INTERVIEW: Tim Aminov

INTERVIEW:

Tim Aminov

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I have been talking with Tim Aminov…

about his new track, Veneno, and whether we might some more material coming soon; which artists and albums are important to him and how the Russian Electronic artist got his start – Aminov recommends some rising artists we need to get involved with.

I ask if there are any goals for 2019 in his mind and what he wants to achieve before the end of the year; what the music scene is like in Russia and if there are any gigs coming soon – Aminov chooses a great song to end the interview with.

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Hi, Tim. How are you? How has your week been?

Hi, Music Musings! All good here. Moscow has a specific, quick tempo of living; we are trying to get 200% from each day here. That's a great vibe – but exhausting sometimes.

For those new to your music; can you introduce yourself, please?

I am sure that music itself can tell more than the author: listen my music and it will tell everything. If you wanna know some ‘technical details’: I have been on the Russian scene since 2015  (firstly as part of the duo AANBREKEN and then as a solo artist) and got some ‘hype’ last year with music videos for One Lone Survivor and Orpheus; directed by my genius pal Lado Kvatania.

 

Veneno is your latest song. Can you explain the story behind the track?

I had produced the demo for Veneno pretty quick - in three hours or less. I spent many more days writing texts, recording live instruments and mixing track. Live piano and drums had been recorded in Moscow; other instruments and vocal were recorded in Saint-Petersburg. The mixing was made by my close friend Roman Uzarov.

The video for this track will be released quite soon - it's not a usual music video, but a short-length movie with its own vibe and synopsis. Wait a bit to watch it and get the extended experience.

Might we see more material next year?

Sure! Currently I’m working on my first L.P. It seems like it will be pretty different from my early tracks.

How does life as a solo artist compare the work you did in the duo AANBREKEN?

I can't say that there is big difference. I record most vocals by myself. Technically, now, I work as a solo artist – but, now, I collaborate with a much larger number of talented people than in the days of AANBREKEN.  

Are there particular musicians you draw inspiration from? Did you grow up around a lot of music?

My parents are not music lovers - though, my granddad composed the state anthem of Turkmenistan. Does this count as inspiration?

I listened to tons of music; I always did. I was fond of different music, even polar genres. I was fond of Experimental, Electronic; Hip-Hop, Math-Metal; Ambient…all of this. Nowadays, I am listening more to Soul/R&B stuff and Electronic music. But, sometimes, I can be in a proper mood for a Deftones album. I have never felt any limits for my music taste.

In terms of Electronic music; do you get influence from modern artists or do you source from classic innovators?

Not gonna lie you; I constantly look after modern music trends. I think that music art should be actual/real - but it also should be authentic and personalised. So, I always try to look deeper; dig the roots of the new music. It helps me to look at the music with different angles.

As a Russian producer and writer; what is the music scene like there at the moment?

The Russian modern scene is flooded with Hip-Hop. It has occupied all media sources – I guess the same happens everywhere now. Russia has its own, great Electronic and Pop music as well. Though, I think, the real modern music culture is just boring here. I hope that the next generation of Russian artists will bring something really beautiful and significant to this world.

What do you hope to achieve by the end of 2018?

The music video for Veneno track should be released later this year. Also; I am planning to release a couple of live music videos and to play an intimate gig in Moscow. Also; I will release a soundtrack for the short movie, The First, directed by my friend Lado Kvatania. It’s a fiction movie about a Russian astronaut (cosmonaut); it has won a few awards this year and will be available online quite soon.

Do you already have plans for 2019?

2019 will be very special for me. I’m gonna release an L.P, finally; take part in a few festivals and release more videos.

Which three albums mean the most to you would you say (and why)?

Mezzanine by Massive Attack

This album was released twenty years ago but it sounds fresh still. I don’t know how they had produced this album. I guess 3D had to sell his soul to the Devil to make things work that brilliant way.

White Pony by Deftones

Unbelievable, emotional record.

I will not name a third record because this slot is reserved for different records (that changes too often).

If you could support any musician alive today, and choose your own rider, what would that entail?

I like Childish Gambino. He is an incredible person and has unlimited talent. I'd love to have a coffee talk with him and make a collab.

What advice would you give to new artists coming through?

The most important thing is to know what you want and to be honest with yourself. This advice works for new artist and for old ones as well.

Do you have tour dates coming up? Where can we catch you play?

I am working on my gig schedule. Follow me on Facebook to get all news first.

 IN THIS PHOTO: Big Red Machine

Are there any new artists you recommend we check out?

Big Red Machine, GAIKA; Corbin and Ibeyi

 IN THIS PHOTO: GAIKA/PHOTO CREDIT: Wunmi Onibudo

Do you get much time to chill away from music? How do you unwind?

Yep. I often take days off to relax and reboot my brain. Tomorrow, I fly for a week to Istanbul and I’m gonna walk and read a new book about Buddha.

Finally, and for being a good sport; you can choose a song and I’ll play it here (not any of your music - I will do that).

Yesterday, I attended a gig by Bobby McFerrin and it was great experience. So, let's listen to his track, Circle Song 6 

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Follow Tim Aminov

Facebook:

https://www.facebook.com/timaminov777

Twitter:

https://twitter.com/timaminov

Spotify:

https://open.spotify.com/artist/2EeN5OHJCbQkRv3V7XwohU?si=TxYbHIYUSqOWEaAsnKuetQ

SoundCloud:

https://soundcloud.com/timaminov

Instagram:

https://www.instagram.com/timaminov/

YouTube:

https://www.youtube.com/timaminov

INTERVIEW: Simon D James

INTERVIEW:

Simon D James

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I have been talking with Simon D James…

about his new single, My Everything, and what it is all about. He discusses what is coming up next and what sort of music he responds to; which three albums mean the most to him and what it was like recording at Leeds’ Greenmount Studios.

James recommends some rising artists to watch and tells me what his gig schedule is looking like; how he chills away from music and why he spent time in Mexico City selling coffee – the songwriter provides some useful advice for artists coming through.

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Hi, Simon. How are you? How has your week been?

Hi, Sam. I’m good, thank you. Hiding out in Brighton from the cold; rehearsing for some upcoming gigs and focusing on promotion for the new single.

For those new to your music; can you introduce yourself, please?

I’m a Brighton-based singer-songwriter who likes to spend time in studios turning Folk songs into Indie tunes.

My Everything is your new song. Is there a tale behind it?

When you get that feeling that you are repeating similar situations in your life because you didn't quite get the lesson the first time; like the universe is a maths teacher and asking you to take resists. That, coupled with realising that all I am is good enough…

Is it true you spent time in Mexico City selling coffee?! What was the reason behind that?

I had an aversion to the dampness of the UK in my twenties, so I tried many scams and angles to make money in clement environments. Selling Coffee in DF was not my most profitable venture, but I did love my time in that city and it is where My Everything was first written.

What was it like recording in Leeds’ Greenmount Studios. Was there a reason for choosing that location?

I’m lucky to have come from a very musical family. Greenmount was a connection from my uncle, who runs a theatre in Leeds. He had worked with Jamie and Lee before and managed to get me a day with them. As far as I'm concerned, it was love at first site with Jamie and Lee and I quickly went back and recorded a bunch more songs that we are releasing at the moment.

Might we see more material next year do you think?

During the summer, I released an E.P., Songs from a Dream Long Forgotten, and now we have the single, My Everything, out on 5th November. My Everything will be on a four-track E.P. that I hope to have released in January and, in Feb, I'm back at Greenmount to record more.

Was your early life filled with music? Which artists did you follow when growing up?

The first band that changed my life was Nirvana. I got into them at about thirteen; from there my musical tastes grew and encompasses almost every genre.

Do you already have plans for 2019?

Release and record music - and we are currently booking gigs and festivals for the summer.

Have you got a favourite memory from your time in music so far – the one that sticks in the mind?

My favourite moments in music are when I’m jamming with my friends; when everyone is rocking out. There is also something really special about being in a recording studio.

Which three albums mean the most to you would you say (and why)?

As a teenager, my friends and I would smoke pot and listen to Abbey Road on-repeat. The entire album sometimes comes on in my mind and I can hear all the arrangements from start to finish whilst I’m going about my day.

Tom Waits’ Swordfishtrombones takes me to Art College and most days at some point a track from Off the Wall comes on and I have a little moonwalk around the kitchen.

If you could support any musician alive today, and choose your own rider, what would that entail?

I guess I would most like to Radiohead - and I'm not fussy; I'm happy with most things.

What advice would you give to new artists coming through?

Persevere.

Do you have tour dates coming up? Where can we catch you play?

I have a show in London at the Underbelly on 7th November and check us out on social media to find out about all our other shows.

 IN THIS PHOTO: MY BABY

Are there any new artists you recommend we check out?

I’m listening to MY BABY and The Lemon Twigs on-repeat at the moment.

Do you get much time to chill away from music? How do you unwind?

Not enough. Chill time is kind of the carrot on the end of the stick. What’s that saying...? ‘I'll rest when I'm dead’.

Finally, and for being a good sport; you can choose a song and I’ll play it here (not any of your music - I will do that).

Michael Jackson – Get on the Floor

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Follow Simon D James

Official:

https://simondjames.com/

Twitter:

https://twitter.com/MrSimonDJames

Facebook:

https://www.facebook.com/SimonDJamesMusic

Spotify:

https://open.spotify.com/artist/2jCqedwOGGT8j5iGE7iRcd?si=_wXBqIUiT92dCykA2N9VZw

Instagram:

https://www.instagram.com/simondjamesmusic/

SoundCloud:

https://soundcloud.com/simondjames

INTERVIEW: OVVLS

INTERVIEW:

OVVLS

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THE guys of OVVLS…

have been speaking about the new single, Black Butterflies, and why the inspiration behind it is. I ask how the duo got together and whether they have plans for 2019 – and whether there are any goals to tick off the list before the end of this year.

Stephannie and Lee reveal their favourite albums and what plans they have coming up; whether they have a favourite memory from music so far; which artist they support if they had the chance – they recommend a rising artist we need to get behind.

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Hi, guys. How are you? How has your week been?

Great! Not long returned from playing BRUCSTOCK Art & Music Festival in Barcelona so just getting back to reality after that. Amazing experience and our first show in Spain!

For those new to your music; can you introduce yourselves, please?

We’re an Alternative duo from Liverpool fighting back against global trends and challenging genre ideals through art and music.

When did OVVLS get together? Were you bonded by similar music tastes?

OVVLS was launched in 2016. We come from very contradictory musical backgrounds: Lee from Punk/Metal scenes and me from a more commercial Pop/Rock background. Both of these influences can be heard in our music but at the same time fuse to create something new.

Black Butterflies is your latest single. Is there a tale behind it?

The lyrics denote persevering through times of change, which is depicted through the life cycle of a butterfly. 

Might we see more material coming next year?

Yes. We will have another release coming in February next year which will be accompanied by an exciting new physical format. More to be unveiled on this in the coming weeks…

What do you hope to achieve by the end of 2018?

After the release of Black Butterflies, we are taking a couple of months to write new material. By the end of the year, we hope to have new and exciting music ready for touring in the New Year.

Do you already have plans for 2019?

Yes. As mentioned; we have a new release dropping in February, which will be accompanied by a brand new physical format and run of shows around U.K./Europe.

Have you got a favourite memory from your time in music so far – the one that sticks in the mind?

The response to our first single, Pain Is Beauty, and hearing it aired on BBC Introducing for the first time. After so long hibernating and curating our sound, we weren’t sure how our music would be received and were so humbled that people wanted to listen!

Which one album means the most to each of you would you say (and why)?

Stephannie: Amy Winehouse – Back to Black

From start to finish, this album is perfect poetry. Catchy songs that are beautifully woven with honest, gut-wrenching emotion. I love how at times Amy’s lyrics are so simple yet speak with such impact. A true songstress that we lost too soon.

Lee: The Prodigy – Music for the Jilted Generation

This is the very first album I got (for my eleventh birthday!) and a crossroads into more Alternative music. Still a great album and I’ll be seeing some of these songs live this Thursday at the Echo Arena in Liverpool.

If you could support any musician alive today, and choose your own rider, what would that entail?

‘Alive today’ narrows down our options…although Portishead would be cool!

As for the rider; we’d like thirteen bottles of red wine, a bowl full of 666 purple Skittles and…only joking! As long as we have a place to say, drinks and food (vegan for Stephannie) we’re easily pleased. It’s more about the show for us.

What advice would you give to new artists coming through?

Work hard, stay positive; challenge your artistry and don’t always follow the norm.

Do you have tour dates coming up? Where can we catch you play?

We can’t reveal as of yet but keep an eye on our social profiles over the coming weeks.

 IN THIS PHOTO: Hermetic Delight

Are there any new artists you recommend we check out?

Hermetic Delight. We played a show in Cologne with them last month; really cool vibe.

Do you get much time to chill away from music? How do you unwind?

We don’t get much time to chill away from the music at the moment as we’ve had a busy few months. But, when we do get the chance we like to get outdoors and explore nature. In fact, in a few weeks time we’re going to Iceland to explore and draw inspiration for our winter writing.

Finally, and for being good sports; you can each choose a song and I’ll play it here (not any of your music - I will do that).

Chelsea Wolfe – Carrion Flowers

Massive Attack - Teardrop 

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Follow OVVLS

PHOTO CREDIT: @part__time__artist  

Facebook:

https://www.facebook.com/WeAreOVVLS/

Twitter:

https://twitter.com/WeAreOVVLS

Spotify:

https://open.spotify.com/album/3dcFjszsXEeqJD4ys2cXJI

SoundCloud:

https://soundcloud.com/weareovvls

Instagram:

https://www.instagram.com/weareovvls/

YouTube:

https://www.youtube.com/WeAreOVVLS

INTERVIEW: Streets of Roya

INTERVIEW:

Streets of Roya

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THANKS to Streets of Roya…

for telling me about his new single, Sleepwalking, and what we can expect from the upcoming E.P.; whether the music has developed since the start and what Streets of Roya hopes to achieve before the end of the year – he recommends some rising artists to watch.

I ask which album is important to him and whether he gets time to chill away from music; if there are any gigs coming up and which artist he’d support on tour if he was given that opportunity – Streets of Roya chooses a song to end the gig with.

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Hi, Streets of Roya. How are you? How has your week been?

It’s going great, thanks. We've released our latest single, Sleepwalking, about a week ago and there's always something really exciting and scary about a release. Getting reviews and feedback about my songs is something I'm not used to. But it does feel great.

For those new to your music; can you introduce yourself, please?

Streets of Roya is my (Michael) solo project that I started late-2017. I wrote and produced a bunch of songs and wanted to start something that's bigger than me. Over the last few months, I got more focused and serious about Streets of Roya. It's still a very young project but I'm super-thrilled about it. We got some great stuff coming up.

Sleepwalking is your new track. Is there a story behind it?

It's part of our debut E.P. that we will release early-2019. Sleepwalking was the last song I wrote for the E.P. There is something about the desperation and restlessness of Sleepwalking that made it a perfect first single.

I understand an E.P. is coming next year. What can you reveal about the themes and songs?

The E.P. is the first attempt to write a few songs with a concept in mind. It's been all about capturing the emotion and feeling of restlessness for me and less about a storyline - rather than just about the way the songs and sounds make you feel and where they'll take you. It is a restless and desperate E.P., both lyrically and musically.

How did Streets of Roya get together? Do you all share tastes in the same sort of music?

Streets of Roya is still a solo project at the moment. I do have musicians joining me for our live shows though and maybe they're going to be a part of future productions in the studio. We'll have to see.

PHOTO CREDIT: Cristina Morena

You have released a few singles already. How do you feel you’ve developed since the beginning?

There is something quite honest about releasing music a song at a time because you can't hide. With each song, you get an immediate response. And I love that. It helps to grow and develop as an artist. With Streets of Roya, everything is moving and changing as we go.

What do you hope to achieve by the end of 2018?

We just played our first live shows. That's been a huge deal for me. And it's been great. I hope we play one or two more shows this year.

Do you already have plans for 2019?

I want to perform live. That's what it's all about: connecting with our audience. I hope we get to play as much as possible. The stage is still my absolute favorite place.  

Have you got a favourite memory from your time in music so far – the one that sticks in the mind?

Last year, I had the opportunity to play a house concert for Syrian refugees in East Germany. It was touching to hear their stories about leaving Syria, the war and being separated from their families and loved ones. To perform some of my songs for them is something I won't forget.

Which one album means the most to you would you say (and why)?

I'd have to say Jeff Buckley's Grace. Everything about that record is perfect. The songs, performances and production. One of my all-time favorite albums.

If you could support any musician alive today, and choose your own rider, what would that entail?

It would have to be Pink Floyd.

What advice would you give to new artists coming through?

I think you can get lost in the whole 'making it' thing. So, I'd say just try and enjoy writing and creating. In the end that's why we do what we do. It's easy to share music nowadays. I love that.

Do you have tour dates coming up? Where can we catch you play?

We don't have any shows confirmed yet. But, we do post all our tour dates on our social medias/website.

 IN THIS PHOTO: Leif Vollebekk/PHOTO CREDIT: @tom.dunphy_creative

Are there any new artists you recommend we check out?

Leif Vollebekk, Stereo Honey; Bipolar Sunshine, Palace and Moby Rich.

 IN THIS PHOTO: Stereo Honey

Do you get much time to chill away from music? How do you unwind?

I try to. To relax, I usually go for a hike, read a good book or watch a movie.

Finally, and for being good sport; you can choose a song and I’ll play it here (not any of your music - I will do that).

Leif Vollebekk - Elegy

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Follow Streets of Roya

Official:

http://streetsofroya.com/

Facebook:

https://www.facebook.com/streetsofroya/

Spotify:

https://open.spotify.com/artist/0LxtJsQ85Mn74eUPVf19JI

Instagram:

https://www.instagram.com/streetsofroya/

INTERVIEW: Al Moses

INTERVIEW:

PHOTO CREDIT: Francis Brown 

Al Moses

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THANKS to Al Moses…

 PHOTO CREDIT: Lewys Mann

for talking about their new single, I Want More (officially released on 30th November), and the story behind it. I ask how they all found one another and whether there is a favourite memory from their careers so far; which album means the most to each of them and whether there are some approaching artists we need to seek out.

I was keen to know if there are gigs coming up and more material; what they have planned for the year ahead and which artist they’d support if they were given the chance – each member picks a song to end the interview with.

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Hi, guys. How are you? How has your week been?

Hello. We’re doing good. We’ve just come off the back of a great few of weeks as a band, actually. Every day, we keep hearing more good things so we can’t complain. 

For those new to your music; can you introduce yourselves, please? 

We’re Al Moses; a four-piece Rock ‘n’ Roll band from South Wales. We’ve been together since 2017 although Jack and Daf, our two frontmen, had been knocking about, trying to get a band going for a little while before then.

We play a raw, audacious brand of Rock ‘n’ Roll. Jack’s lyrics can vary between social commentaries on British drug culture, to the occasional bit of soul-searching. We like to sing about anything that carries a weight.

I Want More is your debut single. Is there a story behind it?

It’s our oldest song as a band. Jack must have just turned seventeen when he wrote it and I think that post-education disillusionment is looming over the entire song. 

It’s ultimately us using the band as a distraction and an excuse to avoid all the inevitable things in life that are laid out in front of us. It’s a basic enough concept but it needed to be said. People have seemed to really get on board with it and we hope it continues to be a bit of an anthem for the young and reckless. 

Do you know how you’ll follow it? Are you planning that far ahead?

We’ll be releasing another single sometime early-2019 but we aren’t too concerned about that at the moment. There won’t be an E.P. or an album yet though - there wouldn’t be much point. We do have some really great songs in our arsenal though.

PHOTO CREDIT: Francis Brown 

What sort of music/styles is the band inspired by? Are you all bonded by similar tastes?

We’re all fans of the bands we’re strongly influenced by: Libs, Manics and Arctic Monkeys, for example. Raychi, our bassist, is really into bands like Animal Collective and Panda Bear; in contrast to Jack and Daf who are big fans of bands like Mary Chain and Scream. 

We do bond as a band over the music we despise, more than any other we know. It comes in handy knowing what we want to avoid when writing. 

Do you recall when Al Moses came together? What is the inspiration behind the name?

Daf and Jack’s said their love for The Jesus and Mary Chain had brought them to go and see them in Cardiff.

We were really struggling for a name at the time and, even though Jack felt pretty let down by Jim and William Reid’s lacklustre performance, he suggested using a religious figure in our name like the two Scottish brothers had done so. 

‘Moses’ on its own sounded a bit drab so we stuck the ‘Al’ in front of it and just loved the sound of it. It doesn’t mean anything but it feels like a brave name and that was enough for us. It’s a really good name to shout. 

What do you hope to achieve by the end of 2018?

We’re only doing our third ever headline gig on 29th November but we’ve got it in the upstairs room of Clwb Ifor Bach which is a three-hundred-capacity venue. 

We never thought at the start of the year we would be playing to a crowd that big - considering we had only done two gigs as a band prior to January. If we can sell that out like we have done on our previous two headlines then that would be the ideal way to round off an unreal year for us boys.

Do you already have plans for 2019?

We’ve been having some class stuff come in since the release of I Want More. We can’t say too much yet but we’re gonna be playing outside of Cardiff a lot more and possibly getting some bigger support slots…anything could happen. 

PHOTO CREDIT: Francis Brown 

Have you got a favourite memory from your time in music so far – the one that sticks in the mind?

Hearing our song on Radio 1 is always a bit moment for any band; it always sounds different somehow. To actually say we have a fanbase full of nut jobs from round South Wales is something that gives us all a buzz. 

Jack and Raychi got off the train from Cardiff to Newport for a gig in September and spotted four or five people wearing Al Moses T-shirts on the walk to the venue. Then, the following Saturday, we went up to Merthyr and had the same. Seeing people genuinely love your band is unbeatable. 

Which one album means the most to each of you would you say (and why)?

Raychi says ‘The White Album’ would be his, just ahead of Revolver. He said it’s a nostalgic album for him having listened to it a lot as a kid. 

Daf claims Ziggy Stardust (The Rise and Fall of Ziggy Stardust and the Spiders from Mars) to be his, for Soul Love alone.

George has gone for the Definitely Maybe because he loves playing it in his car.

The Holy Bible by The Manics means the most the Jack because their twentieth anniversary gig in Cardiff Castle was the first gig he ever went too - and it contains some of the greatest lyrics ever written.

If you could support any musician alive today, and choose your own rider, what would that entail?

We’d support Fatboy Slim at Cardiff Motorpoint Arena on Jack’s birthday. With a rider consisting of caterpillar cake and a Cardiff City third shirt signed by Callum Patterson.

What advice would you give to new artists coming through?

Be harsh on yourself and be interesting.

Do you have tour dates coming up? Where can we catch you play?

We are playing at the TramShed in Cardiff for Shimmer Sounds festival alongside some top bands. And then it’s all about our headline gig in Clwb Ifor Bach on 29th November. We’ll be announcing some new dates very soon though.

 IN THIS PHOTO: The Blinders

Are there any new artists you recommend we check out?

We’re all into The Blinders’ debut album; it’s class. There’s a great band from Cardiff called Laundrette who have really raised the bar in terms of making a gig ‘an experience’, if you’re into all that. Raychi rates Slipknot’s new stuff, weirdly. 

 IN THIS PHOTO: Laundrette

Do you get much time to chill away from music? How do you unwind?

We’ve all been mates for years and years and always struggled for finding things to do so band has helped loads with that. We’re all either working full-time or doing some kind of education for the most part. Whenever we do get time it’s all about Al Moses and then we obviously have to drink together and go out too much and meet people to tell them about Al Moses. 

Jack is a big Cardiff City fan so he has a season ticket, while Raychi works on his own Ambient music locked away in his room. We try to make everything about the band though because it’s the best part of who we all are believe it or not.

Finally, and for being good sports; you can each choose a song and I’ll play it here (not any of your music - I will do that).

Daf: Les Cactus - The Last Shadow Puppets

Raychi: Bassline Junkie - Dizzee Rascal

Jack: Salty Dog - Procol Harum 

George: Il mondo - Jimmy Fontana

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Follow Al Moses

PHOTO CREDIT: Francis Brown 

Facebook:

https://www.facebook.com/AlMosesBand/

Spotify:

https://open.spotify.com/artist/4q8X4ARR10BEfQdh51rPW8?si=_DYAJKyWSdOzeDpKhIPzTQ

Instagram:

https://www.instagram.com/almosesband/

INTERVIEW: Zoe Konez

INTERVIEW:

Zoe Konez

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THIS week starts off by me…

speaking with Zoe Konez about her latest track, The Sweetest Thing Is Love, and what inspired its creation. She discusses her musical influences and setting up Stop Look Listen (a regular gig night promoting and showcasing grassroots artists) and what she has planned for next year.

Konez selects a few albums that mean a lot to her and what advice she’d offer artists coming through; emerging musiciasns we need to get involved with and where we can catch her perform – Konez tells me what she hopes to achieve before the end of the year.

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Hi, Zoe. How are you? How has your week been?

I’m great, thanks! My week has been a little hectic. I’m moving my home studio to a new room so lots of sorting out where things go. I’m also rehearsing for my gig at Stop Look Listen in London on Tuesday (6th November) and trying to finish off recording my next single which will be out in the new year.

For those new to your music; can you introduce yourself, please?

I’m a singer, songwriter and guitarist and I live in South London. I play live with my drummer Will and we run a monthly music night together in North London called Stop Look Listen.

The Sweetest Thing Is Love is your latest release. Can you talk about it and how it came together?

The Sweetest Thing Is Love is my first single since my E.P., Between Darkness and Day, released in 2016. That E.P. was produced three-quarters by the wonderful Rhiannon Mair and I produced one song. Since then, I got a real taste for exploring production techniques and The Sweetest Thing Is Love is the sound of me exploring being not only a songwriter and musician but also a producer. I wrote the song on piano and electric guitar and started to build the song in my home studio, then recorded the live instruments in a beautiful barn studio in Sussex; then developed the sound further back in London.

Lyrically, it’s documenting that amazing warm feeling when you just adore your special person and you can only see good things ahead. Really optimistic and passionate - something I was genuinely feeling when I wrote it, which helps of course!

Do you think there will be more material coming next year?

Yes. I’ve been recording more songs. I have a collaboration which will come out in the New Year and more songs to follow in 2019!

You are involved with Stop Look Listen. What was the reason for starting that up?

I moved to London eight years ago and the selection of gigs to play is great but they are extremely hit and miss in terms of how well you are treated and whether your music will be listened to or talked loudly over. Will and I decided that we would host our own night and do our best to ensure primarily that the setting is cosy and atmospheric; the audience is trained to listen (yes, audiences need training!) and that we as hosts treat the acts well, introduce them and just have an enjoyable evening together.

We run it on the first Tuesday of the month at The Finsbury in Manor House and, in the summer months, we host music on our local park bandstand on Sunday afternoons. It’s super-enjoyable and we’ve met and listened to some amazing musicians over the years.

How important is it providing that support at grassroots level? How does it feel to know an artist you have backed and featured is getting their music supported more?

I think it’s really easy as a musician to get dampened by the steep climb (it can feel) to get a buzz going about your music. There’s only so much you can do yourself, so it’s great to create networks of musicians; to keep talking to each other and support each other.

It’s exciting to watch musicians blossom and build on their momentum. Having a great gig with real music fans coming to see you and buy your merch can be the boost that gets you back writing and recording the next day. So, if we can be a small part of that special journey, then that’s amazing!

What do you hope to achieve by the end of 2018?

I’m so happy to have got this single released and to have had a great response (I was a little nervous considering I haven’t released music in a little while). I have a new single coming out with my other project CATBEAR later this month which I’m super-excited about – it’s more of a band/electronic style.  

A couple of Stop Look Listen shows to host on 6th November and 4th December and other than that I’m finishing off tracks ready for release next year.

Do you already have plans for 2019?

More music-making for sure! Hopefully, some more live dates. Will and I have played four tours of Europe, including Germany, Belgium; Austria, Switzerland and Luxembourg. They are wonderful countries to visit and play so perhaps we’ll return…but actually we haven’t toured our home country recently, so I don’t know if we should concentrate on that?!

Have you got a favourite memory from your time in music so far – the one that sticks in the mind?

My last launch show for the single, Bones; playing to a sold-out crowd and hearing them singing along to my songs. I invited three friends to write a song each with me in the run-up to the show and we performed them that night together. Collaborating with friends and connecting with a lovely audience…bliss!

Which three albums mean the most to you would you say (and why)?

Wow, big question! So difficult to pick only three!

Most recent album I adore is MUNA – About U

It’s so emotional - the vocals, the lyrics; the sounds, I just think it’s amazing.

Definitely Maybe by Oasis

It was the album I learnt to play guitar to, so though I can’t say it’s an album I’d put on, I could probably play all the songs from memory! I bought the album and the guitar tab book and learnt it cover to cover which gave me a great grounding before I headed off into my Emo/Metal-loving teenage years!

Now, Now – Threads

This is just an album I can put on anytime. I was lucky enough to support them a few years ago and was already in love with their album so that was amazing.

If you could support any musician alive today, and choose your own rider, what would that entail?

Let’s say PJ Harvey as she’s a bit of a legend.

As for a rider; anything that isn’t beige is always nice! It’s nice to be fed, though pre-gig food is often a bit stodgy. So, some veggies, fruit and a cheeky JD and coke, please!

What advice would you give to new artists coming through?

Come at it with enthusiasm and determination; an open and strong heart. Work with other people, absorb influences and experiences but don’t let others change you from the personality and musical integrity true to yourself.

Do you have tour dates coming up? Where can we catch you play?

Stop Look Listen on 6th November at The Finsbury. Will and I usually host and play a couple of songs at the start but this month we’re playing a full set alongside awesome acts Rookes, Tiger Mimic and Anna Aarons.

We’re going to have a very intimate Christmas show in an unusual location in December - look out for details announced soon!

 IN THIS PHOTO: Jessie Reid

Are there any new artists you recommend we check out?

How about a selection of acts who have played Stop Look Listen in the past year or two…

Megan D, RUEN; Jessie Reid, Anna Pancaldi; Simran Ahira, DIDI; Sarah Walk, Bryde; Hannah Brown, Xylaroo and Russell Swallow.

 IN THIS IMAGE: DIDI

Do you get much time to chill away from music? How do you unwind?

Not really! I like to spend time by the sea, in London; go to the river or just walk around the city with a friend with no agenda.

Finally, and for being a good sport; you can choose a song and I’ll play it here (not any of your music - I will do that).

Thanks! How about we collaborate on this and you pick one from my list of recommended new artists above (smiles).

___________

Follow Zoe Konez

Twitter:

https://twitter.com/zoekonez

Facebook:

https://www.facebook.com/zoekonezmusic

Spotify:

https://open.spotify.com/artist/56zdMqayB3Ja8iwUmdKumu?si=SsTc3cGVQJqh5pvinDpH6g

Instagram:

https://www.instagram.com/zoekonez/

YouTube:

https://www.youtube.com/zoekonez

SoundCloud:

https://soundcloud.com/zoekonez

Bandcamp:

https://zoekonez.bandcamp.com/

INTERVIEW: Daniel & Mikael Tjernberg

INTERVIEW:

Daniel & Mikael Tjernberg

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I have been chatting with Daniel & Mikael Tjernberg…

about their new E.P., Flight of the Raven, and what themes/ideas inspired it. The brother discuss how they got started in music and which artists/genres inspire them; whether they have plans for the year ahead and which albums are important.

I ask if they will tour at all and come to the U.K. and what the music scene is like in Sweden; whether they unwind away from music and the advice they would give artists emerging – they each choose a song to end the interview with.

__________

Hi, guys. How are you? How has your week been?

Daniel Tjernberg: Hi! Very well, thank you. The week has flown by pretty quick.

For those new to your music; can you introduce yourselves, please?

Mikael Tjernberg: We're two brothers from Sweden creating eclectic music, moving between different genres and styles such as Classical, Jazz and Popular music. Our music is primarily instrumental.

Daniel: Yes. We like to blend the tone language and instruments of Classical-Romantic music with contemporary and modern ones of popular music genres.

Daniel and Mikael; you are brothers. When did you start making music together and decide to get into recording?

Daniel: Very early, I'd say; pretty much as early as memory goes. Music has always been a natural form of expression for us; a way to express things that we otherwise would struggle or be outright unable to communicate…

Mikael: …And to record what you create became a natural thing; soon, there were no thinking about it but it just happened as soon as new ideas came to life. There was no deciding process behind that whatsoever. At that time, we would use an old tape recorder for recording.

Give me an impression regarding the artists you grew up around. Was it quite a varied upbringing?

Mikael: We grew up in the 1980s and 1990s in a home full of all kinds of music. Classical and the orchestral masters, Jazz; Pop, Rock; Folk, Herbie Hancock; Joe Sample, Quincy Jones; Jan Johansson, Miles Davis; Grover Washington Jr., Pink Floyd; Dylan, Black Sabbath; Bee Gees, Genesis; Fleetwood Mac, Beatles; Ray Charles, James Brown; Aretha Franklin, Stevie Wonder; Michael Jackson, Motown…you name it.

Daniel: Yes. And our parents engaged and supported us a lot when we showed interest in music.

Mikael: Our late grandpa Sven meant a great deal to us. Not just as an inspiration, but it was also in his home we started up our first rehearsal room and recording studio.

Flight of the Raven is your new album. Are there particular themes that inspired the record?

Daniel: Yes, absolutely. Flight of the Raven is the first of two in a suite of Norse-inspired music where every track is drawn from Norse mythology. Making this E.P. has been an enjoyable journey, during which we've also had the pleasure to collaborate with some very gifted and talented musicians.

Mikael: And, as a matter of fact, the follow-up is already in production. It'll act as a natural continuation of the just-released E.P., building on the same themes. Expect some interesting tracks on that one, as well as a few yet to be revealed collaborations.

Do you each have a favourite cut from the collection?

Daniel: All songs made it to end up on the album – therefore, we like them all very much and it's very hard to choose a favorite. But, if I had to pick only one, I'm particularly attached to the title track.

Mikael: Agreed. That song’s dedicated to my late cat, Svarv. Written in honor of his spirit - and with the Norse myth inspiration where the bird of the Monocular God is sent out to surveil over the living and the dead.

What do you hope to achieve by the end of 2018?

Mikael: We hope that we have finished an album entitled Atlantis. That will come out via the Italian label Blue Spiral Records. We’ve worked on this one on and off for a couple of years now. It's inspired by Greek mythology; musically, it's Neo-Classical with a lot piano based material.

Daniel: For Atlantis, we've collaborated with Swedish string ensemble Malva Quartet as well as harpist Jonathan Grönlund.

You are based out of the centre of Sweden. Is there a good music scene there at the moment?

Daniel: Sweden is a huge exporter of music and the music scene is very much alive, I'd say.

Have you each got a favourite memory from your time in music so far – the one that sticks in the mind?

Mikael: Not a one and specific moment, but those sessions me and Daniel would have in our early teens where we would pop a cassette into the tape recorder, hit record and then just jam away for hours on end. We'd stay up 'til the witching hours just coming up with and refining musical ideas – a very special kind of magic!

Daniel: I have a lot of fun memories from when we played in the band (Metal Fusion). One that jumps out is that one time when we were playing in Enköping and the electricity went out and then at the same time the fire alarm went off. But, we just kept going unplugged, fumbling in the dark and synchronizing the finale with the fire alarm pulses. In the end, it turned out to be a rather theatrical and welcome touch to the show - albeit undoubtedly comically so!

Mikael: I also mustn't forget to mention the various concerts me and my brother have given at all of these beautiful churches in central Sweden. The atmosphere and acoustics in a medieval stone church are something to behold, I'm telling you.

Which one album means the most to each of you would you say (and why)?

Mikael: I have to confess, I'm not an 'album guy': I like to mix it up quite wildly. But…Pink Floyd’s The Dark Side of the Moon; Stevie Wonder’s Journey through “The Secret Life of Plants” but also his later works. Isaac Hayes has many great albums.

Daniel: Vangelis, Björn J:son Lindh and George Duke; not a specific album, rather...the sum of their production...

If you could support any musician alive today, and choose your own rider, what would that entail?

Mikael: George Benson with Stevie Wonder as rider.

Can we see you on the road this year at all?

Daniel: Probably not. We're a duo constellation and, as such, we do almost everything ourselves. To put together the manpower required to play most of our music wouldn't be financially viable, at least not for the time being. And then there's practical implications, given that our music varies quite wildly from one work to another. You'd have to assemble a likewise wildly varied circus of musicians to perform it.

Mikael: We've given concerts before, but those always were quite small in scale and centered around Chamber Music specifically composed for piano and recorder. I think, going forward, we have so many more avenues that we'd like to explore musically.

Daniel: Somewhere along the line, you might see us somehow somewhere; albeit in a different setting. Together with our baby brother Gabriel, we're bringing Jazz-Fusion band Tjernberg Brothers to life - and who knows where that'll end up.

Mikael: Also; we always keep the door open for orchestras and ensembles to perform our music, so there's that.

Might we see you in the U.K. very soon?

Mikael: Based on the reasons given: no. However, the United Kingdom holds a very special place in our hearts with its rich culture and heritage, so I'd say it would be one of the very first places we would go, should the opportunity arise.

 IN THIS PHOTO: Tjernberg Brothers; the upcoming project involving all three brothers

What advice would you give to new artists coming through?

Mikael: It truly is a jungle out there and it can be disheartening to face backlash after backlash. It's a tough industry, for sure. But, I believe that as long as you have stories longing to be told; feelings to communicate, then there is an audience for your art. Trying to appeal to each and everyone is a path that'll ultimately and inevitably fail.

Same goes for money: if you find yourself thinking about art in terms of if it will be financially beneficial and therefore worth it; then I'd say you should take a step back and reconsider whether art is the thing that you should be doing. Art is bigger than all of that. That's something I would say is a crucial understanding for making worthwhile art.

Daniel: And the music you're making should first and foremost be for you. It's therapy, man! If it's genuine and sincere, it's just a bonus if it can be appreciated by others.

Are there any new artists you recommend we check out?

Daniel: Not really. To be honest; we've been too busy with work to check out new stuff. But, we try to catch up by following interesting labels and zines.

Do you both get much time to chill away from music? How do you unwind?

Mikael: Well, naturally, music is unwinding. Being out on the countryside is a big one, though, for the both of us.

Daniel: Mikael is even is what you'd call a nerd; completely obsessed with beetles.

Mikael: Being out in nature, where you get to observe how everything interacts; see all these cogs in this massive cog wheel called life…that's the greatest kind of inspiration you could ask for.

Daniel: Being a creative kind of person; I've also always been into drawing and illustrating. And, when drawing, I often find myself exploring the same kind of themes and moods that I've recently used musically. I find it an interesting combination; using these forms of artistry to express the same kind of mood or to use them in conjunction with each other so that the sum of it tells a story that would be difficult to get across otherwise.

Finally, and for being good sports; you can each choose a song and I’ll play it here (not any of your music - I will do that).

Daniel: Put on the title-track from Björn J:Son Lindh's Atlantis album. Björn was one of the most talented and interesting musicians that Sweden ever had, in my humble opinion, but his recognition – even is his home country! – is criminally low

Mikael: Another one deserving far more recognition is the late Swedish pianist Jan Johansson. The guy had an absolutely unprecedented emotion behind every stroke of the keyboard.
But, for today, I'm gonna go with George Duke's Anticipation as my contribution to the playlist. You're sorely missed, George

___________

Follow Daniel & Mikael Tjernberg

 IN THIS PHOTO: Daniel and little brother Gabriel 

Official:

http://www.tjernbergmusic.com/wordpress/

Twitter:

https://twitter.com/tjernbergmusic

Facebook:

https://www.facebook.com/danielandmikaeltjernberg/

Spotify:

https://open.spotify.com/artist/7n22jRjW3P056u24FFZq0v?si=ofjkwoFZRUmcJnCgahOtiQ

Instagram:

https://www.instagram.com/tjernbergmusic/

YouTube:

https://www.youtube.com/channel/UCP7ld-sWg6s0m30dqGwPyYA

INTERVIEW: Shields

INTERVIEW:

PHOTO CREDIT: Rhiannon Banks Photography  

Shields

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THANKS to Shields…

for chatting with me about their new E.P., Etemenanki, and what inspired it; if they have a favourite cut from the collection and what their plans are regarding next year – I ask if there are tour dates and we can see them on the road anytime soon.

The guys talk about their musical influences and albums that are important; which rising acts we need to get behind and whether they have special memories from their careers so far – they end the interview by each selecting a track.

__________

Hi, guys. How are you? How has your week been?

Really, really good, thanks! We had our E.P. launch and it was absolutely class! Amazing crowd, sell-out gig. So, yeah, pretty good!

For those new to your music; can you introduce yourselves, please?

We are Shields. There are five us in the band (Luke, Rich; Dave, Tom and John).

How did Shields form? When did the magic start?

Shields came together in 2012. The band really started as a three-piece. We went to Blank Studios in Newcastle to record some demos which is where we met John - he was the engineer. John’s creative input as producer became so integral that we asked him to join the band. It then got to the point that the music we were recording required an extra member in order to perform it live. I (Luke) was in another band at the time with Dave so asked him if he’d like to join Shields. We quickly found we could all write and produce together and it went from there.

Etemenanki is your new E.P. What sort of ideas and stories inspired the music? Do you each have a favourite song?

I (Rich) usually write musical ideas before coming up with an idea or story to accompany it. That allows me to draw inspiration from the feeling I get when listening to the idea. Babel, for example, sounded exotic and had a carnival feel to it. The story of the Tower of Babel seemed to fit really well with that feeling but it also provided a lot of inspiration, lyrically. That’s one of my favourite songs on the E.P.

What sort of music/styles is the band inspired by? Are you all bonded by similar tastes?

We really are inspired by all kinds of music, which I think shows in our set. It’s a bit all over the place but, hopefully, in a good way. There are certain bands which we all love such as Radiohead.

What do you hope to achieve by the end of 2018?

Having just released our first music in a couple of years, we are super-keen not to leave it so long this time. We are heading into the studio in November and plan to get another batch of music recorded before the end of the year. We also have a few gigs lined up. Check the website for details. 

Do you already have plans for 2019?

Assuming the rest of this year goes to plan then we’ll be releasing new music in early-2019. We’d love to get out to play some festivals throughout the year and maybe head over to Europe again if the opportunity presents itself.

Have you got a favourite memory from your time in music so far – the one that sticks in the mind?

For me (Luke), it has to be Glastonbury. I’d never been before and I always said to myself that I’d wait until I could go as an artist. It was totally worth the wait! A close second is Melt Festival in Germany, but there are so many brilliant memories.

PHOTO CREDIT: Rhiannon Banks Photography  

Which one album means the most to each of you would you say (and why)?

Luke: Sound of Silver By LCD Soundsystem is one that I will always come back to. I remember hearing in a record shop in Newcastle and I fell in love with it straight away. It was massively refreshing to me. It became the sound track of my uni days

Tom: De-Loused in The Comatorium by The Mars Volta. John Theodore shows that it is possible to have energy, virtuosity and musicality in equal measure in the drums and inspired me to approach my performances and creative processes in the same way. The songwriting and arrangements are incredible and left me listening on repeat for over six months. Even now, when I need a reminder of how exciting an album can be, I go back to it.

Rich: That’s a really hard question! I can’t pick one album that means the most to me but I’ll never forget the profound effect Bitte Orca by Dirty Projectors had on me. I remember Luke gave me a C.D. of it and I was just blown away with how inventive the composition and instrumentation was. Everything from the drums to the guitar work…but especially the vocals.

Dave: Radiohead - Kid A: I first heard snippets of Kid A while being an insomniac listener to a late-night MTV2 programme called 120 Minutes while at college. The album was a perfect soundtrack to that state of mind and it felt time to progress from the boring sounds and albums Oasis were releasing. I'd never heard songs or an album approached like this before; that have purposefully inaudible lyrics, guitars that sounded nothing like guitars and had no singles from it...yet, it was their number-one in America. The opening lyric of the album also gave the band Everything Everything their name and have obviously been a huge influence on those guys as well.

If you could support any musician alive today, and choose your own rider, what would that entail?

That’s too hard to choose! Either Radiohead, LCD Soundsystem or Arcade Fire. I know you said choose one but I can’t. If you’d asked me a few years ago it would have been Bowie, without a doubt.

We’re pretty easy to please when it comes to riders. We are happy with some nice booze, humus and carrot sticks.

Given the band’s name; if you could design your own shield, what would it be made of?

Are we allowed fictional materials? If so, then that stuff that Captain America’s shield is made of. It would be one of those tall ones that covers you head to foot and it could double up as a sledge.

What advice would you give to new artists coming through?

To stick to your guns, creatively. Don’t try to second-guess what you think other people are looking for in your music. As cliché as it is; be yourself.

Do you have tour dates coming up? Where can we catch you play?

The next gig is at The Finsbury in London on 17th November.

 IN THIS PHOTO: Callum Pitt/PHOTO CREDIT: Daniel Stark

Are there any new artists you recommend we check out?

Defiantly check out Callum Pitt, Grace Gillespie; Fever Days, The Pale White; Martha Hill, The Old Pink House and Penguin.

 PHOTO CREDIT: Grace Gillespie/PHOTO CREDIT: Poppy Marriott

Do you get much time to chill away from music? How do you unwind?

We don’t really stop. We’re doing something music-related most days, whether it’s recording, mixing; writing or working with other artists. It’s pretty addictive. I have made time for Daredevil on Netflix over the past few days though.

Finally, and for being good sports; you can each choose a song and I’ll play it here (not any of your music - I will do that).

What’s Your Problem? – FEVER DAYS

Away From the Rousing Parades - Callum Pitt

Wisdom Tooth - The Pale White

Martha Hill - Wallflower

Restoration - Grace Gillespie

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Follow Shields

Official:

https://www.behindshields.com/

Twitter:

https://twitter.com/behindshields

Facebook:

https://www.facebook.com/behindshields/

Spotify:

https://open.spotify.com/artist/2ehIq6O7lHbD0aQOe0w83R?si=BZWQCpadRtGNchblTOUgdg

Instagram:

https://www.instagram.com/behindshields/

YouTube:

https://www.youtube.com/playlist?list=PLRUGkHETosZwvT-Ignv98tUPA7sikJD0u

INTERVIEW: CAEZAR

INTERVIEW:

 PHOTO CREDIT: Daniel Alexander Harris

CAEZAR

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THE guys of CAEZAR…

have been telling me about their new track, Somewhere New, and what we can expect from their E.P., HAIL! I ask how the band met and what sort of music inspires them; if there is an approaching artist we need to get behind and whether they are heading on the road at all.

I discover which albums are important to them and what they have planned for next year; if there are any favourite musical memories and which artist they’d support given the chance – the band members each choose a song to end the interview with.

__________

Hi, guys. How are you? How has your week been?

Hey! It’s been another busy week. It always surprises us just how busy it is when you’re deep in the middle of a campaign. With all the P.R. work, the travelling and the interviews – it’s relentless! We love it though.

For those new to your music; can you introduce yourselves, please?

Of course. We’re an Electro-Pop three-piece, originally from Cheltenham in the South West but now we spend most of our time in London. We’ve been a band for about four years, but previously performed under a different name (‘Quigley’). We then had a line-up change with two members leaving the band; this left just Chris, Zoe and Rich (C,Z,R) in the band. It seemed like the right time to close the chapter on Quigley and start something new. We’d started working with a new producer at the same time and the chemistry of it all just seemed to click. Eighteen months later and CAEZAR was born.

Somewhere New is your single. Can you explain the story behind the song?

This is actually one of the oldest tracks in our repertoire – although it’s changed a lot since when we first started performing it. We wanted to capture that feeling of restless excitement that you get when you discover a new place or a new adventure – and we think this song epitomises that. It’s a real anthemic track with a strong hook at its heart. It always gets a great reception when we perform it live.

The E.P., HAIL!, has been announced. What sort of themes motivated and inspired the songs?

It was really important for us to try and capture the many shades and sides to ourselves in this E.P. It would have been easy to have put four lighthearted, easy-listening tracks together. However, we wanted to showcase that – yes, we’re an Electro-Pop band – but there are so many emotions that inspire us and we love to explore in our music – whether it’s bittersweet, lighthearted; frisky… that’s what keeps us interested. We’re really proud of each single on the E.P. and feel that the tracks work either independently on their own but also as a collection.

 PHOTO CREDIT: Daniel Alexander Harris

In terms of sounds/artists; who are CAEZAR inspired by?

We have quite a diverse range of influences – Chris loves OneRepublic, Maroon 5 and Muse while Rich is more introverted and will spend hours digesting acts like Pink Floyd and Ben Howard. Zoe has Indie tastes, so loves acts like Nothing But Thieves and Amber Run.

How did you get together? Did you all meet in Cheltenham?

Chris and Rich first met on the rugby pitch. They played for the same rugby team and both got injured at the same time. As they couldn’t play rugby, they had to find another way to spend our time so they started the band! One thing led to another and now the music has completely taken over from the rugby (although they will try to get a game in when we can). Zoe came into the mix in 2015; first as a backing singer for the band but her voice and character were so strong she quickly established herself as a key member of the band.

 PHOTO CREDIT: Daniel Alexander Harris

What do you hope to achieve by the end of 2018?

The goals for this year is to complete the release of the E.P. (due 30th Nov) and to continue to nurture the CAEZAR following. We’ve been very fortunate to have an amazing reaction to the tracks so far with BBC Introducing featuring the E.P. as a main event; CLASH magazine premiering our singles and even getting some U.K. National T.V. broadcasting with Philip Schofield on ITV’s This Morning!

Do you already have plans for 2019?

We want to build on what we’ve started this year. It’s been amazing to release the songs to such a positive response; now we want to take the tracks on the road and showcase them to audiences across the U.K. – and beyond. We’re talking to festivals currently and hope to make some big announcements soon. After that, we will be looking to get back into the studio to start on our next project.

Have you got a favourite memory from your time in music so far – the one that sticks in the mind?

Our favourite memory so far has to be when we performed at Alt Fest in Belgium. It was our first international show and really opened our eyes to how far music could take us. We were treated like royalty; we got to meet loads of amazing acts, and also were able to hang out for a night in Bruges – which we’d highly recommend. It was an incredible adventure.

Which one album means the most to each of you would you say (and why)?

Chris: Muse - Origin of Symmetry

The first album I began to understand the power of melody regardless of genre.

Rich: Pink Floyd – The Wall

I grew up hating this album. My parents would play it on-repeat and it confused the hell out of me. Then, as I grew up, I reengaged with the narrative, the journey; the multifaceted moods and tones – and, of course, the guitar solos. I love it. Dave Gilmour is the man. Fact.

Zoe: Amber Run - 5am

I'd been in a dark place where I didn't even want to listen to music. This was the album that changed that. It marks a very poignant turning point in my life

 PHOTO CREDIT: Daniel Alexander Harris

If you could support any musician alive today, and choose your own rider, what would that entail?

If we could support anyone performing right now, then I think someone like Raleigh Ritchie would be amazing. In terms of riders; we’re happy with a few beers! As long as it’s not fruit – we were once given a bowl of oranges as a rider and Chris is still angry about it today.

What advice would you give to new artists coming through?

Creating and growing music that you love is not easy. It takes a lot of dedication and persistence to get your head above the water and even then expect a lot of rejection and disappointment. It’s the bands that believe in themselves and who can ride the waves of ups and downs that will make it. So many amazing acts never make it because they give up too early.

Do you have tour dates coming up? Where can we catch you play?

We will be announcing 2019 tour dates very soon. Head over to our Facebook page to ensure you get the updates when they are published.

 IN THIS PHOTO: Rex Orange County

Are there any new artists you recommend we check out?

Not really an ‘unknown’ but Rex Orange County is tearing it up right now – we love him!

Do you get much time to chill away from music? How do you unwind?

Probably unsurprisingly we turn to rugby when we’re not in CAEZAR-land. We’re big supporters of Gloucester rugby, so will go to watch the Cherry and Whites when we can and, if not, we will strap on our boots for a game with our home club, Old Cryptians. Except for Zoe – she’s mega-creative so she will be painting or designing something stunning (like the band’s artwork).

Finally, and for being good sports; you can each choose a song and I’ll play it here (not any of your music - I will do that).

Rich: Rex Orange County – Loving Is Easy

Chris: Navajo – Masego

Zoe: Theophillus London – Bebey

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Follow CAEZAR

Official:

https://www.hailcaezar.com/

Twitter:

https://twitter.com/HAILCAEZAR1

Facebook:

https://www.facebook.com/hailcaezar/

Spotify:

https://open.spotify.com/artist/6f2j70gzysK5Z83ZhbpaFo?si=Y6Nkx0WfTjWmKvfvKOSEhg

Instagram:

https://www.instagram.com/hailcaezar/

SoundCloud:

https://soundcloud.com/hailcaezar

YouTube:

https://www.youtube.com/channel/UCDTTt6IlbDEOFtbbkiiWhTQ?view_as=subscriber 

INTERVIEW: Alichè

INTERVIEW:

Alichè

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THANKS to Alichè…

 PHOTO CREDIT: @bychrisreid

for talking with me about her latest song, B.B.I, and what it is all about. She reveals how her music has developed and which artists influenced her; a few albums that are very important and some rising names that we need to be aware of.

I ask whether there are gigs approaching and how important London is to her; which musical memory stands in the mind and how she unwinds away from music – Alichè chooses a great song to end the interview with.

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Hi, Alichè. How are you? How has your week been?

Hey, hey! So good. It’s release week, so I've literally been counting down to the day!

For those new to your music; can you introduce yourself, please?

I’m Alichè - pronounced ‘Ali-Chay’. I was born into music, literally born under a piano at home. Haha! I’d say I sit somewhere in a contemporary style of R&B/Hip Hop. I like to take influences from all different genres of music to form my own style and take. I embrace being from London and proudly sing with my accent. To be honest, couldn't drop it if I tried. 

B.B.I is your latest single. What is the story behind it?

B.B.I = Bad Boy Issues. It’s not about any specific being, but more a reflection of frustration. Anyone that knows me knows I have a big, big heart but I'm not a lovey-dovey relationship person. I do my own thing, work hard and put myself first a lot. But ‘bad boys’ are my kryptonite: I get pulled in by a certain type of presence and swagger; they always seem to end up being an issue.

How do you think it moves on from No Luv? Do you feel yourself bringing out more material next year?

They are both tracks that represent me and I'm proud of. There’s a lot more to B.B.I; there’s a certain vibe to it that I was, like, ‘Cool; this has to be my first official release’. I’ve got a couple things lined up for next releases but, for now, I’m just eager to test the waters in the reception of B.B.I.

In terms of music; who do you count as idols? What sort of stuff did you grow up listening to?

My family play a big part in my musical influences. I grew up with a lot of Jazz, Funk and Soul music around me. There’s always good tunes playing in our house. We spent some time in Cuba when I was little - and my family did before I was born too -, so a lot of Cuban and Spanish music and culture was always about - whilst I also had an older brother drilling Hip-Hop and Grime into me from an early age. 

Erykah Badu, to me, is one the greatest human of all time. Q-Tip is also possibly one of my favourite Hip-Hop artists alongside the more modern-day sounds of King Kendrick. And, finally, I would not be the woman I am today without the existence of Amy Winehouse. 

Being based in London; how important is the area and the people regarding your music and creative mind?

So important. I bounce off London. It’s an exciting time for U.K. music as a whole. Defining sounds and pushing new limits. There’s a lot of love in this city but a lot of pain too. It inspires me every day. Even just watching the people I see on the Tube every day; they give me ideas or inspiration. 

What do you hope to achieve by the end of 2018?

The most important thing for me right now is developing my presence and sound as an individual, so I’m keeping my head down and trying to stay consistent. 

Do you already have plans for 2019?

Of course. I’ve got so much I would like to do but, my team and I, we plan loosely. Things and plans can change so quickly. In 2019; I would love to support a British female artist on their tour or their home show.

Have you got a favourite memory from your time in music so far – the one that sticks in the mind?

It would have to be the headline show I did in September at The Spice of Life. I’ve been going to that Jazz club for London Jazz festival for years. It was also my first headline with a live band who, shout out to them, are the best musicians. Excited to see where we’ll be playing in the future.

Which three albums mean the most to you would you say (and why)? 

The Miseducation of Lauryn Hill by Lauryn Hill and Baduizm by Erykah Badu shaped me as a human; they both got me through some tough times and boosted the good days. Then, Songs in A Minor by Alicia Keys is a timeless album to me; reminds me of just being young, blasting it out singing at the top of my lungs. My biggest worry was the flat upstairs banging to tell me to pack it in. 

If you could support any musician alive today, and choose your own rider, what would that entail?

If we’re talking worldwide, then Anderson .Paak. I think he is incredible. Ah…a rider. Well. If I was on tour I’d probably set up and run a fitness boot camp every day for the whole team and band. Blast some tunes and whip everyone into shape….

What advice would you give to new artists coming through?

I’m still very new myself so I’m still learning but I think just trust your own process. You live and learn. Don't be afraid to try new things but also don't be afraid to stay true to what feels right to you.

Do you have tour dates coming up? Where can we catch you play?

I’ve got my biggest headline show yet lined up on Sunday, 11th November at the Camden Assembly. I live to be on stage so I literally cannot wait.

Are there any new artists you recommend we check out?

I’m going to give you three AMAZING U.K./London-based artists…

Fred Fredas - who features on B.B.I. I was on one of his songs last year under a different name and fell in love with the richness of his voice. He's a QUALITY rapper and also a really good guy. Dotty. He is one of my favourite U.K. artists. His album, London X Living, is one of the most underrated projects. CHECK HIM OUT FOR SURE. Cleo Sol! Her song, Why Don’t You; it’s one of my most played songs. She has so much to her voice and lyrics; literally makes me melt.

 IN THIS PHOTO: Cleo Sol

Do you get much time to chill away from music? How do you unwind?

To be honest; I’m one of those people that hardly sits still. Haha! Not a lot of ‘chill’ time on a regular day/week. I do weightlifting/powerlifting, which I find is my time to myself. But, putting on my favourite album or project and just zoning out when on public transport or travelling is probably the time I take to chill.

Finally, and for being a good sport; you can choose a song and I’ll play it here (not any of your music - I will do that).

Kaiit - OG Luv Kush pt.2. Another perfect example of pure U.K. talent. Someone introduced me to her earlier in the year and I have been rinsing this track since

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Follow Alichè

Twitter:

https://twitter.com/itsaliche

Facebook:

https://www.facebook.com/itsaliche

Spotify:

https://open.spotify.com/artist/3GelDNbgiUcLa8au6ii9d6?si=S694Kac1TDa5E40dzfzb5Q

Instagram:

https://www.instagram.com/itsaliche/

INTERVIEW: Soul Island

INTERVIEW:

Soul Island

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I have been speaking with Soul Island…

about his new single, Ocean, and how it came together. He talks about the upcoming album, Shards, and what sort of themes inspired it; when he got into music and what sort of sounds inspired him – he reveals a few albums that mean a lot to him.

Soul Island discusses his future plans and spending time in London; being raised in South Italy and whether there are any ambitions to fulfil before the end of the year – the songwriter ends the interview by selecting a cool track.

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Hi, Soul Island. How are you? How has your week been?

Hey! Quite deep…prepping the live set, some flying London to Lecce; with in between working on visuals for the upcoming record and singles.

For those new to your music; can you introduce yourself, please?

I’m Daniele and Soul Island is my first solo project. It’s an exciting phase as the first record is coming out, with experimentations on songwriting mixed to analog, Electronic soundscapes. In the past, I was part of quite a few other projects, from Power-Pop to Folk. However; this new work I always had in mind and turned out to be the most personal music I ever released.

Ocean is your new single. Can you explain the story and background of the song?

I was fascinated by the idea of composing a track with a lead synth arpeggio from start to finish. I worked a lot on the narrative in the chords sequence and then fed it through a Juno-106 with continuous live tweaking of all envelopes and filters. Lyrics are about the environment and my – everybody’s – sense of responsibility for it; the hopes we hold on to as events bigger than us unfold.

I was also definitely externalising the impact of London’s weather(!). After some time working on the track, I realised that water movement is effectively what I had in mind musically and that this was a recurring topic appearing (also) in the lyrics…so I picked ‘Ocean’ as the title.

It is from the upcoming album, Shards. What sort of stories and experiences compelled the music on there?

As I said; Shards is all very personal. Lyrics and soundscapes expose intimate imagery and feelings as fragments of my story and my inner-speech. However, I am always very empathic and context-aware so much of this focuses on friends, other people; or else subcultures, global issues. The songs in Shards are a selection over a long period; effectively a chunk of me and my ideas over time, most of which I was living in London, having moved there from Italy and travelled a lot to the rest of Europe and New York. There’s also a good amount of focus on change in independent music and the arts, fast content versus depth; substance vs. networking - the way with which I deal with these thoughts emotionally.

In terms of influences; which musicians did you grow up around?

Lecce in Puglia, South of Italy, is where I’ve grown up. There was a small local street and skate scene of which I was part. Music started playing a huge part into this scene and eventually quite a few bands were born and places for gigs, small D.I.Y. distros and labels. This was the environment; bands I would listen to were mostly Hardcore, Punk and Indie from the States…Hüsker Dü, Minor Threat; Fugazi, Sensefiled; Promise Ring, Texas Is the Reason…I could mention dozens.

Then, some Italian, Kina; Negazione, Nuvolablu; Shock Treatment, Eversor - we had brilliant Punk/Emo bands down in Lecce as well like Suburban Noise. And, of course, U.K. like The Clash, Exploited…eventually attention slowly shifted on the sound more than the politics and I became genre agnostic; I get passionate so long as the writing is good.

How did you get into music? Was there a particular moment when you knew it was what you needed to do?!

It came as a natural consequence of being in the skate culture in the '90s which eventually led to Punk/Hardcore. My parents’ home was also a place imbued with art ranging from paintings to good records played loud on Sundays. Making loud music felt as a protest against the culturally dry and small-minded region I lived in. Started on the guitar and immediately began writing songs, fronting a few bands with guitar and vocals (Room 104 among all). Since then; making music just felt a basic need.

You were raised in South Italy but are now in London. Was it a hard decision leaving Italy or has it opened up your musical world would you say?

Leaving Italy took some planning. Once in London and past the first few tough adaptation months, I started loving the city incredibly; it’s a constant adventure and discovery and, yes, it’s been a dive into countless shows in the many venues and pubs, both on stage and as public. I started buying vinyl again. I’ve also seen another completely different side of the city working as a software designer.

For me; the most challenging job to date. Full disclosure: I am now back in Italy, mostly, although I frequently fly back to U.K. having lived what has been a very intense life there - sorry London; the weather is so much better!

What do you hope to achieve by the end of 2018?

Record out, live set ready to go!

Have you got a favourite memory from your time in music so far – the one that sticks in the mind?

I have a terrible memory for events. However, recently, as the first single came out - announcing the record - and I was so touched by many (among friends, music people and totally unknown others) getting very emotional, almost as in-sync with the tracks’ footing. That’s been quite a thing to experience: a sense of intimate warmth and protection from the exposure of putting the track out in the first place.

Given your name; if you had to populate your own ‘Soul Island’; which singers would you have on there?!

Jon Bunch - always pictured as my older brother, fatherly figure. Bent Sæther, Jello Biafra. I love Thomas Mars’ attitude and writing. Elliott Smith, Nick Drake. Many more; depends if it’s a shipwreck or we’re at a holiday resort (smiles).

Which three albums mean the most to you would you say (and why)?

So difficult - there’s way more than three…

I’ll give you Blissard – Motorpsycho

It’s still there on any device I carry around. I have slept countless times with it in my headphones.

Then, more recently, Our Love - Caribou

It matches my sensibility; 100% would love to meet Dan Snaith and have a chat.

Finally…James Blake’s first (James Blake)

It’s a blue I always end up needing at some point or another.

What advice would you give to new artists coming through?

Ultimately, you want to hope making music is urgent to you or it will likely hurt you.

Do you have tour dates coming up? Where can we catch you play?

There are a few things lined up - but will put out details in due time!

Do you get much time to chill away from music? How do you unwind?

I do probably too many things. Besides music and designing software interfaces, I do often end up exploring computational art in many ways. I have an Instagram account where I post things at @morekid.

Finally, and for being a good sport; you can choose a song and I’ll play it here (not any of your music - I will do that).

I have this I just recently discovered; I’m loving it; amazing ambience

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Follow Soul Island

Official:

http://www.seesoulisland.com/ 

Twitter:

https://twitter.com/seesoulisland

Facebook:

https://www.facebook.com/soulislandmusic/

Spotify:

https://open.spotify.com/artist/4PrcXP9tMwATIq6BukRP3p?si=IKwmFrVWQKygR7BdpDQ4yA

Instagram:

https://www.instagram.com/morekid/

SoundCloud:

https://soundcloud.com/soulisland

INTERVIEW: ROYAL

INTERVIEW:

PHOTO CREDIT: Liz Rosa Photography  

ROYAL

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THE fantastic ROYAL…

has been talking with me about her new album/E.P., Heart of Shadows, and what inspired it; whether she has a favourite cut from the collection and what she has coming up next – she reveals a new artist we need to get behind.

I ask whether there are plans for next year and when music came into ROYAL’s life; if there is a favourite musical memory that stands out; which artist she’d support given the chance – ROYAL ends the interview by selecting a great recent track.

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Hi, ROYAL. How are you? How has your week been?

Hey. I’m great! Thanks for asking! My week has been a lot of fun - it’s a very exciting time with the album release of my newest project, Heart of Shadows. 

For those new to your music; can you introduce yourself, please?

My name is ROYAL. I am an independent, Dream-Pop artist with a flare for cinematic, romantic and dark tones. I write my music based off emotion and my own personal life experiences. I draw inspiration from artists including Lana Del Rey, Amy Winehouse and Billie Holiday, to name a few.

I have had some success with film, television and commercial placement over the years as well as a collaboration with Electronica artist Conro on a track titled City Lights, which has gained over five million streams on Spotify. You can check out my latest single, Vessel, on the Spotify-curated playlist Indie Pop Chillout! 

 

Heart of Shadows is your new E.P./album. What sort of themes did you tackle when writing and putting the songs together?

Heart of Shadows is a musical odyssey of the trials and tribulations of love and loss of identity. Thematically; it follows my story and experiences with the beautiful and darker sides of love - and the lessons we learn - and the power we gain from those experiences.  

Do you have a standout track from the record that sticks in your mind?

Reminisce is one of my favourite tracks on the album. It begins with a hauntingly beautiful string orchestration and leads you down the path of reminiscent swells of emotion. The mood and style of this song best represents me as an artist as a whole. It’s one of the more sweet songs – rather than bitter – on the album and carries me back to some very precious moments of my life. 

Was your early life filled with music? Which artists did you follow when growing up?

I am so fortunate to have been raised in a home filled with music. I swear if I were to press my ear against the walls I would still feel the vibrations, built in to the framework of the house. Not only was there always music playing but music from every genre under the sun. My dad followed the Rock classics including Bob Dylan, Neil Young; The Beatles and Tom Petty, while my mom blasted anything from Queen to Billie Holiday, Janis Joplin to The Zombies and Blue Rodeo.

It was a very well-rounded, constant thrill of inspiration. As I got older, I fell into the Pop scene; then Country then Punk; then to Rock - which finally led me to a musical world without borders.  

 PHOTO CREDIT: Liz Rosa Photography  

What do you hope to achieve by the end of 2018?

The end of 2018 is quickly approaching! I am working hard to reach my goals of successfully promoting my single, Vessel, and album, Heart of Shadows. With these releases, I hope to expand my following and create more music placement opportunities through film, television and beyond.

Do you already have plans for 2019?

I have many plans for 2019. This includes a music video release, tour and continued promotion for the current album. As well, I plan to step into the studio with more music. There are a few songs that I wrote within the last year that I would love to see come to life. The recording experience I had working with my producer Luca Fogale on Heart of Shadows really inspired this and I look forward to stepping in to that creative hub again. 

PHOTO CREDIT: Liz Rosa Photography  

Have you got a favourite memory from your time in music so far – the one that sticks in the mind?

The one memory that comes to mind is the moment I was notified I was a successful FACTOR Juried Sound Recording grant recipient. FACTOR is a major source of funding for Canadian artists.

I was sitting in the hospital chair waiting for my boyfriend - who had injured his arm from a concert the night before (don’t worry; it wasn’t anything serious) - and the email popped up on my phone screen. It was as if the world stopped turning; I think I forgot to breathe. I opened the email and there it was. Someone believed in the music I was creating so much that they wanted to make sure it had the means to be developed. At a time in my life where I was feeling quite down about my career, there it came and it couldn’t have been a better time. I immediately burst into tears, unable to move. It was one of the most precious moments I’ve ever had. 

Which three albums mean the most to you would you say (and why)?

This is one of the most difficult questions to answer - because how could I pick just three? My life has been monumentally inspired and carried by music for as long as I can remember. And, so, I’ll give you three from different periods of my life. 

Bob Dylan - The Essential Bob Dylan

This album is an automatic number-one for me. I can remember my dad playing it whenever he cooked dinner. We would sing along as we chopped vegetables and it put a bit more pep in his step. I’ve always felt a strong connection to Bob Dylan’s music. To me, he is one of the most incredible songwriters of all time. His storytelling abilities have the power to draw you in and connect on a deeper level. 

Billie Holiday - Billie Holiday’s Greatest Hits

Okay; so it’s a greatest hits compilation but, before anyone jumps to judgement, know that I also love Deep Cuts. This album makes me want to dance and cry all at the same time. Long before the time of The Notebook’s presentation of I’ll be Seeing You, I have loved Billie Holiday. This album reminds me of my mom. This was one she often played while I was growing up. Billie Holiday’s music embodies all of the timeless qualities that I so admire. There is a deep and genuine sadness to it that I find intoxicating. It’s as if her voice casts a romantic, yet tragic spell that I am helpless against and can’t help but surrender to. So much more than just music. It moves you. 

Lana Del Rey – Honeymoon

Can you imagine a more enchanting album introduction than that of Honeymoon? To me, this album is absolute perfection. I love turning off the lights, lighting a few candles and laying on the floor to listen to this album. It’s such a trip. I can feel reality melt away when I put this album on. It captivates and rejuvenates me, while filling my soul with inspiration. 

If you could support any musician alive today, and choose your own rider, what would that entail?

Hands-down, Adele. I attended her last show in Vancouver and was blown away. As soon as she began singing, I lost it. I didn’t just cry, I sobbed. It was as if all of my life’s emotions began uncontrollably pouring out of me, triggered by her voice. It’s quite funny to think about it now, but wow, what an experience. 

Like myself; Adele isn’t too concerned with dancers and moving stages etc. She provides visual stimuli that compliments her music and doesn’t take away from her voice - which is why we’re all there in the first place. I prefer my music to do the theatrics. Beyond that, I find it too distracting. Wonderful and relevant for some artists; I mean, can you imagine a world in which Michael Jackson had performed with only a live band? No. That was part of his creative vision. 

If I were to tour with Adele, I would have to get over being so star struck by her. For the rider, my dream is to be accompanied by a band comprised of the usual piano, drummer; bass player etc., but I would also love to bring in a small string ensemble and backing vocalists to create a beautiful and full sound. There would be some stage props to emphasize the cinematic tone and I would want to do something to make the audience feel a part of the show. Something along the lines of when Coldplay handed wristbands to everyone in the audience before the show and left the purpose of them a mystery until all of a sudden they all began lighting up in a choreographed light show. That was a brilliant idea. 

PHOTO CREDIT: Liz Rosa Photography  

Given your name…have you got a favourite member of Britain’s Royal Family?

I love learning about the history of the Royal Family, although I can't say who I would pick as my favourite. They are all very interesting. My stage name came to me while riding a bus one day in the city. There was a large sign with ‘Royal’ in the title and as it blurred past me, I was really taken with it. I decided to choose the name based on its timeless essence and powerful mark. Thematically; I feel it is very fitting with my sound and artist brand. 

What advice would you give to new artists coming through?

To the young and dear souls entering the all-consuming and beautifully chaotic world of music: stay true to yourselves and your art. Art is meant to be a reflection of the soul and creative divine, not a trend. Work hard and surround yourself with people who love and support you, and who will be honest with you. Go to the workshops and the lectures, collaborate with other artists and do not let your fears hold you back. Just take a deep breath and go for it. 

Do you have tour dates coming up? Where can we catch you play?

Yes! I have special album release show coming up in Vancouver as well I am planning a cross-Canada tour for the spring. More details will be announced shortly, so stay tuned!

 IN THIS PHOTO: Chersea/PHOTO CREDIT: Tor Hammar Erickson and Dayna Weststeyn

Are there any new artists you recommend we check out?

My talented friend Chersea has been releasing some incredible music in the past few months. Not only is her music beautiful but she is also one of the most hard-working, talented and big-hearted people I know. Definitely check her out! And, if you’re looking for an opportunity to check her out live, she and I are teaming up as co-headliners for the upcoming album release show in Vancouver. 

Do you get much time to chill away from music? How do you unwind?

Music is pretty much an all-consuming thing for me these days. As an independent artist, I wear many, many hats and am constantly learning how to execute new titles and projects. However, when I need to take a break from it all, I love going for nature walks and spending time with the people I love. I really enjoy playing with my nephews. Kids have a way of making the world feel a little lighter - they aren’t concerned with the world and responsibilities of life. They just want to play and have fun and they provide the ultimate escape.  

Finally, and for being a good sport; you can choose a song and I’ll play it here (not any of your music - I will do that)?

Thank you for all of the great questions! I will leave you with this musical gem by Chersea: I Can’t Be You

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Follow ROYAL

Official:

https://www.royalofficial.com/

Twitter:

https://twitter.com/iamroyalmusic

Facebook:

https://www.facebook.com/IamRoyalMusic/

Spotify:

https://open.spotify.com/artist/1vmznUPb08GfN4EdnVCs3c?si=EE-hpeaYT9Ww5bli6wMXKQ

Instagram:

https://www.instagram.com/iamroyalmusic/

SoundCloud:

https://soundcloud.com/royalofficialmusic

INTERVIEW: HANNIE

INTERVIEW:

PHOTO CREDIT: Arielle Shear

HANNIE

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TODAY’S first interview is with HANNIE…

as they talk to me about their new single, Stay Another Night, and what inspired it. I ask what comes next for them and how they came to work with Hight on Stay Another Night; which rising artists we need to watch and the albums that mean the most to them.

HANNIE reveal what sort of music they grew up around and whether there are plans for next year; the advice they would offer artists coming through; if they get time to chill away from their busy careers – Hannah and Annie each select a song to end the interview with.

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Hi, guys. How are you? How has your week been?

Hey! We’re really good thanks! We’ve been in the studio writing some songs and rehearsing for live. 

For those new to your music; can you introduce yourselves, please?

We are HANNIE, an artist duo. We make upbeat, fun music that (we hope) makes you want to dance. We write, produce and play and have different feature singers on each track. 

Stay Another Night is your latest single. How did the song come about? What inspired it?

We were just jamming with Tim (Hight) one day (who is the guys who is singing on it). Annie started playing the riff that you hear in the post chorus and Tim started singing the line “Don’t let me stay another night”. From there it just flowed; we wrote the song in about three hours and then produced it up afterwards. It was such a relatable topic to all of us and there was such a good vibe in the room at the time that the songs felt so natural as if it needed to be written. 

How did you come to work with Hight? Do you think you’ll work together again?

We were working with a friend and she mentioned Hight to us. She said we’d really get along and we should work together so we hit him up - and he came around our place to do some writing.  

Yes, 100%. We’ve actually already written another song with him that we love; we’re going to release it for sure!

 PHOTO CREDIT: Arielle Shear

Might we see more material from HANNIE next year?

Definitely! We have way more coming for you next year. This year was a warm up; get ready (smiles).

Did you grow up around a lot of music as children? Which artists struck your ears?

Annie: I didn’t grow up in a very musical family: I was the only one who played; it wasn’t like I was engrossed by music but I was encouraged to practice and play and I loved it so much so I just surrounded myself with it. I listened to a lot of Earth, Wind & Fire and CHIC. 

Hannah: For me, it was the same. Me and my sister both had piano lessons but I stuck with it and, when I was thirteen, I started up my own band with a couple of friends. From then, I just knew this is what I wanted to do. I listened to a lot of Coldplay and Train at the time! 

What do you hope to achieve by the end of 2018?

We want to get a couple more songs out there for you by the end of this year. We’re also hoping to have full live shows to top it off. 

In that same vein; do you have plans for 2019 in terms of what you want to accomplish?

We plan to be touring! We are going to be focusing a lot more on the live aspect; playing as many shows as possible, hopefully doing some festivals. And, of course, we plan to have a lot more music out there for you!

Have you got a favourite memory from your time in music so far – the one that sticks in the mind?

There have been a lot of awesome moments. I think the ones that stick in mind most are those moments in the studio when you’re writing a song and you just know it is gonna be great; when everyone is just totally vibing and on the same wavelength. 

Which one album means the most to each of you would you say (and why)?

Hannah: No Mythologies to Follow by MØ

I think I’ve listened to this about a million times. Every song is different and I could stick it on whenever and straight away love it again! 

Annie: Songs About Jane - Maroon 5

I listened to this so much as a kid and learnt literally every guitar part and all the drums. It’s ingrained in me.  

If you could support any musician alive today, and choose your own rider, what would that entail?

Maroon 5. That would be ridiculously amazing!  Salmon…loads of smoked salmon! Thai sweet chilli crisps and a couple of perfectly ripened mangos. We’re not too hard to please.

Can we see you on the road this year at all?

Yeah! We’ve got a few gigs coming up really soon. We’re playing at BBC Introducing on 9th November and we have a couple of Sofar Sounds coming up too.

What advice would you give to new artists coming through?

Do your own thing. Do as much as you can by yourself: there are so many opportunities now that you don’t need a massive team around you all giving you their opinions and making things more complicated than they need to be. 

 IN THIS PHOTO: Amanda Delara

Are there any new artists you recommend we check out?

Amanda Delara; she’s dope! FARR. Check their song called Blades. 

 IN THIS PHOTO: FARR

Do you both get much time to chill away from music? How do you unwind?

Not really at all; we live and breathe music. When we aren’t in the studio or making videos we are practicing. A lot of our friends are also in music so when we hang out we’re normally jamming or writing together. We do love going out for some good food though!

Finally, and for being good sports; you can each choose a song and I’ll play it here (not any of your music - I will do that).

Annie: SWEET!  I choose Masterpiece - Tori Kelly. It has SUCH VIBES. If you can listen to this and not dance you’re not human! (Smiles).

Hannah: Medicine by Robinson. The chorus is such a jam! 

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Follow HANNIE

Official:

https://hannieofficial.com/news/

Twitter:

https://twitter.com/hanniemusic

Facebook:

https://www.facebook.com/hannieplays/

Spotify:

https://open.spotify.com/artist/7vp58vF08Hg9TbDrYH2nAh

Instagram:

https://www.instagram.com/hannieplays/

YouTube:

https://www.youtube.com/c/hannieplays

INTERVIEW: Velvet Starlings

INTERVIEW:

Velvet Starlings

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I have been speaking with Velvet Starlings…

which is the moniker of fifteen-year-old Christian Gisborne. He has been talking about his musical rise and his band; what the story behind If Life Ain’t Getting You High and whether he will follow it with more material next year.

The teenager reveals whether it is daunting being in the industry at such a young age and which albums are important to him; if there are tour dates and which artist, if he had the chance, he would support.

__________

Hi, Velvet Starlings. How are you? How has your week been?

Pretty good. We had an incredible week playing our record release party at Madame Siam. It was pretty awesome having legendary DJ Rodney Bingenheimer of SiriusXMradio and Frank Infante from Blondie in attendance. We were invited to hang out with them at Canter’s Deli afterwards.

We also had our best Sofar Sounds LA show yet at the Hotel Erwin in Venice. And, to top it off, we were voted #3 on the KROQ locals only show! We could not be more grateful to our friends and fans we who have been requesting and voting for our music.

For those new to your music; can you introduce yourself, please?

My name is Christian Gisborne and I am a singer/songwriter and the guitarist of Velvet Starlings - which is a '60s-influenced Indie Brit-Rock and Blues-based band. The name came from a period in time when I was listening to Cream (White Room’s reference to ‘tired starlings’) and Velvet Underground. 

 

If Life Ain’t Getting You High is your new cut. Is there a story behind it?

If Life Ain’t Getting You High is a question…

I try to present some options. There are a lot out there right now addressing the impact of social media addiction and overload on people; including depression for some. So, the idea was to write a song about getting off your devices and living life beyond the tiny screen. Take a look around and you’ll see the big picture or at least another perspective. We spend so much time ‘wired in’ or stressing about a negative comment or not being noticed. Sometimes, a change of scenery could be the ticket.

We included lots of natural backdrops in the video to convey that idea. I seriously believe in the power of music; whether playing, writing; tracking, going to a concert or just listening.  Music, literally, can tune you up spiritually.

You seem to be inspired by vintage guitar sounds and a classic edge. Were you influenced by particular artists/sounds when writing it?

Totally. I love The Beatles and all things '60s. I am a fan of Syd Barrett’s whimsical lyrics  and I may have been inspired by Mick Jagger in my vocal phrasing on the chorus. The production and overall feel on the outro was clearly influenced by I Am the Walrus and Strawberry Fields straight off The Beatles’ Magical Mystery Tour.

Might we see an E.P. or more material next year?

Yes, definitely. We have another E.P. already in mix stages that we are excited about. We are also releasing another single, Sold Down the River, off this one and we will probably release a holiday number for fun.

Was your early life filled with music? Which artists did you follow when growing up?

My father is from Leicester (Kasabian country). In the '90s, before I was born, he headed up an Indie Brit-Rock band (Skylab and Plastiscene) and later ran a label and managed bands - and was out touring or making records so he was not around much. I loved his music and The Beatles and let’s just say I caught on real quick where his influences had come from.

At six; I also had a computer so I was downloading music off of the Internet, going deep into many artists’ catalogues - starting with The Beatles and everything evolved from there. I started experimenting on an old vintage organ and with some of my parents’ gear. The first songs I learned were by The Beatles, The Animals and The Kinks and then I switched to guitar. I was really into The Who, Cream; The Stones, The White Stripes; Cage the Elephant and Arctic Monkeys. 

This record that is out now was recorded right before my fourteenth birthday. After that experience, I saved up my cash from busking at the farmers market and bought a computer and Pro Tools and started writing, producing and tracking the songs myself before I started high-school. As a result, I was admitted a year early into the recording arts program as a freshman.    

As a fifteen-year-old; do you have to juggle studies and music?! Is it quite tough a balancing act?

Yes. It is very challenging. My teachers are upset that I have to miss school and make up homework because I have been traveling and playing so many shows. It is a grueling lifestyle. But, I have to put in the work to keep the grades in check.

What do you hope to achieve by the end of 2018?

Playing more shows. The end of 2018 is coming up fast. My second E.P. should be mixed and mastered. I would also like to finish off a few new songs I’ve had on the back burner. And, I hope to see Tenacious D! 

Do you already have plans for 2019?

We have the new E.P. to release; lots more dates in Los Angeles, SXSW, Canadian Music Week and, as soon as school lets out; we are off to the U.K. to hopefully bring music to the masses. 

Lots of amazing music and artists there so it’s a bit daunting. We will also be playing Milwaukee Summerfest as the booker and owner caught one of our showcases in Sweden last month and was impressed enough to offer us a slot.  

Have you got a favourite memory from your time in music so far – the one that sticks in the mind?

We opened for Robbie Krieger and got to hear him play some of those classic Doors songs that I have been listening to since I was young. As far as live music experiences; probably seeing The Who, The Stones, Paul McCartney and Dylan live at Desert Trip - along with Jack White in Vegas and Cage the Elephant at the KROQ Weenie Roast.

Which three albums mean the most to you would you say (and why)? 

The Beatles – ‘The White Album’

Greatest album ever. The diversity of genres, quality of songwriting; originality and production.

The White Stripes – Elephant

Best Jack White songwriting.

The Doors – The Doors

As it’s The Doors when they were bringing a new and darker tone to the sixties; a bit more mystery and poetic madness to the L.A. scene.

If you could support any musician alive today, and choose your own rider, what would that entail? 

I’d like Jack White to come on stage and play a song with me and I’d also like ten Impossible burger sliders topped with Jack White’s special guacamole that he always has backstage. The recipe can be found on the Internet. 

What advice would you give to new artists coming through?

If you love music, don’t ever quit. The main reason I do music is because I straight-up love music. I could not imagine my life without it. A song is magical. It can change your whole vibe and day and its proven to tune up your soul.

Do you have tour dates coming up? Where can we catch you play?

I think we have some Los Angeles shows coming up: The Mint and The Hotel Cafe and another Sofar Sounds event! We love those as, even though they are mainly acoustic, the audience always gets involved and makes the energy electric.

 IN THIS IMAGE: Jack White

Are there any new artists you recommend we check out?

They might not be considered new but of newer bands: all things Jack White; Ty Segall; Arcade Fire; Gorillaz; Kaiser Chiefs.

 IN THIS PHOTO: Arcade Fire/PHOTO CREDIT: Ellen Matthews

Do you get much time to chill away from music? How do you unwind?

When I’m not doing music, I’m watching other bands play live or watching previously recorded concerts and music festivals. Old live footage from early shows is the best as it’s cool to see these legends we know today at their musical inceptions and in their prime.

Finally, and for being a good sport; you can choose a song and I’ll play it here (not any of your music - I will do that).

All of Rattlesnake by King Gizzard and the Lizard Wizard...haha! Just kidding! For real, though, this is a tough question. How about Oh My God by the Kaiser Chiefs or Instant Karma by John Lennon

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Follow Velvet Starlings

Twitter:

https://twitter.com/VelvetStarlings

Facebook:

https://www.facebook.com/VelvetStarlings/

YouTube:

https://www.youtube.com/channel/UCsWqc-eMlHqO1zVYVBrMQ5A

INTERVIEW: Blushing

INTERVIEW:

PHOTO CREDIT: Kendall Chapman

Blushing

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THE brilliant Blushing…

have been telling me about their single, The Truth, and how the song came together. I ask whether there is more material coming along and how the band found one another; which album is most important to each member and what they have planned regards touring.

The U.S. band recommend some approaching artists to follow and tell me which artist they’d support given the chance; how they unwind away from music and what they have planned for 2019 – they each select a song to end the interview with.

__________

Hi, guys. How are you? How has your week been?

We are great! This week has been amazing. Our single, The Truth, was released on Friday and then on Sunday we went into the studio to start recording our full-length. We are answering these from the studio right now!

For those new to your music; can you introduce yourselves, please?

Christina Carmona on vocals and bass, Michelle Soto on guitar and vocals; Noe Carmona on guitar and Jake Soto on drums.

The Truth is your new single. Is there a story behind it?

Lyrically…it’s about how there can be many versions of the truth and sometimes we will choose to believe a version that may not be factual simply because it’s easier to or will cause less pain/controversy.

Will there be more material coming next year?

Yes. We are currently at The Bubble studios in Austin recording our debut full-length and are shooting for a release early-2019.

How did you all find one another? Were you friends before you started the band?

Jake and Noe were high-school friends from El Paso. They both ended up moving to Austin and Michelle and Christina met through them; then, in 2015, Michelle and Christina got together to write music and Blushing was formed.

PHOTO CREDIT: Kendall Chapman

It is strange to see two married couples in a band. It is sort of like Fleetwood Mac but with less drama! Do you think your music is lending a unique quality because of your bonds?

I think, as married couples, we know each other’s working style and musical preferences so well that it makes communication easier.

In terms of sounds/artists; who are Blushing inspired by?

Cocteau Twins, Wild Nothing; Lush, Smashing Pumpkins and Drab Majesty

Being based out of Austin; what is the music scene like there? Is it a great place to be?

There are a lot of great venues, great promoters and an abundance of music lovers. It’s definitely a great place to be if you want to play live.

What do you hope to achieve by the end of 2018?

We hope to be finished recording and ready to press our next album.

Do you already have plans for 2019?

Big plans! We are lucky enough to come back in 2019 as official SXSW showcasing artists, we will be releasing our debut full-length and then going out on the road to tour.

Have you got a favourite memory from your time in music so far – the one that sticks in the mind?

SXSW 2018 sticks out in all our minds as a pinnacle moment. We played a whirlwind of shows in one week and had an amazing time. It was exhausting but we were always having fun.

Which one album means the most to each of you would you say (and why)?

Christina: Nine Inch Nails – The Downward Spiral

The soundtrack to my youth.

Michelle: Smashing Pumpkins – Gish

It was the first C.D. I purchased on my own at Blockbuster Music. It changed my perception of what music could be and I still listen to it with the same awe and wonder decades later.

Noe: At the Drive-In – Relationship of Command

It was very inspiring seeing and hearing this kind of creativity; especially coming from my hometown.

Jake: Silverchair – Frogstomp

Seeing kids my age making music was inspiring and the first song I learned on guitar was Tomorrow - which led to me playing music till today.

If you could support any musician alive today, and choose your own rider, what would that entail?

Slowdive. As long as we have Topo Chico, Sour Punch Straws; Takis and some original Coca-Cola.

What advice would you give to new artists coming through?

As cliché as it may sound, always remember to have fun. We see making music as a privilege and a way to enjoy those moments in between all the obligations.

Do you have tour dates coming up? Where can we catch you play?

November 3rd is our single release show at Cheer Up Charlie’s and also the label launch party for The Nothing Song Records, who helped us release our 7” single on vinyl. Winter (L.A.), Ringo Deathstarr; Rose Ette and Glaze will also be playing so we are super-excited. We are also playing November 14th with Holy Golden (N.Y.) and El Lago (Galveston) at Hotel Vegas in Austin.

 IN THIS PHOTO: Wild Moccasins/PHOTO CREDIT: Arturo Olmos

Are there any new artists you recommend we check out?

El Lago, Flasher; Wild Moccasins and Holy Golden are coming out of our speakers quite often.

 IN THIS PHOTO: Flasher

Do you get much time to chill away from music? How do you unwind?

Music is our main mode of chilling. Outside of work and band stuff, we don’t have much free time but luckily we really enjoy doing band stuff so it works out!

Finally, and for being good sports; you can each choose a song and I’ll play it here (not any of your music - I will do that).

Christina: Sally Dige – Holding On

Michelle: The Lightning Seeds – Pure

Jake: tricot - Tokyo Vampire Hotel

Noe: Drab Majesty - 39 by Design

___________

Follow Blushing

 PHOTO CREDIT: Jake Soto

Official:

https://www.blushingmusic.com/

Twitter:

https://twitter.com/blushingband

Facebook:

https://www.facebook.com/weareblushing/

Instagram:

https://www.instagram.com/blushingband/

Spotify:

https://open.spotify.com/artist/27rWdoCAtvpwChpCDz9PK0

YouTube:

https://www.youtube.com/channel/UCCs3Z_TNtTi3udiQXH7MwJg

Bandcamp:

https://weareblushing.bandcamp.com/ 

INTERVIEW: Brooke Law

INTERVIEW:

Brooke Law

___________

THANKS to Brooke Law…

for telling me about her latest single, See Ya Later, and the story behind it. She tells me what is coming up and which musical memory stands in her mind; the albums that mean the most to her and which approaching artists we need to get involved with.

Law explains where her inspiration for music came from and what advice she’d give to artists coming through; if there are plans for gig dates and what she hopes to achieve next year – she ends the interview by selecting a great track.

__________

Hi, Brooke. How are you? How has your week been?

I’m good, thanks. How are you? My week’s been busy but goood!

For those new to your music; can you introduce yourself, please?

I’m in the process of releasing my first E.P. Each song is a single and the concept is that each song represents a different female archetype.

 

See Ya Later is your latest track. What is the story behind the song?

The queen is represented by a woman taking control of who she wants to meet and what she wants to be. She is independent and does not need the security of a relationship. If she wants she can play the field. 

I like the use of the Buffy the Vampire Slayer theme! What was the reason for utilising that?!

I think Buffy’s a great role model for young women and I generally like the imagery of a dark night and the vampire world…it allowed me to get really descriptive with the lyrics.

Might we see an E.P. or more material next year?

I’ve got another two singles on the E.P. so all will be released by March! 

Was your early life filled with music? Which artists did you follow when growing up?

My mum’s a nursery teacher and dad’s a hairdresser so I’m not from a musical family but they’d play music all the time; from Janis Joplin to Siouxsie and the Banshees to Otis Reading. We’re going to see Lykee Li this Sunday. Whoopee.

How important were your family in regards your musical curiosity and the way you express yourself?

Both my parents worked really hard whilst I was growing and have really taught me to not give up and that anything is possible. I think, ultimately, that’s where my inspiration for lyrics and passion when performing comes from.

What do you hope to achieve by the end of 2018?

2018 has been a really amazing year. I’ve released music for the first time and I sung at Trafalgar Square at the Million Women Rise rally. I’ve just started gigging with my band so if we can get an agent by the end of the year I’d be woooooooing!

Do you already have plans for 2019?

I’ve got two more ‘archetype’ singles dropping early-2019…

Have you got a favourite memory from your time in music so far – the one that sticks in the mind?

Singing at the Million Women Rise rally in Trafalgar Square after being part of the march. It was so surreal; so much solidarity and strength.

Which three albums mean the most to you would you say (and why)?

Christina Aguilera – Stripped

The first album I bought.

Jeff Buckley – Grace

The whole album has so much feeling.

Taylor Swift – Taylor Swift

It came out when I first started writing. I was in America and it made me wanna be a Country artist. 

What advice would you give to new artists coming through?

To make your own decisions and surround yourself with people who encourage you and boost your confidence. 

Do you have tour dates coming up? Where can we catch you play?

9th November at the Century Club (tickets online).

 IN THIS PHOTO: MØ

Are there any new artists you recommend we check out?

My favourite artist is MØ.

Do you get much time to chill away from music? How do you unwind?

I have a part-time job working in events. I wouldn’t say it’s unwinding but I meet great people.

Finally, and for being a good sport; you can choose a song and I’ll play it here (not any of your music - I will do that).

I recently saw the film A Star Is Born. I loved it so much so I’m gonna say Shallows

___________

Follow Brooke Law

Official:

https://www.brookelaw.co.uk/

Twitter:

https://twitter.com/BR00KELAW

Facebook:

https://www.facebook.com/BR00KELAW/

Instagram:

https://www.instagram.com/br00kelaw/

Spotify:

https://open.spotify.com/artist/0mDLTE0tzaN3lPl91t550q

YouTube:

https://www.youtube.com/channel/UCk2cMZokodMUwD8tdboRdqQ

INTERVIEW: The Shantics

INTERVIEW:

The Shantics

___________

WITH the video for Heaven fresh and in the world…

I have been speaking with The Shantics about it and the inspiration behind the song; how they all came together and whether there is more material coming soon. They talk about their influences and reveal a couple of rising artists that are worth checking out.

The guys share their favourite music memories and tell me which albums mean the most to them; how they unwind away from their career and reveal what they hope to achieve before the end of the year.

__________

Hi, guys. How are you? How has your week been?

All groovy here, thank ya. How has yours been?

For those new to your music; can you introduce yourselves, please?

We are The Shantics; there is four of us:

Jimmy Morris (guitar/vocals)

Harry Morris (guitar)

Jacob Nation (bass/vocals)

Mike Cosburn (drums).

The single, Heaven, is out. What is the story behind the song?

Jimmy: I had recently watched a documentary called Adrift about a man called Steve Callahan who went on a sailing trip around the world alone as a way of clearing his head after a divorce. His boat was hit by a huge wave and started sinking and he had to spend seventy-six days floating through the ocean on a tiny raft, with very few rations or water.

He had said in that documentary that being so thirsty whilst being surrounded by so much undrinkable water was like ‘a view of heaven from a seat in hell.’ So; I ran with that as the story for the song, but made out that he went to sail around the world because it was too painful seeing his ex-wife with someone else.

Can you reveal how the idea for the video came together? Did the band have a lot of say?

Jimmy: My girlfriend has always found my dancing entertaining and when we were struggling with how to make a music video on pretty much no budget, it seemed to make sense to utilise this. Us two just filmed it together and had a laugh doing it.

Mike: It was also inspired by similar videos like Black Keys’ Lonely Boy. I found it interesting how the same thing can be entertaining for the duration of the song. The rest of the band saw it and instantly thought it was funny.

When did The Shantics form? How do you think you have evolved since the start of your career?

Harry: Us two brothers have been playing music together since we were sixteen, but the band started a year and a half ago after we met Jacob at a gig at KOKO. We had asked Mike to play with us three years before - and he couldn’t at the time - but it all came together in the end. Our evolution will become apparent when we release some more tracks I think, but just know that we are working on it.

What sort of music/styles is the band inspired by? Are you all bonded by similar tastes?

Harry: We definitely all have differing tastes, but we also get most of each other’s references which is really helpful when trying to get cool parts down. Collectively, we love all the greats like The Cure, The Police; Talking Heads, David Bowie and The Beatles etc. 

What do you hope to achieve by the end of 2018?

Harry: Hope to have more tracks out and recorded and be set up ready to smash 2019.

Do you already have plans for 2019?

Harry: Release a couple/fourteen E.P.s; hopefully get a couple of support tours and keep writing.

Have you got a favourite memory from your time in music so far – the one that sticks in the mind?

Mike: Most probably wreckin’ Toploader at their own gig cos they hated us and we were way better than them.

Jacob: Hearing In Bloom for the first time at thirteen and the only way my body could compute it was by bodyslamming all around my room; kept it on-repeat and slammed without stopping for at least half an hour straight. Pure joy.

Harry: Being able to get our parents into a Paul McCartney show in Prague and making their holiday, just because of a couple of songs we wrote in our bedroom that led to us knowing someone who could make it happen.

Jimmy: Anytime a song starts coming together and everyone is vibing to it in the room is always an amazing feeling.

Which one album means the most to each of you would you say (and why)?

Mike: Thriller by Michael Jackson is important to me because it made me realise how great Pop music can be instead of being a flat-out Rock and Metal fan.

Jacob: Blood Sugar Sex Magik by Red Hot Chili Peppers as it balanced all forms of music for me at fifteen; got me into every genre under the sun and got me playing different instruments and guitar styles, too. Nothing is more important to me than those 73 minutes and 55 seconds (and its bedazzling B-sides).

Harry: Now That's What I Call Music! 50 from 2001, because it was the first C.D. I ever got and I’ve been hooked on music ever since.

Jimmy: Green Day’s International Superhits! because it was since then, age five, that I knew I wanted to be in a band, too.

If you could support any musician alive today, and choose your own rider, what would that entail?

Jacob: Take That. Because I can do the whole dance routine to Pray when I'm drunk and I wanna be the new Jason Orange.

Jimmy: Arctic Monkeys - and I’d probably ask for some pittas and hummus for afterwards.  

What advice would you give to new artists coming through?

Jacob: Stay out our fu*king way. Haha…

Jimmy: …But also keep your eyes on your own path; try and ignore how far along other similar artists are compared to you.

Do you have tour dates coming up? Where can we catch you play?

Jimmy: Afraid not at the moment, but we will next year for sure.

 IN THIS PHOTO: The Americas

Are there any new artists you recommend we check out?

Jacob: My guys The Americas. Their parts are rifftastic and their beats are bombastic

Jimmy: WOOZE and Hot Dreams are amazing.

 IN THIS PHOTO: WOOZE/PHOTO CREDIT: Debora Goldmoon

Do you get much time to chill away from music? How do you unwind?

Mike: Playing golf, reading; seeing friends and family. Partying, drinking; smoking weed, listening to music; watching music-related documentaries/live performances, going for walks; going out for meals.

Jacob: Music is my chill time, yo. Even when I’m at a bar, I’m more interested in what’s playing through the speakers than the conversation I’m having. If I’m not playing guitar or learning an album, then I’m either asleep or making love - but even then there’s music blaring, oi oi.

Jimmy: Almost every action I take is geared towards music in some way.  I just love writing songs in my chill time.

Harry: Pretty much everything I do is centred around music. I’ll have all the time in the world to chill after we’ve made it. Living together as brothers we find it hard to switch off.

Finally, and for being good sports; you can each choose a song and I’ll play it here (not any of your music - I will do that).

Mike: What’s the Use - Mac Miller

It’s got Snoop Dogg on it; it’s a fu*kin’ banger and R.I.P.

Jacob: Eric B. & Rakim - Don't Sweat The Technique. Or, if you need a new one; Travis Scott - Sicko Mode

Jimmy: Clem Snide’s version of I’ll Be Your Mirror

Harry: Paul Simon - You Can Call Me Al

___________

Follow The Shantics

Official:

https://theshantics.com/

Twitter:

https://twitter.com/TheShantics

Facebook:

https://www.facebook.com/TheShantics/

Instagram:

https://www.instagram.com/theshantics/

Spotify:

https://open.spotify.com/track/0vcwom7eGNytkytS034Bv9

SoundCloud:

https://soundcloud.com/theshantics

YouTube:

https://www.youtube.com/channel/UCXtThZ4xoojk9DOf4wZJ6QA

INTERVIEW: Chasing Deer

INTERVIEW:

Chasing Deer

___________

THE boys of Chasing Deer…

have found some time in their hectic schedule to talk to me about their upcoming album, Hands On, and what themes will be addressed (their single, Miracle, is out now). I ask about their album launch at London’s Bush Hall (22nd November) and they explain their passion for and connection to British Sign Language.

The guys each pick an album that means a lot to them and reveal where we can see them play; which rising artists we need to get behind and whether they chill outside of music – they each pick a song to end the interview with.

__________

Hi, guys. How are you? How has your week been?

Hey. We’re really good thanks. We’re fully into promotion and preparations for our Album Launch Show in a few weeks, so it’s been a busy one! We’ve been practicing and finalising some new merchandise this week as well as a music video shoot up in Birmingham and a photoshoot over in East London.

For those new to your music; can you introduce yourselves, please?

We are Rob, Adam and Peter; a three-piece called ‘Chasing Deer’, currently living in London!

Hands On, your debut album, is out on 30th November. What sort of themes inspired the record?

The overarching theme of the entire album is support of British Sign Language, which we have done through the artwork for the monthly singles we have been releasing. This year we have played so many events and met people who have inspired us greatly which has all gone into the songwriting process. With the album recorded across the UK and in Amsterdam, we are very lucky to be able to travel for our inspiration too.

You have a launch show coming at London’s Bush Hall on 22nd November. What is that going to entail? Is it true the show will champion sign language?!

The show will be fully accessible to a deaf audience, with an interpreter signing all of our songs on stage with us as we perform them live. We’re really excited to be part of the ever-growing movement for inclusiveness in live music.

How did Chasing Deer get together? When did you all form?

We have been playing together for around three years, with Peter being the newest member of about a year. We made Chasing Deer a full-time career around a year ago and have never looked back!

Even before you have released your debut album, you have played to huge crowds! Why do you think your name/shows have gained such steam and popularity?!

We love to play our music to everyone and hopefully that energy and enthusiasm comes across on stage, meaning we have been invited to some fantastic places to play including Trafalgar Square for Pride in London and performing in Kenya!

Which artists did you all grow up around? Do you have any personal musical idols?

We’ve been treated to a really wide variety of music all of our lives; all starting playing instruments at young ages. The Beatles, David Bowie; The Police and Queen are all up there! We’re all big supporters of the vinyl revival, too, which helps with the era of music we idolise.

What do you hope to achieve by the end of 2018?

This has been our biggest year yet, so we are already in plans to make 2019 even better; with touring plans, new material and abroad trips in the works.

We would love to end the year with as many people as possible listening to our debut album, which we are immensely proud to have created and designed - and gained more fans through our shows and weekly videos.

Have you each got a favourite memory from your time in music so far – the one that sticks in the mind?

Peter: Looking out to thousands of happy faces at Pride in London 2018 dancing to our original music was a real buzz.

Rob: Touching down in Kenya after being invited across to play at the President’s music festival was very surreal and hopefully a taste of things to come.

Adam: Facebook live streaming from our sofa last year playing our songs; to be surprised by the fact that the stream had gone viral and reached over 2.2 million people that evening.

Which one album means the most to each of you would you say (and why)?

Rob: A fairly rare Red Brazilian vinyl copy of Revolver – The Beatles. Not my favourite of their albums (Rubber Soul) but it’s probably worth the most!

Adam: Blood Sugar Sex Magik - Red Hot Chili Peppers was the first album I learnt in full on the drums so it will always be a favourite of mine.

Peter: A Funk Odyssey – Jamiroquai because it reminds me of loads of great family holidays where we played it to death. 

If you could support any musician alive today, and choose your own rider, what would that entail?

Paul McCartney would be pretty cool - and an instant sell out gig! Three teas would be good; milk no sugar. Oh…and do you remember Starburst Joosters?

Can we see you on the road this year at all after your album launch?

We’ll be switching on the Christmas lights at a number of towns this year which we will be announcing very soon, alongside our regular gigs and residencies. Find us over on social media for behind the scenes and our website for full show listings.

What advice would you give to new artists coming through?

Play the music that you enjoy and would listen to. There will be others that also enjoy the same out there. Then work really hard every day to make it the best you can do. Build a good team around you as there will be times where you really need the support and motivation.

 IN THIS PHOTO: Parcels

Are there any new artists you recommend we check out?

We’ve been enjoying the music of Parcels for the past few months; recently attending an intimate show at the Gibson showroom which was mysteriously cancelled. One day they’ll let us know what happened!

Also enjoying the new material from Alice Merton. There’s too many to name as we tend to add it all to our Chasing Deer Picks Spotify playlist to listen to on the road.

 IN THIS PHOTO: Alice Merton

Do you get much time to chill away from music? How do you unwind?

Time away from music is tricky with the fact we play every day we have. When we get back from performing at a show, we are back having a jam and writing new material! In our down time, we enjoy watching football, going to the cinema and exploring as much as we can of the museums and activities in London. 

Finally, and for being good sports; you can each choose a song and I’ll play it here (not any of your music - I will do that).

Emily Chepchumba - Moto Moto Band (this is one of the songs we covered during our time in Kenya)

Rick Astley – Pray with Me

David Bowie – China Girl

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Follow Chasing Deer

Official:

https://www.chasingdeer-official.com/

Twitter:

https://twitter.com/chasingdeerband

Facebook:

https://www.facebook.com/chasingdeer

Instagram:

https://www.instagram.com/chasingdeerband/

Spotify:

https://open.spotify.com/artist/6dYpvLzQD7hengPe9uhize?si=xk3A1vssRpGnlU1AuqfYdQ

SoundCloud:

https://soundcloud.com/chasingdeer

YouTube:

https://www.youtube.com/user/chasingdeer 

INTERVIEW: The Teskey Brothers

INTERVIEW:

PHOTO CREDIT: Lisa Businovski

The Teskey Brothers

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THANKS to Liam from The Teskey Brothers…

for chatting about the band’s new album, Half Mile Harvest, and the sort of themes that inspired it. I ask how the Melbourne band got together and what sort of music inspires them; if there is any new talent we need to get behind and whether we can catch the guys tour at all.

Liam highlights a favourite memory from his career and reveals band ambitions for 2019; if they are coming over to the U.K. at all and if they all get time to chill away from music – each of the band members choose a song to end the interview with.

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Hi. How are you? How has your week been?

Liam: Good! I’ve just been in the studio working on new songs and about to go into Triple R community radio station in Melbourne for a performance and interview. Always enjoy visiting radio stations.

For those new to your music; can you introduce yourselves, please?

Sure thing. We are The Teskey Brothers. We are four friends that grew up just outside of Melbourne, Australia and have been playing music together for over ten years. Brendon Love is on bass; me (Liam Gough) on drums; Sam Teskey on lead guitar and Josh Teskey on vocals and rhythm guitar.

Half Mile Harvest is your new album. Are there particular themes that define the record? Do you have favourite songs from it?

We didn’t realise it at the time of writing it, but it’s mostly about breakups and trying to hold relationships together. Songs like Pain and Misery and Crying Shame are pretty much what it says on the back of the box. Those themes resonate throughout the album. Bit of a downer but that’s what we were all kinda going through at the time.

I’m really excited to have I Get Up out in the world. It’s a fun song to play live and always gets the crowd moving!

When did The Teskey Brothers start making music? Do you remember those early days and the song you were playing?

A long time ago. We busked at the local market as teenagers and then eventually started playing gigs in the local pub across the road from the market. We mostly played Blues jams and stared at our feet. Slow beginnings!

Which artists did you all grow up around? Do you have any personal musical idols?

We idolised a lot of the local Melbourne Blues musicians. Melbourne has always had such a thriving music scene. We would go out and see lots of bands of all styles really. I think this gave us an appreciation for an eclectic array of styles and sounds.

PHOTO CREDIT: Lisa Businovski

What do you hope to achieve by the end of 2018?

We really wanted to make our album Half Mile Harvest available for people to buy in Europe and U.K. which, as of today, has actually happened - so that’s a big tick on the list. Otherwise; we’re hoping to record some new music and play a few Australian music festivals. 

In that same vein; do you have plans for 2019 in terms of what you want to accomplish? 

2019 is going to be another big year of touring, which will be fun. The past year has taken us all over, so we’re aiming to revisit Europe, U.S.A. and Japan. We’d also like to get to Canada and Scandinavia. Fingers crossed. We’ll also put out the next album so that will be a big moment too.

PHOTO CREDIT: Lisa Businovski

Have you got a favourite memory from your time in music so far – the one that sticks in the mind?

There’s a festival near Melbourne called Meredith Music Festival. It was a life goal to play at that one. It’s such a unique site and the lineup is always so eclectic and incredible. Last year, we were given a late afternoon slot and it was such a special moment for us. I was a bit overwhelmed.

Which one album means the most to you would you say (and why)? 

Electric Ladyland by The Jimi Hendrix Experience

Raw, live feel and mix of Blues, R&B and Rock. Incredible.

If you could support any musician alive today, and choose your own rider, what would that entail?

I would love to support Neil Young. We would love to share a pizza with him and talk about the ’60s.

 PHOTO CREDIT: Lisa Businovski

Can we see you on the road this year at all?

We are playing a handful of summer festivals in Australia this year

Might you come to the U.K. and play?

Yes! We’ll be there in February. Our London show is at the Union Chapel which looks incredible.

What advice would you give to new artists coming through?

Just keep at it and don’t give up. Don’t change what you’re doing or how you’re sounding just because of trends. If you love the sort of sounds and music you are making then stick to your guns and just keep working hard. It took us ten years to hone our sound down to something we liked and I think we needed that time! There’s no rush!

 IN THIS PHOTO: TEEKS

Are there any new artists you recommend we check out?

I’d recommend checking out TEEKS from New Zealand. He’s making some really cool soulful music.

Do you all get much time to chill away from music? How do you unwind?

We all love to have our own time and the more touring we do the more we realise that we need to make time for ourselves. We all have a strong connection to nature and love to go camping or hiking to clear our minds and connect with friends.

Finally, and for being good sports; you can each choose a song and I’ll play it here (not any of your music - I will do that).

Sam Teskey: Peter Green – A Fool No More

Brendan Love: Queen - Somebody to Love

Josh Teskey: Percy Sledge - When a Man Loves a Woman

Liam Gough: The Animals - Cheating

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Follow The Teskey Brothers

Official:

http://www.theteskeybrothers.com/

Twitter:

https://twitter.com/teskeybrothers

Facebook:

https://www.facebook.com/theteskeybrothers

Instagram:

https://www.instagram.com/theteskeybrothers/

Spotify:

https://open.spotify.com/artist/2nTjd2lNo1GVEfXM3bCnsh

YouTube:

https://www.youtube.com/channel/UCpHZ4yRpTYMbSz_j1Gj4ImA

INTERVIEW: Lili Caseley

INTERVIEW:

Lili Caseley

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THIS interview finds me talking with Lili Caseley…

about her debut single, Have I Ever, and what inspired it. I ask whether more material will be coming along and, as a songwriter, whether she sets time aside to write; which three albums mean the most to her; the artists she grew up around and which rising musicians we need to get behind.

Caseley tells me how she spends time outside of music and what she has planned for next year; who she would support on tour if she could pick anyone; the advice she would offer emerging musicians – she ends the interview by selecting a rather cool song.

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Hi, Lili. How are you? How has your week been?

Hey. Good, thanks. Been rehearsing and doing some writing sessions. Have seen family too, so it’s been quite nice.

For those new to your music; can you introduce yourself, please?

I’m from Kentish Town. I’m a singer songwriter and I make Soul/R&B/Pop; sometimes with a Hip-Hop feel, often the beats. I’ve got Portuguese and French heritage and grew up listening to a lot of different music.

Have I Ever is your debut single. Is there a story behind the track?

I wrote it after a night out; a party. I was tired and had drunk; I felt alone. I didn’t have anyone and started to question whether I’d really ever had anyone at all. I found a harp sample online, then got my friend Oliver Wass to play it live at David (the producer’s) studio. And David made the music around it.

Do you think there will be more material next year?

Yeah. For sure (smiles). I’m looking forward to putting more songs out.

Are there particular moments and times that inspire your songwriting? Do you set time aside to write?

Sadness, rejection; loss, being in love; heartbreak. I try to be more methodical with it, but often it is just spontaneously.

Which artists got you interested in music? Did you grow up around a lot of music?

Coming from Portugal and France, I listened to a lot of Fado music - Amália Rodrigues, Mariza - French music - Jacques Brel, Charles Aznavour - and English too - Queen and The Beatles. Other World music, too: Amadou and Miriam, Seu Jorge…they all got me keen and also Billie Holiday, Ella Fitzgerald; Johnny Cash, Bob Marley…

What do you hope to achieve by the end of 2018?

More and more live shows, performing to more people; connecting and working with more and more people.

Do you already have plans for 2019?

Yeah. A few. More releases, more shows; work with more people…

Have you got a favourite memory from your time in music so far – the one that sticks in the mind?

Explosive writing sessions where the song just happens; gigs where everyone dances and jamming with the musicians.

Which three albums mean the most to you would you say (and why)?

Lauryn Hill - The Miseducation of Lauryn Hill

The songwriting and music blew me away. There’s a lot of heart.

Justin Timberlake - Justified

Songs like Señorita are sexy, good to dance to and have original lyrics.

Destiny’s Child - Survivor

Amazing tunes.

If you could support any musician alive today, and choose your own rider, what would that entail?

Probably Billie Eilish or Post Malone. I’d just want some drinks for the musicians and some for me and some coconut yoghurt. I love it man. Would’ve loved to meet or play for Mac Miller in some way too man; it’s a damn shame.

What advice would you give to new artists coming through?

Well. I’m not sure I could really advise anyone, but I’d say just keep going and don’t be afraid to make mistakes. You gotta risk looking foolish to move up anywhere. And try to work with kind people.

Do you have tour dates coming up? Where can we catch you play?

Got lots of gigs coming up. All on my Songkick and my website.

How important is it bringing your music to the stage and getting that instant reaction?

Vital. It’s the only real way to connect with people I reckon.

IN THIS PHOTO: Natty Wylah/PHOTO CREDIT: Ivan Bliminse

Are there any new artists you recommend we check out?

Natty Wylah and Stone Jets.

Do you get much time to chill away from music? How do you unwind?

I hang out with my friends, go to films - sometimes saucy ones -; I have dinner with family.  I party too - gotta dance.

Finally, and for being a good sport; you can choose a song and I’ll play it here (not any of your music - I will do that).

Thank you. Bruce Springsteen – I’m on Fire

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Follow Lili Caseley

Twitter:

https://twitter.com/lilicaseley

Facebook:

https://www.facebook.com/lilicaseley

Instagram:

https://www.instagram.com/lilicaseleyy/

Spotify:

https://open.spotify.com/artist/01VwzsXo1gljaMo69Z1o6u?si=BGJWodN3T7q1fOT99l-6ZA

SoundCloud:

https://soundcloud.com/lilicaseley