INTERVIEW: The Moods

INTERVIEW:

The Moods

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MY final interview of the day…

is with the ten-strong crew of The Moods. The Manchester band has been discussing their musical influences and how they all found one another. I discover what their new single, Carnival, is all about and how their music generally comes together.

They share a treasured memory from their careers so far; which new artists we need to get our ears around; whether there are any plans for gigs coming up – each of them picks a song to end the interview with.

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Hi, guys. How are you? How has your week been?

It's been a very busy week with The Moods. The new single, Carnival, has been gaining momentum with a couple of national radio plays on BBC Radio 6 Music and features in national magazines. Everyone seems to be enjoying the song so we're happy.

For those new to your music; can you introduce yourselves, please?

I, personally, have trouble describing our sound. It is a mixture of everything, really. I suppose it's mostly Dance, Drum ‘n’ Bass-driven but, as you can hear from our new single, we like to mix it up with a bit of Reggae, Dancehall and 2-Step-kinda-vibes. We really don't like to restrict ourselves. We even have Heavy Rock songs that we've been playing about with in our studio.

You can always expect something different from us, that's for sure.

Carnival is your new track. What is the song’s story?

This song came about from our festival experiences gigging as a band. We seem to enjoy festivals the most. There's such a good mixture of people and personalities and everyone is there for the same reason: to have a top time. We wanted to capture that feeling in a piece of music and I reckon we've hit the nail on the head with this one. It has a real summery feeling to it.

How does a song from The Moods come together? Do you all pitch in – or will someone take the lead?

We own our own studio, so we all get together as much as we can. We're quite fortunate to have a wide range of musical knowledge at hand in The Moods; so we're never stuck for ideas. There's ten of us in total, so the sounds come together quite quickly. It usually starts with one person's idea and we all come alive and throw our bits in.

It's quite hectic at times but we love it that way.

The band formed in Manchester in 2014. How did all ten of you get together? Did you all know one another before the band formed?

The core of the band has been together since high-school in 2002. We used to be an Indie band if you can believe that? Over the years, we've always written music together and evolved our sound into what you hear today. We've added a couple of rappers, a violinist and a trumpet player in recent years and we decided to take it back to the stage. We've had some great feedback so we stuck with it.

Which artists do you all rank as influences? Do you all have varied and wide tastes?

There are so many artists and bands that influence our music. Between the ten of us, we've probably listened to every genre out there. We're big fans of finding new music, though. That's what we love about touring: we get the chance to discover new and exciting artists. Some that instantly spring to mind from recent tours are K.O.G & the Zongo Brigade - and also Yoko Pwno.

Is there more material coming soon? What are you working on right now?

We're currently working on a new album.

We have no official release date and we're in no rush to get it out there either. We're looking to make this one our best yet. You can probably expect a couple more tracks like Carnival and, maybe, a few more unusual live instruments too. We don't like to restrict ourselves and anything goes. We will be releasing an E.P. soon, so look out for that too.

How do you think The Moods’ music has changed since the start? Have you brought new sounds into the fold?

Yeah, definitely. Like I said before; The Moods started out as an Indie band back in the day. It's been a long journey for some of us and a real learning curve with how to craft songs. We're quite lucky to have the history we have - and it definitely helps when writing music.

What do you hope to achieve before the end of 2018?

By the end of 2018, we're hoping to get out to some new cities and towns that we haven’t played yet and to keep building on our fan base with bigger gigs and festival slots

Have you all got a favourite memory from your time in music – the one that sticks in the mind?

It's got to be our album launch party for me. Selling out the O2 Ritz in Manchester was unbelievable. The crowd was amazing and we sold loads of vinyl and C.D.s. It was a special moment for me and it's gonna take a lot to beat it.

If you could support any musician alive today, and choose your own rider, what would that entail?

Rudimental have always had a massive live show and I think we would be a perfect fit as a support band.

As for the rider; we already have a pretty hefty one with ten of us in the band…but I’m sure we could drink and eat a lot more if need be.  

What advice would you give to new artists coming through?

I would tell them not to be afraid to make the music you want to make. Gig a lot. I mean, loads! It's the most important thing you can do. You will learn a lot about yourself and your audience. Make sure your live show is spot-on and have fun. That's what it's all about: try not to make it a job and you'll feel much better about it all.

Where can we see you play? Do you have any gigs approaching?

We've spent the last year pretty much touring flat-out from as far north as Inverness right down to London. For all our tour dates you can check out.

Are there any new artists you recommend we check out?

As mentioned before; K.O.G & the Zongo Brigade and Yoko Pwno really stood out as bands that really excited us whilst touring. Tixxy Bang, who features on Carnival, has an amazing album called Strongman that you should all check out. Also; some of the Scottish bands such as The Girobabies, Colonel Mustard & the Dijon 5 and Busker Rhymes are all well worth a listen.

IN THIS PHOTO: Yoko Pwno/PHOTO CREDIT: Tixxy Bang

Do you get much time to chill away from music? How do you unwind?

Only speaking on my behalf but, when I'm not in the studio or on the road with the band, I spend my winding downtime with a good film or game…and generally just spending time with the family

Finally, and for being good sports; you can each choose a song and I’ll play it here (not any of your music - I will do that).

Phil (Drums): The Beautiful South - You Keep It All In

John (Vocals): UNKLE (ft. Ian Brown) - Be There

Paul (Keys): Sub Focus, Rudimental; Chronixx and Maverick Sabre - Trouble

Dave (Bass): Frank Zappa - Dumb All Over

Alice (Violin): Ganja White Night - Champagne

Baz (Drums): Zero 7 - Destiny

Cunny (Vocals): Damian Marley - The Struggle Discontinues

Will (Trumpet): The Nextmen, Gentleman’s Dub Club (ft. Gardna) – Rudeboy

Kolega (Rapper): Kano (ft. Hot Chip) - All + All Together

Explicit (Rapper): J. Cole - Lights Please

I think that list sums up why we make such eclectic music!

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Follow The Moods

Facebook:

https://www.facebook.com/themoodsmanc

Twitter:

https://twitter.com/themoodsmanc

Instagram:

https://www.instagram.com/themoodsmanc/

YouTube:

https://www.youtube.com/channel/UCNkyCA0toNNEYDwtImK53XQ

Spotify:

https://open.spotify.com/artist/4n6CBxrrU6uk2w7fqARWYI?si=5erHFhMCS1-r8cZm9AvZRA

INTERVIEW: Favours

INTERVIEW:

ALL PHOTOS (unless credited otherwise): Shelby Fenlon

Favours

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TODAY sees me assess…

a lot of Canadian talent! Whether there is something in the air or not; you cannot deny the Canadian market is packed and exciting right now. Favours have been chatting about their single, In the Night, and its amazing video; when the band came to be – they reveal whether more material is coming along.

I ask them whether there are some new artists we should check out; if they each have a favourite memory from music; what sort of gigs are coming up – as they are called ‘Favours’; I ask whether they have been asked any cheeky favours in the past!

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Hi, guys. How are you? How has your week been?

It’s been a wild one. We made the music video for In the Night ourselves and only filmed it a few weeks ago! We worked until 2 A.M., colouring the video the night before its release to make the deadline. It is amazing to have the video and song as our first tune out in the world.

For those new to your music; can you introduce yourselves, please?

We are a Synth-Rock band from Toronto who creates a blend of music from influences of both past and present. We love a lot of music from the '80s and music from today like Tame Impala and Unknown Mortal Orchestra; so, we try to be somewhere in between them: Modern English and Depeche Mode. 

In the Night is your new single. What is the story behind the song?

In the Night is a song Alex Zen wrote about ten or more years ago; he had floated it around different bands but nothing ever clicked. With Favours, everything came together in a perfect way that allowed the song to find its footing. Josh Korody recorded the song and polished it off. Adding a steady synth and bass in the melodies really picked up the tune.

 

The video looks like it was great to film! It has fantasy, colour and a great story. Was it great to be involved with?!

We wrote and produced the video ourselves with help from lots of friends. It was filmed in a vacant house that we had access to and cleaned up, which was a massive undertaking. The video borrows images from our favourite Criterion films like Edward Yang’s Yi Yi and Jubilee by Derek Jarman. The video also briefly features a skateboarding mini-ramp we built in the living room of the house, which provided endless entertainment before and during shooting. 

Is there more material coming from Favours? What are you guys working on?

You bet! We recorded four songs in the studio with Josh when we did In the Night. We expect to head into the studio again this summer to record six more - and then we’ll have an E.P. ready for early-2019. More singles will be released along the way.

 Can I ask how you got together? When did it all click?

Parth and Alex both played in former bands in Toronto (Pet Sun and Invasions). Jacq writes and directs music videos and films; Alex and Jacq met through their video work. Dan and Parth are both from Hamilton and have always wanted to play music together, so it was a perfect fit.

I am seeing a lot of great music come from Toronto. What is it about the area that leads to such invention and consistency?

There are tons of great bands coming out of Toronto and it might have something to do with the great water quality and excellent health care.

Which artists do you take guidance from? Who do you all count as idols?

Tame Impala, Unknown Mortal Orchestra; Arthur Russel, Depeche Mode; Modern English, Talking Heads; Stone Roses, Joy Division. All those kinda cats.  

What do you hope to achieve before the end of 2018?

We would love to open for some bigger bands and get on tour. We’re set to put out at least two more songs so, hopefully, we can get some traction and hit the road. 

Have you all got a favourite memory from your time in music – the one that sticks in the mind?

Alex: I was part of a music residency program at the Banff Centre which was by far the most lavish and exciting time I have ever had in music. I worked with some unbelievably talented producers and musicians there and really learned to hone my craft- which is part of the reason songs sound the way they do.

Parth: Touring through the States and getting to hit new unreal cities every night was a treat. Getting to see the White House one night and Fenway Park a couple nights later...all the while playing music you love (is the dream).

Jacq: Joining a band for the first time (Favours) and playing my first show was super-fun. I’ve been studying piano since I was little so it was nice to fiddle around with such an awesome synth. 

Dan: A few years back; I had a lot of fun organizing and playing a show where we got to perform in warlock robes in a smoke machine-filled, black-lit room for a real fantastic crowd.

If you could support any musician alive today, and choose your own rider, what would that entail?

Kevin Parker – any day of the week.

The War on Drugs – any second day of the week.

Mac Demarco – every other week (because he is too wild to take on all the time).

What advice would you give to new artists coming through?

We are still looking for advice: if you have any, please send it our way. Treat music like you would a prized pooch and really coax that pooch into the world with grace and dignity. Maybe it will love you back.

Where can we see you play? Do you have any gigs approaching?

We will be playing in Toronto and Ontario during the summer months. Stay tuned!

IN THIS PHOTO: Anemone

Are there any new artists you recommend we check out?

Anemone, Faith Healer; Passport Radio and Wooly Mantis are some great Canadian acts to check out!

IN THIS PHOTO: Passport Radio/PHOTO CREDIT: Lexi Johnston

As you are called ‘Favours’; can I ask what the biggest favour each of you has been asked is?

Jacq: Someone asked me to shave their bum once…quite the request.

Alex: People ask for favours all the time but let me tell you: nothing comes free.

Parth: A friend once asked me if they could use my apartment to get busy with a Tinder date…while I was home...

Do you get much time to chill away from music? How do you unwind?

Typically, we work until we bleed but, when we do catch a moment of time to unwind, we pick up some cold brews and maybe a camera; make a film and hit the old skateboard. The usual.

Finally, and for being good sports; you can each choose a song and I’ll play it here (not any of your music - I will do that).

Alex: Caramello – Xenoula 

Parth: Cut Worms - Don't Want to Say Good-bye

Dan: Birdland - Weather Report

Jackie: Mount Kimbie (ft. Micachu) - Marilyn

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Follow Favours

PHOTO CREDIT: Leah Wright

Facebook:

https://www.facebook.com/favoursband/

Instagram:

https://www.instagram.com/favoursband/

YouTube:

https://www.youtube.com/channel/UCjNoJBC4w1cA7rxic5jFTMw

Spotify:

https://open.spotify.com/artist/6ITmkLaaKOscYl6M2Btipq?si=JWFm1m2HTcGvcxhqkTvgSQ

INTERVIEW: Brutus Begins

INTERVIEW:

Brutus Begins

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IT has been a real blast…

speaking with Brutus Begins. He (Ricardo) discusses the track, The Nothing Here, and what it was like filming the video; which artists he would support on tour if he had the chance; what the music scene is like in his part of Canada – he recommends an artist that is filling his mind right now.

Brutus Begins tells me whether U.K. dates are a possibility; why Prince is a huge idol and driving force to him; how the songwriter spends time away from music – ending the interview by selecting a classic slab of Queen.

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Hi, Ricardo. How are you? How has your week been?

I’m feeling lucky, very grateful. Things are busy - in a good way.

For those new to your music; can you introduce yourself, please?

Sure. I’m a musician who uses elements of Psych, synth and Folk to make songs you might like if you’re into the likes of MGMT, Beck and Peter Gabriel.

Can I ask where that moniker, ‘Brutus Begins’, comes from? Is there a story behind it?

It started where the last one ended.  

As the project I was part of was coming to a close, I knew it was bringing about the start of something I could completely immerse myself in. I like the idea that the tragedy of one era is the catalyst for the next. Even something that may be considered a disaster or betrayal is, when you look in a larger context, just the necessary circumstance for fulfilling your own potential. If necessity is the mother of invention, failure is the midwife.

The Nothing Here is your latest song. Does it have a particular origin? What was it like recording the video?

The song was inspired by a scene in the film, Confessions of a Dangerous Mind. There’s a scene where Sam Rockwell’s voiceover describes all the things you could have been and the terrible day you wake up and realize that you’ve become none of them. I think, for a lot of artists, there is an innate fear of becoming invisible and that can lead to reckless behaviour - whatever it takes to be seen. 

Making the video was a lot of hard, fun work. My good friend Reinaldo Tragnone co-directed and shot, while my wife Jessica Lea Fleming (who is also a filmmaker) helped produce and got us our first location…her grandma’s cottage in the dead of winter. There was no running water but it had heat and character. The outdoor scenes, walking toward the sunrise in a bathrobe, were probably as cold as I’ve ever been (it was around -30 degrees). 

After editing some of that footage, we decided to get a little more ambitious and expanded the concept and crew. Another contributor, Adrian Mehes, joined us to help on the subsequent shoots. The whole thing was done on a modest budget only because Reinaldo, Jessica and Adrian were so innovative and committed. 

Uncanny Valley (2016) was met with huge acclaim. Were you stunned by the reception it garnered? Will there be another album coming along?

It was really nice to get such positive feedback and press for an album I recorded on my own, at home. Still, it made me aware of how much further I still wanted to push my sound and how much I have to learn. That’s part of why I went to an outside producer for The Nothing Here. After talking to some people, I ended up working with Michael Dilauro who I felt did a great job of polishing my sound and helping me bolster a pretty simple song with a dynamic arrangement. I’m working on a batch of new recordings and plan on releasing a few more singles before releasing an E.P. or full-length album. 

It’s an advantage of being an independent artist when you can take the time to immerse yourself in the minutia of each track without being pressured to meet a deadline that serves a short-sighted goal. For now, I feel like singles are practical and allow me to reach out to a new fanbase while I evolve and grow.

You mix natural sounds and acoustic instruments – some synthesisers thrown in there. Do you think that mix of nature and electronic is what gives your music its depth and fascination? 

For me, yes. That was part of my goal and really part of why I’m so interested in music today…where different sounds lead and the buttons they push. I’m fascinated by the way we straddle this imaginary line between the things we call natural and synthetic and how these things need each other to be relevant and effective. Power on, turn on your Wi-Fi: the stereo, the Bluetooth so you can hear an acoustic guitar or some congas - or just a human voice. It’s a long way around to get where you were.

Still, these things play nicely together and they are reflections of who we are and how we live. Even the ‘unnatural’ blips, effects and wires have their nature…Sh*t; I can’t really make sense of it but that’s what gives me that feel of wonder.  Still, each listener is going to find depth according to where they dig; whether it’s samples, melodies; beats or stories. I’m trying to make something that lets you dig in a different direction each time.  

How did music come into your life? Were there particular artists that made you want to go into music?

As a kid; it seemed a bit mysterious or magical. To see my dad get nostalgic while singing a Charles Aznavour song or just watching a band move a crowd when my parents took me with them to the Portuguese dances in the community…it was like watching mass hypnosis. I think, when you’re really young, so much of what you perceive as your parents' life seems grey, work; controlled…not free.  Music seemed to be the only thing that gave everyone permission to reach up, dance; stomp, hug; make noise and play all at once.  

I remember seeing my first videos and lots of artists scared and excited me at the same time. They had bright colours like real-life cartoons, moved like superheroes and snarled like pr-wrestlers. Prince blew my goddamn mind - this little dude in a lace blouse and heels. I saw that and my tiny brain lit up! I thought: ‘This is allowed?! This guy is weird and cool and he doesn’t give a fuuuuuck!’ I don’t know how I knew this…but I was pretty sure girls loved this dude. Then, I saw him playing the guitar and it was like he was pouring his molten heart into it; like everything he felt was way too big for any words but he could find a way to fit this giant feeling into a sound. It was like hearing a new magic language - but it would take me years to get up the nerve to speak it.

Toronto is where you are based. Is it a great city to create and perform music in?

Well; not anymore. I recently moved to Hamilton (about an hour away) and while, yes, Toronto is a great city to create and perform - there’s something very exciting happening in Hamilton right now. It took just a few weeks before I found some brilliant people to perform with here and round out the live show. I think a lot of artists have been priced out of Toronto and have had to move to places where lower rents allow for more time to create, experiment and grow.  

Since coming to Hamilton, I’ve seen some incredible musicians honing their craft and laying the foundation for a powerful scene. It’s just a matter of time before everyone else sees what is being built here.

What do you hope to achieve by the end of 2018?

Hmm. I think playing shows to really get our band as tight as possible. We have some exciting things lined up including a festival here in Hamilton and we’ll follow that up with a couple of singles and another video that’s in pre-production right now. It’s for a song called Casual in Cruelty and the video can best be described as The Great Gatsby-meets-Caligula-via-David Lynch’s-meds. It's gonna be a trip.

Will there be any tour dates? Might you head to the U.K. at all?

We’re setting up tour dates and are looking at opportunities that would take us through the U.K. So, yes - and probably!  

Have you got a favourite memory from your time in music – the one that sticks in the mind?

I’ve been fortunate to make some great friends and have some adventures through music…even if, at the time, they seemed like disasters. Whether it’s as a performer or a fan, the moment I can regain the same wonder and awe I had as a nine-year-old hearing Prince for the first time - that’s the new favourite time.

A couple of nights ago, I saw Beck perform. After introducing his band and playing some bits of covers he said: “Someone out there might be thinking - why are these guys playing all these covers…is this a wedding band?! *pause* No; THIS IS A CELEBRATION OF MUSIC!” The place went bananas and so did I. It was a concise, earnest and massive expression of what drives me. So, that’s my most recent favourite memory but I’m always chasing the next one.

If you could support any musician alive today, and choose your own rider, what would that entail?

Wish-list time!  

I’d like to open for Paul Simon....

As far as the rider goes, here are my demands: cappuccinos, creme brûlée and a projector playing Martin Scorsese’s The Last Waltz on a loop.

Then, ten minutes before I go on, Paul Simon has to come in and compliment me on a very specific lyric from my most-recent single. He has to tell me how clever said lyric is and that he wishes he could have written it himself. Then, hugs me real tight, kisses me on each cheek and says he can’t wait to watch me perform. 

That is the rider…

What advice would you give to new artists coming through?

Fail big. Don’t shrink your ambitions to fit them comfortably in the minds of small people.  

IN THIS PHOTO: Khruangbin

Are there any new artists you recommend we check out?

I’m currently obsessed with Khruangbin.

Do you get much time to chill away from music? How do you unwind?

I chill out with my lovely wife, travel when I can; watch good movies and write whenever I have a moment. 

Finally, and for being a good sport; you can choose a song and I’ll play it here (not any of your music - I will do that).

Queen - I Want to Break Free

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Follow Brutus Begins

 Official:

https://www.brutusbegins.com/

Facebook:

https://www.facebook.com/brutusbegins

Twitter:

https://twitter.com/brutusbegins

Instagram:

https://www.instagram.com/brutusbegins/

SoundCloud:

https://soundcloud.com/brutusbegins

YouTube:

https://www.youtube.com/channel/UCpa-ZybWKL3e3chRQ3xQiBA

PHOTOS OF BRUTUS BEGINS:

Jen Squires

Bandcamp:

https://brutusbegins.bandcamp.com/

INTERVIEW: Judith Hill

INTERVIEW:

 Judith Hill

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FEW people can claim they have…

spent time in the studio with Prince! I ask Judith Hill about that experience and what it was like supporting Michael Jackson and Stevie Wonder – Hill talks about her musical tastes and how important it is being up on the stage and bringing songs to the people.

The talented artist discusses her latest track, The Pepper Club, and what we can expect from her upcoming album, Golden Child. She recommends a couple of new artists and coming to the U.K. to play – the songwriter tells me what the biggest she has learned is.

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Hi, Judith. How are you? How has your week been?

I’m doing great. My week has been awesome. Excited to be preparing for these shows.

For those new to your music; can you introduce yourself, please?

My name is Judith Hill. I’m a Soul singer from L.A. I grew up writing, performing and playing since the age of four. I love anything funky, anything with an orchestra and anything that really moves my soul. 

You have a new single/video, The Pepper Club, out. What was the inspiration behind the song?

The Pepper Club was inspired by my new show, Golden Child. It is a play/modern ballet that celebrates the diversity of culture as it tells a story about a group of people who overcome societal division. The Pepper Club symbolizes a cultural mecca where all types of people are celebrated. I eventually want to open a venue called the Pepper Club. 

It is from the album, Golden Child, due later this year. Are there particular events and themes we can see addressed on the album?

Golden Child, the album, has a major theme of unity. Given the current climate of the world, I want to use music to overcome hate and bring people together. We are all one in spite of our differences. I also wrote a lot of the songs for the young child in me. After tragedy and darkness comes the rebirth of innocence.

You worked with Prince back in 2015. What was that like?! Was it quite intimidating having him in the studio?

No. It was peaceful and wonderful. I miss it. 

How has supporting artists like Michael Jackson and Stevie Wonder affected you as an artist and performer?!

They are both incredibly inspiring. I’m inspired by their energy. Being a part of the experience taught me so much. It’s not just the excellence; it’s also the spirit behind the music. Every true artist opens the gateway into God’s stage. We are blessed to experience his power and love through music. 

Do you think you have changed as an artist since the earliest days? What has been the biggest lesson you have learned?

The biggest lesson is to fall in love with what you do. Always keep the excitement and joy in your heart - that is the fuel for every good performance and song.  

Have you got a favourite memory from your time in music – the one that sticks in the mind?

One of my favorite memories is practising Chopin's Nocturnes in college. I loved the harmonies. That’s part of what inspired so much of my music as an artist. 

What advice would you give to new artists coming through?

The advice I would give to new artists: become the best version of yourself. Live in the moment every time you hit the stage and never stop creating. Create every day and share it with the world. Your music may become someone’s salvation or just put more smiles on faces. 

I believe you are playing the U.K. soon. Have you performed here before?

This will be the first time I bring my whole band to play in the U.K. Last time I was there, I opened for John Legend. It was an acoustic show - but this is the full band show.  

Is it important getting on stage and putting your music to the people? What kind of buzz do you get?

I love performing live. That’s where you feel the connection with people and the songs come alive. Every show is a different experience. When people come to my shows, I take them on a journey. It’s an emotional rollercoaster but an unforgettable experience. 

IN THIS PHOTO: Alice Smith

Are there any new artists you recommend we check out?

I love Marcus King and Alice Smith. They are both great.  

Do you get much time to chill away from music? How do you unwind?

I love watching movies, going to vintage clothing stores and playing with my dog.  

Finally, and for being a good sport; you can choose a song and I’ll play it here (not any of your music - I will do that).

Pure Imagination – Gene Wilder

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Follow Judith Hill

Official:

http://www.judithhill.com/

Facebook:

https://www.facebook.com/JudithHillOfficial/

Twitter:

https://twitter.com/Judith_Hill

Instagram:

https://www.instagram.com/judithgloryhill/

YouTube:

https://www.youtube.com/channel/UCDXKNXRw5bLNp2u7SGl9jCQ

Spotify:

https://open.spotify.com/artist/04ka9403wgTxmWFMY1PD5t

INTERVIEW: Colour Film

INTERVIEW:

 Colour Film

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I have been speaking with…

the excellent Colour Film (Matthew de Zoete) about his single, Open Road, and its creation. He talks about shooting its video and working alongside Caroline Brooks; how he feels he has developed since his debut – de Zoete offers some advice for upcoming artists.

I ask the Canadian songwriter whether there is more material coming later in the year; if there are any tour dates planned; how he spends time away from music – he ends the interview by selecting a classic cut.

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Hi, Colour Film. How are you? How has your week been?

I'm doing well, thanks. My week's been good - lots of activity around the new single and video, so that's been fun. I've also been working a fair bit on my wife's flower farm, helping her out during the busy season. It's nice to get outside and do some physical work as well.

For those new to your music; can you introduce yourself, please?

Sure. My name is Matthew de Zoete and I live in the countryside near Hamilton, Ontario (Canada). I started releasing music and touring in 2006. Since then, I've released four albums and toured throughout North America and Europe. 

What is the story behind the moniker, ‘Colour Film’?

The name comes from the title-track of an album called Colour Film released under my own name in 2012. The song is a reflection on seeing home movies of my grandparents and their siblings from the 1960s when they were much younger than I've ever known them being. Seeing those silent films made me realize that my grandparents are just like me - they started out young and are getting older one day at a time – and that I have a lot more in common with them than I thought.

So, the song is important to me, personally but, also, when I thought about it, I realized that I often write songs with a visual element - some characters, a plot or situation; a distinct setting, some details that hopefully bring the song alive in a listener's mind. Sometimes it's subconscious, sometimes it's intentional but it seems to be a recurring theme in how I approach songwriting.

Open Road is your new single. Is there a story behind the track?

The song was inspired by a bike ride I took with my wife and two young daughters in the countryside one evening. At one point, they were up ahead of me a little way and I caught a glimpse of them biking with a stretch of open trail curving off into the distance in front of them. I was struck by the idea of a person you love being an open road - taking you places inside yourself, opening possibilities and shaping your path into the future.

This thought and the mental snapshot of my family stuck with me, so I wrote the song the next day. The rhythm and melody remind me of biking with them and we shot the video on the same stretch of trail where the song was inspired.

How did you come to work with Caroline Brooks? Do you two have a musical past together?

I'd met Caroline a few times through producer Les Cooper (who has also worked with Caroline and her band Good Lovelies) and other musical friends. We don't have a musical past together but I was familiar with her music. So, as soon as I started visualizing the feel and atmosphere of how I'd like to record Open Road, I thought Caroline's voice and approach would be perfect.

The video sounds like it was really interesting to put together. How quickly did Nathan Fleet, the director, come up with the concept?

The video was really fun and easy to shoot. It was a very relaxed and enjoyable experience, which isn't always the case! Nathan and I were kicking around a few concept ideas and I suggested two people doubling on a bike, which I'd seen and done a fair bit on previous tours in the Netherlands. We fleshed the idea out a bit and both felt it would suit the song. So, the concept was quite easy and natural as well. Usually a good sign.

Is there going to be more material before the end of the year? What are you working on?

I'm always writing new songs, so that's what I'm working on at the moment - preparing material for the next album which I plan to start recording later this year. The album won't be out for a while, but you never know…there may be another single before then.

How do you feel you have developed as a songwriter since your debut?

I think I've been able to achieve a bit more focus and clarity, both musically and lyrically.  I think I've learned to have a little bit more direction.

What do you hope to achieve by the end of 2018?

Another birthday…

Beyond that, I'd like to help Open Road reach some ears and connect with some people; maybe elicit a few smiles. I'd like to continue to grow as a songwriter and record a few more songs.

Have you got a favourite memory from your time in music – the one that sticks in the mind?

I played a concert a few years ago in an intimate venue and it happened that a number of relatives - aunts and uncles of mine, along with some cousins of my parents – could be in the audience. Introducing and playing the song Colour Film that night was quite powerful and meaningful; knowing that those relatives, who understood the family connections and knew the people in the home movies that inspired the song, were there sharing the experience.

If you could support any musician alive today, and choose your own rider, what would that entail?

I would open for Ray Davies and only ask that I could play guitar in his band.

What advice would you give to new artists coming through?

Not sure how much wisdom I have to share, but two things have been helpful to me...

One is to be open to honest feedback, both positive and negative, from people whose opinions you trust. The other is to keep on keeping on - in both musical and non-musical aspects. Keep writing and learning; keep booking shows and tours; keep trying to connect with people.

IN THIS PHOTO: Don Brownrigg

Are there any new artists you recommend we check out?

Don Brownrigg. He's released a few albums - so not a new artist, per se - but his music is well worth checking out.

Will you be touring very soon? Might we see you in the U.K.?

I've always wanted to tour the U.K., which might be partially due to my secret but thriving interest in Anglo-Saxon history. I don't have any confirmed plans for a U.K. tour, but it is on my list of projects.

Do you get much time to chill away from music? How do you unwind?

We've got a couple kids and a farm to take care of, so there isn't a whole lot of true downtime. But, to relax I enjoy gardening and reading - mostly history, but current events and novels as well.

Finally, and for being a good sport; you can choose a song and I’ll play it here (not any of your music - I will do that).

I'd love it if you could play A Song for You by Gram Parsons

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Follow Colour Film

Official:

http://www.colourfilm.ca/

Facebook:

https://www.facebook.com/ColourFilmMusic

Twitter:

https://twitter.com/ColourFilmMusic

Instagram:

https://www.instagram.com/colourfilmmusic/

YouTube:

https://www.youtube.com/channel/UCDXKNXRw5bLNp2u7SGl9jCQ

INTERVIEW: Sarah Darling

INTERVIEW:

PHOTO CREDIT: Cameron Powell

Sarah Darling

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THE next couple of weeks are going to be rather…

extraordinary and busy for Sarah Darling. She has a huge gig at Hyde Park and will play alongside, among others, Paul Simon! Darling has been talking with me about her latest single, Diamonds, and what its story is; recording it in Nashville and when she started to get involved with Country music.

She reveals whether more material is coming and what other tour dates are occurring; which three albums mean the most to her; a couple of new acts we need to get involved with – Darling tells me about her ambitions for the remainder of this year.

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Hi, Sarah. How are you? How has your week been?

Hello and thank you for the interview! It’s been a wonderful week of resting and spending time with family. I’m a girl of balance and love the recharge time. I’ve been quite the world traveller lately.

For those new to your music; can you introduce yourself, please?

Hello. My name is Sarah Darling - that’s my real last name! Welcome to my world of Country music meets the wide open spaces. It’s music that allows you to really escape somewhere beautiful through a story. If you get a chance, check out Diamonds, Where Cowboys Ride and Halley’s Comet and you will get to know me in about twelve minutes!

Diamonds is your new single. What is the story behind it?

Diamonds is a very special tune. I wrote it with a really good friend, Jessica Sharman from the U.K.

We sat on my front porch in Tennessee watching the sun go and wrote the words to this song. It’s the idea that not everything beautiful happens in an instant. There’s a process to everything - and it’s what you do in the process that makes it all worthwhile. It’s really been my life and my experience of chasing my dream in the music industry. I wouldn’t change a thing to the process of how I’ve done things.

It’s led me to far more beauty than I could have ever imagined.

Is it true the song was recorded in Nashville? How cool was it recording there?!

Yes. Diamonds was recorded in Nashville with producer Mark Bright at Starstruck Studios. He’s one of those producers I had always dreamed about working with. Honestly, recording in Nashville is one of the most magical experiences. You basically get the most creative people in a room and they bring a song to life. I always wish I could bring everyone in the room to watch the process because it’s so wonderful.

It seems like there are similar lyrical strands to Wasted. Do you see the two songs as companion pieces?

A lot of my music touches on certain subjects I’ve been finding. I think it’s great to be a storyteller and messenger. Hopefully, the words really speak to somebody.

Are there going to be more tracks coming before the end of the year? What are you working on?

I’ve been writing like crazy the last few months. We will be announcing new music very soon.

It seems Country music plays a big role in your life. Is it a genre you are drawn to?

My grandfather was a big Country music fan and introduced me quite young. Country reminds me of home and all the wonderful memories of family. I love bringing that aspect into what I do every day.

I notice Pop elements coming into your current material. Who do you count as musical influences?

I’ve always been a blend of all my influences. I love great music and don’t even create genres anymore. I grew up listening to Joni Mitchell, the Eagles and Shania Twain. I’m a product of all the music that’s influenced me over the years.

Will there be any live dates coming up? Where can we see you play?

Yes. I’m playing my biggest show to date July 15 with Paul Simon and James Taylor at Hyde Park for British Summer Time! July 22 at SummerTyne Festival; July 23 at River Town and August 26 at the Cottingham Folk Festival.

Do you have any ambitions to fulfil before the end of the year?

I have an ambition to elevate, musically. I absolutely loved making my last album and now it’s the fun part of creating a new world for people to enjoy. Creating is hard and wonderful all at the same time.

Have you got a favourite memory from your time in music – the one that sticks in the mind?

I had someone share how Diamonds really made them feel uplifted in a very dark time in their life. That’s what music is supposed to do.

Which three albums mean the most to you, would you say?

Raising Sand - Alison Krauss and Robert Plant

The Woman in Me - Shania Twain

X & Y - Coldplay

What advice would you give to new artists coming through?

Always be yourself and beautiful things will happen. It’s not a race - and allowing yourself to make something that’s truly ‘you’ will make all the difference.

IN THIS PHOTO: The Wandering Hearts

Are there any new artists you recommend we check out?

I’m a fan of The Wandering Hearts and Gabrielle Aplin.

IN THIS PHOTO: Gabrielle Aplin

Do you get much time to chill away from music? How do you unwind?

I always try to get an escape just to shut down my mind. I love to cook and go on hikes as well as travel to new far off land!

Finally, and for being a good sport; you can choose a song and I’ll play it here (not any of your music - I will do that).

Ward Thomas - Lie Like Me. I love these girls and this new release!

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Follow Sarah Darling

Official:

https://www.sarahdarling.com/

Facebook:

https://www.facebook.com/OfficialSarahDarling

Twitter:

https://twitter.com/_SarahDarling

Instagram:

https://www.instagram.com/officialsarahdarling/

YouTube:

https://www.youtube.com/channel/UC7UZGzlnwrofrahUOjgNGOg

Spotify:

https://open.spotify.com/artist/4WCpgJFxAdAsm4FSD9CAfX 

INTERVIEW: Shlomi Ash

INTERVIEW:

Shlomi Ash

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MY final interview of the day…

is with the wonderful Shlomi Ash. He has been telling me about his debut single, Taking Me Over, and what it felt like finishing it; if there is more material coming down the tracks – he reveals some songwriters that have been important to him.

Ash tells me when music came into his life; growing up in Tel Aviv; the advice he would give to artists making their first steps; how he spends time away from music – he provides the names of upcoming artists we should check out.

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Hi, Shlomi. How are you? How has your week been?

Pretty tense but I have no complaints. I did quite a lot of rehearsals for upcoming shows and drank too much but also wrote a new song that I really like and started planning my first music video – so, things are going really well.

For those new to your music; can you introduce yourself, please?

Absolutely. I am Shlomi Ash; a singer-songwriter from Tel Aviv. I write big, loud guitar songs as well as intimate, acoustic melodies. Above all, I strive to make sincere, melodic and poetic guitar music. I spent the past few months in England recording a debut album with producer Chris Potter which I’ll be releasing in the coming year or so. I also quite like wine… (smiles).

Taking Me Over is out. As a debut single, was it quite tough putting something together you felt was ‘ready’ for the world?

Very, VERY tough. I spent the past ten years or so writing the songs that ended up on the album, including Taking Me Over, so it was extremely tough letting it go. Ultimately, though, you get to a point where you say: “If I won’t record it now, I’ll probably never will”. So, you simply let go and make it the best you can and as truthful as you can.

What is the story behind the song? When did it start life?

The main riff came first, some eight-plus years ago, and I liked it so much that I played it repeatedly for several hours until the rest of the music just came into being. I was very much into Funk and American Delta Blues at the time (Robert Johnson mainly), so I tried to write lyrics that had this feeling. As far as I’m concerned, though, it could be about anything really. It could be about sex, or about music itself and its part in our lives - or about anything else. For me, the main thing is the feeling and vibe of the track.

Taking Me Over has already been included on playlists and is doing well! How does that make you feel?!

Well, fantastic! Getting such great feedback on a debut single is very exciting and I’ve been humbled by all the things people said about it. I think a lot of people (including myself) are really hungry for guitar music. For too long now too many people say that guitar music is dead but I don't believe it will ever be the case. When I hear a great guitar riff or a strong guitar melody, my heart just starts pumping, in the most primal sense, and this kind of feeling can never disappear. I truly believe so.  

Is there more material coming along? Might we see another single before the end of the year?

Oh, definitely. There are lots of things in the pipeline and we’ll definitely be releasing one-two singles before the end of the year - and probably a music video or two as well.

Do you recall when music came into your life? Was there an artist or person who influenced that move?

Growing up, there was music coming from the radio in my house all the time - anything from Middle Eastern music to '70s Progressive-Rock. The moment when music became the main part of my life, though, was when I first heard The Beatles’ ‘Blue’ album. I was lucky enough to hear it for the first time at a very young age as it was one of the very few C.D.s my father had laying around. I became obsessed with it and still think everything you need to know about music can be found on that record.

Funnily enough, I also remember The Titanic movie soundtrack as another major influence at a young age. The big cinematic, symphonic sound never stopped exciting me since - and I’m still trying to add it to many of the songs I write.

In terms of music; what do you listen to when not recording your own?

I’m fascinated with great guitar music and great singer-songwriters. Like yourself, I love Jeff Buckley as I think he is a master of all domains – guitar playing, songwriting and singing. I also love American Rock and Folk legends such as Bruce Springsteen, Johnny Cash and Bob Dylan but my greatest love is definitely for '90s Pop-Rock music - Grunge, Britpop and anything in between. These guys knew how to craft great, timeless songs.

What do you hope to achieve in 2018?

Getting the music out there is the number-one thing. I can't wait for people to hear the other songs from the album. So, doing shows and performing as much as I can is a good goal for 2018.  

Have you got a favourite memory from your time in music – the one that sticks in the mind?

My first ever band rehearsal was something I'll never forget... 

I was fifteen or sixteen and just got my first band together. We didn't have a lot of money to spend on a proper rehearsal room so we went to the schoolyard at 2 A.M.; found an A.C. outlet near the basketball court, plugged in the amps and guitars and started jamming under the stars. Our school was in a highly-populated neighbourhood, so it wasn't long before someone called the cops and we had to run away with the amps and guitars and all.

We were good kids but, at that moment, we felt like true Punk-rockers! It was one of these great childhood memories that come to you sometimes and put a smile on your face years later.

If you could support any musician alive today, and choose your own rider, what would that entail?

Probably Nick Cave or Tame Impala. Both of them seem to have a lot of fun on stage so it would be great supporting them. I'm also a big (Bruce) Springsteen fan and his live shows are the best I've seen - so that would be a dream come true as well.

What advice would you give to new artists coming through?

Send your music out there: you can never know who will like it and join forces with you. I ended up working with one of my all-time favourite producers only because I reached out to him and sent him my demos. Also; never stop writing, wherever you are and whatever you do. You never know when the next great song will come along.

Might we see you tour very soon?

Yes! We plan a tour in the Tel Aviv area in the coming months and there's a planned European tour for early next year. I love England, so coming back to do shows there would be fantastic as well.

IN THIS PHOTO: Pale Seas/PHOTO CREDIT: Hollie Fernando

Are there any new artists you recommend we check out?

Chris (my producer) introduced me to a new band from the U.K. called Pale Seas which I’m obsessed with at the moment. They’ve made a remarkable debut album.

I also quite like Dr. Dog - they are not as new but equally as great. They’re an American band that has a modern Beatle-esque sound and a really nice vibe.

IN THIS PHOTO: Dr. Dog

Do you get much time to chill away from music? How do you unwind?

Well; I already mentioned wine...

Besides that, I really like watching stand-up comedy and painting - but nothing really beats Netflix these days, does it?

Finally, and for being a good sport; you can choose a song and I’ll play it here (not any of your music - I will do that).

That's always fun. I would have to choose the great Mr. Buckley, then. Maybe his What Will You Say duet with Alim Qasimov - that's a strong one!

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Follow Shlomi Ash

Facebook:

https://www.facebook.com/shlomiashmusic/

Twitter:

https://twitter.com/ShlomiAshMusic

SoundCloud:

https://soundcloud.com/shlomiash

Instagram:

https://www.instagram.com/shlomi_ash/

INTERVIEW: Astha

INTERVIEW:

Astha

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THE stunning Astha…

has been talking with me about her track, More, and how it came together. I ask about Toronto and whether it plays an important role to her; when music came into her life; if her own material/sound has changed and progressed since the early days – she talks about her first home of Kathmandu (Nepal).

Astha recommends a new artist and gives advice for artists coming through; whether there are tour dates coming up; a special memory from her time in music – Astha ends the interview by picking a song from a great new talent.

____________

Hi, Astha. How are you? How has your week been?

Hey! So busy! We had a really successful pre-listening event for the E.P. yesterday in Toronto. As an independent musician, the grind sure is real!

For those new to your music; can you introduce yourself, please?

I’m Astha; an Alternative Pop singer-songwriter originally from Kathmandu, Nepal and now based in Toronto, Canada. What I’m about (is wanting) to capture complex human emotions in a minimalistic way to create a sonic space of intimacy with my listeners. By welcoming them into my world and my emotions, I hope my audience will feel inspired to express theirs as well and hopefully discover their emotional freedom.

More is your new single. What was it like putting the song together?

More is a song that I hold very close to my heart. My producer, Myles ‘Losh’ Schwartz, and I spent many days in the studio fine-tuning the emotional delivery of the vocals. Since it is such a stripped-down production, it was important for us to focus on the voice being the centre of the song.

I believe you faced tough decisions and felt, at one point, your life was not going according to plan. Is More the rebirth and need to find something better from life?

I wouldn’t necessarily call it a 'rebirth' but more so a self-discovery process. I feel that the song More represents my understanding of what true unconditional love feels like in a relationship. In 2015, through the most random string of fated events, I met someone who hit me like a wave. Have you ever had an unconditional love? I believe that I have found that love and if I can capture even an ounce of that love in my songs I have fulfilled my calling.

How do you think your music has developed and progressed since your early days? Have you felt yourself change as an artist?

I would say that, at my core, I haven’t changed much. What has changed is the amount of life I have lived, which I feel definitely reflects in my music. I feel like I know myself better now? I think for the longest time music was sort of a crutch I relied on to fill a void. Now, I am approaching music from a space of fulfilment. Now, I have a lot more to give!

Toronto seems to be an important place for you. What is about the city that you love?

Toronto is my second home (Kathmandu first). I’m so lucky that I have two cities I can call home. The multiculturalism is what I love the most about Toronto. Everyone here is from somewhere else.

How did music come into your life? Were there particular artists that made you want to go into music?

Music came into my life in the form of songwriting. I started writing songs when I was fourteen and fell in love with the art form instantly. Music is definitely my first love. Artists who had a huge influence on me growing up were songwriters like Ben Harper, Dave Matthews; John Mayer and Alicia Keys.

What do you hope to achieve by the end of 2018?

I hope I continue writing and releasing new music. My biggest fear is that I’d stop writing songs someday. That would be crippling.

Will there be any tour dates? Might you head to the U.K. at all?

The U.K. might be on the list! I did three shows in the U.K. back in 2014 and have been itching to go back ever since! As of right now, my team has secured a few dates for Australia next year.

Have you got a favourite memory from your time in music – the one that sticks in the mind?

I remember all the late nights I used to spend writing songs back when I was a teenager. I would pretend to be asleep in my room with all my lights off. I would then use the streetlight that would shine through my window as a light source and stay up all night writing in my notebook. I miss that. I miss writing just for the sake of writing, without the pressure of turning them into studio-quality songs.

If you could support any musician alive today, and choose your own rider, what would that entail?

Wow. Tough question. I would love to open for James Bay and support him on his tours if I could.

As for the rider: an unlimited supply of warm green tea, please!

What advice would you give to new artists coming through?

To be yourself - and not let the industry change you. At the end of the day, all that matters is making music that you feel is true to you.

IN THIS PHOTO: lemin.

Are there any new artists you recommend we check out?

There’s a new artist out of Toronto I just discovered the other day who goes by the name lemin. I love her new song, My Body - “My fingers talk about your hands/My mouth tells me about your lips/My silhouette just won't stop talkin' 'bout your fingers on my hips/It's so loud”. So beautifully written!

Do you get much time to chill away from music? How do you unwind?

Lately, I’ve been spending a lot of time outdoors; just getting in touch with nature. Being beside any body of water helps me recharge.

Finally, and for being a good sport; you can choose a song and I’ll play it here (not any of your music - I will do that).

Lemin. - My Body

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Follow Astha

Facebook:

https://www.facebook.com/asthamusic

Twitter:

https://twitter.com/asthamusic

Instagram:

https://www.instagram.com/asthamusic/

SoundCloud:

https://soundcloud.com/astha

Spotify:

https://open.spotify.com/artist/2ea3mHdtc2a5IqmQQXhDCF

Bandcamp:

https://astha.bandcamp.com/

YouTube:

https://www.youtube.com/channel/UC3nLn_GQBnHVkUoRGM-FdWw

INTERVIEW: cleopatrick

INTERVIEW:

cleopatrick

___________

THERE is a long and deep connection between…

the guys of cleopatrick. I have been speaking with them about their new single, youth, and whether further material will arrive – they tell me how they got together and what Ontario is like in terms of music and vibe.

The cleopatrick boys reveal some hot-off-the-press tour dates and talk about favourite musical memories; they highlight some upcoming artists to get behind; some useful advice for emerging musicians is provided – they end the interview by selecting some great songs.

____________

Hi, guys. How are you? How has your week been?

Incredible, dude. Life is incredible.

For those new to your music; can you introduce yourselves, please?

Hey. We are cleopatrick; two twenty-one-year-old dudes talking sh*t with a guitar and a drumkit.

Youth is the new single. What is the tale behind the song?

Youth is about a lot of things - growing up; not fitting in; regretting inaction and regretting action. It’s melancholic nostalgia in the key of Dm.

It seems like it holds personal anger and struggle. Was it quite cathartic ‘letting it all out’, as it were?!

For sure. There have been a lot of shows where we get to that ending moment and I let a bit too much emotion out in those lines and lose my voice for the whole outro. A dangerous song, but it feels amazing.

Will there be more material coming a little later? What are you working on?

We are writing a bunch of new stuff at the moment. Not really sure what it is, what it’s for and when it will be heard. But, if you catch us live you'll get to enjoy them a lot sooner.

How did cleopatrick start life? When did you start making music?

Ian and I met and instantly became best friends on the first day of junior kindergarten at the tender age of four. We started making music four years later, when we turned eight, and our parents got us both semi-matching acoustic guitars. Cleopatrick started when we graduated high-school.

Ontario is your base. What is the area like for local talent and great venues?

Ontario is where it’s at right now for emerging guitar bands. Some people like to think otherwise but the musicians in this scene are some of the most creative, hardworking and incredibly talented artists we have ever met. Some great bands that are clearly about to blow up; I’m talking Ready the Prince, The Kents; Texas King - the list goes on and on.

In terms of music; what do you listen to when not recording your own?

We listen to a lot of stuff. I've been obsessed with Anderson .Paak for the last six months of my life. BROCKHAMPTONs Saturation trilogy. The new Arctic Monkeys record is fucki*g unreal. Anything cool and real.

What do you hope to achieve in 2018?

Well. I was hoping we’d become the top-grossing artist in the world so I could buy a motorcycle, but it looks like we are running out of time in 2018 to make that happen. So, pushing that to next year, I think we are just looking to make some awesome memories with our friends and share our art with as many new people as possible. Also, maybe quit our day jobs…

Have you each got a favourite memory from your time in music – the one that sticks in the mind?

We threw an insane house-party in my living room for the Daphne Did It music video. It was exclusively friends and long-time cleo supporters. That was genuinely the best night of my life. Looking out and seeing so many beautiful people that have helped push my dreams into reality.

If you could all support any musician alive today, and choose your own rider, what would that entail?

Probably Post Malone.

Our rider would only state that he has to hang out with us in the green room for, like, fifteen minutes - All for Instagram.

What advice would you give to new artists coming through?

Make music that you think is dope. Say things that give you a weird but cool feeling in your chest - and make it about having fun with your friends. Nothing matters. You’re pinned down to a rock in space.

Where can we see you tour before the end of the year?

19.09: Cologne, Germany – Studio 672

21.09: Hamburg, Germany - Reeperbahn Festival

28.09: Huddersfield - The Parish

29.09: Nottingham – Rockcity Hey Hey Hey

30.09: Glasgow - King Tut’s

02.10: Cardiff - Clwb Ifor Bach

03.10: Birmingham - Sunflower Longue

04.10: Leeds – Oporto

06.10: Manchester - Neighbourhood Festival

07.10: London - Communion Club Night

IN THIS PHOTO: Ready the Prince

Are there any new artists you recommend we check out?

Ready the Prince.

Do you all get much time to chill away from music? How do you unwind?

Hangout with our friends; talking about Drake with Sanjay; making dumb jokes in my basement; drinking SoCIAL LITE with Jake Shorten.

Finally, and for being good sports; you can each choose a song and I’ll play it here (not any of your music - I will do that).

Dead Roads by Ready the Prince

Stoned Love by dubé

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Follow cleopatrick

Facebook:

https://www.facebook.com/cleopatrickmusic/

Twitter:

https://twitter.com/_cleopatrick_

SoundCloud:

https://soundcloud.com/streamcleopatrick

Instagram:

https://www.instagram.com/cleopatrickpics/

Bandcamp:

https://cleopatrick.bandcamp.com/

INTERVIEW: Moon

INTERVIEW:

Moon

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TO start the week…

I have been speaking with Chicago’s Moon about their new album, Extinction, and what sort of themes inspired it; the guys each choose their favourite song from the record – I was keen to know how the band got together and how they feel their sound has developed.

David, Shen and Chris recommend some new artists and reveal their ambitions for the rest of the year; which artists have been important to them; if there are gigs booked in the diary; whether they are coming to the U.K. to play – they each select a song to end the interview with.

____________

Hi, guys. How are you? How has your week been?

Chris Schneberger: Good! We got together for the first time since our album release show on 9th June and we discussed some show ideas and where we want to take our sound going forward.

David Azizinamini: Good, busy.

For those new to your music; can you introduce yourselves, please?

David: Singer and guitar player…

Shen (Chris Shen): I’m Shen, the bassist...

Chris: I’m Chris, the drummer. I hit stuff with sticks. As for the band, I describe our sound as heavy, melodic; propulsive guitar-driven Indie-Rock with touches of Shoegaze and Prog.

Extinction is your new album. What sort of themes inspired it?

David: Extinction of life...though that seems super-obvious; it's also metaphorical; the extinction of past memories, past times; this climate we are in, politically, in the U.S. is terrifying to me. But, even beyond that, our consumption, our self-serving desires…they all were themes to me in writing the lyrics.

Moon - There's Light Here from Christopher Schneberger on Vimeo.

Is there a track from the album you all gravitate towards?

Chris: There’s Light Here is the single and very energetic, a real rocker. But, I hope people discover the song, Siberian. It’s one of my favorite songs we’ve ever written.

David: I love Revolutions, musically, but I feel Siberian, lyrically, more. Again, the reckless abandon of war and destruction were in my mind when I wrote it.

Shen: I like them all (obviously) but, if I had to choose one, I’d say Siberian is the most Moon-esque song since it contains a lot of our qualities: long, spacious; multiple parts, shifts between heavy and mellow.

 

This is your third record. How do you feel you have developed since your formation?

Shen: We’re writing at a higher level more consistently; less material that feels like B-sides - that comes the longer you play together as a unit. We’ve also worked a bit more straight-Rock into our sound (songs like There’s Light Here and Wishlist).

David: I felt like I knew what I wanted more...I became comfortable with the fact that we are a different kind of band so I just embraced who WE are instead of hoping to sound like what I thought people wanted. “Do you” as we say! (Smiles).

Chris: Definitely, more concise songwriting. That, and incorporating the influence of Donna Summer…

When did that formation happen? When did Moon get together?

Chris: Around December 2008, I was advertising for local musicians to play with and got together with David and a bass player I had previously tried out with, Pat LaRose. Pat was a very melodic player and went along great with David’s echo-drenched, chiming style. Within the year, we were playing some small shows and recorded a three-song E.P.

Pat was with us for a few years and we recorded our first full-length album and another E.P. with him. Then, he left for New York and we found Shen. He’s an incredibly talented player and we’ve recorded two more studio albums with him.

Do you all share musical tastes? What sort of sounds do you listen to?

Chris: I think our tastes overlap but aren’t all the same. For instance, Shen and I share a love for some Metal and Prog like Rush and Iron Maiden but I’m really a child of '90s Indie-Rock. Some of my favorite bands are from that era - like Superchunk, Poster Children; Archers of Loaf, Number One Cup and Built to Spill.

PHOTO CREDIT: Dot Morton

David: Chris and Shen are more like-minded than me. They love the Classic Rock stuff but I have limited information about that kind of music. I grew up listening to ABBA and top-40 Pop radio like Michael Jackson. When I was nine or so, I got into Punk and listened to the Dead Kennedys religiously. From there, it was really anything with melody and washy guitars: Bleach and In Utero by Nirvana…and then it was Radiohead, Elliott Smith; Jeff Buckley, Circa Survive; Slowdive: anthemic, epic bands with great singers and lovely melodies.

Shen: I came upon Heavy Metal like Iron Maiden, Black Sabbath and early-Metallica but I also like some bands that could be considered as the start of Emo and Alternative like Jane’s Addiction, Sunny Day Real Estate and Quicksand.

 PHOTO CREDIT: Dot Morton

Where are you heading on tour? Where can we catch you?

David: Tackling the Midwest United States right now.

Chris: Also; we’d love to support a touring band.

Do you reckon you’ll come to the U.K. and perform this year?

Chris: Haven’t you seen us there? We exclusively play random phone boxes in the town of Barnsley. I’m sorry you haven’t been witness to one of these. They’ve been packed houses! In all seriousness, we would love to come to the U.K. We await the invite from Hammersmith Odeon soon.

David: I'd love to...all of my favorite bands are from there it seems. Maybe, a bill with Radiohead and Wolf Alice!

What do you hope to achieve in 2018?

David: Promoting Extinction and writing more; introducing new elements into the music as well. I love being in a three-piece but I love when three-pieces introduce layers...probably why I love The Joy Formidable.

Chris: We’re hoping to play more shows and to more people. The new album is getting heard and the response has been great. We just want to play to crowds of like-minded music listeners. Plus, the end of this year will mark our tenth anniversary - and we’d like to celebrate that with a big show.

PHOTO CREDIT: Ed Rzewnkicki

Have you each got a favourite memory from your time in music – the one that sticks in the mind?

David: Singing Mountain Song by Janes Addiction when I was in 9th grade in my friend's basement for a birthday party. It was my first time playing with other musicians. They wouldn't let me be in the band though...said I didn't move around enough. Fu*k those guys! (Laughs).

Chris: I think my favorite memory was playing a show at the Empty Bottle, my favorite club in Chicago, where I’ve seen countless great bands and looking up at David during my favorite instrumental passage in our song, Losing the Light. We shared a smile and I was just so happy to be making this music that I loved with people that I love.

Shen: One of my favorite memories is a recent one: the day I got my copy of Extinction. I really like the way it turned out. I just think it sounds how we’re supposed to sound. It’s hard to capture a band in the studio but I think we accomplished that on this. As far as all of the recordings I’ve been a part of, this one is definitely one of my favorites.

PHOTO CREDIT: Ed Rzewnkicki

If you could support any musician alive today, and choose your own rider, what would that entail?

David: I'd support Radiohead and I'd only request to sing Scatterbrain with Thom.

Chris: I would support Superchunk (since Rush is retired) and insist we do a pre-show shot of Malort. It’s an awful, bitter digestif drink found in Chicago. You shoot it, chase it with an Old Style (cheap beer) and yell “LET’S GO HAWKS!” (Chicago Blackhawks (hockey team), that is.)

Shen: I’d love to have Hawaiian Sun Passion Fruit juice at every show. I grew up in Hawaii drinking it and it’s my absolute favorite - and it’s hard to find on the mainland so, if someone could supply it for me that would be awesome.

PHOTO CREDIT: Ed Rzewnkicki

What advice would you give to new artists coming through?

Chris: Get started early, go full-bore and have fun. Keep your standards high and your expectations low.

David: Do it 100%. Do not give a s*it about cars or houses that your friends buy or hope to buy; eat and breathe music, write every day...tour till you can't move...then do it again.

Shen: You have to try to find that balance between having fun but also being serious and smart. If you’re all business, you’ll miss out on some joys of playing music but, if you’re having too much fun and not thinking enough about the business end you may miss some opportunities.

Are there any new artists you recommend we check out?

David: Protomartyr!

Chris: There are so many great bands right here in Chicago. My current favorite is RLYR but I also recommend Rocket Miner, Huntsmen and Polarizer.

Shen: We Killed the Lion from Chicago is one of my current favorites. I also really like A Friend Called Fire - also from Chicago.

 IN THIS PHOTO: A Friend Called Fire

Do you get much time to chill away from music? How do you unwind?

David: I work at the greatest music shop in the world (Chicago Music Exchange), so I suppose that's how I chill: around music.

Chris: Honestly, music is my way to unwind. I teach at three-four different colleges and that keeps me really busy. The band is an escape. Otherwise, maybe travel and movies.

Shen: I don’t have much free time between work and music but, when I do, I try to get outdoors and go hiking, fishing; swimming and surfing.

Finally, and for being good sports; you can each choose a song and I’ll play it here (not any of your music - I will do that).

Chris: Slipstream Summer by RLYR

David: Wheel of Fortune by Protomartyr (ft. Kelley Deal)

Shen: Galaxy Girl by We Killed the Lion

_____________

Follow Moon

Facebook:

https://www.facebook.com/MoonChicago/

Twitter:

https://twitter.com/moon_band

SoundCloud:

https://soundcloud.com/moon-141

ReverbNation:

https://www.reverbnation.com/moonchicago

Bandcamp:

https://moonchicago.bandcamp.com/

INTERVIEW: Bryony Williams

INTERVIEW:

Bryony Williams

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I doubt there are many busier artists…

out there than Bryony Williams! Not only is her new E.P., Conscious, out – which she talks about – but she is involved with GRRRL GROANNN!!!? Williams discusses her new music and releasing her first (with her team) zine; what she thinks of the modern music scene - Williams tells me whether she gets time to chill away from music-making.

I ask whether there are any tour dates coming; which artists have been important to Williams; whether there are upcoming artists worth some time; which three albums mean the most to her – Williams talks about ambitions she wants to fulfil before the end of the year.

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Hi, Bryony. How are you? How has your week been?

Hey. I am great, thank you! Well; I’m currently on tour around the U.K. so this week is full of travelling, seeing new places; meeting new people, mini golf; happy hours…oh, and performing of course!

So, you could say I’m living my best life right now.

For those new to your music; can you introduce yourself, please?

Sure! Well. My lyrics will most likely make you contemplate; their melodies will get ridiculously stuck in your head and, if you like to air-drumming, then you’re in the right place: think early-Wolf Alice with a dash of Lucy Rose and a sprinkle of Hazel English.

The video for Narrative Form is out. What can you reveal about its inception and creation?

Narrative Form is definitely not single material: it’s potentially the most unconventional track from the E.P.! So, with that in mind, I wanted to explore more abstract ideas in terms of visuals. It started when I was travelling back from Liverpool and there were blankets of snow across all the fields for as long as you could see - and I just knew I needed to have some outdoor/snow shots for a video. Then, instead of going straight home, I went and hired a camera out to do some bath test shots at home. I experimented with different lamps for lighting and lighting paper on fire to signify conflict and contrast with the bath water - which I advise anybody not to do because I nearly set the place on fire. I scrapped that idea.

Then, I just put out a Facebook status and my pals from Second City Capture took the bait. We shot in next-to minus temperatures, had food colouring poured into my mouth multiple times and laid in swamp/marshland in Cannock Chase for the drone shots which is a visual idea I’ve had ever since I watched the video to Jenny Hval - Conceptual Romance…except the girl would be nude with dirt smeared in certain areas across the body.

But, I kept it P.G. this time…

Anyway; the premise of the video is that there kind of…isn’t one. It’s open to anyone’s interpretation. Though, for me, it’s a very self-reflective and has feminist connotations – using the body as an object, as a piece of art as well as somebody’s idea of a piece of meat.
There’s also, definitely, some influence from the film Neon Demon. So, for fans of art house and avant-garde; you know what to do.

You should check out my single video, too! Again; directed by myself. This is for those who love a good road trip.

It is from the E.P., Conscious. What sort of ideas and stories compelled it?

The record is my coming-of-age soundtrack. It’s full of stories about hardcore lust, romance; manipulation and escapism. The stories are all real and are related to me but can often be told through a different narrative - that of somebody else’s persona.

I hear shades of artists like Marika Hackman in your work. Who do you count as idols and guides?

Well, thank you. Ah. I have to say icons like Joan Jett, PJ Harvey; Patti Smith, Anastacia; Elizabeth Frazer, Suzi Quatro; Theresa Wayman, Grimes; Kim Gordon and Viv Albertine. Through autobiographies to their music to their personalities and presentation, they all have me so encompassed and in awe of their journey from start to present.

When did music come into your life? Who do you grow up around?

Music has always been part of my upbringing. My dad is a huge music fanatic and collects autographs, vinyl and posters – you name it! Which has, inevitably, been passed down onto me. I grew up listening to a lot of Prog-Rock, Roxy Music; Brit-Pop (Genesis, The Beatles; Blur, Nirvana and Empire of the Sun). My earliest childhood memory is seeing Macca’s Live and Let Die Tour - I was five at the time...

So, obviously, I wanted to be a Rockstar!

When I was nine, my dad took me to a music shop to scout out my first guitar; the salesman suggested a cute pink one…I thought ‘get real!’ and pulled on my dad’s shirt and pointed to the red one. We left with a ¾ neck-sized red Strat and here I am now…just with a couple more guitars in my possession.

What do you think of the modern scene? Do you think female songwriters get the credit and respect they deserve?

I can see a lot of empowering women in the scenes I’m involved/observing: artists such as Dream Wife, Laura Mvula; Courtney Barnett etc. It’s getting better (as everyone says in every interview…) but I’m not sure about the respect. Sure, there’s respect from the majority of audience members, music lovers; supporters etc but there's simply some absolutely assholes out there who, without thinking, will treat an artist different because of their gender. It’s a heavy mix of underestimation, ignorance and self-entitlement.

Talk to me about GRRRL GROANNN!!!? How did that come to be and why did you establish it?

GRRRL GROANNN!!! became an idea last summer while choosing my modules for the following semester. Music Innovation was the class and we had to come up with an idea of disruption which is where it all came from. I formed a business plan and pitched its purpose - which is to establish a female collective specialising in music.

There were the initial, smaller plans such as publishing seasonal music zines, monthly podcasts interviewing inspiring women; creating merch, a website and overall evolving into an independent record label; recording, promoting and distributing artists (who happen to be female) - with potential to host our own gig nights around the U.K. Perhaps, even, having our own festival similar to Lady Fest, Lilith Fair and Riot Grrrl antics.

So far, we have released our first music zine! This includes all gig photography done by me and interviews with Jen Cloher, Peach Club and Riot Grrrl Sessions (in Sweden). So, I guess call me the editor-in-chief! I worked with my good and highly talented friend Jess Webberly who designed the layout, our official logo and the cover design. I’m currently working on the next music zine, which has photos of ShitKid, U.S. Girls and Goat Girl so far.

I’m using this zine edition to also sell Conscious on C.D. to be cost-effective and to kill two birds with one stone. Like my music? Want a physical purchase? Cool. Have a personalised, burned C.D. copy and here have a music-infused zine, too! How cool!

Will there be any live dates coming up? Where can we see you play?

I’m on tour right now!

8th July – Good Neighbour, London

9th July – Singleshot, Leeds

10th July – Centrala, Birmingham (my official E.P. Launch)

After the tour, I’m playing at The Sunflower Lounge, Birmingham (8th November) and will be planning another U.K. tour as a band to tour the E.P. in its full bliss this autumn - so, keep your eyes peeled for that.

Do you have any ambitions to fulfil before the end of the year?

Lots!

I’ll be working on my producing skills in my home studio, songwriting for my next record; touring Conscious, curating the next GRRRL GROANNN!!! zine and look into making some podcasts. I really want to start a podcast between my dad and his good pal Steve – together, they can talk about music forever and recall such amazing gig stories. So, it’d be great to record their music memoirs.

Then, besides all the creative drive, I plan to start my Masters in Sociology of Popular Culture – the aim is to become a published musicologist and I’ll be satisfied once I’ve been on TED Talks.

Have you got a favourite memory from your time in music – the one that sticks in the mind?

Honestly: it all merges into a big blur for me. There’s the making of the music videos, performing; being in the studio…but all of that has a thing in common and that’s being introduced to new people and contributing to various social communities within the arts. It’s heart-warming to collectively achieve these creative experiences.

Which three albums mean the most to you, would you say?

Jen Cloher – Jen Cloher

Still Corners – Strange Pleasures

Beach House – Bloom

What advice would you give to new artists coming through?

Keep your momentum, go with your gut; shout about yourself – don’t be shy. There’s so much competition in regards to the volume of music that is being released constantly. It’s such a tough game so you have to believe in yourself and make others believe in you too.

Get a record out there, perform; sell merch, get creative and don’t go over your budget.

IN THIS PHOTO: The Sunset Beach Hut

Are there any new artists you recommend we check out?

I recently met a young producer and artist, Kiera Carter, at a music conference not so long ago – she’s currently studying in Wolverhampton and she’s onto a few things. I’d keep my eye on her.

Then; I gotta say The Sunset Beach Hut and The Hungry Ghosts.

IN THIS PHOTO: The Hungry Ghosts/PHOTO CREDIT: Indie Images Photography

Do you get much time to chill away from music? How do you unwind?

Hmmm; I don’t think I do! The closest I’ve got is when I was at Primavera this year as I was in full festival mode and I needed my phone battery for survival in case I got lost! So, checking emails was a rarity. I take refuge at my girlfriend’s place because it makes me realise that I need to appreciate the beauty of sitting outside with a G&T without the itch of having to be doing something productive. (Drinking gin is surely productive enough?).

But, even then I’ll take my laptop wherever with me answering interviews, radio plugs and all the lovely PR stuff because it ain’t gonna do itself - and this gal doesn’t have a team behind her. (Yet!).

Finally, and for being a good sport; you can choose a song and I’ll play it here (not any of your music - I will do that).

Oooooo! Okay, okay….

Chastity Belt – Different Now

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Follow Bryony Williams

Facebook:

https://www.facebook.com/bryonywilliamsmusic

Twitter:

https://twitter.com/bryonywmusic

SoundCloud:

https://soundcloud.com/bryony-williams

Instagram:

https://www.instagram.com/thelifeofbryony/

Bandcamp:

https://bryonywilliams.bandcamp.com/

YouTube:

https://www.youtube.com/channel/UCHnuBLe8KPfxvdV4qZoolKw

INTERVIEW: Xav A.

INTERVIEW:

Xav A.

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THE fantastic Xav A. has been talking with me…

about the video for his single, All In (Summer Song), and what it was like filming it. I ask what the scene is like in New York (where he is based) and when music came into his life – Xav A. talks about touring and whether he’ll come to the U.K.

I ask the R&B singer about his early life and the music that compelled him; if there are three albums that mean a lot to him; which new artist he is responding to – he gives some useful advice to upcoming artists.

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Hi, Xav A. How are you? How has your week been?

This week has been awesome! Fans have really loved my latest release so getting the feedback from them - feels great. I'm also so thankful for you all connecting with me!

For those new to your music; can you introduce yourself, please?

Yes! I'm Xav A. and I'm a retro R&B singer all about bringing wholesome, positive vibes to the world.

All In (Summer Song) is out. What is the inspiration behind the song?

The inspiration behind the song was making sure that we still have music that talks about celebrating true love and making people want to strive for that. I just felt like love songs have been taking a backseat to cheating songs for too long!

Was it fun shooting the video? Where was it filmed?

It was so fun shooting! It was shot in Fort Tryon Park in N.Y.C. and also in the 191st Street 1 train subway stop. Being surrounded by all of my friends made for an extremely enjoyable day. Thanks to Phe Philms for shooting!

Is there more material coming later in the year? What are you working on?

Yes! Later in the year, I will be putting out some '80s-inspired Synthwave songs. I am usually more of a '90s guy, but I just wanted to show a different side of myself.

Do you recall when music came into your life? Was there an artist or album that struck your ear?

Music has always been in my life since I was little thanks to my parents. I think the song that really changed my life was Milkshake by Kelis. I know that probably sounds crazy but I think it showed me that you can make music that is different, but it can be just as cool as whatever the flavor of the month is. It made me feel like being different didn't have to be something bad. Kelis definitely changed my life.

How important is the scene in New York? Do you draw inspiration from the people and sounds around you?

I draw so much inspiration from my friends in the video, Chris Gallerani and Uliya! Knowing that we are all doing our best to become the truest versions of ourselves makes me feel empowered. I swear they are the coolest - and I'm just always trying to keep up!

If you had to select three albums that mean the most to you; which would they be and why?

B’Day by Beyoncé. The energetic, cacophonous sound on that record is something I aspire to end up with on a later record!

Like I was saying before; Tasty by Kelis was also a major favorite.

Thirdly; I would say The Miseducation of Lauryn Hill (Lauryn Hill) because even though she hasn’t put out a ton of music since then: I feel like it's still relevant and still a classic. I want that too for my projects!

What do you hope to achieve by the end of 2018?

By the end of the year, I will have released two Synthwave tracks, two more videos; prepped my really cool band, start dance lessons and get a trainer too. I have so much to do!

Will there be any tour dates? Might you head to the U.K. at all?

Not at this time but I love to perform on Facebook Live and LiveMe - so my U.K. fans can connect with me there!

Have you got a favourite memory from your time in music – the one that sticks in the mind?

I think my favorite moment was performing at SOB’s to open up their showcase that night. It was a huge undertaking to organize the dancers, the band and the filming. It made me tell myself: ‘You know what? I really can do this’.  I'm extremely proud of that.

If you could support any musician alive today, and choose your own rider, what would that entail?

I would love to open for the rapper Kyle! I feel like that would be a good match.

In terms of a rider; I just need as much space as possible. I don't care about anything else as long as we have enough space for everybody to mentally prepare!

What advice would you give to new artists coming through?

Build up your following on the Internet, don't compare yourself to other people and constantly check in on your progress. Look to see what's working and what's not and, if it's not, change it!

IN THIS PHOTO: Ella Mai

Are there any new artists you recommend we check out?

Well. I think Ella Mai’s new song, Boo’d Up, is really great - so anyone who hasn't heard that yet should definitely give it a listen!

Do you get much time to chill away from music? How do you unwind?

I unwind with video games! I bought a PS4 this year which is definitely hijacking my productivity. If anyone plays Smite or Street Fighter 5, let me know!

Finally, and for being a good sport; you can choose a song and I’ll play it here (not any of your music - I will do that).

Sure! To get an idea of my new sound for the second half of the year, check out True Survivor by David Hasselhoff! So '80s!

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Follow Xav A.

Official:

https://www.xavamusic.com/

Facebook:

https://www.facebook.com/XavAMusic

Twitter:

https://twitter.com/xavamusic

SoundCloud:

https://soundcloud.com/xavamusic

Instagram:

https://www.instagram.com/xavamusic/

YouTube:

https://www.youtube.com/xavamusic 

INTERVIEW: DUETS AND STUFF

INTERVIEW:

DUETS AND STUFF

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I have been speaking with DUETS AND STUFF…

about their debut single, Serve Somebody, and how the song came together. The duo discuss their formation and what they have planned coming up – I ask whether there are any new artists we need to get behind and support.

I ask whether there is a good music scene in Sweden (where they are based) and how music came into their lives; if there are any gigs coming up for DUETS AND STUFF; the advice they would give upcoming musicians – the guys end the interview by selecting some cool songs.

____________

Hi, guys. How are you? How has your week been?

We are fine, thanks! Our week has been relaxing. We are currently on vacation in the most northern town of Sweden, Kiruna. We have been catching up with some friends and visited the local music festival - and also watched a little bit of the FIFA World Cup.

For those new to your music; can you introduce yourselves, please?

We are Raimond and Greta and we are the duo behind DUETS AND STUFF. We make minimalistic and simple Pop with an Indie vibe.

How did DUETS AND STUFF get together? When did you meet one another?

We are a couple and have been together for nine years. We have always been playing music together - since that’s a mutual interest - but we just recently started writing together. Serve Somebody is our debut single. We met for the first time at a small music festival where we both played in separate bands - and we got together a few years later.

Serve Somebody is your debut single. Is there a story behind it at all?

There’s actually a kind of funny story behind it...

Raimond had written and recorded this catchy marimba melody-jingle and it was very different from the stuff he usually writes when recording and writing under his own artist name (Rain on Monday). I (Greta) was laying on the couch, reading or something, and I heard him playing the jingle over and over and I just started laughing out loud asking what the heck he was recording - and it was so out of his usual style.

I thought at first it sounded kind of dorky. A few weeks later, we just felt an urge to record something together and we tried to write something from scratch. The first attempt did not work out too well but then Raimond played the marimba song again and he had a half-finished lyric to it. At that point, I felt the song immediately and we wrote the rest of the song together and recorded it.

Will there be more material coming later this year?

Yeah. We have plans together with our label, Bolero Recordings, for more upcoming releases later this year. Currently, we are writing songs for our debut album and things are going well.

Did music arrive in life at a young age? Were there particular artists that influenced your decision to make music?

We have both been into music since childhood, more or less. For Raimond; U2 has been the biggest influence in starting playing music. For Greta; it’s been more a natural thing starting playing music since she has musicians for parents.

Is there a good music scene in Sweden right now? Is it a great country to record music in?

We think that the music scene in Sweden is strong. There are many good artists, bands; producers and songwriters here. That’s both inspiring but also makes the competition harder to reach out with your own music.

Where are you heading on tour? Where can we catch you?

We hope to make some touring in the future: right now, we are focused on writing and recording so we can release more new music. Our first shows will probably be in Sweden/Stockholm but we would like to extend our venues to maybe Norway, Denmark and the other Nordic countries. Also, Germany would be great to visit!

Can we expect some U.K. date very soon?

We really hope so! That will probably be the plan as soon as we start touring.

What do you hope to achieve in 2018?

We are aiming to finish our debut album and we also want to do more live shows.

Have you each got a favourite memory from your time in music – the one that sticks in the mind?

When we first released Serve Somebody, the response way better than any of us could have imagined. That was a real boost in confidence - so we continued writing together. So, we guess how it all started is the greatest memory. We also found something really fun and rewarding to do together, which is the most important thing to us right now  - enjoying this together.

After the release, we got several offers from labels and publishers but, at first, we wanted to do this on our own. Later, we got in touch with Lars at Bolero Recordings and he has been such a great support and we think our collaboration works out good.

If you could support any musician alive today, and choose your own rider, what would that entail?

Peter Bjorn and John or The xx would be cool to support. Our rider would, for sure, include pizza and beer (smiles).

What advice would you give to new artists coming through?

To have the energy and spend time promoting the music: otherwise, it's hard to reach out in the anthill of new music coming out every day.

 IN THIS PHOTO: Sharaya Summers

Are there any new artists you recommend we check out?

Sharaya Summers, Oddnesse and Cina Polada.

 IN THIS PHOTO: Oddnesse/PHOTO CREDIT: Daniel Johnson

Do you get much time to chill away from music? How do you unwind?

Because we also have a relationship besides the music, we try to take some time to disconnect music and do everyday things. We like spending time with our golden retriever, Bono; exercise and watching T.V. series and movies.

Finally, and for being good sports; you can each choose a song and I’ll play it here (not any of your music - I will do that).

Check out our label rooster colleague Mi von Ahn's latest single, Childish Games

_____________

Follow DUETS AND STUFF

Official:

http://duetsandstuff.com/

Facebook:

https://www.facebook.com/duetsandstuff/

SoundCloud:

https://soundcloud.com/duetsandstuff

Instagram:

https://www.instagram.com/duetsandstuff/

Spotify:

https://open.spotify.com/artist/3UZdGLpglDpFvKyLF6m05s

YouTube:

https://www.youtube.com/channel/UCJRf0fecKJJEZe1qgayNfuw

INTERVIEW: Arliston

INTERVIEW:

Arliston

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THEIR new single, Enough, is out in the world…

so I have been speaking with Arliston about the song’s background and what we can expect from their upcoming E.P. - I discover when the band got together and how a windowless, noisy apartment was (and still is) a particular source of ‘inspiration’ for them.

I ask how the band spend time away from music and which new artists we need to get behind; if there are gigs coming up anytime soon; which artists the guys took to heart at a young age – I discover how important London is to their music and whether it drives their ambitions.

____________

Hi, Arliston. How are you? How has your week been?

Good, thanks! Hectic, but good. We have quite a low stimulation threshold having been cooped up in our basement for the last year or so; so, all of this attention is quite bewildering.

For those new to your music; can you introduce yourselves, please?

We are a three-piece band - myself (Jack), Jordi and George - making Alternative/Ambient Indie music, inspired by the likes of Bon Iver, James Blake; Vancouver Sleep Clinic, Matt Corby and the National. We’ve been working together to build a collection of songs that we love and we’ll be sprinkling them throughout your 2018 so stay tuned!

Enough is your latest single. What is the tale behind the song? Did it come together easily?

Enough came together after Chris (Engineer & Co-Producer) had arranged some vocal samples in this wonderful looping, repeating; snake-eating-its-own-tail kind of way. As soon as I heard it, I got fairly excited and put a vocal on it as quickly as I could. That first take actually ended up being the one we used for the final track. I guess sometimes you can’t recreate the excitement of that first ‘eureka!’ moment.

You have an E.P. coming up. Can you tell me about the themes and ideas that inspired the music?

I usually (ok, fine: always) lean towards more melancholic music and lyrics. That’s been my centre of gravity for as long as I can remember writing music. But, lately, I’ve started to inject small moments of optimism into the lyrics which has had the unexpected effect of making them sadder. There’s something wallowing and self-indulgent about unrelenting melancholia and, actually, if you introduce even tiny crack of optimism it can heighten the tragedy of it; I guess it just makes it seem real. Not just a mawkish cartoon of a bleak horizon.

I believe the band started life in a windowless apartment in early-2017! Do you miss those heady and romantic days? Was the traffic noise a bit of a bugger?!

Haha. Yes, it was! I mean, we’re still working there so I should really say is. But, the important thing is we’re not living there any more. I think that was the key ingredient in our insanity back then - and I don’t mean ‘insanity’ in a good way: more in the ‘nothing means anything anymore and I feel like eating my own trousers’ sort of a way. I wouldn’t trade those formative years for anything, though, no matter how many pairs of trousers we went through.

Do you remember the moment the band came together and clicked? What was it about each other that meant you were going to play music?

I first met George back in early-2017 and, initially, he came in to help set up the live side of things. I remember thinking he was perfect for the project: he could play virtually every instrument to a very high level and instantly appreciated what we/the project was trying to do. Further down the line, we had a bit of a hiatus and our original drummer left the band. At this point, I was really expecting George to leave too as things were frankly stagnating at the time.

But, actually, he was the one who kept me going and despite a second drummer leaving we pushed forward and finally found Jordi, who is a phenomenal drummer, and everything just locked into place after that!

Is London a constant influence for you? Is it hard to exist and flourish as a band?

London is great. It all at once smothers and energises you. It’s the best place to be if you’re having a good day but can be a little destructive on the bad days. But, of course, for gigging and collaboration opportunities there’s nowhere like it.

Which artists did you all aspire to be at a young age? Did you grow up around a lot of music?

I loved people like Bob Dylan, Suzanne Vega; Joan Armatrading and Damien Rice when I was younger and was even super-hard-line about hating the electric guitar - for what I thought (very wrongly) at the time was unattractive, meaningless music. But, eventually, I realised that with the help of guitar pedals you could create enormous sonic worlds that forcefully took you somewhere unexpected every time you plugged the thing in. Jordi comes from a Metal background. At first, we thought this might be a problem, but it meant he approaches things from a very different angle and so has actually been invaluable in the songwriting process.

George comes from an acoustic guitar background, too, but also is a classically trained pianist; so can apply a level of theory to the music that has allowed us to reach places we wouldn’t have gone otherwise.

Where are you heading on tour? Where can we catch you?

I’m glad you asked! We’re actually playing a show later tonight to celebrate the single release at The Fiddler's Elbow in Camden. After that, we’re finishing off with a bang at Zigfrid von Underbelly at Camden on the 11th July. That’ll be the big one!

What do you hope to achieve in 2018?

We’d like to get our first E.P. out; have a good-sized tour and just keep writing and doing what we’re doing!

Have you got a favourite memory from your time in music – the one that sticks in the mind?

I’d say wayy back in time would be the fondest memories I have; living down in the basement and spending long days and nights there with Chris Blakey, Toby Horton; Jordi, George; Jazzi and everyone who has been involved in the project up until this point.

If you could support any musician alive today, and choose your own rider, what would that entail?

Bon Iver, probably. They are ridiculously good live.

Hmm; the rider would entail mountains of tabasco sauce. We have a little bit of a problem with it. There’s a collection of empty bottles lining the writing room wall and, so far, it has taken twenty-four bottles to get to where we are. I’d say (we’d list) least a small bath of it on the rider.

What advice would you give to new artists coming through?

Just keep going. What you’re doing now may not always inspire you but, as long as you’re doing something, anything, creative then you will grow and progress as an artist. If you can keep doing it the world will have to give in at some point.

IN THIS PHOTO: Temptress

Are there any new artists you recommend we check out?

Lately, we’ve been working a lot with the guys from Temptress. They’re fantastic. Definitely, check them out. Also, we’ve worked a lot with Jazzi Bobbi in the past. She’s super-talented too!

IN THIS PHOTO: Jazzi Bobbi

Do you get much time to chill away from music? How do you unwind?

We try and see friends whenever we’re out of the studio - I think that’s probably psychologically recommended too. George does watercolours in his spare time and actually was the one that painted the beautiful watercolour artwork for Enough. Jordi is currently doing a Pro Tools course (hardly a break from music) but we’re looking forward to him having ‘mad skills’ when he finishes. Also; huge fans of Always Sunny in Philadelphia - very excited for the next season.

Finally, and for being good sports; you can each choose a song and I’ll play it here (not any of your music - I will do that).

Thanks!

George: O Mer - Now I’m Alive

Jordi: alt-J – Tessellate

Jack: Phoria – Evolve

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INTERVIEW: Phogg

INTERVIEW:

Phogg

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IT has been a great experience…

learning more about Phogg and what makes them tick. Saman and Gustav have been telling me about the band’s album, Slices, and the themes that inspire it; the story behind the single, Get Away (Secret Dream), and how the guys got together.

I ask what Phogg hope to achieve before the end of the year and if there are tour dates; some upcoming artists we should be attuned to; why the Swedish band think the nation keeps producing great artists – they end the interview by selecting some excellent tracks.

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Hi, guys. How are you? How has your week been

Saman: Hey! We're in the midst of rehearsing for the shows we have set up; our album is out in a few days and Gustav is working with our upcoming music video. In the midst of all of this, Jens is also getting married - so we're all really broke but happy. Also, we had one day of tropical weather in Stockholm which was really nice.

Gustav: Good! We had a wild and fun weekend and now we're preparing for a show tomorrow.

For those new to your music; can you introduce yourselves, please?

Saman: We're four guys from Sweden who really like music and we try to create music which we think is special for ourselves and, hopefully, someone will like it along the way.

Gustav: We are four boys from Sweden who play progressive Psych-Pop.

Your debut album, Slices, is out. What can you tell me about the record and the themes that informed it?

Saman: Slices was initially meant to be a second E.P. and we were planning on releasing it soon after our first E.P., Zun, Stein & Graaf. I think it was supposed to consist of four-five songs - all of them are on the record except for a song we call Three Shirts, which we now have recorded for a future album. Many of the songs have changed a lot during the course of recording and are completely different.

Time is Wild is an example of a song that's very different from how it sounded before. The songs that were written before we started recording come from a different place than the songs that came to during the recording process.

When we started recording, we were kind of riding a wave of things going relatively well within the band. This changed after about a week as our drummer and friend suddenly jumped ship and moved to another town. This left us kind of disoriented for about a month and forced us to rethink the process and the E.P. itself. We started hanging out at the studio, trying out a lot of ideas and started writing in the studio as well. We were all kind of going through some personal stuff at some level and were at the same time happy to be playing music and that our first E.P. was doing relatively well.

The record has a kind of maniacally happy feeling because of the duelling themes of thankfulness and despair that were prevalent in and around the band at the time. It's like a friend who tells you he's fine and smiles at you while he's in a total existential crisis on the inside…

Get Away (Secret Dream) is the latest single from the album. Is there a story behind the song?

Gustav: It started as a hidden little riff from the recordings of Zun, Stein & Graaf that Saman discovered sometime during the mixing process I think.

Saman: Get Away was born during the recording sessions for Zun, Stein & Graaf. We were drunk and were goofing around in the studio and recorded some of the things we did. When we listened to the recordings the day after; most of it was s*it but one song stood out. It kind of had a Brian Jonestown Massacre vibe and sounded pretty happy and jovial. We called it Santa's Coming Over and we didn't know what to do with it for a long time. When we were choosing songs to record, Jens and Alex really didn't want to record it but me and Gustav fought for it. It was finished during the process of recording and now everyone likes it.

We tried a lot of different techniques when we were writing lyrics for the songs. I think we were doing some sort of free-writing thing with Get Away and a metaphorical dark hymn about addiction kind of came out of it. We thought it suited the happy vibe of the song.

Regarding the songs on the album; are they culled from various period in your career – or did many come together in the studio?

That's one of the main creative themes of this album. It's very mixed. That's sort of where the name ‘Slices’ comes from. It's different slices from our time together as a band up until now. The mix and juxtaposition of songs from different timelines is essentially what became Slices. Time Is Wild, for example, is from about when we started playing together.

It was a mellow Acoustic-Psych song for a long time until we decided to take it in another direction. There's a track on the album called Rod's Goodbye which was an idea from before which we completely changed in the studio and made a completely new track out of. The story the narrator is telling is something me and Gustav found online on the World Wide Web.

Gustav: When we started playing together, we usually met up and wrote songs together through jamming. At that stage, it was just the instrumental parts and a lot of it has been altered and doesn’t sound like it did back then - but some of the tracks from Slices are from that period. Some of the stuff is from later stages and some of the other stuff was completely made up in the studio.

How did Phogg get together? When did you start playing together?

I joined Phogg, before it was Phogg, by answering an ad. This was in early-summer 2016 and, by then, the others had been playing for a couple of months. The others knew each other in some way or other since before and had been playing together in various constellations.

Saman: Me, Jens and our first drummer Alex knew each other from before. Me and Alex had played in bands together for about eight years prior and all three of us grew up in the same sh*tty Stockholm suburb. Alex and Jens had a tiny practice space close to where they both worked and I used to go over there and play with them after they got off work. It was really loose goose at first and we were just playing our asses off for a few hours every other day. But, it soon got pretty good and we decided to take it to second base.

Someone, I think it was Jens, found Gustav online and it was an incredibly easy fit. We wrote a lot of songs during the first year-and-a-half and we've kind of lived of off that song bank up until now. After Alex skidaddled to another town I contacted Joen whom I've known for many years and who I've wanted to play with since I was about eighteen-years-old.

Which artists would you all count as influences and idols?

We are all very different and listen to a lot of different kinds of music but we definitely have a lot of common ground as well. When we first started playing with Gustav, he wore a Dungen T-shirt and that's how we knew he was cool. We all have different cornerstones of inspiration and influence that shape our own individual voices. Lately, I've been very inspired by a Swedish band called Tape, Parquet Court's latest album and Mark Kozelek. But, it changes often...

The other day, Gustav fell in love with Shadows Collide with People by John Frusciante which is a record and an artist that formed me personally and musically almost more than anyone or anything. That record also happens to be the record me and Joen bonded over. It meant a lot to him during the time his first kid was born. We always talk about new music and bands we've discovered amongst ourselves.

Gustav: MGMT, Radiohead; King Gizzard (& the Lizard Wizard), Dungen, Pink Floyd; Spritualized, Ariel Pink; The Beatles, John Frusciante and CAN

There are a lot of great bands coming out of Sweden. Is there a secret or reason why the Swedes make such diverse and original sounds?

Saman: I don't know. I guess standards run pretty high here. But, I don't know how it is in other countries. People often say it's a mix of the access youths have to communal music schools from an early age and the melodic language of Swedish Folk music.

I grew up with a mixture of this and my parents’ pre-revolutionary Iranian music. Swedish Folk music has, through the ages, had a strong connection to melancholic themes and melodies. The cultural sadness, in combination with our relatively high social security here, makes for very good music but very sad people.

Where are you heading on tour? Where can we catch you?

Gustav: All of our planned shows right now are in Sweden but we're working on it! If you want to see us, send us a tip or come to Sweden.

Do you reckon you’ll come to the U.K. and perform this year?

Saman: We would really love to. Invite us and we'll come. We're shy guys.

Gustav: That would be great.

What do you hope to achieve in 2018?

Playing shows and continuing to work on the songs for our next album.

Saman: We would love to tour around Europe. It would be pretty neat if Slices got a few good reviews but mostly I hope that we manage to finish our next record before the love and energy for it dies out. I would also love to make some money so I can pay for some nice golden pants.

Have you each got a favourite memory from your time in music – the one that sticks in the mind?

Our first gig together we were playing a small place outside of Stockholm; almost no one we knew was there. As soon as we started playing, everything just connected and we all just totally went with it. I remember looking up and seeing two guys we didn't know singing along to our songs. It was really surreal and it made me happy.

If you could support any musician alive today, and choose your own rider, what would that entail?

Maybe, Parquet Courts. I think it would be a good fit. I would love to eat some Vietnamese summer rolls and drink some wine with Parquet Courts.

What advice would you give to new artists coming through?

Gustav: Try not to think about what others think. Believe in yourself: you are beautiful.

Saman: Play as much as you can. Record yourselves on your phone and listen back to it at home and imagine things with your head.

IN THIS PHOTO: Boogarins/PHOTO CREDIT: Beatr

Are there any new artists you recommend we check out?

Saman: Boogarins and Harm Reduction.

Do you get much time to chill away from music? How do you unwind?

I have periods where I paint a lot instead of playing music or as a counter point to the guitar. It's really interesting as you get to apply the same ‘creative rules’ but you're playing with space instead of time. I also like to read and watch movies with my daughter.

Finally, and for being good sports; you can each choose a song and I’ll play it here (not any of your music - I will do that).

Saman: Extremely Bad Man by Shintaro Sakamoto

Gustav: They Cannot Let It Expand - Midlake

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INTERVIEW: Georgia Meek

INTERVIEW:

Georgia Meek

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THE exceptional and unique Georgia Meek…

has been talking about her new single, SWIM, and how it came together; what it was like recording her E.P., Womanhood; the musicians she is inspired by – I ask how important London and its people are regards her sound and energy.

Meek recommends some new tracks/artists to catch; the advice she would give to upcoming artists; if she ever gets time to chill away from music; what she wants to achieve before the end of this year – Meek ends the interview by selecting an awesome song.

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Hi, Georgia. How are you? How has your week been?

Hey! Busy, busy, busy. Recording lots of new music and making some cool new things to show you all.

For those new to your music; can you introduce yourself, please?

I'm a Londoner who makes ultra-feminist, over-dramatic Electronic-Power-Pop.

SWIM is your new track. What is the background and influence behind the song?

SWIM explores female sexuality and gender fluidity. In other words, K. (Katie) Mac (who features on the track) and I f*** with some girl-on-girl…

We wrote it together back in the summer of 2017. She was over here from Nashville to find writers and I was looking for other inspiring women to collaborate with.

I believe you have an E.P., Womanhood, arriving. What was it like recording it?

Crazy. Stressful. Exhausting, but so worth it! I've actually still been tweaking things on the last couple of tracks whilst releasing SWIM and Bare. I can tell you that I'll be announcing the next release date in the coming week.

How much do issues like gender fluidity and sexuality come into things? Do you think more artists should be addressing these themes?

I think artists should be addressing things that they believe in and feel they need to speak out on. Music is a great release for all of us, listener and writer alike. If we could all put a little more into what we want to achieve the world would be a faster, forward-moving place. 

How important are London and its diversity regarding your music?

I moved to London when I was eighteen and it was only then that I really started to discover who I was as a person. I spent the early years of my independent life in and around the L.B.G.T.Q.+ community which helped shape who I am now in so many ways - including the way I write music. 

Can you recall which musicians influenced you when you were young? What motivated your decision to get into music?

There was never really any one thing that spurred me on to create music: it's just something I've always known and loved since I can remember. I do remember the big inspirations, though. I was always listening to my idols as a kid and the variety was wide and random.

There are so many but honourable mentions have to go to P!nk, Christina Aguilera; Dido, Cher; Chemical Brothers, Groove Armada; Nero, Deadmau5; Sub Focus, Primal Scream...I want to go on but we could be here all day.

What do you hope to achieve in 2018?

By the end of this year, you'll have all heard my new E.P., Womanhood, in full, and, hopefully, some of you might find some healing in its inner-workings. I've got a couple of big shows to announce yet, along with a few more surprises. Stay tuned!

Have you got a favourite memory from your time in music – the one that sticks in the mind?

That’s a super-tricky question! I have so many amazing memories I could share. My first Sofar performance last year is a big one for me. It was the first time I proved to myself that I could really connect to people through being honest with my music. If you haven't been to Sofar (Sounds) before, I'd really recommend it - such an incredible experience for everyone in the room.

If you could support any musician alive today, and choose your own rider, what would that entail?

Again; this is a tricky one but I'm gonna go ahead and bat for the independent team by saying Femme. I love what she represents; not only as an artist but as a businesswoman.

The rider would be several joints, some feminist literature and a fu*k-load of sushi. 

What advice would you give to new artists coming through?

Trust your own sound and don't let any idiots tell you that you need to change or 'define' it. I was confused for a long time because people would say things like: “I don't really get what genre you are writing in” or: “Who is this music for?” Let your answer always be: “For me and anyone else who fuc*ing well likes it”. Individuality is dying - remember that the next time someone questions who you are. 

IN THIS PHOTO: dwilly

Are there any new artists you recommend we check out?

SO. MANY. In fact, here are five tracks I have recently discovered on Spotify and I am OBSESSING over them. Go and add them to your summer playlists if it's the last thing you do today...

Money - Leikeli47

ADD - dwilly (ft Emilia Ali)

Falling - Animal Feelings (ft. Thief)

6 Letters - Daktyl, Aquilo 

Clean Break - SIBA

IN THIS PHOTO: Aquilo

Do you get much time to chill away from music? How do you unwind?

Listening to other people’s music. Haha. Music is, quite literally, my oxygen. If I'm not around it, I’m not having fun.

Finally, and for being a good sport; you can choose a song and I’ll play it here (not any of your music - I will do that).

YES. This song is an absolute vibe. Ideal listening environment: in the bath, headphones on with a joint. If that’s not your style, simply listen whilst on your morning commute whilst watching the world go by.

BENDMA - I Wanna Be Loved by You 

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INTERVIEW: Janie Bay

INTERVIEW:

Janie Bay

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IT has been great speaking with Janie Bay…

and finding out about her musical progression. She talks about her latest album, Miscellany, and whether there are tour dates coming up in the future – I ask her if we might see her in the U.K. at any point and whether she is a fan of the music we are producing.

Bay discusses the music scene in South Africa and reveals the artists who inspired her growing up; which memories from her time in music stand out; some great new artists we should get involved with; how she spends time away from music – the talented songwriter tells me the ambitions she wants to fulfil before the end of this year.

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Hi, Janie. How are you? How has your week been?

I’m good. Thanks, Sam! My week has been pretty productive so far. Just hustlin’ - as we do here in South Africa.

For those new to your music; can you introduce yourself, please?

I am a singer-songwriter from Cape Town, South Africa (residing in Pretoria) and I have been doing music full-time for almost ten years.

I Remember, your first solo effort, gained huge acclaim. Do you look back at that time fondly? How have you grown as a musician since then?

The songs on my first (independent) album were some of the first songs I ever wrote and recorded properly. I started writing when I was fourteen but we never really recorded anything back then. I had to get a lot of stuff out; from childhood experiences to losing my dad to writing about how amazing my brother is and how I have looked up to him my whole life. So, yes, I do look back at it in a fond way because I learnt so much and I was happy with it as a very first effort.

Might there be a single/E.P. coming soon? What are you working on?

We are still releasing singles from my current album, Miscellany. I have just released my first ballad from this sophomore album called Can’t Be the One. We might still release one more single from this album before moving onto new projects.

Which artists do you count as idols? What sort of music did you grow up around?

My brother and I grew up listening to a lot of the bands and artists my mom and dad used to listen to in the '60s. So, we grew up listening to some of the best music ever written (thanks mom and dad). A lil later, Elton John, Whitney Houston and Michael Jackson played in our house a lot. We also grew up watching a sh*t-load of movies, so soundtracks played a huge role in our music-loving-forming years.

Later on, in my teens, Alanis Morissette’s Jagged Little Pill was probably the album that influenced me most and got me through quite a bit of teenage angst. Metallica was also in the mix; as were Nirvana, Foo Fighters and Green Day. Then, I went through a major Punk phase with NOFX, No Use for a Name; Goldfinger and those bands - and then I rolled over to a lot of Folk like Ben Howard, Boy & Bear; Ed Sheeran and Mumford & Sons. So; my influences stretched quite far, which I believe also stretched me as an artist and writer, for the better.

You moved from Cape Town to Pretoria. How important is where you live and the people to your music? Do you get a lot of inspiration from the surroundings?

Cape Town is certainly better for the creative juices to flow but Johannesburg (Pretoria is close by) definitely has more opportunities in terms of shows and venues: I wouldn’t have been able to pursue my career in Cape Town. Most industries are bigger up here, so I didn’t really have a choice. I miss Cape Town but, unless you are very established, you have to be up here in my opinion.

PHOTO CREDIT: Lampost People

Is the South African music scene quite strong? Do you find it a natural space for you to perform and create in?

To be honest, South African-English ‘Pop’ is one of the least supported genres in our country. If you are an Urban artist or an Afrikaans Pop artist, you will have a lot of support both financially and fan-wise. Our country’s economy is also struggling currently but my heart is to write in English and I am a singer-songwriter at heart; so I will carry on doing my thing. I am, of course, very thankful for all the support I have had up until now.

What do you hope to achieve in 2018?

I suppose, to get my music out there more. Also, to hopefully successfully plan a tour abroad.

Have you got a favourite memory from your time in music – the one that sticks in the mind?

There have been quite a few. My favourite two shows so far have been (one) at a festival called White Mountain Festival a few years back. Not a very big festival - about 1500 people but the crowd was on fire and the whole gig felt like one song/journey for forty-five. Everything felt so smooth.

Then (two), a very small gig; about thirty people. It was a theatre-like performance about two months ago. The sound was perfect and you could drop a pin on the stage; it was so quiet. Everyone was listening to each song intently. It was just very special and intimate.

PHOTO CREDIT: @imthecarpenter

If you could support any musician alive today, and choose your own rider, what would that entail?

I would love to support James Bay and, to perform one song with him, would be a dream. Ed Sheeran is coming to South Africa in March 2019. We are both at Warner Music, so…you never know!

Is it true you are coming to the U.K. to play? Are you a fan of the British music scene?

Myself and my label are talking about the possibility of it. Hold thumbs that we can make it happen! Please send me suggestions for British acts to listen to. I would love to learn more about it!

You have played around the world and seen many different audiences. How important is touring and getting your music out there?

I have travelled quite a bit but haven’t seen many bands abroad. We have had quite a few international bands/acts over here. My absolutely favourite must have been Paolo Nutini. What a performer! What a musician! What a band! I was blown away! He really took me to another place for an hour and a half. I believe it is absolutely vital to see international acts perform in order for us to up our own game.

What advice would you give to new artists coming through?

To play as many gigs as you can; wherever you can, whenever you can. To be gig-fit is one of the best things you can have. Always be ready to play a song to anyone. Do warm-ups before a show, always. Stay humble, no matter where life may take you. Be thankful for every small or big victory. Remember those you have helped you along the way. Work hard. Keep writing.

IN THIS PHOTO: Werner Bekker

Are there any new artists you recommend we check out?

I would love to recommend some South African artists. Check out Werner Bekker and Roan Ash. Also; Elandré. He sings in Afrikaans but his music is amazing.

IN THIS PHOTO: Roan Ash

Do you get much time to chill away from music? How do you unwind?

I love fitness. So, going to the gym makes me feel amazing. I also love films and cinematography (I am very much involved with my own music videos from start to finish).

Finally, and for being a good sport; you can choose a song and I’ll play it here (not any of your music - I will do that).

I am bias, but also not. Please check out Werner Bekker’s brand new single and music video for I’m With You. He is amazing; a true singer-songwriter and this is a beautiful song. My boyfriend and his partner produced this song. It is very Damien Rice. So good

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INTERVIEW: Eshtar

INTERVIEW:

Eshtar

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THE amazing Eshtar…

has been talking with about her mini-album, Sound of World, and the themes/colours that go into it. She discusses working with Tomash Lukach on the project and all the sounds she incorporates into the music – she talks about moving from Iraq to Ukraine and what the music scene is like where she is.

Eshtar talks about early childhood musical tastes and whether she will tour soon; if a stop in the U.K. is a possibility; a new artist we should get behind; whether she gets time to chill away from music – ending the interview by selecting a great track!

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Hi, Eshtar. How are you? How has your week been?

Hello. I’m great! It’s been a busy week. I’ve had a lot of work. I’m writing new music, lyrics; doing some interviews. It’s always a process. Thanks for asking.

For those new to your music; can you introduce yourself, please?

My name is Eshtar. If you want to find out about me, you can listen to my new mini-album, Sound of World, and maybe you will find the answers that are bothering you...

Sound of World is your mini-album. What sort of themes and ideas influenced the songs?

I love vocals, many vocals; I love to use it like an instrument in songs. Vocal packs are inspiring. Makes me feel like I have my own individual tool to creatе music. I'm obsessed with brass - my lovely influence from some Trap compositions. Deep, low basses; sounds - all that I need to create something interesting. The spirit of mysticism, protest; love, war; a strong character, savagery; passion and simplicity - everything is here. It’s the sound of the world. It catches you and makes you think about it.

BANKS, Kimbra; Jack Garratt, Kwabs; FKA twigs, Stromae and Sevdaliza inspired me regards writing.

There are a variety of genres playing alongside one another – including Trap and Pop. Was it hard putting them all together – or does it reflect your music tastes and the sort of music you usually listen to?

These songs were written in different periods. Now, there a lot of diverse music and genres - and you cannot listen to one thing all the time. Every day you like something different, something new. You find new artists, like the way they do, with new instruments, sounds and melodies.

I remember that moment when I fell in love with Trap. I saw the movie called Suicide Squad with unreal soundtracks. That (song) Purple Lamborghini by Rick Ross and Skrillex was mad. It completely conveyed my mood and I could no longer do without this genre.

What was it like working alongside Tomash Lukach on the project?

Most of the time, I work alone. I just go to my favorite coffee shop, start the Logic Pro and the work begins. None of the songs was written in the studio (i need my special places. Hahah); always different places – basically, where I can connect to the power socket. When I have all the vocals and most of the arrangements, I come to my friend’s (Tomash Lukach’s) studio to bring it together. He feels my music: he’s addicted to his JOB.

He wants my music to be COMPLETE! I can see he is interested in the process the same, as I am, and this is very very important to me! We do the rest of the magic with him. Sometimes, its just a small replacement of a bass drum and then mixing and mastering – and, sometimes, we sit like for hours just to pick right hats and samples or re-bounce some vocal parts. That makes a song (so) unique.

You were born in Iraq but moved to Ukraine. What was the reason for this? Is there a strong music scene in Ukraine?

My father is Arabian (he’s from Iraq). He moved to Kyiv to study at university where he met my mom in some city cafe. My mother is Ukrainian and they got married shortly after they met...and my father stayed in Kyiv. That’s how I was born in Ukraine.

Now, it's time for new music in Ukraine. There's a new wave of fresh sounds, interesting ideas and new artists. Everything is changing and it’s just beginning here.

Do you recall the sort of music you were raised on? Which musicians inspired you at a young age?

It was Whitney Huston, Michel Jackson; The Beatles, Backstreet Boys. During my school years, I preferred Avril Lavigne, Red Hot Chili Peppers, Gorillaz; Linkin Park, Arctic Monkeys; Evanescence and Stevie Wonder. In high-school, I played in a band so there were a lot of artists and genres that I listened to.

What do you hope to achieve in 2018?

I want to show my music to the world. I wanna be known as an artist that makes music; have some concerts, meet interesting artists; do some collaborations. Who knows where it can all go…

Have you got a favourite memory from your time in music – the one that sticks in the mind?

Every memory associated with live performances of favorite artists is a favorite memory for me. When you’re there, something unbelievable happens with you and your emotions. It always changes you in a better way. It gives you power, hope, true happiness and that superhero feeling of invincibility. How they perform, how the musicians play; how everything works on the stage...it gets you thinking a lot after live performances:’How did they do it. Incredible!’

What advice would you give to new artists coming through?

Never give up and don’t listen to anyone. Your life, your decisions.

Might we see you tour very soon?

Oh. I want it so bad. We are already preparing for some live performances so everything is possible. I have huge plans, so we will see.

Do you think you’ll come to the U.K. and play?

I have loved the U.K. very much since my childhood and always wanted to go there. I hope, one day, this dream will come true

IN THIS PHOTO: Loïc Nottet

Are there any new artists you recommend we check out?

I love to listen and watch the popular artists because that’s where most of the teamwork’s been done. I don’t think that I know an artist that you haven’t heard of. In winter, I found out about one Belgian singer, Loïc Nottet. He’s not the new one but he is so talented. He writes his own songs, has a great and interesting voice; amazing dancer, acting like a professional actor. I wanna be like him.

Do you get much time to chill away from music? How do you unwind?

I’m twenty-seven and I’ve never chill away from music. I don’t even know if it’s good or bad but I know that you have to work. Don’t stop if something goes wrong. You need good results, improve your skills daily. It’s my passion. I get new information every single day. That’s how the character is brought up; that’s how dream works

Finally, and for being a good sport; you can choose a song and I’ll play it here (not any of your music - I will do that).

Great. I choose LSD (ft. Labrinth, Sia and Diplo) – Audio. Genius

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Follow Eshtar

Official:

http://www.eshtarmusic.com/

Facebook:

https://www.facebook.com/eshtarofficial/

Twitter:

https://twitter.com/eshtarofficial

Instagram:

https://www.instagram.com/eshtarmusic/

SoundCloud:

https://soundcloud.com/eshtar

YouTube:

https://www.youtube.com/user/eshtarofficial

Spotify:

https://open.spotify.com/artist/1hjX0GKNBaBmSsdvqgGvNH

INTERVIEW: Million Miles

INTERVIEW:

Million Miles

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WITH a brilliant single out…

there are more eyes and ears pointing the way of Million Miles. I have been talking with her about If Only and writing it alongside Bruno Major. The songwriter tells me about a precious musical memory and reveals some new artists to look out for – she talks about spending time in the U.S. and how important that was.

Million Miles looks ahead to tour dates and reveals her musical inspirations; how she spends time when there is a chance to chill; the advice she would give to upcoming artists – she ends the interview by selecting a rather good song.

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Hi, Million Miles. How are you? How has your week been?

Hello, there. The week has been fabulous. We’ve had brilliant summer weather in London lately and it was also the first week back at home after a couple of weeks in the U.S. - so, perfect timing.

For those new to your music; can you introduce yourself, please?

I’m a singer-songwriter with a deep love for Soul music and extensive experience in heartbreak.

If Only is your new single. Can you talk about its background and inspiration?

If Only is about timing: never quite nailing emotional availability. You may be ready to be with someone who might not be and vice versa. In a world that is overwhelmed with possibilities and a very short attention span, I feel it’s something people may have experienced a lot and I wanted to talk about it.

It was written alongside Bruno Major. What was it like working with him?!

I’ve been a fan of Bruno ever since I heard his live E.P. - before A Song for Every Moon started. It goes without saying - you can hear it just watching him play any of his songs - that he’s an amazing musician and songwriter. It was a delight working with him; very inspiring. 

Do you think there will be more material later in the year?

Absolutely. I’ll be releasing a new E.P. in the fall and I’m really, really excited about it. Stay tuned!

How did you get into music? Were there particular artists and albums that inspired your choice?

I fell into it when I was born…

Always been around it. I come from a musician’s family with a strong love for Blues and Soul music. I started playing the piano from a young age. All those elements naturally led me to constantly think music and make music. The records typically playing at home would be '70s Soul records. Later, I discovered Jazz and Blues and that had a massive influence on me. So many albums, though…Stevie Wonder’s Fulfillingness is one I can think of at the minute.

You were born in Paris but spent time in America. How important was that time in the U.S. regarding your development and aspiration?

It was absolutely crucial for me because I was a music student then and it’s actually while in the States that I got into Jazz and Blues, the Great American Songbook as well as artists like Carole King, Joni Mitchell and James Taylor. I was around so many amazing musicians; it made me want to up my game and really dig this singing thing - I hadn’t been singing for long when I got there; it was fairly new to me.

Where are you heading on tour? Where can we catch you?

I just came back from a U.S. tour. I will play some shows in the fall in Europe and probably in the U.S. as well. It’s all in the works but dates aren’t confirmed yet but. You’ll be the first informed as soon as it’s all in place. But, in a less-distant-future, I’ll be playing Camden Assembly on 26th July in London for War Child UK.

Is the stage the place you feel strongest and most free? How important is it being up there and performing to the crowd?

To me, it’s vital because that’s really when the songs come alive and when I can fully enjoy the audience’s reaction to my music It’s the best. It’s also a great opportunity for improv and I love improv.

What do you hope to achieve in 2018?

I would really love to keep working with some amazing people all-round and writing songs; recording and releasing more music. I love the feeling of having finished a song you think is your best yet…and lots of shows.

Have you got a favourite memory from your time in music – the one that sticks in the mind?

I went to see Ray Charles play as a kid. That was the best show I’ve ever been to. I was dancing on my chair. One of the musicians noticed me, went to talk to Ray Charles and asked him to sign a card for me. I must have been blushing loads. I was ecstatic.

If you could support any musician alive today, and choose your own rider, what would that entail?

It has to be Bill Withers.

Hopefully, he’d let me kit-share his Wurlitzer and I’d happily do that for a packet of crisps and a couple of anecdotes from Bill. 

What advice would you give to new artists coming through?

Do your thing. It’s a hard road so you might as well do what you want to do.

IN THIS PHOTO: Blanco White/PHOTO CREDIT: Sequoia Ziff

Are there any new artists you recommend we check out?

Loads. Jordan Mackampa, Blanco White; Jade Bird, Sharky; Courtney Marie Andrew, Jacob Jeffries - and I’ve just come across this girl, Rina Mushonga, who is awesome!  

IN THIS PHOTO: Courtney Marie Andrews/PHOTO CREDIT: Laura E. Partain

Do you get much time to chill away from music? How do you unwind?

I’m a dab hand with some watercolours and pencils - it’s a great way to spend a day off.

Finally, and for being a good sport; you can choose a song and I’ll play it here (not any of your music - I will do that).

Rina Mushonga – AtalantA

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Follow Million Miles

Official:

https://www.millionmilesmusic.com/

Facebook:

https://www.facebook.com/milmilesmusic/

Twitter:

https://twitter.com/MilMilesMusic

Instagram:

https://www.instagram.com/milmilesmusic/

SoundCloud:

https://soundcloud.com/milmilesmusic

YouTube:

https://www.youtube.com/c/millionmiles/

Spotify:

https://open.spotify.com/artist/3exZi47Gf3ZlXjKbvLp5Wm

INTERVIEW: Kalpee

INTERVIEW:

Kalpee

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HIS latest video bursts with colour…

and vivid intensity. I have been speaking with Kalpee about his track, Colourful, and putting it together. He talks about Calypso music and his life in Trinidad and Tobago; what we can expect in terms of his future steps; a new artist we should follow closely – he tells me what he hopes to achieve before the end of this year.

Kalpee reveals how he is feeling about playing The Color Run and gives advice to upcoming artists; which artists he grew up around; if there are going to be any tour dates soon – he ends the interview by picking a song that means a lot to him.

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Hi, Kalpee. How are you? How has your week been?

Heyy. I’m good; thanks for asking. I’ve been in Sweden working in the studio for the entire week, so my mind is in that creative mode right now and I’m loving it. Got to chill with some friends I haven’t seen in a while as well, which was really refreshing, so I had a great week (smiles). Just by the way the sun doesn’t really set in Sweden during the summer, that blew my mind - just thought you might like to know (laughs).

For those new to your music; can you introduce yourself, please?

Hey, hey. I’m Kalpee and I’m an artist out of Trinidad and Tobago. I’m really in love with music and I think it’s one of the most powerful tools we have. My sound is a really big mix of genres: it’s like a mix of Pop, R&B; Calypso, Reggae and maybe even Rock. It’s all just a vybe (sic.) for me; wherever the sound wants to go it goes I guess.

I don’t really like boxing off the ideas: it’s way more interesting when we mix it up a bit. Nonetheless, I really hope you enjoy my sound and, if you do, you should let me know (smiles).

Colourful is your new track. What is the story behind the song?

Colourful is about difference and the fact that difference is beauty. We live in a world full of boundaries that limit who we truly are and tell us who we should be. I honestly believe in self-expression and think it’s really important for society. We need to love ourselves some more and we need to be proud of ourselves - cause there is absolutely no one like you out there, so own it. 

It is Pop with a twist. Do you think it is important to keep things fresh and not follow the pack?

Definitely. The thing is, I just create what feels good to me. Keeping things fresh and doing my own thing isn’t intentional - I just make music. I’m from Trinidad and Tobago and a big part of my musical life as a kid was in Calypso music. The coolest thing is that I feel like I’m now able to merge what I learnt from Calypso and even Soca music with Pop music and I just think it’s such an interesting sound.

I honestly can’t wait to hear everyone else’s opinion but, for now, I’m happy with how the sound is growing. A true artist has their sound, vybe and message and I guess that’s what makes music fresh. When the sound becomes a personality, no one can copy you; I hope my sound grows into a personality.

 

The video lives up to the song’s name! What was it like filming it?

It was incredible but so much work (but that’s part of it). It took us a while to put the entire video together, maybe a week filming with the guys in Trinidad and then three days in L.A. shooting everything else. We actually went out to the desert to do the performance shot and it was sick; had an amazing team out there who made the entire thing possible. Major blessings to them (smiles).

Will there be more material later in the year?

Of course. You have no idea how eager I am to put out more music, but all in good time. You know I got your back...

You have been invited to perform at The Color Run. Are you looking forward to that?!

Most definitely.

I’m so excited. Can’t wait to feel Color Run’s energy but, not gonna lie; I’m a bit nervous as well cause I really want this performance to be perfect. I know it’ll be an amazing experience nonetheless.

Give me an impression regarding the artists that inspired you growing up. Who do you count as idols?

Bob Marley, for sure; Miguel and Chronixx. Super-inspired by those guys. When you call yourself an artist, you take on the responsibility of having a voice of reason. You almost become a politician to some extent and I feel like all of the above have and are representing in such a positive way. Their music is full of energy, love and substance and I admire that so much.

I’m a huge fan of Chronixx. I think his music is extremely powerful and groundbreaking; there’s a vybe to it that’s difficult to explain but that’s the beauty of it I guess.

Where are you heading on tour? Where can we catch you?

Got excited reading this question (laughs).

The tour, I’d say, is definitely in the works. The team has been working extremely hard on putting this all together. Colourful made the viral charts in countries such as the Philippines, Malaysia and Singapore and has been gaining some nice traction in Europe and the U.K…so, I guess I’m gonna be doing a good bit of travelling in the near-future; looking forward to seeing you all (smiles).

What do you hope to achieve in 2018?

I really, really want to just put out all the music I’ve been working on. It’s hard having all these songs and I’m the only person who can listen - so I hope I get the opportunity to put out an album and then go on tour. That’ll be amazing.

Have you got a favourite memory from your time in music – the one that sticks in the mind?

That’s a hard question, to be honest. My favourite memory isn’t anything extravagant but, around the time of No One - those were the days in Trinidad with my bros - we were testing the waters to see if we were any good at making music. Turns out we weren’t that bad (laughs). We had a couple of studios, Tano’s (producer) bedroom; my living room and my mom’s kitchen, which was mostly used for mixing and mastering. Hahaha; just kidding, obviously, but it’s so nice being able to look back at those days and seeing the growth from then to now. 

If you could support any musician alive today, and choose your own rider, what would that entail?

Probably Chronixx.

In terms of a rider; I’m a pretty simple guy so I’d say room temperature water; a kettle, fresh fruit and, if I had to be fancy, some red wine for after the performance. Hahah.

What advice would you give to new artists coming through?

Be open to growth, be patient and always be picky; set the bar. Make an impact, be a leader; be a good example: we have young ones watching.

IN THIS PHOTO: Jimmy October

Are there any new artists you recommend we check out?

Jimmy October. Thank me later

Do you get much time to chill away from music? How do you unwind?

Umm, not really. Haha. But, I don’t mind. Most of the time I’m using music to unwind - I guess that’s why I love my job.

Finally, and for being a good sport; you can choose a song and I’ll play it here (not any of your music - I will do that).

Chronixx - Loneliness 

Gosh, I love that song

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Follow Kalpee

Facebook:

https://www.facebook.com/kalpeeofficial/

Twitter:

https://twitter.com/kalpeeofficial

Instagram:

https://www.instagram.com/kalpeeofficial/

SoundCloud:

https://soundcloud.com/kalpee

YouTube:

https://www.youtube.com/channel/UC_MzMDrCpB5bFmzx3DFbF9g

Spotify:

https://open.spotify.com/artist/1nXDduJ1GdtMchWBMdnFiH?si=3TfIulSPQs-xzS-GIEJWPA