INTERVIEW: Mira of Schmieds Puls

INTERVIEW:

Mira of Schmieds Puls

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WITH the album Manic Acid Love out…

I have been speaking with Mira of Schmieds Puls about the record and what the story is behind the latest single, Don’t Love Me Like That – she reveals her favourite three albums and talks about how the band got together.

I was keen to discover whether there are tour dates coming and, as an Austrian band, what the music scene is like there; if she has plans before the end of the year – Mira talks about a special memory from her time in music.

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Hi, Mira. How are you? How has your week been?

Hi! Thank you. I’m very tired - but it’s the kind of tired that feels good because you know you’ve given your all and now you can finally rest.

The week’s been really busy. I finished filming another music video on sunday, released my homemade one for Don’t Love Me Like That; played three shows at three very different places (the very west of Austria; the very east and Vilnius, Lithuania) and celebrated the release of the new album.

For those new to your music; can you introduce yourself, please?

My name is Mira Lu Kovacs. I am a singer, guitarist; lyricist and composer from Vienna, Austria. I like to play in various bands but Schmieds Puls is the one that is all mine. And I live for it. I like to think that my music is a new mixture of whatever you think ‘Singer Songwriter’ means; Jazz (if you must) and Grunge.

How did Schmieds Puls get together? When did you all meet?

I met Christian Grobauer (Drums) and Walter Singer (Double Bass) through a friend who asked us to play with him at his piano recital. I fell in love with their kindness and  the finesse they put in every single note, so I invited them to a jam. Shortly after that we had our first gig - that was five years ago.

Don’t Love Me Like That is your latest single. Is there a story behind it?

What I tried to express was my undecidedness when it comes to relationships. Nothing is ever only one thing. I am so easily driven away, so it is a constant back and forth with me in relationships (of all sorts). I guess it is the hardest thing for me to trust somebody. I can’t have my heart broken all the time and I feel like I have to protect it constantly. I have no other protection shield than simply turning away soon enough or maybe never really letting myself fall too deep…

Manic Acid Love is your new album. What is the inspiration behind the title? Are there particular themes that inspired the music?

Yes. Although, ‘manic’ is really the main emotion on this album. I can be really obsessive over things that are important to me - like music, the language I use and create to express myself. I feel a strong need to be understood so I need to make myself really clear. But, if I’m not careful it overwhelms me and that initially positive and strong energy (1., the ‘mania’) somehow turns against me (that’s 2., 'acid’). With this album I tried to get closer to my  'zen' me (and 3., ’love’) by pushing out the bad energy and setting boundaries for people who overstep them. 

I’m not there yet, obviously. I’m still easily distracted and irritated. Mostly by men who want to correct me or tell me that I am crazy.

Is there a song from the album that stands out as your favourite?

I am really happy about the whole piece, to be honest, so it’s hard to pick a favourite. But, of course, Superior (Fuck You) is very therapeutic and healing for me and it makes me laugh while performing it.

Do you remember the artists you followed growing up? Who do you rank as idols?

Blondie, Ani DiFranco; Whitney Houston; Lauryn Hill; Radiohead, Tanita Tikaram; Tom Waits and Paula Cole. All very important artists that I still adore!

Schmieds Puls are based in Austria. Is there a good music scene in Austria right now?

Yes!  There is massive-good stuff happening in Austria, actually. Not only is the German-speaking field thriving but also the Hip-Hop scene is finally getting some attention. I think people started to think big again, which manifested in big ideas on and off stage…

What do you hope to achieve by the end of 2018?

To be able to breath in and out three times in a row and think of absolutely nothing. To be okay with my shortcomings and actually maybe even love them…? I know it’s a big dream. Zen for thirty-five seconds.

Have you got a favourite memory from your time in music so far – the one that sticks in the mind?

There are many. Each release so far was a big deal for me because I feel like a part of me is being set free at the same time - as if you’re sending off a message in a bottle or something…

There was a beautiful and intense performance this year I did in front of fifty-thousand people. To my surprise, I got really calm when I entered the stage. For the first time ever I wasn’t nervous at all at a gig. The crowd seemed so unreal and I just went somewhere else during these minutes.

PHOTO CREDIT: Ingo Pertramer

Which three albums mean the most to you would you say (and why)?

Paula Cole - This Fire

I got into her music when my English skills were non-existent so I didn't understand the lyrics. But, the phrasing in Paula Cole’s singing is just (so) unique. Also, I don’t know anybody who writes songs like Mississippi or Hush Hush Hush or Nietzsche’s Eyes… a masterpiece!

Radiohead - Hail to the Thief

I am picking this album because it’s the one that got me into the Radiohead madness. After that, I listened to the rest. Of course, I think all Radiohead albums are some of the best pieces of all the music that was ever made. But, Hail to the Thief understood my teenage self the best! So dark, so dee; so intense! We Suck Young  Blood, I Will; 2+2=5 etc.

Ani DiFranco - Evolve

Unique style in every way. Can’t compare it to anything…plus, her guitar playing influenced me tremendously!

If you could support any musician alive today, and choose your own rider, what would that entail?

I don’t dare to dream. I’d love to play with Jack White or Feist. But honestly, they don’t need anybody!

Might we see some tour dates coming up? Where might we be able to catch you play?

October 23rd at Sebright Arms, London. I’ll perform a solo set and I’ll bring my favourite Wander guitar.

What advice would you give to new artists coming through?

Don’t rush with releasing albums. Play play play until you get to know yourself better and have a fanbase that can make an album really go places. There’s no need to rush it and your ideas will only get better!

Are there any new artists you recommend we check out?

Well. I think the scene probably knows about Moses Sumney by now. Sevdaliza was also a big discovery for me this year.

IN THIS PHOTO: Sevdaliza

Do you get much time to chill away from music? How do you unwind?

No. I don’t often, especially these past months. But, I have my rituals. I need my breakfast time and, if possible, I just stay in bed and have breakfast all day. I like to be alone and get my things in order.

Finally, and for being a good sport; you can choose a song and I’ll play it here (not any of your music - I will do that).

Because a one-song/one-album kinda person - meaning I can spend months and years with only a few songs or albums that fascinate me and I won’t ask for anything else - I don’t know much music, especially the classics. I am only slowly discovering them. But, I won’t ask for Paul Simon’s Bridge Over Troubled Water - it’s too embarrassing that I haven’t known it for my whole life until last month. So, I suggest Changes by Black Sabbath. If that’s a no-go, I choose Broken Boy Soldier by The Raconteurs, pleeeease.

Thank you!  - best, Mira.

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Follow Scmieds Puls

Official:

https://www.schmiedspuls.com/

Twitter:

https://twitter.com/schmieds_puls

Facebook:

https://www.facebook.com/schmiedspuls/

Instagram:

https://www.instagram.com/schmieds_puls/

YouTube:

https://www.youtube.com/channel/UChrk5MRYQh0tn1o4Cv-m01w

SoundCloud:

https://soundcloud.com/schmiedspuls

Spotify:

https://open.spotify.com/artist/3tXAnSiJDtpJWZFX9nFPMz

ALL PHOTOS (unless credited otherwise):

Ina Aydogan

INTERVIEW: Will Bowes

INTERVIEW:

Will Bowes

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I have been speaking with Will Bowes…

about his single, Mad at the World, and the inspiration behind it. The actor/musician discusses how the disciplines weave and what it was like working alongside Jennifer Lawrence; if there is more coming up from him; which albums are important to him – the Canadian tells me when music came into his life.

I ask Bowes if he is hitting the road and which new artists we need to get behind; whether he gets time to chill when he is not making music – the songwriter ends the interview by selecting a rather good tune.

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Hi, Will. How are you? How has your week been?

Hi, guys! My week has been very great, thank you. I’m talking with you fine people and about to go to the premiere of a film I’m in at TIFF, so I have nothing to complain about right now!

For those new to your music; can you introduce yourself, please?

Of course. My name is Will Bowes and I’m a singer/songwriter, actor and filmmaker from Toronto.

Mad at the World is your new single. What is the story behind the song?

Yes. Mad at the World is basically how I, as well as I’m sure a lot of other people, are feeling right now. It’s a song about feeling frustrated, dissatisfied and helpless surrounded by the negative energy we’ve been subjected to lately. But, it’s also a song about hope and optimism - and a belief that things will get better. Toronto, where I live, suffered two extreme attacks this year and it was those attacks that made me feel like I had to write this song.

Do you think there might be more material coming next year? Are you working on other stuff?

Ye. I am always working on new material and I can’t wait to share it when it’s ready. I am also the lead singer in a band called GOLD COMPLEX and we have a record coming out this fall! It’s a Soul/Pop band with a horn section and it’s music that makes you want to move your body!

You are an actor who has worked alongside, among other people, Jennifer Lawrence! Do you think disciplines you have learned as an actor feed into your music – or might the reverse be true?

Yes! I worked with Jennifer right before she got crazy-famous; she is really cool and down-to-earth. I think the two feed into each other for sure. From a performative standpoint, of course, but also both fields are about conveying emotion. About opening yourself up and letting people into your soul, to a degree.

Do you recall the moment you got into music? Was there a day when you knew this is what you had to do?

I guess this applies to everyone but I just remember noticing how much music could have an impact on the way I felt as a kid. I remember one time my dad was cooking dinner and playing Bob Marley and he said to me: “Listen to this music, it’s supposed to make you happy and feel at peace” and that was the first moment I think I realized how significant music can be for people as a cathartic experience. I first wanted to be a singer and then I become obsessed with film and I’ve been chipping away at the two for years now.

In terms of musicians; what sort of stuff are you into? Who were you raised on?

Definitely, Neil Young.

Fisher Price used to make these brilliant little toys for kids and it was a cassette player, attached to a microphone that you could carry around and sing along to. I used to do that with Neil Young’s Decade album. I was raised on an assortment of music for sure; definitely Neil Young, The Beatles and Joni Mitchell are stand-outs.

What do you hope to achieve by the end of 2018?

I think I just really want to feel completely comfortable expressing myself with creative projects and not worrying about how they’ll be perceived. I’ve spent too much time analyzing and maybe not enough time just living and doing.

Have you got a favourite memory from your time in music so far – the one that sticks in the mind?

I think just the feeling of playing a great show and knowing that the audience is vibing with you one hundred percent is the best feeling you can have in music.

Which three albums mean the most to each of you would you say (and why)?

Ok, well; as I mentioned: Neil Young’s Decade.

The Beatles’ ‘The White Album’

Because it was just the soundtrack to my childhood.

And, no word of a lie, I really enjoyed Christina Aguilera’s album Stripped as a kid

She’s such an incredible vocalist and was twenty-one when she released that album. It’s underrated in terms of being brilliant music. I’m dead-serious.

If you could support any musician alive today, and choose your own rider, what would that entail?

Probably a cliché answer but I think it would have to be John Mayer. I’ve always loved his music and feel that our two sounds would probably work together. And, exclusively red M&Ms in my rider, thank you.

Can we see you tour soon? Where are you playing?

I plan to tour with my band, Gold Complex, and also play some solo shows. Sorry I don’t have a more definitive answer but I will soon!

What advice would you give to new artists coming through?

To actually DO things. Create things. Make music. Play shows - even if they are to empty rooms and you feel like a complete idiot afterwards. Just do it. Don’t talk about wanting to do it. Do it.

 IN THIS PHOTO: Aphrose/PHOTO CREDIT: Jen Squires - Photographer

Are there any new artists you recommend we check out?

Yes. There is a local artist who I love in Toronto called Aphrose. She’s an amazing Soul singer and you would love her stuff!

Do you get much time to chill away from music? How do you unwind?

I like to stay extremely active. I think that’s just a part of my personality but I love watching movies. I love the feeling of turning my phone off and going to sit in a movie theatre and immersing myself in an experience like that.

Finally, and for being a good sport; you can choose a song and I’ll play it here (not any of your music - I will do that).

I’m honoured! Ok! My friend just played this amazing song for me called Tadow by Masego and FKJ and I promise you’ll like it! Thanks for having me

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Follow Will Bowes

Official:

https://www.willbowes.com/

Twitter:

https://twitter.com/wilsonbowes

Facebook:

https://www.facebook.com/wilsonbowes

Instagram:

https://www.instagram.com/wilsonbowes/

YouTube:

https://www.youtube.com/channel/UCZP4okXWnOlM19EUhQrUrUw

SoundCloud:

https://soundcloud.com/wilsonbowes

INTERVIEW: Lo Lo

INTERVIEW:

Lo Lo

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IT is good to catch up with Lo Lo…

and talk about her new single, Convenient - it follows on from Yours and is the next step in the story. The songwriter reveals what she wants to achieve moving forward and tells me which three albums mean the most to her – she recommends some rising artists we should investigate.

I ask how music came into her life and, given the choice, which artist she’d like to support on tour; if she gets any time to chill away from making music; what advice she would give to artists emerging – Lo Lo ends the interview by selecting a great track.

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Hi, Lo Lo. How are you? How has your week been?

Hi Sam! I am doing great, thank you. The week has been hectic, but good! 

For those new to your music; can you introduce yourself, please?

Hey guys! I’m Lo Lo and I’m a singer/songwriter from Toronto!

Convenient is your current track. What is the story behind the song?

If you’ve been following, Convenient is actually the follow-up to my first debut single, Yours. It’s also what comes next in the story. After my breakup, I had a really hard time making a connection with someone. I got in touch with an old friend who had moved away and also just gotten out of a long-term relationship.

We ended up being each other’s rebounds - we had a summer fling. But, that’s all it was: a rebound. This song underlines that fact. Afterwards, I heard he said some pretty mean things about me and I wasn’t happy. I came home after finding this out and I wrote Convenient.

How do you think it differs to a track like Yours? Do you find you are changing and evolving as a songwriter?

I definitely think I am always changing and evolving as a songwriter and an artist. It differs to Yours because it’s a little more intense. It’s darker. Yours came from a sad place but Convenient came from an angry place, so it has a slightly different vibe.

Might we see more material next year? How far ahead do you look?

Yes, sir! I’m actually hoping to release another single this year and hopefully three or four songs in the New Year as part of a package. I can’t wait.

How did music come into your life? Which artists did you follow as a child?

As a child, I watched Shirley Temple movies religiously. I think my grandfather was the first to show me them. She was definitely my inspiration for wanting to be a performer. I made my mom put me in acting classes, singing lessons and tap dancing classes. Growing up, I was your typical ‘90s kid - a few of my favourites that I followed were the Spice Girls, Backstreet Boy; NSYNC and Hilary Duff.

What do you hope to achieve by the end of 2018?

I hope to put out more music! It’s seriously killing me. I really want to show the world what I’m all about.

Have you got a favourite memory from your time in music so far – the one that sticks in the mind?

Right now, I don't know if I have one in particular. After releasing my first single, Yours, I got so much positive feedback. So many people I knew, or didn't know, reaching out. Hearing my song playing in my favourite clothing stores. Man, it was all epic.

Which three albums mean the most to you would you say (and why)? 

Taylor Swift - Fearless

I’ve said it many times, but Taylor Swift is one of the reasons that I’m never afraid to write about real people and true sh*t. Every song on this album was once my anthem. She didn’t care what anyone would think when she wrote about real things in her life and that helped me realize that…neither do I.

John Mayer - Battles Studies

This album came out right when I was first learning to play guitar, which is the first instrument I ever learned. That’s really special to me. I can confidentially say I once knew how to play every song on this album. 

Gavin DeGraw - Sweeter

If you know me, you know my love for this man. This album came out right when I started writing songs of my own. This album influenced me a lot. Even though we obviously have different styles, I take a lot from him. I strive for my songs to have the authenticity and soul that these ones do. Sign me up.

If you could support any musician alive today, and choose your own rider, what would that entail?

I’d love to support Billie Eilish. That girl is so dope it’s insane.

Dream rider would consist of lots of red wine and lots of puppies around at all times. Also, iced Caramel Macchiatos and Pillsbury cookies. 

Will there be some tour dates coming up? Where might we be able to catch you play?

I’m still figuring out exact tour dates but I’d love to make it out to the U.K. obviously (smiles).

What advice would you give to new artists coming through?

Keep pushing, keep grinding; don’t give up. Put out music that is genuine and that you love - someone else will love it too.

 IN THIS PHOTO: Sasha Sloan

Are there any new artists you recommend we check out?

Relatively new - Sasha Sloan. Her song, Normal, is fuc*ed-up good. Another good one is LeRiche. Check out Under Covers.

 IN THIS PHOTO: LeRiche

Do you get much time to chill away from music? How do you unwind?

I try to make chill time for myself. It’s funny because, a lot of times, I unwind from real life by playing guitar or writing a song about how I’m feeling. Non-music-related, I usually unwind by going on long walks with my mom or by watching T.V. My guilty pleasure is The Bachelor.

Finally, and for being a good sport; you can choose a song and I’ll play it here (not any of your music - I will do that).

Since we were just on the topic of favourite albums, here’s one of my favourite songs from one of my favourite albums: Run Every Time by Gavin DeGraw

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Follow Lo Lo

Official:

http://www.itslolomusic.com/

Twitter:

https://twitter.com/itslolomusic

Facebook:

https://www.facebook.com/its.lo.lo.music/

Instagram:

https://www.instagram.com/itslolomusic/

YouTube:

https://www.youtube.com/channel/UCMgn05wA8bs-xFykolBsbQA

SoundCloud:

https://soundcloud.com/itslolomusicxo

Spotify:

https://open.spotify.com/artist/5MjcGshMggPgIHinIUDaX0?si=J8YRuhtuSVO-IFw_HR3bOA

INTERVIEW: Midnight Mschief

INTERVIEW:

Midnight Mschief

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I have been speaking with Midnight Mschief…

about their beginnings and how they found one another. The guys tell me about their new single, Ride, and filming its video. I ask how music arrived in their lives and what they have planned going forward – they each pick a song to end the interview with.

I was interested to know what they all hope to achieve before the end of the year and whether they had favourite memories from their careers so far; which rising artists we need to get behind and follow – they provide advice for artists coming through.

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Hi, guys. How are you? How has your week been?

Firas Viirgo: Amazing as always! Moved into a new place and setting up my room and studio…its all in one room. Haha.

Reem: It's been busy. Been working on some new music for you guys.

For those new to your music; can you introduce yourselves, please?

Firas Viirgo: What’s good; it’s yo boy Jermaine from the 305…just messing. My name is Firas. I go by ‘Viirgo’ as my producer name. I’m a Haitian-Omani dude who films most of our band’s music videos and watches a lot of foreign movies.

WNDRSS: My name is Fatma Mirza. I go by WNDRSS or, as my friends call me, ‘Tutu’.

Reem: My name is Reem from Midnight Mschief. I'm the color red on our logo.

Ride is your latest single. Can you reveal the story behind the song?

WNDRSS: Ride was the first song written by the two singers in the group - Reem and I. The song is a light-hearted Hip-Hop track about meeting someone who makes you careless about your surrounding; it’s about that feeling you get when you meet someone and find them interesting.

Reem: It's one of our personal songs. My bandmate and I wrote it together while video chatting as she was in a whole different continent. We wrote it in one all-nighter.

Firas Viirgo: What’s funny about Ride is, when WNDRSS and Reem wrote it, it was kind of based on a true story from a person I personally know that the band members haven’t met. She was in love with him, he got the signs but didn’t want to move forward ‘cause he valued their friendship a lot…and just like that...boom…you’re in the friend-zone.

The video looks like it was interesting to film. Where did you shoot that?

Firas Viirgo: Kris directed the first half in New York and, when she travelled to Dubai to see her family, I directed the second half of it with her.

Reem: It was shot by a photographer and a model whom are acquaintances of Viirgo in the U.S.

Is there going to be more material coming from the band in the future?

WNDRSS: Definitely. We are currently working on an album - we want to provide music that is undeniably great and has its own unique sound.

Firas Viirgo: Most definitely! We are working on our first album called Remember Everyone’s Damaged. The story behind the album reflects on the first color off our logo (R.E.D.). It will showcase how society have this ‘mask’ on; to prove that everything going about in their life is fine no matter how successful or happy they are. We are all fragile. We are human.

How did Midnight Mschief form? When did you all get together?

WNDRSS: We met in March while we were in different countries – U.A.E., Oman and the U.K. We found that we have a common love and passion for music and have been making music since.

Reem: I was first introduced to Firas through his cousin. She took a video of me singing in a parking lot and she took my number and told me about her having a producer cousin who's been looking for a female singer. Soon after Firas contacted and, as soon as we started working, he told me about him wanting to form a girl’s band and mentioned Tutu and sent me some of her work. I agreed on the spot as they are both talented artists. We've been working since starting with us being in three different countries then, finally, united a few months later.

Firas Viirgo: I met WNDRSS online and we’ve been speaking back and forth a couple times; just short talk. I was creating an online band at the time through a Reddit forum and asked her to join. She agreed…but the band didn’t last a week. Haha. Although, she was the only member then who kept sending my vocal demos consistently. She told me: “Firas, fu*k ‘em; let’s go make our own small band”. She’s straightforward so I liked that and followed her since.

When did music arrive in your lives? Which artists are you inspired by?

Firas Viirgo: Man…for as long as I could remember. I could tell you that the two artists that inspired me to start producing at nineteen was Maya Jane Coles and Detroit producer/singer JMSN

Reem: I was introduced to music at a very young age as I come from a musical family/background. My mother used to sing in college and my father is a poet - getting it from my grandfather who is a national singer and poet. I was first introduced to the piano and then went on to singing and songwriting. One of my favourite artists is Jordan Rakei! His music is beautiful, inspiring and very soulful.

What do you hope to achieve by the end of 2018?

WNDRSS: A full album release and listening party - and at least two music videos.

Reem: We'd have dropped our new album hopefully by then. We'd have a few gigs locally and internationally also with the hope of expanding our fan base.

Firas Viirgo: Having a successful album listening party and starting a solid foundation by establishing our band’s brand in the Middle East and gain recognition from dope sources. Whether it be an known artist or a popular Spotify playlist

Have you each got a favourite memory from your time in music so far – the one that sticks in the mind?

WNDRSS: I started writing Rap music from a very young age. When I was twelve, I spoke to my music teacher at school and asked him if I could do a live performance at the assembly and he said ‘yes’. I was very excited and a friend of mine who also enjoyed writing rhymes joined me on stage. Although the management at school was shocked (and not in a good way), the whole school cheered once we were done. I don’t remember what I had written for that anymore, but I know it was great.

Firas Viirgo: My favourite memory has to be being grateful that I have met two very driven and committed artists in my band.

Reem: Well, it's a very recent one as I performed in an open mic, mostly improvised with some amazing local musicians. It was spontaneous and beautiful. It was an amazing experience.

Which one album means the most to each of you would you say (and why)?

Firas Viirgo: Priscilla by JMSN

That got me into producing and the level of production in that album was and is insane. This was 2013…

If you could support any musician alive today, and choose your own rider, what would that entail?

Firas Viirgo: RICK JAMES, BIIITCH! Haha. I think I’d literally die in the first week of touring with him. But, on a real note, it would either be Russ or BROCKHAMPTON. I would have a bunch of medications available (for minor sh*t like a flu or cough) ‘cause I get mad-sick when I travel to another country for some reason.

Might we see some tour dates coming up? Where might we be able to catch you play?

Firas Viirgo: We are gonna throw a private listening party on Nov 11. It’s hard touring around the Middle East as there are hella load of rules and regulations. But, we will find a loophole.

What advice would you give to new artists coming through?

Firas Viirgo: Be consistent and have a plan. Don’t try to freestyle your way ‘cause you’ll end up in a limbo…you don’t want to end up like DiCaprio in Inception.

IN THIS PHOTO: Adam Nabeel

Are there any new artists you recommend we check out?

Firas Viirgo: Any of the Omani artists making noise in the city. We got Adam Nabeel, Wassup Nile and Emaan Zadjali. Oh; you should definitely check out Saffron. She’s based in Dubai and we’re doing a collab. album.

Reem: I’m much more of an old music type of person unfortunately: I don't keep up with new music that much but there are some amazing upcoming raw local musicians here in Muscat.

IMAGE CREDIT: Emaan Zadjali

Do you get much time to chill away from music? How do you unwind?

WNDRSS: Going on nature trips is my favourite way to unwind. Sometimes, the music gets too loud and I need some silence to refresh. It also helps whenever I have a writer’s block

Firas Viirgo: I’m always surrounded my music whether I like it or not. If I’m not producing, I’m listening to some other artist’s production or watching a film (and the soundtrack being so amazing that I have to dig deep into it).

Reem: To me, I don't feel the need to chill away from music as it is my escape I tend to turn to music to unwind; it's relaxing and accompanying.

Finally, and for being good sports; you can each choose a song and I’ll play it here (not any of your music - I will do that).

WNDRSS: Arin Ray (ft. DRAM) - Communication

Reem: Kaiit - 2000 n Somethin

Firas Viirgo: The Blaze – Queens

Their music video is the best storytelling I’ve ever seen

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Follow Midnight Mschief

Official:

https://midnightmschief.com/

Twitter:

https://twitter.com/midnightmschief

Facebook:

https://www.facebook.com/midnightmschief

Instagram:

https://www.instagram.com/midnightmschief/

YouTube:

https://www.youtube.com/channel/UCarvpAd1kra0_nt2t6Pb-0Q

SoundCloud:

https://soundcloud.com/midnightmschief

INTERVIEW: Fiona Harte

INTERVIEW:

Fiona Harte

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THE superb Fiona Harte has been telling me…

about her debut single, White Picket Fence, and the story behind it. The Northern Irish artist resides in New York and I ask what compelled that move; whether she is looking ahead to future material and what sort of music she grew up around.

Harte reveals some rising artists worth a look; if there are any gigs booked; whether we might see her back in the U.K. soon, playing; the advice she would give to artists coming through – she ends the interview by selecting a great song.

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Hi, Fiona. How are you? How has your week been?

Hey, Sam. It’s been great! My first-ever single just came out today so it’s been busy but exciting.

For those new to your music; can you introduce yourself, please?

Sure. I am from Ireland but currently based in New York. I moved over here to pursue music and have been trying to play as many shows as possible. I play guitar and my music is quite stripped back – ‘Acoustic singer-songwriter-style’ I would say.

White Picket Fence is your debut single. What can you reveal about the song’s story and how it came together?

I wrote the song after listening to a friend talk about a really crappy relationship she was in. I could sympathize with her from my own experience and the song was written within about an hour after she left my apartment. I wrote it on the balcony of the apartment I lived in in Dublin at the time. The song focuses on how your desired person can control your emotions by doing so little. Even though the song portrays as sad, it refers to having hope; perhaps for that love or another.

How does it feel knowing the song is out? Are you already looking ahead to new material?

It feels great – I can finally say I am an artist! I’ve taken my time recording a lot of stuff and waiting for the right time. This feels really right now. I am absolutely looking into my next release. I have started planning it already – it should be out before Christmas (smiles).

In terms of musicians; what sort of stuff are you into? Who were you raised on?

I love poetic lyrics, so a lot of Joni Mitchell and Carole King. I currently listen to a range of stuff. More recently, I have been listening to Jorja Smith, Daniel Ceaser; August Greene, stuff like that. An artist I love at the moment is Bruno Major. 

You are from Northern Ireland but based in New York. How inspiring is New York regarding your songwriting and creativity?

New York is incredibly inspiring to me and always has been. I love it here. The only thing I find, sometimes, is it gives me so much to write about but so little time to write! I feel like I am always running somewhere in this city.

What do you hope to achieve by the end of 2018?

I would love to have another single released and play as many shows as possible.

Have you got a favourite memory from your time in music so far – the one that sticks in the mind?

Yea. I think it was playing The Bluebird Cafe in Nashville. I have never been so nervous. The guys (in) In the Round were insanely talented and the audience really does not make a sound! It was a really magical night for me.

Which three albums mean the most to each of you would you say (and why)?

Joni Mitchell – Blue

It reminds me of when I first fell in love with music and writing. It’s an album I compare everything I do to, in order to get the best out of my own work. It will never be near that level (laughs) but I do always think of it after I complete something. I don’t know why.

David Gray – White Ladder

I just think it’s one of the most beautiful albums ever written. The production is incredible and I have always been a fan.

Dolly Parton – Here You Come Again

My mum always played it and it always reminds me of her. Great songs, too!

If you could support any musician alive today, and choose your own rider, what would that entail?

I would love love, love to support Frank Ocean. He’s one of my favourite writers! Rider. Haha. Maybe Milanos and Cab Sav (laughs).

Can we see you tour soon? Where are you playing?

I just played The Bitter End last night and have a Sofar Sounds on 27th September. After that, I will be doing a few shows in Ireland. Tour is on the cards; possibly 2019.

Do you think you’ll be back in the U.K. to perform at some point?

Yes. Sooner rather than later. I have a trip planned there for November.

What advice would you give to new artists coming through?

I am still learning a lot but what I really became aware of recently is how I should always stick to my gut feeling. If something doesn’t feel right, it probably isn’t. And, always be in control of the creative/release process as much as you can. It’s so important to be happy with what you put out.

 IN THIS PHOTO: Maria Kelly/PHOTO CREDIT: Ruthless Imagery

Are there any new artists you recommend we check out?

Yes. I love an Irish singer called Maria Kelly – her songs are amazing. And, also, a New York-based band called the Newcomers Club.

 IN THIS PHOTO: Newcomers Club

Do you get much time to chill away from music? How do you unwind?

I do. I kind of go through phases of writing a lot and then not very much. I was trying to write a song every day for the past while. Right now, I am going through recordings of all my songs and re-writing which is fun. I just meet up with my Irish friends and go to the pub to unwind!

Finally, and for being a good sport; you can choose a song and I’ll play it here (not any of your music - I will do that).

Thank you for doing this!

Joey Landreth - Still Feel Gone

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Follow Fiona Harte

Twitter:

https://twitter.com/FionaHarte1

Facebook:

https://www.facebook.com/FionaHarteMusic/

Instagram:

https://www.instagram.com/fionaharte/

YouTube:

https://www.youtube.com/channel/UCRLZb8PpI9N7COmYqHiDH7A

INTERVIEW: Amigo the Devil

INTERVIEW:

PHOTO CREDIT: Kelsy Filler  

Amigo the Devil

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IT has been cool speaking with Amigo the Devil…

about his latest song, Cocaine and Abel, and what its story is. Amigo the Devil (Danny) talks about his forthcoming album, Everything Is Fine, and what we might expect; the songwriters and albums that are important to him – I ask whether there are any tour dates approaching.

I discover when music came into his life and how an Amigo the Devil live set differs to the studio experience; if he has any goals to achieve before the end of the year; if there are rising artists we should get behind – he selects an awesome song to end the interview on.

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Hi, Danny. How are you? How has your week been?

We had some really dry months out here in the Hill Country and finally got the rain everyone has been hoping for so, besides the floods and not being able to float in the creek part, it’s been a good week. Floating in any body of water is probably my favorite feeling in the world.

For those new to your music; can you introduce yourself, please?

Well. My name is Danny. I was born and raised in Miami, got restless at about seventeen and started moving around, trying to ‘find myself’. Haha. I tried immersing myself in the culinary world, retail; random creative jobs and finally found a home in the brewing industry.

The music I play is very dark thematically but none of it is meant to glorify misanthropy; simply present and analyze it. It’s hard to beat something without understanding the mechanism behind it so it seems logical to try and humanize what so many people simply try to ignore because it feels icky and it’s ‘bad’.

Cocaine and Abel is your new track. Can you reveal the story behind it?

The process for these lyrics was so much different than older songs. Instead of trying to craft and tell a story, it simply told itself. It would be hard for me to disclose the personal details within the song because at that point - I feel like it would shift into a song about me and that’s not why it exists.

Writing it, personally, helped me out but, hopefully, everyone that hears it will get whatever they need from it at that moment. It’s one of those moments where I can’t really take credit for this song because it just...came to existence...it was just born and I didn’t really have much say as to whether it would be or not.

The album, Everything Is Fine, is out on 19th October. Are there particular themes that inspired the songs?

If I had a single string to weave through each song on the record, I think it would be doubt and how alright that is to feel. Not necessarily doubt as a mechanism to fail through, or a platform to avoid living from atop of, but more as a mirror to identify and accept what can and will be better. I just wanted to be honest about my faults and fears in case someone else felt them too.

Somehow, it feels better to know you’re not alone in the pit and eventually, with enough people, everyone helps each other climb out of it. Like a human pyramid without the cheerleading outfits or depending on the situation with them? Who am I to say...

Ross Robinson produced the record. Was it cool working alongside him?

Working with Ross still affects me to this day after months of finishing up at the studio. It was an intensely positive experience for me. We had such a good time recording this record and when I listen back to the songs, I can still feel the energy we had in the studio on the record itself.  You know how they say we only use a small percentage of our brains? Working with Ross felt like I was trying to reach the unused part.

Whether we tapped into it or not doesn’t matter; only that we were working towards the beyond at all times and it’s something I carry into my everyday life. Is this how people start to lose their minds?

When did music come into your life? Which artists did you follow when you were young?

I learned to play guitar when I was around fourteen because of a band I wanted to join and we ended up playing for quite a while. Started playing shows around that same time with those dudes and then we started touring around sixteen. I missed so much, including high-school graduation, for the tour and I remember the show in PA the day of got cancelled. Wasn’t really from a traditional high-school anyway, so I guess it didn’t matter much.

Growing up in Miami, there was always a limit to how far South bands would come so most of my musical taste came from BMX magazines and videos like Props Road Fools. From The Get Up Kids to Tom Waits; Napalm Death, Testament; Carcass, Godspeed You!; Black Emperor, Thrice; The Adolescents, Killing Joke; ISIS, The Album Leaf and Fiona Apple. Converge was a big one for me because they were one of the bands that did come down to Miami and the first time I saw them (must have been like thirteen) it was the craziest thing I’d ever seen. I think it was them and Today is the Day. 

Those are just some of the bands off the top of my head - there’s a million more I’m sure but those are def. some of the staples.

What do you hope to achieve by the end of 2018?

One hell of a New Year’s party?

Have you got a favourite memory from your time in music so far – the one that sticks in the mind?

I honestly don’t. There isn’t one moment that would be fair to place above another one that immediately comes to mind and, since I don’t want to keep you here all day, it’s fair to say they’re all pretty damn great.

Which three albums mean the most to you would you say (and why)?

Pedro the Lion - Control

As far as Pedro records go, I’m torn between this and Winners Never Quit but I’m sticking to Control because Second Best is a top-three song for me at all times. The songs on this are so, so, so heavy and so far from Metal. The timing, the lyrics...it’s a record I reference a lot as an example of dynamics and using quiet to make something more intense as opposed to filling every space. First to last track, it’s flawless to me.

FIona Apple - Extraordinary Machine

This is one of those records that make me feel as good about myself as it does bad. It’s also the kind that puts how I feel into words for me; descriptions I would have never come up with on my own despite them being my own feelings. At the same rate, there isn’t anything Fiona has ever done that I’m not a sucker for.

Jason Isbell - Southeastern

Modern-day masterpiece. Even if you ignore that each song is itself a major accomplishment, I chose this because it’s one of the best examples of what a record should be front to back. The track-listing, the moods; the flow...it’s a coherent sentiment. The whole record tells one sonic story through completely unrelated concepts. Bahhh; it’s so goddamn good.

PHOTO CREDIT: Mike Dunn

Might we see some tour dates coming up? Where might we be able to catch you play?

There’s a loaded few months coming up. We have a few festivals coming up: Sing Out Loud (St. Augustine, Sept 22nd), Crucial Fest (SLC, Sept 28th) and Aftershock (Sacramento, Oct.14th). After that, we leave on a full U.S. run with Harley Poe that starts on Oct. 17th-Nov.18th. In December, we’ll be doing U.K., Paris and Amsterdam for the first time! We’ve been out there a bunch but never to play, so it’s exciting for me. I won’t bog this down with all the specific dates but they’re all on the site and around the Interwebs.

How does your live set differ to what you play in the studio? Are there big changes and adaptions?

It’s a huge difference and, personally, I prefer it that way. Every time an artist plays their set differently to how the record sounds, it feels more intimate to me. It’s a new experience that can only be had in that moment. As much as I say that, though, it isn’t really a choice for me. Haha. There just isn’t anyone else on stage with me so it’s impossible to recreate the record.

It was and continues to be a huge learning experience when it comes to adapting the songs, recorded as a complete band on the record to a solo environment but that’s half the fun. Turns out to be very interactive and I’m grateful to everyone who comes to the shows for putting up with my sh*t and helping out! Hell…who needs a band when you have so many awesome people with you in a room?

 PHOTO CREDIT: Karen Jerzyk

What advice would you give to new artists coming through?

It sounds so strange as the first piece of advice but don’t ignore merch. Get creative. This isn’t even from a financial perspective: it’s your most tangible marketing. What I struggled the most with, and this applies to solo artists more than bands, was the embarrassment of playing songs that meant so much to me while no one gave a sh*t.

This was when I was trying to get shows anywhere I could, local bars; coffee shops...a bar full of people talking over the songs; ignoring my existence in general and the worst part is that I couldn’t blame them. It wasn’t their fault because, most of the time, it was me coming into their local spot expecting them to stop their lives to listen to someone they didn’t know.

With that in mind, don’t blame yourself or take it out on your craft. It’s not you and, although it feels like hell because there’s no other band members to rely on for motivation/fun/support in moments like that, the more personally you take it, the more it’ll eat your will to find ways to make them want to pay attention. That’s the game: How do I make them WANT to pay attention? Sometimes, it’s as easy as having a cool shirt design they see when they walk in. This phase doesn’t last forever if you keep your head up and learn from every experience instead of punish yourself through them.

IN THIS PHOTO: Emma Ruth Rundle

Are there any new artists you recommend we check out?

Too many...

On my playlist right now: Colter Wall, dakhabrakha; King Woman, Tyler Childers; The Dead South, Jack Ladder & the Dreamlanders; Alex Cameron, Emma Ruth Rundle; The Bridge City Sinners, C.W. Stoneking; Pharmakon, Timber Timbre.

(I know some of these have been playing for a while but still new in the grand scheme of things).

 IN THIS PHOTO: C.W. Stoneking

Do you get much time to chill away from music? How do you unwind?

Alicia (my better looking, more intelligent half) and I always try to keep busy one way or another off the road. Sometimes, it’s tracking down weird sh*t for the house, hosting friends and showing them around and, other times, it’s just floating in the creek with a cigar listening to weirdo songs - but usually it’s just brewing beer. We also travel as much as we can, so plotting how to get places takes a huge chunk of our downtime.

Finally, and for being a good sport; you can choose a song and I’ll play it here (not any of your music - I will do that).

If you wanted to ruin everyone’s day, I’d say Loudon Wainwright III - Good Ship Venus but, since I can’t suggest that with a good conscience, I’ll leave you with one of my other favorites: Leonard Cohen - Take This Waltz

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Follow Amigo the Devil

Official:

http://www.amigothedevil.com/

Twitter:

https://twitter.com/AmigoTheDevil

Facebook:

https://www.facebook.com/amigothedevil/

YouTube:

https://www.youtube.com/channel/UCU6ZUkK4T75BCWbnr9m0xFA

INTERVIEW: Jaki Nelson

INTERVIEW:

Jaki Nelson

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THERE are few artists who have had such…

an interesting and eventful rise to prominence. I have been speaking with Jaki Nelson about her path to music and her musical origins. She talks with me about her latest cut, Dancing with Strangers, and its story; which albums are most important to her – I ask whether there are tour dates coming up.

Nelson tells me what it was like coming out to her parents whilst on stage; how Nicolette Sheridan has impacted her life; some rising artists we need to get behind – she ends the interview with a cool song selection.

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Hi, Jaki. How are you? How has your week been?

My week has been crazy! I played two shows in two different cities this weekend. I had my first major wardrobe malfunction and thank God it wasn't as bad as it could've been. It's been quite the week.

For those new to your music; can you introduce yourself, please?

(*Awkwardly stands*) Hi, my name is Jaki Nelson and I’m a bisexual top-ten, three-time Billboard Dance music artist.

Dancing with Strangers is your new single. What is the story behind the song?

Dancing with Strangers is the story everyone has been through (or will) at some point. It’s that period after a breakup when you’re still mourning your relationship but you’ve decided to turn that grief into something a lot more fun and a little less healthy - drinking and ‘dancing’ with strangers. It’s an exciting time because the song is #30, and climbing, on the Billboard Dance Club Songs chart.

Might there be more material this or next year? What are you working on right now?

Yeah. I have another couple of singles ready to go but it’s finding the right deal to put them out on. We almost had another song coming out right now but the deal wasn’t right.

Is it true a horse riding accident not only almost ended your life but led you to music?!

This is true. I was a show rider growing up. I was on a horse sometimes up to eight hours on a show day. Then, I had a bad accident: I was training a friend’s horse while she was out of town. To keep the story short, I went a little too hard on this horse and he didn’t like it. I ended up on the ground, world spinning; bleeding from my chin to my waist. The fall had ruptured my spleen, so I ended up having to get it removed.

I was stuck in the hospital barely capable of walking for about a week. Once I got out, I couldn’t run; walk up the stairs or do any physical activity for four months. I had been taking piano and voice lessons on and off for a few years at that point. It was the only thing I actually liked to do that I could still do, so I joined a band.

Nicolette Sheridan, I understand, is your ‘horse mum’. How did you two meet and what advice did she give you?!

I met Nicolette at the barn when I was nine-years-old. Nicolette and I would occasionally go on trail rides around Hidden Hills where the barn was located. That area of Los Angeles has the best trails. For my tenth birthday, I have a very vivid memory of her getting down on one knee with a chocolate cake she had baked for me and she sang Happy Birthday.

Then, she asked me to watch her new show which was airing that night. It was Desperate Housewives. I definitely should not have been watching that show at the age of ten.

I want to ask about the way you came out – on stage with your parents in attendance! Why choose that gig? What was your parents’ reaction?!

My parents don’t come to a lot of my shows. Most of my performances take place around or past midnight and my parents live most of the year in Florida; so they would effectively be staying up until 3 A.M. their time to see me. But, it was the biggest room I had ever played and my mom happened to be in town that night, so she decided to come.

The room happened to also be the biggest gay club night this side of the Mississippi River and artists like Lady Gaga have performed there. I had already recorded and was gearing up to release, Boys X Girls: my coming-out song. It seemed like the best way to do it.

My mom didn’t immediately react. I still don’t know if she knew what I was really saying. I went into the audience after the performance and all she said was “Great job, sweetie! I have a flight in four hours. Have a great night!”

We had a real conversation about it somewhere around a month later. Once we got through sorting out that “No, really; I’m super SUPER-bisexual; this is not just a reaction to that breakup (from Dancing with Strangers)” then she was supe-supportive and excited. Actually, she is also bisexual, so, her actual quote was “You’re just like Mommy!”

Your father toured with The Beach Boys! Has he been instrumental regarding advice and your career choice?

My father toured with The Beach Boys, Tanya Tucker; Leon Russell and many others. He has been a wealth of information for my entire life, from things that I really wanted to know all the way down to the things I definitely didn’t want to hear. He’s a singing drummer, so pitch and timing are VERY important to him (as they should be to any musician.).

For example, he knew that I didn’t want to hear about the timing I was practicing wrong on the piano; so he would casually walk over, turn on the metronome and walk away. As a teenager and a young adult, it’s been nice to always have a knowledgeable resource to turn to for advice on deals and such. I sometimes joke that I was “bred for this”.   

When did music come into your life? Which artists did you follow when you were young?

My earliest memory of having my own obsession with music was when my parents gave me a Walkman for Christmas (for the kids out there, a Walkman is a small mobile device that plays C.D.s). My first memory of having my own taste in music is when I would sneak into my sister's room and steal her copy of Britney Spears’ In the Zone album. I listened to that hundreds of times. I was probably eight.

I believe you went to school with Kylie Jenner! Do you still keep in touch? Did you know then she would become such a success?!

I did. My high-school had 7th and 8th graders on campus with us (terrible idea, by the way.). Kendall and Kylie were in 7th and 8th when I was a sophomore (I think?). We never really talked, but Kendall came to my high-school graduation party.

It was fairly obvious that they were going to do just fine in the world of entertainment. They were already pretty famous in 7th grade and it's not like their family doesn't know what they're doing in that area of things.

What do you hope to achieve by the end of 2018?

I hope to be hopping on a bigger artist’s tour - someone who is also working in and around the L.G.B.T. world. That would make my whole year. O.M.G.

Have you got a favourite memory from your time in music so far – the one that sticks in the mind?

SAN FRANCISCO PRIDE! I debuted my single, Dancing with Strangers, in front of half a million people, live, and people were so into it.

Which three albums mean the most to you would you say (and why)?

In the Zone - Britney Spears (explained above)

Closer - Josh Groban

I had been assigned to sing You Raise Me Up at my 5th grade graduation. After listening to that 200 times, I decided to listen to the rest of the C.D. A lot of it was in Italian, and it was such an emotional recording. I had no idea what he was talking about, but I learned every word. It was the first time that I realized that I had a musical interest in more than just pop music.

AM - Arctic Monkeys

I literally just realized right now that ‘AM’ stands for ‘Arctic Monkeys’. Anyway, it was the first album I ever heard that was absolutely perfect from top to bottom.

If you could support any musician alive today, and choose your own rider, what would that entail?

I would DIE to go on tour with Hayley Kiyoko…and I think the only stipulation I would include on my rider is that the dressing rooms would have to be smoke-free. I'm severely allergic to cigarette smoke.

Might we see some tour dates coming up? Where might we be able to catch you play?

I just did a whole bunch of them in California. I'll be doing Out on the Mountain on September 14 in Southern California. After that….well, follow me and see.

What advice would you give to new artists coming through?

Write music. No one is going to do it for you and, even if they do, it won't be as fun and it won't be as honest. Get to it.

 IN THIS PHOTO: Bobi Andonov

Are there any new artists you recommend we check out?

I just went to this showcase the other day that was absolutely mind-blowing. One that I was not expecting was Bobi Andonov. He's got an upper register that was so surprisingly incredible; it literally made me burst out in a giggle. I don't giggle. Charlotte Lawrence was also amazing. Same with Steph Jones. I left that event SO inspired. That right there is what music is supposed to do.

 IN THIS PHOTO: Charlotte Lawrence

Do you get much time to chill away from music? How do you unwind?

I don't really, but I don't mind. Music is now and has always been my life. I got a boombox for my 10th birthday and stuck it in my bathroom, so I could listen to the radio in the shower. It’s still there. I have another boombox in my room. I play Classical piano when I want to unwind. I can't do anything productive without music to keep me focused.

Finally, and for being a good sport; you can choose a song and I’ll play it here (not any of your music - I will do that). 

Well; if you're up for reliving the worst heartbreak of your life, Water on the Bridge by Chelsea Cutler has been killing me for the last few weeks. If you're looking for something old-school-sexy, Sour Diesel by Zayn. And, if you want to feel great, check out Treat Myself by Meghan Trainor.

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Follow Jaki Nelson

Official:

https://www.jakinelson.com/

Twitter:

https://twitter.com/jakinelsonent

Facebook:

https://www.facebook.com/JakiNelsonEnt/

Instagram:

https://www.instagram.com/jakinelson/

YouTube:

https://www.youtube.com/channel/UC88qa-3kj1qvCG3qKmTzZ_Q

INTERVIEW: Rändi Fay

INTERVIEW:

Rändi Fay

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IT has been interesting discovering more about Rändi Fay…

and the video for her song, Supernatural. The songwriter talks about her start in music and how she had to give up her career as a veterinarian after a hand injury – Fay tells me about the music scene in Wisconsin and recommends some artists to look out for.

I was keen to know whether there are tour dates coming and what she hopes to achieve before the end of this year; a few records that are important to her; what sort of music she grew up around – Fay ends the interview by selecting a great track.

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Hi, Rändi. How are you? How has your week been?

Hi! I’m amazing! I’ve had a great Labor Day weekend. Most of my family was up at my Door County, WI getaway and we did touristy stuff but also we are getting ready for my son’s wedding up in this area in two weeks. I’m also flying high off my release of Supernatural. We have so much to celebrate!

For those new to your music; can you introduce yourself, please?

I am a vocalist and songwriter from Green Bay, WI (go, Pack, go!). Like most musicians, I have been making music forever but I waited until 2010 to begin my professional music career when an injury forced me to retire early from being a veterinarian. I will try any genre but am known for being a jazzy torch singer live. I have had four nominations for Jazz Artist of the Year in Wisconsin! My writing has really taken off while earning a Master’s certificate in Songwriting (2017) through the Berklee College of Music online program.

I work with amazing instrumentalists, co-writers; teachers and a fantastic producer, stretching my skills and challenging genre. I have recorded six C.D.s that are representative of my development as an artist, from Chill (Red Hot Chili Peppers) covers through jazzy/bluesy originals to my current work in this sort of earthy symphonic Pop. It has been quite a ride!

Supernatural is your new track. What is the story behind the song?

The inspiration behind Supernatural was the age-old controversy regarding what makes music ‘real’. A lot of musicians are down on some of the synthetic sounds used in music today. But, to me, music is what’s in the heart of the creator and in the ear of the listener. It’s music if it connects.

I wanted to write a song that could show this by layering two very ‘natural’ instruments; a bass (upright, fretless and electric) and my voice - and with some cool processing - to create a winding ‘supernatural’ duet. I had a willing player (Timothy Perkins), a willing co-writer; arranger and producer (Aaron Zinsmeister) and we went for it! After coming up with a groove and some basic melodic ideas, the rest was like was like sculpting a rose from buttercream frosting - so sweet!

The lyrics flowed in the same vein, creating a story of the surreal chemistry of love and desire and the intense magic of it when equally matched - like the bass and the voice -; no one-sided idol worship; a 'supernatural' relationship. The magic was key! Aaron and I etched our way through several lyric re-writes and two bouts of a terrible cold while recording on my part, but always coming up with something more precise and on target for the best version of the song!!

What was it like filming the music video? Might we see more material coming up?

Filming the video was a blast! We had a really sweaty day and rain was threatening, but all went as planned! I got up early and ran (Haha - wanting to sweat off a few last-minute pounds, I suppose!) to be ready for call at my home for hair and makeup at 7:30 A.M. We chose a last-minute dress change for Azure Hall (the gorgeous dancer) which producer Jocelyne Berumen had just found and it was brilliant! Honestly, the worst thing was my dress would pick up every drop of sweat or oil and show a mark. I was terrified to touch it.

We took a break in the middle of the day and later met Tim Perkins (the bassist) and Aaron Zinsmeister (co-writer and song producer) at a studio to film the indoor scenes against a ‘cyc’ screen, allowing that cool shadowless effect. We were done by six and eating Mexican food next door to celebrate by 6:30. Jocelyne was amazingly prepared and a complete doll to work with.

More material, coming up? Sure. We are already three songs into a fantastic album to be released next year!

When did music come into your life? Which artists did you follow when you were young?

This question will date me! Music has always been in my life. By four-years-old, I knew every song to Disney’s Mary Poppins. In fact, I thought I WAS Mary Poppins’ saying “spit spot” and rearranging the living room to look like an array of chimneys to Step in Time. I continued to learn every song from the early Disney movie: The Sound of Music to White Christmas to Jesus Christ Superstar.

I also loved the amazing Jazz crooners who were still a part of normal radio and T.V. play, like Frank Sinatra; Rosemary Clooney, Ella and the Rat Pack. I was crazy for A.M. radio (thanks to savvy older sisters!), with the fantastic vibe of the emerging Rock scene - the British Invasion! Herman's Hermits, The Animals; Clapton, The Beatles; The Moody Blues and Dusty Springfield - and that is all before I was ten. Haha. So much intense and creative music!

Is it true you almost became a veterinarian until you hurt your hand?!

I did become a veterinarian and practised for thirteen years until I hurt my hand. Following the first hand injury, I had four additional random injuries to my right hand or arm over the next seven years - yes, #accidentprone. I kept trying to return to veterinary practice then finally got the message! I have am still a klutz but my hands have been injury free since I became a professional musician. Now, my greatest fear has shifted from limb injuries to laryngitis!

Wisconsin is where you are based. Is there a good music scene there at the moment?

The music scene here is mixed. There are fantastic and extremely capable musicians, writers; performers and producers who are based in Northeast Wisconsin. You can make inspired music here. But, the live music scene is a challenge. I think that is true in many places these days. Many venues are not comfortable taking a chance on original music and there are some super, super cover bands around here - so, they seem to prefer the ‘sure thing’. I am just so grateful to those venues that have supported my music and to the fans that have come out to listen and make their efforts pay off!

What do you hope to achieve by the end of 2018?

Hmmmm…I am hoping to make good progress on writing my new project, Intuition. This is a studio project I am co-writing with producer Aaron Zinsmeister that is a concept album. The understory is about moving through fear and isolation to a place of courage and love - for your imperfect self and for an imperfect other.

Track titles include Mystified, Uncaged; Serenity, Rise with Me; Lone Wolf, Melancholia and, of course, Intuition. We are going for a ’Symphonic Pop’ sound – Disney-meets-Moody Blues-meets Evanescence; rich melodies and instrumentation, passionate lyrics; earthy grooves. It is a huge project and I love the challenge. I also would love to grow my email list. Please sign on! I can keep you posted on progress!

Have you got a favourite memory from your time in music so far – the one that sticks in the mind?

A favorite memory…I have so many of great memories from my involvement in music, some hilarious and some uplifting, as I have such an oddly diverse background. I will narrow the choices to a favorite gig moment...

We were a part of a showcase for nominees of the Wisconsin Area Music Industry’s annual awards: sort of the Wisconsin Grammys; raising funds for kids and music. We had a thirty-minute spot toward the end of the evening and my band just shot on stage and totally rocked. We were so tight. It was great to be playing together, making money for kids and enjoying the evening with others who were celebrating our nominations.

Which three albums mean the most to you would you say (and why)?

Only three? Oh boy. These are today’s choices!

The Beatles - Abbey Road

A miracle of variety, sounds and stories; each so individual and yet so memorable with ambitious instrumentation and that Beatles thread of consistency. You can recognize the fingerprint of each of the guys as they each were ready to take off on their own while working on this one final collaboration without knowing it. NO fear of pleasing their audience with being predicable either. I admire that!

Linda Ronstadt - Simple Dreams

Linda Ronstadt had an amazing voice and an amazing ability to cross genre and do it in a chart-topping fashion. Without me realizing it, I am quite certain she is one of the reasons I have felt it possible to sing in many different styles; to continue to hone different techniques and to believe it is possible to do that. This album pulls songs from Buddy Holly, Roy Orbison; Warren Zevon, Mick Jagger and Keith Richards; a fantastic variety of writers, songs; renditions and a single singer.

Eva Cassidy – Songbird

What a voice Eva Cassidy had - and such a short life! This C.D. is so haunting in that it is so simple, so sincere and so beautiful. Eva Cassidy was a cover artist who she gave her renditions an intimacy that came through in her recordings and transcends her early death. I would have LOVED to see her live, using both pronunciations and meanings of that term.

If you could support any musician alive today, and choose your own rider, what would that entail?

I would have a hard time choosing an artist. I am a huge fan of Classic Rock artist, and most of the musicians I have been passionate about are sort of winding downing doing their own thing. I know a ton of hard-working local and regional musicians who just rock! I love their originality, their musicality and their work ethic. I would love to figure out a way to be sure songwriters get their credits and that live music pays better wages so that all of these incredibly talented struggling artists are supported in the industry!

And, my own rider…being on my own for so long, I can’t imagine anyone ‘taking care’ of me in that way. Hmmm. My dogs backstage would be a blast; Diet Coke and ice; fresh flowers? And no T.V. Take my phone away too! Privacy, a masseuse and a hair and makeup artist? Now, that would be fun!

Might we see some tour dates coming up? Where might we be able to catch you play?

After the release of Supernatural, I have chosen to take a break from live performance. I have been progressively creating music in the studio which I am not able to play live with my existing instrumentation. My band is amazing and we have been doing fantastic acoustic ‘covers’ of my recent work.

But, this new project is completely crazy and I have to get into it completely to be sure it is the best it can be as created in the studio and then figure out how to share my new music live. I will still be doing some feature vocalist work for fundraisers and private events! And there is a side of me that would love to do some cover work - some straight, big band music or maybe Classic Rock? Hah. I still cannot decide on one genre!

What advice would you give to new artists coming through?

Experiment, play; learn, be open to new experiences and constructive criticism of those who are successful in the industry! There is a craft to be honed in creating music and you will find so many ways to better communicate your message. Honestly, never give up learning. Your music will be better for it!

 PHOTO CREDIT: Ali Henderson

Are there any new artists you recommend we check out?

7000apart, Spencer Jones; Ali Henderson, Caroline Dare and Jackson Mankowski.

 IN THIS PHOTO: Caroline Dare

Do you get much time to chill away from music? How do you unwind?

I am a little compulsive, but I do love to chill…sort of intensely! Haha. I run, hike; ski, read; garden, bake; hang with my family; my grandkids, dear friends; my dogs and kitties…

Finally, and for being a good sport; you can choose a song and I’ll play it here (not any of your music - I will do that).

The Moody Blues - Nights in White Satin

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Follow Rändi Fay

Official:

http://randifay.com/

Facebook:

https://www.facebook.com/randifaymusic/

Instagram:

https://www.instagram.com/randifaymusic/

YouTube:

https://www.youtube.com/channel/UCdlbOvKMMVJtp3ZQrpfKwww

Spotify:

https://open.spotify.com/artist/6z2K3i2pOzxqutBtq1aJwI

BOTANICAL GARDENS PHOTOS:

CyclopsGirl

INTERVIEW: Coyote Choir

INTERVIEW:

Coyote Choir

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I have been chatting with Coyote Choir…

about their new song, Sing!, and how that came together. The guys tell me about their forthcoming album, Vol. 1, and the sort of things that will be included in terms of themes – they each select a favourite memory from their careers so far.

I ask what sort of music they are inspired by and which albums that would highlight as their favourite/are particularly special; if there are rising artists that we need to check out; whether there are going to be tour dates coming up – they provide some good advice for songwriters coming through.

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Hi, guys, How are you? How has your week been?

It’s been a good week. We’ve released our first single from our first record called Vol. 1 that will be released in the near future (Nov. 2) and we’re planning for release dates to the concept lyric videos that we’ve been making over the past few weeks. We’ve also been writing new songs.

For those new to your music; can you introduce yourselves, please?

Paul and Jason Watkins. We’re blood brothers from OKC. Mathew Linton, I’m from the Pelican State. Jason plays rhythm acoustic guitar, keys and is the lead vocalist. Paul plays bass, plays keys and sings backing vocals. Mathew plays drums, acoustic guitar and sings backing vocals. We write the songs together and try to keep everything plain and simple during the days of creating. We’re grateful for the opportunity to make music together.

How did Coyote Choir get together? Was it quite a long and tough road to where you are now?

We’ve known each other for roughly fifteen years now. The three of us were involved in different bands and playing music with different people before we started writing for Coyote Choir. We had a season a few years ago where we were writing a lot and Jason and Paul had the idea of giving these songs a home under the roof of a new band project and coming up with a name. Calling the band Coyote Choir presented itself to us one day while listening to a song by Rodney Crowell.

Is there a mantra or mission statement for the band?

We came up with the idea of trying to make something for somebody out there to “keep the heart high”. We started out writing songs imagining them pulling someone out of a tough spot, so to speak, but what was interesting about those first songs we were writing was that they were unveiling a way to help us in our personal lives too. In a strange way, we were being comforted whilst hoping to serve somebody with a song. We also like the idea of helping people to recall the good times they have had, even if they are in a season of blindness. Try to remember.

Sing! Is your new single. Can you reveal the story behind the song?

Sing! was one of the first songs we wrote for Vol. 1. We got the idea for the title because we realized that we were drinking a lot of coffee and one particular tea called ‘Sing’ from a company called High Garden in East Nashville. We flirted with the idea of calling a song Sing, but we were also thinking of someone close to us that lost the desire to use their talents/gifts in this particular season.

We liked the idea of someone beginning to open their eyes to the truth about a unique attribute they have and is a special part of who they are. There are things that other people see in you that are beautiful even when you have a hard time believing it. So, we were trying to encourage someone out there to take back the gift that lives inside you because, perhaps, when you use that gift it’s a gift to others too. It’s a new day, sing!

It is from your album, Vol. 1. What are the main themes that inspired the songs?

The theme of Vol. 1 is awaiting a personal resurrection. Not to dwell heavy on suffering, but I think all of us had our own season of uncertainty about our feelings towards music and then, out of nowhere, you feel your heart start to heal and become excited again. We have a common thread in a lot of areas of our friendship and we love making music together but I think what we really love is hoping that the music will work its way in to comfort someone. We’re not interested in making songs that feel confusing and juvenile; it’s really a simple feeling we want to share with people. Loving others and remembering the good that was once had.

Have you all got a standout song from the album? Is there one that you hold dearest to the heart?

I think we enjoyed how every song turned out, in that we’re grateful for them. We probably have different songs speaking on different days but we have a song called Always There which is one that’s been on my mind lately. It’s really a straightforward song about a relationship that seems conflicted for reasons unknown but, even in the midst of separation, they are joined by the thread of love. One person may run and the other stays and waits for their return unconditionally. No grudges. No questions. It’s love taking them back in and love that’s always been there from the beginning.

Do you each remember the artists you followed growing up? Who do you rank as idols?

We share a common appeal towards music. We love all the music our parents and grandparents were listening to but we also try and discover new things as well. We love Elvis Presley, Eagles; Don Williams, ELO; Traveling Wilburys, Phil Collins; Garth Brooks, TRIO; Crocodile Dundee…so many people. It seems like Coyote Choir Vol. 1 is influenced by '70s singer-songwriters; '80s-era Pop music and '90s Country, all stirred in a cast iron pot seasoned with synths and ethereal sound. Through it all, with all the music we love, we’re hoping to not confuse the listener.

What do you hope to achieve by the end of 2018?

We’re looking forward to releasing Vol. 1 towards the end of the year (Nov. 2), and we’ll be recording our next batch of songs for the next album in October!

Have you each got a favourite memory from your time in music so far - the one that sticks in mind?

Mathew: One of my favorite memories regarding music is I had the opportunity to play the snare drum as a band mascot for Baker High School - beginning in 1991 through the time I started high school there. I am grateful for Ms. Heard, the director, for allowing me to play with the band but also how she showed us her love for symphonic music whenever she had the chance. She expressed a desire for symphonic music that was very moving.

Jason: My favorite memory from my time in music so far is a bittersweet one. Paul and I wrote a song called Boys’ Choir for our band, Clemency. We filmed a concept video for that song and recruited our good friend Kyle Nickel to play the main character. It’s a story of a son’s long journey home, returning to his father. We got to travel for several days with Kyle and our good friend and videographer, Joey Williams, through Oklahoma, Texas; New Mexico, and Colorado. The video turned out better than we could have ever hoped and the trip was one we’ll never forget. Shortly after that, Kyle became sick with a heart condition and passed away. At his funeral, the music video we got to make with him was played. It was heartbreaking and at the same time one of the most rich and meaningful moments I have ever had in music. Our time together, the video; the song, it all came together to celebrate his life in a way we never could have orchestrated. It was the most honored, humbled and proud I have ever felt making music.

Paul:  My wife Abbey and I had come across one of life’s obstacles that caused us a considerable amount of heartache. One that we hadn’t foreseen. We began to grow tired. We tried not to let it get us down but I’m sure that Jason and Mathew could see that we weren’t ourselves. I showed up late to a writing session one day and they played me a song that I knew they had written to us. It is a beautiful song of encouragement and hope that brings warmth every time I hear it. The song is the sixth track on Vol. 1 and is called I’ll Be Waiting Here.

Which one album means the most to each of you would you say (and why)?

Mathew: I’m not quite sure of the album that means the most to me but George Harrison’s All Things Must Pass has an album tone that can’t really be described. The songwriting; it’s soulful, it has longing and harmonically it’s rich in structure without being overly complicated. It’s an album with so much depth and feeling. I return to it quite often. Beautiful.

Jason: There are several records that mean a lot to me, but the one that stands out the most right now is the new Bon Iver record (22, A Million).  It is beautiful and sweeping, always calming; a soundtrack for life. It really lends itself to reflection and rejuvenation and is perfect for an evening drive. I still love it and can listen to the whole record from beginning to end.

Paul: This seems to be a nearly impossible task but I will go with my instincts. When I read the question, the first album that popped into my head was Bringing Down the Horse by The Wallflowers. It is a record that taught me to love music and song writing. It is one that I will never grow tired of spinning.

If you could support any musicians alive today, and choose your own rider, what would that entail?

I think it would be fun to support Fleetwood Mac. Water and Chimes ginger chews sounds good!

Might we see some tour dates coming up? Where might we be able to catch you play?

We don’t have any shows scheduled at the moment and playing live is not out of the question. We’re enjoying living in this ‘creative camp’ that we’ve made for ourselves for this season. We like to stockpile our songs so we never run short. We’re inspired to write and record as much as possible and playing live does appeal to us - but it’s gotta be a specific time for that.

What advice would you give to new artists coming through?

Don’t throw in the towel when you’re down: try and stand up during the count. Honor your parents. Pray.

 IN THIS PHOTO: John Fulbright/PHOTO CREDIT: Vicki Farmer for The Independent

Are there any new artists you recommend we check out?

John Fullbright from Oklahoma; a band called Caveman from Brooklyn - and the last album that The Barr Brothers released we’ve been listening to.

Do you get much time to chill away from music? How do you unwind?

I like to take walks for the state of mind and reading is something that I try and do as much as possible.

Finally, and for being good sports; you can all choose a song and I’ll play it here (not any of your music - I will do that).

Mathew: Bob Seger - Against the Wind

Jason: The Barr Brothers - Song That I Heard

Paul:  Rosanne Cash - Seven Year Ache

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Follow Coyote Choir

Official:

https://www.coyotechoir.co/

Facebook:

https://www.facebook.com/coyotechoir/

Twitter:

https://twitter.com/thecoyotechoir

Instagram:

https://www.instagram.com/coyotechoir/

SoundCloud:

https://soundcloud.com/coyotechoir

INTERVIEW: S.K. Wellington

INTERVIEW:

S.K. Wellington

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THE first interview of the week…

is with S.K. Wellington. I have been speaking with her about the new track, Moments Bliss, and what its story is. She reveals what we can expect from her upcoming E.P., Where the Earth Meets the Sea, and what it was like working with so many experienced musicians on the record.

Wellington highlights an artist to watch and tells me her favourite memory of her career so far; which three albums mean the most to her; when music came into her life and took over – she ends the interview by selecting a great cut.

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Hi, Sarah. How are you? How has your week been?

Hey! I’m great. My week has actually been awesome. Just coming off of a string of shows in British Columbia to promote the new E.P.

For those new to your music; can you introduce yourself, please?

I’m a singer/songwriter out of Calgary, AB. I led the band, The Wellington Folk, for about eight years and this year I transformed that band into more of a solo act under the name S.K. Wellington. My style is Indie/Folk/Rock.

 

Moments Bliss is your current single. What is the story behind the song?

I had experienced a real season of creative burnout and decided to take some serious time away from work and music. I spent a couple of months on Salt Spring Island. I was sitting in the public park in Ganges one day just fiddling on my guitar and really taking in my surroundings. I realized, in that moment, how free I felt; how much joy was returning to my soul. Just being present. No deadlines, no writing expectations; no work.

It was a really profound moment for me and the song just sort of started to form over the rest of my time on the island. The lyrics reflect that slow process of letting go of story, pressure and anxiety and just releasing expectation to be present. To me, that feeling of freedom and joy is what is worth fighting for.

It is from the E.P., Where the Earth Meets the Sea. Are there particular themes that inspired the songs?

All of the songs on this E.P. are documenting my experience on Salt Spring - my season of rest and reset. You’ll hear the sweetness of re-finding creative passion and also some of the intensity that came with learning to let go.

I believe there are some great and established musicians on the record. Was it cool working with so many eclectic people on Where the Earth Meets the Sea?

It was an amazing experience. It was the first studio album I’ve ever created with session musicians. Even going to a different city to record was a pretty immersive and new experience for me. It’s such an inspiring and beautiful thing to get people’s musical interpretations of your songs and to hear their signatures become a part of the project’s sound. Above all, though, they were all such great people to work with. Amazing talent; funny and kind to boot. We had a great time (at least I did!).

Do you recall when music came into your life? Which artists did you follow at a young age?

I always grew up around music. My grandma and mother both played the piano so I grew up listening to them play. When I was younger, I had a great Boyz II Men phase and then got really into Punk-Rock for some time. The first time I remember considering songwriting, however, was when I really started listening to some of my mum’s favourite music. I would just sit and intently listen all the way through James Taylor records and Tracy Chapman albums. I spent HOURS listening to Chicago. That’s when music really started to inspire me and become a bit more of an active interest/hobby.

What do you hope to achieve by the end of 2018?

I hope to enjoy the process of releasing these songs. They’re really vulnerable and I feel like I just want to enjoy the ride of sharing them with people. Trying to continue on in the actual spirit of the E.P. - no expectations, no stress. 

Have you got a favourite memory from your time in music so far – the one that sticks in the mind?

I have a few.

One of my absolute favourite music memories actually dates back to my first Wellington Folk release. I had the privilege of not only sharing the stage with my incredible bandmates, but also getting to play live with some other local talents. It was unreal to be playing my songs and experiencing such a FULL sound onstage. I remember feeling so humbled and in awe of the talent on stage. All playing songs I had written in my bedroom! Also, any recording experience is always a favourite for me

Which three albums mean the most to you would you say (and why)?

Fables - David Ramirez

I had been feeling really stale and uninspired in my listening when I found this album. I was blown away. I fell in love with his writing and style through that album. I don’t think he has one song that I don’t like.

Seeds - Hey Rosetta

I love this record. I was so pumped to discover a band that didn’t follow all of the normal ‘rules’ of music. I found I could relate to that aspect of the writing and really look up to Tim Baker as a writer.

Babel - Mumford & Sons

This was such a refreshing album to encounter when it came out. The strength of the lyrics - and to hear things like the banjo in a fresh way was really exciting.

*Bonus: Continuum - John Mayer. I love the way that guy plays guitar. I also never skip a track on that album, which is rare for me.

If you could support any musician alive today, and choose your own rider, what would that entail?

I’d want to learn to play the drums and support Hey Rosetta. Pretty far-fetched. I’m not a great drummer.

Will there be some tour dates coming up? Where might we be able to catch you play?

The E.P. release party is September 20th and then hoping to get East with the music soon as well.

Do you think you’ll come and play in the U.K. at all?

I’d absolutely love to. I have some dear friends from there and there are a lot of artists I love that would be neat to possibly connect with. It probably wouldn’t be until 2019 or 2020.

What advice would you give to new artists coming through?

Don’t feel the need to learn everything the hard way: connecting with some seasoned musicians and industry folks and asking questions can be an incredible resource when you’re just starting out. I’d also say to make sure to take care of yourself so that you continue to have the energy and space for your art.

IN THIS PHOTO: Wallis Bird/PHOTO CREDIT: Jens Oellermann

Are there any new artists you recommend we check out?

I was totally blown away at the Calgary Folk Festival this year by Wallis Bird. She’s definitely not a ‘new artist’, but she’s new to me! Her performance was unreal - her energy, musicianship and presence. I would definitely recommend checking her out.

Do you get much time to chill away from music? How do you unwind?

I unwind by listening to music (can that count?); walking, spending time in nature and with my community. I also walk my dog a lot.

Finally, and for being a good sport; you can choose a song and I’ll play it here (not any of your music - I will do that).

Watching from a Distance - David Ramirez

Thanks so much for the opportunity to do this!

S.K.

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Follow S.K. Wellington

Official:

https://www.skwellington.com/

Facebook:

https://www.facebook.com/skwellingtonmusic/

Twitter:

https://twitter.com/SKWellingtune

Instagram:

https://www.instagram.com/s.k.wellingtonmusic/

SoundCloud:

https://soundcloud.com/skwellington

INTERVIEW: Annie Goodchild

INTERVIEW:

Annie Goodchild

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I was determined to squeeze in another interview before next week…

PHOTO CREDIT: Barbara Hess

and speak with Annie Goodchild about her new track, Ether. She talks about the importance of Boston and how the city influences her. I learn how music came into life and the moment she knew this is what she is supposed to be doing. She reveals a few albums that are especially important - I ask what we can expect from her upcoming E.P., Meditative Mouthfuls.

Goodchild looks ahead to gigs and where we can catch her; which musical memory is her favourite; what it is like being on stage connecting with an audience; the rising artists we need to follow – she ends the interview with a great song.

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Hi, Annie. How are you? How has your week been?

Hey. I'm good. Busy in practice, but that’s a good thing.

For those new to your music; can you introduce yourself, please?

Sure thing. Hi. I’m Annie. I grew up in Boston; been obsessed with sound since I was a kid and would describe myself as a 'fierce dreamer'. Musically, I’ve had a really hard time describing what I make in just a few words - but I've landed on 'American-Roots-meets-Cinematic-Pop'. 

Ether is your current single. Is there a story behind the song?

Ether is the first song I wrote for myself. I’ve talked about this a bit before but I’ve had a close relationship with anxiety and, for a long time, I let my fear dictate what I do and don’t do. Ether is about finding balance in mysel: some kinda of harmony between the part of me that is self-conscious and the part of me that is finally showing up for myself. It’s my own mantra and a reminder of this symmetry at the moment. 

It is from the upcoming E.P., Meditative Mouthfuls. What sort of themes and ideas inspired the music?

For me, inspiration comes from everywhere. There are so many layers to the human psyche and I want my art to reflect that as much as possible. Instrumentally and musically, I really like to play with genre and create an abundance of sound or space in my songs. This has made it hard to categorise, but I can’t think of another way to create that feels right to me. 

During the time, I was writing this E.P., I was doing a lot of meditation and self-reflection about where I’m at and where I want to be as a person. I think the biggest theme of this E.P. is my relationship to fear: fear of letting go of relationships; fear of knowing if I try I could fail and the fear of learning to trust and count on myself.

When did music come into your life? Which artists did you fall for at a young age?

Music has always been a hugely important part of my life. I grew up with a piano in the house and a mom who loved Classical and Jazz music. My childhood was filled with hairbrush microphones, shower acoustics and singing in Gospel choirs around Boston. I’d say my greatest early-age influencers were/are the great female voices: Aretha Franklin, Janis Joplin; Nina Simone, Whitney Houston; Etta James, Billie Holiday; Ella Fitzgerald etc.

PHOTO CREDIT: Barbara Hess

It’s hard to express what these women mean to me. They can take any emotion you’re feeling and turn it into sound. It’s magic. They've all saved me in their own way. Once I became a teen, I was introduced to Classic and Psychedelic Rock, which still influences my writing today: Pink Floyd, Led Zeppelin; Queen, The Clash; The Velvet Underground and many more were played on repeat

Do you recall the first time you took to the stage and became a musician? How did that feel?

Ooh, yes I do. I was eighteen, in Antigua Guatemala and I was terrified. Haha. At this point in my life, my anxiety was its own outlawed entity running wild; sabotaging, pillaging and that sort of thing. My friends didn't know I could sing or even wanted to and I don't think my family had heard me sing since I was a small child. Anyways; I was in Cafe No Sè, a tequila/mezcal bar very near and dear to my heart with some friends. There as an open mic happening and we’d just gone to enjoy; absolutely not to perform. It was late (and drinks generous); the house guitar was held up and Mike the greatest bartender asked who's singing next. My friend yelled out “SHE WILL!” and pointed to me. 

At this point, I'm ready to hide under a rock but this small bar encouraged me for the next ten minutes until I edged my way over to the bar stool in the front and said ‘ok’. I remember my hands shaking and staring at the floor. I sang Tracy Chapman’s Give Me One Reason; one of the only songs I knew how to play on guitar then and the whole place fell quiet. I was dying inside. I finished and was afraid to look up...but I got a big applause and the owner came up to me and offered me a weekly gig. I said ‘yes’. I’m forever grateful for that night. 

Boston is where you were born and raised. How important is the city’s music, past and present, to you?

Music is such an important part of a community and I’m really grateful to have grown up in a city that believes this as well. Boston is the home to the Berklee College of Music, the New England Conservatory; Club Passim, the Boston Symphony Orchestra and much more. It’s also one of the oldest cities in America which gives it its own special feel and history. There are great venues around the city. My friends, old bandmates; countless musicians and music students are keeping this scene alive today and fighting for these gems to stay open. So, if you’re visiting Boston go check out some local music and support the scene!

What do you hope to achieve by the end of 2018?

I think, what I want to achieve in 2018, will be the same goal for the rest of my life: I want to make music and art that feels honest; that pushes me forward and challenges me. I want to hustle the means to make that art and I want to connect with as many people as possible while doing it.  

PHOTO CREDIT: Barbara Hess

Have you got a favourite memory from your time in music so far – the one that sticks in the mind?

I was just talking about this the other day. When I was with my old band, Melou, I was performing at this festival on the North Sea called Oerol. We had played our set and covered Glory Box. I didn't know but the band we opened for, Andre Manuel, was there. Later that night, I was at their show with my bandmate and Andre Manuel and his band started playing a song with a really similar bass line. He saw me sitting in the audience looked at me and sang “I just wanna be a woman” and nodded for me to come up. I froze in place but Max pushed me up and said: “What are you doing?! Get up there!”

I went up locked eyes with Andre and the whole band and I jammed out this weird explosive version of both songs. It was like I had tunnel vision the audience disappeared and, for the first time on a stage, I wasn't afraid: I felt free and trusted in my power. It was a really significant moment for me.

Which three albums mean the most to you would you say (and why)? 

That’s a nearly-impossible question for someone as indecisive as myself. So many albums have been the soundtrack to my life at different times but, at least for today, my top-three would be Pink Floyd's The Dark Side of the Moon. This was my high-school anthem. During this time, I fell in love; hitchhiked across America and went to Guatemala with a friendly stranger where I started really singing for the first time. 

The second would be Etta James’ At Last!  The album, the women; the voice is everything you could want and not know you needed from an artist. It also has maybe my favourite duet of all time on it (If I Can’t Have You featuring Harvey Fuqua). If you don’t know it, check it out! 

Portishead’s Dummy is coming in at three. Watching Beth Gibbons sing is like being cast under a spell. I think ‘big’ voices were such a big part of my early musical life that I had a lot to learn about subtlety, balance and control - or a controlled lack of control if that makes any sense. There’s something really sexy and truly vulnerable about Portishead but, at the same time, strong. This has also stuck with me in all my writing.

If you could support any musician alive today, and choose your own rider, what would that entail?

I’d LOVE to support so many artists, so I’ll just choose who I’d want to support today. I think Hozier would be a great artist to support or work with. I’ve been on a Folk and Blues-writing kick recently so it’s an exciting idea. If, on this magical day, I was supporting a handful of artists I’d have to add Laura Mvula, Brittany Howard; Robert Plant and the kids, Maggie Rogers and Matthew Herbert. 

If we’re talking hospitality rider, I’ll take all the Mexican food I can get my hands on. 

Might we see some tour dates coming up? Where might we be able to catch you play?

Yes, absolutely! I’m gonna be part of a cool music installation for this year’s Klang Basel on Sept. 14; heading to Bern on Oct 17 for my first E.P. release show. Then, Oct. 19 at Parterre in Basel which will be an amazing night. Feel free to stop by my socials for future gigs etc. I’m putting new ones up all the time.

How important is it being on stage and performing? Is it the place you feel most comfortable? 

Performing live is hugely important to me: to have a real connection to other people and to see the audience connect to the music you make is an incredible feeling. I think there are some artists who are really good at communicating who they are or how they want to be seen through social media. This is not a skill I have mastered yet. Until then, live shows are where it’s at. I feel most comfortable recording in a vocal booth; making all the weird faces I can to create the sound I want. It’s like an isolation tank for me but being on stage feels brave. Being on stage makes me feel awake and alive and terrified and thrilled. 

What advice would you give to new artists coming through?

My advice would be to stay true to who you are and, if you don’t know who you are yet, then be true to your process. Everyone will want something from you; they will want you to have an easier sound to digest (not projecting here at all…); they'll want you to look more like some made-up beauty standard, especially if you're female (seriously not projecting here). They will tell you to jump through certain hoops to get where you want to go. I call bullsh*t on all of this: build your own hoop or star…or multi-dimensional doorway and shimmy through that sh*t.

Are there any new artists you recommend we check out?

And The Kids is one of my favourite new bands. They are the kinda band I want to be best friends with and play with (call me for sleepovers!). Buscabulla are great as well. They are from Puerto Rico and have such a beautiful aesthetic to everything that they do.

IN THIS PHOTO: Buscabulla/PHOTO CREDIT: Franco Frontera

Do you get much time to chill away from music? How do you unwind?

Ha. It’s a double-edged sword: I need more breaks from the business side of music. The music itself helps me unwind. On my dream day, I’d be teleported to some beautiful cabin with a view. I’d be alone; there would be a fire and tons of instruments and I could just write.  

Finally, and for being a good sport; you can choose a song and I’ll play it here (not any of your music - I will do that).

Just to full circle it all, I’ll put my favourite Hozier song, Cherry Wine. Thanks! x

___________

Follow Annie Goodchild

PHOTO CREDIT: Barbara Hess

Official:

https://anniegoodchild.com/

Facebook:

https://www.facebook.com/anniegoodchildis/

Twitter:

https://twitter.com/annie_goodchild

YouTube:

https://www.youtube.com/channel/UCAb96F6GrP2PBWJLtAD8WeA

Instagram:

https://www.instagram.com/goodchild.annie/

SoundCloud:

https://soundcloud.com/anniegoodchildis

Spotify:

https://open.spotify.com/artist/4lBcjMzkz39P14vLXMO2k6?si=mKLipqpzQACoLjt1tIPpog

INTERVIEW: Abraham Brody

INTERVIEW:

Abraham Brody

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MY final interview of the weekend is with Abraham Brody…

as he talks about his new single, Judith. I ask what the story behind the track is and what we can expect from his album, Crossings. The songwriter tells me what he hopes to achieve before the end of the year and, as an American-Lithuanian, what the music scene is like in Lithuania.

Brody now resides in Iceland so talks about the music vibe there; whether there are any tour dates coming up; the albums that are most important to him – he selects some rising artists we should get behind.

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Hi, Abraham. How are you? How has your week been?

I am fine! Currently in Reykjavik where it is a sunny 10 ºC.

For those new to your music; can you introduce yourself, please?

I am a singer, composer and multi-instrumentalist. I work with various influences: Electronic, contemporary Classical and Folk - and I like to layer these into my compositions.

Your single, Judith, is out. What is the story behind the song?

This song takes an ancient Lithuanian melody as inspiration and transforms into my own lyrics in English. I was thinking of breaking social norms. I dearly love Lithuania and they have come a long way since their independence from the Soviet Union in 1991 but the society is still too male-centric and hetero-centric for my taste. I wanted to tell an abstract story with this song.

It is from the album, Crossings. Are there particular themes and ideas that inspired the work?

The new album is coming out in November.

Unlike my previous work which mainly coming from the Lithuanian folk tradition (albeit Judith is the only song on the new album in Lithuanian!), the new album deals more immediately with my own life, relationships and experiences. The songs speak a lot about the relationships of our time, the transient-fleeting nature of how we often interact with others and the mythologies and mysterious of our own contemporary time.

I was listening a lot to Susanne Sundfør’s Music for People in Trouble, Antony and the Johnsons’ Cut the World, and Anna von Hausswolff’s Dead Magic while I was in the process of creating this so they were big influences.

You are an American-Lithuanian artist. What is the music scene like in Lithuania?

It is very vibrant. There are an incredible number of talented Lithuanian artists of all genres. We also have a deep history of folk traditions. Lithuanian has certain ritual songs that are still performed and were deemed by UNESCO as the oldest in Europe. So, it’s a mixed bag! But, I did feel that, while I love Vilnius (the capital) and the scene there, it was a bit too limiting - that is why I moved to Iceland. Although it’s a tiny country, the Icelandic music scene is one of the most creative and innovative I have ever seen.

Did music play a big role in your life as a child? Was the household you grew up on music?

Yes. I started playing the violin and piano first when I was six. I never stopped after that. My father was a Jazz pianist, so we also had a lot of music around and he taught me how to improvise. My mother is a writer and poet so I think her influence was more on the singing/lyric writing side of my work.

Your compositional skills have seen you compared to the likes of Björk. Are you flattered by such comparisons?

Very. I am not sure if that is true!

What do you hope to achieve by the end of 2018?

Along with finishing the new album, Crossings, I am working on a really exciting project with the string quintet Wooden Elephant; arranging all of my new songs with them. They are renowned for using very unusual techniques like milk frothers, vibrators (!); bells, wine glasses and percussion on their instruments to create a whole huge sound world. Their arrangements of Björk and Radiohead using only their wooden instruments is groundbreaking I think.

I hope to tour with them and grow this project - which starts at the London Jazz Festival in November. They are so rewarded to work with. I also hope that in Iceland I can absorb a lot of music here and maybe further develop my style in more electronic directions.

Have you got a favourite memory from your time in music so far – the one that sticks in the mind?

I have a few. To be honest, one was performing last winter in the Great Amber Hall in Latvia for an audience of one-thousand. It sounds really random but it is one of the most beautiful concert halls I have ever played in (and I have performed in the Southbank Centre, Kennedy Center in Washington; Prague Philharmonic etc.). This one had an incredible acoustic and looked amazing! I really felt my music could speak there.

The second, more recent memory I think would be recording the video of Red Sun with Wooden Elephant. I haven’t had so much fun working with a group like that in years.

Which three albums mean the most to each of you would you say (and why)?

Antony and the Johnsons - Cut the World (Live)

I cannot praise ANOHNI (formerly Antony and the Johnsons) enough. She is such an intelligent, brave performer and human being. Not only is her voice unbelievably powerful and emotional but I believe her message and her music is so strong that she is capable of inducing significant social change. Her music has helped me through really difficult times, as I am sure it has many people.

Björk - Medulla

My favourite album of Björk’s. In general, as a composer, she is incredibly creative and I love how many different textures, sound effects; layers and noises she explores and employs. She is also an extremely brave performer of course and I often hold her as a role model - not to be afraid to be different.

Susanne Sundfør - The Silicone Veil

I have probably listened to this album thousands of times. Susanne’s voice and her melodies; the way she uses synths and electronics - I just love it. Her music is not simple but it has the ability to catch in almost everyone’s ear. Even my mother, who listens to mostly Classical music, likes her! Her song, White Foxes, is one of my all-time favourite songs. Her lyrics are just amazing.

If you could support any musician alive today, and choose your own rider, what would that entail?

I actually couldn’t choose a musician, but it would definitely be one of the above three.

My rider…I think my current rider is already complicated enough to give any sound engineer a heart attack! But, if you really say that, probably I would be on vocals, synths; violin and organ. Then, I would have a string quintet (Wooden Elephant!), full choir and someone really good doing live beats.

Might we see some tour dates coming up? Where might we be able to catch you play?

Yes. Lots of things are in planning but, at the moment, I have confirmed shows in Lithuania (Vilnius and Kaunas, 28th and 30th Sept.); Oslo, Norway at Bla on 4th October; Reykjavik at Mengi on 6th October; National Sawdust in New York on 21st October and 18th November at the London Jazz Festival at Village Underground.

What advice would you give to new artists coming through?

Be yourself.

IN THIS PHOTO: Samaris

Are there any new artists you recommend we check out?

Well. She isn’t exactly new but I love JFDR from the Icelandic group Samaris. Also; Lithuanian Electronic musician Saulius Spindi.

IN THIS PHOTO: Saulius Spindi

Do you get much time to chill away from music? How do you unwind?

Nature. In Iceland, there are a lot of opportunities to unwind in a mountain or hot spring or lava field! Haha.

Finally, and for being a good sport; you can choose a song and I’ll play it here (not any of your music - I will do that).

Antony and the Johnsons - I Fell in Love with a Dead Boy

___________

Follow Abraham Brody

Official:

https://www.abrahambrody.com/

Facebook:

https://www.facebook.com/Abrahambrody/

Twitter:

https://twitter.com/abrahambrodylt

YouTube:

https://www.youtube.com/channel/UCuAQxriYtaxsQcKFJIRMaJg

SoundCloud:

https://soundcloud.com/abemcw64

Spotify:

https://open.spotify.com/artist/23QXqZQhXajNnWbZTdqVPP?si=8nLEUPbPTOOHcR8qpn-PYQ

INTERVIEW: Mark Pelli

INTERVIEW:

Mark Pelli

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I have been speaking with Mark Pelli…

about his musical past and his new single, You Changed Me. The Toronto musician discusses his ascension and favourite musical memory; which artists and albums have made an impact on him; when music came into his life – I ask what it feels like producing music for some of the music world’s big names.

Pelli talks about upcoming plans and where he heads next; which artists we need to get behind and follow; if there are plans in regards touring – he ends the interview by selecting a classic cut!

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Hi, Mark. How are you? How has your week been?

Hi, there (smiles). How are you? My week has been great, thank you! I played a music festival in Richmond, BC with my group Magic! and now I’m back in L.A. working in the studio. Hope you’re having a great week yourself!

For those new to your music; can you introduce yourself, please?

Well. My name is Mark Pelli. I sing, play instruments and produce lots of music. Recently, I released my first solo single entitled, You Changed Me.

You Changed Me is your latest single. What is the story behind the song?

It’s a throwback 6/8 record, reminiscent of early-'60s Motown music. I’m very inspired by artists such as Sam Cooke and Smokey Robinson.

Might we see more material coming next year? How far ahead are you looking regarding material?

Definitely gonna be releasing much more material very soon. I actually have the entire album finished but I’m releasing songs one by one for a while and then I’ll probably drop the entire collection either later this year or early next year.  

Having produced for some top artists; how does that experience feed into your own music? Who did you enjoy working with the most?

Producing music for other artists has definitely helped me with my own. I suppose I’ve developed some technical skills that allow me to bring to life the ideas in my head. Playing in different groups of contrasting musical genres and attempting to produce records from various styles has been helpful as well so that I can draw from all these influences. If you liken music production to painting on a canvas, you’ll see the importance of having a large palette of colors from which to choose. 

I’ve been super-lucky to work with many fantastic artists over the years but recently I was in the studio with J. Cole and my buddy T-Minus. We produced the record Kevin’s Heart for him off his last release and basically decided to get back in again. J. Cole is a super intelligent guy and has great energy to work with in the studio. T-Minus and I make a nice production team and I hope to do lots more work with him in the studio.  

Did music play a big role in your life as a child? Was the household you grew up on music?

Music did play a big role in my life as a child. My dad played guitar in an Italian wedding band when he was younger. My uncle Chuck is a fantastic professional guitarist. My mom is a huge music fan and has a great voice and was constantly playing music around the house. I started learning piano at six and later started guitar at eleven, but took it more seriously at thirteen. I was super-nerdy about music and practised many hours every day. I learned to play drums and bass from asking other musicians what to work on. I studied classical piano and Jazz guitar in university.  

Do you remember the artists you followed growing up? Who do you rank as idols?

When I was younger, I had pretty broad musical tastes. When I was ten, I had cassette tapes of Beethoven’s third and ninth symphonies - I listened to those two symphonies over and over. Of course, with a child’s mind, I wasn’t able to fully grasp the full breadth of what he was doing from a compositional standpoint…to be honest, even as an adult, I still don’t come close (laughs)…but I did have every note and moment memorized on my tapes. The first ‘Pop’ tape I bought was Bell Biv DeVoe featuring the song Poison - I absolutely loved the bounce of the snare drum on that record. When I was fourteen, I became a huge Radiohead fan. I feel like their melancholic musical aesthetic, coupled with very interesting lyrical perspectives, really spoke to how I was feeling. I also loved The Beatles and listened to their entire catalogue as a kid over and over. 

At fifteen, I started playing in a Soul/R&B cover band and that was a huge pivotal musical awakening for me. I started being exposed to the music of Marvin Gaye, Bill Withers; Donny Hathaway etc. It was around this time I also began playing Jazz in school and that was also extremely impactful for me. I started listening to the albums of Miles Davies, John Coltrane; Bill Evans, Bud Powell etc. A few years after that, I started getting really heavy into Gospel music…admittedly not so much from a religious standpoint but more because the musicianship is so outstanding. 

I would try to absorb that style of music on the instruments I was learning to play. I still do this all the time. You can spend all day long not being able to play what Tony Royster Jr. has posted on his Insta story (laughs)…but even trying to do it has most certainly made you a better drummer/musician.

What do you hope to achieve by the end of 2018?

By the end of 2018, I’m really just hoping I can reach a wider audience with my music. I hope to be able to tour and provide a great musical experience for everyone (smiles).

Have you got a favourite memory from your time in music so far – the one that sticks in the mind?

I have some amazing memories from my time in music…

The one that stands out the most is when I opened up for Stevie Wonder in the South of France at a Roman Coliseum. Stevie was incredible as always and, after the show, I was introduced to him. I told him: “I love you Stevie” and he said: “I love you too”…even though it was clearly just his standard response to constantly being told he is loved, just hearing him say it made me feel great and I’ll never forget that experience. 

I’ve been super-lucky to travel all over the world playing music for gigantic crowds. I used to play with a singer named Justin Nozuka and we did some extensive touring mostly around Europe. When Rude exploded for Magic!, the touring insanity started again and I was lucky to go all across the globe numerous times.

Which three albums mean the most to you would you say (and why)?

It’s really hard for me to list my top-three albums of all-time, but I can tell you recently that my top-three albums have been:  Robert Glasper - Black Radio (volume 1); Kim Burrell - Live in Concert and Brad Mehldau - Live in Tokyo.

If you could support any musician alive today, and choose your own rider, what would that entail?

If I could support any artist today, I would choose Sam Cooke. I feel like his life ended so tragically and abrupt. The guy deserved to be alive much, much longer and create more amazing music. 

As for the rider, I would ask him what he wanted and just make sure it was all there (laughs).

Might we see some tour dates coming up? Where might we be able to catch you play? 

The dates I have coming up are with my band, Magic! I’ll be playing an East Coast tour in Canada at the beginning of October. We’re talking about doing some touring in Brazil and Latin America soon as well but those dates haven’t been firmed up. I hope to also tour with my solo project very soon.

What advice would you give to new artists coming through?

The advice I would give to new artists is just to simply never give up. It’s so very difficult ‘making it’ in the music business so, definitely, don’t equate your self-worth with how well you’re doing - especially monetarily. I know this sounds somewhat ridiculous because there’s an obvious attempt at becoming successful inherent in the process of making music in the Pop realm, but really try hard to disassociate yourself from needing this success. Focus on making music that you like and measure your success based on how pleased you are with your music. You’ll constantly run into obstacles and that’s ok… just keep going. 

Don’t limit yourself to one thing. In addition to being an artist, you can also collaborate on other people’s projects and make new connections. Having a small-vested interest in numerous people’s songs largely increases your chances of earning money in the business. Whether you come in as someone who co-produces, plays instruments; writes lyrics, etc. it’s all relevant and necessary to make a good song.  Your songs are your assets. The more songs you’re a part of, the better. 

Are there any new artists you recommend we check out?

New artists to check out: Snarky Puppy is really amazing and my friend Larnell Lewis is one of their drummers. He’s absolutely incredible on the kit…gotta check them out. I really dig this band from Australia called Hiatus Kaiyote.  

IN THIS IMAGE: Hiatus Kaiyote/IMAGE CREDIT: Wilk

Do you get much time to chill away from music? How do you unwind?

I really don’t get too much time away from music but I try to do yoga as much as possible and also go to the gym. I like swimming in the ocean too (smiles). I suppose that’s really how I unwind but I do work on music pretty obsessively. I don’t generally burn out though so I don’t really need to take time away. For me, working on music is my release.  

Finally, and for being a good sport; you can choose a song and I’ll play it here (not any of your music - I will do that).

Ok, sweet. I get to pick a song. How about You Send Me by Sam Cooke

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Follow Mark Pelli

Official:

http://markpelli.com/

Facebook:

https://www.facebook.com/MarkPelliMusic

Twitter:

https://twitter.com/MarkPelli

Instagram:

https://www.instagram.com/MarkPelli/

YouTube:

https://www.youtube.com/channel/UCbCrqTvi_LaIy6XHh33O0tw

SoundCloud:

https://soundcloud.com/mark-pelli

Spotify:

https://open.spotify.com/album/6o7Hsxt5gup9w8nKiU0V4G?si=kEcF-TGdSX6WUVEDnbPvUg

INTERVIEW: Handsomebeast

INTERVIEW:

PHOTO CREDIT: Daniel Jackson  

Handsomebeast

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THE guys of Handsomebeast…

have been chatting about the new song, Playboi, and filming its video. I asked how they got together and whether there is more material coming along; what sort of musicians and sounds inspire them; if there are any rising artists we need to get behind – they select albums that means a lot to them.

The guys reveal whether they are touring and whether the American band are coming to the U.K. at some point; how they chill away from music; what advice they would give to artists coming through – they end the interview by selecting a song each.

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Hi, guys. How are you? How has your week been?

Eventful, to say the least….

Nick was actually asked to try out for the American Idol producers, who were in Houston for the auditions. He was told he was just too good-looking for T.V. Today is actually Nick’s birthday (Sept. 5). We are in the final stages of Olympic-training-level rehearsals for a tour next week.

We’ve been getting a ton of awesome reactions to our new video for, Playboi, which is definitely a quantum leap up in quality for us. We love how the song and video came out. Superstardom will surely be on the way.

For those new to your music; can you introduce yourselves, please?

Handsomebeast isn’t a band: it’s a lifestyle. We classify our music at times as Astro-Soul, or Space-Rock-Bump-‘n’-Grind - or as Psychedelic G-Funk. We try to make musically ambitious and artistic Pop music with a distinct Rock ‘n’ Roll flair...in the tradition of artists like David Bowie or St. Vincent.

Nick: Singer; pretty boi with a silver tongue. Proficient in most sports. From D.C.

Peewee: Intellectual bohemian that with golden fingers and smells like...flowers.

Tony: Ivory tickler; all-around hell-raiser; the soul of an old Blues player; future Country star.

Carlos: Backbeat of this venture; amateur botanist; father of a small businessman.

Jacob: That guy in the studio setting up mics; likes drum solos, fishing and medium walks up mountains.

Tell me about the new single, Playboi. What are the origins of the song?

We were watching a bunch of heist and crime movies at the time...I believe we experienced some osmosis during this process as that vibe seems to have seeped into the music. We also were interested in experimenting with more minimal song arrangements, compared to what we were doing before. We wanted to make a hot, hot hit.

The video looks like it was cool to film! How was the experience?!

It was amazing. We shot it in ONE SINGLE DAY in New Orleans with stud director/editor Richard White. He’s as equally handsome as he is talented. We tried to stage the robbery scene in a real bank but, for some reason, they would not allow us to. They even went as far as to shoo us off their property when we tried to use their exterior for the shot. Might have been something about the ski masks.

Is there more material coming from the band? Are you guys working on other stuff?

Absolutely. Everyone should keep their eyes glued on our Instagram page for more news on that. There MAY even be something coming very soon. We’ll definitely put out a longer collection of songs at some point next year, like an album or E.P. This also isn’t the last you’ll be seeing of the Playboi and his Goons.

How did Handsomebeast get together? Were you all in Houston at the time?

Handsomebeast really started hitting it when Nick moved to Houston from New Orleans in 2013. That’s also when Carlos joined the band. That being said, the band technically formed in 2009 while everyone except Carlos was at school at Loyola University, New Orleans. However, we had all been playing in bands with each other since middle school so we’ve sort of been a band for like fifteen years.

Which artists are you all inspired by? Did you grow up around a lot of different sounds?

That list is seriously pages-long but we do love artists who are musically ambitious, but who also make Pop-focused music that brings people into the music. Anderson .Paak, Vulfpeck; St. Vincent, Outkast; Arctic Monkeys, the Eagles; Unknown Mortal Orchestra...that’s the tip of the iceberg right there. We all were lucky to have families that gave us great musical educations, on music from every era.

Tony was also somewhat of a Texan prodigy as a church music director and band leader as a young boy. Carlos also played in church a lot. Due to a lifetime of rock ‘n’ roll behaviors, neither one is technically ‘allowed anywhere near a church’ anymore. Go figure.

PHOTO CREDIT: Daniel Jackson  

Do you think there will be touring dates? Can we catch you play?

Yes, indeed! In the U.S., at least. We are dying to get over to the U.K.

9/13: Memphis - The Hi Tone cafe

9/15: Asheville, NC - Foggy Mountain Brewpub

9/20: NYC - Pianos

9/21: Philly - Connie’s Ric Rac

9/22: DC - Gypsy Sally’s.

Might you come to the U.K. and see us here? Do you like the music here?

We would GIVE OUR SPLEENS (you don’t need them that badly, right?) TO GO TO THE U.K. We are thinking we might be better suited pulling a Hendrix and use the U.K.’s excellent music taste to get famous over there first and springboard into superstardom in our homeland. The British Invasion influenced Jacob’s parents, which is why we cover lots of '60s stuff. We Love Arctic Monkeys, Radiohead; Cream and Amy Winehouse. Obviously, wayyyy more bands than that but that’s probably the U.K. Mt. Rushmore for our band.

Given your band’s name; who is the most-handsome beast in the band?!

Our van. It’s so handsome and built like a beast. A purple 1995 Chevy G20 with matching interior and limo lights.

If you each had to select an album that means the most to you; which would they be and why?

Jacob: Gorillaz - Gorillaz

The first C.D. I bought with my own money in fifth grade. Mixed my love of cartoons with Hip-Hop and Rock. Genre-bending music that stands the tests of time.

Nick: That was a fantastic answer by Jacob. I’d probably have to go with AM by Arctic Monkeys

Alex Turner is my favorite songwriter and I feel like that album is perfect front to back and has some really cool moments that blend Hip-Hop minimalism and glorious Rock ‘n’ Roll. Plus, when you add the fashion into it you get an even more visceral 3-D experience.

Peewee: Blackstar, because...(David) Bowie.

Carlos: Take Off Your Pants and Jacket by Blink-182

When I first started sitting down and learning how to play records from front to back, inside and out.

Tony: Californication (Red Hot Chili Peppers) because of Chad Smith.

Have you each got a favourite memory from your time in music – the one that sticks in the mind?

We have had a ton of amazing moments (and many more to come) and we’re all best friends, so there are really too many to count but, if we had to pick one, it would be this one from Jacob:

Jacob: Mine was playing those songs for my dad after his funeral with you guys. It brought joy to my family in a very sad time. He would have really liked that (smiles).

If you could support any musician alive today, and choose your own rider, what would that entail?

Topo Chico Agua mineral water, Lone Star Beer; Sour Patch Kids and a pool table. We’d support Foreigner.

What advice would you give to artists coming through?

Make sure you make music you really enjoy playing. Make music with your friends. Make love to your own music. If you can’t, then your music isn’t good enough, yet.

 IN THIS PHOTO: TOMA

Are there any new artists you recommend we check out?

The Quintessential Octopus (NOLA), TOMA (ATX); Sleepy.Jay (HTX), Reflexson (HTX); Fat Tony (HTX-LA), Gio Chamba (HTX); Primpce (NOLA); Tygersounds (NYC), Vodi (HTX); Dollie Barnes (HTX) and Consumer (NOLA).

IN THIS PHOTO: Fat Tony

Do you get much time to chill away from music? How do you unwind?

Shoot some pool (billiards), BBQ; fish, hike; play football, run and smoke.

Finally, and for being good sports; you can each choose a song and I’ll play it here (not any of your music - I will do that).

Jacob: James Brown – Get Up (I Feel Like Being a) Sex Machine – Pts. 1 & 2

Nick: Justin Timberlake – Montana

Peewee: The Ramones - Now I Wanna Sniff Some Glue

Tony: Phoenix – Chloroform

Carlos: Bruno Mars – Treasure

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Follow Handsomebeast

Official:

https://www.handsomebeastmusic.com/

Facebook:

https://www.facebook.com/handsomebeastmusic/

Instagram:

https://www.instagram.com/handsomebeasttx/

YouTube:

https://www.youtube.com/channel/UCJOGt6Z764qW8DLug_4mDgQ

INTERVIEW: Party Nails

INTERVIEW:

PHOTO CREDIT: Bia Jurema

Party Nails

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I end the day by speaking with Party Nails…

PHOTO CREDIT: Bia Jurema

about her latest song, My 404, and what it is all about. Elana (Party Nails) talks about songwriting influence (including mental-health) and her upcoming album, Past Lives and Paychecks – I ask whether she considers herself spiritual in terms of love and life.

I wanted to know what it felt like moving to New York to pursue music; which artists and albums are important to her; whether there is an aspiring talent we need to get behind; what tour dates are coming up – Party Nails reveals whether she gets time to unwind away from music.  

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Hi, Elana. How are you? How has your week been?

Hi! I'm good. This week has been emotional, fun and a lot of work. The usual, I guess? Haha.

 For those new to your music; can you introduce yourself, please?

I'm Party Nails. I'm originally from Chatham, New York and I now live in Los Angeles. I started writing songs when I was eleven and never stopped! I started becoming interested in recording and production when I was a teenager. It wasn't until Party Nails came about that I was able to merge my love of songwriting, singing; sound and production - and Electronic, Pop and country music.

When did ‘Party Nails’ come to be? Is there a story behind that moniker?

It's weird to think back to the beginning because it was so unlike what it is now! Initially, Party Nails was a duo and I was more interested in my solo project at the time which was weird Art-Electronic music. I didn't want to ‘conform’ and Pop felt like conforming, at the time. But, the more I continued to develop my skills, the more I realized that Party Nails was everything I'd been working toward and waiting for. So, the very beginning was 2013 or 2014. But, it wasn't until 2015 that it was totally my project. That early period was dramatic. It has not been a short or easy journey by any means but I wouldn't change it because I learned so much and, for that, I am so grateful.

The name itself came from watching a group of girls get ready for a night out. I loved how much joy doing their nails contributed to it.

 

My 404 is your latest track. What is the story behind that track?

Luke, who is in Coast Modern, played guitar in my live band when I first moved to LA. So, we have just kept in touch and, one day, they sent a couple tracks they were looking for vocals on because they were doing a mixtape. I really liked this track in particular and wrote My 404, hoping it would be on their mixtape. When it didn't make the cut, my management suggested I make it a Party Nails song. So, I played it at a few shows and liked the vibe and response and decided to do it.

What's funny is that we didn't have any high-res versions of the instrumental because Coleman (of Coast Modern) had broken his computer or lost his hard-drive or something. So, I cut my final vocals to an MP3 and we mixed that. I had pitched down the MP3 too because the version they first sent me was too high for me to sing to. NOT what you're ‘supposed’ to do but here we are... 

Past Lives and Paychecks is your upcoming album. Are there core themes and stories that inspired the songs? Do you have a favourite cut from the record?

I loved making this record so much. If no one likes it, I will still be so proud and happy that I was able to work and create something that is how I felt and what I wanted to communicate, lyrically, melodically; sonically and rhythmically. I know I will evolve forever and there are a million records I want to make by yesterday, but there was a special peace and calm that came with making this and I think it's important for me to acknowledge that.

The song, Clothes, was the first song I wrote with the intention it would be on this album. It was terrifying in the beginning because I knew stuff that had never come out of me would start coming out of me. Clothes was written like that - it was hours of me sitting and playing with ideas and then suddenly there was this song there in my mouth and on the page and it had such a personality that I could understand and feel excited by. I imagine it must feel similar to meeting your child for the first time? Haha. And it was about loving someone unconditionally, so that tempered the rest of the record-making process. It made it less scary to keep challenging myself.

The power of love is a big theme on the record. But, there is more than love. How Can We is about the modern world, our belief systems and spirituality; the irony and sadness inherent in that mix. It sounds really specific, but I try to imbue all of my music with some self-awareness of our era, so power, money and religion are all themes on this record for that reason. Art with that awareness, it's more fun; it's thoughtful and smart; it feels more real. In my opinion. So, that's what I always strive for.

PHOTO CREDIT: Bia Jurema

I get the sense you have quite a spiritual outlook on life and love. Would that be fair to say?!

Haha, yes. How could you tell?!

I love mental-health awareness. I go to therapy and I keep a notebook. I try to grow and ‘spread light’ and be my best self. I use tarot cards occasionally. I try to be as consistent and present for my friends and family as possible. Honestly, that usually just consists of more hugs and better listening!

I know you started performing early. Was it quite scary moving to New York and perusing music in the big city?!

I was eleven the first time I played and sang alone on stage and I was shaking. Before that, I played viola and sang in choir at school.

I was twenty when I moved to New York City. It was nerve-wracking because I had about $100 at first. And then I spent it when my brother's car, which I was borrowing, got towed. It was a whole series of unfortunate events. Living in New York, there were many unpleasant moments but, in general, it wasn't scary. I actually left N.Y.C. because I knew I needed to try something else. It felt like the only music happening in New York was Indie-Rock and it was becoming obvious that I wasn't moving forward in that scene at all.

 PHOTO CREDIT: Bia Jurema

Which artists compelled you growing up? What sort of music were you raised on?

My earliest music memories are of Bob Marley and Neil Young. Harvest Moon is still one of my favorite records. Later, I was really taken by Led Zeppelin and this box-set of girl groups that Rhino Records put out...my mom gave that to me for a birthday, I believe. SO much over the top lyric-writing and girl Punk power - even before punk was a thing.

What do you hope to achieve by the end of 2018?

I hope to have a good album release and an amazing time touring in the fall and winter - and some new things ready to release in the New Year! Next year, I hope to tour Europe!

Have you got a favourite memory from your time in music – the one that sticks in the mind?

There are so many it's really hard to choose.

One of my favorite songs to have come out in the last five years is Somebody to Anybody by Margaret Glaspy. After watching every video of her I could find; I saw she was playing a show in Los Angeles so I went to the show. She and her band were incredible. They played so well together and had this gentle strength that you could feel. And…her voice. There is nothing like it.

After they played for about forty-five minutes, her band left the stage and Margaret did a handful of songs by herself with just her guitar. One of them was Harvest Moon by Neil Young, actually. I was completely enamored. At one point, I looked around the venue and realized that everyone (including myself) was crying. Not a dry eye. That was magical.

PHOTO CREDIT: Bia Jurema

Which three albums mean the most to you would you say (and why)? 

Robyn's Body Talk series is a masterpiece and, without flooding all of our attention, became a massive influence on a lot of Pop music that came after it.

SZA's CTRL changed my life. It's so solid, yet vulnerable and unexpected. It's smart, it's earnest and, lyrically it's a perspective I didn't even know I was missing. SZA has inspired me so much.

(It's really hard to stick to just three!)

White Blood Cells by The White Stripes was huge for me. I was eleven or twelve and would listen to it very loudly. I didn't really understand how modern Rock music worked. I didn't understand what it meant to be cool, or to play with sound or to play shows and get the crowd riled up. I lived eight miles outside of a town of two-thousand people so we didn't have any of that! But, this record had such great and memorable songs on it and ignited an interest in me that never stopped growing.

If you could support any musician alive today, and choose your own rider, what would that entail?

Sheryl Crow or Paramore. That would be incredible to witness every night.

If my rider was limitless, I'd be sure to put Nutella, La Croix and graham crackers on it. Also, socks and a massage...a pep talk from a professional pep talker, too. If that's a thing?

 Can we see you on tour soon? What dates are coming up?

I'm touring the U.S. this fall/winter. I'm really sad that I'm not going to be going to Texas again. But, all the other cities I've either been to already or I'm going to for the first time! More info at http://partypartynails.com:

* w/ Bad Bad Hats

^ w/ Somme + Eve 6

Oct 30 - Nashville, TN*

Nov 1 - Birmingham, AL*

Nov 2 - Atlanta, GA*

Nov 3 - Gainsville, FL*

Nov 4 - Orlando, FL*

Nov 5 - Jacksonville, FL*

PHOTO CREDIT: Bia Jurema

Nov 7 - Charlotte, NC*

Nov 8 - Carrboro, NC*

Nov 9 - Norfolk, VA*

Nov 10 - Richmond, VA*

Nov 11 - Charlottesville, VA*

Nov 13 - Newport, KY*

Nov 14 - DeKalb, IL*

Nov 15 - Davenport, IA*

Nov 28 - Salt Lake City, UT^

Nov 29 - Seattle, WA^

Nov 30 - Portland, OR^

Dec 1 - Los Angeles, CA^

Dec 5 - Kansasville, WI^

Dec 6 - Grand Rapids, MN^

Dec 7 - Detroit, MI^

Dec 8 - Chicago, IL^

Dec 9 - Springfield, MO^

Dec 11 - Pittsburg, PA^

Dec 12 - Poughkeepsie, NY^

Dec 13 - Philadelphia, PA^

Dec 14 - Asbury Park, NJ^

Dec 15 - Boston, MA^

Dec 16 - New York, NY^

What advice would you give to new artists coming through?

You are going to be challenged in ways you can't even imagine. And, that's okay: it's part of what will make you a stronger artist.

Don't quit!

 IN THIS PHOTO: Bad Bad Hats/PHOTO CREDIT: Zoe Prinds-Flash Photography 

Are there any new artists you recommend we check out?

If you haven't already, check out Bad Bad Hats! They aren't ‘new’ but they might be ‘new to you’.

Do you get much time to chill away from music? How do you unwind?

‘Yes’ and ‘no’. I do a lot of writing, personal essays and poems. I enjoy working. And I have trouble unwinding, unfortunately so, sometimes, I get sick. (I'm sick right now! Because I had trouble relaxing over the weekend and instead just fretted and paced!). For when I need to take a step away, I'm always looking for something funny. I LOVE comedy.

My friends have a writing and performance group called Maiden Voyage that I'm lucky enough to get to see in person because we all live in Los Angeles. After their shows, my face hurts from laughing. I like to spend time outdoors, but I haven't been doing that nearly as much as I should lately. I like to cook and bake too.

Finally, and for being a good sport; you can choose a song and I’ll play it here (not any of your music - I will do that).

Bad Habit by Your Smith. I can't stop listening to it since I first heard it a couple weeks ago

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Follow Party Nails

PHOTO CREDIT: Lindsey Byrnes  

Official:

https://www.partypartynails.com/

Twitter:

https://twitter.com/partypartynails

Facebook:

https://www.facebook.com/partypartynails

Instagram:

https://www.instagram.com/partypartynails/

SoundCloud:

https://soundcloud.com/partypartynails

INTERVIEW: Mike Edel

INTERVIEW:

Mike Edel

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MY final interview of the day is with Mike Edel…

who talks with me about his new track, 31. I ask him what the song’s story is and which artists/albums have inspired him; whether there are going to be tour dates and whether there are any rising artists we need to keep an eye out for.

Edel tells me his goals for the remainder of the year and his favourite musical memory; what advice he would give to artists coming through and whether he gets chance to chill away from music – he closes the interview with a good song selection.

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Hi, Mike. How are you? How has your week been?

It has been good, even though I got really sad yesterday. But, this morning, I woke up early and me and my band are rehearsing today and I went for a long walk and it was really great. I think balance and health and positivity are important!

For those new to your music; can you introduce yourself, please?

Mike Edel. I’m Canadian but I currently spend my home time in Seattle, WA.

31 is your current track. Is there a story behind the track?

The song is about not letting time and age get you down. One time, I noticed all my friends were talking about was renovating their basements and buying houses - and I realized I wasn’t in my twenties anymore.

Do you feel the song is a rebuttal and rebellion against what you are ‘supposed’ to be in your thirties?!

There are forces of our culture and society and our families - and our bodies and stuff - that want us to sit on our couches and watch Netflix and work a nine-to-five and have a kid and renovate our basements. All these things are totally fine, but it’s sort of me dealing with the questions of how my life will look in these stages.

Is there going to be more material coming in the future? What are you working on right now?

Yes, there will be!

In terms of music; who do you count as idols and influences? Did you grow up around a lot of music?

I grew up playing drums in a Blink-182 band and also at church. I waded my way through both of those things and I think I listen to a lot of really great music these days.

What do you hope to achieve by the end of 2018?

Happiness and contentment, to be honest. I am a bit of an ‘achiever’ and I want to tone that down today.

Have you got a favourite memory from your time in music so far – the one that sticks in the mind?

Every day! My friend Jeremy and bass player Jeremy are sleeping on the couch beside me in a kitchen and I keep referring to this as ‘his bedroom.’ This is my favourite moment.

Which album means the most to each of you would you say (and why)?

My friend Sam Weber just put out a record/E.P. It’s seven-songs-long and I like listening to it because it’s not exactly what I do. But, I like listening to it and I feel like I can get inside his mind a little when I listen; sort of like when Harry Potter and Voldemort get into each other’s minds. It’s called New Agile Freedom.

Might we see some tour dates coming up? Where might we be able to catch you play?

9/5: Kelowna, BC | Fernandos

9/6: Calgary, AB | The Gateway

9/7: Whitefish, MT | The Great Northern

9/13: Victoria, BC | Rifflandia Festival

9/15: Vancouver, BC | Westward Festival

9/16: Parksville, BC | REALM

10/4: Red Deer, AB | Bo’s

10/5: Edmonton, AB | Up+DT Festival

10/20: Burlington, VT | Nectar’s

10/24: Toronto, ON | Burdock

10/25: Ottawa, ON | Cafe Dekcuf

10/27: London, ON | London Music Club

What advice would you give to new artists coming through?

Celebrate the little victories!

IN THIS PHOTO: Grouper

Are there any new artists you recommend we check out?

Grouper - Grid of Points is what I’m listening to right now and it’s very, very cool.

Do you get much time to chill away from music? How do you unwind?

I’m gonna get a job at a brewery and then work for two days and then leave town for a tour. That’s my new thought on how to chill and unwind and have some friends around.

Finally, and for being a good sport; you can choose a song and I’ll play it here (not any of your music - I will do that).

Grouper - Parking Lot

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Follow Mike Edel

Official:

http://mikeedel.com/

Twitter:

https://twitter.com/Mikeedelmusic

Facebook:

https://www.facebook.com/mikeedelmikeedel/

YouTube:

https://www.youtube.com/channel/UCvCZBgLb3EOFtx-rduNAZzw

SoundCloud:

https://soundcloud.com/mikeedel

INTERVIEW: Maria Matveeva

INTERVIEW:

Maria Matveeva

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IT is interesting stepping into Maria Matveeva’s world…

as I ask her about the track, Princess of Ukok, and working with Deep Forest on the piece. She tells me about her music plans and what we will get next; when music came into her life and when she left her hometown of Omsk (Siberia).

Matveeva discusses her plans going forward and whether she has any ambitions to fulfil; what advice she would give to artists coming through; where she sources inspiration – she ends the interview by selecting a great song.

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Hi, Maria. How are you? How has your week been?

Hello! I am good. My week was great, thank you.

For those new to your music; can you introduce yourself, please?

My name is Maria Matveeva. I was born in Siberia (Russia). I am an Opera singer. I have a Classical musical education in Piano and Academic Vocal. During a certain period of my life, I performed Opera, Chamber and Sacred Music. It was a period of ‘Classical music’ in my life. But, I always dreamed about creating something new and innovative in music; to do some kind of experiment mixing different musical styles, electronic sounds; ethnic elements ...

My first experimental C.D. named ROSES TIME was released in 2000 in Russia where I mixed Classical music and Electronic sounds. But, later, my Classical music studies brought me to the world of Opera; taking me away, as it seemed to me at that time, from my dream. Only many years later,  when I met the legendary leader of Deep Forest - Eric Mouquet, did I begin to realize my old dream! At that time, I also met other wonderful musicians such as Mike Garson, Alessandro Alessandroni; Alex Elena and others. It was an amazing collaboration and a wonderful experience in the new - for me - world of Pop music.

Talk to me about the track, Princess of Ukok. What is the story behind it?

The inspiration for the song Princess of Ukok comes from a really fascinating story...

In 1993, the group of archaeologists from Novosibirsk, led by Natal'ja Polos'mak,  discovered a sacred place at the foot of the mountains on the Ukok Plateau in the Altai Mountains region of Russia called the ‘Russian Shambala’. This region is one of the most mystical places in the World where there is still a strong presence of shamanic culture and tribal peoples’ heirs of the Gorny Altai Kurgan Pazyryk culture. It is a timeless place where people still live in harmony with nature and communicate with the spirits. The group of archaeologists found an ancient mummy of a mysterious young woman known as The Ukok Princess by the name of the place where she was found, Ukok plateau.

Shamans from Altai believe that White Mistress or ‘Ak-Kadyn’ - like they call her in their language - was a spiritual priestess and her early death was a part of her spiritual mission. Thus, she maintains a balance between our world and the world of shadows. Princess of Ukok is a symbol of Altai and she is the protector of this land. In this song, I express my spiritual connection with the Princess of Ukok singing about her difficult destiny and her return to our times from the magical land of Altai to the whole world.

How did you come to work with Deep Forest? What was it like working with the first French Grammy winner?!

At the time, when I was singing Opera, I had a dream to collaborate with my favorite artist Eric Mouquet - the leader of the legendary group Deep Forest. I always was a big fan of this group and I really love their music. Finally, my dream has come true. We met in France and began our collaboration and, as a result, produced some tracks inspired by the harmony and magic of my land. Eric is a wonderful person; a great musician. For me, it’s a great and exciting experience to collaborate with him!

One day, Eric Mouquet told me a very important phrase that became for me a rule: “You must be honest in your music and always be yourself …". So, I follow his advice. The work on our joint project, Siberian Trilogy, opened up for me new facets of my abilities.

Siberian Trilogy Project is your E.P. Are there themes and particular stories that inspired it?

The theme that unites all songs from the E.P., Siberian Trilogy Project, is Siberia - my birthplace. I’ve chosen to follow this way because I felt the need to share with my audience the colors, charm; mysteries and sounds of an unknown world. At the same time, I have a possibility to tell the story of my life through this music; about the places where I came from, about incredible people that I have met in my life: shamans, princesses and ordinary people.

I am seeking the way to create a different original musical mosaic. The stories I tell are related to Siberia, to the Altai Mountains called Russian Tibet. Russia is a great country that has rediscovered its traditions after dark times. It boasts a rich folklore full of colors and shades that are very important for an artist’s creativity.

You are a celebrated soprano. How did music arrive in your life? Did you grow up around a lot of different music?

In my family, there are no professional musicians. My father is a scientist; my mother is a teacher at the university. My lovely grandmother, Maria, was a teacher of geography and astronomy but she loved the music a lot and she always sang at home. Since I was a small child, she used to sing me Russian folk songs, romances…

At the age of five-years-old, I decided to become a pianist (smiles) and began my study on piano at the musical school. And only at the age of seventeen, after graduating from the physics and mathematics college, I learned that I possess a naturally delivered classical soprano voice.

Omsk (in Siberia) is your hometown. When did you decide to move to Italy? Do you still find time to get back to Omsk?

I left my hometown, Omsk, many years ago. I understood that, in order for me to move on and create a career, it was necessary to study a lot. I planned to study in Moscow, but I was invited to study in another city in Siberia, Khanty-Mansiysk. It was an amazing period in my life. I had many concerts, performances. After one of my performances in Moscow, I was invited to continue my study in Italy, in the Conservatory, Benedetto Marcello, in Venice. That's why I decided to move to Italy.

Every year, I and my son go to Omsk to visit my family and my friends to get an extraordinary inspiration in the Deep Siberian Forest (smiles). For me, visiting Russia - and especially Siberia - is a sort of energy recharging. That's why it so important to me!

Do you have any ambitions to fulfil before the end of the year?

The new single, Kalinushka (from the Siberian Trilogy Project), created together with Deep Forest will be released in this autumn. Also, the Siberian Trilogy Project itself will be released too. The work on a new video clip, Kalinushka, has a particular importance for me. Here, for the first time, I perform not only as a singer, author of lyric and actress but also as a director of a video!

So, for me, this work is very exciting and, at the same time, responsible. Hope you will enjoy this video clip. I am also working on another project right now. Let it be a surprise to my audience!

Have you got a favourite memory from your time in music – the one that sticks in the mind?

I had different periods in my creative path and all of them are very important to me in their own way...because every period gave me certain experience or taught me something.

I remember all periods but I try to live here and now. So, I like this period in my music. I could describe this period as ‘conscious creativity’; the creation of something new and the period of intense internal work.

Which three albums mean the most to you would you say?

What a difficult question - since I have much more than three albums, which for me are very different (smiles).

So, let it be:

Mike Oldfield's The Songs of a Distant Earth

Deep Forest and Rahul Sharma’s Deep India…

And, the wonderful soundtrack from the film Gladiator by Hans Zimmer and Lisa Gerrard - and many others…

What advice would you give to new artists coming through?

First of all, be prepared professionally; listen to a lot of good music from different musical styles and different musical epochs to cultivate your personal musical culture and find your own individual style. Be yourself and believe in what you are doing!

Do you get much time to chill away from music? How do you unwind?

Now, in summer, I have enough time to relax (smiles). But, for me, music is like a part of me so, when I'm alone and I have time, I try to create some new ideas. I always take with me my book, in which I write new ideas that come into my head, even when I'm on the beach (smiles). 

But, when I feel tired and emptiness and the inspiration does not come; I realize that my energy is exhausted...in order to return that energy and inspiration to myself, I practice yoga, meditation; swimming, dancing. Also, travel, nature and even watching an interesting film helps in restoring mental balance.

Finally, and for being a good sport; you can choose a song and I’ll play it here (not any of your music - I will do that).

If you can play it for me, I’ll choose the composition that I love - Only Time Will Tell by Mike Oldfield.

Thank you!

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Follow Maria Matveeva

Official:

https://www.mariamatveeva.co.uk/

Facebook:

https://www.facebook.com/Maria-Matveeva-254058064635321/

YouTube:

https://www.youtube.com/channel/UCqt-Ii-N5v4e8LI0anyL7rQ

INTERVIEW: MASUMI

INTERVIEW:

MASUMI

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I have been speaking with MASUMI…

about her latest single, Run Baby, Run, and what its story is. She talks about life in Los Angeles and what comes next for her; what sort of music she grew up around; whether there are tour dates coming up - she reveals what she hopes to achieve by the end of the year.

MASUMI tells me how an earthquake in Japan changed her world and ambitions; which rising artist we should get behind; the three albums that are important to her – she ends the interview by selecting a great track.

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Hi, MASUMI. How are you? How has your week been?

Hi! My week has been amazing! The release of my single - that I’ve been working on for so long - was nerve-wrecking but then, having so many positive reactions from it after the release made it all the work worth it. I’m on the plane to Japan as I am writing this and I’m headed to Tokyo to release the song as well. So, the excitement continues!

For those new to your music; can you introduce yourself, please?

Hi. My name is Masumi! I came from Tokyo, Japan to pursue my dream of being a singer/songwriter and I’m now based in Los Angeles! I play acoustic guitar and write songs that are in the genre of Indie/Folk/Pop. My mission is to bring hope and empowerment through the art of music!

Run Baby, Run is your track. What is the story behind the song?

Thank you for asking! The music and lyrics are written by me - and Marko Fazio is the producer of this song. He relentlessly worked on it with me for a year to really bring the emotion and the message I wanted to convey through this song. In 2016, I received a life-changing offer to be managed by a prestigious management team in Japan. I decided to walk away from this career-defining moment and chose to remain in the States to explore possibilities that were more aligned with the artist I wanted to grow into. But, that brought a dark period of depression and self-doubt. I was confused if I made the right choice.

A stranger popped into my life during that time and left me a message to “live with urgency” because “time is running out”. It slapped me awake. It was my second awakening - and helped me get back into motion again. Run Baby, Run is a fight song and it tells the story of finding the warrior within us and letting our strength guide us to our authentic selves. The Astronaut in this music video represents the stranger who blew life back into me.

I was incredibly fortunate to have Loic Zimmerman, who worked in films like Ghost in the Shell, Guardians of the Galaxy; Harry Potter, True Grit and Prisoners, to work for my music video. He beautifully captured the visions I had using The Astronaut and the story I wanted to tell. Marko brought the emotion of the song to the ears and Loic brought the emotion of the message to the eyes and, together, it creates a visceral experience. I can’t be more grateful for the people who were involved with the making.

Is it true the 2011 Tohoku earthquake inspired you to get into music?! Was that a seismic moment that opened your eyes?!

Absolutely. I always felt like there was something else that I really wanted to pursue other than going to university and study Anthropology. But, I didn’t realize how much music and singing meant to me until that moment where I was standing in the middle of the earthquake. I saw my entire life flash by my eyes and all I could think of was how cowardly I was to never pursue that one thing that meant so much to me. And that was music!

You moved to Los Angeles. How important is the music scene there? Did you settle into the city quite quickly?

I was born in Palos Verdes, CA and moved to Japan when I was three-years-old. So, it felt like coming home in a sense. But, of course, entering the music scene didn’t feel that way. I constantly felt overwhelmed by the amount of talent that I was surrounded by - and talented musicians are everywhere in Los Angeles! It’s inspiring, motivating but terrifying at the same time. I’ve definitely grown as a musician being in such a competitive market. 

Which artists did you grow up around? Were you hooked on music from a young age?

Yes. I loved American mainstream Pop growing up! But, J-Pop artist like Utada Hikaru and Shiina Ringo were my favorite artists to listen to and I was also in a Punk-Rock band in junior-high-school; so I would listen to a lot of U.K. Punk-Rock music as well. My brother, who is ten years older than me, would always play R&B like D’Angelo and Brian McNight on a loudspeaker at the house, so I was exposed to a variety of different music as a young age.

You have appeared in some big music videos and enjoyed a lot of success. Is it a bit of a blur looking back on it all?!

Oh. You are so kind for saying that! Haha, a little bit! I definitely had been blessed with opportunities to be a part of exciting things recently and I can’t wait for more to come!

Might we see more material next year at some point?

Yes! I’m working on my new single that I’ll be releasing at the beginning of next year! I’m really excited for this song and to get back into creative mode in the studio.

What do you hope to achieve by the end of 2018?

This year was full of transformations for me. Personally and musically as an artist, so much growth took place this year. The launch of my single, Run Baby, Run, marked the new beginning for me as MASUMI. My tangible goal for the year will be to definitely have the new single wrapped and also to elevate my live performance style to better communicate the artist that I am.

But, most importantly, my biggest focus for the rest of this year is to achieve a solid foundation and clarity about my identity as an artist. I’m starting to finally understand what message I want to carry out after writing many different songs. Now is the time to zoom in on what exactly I stand for and build myself on that solid ground.

Have you got a favourite memory from your time in music so far – the one that sticks in the mind?

I have to say, going to Japan with my acoustic trio - MASUMI Trio - was one of my fondest memories! Having musicians that I grew to call family and play with them in my own hometown; feeling the support from everybody every show we played was truly fulfilling! Opening for Moby at the NAMM Show 2015 was also incredibly humbling as well.

Which three albums mean the most to you would you say (and why)?

All of Nina Simone

Jeff Buckley - Live at Sin-é

It changed the way I looked at singing. He expresses himself so authentically with his voice without having second doubts or fear. It gives me chills every time I listen to it.

India Arie - Acoustic Soul

I listened to this album so many times and I never get bored of it. It makes me feel like I'm having conversations with an older sister or something. So much wisdom and love in this album.

If you could support any musician alive today, and choose your own rider, what would that entail?

I love Bishop Briggs!

Will there be some tour dates coming up? Where might we be able to catch you play?

I’ll be back in Los Angeles to play a show in October (date T.B.D.). I’ll make an announcement through my social media as well!

What advice would you give to new artists coming through?

Trust in your greatness and the warrior within you!

IN THIS PHOTO: Matt Maeson

Are there any new artists you recommend we check out?

Matt Maeson (Cringe – Stripped)

Do you get much time to chill away from music? How do you unwind?

This is something I had to work on: to nurture myself away from music to keep balance. My favorite way to unwind when I have the time is to do ahinrin-yoku (bathing of the forest) and go hiking or walking around the forest.

Finally, and for being a good sport; you can choose a song and I’ll play it here (not any of your music - I will do that).

I LOVE Jeff Buckley’s cover of Be Your Husband. It gives me chills every time. Please play this song! (Smiles). Thank you for your time in reading this xx

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Follow MASUMI

Official:

http://www.masumicherrie.com/

Twitter:

https://twitter.com/MASUMI_Cherrie

Instagram:

https://www.instagram.com/masumi.music/

Facebook:

https://www.facebook.com/MASUMI.official/

Spotify:

https://open.spotify.com/artist/7cKulXsXjXbFKGP0Vuzv3J

YouTube:

https://www.youtube.com/channel/UCxF1uiW6BLiOVKz7ekkolUA

SoundCloud:

https://soundcloud.com/user-507546172

INTERVIEW: HAVVK

INTERVIEW:

HAVVK

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THE brilliant HAVVK…

have been telling me about the video for the single, Glass, and what it was like shooting it. I was keen to know how they started life and what we can expect from them going forward – they highlight some artists to look out for and whether they grew up in musical households.

I ask how they spend their time away from music and which albums they each hold dearest; whether they all love being on stage and connecting with the crowd during gigs – they provide some useful advice for artists starting out.

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Hi, HAVVK. How are you? How has your week been?

Actually, ridiculously productive!

For those new to your music; can you introduce yourselves, please?

We’re Matt, Julie and Sam. We’re an Indie-Grunge band based between Berlin and London.

How did you all get together? When did the band start life?

I had a disastrous first attempt at an open mic in London (in my defence, most people’s first open mic night is pretty bad). Luckily, Matt was working on the desk and encouraged me to come back and fight the nerves. We soon started working on my solo songs together but eventually packed in the acoustic stuff to form a nice new, noisy band. It’s pretty much been getting noisier since then. A couple of years ago, we relocated to Berlin and we’ve been hopping back and forth since then.

The video for your song, Glass, is out. How did the concept come together? What was it like to make the video?

The inspiration is directly drawn from the Pride (rainbow) flag. We released the song in solidarity with the Marriage Equality campaigners in Ireland in 2015. I’m from the West of Ireland and we’d been on tour there in the run-up to the referendum. The video was shot by our good friend and amazing director James Byrne. It was a super-hands-on, D.I.Y. video-shoot that we did right outside Matt’s front door. The actual cut that you see only took about fifteen seconds to shoot in the end. A little bit like the Mirror Maze video, we spent most of our time trying to figure out how to shoot it without ourselves turning up in the reflections!

Are you working on any new material? Might we expect something new next year?

We are really excited about next year’s releases. Matt’s been producing with Rocky O’ Reilly in Belfast who has worked on some projects that we absolutely love, like And So I Watch You From Afar. I can’t say too much just yet but you’ll know before the year is out.

Did you all grow up in musical households? Which artists did you follow when young?

We all had loads of encouragement growing up to listen to music and try different instruments. We all feel really lucky in that regard. I grew up in the West of Ireland and my earliest memories are of bouncing on my mum’s lap watching my dad play the guitar at trad sessions (still happens, minus the lap bouncing).

What do you hope to achieve by the end of 2018?

We are seriously keen to get back on stage. We locked ourselves away a bit during the middle of this year, finishing off tracks and working on other projects outside of the band. We run a label called Veta Records and I recently co-founded a D.I.Y. music initiative called SelfMade which has kicked off pretty quickly - no complaints though! But, I think we’re all really keen to reconnect with our audience - we’ll be announcing some winter live shows pretty soon!

Which one album means the most to each of you would you say (and why)?

Julie: Sleater-Kinney - The Woods

Reason: I think it was the first time I listened to an album and felt a true calling to be in a band.

Matt: Radiohead - OK Computer

Reason: It was the first album that I stayed up past my bedtime listening to on headphones when I was young and introduced me to all sorts of unusual noises and different ways of thinking about music.

Sam: Ministry of Sound Ibiza Club Classics '08

Reason: Carrig lads on tour4lyf!

If you could support any musician alive today, and choose your own rider, what would that entail?

Savages…

On-site twenty-four-hour breakfast chef.

Might we see some tour dates coming up? Where might we be able to catch you play?

It’s all in the works…

Do you all love being on the stage? What is it like travelling between gigs and bonding with one another?

Being on stage is amazing. It’s the part of music with the most risk so, when everything comes to together at a good show, it feels like nothing else. Travelling together is pretty silly - there are a lot of car games and playlists. But, everyone pulls their weight and even though it’s hard work, it’s really rewarding. There’s always a kind of ‘summer camp’ sadness afterwards.

What advice would you give to new artists coming through?

Ask questions. There are so many aspects to a music career that aren’t songwriting and playing, but they pretty much have to get done. Things like planning the timings for a release, getting a website; registering tracks for royalty collection…

Ask other artists about how they’re doing it. Sign up to music groups on Facebook. Buddy-up and go to free industry events and panels. And, also, please know that you are not the only one who is feeling clueless. Sometimes it can feel like all of your peers know exactly what they’re doing and this can be really isolating. Ask questions and you’ll probably find out there are things that you can advise them on in return.

IN THIS PHOTO: Just Mustard

Are there any new artists you recommend we check out?

Off the top of my head: Just Mustard, Pillow Queens; Party Fears, Pearly; Fangclub, Lprrrds and Scrounge. And our label buddies Dyvr and Maria Kelly whom we love dearly.

IN THIS PHOTO: Party Fears/PHOTO CREDIT: Nina Agnes

Do you get much time to chill away from music? How do you unwind?

We are all the kind of people that fill our ‘spare’ time with extra projects, so I’m gonna say ‘no’, we don’t get that much time to chill. BUT, we do love and believe in everything we do, so it’s worth it. When I have an hour or so, Berlin lakes are my getaway.

Finally, and for being good sports; you can choose a song and I’ll play it here (not any of your music - I will do that).

Pillow Queens – Rat

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Follow HAVVK

Official:

https://www.havvkmusic.com/

Twitter:

https://twitter.com/HAVVKmusic

Facebook:

https://www.facebook.com/HAVVKmusic/

Spotify:

https://open.spotify.com/artist/0up20da9ITwCzq8Qv9JTCB

YouTube:

https://www.youtube.com/channel/UC_hNyAVfJTZjsRArYhg3eqA

INTERVIEW: Nick Lopez

INTERVIEW:

Nick Lopez

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IT has been cool speaking with Nick Lopez…

about his new song, Words, and where he heads from here. Lopez reveals when music came into his life and which artists compel him; if there are gigs booked in the diary – he recommends some rising artists that are worth a shout.

Lopez talks about his plans for the remainder of the year and what he would say to artists coming through; if he gets time to relax away from music – he ends the interview with a great song choice.

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Hi, Nick. How are you? How has your week been?

This week has been great! I am currently at my beach house relaxing.

For those new to your music; can you introduce yourself, please?

I am a Pop artist and songwriter. I write songs about my life in Los Angeles.

Can you talk about the inspiration behind the track, Words? How did it start life?

It’s about a friend who was going through a rough patch in her life and me basically reassuring her that everything was gonna be ok if we just took a spontaneous road trip to get out of L.A.

Might we see more material next year? How far ahead do you look?

Yes. Probably another single or two before the end of this year!

How did music come into your life? Which artists did you follow as a child?

I grew up listening to a lot of Alternative and Soft-Rock music - The Maine; Lifehouse, Train; The Fray etc. I just always had a natural love for music and singing. Once I started playing piano and writing songs I was hooked.

Is it true you played in front of 5,000 people are a rally at high-school?! Is that when you knew music was what you were meant to do?

Ha. Well more like 2,500. But, yes. I performed an original song at a high-school rally in front of the whole school and the reaction I got made it clear to me that music should be my main focus in life.

What do you hope to achieve by the end of 2018?

A few more songs released and, hopefully, some cool collaborations with other artists. I also have been writing songs with groups like Xuitcasecity, my friend Zach from the band A R I Z O N A; gianni & kyle, ASTN; Christian French, Crankdat and more up-and-coming artists. Hopefully, some of those get released too.

Have you got a favourite memory from your time in music so far – the one that sticks in the mind?

I always like going to music festivals and watching my friends perform for tens of thousands of people. I hope that one day I can be on the stage like them.

Which three albums mean the most to you would you say (and why)?

Room for Squares by John Mayer is the first album that I really fell in love with. Pioneer by The Maine is probably, through and through, my favorite album of all time. California 37 by Train is also a very great album - especially the songs that weren’t the Pop radio singles.

If you could support any musician alive today, and choose your own rider, what would that entail?

Probably John Mayer. I wouldn’t even be thinking about the rider…

Will there be some tour dates coming up? Where might we be able to catch you play?

Hopefully soon!

What advice would you give to new artists coming through?

Don’t be afraid to write songs for other artists at first. It’s a great way to break into the industry even if you don’t have a big following.

IN THIS PHOTO: Christian French

Are there any new artists you recommend we check out?

My favourite new artists at the moment are Christian French and ASTN. Great friends as well.

IN THIS PHOTO: ASTN

Do you get much time to chill away from music? How do you unwind?

I really don’t - which is why I’m stressed all the time. Haha.

Finally, and for being a good sport; you can choose a song and I’ll play it here (not any of your music - I will do that).

Like We Did (Windows Down) by The Maine (smiles)

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Follow Nick Lopez

Official:

https://www.whoisnicklopez.com/

Twitter:

https://twitter.com/nicklopezmusic

Instagram:

https://www.instagram.com/nicklopezmusic/

SoundCloud:

https://soundcloud.com/nicklopezmusic

Spotify:

https://open.spotify.com/artist/15NoI73ol1fVF11li1RKMB