INTERVIEW: Mikaela Davis

INTERVIEW:

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PHOTO CREDIT: Jacalyn Meyvis

Mikaela Davis

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THE brilliant Mikaela Davis has been discussing…

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her album, Delivery, and what sort of themes inspired it. I ask about working with John Congleton and how she got into music; how she feels about coming to the U.K. to perform; what sort of music she is inspired by – Davis recommends some artists worth a follow.

I was eager to learn which musical memory stands in her mind; the three albums that mean the most to her; the advice she would give artists emerging – she tells me what the music scene is like in Rochester (New York) right now.

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Hi, Mikaela. How are you? How has your week been?

Hi! Doing well. My week has been just fine. How about you?!

For those new to your music; can you introduce yourself, please?

I am Mikaela Davis - current musician and former baby.

Delivery is your new album. Can you talk about the sort of themes and stories that inspired the record?

Most of the record is very personal…songs about writing songs and being frustrated with myself. I don’t want to give away too much of course because I love hearing how other people connect these songs with their own life, which is what they are for!

You worked with producer John Congleton. What was that experience?! Did you learn a lot from him?

It was a great experience for my band and me. John works quickly (so quickly it scared me at times!) and is super-efficient. I was at this weird crossroad where I doubted myself too much and was worried no one would like my music. John taught me to go with what feels right to ME and not give a f*k (as best I can. Hehe).

How did you get into music? Were there particular artists who inspired you to get into the industry?

Well. I climbed out of the womb, screaming and got tangled in harp strings almost immediately. I’ve been a music lover all my life, but my uncle Franky inspired me to become a musician most of all. He brings his guitar to every family function and plays original songs and covers. I used to think he wrote Working Class Hero until sometime in high-school. Ha!

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 PHOTO CREDIT: Jacalyn Meyvi

The harp is your instrument of choice. What drew you to it?

I started taking harp lessons at my public elementary school and, soon after, was studying with Grace Wong. Later in life, I found out that my mom was listening to a lot of Andreas Vollenweider when she was pregnant with me, so maybe that’s why I was drawn to the harp (and Zelda).

You are a native of Rochester, New York. Is there a pretty good music scene there at the moment?

Yes! There’s a cool Rock ‘n’ Roll/Punk scene going on. Joywave is Rochester-based as well. Everyone is pretty supportive of each other here. I am in multiple Rochester bands - Ben Morey & the Eyes, August West and The Vinaigrettes.

Is there more material coming later in the year? What are you working on?

It’s anyone’s guess. I have a bunch of new songs that will most likely be saved for L.P. number-two.

Who are the artists that inspire you and led you to get into songwriting?

I started writing songs when trying to figure out a Vanessa Carlton tunes on piano in middle school. Recently, I’ve been listening to Neil Young, every Beatle; Aretha Franklin, Melody’s Echo Chamber; Harry Nilsson, Lake Street Dive; Emmylou Harris…

What do you hope to achieve by the end of 2018?

How the heck to make a daily schedule and stick to it.

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PHOTO CREDIT: Julia Drummond

Have you got a favourite memory from your time in music – the one that sticks in the mind?

While I was on tour with Bon Iver in Europe, Justin asked me to sit in on harp AND sing the second verse of Flume. That was pretty crazy.

Which three albums mean the most to you would you say (and why)?

Journey in Satchidananda - Alice Coltrane

This album with Pharaoh Sanders is amazing. I didn’t know the harp could have so much emotion and life. Alice inspired me to try improvising.

John Lennon/Plastic Ono Band - John Lennon, Yoko Ono

I listened to this on-repeat before recording Delivery. It’s so raw and so real.

This Girl’s In Love with You - Aretha Franklin

Aretha’s voice is so transcendent and powerful. I wish my voice could do what hers does. The songs she chose for this record especially resonate with me.

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PHOTO CREDIT: Jacalyn Meyvis

If you could support any musician alive today, and choose your own rider, what would that entail?

Easy. Neil Young!

My rider would include an eighth of the region’s finest weed to enjoy his set every night; a block of your finest sharp cheese; cutting board and knife. No crackers.

Can we see you on tour soon? What dates are coming up?

Yes! Touring Europe and North America this fall. Check mikaeladavis.com for details.

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You are coming to the U.K. in October. Is this your first time here? Do you like British music?

I heard a pretty good band the other day; I think they’re called The Beatles. Saw Black Sabbath a few years back. Can’t hear a word Ozzy is saying but I’m sure it’s gold.

I’ve toured in the U.K. multiple times! First, with The Staves who are also an amazing British band! Again, with Bon Iver I’ve played Bushstock Festival, The Great Escape…excited to come back!

What advice would you give to new artists coming through?

Some days, I wake up asking myself why I chose this path. I’m sure it happens to all the greats, though I can’t be sure. When you’re frustrated, remember why you started performing in the first place. Wake up and try harder.

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 IN THIS PHOTO: Wilder Maker/PHOTO CREDIT: Chris Weiss

Are there any new artists you recommend we check out?

Wilder Maker, Katie von Schleicher; Gruff Rhys, Adron; Melody’s Echo Chamber, Hiss Golden Messenger; Gia Margaret…SO much good music coming out right now! (Smiles).

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IN THIS PHOTO: Adron/PHOTO CREDITBrock Scott

Do you get much time to chill away from music? How do you unwind?

When I can I like to hang with my friends, my family and my cats.

Finally, and for being a good sport; you can choose a song and I’ll play it here (not any of your music - I will do that).

Closer to God - Wilder Maker

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INTERVIEW: Dutchkid

INTERVIEW:

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Dutchkid

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I have had a great time speaking with Dutchkid

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as the guys tell me about their upcoming E.P., Empires. I ask them what sort of themes and ideas enforced the music; how the band came together; whether their vast and eclectic creative experience aids their music; which artists they are influenced by – they reveal whether there will be any tour dates.

I ask which upcoming acts we should get behind; what it feels like getting backing from Apple Music and Fickle Friends; the advice they would give to musicians coming through; whether they get time to unwind away from music – the guys select a song each to end the interview with.

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Hi, guys. How are you? How has your week been?

DK: Hey! It’s been a great week, thanks. This weather is something else though! 

How are you taking to the heat at the moment? Is it encouraging songwriting and creativity?!

Not sure about that. Haha...do you think we’ll ever see the rain again?! Definitely feel we’ve been more inspired and productive in the winter. 

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For those new to your music; can you introduce yourselves, please?

We are ‘Dutchkid’; an Alternative-Pop collective based in London:  

Jordi van Dyk | Vocals & Bass

Pete Coggan | Vocals & Keys

Chris Smyth | Samples & Synth

Jack Kircher | Drums

Josh Hailes | Technical Director

Jordan McGregor | Manager

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How did Dutchkid come together? Was there a moment when you knew everything had clicked and the band was cemented?

Dutchkid is what happens when mutual friends decide to bridge the gap. Haha! 

Pete and I were actually introduced to each other by Chris. On introduction, I realised the two of us had a mutual friend back in South Africa: we enjoyed the same music and we both shared a love for songwriting. I guess you can say it wasn’t going to take long for us to hang out and write. With the writing came the realisation that we had to do something with these songs.

From the start, it was clear to us that Chris would be a part of the collective. He was super-passionate about the songs, just killer with samples and synth and, being from a design background, brought a strong brand identity to the collective. The forward-thinker. 

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We always imagined having a drummer join the line-up and Jack was the man! When Pete isn’t doing music he works in film and these two guys connected in the industry over this shared passion. It felt like the right fit. Incredible guy, tight drummer; heads up his own studio and is a fantastic mix engineer. Shortly thereafter, I asked Josh if he’d be interested in joining. We knew that, in order for us to do this project well and bring the live aspect to life, we’d need him in our corner. The Josh-of-all-trades. Our very own Phil Harvey. 

Lastly, Jordan McGregor. The man with a strategy and the multiplication skills to make sure we’re headed in the right direction. He’s always keeping us on our toes. We pride ourselves in that we are a collective of creatives; all contributing to what eventually becomes a DK offering. Most days it feels like we are The Avengers. Haha! 

 

Empires, your E.P., is out next month. What are the lyrically and musical inspirations behind the songs?

Lyrically, we are often inspired by the dynamic within relationships and write from the perspective of different characters. I guess, if you find humans intriguing, you’ll always have something to write about. 

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A really good melody or progression also inspires us! There are so many incredible bands that have had an impact on us and that have left a mark on our sound. We have created a playlist on Spotify with a few of our favourite artists. If you’re interested, check that out!  

Seeing as the band source members from different nations and creative fields; does this eclectic and multimedia makeup account for your varied and strong sound?!

Definitely. Diversity has had a major impact on our music. It’s a beautiful thing! 

You have been backed by Fickle Friends and Apple. Is it quite humbling and encouraging to get such big backing?

Yeah! Apple Music have been so good to us...thank you! 

The Fickle Friends tweet was completely unexpected and a big surprise for us. We’ve been fans of Fickle Friends for a while now. We love what they’re doing and the great music they consistently keep putting out. It’s pretty funny how such a simple gesture has really encouraged us. They are awesome. 

 

Which artists do you count as idols? Do you listen to the same sort of music?

Yeah. I’d say we are into the same music and there’s always new sounds being shared. There are so many artists we love…to name a few: 

Sylvan Esso, Billie Eilish; Fickle Friends, Sigrid; Portugal, the Man, Bleachers; Jungle, Kanye; Foster the People, Glass Animals; Fyfe, Kimbra; Bombay Bicycle Club, LANY; Twenty One Pilots, Sigur Rós; Civil Twilight, Justin Vernon; Chris Martin, Dan Reynolds; Ryan Tedder, Donald Glover; Maggie Rogers, The 1975; The Japanese House, Miike Snow...the list goes on! 

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What do you hope to achieve before the end of 2018?

We are so excited for people to hear these songs and for these tracks to finally be out there. We can’t wait to play shows and meet the people that have connected with the music.

Do you think there will be touring dates? Can we catch you play?

Definitely! We have loads of exciting things happening in the pipeline. Be sure to keep the eyes on the socials for all info coming soon. 

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Is it important for all of you to get on stage and connect with the people? Can you describe the feeling of being on stage and playing?

There’s something so beautiful and yet powerful about a venue filled with complete strangers from different backgrounds and, in that one moment, they all have something in common. It really is the best feeling and yet so strange because you blink and, in an instant, it’s all over until next time. There’s nothing quite like it. 

Have you each got a favourite memory from your time in music – the one that sticks in the mind?

Hearing your music on the radio for the first time is pretty special. 

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If you could support any musician alive today, and choose your own rider, what would that entail?

Is there really enough time for this question?! So. Many. Possibilities. Haha!

What advice would you give to new artists coming through?

Be kind...failure is never the final destination; it’s just a pit stop. Keep going. 

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IN THIS PHOTO: OUTLYA

Are there any new artists you recommend we check out?

There’s this London based band called OUTLYA. They are incredible. Every chorus is an anthem. Also; Only the Poets and WOWH are killing it.

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IN THIS PHOTO: Only the Poets

Do you get much time to chill away from music? How do you unwind?

We enjoy each other’s company and a good pint. Our families and friends are good at keeping us busy and grounded too. 

Finally, and for being good sports; you can each choose a song and I’ll play it here (not any of your music - I will do that).

Jordi: Live in the Moment - Portugal. The Man

 

Pete: Vallis Alps - Serity

 

Chris: Gold Rush (Trooko Remix) - Death Cab for Cutie, Trooko

Jack: Years & Years - Sanctify

Josh: BROCKHAMPTON - 1998 TRUMAN

 

Jordan: The 1975 - Somebody Else 

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INTERVIEW: Shenna

INTERVIEW:

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PHOTO CREDIT: Curtis Bryant 

Shenna

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IT is always interesting speaking with Shenna

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and finding out what she is up to. The American songwriter has been telling me about her new song, Conversation, and how it all got started. I ask her whether we will get more cuts next year; which artists inspire her the most – she tells me whether she takes strength from the best of the female mainstream right now.

Shenna talks about a favourite musical memory; which three albums mean the most to her; if there are tour dates coming up; what the chances are of a U.K. trip – she ends the interview by choosing a fantastic song.

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Hi, Shenna. How are you? How has your week been?

I am great! Getting ready for a big show this weekend. Thanks for interviewing me!

For those new to your music; can you introduce yourself, please?

Yes! My name is Shenna and I am an Indie-Pop artist from Virginia, currently based in the busy city of New York. I create music that expresses embracing individuality and self-expression.

Conversation is your latest single. What is the story behind the song?

My new single, Conversation, is about putting all distractions aside and making sure both people are on the same page to continue a healthy relationship. A lot of times we hide behind social media and words getting mixed up by others passing along the gossip. This song is about a face-to-face conversation with those two people addressing their feelings.

How do you think your music has evolved since the start? Do you think you are a more confident and bold artist now?

My music has evolved by becoming confident with more depth in my lyrical expression over time. I am definitely more vocal and bolder now with my statements!

Is there going to be more material coming later in the year do you reckon?

Yes, of course, and I am so excited for you to hear and see it! My music video for Conversation is currently in-the-works!

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PHOTO CREDIT: Malcolm Fong

There are some strong women in the Pop mainstream. Would you say you take a lot of power from them?!

I definitely study who is dominating the top-40 on the Billboard charts. I study their growth but, most importantly, I watch new artists like Dua Lipa and the steps they took to get to the next level

Who are the artists that inspire you and led you to get into songwriting?

I love Corinne Bailey Rae. Her lyrics and vibe captivate me and make me feel like I am in a different setting. I also love Bruno Mars and Rihanna because they stay true to who they are and make their following feel as if we truly know them.

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PHOTO CREDIT: Curtis Bryant

What do you hope to achieve by the end of 2018?

I want to grow my fan base dramatically! I would love to go on tour with a major artist or, at least, secure a slot for 2019!

Have you got a favourite memory from your time in music – the one that sticks in the mind?

I think one of my favourite memories was my band taking a thirteen-hour bus ride to Toronto from N.Y.C. to perform at the Virgin Mobile Mod Club. The venue has had many national acts perform there and the responses we received made us feel like we already made it. It was definitely a moment.

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Which three albums mean the most to you would you say (and why)?

These are all so different, but I will start with Corinne Bailey Rae’s self-titled project because that is when I realized she was my favourite artist due to her expression in telling the story of her lyrics.

I love Mariah Carey’s The Emancipation of Mimi because every song on the project was a hit in my opinion - and so well written.

Last, but not least, I have to say my album, Made of Gold, because each song told a different story of how I felt during that time - and showed my growth from Dream in Color until now.

If you could support any musician alive today, and choose your own rider, what would that entail?

Wow; that is a tough one. Well. I would have to pick Beyoncé because her fans are so loyal and she is amazing! Not to mention I could have anything in my rider!

Even if I got to choose things I am not that high maintenance so I think just sparkling water, fruit; hot jasmine tea, a humidifier and possibly a massage chair (laughs). It is crazy because I do not get stage fright at all but I do over-think before I hit the stage, so I like to try my best to relax before a show.

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PHOTO CREDIT: Curtis Bryant

Can we see you on tour soon? What dates are coming up?

Yes! I know you’re in the U.K. too so I plan on coming back out soon in the fall or early-winter!

What advice would you give to new artists coming through?

Work as hard as you can and make sure you always set a value to yourself. If this is your career, protect your brand like your life depends on it because it kind of does!

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IN THIS PHOTO: Alex Vargas

Are there any new artists you recommend we check out?

Yes! He is not super-new but some people may have never heard his music: Alex Vargas is amazing!

Do you get much time to chill away from music? How do you unwind?

No. I go crazy if I do not do music, honestly, or something in the music business realm. The only way I unwind, sometimes, is by reverting into adult-child mode (I like to call it) and watching cartoons like Rick and Morty and Family Guy for a mental break-day (or few hours).

Finally, and for being a good sport; you can choose a song and I’ll play it here (not any of your music - I will do that).

Still Woozy - Goodie Bag

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INTERVIEW: Muddy Wolfe

INTERVIEW:

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Muddy Wolfe

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I have been speaking with…

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Steve from Muddy Wolfe who talks with me about the band’s latest single, Hide Away. I was keen to know whether more material is coming from them; how the group found one another; what the music scene is like in Canberra – Steve tells me the artists he grew up around and is inspired by.

He reveals what he wants to achieve before the end of this year; which musical memory stands in the mind; which uprising artists we should get behind – Steve ends the interview by selecting an excellent song.

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Hi, Steve. How are you? How has your week been?

Hi, Sam! It’s been great! We just released our third single and have been busy trying to promote that. We’ve also been busy rehearsing with the new line-up and things are coming together nicely.

For those new to your music; can you introduce yourselves, please?

Well, we’re a relatively new band; I actually started Muddy Wolfe at the end of 2016 when I was living in Taiwan. One of our vocalists, Caitlin, was in Taiwan at the same time and we did some Jazz gigs together. She ended up joining Muddy Wolfe near the end of my time there.

We’ve both since moved back to Canberra and we’ve started up Muddy Wolfe 2.0! We started out as a Blues band, and we do still do play some Blues, but we’ve been moving in a more Indie Folk direction with tinges of Country and Gospel in the mix.

Hide Away is your new single. Can you reveal the story? What is its background?

I started writing Hide Away when I was still in Taiwan. It’s about being away from home too long and missing my family. It took a long time to finish (like all of our songs) and evolved a little more when we rehearsed it and played it live. It’s our third release and it’s the first song to have a bit of collaboration with the other members.

Do you think there’ll be more material this year? Are you working on an E.P. or other singles?

We’re always working on something new. I’d like to record a few more tunes and release an E.P. that has two of the singles we’ve already released.

Being based out of Canberra; is there a pretty varied and interesting music scene?

Canberra’s scene is pretty good. It’s a small city, so there are only a handful of venues for original bands - which there are a lot of - so it’s hard to get lots of gigs. Metal and Rock is pretty popular as well as Country and Folk music. But, the music scene in general in Australia is great. There are some amazing up-and-coming bands and there are a ridiculous amount of music festivals along the East Coast these days - so we look forward to playing at some eventually.

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Can you recall the artists you grew up listening to? Which musicians sparked your ears?

Michael Jackson was, and will always be, a big inspiration for me. The Grunge era was also pretty significant for me as it was what made me want to play guitar. My favourites were Stone Temple Pilots and Pearl Jam. By the end of high-school, I was into some slightly heavier stuff like Metallica, Tool and Deftones. After high-school, I studied Jazz and got into the Blues and Hendrix.

My main influences these days are Doyle Bramhall II and Tedeschi Trucks Band. The rest of the band are different ages and from different backgrounds so we all bring something different to the table - and I hope we will collaborate more in songwriting in the future

What do you hope to achieve before the end of 2018?

We’d like to release the E.P., play some festivals and good support gigs for big-name touring bands.

Do you think there will be touring dates? Can we catch you play?

Once we get some momentum going, we may do a little tour here and there but, for now, we’ll focus on gigs in Canberra and, perhaps, Sydney.

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Will you come to the U.K. and play this year or next?

Haha. Who knows! If we’re super-successful, maybe. The U.K. is very far away!

Have you got a favourite memory from your time in music – the one that sticks in the mind?

For me, one highlight was playing with one of our vocalists, Caitlin, on her first jazz gig in Taipei, Taiwan. She killed it and has since become a big name in the Jazz scene in Taipei. Very lucky to have her back in Australia to join us again.

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If you could support any musician alive today, and choose your own rider, what would that entail?

Would love to support Tedeschi Trucks Band. They’re such humble and amazing people and I’d love a good selection of IPA beer and single malt whisky.

What advice would you give to new artists coming through?

Do music that excites you the most and embrace your uniqueness. Don’t try to be someone else.

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IN THIS PHOTO: Rees Lucia/PHOTO CREDITMartin Imrie

Are there any new artists you recommend we check out?

Rees Lucia from Sydney is pretty amazing and so is Georgia State Line from Melbourne.

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IN THIS PHOTO: Georgia State Line/PHOTO CREDIT: Bailey McNicol

Do you get much time to chill away from music? How do you unwind?

Camping when we get the time. Playing music is actually how I unwind.

Finally, and for being a good sport; you can choose a song and I’ll play it here (not any of your music - I will do that).

Midnight in Harlem by Tedeschi Trucks Band is a favourite of ours. We cover this song at most gigs

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INTERVIEW: Olga Polikowska

INTERVIEW:

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Olga Polikowska

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THE stunning Olga Polikowska

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has been chatting with me about her new track, Ulatuje. I ask the Polish artist about the song’s videos and whether she had a big hand to play in its visuals/direction. She talks with me about her musical tastes and what she plans going forward – Polikowska recommends some upcoming musical talent to look out for.

I ask her whether we will see more material coming; which albums mean the most to her; what she hopes to achieve before the end of the year; whether she relaxes away from music – the songwriter ends the interview by selecting a cool track.

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Hi, Olga. How are you? How has your week been?

Hi! I’m more than good. The previous week passed so quickly and many good things have happened that I couldn’t imagine before. It is still happening and the whole excitement from the premiere is emerging. My mailbox, Facebook messenger and IG inbox are full of messages. I am spending most of my time responding to friends and fans who've heard my debut single and watched the music video.

For those new to your music; can you introduce yourself, please?

For those who don’t know me and my music, I can say that the best way to get to know me closer is to listen to my single. I can assure you that future songs will be more surprising, fun and moving.

Ulatuje is your debut song. What is the meaning behind the song? Is there a story behind it?

The song was brought to life in about two years. The song evolved with people that were surrounding me and many many situations that had happened during the process. In the meantime, I met a producer, Łukasz Maron, who finally understood my vision of the song. He’s crazy about old-school synths - that’s why you can hear a bit of retro sound in those modern tunes. The whole magic in the song was added by co-producer, Szatt (known from Kroki,) who put together everyone’s vision. For me, the most important thing was to keep the balance between sounds.

The title, ‘Ulatuje’, was not chosen by accident. The next single will be strongly connected with Ulatuje, but you have to wait for that so keep an eye on my socials (smiles).

The video’s visuals captured me! It mixes Goldfrapp and Daft Punk. Was it fun shooting the video?! Did you have a lot of say regarding the concept?

I’m glad that you like it! Thank you for the comparison. I love Daft Punk’s Random Access Memories so it's an honour for me.

What can I say? It’s my first video so I was really stressed about it. To be honest, I’m not really interested in music videos; I don’t need to watch them to feel the music. Firstly, I had to do my homework so I watched YouTube for many hours. On the video set, I felt that this is a once-in-a-lifetime opportunity so I have to do my best. I wanted it to be perfect, so as you can imagine it was stressful and really hard work.

Regarding the concept; every decision was common. I spent many hours with my manager, Ania, disputing regarding inspirations - more importantly, my opinions with regards to the best choreographers and dancers, Adam and Anita. Thanks to them, the video is stunning.

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How important is producer Szatt regarding your current direction and sound?

The presence of Szatt is invaluable. He was sent the tracks and he just spiced it up. I already knew his style and sounds he produces, so I knew that my ‘work’ was in good hands. Mainly, though, he added freshness and took out details which I didn’t find interesting. He took a third look at our compositions.

Is there going to be an E.P. following next year? Might we hear more material?

We’re planning to release my E.P. early next year. I hope that, next year, you’ll be able to buy my C.D. Time will tell (smiles).

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I get a sense you are inspired by Pop of the 1980s and artists like Moon Boots. What sort of music influences your own sound?

I truly can’t specify what sort of music influences me. When I was younger, I loved to listen to Polish Hip-Hop f.ex., Fisz or Łona. My favorite artists are Andreya Triana, BANKS; Gregory Porter or Kwabs. But, I like to chill listening to Paul Kalkbrenner or Quantic. As you can tell, I am inspired by a variety of sounds.

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What do you hope to achieve by the end of 2018?

I’m truly happy with what I achieved in 2017 that I don’t want to be overly-demanding towards fate and karma. A year ago, I’d set a goal to myself to make this year a breakthrough and it happened! I wanted to be sure that I’m in the right place at this stage. I hope that next year I’ll be standing at big and small stages playing gigs. Although, I’m kind of an artist who loves connecting with a small audience in intimate surroundings.

Have you got a favourite memory from your time in music – the one that sticks in the mind?

The first one that I can think of is when I was six and I won a toy truck in a singing competition (winks). But, the biggest break of my life was when my boyfriend bought me a real microphone on my twenty-fourth birthday. He made me believe that I have a voice and he supports me. I’ve got a lot of memories but I’m looking forward to making some new ones.

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Which three albums mean the most to you would you say (and why)?

Only three?! It’s impossible for me (smiles).

My first absolute favorite would be Bonobo. The albums Black Sands, Animal Magic; The North Borders, or Migration can’t be passed by indifferently. They’re my absolute love. I’m crazy about the combination of Electronic music with real instruments, unpredictability of sounds or looping, pulsing pitches. It’s so, so damn good.  

Secondly, my heart belongs to Jose James. I adore his chill and deep voice. Jazz and Hip-Hop grooves are the perfect combination. The last album is Mirrorwriting by Jamie Woon. A mix of Soul singing, modern R&B and a bit of melancholy gives a nice piece of music art.

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If you could support any musician alive today, and choose your own rider, what would that entail?

For now, my dream is to meet Sohn. Recently, I was at his concert and it was awesome. Every single part of it was perfect. It’s the best way to learn from the best ones! So, I set the bar really high.

Can we see you on tour soon? What dates are coming up?

I hope so! For the musicians, the most important thing is to showcase their talent live. So, we’re looking forward to the moment to be on a real stage. Stay tuned (smiles).

What advice would you give to new artists coming through?

I don’t think that I’m the right person to give any advice. But, the most important thing is to listen to yourself and keep your eyes open.  

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IN THIS PHOTO: So Flow/PHOTO CREDITLen La Lune Photography

Are there any new artists you recommend we check out?

Of course! If we’re talking about Polish debuts, check So Flow! They’re amazing and I’m a true fan of them. Do I have to introduce Kasia Lins or Rosalie.?

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IN THIS PHOTO: Kasia Lins/PHOTO CREDITSonia Szóstak

Do you get much time to chill away from music? How do you unwind?

I don’t have to unwind because music relaxes me! At this moment, there is a lot going on around me but I’m planning some quick time off to boost up my batteries and to be close to nature.  

 Finally, and for being a good sport; you can choose a song and I’ll play it here (not any of your music – Sure!

Rhye - Count to Five

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Follow Olga Polikowska

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INTERVIEW: Kate Kelly

INTERVIEW:

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Kate Kelly

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I have been speaking with…

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the incredible Kate Kelly as she discusses her new single, Honey, and what its story is. I ask her what it is like being in Nashville and whether she gains inspiration from the city; what we can expect going forward in terms of new material – she recommends a rising artist worth keeping an eye out for.

I ask Kelly what she hopes to achieve by the end of the year; what sort of music she grew up around; whether there will be any tour dates coming up; if she will come to the U.K. at some point – she provides some useful advice for artists emerging.

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Hi, Kate. How are you? How has your week been?

Hi, Sam! I’m doing great; thanks so much for having me. It’s been a super-busy week with the release of Honey, but so exciting to put new music out into the universe.

For those new to your music; can you introduce yourself, please?

Kate Kelly here - singer-songwriter in Nashville, TN, but originally from Mobile, AL. I’ve loved honest songwriting for as long as I can remember - music that tells a story but also has a sweet groove. So, I try to accomplish exactly that in my own sound; merging Jazz, Blues and Folk styles with heartfelt lyrics.

Honey is your new single. Can you reveal the story and how it came together?

Honey came along at a time when I needed her most. I was in a place where I was taking myself a little too seriously and longing to feel at home within my own person. So, writing Honey was so much more than writing a new song- it was writing a new feeling into my life experience.

When Honey appeared within me, I found a version of myself I didn’t know existed. The song brought with it a new-found sense of self that was sassy, independent and empowered in her truth. I still use Honey to remind myself to embrace my authenticity and independence, which is my biggest hope for listeners as well.

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Do you think there will be more material coming in the next few months? How far ahead do you look as a songwriter?

Oh, yes! I’ll be releasing two more singles in the next few months and then my first full-length album in October. Keep your ears open!

I try to keep a balance of planning ahead while also letting life and luck run their course. I typically set musical goals for each month of the year and, as I meet them, I let them evolve based on what life throws my way.

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I hear elements of R&B on Honey. Do you take a lot of inspiration from R&B artists past and present? What sort of music did you grow up around?

I was listening to a whole lot of R&B when I wrote Honey, hence the inspiration you hear. But, I really feel inspired by several genres of music, which I think you’ll hear in my upcoming album. I grew up with parents who loved '70s Folk and so that will always have a deep place in my heart.

Though, as I grew up, I began developing my own musical taste and I found a deep love for Jazz, Blues and Soul. All of the above weave their way into my sound in unique ways.

Nashville must be a great city to perform and write in! How much do you take from the sounds and people around you?

I truly can’t believe the talent in this city! I feel SO lucky. I go to see live shows a lot and it’s a huge source of inspiration for me. I’m especially moved by the badass women making music here!

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What do you hope to achieve by the end of 2018?

I hope to be touring my upcoming album The Wonder of It All which is in the works as we speak! Wooohoo!

Have you got a favourite memory from your time in music – the one that sticks in the mind?

I work as a music therapist in a psychiatric facility as my day job. It’s incredibly moving to see music work its healing nature into people in such emotional agony. I’ve had so many moments where music brings people out of their pain and into a new perspective and I wouldn’t trade those memories for anything in the world.

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Which three albums mean the most to you would you say (and why)?

Joni Mitchell - Blue

Norah Jones - Come Away with Me

Feist - The Reminder

These three albums have shaped me and my writing more than any other musical influence. All three represent such a feeling of catharsis and solace to me. They are so dear to my muse that I can barely put what they mean to me into words.

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If you could support any musician alive today, and choose your own rider, what would that entail?

I think what Laura Marling is working on is really neat and I’d love to tag along on tour.

The only thing I’d put on my rider that I can think of at this moment is some mint chocolate chip ice cream. Priorities, right?! Haha. I’m notorious for seizing any opportunity that involves ice cream.

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Can we see you on tour soon? What dates are coming up?

YES! I am so excited for a tour. I kick things off in October and will be going all over the Southeast and Northeast U.S. to start. More dates to come in 2019. All tickets at katekellymusic.com

Might you come to the U.K. and play in the future?

I’m hoping to do a Europe tour in the summer or fall of 2019. No details yet but it's been a dream of mine for a while now and I’m ready to make it happen!

What advice would you give to new artists coming through?

Don’t be afraid to be honest and vulnerable. Especially lyrically. There is an indescribable power in this that is worth seeking.

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IN THIS PHOTO: Julianna Zachariou/PHOTO CREDIT: Caia Grace Matthews

Are there any new artists you recommend we check out?

Check out my friend Julianna Zachariou. Her songs will blow you away!

Do you get much time to chill away from music? How do you unwind?

I wind up with music and wind down with music. I don’t really feel like I need any time away from it! But, I do love yoga and taking mindfulness walks.

Finally, and for being a good sport; you can choose a song and I’ll play it here (not any of your music - I will do that).

Sleepwalker (Demo Version) - Emily King

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Follow Kate Kelly

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INTERVIEW: M. Rivers

INTERVIEW:

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M. Rivers

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THE brilliant M. Rivers

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has been discussing his new single, Don’t Drink the Water, and how it came together. I ask the L.A. artist how it differs to his hit, Champions; whether Los Angeles is a great city to create music in; when he began his career  - the songwriter tells me how it feels having a large and impassioned fanbase.

M. Rivers talks about a precious memory from his time in music; which upcoming artists are worth seeking out; the advice he would give to artists coming through; what he hopes to achieve by the end of this year – he selects a song to end the interview with.

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Hi, M. Rivers. How are you? How has your week been?

Absolutely busy and exciting - a single released; an article in Billboard; being played on the radio nationwide; an interview with you. All good.

For those new to your music; can you introduce yourself, please?

I’m a recording artist from Los Angeles, CA. I create. I am but a messenger and a storyteller for the human condition and I stand for equality and love.

Don’t Drink the Water is your latest cut. Is there a story and history attached to the song?

Yes! I wrote this song for everyone who contemplates the reality we are presented by the media and our institutions. I want us to think for ourselves and recognize the manipulation by mass media and the one percent who control us and keep us down. Power to the people.

How do you think it differs to Champions? Did you feel pressure to follow the success of that release by providing something even bigger and more memorable? 

Every song I create has a different purpose and a different existence for the listener. Champion is an idealistic song that plays with the ego and manifests a certain type of destiny. Don’t Drink the Water is a very down-to-earth expression of the suppressed culture that we have grown up with and the cover-up of a somewhat perfect society that Americans have sold to their own people. It simply questions our integrity as a people and the education process and information we have been given.

You have won a lot of fans and seen your music spread around the world. How does that make you feel?!

I’m no-one's hero: I am simply a voice for the people. It feels good when people identify with that message; it gives me purpose. There’s plenty of resistance and I’m okay with that too. I don't have a solution to our social and economic problems: I’m simply creating art that reflects what I believe to be our human disposition.

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When did you begin your career? Was there a moment when you knew music was what you were meant to do?

No specific moment, but a visceral gut feeling I had a connection with people. I always manifested playing in front of audiences. I studied great lyricists and performers that impacted people’s lives. Thirdly, keeping it real; not singing with character in my voice or anything that was a put on; to be able to go out there and speak to people on a real and personal level - the likes of Bill Withers and Tom Petty. To be able to totally teleport to another dimension; communicating with an audience on another plane.

That is the ultimate goal for me as an artist.

There is a lot of great music coming out of Los Angeles. Is it the best place in the world to create and release music do you think?! Is there a great buzz in the city?

It doesn't matter where you come from or how many people you know. After fifteen years and four record deals; after two-thousand shows and being bankrupt twice, I can honestly tell you that, for me, it only matters that you write a great song: relevant, important and cool. The rest is bullsh*t.

What do you hope to achieve by the end of 2018?

I want to become visible. I want guys like Beck and Jay-Z saying: “Who the fu*k is this guy?!

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Will there be any tour dates? Where can we see you play?

There will. Please follow me on my socials: @m.riversofficial for Instagram and @mriversofficial for Facebook.

Have you got a favourite memory from your time in music – the one that sticks in the mind?

I have lots. Mostly connecting with fans. I’ve played so many shows and I had a moment at Rock on the Range where we were a tad behind and the crowd was chanting. About eight-thousand people. I took my time; I didn't want that moment to end. The moment I walked out, the crowd started surfing and flipping out.

I had waited for that moment for a long time and I enjoyed it; my fans and fellow music-lovers showed me love and respect that took me a lifetime to earn. It was a good day.

Which three albums mean the most to you would you say?

For me, it’s all about the songs, not the albums. There are, like, thirty or forty songs that mean the most to me. It’s so cool to me when people exist with albums but I’m a song guy through and through.

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If you could support any musician alive today, and choose your own rider, what would that entail?

Ray Charles…and we’d need a '59 Cadillac.

What advice would you give to new artists coming through?  

Don’t get caught up in the hype. At the end of the day, we sing songs.

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IN THIS PHOTO: Mad Hawkes

Are there any new artists you recommend we check out?

Definitely check out Mad Hawkes; Rows; Fitness; Lost Beach; Desi Valentine and Davey and the Midnights.

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Do you get much time to chill away from music? How do you unwind?

Working on old cars and riding my old Harley helps me unwind for sure - but I never need to chill away from music.

Finally, and for being a good sport; you can choose a song and I’ll play it here (not any of your music - I will do that).

Play Fantasy by Mad Hawkes

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Follow M. Rivers

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INTERVIEW: OPEN ARMS

INTERVIEW:

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 OPEN ARMS

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IT has been great…

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speaking with Ben of the band OPEN ARMS. He has been telling me about their latest single, Honey, and what its story is. I ask him about their upcoming Sunflowers E.P. and what sort of stories impacted its creation; how the band got together and what music they grew up listening to – Ben chooses some upcoming artists we need to get involved with.

I was keen to learn whether the guys, being based out on Birmingham, have a lot of opportunities; if there are any gigs coming up; whether Ben (and the guys) find time to unwind – each band member ends the interview by selecting a track.

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Hi, Ben. How are you? How has your week been?

Ben: Hi! It’s been pretty crazy this week. Things are starting to pick up ahead of our new release.

For those new to your music; can you introduce yourselves, please?

We are OPEN ARMS - a four-piece Pop band from Birmingham. We are influenced by a mix of Michael Jackson, Madonna; Journey, Walk the Moon, The 1975 - and pretty much everything in-between.

Honey is your new single. Can you tell me its story and how it came together?

We wrote the song about eight months ago. The songs can stem from lyrical or musical beginnings but this one was kind of a mixture of the two. We had worked on the track at a similar time that I wrote the lyrics for it and somehow the two married together really nicely. We spent some time working on it in a closed environment, which is usually how we write, and we just fell in love with it.

What I love about it is that it took us in a totally new direction - one that we knew would be commercially viable but still an interesting Pop tune that stands out. It got stuck in our heads and has been ever since, at which point you know you’ve got something.

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It is from the Sunflowers E.P. In terms of themes and stories, what has impacted the writing and direction?

I think the main driving force for this body of work is the fact that we’ve been writing solidly for months and months and we kind of got engulfed by it. The last record we put out was Telescope last February and it’s been frustrating to only have that in our repertoire in terms of released music for over twelve months. It put us in a really emotive state where we’ve just wanted to take everything we’ve done in that year and make something that can summarise it - which is not an easy thing to do.

We’ve had a lot of personal stuff going on - huge celebrations and devastating losses - and I think you can hear that in this upcoming EP. It’s almost a soundtrack to what we were going through. The title track (Sunflowers) was written around the same time as Honey and carries quite personal messages. It’s my late grandma’s favourite flower but it became a metaphor for that feeling of trawling through so much and coming out of the other side.

Anyway; I’m a firm believer in not giving everything away where music is concerned because I think the best records are those that develop a personal meaning to the listener…so I guess the rest is up to you!

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How did OPEN ARMS get together? When did you come across one another?

The three of us (minus Sam the guitarist) grew up together in secondary school and played in various cover bands and line-ups. We started writing music back in late-2014 and the results weren’t as bad as we thought they would be. Saying that they wouldn’t stand against our current music but they weren’t horrific. We got Sam in by around September 2015 and really started writing and playing live as a unit. It was as if we just knew from that point we were doing something right.

The songs even at that point managed to connect with people and we developed a decent fanbase of really passionate people, all learning lyrics and such. It was very surreal.

What sort of music did you all grow up listening to? Are there particular bands who have inspired you to write your own music?

We were all brought up on Classic Rock funnily enough; bands like Queen, Thin Lizzy; Guns N’ Roses and, of course, Journey. We’ve always prided ourselves on being sixty-year-old souls because we love all music and we’ve learnt so much. I don’t think there is one music genre that we haven’t grown up loving and this has helped massively in writing our own stuff.

I think Michael Jackson has always been in the forefront of music, along with Prince and Queen. We’ve learnt so much from those artists. They do music as a package and a brand - not just a few thirteen-track albums.

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Do you think there will be touring dates? Can we catch you play?

We are just organising a winter tour - provisionally from mid-October through till Christmas, but time will tell. There will be odd shows before then though so it’s worth keeping an eye on our socials.

What has the reaction been like to your gigs? Is it still quite scary so early in the career playing songs to the people?!

From the start, we managed to suss out what was required to put on a show. We managed to learn pretty early on what makes people tick and we’ve always been known to offer something to audiences of all ages and backgrounds.

The scary ones are the intimate ones - if we do a festival it’s difficult to pick out the man shaking his head thirteen rows back, whereas in the basement of a club you’re all on each other’s laps. However you do sometimes get some intimate shows where the whole room is on one wavelength and that can be just as incredible as playing to a few thousand people at a festival, so it’s a gamble really.

Our love for playing live has translated massively into how we pull off our songs live. We have quite ambitious multitrack synth anthems that require a lot of planning to make sure we can get across the sound we want.

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You are based out of Birmingham. What is the scene like there right now? Does the area get the attention it warrants?

Honestly, not great. We’ve found that when it’s good it’s great - but that’s very rare.

It’s all down to who you work with, what ‘promoters’ will work best to what you need them for. You would think that, with Birmingham being such a big name in the U.K., its music scene would be the next step down from a place like London...but it’s just not. The walk-up audience is non-existent, but we have kept our head above water by going all-out and making the most of everyone we meet. Birmingham’s music scene isn’t what it should be - we want to be a part of changing that.

If you had to select the album that means the most to you; which would it be and why?

Escape - Journey

I don’t think there is a more diverse and significant body of work than this. It boasts the impressive Don’t Stop Believin’ as its feature track but, in fact, that’s my least favourite song on it (and I love that song) which is a testament to how great the album is. It gave us our name and it’s been an anthem for our family events since I was little. I would highly recommend it to anyone.

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Have you got a favourite memory from your time in music – the one that sticks in the mind?

It has to be when we opened the Solihull Summer Fest. We met some incredible and prestigious musicians such as Lulu and Peter Andre and just had the best day.

A close second was our first play on BBC Introducing.

If you could support any musician alive today, and choose your own rider, what would that entail?

The 1975 have played a massive part in our development and we identify with them heavily, so that would be a dream come true.

I’d like to say the rider would be something like cocaine and vodka but actually it’s more along the lines of white wine and pretzels. Sam would have Smirnoff Ice and Josh would have Jack Daniel’s and Coke (Coca-Cola). Drew, on the other hand, will have whatever is going. There would probably be a speaker on it as we love listening to music before we go on stage - and something daft like a poster of Ariana Grande… like I say, we aren’t very cool.

What advice would you give to artists coming through?

Just get a game-plan that’s inspired by those around you but full of your own ideas - and stick to it. But, it’s dependant on what you want out of it. We’ve always known that we want to go to the top and to do that it’s got to be your life.

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IN THIS PHOTO: Walk the Moon

Are there any new artists you recommend we check out?

Walk the Moon are huge in America and have had a few hits over here but they are another band who I promise have never done a bad song. You won’t be disappointed.

Also, there’s a very new artist called No Rome who signed to Dirty Hit recently. We like him a lot.

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IN THIS PHOTO: No Rome

Do you get much time to chill away from music? How do you unwind?

We try and balance it the best we can but we find our social lives revolve around the band anyway. Since mid-May, we’ve had about three full weekends off and that’s it. We always try and go for a night out to unwind. Otherwise, it’s giving a little time back to your family and friends who can get a little neglected with the line of work we do. They help us so much, so that’s really important we give back to them when we can.

Finally, and for being good sports; you can each choose a song and I’ll play it here (not any of your music - I will do that).

If it’s not our music, we will go with the following:

Ben: Heart Out - The 1975

Sam: Everybody Wants to Rule the World - Tears for Fears

Drew: City Of Angels - Miguel

Josh: Kamikaze - Walk the Moon

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Follow OPEN ARMS

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INTERVIEW: Leila Lopes

INTERVIEW:

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Leila Lopes

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THIS is the first time…

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I have interviewed a businesswoman on this site. I have been speaking with Leila Lopes about her record label, The Uprise, and why she set it up; the artists on the label we need to look out for – I ask whether more attention is being paid to female business owners.

Lopes talks about her work in Angola and transitioning from beauty pageants to music; what she hopes to achieve before the end of this year; what advice she would give to anyone wishing to follow in her footsteps; where the Uprise label is headed – she picks a classic tune to end the interview with.

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Hi, Leila. How are you? How has your week been?

Well. My name is Leila Lopes and I would say I’m a humanitarian/entrepreneur that also has a love and deep passion for music!

The Uprise is your record label. What inspired you to set it up?

The Uprise came about coincidentally. I have always loved Funk music. In Angola, we are heavily influenced by Brazil and Portugal - and Baile Funk is huge there. One day, about three years ago, I started playing these Funk songs for my husband and he absolutely loved it - but he had never heard that sound before and he is a big music lover also.

So, the idea occurred to me to bring those same beats and rhythms and mix them with more conventional music and see if it sounds great. So, we now started the long process of trying to discover great artists who could produce the specific sound and also perform. It took us over two years of looking and researching but, finally, we found the artists and producers.

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IN THIS PHOTO: Mikespro

What is the ethos of the label, would you say? Which new signings should we keep an eye out for?

Our ethos is to connect various cultures through music. It’s the universal language. We are mixing Brazil with Europe with America and Africa to create one sound. That’s what we want for the world: to be brought closer together

We have Grace Rhodes and Andi Mcernest as artists as well as Mikespro and Zeeko as our producers. We also have a French artist named Wizzy. They are all very good.

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As someone who has competed in beauty pageants; have you faced any judgements and doubts from those in the industry?!

Of course. There are always judges and doubters. People want you to ‘Stay in your lane’; be a beauty queen and that’s it. But, I did nothing to achieve beauty. It’s superficial. I actually worked super-hard on my other interests and I’m trying to do so much more for people and humanity than just being a beauty queen.

You are an Angolan native. How did you get into business and music? Was there a moment when you decided to move into the industry?

Music, I’ve always been into. For as long as I can remember. Business, I got into because of the various opportunities that presented themselves. For instance; I own a company that produces diapers and sanitary pads in Angola. We take the profits from the sales and give them to charity. These are the types of things I love to do for the people.

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Where is the label heading? What are the ambitions behind The Uprise?

We are headed in a global direction! We want this music heard all over the world because that’s what this music is. It incorporates elements of music from so many different cultures.

Do you think there is still little awareness about female business owners and those creating huge innovations?

I think there is but day by day it is definitely increasing. The world is finally taking note of the contributions and, honestly, it’s about time.

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What do you hope to achieve by the end of 2018?

We just hope to get the music heard and for people to give it a chance. It’s very unique but sounds so good. There is so much of the same stuff out there: we need something new…and that’s The Uprise.

Have you got a favourite memory from your career so far – the one that sticks in the mind?

I would say it was the day my products were launched in Angola. That was a great day; knowing how it would help people.

What advice would you give to those coming through who want to follow in your footsteps?

I would say belief in yourself and what you’re doing is the most important thing. People will doubt. People will judge. But, if you believe wholeheartedly in what you are trying to do, go for it. You can never regret it. You will only regret the things you didn’t try to do.

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IN THIS PHOTO: Grace Rhodes/PHOTO CREDIT: Grace Rhodes

Are there any new artists you recommend we check out?

Yes. My artists! Grace Rhodes and Andi Mcernest.

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IN THIS PHOTO: Andi Mcernest

Do you get much time to chill away from music and business? How do you unwind?

Not much time, honestly. Those are twenty-four-hour-a-day kind of jobs. But, fortunately, I don’t consider it work. It’s passion. So, I’m able to do it and still enjoy myself.

Finally, and for being a good sport; you can choose a song and I’ll play it here (not any of your music - I will do that).

Not any of our songs?! (Laughs). Ok. I’Il go with To Zion by Lauren Hill (ft. Carlos Santana). One of my favorites

INTERVIEW: Southbank Crows

INTERVIEW:

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Southbank Crows

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THE first interview of this Sunday…

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is with Southbank Crows. I have been talking with the band about their E.P., The Wild Ones (released last year), and whether we will see more material coming; how the guys found one another and started playing – the importance of London and whether the city has negative and positive effects.

I discover what gigs are coming up for the band and which new artists they recommend; whether there is any downtime for them; what advice they would offer to upcoming artists – the boys end the interview by selecting a song each.

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Hi, guys. How are you? How has your week been?

Hello, there! The week has been good thank you. Busy as always. Ha. Few rehearsals for upcoming shows - how’s yours been?

For those new to your music; can you introduce yourselves, please?

We are Southbank Crows; an Alternative-Rock-Americana band from South London made up of Will (Guitar, Vox); Patrick McCann (Piano, Vox); Taker Hofstra (Bass; Vocals) and Ryan Fielder (Drums).

How did Southbank Crows get together? When did you all meet?

Well. Will met Patrick at an audition for a band called Tiny Voices. We started writing music together and searching for a rhythm section. Once we found Taker and Ryan the music just fell into place: everyone understood what our vision was and helped create it bigger and better than we thought possible!

The Wild Ones E.P. was released last year. What sort of themes and ideas inspired the music?

It was inspired by some time I spent in Florida. I moved out there for a few years after my last band split; did all the life stuff you know, like, travel around, meet some cool people; get your heart broken. Ha. You know…the usual stuff. Haha.

How does it differ, in tone and themes, to 2016’s Southbank Crows?

I guess, inspiration-wise they have some similar themes but, songwriting-wise, we improved as a unit. The Southbank Crows self-titled E.P. was recorded without a full band as we were still looking for the right team. So, as far as Wild Ones is concerned, we sound more like a band with a more honed in sound.

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Is there going to be more material coming down the lines? Are you guys working on new material?

We have been working on plans to put a full-length together and it’s mostly fully-written already but haven’t decided on when to do it and which producer to use – and, of course, where we will find some money. Ha.

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How important are London and its mix regarding your music? What is it like for a young band in the capital?

London, I have found is one of the hardest places to be a musician: every single person is in a band or so it seems and everyone else is a session player wanting money!

My last band was based in Brighton and we found it a lot easier there to make a mark. Friends of mine in other cities around the U.K. have found it easier because they live in smaller towns that haven’t decided to shut all of their venues. Oh…and promoters aren’t trying to rip you off like they do in London.

Which artists are you influenced by? Who are the musicians who have made the biggest impact on the band?

I would say the biggest impact on our songwriting comes from acts like Lucero, Counting Crows; Florida Georgie Line, Stereophonics; Deaf Havana and Lower Than Atlantis.

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Do you think there will be touring dates? Can we catch you play?

We do not have any tour dates booked in as of yet but we have got the following shows coming up:

The Big Meat B.B.Q. festival in Farnham on 25th August at 4 P.M.

Hammerdown at Bar 42 in Worthing on 26th August at 3 P.M.

Penn Meadow Summer Festival in High Wycombe on the 26th August at 8 P.M.

Hotel Pelirocco with the Stone Jets in Brighton on 20th September (which starts) at 7 P.M.

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Is the stage the place you all feel happiest? How do you feel performing to a crowd and hearing that reaction?

It is, 100%, my favourite place to be. I am always writing things in regards to not finding your mark and where feels like home - which I have now realised feels like home! In the van going to shows is where we all love to be: that feeling when you finish playing of just wanting to play again. Ha. I do love it. We all do,

Have you each got a favourite memory from your time in music – the one that sticks in the mind?

I think, for this band, our first U.K. tour and we have had some great, very busy festival appearances and they always leave you gleaming and full of joy!

I have so many great memories. I mean, one that does stick in my mind was sitting in a garden all night with the lads after a great show in Southport. We just stayed up all night having drinks and talking about how much we love doing this.

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If you could support any musician alive today, and choose your own rider, what would that entail?

I would love to tour with Foo Fighters, Lucero or Blink-182. Although, we will take any support slot. Haha.

McDonald’s cheeseburgers, kiwi cider; any beer that isn’t piss-water and money delivered in swag bags by racoons playing cops and robbers on an O Gauge train running through the dressing room.

What advice would you give to artists coming through?

Honestly; there is not a right way as such. Treat all bands and promotors you cross with respect and just be good people. You really have to just ‘love what you do and live for what you love’. I know that sounds cheesy but I really feel it’s so true. For anyone to respect you they have to see you live it, bleed it and love it while getting my financial gain or recognition.

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Are there any new artists you recommend we check out?

Hmm; that’s a tough one. I mean, Boston Manor aren’t that new but they are starting to make a good name for themselves - and I remember them from years ago as a support act for my last band.

Kill the Witness. These boys are from Kingston and we just love playing shows with them. Just great guys and good tunes!

Then, some old-timers who have been going a long time but you might not know. Lucero, I use them as an influence in regards more than writing. They were voted the hardest-working band; they have consistently played something like 150-200 shows a year for a decade!

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PHOTO CREDIT: Michael Foster/ALBUM DESIGNMatthew Cole

Do you get much time to chill away from music? How do you unwind?

None of us gets much downtime because we all have jobs too; so it can sometimes be a real killer effectively working two jobs. Ha. Will makes beer for a place called Surrey Hills Brewery; Patrick teaches piano; Taker takes care of, like, a million dogs a day; Ryan is a manager at a trampoline park.

Finally, and for being good sports; you can each choose a song and I’ll play it here (not any of your music - I will do that).

Lucero - What Are You Willing to Lose

Florida Georgia Line - Hell Raisin’ Heat of the Summer

Deaf Havana - Everybody’s Dancing and I Want to Die

Cheap Girls - Cored to Empty

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INTERVIEW: Lunacre

INTERVIEW:

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Lunacre

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MY last piece of the day…

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is a chat with the superb Lunacre. I have been speaking with the band about their latest single, Love Being Lost, and what it is all about. They chat about their forthcoming E.P., Pearl Tabloid, and what it was like putting it together; which new acts we should keep an ear out for – they tell me how the band found one another.

I was curious to know whether any tour dates were coming up; what we might expect from a typical Lunacre set; which older artists they take guidance from; whether they get chance to chill away from music – they select some songs to end the interview with.

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Hi, guys. How are you? How has your week been?

Jacob: I'm great, thanks. Finishing a big project this week is giving me 'last day of school' feelings.

JP: HECTIC, but nice - it's not so hot now.

Ben: Fab, thanks. Went to Cornwall for the weekend. 

For those new to your music; can you introduce yourselves, please?

Jacob: I'm Jacob; I play bass in Lunacre and, when I'm not doing that, I'm working on a PhD in Musical Instrument Design.

JP: I'm JP and I play drums and do singing bits (and like to experiment in the studio).

Ben: I’m Ben - lead singer of the band, also the main songwriter and producer.

How are you taking to the heat at the moment? Is it encouraging songwriting and creativity? 

Jacob: I feel like my brain has been gently melting, but in quite a nice way. It's encouraged creativity in the kitchen: I now know several new recipes with watermelon in.

Love Being Lost is your new single. What are the origins behind the song?

Ben: Love Being Lost came just after a bit of a ‘writers block’, when the frustration of not being able to commit any ideas into song ideas peaked and became the lyrical gateway into the track. The chorus came first; the lyric and melody came into my head and after figuring out the chords and baseline…the rest of the track unfolded.

It was one of those great times when the musical answers seemed really obvious and the lyrics came really clearly for the most part. The first demo had a typically overlong middle 8 section before the final chorus, which our guitarist Scott put under the knife to make the whole song more concise…anyway…really excited that it's out in the world now.

Pearl Tabloid, your E.P., is completed. When might we see that? What sort of themes inspired the music?

Soon. We’re reworking the live set at the moment and, once we’re a little further along, we’ll release the next single and start doing shows. This E.P. tracks quite a personal journey and Love Being Lost is both the first single and the opening track. There are some specific things I wrote about in the lyrics, but I’m hoping people can find their own meaning in the songs.

Last week, a friend told me what he thought Love Being Lost was about: it wasn’t exactly what I’d been feeling when I wrote it, but the overall sentiment was very close. I loved that the lyric was abstract enough that it left room for interpretation. 

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Was it fun putting the E.P. together? Did you write a lot in the studio – or was most of it realised before coming in?

We took our time with this E.P. Some of the songs have been around since we started the band and have almost, but not quite, made it onto one of our first two E.P.s. Some of the tracks are much more recent, having only come about in the last couple of months. The result of this is that it has contributions from both current and past band members.

Our first guitarist, Sam, has a big instrumental moment on one of the tracks; a lot of the work our friend Benjee put in before he took a break to go away and study Sound Design has made it into the E.P. - as well as obviously featuring a lot of work from the four current band members. 

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How did Lunacre find one another? Did you all know each other from way back?

Jacob: Most of us go way back. Me, Ben and Sam, who's not an active member in the band since he moved to Berlin, used to play music together at sixth-form. Lunacre started when we all finished university and got the old band back together. That was when JP joined. We've been playing together as Lunacre for nearly five years now.

Ben: I met Scott at music college in Leeds and Benjee through some friends in Bristol. Jacob and I met in a music lesson at school and did a pirate-themed cover of Stayin’ Alive with banjos in it.

In terms of older music; who do you count as influences and idols?

Ben: Radiohead, Blur.

Jacob: Colin Greenwood is probably the biggest musical influence for me as a bassist. Maybe this is less related to what we do in Lunacre but I'm a massive fanboy for Jarvis Cocker and Björk.

JP: I was always into big sounds and lush productions. The early Pink Floyd records were a huge inspiration for me. More modern stuff, I guess, was most things Ninja Tune and Warp Recordings were putting out in the mid-noughties.

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Do you think there will be tour dates? When can we catch you play?

Ben: A.S.A.P. - probably autumn.

In terms of excitement and buzz; what is it like being up on stage? What might we expect from a Lunacre set?

I love playing the songs live. It’s such a direct way of communicating them to people and it’s very exciting because it can be slightly different every time. The songs take on a different life at a gig.

Have you each got a favourite memory from your time in music – the one that sticks in your mind?

Jacob: Our launch party gig for our last E.P. was amazing. We had put so much time into the E.P. itself as well as making sure the gig would be a great event. It was such a good rush of relief and gratitude when loads of people came to support.

Ben: Some of my fondest memories are of when we first started jamming together and establishing the sound and vision for Lunacre. It was a time of great musical and personal development and I feel like we made some really strong bonds and had great fun.

JP: Probably playing some awful Nickelback tune on the guitar as a kid.

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If you could support any musician alive today, and choose your own rider, what would that entail?

Jacob: I'd love to play a show with Mac DeMarco. He seems like a fun guy and his recent album is full of beautiful songs.

For the rider: ice-cold kombucha tea, stilton mini cheddars and seasons 1-9 of The Simpsons on the T.V.

JP: It'd have to be someone with an outrageous line-up. Like Parliament Funkadelic, maybe? Tequila on the rider for me - always a catalyst for fun.

Ben: I think, at our last gig, JP put tuna mayo on the rider…we never got it. I’d love to support Björk and I’d ask for soya chocolate milk on the rider.

What advice would you give to new artists coming through? 

JP: Love what you do and don't hesitate to keep putting yourself out there!

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IN THIS PHOTO: Jack Watts

Are there any new artists you recommend we check out?

Ben: Check out Jack Watts (Horrorscope).

Jacob: The Fish Police and Too Hot for Candy are two bands who have been supported by the charity Heart n Soul, who provide opportunities for young people with learning disabilities to get involved in music and the arts.

JP: Really loving a guy called Mark Hill at the moment. Also, Forest Swords' album from a year or so ago is still getting a lot of airtime for me.

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IN THIS PHOTO: Forest Swords/PHOTO CREDIT: Paul Phung for DJ-Kick

Do you get much time to chill away from music? How do you unwind?

I like to leave the country and turn off my phone – but, honestly, working in music comes with its calming moments so I don't always feel a stressful build-up behind back-to-back workdays!

Finally, and for being good sports; you can each choose a song and I’ll play it here (not any of your music - I will do that).

Jacob: It's got to be Cactus by the Fish Police. It's available from their Bandcamp.

JP: I'd love for you to play Pink FloydBreathe (In the Air)  x

Ben: Please play All Saints - Pure Shores

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INTERVIEW: Mike Edel

INTERVIEW:

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 Mike Edel

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I have been spending time with Mike Edel

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who has been telling me about his new single, Go with You. I ask the songwriter which artists inspired him to get into music and how he divides his time between Canada and the U.S. – he shares a particularly ‘memorable’ event from his time in music.

Edel reveals his tour plans and what he wants to achieve before the end of this year; whether there is any more material coming later; which new artists we should watch out for – Edel ends the interview by selecting a great track.

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Hi, Mike. How are you? How has your week been?

I am good. I am currently in California for a couple weeks and lots of stuff going on. It’s really great to have a song I love so much come into the world

For those new to your music; can you introduce yourself, please?

Mike Edel. I am Canadian but currently live in Seattle.

Go with You is your latest track. Can you reveal its story and origins?

It’s about change and about going into the unknown with the people you love beside you. The song was written on an acoustic guitar fairly quickly but underwent a deep transformation sonically with a kind of '80s hi-hat drumbeat and SYNTH. I really love it.

It is a bit of an upbeat track. Do you think there are too few positive and optimistic songs in modern music?

I really like that it is hopeful. It’s not easy to be up-tempo or positive without being cliché or cookie-cutter I find.

How did you come to work with Chris Walla? Is it true he was living in the Arctic Circle?!

I had last seen Chris after his last show with Death Cab two blocks from my house at Rifflandia Festival in Victoria in 2014. I emailed him and eventually sent some demos I had worked on pretty for quite awhile. Yes, he WAS living in the Arctic Circle, no lie.

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Will there be more material coming a bit later? What are you working on?

I have more music, yes! I’m really interested in giving some of these songs some extra lives and this one, in particular, I would love to make an acoustic version of it. I’m working on lots of music release plans other than that.

You divide your time between Canada and the U.S. Are there big differences in terms of the music of Seattle and British Columbia?

It’s crazy how much the border is a real thing that divides. I would love if there was more cross-over between artists and scenes etc. Seattle is very interesting to me because I’m still figuring out the music there and there are so many fundamental differences that I’m learning.

Who are the artists that inspire you and led you to get into songwriting?

I’ve had some really great mentors in all aspects of music and life. I think, now that some years have passed, I really appreciate these people whether it’s my first drum teacher or current producer.

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What do you hope to achieve by the end of 2018?

Musical World Domination, of course.

Have you got a favourite memory from your time in music – the one that sticks in the mind?

I’ll tell you my most un-favourite. I was playing a show in California last week and my acoustic guitar got knocked over, took a spill and the neck broke. I am very sad.

Which three albums mean the most to you would you say (and why)?

Sufjan Stevens - Carrie & Lowell I really loved.

I loved the new National and War on Drugs albums.

There is a band called Nature Of from Edmonton whom we’ve played with - and I love their record and it’s fairly unknown.

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Can we see you on tour soon? What dates are coming up?

08/12: Vancouver, BC/Harmony Arts Festival

08/16: Napa, C/Silos

08/17: San Diego, CA/Communal Coffee

08/21: San Francisco, CA/The Lost Church

09/05: Kelowna, BC/Fernando’s

09/06: Calgary, AB/The Gateway

09/07: Whitefish, MT/The Great Northern

09/15: Vancouver, BC/Westward Festival

09/16: Parksville, BC/REALM

10/04: Red Deer, AB/Bo’s

10/05: Edmonton, AB/Up+DT Festival

What advice would you give to new artists coming through?

Learn to collaborate and don’t give up on anything.

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 IN THIS PHOTO: Scenic Route to Alaska/PHOTO CREDIT: Michael Johnny Carson Kuby

Are there any new artists you recommend we check out?

Scenic Route to Alaska, Nature Of; Tow’rs - so many I could list

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IN THIS PHOTO: Nature Of

Do you get much time to chill away from music? How do you unwind?

I’ve gotten into walking; like two-three-hour walks and I love that. I’ve also started to paddleboard lots. Both these things help me clear my mind.

Finally, and for being a good sport; you can choose a song and I’ll play it here (not any of your music - I will do that).

Nature OfBottom Line

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INTERVIEW: Lucy Whittaker

INTERVIEW:

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Lucy Whittaker

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THE amazing Lucy Whittaker

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has been talking about her new single, Who’s Gonna Know, and working with Yizzy on it. The songwriter reveals albums that mean a lot to her; support Pride and what that live experience is like – she talks about the artists who led her into songwriting.

I ask Whittaker whether there will be more material coming and if there will be tour dates approaching; what she hopes to achieve before the end of the year – she recommends some artists we need to get behind and support.

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Hi, Lucy. How are you? How has your week been?

Hey, guys! I’m really well, thanks. It’s been a busy few weeks getting everything ready to release Who’s Gonna Know but we’ve made it!

Who’s Gonna Know is your new single. Can you reveal the story behind the song?

Who’s Gonna Know embodies my new sound – it’s darker, grittier and more honest than anything I’ve released before. The track is about the dark desires that everybody feels at some point and trying to keep those feelings hidden (whilst also giving in to them). You can use your imagination!

What was it like working with Yizzy on the song? How did you two hook up?

Yizzy is a really cool guy and he’s doing amazing things for Grime right now. I’ve been following him for a while and knew that his sound would be perfect for the song. I showed him the track, he did his thing and it all came together pretty smoothly.

Do you know where you head from here? Are you heading in the direction of an E.P. or will there be more singles?

Yes! I’ve got so many new tracks ready to go and I can’t wait to share them. My sound has definitely developed so I hope you’re ready for something new. Expect another single before the year is up.

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Who are the artists that inspire you and led you to get into songwriting?

I grew up listening to a really eclectic mix of music, so my influences are from all over the place. I would say the artist who inspires me the most is Michael Jackson - he’s just magical to me. I also love artists like Madonna, Rihanna; The Rolling Stones, Billy Joel; Justin Bieber, Charly Black and Bruno Mars - a weird mixture, I know!

What do you hope to achieve by the end of 2018?

I want to play more shows around the world, release more of my new music and reach more people who haven’t currently heard of me. It would mean a lot to have more of my music heard!

Have you got a favourite memory from your time in music – the one that sticks in the mind?

For me, it’s probably when I supported Craig David in November. The event sold-out and there were 15,000 people there. The atmosphere was like nothing I’ve ever experienced and to get up there and do my thing was the most amazing feeling.

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Which three albums mean the most to you would you say (and why)?

Bad - Michael Jackson, The Fame Monster - Lady Gaga, Jazz - Queen

If you could support any musician alive today, and choose your own rider, what would that entail?

Drake! He smashes it every time and to support him would just be insane. I feel like I would definitely push the boundaries on a Drake rider.

Can we see you on tour soon? What dates are coming up?

I’m on a U.K. tour right now! I’ve been playing some amazing shows and have met so many cool people along the way. I’ve still got more shows to go before summer is up - you can catch me at some of the U.K.’s biggest Pride festivals (Manchester, Leeds etc.); at my hometown in Cheltenham and we’ve got a few more surprise dates to release.

I know you have been performing during Pride season. What has that been like? How important is it to get your music heard there?

Prides are the best! The crowd is always so fun and the atmosphere is always positive. Everyone’s there to have a good time and celebrate who they are and it’s a really liberating feeling. The fight for equality is so important and to be able to stand with my community in solidarity is always emotional for me. London Pride was a highlight for me as it kicked off the summer tour and it was the first time I performed my new music to an audience. It felt so good!

What advice would you give to new artists coming through?

Be smart and keep going.  

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Are there any new artists you recommend we check out?

Santino, Heir and Yizzy.

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Finally, and for being a good sport; you can choose a song and I’ll play it here (not any of your music - I will do that).

Back II Eden - Donald Lawrence & Company. It’s my song for when my soul needs a bit of healing

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Follow Lucy Whittaker

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INTERVIEW: FHAT

INTERVIEW:

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FHAT

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I have been talking with the guys of FHAT

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about their awesome new single, Pleasure, and what its story is. Aaron and Sedric discuss how they found one another and the sort of music they vibe to; what comes next for them; if we might catch them on tour – they recommend some artists to have a look out for.

I ask them whether they have anything left to tick off their to-do list before the end of the year; whether being on stage is the most important part of music; what advice they would give to artists coming through – the guys end the interview by selecting some great songs.

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Hi, guys. How are you? How has your week been?

Aaron: Great. Very eventful (laughs) #leoseason (fifth season of the astrological cycle, within which I was born). We released the first single, found an apartment in Berlin (move in next week) and it was Sedric’s birthday party last night.

Sedric: It’s been pretty epic. I think we’re still recovering.

How are you taking to the heat at the moment? Is it encouraging songwriting and creativity?

A: Yes. I love the heat; I love to be sweaty and wear as little clothes as possible.

S: I love it. I feel like it makes everything relaxed and easy. It’s always my happiest time of year, so making music is always fun.

Pleasure is your debut cut. What is the story behind the song?

A: After our first feature, Back to Life, we had been constantly writing songs for FHAT; experimenting with different styles and producers. Inspired by the SZA album and Ty Dolla Sign, we wanted some fast, really modern vibes so we met with Jumpa! He is a killer Trap, Hip-Hop and Electronic producer and he whipped up this track rather quickly - as Geminis usually do when given a challenge. The result was Pleasure - a sexy summer bop about how, sometimes, tough situations usually end up having great rewards.

S: Yeah. The thing I love about it is that each song we write is like a snapshot of our friendship and the positive impacts it’s had on us. It’s been a wild journey, but we really keep each other in line and we’re always pleasantly surprised by the end results. I’m STILL trying to figure out how the hell we ended up in Berlin!

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How did FHAT find one another? When did you two meet?

A: We met three years ago at a birthday party in a castle in the Hollywood Hills. I had been living in L.A. working on music, becoming a vegetarian and doing yoga (you know, as one does in L.A. (laughs). We instantly became very close as if we’d known each other for years! Our friendship became so dear. I applied for a few travel credit card and we pulled an EAT PRAY LOVE!  And ended up in Berlin

S: The weird thing is we’d both lived in New York for the same exact amount of time and knew some of the same people - I’m sure we’d passed each other a few times…but this random night in L.A., a few people from the castle party were going to a show of Aaron’s. At first glance, I thought he was very…’high on life’ (laughs). At the end of the night, he asked if I was a vampire. The next day we went to The Cheesecake Factory and laughed for hours. The rest is history.

Are you looking ahead at more material in the future? Might we see an E.P. later this year?

A: You will see A LOT from us in the coming year. We plan on releasing tons of music independently; a music video with a very special character from a popular U.K. television show. Def planning on more shows and would love to do a classic album like Kali Uchis, Daniel Caesar and Janelle Monáe have done. A body of work with visuals!

S: Absolutely! We’re working with so many people who just feel what we’re trying to do. I think, once we’ve achieved a few of our short-term goals with music videos, web series; singles and festivals, we’ll do a retreat in Spain and get started on a trippy FHAT album. We’re both such avid music lovers - we really want to present something special.

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Which artists do you count as idols? Do you listen to the same sort of music?

A: Idols - Sade, Jessie ware; Jill Scott, Lianne La Havas; Emily King, Nina Simone….the list goes on. There is so much music I am in love with. Yes, I listen to lots of different styles of music but Alt-R&B, classic R&B; Soul and Jazz tend to be my go-to. #Gregoryporter #rachelleferrell

S: We do love a lot of the same stuff but always surprise each other with the deep cuts from our own faves. Aaron has this particular brand of early-2000s R&B/Pop that I never heard. It’s always nice to spark up, dance and laugh at how far music’s come since then…

As far as my own idols; they’re always singers who make me feel something transcendent. Like Whitney (Houston), Patti (Smith); Sade, Erykah (Badu), Sarah Vaughan; Le'Andria Johnson, Nat King Cole and Plácido Domingo. The list goes on but I’m picky with singers!

What do you hope to achieve before the end of 2018?

A: We really wanna nail the music video for Pleasure. We film mid-August and have a great team and concept for the tune. We would love to keep doing bigger shows. We played at a festival here in Berlin on the Red Bull tour bus and it went over really well!

S: I’m so pumped for these visuals. We have another directing team working on a video for another single of ours and I get the feeling it’ll be iconic. And at some point, I’d like to get back to the U.S. and take on some of the big stages there and show them what we’ve been working on.

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Do you think there will be touring dates? Can we catch you play?

A: Yesss. That’s our ultimate goal! As electronic as our productions may be, they are very musical and we are classic SANGERS under all of that. The live shows are going to be amazing! There’s also been talks of opening for a special someone in October will keep you posted.

S: At the moment, we’ve been hitting in Berlin, testing out how all this music goes over. Would love to spread out over Europe in the next few months and eventually make it international!

Can you recall a time when you have had a really great time on stage? Who has been the most to perform with?

A: A few weeks ago at our show at Prachtwerk here in Berlin...the crowd was so into the vibes. We included an incredible pianist in the set and it felt great to play our music live and have people respond to it SOO well.

S: The first show we did at an event called Songversations was really special for me. It was our first time playing together and it was just us. So many people came out and showed love. They knew the words to our songs and danced like we were already stars. At that moment, I was like: ‘Yeah; this is a thing’.

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How important is it getting up on stage and performing to the crowd? Are they the best times?!

A: Oh, yes. I started singing in a Jazz trio at eighteen in Pittsburgh and in New York; I was on a stage multiple times a week! I love to perform and to be performing your own original material is so rewarding!

S: It’s so crucial. Since I was a kid, it’s all I think about. We had this big, wall-to-wall mirror in my old house and I would run full-length concerts of all my favorite songs, complete with choreo; crowd banter and intermissions. I took it very seriously. So; to step on stage and have people singing back to us is just a dream.

Have you each got a favourite memory from your time in music – the one that sticks in the mind?

A: I have to say it’s been the past year-and-a-half traveling around and working on the FHAT project! Because it’s the two of us, there’s not as much pressure as solo project. FHAT is fueled by us being our most authentic selves and bringing the best out of each other! The journey so far has been hard; at times never knowing where your next paycheck is coming from but “we don’t mind the pain when it comes with so much pleasure”. Hahah

S: That’s a tough one. The first thing that comes to mind is actually when we recorded Back to Life. Up until that day, we’d never worked together. But, something about that song just brought it all together for me - our friendship, this path – and, what started as a random session, ended up just being a crazy studio party. The energy was so high.

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If you could support any musician alive today, and choose your own rider, what would that entail?

A: Would love to tour with Anderson. Paak or Tank and the Bangas…or Lizzo.

Rider: Coconut water, spinach pies; Hugo and face lotion to STAY MOIST!

S: I’d love to open for Tyler, Little Dragon or Ty Dolla Sign. We definitely need a drummer. I would keep the crowd guessing by swapping different instruments like trumpet, guitar and laser harp. We need a smoke machine and some fire. I’m a Leo: fire gets me going.

What advice would you give to new artists coming through?

A: Know your lane. Practice…a lot. Know the business as well. It’s a rapidly evolving tech age and you need to stay ahead of the curves. Lastly; MAKE GOOD S#%¥.

S: I’d say, don’t be afraid to create your own lane with respect to those who inspire you! Go deep within, find out exactly what message you would send yourself to heal yourself from whatever-the-f*ck and just put the work in to make it sound as clear as possible. If it’s meant to be, the universe will have your back.

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IN THIS PHOTO: Noah Slee/PHOTO CREDIT: Wilk

Are there any new artists you recommend we check out?

A: Noah Slee if you haven’t already. Sonder. Louis III. Moli. Sedric Perry is also about to put some really amazing solo stuff out.

S: I’m flattered, pookie. There’s this girl, Aleana, from Philly I knew when I was in high-school. She’s just the complete package for me - voice, lyrical content; flow, how subtle she is with her delivery. It kind of reminds me of when I started listening to Jill Scott – and, of course, Aaron. Since our time together, I’ve watched him carve his own lane and find his truest voice. Sometimes, I’m still surprised by the sh*t he comes home with!

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IN THIS PHOTO: Aleana

Do you get much time to chill away from music? How do you unwind?

A: We’ve been going to a lot of lakes here in Berlin as the weather’s been great. We also love a good sauna/spa when we have some extra money.

S: we were going really hard this year where we didn’t have a day off. Even when we were off, we were talking about what the next move would be. But, recently we learned it’s healthy to put some distance in there every now and then. Berlin’s pretty wild so it’s easy to decompress. Hehe.

Finally, and for being good sports; you can each choose a song and I’ll play it here (not any of your music - I will do that).

A: Sade - When Am I Going to Make a Living

S: Teyana Taylor - WTP (Work This Pussy)

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INTERVIEW: Dominique

INTERVIEW:

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Dominique

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THE incredible and impassioned Dominique

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has been telling me about her new single, Receipts. I ask what the single’s story is and whether more material will come; what the music scene and vibe is like in New York; whether, as a female producer, she feels the industry needs to give more props to her peers – Dominique discusses her influences and musical tastes.

I was keen to know which new artists she recommends and which albums she holds dearest; if she gets time to unwind away from music; if there are any tour dates coming up – she ends the interview with a great song choice!

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Hi, Dominique. How are you? How has your week been?

I'm doing great! Super-excited to have put out a new track last week and I'm so happy that people are enjoying it.

For those new to your music; can you introduce yourself, please?

I'm a singer, songwriter and producer based in N.Y.C. I've been releasing music for the past few years and have my second E.P. on the way.

Receipts is your track. Can you discuss its story and how it came together?

Receipts was inspired by someone screwing me over again and again and always begging for another chance until I couldn't take it anymore. In this case, the 'receipts' are the evidence I needed to prove that I couldn’t trust this person.

Is there going to be more material coming later this year? What are you working on right now?

Yes! There'll be another single and most likely some remixes and feature tracks. I'm trying to make each release as special as possible with each one having its own set of visuals.

I believe you have been writing with two N.Y.C. contemporaries MDA and EJAE. Has that led to possible material?

Yes. I love these girls and writing with them is a blast. We'll definitely have more music we've written together on the way.

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How important are New York and its diversity regarding your creative spirit and artists around you? Do you find it a great place to write music in?

N.Y.C. has a very tight-knit writing community that I'd only recently started to get involved in within the past year. Many artists and writers have relocated to L.A., but there's still a bunch of us holding down the fort. I wouldn't want to be based anywhere else.

Music came into your life very early. Have you been writing since you were a child? What got you into music so young?!

I have! My dad is a musician and a professional bass player and he fostered my love of music. I began writing really goofy short songs at the age of seven and I'd sing them all the time and annoy the hell out of everyone. Around age fifteen, I took songwriting more seriously and started making full tracks and producing demos on GarageBand.

Who are the artists that inspire you and led you to get into songwriting?

Most recently, the artists have been Charli XCX, Allie X and Tove Styrke. When I was a kid, I listened to a lot of Queen and whatever other '60s and '70s music my dad had playing in the house all the time. 

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You are a successful and prolific producer. Do you think it is important the music industry takes more notice of female producers? Do you, in turn, reach out to aspiring female talent and guide them?

Thank you! Yes - and I think the recent activism has helped a bit but there's still a ways to go. I love to help guide aspiring artists and if anyone ever wants to reach out to me for help, I'd be more than happy to. Any time I work with a woman who has an interest in learning how to produce, I really enjoy teaching them how to work with Ableton, etc.

What do you hope to achieve by the end of 2018?

I REALLY want to start playing out live and I'd also love to release a music video.

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Have you got a favourite memory from your time in music – the one that sticks in the mind?

Honestly, I think these past six months have been my favorite because I just started collaborating with other artists and writers instead of working by myself all the time. Music is so much more fun to make when you do it with other people.

Which three albums mean the most to you would you say (and why)?

Miike SnowMiike Snow

I really vibe with the production and feel from this album and am always revisiting it. It's been one of my favorites for the past eight years - and I don't think that'll ever change.

MelodramaLorde

This is such a well-done and emotional album. Lorde's a genius and really knows to make the listener feel something.

OutKast The Love Below/Speakerboxxx

This was the first album I ever bought and I have probably listened to it over a thousand times. It, hands-down, had a huge influence on my writing and production style.

If you could support any musician alive today, and choose your own rider, what would that entail?

I would die to support Charli XCX - and I'd probably be so happy to be there that I wouldn't even fill out a rider.

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Can we see you on tour soon? What dates are coming up?

Unfortunately, no dates right now - but I PROMISE it's coming soon.

What advice would you give to new artists coming through?

Spend a lot of time refining your writing and thinking about the artist you want to be. Look at the artists you love and figure out why you love them so much and learn from it. Listen to a ton of new music!

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IN THIS PHOTO: Eva Honey

Are there any new artists you recommend we check out?

I'm working with an incredible artist right now named Eva Honey. She doesn't have any releases out yet but she will soon!

Do you get much time to chill away from music? How do you unwind?

Usually, the only thing I do when I'm not spending time on music is seeing my friends. It's the perfect distraction and always keeps me inspired.

Finally, and for being a good sport; you can choose a song and I’ll play it here (not any of your music - I will do that).

Not So Bad in LA - Allie X (smiles)

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Follow Dominique

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INTERVIEW: Roxanne de Bastion

INTERVIEW:

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Roxanne de Bastion

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SHE has just seen Paul McCartney…

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play a rare gig - so Roxanne de Bastion was keen to discuss that! I ask the songwriter about her Tales from the Rails mini-tour and what it encompasses; she discusses her album, Heirlooms & Hearsay, and recommends some artists to look out for.

The songwriter talks about her musical influences and chooses three albums that mean the most to her; whether she gets time to unwind away from music; what she hopes to achieve before the end of this year – de Bastion talks about favourite memories from her career.

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Hi, Roxanne. How are you? How has your week been?

Hi! You’ve picked the best possible week to ask me that. I’ve loved The Beatles for longer than I can remember and this week I had the once-in-a-lifetime opportunity to see Paul McCartney perform live in Studio 2 at Abbey Road. He played for two hours and it was pure magic. It may well have been the best day of my life so, yeah - I’ve had a pretty amazing week, thank you! 

For those new to your music; can you introduce yourself, please?

My name’s Roxanne de Bastion. I’m a singer-songwriter and don’t usually get invited to exclusive Paul McCartney gigs…! My songs tend to be acoustic guitar or piano-based and would probably be filed under ‘Alternative-Pop’ - if that’s a thing. Songwriting is my way of dealing with the world around me, so most of my lyrics are confessional and attempt to make sense of what I see and feel.

I’ve been very fortunate to have toured lots over the past years across the U.K., Europe and the U.S. and have just released my album Heirlooms & Hearsay. Right now, I’m working on new material and am about to play a couple of shows in the U.K. to promote my first book. 

Tales from the Rails is your mini-tour. Can you explain the concept and what we might expect?

Sure! Tales from the Rails is the title of my book. It’s a collection of edited blog posts that I’ve written throughout the last years of D.I.Y. touring. I don’t have a driving license, so for a really long time touring consisted of travelling via train or megabits with a suitcase and a guitar. I’m playing most of these upcoming shows solo or as a duo with the amazing Matt Reynolds on lead guitar (who drives; so that’s me graduating from the rails on to the roads).

We’re playing in Liverpool on 3rd August, Leeds on 5th August and Coventry on 10th August. You can expect lots of stories, some visuals as well as new songs (if all my songs aren’t new to you!). 

Is the stage somewhere you love to be? Is that buzz and connection with the audience what keeps you driving and moving forward? 

That’s a definite yes. There’s nothing better than connecting with people over music. It’s all I know and what I do. 

Are you working on new material at the moment? Might we see some music before the end of the year?

Yes. I’m working on the next album right now and will be releasing a single later on this year. 

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Looking back at your year; what have been the highs and lows? Do you think you have learned anything about yourself during that time?

Highs include touring in Canada for the first time, opening for Marillion here in the U.K. (in what to me were HUGE venues) and playing my biggest headline show to date at The Lexington this April. I got to meet so many lovely people along the way and have learnt that you can always count on humans to make the world seem a better place if you let them.

Lows include breaking my ankle (and having to tour/perform on crutches), as well as generally fearing for the state of the world. I’ve learnt not to take the rubbish out when angry and never to watch the 10 o’clock news. 

Which artists did you grow up listening to? Do you recall when music first came into your life?

Music proceeded memory, that’s for sure. My dad’s a musician, so we always had instruments and recording gear around the house. Growing up, I’d always play and sing together with him in the kitchen (good reverb; almost as good as in showers). I don’t remember this, but the story goes that I really wanted to watch T.V. when I was four-years-old. My mum thought that showing me The Beatles’ Yellow Submarine would be harmless…I fell in love instantly and haven’t fallen out of it since.

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Is it possible to express music’s power and how important it is to you?

Well. Seeing as you’ve asked, I’ll try. Songs teach us empathy. The more empathetic a society we are, the less time we will spend servicing few to the detriment of many. Whenever people come together for a positive experience, such as a shared love for music, you can feel how powerful that is (just think of your favourite concert - you’ll carry that memory for as long as your feet carry you). As for me, personally, I know I’ll be fine as long as I can sing and write and listen.

What do you hope to achieve by the end of 2018?

I hope to have finished my album, to have written many more songs; to have gone on a tour or two and to have a fully-functioning ankle again. I’d also like to eat lobster at least one more time before the year is up - had my first one in Canada during my tour last year and haven’t really stopped thinking about it since. 

Have you got a favourite memory from your time in music – the one that sticks in the mind?

SO MANY favourite moments! Playing Glastonbury was pretty special - one of those career milestones that will make your parents proud. My album launch shows at the Roundhouse in London and Leaf in Liverpool were pretty special too. I think, more than one particular show, it’s more a whirlwind of images, people and sparkly moments - sometimes the smallest living-room show can be the best thing ever. It’s all about the audience and the vibe in the room!

Which three albums mean the most to you would you say (and why)? 

Just three? Ok… 

The BeatlesThe Beatles Live At the BBC

This is the first body of music I consciously remember hearing. I know it off by heart, every tiny pause; every interlude and every breath and beat of every song. It’s where I discovered Blues-Rock, harmonies and that energy of live music. 

Soviet Kitsch by Regina Spektor

I first discovered her when I had just moved from my home in Berlin to England to try and make music and be a grown up. I was knocked sideways by Us. She’s one of my main musical inspirations; firstly because she does whatever the hell she wants lyrically and structurally, but also because she has such an emotional delivery and is a brilliant musician and composer. 

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Heirlooms & Hearsay by me

You’ve asked which albums mean the most to me, so I’m going to have to pick the body of work I put into the world last year. The album is dedicated to my grandfather, whom I never really got to meet but have been thinking on often. He was a professional pianist, but his career and life were interrupted by war. My grandparents survived and landed in the U.K. in 1947. I can’t believe that all this horror in Europe is only two generations ago and here we are again with the stupidity and gall to think that refugees are the cause of our problems. It’s tragic.

I wanted to write songs that drew analogies to then and now, but from a personal point of view. I found an old recording of my grandfather’s where he plays one of his compositions and gives a little birthday message to my dad, who was to turn seven the following day. It’s featured on the album. I hope he wouldn’t have minded. 

Honorary mentions go to The Beatles’ Revolver, The Who’s Tommy; Judee Sill’s self-titled debut, George Harrison’s All Things Must Pass, The Streets’ Original Pirate Material and Alligator by The National (which I’m listening to right now). Tomorrow’s answers may be different… 

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If you could support any musician alive today, and choose your own rider, what would that entail?

Probably Regina Spektor. My rider would be a bag to breathe into. 

What advice would you give to new artists coming through?

I am definitely still that. The advice I’d give myself and others (much easier to give it than to take it) would be to follow your intuition, always make the kind of music you want to make and try to avoid artistic compromise for the sake of a dangling carrot (i.e. is this radio-friendly etc.). I’d also advise (artists) to learn as much about all aspects of the industry as possible (join the FAC!); connect with other musicians for advice and mutual support - and just work as hard as you can without driving yourself crazy.

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IN THIS PHOTO: ME and Deboe

Are there any new artists you recommend we check out?

Yeah! There’s SO much fantastic music out there to discover! I’m going to go with a Liverpool theme today…

Check out the amazing ME and Deboe and the beautifully voiced Eleanor Nelly. I’m also going to throw in The Ragamuffins for good measure and fun. 

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IN THIS PHOTO: Eleanor Nelly

Do you get much time to chill away from music? How do you unwind?

Well, no, but I wouldn’t want that. I unwind by singing and listening to music (possibly accompanied by other things). 

Finally, and for being a good sport; you can choose a song and I’ll play it here (not any of your music - I will do that).

Thanks for having me! To honour the week, I’m going to have to pick one of Paul McCartney’s finest…You Never Give Me Your Money

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                                              Follow Roxanne de Bastion                                             

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INTERVIEW: J.R. Harbidge

INTERVIEW:

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J.R. Harbidge

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THE excellent J.R. Harbidge

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has provided a detailed interview where he discusses his latest single, Turn the Screw, and what we can expect from his forthcoming album, First Ray of Light. I ask which artists inspire him and what sort of music he reacts to strongest – he provides the names of some upcoming musicians worth some time.

I was keen to know whether we can expect to see Harbidge touring and whether he has a favourite memory from music; which three albums are most important to him; if he gets time to chill away from the demands of a songwriter – he ends the interview with a fantastic song.

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Hi, J R. How are you? How has your week been?

Hi, M.M. - thanks for having me. My week, as always, has been hectic: I never seem to have the time to catch up on anything. I’m sure it’s like that for millions of people, though. My most musical moment this week was trying out some new material at Spiritual Records open mic night in Camden. It went well. A lot of people listened intently and the new track, Sunshine Not Rain, went down really well.

Had some great feedback. 

For those new to your music; can you introduce yourself, please?

Somebody once said to me: “Your music is Folk/Americana/Roots/Country/Rock and commercial without being commercial”. I quite like that. It ticks all of my boxes! I would say, if you like Bob Dylan, Ryan Adams; The Band, Crosby, Stills, Nash & Young; Jackson Browne and the Eagles, then you will like my music. 

Other than that, I have been in music all my life. I started playing guitar at nine after seeing Iron Maiden on Top of the Pops. I played my first gig at fourteen and I have been on the treadmill of writing, gigging and recording ever since. 

Turn the Screw is your debut single. Can you reveal the story and how the song came together?

Turn the Screw was my reaction to the financial crisis a few years ago and how we shouldn’t trust an institution just because it’s an institution. The song also touches on the repercussions of the crisis. How everything is too expensive - it’s becoming impossible for many people to just exist. A bit depressing, really. 

The album, First Ray of Light, is out in October. What sort of themes and stories influence the music?

I think the albums underlying message is hope and positivity; however, a lot of the songs have their genesis in depression, anxiety; loss and there are a few political themes also. 

There are a couple of songs I haven’t really talked about yet in interviews so I’d like to cover them. There is a song called Something to Hide. It’s, essentially, about the idea of having an affair or doing something behind someone’s back that you know would really hurt them and trying to live with the secret – and, before you ask, it’s not about me; it’s a coming together of experiences gleaned from people I know. 

Another song I haven't really talked about is Have Mercy. It’s the only co-write on the album. I wanted to write a song that sounded old, like a trad. Folk song. This was my best effort at that. A lot of the bigger songs on the album, like When You Don’t Love Your Man, and A Side of You That Cares are rooted in depression and how someone on the outside of that disease sees and handles it. Learn to Love the Rain is about loss and how that can really affect your day to day life and the struggle to cope with such an enormous thing.  

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Is there a song from the album that stands as a personal favourite?

Each song has been a favourite at some point during the process but I always go back to A Side of You That Cares. It’s unusual in the way that the song builds and then just drops right down when you are expecting it to take off. It’s quite a long song but the instrumental middle eight is probably my favourite part of any song I’ve written. 

What was it like working with producer Gavin Monaghan? Did you learn a lot?

I worked with Gav a few times over the years - not on this record but on a lot of other projects. He was my first real introduction to the art of recording. I learned a hell of a lot just watching him work. I used to ask him question after question whilst he was mixing a song. I’m sure it drove him mad but he’s such a nice guy he answered all of them. 

I took most of what I learned into the studio when I started recording this album. 

I get the impression that classic Folk artists like Neil Young and Bob Dylan are big heroes. Who did you grow up listening to?

Yes. You’re right. 

There were three records on constant rotation in our house when I was growing up: Deja Vu by Crosby, Stills, Nash & Young; Paranoid by Black Sabbath and The Beatles ‘best of’. I would say they were played heavily. Neil Young’s Harvest and After the Gold Rush wad also played a lot in the house. So, I was bombarded with melody and harmony from day one..and that’s what I try to put into my songs. 

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Which musicians did you grow up listening to? Who do you count as idols?

My first musical obsession was IRON MAIDEN. They were the band that made me want to pick up a guitar, so Dave Murray was my first guitar hero. Then, I moved on to Led Zep, Deep Purple; Rainbow and idolised Page and Blackmore. C.S.N.&Y. were my other childhood obsession. I have every record C.S.N. or any member has put out and I’ve read everything there is to read about them. Love C.S.N.  

Since 2001, however, Ryan Adams has been my main musical obsession. I first heard Rescue Blues whilst waiting for an old girlfriend to come home from university; sitting in my little V.W. van in heavy rain.  As soon as I heard that song, it triggered something inside - just like Iron Maiden had years earlier. 

What do you hope to achieve by the end of 2018?

Realistically and musically, I would love my music to be being listened to by more and more people and I would love to see more and more people coming to live shows. I am hoping that I can at least touch the U.K. Americana chart with the album. Just getting into the chart at the bottom can open up a lot of doors and help prolong my music career. 

Personally, I just want to be happy and for my family and friends to be happy. Not a lot to ask really. 

Have you got a favourite memory from your time in music – the one that sticks in the mind?

I have been playing, gigging and recording for more years than I care to reveal, so there have been many moments…

A band I was in at the end of the '90s sold out Ronnie Scott’s in Birmingham. That was an achievement. I am very proud of the album I released with my last band, Third Bullet (Revelations Revisited). We also had a song licensed to a Harley Davidson commercial from that album. More recently, I recorded two singles at Abbey Road. That was on my bucket list. I recently found out Paul McCartney was in Studio 3 whilst we were in The Gatehouse studio. O.M.G.! 

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Which three albums mean the most to you would you say (and why)? 

This is a tough one because tomorrow they could be three different albums. 

I guess the first would have to be Iron Maiden - Seventh Son of a Seventh Son

Simply because, if I hadn’t heard that album, I would never have picked up a guitar. 

Crosby, Stills, Nash & Young - Déjà Vu would be my second choice

It’s a masterclass in songwriting. I love every track. Each writer’s songs are so uniquely their own but they all sit so well together on one album. The harmonies are out of this world and each song is rich in melody. I could go on for hours about this album. 

I am going to throw a curve ball album in here. It’s by a band that never got the recognition it deserved but I still play it to this day. The band was Montrose Avenue and the album was Thirty Days Out

I think it was released around '98. As soon as I heard the first single, She’s Looking for Me, I was a fan and saw them at The Foundry in Birmingham. They were a modern-day C.S.N.&Y. Every song on that album is a gem. I only wish they had l stayed together and recorded another. I think one guitarist ended up being the second guitarist in Stereophonics and the drummer, I believe, is a presenter on BBC Radio 6 Music. 

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If you could support any musician alive today, and choose your own rider, what would that entail?

It has to be Ryan Adams and my rider would be whiskey, water; cowboy boots, a couple of dancing girls; a white limo, some drugs; a record player, clean underwear and a salami.  

Can we see you on tour soon? What dates are coming up?

I am just about to confirm/announce a Cafe Nero tour (no white limos on that rider). The launch gig/party is on 5th October at The Malt (Shovel) Aston-on-Trent, Derbyshire. I will be announcing some record store dates soon.

The full band tour will be later in the year.

What advice would you give to new artists coming through?

Don’t follow trends: be who you are and write songs that are true to you. Don’t try and be the next Little Mix or whoever it is you like. Listen to people who know what they are talking about. When you are young you ‘know’ everything but you really don’t - so take advice. It might be advice you don’t like but it could be the advice you need. 

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IN THIS PHOTO: Nicki Bluhm

Are there any new artists you recommend we check out?

I love the first record by Bennett Wilson Poole. That’s a great album. It ticks a lot of boxes for me: Harmonies, melody and great musicianship. I also absolutely love Nicki Bluhm and Courtney Marie Andrews - not strictly new but they will be new to a list of people in the U.K. Going down a Rock road; I REALLY, REALLY love the debut from Wayward Sons. I saw them at download and they were amazing. I am also loving Jade Bird. I don’t think she has much out yet but what I have seen of her she is an awesome talent - and so young. Well jel. 

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IN THIS PHOTO: Jade Bird/PHOTO CREDIT: Phoebe Fox

Do you get much time to chill away from music? How do you unwind?

Music is the thing I do to unwind…and sleeping and drinking ale. 

Finally, and for being a good sport; you can choose a song and I’ll play it here (not any of your music - I will do that).

Ok. Sounds cool. You can play On & On by the Longpigs. When I first heard this song it made me cry. It’s in my top-three songs of all time. The album is one of the best debut albums of all time for me

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Follow J.R. Harbidge

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INTERVIEW: Telehope

INTERVIEW:

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Telehope

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THE guys of Telehope

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have been telling me about their new album, Hello to the Now. I ask whether they have standout cuts from the record and what sort of themes influenced the music; when they are got together and started making music; what the music scene is like in Ohio – they give the names of new artists worth following.

I ask the guys whether they have any dates coming up and what their favourite memories (from their career) are; the sort of music they grew up listening to; what advice they would give artists emerging – they tell me whether any U.K. shows are a possibility.  

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Hi, guys. How are you? How has your week been?

We’ve been working nonstop on our live show/visual production for our album release show in Cincy on 8/10, so it’s been insanely busy! We’re pumped, though, that the album is out and people are streaming Hello to the Now!

For those new to your music; can you introduce yourselves, please?

Mark Brad is our professional whistler; Adolph Goetz is the knife-juggler; Nate Trammel hits things and Ben just shakes a tambourine! (Really, though; Mark is the singer; Adolph is our guitarist; Nate is our drummer and Ben is the keyboardist).

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How did Telehope find one another?

Ben: I was at a Walmart Supercenter before Easter of 2014 and mistakenly put Adolph in my cart thinking he was a giant chocolate bunny. When he hopped away, I knew I’d made a dreadful mistake.

The band has been through a lot of reforming over the past few years but Ben and Adolph have been friends for close to ten years! Mark and Nate are distant cousins so they probably met at an awkward family-reunion backyard-B.B.Q.

Do you remember the first time you all played together?

Our first concert as Telehope was a sold-out night for our Chasing Dreams Album Release show. It was one of the most incredible nights of Telehope so far. We’re working relentlessly to make this Hello to the Now Album Release a sold-out show as well!

Are there origins and stories behind the songs on your album, Hello to the Now? Do you each have a standout pick from the collection?

Mark: Every song on the album is written about a specific person and circumstance in our lives. Most of our songs tell a story of a struggle with depression or anxiety and how to combat those lies. My faves are Younger and Swan Song!

Adolph: Like Mark said, each song has a very specific origin, story and purpose. My two favorites are probably Calling Your Name and Younger.

The band is based out of Ohio. Is there a good music scene where you are?

Adolph: The Cincinnati music scene is full of incredible artists! We try to make it to as many local shows as we can. We love sharing this scene with artists like PUBLIC, Daniel in Stereo; Circle It, Harbour; Coastal Club, Moonbeau, and many more.

Ben: We’re fortunate to have many great venues geared towards local artists here in Cincinnati. I think the scene here is thriving because of so many artists working 24/7. There’s a great community of bands here and it exists because of how much we all care about music and about helping each other reach our goals.

Your music has featured on T.V. shows and gathered great press. How does it make you feel gaining that sort of acclaim and coverage?

Watching a national T.V. show with our song playing in the background is surreal to us. We’ve been working so hard, and for someone else to believe in our music enough to put in on the air like that feels so great.

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Which artists did you idolise growing up? Did you experience lots of music as youngsters?

Mark: I grew up in a very musical family, so we listened to a lot of music when I was growing up! I really enjoyed listening to '70s and '80s music growing up like Boston, Styx and Kansas.

Adolph: There was always lots of music in the house, but it wasn’t until discovering Relient K that I fell in love with music and wanted to learn to play guitar. Adam Hann of The 1975 was a big influence of mine and I dream of playing like Mateus Asato someday.

Ben: I didn’t start listening to music until I was about thirteen-years-old! Owl City is what inspired me to start producing and writing music. I fell in love with expressing my thoughts and emotions through music and it’s a feeling like no other.

What do you hope to achieve before the end of 2018?

We want to have one-million total streams on Spotify. We’re over halfway there! Another big one is being support for a national band on tour, such as COIN or Twenty One Pilots. We want to travel, meet people and share hope with people.

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Have you each got a favourite memory from your time in music – the one that sticks in the mind?

Mark: Our album release show for Chasing Dreams. We sold out Madison Live, a local venue here in Cincinnati (Ohio). It’s always been a dream of mine to be able to pursue music as a career - and that show was the start of this crazy journey.

Adolph: One of my favorite memories was definitely having the opportunity to open for COIN here in Cincinnati. COIN is one of our all-time favorite bands and the crowd seemed to love us.  It was great to get to know those guys a little and share the stage with a band that has had so much influence in our lives.

Ben: Definitely when we opened for COIN in Cincinnati. That was a dream come true and where things started to seem a little more real to me.

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What advice would you give to new artists coming through?

Ben: If you’re serious about music, question everything: “Should we play this show opportunity? Why am I posting this picture on Instagram? What’s the goal of releasing this music? Why are we doing what we’re doing?” I believe figuring out why your music exists is a crucial part of your career. For Telehope, our music exists to tell our listeners that there are struggles in this life but that there’s always hope. Also, don’t get stuck playing the same venue, the same shows and the same music for too long. You can saturate your local scene and your fans will start not showing up.

Make a big deal out of EVERYTHING. Putting on a show? Make it seem like a huge deal. Releasing a song? Hype up your fans and tell them how much you believe in it. I could talk for hours about this because we’ve learned a lot since our first band in 2013.

Where can we see you play? Do you have any gigs approaching?

August 10th at Madison Theater in Covington KY/Cincinnati OH at 7:30 P.M.! This is the biggest show we’ve ever put on: we have more production and crew than ever before and it’s going to be an amazing experience.

Do you think you’ll come to the U.K. and perform? Do you like British music?

Ben: I’ve always been a fan of One Direction…does that count? We absolutely want to come to the U.K. We have some fans over there and would love to meet them and build an even bigger following!

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 IN THIS PHOTO: Coastal Club

Are there any new artists you recommend we check out?

Coastal Club, The WLDLFE; PHANGS and the The New Schematics are all dope!

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IN THIS PHOTO: The WLDLFE

Do you get much time to chill away from music? How do you unwind?

We don’t take too much time off (we should probably work on that) but we know we’re where we’re at because of how hard and relentlessly we’ve been working. We are Chicken Tender connoisseurs, going to every possible restaurant around town finding the best! We love kicker around a soccer ball, Fortnite and drinking LaCroix!

Finally, and for being good sports; you can each choose a song and I’ll play it here (not any of your music - I will do that).

Thanks so much for the questions. We love having a chance to get some of our thoughts out like this!

Adolph: Yours - Daniel in Stereo

Ben: Risk by Circle It. We love those guys!

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INTERVIEW: Sam Way

INTERVIEW:

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Sam Way

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HERE is another artist I have featured before…

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and am keen to catch up with. Sam Way has been talking with me about his track, Hard Feelings (out on 17th August), and how it came together. I ask whether he is growing between every release and what he has planned for the future; which artists he was compelled by growing up – he reveals three albums that have impacted him.

The talented songwriter selects some upcoming artists to look out for; whether there are going to be gigs in the pipeline; how he is coping in the hot weather; the advice he would give to artists emerging – he tells me how he chills when he is not recording music.

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Hi, Sam. How are you? How has your week been?

Hi, Music Musings. I’m good. Thanks for having me…and…the week. Well, it’s been full-power on the countdown to the release of Hard Feelings.

For those new to your music; can you introduce yourself, please?

Sure thing. My names Sam. I live in Bethnal Green - and I’m about the release a cello-driven Dark-Pop tune on 17th August

Are you enjoying the heatwave? Is it leading to any songwriting and creativity?!

Ha! God, no. My. I’m trying to record some acoustic tracks at home and my laptop is humming so loudly trying to cool down - you can hear the noise bleed into the MIC!

Hard Feelings is your latest single. Can you reveal its story and inspiration?

It is indeed. The essence of Hard Feelings was born in a co-writing session with another songwriter. We were both talking about our lives, then our relationships and found a common a point there. It’s a song that explores the nuances of love and loss and acknowledges simply how challenging feelings can be.

Do you find you are growing with every release? Have you grown in confidence since the release of the E.P., Archetype?

For me, it’s just about taking the next step; just do that really well and see where you go after that. Confidence rises and falls I think, too. Right now, I’m pretty excited about dropping the new single and working with an indie label for the first time, too.

Which musicians did you grow up listening to?

Eminem, Dr. Dre; Benga, The Prodigy and Sum 41.

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What do you hope to achieve by the end of 2018?

I want Hard Feelings to really fly; release another two tracks as singles, play a headline show in London; sort out the festival season for next year and really want to play a show in Turkey - I have a large fanbase there (bizarrely) waiting to see me play.

Have you got a favourite memory from your time in music – the one that sticks in the mind?

So many. Going on my first road trip with my dear friend and artist Anna Pancaldi has to be up there.

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Which albums mean the most to you would you say (and why)?

The Prodigy - The Fat of the Land

It just blew my mind. I saw them live two years ago in Alexandra Palace and it was electric.

Fat Freddy’s Drop - Based on a True Story

One of the best albums I’ve ever bought. It’s been with me ever since I started diversifying my musical taste from Hip-Hop and Drum and Bass as a teen. This album was an education.

If you could support any musician alive today, and choose your own rider, what would that entail?

I’d want to support Nick Mulvey and have a rider of fifty different types of herbal tea - for before I play - and three rare vintage bottles of whiskey for after. Oh…and maybe some cake.

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Can we see you on tour soon? What dates are coming up?

I’m live in London playing a Sofar Sounds show on 8th September - but we’re keeping the bigger headline show announcement till later in the year.

What advice would you give to new artists coming through?

Wow. It’s a minefield out there but just keep on doing your thing and pushing your edges.

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IN THIS PHOTO: Gareth Esson

Are there any new artists you recommend we check out?

Gareth Esson and Dawson Reeve.

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IN THIS PHOTO: Dawson Reeve

Do you get much time to chill away from music? How do you unwind?

I watch cartoons. No lie.

Finally, and for being a good sport; you can choose a song and I’ll play it here (not any of your music - I will do that).

It’s been a pleasure - thanks for having me. Can you play Ernie by Fat Freddy’s Drop? Blessings

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INTERVIEW: Delaire

INTERVIEW:

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Delaire

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THIS is not the first time I have…

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featured Delaire on my site. She is an incredible artist who always produces brilliant work. I have been speaking with her about her latest track, Something More, and whether even more will be coming from her – she reveals what she wants to achieve before the end of the year and how her career has changed/evolved since the start.    

Delaire talks about albums that mean a lot and a new artist to look out for; whether she is touring anytime soon; if she gets chance to chill away from music; how she got into music and was bitten by the bug – she ends the interview by selecting a cool song.

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Hi, Delaire. How are you? For those new to your music; can you introduce yourself, please?

Hi. I am Delaire and thank you for listening to my new single, Something More.

Something More is your new single. Is there a backstory and tale behind the song?

The song is about craving more from life. I grew up in London and have spent a lot of my time surrounded by the same stuff. I wrote it after a night out when I was just looking around at all these wasted people and thought: ‘There has to be more than this’.

 

Are you looking ahead at an E.P. or album? Might we expect more music next year?

You can definitely expect more music – but, for now, I am just really working on my sound and my direction before I commit to an album. 

Do you recall which artists inspired you to go into music? Did you grow up around a lot of music?

I grew up around the best kind of music as my parents gave me a great musical education. I love Joni Mitchell, The Stones and Sade. I spent a lot of time in clubs during my misspent youth, so will always love softer Drum and Bass and House. 

How do you think you’ve changed and built as an artist since your start?

I think I have become much less worried about what other people think about me! Which is a relief. Life is way too short to worry about people’s opinions all the time. 

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I know BBC Introducing invited you to perform at Maida Vale Studios. How did you feel getting that news?!

It was amazing! It was so cool to get a taste of things that could start coming my way.

What do you hope to achieve by the end of 2018?

I just want to keep writing and enjoying the process - and not focus TOO much on the future. I will always have music in my life and I will always carry on so long as I am making myself happy! 

Have you got a favourite memory from your time in music – the one that sticks in the mind?

Impossible to choose.

I have been going to Glastonbury for years; it’s like musical Heaven. I cry every time I go as the pure joy takes over my body completely. Seeing music bring so many people together is total magic.

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Which three albums mean the most to you would you say (and why)? 

Joni MitchellBlue

Does it need an explanation?! She captures every essence of love and loss I have ever known in one album.

Fleetwood Mac - Rumours

It’s my boyfriend and my album. We listened to it when we first met and always reminds me of him.

One of the Now That’s What I Call Music! albums from the '90s! I played these on-REPEAT and couldn’t wait for them to be released!

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If you could support any musician alive today, and choose your own rider, what would that entail?

I would love to support someone like HAIM. I bet they are so fun and I love their music. I would defos ask for some taramasalata and pita bread - and enough Aperol to last the night! 

Can we see you on tour soon? What dates are coming up?

Announcing something very soon!

What advice would you give to new artists coming through?

Be yourself and listen to your gut: don’t let the hustle get the better of you. Great music will always prevail.

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IN THIS PHOTO: Grace Carter

Are there any new artists you recommend we check out?

Grace Carter! She’s a babe and her music is stunning.

Do you get much time to chill away from music? How do you unwind?

Yes! Lots of time! Music life has its slow moments. I love a glass of wine and Love Island at the moment (don’t judge).

Finally, and for being a good sport; you can choose a song and I’ll play it here (not any of your music - I will do that).

Rosie Lowe - Woman

She is EVERYTHING.

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Follow Delaire

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