INTERVIEW: Lucy Whittaker

INTERVIEW:

Lucy Whittaker

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WITH her single, Curious, out today…

I have been talking with Lucy Whittaker about the song and its inspirations; what is coming up for her in terms of gigs and material and what sort of music she responds to – including a few albums that are important to her.

Whittaker discusses her goals and how important it is being on stage; what her objectives are for next year and how she spends her time away from music – she chooses a great song to end the interview with.

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Hi, Lucy. How are you? How has your week been?

I’m great, thank you! I’m having a good week – finalising release plans for Curious and finishing off the video. It’s an exciting time!

For those new to your music; can you introduce yourself, please?

I’m Lucy Whittaker; a Pop artist from London. All you need to know about me is that I live with a dog with one eye.

Tell me about the single, Curious. What is the story behind the song?

To put it bluntly, the track is about stealing a girl off a boy - I’ll let you imagine how it all went down!

How do you think it differs to something like Who’s Gonna Know?

Curious is more lighthearted than Who’s Gonna Know. It still packs a punch, but I wanted to write something that felt more playful and cheeky. The track is fun but it has a deeper message - be true to who you are and enjoy it. 

Might we see more material next year? How far ahead are you looking?

Yes! I’m in the studio right now putting the finishing touches to my next two singles and there might be an E.P. on the way…

Do you recall your earliest musical memory? Which artist or song first struck your mind?

I have a vague memory of hitting pots and pans with wooden spoons when I was really young. I can't remember what I was jamming along to, but knowing my parents it was probably some Reggae or The Rolling Stones!

What do you hope to achieve by the end of 2018?

By the end of 2018, I want to have reached new people with my music. I’m really hoping that Curious will help me to build on the progress I’ve already made and push me a little bit further along in my career. I’m also planning on releasing some of my favourite covers on Spotify so people can hear something a bit different from me.

Have you got a favourite memory from your time in music so far – the one that sticks in the mind?

For me, it’s probably when I supported Craig David last Christmas. The event sold out and there were 15,000 people there. The atmosphere was like nothing I’ve ever experienced and to get up there and do my thing was the most amazing feeling.

Which three albums mean the most to you would you say (and why)?

This is such a tough question! I honestly can’t pick a definitive three - but some of the albums that spring to mind are:

Michael Jackson – Bad

Lady Gaga – The Fame Monster

Kendrick Lamar – good kid, m.A.A.d city

I really got into Michael Jackson’s music when I was twelve and it opened me up to music in a way I didn’t think was possible. To me, everything about his music is perfect and Bad is packed full of bangers. Lady Gaga played a big part in me accepting who I am. I have always loved how confident she is in her identity and how she portrays it through her music and The Fame Monster was released at a time when I needed it the most. good kid, m.A.Ad city is just banger after banger.

If you could support any musician alive today, and choose your own rider, what would that entail?

Lady Gaga. Her shows are mind-blowing and to be a part of that would be a dream come true. In terms of my rider, as long as I’ve got a plate of Caribbean food in front of me, I’m happy!

Might there be some gigs coming up this/next year?

There are some really exciting shows on the horizon in 2019, so keep your eyes peeled.

What advice would you give to new artists coming through?

Remember why you started making music and how it makes you feel. When things get tough, try and maintain a positive mindset and hold on to that feeling. Also, my number-one tip is to have good people around you who have your best interests at heart - they are the people who will cheer you on in your best moments and keep you going in the difficult ones. 

How important is it being on the stage and playing your music to the people?

So important! Playing live gives me a chance to connect with my fans and make some magic. No two shows are ever the same, so it’s always special to play live and share that experience with people. I feel like playing with my band really takes the tracks to a new level and gives people a new way of hearing my music.

 IN THIS PHOTO: Heir/PHOTO CREDIT: Portia Hunt

Are there any new artists you recommend we check out?

Heir and SaNTINO. They’re both from Leeds and great guys. Heir’s melody lines are amazing and SaNTINO’s music is the coolest around.

 IN THIS PHOTO: SaNTINO

Do you get much time to chill away from music? How do you unwind?

Food! Cooking really chills me out.

Finally, and for being a good sport; you can choose a song and I’ll play it here (not any of your music - I will do that).

Emily Burns – Cheat

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Follow Lucy Whittaker

Facebook:

https://www.facebook.com/LUCYWHITTAKERUK/

Twitter:

https://twitter.com/lucywhittakeruk

Instagram:

https://www.instagram.com/lucywhittakeruk/

Spotify:

https://open.spotify.com/artist/55v06TjyT2BQwlQf5exxQZ?si=pTQcSBynT4CFjNbgXCmpgA

INTERVIEW: Daniel Isaiah

INTERVIEW:

Daniel Isaiah

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MY final interview of the day…

is with Daniel Isaiah who has been discussing his latest track, Javelin Fade, and what we can expect from his upcoming album, Only One Left. He discusses the personal highs and lows that influenced the songs and whether there are plans for gigs going forward.

I ask Isaiah what sort of music he is influenced by and which albums are important to him; whether there is an upcoming artist to watch and if he gets time to unwind outside of music – he selects a cool track to end the interview with.

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Hi, Daniel. How are you? How has your week been?

My week has been good so far. I have a couple of shows coming up and I’ve been trying to figure out how to play the new songs live.

For those new to your music; can you introduce yourself, please?

I’m a songwriter and filmmaker and occasional English teacher - and I spend most of my time in a little room in my apartment in Montreal playing guitar and piano, composing songs and writing screenplays. I’m about to release my third record as a ‘solo artist’.

Javelin Fade is your latest track. What is the story behind the track?

I found the chords in one sitting and recorded a demo right away. I didn’t have any lyrics though, so I just ad-libbed the vocal; words like “Rising in the fallout” rolled off the tongue. And so I imagined that I was traveling over the Earth and ‘the fallout’ was nuclear fallout - and I was witnessing the aftermath of total collapse - but it was over and there was nothing to worry about anymore.

I believe the album, Only One Left, was book-ended by the saddest and happiest days of your life. Was it a difficult period of your life to get through? How did they influence the music on the album?!

Well. My mother was sick when I started writing the new batch of songs. I wrote Till the Pictures Stop when she was in palliative care and it’s a depressing song, but it’s probably my favourite one on the album. About a month after my mom passed away, I started dating the woman who just recently became my wife. So, there was some light at the end of the tunnel. But there will be more tunnels! Maybe I’m better prepared for the next one.

You travelled extensively between those book-ended times. How important was it to get out into the world and away from home?

Travel is important to me. You travel and you see more. And the things you see become a part of you. I always have the impression when I’m traveling that time slows down. Whereas in Montreal, when I’m just doing my routine, the weeks pass by in a flash.

Did you grow up around a lot of music? Which artists did you follow at a young age?

When I was seven or eight, I would go to my dad’s house on the weekends and copy his C.D.s onto blank cassettes. One album that I liked a lot was The Beatles’ Please Please Me. My sister and I would put that one on and spin around in circles - which were as close to getting high as we could get in those days. There was another cassette I copied with ‘Fil Collins’ written on one side and Jennifer Warnes’ Famous Blue Raincoat written on the other. That was my introduction to the songs of Leonard Cohen. I loved them.

What do you hope to achieve by the end of 2018?

I want to finish a screenplay that I’m writing called Pink Lake.

Do you already have plans for 2019?

I’m hoping to shoot Pink Lake in March with a group of friends.

Have you got a favourite memory from your time in music so far – the one that sticks in the mind?

When I was twenty-years-old and living in Edinburgh, Scotland; a stranger in a park taught me how to Travis pick (fingerpicking technique). That was the best guitar lesson I ever had, on a sunny day, in the grass and I remember it fondly.

Which three albums mean the most to you would you say (and why)?

Something Else by The Kinks

It’s a beautiful album. There’s nothing else in the world like it.

Decade by Neil Young

It’s a long sprawling record with lots of great songs. It has kept me company for years.

Tupelo Honey by Van Morrison

I don’t know who the musicians are on that album but they’re the best.

What advice would you give to new artists coming through?

Learn how to record your own stuff. Try not to depend too much on other people.

Do you have tour dates coming up? Where can we catch you play?

Nov 21 at The Burdock (Toronto, ON) with Blunt Chunks

Nov 28 at Casa del Popolo (Montreal, QC) with Parker Shper

Feb 15 (2019) at Chasse Galerie (Lavaltrie, QC) with Thus Owls

That’s it for now!

PHOTO CREDIT: Year of Glad

Are there any new artists you recommend we check out?

Year of Glad from Montreal is quite good.

Do you get much time to chill away from music? How do you unwind?

I read a lot. I like reading novels and history. Right now, I’m reading The Jewish War by Josephus. It’s a bit of a slog but I’m gonna stick with it.

Finally, and for being a good sport; you can choose a song and I’ll play it here (not any of your music - I will do that).

Let’s hear Deseret by Cass McCombs

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Follow Daniel Isaiah

Official:

https://www.secretcityrecords.com/artists/daniel-isaiah

Facebook:

https://www.facebook.com/danisaiah/

Twitter:

https://twitter.com/DanIsaiah

Spotify:

https://open.spotify.com/artist/4aDuNE6LWkaBuXT43fA4P6?si=7g7TGKBkQimZD1gkks7mOQ

SoundCloud:

https://soundcloud.com/danielisaiah-1

PHOTOS:

James Rosen

INTERVIEW: Shoji

INTERVIEW:

Shoji

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THANKS to Shoji…

for telling me about their new single, Bliss, and how it came together. I was interested to know what sort of music drives them and whether there is more material coming next year; if they have plans before the end of the year and which one album is most important to each of them.

Josh and Alex talk about the music they grew up around and tell me how Shoji came together; if there are any rising artists we need to check out; how they chill away from music – they each select a great song to end the interview with.

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Hi, guys. How are you? How has your week been?

Good, thanks. Our week has been busy; we’ve been locked away in the studio writing new music.

For those new to your music; can you introduce yourselves, please?

We are a duo called Shoji (Alex and Josh).

How did Shoji get together? When did you meet?

We actually originally met at school but only started working together around three years ago. Shoji was formed last year but we have worked on projects together before then.

Bliss is your new track. Is there a story behind it?

The lyric, “Devil's acre”, is a metaphor for being stuck in a claustrophobic head space. The line came from a poetry book that Josh read and it immediately struck a chord. The contrast of the last line "I know I’ll stay as long as I feel bliss" plays with the idea of addiction and using vices to self-remedy. The track title, Bliss; we wanted to use as a contrast for the meaning of the lyrics to symbolise being in a dream state

Is there going to be more material coming next year do you think?

Absolutely. We are working towards an E.P. for early-2019!

Did you grow up around a lot of music as children? Which artists struck your ears?

Yes. We both grew up in musical families but in different ways.

Josh: I was always around music. My parents didn’t play instruments (my mum dabbled in piano); however, there was always music on around the house when I was growing up. I was brought up on The Beach Boys and Van Morrison.

Alex: My parents are both Classical musicians so I picked up the piano from an early age. Fleetwood Mac and Queen were also always on around the house.  

What do you hope to achieve by the end of 2018?

We are looking in to booking some shows so it would be nice to have some in place for 2019. 

In that same vein; do you have plans for 2019 in terms of what you want to accomplish? 

We are working towards releasing an E.P. and it would be great to play the festival circuit. 

Have you got a favourite memory from your time in music so far – the one that sticks in the mind?

Josh: The feeling when I finished my first album...

Alex: Playing Glastonbury.

If you could support any musician alive today, and choose your own rider, what would that entail?

We would love to support Mount Kimbie. We both have a pretty sweet tooth so our rider would probably just be sweet (only the blue M&Ms, please).

Which one album means the most to each of you would you say (and why)? 

Josh: The Beach Boys - Pet Sounds

The sounds and songwriting on this album are incredible. I saw Brian Wilson play it in full; it was my first gig and it was what got me in to music properly. 

Alex:  Burial – Untrue

This album got me in to Electronic music in a massive way.

Can we see you on the road this year at all?

Not this year, but hopefully next! We are working on it.

What advice would you give to new artists coming through?

Don’t take yourself too seriously. Try not to compare yourself to others and KEEP GOING!

Are there any new artists you recommend we check out?

Bruno Major, joan; Khruangbin and Hatchie are all on our playlists at the moment.

 IN THIS PHOTO: Hatchie/PHOTO CREDIT: Sylvia Austin for Pitchfork

Do you all get much time to chill away from music? How do you unwind?

We both work full-time in music so it’s all we really do but when we unwind a good book or a walk never goes a miss.

Finally, and for being good sports; you can each choose a song and I’ll play it here (not any of your music - I will do that).

Alex: Frank Ocean - White Ferrari

Josh: Noname - Diddy Bop

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Follow Shoji

Facebook:

https://www.facebook.com/Speaktoshoji/

Twitter:

https://twitter.com/speaktoshoji

Spotify:

https://open.spotify.com/artist/6mRKPevabInyibh7E9rrdB?si=P7xBuTrwTKyYz5QgnN9zgA

Instagram:

https://www.instagram.com/speaktoshoji/

SoundCloud:

https://soundcloud.com/speaktoshoji

INTERVIEW: Foreign Affairs

INTERVIEW:

Foreign Affairs

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BROTHERS Adam and Lawrence Purnell form Foreign Affairs…

and they have been talking with me about their new single, Faded, and what it is all about. I ask them what they have coming up and how their music has changed since the start; which rising artists we need to get behind – they each select an album that is important to them.

I was keen to learn whether there are plans for next year and if they are touring soon; if they share the same musical tastes and what advice they would give to musicians emerging – they each pick a song to end the album with.

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Hi, guys. How are you? How has your week been?

Great, thanks! Looking forward to the release of our new single on Friday!

For those new to your music; can you introduce yourselves, please?

We’re brothers Adam and Lawrence Purnell from Bristol. We’ve come together to form our Americana/Indie duo, ‘Foreign Affairs’.

Faded is the new single. What is the story behind it?

Faded felt like an ‘end of the world’-type song for us; it's one of reflection and writing about something bigger than day to day life - "I ain't been everywhere my friend/but I’ve seen the leaves fall of the trees, they grow back again". We wanted the opening line to suggest a growth and maturity of the band, like we'd been away for a while.

Might we see more material coming next year?

Faded is the first single from our forthcoming record, The Old Fire Station, which will be released on 30th November. We have already started writing/demoing songs for a full album release next year.

Do you share musical tastes? Which artists are important?

We definitely do. We were brought up listening to artists like Rodney Crowell, Divine Comedy and Richard Hawley; all of which are amazing songwriters. In recent years, we have aspired to the songwriting of Jason Isbell, Chris Stapleton but also a lot of artists outside of that scene, such as Leon Bridges, Nick Mulvey and Nathaniel Rateliff.

How do you think Foreign Affairs has evolved and changed since the start?

Our songwriting and sound has matured over time and, through touring extensively, we’ve had the time to explore and find the exact sound that we want to transfer onto our records. Both Adam and I now have a clear vision of exactly where we want to take our music which we think can only be achieved through trial and exploration.

What do you hope to achieve by the end of 2018?

By the end of 2018, we will have released our new record, The Old Fire Station. We are just so excited for our fans to finally have new music from us; that will be a great feeling. We have also been nominated as Duo of the Year by the British Country Music Association so we might have attained that accolade by then, who knows?

Do you already have plans for 2019?

We will be touring throughout the year along with a string of festival appearances in the summer; we have also already started writing/demoing songs for a full album release.

Have you got a favourite memory from your time in music so far – the one that sticks in the mind?

The first time we performed at Glastonbury is definitely a special moment that will stay with both of us. It felt like such a huge achievement to be stood on one of the stages at such a prestigious festival. Also, our first national radio play on BBC R2 was a proud moment.

Which one album means the most to each of you would you say (and why)?

Lawrence: Neil Young - Harvest Moon

It’s an album that I have been listening to for as long as I can remember. I always come back around to it regardless of how long it’s been. Never fails to take me away to another planet.

Adam: Rodney Crowell - The Houston Kid

The first record that my dad gave to me in my early teenage years; the songwriting and guitar tones were just stand out. A genre that I had previously not had any experience in; it had such an effect that I was later smuggled into the Bristol Bierkeller under-age to see Rodney play the record.

If you could support any musician alive today, and choose your own rider, what would that entail?

We would love to tour with Jackson Browne - that is someone that we could watch night after night and never get tired of his songs. We’d definitely pair that tour with some Brooklyn beer and gin and tonic (little slice of cucumber).

What advice would you give to new artists coming through?

Do whatever comes naturally and don’t force anything; it will always come through if the music is coming straight from the heart. Never give up and always remember to sort your parking permits! (Learn from us).

Do you have tour dates coming up? Where can we catch you play?

26th November - The Social (London)

We will be announcing our own headline tour shortly to coincide with the record release. (All details will be on our social media).

 IN THIS PHOTO: Jade Bird

Are there any new artists you recommend we check out?

Jade Bird, Ruston Kelly and Dermot Kennedy have been on-repeat for us, so we’ll go with those three!

 IN THIS PHOTO: Rushton Kelly

Do you get much time to chill away from music? How do you unwind?

Adam goes and watches our local football team (Bristol Rovers) which seems to do it for him! (Each to their own).

I love going for breakfasts and coffee (best meal of the day). It’s the simple things!

Finally, and for being good sports; you can each choose a song and I’ll play it here (not any of your music - I will do that).

Lawrence: Neil Young - Unknown Legend

Adam: Guy Clark - Rain in Durango

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Follow Foreign Affairs

Facebook:

https://www.facebook.com/foreignaffairsmusic/

Twitter:

https://twitter.com/affairsaffairs

Spotify:

https://open.spotify.com/artist/3lKfbaqRTWrGrrjwNG4dqR?si=wg0TVHnSQ7SiJGzlE2CM5w

Instagram:

https://www.instagram.com/foreignaffairs_band/

INTERVIEW: Bizou

INTERVIEW:

Bizou

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THE brilliant Bizou…

have been telling me about their recent track, Superstition, and what its story is; how the band got together and whether we might see more material coming along next year – they each select an album that means a lot to them.

I ask if they have similar music tastes and whether there are any gigs coming up; how they chill away from music and which rising musicians we need to get behind – the band members each select a song to end the interview with.

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Hi, guys. How are you? How has your week been? 

Mina: We're good! We're in the studio listening to Nicole lay down some sexy bass riffs.

For those new to your music; can you introduce yourselves, please?

We're Nicki, Nicole; Mina, Erin and Josiah. We're a five-piece Post-Punk band based in L.A. We're ‘Bizou’.

Superstition is your new single. Is there a story behind it? 

One night; me and Josiah were digging through demos trying to find something we hadn't worked on yet and he pulled up a file called Black as My Soul. I had no idea what to do with it vocally for a long time - in fact - and it totally bombed the first time we tried to put vocals on it. I had to lock myself in my room for a couple days with it. The lyrics are about anxiety - the way it makes you paranoid and unreliable, especially to yourself. It all sort of spewed out of me suddenly, like a real panic attack. You know, light fun stuff! 

Do you think there will be an album later this year?

We have two E.P.s we're planning to release consecutively beginning early next year. Most likely one in the spring and one in the fall. 

How did Bizou meet? When did you get together? 

Erin, Nicki; Josiah and Nicole have all been friends, playing together in various projects for years. I met everyone through a mutual close friend of myself and Erin. After I left Wax Idols, I was eager to get back to work and hopefully avoid what I thought was likely to be a six-month long post-band spiral. We started jamming together on some demos Josiah had sent me and we have kept working together ever since.

You all hail from different U.S. states. Do you all have different music taste as well?

I think we all agree on The Cure, Siouxsie; Joy Division, New Order and Wire. Outside of that, I think our tastes really range. Nicole and I love teeny-bop divas from the early-'80s, Erin loves Steely Dan; Nicki hates Duran Duran etc.. etc. I think there's a decent interplay between our shared likes and dislikes - to create some artistic frisson. 

Do you already have plans for 2019? 

Josiah: Two E.P.S chock-full of amazing sounds and songs to rock your bowels!!

Have you got a favourite memory from your time in music so far – the one that sticks in the mind? 

Nicole: Playing drums in front of 10,000 people. I don't really play drums but I LOVE to play drums! I was convinced (very reluctantly) to play them for one song with the Pumpkins at one of our shows; it was an easy enough song but I was scared sh*tless! I had to sing background vocals too AND I was in high heel boots.

But, it was one of those moments I'll never forget because it was a ‘walking through fear and coming out the other end relatively unscathed’ kind of moment. You don't forget those! Also; my dad was a drummer so I felt him there with me in that moment and I know he was loving every second! 

Josiah: The one that sticks in the mind?  Similar to alcohol. There have been times when I get goosebumps playing music. That’s what I strive for when I create or play music. 

Erin: Two! One was when I played the Music Hall of Willamsburg and realized that two of my heroes (Kim Gordon and Thurston Moore) were in the audience and dug my drumming. The second is getting to go to Nashville and play with Bones from Midnight Oil in a band out there. It was just tons of fun and he's a badass bass player.

Mina: I feel like Josiah a bit - it's not a specific memory that I love so much but rather a feelingthat I'm trying to get from playing music and to stay in that moment as long as possible. When it's going really right, you just feel free.

Nicki: The one that sticks in the mind? Josiah and I were in a band called Light FM and we opened a show for Jesus & Mary Chain. I needn’t say more!

Which one album means the most to each of you would you say (and why)?

Josiah: Tears for Fears - The Hurting; Grandaddy - The Sophtware Slump.

Erin: ELO - Out of the Blue. My folks introduced me to them when I was a little kid and I have a lot fond memories of travelling and listening to that record with them. 

Mina: Tori Amos - Boys for Pele. I can't even explain how formative that record is for me. It's like trying to describe something preverbal. That and Siamese Dream. 

Nicole: The Cure – Disintegration.

Nicki: Sonic Youth - Goo was one of my first albums and made a huge impression on me. Still does. 

If you could support any musician alive today, and choose your own rider, what would that entail?

If we could do a support tour with anybody, it would have to be Garbage. That with some coconut water and hummus and, honestly, we'd be set. 

What advice would you give to new artists coming through? 

Mina: Play a lot. Take everything about it seriously except for yourself. 

Josiah: Don't be a dickhead!

What do you hope to accomplish by the end of 2018?

We’re excited to finish all the tracking for our two forthcoming E.P.s by end of year. That and play a ton of shows; hopefully in a hometown near you.

Do you have tour dates coming up? Where can we catch you play?

No upcoming tours planned - hopefully in the spring 2019! 

IN THIS PHOTO: DRÆMINGS

Are there any new artists you recommend we check out? 

Josiah: DRÆMINGS, Livermore; MAWD, Shunkan; Nightmare Air and Sprain!

Erin: Erika Wennerstrom, Tempers and Lawrence Rothman.

Mina: This new Moonface record is fuc*ing me UP. 

IN THIS PHOTO: MAWD/PHOTO CREDIT: Ben Thomas

Do you get much time to chill away from music?

Josiah: I don’t get a second away from music. I record bands for a living. When I’m not working on music, I’m zen-ing the fu*k out on a yoga mat. 

Nicki: I’m usually either working my day job or playing music and, in between, I try to find time for hiking or other outdoor adventures. 

Nicole: Outside of music, I like to chill with my animals, do yoga; hike and sit in my hot tub with a glass of rosé. 

Erin: Most of my time outside is spent loving on my Fur Babies; cooking and spending time in nature. 

Mina: I second Nicole on the bath wine! Music is my main outlet. Just listening to it really. Apart from that, I like to read and write a lot. 

Finally, and for being good sports; you can each choose a song and I’ll play it here (not any of your music - I will do that).

Nicki: It's Obvious - Au Pairs

Nicole: Prison Girls - Neko Case

Josiah: Our Girl - Our Girl

Erin: Wolves Still Cry - Lawrence Rothman 

Mina: Dreamsong – Moonface

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Follow Bizou

Facebook:

https://www.facebook.com/unebizou/

Twitter:

https://twitter.com/musicbybizou

Spotify:

https://open.spotify.com/artist/4d3D1EbEOEye3NfwJHZiiE?si=86XhQXwQQ5WrQQwMYkpNAw

Instagram:

https://www.instagram.com/unebizou/

INTERVIEW: Sorsari

INTERVIEW:

Sorsari

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THANKS to Sorsari for telling me about…

his single, Monster, and the E.P., Patterns. I ask about the inspirations behind the E.P. and what sort of music he is inspired by; the albums that are important to him and where he is heading as we look forward to 2019.

I ask whether there will be gigs coming up and which rising artists we need to get behind; if he gets time to chill away from music and which artist he’d support if he could choose anyone – Sorsari picks a great song to end the interview with.

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Hi, Sorsari. How are you? How has your week been?

My week has been really good so far!

For those new to your music; can you introduce yourself, please?

My name is Alex Jensen and I'm a twenty-eight-year-old from Edmonton, AB (in Canada). I've been making music under Sorsari since 2015 but I've been picking away at computer music for about ten years now.

Monster is your new single. Is there a tale behind it at all?

Nothing in particular. I was playing around with this Rihanna vocal and I managed to get some cool chops out of it and, when I heard the 'monster' vocal; I knew I could turn it into a higher energy type of track.

Your E.P., Patterns, is out. Are there particular themes and ideas that inspired it?

I wouldn't say there are any particular themes; I felt that 'Patterns' was an appropriate name since I was stuck in this pattern of producing that involved my transition to making music at 140 B.P.M. from 120 so I kind of just slapped the name on it as the E.P.

Is it true you recorded to 8-track? What was the reason for that?

No? Not sure where that came from.

Do you have particular music idols or artists you grew up around?

I would say my friends inspired me the most as artists since I grew up with a lot of different musicians and a lot of producers within my city. I always surrounded myself with creative people because I felt like I had a community of people who shared the same passion and desires to do something more than ourselves. Jake Robertz is one of my best friends as well as my biggest rival in the friendliest way. He always keeps my head straight with music.

What do you hope to achieve by the end of 2018?

I just hope I keep the flame alive and continue to grow and evolve with my music. I don't have any particular deadlines or timelines for when I want to achieve certain things with music but I want to keep the ball rolling and continue to break my own boundaries.

Do you already have plans for 2019?

I've recently been picking up some analog gear so I'm probably going to be making more music with more hardware involved into the tracks. I want to make an E.P. or an album or something with the new toys but, ultimately, I would like to make an album for Terrorhythm.

Have you got a favourite memory from your time in music so far – the one that sticks in the mind?

My favourite memory would be playing at Borealis Music Festival back in September. It was a brand-new festival that my friends put together - and it was nothing but fire from our local scene in Alberta playing all types of Dance music. I felt like I was at home when I was performing there and I was surrounded by nothing but love and the best people I've ever met.

Which three albums mean the most to you would you say (and why)?  

Kuedo - Severant

Burial – Untrue

Om Unit - Self

I think these three albums mean the most to me because they make me feel like I'm spiritually elevating and they're also the most interesting to me in terms of how they're composed.  

If you could support any musician alive today, and choose your own rider, what would that entail?

I would want to be direct support for Plastician. As for my rider; enough Clamato juice and hot sauces for Caesars all night.

What advice would you give to new artists coming through?

Be open in taking your time with learning how to use your DAW; how to synthesize your own sounds and how to create your own sound within your genre. Learn how to take criticism and realize that everybody has their own paces. I know a lot of people (including myself) who get frustrated at being slow but there's nothing wrong with that. As long as you're involving yourself with your art and spending any amount of time on it, you're constantly moving in the right direction. 

Do you have tour dates coming up? Where can we catch you play?

Nothing at the moment. I might plan on doing something within the western parts of Canada in 2019 but I really just want to focus on making more music since I feel like I have to improve much more before I do anything serious in terms of playing out. I'm honestly bored of a lot of my music. Haha.

 IN THIS PHOTO: MRKRYL

Are there any new artists you recommend we check out?

MRKRYL, Jake Robertz; Giant ibis, Yedgar and Zeal.

 IN THIS PHOTO: Yedgar

Do you get much time to chill away from music? How do you unwind?

A lot of time. I work full-time but I still have room for whatever. I usually just game if I'm not making music.

Finally, and for being a good sport; you can choose a song and I’ll play it here (not any of your music - I will do that).

Jake Robertz - Forest Spirit

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Follow Sorsari

Facebook:

https://www.facebook.com/sorsari/

Twitter:

https://twitter.com/sorsariii

Spotify:

https://open.spotify.com/artist/2t01L1I0juJWbThU5jP06Y

Instagram:

https://www.instagram.com/sorsari/

SoundCloud:

https://soundcloud.com/sorsari

INTERVIEW: Humans

INTERVIEW:

Humans

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MY first piece of the day is a chat with Humans…

who have been telling me about their latest track, Still About You, and what its story is. I ask what is coming next and what sort of music they are inspired by; what plans are ahead in terms of gigs and whether there is a favourite music memory.

I ask whether there are any rising artists to look out for and what advice upcoming musicians should take to heart; how the music of Humans has evolved since the start and whether there are any things to get done before the end of this year.

__________

Hi, guys. How are you? How has your week been?

Busy. We both work like ten jobs so we’re pretty much slammed all the time. It’s great because we’re also both nihilists and it's making our lives go by really quickly!

For those new to your music; can you introduce yourselves, please?

We met at Ayden Gallery for Peter’s art show in 2008. I was a folky bicycling, missing-toothed poet and ol’ Petey was a Montreal-transplanted visual artist and aspiring Electronic performer. We joined forces and made some very rough around the edges but well-intentioned music that has subsequently been known as ‘dashumans’.

Still About You is your new track. What is the story behind it?

We wrote it in a shimmer of Los Angeles autumn. We partied so, so hard every night and worked all day everyday with our friend and colleague Carlos de la Garza. We also met a young chap named Ryan Daley who helped us out with everything plucked and plonked (A.K.A., he’s a really solid musician). We banged it out, writing about feeling like sh*t on airplanes, feeling lost and emotional while on tour; losing my girlfriend at the time and just pouring it all out on the page.

Might we see more material coming next year do you reckon?

Duh.

How did Humans get together and find one another?

I think I covered that already pretty thoroughly…

In terms of music; what did you both grow up around and idolise when young?

Robbie really liked Michael Jackson, The Beatles; Annie Lennox, The Police; Sting and Talking Heads. Peter liked some weird French music where they wear huge pants and Weird Al Yankovic. When Nirvana’s Smells Like Teen Spirit L.P. came out, Weird Al had the same single and an album with the same cover so I thought ‘Wow! The same whole album but all with dumb jokes; count me in!’ It didn’t turn out like that but I became a fan either way. I loved The Beach Boys, Genesis; Peter Gabriel, Phil Collins; M.J., Georges Brassen; you know, the usual kid sh*t.

How do you think you have developed and evolved since the start of your career?

We’ve really melded our styles together into this smooth concoction of the things we really like about each other.

Given your name; which song with the name ‘human’ in it would you select as the very best?

The score to/title track of The Human Centipede. 

What do you hope to achieve by the end of 2018?

Robbie: I’m building a Donald Judd bed-frame but having doubts about my ability to move it out of my shop and into my apartment. So, that is a huge concern and something I really want to figure out A.S.A.P.

Have you each got a favourite memory from your time in music so far – the one that sticks in the mind?

I really liked playing Coachella. I felt like a really special person that day. It made me really happy.

Which one album means the most to you would you say (and why)?

Nirvana Smells like Teen Spirit. I eventually bought it and it really inspired me: it was the first time I saw a band that looked and sounded normal to me; not pre-fabricated like everything I had seen till then.

If you could support any musician alive today, and choose your own rider, what would that entail?

Zeustate; she's rad. 

My rider has Kombucha, cigarettes; meal tickets; booze for our friends.

Can we see you on the road this year at all?

Not 2018…well maybe but I don't know. Not an answer, I know. 2019 for sure.

What advice would you give to new artists coming through?

Do your own shows, book your own parties and the rest will come.

IN THIS PHOTO: Art d’Ecco/PHOTO CREDIT: @dailycitytrain

Are there any new artists you recommend we check out?

Art d'Ecco is a Vancouver band that caught me by surprise. You know when your friends tell you to check out their band and you do and you're like “OK, cool". This one I was like "Oh, sh*t". 

Do you both get much time to chill away from music? How do you unwind?

Yeah; too much time but it's healthy because once you get back into it you feel fresh and inspired.

Finally, and for being good sports; you can choose a song and I’ll play it here (not any of your music - I will do that).

Mam Yinne Wa - Alogte Oho & His Sounds of Joy

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Follow Humans

Official:

http://dashumans.com/music/

Facebook:

https://www.facebook.com/dashumans

Twitter:

https://twitter.com/dashumans

Spotify:

https://open.spotify.com/artist/4BCVARfLoVaJDbk5x3Qqmz?si=wdXVerxRReOC3tEV8-hHgQ

Instagram:

https://www.instagram.com/dashumans/

SoundCloud:

https://soundcloud.com/dashumans

YouTube:

https://www.youtube.com/user/Dashumans/

INTERVIEW: Matt Mays

INTERVIEW:

Matt Mays

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I have been speaking with Matt Mays…

about his latest single, Station Out of Range, and his new album, Twice Upon a Hell of a Time… He reveals the inspirations behind the album and which artists he responds to; when music came into his life and the three albums that mean the most to him.

The Canadian artist looks ahead regarding plans for 2019 and reveals some rising musicians we need to follow; whether he gets time to chill away from music and if he is coming to the U.K. to play – he ends the interview by selecting a classic cut.

__________

Hi, Matt. How are you? How has your week been?

I’m well, bud! It’s been a great week. Still on the sunny side of the grass! 

For those new to your music; can you introduce yourself, please? 

Hello. I’m Matt. 

Can you tell me about the track, Station Out of Range. Is there a story behind that?

It’s a song about giving up trying to make things in a relationship. The words are about the bummer part of it and the music is about the relief in the freedom you get when life starts again. 

Twice Upon a Hell of a Time… is your album. What themes inspired it and what is the tale behind the title? 

It’s an album about the loss of love and, at the same time, was a grieving process to help deal with the loss of two very close friends. The title comes from the first electric version of this record called Once Upon a Hell of a Time…. I like the idea of ‘hell of a time’ maybe being a good time or a bad time. 

How did music come into your life? What sort of sounds did you grow up around?

I was really lucky to be raised around a great record collection. Everything was very ‘great song’-based. Dylan etc...

Do you already have plans for 2019?

A lot more touring with a mellower acoustic set up. It’ll be nice to put the blazing electrics down for a bit. And always a ton of songwriting and recording. 

Have you got a favourite memory from your time in music so far – the one that sticks in the mind?

Levon Helm once invited me to come and play at his house for a midnight ramble in Woodstock. He called me up on stage to rip a guitar solo. He stared me down hard the entire solo smiling and screaming at me the whole time to keep taking it higher. It was nuts. He invited us back to his kitchen table after we smoked 6 joints while he gave us advice and told us some killer stories. 

Which three albums mean the most to you would you say (and why)? 

The answer to that question changes daily. Today’s picks are...

Zuma - Neil Young and Crazy Horse

It’s a perfect album because the human element is the backbone of the record. Like most of Neil’s albums. 

Natty Dread - Bob Marley

I stumbled upon this album when I was in junior high school. Bought it because the cover looked cool. The journey it took me on is beyond words. Still takes me there today. 

Songs from Northern Britain - Teenage Fanclub

Getting to hear that kind of guitar power behind such sensitive songs blew my mind to pieces. 

If you could support any musician alive today, and choose your own rider, what would that entail?

Social Distortion and Lucky Charms. 

What advice would you give to new artists coming through?

If you start thinking; play until you stop thinking THEN hit the record button. 

What do you hope to achieve by the end of 2018?

Keep playing, make more music! 

Do you have tour dates coming up? Where can we catch you play?

Playing a little winter tour in the new year to support Twice Upon a Hell of a Time… and hopefully coming back over to the motherland to play soon! 

Might you come to the U.K. and play soon?

No plans but hoping for more in 2019!

 IN THIS PHOTO: Adam Baldwin/PHOTO CREDIT: Michelle Balderson

Are there any new artists you recommend we check out?

Adam Baldwin. His songs make me cry and dance all at the same time. 

Do you get much time to chill away from music? How do you unwind?

Surfing is my first love. I grew up on the briny coast of Nova Scotia so there were lots of waves to ride. It’s taken me around the world to lots of beautiful places over the years. 

Finally, and for being a good sport; you can choose a song and I’ll play it here (not any of your music - I will do that).

It Keeps Me Up by Museum Pieces

___________

Follow Matt Mays

Official:

http://www.mattmays.com/

Facebook:

https://www.facebook.com/mattmaysmusic/

Twitter:

https://twitter.com/mattmays

Spotify:

https://open.spotify.com/artist/0VlFTYaJsPHdN3Vb3EvBsn

Instagram:

https://www.instagram.com/mattmaysmusic/

PHOTOS:

Lindsay Duncan

INTERVIEW: Favours

INTERVIEW:

Favours

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THE splendid Favours…

have been discussing their new single, Stowaway, and revealing its themes; what it was like filming the video and how they all got together – I ask whether there are any tour dates coming up and if there are some rising artists we need to get behind.

I discover which artists and sounds are important to the band and how they got together; whether there are plans ahead for 2019 and what advice they would give artists emerging – they reveal which artist they’d support on tour if they had the opportunity.

__________

Hi, guys. How are you? How has your week been?

We are splendid and enjoying the extra hour we got back on the weekend. We’re spending it writing lots of new dreamy tunes.

For those new to your music; can you introduce yourselves, please?

We are an Indi, Synth-Rock four-piece from Toronto, Canada. We take influence from '80s and '90s Brit-Rock and the Indie we grew up on. We’re your best friends always there to lend a hand, in exchange for some Favours in return.

Stowaway is your latest track. What is the story behind it?

The song is about a love affair and the lyrics urge the listener to move past tired narratives and into a blissful escape. Stowaway was written during a road trip from the gloomy cold Canadian climate while driving south to the enchanted Muscle Shoals.

The video looks like it was great to film. How did the concept come about?

We love making videos and we used Stowaway as a chance to make our own technicolour dream. We wanted to recreate some our favourite moments from the movie Blow Up, as well as add some of our on flavour.

Do you think there will be more material coming along?

You should definitely be expecting more music very soon! We are in the process of writing and recording the rest of our first E.P., which we are hoping to release in February 2019.

How did Favours meet? When did you get together?

Favours banded together after some of the members had taken a hiatus from playing music with other bands. We couldn’t help it and it dragged us back in with a face.

What sort of music/styles is the band inspired by? Are you all bonded by similar tastes?

We all enjoy the same music but most of all we’re very open-minded and love all arts. We love everything from Brit-Rock to R&B.

What do you hope to achieve by the end of 2018?

By the end of 2018, we will have released our first two singles and played as many shows as we could squeeze in. Lots more to come!

Do you already have plans for 2019? -

BIG plans for 2019. Look out for lots of music to be released and some big tours if all goes well.

Have you got a favourite memory from your time in music so far – the one that sticks in the mind?

As Favours, one of our favourite moments has to be playing with The Zolas for one of our first shows. They selected us to open for their sold out show over Instagram. Amazing musicians and even better people.

Which one album means the most to each of you would you say (and why)? 

Album: You Forgot It in People - Broken Social Scene

Solidified my high-school foray into Indie and probably the reason I came to Toronto.

If you could support any musician alive today, and choose your own rider, what would that entail?

Maybe New Order or The Stone Roses. Both legends; both have had a large effect on our sound in one way or another.

What advice would you give to new artists coming through?

As a new artist ourselves, we’re still trying to figure it out! Send advice our way; we need it!

Do you have tour dates coming up? Where can we catch you play?

We have many shows in Canada planned for this month.

London, Ontario: Nov. 15

Ottawa, Ontario: Nov. 22

Montreal, Quebec: Nov. 23

Toronto, Ontario: Nov. 30

 IN THIS PHOTO: The Marias

Are there any new artists you recommend we check out?

We all really like The Marias. Their sound seems timeless, as well as Men I Trust. Love both those groups. 

 IN THIS PHOTO: Men I Trust

Do you get much time to chill away from music? How do you unwind?

We all have our own side-passions and love affairs but typically I unwind by going for hikes and enjoying nature. Maybe taking some photographs along the way.

Finally, and for being good sports; you can each choose a song and I’ll play it here (not any of your music - I will do that).

Broken Social Scene - Lover’s Spit 

The Marias - Cariño

___________

Follow Favours

Facebook:

https://www.facebook.com/favoursband/

Twitter:

https://twitter.com/bandfavours

Spotify:

https://open.spotify.com/artist/6ITmkLaaKOscYl6M2Btipq?si=KNbZ3JdFQOCvmtF-_mxN0g

Instagram:

https://www.instagram.com/favoursband/

YouTube:

https://www.youtube.com/channel/UCjNoJBC4w1cA7rxic5jFTMw

SoundCloud:

https://soundcloud.com/favoursband

INTERVIEW: Libby Whitehouse

INTERVIEW:

Libby Whitehouse

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I am starting off the day by speaking with Libby Whitehouse…

who has been telling me about her single, New Boy, and its inspiration. I ask her whether there is more material coming and what sort of music compels her; what Brighton is like as a base and the rising artists we need to get involved with.

Whitehouse tells me about her music idols and albums that mean the most to her; if there are gigs coming up and whether she draws a lot from personal stories/moments for music – she provides some useful advice for songwriters coming through.

__________

Hi, Libby. How are you? How has your week been?

Hey! Very good, thank you. How’s yours been?

For those new to your music; can you introduce yourself, please?

Sure! Hi. I’m Libby Whitehouse. I’m an eighteen-year-old singer songwriter from Brighton and my music is a mix of Pop, R&B and Dance music. I like to think of my music as empowering to girls all across the world (smiles).

New Boy is your new single. What is the story behind the song?

I wrote New Boy based on one of my friends getting treated badly by a boy and, like all boys do, he came running back. It’s a message stating girls won’t wait around forever and she’s much happier now.

Do you draw a lot from your personal experiences when it comes to music?

Yes, definitely, but also my friend’s experiences - and I like to put myself in other people’s shoes too!

Might we see more material next year? How far ahead are you looking?

Yes, definitely! We’ve already had talks about releases, shows; E.P.s and videos for next year so you’ll have to wait and see.

Being based in Brighton; what is it like there in terms of music? Is it a great place to create and think?

Brighton is an amazing place to live but also a really nice place to write and create music. I love London as it’s so fast-paced and motivating, whereas Brighton is buzzy but is a bit more relaxed. Writing music in the summer is so easy living in Brighton as we’re right by the sea.

Do you have particular music idols or artists you grew up around?

I have lots of artists I look up to, one being Alicia Keys (ever since I was little). Right now, I really look up to Raye and Ella Mai.

What do you hope to achieve by the end of 2018?

By the end of 2018, I hope people are just excited about my music as I am! Especially for 2019!

Do you already have plans for 2019?

Yes. Lots of plans for 2019!

Have you got a favourite memory from your time in music so far – the one that sticks in the mind?

Yes, definitely, there’s a few. one being the music video; one being the video featured on Clash and the others basically being anytime I get to perform! Sorry, I couldn’t pick one!

Which three albums mean the most to you would you say (and why)?

Nothing Was the Same by Drake (it brings backs so many memories from growing up and was the first album I ever got into); Purpose by Justin Bieber (lots of memories too and was one of the first albums that I would listen to when I started writing music to get influence). I love Rihanna’s ANTI album and Frank Ocean’s Blond album (sorry, I over picked again. Haha). They’re my favourite!

Do you have tour dates coming up? Where can we catch you play?

I don’t have any tour dates at the moment actually but that’s something I would love! (Smiles). You can catch me on 13th November at The Haunt in Brighton for my E.P. launch party.

If you could support any musician alive today, and choose your own rider, what would that entail?

Ooo, good question! I would love to support Khalid, Raye or Dua Lipa as I love them all as artists and their audiences are similar to the audience listening to my music I think (smiles). I wouldn’t ask for much - just for lots of sweets and a personal photographer.

What advice would you give to new artists coming through?

My advice to any artist starting off would be to never compare your journey to anyone else’s and always remember exactly the type of music you want to do and the artist you want to become. Don’t let anyone change that; also that it’s not going to always be easy but that’s how you pick yourself back up!

 IN THIS PHOTO: Grace Carter/PHOTO CREDIT: SHOT BY PHOX

Are there any new artists you recommend we check out?

Yes. I’m loving Imani and Grace Carter at the moment. Grace is also from Brighton so have to share the love.

Do you get much time to chill away from music? How do you unwind?

Even when I have days off, I’m still coming up with ideas. I usually see my friends and boyfriend but spend most of the time with my dog. He’s my real best friend.

Finally, and for being a good sport; you can choose a song and I’ll play it here (not any of your music - I will do that).

Oh, perfect! I love Better by Khalid or Happier by Marshmello and Bastille, so whichever one you prefer out of them (smiles).

___________

Follow Libby Whitehouse

Facebook:

https://www.facebook.com/LibbyWhitehouseOfficial/

Twitter:

https://twitter.com/libbywhitehouse

Spotify:

https://open.spotify.com/artist/0myPBTBG3ODlKVBEf5OSBe?si=3N7QRyNUSWi1DyYDNjusMw

Instagram:

https://www.instagram.com/libbywhitehouse/

YouTube:

https://www.youtube.com/channel/UCa8y_DMTTA3qjDaGFD1QUtg

INTERVIEW: Tim Aminov

INTERVIEW:

Tim Aminov

___________

I have been talking with Tim Aminov…

about his new track, Veneno, and whether we might some more material coming soon; which artists and albums are important to him and how the Russian Electronic artist got his start – Aminov recommends some rising artists we need to get involved with.

I ask if there are any goals for 2019 in his mind and what he wants to achieve before the end of the year; what the music scene is like in Russia and if there are any gigs coming soon – Aminov chooses a great song to end the interview with.

__________

Hi, Tim. How are you? How has your week been?

Hi, Music Musings! All good here. Moscow has a specific, quick tempo of living; we are trying to get 200% from each day here. That's a great vibe – but exhausting sometimes.

For those new to your music; can you introduce yourself, please?

I am sure that music itself can tell more than the author: listen my music and it will tell everything. If you wanna know some ‘technical details’: I have been on the Russian scene since 2015  (firstly as part of the duo AANBREKEN and then as a solo artist) and got some ‘hype’ last year with music videos for One Lone Survivor and Orpheus; directed by my genius pal Lado Kvatania.

 

Veneno is your latest song. Can you explain the story behind the track?

I had produced the demo for Veneno pretty quick - in three hours or less. I spent many more days writing texts, recording live instruments and mixing track. Live piano and drums had been recorded in Moscow; other instruments and vocal were recorded in Saint-Petersburg. The mixing was made by my close friend Roman Uzarov.

The video for this track will be released quite soon - it's not a usual music video, but a short-length movie with its own vibe and synopsis. Wait a bit to watch it and get the extended experience.

Might we see more material next year?

Sure! Currently I’m working on my first L.P. It seems like it will be pretty different from my early tracks.

How does life as a solo artist compare the work you did in the duo AANBREKEN?

I can't say that there is big difference. I record most vocals by myself. Technically, now, I work as a solo artist – but, now, I collaborate with a much larger number of talented people than in the days of AANBREKEN.  

Are there particular musicians you draw inspiration from? Did you grow up around a lot of music?

My parents are not music lovers - though, my granddad composed the state anthem of Turkmenistan. Does this count as inspiration?

I listened to tons of music; I always did. I was fond of different music, even polar genres. I was fond of Experimental, Electronic; Hip-Hop, Math-Metal; Ambient…all of this. Nowadays, I am listening more to Soul/R&B stuff and Electronic music. But, sometimes, I can be in a proper mood for a Deftones album. I have never felt any limits for my music taste.

In terms of Electronic music; do you get influence from modern artists or do you source from classic innovators?

Not gonna lie you; I constantly look after modern music trends. I think that music art should be actual/real - but it also should be authentic and personalised. So, I always try to look deeper; dig the roots of the new music. It helps me to look at the music with different angles.

As a Russian producer and writer; what is the music scene like there at the moment?

The Russian modern scene is flooded with Hip-Hop. It has occupied all media sources – I guess the same happens everywhere now. Russia has its own, great Electronic and Pop music as well. Though, I think, the real modern music culture is just boring here. I hope that the next generation of Russian artists will bring something really beautiful and significant to this world.

What do you hope to achieve by the end of 2018?

The music video for Veneno track should be released later this year. Also; I am planning to release a couple of live music videos and to play an intimate gig in Moscow. Also; I will release a soundtrack for the short movie, The First, directed by my friend Lado Kvatania. It’s a fiction movie about a Russian astronaut (cosmonaut); it has won a few awards this year and will be available online quite soon.

Do you already have plans for 2019?

2019 will be very special for me. I’m gonna release an L.P, finally; take part in a few festivals and release more videos.

Which three albums mean the most to you would you say (and why)?

Mezzanine by Massive Attack

This album was released twenty years ago but it sounds fresh still. I don’t know how they had produced this album. I guess 3D had to sell his soul to the Devil to make things work that brilliant way.

White Pony by Deftones

Unbelievable, emotional record.

I will not name a third record because this slot is reserved for different records (that changes too often).

If you could support any musician alive today, and choose your own rider, what would that entail?

I like Childish Gambino. He is an incredible person and has unlimited talent. I'd love to have a coffee talk with him and make a collab.

What advice would you give to new artists coming through?

The most important thing is to know what you want and to be honest with yourself. This advice works for new artist and for old ones as well.

Do you have tour dates coming up? Where can we catch you play?

I am working on my gig schedule. Follow me on Facebook to get all news first.

 IN THIS PHOTO: Big Red Machine

Are there any new artists you recommend we check out?

Big Red Machine, GAIKA; Corbin and Ibeyi

 IN THIS PHOTO: GAIKA/PHOTO CREDIT: Wunmi Onibudo

Do you get much time to chill away from music? How do you unwind?

Yep. I often take days off to relax and reboot my brain. Tomorrow, I fly for a week to Istanbul and I’m gonna walk and read a new book about Buddha.

Finally, and for being a good sport; you can choose a song and I’ll play it here (not any of your music - I will do that).

Yesterday, I attended a gig by Bobby McFerrin and it was great experience. So, let's listen to his track, Circle Song 6 

___________

Follow Tim Aminov

Facebook:

https://www.facebook.com/timaminov777

Twitter:

https://twitter.com/timaminov

Spotify:

https://open.spotify.com/artist/2EeN5OHJCbQkRv3V7XwohU?si=TxYbHIYUSqOWEaAsnKuetQ

SoundCloud:

https://soundcloud.com/timaminov

Instagram:

https://www.instagram.com/timaminov/

YouTube:

https://www.youtube.com/timaminov

INTERVIEW: Simon D James

INTERVIEW:

Simon D James

___________

I have been talking with Simon D James…

about his new single, My Everything, and what it is all about. He discusses what is coming up next and what sort of music he responds to; which three albums mean the most to him and what it was like recording at Leeds’ Greenmount Studios.

James recommends some rising artists to watch and tells me what his gig schedule is looking like; how he chills away from music and why he spent time in Mexico City selling coffee – the songwriter provides some useful advice for artists coming through.

__________

Hi, Simon. How are you? How has your week been?

Hi, Sam. I’m good, thank you. Hiding out in Brighton from the cold; rehearsing for some upcoming gigs and focusing on promotion for the new single.

For those new to your music; can you introduce yourself, please?

I’m a Brighton-based singer-songwriter who likes to spend time in studios turning Folk songs into Indie tunes.

My Everything is your new song. Is there a tale behind it?

When you get that feeling that you are repeating similar situations in your life because you didn't quite get the lesson the first time; like the universe is a maths teacher and asking you to take resists. That, coupled with realising that all I am is good enough…

Is it true you spent time in Mexico City selling coffee?! What was the reason behind that?

I had an aversion to the dampness of the UK in my twenties, so I tried many scams and angles to make money in clement environments. Selling Coffee in DF was not my most profitable venture, but I did love my time in that city and it is where My Everything was first written.

What was it like recording in Leeds’ Greenmount Studios. Was there a reason for choosing that location?

I’m lucky to have come from a very musical family. Greenmount was a connection from my uncle, who runs a theatre in Leeds. He had worked with Jamie and Lee before and managed to get me a day with them. As far as I'm concerned, it was love at first site with Jamie and Lee and I quickly went back and recorded a bunch more songs that we are releasing at the moment.

Might we see more material next year do you think?

During the summer, I released an E.P., Songs from a Dream Long Forgotten, and now we have the single, My Everything, out on 5th November. My Everything will be on a four-track E.P. that I hope to have released in January and, in Feb, I'm back at Greenmount to record more.

Was your early life filled with music? Which artists did you follow when growing up?

The first band that changed my life was Nirvana. I got into them at about thirteen; from there my musical tastes grew and encompasses almost every genre.

Do you already have plans for 2019?

Release and record music - and we are currently booking gigs and festivals for the summer.

Have you got a favourite memory from your time in music so far – the one that sticks in the mind?

My favourite moments in music are when I’m jamming with my friends; when everyone is rocking out. There is also something really special about being in a recording studio.

Which three albums mean the most to you would you say (and why)?

As a teenager, my friends and I would smoke pot and listen to Abbey Road on-repeat. The entire album sometimes comes on in my mind and I can hear all the arrangements from start to finish whilst I’m going about my day.

Tom Waits’ Swordfishtrombones takes me to Art College and most days at some point a track from Off the Wall comes on and I have a little moonwalk around the kitchen.

If you could support any musician alive today, and choose your own rider, what would that entail?

I guess I would most like to Radiohead - and I'm not fussy; I'm happy with most things.

What advice would you give to new artists coming through?

Persevere.

Do you have tour dates coming up? Where can we catch you play?

I have a show in London at the Underbelly on 7th November and check us out on social media to find out about all our other shows.

 IN THIS PHOTO: MY BABY

Are there any new artists you recommend we check out?

I’m listening to MY BABY and The Lemon Twigs on-repeat at the moment.

Do you get much time to chill away from music? How do you unwind?

Not enough. Chill time is kind of the carrot on the end of the stick. What’s that saying...? ‘I'll rest when I'm dead’.

Finally, and for being a good sport; you can choose a song and I’ll play it here (not any of your music - I will do that).

Michael Jackson – Get on the Floor

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Follow Simon D James

Official:

https://simondjames.com/

Twitter:

https://twitter.com/MrSimonDJames

Facebook:

https://www.facebook.com/SimonDJamesMusic

Spotify:

https://open.spotify.com/artist/2jCqedwOGGT8j5iGE7iRcd?si=_wXBqIUiT92dCykA2N9VZw

Instagram:

https://www.instagram.com/simondjamesmusic/

SoundCloud:

https://soundcloud.com/simondjames

INTERVIEW: OVVLS

INTERVIEW:

OVVLS

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THE guys of OVVLS…

have been speaking about the new single, Black Butterflies, and why the inspiration behind it is. I ask how the duo got together and whether they have plans for 2019 – and whether there are any goals to tick off the list before the end of this year.

Stephannie and Lee reveal their favourite albums and what plans they have coming up; whether they have a favourite memory from music so far; which artist they support if they had the chance – they recommend a rising artist we need to get behind.

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Hi, guys. How are you? How has your week been?

Great! Not long returned from playing BRUCSTOCK Art & Music Festival in Barcelona so just getting back to reality after that. Amazing experience and our first show in Spain!

For those new to your music; can you introduce yourselves, please?

We’re an Alternative duo from Liverpool fighting back against global trends and challenging genre ideals through art and music.

When did OVVLS get together? Were you bonded by similar music tastes?

OVVLS was launched in 2016. We come from very contradictory musical backgrounds: Lee from Punk/Metal scenes and me from a more commercial Pop/Rock background. Both of these influences can be heard in our music but at the same time fuse to create something new.

Black Butterflies is your latest single. Is there a tale behind it?

The lyrics denote persevering through times of change, which is depicted through the life cycle of a butterfly. 

Might we see more material coming next year?

Yes. We will have another release coming in February next year which will be accompanied by an exciting new physical format. More to be unveiled on this in the coming weeks…

What do you hope to achieve by the end of 2018?

After the release of Black Butterflies, we are taking a couple of months to write new material. By the end of the year, we hope to have new and exciting music ready for touring in the New Year.

Do you already have plans for 2019?

Yes. As mentioned; we have a new release dropping in February, which will be accompanied by a brand new physical format and run of shows around U.K./Europe.

Have you got a favourite memory from your time in music so far – the one that sticks in the mind?

The response to our first single, Pain Is Beauty, and hearing it aired on BBC Introducing for the first time. After so long hibernating and curating our sound, we weren’t sure how our music would be received and were so humbled that people wanted to listen!

Which one album means the most to each of you would you say (and why)?

Stephannie: Amy Winehouse – Back to Black

From start to finish, this album is perfect poetry. Catchy songs that are beautifully woven with honest, gut-wrenching emotion. I love how at times Amy’s lyrics are so simple yet speak with such impact. A true songstress that we lost too soon.

Lee: The Prodigy – Music for the Jilted Generation

This is the very first album I got (for my eleventh birthday!) and a crossroads into more Alternative music. Still a great album and I’ll be seeing some of these songs live this Thursday at the Echo Arena in Liverpool.

If you could support any musician alive today, and choose your own rider, what would that entail?

‘Alive today’ narrows down our options…although Portishead would be cool!

As for the rider; we’d like thirteen bottles of red wine, a bowl full of 666 purple Skittles and…only joking! As long as we have a place to say, drinks and food (vegan for Stephannie) we’re easily pleased. It’s more about the show for us.

What advice would you give to new artists coming through?

Work hard, stay positive; challenge your artistry and don’t always follow the norm.

Do you have tour dates coming up? Where can we catch you play?

We can’t reveal as of yet but keep an eye on our social profiles over the coming weeks.

 IN THIS PHOTO: Hermetic Delight

Are there any new artists you recommend we check out?

Hermetic Delight. We played a show in Cologne with them last month; really cool vibe.

Do you get much time to chill away from music? How do you unwind?

We don’t get much time to chill away from the music at the moment as we’ve had a busy few months. But, when we do get the chance we like to get outdoors and explore nature. In fact, in a few weeks time we’re going to Iceland to explore and draw inspiration for our winter writing.

Finally, and for being good sports; you can each choose a song and I’ll play it here (not any of your music - I will do that).

Chelsea Wolfe – Carrion Flowers

Massive Attack - Teardrop 

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Follow OVVLS

PHOTO CREDIT: @part__time__artist  

Facebook:

https://www.facebook.com/WeAreOVVLS/

Twitter:

https://twitter.com/WeAreOVVLS

Spotify:

https://open.spotify.com/album/3dcFjszsXEeqJD4ys2cXJI

SoundCloud:

https://soundcloud.com/weareovvls

Instagram:

https://www.instagram.com/weareovvls/

YouTube:

https://www.youtube.com/WeAreOVVLS

INTERVIEW: Streets of Roya

INTERVIEW:

Streets of Roya

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THANKS to Streets of Roya…

for telling me about his new single, Sleepwalking, and what we can expect from the upcoming E.P.; whether the music has developed since the start and what Streets of Roya hopes to achieve before the end of the year – he recommends some rising artists to watch.

I ask which album is important to him and whether he gets time to chill away from music; if there are any gigs coming up and which artist he’d support on tour if he was given that opportunity – Streets of Roya chooses a song to end the gig with.

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Hi, Streets of Roya. How are you? How has your week been?

It’s going great, thanks. We've released our latest single, Sleepwalking, about a week ago and there's always something really exciting and scary about a release. Getting reviews and feedback about my songs is something I'm not used to. But it does feel great.

For those new to your music; can you introduce yourself, please?

Streets of Roya is my (Michael) solo project that I started late-2017. I wrote and produced a bunch of songs and wanted to start something that's bigger than me. Over the last few months, I got more focused and serious about Streets of Roya. It's still a very young project but I'm super-thrilled about it. We got some great stuff coming up.

Sleepwalking is your new track. Is there a story behind it?

It's part of our debut E.P. that we will release early-2019. Sleepwalking was the last song I wrote for the E.P. There is something about the desperation and restlessness of Sleepwalking that made it a perfect first single.

I understand an E.P. is coming next year. What can you reveal about the themes and songs?

The E.P. is the first attempt to write a few songs with a concept in mind. It's been all about capturing the emotion and feeling of restlessness for me and less about a storyline - rather than just about the way the songs and sounds make you feel and where they'll take you. It is a restless and desperate E.P., both lyrically and musically.

How did Streets of Roya get together? Do you all share tastes in the same sort of music?

Streets of Roya is still a solo project at the moment. I do have musicians joining me for our live shows though and maybe they're going to be a part of future productions in the studio. We'll have to see.

PHOTO CREDIT: Cristina Morena

You have released a few singles already. How do you feel you’ve developed since the beginning?

There is something quite honest about releasing music a song at a time because you can't hide. With each song, you get an immediate response. And I love that. It helps to grow and develop as an artist. With Streets of Roya, everything is moving and changing as we go.

What do you hope to achieve by the end of 2018?

We just played our first live shows. That's been a huge deal for me. And it's been great. I hope we play one or two more shows this year.

Do you already have plans for 2019?

I want to perform live. That's what it's all about: connecting with our audience. I hope we get to play as much as possible. The stage is still my absolute favorite place.  

Have you got a favourite memory from your time in music so far – the one that sticks in the mind?

Last year, I had the opportunity to play a house concert for Syrian refugees in East Germany. It was touching to hear their stories about leaving Syria, the war and being separated from their families and loved ones. To perform some of my songs for them is something I won't forget.

Which one album means the most to you would you say (and why)?

I'd have to say Jeff Buckley's Grace. Everything about that record is perfect. The songs, performances and production. One of my all-time favorite albums.

If you could support any musician alive today, and choose your own rider, what would that entail?

It would have to be Pink Floyd.

What advice would you give to new artists coming through?

I think you can get lost in the whole 'making it' thing. So, I'd say just try and enjoy writing and creating. In the end that's why we do what we do. It's easy to share music nowadays. I love that.

Do you have tour dates coming up? Where can we catch you play?

We don't have any shows confirmed yet. But, we do post all our tour dates on our social medias/website.

 IN THIS PHOTO: Leif Vollebekk/PHOTO CREDIT: @tom.dunphy_creative

Are there any new artists you recommend we check out?

Leif Vollebekk, Stereo Honey; Bipolar Sunshine, Palace and Moby Rich.

 IN THIS PHOTO: Stereo Honey

Do you get much time to chill away from music? How do you unwind?

I try to. To relax, I usually go for a hike, read a good book or watch a movie.

Finally, and for being good sport; you can choose a song and I’ll play it here (not any of your music - I will do that).

Leif Vollebekk - Elegy

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Follow Streets of Roya

Official:

http://streetsofroya.com/

Facebook:

https://www.facebook.com/streetsofroya/

Spotify:

https://open.spotify.com/artist/0LxtJsQ85Mn74eUPVf19JI

Instagram:

https://www.instagram.com/streetsofroya/

INTERVIEW: Al Moses

INTERVIEW:

PHOTO CREDIT: Francis Brown 

Al Moses

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THANKS to Al Moses…

 PHOTO CREDIT: Lewys Mann

for talking about their new single, I Want More (officially released on 30th November), and the story behind it. I ask how they all found one another and whether there is a favourite memory from their careers so far; which album means the most to each of them and whether there are some approaching artists we need to seek out.

I was keen to know if there are gigs coming up and more material; what they have planned for the year ahead and which artist they’d support if they were given the chance – each member picks a song to end the interview with.

__________

Hi, guys. How are you? How has your week been?

Hello. We’re doing good. We’ve just come off the back of a great few of weeks as a band, actually. Every day, we keep hearing more good things so we can’t complain. 

For those new to your music; can you introduce yourselves, please? 

We’re Al Moses; a four-piece Rock ‘n’ Roll band from South Wales. We’ve been together since 2017 although Jack and Daf, our two frontmen, had been knocking about, trying to get a band going for a little while before then.

We play a raw, audacious brand of Rock ‘n’ Roll. Jack’s lyrics can vary between social commentaries on British drug culture, to the occasional bit of soul-searching. We like to sing about anything that carries a weight.

I Want More is your debut single. Is there a story behind it?

It’s our oldest song as a band. Jack must have just turned seventeen when he wrote it and I think that post-education disillusionment is looming over the entire song. 

It’s ultimately us using the band as a distraction and an excuse to avoid all the inevitable things in life that are laid out in front of us. It’s a basic enough concept but it needed to be said. People have seemed to really get on board with it and we hope it continues to be a bit of an anthem for the young and reckless. 

Do you know how you’ll follow it? Are you planning that far ahead?

We’ll be releasing another single sometime early-2019 but we aren’t too concerned about that at the moment. There won’t be an E.P. or an album yet though - there wouldn’t be much point. We do have some really great songs in our arsenal though.

PHOTO CREDIT: Francis Brown 

What sort of music/styles is the band inspired by? Are you all bonded by similar tastes?

We’re all fans of the bands we’re strongly influenced by: Libs, Manics and Arctic Monkeys, for example. Raychi, our bassist, is really into bands like Animal Collective and Panda Bear; in contrast to Jack and Daf who are big fans of bands like Mary Chain and Scream. 

We do bond as a band over the music we despise, more than any other we know. It comes in handy knowing what we want to avoid when writing. 

Do you recall when Al Moses came together? What is the inspiration behind the name?

Daf and Jack’s said their love for The Jesus and Mary Chain had brought them to go and see them in Cardiff.

We were really struggling for a name at the time and, even though Jack felt pretty let down by Jim and William Reid’s lacklustre performance, he suggested using a religious figure in our name like the two Scottish brothers had done so. 

‘Moses’ on its own sounded a bit drab so we stuck the ‘Al’ in front of it and just loved the sound of it. It doesn’t mean anything but it feels like a brave name and that was enough for us. It’s a really good name to shout. 

What do you hope to achieve by the end of 2018?

We’re only doing our third ever headline gig on 29th November but we’ve got it in the upstairs room of Clwb Ifor Bach which is a three-hundred-capacity venue. 

We never thought at the start of the year we would be playing to a crowd that big - considering we had only done two gigs as a band prior to January. If we can sell that out like we have done on our previous two headlines then that would be the ideal way to round off an unreal year for us boys.

Do you already have plans for 2019?

We’ve been having some class stuff come in since the release of I Want More. We can’t say too much yet but we’re gonna be playing outside of Cardiff a lot more and possibly getting some bigger support slots…anything could happen. 

PHOTO CREDIT: Francis Brown 

Have you got a favourite memory from your time in music so far – the one that sticks in the mind?

Hearing our song on Radio 1 is always a bit moment for any band; it always sounds different somehow. To actually say we have a fanbase full of nut jobs from round South Wales is something that gives us all a buzz. 

Jack and Raychi got off the train from Cardiff to Newport for a gig in September and spotted four or five people wearing Al Moses T-shirts on the walk to the venue. Then, the following Saturday, we went up to Merthyr and had the same. Seeing people genuinely love your band is unbeatable. 

Which one album means the most to each of you would you say (and why)?

Raychi says ‘The White Album’ would be his, just ahead of Revolver. He said it’s a nostalgic album for him having listened to it a lot as a kid. 

Daf claims Ziggy Stardust (The Rise and Fall of Ziggy Stardust and the Spiders from Mars) to be his, for Soul Love alone.

George has gone for the Definitely Maybe because he loves playing it in his car.

The Holy Bible by The Manics means the most the Jack because their twentieth anniversary gig in Cardiff Castle was the first gig he ever went too - and it contains some of the greatest lyrics ever written.

If you could support any musician alive today, and choose your own rider, what would that entail?

We’d support Fatboy Slim at Cardiff Motorpoint Arena on Jack’s birthday. With a rider consisting of caterpillar cake and a Cardiff City third shirt signed by Callum Patterson.

What advice would you give to new artists coming through?

Be harsh on yourself and be interesting.

Do you have tour dates coming up? Where can we catch you play?

We are playing at the TramShed in Cardiff for Shimmer Sounds festival alongside some top bands. And then it’s all about our headline gig in Clwb Ifor Bach on 29th November. We’ll be announcing some new dates very soon though.

 IN THIS PHOTO: The Blinders

Are there any new artists you recommend we check out?

We’re all into The Blinders’ debut album; it’s class. There’s a great band from Cardiff called Laundrette who have really raised the bar in terms of making a gig ‘an experience’, if you’re into all that. Raychi rates Slipknot’s new stuff, weirdly. 

 IN THIS PHOTO: Laundrette

Do you get much time to chill away from music? How do you unwind?

We’ve all been mates for years and years and always struggled for finding things to do so band has helped loads with that. We’re all either working full-time or doing some kind of education for the most part. Whenever we do get time it’s all about Al Moses and then we obviously have to drink together and go out too much and meet people to tell them about Al Moses. 

Jack is a big Cardiff City fan so he has a season ticket, while Raychi works on his own Ambient music locked away in his room. We try to make everything about the band though because it’s the best part of who we all are believe it or not.

Finally, and for being good sports; you can each choose a song and I’ll play it here (not any of your music - I will do that).

Daf: Les Cactus - The Last Shadow Puppets

Raychi: Bassline Junkie - Dizzee Rascal

Jack: Salty Dog - Procol Harum 

George: Il mondo - Jimmy Fontana

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Follow Al Moses

PHOTO CREDIT: Francis Brown 

Facebook:

https://www.facebook.com/AlMosesBand/

Spotify:

https://open.spotify.com/artist/4q8X4ARR10BEfQdh51rPW8?si=_DYAJKyWSdOzeDpKhIPzTQ

Instagram:

https://www.instagram.com/almosesband/

INTERVIEW: Zoe Konez

INTERVIEW:

Zoe Konez

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THIS week starts off by me…

speaking with Zoe Konez about her latest track, The Sweetest Thing Is Love, and what inspired its creation. She discusses her musical influences and setting up Stop Look Listen (a regular gig night promoting and showcasing grassroots artists) and what she has planned for next year.

Konez selects a few albums that mean a lot to her and what advice she’d offer artists coming through; emerging musiciasns we need to get involved with and where we can catch her perform – Konez tells me what she hopes to achieve before the end of the year.

__________

Hi, Zoe. How are you? How has your week been?

I’m great, thanks! My week has been a little hectic. I’m moving my home studio to a new room so lots of sorting out where things go. I’m also rehearsing for my gig at Stop Look Listen in London on Tuesday (6th November) and trying to finish off recording my next single which will be out in the new year.

For those new to your music; can you introduce yourself, please?

I’m a singer, songwriter and guitarist and I live in South London. I play live with my drummer Will and we run a monthly music night together in North London called Stop Look Listen.

The Sweetest Thing Is Love is your latest release. Can you talk about it and how it came together?

The Sweetest Thing Is Love is my first single since my E.P., Between Darkness and Day, released in 2016. That E.P. was produced three-quarters by the wonderful Rhiannon Mair and I produced one song. Since then, I got a real taste for exploring production techniques and The Sweetest Thing Is Love is the sound of me exploring being not only a songwriter and musician but also a producer. I wrote the song on piano and electric guitar and started to build the song in my home studio, then recorded the live instruments in a beautiful barn studio in Sussex; then developed the sound further back in London.

Lyrically, it’s documenting that amazing warm feeling when you just adore your special person and you can only see good things ahead. Really optimistic and passionate - something I was genuinely feeling when I wrote it, which helps of course!

Do you think there will be more material coming next year?

Yes. I’ve been recording more songs. I have a collaboration which will come out in the New Year and more songs to follow in 2019!

You are involved with Stop Look Listen. What was the reason for starting that up?

I moved to London eight years ago and the selection of gigs to play is great but they are extremely hit and miss in terms of how well you are treated and whether your music will be listened to or talked loudly over. Will and I decided that we would host our own night and do our best to ensure primarily that the setting is cosy and atmospheric; the audience is trained to listen (yes, audiences need training!) and that we as hosts treat the acts well, introduce them and just have an enjoyable evening together.

We run it on the first Tuesday of the month at The Finsbury in Manor House and, in the summer months, we host music on our local park bandstand on Sunday afternoons. It’s super-enjoyable and we’ve met and listened to some amazing musicians over the years.

How important is it providing that support at grassroots level? How does it feel to know an artist you have backed and featured is getting their music supported more?

I think it’s really easy as a musician to get dampened by the steep climb (it can feel) to get a buzz going about your music. There’s only so much you can do yourself, so it’s great to create networks of musicians; to keep talking to each other and support each other.

It’s exciting to watch musicians blossom and build on their momentum. Having a great gig with real music fans coming to see you and buy your merch can be the boost that gets you back writing and recording the next day. So, if we can be a small part of that special journey, then that’s amazing!

What do you hope to achieve by the end of 2018?

I’m so happy to have got this single released and to have had a great response (I was a little nervous considering I haven’t released music in a little while). I have a new single coming out with my other project CATBEAR later this month which I’m super-excited about – it’s more of a band/electronic style.  

A couple of Stop Look Listen shows to host on 6th November and 4th December and other than that I’m finishing off tracks ready for release next year.

Do you already have plans for 2019?

More music-making for sure! Hopefully, some more live dates. Will and I have played four tours of Europe, including Germany, Belgium; Austria, Switzerland and Luxembourg. They are wonderful countries to visit and play so perhaps we’ll return…but actually we haven’t toured our home country recently, so I don’t know if we should concentrate on that?!

Have you got a favourite memory from your time in music so far – the one that sticks in the mind?

My last launch show for the single, Bones; playing to a sold-out crowd and hearing them singing along to my songs. I invited three friends to write a song each with me in the run-up to the show and we performed them that night together. Collaborating with friends and connecting with a lovely audience…bliss!

Which three albums mean the most to you would you say (and why)?

Wow, big question! So difficult to pick only three!

Most recent album I adore is MUNA – About U

It’s so emotional - the vocals, the lyrics; the sounds, I just think it’s amazing.

Definitely Maybe by Oasis

It was the album I learnt to play guitar to, so though I can’t say it’s an album I’d put on, I could probably play all the songs from memory! I bought the album and the guitar tab book and learnt it cover to cover which gave me a great grounding before I headed off into my Emo/Metal-loving teenage years!

Now, Now – Threads

This is just an album I can put on anytime. I was lucky enough to support them a few years ago and was already in love with their album so that was amazing.

If you could support any musician alive today, and choose your own rider, what would that entail?

Let’s say PJ Harvey as she’s a bit of a legend.

As for a rider; anything that isn’t beige is always nice! It’s nice to be fed, though pre-gig food is often a bit stodgy. So, some veggies, fruit and a cheeky JD and coke, please!

What advice would you give to new artists coming through?

Come at it with enthusiasm and determination; an open and strong heart. Work with other people, absorb influences and experiences but don’t let others change you from the personality and musical integrity true to yourself.

Do you have tour dates coming up? Where can we catch you play?

Stop Look Listen on 6th November at The Finsbury. Will and I usually host and play a couple of songs at the start but this month we’re playing a full set alongside awesome acts Rookes, Tiger Mimic and Anna Aarons.

We’re going to have a very intimate Christmas show in an unusual location in December - look out for details announced soon!

 IN THIS PHOTO: Jessie Reid

Are there any new artists you recommend we check out?

How about a selection of acts who have played Stop Look Listen in the past year or two…

Megan D, RUEN; Jessie Reid, Anna Pancaldi; Simran Ahira, DIDI; Sarah Walk, Bryde; Hannah Brown, Xylaroo and Russell Swallow.

 IN THIS IMAGE: DIDI

Do you get much time to chill away from music? How do you unwind?

Not really! I like to spend time by the sea, in London; go to the river or just walk around the city with a friend with no agenda.

Finally, and for being a good sport; you can choose a song and I’ll play it here (not any of your music - I will do that).

Thanks! How about we collaborate on this and you pick one from my list of recommended new artists above (smiles).

___________

Follow Zoe Konez

Twitter:

https://twitter.com/zoekonez

Facebook:

https://www.facebook.com/zoekonezmusic

Spotify:

https://open.spotify.com/artist/56zdMqayB3Ja8iwUmdKumu?si=SsTc3cGVQJqh5pvinDpH6g

Instagram:

https://www.instagram.com/zoekonez/

YouTube:

https://www.youtube.com/zoekonez

SoundCloud:

https://soundcloud.com/zoekonez

Bandcamp:

https://zoekonez.bandcamp.com/

INTERVIEW: Daniel & Mikael Tjernberg

INTERVIEW:

Daniel & Mikael Tjernberg

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I have been chatting with Daniel & Mikael Tjernberg…

about their new E.P., Flight of the Raven, and what themes/ideas inspired it. The brother discuss how they got started in music and which artists/genres inspire them; whether they have plans for the year ahead and which albums are important.

I ask if they will tour at all and come to the U.K. and what the music scene is like in Sweden; whether they unwind away from music and the advice they would give artists emerging – they each choose a song to end the interview with.

__________

Hi, guys. How are you? How has your week been?

Daniel Tjernberg: Hi! Very well, thank you. The week has flown by pretty quick.

For those new to your music; can you introduce yourselves, please?

Mikael Tjernberg: We're two brothers from Sweden creating eclectic music, moving between different genres and styles such as Classical, Jazz and Popular music. Our music is primarily instrumental.

Daniel: Yes. We like to blend the tone language and instruments of Classical-Romantic music with contemporary and modern ones of popular music genres.

Daniel and Mikael; you are brothers. When did you start making music together and decide to get into recording?

Daniel: Very early, I'd say; pretty much as early as memory goes. Music has always been a natural form of expression for us; a way to express things that we otherwise would struggle or be outright unable to communicate…

Mikael: …And to record what you create became a natural thing; soon, there were no thinking about it but it just happened as soon as new ideas came to life. There was no deciding process behind that whatsoever. At that time, we would use an old tape recorder for recording.

Give me an impression regarding the artists you grew up around. Was it quite a varied upbringing?

Mikael: We grew up in the 1980s and 1990s in a home full of all kinds of music. Classical and the orchestral masters, Jazz; Pop, Rock; Folk, Herbie Hancock; Joe Sample, Quincy Jones; Jan Johansson, Miles Davis; Grover Washington Jr., Pink Floyd; Dylan, Black Sabbath; Bee Gees, Genesis; Fleetwood Mac, Beatles; Ray Charles, James Brown; Aretha Franklin, Stevie Wonder; Michael Jackson, Motown…you name it.

Daniel: Yes. And our parents engaged and supported us a lot when we showed interest in music.

Mikael: Our late grandpa Sven meant a great deal to us. Not just as an inspiration, but it was also in his home we started up our first rehearsal room and recording studio.

Flight of the Raven is your new album. Are there particular themes that inspired the record?

Daniel: Yes, absolutely. Flight of the Raven is the first of two in a suite of Norse-inspired music where every track is drawn from Norse mythology. Making this E.P. has been an enjoyable journey, during which we've also had the pleasure to collaborate with some very gifted and talented musicians.

Mikael: And, as a matter of fact, the follow-up is already in production. It'll act as a natural continuation of the just-released E.P., building on the same themes. Expect some interesting tracks on that one, as well as a few yet to be revealed collaborations.

Do you each have a favourite cut from the collection?

Daniel: All songs made it to end up on the album – therefore, we like them all very much and it's very hard to choose a favorite. But, if I had to pick only one, I'm particularly attached to the title track.

Mikael: Agreed. That song’s dedicated to my late cat, Svarv. Written in honor of his spirit - and with the Norse myth inspiration where the bird of the Monocular God is sent out to surveil over the living and the dead.

What do you hope to achieve by the end of 2018?

Mikael: We hope that we have finished an album entitled Atlantis. That will come out via the Italian label Blue Spiral Records. We’ve worked on this one on and off for a couple of years now. It's inspired by Greek mythology; musically, it's Neo-Classical with a lot piano based material.

Daniel: For Atlantis, we've collaborated with Swedish string ensemble Malva Quartet as well as harpist Jonathan Grönlund.

You are based out of the centre of Sweden. Is there a good music scene there at the moment?

Daniel: Sweden is a huge exporter of music and the music scene is very much alive, I'd say.

Have you each got a favourite memory from your time in music so far – the one that sticks in the mind?

Mikael: Not a one and specific moment, but those sessions me and Daniel would have in our early teens where we would pop a cassette into the tape recorder, hit record and then just jam away for hours on end. We'd stay up 'til the witching hours just coming up with and refining musical ideas – a very special kind of magic!

Daniel: I have a lot of fun memories from when we played in the band (Metal Fusion). One that jumps out is that one time when we were playing in Enköping and the electricity went out and then at the same time the fire alarm went off. But, we just kept going unplugged, fumbling in the dark and synchronizing the finale with the fire alarm pulses. In the end, it turned out to be a rather theatrical and welcome touch to the show - albeit undoubtedly comically so!

Mikael: I also mustn't forget to mention the various concerts me and my brother have given at all of these beautiful churches in central Sweden. The atmosphere and acoustics in a medieval stone church are something to behold, I'm telling you.

Which one album means the most to each of you would you say (and why)?

Mikael: I have to confess, I'm not an 'album guy': I like to mix it up quite wildly. But…Pink Floyd’s The Dark Side of the Moon; Stevie Wonder’s Journey through “The Secret Life of Plants” but also his later works. Isaac Hayes has many great albums.

Daniel: Vangelis, Björn J:son Lindh and George Duke; not a specific album, rather...the sum of their production...

If you could support any musician alive today, and choose your own rider, what would that entail?

Mikael: George Benson with Stevie Wonder as rider.

Can we see you on the road this year at all?

Daniel: Probably not. We're a duo constellation and, as such, we do almost everything ourselves. To put together the manpower required to play most of our music wouldn't be financially viable, at least not for the time being. And then there's practical implications, given that our music varies quite wildly from one work to another. You'd have to assemble a likewise wildly varied circus of musicians to perform it.

Mikael: We've given concerts before, but those always were quite small in scale and centered around Chamber Music specifically composed for piano and recorder. I think, going forward, we have so many more avenues that we'd like to explore musically.

Daniel: Somewhere along the line, you might see us somehow somewhere; albeit in a different setting. Together with our baby brother Gabriel, we're bringing Jazz-Fusion band Tjernberg Brothers to life - and who knows where that'll end up.

Mikael: Also; we always keep the door open for orchestras and ensembles to perform our music, so there's that.

Might we see you in the U.K. very soon?

Mikael: Based on the reasons given: no. However, the United Kingdom holds a very special place in our hearts with its rich culture and heritage, so I'd say it would be one of the very first places we would go, should the opportunity arise.

 IN THIS PHOTO: Tjernberg Brothers; the upcoming project involving all three brothers

What advice would you give to new artists coming through?

Mikael: It truly is a jungle out there and it can be disheartening to face backlash after backlash. It's a tough industry, for sure. But, I believe that as long as you have stories longing to be told; feelings to communicate, then there is an audience for your art. Trying to appeal to each and everyone is a path that'll ultimately and inevitably fail.

Same goes for money: if you find yourself thinking about art in terms of if it will be financially beneficial and therefore worth it; then I'd say you should take a step back and reconsider whether art is the thing that you should be doing. Art is bigger than all of that. That's something I would say is a crucial understanding for making worthwhile art.

Daniel: And the music you're making should first and foremost be for you. It's therapy, man! If it's genuine and sincere, it's just a bonus if it can be appreciated by others.

Are there any new artists you recommend we check out?

Daniel: Not really. To be honest; we've been too busy with work to check out new stuff. But, we try to catch up by following interesting labels and zines.

Do you both get much time to chill away from music? How do you unwind?

Mikael: Well, naturally, music is unwinding. Being out on the countryside is a big one, though, for the both of us.

Daniel: Mikael is even is what you'd call a nerd; completely obsessed with beetles.

Mikael: Being out in nature, where you get to observe how everything interacts; see all these cogs in this massive cog wheel called life…that's the greatest kind of inspiration you could ask for.

Daniel: Being a creative kind of person; I've also always been into drawing and illustrating. And, when drawing, I often find myself exploring the same kind of themes and moods that I've recently used musically. I find it an interesting combination; using these forms of artistry to express the same kind of mood or to use them in conjunction with each other so that the sum of it tells a story that would be difficult to get across otherwise.

Finally, and for being good sports; you can each choose a song and I’ll play it here (not any of your music - I will do that).

Daniel: Put on the title-track from Björn J:Son Lindh's Atlantis album. Björn was one of the most talented and interesting musicians that Sweden ever had, in my humble opinion, but his recognition – even is his home country! – is criminally low

Mikael: Another one deserving far more recognition is the late Swedish pianist Jan Johansson. The guy had an absolutely unprecedented emotion behind every stroke of the keyboard.
But, for today, I'm gonna go with George Duke's Anticipation as my contribution to the playlist. You're sorely missed, George

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Follow Daniel & Mikael Tjernberg

 IN THIS PHOTO: Daniel and little brother Gabriel 

Official:

http://www.tjernbergmusic.com/wordpress/

Twitter:

https://twitter.com/tjernbergmusic

Facebook:

https://www.facebook.com/danielandmikaeltjernberg/

Spotify:

https://open.spotify.com/artist/7n22jRjW3P056u24FFZq0v?si=ofjkwoFZRUmcJnCgahOtiQ

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https://www.instagram.com/tjernbergmusic/

YouTube:

https://www.youtube.com/channel/UCP7ld-sWg6s0m30dqGwPyYA

INTERVIEW: Shields

INTERVIEW:

PHOTO CREDIT: Rhiannon Banks Photography  

Shields

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THANKS to Shields…

for chatting with me about their new E.P., Etemenanki, and what inspired it; if they have a favourite cut from the collection and what their plans are regarding next year – I ask if there are tour dates and we can see them on the road anytime soon.

The guys talk about their musical influences and albums that are important; which rising acts we need to get behind and whether they have special memories from their careers so far – they end the interview by each selecting a track.

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Hi, guys. How are you? How has your week been?

Really, really good, thanks! We had our E.P. launch and it was absolutely class! Amazing crowd, sell-out gig. So, yeah, pretty good!

For those new to your music; can you introduce yourselves, please?

We are Shields. There are five us in the band (Luke, Rich; Dave, Tom and John).

How did Shields form? When did the magic start?

Shields came together in 2012. The band really started as a three-piece. We went to Blank Studios in Newcastle to record some demos which is where we met John - he was the engineer. John’s creative input as producer became so integral that we asked him to join the band. It then got to the point that the music we were recording required an extra member in order to perform it live. I (Luke) was in another band at the time with Dave so asked him if he’d like to join Shields. We quickly found we could all write and produce together and it went from there.

Etemenanki is your new E.P. What sort of ideas and stories inspired the music? Do you each have a favourite song?

I (Rich) usually write musical ideas before coming up with an idea or story to accompany it. That allows me to draw inspiration from the feeling I get when listening to the idea. Babel, for example, sounded exotic and had a carnival feel to it. The story of the Tower of Babel seemed to fit really well with that feeling but it also provided a lot of inspiration, lyrically. That’s one of my favourite songs on the E.P.

What sort of music/styles is the band inspired by? Are you all bonded by similar tastes?

We really are inspired by all kinds of music, which I think shows in our set. It’s a bit all over the place but, hopefully, in a good way. There are certain bands which we all love such as Radiohead.

What do you hope to achieve by the end of 2018?

Having just released our first music in a couple of years, we are super-keen not to leave it so long this time. We are heading into the studio in November and plan to get another batch of music recorded before the end of the year. We also have a few gigs lined up. Check the website for details. 

Do you already have plans for 2019?

Assuming the rest of this year goes to plan then we’ll be releasing new music in early-2019. We’d love to get out to play some festivals throughout the year and maybe head over to Europe again if the opportunity presents itself.

Have you got a favourite memory from your time in music so far – the one that sticks in the mind?

For me (Luke), it has to be Glastonbury. I’d never been before and I always said to myself that I’d wait until I could go as an artist. It was totally worth the wait! A close second is Melt Festival in Germany, but there are so many brilliant memories.

PHOTO CREDIT: Rhiannon Banks Photography  

Which one album means the most to each of you would you say (and why)?

Luke: Sound of Silver By LCD Soundsystem is one that I will always come back to. I remember hearing in a record shop in Newcastle and I fell in love with it straight away. It was massively refreshing to me. It became the sound track of my uni days

Tom: De-Loused in The Comatorium by The Mars Volta. John Theodore shows that it is possible to have energy, virtuosity and musicality in equal measure in the drums and inspired me to approach my performances and creative processes in the same way. The songwriting and arrangements are incredible and left me listening on repeat for over six months. Even now, when I need a reminder of how exciting an album can be, I go back to it.

Rich: That’s a really hard question! I can’t pick one album that means the most to me but I’ll never forget the profound effect Bitte Orca by Dirty Projectors had on me. I remember Luke gave me a C.D. of it and I was just blown away with how inventive the composition and instrumentation was. Everything from the drums to the guitar work…but especially the vocals.

Dave: Radiohead - Kid A: I first heard snippets of Kid A while being an insomniac listener to a late-night MTV2 programme called 120 Minutes while at college. The album was a perfect soundtrack to that state of mind and it felt time to progress from the boring sounds and albums Oasis were releasing. I'd never heard songs or an album approached like this before; that have purposefully inaudible lyrics, guitars that sounded nothing like guitars and had no singles from it...yet, it was their number-one in America. The opening lyric of the album also gave the band Everything Everything their name and have obviously been a huge influence on those guys as well.

If you could support any musician alive today, and choose your own rider, what would that entail?

That’s too hard to choose! Either Radiohead, LCD Soundsystem or Arcade Fire. I know you said choose one but I can’t. If you’d asked me a few years ago it would have been Bowie, without a doubt.

We’re pretty easy to please when it comes to riders. We are happy with some nice booze, humus and carrot sticks.

Given the band’s name; if you could design your own shield, what would it be made of?

Are we allowed fictional materials? If so, then that stuff that Captain America’s shield is made of. It would be one of those tall ones that covers you head to foot and it could double up as a sledge.

What advice would you give to new artists coming through?

To stick to your guns, creatively. Don’t try to second-guess what you think other people are looking for in your music. As cliché as it is; be yourself.

Do you have tour dates coming up? Where can we catch you play?

The next gig is at The Finsbury in London on 17th November.

 IN THIS PHOTO: Callum Pitt/PHOTO CREDIT: Daniel Stark

Are there any new artists you recommend we check out?

Defiantly check out Callum Pitt, Grace Gillespie; Fever Days, The Pale White; Martha Hill, The Old Pink House and Penguin.

 PHOTO CREDIT: Grace Gillespie/PHOTO CREDIT: Poppy Marriott

Do you get much time to chill away from music? How do you unwind?

We don’t really stop. We’re doing something music-related most days, whether it’s recording, mixing; writing or working with other artists. It’s pretty addictive. I have made time for Daredevil on Netflix over the past few days though.

Finally, and for being good sports; you can each choose a song and I’ll play it here (not any of your music - I will do that).

What’s Your Problem? – FEVER DAYS

Away From the Rousing Parades - Callum Pitt

Wisdom Tooth - The Pale White

Martha Hill - Wallflower

Restoration - Grace Gillespie

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Follow Shields

Official:

https://www.behindshields.com/

Twitter:

https://twitter.com/behindshields

Facebook:

https://www.facebook.com/behindshields/

Spotify:

https://open.spotify.com/artist/2ehIq6O7lHbD0aQOe0w83R?si=BZWQCpadRtGNchblTOUgdg

Instagram:

https://www.instagram.com/behindshields/

YouTube:

https://www.youtube.com/playlist?list=PLRUGkHETosZwvT-Ignv98tUPA7sikJD0u

INTERVIEW: CAEZAR

INTERVIEW:

 PHOTO CREDIT: Daniel Alexander Harris

CAEZAR

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THE guys of CAEZAR…

have been telling me about their new track, Somewhere New, and what we can expect from their E.P., HAIL! I ask how the band met and what sort of music inspires them; if there is an approaching artist we need to get behind and whether they are heading on the road at all.

I discover which albums are important to them and what they have planned for next year; if there are any favourite musical memories and which artist they’d support given the chance – the band members each choose a song to end the interview with.

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Hi, guys. How are you? How has your week been?

Hey! It’s been another busy week. It always surprises us just how busy it is when you’re deep in the middle of a campaign. With all the P.R. work, the travelling and the interviews – it’s relentless! We love it though.

For those new to your music; can you introduce yourselves, please?

Of course. We’re an Electro-Pop three-piece, originally from Cheltenham in the South West but now we spend most of our time in London. We’ve been a band for about four years, but previously performed under a different name (‘Quigley’). We then had a line-up change with two members leaving the band; this left just Chris, Zoe and Rich (C,Z,R) in the band. It seemed like the right time to close the chapter on Quigley and start something new. We’d started working with a new producer at the same time and the chemistry of it all just seemed to click. Eighteen months later and CAEZAR was born.

Somewhere New is your single. Can you explain the story behind the song?

This is actually one of the oldest tracks in our repertoire – although it’s changed a lot since when we first started performing it. We wanted to capture that feeling of restless excitement that you get when you discover a new place or a new adventure – and we think this song epitomises that. It’s a real anthemic track with a strong hook at its heart. It always gets a great reception when we perform it live.

The E.P., HAIL!, has been announced. What sort of themes motivated and inspired the songs?

It was really important for us to try and capture the many shades and sides to ourselves in this E.P. It would have been easy to have put four lighthearted, easy-listening tracks together. However, we wanted to showcase that – yes, we’re an Electro-Pop band – but there are so many emotions that inspire us and we love to explore in our music – whether it’s bittersweet, lighthearted; frisky… that’s what keeps us interested. We’re really proud of each single on the E.P. and feel that the tracks work either independently on their own but also as a collection.

 PHOTO CREDIT: Daniel Alexander Harris

In terms of sounds/artists; who are CAEZAR inspired by?

We have quite a diverse range of influences – Chris loves OneRepublic, Maroon 5 and Muse while Rich is more introverted and will spend hours digesting acts like Pink Floyd and Ben Howard. Zoe has Indie tastes, so loves acts like Nothing But Thieves and Amber Run.

How did you get together? Did you all meet in Cheltenham?

Chris and Rich first met on the rugby pitch. They played for the same rugby team and both got injured at the same time. As they couldn’t play rugby, they had to find another way to spend our time so they started the band! One thing led to another and now the music has completely taken over from the rugby (although they will try to get a game in when we can). Zoe came into the mix in 2015; first as a backing singer for the band but her voice and character were so strong she quickly established herself as a key member of the band.

 PHOTO CREDIT: Daniel Alexander Harris

What do you hope to achieve by the end of 2018?

The goals for this year is to complete the release of the E.P. (due 30th Nov) and to continue to nurture the CAEZAR following. We’ve been very fortunate to have an amazing reaction to the tracks so far with BBC Introducing featuring the E.P. as a main event; CLASH magazine premiering our singles and even getting some U.K. National T.V. broadcasting with Philip Schofield on ITV’s This Morning!

Do you already have plans for 2019?

We want to build on what we’ve started this year. It’s been amazing to release the songs to such a positive response; now we want to take the tracks on the road and showcase them to audiences across the U.K. – and beyond. We’re talking to festivals currently and hope to make some big announcements soon. After that, we will be looking to get back into the studio to start on our next project.

Have you got a favourite memory from your time in music so far – the one that sticks in the mind?

Our favourite memory so far has to be when we performed at Alt Fest in Belgium. It was our first international show and really opened our eyes to how far music could take us. We were treated like royalty; we got to meet loads of amazing acts, and also were able to hang out for a night in Bruges – which we’d highly recommend. It was an incredible adventure.

Which one album means the most to each of you would you say (and why)?

Chris: Muse - Origin of Symmetry

The first album I began to understand the power of melody regardless of genre.

Rich: Pink Floyd – The Wall

I grew up hating this album. My parents would play it on-repeat and it confused the hell out of me. Then, as I grew up, I reengaged with the narrative, the journey; the multifaceted moods and tones – and, of course, the guitar solos. I love it. Dave Gilmour is the man. Fact.

Zoe: Amber Run - 5am

I'd been in a dark place where I didn't even want to listen to music. This was the album that changed that. It marks a very poignant turning point in my life

 PHOTO CREDIT: Daniel Alexander Harris

If you could support any musician alive today, and choose your own rider, what would that entail?

If we could support anyone performing right now, then I think someone like Raleigh Ritchie would be amazing. In terms of riders; we’re happy with a few beers! As long as it’s not fruit – we were once given a bowl of oranges as a rider and Chris is still angry about it today.

What advice would you give to new artists coming through?

Creating and growing music that you love is not easy. It takes a lot of dedication and persistence to get your head above the water and even then expect a lot of rejection and disappointment. It’s the bands that believe in themselves and who can ride the waves of ups and downs that will make it. So many amazing acts never make it because they give up too early.

Do you have tour dates coming up? Where can we catch you play?

We will be announcing 2019 tour dates very soon. Head over to our Facebook page to ensure you get the updates when they are published.

 IN THIS PHOTO: Rex Orange County

Are there any new artists you recommend we check out?

Not really an ‘unknown’ but Rex Orange County is tearing it up right now – we love him!

Do you get much time to chill away from music? How do you unwind?

Probably unsurprisingly we turn to rugby when we’re not in CAEZAR-land. We’re big supporters of Gloucester rugby, so will go to watch the Cherry and Whites when we can and, if not, we will strap on our boots for a game with our home club, Old Cryptians. Except for Zoe – she’s mega-creative so she will be painting or designing something stunning (like the band’s artwork).

Finally, and for being good sports; you can each choose a song and I’ll play it here (not any of your music - I will do that).

Rich: Rex Orange County – Loving Is Easy

Chris: Navajo – Masego

Zoe: Theophillus London – Bebey

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Follow CAEZAR

Official:

https://www.hailcaezar.com/

Twitter:

https://twitter.com/HAILCAEZAR1

Facebook:

https://www.facebook.com/hailcaezar/

Spotify:

https://open.spotify.com/artist/6f2j70gzysK5Z83ZhbpaFo?si=Y6Nkx0WfTjWmKvfvKOSEhg

Instagram:

https://www.instagram.com/hailcaezar/

SoundCloud:

https://soundcloud.com/hailcaezar

YouTube:

https://www.youtube.com/channel/UCDTTt6IlbDEOFtbbkiiWhTQ?view_as=subscriber 

INTERVIEW: Alichè

INTERVIEW:

Alichè

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THANKS to Alichè…

 PHOTO CREDIT: @bychrisreid

for talking with me about her latest song, B.B.I, and what it is all about. She reveals how her music has developed and which artists influenced her; a few albums that are very important and some rising names that we need to be aware of.

I ask whether there are gigs approaching and how important London is to her; which musical memory stands in the mind and how she unwinds away from music – Alichè chooses a great song to end the interview with.

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Hi, Alichè. How are you? How has your week been?

Hey, hey! So good. It’s release week, so I've literally been counting down to the day!

For those new to your music; can you introduce yourself, please?

I’m Alichè - pronounced ‘Ali-Chay’. I was born into music, literally born under a piano at home. Haha! I’d say I sit somewhere in a contemporary style of R&B/Hip Hop. I like to take influences from all different genres of music to form my own style and take. I embrace being from London and proudly sing with my accent. To be honest, couldn't drop it if I tried. 

B.B.I is your latest single. What is the story behind it?

B.B.I = Bad Boy Issues. It’s not about any specific being, but more a reflection of frustration. Anyone that knows me knows I have a big, big heart but I'm not a lovey-dovey relationship person. I do my own thing, work hard and put myself first a lot. But ‘bad boys’ are my kryptonite: I get pulled in by a certain type of presence and swagger; they always seem to end up being an issue.

How do you think it moves on from No Luv? Do you feel yourself bringing out more material next year?

They are both tracks that represent me and I'm proud of. There’s a lot more to B.B.I; there’s a certain vibe to it that I was, like, ‘Cool; this has to be my first official release’. I’ve got a couple things lined up for next releases but, for now, I’m just eager to test the waters in the reception of B.B.I.

In terms of music; who do you count as idols? What sort of stuff did you grow up listening to?

My family play a big part in my musical influences. I grew up with a lot of Jazz, Funk and Soul music around me. There’s always good tunes playing in our house. We spent some time in Cuba when I was little - and my family did before I was born too -, so a lot of Cuban and Spanish music and culture was always about - whilst I also had an older brother drilling Hip-Hop and Grime into me from an early age. 

Erykah Badu, to me, is one the greatest human of all time. Q-Tip is also possibly one of my favourite Hip-Hop artists alongside the more modern-day sounds of King Kendrick. And, finally, I would not be the woman I am today without the existence of Amy Winehouse. 

Being based in London; how important is the area and the people regarding your music and creative mind?

So important. I bounce off London. It’s an exciting time for U.K. music as a whole. Defining sounds and pushing new limits. There’s a lot of love in this city but a lot of pain too. It inspires me every day. Even just watching the people I see on the Tube every day; they give me ideas or inspiration. 

What do you hope to achieve by the end of 2018?

The most important thing for me right now is developing my presence and sound as an individual, so I’m keeping my head down and trying to stay consistent. 

Do you already have plans for 2019?

Of course. I’ve got so much I would like to do but, my team and I, we plan loosely. Things and plans can change so quickly. In 2019; I would love to support a British female artist on their tour or their home show.

Have you got a favourite memory from your time in music so far – the one that sticks in the mind?

It would have to be the headline show I did in September at The Spice of Life. I’ve been going to that Jazz club for London Jazz festival for years. It was also my first headline with a live band who, shout out to them, are the best musicians. Excited to see where we’ll be playing in the future.

Which three albums mean the most to you would you say (and why)? 

The Miseducation of Lauryn Hill by Lauryn Hill and Baduizm by Erykah Badu shaped me as a human; they both got me through some tough times and boosted the good days. Then, Songs in A Minor by Alicia Keys is a timeless album to me; reminds me of just being young, blasting it out singing at the top of my lungs. My biggest worry was the flat upstairs banging to tell me to pack it in. 

If you could support any musician alive today, and choose your own rider, what would that entail?

If we’re talking worldwide, then Anderson .Paak. I think he is incredible. Ah…a rider. Well. If I was on tour I’d probably set up and run a fitness boot camp every day for the whole team and band. Blast some tunes and whip everyone into shape….

What advice would you give to new artists coming through?

I’m still very new myself so I’m still learning but I think just trust your own process. You live and learn. Don't be afraid to try new things but also don't be afraid to stay true to what feels right to you.

Do you have tour dates coming up? Where can we catch you play?

I’ve got my biggest headline show yet lined up on Sunday, 11th November at the Camden Assembly. I live to be on stage so I literally cannot wait.

Are there any new artists you recommend we check out?

I’m going to give you three AMAZING U.K./London-based artists…

Fred Fredas - who features on B.B.I. I was on one of his songs last year under a different name and fell in love with the richness of his voice. He's a QUALITY rapper and also a really good guy. Dotty. He is one of my favourite U.K. artists. His album, London X Living, is one of the most underrated projects. CHECK HIM OUT FOR SURE. Cleo Sol! Her song, Why Don’t You; it’s one of my most played songs. She has so much to her voice and lyrics; literally makes me melt.

 IN THIS PHOTO: Cleo Sol

Do you get much time to chill away from music? How do you unwind?

To be honest; I’m one of those people that hardly sits still. Haha! Not a lot of ‘chill’ time on a regular day/week. I do weightlifting/powerlifting, which I find is my time to myself. But, putting on my favourite album or project and just zoning out when on public transport or travelling is probably the time I take to chill.

Finally, and for being a good sport; you can choose a song and I’ll play it here (not any of your music - I will do that).

Kaiit - OG Luv Kush pt.2. Another perfect example of pure U.K. talent. Someone introduced me to her earlier in the year and I have been rinsing this track since

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Follow Alichè

Twitter:

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