INTERVIEW: The Thin Cherries

INTERVIEW:

The Thin Cherries

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IT has been good speaking with The Thin Cherries...

about their new album, On Moose Island, and how it came together. They talk about the recording process and how the band got together; the albums and sounds that inspire them and where they head next.

I was keen to know which rising artists we should watch and whether the band get time away from music to chill; if the guys have favourite memories from their career and the advice they would give to emerging musicians.

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Hi, guys. How are you? How has your week been?

Mark Lofgren: Hectic! A quick trip to Detroit to see family; just beat the bad weather on the road.

Steven Delisi: I’m doing well - although it has been a crazy week and I’m tired from raking the Trump national forest all day. 

For those new to your music; can you introduce yourselves, please?

Mark: I’ve played in the Psych/Pop band The Luck of Eden Hall for the better part of the last thirty years. We’ve toured and released some well-regarded albums, but have more of a cult following. I do some video editing and motion graphics work to make ends meet.

Steven: I’m the rhythm guitarist and co-writer with The Thin Cherries. I say co-writer, because we intend to pivot to a sitcom after the New Year begins. I will play the chauffeur.

How did The Thin Cherries form? When did you all meet one another?

Mark: Steven Delisi and I formed the Thin Cherries two years ago, when we realized we collaborated well on each other’s tunes. I’d been friends with Steve for many years prior, when I was actually his instructor at a design college...

Steven: Our band started out as a project for two songwriters; Mark Lofgren and I realized we had a lot in common as far as influences and maybe the approach to recording. After Mark put out his solo album back in 2014, I mentioned the idea to do something together. But it took until just a couple years ago for us to start on the project. We initially started at Mark’s apartment studio – recording demos, in which the process was essentially helping each other complete song ideas. Often it would be something simple, like one of us offering a counter melody or a riff to a pretty well developed song. Or, it would be something structural like a bridge idea or changing things around to make the song more unusual.

We had a great time; meeting for coffee on Saturday mornings then getting to work at his place. After a few months, we reached out to Mark’s friend to collaborate further - a guy who plays many instruments - and had access to a rehearsal space with limited recording gear. That’s Darren Shepherd, our lead guitarist, who we brought demos to and eventually we recorded bass, guitars and drums to start the record. Darren actually plays the drums on quite a few tracks that we started on at Mark’s apartment. Later, he added a lot of amazing guitar stuff once we had basic tracks in place. During one tracking session, Darren’s friend Gabe stopped by, liked what we were up to and ended up playing with us on a few tracks. We had such a good time that we kept meeting and recording a few new tracks each weekend. We bonded pretty quickly and soon our goal was to ‘put out a record’ and just see what happens.   

On Moose Island is your latest album. What sort of themes inspired the record?

Mark: Although it’s certainly not a concept album, we wanted to mix and match some retro keyboard sounds and Electronica touches with straight-ahead Pop and sideways psychedelic vibes. To me, the album has a lot of variety but really holds together and has a dense but not heavy sound. Lyrically, there are some darker themes of isolation and anxiety mixed with some happier vibes of old friendships rekindled and road trips (…perhaps even to Moose Island!).

Steven: Initially, we were just preoccupied with capturing a more live sound that represents how we evolved as a full band and not a production of our songs. So, I think a theme for the record emerged as one about being a band. As Mark puts it, we came up with the album title track to reflect this idea of a mythical island somewhere where we all lived together and played music; a weird David Lynch-like town with quirky locals and unusual wildlife and one diner where all the townsfolk congregated in to discuss their daily lives. 

As this stuck, we started making ‘moose’ jokes and thought about ways to present the ideas visually. Near completion of the album, we employed Mark’s friend Jim Laugelli, a great artist, who did the brilliant cover painting of On Moose Island. I’m also working on a music video that is a collage of old 16mm footage that my parents made before I was born.  

Did you change a lot up since your debut? Was there a different approach when you stepped into the studio?

Mark: Steven and I basically wrote and recorded the first album as a duo to start. We brought our friend Darren Shepherd in to play some drums and additional guitar and he recruited his drummer friend Gabe Palomo to play drums live and finish off the album. Now, we have Birdie Soti on board playing keys and Sophie Senard singing some back-up and playing accordion. With On Moose Island, it was a real collaborative affair; recording a lot of the tracks together live in the studio. Steven and I wrote most of the framework for the songs and Darren added an awesome, beautiful track of his own, Steadfast Arranger.

Steven: So, again we were in the middle of changing from what was a recording project for two songwriters (our debut was the end product) to a full band effort in which everyone contributed ideas, direction and even songs. We recorded a few songs by our lead guitarist, Darren. Steadfast Arranger ended up on the album - a departure of sorts that is more personal, haunting and really beautiful! 

Do you share similar tastes? Who are you inspired by?

Mark: We certainly have common touchstones with some classic and modern British Pop and Psych music mixed with some Folk and Americana. Gabe, our drummer, is also an Electronica fan and a well-known D.J., so I love incorporating some of that on the new album and future releases.

Steven: It was important for us to get our drummer Gabe more involved creatively as he is a producer of Dance and Techno music. Our current single, I Don’t Know You All, is the result a drunken idea Mark came up with after rehearsal in which Gabe quickly ‘threw down’ beats and they went from that point shaping a Dance track. The rest of us added instruments later and we sort of fulfilled our desire for a more organic approach to producing music that starts from a melody idea and not someone’s already written song. We’ll be working this way moving forward, drawing from other influences. I know, on this one, we were inspired by bands we grew up with like New Order and other artists that produced dance music.

As Christmas is coming; what one present would you each like if you could have anything?

Mark: A vinyl release for the album and some worldwide distribution would be a dream! But I’d settle for some for positivity in the world overall and some good old-fashioned peace, love and understanding for a change.

Steven: I would like a nice vintage Gibson or Epiphany hollow body electric guitar!  I’ve been relying on the one wonderful Fender Stratocaster for years.

Do you already have plans for 2019?

Mark: Playing some local and Midwest U.S. shows to support the album. We’ll probably do a couple music videos as well and starting to work on new music this coming summer. We’d love to someday tour Europe. I love it over there and the Luck of Eden Hall has had a blast playing in the UK in the past.

Steven: The plan for 2019 is to get better as a band and write and record more music! Hopefully, we’ll be productive enough to make another album or at least an E.P. That might be the way to go.

Have you got a favourite memory from your time in music so far – the one that sticks in the mind?

Mark: Again, the several U.K. tours I did with my other band were awesome and I’d love to repeat the fun with The Thin Cherries someday. Also, having The Luck of Eden Hall open for the Psychedelic Furs at a festival here in the States a few years back was a blast. I really loved their music  when I was younger and meeting band leader Richard Butler was great.

Steven: My favorite memory so far is the first time we recorded basic tracks at Kingsize Sound Labs in Chicago - the amazing studio of our friend and co-producer Mike Hagler. I’ll never forget going up to the mixing loft after tracking bass, guitars, keyboards and drums then hearing Mike’s initial mix just to know what we got. The sound was so big and amazing tonally! I knew we were on to something fun and special.

Which one album means the most to each of you would you say (and why)?

Mark: Oh man, is that a tough one! I’m going to have to go old school though and say Scary Monsters and Super Creeps by David Bowie. That whole album has a mysterious, powerful feel. Eno’s production is amazing; Bowie was a genius and Ashes to Ashes is one of my favorite all time songs (still gives me chills when I listen to it, just like when I heard it when I was a kid).

Steven: On Moose Island is super-important to me. It feels like we put together a record that reflects not just our tastes and influences but more of our creative expression as a group. We’re not there yet, but it’s a big step forward.

If you could support any musician alive today, and choose your own rider, what would that entail?

Mark: To play bass for Robyn Hitchcock and my rider would be to hang out with him and listen to his stories! Or tour with The Kinks and hang out backstage!

Steven: I would really like to support Future Islands on a tour. I just really like their music and they seem to be super-nice guys.

What advice would you give to new artists coming through?

Mark: Do it for the love of the music and the art of it all, not chasing money or success or the pressure of making it. Herman Melville died broke and unappreciated and Moby Dick was considered a failure in his lifetime. You never know who or when your music might reach or touch someone. Just follow your heart and write the best music you can and put it out there, even if it seems like you’re working in a vacuum sometimes!

Do you have tour dates coming up? Where can we catch you play?

Mark: We’ll be playing some Midwest U.S. shows after the holidays, so stay tuned!

Steven: We’re not touring extensively at this point. I hope in 2019 we can at least do a Michigan brewery tour that we sometimes talk about. We love beer. For now, we play out at various clubs and venues in Chicago.

 IN THIS PHOTO: Cloud Nothings

Are there any new artists you recommend we check out?

Mark: Cloud Nothings have been around a few years and are raw and amazing Indie/Noise-Rock. I also love Wild Nothing who have a few albums and an '80s vibe. Also, I really like the quirky indie pop of Frankie Cosmos.

Steven: My favorite artist/band for the last two years has been Slaves. They draw cleverly on influential bands from their native England without any obviousness and they really have a cool sound and style that is all their own that supports their absurdly funny and much-needed political message; just two nice guys who care so much about their audience. In an odd way, they remind me of Style Council.

IN THIS PHOTO: Slaves

Do you get much time to chill away from music? How do you unwind?

Mark: I play sports on some different teams…basketball and baseball mostly (I suppose across the pond I’d be playing football and cricket!).

Steven: We don’t chill much away from music…too busy working and what not. I play soccer as much as possible for a middle-aged knuckle-head but we have pretty fun times together when we can, during or after rehearsals. Usually, it involves drinking beer.

Finally, and for being good sports; you can each choose a song and I’ll play it here (not any of your music - I will do that)?

Mark: That’s When I Reach for My Revolver by Mission of Burma; one of my favorite influential '80s Punk/Pop tracks and it seems right for the times… 

Steven: My Ever Changing Moods - The Style Council

Thanks!

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Follow The Thin Cherries

Facebook:

https://www.facebook.com/thethincherries

Spotify:

https://open.spotify.com/artist/3fCVNlGr7YCMfjaw40lmRl?si=rmEjjql8SGC6UiF4NB8tzw

SoundCloud:

https://soundcloud.com/user-904824652

Bandcamp:

https://thethincherries.bandcamp.com/

Twitter:

https://twitter.com/thethincherries

INTERVIEW: Imperial Daze

INTERVIEW:

Imperial Daze

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I have been speaking with Imperial Daze...

about their new single, Man Out of Myself, and what its story is. I learn how the band got together and whether they share the same music tastes; which albums are most important to them and what next year holds.

The guys talk about gigs and artists to watch; how they spend time outside of music and which artist they’d support if they had the chance – they each select a great song to end things with.

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Hi, guys. How are you? How has your week been?

On a bit of a caffeine high writing this, listening to Nilla Pizzi; feeling somewhat romantic, a tad hungry. The week has been great. We played a stripped back show at Soho House on Monday. On Tuesday, we met with director extraordinaire Nathan Sam Long to talk about future film work and with Rupert Jarvis (of Maccabees fame) to talk about the next set of recordings we are making in our Electric Eel Studio. Today (Wednesday) we are rehearsing for our show in Margate at Elsewhere this weekend.

For those new to your music; can you introduce yourselves, please?

We are a four-piece European band made up of Alex, Felix; Facundo and Tom. We like our music to groove; the sounds to be expansive and cinematic and the vocals to croon and be delivered with gusto.

Man Out of Myself is your new track. Is there a story behind the song?

The chorus of the song came out from a (very) late-night jam session with ex-bandmate Blain McGuigan back in 2016. It was a natural singalong for us all. I (Alex) then took the song home to my kitchen and the verses appeared to me whilst messing around on my Technics organ. It’s a picture of a relationship I had at the time and my musings on it.

Might there be more material coming next year?

There will be a lot of singles next year. Maybe an E.P.

I believe Imperial Daze found one another in late-2016 where you set up your own studio. Did you start playing music together before then?

We played in different bands previously and decided to set up a studio together when these bands disbanded. At the time, the idea was to under no condition start a new band! We wanted to release E.P.s of lots of different projects simultaneously but, somehow, things didn’t pan out that way. Having one good idea is hard enough and, unless you’re Damon Albarn, having five seems like black magic.

Do you share similar tastes? Who are you inspired by?

We absolutely share similar tastes. We don’t agree on everything but these differences can bring really interesting things to the table. Overall, our main influences as a band would be Tame Impala, Grizzly Bear; Damon Albarn, Ed Banger records, old Surf records and modern London Jazz.

Is it true you made a bit of money for writing music for a PlayStation 4 advert?! Was that pretty cool?!

That was the paycheck that enabled us to start the first studio space that birthed the project so, yes, it was incredibly cool! Since then, we’ve written regularly for film and advert. It’s what funds this band. We are incredibly D.I.Y. in that aspect of what we do.

What do you hope to achieve by the end of 2018?

Get our latest releases into the eyes and ears of a greater audience; slay our upcoming shows and record the next batch of singles in our own Electric Eel studio.

Do you already have plans for 2019?

Sell out our next London show at Sebright Arms on 13th Feb. Keep releasing singles, making films and selling out bigger and bigger venues in London and Paris.

Have you got a favourite memory from your time in music so far – the one that sticks in the mind?

Selling out our first London headline at The Waiting Room at the start of November was really special for us. The response from the crowd really humbled us and made us feel very loved indeed.

Which one album means the most to each of you would you say (and why)?

Facundo: The Dark Side of The Moon by Pink Floyd

It changed everything for me from the first listen. I met Roger Waters two weeks after that first listen as I was in a children’s choir singing on one of his records. At the time, I had no idea it was the same guy!

Felix: Kid A by Radiohead

It was the only album I had during a long summer as a teenager, stranded with my Discman. It was the first time I realized how production can impact the listening experience.

Alex: Blonde by Frank Ocean

I love how this record doesn’t follow any direct rulebook of genre or style but simply tells the story of a character through pure musical honesty. Everything feels so cinematic and adventurous to me. Ultimately, the life of Frank Ocean feels so relatable to me on this record even though our lives are nothing alike. That’s a mad impressive feat to pull off.

Tom: Black Focus by Yussef Kamaal

It showed me what you can do with spontaneity on a record: keeping the errors in and making the whole thing feel very human and vulnerable. It also opened a world of experimental Jazz to me.

If you could support any musician alive today, and choose your own rider, what would that entail?

Tame Impala. Cucumber sandwiches cut into triangles, fresh socks and a bottle of Campari.

What advice would you give to new artists coming through?

Try and figure out what you want your project to represent from the get-go. As an artist, you can have many sides to your output - but every project should be honed to precision so its identity is easy to convey.

Do you have tour dates coming up? Where can we catch you play?

06.12.2018: Moles in Bath

13.02.2019: Sebright Arms in London

 IN THIS PHOTO: Jazzboy

Are there any new artists you recommend we check out?

Ryder The Eagle, Tin Foil Astronaut; Jazzboy, HEZEN; III Maury III, Desert Mountain Tribe; Living Island and The Jesse Doniach Trio.

 IN THIS PHOTO: HEZEN

Do you get much time to chill away from music? How do you unwind?

No need to unwind from music, but we do love our friends and families and sometimes they do want to see us at other times then when we play gigs.

Finally, and for being good sports; you can each choose a song and I’ll play it here (not any of your music - I will do that).

Tom: Street Fighter Mas by Kamasi Washington

Alex: Souk Eye by Gorillaz

Felix: Everything Apart by Foxwarren

Facundo: Tearz (45 Mix) by El Michels Affair and Lee Fields

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Follow Imperial Daze

Twitter:

https://twitter.com/imperial_daze

Facebook:

https://www.facebook.com/imperialdaze/

Spotify:

https://open.spotify.com/artist/1QDprUUyy1xW1QRY24XR3I?si=B1kNb1kyQcO9Q5e2bBKsrQ

SoundCloud:

https://soundcloud.com/imperialdaze

Instagram:

https://www.instagram.com/imperial_daze/

INTERVIEW: Kachina

INTERVIEW:

Kachina

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THE first interview today is with Kachina...

as they discuss the new single, Eyes of March, and their upcoming E.P. of the same name. They talk about adapting since the loss of their band member Zurcon and what life is like in the group now. The guys talk about their music tastes and what is coming next.

I was keen to know what sort of music inspires them and any rising acts we need to watch; how they unwind away from music and what advice they would offer emerging musicians – they select some great songs to end the interview with.

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Hi, guys. How are you? How has your week been?

Hi. Yeah, great. Interesting times. The last week has been hectic. Just got a Universal Audio Apollo 16 and reorganised the studio around it; makes live recording/jamming a lot easier. We've been recording vocals with Lyndsey Murray for a few days, got some quality music in the works right now.

For those new to your music can you introduce yourselves, please?

Hi. We're Kachina, House and Garage pioneers from the Midlands, U.K.

Eyes of March is your new single. Is there a story behind it?

Rob Sparx: Zurcon named the song. It’s a play on words and I can't say exactly what he meant by it but I would say it’s about the divide, the hidden truth; the half of history that’s covered up to hide an inconvenient truth which is just dying to get out. The truths we take for granted which may actually be lies.

It is from the E.P. of the same name. What sort of inspirations and themes influence the music?

This E.P. is about truth, the moon/night; strife, hope and love!

How did Kachina find one another? When did you meet?

Rob Sparx: I first met Zurcon way back in about 2000 at 5HQ record shop (Formation Records now HQ Recordings) in Leicester. He was painting the place for SS, we were in Twisted Individual’s room checking out his latest beats having a smoke and Zurcs was observing the madness cracking us up with his cheeky banter.

I'd see him M.C. and D.J.-ing around town and at Leicester/DMU University student nights for many years. After that, he then got involved in Dub nights working with a mate of mine, Ash, who suggested Zurcs as vocalist for a Dubstep tune I was writing - which became What U Gonna Do, which was a vinyl release on my label, Migration, back in 2009…

We carried on working together at events for years after that and I eventually ended up living on the same street in the West End of Leicester City. Wigz and I met when I was teaching production workshops at The Core in Corby in 2011. He was one of my first students doing regular production and engineering sessions for many years until we formed Kachina.

Has it been difficult to adapt since the loss of Zurcon? Are you continuing to honour his memory?

Of course, losing any friend is hard as most people know and especially when you've spent many an hour in the studio, on stage and in clubs and have shared many experiences together. Zurcs was such a big character. It’s like the world has gone a bit quieter with him gone. Musically, though, we have continued to grow; we're more determined and focused than ever.

We have made a track in honour of Zurcon titled Zurcon's Prayer which will be out in 2019. Keep an eye on our socials. There will be a celebration for his birthday on 4th Jan in Leicester at both the African Caribbean Centre in Highfields and in the West End at either Music Cafe or Boxed. More info will be available A.S.A.P.

Is there going to be more material next year? How far ahead are you looking?

Yeah. There's plenty in the pipeline; work is nearly finished on many more E.P.s on all our labels - for at least a year into the future - and we have some great remixes from the likes of DJ Q, Osunlade and Miguel Migz out soon. Eyes of March is the last of the music made on our old P.C. to be released: all the new material is made on a faster computer with better sound card hardware, analog synths etc. and you can really tell the difference!

Do you share similar tastes? Who are you inspired by?

Wigz: We do have similar tastes, especially in D&B, UKG; House and everything in between - which is probably why we work well together. Recently, I’ve been listening to a lot of MOAD, Dawn Wall and people like that - I love the instrument selection and grooves those two producers can bring

Rob Sparx: I'd be here all day if I start rolling off the many names that influence my music, so I'll just say classic D&B, Jungle and Dub; Tuff Jam-era Garage and '90s-Leftfield Dance music are still huge influences on my production style.

As Christmas is coming; what one present would you each like if you could have anything?

Wigz: A Christmas number-one hit would do nicely then we would be sorted money-wise for life. Haha. Nah, realistically, the main thing I'm looking forward to is the roast! You can't beat a roast with all the trimmings on Christmas Day.

Rob Sparx: Schimdt, Moog One and Macbeth Minimac D!

Do you already have plans for 2019?

Nexgen: Releasing a four-part vinyl album. There'll be twenty tracks and some of our best unreleased music on there. We've been working on the release for over a year now. It’s pretty special! Also, we're finally getting round to making some videos/animations.

Have you got a favourite memory from your time in music so far – the one that sticks in the mind?

Rob Sparx: Kievbass in Ukraine know how to party, that’s all I'm saying!

What advice would you give to new artists coming through?

Wigz: Keep pumping out them bangers! Learning your craft is the most important, whether that be by playing an instrument or being a producer. To get any good at something, you need to put in some work and also just have fun! There's no point in making all this music if you can't have some fun with it!

Do you have tour dates coming up? Where can we catch you play?

Keep an eye on DeepArtment/RYVM parties in Leicester and Bloop in Leamington. We will be doing some label nights in the Midlands and Washington D.C. next year as well, so keep an eye on our socials.

 IN THIS PHOTO: Unsub

Are there any new artists you recommend we check out?

Neveready; Unsub; Luthor; Mindofadragon and Girls of the Internet.

 IN THIS PHOTO: Luthor

Do you get much time to chill away from music? How do you unwind?

Wigz: Of course you have to; life is all about balance! But, just the standard stuff really...going out doing stuff with friends etc. I also have an off-road motorbike, so I like to take that for a spin on some circuits or green lanes and go tear it up with a few mates!

Rob Sparx: Not much. I'm on this 24/7. Definitely a bit of a lab-rat, especially since getting hardware last year but my kids keep me grounded. I'm often taking them out around town or visiting family and friends. If I do need to get out the lab for a few hours, I usually go down to my mate’s studios at Lock 42 Frog Island or Thyme Bar in Market Bosworth which does some amazing food!

Finally, and for being good sports; you can each choose a song and I’ll play it here (not any of your music - I will do that).

Wigz: Cassius - Feeling for you

Rob Sparx: Curtis Mayfield – Pusherman

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Follow Kachina

Twitter:

https://twitter.com/kachina303

Facebook:

https://www.facebook.com/kachinamusic

Spotify:

https://open.spotify.com/artist/2RHdynjlcj0siPq95U0qnT?si=u5PyHDJxSACfSZLFFp3WRg

SoundCloud:

https://soundcloud.com/kachina-4

YouTube:

https://www.youtube.com/user/nexgenmusic

INTERVIEW: Hollie Haines

INTERVIEW:

Hollie Haines

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THANKS to Hollie Haines...

for talking with me about her new single, Mine, and its story; the inspirations behind her album, Letters to My Last Love, and whether she has a favourite cut from the record – she reveals some of the artists who have motivated her.

I ask whether there are tour dates coming up and if there are a few albums that are especially important; any new/approaching acts we need to get behind and what she has planned going forward – Haines picks an awesome song to end things on.

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Hi, Hollie. How are you? How has your week been?

Hey, Sam. I’m doing really well. My week has been busy - with the album coming out - but I’m happy

For those new to your music; can you introduce yourself, please?

I like to call my stuff ‘music-for-people-who-like-to-cry-to-music’ and that’s not as morbid as it sounds! I just mean I put a lot of feelings into my music and, if you’re into that, hopefully you’ll be into my music. But also Folk. 

Mine is your latest single. What was it about the song that marked it as a single?

I wrote mine about one of my best friends falling in love. It feels like it ties the whole album together and is about such real and pure love.

It is from the album, Letters to My Last Love. Can you explain the concept behind the album and how it started life?

Last year, I went through a big change in my life: I moved to London, I came out of a relationship and graduated university. I felt very lost and wanted to document my journey of getting back on my feet through songs and so that became Letters’ and its a journey of losing love and going through your healing. 

Do you have a personal favourite song from the album?

Yes! I Got Through, Babe is my favourite! I love it so much. It was the first healing song I wrote and it’s so special to me. It’s also really fun to play. 

Can you give me an idea of the artists, older and new, who inspire you and compel your own sound?

Richard Thompson has always informed my music and is the reason I love Folk music so much. Johnny Flynn reminds me that I can seep a bit into Country music and not taking my songs too seriously. Also listing to Father John Misty keeps me looking for new ideas and to keep moving forward with my music.

Do you already have plans for 2019?

Yes! I’m planning a tour for February/March and thinking about my next release. It’s just in the ideas stage but if it works I’ll have something really special out next year. 

Have you got a favourite memory from your time in music so far – the one that sticks in the mind?

Playing in Graz for Sofar Sounds after a twenty-four-hour journey was incredibly special. The audience really listened to my stories and came up to me after and chatted to me about my songs. It was really moving for me to have people be so open about how my music made them feel.

Which three albums mean the most to you would you say (and why)? 

Richard Thompson - Old Kit Bag; Taylor Swift - Speak Now; Laura Marling - I Speak Because I Can

All of these albums really inspired the way I tell stories through my lyrics and the chords I use etc. They were big educating albums for me.

As Christmas is coming up; if you had to ask for one present what would it be? 

Two Christmas trees in the house! I’ve been asking my parents for years but they haven’t caved yet!

If you could support any musician alive today, and choose your own rider, what would that entail?

Taylor Swift without a doubt. What a queen. I’d need a kettle, tea bags and a bowl of Smarties and I’ll be happy.

Do you have tour dates coming up? Where can we catch you play?

No tour until next year but I have two shows left this year. 3rd December in Leeds and 8th December in Southend.

What advice would you give to new artists coming through?

Take your time and stick to your guns. There’s no rush to put things out before you’re ready - and play with as many ideas as you can. 

IN THIS PHOTO: Ferris & Sylvester/PHOTO CREDIT: Daniel Alexander Harris

Are there any new artists you recommend we check out?

Ferris & Sylvester. They’re not really new anymore but they were when I started listening to them and they’re amazing.

Do you get much time to chill away from music? How do you unwind?

I’ve been trying really hard recently to honour my time off and give myself time away from my laptop and guitar. I do yoga, go on walks and draw. I stay creative all the time even when I’m not doing music because I can never switch off from that. I’ve got a creative brain. 

Finally, and for being a good sport; you can choose a song and I’ll play it here (not any of your music - I will do that).

dodie - If I’m Being Honest. My current favourite 

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Follow Hollie Haines

Official:

https://www.holliehaines.com/

Instagram:

https://www.instagram.com/

Twitter:

https://twitter.com/holliehaines

Facebook:

https://www.facebook.com/holliehainessongs/

Spotify:

https://open.spotify.com/artist/3TmWI5f479FgFtRzEcs6DA?si=_jOv4OuZQ_CPsTDwwsbbBg

SoundCloud:

https://soundcloud.com/hollie-haines

INTERVIEW: Matt Perriment

INTERVIEW:

Matt Perriment

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TODAY’S first outing...

finds me talking with Matt Perriment about his new single, Oceans, and its background. I wanted to know whether he has any plans for next year and which artists are influential to him – he reveals a few albums that are especially important.

Perriment talks about his progress as a songwriter and which artist he’d support if he could; which rising acts we need to get behind and whether he gets time to unwind outside of music – he picks a cool song to end the interview with.

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Hi, Matt. How are you? How has your week been?

Hey! I’m great, thanks. My week’s been pretty manic. We released the new single the previous week and spent the weekend shooting two live music videos in a beautiful manor house in Norfolk with the team, so it’s been busy…in a very good way!

For those new to your music; can you introduce yourself, please?

I’m a British singer-songwriter based in London and lived here for about eight years after moving from down south. I'm completely self taught for all instruments and vocals and started writing music about seven years ago and never stopped. Music has always been an escape for me. From the start until this day I write and play music to deal with the ups and downs in my life; every song is a snapshot of a moment in life - a way of dealing with them in a way. 

Oceans is your new single. Is there a story behind it?

Oceans is about the ups and downs of a long-distance relationship and the longing for someone to come home. Home in this track isn't really physical. It's about being together, whether that's travelling the world or an actual home. In essence, it’s tough but it’s worth it in the end.

Might we see more material next year? What are you working on?

We’ve just started releasing new music for the first time in a year and half. On 16th November, we released Oceans, the first single of the new E.P., Memos. I’m really excited for 2019. We just signed a deal with V2 Records for the next E.P. meaning we’ve got three singles being released (November, January and February) followed by a full, five-track E.P. in March.

What sort of music did you grow up around? Which artists inspired you to get into music?

It’s odd, actually. I didn’t necessarily grow up around music and I never studied it - and I don’t come from a particularly musical family so I’ve grown up discovering music for myself. For that reason, it wasn’t other artists that inspired me to get into music, it was more discovering the way that playing and writing music made me feel which kept me going.

That being said, I'm hugely influenced by singer-songwriters like John Mayer, Matt Corby and Ben Howard but, in truth, I think songwriting and music is about honesty and integrity and any artist of any genre that plays and writes with integrity and honesty is an influence for me.

How do you think you have evolved as a songwriter and performer since the start of your career?

I’m really lucky to play with an amazing band behind me. I’ve found playing with other musicians and incorporating more instruments into my track has enabled my writing and song structure to breath. I don’t have to fill space in a track with complicated guitar all the time as we can use other instruments for that. My writing has really matured because of that and it’s opened up a completely different avenues.

Do you already have plans for 2019?

There’s some really exciting touring news to come in 2019 and we’re doing our first-ever international headline show in the Netherlands and biggest London headline show to date. Also, our Memos is out in March which I’m excited for!

Have you got a favourite memory from your time in music so far – the one that sticks in the mind?

This is a tough one. There’s been so many incredible moments. I’m going to give you two…sorry.

My first every headline show in London blew me away. We sold out the Servant Jazz Quarters and it was the first time I truly felt people wanted to listen. I’ll never forget that night; playing to that room of eighty-ninety people beats playing to thousands at a festival or huge support show.

The first time someone got in contact with me to tell me how one of my tracks helped them through their depression and how it had an impact on their life really shocked me. It’s incredible and makes me really proud that my tracks can help someone in some way in their life; the same way my tracks help me. Music is incredible in that way and it’s an amazing to be a part of that.

Which three albums mean the most to you would you say (and why)?

Red Hot Chili Peppers – Californication

I actually used to drum along almost every day after school to this album and it was the first album I could listen to and be completely lost in the flow of the music.

John Mayer – Continuum

This is probably my favourite ever album. For me, the integrity in the songwriting and guitar playing is inspirational. It showed me that albums and E.P.s need to be versatile. This man is my hero.

Ben Howard – Every Kingdom

This guy really is the pioneer of my generation for acoustic singer-songwriting in my opinion. His use of alternate tunings is incredible and it showed me what an acoustic guitar is capable of. My set now includes six alternate tunings in one hour and I completely blame him.

As Christmas is coming up; if you had to ask for one present what would it be?

Plane ticket to Canada.

If you could support any musician alive today, and choose your own rider, what would that entail?

Ben Howard – and on my rider some ginger tea to calm me down as I’m fuc*ing supporting Ben Howard.

What advice would you give to new artists coming through?

Be patient. You have to grow as a musician and artist for it to be done right. The most important part of everything you do is the music. Write what you want to write and let the industry focus on the superficial stuff. Don’t be scared to release your tracks in the world and be prepared to work really hard. The highs are worth the lows.

Do you have tour dates coming up? Where can we catch you play?

London headline show in March 2019. Netherlands headline show in April 2019.

 IN THIS PHOTO: Phoebe Bridgers/PHOTO CREDIT: Ray Lego (for Under the Radar)

Are there any new artists you recommend we check out?

Phoebe Bridgers is magical. Dermot Kennedy is a lyrical genius. Henry Jamison is a beautiful storyteller.

 IN THIS PHOTO: Henry Jamison

Do you get much time to chill away from music? How do you unwind?

In truth, no. I work full-time alongside my music when I’m not touring which is really tough. Playing music is my work; the way I relax and chill and absorbs most of my life. Wouldn’t have it any other way. I also love squash.

Finally, and for being a good sport; you can choose a song and I’ll play it here (not any of your music - I will do that).

Unknown by Tuvaband. I’ll dedicate this one to Beatrix Perks

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Follow Matt Perriment

Instagram:

https://www.instagram.com/mattperriment/

Twitter:

https://twitter.com/mperriment

Facebook:

https://www.facebook.com/MattPerrimentMusic

Spotify:

https://open.spotify.com/artist/6sZDpE6FObUEWdKLJxv5IZ?si=TqxfvzhATQKcaKDZtzCcbg

INTERVIEW: Lisabel

INTERVIEW:

Lisabel

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THE awesome Lisabel...

has been telling me about her latest single, Green Jade, and how its story came to mind. Its incredible video is out and I was eager to know whether we might see more material next year; the albums and artists who are important and influential to her – she recommends a rising name to look out for.

I ask Lisabel if she has any time outside of music and what her favourite music memory is; what 2019 holds and which musicians she’d support if she had the tour – she ends the interview by naming a song I was a stranger to.

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Hi, Lisabel. How are you? How has your week been?

Hi Sam. I’m great, thanks. My week has been very nice as well. I’ve spent some time with family. Hope you’re good too!

For those new to your music; can you introduce yourself, please?

I’m a contemporary Soul and Jazz songwriter based in London. I’ve been writing original material for the past few years and I’m finally starting to release singles which will be followed by an album, coming out next year.

I tend to write music that’s influenced by many artists and genres; each song has somehow a unique sound and vibe so the album will have a broad variety of music styles and instrumentation.

Green Jade is your new single. What is the story behind it?

I wrote Green Jade a few years ago after I was inspired by a green Jade pendant I received as a gift from Namibia. I started reading about crystals and the beneficial powers they have and I had the idea to write the song.

I understand an album is coming next year. What can you reveal about its themes and stories?

The album is very much centred around my life and personal experiences. I usually write capturing feelings and emotions, often coming from nature and the way it stimulates my imagination.

Did you grow up in a musical household? When did music come into your life?

I would say I did. I was surrounded by music as a child and I always felt a connection to it. I’ve enrolled in dance classes when I was eight-years-old and continued for four years before quitting. I loved dancing more for the music than the ‘move your body’ side of it, which is funny! I always sung but never took it seriously before the age of fourteen - that’s when I started studying music and I’ve continued ever since.

What do you hope to achieve by the end of 2018?

I hope that Green Jade will have touched a few people and that some of those people will be interested in keeping an ear out for more music. I’m still working on a lot of album-related things so I really want to enjoy the journey of creating as much as I can.

Do you already have plans for 2019?

Next year will be an exciting one. More music will be coming out and I’ll start gigging too. Let’s see what it will bring!

Have you got a favourite memory from your time in music so far – the one that sticks in the mind?

I love writing music. My strongest memories are related to that. Recording some songs of the album at Konk Studios with the band was thrilling too and shooting the video for Green Jade is a memory I will cherish forever!

Which three albums mean the most to you would you say (and why)?

I go through many phases and I don’t have any all-time favourites but I can tell you the albums that mean the most to me in this very moment...

Needle Paw - Nai Palm. For its storytelling that cleanses the aura; Regina - Becca Stevens. It transports me into an ancient and wise world; Wallflower - Jordan Rakei. I love the cleverness in the writing.

As Christmas is coming up; if you had to ask for one present what would it be?

I can’t think of anything material I’d ask as it would probably be easily replaced by the ‘next thing’ anyway. I’d probably ask to strengthen the bond of some of my friendships!

If you could support any musician alive today, and choose your own rider, what would that entail?

Nai Palm and Becca Stevens. I’d love to support musicians like them, it would be an honour. I’d like to have one-hundred stems of a type of flower called ‘eryngium bourgatii’, directly from Morocco. Haha. Just joking! I’d be easy. I’ll bring my green Jade stone and all will be as it’s meant to be (smiles). 

What advice would you give to new artists coming through?

It’s difficult because there are many things I’d say; most of them I tell myself every day. Be patient and get the knowledge to be self-reliant when it comes to business matters. It’s easy to get lazy and it’s easy to get deceived so it’s best to have a plan and a clear idea about how to share your music with the world.

Do you have tour dates coming up? Where can we catch you play?

Not at the moment; next year for sure! I’ll keep people updated through social media!

 IN THIS PHOTO: Gabriel Garzón-Montano

Are there any new artists you recommend we check out?

He’s not new in the scene but I was recently introduced to a songwriter whose name is Gabriel Garzón-Montano. He makes very interesting music. If you like Alternative-R&B and Soul then you may find something in his music!

Do you get much time to chill away from music? How do you unwind?

Yes, I do. I would have nothing to write about otherwise (smiles). I like to arrange flowers. I studied floristry for a year or so. Flowers and nature never fail to uplift me.

Finally, and for being a good sport; you can choose a song and I’ll play it here (not any of your music - I will do that).

Could you play Homebody by Nai Palm? Thanks for the interview...until next time (smiles).

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Follow Lisabel

Official:

https://www.lisabelmusic.com/

Instagram:

https://www.instagram.com/lisabelmusic/

Facebook:

https://www.facebook.com/Lisabelmusic/

YouTube:

https://www.youtube.com/channel/UCwhJg-9nzku_EotfdkyxGDA

Spotify:

https://open.spotify.com/artist/1C0dDmhzM8QZTNw1c05wsx?si=8n6zQOj4QHGNPJEc7E0OVA

PHOTOS CREDIT:

Nikola Kovacevic

INTERVIEW: Tony Moore of The Bedford

INTERVIEW:

IN THIS PHOTO: KT Tunstall playing at The Bedford in 2008 

Tony Moore of The Bedford

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THIS interview takes me in a slightly different direction...

 IN THIS IMAGE: A shot of the new-look stage/’Globe’ at The Bedford

as I have been speaking with Iron Maiden/Cutting Crew’s Tony Moore (band/artist booker) about the  future of the legendary London venue, The Bedford. December 2018 will mark the re-launch of The Bedford, one of South London’s most important music and entertainment venues. Operated by the award-winning Three Cheers Pub Co; Balham’s legendary performance space has a strong reputation for championing grass-roots music and maintains a lasting legacy for nurturing the stars of the future. In a triumphant riposte to independent music venues ever decreasing; The Bedford will reopen boasting five bars, four private rooms; a restaurant and fifteen boutique hotel rooms, making it an excellent place for music industry events of all types and purposes.

IN THIS PHOTO: Ed Sheeran at The Bedford in 2011 (one of music’s big acts whose got the chance to cut their teeth at the legendary venue)

The multi-million pound refurbishment has been sensitively managed in order to retain the venue’s unique spirit, while enhancing facilities for both audiences and artists. The new-look Bedford will allow the stars of tomorrow to flourish in a live setting, but will also attract established acts back to where the journey began for them.

Moore talks about his involvement and some of the stars of today who have passed through the doors of The Bedford; why grassroots venues are important for musicians and why the Government need to preserve them; whether Moore still gets time to play and we can see him perform soon; a few upcoming artists we need to look out for and, as band/artist booker, what he looks for in an artist when it comes to The Bedford’s stage.

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Hi, Tony. How are you? How has your week been?

So far, so fabulous…

For those new to you/your music; can you introduce yourself, please?

Well. I’ve had quite an eclectic career in music. I started by joining (the then unknown) Iron Maiden playing keyboards/synth when I was in my teens. In the early-’80s, I released an album of songs I wrote and recorded at Abbey Road and had an Xmas hit in Holland. I then went on to be keyboard player in Cutting Crew (I Just Died In Your Arms). In the ’90s, I worked as writer, co-producer and musical director with an artist called Marie-Claire D’Ubaldo whose biggest hit was The Rhythm Is Magic.

In 1996, I started a critically acclaimed underground acoustic club for songwriters called The Kashmir Klub that ran for six years; after which I came to The Bedford in 2003 to take over curating and promoting music.

 IN THIS IMAGE: The Ballroom - as it will look when The Bedford reopens in December

Tell me how you came to be involved with The Bedford?

The Kashmir Klub had to close in 2003 and the owner at the time had been many times and loved what I was doing and invited me to come to The Bedford and try and to really help raise the profile of what (The Bedford) was doing and to raise the bar on all it could be.

I know it is reopening and will have a launch in December. What was the reason behind the closure?

New owners took over last year and had an amazing vision for The Bedford. Although it has been a legendary destination for many years, it was starting to show its age and was ready for some T.L.C. With significant investment of money, love and passion; they have now transformed the place into something that will really be a jewel in the crown of London venues and bars.

IN THIS PHOTO: Jack Savoretti storming The Bedford back in 2007

If one were to come to the relaunch, what might we expect?

If you had been to The Bedford before, you will still feel all the same warm and welcoming spirit and energy but you will see a building that has been taken to a whole new level. If you are coming for the first time, the ‘wow factor’ is going to be at the top of the scale. The main bar has been tastefully redesigned into an imposing horseshoe (which was actually in the original plans but had been lost for many years). Its sense of drama, music and theatre is evident in the unique, custom-made wallpaper; the brilliant posters and the great live pictures that recognise and celebrate the long history of music and comedy that has been at the heart of The Bedford…

 IN THIS IMAGE: What one can expect when booking a room at The Bedford

We now have two floors of beautiful, boutique hotel rooms that reflect the very early incarnation of The Bedford, but bring right into the 21st century. The Club Room has been fitted with a state-of-the-art audio/visual system that will allow us to promote a much wider range of live shows, work with some bigger acts and give our weekend club goers an amazing experience.

On top of all that, The Ballroom has been turned into one of the most beautiful and inspirational event spaces that can accommodate everything from the most special wedding to the coolest private party. And that’s just the start! I have been here almost sixteen years and I have to say that what the team have done with The Bedford has surpassed all my expectations. I am SO excited to be part of the next generation of this amazing venue.

Are there big plans for 2019? Are there already events and nights planned?

We have a lot of things in the system but, for now, the most important thing is to be up and running and make our opening month as smooth as possible and get everything ready for a big New Year.

 IN THIS IMAGE: How The Bedford’s first floor bar will look

Is it true there is a new lightning system? Will the new-look venue provide an even better and more dynamic live experience?

Yes, very much so. It’s a fantastic lighting system that includes a new ceiling truss full of moving heads and extensive P.C.-controlled software allowing us to create a very special environment for any event. 

The Bedford has helped support and propel musicians like Ed Sheeran, KT Tunstall and Paolo Nutini. What has been your fondest memory from your time with the venue?

That is SO hard to answer! Over fifteen years, there have been so many amazing moments. Pete Townshend playing a free show for us one night was an incredible experience, for example. However, the real magical moments are when we see acts that started their early careers with us really take off. Ed is obviously someone we have very fond memories of and because of the shows we did with him - and his own night here - that led to him releasing the album Live at the Bedford. We feel very proud to have played a small role in his journey.

IN THIS PHOTO: Charlotte Church at The Bedford in 2010

A lot of grassroot venues are closing and a lot are in the capital. Do you think more needs to be done by those in power to preserve small venues?

Yes...absolutely. Small venues are like small airfields. If there is nowhere to learn to fly, we have no pilots for the future. Similarly, if we lose small venues, we close the opportunity for young artists to learn their craft, build an audience and gain experience. We are very lucky to have owners at The Bedford who understand this and have actually invested heavily in our ability to do more and help acts be seen and heard at their very best. The Government needs to continue to be reminded of the value of music and the importance of protecting small independent venues.

IN THIS PHOTO: Coffeepot Drive at The Bedford earlier this year

How important, in your view, are these venues regarding the next generation of musicians? Can music survive without them?!

There is no doubt that, for performing artists, the ability to play regularly, in places that will welcome you before you are famous and will help you to find fans; try out material and meet other musicians/industry people is vital. The O2 headliners of today can only get to be good enough with experience and that can only come from small venues not only surviving, but thriving.

What advice would you give to venues at the moment regarding sustainability? Do you think The Bedford has a magic formula?

The truth is that being an independent venue is a tough challenge. Between the standing costs of rent, business rates; electricity, insurance etc. and staffing, everyone needs to be creative in how they generate income for the business. Every venue, including The Bedford, has to diversify and be open to different ways of generating financial stability - from club nights to private hires to sponsorship; each venue needs to work out how they can add extra value to their business.

IN THIS PHOTO: Mercury Prize-nominated artist Jorja Smith on The Bedford stage in 2016

You have an eye for spotting musical talent! What do you look for in a musician when it comes to future promise?!

Having booked over 10,000 acts through the last twenty years as well as being a musician; I think I have developed a certain ear for what I think works for the kind of shows I book. My area is really songwriter-based music (even if it’s a band) - that is where I trust my instinct the most. I don’t know a lot about emerging talent in other areas like Dance, Jazz etc. so I follow my gut feeling about acts that I book.

 IN THIS PHOTO: ILONA/PHOTO CREDIT: Alex Berger Photography

Which rising artists do you suggest we check out and follow?

ILONA; Houndstooth; Hope and Leoni Jane Kennedy.

 IN THIS PHOTO: Hope

Might we see you taking to the Bedford stage? Do you still perform live?

I will actually play the first set of the soft launch night - and then I will make the odd guest appearance as things go along. I am still very active in music, writing, producing and playing shows.

As Christmas is coming up; if you had to ask for one present what would it be?

A special one of our ‘alumni’ to confirm a re-appearance at The Bedford for 2019.

Finally, and for being a good sport; you can choose a song and I’ll play it here (not any of your music - I will do that).

Fleurie - Hurricane

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Follow The Bedford

 IN THIS IMAGE: The Bedford’s reinvented performance stage

Official:

https://thebedford.com/

Twitter:

https://twitter.com/thebedfordpub

Instagram:

https://www.instagram.com/thebedfordpub/

Facebook:

https://www.facebook.com/ThreeCheersPubs

INTERVIEW: Amelia Carey

INTERVIEW:

PHOTO CREDIT: Lily Bertrand Webb

Amelia Carey

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MY last piece this weekend...

is a chat with Amelia Carey about her new single, Over You, and how the story came to life. She explains what it was like putting the video together and what we might expect going forward – Carey recommends a rising artist to watch.

I ask her which three albums are most important to her and whether she gets time to relax outside of music; whether there is going to be more material arriving next year and if she has a favourite memory from her career so far – she ends the interview by selecting a cool song.

____________

Hi, Amelia. How are you? How has your week been? 

Hi! It’s been a bit of a wild one if I’m honest. I had my phone stolen in Camden after I saw Dusky Grey. I’m a little disheartened by it but these things happen! 

For those new to your music; can you introduce yourself, please?

I’m Amelia and I’m eighteen-years-old and have recently moved to Brighton and am studying at BIMM!

Over You is your latest single. Is there a story behind it?

Over You is about breakups in general and this song depicts that last stage of finally getting over someone! I wanted this song to communicate to people of all genders also, which is why ‘he’/’she’ pronouns aren’t really used!

 

What was it like putting the video together? Was it a fun shoot?

I had so much fun whilst filming the video, but as it was my first I was afraid of looking a little awkward! We ran into some complications due to the weather but it was still such a brilliant couple of days.

Might there be more material next year?

I’m hoping so! 

Which musicians inspired you to get into the business?

My inspirations come from the likes of Lil Peep, Billie Eilish; Amy Winehouse and Pale Waves!

Do you already have plans for 2019?

Not currently, but I’m excited for next year and what could happen!

Have you got a favourite memory from your time in music so far – the one that sticks in the mind?

When I recorded my single, I recorded at RAK in London and, of course, this studio is well known. It was very scary to record somewhere that’s had the likes of Ed Sheeran walk the halls! 

Which three albums mean the most to you would you say (and why)? 

I absolutely love Lil Peep - Come Over When You’re Sober, Pt.1 because of the emotional sentiment in absolutely every single song. The production from Smokeasac is amazing. 

Amy Winehouse - Frank. Her vocals and lyrics just work together in perfect harmony; again with such strong emotion and power, yet vulnerability shown in the tracks!

Pale Waves - My Mind Makes Noises. This album speaks a lot about mental health and how it affects you and those around you! Also, the '80s Glam-Goth aesthetic they have going on is to die for!

As Christmas is coming up; if you had to ask for one present what would it be?

Probably for my parents to return home from Portugal for the Christmas holidays!

If you could support any musician alive today, and choose your own rider, what would that entail?

I would simply need to have my friends and girlfriend present with a collection of crisps to munch on!  

What advice would you give to new artists coming through?

Be YOURSELF!

Do you have tour dates coming up? Where can we catch you play?

Not at the moment, sadly!

Are there any new artists you recommend we check out?

Have a look into the band joan!

Do you get much time to chill away from music? How do you unwind?

I like to unwind by watching Doctor Who with my partner and enjoying some good food!

Finally, and for being a good sport; you can choose a song and I’ll play it here (not any of your music - I will do that).

Pale Waves - Eighteen! 

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Follow Amelia Carey

Spotify:

https://open.spotify.com/artist/3riGa0uEWIzvYQFADIM5dQ?si=FChbG5RKRfS4AmcBAsMKlg

Twitter:

https://twitter.com/ameiiacarey

Instagram:

https://www.instagram.com/meliacarey/

Facebook:

https://www.facebook.com/meliacarey/

YouTube:

https://www.youtube.com/channel/UCZX_JGcipqCU3JwvM36ZAiQ

SoundCloud:

https://soundcloud.com/ameliacarey

INTERVIEW: Andria Piperni

INTERVIEW:

PHOTO CREDIT: Nat Carson

Andria Piperni

___________

THE fantastic Andria Piperni...

has been talking with me about her current single, Say Something, and what its story is. I ask what sort of music inspires her and whether there is a strong music scene in Montréal and which albums are most important to her.

Piperni tells me what is coming up next year and which artist she’d support given the chance; if there are any tour dates approaching and whether there are rising musicians we need to get involved with and support.

__________

Hi, Andria. How are you? How has your week been?

Hi! I’m great. Busy week!

For those new to your music; can you introduce yourself, please?

Sure! I’m a singer and songwriter based in Montreal and I like to describe my sound as a blend of Neo-Soul and Alternative-R&B. Fresh but familiar. I’ve done a lot of collaborations with local artists and I’m now putting out my first solo work. Finally!

Say Something is your new track. Is there a story behind the song?

Say Something is about a situation where you're really feeling someone and you know they're feeling you too, but neither of you has had the courage to admit it - I think we’ve all been there! It’s hard to put yourself out there when it comes to love, so you hold back in order to protect your ego and your heart. You hope the other person will be brave and make the first move…but sometimes you just have to take control and be the one to step up!

Do you think there will be more music in 2019?

Oh, definitely (smiles).

PHOTO CREDIT: Nat Carson

What sort of music did you grow up around? Which artists inspired you to get into music?

I listened to all kinds of music growing up. My parents introduced me to a variety of artists, but especially a lot of amazing female artists from Carole King to Bonnie Raitt to Norah Jones. I loved all the great Jazz queens too, like Billie Holiday and Nina Simone.

As I got older, I always gravitated towards the sounds of R&B and Soul. Alicia Keys, Corinne Bailey Rae; Amy Winehouse, Lauryn Hill - their voices and words spoke to me (and still do) in ways that I can’t explain. They make you feel things deep in your soul. That’s what I hope to do.   

You are based in Montréal. Is there a strong music scene there right now?

Absolutely. There is so much talent here. And, with the strong French music scene, it’s especially diverse.

PHOTO CREDIT: James Traf

Do you already have plans for 2019?

You will be hearing more new music, that’s for sure.

Have you got a favourite memory from your time in music so far – the one that sticks in the mind?

There was a performance I did this summer here in Montréal, for a new single that I was featured on - it was a beautiful summer night; the venue was packed and everyone was singing along! Also, the stage was extremely small so I was very close to the audience and it was so cool to see everyone having so much fun.

PHOTO CREDIT: James Traf

Which three albums mean the most to you would you say (and why)?

John Mayer’s Continuum album sticks out. I just remember many car rides of listening through the entire album over and over and thinking about how great his writing was. I think it was during that time that I realized I wanted to write lyrics.

Amy Winehouse’s work is definitely up there. I especially fell in love with her debut album, Frank. It’s just so wonderfully soulful and jazzy. Her voice was unparalleled. She remains one of my favourites.

Finally, I have to mention Regina Spektor’s Begin to Hope. I’m not sure how I even fell upon her music at the time - she certainly wasn’t mainstream. But that’s what I loved about it. Her writing and her voice are (so) unique and powerful. That album made me realize that music comes in so many forms; there are no rules.

 PHOTO CREDIT: Nat Carson

As Christmas is coming up; if you had to ask for one present what would it be?

Hmm…how about a live Christmas house concert by Michael Bublé? Too much to ask?

If you could support any musician alive today, and choose your own rider, what would that entail?

Can I choose Michael Bublé again? I just love him.

 PHOTO CREDIT: Nat Carson

What advice would you give to new artists coming through?

Honestly...I still consider myself to be a new artist. And the number-one thing I try to live by is to just be myself. I don’t think you can find success (or happiness) in this business if you’re not true to who you are. And people are drawn to authenticity, so why not give it to them?

Do you have tour dates coming up? Where can we catch you play?

No official tour dates for now, but I do have some local shows that you can find out about on my website.

 IN THIS PHOTO: Mac Ayres

Are there any new artists you recommend we check out?

Oh man, so many! Mac Ayres, Raveena; Bruno Major, Eloïse; Jorja Smith, Charlotte Cardin; Sara Diamond…shall I continue?

IN THIS PHOTO: Jorja Smith

Do you get much time to chill away from music? How do you unwind?

Hanging out with the people I love is the best way to relax.

Finally, and for being a good sport; you can choose a song and I’ll play it here (not any of your music - I will do that).

Fair-Weather Friend by Bruno Major

__________

Follow Andria Piperni

Official:

https://andriapiperni.com/

Spotify:

https://open.spotify.com/artist/246DV2fjrMTWTOSqr5kmoI?si=UzQ1q9M_ReK1vSINAfb-rQ

Twitter:

https://twitter.com/andriasmusic

Instagram:

https://www.instagram.com/andriasmusic/

Facebook:

https://www.facebook.com/andriasmusic/

YouTube:

https://www.youtube.com/user/andriamaria14

SoundCloud:

https://soundcloud.com/andriasmusic

Bandcamp:

https://andriapiperni.bandcamp.com/

INTERVIEW: Lazybones

INTERVIEW:

Lazybones

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IT has been cool speaking with Lazybones...

about the new track, Heart Beat Like a Drum, and filming its awesome video. Candi takes up the questions and tells me how the guys got together and what is coming up – I ask whether there are any tour dates coming along and which albums are important to them all.

I was keen to know which rising artists we need to keep an eye out for; if there is a favoured musical memory and whether Candi has any advice for rising artists of the moment – each member chooses a song to end the interview with.

__________

Hi. How are you? How has your week been?

Candi: Good, thanks! We’ve been super-busy with the video release and had lots of positive feedback, so it’s been an exciting one.

For those new to your music; can you introduce yourself, please?

Sure. I’m Candi and I sing and play Hammond organ. We then have Joe on bass and Sam on drums.

Heart Beat Like a Drum is out. Is there a story behind the song?

It’s not so much a story as more of a feeling. It’s all about that feeling you get when you really like someone; that excited bubbly feeling all wrapped up in a song.

Musically, we wanted to emulate that and create something people could sing and dance along to; in the car, in your living room - wherever you fancy.

The video is a one-shot filmed using an iPhone. Was that challenging to do?! What was the reason behind that approach?

It was very challenging, yes!

Especially as it was the hottest day in the year and we were all in a lot of denim, but it was totally worth it. The approach was chosen firstly because it would be a lot of fun to do but also because it would be interesting. A lot of videos are exciting for the first twenty seconds but then it kind of stays the same and you get bored. We wanted to create something that is new every second you watch it and is entertaining - and I think we achieved that.

How did Lazybones find one another? When did you meet?

We found each other in the local music scene - we were all in other bands and played gigs with each other at one time or another. We got chatting and realised we wanted to try something a bit different, had a pint and here we are. That was last November, so it’s been a crazy year.

Is there going to be more material next year? How far ahead are you looking?

We have our new single coming out in early January followed by our E.P., Bang! Bang!, coming out on Killing Moon in early-2019 (which you can pre-order now on our site!). We’re then already planning for the next release following and have spent a lot of time in the writing room in the last few weeks.

Do you all share similar tastes? Who are you inspired by?

We all have slightly different tastes. I’m (Candi) tend to like softer Rock and Pop. I’m inspired by people such as Skin from Skunk Anansie and Laura Jane Grace from Against Me! Joe then likes Black Sabbath and Chas & Dave and Sam’s into more Punk stuff and the D.I.Y. ethos.

As Christmas is coming; what one present would you each like if you could have anything?

Candi: A Britney mic. I won’t even wear it in public; just around the house for fun.

Joe: Pet chimp.

Sam: World peace.

Do you already have plans for 2019?

2019 is going to be a super-exciting year for us. As I mentioned, we have our E.P., Bang! Bang!, coming out on Killing Moon early-2019 but we are also going on a U.K. tour in February, woo! So far, we’ve announced five dates with more to be announced. We’ve then got a new release planned after, so watch this space...

Have you got a favourite memory from your time in music so far – the one that sticks in the mind?

Our favourite memory as a band was our recent single launch at Green Door Store. Lots of yellow; lots of bunting and balloons and a great crowd. It really felt like something special.

On a side-note and the worst memory - breaking the van door at 2 A.M. in the rain, fixing it with a crowbar and then locking the keys in the back. That was a long, cold night!

Which one album means the most to each of you would you say (and why)?

Candi: Stoosh by Skunk Anansie

Skin’s voice is absolute perfection and the variety of songs and themes include every emotion, so it always has you covered, whatever mood you’re in.

Joe: Black Sabbath – Black Sabbath

It’s just four skint guys recording an album in a day or two and it still sounds huge today. Great instrument sounds, great songs and such a huge contribution to Rock/Metal and the rest.

Sam: I can’t possibly answer that question but maybe At the Drive In - Relationship of Command, because no matter when I play it it’s still good.

If you could support any musician alive today, and choose your own rider, what would that entail?

We’d support someone like Blondie or Black Sabbath…if they ever tour again. If not, maybe Jack White.

The rider has to include Custard Creams, really good pizza and at least eight cans of Stella.

What advice would you give to new artists coming through?

Be as creative as you can with what you have and play to your strengths. It’s a really saturated industry but, if you work hard and learn what makes you unique, you can really create something new and exciting.

Do you have tour dates coming up? Where can we catch you play?

We’re playing on 10th December at The Old Blue Last, supporting Fangclub and Big Spring which is going to be awesome. Our tour dates in Feb are then as follows:

15/02/19: Crofters Rights, Bristol

16/02/19: Good Mixer, London

19/02/19: The Horn, St Albans

20/02/19: The Hope, Brighton

21/02/19: Frog & Fiddle, Cheltenham

With more T.B.A.!

 IN THIS PHOTO: DITZ

Are there any new artists you recommend we check out?

Definitely, we would recommend our pals DITZ - they are killer live and just came off tour with The Coathangers. Also, Gender Roles and Orchards  - both Brighton bands and both bring something new and really exciting to the scene.

 IN THIS PHOTO: Orchards

Do you get much time to chill away from music? How do you unwind?

I’d like to say I do yoga or something productive but, instead, I binge-watch terrible teen dramas and then deny all knowledge of them when questioned. I also read a lot. Joe then watches Forensic Files or Simpsons and Sam just plays more drums. Drums.

Finally, and for being good sports; you can each choose a song and I’ll play it here (not any of your music - I will do that).

Candi: Black Me Out - Against Me!

Joe: The Lord of Lightning - King Gizzard and the Lizard Wizard

Sam: The Reason They Hate Me – Daughters

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Follow Lazybones

Official:

https://www.wearelazybones.com/

Spotify:

https://open.spotify.com/artist/0CBPtqOqwRhnK93GuXE715?si=NJ_Sf7TsSBS3uzTcWUHkPg

Twitter:

https://twitter.com/wearelazybones_

Instagram:

https://www.instagram.com/wearelazybones/

Facebook:

https://www.facebook.com/wearelazybones/

YouTube:

https://www.youtube.com/channel/UCTZCus55u0MUwLmBJgJL1kQ

ALL PHOTOS:

Thomas Lisle Coe-Brooker

INTERVIEW: Ciircus Street

INTERVIEW:

Ciircus Street

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THANKS to Ciircus Street...

for telling me about their track, Broken, and how it came together. I was keen to learn how they formed and whether Sam and Jim share similar musical tastes – they reveal some rising acts we need to keep an ear out for.

I ask whether tour dates are coming and which albums strike them hardest; if they have anything they especially want for Christmas and what next year holds – they each select a cool track to end the interview with.

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Hi, guys. How are you? How has your week been?

Hey! We’re good thank you. We’ve just finished two weeks on tour with Coffee House Sessions, so recovering from that and preparing for our headline show in London next week.

For those new to your music; can you introduce yourselves, please?

Sam: Hey. I’m Sam and I play guitar and half of the vocals. I’m a big fan of olives and a nice cup of tea. Pretty much sums it up.

Jim: I'm Jim. I play piano, the other half of the vocals and occasionally an egg shaker!

When did Ciircus Street form? How long have you been playing together?

We formed about three years ago - this month is actually our anniversary! We used to perform solo music and one day went to go see Saint Raymond in Oxford; had a few beers and decided to make a band! Actually got up the next day and did it as well! (After sorting out our hangovers).

Broken is your latest track. Is there a story behind it?

Yeah. Broken is more written from a hypothetical perspective, rather than anything we are currently going through. It’s about someone who has finally got the strength to leave a relationship they weren’t happy in - and the relief that came from them actually doing it.

Is there going to be more material next year? How far ahead are you looking?

Yeah. For sure! We definitely want to release more next year - as we waited a year in between songs. Now, we're excited to get some more ou; hopefully before the summer.

Do you share similar tastes? Who are you inspired by?

We do and we don’t…

Musically, we love a lot of the same things, and then we have some things we prefer more. However, we both agree crumpets with Marmite are banging. I think we draw inspiration from a lot of places. Listening to a lot of different genres of music, we take it all in. When writing Broken we had been listening to a lot of Lewis Capaldi, so I think that had some input on the end product.

As Christmas is coming; what one present would you each like if you could have anything?

Sam: I actually love Christmas and start getting excited by it in January, so the fact it’s coming round is enough for me. But, If I could have anything, probably a new guitar. Mine’s doing alright, bless it, but it was cheap when I bought it and I’ve been banging it around for years.

Jim: I'd have a new keyboard. I've always fancied a Nord but maybe that's a little unrealistic; mine is just so heavy!

Do you already have plans for 2019?

At the moment, we have some basic plans but we’re having some meetings at the moment to see where we really want to go with the year. We’re definitely excited!

Have you got a favourite memory from your time in music so far – the one that sticks in the mind?

We went to Dublin earlier this year and we've got some really fond memories of that. We had a good laugh and played some cool shows, so that was pretty sick.

Which one album means the most to each of you would you say (and why)?

Sam: In Utero by Nirvana for me, for sure! I was the first album I listened to. I remember playing it in the car on the cassette player and just sitting there listening over and over.

Jim: I have absolutely no idea. I really like Hybrid Theory by Linkin Park. It reminds me of when I was a teenager and didn't have any responsibility!

If you could support any musician alive today, and choose your own rider, what would that entail?

Jim: I'd love to support Muse! Mainly because I'd love to see them live. Rider would probably include some beer and a burrito each. Nothing too fancy!

What advice would you give to new artists coming through?

Work hard, but don’t put too much pressure on yourself. Sometimes, there are going to be really hard days but that’s cool. It’s okay to have them; just enjoy it and be yourself. Don't take anything too seriously.

Do you have tour dates coming up? Where can we catch you play?

We have our headline London show on 27th November at the Servant Jazz Quarters in London which we’re mad-excited about. It’s going to be really fun. 

Do you get much time to chill away from music? How do you unwind?

Sam: Yeah. I enjoy playing games. There are a lot of games for the Switch coming out, so that’s going to be a laugh.

Jim: I'm pretty basic. I enjoy stuff like cooking and a few beers with friends down the pub.

Are there any new artists you recommend we check out?

We have listened to Ocean Wisdom since he dropped his video for walking and have been massive fans since. If you’re into Hip-Hop or Grime, go have a listen if you haven’t heard him already.

IN THIS PHOTO: Ocean Wisdom

Finally, and for being good sports; you can each choose a song and I’ll play it here (not any of your music - I will do that).

Sam: Ahh. Wicked. My song choice would be Fake Happy by Paramore. I have been listening to them again a lot recently and that song is sick.

Jim: Cowards by Raleigh Ritchie is an amazing song, I love it at the moment and more people should listen to him!

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Follow Ciircus Street

Spotify:

https://open.spotify.com/artist/3fcClrnWaQ4WQcMvxgeVxY?si=T8NhRQXwR4-5AS1pGKcc3Q

Twitter:

https://twitter.com/Ciircus_Street

Instagram:

https://www.instagram.com/ciircus_street/

Facebook:

https://www.facebook.com/ciircusstreet/

 PHOTOS:

Viv Morris

INTERVIEW: talker

INTERVIEW:

PHOTO CREDIT: Bridgit Fatora 

talker

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I have been speaking with talker...

 PHOTO CREDIT: Jocelyn Raulston

about her latest track, Intimidated, and its story. She reveals which artists are important to her and albums that mean the most; whether there is more music coming and whether her upbringing has a lot of great music in it.

I ask talker if there are tour plans and what is afoot for 2019; any rising artists we need to look out for and how she spends time away from music – talker ends the interview with a great track selection.

__________

Hi, talker. How are you? How has your week been?

Hey! It has been great and exhausting. I just got back from Mexico City, which was amazing. Readjusting from a trip is always a little weird though!

For those new to your music; can you introduce yourself, please?

For sure – my name is talker and I’m a Grunge-Pop artist from Los Angeles.

Intimidated is your new track. When did it start life? Is there a story behind it?

Intimidated actually took a while to come together. It started really organically when I was just writing in my room and I didn’t think much of the song. A couple months later, I was going through my voice memos on my phone and stumbled upon an early draft and realized I really liked it. And then I reworked it a bit and it all came together! There’s not a huge story behind the song besides that. I just really tend to overthink and get in my head too much and I let it affect my relationships. This was one of those times.

Is there going to be more material next year do you think?

Definitely! I’ll be putting an E.P. out pretty soon after the New Year.

Did you grow up around a lot of Grunge music? When did bands like Nirvana and Soundgarden come into your world?

I did. My parents listened to a lot of Alternative and Rock, not only Grunge, when I was growing up. Apparently, they would listen to it on the way to the hospital when my mom was pregnant with me, so they claim that I started listening to it in the womb. So it runs deep!

PHOTO CREDIT: Sean Nunley

Do you already have plans for 2019?

We’ll see! Right now, I’m focusing on putting out the E.P. and booking some shows for the New Year - but I’m just planning on writing a lot more and putting more music out as soon as possible.

Have you got a favourite memory from your time in music so far – the one that sticks in the mind?

I feel really lucky because I have so many! But, a really special one is when I performed at Red Rocks with Frenship, which is a band that I play keys for when they tour. That was really surreal; it’s just a beautiful and iconic place unlike anywhere else in the world.

PHOTO CREDIT: Bridgit Fatora 

Which three albums mean the most to you would you say (and why)?

Oh, wow it’s so hard to choose from my top-ten or so. Definitely Transatlanticism by Death Cab for Cutie. I’m really influenced by Ben Gibbard’s lyricism and think he’s an absolute genius. That album doesn’t have a single filler track and every song makes me lie on the floor and cry. That album has seen me through years of insecurities and growing up.

The 1975’s self-titled debut album is another one for me. I have a lot of special memories with that record and I also just think it’s so well done and groundbreaking.

It’s so hard to only pick one more! But, definitely High Violet by The National. In all honesty; I want to say all of their albums because I’m a huge fan of theirs and each record means a lot to me. But, High Violet is the first album of theirs that I got into and it’s been a lifelong obsession since.

As Christmas is coming up; if you had to ask for one present what would it be?

If there’s no limit to that present then a plane ticket (and all other expenses paid if I’m being honest), good for any location that I choose. Is that too much to ask?

PHOTO CREDIT: Tom Bender

If you could support any musician alive today, and choose your own rider, what would that entail?

If we’re dreaming big I would love to open for Foo Fighters. I’m obsessed with Dave Grohl and wish he were my cool uncle. Honestly…I just want a lot of amazing food on my rider. And socks.

What advice would you give to new artists coming through?

It’s funny answering this question because I’m still figuring everything out myself and am super-new to the scene! But, I’d say just try everything. Go to every show. Meet everyone you can. I am such a different artist and person than I was when I first moved to L.A. and it took a lot of soul-searching and musical experimentation to figure out who I was artistically. And, while I’m confident with where I am now, I’m still constantly evolving and figuring it out!

 PHOTO CREDIT: Bridgit Fatora 

Do you have tour dates coming up? Where can we catch you play?

I do! I’m opening for my friend and amazing artist Yoke Lore at The Dacres in Walla Walla, Washington on December 7th. And then I’m playing a free, full band show in L.A. on December 11th at Madame Siam in Hollywood as a part of the We Found New Music and BuzzBands L.A. holiday party.

Might you come to the U.K. - or are you playing in California for the most part?

I would love to come to the U.K.! Right now, I’m mainly focusing on California and other semi-local shows, but I’m really hoping to get over there sometime within the next year or so. I’d also love to do some writing over there too.

IN THIS PHOTO: Dan Sadin/PHOTO CREDIT: Rachael Wright

Are there any new artists you recommend we check out?

Yes! My friend and close collaborator Dan Sadin has an awesome E.P. out – he also shreds on guitar. Another friend of mine, Chanel & the Circus, just put out their new video and is, hands down, the most creative and genuine person I know. Plus, their music is catchy as hell. Who else can I shout out? Colyer just put out a sick E.P., as did my amazing friend Fiona Grey. Honestly, I’m super-lucky to be in a tight-knit community of incredible artists! They inspire and terrify me.

Do you get much time to chill away from music? How do you unwind?

My brain is definitely always wrapped up in music. It’s easy to go down the rabbit hole and get a little obsessive; always trying to be productive and constantly worrying about wasted time. But, I love to spend time with my friends, hike; drink good coffee, watch Friends on-repeat and travel as often as I can. I really strongly believe that it’s important to focus on my personal life and the people and things that make me happy and the rest will follow. Just have to remind myself sometimes.

Finally, and for being a good sport; you can choose a song and I’ll play it here (not any of your music - I will do that).

Ooh, fun! Your Loves Whore by Wolf Alice – one of my forever-favorite songs. Thanks, guys!

__________

Follow talker

Spotify:

https://open.spotify.com/artist/1wcTmtixisIzV10W69W6lm?si=_1AX5HwSQcSNotoMxrblpQ

Twitter:

https://twitter.com/talkerceleste

Instagram:

https://www.instagram.com/talkerceleste/

Facebook:

https://www.facebook.com/talkerceleste

INTERVIEW: Billie Black

INTERVIEW:

Billie Black

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I am ending today by speaking with Billie Black...

as her E.P., The Last Time, has just been released. She talks about themes and inspirations and which artists have compelled her; a few albums that are very dear and what she has planned in terms of the future – Black explains how music came to her and when the bug struck.

I ask whether she gets time to chill outside of music and what advice she’d give artists coming through; which new artist we need to get behind and follow – she ends the interview by selecting a great current track.

__________

Hi, Billie. How are you? How has your week been?

I’m well, thank you. It’s been a very busy week - but I’m happiest when I’m busy.

For those new to your music; can you introduce yourself, please?

My name is Billie. I am twenty-three. I make music. I learnt how to sing through listening and then studying Jazz at uni but also have a passion for Electronic music. I have tried to combine the two in my original projects.

The E.P., The Last Time, is out. Are there themes and personal experiences that inspired the songs?

I wanted the E.P. to be quite bold and cinematic. It’s definitely got a romantic theme. I am a very romantic and passionate person, so I suppose it’s quite honest in that sense

Do you have a personal favourite song from the E.P. at all?

My favourite is the final track, Long Way to Go, because I love the melody and then sample of Eartha Kitt at the end. I, of course, love all of the songs though.

Might we see more material next year?

Yes! I took some time out of music to start a degree in Social Anthropology at SOAS (School of Oriental and African Studies). I finish my course in May and I am looking forward to focusing solely on music again; it is my passion.

Are there particular musicians you draw inspiration from? Did you grow up around a lot of music?

I love Billie Holiday. I am really inspired by her honesty and raw emotion that comes across in her expression. Chet Baker. I also love old Soul – Donny Hathaway, Aretha Franklin. I don’t come from a musical family: I am the only person in my family who does music for a living but my mother used to be a professional Disco dancer so I grew up listening to a lot of Disco. My dad is into Reggae and Bob Dylan - a strange mixture!

Your music has been championed by the likes of BBC Radio 1. How does that make you feel?!

It’s cool.

What do you hope to achieve by the end of 2018?

Continue writing, continue gigging. Start a new project – maybe start working on an album.

Do you already have plans for 2019?

Well. I wanna finish my degree. I also want to do another show where I play music off my latest E.P. and maybe play some tunes that might become part of an album.

Have you got a favourite memory from your time in music so far – the one that sticks in the mind?

Every time I perform, whether it is jazz or my own stuff, I feel amazing. It’s hard to think of a performance that particularly stands out - as I’ve done so many - but my favourite memories are definitely being on stage. Even when I took a break from doing my own music, I was still gigging doing Jazz roughly twice a week so it makes me really happy.

Which three albums mean the most to you would you say (and why)?

Donny Hathaway – Live

Because I feel and believe every single word he’s singing. I can relate to his emotion and his soulfulness makes me feel warm. This album makes me feel like myself.

Laura Mvula – Sing to the Moon

Because it helped me through a really tough time in my life. I am also really inspired by her writing and her use of strings to create a really atmospheric, bold sound

Nancy Wilson and Cannonball Adderly - Nancy Wilson/Cannonball Adderly  

Because it was one of the first Jazz albums I listened to in its entirety. I know all the tunes off by heart and they bring back some really fond memories.

If you could support any musician alive today, and choose your own rider, what would that entail?

I would support Sade because she is effortlessly sophisticated and classy and an absolute legend. I’m not fussy with my rider as long as there’s red wine I’m happy.

What advice would you give to new artists coming through?

First and foremost, be yourself. Don’t get caught up in the race. Take things at your own pace. Try not to compare yourself with others. Constantly question whether the things you’re doing are making you happy; try to live in the moment and enjoy yourself, remember that music should be fun and fulfilling; be determined and don’t give up.

Do you have tour dates coming up? Where can we catch you play?

Early-2019 - I will let you know!

 IN THIS PHOTO: Kadhja Bonet

Are there any new artists you recommend we check out?

Kadhja Bonet – the most beautiful voice and writing I’ve heard in a while.

Do you get much time to chill away from music? How do you unwind?

I enjoy spending time with my family. I have a twin brother that I’m really close to.

Finally, and for being a good sport; you can choose a song and I’ll play it here (not any of your music - I will do that).

This Love – Kadhja Bonet

__________

Follow Billie Black

Spotify:

https://open.spotify.com/artist/0dvdngm0WZX3GFfsD4zWmC?si=dJ5I6g58So2P4SxSKCu0Ag

Twitter:

https://twitter.com/thisbillieblack

Instagram:

https://www.instagram.com/thisbillieblack/

Facebook:

https://www.facebook.com/thisbillieblack/

INTERVIEW: Payson Lewis

INTERVIEW:

Payson Lewis

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MY last piece until later...

is an interview with Payson Lewis who has been talking with me about his new track, Better Run, and filming its rather interesting video. I ask him what is coming up and whether there will be more material afoot; which artists inspire him and when music struck.

I was keen to know about future gigs and some approaching talent to keep an ear out for; which albums mean the most to him and what advice he’d provide rising musicians – he picks a great cut to end things with. and what advice he’d provide rising musicians – he picks a great cut to end things with.

__________

Hi, Payson. How are you? How has your week been?

Hey! I'm doing great - thank you so much for asking. And it's been an awesome week. I mean; we just had Thanksgiving, so I feel like I'm still stuffed from that and still buzzing from being able to spend a lot of time with family and friends. It's been a good week!

For those new to your music; can you introduce yourself, please?

Umm, yeah, sure. My name is Payson Lewis. I'm an Indie-Pop artist. Originally from Philly, now permanently in L.A. I don't know. I never know what else to say about myself. I'm a Pisces; favorite color is blue; take my coffee black?

Better Run is your new video. Is there a story behind it?

Well. The story behind the song is about taking back control in an otherwise controlling relationship. So, when we were thinking about ways to portray that on screen for the video, we came up with this idea of being held hostage by these dominatrixes in a futuristic ‘neon prison’ and then breaking free and ultimately coming back to exact my revenge.

The video looks like it was interesting to shoot. What was that like?

Oh, man. This was one of the most fun video shoots I've ever been a part of. First of all, shooting with the dominatrixes was awesome. The actors portraying them in the video, Serena Koo and Janis Valdez, were so fun to work with; were totally game to leave their comfort zone a little and honestly really made me enjoy being ‘tortured’.

And then, as far as the filming in the desert...we used this unbelievably awesome picture car, a 1972 Scout II, which was probably the most fun thing I've ever driven. So, both days of filming were just a blast. And James, the director, is one of my best friends, so that made it all that much better.

Might we see more material next year?

Oh, yeah. So much. I don't want to give it all away...but expect new music, new videos; live stuff, maybe a tour. The whole compliment of tricks are coming out of the bag next year.

Can you give me an idea of the artists, older and new, who inspire you and compel your own sound?

I mean, it's impossible to list them all. But, I grew up on Classic-Rock; Queen, The Beatles and Elton John. Now, I'm definitely listening to a more Pop-driven palette. Mostly Indie-Pop stuff but also some top-forty like Shawn Mendes or Troye Sivan. For a specific example, on my first E.P., a lot of the vocal production and background parts were really inspired by HAIM who I was pretty into around the time we were laying down the tracks.

Do you already have plans for 2019?

I definitely have plans. Like I said; lots of music and videos are on the way. I'm incredibly excited about 2019 actually. If we didn't have Christmas and New Year’s coming...I'd just like fast-forward and get it going!

Have you got a favourite memory from your time in music so far – the one that sticks in the mind?

I feel like this is an easy one - and I've heard it before from other artists, so I apologize if I come off cliché but the first time playing a show and hearing the crowd sing my music back to me; singing along to the hooks, knowing all the lyrics. Man, that was amazing! I will also say that hearing from fans all over the world who have been listening to my music is really cool too. I wasn't expecting that, so it's really just kind of eye opening about the global reach of music today.

Which three albums mean the most to you would you say (and why)?

Wow. Most meaningful is hard. But, I can tell you the three that I most often go back to - so maybe that is what meaningful is. But, I can't quit listening to Lauryn Hill’s The Miseducation of Lauryn Hill, Continuum by John Mayer or Prince by Prince. And a bonus fourth is Amy Winehouse’s Back to Black.

As Christmas is coming up; if you had to ask for one present what would it be?

Oh, gosh. I mean, there's not any material thing that I can't live without, so I have to go a bit more ‘generic’ I suppose (or ideological) and I would just ask my man Santa to make sure my family and friends were happy and healthy. I wouldn't be anywhere without them so I just want the best for them all. Oh, and I promised my dad a Rolls Royce if I ever get rich and famous. So maybe throw one of those in the back of the old sleigh.

If you could support any musician alive today, and choose your own rider, what would that entail?

You are asking all these big questions - this is so hard. Actually, no, this is easy: Paul McCartney. And the rider would just say ‘thank you’.

What advice would you give to new artists coming through?

Again, it may sound cliché, but you just gotta be true to yourself. Be you. So much of the music I hear coming out these days sounds the same. It feels like people are chasing what's cool or what's happening. But, the ones that always cut through are the ones who are just themselves because by definition - that means they are unique.

Do you have tour dates coming up? Where can we catch you play?

Unfortunately, I don't have anything lined up for the rest of 2018. But 2019 is gonna be filled with lots of live music from me, so stay tuned and I'll let you know!

 IN THIS PHOTO: Carrie Manolakos

Are there any new artists you recommend we check out?

Definitely. How about I give you some variety; check out Bridesman, Joe Leone; Carrie Manolakos, James Byous or Meg DeLacy.

 IN THIS PHOTO: James Byous/PHOTO CREDIT: Dalen Muster

Do you get much time to chill away from music? How do you unwind?

Going to an empty gym and shooting hoops is like church to me. I'm not a religious person, but there's just something about being alone in the gym and seeing that ball go through the hoop that makes me feel centered and in control. It's the best way for me to blow off steam and also to relax within myself.

Finally, and for being a good sport; you can choose a song and I’ll play it here (not any of your music - I will do that).

First of all, thank you so much. This was so fun. But, if it's totally up to me; it's a bit moody but I can't get enough of this song by Lennon Stella, Like Everybody Else (Acoustic). It's haunting and just so timely for our day and age of constant and crippling comparison. If you need something slightly less depressing check out another one of her tunes, Bad. Basically, check her out

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Follow Payson Lewis

Spotify:

https://open.spotify.com/artist/69zyKWGSd3gemLNgqGxaOA?si=MGb8qvc5SLmPH5ugfq300g

Twitter:

https://twitter.com/paysonlewis

Instagram:

https://www.instagram.com/paysonlewis/

Facebook:

https://www.facebook.com/paysonlewismusic/

INTERVIEW: Matt Warren

INTERVIEW:

Matt Warren

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I have been talking with Matt Warren...

about his role kickstarting House music and how he helped create this incredible scene in Chicago. Warren discusses the scene in Chicago now and artists/albums that have impacted him; what he has planned coming up and if there will be tour dates.

His album, Music Is My Life, is forthcoming and he discusses the themes that inspired the album; what his favourite musical memory is and which rising artists we need to watch out for – he ends the interview by selecting a classic track.

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Hi, Matt. How are you? How has your week been?

It's been a whirlwind of activity...with my new disc out, interviews and other promo duties - but it's been awesome.

For those new to your music; can you introduce yourself, please?

I'm Matt Warren from Chicago. I've been producing music since the inception of House music; I've had numerous releases over the years and have worked with the likes of J.M. Silk, Byron Stingly; Shawn Christopher and many others.

 

Music Is My Life is your new album. What can you reveal about it and how it came together?

The album came about from the suggestion of my Executive Producer, MyMy ‘Pepper’ Gomez. I've been engineering and producing for other artists for the past ten years and we thought it was time to bring a new fresh perspective on dance music. I wanted to go back to the days where you could put on a record and it would be entertaining from start to finish.

You are a legend of the House scene. Can you remember when you started and which artists inspired you?

I was making records before House was born, so I naturally wanted to know what this new genre was all about. I have to give credit to the late, great Frankie Knuckles who inspired me to write my song Bang the Box. From there, I was hooked!

How do you think House has changed since 1980s?

Well. I would say that there is some good House music still coming out, but I feel like a lot of it has ‘lost its soul’ and that's why I recorded Music Is My Life - to remind everyone where the ‘soul’ of House music comes from. Real arrangements, real instruments and soulful vocals.

Chicago is, obviously, in your blood. Is there still a varied scene in the city?

There is still a scene in Chicago as far as musicians go; however, I feel like the ‘Club’ scene here has really changed since the heyday's of the late-'80s and early-'90s. You’re hard pressed to find a House music club in Chicago nowadays.

Do you already have plans for 2019?

We are looking forward to getting out a doing D.J. sets all across Europe and the U.S. I'm also already working on the follow up disc to Music Is My Life.

Have you got a favourite memory from your time in music so far – the one that sticks in the mind?

I played a gig in Switzerland for the millennium New Year. There were sixteen-thousand-plus people in the crowd. It was amazing!

Which three albums mean the most to you would you say (and why)?

Led Zeppelin - Houses of the Holy

This album taught me what arrangements and music are all about. 

Sade - Diamond Life

This album showed me what amazing vocals should sound like.

Heatwave - Too Hot to Handle

Perfect example of an album that you play from start to finish. Brilliant!

As Christmas is coming up; if you had to ask for one present what would it be?

I would ask that all mankind could put away these hurtful political and nationalistic views and start to treat each other with humility and kindness.

If you could support any musician alive today, and choose your own rider, what would that entail?

I'm not sure what you're asking about with the rider part of the question...do you mean my performance rider?

What advice would you give to new artists coming through?

Keep putting out new music. Don't ever give up your dreams.

Do you have tour dates coming up? Where can we catch you play?

Nothing scheduled yet but dates will be forthcoming.

 IN THIS PHOTO: Elena Andujar

Are there any new artists you recommend we check out?

Elena Andujar, Sharkeyes and B.B.

Do you get much time to chill away from music? How do you unwind?

When I have time to chill, I'm spending it with my wife and two sons. I'm a huge fan of mixed martial arts = UFC!

Finally, and for being a good sport; you can choose a song and I’ll play it here (not any of your music - I will do that).

I would request The Ones You Love by Frankie Knuckles (Shapeshifters Mix)

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Follow Matt Warren

Official:

https://mattwarrenmusicismylife.com/

Spotify:

https://open.spotify.com/artist/6at3aDV01ztkagGCY3BeN8?si=_izRViPOSfCDoIlHGpHmbg

Twitter:

https://twitter.com/wakeupmusicgrp

Instagram:

https://www.instagram.com/wakeupmusicgrp/

INTERVIEW: Junior Bill

INTERVIEW:

Junior Bill

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THE band is supporting former Supergrass...

drummer Danny Goffey at the moment so it is a great time to speak with Junior Bill about their recent single, There’s a Wolf in Grangetowen, and what comes next. Their eponymous E.P. is out so Rob from the band has been talking about future plans and the sort of music that inspire him.

I ask about the band’s beginning and what plans are afoot for next year; which rising artists we need to keep an eye out for and where the band are gigging – each of the band members end the interview by selecting a great track.

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Hi. How are you? How has your week been?

Rob: Hi. I’m very well, thanks and extremely excited and happy to be touring with Danny Goffey right now.

For those new to your music; can you introduce yourselves, please?

We are a five-piece band from Cardiff. I, Rob, write the songs, front the band; sing and play the guitar. We have Joel Beswick on keyboards, Rory Saunders on bass; Jim Strickland on drums and Luke Owen is the new boy - who sings and plays just about everything.

How did Junior Bill get together? When did the band form?

We’ve had previous incarnations. It’s always been led by me and Joel and Rory have remained present since the start when we met in Cathays Community Centre, Cardiff in 2013. Joel and I, in fact, have played together since I was thirteen, and him fifteen, in a previous band. Junior Bill had a rapper for the first few years, who was Portuguese and rapped in Portuguese and the band had a slightly different flavour then. Luke and Jim joined more recently and the new line-up is now complete. We still rehearse in the place we all met - Cathays Community Centre.

There are four self-released songs coming. What was the reason behind that?

We wanted to tell the stories of where we come from. Each of the four songs tells a different narrative about Cardiff that has wider resonance with national stories. We felt that we wanted to use this offering to say to the world: ‘This is who we are. These are the streets and stories that made us and the same things are happening in your town too’. Not all our music is Cardiff-centric, but these four are our most localised and it ties them neatly together.

Can you talk about There's a Wolf in Grangetown and its story?

The Wolf of Grangetown was a rumour back in my secondary-school, Cathays High. Kids would say “Wallahi, there’s a wolf in Grangetown, bruv”. I thought, maybe, the Muslim kids said it cos a lot of them were scared of dogs. It seemed like a kind of funny idea and the catchiness of the name invited a song. It’s a fun song with a balance of surrealism, urbanism and playground humour as well as an ode to one of Cardiff’s most important and life-filled areas.

I promoted it by creating a hoax campaign about the presence of a wolf in the area. I put warning posters up and got up to all sorts of antics and it absolutely caught fire in local press and social media. Here are two articles which tell the story.

Do you share similar musical tastes? Who are you inspired by?

We’ve all got grounding in Reggae, Ska and Dub. We hold that classic Roots sound, for me particularly from Kingston between 1975 and ’79, up as the pinnacle of that type of music - which is why we revere it and pay some sort of tribute to it but understand that what we do needs to be different and not attempt a rehash of that music - it was done best in a certain time and a certain place.

We all love everything, really. Jim has played in many bands including some which do live drum and bass stuff, which influences his drumming, and he produces Drum ‘n’ Bass in his spare time. Two of Rory’s favourite bands are Jungle and Everything Everything. Luke has a melodic ear and loves Pop, Soul and a good boogie. Joel likes a lot of interesting instrumental stuff and jazzy stuff ranging from Bill Evans to BadBadNotGood. I mostly love songwriters and voices - people with something to say who invite you into their peculiar and different way of seeing the world. And that could be anything from Richard Dawson to Lily Allen to Nadia Rose to Baxter Dury.

As Christmas is coming; what one present would you like if you could have anything?

A pony? I guess we haven’t thought about it yet.

Do you already have plans for 2019?

Yes. To write and write and write.

Have you got a favourite memory from your time in music so far – the one that sticks in the mind?

Seeing as we’re on tour with their drummer; what comes to mind is when I saw Supergrass at Glasto 2004 in the sun/rain when a rainbow appeared and they kicked into Alright. I was eight-years-old and was dancing like mad, wearing a fez and a man wearing only a green tent called me a “fookin legend!”.

Which one album means the most to you would you say (and why)?

Impossible question to answer but, for right now, I’ll go with Word Gets Around by the Stereophonics of all things! I really don’t like most of their stuff but they really captured young life in the Valleys in this album and it, for some reason, really resonated with me when I was really young, even though I’ve hardly spent any time in the valleys.

If you could support any musician alive today, and choose your own rider, what would that entail?

Seeing as you said ‘alive today’, I’ll go for The Rolling Stones. We’d have caviar and champagne. I don’t even like either of those things.

What advice would you give to new artists coming through?

Don’t think you need permission to do what you want to do. Spend two years making your art with no specific purpose other than for making it and enjoying it. Connect with the art as deeply as you can before you start trying to be famous.

Do you have tour dates coming up? Where can we catch you play?

Our tour continues this week:

Friday 23rd - Thousand Island, London

Saturday 24th - Gwdihw, Cardiff

Is it true you are supporting Danny Goffey?! Have you met him before?

Yes and yes. He found out about us through a mutual friend and invited us to play his party. It was great.

 IN THIS PHOTO: Aldous Harding/PHOTO CREDIT: Cat Stevens

Are there any new artists you recommend we check out?

Where do I start?! You might already know some…but I like Aldous Harding…Unknown Mortal Orchestra’s new album is great; LUMP, BALOJI; Duval Timothy…but most of them have been around for years to be honest.

IN THIS PHOTO: LUMP

Do you get much time to chill away from music? How do you unwind?

I like to go swimming.

Finally, and for being good sports; you can each choose a song and I’ll play it here (not any of your music - I will do that).

Joel (keys): Oscar Peterson - A Hymn to Freedom

Rory (bass): Ian Dury - Wake Up and Make Love to Me

Jim (drums) - The Slackers - Married Girl

Rob (vocals and guitar): Aldous Harding - Party

Luke (vocals and synth): Nao - Fool to Love

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Follow Junior Bill

Official:

http://juniorbill.co.uk/

Facebook:

https://www.facebook.com/juniorbillmusic/

Spotify:

https://open.spotify.com/artist/250nqRYTUiSI6nnVXG5yXa?si=eXyDC6s2T52ZRUpSDNYf2A

Twitter:

https://twitter.com/juniorbillmusic

Instagram:

https://www.instagram.com/juniorbillmusic/

INTERVIEW: Jane's Party

INTERVIEW:

Jane’s Party

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THE guys of Jane’s Party...

have been speaking about their latest song, Wait for You, and its story. I ask them how the band formed and what it was like supporting Tom Odell on tour – they each select an album that means a lot to them.

I was curious to learn whether tour dates are coming up and whether they have new stuff in the pipeline; the advice they would give to approaching artists and some new talent we need to look out for.

__________

Hi, guys. How are you? How has your week been?

We’ve had a very successful release of our new single, Wait for You, and we just came off a weekend packed with shows and recording - so we’re all doing great!

For those new to your music; can you introduce yourselves, please?

Jeff Giles (keys/guitar/vocals), Tom Ionescu (guitar/vocals); Devon Richardson (bass/vocals) and Zach Sutton (drums). we are Jane's Party - a band out of Toronto, Canada.

What is the story behind your new track, Wait for You? How did it come together?

Wait for You was written in the months following our return from opening Tom Odell’s No Bad Days tour in Europe. There’s a real vulnerability in coming home from a huge tour and not knowing what the future has in store. Writing the song was a sort of therapy that helped us come to terms with how we were feeling and turning that into inspiration and excitement for what’s to come.

The energy that emanates from a packed venue is exhilarating and the whole tour we wished for something simple to sing at the top of our lungs that could be shouted back, no matter the language barrier. We knew right away, as soon as the chorus to Wait for You came together, who it was meant for.

What was it like supporting Tom Odell in tour? Was that a crazy experience?

It was one of the most surreal experiences we’re ever had as musicians. Playing to audiences like that on a daily basis, spanning countries we’d never even visited before and connecting with people on that level was very special.

Might we see more material coming later down the line?

We’ve got the record slated to release on February 15th with a total of twelve tracks.

How did Jane’s Party find one another? When did you meet?

We all met at York University by Jane and Finch where we studied music and shared a house. We recorded our first album, The Garage Sessions, in our garage. We went on to release that album independently and garnered some CBC radio play, which sparked many years of creating music together.

Do you share similar tastes? Who are you inspired by?

We do share similar tastes, but mostly it just boils down to great music made by great players performing tasteful, well-crafted songs. I don’t think that can be pinned to a genre or handful of artists.

As Christmas is coming; what one present would you each like if you could have anything?

I think we all agree that another European tour would be the perfect Christmas present this year!

Do you already have plans for 2019?

As we mentioned, the new record comes out February 15th, 2019 so that will be accompanied by a lot of touring and support material for the album, including new videos and festival season of course.  

Have you got a favourite memory from your time in music so far – the one that sticks in the mind?

Definitely touring Europe as support for Tom Odell.

Which one album means the most to each of you would you say (and why)?

The Beatles – Abbey Road; Arcade Fire – The Suburbs; Radiohead – The Bends and Bob Dylan – Blood on the Tracks. The sounds, lyrics; songs and nostalgia in these recordings will always resonate with us.

If you could support any musician alive today, and choose your own rider, what would that entail?

Lady Gaga – meat and cheese platter; in-season avocadoes; local artisan; hand-made breads and assorted dips; premium, locally roasted single-origin brews; assorted wine and spirits and fresh underwear and socks.

What advice would you give to new artists coming through?

Play live a lot. Just keep playing live and, if you play covers, play covers that you love not ones that you think you should play because they are relevant.

Do you have tour dates coming up? Where can we catch you play?

We are playing Buffalo at the end of this month with Lowest of the Low on Nov 24th and are part of Concert for Socks at the Rivoli on Dec 6th. There will be more dates to announce closer to the album release.

IMAGE CREDIT: Matt Duncan

Are there any new artists you recommend we check out?

Matt Duncan, Lukas Nelson; Kirty, Ferraro and The Beaches.

 IN THIS PHOTO: Kirty

Do you get much time to chill away from music? How do you unwind?

Sometimes. Nothing beats a good flick or an Americano at your local coffee spot with friends. 

Finally, and for being good sports; you can each choose a song and I’ll play it here (not any of your music - I will do that).

Matt Duncan - The Keys

Robyn - Honey

Lukas Nelson - Find Yourself

Kirty - That’s Not Me

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Follow Jane’s Party

Facebook:

https://www.facebook.com/janesparty

Spotify:

https://open.spotify.com/artist/16SY7vICMlc8XGaTPocEa3?si=zt7_Ai4NRxuFyLh40p3KPA

Twitter:

https://twitter.com/janespartyband

Instagram:

https://www.instagram.com/janespartyband/

YouTube:

https://www.youtube.com/channel/UCDCvJjSnfs9ZFgJy1SGbdrw

INTERVIEW: Gaspar Narby

INTERVIEW:

PHOTO CREDIT: Yolane Rais  

Gaspar Narby

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MY first interview of the day...

is with Gaspar Narby who has been telling me about his latest track, Words of July, and how it came together. I ask the Swiss artist if there is more material coming and what he has planned coming up – Narby reveals a few albums important to him.

I ask what music he grew up around and how he came to work with LEES on his latest track; if he gets time to unwind away from music – Narby ends the interview by selecting a cool track.

__________

Hi, Gaspar. How are you? How has your week been?

Hey, Music Musings and Such! It’s been beautiful! Releasing new music is always a bit overwhelming, but I’m on it!

For those new to your music; can you introduce yourself, please?

I’m a twenty-two-year-old producer based in London. I mix elements of Electronic music, Pop and R&B; using organic samples I often record myself.  

Words of July is your latest track. What is the story behind the song?

My girlfriend, Felix Gonzales-Torres’ Double Portrait and my cassette player inspired the track. To me, Words of July is about finding mutual trust, becoming a shelter for the other and vice versa - without ‘becoming one’ and losing your individuality.

IN THIS PHOTO: LEES/PHOTO CREDIT: Elizabeth Farrell.

How did you come to work with LEES? What did you think when hearing her vocals back for the first time?

LEES and I were at uni together (at Goldsmiths College). The first time I heard her sing was during our first week and it blew me away. Her voice has such a grain; it seems to carry her entire self in there! And, on top of that, she is one of the most talented songwriters I know.

The video, shot by Theo Le Sourd, was filmed on 16mm. How did you feel seeing the video back?

I was really excited! As I mentioned above, I used a cassette recorder a lot to add texture to sounds and getting some of this through the use of film in the video was great. Theo also brought his own vision of the song, which I thought was really interesting. I don’t hear a different song on YouTube and on Spotify now!  

Might there be more material next year do you think?

That is the aim! Two E.P.s are on the way, if all goes according to plan. I have quite a lot of material ready and working on some more. I’m releasing a five-track E.P. on 14.12.2018 so I am still focused on this, but I’ll soon be preparing the next!

What sort of music did you grow up around? Which artists inspired you to get into music?

I had such a varied playlist when I was little. I was the biggest fan of Placebo. The Swiss band The Young Gods, who pioneered sampling in Rock music, were also a huge part of my musical childhood. My father is a big fan of Boards of Canada and also gifted me The Eminem Show when I was six.

I still don’t know whether that was good or bad parenting to be honest (but this album is brilliant!)… I can still hear my mother whistle CocoRosie, Yann Tiersen or Agnes Obel if I close my eyes.

 PHOTO CREDIT: Les Mauvais Garçons

Do you already have plans for 2019?

Releasing more music (two E.P.s are on the way) and gigging! I’m not going to lie; I’ve had a hard time finding as many concerts as I’d like to play but my live show is ready and I think it’s great, so booking agents reading this hit me up, thanks!

Have you got a favourite memory from your time in music so far – the one that sticks in the mind?

It’s hard to choose one! Writing my first single, Home, with the British singer LEES was just such an organic and beautiful session.

Which three albums mean the most to you would you say (and why)?

That’s so hard!

Bonobo – The North Borders

The sound-world Simon Green creates on this album is out of this world; the way he brings acoustic instruments and electronic layers together is pure inspiration to me. It really influenced my way of seeing electronic music.  

Moderat – III

The way these guys approached songwriting within Electronic music inspires me a lot and every single layer of their production blows me away. Their drums and synths…no words.

Deru – 1979

This ambient album accompanied me throughout the past few years; when driving at night, when going on a run; when cooking lasagna, Deru’s textures and melodies just make things better.

 PHOTO CREDIT: Yolane Rais

As Christmas is coming up; if you had to ask for one present what would it be?

I actually just got the Tascam 414 (a four-track cassette player that adds an amazing lo-fi touch to whatever you put in it) for myself as an early Christmas present, so I’m all good! If you’re willing to spend a thousand pounds I wouldn’t refuse a Juno-60 though, thanks!

If you could support any musician alive today, and choose your own rider, what would that entail?

Lorde, of course. Just to be able to see her perform every night! My rider would revolve around food more than drinks I think. Get me sushi and Peruvian food please! 

PHOTO CREDIT: Theo Le Sourd

What advice would you give to new artists coming through?

Believe in yourself! Experiment! Keep learning! Collaborate! Work harder than the day before!

Do you have tour dates coming up? Where can we catch you play?

Gigs aren’t confirmed yet, but I’ll be playing in January in London! Follow me on Instagram and Facebook to know when (I swear I’m not just trying to get more followers; I genuinely don’t know the exact date. Hahah)!

IN THIS IMAGE: IMOGEN

Are there any new artists you recommend we check out?

The singer-songwriter IMOGEN just released an E.P. and I can’t quite describe how beautiful it is. I saw her live and stopped breathing for forty-five minutes I think.

I’m not too big on Techno usually but this amazing Polish woman, L Ʌ V Σ N, has been releasing massive tracks that find a way to stay really subtle and intricate.

Do you get much time to chill away from music? How do you unwind?

I’d say running, but I usually use this occasion to listen to mixes and discover new music. So, cooking would be the answer. It started because I love eating, really (I’m conscious I mentioned food about two hundred times in this interview already…). It’s also super-nice to share good food with friends!

Finally, and for being a good sport; you can choose a song and I’ll play it here (not any of your music - I will do that).

Nepthune – 20+17

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Follow Gaspar Narby

PHOTO CREDIT: Les Mauvais Garçons  

Facebook:

https://www.facebook.com/GasparNarby/

Spotify:

https://open.spotify.com/artist/2j4vLZ1ZNKpYCPhk98FR2s?si=ysEfyGsoRgKpsRd7hkn4fQ

Twitter:

https://twitter.com/gasparnarby

SoundCloud:

https://soundcloud.com/gasparnarby

INTERVIEW: Elle Hollis

INTERVIEW:

Elle Hollis

___________

I have time for one more interview...

and was keen to discover more about Elle Hollis and her latest track, Luxury. The Netherlands-based artist tells me more about its background and what we might expect from her going forward – she also reveals a rising artist we need to keep an eye out for.

I ask which artists and albums have played a big part in her life and how important it is getting onto the stage; if she gets chance to unwind away from music and if there are tour dates coming up – she ends the interview by picking a great song.

__________

Hi, Elle. How are you? How has your week been?

Hi! My week’s been pretty chill so far. I have a performance tonight which I’m really excited about.

For those new to your music; can you introduce yourself, please?

So. I’m Elle Hollis; twenty-two-years-old from the Netherlands. I’ve been singing and making music for as long as I can remember. But, I didn’t grow up in an area where a lot of people did that or something else that was creative. I was never the odd one out but, deep down, I always wanted something different than my peers; always wanting something more, something creative.

I eventually went to Stockholm to work on music and after that I got my first publishing deal at Warner/Chappell. Since then, I’ve been writing and creating so much and I love it. My music is a mix between Pop/Electronic with fresh vibes. 

Luxury is your new single. Can you reveal the story behind it?

I made Luxury with producer duo QSTNMRKS. We initially wanted to make something in the style of Finesse by Bruno Mars because we were really digging that vibe at the moment. So, I wrote the lyrics and we recorded a first version which was still very upbeat. And then the next day we thought ‘No, this just doesn’t feel right’. It’s not the feeling we want to convey with this. And then we changed the production to what it is now and it all just made sense.

The song is about the feeling of only being able to express the feelings you have for someone when you’re under the influence of something, like alcohol. And even though it can be very fun to just be reckless and impulsive for a moment, it’s also very sad because those feelings are still there when you’re sober. So, combining that with a darker and more serious production gives us Luxury as we know it now. 

Might we see more material arriving next year?

Yes. I have so many songs ready to be released! I really just can’t wait for everybody to hear them. 

Did you grow up in a musical household? When did music come into your life?

As I said; I didn’t grow up in an area where people were very creative or made lots of music. No one in my family sings or makes music. My parents have always really appreciated music though and are always interested in the stories behind songs or albums. But, besides that, I really did it all myself.

You are based in the Netherlands. What is the music scene like there at the moment?

Right now, Hip-Hop/Rap is pretty big in the Netherlands. Dutch music really fills up the charts. But, the Dutch charts are not really my priority. I’ve always been really interested in the Scandinavian music industry for instance. And I’d rather not be ‘famous in a commercial way’ but still have sold-out shows and fans who appreciate your music because they genuinely like it, even though it’s not big on the radio. 

Do you already have plans for 2019?

In 2019, I’m gonna release a lot of music and perform! I love performing, so I want to do that as much as possible. 

Have you got a favourite memory from your time in music so far – the one that sticks in the mind?

My best memories in music include a performance I did in Luxembourg. I was the opening act for Louane, a French singer, and it was a sold out show with about 3000 people in the audience. I loved it. The bigger the audience the better I feel when I’m performing. And my other best memories are studio sessions with people that you really connect with on a musical level. Since I’m not used that where I grew up, it always feels really special.

Which three albums mean the most to you would you say (and why)?

Three favourite albums, O.M.G. I have so many! But, I guess the ones that hit a part of me I feel no one else gets is Where the Light Is by John Mayer (the live album); Nothing Was the Same and Take Care by Drake and Blue Neighbourhood by Troye Sivan. And everything that Billie Eilish makes. That’s more than three, I know. But, these albums really came out at times when I apparently really needed them. They really inspired me in terms of songwriting and composing. 

As Christmas is coming up; if you had to ask for one present what would it be?

If I could ask for any kind of present for Christmas, it would be the ability to travel anywhere as much as possible. My more realistic wish is a snowboard or a skateboard.

If you could support any musician alive today, and choose your own rider, what would that entail?

If I could support any musician right now, I would pick Troye Sivan. I absolutely love his latest album. Let’s hope it’ll happen some day! 

What advice would you give to new artists coming through?

If I could give any new artists advice, it would be to really not care about what people think of you being creative and making music or whatever it is you do to express yourself. I literally have to tell myself this every single day as well. Haha. But, it’s so true. In the end, it’s all about making yourself proud.

Do you have tour dates coming up? Where can we catch you play?

I have some shows planned in the Netherlands in 2019, but I also really wanna go abroad! I would love to perform in the U.K.! (so please book me if you want to see me. Haha).

How important is it being on stage and delivering your songs to the fans?

Being on stage is one of the most important things for me. When you have a good show and the audience is really into it, it just gives you so much energy. I really want to be an artist that doesn’t just have fun songs but that really puts on a great show that people will always remember. 

 IN THIS PHOTO: Billie Eilish

Are there any new artists you recommend we check out?

I think some people still haven’t found out about Billie Eilish. Her songwriting is amazing and she’s only sixteen. That’s insane. I wish I was that confident at sixteen. Haha. Maybe her music is a bit too alternative for most people but I still think she’s gonna be huge. 

Do you get much time to chill away from music? How do you unwind?

When I’ve been working on music a lot, I sometimes really need to chill away from it. I can never really completely chill away from it since it goes on in my head 24/7. But, watching movies, T.V. series and hanging out with friends really helps. That also gives me time to get new inspiration.

Finally, and for being a good sport; you can choose a song and I’ll play it here (not any of your music - I will do that).

Let’s play Lost by Frank Ocean. I love that song - always makes me feel good!

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Follow Elle Hollis

Facebook:

https://www.facebook.com/ellehollismusic/

Spotify:

https://open.spotify.com/album/4eEkGn4Jt6vtLssiOd9EHA?si=etrSdTLWQ7OZ3IMjqhUjWw

Twitter:

https://twitter.com/ElleHollisMusic

Instagram:

https://www.instagram.com/ellehollis/

YouTube:

https://www.youtube.com/user/Lonn4z?fbclid=IwAR2h2al6gGXTw5aC1JUb2qgjNt6_tDpmpnueG2GIkr7TA2XmBGKgO5It1kY

INTERVIEW: Jazzboy

INTERVIEW:

PHOTO CREDIT: Louise Desnos 

Jazzboy

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MY last interview of the day...

is with Jazzboy. He has been telling me about his new E.P., Jesus Jazz, and its creation; what the music scene is like where he is in Paris; which artists and albums guide him – I ask whether there are any tour dates approaching.

Jazzboy tells me about some upcoming artists to check out and what advice he would offer musicians starting out; if he has plans for 2019 already and how he spends time away from music – he picks a pretty good song to end things on.

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Hi, Jazzboy. How are you? How has your week been?

I’m good, thanks. My week’s been kind of intense and full of surprises, but I’ve actually enjoyed it.

For those new to your music; can you introduce yourself, please?

My name is Jules and I write, record; produce and perform music as ‘Jazzboy’. I’m currently living in Paris, France.

Jesus Jazz is your latest E.P. What sort of themes inspired the E.P.?

Songs are about death, ego, drugs and falling asleep. This is the first time I’m summing it up and it’s sounding weird. Haha.

What was it like working on the music? Do you have a favourite song from the selection?

The process was very natural, as I’m producing everything myself. The only pressure I felt was my own and that was a nice thing to experience. 

I don’t really have a favourite song: the E.P. as an entirety forms this kind of little monster that I love. It’s hard to choose just one piece of his whole body, you know?

What sort of music did you grow up around? Which artists inspired you to get into music?

I grew up around Nu-Metal, Post-Punk and Pop music, basically. Marilyn Manson, The Clash; Siouxie and the Banshees, Pavement; Deftones and David Bowie had a big influence on me as a teenager. 

As a Parisian artist; can you reveal what the music scene is like in Paris right now? Has it changed a lot over the last few years?

I feel that the most interesting scene in Paris right now is the Electronic music scene. It takes a lot from the D.I.Y. and Punk ethos: throwing illegal parties in huge basements, playing very loud music and the rest of it...I’d love for the Pop music scene to move more in that kind of direction; to get more attracted to danger in a way, thereby becoming more risqué.

For example, I think that N.Y.C. has a great Pop/Experimental scene with a very free and crazy vibe (s/o to The Glove). Saying that; D.I.Y. parties in Paris have come a long way, which is good.

 PHOTO CREDIT: Christopher Barraja

Do you already have plans for 2019?

I'm barely making any plans; just going with the flow I guess. I'm gonna go back to N.Y.C. in February to support the great Tredici Bacci at Mercury Lounge and will probably play in London, Paris and Berlin too.

Have you got a favourite memory from your time in music so far – the one that sticks in the mind? 

I guess the very first time I tried to record music on a computer. I was messing around with samples and vocal effects; I didn't know what the hell I was doing but I loved it. Kind of the same feeling as when I first stepped on a skateboard – freedom!

PHOTO CREDIT: Louise Desnos 

Which three albums mean the most to you would you say (and why)? 

Always a very harsh question. I'll go with whatever comes to mind now…

Television - Marquee Moon

Instant crush when I was very young and into Punk music. It sounded so different, pure and beautiful but also very unapologetic. If ‘perfection’ is a thing, I think it comes very close to it…

Jeff Buckley - Grace

Totally hated it the first time I heard it and then I spent a whole month getting lost in all of the songs. I love how it's easy to hate it, but how it also has this magic that eventually gets to you.

Broadcast - Haha Sound

The most melancholic, divine; beautiful, weird and haunting album I’ve ever heard. It reminds me that music is something way bigger than the humans making it.

As Christmas is coming up; if you had to ask for one present what would it be? 

A little donkey-back riding trip in the countryside with my girlfriend.

PHOTO CREDIT: Edouard Sagues

If you could support any musician alive today, and choose your own rider, what would that entail?

I'd love to support Mica Levi or Micachu and the Shapes. And I’d ask for fifty fresh kiwis with fifty bananas, all cut in small, round pieces in a big bowl.

What advice would you give to new artists coming through?

Get as close as you can to your inner-self and try to love it.

Do you have tour dates coming up? Where can we catch you play?

I’m playing in Paris for one of my ‘Jazzodrome’ parties I run there on 23rd November. I'm also playing in N.Y.C. at Mercury Lounge on 14th February, supporting the great Tredici Bacci.

 IN THIS PHOTO: Ryder The Eagle/PHOTO CREDIT: @loganwhitephoto

Are there any new artists you recommend we check out?

Luxardo, Ryder The Eagle; Krampf, Oklou; EarTheater, Tirzah; Tredici Bacci, Ryan Power and Locate S,1.

 IN THIS PHOTO: Oklou

Do you get much time to chill away from music? How do you unwind?

I go skate a lot - mostly in the mornings. I do a bit of English boxing too. Also, a lot of movies.

Finally, and for being a good sport; you can choose a song and I’ll play it here (not any of your music - I will do that).

You should play OK by Demon V then. Thx!

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Follow Jazzboy

PHOTO CREDIT: Louise Desnos  

Facebook:

https://www.facebook.com/jazzboyworld/

Spotify:

https://open.spotify.com/artist/6EaFxUvBz6JbPruye7gwGN?si=SI-VeMP2QiatCkxuHfdQ0g

Twitter:

https://twitter.com/jazzboyworld

Instagram:

https://www.instagram.com/jazzboyworld/

YouTube:

https://www.youtube.com/channel/UCG0-N_JMpcI1HEoS8DTafPQ