INTERVIEW: Jake Morley

INTERVIEW:

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Jake Morley

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THE terrific Jake Morley…

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has been talking with me about his new release – an acoustic, stripped-back version of the track, Ghostess (originally released in 2015). I ask about his plan to release an acoustic track each month and what Ghostess’ story is – Morley chats about his Spotify playlist, Tell It to Me Straight, and a couple of upcoming artists we should throw our weight behind.

I ask Morley which artists he grew up around and was inspired by; how his touring diary is looking at the moment; what advice he would give to artists entering the scene right now – he reveals what he wants to achieve before the end of the year.

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Hi, Jake. How are you? How has your week been?

You know those T.V. characters who walk around with Dictaphones and starting all their sentences with: “Note to self….”? Well, that’s pretty much me right now. I’m heading into the studio next week to record another batch of tracks, so it’s a regular stream of lyric tweaks and maybe-we-should-move-that-chord-somewhere-else. Basically, if you see me mumbling quietly into my phone whilst on the Tube, do not be alarmed...

For those new to your music; can you introduce yourself, please?

The challenge I’ve set myself is to produce songs for acoustic guitar and voice that are interesting, and stay interesting many listens later, with lyrics that you don’t regret giving your attention to and production that isn’t trying to con you.

I’m a white, heterosexual; bearded, male singer-songwriter… so, not exactly a rare unicorn. There are millions of us! Too many, maybe. But, I don’t feel like a stereotype: I feel like I’m finding something quite specific. Not just another bloke singing sensitively about his love life.

A stripped, acoustic version of Ghostess is your latest single. What is the story behind that song?

Ok. So, this one is actually a heartbreak song and, thus, may be undermining my point above a little. But, it’s absolutely authentic. The album version got a few million streams, so we wanted to include it for this acoustic series.

A few years back, after a break-up, I was desolate and surrounded by little remnants of the relationship - hairs on clothes, toothbrushes that still seem to kiss (all that). It’s funny how often the best songs are the ones you feel you have the least control over, can take the least credit for. This one flew out pretty quickly, helped along by Lady Gaga suggesting the title to me during an imagined conversation in my living room.

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You are releasing a new acoustic song each month. Why did you decide to do that? Has it been fun reworking your songs?

In the past, I would spend ages building up an album of songs. Slowly, they’d get recorded with big, detailed arrangements and then, eventually, they’d get released. By the time I’m actually touring them, they’re already years old, grown up and off to university. It just feels like there’s a better way, now: write, record and release; craft the song, record it without over-producing; share it, move on. Keep it fresh.

I’m loving that right now.

The playlist, Tell It to Me Straight, seems to be a source of inspiration. What sort of artists are on that playlist? Does it give you drive and ideas?

Often, the songs I come back to, again and again, talk to me like a friend with clear words; no bulls*it, no razzle-dazzle - just straight in there with an authentic expression they feel is important. It’s not about what genre it is: it’s an attitude thing. Treating your audience like an equal rather than a mark. Maybe a little hard to describe but I know it when I hear it.

The playlist came first, but it’s very much an ethos for me right now - in the songs I want to write and the way they’re recorded and toured.

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Which artists inspired you to get into music? When did you start writing your own music?

My dad tried to get me into Miles Davis and Steely Dan. My brothers tried to get me into Nirvana and Rage Against the Machine. I started around eight or nine, piano first; then drums, then guitar around thirteen. At fifteen, I’d be getting drunk with my friends playing Oasis songs and thinking: ‘Ooh; this is a bit fun’.

Writing songs seemed like an obvious extension to learning instruments.

If you had to select three albums that mean the most to you; which would they be and why?

Stop Making Sense – Talking Heads (live album)

Because it’s absolutely dazzling in its ambition and emotion.

Rage Against the Machine - Live at the Grand Olympic Auditorium

Because, sometimes, I’m angry and fearful.

Freddie Stevenson - 50 Songs

Because I love them dearly - and a fifty-song album would be a good way to cheat and get more (songs).

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What do you hope to achieve by the end of 2018?

Most days, I measure achievement in a personal way by how well I’m writing and playing. Other days, I measure achievement by how many ‘likes’ I get on Twitter and how much more successful my peers are. Hopefully, by the end of 2018, I’ll have done more of the former and less of the latter.

Have you got a favourite memory from your time in music – the one that sticks in the mind?

Standing side-of-stage to watch Willie Nelson after a support slot is up there. But, I’m pretty ruthless with memories: once it’s done it’s done. There’s no satisfaction quite like a great song coming together, or a great gig after the last notes are played…

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If you could support any musician alive today, and choose your own rider, what would that entail?

Never been that fussed about riders.

As for the support slot…hmmm, well. It’s mainly about playing in a great room with great sound to people who are feeling the music. That’s kind of more important than who the headliner is. Hammersmith Apollo was my favourite ever venue to play. I’d maybe pick someone like Bon Iver - if he was in an acoustic phase.

How important is it being on stage and connecting with the crowd?

Essential. Sometimes, I find myself feeling grumpy as hell then realising I haven’t played any gigs for a while. Then, I play a show and I’m all better again. I have a nineteen-date U.K. tour later this year and plenty of festivals – so, I think I’m covered for now.

What advice would you give to new artists coming through?

Nothing will help you get better like practice so, whatever music you make, make it often; play it hard, give it everything. With that comes confidence in yourself and, with confidence, you can sometimes do far more than you previously realised.

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 IN THIS PHOTO: Bryde

Are there any new artists you recommend we check out?

I run a weekly club for musicians to co-work together in London. We meet up with laptops, get work done and bounce ideas off each other. In fact, I’m here right now. It’s also a great chance to find new music. Check out these two amazing artists who are here this week: Bryde and Roxanne de Bastion.

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IN THIS PHOTO: Roxanne de Bastion

Do you get much time to chill away from music? How do you unwind?

That, my friend, will just have to be a mystery to you – mainly, as chilling away from music seems so hilariously foreign right now.

Finally, and for being a good sport; you can choose a song and I’ll play it here (not any of your music - I will do that).

A Case of You by Joni Mitchell – if even one person discovers it today that’d be worth it

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INTERVIEW: Belau

INTERVIEW:

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Belau

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I have been speaking with Krisztián of Belau…

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about the duo’s new song, Breath, and working with Sophie Lindinger on it. I discover how Belau got together and whether there is much of a music scene where they are in Budapest; which new act we should watch out for – Krisztián tells me whether more material will arrive down the line.

I wanted to know whether Belau have touring plans and how likely they are to visit the U.K.; what they/Krisztián hope to achieve before the end of this year; the artists that are most influential to Belau right now – Krisztián ends the interview by selecting a classic song.

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How are you? How has your week been?

Krisztián Buzás: Thank you for having us on your site - all fine. The summer in Budapest is lovely and we are on tour as always. We’re reaching out for some major festival here in Hungary and we are also touring around in countries like Croatia or Montenegro - unique sights and excellent adventures.

For those new to your music; can you introduce yourselves, please?

Belau is a Budapest-based Chillwave duo, stepping into the third summer of the band existence. We had the pleasure to tour in more than twenty countries. As a live act, we work now as a four-piece band and try to reach out for as many people as we possibly can. We have released several music videos, made an award-winning debut album and, right now, we are working on our second full-length.

Breath is your new song. What is the inspiration behind it?

The song is a picture painted by our inner-self; a journey to the inside where we are able to see the truth between the never-ending struggles to finally find peace. The music video tries to underline this with the woman who is escaping the reality - and then she finally slips into the coveted state where we are all heading to.

What was it like working with Sophie Lindinger on the song?

Sophie is a unique talent with an extraordinary voice. The fact that she accepted to feature on our new album is our honour. LEYYA, the band she sings for, is a great Austrian act. The work came together very instantly - although, we did not meet during the recording session. We had to wait to finally meet personally at SXSW in Austin, TX where both of us played. 

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IN THIS PHOTO: Belau with  Sophie Lindinger 

Is there going to be more material coming down the line?

Definitely. In the background, we are constructing the new album which is taking shape slowly. The release is scheduled for early-2019 but, if you are following us, you will notice that Breath and Redefine are already out and shows the new direction for Belau 3.0.

How did you get together? When did Belau start life?

Belau’s first live show was in 2016. Peter and I have been friends since we were ten and he had the idea to start a Chillwave band. Originally, he started it alone because I was very busy at that time of my life - so, I joined later on during the first live show. The success of Island of Promise pushed us and provided a great start and, since then, we have achieved a lot of things what we are proud of.

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You are based in Budapest. Is there an active scene over there?

The music scene in very diverse in Budapest - but we have a sub-scene for all the genres. The sad fact is that, however, we have some amazing artists who are unique, up-to-date and exciting, yet the first great international breakthrough is still to come. That’s what we are working forwards.

In terms of music; what do you listen to when not recording your own?

For me, it’s way different than it should be because I mostly listen to totally different music (than Belau). But, we can say that the most influential artists to us nowadays are Odesza and Ibeyi. What I listen to the most is something uplifting and wonderful; progressive miracles like The Contortionist or some regardless and hellraising old-school stuff like Blood Incantation.

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What do you hope to achieve in 2018?

Touring is the main goal while, in the background, we are working on the second full-length - which will be out in early-2019. What I want to achieve is to bring Belau to the next level.

If you could support any musician alive today, who would that be?

Beth Gibbons of Portishead. If not alive, then Chester from Linkin Park.

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What advice would you give to new artists coming through?

I consider us to be a new artist - but, I would say hard work always pays off. Work for it!

Might we see you tour very soon? Do you think you’ll come to the U.K.?

We had two U.K. shows so far in London but we are planning a small tour for you guys. As far as I see now we will go to Croatia, Montenegro; Germany, Sweden and Denmark in the next months…but the numbers are always increasing.

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IN THIS PHOTO: Orient Fall

Are there any new artists you recommend we check out?

Go check out my Metal band, Orient Fall.

Do you all get much time to chill away from music? How do you unwind?

Sleeping or organizing my vinyl collection.

Finally, and for being good sports; you can each choose a song and I’ll play it here (not any of your music - I will do that).

Obviously, in these cases, I put something here that totally does not fit the subject. Poison’s hit, Every Rose Has Its Thorn, is an example. I heard yesterday in a Rob Schneider movie.

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INTERVIEW: Germein

INTERVIEW:

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Germein

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THEY are in the midst of supporting Little Mix…

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here in the U.K., so it is a busy and exciting time for Germein. The Australian sisters discuss playing with Little Mix and being in Britain; self-producing their latest track, Talking, and what its story is – the group tell me about their influences and what the music scene is like where they live in Adelaide.

I ask them which artists and albums mean a lot to them; if they get time away from music to unwind and chill; what advice they would provide to artists coming through at the moment – Germein highlight a new act to look out for and choose a few songs to end the interview with.

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Hi, Germein. How are you? How has your week been?

G’day! We are fantastic, thank you! Our week has been crazy-amazing. We are in the middle of a U.K. stadium tour with Little Mix and having the best time.

For those new to your music; can you introduce yourselves, please?

We’re a sibling Indie-Rock pop band from Australia. Georgia plays guitar & keys, Ella plays bass & electric cello and Clara plays drums.

You are all sisters. When did you decide to make music together? Did you share music tastes growing up?

Clara Germein: We started out jamming together on our family farm in the Adelaide Hills, South Australia - putting on little shows for our grandparents and family friends when they’d come to visit. Playing music was always something fun we loved to do together. The first C.D.s we ever got were Celine Dion (Georgia), Shania Twain (Ella) and Kate Cebrano (Clara) - which we listened to on-repeat!

Georgia Germein: Our dad played the trumpet in a New Orleans Rhythm and Blues-style band and introduced us to artists like Ella Fitzgerald, Louis Armstrong; Van Morrison, and Cat Stevens. We grew up going to his shows, which was always very load, energetic and lots of fun. Mum played Classical and Folk music around the house and we were encouraged to have fun and be creative with our music. We sang Ella Fitzgerald’s A Tisket, A Tasket for our first public performance, I think, when I was about six-years-old!

Ella Germein: We didn't watch much TV growing up but, when we did, it was usually Disney movies which, of course, are known for their amazing soundtracks. I think these definitely sparked our interest in the power of music and emotion.

Talking is your new single. Can you reveal the story behind it?

Georgia: Talking takes on a bit of a darker theme with edgy guitar hits, pumping drums and bass - and a soaring break-out chorus showcasing our three-part harmonies. Talking, we hope, can relate to people facing all different types of challenges. Whether it be feeling like you can't express yourself through communication in a break-up, losing a loved one; fighting with a friend or even not feeling like you have the right to talk – which, unfortunately, is true for many people in this world.

Ella: There’s a line in the song, “This silence is killing us”, which, basically, talks about bottling up the fear, anger and frustration to the point of it feeling like its destroying you. There is a cool build-up in this part of the song which sort of reflects that building up and exploding feeling; like that feeling when you stand on the edge of a cliff and just scream out, releasing all the emotions, and after you feel ten times better.

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Is it true this is the first single you produced yourself? Did you feel the need to have more control and say?

Georgia: Yeah. We decided we wanted to start making music on our own terms and so I tried recording and producing Talking myself in our home studio in the Adelaide Hills, South Australia. I’ve always been recording demos and messing with recording gear over the years, so it’s been quite empowering to finally get to the point where I can do it myself. We wanted Talking to sound like ‘us’ and I think we were best able to capture this by producing it ourselves.

Talking was pre-produced by Stuart Gray and mixed by John Castle. When we hit ‘play’ on it, we knew it was the musical vision we’ve had for ourselves finally coming to life.

Looking ahead; might there be an E.P. or album coming along?

Yeah. We’ve got a bunch more songs coming out soon, so stay tuned!

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Being based out of Adelaide; what is the music scene like there? How does it compare to other parts of Australia?

Adelaide’s music scene was our first taste of life in the industry, sparking our huge love for live music and performing. There are lots of great festivals in Adelaide, such as the Adelaide Fringe, which has been named the biggest arts festival in the Southern Hemisphere. There’s also WOMADelaide and Oz Asia, attracting thousands of people to the city to experience the wide variety of music from many different cultures. The Porch Sessions are well-known for transforming backyards into an intimate musical oasis - as well as A Day on the Green, Handpicked and Botanic Park for larger outdoor festivals in picturesque locations such as renowned Adelaide Hills Wineries and Adelaide’s beautiful Botanical Gardens.

You will always find live music in the city anywhere; from the bustling Adelaide Central Markets to the busy streets of Rundle Mall and even as you go to collect your bags at Adelaide Airport there’ll be local muso welcoming you with their tunes. Adelaide was also recently named as a UNESCO City of Music (one of thirty-one cities in the world), which is awarded to cities that have demonstrated excellence in music heritage, music-making; education, community involvement and regular high-profile international music events. Other great Aussie cities for music include Sydney, Melbourne and Brisbane.

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What might one find if they searched your music collections? Do you all have quite a wide range of heroes and heroines?

Ella: We love bands with a strong harmony feel like Fleetwood Mac and Queen; the edginess of Florence and the Machine and The Wombats; plus, the fun energy of iconic female artists from over the years like the Spice Girls, Beyoncé and, of course, Little Mix.

If we could only listen to one album ever again, here’s what each of us would choose at the moment: 

Georgia: John Mayer - Where the Light Is: John Mayer Live in Los Angeles

I just love everything about a live album - and John Mayer’s songs and musicianship are just incredible.

Ella: Kasey Musgraves - Golden Hour

I'm obsessed with this new album of hers. I don't know what it is but it’s just so beautiful the way it's been written and musically created. I just love it.

Clara: The McClymonts – Endless

We do a lot of driving on tour and it’s great driving music. The songs are catchy and feel-good too.

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Have you all got a favourite memory from your time in music – the one that sticks in the mind?

Georgia: Arriving at the point of being able to record our own songs ourselves in our home studio. I love the process of recording a new song in the studio and to be able to create something new, add layers and give it personality and heart in my own time is so rewarding. It just makes me even more excited to be able to share these new songs with the rest of the world.

Ella: Playing for the orphans and sick children at the Agent Orange Rehabilitation Centre in Vietnam. It was such a heart-warming experience.

Clara: I just love touring in general. Being able to travel the world and play our own music is such an amazing feeling.

If you could each support any musician alive today, and choose your own rider, what would that entail?

Georgia: U2

Ella: Taylor Swift

Clara: 5SOS

Rider: some puppies to play with.

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What advice would you give to new artists coming through?

Have a love of music at the heart of everything you do; create opportunities for yourself to get experience in the industry; don’t be afraid to ask questions - and be yourself.

I believe you are playing dates in the U.K. Which venue/date are you most looking forward to?

We are genuinely excited about every venue we are playing at in the U.K.! This is our first time playing in stadiums, so it’s quite surreal!

You are supporting Little Mix. Have you met them before? Are you excited about playing with them?!

Ella: We had the best time opening for a couple of Little Mix shows last year, so it’s incredible to be invited to back to play fifteen arena shows on their Summer Hits Tour in 2018! They are such a talented and down-to-earth group of girls who are smashing it in the music world at the moment, so we are stoked to be touring with them this July.

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IN THIS PHOTO: Rak-Su

Are there any new artists you recommend we check out?

Rak-Su is a great group of fellas who are also touring with Little Mix, so we recommend you check them out!

Do you get much time to chill away from music? How do you unwind?

We mostly unwind by going for a walk or a run, listening to music or watching a movie. Georgia unwinds by playing music or reading; Ella likes to paint and Clara likes taking our dogs for a walk. In Australia, we all like going to the beach and, if there’s time, going surfing.

Finally, and for being good sports; you can each choose a song and I’ll play it here (not any of your music - I will do that).

Georgia: Lose My Mind by Dean Lewis

Ella: High Horse by Kasey Musgraves

Clara: Flames by Sia & David Guetta

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INTERVIEW: Future Generations

INTERVIEW:

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Future Generations

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THE chaps of Future Generations…

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have been telling me about their new single, All the Same, and filming its video. They discuss New York City and what we will get from their upcoming album, Landscape – the band tells me how they got together and whether their latest work differs from their earlier stuff.

I discover what the guys do away from music and which upcoming musicians we should get behind; what they hope to accomplish before the end of the year; whether they all share music tastes – they each end the interview by selecting a song.

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Hi, guys. How are you? How has your week been?

We’re great! Relaxing after a little tour in June. End of June/early-July is the time we’ve all planned our summer vacation/family obligations - until we get back and start getting ready for the fall tour.

For those new to your music; can you introduce yourselves, please?

We are five fellas looking to inspire future generations with new-fangled Indie-Pop.

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All the Same is out. What is the story behind the song? How did it come together?

We’ve been working on this song for quite some time. We originally recorded it all the way back when we recorded One More Problem but something about it just didn’t sit right. It took us many tweaks and adjustments until we realized that the drums are what needed to be fixed. We took about eight hours straight in the studio going late into the night trying different drum grooves until we decided that the simplest groove was the best.

Sometimes, it just works out that way.

What was it like putting the video together? Was it a pretty eventful shoot?

The shoot was ultra-smooth. We worked with Ken Polyak and Drew Lewis. We had a similar vision for the song: retro party vibes juxtaposed with a dystopian work/school environment. We had a ton of fun and got the chance to connect with a few fans whom we invited via Twitter for the party scenes.

Landscape, the album, is out on 14th September. What sort of themes and ideas inspired the music? Do you each have a standout cut?

Heartbreak, maturity; exhaustion, perseverance and new love. These are the emotional themes behind the album. Musically, there are too many to name but the ‘umbrella theme’ would be challenging ourselves to make the best songs we could. There was never a specific genre, band or sound we were trying to achieve: we just wanted to take each song and bring it to what we thought was its full potential.

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How do you think the album differs from your early work? Do you consciously add new elements in?

We’d like to think of this album as more of a cohesive set of songs. Our first record was a compilation of songs that were recorded throughout a few years. With this record, we had a ton of demos; picked the best twelve or so with our producer and re-worked them, one song per day, for almost two weeks straight in the studio.

What was it like working with producer Justin Gerrish?

The experience was a re-enactment of the movie, Whiplash. Just kidding. It was more like the movie, The Mighty Ducks, and Justin was Gordon Bombay. Aside from being a real talent in the studio and behind the board, Justin was pretty instrumental in encouraging us to experiment and get the songs to places we’re excited about.

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How did the band get together? What was it that bonded you all?

We met in the basement of our freshman dorm at Fordham University in The Bronx. It was the music room (literally, a room with an electric piano) and Eric (with a guitar) stumbled upon Eddie (playing the piano). They started playing and it was going pretty alright but then Mike stumbles into the room with a weird box and some speakers. Turns out, it was a mythological sampling device known as the MPC2000 that would soon develop our sound and be the glue that made our songs come alive - and eventually made us decide that, hey, why not be a band. Soon enough, we landed our first paid gig (out on the quad, paid heavily with Taco Bell crunchy tacos).

When we started playing shows a bit more seriously, we recruited notorious bass legend on campus, Devon. When we started playing even more seriously we recruited our drummer, Dylan, off of craigslist.

Do you all share musical tastes would you say? Have you all discovered artists through one another?

We’re constantly introducing artists and songs to each other. One of the biggest ways we all discover music is through each other. When we’re touring, we like to pass around a phone with Spotify and each put on a song in a playlist for the ride. We’re always taking note of a song we like that some of us haven’t heard.

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What do you hope to achieve in 2018?

Besides becoming the next Def Leppard, we want to visit as many Applebee’s across the U.S.A. as possible.

Have you each got a favourite memory from your time in music – the one that sticks in the mind?

We all have different favorites. One of the best experiences for all of us was our time at Firefly. Seeing Weezer, Muse; The Weeknd, Busta Rhymes and others only mere feet in front of you was so inspiring and joyous. 

If you could all support any musician alive today, and choose your own rider, what would that entail?

Dylan: I would play drums for John Mayer.

My rider would include water, red wine; cheese and crackers, steak frites; an Xbox with Call of Duty and a T.V. to view live sports. I think I could ask for all of that playing with him…

Eric: I’d open for Andrea Bocelli.

My rider would include a barbecue and a few hundred hot dogs and hamburgers.

What advice would you give to new artists coming through?

Tour your freakin’ arses off. It’s the best way to grow your fan base and get tight as a band. Do it at any cost.

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IN THIS PHOTO: pronoun

Are there any new artists you recommend we check out?

Side Hustle, Ritual Talk; pronoun, YL; Petite League and Zuli.

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IN THIS PHOTO: Ritual Talk

Do you all get much time to chill away from music? How do you unwind?

Yeah, definitely. We all have jobs aside from playing music. Typically to unwind, we’ll go to the beach or do some Tae Bo or eat at one of the many fine eating establishing we have here in N.Y.C.

Finally, and for being good sports; you can each choose a song and I’ll play it here (not any of your music - I will do that).

Dylan: Vundabar – Oulala

Eric: Bruce Springsteen - The Ties That Bind

Eddie: Side Hustle - This’ll Never Seem Real

Mike: Lawn - My Boy

Devon: Maggie Rogers - Fallingwater

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INTERVIEW: Jenna Calandra

INTERVIEW:

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Jenna Calandra

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I have been talking with Jenna Calandra…

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about her single, I’ll Be, and what its story is. Calandra reveals the song’s personal background and looks ahead to her self-titled album. I ask what sort of themes and stories will be included on the album; if there is a varied and busy music scene on Long Island, New York; which new/upcoming artist we should get behind – the songwriter talks about her influences and musical tastes.

Calandra talks to me about the ambitions she has for the rest of the year; which musical memory stands in her mind; the advice she would give to artists coming through – she ends the interview by choosing a song that means a lot to her.

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Hi, Jenna. How are you? How has your week been?

Hello, Sam! I’ve been absolutely amazing! I’m working on some new music in the studio that I cannot wait to share!

For those new to your music; can you introduce yourself, please?

My name is Jenna Calandra. I’m twenty-three-years-old; I’m an independent recording artist and songwriter! I live on Long Island, .N.Y. in the Suffolk County area. Music has been my life ever since I was a little girl.

Talk to me about the single, I’ll Be. Is there a personal story behind the song?

My debut single, I’ll Be, is about my personal experience with bullying. I was bullied in school. Kids in my grade would tease me about how I wanted to be a singer; they would call me the meanest names; they would tease me about how I live and where I came from. The song’s storyline is where I’ve accomplished and overcome my fears of making new friends; how much I’ve grown confidence, improvement and growth.

I have grown so much as an artist and person. My scars may be invisible but they are like battle wounds to me. I feel like this song is my anthem of being independent and strong. While I was recording, I was crying through my takes and that’s why I may sound shaky in my vocals. I was crying while I was singing and between the takes. I felt so emotional throughout the whole song. I want to inspire others who are going through bullying with this song and I love performing this song at my live shows I did in the past. 

I understand you are in the midst of making an album. Can you reveal any of the songs and themes that will appear on it? What has it been like putting the songs together?

I am writing this song about my bipolar disorder and having autism. The song I’m writing and recording is about where I was diagnosed with bipolar and autism and I didn’t know who I was at the moment...

But, now, I realized that I am like everyone else - pursuing my dreams and working my butt off. I’m working so hard and these songs changed my life. The themes on the album are about heartbreak, personal struggles; falling in love and being betrayed and judged. I don’t want people to look at me as the autistic girl because I feel judged for who I am every day and I learn to love myself. I look like a typical girl who can get a job and drive a car.

I hate using the word ‘normal’ - so I use ‘typical’. I do have autism and that’s what this album is about: finding myself and loving myself for who I am. These songs are so personal and I can’t wait for someone to say: “I can totally relate to your song”. That would make my day and make my heart happy. I realized I’ve opened up so much on this album and I want people to relate to my songs and lyrics.

Do you recall which song/moment started the album? How did it all get started?

I was writing My Love for You, which is my third single on the album. I was sixteen. It was the first song I wrote for the album. When I was eighteen I wrote Warrior, which is about how much I’ve accomplished and the confidence I’ve found - the album name came about (for these songs) when I was about twenty-years-old. I didn’t start recording professionally until I was twenty-two...and that’s how it all started and came about. I was discussing with my producer about the idea of an E.P. or an album. I told him I wanted to do a self-titled album because there is so much to say in my music and personal stories/struggles. So, then we came up with the title Jenna.

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Long Island is your home. What is the music like there? Are there a lot of great local acts coming through?

I have a lot of musician friends on Long Island. My friend, Ali B., is so talented. She travels all over Long Island and New York City to pursue her music career. Music is great here: we have a lot of music festivals for indie artists and musicians like Alive After 5 music festival. There’s so much to do, musically, on Long Island. I feel like I have connected with a lot of talented musicians here.

Which artists did you follow when you were growing up?

Definitely, Demi Lovato! I would watch her as Mitchie on Camp Rock, which is my favorite childhood movie on the Disney Channel! She inspired me to not give up on my dreams and goals. I want to achieve my goals and make them into reality. Demi Lovato is number-one on my list. She seems like a cool person to hang out with - she is sweet, funny; smart and crazy-talented!

What do you hope to achieve by the end of 2018?

The goals I want to achieve at the end of 2018 are to go on tour (in 2019) to promote the self-titled record. I’m titling the tour I’ll Be Tour and then, maybe, I will title my world tour 'Jenna' after the album. My producer knows music venues and promoters so we will get that going next year! I love performing so much! So stay tuned for tour dates!

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Will there be any tour dates? Where can we see you play?

I mentioned that I will be announcing my I’ll Be Tour sometime next year to promote the album! I’m super-excited. I have to discuss with my producer about the venues I want to play - this has always been a dream, to go on tour. I can’t wait to announce the I’ll Be Tour in 2019!

Have you got a favourite memory from your time in music – the one that sticks in the mind?

Wow; there are so many memories of my time in music...

I would have to say when I stepped my foot into The Loft Sound Studio where I’m recording my self-titled record. I was recording covers in my first session and then I started recording music and vocals for my debut single. It was so much fun and emotional to record this debut single. This single means so much to me and I’m so glad it’s the single off my debut album. I want people to listen to the lyrics carefully and what the lyrics mean because it tells a story. The reason why I am going to The Loft Sound Studio is because of Madison Beer. She inspired me to make my album with Matt and Donnie, who are the producers of the studio. They are amazing, down-to-earth guys and I am so blessed to be working with them!

Which three albums mean the most to you would you say (and why)?

I would have to say Demi by Demi Lovato; Rainbow by Kesha and Confident by Demi Lovato. I’m telling you; Demi is my bad-ass! She is my favorite of all time. But, her self-titled album inspired me for my self-titled debut. Her songs on that album remind me of mine - because I am writing about my own struggles and experiences. Demi the album is so relatable and inspiring, so that’s why I’m making my own self-titled record.

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If you could support any musician alive today, and choose your own rider, what would that entail?

I would support Madison Beer 100%. She is inspired me to go to The Loft Sound Studio where I’m recording for my debut album. She inspired me to be and stay as an independent artist and she inspires me to never give up. I love her song Fools from her new E.P., As She Pleases. I met Madison at the Gramercy Theatre on May 17th, 2018. She was the sweetest and I told her I go to The Loft and I told her she inspired me to go there - which made her feel so flattered and special. She is so special to me and my inspiration.

What advice would you give to new artists coming through?

I would say just be yourself; keep practicing 24/7, keep taking vocal lessons and just do what you love. Doing what you love makes you the happiest person in the world. My motto is “You are beautifully and wonderfully made”, which is a quote from Demi Lovato from her book, Staying Strong. It hit me and I’m always saying to myself: “I am strong, independent and talented”. That’s what that quote means to me and I always stick to that motto. You are beautifully and wonderfully made; you are talented and God has a plan for you. Don’t ever let anyone get in the way of your potential!

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IN THIS PHOTO: Madison Beer

Are there any new artists you recommend we check out?

I think there are a lot of artists you should check out! There is this one artist, Madison Beer. She was discovered by Justin Bieber and she is now independent with First Access Entertainment. She was signed with Def Jam Records. Now I feel like I can be independent because of her and you should check out her recent E.P., As She Pleases!

Do you get much time to chill away from music? How do you unwind?

I never stop doing music! During my free time, I practice singing so I can get better; I’m songwriting for the album and I’m always in the studio. I can’t wait to share new music!

Finally, and for being a good sport; you can choose a song and I’ll play it here (not any of your music - I will do that).

Fools by Madison Beer (from the As She Pleases E.P.)

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INTERVIEW: Lunafruit

INTERVIEW:

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Lunafruit

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THE tremendous Lunafruit have set time aside…

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to talk about their latest single, Rise, and what its story is. They talk about meeting one another whilst playing as session musicians in the same studio; how they split their time between Barcelona and London – the guys highlight some upcoming musicians worth a shout.

Lunafruit reveal what they want to achieve by the end of this year; whether there is any more material arriving soon enough; whether they get any time to unwind away from music – the guys each select a song to end the interview with.

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Hi, guys. How are you? How has your week been?

Hey! Good - our week has been very full and very exciting. We’re in pretty intensive rehearsals for our summer tour at the moment, so really enjoying getting creative with our tracks in a live setting.

For those new to your music; can you introduce yourselves, please?

Sure thing. We’re Lunafruit; otherwise known as Elliot (Guitar, Vocals and Percussion), Sophie (Vocals, Keys and Sax) and Archie (Bass, Vocals and Sax). We’re a trio that sometimes has extra guests and our sound is somewhere between Pop, R&B; Soul and Funk.

Rise is your new single. What is the story behind the track?

Rise is a simple tune about that hazy time between sleep and waking up. We wrote it very quickly in a couple of hours on a summer evening whilst recording in Spain last year. We tried to capture that sense of simplicity in the production of the track - and we’re super-happy with how it’s gone down so far.

Lunafruit formed after the three of you met in your role as session musicians. Were you playing for the same artist – or did you happen to meet at the same studio?

Yeah! We were all working at a studio called Abubilla in South London a couple of years ago and realised we shared musical taste and wanted to make the same kind of music. So, we founded the project and here we are!

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You spread your time between South London and Barcelona. How do the contrasting areas affect your music? What is Barcelona like for music and gigs?

The two cities bring a really different energy to our songs, which were written between the two whilst Sophie was based out there this year. Obviously, in greyer days in London, Barcelona brought out a sunnier side to the tracks and we were really inspired by going to see lots of Latin-influenced music out there. Barcelona’s music scene is a lot smaller than London’s but full of diverse sounds from around the world. The two balance each other perfectly.

I understand there might be more material later in the year. Can you reveal whether that might be an E.P. or another single?

Yep - we’ve got an E.P. in the pipeline for later this year.

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Do you all share tastes in music? Do you recall the artists you grew up around?

Archie listens exclusively to Funk and Disco and resents the band for not letting him wear sunglasses while he plays bass.

If you were sent to a desert island and could only take one album – not nicking this from any radio show or anything! – which would it be and why?

Right now, it would be George Benson. We’ve been listening to a lot of his stuff doing rehearsals and it’s been providing a lot of energy and inspiration.

What do you hope to achieve before the end of 2018?

By the end of 2018, we want to have played a lot of shows, met lots of people and started some collabs. Also, Sophie wants to complete her Grade 3 castanet.

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Have you each got a favourite memory from your time in music – the one that sticks in the mind?

Archie once played the recorder with his nose on T.V. Don’t ask.

If you could support any musician alive today, and choose your own rider, what would that entail?

Vulfpeck would be dreamy. Our rider would include a lot of Penguin bars.

What advice would you give to new artists coming through?

Play, play, play. Even the bad ones when no one’s listening.

Where can we see you play? Do you have any gigs approaching?

We’re off to Scotland for some shows there as part of the Edinburgh Festival in August and then we’ve got our homecoming show at Kansas Smitty’s in London on 4th September.

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IN THIS PHOTO: Midas Hutch/PHOTO CREDIT: Fabio de Frel

Are there any new artists you recommend we check out?

Too many to mention! At the moment, we’re really into Midas Hutch, Poppy Ajudha and Emma-Jean Thackray as a starting point.

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IN THIS PHOTO: Poppy Ajudha

Do you get much time to chill away from music? How do you unwind?

We’re pretty tunnel-vision on our project at the moment but, when we want some time, out we love going out for a good old-fashioned boogie - and a lazy day in the park always helps.

Finally, and for being good sports; you can each choose a song and I’ll play it here (not any of your music - I will do that).

Sophie: I Am in Love - Jennifer Lara

Archie: Stay for a While – Gibbz

Elliot: Family Affair - Sly and the Family Stone

Cheers!

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Follow Lunafruit

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INTERVIEW: Two Legs

INTERVIEW:

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Two Legs

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I have been learning more about Two Legs…

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and his terrific new track, Grin. He gives me the lowdown on the song and talks about the possibility of more music. I ask where we might catch him play and the artists who inspire his sound – Two Legs recommends some upcoming musicians we would do well to follow.

I was keen to ask what music means to Two Legs and what he hopes to accomplish before the year is through; what he does when not making music; three albums that have made a big impression him – he shares a favourite memory from his time in music.

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Hi, Two Legs. How are you? How has your week been?

It's been the best week of my life. Thank you for asking. 

For those new to your music; can you introduce yourself, please?

Hello everyone. My name is Two Legs and I produce Electronic music and I sing - and it's really great!

Did you watch the England game (semi-final) in the World Cup? What did you think of the result?!

I watched all the England games; it was great fun. But, ultimately, there are thirty-one losers in the tournament and we just became one of the many.

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Your single, Grin, is out. Can you tell me what the story behind the song is?

Grin is my first co-written release. The verse was written a few years ago by my mate Francis Kershaw under the alias 'Odd Socks'. Then, recently, I was making some beats and his verse line popped into my head. I then worked on a chorus, structure and, luckily, Francis approved of the final product. 

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The track is about letting things build up internally without speaking out about how you feel. In that sense, it looks at how our whole world is internal and how rarely we get to see this hidden part of each other in any full clarity. 

It is your third release of the year. Do you think there might yet be more material arriving before the end of 2018?

Yes, definitely. The attention span of the music industry moves so quickly; you have to keep up with it with regular releases. I've got loads of demos, so I'm just fine-tuning a couple to get ready for release.

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Are there particular musicians who have inspired you and contributed to your own sound?

Lots. Bands like Phoenix, Foals; Wild Nothing and Beach Fossils. Then, House/Techno/Ambient Electronic musicians like Moderat, David August; DJ Kose and Kiasmos etc. I've got a lot to thanks for those guys.

What do you hope to achieve by the end of 2018?

Worldwide fame, rehab; a glorious comeback and then rehab again.

Will there be any tour dates? Where can we see you play?

Yes, for sure. I'll be playing at the live residency I curate at Archspace in London called Limbs - a night created for live Electronic music. There are a few more options in the pipeline also.

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Have you got a favourite memory from your time in music – the one that sticks in the mind?

My first gig with a band I was in during school. At the start of our final song, we threw many, many Jaffa Cakes into the crowd which then got chucked around a lot. The venue wasn't best pleased.

Is it possible to convey what music does to you and the power it holds?

Not entirely. I always find words can never really describe a track or how it makes you feel. That's why I quit music journalism: because attempting to describe music is inherently futile. Not to rain on your parade or anything - keep it up!

Which three albums mean the most you would you say?

Tycho – Dive

Always gives me shivers and a mega-powerful sense of nostalgia to summer when I was eighteen.

Kings of Convenience - Declaration of Dependence

The songwriting and use of space are unbelievable.

It's not an L.P., but an E.P., by Benoit & Sergio called Boy Trouble

It first got me into dance music and showed me it was possible to mix that House sound with melancholic; narrative, vocal-based songwriting.

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If you could support any musician alive today, and choose your own rider, what would that entail?

I'd support Drake.

My rider would be a paddling pool of KFC gravy and an inflatable Cartman from South Park for me to chill in the pool with. 

What advice would you give to new artists coming through?

Only make the music that you want to make and that you connect with. Don't try and force it into something else you think is commercial because what is commercial changes so fast that, by the time you've made it, it's probably irrelevant - and then you've made a sh*t song for no reason. There's no longevity in that.

Also, the likelihood of any of us reaching financial stability through music is very slim so make sure you're enjoying the process rather than sacrificing yourself for an elusive end goal which you're not guaranteed to reach.

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 IN THIS PHOTO: Jude Woodhead

Are there any new artists you recommend we check out?

Jude Woodhead, Tungz; Mined, Paige Bea and Ben Wickins.

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IN THIS PHOTO: Paige Bea

Do you get much time to chill away from music? How do you unwind?

I work in music during the day as a nine-five. Then, I need to find time to do all my Two Legs stuff, so there's not much time to unwind. I meditate, but not as much as I'd like to. Also; exercise is big for me to de-stress. I do love a bit of footy.

Finally, and for being a good sport; you can choose a song and I’ll play it here (not any of your music - I will do that).

Ten City - That's the Way Love Is (Underground Mix)

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INTERVIEW: Holloway Road

INTERVIEW:

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Holloway Road

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THE chaps of Holloway Road…

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have been talking with me about their single, No Place, and what it was like filming the video. I ask how the duo got together and what it is like recording in Nashville; some new artists we should look out for – the guys reveal what tour dates they have coming up.

Holloway Road tells me whether Country, in their view, gets the attention it deserves; who they count as idols; what they hope to achieve before the end of the year – the guys end the interview by choosing two very different songs!

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Hi, guys. How are you? How has your week been?

Very good, thanks - until England went out of the World Cup! 

For those new to your music; can you introduce yourselves, please?

We are Holloway Road; the most badass Country-Pop duo you have never heard. 

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Are you enjoying the heatwave we are having at the moment?! Does it compel songwriting and inspiration?

Absolutely. Any excuse for Rob to wear his short shorts! The sun being out really puts your mind in a better place so, of course, it sparks inspiration. 

How did you form ‘Holloway Road’? Do you remember that first meeting?

We have both played in bands together since we were kids. We can remember a conversation in the smoking area of a club about five years ago talking about making music that we could get excited about and, five years later, this is where we are!

What is the tale behind the new single, No Place? What was it like filming the music video?

It's a very personal song because it's about our journey together so far. Filming the video was great fun but, be warned; when hopping on a retro BMX for the whole day as the seats are made of hard plastic. Very unpleasant. Haha. 

I know you have been recording in Nashville. Is it a place you feel at home in? Is it a pretty exciting place to record in?!

We have great friends in Nashville that have taken good care of us and always made us feel at home. 

As far as recording goes; we have not done much out there - most of our time in Nashville is spent songwriting - but what we did do was very laid back and people there tend to just let the creativity flow, which is how it should be.

You are inspired by Country and Pop. Which artists did you listen to growing up? Who do you count as idols?

We love everything from George Strait to Florida Georgia Line when it comes to Country music but we love all genres. 

It's the same with idols. Florida Georgia Line are a great act to look up to as we have similarities and watching what they have achieved in so little time is inspirational. But, there are too many to mention - from the Eagles to Justin Timberlake.

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Do you think Country music gets the attention and oxygen it deserves in this country? Do you think it warrants greater focus?

We certainly think it's getting there and will continue to grow, and rightly so!

What do you hope to achieve before the end of 2018?

The same thing as every year: progression! As long as we come out of every year feeling like we have moved forward and in the right direction to world domination then we can wake up happy.

Have you each got a favourite memory from your time in music – the one that sticks in the mind?

Not one that sticks out, as we are constantly making great memories and hope to continue.

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If you could support any musician alive today, and choose your own rider, what would that entail?

Florida Georgia Line! 

We always choose our own rider and it usually consists of beer and bananas. Mainly because Jack has a banana phobia, so everyone likes to wind him up.

What advice would you give to new artists coming through?

Keep it fun!

Where can we see you play? Do you have any gigs approaching?

Of course! We have a busy summer of festivals ahead of us before heading out for some tour dates later in the year - we're playing Nashville Meets London, Bestival; Carfest and The Long Road among others. Head over to www.hollowayroadmusic.com for all show updates and social media pages. 

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IN THIS PHOTO: Levi Hummon/PHOTO CREDIT: Kate Dearman Photo

Are there any new artists you recommend we check out?

Levi Hummon, The Brummies; Jillian Jacqueline, Russell Dickerson and Devin Dawson. 

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IN THIS PHOTO: Jillian Jacqueline

Do you get much time to chill away from music? How do you unwind?

Yes. All the things we shouldn't...

Finally, and for being good sports; you can each choose a song and I’ll play it here (not any of your music - I will do that).

Jack: Enya - Orinoco Flow

Rob: Kano - GarageSkankFREESTYLE

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Follow Holloway Road

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INTERVIEW: ARI

INTERVIEW:

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ARI

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YOU definitely get a load of vibrancy, character and fun…

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when you speak with ARI. The American songwriter talks with me about her debut single, Baptize, and its story. She tells me about her childhood home and which musicians inspired her at a young age – ARI reveals how salsa dancing and cooking helps her relieve tension!

I ask her whether there are tour dates coming up and the chances of some U.K. dates; which upcoming artists we need to keep an eye out for; how she spends time away from music – ARI ends the interview by selecting a rather tasty song!

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For those new to your music; can you introduce yourself, please?

Hi, I'm ARI. Music is my passion; passion is my music. My musical passion is my passionate music. 

Baptize is your debut single. What is the story behind the song?

Baptize is the first song I had written for my solo project. It's a song of catharsis for me. I was in the midst of dealing with repressed waste and self-hatred and the way in which it's manifested into unhealthy and self-destructive behaviors. For me, it's about freedom from the chains of the mind we've shackled ourselves in.

Or something like that. 

Is it exciting having the song out there and ready? Do you already have visions of more material?

It's exciting, it's nerve-racking. I'm no cucumber. I'm desperate for validation and I want to be liked, loved and respected. Love me.

Yes. I write most days so the visions are ever-present in my day-to-day; sometimes I've spent the entirety of a day writing and I wake up the next day and realize it's sh*t. Other times, I feel connected to the song and it feels like I've released the story haunting me through that song. That's my favorite part about songwriting. Free therapy.  

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It seems you have been raised on the arts and around music. What was your childhood home like?

My folks are good people, good parents. They haven't made careers of making art, but they are artists in many ways. My father loves music and spent the majority of our time together during my childhood educating me on some of my favorite artists and driving me to and from dance rehearsals. My mother encouraged me with her abundant love and occasional ass-whoopings (kidding, mom, I love you.).

My childhood home was peach-colored on the outside, and inside, unfortunately. Our living room hosted reclining green-leathered La-Z-Boy sofas that my older brother used to hide things he broke around the house underneath. The kitchen had a white-tiled island and there was a guest bathroom with a warm toilet seat. Not a heated toilet seat, but warm still. Mostly from the excessive use. Busy house, busy toilet.

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Childhood was tough. No one knows what they're doing and then, when you're an adult and wreaking havoc on your own life, you're like: "Well, sh*t. That was a screwed up thing that happened in my childhood and I'm damaged and should probably work on that". We all have stuff. We're products of joyous moments and traumas and we fumble around on this planet until we die. I say that with a smile. I'm not a black hole. Usually. 

Tell me about the musicians that inspired you at a young age. Who are your heroes?

Leonard Cohen, Nina Simone and Sam Cooke are some of my heroes. The way in which they turn darkness into light is truly holy. 

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Is it true you cook and go salsa dancing to release tension and express yourself?!

TRUTH! I do love to cook. My grandmother and mother expressed so much love through preparing food during my youth. I hope I'm not perpetuating misogynistic stigmas of women in kitchens here, but the kitchen was where we shared stories, laughed; gossiped, yelled; cried and created dishes to share with people we loved. I love to cook. I love creating something from start to finish and consuming it with such quick turnover.

Making music takes a little longer. Yes, I do salsa dance; not just salsa, though. I used to be a ballroom dancer. Dancing is a delicious way to release. It's primal, it's liberating…

Are there going to be any tour dates coming up? Where can we see you play?

Right now, I'm doing shows around my hometown of Los Angeles, where I currently live. More to come soon….

Might you come to the U.K. and play here? What is the live music scene like where you are?

I do plan to come to the U.K. In fact, I'll be there next month for writing and recording sessions. I may even do a show whilst over there. I love it there. Looking forward to spending time in your neck of the woods. 

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Do you have any ambitions to fulfil before the end of the year?

Lord, if I did not, why even wake up every morning? Hamster-wheel life is depressive. I'll be releasing new songs all year and doing shows. I'll have a full-length album done and released by the end of the year.  

Have you got a favourite memory from your time in music – the one that sticks in the mind?

I love how you spell ‘favourite’. Much sexier than my American version. My favorite memory from my time in music is happening now. I'm writing less how I think people want me to write and more from a place of how I actually think and speak. It feels good being honest. Is that a memory? Not really. I don't answer questions properly. Sorry. 

Which three albums mean the most to you, would you say?

Nina Simone's Pastel Blues; Leonard Cohen's Songs of Love and Hate and the Bee Gees' Main Course.

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 IN THIS PHOTO: Moses Sumney

Are there any new artists you recommend we check out?

Yes. Two of my dear friends and collaborators, Saro and Neek. Also; Moses Sumney. He's not new by any stretch but, if you're not familiar with his work, get familiar. He's a genius.

Do you get much time to chill away from music? How do you unwind?

I do. I spend a significant chunk of time with my not-so-baby brother. We live together and he's my best friend. He's brilliant and very much an active part of my life. We explore art, music and the inner-workings of our brains together. He's a cool cat and an artist as well. I hate him a lot…can you tell?

Finally, and for being a good sport; you can choose a song and I’ll play it here (not any of your music - I will do that).

Moses Sumney's Worth It

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INTERVIEW: Zitro

INTERVIEW:

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Zitro

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IT is has been great speaking with Zitro…

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about his upbringing and influences. He talks to me about his new track, DVD, and taking control of the music video. I ask about the origins of the track and whether he is planning ahead regarding future material – Zitro discusses his touring plans and how he unwind away from music.

I ask the songwriter whether he has goals to achieve before the year-end; what advice he would give to fellow songwriters emerging; a new act we should check out and investigate – he reveals three albums that mean a lot to him.

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Hi, Zitro. How are you? How has your week been?

My week has been painful and stressful - like every other week. It’s been a rough year. Trying my best to get to where I need to be, mentally.

For those new to your music; can you introduce yourself, please?

I go by the name, ‘Zitro’. I write tunes for the broken, the weak and the silent in the styles of R&B, Pop and Soul. I produce my own music, therefore every note and sound you hear is 100% my own.

DVD is out. Can you reveal the inspiration behind the song?

It’s actually a summary to the theme of my sophomore album, Cult Classic. The world is one big bystander to people’s pain and struggles and, in most cases, the world finds them entertaining. I talk about how they are “cult classic” T.V. shows/movies to society. Social media plays a big role in this as well.

I believe you directed and edited the music video. What was it like putting the video together?!

It gave me a lot of confidence - just the fact that I could bring my vision to reality without paying thousands of dollars to do it. I love working on film and I regret not thinking of it sooner.

Is there more material coming? Are you working on more material?

First comes my sophomore album, then a couple of E.P.s along with various collaborations. I’ve also had some cool film ideas, including one I thought of last night before bed.

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How important are The Bronx and its people regarding your music?

My music is directed towards the whole world and society, not just The Bronx. I hope The Bronx can get on board with the message that I’m giving and, hopefully, then it’ll be a more peaceful place to live in.

Which artists did you grow up around? When did music come into your life?

In elementary school, teachers would assemble us students in some classroom and have us watch Michael Jackson tapes on V.H.S. and then that’s when I knew what I wanted to do in life.

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What do you hope to achieve by the end of 2018?

As much as I can...

More films, more songs; more live performances and maybe even something different.

Will there be any tour dates? Might you head to the U.K. at all?

The first chance I get to go touring, I’m jumping on that opportunity - AND it will start in the U.K.

Have you got a favourite memory from your time in music – the one that sticks in the mind?

The show that I did at The Delancey was a show I’ll never forget; although I could’ve done it more differently. I still strive to create better memories. There’s more I want to do.

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Which three albums mean the most to you would you say?

Janet Jackson - The Velvet Rope

Prince - Come

Gallant - Ology

If you could support any musician alive today, and choose your own rider, what would that entail?

It would change my life if I opened for Gallant, or worked with him at all. I’ve met him a few times but we’ve never discussed a collaboration. Hopefully, next time, I won’t be such a chicken about it.

What advice would you give to new artists coming through?

Everyone’s a critic - but be your worst one. See everything wrong with your craft from the harshest critic’s eye and perfect it afterwards.

Also; don’t sign anything without reading it first.

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IN THIS PHOTO: Joshua Morata

Are there any new artists you recommend we check out?

Joshua Morata, a brilliant songwriter and filmmaker. He’s the one who actually influenced me to make my own video. His new album, Somewhere, just came out this summer and I feature on one of the songs.

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Do you get much time to chill away from music? How do you unwind?

Playing some good ole Fortnite! I haven’t had so much fun playing a game since World of Warcraft. Season 5 blew my mind.

Finally, and for being a good sport; you can choose a song and I’ll play it here (not any of your music - I will do that).

Ladies and gentlemen, this is Belinda Carlisle’s Heaven Is a Place on Earth. A song that I’ve kept close to me this year to get me through depression and anxiety. I hope it’s your favorite, too

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Follow Zitro

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INTERVIEW: KROWNS

INTERVIEW:

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KROWNS

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I’M starting off the week by speaking with Kyle of KROWNS…

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who has been telling me about the band’s new track, High While the World Ends. I ask whether there is more material coming in the future and the sort of sounds that influence KROWNS; if there are any new artists we should get involved with – he reveals the gigs coming up for the guys.

Kyle tells me about Calgary and how supportive the city is; the advice upcoming artists should take to heart; how he manages to relax away from music – the band members each choose a song to end the interview with.

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Hi, guys. How are you? How has your week been? 

Sup. We’re stoked after releasing High While the World End and appreciate all the support. 

For those new to your music; can you introduce yourselves, please?

My name is Kyle McKearney. I sing and play guitar. My brother Shade McKearney is on bass and sings (and provides samples). Adam is on drums; he sings and plays keys. 

 

High While the World Ends is your debut single. What is the story behind the song?

There’s a lot going on in the world. Sometimes, we need to set aside all the bullsh*t and just be humans together. We wanted to come out swinging and High' was the best fit for that. 

How did KROWNS get together? When did you start playing together?

Shade and I are brothers and have been playing together since we were young kids. Adam was with us in a previous band and has been a third brother for years. KROWNS was birthed when I started writing down my story and started getting right with my past. 

Is there more material coming from you guys? What are you working on?

We’ve got more songs ready: we’re in it for the long haul. 

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Can you give me a sense of the artists who inspired you all to get into music?

We had to sneak music. Our parents were very strict regards what we listened to. We sneaked Eminem, Nirvana; Green Day, N.W.A.; The Offspring, Marilyn Manson; Metallica, lots of mixtapes. We loved The Beatles anthologies.

Shade: Misfits, Lauryn Hill; Rancid and Sublime.

Adam: Michael Jackson, Nirvana and Punk bands like Bad Religion. 

How supportive are the people and venues of Calgary? Is it a great area to make music in?

People have been super-supportive of KROWNS. I wouldn’t say Calgary is easy: it’s a conservative city and most people don’t care about original music. There is some great support from venues like The Blind Beggar but it’s honestly like most cities. Some good some sh*t. 

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What do you hope to achieve before the end of 2018?

We wanna have a tour schedule set up and have a few more songs released. We wanna go play in Germany and Australia.  

Have you all got a favourite memory from your time in music – the one that sticks in the mind?

That’s a tough one. It seems like the hard times stick out - the bus breaking down and a trailer flying off, rolling through the ditch. The suffering is always memorable and enjoyable when you’re grinding with your boys. 

If you could support any musician alive today, and choose your own rider, what would that entail?

We’d love to open for Post Malone. His shows are fire and the crowds have such a good vibe. Drake, 21 Pilots and Imagine Dragons would be sick as well. 

Our rider would have a bottle of Jameson’s, a box of IPA; a box of Cubans and whatever else.

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What advice would you give to new artists coming through?

Just be honest. Don’t pander - and keep writing till you don’t suck. 

Where can we see you play? Do you have any gigs approaching?

We just finished a single release show in Calgary but only pending shows at this point. Nothing else has been announced. 

Might you come to the U.K. down the line? Do you like British music?

I love British music. I’ve actually had the pleasure of meeting and writing with Roger Taylor of Queen. Amazing dude. We’d love to come if you’d have us. 

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IN THIS PHOTO: Swae Lee

Are there any new artists you recommend we check out?

I’ve been listening to Swae Lee and Lil Pump. Check out Dermot Kennedy from Ireland; he’s dope! 

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IN THIS PHOTO: Dermot Kennedy

Do you get much time to chill away from music? How do you unwind?

I build relic Fender replicas as something to focus on while I’m not busy with KROWNS. I love it. We’ve had a bit of time with the release happening and it’s always nice but we can’t wait to get to work. 

Finally, and for being good sports; you can each choose a song and I’ll play it here (not any of your music - I will do that).

Hurt to Look - Swae Lee (ft. Rae Sremmurd, Slim Jxmmi)

Clint Eastwood – Gorillaz

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All Apologies - Nirvana

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Follow KROWNS

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INTERVIEW: Dragonz

INTERVIEW:

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Dragonz

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I have been chatting with producer Dragonz…

about his new single, Dream Days, and working with singer Joe Bateman. He reveals how he came to meet the singer and whether he is working with Bateman again; the sort of music that drives his own creativity; what he hopes to achieve before the end of the year – Dragonz reveals three albums that mean a lot to him.

I ask the producer whether there will be any tour dates coming up and what advice he would give to new artists emerging; if there is an upcoming musician we need to get behind – I ask whether Dragonz gets any time to chill away from music.

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Hi, Dragonz. How are you? How has your week been?

Pretty good. I have been busy with the launch of our single, Dream Days, which came out on 6th July - and also been working on some new tracks.

For those new to your music; can you introduce yourself, please?

I’m a producer and songwriter based in North London. I write melodic Pop tracks and work with various featured artists.

Dream Days is the new song. What is the tale behind it?

These are pretty dark times for the world and I just wanted to write a positive, happy love song.

Was it easy putting it all together? Was the creation quite natural and fast?

The writing of the song was fairly straightforward, yes, but it took some time to get the production sounding right.

Joe Bateman is on the track. How did you come to meet him? How did you react to hearing his vocal back?

I met Joe online. He’s very talented as well as having a great voice; he plays guitar, piano; violin, mandolin and drums to a high level. I was delighted with the vocal he did on the track. It’s very beautiful and I think it is reminiscent of Sam Smith at his best.

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IN THIS PHOTO: Joe Bateman

Which musicians are most important regarding your own sound? Did you get into music quite young?

Yes. I took piano lessons from an early age and did up to Grade 8 on it. I also taught myself the guitar and music production. I’ve always been a huge lover of music and have a very wide range of music that I like, from the 1950s to the present-day.

Is there going to be more material coming later this year do you think?

Yes. I’ve already recorded another track with Joe and hoping to bring that out a month or two after Dream Days comes out.

Are there going to be any tour dates coming up? Where can we see you play?

There are no tour dates arranged as yet, but would be great to be able to do that.

Is the stage somewhere you enjoy being? Is there a different sensation being out among the people as opposed to the space of the studio?

I prefer the studio myself, that’s my natural habitat, but I do enjoy playing live as well.

Do you have any ambitions to fulfil before the end of the year?

I would love Dream Days and its follow up to become a success.

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Have you got a favourite memory from your time in music – the one that sticks in the mind?

I haven’t got one particular memory, but my favourite part of the songwriting and production process is when I hear vocalists singing my songs and bringing them to life - never tire of that

Which three albums mean the most to you, would you say?

That’s a difficult one because I like a huge amount of music - and also much of the music I like these days tends to be single-based. But, if pressed, I would have to say:

London Calling by The Clash; Very by the Pet Shop Boys and Hot Fuss by The Killers.  

What advice would you give to new artists coming through?

Work hard at improving your skills and never give up. It’s a very tough business and you are probably going to need to handle a lot of knock-backs before you become successful.

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 IN THIS PHOTO: Jon Sine/PHOTO CREDIT: KIDKUTSMEDIA l Photography

Are there any new artists you recommend we check out?

I’ve been listening a lot to a producer called Jon Sine recently. I like his style. He also has a great YouTube channel documenting his musical journey.

Do you get much time to chill away from music? How do you unwind?

I’m very into travelling. I’ve been to Taiwan and Hong Kong recently. I also like sports.

Finally, and for being a good sport; you can choose a song and I’ll play it here (not any of your music - I will do that).

Here’s a song I really like by Max Jury (Little Jean Jacket) - remixed by Jon Sine, who I mentioned before

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Follow Dragonz

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INTERVIEW: Sharkmuffin

INTERVIEW:

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PHOTO CREDIT: Kelly Knapp  

Sharkmuffin

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IT has been a ball speaking with Sharkmuffin…

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PHOTO CREDIT: Kelly Knapp   

about their sound and the vibe in camp. They have a new song, Your Stupid Life, out but I speak to them about their previous cut, Liz Taylor. The band discuss their tastes and which new artists we should keep an eye out for – they reveal some U.K. dates and talk about their love for the country.

I ask Sharkmuffin about their early musical experiences and whether they feel women in modern music are told how to play and look; how they all unwind away from music; if they have any advice for artists coming through – the band each select a song to end things with.

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Hi, guys. How are you? How has your week been?

Tarra Thiessen: Good! I was at the Jersey shore for the fourth of July and ate some Taco Bell on the way back from the beach - and my insides are feeling a little weird now.

Natalie Kirch: Great! Very full! I finished teaching for the year and pretty much went straight to the beach to relax with my family and BBQ; then, hopped to another beach to spend some time with friends and listen to some music.

Jordyn Blakely: I’m good. Drinking my first coffee of today, which is one of my favorite moments of the day! I went to the beach a lot last week with a friend, and my mom visited me over the weekend. I love summer because I get to see friends more often.

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IMAGE CREDIT: Cult Days

For those new to your music; can you introduce yourselves, please?

TT: I'm Tarra - I sing and play guitar.

NK: I’m Natalie - I sing harmonies and play bass guitar.

JB: I’m Jordyn and I play drums! I sing backup vox sometimes, too.

Can you talk about Liz Taylor and the song’s origins? How did it come together?

TT: My mom has been wearing Liz Taylor’s white diamonds perfume since I was a child and it’s impossible to wash that smell out of clothing, so everything always smells like that when I go home. But, she actually she texted me the other day and said she’s going to start wearing less of it! So, that was an unexpected result of the new song.

When did Sharkmuffin get together? How did you meet? Is there a story behind the band name, too?

Natalie and I met and began playing with each other six years ago and we met Jordyn while she was drumming for a band called Butter the Children in 2012. Sharkmuffin has had a very colorful cast of drummers over the years (you can find all of their faces, including Jordyn’s, on the cover of our first record, Chartreuse) and we’re so happy to be playing and touring with her again!

NK: Tarra came up with the band name and since we have heard of many associations and rumors that came along with it. Even if none of them is true; it’s fun to hear what our friends, fans and critics come up with - so I don’t want to burst any bubbles! Tarra and I are about to celebrate the sixth year since our first show together (and my first show ever) on July 14th, 2018. Jordyn was one of the first few friends to drum for us and we are thrilled that she’s back in the band and able to tour and record with us now.

JB: I’ve played with Sharkmuffin off and on over the years and have been friends with them since I was new to the music scene in N.Y.C.; so it’s exciting to be more involved with them musically and get to know them better!

It seems you have plenty of ambition, drive and spunk. Do you think too many female artists are told how to play/look? Do you think changes need to come in?

TT: I don’t have any specific memories of anyone directly telling me how to look/play but I feel like social media, in general, can breed an anxiety that everyone else is doing better than you – which can seep into your unconscious and influence your aesthetic in a way that it may not have gone. But, it’s definitely positive to be inspired by your peers and to feel like we’re all in it together.

We’re the first generation of musicians to have such a direct way to promote our shows and music and create a community around it - and that change in the music industry itself is really positive and leaves room for everyone to have a unique voice. Everyone in the music community we’re a part of has been super-supportive of us and I’m really grateful for that!

NK: I agree with Tarra! I think that, being a woman, you will most likely encounter some subtle attempts to subdue or reconstruct your ‘image’ or tone. However, we have been lucky enough to perform how we want to and create what we want to and, for the most part, we have been surrounded by positive and proactive people.

JB: Totally. I feel there is intense pressure for women to be ‘hot’ and that that is more important than their talents, thoughts and feelings they’re trying to communicate through their work. In the entertainment industry, this is especially emphasized but I think you just have to believe in yourself and believe in what you’re doing and know that what you’re creating is more important than how much you appeal, sexually, to a group of people. If the right audience is listening, then your appearance shouldn’t be the most important thing.

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PHOTO CREDIT: @mixtapemyheart

I get a sense you mix a love of the West Coast sounds of the 1960s; bits of Riot Girrrl and the Grunge movement of the 1990s. Is that a reflection of the artists you grew up around?

TT: Yes ! I grew up listening to The Ventures, Dick Dale; Nirvana, Bikini Kill and The Beach Boys. I also love '70s classic rock like Led Zeppelin and the Garage-Rock bands in the early-'00s like The White Stripes and The Yeah Yeah Yeahs.

NK: Definitely! My parents played a lot of Classic Rock like The Rolling Stones, The Beatles; Beach Boys and David Bowie growing up but also Motown/female-fronted Pop acts like The Supremes or The Shirelles. I discovered a lot of the Grunge and Punk-era bands like Nirvana, Bikini Kill; Blondie, Hole; Sleater-Kinney, Sonic Youth; Pixies, The New York Dolls/Johnny Thunders (and so forth) on my own.

I don’t like listing bands like that because I always forget some huge influences, but oh well! I also really like The White Stripes and Yeah Yeah Yeahs. Tarra and I realized early on that we had very similar tastes; although I think she adds more of a surf tone to the guitar inspired by some of the Cali acts - and I add a lot of raw simple sludge like the East Coast Punk artists.

JB: I also was obsessed with Nirvana and Led Zeppelin when I started playing drums and loved Classic Rock stuff like Jimi Hendrix, Queen; The Doors, The Beatles; Janis Joplin, Black Sabbath…I also loved Punk and Pop-Punk when I was new to playing music like Rancid, Operation Ivy; The Distillers, The Casualties; NOFX,  MXPX and Minor Threat. It’s been fun to revisit these earlier influences in my playing – plus, Sharkmuffin introduces me to new music and bands that I wasn’t aware of back then.

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PHOTO CREDIT: @mixtapemyheart

Is there a pretty varied scene in Brooklyn right now? How does it compare to the other New York boroughs in terms of sound and tone?

NK: I think it’s varied in terms of genre but we would like to see some more of a convergence between different types of music and more cultural diversity within the genres.

JB: It’s such a large environment with so many participants, so it’s kinda like a lot of smaller circles that Venn diagram into one another and all connect since we’re all in the same place, sharing the same venues and audiences. I like that because it gives ‘the scene’ some diversity and it feels like there is a sense of togetherness. I guess it varies in terms of different genres or instrumentation. I’m not around there enough to know, but it seems like Manhattan has a more D.J.-oriented scene with less prominence of live performance.

What do you hope to achieve before the end of 2018?

TT: Write and record our third L.P.!

NK: Ditto that!

JB: Yay. I’m down!

Have you all got a favourite memory from your time in music – the one that sticks in the mind?

TT: It was really amazing playing last year at Mello Fest in the U.K. and we met Robert Plant of Led Zeppelin backstage. That was nuts! Also; our first record release at Shea Stadium in Brooklyn was one of my favorite shows ever.

NK: Both of those times were incredible moments for me! Also; recording at the Record Plant (everyone treated us like queens there) and with Patty was a definite highlight. She was a big inspiration to us growing up, so it was cool to play with her. She was also very down-to-earth and easy-going.

JB: We played a show opening for HINDS earlier this year and it’s always exhilarating to play a big show like that; it still feels new. The audience was really fun and welcoming. I love meeting new people. It was a learning experience for me to be in such a different setting. Also; playing Brooklyn Bazaar with Gym Shorts was cool. I got so hyped on that band after seeing them! There was someone giving free tattoos during the show, which was hilarious and weird and I love playing shows that are weird.

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 PHOTO CREDIT: Kelly Knapp   

If you could support any musician alive today, and choose your own rider, what would that entail?

TT: The Breeders. I just want a bowl of unwrapped fruit punch Starbursts to eat after our set.

NK: The Breeders, for sure! Lots of sparkling water, chips; hummus and hot sauce to add to that.

JB: The Breeders would be amazing! Autolux would be a dream come true. Lots of candy, beer and cheese backstage, please! That sounds kinda gross all together - but I love those things individually.

What advice would you give to new artists coming through?

TT: Do not take anything (criticism, inter-band drama etc.) personally. Appreciate everyone’s time and energy involved in your project, no matter how small.

NK: it sounds cliché but clichés exist for a reason - believe that you can do it. Always be grateful to the people that support you, both within your band and in the wider scheme of things.

JB: Yes I agree with those! Try to keep going even if you feel discouraged or encounter rejection, which will happen. Listen to yourself regarding what you want: you won’t please everybody and you can’t control what people think of you.

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IMAGE CREDIT: Megan Mosher

Where can we see you play? Do you have any gigs approaching?

Our U.K. dates are:

#SHARKMUFFINUKINVASION2018TOUR

7/27 PORT ELLIOT FESTIVAL

7/28 THE COTSWOLD INN, CHELTENHAM

7/31 GWIDHW, CARDIFF

8/1 AL'S DIME BAR, BRADFORD

8/2 THE CRYPT, NORWICH

8/3 THE GREEN DOOR STORE, BRIGHTON

8/4 THE ANGEL, NOTTINGHAM

8/6 THE UNDERGROUND, STOKE

8/7 THE LOCK KEEPER, CHESTER

8/8 NIGHT & DAY, MANCHESTER

8/9 THE PARISH, HUDDERSFIELD

8/10 SEBRIGHT ARMS, LONDON

8/11 THE SWAN, IPSWICH

I believe you are coming to the U.K. to perform. Are you quite prepared for our stiff upper lips, weak beer and dissolving Government?!

TT: I like whiskey. Do you have whiskey there?! You know who our President is so I think we’re ready for anything!

NK: We love the U.K.! Everyone was so kind to us our first round there and the country is really beautiful.

JB: I’m really excited to explore new cities in the U.K. I haven’t visited before. I feel I have a lot to learn in regards to the mannerisms there; British are always so polite but I can’t tell if they just secretly hate you. Haha. But, I can understand why everyone would hate Americans right now, sadly.

Have you performed over here? Do you like British sounds?

TT: Natalie and I came last year with a different Sharkmuffin line-up and we loved a lot of the bands we played with. We played The Great Escape last year in Brighton with PINS and played again on our last night of tour with Pussy Liquor at Green Door Store. We’re playing at Green Door Store again on August 3rd!

NK: Yes. We had such an amazing time meeting everyone over there and traveling around the country.

JB: I’ve played in the U.K. with a band called Wardell and another time with Kino Kimino. My favorite show was at Sneaky Pete’s in Edinburgh (with K.K.). The bands were all great and the audience and the venue were so friendly! This is my first time with Sharkmuffin though. It blows my mind how ancient some of the castles there are; they were so well-built!

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 IN THIS PHOTO: Lola Pistola/PHOTO CREDIT: Kaya Yvsi

Are there any new artists you recommend we check out?

TT: There are so many great bands in N.Y.C. right now like Def.Grls, Tall Juan; Lola Pistola, Sloppy Jane and Fruit & Flowers (who just came to the U.K. last month as well).

NK: All of those bands are great. Also; Lost Boy ?, Kino Kimino (that Tarra and Jordyn also play in); Haybaby, The Big Drops; THICK, Grim Streaker; Holy Tunics, Sic Tic; BIG UPS, Gustaf; New Myths, Dentist; The Off White. So many more. SO MANY!

JB: Big Cheese, The 94 Knicks; Poppies, NOICE; Free $$$, Yazan; Ovlov, Sean Henry and Anna Altman!

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IN THIS PHOTO: Kino Kimmino/PHOTO CREDIT: Thomas Ignatius

Do you get much time to chill away from music? How do you unwind?

TT: Natalie’s family has a really lovely house at the Jersey Shore. Last time I was there I found a baby praying mantis on a donut pool tube and that was magical. I drank a glass of wine while floating around the pool for like an hour after that.

NK: Yes. That house is our place of zen. My cats and my parents’ cats also roam free on the lawn so there’s also adorable fluffies in addition to the water. I saw a baby seagull today - he was really cute and I was worried about him but then he made his fledgeling flight. The original house was destroyed in Hurricane Sandy in 2012 but some of Tarra and my first collaborations were in my old room at the original house.

JB: Not lately, but I’m really enjoying everything I’m doing musically! When I’m trying to tune out I watch movies or T.V. with friends, go on walks; cook with my roommates, play in my backyard with my cat; read books, color in coloring books. Going to shows and jamming with friends is a big way that I unwind, so, maybe I need more hobbies. Haha.

Finally, and for being good sports; you can each choose a song and I’ll play it here (not any of your music - I will do that).

TT: DRINKS - Real Outside

NK: Lost Boy ? - Taste Butter

JB: Cleaners from Venus - Only a Shadow

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Follow Sharkmuffin

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INTERVIEW: Tennyson King

INTERVIEW:

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Tennyson King

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THE fantastic Tennyson King…

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has been discussing his new single, Coast, and where it draws inspiration from. I ask the songwriter about his upcoming album and what we can expect; how his Canadian and Hong Kong roots affect and influence him; which artists have made an impression on him – he recommends some upcoming artists to seek out.

King talks about three albums that mean a lot to him; how he spends time away from music; what tour dates are coming up – King explains exactly what music means to him.

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Hi, Tennyson. How are you? How has your week been?

I’m great! Thanks for asking. My week has been great. I just started my Western Canadian tour last week in Whistler, BC. I’ve had some shows in the Okanagan valley and, currently, I’m on Vancouver Island for five days with shows all over. It’s been great to be in the beautiful nature of British Columbia and play music all over.

For those new to your music; can you introduce yourself, please?

My name is Tennyson King; a singer-songwriter based out of Toronto, ON and originally from Hong Kong. I play and write what I describe as ‘Psychedelic-Folk-Rock-driven by guitar and vocals’.

Coast is your new single. Is there a story behind the song?

Coast was written with lots of inspiration from my two tours in Australia during 2017. I spent most of the year there playing music and when I wasn’t playing music; I was living out of my van and cruising around the country. One specific area I dug was in Queensland between the Gold Coast and Sunshine Coast. The song talks a bit about the adventures and experience I had while there and, musically, emulate living life on the beach.

I know there is an album coming. Can you reveal the sort of thing we might hear? What themes and ideas did you explore?

The tunes on the upcoming album have a similar chill vibe like Coast. It’s music for the everyday person who is working hard doing whatever they do but craving, dreaming or reminiscing about the love of travel, nature and the beach. The overall tone is very care-free but, lyrically, touches on very self-reflective thoughts that I believe many of us have.

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You have Hong Kong and Canadian roots. Where do you spend most of your time? What are the main differences in terms of the music scene?

When I’m not on the road, I usually spend my time in Toronto, Ontario though, in the coming year, I’ll be spending some time in Hong Kong and doing my first tour out in Hong Kong and China which I’m really looking forward to.

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Which artists were you inspired by growing up? Who do you count as idols?

Growing up, I was inspired by bands like Red Hot Chili Peppers, Metallica; The Beatles, David Bowie; Bob Dylan, Pearl Jam; Tom Waits, Rage Against the Machine and so many more. Idols…I’d say John Frusciante from R.H.C.P., David Bowie; Tim Buckley, Eddie Vedder and  Anthony Keidis…and I’m sure there are other ones, too.

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What do you hope to achieve by the end of 2018?

Just as long as I’m still playing music and travelling by the end of this year I’ll be happy.

Will there be any tour dates? Where can we see you play?

I’m currently at the start of a two-month tour of Western Canada - with shows in British Columbia all the way back to Ontario. My tour dates are on my website. I’ll then be heading over to China for a tour in October and back to Australia for another tour in November.

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Have you got a favourite memory from your time in music – the one that sticks in the mind?

One that comes to mind right now…

I was playing a show in Darwin, Northern Territory in Australia last year. I started one of my songs and a dude who worked for a reptile place at the festival came on stage and put a giant 9ft snake around me; so, I ended up playing the rest of the tune with it wrapped around my neck and body. You can watch it on Facebook. It was my Britney Spears moment.

Is it possible to convey what music does to you and the power it holds?

Music makes me feel everything. It’s crazy how it can make you feel sad, happy and so many more all in one shot. For me, it’s a type of therapy: when I listen and when I write as well as when I perform. It’s a new high that nothing else has been able to replace in the past years of my life.

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Which three albums mean the most to you would you say?

Tough question…

In the past year: 1. Bahamas – Barchords; 2. Edward Sharpe & the Magnetic Zeros - Edward Sharpe & the Magnetic Zeros and 3. Eddie Vedder – Into the Wild.          

If you could support any musician alive today, and choose your own rider, what would that entail?

Edward Sharpe & the Magnetic Zeros. 

Rider: probably just a sweet cheese spread for after my show.

What advice would you give to new artists coming through?

Work hard, be yourself and be nice.

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               IN THIS PHOTO: Iskwé/PHOTO CREDIT: Cass K M Rudolph

Are there any new artists you recommend we check out?

Iskwé, This Way North; James Hickey, Candice McLeod and Corey Theatre.

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IN THIS PHOTO: Candice McLeod

Do you get much time to chill away from music? How do you unwind?

Lately, I haven’t had much downtime but I like to go for a motorcycle ride, going for cottage/lake getaways; swim and beach chills.

Finally, and for being a good sport; you can choose a song and I’ll play it here (not any of your music - I will do that).

Play Life Is Hard by Edward Sharpe & the Magnetic Zeros

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Follow Tennyson King

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IN THIS PHOTO: Cesar Barbosa 

Official:

http://tennysonking.com/

Facebook:

https://www.facebook.com/tennysonkingmusic/

Twitter:

https://twitter.com/tennysonking

Instagram:

https://www.instagram.com/tennysonking/

SoundCloud:

https://soundcloud.com/tennysonking

YouTube:

https://www.youtube.com/user/tennysonking

ALL PHOTOS OF TENNYSON KING (unless credited otherwise):

Jen Squires

INTERVIEW: Polar Youth

INTERVIEW:

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PHOTO CREDIT: Guillaume Kayacan

Polar Youth

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FROM a Saudi Arabian artist…

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IMAGE CREDIT: Florent Hauchard

I now head to Belgium to interview the fantastic Polar Youth. She has been talking about her latest single, All Night, and working with DJ Fresh and Georgie Allen on the track – Polar Youth talks about future material and signing to Virgin EMI.

I ask which artists inspired her growing up and what the differences are between music in Belgium and the U.K.; whether there are tour dates coming up – Polar Youth ends the interview by selecting a cool track.

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Hi, Polar Youth. How are you? How has your week been?

Hey! I’m good, thank you. Hectic! I’m moving into my new place and I forgot how much time goes into that…and, of course, I’m very busy promoting my new single.

For those new to your music; can you introduce yourself, please?

Like it’s written on my social media: I’m ‘’a 23-year-old girl from Belgium who makes music she likes”. I’ve been producing music on my laptop since I was twelve. I learned to play the guitar before that and, at the age of sixteen, I learned to play the drums – but, most of all, I love to play the piano. My music is mainly inspired by Electronic music and Hip-Hop. I live in the beautiful city of Ghent where I love to hang out with my friends in the many clubs and cafés in the city.

All Night is your new track. Is there a tale behind the song?

I was fortunate enough that some of my earlier music was picked up by DJ Fresh. I met him at a concert in Ghent and, after I had sent him a few of my tracks, he was so kind to invite me in his studio in the U.K.  

One of the demos I had sent him was an early version of All Night.

It is a big and bold song. Was it a challenge putting it all together? How do you approach producing a track like All Night?

I had been working on that track for some time. Initially, the tempo was slower than it is now. For some time, it was just one of those tracks sitting on my hard-drive but, when DJ Fresh asked me to play him some of my music, I also chose that track because I really felt it had something. Playing that track to Dan (DJ Fresh) was exactly the right time to take it out of my hard-drive.

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PHOTO CREDIT: Guillaume Kayacan

His first idea was to make it more up-tempo. He also invited the amazing singer Georgie Allen to do the vocals on that song to make it into the final version. We were in his studio for four days and we worked really hard on the track. We had a great time - and I was learning so much from DJ Fresh.

Do you have more material planned for later in the year?

I just released an official remix for Sarai a couple of days ago. Sarai is an amazing artist from Australia. When she asked me to remix her latest single, Get to You, I immediately said ‘yes’. As for other plans, even though it’s very hot and beautiful outside, you’ll mostly find me in the studio during this summer…that’s all I can say for now.

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PHOTO CREDIT: Guillaume Kayacan

You just signed to Virgin EMI here in the U.K. How excited were you when that happened? How supportive have they been?

This was all new to me, so it took me a while before I realised how big this was going to be for my career; to be able to work together with Virgin EMI. To be honest, I couldn’t have thought of a better company to work with. They have been so supportive and they have such a great team. They really listen to what I have to say instead of just seeing me as a money-making machine. They care about the artist; they care about the music and they are professional – it has been a great experience.

You are unique but I wonder whether you have music idols? Who do you count as inspirations?

It surprises quite a lot of my friends every time I say this, but my biggest idols are Nicki Minaj and Post Malone. They make amazing music and are (so) unique in their own ways. Very often, I am also inspired by my fellow producer buddies from all over the world. We listen to each other’s music, talk about it…it’s a great source of inspiration and feedback.

Originally from Belgium; what are the main differences between the music scenes there and in the U.K.?

I really noticed how open-minded the music scene in the U.K. is. I talked about this too with Dan (DJ Fresh) when I was with him. I feel like U.K. radio shows are more focused on good music instead of what’s charting in the top-50 - and they give new up-and-coming producers a lot of support too. In Belgium, the music scene is great too and I have worked with some of the finest artists here but, sometimes, I have the impression that people here are a bit less bold and less daring with respect to new music and new styles.

Having said this, it is great for a young artist like me to be able to work in so many different environments.

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PHOTO CREDIT: Guillaume Kayacan

Where are you heading on tour? Where can we catch you?

Lately, I’ve been very focused on getting tracks done, more than anything else, and as I said I will also spend the better part of the summer in the studio - but you will certainly be able to see me later this year.

What do you hope to achieve in 2018?

I hope that, in 2018, I will be able to touch a lot of people with my music. I am also working hard to finalise the new tracks and I am putting together a show for later this year. I hope to see my fans there and thank them for their support.

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IMAGE CREDIT: Florent Hauchard

 Have you got a favourite memory from your time in music – the one that sticks in the mind?

The time I was in the studio with Dan (DJ Fresh) and his team was absolutely magical. These four days were hard work but also a lot of fun. I learned a lot about music and about the industry. Sometimes, other producers would just come by to say hello and then we let them listen to our progress of All Night. Their input and encouragements gave me a boost to finish the track. We were all in such high spirits and we worked day and night. I will never forget this.

If you could support any musician alive today, and choose your own rider, what would that entail?

Definitely, Post Malone, I’ve never seen him live but his music is amazing and he’s such a down-to-earth person.

My rider would contain fruits like kiwis and bananas for before the show and a delicious pack of fries with mayo for after the show.

What advice would you give to new artists coming through?

The most important thing is to keep working and don’t give up. I know a lot of people say this but that’s because it’s 100% true.

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 IN THIS PHOTO: Lani Rose

Are there any new artists you recommend we check out?

My dude Lani Rose from the U.S.A. He’s an amazing producer AND also a top-notch singer-songwriter. A huge shout out to Laxcity. He’s an awesome producer from the U.K. and I hope one day more people will recognise how talented he is. Also; check out SARAI and The Endorphins (yes, I know, I made a remix for them).

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 IMAGE CREDIT: Laxcity

Do you get much time to chill away from music? How do you unwind?

I have two cats which help me to relax during breaks. I also go out with my friends in Ghent. A big hobby of mine is gaming, so that’s also how I spend some of my time not working on music. I’m also passionate about motorcycles. Riding around on my bike after a day of work is one of my favourite ways to wind down and clear my mind.

Finally, and for being a good sport; you can choose a song and I’ll play it here (not any of your music - I will do that).

People say what they want about her, but I think she’s an amazing artist.

Bhad Bhabie - Mama Dont Worry

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Follow Polar Youth

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INTERVIEW: tamtam

INTERVIEW:

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tamtam

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THIS might be the first time I…

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have featured someone from Saudi Arabia on my site. It has been fascinating speaking with tamtam about her experiences of Saudi and spending time in L.A. She talks about her new single, Drive, and filming its video; how liberating its themes and story is – I ask whether Saudi Arabia’s strict laws regarding women and visibility have impacted her in any way.

Tamtam talks to me about a pivotal moment that changed her life; which artists were inspiring to her growing up; whether there are any tour dates in the calendar; the advice she would provide upcoming artists – tamtam selects a musician we should all follow.

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Hi, tamtam. How are you? How has your week been?

It’s been great, thank you!

For those new to your music; can you introduce yourself, please?

Yes. My moniker for my music is ‘tamtam’. I was born and raised in Saudi Arabia; I am currently living in L.A. and making music but I go back to Saudi as much as I can to visit my family and home. A lot of my music is inspired by Saudi.

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I don’t have a choice but, to be genuine in my lyrics, especially in songs that I write on my own - being brought up in one culture and then moving to another country with a completely different culture - has had a really powerful impact on me that I hope I reflect in my music: no matter where we are from, or how we are brought up, or what we believe in, we have the most important thing in common, our humanity, and that, alone, should unite us.

Drive is your new single. Can you reveal the story behind the song?

I wrote this song last year when I heard the news that Saudi was lifting the ban on women driving. I was so happy and inspired! I wrote the song right away...

The video sees you driving around with girlfriends through Orange County. How much fun was it to shoot?!

It was honestly one of the best days! I will never ever forget it. I was with my friends (who are in the video) which was amazing. The director, Mackenzie Mccullough, is such a wonderful, creative and humble person to work with. It really was a blast - especially driving that perfect, vintage yellow car!

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As a Saudi woman; do you feel even revealing your face and making a video is a brave step?! How does life for a Saudi woman differ when you are in America, as opposed to your home nation?!

When I first started doing music seven years ago, I would say definitely ‘yes’. At that time, I had released my first single, Little Girl, where my face was blurred in the video because I didn’t want anyone to know I was doing music. But, now, Saudi is really adapting in a positive way: women can drive; the first movie theatres just opened a few months ago; live concerts are slowly happening more frequently and are more socially-accepted than before.

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Because I’m in music, life in L.A. as a Saudi woman is different for me because there are so many musicians, producers and songwriters to work with and to collaborate with - that’s what I love about being in L.A. as a musician. I can also perform live anytime I want: there are more concert venues here and smaller ones too; not just huge stages. The talent that is growing out of Saudi is amazing and I know that the music there is going to grow so much more with the new laws.

Liberation and women’s rights play a big part in your overall ethos. Do you think it is vital these issues are introduced into music?

Yes, I do, because this is what the youth is listening to. They love music. Anything with a melody and a beat is more interesting to listen to than someone who is just talking; so, more people can engage with music and I believe, as musicians, we need to start sending positive messages through this power that we have.

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Do you think there will be more material later this year?

Yes! I have so much more music coming out, including a collaboration with producer/D.J. Accidental Muse, which will be more of an E.D.M. project, that I’m super-excited about as well.

I believe a green Jeep and a unique experience when you were eighteen changed everything. Was that moment of independence pivotal to you?

Yes, it was. No matter where you are in the world, whether in the U.S. or Saudi Arabia, it changes everything when you know you can walk out the door and go anywhere you want. To be honest, when I first started driving here, I was terrified of the road. I wouldn’t take any freeways and I wouldn’t go very far. But, I knew that, with patience and practice, I would get used to driving…and that’s what I did.

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Do you recall the musicians who inspired and motivated you when you were growing up?

Michael Jackson is always my number-one. I also loved listening to No Doubt, the Spice Girls; Britney Spears, Justin Timberlake (I still love him) (smiles). I went through an Aerosmith phase. My love for music is not specific to any genre, as you can see.  

Where are you heading on tour? Where can we catch you?

I don’t have tour dates set yet but I’m definitely going soon and will keep you posted!

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Do you think you’ll come to the U.K. and perform?

Yes! I’ll probably do a show in London first. I can’t wait (smiles).

What do you hope to achieve in 2018?

I hope my music reaches more and more people. I love connecting with my fans; they are so important to me.

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Have you got a favourite memory from your time in music – the one that sticks in the mind?

I just did a show in Kuwait in April for a concert called Kuwait Rising and it was amazing! I love performing live and I love feeling the energy of the crowd - it is definitely an unforgettable memory.

What advice would you give to new artists coming through?

Patience, patience; patience…and listen to your gut.

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IN THIS PHOTO: Smoke Season/PHOTO CREDIT: Natalie Neal

Are there any new artists you recommend we check out?

Smoke Season.

Do you get much time to chill away from music? How do you unwind?

I love going hiking. Being with nature really helps me unwind and keeps me grounded.

Finally, and for being a good sport; you can choose a song and I’ll play it here (not any of your music - I will do that).

Florence + the Machine - No Choir and Hunger

INTERVIEW: Chasing Jonah

INTERVIEW:

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Chasing Jonah

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THE fabulous Chasing Jonah…

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has been telling me about the video for her new single, Feel So High, and whether the song holds personal relevance. The Florida-based artist talks about the music scene in St. Petersburg and tells me whether more material will come later in the year – she picks a promising artist we should get our ears around.

I ask Chasing Jonah whether touring, and U.K. dates, are a possibility and how important it is being up on the stage; how she spends her downtime; the advice she would give to artists coming through – she ends the interview by selecting an amazing track!

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Hi, Chasing Jonah. How are you? How has your week been?

It's been chaotic, but fun! Just finished filming another music video and I'm so tired that I'm not even sure how I'm still forming coherent sentences. 

For those new to your music; can you introduce yourself, please?

I'm an Alternative Electro-Pop artist and songwriter currently living in St. Petersburg, Florida. My lyrics tend to be introspective and vulnerable and I tend to pair them with cinematic and electronic sounds to help drive their stories. All of my writings have been inspired by personal experiences and internal battles.  

I also love dogs and key lime pie. 

Feel So High is your new song. What inspired the lyrics? Does it hold personal relevance?

It does hold personal relevance. I know it comes off as a flirty and seductive song at first, but it's really about being caught in an unhealthy and, yet, addictive relationship; something you keep getting sucked back into even though you know it keeps hurting you. 

It is an instant and memorable song. Did you know, once it was recorded, it would be an instant earworm?

It is definitely one of my personal favorites. It's so much fun to play and I love the synth sounds in it. You never know how other people will feel though. Releasing your art into the world is always a vulnerable process no matter how confident you might be in what you've created. 

What inspired the fun music video for Feel So High?

It started as a joke in the studio between myself and the producers. We were making up preposterous scenes that involved a cat. I decided I would actually bring it to life as a joke and everyone on my team ended up loving it. 

Is there more material coming later in the year, perhaps?

Absolutely!  We've got a few more singles and music videos on the way!

The music video for War Paint has taken on a life of its own! Has it been strange seeing how far it has gone?!

The music video for War Paint started as a collaborative concept with some of my fire-spinner friends based out of Orlando, Florida. It was a lot of fun to create - and they even taught me how to use poi, fans and a little dragon staff so I could play with them. The song itself ended up being featured on the second season of the T.V. show, Lucifer, and that also really helped to draw attention to the video!

 

Being based out of Florida; what is the music scene like where you are? Are there a lot of great local artists?

I love the music scene in Florida. I currently live in St. Pete and I love that there is always a good show happening somewhere. I've also found a lot of great acts in Orlando and Jacksonville as well. A lot of us really enjoy trading shows with each other, which really helps the community. 

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Where are you heading on tour? Where can we catch you?

This fall, I will be mostly touring through the East Coast of the U.S. and part of the Midwest. Some of my favorite cities that I look forward to going back to are New York, Philadelphia; Atlanta, Asheville and of some cities throughout Florida. I'm also planning on visiting some new places like Austin, Dallas; Chicago and more! 

Might you be heading to the U.K. at all? Do you like British music?

I would absolutely love to! We will see where these single releases bring us! I would love to head to the U.K. next year and, yes, I love a lot of British music. Daughter has been one of my biggest inspirations as well as James Blake, Labrinth and Florence + the Machine.  

Is the stage the place you feel the strongest and most free? How important is it being up there and performing to the crowd?

I definitely try to make the stage my home when I'm there. It can be terrifying sometimes, especially when it's a new audience that doesn't know you. You're basically getting naked in front of people that can judge you, shame you and/or be rude to you if they wanted - or they could love you. But, when it's an audience that already likes you, it feels as though you're inviting loved ones into your home and connecting with them on a deep level.  

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It's definitely a challenge when circumstances are always changing. When you start out, you can play to a handful of people or a few hundred people on different nights. Some people are so drunk that they try and talk over you and you wonder why you're there - and then some people are there because they really love the music. Sometimes, you have a sound-system that doesn't work well and you can't hear yourself, so you're just hoping that you're on-pitch the entire time and sometimes everything sounds and feel so perfect it's like you're floating on a cloud.  

My goal has been to stay consistent no matter what the circumstance is; to perform like it's the best show every time. 

What do you hope to achieve in 2018?

I'd really love to just have great and successful releases and a really fun tour. Maybe, a few more T.V./film placements as well.  Right now, I'm also working on trying to finish my new album by the end of the year.  

Have you got a favourite memory from your time in music – the one that sticks in the mind?

One of the most moving experiences I've ever had was sitting in a room with an incredible chamber orchestra that was recording the strings for a few of my songs (that will be on the next album). David Campbell had arranged the strings and he was also there conducting. I asked if I could sit inside the tracking room as they were going through the songs before they started recording. I sat on the floor and just wept. It was the most beautiful sound and feeling I had ever experienced. 

I thought to myself: ‘If not a single person downloads these songs or cares to listen, everything I've been through and worked for is still worth this experience’.  Even now, when I'm feeling discouraged, it helps to put myself back in that moment and envision it happening again. 

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If you could support any musician alive today, and choose your own rider, what would that entail?

Well; a few of my favorite musicians/artists right now are Janelle Monáe, Aurora and Regina Spektor but, if I stood in the same room as them, I would probably just pass out.

As for a rider, since I constantly forget to eat, my rider would have it so my green room had tons of healthy food before and after the show. That's the one thing I haven't gotten the hang of just yet: making sure I have consistent and healthy food on the road. I would also like a box of puppies, maybe from a shelter. Maybe I could even help get them adopted at the shows. There is something so magical and calming about new life, specifically in the form of puppies. That's, like, way down the road though; when I get to the point where I'm allowed to ask for ridiculous things. 

What advice would you give to new artists coming through?

My advice would be to strive to be the most authentic versions of themselves. People respond well to honesty and it really shows in your art. It's easy to get discouraged, but when you really put yourself out there, those who resonate with what you are doing will support you. It takes time, but being able to create your unique art that really impacts people is so much better than being a flash in the pan.

Not everyone will like what you're doing and that's ok. The point is to be able to do what makes you happy and what helps you become a better person. If people really connect with what you're doing along the way, then that is a great plus. 

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Are there any new artists you recommend we check out?

At this moment, I've got a slight obsession with Aisha Badru. I discovered her by chance on Instagram and I can't stop listening to her. Her lyrics are so deep and I also love her music videos. 

Do you get much time to chill away from music? How do you unwind?

I really don't get much time, especially before new releases. I do have this bad habit of working myself until I mentally and physically just crash. Luckily, I live about fifteen minutes from the beach and another ten minutes from a bay where you can see dolphins. Being in those environments really helps me re-center when I remember to take the time for myself.    

Finally, and for being a good sport; you can choose a song and I’ll play it here (not any of your music - I will do that).

Bridges by Aisha Badru. The music video for that song is a masterpiece. 

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Follow Chasing Jonah

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INTERVIEW: Nia Orea

INTERVIEW:

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Nia Orea

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TAKING us towards the weekend…

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with a sense of calm and magic is Nia Orea. I have been speaking with the songwriter about her debut E.P., Gifted, and what it was like putting it together. She gives me a flavour of the artists who inspire her own work; how important her fans’ support is – I ask whether there are any gigs coming up.

Orea talks about her uncle managing Bob Marley and the impact that had on her; what she hopes to achieve before the end of this year; which upcoming act we should follow – she ends the interview by selecting a rather good song.

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Hi, Nia. How are you? How has your week been?

I’m great! My week’s been awesome! Soaking in most of the sun: the weather here in London is fantastic right now. Go heat wave! 

For those new to your music; can you introduce yourself, please? 

My name is Nia Orea and I make Electronic music. I love E.D.M., Trap and Futurebass - and my mission is to take your ears and mind into my journey. 

Gifted is your debut E.P. Has it been exciting putting the songs together and completing it? 

Yes! This project is extra-special to me because, during the process, there were setbacks and tribulations, but the magic pulled through in the end. I also got to work with some inspiring people.

The songs mix different genres and sounds. Are you quite eclectic in your tastes? Which artists inspire you? 

The sound-system was always on in our house! I grew up listening to different types of Electronic music and Soft Rock. My dad was Electronic and Dance music whilst my mom was obsessed with the '80s artists like Madonna and Janet Jackson. Our household blasted an array of genres - we had record players, tapes and huge C.D. collection. As a kid, I was also obsessed with theatrical music and soundtracks. Guess it all rubbed off on me! 

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Your tracks have received a lot of love online. Is the support you get from fans important? Do they give you a lot of drive and confidence? 

Oh, yes! I love my fans and I love how they let me know how they feel when they listen to my tracks. Critics are also important to me: it helps me improve so that I can make sure that I hit you with something great, always.

Do you recall when music came into your life? Did you learn an instrument when you were a child? 

Yes. From a very young age, I was in my school choirs and plays! I self-taught myself how to play the recorder and I did a few lessons in piano and guitar. 

Is it true your uncle managed Bob Marley?! Did he instil a love of the Reggae in you? 

Yes. My uncle is a legend (R.I.P.) but his motivation and true love for Reggae music and Bob are what inspired me. He worked hard, very hard, and been through so much during his time working with Bob. But, those hurdles didn’t stop him from assisting Bob in following his dreams. Music was his life, as it is mine!

Where are you heading on tour? Where can we catch you?

Where do you guys wanna see me play? You’ll, possibly, catch me touring in the U.S. very soon. We’re working on something there and, of course, Europe. I would also love to tour Japan! 

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How important is it being on stage and delivering to the audience? Can you describe that feeling? 

It feels great - making that connection with the people that listen to your music and story! I’m there to put on a show and make sure you guys have a great time. I wanna make sure it’s a performance you’ll always remember.

What do you hope to achieve in 2018?

I would love to tour or perform with the musicians I admire and that I look up to…or even just meeting them. That would be good enough. 

Have you got a favourite memory from your time in music - the one that sticks in the mind? 

That time I performed Hero for my high-school and I sang my heart out. Yes, I can sing and, yes, I’m shy but I could not see a damn thing when I was on that stage! The person controlling the lights sucked, it was all up in my eyes. But, that was good for me cause I couldn’t see the crowd and I wasn’t nervous. Haha. I was like twelve or something.

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If you could support any musician alive today, and choose your own rider, what would that entail?

Haha. Nice question. Skittles, but only blue and red ones. Cheetos - loads of Cheetos -, olives and feta cheese. Cans of Ting; jerk chicken and rice and peas with loads of fried plantain on the side! 

What advice would you give to new artists coming through? 

Stay focused and don’t rush! It’s ok to take a break and collect your mind. Identify areas where you’re weak and work on it. 

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IN THIS PHOTO: Tune (Keys N Krates)

Are there any new artists you recommend we check out? 

Keys N Krates is a talented band! Check 'em out as they are making waves right now. 

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Do you get much time to chill away from music? How do you unwind? 

I’m a gamer so, if I’m not making music, I’m probably playing Fortnite or some other game! I also love hanging with my friends on day outs, good food and vibes.

Finally, and for being a good sport; you can choose a song and I’ll play it here (not any of your music - I will do that).

Flume (ft. Kai) - Never Be Like You

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Follow Nia Orea

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INTERVIEW: Rob Dickson

INTERVIEW:

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 Rob Dickson

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I have been talking with Rob Dickson…

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about his new single, Water Rushing In, and what sort of themes are discussed and explored in the upcoming album, Looking Through Your Window. Dickson talks about his musical tastes and the scene in Yukon (Canada) – he recommends some upcoming artists we should keep our eyes peeled for.

I ask whether tour dates are coming up and the possibility of U.K. dates; what advice he would give to artists emerging; the three albums that mean the most to him – Dickson talks about writing on the road and how he unwinds away from music.

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Hi, Rob. How are you? How has your week been?

Great. I'm traveling for work in a remote community and enjoying the sights and fresh air. I’m looking forward to getting home to my family, though.

For those new to your music; can you introduce yourself, please?

I'm a songwriter, singer and guitarist based in Whitehorse, Yukon (Canada). I just finished my second album and I'm gearing up for its release and some touring this fall.

Water Rushing In is your new single. Is there a story behind the song?

There are a few stories embedded in that song. I wrote it in a few different parts and had to rework the lyrics a few times. It's sort of a portrait of a hybrid character I made up based on three individual characters.

One is an indigenous person, one is a dairy farmer and one is a logger. I was trying to imagine how different people experienced colonization and industrialization in Canada - and this portrait began to emerge in the form of a song.

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It is from the L.P., Looking Through Your Window. Are there consistent themes and stories that inspired the music?

On this record, I wanted to try a different approach. After writing, recording and performing the songs for my first record, Proof of Our Years, which was very introspective, I think I naturally wanted to look outwards for inspiration. I started grappling with how individuals interface with the world, how our experiences and memories shape our view of the world and form our predispositions and perspective.

I was looking out and was pretty horrified by what was happening around the world with the rise of nationalist groups, politics of fear; mistreatment of indigenous people and the environment. I think that made me want to examine the perspectives of myself and those around me through the songs.

Is it easy getting reception and opportunities where you are in Yukon (Canada)? What is the scene like there?

Canada and the Yukon, in particular, are pretty decent places to live as an artist. There are so many programs in place to support the making of creative work. It is very hard to tour profitably though due to the vast distances between cities - but I find audiences are really kind for the most part.

I get a sense travel and movement influences your music. Do you write a lot whilst commuting?

I have a pretty busy schedule at home so it can be hard to find minutes in the day to write at home. I also find my mind is a little clearer and less occupied by work and general tasks when I'm on the move. So, yeah, I definitely like to write a lot while traveling. I try to play guitar and play around with melodies every night at home too - but, I find it hard to get in the right headspace to write words at home.

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Which musicians inspired you when you were growing up? Did your parents open your eyes to lots of different sounds?

When I was a kid, I listened to a lot of records my dad had in the car: lots of '60s and '70s singer-songwriter music like Joan Armatrading, Billy Bragg; Neil Young and '70s and '80s Pop and New Wave like the Cure, Squeeze and The Kinks. I really liked listening to that music and imagining myself living in that world.

Will there be any live dates coming up? Where can we see you play?

I'll be playing a bunch of shows between Montreal and Toronto at the beginning of September which I'm really excited for!

Can we see you in the U.K. this year?

I don't have any dates in U.K. yet, but I'd really like to plan a U.K./Europe tour soon. I'd love to hear from anyone with an empty festival slot (smiles).

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Do you have any ambitions to fulfil before the end of the year?

Plan a U.K./Europe tour for 2019!

Have you got a favourite memory from your time in music – the one that sticks in the mind?

I got to play a show with John K. Sampson last year. That was pretty surreal and lovely.

Which three albums mean the most to you, would you say?

One Hundred Dollars - Songs of Man

The Barr Brothers - The Barr Brothers

Land of Talk - Some Are Lakes

What advice would you give to new artists coming through?

Focus on making the best music you can make - that's the most important thing. Work hard and be critical but have fun and remember music is a form of play. Be yourself and don't be afraid to reach out and ask people for help. Most people love to help people.

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IN THIS PHOTO: Ansley Simpson

Are there any new artists you recommend we check out?

Ansley Simpson is an incredible songwriter who is doing really great things with her music right now. I'm also really into Jennifer Castle, SUUNS; U.S. Girls and The Highest Order.

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IN THIS PHOTO: U.S. Girls

Do you get much time to chill away from music? How do you unwind?

I do try and make time to relax without thinking about my work. It can be hard to do, though; I have become a bit obsessive about it. I like getting outside and running or biking. I do those things regularly for fun and they help me clear my head and put things back into perspective. I also spend lots of time with my partner and our kids. They help ground me I think.

Finally, and for being a good sport; you can choose a song and I’ll play it here (not any of your music - I will do that).

Where the Sparrows Drop - One Hundred Dollars

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INTERVIEW: Moderate Rebels

INTERVIEW:

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Moderate Rebels

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THE incredible Moderate Rebels have been talking with me…

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about their new track, Beyond Hidden Words, and how it came together. They tell me about their forthcoming album and what we can expect in terms of themes and stories – I discover how Moderate Rebels got together and what the secret to their sound/music is.

I ask how important it is getting on stage and performing; which upcoming artists we should have a listen to; whether there is any time to unwind – they reveal what gigs are coming up and pick some cool songs to end the interview with.

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Hi, Moderate Rebels. How are you? How has your week been?

Hello. Good, thanks. We’ve had a good week. People have been kind enough to play the new Moderate Rebels song on the radio and also write encouraging things about it…so; we’ll smell the flowers along the way, why not?

For those new to your music; can you introduce yourselves, please?

Moderate Rebels is a collective of friends, based in London, that get together to make music that hopefully is of its time (i.e. now). We call ourselves ‘anti-music’ as the emphasis is on feeling and ideas rather than technique or cultivating musical skill. We work with our limitations and look to make music we like - that’s it, really.

Beyond Hidden Words is your new single. What is the story behind the song?

Uses of language, generally, seems to be a running theme in Moderate Rebels songs: what words are used to justify all kinds of behaviour and their different potential meanings – and, also, what is and isn’t said is part of that too. But, we feel this is a really hopeful song…maybe about breaking through all of that; getting past those slippery words, and what’s not said, and into strong feelings and people joining together…to look to put a stop to things that they don’t feel should be going on.

It is from your forthcoming album. Can you reveal any titles and themes that are explored?

How language can be used and misused is certainly in there. Also; how the energy and glorious noise of music can genuinely lift up your feelings and, therefore, from that start to make a better day, perhaps…

It lifts us - so that’s why it’s coming out into the world, really.

Do you think there is a secret ingredient in your music? How would you define the ethos and sound of Moderate Rebels?

It’s not a secret as such, but actively not thinking is a really big part of what’s going on for us. The music seems to arrive in an unconscious way: we don’t try to write it. We didn’t try to record this album or the last; they just arrived. Embracing our limitations is important, as is simplicity: “Use as few words and chords as possible” we say. Around the first album, someone said Moderate Rebels were “simple but complicated” which we liked.

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How did you two find one another? Was there an instant spark?

There are many members of Moderate Rebels - but only some people will show up for photos…others only play at gigs; others do artwork or go to the studio etc. We found each other the usual way, really: friends, other music groups; parties, friends of friends etc. Some people will be involved in some things but not others.

It’s a fluid set up, which suits everyone.

What do you hope to achieve in 2018?

Not to be funny here, but we don’t hope to achieve anything, really: we’d like people to hear the music we’ve made and we want to play some fun shows. Maybe make another album after that. There’s nothing we want to chase with this; making the album we want to make and putting it out into the world is the achievement for us. There’s nothing much to win and nothing much to lose beyond that.

Have you both got a favourite memory from your time in music – the one that sticks in the mind?

We had a very good time playing Rockaway Beach at Butlin’s in January - and the first Moderate Rebels live show - where we really didn’t know what was going to happen. It could have been a total disaster…it was very exciting. That went so well that we decided to write more than just the one song we had at the time.

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If you could support any musician alive today, and choose your own rider, what would that entail?

Kanye West. I do think he is one of the all-time greats. Yeezus may well be my album of the century so far...

Vegan curry on the rider, please.

What advice would you give to new artists coming through?

The only advice we have to offer is…don’t listen to anyone’s advice…we don’t think that’s the
best way to get to the point of doing whatever it may be that you would really want to do.

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Where can we see you play? Do you have any gigs approaching?

11th August at Tooting Tram & Social; another gig in October in London, plus a few more…and then we are doing a U.K. tour in late-November around the album.

How does your live set usually sound? Will you be playing new album tracks or dipping into your past work for upcoming gigs?

Some shows we’ve done have just been thirty-minute versions of one song: sometimes, we do six songs. There’s no constant. New and old songs probably, yeah. But, they will be different from the album versions and, sometimes, pretty different. We’re not particularly interested in faithful reproductions - you can listen to the albums for that. We want to make unrepeatable live moments if we can.

Is it important getting on stage and putting your music to the people? What kind of buzz do you get?

Very important, really. It was the reason we carried on with Moderate Rebels, after the first show, and did more music. If our gigs are approached correctly by us then it should have an unpredictable element and tangible risk of collapse in it…which seems to bring the best out of the group and also make it more engaging than just another gig for the audience.

We would much rather risk the odd disaster here and there and reach for something special than be just reliable or professionally slick. Personally; we’re just not inspired by that kind of stuff and we have no desire whatsoever to be light entertainers.

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IN THIS PHOTO: Rodents/PHOTO CREDIT: Habeeb Giwa

Are there any new artists you recommend we check out?

South London’s Rodents are fun. Quite like what I’ve heard by The Blinders, too.

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IN THIS PHOTO: The Blinders

Do you get much time to chill away from music? How do you unwind?

Losing ourselves in music, listening and playing, is one of the main ways we unwind. Cycling about the place is also a favourite. Apart from that, the usual: books, films; art, dancing etc. Nothing that special.

Finally, and for being good sports; you can each choose a song and I’ll play it here (not any of your music - I will do that).

Kids See Ghosts (Kanye West, Kid Cudi) - Reborn

Arctic Monkeys - American Sports

Spacemen 3 - Big City (Everybody I Know Can Be Found Here)

Mark Pritchard (ft. Gregory Whitehead) - Come Let Us

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