INTERVIEW: Ellzo

INTERVIEW:

Ellzo

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THE first interview of the weekend is with Ellzo…

who has been talking with me about his latest track, Agnostic, and what the story behind it is. With his E.P., Time Travel, now out; Ellzo has been chatting about that. I ask which artists and albums are important to him; how influential London is to his sounds and directions – Ellzo recommends some rising artists worth looking out for.

I was keen to know what comes next and how he got into music; if he unwinds away from music and whether he has advice for musicians coming through right now – Ellzo ends the interview by selecting a great track.

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Hi, Ellzo. How are you? How has your week been?

Hey. It’s been a real’ good week. Just came back from an interview with BBC 1Xtra.

For those new to your music; can you introduce yourself, please?

So. I go by the name Ellzo. I’m a producer (and, I guess, singer now) from London. I produce a lotta bouncy Futurebeats music and R&B mainly.

Agnostic is your new single. Is there a tale behind the song?

In social interactions, I’ve been known to be indecisive on expressing my own opinions from fear of being judged. The line “stuck in the middle” refers to my mental state being torn between choosing to express my opinion or not speaking at all. I tend to go with the latter.

It is from the E.P., Time Travel. Are there particular themes and ideas that inspired the work?

Time Travel, as a whole, sums up my development in music over the years.

You were born in West London. How important is the area regarding your sound and work?

One thing I will say is that a lot is happening right now in London for the SoundCloud scene and I’m grateful to be situated here. I live very close by to my workplace, so it’s cool that I can just come straight back home and work on music.

In terms of influences; which musicians did you grow up around?

I would say The Black Eyed Peas, Pharrell; The Roots and Timbaland were key influencers for initially developing my sound. My dad was a D.J. so I heard a lot of that stuff. My guilty pleasure would have to be S Club 7, too, but don’t tell anyone (smiles).

How did you get into music? Was there a particular moment when you knew it was what you needed to do?!

I’ve always been music minded. However, as a kid; I never had the equipment to express it. But, once I was acquainted with GarageBand back in 2008; I knew this music thing would be what I wanted to do for life.

What do you hope to achieve by the end of 2018?

I’d like to work with one more artist and potentially release a few more singles. 10k followers on SoundCloud would be great also. Haha.

Have you got a favourite memory from your time in music so far – the one that sticks in the mind?

It’d have to be this time when I was doing a live D.J. set down at a club in London, Birthdays. I was stuck on right till the end (2 A.M.) but there were still a good amount of people waiting around for me. I started playing and, as soon as I dropped a banger, the crowd started chanting my name. It was a surreal experience that I will never forget.

Which three albums mean the most to you would you say (and why)?

Sam Gellaitry - Short Stories

As it was the first vinyl I ever bought. He’s also my number-one producer like, ever, so it’d have to be his first E.P.

The Roots - How I Got Over

It was on-repeat when it first dropped. It has a special place in my heart, particularly as it got me through some long-ass car journeys. I never got tired of it and now it has a very nostalgic feel to it.

Flying Lotus - You’re Dead

It was the first time I was introduced to the legend. It blew my mind. I’d be lying if I said his use of stereo space didn’t have an influence on my sound today.

If you could support any musician alive today, and choose your own rider, what would that entail?

It’d have to be Anderson. Paak. That dude is wild! I’d be filling up the backstage green room with champagne and Sour Skittles. Bean bags are a necessity, too.

What advice would you give to new artists coming through?

You can’t do this on your own (well, you can, but it’s 100x harder). Reach out to other likeminded musicians. If your music is good or they see potential, the nice ones will be willing to support you.

Do you have tour dates coming up? Where can we catch you play?

Sadly not, but if you know anyone willing to book my sorry ass, let me know.

IN THIS PHOTO: K, Le Maestro

Are there any new artists you recommend we check out?

Olswel is one to look out for. At this point in time, he hasn’t got anything on Spotify so you’ll have to look him up on SoundCloud. K, Le Maestro is a local friend who’s got an incredible Boom-Bap vibe. Also; myself. I’ve got some crazy new music in the pipeline.

Do you get much time to chill away from music? How do you unwind?

When I’m not making music, or working down at the bar, I’m either drinking up at a pub somewhere, lifting at the gym or binging on T.V. boxsets. Oh…and an unhealthy amount of YouTube videos.

Finally, and for being a good sport; you can choose a song and I’ll play it here (not any of your music - I will do that).

Well, thank you. Holiday by rysk, please. Have a good one!

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Follow Ellzo

Twitter:

https://twitter.com/EllzoOfficial

Facebook:

https://www.facebook.com/EllzoOfficial

Instagram:

https://www.instagram.com/ellzoofficial/

Spotify:

https://open.spotify.com/artist/2yxN92GLAL02HulIhDYLpi?si=3QpPKFmBQr24HIw6DcMOgQ

INTERVIEW: NIKO

INTERVIEW:

NIKO

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MY final interview before the weekend is with NIKO…

who has been talking about his latest single, The One, and the inspiration behind it. I ask him whether there will be any more material coming along and how he got into music; which artists have inspired him and whether there are any rising musicians we need to pack.

NIKO reveals his plans ahead and talks about three albums that mean a lot to him; how he chills and unwind away from music; which artists he’d support given the chance – he ends the interview by picking a classic Swing song.

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Hi, NIKO. How are you? How has your week been?

Hi Sam! I’m good. My week has been busy getting ready for the release of my single!

For those new to your music; can you introduce yourself, please?

My name is NIKO. I was born and raised in Milan, Italy but now I live and work in N.Y.C. I would define my music as Pop: sonically, it has a Euro touch fused with a contemporary sound. Thematically, I’m inspired by my own experiences as well as my fantasies - and the possible scenarios that could happen in between the two.

The One is your latest single. How did that song come to be? What inspired it?

The One is a romantic song that touches on the frustration of modern dating. It’s inspired by the first moments with someone you're attracted to. It reminisces on warm summer nights, spent in and out of bars and clubs; looking for ‘the one’. It’s definitely a personal song - it was written and recorded in just one afternoon during a session in L.A.

Do you think there will be more material coming? How far ahead are you looking?

Yes. The One is part of a four-track E.P.: the fil rouge of the E.P. is romance, love and lust. The second single will come out next month while the full E.P. is going to be released early next year.

How did you get into music? Was there a particular moment when it all sort of clicked?

I was a very artsy kid and I took up acting and singing from a very young age. I think I realized I wanted to make music and be a performer when I first sang live in front of a live audience in Milan when I was fourteen. I performed Light My Fire; still one of my favorite songs.

Are there particular musicians you draw inspiration from? Did you grow up around a lot of music?

I’m inspired by the big legends of pop such as George Michael, Madonna and Janet Jackson - whenever I’m looking for inspiration I turn to their music, which is so timeless and beautiful.

I grew up in a very musical household . Even though my parents were not professional musicians or in the music business, music was always playing at home and very much part of our lives. Still nowadays, big family gatherings often turn into dance parties!

What do you hope to achieve by the end of 2018?

As an independent artist, I would be grateful to connect with more people through my music; release another single and play a couple of live shows.

Do you already have plans for 2019?

Yes. I’m planning the release of my E.P.!

Have you got a favourite memory from your time in music so far – the one that sticks in the mind?

Some years ago, I spent a couple months in the U.K., working with different producers on a project that never saw the light of day (unfortunately). I had the pleasure of working with Joe Cross, the producer behind HURTS, and David Laudat, an amazing vocal coach who worked with the Spice Girls back in the day (and also FKA Twigs).

Even though those songs never came out, I learned a lot about music production and songwriting during my stint in London and Manchester. I treasure those days very much!

Which three albums mean the most to you would you say (and why)?

Madonna – Erotica; Janet Jackson – The Velvet Rope and George Michael – Patience

If I think about it, these three albums share similar topics and are all very personal, raw and very, very sensual. Musically; these albums definitely pushed some boundaries and innovated Pop music at the time. And, visually, Madonna, Janet and George Michael had stunning, creative videos to go with the singles. These albums influenced me a lot growing up and I still turn to them when I need some inspiration.

If you could support any musician alive today, and choose your own rider, what would that entail?

That’s a hard question. There are so many artists I admire but I would love to open for Lady Gaga. She’s such a multi-talented, multi-faceted artist. I’ve been a fan since day-one.

A glass of prosecco before the show would honestly be all that I need.

What advice would you give to new artists coming through?

I’m a new artist myself, so I would just say to never give up and to trust your vision.

Do you have tour dates coming up? Where can we catch you play?

Not yet, but I’m definitely looking to play some live shows in the future so stay tuned!

 IN THIS PHOTO: Leo Kalyan

Are there any new artists you recommend we check out?

Yes. Lately, I’ve been listening a lot to the mega-talented Leo Kalyan, who put out some great music this year (like his latest single Focus), and NEIL FRANCES; a band that made an awesome cover of  Stardust’s Music Sounds Better With You and then put out a great E.P.

Do you get much time to chill away from music? How do you unwind?

Sometimes, a good workout is all that I need to unwind and recharge but I also enjoy watching old Hollywood movies.

Finally, and for being a good sport; you can choose a song and I’ll play it here (not any of your music - I will do that).

I would go with one of my all-time favorites: Frank Sinatra - I’ve Got You Under My Skin

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Follow NIKO

Official:

http://thisisniko.com/

Twitter:

https://twitter.com/thisisnikomusic

Facebook:

https://www.facebook.com/thisisnikomusic

Instagram:

https://www.instagram.com/thisisniko/

Spotify:

https://open.spotify.com/artist/0Ma0uFv5F33l0oahpy5N6Y

SoundCloud:

https://soundcloud.com/thisisniko 

INTERVIEW: The Ting Tings

INTERVIEW:

The Ting Tings

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I have been spending time with The Ting Tings…

who have been telling me about their new (fourth) album, The Black Light, and its themes. Katie White and Jules de Martino discuss how the record differs from their previous work and how Spain and L.A. played a part in the recording process.

The guys talk about plans going forward and reveal albums that mean a lot to them; whether there is a rising act we need to get behind and whether they have any goals to tick off before the end of this year – they end the interview by selecting some awesome music.

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Hi, guys. How are you? How has your week been?

Jules de Martino: Busy. Putting out our own records is no joke!

For those new to your music; can you introduce yourselves, please?

Katie White: I’m Katie White…

Jules: I’m Jules de Martino; we are The Ting Tings

The Black Light is your new album. What are the main themes/stories that inspired the record?

Jules: We felt that years of living and touring built up a large trailer-full of baggage (as with all our lives) that gave us anxiety and concern. Most of that emotion made its way onto the record, musically and lyrically. It’s very much about shining a light on those bits we brush under the carpet of forget to address.

Do you each have a favourite song from the album?

Katie: Earthquake.

Jules: Blacklight/Estranged.

What was it like recording The Black Light in Spain and L.A.? Why did you choose those destinations?!

Katie: We always pack down; ship off to a new place to make new music. It’s just part of our fabric. We decided, very early on, that we would never make two records sound alike and, by shutting shop and starting again, we feel like a new band each time.

Jules: On The Black Light, we ended up in Southern Spain in a valley like lost souls suffering from extreme nerves and exhaustion in bliss mountain air and pure silence. Kinda freaked us out as we thawed. It almost chose us but, as the writing and jamming became something honest and worthy, we repacked and set for L.A. to cement the record. We had passed through L.A. many times - especially through the arts district - and vowed to make a record there; so it made sense that once the songs were penned to head there to get this record down.

Many people are familiar with your sound and biggest hits. How do you think your style has changed since the start?

Jules: Immensely. So many reasons for the evolution. As artists, we always want to discover and explore. Life’s short and we need to cram in as much as we can while we’re here.

Katie: We’re an Indie band that crossed over to the ‘other side’ but our hearts remain in the creation of music and art that means something to the creator.

What do you hope to achieve by the end of 2018?

Katie: In a way, we’ve already achieved some of our goals: to complete album-four with material we adore is huge. When we’re this happy about our efforts, we start thinking about touring and performing it live.

Jules: I’d like to master drone flying…

Do you already have plans for 2019?

Katie: Erm. We’re starting to think about places we haven’t seen or performed. It’s an interesting list: Tasmania, Mongolia; India, Iceland; Greenland, the North Pole…

Jules: Wanna go back to Ibiza and party. We spent time there on album-three and didn’t get to do everything we set out to do - so, I’m going back to unfinished biz.

Have you got a favourite memory from your time in music so far – the one that sticks in the mind?

Jules: There’s so many...

I have to check my journal as each time an event surpasses the one before it becomes my fave. Sitting on the street tarmac in Las Vegas after a very heavy night when our T.M. (tour manager). He forgot to get us to the airport on time, which meant missing the next show and getting more messed up in Las Vegas…pretty memorable. If I'm not mistaken, we wheeled our T.M. back to his room that night in a wheelchair as he couldn’t stand up; ex-military dude at 6ft 5.

Katie: Jakarta blew my mind when the promoter crammed 15k peeps into a 5k venue falling apart at the seams. The audience had to watch a military film before we went on stage. (There were) military personal everywhere and we thought we were in for a dud but the 15k sung every single lyric of the entire set. It took a while for me to compute. Things aren’t always what they seem.

Which one album means the most to each of you would you say (and why)?

Katie: That’s tough. We Started Nothing will always be special as it was the first.

Jules: Yeah. I though; I still feel like I never got to finish the production on it…I’m feeling The Black Light big. It just feels like it’s really about where we are now - and the process of getting to this independent point in our lives means a lot. It’s the most honest record we have made.

If you could support any musician alive today, and choose your own rider, what would that entail?

Jules: David Byrne. I would need to be playing drums on Once in a Lifetime - with tequila backstage.

Katie: If The Smiths reformed; I’d like to warm up then watch them from side of stage munching a salad and drinking white wine, of which Morrissey would approve. I love The Smiths…

Jules: I once confused J. (Johnny) Marr for J. (John) Squire. Marr showed up at our studio in Salford (Manchester) and I was hungover. Making small talk; I told him I loved his new band, The Seahorses. I think the single was You Can Talk to Me…which, of course, was Squires’ band. D’oh. No chance of a side of stage if The Smiths reform, then?

What advice would you give to new artists coming through?

Jules: Do not do it unless you feel it is honest and you want to support it fully. Take no advice; stay true. The industry is in chaos and only artists creating their individual moments will save it.

Katie: Go slowly, surely; have a vision and stay in lane.

Do you have tour dates coming up? Where can we catch you play?

Katie: Not yet, but working on it.

 IN THIS PHOTO: Sleaford Mods

Are there any new artists you recommend we check out?

Jules: The Sleaford Mods.

Do you get much time to chill away from music? How do you unwind?

Katie: Not at the moment. We are fully-independent releasing our own records. No time to turn off. Never been one to turn off but the time will come and I’ll fall into a big cream cake (or summin’).

Finally, and for being good sports; you can each choose a song and I’ll play it here (not any of your music - I will do that).

Jules: Sleaford Mods’ Jobseeker

Katie: The Smiths’ There Is a Light That Never Goes Out and Cardi B - Bodak Yellow

Bye,

J. & K.

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Follow The Ting Tings

Official:

https://thetingtings.com/

Twitter:

https://twitter.com/thetingtings

Facebook:

https://www.facebook.com/thetingtings/

Instagram:

https://www.instagram.com/thetingtings/

YouTube:

https://www.youtube.com/channel/UCM8ASW_g3a6bp17Zk5pULzg

Spotify:

https://open.spotify.com/artist/2wvUfjKGoXvcnDHq7GgMOa

INTERVIEW: James Holt

INTERVIEW:

 PHOTO CREDIT: Debbie Ellis  

James Holt

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IT is great to chat with James Holt…

 PHOTO CREDIT: Debbie Ellis

about his new single, Alone Again, and how it came to mind. Holt discusses the song’s origins and reveals whether there will be more material; the artists he grew up around and what the music scene is like in Manchester – Holt recommends a rising act to watch.

I ask whether there will be any tour dates and how she spends time away from music; why he is inspired by the 1960s and that sound; a few albums that mean a lot to him – he ends the interview by selecting a great track.

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Hi, James. How are you? How has your week been?

Hey, Sam; all good thanks! Though, I’ve got a slight cold – aCHOO!

For those new to your music; can you introduce yourself, please?

I’m a singer/songwriter and multi-instrumentalist from one of the shires of England. I write music in an attempt to make people cry – but in a nice way.

Alone Again is your latest single. Is there a story behind the song?

There are three separate narratives in Alone Again with the underlying theme of loneliness and regret. In the first verse, the character loses his love in death (“Never-ending dream”); in the second he never told his love of his feelings (“I should have screamed when I was whispering”) and, in the final verse, he blames himself for suffocating their passions (“Like fire clings to a burning man I have smothered you”).

It’s mainly just exploring the idea of loneliness: how someone can be lonely by no fault of their own or alone in a crowd – I usually include ‘turning points’ in my songs (in this case, there are two or three!).

The song has that mid-1960s vibe to it. Was there a reason for stepping into that direction?

I really enjoy subverting people’s expectations in songs through sudden tempo changes, similar to Brian Wilson’s production method of splicing together of different sections…which gives Alone Again an angular quality. I’ve always loved the classic songs of the '60s and - drawing inspiration from The Beatles (the Rubber Soul/Revolver years) and the dramatic variety of early Scott Walker - I aimed to write a song that pays homage to that golden era of songwriting.

PHOTO CREDIT: Paul Husband

What comes next in terms of material? Are you working on more stuff?

I’ll be going back in November to work on another track, maybe two. I can’t really say much about it but it’s a live favourite. 

Can you give me a sense of the artists you grew up around? Who do you count as idols?

I play piano, guitar and cello and I did all the exam grades and played lots of different styles of music (from Classical to Jazz to Rock) - because of this, I’ve grown up with so many different artists and composers. To name a few: The Beatles, Radiohead; Pink Floyd, David Bowie; Miles Davis, Bob Dylan; Nick Drake, Joni Mitchell; Scott Walker, Tchaikovsky.

PHOTO CREDIT: Paul Wolfgang Webster

What do you hope to achieve by the end of 2018?

I’m looking ahead into next year now. The rest of 2018 will be spent recording some more material and I have a couple of really cool shows to announce very soon!

Have you got a favourite memory from your time in music so far – the one that sticks in the mind?

I have two…

The first (is) meeting Brian Eno and have him champion and support my music; the second, performing at the Royal Albert Hall. The performance was great but I think I enjoyed the sound-check more. I could play with the room and hear it reverberating back to me; take it all in. When I was performing my set for real, I was just concentrating on my performance; making sure I didn’t f*ck up! Haha.

 PHOTO CREDIT: Debbie Ellis

As a Manchester-based artist; what is the scene like up there now? Are there particular venues you’d recommend?

The scene is pretty healthy in terms of new music coming through – sadly, we’ve had a few venue closures recently to make way for accommodation or restaurants, which I believe is a similar story all over the U.K. (I’d like to highlight the Music Venues Trust, who protect and raise awareness of grassroots music venues). If you go to the Northern Quarter in Manchester, you’re likely to find a diverse set of musicians playing in one of its venues every night of the week.

Which three albums mean the most to you would you say (and why)?

Abbey Road - The Beatles

It’s my favourite Beatles album. It still blows my mind how a band that was pretty much split up at that point could make such a complete album.

In Rainbows – Radiohead

Just the perfect melting pot of Alt-Rock, Folk and Electronic music.

In a Silent Way - Miles Davis

My go-to chill album. This album was made by splicing together different sections and takes of different pieces. It was way ahead of its time and pretty genius really.

PHOTO CREDIT: Paul Wolfgang Webster

If you could support any musician alive today, and choose your own rider, what would that entail?

Have you seen U2’s live setup recently? They have this huge setup with like a double-sided screen cage (which displays huge images) that’s a few-hundred metres long and dissects the crowd and they run up and down; play on the main stage and play right in the middle of the crowd. I think, for that experience alone, I’d like to support them!

I have a thing for olives so they’d feature on my rider along with orange and mango juice.

What advice would you give to new artists coming through?

D.I.Y.! You can do so much yourself now, from recording and events to radio/online promotion.

 PHOTO CREDIT: Debbie Ellis

Do you have tour dates coming up? Where can we catch you play?

I’m playing at St George’s Hall in Liverpool on 1st November - it’s a event run by Universal Inclusion to celebrate equality and inclusion (featuring all sorts, including a big band; an orchestra, lute soloists). In December, I’m taking part in Foundations Fest in Manchester where I’ll be on a panel discussing the Manchester grassroots scene.

In February, I have a full band show at Victoria Theatre, Halifax for an all-day event hosted by Clint Boon. I also have a Manchester headline show announcement coming soon, so keep an eye out…

 IN THIS PHOTO: The Slow Readers Club

Are there any new artists you recommend we check out?

Check out The Slow Readers Club if you haven’t already - they recently sold out Manchester Apollo! I supported them for a couple of shows for Independent Venue Week earlier this year.

Do you get much time to chill away from music? How do you unwind?

Sounds a bit sad but pretty much everything I do is music-related! When I’m not doing my own writing, recording or performing my own music I’m either teaching music or playing function gigs (I play piano in a restaurant and I’m playing keyboards in a production of Joseph and the Technicolor Dreamcoat in Bolton this November!)

Finally, and for being a good sport; you can choose a song and I’ll play it here (not any of your music - I will do that).

Please can I have When You Know Why You’re Happy – Mary Margaret O’Hara

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Follow James Holt

 PHOTO CREDIT: Debbie Ellis

Official:

https://www.jamesholtmusic.com/

Facebook:

https://www.facebook.com/jamesholtmusic

Twitter:

https://twitter.com/jamesholtmusic

Instagram:

https://www.instagram.com/iamneavv/

Spotify:

https://open.spotify.com/artist/5RU4BAi19LHkaPFcE1USkb

YouTube:

https://www.youtube.com/user/jamesholtartist

SoundCloud:

https://soundcloud.com/jamesholtmusic

INTERVIEW: Leah Nobel

INTERVIEW:

Leah Nobel

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THE fantastic Leah Nobel has been chatting about…

her new single, Slow Burn, and the story that inspired it. I ask what we can expect from her upcoming album, Running in Borrowed Shoes, and the sort of themes that compel the music; which artists she grew up around and the albums most important to her.

Nobel talks about her future plans and recommends an artist to watch; a few albums that mean a lot to her and whether she gets time to relax away from music – she ends the interview by selecting a great track.

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Hi, Leah. How are you? How has your week been?

Great. Just got back from a hiking trip in The Smoky Mountains - a much-needed weekend away.

For those new to your music; can you introduce yourself, please?

My name is Leah Nobel. I am a multi-genre artist/writer currently based in Nashville.

Slow Burn is your latest track. Can you explain the story behind the song?

During the interview process for Running in Borrowed Shoes, I asked people to share the story behind how they met their significant others; if they believed in ‘love at first sight’ etc. I used what I heard in my interviews to inspire Slow Burn, which touches on the fact that most people’s relationships don’t play out like the fantasy pop culture often perpetuates.

It is from the upcoming album, Running in Borrowed Shoes. What is the reason for that title? Are there themes/concepts that inspired the music?

The title, Running in Borrowed Shoes, was a symbol for what this project stands for. I acted as a vessel for other people’s stories, opinions and experiences and channeled them through song. There are many themes that inspired the music - ‘not feeling good enough’, ‘grief’; ‘feeling alive in the outdoors’, ‘forgiveness’.

Do you have a personal favourite from the album that stands out?

It’s hard to pick a favorite but This Pain Will Be Useful, which is on the full album coming in early-2019, impacts me the most emotionally.

How did you get into music? Was there a particular moment when it all sort of clicked?

I sort of feel like I fell into music by accident.

I never dreamed of being in the music business. I have always loved to sing and I have always known that I wanted to do something creative with my life. I think the first time I recorded in the studio as a teenager I knew that this was something more than a hobby.

What do you hope to achieve by the end of 2018?

I have been working a lot on my mental-health this year and would love to get to a place where I am less critical of myself.

Do you already have plans for 2019?

The full length record, Running in Borrowed Shoes, will be released!

Have you got a favourite memory from your time in music so far – the one that sticks in the mind?

I like the beginning of making records more than anything else. I like being in that quiet space of creativity - totally unsure of what will come out of your efforts.

Which three albums mean the most to you would you say (and why)?

Graceland - Paul Simon

It reminds me of my childhood and I love Simon’s lyrical prowess.

Say I Am You - The Weepies

It will always be one of my favorites, and I can’t really explain why- it is just comforting to me)

Slowmotionary - Ethan Gruska

A current favorite. His smart writing and musicianship blow me away.

If you could support any musician alive today, and choose your own rider, what would that entail?

I’d love to open for Carole King. My rider would be exceptionally boring. I like having a healthy meal before I perform and a quiet space to meditate.  

What advice would you give to new artists coming through?

Remember what makes you different and hold it tight. Support your ‘competitors’ and treat everyone with respect and kindness.

Do you have tour dates coming up? Where can we catch you play?

I will be performing Running in Borrowed Shoes next year. Dates T.B.A.

 IN THIS PHOTO: Ethan Gruska

Are there any new artists you recommend we check out?

Ethan Gruska.

Do you get much time to chill away from music? How do you unwind?

I try not to overbook myself because I am an introvert who needs time to recharge. I like to take baths and naps.

Finally, and for being a good sport; you can choose a song and I’ll play it here (not any of your music - I will do that).

The Valley by Ethan Gruska

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Follow Leah Nobel

Official:

http://www.leahnobel.com/

Twitter:

https://twitter.com/LeahNobel

Facebook:

https://www.facebook.com/leahnobelmusic

Instagram:

https://www.instagram.com/leahnobel/

YouTube:

https://www.youtube.com/channel/UCLWZd038_10HfrF2nuPnmAA

Spotify:

https://open.spotify.com/artist/5WHKBKrvTBMPoQX3v3Bq8J?si=nxKyzC-TScqd3y0V-JY3xA

INTERVIEW: Wiyaala

INTERVIEW:

Wiyaala

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IT has been eye-opening and amazing speaking with Wiyaala…

about her upbringing and how she got into music. She talks with me about her mash-up mix of Better Treat Me Right, and how that came to be; whether we can see her on the road before the end of the year – she recommends a rising act to watch closely.

Wiyaala discusses her plans going forward and reveals how she spends time away from music; whether more material is coming down the tracks and whether she has a favourite memory from music so far – Wiyaala ends the interview by selecting a great track.

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Hi, Wiyaala. How are you? How has your week been?

Seems like I’ve living in motorway service stations between promos, gigs and recording in Sheffield, U.K. So different to the roadside ‘chop’ bars in Ghana!

For those new to your music; can you introduce yourself, please?

I’m Wiyaala; a Sissala girl from Funsi, a small village in the northern part of Ghana. I do something I guess you could call Afro-Pop or Afro-Rock. My songs Village Sex and Rock My Body will give you a taste of my flavours!

A mash-up mix of Better Treat Me Right is up. What is the story behind the song?

I’ve been on tour with an international all-female band GRRRL (like the Spice girls on crack) and U.K. producer Will Mount from What’s That Sound Productions saw me and said he had a song for me. So, I went to his studio and recorded Better Treat Me Right. A few remixes later we ended up with the mash-up mix. I went for it because “I’m not the kind of girl to sit here and wait for you to rescue me”. Where I come from, you don’t get rescued!

You are a big advocate of women’s rights. Have there been particular personal experiences that have made fight harder?

That sounds terrible, doesn’t it? ‘A big advocate for women’s rights?’ Look; like just about everyone else reading this, I’ve had to fight tough every inch of the way to try and get somewhere. Because I’m a woman, that can get you labelled a feminist. I love men! Ok; it’s true I’ve spoken out against child marriage and F.G.M. - which is still happening in some of our communities. But, who doesn’t, regardless of whether you are male or female?

Did your upbringing and childhood shape how you approach music and what you write about?

Of course! I was drumming in the church choir when I was four-years-old! My mum was a chorister. In those days, we didn’t have electricity and we used to sit under the moonlight as a community, singing; dancing and playing games. We were happy. I used to organise the kids to perform for the village chief. I’ve portrayed this life in my song, Siiko. I’ve added a twist to it. With Smartphones and stuff, we are losing some of this culture. I’m saying, don’t forget it. As well as enjoying modern technology, we should add it to what we used to have.

The other thing was the western influence. When I was about eight-years-old, I saw Madonna’s video of Take a Bow on T.V. The red lips, the pointed nipples; the bull…I knew then I could do what she was doing. It was motivational and inspiring for a small girl in the African village.

Might we see more material coming down the line?

Yes - for at least the next twenty-five years. I’ve got a new album due out very soon, Sissala Goddess. I’m also working on an E.P. with my Ghanaian brothers in Sheffield known as the Zongo Brigade. That’s going to include the LGBT Remix of Rock My Body. That song is fun!

What do you hope to achieve by the end of 2018?

I’ll settle for having my new album and E.P. out there. I’m a musician; from concept to execution. That’s all. The rest is up to the audience.

Have you got a favourite memory from your time in music so far – the one that sticks in the mind?

Yes. Performing at Womad, U.K. My first big ‘white’ crowd. They totally bought in to what I was doing. If you get it, you get it. Case closed. 

Which three albums mean the most to you would you say (and why)?

Hahahah! I don’t listen to music! I make it! Sure; I hear music all the time. But, I don’t sit down with a spliff and a drink and analyse albums. I don’t have time for that! I’m usually wandering around the house or sitting in the passenger seat of a car on the motorway doodling on my guitarlele. Or, I’m designing and sewing my own stage costumes. Or shooting and editing little videos for social media.

If you could support any musician alive today, and choose your own rider, what would that entail?

Look. I’m sorry I don’t have this kind of fantasy! I’ll support any living musician of any genre or nationality on any stage anywhere in the world. We’re all musicians, give us a stage; some basic sound and lighting and our job is to entertain. I don’t make or want crazy rider demands!

What advice would you give to new artists coming through?

Be the musician you really want to be. Be yourself. Perform live at every opportunity. Do your thing, not somebody else’s thing. Be honest with yourself about your strengths and weaknesses. Believe in yourself.

Do you have tour dates coming up? Where can we catch you play?

You can see me with GRRRL at RichMix in London on November 2nd. Then, at the Kin Festival in Bristol (also with GRRRL) on 10th November. Then, I’m back to Ghana and it will be Wiyaala in Concert at the Alliance Francais, Accra on December 8th. Then, I’m back home to Wa in the Upper West Region of Ghana where I’ll be organising the local Djimba World Festival which I started three years ago.

How important is it being on stage and performing? Do you love playing your music to the crowds?

It’s everything. I’ve been a live performer since I was three-years-old. I can never imagine a life without performing. I’ve done crowds of 70,000 in Morocco and crowds of ten at some venues. It’s all the same to me. It’s what I do.

 IN THIS PHOTO: Dark Suburb

Are there any new artists you recommend we check out?

Yes. Dark Suburb; a Rock band from Ghana. Start with I Dey Feel You Die.

Do you get much time to chill away from music? How do you unwind?

I don’t. But, if I do, I like spending time with my mum and four sisters; cooking fufu and light soup with goat meat. We gossip, sing and dance and generally have fun.

Finally, and for being a good sport; you can choose a song and I’ll play it here (not any of your music - I will do that).

Yes. Play the one I already mentioned above, I Dey Feel You Die by Dark Suburb. Thank you

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Follow Wiyaala

Official:

http://wiyaala.com/

Twitter:

https://twitter.com/wiyaala

Facebook:

https://www.facebook.com/wiyaala

Instagram:

https://www.instagram.com/wiyaala/

YouTube:

https://www.youtube.com/user/NoellaWiyaala

SoundCloud:

https://soundcloud.com/wiyaala

INTERVIEW: Melanie Taylor

INTERVIEW:

Melanie Taylor

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THANKS to Melanie Taylor…

for discussing her new single, Adderall, and its inspiration; what it was like filming the music video and whether there is more coming down the line – she recommends a rising artist that we need to get behind and watch closely.

I ask how which artists and albums have impacted her most and how she got into music; whether L.A. is important and influential regarding her writing; if there are gigs coming along and whether she has plans in place for 2019 – she ends the interview by selecting a '90s anthem.

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Hi, Melanie. How are you? How has your week been?

It’s been busy! I wear a lot of different hats and these days I’ve been changing them often and doing something all the time! I’m obviously an artist, but I also do shows for corporations’ parties and am starting my own record label! So, this week has been a lot about training our new interns. Plus, of course, my new music video’s release!

For those new to your music; can you introduce yourself, please?

Hi. I’m Meanie Taylor; a Los Angeles based singer and songwriter. I would say I’m Indie-Pop with a soulful Rock edge a la the '90s because that’s what I grew up listening to. As a person, I guess I’m kind of a mix between the hippie stargazer, meditating with crystals and an urban city girl that likes to be surrounded by people. 

Adderall is your new song. How did that song come to you? What inspired it?

It honestly came out of a really bad fight I was having at the time with someone close to me. I wrote the verses and the pre-chorus all in a span of like ten mins when I was just trying to process my emotions and was like crying the whole time through it; it was cathartic for me. And then, when I brought the song to my co-writer (‘R8DIO’), he was like, “What if we made this song like a metaphor to taking Adderall?” and I was like, “That’s kind of bold, but also kind of perfect” - and that is how we got the chorus. In a broader sense, though, I wanted to express that when you hold onto emotions and don’t deal with them, you can end up hurting the people closest to you. 

The video is very striking! What was it like filming it? Who came up with the concept?

Thank you! I knew I wanted dancers to express the song, so I called a long-time friend and choreographer/artistic director, G Madison IV. He has worked with everyone and is on tour with Mariah Carey right now so needless to say he’s exceptionally talented. He took the idea of dance and just elevated it to this idea of me walking into an empty theatre where two dancers would be rehearsing and happen to be acting out the story of my life. He also really encouraged me to be as vulnerable visually as it is in the song, which I originally wasn’t going to do, but am really glad I went there. 

During the filming, the theatre’s A.C. was actually broken and it was extremely hot that day, so it speaks even more to the level of professionalism every one on set, especially the poor dancers, brought to the table! We also got really lucky with the projections; it was kind of an afterthought of images I found online and cut together that ended up being such a cool and needed element to the video!

Do you think there will be more material next year?

I will continue releasing a few more singles I’ve got up my sleeve and then possibly an E.P.!

In terms of other artists; who do you count as influences?

My favourite artist of all-time will always be Michael Jackson. I don’t think anyone can touch him in terms of stage performance and career longevity. I was also a huge Alanis Morissette fan and I think you can hear a lot of her influence in my more recent music. I also just grew up idolizing the kinds of singers who could really belt - Mariah Carey, Whitney Houston and Celine Dion. 

Can you recall when you got into music? How have your sounds changed since the early day?

I have always been singing; since before I could speak actually. I used to point at the radio and demand “lala”, which meant music to me, and then I would apparently sing incoherent lyrics with a big smile on my face. I was always doing choir and show-choir and then musical theatre growing up.   Once I moved to L.A., I had shifted my focus a little more towards acting at the time but I answered a casting call that looked interesting where a production team was looking for artists to promote in Europe and would pay for a single as well as a music video.

My story turned out a lot different, but that production team ended up being the people who brought you Friday by Rebecca Black! So, needless to say, I didn’t stay with them but they did actually help me get my start after giving me a really great music video and a song to start reaching out to other producers with. It was just a process of meeting the right people after that. I definitely used to have a much more straight Pop sound and started to find the more Indie, Electro-Pop with a '90s influence I have now during the making of my second album.

What do you hope to achieve by the end of 2018?

I am working on the acoustic version of Adderall right now, which will be out really soon. That’s really where the song started, so I thought there should be a version of how it was originally written out there as well that is a little more true to the emotion of the concept. 

Additionally, I’ll be doing a few more performances in the L.A. area before the end of the year and have a special Dance cut version of the video I’m waiting just a bit to release as well…but will definitely be out soon.

Do you already have plans for 2019?

I have a release plan for a few new singles that I’m excited to release! And I’m also really looking forward to getting back in the studio and just continuing to create.  

How important is L.A. regarding your inspiration and vibe? Is it a great place to live?

It’s great for a lot of reasons. Obviously, the sunshine and the vast amount of talent and opportunity here is amazing. However, I’m not as attached to it as I used to be. I think, with the world of technology that we live in, I can kind be making music and promoting it from anywhere. I am extremely drawn to experiencing new cultures and places and that stimulus of travel is actually what inspires me most. So, that’s why I spent a month in Southeast Asia this past January and why it was so amazing to have the opportunity to tour in Australia this past summer!

Have you got a favourite memory from your time in music so far – the one that sticks in the mind?

I actually think this past summer’s tour has made it very high on my list. Not only because it was such a dream come true to be experiencing a country I had always wanted to go to, but because I overcame some blocks about performing I didn’t even know I had. For pretty much all of my shows I perform with a band and these shows in Australia required me to just have a D.J. or simply backing tracks, which means I’m on stage all alone - and the idea of that really scared me for some reason.

However, once I started getting into it, I found that it made me connect so much more to the audience than I ever had before and I actually felt freer and in control than any time I’ve performed with a band. I had some hilarious and amazing moments with the audiences in Australia I’ll never forget. Not to say I’m just going to ditch my band now, but it made me realize I was partly hiding behind them instead of doing all the things I did when they weren’t there. 

Which three albums mean the most to you would you say (and why)?

Jagged Little Pill - Alanis Morissette; HIStory: Past, Present and Future, Book I – Michael Jackson; Back to Black – Amy Winehouse

Jagged Little Pill because of the storytelling her raw emotion expressed - which was just so refreshing and like noting I had ever experienced before as a kid. It was freeing and made me feel empowered. Even now, I listen and just applaud them for their songwriting skills.

HIStory: Past, Present and Future, Book I, I think is probably one of the world’s top-three albums, so I don’t even need to explain the genius that is Michael Jackson and his greatest hits. But, for me, I listened to that album probably twice a day for three or four years as a little kid; dancing around my living room as if I was right there with him. It just shows what an incredible range he had from fun and sexy songs like The Way You Make Me Feel, to one of the most powerful songs ever written, Earth Song.

And, Amy! I also listened to that album twice a day for a very, very long time. Obviously; she had something that no-one will ever be able to re-create but I definitely took a lot of notes on her vocalization.

If you could support any musician alive today, and choose your own rider, what would that entail?

Bishop Briggs. I think she’s an incredible artist and has been a huge influence for me in my current music.

 As for my rider; I don’t think I’d get too entitled until I really felt I earned it. Haha. But, I would definitely request there be like a dressing room with fresh veggies/hummus and tea…maybe some whiskey? (Smiles).

What advice would you give to new artists coming through?

To practice! Every day. I even have to remember to do this myself, but your voice is actually a muscle that needs to be strengthened like anything else. Cultivating stage presence, or even feeling comfortable on stage, doesn’t happen overnight; you need to work at it. Keep getting experience however and whenever you can.

Do you have tour dates coming up? Where can we catch you play?

I will be doing a show in L.A. on Nov 6th at State Social House to celebrate this music video release! For all other upcoming dates just check my website.

 IN THIS PHOTO: Donna Missal

Are there any new artists you recommend we check out?

Well. Speaking of the artist I said I would want to open for (Bishop Briggs); the artist opening for her at the moment is named Donna Missal and is also an incredible talent I first heard about from a mutual producer we’ve both worked with. Her voice, songs; everything is awesome!

Do you get much time to chill away from music? How do you unwind?

I have two corgis and they, and my boyfriend I guess, probably get the majority of my time when I’m not working on music! (Of course, they have an Instagram account because what kind of L.A. dog owner would I be if I didn’t give them one - and it’s @thunderboltcorgi if you want a daily dose of cuteness in your life!).

Finally, and for being a good sport; you can choose a song and I’ll play it here (not any of your music - I will do that). 

Awesoome! My special request is most definitely 4 Non Blondes - What’s Up? I recently covered it at a show and it was so much fun. I feel like everyone can relate to that song, especially in the crazy times we’re living in!

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Follow Melanie Taylor

Official:

https://www.melanietaylorofficial.com/

Twitter:

https://twitter.com/MissMTMusic

Facebook:

https://www.facebook.com/MelanieTaylorMusic

Instagram:

https://www.instagram.com/MelanieTaylorMusic/

YouTube:

https://www.youtube.com/user/MelanieTaylorMusic/

SoundCloud:

https://soundcloud.com/melanietaylor-1

INTERVIEW: B Green

INTERVIEW:

B Green

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THE awesome B Green has been telling me about…

his new single, Christopher Columbus, and its interesting story. I ask him what comes next and which artists he is inspired by; a few albums that mean a lot to him and whether there are any plans to tour and come to the U.K.

The Atlanta-based artist tells me why the city draws people in; how he manages to chills away from music; which artist he’d support given the chance; the advice he would give to artists emerging – B Green ends the interview by selecting a Prince classic.

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Hi, B Green. How are you? How has your week been?

Good, no complaints. Focusing on promoting this record.

For those new to your music; can you introduce yourself, please?

I’m B Green; a musician from Oklahoma City (Oklahoma) currently living in Atlanta, GA. I sing, rap; produce and play some instruments – I do a lot of things creatively. I just released a song, Christopher Columbus, and it’s getting a lot of positive feedback.

Christopher Columbus is your new single. What is the story behind it?

It’s me dismantling colonialism in a song. Taking Christopher Columbus, an icon of the West, to task for many of the atrocities carried out on his behalf and in his wake. It’s also a hard-hitting, Techno-savvy club song but hidden in the nuances and backstory are images that paint a very vivid picture.

I understand an album is coming. Can you reveal any themes and inspiration behind the songs?

I have an entire life’s worth of inspiration to draw from! Topics range from unrequited love, to being black in America; to the beauty of dreams, to being financially insecure - nothing is off limits. I like to write songs that are distinctly my own and ideally this album will be a representation of everything I have to offer as a creative.

As a Hip-Hop artist/M.C.; how important was Atlanta regarding your tastes and direction? What is the scene like there at the moment?

Atlanta is currently the epicentre for both Hip-Hop and Urban music’s consumption and creation. There’s no better place to be with regards to resources, competition; collaboration or any plethora of things. I love Atlanta because it’s unabashedly raw and African-Americans flock from across the country in attempts to grab a piece of the money that seems to be circling the city’s bubbling industries. It’s kept me on my toes and hungry because everybody seems to be only around the corner from the success they so desperately desire. I’m on the precipice and I like having Atlanta as a home base because it’s a big city but it’s slow and charming.

In terms of influences; which musicians did you grow up around?

I grew up listening to what my parents were listening to and that included a lot of old Soul classics like Patti LaBelle, Stevie Wonder; The Isley Brothers, Maze; Isaac Hayes and the likes. When I developed my own tastes, it was for guys with Pop sensibilities like Michael Jackson and Prince. I began playing the drums in church at eight-years-old and, as I grew older, I picked up the guitar out of admiration for guys like Stevie Ray Vaughn and Jimi Hendrix. Writing poems was something I always did because I was an avid reader. Eventually, I decided to marry my poetry with my instruments and write some songs like my inspiration Bob Marley.

What do you hope to achieve by the end of 2018?

Christopher Columbus will surpass a million streams on Spotify, which will allow us to set up a festival run throughout spring and summer of 2019. We’ll take the popularity from the streams and the momentum from the tour to release the debut album, Go, in the second half of 2019.

Have you got a favourite memory from your time in music so far – the one that sticks in the mind?

Four years ago, I was working on a lion share of songs over the holiday weekend with a close friend of mine. We, unfortunately, couldn’t afford to travel home and be with our families for Thanksgiving so we decided to turn that energy into creative energy and worked through the holiday. We grabbed a pre-cooked turkey and some sides from the local grocery store and ate Thanksgiving dinner in the studio. We proclaimed that we would remember the day we had to eat holiday dinner in the studio because we didn’t have any money to travel home and no friends to visit.

Which three albums mean the most to you would you say (and why)?

The Miseducation of Lauryn Hill – Lauryn Hill

It was the first album that blew my mind as a child and, when I returned to it as an adult, it blew my mind again just in a different manner. There aren’t many perfect artistic creations in existence; I think it’s one of the few.

Late Registration by Kanye West

Because that was the album (when I knew) that I was positive there was nothing else that I was going to do with my life other than make music. That album is perfect, to me. I was young and smart and black and angry and this album helped me navigate my way through a lot of my teenage days.

Finally; I’ll have to say Thriller – Michael Jackson

Not for the same reasons as everybody else! When I was a small child, maybe eight-years-old, I discovered a dusty dubbed tape in the basement simply labelled Thriller and, being a curious child, I took the tape, found a Walkman and popped it in. I probably listened to that tape three hours a day for the next few years of my life. It was a perfect album to me. I stumbled on it by happenstance – but I loved it by nature. I saw something in this album and in music that I identified with deeply enough to make recreating the feeling my life’s passion.

If you could support any musician alive today, and choose your own rider, what would that entail?

Probably Stevie Wonder because I could cut loose on the guitar while he got down on the piano - and he has a catalogue full of classics.

My rider would probably entail a couple cases of water and a tray with a bunch of tiny little sandwiches – they take riders off the top of your take-home pay!

What advice would you give to new artists coming through?

Stay focused because the race never goes to the swift but to those who endure.

Do you have tour dates coming up? Where can we catch you play?

I’m piecing together a North American festival tour as we speak. I’ll be in the U.K. performing at a few festivals as well.

Might you come to the U.K. and perform?

I’m working on booking some festivals in the U.K. currently. So, you might see me there in the spring; fingers crossed.

Are there any new artists you recommend we check out?

Can I recommend myself?

Do you get much time to chill away from music? How do you unwind?

Honestly; I like to solo over loops that I made for hours on end to unwind. Granted, it’s music but it’s a different part of the musical appendage. It’s not creative per se; it’s more open-ended and freeing. Soloing is awesome because it’s like painting a canvas that you never quite cover – there’s always more to be added.

Finally, and for being a good sport; you can choose a song and I’ll play it here (not any of your music - I will do that).

I Would Die 4 U – Prince. One of my favourites

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Follow B Green

Official:

https://brysongreen.com/

Twitter:

https://twitter.com/BGreenGoGreen

Facebook:

https://www.facebook.com/BGreenGoGreen/

Instagram:

https://www.instagram.com/bgreengogreen/

Spotify:

https://open.spotify.com/artist/1250g52u11urhttCJRS6y1

YouTube:

https://www.youtube.com/channel/UCMJnFHTYVbtXOdKCJP-1ITQ

INTERVIEW: The High Loves

INTERVIEW:

The High Loves

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I have enjoyed speaking with The High Loves…

about the new single, Serotonin, and whether they have plans for new material in 2019. I discover how the Canadian band found one another and what sort of music they are influenced by- the members each choose a song to end the interview with.

I learn where the band will head on tour and which musical memory stands in the mind proudest; the artist they’d support given the chance; what advice they’d give to musicians emerging right now – they highlight some new artists worth getting behind.

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Hi, guys. How are you? How has your week been?

Our week has been really great! The release of Serotonin was well received and we are excited to get the ball rolling on the next steps!

For those new to your music; can you introduce yourselves, please?

We are The High Loves! An Indie-Rock band from Toronto, ON (in Canada). We have been playing together since October 2017 and, since then; we have been playing in some of the biggest bar venues in the city (The Horseshoe Tavern, Lee’s Palace; Rivoli). We released our first single, Perils of Passion, in January 2018 and, since then; we’ve been working on an E.P. that we will be releasing in November.

Serotonin is your new song. What is the story behind it?

Serotonin was the first song Noah wrote for this new project. He was at a low point in his life and working through the song helped him get his energy back. It was a beginning point for the band and it seemed fitting to release it as the first single.

I understand an E.P. is coming? Can you explain what themes and stories inspired the song?

All of the songs are written by Noah Monkton, the lead singer of The High Loves. So, all of the tunes are from his personal experiences with many various emotions. The upcoming E.P. is a reflection of his past year! From start to finish, this record follows a story-line of love, chaos, and reflection.

How did The High Loves come together?

Noah Monkton and Matt Bawtinheimer are both from Victoria, BC and they’ve been playing together for a while. Matt Bawtinheimer moved to Toronto to study at Humber College (in Music) and Noah followed shortly after. After a year of study, Monkton wanted to start a project and took some time off to work on The High Loves. He asked Matt Bawtinheimer and Marko Stojanovic, a fellow Humber College music student, to join his group. Looking for a drummer, they asked a friend for ideas and eventually found Mat D. Landry as their fourth member.

From there; we started rehearsing for our first show at The Supermarket in Toronto. We’ve been at it since then!

Which artists did you all grow up around? Do you have any personal musical idols?

We all come from very different musical backgrounds! We listened to The Beatles, The Strokes; a bunch of Jazz, Funk; Rock, Folk. We have been fortunate enough to have grown up in very musical families. Oh! And! Coming from a French background and family, Mat D. Landry listened to a bunch of weird French music (haha)!

What do you hope to achieve by the end of 2018?

We hope to achieve a great E.P. release! Meaning, we want to get to get the most amount of contacts and opportunities to succeed in the long-run! We also hope to get together as a group to write a new record for a potential 2019 release. We are very happy with the opportunities that we’ve had so far and can only hope to grow exponentially from here!

In that same vein; do you have plans for 2019 in terms of what you want to accomplish?

Yeah! We’d love to play with ‘bigger and better’ bands in the scene, draw a larger crowd; play festivals in the GTA and further, write a record; make contacts…everything that we can realistically do in 2019 that could help us get where we’d like to be.

Have you all got a favourite memory from your time in music so far – the one that sticks in the mind?

As a band, we’ve had some pretty great memories so far! I’d say one of our favourite ones could be our first show at The Horse Shoe Tavern on Queen St. Getting the chance to play at one of the most historic venues in Toronto, and even Canada, is a great opportunity. Especially, as our third show!

Which one album means the most to each of you would you say (and why)?

Noah Monkton: I would say Is This It by The Strokes

Because it changed my life! (haha). But, seriously, the lyricism, musicianship and songwriting of the record really connected with me at the time. And the attitude! So much of that raw energy that we’re always looking for!

Matt Bawtinheimer: Probably Pink Floyd’s The Dark Side of the Moon

I must have listened to that record a thousand times during my younger years, and it really got me inspired to learn about music and especially the possibilities of using the studio as an artform as opposed to just documenting what was naturally created.

Marko Stojanovic: John Mayer's Continuum

It is definitely up there. Great songwriting, great musicians; amazing guitar work and solid production.

Mat D. Landry: The one album that means the most to me would be Revolver by The Beatles

This innovative album truly had an effect on the music of that time and the next major music era of Psychedelic and Experimental music. Amongst many of the great tracks on the record, I’m Only Sleeping is THE ONE for me. The Folk signing of John’s voice, the harmonic brilliancy of the group and the experimental, backward guitar tracks are just some of the key points of this song.

If you could support any musician alive today, and choose your own rider, what would that entail?

I think a legend like Paul McCartney would be a fair choice! He still has a great show and such a presence on stage. We’d let Sir Paul choose whatever rider he wanted if we had the chance to support him.

Can we see you on the road this year at all?

We’re still going to be concentrating our time in Toronto as there is still so much ground to cover here! But, that being said; we’d love to play wherever we can. We had previously talked about a road trip/tour to the West Coast (where Noah and Matt B. are from). With the upcoming festival applications, we’ll see where we end up!

PHOTO CREDIT: Sam Letnik

Might you come to the U.K. and play?

We’d love to if we got the chance! With the interest from many blogs and musical professionals in the U.K., a couple shows could be a possibility in the future.

What advice would you give to new artists coming through?

Play as much as you can! Rehearsals with your band mates are the most important thing you can do to get attention when you’re playing live in front of an audience! Being musically tight and on the same page is key to success. Even just a band hangout is great if you want to get together and talk about your next steps as a group.

Are there any new artists you recommend we check out?

There’s some great innovative bands in Canada that are killing it right now! Among some of the many are: Lovers Touch, Pomes; Telecolor, Akeem Oh; FET.NAT, Moscow Apartment; Ferraro, MCLEAN and The Bandicoots.

 IN THIS PHOTO: Akeem Oh/PHOTO CREDIT: Jennifer Adler

Do you get much time to chill away from music? How do you unwind?

The High Loves are busy but we still have some downtime. We love to hang out as band, grab a drink and some pizza; play video games. We also love to go see shows! In a city as rich in culture as Toronto, there’s always something going on at the local venues.

Finally, and for being good sports; you can each choose a song and I’ll play it here (not any of your music - I will do that).

Sun Leads Me On by Half Moon Run

Winter Crush by Akeem Oh

Slow Dancing in a Burning Room by John Mayer

Soma by The Strokes

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Follow The High Loves

Official:

http://thehighloves.com/

Facebook:

https://www.facebook.com/thehighloves/

Instagram:

https://www.instagram.com/thehighloves/

SoundCloud:

https://soundcloud.com/user-641077429

INTERVIEW: CHILDCARE

INTERVIEW:

CHILDCARE

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THANKS to Ed from CHILDCARE…

for telling me about the band’s latest cut, Man Down (King Kong Shake), and how it came together. I ask how the band got together and what is coming up; he highlights an album that means a lot to him and reveals whether there are gigs coming up for CHILDCARE.

Ed lets me into the band’s world and what makes them tick; whether he gets any chance to unwind away from music and what advice he would give to artists coming through – he recommends some rising musicians whilst the band each pick a song to end the interview with.

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How are you? How has your week been? 

Hello Music Musings and Such. I'm very well thanks. We've just come off a twelve-date tour so it's nice to be back home after a very fun few weeks, but there's loads to be getting on with; my to do-list is on thirteen items.

For those new to your music; can you introduce yourselves, please? 

So. We are CHILDCARE and writing to you today is Ed Cares (vocals, gesturing). Also in the band are Emma Topolski on bass, Rich Le Gate on guitar and Glyn Daniels on drums.

Man Down (King Kong Shake) is your new single. Can you reveal how it came together and what its story is? 

The song's a lightish-hearted take on the whole male mental-health thing. I think I wrote most of it last Christmas at my parents' house on the piano, then it's taken quite a while and lots of work to get it to where it is now. The drum machine was a bit of an accident - we weren't going to have any drums and the producer just put them on to keep us on time when we were recording. The message is be vulnerable, be weak: it's ok to moisturise your knuckles if they get dry.

It is from your upcoming album. Is it possible to reveal any themes or song titles we might expect? 

The album will be a mix of songs we've put out and some new ones. It's gonna be a Softcore-Psych sort of vibe; Pop tunes but with some unusual arrangements, interludes and spoken word bits.

How did CHILDCARE find one another? Was it an instant bond? 

Well. Emma I met at a party. Glyn I met on a mini golf course and Rich I knew a bit from music. So, we weren't mates before the band started but we've become very close. We have a WhatsApp group and everyone will be getting a message on Christmas day.

You have been lauded by the likes of Annie Mac. What is it like getting support from someone like her?!

Yeah; it's cool to get played on the radio and we've respected Annie for a long time. She's always played good tunes.

What do you hope to achieve by the end of 2018? 

Our debut album should be all wrapped up and I want to be able to bench-press one-hundred-and-sixty.

In that same vein; do you have plans for 2019 in terms of what you want to accomplish? 

Get the album out, tour the album; do loads of festivals and get started on album number-two. Bench-press one-hundred-and-sixty-five.

Have you got a favourite memory from your time in music so far – the one that sticks in the mind? 

Well. We had a really fun gig at Omeara last week, which was our biggest headline show to date. That was v. cool. That, or listening to A Change Is Going to Come by Baby Huey & the Babysitters on mushrooms in July 2017.

Which one album means the most to each of you would you say (and why)? 

I can't get hold of the guys right now cos I'm up early-ish, so I'm just going to pick mine - most albums by Radiohead are basically my favourites. They make me feel sick. I know Rich would pick a Pixies or Elliott Smith album. 

If you could support any musician alive today, and choose your own rider, what would that entail? 

I guess, after my last answer, let's say Radiohead - with Pixies as main support and us on first. We'd like a bath of Aperol Spritz on our rider.

Can we see you on the road this year at all? 

We've got two more gigs: Wed, 14th November at Two Tribes Brewing in London and Fri, 16th November at Band on the Wall in Manchester.

What advice would you give to new artists coming through? 

Stay away from heroin. I speak from experience. I've seen a lot of people struggle with it in music documentaries. 

 IN THIS PHOTO: Lazy Days/PHOTO CREDIT: Ellie Crewes

Are there any new artists you recommend we check out?

Lazy Day; Greatest Hits.

Do you all get much time to chill away from music? How do you unwind? 

I enjoy table tennis and cooking.

Finally, and for being good sports; you can each choose a song and I’ll play it here (not any of your music - I will do that). 

Tirzah - Make It Up

Baby Huey & the Baby Sitters - A Change Is Going to Come

Baxter Dury - Miami

Busta Rhymes/Q-Tip/Kanye West/Lil Wayne - Thank You

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Follow CHILDCARE

Facebook:

https://www.facebook.com/CHILDCAREBAND/

Twitter:

https://twitter.com/childcareband

Instagram:

https://www.instagram.com/childcareband/

SoundCloud:

https://soundcloud.com/childcare

INTERVIEW: NEAVV

INTERVIEW:

NEAVV

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THE fantastic NEAVV…

has been talking with me about her latest single, Keep, and what its story is. She discusses her upcoming album, Fall Hard. Get Sad., and what we can expect from it (it is out this Friday); which artists are important to her and a few albums that strike the heart.

I ask whether there are tour dates coming and whether there will be more material next year; how she came to work with Wendy Parr on her new single and whether she gets time to chill outside of music – NEAVV recommends some rising artists to watch.

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Hi, NEAVV. How are you? How has your week been?

Hi! I’m great, thanks. It’s been a busy week! My new album, Fall Hard. Get Sad., comes out this Friday, October 26th so I’ve been prepping for that. We also just had the release party for it this past Friday here in Toronto.

For those new to your music; can you introduce yourself, please?

My name is NEAVV and I’m an Alternative/Synth-Pop singer and songwriter from Toronto, Canada.

Keep is your new single. Can you explain the story behind it?

I wrote Keep with Wendy Parr (Regina Spektor and Sara Bareilles’ vocal coach) while on a 2017 writing trip to Nashville. I thought that I had already written all the songs for my forthcoming debut album, Fall Hard. Get Sad., but there was just something about Keep that clicked with me and dV, my producer – we both instantly knew that it had to be included on the record.

At the time, I was struggling with how to manage some unhappy relationships in my life that were holding me back. Keep was born out of that. The song is not necessarily about letting go of any one friendship or relationship, but more about the moment when you finally see someone for who they really are, rather than how you hoped they might be or wish they could become.

How did you come to write it alongside Wendy Parr?

I was introduced to Wendy through a mutual friend on Facebook. I was heading down to Nashville to do some writing and put a call out to friends on Facebook to see if anyone wanted to write. So glad I did!

Can we expect any more material in 2019? Are you looking that far ahead?

Absolutely! My new album, Fall Hard. Get Sad., comes out this Friday (October 26th) and we are already working on the next album. Expect more music in 2019!

Do you recall your earliest musical memory? Which artist first struck your mind?

My earliest musical memory was actually watching a group of fiddle players perform in Colorado when I was around three. I begged my parents to play the violin after that for three years. Eventually, they gave in and signed me up for lessons. My parents had a great Beatles collection and I would say they are the first band that really made an impact on me. I was obsessed with them for years.

What do you hope to achieve by the end of 2018?

I would really love to get Fall Hard. Get Sad. out to as many listeners as possible and make some solid show and touring plans for 2019.

Have you got a favourite memory from your time in music so far?

So many favourite memories but, right now, I’d have to say recording Fall Hard. Get Sad. is pretty close to the top.

Which three albums mean the most to you would you say (and why)?

There is no way I could pick just three albums, but here are three of many…

Purple - Stone Temple Pilots

This solidified my love for Alternative music.

Grace - Jeff Buckley

Everything about this album is amazing. Required listening for any artist.

After Laughter – Paramore

Fun songs, wicked singing; important message.

If you could support any musician alive today, and choose your own rider, what would that entail?

Oh wow…I’m a big Paramore fan, so I would love to support them! As for my rider…gluten-free snacks; red wine and space for my dog backstage. Ha.

What advice would you give to new artists coming through?

Be authentic, work on your craft and know that you are allowed to say no to things.

PHOTO CREDIT: Chanel W.

Do you have tour dates coming up? Where can we catch you play?

There are some awesome things coming up in 2019 that I can’t share yet but, for now, I do have a few one-off shows. If you find yourself in Toronto in November I will be playing a full band show at The Horseshoe Tavern on November 20th.

How important is it being on the stage and playing your music to the people?

Being on stage is everything! It’s the place where I feel the most like myself. If I could, I would be on stage every night.

 IN THIS PHOTO: X. ARI/ART CREDIT: Anna Olinova

Are there any new artists you recommend we check out?

I just played my album release party with two wicked alternative artist: X. ARI and FAVVKES…definitely check them out! Also; keep an ear out for BRKN Love.

 IN THIS PHOTO: FAVVKES/PHOTO CREDIT: Dani Gagnon

Do you get much time to chill away from music? How do you unwind?

I honestly don’t get a lot of time to chill away from music, nor do I really want to. Haha. But, to unwind, I like to go for long walks with my dog and I also swim on a masters swim team.

Finally, and for being a good sport; you can choose a song and I’ll play it here (not any of your music - I will do that).

This artist is currently blowing my mind: YEBBA - My Mind

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Follow NEAVV

Official:

https://www.neavv.com/

Facebook:

https://www.facebook.com/iamneavv

Instagram:

https://www.instagram.com/iamneavv/

Twitter:

https://twitter.com/iamneavv

YouTube:

https://www.youtube.com/iamneavv

SoundCloud:

https://soundcloud.com/iamneavv

INTERVIEW: Tina Boonstra

INTERVIEW:

Tina Boonstra

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I have been speaking with Tina Boonstra…

about her new track, Find You, and how it came together. She reveals whether there is a concept behind her song series, Underrated Animals, and what the next single will be; how she got into music and which albums are important to her.

Boonstra tells me what gigs she has coming up and whether she gets time to chill away from music; what advice she would give to artists coming through and which rising band we need to get involved with.

__________

Hi, Tina. How are you? How has your week been?

Hello! I’m pretty good, thanks. I released a new song called Find You on Friday, so it’s been a pretty nerve-wracking week, but good fun too.

For those new to your music; can you introduce yourself, please?

I’m a singer-songwriter based in London, but (like most people in London) I’m not really a Londoner. I like to say I’m from Liverpool, because I spent my teenage years on the outskirts of the city but, unfortunately, I don’t have the accent so no-one ever believes me.

Find You is your new single. What is the story behind the song?

Find You is realising how completely un-self-sufficient I am. I have a tendency to slip into thinking that I don’t need anyone or anything to be happy. I’m fine on my own and, if stay focused and work hard enough, I’ll get what I want. But, the truth is, it doesn’t work like that. I hate to admit it, but I can’t survive this city and this life on my own. If I try to; I either end up living like a robot, not really feeling or enjoying anything, or a total wreck on the floor. Usually, both. It’s a disaster. Find You is about being honest about that and trying to figure out a way back to the things that matter.  

I understand it is part of a series of songs called Underrated Animals. Is there a concept behind the tracks and what compelled you to release a series?

It happened by accident, really. As we were recording this project, I realised that all the songs explored the idea of weakness or smallness from a different perspective.

When it came to designing the cover art; we had this idea to use unpopular animals to depict each song, as a way to try and celebrate the small and the weak. That’s how the idea came about to release all the songs as a series.

Why should we always talk about the pandas? Or the lions? What if I’m not a panda? What if I’m a pangolin or a jellyfish? Should I try to change who I am? Try to be bigger, louder; more appealing?  Everyone wants to be strong but, if we try that, we end up all the same. In this project, I wanted to celebrate the small and overlooked. And, hopefully, get people thinking about how great small is and how powerful weak can be - maybe we’re all just underrated animals?

When might another single come forward? Are you releasing a new song at regular intervals?

The next single is called Flicker and will be out early next year 

Growing up in a missionary family; how did that affect you in terms of music being played and when music came into your life?

My parents weren’t really that into music, so my main exposure to music at the start of my life was the Gospel music that was sung in my church in South Africa. Some of it is pretty wild and raucous which I loved and still do. Then, there are other songs in that genre which come from such a deep place; it’s hard not to be moved by them.

It was great, but also quite restrictive. Thankfully, I have three older sisters who eventually started sharing their music collection with me. From Nirvana to Elvis; whatever they were into, I was into as well; for a better or for worse.  

 PHOTO CREDIT: Alice Greenfield

Which artists did you discover young and become involved with?

Because of my slightly limited exposure to music growing up, I have so many memories of coming across new music as a teenager and being completely blown away; from Bob Dylan to No Doubt. I loved discovering new artists. Jeff Buckley had a particular impression on me. I was pretty obsessed with the album Grace as a teenager.

What do you hope to achieve by the end of 2018?

Well. Releasing music can be a bit of an emotional rollercoaster. I hope people will connect with the new song and I hope I manage to stay human through the process.

Have you got a favourite memory from your time in music so far – the one that sticks in the mind?

It’s an incredible feeling when you’ve worked on a song which describes a time or feeling in your life to hear other people connect with that song. I don’t think there’s anything quite like it.

Which three albums mean the most to you would you say (and why)?

Oooh; only three? I don’t know. I’m very fickle so I’ll probably change my mind depending on which day you ask me. Today; I think I’d say

Grace - Jeff Buckley

A Black Mile to the Surface - Manchester Orchestra

Chutes Too Narrow - The Shins

Such different artists writing such incredible songs. All of them have had a big impact on my life personally and as a songwriter.

Do you have tour dates coming up? Where can we catch you play?

I’m playing at the Hope & Anchor on 25th October and at The Finsbury on 6th Dec. More info on my website.

If you could support any musician alive today, and choose your own rider, what would that entail?

Tough choice. There are so many great bands around right now. Maybe Manchester Orchestra. I think they’re doing amazing things at the moment.

When it comes to a rider, I’m a simple creature. I don’t need much. Just some water would do me. My band, on the other hand...

What advice would you give to new artists coming through?

Make exactly the music that you want to make. Don’t worry about what other people are doing. Do what you want to do and do it because you love doing it. At the end of the day, nothing else really matters.

 IN THIS PHOTO: VOS

Are there any new artists you recommend we check out?

There’s this new band called VŌS that are doing pretty cool things right now. You should check them out.

Do you get much time to chill away from music? How do you unwind?

I’m a big fan of wild swimming. There’s nothing quite like it.  I’m a bit of an introvert, really. I like reading books or being outdoors in the countryside.

Finally, and for being a good sport; you can choose a song and I’ll play it here (not any of your music - I will do that).

I Was Alive Back Then - Kevin Devine

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Follow Tina Boonstra

Official:

https://tinaboonstra.wordpress.com/

Facebook:

https://www.facebook.com/tinaboonstra/

Instagram:

https://www.instagram.com/tinaboonstra/

Twitter:

https://twitter.com/tinaboonstra

Spotify:

https://open.spotify.com/artist/2H6LfNrRiHP6J007Cgol35

YouTube:

https://www.youtube.com/user/christinaboonstra

INTERVIEW: Blast Bomb

INTERVIEW:

Blast Bomb

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THE German band Blast Bomb…

have been telling me about their new E.P., Burn History & Live Today, and what themes inspired it; whether they have a favourite cut from the E.P. and how they all found one another – the guys recommend rising artists to watch.

I ask whether they are planning more tour dates and if we can see them in the U.K.; what sort of music they grew up around and how they relax away from music – the guys each select a song to end the interview with.

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Hi, guys. How are you? How has your week been?

Johnny: Great, thank you. We are talking to you from a bar in Hameln. We play here tonight…

Tobi: The Mad Music Club.

Klaus: Yesterday, we played a great show in Bremerhaven; too much free drink....but I was a good boy and didn’t drink.

Torben: This week is great because of the shows. It’s great to be back on the road.

For those new to your music; can you introduce yourselves, please?

Torben: We are Blast Bomb; an explosive Crossover-Punk band from Hamburg.

Johnny: That’s actually a very tough thing to describe. I can only call it Blast Bomb. Andy from The Dukes of Bordello (we’re currently on the road with them) says our style is “Loud sh*t”. I actually like that! We officially formed early last year and we are really proud of what we have achieved.

Burn History & Live Today is your new E.P. Is there a concept behind it, would you say?

Johnny: I would’t say it’s a full-on concept, but I noticed, as I was preparing for the recorded sessions, that the songs kinda followed a story of the reason why I´m now in Germany. It was never supposed to be this way.

Klaus: There is a concept in the lyrics. The four songs are linked through that way.

Torben: From the music side; it is definitely not following a concept. It was just an example of all our styles! We are still finding our sound.

Do you each have a favourite song from the E.P. at all?

Johnny: Burn History. I love that one. It’s so erratic and powerful lyrics.

Kai: Gambler and Live Today. They show the two different sides to our sound.

Klaus: Burn History and Stray…because I wrote it!

Tobi: Gambler. The original recording had a two-minute drum Jazz intro - and we cut it out because it was too long. I’m still not happy about this.

Torben: Burn History and Live Today. Both are fantastic.

How did The Blast Bomb get together? When did the band form?

Torben: Me and Klaus tweaking on amps in the High Gain District rehearsal room, when Tobis comes in. So, we start a session together, which was great. So, a few sessions follow. Then, Kai comes to us (we know him from the youth) and only a vocal was missing.

Kai: We did a post on a Hamburg music forum and Johnny replied to us - and Blast Bomb was complete. That was in January 2017.

Johnny: These guys have, on and off, been working together for twenty years; so it was like walking into a little family. I liked that. Plus; we are all very open-mined so it helps makes us unique.

Which artists did you all grow up around? Do you have any personal musical idols?

Johnny: I was raised on The Beatles, Pink Floyd and David Bowie, so they are my D.N.A. But, as I grew up and became an angry teenager, I was heavily influenced by Black Sabbath, Amen and Turbonegro. So, quite a contrast. But, my personal idol, without question, is John Lennon.

Klaus: I love the Rock stuff from the '70s, but also harder Metal and Punk-Rock are my favourite styles. I love Adriano Celentano and Dean Martin. Just sayin’.

Kai: From '70s Classic Rock to '80s Thrash-Metal to Scandinavian Rock ‘n’ Roll, I was influenced by all kinds of stuff...

Tobi: Billy Cobham; Chick Corea; Nomeansno.

Torben: I grew up with German radio in my parents’ house - that was Neue Deutsche Welle, mostly. First record for me was Run-D.M.C. The second was Beastie Boys’ Licensed to Ill; after that, I went to Rock. The biggest influences were then Guns N’ Roses and I start playing guitar because of Slash; like a lot of guys in my age. Then, Suicidal Tendencies and Pantera pushed me to another direction. But, so far or in general, it is/was a mix between Rap and Rock.

What do you hope to achieve by the end of 2018?

Johnny: World domination! Haha. Actually; I just hope we continue to grow at the speed we currently are. I really believe in this music and I’m very proud of the E.P. with have recorded.  I hope that the listeners understand what we are trying to create.

Klaus: I hope to be able to reach a few more people with our music.

Kai: We have a killer shows coming up. I hope they are successful.

Torben: That the E.P. reaches the correct ears. This, of course, is the toughest part of our job.

Tobi: To continue writing good songs!

Have you each got a favourite memory from your time in music so far – the one that sticks in the mind?

Johnny: I think, for me, it would have to be my first-ever European tour with my old band. So many amazing experiences; amazing roads and views. The crowds were all so warm and friendly. We even had a couple ‘getting it on’ on top of our bass drum in one show! But, I actually think my best musical memory is yet to come - and that´s what inspires me.

Torben and Klaus: The first time we played outside Germany. We have a tour in Spain and we had to fly. It was really special.

Kai: The first time I played my Rickenbacker on stage. It’s been one of my favourite instruments since I was younger. It’s a 4001 and is from 1979. It’s an awesome instrument.

Tobi: Every time I make music and create music, it fills me with a unforgettable feeling. My aim is to have this feeling until the end of my life.

Which one album means the most to each of you would you say (and why)?

Johnny: Pink Floyd – The Wall

My mother us to play that album to help me sleep when she was pregnant with me! But, it’s not the greatest album of all time: that’s, without question, Sgt Pepper’s Lonely Hearts Club Band.

Torben: Guns N´Roses - Appetite for Destruction

It made me learn guitar! But, I never played a song off it!

Tobi: Nomeansno - Wrong

Because its right!

Kai: Led Zeppelin – One

It was the first album I brought with my own money!

Kai: Iron Maiden – Somewhere in Time

Because, it opens a door to another dimension.

If you could support any musician alive today, and choose your own rider, what would that entail?

Johnny: Paul McCartney or Amen, I think. As for rider; I would need peppermint tea and prawn cocktail Walkers! Oh; I miss them crisps.

Tobi: Nomeansno. Energy drinks! Nasal spray and some herbs...

Torben: Smoke Blow. Backstage, I need Iso drink and beer.

Klaus: Frank Carter & the Rattlesnakes. I just need beer and food!

Kai: Gluecifer. They are still the kings of Rock. Craft beer and a good steak - cooked rare!

Johnny: Funny how we all said food. Such an exciting band, right?

Can we see you on the road this year at all?

Johnny: We are on the road as we speak!

Do you think you’ll come to the U.K. and play next year or this one?

Johnny: Next year, we plan to visit. If we are allowed. Would be really cool to bring the guys over.

What advice would you give to new artists coming through?

Johnny: Don´t conform to the norm and create only what you want!

Torben: Never give up on your dream.

Kai: Practice, practice and practice all the time and then, when you’re good enough, you can relax and party (Euroboy – Turbonegro)

Klaus: Practice and play live early.

Tobi: Practice even when you think your good enough!

IN THIS PHOTO: Van Holzen 

Are there any new artists you recommend we check out?

Klaus: Van Holzen. They are the most exciting band in Germany.

Torben: Chefboss. They are from Hamburg.

Kai: Svartanatt are from Sweden. Fantastic.

Johnny: They may be new to you but, to us, they are damn old…but Smoke Blow are fantastic!

Tobi: Moving Parts.

 IN THIS PHOTO: Chefboss

Do you all get much time to chill away from music? How do you unwind?

Johnny: Music is my unwinding!

Tobi: I play drums.

Torben and Klaus: We all have families so it’s great to spend time with them! And Sport!

Kai: (Parental advisory).

Finally, and for being good sports; you can each choose a song and I’ll play it here (not any of your music - I will do that).

Johnny: I really love the new Paul McCartney album. Despite Repeated Warning is fantastic; the riff two minutes in...

Tobi: Nomeansno – Rag 'N Bones

Kai: Imperial State Electric – Down in the Bunker

Torben: Frank Carter & the Rattlesnakes - Devil Inside Me

Klaus: Kvelertak – Blodtørst

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Follow Blast Bomb

Facebook:

https://www.facebook.com/blastbombhamburg/

Spotify:

https://open.spotify.com/artist/7cij4crvmjih0TbfNkBWtf?si=IovLQtSSSLyLWWLuidfrAg

SoundCloud:

https://soundcloud.com/user-704280822

YouTube:

https://www.youtube.com/channel/UCUNPxpAugxTVj3p23ie6pPA

INTERVIEW: Julian Wa

INTERVIEW:

Julian Wa

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THANKS to Julian Wa…

for talking about his recent single, Bloom, and how it came to mind. I wonder whether there is any more material coming and if he has ambitions to hit the road and play his music to the people – Wa recommends a couple of rising artists we need to get behind and support.

The Australian songwriter tells me a few albums that mean a lot to him and what he does when not making music; what he hopes to achieve by the end of the year and whether he feels he has evolved as a musician since the start – he ends the interview with a great track.

__________

Hi Julian, how are you? How has your week been? 

Hi, there. I’m very well, thanks. My weeks are busy but productive. 

For those new to your music; can you introduce yourself, please? 

I have always viewed the music as more of an experience than a collection of songs. Like a psychedelic soundtrack to my life.

Bloom is your debut single. Is there a background to the song?

Bloom is actually about the very opposite: it’s about taking the easier route in life and feeling totally unfulfilled as a result.

Might we see more material coming next year? Are you working on new stuff? 

The main focus currently is an experimental, lo-fi project set for release mid-next year. But, I am working on several things. I like to stay busy and keep my mind focused.

Do you think you have evolved and strengthened as a musician since your early days?

Very much so. Naturally, the more I grow as a musician, the easier it becomes. 

Can you remember when you decided to get into music? Was there a moment you knew it was for you? 

For as long as I can remember, music has always been there for me and I have always had a great deal of passion for it. It’s also very much therapeutic.

What do you hope to achieve by the end of 2018? 

I feel I have achieved most of what I wanted in 2018 with the release of Bloom; recruiting Ditto as my new distributor and gaining some traction on the Aussie music scene. Very much looking forward to what next year has in store.

Have you got a favourite memory from your time in music so far - one that sticks in mind?

I have plenty of stories to tell about shows/tours etc. But, I must say my favorite memories are always recording in total solitude and jamming with close and talented friends

Which three albums mean the most to you (and why)? 

I can’t say definitively as there are many more but currently I would say John Martyn - Solid Air; Captain Beefheart and His Magic Band - Safe as Milk and Wings - Wild Life. All three are truly innovative and I feel we are in need of that in 2018.

If you could support any musician alive today, and choose your own rider, what would that entail? 

I would love to work with Reggae artist Barrington Levy. All I need is English breakfast tea and whatever he is smoking .

What advice would you give to new artists coming through?

My advice would be keep your head down and work harder than you ever have if this is what you truly want in life.

Do you have tour dates coming up? Where can we catch you play?

Shows will be announced for late-2019. I want to release as much music/content as possible before getting back on the road. I love having the time to write and record with very little outside influence.

How important is it being on stage and performing? Do you love playing your music to crowds? 

Stage time is everything and I cannot wait to introduce a brand new sound/energy. All very exciting to me.

 IN THIS PHOTO: Harry Heart

Are there any new artists you recommend we check out?

My knowledge of new music is limited to be quite honest…but I will say that Harry Heart and Good Boy certainly have my attention.

IN THIS PHOTO: Good Boy/PHOTO CREDIT: Michelle Fish

Do you get much time to chill away from music? How do you unwind?

My life revolves around the studio and Twitter at the moment - but I can occasionally unwind with a cup of tea and a hug from my partner.

Finally, and for being a good sport; you can choose any song and I’ll play it here.

Thanks so much. Love in Song (from Venus and Mars) by Wings

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Follow Julian Wa

Twitter:

https://twitter.com/JulianWaMusic

Bandcamp:

https://julianwa.bandcamp.com/

Spotify:

https://open.spotify.com/artist/3ipYk8torB1TzskYtMFlkI?si=bub9ZJuLQHed31sw1V5P7Q

SoundCloud:

https://soundcloud.com/julianwamusic

INTERVIEW: Verasect

INTERVIEW:

Verasect

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THIS interview sees me talking with Verasect…

who discusses the new E.P., Sleep Stories. I ask what themes inspired the work and what the story is behind the single, Aeon – Tom Vera (Verasect) tells me which albums and artists are most important to him.

I was keen to know whether the E.P. was fun to put together and what music he grew up around; whether there are any favourite memories from his career so far; which artists he’d support on the road given the chance; how he chills away from music – he ends the interview by selecting a great song.

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Hi, Verasect. How are you? How has your week been?

I'm doing well. A lot of traveling for me. I've been away for London for a few weeks now. I was in New York visiting friends and listening to some upcoming remixes for the first time. Now, I'm down in West Palm Beach which sounds exciting - but I'm not a beach person at all. Or a daylight person, for that matter. But, I’ve had some things to take care of down here.

For those new to your music; can you introduce yourself, please?

I'm Tom Vera and produce under the name Verasect. The name is short for ‘veraciter sectari’ or ‘hunt the truth’ in the Latin. 

I'm originally from New York and was born out of the underground Industrial/Goth scene. I spent my youth stomping around East Village basement clubs but now that I'm older my music has moved in a more nuanced and emotional direction. My music is a mix of Darkwave, Synthpop, and Witch House with ethereal female vocals. I work with guest vocalists around the world but I write or co-write all the lyrics and vocal melodies, keeping a common narrative across all my music.

Aeon is out now. Is there a tale behind the song?

Aeon is based on a concept in the novel Ubik by Phillip K. Dick that I found incredibly strange and haunting. In the book, when you die you’re brought to a facility called ‘a moratorium’; revived and placed in a dream-like state. Your family and loved ones can come visit and ‘wake’ you up to talk via a headset.

But, the amount of time you can be awake is finite. It is used sparingly until you ultimately pass and can no longer be woken up. I read that book when I was a kid and that part always stuck with me. While it would be great to prolong life, are you just extending the pain for both side?! Aeon is about how it would be to have someone you love in that state of being between life and death. 

Sleep Stories is your new E.P. What ideas and stories inspired the music? Is there an overall arc/theme?

I've been an insomniac all my life, so I spend a lot of time in bed, staring at the ceiling lost in my thoughts. I keep myself super-busy during the day and am keeping lots of plates spinning but, at night, it's just you alone in the bed with the universe; past, present and future surrounding you.

While I consider myself an emotionally strong person, this is the time when I feel the most introspective but also the most vulnerable. So, whenever a thought or feeling would keep me up at night, I would try to form it into a song. I'd keep a notebook next to the bed and jot down ideas or lyrics. When in the studio, I'd use those notes as inspiration for songs which turned into this E.P.

Was it quite an enjoyable E.P. to put together? How quickly did the music form and cement?

I knew I wanted to do something different from my previous projects so I spent a lot of time exploring new sounds and techniques. I was really struggling but everything came together while writing Catch Your Breath and I knew I found the sound I was looking for. I wanted to finish the E.P. in a year and it took a bit longer than that. I can only write music when I'm in the mood and sometimes I need to walk away from music for a few weeks at a time.

Can you tell me what sort of music you grew up around? Which artists struck your ear?

I grew up on Industrial and Goth music. In high-school, I was the only kid really into that stuff but managed to drag some of my Metal and Punk friends to clubs in N.Y.C. There I was exposed to a lot more music and became friends with lots of local artist and D.J.s.

I tend to gravitate to older music. My all-time favorite band is Frontline Assembly - who are still putting out great albums after thirty years. For more modern Electronic music, I love The Glitch Mob and Jon Hopkins as well as a lot of female-fronted projects like Purity Ring, Chvrches and Grimes.

What do you hope to achieve by the end of 2018?

A remix E.P. should be done by the end of the year. I'm lucky enough to have two good friends who are experienced re-mixers in their respective genres: Tony Rohr for minimal Techno and Dobie for Trip-Hop. Ofdream also remixed a track - so talking to two more artists to complete it.

Have you got a favourite memory from your time in music so far – the one that sticks in the mind?

Probably the first time my music was played in front of a group of people, which happened in a bizarre way…

I had been producing for a few years and had a bunch of songs that I shared with friends but wasn't posting online or playing shows yet. Now, I'm at a big Fourth of July party at my friend's house with one-hundred-plus people. I was supplying music from my phone plugged into a P.A. system and stepped away so I put on ‘shuffle’. A few minutes later, a piñata comes out and I can get dragged over and blindfolded.

Just as I'm about to swing, I hear one of my songs start to play. I froze. It was like instantly and unexpectedly being put on stage, except I couldn't see anything which made it super-weird. I couldn't see anyone's face and gauge what they were thinking. I contemplated running over to turn it off but I just rolled with it and fuck*d that piñata up. When I took my blindfold off, I saw that nobody was revolted by my music and some people were actually enjoying it. Not a bad first gig.

Which three albums mean the most to you would you say (and why)?

Skip…

If you could support any musician alive today, and choose your own rider, what would that entail?

Nine Inch Nails, definitely. Trent puts so much creativity and effort into their shows and would love to be a part of it. Also, their touring keyboardist, Allessandro Cortini, is a huge gear-head and would love to nerd out with him backstage.

My rider would be pretty simple:  fast Wi-Fi and Phish Food.

What advice would you give to new artists coming through?

Just do your own thing and stop trying to replicate other artists.  YouTube tutorials are great but it's hindering creativity and originality. Mess around, turn some knobs randomly and turn mistakes into something interesting.

Do you have tour dates coming up? Where can we catch you play?

After the remix E.P. is out, I'm going to finish up another E.P. of original songs and play some shows in London. We'll see what happens after that.

Are there any new artists you recommend we check out?

Skip this - I don't know any new music (smiles).

Do you get much time to chill away from music? How do you unwind?

I have quite a few projects outside of music so leisure time is rare these days. My other creative outlet is photography which I do casually and is more of a relaxing hobby for me. For exercise, I powerlift, longboard and play squash.

Probably my most interesting hobby is Shibari, which is Japanese rope bondage. 

Finally, and for being a good sport; you can choose a song and I’ll play it here (not any of your music - I will do that).

Everything Connected by Jon Hopkins 

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Follow Verasect

Official:

http://www.verasect.com/

Facebook:

https://www.facebook.com/verasect/

Twitter:

https://twitter.com/verasect

SoundCloud:

https://soundcloud.com/verasect

Instagram:

https://www.instagram.com/verasect.music/

Spotify:

https://open.spotify.com/artist/0qGXgOeaVWc7PXMJzHMOHW?si=t4n_R2QhRWKUYRPN7wzKKA

INTERVIEW: Nuela Charles

INTERVIEW:

Nuela Charles

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I am ending today…

by speaking with the Canadian artist Nuela Charles about her fantastic new E.P., Distant Danger. She talks about some of the themes addresses and who she worked on the E.P. with; what she hopes to achieve by the end of the year and which albums are most important to her – she recommends some artists to look out for.

Charles talks about how she got into music and where she is headed on tour; if she is coming to the U.K. at any point; whether she gets time to unwind away from music – the songwriter ends the interview by selecting a great track.

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Hi, Nuela. How are you? How has your week been?

Hiya. My week has been great so far. I just got back home and unpacked after four weeks on the road!

For those new to your music; can you introduce yourself, please?

Sure thing. My name is Nuela (pronounced new-ella) Charles. I’m an Alt-Soul artist based out of Alberta, Canada and I like to say that I sound like a soundtrack to a James Bond movie.

Can you recall when you made your way into music? Was there a time or artist that influenced that decision?

Music was always in our house growing up. My dad had an old acoustic guitar that he’d play. When I was around fourteen or fifteen, I started teaching myself how to play guitar after feeling inspired by artists like Avril Lavigne, Michelle Branch and Fefe Dobson seeing them playing on MTV and Much Music.

Which artists do you draw from most? Do you have particular favourites?

It’s funny, because the music that I listen to leans more to the Alternative/Rock side; artists like Nothing But Thieves, Arctic Monkeys; Reignwolf etc. – so my influences are pretty ranged. But, I’ve always thought Kimbra, Jacob Banks and Lianne La Havas were great and would continually see what they were doing.

 

Distant Danger is your new E.P. What sort of themes inspired the songs we hear?

This E.P. touches on relationships, but talks about the strength that comes in realizing your own self-worth and standing up for that - like in Troublemaker and Do It Right. Danger is about taking a risk and stepping out of your comfort zone; even if only a little. 

Sugar might be one of my favourites because it talks about the worst parts of a relationship, but ultimately asks for the sweeter side. And, after all is said and done, even if your world is crumbling down; you need to get up and March On.

 

Did you work with different producers and writers on the E.P.? Was it fun putting everything together?

I worked with a few different producers on this project. Do It Right was one of the first songs for this project and was written and produced with the Grammy-nominated producer Rob Kleiner (Andra Day, Ceelo Green and Sia), while I was in Los Angeles. Danger was produced in Vancouver with Ryan Worsley (Dear Rouge) and the rest were co-produced by myself and production duo Towers in Edmonton, Canada.

It was fun being able to take the time moulding the songs into what they are now. I definitely pushed and we often went through several versions of most of the songs before we settled on the versions you hear on the record – and they’re better for it.

What do you hope to achieve by the end of 2018?

The rest of 2018 is going to be a bit quiet as I look toward 2019. I look forward to playing more gigs and festivals in different countries and putting out more music. 

Have you got a favourite memory from your time in music so far – the one that sticks in the mind?

This past March, I was nominated for a 2018 JUNO Award for Contemporary Album of the Year - which is the Canadian version of a Grammy - so that was pretty amazing; being in a category with Michael Bublé is never a bad look. The event itself was amazing and it was my first time rocking a red carpet…although I definitely felt in my element!

Which three albums mean the most to you would you say (and why)?

Alanis Morissette - Jagged Little Pill 

It was the first album I’d heard which made me think ‘You’re allowed to say that?!’ She was so raw and honest and it really resonated with me. 

Mariah Carey - Mariah Carey

This album taught me how to sing. Every song is a lesson in vocal control and it gives me life every time I hear it. 

And, most recently… 

Nothing But Thieves – Broken Machine and Nothing But Thieves

I know, technically, that’s four albums but their albums are some of the few that I can actually get through all the songs and keep on-repeat. It’s just so good - vocally, musically and lyrically. They’re actually saying something that carries weight (and they’re killer live).

If you could support any musician alive today, and choose your own rider, what would that entail?

I would support Beyoncé, any time, day, hour or place. In regards to a rider; I’m pretty easy going. A masseuse would be rad, though. 

What advice would you give to new artists coming through?

I tell artists to learn the different parts of the industry so that you know what is expected of people when you hire them to work for you. Be knowledgeable, develop your craft; collaborate and be nice. 

Do you have tour dates coming up? Where can we catch you play?

Currently working on booking some more shows for the New Year but I have two nights at the Citadel Theatre here in Edmonton in January.

Will you come and play in the U.K. at some point?

I will definitely come back to the U.K. I actually just got back from there where I played my first Sofar Sounds gig. It was amazing!

 IN THIS PHOTO: Sam Fender

Are there any new artists you recommend we check out?

I’m always so bad with keeping up with new artists: I’m usually a year or two late. But, I’ve been loving Sam Fender, grandson and Grace Carter lately. 

IN THIS PHOTO: Grace Carter

Do you get much time to chill away from music? How do you unwind?

Not much time to unwind, but Netflix and chill is always a safe bet. Especially, when I’m on the move – the familiarity is comforting. Even if it’s just on in the background while I’m working on the computer.

Finally, and for being a good sport; you can choose a song and I’ll play it here (not any of your music - I will do that).

I just head the new Lukas Graham song, Not a Damn Thing Changed. There’s so much tension; I love it

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Follow Nuela Charles

Official:

http://www.nuelacharles.com/

Facebook:

https://www.facebook.com/nuelacharles

Twitter:

https://twitter.com/nuelacharles

SoundCloud:

https://soundcloud.com/nuela_charles

YouTube:

https://www.youtube.com/channel/UCHOgz3G58xuh-Z5xcN5mkBQ

Spotify:

https://open.spotify.com/artist/54l7IHesYhtkP9Dm4jN4Zl?si=9_83AWqmTbijBBlNXxMq_Q

 PHOTOS OF NUELA CHARLES:

Steven Hope

INTERVIEW: Tom Boy

INTERVIEW:

Tom Boy

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THE guys of Tom Boy…

have been talking with me about their new track, How to Become a Drug Dealer, and what its story is. I was eager to know about their previous project/incarnation, CAIRO, and why that ended; whether there is more coming up for them and whether they will be hitting the road anytime soon.

Nate and Dante talk about their influences and reveal which albums are important to them; the rising artists we need to get involved with any how they spend time away from music – they end the interview by each selecting a great track.

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Hi, Tom Boy. How are you? How has your week been?

We’re fine. This is fine. (See: GIF of dog calmly sitting in burning house).

For those new to your music; can you introduce yourselves, please?

We are a smack-talking Synth-Pop band out of Toronto, Canada. We love washed-out guitars, reverb-soaked vocals; punchy synth and forgetting things on airplanes.

You had a previous project (CAIRO) that ended. What was the reason behind that?

Ummm…so…ok, ya. No, but, um. Well…errr. The thing is you tour, you get lonely; you meet amazing people. Ok, wait. This is starting to sound like a line from Almost Famous. The truth is that there was an affair (or two). And they involved members. Things got messy. Feelings got hurt. Grudges proved immoveable. At a certain point, we weren’t all on the same page so we moved on.

How to Become a Drug Dealer is your new track. I believe it holds personal weight. Was it hard putting the song together?

We started writing that track when we were still in CAIRO.

I think the lyrics may have been hard for certain members to swallow but it almost seemed like a penance. When things ended and Dante and I formed Tom Boy; I knew I had to take the song with me because of its powerful lyrical content. The song means a lot to us and sort of serves as a reminder about what not to do in the future.

Do you think those bad days and addictions have made you stronger people now?!

In a way, perhaps. Our bullsh*t-meter is definitely more attuned now. We fell prey to a lot of the trappings you hear about in the music industry. But, we are much clearer in our vision and goals as we move into this next phase of our careers. Physically speaking, our bodies are like eighty-year-olds, though. Haha. Dante can’t go running without having an allergic reaction and I break out in hives when someone offers me soda.

Might we see more material coming soon?

For now, we are playing the singles game. There is definitely some stuff in the pipeline. We just had a really fun time shooting our next music video in New York and we’re looking forward to a few more releases over the winter/spring.

What do you hope to achieve by the end of 2018?

To remind people we aren’t dead. Yet. 

In that same vein; do you have plans for 2019 in terms of what you want to accomplish?

We want to get in front of audiences again. The new songs are up-tempo, adrenaline-fuelled tracks that answer a lot of the questions our fans might have had when we disappeared. The story is compelling and it’s going to be really fun to tell it on stage.

Have you got a favourite memory from your time in music so far – the one that sticks in the mind?

We were given the first mention by CBC’s Best Albums of 2015. That was after one of the best tours we had driving across Canada. We were in turmoil. But we were family.

Which one album means the most to each of you would you say (and why)?

Nate: Radiohead - OK Computer

Simply for the fact that the first time I fell stupidly in love (and it didn’t end well) I listened to Let Down on repeat like a SAD BOY.

Dante: Nas - Illmatic

I have been listening to it since high-school and it is a perfect album with hardly any features. Just raw, lyrical magic.

If you could support any musician alive today, and choose your own rider, what would that entail?

Zola Blood (London). Dante likes his quinoa bowls (he’s trying to do better) and me, well…I honestly could live off of Skor bars and whiskey. We’re not as complicated as we sound.

Can we see you on the road this year at all?

I hope fuck*ng so.

What advice would you give to new artists coming through?

Treat everyone like they might hold the key to your career one day. They will.

 IN THIS PHOTO: Zola Blood

Are there any new artists you recommend we check out?

Zola Blood, Kiasmos; Vypers, Jeremie Albino; Colter Wall, Ginla; New Fries and Raveen.

 IN THIS PHOTO: Jeremie Albino

Do you both get much time to chill away from music? How do you unwind?

Edibles.

Finally, and for being good sports; you can each choose a song and I’ll play it here (not any of your music - I will do that).

Nate: Zola Blood – Infinite Games

Dante: Noah Gundersen – Cigarettes

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Follow Tom Boy

Facebook:

https://www.facebook.com/loveyourtomboy

Instagram:

https://www.instagram.com/loveyourtomboy/

YouTube:

https://www.youtube.com/channel/UCW_-z_EyDJvp08vPgBlh67g

Spotify:

https://open.spotify.com/artist/285dZo95QzeBNB1kP36x12?si=nvrtOl6rSJWVPRFQ0lVzDw

PHOTOS:

Jen Squires

INTERVIEW: Manudigital

INTERVIEW:

Manudigital

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MY last piece before the weekend (for real this time!)…

is a change of pace! I have been talking with Manudigital about his new single, Winner, and how he came to work alongside Derrick Parker and Lt. Stitchie. With the album Bass Attack out; he talks about Digital Reggae and the artists who have helped inspire his sound.

Manudigital tells me about his connection with the stage and the albums that have affected him; which rising artists have been catching his eye and whether there are gigs coming up – he ends the interview by selecting a very cool song!

__________

Hi, Manudigital. How are you? How has your week been?

I’m good, thank you! The week went very well because I released my new album and it's always exciting to release a new project! 

For those new to your music; can you introduce yourself, please?

My name is Manudigital. I'm from Paris and I'm a beat-maker who specializes in Digital Reggae!

 

Is there a story behind the new single, Winner?

There is a human story above all! Because these two artists (on the song) I work with; I’ve called the song as such – these are people I worked with on their personal album, single or E.P. projects! One is from Jamaica, the other from Tijuana; it was very important for me to record each one in their own country and then make a common project. In regards the subject of the lyrics; this direction is a classic of Jamaican music: the clash, the competition!

How did you hook up with Derrick Parker and Lt. Stitchie?

Like I told you before; I've worked for them on their own project. And it was awesome, so I really wanted to do it again! I really like collaborate with artists like them!

Can you give me a sense of the artists you grew up around? Who do you count as idols?

My favourite artists are Bob Marley, Buju Banton; Michael Jackson, Miles Davis - and many others ones! As you see; they're from different horizons!  

Do you think there might be more material next year?

For sure! But, we need to not forget that the material is to serve the music and not the music to serve the material! We should not get lost in the material: the number-one is to make good music!

What do you hope to achieve by the end of 2018?

Hmm...I don't really know! But, what is sure is I want to still have this keen interest for music! Music makes me really happy day after day! So, I hope it’ll stay this way…

Have you got a favourite memory from your time in music so far – the one that sticks in the mind?

My best memories are when I had the opportunity to back some of my favourite artists - Bounty Killer, Beenie Man; Admiral Bailey, Johnny Osbourne; Daddy Lizar and Courtney Melody - all in the same night in Trinidad. I was invited by Chinese Laundry to perform at the huge Machel Monday event. It's by far one of the best moments of my whole career.  

Which three albums mean the most to you would you say (and why)?

Bob Marley - Catch a Fire

Because it's the base and THE classic album of Reggae music. 

Steel Pulse - True Democracy

A band that I used to listen to a lot and still do. It's an inspiration for me.

Prince Jammy - Computerised Dub

Because this album started the era of Digital Reggae.

If you could support any musician alive today, and choose your own rider, what would that entail?

I would love to play with Chronixx - because he is a major artist of the actual Reggae scene. He is the new generation incarnate and has a huge talent!

What advice would you give to new artists coming through?

Hmm. Do it without waiting for nothing. Music is a passion and the main goal would be to have some fun and pleasure! And, also, share the vibes with the public because they give you so much! 

Do you have tour dates coming up? Where can we catch you play?

Yes! I'm going on tour this year and next year to present Bass Attack to the public. I'm going to Reunion Island, Russia and Europe soon. To keep updated, follow me on social networks (@manudigital)! 

How important is it being on the stage and playing your music to the people?

The moment I'm on stage is the only one where I can share my music for real, with people in front of me. I often spend a lot of time in my home studio. It's a bit lonely, so it's really nice to have instant feedback with the public on stage. It's really exciting being on stage and for me both parts are important in being an artist. 

 IN THIS PHOTO: MESH M18

Are there any new artists you recommend we check out?

Oh; so many! The world is full of good artists. But, if I need to tell you few names, I'll say: Dapatch, MESH M18 and Tom Spirals!

Do you get much time to chill away from music? How do you unwind?

Yes. I try to keep as much time as I can for my family! And, it's different when I'm working in studio: I spend more time at home. When I'm going on tour, I'm not there much during the weekends. For relaxing, I really like going fishing in my region. It's so calm! 

Finally, and for being a good sport; you can choose a song and I’ll play it here (not any of your music - I will do that).

Hollie Cook - Angel Fire! Thanks!

 

BIG UP!

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Follow Manudigital

Facebook:

https://www.facebook.com/manudigital

Instagram:

https://www.instagram.com/manudigital/

YouTube:

https://www.youtube.com/channel/UCsCkqoXvLwM1b-FXKovEo8Q

Bandcamp:

https://manudigital.bandcamp.com/

PHOTOS:

Stéphane Buttigieg

INTERVIEW: Beth McCarthy

INTERVIEW:

Beth McCarthy

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I have been following Beth McCarthy for a while…

and can see how she has blossomed as a songwriter! I have been talking with her about the track, Shame, and the story behind it; what it was like filming its video and whether more singles/material will come before the end of this year.

McCarthy talks about her music idols and albums that hit her hard; whether she has any gig plans coming up and how music arrived in her life in a child – she recommends some great artists we should get behind and support

__________

Hi, Beth. How are you? How has your week been?

I’m really well, thank you! My week has been a little stressful but good - seems to be the description of most of my weeks these days.

For those new to your music; can you introduce yourself, please?

So. I’m a singer/songwriter from York and I’ve been on ‘the scene’ for around eight years now. People who follow me will know me for a more Country/Folk vibe but I’ve spent the last year working on a totally new Electronic/Pop sound that I’m super excited about.

Shame is out now. Is there a story behind the track?

I wrote Shame with a great songwriter and artist, Ben Earle (from The Shires). I went in to our session with a lyric idea that I’d been playing with for a while: “It’s a shame that your heart don’t want me the way that your hands do/Shame that your eyes wont love me the way that your words do”.

I wanted to write a song that told the story of a one-sided relationship where you would do anything for this person but they only see you as company when it suits them. Ben totally got the idea and we went on to create what is now Shame! This song was actually the turning point of my new sound. I went in to the session expecting to write a Country/Pop song and came out with something totally different to anything I’d ever written. It was the first time in a while that I’d felt really excited about something musically and everything just seemed to fit in to place after that.

What was it like shooting the music video? Do you get quite involved with video concepts?!

In a word – ‘cold’! I’m always really involved in all creative aspects of my music, partly because I love it and want everything I create to come from a real place inside me and partly because I’m a huge perfectionist! The first half of the video is set in a bedroom. I imagined the lyrics of the song coming from right in that moment where you are so close with someone physically but there’s a complete lack of emotion and I felt we needed to put that narrative into the video.

Then the concept for the beach part of the video came from the idea of how lonely this situation can be. We re-created the bedroom on the beach to represent the ‘headspace’ when with that person so, in reality, the person is there but in your head you are completely alone and isolated and it’s pretty miserable. All a bit deep, I know, but I didn’t want to over-complicate the video with the song being so simple so thought a slightly more hidden meaning would work best!

Might we expect some more material next year? How far ahead are you looking?

You can actually expect some more material in the next few weeks! My second single, Crazy for You, is already out; the third will be following soon and there will be a full E.P. by the end of 2018. I’m now back into writing mode for next year so there’s really no stopping me from now on!

You are a Yorkshire-based artist. Is it a great county to make music in? How important are the people and the vibe of Yorkshire regards your music?

I am so unbelievably proud to be from Yorkshire. I think we have some absolute gems when it comes to music and everyone just wants to help each other get to where they want to be which is amazing. Yorkshire supports Yorkshire. It’s magic.

Were you raised around a lot of great sounds? What sort of music were you raised on?

I was actually raised on Rock music! AC/DC, Meat Loaf and Deep Purple were all favourites of my dad so, ultimately, became the soundtrack to my childhood. The standout, though, was Queen and they remain one of my favourite bands of all time!

What do you hope to achieve by the end of 2018?

I try not to put time stamps on things as I’ve found it generally leads to disappointment! I’ve been in so many situations where things have been planned or promised and they’ve ended up taking far longer than expected or not happening at all which leaves this massive feeling of defeat.

These days, I just keep going ‘till I get to where I want to be and I don’t really keep track of the time. I know that, if I keep working hard, it’ll happen eventually so I just enjoy the ride!

Have you got a favourite memory from your time in music so far – the one that sticks in the mind?

Galtres Parklands Festival 2014 was one of my favourite ever gigs. I turned up for my set to a completely packed tent of people just waiting to hear me sing and I’d never experienced that before. There was just something so special about being in a space full of such kind, supportive people who all love music - it’s a feeling I’ll never forget.

Which three albums mean the most to you would you say (and why)? 

Difficult one! Okay, so:

HAIM - Days Are Gone

It takes me back to the best summer of my life. 

Antonio Lulic - Never or Tonight

He was the first artist to really inspire me to write and perform as a singer-songwriter and I listened to that album on-repeat!

Bat Out of Hell – Meatloaf

It will always remind me of roadtrips with dad.

If you could support any musician alive today, and choose your own rider, what would that entail?

I’d love to support HAIM as they’re one of my favourite bands and I reckon they’d be a hoot to spend time with.

My rider would be a big ol’ box of Yorkshire Tea, milk and a kettle. I’m easily pleased.

What advice would you give to new artists coming through?

The best advice I ever got was from a doctor in London who I met during my time on The Voice. He’s a doctor to the stars and said that the three things you need to be successful in this industry are: talent, the skin of a rhinoceros and the ability to cope with extended periods of inactivity. Over the last couple of years, I’ve realised how true that is and it’s kept me going through some of the harder times.

Do you have tour dates coming up? Where can we catch you play?

I’m planning a big York show at the beginning of next year which will be pretty special but I’m holding off touring just for the minute as I want to wait until it’s the right time. If I’m going to do something, I want to do it well and I want to do it right!

 IN THIS PHOTO: Lennon Stella

Are there any new artists you recommend we check out?

I’m obsessed with Lennon Stella at the moment. She’s got a voice that I will never get tired of and I truly think she’s going to take over the music industry. Also; The Dunwells. Two insanely talented guys who I've had the pleasure of writing a few songs with. 

 IN THIS PHOTO: The Dunwells

Do you get much time to chill away from music? How do you unwind?

Honestly, the majority of my life is centred around music but I love it so it really doesn’t feel like ‘work’. The rest of the time I’m with my dog, or my friends and family (but mainly my dog).

Finally, and for being a good sport; you can choose a song and I’ll play it here (not any of your music - I will do that).

Well. Seeing as I’ve just told you how ace she is, I’d love you to play Breakaway by Lennon Stella

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Follow Beth McCarthy

Official:

https://bethmccarthymusic.com/

Facebook:

https://www.facebook.com/bethmccarthymusic

Twitter:

https://twitter.com/bethmaymccarthy

YouTube:

https://www.youtube.com/channel/UC51Jwy26FL8JU5Wt7UlIpJg

Spotify:

https://open.spotify.com/artist/2ba5BHaaNzyzG5ZEfKXIF2?si=6_QkfG6rRvWV5kPC0qFUng

INTERVIEW: Nana Adjoa

INTERVIEW:

 PHOTO CREDIT: Bibian Bingen  

Nana Adjoa

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MY final piece (until tomorrow) is a chat with Nana Adjoa…

  PHOTO CREDIT: Bibian Bingen

as she tells me about her new single, Sometimes Love Is Evil, and filming its video. I ask when music came into her life and which artists/albums are important to her – Adjoa reveals whether there will be new material coming along next year.

The Amsterdam-based songwriter talks about her touring plans and what it feels like being on stage; which rising artists we need to get involved with; whether she will come to the U.K. at any point – she offers some useful advice for musicians coming through.

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Hi, Nana. How are you? How has your week been?

Hi! A good week it was. Been on the road a lot, which I like, and we played two gigs with the band. Also enjoying the strange summer weather in October we’re having here.

For those new to your music; can you introduce yourself, please?

I’m a musician and singer. I write, record and produce music that’s floating somewhere between the genres of Alternative-Rock and Dream-Pop (with Urban influences). Lyrically poetic-ish but analytic. 

Sometimes Love Is Evil is your new track. Is there a personal story behind the song?

There isn’t one story behind it: it’s more story and analysis of my failed attempts in love combined. Never having had a ‘successful romantic relationship’ (because of reasons I’m still trying to figure out) and feeling the need, and also some pressure by yourself and others, to pursue it again and again.  

I really like the video for the track. Was it cool being involved in it?

Very cool! Kay, the director, and I first had conversations on the subject and I didn’t need to explain myself that much because he felt the vibe quite instantly. We talked about some movies on the subject (Like the Lobster and Under the Skin).

We agreed we didn’t want the video to be a portrayal of your typical couple of a man and a woman with just one storyline. Instead, we were looking to put more emphasis on different symbolics or even absurd features of people interacting without a narrative - more a collection of stories, happening in this incredible haunted-looking house. He and the rest of the team all perfectly filled it in and it was a fun and pretty natural experience! 

Might we see more material in 2019? How far ahead are you looking?

Well. We’re releasing more material this year: my third E.P., A Tale So Familiar, which also features Sometimes Love Is Evil. I’ve started writing and thinking on a concept for a new album. Still in the very early stages. But, I hope to release it in 2019, yes. 

 PHOTO CREDIT: Bibian Bingen

Give me a sense of when music came into your life. Did you grow up around a lot of different sounds?

My parents are both music lovers. My mother also plays the bass (which is my primary instrument as well). So, we always had music playing - mostly black music, ’70 Funk/Soul; Reggae and ’90s R&B. I had some trial and error with keyboard and guitar lessons before landing at my 'first love', the bass guitar. We had a basement in our house with a drum kit (belonging to my nephew); a bass amp and a guitar amp. So, we rehearsed there with my first bands. 

What do you hope to achieve by the end of 2018?

Reaching and meeting some new people/audiences in territories outside the Netherlands.

Have you got a favourite memory from your time in music so far – the one that sticks in the mind?

The Eureka! moments in the studio after noodling around for hours are still the best moments on all accounts - and then the tour (in the Netherlands) with my band I’m playing with right now. I love being on the road; especially with them. Four very special people that inspire me. 

Which three albums mean the most to you would you say (and why)? 

That changes over time. So, for now, I’d say:

Grace - Jeff Buckley

It is (probably) always be high up my list. When first hearing this (in high-school), I felt like I found a new kind of spirit in music - a sound, approach and feeling I had never experienced before. Still, I can’t point out exactly what it is.

Channel Orange - Frank Ocean

This is one of my favorite records of the last ten years. I feel everything he does is real and exciting and just damn good. 

The Information - Beck

…or any other Beck record. Every time I listen to a Beck record, I still hear things in there I didn’t hear before. 

If you could support any musician alive today, and choose your own rider, what would that entail?

The living artists of the above questions…but it would maybe be a bit of a strange match. Haha. Our rider is pretty basic: beer, fruit; chips and ginger beer for our tour manager. I’d maybe add a dartboard or a table tennis table if possible. 

What advice would you give to new artists coming through?

Find and invest in the people you work with. They need to be good at what they do, obviously. Preferably, you also like them on a personal level but, most importantly, they understand you and/or your music. 

Do you have tour dates coming up? Where can we catch you play?

World tour dates:

Oct 7th - Communion Presents @ Notting Hill Arts Club, London

Oct 11th - Effenaar, Eindhoven

Oct 14th - Bitterzoet, Amsterdam

Oct 18th - Luxor, Arnhem

Oct 24th - Paard, Den Haag 

Nov 6th - Communion Presents @ Rockwood, NYC 

Nov 8th - The catalyst Atrium, Santa Cruz* 

Nov 9th - The Independent, San Fran* 

Nov 10th - The Moroccan, LA* 

Nov 11th - Voodoo Room @ House of Blues, San Diego* 

Nov 12th - School Night LA 

*supporting City of the Sun

Do you think you’ll come to the U.K. and play next year?

I definitely want to, hope to and do everything I can to make it happen. 

How important is it being on the stage and playing your music to the people?

It’s very, very important because it’s an aspect in my life that gives me purpose. It’s a very different creative process than writing and (for me) it’s also a challenge every time and I like challenges. Each time is different, or should feel that way. And, it’s a shared experience, with your band, crew and the audience. Sharing is good. 

 IN THIS PHOTO: LUWTEN/PHOTO CREDIT: Eddo Hartmann Photography

Are there any new artists you recommend we check out?

Here are some Dutch acts you need to check out: LUWTEN, Sofie Winterson, Felbm and Jo Goes Hunting. 

 IN THIS PHOTO: Sofie Winterson/PHOTO CREDIT: Paul Bellaart

Do you get much time to chill away from music? How do you unwind?

Surfing. I’m not good at all but I enjoy it every time. We have a (relatively) big coastline in the Netherlands, but the best waves are in the winter. So, when it’s flat, I like to just go out and have drink with people or stay in and watch football (soccer). Simple. 

Finally, and for being a good sport; you can choose a song and I’ll play it here (not any of your music - I will do that).

Deep Water – Portishead

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Follow Nana Adjoa

 PHOTO CREDIT: Bibian Bingen

Official:

http://nanaadjoa.com/

Facebook:

https://www.facebook.com/Nanaadjoamusic/

Twitter:

https://twitter.com/nanaadjoamusic/

 Instagram:

https://www.instagram.com/nanaadjoamusic/

YouTube:

https://www.youtube.com/channel/UCv7WQA7NEGfkpX7bMeOzeWg

Spotify:

https://open.spotify.com/artist/2W61gnKGmJykgFSJSvqVCe