INTERVIEW: TIEKS

INTERVIEW:

TIEKS

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I have been speaking with TIEKS…

about his latest single, Break the Rules, and what the story is. He discusses what it is like getting backing from big names such as MistaJam; the albums that are most important to him; what he has planned in terms of gigs – he recommends a rising artist to follow.

I ask whether he gets time to unwind away from music and whether more material will come; the advice he would give to artists emerging; which musical memory is most precious to him – he ends the interview by selecting a great track.

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Hi, TIEKS. How are you? How has your week been?

My week’s been good, thanks. Spent a lot of time in my studio creating new tracks - that's always great.

For those new to your music; can you introduce yourself, please?

My name is Mark Tieku more commonly known as Tieks. I produce and write Pop records. Pleased to meet you.

Break the Rules is your new song. What is the story behind the song?

I work closely with another writer, Jay Weathers. He produced and co-wrote My Lover for Notes. Every few months, we meet up and play each other the music we’ve been working on to see where we can cross-pollinate Ideas. Break the Rules was a demo that he had started with Bobbie but had sort of hit a roadblock in their minds.

Jay played it to me. I loved it; got bass and guitar played on it; arranged it, finished the production - and a demo turns into a ‘record’ I wanted to make in New York in the summer of 1981.

It features Bobii Lewis. How did you two come to meet?

I didn’t meet Bobii until after I had finished the track to be honest. He came to my studio after myself and Jay had done our bits and he loved it.

You have received support from big names like MistaJam. How does that make you feel?

It’s always great to get love for my records no matter where it comes from. I register it and appreciate it but, yeah, guys Like Jam and Clara at Radio 1 have been massive supporters of all my records. I think it’s safe to say in regards the hits I have had, the guys at Radio 1 have definitely played a part in getting those songs the traction I needed.

What comes next in terms of material? Might we see more songs next year?

What comes next? Another song. There will be more songs in the next year that’s for sure.

Do you recall when you got into music? Which artists did you grow up around?

I don’t think I ever got into music at any point cause I think it’s been something with me from birth. Artists like Daft Punk, Bowie; Prince, Apex twin; Radiohead and Wu-Tang. I could go on. Like many musicians, I am a sum of many parts.

What do you hope to achieve by the end of 2018?

Serenity.

Have you got a favourite memory from your time in music so far – the one that sticks in the mind?

My favourite memory is being in a cocktail bar and my manager messaging me to tell me my track had broken into the top-one-hundred on iTunes. Twenty minutes later, he texted to say it had hit eighty; twenty minutes later fifty etc, etc. I think it ended up at twelve that night and was in the top-five by the morning. Surreal.

Which three albums mean the most to you would you say (and why)?

Discovery - Daft Punk

For me, I have taken so much from all of Daft Punk’s records barring their last one which, ironically, was probably their most successful. However, Discovery, in my opinion, is the greatest Dance album ever made. It’s one part Prog-Synth; one part Pop; one part Disco and three parts House. A genius record.

My Beautiful Dark Twisted Fantasy - Kanye West

The absolute zenith of Kanye’s music career in my opinion. Everything before led up to that record and everything after didn’t live up to it. It’s an encyclopedia of Hip-Hop history with a foot in the present. Kanye is a straight-up fool a lot of the time but no one can deny he is a giant of a music curator.

Micheal Jackson – Dangerous

The greatest Popstar the world has ever know at the peak of his powers. People talk about off The Wall being Michael’s best album but that’s just because it makes them sound cool. The reality of Thriller is that it’s an ok record with some incredible singles but any record with Baby Be Mine on it just doesn’t cut the mustard for me. Bad is an amazing album but, for me, Dangerous shows an artist in absolute control of what they are trying to do. Also; Teddy Riley kills the production alongside M.J.

If you could support any musician alive today, and choose your own rider, what would that entail?

It would be a toss-up between Travis Scott or Lorde.

My rider would be what it is right now: some high-quality gin (which I never usually drink); a few bottles of water and two black towels.

Might we see some tour dates coming up? Where might we be able to catch you play?

Yeah. I’m occasionally playing dates around the country. Next is Chester for freshers’ week.

What advice would you give to new artists coming through?

If it doesn’t work out and you have to work in Tesco; get over yourself cause that’s what every other person has to do life. It’s normal: a successful job in the entertainment industry is not. But, if it does go well and everyone is stoked on you,  enjoy it; get over yourself and be ready for when they’re not stoked on you.

Are there any new artists you recommend we check out?

Akheim Allen is an incredible young rapper from London who people need to check out.

Do you get much time to chill away from music? How do you unwind?

I’m in the studio most of the time but my downtime is mostly spent watching movies and reading a lot of books. Movies are my first love. I probably watch around four a week. Don’t be surprised if you see I’m making movies/loving image in the future.

Finally, and for being a good sport; you can choose a song and I’ll play it here (not any of your music - I will do that).

Robyn - Missing U

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Follow TIEKS

Official:

http://www.tieks-music.com/

Twitter:

https://twitter.com/TIEKSmusic

Facebook:

https://www.facebook.com/tieksmusic/

Instagram:

https://www.instagram.com/tieksmusic/

SoundCloud:

https://soundcloud.com/tieks

YouTube:

https://www.youtube.com/user/tieksmusic

INTERVIEW: Hollow Hand

INTERVIEW:

PHOTO CREDIT: Wanda Martin 

Hollow Hand

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IT has been cool speaking with Hollow Hand’s…

central figure, Max Kinghorn-Mills. I ask him how he started Hollow Hand and how he met the musicians he plays alongside; what we can expect from the debut album, Star Chamber, and whether there are any rising artists worth checking out.

Kinghorn-Mills discusses his musical influences and what Brighton is like as a base; what is coming up in terms of tour dates; a few albums that are especially important; how songs usually come to him – he tells me what the rest of this year holds.

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Hi, Max. How are you? How has your week been?

Hello. I’m doing well, thanks. I’ve been busy playing some shows in California and exploring sun-kissed San Pedro.

For those new to your music; can you introduce yourself, please?

My name is Max. I record music under the name Hollow Hand. The project began in the solitude of my bedroom; recording to cassette and experimenting but, for this album, I expanded through collaboration. Star Chamber is out on 19th October and is produced by Pan Andrs and Atlas Shrugs. We made the record in our home studio at the bottom of a garden. 

How did Hollow Hand come to be? When did you all meet?

We come from a tight-knit community of musicians and friends in Surrey/Hampshire. I’d always loved watching the other guys play in their bands and played with them in other projects. We really just pitch in to play for our friends whenever they have music to put out.

 

Is Brighton important in terms of your music and direction? Do you take inspiration from the people around you?

We moved down to the coast from London in some attempt to find inspiration; to ‘get it together in the country’, for sure. Brighton has some great bands and decent-sounding venues, a lot of energy. I enjoy being close to the sea. Just spending some time by the shore can help me with my existential dread. Staring into that crystal blue abyss, it’s good to surrender…

The Hollow Hand debut album, Star Chamber, is out on 19th October. Are there particular themes and stories that inspired the music/songs?

I didn’t really notice lyrical themes until I was asked these questions…

Of course; the books I was reading influenced the writing. I remember the sentiment of End of Everything; questioning what I really need from this world to be happy. This was on my mind whilst reading some books on different religious views. I spent time with a great book called Conversations About the End of Time. It’s good to remember how small we are in this universe - after that, everything’s just kinda funny. There are plenty of other lyrics on the album dealing with love, isolation and the pursuit of happiness.

PHOTO CREDIT: Lauren Joy Kennett

Who do you rank as music idols and inspirations? Did you grow up around a lot of music?

My parents surrounded me with art, culture and music all my life. I’m so grateful to them for this. Some of my earliest memories are dancing around the house to music with Mum and Dad’s cassette mixtapes and records lining the house.

I think, in terms of Hollow Hand, I’m feeling the influence of artists like Syd Barrett, Kevin Ayers; Robert Wyatt, Gong and Grateful Dead. Some British Folk stuff like Fairport Convention, Steeleye Span. I love instrumental music: Bill Evans, Emahoy Tsegué-Maryam Guèbrou; some Steve Hillage stuff.   

Are there particular moments when you sit down and write? How do songs usually come to you?

I mostly start with music. if I discover a cool part on any instrument, I’ll record it. My phone is full of excerpts. I’ll live with them and sing along before picking up journals then consider themes/stories I want to explore. I rarely start with words. I have friends who are the total opposite so this is interesting and worth investigating. 

PHOTO CREDIT: Wanda Martin

What do you hope to achieve by the end of 2018?

Of course, I want to tour the entire world. I’ve just moved into a new place where I’ll set up a new studio. I’ve got a whole new record written/planned but I don’t know if it’s right yet. When I get back to Brighton next month, we’re excited to hit the road promoting Star Chamber (supporting Sam Evian). I have some collaborations in mind but, if I hit Christmas with everything set up for the next chapter, I’ll be happy. 

Have you got a favourite memory from your time in music so far – the one that sticks in the mind?

I live for those rare moments when I turn around on stage and the band is truly connected; I mean really together. This could happen on a festival stage or the smallest venue. Nothing beats it. Supporting Robyn Hitchcock was fun; getting to travel to festivals. I was hugely inspired working with Tim Smith on his new project (Harp).

PHOTO CREDIT: Hannah Kovacs Photography

Which three albums mean the most to you would you say (and why)? 

Hard question. It changes often but usually these are the constants:

Pink Floyd – The Piper at the Gates of Dawn

Is there really only one Pink Floyd album? Nah, but when I found this album I truly fell in love. Eternal hazy summer nostalgia.

Sonic Youth - Evol

When I was in school, my room was a graveyard of burnt C.D.R.s; bootleg live shows. I was doing a lot of research and getting the knowledge. Daydream Nation, Sister and Murray Street were all on heavy rotation but this record is just a shining jewel to me.

Richard & Linda Thompson - I Want to See the Bright Lights Tonight

I’ve recently started choosing this album over Liege and Lief - still working out how that sits with me. Richard’s up there in my top guitarists and songwriters of all time (that’s two separate lists). I love how joyfully miserable the songs are. Totally immersive and timeless.

PHOTO CREDIT: Lauren Joy Kennett

If you could support any musician alive today, and choose your own rider, what would that entail?

It’s Derek Smalls from Spinal Tap. My rider is a double bass and we’re improvising… 

What advice would you give to new artists coming through?

Hey, that’s me! I have no idea what’s going on out here - I don’t think anyone does. Just stay true to yourself, I suppose? Don’t believe in shortcuts. There are so many different types of musicians; some find it easier to make a living. I chose to make the music I want to make but, as a result, things can be very difficult. If you’re making stuff for other people then perhaps it’s easier but that’s not something I’m interested in. If you take my advice then I guarantee you’ll be as huge and successful as I am. 

PHOTO CREDIT: Wanda Martin

Do you have tour dates coming up? Where can we catch you play?

We tour the U.K. through October!  

*Supporting Sam Evian

16.10 - Edinburgh, Sneaky Pete’s*

17.10 - Glasgow, The Old Hairdresser’s*

18.10 - Newcastle, The Cluny 2*

19.10 - Manchester, YES (Basement)*

20.10 - Leeds, Headrow House

21.10 - Leicester, The Cookie*

22.10 - Milton Keynes, The Craufurd Arms

23.10 - London, Rough Trade East (in-store 1 P.M.) (Then Hoxton Hall)*

24.10 - Brighton, The Hope & Ruin*

 IN THIS PHOTO: Hannah Lou Clark/PHOTO CREDIT: Rob Blackham

Are there any new artists you recommend we check out?

Maybe it’s best if I just point to some great musicians you may or may not be aware of: The Lunchtime Sardine Club, Eugene Quell; Hannah Lou Clark, Holly Macve and Clarence Clarity. They’re all releasing brilliant music right now.

 IN THIS PHOTO: Holly Macve/PHOTO CREDIT: Lauren Joy Kennett

Do you get much time to chill away from music? How do you unwind?

I find it hard to turn off.  I never really manage it. It’s the same for most of my friends. I read, try to navigate the vast ocean of nonsense for one good film; go walk along the beach. I’m interested art, and drawing. When I’m watching/reading something great then I’m always making notes, so I suppose it’s a struggle to find some real rest. That isn’t fun.

Finally, and for being a good sport; you can choose a song and I’ll play it here (not any of your music - I will do that).

Why don’t you sit back and spend some time with this killer Dark Star from '72? 

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Follow Hollow Hand

PHOTO CREDIT: Lauren Joy Kennett

Official:

https://www.hollowhand.com/

Twitter:

https://twitter.com/hollowhand

Facebook:

https://www.facebook.com/hollowhand/

Instagram:

https://www.instagram.com/hollowhand/

YouTube:

https://www.youtube.com/channel/UCUGoqWgCohF4Bzl7ieltE7Q

Spotify:

https://open.spotify.com/artist/2sF6pXUAPODESAtYHliKTp

INTERVIEW: Francine Belle

INTERVIEW:

Francine Belle

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THE amazing Francine Belle…

has been telling me about her debut single, Beautiful Heights, and how it came to her. I learn about her musical influences and what we can expect next; what it was like performing alongside Sir Elton John – she discusses moving from Paris to South London and whether she gets time to chill away from music.

The songwriter talks about Solange and a few albums that are important to her; whether there are any rising artists we need to get behind; what she would say to emerging songwriters; if there are any tour dates coming along – Francine Belle ends the interview by selecting a cool song.

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Hi, Francine. How are you? How has your week been?

I’ve had a great week. Seeing the response to the Beautiful Heights has been so wonderful. For a long time, it’s been just me tinkering away in my studio like a mad scientist so releasing the music finally is like dusting off the cobwebs…stepping out into the world…getting some sun…getting some air...Communicating with fans of my music - it’s been transformative!

For those new to your music; can you introduce yourself, please?

I’m a London-based singer, songwriter and producer. I’ve been singing, writing and performing for years but the producing happened more recently. Through recording vocals and compositions at my home studio, I taught myself how to make the music I want to hear and have wound up with a debut album, which I’m in the process of finishing now.

Beautiful Heights is your debut single. What is the story behind the song?

It came to me in a dream. It was more of a feeling rather than anything intellectual and that’s what I wanted to invoke with the production. I think that’s why I kept it as voice. A lot of my songs start that way, with vocal layering, and the vocal compositions get replaced with whichever instrument I was trying to emulate but, with Beautiful Heights, I wanted it to remain ethereal. It started as vocals and handclaps and ended as vocals and drums. Even the bassline is vocals.

The male vocals are by acapella arranger Ben Bram, who thankfully agreed to work on the song after I sent it to him. That was such an honour – I’m a huge fan of his.  The dream version was majestic and soaring and I spent months and months trying to capture what I heard and make it real.

Is there going to be more material coming next year?

Yes - and maybe even before! My album, Myths & Legends, is almost complete and due in 2019, but I hope to release more singles ahead of that.

I understand you have performed backing vocals for Sir Elton John! What was that like?!

It was great! I was doing B.V.s with him and Bright Light Bright Light. Elton is down-to-earth and took the time to shake everyone’s hand and say hello. He has some astonishing diamond rings. Astonishing.

You were born in Paris but raised in London. Was there a reason for relocating to London?

My parents are academics and so were in Paris for their studies. I was a baby, so I don’t know the reason, but wagering a guess I’d say my parents decided Paris wasn’t glamourous enough for their baby girl and picked South London instead.

I hear shades of artists like Solange in your music. Who do you count as musical influences?

What a compliment! A lot of my songs were written and produced before A Seat at The Table came out but I do love that record. I’d say it makes sense you hear shades of Solange in my music because I think we both cite Minnie Riperton as a great influence (those whistle vocals and harmonies do it for me). I really like Lana Del Rey’s Born to Die album because I love cinematic and epic sounds and live orchestration which you’ll hear more of in my other songs. Quincy Jones is an ultimate influence, because he wasn’t afraid to play with orchestral and majestic sounds in Pop.

He did all of that and kept the soul in the music too. It’s wasn’t just production; it was alchemy. It was magic. The M.J. albums he did are the greatest works of all-time in my opinion. I love Patrice Rushen for the same reason; that epic orchestration - and because she wrote and produced as well. Disco is sometimes discounted as a musical genre but some of the production can really give you goosebumps. Haven’t You Heard by Patrice is one of the best songs ever. I’ve got a Disco song on my record and if I’ve captured even a tenth of that joy and energy I’ll be happy.

How important were your family and your Nigerian heritage regarding your approach to music and how you write?

Very important. My brother Leo is a singer and I cut my teeth performing backing vocals for him. I grew up around music, so the concept of being ‘talented’ didn’t really occur to me as a kid. One of my teachers took me to one side after I sang in front of the class one time and told me I was very talented. Before that, I thought singing was something everybody could do. Everybody did it at home. It wasn’t until I got a bit older that I realised what I had and also the depths of my need to create, as well as sing.

I think Nigerian music is very much about melody, harmony and beats. Although it’s not a conscious effort on my part, I find that everything I write always comes back to that. I want to feel driven by the drums and moved by the melodies. Afrobeat and Highlife music do that and my music tends to do that too, in a different way.

What do you hope to achieve by the end of 2018?

One more single and a much wider audience to share my art with.

Have you got a favourite memory from your time in music so far – the one that sticks in the mind?

I’ve had some great times touring with different bands, whether as a front person or a backing vocalist. Touring is such a once-in-a-lifetime experience. Never the same each time. Even when I’ve been sick, homesick or heartbroken; I always think of touring as some of the best times of my life. I can’t wait to tour with my music soon.

Which three albums mean the most to you would you say (and why)?

Such a difficult question! I’ll probably pick something different on a different day but, at the moment, it’s Sade’s greatest hits; George Michael’s greatest hits and any album by Michael Jackson (except the posthumous ones he didn’t sign off on) because they’re all just masterclasses of songwriting, emotion; narrative and voice.

If you could support any musician alive today, and choose your own rider, what would that entail?

Honey and lemon on my rider is a must. Beyond that, I’m pretty easy-going. I’m there to perform, not to move in.

What advice would you give to new artists coming through?

I think the advice would change depending on the artist and what they want to achieve. There are some universal truths, though and, even though it sounds trite…staying true to yourself is the best advice I can give. I’ve had a lot of ups and downs in music but that’s always seen me through and kept me grounded.

Do you have tour dates coming up? Where can we catch you play?

I’m preparing for a live showcase in October that I’m doing in collaboration with this exciting new artist platform that I can’t wait to talk more about! Hopefully, a few more before the New Year.

 IN THIS PHOTO: Stanaj

Are there any new artists you recommend we check out?

I really love The Way I Love Her by Stanaj. I heard it online randomly and his voice is incredible. There’s an acoustic version which is sublime too. The Chloe x Halle record is fire. And Azealia Banks is an artistic tour de force. I’m a proud Kunt t.b.h.

 IN THIS PHOTO: Azealia Banks

Do you get much time to chill away from music? How do you unwind?

Music doesn’t feel like work to me, so chilling is usually when I find time to sign off on mixes and masters my producer sends me. Otherwise, I walk the dogs and will watch some Game of Thrones when it’s on. Winter is here!

Finally, and for being a good sport; you can choose a song and I’ll play it here (not any of your music - I will do that).

Don’t Play It Safe by Cassie. It’s a bop and it’s relatable

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Follow Francine Belle

Official:

https://francinebelle.com/

Twitter:

https://twitter.com/Francine_Belle

Facebook:

https://www.facebook.com/thefrancinebelle/

Instagram:

https://www.instagram.com/francine_belle/

SoundCloud:

https://soundcloud.com/francinebelle

YouTube:

https://www.youtube.com/channel/UCCAnxvBdOzjnIPXDaTy5UdQ

INTERVIEW: Kimono Loco

INTERVIEW:

Kimono Loco

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I have been speaking with…

James from Kimono Loco about the band’s new E.P., Hello, How Are You? He talks about the inspirations behind the E.P. and whether he has a standout from the collection; how Kimono Loco started life and whether there are any gigs coming up.

The lead vocalist/guitarist tells me what sort of music he grew up around and which one album means the most to him; if he gets time to unwind away from music; which rising act we should get behind – he ends the interview by selecting a great track.

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Hi, James. How are you? How has your week been?

James: Really good, thanks. Our week’s been pretty crazy with the E.P. release but it’s been a lot of fun!

For those new to your music; can you introduce yourselves, please?

We’re Kimono Loco, a London-based Indie-Pop band. We’ve been described as ‘An eclectic mix of styles from indie rock to dance, disco and electronic music; all engaged in constant conversation with their deeply-rooted pop sensibilities’ if that makes it easier.

Hello, How Are You? is your new E.P. What kind of things inspired the songs we hear?

We wanted to be a lot more fun on this E.P. Our older stuff maybe took itself a bit more seriously and we kind of threw that out the window on this one. We wanted a bunch of songs that people could really dance to at gigs and it’s worked; our shows are better than ever.

Do you have a favourite song from the E.P. at all?

I think we all love Big Boy cause of how ridiculous it is - although, Fright Night is a lot of fun to play live so it changes really.

How did the band start life? When did you change your name from ‘Regions’ to ‘Kimono Loco’?

The band sort of all formed at this one pub in Fulham called the Durell Arms. My best mate (Alex Sonnenberg - drums) and I were quite drunk one night and decided to ask the band who were playing if we could do a few songs. They reluctantly accepted and we did a terrible rendition of Thrift Shop by Macklemore weirdly enough. I had been writing loads of songs at the time and we basically agreed that we should start playing again (we had been in an atrocious Metal band in our early teens). We put an ad out that week and got a response from our now-bass player, Luke Hamlin.

We met at that same pub and he later introduced us to his best mate Chris Godfrey (guitar). It was basically two best mates coming together, as romantic as that sounds. We started under the name ‘Regions’ back when we didn’t really have an identity. We weren’t too sure how we should sound and I think that was quite clear as we constantly changed, stylistically, with each release. With a shared hatred for the name, we took the leap and went for the change to ‘Kimono Loco’ a few months back and we’re very glad we did.

If I was to travel back to your childhood; what sort of music would I find in your collection?

 You’d find a lot of Emo music in my collection - that stuff is my guilty pleasure. To be honest, it’s kind of what made me want to be in a band in the first place, especially in regards wanting to play the guitar. I think the first album I ever really got into was The Black Parade by My Chemical Romance. Haha.

How important is London and its variety in regards the way you write and create music?

I’m not really sure how much London as a city inspires us, musically. It’s, of course, where we all live but nowadays the world’s so globalised that you have access to anything you want to listen to at the touch of a button. I’d say it’s more down to what we’re all listening to at the time of writing then where we geographically are. There is a big Indie scene in London although I don’t think we’ve ever felt truly part of it.

What do you hope to achieve by the end of 2018?

2018 is coming to an end rather quickly so I think you’ll see a lot of exciting things happening in 2019 for us. However, I’d expect there to be a lot more gigs; some of which we’ll be playing some new material at.

Have you got a favourite memory from your time in music so far – the one that sticks in the mind?

Our most-recent gig (our E.P. launch) kind of blew our minds. We had a packed-out room dancing and singing along to all the words; it was incredible – by far the best gig we’ve ever played.

Which one album means the most to you would you say (and why)?

Sticky Fingers - Land of Pleasure

It is definitely one of my favourite albums. I randomly bought it on vinyl when I was in Australia and I’ve been listening to it ever since I love it.

If you could support any musician alive today, and choose your own rider, what would that entail?

We’ve been compared to The 1975 quite a lot so I think they’d be amazing to support.

As for our dream rider, I mean you’d have to go waayy over the top wouldn’t you? I’d say we’d want the entire cast of the 2003 masterpiece The Room and a bunch of fresh fruit because fresh fruit is delicious.

Might we see some tour dates coming up? Where might we be able to catch you play?

Our only current date is at Roadtrip & The Workshop on 5th of October but you can check out Facebook page for any future gigs.

What advice would you give to new artists coming through?

Try and figure out what you’re about as soon as you can. It took us a while to find a proper identity and we’re arguably still in the process but, as soon as a direction becomes clear, everything starts to flow quite nicely.

 IN THIS PHOTO: KOPPS/PHOTO CREDIT: Harry Eelman

Are there any new artists you recommend we check out?

I’ve been getting into this band called KOPPS. They’ve got a really cool ’90s sound which has been coming back recently. I’d definitely recommend checking them out.

Do you get much time to chill away from music? How do you unwind?

We all do different stuff to be honest. Going for drinks is a big one - we’re all suckers for a night out. But, to be honest, playing as a band is loads of fun anyway so you need to unwind far less then you’d think.

Finally, and for being a good sport; you can choose a song and I’ll play it here (not any of your music - I will do that).

KOPPS - Thermometer

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Follow Kimono Loco

Twitter:

https://twitter.com/Kimono_Loco

Facebook:

https://www.facebook.com/kimonoloco/

Instagram:

https://www.instagram.com/kimonoloco/

SoundCloud:

https://soundcloud.com/kimonoloco

YouTube:

https://www.youtube.com/channel/UCpyTEFYPDWRMwDKicf59fgQ

Spotify:

https://open.spotify.com/artist/2FECCpHkCuxbXxWCbC5Xmu?si=6icOQ5EHQ26ZDjS-19zVmA

INTERVIEW: St. Humain

INTERVIEW:

St. Humain

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WITH Fever Vibe out there…

St. Humain has been talking about the song and what its story is. I ask whether there is more material coming next year and what the next steps are; why the Singapore-born artist moved to Australia – he recommends some rising artists to watch.

St. Humain talks about his influences and some albums that have impacted him; what advice he would give to artists coming through; how he spends his time away from music – the songwriter tells me what he hopes to achieve before the end of this year.

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Hi, St. Humain. How are you? How has your week been?

Hello! I’m doing good. This week’s been absolutely crazy in a good way – every release week always is and it’s such an exciting time getting the song out!

For those new to your music; can you introduce yourself, please?

I’m an artist who tries to tell my honest stories; songs of human experiences and connections that hopefully relate to everyone. I mostly make all my own stuff: singing, songwriting; producing…the whole lot.

Fever Vibe is your new single. Can you reveal the story behind the song?

Yes, it is! I’m so pumped for everyone to hear it. It’s inspired by young love. I believe that there’s that common exciting feeling throughout the early stages of all relationships and Fever Vibe is my attempt at capturing that in a three-minute song. Something for all of us to dance to!

Do you think there might be more singles coming next year? How far ahead are you looking?

Next up is my debut E.P. called EMOTIONAL SAUNA coming in January - it’s an eclectic mix of songs that will tell the story thus far. We’re getting things finalised on my end here in Sydney and it’s looking to have seven tracks!

You were born in Singapore but are based in Australia. What was the reason for the move?!

I moved to Australia some years back for my studies and haven’t really left! It’s so lovely here and I guess you can say that I’ve got two homes now. Sydney is a lovely place and the weather is great when it finally makes up its mind. Haha. The coffee is stunning as well; you should totally come visit! 

What sort of music did you grow up around? Were you subjected to a wide range of sounds?

Definitely. I grew up listening to the radio actually! Pretty much every night going to bed I would have the daily countdown on and wouldn’t go to sleep till I found out who was number-one. Back then, it was Britney with I’m Not a Girl, Not Yet a Woman and the Backstreet Boys fighting it out for top spot. I also listened to Ryan Seacrest and Rick Dees’ top-40 on weekends. Yeah, I know: I’m such a sell-out.

But, listening to the charts made me have an appreciation for the Pop world…only for me to learn the guitar at fourteen and going into Blues, Jazz and Soul. I think this combination has led me to my sound, at least for now!

What do you hope to achieve by the end of 2018?

If I could, I’d wish for world peace. But, since all I’ve got are songs…I’d hope that as many people hear them but, more importantly, that my music connect with others on a personal level. To make others’ lives better; to remind them that they’re not alone feeling what they feel; to make everybody dance along to life.

Have you got a favourite memory from your time in music so far – the one that sticks in the mind?

I still remember the first time the industry took notice of me - I know it’s not the goal here but it gave me some sense of validation that what I was doing actually was worthwhile to some degree. On a personal note, an old friend of mine heard a song of mine and shared that it actually helped them move on from a break-up. That meant so much to me.

Which three albums mean the most to you would you say (and why)?

Oh, gosh; why would you do this to me!

John Mayer’s album, Continuum, is on the list for sure. It marked the time in high-school for me; getting all emotional over this girl I liked.

Another one is perhaps more curious: Westlife’s Coast to Coast. Don’t judge, but it’s the first album I ever bought and it brings back thick memories of falling in love with music.

Lastly…I know she calls it a mini-album but Julia Michaels’ Nervous System is one that means a lot to me right now. It’s raw, honest, and solidly so melodic. I get the feels.

If you could support any musician alive today, and choose your own rider, what would that entail?

Julia…if you ever see this I’d love to come along! I’d also totally support Maroon 5 right now. I think their new album is amazing.

My rider would definitely also have plenty of water, gin and tonics on the Hendrick’s and cucumber please…and Italian pizza.

What advice would you give to new artists coming through?

Don’t give up. Find your vision, keep refining yourself and persevere. If music’s your thing, brave the world; the industry; the people around…and don’t stop creating.

Do you have tour dates coming up? Where can we catch you play?

I’m working on it! None just yet but, hopefully, I can take my E.P. live after it releases in January 2019.

Might you come to the U.K. and play? Do you like the music here?

Yes. I’d definitely love to come to do some shows in the U.K.! I love the music that’s been coming out too - acts like Anne-Marie, Dua Lipa and Jax Jones immediately come to mind. A close artist friend of mine, Sätilä, actually just moved to London the day my new single got released and it would be lovely just to go there to visit him if anything!

Are there any new artists you recommend we check out?

I’ve been heavily reliant on 6LACK’s new album. But, for something more poppy - Clara Mae, Sigrid; Leland and… is Lauv still considered new?

 IN THIS PHOTO: Clara Mae

Do you get much time to chill away from music? How do you unwind?

I think I’m kinda obsessive so I actually need to get better at chilling out. But, I often unwind with food - eating it, cooking it; watching Bon Appétit videos. That’s my thing.

Finally, and for being a good sport; you can choose a song and I’ll play it here (not any of your music - I will do that).

Hey, Alexa. Play Say My Name by Tove Styrke. Cheers; thanks for having me!

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Follow St. Humain

Official:

https://sthumain.com/

Twitter:

https://twitter.com/sthumain

Facebook:

https://www.facebook.com/sthumain

Instagram:

https://www.instagram.com/sthumain/

SoundCloud:

https://soundcloud.com/sthumain

YouTube:

https://www.youtube.com/channel/UC4bCuWAMxyaPoxUInUmpyFw

INTERVIEW: Soheill

INTERVIEW:

PHOTO CREDIT: Kristen Balani 

Soheill

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I have been speaking with Soheill…

 IMAGE CREDIT: Kevin Donnelly

about his new track, Supernatural, and how it came together. The American songwriter discusses his E.P., Somewhere Between Love & War, and the sort of themes that inspired it; which musicians he is inspired by – he reveals what Nashville is like as a base.

I ask whether there are tour dates coming and which albums are most important to him; which new artists are worth checking out; if he will come to the U.K. and tour – Soheill ends the interview by selecting a great track.

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Hi, Soheill. How are you? How has your week been?

I’m good! Busy as always. I’m about to release my E.P., Somewhere Between Love & War, on October 12 and planning for a Texas tour with Jon Pattie. It’s an exciting time but, as some of you know, the to-do list never takes a break.

For those new to your music; can you introduce yourself, please?

Sure thing. I’m Soheill. I’m a singer-songwriter/producer from Nashville, TN. I’ve been writing music for quite some time and relocated to Nashville from L.A. within the past year. My music could be described as Psychedelic-Indie-Pop/Rock.  

Supernatural is your new song. Can you talk about its story and background?

Supernatural was written about a certain time in my life where my family was trying to move from Iran to America. I was seven-years-old and we had already been denied a Visa once before in Pakistan. My mom played a big part in getting us over here because she wouldn't take ‘no’ for an answer the second time around when we were in Dubai. They initially denied us a Visa but she was somehow able to change their minds.

The crazy part is that they were going to let my mom go to America without me. I was the problem for them because, in Iran, they force you into the military unless you win a lottery. So, to them, I was an asset for war. I am very fortunate to be out here today.

It is from the E.P., Somewhere Between Love & War. Are there particular themes that inspired the songs?

There are a few different things that inspired it. I wrote a couple of the songs while I was in the process of moving away from L.A. I came up with the title Somewhere Between Love & War because I was living comfortably in the grey area. I was having problems with relationships and work, mainly because I felt I was being held back. I moved to Nashville more to get away from distractions and cleanse my spirit. The music scene here is okay but I believe you can be anywhere and do music as long as you're willing to tour.

PHOTO CREDIT: Jenna Doolittle

In terms of musicians; what sort of stuff are you into? Who were you raised on?

That's a really tough question.

I've been through so many musical phases - Hip-Hop, Pop; Rock, Songwriters etc. My very first encounter with a memorable musician was Michael Jackson. I remember watching the Thriller video and getting scared out of my mind. M.J. inspired us all. It's beautiful that he touched so many people of all different walks of life.

How important is Nashville as a base? Is it a great city to make and perform in?

Nashville is a great place to be if you want to be a songwriter or simply just want a more simple life with a city feel. There is a music industry here but it's mainly Pop/Country, Country or Americana. There is a bit of an Indie music scene that is flourishing here in East Nashville and Midtown. I think, for me, it's just comfortable living here. It's cheaper than Los Angeles and I've met some great people and even my manager. Is it long-term? Probably not, but who knows...

PHOTO CREDIT: Jenna Doolittle

What do you hope to achieve by the end of 2018?

I'd love to have a successful E.P. release, a couple music videos and to start working on my next E.P.

Have you got a favourite memory from your time in music so far – the one that sticks in the mind?

I toured London by myself for five months around 2011. It was a magical time. I was all alone in a city and didn't know anybody. I had just quit my office job and embarked on a journey that helped me grow as a musician and person.

 PHOTO CREDIT: Kristen Balani 

Which three albums mean the most to you would you say (and why)?

Coldplay – Parachutes; David Ramirez - We're Not Going Anywhere and Pink Floyd – The Dark Side of the Moon

I love all these albums for different reasons but, for me, it's all about timing. Great music comes into your life at a time when you need it the most. It's like finding someone you love at various points in your life. There is a connection you feel to the lyrics, the mood and the artist. That's what makes a great album for me. 

If you could support any musician alive today, and choose your own rider, what would that entail?

I would support Nine Inch Nails and request:

- All cellphones be locked up inside a safe to prevent anyone from zoning-out on social media.

- Dinner must be served on real plates with options for vegans and meat-eaters.

- If you do not curse at dinner, then you are to be excused.

- If anyone mentions or speaks of any boy-bands or other annoying bands, they are removed from the tour production.

- No peanut butter allowed. Only Nutella.

PHOTO CREDIT: Kristen Balani 

Can we see you tour soon? Where are you playing?

Yup. Texas tour, 2018. I will be playing in Dallas, Ft. Worth; San Antonio, Houston and more. Check out samhale.net for details. 

Might you come to the U.K. and play soon?

I have before. I don't see what would stop me (smiles). I miss my friends there.

What advice would you give to new artists coming through?

Focus on the music first. Don't worry about social media and trying to be popular. If your music is truly amazing and original, people will come to you.

 PHOTO CREDIT: Jenna Doolittle

Are there any new artists you recommend we check out?

Definitely. Check out this playlist I made.

Do you get much time to chill away from music? How do you unwind?

Sometimes. Ha. I like to cook or be in nature. I try to take a little time each day to relax. 

Finally, and for being a good sport; you can choose a song and I’ll play it here (not any of your music - I will do that).

Nick Hakim - Green Twins

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Follow Soheill

PHOTO CREDIT: Jenna Doolittle 

Official:

https://soheill.com

Twitter:

https://twitter.com/samhalemusic

Facebook:

https://facebook.com/soheillmusic

Instagram:

https://instagram.com/soheillmusic

SoundCloud:

https://soundcloud.com/soheillmusic

YouTube:

https://youtube.com/soheill

INTERVIEW: Nikki Hayes

INTERVIEW:

Nikki Hayes

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THE fabulous Nikki Hayes…

has been talking with me about her new single, Move, and what the story behind the track is. I ask whether there is more material coming and what compelled Hayes to move from Chicago to Arizona – she highlights some rising artists to look out for.

Hayes tells me how she got into music and which artists are important to her; if there are any gigs coming up; a few albums that are important to her – she ends the interview by choosing a great track.

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Hi, Nikki. How are you? How has your week been?

Hi. I’m great and my week has been great as well. Any new day to wake up is already a blessing.

For those new to your music; can you introduce yourself, please?

Well. I’m Nikki Hayes. I’m an R&B singer-songwriter. The music can tell you more about me than I can without giving too much.

Move is your new release. What is the story behind the track?

The story behind Move is really about being so drawn or intrigued by someone but not really knowing how to act on it or how to go about it because of fears or uncertainty - which was something that I had a habit of doing at the time.

Will there be more material coming next year do you think?

Yes. There will definitely be more material next year. I still have more songs to release and I’m always writing.

Who do you rank as music idols and inspirations? Did you grow up around a lot of music?

I did grow up on a lot of music. My parents played a lot of music from the ’70s, ’80s and ’90s. Chaka Khan, Anita Baker; Toni Braxton, Al Jarreau; Sade, Whitney; Aretha and many others as well as music from the ’90s/’00s that my sisters and I grew up on; just very iconic and distinct voices which was definitely an influence.

Do you think there was a moment you got into music? Were others saying you needed to perform or was it the artists you grew up around that helped you make that decision?

I would say a little bit of both.

The artists I grew up listening to were influences but what also played a role was watching my older sisters sing. They have beautiful voices and are naturally gifted in vocals. I would hear them sing and want to join them but I could not sing at all so they wouldn’t let me. I was so determined that I would go in basement and sing all day until it didn’t sound so bad.

What promoted your move from Chicago to Arizona? Is there a big shift in terms of music scenes and flavours?

The fact that Arizona is so close to Los Angeles promoted the move with my family. It has been an adjustment…however; things are moving along. I’ll be performing at the Mesa Music Festival in November and I can’t wait to have more shows here as well as other places.

What do you hope to achieve by the end of 2018?

Just to have more people listen, feel and relate to the music in some way and, really, that’s my overall goal. If I know that what I love the most can make people feel something, help someone through something or gives listeners an escape, then I’m happy because making the music did just that for me.

Have you got a favourite memory from your time in music so far – the one that sticks in the mind?

You know; I used to look at specific things from my time in music as favorites but now not so much. Each thing I do in music has been a time of growth and I feel the euphoria each time I do something in music - whether it’s going to the studio, writing a song; finding a funky chord, exercising my vocals or studying the music industry.

Each thing I do is for growth and beneficial to me as an artist and it’s a good and memorable feeling every time. One unforgettable moment in music was performing at The Wire in Berwyn, hosted by IllaNoize. The love and energy from the crowd as well as well as the energy from the dancers was magical.

Which three albums mean the most to you would you say (and why)?

Ooooh; that’s hard, I can’t choose that but I can choose albums that I really enjoy and stand timeless to me.

For All We Know by NAO

The reason is for the lyrics, production; the emotion she pours from her voice into the song as well as the harmonies. I can listen to that album all the way through without skipping every time and also learn something new about each song, whether it was an instrument or a vocal inflection that I didn’t know was present before.

Dangerously in Love by Beyoncé

It is an album that is very nostalgic album for me. It is another album that I can listen to the whole way through. Each song from the album made me feel and do a lot of things: dance; cry, ‘think’ I’m in love at eight-years-old. But, the beauty of hearing things that young was that I could relate to them on other levels when I got older. I grew up on the album and I still grow with that album.

19 by Adele

Which, I believe, was Adele’s first album. The first song I heard by Adele was from that album and actually ended up being my first YouTube video. There was a lot of raw and organic sounds vocally and instrumentally. Another one that I can feel the emotion oozing from her in each song.

If you could support any musician alive today, and choose your own rider, what would that entail?

There are so many to choose from. There are many talented R&B artists out right now: NAO, H.E.R.; SZA, Brent Faiyaz; Daniel Caesar…the list goes on but, really, I’d love to support talented artists that I can learn from as far as the art of touring goes: work ethic on tour, vocal care on tour; maintenance internally and externally when on the road.

If I can just have some tea with honey and lemon; room temperature water and some food when I’m done performing then I’m happy.

What advice would you give to new artists coming through?

Get to know who you are as a person and that will bleed on to you as an artist. Understand that you will and have to grow as person as you go through life, thus as an artist. Keep those cores of who you are and have comfort in that so that no one takes advantage or tries to change you…but always grow.

Do you have tour dates coming up? Where can we catch you play?

My nearest show as the Mesa Music Festival in November in Downtown Mesa, Arizona. I will share more details soon!

 IN THIS PHOTO: H.E.R/PHOTO CREDIT: Highsnobiety/Juan Veloz

Are there any new artists you recommend we check out?

Some newer artists that I’m listening to right now are the artists I mentioned above: NAO, H.E.R.; Brent Faiyaz and Daniel Caesar. Also Nikki Hayes; you can download her music on Spotify and all other streaming platforms…

 IN THIS PHOTO: Daniel Caesar/PHOTO CREDIT: Keavan J. Yazdani 

Do you get much time to chill away from music? How do you unwind?

Not really. Honestly, when I’m not working on music; listening to music is a time of unwinding and an escape for me. I go out with my family and loved ones but focus should always be about the music and how I can grow in that.

Finally, and for being a good sport; you can choose a song and I’ll play it here (not any of your music - I will do that).

Rather Be – H.E.R.

___________

Follow Nikki Hayes

Twitter:

https://twitter.com/nikkihayes1

Facebook:

https://www.facebook.com/NikkiHayesMusic/

Instagram:

https://www.instagram.com/itsnikkihayes/

SoundCloud:

https://soundcloud.com/itsnikkihayes

Spotify:

https://open.spotify.com/artist/5dKJEPrnjpRDw8mbH74rtS

INTERVIEW: Stephen Martines

INTERVIEW:

Stephen Martines

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THIS week ends with me…

speaking with Stephen Martines about his new track, Sounds Like Whiskey, and what its tale is. The songwriter/actor discusses his path into music and how personal/family events impacted his decisions and dreams – Martines recommends an artist we should all be aware of and get behind.

Martines reveals a few albums that are special to him and the music he grew up around; why he spent time in the Royal Air Force; whether he will come to the U.K. very soon – he ends the interview by selecting a song I have not heard before.

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Hi, Stephen. How are you? How has your week been?

Hi, there! First off, thank you for taking an interest in my music; this has been a long-awaited journey and I’m thrilled to be able to reach out to your readers. I’m doing quite well, thanks for asking. My week has been great thus far: we’re amping-up rehearsals – adding another guitar player, Tom Bramer from Radio Iodine, to the touring band – as well as preparing the video for Sounds Like Whiskey and pressing forward on readying our next single for release. A lot going on!

For those new to your music; can you introduce yourself, please?

Absolutely! I’m Stephen Martines, a native of St. Louis, Missouri. Some may know me from television, some may not. Either way, I’m incredibly grateful for those who have been supportive and continue to do so. For those who are new to my journey, welcome! I’m humbled to share my passion with you. Me in a nutshell: daddy, singer; songwriter, actor and soccer player. 

My music can best be described as ‘Country infused with Soul and Pop undertones’. That said; I’ve just scratched the surface of the sound I hope to incorporate. The beauty of today’s Country music is that it has room for multiple genre infusions, keeping things interesting and alive.

Sounds Like Whiskey is your latest song. Is there a story behind it?

There’s a story behind most every song you hear, wouldn’t you say? Although I didn’t co-write S.L.W., I sure wish I had been part of that process. My dear friend Vinny Hickerson (Trailer Choir) presented it to me a little while back and I’m honored to have the opportunity to cut it and release it as a single. The lyrical content alone grabbed my soul and pulled me in from the moment I heard it. 

It’s Country fused with Pop undertones and speaks to so many peoples experience with a fractured relationship, where one person’s heart just isn’t ready to let go. Country music more often than not hits you right in the gut; Sounds Like Whiskey carries with it the vapors of a painful breakup that still echo within me today. The song was written by Vinny Hickerson, Jay Brunswick and Josh Dunne and produced by Chuck Bonano, Johnny Scott and myself.

You were born in St. Louis but moved around a lot as a child. How did this lack of stability affect you at that age?

Yes. My childhood wasn’t the best, to say the least. My mother had her struggles raising two young kids and bouncing between separated homes was difficult in itself. Thankfully, soccer and music became my outlet. My escape. My passion. There weren’t many times I was without a ball at my feet or music filling the room. The instability, although hard, carried with it the impetus to dream – and dream big - regardless of whether those dreams were attainable. They were sometimes the basis of my existence.

You joined the Air Force after your father died. Was that career choice a way of easing the pain of loss? When did you move into music?

After my father died, at a fairly critical age for me, I became pretty despondent and that led me on a quest for something to fill that void. Along the way, I dropped out of college and ended up joining the Air Force after a knee injury marginalized a professional soccer career. After leaving the Air Force I found myself adrift again and, a couple of days after Christmas in the late-'90s, while watching Jimmy Stewart’s moving performance in the bridge scene in It’s a Wonderful Life I had some sort of revelation and made the decision right then-and-there to pursue a dream I’d always harbored: acting. Nine hours later my car was packed and I headed west, not knowing a soul at that far end of the country.

I then ended up sleeping behind a dumpster after my car was taken (a not-unheard-of occurrence for those who pursue acting!). But, providence shined on me a few weeks later when I met an agent and began auditioning. I booked my first two auditions out of the gate and so began my acting career and eventually my pursuit towards many other dreams I’ve had and still have - most especially a career in Country music.

In terms of musicians; what sort of stuff are you into? Who were you raised on?

I grew up listening to multiple genres of music. In my family, Sinatra, Dean Martin; Ray Charles, anything Motown and Elvis (whom my daughter is named after) were hugely influential. Waylon Jennings, Johnny Cash; Willie Nelson and George Strait - to name a few Country influences. But, growing up in the '80s happened to be a great time for music, in my view. From old school Hip-Hop to Rock to Pop…you name it, we had it. Then came this guy named Garth and it was all over – life took on a whole new perspective.

What do you hope to achieve by the end of 2018?

I have set some pretty high goals for this year, reality dictating, that many may not be reached. That said; lofty aspirations keep people driven, focused and determined, right? My main goal is to land solidly on mainstream radio and begin touring by the end of the year. 

Have you got a favourite memory from your time in music so far – the one that sticks in the mind?

Although I’m in the early stages of my music career, I have some great memories already - including playing the CMA Fan Festival for the past two years. Country music fans are awesome! But, I would say my best moment thus far would be hitting #16 this past week on The Iceman’s New Country Artist chart, which is a pretty significant step for us. 

Watching Sounds Like Whiskey climb the chart week-after-week has been a thriller. It is indicative of our hard work paying off. More so, Country fans have welcomed my music and for that I am truly grateful.

Which three albums mean the most to you would you say (and why)?

First and foremost; Michael Jackson’s Bad

Need I say more?

Second...Hootie & the Blowfish - Cracked Rear View

Aside from selling over twelve-million copies and becoming a staple for my generation, it quickly became my ‘car-radio-blaring-with-the-top-down-‘go-to’ album. Darius Rucker’s voice and authentic Pop-Rock sound captivated me. I have many memories attached that record. 

Third...Prince & the Revolution – Purple Rain

 This man! The creative genius. The fearlessness. Mind-blowing.

If you could support any musician alive today, and choose your own rider, what would that entail?

Wow - great question! I am not certain I could pick only one. I love all genres of music and have been inspired by artists and musicians both past and present of whom I’m a fan. In thinking about this; one artist enters my head and seems to push aside the next, and so on. Almost impossible for me to answer!

Regarding a rider, aside from the basic requests, I’d love to be able to require a stage layout that provides a greater experience for fans - one that allows for engaging with the audience on a more personal or intimate level. Oh - and Red Vines licorice! That’s a must. So: a massive, U-shaped stage that encircles the entire audience and red licorice. I think that’s reasonable.

Can we see you tour soon? Where are you playing?

Yes . We’ve been added to the Country Smooth Festival lineup in New Orleans on October 20th and 21st, which will be a blast! And, Red Rose Records is currently working on tour dates that will be announced in the near-future. I definitely have the itch to get out there regularly and perform.

Do you feel you might come to the U.K. at some point?

I have never been but have always wanted to cross the pond! Say the word and we are there!

What advice would you give to new artists coming through?

Simple: NEVER GIVE UP! Be persistent. Believe in yourself. Trust your talent and work your ass off, regardless of the let-downs and rejections. All that happens for a reason and serves to hone your craft.

 IN THIS PHOTO: Vinny Hickerson

Are there any new artists you recommend we check out?

No - just me! (Okay; I’m kidding.) I would definitely recommend catching my dear buddy Vinny Hickerson’s debut solo E.P. when it comes out. The guy is a great songwriter and a great musician – he was one of the writers of Sounds Like Whiskey.

Do you get much time to chill away from music? How do you unwind?

‘Chill’. What does that word mean? Ha! These days, there isn’t much time to chill. Being a dad to a four-year-old takes precedence over all else, certainly over any spare moments I might have – and all other ‘non-daughter-directed time’ is given to pressing forward on the music front.

I do attempt to unwind, however. That consists of snuggling up to my little girl on the couch, enjoying some ice cream or a Popsicle (her favorite) and watching any inane T.V. show or movie that she wants. So, essentially unwinding per her dictates. And, I play soccer whenever the opportunity arises. Other than that, I’m pretty much a homebody.

Finally, and for being a good sport; you can choose a song and I’ll play it here (not any of your music - I will do that).

Given this opportunity, I’d like to wish upon your readers a song that I can listen to anywhere, any situation and it seems to fit: Chris Stapleton’s awesome Broken Halos. Will that work? And thanks again for your interest in me and my music - we hope to see y’all out there in the audience someday soon!

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Follow Stephen Martines

Twitter:

https://twitter.com/stephenmartines

Facebook:

https://www.facebook.com/Stephen-Martines-103148906392912/

Instagram:

https://www.instagram.com/stephenmartines/

SoundCloud:

https://soundcloud.com/stephenmartines

Spotify:

https://open.spotify.com/artist/4sRrnqh9ivipidsb41l1QP

INTERVIEW: Deliah

INTERVIEW:

Deliah

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I have been spending time with Alex of Deliah…

as he discusses the band’s new single, Infinite. The song is part of a trilogy so I find out what comes next and what the concept is; how the band got together and what sort of music they all grew up around – Alex recommends some approaching artists to investigate.

I ask whether we might see Deliah hit the road and whether they each have a favourite album; whether we can catch them perform at some point soon – they each end the interview with great song selections.

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Hi, guys. How are you? How has your week been?

Alex: We’re good, thanks. It’s a pretty busy period at the moment, as you can imagine, but that’s how we like it.

For those new to your music; can you introduce yourselves, please?

We are a four-piece band from Liverpool but based in London, fronted by Michelle. We fuse our three biggest influences into our music; them being a Neo-Soul-style sound with more cinematic, soundscape elements and heavier, more Rock-influenced guitars and drums.

The whole sound is quite hard to pin down but I think that captures it quite well. We’ve been spending 2018 putting together a visual trilogy called The Mind’s Eye that focuses on telling a story about the struggles of creativity and mental-health; the parts that you might not often see.

 

Infinite is your new single. Is there a story behind the song?

Infinite is the second single from the trilogy and this one focuses on the idea of honing a craft and the paradox of that; the struggle, and at time ugliness, of having to break through various barriers to ultimately create something beautiful. And, for many of us, that strive for a certain level of ability or success may never come. You may never be satisfied or even create your “thing of beauty”. We did this in the lyrics through all the paradoxes mentioned but in the video through having a dancer attempting to fly.

Are you already looking ahead to more material? What sure you working on?

Absolutely. The final instalment of the trilogy will drop before the end of the year, which we’re really excited about, as the video was one of the biggest tasks we’ve ever taken on. But, we’re looking at a new trilogy for 2019, possibly two, as this really gives our creativity a focus. Hopefully, a short movie will be possible too.

How did Deliah get together? When did the band start life?

The band started off as a duo, Michelle and I (guitarist, Alex), with session musicians taking over on drums, bass and keys. But, after playing with George (drums) and Tee (Bass/Synth) we all decided to make it a band, as that was how we were working anyway. It was a natural progression, especially as we started writing in the rehearsal room and integrating technology to take over what a fifth member would have been doing.

If I were to travel back to your childhoods; what sort of music would I find in your collections?

For me, you get a strange mash-up of Metal, Hip-Hop and E.L.O. Sounds very odd but when you lay out some of the elements, especially the more cinematic side of E.L.O., it does make sense. For Michelle, you would definitely find a lot of Fleetwood Mac and Pink Floyd – which, obviously, makes a lot of sense.

Shell would probably cross-over with Tee when it comes to '90s R&B, but Tee would listen to a lot of Gospel music too. George would definitely cross over with me a lot more, especially when it comes to Metal and Hip-Hop.

It seems like eclectic sounds and multiple genres run through your music. Do you think this wide and adventurous approach to music is what stands your songs out?

I’m not sure about ‘stand out’ but I think it helps define us. I know a lot of bands or artists find it hard to pin themselves down to one genre and that someone on the outside could easily categorise them but, in our experiences, they can’t. We like that - it’s something that we don’t do on purpose, nor is it something that we are going to rigidly abide by but the ambiguity of our sound is what makes it so fun for us to work on.

What do you hope to achieve by the end of 2018?

At the start of the year, we said that just getting the trilogy out would be our achievement of the year. And, even though we’ve been lucky enough to play some amazing festivals and shows as well as grow the band in the right direction, just getting the final chapter out will be our biggest achievement of the year.

Have you got a favourite memory from your time in music so far – the one that sticks in the mind?

Supporting Maverick Sabre was pretty amazing, as was playing with GoGo Penguin. Live is really important to us. Sounds super-cheesy, but probably working on this trilogy has been my favourite thing we’ve done so far.

Which one album means the most to each of you would you say (and why)?

For me, it’s Rage against the Machine’s debut album (Rage Against the Machine). Shell’s is easily Tango in the Night (Fleetwood Mac). Tee would say Speakerboxxx/The Love Below by OutKast and George, Nirvana’s In Utero, for sure.

If you could support any musician alive today, and choose your own rider, what would that entail?

Alive today…that’s a tricky one. I’d probably say Florence + the Machine. Not just because she’s huge, but because she is a massive influence on Michelle and has fans that would probably appreciate our sound too.

As far as rider goes, we’d have as much Nut Butter and Biscoff Spread as humanly possible…maybe a bath of it.

Might we see some tour dates coming up? Where might we be able to catch you play?

We’re supporting Demons of Ruby Mae at The Black Heart in Camden on 4th October and we’re in plans for a couple of small tours, but we’re not allowed to say anything just yet or jinx them! Head to our socials to keep up to date with that…

What advice would you give to new artists coming through?

Do what you want to do. If you want to create abstract, avant-garde art then do it and own it. If you want to be a Pop princess then own that too. Too many people do what other people want them to do in order to ‘succeed’ and everyone has an opinion on what you should and shouldn’t do. Sometimes you should listen to them but, ultimately, it’s down to you.

 IN THIS PHOTO: Little Grace/PHOTO CREDIT: Robert Mulder

Are there any new artists you recommend we check out?

Little Grace are three mates of ours from Liverpool who are just simply quality. Dark Rooms, an American band that have been a big influence of mine, who share that ambiguity in sound and another friend of ours, XamVolo - he’s doing big things and in a really interesting way.

IN THIS PHOTO: XamVolo/PHOTO CREDIT: Robin Clewley 

Do you all get much time to chill away from music? How do you unwind?

Films, football and food...or, maybe, for Shell it’s sketching, F1 and…still probably films.

Finally, and for being good sports; you can each choose a song and I’ll play it here (not any of your music - I will do that).

Shell is going for Every Valley by Public Service Broadcasting

Tee is going for Evergreen by YEBBA

George is going for Higher Ground by Little Grace

I’ll go for I Get Overwhelmed by Dark Rooms. Thanks for having us; enjoy the tunes!

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Follow Deliah

Official:

http://www.deliah.io/

Twitter:

https://twitter.com/DeliahMusic

Facebook:

https://www.facebook.com/Deliah.io/

Instagram:

https://www.instagram.com/deliah.io/

YouTube:

https://www.youtube.com/channel/UCnQNP5WQz9XAAxOFCIRvGqQ

SoundCloud:

https://soundcloud.com/deliahmusic

Spotify:

https://open.spotify.com/album/2f2ZhixUHsdFfOrCH5HKFR?si=0iIg9QOmTGOYNj1TY6al2g

INTERVIEW: Alex Lleo

INTERVIEW:

Alex Lleo

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THE terrific Alex Lleo has been chatting with me…

about his single, Long Shot, and filming its incredible video. I ask about the song and its story and whether more material will come down the line. He talks about his musical upbringing, influences and what plans he has in regards gigs.

Lleo reveals a rising artist to watch and an album that means a lot to him; how he spends time away from music; what advice he would give to artists coming through right now – he ends the interview by selecting a great track.

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Hi, Alex. How are you? How has your week been?

Morning! I’m great thanks! It’s been good. Helping my bro record his first E.P. Exciting stuff!

For those new to your music; can you introduce yourself, please?

Sure. I’m Alex. I write songs from my garden shed and sing them to the world (smiles).

Long Shot is your new track. What can you say about the track’s creation and story?

Well. It’s a groove-laden slow-jam! The song was inspired by the love of chance encounters. Meeting someone for the first time; not really knowing if you’ll meet again but finding joy in the simple moments.

What was it like shooting the video in Càdiz? Why choose that location?

Cadiz is, by far, one of the most beautiful cities on the planet. We had the pleasure of staying in the old town which is drenched in history and culture. Once I’d established the idea of shooting a couple longboarding, I began the hunt to find the guys that would fit the image I had in mind. I had visions of a Californian sunset. I really wanted that lazy, chilled vibe. That's when I found Chano online and I took the gamble to reach out to him. It turned out to be one of the best things I’ve ever done!

Being born and raised in Cadiz, Chano knew every sweet spot in a fifty-mile radius and the moment I pitched the idea he was so on-board with the vision. My aim was to use longboarding as a form of expression; allowing a sense of freedom and chemistry between two people who clearly care for each other and the wild life around them.

Is there going to be more material coming next year? Are you working on more new stuff?

Yes! I’m spending the winter finishing of a load of new material for 2019 and trying to collab with as many new people as possible! But, Long Shot will be the first track from the three-song E.P., Emanate, with the last song due for release in November. 

Who do you rank as music idols and inspirations? Did you grow up around a lot of music?

Man; that’s always a tricky one. My early inspirations came from a lot of my dad’s collection. From Paul Simon, The Band…you know, basically anything in the ’70s that was made with real blood, sweat and tears! My family aren’t really musical but they appreciate a good tune! Right now, though, I’m a huge fan of so many great artists coming out of Canada and North America. I think it’s their relationship with the outdoors that I love - artists like Leif Vollebekk, Bahamas and Half Moon Run.

How did music arrive to you? When did you notice you had a talent for writing/performing?

Well. I’ve always been around music but I guess it really became an apparent during high-school. Playing with your best mates really loud out of a garage or shed; that's when I think most kids realise it's the best thing in the world! It was during that time I starting having a crack at songwriting and it just grew from there really.

What do you hope to achieve by the end of 2018?

Well. We’ll have a new E.P. out, we would have headlined another hometown show and I’ll be doing a few more stripped-back performances leading into Christmas.

Have you got a favourite memory from your time in music so far – the one that sticks in the mind?

This recent trip to shoot Long Shot, which I guess is a bit of a bi-product of the music but Chano had taken us out to this secluded beach for a wild camp out. I remember just sitting there, looking out towards the glistening lights of Morocco from across the water just thinking: ‘Wow. Music sure does take you to some places’. Then, we sat around singing songs in dodgy Spanish accents all night. It was a real ‘pinch me’ kinda night.

Which album means the most to you would you say (and why)?

Twin Solitude - Leif Vollebekk

I just think he’s the most underrated songwriter of our time. He has such a unique way of marrying music to words.

If you could support any musician alive today, and choose your own rider, what would that entail?

It’d probably still choose Bon Iver. I’d just love to be able to see that show every night and get a sneak peek into all that juicy equipment!

 What advice would you give to new artists coming through?

Urrm…just be honest with yourself, I guess. Don’t rush things and learn to make social media work for you. Don’t allow it to turn you into something you aren’t. Hopefully, then, that’ll attract the kind of fanbase you want to spend time with.

Do you have tour dates coming up? Where can we catch you play?

To celebrate the release of Long Shot, we’re playing a home show at The Cuban Embassy in Moseley, Birmingham on 11th October. After that, it’s back to the studio before we announce another U.K. tour in Feb.

 IN THIS PHOTO: John Craigie

Are there any new artists you recommend we check out?

John Craigie (check out his song, I Am California)

Do you get much time to chill away from music? How do you unwind?

Not so much at the moment, but I do love to get away when I can. Surfing has always been a big love of mine, just because it forces you to be in the moment which can be so hard to do these days.

Finally, and for being a good sport; you can choose a song and I’ll play it here (not any of your music - I will do that).

Blake Mills - Women Know

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Follow Alex Lleo

Official:

http://alexlleo.com/

Twitter:

https://twitter.com/alexlleomusic

Facebook:

https://www.facebook.com/alexlleomusic/

Instagram:

https://www.instagram.com/alexlleo/

YouTube:

https://www.youtube.com/channel/UCVgCxpyuNdPGlWsFsUeSsJg

Spotify:

https://open.spotify.com/artist/6TlDdiCdFHSD3BAA7xKoFN 

INTERVIEW: Ramona Rose

INTERVIEW:

Ramona Rose

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I have been finding out more about Ramona Rose…

as her new single, High Water, is out. She talks about how the track came together and whether there is more material coming along. The songwriter discusses how she got into music and which albums are most important to her.

Ramona Rose looks ahead  to gigs and tells me what it feels like being on stage; which rising, Leeds-based artists we should get involved with; if she has time to chill away from music – she selects a recent song to end the interview with.

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Hi, Ramona Rose. How are you? How has your week been?

Hello! I’m very well, thanks. Hope you are too! My week has been pretty busy gearing up for the single release - I’ve been up to my eyeballs in admin most days, but I’m feeling good!

For those new to your music; can you introduce yourself, please?

I’m Ramona Rose. I’m a singer/songwriter based in Leeds (but originally from Oxfordshire) and I make Folk-Rock music. I’ve been gigging across the North for around five years, touring and writing as much as I possibly can! I‘m a solo artist, gigging with just a loop pedal and my guitar. I’ve just finished my third U.K. tour and I’ve just released my brand new single!

High Water is your new track. What can you reveal regarding its influence and story?

High Water is, essentially, a song about not letting the world get you down. When I wrote this record, I had just graduated from university and suddenly found myself out in the big wide world with absolutely no idea what I was doing with my life; generally feeling pretty lost.

It took me to quite a strange and confusing place but it was from that experience that I felt really compelled to write a song that fought back against the negativity of it all. It’s quite a defiant ‘don’t give up’ kind of message, but positive nonetheless.

It is an energised and catchy track. Was it quite an easy and quick track to put together?!

It literally took one day! It was the easiest record I’ve ever worked on in the sense that everything about it felt right. Myself and my friend Mak, who used to play bass in my band, headed over to Greenmount Studios in Leeds, where we got to work with the wonderful Lee Smith and Jamie Lockhart. I only brought a rough demo into the session but had a really clear idea of how I wanted it to sound - and the guys were so great with letting me explore that.

By the end of the day, we had what is, essentially, the track you have now. I’d never worked on a record that way before, but it was brilliant - it really just forces you to make instinctive decisions and go with your gut on what works and what doesn’t. 

 Might there be an E.P. or album next year? How far ahead are you looking?

Well...there are definitely plans for an E.P. in the works. I’m so happy with where the sound is right now and I can’t wait to keep making more music. Next year is, hopefully, going to be a productive one!

Do you recall when you got into music? Which artists did you grow up around?

I’ve been into music since I was super-little. My family had a huge vinyl collection and I was utterly obsessed with guitars as a kid, so it was there from the start really. I grew up listening to a huge range of artists; everything from Carly Simon to The Who to Shania Twain which has, ultimately, really informed the way I think about music today. I tend to draw on a lot of different influences when I write and so having that initial exposure to so many styles had a huge impact. 

What do you hope to achieve by the end of 2018?

My big priority is to keep writing and recording, so definitely to start working on the next release! I’ve also been working hard on the music video for High Water - which will be making an appearance before the year is out.

Have you got a favourite memory from your time in music so far – the one that sticks in the mind?

So far, the biggest highlight has been playing at O2 Academy Sheffield, where I had the joy of supporting CoCo and the Butterfields. The crowd were wonderful; a load of my friends were there and it was just a wonderful night. It was one of those gigs where you can’t quite believe you’re there.

Which three albums mean the most to you would you say (and why)?

Ooh; that’s tough! I’d have to say Rumours by Fleetwood Mac first and foremost

I learned an awful lot about good songwriting from this record and some of my all-time favourite songs are on there.

Another would have to be Eye to the Telescope by KT Tunstall

Because it was the first album I ever owned on C.D. As a kid, I would have the disc permanently in my little Walkman playing on a loop. I still revisit it to this day. I just think they’re beautifully-written songs.

And, finally, I Love You, Honeybear by Father John Misty

Pure lyrical genius just dripping with satire and cynicism. Before listening to this album, I’d never heard songs written in that way, and it really had an effect on me.  

If you could support any musician alive today, and choose your own rider, what would that entail?

Back in 2014, I formally added ‘support Jack White’ to the bucket list. His live show is outrageously good and his music has inspired me so much over the years. So, I’m formally putting that one out into the universe! 

As for a rider…I’m a pretty low-maintenance gal. I’d say WiFi, a phone charger and Yorkshire Tea. Rock on.

Might we see some tour dates coming up? Where might we be able to catch you play?

I’ve got plans in the works for an early 2019 tour - so keep an eye out for that - but I also have a few stand-alone shows on the horizon! My next few shows are: 

27/09 - York’s Little Festival of Live Music 

28/10 - Sofar Sounds, London

20/11 - Blues Bar, Harrogate 

Is the stage the most important place for you? How does it feel being up there?

I think the stage is the place that challenges me the most, but in the best possible way. When you play live, you’ve got so much adrenaline racing through your body that it almost feels like a fight-or-flight situation.

So, when I’m up there, I can easily feel like the most confident version of myself or the most vulnerable. It’s two sides of the same coin but that’s what makes the entire experience so exciting. I always write my songs with the number one intention of playing them live; there’s just nothing like it. 

What advice would you give to new artists coming through?

Do what feels right, make your own decisions; protect your self-esteem and never give up. 

 IN THIS PHOTO: Huw Eddy & The Carnival/PHOTO CREDIT: Ryan Lee Turton

Are there any new artists you recommend we check out?

Absolutely! Check out Huw Eddy & The Carnival, Ben Bickley and AGI. All brilliant musicians emerging from the Leeds music scene (where I’m based). They’re just a few of many great artists smashing it right now so I highly recommend checking them out.

 IN THIS PHOTO: AGI

Do you get much time to chill away from music? How do you unwind?

I try and take time out whenever I can - I’m a great believer that you can have too much of a good thing and sometimes the only way to fuel your love for something is by stepping away from it. So, I read a lot; I watch Netflix, I attempt to go the gym and I occasionally try my hand at baking (although that can sometimes stress me out in equal measure!)

Finally, and for being a good sport; you can choose a song and I’ll play it here (not any of your music - I will do that).

Thanks for having me! I recommend a song called Psycho by Lauren Aquilina. I’ve had it on-repeat ever since its release a few weeks ago and I’m obsessed with it!

___________

Follow Ramona Rose

Twitter:

https://twitter.com/ramonaroseuk

Facebook:

https://www.facebook.com/ramonaroseuk

SoundCloud:

https://soundcloud.com/ramonaroseuk

Instagram:

https://www.instagram.com/ramonaroseuk/

YouTube:

https://www.youtube.com/channel/UCvMhqKlyYCAzLrKyUD1Xikw/featured

Spotify:

https://open.spotify.com/artist/7xhbftWwlg8xYXvhOoOqCM

INTERVIEW: Harry Heart

INTERVIEW:

Harry Heart

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THE brilliant Harry Heart…

has been discussing his new E.P., First Endorphin, and the themes that inspired it. The Walthamstow-born artist talks about his move to Sydney and the differences in terms of music; what sort of sounds he is inspired by – Heart recommends some artists to follow.

I ask whether there are any gigs coming up; which albums are most important to him; how the songwriter spends his time away from music – he ends the interview by selecting a great tune.

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Hi, Harry. How are you? How has your week been?

I just wrapped up a game of Frisbee and I've got a cup of tea and a Jamie xx playlist on the go; so the week's going pretty well, thank you.

For those new to your music; can you introduce yourself, please?

My name's Harry Heart. I'm a musician from Walthamstow and I live in Sydney, Australia. I write Alternative-Rock songs and acoustic songs; sometimes performing by myself and sometimes with my wonderful five-piece band, affectionately known as The Harry Heart Chrysalis.

First Endorphin is new. Are there particular themes and ideas that inspired the E.P.?

If I really look for a common thread in the songs, they all seem to be getting at the idea of self-betterment. Some are about bitterness, some about frustration…but the idea of writing those songs is to look at what's going on in your life from the third-person perspective and try and rectify it. First Endorphin really means the first time I truly welcomed happiness.

You were born in Walthamstow but are based in Sydney. How did you come to end up there? Is Sydney the Walthamstow of Australia?

My family moved out to Australia some years ago. we were lucky to have the chance to try life on the other side of the world. Sydney's definitely not the Walthamstow of Australia but, interestingly, 'the chav' has just arrived in Australia in 2018, TNs and everything.

What are the main differences in terms of music and vibes? Are there good local artists around?

Australia's very driven by Garage/Surf-Rock, Indie-Pop and Electronic music at the moment. I think the U.K. still pays more attention to innovation rather than styles and genres; Bakar comes to mind. My favourite AU artists at the moment would have to be Jaala and Mildlife. 

In terms of music; who do you count as idols and influences?

My big ones would have to be Jack White, Youth Group; Fionn Regan and Kanye West. I love artists that aren't scared to try something new with each record. Or, maybe they are scared but they don't let that stop them from putting it out.

What do you hope to achieve by the end of 2018?

Two Australian tours finished, one showcase at Australian Music Week; a U.K. tour up our sleeves, one E.P. finally released and the next record ready to go for 2019. Love a plan.

Have you got a favourite memory from your time in music so far – the one that sticks in the mind?

I remember very clearly playing a show in a place called Townsville on the northeast coast of Australia in the band Arcade Made when we were about fifteen-years-old. The sheer terror of playing a real show that wasn't a house-party was electrifying. It was an introduction to a career as a musician and I bloody loved it.

Which three albums mean the most to you would you say (and why)?

Gorillaz - Demon Days 

This is a big one for me. It's so diverse and engaging; a very progressive album with immaculate production.

Interpol - Antics 

This album has a set style, lots of reoccurring guitar tones and songs in the same key - and the result is that the slight differences between songs feel enormous. Incredible imaginative lyrics from start to finish too.

Fionn Regan - The End of History 

This album taught me how to write lyrics and avoid being lazy in writing music. It's so emotive and original. I wish there were more acoustic records of this calibre.

If you could support any musician alive today, and choose your own rider, what would that entail?

I'd support Townes Van Zandt. Any rider's a good rider.

Might we see some tour dates coming up? Where might we be able to catch you play?

I'm touring Australia in September by myself; then again in October with the band. Tour dates at https://www.harryheart.com/. Stay tuned for U.K. dates in early-2019; it's well overdue.

What advice would you give to new artists coming through?

Get a good team around you; don't limit your creativity and make sure you're excited by what you’re doing.

 IN THIS PHOTO: Mildlife

Are there any new artists you recommend we check out?

Bakar, Mildlife; Julian Wa, Kojaque; Emma Louise…that's a start.

 IN THIS PHOTO: Kojaque/PHOTO CREDIT: George Voronov

Do you get much time to chill away from music? How do you unwind?

Studios are pretty nocturnal places so I get outdoors as often as possible. Love a good swim at the beach, a nice coffee; a book, a chinwag - all the good stuff.

Finally, and for being a good sport; you can choose a song and I’ll play it here (not any of your music - I will do that).

Erykah Badu – I’ll Call U Back

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Follow Harry Heart

Official:

https://www.harryheart.com/

Twitter:

https://twitter.com/harryheartau

Facebook:

https://www.facebook.com/harryheartau/

SoundCloud:

https://soundcloud.com/theharryheartchrysalis

Instagram:

https://www.instagram.com/harryheartau/

YouTube:

https://www.youtube.com/user/AUHarryHeart

Bandcamp:

https://harryheartau.bandcamp.com/

INTERVIEW: JDA

INTERVIEW:

JDA

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WITH her single, Sublime, hot off of the press…

I have been speaking with JDA about its story and how she will follow it up. The songwriter discusses her D.I.Y. approach to music and whether she is more inspired by sounds of the past or what is happening in music right now.

I was keen to know whether there were albums important to her; which rising musicians we need to throw some love towards; whether there are tour dates coming up – JDA tells me how she unwinds away from music.

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Hi, JDA. How are you? How has your week been?

Hey. I’m great, thanks! How are you? It’s been a busy week! I enjoy being busy so can’t complain.

For those new to your music; can you introduce yourself, please?

Of course! I’m JDA; a London-based producer; singer-songwriter. I would describe my music as dark, ambient Trip-Hop – although, I always struggle what to describe it as. Haha. 

Sublime is your latest track. What is the story behind the song?

It’s about being with someone knowing full well you’re not the only one. But you can’t walk away for whatever reason.

Do you think there might be more music coming next year?

There will, 100%, be more music coming next year! Hopefully a bigger project for 2019.

You are a D.I.Y. artist who takes care of everything. Do you think it is important to have control of all your creative processes?

Personally, I like to have control over my music. It can be hard to translate what you hear in your head or your vision for your music, so being a D.I.Y. artist makes that process a lot easier.

In terms of music; who do you count as idols and influences? 

I look up to artists who aren’t afraid of making music they love: James Blake, Tyler, the Creator; Sabrina Claudio. In terms of influences, I grew up around a lot of old Soul and Disco: Stevie Wonder, Otis Redding; George Benson etc. They have defiantly shaped the music I make and listen to today

Do you tend to get inspired by modern artists and what is happening in music now?

I really do. I take a lot of time to listen to new music. As important as it is to stick to what comes most natural to you, I always find it pivotal to listen to modern music and the new trends that follow. I’m always listening to new tracks buzzing to get home and make my own stuff.

What do you hope to achieve by the end of 2018?

As it’s my first year of releasing music, I want to leave 2018 having built some exposure, found new listeners; got some radioplay and to have set myself up for more opportunities.

Have you got a favourite memory from your time in music so far – the one that sticks in the mind?

My favourite memory so far was hearing my song on the radio for the first time. My first single was played on Reprezent radio and I will never forget that feeling.

Which three albums mean the most to you would you say (and why)? 

Ahh...that’s such a hard question. I have so many albums, old and new, that I listen to on-repeat. But, I would have to say…

Overgrown - James Blake

This album is STUNNING! I feel like Blake really mastered his sound; his vocals matched the incredible production and there isn’t one song on this album I would skip.

Yeezus - Kanye West

I am a big Kanye fan. This came out when I first started producing so I just remember being stunned at the sound he had created. I also watched the listening party from Madison Square in the cinema so this album holds a lot of sentimental value as well.

Voodoo - D’Angleo

I have always loved this album from the first moment my friend played it to me. D’Angelo forever creates such a groovy, soulful vibe. This album has some real classics throughout and it shaped a lot of what I listened to in the early-2000s.

If you could support any musician alive today, and choose your own rider, what would that entail?

H.E.R! I went to see her live and was BLOWN away; singing at the top of my lungs in the audience. I love the intimate atmosphere she creates. I think we would be a good match. 

My rider would be…erm…defiantly some snacks; Chilli Heatwave Doritos with some dips. Some G&Ts for after cause I cannot drink and sing for the life of me. That’s probably it to be honest.

Might we see some tour dates coming up? Where might we be able to catch you play?

No live dates, yet. Hopefully, I will have a few before the end of the year so keep your eyes on my socials for updates. However, I am going into the BBC Introducing South live lounge on the 26th Sept., so tune in to that!

What advice would you give to new artists coming through?

No one does you better than you, so stick to it.

 IN THIS PHOTO: ARUN

Are there any new artists you recommend we check out?

Yes! ARUN. A mega-talented all-rounder. His E.P., Dark Honey, is about to drop and I cannot contain my excitement!

Veda Black. This girl’s single has been one of my most-played songs of 2018. She only has big things waiting for her.

 IN THIS PHOTO: Veda Black/PHOTO CREDIT: Chiara//Nomorning

Do you get much time to chill away from music? How do you unwind?

Juggling music and a full-time job is hard, so I don’t have much time to relax. When I do, it’s always with friends, my boyfriend or my family. I like to work out, hang out; eat and watch some trash T.V. on Netflix.

Finally, and for being a good sport; you can choose a song and I’ll play it here (not any of your music - I will do that).

Sabrina Claudio - Stand Still. I have this on-repeat A LOT! 

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Follow JDA

Twitter:

https://twitter.com/jdaofficial

Facebook:

https://www.facebook.com/JDAMUSICOFFICIAL/

SoundCloud:

https://soundcloud.com/j-d-aa

Instagram:

https://www.instagram.com/jda_official_/

INTERVIEW: Kelsey of Blak Emoji

INTERVIEW:

PHOTO CREDIT: Kevin Condon

Kelsey of Blak Emoji

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THE awesome Kelsey from Blak Emoji…

PHOTO CREDIT: Kevin Condon

has been telling me about the band’s new single, Lust Above Love, and whether more material is coming next year. He tells me how the band got together and what sort of music he is guided by – Kelsey recommends a few rising artists that are worth some time and energy.

Kesley reveals Blak Emoji tour plans and which one album means the most to him; if he gets time to chill away from music; how important New York is to him regarding sound and direction – he ends the interview by selecting a great track.

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Hi, Kelsey. How are you? How has your week been?

What up, Sam? Good but crazy-busy!

For those new to your music; can you introduce yourselves, please?

Sure. We’re from N.Y.C. Blak Emoji is a band and/or myself (laughs) - kind of like a Trent Reznor N.I.N. thing. Been around a few years; first single dropped in 2016 and our debut E.P. called INTRO came out last year. Our sound falls in the genres of Electro-Pop, Alt-Pop-Rock and R&B. Someone once called us ‘Blacktronica’ which I thought was pretty awesome.

Lust Love Above is your latest single. Is there a story behind the song?

The groove came about when I was creating ideas on my laptop via GaragBand. I thought the beat sounded kind of sexy; had a cool minimalist vibe. So, the lyrics naturally had to fit that style. It’s just a song about wanting to please your lover; an ode to connection.

How did Blak Emoji start life? When did the band get together?

I previously fronted a Heavy-Rock band for years in N.Y. and was just growing tired of it. Lot of ups and downs. Mentally and sonically, I felt stifled; like I put myself in a straitjacket. So, I decided to end it but, while that was happening, I was spending studio time alone making these Dance songs and more Dance-Rock stuff just for the sake of doing it - wasn’t planning on starting a new band or releasing anything. I just wanted to make music in a different light without pressure. This was around the end of 2015. A few songs took shape and it was like: ‘I think I have a new project’. Early-2016 it went public with our first single, Sapiosexual.

After that, I was really missing playing live so I started a new group. I saw Max play drums at a local downtown club and was immediately hooked! I knew Sylvana in a roundabout way via musicians in the scene. We met and played one time and it was just the perfect connection. Max recommended Bryan after we had a few bass players and he fit like a glove after one rehearsal.

PHOTO CREDIT: Nicole Brody

Do you feel there will be more material next year?

Definitely! We have a new album called KUMI that’s recorded and finished. We’re actually doing a little sneak preview of it for our N.Y.C. fans and core followers this weekend but releasing it officially on major music platforms - Apple, Spotify and all that - early next year. 

In terms of musical inspiration; what sort of music were you raised on?

I was raised on so many styles which shaped my whole musical being. Lots of classic R&B, Funk and Soul in the family. My brother got me into a lot of Rock, Alternative and Jazz while my sister introduced me to quite a bit of Pop. After that, it was Punk, Metal; Hip-Hop, Electronic; Minimalist Classical…anything that moved me. I’m a true fan and always will be. I believe that’s the key to being a well versatile musician. And it’s fun.

New York is where you are based. How important is the city regarding your passion and work?

New York slowly became a backdrop and/or inspiration to quite a bit of my songs after moving here. Almost like a (Martin) Scorsese or Spike Lee film where it’s always lingering in the vibe of their work. It’s inspiring, the good times and bad times here.

PHOTO CREDIT: Kevin Condon

What do you hope to achieve by the end of 2018?

We’re releasing a few more singles from KUMI so I hope people enjoy them and they get the recognition. I also want to continue producing other artists as much as possible for their projects before the year closes. Doing a few remixes here and there too.  

Have you got a favourite memory from your time in music so far – the one that sticks in the mind?

Hmm. I remember being in Tel Aviv early-2017 and watching the impact of the band grow online out of nowhere from a few positive write-ups. It was interesting watching far away from the outside looking in for a change. In less than a week, I was back in N.Y.C. playing to this huge audience at Irving Plaza for our E.P. release. I have so many memories watching bands that inspired me play that venue. So, to celebrate the release of our first E.P., there was a beautiful moment. Definitely a fun memory.

Which one album means the most to you would you say (and why)?

Aw, man, that’s a tough one. Off the dome, I’d say Prince’s Sign o’ the Times because it’s so all over the place yet focused at the same time. It’s just the most enjoyable Avant-Pop trip you can take. To this day, I’m blown away by the songs on that album and how influential it is to myself and artists I highly respect. The lyrics, the songs; the Funk, the Rock; the Avant tracks like Dorothy Parker. Pop genius.

It goes back and forth with Purple Rain for me depending on the year.

PHOTO CREDIT: Nicole Brody

If you could support any musician alive today, and choose your own rider, what would that entail?

Nine Inch Nails! I wouldn’t even care about the rider so much…  

Might we see some tour dates coming up? Where might we be able to catch you play?

Early next year, yes, in March. We’ll be doing a few sporadic N.Y.C. and regional dates until then.

What advice would you give to new artists coming through?

Keep moving forward, even if you start to feel comfortable or complacent. And trust your instinct as much as possible.

 IN THIS PHOTO: Whitney Tai

Are there any new artists you recommend we check out?

Yes. There’s a pop artist in L.A.; singer/songwriter Whitney Tai who is the real deal! We collaborate together with a project called BlakTai too but definitely check her music out. There’s also a Metal band with serious low-end from Brooklyn called Netherlands. They’re amazeballs! Ho99o9 are this Electro-Punk trio from Jersey. Live, they’re incredible; crazy energy. Oh, yeah, and Karolina Rose; an Electro-Pop artist in N.Y.C. is about to release a new E.P. I dig her stuff. Max and Bryan play with her live sometimes too.

 IN THIS PHOTO: Karolina Rose

Do you all get much time to chill away from music? How do you unwind?

YouTube rabbit holes; Netflix, dancing; hanging with my daughter...few of my favorite things. I like sleep, too.

Finally, and for being a good sport; you can choose a song and I’ll play it here (not any of your music - I will do that).

Low’s Disarray from Double Negative is playing in my headphones now

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Follow Blak Emoji

PHOTO CREDIT: Kevin Condon

Official:

http://www.blakemoji.com/

Twitter:

https://twitter.com/BlakEmoji

Facebook:

https://www.facebook.com/blakemoji/

SoundCloud:

https://soundcloud.com/blakemoji

YouTube:

https://www.youtube.com/channel/UCxyQJsgMrdWupF7tXJ2puGA

Instagram:

https://www.instagram.com/blak.emoji/

INTERVIEW: James Cramer

INTERVIEW:

James Cramer

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I have been chatting with James Cramer….

about his latest track, Let Me Do Good, and why he decided to shoot the video in Mexico City. I ask what sort of sounds inspires him and whether there is more material coming later this year – he recommends an upcoming artist to follow.

Cramer discusses his touring plans and what he hopes to achieve before the end of the year; what approaching musicians should remember; how he unwinds from music – he ends the interview by selecting a great song.

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Hi, James. How are you? How has your week been?

I'm sweet. I'm just back from Norway where I was writing and recording songs for my album. An inspiring place with very cool people. 

For those new to your music; can you introduce yourself, please?

My name is James Cramer. I'm a singer-songwriter from Dublin. 

Let Me Do Good is your debut single. What is the story behind the song?

Now, that would be telling! It's a mixture of a lot of things and people I observe up-close or from far away - and I lay it all out for people to make their own mind up on this one. I do not do this all the time but this song is a special one so I don't want to ruin it for you!

Was it cool shooting the video in Mexico City? Was there a reason for locating there?

Yes. It was very cool. The idea came about whilst myself and my manager were having coffee and we started coming up with places and scenes where we would love it to be set. The guys did a beautiful job. It's visually stunning and gives the audience a challenging contrast of the song. It's a cinematic piece so where better than Mexico City in all its glory would capture that. 

Is there going to be more material coming next year?

Yes. We will have another single out. We are going song-by-song at the moment. The album is nearly finished but I'm always writing and exploring musically. Sometimes it’s good, sometimes it doesn't work out…but it's all part of the ride. 

Who do you rank as music idols and inspirations? Did you grow up around a lot of music?

Roy Orbison, Van Morrison; Bob Dylan and John Lee Hooker.

Not really. There would be parties and people would have sing-songs but nobody I knew was playing any instruments never mind writing their own songs. I would of secretly felt very out of touch with everyone who I knew and grew up with.  

Looking back; was there a single moment you knew you had to follow music and do it as a career?

School never worked out for me - I just couldn't settle in that environment. I thought I was a bit crazy as, in class, melodies, rhythms and lyrics would pop in to my head. I thought it was just me it happened to; then you meet a small minority of people and they have it too so you get that it's fine: you’re just a creative person and doing metalwork had no appeal whatsoever! 

What do you hope to achieve by the end of 2018?

To finish my solo debut album and get it ready to roll for release in 2019.

Have you got a favourite memory from your time in music so far – the one that sticks in the mind?

There's been a lot. I've been so lucky to have travelled the world because of my songs: no other reason would I have done that, so I'll say that. The music brings you to strange and beautiful places for sure!

Which album means the most to you would you say (and why)?

Mine would be Into the Music by Van Morrison (side-two particularly!).

If you could support any musician alive today, and choose your own rider, what would that entail?

The Rolling Stones; why not. I reckon I could give 1970s-Stones a good run for their money!

What advice would you give to new artists coming through?

If it's in you, you'll know. Follow it; work at it. You will struggle with it but you just keep going. If you quit then it wasn't in you from the start. Find some people who believe in you and who can give you honesty on your work. Go for it and make no apologies in doing so. 

Do you have tour dates coming up? Where can we catch you play?

I'm off to Belgium next month. We headline Rusilelde Festival on October 19th and Dranouter on 20th. 

 IN THIS PHOTO: Gráinne Hunt

Are there any new artists you recommend we check out?

She's not new - but we are always new to someone. An Irish singer songwriter, Gráinne Hunt, is a great vocalist and songwriter who works hard. Check out her debut E.P., Firing Pin. 

Do you get much time to chill away from music? How do you unwind?

Yes, I do, but it's hard to really switch off at a dinner or a party so I like to go boxing and train hard and to go to art galleries. My mind is gone in those places. 

Finally, and for being a good sport; you can choose a song and I’ll play it here (not any of your music - I will do that).

Van Morrison & John Lee Hooker - I Cover the Waterfront

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Follow James Cramer

Official:

http://www.jamescramer.eu/

Twitter:

https://twitter.com/jamescramerIRL

Facebook:

https://www.facebook.com/jamescramermusic/

SoundCloud:

https://soundcloud.com/jamescramermusic

YouTube:

https://www.youtube.com/channel/UC8rr4xMVm1gPW-PyRr8w49w

INTERVIEW: Franko Fraize

INTERVIEW:

Franko Fraize

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THE multi-talented Franko Fraize….

has been discussing his upcoming (out on 12th October) E.P., Lights and Colour, and what sort of themes inspired the work. I ask how it feels knowing his music has hit the minds of the public and some big names; which artists he is compelled by – he recommends some rising acts to watch.

Franko Fraize tells me about his tour plans and the albums that are most important to him; how his work has evolved since the start; what advice he would give to artists coming through – he ends the interview by selecting a great track.

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Hi, Franko. How are you? How has your week been?

Good as gold. This week’s been the same as most weeks: proper hectic. No complaints, though. If you ain’t busy you ain’t working hard enough

For those new to your music; can you introduce yourself, please?

My name is Franko Fraize. I’m a rapper from Thetford town. I write raps about the life I see - so it’s all got that socially-conscious-type aspect to it.

 

Lights and Colour is your upcoming E.P. What sort of personal themes and stories inspired the music?

I wanted to put together a body of work that stands the test of time. It’s five-tracks-deep and touches on life aspects such as believing in yourself, relationships; persevering, working hard etc. Musically, it touches on Rap through to Drum ‘n’ Bass. Basically, if you’re a fan of U.K. music you should find something in it.

1Xtra’s DJ Mistajam has backed your music! What is it like having someone like him in your corner?!

That made my day! Things like that are obviously a really good thing for my career but it’s also nice to know you get the backing of people in these positions. It’s nice to know they have heard me and sort of certify what I’m doing. The same with when Wiley tweeted about me. To hear one of your idols give a seal of approval is a big thing.

It seems your music has hit a chord and got into the heart of the public. Looking back at this year so far; did you think it would resonate as hard and instantly?!

To be honest, I made music to resonate and hit home with my hometown - with the people that live the life I live. When it got the praise and respect from them I was over the moon. To then get the ears, attention and praise and respect from the industry it really was the icing on the cake for me.

How do you think you have evolved and grown as an artist since the very start? 

Yes, definitely, but I’d say the core thing of what I’m doing has stayed exactly the same. I grew up being attracted to Rap that had a meaning and that was relatable to me. I always like music that meant something. I’ve always tried to keep this at the core of what I do. Musically, I’ve always tried to rap over anything I enjoy the sound of, so I’ve never really stuck to just one genre. I’d definitely say Rap is the key thing running through it all though.

You are a Norfolk native. Is there an active music scene there? Are there some great artists coming from there?

Yes. There’s definitely a decent scene round here. Drum ‘n’ Bass has always been massive. As for Rap; we have Brotherhood up the road in Ipswich who are massive in the Grime scene. An artist called TLEEVZ was banging it hard for Norwich back in the Channel U era. Mullaly is big in the Soul/Pop world and he’s from Norfolk.

Piers James is a massive Rap talent from Ipswich. As far as the future goes; Maya Law is a massive prospect from Norwich. Oh, and my mate Tone is doing big things too and he’s from my hometown of Thetford.

Who are the artists that inspire you and led you to get into songwriting?

Skinnyman, Macklemore; Wiley, The Streets; Nas and Mac Miller – all these people have influenced me in a way to write Rap music with relatable content. I’ve always followed the U.K. scene very closely and felt all U.K. genres influenced me in terms of the culture. Seeing Drum ‘n’ Bass, Dubstep; Grime, U.K. Rap; they have all been a reflection of what was going on culturally at the time.

What do you hope to achieve by the end of 2018?

I hope the E.P. is well-received. My Spotify numbers continue to grow and I see more and more people coming out live to see me rap. The live element is a big one for me. I love performing live so I’m hoping to continue selling more and more tickets and increasing the venue sizes I play.

Have you got a favourite memory from your time in music – the one that sticks in the mind?

Meeting Mike Skinner…

Which three albums mean the most to you would you say (and why)?

Skinnyman – Council Estate of Mind

This was the blueprint for me.

Dizzee Rascal – Boy in da Corner

This was the first time I heard Rap sounding 100% English

Nas – Illmatic

As an album, it’s nothing short of a masterpiece.

If you could support any musician alive today, and choose your own rider, what would that entail?

I’d probably say Macklemore and the rider would be Malbec and gin and tonic.

Can we see you on tour soon? What dates are coming up?

Yes. Got a few dates ahead of me as it goes. Going out supporting Skinnyman, too, which I’m proper-proud of. The shows we have done so far have been mad.

What advice would you give to new artists coming through?

Don’t expect anything: take everything as a blessing. Show love and appreciation to everyone who shows love. Do you. Make music that’s true to you and don’t let anyone sway your direction. Love what you do and only do it if it makes you happy.

 IN THIS PHOTO: Maya Law/PHOTO CREDIT: @mayalxw

Are there any new artists you recommend we check out?

Maya Law, Snowy Danger; Octavian, Dizzle Ap and Jevon.

 IN THIS PHOTO: Octavian

Do you get much time to chill away from music? How do you unwind?

Yeah, plenty. Music, to me, doesn’t really have a certain space or time. It’s a constant thing. Aside from it, I’m enjoying life; got a pukka family. I’m out there trying to make a pound note like most people are.

Finally, and for being a good sport; you can choose a song and I’ll play it here (not any of your music - I will do that).

Mac Miller – 2009

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Follow Franko Fraize 

Twitter:

https://twitter.com/frankofraize

Facebook:

https://www.facebook.com/frankofraize/

Instagram:

https://www.instagram.com/frankofraize/

Spotify:

https://open.spotify.com/artist/23BefcfpV8aKMGIAkAzPo6

SoundCloud:

https://soundcloud.com/frankofraize

YouTube:

https://www.youtube.com/channel/UCSsI5FsPs7i3zujhNoCpJ5w

PHOTOS:

Lindsay Melbourne  

INTERVIEW: Charlene Soraia

INTERVIEW:

Charlene Soraia

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THANKS to Charlene Soraia for speaking with me….

about her new track, Where’s My Tribe, and the story behind it. I ask her why she recorded the song in her South London flat and what we can expect from her upcoming album – she reveals what sort of music she grew up around and is inspired by.

Soraia tells me about her gig plans and whether she gets time to chill away from music; the advice she would give to artists coming through right now; which albums are most important to her – she ends the interview by selecting a beautiful track.  

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Hi, Charlene. How are you? How has your week been?

I’m fine, thank you. My week has been about as good as my week could possibly be, thanks…yours?

For those new to your music; can you introduce yourself, please?

Sure thing. My name’s Charlene Soraia. I’m English, Italian and Pakistani and I’ve been playing guitar since I was five. I’m self-taught and I like to do weird, fiddly and intricate things on guitar whilst singing melodies with slight abstraction, weird inflections and poetry of the subconscious psyche...

Where’s My Tribe is your new single. Is there a story behind the song?

It comes from a place of longing to belong. Lost. Separate. I don’t intentionally set about writing the music I write - it’s just whatever my subconscious is trying to make sense of at the time. I suppose, musically, I don’t really fit into any scene. I’m not folky enough to be part of the Folk scene; I don’t sing with that Indie vocal sound so I don’t belong there either but I don’t mind. I create because it’s my way of expressing/expelling that which I can’t bring the surface or speak about with normal words!

Is it true you recorded the song alone in your South London flat? Was there a reason behind that?!

I was actually just recording demos for the new album but, when I finally sent them to my label, the head (of my label) said he absolutely loved them and literally mastered the recordings as they were and then pressed them onto vinyl a couple weeks later. It’s my most honest record yet and, for that alone, I love it. It’s raw, real; not over-produced and pretty much untampered.

Half the songs are literally me and a guitar. I’m in front of a microphone at silly o’clock in the morning in my old flat...I tried re-recording a few bits with an actual producer but it lost that bittersweet knife-edge between pain and beauty and I’d rather have all the mistakes and background noises that are ‘incorrect’ than sacrifice the honesty. Someone said they could hear the kids in the school playground behind where I lived on one song - but I haven’t found it yet!

I believe there is an album due next year. What can we expect in terms of the themes and song influences?

The concept of ‘separatism’ and not feeling like you belong is an explored theme, which is ironic considering we’ve never been so connected with each other via technology! It’s been amazing to find out that I’m not the only one that feels this division between us all. There’s one song called The Journey which I wrote and recorded myself when I was seventeen (literally ten years before recording this album) and it’s strange to have finally come full-circle and (accidentally) made an album on my own. Maybe it’s ironic that the song is also called The Journey!?

I realised, whilst making the lyric videos for this album, that I’ve been coming to terms with my human experience for a lot longer than I had realised. So many full circles. I wish I could explain more but, alas, this is neither the time nor place. I’ll save it for another song…

In terms of musicians; what sort of stuff are you into? Who were you raised on?

I was raised on David Bowie, Bob Marley; The Police, Bob Dylan and Fleetwood Mac. I love them all (Bowie is my Patronus. Hey Potter fans! I’m a Slytherpuff) but I love King Crimson; early Prog-Rock and '60s Psyche music. However, my music isn’t a pastiche of these things at all. As for more modern stuff, I adore Lhasa de Sela; Stina Nordenstam, Daft Punk and everything that The Coral and Unknown Mortal Orchestra have ever released.

What do you hope to achieve by the end of 2018?

Happiness…

Have you got a favourite memory from your time in music so far – the one that sticks in the mind?

Making my first album, Moonchild, with Paul Stacey was pretty magical. All vintage equipment - and he’s a sh*t-hot musical, guitarist and mastermind!. His brother Jeremy played drums on that record too (and a little on my second album) but he’s now drumming for King Crimson...which obviously makes me fan-girl!

Which three albums mean the most to you would you say (and why)?

David Bowie - Space Odyssey

I always come back to this album. Most of Bowie’s music transports me to other worlds. I wish Letter to Hermione was written about me. So stunning. David Bowie is my saviour.

King Crimson - In the Court of the Crimson King

I was almost going to say Discipline just to be different but how can I compare anything Moonchild and I Talk to the Wind to anything else? The album cover used to frighten the crap out of me as a child but I’ve often found that the things I find most scary end up being the things I love the most in life!

Lhasa de Sela - Lhasa

I believe this was her last album before she died - and I also believe she knew she was dying during this album too. It’s just pure beauty and pain; sadness, realness and honesty…and I love it. I discovered her last Glastonbury when I saw the Russian theatre group BlackSkyWhite perform Lhasa’s song De cara a la pared in their show Llorana in the Astrolabe tent in the Circus field last year and that’s what got me hooked...thank you BlackSkyWhite and 2CB!

But to be honest, the entire back catalogues of all three of these artists are incredible - and most of the artists I mention here!

If you could support any musician alive today, and choose your own rider, what would that entail?

Unknown Mortal Orchestra. Every time they release an album I can’t understand how I can love it more than their last one. I thought II was brilliant; then Multi-Love was pure genius. But, when Sex & Food came out I was travelling to Portugal and I felt like I was listening to a secret the world hadn’t clocked onto yet. I love them/him. Sonically, lyrically…everything. The colours they make; the musicianship. I love how they’ve developed over the years...yeah....I’ll shut up now!

As for a rider; red grapes, please (that’s not a euphemism for wine: I just really like red grapes!).

Can we see you tour soon? Where are you playing?

I’m opening for a guy called Benne in Germany in November! I’ll be in Leipzig, Hamburg; Hannover, Köln; München and Berlin. As for the U.K.; I have a few shows coming up in Plymouth, Calstock; Glastonbury and Totnes in October.

Do you get a particular thrill and buzz from performing live? Is the stage where you love being the most?!

I love being on tour. I feel most at home on tour. Having odd gigs here and there makes me really nervous, but I’m very good at travelling and long journeys and, yeah, I’d love to tour more. Please, universe, make it happen!!

What advice would you give to new artists coming through?

The word ‘artist’ is thrown around very loosely these days. Anyone can be an artist, a musician or a producer now - you only need a phone! The selfie generation can edit their own pictures and make H.D. videos with ease. They adopt Googled identities. They don’t need any advice. They’ve got filters and quotes they can retweet for the advice they wish others to believe of them.

I wish I could find self-acceptance with likes and the back-end stats of social media but I just don’t care for the facade of it all. I often tell myself the Internet isn’t a real place. I’d much rather spend my time looking at the stars whilst waiting for a new South Park season!

Are there any new artists you recommend we check out?

Errrrrm...oh, god…new artists...do Blossoms count? They’re new-ish. I found them thanks to The Coral. I’m rubbish with new music. I wish people cared about making entire albums again. I prefer listening to an entire body of work but, sadly, we live in a time where everything is very throwaway. I miss having meaning to things.

Do you get much time to chill away from music? How do you unwind?

I’m trying to unwind all the time. I like seeing nature. I like to be still with no noise so I can hear my thoughts. I like long journeys. I’ve been wandering wild and wide-eyed around lots of festivals this year (sadly, not playing them) but it’s nice just ‘to be’ sometimes. I had an incredible time tripping out to Shpongle in the Psychedelic Forest at Boomtown Chapter 11 on some of the best acid I’ve had in many years. The giant-luminous-jellyfish-tentacle-love flashbacks.

Finally, and for being a good sport; you can choose a song and I’ll play it here (not any of your music - I will do that).

Lhasa de Sela - I’m Going In

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Follow Charlene Soraia

Twitter:

https://twitter.com/CharleneSoraia

Facebook:

https://www.facebook.com/CharleneSoraia/

Instagram:

https://www.instagram.com/charlenesoraia/

Spotify:

https://open.spotify.com/artist/0qk8MxMzgnfFECvDO3cc0X

SoundCloud:

https://soundcloud.com/charlenesoraia

INTERVIEW: Scott Matthew

INTERVIEW:

Scott Matthew

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THE fantastic Scott Matthew talks to me about….

his upcoming Ode to Others Tour (three U.K. dates are announced: 20th November, 2018 (London) - The Islington (first night) (tickets); 21st November, 2018 (Liverpool) - Parr St. Studios (tickets); 22nd November, 2018 (London) - The Islington (second night) (tickets) and how he met the band he plays with – I ask whether his recent album, Ode to Others, feels like a rebirth given its shift in subject matter.

Matthew discusses his upcoming recording plans and life in New York; how he pines for a move to the U.K. soon; the advice he would give to artists emerging – the songwriter recommends some musicians worth keeping our eyes out for.

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Hi, Scott. How are you? How has your week been?

Hi there. I’m doing very well. Glad about the oncoming autumn after a horridly hot summer. Most of my week has been spent embroidering antique handkerchiefs that we sell as merch. on tour. Total granny time. I love it.

For those new to your music; can you introduce yourself, please?

Well, firstly my name is Scott MATTHEW...NOT Scott Matthews - who is a singer-songwriter from the U.K. (that one ‘s’ makes a big difference!). It’s been a little tricky over the years differentiating the both of us in the press etc.

My music is based mostly in the age-old genre of ballads. Though, some have reviewed it as ‘sad’; I prefer not to use that word. It may be melancholy at times but I have always found beauty in that. The aim is to always consider what is honest and beautiful.

Your Ode to Others Tour sees you travel around Europe. Which places are you most looking forward to visiting?

To be honest, I am most looking forward to being in the U.K. We have two shows in London and one in Liverpool. I am a massive Anglophile and truly love being there. I am staying on after the tour to go to Bath and neighbouring towns for a week. I can't wait.

How did you meet the band you play with? What is it like being on the stage with them?

I have a strong rule that I will only make music with friends. I have known and loved these people for many, many years. We all live around the globe: Sam being in London; Marisol who is now living in Mexico and Gary who lives in N.Y.C. (there is also Juergen who lives in Berlin, but sadly won't be joining us this upcoming tour (but he did produce the last album). It sounds like it may be difficult but we rehearse a few days before touring together and we are ready to go. That is how talented they all are.

Your Ode to Others album is already out. It does not focus on your own love splits and woe. Is that a relief? Does this album seem like a rebirth?!

It was a relief. After many songs and albums dealing with the subject matter of love and loss, I decided I was not so inspired to show that with this album. I was tired of it and I was also aware that my audience may be too. The songs on this album could still be called ‘love songs’ but there is not one that deals with romantic love. Instead, they are dedications to friends, family and places I love.

What comes next in terms of material? Are you already looking ahead to other songs?

Yes. The next album will be all covers. What they are yet I do not know but I loved making the last covers album called Unlearned and playing around with other people’s songs and finding a way to make them my own. It will be a similar process.

Give me a sense of the music you grew up around. Was it quite varied?

I mostly listened to English bands - The Smiths, The Cure; The Jam. Then, in the '90s, I was obsessed with Britpop like Suede and Gene. It seems that all through my adolescents and into adulthood I was into British culture. How I ended up living the last twenty years in N.Y.C. is strange but that may change. I would love to try to make the U.K. my home in the near-future.

Being based in New York; how important is the city’s history, present and people to how you write your own music?

When I first moved here in 1997, I found it very inspiring. There was a fun scene and loads of places to play. I started a band called Elva Snow and even recorded an E.P. with Morrissey's ex-drummer Spencer Cobrin for a while before going solo. The city was more free and easy then with great bands coming out of Brooklyn (more so than now). Also, I have grown older and have different needs. A house in the country is the new goal.

What do you hope to achieve by the end of 2018?

I will be content with how this year went having released an album and done two fairly big tours with it. There will be the reward of my favorite time of year in N.Y.C. which is Christmas. Having grown up in Australia, I still am in awe of the N.Y. Christmas akin to the movies we all know. It has such an air of romance here at that time.

Have you got a favourite memory from your time in music so far – the one that sticks in the mind?

There have been many but one highlight was in 2009 opening for Anohni (then she was Antony and the Johnsons) at the Montreux Jazz Festival. A beautiful evening where I think we all felt proud being part of it.

Which three albums mean the most to you would you say (and why)?

Do you mean of my albums or in general? My fave I made I think was the latest one, Ode to Others, because it felt fresh having written songs that had different subject matters than what I usually do. I love the arrangements that Juergen Stark worked on. It’s a fulfilling album to digest in my mind anyway.

Then, probably a close second would be the covers album, Unlearned, we made. I think the best-reviewed album was my second album called There Is an Ocean and I have fond memories of making that with my friends in Brooklyn - particularly my friend Mike, who produced it, who sadly has since passed away. Now, I hope you meant from my albums otherwise I just rambled on all self-obsessed. Ha ha.

If you could support any musician alive today, and choose your own rider, what would that entail?

I've had some great experiences opening for people over the years. I mentioned Anohni but also SIA in the U.K. and Cat Power in Italy. All people I am huge fans of. I guess, if I could choose now, I would be up for opening for any of them again.

As far as riders go; all we require is red wine. Simple.

What advice would you give to new artists coming through?

I think the best thing I did was to play out A LOT. I was doing shows all the time before I had the privilege of touring often. It's becoming increasingly hard to earn money through record sales and often touring is where musicians make a living. That and - even though it’s a cliché - be true to who you are as far as what kind of music you make.

 IN THIS PHOTO: Kawakawa (Sam Taylor)

Are there any new artists you recommend we check out?

I have some lovely friends who make music. Sam Taylor, who plays cello with me, has a beautiful musical project called Kawakawa. Also; my good friend in N.Y.C. plays under the name Clint Michigan and he writes lovely, honest songs.

 IN THIS PHOTO: Clint Michigan

Do you get much time to chill away from music? How do you unwind?

I embroider (kinda badly, but I enjoy it). I binge-watch T.V. and learn about history; shop for antiques. (I am a granny).

Finally, and for being a good sport; you can choose a song and I’ll play it here (not any of your music - I will do that).

Another friend of mine, Simone White, just released a song that I am in love with called Tiny Drop. I would love more people to hear it

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Follow Scott Matthew

Official:

http://scottmatthewmusic.com/

Facebook:

https://www.facebook.com/scottmatthewfriend

Instagram:

https://www.instagram.com/scottmatthewmusic/

YouTube:

https://www.youtube.com/channel/UCVvoAvWe40QDe74amIhSgHQ

Spotify:

https://open.spotify.com/artist/18Xy9oGF9CxiU9luAp3Dzu

SoundCloud:

https://soundcloud.com/scottmatthew

PHOTOS OF SCOTT MATTHEW:

Michael Mann 

INTERVIEW: The Herron Brothers

INTERVIEW:

The Herron Brothers

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I have been chatting with The Herron Brothers….

about their forthcoming album, The Last Ones Left, and what themes inspired the record. The guys talk about making music together and which artists they hold dear; whether they each have a favourite album – I ask if there are tour dates coming up.

Paul and Steven share their favourite memories from their careers so far; how they spend time away from music; which artist they’d support if they had the chance – they end the interview by each selecting a great tune.

__________

Hi, guys. How are you? How has your week been?

Paul: Busy busy busy: there aren't enough hours in the day to be promoting an album AND trying to dispute parking fines!

Steven: I had the worst hangover I’ve had in many years on Saturday - which meant I was able to watch all three Back to the Future films.

For those new to your music; can you introduce yourselves, please?

Paul: We're the Herron Brothers; originally from North Northumberland but currently in Derby. We make mature(ish) Pop music!

The Last Ones Left is your forthcoming album. What sort of themes compelled the songwriting?

Paul: I had to look at the running order to answer this (smiles). A lot of it is about struggle; whether that's from a health point of view, or career or social justice etc.…just about fighting to get where you need to be. If I had to pin-point one central underlying theme it would be that. Unless you ask me tomorrow and it might be different.

Do you have favourite cuts from the record?

Paul:  Michael Palin springs to mind.

Steven: Michael Palin and California are my faves. They bookend the album very nicely.

When did The Herron Brothers start life and begin playing together?

Paul: Our old band The Sons split about three years ago, so we just carried on after that but on and off, as we're brothers, we've been playing together since our gig at Alnwick Town Football Club back in the '90s!

Do you think there will be more material coming down the line?

Paul: We have plans for a Christmas single which we'll be working on/finishing off after the tour. It was one of the possible tracks for the album, which is going to make a lot more sense as a Chrimbo song! After that, we'd absolutely love to do another album that build upon this one. It really depends how successful this campaign has been as to the position that were in.

If I were to travel back to your childhoods; what sort of music would I find in your collections?

Paul: Paul Simon, The Beatles; Wet Wet Wet, Crowded House; De La Soul, Blur and Oasis.

Steven: The Bluetones, MC Hammer; Dire Straits and The Sultans of Ping FC.

What do you hope to achieve by the end of 2018?

Paul: For, 100%, of our living to be from making our own music. Too much of our lives are being wasted on boring pay-the-bill-scrap and we're 'effin sick of it.

Steven: What he said - and to be able to play The Claw by Jerry Reed all the way through.

Have you each got a favourite memory from your time in music so far – the one that sticks in the mind?

Paul: The Sons’ farewell gig is one. There was a lot of love in the room it was really emotional.

Steven: Supporting The Bluetones last year was very cool. The best bit wasn’t the gig itself though; it was watching them do Ain’t No Pleasing You by Chas & Dave in the soundcheck. Flippin’ brilliant!

Which one album means the most to each of you would you say (and why)?

Paul: Graceland - Paul Simon

It's why I started doing this.

Steven: One album?! You kidding?! I can think of about nine that are hugely important: Automatic for the People by R.E.M.; Definitely Maybe by Oasis; Love Over Gold and Brothers in Arms by Dire Straits; Spartacus by The Farm; Out of Time by R.E.M….But, for today, I’m gonna go for All the Best by Paul McCartney. It’s a compilation album that’s never been beaten in my opinion. I used to listen to it on-repeat whilst building cars out of Meccano.

If you could support any musician alive today, and choose your own rider, what would that entail?

Paul: Paul McCartney. Because the crowd would be huge. Rider-wise, I'm not bothered really. Just loads of access to nice warm water; maybe some nice fillets of fish - and a bottle of champagne and a decent medium rare steak burger for when we come off! (And some mouthwash...).

Steven: Wilco. Cos they’re awesome. The rider would consist of higher welfare meat, some nice bottles of IPA; Newcastle Brown Ale, champagne; oysters, Monster Munch; chilli pickled eggs (chickled eggs) and any local delicacies. In fact, pretty much anything that can be chucked at us. My favourite type of food is definitely free food.

Might we see some tour dates coming up? Where might we be able to catch you play?

Paul: Check it out…

Steven: Liverpool, Chesham; Tynemouth, Derby; London, Belper; Birmingham, Nottingham; Burton…everybody talk about, mmmmm, Pop music!

What advice would you give to new artists coming through?

Paul: Don't drink.

Steven: Drink lots of water, do vocal warm-ups; do them before every gig. If you want a long career, look after your voice.

Are there any new artists you recommend we check out?

Paul: Can't think of any…

Steven: The latest Gorillaz album is amazing, as is Gruff Rhys' latest. Oh, and the latest Django Django one is good as well. Yes, I know they’re not ‘new’ artists but that’s the best you’re gonna get from us! (Smiles).

 IN THIS IMAGE: Gorillaz

Do you get much time to chill away from music? How do you unwind?

Paul: I love swimming, walking and films; IPA and physics. I PROMISE I'm not as dull as I sound...

Steven: Gaming. It’s the best value for money of any entertainment medium. Currently playing Far Cry 5 and getting excited for Fallout 76 and Red Dead Redemption 2.

Finally, and for being good sports; you can each choose a song and I’ll play it here (not any of your music - I will do that).

Paul: Freiheit - Keeping the Dream Alive

Steven: The Phoenix Foundation – The Captain

TA!

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Follow The Herron Brothers

Official:

https://theherronbrothers.com/home

Facebook:

https://www.facebook.com/HerronBrothers/

Twitter:

https://twitter.com/Herronbrothers

Instagram:

https://www.instagram.com/theherronbrothers/

YouTube:

https://www.youtube.com/channel/UCSfCe-wXN1ecHn3l5HZWDgw

Bandcamp:

https://theherronbrothers.bandcamp.com/

INTERVIEW: Calista from Voice of Aiko

INTERVIEW:

Calista from Voice of Aiko

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IT is not often I get to speak….

with artists who are speaking on behalf of a collective. In this case, Calista Kazuko has been chatting with me about Voice of Aiko and the new track, Prescription Dream. I ask her what Voice of Aiko entails and symbolises - what we can expect from the upcoming film promotion of Prescription Dream.

She discusses why the new single supports several different charities and what comes next; what her personal favourite album is; whether she gets time to unwind away from music; which rising artists we should get involved with; what we can expect from the upcoming album, Empress – Kazuko ends the interview with a great song choice.

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Hi, Calista. How are you? How has your week been?

Hi! Things are FABULOUS, of course. How are you?

For those new to your music; can you introduce yourself, please?

Sure! My name’s Calista Kazuko I’m a singer/songwriter from London and I’m representing Voice of Aiko today. Voice of Aiko is a new creative collective of musicians, filmmakers; dancers and artists joining forces to campaign for change. An artistic army on a mission!

Can you talk to me about the idea behind ‘Voice of Aiko’ and what it symbolises? How did it come together?

Voice of Aiko was born out of the artists’ shared passion and belief in the power art has to help and heal. Aiko is a family name on my mother’s Japanese side. It can be directly translated as ‘Child of Love’. My dear great Auntie Aiko is in her late-nineties and now in a nursing home in California. This project is dedicated to her and to give her a voice. Our mission is to ‘give the silenced a voice’.

Prescription Dream is released on 28th September. What was it like recording the song?

This song was a total dream to make! I made it in Berlin with the incredible producer musicians Samim, Miguel Toro and Jack Brown as part of a set of five songs (more to come!) We had a totally wild, magical time making it and the music making was totally free and organic: not trying to ‘fit’ in to any mould. It was very special indeed!

I believe it support the charity, MIND. Is its themes of prescription drugs, and the reliance some people have on them, something you felt was under-represented in music?

We are working with charities REST, MIND and APRIL to raise awareness on prescription drugs which can have potential devastating side-effects and cause dependency. In England alone, there are an estimated 1.5 million people suffering from doctor-induced Benzo drug dependency. In 2017, the All Party Parliamentary Group on Drug Dependence (APPG) warned that in England more than 1 million patients are taking dependence-forming drugs unnecessarily. Antidepressants are also a major problem and statistics show that roughly fifty Americans die from prescription painkiller overdoses every day. Stopping medication (even low doses) cold turkey can be dangerous, even fatal.

The figures are scary and often people won’t realise it’s a medication they are taking, or have stopped taking, that is causing physical or mental changes or that they have become dependent on a medication. There are great resources online to find out more at:

www.benzoinfo.com

www.w-bad.org

https://www.april.org.uk/

www.mindincamden.org.uk/resources/articles/minor-tranx

We wanted to address this issue because we feel it’s under-represented not just in music, but in society as a whole. We live in a prescription world and are often quick to medicate perhaps unaware of the potential side-effects and often without exploring other alternatives first. I personally had no idea about the potential dangers of prescription drugs before starting this project so now am able to make more informed, careful choices before popping a pill. If we can get more people talking and thinking like this too, our mission will be complete!

There is a film to accompany its release. What is the story behind it?

The accompanying film is made by amazing filmmaker Enya Belak Gupta. Enya and I met and quickly became friends - she’s a total babe! When I told her about this project she immediately got it and wanted to get involved. Her powerful film beautifully illustrates the feelings of confusion the protagonist is feeling, trapped in her ‘prescription dream’.

We used love hearts to represent this idea of a pill being a ‘quick fix’: this pill will make you feel ‘perfect’; this pill will make you ‘smile’. Having shared several peoples’ stories about their experiences of prescription drug dependency and withdrawal; repeated themes were those of feeling confused, trapped; half-asleep and alone. Enya has done a remarkable job at capturing these stories and it has been an absolute honour to work with her.

The release party for the track/video is on 29th September in Aldgate. If we were to come along; what might we expect in terms of the evening and who will appear?

Expect a night to remember! Voice of Aiko are taking over the amazing Leman Locke hotel in Aldgate for a magical evening of live music, art; dance and discussion. We will open the event with a conversation room with amazing representatives from the partner charities who will be explaining more about prescription drug problems; what we can do to help and answering any questions. This will be followed by a live performance from stunning musical artists Bumi Thomas and Sera EKE.

The CA Contemporary Dance Company led by director Adrian Del Arroyo will be performing a truly unique commissioned piece inspired by the event‘s Prescription Dream theme and the night closes with a very special guest D.J. set, drinks; dancing and delight! 50% of all ticket proceeds will go to REST and APRIL, supporting people with prescription drug dependencies. Tickets available here:

https://www.facebook.com/events/259119054720897/

https://prescriptiondream.eventbrite.co.uk/

Will there be more material coming down the line?

YES! Voice of Aiko are excited to start working on our next project straight away with the aim of releasing in late-January 2019. This project will be focused on refugee and asylum seeker children; drawing a spotlight on the children who were left in Calais after the Jungle was destroyed. We have some truly incredible artists and collaborations lined up, more to be revealed soon!

(Taking off the Voice of Aiko pink wig, this is Calista Kazuko talking now…)

If I was to travel back to your childhood; what sort of music would I find in your collection?

I was literally obsessed with Freddy Mercury - to the point that I would draw on a moustache and wear spanx as a child, sure. Other obsessions included Kate Bush, Supertramp and Nas!

What do you hope to achieve by the end of 2018?

By the end of 2018, I will have finished my album, Empress, which is due for release in spring 2019. I am having SUCH a blast making this album with my fave collaborator film composer Guy Dagul. A history of empresses throughout time, this record will be a rollercoaster ride of epic sonic soundscapes! Drawing on my Classical and Jazz training at the Royal Academy of Music, and many musical influences and loves, the album is shaping up to be a total musical melting pot of yumminess!

The album also explores the adversities women have had to endure throughout time and the relationship between powerful women and sexuality. It’s been really fun entering the different worlds of the various fabulous empresses and I can’t wait to finish it and unleash it unto the world! Empress the album is available for pre-order exclusively at PledgeMusic.

I’m also beyond excited to be writing my first musical(!) with phenomenal playwright, fellow Royal Academy of Music graduate and all-round boss lady Stephanie Martin. It’s called Mary Quake and tells the story of a young woman’s inner-turmoil and ultimate self-discovery as she enters the world of British feminism in the 1960s and '70s.

Steph is the most remarkable writer and woman; it’s totally inspirational to work with her. She teaches me so much on creativity, work ethic and just generally being fabulous! We hope to have a first draft complete by end of 2018 and cannot wait to see our baby come to life.

Have you got a favourite memory from your time in music so far – the one that sticks in the mind?

Playing Wembley Arena as a teeny-bopper, chart topper (no jokes!)

Which one album means the most to you would you say (and why)?

Kate Bush - The Kick Inside

Kate Bush is a goddess - and this album was the soundtrack of my childhood. My dad led the Medici String Quartet and they are playing on this album and on Wuthering Heights. Pretty cool, no?! Kate Bush and this album probably inspired me and shaped me as a young musician the most.

If you could support any musician alive today, and choose your own rider, what would that entail?

Fiona Apple. Everything she wants in the world cause she deserves it!

Might we see some tour dates coming up? Where might we be able to catch you play?

YES! I will be doing a show in late-November at the Century Club in Soho (date T.B.C. v. soon). I also hope to tour the EMPRESS album with my amazing band Fred Claridge and Sam Weston when it is released next spring. Watch this space!

What advice would you give to new artists coming through?

Be yourself and know that it’s ok that ‘yourself’ changes all the time. Don’t make music to try and please people: not everyone will love what you do and that’s totes ok. Don’t expect to make millions from your music - you probs won’t.

Prepare for a bohemian life of baked beans and romance. Have a thick skin and an open mind. Figure out what drives you and what you value as success…then reach for the stars, baby!

 IN THIS PHOTO: Sera EKE

Are there any new artists you recommend we check out?

Sera EKE - profound, daring; innovative and brave. Sera mixes music, film and dance to create groundbreaking new art.

Bumi Thomas - honest, ethereal; powerful and beautiful. Bumi’s music transcends the physical and touches the soul. She’s a true artist in every sense of the word.

Both these amazing female artists are representing Voice of Aiko and performing at the Prescription Dream Launch Event at Leman Locke on 29th September!

 IN THIS PHOTO: Bumi Thomas/PHOTO CREDIT: @kajagwincinska

Do you get much time to chill away from music? How do you unwind?

Netflix and chill, ya dun kno. Escaping to the country with the hubby and leaving all technology in London. FOOD!

Finally, and for being a good sport; you can choose a song and I’ll play it here (not any of your music - I will do that).

Supertramp – The Logical Song

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Follow Calista Kazuko

Official:

https://www.calistakazuko.com/

Facebook:

https://www.facebook.com/CalistaKazuko/

Twitter:

https://twitter.com/calistakazuko

Instagram:

https://www.instagram.com/Calistakazuko/

YouTube:

https://www.youtube.com/user/calistakazukomusic

Spotify:

https://open.spotify.com/artist/2FolG4F7PJKFEbG2cJ0Ncq

Follow Voice of Aiko:

Facebook:

https://www.facebook.com/VoiceofAiko/

Twitter:

https://twitter.com/voiceofaiko

Instagram:

https://www.instagram.com/voiceofaiko/