INTERVIEW: Charlotte Black

INTERVIEW:

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Charlotte Black

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I have had a great time speaking with Charlotte Black…

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about her music and what inspired the latest track, Nobody Else. The track completes a fantastic trilogy – I ask what the reason was behind that triple-release and whether more material will come later in the year.

Black talks about influences acts and albums; why she moved from Edinburgh to London; new artists we need to get behind; what advice she would give to fellow artists emerging – she talks about gigs and precious musical memories.

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Hi, Charlotte. How are you? How has your week been?

Hello! I’m great, thank you. I don’t think I’ve ever been busier - but that’s a good thing, right?! My week has been full of sessions and I think we may have got another single from one of them…so, I’m really excited!

For those new to your music; can you introduce yourself, please?

I’m a twenty-three-year-old singer-songwriter from Edinburgh, currently based in London. Music-wise; think a mixture of Astrid S, Taylor Swift and Bea Miller-inspired records: Electro-Pop with a storyline based on dating and falling in love in 2017/'18 . 

Nobody Else is your new single. Can you tell us what the song’s story is?

So, you know that magical summer holiday romance feeling when you meet someone amazing?!  It encapsulates that and how, in that moment, you think that person is all you could ever want….

It completes a trilogy of tracks. What was the reason for releasing a trilogy?

I really wanted to tell a story through several tracks to make it more interesting. I’ve been telling my story of falling out of love and finding it again in the modern dating world.

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Might we see an E.P. or more singles later this year?

I don’t think I’ll ever release an E.P., actually! I studied at music school and they really encouraged it; everyone seemed to be doing it so I wanted to try and do something a little different. I’ve got four more tracks coming out this year which I’m so excited about!

You have a talent for writing songs perfect for summer and the festivals. Do you prefer those more open and revealing songs – that provoke myriad emotions and heat?

Thank you! Yeah. I actually really love writing honest lyrics that tell it how it is. Funnily enough, I actually write more emotional tracks than I do the summer ones. I have just been too nervous to share it yet. However; my next track is really emotional and I can’t wait to get it out there. I think it’s the most ‘me’ song I’ve ever written.

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Now you are in London - but you originate from Edinburgh. What was the reason for moving? Is there a lot more opportunity in London?

I love Edinburgh but, ever since I was in high-school, I wanted to get out and explore. I come from a teeny, tiny village where nothing exciting ever really happened. It was my dream to live in London and write songs! There are so many incredibly talented people here to collaborate with. I think, if you’re going to dive into a career like this, you have to live in the heart of the industry.

Did you grow up around a lot of music? Was there a particular artist that compelled you to get into the industry?

Yeah. My dad was always playing Joni Mitchel, David Bowie and, occasionally, we had ABBA on in the car which I absolutely loved. Hilary Duff was my number-one when I was about eight-years-old. I’d watch her live tour D.V.D. every Saturday morning; I was completely amazed by her! I remember wanting to do exactly what she did and its not changed since!

My sister then let me borrow her Taylor Swift album and that was me hooked - she’s one of the most inspiring musicians and businesswomen out there!

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Can we see you tour this year? What gigs do you have coming along?

I’m in the process of booking some support slots which will be really exciting and then I’m planning a short schools/university tour this September!

What do you hope to achieve in 2018?

I’d really love to keep connecting with more people through my music; keep building my fanbase and to play some really cool support slots. I think my next step is diving into the live scene, which I’m just so excited about!

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Have you got a favourite memory from your time in music – the one that sticks in the mind?

I think, so far, it was being nominated in the top-ten for the Unsigned Music Awards. When the email came through, I was going through a really hard time and it completely reignited my self-belief and gave me the confidence to keep plugging away.

Which three albums mean the most to you, would you say?

Oooo. It would have to be the artists that inspired me to get into songwriting. There are so many incredible albums out there, but the ones that mean the most to me have to be the ones that ignited my passion!...

Taylor Swift – Fearless and 1989; Hilary Duff – Metamorphosis. At the moment, I’m obsessed with Kacey Musgraves' album, Golden Hour. It’s one of the most beautiful pieces of work I’ve heard in a really long time.

What advice would you give to new artists coming through?

The songs you write are the most important and valuable thing you have in your career, so write as many as you possibly can. Always work harder than you think you need to and know that there is space for everyone in the industry. Also; no one’s life is how it looks on Instagram: we’re all hustling away behind the scenes.

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 IN THIS PHOTO: Aislin Evans

Are there any new artists you recommend we check out?

Yes! Aislin Evans, for definite. Her songs always give me goosebumps - and Liv Austen; an amazing Country singer-songwriter!

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IN THIS PHOTO: Liv Austen

Do you get much time to chill away from music? How do you unwind?

So; every month I take a full day off in bed to catch up on sleep and Netflix (guilty pleasure) - it normally recharges me completely. I’m working a few jobs at the moment to keep my head above the water so it’s good to take a day out to breathe. I love any time spent with my close friends. I always come away from it feeling amazing!

Finally, and for being a good sport; you can choose a song and I’ll play it here (not any of your music - I will do that).

Kacey Musgraves – Space Cowboy

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INTERVIEW: Tella Viv

INTERVIEW:

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PHOTO CREDIT: Lars Brønseth

Tella Viv

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THE chaps of Tella Viv have been discussing…

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their latest E.P., Happy Doomsday. I ask them what inspired the music and the themes that compelled the songs; how the band got together; if there is a story behind their name – they tell me what the music scene is like in Sweden right now.

I was keen to learn what life was like in a band and the sort of music they all draw from; if there are going to be more tracks coming along before the end of the year – the chaps each choose a song to end the interview with.

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Hi, guys. How are you? How has your week been?

Benjamin: Great! Busy with gigs and other projects - but a lot of fun.

For those new to your music; can you introduce yourselves, please?

Carl: Four Swedes without driving licenses, writing Surf songs about going down the highway….

Is there a story behind the name, ‘Tella Viv’? When did you guys get together and start playing?

I made a list with some band name suggestions: ‘Tella Vivs’ was the first one. Ex-member Adam took away the ‘s’ and designed the logo that we still use. Very glad it didn’t become my other suggestion, ‘Oidipals’.

Happy Doomsday is your new E.P. Talk to me about the themes and ideas that you were inspired by when writing the songs.

Benjamin: We wrote these songs in a chaotic, transitional phase for the band. There had been a lot of dramatic changes in our everyday life and in the band. We had lost a member and a lot of the people we used to work with. We are very inspired by New Wave music and the theme of doom and destruction in that genre. Being inspired by the Cold War seemed more applicable than ever - not only due to our own struggle against perishing under our new circumstances but also in relation to the current state of the world.

We chose to embrace the theme and, in that way, we could create something better than ever before.

No, No, No, No seems like a natural standout. Is there a tale behind the track?

Carl: Benjamin wrote most of the music. Lyrics-wise, I picked up French comic Valérian and Laureline but made it a story of a sad space couple going through a split up for eternity.

Fredric: Our dear friend, Robin Eveborn, did a great job producing/editing the vocals, which made the chorus nice and bouncy.

Your music seems to match everything from the 1950s to the 1980s. Do you all have eclectic musical tastes? Are there particular artists you vibe from?

Benjamin: We all listen to lots of different music. We do draw a lot from Surf, in particular, Dick Dale. He really went for something that a lot of people wouldn’t dream of back then. There’s something about music that’s kicking in a new door; where there’s not a lot of established conventions to lean on. They always seem to make more out of less.

We are also very inspired by New Wave and its penchant for the weird. We spoke a lot about Devo when making this E.P. We like to make small references to quite differing styles. If you listen carefully you could probably find little titbits of almost everything…

Fredric: I think we all have different tastes, but we agree on most things, musically. I think it’s nice to have that difference: it makes writing music more fun and unpredictable.

The band is based in Sweden. What is the scene like where you are? Might you play the U.K. this year?

There are a lot of great bands in Sweden but not a lot of great venues. So; it’s quite a struggling scene but I think that makes us more eager to get out of our bubble, which is good.

Fredric: Yeah. A few of our favourite venues in Stockholm have shut down recently. We’d love to tour the U.K. - we are currently working on making that happen.

What is it like being in a band? Are there are downsides in addition to the bad?! Is the collaborative nature of your music a big plus?

Benjamin: I mean, some things take longer and are harder since more people have to be on board and have their voice be heard…but the pros greatly outweigh the cons. None of us could create the music of Tella Viv by ourselves.

Whenever I have an idea, the thing I look forward to the most is seeing how the rest of band is going to react to it and what they are going to come up with to make it better. In the end, I get to do the thing I like the most with the people I like the most. That’s hard to beat…

Where are you heading on tour? Where can we catch you?

Carl: We just confirmed London on 26th September at The Old Blue Last. Be there, chaps!

What do you hope to achieve in 2018?

Benjamin: For more people to hear our music. As long as they actually listen to it, I’m sure we will stay in touch.

Marcus: Bigger and better live shows

Have you each got a favourite memory from your time in music – the one that sticks in the mind?

Fredric: We played a show at Melodybox in Stockholm last year, which was arranged by our friends from the group Vero. That was a really great night. I hope we get to do more of those!

Benjamin: To me, it seems like we keep making better and better memories as we go along. I had so much fun playing our latest gig; even though I had a really bad cold and was on painkillers.

Carl: We got booked to Norway to play three songs for a clothing brand presentation. Then, we dined with the brand owner at a Peruvian restaurant. After that, it felt that playing Rock music sure has some benefits.

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If you could support any musician alive today, and choose your own rider, what would that entail?

Carl: Grace Jones. Champagne and oysters.

Fredric: Little Dragon. Piña Coladas and a sushi buffet.

Benjamin: The Shaggs. Tequila and French fries.

Marcus: The Strokes. Beer and cigarettes.

What advice would you give to new artists coming through?

Carl: Learn the rules to break them...

Fredric: Rehearse a lot. It’s fun and it gives you less time to think about all your problems.

Benjamin: Rock the house…

Marcus: Stay hydrated.

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IN THIS PHOTO: The Chats/PHOTO CREDIT: Dougal Gorman

Are there any new artists you recommend we check out?

Benjamin: The Chats.

Fredric: ivy.

Do you all get much time to chill away from music? How do you unwind?

Carl: I mostly think of music all the time. I guess it’s a way of escaping things around you.

Fredric: Me too. I unwind by playing or making music. But, when I need to do something else to get away, I prefer skateboarding or video games.

Benjamin: When I’m not making music with the band, I build keyboards and, when I don’t do that, I listen to music. The few times I take a break, I like to watch movies.

Marcus: Not a lot of time away from music but I really don’t mind. I watch bad T.V. shows I’ve already seen while taking a bath (when I need to unwind).

Finally, and for being good sports; you can each choose a song and I’ll play it here (not any of your music - I will do that).

Carl: Thanks. Nina Simone - Mississippi Goddam

Fredric: Graham Nash - Better Days

Benjamin: Suburban Lawns - Janitor. Always

Marcus: Unknown Mortal Orchestra - Necessary Evil

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INTERVIEW: Gazel

INTERVIEW:

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Gazel

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ONE gets a nice contrast when witnessing Gazel’s music take shape.

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There is a connection to the spiritual and earthly coupled with something that summons bones, vivacity and dance candour. I have been speaking with the London-based songwriter about the single, Book of Souls – and what we can expect from her upcoming debut album.

The songwriter talks about recording the album and which musicians inspire her; a few albums that have made an especially large impression; what it is like being on stage and seeing people connect with her music; how important London and its people are – Gazel ends the song with a very good song choice.

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Hi, Gazel. How are you? How has your week been?

Hi, Sam. I’m well, thanks; it’s been busy… and yours?

For those new to your music; can you introduce yourself, please?

I’m Gazel; a musician, writer and lover of all things metaphysical.

Can you reveal the story behind your single, Book of Souls?

Book of Souls is the story of the cast of characters that we all have in our unconscious minds, otherwise known as the ‘collective unconscious’. They’re the characters that motivate us and shape our behaviours and cause patterns to repeat over generations.

I believe it is from your upcoming album. What sort of thing can we expect in terms of themes and titles?

My debut album is called Gazel’s Book of Souls, due for release towards the end of the year. The album is a soundtrack to a modern myth; the story of Gazel as she journeys through her unconscious mind. The sound is a powerful blend of Electronic Dance Music with Ancient Folk and World influences.

No love songs!

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Has it been a fun experience putting an album together?

It’s been awesome. Each time I’ve finished a song for the album I’ve thought this is the best song I’ve done yet. It’s also been a real privilege to work with some of the most experienced studio-folk in the industry.

Which musicians impacted you heavily when you were growing up? When did music come into your life?

I played a lot more than I listened to growing up. I started playing instruments when I was five and went down the Classical path until I joined the Royal Academy of Music Junior Academy to study strings. It wasn’t until my parents got me Logic as a teenager that I realised I liked writing a lot more than I liked scales.

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You have played all around London. What is the city like in terms of the crowds and variation?

Hugely varied as you can imagine; you almost never know what you’re in for. A lot of my music is influenced by Folk (music) from the Middle East, Balkans; Africa and South America - so one of the great things about London is being able to connect with people of so many different backgrounds at my shows.

Can we see you tour this year? What gigs do you have coming along?

Our next headline show is at Birthdays in Dalston on 15th June. After that, we’ll be releasing more from the album with shows around the time of each single release. Catch up with me on Instagram to hear about those as they’re announced.

Is it easy to describe how being on stage makes you feel? Does the crowd’s love and reaction do something special?

Being on stage is the best. It’s great to have an audience to share my work with. I never know whether a tune really works until I play it at a show and see the reaction. There’s no better feeling than hearing people sing along to your tunes…

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Do you have any ambitions to fulfil before the end of the year?

Finishing the album, touring it and finishing the storyboard for a musical I’m writing, based on the music from Gazel’s Book of Souls.

Have you got a favourite memory from your time in music – the one that sticks in the mind?

I had just come off stage at a scuzzy London club shortly after my first E.P. came out. A promoter (who I now work closely with) asked me to save a date two months later to play at the Hammersmith Apollo. I nearly threw up!

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Which three albums mean the most to you, would you say?

Kid A by Radiohead, Rosna by Laboratorium Pieśni and Hamilton (Original Broadway Cast Recording).

What advice would you give to new artists coming through?

Nobody knows any better than you do.

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Are there any new artists you recommend we check out?

Laboratorium Pieśni, Dessa; Maija Sofia and Seaker (who we are lucky to have supporting us on 15th).

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IN THIS PHOTO: Maija Sofia/PHOTO CREDIT: Nancy Wilde Photography

Do you get much time to chill away from music? How do you unwind?

Music seems to take over everything, to be honest, but, when I get a chance, I like reading philosophy books and dancing Brazilian Zouk.

Finally, and for being a good sport; you can choose a song and I’ll play it here (not any of your music - I will do that).

Dessa – 5 out of 6

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INTERVIEW: Mon Frère

INTERVIEW:

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Mon Frère

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IF you have not stepped into the world of Mon Frère…

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then I suggest you correct that! Matt and Paul Lennox are the brotherly duo whose music is hitting hearts, ears and minds. With their new single, I’m on It, out and picking up acclaim; I was keen to learn about its story and what it was like working with TLBW on the song.

Matt fields the questions and discusses the influence of artists like Orbital and Underworld; why the duo started making music together; what it is like working with an array of guest vocalists on their songs; whether there is more music arriving later this year – Matt tips some artists we need to keep our ears open for.

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Hi, guys. How are you? How has your week been?

It’s been great, thanks. We’re working hard to create the promotional plan for our next two tracks and we’ll also have some very exciting news breaking within the next few weeks. Plus, the sun’s been out and there’s some great music out there to listen to at the moment - so we can’t complain.

For those new to your music; can you introduce yourself, please?

Sure. Mon Frère consists of Paul Lennox and Matt Lennox. We are brothers and have been working together as Mon Frère for over four years now. Paul is the composer and producer; I (Matt) am a lyricist and we both work together on the business development of the project.

We then bring in young, talented vocalists to feature in our songs such as Kate Wild (AJ Moreno), Joell Fender (Years and Years and Sigala) and TLBW (Lebeaux) to name a few.

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How did Mon Frère come together? When did the magic start?

Mon Frère was born towards the end of 2013. Paul was already an established musician, drumming for bands such as Warsaw Radio. I had been a Dance music D.J. back in the nineties and noughties. I have a background in business, so we thought: ‘Why don’t we put our skills together and create our own music?!’  So; Mon Frère began life as an Electronic-Dance music duo. Our first album, Urban Glow, was released in 2015 and was an eclectic mix of all the Dance music genres that had been inspiring us. As we grew, we decided to refine our sound and our new music has much more lyrical and musical depth.

We now have orchestral elements in all of our songs; live strings, piano etc. We decided that we would only create songs that meant something to us personally and I think the new direction has really hit a chord with our fans.

Tell me about I’m on It and its story. How did the song start life?

Actually; the phrase ‘I’m on it’ came from a saying that we had back in the nineties when we would go clubbing and tell each other: “I’m on it tonight, sunshine”. It was a great phrase and always made us smile; so we took the phrase and then built a song around it. The song evolved into a story about a guy who watches the girl he loves constantly get burned by the other guys she would date. She is attracted to the typical ‘bad boy’ and the song is about this guy’s frustration of watching her get hurt repeatedly – but keeps going back for more.

We’ve all seen this happen, right?

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What was it like working alongside TLBW on the track?

TLBW is a Brighton-based vocalist called Turrell Lebeaux. Turrell is an absolute superstar-in-the-making. His band, Lebeaux, are currently supporting Tokyo Myers - last year’s winner of Britain’s Got Talent. Turrell is charisma personified. If you get the chance to see him live with Lebeaux, we certainly recommend going. He was simply an absolute diamond to work with – as have all the great vocalists that have entered our studio.

Do you think bringing different singers in to perform your tracks gives them variety and personality?

Absolutely. The best part of the Mon Frère project is the opportunity to work with such inspiring and talented people. It really is a message to all up-and-coming producers – this kind of talent is out there and is available. We search Facebook, YouTube and Instagram to view show-reels of potential singers for each track. Once we find the right singer, we’ll contact them directly and have very rarely been turned down for a studio session. 

Working with people like Kate, Joell; Turrell and the others has taught us so much about professionalism, building relationships that profit both parties and add to the fun.

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Is there more material coming down the line at all?

There is going to be constant new music from Mon Frère. We aim to be ‘prolific’ in our output and have certainly been so over the last six months. Our next track, Caught Up Caught Out, will be launched in the next two months and then we already have the next one after that ready…

That song is called See What You Mean to Me which, I think, is the most beautiful track we have ever written (I can say that because Paul also wrote the lyrics!) and it features another new singer called Meliva who is based out of London. Meliva’s voice is something to behold!

Which musicians do you count as idols? Were you raised around a lot of different sounds?

Paul’s music career was based around being a Rock drummer, so he is heavily influenced by Rock music. However, Paul studied at Brighton’s Institute of Modern Music which also gave him a wide background in all kinds of technical music; so Paul counts bands such as The Cinematic Orchestra and Massive Attack as key influences.

I grew up in the '90s surrounded by the epic dance music that we were hearing for the very first time. Bands such as Underworld, The Chemical Brothers; Orbital and The Prodigy just blew me away. I think the Mon Frère sound captures a lot of these influences within our songs.

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Are there going to be any tour dates coming up? Where can we see you play?

The key focus of Mon Frère, at the moment, is working with a publisher to raise the awareness of our songs and get them synchronised onto T.V., films and adverts. In this way, we are working to broaden our fanbase. However, we may have some exciting news coming your way soon in regard to a gig to launch a new record label – watch this space…

Do you have any ambitions to fulfil before the end of the year?

We are very robust in our planning and promotional focus. We started as a D.I.Y. artist, so there’s lots of work on-going with websites, social media and (working with) media outlets. The main ambition for the rest of 2018 is to continue to launch a new single every three months, increase our radioplay and have our music used in a mainstream film. Finally, we always have our fans at the heart of everything we do so we want to make sure that we continue to provide them with value and look to grow our supporters every day.

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Have you each got a favourite memory from your time in music – the one that sticks in the mind?

There have been so many highlights up to this point, but the most-recent favourite memory was getting on a British Airways flight to Canada and finding that our music was being played on the in-flight entertainment system. I had been bumped up to Business Class, so it really felt special. I was considering getting up and telling all the passengers but managed to refrain myself!

Which three albums mean the most to you, would you say?

I would say that the first Underworld album I purchased changed my life. It was the Second Toughest in the Infants album. I had never heard music like this before: such depth, such emotion and such funk. It just blew me away.

I would also say that listening to Orbital’s ‘Brown Album’ (Orbital, 1992) for the first time was a similar experience – it was completely unique and still stands apart from any other music.

Paul would say that The Cinematic Orchestra’s Ma Fleur is just beautiful. The musicality of The Cinematic Orchestra truly inspires Paul - and you can definitely hear their influence in all of our newer songs.

What advice would you give to new artists coming through?

To be a successful artist today, if you are going to work hard to build your own reputation and following then be prepared for a hard slog. It’s not good enough just to be a talented musician anymore (unless you are very lucky). You need to be business-savvy and you’ll need to be an expert in social media promotion. We would suggest every young artist to do a course in Digital Marketing.

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IN THIS PHOTO: Lebeaux/PHOTO CREDIT: Theo Lowenstein

Are there any new artists you recommend we check out?

You should certainly check out the band Lebeaux. They are so funky and unique - and each musician in the band is supremely talented. Also, one of the singers we feature frequently is called Kate Wild. Kate is an exceptional talent and you’ll hear her voice sampled on numerous Dance hits. She’s also about the nicest person in the world: so professional and intelligent.

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IN THIS PHOTO: Fickle Friends

We also like to support all the other brilliant Brighton-based bands such as Fickle Friends, Jolé and, of course, the ultimate Rock band, Royal Blood.

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 IN THIS PHOTO: Kate Wild

Do you both get much time to chill away from music? How do you unwind?

Honestly…no, we get very limited free time. Paul is constantly gigging across the world with other acts such as Warsaw Radio and UK Queen Tribute. I also have a full-time job to help pay the bills so, to unwind, we both listen to music all the time. Paul really never stops working but I listen to a lot of Chillout music from the likes of Solar Fields and Carbon Based Lifeforms. Music makes us both happy and just about keeps us sane - so we don’t mind being busy with Mon Frère.

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Finally, and for being good sports; you can each choose a song and I’ll play it here (not any of your music - I will do that).

Ok. Let’s choose a song from each of our influencers. I will nominate Pearl’s Girl by Underworld. It’s got the dirtiest baseline and the lyrics are crazy. I just love this track.

From Paul, I will nominate To Build a Home by The Cinematic Orchestra. It’s such a beautiful song and pulls on the heartstrings.

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INTERVIEW: LENN

INTERVIEW:

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LENN

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THINGS change gear as I speak with LENN…

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about her awesome new single, Cheap Talk. She explains its derivation and why we can all relate to its messages. I ask her what it was like collaborating with Lex; how her latest single differs from her debut cut, I Know How – she offers up some new artists we need to get our ears around.

LENN explains what she does away from recording/gigging and albums that mean a lot to her; what sort of music she grew up around; how it feels knowing her music connects with people – the songwriter reveals her plans for touring.

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Hi, LENN. How are you? How has your week been?

Hi, Sam. This week has been a bit hectic, so I’m tired. However, I did just wake up from a nice long nap, which was lovely.

For those new to your music; can you introduce yourself, please?

I’m LENN. I’m twenty-two and I’m living in Bristol. I like singing, eating and sleeping. I’ve only recently started releasing music, so I’m pretty new to it all, but it’s fun.

Cheap Talk is your new single. What is the story behind the song?

It’s about this guy I was seeing a while ago and the way it ended between us. I didn’t feel, at the time, that I got treated the way I deserved. It’s all good, though, because I got a great song out of it.

You collaborated with Lex. Is it a natural partnership that you feel will lead to more work?

I love getting in the studio with Lex and we’ll definitely continue working together. We have a strong friendship aside from music and that level of trust means we’re able to filter and encourage ideas without being afraid of offending one another.

How do you think Cheap Talk differs from I Know How (your debut single)? Do you find yourself growing more confident with each release?

Cheap Talk is really fun and much more of a Pop anthem than I.K.H. and, yes, I do! I’m so excited for what’s to come as well because the next single I’ll be releasing is probably my favourite song that I’ve written to date…

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Which artists and albums were important when you were growing up? What attracted you to music?

I used to listen to S Club 7, Busted; JoJo and Leona Lewis. Classic. I just really enjoyed singing along. That’s really where it started for me: I enjoyed singing before I was any good at it. It was only when I hit the age of thirteen that I developed the ability to hold a tune!

Your music is resonating in hearts and connecting with fans and critics alike. Is it pleasing knowing others are getting so much pleasure from your music?

Of course. That’s really a key motivation for doing it. It’s satisfying as well when I’ve read blog posts that talk about parts of the songs that struck them - and it’s a great feeling to know that other people can identify with some of the things I’ve been through. For example, I think most of us have been through situations where we haven’t been treated too well. Writing Cheap Talk really helped me to process those feelings and being able to offer that up to other people is cool.

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Can we see you tour this year? What gigs do you have coming along?

No tour planned just yet, but we’ll start gigging A.S.A.P. - I’m just focused on getting enough material together first. I’m spending as much time as I can get in the studio but, sadly, normal life goes on so I still have to work and that slows the process. We’ll get there, though!

Summer is here (sort of!). Do you find yourself racing with ideas and determined to get out there and thrill the crowds? What is it like bringing your music to the people?

Yeah. We’re writing something new at the mo, which I’m really excited about. The next single is proper summer vibes - aiming to release that in the next couple of months.

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Do you have any ambitions to fulfil before the end of the year?

Definitely, to start gigging. I love being in the studio making music, but performing is the dream.

Have you got a favourite memory from your time in music – the one that sticks in the mind?

It’s only been a short time for me. But, the first time I heard I.K.H. on the radio was so exciting - I was so hyped; more than I expected to be. It was just so exciting because, although I’d heard the song a million times, it was the first time I’d heard it with other people listening too.

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Which three albums mean the most to you, would you say?

JoJo – The High Road

All-time favourite!

HAIM – Days Are Gone

Every single track is excellent - which I think is rare.

ABBA – Gold

All bangers, no mash.

What advice would you give to new artists coming through?

Surround yourself with positive people who believe in you. There are plenty who are sceptical but don’t let them kill your vibe. Enjoy the process. If you’re always looking ahead you’ll miss the now!

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IN THIS PHOTO: TS Graye

Are there any new artists you recommend we check out?

TS Graye. She’s a Bristol girl who just released her first single and it’s so good. She’s got an incredible vocal ability – very cool. Lex has worked with her on a few bits. HANNIE - new and exciting. Got a session in the diary with them; they’ve got a really fun vibe.

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IN THIS PHOTO: HANNIE

Do you get much time to chill away from music? How do you unwind?

I sleep and eat myself silly. I love to hang out with my good friends Ben and Jerry…

Finally, and for being a good sport; you can choose a song and I’ll play it here (not any of your music - I will do that).

JoJo – Leave (Get Out)

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INTERVIEW: Jonni Slater

INTERVIEW:

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Jonni Slater

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I have been chatting with Jonni Slater…

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about his new work, Inversions. The E.P./mini-album consists of rearrangements and reworkings of previous songs from his collection – he talks about the process and which tracks from the bunch stand out to him.

Slater tells me about his favourite music and what the music vibe is like in Bristol; if we can see him hit the road very soon; some new acts we should keep a watch for – he tells me about writing for film and T.V.

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Hi, Jonni. How are you? How has your week been?

It’s been a good one, thanks, Sam. I just won a couple of festival slots through a songwriting competition run by Glastonbury FM in Somerset, which was judged last weekend at a live grand final. Then, I was back that way on Thursday for a live session on the radio - so all good fun really.

For those new to your music; can you introduce yourself, please?

I’m a songwriter and composer based in Bristol. My music ranges from intimate and heartfelt to epic and cinematic; I love the pure sounds of a solo guitar, piano or voice but I also love arrangements that build up atmospheric layers of sound and take the listener somewhere out of the ordinary.

Your Inversions E.P. was released in April. What sort of themes and experiences compelled and enforced the songwriting?

My songs tend to be a melting pot of personal experiences mixed with fictional scenarios. I often picture a movie scene in my head, either existing or imagined, and write to that. On this E.P., the songs have been inspired by classic Noir films and hard-boiled 1940s Detective Fiction, Greek myths and one (Not Giving Up) is a nod to The Great Gatsby.

How did the songs come together for the E.P.? Is it true they are reworked and collated from previous work?

Yes. I’ve put out a couple of E.P.s prior to that (Hold On and Now), which were mainly full band arrangements of the songs with an Indie/Alternative-Rock sound, but my live gigs have often had quite different setups. Sometimes, they are stripped back to just piano or acoustic guitar; sometimes more sampler and beat-based, so there have always been multiple versions of these songs out there.  This was a way to bring some of that together on record.

Is there a song from the pack that stands out as a particular favourite?

There are two or three songs that I always look forward to playing in a live set. Alright is one of them: a song about the loneliness of living in a big city, which was given a retro makeover for this record with vintage synths and samples from a Mellotron. Lyrically, it has some quite personal associations for me, although the details aren’t autobiographical. It was recently played on BBC Introducing in the West and it’s been great to get some nice feedback from different sources.

When did music arrive in your life? Who do you count as heroes?

I guess, like most people, my first exposure was via my parents’ record collection; I remember Sgt. Pepper’s Lonely Hearts Club Band being played a lot when I was a child as well as Paul Simon, Cat Stevens and the occasional Jazz L.P. My biggest heroes are mainly the artists I discovered in my teenage years; including Chris Cornell, Soundgarden and the Belgian band dEUS. The bass player in my first band introduced me to Herbie Hancock and his album Maiden Voyage really connected with me.

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You also collaborate with other artists and writing music for T.V./film. Do you feel yourself growing as a songwriter because of the experiences you have gained outside of your own work?

Yes. It can’t help but influence you. I’ve contributed to musical projects in a diverse range of genres, from Hip-Hop and Pop to Classical; working with inspirational people who have introduced me to music I knew nothing about previously - and it’s great to find fresh rhythms or chords - or ways of approaching a melody that you can bring back into your own work - even if only in a small way and filtered through your own style and taste.

For the last couple of years, I’ve been playing keyboards for Maaike Siegerist, who has a strong Jazz influence and, despite having listened to a lot of Jazz that was a whole new area of playing for me that I had to pick up as quick as I could - and which is now seeping into new song ideas...

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Being based in Bristol; what do you think of the local scene? Is it a good place for an ambitious artist to play/create?

I think it’s an ideal size for both of those things: it’s compact enough but there’s lots going on to draw inspiration from and to get involved in…and loads of great musicians. I think there’s an inevitable element of competition wherever you are these days, just in the sheer numbers of artists trying to get their music out there. But, it always seems like London can swallow you up all too easily, whereas Bristol feels more supportive.

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Are there going to be any tour dates coming up? Where can we see you play?

The next couple of dates I have lined up are in July: on 20th at Cafe Kino in Bristol, supporting a great composer and pianist from Bath called Edward Bettella who is launching an E.P. that he has recently recorded with cellist Jonathan Stabler. They’re both fantastic musicians, so it should be a great night. Then, on 26th July, I’m at The Royal Standard in Blackheath (London).

Do you have any ambitions to fulfil before the end of the year?

My main focus is to work on some new material. I recently recorded a live studio session of a brand new song, which I’m really looking forward to releasing later in the summer. I’ve been co-writing some new songs with Maaike Siegerist, which we’ll be putting out as a joint venture later in the year. I hesitate to call them ‘duets’ in case that conjures up visions of cheesy '70s ballads, but they will feature both our voices and a blending of our influences and styles.

Have you got a favourite memory from your time in music – the one that sticks in the mind?

I wouldn’t say there is any one grand moment that stands out above all the others - so far, it’s been a consistent run of experiences and opportunities that I would never have had if it wasn’t for music - but I’ve particularly enjoyed performing in the Netherlands over the last couple of years; it’s great to explore a new place while still getting to play some tunes...

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Which three albums mean the most to you, would you say?

Tough to pick only three, but I would probably have to go for Chris Cornell’s Euphoria Morning, his first solo album, which is such a fantastic collection of absorbing, musically-rich songs and soaring melodies; made all the more haunting by his sad death last year.

Then, Worst Case Scenario, by dEUS, which introduced me to Tom Barman’s great songwriting hiding in amongst eccentric Art-Rock noises.

Then, lastly, I’ll pick Peter Gabriel’s So, which is a record I can just listen to again and again.

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What advice would you give to new artists coming through?

There’s so much advice out there for new artists, some of it somewhat conflicting; so it’s hard to know what you can add, in a way. There are many different definitions of success, but my aim is always to be doing something that I really want to do; getting involved in projects that interest me and making music that I want to hear - irrespective of changing fashions or whether it’s earning me any money...

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IN THIS PHOTO: Ruth Royall

Are there any new artists you recommend we check out?

I always enjoy listening to Guillem Mitchel who released some great songs with Chloe Tyghe recently and is working on his own E.P. In a totally different genre; Scarboy, who I’ve played music with on and off for a few years...and Ruth Royall, is making some great, soulful Pop tracks in Bristol at the moment.

I’m also going to mention Catherine Rudie, a fantastic songwriter with a unique voice based in London - who has yet to release anything of her own but it’s going to be pretty special when she does later this year.

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IN THIS PHOTO: Catherine Rudie

Do you get much time to chill away from music? How do you unwind?

Whenever I can, I like to just get out and take a long walk somewhere windswept and just forget for a while that phones, laptops and digital distributors exist. There’s nothing like watching the waves pounding against a piece of rugged Cornish coast to clear the mind and put those everyday twenty-first century troubles into perspective.

Finally, and for being a good sport; you can choose a song and I’ll play it here (not any of your music - I will do that).

I’ll choose a song of Maaike’s (Siegerist), co-written and sung with Catherine Rudie, called Keep It in the Dark. Just beautiful. 

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INTERVIEW: Lauren Lakis

INTERVIEW:

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Lauren Lakis

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YOU only need to spend a few minutes with Lauren Lakis…

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to realise she has experienced much adventure and wonder. I have been chatting with her about her transition into music and what her single, Lead Us On, is all about - Lakis reveals what we will hear on her upcoming album, FEROCIOUS.

She talks about L.A. and how it differs from her home of Baltimore; if there are any gigs booked in the diary; which new artists we should keep an eye out for; why her latest track carries serious emotional significance – Lakis explains how she spends her time away from music.

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Hi, Lauren. How are you? How has your week been?

Hey there, Sam. This week has been utterly ridiculous, but I can’t think of a week that *hasn’t* been over the past few months! This week, in particular, I mailed about 430 advance-promo C.D.s to radio stations around the U.S. I can only liken it to watching your child head into their first day of school; you hold your breath and hope that your creation goes out into the world and does something great…

For those new to your music; can you introduce yourself, please?

Hell. I’m Lauren Lakis. I’m an artist unbounded my any specific medium and find most of my time devoted to performance and expression of some sort - whether it’s music-making, acting in films; shooting photos, or writing. My hope is to make art that helps us to connect with our hearts and each other.

Can you talk about Lead Us On and how the song started its life?

Lead Us On was the fourth song I wrote for the full album; at a time when I was going through the grieving process due to a break-up, as typical as I realize that is. I was vacillating between anger, denial; pain and loneliness and finally found myself in a state of surrender. I was resigned to the idea that, perhaps, I didn’t know what was best, perhaps I wasn’t right in my opinion; perhaps my partner was, indeed, smarter than me and knew something that I couldn’t accept.

The song was my way of declaring: “If this is what you want, then I trust you to lead the way and I will follow…lead us on into the night”. 

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FEROCIOUS is your first full-length. What sort of themes, stories and ideas influenced the songs on the album?

Oh, this is definitely a break-up album. It’s all about loss, the dark night of the soul; summoning inner-strength to rebuild and create a life that is even better than what previously was. I explored the full spectrum of the grieving process with this album. It was pure catharsis. I had honestly never been so inspired. 

I was so in love, maybe for the first time with both feet in, and thought I had found ‘my person’. But, that relationship became incredibly co-dependent: we both relied on the other to feel happy and whole. It was bound to implode. My ex was facing some internal struggles and, while I don’t intend to air any of his dirty laundry; he had a breakdown of sorts and became this unrecognizable person to me. It felt like he had died. Looking back, I know that his struggles had nothing to do with me but, at the time, it didn’t seem that way.

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I personalized it all. I remember lying in my bathtub, perfectly still, imagining being dead; thinking about who might find me and what people would say. It was all highly-dramatic, but made for excellent songwriting! 

Then, just as I was feeling okay with being alive, my mom was involved in a car accident and suffered a spinal cord injury. So, I immediately flew from L.A. to Baltimore to be with her in the hospital for a few weeks. That snapped me out of any residual self-pity left over from the break-up! I had no choice but to learn how to be strong for my mother.

Needless to say, it was a whirlwind of a year - and I had a lot of material to put into song.

Do you recall the moment music hit you? Why did you decide the industry was the one for you?

I can recall, actually! My mom’s boyfriend’s mother had given me a couple of C.D.s for Christmas one year when I was a kid and, randomly enough (I don’t think she knew much about music - my intuition tells me she picked out whatever looked cool!), she chose Fiona Apple’s Tidal and Garbage’s debut album. Those albums hit me like a ton of bricks. I couldn’t stop playing them and singing along. I wanted to be just like Fiona and Shirley. 

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It’s interesting; I don’t know if I decided that the music industry was the one for me until this past year! I’ve been so reluctant to commit to it for so long and wrote my album out of sheer necessity, just for myself. I had no idea it would snowball into what it is. I wasn’t even sure I would record it in a legitimate studio! But, I did, and now I find myself completely entrenched, living and breathing music every single day.

You could call me a late-bloomer…

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How vital is Baltimore in regards your drive and sound?

Baltimore city is absolutely vital; it informed me about the world and laid the groundwork for the rest of my life. It’s where I started creating art. It fascinated and terrified me. I’m so grateful to have grown up there as I was never a sheltered child and was keenly aware at a young age that the world could be a very unforgiving place. I have street smarts. It takes a lot to shock me. I’m pretty courageous. Those are all direct results of my hometown. 

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I used to always compare Baltimore to Gotham City but maybe that’s a harsh comparison to make. I’m just aware of the darkness that is so prevalent in that city. Perhaps that’s why I’m attracted to dark/moody sounds and imagery. 

Baltimore also has a thriving community of artists working in all mediums - it’s an extremely supportive environment for anyone working in an artistic field. The rent is cheap and there is an actual community, which I miss after so many years in L.A.

Do uncomfortable moments and challenging situations propel and compel songs? You taught English in Prague and hung in warehouses with junkies – writing poetry and shooting the breeze. Do you collate all these lives and experiences when you create songs?

Oh, boy - is ‘junkie’ even a P.C. term anymore?! I guess it is what it is. I think that any life experience can be fuel for song-writing, absolutely. The more experiences, uncomfortable moments and challenges etc. that we face…the more fuel for the fire. I also think that, having had a multitude of different experiences and different ‘lives’, it has helped me to keep an open mind and not be so quick to judge how others choose to live. It’s increased my powers of empathy, which helps me to be a more inspired artist all around. 

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Every time you head into the world and experience something new and wonderful. Is it a search for songwriting inspiration or your natural personality looking for new light and colour?!

Ha, ha; that’s just my natural personality. I’m not sure if the credit should be given to my zodiac sign, but I fit the Sagittarius description to a tee! I love to travel, learn about people and expose myself to new experiences. The richness of experience is what makes life so fantastic. I want to die with zero regrets. There is too much to see and do to fit into one lifetime!

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Which artists did you grow up listening to? Who do you rank as musical idols?

I know she has a sorted reputation, but Courtney Love has always been a Punk-Rock goddess to me. Her voice and lyrics are so raw, so powerful and I love how she created her own opportunities. I was really into all the Riot Grrrl bands like Babes in Toyland and Bikini Kill. As a teenager, I listened to a lot of Against Me!, Coheed and Cambria; From Autumn to Ashes and Interpol - and got really into all the Alt-Rock of the '90s, even though it was slightly before my time. Portishead and Sneaker Pimps were on-repeat. Trent Reznor is forever a genius, in my book. Elizabeth Powell from Land of Talk is such a prolific songwriter. Peaches was a pioneer…

I’d love to make a covers album of my favorite lady musicians - it would include Cat Power, Hole; Fiona Apple, Björk; Heart, Garbage; Fleetwood Mac, Kate Bush; Juliana Hatfield, PJ Harvey and The Cranberries etc.

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Can we see you tour this year? What gigs do you have coming along?

I’m embarking on a West Coast tour in July. We’re starting here in L.A. with the album release show (June 30th at the Handbag Factory in DTLA) and making our way through NorCal; a few stops in Oregon, Seattle, and then, a Denver show in August. I’d love to plan an East Coast tour after that and, eventually, a Euro tour….and, then, a world tour, if all goes as planned.

Might you come to the U.K. and play here?

That would be a dream. I’ve only ever had layovers at Heathrow: never a proper visit! 

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Do you have any ambitions to fulfil before the end of the year?

Hmmmmm….I try not to get ahead of myself, because I certainly have the tendency to do so and keep my expectations low. However…if I could set high goals for myself I would love for one of my songs to become the theme for a T.V. show and have my songs played on national radio!

I’m also working on the next album, which is currently titled Taiwanese Night Market; so my goal is to spend some time shooting some film and video in that part of the world before the year is over. 

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Have you got a favourite memory from your time in music – the one that sticks in the mind?

There are so many small moments that I cherish. It’s hard to say. Perhaps, my favorite was driving from L.A. to Austin last year with my producer and his sister’s boyfriend (whom I had just met), on a whim, to play a SXSW showcase. We decided, on a Friday afternoon, to leave that evening and drove straight through for about 24 hours. It was hilarious, and difficult, and it bonded us for life. 

Which three albums mean the most to you, would you say?

Hole - Live Through This

Nine Inch Nail - The Fragile

Have a Nice Life - Deathconsciousness

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What advice would you give to new artists coming through?

I feel like a new artist myself! But, for anyone else, I would tell them to just take it one day at a time. It’s easy to become overwhelmed when you’re first starting out - and realize how much work you’ll have to put into this endeavor if you’re ever going to get anywhere with it.

Just write for you; no thoughts of how it might be received. Keep doing it for as long as it’s fun and feels good. Keep it simple. Write from the heart, trust your instincts; work hard and be a good human. The rest will follow…

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Are there any new artists you recommend we check out?

I’ll use this space to shout out my fellow Gooey Music artists - XHOANA X, MRK and Still Jill…also, Pipe Dreams and Velvet who are joining the bill for my release show.

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IN THIS PHOTO: XHOANA X

Do you get much time to chill away from music? How do you unwind?

These days? Nope! 

Kidding. Sort of…I love taking day trips - or even longer road trips. Driving on the open road is peaceful to me. I love to read, especially French authors of the 1930s and ‘40s like Jean-Paul Sartre, Antonin Artaud and Anaïs Nin. I also love to escape into (Haruki) Murakami’s stories.

Naps are vital...

Finally, and for being a good sport; you can choose a song and I’ll play it here (not any of your music - I will do that).

I would love to play a show with Emma Ruth Rundle someday. Here’s one of her tracks - 

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INTERVIEW: TWOGOOD

INTERVIEW:

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TWOGOOD

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THERE is so much colour and fun in the world…

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of the fabulous TWOGOOD. The duo consists of Tom and Jon, who have been talking about their brilliant new single, Raindrops, and working with Maddy on it – and the unusual circumstances behind her involvement!

I ask the guys (Tom fields the questions) what the scene is like in Bristol and whether we’ll get more music; how they formed way back and who they count as influences – they share some advice for new musicians and reveal what they have planned for the remainder of 2018.

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Hi, guys. How are you? How has your week been? 

Not bad, man; been cracking on with lots of new music. We had a show in Nottingham last night. Stopped for breakfast on the way home and somehow ended up in a cat café. Turns out those places actually exist.

For those new to your music; can you introduce yourselves, please?

We’re Tom and Jon, A.K.A. ‘TWOGOOD’. We are a producer duo residing in Bristol, striving on providing new-school funky jams. 

How did TWOGOOD get together? When did you meet one another?

We both became residents for a night in Leeds. On the opening night, Jonny ended up breaking one of my decks during my first-ever D.J. set. (That kicked things off nicely). Safe to say I thought he was an A-star pr**k for at least six months. After I eventually came round and the dust had settled, we decided to write a track together.

The rest is history…

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Talk to me about the latest single, Raindrops. What is the song all about?

Jonny was going through some heartbreak at the time so we figured we could use some of this as a stimulus to write something a little different to our usual upbeat party tunes. I suppose the song is just about a classic heartbreak situation. Textbook, but it’s always good to draw from your own experiences. 

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Was it cool working with Maddy? How would you define what she brings to the recording?

Yeah. It was great, actually. With all of our previous tracks, the featured artists come prepared with their writing ready to record. But, with Maddy, she encouraged us to sit down as a team and collaborate. It was a totally new experience for us and changed our approach to collaborations for the better. 

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I believe you met Maddy on the dodgems! Is it true she attacked you guys?!

It is. We were at a festival last year enjoying a casual ride on the bumper cars when we were attacked from behind by what appeared to be the smallest woman on the ride. We made it our mission to make sure she suffered at least third-degree whiplash by the time the five minutes were up.

Is there more material from TWOGOOD later this year?

This is just the beginning. We’re sat on about twelve unreleased original tracks - just need to set out the time to get them finished. Planning on having another three/four out this year, so hold tight. 

You are based in Bristol. Is there a good music scene in the city right now?

Yes, of course! It’s Bristol! It was pretty much the only persuasion strong enough to coax us out of our comfortable life in Leeds! By the time we were leaving, the whole city had gone pretty Techno.

Moving to Bristol was a breath of fresh air. The scene is diverse. Dig deep enough and you’ll probably find a night that caters for your tastes. 

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I know you have opened for the likes of Grandmaster Flash. Which artists do you count as idols?

Nile Rodgers, James Brown; Todd Terje, Disclosure; FKJ…the list goes on.

Where are you heading on tour? Where can we catch you?

We’ve got a jam-packed summer with over twelve U.K. festivals in the bag and a European tour is in discussion as we speak. Especially pumped for our debut appearance at Shambala this year. We’ll be releasing our whole summer schedule in the next couple of weeks, so keep an eye on our socials to get the full breakdown. 

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What do you hope to achieve in 2018?

Get rid of Donald Trump. Maybe put out a few more tunes if we have time.

Have you each got a favourite memory from your time in music – the one that sticks in the mind?

One that jumps to both of our minds was our delayed exit from AMP Lost & Found due to Jonny launching a twelve-pound burrito at a shuttle bus after the night had ended. It's safe to say that security was not very forgiving. Jonny's not been the same since.

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If you could support any musician alive today, and choose your own rider, what would that entail?

Probably, Nile Rodgers. Not only do we have the utmost respect for him, but we’re also pretty sure he could tell a few good stories in the green room after.

Rider? Dunno…anything to convince him into recording a hit single with us that very evening. A couple of bottles of Patrón XO Cafe and several Valiums would surely do the trick. 

What advice would you give to new artists coming through?

Network as much as possible. Be seen. Infiltrate. It’s all about who you know. Also; never be afraid to ask people further along the line than you how they do things. We’ve harassed countless artists in an effort to pry golden nuggets of information from them. Try it. You’ll be surprised how many people are willing to help. 

Are there any new artists you recommend we check out?

Nope. Just us…

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Do you get much time to chill away from music? How do you unwind?

The truth is, no, we don’t. The thing about being an artist is it’s never finished; there is no end. So, it does take up a lot of our time, which is okay I guess because we do enjoy what we do. If we’re not having a good day, gluing pound coins to the pavement outside our house provides sufficient relief. 

Finally, and for being good sports; you can each choose a song and I’ll play it here (not any of your music - I will do that).

Richard Cheese - My Neck, My Back

We found ourselves in a caravan after jamming at a festival with our nearest and dearest when our ears were suddenly blessed by this seductive re-imagining of an all-time classic.

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INTERVIEW: Glassmaps

INTERVIEW:

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Glassmaps

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AS it has been a little while since…

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I last spoke to Glassmaps; I felt it was right to poke my head around the kitchen window (if that works as a metaphor…) and see how things are! Joel Stein (also of Howling Bells) has been talking about his latest single, My Head My Heart, and its personal origins.

I ask the Australian artist (based in Brighton right now) how naturally the song came together; whether he has had a packed and hectic last year; where he heads from here – Stein tells me how life as Glassmaps differs to being part of Howling Bells.

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Hi, Glassmaps. How are you? How has your week been?

Hi. I’m good, thanks. My week has been colourful…

For those new to your music; can you introduce yourself, please?

I’m awkward in social situations, but, I will give it a go…

I grew up in Australia where my first band, Howling Bells, was born. After touring and playing with Howling Bells for some time, I eventually felt the need to pilot my own ship, thus giving birth to ‘Glassmaps’.

My first album was recorded in Las Vegas in the rehearsal space of Mark Stoermer, the bassist from The Killers. I am currently in the process of recording my second album and can’t wait to finish it. I believe in the truth and being able to express it. To me, art is one of the most powerful forms of self-expression and self-realisation.

Can you tell me about My Head My Heart and what the origins of the song are?

The song is, literally, about my own personal battle between the head and the heart. I was in a destructive relationship. The beginning riff of the song was conceived on a phone app called Bebot in a hospital waiting-room in Germany. The rest of the song was written in my home that night (until the early hours of the morning). It was a long night...I wanted it to be as forthright as Arcade Fires’ My Body Is a Cage.

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PHOTO CREDIT: @littletrousers

It sounds like the song came together in parts. Was it easy to put together – or was it a long process getting it all right?

I guess it did come together in parts. To be honest, some songs are like trying to get water out of a stone: you can hear it all in your head but just have to find a way of extracting it. This song was like that…

You have been busy the past year. How has life been since your debut album came out? Have you had a chance to rest and reflect?!

Life has been pretty much the same…except I just bought a yacht. Just kidding. Now, seriously, I don’t really rest; I’m an addictive writer. I get high on it. Music is everywhere. Ahhhh!

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I believe you played The Great Escape Festival. What was that experience like?!

I loved playing The Great Escape. It’s a brilliant festival and I would love to be part of it every year.

Is there new material arriving later this year do you think?

Well. I would like to release new material this year but I’m not sure about releasing an album or an E.P. - I love a full body of work rather than just singles. Even though most of us listen to albums or music in fragments, I still believe in a body of work.

Still thinking…

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PHOTO CREDIT: @littletrousers

How does life as Glassmaps differ to your work with Howling Bells? Has it been a learning curve working solo?

One day there’s four of you and then, all of a sudden, you’re stuck with the man in the mirror. I’ve always been comfortable working alone: now, I just do more of it. There are pros and cons. I mean, you can create anything you want without anyone else’s input. On the other hand, it’s a great thing to have someone else’s eyes and ears: sometimes, it’s hard to see the wood from the trees.

What comes next in terms of material from you? Might we see more before the end of the year?

I’m not sure what the plan is. I might make a phone call after this interview.

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Can we see you tour this year? What gigs do you have coming along?

Hopefully, there will be a tour this year...

What do you hope to achieve in 2018?

I’d love My Head My Heart to get a massive synch on an awesome movie that breaks box office records. That would be cool. Oh…and also quit my day-job.

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PHOTO CREDIT: @littletrousers

Have you got a favourite memory from your time in music – the one that sticks in the mind?

There have been some really surreal and big moments. I’d have to say the first Howling Bells tour was with a band called Forward Russia. One night after a show we were all jammed on our little tour bus called Road Runner...

We were all drinking apple juice listening to music as loud as possible and dancing all within an inch of each other; the windows were shut. It was pure energy. It was pure fun from the heart.

Which three albums mean the most to you, would you say?

Sketches of Spain – Miles Davies

OK Computer – Radiohead

TNT – Tortoise

What advice would you give to new artists coming through?

If you don’t believe in yourself then no one will.

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Are there any new artists you recommend we check out?

Andy Shauf – although, I’m not sure how new-new he is.

Do you get much time to chill away from music? How do you unwind?

Not really. I love being with music. I run to unwind and I like to read. I’m reading Born to Run (Christopher McDougall); man, that book is insane! I also just read The Dude and the Zen Master. Absolutely brilliant.

Finally, and for being a good sport; you can choose a song and I’ll play it here (not any of your music - I will do that).

How about Andy Shauf again - with a song called The Magician. Cool melody and groove.

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INTERVIEW: Caspar Leopard

INTERVIEW:

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Caspar Leopard

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THE past couple of weeks…

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have been pretty busy for Caspar Leopard! Not only is the man about to get married (unless he already has!) but he has released his new single, Is This Real? He chats about the song and its stop-motion video; how he is juggling new responsibilities whilst keeping his eyes focused on future music – Leopard talks about treasured albums and artists.

He provides some advice for artists coming through and reveals his ambitions for the remainder of the year; how he dedicates his space away from music; why he tackles the big questions about life in his music – the songwriter chats about his filmmaking work and composing the score for the film, Through the Gates.

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Hi, Casper. How are you? How has your week been?

Good, thanks - if a little overworked. I’m getting married at the end of the week; just released a new single and the deadlines, for various composition and film projects I’ve been working on, have somehow all ended up being due this week! – but, I’m looking forward to the wedding and some downtime...

For those new to your music; can you introduce yourself, please?

Sure. I’m an Alternative solo artist, film composer; producer and filmmaker based at Baltic Studios - a recording studio I run with my brother in London. 

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Is This Real? is new. How did that come to be? What started the process?

As a song, it actually manifested pretty quickly. I was messing around on a guitar and it was one of those nice moments when a song just appeared pretty much fully-formed. I went into the studio with Luke Smith and we recorded it in two days and that was it.

The process for the video we’ve made for it was a little more complicated - but I’ll come on to that in sec….

I know there is a look at the big questions in life. Was writing about quandaries and big issues a good way of solving things out for you?

I’ve written quite a few songs that are trying to work out what life’s all about: I’d be lying if I told you I’ve found the answers. I’ve always wanted to work out life’s mysteries, but part of what makes them alluring is the fact that we’ll never find the answers. I reckon the most we can hope to do is make peace with this and enjoy the journey. I’m getting there - give me a few more songs (smiles).

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You deal with philosophy and existential concerns in your work. Is that a result of your musical tastes and readings? Do you study a lot of these subjects away from music?

I read into these subjects a bit - especially neuroscience, yoga; spirituality and science fiction. My wife to be is a yoga teacher; my uncle’s a physicist and one of my best friends is training to be a psychoanalyst. I’m lucky to be surrounded by people posing questions like me - and that inspires me to explore my own. 

What was it like working with Luke Smith on Is This Real? Did he bring new aspects and elements into our work?

He’s an incredible producer and has become a good friend. I’ve learnt a lot working with him on my first few releases for this project and also engineering for him on other projects in the past. We share a vision for trying to make music that’s a bit off the beaten track and had a lot of fun making this one. 

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Tell me about composing the score for Through the Gates. How did that offer come in? What was it like putting the music together? 

I’ve actually just finished the score this week. The director, Stella Corradi, got in touch having heard some of my previous work. I totally connected with the direction she wanted to take the music - and it was a pleasure working on such a great film.

I love the way there are so many ways to interpret a story, sonically, and it’s refreshing for me to take a break from my solo work and compose in a different way. Getting out of my head and into the characters - and responding to the picture - is a nice change of scene. 

What comes next in terms of material from you? Might we see more before the end of the year?

The big thing on the immediate horizon is a stop-motion animated video for Is This Real? which is coming out next week. It’s been a privilege to collaborate with ex-Aardman animator/director Stefano Cassini (Chicken Run/Wallace & Gromit/Tim Burton’s Corpse Bride). It’s been a long labour of love, as stop-motion animation is a hugely time-consuming process - very much looking forward to sharing it.

I’m also just putting the finishing touches on a surreal, dark fairytale drama which I’ve co-written and co-directed with Hannah McKibbin - and scored by me - which will be hitting the film festivals later this year.

 

Can we see you tour this year? What gigs do you have coming along?

I decided I wanted to spend this year focusing on writing and recording solo work; making films and composing scores. (Which hasn’t left me any time for touring). The plan is to start doing some shows early next year supporting the release of my second E.P. 

What do you hope to achieve in 2018?

Finish the film and composition projects I’m working on and get stuck into my second E.P. – but, more importantly, enjoy life with my new wife (smiles).

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Have you got a favourite memory from your time in music – the one that sticks in the mind?

I’m a bit of a futurist, so I don’t look back that much. If you push me, though, I would say the tours I did with my last band (Get People) supporting Metronomy and Crystal Fighters for their Star of Love Tour stand out. We had an old, beat-up Mitsubishi van and drove around exploring the U.K. regional towns for weeks on end; nursing hangovers from the previous night’s after-show party, trying to find our way to the next city for the next gig.

A lot of fun had – and it brings a smile to my face.  

Which three albums mean the most to you, would you say?

Many great new albums out there, but the ones that mean the most are the ones I’ve listened to the most. Here are three of them: 

Kid A – Radiohead, Wish You Were Here - Pink Floyd and Demon Days – Gorillaz.

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What advice would you give to new artists coming through?

I still feel like a new artist myself so don’t feel fully qualified for this question. But, the one thing I’ve learnt is the only way to make a mark on the music industry is to be resilient and stick it out. These days, there’s no fast-track; especially, in Alternative music. 

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IN THIS PHOTO: Digby

Are there any new artists you recommend we check out?

Digby - in the Berlin Electronic scene

HÆLOS and Middle Child - in the London live scene 

I’m also really into the L.A. Psychedelic-Rock scene: Unknown Mortal Orchestra, Vinyl Williams etc. 

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IMAGE CREDIT: Vinyl Williams

Do you get much time to chill away from music? How do you unwind?

I’m very bad at unwinding. I’ve promised myself I’ll take on a bit less after my wedding and live more of a normal life. There’s been a lot going on in 2018 and I miss the pub.  

Finally, and for being a good sport; you can choose a song and I’ll play it here (not any of your music - I will do that).

One song…tricky. Well… here’s one of my favourite tracks for a headphones moment:

The Rainbow - Talk Talk

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INTERVIEW: Beverley Beirne

INTERVIEW:

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Beverley Beirne

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NOT too many Jazz artists pass my way…

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so it is good to learn more about Beverley Beirne and covering the songs Too Shy and Cruel Summer. She talks about the album, Jazz Just Wants to Have Fun, and what it was like working on the record; what Yorkshire is like for a talented and busy musician – Beirne tells me about upcoming gigs.

I ask her how the music has developed since the early days and what we might expect from her live sets; if there are newer artists we need to keep an eye out for; how she spends her time outside of music – Beirne talks about covering Pop songs from the '70s and '80s on her new album.

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Hi, Beverley. How are you? How has your week been?

Hi there. Great, thank you! Super-busy. I’m launching my new album, J.J.W.T.H.F., next week and things are hotting up. I’ve just spotted our music is on Amazon’s Hot New Releases too which is really great.

For those new to your music; can you introduce yourself, please?

My name is Beverley Beirne. I’m a Jazz singer from Yorkshire and my new album, Jazz Just Wants to Have Fun, is a bit different. Not your usual Jazz standards but twelve '70s and '80s Pop tunes that I’ve played with and done Jazz arrangements for.

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Give me a sense of the artists you experienced growing up. Which musicians stand in the mind?

It was very eclectic. My parents loved music but their tastes were very different. Dad liked Classical and Jazz and Mum liked Country, '70s and '80s Pop...so we’d have Ravel’s Bolero, Tchaikovsky; Ella Fitzgerald and Erroll Garner - and, next, we’d have Glen Campbell and ABBA.

Talk to me about recording Too Shy/Cruel Summer. What led you to record the tracks?

These two tracks are part of my new album, Jazz Just Wants to Have Fun. I chose these tracks, like all of the tracks on the album, with a lot of joy to start with because they’re great tunes but they also had to transpose into a Jazz format. So, quite a lot of tinkering at the piano and partying to these tunes…

It seems like Jazz is a big part of your life. Is there something about the history and genre that captivates you?

The music was a part of my life because Dad was a big fan but I also loved all the old black-and-white movies and, of course, a lot of those Fred Astaire movies and Rodgers and Hammerstein films were the original source of the songs that we now call ‘Jazz standards’ in the Jazz world.

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Might we get some more material later in the year?

The full Jazz Just Wants to Have Fun album comes out on Friday, 15th June, so that will be available for people to check out if they like the idea of this. But, I’m also recording another album which is a bit more full-on Jazz this summer and I have one in the can that I also recorded at the same time as .J.J.W.T.H.F. called Dream Dancer - so that’s one to look out for too.

Can we see you tour this year? What gigs do you have coming along?

I’m launching at Ronnie Scott’s on Thursday, 14th June and planning an autumn and spring tour this year. But, you can also see me at Ilkley Jazz Festival this year performing the project I’m recording in June, The Ilkley Suite. 

But, keep a look out for tour dates for J.J.W.T.H.F. on the website.

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If we came and saw you play; what would the live show consist in terms of material and feel?

It depends what project I’m performing. J.J.W.T.H.F. is very upbeat and fun but it is Jazz with a definite Jazz vibe. The Ilkley Suite is an original- composed piece which is more improvisational Jazz and will include me using my voice as an instrument in wordless form.

Dream Dancer is a mixture of upbeat and mellow tunes; very atmospheric. But, whatever I perform, I love engaging with my audience: the audience is very important to me.

How do you think your material has progressed since the start? Is Yorkshire and its people/geography a source of influence for you?

I’ve definitely grown as an artist without a doubt. Some of that is time and just experience really. I’m a lot more experienced. But, yes, I do think your surroundings have an influence on you. It’s no secret that I love Yorkshire and my hometown of Ilkley, which is very beautiful - and I love the wildness of the moors and we definitely get ‘weather’ up here. It can make you a bit insular, sometimes, I’d say.

But, then again, the Yorkshire folk are some of the friendliest people on the planet so, as soon as you step outside your door, there’s always someone to say ‘hello’ to.

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What do you hope to achieve in 2018?

More Jazz; more singing! Now we’re getting the new album out there, I want to head off and perform as much as I can wherever any good people will have us (and just really enjoy that). I love performing and I get a real kick out of it, so now’s the time to really do that with this great music we’ve created.

Have you got a favourite memory from your time in music – the one that sticks in the mind?

I have so many! Being in the studio for J.J.W.T.H.F. and Dream Dancer, which we recorded in one week, has to be up there as one of the musical highlights of my life. We recorded J.J.W.T.H.F. first and Jason Miles, an amazing N.Y. Grammy-winning producer, had come over to produce the albums for me. Me, Jason and the band were in Red Gables Studio, London and we were totally immersed in this music. Two days of J.J.W.T.H.F. and two days of Dream Dancer - with a couple of days listening back to J.J.W.T.H.F. 

The legend saxophonist Duncan Lamont is guesting on Dream Dancer for two of his songs I sing and he came in to play on them - and that was pretty special too. It was a totally magical week. Some great memories.

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Which three albums mean the most to you, would you say?

There are way too many, but here are three I love that has been in my collection for some years…

Sketches of Spain - Miles Davis

So atmospheric and amazing musicianship.

Soulcall - Nnenna Freelon

I saw Nnenna at Ronnie’s many years ago and she’s a great artist.

Candyfloss & Medicine - Eddi Reader

Fantastic original music, great lyrics too - and Eddi is another great artist.

What advice would you give to new artists coming through?

Follow your heart and your own gut instinct. No matter what. Get out and perform as much as you can, as no amount of study can replace practical learning and experience. Saying that...always be prepared; practise and practise (and practise) so you’re really comfortable performing.

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IN THIS PHOTO: Nnenna Freelon

Are there any new artists you recommend we check out?

I love Nnenna Freelon. She’s a great singer. Also, Tierney Sutton and a young singer called Aubrey Logan (who is fantastic).

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IN THIS PHOTO: Aubrey Logan

Do you get much time to chill away from music? How do you unwind?

My unwinding often consists of a nice bottle of wine with my husband and listening to great music. But, I also really love reading, so I do read a lot of books. I like walking in the beautiful countryside too. I also love going to the pictures.

Finally, and for being a good sport; you can choose a song and I’ll play it here (not any of your music - I will do that).

Any song! Hmm; let me think. Right now, I’d say Aubrey Logan’s song, U Can’t Touch This (MC Hammer); a Jazz cover from her new album, Impossible.

This resonates with me as my own new album is full of these kinds of tunes (that I’ve also done this kind of interpretation for). So, I really appreciate what she’s done with it. Fantastic artist.

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INTERVIEW: Essa Weira

INTERVIEW:

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 Essa Weira

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AFTER asking Caz where the moniker of ‘Essa Weira’ came from…

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I wanted to know about the track, Malo (Ripple). He discusses upcoming material and what it is like splitting time between London and Manchester – Essa Weira reveals a few albums that have made a big impression on his life.

Looking ahead, the songwriter talks about ambitions and gigs; whether he gets time to unwind away from a busy music life; a new act we need to show some love for – I discover why life in the city is so conducive to creativity and sustainability.

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Hi, Caz. How are you? How has your week been?

Hey. I’m well, thanks. It’s been a chilled-out week.

For those new to your music; can you introduce yourself, please?

I’m Essa Weira and I’m a London/Manchester-based producer. I write electronic songs using a variety of instruments, samples and voices. I collaborate with singers and rappers but it’s mostly a singular effort.

How did the moniker of ‘Essa Weira’ come to pass? What is the tale behind it?

‘Essa Weira’ originally came about after I travelled to Morocco. I stayed in a place called Essaouira, where Jimi Hendrix allegedly wrote Castles Made of Sand (one of my favourites). It was a cool place and it left a lasting impression, hence the moniker…

Malo (Ripple) is out. Can you talk about the inspiration that goes into the song? How did it come together?

Malo (Ripple) was inspired by a few factors…

The word ‘Malo’ is a mix of Manchester and London, as living in both cities has inspired my recent creative directions. Another factor was a psychedelic experience; I wanted to recreate some of the same sensations I felt that day in this tune. The song really started coming together after I sampled the sound of a Zippo lighter and used it as a percussive part of the beat. An idea like that, for me, can spark a whole tune.

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Will there be more material later this year would you say?

For sure; I’m always working on new stuff. Watch this space…

You divide your time between London and Manchester. What is it about those cities that captures you?

Having grown up in London, I don’t think I could live anywhere that isn’t buzzing with a similar energy. Both Manchester and London are extremely cultural, filled with fascinating people and quite dangerous in parts. I would say experiencing all these aspects has had a huge influence on my sound; instilling metropolitan life into the way I produce.

Of course, the music scenes in both cities are a HUGE blessing: there are so many performing opportunities and I feel very lucky.

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Do you like having the different paces and feel when it comes to those cities? How important are the people regarding your music?

For real. Both places are very different in pace and it’s refreshing to jump between the two vibes - so you never get overwhelmed. I also feel it allows for your ideas to remain fresh and interesting. People are the most important thing! Whether it's performance or streaming, the people decide what’s worth a listen.

Are there any musicians from modern music you follow and take guidance from?

I listen to a lot of stuff, so there are many producers (Techno/Ambient/Chillout/Glitch/Grime/Electro) from whom I take inspiration. Despite this, I would have to say James Blake is at the top of the list. His music gets me.

Can we see you tour this year? What gigs do you have coming along?

I wish. I’m skint and still at university so it will probably just be gigs for a while. Got a show coming up in London on 22nd of June (details are on my Facebook page).

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Do you have any ambitions to fulfil before the end of the year?

I would love to secure collaboration with a popular artist by the end of this year. I’ve been doing a lot of Hip-Hop and Lo-Fi beat collabs recently - and it would be a good progression forward.

Have you got a favourite memory from your time in music – the one that sticks in the mind?

Probably my first gig. It was at a tiny club in London, completely taken over by my mates.

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Which three albums mean the most to you, would you say?

Burial’s Untrue, J Dilla’s Vol. 2: Vintage and Bon Iver’s 22, A Million.

What advice would you give to new artists coming through?

Gig as much as you can and make your online presence as professional as possible. Both are a great way to network and spread your music.

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IN THIS PHOTO: Octavian

Are there any new artists you recommend we check out?

I’d hugely recommend Octavian. He has really been doing something special recently. His tropical tunes are a perfect combination of Grime, Dancehall and House.

Do you get much time to chill away from music? How do you unwind?

Not really. I study music at university so it's pretty much 24/7. I wouldn’t want it any other way though. I usually unwind by getting outside: the bedroom/studio dynamic can get intense.

Finally, and for being a good sport; you can choose a song and I’ll play it here (not any of your music - I will do that).

Belfast – Orbital

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INTERVIEW: Michael Jablonka

INTERVIEW:

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Michael Jablonka

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I am pleased there is a new single out from Michael Jablonka…

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so I can catch up and see where he is heading. He tells me about Flump and where the song came from; what sort of music was on his bedroom floor as a child; if there are any new artists worth seeking out – Jablonka reveals a couple of gigs coming up.

I ask the musician about his idols and which three albums mean the most to him; he tells me how a retro piece of gaming provides a great way to unwind; whether there will be more material coming later in the year – he ends the interview by selecting a classic track from 1967.

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Hi, Michael. How are you? How has your week been? 

I’m ok, thanks. Just been going to gigs and getting ideas down. Same ol’, same ol’. 

For those new to your music; can you introduce yourself, please?

I’m Michael Jablonka - or you can call me ‘Jabo’. My band and I play a concoction of loud Indie-Rock music around London. 

Tell me about the inspiration behind Flump. I presume it does not come from the T.V. show or the popular marshmallow sweet?!

Hate to say it, but when my band I started playing it, it instantly reminded me of the sweet. Maybe it had something to do with the tones we were getting in that moment. In essence, though, it’s really just about letting loose: a lot of the music I’m writing at the moment has a theme of idealism in it. 

Do songs sort of start as jams and build from there? How would a typical song come to be?

In Flump’s case, yes. I played the riff to my band and we built it up from there fairly quickly. Usually, I record different variations of a demo at home and then it’s a matter of recalibrating lyrics, structure…

It seems, with every release, you get bigger and more confident. Would that be fair to say?

It’s quite hard to gauge as a writer - I tend to pluck inspiration wherever I can; try and make something of it and hope it gets received well. I’m glad you think so, though (smiles).

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Will there be more material coming along? Might we see a new E.P.?

There’s loads of music I wanna get out of my system, but it’s all a matter of timing I guess. They’ll definitely be a new single out during the summer. Fingers crossed an E.P. comes out for autumn.

Take me back to your childhood and the cassettes and C.D.s on the floor. Can you picture what you were listening to? 

Bob Marley greatest hits album, Legend, was always out in the open. The Power by Snap! drove me crazy but was my brothers favourite. Run-D.M.C. vs. Jason Nevis’ It’s Like That was my jam. 

When did music come into your life? Was there an artist or album that lit the fuse?

It felt like it was always there but I remember, when I was about twelve, my family and I went to a dinner party and my friend showed me the (Red Hot) Chili Peppers album, By the Way, on his MiniDisc player.

The first time I heard Universally Speaking, I think set everything into motion. It made me feel so good and it was around that time I started messing with the guitar - and the thought of making other people happy made me feel like that was what I wanted to do.

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Can we see you tour this year? What gigs do you have coming along?

This year is mainly about creating music but there are a few gigs here and there. Would be nice to branch out of London a bit more. For now:

30th June @ The Finsbury 

3rd August @ Fieldview Festival 

Others dates T.B.C. throughout autumn. 

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What do you hope to achieve in 2018?

I wanna create as much as possible and develop a more distinctive sound as a songwriter. 

Have you got a favourite memory from your time in music – the one that sticks in the mind?

Playing the Royal Albert Hall last year with Michael Kiwanuka is, by far, my favourite memory in music...so far.

Which three albums mean the most to you, would you say?

Ah man; that’s so difficult! Ok…

Nirvana - Nirvana; The Jimi Hendrix Experience - Electric Ladyland and The Avalanches - Since I Left You (a bit left-field but it always makes me happy).

What advice would you give to new artists coming through?

Don’t overthink things - and make music you love…

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Are there any new artists you recommend we check out?

The first few that come to mind are...

BODEGA, The Shacks and Boy Azooga.

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IN THIS PHOTO: Boy Azooga

Do you get much time to chill away from music? How do you unwind?

I think I’m in too deep with music to chill these days. I did recently buy a Nintendo Classic Mini so, if I’m fed up, I’ll play Zelda or Super Metroid and have music playing in the background. Or, I’ll just watch Gilmore Girls…

Finally, and for being a good sport; you can choose a song and I’ll play it here (not any of your
music - I will do that).

The Velvet Underground & Nico - Sunday Morning

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INTERVIEW: Anna Pancaldi

INTERVIEW:

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PHOTO CREDIT: Curious Rose Photography

Anna Pancaldi

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THE wonderful and sensational Anna Pancaldi…

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has been spending time with me to reveal the story behind her latest single, What I’ve Become, and whether we will see any more material in the coming months – she talks about touring in the U.S. and what gigs she has coming up.

I ask the talented songwriter about her start in the industry and the artists who have helped spike her own interests; a few newer names she is vibing to; whether she gets any time to chill outside of her own music – Pancaldi talks about her creative progression and what drives her passions.

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Hi, Anna. How are you? How has your week been?

My week has been just lovely, thank you. Finishing off a three-and-a-half-week tour in Germany, which has been delightful; just love touring here.

For those new to your music; can you introduce yourself, please?

I’m a singer-songwriter (you’ve never heard those words uttered before. Haha) based in London and have, most recently, been delving into the electric guitar world - which has been a wonderful exploration and inspired new melodies and music. I grew up in Cape Town for a few years when I was younger where I wrote my first song - at thirteen or fourteen - called Do You Know What It’s Like to Be Me. Rather Emo! Haha.

What I’ve Become is your latest single. Can you talk about the story behind the track?

I wrote it from the point-of-view of a person crying out to someone (figuratively speaking) who is no longer around for advice on how to cope with their departure and the loss surrounding it. It has a significant meaning for me but I feel that it can be relatable to us all in some way.

Will there be more material to follow? Are you working on anything else?

I am indeed. I am very excited to be recording my next E.P. in the summer with the brilliant Matt Ingram, ready for release in the autumn; followed by a U.K. and European tour.

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You have performed in the U.S. and are an international artist. Do you hope to be back in the U.S. and play over there more?

I love playing the in States! On my first tour there, I was welcomed warmly. I also now have management over in L.A. now, too; so, spending more time their writing and performing is absolutely on the schedule.

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Do you recall when music came into your life and what spurred you to write your own songs?

Music has always been a part of me and my family.

My dad is a wonderful singer and performed for a long period in his younger years; a beautiful deep, soulful voice. So; I don’t feel as if I discovered it - it’s just etched within my every part. The writing, however, has been much more of a journey for me. I only properly started writing music when I went off travelling around the world for nine months with my guitar in 2011 - and came back with a suitcase of songs and the tunnelled-vision-focus to move to London to take the next step forward.

Who do you count as musical influences? Which artists are most important when it comes to your own sound?

Definitely Jeff Buckley, Judy Garland and Nina Simone; you can hear the cry and honesty in their voices, lyrics and melodies; an undeniable outpouring of lives lived; complete authenticity with raw truths.

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You have gained acclaim from radio stations and music websites. Is it encouraging receiving that sort of backing?

It’s exhilarating because, when you start out writing songs, you never really can be sure how people will react - if it will move or speak to them - so it’s a wonderful feeling to know it’s touching people. There is no greater compliment.

Can we see you tour this year? What gigs do you have coming along?

I am back out on tour in the autumn: we are just finalising dates, so I’ll be back to you about that one. But, the U.K. and Europe for sure!

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Do you have any ambitions to fulfil before the end of the year?

Just to keep creating music that pushes me beyond my boundaries and (to keep) building my fanbase in the States and Europe. World domination, pretty please!

Have you got a favourite memory from your time in music – the one that sticks in the mind?

My first headline show in London was a sell-out and, honestly, the way that night made me feel was just electric: the love I felt, tears flowed from joy; it was an evening I will never forget. Many others...but that was the first one.

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Which three albums mean the most to you, would you say?

Tapestry by Carole King; Surfin’ U.S.A. by The Beach Boys and Coming Around Again by Carly Simon - all of which remind me so much of my childhood. The Beach Boys, especially, as it always takes me back to driving around the Coastal Road in Cape Town to Hout Bay where my family lived for three glorious years….

What advice would you give to new artists coming through?

Write as much as you can before you begin releasing music: that uninterrupted time is invaluable and the most poignant time to hone your craft before bringing in the world of the music business where, then, dividing up time took me a long while to adjust to.

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IN THIS PHOTO: Leon Bridges

Are there any new artists you recommend we check out?

I’ve really been enjoying Leon Bridges, Jordan Rakei and Ethan Gruska.

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IN THIS PHOTO: Jordan Rakei

Do you get much time to chill away from music? How do you unwind?

Not a huge amount (which is no bad thing!) as I think it’s not the kind of job you feel you can switch off from. There’s always something to do, which is wonderful - but, also learning to find balance has been crucial in staying healthy, too...

But, to unwind I love to be with family, read; hike and jog. Being in the outdoors surrounded by natural wonder and silence is a rare solace I find great comfort in.

Finally, and for being a good sport; you can choose a song and I’ll play it here (not any of your music - I will do that).

How Can You Mend a Broken Heart by Al Green

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INTERVIEW: Ariahindream

INTERVIEW:

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Ariahindream

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IT is interesting looking at debut singles…

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and what they say about an artist. Ariahindream has been telling me about hers, Forever, and how it came to life. The London-based songwriter chats about her influences and some albums that have made a big impact on her.

I was eager to know where she heads next and whether there are any live dates; what we can expect from her forthcoming E.P., inDream, and what advice she would offer musicians coming through – Ariah recommends a couple of artists we should spend more time around.

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Hi, Ariahindream. How are you? How has your week been?

Hey. I’m good. My week’s been relatively chilled compared to the past few months: dinner at new restaurants, cuddles with my kitty; catch ups with the fam. It’s been really lovely. It’s so relieving to finally be releasing projects.

For those new to your music; can you introduce yourself, please?

Sure. I’m a London-based singer, songwriter and producer. I sing, write and produce what I call ‘Indietronica’: Electronic music rooted in ‘alternative’ R&B with Experimental and Ambient influences. My work is often rooted in concept writing and, sometimes, takes shape in videos and photography I make - in addition to and partnered with the music.

Can you talk about your single, Forever, and what the tale behind it is?

Forever is a complicated number. As part of inDream, the upcoming E.P., it represents a single stage in a process of self-discovery that unfolds over each track. Forever is the track that deals with themes of self-exploration and analysis; introspectively questioning an isolated state of being and the ways in which that chosen outlook effects the experience of life. These questions develop and accumulate into a confession of fears - and end with a begrudging acceptance of sadness.

I know you wrote, produced and recorded the song. Did you feel it was important to put your stamp on the song?

I don’t think it’s necessarily about putting my stamp on the music…It’s just the way I work. I find writing, producing and recording my songs a necessity. While creating every aspect of my music is often gruelling and time-consuming, I know what I want and how I want it done.

Much of my writing and composition begins as improvisation - building harmony by ear, rather than by theory. In that sense, my approach to making music is kind of unconventional and not always easy to communicate to more traditionally-orientated musicians. I find maintaining a solitary approach to writing helps to keep an individual nature about the songs.

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It is from the forthcoming E.P., inDream. What are the main themes you address throughout?

The inDream concept originated from explorations of the meaning of my birth name. In Italian, it means ‘flowering ash tree. This led me to read into the ash tree and subsequent mythology surrounding it. I found there were interesting tales in Celtic mythology and African folklore exploring its significance - as a tree of life, femininity and healing. In some stories, it operated as a portal to other dimensions due to the specific nature of its three-part anatomy.

This spiritual representation of the ash tree acted as the stages of development that each song on inDream represents. The opening numbers deal with roots: upbringings, influences; pains, sadness and isolation. The trunk, by way of the middle songs, deals with how these themes manifest into a physical experience. The branches, by way of the final two songs - Forever being one - deal with enlightenment, understanding but sadness still.

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You hail from East London. How important is the area and its people regarding your music and creativity?

I do. East London is important to me. I can’t say the area inspires me so much; it’s changed a lot over the years. Still, it’ll always be home. I think I’m more inspired by life in London as a whole. I moved about a lot growing up so have had the pleasure of living across the North, East; South and West. In terms of my creativity, though, that often thrives alone, at home in the studio.

I know you have studied music and must have brought a lot of that knowledge into your own music.

Yes. I did choose to study popular music. I’m really glad I did. While I didn’t focus so much on the music theory side of things, learning about music from academic, psychological; philosophical and experiential standpoints has definitely influenced my approach to creating- for the better, I think.

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You must have grown up around eclectic artists. Have you always grown up around music and been obsessed by it?

You know; I think growing up my musical tastes were actually pretty generic. In the best possible way, though. I do love R&B music, so listened to a lot of Whitney (Houston) and Mariah (Carey) - my mother played a lot of their music around the house. Through my teens, I got into music that was on the radio: Destiny’s Child, Alicia Keys; Aaliyah and P!nk (while she was on her R&B thing - I hear she didn’t like the music she made at that time. I hope I’m wrong. You Make Me Sick and Moulin Rouge still give me life!). It was only seven-eight years ago, while studying music, that my musical tastes completely diversified.

I started growing interest in artists I found individual; songs and voices that made me feel. Amy Winehouse, Joni Mitchel; M.I.A., Sade; Selena and St. Vincent. Each of those artists, in all their diversities, has influenced my appreciation of music and performance. For the past five years, though, my playlists have been dedicated to my holy trinity of artistry: Prince, Kate Bush and Björk.

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Do you have any gigs lined up? Where are you heading?

Yes! I’ll be playing a set for Midi Music Company on Monday, 25th June at the New Cross Inn as part of the Mayor of London’s Sounds Like London campaign. I’m also set to perform on Saturday, 21st July for Bark Presents at The Gladstone Arms - where I’ll debut the brand new Ariahindream band line-up. Really excited for these show - with all the super-talented artists also playing on both nights. These are not events to be missed!

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What do you hope to achieve in 2018?

For me, this year is all about getting out there: releasing my music and videos, gigging my music live; delving deeper into music licensing. Really, just sharing what I have and doing all I can to make sure people hear it. I try to be realistic in that it may take some time to garner the kind of recognition I’d ultimately like to gain. But, I believe in what I do, so I’m willing to work until I get there - and beyond!

Have you got a favourite memory from your time in music – the one that sticks in the mind?

Hmm…there have been loads! The most significant: the moment I heard the completed mixes of inDream. It was such a full-circle-moment. From conception to completion, inDream took three years to make. Generally speaking, that’s a pretty long time for a six-track E.P. Finally hearing my ideas finalised on recordings gave me the biggest sense of freedom and fulfilment. I’m so proud of my work here and cannot wait to share it later in the year!

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If you could select the three albums that mean the most to you; which would they be and why?

Kate Bush - The Dreaming (1982)

It’s such an intelligent record. From the lo-fi production, to deeply political yet subtly-so songwriting; to the ever-changing nature of the tone and timbre her vocal performance, I love this album because every turn is so brilliantly unexpected. For an album with such diversity from track to track, I love how cohesively this holds together.

Björk - Homogenic (1997)

I love the combination of Classical and Urban throughout this album. The way Björk is able to make two traditionally polarised music styles flow so beautifully together was a real game-changer. Joga is just lush. The volcanic samples turned into drums sound great; especially juxtaposed against the over-romanticized string sections (and that bassss). I could gush on this album and its songs forever…

Prince - Purple Rain (1984)

This album gets me in the feels. Every single time I hear it. The movie version of The Beautiful Ones is one of my top-ten favourite songs and live performances of all time. The guitar solos and instrumental passages in Purple Rain and Computer Blue are out of this world. Darling Nikki is a secret pleasure. When Doves Cry is timeless. For me, Prince really was as complete and unique an artist as I’ve ever seen. From producing every element of his music to mastering every instrument he touched; to supporting the careers of up and coming artists…his legacy is so inspiring.

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What advice would you give to new artists coming through?

The same advice I offer myself...

While I’m not new at making music, I am new on the scene as far as releases and things go. The things that help me through that are staying true to what I do; writing songs I like and believe in; not being disheartened by the difficult parts of the process and remembering to celebrate milestones; making time to socialise outside of music - checking in with friends and family…

I definitely need to get better at that one! Taking care of the mind is also really important for creatives. Keeping thoughts clean, positive and productive is so important…

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IN THIS PHOTO: Stormzy/PHOTO CREDIT: Getty Images

Are there any new artists you recommend we check out?

I’ll be honest with you: I’ve been so involved with my work at the moment that I haven’t looked outward in a while. I will say that I’m really loving the slightly more experimental tone music in the U.K. is taking at the moment. I love the come-up of Grime; I really enjoyed Stormzy’s album. RAYE is another artist I find interesting. From what I’ve seen of her songwriting, she is so talented.

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 IN THIS PHOTO: RAYE

Do you get much time to chill away from music? How do you unwind?

To be honest with you, I don’t currently get much time away from music. Making my work is usually completely time-consuming.  There have been times I’ve spent twelve-hour consecutive days working on thirty seconds of a track (check out the song Whosoever, when inDream comes out, to hear the outcome of that particular instance!). When I’m not working, I love to travel.

Before I dedicated my life and funds to music, I travelled a minimum of twice a year. I have a map on the wall in my bedroom with a star system that shows where I’ve been and where I’d like to go. My favourite trip so far is the two weeks I spent touring the South of France in 2016; travelling in St Tropez, Cannes and Nice. It was so refreshing. I’d love to head out on another solitary retreat again soon.

Finally, and for being a good sport; you can choose a song and I’ll play it here (not any of your music - I will do that).

Hmmm. I have two! Björk’s All Is Full of Love for lush, sensual Electronic vibes...

...On the completely opposite hand, Kate Bush’s Get Out of My House for hard-hitting, lo-fi galore. The way she stretches her voice on this one - the combat drums and the intelligent lyric-writing. By the end of the song, she’s turned into a donkey. Just genius.

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INTERVIEW: Moscow Apartment

INTERVIEW:

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Moscow Apartment

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MY attention turns to Brighid and Pascale…

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of Moscow Apartment as they discuss their new single, Be You, and what their next moves are; how they started making music together and some current newcomers who warrant some more time and acclaim.

The friends talk about music arriving in their lives and what the scene is like in Toronto; whether there be any gigs coming up; if they have favourite memories from their time in music; whether a U.K. stop-off is a possibility – they reveal what they do away from music.

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Hi, guys. How are you? How has your week been?

Brighid: We have had a great week. It has been really hectic because we were working on a lot of end-of-year assignments and getting ready for the tour. Last weekend, we got to play the CBC Music Festival which was amazing. We get back from our tour the day before we start exams. But, we get to be on tour with such an amazing band. The Good Lovelies have been incredible to us and we are having so much fun and learning a lot on tour. 

For those new to your music; can you introduce yourselves, please?

We are Moscow Apartment. We have been friends since we were five and six and sang in a youth choir together but we fell out of touch and reunited almost two years ago when our parents had a dinner party with the intention that we might start doing music together. We quickly became best friends and started singing together and writing together almost immediately.

We formed Moscow Apartment in February 2017 and things have been pretty wild ever since. We started off with a very folky vibe and are increasingly more Indie-Rock.

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How did Moscow Apartment get together? Were you part of other acts before getting together?

Pascale: Like Brighid said; we knew one another from choir and then lost touch. I went with my mom to see Brighid perform when she released a solo E.P. when she was twelve and then I went to Girls Rock Camp where she had been going and started taking lessons with her music coach Kritty Uranowski.

Brighid: Oh yeah - and then you started coming to the open mics I was hosting and I was in awe of your songwriting. I have been in a bunch of bands but none of them was long-lived: it is hard to find the right people. You want to have good collaboration and respect and trust. I was in another kid band called Kingdom of Birds. It was much more one person’s project - with other people really there as support, but it wasn’t necessarily clear.

I wanted to be a part of a project that was really collaborative and where we all brought our ideas and energy. This has been so special and I love working with Pascale...

Be You is your new single. What is the story behind the song?

The song is about when you get bad vibes from a stranger. We wrote it about a year ago. I think I came up with the seed of the idea but we had both had similar experiences and wrote it together. It was a super-fun process to write it and it was a true collaboration.

Your music has plenty of passion and intensity to it. Do you think there is enough real expression in music at the moment – or has it become rather safe?!

I think there are lots of really intense people out there making intense music and expressing themselves in every genre. That’s what good music is. I think if it really connects with people; it has that kind of honesty. There is a lot of canned, clichéd music too that follows a very predictable structure and uses tons of clichés, but I don’t think people end up with an emotional connection to that music.

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Toronto is where you are based. What is the city like in terms of music and opportunities?

There is a really strong community here and such a thriving music scene. We are both really influenced by this city and our lives in the West End.  Large community.

Pascale: The city is so good in terms of music. There are so many good bands, especially in the young emerging scene: bands like Lula Li, BBQ Pope; the Kitsch, Rikashay; Pins & Needles (before they broke up), Goodbye Honolulu and solo artists like Georgia Harmer and Deanna Petcoff are working hard to make the scene really inclusive and are all going to go on to do amazing things. We do have a challenge that a lot of all ages venues have closed, so putting on shows for younger people has become a bigger challenge.

Can you remember when music came into your lives? Which artists inspired you to go into music?

Music has always been in my life. My parents are both Jazz musicians. My folks inspired me. The artists who have inspired me the most are Joni Mitchell and Big Thief.

Brighid: I think I have always been inspired to go into music and have been talking about being a musician since I was a toddler. My parents took me to a lot of music festivals growing up and I was exposed to lots of different kinds of music. Probably the artists who have influenced me the most are Joni Mitchell, Regina Spektor; Serena Ryder and Feist.

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Where are you heading on tour? Where can we catch you?

We are touring across Western Canada with the Good Lovelies until mid-June and then we have a bunch of shows in Toronto this summer - and we are doing our first show in New York City in July.

Do you reckon you’ll come to the U.K. anytime at all?

Pascale: We would really like to. We love all things British. 

Brighid: Someday, that would be super-cool. We dream of an international tour and stopping in the U.K would be a must.

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PHOTO CREDIT: Melanie Gordon Photography

What do you hope to achieve in 2018?

A new album is in-the-works. We are also playing at a lot of festivals and are hoping to do a few videos. We really want to build some new audiences and get to play shows with more of the amazing musicians who have inspired us. 

Have you each got a favourite memory from your time in music – the one that sticks in the mind?

I have been to too many amazing concerts to name just one but, certainly, seeing incredible musicians live is so memorable. Lorde, Metric; Arcade Fire and July Talk are the artists who have inspired me this year.

Pascale: Probably the Phoenix concert at Field Trip last summer. I love performers who create an atmosphere and they are so good live.

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PHOTO CREDIT: Melanie Gordon Photography

If you could support any musician alive today, and choose your own rider, what would that entail?

Both: Lorde, Good Lovelies (we are right now!) and Joni Mitchell…

(As a rider) Purple socks (Pascale); a room-full of puppies (Brighid).

What advice would you give to new artists coming through?

Both: We are pretty new artists so we are still getting mentored ourselves but believe in yourself, work hard and find people you enjoy working with.

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Are there any new artists you recommend we check out?

Georgia Harmer, Ben Heffernan; The Lifers and Jenny Banai are all young artists we have played with recently. The Good Lovelies and Samantha Martin are incredible and have mentored us really well!

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IN THIS PHOTO: The Lifers/PHOTO CREDIT: Nicolette Hoang 

Do you get much time to chill away from music? How do you unwind?

Brighid: Bike riding, photography. Walks in nature (Pascale). We both love T.V.; sometimes, even trashy shows. Painting my nails and skin care (Brighid); Playing with Neko, my little brother, who is not quite two (Brighid).

Finally, and for being good sports; you can each choose a song and I’ll play it here (not any of your music - I will do that).

Brighid: Funeral by Charlotte Day Wilson

Pascale: Sick Bug by Rolling Blackout Coastal Fever

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INTERVIEW: J. Kas

INTERVIEW:

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PHOTO CREDIT: Pishi Modaressi

 J. Kas

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I have been shooting the breeze with J. Kas…

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as he tells me about his new single, Vogue. The talented Rap artist talks about the scene in the U.K. and whether modern Rap here can compete; which new artists we need to throw ourselves behind – he tells me about his influences and favourite artists.

J. Kas looks forward to gigs and plans; whether there are ambitions left to fulfil this year; what advice he would give to musicians coming through; a few albums that mean the most to him – J. Kas ends the interview with a cool song!

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Hi, J Kas. How are you? How has your week been?

Hi, guys; thanks for hosting us. I truly appreciate your time and support. It’s been a blessed week. The weather has been kind to us and life is good.

For those new to your music; can you introduce yourself, please?

My name is J. Kas. I’m a rapper and songwriter from the Steel City of Sheffield, U.K.

Vogue is your new single. What is it all about?

Vogue is about doing things in style and having fun with it.

It seems like the video was fun to shoot. What was the experience like?

The video was an adventure. It was filmed on location in the beautiful city of Lisbon, Portugal. It’s an amazing city. The weather is beautiful; it’s a city that exudes creativity and energy and the people are welcoming and friendly. It was the perfect backdrop to capture the Mantra-produced beat.

Might we see more material from you later in the year?

We may put out another four-five projects, if not more, before the close of the year.

Is there an artist or moment that compelled you to get into music? Did you grow up around a lot of good music?

I’ve always had an interest in music from an early age. Me and my sister would create dance routines and have singing competitions against each other just to past time. Also, growing up in a household where the music selection was wide, I would listen to likes of Whitney Houston, Bob Marley; Michael Jackson, Madonna; Sting, Jodeci, Beres Hammond; Phil Collins, Foreigner and Annie Lennox are just a few to mention (as the list is endless).

I wouldn’t say there was a specific moment: I think I was already in it.

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The U.K. Rap scene is busy, but few are in the mainstream. Do you think Rap is a hard genre to integrate into the mainstream? What do you think of the genre right now?

U.K. Rap is widely popular around the world and continues to grow, so I guess it’s mainstream. New and existing artists are pushing creative boundaries and I see international artists looking for that U.K. collaboration - and this adds value to the genre.

You have received a lot of praise from various sources. Is it encouraging knowing people are reacting to your music?

Yeah. The likes of Charlie Sloth and DJ Ace of BBC Radio 1Xtra; Huw Stephens of BBC Radio 1; Tom Robinson of BBC Radio 6 Music and BBC Introducing Sheffield presenter Christian Carlisle. It’s good to know that they enjoy my music and feel that it’s good enough to play and talk about it on their respected platforms.

Can we see you tour this year? What gigs do you have coming along?

In July, we start the Dreamlife Summer Jamz tour in Porto, Portugal for twelve days. It will feature Portuguese rapper Duplo of Rockit Music and singer Carolina Ferriera - who I met during filming for my forthcoming music video, Blueberry Schwag. There is Tramlines music festival, Sheffield on 21st July and Elevate Young Minds festival in September.

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PHOTO CREDIT: Jodie Blackburn

Do you have any ambitions to fulfil before the end of the year?

I’d like to collaborate with more artists, whether they are from the U.K. or abroad. Also; I want to put myself in as many places as possible so people are continuously bringing me up in conversation.

Have you got a favourite memory from your time in music – the one that sticks in the mind?

Headlining the Elevate Young Minds (Lisbon, 2017). That performance was different. The whole place was on fire - and the energy between myself and the crowd was crazy. It was one of those moments when you find yourself in a totally different space that is unexplainable.

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PHOTO CREDIT: Pishi Modaressi

Which three albums mean the most to you, would you say?

Tupac Shakur - All Eyez on Me

Jay-Z – The Blueprint

Mary J. Blige – Share My World

What advice would you give to new artists coming through?

Be consistent - because consistency is a major key.

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IN THIS PHOTO: Cellar Door Moon Crow

Are there any new artists you recommend we check out?

A few Sheffield artists’ I recommend are Inna Vibe, Ruell (who features on my tracks Cali Dreaming and Snapchat); Cellar Door Moon Crow and Audio Phaze.

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IN THIS PHOTO: Audio Phaze

Do you get much time to chill away from music? How do you unwind?

I enjoy going to the gym. I go walking. I watch a lot of films and T.V. shows. To name a few, I’m currently watching Krypton which is about Superman’s grandfather. I watch Lost in Space, Star Trek: Discovery; Stranger Things, Luke Cage; Jessica Jones, Runaways; Unsolved: The Murders of Tupac and the Notorious B.I.G. I’m sure you can tell I’m a big Marvel fan…

Finally, and for being a good sport; you can choose a song and I’ll play it here (not any of your music - I will do that).

Lady Leshurr – OMW  

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INTERVIEW: DESMOND

INTERVIEW:

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PHOTO CREDIT: Konrad Tosti 

DESMOND

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STEPPING into the weekend with a confident stride…

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ALL OTHER PHOTOS OF DESMOND: Rasmus Kongsgaard

can only mean a chat with the fantastic Danish band, DESMOND. They have been telling me about their new single, Cardboard Palace; what we can expect from their upcoming album; how they got together – the guys answer the question regarding possible U.K. gigs.

I ask them about new acts to look out for and what they hope to achieve before the end of the year; what the scene is like in Copenhagen right now; whether they each have a favourite memory from their time in music – the band members select some cool songs to end the interview with.

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Hi, DESMOND. How are you? How has your week been?

It's been good! It’s always exciting to release new music into the world. So far, the response to Cardboard Palace has been great. We’re looking forward to releasing the whole album, which we are very proud of. (It will hit the stage on 17/8).

For those new to your music; can you introduce yourselves, please?

We are a Copenhagen-based band who plays a mixture of Synth, Indie and Pop-Rock. You know; it's always been difficult for us to categorize our music with a specific genre. 'Genre' is relative and is, therefore, dependent on the ears who listen. We just create the music that we love.

Cardboard Palace is your latest single. What is the story behind it?

Cardboard Palace is this story about this stockbroker-kind-of-guy who had everything in life: the family, house; car, big career etc. but he flew too close to the sun and lost everything. Still, he refuses to acknowledge this new reality and ends up constructing a reality of his own. Even though he lost it all, this rich wolf of Wall Street-kind-of-guy won’t take off his fine suit and suddenly he finds himself living in a cardboard box, calling it his ‘palace’.

We released Cardboard Palace first because we think it encapsulates a lot of our ideas on the album, especially contrasts. The track is kind of upbeat and happy - for a sad story about a guy who hit rock-bottom. All four of us know about the feeling of losing something precious on our own behalf: the story is about how you deal with it. To what extent do you suck it up and start over vs. resisting, fighting and burying yourself? It’s about not realizing that you sabotaged yourself and then you accuse your surroundings (for) the ‘injustice’. We wanted to tell that story, both lyrically and musically, in a fun and maybe kind of tragicomic way.

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The song is from your upcoming album - released later this year. Can you tell me what sort of songs and ideas will feature?

Contradictions, as a concept, is good for telling stories and communicating specific moods. Contrasts are a big part of what we like to examine in the universe of DESMOND - both lyrically but, also, musically. (But, always with a sort of balance). Balance is also something it took us years to finally embrace. We have finally discovered that it's the track that dictates what we individually play and not our ego.

It's always: what is best for the song and not some drum pattern that Alexander (drums) spent hours constructing. If it doesn't suit the track, it goes into the bin. Everything we do has to feel balanced and natural. We hope that the album will reflect this.

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When the lyrics for our E.P. were written, a character was suddenly created; a man who ventured out to seek his purpose. At the end of the last track of the E.P., he stood at a crossroad - to end or extend his journey. No one really knows what happened to him, but he might have slipped unto the album….

The album contains stories and moods that all four of us can relate to. We like the idea that our lyrics contain parts of all of us...or at least a story that we can share with one another. The album consists of various themes, e.g. songs about difficult relations but also songs about a space odyssey and a cool diamond thief. We like to think of our DESMOND-universe as vast and with no limits. If the story has integrity or is just plain good fun - or both, for that matter - it will be told. You will be taken on a ride with this album…and we can’t wait to unveil it.

How was it working with Carsten Heller on the record?

Carsten is this super-cool guy who did all sorts of things that we admire. The fact that he agreed to work with us was huge. We were kind of nervous in the beginning, but he turned out to be the most relaxed, hardworking guy who just loves music. He has great ideas and is always a servant of 'The Track’. Carsten has this ability to figure out exactly what we want without even telling him.

Carsten and his team have had a huge impact on the Danish music scene and have received great recognition. It’s an honour to work with these guys. We’ll never forget the first early versions of our tracks that Carsten sent us. It was unbelievable.

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How did DESMOND get together? When did the magic start?

Three of us, Christian Snorgaard (Guitar), Andreas Snorgaard (Bass/Synth) and Alexander Topsøe (Drums), are childhood friends and we grew up very close to each other. We listened to groups like The Cure and The Police and used to jam to their songs. As we grew older, we turned the tempo up a nudge and devoted ourselves to music like The Killers, Bloc Party and Phoenix. All of us have gained a lot of different musical experiences throughout numerous band constellations.

Eventually, we took a couple of years off the stage to finish our individual educations but decided to restart our music two years ago back in 2016 - that was when we ran into Asbjørn Storgaard (Vocals). Asbjørn was a perfect match to the first compositions and sound in general and he quickly became a part of the group.

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You are a Copenhagen band. Is there a good and growing music scene there right now?

Very much, indeed! The ‘competition’ is sharp but, actually, it's not competition per se as there is plenty of room for everyone. Good music is always appreciated: bands like Minds of 99 are doing great, great things. They are very inspiring to us as they always keep things ‘real’. They have this very defined sound but are not afraid to stray through different genres, if the track dictates it. Also, the band When Saints Go Machine; they have the same spirit.

Denmark is a small country with a lot of talent - and we have lots of music festivals and venues which provides new music to the people. The Danish people are used to going out to concerts which is important if you want to reach people with your music. There is some sort of cohesion among the Danes that music should be experienced, not streamed.

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Where are you heading on tour? Where can we catch you?

We really want to go abroad and are, therefore, planning and raising the money we need to get going. Of course, the U.K. is a top priority for us. A lot of our musical inspirations come from the U.K. and we would love to perform our show there – and, hopefully, this interview can contribute to that. Until then, we are focused on the shows we have here in Denmark and we’re planning our first tour here as well.

Our next gig so far will be 17th August, together with the album release.

Might you come to the U.K. before the end of the year?

We really want to - and we’re working on it! That would be a dream come true.

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What do you hope to achieve in 2018?

Hopefully, the album will be well-received and give us as a group the boost we want to go even further. Even now, we have new material on the way. We’re also working on some really cool ideas for music videos that we hope we’ll get to shoot in the near-future.

Have you each got a favourite memory from your time in music – the one that sticks in the mind?

At the beginning of the Desmond journey, we played a gig at Christiania in Copenhagen which was really overwhelming as there were more than two-hundred people attending the concert. That was a really big deal for us at the time as we were still brand new back then.

But, the one memory that neither of us will forget is the feeling we got when our producer Carsten Heller sent us the first productions of our tracks. It’s a weird feeling hearing yourself like that: it made it real and we got even more motivated to reach our goals.

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If you could support any musician alive today, and choose your own rider, what would that entail?

We all hold the group Phoenix in high regard. Their compositions and their shows are just marvellous and they always seem to develop themselves between their albums. We really respect that.

What advice would you give to new artists coming through?

Don’t sign the first and the best deal that comes your way: consult professional people like a union. Believe in your work and don’t let people tell you otherwise. Work hard: you gonna’ regret it later if you don’t….

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IN THIS PHOTO: Klippenberger

Are there any new artists you recommend we check out?

The Danish artist Klippenberger just played a fantastic show at the upcoming music festival SPOT in Aarhus, DK. That was breathtaking…you should check them out. If you’re into Black Metal, we can recommend our friends from the band, Morild. They are conquering the Danish Metal scene at the moment and are rising stars.

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IN THIS PHOTO: Morild

Do you get much time to chill away from music? How do you unwind?

Well. We chill when we’re WITH music, not away from it. But, actually, we all love football, especially the Premier League, so we can’t deny streaming a game or two during practice.

Finally, and for being good sports; you can each choose a song and I’ll play it here (not any of your music - I will do that).

Thank you; we really appreciate it!  

Christian: The Police - Bring on the Night

Alexander: M83 - Midnight City

Andreas: Phoenix - Fior Di Latte

Asbjørn: Kashmir - Bewildered in the City

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INTERVIEW: Daniel Liam Glyn

INTERVIEW:

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PHOTO CREDIT: Lucy Ridges Photography

 Daniel Liam Glyn

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IT has been fascinating talking with Daniel Liam Glyn…

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about his album, Changing Stations, and living with synaesthesia. He tells me how music and imagery and combine; how his way of seeing the world leads to unique and highly illuminating music – whether there is a track from Changing Stations that stands out to him.

I asked Glyn about sourcing London commuters and the intricacies of the Underground on the album; how his home of Manchester is faring in terms of modern music; if there are albums that have impacted him heavily; if there is a new artist we need to look out for – the songwriter looks ahead and gives me an impression of how his future will pan out.

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Hi, Daniel. How are you? How has your week been?

I’m great thanks! My week has been productive - it’s mostly been spent doing some preparation work for a future music project I’m hoping to start soon.

For those new to your music; can you introduce yourself, please?

I’m Daniel Liam Glyn and I’m a composer from Manchester, U.K. I’m probably most known for combining my music writing with my neurological condition synaesthesia.

Your album is called Changing Stations. Can you talk about the sort of themes that inspired its creation?

There are so many themes that inspired the album at its inception.

I’d say the earliest influence was The Planets suite by Gustav Holst, which is a series of orchestral works based on each planet in our solar system, along with their corresponding astrological character. For years, I was interested with the idea of creating a collection of piano pieces based around characters within a concept, all of which to be composed in different key signatures. I read a lot of literature dating back to the 1800s regarding the different types of light and shade that different key signatures can possess and cross-referenced them with my own thoughts and opinions.

Being a lover of graphs and maps, I found that the London Underground not only had a fascinatingly complex design, but each Tube line was colour-coded and I began to be drawn to the different routes and the history behind them. Musically, I was inspired by the simplicity of Erik Satie's piano works of the late-1800s, but I also wanted to push it further into more modern times with the use of twentieth-century techniques (such as John Cage and Steve Reich).

I know each of the main lines on the London Underground is covered over the eleven tracks. Do you have a favourite line/track from the collection? 

I'd say Abode (Northern Line). I used to live in Kentish Town on the Northern Line, so that quickly became my favourite. Mainly, because it reminded me of going home to my flat after work but also (to) heading to Euston to catch the train back up to Manchester. The opening couple of minutes of the track feature the main compositional theme which I composed when I was eighteen and I've always wanted to use it within a composition.

The track was remixed by my friend Damion O'Brien (Designer Thumbs) last year and released as a standalone single along with an accompanying video shot by People Staring production company.

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How difficult is it conceptualising and recording music with synaesthesia? Are there challenges that you face? Is it true you recorded Changing Stations using grapheme-colour synaesthesia? 

I'd say the main setback to using synaesthesia in the creation of composition is the not so obvious connection between what's real and what's not. Synaesthesia isn't something that is finite and the connections between the colours and what you have assigned them to is mainly involuntary; so it can make little sense to the person who has it.

With this project, I just wanted to assign the Tube line to the key signature in my mind, going off the colours of the alphabet. A = Red = Central Line; E = Pink = Hammersmith & City Line; F = Green = District Line…and so on. Another main challenge is that the listener might feel alienated because, on most occasions, the colour associated is distinctly unique to the creator.

Synaesthesia is visualising and associating numbers with colours. Does that association seep into people and colours? Do you view humans in the same way you look at numbers? 

From what I've read, there are hundreds of different forms of it and it can be either mild or severe on the synaesthetic spectrum from person to person. For me, personally, it's less about how I perceive humans and more about colours that I have assigned to numbers, words and letters. I also have spatial sequence synaesthesia, so I visualise all these things in my mind, too, almost like I'm looking at a celestial map of space.

Every month of the year is represented as a planet with a designated colour, illustrated in an uneven circle. I move from day to day coasting through the map and, when the circle is complete, it leads onto a new year and then the orbit begins again. People like me with spatial sequence usually have a long-term memory; remembering dates and random events through the year.

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What did you learn when writing about London commuters and collating the impressions/sounds of the city’s rush? 

I've learnt that anything can be music! If you take a journey on the underground and close your eyes, you will begin to hear music in everything: the rhythmic beat of the tracks under your feet; the rush of the air flying through the tunnels and into the carriages through the open windows - even the swooshing and beeping of the doors opening and shutting.

It was important for me to not just rely on these recordings of sounds on the underground, but to also make sure I imitated these sounds and beats using rhythmic and melodic techniques during the composition of the music. It was fascinating hearing from different types of commuters, about their journeys; their destinations and their attitudes towards the different Tube lines.

I felt like I wasn't alone with the thought that each Tube line possessed a different type of atmosphere and feeling. In most scenarios, the commuters I spoke to agreed with my affection and disdain towards certain Tube lines and also how different journeys made me feel in regards to how I composed a particular track. For example, the District line felt lethargic; the Jubilee line looked pretty but didn't go anywhere exciting and the Central line felt mad-busy with such a fast rush as it cut through the city centre. 

You are a Manchester-born artist. How much of Manchester’s music and history do you take influence from? What sort of music did you grow up around? 

Manchester is known for its industrial and cultural growth and Changing Stations is a nod to the London Underground's history and its evolution into the modern day. It was important to me that recordings for the album took place between Manchester and London because they had both been my home and I liked the aspect of travel being involved with its creation.

We recorded sounds and noises through the use of computers and mobile phones, which pays homage to the revolution in technology on the London Underground over the years. I've always felt really proud to be a Mancunian and the city has been through some difficult times over the past twelve months, but I've been really proud of how everyone has come together and it's a testament to how strong the people are as a city….

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Although there are many fantastic music acts from Manchester; I feel like most of my musical influences growing up came from the music my parents listened to. I think it’s possibly because I'm from a generation where I had so much music available at my disposal from all around the world via the Internet; that I didn't invest as much as I maybe could have into local music. The Beatles and The Beach Boys were bands that my dad liked. They both taught me about chordal structures, melodies and harmonies.

The same can be said for Motown acts that my mum was fond of - Diana Ross in particular. Kate Bush was someone who I always knew (of) when I was younger, but it wasn't until I was sixteen when I began to notice her for her incredible songwriting. Goldfrapp was a group who also grabbed my attention in my teenage years and I've stuck with them ever since.

I'd say I take influence from artists who aren't afraid to rely on their strengths, but also know when to throw tradition out the window and try new things. When I look at the back catalogues of acts like of The Beatles, Kate Bush and Goldfrapp; I notice such incredible growth and progression from their early works right up until their later albums. 

What do you hope to achieve in 2018?

I'm due to work on a new project with my long-term collaborator Katie (Tavini) and I also want to start work on my next album. I have several ideas so far but nothing set in stone, so I'm excited to see what the outcome is. I'm also trying to get Changing Stations and its remix album, Changing Stations: Derailed, in front of as many people as possible. The C.D. and vinyl are now stocked in Piccadilly Records, so I'm hoping to get it stocked in other record stores nationwide.

 

Have you got a favourite memory from your time in music – the one that sticks in the mind?

It's so difficult to just pick one - but I'll probably say my album launch was an incredible evening. Changing Stations was funded through a Kickstarter campaign, so the launch night was the perfect opportunity to thank all the people who pledged for it to be a success as well as inviting local members of the press to join the evening. 

I think Alison Goldfrapp writing me a letter to say she had a copy of my album was quite an astounding moment too!

Which three albums mean the most to you, would you say?

Possibly the most difficult question! These change from time to time, but (in no particular order), I'll say:

Goldfrapp - Black Cherry (2003)

Woodkid - The Golden Age (2013)

Kate Bush - Aerial (2005)

Lyrically, musically, and concept-wise, these three albums have inspired me on so many levels. I'm drawn to music that builds in motion, with layers of incredible harmonies and non-traditional structures. They've each taught me a lot about how I approach making music - not just the music itself but the concept and the imagery. 

What advice would you give to new artists coming through?

Never give up. Nothing happens overnight and sometimes, the biggest setbacks will feed you with an even bigger determination to make something work. Stay committed and take advice where you can, but be sure to trust your own decisions during the creation process. Also…be nice! Credit where credit is due: it's important to respect other musicians and producers you work with along the way. 

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 IN THIS PHOTO: Toya Delazy

Are there any new artists you recommend we check out?

One who springs to mind is Toya Delazy. She's not necessarily new but is probably unknown to a lot of people. Her latest album is called Uncommodified.

Do you get much time to chill away from music? How do you unwind?

Making music isn't my full-time job so, when I do get time to chill and unwind, it's usually music that I aim to focus on. Though, when I am busy with making music and I feel like I'm working on a project that consumes my every minute, it's good to take a break because there is only so much creativity you can conjure up. Sometimes, taking time out to listen to genres of music that you think you wouldn't necessarily be influenced by can actually surprise you. 

I'm someone who can easily get caught up in the world of social media; so having a blackout from all my apps and putting my phone down can be a perfect way to unwind and get away from the world.

Finally, and for being a good sport; you can choose a song and I’ll play it here (not any of your music - I will do that). 

I'm going to go for the new Goldfrapp track, Ocean, featuring David Gahan from Depeche Mode.

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Follow Daniel Liam Glyn

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INTERVIEW: Marcus Alan Ward

INTERVIEW:

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Marcus Alan Ward

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MY current interview…

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is with the arresting and promising songwriter Marcus Alan Ward. He has been revealing the story behind his new single, Faster, and who he counts as idols; whether there is more material coming along this year – Ward reveals when music came into his life.

I asked him what the music scene is like in Cleveland (U.S.A.) and what gigs are approaching; whether he is coming to Britain during 2018; whether there are any goals/ambitions to tick off the list before the end of the year – Ward ends the interview by selecting a classic!

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For those new to your music; can you introduce yourself, please?

I’m Marcus Alan Ward; Electro-Soul musician from Cleveland, U.S.A.

Your track, Faster, is getting some love and attention. Can you remember how that song started life? What is its inspiration?

The lyrical inspiration behind Faster stems from being around/in love with a self-destructive person. It's kind of like watching a car crash: it's a terrible image but you can't really take your eyes off of it. It’s a simple metaphor that I feel like resonates across the board.

Musically, I was inspired by the idea of summertime. Faster was actually written in the dead of winter, so I wrote this track in preparation for summer 2018.

Are you writing quite a lot at the moment? Might we see more material later in the year?

I’m always writing and actually working on a few collaborations at the moment, which is a change for me because I haven’t collaborated much historically. We’ll be releasing content about once a month, starting with Faster…so lots more coming.

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I can hear tones of singing legends in your voice – you have your own style and mix it all in. If one were to look at your record collection, which artists might we find in there?

Vocally, I take cues from legends like Sade, Björk; Marvin Gaye, Sly Stone; Thom Yorke and so many others. In my record rotation, currently, you’d find those and lots of other artists spanning genres Funk, Rock; R&B, Disco; Electronic, Folk and beyond.

Do you remember why you got into music? Was that talent and passion always in you?

When I was younger, I tried lots of different things as any kid does. I asked for a guitar for Christmas one year and it just stuck from there. I learned Jingle Bells on it the first day I got it. Everything else I was doing (skateboarding, organized sports etc.) just kind of fell by the wayside after that.

You are based in Cleveland (U.S.A.). Is there quite an active music scene there? What sort of sounds might we hear around the city?

Here in Cleveland, we have lots of active musicians but not much as far as infrastructure goes (labels, booking agents etc.). You really have to get out and travel/tour if you want to make it out of Cleveland. I’d say, sonically, it mostly just mirrors what’s going on in the rest of the country.

Can we see you tour this year? What gigs do you have coming along?

I’m in the process of booking a tour on the back of my E.P. release in September. I haven’t announced yet but it’ll include cites New York, Atlanta; Chicago, Nashville and many others.

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Are you coming to the U.K. at any point to play?

No plans for the U.K. at the moment, but I’d love to!

What do you hope to achieve in 2018?

At this point, we’re planning for 2019 - but the rest of my 2018 will see the release of my E.P., Beast, and more touring.

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Which three albums mean the most to you, would you say?

Tough to say, but off the top of my head:

Marvin Gaye – What’s Going On

The Mars Volta – De-Loused in the Comatorium

TV on the Radio – Return to Cookie Mountain

Finally, and for being a good sport; you can choose a song and I’ll play it here (not any of your music - I will do that).

Sly & the Family Stone – If You Want Me to Stay

This is the first thing that popped into my head as it’s my preshow warm-up tune.

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