INTERVIEW: James Francis

INTERVIEW:

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James Francis

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THE man has had a busy past couple of months…

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what with performing at the Royal Wedding and promoting his new single, Free to Be Me! I ask James Francis what it was like singing on that big day and the inspiration behind his latest tune; whether there is more material coming down the line – Francis talks about his faith and how Gospel resonates in him.

I ask whether there is a new artist we need to check out and whether he gets time to detach away from music; which albums are important to him; if there are going to be touring dates approaching – he gives some useful advice for upcoming songwriters.

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For those new to your music; can you introduce yourself, please?

My first single, Want It All, says a lot about who I am. I'm an ambitious creative who wants it all – a great career full of good music and amazing experiences! My music is a fusion of Soul, Hip-Hop and R&B. I can't say it fits neatly into any one of those genres because I love to experiment and push creative boundaries.

Free to Be Me is my second release and also speaks volumes about who I am. Whether it’s the colour of my skin, the area I grew up in or my faith; people have always tried to box me into some sort of stereotype. Free to Be Me is my way of responding to that: I feel it's important that we can feel good about ourselves and celebrate our identity.

The video for Free to Be Me is out. What was it like making the video? What is the story behind the song?

Making the video was a lot of fun. The video director, Chalky, was great and had a lot of good ideas for me to work with. As it was a public road, we filmed very early in the morning when I could play about more and not be disrupted by cars and passers-by etc.

Is there more material coming along? Are you working on anything else?

Yes. I'm working on another single and an E.P. As well as an artist, I'm a songwriter at heart so I'm always experimenting and creating new material.

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When did music come into your life? Do you remember which artists captured your imagination?

When I was growing up, singers like Luther Vandross and Stevie Wonder inspired me to sing. It wasn't until my mid-teens that I started taking it seriously and joined the Aria Vocal Academy, started by the late Eugene Johnson 

It seems like Gospel and Soul are important. Do you consider yourself to be spiritual and have a religious side?

Yes. I am a Christian; my values and faith are grounded in that. Although, I wouldn’t say my music is strictly Gospel: the content is based on my view of life which is seen through a Christian lens.

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What was it like performing for the Kingdom Choir at the Royal Wedding last month?! What was the day like?

I love being a part of the Kingdom Choir. We’re such a great bunch of friends that we have almost become like family. To have had the privilege of singing at the Royal Wedding in such great company was amazing. We got driven to Windsor by police escort and, even though we arrived super-early, the atmosphere was already full of excitement and celebration when we got there.

What you didn’t get to see on T.V. was us singing as the Royals were leaving the church. All the celebrities were clapping along as we belted out This Little Light of Mine. It is definitely an experience I will never forget.

The rendition of Stand By Me reached number-seven in the iTunes Charts. Was that quite an intense and unexpected moment?!

Most definitely. Our focus was to do you a great job for the Royals and make their day special. We had no ambition of entering the charts. So, when it happened, it was a really nice surprise. We truly feel blessed by the response we’ve had.

Are there going to be any tour dates coming up? Where can we see you play?

The best place to see me sing at the moment is online. On my YouTube channel, you’ll find links to my official music videos and some acoustic versions too. I don’t have any events lined up at the moment but you can sign up to the mailing list on my website to make sure you’re one of the first to know when dates are announced.

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Do you have any ambitions to fulfil before the end of the year?

There are exciting things lined up for both my solo career and my work in the Kingdom Choir which include travel and performances at some significant venues. By the end of the year, I at least hope to have stamped a good few pages in my passport!

 Have you got a favourite memory from your time in music – the one that sticks in the mind?

Singing at the Royal Wedding will definitely be a memory I’ll never forget and a story I will pass on to my children for years to come.

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Which three albums mean the most to you, would you say?

Michael Jackson - Thriller

Stevie Wonder - Songs in the Key of Life

Musiq Soulchild - Aijuswanaseing 

What advice would you give to new artists coming through?

Definitely, focus on creating the best music you can.  It’s not about copying other people or trying to fit into the latest trend. Put your own mark on the music industry and don’t be afraid to be different.

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IN THIS PHOTO: Sharlene-Monique

Are there any new artists you recommend we check out?

Sharlene-Monique is a great new artist who is also a part of the Kingdom Choir. She has a unique, soulful jazzy voice and her new E.P., Destiny, is definitely one to download.

Do you get much time to chill away from music? How do you unwind?

My wife and I recently had a baby boy; so much of my chill time at the moment is taken up with changing nappies and keeping him entertained. When there is a little quiet time we like watching movies.

Finally, and for being a good sport; you can choose a song and I’ll play it here (not any of your music - I will do that).

One of my favorites at the moment is Get You by Daniel Ceasar (ft. Kali Uchis). It’s my go to song when I want to chill and relax.

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INTERVIEW: Danielle Lewis

INTERVIEW:

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Danielle Lewis

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TAKING us through a peaceful Sunday…

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is Danielle Lewis, who speaks to me about her upcoming E.P., Live Forever. I wanted to know what inspired the work and how she got Cian Ciaran to remix the title cut. She tells me about the music she grew up around what sort of gigs we can expect in the future.

Lewis shares three albums that have impacted her and a favourite memory from music; what she wants to get accomplished before the end of 2018 – she recommends a new act we need to keep our eyes open for.

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Hi, Danielle. How are you? How has your week been?

Hello. I’m great, thank you. Rehearsing the live set with my wonderful band this week; ready for the release of my new E.P., Live Forever.

For those new to your music; can you introduce yourself, please?

I’m a contemporary Folk artist from West Wales and just started my record label, Red Robin Records, where I’ll be releasing my new music this summer.

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Live Forever, your new E.P., is out on 6th July. How does it feel having it recorded and ready to go?!

It feels surreal - but extremely grateful and excited. I’ve been working on these songs over a couple of years and took time out to evolve and grow at my own pace. I was very lucky to have met my producer Secondson, who’s been a wonderful mentor to me. He knew exactly what I wanted to create and gave my songs so much dignity.

Are there particular stories and moments from your life that go into the songs? Do you have a personal favourite from the set?

Each song I write always has an element of my personal past experiences; emotions I still feel and how I’m changing and growing in the present. I feel like a layer comes off every time. Live Forever holds a personal pain and a desire to be a better person (and have better people around me).

The eponymous track seems to be a bit of a standout. Is it true Cian Ciaran is remixing the track?!

Yes, definitely! My producer introduced me to him and he loved everything he heard. I’m excited about our collaboration. He’s an incredible musician and producer and will, no doubt, add even more depth to this track.

How did music arrive in your life? Which C.D.s and albums might we have found on your childhood floor?

Singing came naturally for me from a very young age: it was a craving to be on stage. I grew up listening to a mix of music, but my mother’s Country tapes and brother’s film soundtrack C.D.s stood out. The raw lyrics and epic orchestral backdrops must have instilled in me. If I have to name something, it’s Townes Van Zandt.

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Your voice is especially striking. Does it take a lot of training to get that sort of power and range?!

Thank you. I’ve only ever learnt from time and experience in how best to look after my voice and what suits me. I don’t like to push it out very loud and would rather focus on control and tone.

Are there going to be any tour dates coming up? Where can we see you play?

There will definitely be some live dates on the way. Make sure you keep up to date via my website and Facebook.

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If we came to see you live; what sort of set might we experience? Is the stage somewhere you love to be?

Performing is where it’s at for me. I like intimate spaces and I like big halls, so who knows. You’ll have to come and witness it for yourself. Ha!

Do you have any ambitions to fulfil before the end of the year?

Just to bring out this record - that I’m so pleased with - and take it on the road. I’m already writing new stuff, too.

Have you got a favourite memory from your time in music – the one that sticks in the mind?

I was introduced to living legend Tom Paxton at Folk Alliance International in Kansas City in February. There was a large crowd forming around us at the time taking photos and watching. He heard my new music then kissed me on the head. He was blown away and that was a lovely memory.

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Which three albums mean the most to you, would you say?

Linda Perhacs – Parallelograms; Cocteau Twins - Heaven or Las Vegas and Townes Van Zandt - Delta Momma Blues.

What advice would you give to new artists coming through?

Take your time. Take your time to find your strength as an artist; whether it’s in the voice, writing or playing (and build on that). Be gracious and say ‘no’ sometimes.

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IN THIS PHOTO: Pageants

Are there any new artists you recommend we check out?

Pageants.

Do you get much time to chill away from music? How do you unwind?

I always make time to walk in nature or by the seaside on daily basis. It’s definitely part of the job.

Finally, and for being a good sport; you can choose a song and I’ll play it here (not any of your music - I will do that).

Townes Van Zandt (ft. Calvin Russell) - Waiting Around to Die.

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INTERVIEW: Adam Lanceley

INTERVIEW:

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Adam Lanceley

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I rarely have the chance to speak with artists…

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who have undergone trauma and come out the other side with huge positivity. Adam Lanceley suffered an horrific car accident as a child and was told he wouldn’t survive. Not only is he still with us but he is making exceptional music – I talk to him about the new track, The Train’s Gone, and his album, Epitaph to Innocence.

Lanceley talks about his love of The Beach Boys and what music means to him; whether he has any ambitions to fulfil before the end of this year; where we can catch him performing – he ends the interview by selecting a rather ace song!

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Hey, Adam. How are you? Can you introduce yourself, please?

Hello, readers and music fans! My name’s Adam Lanceley and I’m a singer-songwriter.

What can you tell me about the track, The Train’s Gone? What is the story behind it?

The first single from my seventh album, Epitaph to Innocence, is called The Train’s Gone. Unlike the other tunes on the album, this one and the final song, A Lover Like You, were written and recorded a few years ago in a different studio. I always think rather than explain to people what your songs are about; it makes them far more interesting if you keep a little bit of mystery behind them and let the listener decide what they think it means – so, check it out!

The song is from the album, Epitaph to Innocence. How did the album come together? How does it compare to your earliest stuff?

In this album, I hope you’ll be able to notice a progression in both the production and delivery - if you compare it to my earlier stuff. I am very keen on exploring new sounds and use of instruments to keep my music fresh.

Can you reveal what sort of music you respond to? What sounds did you grow up around?

It would be a lie to say that I’ve always been passionate about music. My taste, though, has always been ‘old-skool’ – going back to Roy Orbison and Elvis Presley. It was when I first heard The Beach Boys that my interest in music – particularly, my love for 1960s' West Coast music started to increase. I fell in love with their harmonies and brand of easy, feelgood music.  I used to love listening to stories about the California music scene from a close family friend who used to live with and drum for Sonny & Cher! Pretty cool, hey – in fact, he was even the percussionist on their smash hit I Got You Babe!

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You were involved in a car crash when you were ten. Can you tell me about it and what impact that had on your life?!

When I was ten, I had a severe car crash which I was not expected to recover from. Other people will tell me what an amazing recovery I’ve made but, to be honest, I don’t really think about it like that. When I get more reflective, though, I’m very grateful to have been able to have got where I am today - writing and playing my music.

How important is music to you? Is it a sort of therapy?

Music has always been both powerful and helpful to me in dealing with things life’s thrown at me.

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Have you got any tour dates coming up? Where can we see you play?

I haven’t got any tour dates planned at the moment, but I’ve got to get back into the London live music scene when I’ve dealt with a few issues; so, put your head around the door of the 12 Bar Club or The Fighting Cocks - or any of the cool venues and maybe I’ll be playing there!

Do you get chance to unwind away from music? How do you spend your free time?

For some people, sport is the most important force in life: for others, it’s something else entirely. For me, it’s definitely music.

What ambitions do you have to fulfil before the end of the year?

As far as ambitions go, I try not to get too carried away with them. I put enough pressure on myself anyway! I am going to try to start performing live again before the end of the year, though.

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What have been your fondest memories from your time in music?

Some of the most memorable times I’ve had have come from my time in music. Some of the outrageous situations I’ve found myself in the studio still make me laugh to myself! I don’t think they’d look very good in print, though! Hearing The Beach Boys perform live at Wembley Arena on their 50th Anniversary World Tour would have to be right up there as well.

Which three albums mean the most to you, would you say?

The three albums that mean the most to me, I would say, would have to be really thought-provoking, reflective ones: Pet Sounds (The Beach Boys), Bridge Over Troubled Water (Simon & Garfunkel) and Hotel California (Eagles).

What advice would you offer new songwriters coming through?

The advice I’d give to new artists coming through would be: if you don’t really love music do something else, because it’s hard work. But, if you do, then stick at it because there’s no more powerful vehicle.

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Which new artists do you recommend we check out?

I couldn’t tell you what new artists you should check out because I’ve been so busy recording this album lately. BUT, THEY ARE OUT THERE! Go and check out the venues near you!

How do you relax away from music? Do you get time to chill?

When I want to relax away from music, I tend to work out VERY HARD! It’s worth it for the endorphin rush!

Finally, and for being a good sport; you can select a song to end with and I'll play it here.

The song I would request is God Only Knows by The Beach Boys

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INTERVIEW: Me for Queen

INTERVIEW:

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Me for Queen

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THE music Me for Queen is putting out there…

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differs from anything I have heard! I have been speaking with her about the latest track, Loose End, and what its story is. She has been discussing her PledgeMusic campaign and funding the album of the same name.

I was eager to know which albums have influenced her most and what it was like recording in Portugal; how London affects her songwriting and outlook; whether female artists are seen as unequal and warrant more focus; whether she gets time to chill – the songwriter recommends some artists we should get our ears around.

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Hi, Me for Queen. How are you? How has your week been?

Lovely, thanks! I’m just back from nearly a month in Germany and am enjoying some time at home…

For those new to your music; can you introduce yourself, please?

Sure. I am a singer-songwriter and purveyor of ‘Soul-Folk’. I used to say ‘piano-led’ but the last two singles have been guitar-led so…

What can you reveal about the song, Loose End? What is the story behind it?

I wrote the song having thought I'd finished the album! Last in, first out…

I was just messing around on the guitar one afternoon then started singing the chorus then, about half an hour later, had finished it. I tried not to overthink it. Then, once I'd made a rough demo at home with drums/some backing, I really felt good about it and was singing it over and over again...so sent it on to Jim, my producer, then we booked an extra day to track it! Lyrically, it really seemed to pull together a load of things on the album as well; really satisfyingly and, basically, by accident, so I suddenly realised maybe I had an album title in there too...

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I was thinking about the Desiderata poem, for some reason, as well as this general time in life where I find myself and a lot of friends having the same conversations. It’s easy to sit fretting about what direction you’re headed in/whether you’re on the right track in whatever walk of life. Having left London and a ‘proper’ job, even though I’m far away from friends and family, I strangely feel more available, emotionally – and this song is sort of reaching out to anyone that is in that fretting space (myself included!). It’s about trusting that if you carve out a bit of space in your life to let your mind noodle, even if it feels scary, that is often where the good stuff lies.

It is taken from the album of the same name. I know it is being funded through PledgeMusic. What has the response been like to the campaign?

Great, so far! We’re nearly at 40% (at the time of this interview) and it will be open up until and probably beyond the album release in September. This is my third PledgeMusic campaign and they’ve all felt quite different but, every time, I’m amazed at the way PledgeMusic has found a place where patrons of independent music can find artists to support. I think it’s such a great resource.

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The songs were written back in Portugal. Does hearing the songs make you think of your roots and your family?

Just to be clear: I’m from Scotland, not Portugal! The adventure to Porto has been an experiment - we wanted to learn a new language and try something totally different for a while, with no distractions, and, a year later, here I am with an album!

How does London affect you as a songwriter? Is it a great city in terms of influence?

I loved living in London, but I feel like I can appreciate it more now that I’m no longer based there full-time. It’s such a buzzy place: you can’t not be inspired by it in some way. The record that feels most London-centric is probably Iron Horse, which is definitely set in a city (it’s a concept album about cycling) and I really like that. It feels part of a very distinct time and place.

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Many sites and stations are celebrating female artists and putting them in the spotlight. Do you feel like female artists are overlooked and need to shout louder to get attention?

Yes! In all sorts of ways, it still feels unequal. I’m glad at least it’s getting some more air-time with more public discussions - for example, recently, regards festival line-ups. I look forward to the day when I’m not described as a ‘female artist’ but maybe, for now, quotas are the only way forward…especially in an industry where so many of these decisions are being made by men; quite often, unconsciously. We all do it!

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Which musicians do you count as idols? Were you raised around a lot of different sounds?

At home, my dad would listen to and play lots of Blues stuff like Muddy Waters, Big Bill Broonzy...but there was a real mix. Through learning Classical piano and cello I listened to a real range of things; my parents were great at taking us out to see live music as much as possible. My brother introduced me to Jeff Buckley in my late-teens and that was an album I became quite obsessed with (Grace).

Also; I remember a friend from orchestra camp (yes, I was extremely cool) playing me the Lauryn Hill album (The Miseducation of Lauryn Hill) when I was thirteen and I was totally captivated. That led me to people like Aaliyah, Jill Scott/a more ‘R&B’ tip. So, yes, it was a pretty eclectic diet which continues to this day – I think it’s important to listen to as wide a range of stuff as possible.

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Are there going to be any tour dates coming up? Where can we see you play?

Yes! I’ll be playing a London show on 30th July supporting Tusks at the Camden Assembly as part of the Warchild concert series. Then, I’ll be touring the U.K. in September, finishing at 1000 Island in London on 3rd October.

Do you have any ambitions to fulfil before the end of the year?

My ambition last year was to tour Germany, which has happened this year, so I’m pretty pleased about that. I’m so proud of the album - I’m just looking forward to the tour and giving the record the best launch possible!

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Have you got a favourite memory from your time in music – the one that sticks in the mind?

Oooh; I have lots - from over twenty years of performing (I started young…). In terms of life-changing musical moments, the songwriting workshop I did with Gretchen Peters two summers ago is pretty high up there. I talk about it a lot. But, it really was a total game-changer for me as an artist and as a person! I’m normally sceptical about these things but I did genuinely have a vision coming out of that – like a semi-religious experience. It was extraordinary and just came at exactly the right time; inspiring me to just keep on trucking. I know this all sounds slightly insane but that’s what happened.

Which three albums mean the most to you, would you say?

Björk – Post

Lauryn Hill – The Miseducation of Lauryn Hill

Jeff Buckley - Grace

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What advice would you give to new artists coming through?

Keep writing. Write and write and write. Be as hungry as you can whilst not letting anyone take the piss. Play as much as you can. Work hard and get out there and meet people.

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Are there any new artists you recommend we check out?

I don’t know what classifies as a ‘new’ artist. I love listening to the Fresh on the Net stuff, where I was lucky enough to be featured recently - there is SO much good stuff out there that doesn’t get enough airtime. Neither of them is ‘new’ but, this week, MELLAH and Kirsty Merryn sounded just brilliant on Tom Robinson’s most-recent mixtape.

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IN THIS PHOTO: Kirsty Merryn

Do you get much time to chill away from music? How do you unwind?

Music is quite all-encompassing, particularly if you are an independent artist. I’m currently in the middle of a promotion-heavy cycle with the PledgeMusic campaign having now launched - and with a single to promote, and tours to book; all of which I do myself. But, switching off and/or hiding my phone down the back of the sofa and reading a book is a good start. Or going for a swim.

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Finally, and for being a good sport; you can choose a song and I’ll play it here (not any of your music - I will do that).

I recently discovered Will Stratton, an American artist who releases through Bella Union. My producer, Jim Wallis, has worked with him on his new record and I happened to catch his Celtic Connections show earlier this year and have since become completely obsessed with his song, Some Ride. I just think it’s so beautifully simple and eloquent.

At the peak of my obsession, I was listening to it around five times a day… 

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INTERVIEW: Anna Aaron

INTERVIEW:

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Anna Aaron

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FROM a couple of U.S. artists…

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I am hopping over to Switzerland to speak with Anna Aaron. She has been telling me about the single, Why Not, and whether there is going to be an E.P./more singles coming before the end of this year – I was interested to know what sort of music and sounds inspire her own.

Aaron talks about meeting Sophie Hunger and its impact; what the scene is like in Switzerland at the moment; whether there are gigs coming up; which new acts we should be aware of – she tells me whether there is any time to relax away from music.

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Hi, Anna. How are you? How has your week been?

Hi! I'm great, thanks; I hope you are too. We released a new song on Friday and the video for it is coming next - so it's been a busy week but it's going great.

For those new to your music; can you introduce yourself, please?

My new album is about my childhood which I spent with my family in Asia. I tried to find out which parts of my imagination and inner-images are influenced by those memories and to somehow translate it all into songs. It's like building a dream-world, because it's not inspired by the actual thing it refers to but by the thing as it exists in your personal memory. To explore those fields, musically, can be very interesting.

What is the story behind Why Not? How did it start its life?

Why Not was one of the first songs I recorded at home alone. I was working on the new album with my brother in his studio but continued writing new material parallel to that. I never really meant to share the song because I thought the lyrics made me too vulnerable emotionally but, at some point, it leaked out to a few of my friends and I realized it seemed to touch a nerve so I finally decided to get it mastered and it ended up on the album.

Is there going to be more material coming this year? What are you working on?

Yes. There is a lot more material coming. We will release two more singles before the end of the year - then the album - and then I'll probably just continue releasing songs because I've been writing a lot.

You are a Swiss musician. Is there a big music industry in the country? How easy is it getting noticed?!

I think, among other musicians, it's not so hard to get noticed because the community is very enthusiastic and supportive - and everyone is interested in what everyone else is doing, which is nice. However; I guess I'm referring to more of an underground scene here. The ‘official’ music industry is a different story. If your sound is a little more uncompromising or adventurous it's next-to-impossible to get airplay, for example. Switzerland is so small it gets swallowed – we just listen to what's big in the neighbouring countries or in the U.S.A.

Tell me how you came to meet Sophie Hunger – one of the first people to really connect with your music. How important is she to your success?

I was recording demos on my mother's computer and uploading them to the internet. One day, Sophie Hunger found them and I still vividly remember the sentence she wrote on my page: “Ich verspüre das Bedürfnis diese Musik aufzuessen”, which means “I feel the urge to eat this music”. She was not yet as internationally known as she is today but was becoming an underground cult celebrity in Zürich so, obviously, I kind of lost it when I saw she had been listening to my songs.

She introduced me to her management a few months later and they offered me a contract. Sophie lives in Berlin now and is releasing a new album soon. She still means a lot to me.

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What sort of music did you grow up around? Was there a specific point where you knew music was what you wanted to do?

I think the point when I achieved the self-confidence to call myself a musician was when I realized my work was developing a life of its own and it was leading me somewhere. It suddenly became this firm, stable thing that I felt I was able to lean on. I knew from then on it was good enough and real enough to always support my personal identity.

Can we see you tour this year? What gigs do you have coming along?

My drummer and I are preparing to play some shows in Switzerland and Germany till the end of the year and the full tour will start when the album is out.

Might you come and play over in the U.K. at all?

I definitely hope so!

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What do you hope to achieve in 2018?

I'm teaching myself to become better at producing so hopefully I can make some progress this year and finally become a professional nerd.

Have you got a favourite memory from your time in music – the one that sticks in the mind?

My favourite memories related to touring and recording are the funny ones – for example; I sometimes still laugh at the jokes we made with David Kosten and Ben Christophers when we were working on my second album. They have a silly and ridiculous humor; I was literally crying with laughter at times. Or, one night in the Czech Republic our tour bus was extremely dusty from the road and, when we came back to it after the show, someone had written on the windshield with their finger: ‘I wish my wife was this dirty’. It's the silly little memories that stick.

Which three albums mean the most to you, would you say?

Agape – Agape/Love – Love by Popol Vuh; Loveless by My Bloody Valentine and In the Aeroplane Over the Sea - Neutral Milk Hotel.

What advice would you give to new artists coming through?

Try to teach yourself as much as possible; it's so easy nowadays with the Internet. Your sound will retain so much more of its purity if you shape it on your own as far as you possibly can.

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IMAGE CREDIT: HEX

Are there any new artists you recommend we check out?

I recently heard a band play live that blew my mind; they're called HEX and they're from Geneva. ASBEST, another band whom I love, was also playing at the same festival. They recorded their debut album in the U.K. a few weeks ago.

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PHOTO CREDIT: Emilie Zoé

Do you get much time to chill away from music? How do you unwind?

I have never-ending to-do lists at the moment so the times I actually get to sit down and focus on music really feel like getting to be alone and do what I want. I don't feel the need to unwind from music. When I come home from touring, though, I just sleep for three days.

Finally, and for being a good sport; you can choose a song and I’ll play it here (not any of your music - I will do that).

Thanks! My friend Odd Beholder's song, Coins! “If you wish upon a well/you cannot drink the water”

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INTERVIEW: Alex Riddle

INTERVIEW:

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Alex Riddle

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BASED out of Houston, Texas…

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Alex Riddle is in a great place to get his terrific music heard and appreciated. He tells me about his upcoming E.P., Snow White, and which song from the collection stands out from the rest – he tells me about being compared to the likes of Jeff Buckley and The National.

Riddle chooses some new artists to get excited about; which albums are important to him; if there are any gigs booked in the diary at the moment; whether we will see him in Britain anytime soon – he ends the interview by selecting an incredible Bob Dylan cover.

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Hi, Alex. How are you? How has your week been?

Great, thank you.

For those new to your music; can you introduce yourself, please?

I’m a singer/songwriter from Texas. My music tends toward the eclectic but people regularly bring up names like Jeff Buckley and The National when they hear me. I am happy with those comparisons.

Snow White is your new E.P. What sort of themes inspired the songs on the E.P.?

Oh, you know, the classic ones: life and death; war and peace; crime and punishment. 

Is there a song from Snow White you would select as a highlight?

Probably Snow White, the song. It has great performances from the band and a pretty catchy chorus to boot - which I hear the kids are into these days.

How do songs come together for you? Do you set time to write or do you wait for inspiration to hit?

Where do I get my ideas? There’s not one way they happen...

Sometimes a song will hit me all at once. Sometimes I’ll finish writing it months, even years, after the initial inspiration hit.

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Which artists do you count as influences? Did you grow up around a lot of music?

My influences are all over the place: I don’t try to emulate anybody in particular. What I do, really, is whenever I hear something that really grabs me, I try to figure out what it is about that thing - whether it’s a chord change or a vocal riff - that has that effect on me. I guess you could say that’s my principle for taking in influences.

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You are based out of Houston, Texas. What is the music scene like there at the moment?

Houston has tons of talent, but it’s spread over too great an area. The sprawl is aggressive and it affects the culture. 

Can we see you tour this year? What gigs do you have coming along?

With any luck, I’ll hit the road for a bit after I release the album that I’m currently working on.

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Do you think you’ll come to the U.K. later this year?

I would love to come to the U.K. - have somebody from the U.K. gimme a call.

What do you hope to achieve in 2018?

A full-length album is in the works. I’m very excited about those tunes. 

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Have you got a favourite memory from your time in music – the one that sticks in the mind?

Playing House of Blues for a music festival in Houston was very fun. I’d been going to concerts there since I was a teenager. It was a trip playing the same stage where I’d seen people from B.B. King to St. Vincent.

Which three albums mean the most to you, would you say?

Chris Whitley and Jeff Lang — Dislocation Blues

The Eastern Sea — Plague

Joanna Newsom — Ys

What advice would you give to new artists coming through?

Play out of town at regular intervals - not just every now and then.

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IN THIS PHOTO: Buck Meek

Are there any new artists you recommend we check out?

Check out Buck Meek’s new solo record (he’s the guitarist from Big Thief and a fellow Texan).

Do you get much time to chill away from music? How do you unwind?

I read Trump’s tweets. There’s just something very soothing about them.

Finally, and for being a good sport; you can choose a song and I’ll play it here (not any of your music - I will do that).

How about a tune from one of those albums above?

Chris Whitley and Jeff Lang - Changing of the Guard

This is actually a cover of a much-overlooked song from Bob Dylan’s 1978 album, Street Legal. Chris Whitley and Jeff Lang give Dylan’s rocker a subdued urgency which, to my mind, captures the true spirit of the song. Frankly; everyone should know about Changing of the Guard

Honorable mention: The Eastern Sea - Wasn’t for Love

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INTERVIEW: Kris Angelis

INTERVIEW:

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Kris Angelis

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THE majestic Kris Angelis has been telling me…

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about her incredible single, Photobooth, and whether there is more material coming later in the year. The American songwriter talks about music arriving in her life and how she spends her free space and time; whether awards and plaudits (she has received) propel and influence her – she discusses gigs and whether she’ll come to the U.K.

Angelis provides advice for new artists and talks about her acting work; whether there are some new acts we should keep abreast of; if there are any ambitions she wants to fulfil before the end of the year – she ends the interview with a rather cool choice.

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Hi, Kris. How are you? How has your week been?

Hi! I’m busy; busy trying to get everything done involved with putting out my new E.P. My week was fun. I went up to Seattle to film an interview and performance for a show called Band in Seattle. Everyone on the show was great and I used to spend a lot of time up there and lived in the area for about a year - so it was fun to be back and the weather was gorgeous!

For those new to your music; can you introduce yourself, please?

Hello! I’m a Folk-Pop singer/songwriter. I was born in Gainesville, FL and spent my childhood on a farm outside the city with horses and cows and a bunch of my family all living on the farm! Then, we all moved to Carmel, CA where I started acting in plays and eventually moved to Los Angeles to pursue acting and music. I have a cat named Ilean because her adorable little head is always tilting a little left-of-center due to an ear infection when she was a kitten before I adopted her. I talk about what I like to do other than music later on.

Photobooth is your new single. What is the story behind it?

It’s based on a fun night that I thought was finally going to be the beginning of something but it turned out to be the end. It’s about saving those moments and not letting them become tainted by how they turned out or ‘what could have been’. I thought it was an interesting and relatable concept how we can have such fully-formed emotions and imagined futures captured in a moment and then all that’s left is the photo.

It seems there is a personal edge and some emotional memories attached to the song. Was it hard putting the words together and casting your mind back?

Not really. I had thought about those images and memories a lot and had processed it so by the time I was forming them into a song; the lyrics came easily and it wasn’t emotionally hard to go there - especially because that song is more about the happy moments that were caught in the photobooth than the way it ended up.

How do you feel you’ve progressed as an artist since your beginning? Do you feel more confident now?

I absolutely feel more confident now! When I first started, I was terrified to co-write because I was afraid of what the other person would think and now I love co-writing. I still sometimes say things that don’t work - but so does the other person and that is why we co-write. Two minds can more quickly decide what works and what doesn’t and the things that don’t often lead to the great stuff! I also used to be so scared to sing in front of people. I would shake and barely be able to make a sound, so it still kind of amazes me that I do this! I’m not saying that I don’t still have insecurities or things I want to get better at (or try differently but that’s good).

 We need to feel some discomfort to grow.

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PHOTO CREDIT: @shilohstrong

Are you working on other material at the moment? Will we see more before the end of the year?

Yes! I actually just completed an E.P. that Photobooth is the first track on. It’s called Pieces That Were Stolen, and it’s set to come out on August 3rd. I’m also hoping to put out a Christmas E.P. and possibly another covers E.P. - but that might be at the beginning of next year.

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Your music has won awards and you are a celebrated songwriter. Does that recognition and plaudit drive you forward and keep you aiming high?

Yes! It definitely helps to have that outside encouragement and recognition. I’ve always aimed high but I think every little win makes you believe that the big ones are possible and, regardless of winning, you can learn a lot and get seen by more people from being part of competitions. Throwing your hat in the ring is a huge step and a win in itself.

Which artists did you grow up listening to? Who do you rank as musical idols?

I grew up listening to my parent’s records: The Beatles, the Eagles; The Platters, The Archies; Elton John, Nat King Cole; Garth Brooks and Classical like Strauss, Tchaikovsky and Mozart. Then, I started discovering music for myself and the biggest one that really launched my interested in learning harmonies and making music was Hanson. I’m still a fan and go to their shows when they come to L.A.! My bass player is actually their bass player now!

I also listened to Dave Matthews, Rufus Wainwright; David Gray, Queen, Elvis Presley; Creedence Clearwater Revival, The Monkees; Tom Petty and so many more that I’m going to kick myself for not mentioning - and then the other artist I discovered who was a huge catalyst for me in my own songwriting was Brandi Carlile. Since then, I also look up to Ingrid Michealson, Damian Rice; Ray LaMontagne, Katie Herzig; Gregory Alan Isakov, Regina Spektor; Rachel Platten, Rachael Yamagata and, most recently, Jeff Hahn to name a few.

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How does your acting work and performance skills mix and blend with your musical expression?

People have always told me that I’m very expressive on stage. I guess maybe I should watch videos of myself to see exactly what that looks like other than some pretty intense faces sometimes! I guess it’s probably due to a lot of training I went through with the Physical Theater Conservatory and company I’m an original member of, Not Man Apart. We did a lot of work on grounding and using your whole body. Also, I suppose, the experience of being on stage, telling stories and getting feelings across to an audience comes through when I’m singing as well.

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I try to just experience what the song is for me and connect with the audience and hopefully they feel it in whatever way it’s resonating with them. That’s what I love about music and songs: they can have so many meanings for different people and even for the same people at different times.

Can we see you tour this year? What gigs do you have coming along?

I will be on tour all over Germany, put on by Songs & Whispers, from August 21st to Sept 23rd. I am hoping and planning to do some touring in the U.S. before the end of the year and that is still in the planning stages.  Coming up, I have a couple of shows at Hahn Winery in Soledad, CA on July 1st and Aug 5th…and my big C.D. release/birthday show is on July 21st at the Hotel Cafe at 8 P.M.! You can get tickets for just $10 here.

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Might you come to the U.K. and play here?

I have played in the U.K. before at the Edinburgh Fringe festival and I really want to come back! I might be able to get over there after the Germany tour.

Do you have any ambitions to fulfil before the end of the year?

My goal is to sell out the Hotel Cafe show on July 21st and to get my E.P. on the Billboard Heatseeker Charts. I’m hoping to get a lot of pre-orders and downloads in the first week to make that happen! I also really want to go to Italy; just to go there and eat delicious pasta.

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PHOTO CREDIT: @shilohstrong

Have you got a favourite memory from your time in music – the one that sticks in the mind?

There are a lot of wonderful moments but some of my favorite times have been when I was busking at the Edinburgh Fringe festival with my twin sister. We sing melodic songs with harmonies and an acoustic guitar so, while most of the other performers could not do their shows in the rain, that was our golden time.

We would sit out along the wall of St. Giles Cathedral with an umbrella and I guess it just went with the environment of rain and lights shining off the wet pavement - and people would stop huddled under their umbrellas and listen. We had over fifty people gathered around in the rain sometimes. I couldn’t believe it! It felt magical and intimate and honest.

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PHOTO CREDIT: @shilohstrong

Which three albums mean the most to you, would you say?

Oh, wow...that’s such a commitment!

Going along with the stories of the artists who influenced the sparking of my musical career the most, I guess I’d have to say the first albums I heard of those artists: Middle of Nowhere by Hanson and the Acoustic E.P. by Brandi Carlile (along with her eponymous debut album) Those were formative and I still love them! 

Is it weird if I say my own first album The Left Atrium for the third one? Since the question is which ones mean the most, that is true. That album was extremely personal and the first time I picked myself up and did all the planning; was very hands-on with the musical arrangements, promotion etc. and it was a huge personal accomplishment and a big step in my career.

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What advice would you give to new artists coming through?

Write as much as you can - it doesn’t all have to be perfect and amazing.  Keep going. Try new things; be resourceful, persistent and polite. The ones who succeed are the ones who are left. Surround yourself with positive people who are doing what you want to do. Read and listen to music business books and podcasts.

Look up Ari Herstand’s book.

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IN THIS PHOTO: Paris Carney

Are there any new artists you recommend we check out?

Crimson Calamity, Lyndzie Taylor; Paris Carney/O’Neil Hudson (she has two projects with different names and both are great!); Dree Mon; Jon Bryant. These are not NEW but if you haven’t heard of Gregory Alan Isakov, Katie Herzig or Jeff Hahn, you should!

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IN THIS PHOTO: Jon Bryant

Do you get much time to chill away from music? How do you unwind?

I don’t know if it’s really unwinding because I get competitive (in a friendly way) but I love playing games with my family and friends. We play running charades, Pandemic Legacy and D&D. I just got the Game of Thrones Settlers of Catan which I’m very excited to play once I finish all the prep work for getting the E.P. out. I’m going to get a little break soon for 4th July (our Independence Day) and I’m going to go up to Northern California and breathe the fresh air; go to the beach, drink wine among the redwoods and laugh with friends.

Finally, and for being a good sport; you can choose a song and I’ll play it here (not any of your music - I will do that).

How about I Was Born by Hanson. I think most people haven’t heard anything of theirs since Mmmbop and they’ve been making great music ever since then - with I Was Born coming out just last year. It’s my jam when I’m feeling like I want to take on the world and it would be awesome for other people to hear it and get uplifted, inspired and pumped too! (That or Muscadine (or Wine and Whiskey) by Jeff Hahn - so beautiful)

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INTERVIEW: NOIA

INTERVIEW:

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PHOTO CREDIT: Carlos Viani

NOIA

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I have been speaking with the talented Canadian duo…

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NOIA about their album, Maybe Forever. Ashley and Eduardo select their favourite songs from the record and tell me how they got together; what the music scene is like in Montréal is right now – they reveal touring plans and state whether a trip to the U.K. is a possibility.

The guys tell me about their D.I.Y. approach to music and what equipment they used to record Maybe Forever; if they get time to escape away from music; some new acts we need to get our ears around – they end the song by selecting some fine cuts.

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Hi, guys. How are you? How has your week been?

Hi! It’s been great! We just played a really fun outdoor show and the day before we were interviewed by a local radio. Other than that; we've been enjoying the summer here in Montreal!

For those new to your music; can you introduce yourselves, please?

To quote our bio: “Part dance-rock, part electro-pop, Montreal indie duo NOIA is the fruit of the creative collusion between musicians Ashley Long and Eduardo Noya Schreus”.

Your L.P., Maybe Forever, is out. Are there particular themes that define the album? What was it like recording it?

For this specific album, there are no themes in particular that could be singled out. In terms of recording the album, it was a fun/hard and interesting process that took place over quite a few winter months. The vocal/guitar/bass recordings took about a week; then we spent another week in Miami mixing with our friend Reuven Amiel.

Do you each have favourite cuts from the record?

Eduardo: Save Yourself.

Ashley: A tie between Too Much Attention and Ding Ding.

I believe the album was a D.I.Y.-made thing where you took care of every stage. Can you describe the sort of equipment and spaces that brought the songs to life?

Both were crucial for the inspiration on this album. We started using hardware because Ed was feeling more and more turned off with D.A.W.s (digital audio workstations.) Our hardware consists of a sampler, a drum machine and three synths. The touch of real equipment and the learning process that accompanied it refreshed everything. The other 50% was getting a jam space, which allowed us to play very loud and actually feel the sound vibrations better.

To be standing up while creating makes a big difference in contrast to making music sitting down in front of a computer. We loved it so much that we began going every day! Even when other bands were scheduled, we would wait and go late at night.

How did NOIA get together? Ashley and Eduardo. When did you meet one another?

We met through a cat (haha!). This is how we always start the tale…

We had a mutual friend from whom Eduardo adopted a cat, the wonderful El Niño.  Ed mentioned he was interested in finding a female vocalist to go in a new direction with his project, which was solely instrumental at the time. She recommended me (Ashley) and it all took off from there. He contacted me and I immediately liked him and his music. We instantly clicked, played one of our first shows at Rojo Nova - a cultural festival in São Paulo, Brazil - and the rest is history!

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PHOTO CREDIT: Carlos Viani

Is Montreal a great area for creating music and finding influence?

Montreal is definitely an awesome place to make music. Finding influence is a bit harder when you want to broaden your scope because scenes are quite insular here but, if you really make the effort, you can find so many different kinds of music in this city.

Where are you heading on tour? Where can we catch you?

We are actually going to start working on that very soon. We were very busy wrapping up everything for the release of this album: our first album! Ed has been focused on scoring music for a couple of French T.V. series (Versailles and Philharmonia), so we’ll hopefully get out on the road once he’s all wrapped up!

Might you head to the U.K. and play this year?

That would be amazing, especially since we have often been told that our music would fit well in the European music scene. We’ll let you know as soon as we confirm any U.K. shows. Can’t wait to play there in the near-future!

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What do you hope to achieve in 2018?

We’re working on writing and recording our next album which we hope to have ready for release later this year - and we’d like to play as many shows as possible because it’s so much fun!

Have you each got a favourite memory from your time in music – the one that sticks in the mind?

One of our mutual favourite memories was an illegal show here in Montreal that was organized by good friends of ours. It was a huge rave in an abandoned city tunnel where hundreds of people were losing their minds (in a good way). Halfway through our set, people were so hectic we almost had our equipment knocked over. Haha! Everyone’s energy was amazing and the space was really, really cool. Soon after, we were voted Cult MTL’s #1 Best Electronic Act which we suspected (but still have no proof!) was a result of that show…

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If you could support any musician alive today, and choose your own rider, what would that entail?

Eduardo: My friend Michael Lucas, an amazing drummer who currently plays in a Berlin-based band called Rabia Sorda, among others; Peruvian ceviche and San Pedro cactus.

Ashley: ALL OF MY AMAZING MUSICIAN FRIENDS!  Popcorn and mango lassi.

What advice would you give to new artists coming through?

Believe in yourself! Never forget that it’s all about having fun AND mainly be genuine: don’t emulate anybody else’s music.

Are there any new artists you recommend we check out?

Our friends Gabriel Vigliensoni, Colin Jenkins; Dengue Dengue Dengue and, if you like video stuff, Justine Durand and Max Hattler.

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IN THIS PHOTO: Dengue Dengue Dengue

Do you get much time to chill away from music? How do you unwind?

We do not unwind from music: Ed works on music scores during the day and we jam normally at night. Ashley is studying illustration among other things. In our free time, we love camping, travelling; bike trips, surfing and skateboarding!

Finally, and for being good sports; you can each choose a song and I’ll play it here (not any of your music - I will do that).

Ashley: Mort Garson - Baby's Tears Blues (I secretly call this ‘The Plant Detective’ in my head whenever I hear it. You’ll see why…)

Ed: Lou Miami - Dancing with Death

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INTERVIEW: Kasai

INTERVIEW:

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Kasai

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THIS weekend is a varied and interesting one…

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that is for damn sure! I have been getting to know Kasai better and ask about the extraordinary album, Guns to Shoot. They tell me about the album’s themes and how the songs came together; how the band themselves all found one another – I ask whether there are any gigs on the cards.

I learn which new artists we should seek out and whether, in the mind of Kasai, Rock and Alternative is healthy and making a comeback – the boys each select a song to end the interview with.

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Hi, guys. How are you? How has your week been?

We are fine, thanks. A pretty good week working on a new batch of songs together at our bassist’s flat.

For those new to your music; can you introduce yourselves, please?

We are Kasai and we play genuine, old-school Rock ‘n’ Roll: so; a simple four-piece setup with screamy vocals….and the occasional, with much reluctance from Jay, second guitar on some songs.

Talk to me about Guns to Shoot. What are the themes and ideas that influenced the songs?

Mostly, personal stuff which is irrelevant to everyone else. We like the listener to make up his/her own theme or story to our songs.

Is there a cut you’d each select as a highlight from the record?

Benzo: We talked a lot about what is our favourite and, usually, we can’t agree. I think one track - which is little special touch for all of us - would be Run.

Jay: Mine would be Guns to Shoot, Rose and Run…

Jack: Yeah; Run - although I’m pretty happy with how most of them came out.

How did Kasai get together? When did that spark come?

When dinosaurs ruled the earth (circa 2003); Jack and Jay started Kasai (or ‘The Juice’ as we were previously known as). I think we both were (just) bored with our lives and the life choices we had made. But, we had ideas that we could make into songs. So, we hooked up, started a band and, many lineups later, we are Kasai - with Benzo and Rich.

Although…we could be a real-life version of Spinal Tap with our live music experiences (smiles).

How does a Kasai song come together? Do you all pitch in or do will someone take a song and bring it to the band?

It’s a bit of both, really.

Someone brings an idea which can be a short riff and then the band builds a song. Or, someone could bring in a 90%-ready song and we just put finishing touches to it. The discussions could be very zen and peaceful to a full-on heated argument about where a song should go. But, we enjoy it nonetheless - apart from when Jay sulks. Jay’s sulks can last for weeks.

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Usually, they are resolved when one of us buys him a lolly; ruffles his hair and tells him that we do still love him. He just needs to work on his behaviour, sometimes. He then wipes the snot from his nose; we have a cuddle, agree that Jack is right and move on.

Jay: I just want to say, I’m not happy with this response (sulks).

Do you think Hard-Rock and Alternative sounds are struggling right now? How do you stand out from the pack, would you say?!

If you’re not one of the big bands from the '80s and '90s then, yes, it’s really hard to get a crowd for yourself because the dynamic has changed. We think grass-roots live music is struggling generally as people don’t venture out too much - and we talk about this in our song, Get Out, which is the first track of the album.

How do we stand out? Honestly; we don’t do anything special. Our music is honest and that has taken us to the U.S., India (yes…you read that right) and to the Middle East to play shows. I hear we have some fans (maybe, one) in Japan, too. I think one of the things that have improved us over the years is focusing on enjoying what we are doing as much as possible. We all get lost in the music we play. We have a lot of respect for each other as musicians and jamming together is a bit like a mini holiday from all the boring stuff in life.

Once upon a time, we cared a lot more about how we looked, what our image was supposed to be; how to improve our stage presence etc. Retrospectively, we think giving a s*it about that stuff probably made us worse. It is much more fun now and we like to think that comes through in our music; particularly live.

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Where are you heading on tour? Where can we catch you?

We play in London normally and our next gig is at The Islington (in Angel) on 14th July. We are also excited to be playing the Big Red (Holloway Road) on 21st September with our mate Jamie Sloane’s (from Whisky Blood) band. We want to do a few festivals (if offered a last-minute slot) but we aim to play in the U.K. and some venues around Europe generally.

Is the stage where the music comes alive would you say? Do you all love the thrill of performing?

Definitely. I think there is a magic of playing live no matter what the genre. But, for us, playing live to a live audience is brilliant.

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What do you hope to achieve in 2018?

Some more exposure for our album, Guns to Shoot. I think we have a great album and the lack of exposure is a killer: it is, unfortunately, about ‘who you know’ rather than ‘what you can do’ in the industry.

Having said that…we’ve already started to work on our next project so this year is going to be exciting.

Have you each got a favourite memory from your time in music – the one that sticks in the mind?

You don’t normally remember the best ones. Perhaps one was when some Dutch Osho Rajneeshs (yes, the Wild Wild Country ones) approached us when we did a gig in Pune, India (in 2009) saying we reminded them of Led Zeppelin and that we should play at The Ashram. We wanted to but we had another gig to play so we passed.

But, they came across as cool people.

If you could support any musician alive today, and choose your own rider, what would that entail?

Musicians we would love to support: we would say Clutch, Guns N’ Roses; Slash, Derek Trucks; Q.O.T.S.A. (Queens of the Stone Age), Foo Fighters and Led Zeppelin etc. etc.

Rider? Too long a list to type here - but most of it is for Jay…

What advice would you give to new artists coming through?

1)      Don’t do it to become famous – and…

2)      All members of your band should learn a DAW as it helps with the writing.

3)      Don’t be a c*nt. There really is no excuse.

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IN THIS PHOTO: BearWolves

Are there any new artists you recommend we check out?

Two bands which are no more really: BearWolves and Bad Mother Earth. There was also an American band called Astro Van from Seattle, Washington. We played with when we were touring the West Coast and they were brilliant.

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IN THIS PHOTO: Bad Mother Earth

Do you get much time to chill away from music? How do you unwind?

I Think music IS the chill away from life. Bence likes to stick his willy in a toaster while reciting The Lord’s Prayer. He says it focuses his 'chi' - the weird bastard.

Finally, and for being good sports; you can each choose a song and I’ll play it here (not any of your music - I will do that).

Jay: Down in the Flood - The Derek Trucks Band

Benzo: Touch My Blues Away (Live) - Jessy Martens and Band

Jack: Milkcow’s Calf Blues - Eric Clapton (awesome cover of an awesome song - play the original, too).

Rich: Grace - Jeff Buckley

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Jay: Can I just say, on behalf of the band, thank you, Sam, for your time in interviewing us. All of your readers can download our music for free for a limited time…

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INTERVIEW: Alexander Biggs

INTERVIEW:

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Alexander Biggs

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I have been listening to Car Ride…

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by Alexander Biggs and excited to speak with its creator. Biggs talks about the song and whether there will be more material this year; how it feels getting traction from some big radio names; whether Melbourne (where he is from) is a great musical landscape – Biggs talks about idols and tastes.

I ask him whether there are gigs booked and how he spends time away from music; whether he has a favourite memory from his career so far; how being on stage makes him feel – he ends the interview by selecting an underrated Bob Dylan track.

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Hi, Alexander. How are you? How has your week been?

My week has been good, thanks.

For those new to your music; can you introduce yourself, please?

I’m Alexander Biggs and I write songs and sing them.

Car Ride is new. Can you reveal the story behind the song?

I like songs most when I have to experience them and find an understanding in them for myself. The song is out in the world and is now the property of anyone who listens to it - so it’s better if I ask them what it means.

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Might we see other new cuts coming later in the year?

Yeah. I’m pretty eager to put more music out pretty quickly. It’s best to act quickly on recorded music because, a lot of the time, the songs have been around for a while and they can quickly become old songs. A few of the songs were written right before recording this year, though, so thankful I’m excited about them still.

Past songs like Out in the Dark and Tidal Wave have been backed by BBC Radio and gained a lot of love! Does that give you a lot of heart and encouragement?

I really appreciate the support that I’ve had from radio all over the world and from streaming services but I try not to think too much about it. I’m thankful of the encouragement but I feel my time is better spent encouraging myself and trying hard to believe in myself than to get it from any outside sources. Getting encouragement from anywhere outside of myself runs the risk of affecting my efforts.

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PHOTO CREDIT: Al Parkinson

Which musicians made a big impact when you were growing up? Who do you count as idols?

Growing up, I was really into My Chemical Romance and Paramore, so I suppose they’ve had an impact on me in their own subtle way. At the end of my teens, I was introduced to Elliott Smith too, who was a pivotal artist for me. I try not to idolise anyone because everyone’s out there trying to do their own thing and make their own way and I should be doing the same.

Less looking out, more looking in…

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You are from Melbourne. What is it like recording music there? Is it a fantastically supportive and compelling part of the world?

Melbourne is a diverse and supportive part of the industry in Australia. I think it’s only as supportive as you are willing to be involved, though. I see artists every now and then visit or move here and almost expect to be held up and supported but it still takes time like any other community. I like writing and recording in Melbourne because it’s an inspiring place to live.

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Can we see you tour this year? What gigs do you have coming along?

I’m hoping to be back for the end of the year.

You live show has been celebrated and noted. Is the stage where you feel alive and free?

I’m not entirely sure I feel alive and free. Some days, the stage is a place to celebrate and some days it’s just a place that I work. There are so many underlying factors.

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Do you have any ambitions to fulfil before the end of the year?

I want to release a lot more music and tour more overseas.

Have you got a favourite memory from your time in music – the one that sticks in the mind?

I don’t have a favourite but the first memory that came into my head was when a stranger left me a drink on the bar and a story with the bar staff - that I reminded him of a younger self. I was at university and playing shows around town under a different name. I probably sucked. I remember wondering about that person and their story; whether they were happy.

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Which three albums mean the most to you, would you say?

Hard to say: I have a rotating list…

What advice would you give to new artists coming through?

Keep trying...

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IN THIS PHOTO: RAThammock/PHOTO CREDIT: William Patston Photography

Are there any new artists you recommend we check out?

RAThammock, Mickey Cooper; Phoebe Bridgers (she’s not that new), Buck Meek (he’s not new either but his new album is ten/ten).

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IN THIS PHOTO: Phoebe Bridgers

Do you get much time to chill away from music? How do you unwind?

I feel like I’m always doing something with music, whether that’s playing or listening or recording or talking about it. I unwind with more music. I did a meditation camp for ten days a month and a bit ago where you aren’t allowed to speak and when I came back I thought that I’d forgotten how to sing.

After that, I feel musically rejuvenated and inspired - so, I suppose I would say meditation courses help.

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Finally, and for being a good sport; you can choose a song and I’ll play it here (not any of your music - I will do that).

Wigwam - Bob Dylan

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INTERVIEW: Toya Delazy

INTERVIEW:

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PHOTO CREDIT: Superbalist 

Toya Delazy

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THERE is so much to draw the eye and ear to Toya Delazy.

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PHOTO CREDIT: Alisson Chaigneau

She has been telling me about her epic new cut, London Town, and moving from South Africa to London; what it is like being cast as the first black Powerpuff Girl; if there is a new artist we need to look out for – what sort of tour dates are coming up.

Delazy tells me how she got into being an M.C. and songwriter; what ambitions she wants to fulfil before the end of the year; if she gets chance to chill away from music; what we can expect going forward – she ends the interview by selecting a rather fine song.

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Hi, Toya. How are you? How has your week been?

I'm fine. My week has been hectic as usual; lots of stuff happening - I got back from attending the Midem in Cannes last Friday where I was part of two panels and also part of their first-ever songwriting camp -  I've been moving house as well for the first time since I arrived in London.

It feels like an upgrade after sharing for three years and I'm still in the East which is like a dope area; so I'm feeling kind of good. Currently, I’m preparing for a live Facebook interview which is going to be for the launch of the new season of The Powerpuff Girls - as the partnership has been renewed after the successful addition of the first black sister (Bliss)!

And it's only midweek...

For those new to your music; can you introduce yourself, please?

I am a pianist, singer; rapper and producer; originally from South Africa, now settled in London - my genre of music is whatever vibes me in a Jazz/Electro/Hip-Hop-sorta-way. 

 

London Town is your new single. Can you tell me what the story behind it is?

It's about the London mentality, especially in the arts scene - how we get around the city getting interconnected; it's about the melting pot boiling over. I feel I have finally gotten to the place where I fully understand the city and know how to move with it instead of letting it overwhelm me. So, it basically celebrates London as a cradle of diversity and multiculturalism.

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PHOTO CREDIT: Simon Wisbey

What was it like working with Rymez on the track? Did the collaboration add to the intensity and flow of the song?

He is a star! I first met him through D.J. Sbu who is one of South Africa's biggest self-made entrepreneurs and C.E.O. of Mofaya - South Africa's first black-owned energy drink. He was making tunes with him and invited me over. A year later, I called Rhymez up for some studio time after I wrote the bassline of London Town (and lyrics); I needed someone to help me package it nicely.

He was so humble and really great artist; a real pleasure to work with; open to collaboration and he loved the fact I had worked on the bass already. Chill guy!

Do you think there will be more singles out before next year?

Yup! Some of the songs I recorded in Cannes at the Midem songwriting camp are going to be released: one of them is in collaboration with Elvis Crespo; I can't say too much. Magical vibes!

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PHOTO CREDIT: Claire Bilyard

I understand you will voice the first black Powerpuff Girl? How does that make you feel?

Really great; bearing in mind the history The Powerpuff Girls has and the impact they have made in the animation world and kids worldwide. I used to love them growing up: it's like living a childhood dream; more excitingly is the positive spotlight on Africa and diversity in the animation world. It's really sparked exciting conversations which is great. It's a movement that had to happen.

Are race and inequality something that is not being tackled enough in modern music? Do you think there is an imbalance that is affecting black artists?

Modern music has no race or inequality: it’s the purest; the furthest it can be from some authoritarian model. Modern music is the epitome of freedom. The problem is old mentalities which seem minced into every modern success story. It's clear that people just want a chance to be themselves and feel alive - we want tolerance and equality and anyone against that is a social pariah.

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PHOTO CREDIT: Alisson Chaigneau

How did you get started as a songwriter and M.C.? How important is London and its energy regarding your creativity? 

I started writing songs from an early age as I started piano from the age of nine; after high-school, I started playing in pubs in Durban, South Africa - I joined cyphers and attended lots of local art events just so people could get to see me.

London destroyed the restraint I had and allowed me to function as my honest self. I threw myself into my artistry and that type of freedom is rare to find. Also; the city squeezed me and made me really face the reality of being a musician and I didn't run back to Africa where I was more comfortable - being uncomfortable is the key ingredient to unlocking yourself and find yourself. So, musically, it's been amazing: so much to sing about so many emotions to deal with...

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PHOTO CREDIT: Richard Hanson

Which artists are most important to you? Who do you recognise as idols?

Artists that are humble but have all the reason not to be and artists that are genuine and original:

Black Coffee - first met him when I hit the African scene and he was already established. I always admired him since then; thereafter, we would bump into each other at international events and he is still the KwaZulu-Natal bro I remember looking up to when I was young - and now making a serious name for himself in the world. 

Can we see you tour this year? What gigs do you have coming along?

Yes. My European tour is coming along so far on my calendar:

Cologne Pride - 7th July 

Bristol Pride - 14th July. 

Do you have any ambitions to fulfil before the end of the year?

Yes. I have to make all my buddies know how to replicate a Zulu ‘Q’ sound: it's like watching a dog with peanut butter on the roof of the mouth when everyone is practising it, but the joys of hearing a Non-Zulu utter their first "Qoh" is so satisfying.

Also; I would like to get London Town on one of the big radios after it reached number-three on the Club Chart - hoping the music video shows the vibes and peeps love them to be honest... 

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Have you got a favourite memory from your time in music – the one that sticks in the mind

Performing at the Apollo Theater in Harlem for the first time, as part of the Africa Now series, made me feel like I was spearheading the voice of the next generation.

Which three albums mean the most to you, would you say?

The Miseducation of Lauryn Hill by Lauryn Hill

If it wasn't for Sister Act, I would have never discovered her! Her selfless desire to feed the heart with her voice; her lyrics and soul really helped shaped me into mixing my piano with Hip-Hop.

Nirvana - Nevermind

The wild spirit of freedom they brought with them; the musicality and the ease at which it was all done - remarkable band. 

Nina Simone - I Put a Spell on You

How the vulnerability in her voice was the most beautiful thing to channel the keys (and vice versa). How she lost herself in the moment and meant every word while still putting the Soul and Jazz into the keys - breathtaking artist. 

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PHOTO CREDIT: Frostee

 What advice would you give to new artists coming through?

Keep going: it's a hill all the way. Stay original, because everyone else has been taken. Don't take it too seriously; have fun and, if you don't love it, then don't do it. 

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IN THIS PHOTO: Che Lingo

Are there any new artists you recommend we check out?

Che Lingo. I love the way he raps articulately and pensively! One of my favourite artists at the moment…

 Do you get much time to chill away from music? How do you unwind?

Yes. I make the time – otherwise; living every day in the studio or in your bedroom; waiting for performances to come up can do your head in. I learnt to take better control of my compulsiveness. 

Finally, and for being a good sport; you can choose a song and I’ll play it here (not any of your music - I will do that).

Ok. Please play me Muzi (ft. Tiro) - Questions

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Follow Toya Delazy

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INTERVIEW: Dawson Reeve

INTERVIEW:

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Dawson Reeve

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MIXING busking with international performance…

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there are two sides to Dawson Reeve. I have been talking with the London-based artist about busking and whether there will be touring later this year; what inspired his new song, Hurricanes; if there is more material arriving shortly – Reeve discusses his musical idols and favourite new artists.

I ask whether there is a treasured musical memory that sticks in his mind; a few albums that are especially important to him; whether there is an opportunity to kick back outside of music; what advice he would give to artists coming through – he ends the interview with a stunning James Blake cut.

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Hi, Dawson. How are you? How has your week been?

Great, thanks! I spent last week visiting family, eating cream teas and surfing in Cornwall - and the weekend busking around London’s Bankside in glorious sunshine.

For those new to your music; can you introduce yourself, please?

I’m Dawson Reeve; a Derbyshire lad who now calls London home.

Hurricanes seems to document a sense of fear and holding back. How much of the song is about having to deal with hard conversations and emotions?

It’s funny you should say that…

I wrote Hurricanes after a tough conversation with my girlfriend at the time. Literally, she walked out the door and the song just poured out. Songwriting is very cathartic for me: it’s a snapshot of how I was feeling at that moment in time. Hurricanes is about the power of words; how just one sentence can destroy a relationship of years.

I notice an evolution with every cut. Do you think you are growing stronger with each release?

I hope so! I’ve been sitting on these tracks for a while so it’s great to finally get them into the world.

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Might we see more material this year?

Hurricanes is the second track off of my Circumstance E.P., which is being released on 11th July.

How did you get into music? Did you grow up around a lot of different sounds?

We were given an old out of tune piano for free when I was six, so I started taking lessons. I went through school doing my Classical piano grades, then took up guitar and drums at fourteen. I played in Pop-Punk bands though secondary-school. I also played in a Jazz orchestra growing up so had a really eclectic grounding in music. I’ve always been on a musical path but didn’t find my voice and songwriting until I was studying a Leeds College of Music around nineteen, where I moved away from Classical and more to contemporary compositions.

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How did you transition from busking to making your own stuff? Did you learn a lot of talents and skills from busking?

Initially, when I started busking in Leeds seven years ago, I didn’t have any of my own songs. I was a timid teenager and I’ll be the first to admit my voice wasn’t up to much. Seven years on and hundreds of hours performing and perfecting later, I’m still busking today and I know I’ve grown in so many ways; partly from the skills I’ve acquired playing in the streets. You have to own the space, you have to give a performance that is going to make someone stop in their tracks and want to listen.

I love seeing people connect with my music and busking gives me the opportunity to connect with hundreds, if not thousands, of people in one day. Also, I’m on their level; not on a stage miles away, so I can talk to people and tell them about my music.

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Can we see you tour this year? What gigs do you have coming along?

After a year of pretty much non-stop touring, I’m having a little break to write new material. You can catch me playing at The Ned on 18th June and an intimate show at Escargot on 3rd July - both in London. After that, I’ll be booking Sofar Sounds gigs around the U.K. to try out new material and, of course, you can see me playing on the streets around Bankside.

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You have toured all over the world! Is it the different faces and new places that draw you to the road?

I’ve always had an innate desire to travel and explore and I’m lucky that I can combine this with my music. I love discovering new cultures and sounds. I was in Colombia in February and music and dance is everywhere. The atmosphere in a smoky, sweaty salsa club in Cartagena with a live band was something I will never forget. 

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Do you have any ambitions to fulfil before the end of the year?

I would love to get some visuals to accompany my music - any videographer out there hit me up!

Have you got a favourite memory from your time in music – the one that sticks in the mind?

Performing at the House of Blues Anaheim, in L.A, in front of 2000 people for the Loop Station World Championships (in 2013) was a definite highlight for me, as was touring the West Coast of the States afterwards.

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Which three albums mean the most to you, would you say?

Origin of Symmetry by Muse was the first album I really got into. Matt Bellamy’s vocal and Classical/ Rock crossover style blew my mind.

One by One by the Foo Fighters was also one of the first albums I listened to and transports me back to being an angsty teenager. Plus, everyone knows Dave Grohl is the Nicest Guy in Rock.

I don’t really listen to many albums all the way through anymore, in the age of Spotify playlists, but one album I could never get tired off is James Blake’s self-titled debut. It was like nothing I’d ever heard before and he is still one of my favourite artists. James Blake has definitely been an influence on the E.P., especially on a track called Hitting Home. 

What advice would you give to new artists coming through?

Work hard, be persistent; experience as much as you can.

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IN THIS PHOTO: Kevin Garrett

Are there any new artists you recommend we check out?

I’m a big fan of Kevin Garrett - check out Coloring (or ‘Colouring’).

Also; Rhys Lewis - Reason to Hate You is a tune!

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IN THIS PHOTO: Rhys Lewis

Do you get much time to chill away from music? How do you unwind?

I love to be active; mainly running and swimming. Running gives me a chance to think and, when I swim, it’s almost like meditation. I don’t think about anything apart from what lap I’m on. I’m always going on spontaneous trips, too. Nothing like a new city and new experience to spark an idea for a song….

Finally, and for being a good sport; you can choose a song and I’ll play it here (not any of your music - I will do that).

It’s got to be The Wilhelm Scream, possibly my favourite track from the James Blake album. Thanks for having me!

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INTERVIEW: Roz Yuen

INTERVIEW:

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Roz Yuen

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I have set time aside…

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to talk with the amazing Roz Yuen about her stunning E.P., Feel So Good. The single of the same name is out so I was curious what thought process started that song – and what themes go into the E.P.

Yuen moved from Australia to Berlin and talks about the German capital’s allure; how young she was when music really struck her; if there are British tour dates later this year; which new artists we should show some love – she selects three albums that mean a lot to her.

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Hi, Roz. How are you? How has your week been?

Great, thanks! This week has been a nice balance of working in the studios and time hanging with friends in the sun.

For those new to your music; can you introduce yourself, please?

I’m a Berlin-based vocalist, songwriter and music producer from Melbourne, Australia. I make downtempo Electronica-Pop with an experimental edge.

Tell me about the single, Feel So Good. Can you explain what inspired the song?

The song is about a type of intimacy you share with strangers. I had just moved to Berlin without knowing anyone. It can be an isolating and lonely experience. However, when you have a clean slate it can feel really liberating, too. You get to share that moment in your life with people who have no perceived ideas about who you are. It’s a special type of bond or closeness.

It is from the E.P. of the same name. What sort of themes inspired the songwriting?

A running theme behind my three-track E.P. is intimacy. I draw from my experiences and like to tell stories about the people I encounter; the city’s natural rhythm and flow and the sounds that create its atmosphere.

It seems Berlin is important to where you are now. Is the city a perfect place to make and promote your music?

For now, yes! Berlin is chill, progressive and at forefront of things that really excite me like immersive audio-visual experiences. I also get amazing opportunities to meet and collaborate with creatives from all around the world.

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Do you think the music you are producing now is your best? How have you progressed as an artist, would you say?

I am making music that is an authentic expression of what I want to say - others can decide what they think it is my best. I have gained more confidence in my music production skills and realising the creative vision in my head. However, I’m always learning and growing with each song I write.

How did music come into your life? Which artists made an impression on you as a child?

My dad tells me he used to catch me singing in my cot. My parents exposed me to The Beatles and ABBA. I also remember singing along to Belinda Carlisle’s Runaway Horses on C.D. which belonged to my aunt.

Are there going to be any tour dates coming up? Where can we see you play?

I definitely intend to tour Europe. I did a lot of gigs when I was in Melbourne. However, since moving to Berlin in August 2017, I have focused on writing new work and developing my skills as a music producer. I absolutely love performing live and can’t wait to get stuck into it.

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Will you come to the U.K. and perform here?

I have a strong affection for the U.K. having lived in London for two years. I’d love to perform there again. So, the answer is ‘Yes!’

Do you have any ambitions to fulfil before the end of the year?

I am already working on songs for my next E.P. My ambitions are to finish the tracks and then partner up with a label to release them in early-2019. In the meantime, I’ll also be doing some shows.

Have you got a favourite memory from your time in music – the one that sticks in the mind?

A defining moment in my music career was when I volunteered as a Performing Arts Leader to run a choir for the U.K. homeless charity event, Crisis at Christmas. In the middle of our rendition of Stand by Me, Sir Ian McKellen walked in and watched us perform. It reaffirmed why I invest so much and devote my life to making music. Music is a human need which has the power to connect you with other people and lift you up at your lowest.

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Which three albums mean the most to you, would you say?

Amy Winehouse - Back to Black

Her soulful vocals and witty dark lyricism have gotten me through some tough times.

Massive Attack – Mezzanine

This textually-rich Trip-Hop gem has been highly influential in shaping my sound.

Burial – Untrue

Words that come to mind when thinking of the album: ‘timeless’, ‘visceral’; ‘ambient’, ‘melancholic’ and ‘warm’. It’s aspirational.

What advice would you give to new artists coming through?

Patience, perseverance and passion for the journey are what will sustain you through the highs and lows of a career in music.

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Are there any new artists you recommend we check out?

I am a huge fan of TOTEM from Copenhagen who makes new wave Synth-Pop. An amazing songwriter and hardworking music producer - it makes me think of New Order and The Cure.

I also rate Icelandic artist, Breazy Daze who has just dropped a lo-fi and dreamy single, She Knows.

Another hot tip is DJ Chick’n and the Cuntry Roosters; a British all-female trio that combines Punk and Techno. When their music is released it is going to go off - and I will be in the audience joining everyone.

Do you get much time to chill away from music? How do you unwind?

I am a bit of a workaholic and music-obsessed. However, my favourite unwinding activities include baths, lazing around on a picnic rug in the park or wandering around contemporary art museums.

Finally, and for being a good sport; you can choose a song and I’ll play it here (not any of your music - I will do that).

On my recent trip to London, I picked up several vinyl records from the lovely people at One Little Indian, including an L.P. from French artist, s a r a s a r a. I’d love for you to play her track, Love, which was co-produced and mixed by Matthew Herbert. It reminds me of Björk and Fever Ray.

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Follow Roz Yuen

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INTERVIEW: me&you

INTERVIEW:

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me&you

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THE sibling duo of me&you…

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are an exciting proposition I was determined to find out more about. They have been telling me about their latest single, Georgia, and how that song was born. I discover why they spent time in a campervan in New Zeeland and what we can expect from their Chasing Trails EP.

Connor and Karlee talk about talk about their influenced and whether they will be touring outside of California; new names we need to get our ears around; whether they’ll come to the U.K. – they end the interview by selecting a couple of corking songs!

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Hi, guys. How are you? How has your week been?

Been well! Hope the same for you!

For those new to your music; can you introduce yourselves, please

Hey, world; we’re Connor and Karlee and our band is called me&you. We’re a brother-and-sister duo from California and have been playing music and writing songs together ever since we can remember.

Georgia is your latest single. What can you reveal about it?

Georgia came about two years ago now. We wrote it while living in a campervan in New Zealand together. It’s a song about people getting the love that they deserve and not settling for anything less…and it sounds great in the car with the windows rolled down in the summer.

Or, at least we think so...

What can you reveal about the Chasing Trails EP? How did it come together? What sort of themes do you explore?

Chasing Trails was a concept born from living on the road. While living in the van in New Zealand; we’d wake up every morning and have no plans. We’d just get up and go and not worry about where we ended up, as long as we were enjoying the process. That became a big metaphor for our lives and for our music - and thus the Chasing Trails EP was born. This E.P. is about following our paths and not getting in the way of our ourselves.

Connor and Karlee. When did ‘me&you’ come together? As brother and sister; does the music come together naturally?

We have always played music together in many capacities: talent shows when we were kids, high-school Pop/Rock bands and our previous band, Connor and Karlee. We were ready for a change and weren't quite sure what that meant yet. One day, we were having this discussion about wanting to be a band that makes people feel like they can relate to our music - and us.

We’re just some kids that love making music and we want other people to feel the way we do when we write a song. We want to bring people together, not apart; especially in today's world.  We kept saying “All we’ve got is me and you…”; we used that as a lyric in one of the songs on the record...so, we called the band ‘me&you’.

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Who do you count as musical influences? Did you grow up around a variety of sounds?

Oh man; we could bore you to death but, if we gave you a shortlist, it would probably include: Lord Huron, John Mayer; Jim Croce, Gordon Lightfoot; Glen Campbell, Carly Simon; James Taylor and lots and lots of others. I guess we’re an ‘Indie-Folk’ band but we are heavily influenced by a lot of Pop music as well: bands like The 1975, Coldplay; Justin Timberlake etc...

Is it true you spent late-2016 traveling around New Zealand in a campervan?! Was that an experience that led to songwriting and inspiration?

It is true. We lived in the campervan for one month traveling around New Zealand. We’d basically get up every day and start driving. It led to a lot of unexpected adventures (hel-biking; bungee-jumping, mountain climbing…) and gave us the freedom we needed to just sit down and write. We needed some isolation - and we definitely found that in the van in N.Z.

Where are you heading on tour? Where can we catch you?

We plan to start doing some touring this fall; starting with California and branching out from there.

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Have you performed in the U.K. at all? Might we see you here?

We have not, yet…we definitely plan to come to the U.K. to do some touring in the near-future.

What do you hope to achieve in 2018?

In 2018, we are really trying to get our music out there and heard. It’s a weird time in the music industry: full of Spotify playlists, YouTube channels etc. Ultimately, we really just want to have our music heard by people and, hopefully, have it affect them and do something for them the way it did for us.

Have you each got a favourite memory from your time in music – the one that sticks in the mind?

Karlee and I were at a songwriting retreat back in April and we had an opportunity to play Georgia acoustically in front of all of our songwriting friends at the retreat. During the bridge of the song, we sing “We all get broken we all get lost/we’re always hoping love will come” over and over and every single person joined in and sang as loud as they could. It was one of those moments of pure expression and emotion that are so hard to get.

The power of that many people in a room singing about something real is pretty untouchable. You start with this little melody on acoustic guitar and hope it means something to someone someday. That night we finally felt like someone got it...

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If you could support any musician alive today, and choose your own rider, what would that entail?

Wow; that’s a loaded question. If we had to choose, it would probably be someone like Coldplay. They're so iconic and such great songwriters. Plus, they play in stadiums for the most part. So, that would be cool.

Our rider would probably include whiskey and chocolate. We’re very simple people.

Karlee: I would argue for someone like Brandi Carlile. She’s a huge inspiration to me and she plays in beautiful theatres – and, yes, whiskey and chocolate are a must.

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What advice would you give to new artists coming through?

Connor: Our advice would be to never stop writing songs: no matter what happens in the music world, it always starts with a song.

Karlee: I would also add that success is subjective. It can be achieved on many different levels: you don’t have to be selling out stadiums to have a career in music. As long as you’re happy and doing what you love, you’re set...there’s no hard and fast formula anymore so don’t compare yourself too harshly to other creators in the business.

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IN THIS IMAGE: Gregory Alan Isakov/IMAGE CREDIT: Blue Gabor Caleel

Are there any new artists you recommend we check out?

If we had to name a few: Gregory Alan Isakov, Manzanita (from our hometown); Madison Cunningham is great – as are The Night Game and our friend Augustus James.  

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IN THIS PHOTO: Madison Cunningham

Do you get much time to chill away from music? How do you unwind?

We do; we have to make time for it. It breathes fresh air into everything. We try to get up to the mountains as much as possible. We backpack, mountain bike; hike and do anything and everything to get us outdoors. It inspires most of our music and allows us to escape.

Finally, and for being good sports; you can each choose a song and I’ll play it here (not any of your music - I will do that).

Connor: This song is absolutely beautiful and everyone should hear it: The Paper Kites: Nothing More Than That

Karlee: Oh. I’d have to choose one of my favorites right now: Feelings - Madison Cunningham

 

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INTERVIEW: Francois Klark

INTERVIEW:

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Francois Klark

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HIS new album is out…

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so I have been speaking with Francois Klark about Love and whether he is pleased it is out in the world. He reveals what sort of experiences inspired the album - he talks about the lyric video for the standout track, For You.

I was eager to know which artists and albums the Toronto-based musician is drawn to and whether there are going to be tour dates. South African-born Klark tells me how he relaxes away from music and which new artists we should be aware of.

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Hi, Francois. How are you? How has your week been?

Hi, Sam. Great chatting with you again. The week has been great, in spite of a small YouTube scare during which an online bug erased my YouTube channel. It is all fixed now, though, so you guys can check out the new lyric (for) For You again. 

For those new to your music; can you introduce yourself, please?

Sure thing. I’m a small town South African choirboy, graphic design drop-out and music graduate now living in Toronto, Canada. I spend most of my time on mountains; anywhere that is close to trees and large bodies of water and behind my baby grand piano writing songs. I’m a massive science fiction fan, which might explain my love for using big synths and vocoder. I’m also a romantic, so recording music with just raw vocals, piano and a string section makes me very happy.

Growing up In South Africa instilled in me a deep love for world music and, as a result, I find that music from different cultures often bleeds into my music production choices. 

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Are you excited your debut album, Love, is out? How does it feel knowing it is out there?

It feels great knowing that it is out there...

It’s been finished, but unreleased, for quite some time because my team and I decided to hold off on the album release until we released a few singles first. Needless to say, I’ve been itching to get it out for a while now. 

Is there a song from the album that stands out as a personal highlight?

For You is, by far, my favourite. When I listen back to it, it makes me feel like I am back in my home country of South Africa. It was also my favourite song to work on because some of my closest friends were the musicians and featured artists who worked on it with me.

What sort of experiences and stories did you draw on when writing the songs?

The songs were all written over a long period of time during which I went through very formative experiences. I initially wrote each song as a way to deal with things that were happening in my life as I was going through it.

Always - coming to terms with every aspect of who I am; Please Stay - dealing with a long-distance relationship that was falling apart; The Only One - discovering my relationship with music as I was growing up. Some songs I wrote to tell made-up stories (Run, Spaceman and Giving My All). I wrote For You in order to unpack an issue that I am very passionate about - children's rights, freedom and safety. The song is also very closely tied to my childhood and my love for my home country, South Africa.

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Toronto is where you are based. How is life for a young musician there? Is it a great place to make music and feel inspired?

This beautiful and bustling city is an amazing place to live in as a creative person. My direct community of fellow songwriters and musicians are very closely-knit and incredibly supportive. This community, along with the support of the Government of Canada and an organization called the Foundation Assisting Canadian Talent on Recordings (FACTOR), makes it possible for independent artists like me to pursue our creative ideas and make a career out of it.

Very thankful to now call this city home….

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Which artists inspired you back then? Do you remember the first album you bought

Some of my earliest inspirations as a kid were Lauryn Hill (The Miseducation of Lauryn Hill), Alanis Morissette (Jagged Little Pill) and Erykah Badu. However, my first album purchase happened long before I discovered these powerhouse ladies. I am slightly embarrassed to tell you that my first album purchase was the soundtrack of the Disney film, Beauty and the Beast. In my defence; the orchestral arrangements and songwriting on that album were amazing.

Do you have any ambitions to fulfil before the end of the year?

Beyond music and promoting the Love album, I would like to take a university Spanish course and visit Oaxaca, Mexico during Dia de los Muertos.

Do you have a favourite memory from your time in music?

Definitely, my years performing with and travelling through all of South Africa with the children’s and youth choirs that I sang with. 

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Which three albums mean the most to you, would you say?

Crash - Dave Matthews Band

D.M.B. made me fall in love with painting pictures with words and telling stories with songs. I have a high-school buddy to thank for passing this album on to me and introducing me to D.M.B. (thanks, Dirk!) This album is pretty much the soundtrack to some of my favourite memories. 

Cloudburst and Other Choral Works - Eric Whitacre, Polyphony and Stephen Layton

This is, hands-down, my favourite album of all time. Turn off all the lights, lie down in your favourite place; put on some really good headphones and have your mind blown. If we could hear the universe sing: this is what I think it would sound like. 

Phase (Deluxe) - Jack Garratt

From the first to the last song - a masterpiece of songwriting, musicianship and the most imaginative and creative production.

What advice would you give to new artists coming through?

Write all the time; surround yourself with truly genuine and good people. Make true friends, not contacts; don't follow trends - trends will pass by the time you're ready to release your music. Be true to what comes naturally to you. Find a purpose for your music - it wasn't given to you to serve you.

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IMAGE CREDIT: @jazzy_okami 

Are there any new artists you recommend we check out?

Kyan. I Just recently discovered him and I am really excited about the music he is making.  Canadian musician Anomalie also blows my mind.

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IN THIS IMAGE: Anomalie/IMAGE CREDIT: alihassanein.com

Do you get much time to chill away from music? How do you unwind?

I think it is very important to spend time away from creating music and working on the business side of music – especially, once I finished a release. It is only through living life that we are exposed to new things and experiences that will, in turn, be the subject matter of new songs. 

I unwind by going outside; going for a run, working out; going travelling and doing things that scare me a little bit (spelunking: jumping off a bridge into a river…I’m yet to skydive.)

Finally, and for being a good sport; you can choose a song and I’ll play it here (not any of your music - I will do that).

Do You Remember (Grey Remix) - Jarryd James

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INTERVIEW: Esther & Fatou

INTERVIEW:

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PHOTO CREDIT: Dirk Leunis

Esther & Fatou

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I have been speaking with the Belgian duo of Esther & Fatou…

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PHOTO CREDIT: Dirk Leunis

who talk to me about their new track, Home. I ask them how they got together and what new material is coming up – they discuss working with Gaetan Vandewoude.

Esther & Fatou tell me what the scene is like in Belgium and whether they will come to the U.K. and play; whether there are new acts to watch out for; what advice they would give to fellow artists emerging – they both share a favourite musical memory.

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Hi, Esther & Fatou. How are you? How has your week been?

We’re totally fine. So happy that our new track, Home, is released.

For those new to your music; can you introduce yourselves, please?

We’re Esther & Fatou; a Pop/Folk duo hailing from Belgium. We’re known for singing in harmonies, often accompanied with guitars.

Can you tell me about Home and how the song came together?

We wrote Home a few years ago on a summer evening. Home is that type of song where the songwriting process went very smoothly. Everything came together very quickly.

What was it like working with Gaetan Vandewoude on the song?

A year after the writing; we decided to work on the song with Gaetan, our dear friend and producer. Although it was very clear from the beginning where we wanted to go with this song, recording it was a crazy/unforgettable ride. To us, Home became an ‘on-the-road’ song. We’re very happy that the song got released just before summer.

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Home follows the wintery debut track, At Night. Do you feel yourselves exploring new ground and sounds with every release? Might there be more material before the end of 2018? What else are you working on?

When we started recording our E.P. with Gaetan; we decided to choose five songs that stand together for our identity but are not too similar to each other. We’re very happy with the result and can’t wait to release the E.P. 

It’ll be released in the fall of 2018.

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How did you two meet one another? Was there an instant connection?

We live in the same, not too big city, so getting to know each other was not that difficult. It was because of Esther's boyfriend that we finally decided to come together to work on music. You know: we both liked to sing; we both liked to listen to Folk.

Belgium is where you are based. Is there a varied and promising music scene where you are?

We both live in Leuven and are very familiar with Het Depot, one of Belgium’s finest and most beautiful venues. Het Depot is like our second home for the last eight years. We met a lot of musicians and like-minded people at Het Depot, but also discovered an incredible amount of new musical talents. For us, a place like the Depot has been very important. We not only have our rehearsal space there but also made friends for life also made friends for life. At Het Depot, we philosophized long nights about life and music and... 

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Have you performed in the U.K. at all? Might we see you here?

We have never performed in the U.K. Of course, we would love to play some venues there!

 What do you hope to achieve in 2018?

We finished recording our E.P. two years ago so we’re writing new songs, probably for a full album. Gaetan is also excited to dive into the studio again, so we’ll start recording again soon. Of course, we hope to play some nice venues in Belgium and, hopefully, outside our little country (smiles).

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Have you each got a favourite memory from your time in music – the one that sticks in the mind?

Esther: I remember discovering The Beatles. It was because of my brother. When I dove into their songs, I was immediately hit by the way they sing in harmonies and the way the construct their songs. The record, Revolver, is my all-time favourite record of The Beatles. For me, discovering The Beatles was the very starting point of the music I’m listening to right now - and the music we’re making.

Fatou: The times I discovered Joni Mitchell, Bob Dylan or more recent music like Bon Iver; I was stunned by the power of one voice and some beautiful guitar picking. It really got me through puberty but still hits me every time I listen to it. It’s also a good reminder that less is often more.

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If you could support any musician alive today, and choose your own rider, what would that entail?

Definitely, Paul McCartney!

On the rider: a good bottle of red wine to share with Paul while talking about music all-night-long (smiles).

What advice would you give to new artists coming through?

Such a cliché, however, so true: try to stick to your own sound. Avoid trying to look too much like someone you like. We’ve been searching for our own sound for years and we’re still exploring but that’s the best part of the whole road. We feel like – because we took our time – our music is becoming more and more like ‘us’.

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 IN THIS PHOTO: Anna Tivel

Are there any new artists you recommend we check out?

Esther: If you’re into the new Folk scene you should surely check out Anna Tivel, Siv Jakobsen and Phoebe Bridgers. Also, the debut record from LUMP - a collaboration between Laura Marling and Mike Lindsay of Tunng - is a treat.

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IN THIS PHOTO: LUMP

Finally, and for being good sports; you can each choose a song and I’ll play it here (not any of your music - I will do that).

Erase & Detach – Isbells

We picked a Belgian song! This is a song from Isbells; the band of our dear friend and producer Gaetan Vandewoude. Before we met, we saw Isbells playing this song and we got totally blown away. We were like: ‘We want to work with that man!’. Sometimes, dreams come true (smiles).

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INTERVIEW: THE WLDLFE

INTERVIEW:

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PHOTO CREDIT: Nitish Durbha

THE WLDLFE

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THIS week is already off to flyer…

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PHOTO CREDIT: Nitish Durbha

as I now get to speak with THE WLDLFE. I have been wrapping my ears around the new song, Towel, and was determined to find out more – and discover what it was like filming its unique and sensational video.

I discover how the Indianapolis band are progressing and what they have coming up; whether there are tour dates coming up; the sort of artists, new and past, they are reacting to; when the guys all got together – they each select a cool track to bring the interview to a close.

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Hi, guys. How are you? How has your week been?

We are doing well! It’s been a busy couple of week since releasing Towel and such - but a good kind of busy.

For those new to your music; can you introduce yourselves, please?

For sure. We are a band called THE WLDLFE and we are from Indianapolis, Indiana. My name is Jansen, and the four other members of the band are Carson, Geoff; Jack, and Jason. We’ve been together for about two-and-a-half-years now and we aren’t planning on quitting any time soon.

Towel is your new single. What is the story behind it?

Towel has gone through a lot of different phases but I think that’s why we like it so much and one of the reasons why it feels like one of the tracks we’re most proud of. I wrote the verses a year or so ago and couldn’t figure out a good hook and a few months ago the chorus came to me at like 2 A.M. and it just was the perfect fit. Even though it’s a bit of a ballad, I feel like it’s kind of an anthem for those who have felt what it’s like to be in love with somebody who drives you crazy.

What was it like shooting the vertical video for the song?

It was definitely a little bit of a different process than a lot of the other videos we’ve done. We found a gem of an Airbnb in Muncie, IN which is a pretty small town and it turned out to be the perfect setting for the visual. We didn’t really shoot the video much differently than any other video and the vertical-ness of the video was brought together in post-production. We’ve been working with Brad Wong on all of our visuals for a while and he just keeps getting better and better.

The Towel video definitely feels like he took it next level and we really couldn’t be more pleased with how it came out.

Was it cool working with (director) Brad Wong? He seems to have a pretty good sense of concept and visuals…

For sure. Like I said; we’ve worked with him quite a bit and he’s always been great. He’s supe-open to what we have envisioned for the project and I think that’s why we keep calling him back. He certainly knows how to get the most out of what we want the video to look and feel like.

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How did THE WLDLFE get together? When did you start making music together?

This will sound like a joke, but we all kinda met at ‘Camp Rock’. Jason, Jack; Geoff and I all met each other at a camp called Orangehaus at Anderson University when we were in high-school and that all led us to attend college in Anderson. We all reconnected there and that is where the band was born. Carson is my younger brother and so I met him when he was born but he joined us in January of 2018 - and having him on the road with us has been awesome. He really felt like the missing piece for us and he has really helped us kinda reach where we wanted to be as far as live performance goes as well.

 Do you remember when music first came into your life? Which artists inspired you all?

We really all grew up listening to different music. Carson and I grew up on Journey and John Mayer. Geoff’s second cousin in Rick Allen from Def Leppard so he grew up listening to ‘80s Hair Metal. Jack and Jason both were into Hardcore bands like Underoath and Dance Gavin Dance - so, there is definitely a wide range of influences for all us. I think that plays to our advantage in a lot of ways though and it helps us look at music through, maybe, a different lens than maybe bands who grew up listening to the same music.

You are based out of Indianapolis. Is there a pretty healthy music scene there?

It’s growing and there are lots of plans to help improve the music scene in Indy. We’re excited to be one of the bands that are helping that expansion.

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Where are you heading on tour? Where can we catch you?

We are headed out to the West Coast in July and we’re super-pumped for it because we haven’t been able to get out there until last summer…

7.6 - Memphis, TN

7.7 - Kansas City, MO

7.9 - Houston, TX

7.11 - Phoenix, AZ

7.12 - San Diego, CA

7.13 - Anaheim, CA

7.15 - Dallas, TX (SAY INDIE! FESTIVAL )

We are working on more dates in the fall as well but we are excited for this week in July. It’s gonna be a fun trip.

Might you come to the U.K. and play?

Hopefully, soon! We would love to make it across the pond. Geoff’s family is actually from London so we know we at least would have a place to crash.

What do you hope to achieve in 2018?

It sounds like the boring answer but we just want to be better than we were last year. We want to grow and reach more people obviously but we always want to put the best records we can and put on the best show we can. That’s what we pride ourselves on.

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Have you each got a favourite memory from your time in music – the one that sticks in the mind?

I would say our favorite moment to date was this past April. We were playing in Lynchburg, VA. We had heard that we had a good following in the town but I don’t think any of us expected the kind of response we got at that show. It was just a special night in a packed record store and we definitely will not forget that show anytime soon.

If you could support any musician alive today, and choose your own rider, what would that entail?

I think all of us might answer this question differently but I would love to support Jon Bellion. I think he is just a creative genius and a good example of how hard work and dedication to your craft pays off. He’s not the flashiest but he always puts on a good show.

As far as a rider goes, I think we would all agree on a lot of pita and hummus. Like a lot of it.

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What advice would you give to new artists coming through?

One thing (I think) I’m super-happy we did off the bat was to invest in good-quality production. When you have a professional-sounding product, it’s easier to promote your music. Bloggers pay more attention and so do online publications. Making music can be expensive but I would definitely encourage people to make that investment because it definitely pays off.

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IN THIS PHOTO: PHANGS

Are there any new artists you recommend we check out?

Our buddy, PHANGS, is a guy out of Nashville who has been killing it lately. Super-genuine dude as well.

Do you get much time to chill away from music? How do you unwind?

Lots of NBA 2K18 and Mario Kart. If we aren’t on stage, when we are on the road we are usually pretty glued to those games. We all have jobs on the side and, when we aren’t touring, we are usually preoccupied with those as well.

Finally, and for being good sports; you can each choose a song and I’ll play it here (not any of your music - I will do that).

Phangs (ft. Truitt) - Dry Eyes

Dwilly (ft. Kyle Thornton) - Birds & The Bees

Charlie Burg - Phlliip’s Bicycle (Dan Sagher Remix)

Ry-Lo - New Friend

Kacey Musgraves - Lonely Weekend

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INTERVIEW: MYLK

INTERVIEW:

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MYLK

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IF your Monday lacks any fizz and hope…

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then do not give up just yet! I have been speaking with the variegated and captivating MYLK about her latest track, Haiku, and where she sources inspiration from. The Manchester-based artist tells me about music entering her life and whether we will receive more material this year.

MYLK shares her ambition for the coming months and tells me how she relaxes away from music; what advice she would give to new songwriters emerging right now – she ends the interview by selecting a rather colourful and energised track.

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Hi, MYLK. How are you? How has your week been?

Hello! I am good, thank you! My week has been okay; just the usual production and songwriting!

For those new to your music; can you introduce yourself, please?

I am a U.K.-born, Japanese producer/singer/songwriter! I generally make J-Pop-influenced music mixed with a variety of E.D.M. genres and styles! I like creating a bubbly, happy vibe with my music.

Your single, Haiku, is out. What is the story behind the song?

It has a personal meaning. I went through a lot in my past. The light in the song refers to my goals and my life - as well as the fact that I never gave them up! I want the same for everyone else to value their life and goals.

It was written in the 575 haiku format. Was it difficult to fit the world around that format?

Although I took some time to think about it, I didn’t find it too difficult. Perhaps, because I used to like writing poems including haikus when I was young; so, maybe that helped the process.

Might there be an E.P. or more singles coming later in the year?

I have a collaboration with Michael White coming out on NCS this month! I have other collaborations that need finishing up and I do also have an E.P. on the way!

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Were you very young when you caught the passion for music? Was there a reason you stepped into the industry?

When I was fifteen, I was bullied a lot in school. Ultimately, I ended up dropping out because it got really bad and it affected my mental-health. It was around then that I found a passion for music production as an escape. I remember spending five-days-straight wondering what all the dials did on FL Studio 5 (which was my first ever DAW).

After a few years, I initially I gave up on my dream to become a successful producer. But, when I met some friends who were full-time in the music industry, I decided to give it a shot!

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You have come a long way and amassed a huge following. How important and encouraging is that support to you?!

I love all my fans. It's nice to have dedicated fans, too! They really lift my spirit up when I’m reading lovely comments from them (or messages)!

Which artists inspired you back then? Do you remember the first album you bought?

Around the time I discovered music production, I listened to a lot of Pop/J-Pop/Trance/commercial Dance music - and I was actually a Metalhead as well. I don’t actually remember the first album but I do remember my first single and that was Clint Eastwood by Gorillaz.

Can we see you tour this year? What gigs do you have coming along?

I don’t have any upcoming gigs and I’m not sure if I will tour yet, but I definitely would love to tour someday!

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Do you have any ambitions to fulfil before the end of the year?

Yes. I would love to release all my unfinished tracks this year! I’ve held onto some of them for a couple of years now!

Have you got a favourite memory from your time in music – the one that sticks in the mind?

My favourite memory is definitely my trip to Japan to play my first-ever show!

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Which three albums mean the most to you, would you say?

Ironically, I don’t actually listen to music that much; especially not albums: I tend to listen to a couple singles here and there. I feel like, if I listen to music too much, it would interfere with my creativity – so I like to keep it minimal!

What advice would you give to new artists coming through?

Be yourself! Experimentations is always a good thing because it’s a great way to find fresh sounds. Don’t be afraid to be spontaneous and try something new! I know that certain set of genres follow a certain set of techniques or structure (or style) but music is art and there are no rules! I always like to go with the flow when I’m producing.

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IN THIS PHOTO: kirakira

Are there any new artists you recommend we check out?

You should definitely check out kirakira – I met her when I went to Japan for my show with Moe Shop (who you should check out, too) I don’t meet many female producers and this girl is super-talented and adorable too!

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IMAGE CREDIT: Moe Shop

Do you get much time to chill away from music? How do you unwind?

I do! I used to unwind by snowboarding regularly but I haven’t been regularly for the last couple years. These days, I like Netflix and chill and I also like the odd walkies outside – and I love eating out! I love food.

Finally, and for being a good sport; you can choose a song and I’ll play it here (not any of your music - I will do that).

Kirakira -ずっと好きLおRDおFSHAKE

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INTERVIEW: The Lighthouse

INTERVIEW:

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PHOTO CREDIT: Thomas Ost 

The Lighthouse

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I am new to the wonders of The Lighthouse…

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but it has been great investigating their music and talking with the guys. They have been telling me about their single, Headlights, and what it is all about. I was eager to know what it was like working with Huub Reijnders on their E.P., Joyride – they tell me what gigs are coming up and whether a U.K. stop is coming.

I discover how the band got together and how their music has evolved; if there are new artists we need to keep our minds open for; whether there is any sage advice new artists need to take on board – the guys each select a song to end the interview with.

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Hi, guys. How are you? How has your week been?

Hi, Sam! We’ve had a fun week so far. It’s pretty calm on the band’s side because we have some students in the band who are preparing for their finals - but we did a show for national radio yesterday and we got back the mixes for some new songs we’re working on. So that’s always nice!

For those new to your music; can you introduce yourselves, please?

We’re a five-piece Indie outfit from Belgium Our influences include artists like The Wombats and The 1975 but there’s a lot of different genres creeping in left and right. Overall, we’re quite the sucker for a good Pop song but, from time to time, we do find ourselves writing songs that don’t necessarily really fit the Pop structures or sounds and these tend to be our personal favourites.

So, we’re curious where that road will take us. Headlights, definitely, is one of those! We had a break-through year in Belgium last year and now we’re aching to branch out to other territories.

Talk to me about Headlights. What is the inspiration behind the song?

The song is mainly about how closely love and fiction are connected throughout the night and regards nightlife romances as if they were a bit unreal because they are experienced in a haze or a foggy state of mind. It’s hard to say where we picked up inspiration: most of the time we start off from a musical idea. In this case, the song sort of developed around the almost choral repetition of that main sentence: “Shut off all the headlights”.

When working on the arrangement, this song really took off in a totally different direction in comparison to what we’ve been doing up to that moment. But, we all instantly liked it. It’s a little more synth-based than our previous work and also a bit less cheerful and more ambivalent. That’s definitely a side of our sound that we want to explore more in our new work. Lyrically, Willem (Keys) matches the mood of the song to the right words once the arrangement is done; so they draw inspiration primarily out of the overall vibe of the composition, infused with impressions and feelings you pick up in everyday life.

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It is from the E.P., Joyride. Was it cool working with (producer) Huub Reijnders on the E.P.?

Definitely! We discovered Huub through mutual friends who had recorded with him in the past and, although they play a totally different style of music, we knew Huub is a really versatile producer. If you look at his track record, he really did it all; from Punk-Rock to the biggest mainstream acts, but he always manages to find the right colours to make the songs shine.

We all think that’s really important: the song comes first. It’s a thin line between favouring sound or song but Huub keeps us on the right side of that line without neglecting the other side. On top of that, he’s really cool and fun guy to work with too.

How do you think your new material differs to the stuff you were producing at the start? Have you brought new elements into your sound?

We started out as a typical five-piece listening to late-2000s Indie-Rock like Two Door Cinema Club, Vampire Weekend and the likes and that’s also where we got the first inspiration for our sound: mostly guitar-based with a single piano or synth-line. Along the way, we incorporated other influences; mostly by adding more electronic or synth-based sounds to our guitar-based framework. We also took a slightly different approach to writing. Whereas we used to write while jamming, we now take to the DAW in a much earlier stage. This allows us to experiment with different sounds and layers early on in the writing process and this resulted in more intricate, less straightforward songs.

But, it’s an ongoing process. We’ve succeeded in creating a pretty recognizable and coherent sound with our last E.P. but, as we’re working on new material, we’re discovering new sounds and using some new instruments. So, our sound is still evolving and our songwriting skills are still maturing.

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PHOTO CREDIT: Diederik Craps

How did The Lighthouse get together? When did you all meet one another?

We’re in a steady formation for about three years now but, before that, there have been some other formations. Bram (Vocals) and Willem (Keys) started off as an acoustic duo and, along the way, they added more musicians and instruments to the band; changing out a bandsman every once in a while to eventually end up in the current formation since 2015. Everyone knows each other through mutual friends one way or another. We all live or lived in and around Leuven around that time so it wasn’t that hard to bump into each other.

Belgium is where you are based. Is there a pretty active and opportunity-lean scene there?

It’s a pretty strange country music-wise, because the linguistic border between the French and Dutch-speaking part also divides the country culturally and, definitely, musically in two very distinct markets. The French-speaking south of Belgium tends to look very much to France for their musical preferences while, in Flanders, we’re a little more U.K./U.S.-oriented.  Because of this, there’s almost no exchange of bands/artists between the North and the South and, as a result, the Belgian market is very small. This makes it very hard to make a viable living out of being a musician.

Even with frequent national airplay and playing the big venues and festivals, it’s nearly impossible to earn a living as an upcoming band without looking to venture abroad (and that’s a really big step). At the same time, there’s a pretty vibrant scene being infused by several professional music-education programmes and a lot of ‘amateurs’ with big aspirations (like ourselves). This makes for a lot of ‘competition’ but also for a good breeding ground for a melting pot of styles and scenes. There are quite a lot of opportunities for gigging but there are only so many top venues that can host a decent club show. So; once you’ve entered that stage, the options are way less manifold. We’re still spoiled with a lot of world-class festivals, though, so that kind of makes up for it.

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PHOTO CREDIT: Jokko

Where are you heading on tour? Where can we catch you?

We actually just finished a club tour through Belgium and the Netherlands. We do have some festivals lined up for the summer but the main focus is on writing new songs at the moment.

Is a small tour of the U.K. a future possibility?

It’s definitely a future possibility. We’ve had some U.K. fans asking us to come over a while now. We even had some of them make the trip to our release show in Brussels last November so we can’t wait to return the favour! But, there’s nothing planned at the moment. Hopefully, 2019 will expand our touring range to the U.K.

What do you hope to achieve in 2018?

As said, we’re currently focussing on writing and we’re slowly working towards a first full album but it’s too early to tell when that would actually see the light of day. We do feel our debut album should be a sticker. We want to leave our mark with this one, so everything has to feel right about it. We’re aiming for the first half of 2019 but we really can’t make any promises there.

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Have you each got a favourite memory from your time in music – the one that sticks in the mind?

There have been a couple of definite highlights so far.

Playing the Sziget Festival in 2015 is surely one of them. This happened pretty early on in our current formation and immediately made for a pinnacle of our young musical careers. But, last year was really one long-lasting rollercoaster. Our music got picked up by national radio, giving us the opportunities you dream of as a kid. It’s really hard to pick one favourite. Playing Pukkelpop for almost 10,000 people was really awesome - but our first sold-out headline show in the legendary Ancienne Belgique club was also very fulfilling experience!

Every time a fan expresses that our music means something to him or her; the thought that your music really has an effect on peoples’ lives…that’s always special as well.

If you could support any musician alive today, and choose your own rider, what would that entail?

It’s difficult to choose between an artist that we greatly admire or ones with a huge crowd. We’d love to open up for Bon Iver or Phoenix just to let them know how much we love their work. But, in terms of an enormous superstar audience, we would have to wait for Oasis to reunite or the next Daft Punk show, whenever that will be.

As for our rider, we’re pretty satisfied already. A few beers to lighten the mood are all we need! But, when we really can push the limits a masseuse and a personal cocktail guy would be nice.

What advice would you give to new artists coming through?

When you’re in a band, your bandmates are not just the guys you happen to make music with: they’re also your best friends. When practice is over, or after a show, don’t go home and get a beer together: have a party and dance the night away! Also, play as many shows as you can because it’s the best way to keep growing as a group - and you get to know so many interesting people.

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IN THIS PHOTO: Kid Astray/PHOTO CREDIT: Marius Midttun 

Are there any new artists you recommend we check out?

We’ve been jamming out to Kid Astray, a band from Norway. Their latest E.P. has a couple of great earworms. (Shout-out to Joanne!). Talking about Norway, we’ve taken a great liking to Sigrid and songs like Don’t Kill My Vibe or Plot Twist!

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IN THIS PHOTO: Sigrid/PHOTO CREDIT: Jonathan Vivaaskise

Do you get much time to chill away from music? How do you unwind?

Well. We don’t, actually. But, we can honestly say that, even though it’s a lot of hard work, music is the unwinding for us. I don’t think we’ll ever get tired of writing new songs and trying out new ideas. There’s nothing like starting with a blank canvas and ending up with something that could eventually reach an audience of thousands. It’s like a proud sense of accomplishment you can’t really compare with anything else.

Finally, and for being good sports; you can each choose a song and I’ll play it here (not any of your music - I will do that).

Yannick (Bass): Ultralight Beam – Kanye West

Nick (Guitar): Bonfire - The Hunna

Bastiaan (Drums): Press Restart – Walk the Moon

Bram (Vocals): Only We’re Naked – Zak Abel

Willem (Keys): Don’t Dream It’s Over - Crowded House

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Follow The Lighthouse

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INTERVIEW: Christopher Haul

INTERVIEW:

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Christopher Haul

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HIS new single is released tomorrow…

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so it was a great time to speak with Christopher Haul about If You Found Love. The songwriter explains its story and what it was like shooting the video (out tomorrow); what inspired his debut E.P., Something's Changed - and the artists who are important to him.

Haul reveals his influences and when music arrived in his life; what sort of gigs are coming up; what advice he would give to new artists; a few albums that are special to him – he ends the interview with a pretty rousing track!

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Hi, Christopher. How are you? How has your week been?

Hey. I am really good, thanks. I’m enjoying this lovely weather but my hayfever is really suffering. Urgh!

For those new to your music; can you introduce yourself, please?

I am Christopher Haul; a singer and writer from South Wales – I am releasing my debut E.P. called Something’s Changed.

What can you tell me about If You Found Love? What is the story behind the track?

If You Found Love is a feelgood song about coming across that someone or something you have a strong connection with and, essentially, love. It’s about holding on to it and not being scared of giving it your all.

It seems like the video was pretty cool and interesting to shoot. How much fun was it to make?

Thanks. Yes; the video was fun to make. It was in Central London on a Saturday and we filmed it right in the middle of all the tourist attractions in London. People were stopping in their tracks to watch what we were doing. Some people came up to me for an autograph and a photo which was quite sweet.

Phil Whitehead co-writes. Was it a good experience working with him?

Phil is a great guy and we both get on really well, which makes it much easier to share ideas and collaborate; then, neither of us feels like we are not adding to it or feeling left out.

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Can we expect any more material later in the year?

ABSOLUTELY! Now I have my first E.P. ready, I am back in the studio recording my next one. I am listening to a lot of '80s Synth-Pop for inspiration. 

You have modelled and worked in musical theatre. Was music a natural move for you? Was it nervewracking making your first moves?

Growing up throughout the '90s, music seemed to be a natural thing for me. I loved all the big boybands, girlbands and film soundtracks like Titanic (My Heart Will Go On), Robin Hood: Prince of Thieves (Everything I Do) and The Bodyguard (I Will Always Love You).

 How has your music tastes changed through the year? Does your background in music theatre go into your own music?

I would say I have always loved Pop music: you could say I am a bit of a ‘Pop Tart’. But, I have found myself listening to more old-school sounds like the Eurhythmics, even ABBA. The music is pure genius. I don’t really mix the musical theatre stuff with my music. I had so many people telling me over the years how good I would be in musicals as well as on stage performing my original music that an agent of mine asked would I be up for it. I thought, ‘You know what. I would try anything once’; so I did it and I loved it!

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Can we see you tour this year? What gigs do you have coming along?

Yes. I am currently doing gigs throughout U.K. and Europe. I will be performing in Sitges this Sunday (17th June). I am in at the East Barnet Festival on 7th July; Croydon Fest 14th July. I’m in Hamburg at The Paul Schmidtchen Theatre and Cardiff Pride in August. 

 Do you have any ambitions to fulfil before the end of the year?

I am always setting myself goals and pushing myself. I would love to release my next E.P. before the year is out and get a number-one record from it (you have to think big, right?!). Also; I am working on my own clothing brand called House of Haul which I am hoping to launch in the next couple of months.

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Have you got a favourite memory from your time in music – the one that sticks in the mind?

My most favourite memory with music was probably when my cousins and I used to put cassette tapes in our little mini-stereos and plating What’s Going On by Four Non Blondes and scream at the top of our lungs: “WHATS GOING ON!”. Hahah! 

Which three albums mean the most to you, would you say?

The three albums that mean the most to me are probably:

Backstreet Boys - Millennium

Whitney Houston - The Bodyguard (soundtrack)

Sia – A Thousand Forms of Fear

(If you ask me in twelve months this might change).

What advice would you give to new artists coming through?

Keep focussed and work quietly on what it is you want to do. Depend on nobody and don’t take things so serious - and enjoy the ride. Oh…and believe in yourself: the universe will work it all out.

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Are there any new artists you recommend we check out?

Other than ME?! Haha. I saw a great artist called Bekah at a gig recently and Valerio Lysander. He has is quirky and great!

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IN THIS PHOTO: Valerio Lysander

Do you get much time to chill away from music? How do you unwind?

I do try and unwind by taking time out at the beach and listening to the waves. I fell asleep at the seafront in Aberdeen the other day and the waves were hypnotic. It was so relaxing. I like to unwind by lighting as many candles as I can and just playing music and relaxing.

Finally, and for being a good sport; you can choose a song and I’ll play it here (not any of your music - I will do that).

Ahh. Thank you!  Could you play Sia’s Alive. That’s the sort of mood I am in right now!

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Follow Christopher Haul

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