INTERVIEW: NEAVV

INTERVIEW:

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NEAVV

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THE fantastic NEAVV…

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has been talking with me about her latest single, Keep, and what its story is. She discusses her upcoming album, Fall Hard. Get Sad., and what we can expect from it (it is out this Friday); which artists are important to her and a few albums that strike the heart.

I ask whether there are tour dates coming and whether there will be more material next year; how she came to work with Wendy Parr on her new single and whether she gets time to chill outside of music – NEAVV recommends some rising artists to watch.

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Hi, NEAVV. How are you? How has your week been?

Hi! I’m great, thanks. It’s been a busy week! My new album, Fall Hard. Get Sad., comes out this Friday, October 26th so I’ve been prepping for that. We also just had the release party for it this past Friday here in Toronto.

For those new to your music; can you introduce yourself, please?

My name is NEAVV and I’m an Alternative/Synth-Pop singer and songwriter from Toronto, Canada.

Keep is your new single. Can you explain the story behind it?

I wrote Keep with Wendy Parr (Regina Spektor and Sara Bareilles’ vocal coach) while on a 2017 writing trip to Nashville. I thought that I had already written all the songs for my forthcoming debut album, Fall Hard. Get Sad., but there was just something about Keep that clicked with me and dV, my producer – we both instantly knew that it had to be included on the record.

At the time, I was struggling with how to manage some unhappy relationships in my life that were holding me back. Keep was born out of that. The song is not necessarily about letting go of any one friendship or relationship, but more about the moment when you finally see someone for who they really are, rather than how you hoped they might be or wish they could become.

How did you come to write it alongside Wendy Parr?

I was introduced to Wendy through a mutual friend on Facebook. I was heading down to Nashville to do some writing and put a call out to friends on Facebook to see if anyone wanted to write. So glad I did!

Can we expect any more material in 2019? Are you looking that far ahead?

Absolutely! My new album, Fall Hard. Get Sad., comes out this Friday (October 26th) and we are already working on the next album. Expect more music in 2019!

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Do you recall your earliest musical memory? Which artist first struck your mind?

My earliest musical memory was actually watching a group of fiddle players perform in Colorado when I was around three. I begged my parents to play the violin after that for three years. Eventually, they gave in and signed me up for lessons. My parents had a great Beatles collection and I would say they are the first band that really made an impact on me. I was obsessed with them for years.

What do you hope to achieve by the end of 2018?

I would really love to get Fall Hard. Get Sad. out to as many listeners as possible and make some solid show and touring plans for 2019.

Have you got a favourite memory from your time in music so far?

So many favourite memories but, right now, I’d have to say recording Fall Hard. Get Sad. is pretty close to the top.

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Which three albums mean the most to you would you say (and why)?

There is no way I could pick just three albums, but here are three of many…

Purple - Stone Temple Pilots

This solidified my love for Alternative music.

Grace - Jeff Buckley

Everything about this album is amazing. Required listening for any artist.

After Laughter – Paramore

Fun songs, wicked singing; important message.

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If you could support any musician alive today, and choose your own rider, what would that entail?

Oh wow…I’m a big Paramore fan, so I would love to support them! As for my rider…gluten-free snacks; red wine and space for my dog backstage. Ha.

What advice would you give to new artists coming through?

Be authentic, work on your craft and know that you are allowed to say no to things.

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PHOTO CREDIT: Chanel W.

Do you have tour dates coming up? Where can we catch you play?

There are some awesome things coming up in 2019 that I can’t share yet but, for now, I do have a few one-off shows. If you find yourself in Toronto in November I will be playing a full band show at The Horseshoe Tavern on November 20th.

How important is it being on the stage and playing your music to the people?

Being on stage is everything! It’s the place where I feel the most like myself. If I could, I would be on stage every night.

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 IN THIS PHOTO: X. ARI/ART CREDIT: Anna Olinova

Are there any new artists you recommend we check out?

I just played my album release party with two wicked alternative artist: X. ARI and FAVVKES…definitely check them out! Also; keep an ear out for BRKN Love.

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 IN THIS PHOTO: FAVVKES/PHOTO CREDIT: Dani Gagnon

Do you get much time to chill away from music? How do you unwind?

I honestly don’t get a lot of time to chill away from music, nor do I really want to. Haha. But, to unwind, I like to go for long walks with my dog and I also swim on a masters swim team.

Finally, and for being a good sport; you can choose a song and I’ll play it here (not any of your music - I will do that).

This artist is currently blowing my mind: YEBBA - My Mind

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INTERVIEW: Tina Boonstra

INTERVIEW:

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Tina Boonstra

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I have been speaking with Tina Boonstra…

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about her new track, Find You, and how it came together. She reveals whether there is a concept behind her song series, Underrated Animals, and what the next single will be; how she got into music and which albums are important to her.

Boonstra tells me what gigs she has coming up and whether she gets time to chill away from music; what advice she would give to artists coming through and which rising band we need to get involved with.

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Hi, Tina. How are you? How has your week been?

Hello! I’m pretty good, thanks. I released a new song called Find You on Friday, so it’s been a pretty nerve-wracking week, but good fun too.

For those new to your music; can you introduce yourself, please?

I’m a singer-songwriter based in London, but (like most people in London) I’m not really a Londoner. I like to say I’m from Liverpool, because I spent my teenage years on the outskirts of the city but, unfortunately, I don’t have the accent so no-one ever believes me.

Find You is your new single. What is the story behind the song?

Find You is realising how completely un-self-sufficient I am. I have a tendency to slip into thinking that I don’t need anyone or anything to be happy. I’m fine on my own and, if stay focused and work hard enough, I’ll get what I want. But, the truth is, it doesn’t work like that. I hate to admit it, but I can’t survive this city and this life on my own. If I try to; I either end up living like a robot, not really feeling or enjoying anything, or a total wreck on the floor. Usually, both. It’s a disaster. Find You is about being honest about that and trying to figure out a way back to the things that matter.  

I understand it is part of a series of songs called Underrated Animals. Is there a concept behind the tracks and what compelled you to release a series?

It happened by accident, really. As we were recording this project, I realised that all the songs explored the idea of weakness or smallness from a different perspective.

When it came to designing the cover art; we had this idea to use unpopular animals to depict each song, as a way to try and celebrate the small and the weak. That’s how the idea came about to release all the songs as a series.

Why should we always talk about the pandas? Or the lions? What if I’m not a panda? What if I’m a pangolin or a jellyfish? Should I try to change who I am? Try to be bigger, louder; more appealing?  Everyone wants to be strong but, if we try that, we end up all the same. In this project, I wanted to celebrate the small and overlooked. And, hopefully, get people thinking about how great small is and how powerful weak can be - maybe we’re all just underrated animals?

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When might another single come forward? Are you releasing a new song at regular intervals?

The next single is called Flicker and will be out early next year 

Growing up in a missionary family; how did that affect you in terms of music being played and when music came into your life?

My parents weren’t really that into music, so my main exposure to music at the start of my life was the Gospel music that was sung in my church in South Africa. Some of it is pretty wild and raucous which I loved and still do. Then, there are other songs in that genre which come from such a deep place; it’s hard not to be moved by them.

It was great, but also quite restrictive. Thankfully, I have three older sisters who eventually started sharing their music collection with me. From Nirvana to Elvis; whatever they were into, I was into as well; for a better or for worse.  

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 PHOTO CREDIT: Alice Greenfield

Which artists did you discover young and become involved with?

Because of my slightly limited exposure to music growing up, I have so many memories of coming across new music as a teenager and being completely blown away; from Bob Dylan to No Doubt. I loved discovering new artists. Jeff Buckley had a particular impression on me. I was pretty obsessed with the album Grace as a teenager.

What do you hope to achieve by the end of 2018?

Well. Releasing music can be a bit of an emotional rollercoaster. I hope people will connect with the new song and I hope I manage to stay human through the process.

Have you got a favourite memory from your time in music so far – the one that sticks in the mind?

It’s an incredible feeling when you’ve worked on a song which describes a time or feeling in your life to hear other people connect with that song. I don’t think there’s anything quite like it.

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Which three albums mean the most to you would you say (and why)?

Oooh; only three? I don’t know. I’m very fickle so I’ll probably change my mind depending on which day you ask me. Today; I think I’d say

Grace - Jeff Buckley

A Black Mile to the Surface - Manchester Orchestra

Chutes Too Narrow - The Shins

Such different artists writing such incredible songs. All of them have had a big impact on my life personally and as a songwriter.

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Do you have tour dates coming up? Where can we catch you play?

I’m playing at the Hope & Anchor on 25th October and at The Finsbury on 6th Dec. More info on my website.

If you could support any musician alive today, and choose your own rider, what would that entail?

Tough choice. There are so many great bands around right now. Maybe Manchester Orchestra. I think they’re doing amazing things at the moment.

When it comes to a rider, I’m a simple creature. I don’t need much. Just some water would do me. My band, on the other hand...

What advice would you give to new artists coming through?

Make exactly the music that you want to make. Don’t worry about what other people are doing. Do what you want to do and do it because you love doing it. At the end of the day, nothing else really matters.

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 IN THIS PHOTO: VOS

Are there any new artists you recommend we check out?

There’s this new band called VŌS that are doing pretty cool things right now. You should check them out.

Do you get much time to chill away from music? How do you unwind?

I’m a big fan of wild swimming. There’s nothing quite like it.  I’m a bit of an introvert, really. I like reading books or being outdoors in the countryside.

Finally, and for being a good sport; you can choose a song and I’ll play it here (not any of your music - I will do that).

I Was Alive Back Then - Kevin Devine

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INTERVIEW: Blast Bomb

INTERVIEW:

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Blast Bomb

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THE German band Blast Bomb…

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have been telling me about their new E.P., Burn History & Live Today, and what themes inspired it; whether they have a favourite cut from the E.P. and how they all found one another – the guys recommend rising artists to watch.

I ask whether they are planning more tour dates and if we can see them in the U.K.; what sort of music they grew up around and how they relax away from music – the guys each select a song to end the interview with.

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Hi, guys. How are you? How has your week been?

Johnny: Great, thank you. We are talking to you from a bar in Hameln. We play here tonight…

Tobi: The Mad Music Club.

Klaus: Yesterday, we played a great show in Bremerhaven; too much free drink....but I was a good boy and didn’t drink.

Torben: This week is great because of the shows. It’s great to be back on the road.

For those new to your music; can you introduce yourselves, please?

Torben: We are Blast Bomb; an explosive Crossover-Punk band from Hamburg.

Johnny: That’s actually a very tough thing to describe. I can only call it Blast Bomb. Andy from The Dukes of Bordello (we’re currently on the road with them) says our style is “Loud sh*t”. I actually like that! We officially formed early last year and we are really proud of what we have achieved.

Burn History & Live Today is your new E.P. Is there a concept behind it, would you say?

Johnny: I would’t say it’s a full-on concept, but I noticed, as I was preparing for the recorded sessions, that the songs kinda followed a story of the reason why I´m now in Germany. It was never supposed to be this way.

Klaus: There is a concept in the lyrics. The four songs are linked through that way.

Torben: From the music side; it is definitely not following a concept. It was just an example of all our styles! We are still finding our sound.

Do you each have a favourite song from the E.P. at all?

Johnny: Burn History. I love that one. It’s so erratic and powerful lyrics.

Kai: Gambler and Live Today. They show the two different sides to our sound.

Klaus: Burn History and Stray…because I wrote it!

Tobi: Gambler. The original recording had a two-minute drum Jazz intro - and we cut it out because it was too long. I’m still not happy about this.

Torben: Burn History and Live Today. Both are fantastic.

How did The Blast Bomb get together? When did the band form?

Torben: Me and Klaus tweaking on amps in the High Gain District rehearsal room, when Tobis comes in. So, we start a session together, which was great. So, a few sessions follow. Then, Kai comes to us (we know him from the youth) and only a vocal was missing.

Kai: We did a post on a Hamburg music forum and Johnny replied to us - and Blast Bomb was complete. That was in January 2017.

Johnny: These guys have, on and off, been working together for twenty years; so it was like walking into a little family. I liked that. Plus; we are all very open-mined so it helps makes us unique.

Which artists did you all grow up around? Do you have any personal musical idols?

Johnny: I was raised on The Beatles, Pink Floyd and David Bowie, so they are my D.N.A. But, as I grew up and became an angry teenager, I was heavily influenced by Black Sabbath, Amen and Turbonegro. So, quite a contrast. But, my personal idol, without question, is John Lennon.

Klaus: I love the Rock stuff from the '70s, but also harder Metal and Punk-Rock are my favourite styles. I love Adriano Celentano and Dean Martin. Just sayin’.

Kai: From '70s Classic Rock to '80s Thrash-Metal to Scandinavian Rock ‘n’ Roll, I was influenced by all kinds of stuff...

Tobi: Billy Cobham; Chick Corea; Nomeansno.

Torben: I grew up with German radio in my parents’ house - that was Neue Deutsche Welle, mostly. First record for me was Run-D.M.C. The second was Beastie Boys’ Licensed to Ill; after that, I went to Rock. The biggest influences were then Guns N’ Roses and I start playing guitar because of Slash; like a lot of guys in my age. Then, Suicidal Tendencies and Pantera pushed me to another direction. But, so far or in general, it is/was a mix between Rap and Rock.

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What do you hope to achieve by the end of 2018?

Johnny: World domination! Haha. Actually; I just hope we continue to grow at the speed we currently are. I really believe in this music and I’m very proud of the E.P. with have recorded.  I hope that the listeners understand what we are trying to create.

Klaus: I hope to be able to reach a few more people with our music.

Kai: We have a killer shows coming up. I hope they are successful.

Torben: That the E.P. reaches the correct ears. This, of course, is the toughest part of our job.

Tobi: To continue writing good songs!

Have you each got a favourite memory from your time in music so far – the one that sticks in the mind?

Johnny: I think, for me, it would have to be my first-ever European tour with my old band. So many amazing experiences; amazing roads and views. The crowds were all so warm and friendly. We even had a couple ‘getting it on’ on top of our bass drum in one show! But, I actually think my best musical memory is yet to come - and that´s what inspires me.

Torben and Klaus: The first time we played outside Germany. We have a tour in Spain and we had to fly. It was really special.

Kai: The first time I played my Rickenbacker on stage. It’s been one of my favourite instruments since I was younger. It’s a 4001 and is from 1979. It’s an awesome instrument.

Tobi: Every time I make music and create music, it fills me with a unforgettable feeling. My aim is to have this feeling until the end of my life.

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Which one album means the most to each of you would you say (and why)?

Johnny: Pink Floyd – The Wall

My mother us to play that album to help me sleep when she was pregnant with me! But, it’s not the greatest album of all time: that’s, without question, Sgt Pepper’s Lonely Hearts Club Band.

Torben: Guns N´Roses - Appetite for Destruction

It made me learn guitar! But, I never played a song off it!

Tobi: Nomeansno - Wrong

Because its right!

Kai: Led Zeppelin – One

It was the first album I brought with my own money!

Kai: Iron Maiden – Somewhere in Time

Because, it opens a door to another dimension.

If you could support any musician alive today, and choose your own rider, what would that entail?

Johnny: Paul McCartney or Amen, I think. As for rider; I would need peppermint tea and prawn cocktail Walkers! Oh; I miss them crisps.

Tobi: Nomeansno. Energy drinks! Nasal spray and some herbs...

Torben: Smoke Blow. Backstage, I need Iso drink and beer.

Klaus: Frank Carter & the Rattlesnakes. I just need beer and food!

Kai: Gluecifer. They are still the kings of Rock. Craft beer and a good steak - cooked rare!

Johnny: Funny how we all said food. Such an exciting band, right?

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Can we see you on the road this year at all?

Johnny: We are on the road as we speak!

Do you think you’ll come to the U.K. and play next year or this one?

Johnny: Next year, we plan to visit. If we are allowed. Would be really cool to bring the guys over.

What advice would you give to new artists coming through?

Johnny: Don´t conform to the norm and create only what you want!

Torben: Never give up on your dream.

Kai: Practice, practice and practice all the time and then, when you’re good enough, you can relax and party (Euroboy – Turbonegro)

Klaus: Practice and play live early.

Tobi: Practice even when you think your good enough!

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IN THIS PHOTO: Van Holzen 

Are there any new artists you recommend we check out?

Klaus: Van Holzen. They are the most exciting band in Germany.

Torben: Chefboss. They are from Hamburg.

Kai: Svartanatt are from Sweden. Fantastic.

Johnny: They may be new to you but, to us, they are damn old…but Smoke Blow are fantastic!

Tobi: Moving Parts.

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 IN THIS PHOTO: Chefboss

Do you all get much time to chill away from music? How do you unwind?

Johnny: Music is my unwinding!

Tobi: I play drums.

Torben and Klaus: We all have families so it’s great to spend time with them! And Sport!

Kai: (Parental advisory).

Finally, and for being good sports; you can each choose a song and I’ll play it here (not any of your music - I will do that).

Johnny: I really love the new Paul McCartney album. Despite Repeated Warning is fantastic; the riff two minutes in...

Tobi: Nomeansno – Rag 'N Bones

Kai: Imperial State Electric – Down in the Bunker

Torben: Frank Carter & the Rattlesnakes - Devil Inside Me

Klaus: Kvelertak – Blodtørst

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INTERVIEW: Julian Wa

INTERVIEW:

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Julian Wa

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THANKS to Julian Wa…

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for talking about his recent single, Bloom, and how it came to mind. I wonder whether there is any more material coming and if he has ambitions to hit the road and play his music to the people – Wa recommends a couple of rising artists we need to get behind and support.

The Australian songwriter tells me a few albums that mean a lot to him and what he does when not making music; what he hopes to achieve by the end of the year and whether he feels he has evolved as a musician since the start – he ends the interview with a great track.

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Hi Julian, how are you? How has your week been? 

Hi, there. I’m very well, thanks. My weeks are busy but productive. 

For those new to your music; can you introduce yourself, please? 

I have always viewed the music as more of an experience than a collection of songs. Like a psychedelic soundtrack to my life.

Bloom is your debut single. Is there a background to the song?

Bloom is actually about the very opposite: it’s about taking the easier route in life and feeling totally unfulfilled as a result.

Might we see more material coming next year? Are you working on new stuff? 

The main focus currently is an experimental, lo-fi project set for release mid-next year. But, I am working on several things. I like to stay busy and keep my mind focused.

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Do you think you have evolved and strengthened as a musician since your early days?

Very much so. Naturally, the more I grow as a musician, the easier it becomes. 

Can you remember when you decided to get into music? Was there a moment you knew it was for you? 

For as long as I can remember, music has always been there for me and I have always had a great deal of passion for it. It’s also very much therapeutic.

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What do you hope to achieve by the end of 2018? 

I feel I have achieved most of what I wanted in 2018 with the release of Bloom; recruiting Ditto as my new distributor and gaining some traction on the Aussie music scene. Very much looking forward to what next year has in store.

Have you got a favourite memory from your time in music so far - one that sticks in mind?

I have plenty of stories to tell about shows/tours etc. But, I must say my favorite memories are always recording in total solitude and jamming with close and talented friends

Which three albums mean the most to you (and why)? 

I can’t say definitively as there are many more but currently I would say John Martyn - Solid Air; Captain Beefheart and His Magic Band - Safe as Milk and Wings - Wild Life. All three are truly innovative and I feel we are in need of that in 2018.

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If you could support any musician alive today, and choose your own rider, what would that entail? 

I would love to work with Reggae artist Barrington Levy. All I need is English breakfast tea and whatever he is smoking .

What advice would you give to new artists coming through?

My advice would be keep your head down and work harder than you ever have if this is what you truly want in life.

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Do you have tour dates coming up? Where can we catch you play?

Shows will be announced for late-2019. I want to release as much music/content as possible before getting back on the road. I love having the time to write and record with very little outside influence.

How important is it being on stage and performing? Do you love playing your music to crowds? 

Stage time is everything and I cannot wait to introduce a brand new sound/energy. All very exciting to me.

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 IN THIS PHOTO: Harry Heart

Are there any new artists you recommend we check out?

My knowledge of new music is limited to be quite honest…but I will say that Harry Heart and Good Boy certainly have my attention.

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IN THIS PHOTO: Good Boy/PHOTO CREDIT: Michelle Fish

Do you get much time to chill away from music? How do you unwind?

My life revolves around the studio and Twitter at the moment - but I can occasionally unwind with a cup of tea and a hug from my partner.

Finally, and for being a good sport; you can choose any song and I’ll play it here.

Thanks so much. Love in Song (from Venus and Mars) by Wings

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INTERVIEW: Verasect

INTERVIEW:

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Verasect

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THIS interview sees me talking with Verasect…

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who discusses the new E.P., Sleep Stories. I ask what themes inspired the work and what the story is behind the single, Aeon – Tom Vera (Verasect) tells me which albums and artists are most important to him.

I was keen to know whether the E.P. was fun to put together and what music he grew up around; whether there are any favourite memories from his career so far; which artists he’d support on the road given the chance; how he chills away from music – he ends the interview by selecting a great song.

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Hi, Verasect. How are you? How has your week been?

I'm doing well. A lot of traveling for me. I've been away for London for a few weeks now. I was in New York visiting friends and listening to some upcoming remixes for the first time. Now, I'm down in West Palm Beach which sounds exciting - but I'm not a beach person at all. Or a daylight person, for that matter. But, I’ve had some things to take care of down here.

For those new to your music; can you introduce yourself, please?

I'm Tom Vera and produce under the name Verasect. The name is short for ‘veraciter sectari’ or ‘hunt the truth’ in the Latin. 

I'm originally from New York and was born out of the underground Industrial/Goth scene. I spent my youth stomping around East Village basement clubs but now that I'm older my music has moved in a more nuanced and emotional direction. My music is a mix of Darkwave, Synthpop, and Witch House with ethereal female vocals. I work with guest vocalists around the world but I write or co-write all the lyrics and vocal melodies, keeping a common narrative across all my music.

Aeon is out now. Is there a tale behind the song?

Aeon is based on a concept in the novel Ubik by Phillip K. Dick that I found incredibly strange and haunting. In the book, when you die you’re brought to a facility called ‘a moratorium’; revived and placed in a dream-like state. Your family and loved ones can come visit and ‘wake’ you up to talk via a headset.

But, the amount of time you can be awake is finite. It is used sparingly until you ultimately pass and can no longer be woken up. I read that book when I was a kid and that part always stuck with me. While it would be great to prolong life, are you just extending the pain for both side?! Aeon is about how it would be to have someone you love in that state of being between life and death. 

Sleep Stories is your new E.P. What ideas and stories inspired the music? Is there an overall arc/theme?

I've been an insomniac all my life, so I spend a lot of time in bed, staring at the ceiling lost in my thoughts. I keep myself super-busy during the day and am keeping lots of plates spinning but, at night, it's just you alone in the bed with the universe; past, present and future surrounding you.

While I consider myself an emotionally strong person, this is the time when I feel the most introspective but also the most vulnerable. So, whenever a thought or feeling would keep me up at night, I would try to form it into a song. I'd keep a notebook next to the bed and jot down ideas or lyrics. When in the studio, I'd use those notes as inspiration for songs which turned into this E.P.

Was it quite an enjoyable E.P. to put together? How quickly did the music form and cement?

I knew I wanted to do something different from my previous projects so I spent a lot of time exploring new sounds and techniques. I was really struggling but everything came together while writing Catch Your Breath and I knew I found the sound I was looking for. I wanted to finish the E.P. in a year and it took a bit longer than that. I can only write music when I'm in the mood and sometimes I need to walk away from music for a few weeks at a time.

Can you tell me what sort of music you grew up around? Which artists struck your ear?

I grew up on Industrial and Goth music. In high-school, I was the only kid really into that stuff but managed to drag some of my Metal and Punk friends to clubs in N.Y.C. There I was exposed to a lot more music and became friends with lots of local artist and D.J.s.

I tend to gravitate to older music. My all-time favorite band is Frontline Assembly - who are still putting out great albums after thirty years. For more modern Electronic music, I love The Glitch Mob and Jon Hopkins as well as a lot of female-fronted projects like Purity Ring, Chvrches and Grimes.

What do you hope to achieve by the end of 2018?

A remix E.P. should be done by the end of the year. I'm lucky enough to have two good friends who are experienced re-mixers in their respective genres: Tony Rohr for minimal Techno and Dobie for Trip-Hop. Ofdream also remixed a track - so talking to two more artists to complete it.

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Have you got a favourite memory from your time in music so far – the one that sticks in the mind?

Probably the first time my music was played in front of a group of people, which happened in a bizarre way…

I had been producing for a few years and had a bunch of songs that I shared with friends but wasn't posting online or playing shows yet. Now, I'm at a big Fourth of July party at my friend's house with one-hundred-plus people. I was supplying music from my phone plugged into a P.A. system and stepped away so I put on ‘shuffle’. A few minutes later, a piñata comes out and I can get dragged over and blindfolded.

Just as I'm about to swing, I hear one of my songs start to play. I froze. It was like instantly and unexpectedly being put on stage, except I couldn't see anything which made it super-weird. I couldn't see anyone's face and gauge what they were thinking. I contemplated running over to turn it off but I just rolled with it and fuck*d that piñata up. When I took my blindfold off, I saw that nobody was revolted by my music and some people were actually enjoying it. Not a bad first gig.

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Which three albums mean the most to you would you say (and why)?

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If you could support any musician alive today, and choose your own rider, what would that entail?

Nine Inch Nails, definitely. Trent puts so much creativity and effort into their shows and would love to be a part of it. Also, their touring keyboardist, Allessandro Cortini, is a huge gear-head and would love to nerd out with him backstage.

My rider would be pretty simple:  fast Wi-Fi and Phish Food.

What advice would you give to new artists coming through?

Just do your own thing and stop trying to replicate other artists.  YouTube tutorials are great but it's hindering creativity and originality. Mess around, turn some knobs randomly and turn mistakes into something interesting.

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Do you have tour dates coming up? Where can we catch you play?

After the remix E.P. is out, I'm going to finish up another E.P. of original songs and play some shows in London. We'll see what happens after that.

Are there any new artists you recommend we check out?

Skip this - I don't know any new music (smiles).

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Do you get much time to chill away from music? How do you unwind?

I have quite a few projects outside of music so leisure time is rare these days. My other creative outlet is photography which I do casually and is more of a relaxing hobby for me. For exercise, I powerlift, longboard and play squash.

Probably my most interesting hobby is Shibari, which is Japanese rope bondage. 

Finally, and for being a good sport; you can choose a song and I’ll play it here (not any of your music - I will do that).

Everything Connected by Jon Hopkins 

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INTERVIEW: Nuela Charles

INTERVIEW:

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Nuela Charles

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I am ending today…

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by speaking with the Canadian artist Nuela Charles about her fantastic new E.P., Distant Danger. She talks about some of the themes addresses and who she worked on the E.P. with; what she hopes to achieve by the end of the year and which albums are most important to her – she recommends some artists to look out for.

Charles talks about how she got into music and where she is headed on tour; if she is coming to the U.K. at any point; whether she gets time to unwind away from music – the songwriter ends the interview by selecting a great track.

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Hi, Nuela. How are you? How has your week been?

Hiya. My week has been great so far. I just got back home and unpacked after four weeks on the road!

For those new to your music; can you introduce yourself, please?

Sure thing. My name is Nuela (pronounced new-ella) Charles. I’m an Alt-Soul artist based out of Alberta, Canada and I like to say that I sound like a soundtrack to a James Bond movie.

Can you recall when you made your way into music? Was there a time or artist that influenced that decision?

Music was always in our house growing up. My dad had an old acoustic guitar that he’d play. When I was around fourteen or fifteen, I started teaching myself how to play guitar after feeling inspired by artists like Avril Lavigne, Michelle Branch and Fefe Dobson seeing them playing on MTV and Much Music.

Which artists do you draw from most? Do you have particular favourites?

It’s funny, because the music that I listen to leans more to the Alternative/Rock side; artists like Nothing But Thieves, Arctic Monkeys; Reignwolf etc. – so my influences are pretty ranged. But, I’ve always thought Kimbra, Jacob Banks and Lianne La Havas were great and would continually see what they were doing.

 

Distant Danger is your new E.P. What sort of themes inspired the songs we hear?

This E.P. touches on relationships, but talks about the strength that comes in realizing your own self-worth and standing up for that - like in Troublemaker and Do It Right. Danger is about taking a risk and stepping out of your comfort zone; even if only a little. 

Sugar might be one of my favourites because it talks about the worst parts of a relationship, but ultimately asks for the sweeter side. And, after all is said and done, even if your world is crumbling down; you need to get up and March On.

 

Did you work with different producers and writers on the E.P.? Was it fun putting everything together?

I worked with a few different producers on this project. Do It Right was one of the first songs for this project and was written and produced with the Grammy-nominated producer Rob Kleiner (Andra Day, Ceelo Green and Sia), while I was in Los Angeles. Danger was produced in Vancouver with Ryan Worsley (Dear Rouge) and the rest were co-produced by myself and production duo Towers in Edmonton, Canada.

It was fun being able to take the time moulding the songs into what they are now. I definitely pushed and we often went through several versions of most of the songs before we settled on the versions you hear on the record – and they’re better for it.

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What do you hope to achieve by the end of 2018?

The rest of 2018 is going to be a bit quiet as I look toward 2019. I look forward to playing more gigs and festivals in different countries and putting out more music. 

Have you got a favourite memory from your time in music so far – the one that sticks in the mind?

This past March, I was nominated for a 2018 JUNO Award for Contemporary Album of the Year - which is the Canadian version of a Grammy - so that was pretty amazing; being in a category with Michael Bublé is never a bad look. The event itself was amazing and it was my first time rocking a red carpet…although I definitely felt in my element!

Which three albums mean the most to you would you say (and why)?

Alanis Morissette - Jagged Little Pill 

It was the first album I’d heard which made me think ‘You’re allowed to say that?!’ She was so raw and honest and it really resonated with me. 

Mariah Carey - Mariah Carey

This album taught me how to sing. Every song is a lesson in vocal control and it gives me life every time I hear it. 

And, most recently… 

Nothing But Thieves – Broken Machine and Nothing But Thieves

I know, technically, that’s four albums but their albums are some of the few that I can actually get through all the songs and keep on-repeat. It’s just so good - vocally, musically and lyrically. They’re actually saying something that carries weight (and they’re killer live).

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If you could support any musician alive today, and choose your own rider, what would that entail?

I would support Beyoncé, any time, day, hour or place. In regards to a rider; I’m pretty easy going. A masseuse would be rad, though. 

What advice would you give to new artists coming through?

I tell artists to learn the different parts of the industry so that you know what is expected of people when you hire them to work for you. Be knowledgeable, develop your craft; collaborate and be nice. 

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Do you have tour dates coming up? Where can we catch you play?

Currently working on booking some more shows for the New Year but I have two nights at the Citadel Theatre here in Edmonton in January.

Will you come and play in the U.K. at some point?

I will definitely come back to the U.K. I actually just got back from there where I played my first Sofar Sounds gig. It was amazing!

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 IN THIS PHOTO: Sam Fender

Are there any new artists you recommend we check out?

I’m always so bad with keeping up with new artists: I’m usually a year or two late. But, I’ve been loving Sam Fender, grandson and Grace Carter lately. 

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IN THIS PHOTO: Grace Carter

Do you get much time to chill away from music? How do you unwind?

Not much time to unwind, but Netflix and chill is always a safe bet. Especially, when I’m on the move – the familiarity is comforting. Even if it’s just on in the background while I’m working on the computer.

Finally, and for being a good sport; you can choose a song and I’ll play it here (not any of your music - I will do that).

I just head the new Lukas Graham song, Not a Damn Thing Changed. There’s so much tension; I love it

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INTERVIEW: Tom Boy

INTERVIEW:

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Tom Boy

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THE guys of Tom Boy…

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have been talking with me about their new track, How to Become a Drug Dealer, and what its story is. I was eager to know about their previous project/incarnation, CAIRO, and why that ended; whether there is more coming up for them and whether they will be hitting the road anytime soon.

Nate and Dante talk about their influences and reveal which albums are important to them; the rising artists we need to get involved with any how they spend time away from music – they end the interview by each selecting a great track.

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Hi, Tom Boy. How are you? How has your week been?

We’re fine. This is fine. (See: GIF of dog calmly sitting in burning house).

For those new to your music; can you introduce yourselves, please?

We are a smack-talking Synth-Pop band out of Toronto, Canada. We love washed-out guitars, reverb-soaked vocals; punchy synth and forgetting things on airplanes.

You had a previous project (CAIRO) that ended. What was the reason behind that?

Ummm…so…ok, ya. No, but, um. Well…errr. The thing is you tour, you get lonely; you meet amazing people. Ok, wait. This is starting to sound like a line from Almost Famous. The truth is that there was an affair (or two). And they involved members. Things got messy. Feelings got hurt. Grudges proved immoveable. At a certain point, we weren’t all on the same page so we moved on.

How to Become a Drug Dealer is your new track. I believe it holds personal weight. Was it hard putting the song together?

We started writing that track when we were still in CAIRO.

I think the lyrics may have been hard for certain members to swallow but it almost seemed like a penance. When things ended and Dante and I formed Tom Boy; I knew I had to take the song with me because of its powerful lyrical content. The song means a lot to us and sort of serves as a reminder about what not to do in the future.

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Do you think those bad days and addictions have made you stronger people now?!

In a way, perhaps. Our bullsh*t-meter is definitely more attuned now. We fell prey to a lot of the trappings you hear about in the music industry. But, we are much clearer in our vision and goals as we move into this next phase of our careers. Physically speaking, our bodies are like eighty-year-olds, though. Haha. Dante can’t go running without having an allergic reaction and I break out in hives when someone offers me soda.

Might we see more material coming soon?

For now, we are playing the singles game. There is definitely some stuff in the pipeline. We just had a really fun time shooting our next music video in New York and we’re looking forward to a few more releases over the winter/spring.

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What do you hope to achieve by the end of 2018?

To remind people we aren’t dead. Yet. 

In that same vein; do you have plans for 2019 in terms of what you want to accomplish?

We want to get in front of audiences again. The new songs are up-tempo, adrenaline-fuelled tracks that answer a lot of the questions our fans might have had when we disappeared. The story is compelling and it’s going to be really fun to tell it on stage.

Have you got a favourite memory from your time in music so far – the one that sticks in the mind?

We were given the first mention by CBC’s Best Albums of 2015. That was after one of the best tours we had driving across Canada. We were in turmoil. But we were family.

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Which one album means the most to each of you would you say (and why)?

Nate: Radiohead - OK Computer

Simply for the fact that the first time I fell stupidly in love (and it didn’t end well) I listened to Let Down on repeat like a SAD BOY.

Dante: Nas - Illmatic

I have been listening to it since high-school and it is a perfect album with hardly any features. Just raw, lyrical magic.

If you could support any musician alive today, and choose your own rider, what would that entail?

Zola Blood (London). Dante likes his quinoa bowls (he’s trying to do better) and me, well…I honestly could live off of Skor bars and whiskey. We’re not as complicated as we sound.

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Can we see you on the road this year at all?

I hope fuck*ng so.

What advice would you give to new artists coming through?

Treat everyone like they might hold the key to your career one day. They will.

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 IN THIS PHOTO: Zola Blood

Are there any new artists you recommend we check out?

Zola Blood, Kiasmos; Vypers, Jeremie Albino; Colter Wall, Ginla; New Fries and Raveen.

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 IN THIS PHOTO: Jeremie Albino

Do you both get much time to chill away from music? How do you unwind?

Edibles.

Finally, and for being good sports; you can each choose a song and I’ll play it here (not any of your music - I will do that).

Nate: Zola Blood – Infinite Games

Dante: Noah Gundersen – Cigarettes

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INTERVIEW: Manudigital

INTERVIEW:

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Manudigital

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MY last piece before the weekend (for real this time!)…

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is a change of pace! I have been talking with Manudigital about his new single, Winner, and how he came to work alongside Derrick Parker and Lt. Stitchie. With the album Bass Attack out; he talks about Digital Reggae and the artists who have helped inspire his sound.

Manudigital tells me about his connection with the stage and the albums that have affected him; which rising artists have been catching his eye and whether there are gigs coming up – he ends the interview by selecting a very cool song!

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Hi, Manudigital. How are you? How has your week been?

I’m good, thank you! The week went very well because I released my new album and it's always exciting to release a new project! 

For those new to your music; can you introduce yourself, please?

My name is Manudigital. I'm from Paris and I'm a beat-maker who specializes in Digital Reggae!

 

Is there a story behind the new single, Winner?

There is a human story above all! Because these two artists (on the song) I work with; I’ve called the song as such – these are people I worked with on their personal album, single or E.P. projects! One is from Jamaica, the other from Tijuana; it was very important for me to record each one in their own country and then make a common project. In regards the subject of the lyrics; this direction is a classic of Jamaican music: the clash, the competition!

How did you hook up with Derrick Parker and Lt. Stitchie?

Like I told you before; I've worked for them on their own project. And it was awesome, so I really wanted to do it again! I really like collaborate with artists like them!

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Can you give me a sense of the artists you grew up around? Who do you count as idols?

My favourite artists are Bob Marley, Buju Banton; Michael Jackson, Miles Davis - and many others ones! As you see; they're from different horizons!  

Do you think there might be more material next year?

For sure! But, we need to not forget that the material is to serve the music and not the music to serve the material! We should not get lost in the material: the number-one is to make good music!

What do you hope to achieve by the end of 2018?

Hmm...I don't really know! But, what is sure is I want to still have this keen interest for music! Music makes me really happy day after day! So, I hope it’ll stay this way…

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Have you got a favourite memory from your time in music so far – the one that sticks in the mind?

My best memories are when I had the opportunity to back some of my favourite artists - Bounty Killer, Beenie Man; Admiral Bailey, Johnny Osbourne; Daddy Lizar and Courtney Melody - all in the same night in Trinidad. I was invited by Chinese Laundry to perform at the huge Machel Monday event. It's by far one of the best moments of my whole career.  

Which three albums mean the most to you would you say (and why)?

Bob Marley - Catch a Fire

Because it's the base and THE classic album of Reggae music. 

Steel Pulse - True Democracy

A band that I used to listen to a lot and still do. It's an inspiration for me.

Prince Jammy - Computerised Dub

Because this album started the era of Digital Reggae.

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If you could support any musician alive today, and choose your own rider, what would that entail?

I would love to play with Chronixx - because he is a major artist of the actual Reggae scene. He is the new generation incarnate and has a huge talent!

What advice would you give to new artists coming through?

Hmm. Do it without waiting for nothing. Music is a passion and the main goal would be to have some fun and pleasure! And, also, share the vibes with the public because they give you so much! 

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Do you have tour dates coming up? Where can we catch you play?

Yes! I'm going on tour this year and next year to present Bass Attack to the public. I'm going to Reunion Island, Russia and Europe soon. To keep updated, follow me on social networks (@manudigital)! 

How important is it being on the stage and playing your music to the people?

The moment I'm on stage is the only one where I can share my music for real, with people in front of me. I often spend a lot of time in my home studio. It's a bit lonely, so it's really nice to have instant feedback with the public on stage. It's really exciting being on stage and for me both parts are important in being an artist. 

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 IN THIS PHOTO: MESH M18

Are there any new artists you recommend we check out?

Oh; so many! The world is full of good artists. But, if I need to tell you few names, I'll say: Dapatch, MESH M18 and Tom Spirals!

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Do you get much time to chill away from music? How do you unwind?

Yes. I try to keep as much time as I can for my family! And, it's different when I'm working in studio: I spend more time at home. When I'm going on tour, I'm not there much during the weekends. For relaxing, I really like going fishing in my region. It's so calm! 

Finally, and for being a good sport; you can choose a song and I’ll play it here (not any of your music - I will do that).

Hollie Cook - Angel Fire! Thanks!

 

BIG UP!

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INTERVIEW: Beth McCarthy

INTERVIEW:

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Beth McCarthy

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I have been following Beth McCarthy for a while…

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and can see how she has blossomed as a songwriter! I have been talking with her about the track, Shame, and the story behind it; what it was like filming its video and whether more singles/material will come before the end of this year.

McCarthy talks about her music idols and albums that hit her hard; whether she has any gig plans coming up and how music arrived in her life in a child – she recommends some great artists we should get behind and support

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Hi, Beth. How are you? How has your week been?

I’m really well, thank you! My week has been a little stressful but good - seems to be the description of most of my weeks these days.

For those new to your music; can you introduce yourself, please?

So. I’m a singer/songwriter from York and I’ve been on ‘the scene’ for around eight years now. People who follow me will know me for a more Country/Folk vibe but I’ve spent the last year working on a totally new Electronic/Pop sound that I’m super excited about.

Shame is out now. Is there a story behind the track?

I wrote Shame with a great songwriter and artist, Ben Earle (from The Shires). I went in to our session with a lyric idea that I’d been playing with for a while: “It’s a shame that your heart don’t want me the way that your hands do/Shame that your eyes wont love me the way that your words do”.

I wanted to write a song that told the story of a one-sided relationship where you would do anything for this person but they only see you as company when it suits them. Ben totally got the idea and we went on to create what is now Shame! This song was actually the turning point of my new sound. I went in to the session expecting to write a Country/Pop song and came out with something totally different to anything I’d ever written. It was the first time in a while that I’d felt really excited about something musically and everything just seemed to fit in to place after that.

What was it like shooting the music video? Do you get quite involved with video concepts?!

In a word – ‘cold’! I’m always really involved in all creative aspects of my music, partly because I love it and want everything I create to come from a real place inside me and partly because I’m a huge perfectionist! The first half of the video is set in a bedroom. I imagined the lyrics of the song coming from right in that moment where you are so close with someone physically but there’s a complete lack of emotion and I felt we needed to put that narrative into the video.

Then the concept for the beach part of the video came from the idea of how lonely this situation can be. We re-created the bedroom on the beach to represent the ‘headspace’ when with that person so, in reality, the person is there but in your head you are completely alone and isolated and it’s pretty miserable. All a bit deep, I know, but I didn’t want to over-complicate the video with the song being so simple so thought a slightly more hidden meaning would work best!

Might we expect some more material next year? How far ahead are you looking?

You can actually expect some more material in the next few weeks! My second single, Crazy for You, is already out; the third will be following soon and there will be a full E.P. by the end of 2018. I’m now back into writing mode for next year so there’s really no stopping me from now on!

You are a Yorkshire-based artist. Is it a great county to make music in? How important are the people and the vibe of Yorkshire regards your music?

I am so unbelievably proud to be from Yorkshire. I think we have some absolute gems when it comes to music and everyone just wants to help each other get to where they want to be which is amazing. Yorkshire supports Yorkshire. It’s magic.

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Were you raised around a lot of great sounds? What sort of music were you raised on?

I was actually raised on Rock music! AC/DC, Meat Loaf and Deep Purple were all favourites of my dad so, ultimately, became the soundtrack to my childhood. The standout, though, was Queen and they remain one of my favourite bands of all time!

What do you hope to achieve by the end of 2018?

I try not to put time stamps on things as I’ve found it generally leads to disappointment! I’ve been in so many situations where things have been planned or promised and they’ve ended up taking far longer than expected or not happening at all which leaves this massive feeling of defeat.

These days, I just keep going ‘till I get to where I want to be and I don’t really keep track of the time. I know that, if I keep working hard, it’ll happen eventually so I just enjoy the ride!

Have you got a favourite memory from your time in music so far – the one that sticks in the mind?

Galtres Parklands Festival 2014 was one of my favourite ever gigs. I turned up for my set to a completely packed tent of people just waiting to hear me sing and I’d never experienced that before. There was just something so special about being in a space full of such kind, supportive people who all love music - it’s a feeling I’ll never forget.

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Which three albums mean the most to you would you say (and why)? 

Difficult one! Okay, so:

HAIM - Days Are Gone

It takes me back to the best summer of my life. 

Antonio Lulic - Never or Tonight

He was the first artist to really inspire me to write and perform as a singer-songwriter and I listened to that album on-repeat!

Bat Out of Hell – Meatloaf

It will always remind me of roadtrips with dad.

If you could support any musician alive today, and choose your own rider, what would that entail?

I’d love to support HAIM as they’re one of my favourite bands and I reckon they’d be a hoot to spend time with.

My rider would be a big ol’ box of Yorkshire Tea, milk and a kettle. I’m easily pleased.

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What advice would you give to new artists coming through?

The best advice I ever got was from a doctor in London who I met during my time on The Voice. He’s a doctor to the stars and said that the three things you need to be successful in this industry are: talent, the skin of a rhinoceros and the ability to cope with extended periods of inactivity. Over the last couple of years, I’ve realised how true that is and it’s kept me going through some of the harder times.

Do you have tour dates coming up? Where can we catch you play?

I’m planning a big York show at the beginning of next year which will be pretty special but I’m holding off touring just for the minute as I want to wait until it’s the right time. If I’m going to do something, I want to do it well and I want to do it right!

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 IN THIS PHOTO: Lennon Stella

Are there any new artists you recommend we check out?

I’m obsessed with Lennon Stella at the moment. She’s got a voice that I will never get tired of and I truly think she’s going to take over the music industry. Also; The Dunwells. Two insanely talented guys who I've had the pleasure of writing a few songs with. 

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 IN THIS PHOTO: The Dunwells

Do you get much time to chill away from music? How do you unwind?

Honestly, the majority of my life is centred around music but I love it so it really doesn’t feel like ‘work’. The rest of the time I’m with my dog, or my friends and family (but mainly my dog).

Finally, and for being a good sport; you can choose a song and I’ll play it here (not any of your music - I will do that).

Well. Seeing as I’ve just told you how ace she is, I’d love you to play Breakaway by Lennon Stella

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INTERVIEW: Nana Adjoa

INTERVIEW:

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 PHOTO CREDIT: Bibian Bingen  

Nana Adjoa

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MY final piece (until tomorrow) is a chat with Nana Adjoa…

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  PHOTO CREDIT: Bibian Bingen

as she tells me about her new single, Sometimes Love Is Evil, and filming its video. I ask when music came into her life and which artists/albums are important to her – Adjoa reveals whether there will be new material coming along next year.

The Amsterdam-based songwriter talks about her touring plans and what it feels like being on stage; which rising artists we need to get involved with; whether she will come to the U.K. at any point – she offers some useful advice for musicians coming through.

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Hi, Nana. How are you? How has your week been?

Hi! A good week it was. Been on the road a lot, which I like, and we played two gigs with the band. Also enjoying the strange summer weather in October we’re having here.

For those new to your music; can you introduce yourself, please?

I’m a musician and singer. I write, record and produce music that’s floating somewhere between the genres of Alternative-Rock and Dream-Pop (with Urban influences). Lyrically poetic-ish but analytic. 

Sometimes Love Is Evil is your new track. Is there a personal story behind the song?

There isn’t one story behind it: it’s more story and analysis of my failed attempts in love combined. Never having had a ‘successful romantic relationship’ (because of reasons I’m still trying to figure out) and feeling the need, and also some pressure by yourself and others, to pursue it again and again.  

I really like the video for the track. Was it cool being involved in it?

Very cool! Kay, the director, and I first had conversations on the subject and I didn’t need to explain myself that much because he felt the vibe quite instantly. We talked about some movies on the subject (Like the Lobster and Under the Skin).

We agreed we didn’t want the video to be a portrayal of your typical couple of a man and a woman with just one storyline. Instead, we were looking to put more emphasis on different symbolics or even absurd features of people interacting without a narrative - more a collection of stories, happening in this incredible haunted-looking house. He and the rest of the team all perfectly filled it in and it was a fun and pretty natural experience! 

Might we see more material in 2019? How far ahead are you looking?

Well. We’re releasing more material this year: my third E.P., A Tale So Familiar, which also features Sometimes Love Is Evil. I’ve started writing and thinking on a concept for a new album. Still in the very early stages. But, I hope to release it in 2019, yes. 

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 PHOTO CREDIT: Bibian Bingen

Give me a sense of when music came into your life. Did you grow up around a lot of different sounds?

My parents are both music lovers. My mother also plays the bass (which is my primary instrument as well). So, we always had music playing - mostly black music, ’70 Funk/Soul; Reggae and ’90s R&B. I had some trial and error with keyboard and guitar lessons before landing at my 'first love', the bass guitar. We had a basement in our house with a drum kit (belonging to my nephew); a bass amp and a guitar amp. So, we rehearsed there with my first bands. 

What do you hope to achieve by the end of 2018?

Reaching and meeting some new people/audiences in territories outside the Netherlands.

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Have you got a favourite memory from your time in music so far – the one that sticks in the mind?

The Eureka! moments in the studio after noodling around for hours are still the best moments on all accounts - and then the tour (in the Netherlands) with my band I’m playing with right now. I love being on the road; especially with them. Four very special people that inspire me. 

Which three albums mean the most to you would you say (and why)? 

That changes over time. So, for now, I’d say:

Grace - Jeff Buckley

It is (probably) always be high up my list. When first hearing this (in high-school), I felt like I found a new kind of spirit in music - a sound, approach and feeling I had never experienced before. Still, I can’t point out exactly what it is.

Channel Orange - Frank Ocean

This is one of my favorite records of the last ten years. I feel everything he does is real and exciting and just damn good. 

The Information - Beck

…or any other Beck record. Every time I listen to a Beck record, I still hear things in there I didn’t hear before. 

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If you could support any musician alive today, and choose your own rider, what would that entail?

The living artists of the above questions…but it would maybe be a bit of a strange match. Haha. Our rider is pretty basic: beer, fruit; chips and ginger beer for our tour manager. I’d maybe add a dartboard or a table tennis table if possible. 

What advice would you give to new artists coming through?

Find and invest in the people you work with. They need to be good at what they do, obviously. Preferably, you also like them on a personal level but, most importantly, they understand you and/or your music. 

Do you have tour dates coming up? Where can we catch you play?

World tour dates:

Oct 7th - Communion Presents @ Notting Hill Arts Club, London

Oct 11th - Effenaar, Eindhoven

Oct 14th - Bitterzoet, Amsterdam

Oct 18th - Luxor, Arnhem

Oct 24th - Paard, Den Haag 

Nov 6th - Communion Presents @ Rockwood, NYC 

Nov 8th - The catalyst Atrium, Santa Cruz* 

Nov 9th - The Independent, San Fran* 

Nov 10th - The Moroccan, LA* 

Nov 11th - Voodoo Room @ House of Blues, San Diego* 

Nov 12th - School Night LA 

*supporting City of the Sun

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Do you think you’ll come to the U.K. and play next year?

I definitely want to, hope to and do everything I can to make it happen. 

How important is it being on the stage and playing your music to the people?

It’s very, very important because it’s an aspect in my life that gives me purpose. It’s a very different creative process than writing and (for me) it’s also a challenge every time and I like challenges. Each time is different, or should feel that way. And, it’s a shared experience, with your band, crew and the audience. Sharing is good. 

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 IN THIS PHOTO: LUWTEN/PHOTO CREDIT: Eddo Hartmann Photography

Are there any new artists you recommend we check out?

Here are some Dutch acts you need to check out: LUWTEN, Sofie Winterson, Felbm and Jo Goes Hunting. 

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 IN THIS PHOTO: Sofie Winterson/PHOTO CREDIT: Paul Bellaart

Do you get much time to chill away from music? How do you unwind?

Surfing. I’m not good at all but I enjoy it every time. We have a (relatively) big coastline in the Netherlands, but the best waves are in the winter. So, when it’s flat, I like to just go out and have drink with people or stay in and watch football (soccer). Simple. 

Finally, and for being a good sport; you can choose a song and I’ll play it here (not any of your music - I will do that).

Deep Water – Portishead

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Follow Nana Adjoa

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INTERVIEW: Olivia Belli

INTERVIEW:

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Olivia Belli

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IT has been great finding out more about Olivia Belli…

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and her latest album, Where Night Never Comes. The composer discusses her musical path and what themes have inspired her latest work; if she has a favourite song from the record and whether there is anything more planned for the rest of the year.

I ask which musicians have inspired her and when she took to the piano; if there are tour dates coming up and whether there are any rising artists we need to get behind – Belli ends the interview by selecting a beautiful song.

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Hi, Olivia. How are you? How has your week been?

Hi, Sam. Today, unfortunately, I have just a little cold but I hope to recover soon. My weeks are always busy and I fell really privileged to dedicate so much time to my music. As you know, I have just released my debut album as a composer (Where Night Never Comes); I’m touring right now to present it and, meanwhile, I’m working on ideas for the remix of it and for a new album too! Very busy indeed.

For those new to your music; can you introduce yourself, please?

I’m a pianist and composer. I have been releasing albums since 2016 - so just few years. I love to try new ways to make music so I recorded my album Max Richter and Philip Glass: Piano Works using the amazing sound of the contemporary piano (UNA CORDA). Even if I’m still very involved as a performer of the music of great maestros from the past and the present, now I’m concentrating on my own music. I have been composing since I was a child but, for a long time, it was just a personal activity. I felt I had to study and learn from the works of other composer and, in my opinion, the best way is to perform their music and, alas, find another perspective.

Now, I feel ready to share my original music with all the people that love my genre: a Neoclassical style, inspirational with influences by Satie, Einaudi; Glass and Richter. For my album, Where Night Never Comes, I had to build a special soft pedal to use in a Yamaha U3 upright piano: it was the only way to find the intimate sound I was looking for. And now I’m trying to manipulate the sound with the lives electronics.

Your new album, Where Night Never Comes, is out. What is the story behind the album? How do you think it varies from your previous efforts?

This is my debut full album as a composer, so it’s completely different from all my previous releases where I performed the music of the composers I admire. I did an E.P. but only four songs as a tribute for the Piano Day 2018.

​Where Night Never Comes is a place of memory. It is my life, my passions; my interests and tells about my dears, my land and my surroundings. It’s the soundtrack of my daily life: a collection of big and small things that moved me, impressed me; left a trace on me. All together they symbolize my ideal day. A day that all of us sometimes experience, a day we wish it never finishes.

Do you have a favourite song/moment from the record?

All of them give me a strong feeling because now, after so much time, they make me remember the moment I had the need to write them. But, if I must choose one, I would say The Secret Vein - dedicated to my mother and to her sweetness that always accompany me.

When did you first take to the piano and fall for it? Was there someone who inspired you?

In my family, everybody play and love music. We had a piano at home and I used to touch the keys from just few years old - but I began my first lessons around seven/eight-years-old. I immediately understood I would never stop! Many musicians I met along my way inspired me, but the real mentor I had the (good) luck to find was and still is my husband Enrico, who now is my sound producer.

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In terms of influences; which musicians did you grow up around?

My first love was and still is Bach: I can’t imagine my life without his music. Then, I must mention Chopin, Ravel and Satie - they influence my compositions. From the contemporary composers, the ones I admire most are Philip Glass and Max Richter; Ludovico Einaudi for how he can make the piano sing; Ólafur Arnalds for the way he mixes all the genres.

What do you hope to achieve by the end of 2018?

Hard question! Actually; the main goal would be to reach - with my music - the heart of as many people as possible through the concerts, the streaming platforms or videos.

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Have you got a favourite memory from your time in music so far – the one that sticks in the mind?

All the moments in which, while playing, I find a promising idea and I chase it, losing track of time. That’s the place I would love to live in.

Which three albums mean the most to you would you say (and why)?

Bach: The Goldberg Variations by Glenn Gould (1955); Bach: The Goldberg Variations by Glenn Gould (1982). It is amazing to feel, in these two versions, the two completely different interpretations of the same work and both are so convincing. Of course; I have many more albums than one to mention but, if I have to say one, I would say Recomposed by Max Richter- Vivaldi - The Four Seasons. For me, it represents the beginning of my time as a performer and a composer.

If you could support any musician alive today, and choose your own rider, what would that entail?

Jakub Ciupinski: a visionary musician who, in my opinion, should deserve much more attention. I discovered him through his work, Morning Tale: i. Nocturne. I would like him to write more for piano solos.

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What advice would you give to new artists coming through?

Never give up! It’s hard to find our way in the new music market but keep updated; do your best and, at the end, something will happen.

Do you have tour dates coming up? Where can we catch you play?

Now, I’m touring in Italy and I’m dealing for dates in Europe. On my site, you can find all the news.

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IN THIS PHOTO: Douglas Dare/PHOTO CREDIT: @ozgecone

Are there any new artists you recommend we check out?

Douglas Dare - because his songs are strong, like a punch in the stomach 

Do you get much time to chill away from music? How do you unwind?

When I get some free time, I love walking around the woods near my house (in 2012, I moved to the countryside); reading books and taking care of my garden!

Finally, and for being a good sport; you can choose a song and I’ll play it here (not any of your music - I will do that).

From the E.P. Bach Reworks by Víkingur Ólafsson, the track For Jóhann

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Follow Olivia Belli

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INTERVIEW: Poor Nameless Boy

INTERVIEW:

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Poor Nameless Boy

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THE terrific Poor Nameless Boy…

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has been telling me about his latest single, Catch Up and Slow Down, and how it came together; what the story behind his moniker is; whether there is going to be more material coming along soon – I was keen to know whether he has musical idols and influences.

The Canadian songwriter talks about his father’s influence on his music and reveals whether he might come to the U.K.; what advice he would give to artists coming through; if he ever gets time to unwind away from music – he ends the interview by selecting a great song.

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Hi, Poor Nameless Boy. How are you? How has your week been?

Not so bad! Just got home after a weekend of five plane rides, so some coffee and songwriting will do me just fine.

For those new to your music; can you introduce yourself, please?

My name is Joel. I’m from the prairies of Saskatchewan in Canada and I’m a songwriter at heart. I tend to find myself in genre discussions of Singer-Songwriter, Americana and Folk among others. Last time I was here people compared the writing style to Conor Oberst, so I’ll take that. This track is certainly a bit different.

Catch Up and Slow Down is your new track. Is there a story behind it?

I love truly asking people how they are doing and it seemed that lately the same answer of “Good, busy” came up more and more. We are all busy. We are all somewhat ‘ok’. Getting together for coffee with old friends or truly connecting with someone new should be something special though; something that slows time down; allows you to love those who are most important in life; a desire for intimacy.

Might there be more material coming next year do you think?

Oh, you betcha. This is the first single from an E.P. which will be released early-2019 and there will thankfully be other videos and singles from it.

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Can I ask where the moniker ‘Poor Nameless Boy’ stems from?

Sitting at the kitchen table with my father...

My family has a long history in the music scene, including him, uncles and my older brother. I wanted a stage moniker but couldn’t decide on anything. He poked fun by saying: “Oh, poor nameless boy”. I surprisingly loved it. In a world where music is often about riches and fame, I certainly don’t mind being poor and nameless.

In terms of influences; which musicians did you grow up around?

My father was an entertainer in the ’60s and ’70s primarily. I grew up with Pop, Rock; Motown and really fell in love with the vocal harmonies of that era. I went through a distinct Emo phase by falling in love with Jimmy Eat World as a teenager.

But, lately, I have been very much influenced by songwriters such as Noah Gundersen, Phoebe Bridgers and Canadian storytellers like Del Barber, William Prince and Donovan Woods. I fell in love with the songwriting craft and discussing ‘why a song works’ is one of my favorite things.

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What do you hope to achieve by the end of 2018?

I hope to get my Christmas shopping done earlier so I’m not being frantic. I also would love to do more co-writing during the start of the winter season. It’s going to be a lot of preparation work with the E.P. coming out soon into 2019 but I’m just trying to enjoy the fact that people are giving Catch Up and Slow Down a chance. It’s a beautiful thing.

Have you got a favourite memory from your time in music so far – the one that sticks in the mind?

I played Reeperbahn Festival in Germany a couple years ago. It was after my first performance where I signed a publishing deal. I love writing songs and having someone invest in my creativity to do that means the world to me. I also played a stacked Canadian line-up in London which is a show highlight for me. William Prince, Port Cities and Blonde Diamond (Formally Youngblood) made up the rest of the line-up.

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Which three albums mean the most to you would you say (and why)?

They each hold a special place for me. The first E.P., I barely wanted to make. The first full album was basically just a buddy and me making it work. A lot of the songs were my personal healing. Bravery felt like the truest form of what kind of music I wanted to make. Lots of emotional songs.

If you could support any musician alive today, and choose your own rider, what would that entail?

Lots of candy and coffee. Lots of fresh fruit and soup. I think it would be very humbling to perform with Phoebe Bridgers. The songs off Stranger in the Alps have influenced my writing.

What advice would you give to new artists coming through?

Hang in there. Be unforgettable. Aspire to write unforgettable songs. Be kind to people.

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Do you have tour dates coming up? Where can we catch you play?

I’ll be touring quite a lot in 2019, beginning with plenty of Canadian dates. The plan is to have both U.K. and European dates but…nothing to announce quite yet.

Might you come to the U.K. and perform?

I love the U.K. and I’ll for sure be back.

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 IN THIS PHOTO: Luca Fogale

Are there any new artists you recommend we check out?

Hmm. I just finished seeing an artist named Luca Fogale for the first time in an intimate show. He was terrific.

Do you get much time to chill away from music? How do you unwind?

I watch a lot of cartoons and hockey to relax. I’m Canadian, after all. I think with music I go through very busy seasons and more relaxing seasons where I can write a bit more.

Finally, and for being a good sport; you can choose a song and I’ll play it here (not any of your music - I will do that).

Give a spin to William Prince - Breathless. He’s a good soul

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Follow Poor Nameless Boy

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INTERVIEW: J. Bruno

INTERVIEW:

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J. Bruno

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THIS interview finds me talking with J. Bruno…

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as he discusses his latest single, Lose Yourself. The Danish artist tells me about his musical upbringing and what he has planned going forward; a new act we should get behind – I ask whether he will come to threw U.K. and play at some point.

J. Bruno reveals what he does away from music and a few albums that mean a lot to him; how his work has developed since the very start; what he wants to achieve by the end of the year – he selects a great song to end the interview with.

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Hi, J. Bruno. How are you? How has your week been?

Hi there! My week has been good. Got back from N.Y.C. on Friday. I was there to play three shows. Then, I was offered a support gig in Denmark for Yellow Days (from the U.K.) on Monday.

For those new to your music; can you introduce yourself, please?

My music is all about love and everything that comes with it.

Lose Yourself is your new song. What is the inspiration behind the song?

Lose Yourself is a song that I wrote on an electric organ that I have in my living room. It has a drum machine built in it so I was kind of just playing around with that.

I believe an E.P. is coming up. Are there particular stories and personal experiences that inspired the music?

Well. All the things that I write are, on some level, based on personal experience. I’m not through selecting the songs for the E.P. so I can’t exactly say what they are about yet. But, stuff that happens to me, things I feel an urge to express - or just things I find funny to say out loud.

Which artists did you grow up around? Were you raised in a musical family?

My mother’s side of the family introduced me to Classical music. Her brother and sisters are all Opera singers, pianists and such. So, I have attended a fair share of operas and symphonies. My father was a Ragtime pianist and he loved the rhythm and soul of the ’80s. 

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What do you hope to achieve by the end of 2018?

Hopefully, I will have made enough money to buy my mother and sister a decent Christmas present.

How do you think your work has developed and progressed since the start?

There was a time when I didn’t think about what I was doing: I just did it. Then, all of a sudden, I became aware of this, that and the other. The past couple of years, I have practiced getting back to that state in which I just let things flow. That was the main reason why I went to play in N.Y.C. I wanted to improvise the whole thing, which I did. So, before I went there, I bought a lot of new equipment I didn’t know how to work. So, I had to do stuff intuitively. I learned a lot from that experience.

Have you got a favourite memory from your time in music so far – the one that sticks in the mind?

When I was five, I remember hiding a C.D. from my drum teacher because we always had to play stuff from it. I don’t know why I didn’t just tell him that I wanted to play something else. I was always a shy kid.

Which three albums mean the most to you would you say (and why)?

That always changes. But, three albums I always enjoy listening to are Blonde on Blonde by Bob Dylan; A Night in Tunisia by Art Blakey and the Jazz Messengers and H’art Songs by Moondog.

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If you could support any musician alive today, and choose your own rider, what would that entail?

If I could support any musician? I’m not sure I understand the question (smiles). My dream rider includes hot sauce, Danish pastries; blood from a bat and sparkling water.

What advice would you give to new artists coming through?

I’m not sure that I am in a position to give anyone advice on how to built a career. But, the best things that have happened to me have always come from surrounding myself with good people and keeping an open mind to new creative ideas. 

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Do you have tour dates coming up? Where can we catch you play?

I do have one show that I’m really looking forward to be playing. But, I’m not allowed to reveal the date or the venue as of yet. Keep a look out. I’ll post about it first thing when I get a go from the promoter.

Might you come to the U.K. and play at some point?

Definitely. I have played a bunch in the U.K. with John Hassall of The Libertines and I always enjoy it. Love the country, the food and, of course, its graceful ladies.

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Are there any new artists you recommend we check out?

I get a kick out of listening to the debut album by Danish duo Kogekunst. But, I’m really bad at finding out about new artists. You really should ask my sister Julie about that.

Do you get much time to chill away from music? How do you unwind?

No. I don’t lately. I do boxing with my homeboy Benni when I have the time. He used to box at a really high level, so I learn a lot from him.

Finally, and for being a good sport; you can choose a song and I’ll play it here (not any of your music - I will do that).

Thanks! I will probably go with Pigmy Pig by Moondog

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Follow J. Bruno

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INTERVIEW: Fil Bo Riva

INTERVIEW:

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Fil Bo Riva

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I have been spending time with Fil Bo Riva…

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as he tells me about the brand-new single, Go Rilla, and the strange inspiration behind it. I ask when more material might come and when music came into his life; which albums are most important to him and whether there are gigs coming up.

The songwriter tells me what he wants to achieve by the end of the year; which artist he’d support given the chance; if he gets time to chill away from his busy schedule – he ends the interview with a great song choice.

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Hi, Fil Bo Riva. How are you? How has your week been?

All great, man!

For those new to your music; can you introduce yourself, please?

I'm a solo musician but also a band. I would describe our music as a mix of Folk, Soul and Indie. The music plays with strong dynamics and big vocal parts. Hard to describe it but I'd be best to just listen to the songs.

Go Rilla is your latest single. What is the story behind the song?

I first came up with the idea to the song in Manchester in 2016 while supporting Joan As Police Woman through Europe that winter. It was raining outside and I was in the bathroom just before soundcheck.

Somehow, I started staring at this poster of the club we were playing called Gorilla. I don’t know why but I just got a flash inspiration; took my phone out and immediately started singing the chorus, melody and words. Everything else developed some time after when I found other lyrics I had written down after a dream - most of these words suited what I had in mind and so it just ended up being what it is now: a song about unbridled passion and the rapturous idea of escaping the real world.

How do you feel your work has evolved since the start? Do you feel more adventurous and confident as a songwriter?

I noticed a bigger interest in experimenting with other instruments and sounds, but also in the way I write. Sometimes, songs come out longer and maybe a bit too complex. But, that's something that you can adjust while writing. It's good to try different things.

Might we see more material in 2019?

Of course. Our debut album will come out in early-2019. Very excited about it.

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Give me a sense of when music came into your life. Did you grow up around a lot of different sounds?

I was around ten…that's when I got my first guitar. I didn't really listen to music but I started playing. We weren't a very musical family but my parents used to listen to good music - stuff like ABBA, Queen or The Bee Gees. Sometime after getting my first guitar, I discovered The Beatles through my neighbours and fell in love immediately.

What do you hope to achieve by the end of 2018?

Well. We're still finishing off the last songs for the album, so we'll have it mixed and mastered by the end of the year.

Have you got a favourite memory from your time in music so far – the one that sticks in the mind?

Playing in front of 3,000 people in Cologne in 2016 was mad. We played a handful of gigs before that as a duo and we were opening for Matt Corby. I've never been so scared before! 

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 PHOTO CREDIT: Frank Brill

Which three albums mean the most to you would you say (and why)?

Very hard. That's a question where I never know what to answer cos it's always Beatles albums. Haha. So, I would say: ‘The Red Album’, ‘The Blue Album’ and the ‘1’ album.

If you could support any musician alive today, and choose your own rider, what would that entail?

Today, I'd choose Bon Iver cos the music somehow suites me and the audiences (at his shows) were always very quiet and respectful.

What advice would you give to new artists coming through?

Focus on your songwriting and on your person. Stay yourself but try and find something that makes you stand out from others. Make everything with love and try to share your work; don't try and do everything your own.

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 PHOTO CREDIT: Frank Brill

Do you have tour dates coming up? Where can we catch you play?

Tour dates will be announced this Friday… 

Do you think you’ll come to the U.K. and play next year?

Of course!

How important is it being on the stage and playing your music to the people?

That's something I had to get used to. I didn't like it at the start but I had to get used to it and finally I started finding a way to love it.

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  PHOTO CREDIT: Frank Brill

Do you get much time to chill away from music? How do you unwind?

Not really - but I'm constantly thinking about finding something

Finally, and for being a good sport; you can choose a song and I’ll play it here (not any of your music - I will do that).

Aretha Franklin - Think

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Follow Fil Bo Riva

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INTERVIEW: KIDSØ

INTERVIEW:

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KIDSØ

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THANKS to KIDSØ…

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for talking about their single, Apart, and how it came together. I was keen to know how the duo got together and the music that inspires their sound – I learn about their upcoming tour plans and which rising artist we need to look out for.

KIDSØ discuss their path into music and what the music scene is like in Germany; what advice they would give to artists coming through; how they unwind away from music; what their favourite memory from their time in music is – they end the interview by selecting a cool song.

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Hi, KIDSØ. How are you? How has your week been?

The last few months we were quite busy working on our E.P. We both decided to take a few days off to from music producing. We just came back from last weekend at the lake Schliersee in Bavaria. That was quite relaxing and we had time to think of 2019 and to create a road map for us.

For those new to your music; can you introduce yourselves, please?

We are Moritz and Martin and play some kind of down-tempo, organic Electronica. We both started playing drums and like to focus on beats and rhythms. Moritz is more responsible for harmonies and melodies; Martin plays the beats and percussion.

How did KIDSØ get together? When did you all form?

Martin moved to Munich six years ago. At that time, he was looking for some other musicians to play some music. At that time, we both met for the first time and we immediately started to play in our first band together. KIDSØ was formed years later based on the music we played since we met.

Your new single, Apart, is out. It is from the E.P. of the same name. Are there particular themes and stories that inspired its creation?

We produced almost all songs of the entire E.P. close to a Bavaria lake in a small and quiet house. We took all our equipment from the studio and moved for several weekends and days to that place. That was quite motivating. We tried to combine the environment we had there with our music. Some of the rhythms and sounds you hear on the E.P. are based on elements from that lake. For example, the sample of that whale you hear in the song actually was a bird we took from there.

Which artists did you all grow up around? Do you have any personal musical idols?

The artists we grew up with inspired us to start learning and playing our instruments. As we started with KIDSØ, we also listed a lot to artists like Christian Löffler, Parra for Cuva or Ólafur Arnalds. They pretty much influenced us and the music we create today.

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As a German duo, what do you think of the scene there? Is there a big market for Electro artists?

Most artists and labels in of Electronic music in Germany are located in Berlin. Compared to Munich, the city we both live in, the scene is not that strong here but definitely evolving. We are proud to be part of that process here in Bavaria. 

What do you hope to achieve by the end of 2018?

We will release our debut E.P. on 26th October this year. We put all our efforts into that release and will promote our release and music from then on. But, we will see. A few gigs are still in the pipe for the next months.

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Have you each got a favourite memory from your time in music so far – the one that sticks in the mind?

That was definitely a concert we both played together in 2014. We played a show in the Muffathall in Munich. All 2,800 tickets were sold and the venue was fully packed. That was impressive and still motivates us.

Which one album means the most to each of you would you say (and why)?

We both share playlists on Spotify - it is hard to say that there is this one album. But, we can say that there are some songs and artists which means the most to us. For example, tracks like Window from HVOB or Blurred from Kiasmos.

If you could support any musician alive today, and choose your own rider, what would that entail?

We love the current tour of Ólafur Arnalds. He has incredible stage equipment with him on all concerts. We would definitely want to have a full piano with us on stage at some point in time. That would be that key element in our stage rider.

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Can we see you on the road this year at all after your album launch?

We are touring in Germany end of this year and beginning of next year. You should check our channels as we will announce some shows for spring 2019 in a few days.

What advice would you give to new artists coming through?

Stick to that music you like and not what others want you to do.

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 IN THIS PHOTO: Owen Ross/PHOTO CREDIT: Felix Strosetzki //Photography

Are there any new artists you recommend we check out?

Our label, Finest Ego, is pretty well known for discovering some new evolving artists. You should check out their artists like Owen Ross.

Do you both get much time to chill away from music? How do you unwind?

We would love to, but do not find enough time to do so yet. We sometimes just take our boat and paddle on the lake Starnberg or Ammersee. That gives us the opportunity to unwind from daily life.

Finally, and for being good sports; you can choose a song and I’ll play it here (not any of your music - I will do that).

As we spoke about one of our most preferred artists, we would suggest Ólafur Arnalds’ Near Light

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Follow KIDSØ

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INTERVIEW: Tiger Lion

INTERVIEW:

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Tiger Lion

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THE excellent Tiger Lion…

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has been talking about the new single, Black Sea, and what its inspiration is. I ask how her music comes together and when music arrived in her life; if there are tour dates coming up and how important it is being on the stage and delivering music to the people.

Tiger Lion reveals a few albums that are especially important and recommends some rising artists – I ask whether there are plans for 2019 and what advice she would offer to artists coming through right now.

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Hi, Tiger Lion. How are you? How has your week been?

Bonjour! I’m good. My week has been quite full-on with two gigs, the release of our new song; work and life in general!

For those new to your music; can you introduce yourself, please?

My name is Clémentine. I am a music-maker under the name ‘Tiger Lion’ and the project comes to life with two wonderful humans - Geoffrey (guitar) and Dan (drums). We are mainly French but based in North London.

I would say we’re making a kind of experimental Pop with a big love for Shoegaze, analog synths and World music.

Black Sea is your latest single. Is there a story behind the song?

This song was inspired by a ‘voyage’ in Scotland and some of the Hebrides islands. The darkness of the sea and its texture were fascinating. I suddenly had to go back to London, travelling from the Isle of Skye to Euston in just a day. It was a strange situation. More generally, it is a song about feeling disconnected from your essence - it could be a land, a loved one; your family…

The physical release of Black Sea is actually limited edition prints from this trip.

How did you get into music? Was it something you were always around?

My parents are very musical. I can remember myself singing from a very young age; humming melodies at the back of the car, daydreaming all the time. But, I didn’t play any instruments until quite late.

When I was small, I was more into horse riding because music was ‘my parents’ thing’ but, slowly, around the age of sixteen I picked up a bass. My dad showed me how to play the basic notes and I started playing in bands.

I love how your music sounds and comes together. Do you play with a band and work on tracks together?

These days, I write and record demos on my own, then we work on additional production with Geoffrey and Dan. After that, we adapt the song for the live show (sometimes, I get carried away and add lots of sitar sounds and Iranian flutes and I forget I don’t have a sitar or a flute player with me!).

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Can we expect any more material in 2019? Are you looking that far ahead?

I am writing an album! It is inspired by different places, but more specifically Japan. I’m hoping to release it sometime in 2019. 

What do you hope to achieve by the end of 2018?

Hopefully, I will have a full album written and recorded (smiles).

Have you got a favourite memory from your time in music so far – the one that sticks in the mind?

That time where we played in Exeter Cathedral was magical. There was actually a mini, five-minute documentary made about this performance.

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Which three albums mean the most to you would you say (and why)?

‘The White Album’ from The Beatles

Because it means everything.

A Moon Shaped Pool by Radiohead

It just encapsulates everything that I love - unexpected textures, beautiful melodies. Everything touches the soul so deeply.

Kelly Lee Owens released a first self-titled album last year and it felt extremely timeless. She represents something really current to me - fresh and inspiring, creative and humble. Her album means a lot to me.

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If you could support any musician alive today, and choose your own rider, what would that entail?

If I could open for PJ Harvey with a full-on raclette party in my dressing room that would be perfect.

What advice would you give to new artists coming through?

Don’t think about the top of the mountain but think about the progression.

Do you have tour dates coming up? Where can we catch you play?

Yesss. I am playing in France and U.K. in the next few weeks:

24.10: Angers/Le Joker's Pub (FR.)

26.10: Brest/UBO (FR.)

27.10: Rennes/Le Bar’Hic (FR.)

27.10: Nantes/Le Bras De Fer (FR.)

11.11: Brighton/Rialto Theatre (U.K.).

How important is it being on the stage and playing your music to the people?

I love touring! It’s such a different approach from the studio and the songs are sounding so different. I think it’s important to have this feeling of sharing your melodies with people. Sometimes, when I sense that the audience likes the music, it makes me feel really emotional.

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IN THIS PHOTO: indi

Are there any new artists you recommend we check out?

I really like indi; a New Zealand artist. Halo Maud is a French artist and really capturing an amazing Neo-Psychedelia sound.

I also recently worked on a film project for an artist called Beverly Glenn Copeland. I feel he is new because people are just starting to discover his music. He is a seventy-four-year-old trans man who is embarking his first ever E.U. tour this November to promote an album made in the ’80s called Keyboard Fantasies.

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 IN THIS PHOTO: Halo Maud/PHOTO CREDIT: Andrea Montano

Do you get much time to chill away from music? How do you unwind?

I like taking long breaks to travel (if I can); preferably surrounded by nature. I try to nourish myself on new cultures and landscapes. I also go back to my parents’ place in the middle of nowhere in France to recharge.

Finally, and for being a good sport; you can choose a song and I’ll play it here (not any of your music - I will do that).

Can you play this song by amazing French artist Flavien Berger – Brutalisme

Merci.

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Follow Tiger Lion

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INTERVIEW: One-Way Song

INTERVIEW:

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One-Way Song

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IT has been great speaking with One-Way Song…

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about their formation and what we might expect from their forthcoming E.P., Passionate Leave. I was keen to know what inspired the E.P. and how the band got together; what Manchester is like as a base and which rising artists we need to get involved with.

The guys discuss their music tastes and reveal whether they will hit the road; if they have a particular album they all love and what their plans are for 2019 – they end the interview by selecting a rather good song.

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Hi, guys. How are you? How has your week been?

We’re good, thank you. We’ve been preparing for our album release so a busy week!

For those new to your music; can you introduce yourselves, please?

We formed out of a theatre group named Finn Youth Productions that we set up after turning down university a few years ago to start it. In early-2017, we’d written some songs for a future production but decided they’d be good to record and release in their own right - this soon snowballed into live gigs and then into a fully-fledged project, hence ‘One-Way Song’. Now, our debut E.P. Passionate Leave, is coming out this November.

How did One-Way Song find one another? Was it an instant bond?

The initial members met through working together on theatre, so it was seamless going on to start One-Way Song. I should say, though, that we operate more as a collective than a traditional band now: we don’t have fixed members, so to speak. Mat and Keiron at Hilltown Studios completely transformed the songs in production and Jay Stansfield, the lead singer from All Hail Hyena, does vocals on Billy Fisher Fitzgerald. It is the idea of One-Way Song that is the main thing; more than who is involved at any given moment.

You are based in Manchester. Is there a varied and busy scene there now?!

We’re based in Manchester but have actually been in Budapest a lot of this year, so it’s a bit disorientating. The stuff in Manchester that’s not being pushed is quite cool; The White Hotel seems a good venue (though that’s Salford really) and the Imperial War Museums had this exhibition about Wyndham Lewis - which we mention later on - that was great, so that’s very varied. You go to the stuff that is self-consciously the ‘Manchester scene’, though, and it’s like the Apathetics from that film, Zardoz. Ultimately…it depends what you are looking for.

Passionate Leave is your upcoming E.P. Are there particular themes that inspired the E.P.?

As the title might suggest; a lot of it is inspired by travel. Mark Twain said something like Napoleon was once the only man in Europe who could really be called a traveller; he was the only man who had devoted his attention to it, but now everybody goes everywhere - this rings even truer today with everlasting gap-years and Airbnb and so on. It’s like a democracy of vitality: everyone is in love with too many things. It’s something we wanted to examine a bit.

One track is about Marseille, one is about Germany; one is about the travelling through the U.K. class system, but all from different perspectives.

Which artists did you all grow up around? Do you have any personal musical idols?

A lot of film soundtracks, like the Bond music from John Barry and the Dollars trilogy music by Ennio Morricone. And things like Glen Campbell and Johnny Cash. We can’t really say we have any idols, so to speak; just people like the above whose work we really respect.

What do you hope to achieve by the end of 2018?

Right now, we are dedicated to the release of Passionate Leave. Then, our next aim is to get even newer songs recorded before the end 2019. We’ve written a follow-up album entitled Dark God’s Latter Holidays, with two new singles ready to record and release.

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In that same vein; do you have plans for 2019 in terms of what you want to accomplish?

It’s ambitious, but we’re doing a play about Wilhelm Reich that involves original tracks by One-Way Song and we hope to stage it in 2019. Reich invented the orgone box and the cloudbuster (which Hawkwind and Kate Bush sang about, respectively) but it will be a historical play also covering events around his life from the assassination in Sarajevo to MI6 and Rasputin. It’ll be rewarding and we hope to bring together both our music and theatre work.  

Have you each got a favourite memory from your time in music so far – the one that sticks in the mind?

Probably, for each of us, it’s our Imperial War Museums showcase. Our group is named after a poem by Wyndham Lewis, so to do our debut performance at the first major exhibit of his work in sixty years was a good memory. We got to see the whole exhibition afterwards and there was this portrait there donated from the private collection of Bryan Ferry, which was cool. Lewis is still ahead of his time, even minor books like Doom of Youth, which is nearly ninety years old. Says more about what is going on today than most contemporary works.

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Which one album means the most to each of you would you say (and why)?

By unanimous choice it’s Lulu by Lou Reed and Metallica. It’s like Metal Machine Music: it will take years for everyone to catch on (if they ever do). The opening lines to Brandenburg Gate alone are enough to make this a masterpiece.

If you could support any musician alive today, and choose your own rider, what would that entail?

Ennio Morricone, I guess! He’s still making great music. As for the rider; a sole glass of Caveman True Paleo Formula.

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Can we see you on the road this year at all?

We’re working on it is all I can say right now. News will be coming very soon, though, so stay tuned.

What advice would you give to new artists coming through?

Get good people around you; read books that aren’t on the syllabus; stick to art as opposed to ‘the arts’.

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Are there any new artists you recommend we check out?

Boothroyd (his album this year, Pure Country, is great. Poland’s Stara Rzeka are also great. Check out The Common Cold too. And Sateliti - their track, Audi, is genius (you have to watch the video, though).

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Do you all get much time to chill away from music? How do you unwind?

This is a tough question.

I guess we don’t really see music as something to relax from! We enjoy working on new stuff all the time. The only problem we have is finding time to fit it in. We agree with that Bernard Shaw quote: “A perpetual holiday is a good working definition of hell”. Must be the Catholic work ethic.

Finally, and for being good sports; you can each choose a song and I’ll play it here (not any of your music - I will do that).

We’re going to choose unanimously again! Laibach - Opus Dei (Life Is Life)

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Follow One-Way Song

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INTERVIEW: AyseDeniz Gokcin 

INTERVIEW:

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PHOTO CREDIT: Ray Tarantino  

AyseDeniz Gokcin 

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THE terrific AyseDeniz Gokcin…

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 PHOTO CREDIT: Ray Tarantino

has been talking with me about her path into Classical music and how that passion developed. She tells me about her track, Watches, and what we can expect from the upcoming E.P. of the same name. I ask Gokcin what her earliest musical memories are and why she started composing her own music.

The composer/songwriter recommends some rising artists to watch and reveals whether she is touring soon; what she hopes to achieve before the end of the year and whether she gets time to chill away from music – she ends the interview by selecting a cool Beatles song!

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Hi, AyseDeniz. How are you? How has your week been?

Hi. Thanks so much for having me! It’s been crazy-busy. I had a concert in Istanbul last week and this week I’ll be performing in London. Then, I fly to Italy to play for the Turkish Consulate in Milan and then on to Cyprus!

For those new to your music; can you introduce yourself, please?

Sure! I am a musician – and I turn my experiences into notes on a piano to make people feel alive. I was raised in a non-musical but music-loving family, so we listened to all styles (especially Rock ‘n’ Roll, golden oldie; musicals, Classical and Rock music). It was part of my everyday life at home. However, I went to a strictly Classical school and I had finished my Bachelor’s (and almost my Master’s degree) before I began to mix genres I love to represent my own personality. I have arranged Rock songs for piano, worked with a D.J.; composed for a contemporary dance company and it’s been a unique journey so far with all its rollercoaster ups and downs!

I have two Beethoven albums coming out and an album of original compositions as well as covers. I am now happier and more satisfied on stage and I can connect to people much more easily as I know that what they’re listening to comes straight from my heart and soul to their ears and then, hopefully, to their souls as well. 

Watches is your latest song. Can you reveal how it came together and whether there is a story behind it?

Absolutely! For many years, I went to school and studied the genius scores of Bach, Mozart; Beethoven, Chopin; Debussy…they were so great that I wouldn’t dare to make anyone else listen to my compositions, let alone take myself seriously - even though I had been composing since middle-school for fun. It was never my plan to become a composer, as the education system also divided performers from composers. However, after arranging so many Rock songs and performing so much Classical music I thought, finally, that I am there. While the urge in me to release my own music grew bigger, I also wanted to stop playing other people’s music. This was also thanks to my followers, who kept asking for original music.

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 PHOTO CREDIT: Ray Tarantino

From my home, I shared with them video excerpts of my new musical ideas, asking for their opinions; possible titles and what it made them feel - and the reactions I got were absolutely amazing. I remember the first time I told them about Watches. I had just composed it and while my friends were waiting for me to join them for dinner I told them “I’ll be right there” and recorded a small video of me playing it on my upright piano in a pink sweatshirt. It got 40K views in a day, which was quite a surprise to me and gave me the courage to compose more. 

This was a time when I went to concerts and discovered many different contemporary and minimalist styles that inspired me. Somehow, when I went to concerts, all the pieces I listened to that were minimalist were also very easy to perform - and I wanted to create something simple yet virtuosic to play. Watches is, indeed, very difficult - from raging arpeggios to crossed hands playing softly; it requires a very careful balance of power and a caring touch. You caress the keys, creating the right pressure in the fast moving notes. It should look easy… 

Now; the score is on Musicnotes.com and I am very excited that it is going to be in my upcoming album of original compositions!

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PHOTO CREDIT: Sinan Uçkan

Watches is taken from the E.P. of the same name. Are there particular personal stories and ideas that go into the songs?

Yes, indeed. Each piece has a meaning that came from my heart:

Plastic Prelude is an elegy I composed after seeing the plastic waste swimming in the Caribbean ocean for miles and I wanted to create my own way of calling for awareness and action to save our planet. We are messing up our natural environment and need to change the general attitude our societies have towards waste, over-consumption; meat and dairy factories and climate change. Thank goodness for social media – so many of us now see what is happening behind closed doors.

I would love to ask the listeners to write their own comments about what my music represents to them, so I will leave the rest up to them!  They can share their thoughts with me on Instagram or Facebook – I love hearing those!

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PHOTO CREDIT: Sinan Uçkan

Do you recall your earliest musical memory? Which artist or song first struck your mind?

This will sound so weird but, somehow, I was so scared of the Triumphal March from Aida! I remember having nightmares hearing that (smiles). No idea why but it still gives me a dark feeling! Other than that, my first two C.D.s were Michael Jackson’s Dangerous and The Simpsons soundtrack. I loved those! 

Was there a reason you decided to play and compose music? Is it a passion you had in you as a child?!

I would spend so many hours on the piano as a baby that it happened naturally. With my mother, I would go many times to piano teachers to see if my hands were big enough to start lessons.  I would play it when I woke up, right away without going to the toilet or brushing my teeth or having any breakfast. I would forget to do anything else. I still forget to eat when I begin working. Time flies.

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PHOTO CREDIT: Sinan Uçkan

Composing was always for fun for me and I would do it to escape the stress of the academia (in which you play the same pieces hundreds of times and your creativity wants to go beyond all that). Becoming a composer was not part of my career ambition as music schools have completely separate degrees for that. Without having any boundaries, I would compose Pop songs, fugues and oriental pieces to just have fun and a break from all the repetition and discipline.

Finally, after some years out of academia, in an experiment playing around with the chord progression of a Rock song, I composed Watches and asked my fans online what they thought. The reactions I got were so incredible that I decided to record an album of all originals - which is coming out on 23rd November!

What do you hope to achieve by the end of 2018?

I would like to establish my name as a composer and I want my fans to get to know me as a composer and not only a pianist. 

Have you got a favourite memory from your time in music so far – the one that sticks in the mind?

Yes. The moment I learned how to read music notes like words when I was six. It was an incredible feeling - like when you start a new language and, after many efforts, you can finally start reading a book. Even if you don’t understand all the words, you know what it’s trying to say. 

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PHOTO CREDIT: Sinan Uçkan

Which three albums mean the most to you would you say (and why)?

Nirvana Project: It was very difficult to mix Electronics with an acoustic piano sound and it worked brilliantly. I am so happy with it as it conveys so many emotions based on Kurt Cobain’s life. It is almost like a musical documentary: you listen and understand the story without needing images or words.

A Chopin Affair: This album was very important as it shows my abilities as a Classical pianist.

Pink Floyd Classical Concept: It is obviously very important as well – because it was the starting point of my career and provided me with a hopeful path full of new and ever-loyal fans!

If you could support any musician alive today, and choose your own rider, what would that entail?

I would love to work with Ólafur Arnalds and/or Joep Beving to perform and compose together. I love their music. I would also love to perform with some of the artists whose music I have arranged for piano such as Roger Waters or Coldplay. It’s crazy as those examples have nothing to do with each other but that’s who I am – I just love so many genres!

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PHOTO CREDIT: Sinan Uçkan

What advice would you give to new artists coming through?

You should focus on what makes you artistically different from others and should emphasise that. Once you are disciplined with achieving your dreams through your best qualities, success will follow.

Do you have tour dates coming up? Where can we catch you play?

October 19th- London (U.K.); November 7th - Nicosia (Cyprus); December 14th - Vigo (Spain).

How important is it being on the stage and playing your music to the people?

For me, it is the most meaningful time I spend in life. It is more about a dialogue within me that is represented to other people. You share with the world who you are and what you feel through music. Somehow, this transfers to other people and becomes their own unique experience. Mind-blowing! 

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 IN THIS PHOTO: Poppy Ackroyd

Are there any new artists you recommend we check out?

Yes. I like Poppy Ackroyd and Lambert! Also; there is a ton of young talents around.  I love Benjamin Grosvenor – who is already an established genius.

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 IN THIS PHOTO: Benjamin Grosvener

Do you get much time to chill away from music? How do you unwind?

I actually spend too much time on my phone for work: I need to update everyone all the time and this gets too much. I also had some physical pain due to practicing piano for many years without any proper physical training, so I ended up with three slipped disks. I have recently started Pilates and am hoping to turn my lifestyle into one that is more balanced with sports and nature. I want to go on hikes and swim more often - and go to places with more clean air and sunlight!

Finally, and for being a good sport; you can choose a song and I’ll play it here (not any of your music - I will do that).

Roll Over Beethoven (smiles) by The Beatles!

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Follow AyseDeniz Gokcin

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INTERVIEW: Alice Rose

INTERVIEW:

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Alice Rose

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I am kicking off today by speaking with Alice Rose…

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who has been talking about her new single, Berlin Is for Dreamers, and what its story is. She discusses her upcoming E.P. and explains what the scene is like in Berlin right now – and why the Government are forcing musicians off of the streets.

Alice Rose tells me about her musical influences and albums that strike hard; what she hopes to achieve by the end of this year and whether there are any tour dates coming – she ends the interview by selecting a real good song.  

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Hi, Alice. How are you? How has your week been?

My week was exciting! I was in the studio making a remix for my Berlin Is for Dreamers song - coming out next year.

For those new to your music; can you introduce yourself, please?

Well. I am Alice Rose. I am a cosmopolitan, Danish singer-songwriter, autoharp and viola player. I was a one-woman-performer with sample and drum machine for many years and I spend most of my life living in different countries, sharing my music. I love unusual instruments and sounds. I was attracted early on to Electronic music, so I have done a fair amount of songs and music with Electronic production.

I spend hours in the studio producing new material and honing my craft. I also have a love for acoustic and minimal music and my roots in Classical music. On this new album, which is Dream-Folk; I have chosen to work very old-fashioned, I guess: no computer instruments or sequencer; recording all instruments live in two months last summer…a handmade album. It was a great process. I was writing so many poetic lyrics and this album just came pouring out of me.

Or…

(I am Alice Rose. I am singer-songwriter from Copenhagen, originally, in a musical home. I played violin and piano, sang in choirs; then I started with bands and theatre practice. This slowly took me into my own songwriting. Now, I live in Berlin. And, before that, I lived in Prague, Amsterdam and Cologne. I have made a few albums, mainly as a songwriter avant-garde Pop with Electronic production. I have been a featured vocalist with House and Techno music and have produced Tech, House and D.J. sets under the name ‘Tiger Rose’.

Now, at the moment, I am working mainly with an instrument called the autoharp and my new album is working without computer-generated sounds. I still love to play the viola and my loop station and am constantly working on new songs).

Berlin Is for Dreamers is your new single. What is it about Berlin that struck your imagination?

The freedom, the people; the energy. From all over the world, people travel here to live out their artistic dreams and creativity is everywhere. At least this is how it has been. Affordable rents and space has given artists a chance to immerse themselves in their work. I like this about the city and I hope it stays this way, although rents are rising and forcing people to work jobs - and therefore having less time for their art.

Would you recommend people visit Berlin? Is it a very creative city?

Yes. Berlin is a big creative hub; there is a lot to explore here. You can come as you are and just be open - and doors will open for you. There are a lot of heavy things past here: war, poverty; Nazi buildings and past. But, there is also the equal amount of old traditions of freedom, exploration and unlimited options. It is a very facetted place with many highs and lows - just like I write about in my song, Berlin Is for Dreamers.

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Might we see more material coming next year?

Yes. I am doing an E.P. of remixes of Berlin Is for Dreamers. More dancey and upbeat - also, the songs What to Do in the Rain and Heart High. At the same time, I am writing my next album which is also Singer-Songwriter but I cannot say when it will be finished. Writing, recording and producing is a process and releasing takes time and planning, especially in these D.I.Y. musician days...so, let's see.

Which artists did you grow up around? Were you raised in a musical family?

I was raised in a very musical family. We sang a lot and my mom is a pianist as well as my grandfather who was also a Classical singer. He worked as an organ player and music teacher and we spend a lot of time in his place in the countryside. I used to climb up and secretly play the strings inside the grand piano a bit like the strings on an autoharp. I also grew up playing with a tape recorder that my uncle gave us; my sister and I would do our own music show. My first job, from age seven, was singing in choir in church and I got to play piano and then the violin. Violin was my dream instrument.

My dad would listen to a lot of Beat music like The Beatles or Jazz. But, we also heard a ton of Classical music like Bach, Mozart and Peter and the Wolf by Tchaikovsky. So, a great mix. My older sister was a Whitney Houston and WHAM fan, so I was sort of ‘forced’ to listen to that when we did the dishes after dinner. I was more into Pink Floyd and Eurythmics, but when I hear a good Pop song today, I bless my sister for that influence as well. Some amazing pop songs in the '80s.

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What do you hope to achieve by the end of 2018?

To have released my album to my satisfaction, shared the music with the world; reached some people and have hopefully inspired the audiences near and far. I also would like to finish my remixes and have set up my home studio for new recording adventures.

Have you got a favourite memory from your time in music so far – the one that sticks in the mind?

When I lived in Amsterdam in 2015, I started playing street music as a live producer with a loop station, a small Hip-Hop drum machine, voice and my viola. I soon found out that they didn't tolerate amplified music in Amsterdam and got stopped by the police. Didn't wanna give up!

I had the strong urge to play impromptu concerts for myself and the world and so I bought four sets of headphones, some camping chairs and set up a silent concert where people could listen to my music on the street. A bit like a silent disco. It was amazing! So many encounters with people; met a lot of curious children; the music sounded fantastic on the headphones - like diving into a magical world – so, yeah; so many beautiful moments! It was an unforgettable feeling and experience. I may repeat it here in Berlin in 2019.

At the moment, the city is changing so much! They are kicking musicians off the streets, to ‘clean up’ the city, which I think is terrible! They should rather get rid of the many cars! I may start my silent concerts again; also as a sort of protest and to keep on living my art...

Which three albums mean the most to you would you say (and why)?

It is hard to say. SO many beautiful albums.

I do like the soundtrack of (Out of Rosenheim) Bagdad Cafe - a movie about a German lady who goes to live in a small cafe in the desert. I was so inspired by the movie that I wanted the L.P. for my birthday. It was my first record. That and a Eurythmics tape. I love Eurythmics. Uh…and Pink Floyd! Wow. Too many to choose.

An important record to me was Homegenic by Björk. It really touched me in deep ways. I remember I sat in a dark room listening to it the first time. Music can touch us in a way no words can describe. And, such a modern production! Great lyrics and a creative way to use instruments. Just a beautiful piece of work.

One more record I like to listen to (is the L.P.): Jimmy Cliff - The Harder They Come. Jamaican vibes. Also, it’s a soundtrack record. I remember watching the movie with my parents and loving the groove! One of the first old vinyl records I bought when I was a teenager.

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If you could support any musician alive today, and choose your own rider, what would that entail?

Well. I think it would be amazing to go on tour with Joni Mitchell, but I am not sure she tours anymore. If he was still alive, it would be Leonard Cohen but he passed, as we know.

Well. My dream scenario on stage would be with the autoharp accompanied by a string quartet, banjo; a grand piano, a real harp; guitar, hang drum and percussions so I could play my album the way it actually sounds with all the instruments.

What advice would you give to new artists coming through?

Meditate, travel; dance, do yoga or tai chi - so many practices to learn to be in the present moment. And, to relax in between. It’s so easy to get carried away so you need strategies to be grounded. Get to know yourself. Don't try to live up to some ideal or standard set by the music industry, business or other people. Find your own voice and write the song that it is living in you. Write from a pure heart!

Sounds easy, and maybe it’s a cliché, but actually coming from a place of true meaning is an ongoing journey. Again and again, we have to catch ourselves and ask: ‘Am I doing this for the right reasons?!’ A mantra I keep repeating to myself is “Always for the love, never for the money”, which is, of course, not easy because as musicians we also have to live and pay rent and all that. I think, in order to do something in an authentic way, you have to come home to yourself, repeatedly. I practice that, which is sometimes not so easy in this crazy, busy world full of input from everywhere.

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Do you have tour dates coming up? Where can we catch you play?

Only in Germany at the moment:

25.10: Kaffee Burger - Berlin

26.11: Aether Bar - Berlin

02.11: Wulberts - Dresden

04.11: Kindle Stuben - Berlin

07.11: Ä-Bar - Berlin

08.11: Prachtwerk - Berlin

09.11: T.B.A.

15.11: Musikmachine - Mainz

16.11: Ladezone – Leichlingen

17.11: Cologne – T.B.A.

21.11: Komm Du - Hamburg

22.11: Hamburg – T.B.A.

24.11: Prinz Willy - Kiel

28.11: Oblomov - Berlin

06.12: Artliners - Berli

Might you come to the U.K. and play at some point?

That would be wonderful, but I have nothing planned so far. Maybe next summer some festivals will pick me up, but it is beyond my control.

Are there any new artists you recommend we check out?

In Berlin, there are so many exciting, young artists. That is mainly what I listen to, but often I do not know the names.

Do you get much time to chill away from music? How do you unwind?

Yoga, meditation - and I love to dance. Also, I have an inflatable boat in the summer. It's fun to paddle around Berlin in that. Being on the water makes me very relaxed and happy. In the winter, I go to Asia and play music and do yoga. It is nice to be away from city life.

Finally, and for being a good sport; you can choose a song and I’ll play it here (not any of your music - I will do that).

This Side of the Blue - Joanna Newsom

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Follow Alice Rose

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INTERVIEW: Victory Chimes

INTERVIEW:

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Victory Chimes

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MY final interview of the day…

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is a talk with Jeff (Keys and Vox) of Victory Chimes who tells me about the new single, Halos. I ask him what sort of themes are addressed on the forthcoming album, Spinning Wheel, and if there are particular albums that are especially important to him – I discover how the Victory Chimes lead spends time away from music.

Jeff recommends a rising artist to have a look out for and reveals what tour dates are coming up; which artist he’d support given the chance; how the music has evolved since the early days and whether there are any goals to achieve before the year is through.

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Hi, Victory Chimes. How are you? How has your week been?

Doing great, thanks! Busy rolling out this record.

For those new to your music; can you introduce yourself, please?

After playing in a long list of bands in Montréal, I started Victory Chimes in 2008. It’s my outlet for some more creative and experimental ideas in songwriting. It’s been my platform to investigate long-forms, synth soundscape texture; new vocal styles, drones and general hypnosis.

Halos is out. Can you reveal how it came together and what its background is?

The seed of the song, the original inspiration and core can come from different places. A lyric, a bassline; a drum loop etc. In Halos; it started with a piano bassline. It was eventually replaced by two sub bass synth lines working against and with each other. This part became the hook of the tune as it came to represent the message of the song which developed later when lyrics were written.

The song is about the daily contradictions we live by, changing hats and wearing different faces to get by and get ahead. The interesting thing is that, through the tension of these contradictions, something new, unique and beautiful can be created. These two battling subs are literally playing out this phenomena during the song.

Spinning Wheel is your new album. What sort of themes and experiences inspired the music on the record?

There is a general theme on this record of growing up and getting yourself together. Hopefully, rising out of some of the confusion of youth and coming to a deeper understanding of the self and learning how to express that honestly. Still craving a good time, though - for better or worse.

How do you think your music has evolved and changed since the early days?

I think I’m getting closer to finding my sound and voice. In the early days, I was determined to be original and may have even written some inaccessible music in my efforts to get there. I’ve learned that true originality rather comes from a lot of self-investigating, experimenting and practicing.

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Can you tell me what sort of music you grew up around? Which artists struck your ear?

I grew up listening to a bit of everything. I learned about sonic textures from Radiohead, groove from Led Zeppelin and beats from Beastie Boys.

What do you hope to achieve by the end of 2018?

We just want to get this album to as many people as possible and get on the road and bring the live show everywhere we can.

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Have you got a favourite memory from your time in music so far – the one that sticks in the mind?

I remember hearing OK Computer by Radiohead for the first time when I was hitchhiking around Australia in ‘97. Heard sounds I had never heard before and had no idea where they came from. Really opened my ears up. Turns out most of the sounds were made by electric guitars. 

Which three albums mean the most to you would you say (and why)?

The Beatles – ‘The White Album’

For pushing the limits of songwriting.

Radiohead - OK Computer 

For sonic textures and production.

Nick Cave - Push the Sky Away

For vibe and space. He’s a dark preacher; no one can do his thing.

If you could support any musician alive today, and choose your own rider, what would that entail?

That last couple Nick Cave shows I’ve been to have been insane. He gets such a vibe at his shows and his audiences are total pyschos. I was asked to move four times in a standing room venue because I was obstructing people’s view of Nick. Would be fun to be a part of that as the opening act for sure.

For rider…just natural orange wine.

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What advice would you give to new artists coming through?

Being an artist is like being an athlete: you have to work at it every day. You have to build your creative muscles. You have to enjoy this as well because like a lot things it’s really about the journey rather than the end goal.

Do you have tour dates coming up? Where can we catch you play?

Next show is the album launch at the Bar De Ritz PDB in Montréal. We’re working of a Toronto and N.Y.C. release shows now.

Will you come to the U.K. and play at some point?

Would love to. No set plans yet but we are talking to European bookers.

Are there any new artists you recommend we check out?

Check out Parker Shper. He’s the other synth player in the band and he’s doing a solo synth instrumental project that’s pretty cool.

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Do you get much time to chill away from music? How do you unwind?

Not really. I play Jazz piano in clubs every night of the week to pay the bills. Love it, though. I run to unwind. We live near the Jacque Cartiers Bridge in Montréal, so I run over that and around parc Jean-Drapeau every other day. Good for body and mind.

Finally, and for being a good sport; you can choose a song and I’ll play it here (not any of your music - I will do that).

How about Get Real Paid (on Midnite Vultures) by Beck. It’s pretty awesome, right!?

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