INTERVIEW: Xav A.

INTERVIEW:

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Xav A.

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THE fantastic Xav A. has been talking with me…

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about the video for his single, All In (Summer Song), and what it was like filming it. I ask what the scene is like in New York (where he is based) and when music came into his life – Xav A. talks about touring and whether he’ll come to the U.K.

I ask the R&B singer about his early life and the music that compelled him; if there are three albums that mean a lot to him; which new artist he is responding to – he gives some useful advice to upcoming artists.

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Hi, Xav A. How are you? How has your week been?

This week has been awesome! Fans have really loved my latest release so getting the feedback from them - feels great. I'm also so thankful for you all connecting with me!

For those new to your music; can you introduce yourself, please?

Yes! I'm Xav A. and I'm a retro R&B singer all about bringing wholesome, positive vibes to the world.

All In (Summer Song) is out. What is the inspiration behind the song?

The inspiration behind the song was making sure that we still have music that talks about celebrating true love and making people want to strive for that. I just felt like love songs have been taking a backseat to cheating songs for too long!

Was it fun shooting the video? Where was it filmed?

It was so fun shooting! It was shot in Fort Tryon Park in N.Y.C. and also in the 191st Street 1 train subway stop. Being surrounded by all of my friends made for an extremely enjoyable day. Thanks to Phe Philms for shooting!

Is there more material coming later in the year? What are you working on?

Yes! Later in the year, I will be putting out some '80s-inspired Synthwave songs. I am usually more of a '90s guy, but I just wanted to show a different side of myself.

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Do you recall when music came into your life? Was there an artist or album that struck your ear?

Music has always been in my life since I was little thanks to my parents. I think the song that really changed my life was Milkshake by Kelis. I know that probably sounds crazy but I think it showed me that you can make music that is different, but it can be just as cool as whatever the flavor of the month is. It made me feel like being different didn't have to be something bad. Kelis definitely changed my life.

How important is the scene in New York? Do you draw inspiration from the people and sounds around you?

I draw so much inspiration from my friends in the video, Chris Gallerani and Uliya! Knowing that we are all doing our best to become the truest versions of ourselves makes me feel empowered. I swear they are the coolest - and I'm just always trying to keep up!

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If you had to select three albums that mean the most to you; which would they be and why?

B’Day by Beyoncé. The energetic, cacophonous sound on that record is something I aspire to end up with on a later record!

Like I was saying before; Tasty by Kelis was also a major favorite.

Thirdly; I would say The Miseducation of Lauryn Hill (Lauryn Hill) because even though she hasn’t put out a ton of music since then: I feel like it's still relevant and still a classic. I want that too for my projects!

What do you hope to achieve by the end of 2018?

By the end of the year, I will have released two Synthwave tracks, two more videos; prepped my really cool band, start dance lessons and get a trainer too. I have so much to do!

Will there be any tour dates? Might you head to the U.K. at all?

Not at this time but I love to perform on Facebook Live and LiveMe - so my U.K. fans can connect with me there!

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Have you got a favourite memory from your time in music – the one that sticks in the mind?

I think my favorite moment was performing at SOB’s to open up their showcase that night. It was a huge undertaking to organize the dancers, the band and the filming. It made me tell myself: ‘You know what? I really can do this’.  I'm extremely proud of that.

If you could support any musician alive today, and choose your own rider, what would that entail?

I would love to open for the rapper Kyle! I feel like that would be a good match.

In terms of a rider; I just need as much space as possible. I don't care about anything else as long as we have enough space for everybody to mentally prepare!

What advice would you give to new artists coming through?

Build up your following on the Internet, don't compare yourself to other people and constantly check in on your progress. Look to see what's working and what's not and, if it's not, change it!

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IN THIS PHOTO: Ella Mai

Are there any new artists you recommend we check out?

Well. I think Ella Mai’s new song, Boo’d Up, is really great - so anyone who hasn't heard that yet should definitely give it a listen!

Do you get much time to chill away from music? How do you unwind?

I unwind with video games! I bought a PS4 this year which is definitely hijacking my productivity. If anyone plays Smite or Street Fighter 5, let me know!

Finally, and for being a good sport; you can choose a song and I’ll play it here (not any of your music - I will do that).

Sure! To get an idea of my new sound for the second half of the year, check out True Survivor by David Hasselhoff! So '80s!

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INTERVIEW: DUETS AND STUFF

INTERVIEW:

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DUETS AND STUFF

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I have been speaking with DUETS AND STUFF

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about their debut single, Serve Somebody, and how the song came together. The duo discuss their formation and what they have planned coming up – I ask whether there are any new artists we need to get behind and support.

I ask whether there is a good music scene in Sweden (where they are based) and how music came into their lives; if there are any gigs coming up for DUETS AND STUFF; the advice they would give upcoming musicians – the guys end the interview by selecting some cool songs.

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Hi, guys. How are you? How has your week been?

We are fine, thanks! Our week has been relaxing. We are currently on vacation in the most northern town of Sweden, Kiruna. We have been catching up with some friends and visited the local music festival - and also watched a little bit of the FIFA World Cup.

For those new to your music; can you introduce yourselves, please?

We are Raimond and Greta and we are the duo behind DUETS AND STUFF. We make minimalistic and simple Pop with an Indie vibe.

How did DUETS AND STUFF get together? When did you meet one another?

We are a couple and have been together for nine years. We have always been playing music together - since that’s a mutual interest - but we just recently started writing together. Serve Somebody is our debut single. We met for the first time at a small music festival where we both played in separate bands - and we got together a few years later.

Serve Somebody is your debut single. Is there a story behind it at all?

There’s actually a kind of funny story behind it...

Raimond had written and recorded this catchy marimba melody-jingle and it was very different from the stuff he usually writes when recording and writing under his own artist name (Rain on Monday). I (Greta) was laying on the couch, reading or something, and I heard him playing the jingle over and over and I just started laughing out loud asking what the heck he was recording - and it was so out of his usual style.

I thought at first it sounded kind of dorky. A few weeks later, we just felt an urge to record something together and we tried to write something from scratch. The first attempt did not work out too well but then Raimond played the marimba song again and he had a half-finished lyric to it. At that point, I felt the song immediately and we wrote the rest of the song together and recorded it.

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Will there be more material coming later this year?

Yeah. We have plans together with our label, Bolero Recordings, for more upcoming releases later this year. Currently, we are writing songs for our debut album and things are going well.

Did music arrive in life at a young age? Were there particular artists that influenced your decision to make music?

We have both been into music since childhood, more or less. For Raimond; U2 has been the biggest influence in starting playing music. For Greta; it’s been more a natural thing starting playing music since she has musicians for parents.

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Is there a good music scene in Sweden right now? Is it a great country to record music in?

We think that the music scene in Sweden is strong. There are many good artists, bands; producers and songwriters here. That’s both inspiring but also makes the competition harder to reach out with your own music.

Where are you heading on tour? Where can we catch you?

We hope to make some touring in the future: right now, we are focused on writing and recording so we can release more new music. Our first shows will probably be in Sweden/Stockholm but we would like to extend our venues to maybe Norway, Denmark and the other Nordic countries. Also, Germany would be great to visit!

Can we expect some U.K. date very soon?

We really hope so! That will probably be the plan as soon as we start touring.

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What do you hope to achieve in 2018?

We are aiming to finish our debut album and we also want to do more live shows.

Have you each got a favourite memory from your time in music – the one that sticks in the mind?

When we first released Serve Somebody, the response way better than any of us could have imagined. That was a real boost in confidence - so we continued writing together. So, we guess how it all started is the greatest memory. We also found something really fun and rewarding to do together, which is the most important thing to us right now  - enjoying this together.

After the release, we got several offers from labels and publishers but, at first, we wanted to do this on our own. Later, we got in touch with Lars at Bolero Recordings and he has been such a great support and we think our collaboration works out good.

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If you could support any musician alive today, and choose your own rider, what would that entail?

Peter Bjorn and John or The xx would be cool to support. Our rider would, for sure, include pizza and beer (smiles).

What advice would you give to new artists coming through?

To have the energy and spend time promoting the music: otherwise, it's hard to reach out in the anthill of new music coming out every day.

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 IN THIS PHOTO: Sharaya Summers

Are there any new artists you recommend we check out?

Sharaya Summers, Oddnesse and Cina Polada.

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 IN THIS PHOTO: Oddnesse/PHOTO CREDITDaniel Johnson

Do you get much time to chill away from music? How do you unwind?

Because we also have a relationship besides the music, we try to take some time to disconnect music and do everyday things. We like spending time with our golden retriever, Bono; exercise and watching T.V. series and movies.

Finally, and for being good sports; you can each choose a song and I’ll play it here (not any of your music - I will do that).

Check out our label rooster colleague Mi von Ahn's latest single, Childish Games

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INTERVIEW: Arliston

INTERVIEW:

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Arliston

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THEIR new single, Enough, is out in the world…

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so I have been speaking with Arliston about the song’s background and what we can expect from their upcoming E.P. - I discover when the band got together and how a windowless, noisy apartment was (and still is) a particular source of ‘inspiration’ for them.

I ask how the band spend time away from music and which new artists we need to get behind; if there are gigs coming up anytime soon; which artists the guys took to heart at a young age – I discover how important London is to their music and whether it drives their ambitions.

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Hi, Arliston. How are you? How has your week been?

Good, thanks! Hectic, but good. We have quite a low stimulation threshold having been cooped up in our basement for the last year or so; so, all of this attention is quite bewildering.

For those new to your music; can you introduce yourselves, please?

We are a three-piece band - myself (Jack), Jordi and George - making Alternative/Ambient Indie music, inspired by the likes of Bon Iver, James Blake; Vancouver Sleep Clinic, Matt Corby and the National. We’ve been working together to build a collection of songs that we love and we’ll be sprinkling them throughout your 2018 so stay tuned!

Enough is your latest single. What is the tale behind the song? Did it come together easily?

Enough came together after Chris (Engineer & Co-Producer) had arranged some vocal samples in this wonderful looping, repeating; snake-eating-its-own-tail kind of way. As soon as I heard it, I got fairly excited and put a vocal on it as quickly as I could. That first take actually ended up being the one we used for the final track. I guess sometimes you can’t recreate the excitement of that first ‘eureka!’ moment.

You have an E.P. coming up. Can you tell me about the themes and ideas that inspired the music?

I usually (ok, fine: always) lean towards more melancholic music and lyrics. That’s been my centre of gravity for as long as I can remember writing music. But, lately, I’ve started to inject small moments of optimism into the lyrics which has had the unexpected effect of making them sadder. There’s something wallowing and self-indulgent about unrelenting melancholia and, actually, if you introduce even tiny crack of optimism it can heighten the tragedy of it; I guess it just makes it seem real. Not just a mawkish cartoon of a bleak horizon.

I believe the band started life in a windowless apartment in early-2017! Do you miss those heady and romantic days? Was the traffic noise a bit of a bugger?!

Haha. Yes, it was! I mean, we’re still working there so I should really say is. But, the important thing is we’re not living there any more. I think that was the key ingredient in our insanity back then - and I don’t mean ‘insanity’ in a good way: more in the ‘nothing means anything anymore and I feel like eating my own trousers’ sort of a way. I wouldn’t trade those formative years for anything, though, no matter how many pairs of trousers we went through.

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Do you remember the moment the band came together and clicked? What was it about each other that meant you were going to play music?

I first met George back in early-2017 and, initially, he came in to help set up the live side of things. I remember thinking he was perfect for the project: he could play virtually every instrument to a very high level and instantly appreciated what we/the project was trying to do. Further down the line, we had a bit of a hiatus and our original drummer left the band. At this point, I was really expecting George to leave too as things were frankly stagnating at the time.

But, actually, he was the one who kept me going and despite a second drummer leaving we pushed forward and finally found Jordi, who is a phenomenal drummer, and everything just locked into place after that!

Is London a constant influence for you? Is it hard to exist and flourish as a band?

London is great. It all at once smothers and energises you. It’s the best place to be if you’re having a good day but can be a little destructive on the bad days. But, of course, for gigging and collaboration opportunities there’s nowhere like it.

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Which artists did you all aspire to be at a young age? Did you grow up around a lot of music?

I loved people like Bob Dylan, Suzanne Vega; Joan Armatrading and Damien Rice when I was younger and was even super-hard-line about hating the electric guitar - for what I thought (very wrongly) at the time was unattractive, meaningless music. But, eventually, I realised that with the help of guitar pedals you could create enormous sonic worlds that forcefully took you somewhere unexpected every time you plugged the thing in. Jordi comes from a Metal background. At first, we thought this might be a problem, but it meant he approaches things from a very different angle and so has actually been invaluable in the songwriting process.

George comes from an acoustic guitar background, too, but also is a classically trained pianist; so can apply a level of theory to the music that has allowed us to reach places we wouldn’t have gone otherwise.

Where are you heading on tour? Where can we catch you?

I’m glad you asked! We’re actually playing a show later tonight to celebrate the single release at The Fiddler's Elbow in Camden. After that, we’re finishing off with a bang at Zigfrid von Underbelly at Camden on the 11th July. That’ll be the big one!

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What do you hope to achieve in 2018?

We’d like to get our first E.P. out; have a good-sized tour and just keep writing and doing what we’re doing!

Have you got a favourite memory from your time in music – the one that sticks in the mind?

I’d say wayy back in time would be the fondest memories I have; living down in the basement and spending long days and nights there with Chris Blakey, Toby Horton; Jordi, George; Jazzi and everyone who has been involved in the project up until this point.

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If you could support any musician alive today, and choose your own rider, what would that entail?

Bon Iver, probably. They are ridiculously good live.

Hmm; the rider would entail mountains of tabasco sauce. We have a little bit of a problem with it. There’s a collection of empty bottles lining the writing room wall and, so far, it has taken twenty-four bottles to get to where we are. I’d say (we’d list) least a small bath of it on the rider.

What advice would you give to new artists coming through?

Just keep going. What you’re doing now may not always inspire you but, as long as you’re doing something, anything, creative then you will grow and progress as an artist. If you can keep doing it the world will have to give in at some point.

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IN THIS PHOTO: Temptress

Are there any new artists you recommend we check out?

Lately, we’ve been working a lot with the guys from Temptress. They’re fantastic. Definitely, check them out. Also, we’ve worked a lot with Jazzi Bobbi in the past. She’s super-talented too!

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IN THIS PHOTO: Jazzi Bobbi

Do you get much time to chill away from music? How do you unwind?

We try and see friends whenever we’re out of the studio - I think that’s probably psychologically recommended too. George does watercolours in his spare time and actually was the one that painted the beautiful watercolour artwork for Enough. Jordi is currently doing a Pro Tools course (hardly a break from music) but we’re looking forward to him having ‘mad skills’ when he finishes. Also; huge fans of Always Sunny in Philadelphia - very excited for the next season.

Finally, and for being good sports; you can each choose a song and I’ll play it here (not any of your music - I will do that).

Thanks!

George: O Mer - Now I’m Alive

Jordi: alt-JTessellate

Jack: PhoriaEvolve

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INTERVIEW: Phogg

INTERVIEW:

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Phogg

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IT has been a great experience…

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learning more about Phogg and what makes them tick. Saman and Gustav have been telling me about the band’s album, Slices, and the themes that inspire it; the story behind the single, Get Away (Secret Dream), and how the guys got together.

I ask what Phogg hope to achieve before the end of the year and if there are tour dates; some upcoming artists we should be attuned to; why the Swedish band think the nation keeps producing great artists – they end the interview by selecting some excellent tracks.

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Hi, guys. How are you? How has your week been

Saman: Hey! We're in the midst of rehearsing for the shows we have set up; our album is out in a few days and Gustav is working with our upcoming music video. In the midst of all of this, Jens is also getting married - so we're all really broke but happy. Also, we had one day of tropical weather in Stockholm which was really nice.

Gustav: Good! We had a wild and fun weekend and now we're preparing for a show tomorrow.

For those new to your music; can you introduce yourselves, please?

Saman: We're four guys from Sweden who really like music and we try to create music which we think is special for ourselves and, hopefully, someone will like it along the way.

Gustav: We are four boys from Sweden who play progressive Psych-Pop.

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Your debut album, Slices, is out. What can you tell me about the record and the themes that informed it?

Saman: Slices was initially meant to be a second E.P. and we were planning on releasing it soon after our first E.P., Zun, Stein & Graaf. I think it was supposed to consist of four-five songs - all of them are on the record except for a song we call Three Shirts, which we now have recorded for a future album. Many of the songs have changed a lot during the course of recording and are completely different.

Time is Wild is an example of a song that's very different from how it sounded before. The songs that were written before we started recording come from a different place than the songs that came to during the recording process.

When we started recording, we were kind of riding a wave of things going relatively well within the band. This changed after about a week as our drummer and friend suddenly jumped ship and moved to another town. This left us kind of disoriented for about a month and forced us to rethink the process and the E.P. itself. We started hanging out at the studio, trying out a lot of ideas and started writing in the studio as well. We were all kind of going through some personal stuff at some level and were at the same time happy to be playing music and that our first E.P. was doing relatively well.

The record has a kind of maniacally happy feeling because of the duelling themes of thankfulness and despair that were prevalent in and around the band at the time. It's like a friend who tells you he's fine and smiles at you while he's in a total existential crisis on the inside…

Get Away (Secret Dream) is the latest single from the album. Is there a story behind the song?

Gustav: It started as a hidden little riff from the recordings of Zun, Stein & Graaf that Saman discovered sometime during the mixing process I think.

Saman: Get Away was born during the recording sessions for Zun, Stein & Graaf. We were drunk and were goofing around in the studio and recorded some of the things we did. When we listened to the recordings the day after; most of it was s*it but one song stood out. It kind of had a Brian Jonestown Massacre vibe and sounded pretty happy and jovial. We called it Santa's Coming Over and we didn't know what to do with it for a long time. When we were choosing songs to record, Jens and Alex really didn't want to record it but me and Gustav fought for it. It was finished during the process of recording and now everyone likes it.

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We tried a lot of different techniques when we were writing lyrics for the songs. I think we were doing some sort of free-writing thing with Get Away and a metaphorical dark hymn about addiction kind of came out of it. We thought it suited the happy vibe of the song.

Regarding the songs on the album; are they culled from various period in your career – or did many come together in the studio?

That's one of the main creative themes of this album. It's very mixed. That's sort of where the name ‘Slices’ comes from. It's different slices from our time together as a band up until now. The mix and juxtaposition of songs from different timelines is essentially what became Slices. Time Is Wild, for example, is from about when we started playing together.

It was a mellow Acoustic-Psych song for a long time until we decided to take it in another direction. There's a track on the album called Rod's Goodbye which was an idea from before which we completely changed in the studio and made a completely new track out of. The story the narrator is telling is something me and Gustav found online on the World Wide Web.

Gustav: When we started playing together, we usually met up and wrote songs together through jamming. At that stage, it was just the instrumental parts and a lot of it has been altered and doesn’t sound like it did back then - but some of the tracks from Slices are from that period. Some of the stuff is from later stages and some of the other stuff was completely made up in the studio.

How did Phogg get together? When did you start playing together?

I joined Phogg, before it was Phogg, by answering an ad. This was in early-summer 2016 and, by then, the others had been playing for a couple of months. The others knew each other in some way or other since before and had been playing together in various constellations.

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Saman: Me, Jens and our first drummer Alex knew each other from before. Me and Alex had played in bands together for about eight years prior and all three of us grew up in the same sh*tty Stockholm suburb. Alex and Jens had a tiny practice space close to where they both worked and I used to go over there and play with them after they got off work. It was really loose goose at first and we were just playing our asses off for a few hours every other day. But, it soon got pretty good and we decided to take it to second base.

Someone, I think it was Jens, found Gustav online and it was an incredibly easy fit. We wrote a lot of songs during the first year-and-a-half and we've kind of lived of off that song bank up until now. After Alex skidaddled to another town I contacted Joen whom I've known for many years and who I've wanted to play with since I was about eighteen-years-old.

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Which artists would you all count as influences and idols?

We are all very different and listen to a lot of different kinds of music but we definitely have a lot of common ground as well. When we first started playing with Gustav, he wore a Dungen T-shirt and that's how we knew he was cool. We all have different cornerstones of inspiration and influence that shape our own individual voices. Lately, I've been very inspired by a Swedish band called Tape, Parquet Court's latest album and Mark Kozelek. But, it changes often...

The other day, Gustav fell in love with Shadows Collide with People by John Frusciante which is a record and an artist that formed me personally and musically almost more than anyone or anything. That record also happens to be the record me and Joen bonded over. It meant a lot to him during the time his first kid was born. We always talk about new music and bands we've discovered amongst ourselves.

Gustav: MGMT, Radiohead; King Gizzard (& the Lizard Wizard), Dungen, Pink Floyd; Spritualized, Ariel Pink; The Beatles, John Frusciante and CAN

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There are a lot of great bands coming out of Sweden. Is there a secret or reason why the Swedes make such diverse and original sounds?

Saman: I don't know. I guess standards run pretty high here. But, I don't know how it is in other countries. People often say it's a mix of the access youths have to communal music schools from an early age and the melodic language of Swedish Folk music.

I grew up with a mixture of this and my parents’ pre-revolutionary Iranian music. Swedish Folk music has, through the ages, had a strong connection to melancholic themes and melodies. The cultural sadness, in combination with our relatively high social security here, makes for very good music but very sad people.

Where are you heading on tour? Where can we catch you?

Gustav: All of our planned shows right now are in Sweden but we're working on it! If you want to see us, send us a tip or come to Sweden.

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Do you reckon you’ll come to the U.K. and perform this year?

Saman: We would really love to. Invite us and we'll come. We're shy guys.

Gustav: That would be great.

What do you hope to achieve in 2018?

Playing shows and continuing to work on the songs for our next album.

Saman: We would love to tour around Europe. It would be pretty neat if Slices got a few good reviews but mostly I hope that we manage to finish our next record before the love and energy for it dies out. I would also love to make some money so I can pay for some nice golden pants.

Have you each got a favourite memory from your time in music – the one that sticks in the mind?

Our first gig together we were playing a small place outside of Stockholm; almost no one we knew was there. As soon as we started playing, everything just connected and we all just totally went with it. I remember looking up and seeing two guys we didn't know singing along to our songs. It was really surreal and it made me happy.

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If you could support any musician alive today, and choose your own rider, what would that entail?

Maybe, Parquet Courts. I think it would be a good fit. I would love to eat some Vietnamese summer rolls and drink some wine with Parquet Courts.

What advice would you give to new artists coming through?

Gustav: Try not to think about what others think. Believe in yourself: you are beautiful.

Saman: Play as much as you can. Record yourselves on your phone and listen back to it at home and imagine things with your head.

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IN THIS PHOTO: Boogarins/PHOTO CREDIT: Beatr

Are there any new artists you recommend we check out?

Saman: Boogarins and Harm Reduction.

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Do you get much time to chill away from music? How do you unwind?

I have periods where I paint a lot instead of playing music or as a counter point to the guitar. It's really interesting as you get to apply the same ‘creative rules’ but you're playing with space instead of time. I also like to read and watch movies with my daughter.

Finally, and for being good sports; you can each choose a song and I’ll play it here (not any of your music - I will do that).

Saman: Extremely Bad Man by Shintaro Sakamoto

Gustav: They Cannot Let It Expand - Midlake

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INTERVIEW: Georgia Meek

INTERVIEW:

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Georgia Meek

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THE exceptional and unique Georgia Meek

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has been talking about her new single, SWIM, and how it came together; what it was like recording her E.P., Womanhood; the musicians she is inspired by – I ask how important London and its people are regards her sound and energy.

Meek recommends some new tracks/artists to catch; the advice she would give to upcoming artists; if she ever gets time to chill away from music; what she wants to achieve before the end of this year – Meek ends the interview by selecting an awesome song.

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Hi, Georgia. How are you? How has your week been?

Hey! Busy, busy, busy. Recording lots of new music and making some cool new things to show you all.

For those new to your music; can you introduce yourself, please?

I'm a Londoner who makes ultra-feminist, over-dramatic Electronic-Power-Pop.

SWIM is your new track. What is the background and influence behind the song?

SWIM explores female sexuality and gender fluidity. In other words, K. (Katie) Mac (who features on the track) and I f*** with some girl-on-girl…

We wrote it together back in the summer of 2017. She was over here from Nashville to find writers and I was looking for other inspiring women to collaborate with.

I believe you have an E.P., Womanhood, arriving. What was it like recording it?

Crazy. Stressful. Exhausting, but so worth it! I've actually still been tweaking things on the last couple of tracks whilst releasing SWIM and Bare. I can tell you that I'll be announcing the next release date in the coming week.

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How much do issues like gender fluidity and sexuality come into things? Do you think more artists should be addressing these themes?

I think artists should be addressing things that they believe in and feel they need to speak out on. Music is a great release for all of us, listener and writer alike. If we could all put a little more into what we want to achieve the world would be a faster, forward-moving place. 

How important are London and its diversity regarding your music?

I moved to London when I was eighteen and it was only then that I really started to discover who I was as a person. I spent the early years of my independent life in and around the L.B.G.T.Q.+ community which helped shape who I am now in so many ways - including the way I write music. 

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Can you recall which musicians influenced you when you were young? What motivated your decision to get into music?

There was never really any one thing that spurred me on to create music: it's just something I've always known and loved since I can remember. I do remember the big inspirations, though. I was always listening to my idols as a kid and the variety was wide and random.

There are so many but honourable mentions have to go to P!nk, Christina Aguilera; Dido, Cher; Chemical Brothers, Groove Armada; Nero, Deadmau5; Sub Focus, Primal Scream...I want to go on but we could be here all day.

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What do you hope to achieve in 2018?

By the end of this year, you'll have all heard my new E.P., Womanhood, in full, and, hopefully, some of you might find some healing in its inner-workings. I've got a couple of big shows to announce yet, along with a few more surprises. Stay tuned!

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Have you got a favourite memory from your time in music – the one that sticks in the mind?

That’s a super-tricky question! I have so many amazing memories I could share. My first Sofar performance last year is a big one for me. It was the first time I proved to myself that I could really connect to people through being honest with my music. If you haven't been to Sofar (Sounds) before, I'd really recommend it - such an incredible experience for everyone in the room.

If you could support any musician alive today, and choose your own rider, what would that entail?

Again; this is a tricky one but I'm gonna go ahead and bat for the independent team by saying Femme. I love what she represents; not only as an artist but as a businesswoman.

The rider would be several joints, some feminist literature and a fu*k-load of sushi. 

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What advice would you give to new artists coming through?

Trust your own sound and don't let any idiots tell you that you need to change or 'define' it. I was confused for a long time because people would say things like: “I don't really get what genre you are writing in” or: “Who is this music for?” Let your answer always be: “For me and anyone else who fuc*ing well likes it”. Individuality is dying - remember that the next time someone questions who you are. 

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IN THIS PHOTO: dwilly

Are there any new artists you recommend we check out?

SO. MANY. In fact, here are five tracks I have recently discovered on Spotify and I am OBSESSING over them. Go and add them to your summer playlists if it's the last thing you do today...

Money - Leikeli47

ADD - dwilly (ft Emilia Ali)

Falling - Animal Feelings (ft. Thief)

6 Letters - Daktyl, Aquilo 

Clean Break - SIBA

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IN THIS PHOTO: Aquilo

Do you get much time to chill away from music? How do you unwind?

Listening to other people’s music. Haha. Music is, quite literally, my oxygen. If I'm not around it, I’m not having fun.

Finally, and for being a good sport; you can choose a song and I’ll play it here (not any of your music - I will do that).

YES. This song is an absolute vibe. Ideal listening environment: in the bath, headphones on with a joint. If that’s not your style, simply listen whilst on your morning commute whilst watching the world go by.

BENDMA - I Wanna Be Loved by You 

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INTERVIEW: Janie Bay

INTERVIEW:

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Janie Bay

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IT has been great speaking with Janie Bay

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and finding out about her musical progression. She talks about her latest album, Miscellany, and whether there are tour dates coming up in the future – I ask her if we might see her in the U.K. at any point and whether she is a fan of the music we are producing.

Bay discusses the music scene in South Africa and reveals the artists who inspired her growing up; which memories from her time in music stand out; some great new artists we should get involved with; how she spends time away from music – the talented songwriter tells me the ambitions she wants to fulfil before the end of this year.

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Hi, Janie. How are you? How has your week been?

I’m good. Thanks, Sam! My week has been pretty productive so far. Just hustlin’ - as we do here in South Africa.

For those new to your music; can you introduce yourself, please?

I am a singer-songwriter from Cape Town, South Africa (residing in Pretoria) and I have been doing music full-time for almost ten years.

I Remember, your first solo effort, gained huge acclaim. Do you look back at that time fondly? How have you grown as a musician since then?

The songs on my first (independent) album were some of the first songs I ever wrote and recorded properly. I started writing when I was fourteen but we never really recorded anything back then. I had to get a lot of stuff out; from childhood experiences to losing my dad to writing about how amazing my brother is and how I have looked up to him my whole life. So, yes, I do look back at it in a fond way because I learnt so much and I was happy with it as a very first effort.

Might there be a single/E.P. coming soon? What are you working on?

We are still releasing singles from my current album, Miscellany. I have just released my first ballad from this sophomore album called Can’t Be the One. We might still release one more single from this album before moving onto new projects.

Which artists do you count as idols? What sort of music did you grow up around?

My brother and I grew up listening to a lot of the bands and artists my mom and dad used to listen to in the '60s. So, we grew up listening to some of the best music ever written (thanks mom and dad). A lil later, Elton John, Whitney Houston and Michael Jackson played in our house a lot. We also grew up watching a sh*t-load of movies, so soundtracks played a huge role in our music-loving-forming years.

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Later on, in my teens, Alanis Morissette’s Jagged Little Pill was probably the album that influenced me most and got me through quite a bit of teenage angst. Metallica was also in the mix; as were Nirvana, Foo Fighters and Green Day. Then, I went through a major Punk phase with NOFX, No Use for a Name; Goldfinger and those bands - and then I rolled over to a lot of Folk like Ben Howard, Boy & Bear; Ed Sheeran and Mumford & Sons. So; my influences stretched quite far, which I believe also stretched me as an artist and writer, for the better.

You moved from Cape Town to Pretoria. How important is where you live and the people to your music? Do you get a lot of inspiration from the surroundings?

Cape Town is certainly better for the creative juices to flow but Johannesburg (Pretoria is close by) definitely has more opportunities in terms of shows and venues: I wouldn’t have been able to pursue my career in Cape Town. Most industries are bigger up here, so I didn’t really have a choice. I miss Cape Town but, unless you are very established, you have to be up here in my opinion.

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PHOTO CREDIT: Lampost People

Is the South African music scene quite strong? Do you find it a natural space for you to perform and create in?

To be honest, South African-English ‘Pop’ is one of the least supported genres in our country. If you are an Urban artist or an Afrikaans Pop artist, you will have a lot of support both financially and fan-wise. Our country’s economy is also struggling currently but my heart is to write in English and I am a singer-songwriter at heart; so I will carry on doing my thing. I am, of course, very thankful for all the support I have had up until now.

What do you hope to achieve in 2018?

I suppose, to get my music out there more. Also, to hopefully successfully plan a tour abroad.

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Have you got a favourite memory from your time in music – the one that sticks in the mind?

There have been quite a few. My favourite two shows so far have been (one) at a festival called White Mountain Festival a few years back. Not a very big festival - about 1500 people but the crowd was on fire and the whole gig felt like one song/journey for forty-five. Everything felt so smooth.

Then (two), a very small gig; about thirty people. It was a theatre-like performance about two months ago. The sound was perfect and you could drop a pin on the stage; it was so quiet. Everyone was listening to each song intently. It was just very special and intimate.

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PHOTO CREDIT: @imthecarpenter

If you could support any musician alive today, and choose your own rider, what would that entail?

I would love to support James Bay and, to perform one song with him, would be a dream. Ed Sheeran is coming to South Africa in March 2019. We are both at Warner Music, so…you never know!

Is it true you are coming to the U.K. to play? Are you a fan of the British music scene?

Myself and my label are talking about the possibility of it. Hold thumbs that we can make it happen! Please send me suggestions for British acts to listen to. I would love to learn more about it!

You have played around the world and seen many different audiences. How important is touring and getting your music out there?

I have travelled quite a bit but haven’t seen many bands abroad. We have had quite a few international bands/acts over here. My absolutely favourite must have been Paolo Nutini. What a performer! What a musician! What a band! I was blown away! He really took me to another place for an hour and a half. I believe it is absolutely vital to see international acts perform in order for us to up our own game.

What advice would you give to new artists coming through?

To play as many gigs as you can; wherever you can, whenever you can. To be gig-fit is one of the best things you can have. Always be ready to play a song to anyone. Do warm-ups before a show, always. Stay humble, no matter where life may take you. Be thankful for every small or big victory. Remember those you have helped you along the way. Work hard. Keep writing.

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IN THIS PHOTO: Werner Bekker

Are there any new artists you recommend we check out?

I would love to recommend some South African artists. Check out Werner Bekker and Roan Ash. Also; Elandré. He sings in Afrikaans but his music is amazing.

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IN THIS PHOTO: Roan Ash

Do you get much time to chill away from music? How do you unwind?

I love fitness. So, going to the gym makes me feel amazing. I also love films and cinematography (I am very much involved with my own music videos from start to finish).

Finally, and for being a good sport; you can choose a song and I’ll play it here (not any of your music - I will do that).

I am bias, but also not. Please check out Werner Bekker’s brand new single and music video for I’m With You. He is amazing; a true singer-songwriter and this is a beautiful song. My boyfriend and his partner produced this song. It is very Damien Rice. So good

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INTERVIEW: Eshtar

INTERVIEW:

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Eshtar

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THE amazing Eshtar

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has been talking with about her mini-album, Sound of World, and the themes/colours that go into it. She discusses working with Tomash Lukach on the project and all the sounds she incorporates into the music – she talks about moving from Iraq to Ukraine and what the music scene is like where she is.

Eshtar talks about early childhood musical tastes and whether she will tour soon; if a stop in the U.K. is a possibility; a new artist we should get behind; whether she gets time to chill away from music – ending the interview by selecting a great track!

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Hi, Eshtar. How are you? How has your week been?

Hello. I’m great! It’s been a busy week. I’ve had a lot of work. I’m writing new music, lyrics; doing some interviews. It’s always a process. Thanks for asking.

For those new to your music; can you introduce yourself, please?

My name is Eshtar. If you want to find out about me, you can listen to my new mini-album, Sound of World, and maybe you will find the answers that are bothering you...

Sound of World is your mini-album. What sort of themes and ideas influenced the songs?

I love vocals, many vocals; I love to use it like an instrument in songs. Vocal packs are inspiring. Makes me feel like I have my own individual tool to creatе music. I'm obsessed with brass - my lovely influence from some Trap compositions. Deep, low basses; sounds - all that I need to create something interesting. The spirit of mysticism, protest; love, war; a strong character, savagery; passion and simplicity - everything is here. It’s the sound of the world. It catches you and makes you think about it.

BANKS, Kimbra; Jack Garratt, Kwabs; FKA twigs, Stromae and Sevdaliza inspired me regards writing.

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There are a variety of genres playing alongside one another – including Trap and Pop. Was it hard putting them all together – or does it reflect your music tastes and the sort of music you usually listen to?

These songs were written in different periods. Now, there a lot of diverse music and genres - and you cannot listen to one thing all the time. Every day you like something different, something new. You find new artists, like the way they do, with new instruments, sounds and melodies.

I remember that moment when I fell in love with Trap. I saw the movie called Suicide Squad with unreal soundtracks. That (song) Purple Lamborghini by Rick Ross and Skrillex was mad. It completely conveyed my mood and I could no longer do without this genre.

What was it like working alongside Tomash Lukach on the project?

Most of the time, I work alone. I just go to my favorite coffee shop, start the Logic Pro and the work begins. None of the songs was written in the studio (i need my special places. Hahah); always different places – basically, where I can connect to the power socket. When I have all the vocals and most of the arrangements, I come to my friend’s (Tomash Lukach’s) studio to bring it together. He feels my music: he’s addicted to his JOB.

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He wants my music to be COMPLETE! I can see he is interested in the process the same, as I am, and this is very very important to me! We do the rest of the magic with him. Sometimes, its just a small replacement of a bass drum and then mixing and mastering – and, sometimes, we sit like for hours just to pick right hats and samples or re-bounce some vocal parts. That makes a song (so) unique.

You were born in Iraq but moved to Ukraine. What was the reason for this? Is there a strong music scene in Ukraine?

My father is Arabian (he’s from Iraq). He moved to Kyiv to study at university where he met my mom in some city cafe. My mother is Ukrainian and they got married shortly after they met...and my father stayed in Kyiv. That’s how I was born in Ukraine.

Now, it's time for new music in Ukraine. There's a new wave of fresh sounds, interesting ideas and new artists. Everything is changing and it’s just beginning here.

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Do you recall the sort of music you were raised on? Which musicians inspired you at a young age?

It was Whitney Huston, Michel Jackson; The Beatles, Backstreet Boys. During my school years, I preferred Avril Lavigne, Red Hot Chili Peppers, Gorillaz; Linkin Park, Arctic Monkeys; Evanescence and Stevie Wonder. In high-school, I played in a band so there were a lot of artists and genres that I listened to.

What do you hope to achieve in 2018?

I want to show my music to the world. I wanna be known as an artist that makes music; have some concerts, meet interesting artists; do some collaborations. Who knows where it can all go…

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Have you got a favourite memory from your time in music – the one that sticks in the mind?

Every memory associated with live performances of favorite artists is a favorite memory for me. When you’re there, something unbelievable happens with you and your emotions. It always changes you in a better way. It gives you power, hope, true happiness and that superhero feeling of invincibility. How they perform, how the musicians play; how everything works on the stage...it gets you thinking a lot after live performances:’How did they do it. Incredible!’

What advice would you give to new artists coming through?

Never give up and don’t listen to anyone. Your life, your decisions.

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Might we see you tour very soon?

Oh. I want it so bad. We are already preparing for some live performances so everything is possible. I have huge plans, so we will see.

Do you think you’ll come to the U.K. and play?

I have loved the U.K. very much since my childhood and always wanted to go there. I hope, one day, this dream will come true

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IN THIS PHOTO: Loïc Nottet

Are there any new artists you recommend we check out?

I love to listen and watch the popular artists because that’s where most of the teamwork’s been done. I don’t think that I know an artist that you haven’t heard of. In winter, I found out about one Belgian singer, Loïc Nottet. He’s not the new one but he is so talented. He writes his own songs, has a great and interesting voice; amazing dancer, acting like a professional actor. I wanna be like him.

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Do you get much time to chill away from music? How do you unwind?

I’m twenty-seven and I’ve never chill away from music. I don’t even know if it’s good or bad but I know that you have to work. Don’t stop if something goes wrong. You need good results, improve your skills daily. It’s my passion. I get new information every single day. That’s how the character is brought up; that’s how dream works

Finally, and for being a good sport; you can choose a song and I’ll play it here (not any of your music - I will do that).

Great. I choose LSD (ft. Labrinth, Sia and Diplo) – Audio. Genius

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INTERVIEW: Million Miles

INTERVIEW:

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Million Miles

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WITH a brilliant single out…

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there are more eyes and ears pointing the way of Million Miles. I have been talking with her about If Only and writing it alongside Bruno Major. The songwriter tells me about a precious musical memory and reveals some new artists to look out for – she talks about spending time in the U.S. and how important that was.

Million Miles looks ahead to tour dates and reveals her musical inspirations; how she spends time when there is a chance to chill; the advice she would give to upcoming artists – she ends the interview by selecting a rather good song.

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Hi, Million Miles. How are you? How has your week been?

Hello, there. The week has been fabulous. We’ve had brilliant summer weather in London lately and it was also the first week back at home after a couple of weeks in the U.S. - so, perfect timing.

For those new to your music; can you introduce yourself, please?

I’m a singer-songwriter with a deep love for Soul music and extensive experience in heartbreak.

If Only is your new single. Can you talk about its background and inspiration?

If Only is about timing: never quite nailing emotional availability. You may be ready to be with someone who might not be and vice versa. In a world that is overwhelmed with possibilities and a very short attention span, I feel it’s something people may have experienced a lot and I wanted to talk about it.

It was written alongside Bruno Major. What was it like working with him?!

I’ve been a fan of Bruno ever since I heard his live E.P. - before A Song for Every Moon started. It goes without saying - you can hear it just watching him play any of his songs - that he’s an amazing musician and songwriter. It was a delight working with him; very inspiring. 

Do you think there will be more material later in the year?

Absolutely. I’ll be releasing a new E.P. in the fall and I’m really, really excited about it. Stay tuned!

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How did you get into music? Were there particular artists and albums that inspired your choice?

I fell into it when I was born…

Always been around it. I come from a musician’s family with a strong love for Blues and Soul music. I started playing the piano from a young age. All those elements naturally led me to constantly think music and make music. The records typically playing at home would be '70s Soul records. Later, I discovered Jazz and Blues and that had a massive influence on me. So many albums, though…Stevie Wonder’s Fulfillingness is one I can think of at the minute.

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You were born in Paris but spent time in America. How important was that time in the U.S. regarding your development and aspiration?

It was absolutely crucial for me because I was a music student then and it’s actually while in the States that I got into Jazz and Blues, the Great American Songbook as well as artists like Carole King, Joni Mitchell and James Taylor. I was around so many amazing musicians; it made me want to up my game and really dig this singing thing - I hadn’t been singing for long when I got there; it was fairly new to me.

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Where are you heading on tour? Where can we catch you?

I just came back from a U.S. tour. I will play some shows in the fall in Europe and probably in the U.S. as well. It’s all in the works but dates aren’t confirmed yet but. You’ll be the first informed as soon as it’s all in place. But, in a less-distant-future, I’ll be playing Camden Assembly on 26th July in London for War Child UK.

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Is the stage the place you feel strongest and most free? How important is it being up there and performing to the crowd?

To me, it’s vital because that’s really when the songs come alive and when I can fully enjoy the audience’s reaction to my music It’s the best. It’s also a great opportunity for improv and I love improv.

What do you hope to achieve in 2018?

I would really love to keep working with some amazing people all-round and writing songs; recording and releasing more music. I love the feeling of having finished a song you think is your best yet…and lots of shows.

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Have you got a favourite memory from your time in music – the one that sticks in the mind?

I went to see Ray Charles play as a kid. That was the best show I’ve ever been to. I was dancing on my chair. One of the musicians noticed me, went to talk to Ray Charles and asked him to sign a card for me. I must have been blushing loads. I was ecstatic.

If you could support any musician alive today, and choose your own rider, what would that entail?

It has to be Bill Withers.

Hopefully, he’d let me kit-share his Wurlitzer and I’d happily do that for a packet of crisps and a couple of anecdotes from Bill. 

What advice would you give to new artists coming through?

Do your thing. It’s a hard road so you might as well do what you want to do.

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IN THIS PHOTO: Blanco White/PHOTO CREDIT: Sequoia Ziff

Are there any new artists you recommend we check out?

Loads. Jordan Mackampa, Blanco White; Jade Bird, Sharky; Courtney Marie Andrew, Jacob Jeffries - and I’ve just come across this girl, Rina Mushonga, who is awesome!  

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IN THIS PHOTO: Courtney Marie Andrews/PHOTO CREDIT: Laura E. Partain

Do you get much time to chill away from music? How do you unwind?

I’m a dab hand with some watercolours and pencils - it’s a great way to spend a day off.

Finally, and for being a good sport; you can choose a song and I’ll play it here (not any of your music - I will do that).

Rina MushongaAtalantA

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INTERVIEW: Kalpee

INTERVIEW:

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Kalpee

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HIS latest video bursts with colour…

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and vivid intensity. I have been speaking with Kalpee about his track, Colourful, and putting it together. He talks about Calypso music and his life in Trinidad and Tobago; what we can expect in terms of his future steps; a new artist we should follow closely – he tells me what he hopes to achieve before the end of this year.

Kalpee reveals how he is feeling about playing The Color Run and gives advice to upcoming artists; which artists he grew up around; if there are going to be any tour dates soon – he ends the interview by picking a song that means a lot to him.

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Hi, Kalpee. How are you? How has your week been?

Heyy. I’m good; thanks for asking. I’ve been in Sweden working in the studio for the entire week, so my mind is in that creative mode right now and I’m loving it. Got to chill with some friends I haven’t seen in a while as well, which was really refreshing, so I had a great week (smiles). Just by the way the sun doesn’t really set in Sweden during the summer, that blew my mind - just thought you might like to know (laughs).

For those new to your music; can you introduce yourself, please?

Hey, hey. I’m Kalpee and I’m an artist out of Trinidad and Tobago. I’m really in love with music and I think it’s one of the most powerful tools we have. My sound is a really big mix of genres: it’s like a mix of Pop, R&B; Calypso, Reggae and maybe even Rock. It’s all just a vybe (sic.) for me; wherever the sound wants to go it goes I guess.

I don’t really like boxing off the ideas: it’s way more interesting when we mix it up a bit. Nonetheless, I really hope you enjoy my sound and, if you do, you should let me know (smiles).

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Colourful is your new track. What is the story behind the song?

Colourful is about difference and the fact that difference is beauty. We live in a world full of boundaries that limit who we truly are and tell us who we should be. I honestly believe in self-expression and think it’s really important for society. We need to love ourselves some more and we need to be proud of ourselves - cause there is absolutely no one like you out there, so own it. 

It is Pop with a twist. Do you think it is important to keep things fresh and not follow the pack?

Definitely. The thing is, I just create what feels good to me. Keeping things fresh and doing my own thing isn’t intentional - I just make music. I’m from Trinidad and Tobago and a big part of my musical life as a kid was in Calypso music. The coolest thing is that I feel like I’m now able to merge what I learnt from Calypso and even Soca music with Pop music and I just think it’s such an interesting sound.

I honestly can’t wait to hear everyone else’s opinion but, for now, I’m happy with how the sound is growing. A true artist has their sound, vybe and message and I guess that’s what makes music fresh. When the sound becomes a personality, no one can copy you; I hope my sound grows into a personality.

 

The video lives up to the song’s name! What was it like filming it?

It was incredible but so much work (but that’s part of it). It took us a while to put the entire video together, maybe a week filming with the guys in Trinidad and then three days in L.A. shooting everything else. We actually went out to the desert to do the performance shot and it was sick; had an amazing team out there who made the entire thing possible. Major blessings to them (smiles).

Will there be more material later in the year?

Of course. You have no idea how eager I am to put out more music, but all in good time. You know I got your back...

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You have been invited to perform at The Color Run. Are you looking forward to that?!

Most definitely.

I’m so excited. Can’t wait to feel Color Run’s energy but, not gonna lie; I’m a bit nervous as well cause I really want this performance to be perfect. I know it’ll be an amazing experience nonetheless.

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Give me an impression regarding the artists that inspired you growing up. Who do you count as idols?

Bob Marley, for sure; Miguel and Chronixx. Super-inspired by those guys. When you call yourself an artist, you take on the responsibility of having a voice of reason. You almost become a politician to some extent and I feel like all of the above have and are representing in such a positive way. Their music is full of energy, love and substance and I admire that so much.

I’m a huge fan of Chronixx. I think his music is extremely powerful and groundbreaking; there’s a vybe to it that’s difficult to explain but that’s the beauty of it I guess.

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Where are you heading on tour? Where can we catch you?

Got excited reading this question (laughs).

The tour, I’d say, is definitely in the works. The team has been working extremely hard on putting this all together. Colourful made the viral charts in countries such as the Philippines, Malaysia and Singapore and has been gaining some nice traction in Europe and the U.K…so, I guess I’m gonna be doing a good bit of travelling in the near-future; looking forward to seeing you all (smiles).

What do you hope to achieve in 2018?

I really, really want to just put out all the music I’ve been working on. It’s hard having all these songs and I’m the only person who can listen - so I hope I get the opportunity to put out an album and then go on tour. That’ll be amazing.

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Have you got a favourite memory from your time in music – the one that sticks in the mind?

That’s a hard question, to be honest. My favourite memory isn’t anything extravagant but, around the time of No One - those were the days in Trinidad with my bros - we were testing the waters to see if we were any good at making music. Turns out we weren’t that bad (laughs). We had a couple of studios, Tano’s (producer) bedroom; my living room and my mom’s kitchen, which was mostly used for mixing and mastering. Hahaha; just kidding, obviously, but it’s so nice being able to look back at those days and seeing the growth from then to now. 

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If you could support any musician alive today, and choose your own rider, what would that entail?

Probably Chronixx.

In terms of a rider; I’m a pretty simple guy so I’d say room temperature water; a kettle, fresh fruit and, if I had to be fancy, some red wine for after the performance. Hahah.

What advice would you give to new artists coming through?

Be open to growth, be patient and always be picky; set the bar. Make an impact, be a leader; be a good example: we have young ones watching.

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IN THIS PHOTO: Jimmy October

Are there any new artists you recommend we check out?

Jimmy October. Thank me later

Do you get much time to chill away from music? How do you unwind?

Umm, not really. Haha. But, I don’t mind. Most of the time I’m using music to unwind - I guess that’s why I love my job.

Finally, and for being a good sport; you can choose a song and I’ll play it here (not any of your music - I will do that).

Chronixx - Loneliness 

Gosh, I love that song

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Follow Kalpee

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INTERVIEW: Eleanor Nelly

INTERVIEW:

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 Eleanor Nelly

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SPEAKING with artists making their first motions…

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PHOTO CREDIT: @georgiaflynncreative

into the music world is very interesting. You get that fleck of excitement and the slight nerves; the hunger and open-eyed desire. Eleanor Nelly has been talking about her debut single, Polaroid, and how it developed (sorry!); what it was like filming the song’s video; whether there is more material coming this year – she reveals some upcoming artists to investigate.

I ask her which musicians have influenced her and whether she has a favourite memory from her career; the three albums that mean the most to her; if we can catch her on tour this year  - the songwriter ends the interview by selecting a classic Folk track.

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Hi, Eleanor. How are you? How has your week been?

Hey! Ah; it's been good - just lounging in the sun trying to catch any kind of tan I can get before the weather goes miserable again, really. Haha.

For those new to your music; can you introduce yourself, please?

I'm Eleanor Nelly; an eighteen-year-old singer/songwriter telling my stories through my music; letting people into my little world using my guitar.

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Polaroid is your debut track. What is the story behind it?

This was one of the songs I wrote on my trip to Nashville last year! It was the last day of the trip and I couldn't stop thinking about how gutted I was to be going home. Haha. So, I took that into the session and told Andrew DeRoberts, who I wrote the song with, about how I didn't want to go home and (how we) face problems with our government in the U.K.

But, then, I knew the issues in America with Trump were bad too. It was just about wanting everyone to stop for a minute and (just) focus on the world and how beautiful it can be without us ruining it...just like looking at a polaroid!

The video looks like it was fun to film. Where was it shot? Was it a good experience?

I loved filming the video for Polaroid! We filmed it in the ‘Bombed Our Church’ in Liverpool, on a freezing cold day. Haha. I was so nervous because I've never done a music video before; so, I was so worried about how it was gonna look watching myself back but it such a good video! It was so much fun - even just spending the day in the church and learning things - and seeing things I'd never known even living in the city and walking past it every day.

It seems you have been busy the past year or so! Are we going to see more songs later in the year? What have you been working on?

It's been a crazy year. I've got some more songs on their way very, very soon and an E.P. to be expected soon, too! I spent a lot of this year collecting, writing and recording the songs for this E.P. - so I'm really excited for everyone to hear what's been going on!

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Do you get a buzz from songwriting? Does it make you feel safer and more alive?

Songwriting, for me, is so therapeutic. Back when I was in a really bad place in my life, songwriting always allowed me to put them feelings somewhere; somewhere safe. (It was) Just a way I could tell people what was happening and what I was going through without actually having to tell anyone.

Which artists inspired you growing up? Did you always have that love of music?

I always loved being creative; I’ve done acting, dancing and then, eventually, music and writing! Growing up, I always had music around me and I can't really imagine life any other way. I grew up in a city where music is the heart of everything!

My first inspiration was Sandi Thom - and my reason for getting into music! She was the first gig I went to when I was eight and she took me under her wing really!

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Liverpool is where you are based. What is the city likes in terms of music and energy?

Liverpool's music scene is special. It's such a supportive network with soooooo many talented people! Some of my favourite bands and artists of all time are local and I love it. Especially, watching local musicians getting so far with music - it makes the city so proud always.

Will there be any live dates coming up? Where can we see you play?

There are a few dates coming up more towards the end of the year! I'm playing a local festival called Shout About It festival next month in Liverpool which is to support local bands as well as photographers wanting to gain experience!

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PHOTO CREDIT: @roosvelting

Then, in September, I'll be supporting one of my longest friends at his headline gig - also in Liverpool! More dates always pop up so I always tell people to keep an eye out because I'm always somewhere playing. Haha

Do you have any ambitions to fulfil before the end of the year?

Before the end of the year…hmm; I'm not sure! Honestly, I have done most of the things I have always wanted to do so the rest of the things are all possibly next year's goals or goals for the next five years - like release an album, get back to Nashville; play Glasto!

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Have you got a favourite memory from your time in music – the one that sticks in the mind?

Ahhh; I have so many memories. My favourite one has got to be my first gig. I was like twelve or thirteen and went down to this pub in Liverpool called The Albert. I turned up and literally had to play one song because they were worried about me being in there because I was so young…so I got up and played Valerie. People played along with me and sang with me - and it was just the start and I didn't even know it! It always gives me such a warm feeling thinking about it.

Which three albums mean the most to you, would you say?

My three fave albums would probably have to be Kacey Musgraves' newest album called Golden Hour; Joni Mitchell’s Blue and, probably, John Martyn’s Solid Air.

For me; they always remind me of certain points in my life and I can connect with almost every song on each album. It's all about connecting with music to me!

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What advice would you give to new artists coming through?

To any new artist coming through, I'd say keep at it. If you love it, do it. If you want it, get it. If it feels right for you, go with it! I can't stress enough how important it is to keep going and keep being you - being original and you is so important. Do what your heart wants and everything along the way will fall into place.

Master your craft and grow with your music! At the end of the day, your music is your art and no-one else can change that or take it away from you so own it!

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IN THIS PHOTO: XamVolo/PHOTO CREDIT: Robin Clewley 

Are there any new artists you recommend we check out?

So many artists I love that are up and coming! A band called Stillia (are ones I love). They are smashing it at the moment. Thom Morecroft is one of my favourite local musicians who just blows me away with his songs every time.

XamVolo is just a super talent - there are no words for how unreal that man is. Robbie Cavanagh is such a dream with his music. Also, Callum Beattie is one of my new faves. So many: I could give you books and books of artists to listen to...

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IN THIS PHOTO: Robbie Cavanagh

Do you get much time to chill away from music? How do you unwind?

When I need time I take time, but music for me is my chill. When the rest of the world gets too much, then music helps me but, sometimes, I like to just sit and have quiet time. But, honestly; I don't do anything else apart from music: I wake up and play my guitar and do up until I fall asleep.

Finally, and for being a good sport; you can choose a song and I’ll play it here (not any of your music - I will do that).

Oooo; I'd love it if you could play Sweet Little Mystery by John Martyn - one of my fave songs and artists!

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INTERVIEW: Ryan Keen

INTERVIEW:

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Ryan Keen

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NOT many people can claim…

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they have Ed Sheeran as a friend! I have been talking with Ryan Keen about Sheeran and their bond; what the story behind the new track, Never Let You Down, is; if there is more material coming down the line – Keen recommends some upcoming artists to get involved with.

The songwriter talks about an accident that almost cost him the use of one of his hands; how important being up on stage is; whether he gets time to unwind outside of music – Keen ends the interview by selecting a top tune.

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Hi, Ryan. How are you? How has your week been?

It’s been great, thanks. Finally, summer has hit London!

For those new to your music; can you introduce yourself, please?

Sure. I’m a singer/songwriter from Devon. I’ve been playing the guitar all my life (originally, flamenco) but my sound has a mix of influences on it. I used to be a session player and composer but, when I was twenty-one, I decided to make a go of being a solo artist.

Never Let You Down is your current track. What is the story behind the song?

I wrote the song for my girlfriend at the time. I was planning to move to L.A. and it was just my way of saying that she has nothing to worry about - that I’d make it work.

Is more material coming this year? Are you working on other songs?

Yes! I’ve written so much over the past year I have a lot of songs ready to release. I’m always writing; both for myself and for others – there is lots more in the pipeline.

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You suffered an accident which almost took away your guitar-playing hand. Was that a moment you felt would end your music career?!

The accident was bad. I’d severed the tendons and nerves and had lost movement in my thumb. I didn’t think it was going to end my career though. I was completely determined to keep playing with whatever movement that I could get back. Thankfully, I made a good recovery - it's not the same but I’ve managed to practice enough to play as well as I used to with my thumbs slightly altered shape.

Which artists are important to you? I guess, being Ed Sheeran’s protégé, you rank him highly?!

Yeah; he’s amazing. I have nothing but good things to say about Ed. My musical taste is very eclectic, though; spanning pretty much all genres and over several decades.

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There are a lot of good singer-songwriters emerging and remaining. Why do you think we prefer them over bands at the moment?

I think that there’s always going to be a place for singer-songwriters. Production is continuously evolving and different sounds and trends come and go but there’s something great about the stripped-back sound of a voice and a live instrument. It shows the true strength of the song.

Where are you heading on tour? Where can we catch you?

My next gig is supporting Gavin James in Limerick in July.

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Is the stage the place you feel strongest and most free? How important is it being up there and performing to the crowd?

I used to get really nervous when I first starting performing as a solo artist but now I love it. My style of guitar playing (percussive finger-style) is a very visual one that people seem to like.

What do you hope to achieve in 2018?

To just keep writing, releasing and touring.

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Have you got a favourite memory from your time in music – the one that sticks in the mind?

There’s a lot...

I’ve travelled a lot with my music and I’ve been lucky enough to play at some amazing venues. I think standouts would be the Royal Albert Hall and the Sydney Opera House.

If you could support any musician alive today, and choose your own rider, what would that entail?

I would love to support John Mayer. His early albums were very influential on me so that would be incredible.

My riders are always pretty simple. So long as there is some whisky and some tasty food then I’m happy.

What advice would you give to new artists coming through?

I don’t have the answers, but it’s definitely true that there is no substitute for hard work

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 IN THIS PHOTO: Corey Harper/PHOTO CREDIT: @valentinaaa

Are there any new artists you recommend we check out?

Corey Harper and Noah Kahan are both worth checking out.

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 IN THIS PHOTO: Noah Kahan

Do you get much time to chill away from music? How do you unwind?

I try and surf as and when I can. With music, I go to L.A., Australia; S.W. France etc. - so, I get some time then, normally. I also run a lot and meditate regularly – they both help me unwind.

Finally, and for being a good sport; you can choose a song and I’ll play it here (not any of your music - I will do that).

As I’ve just mentioned him; let’s go with Noah KahanYoung Blood

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INTERVIEW: Wildeor

INTERVIEW:

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Wildeor

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THIS job affords plenty of variety…

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and musical nourishment. I have not met anyone or anything quite like Wildeor. I have been talking with the Alternative-Folk band about their mix of sounds and the inspiration behind their debut single, The Devil Makes Three – they chat about their eponymous E.P. and the stories behind the songs.

The guys talk about the combination of influences in the camp and how they take from Los Angeles and its vibes; how they got together and started making music; which new artists they recommend we get involved with – Wildeor reveal whether they are coming to the U.K.

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Hi, Wildeor. How are you? How has your week been?

Great, thank you! No complaints.

For those new to your music; can you introduce yourselves, please?

We are an Alternative-Folk band from Los Angeles, California. We combine a mixture of Folk, Rock; Classical and Celtic influences in our music.

The Devil Makes Three is your debut single. Can you reveal the story behind the song?

This song is inspired, in part, by my life growing up in Northern California - there are a lot of references to the wildness of the land that represents the sense of abandon and freedom in the song. Ultimately, it’s about letting go; being a little reckless and embracing the risks you take as part of an adventure you’re meant to have.

I drew inspiration for this from periods in my life when I felt like maybe I was heading in the wrong direction or making mistakes - and wanted to recapture a kind of devil-may-care feeling; focusing on embracing the experiences I was having instead of worrying about where they would lead.

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How did Wildeor get together? When did you find one another?

We came together in summer of 2016; so we’re coming up on two years as a band. I met Mark one day when I was sitting outside the music building at UCLA talking to a friend. Mark knew the person I was talking to and stopped to say ‘hi’. I mentioned that I was starting to put a band together and he said: “Well; if you ever need a cellist…!”.

As for Caleb; I reached out to a friend in the UCLA music department who put me in touch with a percussion teacher who put me in touch with some of her students…one of whom was Caleb. We all started playing music together and became good friends pretty quickly. Over time, the band gelled and became more serious.

Tell me about Wildeor's eponymous E.P. and the themes explored.

It’s an eclectic mix of songs and themes. Northern County Line and The Devil Makes Three are both adventure-themed songs but Northern County Line is tinged with sorrow and nostalgia for the past and The Devil Makes Three is more about breaking free - and has more of a sense of danger, thematically.

Rain on the Moon is a good-old heartbreak song about being betrayed by someone you care for. Come Down explores the hopefulness of possibility and desperation for change. Slow Moving Water digs into depression and despair - that song is all about catharsis and expressing a kind of darkness that just takes over. It’s probably the most powerful song that we have and certainly the most emotionally intense for me as a singer and writer.

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Being based out of Los Angeles; do you take a lot from the city and its history? What is it like recording there?

I came here from far Northern California - California is quite a long state so, when I moved here, it was basically like moving from another state. Or another planet. The topography, culture etc. is radically different. I actually draw more creatively from the wilderness I grew up with: the forests, rivers; mountains, etc. But, over the years, I have started to draw on the L.A.-area deserts and cityscapes as well.

Some of the music has been inspired by feeling out of place in a city that is so different from what I knew and who I was. To some extent, it still is. Recording here is pretty great although it can be expensive as well. But, there are a lot of options to choose from depending on where you are in your career, what your budget is and so on. 

What sort of music did you all grow up around? Do you share tastes?

We all have a Classical background. I grew up around Classical musicians and my parents played a lot of Folk music from the '60s and '70s. I started singing Classical music at thirteen and then Opera in my teenage years, so that was a pretty profound influence on my singing and writing. Caleb and Mark both started in Classical music at an early age as well. Mark started playing the cello when he was eight and Caleb started playing the drums in middle-school.

Where are you heading on tour? Where can we catch you?

At the moment, we are doing regional tours so you can catch us throughout Southern California. But, we are hoping to branch out and explore the East Coast as well.

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Do you reckon you’ll come to the U.K. and perform this year?

That would be amazing. I have a real fondness for the U.K. and I think we’d all love to do that. We don’t have plans for that currently but, if an opportunity came our way, we would definitely take it.

What do you hope to achieve in 2018?

We are working on new music and our next recording project. We are working on a new single at the moment and hoping to release an album in the next year (also planning to produce a music video).

Have you each got a favourite memory from your time in music – the one that sticks in the mind?

Our show at Hotel Cafe to promote our new E.P. was definitely a highlight. That was a great night. Definitely, it was a triumph for us and we had a great time - really, anytime we’ve been out playing together and celebrating music, our friendship and life in general.

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If you could support any musician alive today, and choose your own rider, what would that entail?

Tough choice. Probably Florence + the Machine or Lord Huron. As Indie musicians, we are quite used to traveling and playing in all sorts of conditions so we’re not too fussy. It would be great to have access to bigger stages that give us more freedom in our performances.

What advice would you give to new artists coming through?

Find your own, unique artistic truth and stick with it. Stay focused. Learn as much as you can but don’t be distracted by what everyone or anyone else is doing. Always follow up and follow through. Talent only gets you so far - the rest is hard work and perseverance.

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IN THIS PHOTO: Elephant Revival/PHOTO CREDITAthena Delene Photography

Are there any new artists you recommend we check out?

Elephant Revival. They aren’t necessarily new but they’re very Indie. They combine an awesome mix of Folk, Bluegrass and Celtic influences.

Do you get much time to chill away from music? How do you unwind?

We are all pretty immersed in music most of the time. Fortunately, music is as therapeutic as it is demanding. But, we also often do things unrelated to music - going to events in L.A., getting other groups of friends together; board game nights etc.

Finally, and for being good sports; you can each choose a song and I’ll play it here (not any of your music - I will do that).

Megan: Remembering a Beginning - Elephant Revival

Mark: Spanish Flea - Herb Alpert & the Tijuana Brass

Caleb: Ludwig van Beethoven - Symphony No. 9 in D Minor Op.125: Ill Molto Vivace

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INTERVIEW: Stalagmites

INTERVIEW:

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Stalagmites

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I have just got back from Manchester…

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so I was very excited to speak with the Manchester-based band Stalagmites. The guys talk about the scene there and give me the skinny regarding their latest track, Projectile Dysfunction. I ask how the band got together and whether they share tastes in music – they recommend some upcoming acts to investigate.

The chaps reveal whether more music is coming; what their favourite memory from music has been; whether they have any gigs booked in the diary – they provide some useful advice for fellow artists.

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Hi, guys. How are you? How has your week been?

Great, thank you very much. The week has been glorious as the weather has been cracking and lots of people have been saying nice things about the single - including Steve Lamacq and Robin Murray to name a few!

For those new to your music; can you introduce yourselves, please?

Bradley Lynch on the bass guitar and the vocals; Daniel Jones on the drums and Alex Hardman on the guitar.

How did Stalagmites get together? When did you start jamming?

It was the year 2010 or '11. Brad started off songwriting and Alex thought he'd like to get involved with that and so we set off writing tunes in the style of our favourite bands. One Gumtree post and a quick practice later and Dan joins the band.

The end.

Projectile Dysfunction is your latest work. Is there a background to the song?

It's about the journey that you go on being in a band in the modern age: trying to keep a band together amidst an ever-changing landscape and navigating the treacherous music industry.

It sounds like the song gelled naturally in the studio. Was it an interesting track to write?

The bare bones of the track came together fairly quickly and relatively pain-free but then the real magic happened in VIBE Recording Studio (as it usually does!).

Will there be more material later in the year?

Yes. We have another single ready to go and potentially an E.P. If the E.P. isn't this year, then it's early-2019!

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Is Manchester a great city to make music in? Are you inspired by the history and current quality coming through?

It is a great city to make music in as there is always something going on. You can walk down the street and find inspiration. It's great.

What sort of music did you all grow up around? Do you share tastes?

I'd say that we don’t all share the same taste in music but we're all open-minded enough to listen to what we are each playing that week - from Echo and the Bunnymen to Kanye West; from Aphex Twin to The Carpenters. All tastes!

Where are you heading on tour? Where can we catch you?

We're sticking to the studio for now with the odd show in and around Manchester to test out some new material. Keep an eye out on socials.

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What do you hope to achieve in 2018?

We’re quite simple in our goals. We just love making music so, if we can continue to get the same feeling after writing each song that we have gotten for the last two singles (Binary and Projectile Dysfunction), then we are winning.

Even better if all these wonderful blogs keep writing about us.

Have you each got a favourite memory from your time in music – the one that sticks in the mind?

I think, for all of us, it would have to be being played on BBC Radio 6 Music by Steve Lamacq, and then, Tom Robinson. We're all big fans of Radio 6, so to be picked up was a real high for us all.

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If you could support any musician alive today, and choose your own rider, what would that entail?

To support, it would have to be Radiohead…

The rider would be simple: a few beers; a load of tasty bread like what you get when you go to a market in a village in the South of France or something (and a packet of dry-roasted).

What advice would you give to new artists coming through?

Just enjoy the whole process - whether you’re lugging your gear across the country to play a show or you’re just chilling in the practice room. Also; try to be different. If somebody says you sound exactly like another band then change it up…unless that's what you’re going for then it’s all good!

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IN THIS PHOTO: Cavana/PHOTO CREDITTrust A Fox Photography 

Are there any new artists you recommend we check out?

TYPES, Cavana and Dirty Freud. They are all next level!

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 IN THIS PHOTO: Dirty Freud

Do you get much time to chill away from music? How do you unwind?

Bit of gardening; the odd bike ride and a few pints every now and then. Manchester isn't short of great microbreweries, so we get out to these when we can!

Finally, and for being good sports; you can each choose a song and I’ll play it here (not any of your music - I will do that).

Brad: Gruff Rhys - Shark Ridden Waters

Dan: Purity Ring - Lofticries

Al: Gaz Coombes - Walk the Walk

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INTERVIEW: Jareth

INTERVIEW:

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Jareth

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ONE definitely experiences something…

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spiritual, unique and entrancing when encountering Jareth. The London-based songwriter has been discussing the remix of her song, Bit by Bit, and working with Saltwives; how important London is regarding her drive and personality; if there is more material coming later this year – she picks a couple of new acts we need to follow.

Jareth picks three albums that mean a lot to her and reveals how she spends time away from music; I ask if there are any tour dates coming up and whether she always wanted to be a songwriter – she ends the interview by picking a rather epic cut.

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Hi, Jareth. How are you? How has your week been? 

I’m good (smiles). Thanks for asking. My week has been really pleasant; mostly because the weather has been so lovely.

For those new to your music, can you introduce yourself, please? 

Hi. I’m Jareth. I am a 'real deal', an all-round genuine artist - not to be confused with David Bowie’s character in Labyrinth. I am no Goblin King.

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There is a remix of Bit by Bit out now. How did you come to work with Saltwives?

It's simple: I have an amazing team of pioneers that do wonderful things behind my back when I am busy being Jareth. In short, my people did their thing and connected my voice with the right musical wizards.

Knowing about the artists they have worked with; was it quite daunting working with one another?!

That is the great thing about being me: I was too busy living in my alternate universe; I basically had no idea.

What is the story behind Bit by Bit? Does it hold personal weight?

Everything I write holds weight. I am emotionally obese and music is my physical personal gym. I imagine everyone I know must be secretly haunted by my cathartic, artistic expressions because I am heavily influenced by my real-life experiences. I’m like a musical reality T.V. show.

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Is there going to be more material coming from you later this year?

Most definitely. I have the Moonchild E.P. en route and it’s going to reveal more of me, emotionally, which I am so excited about.

London is where you are based. How important is the city in regard to your music and sound?

London is so important to me. I see this city as my actual astral house. I’m so fully involved in its fluid fabric. I am the type of citizen that bins trash that isn’t my own just because I want the city to look cute. 

Did you always know you wanted to be a songwriter? Was there ever a moment of doubt?

Well. The thing is, when I look at my bank account, I don’t be getting no Adele vibes, which distresses me to no end - but I am semi-over it. I feel like I have to get to Adele’s level to answer this question honestly because, until I am there, I am no more a songwriter than the seagulls that wake me up in the morning.

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Will there be any live dates coming up? Where can we catch you perform?

Catching me live will be a treat for everybody involved (mostly me). I like to live my life as a series of constant surprises; so, let the mystery of my live dates be a surprise for everyone involved.

Do you have any ambitions to fulfil before the end of the year? 

I just want to get as much of my art out there for people to access. It’s very important for me to share my seemingly mundane experiences with other unicorns.

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ARTWORK: Russell Cobb

Have you got a favourite memory from your time in music – the one that sticks in your mind?

There was this time in Miami for Ultra Music Festival a few years ago when I was with my friend, Fran Lobo (another singer-songwriter). We were on a big yacht thing of a boat having so many cute moments at the floating bar with the captain.

We shared many London-style jokes; bringing our fellow Americans into London road culture and, obviously, took formidable selfies. I get that it doesn’t make for a good story but, you know what, you had to be there; it was very girl power, female boss - and it was so fabulous.

Which three albums mean the most to you, would you say?

Spiceworld by the Spice Girls connected me with my inner-Geri: just because I am black doesn’t mean I am automatically ‘Scary’.

The Writing's on the Wall by Destiny’s Child confirmed to me I am actually Kelly Rowland secretly being Beyoncé.

Back to Black by Amy Winehouse awakened me to my inner-dark side.

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What advice would you give to new artists coming through? 

Until I see my bank account at level-Adele, I actually need to be quiet; take several seats and not advise any up-and-comings. In short; I need to be a real-life household name before I guide any artists anywhere. I’m fabulously lost.

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IN THIS PHOTO: Martyna Bake

Are there any new artists you recommend we check out? 

Martyna Baker and Purple Ferdinand. They are very real and so easy on the ear; extremely soft on the soul…especially if you have been through some tough times.

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 IN THIS PHOTO: Purple Ferdinand/PHOTO CREDIT: Olivia Rose

Do you get much time to chill away from music? How do you unwind?

I chill out every time I close my eyes (this includes blinking). I am addicted to most, if not all forms, of meditation. Like the trees, I take the business of successful breathing very seriously.

Finally, and for being a good sport; you can choose a song and I’ll play it here (not any of your music - I will do that).

Kano's (ft. Benga) Forefather is great for zen meditation and (just) general filtering out of imaginary haters who are totally and secretly obsessed with your being. It’s super-good purge music (smiles).

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INTERVIEW: Stealth

INTERVIEW:

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Stealth

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STEALTH has been talking with me…

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about his current single, Gotta Stop Loving You, and what its story is. He tells me about the E.P., Chorus, and whether there are particular themes that run through it – the songwriter reveals how his music has evolved and built since the earliest days.

Stealth recommends some new artists to look out for and discusses touring; how classic artists like Etta James are important; what advice he would give upcoming artists – he ends the interview by choosing a great song.

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Hi, Stealth. How are you? How has your week been?

It’s been great! My single, Gotta Stop Loving You, dropped Friday just gone and it’s been getting a great reaction. So, I’m very happy.

For those new to your music; can you introduce yourself, please?

I’m Stealth. I’m a singer/songwriter from Birmingham who makes modern Blues/Soul music - and my mum thinks I’m pretty good at it.

Gotta Stop Loving You is your new single. What is the inspiration behind it?

I wrote the song after breaking up with a long-term girlfriend. It was the right call from her but it didn’t make it feel any better. I wanted to write a song that, essentially, said I don’t blame you for anything and I’m not angry...but, sh*t, this hurts like hell.

It is from the E.P., Chorus. Are there particular themes and ideas that influenced the songwriting?

The only real theme running through the E.P. is me. All of the songs written on the E.P. have come from a pretty personal place.

Your music has developed and evolved over the years. How do you feel you have altered as an artist? Do you keep picking up new sounds and colours?

I’m always looking for new things to inspire me and new ways of writing. However, I always get drawn back to that old-school sound. As an artist, though, I feel surer of myself; there seem to be people out there who are enjoying what I do which is giving me the confidence to push myself to make better music. I think this E.P. shows that. I really feel this is the best stuff I’ve put out to date (shock horror. Haha).

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When did your attachment to music begin? Did music come into your life early?

I was the biggest Elvis fan when I was about four. I used to dress in shiny pyjamas and put shows on for people. As you can tell, I’ve always been an introvert...

I get a sense classic Blues artists are important to you. Are people like Howlin’ Wolf and Etta James heroes?

In a musical sense, yes. They are legends. Both of their voices are iconic. I’ve always been drawn to music that makes you feel and, when you hear Etta James sing All I Could Do Was Cry; Christ alive, that gets me in the feels!

Also; I defy anyone not to like Howlin’ Wolf. The guy doesn’t sing songs he bites chunks out of them.

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Your music has received millions of streams and been heard on T.V. Does that sort of backing and kudos give you huge confidence?!

My parents do stream my songs a lot, yeah (smiles). But, in all seriousness of course it does, yeah. Like I said earlier; it just gives you confirmation that you’re doing something right. But, at the same time, adds that valuable pressure that you need to keep putting out good music.

Where are you heading on tour? Where can we catch you?

I’m playing a headline show at Laylow in Notting Hill on 20th September. Tickets will be available on my Facebook page.

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What do you hope to achieve in 2018?

Is world domination too much to ask for?

Have you got a favourite memory from your time in music – the one that sticks in the mind?

I was broke and I was sofa-surfing/living in my car and I had landed a sync on Suits (Judgement Day). I remember laying on my mate Luke’s floor at about four/five A.M., when it airs in the U.S., and watching my social media just go insane! That was the first time I really felt like, ‘SHHHIIIIIIIITTTTTTTTT, THIS IS HAPPENING’. Those sorts of feelings come few and far between in this industry so I hold on to that one.

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If you could support any musician alive today, and choose your own rider, what would that entail?

The hard thing about this question is I’ve been asked it a few times then the person I say goes off and dies, so I don’t know if I should say! Haha. But, Fleetwood Mac would be a dream for me. Especially if we could get Peter Green up for a few tunes; maybe Black Magic Woman or something.

A rider would be no-frills beer, beer and beer (my tastes may become more Rockstar if this E.P. does well).

What advice would you give to new artists coming through?

Be a plumber

Honestly; do what you want. No one really knows what they are doing – we’re all blagging it - so make stuff that makes you happy and that you want to listen to because there is a possibility your gonna be the only one who ever hears it. But, if it does do something it will be credible and you’ll be happy to stand by it.

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IN THIS PHOTO: Son Little

Are there any new artists you recommend we check out?

He’s not really new but I love Son Little. I think he’s amazing! Also; a good friend of mine, Cameron Bloomfield, is a very, very talented young man.

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IN THIS PHOTO: Cameron Bloomfield

Do you get much time to chill away from music? How do you unwind?

Love my rugby, love my pubs - so; I do a lot of watching rugby in the pub.

Finally, and for being a good sport; you can choose a song and I’ll play it here (not any of your music - I will do that).

I’ll Make It Up to You - Clay Hammond

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INTERVIEW: Vera Carlbom

INTERVIEW:

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Vera Carlbom

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THE terrific Vera Carlbom has been discussing…

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her new single, Bottoms Up, and filming its video. I ask the Swedish songwriter what the scene is like where she is and whether she is heading on tour this year – Carlbom reveals whether there is more material coming down the lines.

She tells me what she hopes to achieve before the end of the year; what her favourite memory from music is; if the determination and spirit we hear in her music is natural – I ask whether Bottoms Up’s themes of no-good men is taken from her own life…whether she has had experience of those types of guys.  

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Hi, Vera. How are you? How has your week been?

HI! I’m really good, actually. I’ve been sick the last couple of weeks but I’m starting to feel better now so, right now, I’m just enjoying life (smiles).

For those new to your music; can you introduce yourself, please?

Yes! I’m an eighteen-year-old artist from Stockholm. I’ve been working as a producer, songwriter and artist for a couple years now - and I just released my debut single Bottoms Up. I love to make out on Sundays and my favourite movie is The Adventures of Sharkboy and Lavagirl in 3-D

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Bottoms Up is your latest single. What is the story behind it?

I wrote that song on the bus and produced it the second I got home; sent it to my producer Jonathan and we both fell in love with it. It’s a song that makes me both laugh and cry. It’s both cocky and vulnerable at the same time. 

I guess no-good men and their dishonesty drives the song. Have you encountered your fair share of idiots and time wasters?

Yes, of course. I’ve met some fuc*ed-up people but none are in my life anymore. I’m all for letting people who don’t deserve me go. 

What was it like putting the video together? Was it interesting to film?

It was SO FUN. We were partying and filming at the same time; that’s why the video looks so real. You really get the feeling that this is something you’ve experienced yourself. 

Is there more material arriving later in the year? Might we see an E.P. down the line?

Yes. I’ve been working on my mixtape for the last couple of months and we’re just finishing up the last touches of it as we speak!

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You certainly have a lot of determination and attitude. Is that strength and defiance a reason you keep on pushing and aiming high?

I’ve always believed a lot in myself and my attitude is something I was born with; so aiming for the stars is in my veins. It’s natural for me. 

Being based in Sweden; is there a good music scene there? How does it differ to somewhere like the U.K. and U.S.?

Well. They say that Sweden has the best musicians and I believe that’s true. I just came back from a month in L.A. and the scene is definitely different: it’s harder to have a context there, but L.A. is where I wanna be based in the long-run, so it’s just to get used to it.

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Where are you heading on tour? Where can we catch you?

I’m gonna play a little bit everywhere in Sweden this summer, but it would be really cool to play in both U.K. and U.S. anytime soon.

What do you hope to achieve in 2018?

Releasing my mixtape and the singles after it; start touring a little bit and start working and finish my album.

 Have you got a favourite memory from your time in music – the one that sticks in the mind?

Yes. I was in Diplo’s house in L.A. and signed one of his basketballs he has in his kitchen. HOTSAUCE!

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INTERVIEW: Benedict Cork

INTERVIEW:

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Benedict Cork

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I have been chatting with Benedict Cork

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about his current single, Ghost, and filming its video at Red Gate Recorders. Cork talks about future plans and shares advice for artists coming through; which new musicians we should be listening to; a special memory from his time in music – Cork discusses touring and why he loves to travel.

I ask what it was like working with big names (including Adam Lambert) and what he wants to achieve before the end of the year; the sort of music he listens to away from his own – Cork tells me how he chills and unwinds.

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Hi, Benedict. How are you? How has your week been?

I’m really good, thanks. Just moved back to London after a couple of months away and it feels so good to be home. Looking forward to catching up with everyone and everything I’ve missed - and making some new tunes.

For those new to your music; can you introduce yourself, please?

Sure. I’m Benedict. People call me ‘B’, ‘Ben’; ‘Benedict’ or ‘Benny’. I write kind of soulful piano-led songs and try to tell stories about my life and lives around me in my music. I like to keep it really personal and intimate.

Ghost, your new track, is out there. Is there a story and specific event that inspired the song?

I went through a pretty sad break up last year where we both just sort of fell out of love with each other. There was nothing and no one to blame - and I think that’s almost harder than if someone had done something really hurtful. The song’s about that feeling of always being emotionally connected to someone, even when they’re not physically in your life anymore.

Its video was recorded at Red Gate Recorders. What was behind the decision to film there? Was it a fun video to shoot?

Yeah, so fun! We were scouting venues online to find a really beautiful space and the team were brilliant. I loved the really homely mood of it and all the old artefacts made it feel like I was playing in someone’s living room. We actually recorded five videos in one day, which has then become my first E.P - Piano Tapes - and the next song is dropping next week.

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You have worked with the likes of Adam Lambert and MNEK. How much do you take from the artists in terms of disciplines and experience?

I love collaborating. Co-writing is probably my favourite way to make music as you sit there and challenge each other’s ideas and push them to places where you wouldn’t necessarily go yourself if you’re just sitting at the piano and writing on your own. Working with artists like Adam and MNEK is amazing. It’s super-inspiring seeing someone else’s process and how they form their melodies and ideas, especially when it’s super-talented artists who you really respect.

Might there be more material coming later in the year? What are you working on at the moment?

Yeah. The next track and video from the series are coming next week and then the full E.P. will be dropping later in the year. I just got back from L.A. and Stockholm where I was working on loads of new music too. I need to take an afternoon, sit down with a cup of tea and listen to everything to start figuring where I want to go next.

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What sort of music do you usually listen to when not making your own? Do you have eclectic tastes?

I try to listen to everything. I love getting friends to send me their playlists so that I discover new stuff all the time. I actually just made a Spotify playlist on my profile called Benny’s Best Beats which has everything I love right now. I was going through it this morning and it’s pretty eclectic.

Where are you heading on tour? Where can we catch you?

We’re actually just finalising plans right this second and should be announcing the first dates in the next week or so. We’re starting with London as it’s my city and I want the first show to be really special. Then, after that, I’d love to go everywhere! I’m a bit addicted to travelling so love the idea of going to loads of new places to play shows.

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How does it make you feel when you are on the stage and performing to crowds? Is it your favourite place to be?

Yep, pretty much. The five/ten minutes before hitting the stage I get so nervous. Then, as soon as the first song starts, there’s this weird sense of release where you know you just have to ride the wave and it’s amazing. After about thirty seconds into the first song, I’m having the best time. There’s nothing that really compares to the immediate reaction you get from a live audience. I love working in studios – but, then, feeling it come to life in a live space is pretty awesome.

What do you hope to achieve in 2018?

It feels great getting this first body of work out. I wanna continue working on the next one, collaborate with some of my favourite writers and artists and start playing these shows. I’ve really missed playing live since I’ve been locked away in the studio for so long.

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Have you got a favourite memory from your time in music – the one that sticks in the mind?

Ooo; good question. It would probably be the first gig I ever played which was at the acoustic club in my hometown, Bishop’s Stortford. I must have been around fifteen and played a half-hour set of covers. The local paper wrote a pretty nice review but said it was a shame I didn’t have any of my own songs.

I took it to heart because I’m clearly really sensitive and started writing songs the day after that review came out. So, thanks reviewer person for kickstarting my songwriting career.

If you could support any musician alive today, and choose your own rider, what would that entail?

Ahh; there’s so many. I would travel on Calvin Harris’ jet; take Rihanna’s rider and support Elton John. Does that work?

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What advice would you give to new artists coming through?

I feel like I’m a brand new artist too so I’m not sure I can give great advice yet. But, I’d say make sure you’re doing what you love. There was a brief time a few years ago where I was working super-hard but nothing seemed to be working so I ran away to Stockholm, Sweden to just fall back in love with making music again.

I wanted to remember what it felt like to be that fifteen-year-old kid writing a song for the first time and not listening to all the other voices around me.

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IN THIS PHOTO: Tove Styrke

Are there any new artists you recommend we check out?

There’s so much amazing new music around at the moment. I love Tove Styrke, Billie Eilish and Moss Kena. The new Jessie Ware album is beautiful. I’m a little bit obsessed with my old flatmate’s band LOVE SICK and my other ex-housemate Yadi just released this awesome body of work with her band Frank Gamble.

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IN THIS PHOTO: Jessie Ware

Do you get much time to chill away from music? How do you unwind?

Someone told me the other day that I’m an introverted extrovert. I still have no idea what that means but, apparently, I love being surrounded by good people and I also love being on my own. I go for really long walks around the city alone and chill in an art gallery for the afternoon. It kind of just depends on my mood.

Finally, and for being a good sport; you can choose a song and I’ll play it here (not any of your music - I will do that).

My tune of the week is WhethanSuperlove (ft. Oh Wonder). I’m a big, big fan of both of them.

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INTERVIEW: Leuca

INTERVIEW:

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Leuca

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KICKING off this week is Leuca

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who has been talking with me about his incredible track, Right Now, and working with Mike Green on it. He looks ahead to his E.P., Don’t Tell Me What to Do, and its influences; some newer artists we need to get behind; what he hopes to achieve before the end of this year – Leuca tells me what sort of music he grew up around.

The New York-raised artist shares a favourite memory from his time in music; discusses how he takes time out from music; gives some useful advice to breaking artists – he ends the interview by selecting a rather good song.

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Hi, Leuca. How are you? How has your week been?

Hey, Sam! I’m well. My week has been long but very rewarding. I’ve been amped about this release and have received great feedback from it!

For those new to your music; can you introduce yourself, please?

For sure! My name is Leuca. I’m a twenty-year-old singer/songwriter/rapper/producer born and raised in Long Island, N.Y. I’ve been singing for as long as I can remember but didn’t really start pursuing my own career as an artist 'til around 2015 or so - just a few years!

Can you tell me about the new single, Right Now? How did that come together?

So. I wrote Right Now last summer. I was going through a rough patch in my relationship and I decided I’d write about it. In that same week, I wrote a few different songs concerning the same issue but this one stuck out. Mike Green, the producer of Right Now, and I had been cooking up tracks for months beforehand. We planned on putting out a project and we were in the process of compiling tracks. I brought this song to him as a voice note originally and he literally brought the idea to life.

After that, it was history. It’s been through so many different versions and so many ideas were added to it. But, I’m more than pleased with its final product.

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You are working with Mike Green. How did that collaboration happen? What does he bring to the party in terms of guidance and music?

So. Mike and I met through another producer/engineer, EQ IIIrdeye, who executive produced my first project, Soul[o]. Mike came through to EQ’s studio one day and that’s how we met. Mike laid down guitar on a few of the tracks on Soul[o] and, shortly after that we started working together on our own stuff. Mike has definitely been one of the most challenging people to work with in terms of my growth as an artist. He’s brought me out of my comfort zone with songwriting and has helped me a great deal with it.

Along with Mike being an amazing guitarist, he’s an even better producer. So, being in sessions with him and picking his head, I’ve learned so much about production and song formatting as well.

Did he give you a push to record music and take your songs in new directions?

For sure. Without Mike, lots of the new music you hear; this year and for the rest of my life wouldn’t be the same. Like I said: he’s taught me a lot. That was just a matter of a year too, really: 2017.

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Don’t Tell Me What to Do is out next month. What sort of themes influenced the E.P.?

Love, definitely. I was never one to make love songs like that. Soul[o] was filled with a bunch of stories and deep analysis of my home life. With this E.P., it’s more care-free and fun. I use the word ‘baby’ a lot (laughs). It’s way more commercial and open than any music I’ve ever made or been used to.  

Did you grow up around a lot of music? How important were those early years?

Music has always been my life and I’ve been involved in plenty, sports, dancing etc. It always circled back to music. I was on choirs all my life in church and later became a worship leader (and still am). One of my earliest memories of music is taking my older brother’s iPod when I was very young and listening to a bunch of Chris Brown. He was basically my idol. My mom always used to play cassette tapes and C.D.s in the house and the car (Alicia Keys and India Arie). I used to memorize so much of it. I’d say, without that kind of stuff, my interest in music wouldn’t be where it’s at today. I’ve always appreciated music.

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Where are you heading on tour? Where can we catch you?

I’m not too sure yet. Hopefully, we can book some shows soon. Nothing is set in stone as of right now.

Might we see you in the U.K. at any point?

I’d love to head out to the U.K. and perform. A bunch of random people always hit me up and show love from there all the time. When the timing permits, I’ll definitely be out there.

What do you hope to achieve in 2018?

I’m trying to tour by the end of this year. I know, in 2019, I want to headline. This year, I’d love to support an artist on a tour: East Coast, West Coast; national, any. I’ve literally been itching to do so since the end of 2017. So, I definitely want to add that on my resume by the end of this year.

I also want to release, on top of Don’t Tell Me What to Do, another E.P. entitled Wake Up which is executive produced and performed by me. I want to place myself on the map, live off my music; maybe sell out a bigger venue in N.Y.C. and L.A.; if not by the end of this year, definitely the beginning of 2019. I’ve got myself on a timeline right now.

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Have you got a favourite memory from your time in music – the one that sticks in the mind?

Definitely, one would be opening up for Xavier Omar and Avalon Young at the end of 2016 at Rough Trade in Brooklyn. I was hit up about the show a week prior; Xavier put the word in for me. That’s my brother. I’d never performed original stuff in front of a crowd that big and they were super-inviting, so much love. One of the best nights of my life thus far. I just wish to repeat that kind of experience with my name being the headliner.

If you could support any musician alive today, and choose your own rider, what would that entail?

Kendrick Lamar, Saba and Jon Bellion.

I’m really not that picky. As long as they have some water, tea (peppermint or ginger) and some honey lemon cough drops, I think I’m good. I also love sour candy but that’s terrible for your voice and your face - so maybe I should hold off on that (laughs).

What advice would you give to new artists coming through?

I say this all the time but never give up. If you have a dream, chase after it. I never imagined I’d be in this position and I know this is only a small fraction of all God has for me. Know yourself and know whose advice you’ll be taking into consideration. Not everyone wants to see you win or is looking out for your best interest so always stick to your vision and stay true to yourself.

If you spend too much time listening to everyone else or worrying about what they think, you’ll lose yourself in the process and that’s EXACTLY what you want to avoid here.

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IN THIS PHOTO: Sylo Nozra

Are there any new artists you recommend we check out?

Sylo Nozra, Mac Ayres; Xavier Omär and Nakesake.

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IN THIS PHOTO: Marc Ayres

Do you get much time to chill away from music? How do you unwind?

Sometimes. I spend a lot of time with my girlfriend. I connect most AND best with her. When I’m not working, I’m most likely either making music or hanging out with her.

Finally, and for being a good sport; you can choose a song and I’ll play it here (not any of your music - I will do that).

Forever Always by Peter CottonTale

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INTERVIEW: UNBLOOM

INTERVIEW:

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UNBLOOM

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TO end the weekend…

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I have been getting to know UNBLOOM and what inspired his latest track, I Followed. He talks about the reaction following his song, Chances, and where he heads from here – I discover which artists influenced him growing up and why Canada, in his view, has such a varied and vibrant scene.

UNBLOOM talks about touring and unspent ambitions; which new artists/stables we should be looking out for; how he chills away from music – the Canadian artist also provides some handy advice for upcoming artists.

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Hi, UNBLOOM. How are you? How has your week been?

Hey! It’s been good; crazy-hectic with campaigning I Followed - but, totally a fun process to hear and see people’s reaction to it! Otherwise, I’ve been back in the studio working on more material.

For those new to your music; can you introduce yoursel, please?

Sure thing! My name is Jonathan Zarola and I write, produce and perform under the moniker ‘UNBLOOM’. I make music that causes people to move, emote and reflect (hopefully, simultaneously. Haha). I write and record everything myself from my home studio.

Your last single, Chances, got a lot of love and support. Did you expect so many people to react to it?

Honestly; you never know what to expect when you release a new song into the world (especially one that is so emotionally-charged and important to your life) so it was unbelievable to see how many people empathised with the song. It’s always gratifying to write music that resonates with people and, even more so, to know that you’re not the only person feeling the way you are.

I Followed is your latest track. Is it a reaction to that success? What inspired the song?

It’s interesting because I Followed was written in that awkward pre-release window where Chances wasn’t released yet but was still very emotionally fresh in my mind and heart. So, in some regards, the two songs share this symbiotic narrative in which both relate to feelings of instability and transition - and really, at its core, I Followed is a song about transition; a song that negotiates the tension between personal passion and societal expectations.

In some ways, the song deals with this millennial dread that seeps in where we start questioning what we want to do in life and what’s next.

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Do you reckon there will be even more material coming before the end of this year?

I really believe so, yeah. I have some exciting collaborations in the works and other material that I’m fine-tuning. Releases are as much about questions of strategy as they are execution. I just have to make sure the timing between releases works for me and my team. 

You are based in Canada. Why do you think there are so many great Canadian acts coming through right now?

That’s a good question.

Sometimes, I think Canada has the highest rate of talent per capita than any other country. Haha. It might have something to do with the fact that we are so culturally and ideologically diverse. There isn’t a distinct ‘Canadian’ sound and that, in itself, is a huge asset. We aren’t bound by genre or specific sounds: we just do what we want because we live in a space that promotes anything and everything.

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Give me a sense of the artists you were raised on. Do you recall the first album you bought?

My dad fed me a diet of Led Zeppelin, The Who; Jimi Hendrix and other classic Rock albums. I started my music career as a drummer (and he was one too) so that had a lot of influence on the kind of music I was raised on. That being said, I also loved electronic acts like The Prodigy and I remember buying their classic album, Fat of the Land - my dad was pretty into it too. Haha.

It just had this raw energy that I couldn’t articulate into words. I also had a pretty strong Emo phase, but I won’t dive too much into that (*wink*). Haha

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Where are you heading on tour? Where can we catch you?

Nothing is booked as of yet but you can expect shows to pop up as I gain some momentum from these latest releases!

Will you visit the U.K. this year and see us?

I would love to! If we see there’s an audience to nurture it, I’ll definitely make it a priority. Otherwise, I’ll see if I can live-stream a set in Canada for you guys!

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What do you hope to achieve in 2018?

I think the primary objective is to continue building a loyal and supportive fan-base. I think the best way to do this in the current music landscape is to get featured on large Apple and Spotify playlists. That’s why I always emphasize to my fans to save my tracks to their personal playlists. It’s an algorithmic world and I’m just trying to keep up with it. Other than that, I just hope to continue to get better at my craft and to keep making music that resonates with people.

Have you got a favourite memory from your time in music – the one that sticks in your mind?

I think I’m fortunate to have a lot of special memories. I remember being featured on Apple Music’s electronic page banner when my E.P., This Could Be Everything/This Could Be Nothing, was released last summer. That was definitely a ‘wow!’ moment. More recently, the legendary DJ TARO spun I Followed on the major Japanese radio channel J-WAVE which was so surreal; he sent me a quick video of him singing along to the chorus and my jaw was on the floor.  

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If you could support any musician alive today, and choose your own rider, what would that entail?

Damn; that’s a tough question! I’ll have to go with the amazing Mura Masa. Opening a show for him would be a dream come true (and tons of fun).

I’d probably put some vodka root beers on the rider plus a salt lamp to help me get into the right vibe. Haha

What advice would you give to new artists coming through?

I could go the cheesy route and say ‘Work on your craft; be your own artist etc. etc.’ which is all true but, pragmatically-speaking, save money for each release and budget most of it for P.R. Visibility is king in this industry and simply emailing blogs won’t reap the kind of benefits it used to.

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IN THIS PHOTO: EXNATIONS

Are there any new artists you recommend we check out?

If you’re into cool Techno/instrumental tracks, definitively keep Toronto-based indie label Biblioteka Records on your radar and the artists they support. Another group that should warrant your attention is Brooklyn band EXNATIONS - really fun Synth-Pop stuff.

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IN THIS PHOTO: Biblioteka Records' The Wonderlust

Do you get much time to chill away from music? How do you unwind?

It can be difficult - because my studio is also my home - but I do make it a point to unwind with my girlfriend and watch shows (we’re really into Suits right now) and spend a bit of time playing some video games (sorry; I’m kinda into Fortnite. Haha)

Finally, and for being a good sport; you can choose a song and I’ll play it here (not any of your music - I will do that).

It was my pleasure, honestly! If you could play EXNATIONSCan’t Get Hurt or, if you’re looking for a larger artist, some early Disclosure would be great (my favourite deep cut of theirs is Defeated No More).

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INTERVIEW: J Pee

INTERVIEW:

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J Pee

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YOU do not meet many artists…

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who have the same skills and stylings as J Pee. He is a unique talent and someone I was keen to speak with. He talks about his new album, Who Is J Pee?, and the musicians/albums who inspire him – he tells me whether the state of the planet affects his work and whether he is compelled by modern politics.

J Pee reveals the story behind his latest single, To the Kids That I May Never Have, and why Eminem is an idol; a new artist we need to throw our weight behind; how important Los Angeles is in terms of its people and vibes; what advice he would give to new musicians emerging – J Pee selects a rather unexpected song to end the interview with!

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Hi, J Pee. How are you? How has your week been?

Hi M.M.S.! My week has been wonderful. I spent the weekend in San Jose with my birth-father and his family (I am adopted and recently met my biological father two years ago, so this a pretty new and exciting experience for me and will certainly infiltrate my music at some point! But, I digress (smiles).

For those new to your music; can you introduce yourself, please?

Absolutely. My name is Jesse Pepe (alias, J Pee), and recently released my debut Rap album, Who Is J Pee? I grew up in Salt Lake City, Utah. I’ve been writing music since my junior year of college. At first, it was a lot of Pop/R&B stuff. For the last five years, since moving to Los Angeles, I’ve done a lot of Lonely Island-type music on YouTube which has done pretty well. The music I’ve written has taken so many twists, turns and iterations but has landed right where I think it was always meant to land, which is Hip-Hop.

In the past, I shied away from taking myself seriously as a rapper because I thought that what I had to say was too ‘out there’: not nearly mainstream enough. I’ve realized that this quality is exactly why I feel so compelled to infiltrate (and, hopefully, be a voice of change within) this genre. I’m excited to bring a new, fresh voice of storytelling to Rap music.

What is the story behind To the Kids That I May Never Have? How did it come together?

They are my own personal opinions of a twenty-eight-year-old man who struggles a lot with societal and biological pressures (which are, sometimes, one and the same). I feel like we as a society don’t question our actions enough - myself included. I’m really trying to dig deeper into my own life and find the source of my thoughts, feelings and actions.

I’ve been spending more time with myself, trying to come to honest answers about certain topics without added societal pressure. I realized that having kids because ‘I’ve just always wanted one’ or ‘That’s just what humans are supposed to do’ didn’t seem like enough to me. Conversely, not having kids because ‘Ew; I hate kids, they’re ugly’ felt too shallow. There are biological and societal underpinnings for pretty much every decision we make and, when you start pulling that thread and unravelling the thoughts, it is the most fascinating thing on the planet.

I’m hoping this song challenges people’s beliefs on the subject and hopefully launches them into their own internal debate on why they do or don’t want children. It’s an important topic to be talking about right now - and an uncomfortable one.

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It seems it looks at the modern world and the risks and dangers there. Does the state of the planet affect the way you write?

100%. To be honest, on any given day I feel so much joy, love; guilt, sadness and anger all because of purely existing as a human being. I feel like I’ve been given such a gift to exist on this planet and share it with so many other wonderful human beings. My heart fills with love countless times a day. On the flip-side, I’ll constantly catch myself feeling like I’m nothing more than meat: part of a deep biological system that I can’t escape.

Ultimately, we’re only alive to breed and continue the species; pretty similar to a virus. I feel like the only sure-fire way to prevent the devastation that comes from overpopulation (and we’re already seeing the myriad of repercussions as we speak) is to question our biological programming and ask ourselves if we have the strength to make decisions that aren’t purely dictated by biology. I’m, in no way, saying “Don’t have kids.” I just think at this point, having kids for the sake of having kids; for legacy, out of boredom; because I’m ‘supposed to’…that mindset is dangerous.

Who Is J Pee? is your debut album. What sort of themes inspired the record?

I feel like I spent my first twenty-five years of life not deeply questioning myself, not spending time with myself: I was simply a reactionary human. I felt things and responded. I thought things and responded. I started meditating, I started doing yoga and, as I began to spend more time with myself, I realized that I had been living in a Matrix of sorts; an algorithm. As I spent more time with myself, I started realizing that how I thought I really felt or thought about a certain topic wasn’t always true. I had been programmed to feel that way because of societal pressure, or by a biological default.

I wanted to create an album that represents the new journey that I’m currently on. I want it to feel like you just jumped into my brain for an hour, experiencing the highs; lows, discomfort; contradictions, vulnerability and, most importantly, honesty. Honesty is something new to my life if I’m being honest (pun intended). I’m hoping this level of openness will give others permission to go on their own journey into these uncomfortable human places, without the judgment we (and others) cast on ourselves.

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You mix comedic touches with the music. Who would you count as idols? Do you think it is important to mix serious and humorous?

I think Lil Dicky is a game-changer. That dude is (so) unique because he’s so honest about how emasculated he feels in a world that prides stereotypically masculine qualities. Listening to his album was a lightbulb moment for me. But, my biggest influence is Eminem (surprise, surprise). He is a master storyteller. His earlier stuff was so funny, fu*ked up and incredibly honest. His songs have arcs; they have beginnings, middles and ends. They have characters...

He changed an entire genre of music because he was able to take incredibly dark, violent topics and make them relatable. You have to be an active, engaged listener when you listen to his stuff. If you miss a word you miss a part of the story. He crafts his songs in the same way a master comedian like Carlan or Chapelle crafts a stand-up bit.

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These guys understand that the majority audience does not want to go there with you because most people don’t like to be uncomfortable. So, you need humour and you need a good story to sever the blow. But, most importantly; they’re going to be more apt to listen to what you have to say.  

I get the sense someone like Eminem has made an impression. Are you a big fan of his music?

Clearly, I did not scan all of these questions before I started answering…

Los Angeles plays a role in your life and music. How vital is the city and its spirit been to you?

The longer I live in Los Angeles, the more I love it. I have an amazingly talented group of friends and an incredible support system. If you are fortunate enough to find a strong community out there, it’s the best thing you could ask for. I’m beyond fortunate in that way. It’s a city full of people who left the comfort of their hometowns to risk something. I love that energy.

I also sometimes hate that energy because it can be incredibly desperate, depressing; competitive and isolating - and there are days where I definitely feel all of those things. The joys of being human!

Will there be any live dates coming up? Where can we catch you perform?

I currently do not have any live show dates coming up. Fixing that A.S.A.P. (smiles).

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Do you have any ambitions to fulfil before the end of the year?

I already have the second album written and plan on releasing it before the end of 2018. It’s a really tight seven-song album that delves into toxic masculinity. It’s super-dark, heavy-trap and deals with a lot of really uncomfortable parts of myself. I also have five more music videos in pre-production from Who Is J Pee? and will start releasing them in July.

I’m trying to on a tour with Lil Dicky or Rich Brian by the end of the year. There’s a lot of work to be done to make that happen, so I’ve gotta keep pushing.  

Have you got a favourite memory from your time in music – the one that sticks in the mind?

Writing the end of Meditation...

I wrote the last two minutes of that song and I remember thinking: ‘Oh, okay; that’s how deep I have to ask myself to go, every time. This is what is required of me if I want to continue to do this in a meaningful way to myself and to others’. That was a pretty pivotal moment.

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Which three albums mean the most to you, would you say?

Eminem’s The Marshall Mathers LP

It is probably my favorite Hip-Hop album.

Radius by Allen Stone 

I have no idea how Allen Stone is not a household name. In my opinion, he’s the best singer/songwriter on the planet.

Jingle Cats - Meowy Christmas

Someone legitimately compiled cat meows and assembled them to classic Christmas tunes. My mom bought this for me when I was six and I listened to it SO many times. I’m still blown away that someone went through all that work. How did he find all of those cat meows?! Was he sampling?! Does he have thirty cats?! I still have so many questions. It’s genius.

What advice would you give to new artists coming through?

Spend a lot of time with yourself. Do your best to ‘deculturalize’ yourself (is that word? I don’t think that’s a word). In that strange, exciting and lonely place you’ll start to really get to know yourself (which I’m really enjoying, although it’s terrifying). You’ll start to find what you really think, feel and makes you inspired. Do what inspires you. No matter how bizarre it might feel. If it inspires you it will 100% resonate with someone else. The world doesn’t need your art. There are already too many of us trying this.

That isn’t meant to be pessimistic: it’s actually quite freeing. Because, now, you can stop giving a fuc* about what other people want and do what you want; the way you want to do it. But, you can only find that through spending a lot of time with yourself; asking questions; going down the rabbit hole.

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 IN THIS PHOTO: Chuck Acid

Are there any new artists you recommend we check out?

I recently found this Philadelphia rapper named Chuck Acid. He has an L.P. on Spotify called Food for Your Sole. It’s one of the best albums I’ve heard all year. Definitely check him out.

Do you get much time to chill away from music? How do you unwind?

Escape Rooms. I’m absolutely obsessed with Escape Rooms.

Finally, and for being a good sport; you can choose a song and I’ll play it here (not any of your music - I will do that).

Jingle CatsSilent Night. Just so you guys can experience this. It’s MADNESS.

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