INTERVIEW: Holander

INTERVIEW:

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Holander

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I’M starting the week…                                                  

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by speaking with Holander and stepping into her world. She discusses the story behind her new single, Smoke, and what happens next. I ask about Holander raising the flag for equality and L.G.B.T.Q.I.A. rights; whether there are any tour dates coming up; the three albums she treasures the most – she reveals whether a U.K. trip is a possibility.

The American songwriter discusses gender equality in the industry and how far we have come; the artists she grew up around; a particular fond memory from her time in music; which upcoming artists we need to get behind – she ends the interview by selecting an awesome song.

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Hi, Holander. How are you? How has your week been?

Shi*t was crazy leading up to the release - and then I got strep throat last week. I’ve been taking it easy since Smoke came out; been reading a lot. I just finished Sugar in My Bowl by Erica Jong.

For those new to your music; can you introduce yourself, please?

Pink hair, pink eyebrows; neon sounds. Holander is a party girl plagued by her own emotions. To me, this project has an electric current. Holander represents the heightened emotionality of many of today’s youth and talks about our social disconnect with social media and technology; the expectations placed on my generation, not to mention the societal pressures placed on young womxn. It can make the emotions we feel become infused with adrenaline. It’s raw, it’s vulnerable and it stands firmly in its sincerity.

Can you talk about Smoke? What is the story behind the song?

Well. I got the title from a co-write I had done a year back - we wrote a song with this lyric: “There’s only smoke in my home when you come around”. I always really liked that concept. So, I actually named the song before I wrote it which I’ve never done before. 

I took from this moment I had with my boyfriend at the time. We were standing on a balcony overlooking the city lights in downtown L.A., passing a joint in a circle, and he leaned over and blew smoke into my mouth. It was sort of this euphoric moment. I was head over heels for him and this moment felt so intimate. It felt like we had a piece of this universal love, that we were connected to some bigger than us.

The song is about young love. The heightened emotions. The feeling when you’re scared to surrender for fear of getting hurt but you just do it. You just surrender yourself to the fall. I very purposely wanted the song to have non-traditional structure; to mirror the chaos of the emotions I was feeling. 

Do you think there might be more material later this year? What are you working on?

Oh, yeah. I’ve already got some stuff lined up to share. Shhhh; but I’ve got a music video for Smoke in the pipeline.  I’m also really excited about the next song I’m going to release- it’s gonna make you dance and feel spicy feels!

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PHOTO CREDIT: @adrienordorica

You are keen to provoke social change and raise awareness. How important is it raising the flag for the L.G.B.T.Q.I.A. community and feminism?!

It’s incredibly important but it’s just sad that, in this day and age, it’s still relevant to ask someone about how they support equality. It feels like it should just be a given at this point, and the fact that it’s not just shows how blatantly and desperately we need progress in not just L.G.B.T.Q.I.A. issues but the systematic oppression of anyone based on gender identification, race; background or class.

I see a lot of imbalance in music. Are we near to a sense of equality do you think?!

We’ve made huge strides. I won’t undermine the work that’s been done but we’re nowhere near where we need to be. We still have a long way to go and an even longer way for womxn of color in the industry. 

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Do you recall the artists you grew up listening to? Which musicians inspired you to write your own stuff?

I grew up with Classic Rock- The Who, The Velvet Underground; Bruce Springsteen, the like. I think, more than anything, these artists inspired my stage presence. I remember my dad showing me a lot of videos from Woodstock and other rock concerts and thinking they were so cool. So, if you see my live show, you’ll see I just go crazy and rock-out.

Regina Spektor has inspired me immensely as a songwriter- as have The 1975, The Wombats and Lorde. My music is a product of everything I listen to.

What do you hope to achieve by the end of 2018?

I would love to tour more. I get so high off of live shows. The energy loop is insane.

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PHOTO CREDIT: @artist_deglamour

Have you got a favourite memory from your time in music – the one that sticks in the mind?

Yeah. I love thinking about funny stories that happened before my more major successes. So, I played this one dive bar where we couldn’t all fit on the stage and we were trying to decide if I should be in the audience rocking out or on the stage. Haha! 

Also, at the time, my guitarist and I didn’t know each other super-well and he likes to drink so we said, before the show, that we wanted to get drunk together. Upon arriving to the bar, we realized they didn’t sell hard liquor so a friend of ours ran across the street to CVS and picked up two bottles of Jack Daniels and I put them in my backpack. I poured one of them into a water bottle and we were all passing it around. Then, I got really drunk and took the other bottle out and just handed it to my guitarist without pouring it into the water bottle; at which point the bartender came over and started yelling at him and we got kicked out.

We were just hysterically laughing. It was amazing and we reference it all the time (laughs).

Which three albums mean the most to you would you say (and why)? 

Far - Regina Spektor

I learned songwriting from Regina Spektor. She taught me that songs and lyrics can be messy and weird. She taught me to write authentically and not question my quirks -and put them in the forefront always. She is a storyteller in the highest sense. She must have been channeling some higher power during this making of this album.

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PHOTO CREDITPriten Vora at Rumored Nights Press

The 1975 - The 1975

This was the first album I fell madly in love with on my own. It wasn’t my parent’s at all: it was totally mine. I feel bound and connected to The 1975 in a very weird way - their lyrics and melodies are ingrained deep inside me. I feel like they brought back a piece of Rock ‘n’ Roll angst for my generation. Even the track listings - M.O.N.E.Y., Chocolate; Sex, Girls and so on - for me, it’s modern day sex, drugs and Rock ‘n’ Roll. This album is a treasure. Also…the guitars. Don’t get me started on the guitar parts.

Melodrama - Lorde

This album dives deep to this place that no one wants to go. Into the icky-ness, into the despair. Lorde is a lyrical goddess. I feel spiritual when I listen to it and when I saw her play it live. This is the type of album that makes me remember why I make music.

If you could support any musician alive today, and choose your own rider, what would that entail?

I would support The 1975 and I would want sushi, fruit; chocolate and T.V.s with The Office on at all times.

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Can we see you on tour soon? Might you come to the U.K. at some stage?

I’m doing a tour along the West Coast. I would love to come to the U.K. If you know anyone looking to fill a spot at a show, send ‘em my way!

What advice would you give to new artists coming through?

Meet everyone. You never know who that lonely looking person in the corner is; you never know their story. The more people you know and the more you give your knowledge and resources to them selflessly, the more likely they are to help you out and impart potentially invaluable advice on you. The music industry is a very communal effort and people who lift each other up eventually get lifted themselves.

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IN THIS PHOTO: GIRLI

Are there any new artists you recommend we check out?

GIRLI; Sizzy Rocket; Kim Petras; Top Bunk.

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IN THIS PHOTO: Kim Petras

Do you get much time to chill away from music? How do you unwind?

Music is literally my life. Haha. So, not particularly. I am so personally involved in my music that it sometimes feels like an around-the-clock kind of deal. However, I love to unwind by going to my friends’ shows. Sometimes we do improv together or stupid stuff like The Office trivia or tie dyeing. I also love to read. It’s really nice time alone and a very personal experience that refuels me.

Finally, and for being a good sport; you can choose a song and I’ll play it here (not any of your music - I will do that).

WilliamMoontower

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INTERVIEW: Hypnosister

INTERVIEW:

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PHOTO CREDITNeil Chapman 

Hypnosister

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THE incredible…                                      

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Hypnosister is the moniker of Damian Hughes. I have been asking him about the new Hypnosister E.P. and his latest single, Scribbles. He talks about moving from the band Allusondrugs and stepping out solo; what sort of sounds and artists he is compelled by – Hypnosister reveals tour dates and how he spends his time away from music.

The musician discusses recording D.I.Y. and which new artists we should check out; which act, if he had the chance, he would support on tour; the advice he would give to artists coming through – he shares a rather cool, if niche, memory from his career so far.

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Hi, Hypnosister. How are you? How has your week been?

Hiya! I'm doing great, thanks for asking. This week's been mega-busy: lots of rehearsing for the summer gigs and writing new songs. Everything seems to be moving forward quite nicely. It's been bloody hot though, hasn't it? I don't do well in the sun - I'm more the reclusive type, more of a cave-dweller!

For those new to your music; can you introduce yourself, please?

My name is Damian Hughes; a songwriter, producer and multi-instrumentalist from Leeds, U.K. After leaving my old Psych-Grunge band Allusondrugs, I launched a fuzzed-out Space-Pop project called Hypnosister. I mix the fuzzy, spacey guitars of My Bloody Valentine with the big, Rock choruses of Nirvana and the deep cutting lyrics of Neutral Milk Hotel to make a big noise!

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How did your project come to life? What does ‘Hypnosister’ represent?

I started putting Hypnosister together as soon as I left my last band. I've always had a very clear vision of what I want to express, so I just rolled up my sleeves and started working on it. Hypnosister is about showing the world to itself; holding a mirror up and saying: “This is what we really are”.

You were part of the Yorkshire band, Allusondrugs. Was it hard transitioning from band life to doing your own thing?

Like I said, I started putting Hypnosister together straight away. The month after I left I was on tour in Europe playing guitar for another band and I wrote a lot while I was there…so things started moving forward straight away. I've always done my own thing anyway. Over the years, I've done countless projects that I've never put out into the world, just for the pure joy of making music.

Scribbles is your new song. Can you reveal how it came to exist and what inspired it?

Scribbles goes a bit deeper into where I’m coming from. It's about becoming more open-minded about life and starting to see the hidden dangers and the traps laid for us. We currently in an age where it's the norm for us to be constantly glued to our Smartphones and, in doing that, we tend to spend a lot of time on social media seeing the ‘best of’ of other people's lives and creating a false impression of how our lives should be.

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We start holding resentment towards the people we perceive to be doing well and end up in a negative spiral - which stops us from focusing on our own lives and our own needs. It's very easy to just submit to the negativity and allow ourselves to be sucked further and further into the rut. We need to pull ourselves away and give ourselves the space to recognise our own self-worth.

You have an eponymous E.P. which arrived on 27th July. What sort of themes and stories went into it?

It's mostly about what I've learned about myself and the nature of people in general over the past few years. It's about how we're led into invisible cages; willingly allowing ourselves to be locked in without really understanding the magnitude of what's happening. My friend Liam, who lost his life in 2013, often appears in my songs in one way or another: he saw all of this happening clear as day and would tell me all about it. I became sober three years ago and, since then, all this stuff has been making more and more sense.

The E.P. is self-produced and D.I.Y. Do you think it’s important to have control and produce a more natural, personal E.P.?

I like to be as hands-on as possible when making music. I think it's great for anyone to learn the skills they need to be able to do as much as they can on their own without having to rely on other people. Also, the more capable you are at making things happen on your own, the more freedom you have to express yourself in the way you want to; the keys you can forge the more doors you can open, right?

With that said though, it's not that I think this is, necessarily, the best way to do things. There's a LOT to be said for collaboration: I've collaborated with other people in the past and it's turned out amazing. Some of the best music and art in the world has come from people working together. But, right now, working alone is what works for me.

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I get hints of 1990s Shoegaze in your sounds. In terms of your childhood tastes; which artists were important?

My influences have always been really diverse and eclectic. As you've spotted, I do draw from a lot of Shoegaze bands like My Bloody Valentine and Cocteau Twins but, all through my life, I've gotten deeply obsessed a lot of different kinds of music. As a little kid, I was really into music from computer games, old ones - Commodore Amiga and Super Nintendo. I'd put the games on and just sit there listening to the music, not even playing the game.

When I was eight-years-old, I owned three albums: Blur's Parklife, The Offspring's Americana and Erasure's Pop! The First 20 Hits and I would listen to them religiously.

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Then, I started high-school and discovered the music television program, Kerrang!, and the file-sharing platform Napster and I felt like I'd won the lottery! I could see a band I liked on Kerrang! and then go and download all their music on Napster. From there, I got obsessed with all kinds of music. Mental bands like Slipknot and Obituary; Alternative bands like Biffy Clyro and Hell Is for Heroes; Folk music like Simon & Garfunkel; Electronic music like Aphex Twin and Clark and Classical music like Beethoven and Erik Satie. There's been a lot of important music - and I'm still looking for more.

What do you hope to achieve by the end of 2018?

I want to get more music out! Right now, I'm putting together a huge amount of music that I'll be putting out over the next year or so. So, get ready; there's gonna be a lot of it.

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Will there be any tour dates? Where can we see you play?

You can see me play at any of the following dates across the U.K.:

2nd August - The Washington, Sheffield

4th August - The Exchange, Keighley

11th August - The Swan, Worksop

18th August - Little Buildings, Newcastle

Have you got a favourite memory from your time in music – the one that sticks in the mind?

There's been a lot of big moments and times where I've felt proud but, right now, my mind's gone blank. The only thing that springs immediately to mind is the time that I successfully pulled off the guitar-spin move on stage.

You swing your guitar all the way around your torso then catch it and carry on playing. Many have tried and failed, ending up with broken guitars, but I did it. In that moment, I was more proud of myself for that than anything else I'd ever done in music. It's the little things!

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Which three albums mean the most to you would you say?

This changes all the time but, right now, it's probably these three:

Neutral Milk Hotel In the Aeroplane Over the Sea

I know this is a bit of a cult favourite but I only discovered it about six months ago, at a time when I was feeling really uninspired and completely bored of all the music I was listening to. The album opened me back up in a huge way and now I'm hearing stuff in music that I didn't hear before. I'm not sure how, but this album did something to my wiring.

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Clark Throttle Furniture

This one really opened me up to Abstract music. I picked this up at a 65daysofstatic gig where Clark was the support act. His set blew me away so I bought this E.P. on mini-C.D., which I've now lost sadly - but I always make sure I have a copy on my hard-drive. Clark's music is beautiful. It's like someone took a bunch of elaborate paintings and transformed them into sound.

CardiacsSing to God

This album is just a masterpiece. It's the most exciting, most melodically rich; most tastefully eclectic album I've ever heard from any Rock band ever. It's probably my favourite album of all time. If you haven't heard this album then stop what you're doing immediately and go listen to it. Also, their genius mastermind songwriter Tim Smith is really poorly and needs help with treatment costs; you can buy their merch, which all goes towards Tim's medical costs, here.

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If you could support any musician alive today, and choose your own rider, what would that entail?

Probably Cardiacs - on an alternate universe where Tim Smith is well enough to perform.

My rider would have good coffee, Smartwater and good, thick notepad for me to take notes on Cardiacs' set so I can learn from the masters.

What advice would you give to new artists coming through?

My advice would be to learn to do as much as you can on your own; make sure everything that happens does so on your own terms. If you have a band, make sure you have a band agreement IN WRITING.

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IN THIS PHOTO: Benjamin Clementine

Are there any new artists you recommend we check out?

Benjamin Clementine is blowing me away right now. He spent years, homeless, playing music around Paris. He's got such a good, unique voice and is a fantastic songwriter and piano player. All his songs tell vivid stories that are properly gripping.

Louise Distras is another singer-songwriter with a great voice. She's got an album coming out soon. All the songs on are quality, so keep an eye out for it.

Youth Man is a wicked Punk band from Birmingham - probably the best Punk band in England. Kaila, their singer, is vicious on stage. Definitely, a band to go see if you can.

Also; I've recently found this new record label called Love Love Records which is full of what they call ‘High-Quality Weirdo Music’. It's mostly Electronic music but they do have some other stuff on there. If you're into very abstract-sounding music then check out this label.

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IN THIS PHOTO: Louise Distras

Do you get much time to chill away from music? How do you unwind?

I meditate in the morning, sleep at night and eat food twice a day. Every other time, I'm either working on music or working on something else. I'm not sure if you can really call that a balanced life but it's working for me right now. Stay tuned for my inevitable meltdown!

Finally, and for being a good sport; you can choose a song and I’ll play it here (not any of your music - I will do that).

Cardiacs Dirty Boy

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Follow Hypnosister

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INTERVIEW: YUAR

INTERVIEW:

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YUAR

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THE epic duo of YUAR…                                                 

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have been talking about their new single, Exhale, and what its story is. Yury and Arina discuss how they found one another and started making music; why they moved from Russia to Tel Aviv – what the vibe is like in Tel Aviv and how they are going to move heading forward.

They reveal their musical tastes and how they spend time away from their careers; whether there are any gigs coming up; if we might see some new material coming out – they both pick a song to end the interview with.

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Hi, YUAR. How are you? How has your week been?

Yury: Hi! The week has been really great. We received a lot of positive feedback on our latest single and video clip, Exhale; both from our fans and music blogs around the world. This is really cool for us, definitely encouraging! We’re also continuing to work on our new E.P. This week, we came up with the idea to invite some guest musicians to contribute. Our friends from New York and Moscow gladly agreed to play on a few tracks, so we’re pretty excited about that too.  

Arina: I just love modern technology! When you need a certain sound for a song and you know that only a specific musician can do it the best despite the fact they may live abroad you – it’s possible to just talk to them on Skype, send them the demo and then, in no time, you receive the tracks back with added parts. We live in a wonderful world!

For those new to your music; can you introduce yourselves, please?

Hi, everyone; we are YUAR – YUry and ARina, two musicians and music producers originally from Saint Petersburg, Moscow (Russia) now living in Tel Aviv (Israel); partners in music and in life for more than a decade. Our music is a blend of Indie-Pop/Electronic-Pop/Downtempo with Dance; Rock and Classical influences. But, speaking more candidly, most of the people who listen to our tracks or come to shows usually describe our sound as “authentic, original; fresh”.

Exhale is your latest track. Is there a story behind the song? How did it come together?

Arina: I wrote the melody (actually about four or five melodic lines – that’s why there are so many vocal layers and vocal textures in the song) about two years ago during a long walk in our beautiful blossoming park with our baby girl, Lily, sleeping in her stroller. Then, I brought the melody and some keywords and lines to our lyricist, Ilya Kutuzov, who writes magical lyrics.

Then, together with Yury, we started to work on the arrangement and sound at Kicha Studios (Tel Aviv) in collaboration with sound engineer Uri Barak. The inspiration for the sound of the song was a beautiful morning view on the Dead Sea with pink and blue salty haze; ideal lines of water, mountains and the sky. I said: “Yury. I want our new song to sound just like this view”. Ironically, Katya Telegina – the film director who created an amazing video clip for this song - chose the same colors and the same location! The shooting took place in an abandoned water park at Kalia Beach only 300 meters away from the place that inspired me so much.

That’s how the story ended up where it began.  

I believe you have an E.P. coming up. Can you talk about the themes and songs that might appear?

Yury: Well. It will include some new freshly-written songs as well as some others that we already play in our live shows. There will be a lot of acoustic instruments (more than on our previous E.P., Signal) like the kalimba, hang drum; trumpet and strings combined with experimental electronic sounds.

Arina: The E.P.’s aesthetic will be very pastel, using gentle hues of blush pink and blue (since there’s a lot of blue here in Tel Aviv: the sea and the sky etc.…). We think these colours reflect different shades of happiness and want this to be portrayed in the visuals of our E.P. as well.

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It is the first material since the birth of your daughter. Has that changed the way you write or how you prioritise music?

I think our attitude changed a lot. The main thing now is that we don’t have much time, so we avoid bullsh*t as not to waste it. In a way, I think we became more focused and effective than ever before as a result. The second change is that taking care of a baby has caused us to become more settled. Instead of touring around we decided to focus on writing new material, recording and E.P. and shooting music videos – all the things we can do without leaving our Lily for more than a week.

The last and the most amazing change is that our daughter is our biggest source of happiness, love and inspiration, which has opened up a world we can explore musically - I write these words now and feel how shallow they must appear to be compared to how I really feel and what I’m trying to say.

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PHOTO CREDIT: Ekaterina Bourindine

You formed in music in 201l. What compelled the decision to move from Russia to Tel Aviv? Did you notice a big difference?

The sun! Tel Aviv has an amazing vibe and the weather is such a bonus. During one of our visits to Israel in 2012 (Yury’s mom lives here) we both just felt that we needed to live in Tel Aviv as well.

Is there an active and interesting scene in Russia? Was it easy to build a fanbase and reputation there?

Yury: Definitely. There are a lot of interesting bands and solo artists in Russia. Lots of cool venues and festivals. But, I think there is no place on Earth where building a fanbase and reputation would be an easy thing. Artists need to work hard in any country.

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PHOTO CREDIT: Victor Zamanski

Why did you decide to make music together? Was there a moment when YUAR came to life?

It was a kind of chemistry between us from the very first moment when we met in Moscow and tried to play music. When I heard Arina singing and playing for the first time I was impressed by her unique musical approach; her very own musical vision. It was clear to me that she is a real talent.

Arina: Yes. It was chemistry, real magic - and it still is! Yury is super-talented, too. I was very impressed then and he continues to surprise me with his unique style and creative freedom. 

What do you hope to achieve before the end of 2018?

Yury: To finish our new E.P.

Have you each got a favourite memory from your time in music – the one that sticks in the mind?

Wow; there are too many of them…stay tuned!

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If you could support any musician alive today, and choose your own rider, what would that entail?

Arina: We’d love to play a support act for Laura Mvula and J.Views. They are really inspiring to us.

What advice would you give to new artists coming through?

Yury: Always try new things in music. Explore and experiment - it can only help you.

Where can we see you play? Do you have any gigs approaching?

Arina: Although our main focus now is recording a new E.P., we’ll sure play some gigs here in Tel Aviv in August. Follow us on social media; we’ll post all the information about upcoming shows!

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IN THIS PHOTO: Noga Erez

Are there any new artists you recommend we check out?

Noga Erez and Buttering Trio are amazing.

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IN THIS PHOTO: Butterfly Trio

Do you get much time to chill away from music? How do you unwind?

We usually go to the beach. It’s twenty minutes’ walk from our home…just Tel Aviv things!

Finally, and for being good sports; you can each choose a song and I’ll play it here (not any of your music - I will do that).

Yury: SOHNSignal

Arina: Laura Mvula (feat. Nile Rodgers) Overcome

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INTERVIEW: Rival Karma

INTERVIEW:

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Rival Karma

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I have had a good time…                                                 

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finding out about Rival Karma and their new track, Little Something. Martin and PJ discuss how Rival Karma has evolved and changed since the start; the sort of artists they grew up around and take guidance from; whether there is going to be more material coming down the line – they recommend some artists we should follow and have a look out for.

The guys discuss working at Abbey Road Studios and where we can catch them on the road; whether they get any time to relax away from music; what advice they would offer musicians emerging; who they would support on the road if they had the chance – they each select a song to end the interview with.

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Hi, guys. How are you? How has your week been?

Good, guys; keeping it ninja. We had a crazy weekend (we played three festivals), so this week has been the coming-back-blues-week…!

For those new to your music; can you introduce yourselves, please?

Hey, guys. We are Rival Karma. Martin is on Vocals and Guitars; PJ is on Drums and Vocals. Lovers of Rock music. Being a duo, we are on a permanent quest to find new and original ways to make our music different. We have been called the "Fathers of Ninja-Rock" - a new style of Rock music...but, we’ll let you be the judges of that!

Little Something is your latest release. How did that song come together? What is its story?

Little Something is the story of a once-loving relationship that is left to nothing but crumbling ruins; the wistful attempt to hold on to a painfully-dead sentiment. It is a song that vocalises that moment when you come to realise that a relationship is over and wonder if there is anything left, anything at all, even Just a little something. Sounds dramatic, but we’ve all been there really. It’s an explosive mix of disarray, disbelief and desperation – and, sometimes, relief!

It was recorded at Abbey Road Studios! What was it like being in that space? Was it quite intimidating?!

It was everything a musician can dream of, really.

There’s definitely something in the waters over there. Martin was singing through Nick Cave and David Bowie’s microphone. It’s like soaking in years and years of history through the walls. It’s very intimidating. Luckily, we were in one of the smaller rooms away from the limelight, so we could concentrate on our music and not be overwhelmed by the circumstances!

Will we see more material arrive from those sessions in the studio?

Yes! We have one other track that will be released in this format and we hope to make it a bit of a recurring release (if the studio will have us again). We dream of having a yearly Abbey Road, or other legendary studios, live release so our fans can see what we’re up to.

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Sam Miller produced Little Something. Was it cool working with him?

Sam is one of the best at what he does. He is like a magician of sound. His ears hear things you would never even imagine. He has a way of making you sound the way you want to sound and then some! He’s also become a friend now and we trust him fully with our sound. We’ll be working with him on our upcoming debut E.P. as well which we are super-excited about!

Rival Karma has slim-lined into a duo. Was there a reason behind transitioning from a band to a duo?!

There was no planning involved: it kind of just happened to us. Early last year, our bassist left then we replaced him with a friend of ours; then, in June, our guitarist left and we had to cancel a bunch of dates we had lined up as a full band over the summer. But, we decided to honour our acoustic gigs as a duo. We then rehearsed a couple of times plugged-in and music just started flowing out of us.

We had a Europe tour planned for October, which we refused to cancel, and after rehearsing for a couple of months we just decided to take on the challenge of playing as a duo over this tour - and the rest is history! We now honestly don’t picture ourselves as anything else; it’s so much fun! So liberating to just be the two of us on stage.

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Can you recall the artists you grew up listening to? Which musicians sparked your ears?

Wow. This is a hell of a question.

Martin: I grew up listening to the American classics; my dad was always playing The Stones, Neil Young; Led Zeppelin, Dylan. But, I was raised in the '90s in the U.S. so that decade really heavily influenced my playing and life. I remember buying Before These Crowded Streets with my pocket money (I know that album by heart). Sublime was a big album for me as well; that haunting distinction between Ska and guitar - and his lyrics were out of this world. The Black Album was a slap in the face…Red Hot Chili Peppers released Californication when I lived in the U.S.; Nirvana erupted…and the list goes on. It was the best formative decade for lovers of all things Rock if you ask me.

PJ: Led Zeppelin and The Beatles were a big part of my youth and musical upbringing which explains my desire to come to London. Dave Matthews Band, Tracy Chapman and the whole acoustic scene of the '90s and '00s really influenced my playing - in their unique take on drumming and sound crafting. The Seattle scene of the '90s was a huge influence for me. Dave Grohl is a god, Dave Grohl is a god.

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What do you hope to achieve before the end of 2018?

Honestly; 2018 is like a birth (re-birth) for us. We’re going to let our debut E.P. out into the world and we want to bring it to as many people as possible. We have three objectives for us by the end of 2018:

- Tour at least four European countries.

- Get played by Lauren Laverne on BBC Radio 6 Music.

- Bag ourselves a couple of festivals for next summer (because we love playing festivals)!

- Have a groupie ask us to sign her breasts - because that’s a bit of a milestone for any Rock artist, eh?

Do you think there will be touring dates? Can we catch you on tour?

Oh, there will be numerous touring dates! We’re still in the process of finalising the E.P. tour bookings - for after we finish recording the E.P. – but, in the meantime, we play all the time. We’re playing a really cool gig on 7th of August at The Monarch Bar & Venue in Camden alongside two bands we love and who have become mates, Romances and Big Peyote. It’s gonna be a rad night.

On 5th September, we’ll be opening for Malcolm Bruce’s band (Jack Bruce’s son - legendary Cream bassist) at The Camden Assembly. Those are just a couple of cool dates coming up. But, if you give us a follow on our socials, we’ll be announcing our tours soon!

Have you each got a favourite memory from your time in music – the one that sticks in the mind?

Martin: My career is actually quite fresh in music, so all memories stick to mind. But, I’ll say that recording at Abbey Road is a bit of a milestone for us - and I’m super-excited for people to hear what we’ve been up to as the duo!

PJ: One time at band camp, I stuck a flute up my pussy. Nah…kidding. No, but, seriously; in our last Europe Tour, we had a date in a church in my hometown in Italy. The date was sold out, all friends and family and my people were gathered to listen to us play an acoustic set. I must admit that was a very emotional moment - I’ll remember that one for a long time!

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If you could support any musician alive today, and choose your own rider, what would that entail?

It would have to be Queens of the Stone Age, hands down. They are the living embodiment of Rock and Roll. They have taken this style of music to new heights in their last two albums.

The rider. Ah. It would have to be a whole bunch of fresh and ripe fruit! We love our fruit. We wouldn’t say ‘no’ to a quiet room where we can concentrate before the gig. For after? Just a bucket of ice-cold Coronas and some homemade guacamole (Abuela made if possible. Haha) with tortilla chips. I’d (Martin) say a good glass (or two) of Lagavulin. I can’t get enough of that sh*t.

What advice would you give to new artists coming through?

1 - Stay Ninja; 2- Keep at it; 3 - Don’t be an ass.

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Are there any new artists you recommend we check out?

Ugh; so many! Our buddies Swedish Death Candy, we love them; a band called Hot Teeth. We were blown away by their set at Rock the Boat at The Finsbury (which, by the way, is a really cool night to check out). We’d love to mention RavenEye as well. We opened for them in the past. They’re beast performers and lovely chaps!

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IN THIS PHOTO: RavenEye/PHOTO CREDIT: Blackman Images

Do you get much time to chill away from music? How do you unwind?

Martin and PJ: We like to cook w, to explore the cities e tour in and taste their culinary specialities. That’s why we can’t wait to get back on the road. Martin almost cried tasting a slice of pizza in Rome. Seriously; I saw his eyes water...

PJ: HAHA.

Finally, and for being good sports; you can each choose a song and I’ll play it here (not any of your music - I will do that).

Martin: The Black Keys - Weight of Love

PJ: The BeatlesSomething

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Follow Rival Karma

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INTERVIEW: Alice’s Night Circus

INTERVIEW:

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Alice’s Night Circus

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IT has been wonderful speaking with Alice’s Night Circus…       

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and stepping into a magical and fantastical world. Julia (Alice’s Night Circus) talks about the concept behind the moniker and what we can expect from her upcoming album; how she got into music and the artists/albums she grew up listening to – I ask her whether music lacks theatrics and energy and if more can be done.

The songwriter discusses tour dates and which upcoming artist we should look out for; what advice she’d give to new artists emerging; what she hopes to achieve before the end of this year – she ends the interview by selecting a rather good song.

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Hi, Julia. How are you? How has your week been?

I’m great, thanks. This week has been very busy as I’m heading into the prep-stages for a busy August in which I will be launching my Limited Edition Album Metamorphose!

For those new to your music; can you introduce yourself, please?

I am Alice’s Night Circus. I’m a classically-trained singer-songwriter with I guess what you could call an 'eclectic sound'!

Can I ask how the concept of ‘Alice’s Night Circus’ came together? Are there artists and musicians who inspired you in terms of look and dynamic?

I have always been a fan of Alice in Wonderland, which is where the name ‘Alice’ came from. For a long time, I really considered joining Cirque du Soleil as I’ve always loved their beautiful music and creativity which started to bring the circus influence in - and I thought the visual of this wonderful circus setting up and inviting people to leave their lives behind for a moment in time was a really interesting idea.

I was probably more influenced by theatre and film than other musicians for my style. Tim Burton has been a huge influence alongside movies like Legend (the one from the '80s), Labyrinth; Dark Crystal and Moulin Rouge.

Would you say the single, Curious World, is the best demonstration regarding what Alice’s Night Circus is about? What is the story behind the single?

I always consider Curious World as a kind of ‘gateway’ song into the Alice’s Night Circus world. I think, both lyrically and musically, it invites the listener to come and join in and it’s often the first song people comment on. The song came about from me sitting in my music and craft room at home, which is filled with a lot of assorted curiosities and I always say that room is like stepping into the inside of my mind. I was considering what it would be like to invite people into this kind of world - and Curious World was the result.

It is from your upcoming album. Can you reveal any titles and ideas that will be covered on the record?

The title of the album will be Metamorphose - a word I thought highly appropriate as this album and all the songs on it were very much about me finding who I was; the message I wanted to send out into the world and then becoming that person.

There are a lot of themes across the album, ranging from very personal stories regarding my experiences with M.E. and learning to cope with an invisible disability; influences from some of my favourite literary sources such as George Orwell, Aldous Huxley and H.G. Wells; through to more light-hearted themes regarding being comfortable in your own skin and expressing yourself - as well as the odd spooky tale of a character called Mr Strange under the title of Penny Dreadful.

I am interested to learn which artists and styles of music inspire you. Which styles of music and artists have made the biggest impression on you?

I’ve had a very varied exposure to music from a young age including Pop, Rock; Jazz, Opera; Classical and musicals. I never found myself stuck on one genre particularly and tend to listen to a variety of music styles according to how I feel on any particular day, which means I can go from listening to a Heavy Metal anthem to an ‘80s Pop ballad and on to a musical number from song to song. That being said, there are some people who really inspired me to want to make music myself such as Queen, Muse; Florence & the Machine, IAMX and Danny Elfman in particular.

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So many new artists lack personality and a sense of energy. Do you think it is important to create a world that is full of fire, fun and theatricality?!

I think the music I listen to often does have a rather theatrical nature to it one way or another, either in the thematic vibe, the lyrics or even the live performance and for me, personally, I find it exciting and thrilling to bring a lot of drama and theatricality out in my music. I also have a lot of drama in my singing voice which comes naturally so I think I’m vocally suited to that style. I think people can be quite reserved sometimes, so it’s nice to be able to write music that encourages them to embrace the theatre of life so to speak!

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What do you hope to achieve by the end of 2018?

I’ll finally have my album released and it’d be great to continue touring up and down the country; maybe aim to get some radio play and hit some Spotify playlists and see where it all takes me from there!

Have you got a favourite memory from your time in music – the one that sticks in the mind?

I have quite a few memories that particularly stand out. I remember the very first time I ever heard my music being played in public and I was hiding out at the back of the room at a gig and this couple got up and did the most beautiful ballroom dance to it. The room was enthralled. It was a very magical moment to be able to watch people react to the music like that and see how they interpreted it, even though it wasn’t live and was just being played between sets.

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Which three albums mean the most to you would you say (and why)?

Muse - Origin of Symmetry

It was very tough to choose between this album and Showbiz. Showbiz was the very first time I ever felt I had fully connected to music I had found by myself…however, several of the tracks on Origin of Symmetry made me want to learn music so I could play and sing along. I was totally enthralled by the soaring space opera and how dramatic and theatrical it all was - and I spent hours trying to sing and play along on keyboard or guitar!

QueenInnuendo

The Innuendo album is one of the first albums I ever remember listening to, thanks to my mum introducing me to Queen as a child. I remember sitting in front of a big old Hi-Fi system with headphones that were too big for me and listening over and over again. I love that nothing would hold Freddie back, if he has an idea, mad as it may seem at the time, he would fight for it and go for it and inevitably it would be ingenious.

Florence & the MachineLungs

I remember very clearly the first time I heard Florence & the Machine singing Dog Days Are Over. The music video was on the T.V. and it captured my attention and then I heard the lyrics. I loved that she could sing these quirky folksy Pop songs while singing about wolves and things dying and it was all quite dark. I really connected to her sound and I found her at about the same time as I first started to write original music - so it sticks in my mind because I remember thinking if she could do it, so could I!

If you could support any musician alive today, and choose your own rider, what would that entail?

If Danny Elfman were to ever put Oingo Boingo back together I’d be the first to toss my name in the hat to support their comeback tour!

As for the rider; it would be pretty simple: just allow my dog Gadget in the dressing room to hang out and chill with me!

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Can we see you on tour soon? What dates are coming up?

I have a few gigs coming up. I’ll be in Lincoln on 26th August, Hastings on 15th September 15th; Llangollen on 22nd September, Gosport on 29th September; Kent on 20th October and Leicester on 23rd November. Details will be on my website and social media sites.

What advice would you give to new artists coming through?

I’d always say stay true to your message and, even though you are almost guaranteed to have knockbacks, just take them as life experience, grow; learn and use those experiences to make more music and keep going even through the dark!

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 IN THIS PHOTO: IAMX

Are there any new artists you recommend we check out?

Not exactly new artists but whenever anyone asks me this question I always heartily recommend IAMX immediately.

Do you get much time to chill away from music? How do you unwind?

I listen to more music while I design and sew outfits for myself for Steampunk events, cosplay at conventions and stage wear. I’m really a big nerd at heart so I love movies, T.V. and I love attending conventions and Steampunk events. They’ve all got such a fantastic sense of community; not to mention that they really get me pushing my creativity forwards constantly.

Finally, and for being a good sport; you can choose a song and I’ll play it here (not any of your music - I will do that).

LPForever for Now

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Follow Alice Night Circus

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INTERVIEW: Homesteads

INTERVIEW:

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Homesteads

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HOMESTEADS have been talking with me…

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about their new single, Tell Me, and the story behind it. I ask the Sheffield band what the vibe is like there and whether the North gets the respect and focus it deserves; which upcoming acts we should keep a peek out for – they reveal what tour dates are coming up.

I ask Homesteads how they got together and, given the chance, which artist they’d like to support; whether there is any time to chill away from music – the guys each pick a song to end the interview with.

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Hi, guys. How are you? How has your week been?

With a busy list of dates for our tour, that we’ve kicked off, combined with the glorious weather we’ve been having; it would be hard to say our week has been anything other than great.

For those new to your music; can you introduce yourselves, please?

We are Homesteads; a five-piece English Rock band from Sheffield. When it comes to songwriting, we are all about the bottom line; memorable and uncompromising anthems - behind the wall of Rock energy that we dedicate ourselves to writing; the kind of choruses you love stumbling home humming to at 3 A.M.!

How did Homesteads get together? Did you know one another before setting up a band

Myself (Ash), Aaron and Alex started off in an awful covers band and we just got sick of playing other people’s songs and formed Homesteads in 2014. At first, we were very Alt-Rock/Americana but we always felt we were lacking presence. We brought Jack in and Josh started to develop the supermassive Rock sound that we have today.

Tell Me is your new single. Can you reveal the inspiration behind the song?

Every great Rock band has a song fizzled with attitude that hits you with a stalking riff from the get-go. We knew, for our sound, we had to have something that stood out. Tell Me is all based around that big Rock riff and pounding rhythm that just grabs you by the balls and screams: “You think you know Rock?! This is fu*king Rock!

With a strong sense of laid-back urgency and a roaring guitar tone, Tell Me lays the perfect foundation for something that makes you want in, right down to main chorus line: “Tell me/Am I still going your way?” This song is not going anywhere and it wants to stand out.

There is nothing more current than questioning the status quo, but it’s not just the punks in this day and age. There is a bigger state of questioning at the moment and society is starting to noticeably reflect and adjust itself.

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It seems like you’re in a creative and productive mode right now. Do you think there might be more material coming later in the year?

We always have a backlog of material included in our set. This helps the song really find its place and evolve over time. At the minute, we keep releasing a song at a time and then gigging around it.

We're always looking to improve our writing - that is a big part of what drives us to gig and get our music to the masses. A lot of time, creativity and bloodshed are put into the songs and I think that really shows. In short, the answer is ‘yes’. Stay tuned.

Being based in Sheffield; how do you view the current scene there? Are there are a lot of great acts coming through?

I would say there are plenty of decent bands out in Sheffield but I don’t think the scene is anywhere near as strong as places such as Manchester and Liverpool. We have discovered this as we are starting to play outside of our hometown more. Bands seem to be more invested in working together in other areas and we’ve found people to be generally more supportive - but that’s just based on our experience. If there is a scene in Sheffield, I’m sure the three of them will let you know.

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Do you feel the media gives the North the attention and respect it deserves? Do you feel music is too London-centric at the moment?

I don’t particularly think the issue is a lack of regional attention. I think it is more that the media neglects to cover upcoming bands. They focus on bands that have already broken through instead. I understand, to some extent, why this happens because, as the media, you will always focus on what gets you the most attention. It’s a problem that is very hard to find a solution for.

Can you give me an idea of the music that inspires Homesteads? Which artists do you all favour and follow?

We’ve got very different tastes as individuals but I would say the core of our sound draws from Stereophonics, Manic Street Preachers; The Beatles, Led Zeppelin and generally from a lot of English Rock bands through the decades.

What do you hope to achieve before the end of 2018?

We hope to have imprinted our band’s name on the inside of everyone’s eyelids to a point where ‘Homesteads’ rolls off of the tongue as easily as ‘Love Island’ and ‘Danny Dyer’. If we find any time in between, I’d like to laugh in Pierce Morgan’s face till he finally caved in and cries in a puddle of his own phone-tapped tears.

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Have you each got a favourite memory from your time in music – the one that sticks in the mind?

Playing to a full room at Fulford Arms in York. It was a massive buzz and it’s always great when the crowd gets involved. Nothing worse than playing in a pub to a bunch of mardy people with no energy who has already given up on life.

If you could support any musician alive today, and choose your own rider, what would that entail?

It would be too easy to say something generic: there are too many great Rock bands to name just one. I’d rather choose someone that we could upstage, but they’d still be sound about it because they’re too chilled to give a s**t . Like James Blunt.

The rider would be ginger biscuits served by Ed Sheeran because I could constantly use the quote “Another ginger from the ginger” and he’d love the attention - but I don’t want him playing any of his songs because James Blunt would upstage him to be honest.

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Where can we see you play? Do you have any gigs approaching?

We are on tour at the moment - and the dates are above.

What advice would you give to new artists coming through?

Make sure you love what you do because you will have to do a lot of it for free for a long time.

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IN THIS PHOTO: The Blinders

Are there any new artists you recommend we check out?

The Blinders, SHEAFS; Thomas and the Empty Orchestra and Hot Soles.

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IN THIS PHOTO: SHEAFS

Do you get much time to chill away from music? How do you unwind?

Hardly. I think, when you dedicate yourselves to making music, that’s what you do to unwind.

Finally, and for being good sports; you can each choose a song and I’ll play it here (not any of your music - I will do that).

All Star - Smash Mouth

Apeman - The Kinks

Another One Bites The Dust - Queen

There She Goes - The La’s

Sir Psycho Sexy - Red Hot Chili Peppers

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Follow Homesteads

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INTERVIEW: Michael Bernard Fitzgerald

INTERVIEW:

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Michael Bernard Fitzgerald

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MY final interview of the day…                                   

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is with the Canadian artist Michael Bernard Fitzgerald. He has been discussing his latest single, I’ll Be the Lighter, and how it came together. I ask him whether more material will arrive down the lines and which artists compel and inspire him – he recommends an artist to keep an eye out for.

Fitzgerald reveals a few albums that mean a lot to him and tells me how his latest work differs to that of his previous efforts; why songwriters like Paul Simon and Bruce Springsteen are important – he ends the interview by selecting a track from an artist local to him.

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Hi, Michael. How are you? How has your week been?

I’m great - how are you? Been with close friends and family for the last week, so no complaints there.

For those new to your music; can you introduce yourself, please?

I’m a singer-songwriter from Calgary, AB (Canada). Been touring and recording internationally for the last decade. I look up to writers like (Paul) Simon and (Bruce) Springsteen. I write Pop songs that sound Alternative and sometimes a bit Folk-y.

I’ll Be the Lighter is your new single. Can you reveal its origins and story?

I’ll Be the Lighter is a love song. It’s about knowing all the intimate details about someone and being committed to the ride, no matter what. My favourite moments on a motorcycle are when it’s her and me on a two-lane highway. It’s about looking to start a fire that’ll never burn out.

I believe you are working on a new record alongside producer Dennis Herring. What can you tell us regarding themes and stories you explore?

I love exploring the concept of hope. I’ve got a thing for love songs as well. But, first and foremost, it’s about hope.

How do you feel your latest work compares alongside I Wanna Make It With You and YES? Do you think you have changed certain parts of your songwriting?

Definitely. I think you can’t help but shift over time. I still collaborate with the same people often but my perspective has definitely shifted as has the way I come at writing the songs and singing them.

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Do you recall the artists you grew up listening to? Which musicians inspired you to write your own stuff?

I’ll never forget watching Paul Simon’s Concert in the Park on V.H.S. I remember being completely blown away. I’m not sure which artists got me into songwriting but there are so many that keep me inspired to write.

What do you hope to achieve by the end of 2018?

I’d love to release this record, tour and write.

Have you got a favourite memory from your time in music – the one that sticks in the mind?

I don’t know that I can cite a specific time, but my favourite moments are the ones I haven’t planned for - the magic moments while playing; the ones that happen to fall in to place.

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Which three albums mean the most to you would you say (and why)?

GracelandPaul Simon

PrisonerRyan Adams

For Emma, Forever AgoBon Iver

If you could support any musician alive today, and choose your own rider, what would that entail?

There are so many. I’d love to get back out and do some more Bryan Adams dates; open for Springsteen on his Broadway run or play some dates supporting HAIM.

As for a rider…we don’t need much. Just need a few minutes to play.

Can we see you on tour soon? Might you come to the U.K. at some stage?

I’ll come back to the U.K. on a moment’s notice. Would love to be there more often.

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Is being on the road one of the best parts of being in music? Do you feel songs you recorded in the studio come alive and explore new territory when played to a crowd?

Playing has always been my favourite part. Songs always 'find themselves' live.

What advice would you give to new artists coming through?

Always make an effort to keep it fun.

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IN THIS PHOTO: Leif Vollebekk

Are there any new artists you recommend we check out?

I like another Canadian artist called Leif Vollebekk – he has a record out called Twin Solitude.

Do you get much time to chill away from music? How do you unwind?

I do get some downtime. This last week has been spent outside - swimming and biking with friends and family.

Finally, and for being a good sport; you can choose a song and I’ll play it here (not any of your music - I will do that).

There’s another artist from my home province that has a song out that I think it wonderful. She’s a Country artist called Tenille Townes and her song is called Jersey on the Wall – I’m Just Asking

I like such a random assortment of music - and her song has been on-repeat at home.

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Follow Michael Bernard Fitzgerald

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INTERVIEW: Silent Forum

INTERVIEW:

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PHOTO CREDIT: Jaydon Martin 

Silent Forum

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THE boys of Silent Forum have been talking with me…               

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ARTWORK CREDITJaydon Martin 

about their new single, How I Faked the Moon Landing. Officially released on 10th August; it is a memorable and exceptional effort from the Welsh band. They discuss filming the music video and whether other material will arrive in the future – they talk about the Welsh music scene and the media’s perception of it.

I ask them whether there are any gigs coming and how they found one another; if there are any rising artists we need to get behind; what advice they would provide musicians coming through – the guys end the interview by each selecting a song.

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Hi, guys. How are you? How has your week been?

Richard Wiggins: Pretty great, thanks! We’re gearing up for the release of our new single at the moment, so we have been doing a lot of promo for that. It’s our first release on a bona fide record label - it’s hugely gratifying to have that support for what we think is our best ever material.

For those new to your music; can you introduce yourselves, please?

Oli Richards: We have been dubbed ‘Indie-Noir’, which I think sums us up well. Although, our new single possibly fits more firmly in the ‘Dance-Punk’ category. Over the last year, we’ve been taking our introspective Post-Punk sound and developing it into something a little more vibrant.

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How I Faked the Moon Landing is your debut single on Libertino Records. Can you reveal the story behind it and how it came together?

Elliott Samphier: How I Faked the Moon Landing was our original band name under a different line-up. We were fun Indie-Pop band in the beginning; so it seemed apt to name this new, more uplifting song after our old moniker.

RW: In terms of the meaning of the song, lines like “Music’s not business – we’re destined to be a local band not on the local radio” jump out to me now. Ironically (and thankfully) this song has actually had four plays on BBC Radio over the last week. We were using this song as a platform to prove what we were made of; I think it sounds driven and purposeful.

Are you thinking ahead to other material - or keen to let the single get out there and bed-in?

Dario Ordi: We have another single, A Pop Act, finished and ready to go. It’s a little weirder and wilder than How I Faked the Moon Landing. We then have a further ten songs which we are recording with our producer Charlie Francis over August and September; this will make up our debut album.

OR: We’ve been really pleased with the initial reception of this first single and are hoping to pleasantly surprise people with what we have coming next.

What was it like filming the video for How I Faked the Moon Landing? Was it cool putting it together?

ES: It was filmed by our good friend Jaydon Martin who has taken charge of the visuals for all of our new material. It was filmed in Barry Island, which is a wonderfully strange seaside town in Wales. Luckily, the locals humoured us by letting us play on the children’s rides and dance in the arcades. Jaydon filmed us on an old-school camera, so the resolution and aspect ratio gives all the footage a peculiar ‘out of time’ feel – it’s a pretty funny video!

RW: It was great to have an opportunity to show off my superb dancing skills.

How did Silent Forum get together and find one another?

OR: We all met via Internet message boards. It’s weird to think that we only know each other thanks to the Internet.

DO: I joined the band a little later than the others; it involved a formal audition - which seems bizarre now!

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Cardiff is where you are based. What is the city like in terms of its music and sounds?

RW: Cardiff’s music scene is on the up - although it’s a shame to still see people primarily referring to '90s bands when they talk about Welsh music. Libertino Records are really helping shape things up; we love La Forme and Adwaith - it’s a privilege to be amongst their ranks.

Can you recall the artists you grew up listening to? Which musicians sparked your ears?

OR: At sixteen my dad's Heart and Soul Joy Division box-set opened my eyes to musical catharsis and Post-Punk all at once - Siouxsie and The Bunnymen soon followed.

DO: I remember listening almost exclusively to Heavy Metal between the ages of thirteen-fourteen.

RW: Before I was into music, I was into Pop-Punk (kidding) - bands like NOFX. I remember listening to Radiohead’s In Rainbows when I was fifteen and absolutely hating it; then listening to it twice more in the following days and then absolutely loving it - that kicked off my obsession with music.

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What do you hope to achieve before the end of 2018?

ES: We will have finished recording the album by then and will have planned a tour for 2019. We’d like to have been played on BBC Radio 1 and (BBC Radio) 6 before the year is out. We’re playing HUB Festival in August which is going to be fantastic.

Have you each got a favourite memory from your time in music – one that sticks in the mind?

DO: We recently performed a soundcheck at about 6 P.M. in a bar/café to a room full of Paul Weller fans (and lookalikes) - that was pretty entertaining.

ES: Writing a new David Bowie-esque track, Don’t Overcook It, in half an hour. It was baffling to see it come together so quickly!

RW: I will never forget singing into the faces of a couple who were snogging at the back of a room during a gig. There was a circle of people around myself and the couple. When they tore themselves from each other’s faces, they were incredibly surprised.

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If you could support any musician alive today, and choose your own rider, what would that entail?

Supporting Protomartyr would be huge for me - the world’s greatest Post-Punk band. Or maybe BROCKHAMPTON - the world’s greatest boyband.

OR: I'd love to support our mates Perfect Body and have a rider made up of only two things: a cheap bottle of red wine and no work the day after. It’s good to have achievable dreams…and wine.

ES: I’d definitely go for Interpol. They were a real game-changer with my music taste! I'd want Quorn scotch eggs. They're the bomb!

DO: I would support Stephen Malkmus and die a happy man. My rider would always consist of mostly cinnamon swirls.

What advice would you give to new artists coming through?

Playing music with friends is the most fun thing in the world - don't forget that.

ES: Don't try to write music for anyone else or to be popular: write something you love yourself regardless of how it sounds. Don't be shy to experiment!

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IN THIS PHOTO: Haru Nemuri

Are there any new artists you recommend we check out?

RW: Today; I discovered this amazing Japanese Noise-Pop band, Haru Nemuri - they are gloriously catchy but with a proper bite. Also; A.A.L. (Against All Logic) released an amazing Deep-House record this year with beautiful Soul samples which make the project sound like Future-Disco.

OR: Check out the aforementioned Perfect Body from Cardiff. Also; check out SOPHIE - who sounds like Pop music in a fairground mirror.

DO: Yes! SOPHIE is making waves.

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IN THIS PHOTO: SOPHIE

Do you get much time to chill away from music? How do you unwind?

ES: I love to play board-games and not your standard Monopoly or Cluedo - there's a real explosion of innovative, new table-top games at the moment!

OR: A lot of my chill time involves music, too. I unwind by reading and listening to ambient music. A cup of redbush also helps.

Finally, and for being good sports; you can each choose a song and I’ll play it here (not any of your music - I will do that).

OR: I'm currently loving the new BROCKHAMPTON singles. 1999 WILDFIRE is...well...fire

ES: Honey by moow

DO: I can't stop listening to Trains Across the Sea from the first Silver Jews record. David Berman was one of the best poets of the 1990s.

RW: Garden Dog Barbecue by GoGo Penguin - it is an incredible Jazz take on Dance music

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INTERVIEW: Lindsay Latimer

INTERVIEW:

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Lindsay Latimer

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I always love musicians who can project their…     

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personality and spirit onto the page! Lindsay Latimer has been talking with me about the remixed version of her song, I Blame You, and what comes next for her. She talks last year’s Teenage Lullaby and what Nashville is like in terms of inspiration and motivation – Latimer recommends a couple of new artists to look out for.

I ask her whether there are any tour dates coming and which albums mean the most to her; whether she has a favourite memory from her time in music; what she would say to artists emerging right now; what she hopes to achieve before the end of the year – Latimer ends the interview by selecting a bit of a classic.

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Hi, Lindsay. How are you? How has your week been?

Doing well! Good! My husband and I just got our first puppy together this week. We’re still married, so that’s great.

For those new to your music; can you introduce yourself, please?

I’m an Indie Pop singer-songwriter from Nashville. I grew up in ballet, started taking classical voice lessons in middle-school and soon that became my thing - which led me to want to study voice performance in college…which led me to Nashville. I’m drawn to write on the things we have a hard time putting words to as humans. Nostalgia, love and loss; not getting invited to the cool parties in high-school…light things like that.

I Blame You - a track from your E.P., Teenage Lullaby - has been remixed (by Bodytalkr). What was the reason for remixing the song?

You know, I really just wanted to take it up a notch. It’s a sweetly delicate song that will forever be special to me - but I wanted to hear it as an Electro-Pop remix. I knew there was a lot more potential in this song to color in. My producer remixes songs as well, so I chatted with him once the idea was in my head and off it went!

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Do you think new emotions and elements have been brought to the song?

I Blame You has always tasted both a little sweet and sour to me. There’s sheer love in there but there’s also something a little unsettling tossed in. Hence the dissonance. I wanted to have the remix savor both of those feelings, and yet unleash an emotion of audacity as a result of this intoxication. The music video’s rollerblading, cannon-balling into a pool with my clothes on and my light-up shoes all nod to that.

Teenage Lullaby was released last year. In terms of lyrics and music; what sort of things inspired the songwriting? Do you think you learnt a lot about yourself whilst making it?

The whole aesthetic reflects this tug-of-war between my years growing up and now - so there’s this obvious mashup of decades. Pool parties and balloons meet the other side: adulthood. Past struggles are often remedied by the present and that’s where the ‘lullaby’ applies. There was once tension and mystery, but blanks get filled and aches are alleviated as we press on and trust the process. Creating certain songs on that record added years to my life. I left the studio exhausted from being so honest.

Is there going to be more material coming this year at all? What are you working on?

Projects in the works. Follow along with me and thee shall findeth outeth.

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Nashville is where you are based. How important is the city’s music, past and present, to you and what you do? Is it a perfect place to create?

It’s a neat place. Very resourceful when it comes to making it all sparkle in the studio. Also, very saturated with people doing what you’re doing - which you just learn to see as a helpful thing. When I first moved to Nashville in 2009, I was a Lindsay-sponge. I listened and watched everything that was going on - the music, the shows and the appearances. I swallowed a lot of lies that I should be singing a certain style and writing a certain way.

It took me about six years to figure out that that’s inaccurate. I then began writing songs the way I wanted to write them; singing the genre I wanted to sing - and today’s Nashville is more of that now than stylistic conformity. I needed Nashville in my life to show me the music I didn’t want to write and lead me back to the music I do.

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What do you hope to achieve by the end of 2018?

More music. More depths into my current songwriting and production. I’ve been really excited about my current compositions - solo and with others. Fresh stuff. Also; train the dog to get me a beer from the fridge…and stain the deck.

Have you got a favourite memory from your time in music – the one that sticks in the mind?

My high-school choir opened for Michael Bublé at a Christmas gala that we’d perform at annually. He invited us back on stage for the encore and I sang Christmas carols next to him. So much bigger than a fangirl moment. It was the perfect glance into what I wanted to do in life: perform and connect people and spread joy. I remember not being able to fall asleep that night.

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Which three albums mean the most to you would you say (and why)?

Jack Johnson - In Between Dreams (2005)

I memorized every word back then and still can sing the record through for a pick-me-up. Though our sound is different, Jack has inspired me a lot. He was the first artist for me who embedded his beliefs in his music and did it with his unassuming voice. But then, he couldn’t make you mad in doing it because it’s done well. I was like: “Oh yeah, I want to do that”.

Michelle Branch - Hotel Paper (2003)

This record taught me a lot about songwriting. I was thirteen and memorized every word. Then, I would sing it running through my neighborhood with my pink iPod. Oh yeah.

Barbra Streisand - People (1964)

A favorite of my grandmother’s. She would listen to it every night after her husband passed away and would tell me to never forget that people should be able to hear my lyrics because they are so good. Like, the way Barbra does it. I’ll forever love it and cry when I listen.

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If you could support any musician alive today, and choose your own rider, what would that entail?

Billy Joel. A bowl of Swedish Fish after each set.

Can we see you on tour soon? What dates are coming up?

Going to have to say stay tuned for now (smiles).

What advice would you give to new artists coming through?

Lots of opportunities to be had if you’re willing to get your hands dirty and work hard and not worry too much about what people think of you…while you carve out how you want people to see you and then live by those terms. A little reverse psychology is healthy. Haha.

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IN THIS PHOTO: Bandit Heart/PHOTO CREDITSean Hagwell

Are there any new artists you recommend we check out?

Bandit Heart; Matthew Wright. Both make music that is so true to them and that’s not always so easy. Both solid dudes. Both single.

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IN THIS PHOTO: Matthew Wright

Do you get much time to chill away from music? How do you unwind?

I go outside. I love to get where it’s quiet. Kayak or rollerblade. Feel the wind and get perspective. However; this week my dog is those things and I have to make sure she doesn’t pee on the sofa.

Finally, and for being a good sport; you can choose a song and I’ll play it here (not any of your music - I will do that).

People by Barbra Streisand 

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INTERVIEW: Laura Pieri

INTERVIEW:

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Laura Pieri

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IT has been really interesting learning more…       

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about the incredible songwriter Laura Pieri. She has been telling me about her debut single, I Will Follow You, and filming an acoustic video for it. I ask about her Brazilian roots and what it is like living in New York; Pieri talks about the vibe in the city and what comes next for her – she discusses her studies and whether she gets time to relax away from music.

Pieri recommends a rising artist to watch and tells me what she hopes to achieve before the completion of 2018; which three albums mean the most to her; the advice she would give to artists coming through – she ends the interview by selecting a cool new song.

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Hi, Laura. How are you? How has your week been?

Great! Excited to be back in Los Angeles!

For those new to your music; can you introduce yourself, please?

Well. I am Laura Pieri; singer and zombie college student. 

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I Will Follow You is your debut single. I believe the need to end gun violence is at its heart. Was there a news report or moment that made you write the song and get the message down?!

The song itself was not originally connected to the gun violence cause. When we shot the first version of the music video, there was a bank robbery scene. After the events in Florida, that same scene took on a different meaning and symbolism for me.

I really did not want to be romanticizing gun violence at all and I felt like I was doing exactly that. It was important to me to take a step back and re-evaluate. 

Do you think gun violence in the U.S. has reached a level where it is hard to control things?

I think gun violence is definitely at an alarmingly high level, yet the issue itself is one that is hard to control. It involves so many different variables, from politics to mental-health. I believe that talking about it is a good place to start, though.

 

What was it like putting together the re-launched music video for I Will Follow You?

Nerve-wracking! It was an important thing to do, but it was also being my debut...it made me anxious, to say the least! I was nervous because it wasn't anything particularly new, but the song was a little different! It paid off!

 

Tell us about your new acoustic music video for I Will Follow You. What was that like to film?

I wanted to show a more intimate and stripped-down version of I Will Follow You. The acoustic video did exactly that. It was like a different side of the song.

Is there more material coming? Might we see an E.P. next year?

I am currently focusing on making more and better music. I have a very holistic approach to it all, and so when it's ready it's ready! But, yes, there is definitely more coming and you can be sure to expect a lot of new music. 

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You are Brazilian-born but reside in New York. Do you think you blend the sounds you grew up around with where you are now? How much of your home nation do you put into your songs?

Well, here's the thing. So much about the way I grew up is an important part of who I am today. The rhythm; the music the energy - everything ties back to Brazil when you boil it down. It's hard for me to disconnect from home so I don't do it. We are also living in a day and age where everything is very global, so my own upbringing was influenced by American culture. I just hope I can represent my country accurately. 

What is it like studying and living in New York? Do you get inspired by the people around you?

It’s chaotic! Studying in New York is a whole different game than making music in Los Angeles. It’s why I moved here in the first place: to go to college at New York University. It’s a dream that I’ve always had. I love going to N.Y.U., honestly, but it’s not easy. It’s a very demanding school that takes up a lot of my time and dedication. But, it’s so rewarding. It’s ridiculous how grateful I feel just to be there studying.

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What inspires me most about New York and N.Y.U. is the sense of purpose I feel. Being at Gallatin, the program that I’m in, everyone has a different Major but they’re all so interesting. I know a guy who is studying love and how humans love. A conversation with him is so enlightening and inspiring. That’s really how New York inspires me. 

What do you hope to achieve by the end of 2018?

I definitely want to release more music.

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Will there be any tour dates? Might you head to the U.K. at all?

Nothing certain yet but I would love to go to the U.K. soon! 

Which three albums mean the most to you would you say?

Easy! Michael JacksonBad; Beyoncé - I Am…Sasha Fierce. Lastly; Back to Black - Amy Winehouse.

What advice would you give to new artists coming through?

Trust yourself, trust your gut and trust your mind. Before anyone else will believe in anything you do, you need to believe it first. 

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 IN THIS PHOTO: FINNEAS (Finneas O'Connell)

Are there any new artists you recommend we check out?

Well. I am currently really listening to Finneas O'Connell (FINNEAS). His writing manages to say a lot of what my words can’t.  

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Do you get much time to chill away from music? How do you unwind?

Because I go to college, I don’t actually have any downtime for myself. The only way I manage to unwind is right before bed or in the bathtub. I need to physically put myself in a situation where I cannot do anything else but relax. The best way that I’ve found right now is to listen to podcasts. My go-to is My Favorite Murder - but Lovett or Leave It is a close second. 

Finally, and for being a good sport; you can choose a song and I’ll play it here (not any of your music - I will do that).

you should see me in a crown - Billie Eilish!

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INTERVIEW: Tilly Valentine

INTERVIEW:

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PHOTO CREDIT: Luke Hopkins Photography 

Tilly Valentine

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THE fantastic Tilly Valentine…                                    

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PHOTO CREDIT: Luke Hopkins Photography

has been talking with me about her debut single, Coins, and what its story is. The songwriter discusses filming the song’s video and meeting Coins’ producer over SoundCloud; whether there is more music coming down the line; how important the BRIT School has been to her – Valentine reveals the musicians who are influential to her.

I ask what she hopes to achieve before the end of this year; which upcoming artists we need to check out; if there are any tour dates approaching; whether she gets time to chill away from music – she reveals a musical memory that is especially treasured.

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Hi, Tilly. How are you? How has your week been?

Hey. All good, thank you!

For those new to your music; can you introduce yourself, please?

I’m Tilly Valentine; an Electronic artist drawing influences from Trip-Hop and R&B. I grew up in Oxfordshire and am now based in South West London.

Your debut single, Coins, was released on 27th July. What is the story behind the song?

My mum used to say the phrase: “Some people are so poor all they have is money”. Coins is a reminder not to compare yourself or lose sight of the genuinely important things in life - from the misconceptions on social media. Although it sounds like a serious topic, I wanted to tell it in a conversational and playful way.

What was it like filming the video for the track? Was it an enjoyable shoot?

It was so much fun! I’ve never directed a music video before so, initially, it was quite a crazy idea but I spent ages thinking about what I wanted the video to look like and what I wanted it to represent. After a few sketches and storyboards, the videographer (and friend), Luca, helped bring my ideas to life.

It had a very D.I.Y. and organic approach which is what I wanted. It was filmed two doors down from my family home and I borrowed a load of props from friends and local shops. The video’s concept represents someone being tempted with money and materialism but shows them staying true to themselves.

Is it true you met the producer of the song over SoundCloud? How did that come about?!

Yeah! I moved to London when I was sixteen and spent most of my spare time writing songs, but my guitar skills were somewhat minimalistic. I decided to search on SoundCloud for producers to work with and that’s where I came across German producer, Mattis. I sent him a message and we began sending each other ideas back and forth.

He would send me beats or chords and I’d send back recordings with my vocal and lyric ideas on top. Coins was one of the first songs we wrote together and I recently had the chance to go out to Germany to work with him in person for the first time (four years later!).

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PHOTO CREDIT: Luke Hopkins Photography 

Do you feel there will be more music coming soon? How far ahead are you looking?

Definitely! I’ve got a lot of new music in the pipeline so I’m currently working towards the second single, alongside a few collabs!

You joined the BRIT School aged sixteen. Do you think that was the most important decision you made after moving to London?

I think BRIT had a big impact on my journey. I never thought I’d get the chance to go somewhere like that as I didn’t live in London at the time which, statistically, made my chances of getting a place very slim. It definitely made me more independent; I hadn’t been to London much before, so moving away from my family home and school friends was a big thing for me at the time.

I met some of my closest friends there and I’m very lucky to still be in touch with so many amazing musicians.

Which artists do you count as idols? What sort of music did you grow up around?

I grew up listening to Fatboy Slim, Gwen Stefani and Britney Spears. I think Lianne La Havas is up there now as one of my all-time favourites but I still have a soft spot for the music I grew up with!

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PHOTO CREDIT: Vicki Bailey Photography 

What do you hope to achieve in 2018?

My debut single has been a pretty huge focus for my 2018 so far - so, I guess for new listeners and tastemakers to hear it and love it would be really special. I’d love to get some great radio plays, take risks and write my new favourite song.

Have you got a favourite memory from your time in music – the one that sticks in the mind?

Playing the O2 Academy in Oxford always sticks out as a favourite. Oxford is my hometown so it was super-special for me to get to play there, thanks to BBC Introducing.

If you could support any musician alive today, and choose your own rider, what would that entail?

Lorde!

My rider would have to include unlimited tea bags and a pack of Oreos. Oh, and a bottle of champagne that I’d share with my mum.

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PHOTO CREDIT: Rob Blackham

Are there going to be any tour dates coming? Where are you heading?

I’m playing a Sofar Sounds on 4th September at a secret location in London. Tickets and more gigs will be announced later on my website!

What advice would you give to new artists coming through?

Learn about the business. As an independent artist, you have to be your own manager; booking agent, tour manager; publicist, promoter etc. Obviously, great music is vital but you have to know what to do with it!

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IN THIS PHOTO: Jack Vallier

Are there any new artists you recommend we check out?

Jack Vallier, Jaz Karis and YEBBA.

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IN THIS PHOTO: Jaz Karis

Do you get much time to chill away from music? How do you unwind?

I do and I don’t. The problem with creating music is that you’re never done! There’s always more you can be doing. But, I try and treat myself to the occasional cocktail and Netflix binge.

Finally, and for being a good sport; you can choose a song and I’ll play it here (not any of your music - I will do that).

Moonchild - Run Away

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INTERVIEW: Caroline Kole

INTERVIEW:

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Caroline Kole

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I have been speaking with Caroline Kole…              

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about her new single, What If, and how it came together. She reveals whether there will be more material and takes me back to the start of her career – I ask which artists she grew up listening to and whether she has a precious memory from her time in music.

Kole tells me the three albums that mean a lot to her; some rising artists we need to get behind; whether there are going to be any gigs coming later in the year; some useful advice for artists emerging – she ends the interview by selecting a bit of a modern classic.

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Hi, Caroline. How are you? How has your week been?

Hello! My week has been great (smiles). We put out a single, What If, last week and it’s been getting really fun press! So, just busy with the promotion of that and, of course, ordering fall-semester textbooks!

For those new to your music; can you introduce yourself, please?

Of course! I’m Caroline Kole. I recently turned twenty-one! Woo! I’m a full-time artist and full-time college student. I started on the music scene when I was eight; performing out at ten and opening for massive Country acts shortly thereafter and touring internationally with Reba McEntire in high-school.

We had success with #1 music videos on C.M.T. (Country Music Television) and lots of love and play from Sirius XM’s The Highway! Unreal experiences! The music evolved from Country to Pop when I took a gap year after high school - and now here we are on the surface of that new journey! I’m having so much fun (smiles).

What If is your latest single. What is the story behind the song?

Haha, well; who hasn’t asked their self “what if” at some point in their life? Since I’m where I’m at in life, I find myself asking that question a lot in regards to relationships. I tend to go after the boys I know I shouldn’t but, ya know what, what if I just went up and got him?! I have a tendency to go after what, and who, I want!

Is there going to be an E.P. or album next year, perhaps?

Perhaps (smiles). We have a lot of great remixes of What If coming out in the next couple weeks, along with lots of new music lined up! You and I will both see how we end up releasing it all. Haha!

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You began your career at age eight (in Florida) and found your way to Nashville. How did you find yourself there? How important were the Bluebird Café and an encounter with Reba McEntire?

I had been going to Nashville for a couple years writing, forming relationships; cutting my chops before I met Reba. She came to a writer’s round I was playing at the Bluebird Cafe and I immediately started working with her and my manager Narvel Blackstock. That introduction was vital to my early career and, without a doubt, is the reason for the success that I had then and now!

Which artists did you grow up listening to? Do you recall when music first came into your life?

Hahaha. My musical upbringing might be why I listen to the mix up of music that I do. I grew up on Pat Benatar, Brooks & Dunn; The Cranberries, Reba; Simon & Garfunkel, The Police and I remember my very first concert - Kelly Clarkson! Right after she had won American Idol…and I fell asleep towards the end (smiles).

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What do you hope to achieve by the end of 2018?

My goal for the end of 2018 - and even just in general - is to release as much music as I can for people to listen to! I’m writing all the time, so I want to keep giving it to people! Hopefully, we’ll jump back into the touring scene (you’ll be the first to know!) but, right now, I’m so focused on writing alllll the songssss!

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Have you got a favourite memory from your time in music – the one that sticks in the mind?

It’s honestly surreal when I think back on all the experiences I’ve had. One of my most memorable moments, though, is when I was getting ready to walk out to perform my opening for Reba and she was getting ready to go on stage after me (looking fabulous and sparkly and wonderful as always) and she said: “You and I are a lot alike, you know.” I still can’t really process that phrase. She’s the Queen of Country Music, for crying out loud!

Which three albums mean the most to you would you say (and why)?

Sheryl CrowDetours

It will always take me back to Florida. My dad played that album all the time at our house and it will forever take me back to the “Salty/messed up hair from the boat ride, so let’s all jump in the pool until our fingers and toes are little prunes!”.

Twenty One PilotsBlurryface

I’ve been a fan of them for years and seeing their success makes me so overwhelmingly happy - and that tour was INCREDIBLE. They know how to put on a show. 

Ingrid Michaelson - Human Again

This is the album that I listened to NON-STOP in high-school! Takes me back. Her lyrics are so real and quirky and I’ve always loved that about Ingrid (smiles).

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If you could support any musician alive today, and choose your own rider, what would that entail?

Oh wow...I would say Twenty One Pilots but, honestly, I’d just be awkward the whole time. Ha! Either Ariana Grande, Katy Perry or Taylor Swift - they are such strong females in the Pop world and each of them knows how to put on a show! Such professionals! Great role models - and I’d love to get to know them on a personal level! Who wouldn’t?! (Smiles).

What advice would you give to new artists coming through?

Be prepared for everything! Be able to stay calm and collected when - not if - something doesn’t go as planned. It’s a crazy industry. If you can hang in there the universe will reward you!

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IN THIS PHOTO: Tove Styrke 

Are there any new artists you recommend we check out?

SO MANY: Tove Styrke, Remmi; MUNA, VÉRITÉ and Superfruit to name a few.

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 IN THIS PHOTO: MUNA/PHOTO CREDITELLE Magazine (US)

Do you get much time to chill away from music? How do you unwind?

Music is kind of a lifestyle - one that I love! I have a really cool cat named Rikki that I like to cuddle and snuggle with when I have a free moment. I also enjoy shopping and finding new brands/boutiques. My bank account does not enjoy that hobby.

Finally, and for being a good sport; you can choose a song and I’ll play it here (not any of your music - I will do that).

I choose....Mr. Brightside by The Killers!

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INTERVIEW: The Velveteins

INTERVIEW:

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The Velveteins

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SPENCER of The Velveteins

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has been speaking with me about the band's new single, All Night Baby, and what its roots are. I ask about the song’s animated video and whether there will be any more material coming along; whether the group all share music tastes; if we might see some tour dates come through – he tells me how they got together and started playing.

I ask Spencer which new acts we should watch out for; how important it is being on stage and getting the music to the people; the advice for artists emerging – he reveal what they hope to achieve before the end of this year.

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Hi. How are you? How has your week been?

Very chill and relaxing. Mid-summer mojo is making everything feel good.

For those new to your music; can you introduce yourselves, please?

We are a band. We play songs we like. Addison (the drummer) and myself (Spencer, the singer/guitarist) write most of the music. We like old '60s Pop bands and newer rippin’ Psych bands and combine that in a way that sounds good to us.

All Night Baby is your new song. How did it come to be? What inspired the track?

We wrote it in mid-winter in 2016. It came together quick and easy. Kind of inspired by the fruitless nights of being young and watching young drunk people stumble around in the dark.

I like the video and its animation style. Can you explain how it was shot?

We shot it ourselves on this old Japanese 3-D film camera. Then, I stitched it all together and animated over top in ways that I thought were interesting.

How did The Velveteins form? When did you all meet one another?

I (Spencer) formed the band when I returned from living in Australia in 2014. We were all somewhat familiar with each other from brief encounters in the Edmonton music scene but I got the word out and asked Addison to be a part of the group. Dean (bassist) came along a little later.

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Might we see more material from you in the coming months? Are you working on other stuff?

Certainly. We’re working diligently on new tasty things. Not sure about timeline yet, though.

Do you all have similar musical tastes? What sort of stuff are you all into?

We all have vaguely similar tastes: older '60s Pop and Soul. Newer Indie bands too.

What do you hope to achieve before the end of 2018?

Going on tour again in the fall and perhaps have some new songs out for sure.

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Do you think there will be touring dates? Can we catch you on tour?

Yes indeed tour dates. Not to be announced yet but mostly Canada and the U.S.

How important is it being on stage and delivering your music? Is that the best part of making music?

Being on stage is certainly a big part of it, but not the entire picture. Making a record is a whole different experience. One is introspective and the other one just raw extroverted energy. It takes two different minds to do each one. I like making records because it has unlimited potential unbounded by any sort of restraint.

Have you got a favourite memory from your time in music – the one that sticks in the mind?

We got to work with Lincoln Parish who played with Cage the Elephant on our first E.P. That was pretty insane because I grew up loving that band and suddenly here we were using all the same gear they used on Thank You, Happy Birthday. It blew my mind a little bit. Plus, I was only nineteen and couldn’t even go out and drink, so we had to get Lincoln to boot beers for us while we were hanging.

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If you could support any musician alive today, and choose your own rider, what would that entail?

Support Elton John - and have thirty bottles of Tequila side-stage

What advice would you give to new artists coming through?

Just gotta keep crackin’ at it as long as you live.

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IN THIS IMAGE: jo passed/TRACEOVER CREDITIvanna Maria/ORIGINAL PHOTO CREDIT: @bellabebe__ (Instagram)

Are there any new artists you recommend we check out?

jo passed from Vancouver is sick. Also; the band LOVING.

Do you get much time to chill away from music? How do you unwind?

I usually just drive to Tofino in my campervan and go surfing off-grid for a few days.

Finally, and for being a good sport; you can choose a song and I’ll play it here (not any of your music - I will do that).

I choose Peace Blossom Boogy by The Babe Rainbow. It’s a banger

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INTERVIEW: Desirée Dawson

INTERVIEW:

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Desirée Dawson

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I have been speaking with Desirée Dawson

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about her new single, Just Fine, and what its story is. She discusses the musicians she counts as role models and whether we might see more material coming down the tracks – the Canadian artist reveals her favourite albums and what she hopes to achieve by the end of this year.

I was keen to know whether we could catch her tour and what advice she would give to fellow songwriters; if she has a favourite memory from music so far; which upcoming acts we need to get behind – she ends the interview with a brilliant song.

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Hi, Desirée. How are you? How has your week been?

The week has been so great. Very full and exhausting but great overall!

For those new to your music; can you introduce yourself, please?

I am a singer-songwriter from Vancouver, BC (Canada) which is the traditional, ancestral and unceded territory of the Coast Salish First Nations people. My music is always authentic and my instrument of choice is my voice; although, I do support my voice with the baritone ukulele. The music I create is a deep dive into the human condition; drawing from my own life experiences and the experiences of those around me.

I have been writing and making music for a while but, since winning the CBC Searchlight Contest in 2016, things really have been expanding and growing for me in so many ways. Many of my songs have been playing across Canada on CBC Radio 2  and other stations. I am so thankful for the support as it has really helped allow the music I make to reach more people.

Just Fine is your latest single. Can you reveal the story behind it?

Just Fine is about me acknowledging these two sides of myself. One side is very fear-based: it’s scared, worried and confused and often tells me things like: ‘I should give up and stop trying to follow my dreams’. I've come to realize that this side of me is just trying to keep me safe. There is another side of me that is also trying to keep me safe, but not with scare tactics. This other side LOVES when I’m adventurous and wild. This part of me does not even comprehend playing small and is always encouraging me to listen to my heart’s deepest desires and to run, jump and dive into it!

Because both of the parts of me are trying to keep me safe, they battle all the time. Hahaha. The song is about acknowledging them but letting them both know that I’m going to be just fine. After sharing this song for the first time, I got such a wonderful response from people. They also felt the same! Every show I play I have at least two people say: "Get out of my head! How did you know I was thinking these things?!" or "I feel like you just read out my diary in front of all of these people!".  I am so excited that this song allows me to express and be vulnerable, all while creating a space for others to do the same.

Might we see an E.P. or album later in the year, perhaps?

I have so many songs that are just begging to be let out into the world, so I feel like I will stick to putting out singles over the next little bit. But, I do have some E.P. plans in the works as well. Nothing concrete yet.

Which musicians inspired you growing up? Who do you count as role models?

I grew up listening to artists such as Lady Smith Black Mambazo, Stevie Wonder; Des’ree and Tracy Chapman as a young child and found myself listening to the likes of Lauryn Hill, Beyoncé; Daughter, Adele; Amy Winehouse, Lily Allen; Alicia Keys and a lot of Motown artists in my teens/early adult life. I think a combo of all of these musical storytellers, plus many of others, have helped inspire and guide me over the years.

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What do you hope to achieve by the end of 2018?

More lovely music; more lovely collaborations and connections. Also; I have some pretty amazing tours planned - stay tuned! (Smiles).

Have you got a favourite memory from your time in music – the one that sticks in the mind?

A moment that is currently sticking out is when I played a festival in my hometown of White Rock, BC. My hometown is beautiful but it's a place where I hold some painful memories. I remember being on stage singing a song that was so vulnerable and I was scared how it would be received. I almost did not sing it. I was singing so strong, from my heart; on a stage right next to the ocean and, to my surprise, the song was a hit! I was met with so much love and support.

It felt like a homecoming to my hometown and truly stepping into myself (and accepting myself). So many people that day came up letting me know how much the connected to the song. It was a really special moment. The song is called Hey Brother - off my debut album, Wild Heart.

Which three albums mean the most to you would you say (and why)?

Gift of the TortoiseLadysmith Black Mambazo

I was afraid of the dark as a kid and my sister and I used to listen to Gift of the Tortoise to fall asleep when we were kids. It inspired me to see music as a source of light in the darkness. This album taught me that music is a powerful healer and that a whole song can be filled with life, even without any instruments! Oh, how powerful the human voice can be. It also was a nice glimpse into a culture very different than the one I grew up in as a young child - and I am very grateful to have been able to go to that place every night as a little one!

The Miseducation of Lauryn Hill/MTV Unplugged No. 2.0Lauryn Hill and 19 - Adele

Both Lauryn and Adele were crucial for me. Watching women express themselves so vulnerably and to tell such moving stories with their lyrics, but also with they range in their vocals, was really important for me to do what I do.

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If you could support any musician alive today, and choose your own rider, what would that entail?

I would love to support Lianne La Havas, Alessia Cara; Alicia Keys or Lauryn Hill.

Here is a glimpse into my dream rider: peppermint tea, roasted dandelion tea; almonds, organic fruit platter; a clean floor to do yoga on, water; diffuser with peppermint and eucalyptus essential oils in it; a couple blankets and pillows for my team and myself to take a little nap if needed.

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Can we see you on tour soon? What dates are coming up?

Stay tuned for dates at www.desireedawsonmusic.com.

Might you come to the U.K.? Do you like British music?

I do like British music and I hope to be in the U.K. next summer!

What advice would you give to new artists coming through?

Be yourself! Do your thing! The world is in need of YOU, not another version of someone else.

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IN THIS PHOTO: Alysha Brilla

Are there any new artists you recommend we check out?

They are not necessarily new,  but I am going to send you a list of just a few of my fave Canadian artist in the scene who have recently put out some new stuff that is definitely worthy of checking out A.S.A.P.:

Alysha Brilla - Rooted (album)

Matt Storm - You Still Stay (single)

Sam Lynch - Light and Lines (E.P.)

Missy D + Kimmortal - XX (single)

Khari Wendell McClelland - Freedom Singer (album)

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 IN THIS PHOTO: Khari Wendell McClelland

Do you get much time to chill away from music? How do you unwind?

Lately, it’s been pretty hectic and I don’t have much time to chill. Luckily, I have expanded my team a bit and have more hands on deck so I am able to carve out little bits of the day for myself. I like to be with the trees somewhere. I like to be in my apartment with my plants and lay on the floor listening to other people's music. I like to spend time with my dear friends and be near the ocean or any big body of water!

Finally, and for being a good sport; you can choose a song and I’ll play it here (not any of your music - I will do that).

Beats ‘n’ Stops - Alysha Brilla

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INTERVIEW: Overdog

INTERVIEW:

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Overdog

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THE guys of Overdog have been…

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talking with me about their new cut, Question Mark, and what it was like working at Decimal Studios with Chris Coulter. The band talk about their formation and the sort of sounds they are influenced by; whether there is more material coming down the line – I ask whether we can catch them on tour this year.

Overdog recommends some upcoming artists to look out for and tell me how they chill away from music; whether, in their view, Alternative sounds are coming back to the fore; what their favourite career memories are – they provide some useful advice for artists coming through.  

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Hi, guys. How are you? How has your week been?

Sam: Good, thanks! We’re all pretty busy preparing for our first tour and a new round of recordings, as well as lots of non-musical stuff.

For those new to your music; can you introduce yourselves, please?

Olly: We play intricate, melodic Rock music, with an emphasis on vocal harmonies and layered guitar parts.

Rob: I usually describe our sound as something of a fusion of Jimmy Eat World and Fleetwood Mac…

Sam: Maybe with some Biffy Clyro thrown in.

Adam: But there are some Post-Rock influences too.

Steve: It’s complicated...

Question Mark is your latest single. Is there a tale behind the song?

Olly: A certain relationship made me reflect on the limits of storytelling, and literature in particular, as a metaphor for understanding my own life. The characters of a book can’t change how their story ends. People, to varying extents, often can. I wrote the song in response to those feelings. But, hopefully, people can find their own meaning and have their own response to the song.

What was it like working with Chris Coulter and recording at Decimal Studios?

Rob: Working with Chris was a pleasure. He’s a chill guy but really knows his trade. He took the nebulous, half-formed ideas we had for the single and quickly turned them into tangible, awesome little additions.

Sam: He had exacting attention to detail, especially with all things guitar. I think he pushed us to a higher level in that way.

Rob: Decimal Studios is great; set up on a private island in the middle of the Thames near Hampton. When you amble across the bridge onto the lot, you feel like you are stepping into your own little private world. The surroundings really let us get into a great creative headspace.

How did Overdog get together? Was that an instant spark between you?

Olly: Most of us met at university and played in various bands together but, when this band got going in 2011, I invited Rob to join us - I’d played with him in a band at school. So, there was a pretty good set of musical relationships there already, but something definitely ‘clicked’ when all five of us played together the first time.

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Your music has a great Indie/Rock sound. Do you think guitar music is evolving and coming back to the fore right now?

Sam: Personally, I think we have to talk about music evolution differently in the streaming age. I think that while there’s still a ‘mainstream’ of sorts, the easy accessibility of so much music opens up all these niches. I think people are listening within all these little genre bubbles and, you as a musician, you can do whatever you want and find your niche.

Adam: I think the distinctions between different styles such as ‘guitar music’ are becoming less important as time goes by as artists are incorporating ever more diverse sounds and instrumentation into their work. There is now so much cross-pollination between different genres the lines have become blurred.

Sam: I would say, though, that people still fundamentally want to see bands with stage chemistry and who take joy in performing – as well as having some original twists.

Is there more material coming from you guys? What are you working on?

Absolutely. We’re into a new phase of recording now and there will be more singles coming over the next few months, eventually leading to a full-length album. Watch this space.

Are you all inspired by the same sort of music? Are there particular artists that helped you find your own sound?

Olly: There are a few bands we all enjoy - Jimmy Eat World the most obvious example – but, really, we’re a very eclectic bunch. Rob listens to a lot of British and Irish Folk alongside bombastic Heavy Metal, whilst Adam has a background in Jazz, for example.

Rob: I think these broad and often contrasting tastes in music help us to write in unexpected or unconventional ways.

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What do you hope to achieve before the end of 2018?

Sam: it would be great to get a touring slot and/or summer festival slot for next year. We’ve played a couple of urban festivals and are doing a short tour this month - but the full-on tour and festival experiences would be great.

Have you each got a favourite memory from your time in music – the one that sticks in the mind?

Rob: Our gig at 93 Feet East on Brick Lane (in London) was memorable for me personally. Being a five-piece, we can often feel quite packed in on smaller stages but there we had room to really get in the zone and perform with a bit of swagger.

Olly: For me, it was the whole process of making The Breeze That Hits Your Ear, our E.P. from 2016. It was the culmination of a drawn-out but inspiring creative process and only possible thanks to the generosity of family and friends who supported our crowdfunding for the recording costs.

Adam: In a different vein, one of my favourite memories is when we all went slightly mad during an extended practice session in an underground car park in Zürich and invented a game called ‘Flangeponce’. I’ll say no more…

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If you could support any musician alive today, and choose your own rider, what would that entail?

Rob: If they ever got back together, I’d love to support My Chemical Romance. I feel like Rock today is sorely lacking in genuine frontmen and women but Gerard Way is one of them. He’s one of the best Rock entertainers from the last twenty years and wants to put on a real show, rather than just play a gig. Sharing a stage with him and the rest of M.C.R. would be a blast.

Steve: I've always thought Muse put on a great live show - each of them are brilliant musicians and I love the range of sounds and influences that Chris Wolstenholme plays with. So, I'd love to play a show with them.

The rider would consist of lots of pain au chocolat…

Adam: …and lots of pasta and pesto…

Olly: …and hummus.

What advice would you give to new artists coming through?

Sam: Not to underestimate how important it is to keep developing your craft, your performance skills; your core music abilities. There have been times when I lost sight of this and felt like ‘we’re ready; we just need to get noticed’, when, really, there was still work to be done in honing my skills as a performer.

Adam: I don’t feel wise enough yet to give any advice…but, I guess the important thing is, if you love what you do, then you’re already successful.

Where can we see you play? Do you have any gigs approaching?

Olly: We usually play in Central and East London but we are playing in Leeds on Tues, 31st July, Manchester on Wed, 1st August and Oxford on Fri, 3 August alongside some great acts from the States. Come!

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IN THIS PHOTO: Those Handsome Animals

Are there any new artists you recommend we check out?

Sam: Some of the best acts we’ve played alongside so far include Those Handsome Animals (major-key-punky, melodic Rock); Acrylic (spacey, Scottish Indie) and Andy Ruddy (singer-songwriter; unforgettable voice).

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 IN THIS PHOTO: Acrylic

Do you get much time to chill away from music? How do you unwind?

Rob: Well, I’m an avid video gamer. But, I’d say video games are equal parts relaxation and irritation! Especially where competitive multiplayer games like Overwatch are concerned...

Adam: Usually, I like to read a book or listen to podcasts. I just finished reading the wonderful Neverwhere by Neil Gaiman which I’d especially recommend to anyone living in London, and my favourite podcast at the moment is the surreal and hilarious Athletico Mince.

Sam: We all chill out in different ways but I think we’re all highly aware of the importance of time off. You’ll produce your best stuff when you have that balance.

Finally, and for being good sports; you can each choose a song and I’ll play it here (not any of your music - I will do that).

Rob: I’d love if you could play Sam Kelly & The Lost BoysChasing Shadows. Sam Kelly was a finalist on Britain’s Got Talent years ago and, since then, he’s gone on to become one of the most exciting young artists in British Folk!

Sam: Adam introduced me to the Dutch band The Mysterons and I’ve been obsessed with Turkish Delight for the past two or three months

Adam: Please could you play Compendium by Elder (from their album, Lore)

Olly: Phoebe Bridgers’ version of The Gold by Manchester Orchestra

Steve: I've been enjoying a lot of Frank Turner recently as a nice Rock/Folk mix. It'd be great if you could play Peggy Sang the Blues; mostly because I really like the bassline.

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INTERVIEW: Jeen

INTERVIEW:

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Jeen

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I have been finding out more…

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about Jeen and her new track, Any Moment. The Canadian artist talks to me about her upcoming album, Gift Shop, and whether particular themes have inspired the songs; whether she feels there has been a change and evolution in her work since the early days – Jeen chooses a few albums that are special to her.

I ask if there are any tour dates coming up and what advice she’d give to artists coming through; if she gets time to relax away from music; which artists have inspired her; whether she has any goals to accomplish before the end of the year – she ends the interview by selecting a classic cut.

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Hi, Jeen. How are you? How has your week been?

I’m good (smiles). Busy!

For those new to your music; can you introduce yourself, please?

I’m Jeen. Been putting out records on my own for a while now. I haven’t had to get a real job yet (smile).

Any Moment is your latest track. Can you talk about its origins and backstory?

It almost didn’t get on the record. I had written it for my publisher just to have and they had a big reaction to it; they asked if I could re-record it for the album. So, I played it for Ian Blurton (who was mixing the rest of album at the time) and he had the same reaction to the track. We decided to do it at Ian’s studio (he played some guitars and co-produced it with me) so it had a bigger sound than I can get in my attic.

Gift Shop is your upcoming album. Are there particular themes and personal stories that inspired the music?

For sure. I’m a bit of an anti-social introvert so that’s an ongoing theme. Haha. Trump had been recently elected at the time of demoing stuff so the state of the world was also on my mind. The general vibe is getting through life without losing it.

Do you think you have grown in confidence since your earliest work? Have you learnt anything about yourself whilst making Gift Shop?

Tons. I was never a producer but here I am making/producing my own records. This has been a huge learning curve and I feel I finally hit a bit of a stride with this album. It took a couple records but I think I know what I like now and, more importantly, how to achieve it. Keeping it simple so I don’t get in over my head. The addition of Ian Blurton mixing has also been a godsend. I can’t say enough about him and I hope to use him for everything moving forward.

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Are there particular musicians who struck your ear when you were growing up? Who do you count as idols?

Ah, geeze. The Who, Pink Floyd; The Beatles, Beastie Boys; Janes Addiction, Nirvana…I was a '90s kid, so pretty good time for music. I also worshipped Cindy Lauder as a little kid.

What do you hope to achieve by the end of 2018?

I hope I’m writing songs for my next record by the end of this year.

Will there be any tour dates? Where can we see you play?

Will have fall dates to announce soon but I only have one show booked July 24 in Toronto at the Monarch Tavern (9 P.M.).

Have you got a favourite memory from your time in music – the one that sticks in the mind?

I’ve been in bands since I was fifteen, so there are lots of memories. Last year, I did a writing camp in London (England). It was the first time I had been there, so that was cool.

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Which three albums mean the most to you would you say (and why)?

Hard question. There are so many more than three, but here a few that really hit me:

Nevermind by Nirvana

I remember it coming on the radio and we were like ‘W.T.F. is this!’.

DFA - You’re a Woman, I’m a Machine

Such a great, heavy album. I’ve listened to it, like, a thousand times.

Radiohead - The Bends

It’s a pretty epic album.

Rubber Soul by The Beatles

That’s four. Ha.

If you could support any musician alive today, and choose your own rider, what would that entail?

Opening for Radiohead would be pretty dreamy.

What advice would you give to new artists coming through?

Don’t follow trends. Don’t undervalue yourself; music shouldn’t be free.

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Are there any new artists you recommend we check out?

I don’t really listen to music anymore, to be honest. Sounds weird, but true. Hopefully, I’ll get out of this shi**y habit and then I’ll let you know (smiles).

Do you get much time to chill away from music? How do you unwind?

I have three dogs so they’re good for that - and CBD. Haha.

Finally, and for being a good sport; you can choose a song and I’ll play it here (not any of your music - I will do that).

Hmmm. Let’s say Wish You Were Here by Pink Floyd

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INTERVIEW: Burning Velvet

INTERVIEW:

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PHOTO CREDIT: Silas Risbjerg Terkelsen

Burning Velvet

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THE Danish artist Burning Velvet

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PHOTO CREDIT: Silas Risbjerg Terkelsen

has been talking with me about his new single, Fragile (released on 3rd August), and what it is all about. I ask what the music scene is like in Denmark right now and if he can reveal anything about his forthcoming album – Burning Velvet reveals which three albums are most important to him.

The songwriter discusses what he hopes to achieve before the end of the year; which artists he grew up listening to; whether there are going to be any gigs coming up; if we might see Burning Velvet play in the U.K. – he selects a great song to end the interview with.

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Hi, Burning Velvet. How are you? How has your week been?

I’m doing real fine. I am having a holiday from my day-job…so, I am having a good time with my family and playing a lot of guitar and writing new songs.

For those new to your music; can you introduce yourself, please?

Well. I have been performing under the moniker ‘Burning Velvet’ for about six or seven years now. Burning Velvet came into being just after I moved with my family from my hometown of Copenhagen to the small town of Svendborg. In 2016, I signed with the small Danish label Celebration Records. In 2016, I released a digital single and a vinyl 12” with two tracks recorded mono, straight-to-tape. In 2017, I released my debut full-length titled Night Light//Slow Grass as a double-vinyl L.P. (three-hundred copies) and also on streaming services worldwide. The album is written, produced and recorded in my home and is my own take on lo-fi Folk - with inspiration from traditional American music genres such as Bluegrass, Country-Folk and Blues.

Following the album release, I went on a large tour in Denmark, Germany and Switzerland; give solo shows alongside Long Tall Jefferson (Switzerland) and Poor Nameless Boy from Canada. After recording, mainly solo, I decided to make a new sound and I put together a band with my good friends and great musicians from Copenhagen. So, the current direction for Burning Velvet is less traditional and uses synths, female vocal and a whole bunch of other tricks.

Fragile is your latest single. Can you reveal the story and how the song started life?

Yes, that’s true. I wrote the first drafts on the song about two-and-a-half years ago. I was having a condition with my left shoulder, meaning it popped out of the socket every other minute. So, I had to get it stitched back together again and this meant many weeks of not being able to use both hands. So, I couldn´t work, play the guitar or anything much really. But, I have this old electronic ELKA organ with a cheesy rhythm section So, I could make the music on this using just my right hand. Back to the theme of the song…this little setback of mine made me think how fragile we really are and how quickly things can change.

In a broader sense, I just wanted to bring thought to changeability and that we should really appreciate whatever good we have around us. Things can easily fall apart – and, for the human race, I think that social cohesion is of very big importance as an agent of keeping a balanced world situation.

It is from your forthcoming album. Are there particular themes that inspired the record? What can we expect?

The record is titled LISTEN. That is meant in a wide sense of the word. Of course, I hope people will listen carefully to my music and, especially, I hope that my lyrics somehow will inspire thought for the listener. But, the title is meant to reflect that we all could benefit from listening as opposed to just hearing what is happening around us; that we should understand what really happens in the world before we judge or take action. I think a true understanding of the state of things is very often bypassed in these times - overflowing with information coming in large from the big social media platforms.

The songs Standing in the Sun (released in May) and Never Mind Me have been written with today’s children and young people in mind - and the need of keeping this planet a good place for generations to come. Also, a central theme in the songs is changeability and the responsibility of adults to keep peace and make the world a progressively better place for their children.

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PHOTO CREDITRISBJERG.IN Creative Playground FB

As a Danish artist; can you tell me what the music scene is like there right now? Are there a lot of great artists coming through?

I think the Danish music scene is quite interesting right now. When I was young, most Danish bands did not really catch me. But, I think the scene has developed quite a lot the last ten-fifteen years. There is a lot of original, high-quality music coming out. There is a big underground scene with Punk kind of things; there is a good Psych-Rock scene and we have good Electronic names.

Also, where I live - in the small town of Svendborg (only twenty-seven-thousand) - we have a good music scene keeping up with around seven/eight-hundred live music events a year. I was a little anxious of moving from Copenhagen to a small town but Svendborg has proven to be a great music city to me. There are so many great musicians and people are very open and try new constellations.

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PHOTO CREDIT: Silas Risbjerg Terkelsen

Which artists did you follow when you were growing up?

Well. At a very young age, I indulged in my father’s vinyl collection with The Who, Led Zeppelin; Jimi Hendrix, Neil Young; Lou Reed, Velvet Underground; Pink Floyd and all those '60s and '70s greats. I was a teenager in the '90s, so there was a huge development in the music scene when I was in high-school. But at the time I listened to Nirvana, Sonic Youth; Red Hot Chili Peppers and Primus.

Then came Trip-Hop and I was very much into Portishead, Massive Attack; Tricky and Morcheeba. I also was, and still am, a big fan of Morphine (from Boston in the U.S.). Calexico and Sixteen Horse Power; Mojave Three, Red House Painters; Dirty Three, Nick Cave; Giant Sand, Howe Gelb and those great American Recordings - Johnny Cash also influenced me quite a lot.

What do you hope to achieve by the end of 2018?

I am releasing my sophomore album and I hope to start recording my third album this fall. I already have songs for a couple of albums – they are taking in new directions. Also, I hope to get some good live shows.

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PHOTO CREDIT: Silas Risbjerg Terkelsen

Do you think you will visit Britain this year at all? Do you like music from the U.K.?

We don´t have any dates in Britain as for now. I like a lot of the music coming from U.K. The Stone Roses are a favourite of mine - and all the Trip-Hop bands have had a great impact on me.

Will there be any tour dates? Where can we see you play?

Burning Velvet will be a special guest at the only Calexico (a U.S. band) concert in Denmark this year. That will be August 20th and we are playing a new very intimate festival in Denmark called Høst Møn in August. We are currently working on a getting a showcase at Reeperbahn Festival (in Hamburg) in September - that might be the show closest to Britain this year. Hopefully, we will get a chance to play somewhere in Britain in the future.

Have you got a favourite memory from your time in music – the one that sticks in the mind?

I have a lot of good and bad memories – but, what comes to mind first is when I was in my twenties and had a Trip-Hop band called Tibitinas. Young and full of hope, we went to Bristol with our three-song demo...hoping for Tricky or 3D to be hanging around the next corner and see our talent (smiles). Of course, that didn´t happen. But, we shopped around with our demo to all the small labels in Bristol and then went on to London.

We ended up in Glasgow where we met the drummer from Teenage Fanclub who liked our music and had a small label with a friend - and he was eager to put out our music. So, we rushed home to Denmark and made a full album. But, for some reason, nothing came of releasing in the U.K. and we ended up releasing it ourselves.

This might sound a downer of a story but, to me, it is a great memory of travelling the U.K. with my best friend and being all worked-up with our new sounds just taking in the world.

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PHOTO CREDIT: Silas Risbjerg Terkelsen

Which three albums mean the most to you would you say (and why)?

The most important album to me would be Yes by Morphine

I heard them live in New Orleans and it was a very special evening seeing Mark Sandman - and me discovering the album at a very open stage in my life.

Sweetheart of the Rodeo or Easy Rider (soundtrack) by The Byrds

That introduced me to the Country genre, alongside Neil Young’s Harvest.

Also, the album Weld (live album) by Neil Young & Crazy Horse

It is just the greatest Rock record I know. Those guitar sounds are so great.

If you could support any musician alive today, and choose your own rider, what would that entail?

Neil Young would be a good bet. Including a chat with his guitar tech (smiles). But, supporting Calexico this August means a great deal to me. I have a been a fan since their first record, Spoke, so that is huge for me too.

As for the rider; a friend of mine told me it should always hold Prosecco (wine).

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PHOTO CREDIT: Silas Risbjerg Terkelsen

What advice would you give to new artists coming through?

Make art! Put some depth into the art you are making. Play live whenever you can; write great lyrics, write great music and play with feeling to the best of your abilities.

Do you get much time to chill away from music? How do you unwind?

I have a full-time day-job, too; a family and two beautiful kids. So, playing and writing music is my kind of unwinding.

Finally, and for being a good sport; you can choose a song and I’ll play it here (not any of your music - I will do that).

Sometimes, I play with my friend, Jeppe Højgaard. He is a very gifted musician playing Free-Jazz/Free-Folk. He makes some pretty artsy Folk. Give it a go if you have your ears open to something out of the ordinary

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Follow Burning Velvet

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INTERVIEW: Chantitown

INTERVIEW:

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Chantitown

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WITH her E.P., Cause and the Cure

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out in the world; I have been speaking with Chantitown about the stories that go into it; what it was like working with Jim Hustwit; whether she grew up around a lot of music as a child – Chantitown highlights some new artists that are worth some serious time.

I ask whether we might see any tour dates coming through; Chantitown reveals a few albums that impact her in a big way; what she does to relax outside of music; what advice she would give to artists coming through – she picks a couple of great songs to end the interview with.

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Hi, Chantitown. How are you? How has your week been?

I’m hot…there is a heatwave in London which is amazing on the one hand as people are smiling but, on the other hand, we are clearly not conditioned for such heat in the city - dreaming of the coast as we speak! I’ve been recording my second E.P. in the studio. It’s been a good week.

For those new to your music; can you introduce yourself, please?

OK. I am Chantitown. I have just released my debut E.P., Cause and the Cure, and, if you have not experienced my music, I can try to sum it up by saying it will take you on an epic journey. I kind of cross genres so it’s hard to describe my sound, but it’s a fusion of percussion, guitar, strings and electronic sounds. It’s taking Folk and Indie roots and displaying it with my own fresh, contemporary twist. That sounds like it made zero sense. Forgive me; it made sense to me!      

Cause and the Cure, your new E.P., is out. Are there distinct themes and points of reference that influenced the songwriting?

I like to tell stories through my songs based on real moments - usually my own moments - but I tell other people’s stories, too. Themes on this E.P., I would say, include reflection, acceptance and letting go.

Is it easy, when recording an E.P., to look from the outside and watch it all form – or are you completely immersed and only really take it in at the very end?

I am passionate about telling a story: I get fully immersed but it’s not aimless without direction. I know exactly where I am heading with a song. Sometimes, I am surprised where is leads me but most of the time I know where it’s heading.  I’m not a control freak, just clear on my vision.

What was it like working with Jim Hustwit on the E.P.?

It’s amazing working with Jim. He is ridiculously-talented. I am really fortunate he was able to work with me. Not only does he share my wicked sense of humour (I am surprised we get any recording done with all the laughing) but he actually understands me and all the weird sounds in my head that keep me up at night. I don’t think I would have produced this E.P. in quite the same way without him. I will be forever grateful we crossed paths.

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Did you grow up around a lot of music? Which artists inspired you when you were young?

Gosh, yes! I had such a passion for music. My mum was a walking-radio with no ‘off’ button: she never stopped singing so, yep, I grew up around a lot of noise! By the time I was in high-school, my dad upgraded us from terrestrial T.V. to satellite; I was hooked on MTV and VH1. I listened to absolutely everyone from Nirvana to Janis Joplin. The million hours on Unplugged, watching The Cranberries, Eric Clapton; Alanis Morissette and Pearl Jam. The list is endless.

In terms of songwriting; Carole King, Stevie Nicks; Tracy Chapman and Joni Mitchell all fuelled my hunger for writing songs that had meaning and depth. It helped me refine my own style. On the other end of the spectrum, I also listen to Jay-Z, Biggie Smalls and Tupac; so I’m mean at rapping…like, seriously good. Ha! I am constantly inspired, daily.

How important is your heritage and parents regarding the sort of sounds you like and how you approach music?

I was born and raised in London but my parents’ roots lead back to India and East Africa. I think my love for percussion and certain sounds come from the music they played whilst I was growing up - and you can hear subtle hints of this in certain songs. My dad also liked Bob Marley and The Beatles, so there was a lot of good music to appreciate.

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What do you hope to achieve by the end of 2018?

Sell-out Wembley!

Bad joke…I would be happy to sell out a caravan! To establish myself further and keep writing and producing songs that are authentic and take people on a journey. I will have my second E.P. out towards the end of this year which I am excited about So, lots to look forward to.

Will there be any tour dates? Where can we see you play?

There will be tour dates - and I can’t wait. I am still recording and have not established these yet. My social media and website will keep anyone who cares in the loop!

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Have you got a favourite memory from your time in music – the one that sticks in the mind?

Yes. This one…releasing my E.P. Seriously; I have been writing songs since I was thirteen and have many fond memories relating to music, but recording this album has been the most rewarding and humbling experience.

I have had to take a look at myself in the mirror (with no make-up!) on more occasions than I wish to and have confronted difficult times in the process. I have laughed, cried; tripped over and knocked my head (for real) and everything in-between. I am proud of myself for getting this far: anything more is a bonus.

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Which three albums mean the most to you would you say?

Are you kidding me; just three?! I could easily name thirty but I will do my best with three purely based on how I am feeling today. I am sure it would change tomorrow.

Tracy ChapmanTracy Chapman; Lauryn Hill - The Miseducation of Lauryn Hill and Joni Mitchell’s Blue. They all represent different times in my life and their work is just exquisite.

 

If you could support any musician alive today, and choose your own rider, what would that entail?

All three artists I mentioned above are alive!

What advice would you give to new artists coming through?

I tell myself to make sure you can look in the mirror and say to yourself “I did everything” whatever the situation, whatever the outcome. That’s all we can do; to give it our everything.

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IN THIS PHOTO: Laurel/PHOTO CREDIT: Andrea Mae Perez

Are there any new artists you recommend we check out?

Artists I have stated to follow include Laurel, Låpsley; AURORA, Novo Amor; Arctic Lake, Billie Eilish; Daughter, Charlie Cunningham…I could keep going.

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IN THIS PHOTO: Låpsley

Do you get much time to chill away from music? How do you unwind?

I am on the run all the time - in a non-criminal way! I like yoga and surfing when I can find the time. Being with my girlfriends; taking a long bath being immersed in Himalayan salts. Ha! I love the English countryside and take every opportunity I get to escape the smoke. There is nothing like the smell of fresh manure to make you feel alive!

Finally, and for being a good sport; you can choose a song and I’ll play it here (not any of your music - I will do that).

Aww. Well thank you so much for playing my songs! I can only choose one song…ok. I will say Låpsley - Falling Short and Minimum by Charlie Cunningham. Dammit, that’s two!

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Follow Chantitown

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INTERVIEW: Rumours

INTERVIEW:

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Rumours

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IT has been pretty cool speaking with Rumours

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about their sound and the new single, Tell Me What You’ve Done. I discover how the band got together and whether they are looking ahead in terms of more new material; whether there are tour dates coming up – also, which new artists we should get behind.

I ask them if they have any ambitions to achieve before the close of 2018; whether the members all share the same sort of musical tastes; if they get time to unwind away from music at all – they provide some great advice for artists coming through.

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Hi, guys. How are you? How has your week been?

HEY! We’re very good, thanks! This week’s been pretty exciting, actually! Just played an awesome Sofar Sounds last night and now we’re getting ready to shoot our new music video in Dorset this weekend.

For those new to your music; can you introduce yourselves, please?

Sure. We are three friends, musicians; artists and food lovers based in London. This ‘adventure’, Rumours, started about three years ago. Our sound is still evolving and it’s a bit hard to pigeonhole – but, often, people refer to it as 'Electronic-Soulful-Pop'.

Even though us three still are at the very core of the project, the family has recently grown and we are now six musicians on stage during our live shows. We had the pleasure to play in many good venues and events in the past couple of years - so, it has been a great journey so far!

The single, Tell Me What Youve Done, is new. Can you reveal what its story is? How did the song come together?

The song came about while we were all living together in North East London about a year ago. Mark had a piano by his bedroom window looking over the street and, since it was pretty hot at that time of the year, he would often look for ideas at night - that might help give the track a bit of a mysterious flair. Hahah. The meaning of the song is a mix of personal experiences and pure imagination, really.

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Did the fact the song received such praise when played live compel you to get it released as a single?

Absolutely. We almost thought of not releasing the track at all: we had it sitting there for quite a while and probably, as it often happens, our ears were getting a bit tired of it. But, as soon as we started playing it live, people were really feeling it and we had great feedback after our gigs. So, we thought that it would have been rather stupid not to release it. Haha

How did Rumours get started, as it were? When did you find one another?

Mark and Fede grew up together in a small city in Italy, then moved to London and met Marion at uni; did a couple of gigs together and decided to start a project that could embody our different personalities and musical influences.

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Are you looking ahead to more material - or do you take it a song at a time?

The further ahead you’re able to plan the better. We have a good amount of material waiting to be released at the moment. We keep on learning how to improve; being more organised and efficient as we go along. We definitely appreciate that having a clear idea of what’s gonna happen a few steps ahead is always better.

The band is composed of different nationalities and personalities. Do you all have, roughly, the same sort of musical tastes? Which artists did you all grow up with?

It’s quite fair to say that, just like our personalities, our musical tastes are quite different and various. Fede’s a massive fan of The Roots and he’s really into Electronic music and Hip-Hop; while Marion’s musical background leans a lot more toward Folk-y singer-songwriting and Ambient music.

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What do you hope to achieve before the end of 2018?

We want to release a lot of music and do it and consistently in order to reach a wider audience. We also want to be proud of anything we do, no matter the outcome.

We want to expand our team as much as possible: it’s our understanding that being independent could be the right way to go at it nowadays, but to do so successfully you need to be able to surround yourself with a lot of passionate and reliable allies.

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Have you each got a favourite memory from your time in music – the one that sticks in the mind?

We surely have more than one. Probably going abroad to play has been some of the most fun and thrilling experiences. Playing to a sold-out Parkteatret in Olso and getting on the bill at Dimensions Festival in Croatia will always be precious memories to us.

If you could support any musician alive today, and choose your own rider, what would that entail?

Loads of premium gin?! Hahah. Marion would probably ask for a lot of healthy and hardly accessible food, though (smiles).

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What advice would you give to new artists coming through?

Listen to other people’s advice, but also remember that music is a very subjective matter: when you really feel something is right, don’t be afraid to go for it.

Where can we see you play? Do you have any gigs approaching?

We are currently planning our next headlining gig here in London. We’re thinking around October, so keep an eye on our socials (smiles).

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IN THIS PHOTO: Octavian

Are there any new artists you recommend we check out?

We really like Octavian and he’s rising very quickly, so he’s surely one to keep an eye on. Also; DRAMA is a very interesting duo from the U.S.; then jadu heart, who also have both female and male lead vocals just like us!

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IN THIS PHOTO: jadu heart

As you are called ‘Rumours’; do you have a secret/rumour about another member of the band – or do you have a favourite rumour?

Hahah. Not sure we can reveal each other’s secret here - not if we’re to keep a peaceful relationship between each other. There’s a rumour going around that you would send a bucket of beer to the funniest interview...is that true?!

Do you get much time to chill away from music? How do you unwind?

It depends on the time of the year. There are months where music is all we breathe, eat and dream of at night but, to be honest, this summer is quite good, distraction-wise.

Fede is developing his passion for sailing; Marion’s becoming a fitness machine and Mark’s loving the fact that he’s got a garden for the first time.

Finally, and for being good sports; you can each choose a song and Ill play it here (not any of your music - I will do that).

Nice. Thank you! So; we’ll go for Constant Surprises by Little Dragon

Little by Octavian

The Big Unknown by Elder Island

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Follow Rumours

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INTERVIEW: Delta Will

INTERVIEW:

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Delta Will

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I have been speaking with Charles of Delta Will

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about the band’s latest single, Nothing Is Enough. He talks about the upcoming E.P., Multitudes 1, and mixing a lot of different sounds together; how the band got together and started life; what Toronto is like as a base – I ask if there are any upcoming artists we need to look out for.

Charles talks about touring and reveals whether a U.K. trip is a possibility; how he spends his free time away from music; whether the band all share musical tastes – he ends the interview by selecting a rather good song.

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Hi, guys. How are you? How has your week been?

Charles: Hot! It’s been seriously hot here in Toronto, though it seems to be letting up a little today.

For those new to your music; can you introduce yourselves, please?

Delta Will is a band that would cook breakfast for you and bring you flowers out of the blue. We call our music ‘Existential Pop’.

Nothing Is Enough is your new single. Can you tell me how the song came together and what inspired it?

I wrote Nothing Is Enough as part of a friends’ songwriting challenge in which a bunch of us had to post a new song to a group thread every week. Most of those songs never made it beyond that thread, but this one felt good immediately and I eventually took the demo to the band and we started working on the version of it you can hear today.

I wrote it in a fairly stream-of-consciousness manner so it’s pretty hard to say exactly what inspired it, though it does grapple with the notion of perpetual happiness and living in a world where little screens are constantly feeding our wants and desires.

It is from the Multitudes 1 E.P. It seems like you embraced a lot of sounds and new directions on the E.P. Would you say that is true?

Embracing many different sounds isn’t really new to us. It’s sort of been the Delta Will M.O. from the start. I did find myself listening to a lot of Neo-Soul and modern R&B while I was writing these songs but also a bunch of minimalism and film music. It’s hard for me to parse out exactly what influenced what but, in short; yes, we’re always embracing new music.

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How did Delta Will get together? When did you meet one another?

I started Delta Will as a solo bedroom project in 2011. Once I started recording the second E.P., It All Glows, it occurred to me how much I missed the energy and comradery of making music with bandmates and asked some musically-inclined friends to join me. I had met Milan through a video series he directed of bands playing on Toronto streetcars and I met Brandon from playing in mutual friends’ bands. Our drummer, Kevin, is the latest addition and we enlisted him after everyone kept telling us how great he is.

They were right.

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Do you all have similar musical tastes? What sort of stuff are you all into?

Everyone’s taste is pretty eclectic. If I were to overgeneralize, I’d say I’m the lone Folk music freak and everyone else is more into Dance music. Everyone can agree that Khruangbin is pretty great (see below).

Toronto is where you are all based. How important is the city? Is it an inspiring place to make music in?

Toronto is absolutely littered with talented musicians. It’s certainly inspiring in the sense that great music is happening all around you at all times. It’s also a booming city where rent is becoming astronomically expensive and artists are slowly but surely being pushed out. Pros and cons.

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Do you think there will be touring dates? Can we catch you on tour?

Absolutely. We’ll be touring in Canada this fall and those dates will be announced very soon.

Might you come to the U.K. and perform at some point?

Yes! We’re hoping to cross the pond next year.

If you could support any musician alive today, and choose your own rider, what would that entail?

I’m going to preface this by saying that ‘any musician alive today’ makes it very difficult. I’m terrible at picking favourites. That being said, I’m going to go with Wilco because I’ve met them and they’re really nice guys - and I’ve loved their music for so long.

Our rider would consist of freshly-baked chocolate chip cookies. Just cookies.

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IN THIS PHOTO: Kira May/PHOTO CREDIT: Adnan Khan

Are there any new artists you recommend we check out?

Kira May, Saxsyndrum; Drago Dit Dragon and Sara-Danielle. Two of those might be our label-mates.

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IN THIS PHOTO: Saxsyndrum/PHOTO CREDIT: Tess Roby

Do you get much time to chill away from music? How do you unwind?

I never underestimate the importance of chilling. Lately, I’ve been reading Infinite Jest under a tree in the park and going for bike rides.

Finally, and for being a good sport; you can choose a song and I’ll play it here (not any of your music - I will do that).

Friday Morning by Khruangbin, please!

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Follow Delta Will

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