neil Young. How important were those early sounds to you?

Pretty important. I’ve tried to remake Neil Young’s Harvest a couple of times now. Haha! I think it was their mix of melody and lyrics that got to me. Those older songwriters worked hard to write songs that meant something…and that had an impact.

Is it true you worked for a time with Google?! What was the reason for that? Did you learn anything about yourself whilst there – or did it spur you to make more music?

Yes! I think it taught me to surround myself with great people: you’re only as good as the people you surround yourself with. I took that idea into the studio as well. The musicians we had on the record – guys like Matt Ross-Spang, Al Gamble; Ken Coomer, Dave Cousar; Dave Smith, Rick Steff; Scott Bomar, Susan Marshall; Reba Russell, Sam Shoup –were amazing. They elevated the work because they’re such good players.

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I believe a sort of ‘epiphany’ moment happened when you were driving down the coast of California? Was that the moment you realised music was what you wanted to do?

No. Haha! It was the moment I knew I wanted to move to California, though...

Which artists do you take inspiration from when it comes to your own sounds?

All the folks mentioned; Jackson Browne, Van Morrison; Bob Dylan, Joni Mitchell; Neil Young, Willie Nelson and Muddy Waters.

Can we see you tour this year? What gigs do you have coming along?

Yes. We’re planning as we speak.

What do you hope to achieve in 2018?

I hope to have this record, Love Is Kind, land well. I’m excited to get it out there.

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Have you got a favourite memory from your time in music – the one that sticks in the mind?

I remember, on the second day we were recording at Sam Phillips, I kind of had a surreal moment. It had been a dream to work on a record with Matt Ross-Spang there. In that studio. It had all come true. It’s hard to describe, but it was powerful. A feeling of agency…and accomplishment.

Which three albums mean the most to you, would you say?

For Everyman by Jackson Browne; Prairie Wind by Neil Young; Modern Times by Bob Dylan.

What advice would you give to new artists coming through?

Follow your heart.

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IN THIS PHOTO: Peter Hochstedler

Are there any new artists you recommend we check out?

There’s a lot of good new artists I know. They don’t get much radio play, though. Bland Scott, out in West Texas, is great. My friend Peter Hochstedler has made some killer records. Twiga, a band in N.Y.C., are cool. There are lots of good folks out there playing music - you just need tune in.

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IN THIS PHOTO: Twiga

Do you get much time to chill away from music? How do you unwind?

I find it hard to relax…

Finally, and for being a good sport; you can choose a song and I’ll play it here (not any of your music - I will do that).

Ready or Not by Jackson Browne

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INTERVIEW: Fergus

INTERVIEW:

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Fergus

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THIS is one of those interviews…

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where you delve into an artist’s heart and really discover what drives them. Fergus has been telling me how music enriches him and what it means; what the story is behind his current single, Sinking; he tells me how it improves/differs from his debut, You or Nothing.

Fergus talks about overcoming hard times and which artists have inspired him to go into music; which three albums have made the biggest impression on him; a few new artists we need to keep a watch over; what he wants to accomplish before the year’s end – he leaves some helpful advice for songwriters emerging.

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Hi, Fergus. How are you? How has your week been?

Hello! I'm well, thanks. Been soaking up some sun this week, working on a couple of songs and getting ready for hitting the studio again next week.

For those new to your music; can you introduce yourself, please?

I'm Fergus and I'm a singer-songwriter. I write based on my mood and tend to find a lot of my imagery and inspiration in nature. It’s a cathartic process for me and I hope people can also find some catharsis of their own within the songs.

Above all, I want to make something beautiful.

Sinking is your new track. What is the story behind it?

Sinking is really about feeling helpless and not being in control. I wrote it when I was feeling directionless, personally, and also very much under someone’s control. It’s an intimate and scary song full of stormy imagery to evoke an inner-turmoil with an end in sight - but not the one you want.

It follows your debut, You or Nothing. How do you think you have developed since then?

I'm growing in confidence all the time for a start and taking more risks; evolving the sound through experimentation. Sinking is a much darker song with more going on in the production - definitely a sign of things to come.

Will there be more material arriving later in the year?

Yes, absolutely, there will be another two singles coming out of what is now going to be a half album, due to release end of summer/early-autumn. Can't wait!

The music industry is busy and competitive. It can be stressful. What is it that keeps you pushing and aiming high?

I think, deep down, I’ve always had very lofty dreams and fiercely-guarded ambitions. I have spent a lot of time thinking about them and imagining doing the stuff I want to do so vividly it gives me goose bumps. Sometimes, I feel like I'm crazy and the obstacles to overcome are insurmountable but I remember that feeling and it keeps me going, keeps me hoping. I've received a few knock-backs in my time - and will many more I'm sure - but I'm at the point now that all they will do is fuel me.

My relationship with music is just that - a relationship -: sometimes I don't love what I do, but it is what I have to do and I think that complexity comes across in the songs. Someone once asked me: “So, is music what gets you out of bed in the morning?" and I said: "It's what keeps me up at night”.

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I notice there is a certain emotion and melancholy in your music. Is it true you used to perform with choirs? What is it about a sense of inner-investigation and wistfulness that attracts you?

Yes - my musical background is in choral music. I spent my childhood and adolescence performing around the world. Amazing experiences, amazing training; did miss out on some kid stuff though. After all that was over, I was suddenly an adult with no idea who I was or what I wanted to do. I spent years soul-searching, drifting. It helped that I'm a classic over-thinker and spend most of my time going over things in my head, reliving bad moments...it's not so much that it attracts me; just the way I’m wired.

I spent most of my life feeling numb, so now I feel things very deeply but often struggle to rationalise them and digest really what I'm feeling and why. It's important for me to get outside and see the bigger picture.

Which musicians inspired you growing up? Did you grow up in a musical household?

I always gravitated to singer-songwriters growing up: KT Tunstall, Natasha Bedingfield and Norah Jones. My mum can sing and play the piano and my sister's very musical too. My dad is the biggest music fan - but sadly can’t play or sing at all! The house was a filled with everything from Classical to Punk.

Do you have any gigs lined up? Where are you heading?

Yes. Stay tuned for some announcements there (smiles).

What do you hope to achieve in 2018?

I can’t wait to get the half-album out - we’ve done some interesting things on it and I think it will really tell a story. Then, I’m getting some gigs under my belt and building a fanbase. 

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Have you got a favourite memory from your time in music – the one that sticks in the mind?

Yes! A few weeks ago, I was in the studio and Jake wanted to record this song I'd been sending him little vids of me singing (such a tease). I'd only written the chorus though, so Jake spent about forty mins making this amazing beat to go under it while I wrote the verses.

I saw my parents that night and played them the song. My dad said to my mum: “Look how happy he is!". We're putting the finishing touches on it next week and it'll hopefully be the next single (smiles).

If you could select the three albums that mean the most to you; which would they be and why?

Al Green - Let’s Stay Together

This was always playing at home in my earlier years. Hearing it takes me back to those days: when times were simpler and we were all together. It’s warm, full of life: timeless. Always brings a smile - happy or sad.

Sharon Van Etten - Because I Was in Love

Sharon is my favourite artist. This album can be hard to bear sometimes, which is a good thing! It’s incredibly cathartic. Her voice is rich and heavy with emotion but still soars. Her songs are raw and vulnerable and still sweet. I love her completely.

Rhye - Woman

An education for me - that it was not only ok, but actually sexy, to have androgynous vocal vibes going on. The songs and arrangements are so luscious. When The Fall dropped…it was life-changing.

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What advice would you give to new artists coming through?

I think, for hungry artists, knowing when to be patient and when to be impatient can be a tricky thing: impatience is great when it drives you to reach higher and higher but, equally, you can’t run before you can walk…

As with most things, timing is everything. Frustration is a feeling you can actually use that everyone has had and can relate to. At this stage, feeling like you are keeping busy can be tough but it is important to embrace some downtime and look after yourself; to keep from burning out. Before long, you’ll be fighting to carve out some time for yourself anyway! Write as much as possible but don’t force it: some songs need time to form and settle and decide what they wanna be.

Everyone is different, but if you are planning to have a very long career (like I am!) I think you have to be willing to let things take their time to build up more naturally and reach your true fans.

Be open to and supportive of others, we’re all in the same boat - paddling is more effective when you’re doing it together.

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Are there any new artists you recommend we check out?

Jade Bird. Loving her song, Lottery; already well on her way to being huge. The Modern Strangers. I caught these guys a few weeks ago at Birthdays in Dalston; great, catchy tunes, THICK live sound. My mates The Shantics have their first E.P. coming out around June/July and it’s gonna be a good one! Stevie Nicks gets me going.

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IN THIS PHOTO: The Modern Strangers/PHOTO CREDIT: Stew Capper

Do you get much time to chill away from music? How do you unwind?

Honestly, it's never really not on my mind - head full of songs! Now the weather's nicer, I'm spending a lot of time outside which really helps me gain some clarity. I do like to watch T.V and love films. Sillier the better if I want to unwind (smiles).

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INTERVIEW: Escapade

INTERVIEW:

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Escapade

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MY final interview of the week is…

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with the Leicester-based band Escapade. The guys tell me about their new single, Take My Love, and what we will see in the coming months; whether this year is going to be the one where they break through and conquer – they reveal what gigs they have coming up soon.

I ask how they all got together and what the music scene is like in Leicester; what one might expect from their live shows; how they all spend time away from music; which new acts we should get involved with – the guys end the interview by picking a song each.

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Hi, guys. How are you? How has your week been?

Were all good, thanks – just getting prepared for a weekend full of gigs for us! Hometown show is in Leicester on Saturday and then off to Liverpool to play two shows at the Cavern Club and Cavern Pub.

For those new to your music; can you introduce yourselves, please?

We are Escapade; a four-piece Brit-Rock band from Leicestershire! We have Sam Wyatt on Vocals and Rhythm Guitar; Adam Bailey on Lead Guitar; Jordan Alleston on Bass/Backing Vocals and Martin Wenham on Pots and Pans.

Take My Love is your new one. Is there a story behind the song? How did it come together?

No story behind it: it’s all in the title; maybe a little bit of rejection thrown in there. It started off with a riff that Sam played that sounded a little Country-style so we jammed it like that for a while. Then, Adam came up with the picking part you can hear in the background; then it came to what it is now, after a lot of stripping back and rewriting.

Is there more material due from you guys? What is the spirit like in camp?

There’s plenty of new material to come. We will have a second single released before we bring out the full E.P. Even then, we have been writing some new songs that we are looking to record towards the latter end of the year.

You have enjoyed success already this year and seem to be on the way up. Is 2018 the year for Escapade to dominate and strike out?

We hope so! Every gig seems to get bigger and better for us. We recently played the O2 Academy2 in Birmingham for SoundWaves music competition, which was a near-sellout crowd and it just blew us away! We just want to spread out across the U.K. and get our name out there and get new ears to our music and gigs.

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How did you all get together? How important is/was Leicester and the scene there?

Sam and Adam both started as an acoustic duo (just) performing originals and covers around the Leicester music scene. We soon outgrew that and felt we needed to form a band. So, we recruited Jordan through a friend who recommended him and then Martin via the ways of social media. That is Escapade!

There are some great Rock and Alternative bands coming through. Do you think they are genres that are struggling for exposure and direction at the moment?

Guitar music, I feel, is struggling to get much airplay at the minute. You can get whatever genre of music out there if people like it.

Where are you heading on tour? Where can we catch you?

Well. We have no plans to go on tour yet but, if we win the overall U.K. finals of SoundWaves music competition, then that is one of the prizes! We are keen to go on/win as we just want to get out and across the U.K. The final for that is June 23rd at O2 Institute3, Birmingham.

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If we came and saw one of your shows; what could we expect in terms of the set and experience?

The set is going to be loud! With the good audience response, we will cause a tremor!

What do you hope to achieve in 2018?

The same as any year for us: more exposure, new fans and the chance to play bigger venues. We would love to jump on as a support act for a major band - that would be the ultimate goal!

Have you each got a favourite memory from your time in music – the one that sticks in the mind?

It would have to be the regional finals of SoundWaves competition at the O2 Academy Birmingham. It was a rammed night and we were on second-to-last, so everyone was well-oiled. We came on stage to a roar of fans chanting “Escapade!” We smashed the set and the judges’ comments just blew us away!

One judge said we should be headlining Glastonbury Main Stage with that performance…

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If you could support any musician alive today, and choose your own rider, what would that entail?

Adam: Probably someone like Noel Gallagher, as I think our music would go down well with him and the crowd. (For the rider) Pepperoni pizza, deep pan; stuffed crust and lager

Sam: Kasabian for me. The rider would be beer, water and cigarettes.

Martin: The Rolling Stones! On my rider would be Fanta Orange, Hop House 13 Lager; Kripsy Kreme doughnuts and possibly a stir-fry.

Jordan: The Libertines - Xbox, Fortnite and SOUR SUCKERS!

What advice would you give to new artists coming through?

Adam: Keep the momentum going; gig as much as you can; practice hard and build a loyal fanbase. I think the rest will sort itself out.

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IN THIS PHOTO: Wooly Mammoths

Are there any new artists you recommend we check out?

I’m massively into a band we went and watched earlier this year called The Brew - definitely worth checking out! It’s probably one of the only gigs where I just stood there in amazement for the whole set!

Sam: Wooly Mammoths, RedFaces and Annabel Allum.

Martin: The Interrupters.

Jordan: LEONTAS from London.

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IN THIS PHOTO: Annabel Allum

Do you get much time to chill away from music? How do you unwind?

Adam: I like to go fishing with my dad.

Sam: Listening to music.

Martin: Chilling at home in front of Sky Sports and playing some Xbox.

Finally, and for being good sports; you can each choose a song and I’ll play it here (not any of your music - I will do that).

Adam: The Brew – Johnny Moore

Sam: Wild World by Cat Stevens

Jordan: The Music – The People

Martin: Like a Rolling Stone – Bob Dylan

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