INTERVIEW: MUFFIN

INTERVIEW:

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MUFFIN

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THIS week kicks off…

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with a chat with Matt of MUFFIN. He discusses their new song, swim.float.drown, and whether the song came together quite naturally. He reveals whether there might be more material coming later; what Leeds is like as a centre and source of inspiration; what advice he would give artists coming through – he selects some upcoming talent to look out for.

The boys each choose an album that means a lot to them; Matt talks about touring and future plans; what he does to unwind away from music – the band pick a track each to end the interview with.

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Hi, Matt. How are you? How has your week been?          

Matt: Pretty good thanks, Sam! We’ve just come off the back of playing Neverworld festival down in Kent with the likes of Tom Grennan, Yonaka; Bastille etc. and have announced another couple of shows in Bournemouth and Tunbridge Wells for the end of August.

For those new to your music; can you introduce yourselves, please?

Ok. So; we’re a hybrid of Alt-Rock, Grunge and Punk mixed with gin and ginger hair - ‘MUFFIN’ for short.

What can you reveal about the new single, swim.float.drown? How did that come together

Most of how we write is as a five-piece, all together in a practice room. Someone will come in with a riff or a pre-chorus, etc. - and swim.float.drown was no different in that aspect. We wanted to develop the sound from the direction we were heading in our debut E.P. and we think we’ve managed to capture that.

It sounds like you are in confident mood right now. Did swim.float.drown come together quite quickly and naturally?

Not really, no! We had the verse-chorus structure nailed down pretty quickly, but then we were stumped for a while about where we wanted it to lead. Then Jamie (guitar) came in with this monster riff and it just fit pretty perfectly.

Do you all share the same taste in music? Who were the artists you all grew up around?

We all have crossovers in our music tastes which was definitely a leading factor in what brought us together as a band. But, to say that we all had the same music taste would be far from that. Individually, our music tastes span from Electronic music, noughties Indie; '70s Punk, right the way through to Metal. For me, I was raised on a diet of Green Day, Oasis, Madness and a bit of Motörhead.

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Leeds is your hometown. What is the music scene like there? Do you think the city gets the credit it deserves?

Leeds is busy. There are so many venues, so many bands and so many different things always going on. It can be your best friend or a problem child. In a place like Leeds, you have to stand out to stand a chance, so I guess that’s what we’re trying to achieve there.

Might we see more from the band later this year/next? What are you working on right now

Now, it’s all about getting as many gigs under our belt by the end of the year - and, hopefully, before 2019 we’ll have another release out. We’ve got four or five booked in the diary already and that number is looking like it’ll grow in the coming weeks.

Do you think there will be touring dates? Can we catch you play?

Bournemouth and Tunbridge Wells over the August Bank Holiday and then we’ve got plans for Leeds, Manchester; Hull, Glasgow and Newcastle and hopefully a few more in October/November time. There may be a short tour in the offing in December too but no promises!

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If you each had to select an album that means the most to you; which would they be and why?

Matt: I’d have to go with A Black Mile to the Surface by Manchester Orchestra

Because I cannot think of another album that I’d prefer to just sit and listen to front-to-back. It’s cinematic.

Jamie: Queen’s Greatest Hits for me

Listening to those tracks made me want to be a performer.

Jacob: Wish You Were Here – Pink Floyd

It’s the album that inspired me in guitar technique and the love of solos.

Sam: For me, it’s I Had the Blues by Bombay Bicycle Club.

Barry: The Strokes’ Is This It

The best Indie album out there for me.

What advice would you give to artists coming through?

Don’t be lazy. It sounds stupid, but genuinely, if you can be arsed to sit for a few hours compiling press releases, sending emails to promotors; to reviewers, to other bands; finding Spotify curators online, regularly interacting with people on and off social media; making time to play gigs all over the bloody country…that’s what makes the difference.

Obviously, you’ve gotta be good but it helps so much more if you’re good and right in someone’s face so they can find you. The more effort you put into the boring bits behind the scenes, especially when you’re like us and totally independent, the better the gigs will be and the better the opportunities you will get.

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IN THIS PHOTO: OTHERKIN/PHOTO CREDIT: Jake Haseldine

Are there any new artists you recommend we check out?

The list would be endless and it’d end up in an argument if you forced us to give a list we all agreed on…but there’s a few that stick out. OTHERKIN, Avalanche Party; Fizzy Blood, Youth Killed It; Generation, LION and Yonaka (this list will go on and on as well…).

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 IN THIS PHOTO: YONAKA/PHOTO CREDIT: Ryan Saradjola

Do you get much time to chill away from music? How do you unwind?

The pub.

Finally, and for being good sports; you can each choose a song and I’ll play it here (not any of your music - I will do that).

Matt: Fairweather Friends - Queens of the Stone Age

Jacob: Shine on You Crazy Diamond (Parts I-IX) - Pink Floyd

Sam: Raus! – NARCS

Barry: Mirror Kisses – The Cribs

Jamie: You Can Get It If You Really Want – Jimmy Cliff

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Follow MUFFIN

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INTERVIEW: Maria Muller

INTERVIEW:

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Maria Muller

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THERE are few artists…

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who have been through a tougher time than Maria Muller. She opens up about the gamble she took to become a singer and how loss in her family affected her. Muller talks about future material and artists that mean a lot to her; a musician she recommends we follow and watch out for – she chooses three albums that are important to her.

Muller discusses her latest single, Lost, and what its story is; if there is more material coming down the line; advice she would give any songwriters coming through; how she chills away from music – Muller reveals how she unwinds away from music.

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Hi, Maria. How are you? How has your week been?

Hello. It has been a glorious summer and I am very well, thank you.

For those new to your music; can you introduce yourself, please?

I am a singer-songwriter living in the U.K. I was born in the Philippines and am now a citizen of Switzerland. I started out my training as a Classical singer. I loved the opera but found that my true calling was in writing songs. I write the melodies and lyrics to all my songs.

Lost is your new single. Can you reveal the story behind the song?

It was a very tough time in my life and my marriage was suffering for it. There was a need for more open communication and privacy. We weathered the storm, after a brief separation, and we are stronger together.

I believe you sold your possessions and took a big gamble to become a singer. Was there a distinct point in life where you had reached a crossroads and needed to take that gamble?

I started the journey of my love for music quite late in my life and, after having lost my two sisters who passed tragically, I questioned life and how to live it. I felt it was a tribute to Sandra and Carmencita to live my life to the fullest. Their lives were cut short and it taught me how not to take life for granted. It was a risk to sell all I owned, as I lived a very comfortable life. Yet, the calling in my soul could not be ignored.

It is a decade since you made that move. Looking back, are you happy you made that decision and dedicated yourself to music?

It has not been easy as the music industry has always been focused on the youth. But, I do not regret the choice I made. I may have less than what I had, but I do have a better sense of who I am and what my life and music is about. Money cannot buy self-worth: the courage to venture into unknown territory does. You learn just how much strength you have inside you.

No one can take that away.

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Is there more material coming later in the year? What are you working on?

Yes. There is a new track called Que Se Vaya (Tell Him Go) which I am working on with a producer from the United States. It will be released by Warner Music Singapore.

Who are the artists that inspire you and led you to get into songwriting?

Joni Mitchell, Leonard Cohen; Bob Dylan, Neil Hannon; George Michael and Elton John.

What do you hope to achieve by the end of 2018?

I hope to be able to release Que Se Vaya and continue to write songs for film tracks as well.

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Have you got a favourite memory from your time in music – the one that sticks in the mind?

I was living in Barcelona when George Michael performed live. I waited for that performance for months and managed to get a ticket. His performance and stage presence was electric. 

Which three albums mean the most to you would you say (and why)?

Joni Mitchell’s Blue; Leonard Cohen’s The Essential Leonard Cohen and The Divine Comedy - Loose Canon (Live in Europe 2016-2017).

If you could support any musician alive today, and choose your own rider, what would that entail?

It would take a great deal of promotion and, ideally, a big label to support a new artist. One needs a network of professionals to organise live performances and publicity. It’s a long process and it takes passion.

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Can we see you on tour soon? What dates are coming up?

Warner Music Singapore will have to organise a tour. However, I am working on live performances in local spots in Bath (as it is close to home).

What advice would you give to new artists coming through?

I would say - know who you are and own it. Don’t try sounding like someone else as that gig is already taken. Then, network, network, network and take deep breaths to soldier on.

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IN THIS PHOTO: Joan Armatrading

Are there any new artists you recommend we check out?

My favourite at the moment is not a new artist but she has reinvented herself. Please do listen to Joan Armatrading’s new album, Not Too Far Away.

Do you get much time to chill away from music? How do you unwind?

I am going on a three-day silent retreat in a Buddhist retreat centre in Yeovil this weekend. Three days of silence and meditation. For a quick ‘cheer-me-up’ in the summer, I jumped into the River Avon near our home in Bradford on Avon. Nothing like cool water to clear the mind and cheer the soul.

Finally, and for being a good sport; you can choose a song and I’ll play it here (not any of your music - I will do that).

Thank you for playing A Lady of a Certain Age by The Divine Comedy

INTERVIEW: Stratz

INTERVIEW:

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Stratz

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IT is time to talk with Stratz…

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as he discusses the story behind his new single, Likkle More. I was eager to know where he goes from here and which artists have inspired him; the upcoming acts we should all keep an eye out for – he tells me whether touring is going to be a possibility.

I learn how much of his parents’ culture and background he brings to the music; what he wants to achieve before the end of the year; if he gets time to chill outside of music – he provides some useful advice for artists emerging.

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Hi, Stratz. How are you? How has your week been? 

Hi. I'm fine, thank you. Been juggling work and music for a while so it's pretty exhausting, however rewarding, to know it is progressing. 

For those new to your music; can you introduce yourself, please?

I am a new artist based in North London with the intentions of creating meaningful, somewhat emotive music. The song Likkle More, which is my interpretation of giving and doing so with pure intentions, was created to remind people we can all share something, anything; even a simple smile. The lyrics are spoken from things I see day to day and how I feel about them.  

Likkle More is your new single. What is the story behind the track?

I take influence from Jamaica and Nigeria, as they are my parents’ origins and homes, and it is simple nature to share with your brothers and your immediate family. So, I used the term ‘likkle more’ as we carry these actions over from the homeland and into the current world we live in, which I'll describe as a problem. 

What was it like bringing the track to life in the studio? Who is the female voice we hear on the song?

So. The initial track was recorded using an instrumental I found on YouTube and, when I laid lyrics onto this backing track, it was really good. But, to progress to a beat tailored to fit around me and the singer created a wonderful feeling of achievement - and going that extra mile to make authentic original music.

The female singer is a phenomenal artist from Portsmouth called Amba Tremain (shout out to Amba)  who I met via the studio - and they thought she'd be a good voice to help push out my message (and it couldn't have been a better choice). 

Is there going to be more material next year? How far ahead are you looking?

Yes. I'll make more before the end of the year if it is possible. Ha. I sort of do it as I can at the moment; however, as part of a contractual agreement, I can confirm one more song is definitely in the making and I'll release more info on that song as I make progress on it. We are going with a more Dance-type of sound so should be fun to create and record. 

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Who are the artists that inspire you and led you to get into songwriting?

From a young age, I always heard lyrics before beats so, if I can relate to the meaning made from the song, then I'd like it. Vybz Kartel, a Jamaican artist is one of the best artists regarding making good, current lyrics in my opinion. This is because he does not filter what he wants to say: he will deliver his message and you'll hear exactly that.

When it comes to U.K. music, I'd listen to Tinchy Stryder as his lyrics are good at creating a story so I follow and this is a powerful tool. My sister, Kid Wondr, makes music and is progressing rapidly. I listen to her words and it creates a story; this inspires me to be able to do the same with my words. 

How much of your roots do you bring to music? Do you take from African and Caribbean sounds?

Sound-wise, probably not a lot given I have a strong English accent. Ha.  But, mentality and culture-wise, I learnt from my mum and family members; therefore, I would say I have a different opinion on things and therefore write lyrics accordingly - my lingo definitely gives away my influence though, e.g. likkle more. 

What do you hope to achieve by the end of 2018?

Another song, hopefully, but I don't want to rush it and potentially create a bad song. So, the biggest achievement would  be to have more knowledge of the industry; more clothing available for sale; more performances - and then next year will hold the bigger goals. 

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Have you got a favourite memory from your time in music – the one that sticks in the mind?

Pretty early in my career to have a favourite memory but the last year has been pretty full-on with decisions and choices. I'd say the highlight so far has been getting the opportunity to perform at the Southsea beach cafe which was an eye-opener for how it'll be when I perform properly at bigger stages etc. 

Which three albums mean the most to you would you say (and why)? 

Funny enough, I've never really downloaded an album, as I like individual songs, so if we are talking about three songs I enjoy to listen to I'd say Solo Dance by Martin Jensen; Vybz Kartel’s Have a Little More and Merital Family - On and On. Solo Dance is what I'd call a pick-up song as it would make anyone want to dance - and I like the fact it promotes individuality. Vybz Kartel often talks about giving, as I've replicated in my song, and this was the biggest influence for my track. When I lost my friend a few years back, I often listened to Merital Family’s song On and On, which talks about lost souls etc. 

If you could support any musician alive today, and choose your own rider, what would that entail?

If I was to be offered the opportunity to support an artist on stage, it would have to be someone who could relate to my style and I could reciprocate - someone like Tinchy Stryder. I think my flow would be a match to his in a good constructive way and he sorta has the vibe I want to create when performing.

When it comes to my green room, I could only ever have my day one friend. Haha. So, I'd love to one day to see artists I've grown up with such as Kid Wondr, Baller Gen etc. to share my champagne in my green room.

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Can we see you on tour soon? What dates are coming up?

I don't think a tour is due any time soon. Ha. However, I am doing a track at Portsmouth's Victorious Festival.

What advice would you give to new artists coming through?

Very cliché, but be yourself and do what you feel brings you to life - and, hopefully, that mood will rub off on all listeners.

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Are there any new artists you recommend we check out?

I have had the pleasure of meeting Joe Burger, an upcoming artist based in Portsmouth. He has a very fresh touch to Rap music and I will be glad to feature with him on a future track. Also; my cousin Baller Gen from North London is making his way up the industry. My sister, Kid Wondr (from London), is a brilliant lyricist. All are positive influences around me and very supportive.

Do you get much time to chill away from music? How do you unwind?

When I'm not making music, I'm at work so chilling is very rare. So, when I do get time to chill, I'm usually catching up with mates and family.

Finally, and for being a good sport; you can choose a song and I’ll play it here (not any of your music - I will do that).

A tune I would like to hear would be Martin Jensen - Solo Dance. Happy one. Haha. 

Thank you for your time!

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Follow Stratz

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INTERVIEW: Indigo Face

INTERVIEW:

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Indigo Face

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I have been getting to know Indigo Face…

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and their great new single, The Seed. I discover what the song is about and whether we might see more material down the track. They talk to me about their roots and bringing different sounds/nationalities to the fold; if the stage is where they all feel happiest – they recommend new talent to watch.

I discover whether Indigo Face are touring and which artists they are inspired by; if they have anything left to accomplish this year; what advice they would give musicians coming through – they each end the interview by selecting a song.

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Hi, guys. How are you? How has your week been?

Hi! We’re very good, thanks! Our week has been quite busy: we’ve been rehearsing for our gig at Jazzgir and had a photoshoot for our next single!

For those new to your music; can you introduce yourselves, please?

We are Indigo Face; Alternative-Pop band based in London. With our songs, we like exploring the spiritual and earthly sides of the human being and society in all its weirdness and contradictions. 

Can you reveal how Indigo Face found one another? When did you start making music together?

We all met at uni four years ago. We studied at BIMM London and became friends pretty much straight away. Mary (lead singer) had some songs she wanted to work on so she started working with Max (producer, keyboardist and guitarist). Ray (bassist) and Andrea (drummer) joined the band as soon as the songs were ready to play live. 

The Seed is your new release. What is the story behind the song?

The Seed is a song about family and how important it is to let go of toxic dynamics in order to learn how to love unconditionally. Letting go can feel as if we were “waiting in the dark” for someone to switch the light back on, as we sing in the chorus. We didn’t want to take ourselves too seriously though, so we decided to make the song up-tempo and lively enough for people to dance!

Your music seems to draw from all the colours and sides of London; a bit of Funk in there! Do you ensure, when writing music, to put as many different elements and sounds together?

Yes - and it is quite inevitable for us as we come from very different countries. Max is from France; Ray from Switzerland and Mary and Andrea are from Italy, so we all grew up listening to very different music. Our different musical backgrounds merge into our music and, on top of that, we also bring the colors of London (which is home to all of us four). 

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Might we see an E.P. or album next year would you say?

Yes. We might release an E.P. We have enough songs for an album, actually, but we’ll see what our fans prefer! 

Which artists are you influenced by? Who are the musicians who have made the biggest impact on the band?

Eurythmics, Christine & the Queens; Highasakite, Björk; Sigrid and Everything Everything. The artists that had the biggest impact are probably Christine & the Queens, Highasakite and AlunaGeorge. 

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Do you think there will be touring dates? Can we catch you play?

Sure! We are playing on 8th September at the Bassment in Chelmsford and we’ll have a Sofar Sound session on 19th September (secret location).

We are also thinking of going on tour outside U.K. so…stay tuned! 

Is the stage the place you all feel happiest? How do you feel performing to a crowd and hearing that reaction?!

Absolutely. There is nothing like performing live. Our audience is the best: we love seeing them dancing with us and listening carefully when the songs we play are a bit slower and more intimate. 

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You have achieved a lot over the past year. What do want to tick off the do-list before the end of this year?

We think we might have already ticked it off! Last April, we won a competition called 1M Europe and flew to Rome to play The Seed at the Primo Maggio Festival in front of sixty-five-thousand people. It was unbelievable! Without a doubt, our best experience so far.

Have you each got a favourite memory from your time in music – the one that sticks in the mind?

For us all, it was playing at the Primo Maggio Festival in Rome and being on Italian national T.V. 

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If you could support any musician alive today, and choose your own rider, what would that entail?

We’d love to support artists like Christine & the Queens and Highasakite as we’re playing similar music and we’re also using a similar sonic approach with our live band. 

For our rider, we’d want healthy food only: no meat; mineral water and a bottle of good wine to celebrate every now and then (smiles). 

What advice would you give to artists coming through?

Don’t give up. We know it sounds cliché, but anything can happen at any time…you just need to work hard and never ever give up. Always remember that nobody can take your artistry and your passion away from you, so keep the faith! 

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IN THIS PHOTO: Andrea Di Giovanni

Are there any new artists you recommend we check out?

Andrea Di Giovanni, Rumours and Native Dancer! 

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 IN THIS PHOTO: Rumours

Do you get much time to chill away from music? How do you unwind?

We like going to art exhibitions, watching movies and...eating loads of good food (smiles). Nothing beats a good dinner with friends. 

Finally, and for being good sports; you can each choose a song and I’ll play it here (not any of your music - I will do that).

Mary: Camille - Lasso

Max: The War on Drugs - Strangest Thing

Ray: Vulfpeck - Daddy, He Got a Tesla

Andrea: Anomalie & Rob Araujo - Hang Glide

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Follow Indigo Face

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INTERVIEW: Isak Danielson

INTERVIEW:

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Isak Danielson

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THE first interview of this weekend…

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is with the fantastic Isak Danielson. I have been speaking with him about the new single, Always, and what its story is. The songwriter reveals whether there is going to be more material coming; how he gets that arresting and incredible voice; what it feels like getting big press plaudit and attention – he selects a new artist to watch.

I ask Danielson which artists have been instrumental regarding his music; the three albums he holds dearest; whether there are going to be tour dates; if he gets time to chill away from his career – he chooses a Beatles classic to end the interview with.

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Hi, Isak. How are you? How has your week been?

I’m very well, thanks. It’s been good; on my way back home from Stockholm at the moment - where I’ve been finishing some final details on the album and rehearsing with my band.

For those new to your music; can you introduce yourself, please?

My music comes from my heart so, lyrically and production-wise, depends on what I’m feeling at the time I made the record. The genre is Soul/Pop. I think the best way to explain it is that it’s mood music: if you’re in the right mood for my kind of music it fits well.

Always is your new single. What is the story behind the track?

It’s about a beautiful girl who got my attention but didn’t give me any back. Sadness is what inspires me the most and, if you listen to the song, it may seem happy but the story is quite sad. 

Your voice has a very deep and arresting quality! Did that come naturally? Do you have to work hard on your voice?!

Thank you! I don’t work hard on my voice. I think I’ve been inspired by many great singers and tried to copy and then ended up with a mix...if that makes any sense? 

Is there going to be more material next year? How far ahead are you looking?

I like to live in the now, so I don't look too far into the future - but, there is a third single coming in September and an album in October. I also have about four new songs for the second album.

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You have gained a lot of success so far. Do all the plaudits and great reviews give you the drive to keep going and know that your work is resonating?!

It does! But, I have a big ego that needs to be fed and I’m never happy about things for too long, so I always need something new and something bigger. Hehe. So, most of the plaudits and reviews brush off quite quickly. 

Who are the artists that inspire you and led you to get into songwriting?

When it comes to songwriting, I’m inspired by Amy Winehouse, Sia; Diane Warren and Sam Smith to name a few.

What do you hope to achieve by the end of 2018?

To release my debut album and be proud of it; that the people who will hear will be inspired and listen to the lyrics on every song. I also hope to meet some of the people from social media who have supported and inspired me to make the album. 

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Have you got a favourite memory from your time in music – the one that sticks in the mind?

Hard question. I think singing to Leona Lewis and hearing her tell me she loved me has definitely stuck. 

Which three albums mean the most to you would you say (and why)? 

Little Girl Blue - Nina Simone

Because Nina Simone is a big inspiration and to me someone who has made history in more ways than just her music.

The Best Of  - Monica Zetterlund

Monica Zetterlund was a Swedish Jazz singer and, after hearing her song Sakta Vi Går Genom Stan, it was the first time I knew I wanted to sing.                                       

These Streets - Paolo Nutini

This is just one of my favourite albums; not one bad song. Also, I have great memories with this album. 

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If you could support any musician alive today, and choose your own rider, what would that entail?

A dream would be to go on tour with Adele.

My rider would be loads of vegan food, fruit; vegetables and champagne (smiles).

Can we see you on tour soon? What dates are coming up?

I am playing two shows in Sweden in August - Gothenburg and Stockholm. I’m also coming to L.A. in October where I will do a showcase (also in New York after that). 

What advice would you give to new artists coming through?

To stay true to what you like and what you feel but also let yourself be inspired by the people around you. You also have to believe in yourself to a 100%; that you’re the best at what you do and never give up!

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IN THIS PHOTO: Léon/PHOTO CREDIT: Sandra Viktoria Thorsso

Are there any new artists you recommend we check out?

Léon is a girl from Sweden who is doing well. If you haven’t heard I think you should definitely check her out.

Do you get much time to chill away from music? How do you unwind?

I spend time with my dogs and chickens. I also live close to the ocean. Nature really calms me down, so that's a good thing. I don’t think I ever unwind 100%, though... (Smiles).

Finally, and for being a good sport; you can choose a song and I’ll play it here (not any of your music - I will do that).

Play Blackbird by The Beatles. Love that song!

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INTERVIEW: We Are the Way for the Cosmos to Know Itself

INTERVIEW:

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We Are the Way for the Cosmos to Know Itself

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GIVEN their band name…

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I had to ask We Are the Way for the Cosmos to Know Itself where that stems from and whether there is a backstory! The Danish group talk about their formation and latest single, Out of Doubt. I ask what we can expect from their upcoming E.P. and what the music scene is like in Denmark.

The band recommends some new artists to watch and tell me what they hope to achieve before the end of the year; whether there are gigs coming up; how they unwind away from music – they provide some pithy, but wise, advice for artists coming through.

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Hi, guys. How are you? How has your week been?

Julie: Hello (smiles). We are feeling pretty good. Right now, we are in our tour-car on the way to the other end of Denmark where we will play a show tonight. Our week has been busy but great! A few days ago, we recorded a live video for our next single, Out of Doubt, and the other days we have been working on some new tracks for 2019.

It has been insanely hot in Denmark this week so we have been working in bikini and shorts in the studio and gone swimming as much as possible in Roskilde Fjord, which is very close to the little farm-house where we live and make music.

For those new to your music; can you introduce yourselves, please?

Mads: We are a Danish three-piece who make Electronic-Indie-Pop with a lush and cosmic feel. We are inspired by the sound of various '80s and '90s bands. At the moment, we try to mix these nostalgic vibes with more modern productions. Hopefully, creating music with a sense of nostalgia but still with a fresh and modern vibe.

Can I ask how We Are the Way for the Cosmos to Know Itself came together? Is there a story behind that name?

Julie: Martin and Mads met in primary school and has been playing together in numerous projects during the years and then they met me a couple of years ago and first then magic happened. Haha. Well, I guess you can say that we knew that we were a good team when we wrote our first track together in 2013 so we just kept on working together since then.

Mads: When starting the band, we realized we had all discovered Carl Sagan and his retro documentary series, Cosmos: A Spacetime Odyssey, sometime during physics classes in high-school and that we shared a fascination for the epic and 'over the top' mood that Carl created in the series. So, we decided to name our band after a quote from the series. The quote, “We are a way for the cosmos to know itself”, describes perfectly the epic and lush sound that we strive to create.

Out of Doubt is your latest track. What is the story behind the song?

Julie: Out of Doubt is the second single from an E.P. that will be out in October. The lyrics were written during the early morning where I took time to sit down and watch the sunrise while I wrote down all the things I was thinking of at that time; reflecting on where I was going with life. Moments like these are very important to me and I guess that a lot of people, including myself, forget to sometimes take time to stop and reflect on things in these times - where every moment tends to get filled with to-dos and impressions from So-Mes.

It is from your upcoming E.P. In terms of themes and stories; what sort of things do you explore?

Out of Doubt is, like the rest of E.P, exploring the retrospective and nostalgic. We wanted the songs to be the kind of music that brings back memories and that you put on when you feel the need to be a little reflective. The songs are about relations between different people - both the ones you still love and fight for and the ones you had to let go.

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Do you recall the music you grew up around? Which artists inspired you to get into music?

Mads: Growing up in musical homes, I think all the three of us got exposed to a lot of quality Pop music such as ABBA, Kate Bush; Madonna, Cyndi Lauper and soundtracks from movies like Top Gun and Dirty Dancing. But, from a very early age, Martin and I became interested in playing music ourselves and started enjoying more experimental music.

Eventually, in high-school, we started exploring Electronic acts such as Aphex Twin, Autechre; Seefeel and μ-Zig. Right now, I think we are trying to find a sort of middle ground between lots of the sounds and experiments from our high-school time and the simple basic chord structures and melodies from Pop music. Currently, we are listening to a lot of more modern Synth-Pop such as Shura, Chvrches and I Break Horses.

Is there a pretty eclectic music scene in Denmark? How do you think the country stands out and differs from the likes of the U.K., for instance?

One thing I really like about the music scene in Denmark is that there are a lot of indie bands that focuses a lot on melodies and songwriting - not just creating a unique production around their music. There is a good tradition for basic songwriting. That leads to a lot of quality Indie-Pop music coming from Denmark.

On the other hand, Denmark is a really small country and there is only one national music radio which has a lot of power - and they basically control who gets a career in music. That is a bit discouraging at times.

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What do you hope to achieve before the end of 2018?

We hope to have a great release of our upcoming singles and E.P. and play some great shows.

Do you think there will be touring dates? Where can we see you perform?

We are playing a tour in Denmark in October and November. Hopefully, we will play a tour in Germany in February as well.

Will you come to the U.K. and play this year or next?

Julie: We would love to - we just don’t have a booker in the U.K. yet.

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Have you each got a favourite memory from your time in music – the one that sticks in the mind?

Mads: We played at Roskilde Festival back in 2014 here in Denmark. That was huge for us. Being a Dane, it is one of those festivals you always wanted to be playing.

If you could support any musician alive today, and choose your own rider, what would that entail?

Julie: Tough question. If we could choose anything…we would love to support Kate Bush and have a backstage area made out of liquorice.

What advice would you give to new artists coming through?

Mads: Have fun. Buy lots of synths.

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IN THIS PHOTO: Yangze/PHOTO CREDIT: Andreas Skou Albertsen

Are there any new artists you recommend we check out?

There is a lot of new good Danish music at the moment. To name a few: Yangze creates beautiful Alternative-Pop music. Molina makes awesome, retro synth vibes on her latest single, Hey Kids.

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IN THIS PHOTO: Molina

Do you get much time to chill away from music? How do you unwind?

Apart from swimming in the fjord near our house at night time, we like to eat liquorice; drink craft beer and watch sci-fi movies.

Finally, and for being good sports; you can each choose a song and I’ll play it here (not any of your music - I will do that).

Mads: Molina (ft. Late Verlane) - Hey Kids

Julie: Yangze - U & Me

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Follow We Are the Way for the Cosmos to Know Itself

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INTERVIEW: Russell Swallow

INTERVIEW:

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 Russell Swallow

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RUSSELL Swallow has been speaking with me…

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about his awesome single, North London Girl, and how it came together. His brilliant E.P., My Lover, Her Lover and Me, is out and I wanted to ask which artists Swallow draws from; how it feels getting a lot of radio attention and great press – he recommends some artists worth a follow.

I ask the songwriter about splitting his time between Berlin and London and whether that contributes to his sonic direction; if he gets time to unwind; the three albums that mean the most to him – he ends the interview by selecting a great song.  

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Hi, Russell. How are you? How has your week been?

Hi, Sam. It’s been an eventful time. I’ve been playing festivals in Hannover and Berlin and I was fortunate to work with one of my favourite contemporary artists, Ry-X, at Sacred Ground Festival. Since then, I’ve been working on new material for my next E.P. and recording a live video for my latest single, North London Girl.

For those new to your music; can you introduce yourself, please?

I’m an English singer-songwriter from the Folk and Indie scene - and I use German influences, Electronic influences to add atmosphere, ambience and drama to my music. I grew up in the quiet and solitude of the Suffolk countryside, but was steadily drawn deeper into cities and their perpetual rhythm; now living between London and Berlin. My music draws on each of these places - taking inspiration from daily life, tensions and release.

North London Girl is your latest single. Is there a personal story/history to the song?

I tend to write from personal experience but N.L.G. is one of the most autobiographical and direct songs I’ve written - as direct as heartbreak can be. Still, it’s not morbid: I think it carries a certain naive innocence.

It was a breakup that inspired me to write N.L.G. and, in fact, it was the first solo song I wrote since my duo band Swallow and the Wolf. It was the beginning of bringing music back into focus at the centre of my life and starting from scratch to create a new palette of sound was a uniquely refreshing experience. Working with producer Gavin Hammond, every choice of sound and direction we took was a first step - like exploring a new Country.

Since your last E.P., you have gained a lot of love from radio stations. How does this make you feel?!

It feels really good! I want to reach as many people as possible with my music, and radio support is an important part of that. I come from a generation where radio was one of the few powerful gateways where you could reach new listeners without needing a huge P.R. budget. I was a big fan of tuning into BBC Radio 6 Music late at night, to fall upon new sounds being shared.

I want to send some big love to Tom Robinson at BBC Radio 6 Music who was the first D.J. to play my music, and to everyone who continues to.

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You have spent a lot of time here and in Berlin. Does that country-splitting contribute to your sound? What are the main differences between the music of Berlin and London?

London has a very strong singer-songwriter scene, particularly on the Folk and Roots side. You can wander into a bar on most streets and find somebody strumming. Berlin has this too but, because of their club scene, they have a stronger Electronic aesthetic. They complement and inspire each other and it’s great to be able to move between the two and see them each develop.

I believe you spent twenty quid on a guitar in Suffolk during your teens! Is that the best purchase you have ever made?! What made you want to pick up a guitar?

When you’re a kid, everything is exploration, learning; making mistakes. Living in a small town felt like an isolated place to grow up, so to connect I could either pick up my bicycle to cycle to a friend’s house in the next town or pick up my guitar and get straight to the source.

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It seems you are inspired by classic songwriters and the likes of Jeff Buckley. Who do you count as idols?

Yes. The artists I respect most were pioneers in some way; fusing their influences to blend something new or exploring extremes of dynamics. Jeff using his voice like Nina Simone - as an instrument - coupling it with incredibly sophisticated guitar with song arrangements that still felt effortlessly natural. Or Nirvana’s sense of melody and power - taking Heavy Metal’s attack and power but adding huge Beatles-esque Pop melodies.

When I first heard Brian Eno’s Thursday Afternoon as a kid I was blown away. A seventy-minute piece of music that explores sound for sound’s sake; creating an environment you can get lost in and journey through.

Which artists did you follow when you were growing up?

All of the above, plus Grunge-rs Pearl Jam; Rock pioneers Radiohead and a great crafter of small stories with big melodies, The Lemonheads.

What do you hope to achieve by the end of 2018?

I just released my new E.P., My Lover, Her Lover and Me, on 3rd August and am playing some tour dates through Europe to support that: London, Norwich; Berlin, Zurich; Hannover, Cologne etc. I’m looking to travel to play house concerts and some street performances as well - if anyone wants to invite me into their home or recommend good streets to explore.

I’ve written a lot this past year - it’s been an eventful time, both for me personally and for Europeans. There’s work to be done to prepare for the next record, so I’ll be making some demos and jamming with my friends (and very talented artists in their own right) Kimberly Anne and Rhiannon Mair.

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Will there be any tour dates? Where can we see you play?

Yes. Check the website. I’ll be adding them in as we go.

Which three albums mean the most to you would you say (and why)?

Miles Davis - Kind of Blue

It brought home to me how lyrical music can be using simple sound, tones and melody. No lyrics but so much emotion, dynamics and excitement.

David Bowie - Hunky Dory

I bought this on C.D. from a charity shop in Colchester and stuck it on my stereo. My girlfriend at the time wanted to go out but I couldn’t leave the house until I’d heard the whole album. It was a revelation in terms of its scope, range of styles and sheer joyful abandon. You can really feel fun and danger in that record.

John Martyn - Solid Air

Simple instrumentation; raging and fragile. There’s so much heart and beauty in this album and it has songs that you can sing to your lover, to your family or to your friends.

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If you could support any musician alive today, and choose your own rider, what would that entail?

That’s a really good...and hard question! I think it would be a tour with Radiohead, Ry-X and I. We’d perform John Martyn’s Solid Air album in its entirety with extended jams incorporating synths, samples and sounds captured and manipulated live on stage from our voices and instruments. We’d have a huge light show using just white beams and cast and play with huge shadows.

What advice would you give to new artists coming through?

Keep writing. Listen to the opinions of your trusted sources...but not as much as you listen to yourself. You’ll feel unsettled, challenged and not good enough sometimes, but don’t worry. That’s a natural part of the journey and, if you choose, then all of it will drive you forward.

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IN THIS PHOTO: Anna Pancaldi/PHOTO CREDIT: Curious Rose Photography

Are there any new artists you recommend we check out?

For singer-songwriters, check out Kal Lavelle, Andy Johnson and Anna Pancaldi.

For more of a Pop bent, try Kimberly Anne – or, for a Rock edge, Bryde and RUEN.

All unsigned artists with huge talent.

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IN THIS PHOTO: RUEN

Do you get much time to chill away from music? How do you unwind?

I’m effectively self-employed, so I can choose my timing to a certain extent – though, it always feels like you’re not doing enough! But, I make time to do the things I love: to cook, eat and read. Then, I can I explore places for their architecture and museums as well. I’ve been travelling through France and Belgium these last few days, so I’m getting to do all of this!

Finally, and for being a good sport; you can choose a song and I’ll play it here (not any of your music - I will do that).

Thanks, Sam. It’s been good fun answering your questions. If you would, please play Sam Brookes' Crazy World and You

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INTERVIEW: Fergus McKay & Nothing Concrete

INTERVIEW:

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Fergus McKay & Nothing Concrete

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THERE is nothing ordinary and boring…

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when it comes to Fergus McKay & Nothing Concrete! I have been speaking with Fergus from the group about their new single, Old Black Crow, and wondered where they head from here. I was keen to know how the band got together and whether, being based in the Pyrenees, there is an active music scene and source of inspiration.

Fergus recommends some upcoming artists and discusses whether there are any tour dates coming up; what their live set consists; the advice he would give to artists coming through – I discover why this past week or so has been especially eventful for the band!

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Hi. How are you? How has your week been?

We’re all pretty tired from a pretty intense and eventful week on the road. We left France with a great gig at a craft beer brewery then headed to Italy and Slovenia but, on the way, stopping for petrol we found we couldn’t turn the van off - even with the key out and batteries disconnected the engine kept running. It was meant to be a fourteen-hour journey but, with one thing and another, it ended up being seventeen-hour-straight without being able to cut the motor; no air conditioning, the whole band; double bass and a disable dog in an eight-seater minivan…after driving through the night, we had two gigs in Slovenia, one of which we got held up on the motorway for three hours in non-moving traffic, so arrived an hour after our sound-check.

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Then, we had three gigs at Floating Castle Festival in the south of Slovenia. It’s an amazing vibe there; a real melting pot of styles, cultures; World music, Classical; Rock, Jazz; abstract stuff, puppetry; poetry street shows and so on, all around a beautiful medieval castle in the forest. Leaving there, the alternator on the van gave up so we got towed off the motorway; had to find a replacement battery to get to where we are now while we wait to play at PUF festival in Koper near the sea.  We’re still alive and still talking to each other, so it’s good.

For those new to your music; can you introduce yourselves, please?

Well. It’s a mix of styles and influences: people have compared us to various acts like The Waterboys, Ronnie Lane (ex-Small Faces); Dexys Midnight Runners, Woody Guthrie; Bob Dylan and so on. There’s a big slice of Folk music from both sides of the Atlantic that form the basis of our songs but we try and bring in elements of World music, Swing; Jazz and Blues to create something unique and exciting with it all…then we are lucky enough to have three ladies who tap dance in the band, so we add that into the mix for good measure!

What can you tell me about the new single, Old Black Crow? How did it come together?

I had just read Conrad’s book, Nostromo, and I wanted to write something that captured the same kind of feeling I got from that book. It tells the story of a bunch of renegades making a getaway, but we don’t know what they did or why. I was listening to a lot to Dylan’s album, Desire, and some of my favorites of his songs take this format which isn’t the standard verse-chorus-verse-chorus, bridge; verse-chorus, but just tell a story that continues to develop. So, I decided to not write a chorus or a hook, but just let it be a story which, perhaps, makes it an odd choice for a single but we really get a good reaction to it live and we tried to give it some swing, keep it upbeat and dancy so we hope it can grab some people’s attention!

Is there going to be more material coming later in the year? What are you working on?

Well. Old Black Crow is the first song we are putting out from the new album, which is nearing completion, and the band has been evolving during recent months and we’re trying to get some of the newest ideas into the arrangements of the songs we’re playing in our live set. The album will be pretty eclectic, including a Swedish-style Polska (a traditional dance tune), a couple of rootsy numbers; something I wrote inspired by travelling around the Balkans and playing with different time signatures and some other surprises. 

The last album, Ever the Forager, had a lot of Scottish and American Folk in the blend; banjos, fiddles and mandolins. This time, I’ve been working with three saxophones, writing and arranging for baritone, tenor and alto for our live show so there’s more brass, which is leading to a slightly harder, edged and jazzier sound, which I think suits the songs that we’re putting on this album.

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How did Fergus McKay & Nothing Concrete find one another? You have a pretty eclectic line-up there!

Well. I had been travelling around Europe as a traditional one-man band, like Bert from Mary Poppins, and Gaia, who’s now my wife, and I came to a party in the South of France where I played…but we met so many cool people over one weekend we decided to stay forever! Gradually, we came across more and more people with the same or similar stories. There’s something about the region that makes people want to settle there; it’s like stepping backwards in time, out of the rat-race. It’s easier to create a simple way of life there that still fulfils all our needs. 

I guess it does seem like a huge coincidence that we all ended up living within a few miles of each other in the middle of nowhere and all have complementary skills and musical interests. Have to put it down to cosmic magic, I guess!

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Being based in Pyrenees (Southern France); what is the music scene like there? Is it quite an ideal and quiet spot to create and play?

The music scene is surprisingly vibrant; bearing in mind this is an area traditionally populated by small-scale subsistence farmers. In the last thirty years or so, more technology and farm machinery meant that lots of these kinds of areas became depopulated as kids of farm workers had to move to the cities and retrain to find work in industry instead of agriculture.

But, this also meant that lots of old farmhouses and small villages were abandoned so the artists moved in and, with the artists, the artisan cafés and market stalls started to grow; then the artists learn to use the land and develop their own communities and the area became rich in a new way. So, there’s a huge mix of people and nationalities here: people from every corner of the world seem to end up settling in this little huddle of ten or twelve little picturesque villages. That creates a great environment for many things, especially music; predominantly folky, rootsy and acoustic stuff, but not only. We have a couple of really nice small festivals - and people love to go out to see live music here.

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Does the fact you have a few different nationalities working in the band provide the music with greater variation and flexibility, would you say? Do you find the songs take in different sounds from around the world?

Definitely. This has been one of the main musical objectives for Nothing Concrete all along: to broaden my cultural horizons and learn from the people I work with and then try and bring that into the songs. In the world of Pop, Rock or other mainstream music, the sound, instrumentation and production values are fairly generic no matter where you go in the world...but the richness of musical styles when you start to look into traditional music cultures from different countries is mind-blowing. So, when you work with musicians that have these different cultural backgrounds, it’s inevitable that some of this comes out in the music.

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The more we travel as a band the more we learn from other musicians we meet en route, hence being in Slovenia right now. It’s a kind of gateway country between our Western European cultures and the musical traditions of the Balkans and Eastern Europe. The more musicians we get to play with from different cultures the more we realise how much there is to learn. It makes you feel like you’re constantly just at the start of an amazing musical journey.

Which artists are you influenced by? Who are the musicians who have made the biggest impact on the band?  

Growing up, I listened to a lot of stuff my dad liked: Dylan, Tom Waits; Van Morrison, Paul Simon and, particularly, the Faces and Ronnie Lane. I still love that rough-and-ready feel; the sound of people having fun playing acoustic music together. Then, the Celtic stuff in the '80s, like Dexys Midnight Runners; The Waterboys and Hothouse Flowers were all doing the stuff I wanted to be doing. But, later I discovered a whole new world through the music from the Tony Gatlif film Latcho Drom. Watching that was a watershed moment; a must-see for anyone interested in music!

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Do you think there will be touring dates? Can we catch you play?

We have no U.K. dates in the diary at the moment: we’re continuing to tour in Europe until October this year and we have a number of dates in France but are planning to put together some dates for 2019. Watch this space. We always announce our tour dates on our Facebook page as soon as they’re confirmed.

What does your live set consist? Describe a typical Fergus McKay & Nothing Concrete gig…

It’s all about engaging with our public. We’re usually six on stage: three ladies, three guys. The songs are mostly upbeat with a Swing/Folk feel. Everything is very live; no technology except the P.A. system and lighting rig. We’ve brought a number of new elements into the show in recent times, including several tap dance and lindy-hop routines from the girls and, even, an appearance by Gromanich, our monster mascot! By the end, we usually aim to have everyone up on their feet dancing. I think it’s a pretty fun gig to go and see!

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Have you each got a favourite memory from your time in music – the one that sticks in the mind?

Angie: Seeing Jeff Buckley live in a small, intimate venue. It was a life-changing moment, being around such musical passion and it made me reevaluate what was important to me.

Saskia: When I was a student, I had a quite high-up studio. The weather was perfect. I could sit in the sun and a song by Funkadelic played. Perfect bliss.

Gaia: My two children love a song from Boban Marković, an amazing trumpeter from Serbia. We regularly put it full volume in the house and dance like crazy. My mum and me used to do the same with quite bad Pop, Italian music and Dance in the living room whilst rolling on the floor.

Fergus: I left the U.K. in 2009 to play pubs and busk in the street, but ended up at a Folk/World music event called etno HISTeRIA, with sixty musicians from all over the world learning tunes and songs from all these places; arranging them for an ad hoc World music orchestra who played concerts all over the country. It was nine days or so that changed my life. Incredibly intense; not much sleep but a magical, emotional experience

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If you could support any musician alive today, and choose your own rider, what would that entail?

Van Morrison, almost certainly!

As for the rider...we’re pretty happy with some good, organic food (mainly vegetarian) and a beer or two - homebrew best!

What advice would you give to artists coming through?

Play lots and lots and lots of gigs, get out there and meet other musicians and learn from them; learn to live well with minimal income!

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IN THIS PHOTO: Old Salt

Are there any new artists you recommend we check out?

Old Salt is a mix of Americana and World music with a fairly intercultural mix of musicians. Kate in the Kettle from Scotland; Tygroo from the Czech Republic are full-on Turbo-Folk with lots of brass; loads of attitude and an amazing live show.

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IN THIS PHOTO: Kate in the Kettle

Do you get much time to chill away from music? How do you unwind?

Music is always there but, sometimes, we’re using it to unwind. Sometimes it’s work, but home life is great; just hanging out with the kids in the garden, or camping in, the Pyrenees…or just reading a book!

Finally, and for being good sports; you can each choose a song and I’ll play it here (not any of your music - I will do that).

Fergus: The Poacher - Ronnie Lane & Slim Chance

Angie: Natalie Merchant - Kind & Generous

Gaia: Pizzicarella mia (traditional southern Italian tune) – the version by Officina Zoè

Saskia: Maceo Parker - Children’s World

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INTERVIEW: Nina Smith

INTERVIEW:

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Nina Smith

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I have been speaking with Nina Smith…

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about her new single, Run Out, and how it came together. The Nottingham artist discusses the scene there and recommends some artists to check out; if, given the chance, the artist she'd like to support – I ask if any more material will be coming and what we might expect going forward.

Smith talks about the music she grew up around; what advice she would give artists coming through; if she finds time to unwind; gaining success on the iTunes chart – she tells me what she wants to achieve before the end of this year.

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Hi, Nina. How are you? How has your week been?

Ya know what; this week has been great. I’ve just come back from the beach on my first trip to Wales. I feel refreshed.

For those new to your music; can you introduce yourself, please?

I’m a singer-songwriter from Nottingham. I’ve been writing and recording for about eight years but properly working full-time at it for the last five years.

This new music is taken from my debut album (due to be released later this autumn).

Run Out is your new single. Can you recall when it came together and what inspired it?

The song itself discusses my personal relationship breakdowns with family or friends; with certain individuals I’ve spent a lot of time with trying to help and fix. But, I’ve found that it wasn’t returned when I’m in trouble - and that’s where the notion comes from of ‘running out’ of my life at bad moments.

You signed a production deal with Yoad Nevo. How important was that moment? Did that change your career in a lot of different ways?

It complexity changed my career, yes. I’ve written three albums with Yoad; two of which were for other artists. The first commission I got through Yoad was writing for Ukrainian Popstar Tina Karol. She’s a multi-platinum and extremely talented artist who I have a lot of respect for. So, to be working with that calibre of artist provided me with all the confidence tools I needed for my own record.

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Your latest E.P. has reached number-four in the iTunes RnB Chart. How did that make you feel hearing the news?!

I think I was actually on stage at the time playing a show for iluvlive in London when I heard the news. It was quite surreal to be honest as It already knocked me back finding out it reached the top-twenty. I still think it’s crazy when I think about it.

Nottingham is where you are based. Is there a pretty active and varied music scene up there right now?

It’s a vibe! There’s plenty of Notts. expats to talk about; the obvious being Jake Bugg and Sleaford Mods. But, I’ve always been fans of Ady Suleiman, Rob Green; Joel Baker, Georgie; Ronika and Liam Bailey. There’s actually so many more I could mention.

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Do you recall the artists you grew up listening to? Which musicians inspired you to write your own stuff?

I remember, one Christmas in the ‘90s, begging my mum and dad for a C.D. player. We had a cassette player, but all of the cassettes were old and didn’t interest me. When I finally got one, I bought a NOW That’s What I Call Music! C.D. and fell madly in love with two songs on there. One was George Michael’s Jesus to a Child and 2pac’s California Love. I would listen to the songs over and over again in my room, much to the annoyance of my parents.

What do you hope to achieve by the end of 2018?

I release my debut album, White Feather, in autumn (2018). It’s an album that has taken me three years to record and is ten years in the making. Everything I do will be centred in trying to get this new music heard. I hope to play a few more special gigs and share this music to my fans.

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Have you got a favourite memory from your time in music – the one that sticks in the mind?

For me, this year has a few key moments. But, just last month, I played Splendour Festival which is a local. It was pretty incredible. It’s a 25,000-capacity festival, so the main stage was overwhelming when looking out to at least 10,000 faces. Me and the band made sure we made the most of the experience and just had so much fun.

If you could support any musician alive today, and choose your own rider, what would that entail?

I think Anderson .Paak. I’ve hung out with him and his band a few times and they have the most amount of fun. They are so, so talented but then have such crazy times after the shows. He’s one cool dude!

What advice would you give to new artists coming through?

I’d say that it’s all about the songs. Anyone can wear a sh*t-load of make-up, put on a bangin’ outfit and sing a song that’s manufactured to fit the times…but, writing a good, timeless song (successful or not) that people can relate to and feel the emotion from is a gift that is unreplaceable.

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IN THIS PHOTO: Betsey Bircumshaw

Are there any new artists you recommend we check out?

Well…funny you ask. I’ve just launched a youth record label actually called First Light. There are six amazingly talented artists I’ve signed. Check out www.firstlightlabel.com.

Do you get much time to chill away from music? How do you unwind?

I don’t ‘give’ myself enough time off. I think that’s part of my problem. But, I’m slowly learning to have days off away from my laptop. So far, I’ve had a four-day break (last week) and I feel like a new woman.

Finally, and for being a good sport; you can choose a song and I’ll play it here (not any of your music - I will do that). 

Ya know what; an artist I love at the minute is Jordan Rakai - Nerve

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INTERVIEW: Mikaela Davis

INTERVIEW:

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PHOTO CREDIT: Jacalyn Meyvis

Mikaela Davis

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THE brilliant Mikaela Davis has been discussing…

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her album, Delivery, and what sort of themes inspired it. I ask about working with John Congleton and how she got into music; how she feels about coming to the U.K. to perform; what sort of music she is inspired by – Davis recommends some artists worth a follow.

I was eager to learn which musical memory stands in her mind; the three albums that mean the most to her; the advice she would give artists emerging – she tells me what the music scene is like in Rochester (New York) right now.

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Hi, Mikaela. How are you? How has your week been?

Hi! Doing well. My week has been just fine. How about you?!

For those new to your music; can you introduce yourself, please?

I am Mikaela Davis - current musician and former baby.

Delivery is your new album. Can you talk about the sort of themes and stories that inspired the record?

Most of the record is very personal…songs about writing songs and being frustrated with myself. I don’t want to give away too much of course because I love hearing how other people connect these songs with their own life, which is what they are for!

You worked with producer John Congleton. What was that experience?! Did you learn a lot from him?

It was a great experience for my band and me. John works quickly (so quickly it scared me at times!) and is super-efficient. I was at this weird crossroad where I doubted myself too much and was worried no one would like my music. John taught me to go with what feels right to ME and not give a f*k (as best I can. Hehe).

How did you get into music? Were there particular artists who inspired you to get into the industry?

Well. I climbed out of the womb, screaming and got tangled in harp strings almost immediately. I’ve been a music lover all my life, but my uncle Franky inspired me to become a musician most of all. He brings his guitar to every family function and plays original songs and covers. I used to think he wrote Working Class Hero until sometime in high-school. Ha!

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 PHOTO CREDIT: Jacalyn Meyvi

The harp is your instrument of choice. What drew you to it?

I started taking harp lessons at my public elementary school and, soon after, was studying with Grace Wong. Later in life, I found out that my mom was listening to a lot of Andreas Vollenweider when she was pregnant with me, so maybe that’s why I was drawn to the harp (and Zelda).

You are a native of Rochester, New York. Is there a pretty good music scene there at the moment?

Yes! There’s a cool Rock ‘n’ Roll/Punk scene going on. Joywave is Rochester-based as well. Everyone is pretty supportive of each other here. I am in multiple Rochester bands - Ben Morey & the Eyes, August West and The Vinaigrettes.

Is there more material coming later in the year? What are you working on?

It’s anyone’s guess. I have a bunch of new songs that will most likely be saved for L.P. number-two.

Who are the artists that inspire you and led you to get into songwriting?

I started writing songs when trying to figure out a Vanessa Carlton tunes on piano in middle school. Recently, I’ve been listening to Neil Young, every Beatle; Aretha Franklin, Melody’s Echo Chamber; Harry Nilsson, Lake Street Dive; Emmylou Harris…

What do you hope to achieve by the end of 2018?

How the heck to make a daily schedule and stick to it.

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PHOTO CREDIT: Julia Drummond

Have you got a favourite memory from your time in music – the one that sticks in the mind?

While I was on tour with Bon Iver in Europe, Justin asked me to sit in on harp AND sing the second verse of Flume. That was pretty crazy.

Which three albums mean the most to you would you say (and why)?

Journey in Satchidananda - Alice Coltrane

This album with Pharaoh Sanders is amazing. I didn’t know the harp could have so much emotion and life. Alice inspired me to try improvising.

John Lennon/Plastic Ono Band - John Lennon, Yoko Ono

I listened to this on-repeat before recording Delivery. It’s so raw and so real.

This Girl’s In Love with You - Aretha Franklin

Aretha’s voice is so transcendent and powerful. I wish my voice could do what hers does. The songs she chose for this record especially resonate with me.

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PHOTO CREDIT: Jacalyn Meyvis

If you could support any musician alive today, and choose your own rider, what would that entail?

Easy. Neil Young!

My rider would include an eighth of the region’s finest weed to enjoy his set every night; a block of your finest sharp cheese; cutting board and knife. No crackers.

Can we see you on tour soon? What dates are coming up?

Yes! Touring Europe and North America this fall. Check mikaeladavis.com for details.

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You are coming to the U.K. in October. Is this your first time here? Do you like British music?

I heard a pretty good band the other day; I think they’re called The Beatles. Saw Black Sabbath a few years back. Can’t hear a word Ozzy is saying but I’m sure it’s gold.

I’ve toured in the U.K. multiple times! First, with The Staves who are also an amazing British band! Again, with Bon Iver I’ve played Bushstock Festival, The Great Escape…excited to come back!

What advice would you give to new artists coming through?

Some days, I wake up asking myself why I chose this path. I’m sure it happens to all the greats, though I can’t be sure. When you’re frustrated, remember why you started performing in the first place. Wake up and try harder.

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 IN THIS PHOTO: Wilder Maker/PHOTO CREDIT: Chris Weiss

Are there any new artists you recommend we check out?

Wilder Maker, Katie von Schleicher; Gruff Rhys, Adron; Melody’s Echo Chamber, Hiss Golden Messenger; Gia Margaret…SO much good music coming out right now! (Smiles).

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IN THIS PHOTO: Adron/PHOTO CREDIT: Brock Scott

Do you get much time to chill away from music? How do you unwind?

When I can I like to hang with my friends, my family and my cats.

Finally, and for being a good sport; you can choose a song and I’ll play it here (not any of your music - I will do that).

Closer to God - Wilder Maker

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INTERVIEW: Dutchkid

INTERVIEW:

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Dutchkid

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I have had a great time speaking with Dutchkid…

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as the guys tell me about their upcoming E.P., Empires. I ask them what sort of themes and ideas enforced the music; how the band came together; whether their vast and eclectic creative experience aids their music; which artists they are influenced by – they reveal whether there will be any tour dates.

I ask which upcoming acts we should get behind; what it feels like getting backing from Apple Music and Fickle Friends; the advice they would give to musicians coming through; whether they get time to unwind away from music – the guys select a song each to end the interview with.

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Hi, guys. How are you? How has your week been?

DK: Hey! It’s been a great week, thanks. This weather is something else though! 

How are you taking to the heat at the moment? Is it encouraging songwriting and creativity?!

Not sure about that. Haha...do you think we’ll ever see the rain again?! Definitely feel we’ve been more inspired and productive in the winter. 

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For those new to your music; can you introduce yourselves, please?

We are ‘Dutchkid’; an Alternative-Pop collective based in London:  

Jordi van Dyk | Vocals & Bass

Pete Coggan | Vocals & Keys

Chris Smyth | Samples & Synth

Jack Kircher | Drums

Josh Hailes | Technical Director

Jordan McGregor | Manager

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How did Dutchkid come together? Was there a moment when you knew everything had clicked and the band was cemented?

Dutchkid is what happens when mutual friends decide to bridge the gap. Haha! 

Pete and I were actually introduced to each other by Chris. On introduction, I realised the two of us had a mutual friend back in South Africa: we enjoyed the same music and we both shared a love for songwriting. I guess you can say it wasn’t going to take long for us to hang out and write. With the writing came the realisation that we had to do something with these songs.

From the start, it was clear to us that Chris would be a part of the collective. He was super-passionate about the songs, just killer with samples and synth and, being from a design background, brought a strong brand identity to the collective. The forward-thinker. 

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We always imagined having a drummer join the line-up and Jack was the man! When Pete isn’t doing music he works in film and these two guys connected in the industry over this shared passion. It felt like the right fit. Incredible guy, tight drummer; heads up his own studio and is a fantastic mix engineer. Shortly thereafter, I asked Josh if he’d be interested in joining. We knew that, in order for us to do this project well and bring the live aspect to life, we’d need him in our corner. The Josh-of-all-trades. Our very own Phil Harvey. 

Lastly, Jordan McGregor. The man with a strategy and the multiplication skills to make sure we’re headed in the right direction. He’s always keeping us on our toes. We pride ourselves in that we are a collective of creatives; all contributing to what eventually becomes a DK offering. Most days it feels like we are The Avengers. Haha! 

 

Empires, your E.P., is out next month. What are the lyrically and musical inspirations behind the songs?

Lyrically, we are often inspired by the dynamic within relationships and write from the perspective of different characters. I guess, if you find humans intriguing, you’ll always have something to write about. 

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A really good melody or progression also inspires us! There are so many incredible bands that have had an impact on us and that have left a mark on our sound. We have created a playlist on Spotify with a few of our favourite artists. If you’re interested, check that out!  

Seeing as the band source members from different nations and creative fields; does this eclectic and multimedia makeup account for your varied and strong sound?!

Definitely. Diversity has had a major impact on our music. It’s a beautiful thing! 

You have been backed by Fickle Friends and Apple. Is it quite humbling and encouraging to get such big backing?

Yeah! Apple Music have been so good to us...thank you! 

The Fickle Friends tweet was completely unexpected and a big surprise for us. We’ve been fans of Fickle Friends for a while now. We love what they’re doing and the great music they consistently keep putting out. It’s pretty funny how such a simple gesture has really encouraged us. They are awesome. 

 

Which artists do you count as idols? Do you listen to the same sort of music?

Yeah. I’d say we are into the same music and there’s always new sounds being shared. There are so many artists we love…to name a few: 

Sylvan Esso, Billie Eilish; Fickle Friends, Sigrid; Portugal, the Man, Bleachers; Jungle, Kanye; Foster the People, Glass Animals; Fyfe, Kimbra; Bombay Bicycle Club, LANY; Twenty One Pilots, Sigur Rós; Civil Twilight, Justin Vernon; Chris Martin, Dan Reynolds; Ryan Tedder, Donald Glover; Maggie Rogers, The 1975; The Japanese House, Miike Snow...the list goes on! 

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What do you hope to achieve before the end of 2018?

We are so excited for people to hear these songs and for these tracks to finally be out there. We can’t wait to play shows and meet the people that have connected with the music.

Do you think there will be touring dates? Can we catch you play?

Definitely! We have loads of exciting things happening in the pipeline. Be sure to keep the eyes on the socials for all info coming soon. 

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Is it important for all of you to get on stage and connect with the people? Can you describe the feeling of being on stage and playing?

There’s something so beautiful and yet powerful about a venue filled with complete strangers from different backgrounds and, in that one moment, they all have something in common. It really is the best feeling and yet so strange because you blink and, in an instant, it’s all over until next time. There’s nothing quite like it. 

Have you each got a favourite memory from your time in music – the one that sticks in the mind?

Hearing your music on the radio for the first time is pretty special. 

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If you could support any musician alive today, and choose your own rider, what would that entail?

Is there really enough time for this question?! So. Many. Possibilities. Haha!

What advice would you give to new artists coming through?

Be kind...failure is never the final destination; it’s just a pit stop. Keep going. 

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IN THIS PHOTO: OUTLYA

Are there any new artists you recommend we check out?

There’s this London based band called OUTLYA. They are incredible. Every chorus is an anthem. Also; Only the Poets and WOWH are killing it.

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IN THIS PHOTO: Only the Poets

Do you get much time to chill away from music? How do you unwind?

We enjoy each other’s company and a good pint. Our families and friends are good at keeping us busy and grounded too. 

Finally, and for being good sports; you can each choose a song and I’ll play it here (not any of your music - I will do that).

Jordi: Live in the Moment - Portugal. The Man

 

Pete: Vallis Alps - Serity

 

Chris: Gold Rush (Trooko Remix) - Death Cab for Cutie, Trooko

Jack: Years & Years - Sanctify

Josh: BROCKHAMPTON - 1998 TRUMAN

 

Jordan: The 1975 - Somebody Else 

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INTERVIEW: Shenna

INTERVIEW:

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PHOTO CREDIT: Curtis Bryant 

Shenna

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IT is always interesting speaking with Shenna…

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and finding out what she is up to. The American songwriter has been telling me about her new song, Conversation, and how it all got started. I ask her whether we will get more cuts next year; which artists inspire her the most – she tells me whether she takes strength from the best of the female mainstream right now.

Shenna talks about a favourite musical memory; which three albums mean the most to her; if there are tour dates coming up; what the chances are of a U.K. trip – she ends the interview by choosing a fantastic song.

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Hi, Shenna. How are you? How has your week been?

I am great! Getting ready for a big show this weekend. Thanks for interviewing me!

For those new to your music; can you introduce yourself, please?

Yes! My name is Shenna and I am an Indie-Pop artist from Virginia, currently based in the busy city of New York. I create music that expresses embracing individuality and self-expression.

Conversation is your latest single. What is the story behind the song?

My new single, Conversation, is about putting all distractions aside and making sure both people are on the same page to continue a healthy relationship. A lot of times we hide behind social media and words getting mixed up by others passing along the gossip. This song is about a face-to-face conversation with those two people addressing their feelings.

How do you think your music has evolved since the start? Do you think you are a more confident and bold artist now?

My music has evolved by becoming confident with more depth in my lyrical expression over time. I am definitely more vocal and bolder now with my statements!

Is there going to be more material coming later in the year do you reckon?

Yes, of course, and I am so excited for you to hear and see it! My music video for Conversation is currently in-the-works!

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PHOTO CREDIT: Malcolm Fong

There are some strong women in the Pop mainstream. Would you say you take a lot of power from them?!

I definitely study who is dominating the top-40 on the Billboard charts. I study their growth but, most importantly, I watch new artists like Dua Lipa and the steps they took to get to the next level

Who are the artists that inspire you and led you to get into songwriting?

I love Corinne Bailey Rae. Her lyrics and vibe captivate me and make me feel like I am in a different setting. I also love Bruno Mars and Rihanna because they stay true to who they are and make their following feel as if we truly know them.

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PHOTO CREDIT: Curtis Bryant

What do you hope to achieve by the end of 2018?

I want to grow my fan base dramatically! I would love to go on tour with a major artist or, at least, secure a slot for 2019!

Have you got a favourite memory from your time in music – the one that sticks in the mind?

I think one of my favourite memories was my band taking a thirteen-hour bus ride to Toronto from N.Y.C. to perform at the Virgin Mobile Mod Club. The venue has had many national acts perform there and the responses we received made us feel like we already made it. It was definitely a moment.

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Which three albums mean the most to you would you say (and why)?

These are all so different, but I will start with Corinne Bailey Rae’s self-titled project because that is when I realized she was my favourite artist due to her expression in telling the story of her lyrics.

I love Mariah Carey’s The Emancipation of Mimi because every song on the project was a hit in my opinion - and so well written.

Last, but not least, I have to say my album, Made of Gold, because each song told a different story of how I felt during that time - and showed my growth from Dream in Color until now.

If you could support any musician alive today, and choose your own rider, what would that entail?

Wow; that is a tough one. Well. I would have to pick Beyoncé because her fans are so loyal and she is amazing! Not to mention I could have anything in my rider!

Even if I got to choose things I am not that high maintenance so I think just sparkling water, fruit; hot jasmine tea, a humidifier and possibly a massage chair (laughs). It is crazy because I do not get stage fright at all but I do over-think before I hit the stage, so I like to try my best to relax before a show.

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PHOTO CREDIT: Curtis Bryant

Can we see you on tour soon? What dates are coming up?

Yes! I know you’re in the U.K. too so I plan on coming back out soon in the fall or early-winter!

What advice would you give to new artists coming through?

Work as hard as you can and make sure you always set a value to yourself. If this is your career, protect your brand like your life depends on it because it kind of does!

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IN THIS PHOTO: Alex Vargas

Are there any new artists you recommend we check out?

Yes! He is not super-new but some people may have never heard his music: Alex Vargas is amazing!

Do you get much time to chill away from music? How do you unwind?

No. I go crazy if I do not do music, honestly, or something in the music business realm. The only way I unwind, sometimes, is by reverting into adult-child mode (I like to call it) and watching cartoons like Rick and Morty and Family Guy for a mental break-day (or few hours).

Finally, and for being a good sport; you can choose a song and I’ll play it here (not any of your music - I will do that).

Still Woozy - Goodie Bag

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INTERVIEW: Muddy Wolfe

INTERVIEW:

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Muddy Wolfe

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I have been speaking with…

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Steve from Muddy Wolfe who talks with me about the band’s latest single, Hide Away. I was keen to know whether more material is coming from them; how the group found one another; what the music scene is like in Canberra – Steve tells me the artists he grew up around and is inspired by.

He reveals what he wants to achieve before the end of this year; which musical memory stands in the mind; which uprising artists we should get behind – Steve ends the interview by selecting an excellent song.

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Hi, Steve. How are you? How has your week been?

Hi, Sam! It’s been great! We just released our third single and have been busy trying to promote that. We’ve also been busy rehearsing with the new line-up and things are coming together nicely.

For those new to your music; can you introduce yourselves, please?

Well, we’re a relatively new band; I actually started Muddy Wolfe at the end of 2016 when I was living in Taiwan. One of our vocalists, Caitlin, was in Taiwan at the same time and we did some Jazz gigs together. She ended up joining Muddy Wolfe near the end of my time there.

We’ve both since moved back to Canberra and we’ve started up Muddy Wolfe 2.0! We started out as a Blues band, and we do still do play some Blues, but we’ve been moving in a more Indie Folk direction with tinges of Country and Gospel in the mix.

Hide Away is your new single. Can you reveal the story? What is its background?

I started writing Hide Away when I was still in Taiwan. It’s about being away from home too long and missing my family. It took a long time to finish (like all of our songs) and evolved a little more when we rehearsed it and played it live. It’s our third release and it’s the first song to have a bit of collaboration with the other members.

Do you think there’ll be more material this year? Are you working on an E.P. or other singles?

We’re always working on something new. I’d like to record a few more tunes and release an E.P. that has two of the singles we’ve already released.

Being based out of Canberra; is there a pretty varied and interesting music scene?

Canberra’s scene is pretty good. It’s a small city, so there are only a handful of venues for original bands - which there are a lot of - so it’s hard to get lots of gigs. Metal and Rock is pretty popular as well as Country and Folk music. But, the music scene in general in Australia is great. There are some amazing up-and-coming bands and there are a ridiculous amount of music festivals along the East Coast these days - so we look forward to playing at some eventually.

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Can you recall the artists you grew up listening to? Which musicians sparked your ears?

Michael Jackson was, and will always be, a big inspiration for me. The Grunge era was also pretty significant for me as it was what made me want to play guitar. My favourites were Stone Temple Pilots and Pearl Jam. By the end of high-school, I was into some slightly heavier stuff like Metallica, Tool and Deftones. After high-school, I studied Jazz and got into the Blues and Hendrix.

My main influences these days are Doyle Bramhall II and Tedeschi Trucks Band. The rest of the band are different ages and from different backgrounds so we all bring something different to the table - and I hope we will collaborate more in songwriting in the future

What do you hope to achieve before the end of 2018?

We’d like to release the E.P., play some festivals and good support gigs for big-name touring bands.

Do you think there will be touring dates? Can we catch you play?

Once we get some momentum going, we may do a little tour here and there but, for now, we’ll focus on gigs in Canberra and, perhaps, Sydney.

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Will you come to the U.K. and play this year or next?

Haha. Who knows! If we’re super-successful, maybe. The U.K. is very far away!

Have you got a favourite memory from your time in music – the one that sticks in the mind?

For me, one highlight was playing with one of our vocalists, Caitlin, on her first jazz gig in Taipei, Taiwan. She killed it and has since become a big name in the Jazz scene in Taipei. Very lucky to have her back in Australia to join us again.

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If you could support any musician alive today, and choose your own rider, what would that entail?

Would love to support Tedeschi Trucks Band. They’re such humble and amazing people and I’d love a good selection of IPA beer and single malt whisky.

What advice would you give to new artists coming through?

Do music that excites you the most and embrace your uniqueness. Don’t try to be someone else.

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IN THIS PHOTO: Rees Lucia/PHOTO CREDIT: Martin Imrie

Are there any new artists you recommend we check out?

Rees Lucia from Sydney is pretty amazing and so is Georgia State Line from Melbourne.

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IN THIS PHOTO: Georgia State Line/PHOTO CREDIT: Bailey McNicol

Do you get much time to chill away from music? How do you unwind?

Camping when we get the time. Playing music is actually how I unwind.

Finally, and for being a good sport; you can choose a song and I’ll play it here (not any of your music - I will do that).

Midnight in Harlem by Tedeschi Trucks Band is a favourite of ours. We cover this song at most gigs

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Follow Muddy Wolfe

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INTERVIEW: Olga Polikowska

INTERVIEW:

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Olga Polikowska

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THE stunning Olga Polikowska…

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has been chatting with me about her new track, Ulatuje. I ask the Polish artist about the song’s videos and whether she had a big hand to play in its visuals/direction. She talks with me about her musical tastes and what she plans going forward – Polikowska recommends some upcoming musical talent to look out for.

I ask her whether we will see more material coming; which albums mean the most to her; what she hopes to achieve before the end of the year; whether she relaxes away from music – the songwriter ends the interview by selecting a cool track.

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Hi, Olga. How are you? How has your week been?

Hi! I’m more than good. The previous week passed so quickly and many good things have happened that I couldn’t imagine before. It is still happening and the whole excitement from the premiere is emerging. My mailbox, Facebook messenger and IG inbox are full of messages. I am spending most of my time responding to friends and fans who've heard my debut single and watched the music video.

For those new to your music; can you introduce yourself, please?

For those who don’t know me and my music, I can say that the best way to get to know me closer is to listen to my single. I can assure you that future songs will be more surprising, fun and moving.

Ulatuje is your debut song. What is the meaning behind the song? Is there a story behind it?

The song was brought to life in about two years. The song evolved with people that were surrounding me and many many situations that had happened during the process. In the meantime, I met a producer, Łukasz Maron, who finally understood my vision of the song. He’s crazy about old-school synths - that’s why you can hear a bit of retro sound in those modern tunes. The whole magic in the song was added by co-producer, Szatt (known from Kroki,) who put together everyone’s vision. For me, the most important thing was to keep the balance between sounds.

The title, ‘Ulatuje’, was not chosen by accident. The next single will be strongly connected with Ulatuje, but you have to wait for that so keep an eye on my socials (smiles).

The video’s visuals captured me! It mixes Goldfrapp and Daft Punk. Was it fun shooting the video?! Did you have a lot of say regarding the concept?

I’m glad that you like it! Thank you for the comparison. I love Daft Punk’s Random Access Memories so it's an honour for me.

What can I say? It’s my first video so I was really stressed about it. To be honest, I’m not really interested in music videos; I don’t need to watch them to feel the music. Firstly, I had to do my homework so I watched YouTube for many hours. On the video set, I felt that this is a once-in-a-lifetime opportunity so I have to do my best. I wanted it to be perfect, so as you can imagine it was stressful and really hard work.

Regarding the concept; every decision was common. I spent many hours with my manager, Ania, disputing regarding inspirations - more importantly, my opinions with regards to the best choreographers and dancers, Adam and Anita. Thanks to them, the video is stunning.

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How important is producer Szatt regarding your current direction and sound?

The presence of Szatt is invaluable. He was sent the tracks and he just spiced it up. I already knew his style and sounds he produces, so I knew that my ‘work’ was in good hands. Mainly, though, he added freshness and took out details which I didn’t find interesting. He took a third look at our compositions.

Is there going to be an E.P. following next year? Might we hear more material?

We’re planning to release my E.P. early next year. I hope that, next year, you’ll be able to buy my C.D. Time will tell (smiles).

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I get a sense you are inspired by Pop of the 1980s and artists like Moon Boots. What sort of music influences your own sound?

I truly can’t specify what sort of music influences me. When I was younger, I loved to listen to Polish Hip-Hop f.ex., Fisz or Łona. My favorite artists are Andreya Triana, BANKS; Gregory Porter or Kwabs. But, I like to chill listening to Paul Kalkbrenner or Quantic. As you can tell, I am inspired by a variety of sounds.

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What do you hope to achieve by the end of 2018?

I’m truly happy with what I achieved in 2017 that I don’t want to be overly-demanding towards fate and karma. A year ago, I’d set a goal to myself to make this year a breakthrough and it happened! I wanted to be sure that I’m in the right place at this stage. I hope that next year I’ll be standing at big and small stages playing gigs. Although, I’m kind of an artist who loves connecting with a small audience in intimate surroundings.

Have you got a favourite memory from your time in music – the one that sticks in the mind?

The first one that I can think of is when I was six and I won a toy truck in a singing competition (winks). But, the biggest break of my life was when my boyfriend bought me a real microphone on my twenty-fourth birthday. He made me believe that I have a voice and he supports me. I’ve got a lot of memories but I’m looking forward to making some new ones.

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Which three albums mean the most to you would you say (and why)?

Only three?! It’s impossible for me (smiles).

My first absolute favorite would be Bonobo. The albums Black Sands, Animal Magic; The North Borders, or Migration can’t be passed by indifferently. They’re my absolute love. I’m crazy about the combination of Electronic music with real instruments, unpredictability of sounds or looping, pulsing pitches. It’s so, so damn good.  

Secondly, my heart belongs to Jose James. I adore his chill and deep voice. Jazz and Hip-Hop grooves are the perfect combination. The last album is Mirrorwriting by Jamie Woon. A mix of Soul singing, modern R&B and a bit of melancholy gives a nice piece of music art.

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If you could support any musician alive today, and choose your own rider, what would that entail?

For now, my dream is to meet Sohn. Recently, I was at his concert and it was awesome. Every single part of it was perfect. It’s the best way to learn from the best ones! So, I set the bar really high.

Can we see you on tour soon? What dates are coming up?

I hope so! For the musicians, the most important thing is to showcase their talent live. So, we’re looking forward to the moment to be on a real stage. Stay tuned (smiles).

What advice would you give to new artists coming through?

I don’t think that I’m the right person to give any advice. But, the most important thing is to listen to yourself and keep your eyes open.  

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IN THIS PHOTO: So Flow/PHOTO CREDIT: Len La Lune Photography

Are there any new artists you recommend we check out?

Of course! If we’re talking about Polish debuts, check So Flow! They’re amazing and I’m a true fan of them. Do I have to introduce Kasia Lins or Rosalie.?

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IN THIS PHOTO: Kasia Lins/PHOTO CREDIT: Sonia Szóstak

Do you get much time to chill away from music? How do you unwind?

I don’t have to unwind because music relaxes me! At this moment, there is a lot going on around me but I’m planning some quick time off to boost up my batteries and to be close to nature.  

 Finally, and for being a good sport; you can choose a song and I’ll play it here (not any of your music – Sure!

Rhye - Count to Five

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Follow Olga Polikowska

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INTERVIEW: Kate Kelly

INTERVIEW:

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Kate Kelly

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I have been speaking with…

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the incredible Kate Kelly as she discusses her new single, Honey, and what its story is. I ask her what it is like being in Nashville and whether she gains inspiration from the city; what we can expect going forward in terms of new material – she recommends a rising artist worth keeping an eye out for.

I ask Kelly what she hopes to achieve by the end of the year; what sort of music she grew up around; whether there will be any tour dates coming up; if she will come to the U.K. at some point – she provides some useful advice for artists emerging.

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Hi, Kate. How are you? How has your week been?

Hi, Sam! I’m doing great; thanks so much for having me. It’s been a super-busy week with the release of Honey, but so exciting to put new music out into the universe.

For those new to your music; can you introduce yourself, please?

Kate Kelly here - singer-songwriter in Nashville, TN, but originally from Mobile, AL. I’ve loved honest songwriting for as long as I can remember - music that tells a story but also has a sweet groove. So, I try to accomplish exactly that in my own sound; merging Jazz, Blues and Folk styles with heartfelt lyrics.

Honey is your new single. Can you reveal the story and how it came together?

Honey came along at a time when I needed her most. I was in a place where I was taking myself a little too seriously and longing to feel at home within my own person. So, writing Honey was so much more than writing a new song- it was writing a new feeling into my life experience.

When Honey appeared within me, I found a version of myself I didn’t know existed. The song brought with it a new-found sense of self that was sassy, independent and empowered in her truth. I still use Honey to remind myself to embrace my authenticity and independence, which is my biggest hope for listeners as well.

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Do you think there will be more material coming in the next few months? How far ahead do you look as a songwriter?

Oh, yes! I’ll be releasing two more singles in the next few months and then my first full-length album in October. Keep your ears open!

I try to keep a balance of planning ahead while also letting life and luck run their course. I typically set musical goals for each month of the year and, as I meet them, I let them evolve based on what life throws my way.

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I hear elements of R&B on Honey. Do you take a lot of inspiration from R&B artists past and present? What sort of music did you grow up around?

I was listening to a whole lot of R&B when I wrote Honey, hence the inspiration you hear. But, I really feel inspired by several genres of music, which I think you’ll hear in my upcoming album. I grew up with parents who loved '70s Folk and so that will always have a deep place in my heart.

Though, as I grew up, I began developing my own musical taste and I found a deep love for Jazz, Blues and Soul. All of the above weave their way into my sound in unique ways.

Nashville must be a great city to perform and write in! How much do you take from the sounds and people around you?

I truly can’t believe the talent in this city! I feel SO lucky. I go to see live shows a lot and it’s a huge source of inspiration for me. I’m especially moved by the badass women making music here!

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What do you hope to achieve by the end of 2018?

I hope to be touring my upcoming album The Wonder of It All which is in the works as we speak! Wooohoo!

Have you got a favourite memory from your time in music – the one that sticks in the mind?

I work as a music therapist in a psychiatric facility as my day job. It’s incredibly moving to see music work its healing nature into people in such emotional agony. I’ve had so many moments where music brings people out of their pain and into a new perspective and I wouldn’t trade those memories for anything in the world.

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Which three albums mean the most to you would you say (and why)?

Joni Mitchell - Blue

Norah Jones - Come Away with Me

Feist - The Reminder

These three albums have shaped me and my writing more than any other musical influence. All three represent such a feeling of catharsis and solace to me. They are so dear to my muse that I can barely put what they mean to me into words.

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If you could support any musician alive today, and choose your own rider, what would that entail?

I think what Laura Marling is working on is really neat and I’d love to tag along on tour.

The only thing I’d put on my rider that I can think of at this moment is some mint chocolate chip ice cream. Priorities, right?! Haha. I’m notorious for seizing any opportunity that involves ice cream.

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Can we see you on tour soon? What dates are coming up?

YES! I am so excited for a tour. I kick things off in October and will be going all over the Southeast and Northeast U.S. to start. More dates to come in 2019. All tickets at katekellymusic.com

Might you come to the U.K. and play in the future?

I’m hoping to do a Europe tour in the summer or fall of 2019. No details yet but it's been a dream of mine for a while now and I’m ready to make it happen!

What advice would you give to new artists coming through?

Don’t be afraid to be honest and vulnerable. Especially lyrically. There is an indescribable power in this that is worth seeking.

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IN THIS PHOTO: Julianna Zachariou/PHOTO CREDIT: Caia Grace Matthews

Are there any new artists you recommend we check out?

Check out my friend Julianna Zachariou. Her songs will blow you away!

Do you get much time to chill away from music? How do you unwind?

I wind up with music and wind down with music. I don’t really feel like I need any time away from it! But, I do love yoga and taking mindfulness walks.

Finally, and for being a good sport; you can choose a song and I’ll play it here (not any of your music - I will do that).

Sleepwalker (Demo Version) - Emily King

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Follow Kate Kelly

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INTERVIEW: M. Rivers

INTERVIEW:

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M. Rivers

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THE brilliant M. Rivers…

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has been discussing his new single, Don’t Drink the Water, and how it came together. I ask the L.A. artist how it differs to his hit, Champions; whether Los Angeles is a great city to create music in; when he began his career  - the songwriter tells me how it feels having a large and impassioned fanbase.

M. Rivers talks about a precious memory from his time in music; which upcoming artists are worth seeking out; the advice he would give to artists coming through; what he hopes to achieve by the end of this year – he selects a song to end the interview with.

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Hi, M. Rivers. How are you? How has your week been?

Absolutely busy and exciting - a single released; an article in Billboard; being played on the radio nationwide; an interview with you. All good.

For those new to your music; can you introduce yourself, please?

I’m a recording artist from Los Angeles, CA. I create. I am but a messenger and a storyteller for the human condition and I stand for equality and love.

Don’t Drink the Water is your latest cut. Is there a story and history attached to the song?

Yes! I wrote this song for everyone who contemplates the reality we are presented by the media and our institutions. I want us to think for ourselves and recognize the manipulation by mass media and the one percent who control us and keep us down. Power to the people.

How do you think it differs to Champions? Did you feel pressure to follow the success of that release by providing something even bigger and more memorable? 

Every song I create has a different purpose and a different existence for the listener. Champion is an idealistic song that plays with the ego and manifests a certain type of destiny. Don’t Drink the Water is a very down-to-earth expression of the suppressed culture that we have grown up with and the cover-up of a somewhat perfect society that Americans have sold to their own people. It simply questions our integrity as a people and the education process and information we have been given.

You have won a lot of fans and seen your music spread around the world. How does that make you feel?!

I’m no-one's hero: I am simply a voice for the people. It feels good when people identify with that message; it gives me purpose. There’s plenty of resistance and I’m okay with that too. I don't have a solution to our social and economic problems: I’m simply creating art that reflects what I believe to be our human disposition.

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When did you begin your career? Was there a moment when you knew music was what you were meant to do?

No specific moment, but a visceral gut feeling I had a connection with people. I always manifested playing in front of audiences. I studied great lyricists and performers that impacted people’s lives. Thirdly, keeping it real; not singing with character in my voice or anything that was a put on; to be able to go out there and speak to people on a real and personal level - the likes of Bill Withers and Tom Petty. To be able to totally teleport to another dimension; communicating with an audience on another plane.

That is the ultimate goal for me as an artist.

There is a lot of great music coming out of Los Angeles. Is it the best place in the world to create and release music do you think?! Is there a great buzz in the city?

It doesn't matter where you come from or how many people you know. After fifteen years and four record deals; after two-thousand shows and being bankrupt twice, I can honestly tell you that, for me, it only matters that you write a great song: relevant, important and cool. The rest is bullsh*t.

What do you hope to achieve by the end of 2018?

I want to become visible. I want guys like Beck and Jay-Z saying: “Who the fu*k is this guy?!”

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Will there be any tour dates? Where can we see you play?

There will. Please follow me on my socials: @m.riversofficial for Instagram and @mriversofficial for Facebook.

Have you got a favourite memory from your time in music – the one that sticks in the mind?

I have lots. Mostly connecting with fans. I’ve played so many shows and I had a moment at Rock on the Range where we were a tad behind and the crowd was chanting. About eight-thousand people. I took my time; I didn't want that moment to end. The moment I walked out, the crowd started surfing and flipping out.

I had waited for that moment for a long time and I enjoyed it; my fans and fellow music-lovers showed me love and respect that took me a lifetime to earn. It was a good day.

Which three albums mean the most to you would you say?

For me, it’s all about the songs, not the albums. There are, like, thirty or forty songs that mean the most to me. It’s so cool to me when people exist with albums but I’m a song guy through and through.

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If you could support any musician alive today, and choose your own rider, what would that entail?

Ray Charles…and we’d need a '59 Cadillac.

What advice would you give to new artists coming through?  

Don’t get caught up in the hype. At the end of the day, we sing songs.

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IN THIS PHOTO: Mad Hawkes

Are there any new artists you recommend we check out?

Definitely check out Mad Hawkes; Rows; Fitness; Lost Beach; Desi Valentine and Davey and the Midnights.

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Do you get much time to chill away from music? How do you unwind?

Working on old cars and riding my old Harley helps me unwind for sure - but I never need to chill away from music.

Finally, and for being a good sport; you can choose a song and I’ll play it here (not any of your music - I will do that).

Play Fantasy by Mad Hawkes

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Follow M. Rivers

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INTERVIEW: OPEN ARMS

INTERVIEW:

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 OPEN ARMS

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IT has been great…

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speaking with Ben of the band OPEN ARMS. He has been telling me about their latest single, Honey, and what its story is. I ask him about their upcoming Sunflowers E.P. and what sort of stories impacted its creation; how the band got together and what music they grew up listening to – Ben chooses some upcoming artists we need to get involved with.

I was keen to learn whether the guys, being based out on Birmingham, have a lot of opportunities; if there are any gigs coming up; whether Ben (and the guys) find time to unwind – each band member ends the interview by selecting a track.

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Hi, Ben. How are you? How has your week been?

Ben: Hi! It’s been pretty crazy this week. Things are starting to pick up ahead of our new release.

For those new to your music; can you introduce yourselves, please?

We are OPEN ARMS - a four-piece Pop band from Birmingham. We are influenced by a mix of Michael Jackson, Madonna; Journey, Walk the Moon, The 1975 - and pretty much everything in-between.

Honey is your new single. Can you tell me its story and how it came together?

We wrote the song about eight months ago. The songs can stem from lyrical or musical beginnings but this one was kind of a mixture of the two. We had worked on the track at a similar time that I wrote the lyrics for it and somehow the two married together really nicely. We spent some time working on it in a closed environment, which is usually how we write, and we just fell in love with it.

What I love about it is that it took us in a totally new direction - one that we knew would be commercially viable but still an interesting Pop tune that stands out. It got stuck in our heads and has been ever since, at which point you know you’ve got something.

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It is from the Sunflowers E.P. In terms of themes and stories, what has impacted the writing and direction?

I think the main driving force for this body of work is the fact that we’ve been writing solidly for months and months and we kind of got engulfed by it. The last record we put out was Telescope last February and it’s been frustrating to only have that in our repertoire in terms of released music for over twelve months. It put us in a really emotive state where we’ve just wanted to take everything we’ve done in that year and make something that can summarise it - which is not an easy thing to do.

We’ve had a lot of personal stuff going on - huge celebrations and devastating losses - and I think you can hear that in this upcoming EP. It’s almost a soundtrack to what we were going through. The title track (Sunflowers) was written around the same time as Honey and carries quite personal messages. It’s my late grandma’s favourite flower but it became a metaphor for that feeling of trawling through so much and coming out of the other side.

Anyway; I’m a firm believer in not giving everything away where music is concerned because I think the best records are those that develop a personal meaning to the listener…so I guess the rest is up to you!

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How did OPEN ARMS get together? When did you come across one another?

The three of us (minus Sam the guitarist) grew up together in secondary school and played in various cover bands and line-ups. We started writing music back in late-2014 and the results weren’t as bad as we thought they would be. Saying that they wouldn’t stand against our current music but they weren’t horrific. We got Sam in by around September 2015 and really started writing and playing live as a unit. It was as if we just knew from that point we were doing something right.

The songs even at that point managed to connect with people and we developed a decent fanbase of really passionate people, all learning lyrics and such. It was very surreal.

What sort of music did you all grow up listening to? Are there particular bands who have inspired you to write your own music?

We were all brought up on Classic Rock funnily enough; bands like Queen, Thin Lizzy; Guns N’ Roses and, of course, Journey. We’ve always prided ourselves on being sixty-year-old souls because we love all music and we’ve learnt so much. I don’t think there is one music genre that we haven’t grown up loving and this has helped massively in writing our own stuff.

I think Michael Jackson has always been in the forefront of music, along with Prince and Queen. We’ve learnt so much from those artists. They do music as a package and a brand - not just a few thirteen-track albums.

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Do you think there will be touring dates? Can we catch you play?

We are just organising a winter tour - provisionally from mid-October through till Christmas, but time will tell. There will be odd shows before then though so it’s worth keeping an eye on our socials.

What has the reaction been like to your gigs? Is it still quite scary so early in the career playing songs to the people?!

From the start, we managed to suss out what was required to put on a show. We managed to learn pretty early on what makes people tick and we’ve always been known to offer something to audiences of all ages and backgrounds.

The scary ones are the intimate ones - if we do a festival it’s difficult to pick out the man shaking his head thirteen rows back, whereas in the basement of a club you’re all on each other’s laps. However you do sometimes get some intimate shows where the whole room is on one wavelength and that can be just as incredible as playing to a few thousand people at a festival, so it’s a gamble really.

Our love for playing live has translated massively into how we pull off our songs live. We have quite ambitious multitrack synth anthems that require a lot of planning to make sure we can get across the sound we want.

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You are based out of Birmingham. What is the scene like there right now? Does the area get the attention it warrants?

Honestly, not great. We’ve found that when it’s good it’s great - but that’s very rare.

It’s all down to who you work with, what ‘promoters’ will work best to what you need them for. You would think that, with Birmingham being such a big name in the U.K., its music scene would be the next step down from a place like London...but it’s just not. The walk-up audience is non-existent, but we have kept our head above water by going all-out and making the most of everyone we meet. Birmingham’s music scene isn’t what it should be - we want to be a part of changing that.

If you had to select the album that means the most to you; which would it be and why?

Escape - Journey

I don’t think there is a more diverse and significant body of work than this. It boasts the impressive Don’t Stop Believin’ as its feature track but, in fact, that’s my least favourite song on it (and I love that song) which is a testament to how great the album is. It gave us our name and it’s been an anthem for our family events since I was little. I would highly recommend it to anyone.

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Have you got a favourite memory from your time in music – the one that sticks in the mind?

It has to be when we opened the Solihull Summer Fest. We met some incredible and prestigious musicians such as Lulu and Peter Andre and just had the best day.

A close second was our first play on BBC Introducing.

If you could support any musician alive today, and choose your own rider, what would that entail?

The 1975 have played a massive part in our development and we identify with them heavily, so that would be a dream come true.

I’d like to say the rider would be something like cocaine and vodka but actually it’s more along the lines of white wine and pretzels. Sam would have Smirnoff Ice and Josh would have Jack Daniel’s and Coke (Coca-Cola). Drew, on the other hand, will have whatever is going. There would probably be a speaker on it as we love listening to music before we go on stage - and something daft like a poster of Ariana Grande… like I say, we aren’t very cool.

What advice would you give to artists coming through?

Just get a game-plan that’s inspired by those around you but full of your own ideas - and stick to it. But, it’s dependant on what you want out of it. We’ve always known that we want to go to the top and to do that it’s got to be your life.

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IN THIS PHOTO: Walk the Moon

Are there any new artists you recommend we check out?

Walk the Moon are huge in America and have had a few hits over here but they are another band who I promise have never done a bad song. You won’t be disappointed.

Also, there’s a very new artist called No Rome who signed to Dirty Hit recently. We like him a lot.

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IN THIS PHOTO: No Rome

Do you get much time to chill away from music? How do you unwind?

We try and balance it the best we can but we find our social lives revolve around the band anyway. Since mid-May, we’ve had about three full weekends off and that’s it. We always try and go for a night out to unwind. Otherwise, it’s giving a little time back to your family and friends who can get a little neglected with the line of work we do. They help us so much, so that’s really important we give back to them when we can.

Finally, and for being good sports; you can each choose a song and I’ll play it here (not any of your music - I will do that).

If it’s not our music, we will go with the following:

Ben: Heart Out - The 1975

Sam: Everybody Wants to Rule the World - Tears for Fears

Drew: City Of Angels - Miguel

Josh: Kamikaze - Walk the Moon

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Follow OPEN ARMS

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INTERVIEW: Leila Lopes

INTERVIEW:

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Leila Lopes

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THIS is the first time…

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I have interviewed a businesswoman on this site. I have been speaking with Leila Lopes about her record label, The Uprise, and why she set it up; the artists on the label we need to look out for – I ask whether more attention is being paid to female business owners.

Lopes talks about her work in Angola and transitioning from beauty pageants to music; what she hopes to achieve before the end of this year; what advice she would give to anyone wishing to follow in her footsteps; where the Uprise label is headed – she picks a classic tune to end the interview with.

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Hi, Leila. How are you? How has your week been?

Well. My name is Leila Lopes and I would say I’m a humanitarian/entrepreneur that also has a love and deep passion for music!

The Uprise is your record label. What inspired you to set it up?

The Uprise came about coincidentally. I have always loved Funk music. In Angola, we are heavily influenced by Brazil and Portugal - and Baile Funk is huge there. One day, about three years ago, I started playing these Funk songs for my husband and he absolutely loved it - but he had never heard that sound before and he is a big music lover also.

So, the idea occurred to me to bring those same beats and rhythms and mix them with more conventional music and see if it sounds great. So, we now started the long process of trying to discover great artists who could produce the specific sound and also perform. It took us over two years of looking and researching but, finally, we found the artists and producers.

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IN THIS PHOTO: Mikespro

What is the ethos of the label, would you say? Which new signings should we keep an eye out for?

Our ethos is to connect various cultures through music. It’s the universal language. We are mixing Brazil with Europe with America and Africa to create one sound. That’s what we want for the world: to be brought closer together

We have Grace Rhodes and Andi Mcernest as artists as well as Mikespro and Zeeko as our producers. We also have a French artist named Wizzy. They are all very good.

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As someone who has competed in beauty pageants; have you faced any judgements and doubts from those in the industry?!

Of course. There are always judges and doubters. People want you to ‘Stay in your lane’; be a beauty queen and that’s it. But, I did nothing to achieve beauty. It’s superficial. I actually worked super-hard on my other interests and I’m trying to do so much more for people and humanity than just being a beauty queen.

You are an Angolan native. How did you get into business and music? Was there a moment when you decided to move into the industry?

Music, I’ve always been into. For as long as I can remember. Business, I got into because of the various opportunities that presented themselves. For instance; I own a company that produces diapers and sanitary pads in Angola. We take the profits from the sales and give them to charity. These are the types of things I love to do for the people.

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Where is the label heading? What are the ambitions behind The Uprise?

We are headed in a global direction! We want this music heard all over the world because that’s what this music is. It incorporates elements of music from so many different cultures.

Do you think there is still little awareness about female business owners and those creating huge innovations?

I think there is but day by day it is definitely increasing. The world is finally taking note of the contributions and, honestly, it’s about time.

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What do you hope to achieve by the end of 2018?

We just hope to get the music heard and for people to give it a chance. It’s very unique but sounds so good. There is so much of the same stuff out there: we need something new…and that’s The Uprise.

Have you got a favourite memory from your career so far – the one that sticks in the mind?

I would say it was the day my products were launched in Angola. That was a great day; knowing how it would help people.

What advice would you give to those coming through who want to follow in your footsteps?

I would say belief in yourself and what you’re doing is the most important thing. People will doubt. People will judge. But, if you believe wholeheartedly in what you are trying to do, go for it. You can never regret it. You will only regret the things you didn’t try to do.

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IN THIS PHOTO: Grace Rhodes/PHOTO CREDIT: Grace Rhodes

Are there any new artists you recommend we check out?

Yes. My artists! Grace Rhodes and Andi Mcernest.

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IN THIS PHOTO: Andi Mcernest

Do you get much time to chill away from music and business? How do you unwind?

Not much time, honestly. Those are twenty-four-hour-a-day kind of jobs. But, fortunately, I don’t consider it work. It’s passion. So, I’m able to do it and still enjoy myself.

Finally, and for being a good sport; you can choose a song and I’ll play it here (not any of your music - I will do that).

Not any of our songs?! (Laughs). Ok. I’Il go with To Zion by Lauren Hill (ft. Carlos Santana). One of my favorites

INTERVIEW: Southbank Crows

INTERVIEW:

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Southbank Crows

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THE first interview of this Sunday…

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is with Southbank Crows. I have been talking with the band about their E.P., The Wild Ones (released last year), and whether we will see more material coming; how the guys found one another and started playing – the importance of London and whether the city has negative and positive effects.

I discover what gigs are coming up for the band and which new artists they recommend; whether there is any downtime for them; what advice they would offer to upcoming artists – the boys end the interview by selecting a song each.

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Hi, guys. How are you? How has your week been?

Hello, there! The week has been good thank you. Busy as always. Ha. Few rehearsals for upcoming shows - how’s yours been?

For those new to your music; can you introduce yourselves, please?

We are Southbank Crows; an Alternative-Rock-Americana band from South London made up of Will (Guitar, Vox); Patrick McCann (Piano, Vox); Taker Hofstra (Bass; Vocals) and Ryan Fielder (Drums).

How did Southbank Crows get together? When did you all meet?

Well. Will met Patrick at an audition for a band called Tiny Voices. We started writing music together and searching for a rhythm section. Once we found Taker and Ryan the music just fell into place: everyone understood what our vision was and helped create it bigger and better than we thought possible!

The Wild Ones E.P. was released last year. What sort of themes and ideas inspired the music?

It was inspired by some time I spent in Florida. I moved out there for a few years after my last band split; did all the life stuff you know, like, travel around, meet some cool people; get your heart broken. Ha. You know…the usual stuff. Haha.

How does it differ, in tone and themes, to 2016’s Southbank Crows?

I guess, inspiration-wise they have some similar themes but, songwriting-wise, we improved as a unit. The Southbank Crows self-titled E.P. was recorded without a full band as we were still looking for the right team. So, as far as Wild Ones is concerned, we sound more like a band with a more honed in sound.

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Is there going to be more material coming down the lines? Are you guys working on new material?

We have been working on plans to put a full-length together and it’s mostly fully-written already but haven’t decided on when to do it and which producer to use – and, of course, where we will find some money. Ha.

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How important are London and its mix regarding your music? What is it like for a young band in the capital?

London, I have found is one of the hardest places to be a musician: every single person is in a band or so it seems and everyone else is a session player wanting money!

My last band was based in Brighton and we found it a lot easier there to make a mark. Friends of mine in other cities around the U.K. have found it easier because they live in smaller towns that haven’t decided to shut all of their venues. Oh…and promoters aren’t trying to rip you off like they do in London.

Which artists are you influenced by? Who are the musicians who have made the biggest impact on the band?

I would say the biggest impact on our songwriting comes from acts like Lucero, Counting Crows; Florida Georgie Line, Stereophonics; Deaf Havana and Lower Than Atlantis.

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Do you think there will be touring dates? Can we catch you play?

We do not have any tour dates booked in as of yet but we have got the following shows coming up:

The Big Meat B.B.Q. festival in Farnham on 25th August at 4 P.M.

Hammerdown at Bar 42 in Worthing on 26th August at 3 P.M.

Penn Meadow Summer Festival in High Wycombe on the 26th August at 8 P.M.

Hotel Pelirocco with the Stone Jets in Brighton on 20th September (which starts) at 7 P.M.

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Is the stage the place you all feel happiest? How do you feel performing to a crowd and hearing that reaction?

It is, 100%, my favourite place to be. I am always writing things in regards to not finding your mark and where feels like home - which I have now realised feels like home! In the van going to shows is where we all love to be: that feeling when you finish playing of just wanting to play again. Ha. I do love it. We all do,

Have you each got a favourite memory from your time in music – the one that sticks in the mind?

I think, for this band, our first U.K. tour and we have had some great, very busy festival appearances and they always leave you gleaming and full of joy!

I have so many great memories. I mean, one that does stick in my mind was sitting in a garden all night with the lads after a great show in Southport. We just stayed up all night having drinks and talking about how much we love doing this.

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If you could support any musician alive today, and choose your own rider, what would that entail?

I would love to tour with Foo Fighters, Lucero or Blink-182. Although, we will take any support slot. Haha.

McDonald’s cheeseburgers, kiwi cider; any beer that isn’t piss-water and money delivered in swag bags by racoons playing cops and robbers on an O Gauge train running through the dressing room.

What advice would you give to artists coming through?

Honestly; there is not a right way as such. Treat all bands and promotors you cross with respect and just be good people. You really have to just ‘love what you do and live for what you love’. I know that sounds cheesy but I really feel it’s so true. For anyone to respect you they have to see you live it, bleed it and love it while getting my financial gain or recognition.

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Are there any new artists you recommend we check out?

Hmm; that’s a tough one. I mean, Boston Manor aren’t that new but they are starting to make a good name for themselves - and I remember them from years ago as a support act for my last band.

Kill the Witness. These boys are from Kingston and we just love playing shows with them. Just great guys and good tunes!

Then, some old-timers who have been going a long time but you might not know. Lucero, I use them as an influence in regards more than writing. They were voted the hardest-working band; they have consistently played something like 150-200 shows a year for a decade!

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PHOTO CREDIT: Michael Foster/ALBUM DESIGN: Matthew Cole

Do you get much time to chill away from music? How do you unwind?

None of us gets much downtime because we all have jobs too; so it can sometimes be a real killer effectively working two jobs. Ha. Will makes beer for a place called Surrey Hills Brewery; Patrick teaches piano; Taker takes care of, like, a million dogs a day; Ryan is a manager at a trampoline park.

Finally, and for being good sports; you can each choose a song and I’ll play it here (not any of your music - I will do that).

Lucero - What Are You Willing to Lose

Florida Georgia Line - Hell Raisin’ Heat of the Summer

Deaf Havana - Everybody’s Dancing and I Want to Die

Cheap Girls - Cored to Empty

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INTERVIEW: Lunacre

INTERVIEW:

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Lunacre

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MY last piece of the day…

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is a chat with the superb Lunacre. I have been speaking with the band about their latest single, Love Being Lost, and what it is all about. They chat about their forthcoming E.P., Pearl Tabloid, and what it was like putting it together; which new acts we should keep an ear out for – they tell me how the band found one another.

I was curious to know whether any tour dates were coming up; what we might expect from a typical Lunacre set; which older artists they take guidance from; whether they get chance to chill away from music – they select some songs to end the interview with.

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Hi, guys. How are you? How has your week been?

Jacob: I'm great, thanks. Finishing a big project this week is giving me 'last day of school' feelings.

JP: HECTIC, but nice - it's not so hot now.

Ben: Fab, thanks. Went to Cornwall for the weekend. 

For those new to your music; can you introduce yourselves, please?

Jacob: I'm Jacob; I play bass in Lunacre and, when I'm not doing that, I'm working on a PhD in Musical Instrument Design.

JP: I'm JP and I play drums and do singing bits (and like to experiment in the studio).

Ben: I’m Ben - lead singer of the band, also the main songwriter and producer.

How are you taking to the heat at the moment? Is it encouraging songwriting and creativity? 

Jacob: I feel like my brain has been gently melting, but in quite a nice way. It's encouraged creativity in the kitchen: I now know several new recipes with watermelon in.

Love Being Lost is your new single. What are the origins behind the song?

Ben: Love Being Lost came just after a bit of a ‘writers block’, when the frustration of not being able to commit any ideas into song ideas peaked and became the lyrical gateway into the track. The chorus came first; the lyric and melody came into my head and after figuring out the chords and baseline…the rest of the track unfolded.

It was one of those great times when the musical answers seemed really obvious and the lyrics came really clearly for the most part. The first demo had a typically overlong middle 8 section before the final chorus, which our guitarist Scott put under the knife to make the whole song more concise…anyway…really excited that it's out in the world now.

Pearl Tabloid, your E.P., is completed. When might we see that? What sort of themes inspired the music?

Soon. We’re reworking the live set at the moment and, once we’re a little further along, we’ll release the next single and start doing shows. This E.P. tracks quite a personal journey and Love Being Lost is both the first single and the opening track. There are some specific things I wrote about in the lyrics, but I’m hoping people can find their own meaning in the songs.

Last week, a friend told me what he thought Love Being Lost was about: it wasn’t exactly what I’d been feeling when I wrote it, but the overall sentiment was very close. I loved that the lyric was abstract enough that it left room for interpretation. 

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Was it fun putting the E.P. together? Did you write a lot in the studio – or was most of it realised before coming in?

We took our time with this E.P. Some of the songs have been around since we started the band and have almost, but not quite, made it onto one of our first two E.P.s. Some of the tracks are much more recent, having only come about in the last couple of months. The result of this is that it has contributions from both current and past band members.

Our first guitarist, Sam, has a big instrumental moment on one of the tracks; a lot of the work our friend Benjee put in before he took a break to go away and study Sound Design has made it into the E.P. - as well as obviously featuring a lot of work from the four current band members. 

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How did Lunacre find one another? Did you all know each other from way back?

Jacob: Most of us go way back. Me, Ben and Sam, who's not an active member in the band since he moved to Berlin, used to play music together at sixth-form. Lunacre started when we all finished university and got the old band back together. That was when JP joined. We've been playing together as Lunacre for nearly five years now.

Ben: I met Scott at music college in Leeds and Benjee through some friends in Bristol. Jacob and I met in a music lesson at school and did a pirate-themed cover of Stayin’ Alive with banjos in it.

In terms of older music; who do you count as influences and idols?

Ben: Radiohead, Blur.

Jacob: Colin Greenwood is probably the biggest musical influence for me as a bassist. Maybe this is less related to what we do in Lunacre but I'm a massive fanboy for Jarvis Cocker and Björk.

JP: I was always into big sounds and lush productions. The early Pink Floyd records were a huge inspiration for me. More modern stuff, I guess, was most things Ninja Tune and Warp Recordings were putting out in the mid-noughties.

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Do you think there will be tour dates? When can we catch you play?

Ben: A.S.A.P. - probably autumn.

In terms of excitement and buzz; what is it like being up on stage? What might we expect from a Lunacre set?

I love playing the songs live. It’s such a direct way of communicating them to people and it’s very exciting because it can be slightly different every time. The songs take on a different life at a gig.

Have you each got a favourite memory from your time in music – the one that sticks in your mind?

Jacob: Our launch party gig for our last E.P. was amazing. We had put so much time into the E.P. itself as well as making sure the gig would be a great event. It was such a good rush of relief and gratitude when loads of people came to support.

Ben: Some of my fondest memories are of when we first started jamming together and establishing the sound and vision for Lunacre. It was a time of great musical and personal development and I feel like we made some really strong bonds and had great fun.

JP: Probably playing some awful Nickelback tune on the guitar as a kid.

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If you could support any musician alive today, and choose your own rider, what would that entail?

Jacob: I'd love to play a show with Mac DeMarco. He seems like a fun guy and his recent album is full of beautiful songs.

For the rider: ice-cold kombucha tea, stilton mini cheddars and seasons 1-9 of The Simpsons on the T.V.

JP: It'd have to be someone with an outrageous line-up. Like Parliament Funkadelic, maybe? Tequila on the rider for me - always a catalyst for fun.

Ben: I think, at our last gig, JP put tuna mayo on the rider…we never got it. I’d love to support Björk and I’d ask for soya chocolate milk on the rider.

What advice would you give to new artists coming through? 

JP: Love what you do and don't hesitate to keep putting yourself out there!

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IN THIS PHOTO: Jack Watts

Are there any new artists you recommend we check out?

Ben: Check out Jack Watts (Horrorscope).

Jacob: The Fish Police and Too Hot for Candy are two bands who have been supported by the charity Heart n Soul, who provide opportunities for young people with learning disabilities to get involved in music and the arts.

JP: Really loving a guy called Mark Hill at the moment. Also, Forest Swords' album from a year or so ago is still getting a lot of airtime for me.

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IN THIS PHOTO: Forest Swords/PHOTO CREDIT: Paul Phung for DJ-Kick

Do you get much time to chill away from music? How do you unwind?

I like to leave the country and turn off my phone – but, honestly, working in music comes with its calming moments so I don't always feel a stressful build-up behind back-to-back workdays!

Finally, and for being good sports; you can each choose a song and I’ll play it here (not any of your music - I will do that).

Jacob: It's got to be Cactus by the Fish Police. It's available from their Bandcamp.

JP: I'd love for you to play Pink Floyd – Breathe (In the Air)  x

Ben: Please play All Saints - Pure Shores

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