INTERVIEW: From Carbon

INTERVIEW:

From Carbon

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MY final interview of the year...

is with From Carbon who have been talking about their single, Demons. I ask whether there is a new album being planned and what sort of music the band are inspired by – they recommend a rising act that we should get behind and follow.

I ask whether there are any plans for next year and if there will be touring dates; if they have favourite albums and what the reaction has been like to their 2014 debut album – they end the interview by selecting a great track.

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Hi, guys. How are you? How has your week been?

We’re good, thanks. Keeping busy working on the new material.

For those new to your music; can you introduce yourselves, please?

We’re From Carbon. Were an Indie-Rock band from North Manchester. We play guitars, piano; violins and drums. We’ve been described by a radio station in Australia as “U2 and Black Sabbath’s lovechild!” Not sure that covers all our sound but maybe the heavier tracks we play. We do have a softer side, though.

How did From Carbon get together? When did you all start making music together?

We got together around four-five years ago from the ashes of various other bands we’d been in. We’d all seen each other play in other bands and thought why not form this supergroup of unknown, unsigned artists. We only agreed to do a few recordings together but things developed and were now about release album number-two.

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How important is Manchester and its music vibes to your own sound? Is it a good place for the band to play right now?

Manchester music has been a huge influence on us;; there is such a varied and esteemed heritage. We’ve been lucky enough to play with some of them. There is also a bit of scene developing again bands like Blossoms, Slow Readers Club and Catfish and the Bottlemen all seem to be getting to the next level, so hopefully people will seek out more Manchester bands as a result.

It’s hard to make an impact in this city as there is so much competition and, with venues closing down in the city centre, promoters are only interested in booking bands they know will shift a lot of tickets and that isn’t always the best bands. They also take a huge cut of the money, taking advantage of younger bands. We’ve started organising our on gigs as a result.

Tell me about the song, Demons. What is the story behind it?

Scott: Demons is one of the first songs I ever wrote. It came from a huge argument I had with my closest friend at the time and about the waves of anger it produced on both sides. The song acknowledges that we all have demons and complications and perhaps we shouldn’t always judge people so harshly. It’s still very relevant to us.

The song has been picked up for a movie soundtrack, Strangeways Here We Come. It was a proud moment to hear it blasting out in the cinema and at quite a crucial and delicate scene which depicts the morning after a drink and drug-fuelled party in Salford.

I believe your debut album came out in 2014. What has the band been getting up to since then? What has the reaction been like to the record?

Yes. Wealth came out four years ago and has sold over a thousand copies. We’ve had a couple of support opportunities which helped us get to a wider audience. We supported The ChameleonsVox at the Manchester Academy and a few of their hardcore fans started following us as well. Then we supported Heather Small (M People) on her U.K. theatre tour - which was the main reason we sold so many C.D.s and was a truly amazing experience.

We’ve played various small festivals and released a couple singles/videos this year and finished 2018 off by supported Toyah Wilcox in Manchester at the Ruby Lounge - which is another great venue which is sadly about to close down. However, in between all that, we’ve spent the last two years focusing on recording the difficult follow-up album.

Might there be another album coming along in the next year or so, perhaps?

Yes. We’ve named it Existence because it’s had to fight for its existence. It’s definitely been tougher this time. Not through anyone’s fault; our producer Chris Oliver has been on world tours with The ChameleonsVox and Midge Ure. So, pinning him down has been difficult. However, it’s finished now and currently being mixed hopefully in time for our album launch show which is at The Bread Shed in Manchester on Saturday, 30th March, 2019.

We’ve organised the event ourselves and it’s going to be magical. We’ve managed to persuade Joe Duddell and his Classical ensemble to play a set with us. Joe has done similar things with Elbow, James; The Charlatans, New Order and other great acts. We’re just super-excited to hear what he does with our songs and hearing his arrangements and interpretations. We’ve also got the wonderful Little Sparrow supporting us on the show. Katie has such a powerful and beautiful voice and really deserves to be a household name. We’re delighted to have them on the bill with us.

It seems like gigging is the most important thing for you guys. Is that where you hear the music truly come alive – and get the purest and most honest reaction?

We do love playing live and we are definitely one of those bands who sound better live. People are usually shocked at how good we are live when they see us for the first time. It helps with us having seven people on stage. I suppose there’s always something or someone to watch.

Which one album means the most to each of you (and why)? 

Scott: James - One Man Clapping. I bought this album retrospectively as I’d just discovered James around the Gold Mother (‘Madchester’) era, when I first played it (a second hand tape). I thought they’d accidentally mixed up the tapes in Vinyl Exchange as it sounded so different to Gold Mother, like a completely different band. I suppose they were in many ways. I do love a live album, though. This had so much raw energy and an element of crazy that I grew addicted to. Chain Mail, Sandman and Leaking blew me away with their improvisations. The lyrics of Really Hard and Burned certainly resonated with me. It gave you a glimpse of how good they were live and still are.

Gray: A present requested for my tenth birthday bought by my sister because I wanted the music from Tomorrow's World. I played it on a mono hand-held cassette player back to back for years. My first introduction to album music...turns out to be instrumental; not just in genre but in revealing that music was pure escapism. Probably the only album I have bought repeatedly in different formats over the years.

Adam: K by Kula Shaker. The best Rock/Blues mainstream album. It was my first gig at the Apollo. The guitar work was amazing and it was a little bit different from the usual Britpop dross of the time!

Nut: Rush - 2112. I was eighteen; working on a building site in Oldham and the foreman labourer said to me: “You play drums, don’t you?” I said: “I did but haven’t for a couple of years. I’ll bring you a cassette in tomorrow”.  He said: “Listen to the drums; they are amazing”. He brought the tape in and I played it when I got home. Within two weeks, I’d bought myself a kit and started playing again. There have been two people to make me pick my sticks back up. One is Neil Peart and the other is Scott Jeffries.

What do you hope to achieve in 2019?

We’re planning on releasing a couple of singles from Existence and hopefully it will lead to some more exciting gig opportunities, festival slots and we’d love to tour again. It was such an amazing experience and we do have the odd fan dotted about all over the U.K., so it would be good to be able to play live to them again. Fingers crossed.

Have you each got a favourite memory from your time in music – the one that sticks in the mind?

Two favourite memories? The first has to be the first time the audience started singing and clapping along to our song, Demons, on the Heather Small tour. It was at the Lancaster Grand Theatre and we really weren’t expecting to go down well on the tour - as our music is very different to Heather’s - but each night we were blown away by the reaction we were getting and we grew in confidence. It was just a great feeling to see complete strangers enjoying our music.

The second is when Andy Diagram from the legendary band James joined us on stage to play trumpet on Demons. We hadn’t rehearsed it and it was such magical feeling to have one of your heroes playing along with you and improvising on a song you’d written fifteen years earlier. We followed it up with a cover of Laid. Again, we’d not rehearsed it with him so we were flying by the seat of our pants. I think we did it justice. I get tingles thinking about it.

If you could support any musician alive today, and choose your own rider, what would that entail?

Each one of us would have a different answer to that. For me, I would love to support either U2 or Arcade Fire. Not just because it would be a sell-out but I feel we’d have a lot of fun.

I think our rider would have a lot less alcohol than in previous years.

What advice would you give to new artists coming through?

My advice to young musicians is never wait for someone else to do things for you! If you want to record an album do it yourself and definitely plan things.

 IN THIS PHOTO: Eliza Shaddad/PHOTO CREDIT: Melanie Tjoeng photography

Are there any new artists you recommend we check out?

Scott: My favourite new artist is Eliza Shaddad. I’ve seen her develop over the last five years and if you haven’t heard her E.P.s, Waters, Wars and the new album, Future, you haven’t lived.

Do you get much time to chill away from music? How do you unwind?

We never unwind. We don’t have time for that (smiles).

Finally, and for being good sports; you can choose a song and I’ll play it here (not any of your music - I will do that).

Please play Eliza Shaddad - Make It Go Away (with headphones on and in a darkened room on a rainy day)

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INTERVIEW: Roxy Rawson

INTERVIEW:

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Roxy Rawson

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THIS interview finds me talking with...

Roxy Rawson about her album, Quenching the Kill, and the themes that inspired it. I ask if she has a favourite moment from the record and which musicians are important to her- she recommends some rising acts to look out for.

I ask Rawson whether there are plans for next year and how she got into music; if she has a favourite memory from her time in music and which three albums are most important – she ends the interview by selecting some good music.

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Hi, Roxy. How are you? How has your week been?

Hi! Not bad, though I've had the flu! I spent four days inside; on the fifth day, I felt well enough to venture out and decided I wanted to go to a place called Indian Rock where I live in Berkeley. You can climb ancient stones and see the whole of the San Francisco bay from way up high. 

I met a mathematician and we got talking. I was glad to have the flu. I knew it would pass and it was a reminder to slow down and pace myself (smiles). I had Lyme disease for five years and was housebound.. I'm well now and so the experience of a short normal illness and feeling better again was actually pretty awesome. I also got to see this magnificent sunset! It looked like the sky was fire!

For those new to your music; can you introduce yourself, please?

Ok, hello - how are you? I'm Roxy...I make music that could be described as 'Femme-Freak-Folk'. ‘Femme’ because I love expressing myself as a woman and think women have a unique perspective to bring that's important to share. The ‘Freak Folk’ part describes a desire to express authentically, even if it gets a bit outlandish at times - and the ‘Folk’ part describes a dedication to the craft of instrumental playing. 

Quenching the Kill is your new album. What sort of themes and ideas inspired the material?

The themes varied quite widely throughout the time I wrote the songs for Quenching the Kill, but a kind of common theme running through is about the survival anger that animals have; that's, in some ways, quite innocent, it's about survival - and vital. This album is the importance of just and rightful anger and the right to freedom of expression and to speak out against injustices that I experience or see. 

For example, The Good Shepherd is about malignant love. I wrote it following witnessing a pretty intense scene of domestic violence in China, which I tried to intervene in, but there was threat of violence towards all those present so we had to retreat. 

Other songs are about injustice in love (Black Eyed Soup and Born Again); the very human misrepresentation of God in the old testament (in God's Got Bones). Rounded Sound is about claiming and celebrating freedom of expression and joyful moments, following a trip seeing extended family and Teardrop for Rosa is about my grandmother, expressing some things for her about her life that not many people knew about and I feel like I'm singing a bit about some the injustices she experienced in her life and the ripple effect that had on her loved ones. 

Do you have a personal favourite cut from the album?

I think one of my favourite moments is at the end of Bouncing Boots. The musicians and I were kind of riffing on that ending and just feeling where it should go, almost improvisational - and I think it made something quite beautiful.

Which artists inspired you to get into music? Did you grow up around a lot of music?

I definitely looked up to Tori Amos a lot as a young teen, but later on when I heard super-early recordings of Regina Spektor -  before she became famous -; super lo-fi recordings my friend Jess had of Regina as they were friends...

Her innocent and authentic expression and voice timbre inspired me very much to think that I could do my own thing on my own terms and that an audience might deign to listen to it!

You are based in the San Francisco Bay area. Is it an inspiring place to create music in?

It is and it isn't...

It’s incredibly hard for artists and musicians to survive here - and thus the ones that really stick it out are very dedicated to their craft and expressing in an authentic and original way - and so the quality of music here is very high. It's hard to get anywhere beyond the Bay because it's so expensive to live here, so that part is quite demoralizing. I watched an amazing performer, Kendra McKinley, a few months back at the Independent and, despite it being packed, it was full of friends, no industry - and she is so ready to perform for big audiences. Her style is somewhere between Nikka Costa and Prince and her live show is perfectly choreographed. She deserves support and elevation and so do many other superb musicians here.

The tech sector has had such a profound impact on the local economy and they don't seem to care about the hollowing out of their local arts scene, because gradually people have to move away. It's really so hard to live here as a creator, unless you're in tech...

That is why I am founding a non-profit, with the aim of supporting musicians through (I hope) tech-sponsored events and scholarships.

Do you already have plans for 2019?

More work on this non-profit named the Arts and Music Catalyst Collective; a concert series of #femmefreakfolk and a new sub-genre I'm discovering #feralfreakfusion, which I think describes some other kinds of experimental, exciting; energetic music in the Bay... 

Have you got a favourite memory from your time in music so far – the one that sticks in the mind?

Once I played for Gay Pride in London in Trafalgar Square - to probably over a thousand people and I remember rather than being terrified -; I felt enveloped and cared for by the crowd, the energy was so amazing....and the time just flew by as the music flowed through us all on stage. 

Which three albums mean the most to you would you say (and why)?

This is so hard! So many albums means so much to me but these were the first few that came to mind:

Astral Weeks by Van Morrison

The mixing on this album is so beautiful and the musicality and arrangements inspired me so much in making my album. Beautiful sentiments too...

A Hard Day’s Night by The Beatles

 I remember I had never properly listened to The Beatles until I was twenty-five. It was a long time to wait. At the time, I had a high fever and was in China! And I was sucked into this magical vortex of upbeat wonderful Rock and Roll. I listened for hours to everything I had on my phone downloaded, which were just the first few albums. I know there is a problem here with Rock and Roll being appropriated by white people...but The Beatles did make magic with this genre. There's something so innocent and lively that just captured my imagination and transported me back in time, to how people must have felt listening to these uplifting, energetic; hopping songs in the early-'60s.

Aimee Mann – Magnolia

This film was so important to me...and I know that the director wrote the film around her songs as well. The film is about redemption, atonement...

Can I have one more?

Egypt - Youssou N'Dour

This album is so beautiful. It was written with the Egyptian national orchestra and combines this Senegalese singer's upbeat beautiful melodies, combined with this different tradition of music and the results are so beautiful...a surprising cross over of genre; West African and Arab at the same time, if that's ok to say.

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As Christmas is here; if you had to ask for one extra present (that you didn’t get this year) what would it be?

Healthy love and the wisdom to maintain my physical health by listening to my body frequently and valuing my life and myself to the extent that I will not settle for less than I deserve. I would wish this for everyone!

If you could support any musician alive today, and choose your own rider, what would that entail?

I would love to support Regina Spektor because we are kind of connected already through our mutual friend, Jess - though this dream feels so far away!

A rider? That involves the snacks and drinks right? Well. I guess if it was just me, because of my health, my ideal rider would include lots of fresh vegetables! And tea! But, if I had bandmates, I'd want to make sure they had other more yummy things (smiles).

What advice would you give to new artists coming through?

Be true to yourself and make sure to put your body first. Health ALWAYS comes first. 

Do you have tour dates coming up? Where can we catch you play?

I am playing locally in the S.F. Bay. I would love to tour...plans are not finalized yet as it's not clear my band can make the dates. Plus, it costs a lot to tour and I'm not sure I'd have the funds. I may run a fundraising campaign to tour; to tour would be a dream!

 IN THIS PHOTO: My Brightest Diamond

Are there any new artists you recommend we check out?

The latest album by My Brightest Diamond is so wonderful. Powerful, distorted guitar licks with orchestral instruments! Another important artist I think is Laura Mvula. Both her albums are musically so interesting with beautiful arrangements; combining great rhythm with orchestral arrangements. 

IN THIS PHOTO: Laura Mvula

Do you get much time to chill away from music? How do you unwind?

Well. I relax in a few diff ways depending on what I need at the time, but I love watching comedy on telly: The Marvellous Mrs. Maisel and Kimmy Schmidt are my favourites right now. I also love looking at art books and sipping tea. I also do autogenic training with my good friend Chloe over the phone. It's a kind of deep body relaxation/meditation. If we are organized, we do it daily and my days always go better if I incorporate that in. My aim for the New Year is to definitely incorporate more meditation into my daily routine.

And also to eat super clean - as it helps with maintaining my health. I also aim to read more and carve out time for it. I only read four books this last year and it calms me down so much. I should do it every day..

Finally, and for being a good sport; you can choose a song and I’ll play it here (not any of your music - I will do that).

Oooh. Ok, please play for me Yank My Chain by Tanya Auclair. All her recordings are amazing. Ooh, and can I ask for one more? Eleanora by Baeilou. Her latest E.P. is so, so beautiful...

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INTERVIEW: Tim Johnson Jr

INTERVIEW:

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Tim Johnson Jr

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MAYBE I have put this up a day or two late...

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but I have been busy so this is the earliest I could present the Tim Johnson Jr interview. He has been telling me about his E.P., Christmas with U, and why he decided to record it; his musical past and where he is heading now – he reveals a few new artists we should follow.

I ask whether there are tour dates coming up and which albums matter most to him; how he got into music and whether there is more material coming next year – he selects a cool song to end the interview with.

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Hi, Tim. How are you? How has your week been?

It’s great. I just released my music video for my original Christmas single, Snow Day, and I’m gearing up for the New Year.

For those new to your music; can you introduce yourself, please?

Hi! My name is Tim Johnson Jr; an entertainer originally from Philadelphia, PA. When I was younger, I was a theater kid and, when I was ten, I was blessed with the opportunity to be in Disney’s The Lion King in Las Vegas. Since then, I’ve been blessed to be a part of many different projects on the acting and music side. I was a semi-finalist on Fox’s competition music program, The Four: Battle of Stardom this year. I have also recently guest starred on the CBS show, FBI. I will be a recurring character on Hulu’s series, Future Man - and I have two movies coming in 2019.

Your E.P. Christmas with U, is out. What was the reason for putting together the songs you did?

My dad screamed down from the studio: “Tim, we got to do a Christmas project”. This is literally how it started! My dad, as well as producing partner, and I looked through many Christmas classics, trying to find songs that I can put a fresh twist on. We chose Silver Bells and Silent Night. I then started writing an original Christmas song called Snow Day, which was birthed from the idea of being snowed in during the winter; getting the chance to chill and be with the one you love.

Sometimes it’s just good to slow down and be present without other things on your mind. 

Do you think we might see more material coming next year?

Yes. Music is coming next year. Very excited for you all to hear (that rhymed). After putting out my E.P., Hey U, and now my Christmas E.P., Christmas with U, I’ve learned a lot. Now, I’m in a space of reinvention; trying new things, growing as an artist and an overall person. I just want to create and make people feel good when there listening to my music.

Which artists inspired you to get into music? Did you grow up around a lot of music?

My dad had this C.D. of all the Motown classics that he would play all the time. I remember singing I Wanna Be Where You Are and I’ll Be There by The Jackson 5. I also listened to a lot of Gospel. My dad was in a Gospel group called Christlike and I was at church all the time. All you need is a little Motown and Jesus (laughs).

How do you think your time on Fox’s The Four: Battle for Stardom affect your ambition and music?

The Four gave me confidence to create music that is authentic to me. On the show, I got to sing songs that embody the music that I wanted to make.

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Do you already have plans for 2019?

2019! This year, I plan to do what I have but on another level. I just want to be in places that allow me to grow in every area. I plan to direct my first short film this year and discover new arenas of creativity that I have not stepped in. I’m nineteen-years-old, getting to do what I love. I thank God for that each day and don’t take it for granted.

Have you got a favorite memory from your time in music so far – the one that sticks in the mind?

A twelve-year-old kid came up to me recently saying that I inspired him and then he sung for me; he was amazing. Then, he continued to speak to me with such conviction about the things he’s working on and the dreams he has for the future. I then talked with his parents and, when I looked in their eyes, I saw my parents. Then, I looked at the kid and saw me from when I was younger; how my dad would put me on the spot singing for people.

This moment touched me because, knowing where I came from and where I am now, I can give another person hope. That’s the goal of this whole thing: to bring others along with me along this journey, to inspire and bring joy.

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Which three albums mean the most to you would you say (and why)?

This question is so hard because it always changes but I think, right now, my list would be (not in order): PJ Morton’s Gumbo; “Awaken, My Love” by Childish Gambino and Songs in the Key of Life by Stevie Wonder. These albums are classics.

Which one present would you want now that you didn’t get for Christmas?

One present I think would be books. See, I don’t read as much as I like but I’m trying to do something different this year coming up. The plan is to get books. I’m going to stay up in my room and read then, in three-four weeks, become like Einstein. Will it work? I don’t know. But it doesn’t hurt to try!

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What advice would you give to new artists coming through?

My advice to other artist is to have fun but understand the impact that you will hold. Be prepared before you go into the ring because the moments you don’t even plan for are the one that can change your life.

Do you have tour dates coming up? Where can we catch you play?

In 2019, I will have some shows but, as of right now, catch me on Instagram (@cityboyjr).

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Are there any new artists you recommend we check out?

Some artists that have a vibe y’all should check out are Jonathan McReynolds, Mac Ayres; Chloe X Halle and YEBBA.

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Do you get much time to chill away from music? How do you unwind?

When I have downtime, I spend time with the fam and friends. I enjoy watching movies, playing instruments (anything I can get my hands on) and trying things I’ve never done before.

Finally, and for being a good sport; you can choose a song and I’ll play it here (not any of your music - I will do that)

Mac Aryes - Easy

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INTERVIEW: Joey Walker

INTERVIEW:

Joey Walker

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MY only interview of the day...

is with Joey Walker who has been telling me about his new track, Frank. I have been asking about the song’s origins and whether he has any plans going forward; which artists and albums have inspired him and a new act we need to have a look at.

Walker tells me what it is like being a queer artist I the music industry and whether he needs to shout louder to get his voice heard; what advice he would give to new musicians approaching – he ends the interview by selecting a great song.

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Hi, Joey. How are you? How has your week been?

It’s been a grand, gay ol’ time. Christmas is coming up and this is the first year I am not celebrating it, so that feels a bit odd…otherwise, I’ve been pretty fabulous.

For those new to your music; can you introduce yourself, please?

I’m a producer, songwriter; singer, and musician based in Indiana, U.S.A. I try to create music that sounds like adulterated rage for the people who stay at home and obsess over records and spend a lot of time online. I call it ‘Twink-Rock’ but I’m sort of half-joking.

Talk to me about Frank. What is the story behind the song?

Well. I am also trying to figure that one out! It opens with a recording of my high-school’s janitor, named Frank, talking about his tribulations growing up poor and uneducated. I was wondering to myself: ‘Do I relate to this man?’ This song is an attempt to imagine a different life for him in a structural or narrative sense, rather than a literal one.

Will there be more material coming next year?

My album, Supersoft, drops on January 18th, 2019 through Darling Recordings. That’s all you get, 2019!

Are there particular artists that inspired you to get into music? Who do you count as idols?

Tegan and Sara definitely gave me the courage to be myself within my songs; Diamanda Galás taught me how to imbue politics into music and PJ Harvey showed me to never repeat myself.

As a young, queer musician in America; do you think there is equality or do you feel like you have to fight hard to get your voice heard?

I think any musician trying to ‘make it’ has to fight super hard, point-blank. I’m not sure I have to try harder, necessarily, but I do get to fight a bit differently.

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Do you already have plans for 2019?

Just writing and recording the next album to follow my upcoming record, Supersoft. I plan a lot in advance – admittedly, I’m a control freak - so I already have an album title and track to start with.

Have you got a favourite memory from your time in music so far – the one that sticks in the mind?

When I was in high-school, we had a sort of talent show. At the time, I had all these weird songs about nuclear war and fallout and stuff...so I think that really cemented my musical and personal mindframe after I felt great about playing them live and after everyone kinda looked at me like I was a freak. I’ve always been a weirdo. After that, I felt like a powerful one.

Which three albums mean the most to you would you say (and why)?

Joanna Newsom - Ys

A true masterclass on rhyme, rhythm and the economy of words - so inspirational.

 Björk - Homogenic

A brilliant mix of impeccable sounds and melodies. Still sounds futuristic today.

 Songs: Ohia - Magnolia Electric Co.

My favorite album. Jason Molina’s songs just speak to me in this way where I become slack-jawed, landlocked and barren after hearing them.

As Christmas has coming; if you had to ask for one extra present (you have not already received) what would it be?

I’d probably ask for a Nintendo Switch so I can play Animal Crossing when it comes out. It’s truly the purest game ever created.

If you could support any musician alive today, and choose your own rider, what would that entail?

I would love to open for Susanne Sundfør. She’s so brilliant and one of the best Pop producers around. I had plans to see her on her latest tour - but I got sick and couldn’t go - so to see her perform and talk to her about our mutual hero Scott Walker would be a dream come true.

I have never had a show with an artist rider! I’d probably ask for nothing since I hate to be a burden…maybe I could make them play my own playlist before I go on stage.

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What advice would you give to new artists coming through?

If you’re a control freak like me, try to let things happen somewhat organically and see where you end up. Talk to yourself out-loud more often. Record every melody or lyric that pops in your head onto your phone. Demo things out a lot - because a ‘bad demo’ might have one thing you can salvage and become something better.

Do you have tour dates coming up? Where can we catch you play?

I actually have not played a single show in about five years. I’m working on it but I anticipate I’ll be solo.

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 IN THIS PHOTO: Stone Irr

Are there any new artists you recommend we check out?

Stone Irr is a dear friend who writes brilliant songs (and, yes, that is his actual name). He has this great way of taking the mundane and expanding it into something really captivating. His songs are diametrically opposite of mine in terms of narrative arc and composition - but they’re incredible nonetheless.

Do you get much time to chill away from music? How do you unwind?

As of late, I’ve turned to video games (Dota 2 in particular). Ultimately, though, music has been the way I escape and unwind from the everyday world; so I hope it remains that way and I don’t find even more ways to avoid writing and recording.

Finally, and for being a good sport; you can choose a song and I’ll play it here (not any of your music - I will do that).

I’d have to say You Don’t Know What Love Is by Diamanda Galás. An incredible cover of a classic tune, wherein she sustains this high note for like thirty seconds - it feels like an eternity in the best way possible.

Thank you! xoxo

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INTERVIEW: Marike Jager

INTERVIEW:

IMAGE CREDIT: Martijn van de Griendt

Marike Jager

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IT has been fantastic speaking with Marike Jager...

about her latest track, Wasted, and discovering how it came to be. I ask her whether there is anything planned for the year ahead and what sort of music she is inspired by – Jager recommends a rising artist that we should get behind.

I ask the Dutch artist what the scene is like where she is and what we can expect from her upcoming album; a few albums that mean a lot to her and where we can catch her play – she ends the interview by choosing a great song.

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Hi, Marike. How are you? How has your week been?

I’m doing very well, thank you. It’s been quite an exciting week. I could finally announce my upcoming tour (The Electrifying Mini Tour) and I just cannot wait to get out and play. It has been a while since I played clubs but I still feel lots of support. Furthermore I celebrated my dad’s birthday - and my daughter got her first teeth.

For those new to your music; can you introduce yourself, please?

I’m known as an adventurous singer/songwriter for years playing festivals, theatres; churches and Pop venues. Very recently, though, I felt this burst of energy and I wanted to make something different. This new record is so different then my earlier work. Less melancholy, more uplifting; quirky. It’s me playing and experimenting with sounds and vocals. I had so much fun. Really needed that. I guess the past years have been quite intense and it was time for something different.

I like working with other people to get inspired. For example, I got to meet Ron Sexsmith and we recorded a duet. I also performed with Hip-Hop dancer Shailesh Bahoran. Very inspiring. I toured with several orchestras and rediscovered my own music. And I worked with and ‘audiomachinist’: an artist who builds sounds. Very cool!

Last but not least, I got to meet the legendary mixer/producer Tchad Blake. He mixed my album. Another passionate and inspiring person. Furthermore...I love Gretsch and Fender guitars; Polaroid cameras, red wine and running in the rain.

Wasted is your new track. Can you talk about its background and inspiration?

I got myself a new guitar and it inspired me to write a guitar riff, a bassline to go along with it; some more guitar melodies. The song is about two people catching up after years. They share a history but nobody knows exactly what they’ve gone through together. It is obvious that they cannot be together, nor can they live without one another. They’re both wasted but still attracted to each other. The whole song has a trailer-thrash-kinda-‘80’s vibe to me. It’s like a movie scene with two oddball characters. I’m often inspired by oddballs…loners.

I understand an album is coming next year. What can you reveal about the stories and themes addressed?

I guess the major theme is ‘imperfection’.

Though I am a perfectionist, I’ve always been attracted by imperfection. So, when it came to writing this album, I’ve managed to really have fun and let go of my perfectionism. I just played and experimented with sounds and vocals. So much fun and so much energy! When it comes to lyrics and themes, I like to write about imperfect people, oddballs and their unique stories.

Trying to crawl into the heads of wanderers, loners; vulnerable and odd people. I get inspired when a certain situation is just a bit off; when a character is a bit of a misfit.

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PHOTO CREDIT: Lieke Romeijn

Are there particular artists that inspired you to get into music?

It all started with The Beatles. As a kid, I couldn’t stop listening to their music and I kept watching them play guitar and sing. It always hit me big-time. Although I was a big fan of Ringo Starr, I was more attracted to playing guitar. So, I started playing and writing my first sketches when I was fifteen-years-old.

Much later, I got the chance to support Feist (Canada). That was so wonderfully overwhelming! This strong and adventurous woman playing a beautiful electric guitar! I was blown away and bought myself an electric guitar (Gretsch) right away. Her voice and artistic vision as an artist still inspire me a lot.

As a Dutch artist; what is the scene like there at the moment?

We educate a lot of musicians - at the moment there are so many music schools in Holland. So, I see many new bands and lots of talents pop up everywhere which is wonderful. At the same time, there has been a huge increase of festivals through the whole country. What worries me though is that our Government doesn’t support the music industry, talented bands or individual careers. It is very hard to build up a career; to get to play live and really focus on music.

PHOTO CREDIT: Martijn van de Griendt

Do you already have plans for 2019?

I’m releasing my new album! And I hope to play many clubs and festivals! (Smiles).

Have you got a favourite memory from your time in music so far – the one that sticks in the mind?

Tchad Blake mixed my third album and the one coming up. I’m such a big fan of his skills and his sound. He is awesome!

 PHOTO CREDIT: Lieke Romeijn

Which three albums mean the most to you would you say (and why)?

Fiona Apple – When the Pawn... She immediately blew me away with her strength, her vocal passion and emotional songwriting.

Lisa Germano – Magic Neighbor. Sound-wise: beautiful, very adventurous.

David Byrne and St. Vincent - Love This Giant. Hits me every time I play it. What a record! Great arrangements, two great songwriters; obviously inspired by each other.

As Christmas is here; if you had to ask for one present (that you haven’t already received) what would it be?

I’d love to go for a walk along the Dutch coast together with Mark Everett and then bump into Beck Hansen. We’d talk about life and seek beautiful shells...then write a song together. A song so beautiful that the whole world would sing a long and live happily ever after.

If you could support any musician alive today, and choose your own rider, what would that entail?

I would love to join David Byrne’s live band and sing a duet with him.

PHOTO CREDIT: Anne Reitsma 

Do you have tour dates coming up? Where can we catch you play?

April 9th – Paradiso, Amsterdam (NL)

April 10th – Ekko, Utrecht (NL)

April 12th – Merleyn, Nijmegen (NL)

What advice would you give to new artists coming through?

Don’t let the socials fool you. Turn off your phone, get out and play; work hard and write a great song.

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 IN THIS PHOTO: AWKWARD i/PHOTO CREDIT: Tim Knol Fotografie/Tim Knol

Are there any new artists you recommend we check out?

AWKWARD i.

Do you get much time to chill away from music? How do you unwind?

I love to go for a run along the water. I totally unwind.

Finally, and for being a good sport; you can choose a song and I’ll play it here (not any of your music - I will do that).

AWKWARD i – Milkshakes Funnelcakes

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Follow Marike Jager

INTERVIEW: Nella Cole

INTERVIEW:

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Nella Cole

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MY Christmas Eve interview is with Nella Cole...

who has been talking about her new single, All Out, and how it came to be. She tells me about some great memories in music and what she has coming up; approaching artists to follow and what she would like for Christmas.

Cole reveals a few albums that are important to her and which artist she’d support on tour if she had the chance; some advice that rising musicians should take to heart and how she unwinds away from music – she ends the interview by selecting a great track.

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Hi, Nella. How are you? How has your week been?

Hey! I’m great, thank you! I’ve been auditioning a lot this past week for some musical theater projects so it’s been pretty busy, but awesome!

For those new to your music; can you introduce yourself, please?

Sure! My name is Nella Cole. I’m a Pop recording artist, actor and dancer; born and raised in N.Y.C. My single, All Out, is available everywhere and the music video just dropped on VEVO - so check it out! My style is dreamy, but grounded; edgy but sweet! 

All Out is your new single. What is the story behind it?

All Out is all about living completely free and wild in the moment! I wanted to write a song that captured the spirit of some of my nights out in N.Y.C., which is a huge inspiration to me. I love dressing up with my friends, walking the streets going from place to place; meeting new people, listening to music and dancing all night. All Out was created after retelling some of these stories to the producers I worked with out in L.A. Most of the lyrics are derived from things that have actually happened!

Do you think it is your most authentic and confident track?

I think all of the tracks are pretty authentic and confident. Haha! There was a really fearless approach to this E.P. We were writing from the most confident part of ourselves and it kind of felt like nothing was off limits. I think All Out is a great intro to what is in store and kind of the outermost layer of Planet Nella Cole (smiles). In future projects, I’m actually interested in exploring the other side of that spectrum and touching on more of my introspective side.

I understand there is an E.P. planned. Are there particular stories that inspired the songs?

All of my music and lyrics are inspired by some time or place in my real life! A lot of times, I’ll go into the studio and start talking about something that’s on my mind that day and the song begins from there. What's really special to me is the memories that come from the creative process and the significance a certain song has from the period in your life when it was written. Upon completing my E.P., the producers and I went out and got tattoos together! That is something I will never forget and represents a great moment in my life. 

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Are there particular artists that inspired you to get into music?

Definitely! I would say different artists have inspired me in different stages of my life. The first song I ever sang was Alive by Pearl Jam. I was maybe three or four-years-old, so I was probably the youngest rocker around. I had a love for music of all genres at a really young age. I remember being in awe of Britney Spears and Christina Aguilera in their Behind the Music episodes and knowing I wanted to do that too. 

Beyoncé was also a huge influence on me as a young teen. My best friend and I would come home every day after school and watch her concert DVDs in his living room. We would be singing and jumping around on the couches and acting everything out with her! 

Do you already have plans for 2019?

Yes! I’m planning to release more music in 2019 as well as more visual content on my VEVO channel so stay tuned! We’re also setting up performance dates now and are in talks with one of my favorite female brands for a special collaboration! I’m also always working on different acting and dancing projects. A film I worked on called Vox Lux starring Natalie Portman is actually in theaters now. I play one of her backup dancers and will be going to see the film in my hometown movie theater this week! 2018 has been a really great year for me and I’m hoping to continue to build on all of this past year’s accomplishments in 2019!

Have you got a favourite memory from your time in music so far – the one that sticks in the mind?

There are so many memories that are very special to me. One of my favorites was from an earlier time in my career when I headlined a New Year’s Eve show at the Revel Hotel in Atlantic City. This was the first time I had done a show like this and we had the whole nine yards: dancers, background vocalists; costume changes, lights and more. It filled me with so much joy and a newfound confidence in myself as this was one of the first times I had really stepped out as a musical artist. It was an incredible way to bring in the New Year. 

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Which three albums mean the most to you would you say (and why)?

Wow. This question has me reminiscing. Haha.

Born to Die by Lana Del Rey changed my life. I had never heard anything like it before and it really shocked me and changed my way of thinking about my music. Everything about her art was mesmerizing to me. It was so different and made me feel like there was space for me in this world to be my authentic self.

Looking back…Take Care by Drake was definitely the soundtrack to a time in my life when I kind of felt like I was in limbo. That album means a lot to me because it made me realize that the best music is honest music. Drake really expressed what he was feeling in such a clear and relatable way and it made me feel like I wasn’t alone. I want to be able to do that for other people with my music. 

And last, but not least, I have to shout out the Rent Soundtrack for meaning even more to me now than it did when I first fell in love with it. The music and message resonated with me so deeply when I was younger - but I didn’t fully understand it all. Now that I have more life experience it hits even harder. “No day, but today”.

As Christmas is coming up; if you had to ask for one present what would it be?

Hmmm...this is a tough question. A vacation to the Caribbean or a shopping spree (if that counts) is the easy answer but, to be honest, the best present for me is to share my music with the world and make an impact on my audience and everyone who believes in me. 

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If you could support any musician alive today, and choose your own rider, what would that entail?

I would love to support artists like Bruno Mars or Ariana Grande. Somebody in the Pop realm with a really exciting live show.

As far as a rider; I’m pretty simple to be honest. Just need a quiet space with some tea and water (smiles).

What advice would you give to new artists coming through?

I think the best piece of advice I could give is not to take anything personally in the entertainment industry. If you understand that nothing is personal, it’s much easier to stay focused and motivated when things don’t go according to plan. This business is all about stamina because it’s very difficult to be a part of.

There will be lots of nos and lots of obstacles but, when you love it and you are able to remain neutral to the roadblocks, the little victories are so worth it. (Also remembering that the love and joy in creating art is the most important thing of all). Do what you love and makes you happy! 

Do you have tour dates coming up? Where can we catch you play?

Maybe (winks). Keep a look out on my Instagram (@thatgurlnella).

IN THIS PHOTO: Hayley Kiyoko

Are there any new artists you recommend we check out?

I’ve been obsessed with Hayley Kiyoko these days. Also, King Princess! Would love to collaborate with any of these bad-ass ladies.

IN THIS PHOTO: King Princess

Do you get much time to chill away from music? How do you unwind?

As an artist and performer, my schedule is always changing from day to day. It's also really easy to work from home, so ‘clocking out’ is the hard part when you’re a workaholic like me. I am learning how to take more time for rest and relaxation and seeing the value and importance in that. As ‘woo woo’ as this sounds (haha); I really enjoy doing spiritual work on myself and in my life.

I love listening to the SuperSoul Conversations podcast with Oprah! It's so inspiring and makes me feel more relaxed and connected to myself and the world around me! I also love spending time with my close friends and just hanging at one of our houses and talking all night. 

Finally, and for being a good sport; you can choose a song and I’ll play it here (not any of your music - I will do that).

Fly Me to the Moon (In Other Words) by Frank Sinatra - because I bet you weren’t expecting that and because I’m Italian (smiles).

Thanks so much!

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Follow Nella Cole

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INTERVIEW: Phé

INTERVIEW:

Phé

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IT has been great speaking with Phé...

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about her new E.P., Crisis, and what sort of themes inspired it. I ask her whether she has a favourite cut from the E.P. and the artists/albums that mean a lot to her; whether she has any plans worked out for 2019 and which rising acts we should keep an eye out for.

The U.S. songwriter tells me about Los Angeles and how important it was moving there; what advice she would give to artists coming through right now and how she spends time away from music – Phé ends the interview by selecting a great track.

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Hi, Phé. How are you? How has your week been?

Hey! My week has been good. Pretty crazy, but good! I released my debut E.P. on Friday (December 14th) and then flew home to Canada on the 16th, so it’s been a packed weekend.

For those new to your music; can you introduce yourself, please?

My name is Phé. I’m twenty-four years old, and I’m an independent, contemporary R&B artist, originally from Vancouver Canada but currently living in Los Angeles. I attended the Berklee College of Music where I studied Songwriting, Vocal Performance and Music Business. And it was actually during my time at Berklee that I decided to pursue a full-time career as a solo artist and songwriter.

Fun fact: I love Disney movies - I know, essentially, all the words to all the songs from the Disney Princess movies. I also really love musical theatre and wanted to be on Broadway growing up.

Crisis is your new E.P. What sort of themes and idea inspired the songs?

My debut E.P., Crisis, follows my first experience with love and heartbreak. It explores themes of love and heartbreak but, deeper than that, it really takes a look at my experience with love at a young age and how I lost myself in the relationship. So, when it ended, I felt like I had lost myself and my sense of worth. So, the project looks at the ideas of self-love and self-worth; sexual exploration and sexuality; mental-health, drug and alcohol abuse and how I dealt with those things throughout my relationship and breakup.

Do you have a favourite song from the E.P.?

That’s a hard one for me! They all hold a really special place in my heart because they played such a large role in my healing process. But, Incredible is definitely my baby because it was the first song I wrote that felt like something I would want to release as an artist. It was my first exploration as an artist and was really the catalyst for my journey as Phé.

Are there particular artists that inspired you to get into music? Who do you count as idols?

Some of the artists I really look up to are Erykah Badu, Sade and Lauryn Hill. These three women really stood out and impacted me when I was young! They all hold such an incredible power and have their own special feminine energy that I really admire - and that spoke to me from a very young age. Growing up, I would listen to their music, watch videos of their live performances - and music videos - and was just so drawn to the way they carried themselves, expressed their stories and invited the listeners into their space. Each is super-different and I look to each of them for something different.

You are based in Los Angeles. How important is the city and the people regarding your sound and drive?

Moving to L.A, was a huge step for me and was not an easy transition at all. It’s a giant city with a lot of people - a majority of who seem to be in the entertainment industry in some capacity. So, that was super-overwhelming for me! But, having started to find my groove - and settle in here -, I’ve been able to take advantage of how great of a city it is.

A large chunk of my community from Berklee is actually in L.A., so I’m lucky enough to have a huge support system and a large network of creatives to work with. It keeps me in check and allows for me to always be creating and collaborating with amazing people that I wouldn’t be able to work with in the same way, if I wasn’t in L.A. I think being in the middle of all the action (which, for the music industry, mostly takes place in L.A.) is super-important. It allows you to be in spaces and make connections that you just don’t have access to in other cities.

Do you already have plans for 2019?

I definitely have plans for 2019! With the E.P. finished and released that frees up a lot of time to work on writing and recording music new music. I don’t have anything set in terms of the next release - I want to enjoy this release and let the next project happen organically. But, I am always creating and working on new stuff so, as I create more, the next project will become a little more concrete.

I also want to play more shows in 2019 because I love being on stage and playing live. Beyond that, I’ve recently started playing around with production which has been a lot of fun and has helped me to find a new outlet of expression! So, I want to keep learning and building up that skill.

Have you got a favorite memory from your time in music so far – the one that sticks in the mind?

I would have to say my most recent, favorite memory would be a show I played at Winston House in Venice. The space and the audience had such a beautiful energy and we were all just present and there sharing this moment together. It was a space where I felt truly seen and heard and where my music got to speak for itself - and people were super-receptive of that.

I feel like in today’s social climate, we don’t often get moments where everyone is present and open and to feel that energy of support and presence from a crowd of people - and then to be able to give that same energy back - was a really beautiful and transcendent experience.

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Which three albums mean the most to you would you say (and why)?

This one is a little tough for me because there's a lot of music out there that hold a special place in my heart or life. A lot of my memories are associated with music or with events that surrounded music, so to pick three that means the most is a bit of a challenge. But I think, overall, the albums that really opened my eyes and inspired me to be the honest, vulnerable and explorative artist that I am are the following:

Frank Ocean - Chanel Orange

I had never heard an album like this before and the first time I heard it, I was immediately hooked and inspired. It’s so smart, so well done and is a beautiful body of work that takes the listener (or at least me)on a new journey every time. The sonics, language; imagery and stories in this album are all so beautifully crafted and expressed. Frank invites the listener into these intimate and personal moments. And not only that, but he paint such great pictures of each moment: one can’t help but feel like that are there or they experienced it themselves.

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Solange - A Seat at the Table

This album speaks to me heavy. Solange tells these stories of her experience as a young woman of color in such a poetic and beautiful way, even though the experiences or emotions that she is depicting really tough and painful things to go through. Her art of storytelling, both musically and visually, honestly blows me away. She is gentle with herself, yet commands this unmistakable power.

Having also interned for Solange and her team, and seeing the songs come to life in a live performance setting, was also a magical experience that really opened my eyes and mind as a young woman and artist. Every moment is so well thought out and has so much intention. And, I think that's a huge lesson that we as young people need to learn regardless of our race, class; social status, career path etc. To move through life purpose and intention...

Lastly, I would say the soundtracks to the Disney Princess Movies that were released between 1989 and 1998 - Beauty and the Beast, The Little Mermaid; Mulan, Pocahontas; Aladdin and Hercules, even though they aren’t technically ‘princess’ movies.

These movies and their soundtracks were sort of how I started singing as a little girl. I would sit and re-watch them over and over; singing along to every word of every song - and that's how I taught myself to sing. They were my first exploration of my voice and allowed me to feel free and happy. Even now, when I’m not feeling so great or just need to be cheered up, my boyfriend will put on a song from one of these movies and it honestly perks me right up. I will dance around our apartment singing along at the top of my lungs and, by the time the song is over, I almost always feel better.

As Christmas is coming up; if you had to ask for one present what would it be?

For Christmas this year, I would ask that you - my family, friends and fans - share my E.P. with one other person who hasn’t heard of me or of the project. That would mean so much! I just want my music to bring clarity and healing to people’s lives.

If you could support any musician alive today, and choose your own rider, what would that entail?

My rider would be pretty simple, honestly. I’m not too fussy. Ahaha. It would probably include bourbon, honey; lemon and hot water for a nice hot toddy to loosen the nerves a bit pre-show, without drying out the vocal cords too much. Some snacks that aren’t too heavy for before the show - fruits/berries and veg (no honeydew, cantaloupe; peppers or mushrooms) - hummus, crackers and maybe like assorted Clif Bars.

And hot Cheetos and Sour Patch Kids for a post-show snack! (Laughs).

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What advice would you give to new artists coming through?

Trust your instincts; be honest with yourself and try to be as objective as possible when it comes to the business of your craft. The universe didn’t show everyone else your vision or your purpose: it showed you! So, trust yourself and listen to how people, spaces; situations, your music; the choices you are faced with and the way you are going about building your career make you feel. Is it authentic? Does it satisfy your spirit?

With that, it’s also important to be honest with yourself and as objective as possible when it comes to running your business - which is your brand, your music and your career. What are your strengths? What isn’t working? Why? What needs to change or could improve? These are questions that we need to constantly be asking ourselves and re-evaluating.

There are a lot of people out there that can help you but there are also people will take advantage of you. There are people who want the best for you and those that want the best for themselves. But, at the end of the day, you hold the power for how far you can go. So, be sure you are having that internal dialogue and constantly checking in with yourself. Just be real. Be you. That's what the world needs and people resonate with that.

Do you have tour dates coming up? Where can we catch you play?

I am working on some dates for the New Year but, right now, I have one gig with Sofar Sounds confirmed for January - location T.B.A. but everything will be announced on my socials.

Follow me on the socials to stay up to date on future shows!

IN THIS PHOTO: Jessie Munro

Are there any new artists you recommend we check out?

Ouuu...there are so many! Especially because a lot of my friends are in music and have really amazing projects.

Jessie Munro is INCREDIBLE! She released a project a couple months ago and it’s soo good. LILI N is an Italian R&B/Pop artist and songwriter who is about to blow up. Check out her single, Spiritual Level. And, another super-cool up and coming artist is Mafalda. She does really beautiful Indie/Alternative Pop music that will shake your soul.

IN THIS PHOTO: LILI N/PHOTO CREDIT: Lizzie Steimer

Do you get much time to chill away from music? How do you unwind?

My chill time is very sporadic and random, because I do generally make my own schedule and I find that I work better when I am busy. Very recently, a lot of my usual free time has been filled with playing around with music production - because that’s something new and exciting to me.

But, outside of music, one of my biggest priorities is spending time with the people I love - my boyfriend and friends (or my family when I am visiting home). I also love Netflix (maybe a little bit too much). I really enjoy cooking and baking. I’ve been exploring the different hiking spots in L.A. and I love going to see live shows when I have the time and money - it’s hard out here for an independent artist (laughs). I also enjoy learning about things like auras and energy, astrology; numerology, human design; holistic healing methods etc.

Finally, and for being a good sport; you can choose a song and I’ll play it here (not any of your music - I will do that).

D’Evils by SiR

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Follow Phé 

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INTERVIEW: Delena

INTERVIEW:

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Delena

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I do not have too many interviews left this year...

but I have been getting to discover more about Delena and her latest track, Animal. She shares the story behind the track and reveals what is coming next – I ask whether there any particular artists and albums that have particularly inspired her.

She talks about plans for next year and what she thinks of modern Pop; whether she gets time to unwind away from music and whether she grew up around a lot of music – Delena ends the interview by selecting a cool song.

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Hi, Delena. How are you? How has your week been?

Hi! I’m good! Looking forward to the Christmas holidays and New Year! 

For those new to your music; can you introduce yourself, please?

For those who don’t know me, I am Delena! I was born in Kiev and my music is inspired by my life growing up there, which wasn’t always easy - and you can see in my song titles it’s very freedom-inspired! 

 

Animal is your new track. What is the story behind it?

The story behind Animal is how I feel and used to feel while growing up (and even sometimes now)! I wanted a song which is strong and powerful and anybody in the world could relate! Animal is a symbol of being free, strong and honest to yourself! People every day are struggling to be who they want to be and it’s not okay! Everyone must be able to speak their minds free! 

Who are the artists that inspired you growing up? Did you grow up around a lot of different music?

I have got a lot of inspiration in my life! As a child, I would listen to Queen and Michael Jackson! I would also listen to Ella Fitzgerald and Etta James! I would always listen to music as a child and I never got tired of it.

What do you think of the modern Pop industry? Do you think it has strengthened over the last few years?

The Pop industry today has developed in so many ways! And I think it did strengthened! Everyone today has got a chance to show their talent in so many ways! And it requires you to be different in so many ways which I think is amazing!  

Do you already have plans for 2019?

Oh, yes! I am so looking forward 2019! I can’t wait to put out new music and work on my album! 

Have you got a favourite memory from your time in music so far – the one that sticks in the mind?

I would say that every memory in music is my favorite! I love it so much that I can’t just choose between them!

What does music mean to you? How important is it in your life?

Music is my source of inspiration! It helps me when I’m down and it helps me when I’m up! I don’t know what I would do without it! I would probably end up listening to the winds. Ha-ha.

As Christmas is coming up; if you had to ask for one present what would it be?

I would ask to be with whole family together because this year we all going to be in the different parts of the world! 

If you could support any musician alive today, and choose your own rider, what would that entail?

I would probably want to support The Weeknd or Bruno Mars! They are great talented artists and I love their music! And, in my rider, I would probably ask for some Ukrainian food like Pirozhki. 

What advice would you give to new artists coming through?

I would say that it’s very important to be true to yourself and understand what you really want! Take advice and be open to anything coming into your life. It’s all happening for a reason! 

Which three albums mean the most to you? 

If I’m honest, I don't really listen to many albums! I mostly listen to singles and go to shows of artists I love. I'm a big fan of Adele, The Weeknd and Sia though. 

Do you have tour dates coming up? Where can we catch you play?

Not yet! But I will be working on this very hard! 

 IN THIS PHOTO: Kali Uchis

Are there any new artists you recommend we check out?

I really like Kali Uchis! She is so interesting to listen to! Her music can be very inspiring! And also, I like Lauren Jauregui! Her new single is great and the video is amazing!

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 IN THIS PHOTO: Lauren Jauregui

Do you get much time to chill away from music? How do you unwind?

Usually, I don’t want to chill from music because, as I mentioned before, music is everything to me! But I love to travel and spend time with family! There is nothing better than being all together! 

Finally, and for being a good sport; you can choose a song and I’ll play it here (not any of your music - I will do that).

Could you please pay Kali Uchis - After the Storm 

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Follow Delena

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INTERVIEW: BABYTEETH

INTERVIEW:

BABYTEETH

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THE epic BABYTEETH...

have been talking with me about their cracking song, Cocoon, and how it came to be; whether there will be any more material coming and how the band came to be – I ask which albums are most important to them and what sort of music compels them.

BABYTEETH tell me whether there are tour dates coming up and who they’d support given the chance; if they have a favourite memory from their time in music so far and what advice they would give to artists coming through - they select me select a quintet of songs to end things with.

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Hi, guys. How are you? How has your week been?

BITCHIN’! Sam was bitten by a wild animal and fell down a hole in the pub. The rest of us are dandy. We’ve been rehearsing.

For those new to your music; can you introduce yourselves, please?

We used to be babies…and now we have teeth...

Cocoon is your new single. Can you talk about the background and how it came together?

Camilla and Sam write the songs; we then arrange it together in our sweaty little rehearsal room. We recorded this one a little while ago in London with the awesome Cam Blackwood producing it.

Will there be more material coming next year do you think?

YES! Itching to share it all with everyone.

How did BABYTEETH get together? What drew you to one another?

We met through friends. And, after all of our periods synced up immediately, we knew it was the perfect match.

 PHOTO CREDIT: Gastón Torres

In terms of music; which artists are you drawn to?

We just love really great song writing, regardless of genre. There isn’t any music snobbery with us. Our music tastes are pretty eclectic.

As Christmas is coming; what one present would you each like if you could have anything?

A trip to Chessington World of Adventures with Gareth Gates.

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Do you already have plans for 2019?

Big ‘yes’. We’re not allowed to tell you yet but it’s gonna be mega. We’re excited. 

Have you got a favourite memory from your time in music so far – the one that sticks in the mind?

Playing with Adam Ant this Wednesday will be our best new memory. Unless we fall of stage or piss our pants in front of thousands of people or something.

Which one album means the most to each of you would you say (and why)?

Hole – Live Through This; Beach Boys – Pet Sounds; Deep Purple - Made in Japan; Radiohead - OK Computer; Rage Against the Machine – Rage Against the Machine. Because they inspired us to become musicians and songwriters and give us the belly feels. It’s more fun if you guess which one of us chose what.

If you could support any musician alive today, and choose your own rider, what would that entail?

Garbage. And we’d like a team of dancing dwarves and a massive bottle of Bourbon.

What advice would you give to new artists coming through?

Do something else...music’s full. If you just can’t help yourself though then work absolutely ridiculously hard to get better than everyone else - and maybe also be willing to sell an organ or two to pay your rent.

Do you have tour dates coming up? Where can we catch you play?

Yes - but they’re not announced yet so keep checking in on our Facebook for updates. Thank you, please.

Are there any new artists you recommend we check out?

Us, us and us. There are lots of other great acts but we need you more. And we’ll love you more than they will, we promise.

Do you get much time to chill away from music? How do you unwind?

Stroking cats, eating chips and snogging people.

Finally, and for being good sports; you can each choose a song and I’ll play it here (not any of your music - I will do that).

Thank you very much for playing our music. We love you more than Santa loves children. As it’s Christmas, we’ll let you pick a song from each of our all-time favourite albums!

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INTERVIEW: Riva Taylor

INTERVIEW:

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Riva Taylor

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I have been lucky enough to speak with the fabulous Riva Taylor...

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about her new single, Mr Right, and its story. I ask whether there is too much pressure put on women to be settled and in relationships; what she has planned as we head into 2019 and a few albums that are important to her.

Taylor tells me about the musicians who inspired her to go into the business; a precious musical memory and whether she gets much chance to chill away from things – she ends the interview by selecting a great track.

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Hi, Riva. How are you? How has your week been?

Hi! It’s been a good week. Christmas festivities in full swing; planning some exciting things for the New Year. Celebrating with friends and forward motion - enjoy both a lot! (Smiles). 

For those new to your music; can you introduce yourself, please?

Hi. I’m Riva! A singer-songwriter from London. I’ve been singing from before I can remember and making records since I was twelve. 

 

Mr Right is your new single. What is the tale behind the song?

This is a song about music and men. Let’s say the song stuck, the ‘Mr’ didn't. 

It is about the constant that is music in my life. Something that has always been there; a positive force. The song personifies music as a more ideal man. It draws a comparison between the inconsistency and unpredictability of relationships and the constant joy that can be found in music! There is a reference to Adele's Someone Like You in the second verse. The listener could substitute music for any of their passions in life and the song still works (I hope!). If they’re really lucky, they could insert the name of their partner! 

Given the relationship demands and expectations suggested in the title; do you think there is too much pressure on women to settle for someone?

Wow. I could write an essay on this! We are definitely living through an interesting time with some significant changes and shifting attitudes in this area. Women seem to be challenging social norms and expectations more than ever. While there are some undeniable pressures for women by a certain age to settle, I don’t think there is too much with a growing weight placed on gender equality, choice and scientific advances throwing all sorts of interesting questions and options into the ring for women.

I love a podcast and there are constant questions surrounding ideas of polyamory, true love and happiness. Do we need to find a ‘Mr. Right’ to achieve our own self-satisfaction and happiness? I know for many friends, happiness has come in the form of settling down. For others, it’s been understanding and accepting that they don’t need to or there is no rush. There seems to be a greater understanding of our choices when it comes to the quest to achieve our own fulfilment potential! 

Do you think there will be more material coming next year?

A whole album’s worth! I can’t wait to share what I’ve been developing the past few years with everyone. 

Are there particular artists that inspired you to get into music?

Into music the first time...so many and, at different points in my career as I effectively re-entered music after a pause from it all when I was in my early-twenties. In fact, as a kid on the West End stage, the beginning for me was Streisand and the old Hollywood golden girls who glamorised performance (for me) and made me want to get up there. As I grew up a bit, Annie Lennox, Kate Bush and Sade were all playing in the house when I was a kid and I was obsessed with their music videos and live performances.

They opened my eyes to a world of artistic individuality - their music was as original and authentic as their image felt. And there are still artists who emerge and inspire me to continue and explore new avenues and options for my career. Evolution is so important for any artist - Adele being one. 

Do you already have plans for 2019?

I’m releasing more music. I’m excited to be heading over to the States to do some more writing early next year - although the album is done I think it’s important to never stop if you’re feeling creative! I’m also really excited to be starting a songwriting night at The Roundhouse which I’ve been helping to organise showcasing some of the amazing songwriting talents we have in the U.K. 

Have you got a favourite memory from your time in music so far – the one that sticks in the mind?

Tough one. I’m going to give you a few! Standing on the Twickenham pitch about to sing the National Anthem - the buzz; there were BIG flames flying everywhere and so much suspense. 

My debut at the Royal Albert hall and the nervousness and excitement associated with the importance of that; especially knowing Prince Charles was in the audience. 

Which three albums mean the most to you would you say (and why)?

Coldplay - Parachutes

An album that I will always listen to from start to finish! Such great material on there. Reminds me of lying on my bed studying for my GCSEs with so much excitement for the future.  

Michael Jackson - Bad

Always a go-back-to. Lifts my mood whether that’s during a workout or in the car. It is full of nostalgic happiness. I remember making dance routines to it as a young girl. Amazing to hang with the producer who made this in L.A. and hear the stories behind its making. 

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Kate Bush - Hounds of Love

Another inspiration of mine. I grew up hearing this in the house. My dad was such a fan! Another one I used to mime to as I mimicked Kate’s dance moves! 

I have to add to this one of my favourite feel-good albums of the past few years - Taylor Swift’s 1989. A great Pop record. Taylor’s choices and approach to the business always interests me.  

As Christmas is coming up; if you had to ask for one present what would it be?

I’d love to take my mum and go to Borneo and hang out with the beautiful little orangutans. So tragic what’s happening there and I’m looking to support and encourage people to protect them any way I can. I’m also obsessed with the idea of a pet cat right now but maybe bit cruel for Santa to bring her down the chimney...so she might be a part of my life in the New Year. I’m liking the name ‘Stella’. Sorry, I totally gave you two there and neither can be wrapped up and put in a stocking!

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If you could support any musician alive today, and choose your own rider, what would that entail?

Wow. That’s such a tough one. There are a few! Love to support the legend Elton (John) before he retires...I have a few months. I also have this dream of performing alongside Matt Bellamy and Muse, performing an epic power ballad at one of their shows! 

My own rider usually involves a lot of fruit and lemons, flat Coke; a small amount of port for before the show and celebratory drink for after (unless I’m performing the next day). Milk for Stella (T.B.C.). 

What advice would you give to new artists coming through?

Persevere. If the magic doesn’t happen overnight - which it likely won’t -, do not lose hope. Longevity is everything so long as you can find joy in the build. Surround yourself with a team who will support your vision, who you respect and challenge you to be your best. It can take time to find that but keep looking. Remain true to that vision, you know! 

Do you have tour dates coming up? Where can we catch you play?

These will be announced in the New Year...

 IN THIS PHOTO: Grace Carter/PHOTO CREDIT: SHOT BY PHOX

Are there any new artists you recommend we check out?

Enjoying Grace Carter’s vibe and her track, Silence! Looking forward to hearing what’s next from her. 

Do you get much time to chill away from music? How do you unwind?

It’s always quite difficult to switch off from things - the ‘out of office’ is never on! But, it is healthy to. I enjoy my fitness and yoga and start my day as much as possible in the gym. I also love art for a bit of escapism and inspiration. Chilling with friends is always a healer! 

Finally, and for being a good sport; you can choose a song and I’ll play it here (not any of your music - I will do that).

Ha. Thank you! Imagine Dragons - Bad Liar. Always enjoy their music! 

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Follow Riva Taylor

INTERVIEW: Saint Lo.

INTERVIEW:

Saint Lo.

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FOR today’s interview...

I have been speaking with Saint Lo. about their new track, Wounds, and what its story is. They reveal how they got together and what is coming up in 2019; what the scene is like in Canada right now and which rising artists we should watch out for.

The band talks to me about their favourite musical memory and albums; what sort of music they are drawn to and what they would like for Christmas this year – they end the interview by selecting a couple of very cool tracks.

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Hi, guys. How are you? How has your week been?

It has been good! We released our video for our single, Wounds, last week and played a lovely show in Montreal this past Sunday. It’s been a good week. It's also approaching -20° in Montreal so we're keeping warm.

For those new to your music; can you introduce yourselves, please?

We are Saint Lo. We are an Indie Folk Pop-Rock band from Montreal. Our band members are Bashu Naimi-Roy, Marc Richard; Laura Glover, Isabella Harned - and our most recent addition is Jory Strachan.  

Wounds is the new track. Is there a story behind it?

Yes. Wounds was inspired by heartbreak/pain that came from the ending of a three-year-long relationship and the strength that came from sitting with and acknowledging pain and then turning it into art. Wounds grew from an experience that was deeply rooted in the process of healing. The lyrics were co-written by Bella and Laura and the whole band collaborated on instrumentation and arrangement. In the direction of our music video, we really wanted to capture that heartbreak does not occur in isolation; it is marked by many intersecting systems of power.

We wanted to challenge the male gaze by depicting our actor moving through suffering, sadness; playfulness, creativity and, ultimately, healing - on her own.  

How did Saint Lo. form? Is there a secret behind the band’s name?

Saint Lo formed in 2013 in the Mile End area of Montreal. We came together serendipitously through mutual connections. We noticed a certain magic when we played together and we’ve been nourishing it ever since. We were previously known as ‘St Lawrence Warehouse Company’ after an old building.

You are a Canadian band. Is there a strong and growing music scene in the country?

Our band members come from all across Canada - Nova Scotia, British Columbia and Ontario. We recently toured British Columbia and it was a beautiful experience. We think the Canadian music scene is super-strong and supportive - we have felt nothing but love in all the places we’ve played. We are also very smitten with many other Canadian musicians whom we’ve met in Montreal and on the road. Super-proud to be part of the Canadian music community, for sure.  

In terms of music; which artists are you drawn to?

We are a band with many individual and collective influences: among them are Fleetwood Mac, Sylvan Esso; Arcade Fire, Haley Heynderickx; Janis Joplin, Emma Ruth Rundle; Andy Shauf, Phoebe Bridgers; Godspeed You Black Emperor, Cat Power and Broken Social Scene, to name a few.

As Christmas is coming; what one present would you each like if you could have anything?

A complete transition to sustainable energy systems! And dark chocolate is nice too.

Do you already have plans for 2019?

Yes! We have a few surprises that will be announced in the New Year. We will also be releasing our debut L.P. in 2019. Stay tuned!

Have you got a favourite memory from your time in music so far – the one that sticks in the mind?

In a small mountain town in British Columbia, there's a siren that goes off at a certain time every night for one hundred years now. It's ear-splittingly loud, very close by the venue we were playing and nobody thought to tell us about it. It went off in the middle of our show. Thankfully, we didn't panic.

The promoter admitted afterwards that she didn't warn us because she likes to see the look of complete incomprehension on visitors’ faces. The siren also happened to be perfectly in key with the song we were playing in that moment. So, that memory and memories of being hosted by beautiful warm people all along our tour.

Which one album means the most to each of you would you say (and why)?

Bashu: Lift Your Skinny Fists Like Antennas To Heaven by Godspeed You! Black Emperor. I was fourteen and it was the first album I bought. I didn't know you were allowed to make music like that.

Bella: Joni Mitchell’s Blue. My earliest memory of loving a whole album was lying on the couch with my mum (I think I was nine or ten) singing the lyrics at the top of our lungs to the entirety of it. Still to this day my favourite album of all time.

Jory: Tournament of Hearts by the Constantines. I don't think any album compares to the song structures and brilliance in writing. Very formative album.  

Laura: Julia Jacklin - Don’t Let The Kids Win. I’m super-inspired by Julia Jacklin’s writing.

Marc: Joel Plaskett - Three. I learned what I know about song structures by listening to this prolific album.

If you could support any musician alive today, and choose your own rider, what would that entail?

It would be sweet to play with Mountain Man or Big Thief. Our rider would probably involve an elaborate snack plate.

What advice would you give to new artists coming through?

Believe people when they believe in you.

Do you have tour dates coming up? Where can we catch you play?

We have some exciting announcements coming up soon! You can hear them by liking our Facebook page or following us on Instagram (at @sttt.lo.)

IN THIS PHOTO: Saint Sister/PHOTO CREDIT: Lucy Foster Photography

Are there any new artists you recommend we check out?

Bashu: My two favorite new and hard-to-Google bands are Someone and Pronoun and they are both very worthwhile. I've also recently been moved by Fenne Lily, IDER; ANIMA!, Saint Sister and Andy Shauf's new band Foxwarren.

Jory: I'd highly recommend keeping an eye out for housepanther and JayWood out of Winnipeg, MB in 2019. Also Montreal's yoo doo right are doing exciting things.

Bella: I’d recommend checking out Victoria BC’s, Looelle - incredible velvety harmonies.

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 IN THIS PHOTO: Looelle/PHOTO CREDIT: Mike Graeme

Do you get much time to chill away from music? How do you unwind?

We like to go to shows, spend time with our pets; be outside and host improbably-themed house parties.

Finally, and for being good sports; you can choose some songs and I’ll play it here (not any of your music - I will do that).

Bashu: Thanks for having us! I'll choose Abigail by Richard Garvey

Bella: Tomberlin – Self-Help

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Follow Saint Lo. 

INTERVIEW: Banner.

INTERVIEW:

Banner.

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MY first piece of the day is a chat...

with Banner., who has been telling me about his upcoming E.P., Years in Shade, and what inspired it. He talks about his musical past and some albums that are important to him; where we can catch him gig and what the music scene is like in the Netherlands at the moment.

Banner. shares his plans for 2019 and recommends a rising act; how he spends time away from music and how he feels his new E.P. differs from his previous work – he gives some useful advice for any musicians coming through right now.

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Hi, Banner. How are you? How has your week been?

I'm doing very well, actually. Just added another year of age to my tally while releasing my track Years in Shade which is the title track for my upcoming E.P. and I celebrated both last weekend. Also, having my sis' birthday a day behind mine means I don't have any reason not to have fun.

For those new to your music; can you introduce yourself, please?

I was born and raised in The Hague (still live there) and write 'folkish' pop songs. I just turned twenty-three. I taught myself how to play the guitar at the age of twelve and began writing songs when I was eighteen. I'm intrigued by finger-picking and use some alternate tunings. I tend to rely mostly on my guitar for new songs so, in a way, I'm making guitar pieces that more or less stand by themselves.

The E.P., Years in Shade, is out next year. What can you reveal about the songs and ideas that we will hear?

The songs that appear on the E.P happen to be a bit more personal. The tracklist consists of five songs that I put in chronological order of me going through stuff (not to sound dramatic, though, I'm fine.) Most of them have a different presence in the songs in terms of 'how' I play; meaning the tracks have a more 'upright' approach of movability and perhaps have more space for vocals. I'd have to say it would be more 'accessible' yet (could be) easier to listen to. Basically, I could say the songs are built with more of a 'Pop' construction, which enables a certain playfulness on stage while playing with band.

How do you think your latest E.P. differs from your earliest stuff?

The approach to writing the songs definitely differs from the tracks that are on the Over Blue E.P. The first one was me starting out trying to develop a ‘sound’ (if that's what you want to call it) while the second was more about experimenting and finding out if my songs were compatible with different sounds and purposes. I never intentionally started experimenting with these songs. But, also, I sort of did. Meaning that what I was doing while writing the songs was all natural and felt as the right thing to do. 

Part of the process was freeing up some space and take a step back in complexity and let my first mind guide me through the tracks that would later become the Years in Shade E.P. I kind of challenged myself to let go and leave more blanks for the band members to fill in and the whole process itself was a very learning experience. An experience that is going to be helpful for my future me as a musician.

Are there particular artists that inspired you to get into music?

The reason I developed a love for music has various reasons, but I can't remember one certain artist that dragged me into the whole songwriting thingy. The thought of music itself was just more appealing to me I think. At first, I only played guitar for a five years and went f'ing around with different genres and also a loop pedal but, after a while, I was sick of not having a product or result which I could identify myself with...until I kind of gradually got into songwriting and it immediately made an impact as I took it more seriously, which was caused because I entered a music competition just two months after writing my first songs and made it to the final. So, that was a very good start and very motivating. 

Do you already have plans for 2019?

I recently got back into writing new songs. So, I might have an idea of what would be part of it. Other than that; it's safe to say that I'll play some in Germany and some more back here in the Netherlands but, as a musician, I'm always looking forward to what might happen in the near future and that makes 2019 no exception with my new E.P coming up and getting more and more opportunities to play live in countries other than the Netherlands.

You are a Dutch artist. What is the scene like in the Netherlands at the moment? Is it growing in terms of its music?

It's easy for me to keep track of everyone’s movement because you're actually in not that big of a boat and you have to share it with others. But, whether Dutch music is evolving? I can't really tell. Everything that's happening nowadays in the music industry is very promising, but I don't see that directly flowing through the Dutch music industry. Tons of Dutch artists might be a bit doomed to get big but just in the Netherlands.

I also don't know whether it's a choice or a curse. You could say getting big is easier here in the lowlands because we're a relatively small country with decent resources to play music - but since it's so small you can easily play every venue in the country in a short amount of time which, in my opinion, is a bit scary when you're working on something new but the places you visit are the same every time you go on tour, that must be a bit repetitive. That's why I tend to focus not solely on Dutch grounds (Not to throw shade at Dutch venues or artists though). Either way, there are lots of colleagues here doing a great job and that doesn't have to be kept a secret. 

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Have you got a favourite memory from your time in music so far – the one that sticks in the mind? 

Tons of memories I have from being a musician and they are mostly all great, but one moment that I keep thinking of is playing support for Newton Faulkner and Villagers. Big crowds being super-quiet and respectful; also fun and kind people to talk to afterwards. People describing what they see and what I do in maybe a bit more technical way is a bit dull sometimes, but people explaining what it does to them and their feelings is what really makes a difference for me as a songwriter.

Which three albums mean the most to you would you say (and why)? 

Ben Howard - I Forget Where We Were 

For me, this album was an eye-opener because it showed me how versatile a songwriter could be. Not meaning that he is capable of playing every genre, but as in how deep you could dig into your own music and by doing so having a progressive mindset. Don't know if these were his intentions but that's what I learned from it trying to be progressive songwriter. Also, he just doesn't seem to be bothered anymore by the Every Kingdom era, despite the popular demand. He's a songwriter who earned his stripes with nothing other than making music he wants to make. I really dig Noonday Dreams but I have to give I.F.W.W.W. most of the credits in terms of I approach my own music.

Nick Mulvey - Wake Up Now

Such a sweet-sounding and loving record, which is also how I would describe Nick Mulvey as a person based on seeing him a few times live and listening to his interviews. In these interviews, Nick describes the progress of recording/writing as learning and liberating since he would let go of being in control all the time. Something I felt I was doing while making my new record. One of my favourite songs of all time is on this record and it's called In Your Hands which, in my opinion, is astonishing.

Sticky Fingers - Land of Pleasure 

Been following these guys for a while now, since they released their album Caress Your Soul, and ever since they just kept delivering such pleasant and fun songs. They're so easy to listen to on so many occasions and I can come up with just few bands that keep delivering the way they do, without sacrificing their identity. Why Land of Pleasure speaks to me the most is because I remember them playing bits of that album for the first time and I absolutely lost my head back then. It was at a tiny venue located on the beach with just the most beautiful sunset and I was graduating from high-school, so you could say life was extremely good. Also wondering what some of them Australians have been drinking because there are some true gems coming from the land down under which I can't clarify just yet.

As Christmas is coming up; if you had to ask for one present what would it be? 

I'm pretty content with the stuff that I have. Clothes are always welcome but, other than, that I am satisfied with what I own and I'm hoping that it will stay like this. Just hope people are going to like the record in 2019 and maybe, if I had to make one wish, then I would wish for a job that still enables me to make loads of music. 

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If you could support any musician alive today, and choose your own rider, what would that entail?

I think would like to play support for Nick Mulvey, mostly because of what kind of audience he attracts to his concerts. But, other than that, I don't have a strong desire to play support for someone because in music you never know how things are going to be. Being surprised is what kind of makes it exciting.

The rider kind of depends of the tour I would be doing but good care and comfort is actually all I need; maybe a bottle of whiskey which is already on my rider.

What advice would you give to new artists coming through?

There's loads of cheesy stuff to say to people who are just starting out which are true. I'm actually packed with stuff I want to mention but let's try keeping it easy and understandable. Always remember to have fun, don't expect too much and you'll be pleasantly surprised. Results shouldn't be the reason you make music. Of course there are times where you have to take protection in order to do what you love. But, still I think tons of people forget that it's mostly about the music that you make and if you do that properly the rest eventually will revolve around that.  By the way: I'm not talking as if I already made it, but still...

Do you have tour dates coming up? Where can we catch you play?

There are a few dates in Germany and a co-headline show with Matt Perriment which I really look forward to. Also been busy with another tour which I can't tell you about just yet but it's coming and maybe it's about time that I actually set foot on British grounds for a change.

25th January - Paard, The Hague

26th February – Auster-Club, Berlin

28th March - FZW, Dortmund 

5th April - Tivoli, Utrecht (with Matt Perriment) 

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 IN THIS PHOTO: Seoul

Are there any new artists you recommend we check out?

Don't know if I'm cool enough to recommend songs that 'nobody' knows but there's this band from Canada I think who are called Seoul and they make this melancholic, ambient Pop music. For me, a sweet find and definitely worth checking out.

Do you get much time to chill away from music? How do you unwind?

Of course I have to make sure that I don't lose my mind when making a lot of music, so I unwind just by hanging out with friends and get a beer. I have also been dancing for fourteen years now and I still enjoy doing that; keeping body and my soul in shape. Now and then I stroll through my hometown, just to clear my mind.

Finally, and for being a good sport; you can choose a song and I’ll play it here (not any of your music - I will do that).

Nick Mulvey – In Your Hands

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Follow Banner.

INTERVIEW: Shookrah

INTERVIEW:

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Shookrah

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I have been speaking with Shookrah...

about their latest track, Flex, and what its story is. The guys reveal what the music scene is like in Ireland and how they got together; what is coming up for them and some of the rising artists we need to have a look at and follow.

I ask whether there are tour dates approaching and whether they get time to relax away from music; the advice they’d give to musicians coming through and the music they are all drawn to – they select an interesting track to end the interview with.

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Hi, guys. How are you? How has your week been?

Emmet: Good, thanks! We’re just about to release the music video for our latest single, Flex. It was filmed on the stage of a venue here in Cork called Dali (formerly The Pavilion) and we had some super-talented Cork dancers and dance teachers involved, along with a really talented lighting engineer/visual artist, David Mathúna. It’s quite colourful, brash and sexy (just like me) which suits the song really well.

Also this week, we’ve been putting some finishing touches on the album which we’ll be bringing out next year around summertime. Just little nips and tucks; sprinkling some of that enchanted production dust on the songs.

For those new to your music; can you introduce yourselves, please?

Emmet: Ok. So we’ve got Senita up front singing her heart out till the break of dawn; Dan on guitar, Diarmait on a multitude of keyboards and synths; Brian on the bass and myself on drums.

How did Shookrah get together? How did you all meet?

Diarmait: It’s the bog-standard band genesis story, really. Most of us were friends from college; one of us got a gig etc. etc. etc. Brian’s the only person who was hired in on merit (read: outsider) as he’s such a stone-cold killer on the bass.

What can you reveal about the new track, Flex? What is its story?

Senita: Flex is the antidote anthem to any insecurities felt on a night out, as well as anyone killin’ your vibe. I wanted to write a song that was the equivalent to Kings of Convenience’s I’d Rather Dance with You (song) except more obnoxious and sassy. There are just some songs that do that to me. I just can’t mess with anyone trying to chat with me while Formation is playing for instance. I wanted to convey that in a song and invite people to feel the same about this particular song.

In terms of music; which artists are you drawn to?

Diarmait: Exceptionally funky ones, mainly. Also, anyone who keeps it real in fairness. A small sample list: Roy Ayers, Anderson .Paak; Erykah Badu, Milo; White Boiz and N.W.A.

You are based out of Ireland. What is the scene like where you are?

Diarmait: Oh, it’s very Irish. I suppose it’s reasonably small and it’s cosy - and most people know each other, which is nice. Hip-Hop/R&B-type music seems to be coming into its own a bit here too which is cool in fairness.

As Christmas is coming; what one present would you each like if you could have anything?

Dan: I’m gonna answer for everyone based on their hairstyles...

Senita: A selection of outrageous trousers and pungent teas; Emmet: Limited Edition Home Alone version of Hungry Hungry Hippos; Dunlea: Volvo cufflinks; Diarmait: haircut; Dan: Neighbour’s WiFi code

Do you already have plans for 2019?

Diarmait: The release of our first album! Also, some touring.

Have you got a favourite memory from your time in music so far – the one that sticks in the mind?

Diarmait: We were playing a 3 A.M. festival gig before where the power went out halfway through. Major L.O.L.s as you can imagine!

Which one album means the most to each of you would you say (and why)?

Diarmait: I would have to say Bob Marley - The Gold Collection: 40 Classic Performances as I’ve had it for the last fifteen years since I was twelve.

Senita: I hate having to pick...BUT IF I MUST, I would say that Janelle Monáe’s The ArchAndroid was a big moment for me in my musical journey. I would listen to it walking country roads in South Kerry and was completely blown out of my mind as to the fact that such a strong concept album could still hold strong in that day and age. I was so struck by the Wondaland Collective’s ethos, artistic integrity and intellect.

The fact that it could be backed by Big Boi and P Diddy and take you on such a crazy, seemingly non-commercial journey opened my mind to the possibility of really performing and playing around with it and giving people more than a hook...but a genuine story and experience to latch on to.

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If you could support any musician alive today, and choose your own rider, what would that entail?

Emmet: Maybe D’Angelo...and that’s just the rider! Haha. Just kidding.

What advice would you give to new artists coming through?

Diarmait: In the words of James Brown: “Make it funky, make it funky”.

Do you have tour dates coming up? Where can we catch you play?

Diarmait: I’m afraid I can’t reveal any sensitive information at this juncture but, suffice to say, we have plans for Ireland and the U.K. next year that hopefully won’t be affected by Brexit! (Seriously).

 IN THIS PHOTO: Black Pope

Are there any new artists you recommend we check out?

Diarmait: Junior Brother - Ireland’s next big thing. Real talk.

Senita: Black Pope, Fehdah; Charlotte Dos Santos, Kari Faux; JyellowL and NUXSENSE.

 IN THIS PHOTO: Charlotte Dos Santos

Do you get much time to chill away from music? How do you unwind?

Diarmait: We’re also a quite successful five-a-side football team, if I say so myself. So, whenever things get a bit too stressful, we’ll usually run a few passing drills or even just take it easy with a good old game of Nods and Volleys.

Senita: I think my chill time gets eaten up with other projects that I’d like to get involved in. I perform with producers; do a bit of D.J.ing myself and do things like dance classes and going to the theatre. I’m starting a podcast called Points of Intersection in the New Year about Ireland and intersectionality, which will broadcast on Dublin Digital Radio. I’m listening to a lot of podcasts and doing some prep for that as a chill thing.

Finally, and for being good sports; you can choose a song and I’ll play it here (not any of your music - I will do that).

Diarmait: Johnny “Guitar” Watson - Telephone Bill

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Follow Shookrah

INTERVIEW: Jacko Hooper

INTERVIEW:

Jacko Hooper

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THE brilliant Jacko Hooper...

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has been telling me about his new single, Trust in Me Always, and what its history is. I ask whether there is more coming along and which albums are important to him – Hooper suggests some rising artists that are worth a bit of time and energy.

The songwriter talks about his E.P., Together We’re Lost, and why he took a slight break from music; which artist he’d support on tour if he could and whether there are gigs approaching – Hooper selects a great new track to end the interview with.

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Hi, Jacko. How are you? How has your week been?

All good, thank you. It's a strange time after releasing a record where, all of a sudden, you have a bit more free space in your brain after all the hard work is over. But, yes, good.

For those new to your music; can you introduce yourself, please?

My name is Jacko Hooper. I write and perform songs with guitar, keys and vocals. I draw influence from the things around me. I find it hard to write songs that aren't about personal experience.

Trust in Me Always is your new single. Is there a story behind the track?

The song is a conversation between your automatic thinking and your logical thinking. It's the voice in your head when it's trying to convince you that you are right to be fearful of the irrational and it keeping you 'under its spell'.

It is from the E.P., Together We’re Lost. I believe it was bedroom-recorded after a slight break from music. What was the reason behind the gap and returning with this E.P.?!

I needed to take a little break and get back in the right mindset in how to release music. I wanted to put something out that I was proud of and felt represented me at this time - and I knew the only way I was going to achieve that is if I focused more on writing and less on performing. Demoing songs and finding the right balance of production and intimacy was important and I wanted to feel like I found that sound correctly with this record.

Who are the artists that inspired you growing up? Did you grow up around a lot of different music?

Funnily enough, I didn't grow up around much music at all. I don't come from a musical background. I always used to listen to the radio when I was really young and used to write poems. I discovered an album in Asda called The Album and it had loads of bands on it that I never knew existed, i.e. the ones that weren't on the local commercial radio station. I heard distortion for the first time with bands like The Vines and Muse and the dramatic and emotive nature of the music led me to wanting to put these words I’d scribbled down to melody.

As I grew up, I fell in love with artists such as Jeff Buckley, Bowie; Glen Hansard and Damien Rice and I think that's when I started to venture towards a more acoustic sound.

Do you already have plans for 2019?

I have some collaborative projects that I’m really looking forward to release; working with some really inspiring musical friends of mine on some different releases, including Folklore Vol.2, which is a label I set up. Tour plans are in the works too. I think things will start becoming public knowledge more in the spring time.

Have you got a favourite memory from your time in music so far – the one that sticks in the mind?

I was invited to support James Blunt at the Brighton Centre (which is my hometown) a few years ago. There were a few venues growing up as a kid that I knew I always wanted to try and play and the Brighton Centre didn't even come into my mind. To walk out in front of 5,000 people, including friends and family, was one of the most surreal and accomplished feelings I’ve ever had in my life. The songs I was singing I were songs I wasn't sure anyone would ever hear, let alone that many at one time.

What does music mean to you? How important is it in your life?

Music is all I really do with my life. I put on shows; I release records, my own and other peoples. I go to gigs; I write music. I struggle to find time for anything else in honesty. I'm a workaholic, so I like it that way. It's my friends and family that have to hear me talking about it all the time - so probably more work for them than me.

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Which three albums mean the most to you would you say (and why)?

So hard to pick...

The album that made me want to pick up a guitar would probably be Showbiz by Muse. It was the first proper album I had really digested and I remember not being able to understand how he was creating the guitar sounds...so that's what my gut goes with.

After that, it'd probably be Trouble by Ray LaMontagne. To me, it's just a flawless record; a songwriter at the peak of his powers. Every song is so inspiring. It takes me somewhere else as a listener and makes me want to write songs as an artist.

I'll pick a more recent album for my third choice. I love Post Tropical by James Vincent McMorrow. I think the production on this record coupled by his painfully accurate falsetto creates an atmosphere totally unique. It feels like the old album style of listening from start to finish has died out somewhat in recent years. Yet, with this record, it flows like a story and needs to be enjoyed as a whole piece. I admire that hugely.

As Christmas is coming up; if you had to ask for one present what would it be?

At this point, just some rest. I want nothing for Christmas. Literally, just nothing.

If you could support any musician alive today, and choose your own rider, what would that entail?

I think it'd have to be Glen Hansard. I remember watching a live version of him performing Say It to Me Now and it was a life-changing moment. It gave me genuine chills; to see one person emit such emotion in a performance with so little accompaniment...something clicked and I knew that was how I wanted to get my story across. It felt so honest. No bulls*it; just a guy with a guitar who wasn't holding back on a single word or melody. He lives every bit of it.

The rider would have to be a crate of Jameson's really, wouldn't it? Given the company...

Do you have tour dates coming up? Where can we catch you play?

Not yet. As I say, I think it'll be spring when things are getting back into shape.

What advice would you give to new artists coming through?

Love what you do. Be honest with your writing. We all take huge inspiration and influence from people, but your favourite artist already exists: the world doesn't need another one. Be you. It's so much more interesting.

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 IN THIS PHOTO: Bess Atwell/PHOTO CREDIT: @d.haughian

Are there any new artists you recommend we check out?

I’m lucky to have a lot of very talented friends making some of my favourite music. I would highly recommend Bess Atwell, The Hungry Mothers; Paper Hawk - and today I found a singer called Chloe Foy who I’m thoroughly enjoying, My friend George Ogilvie recently brought out an E.P. too and that's been playing fairly consistently I must admit.

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IN THIS PHOTO: Chloe Foy

Do you get much time to chill away from music? How do you unwind?

No.

Finally, and for being a good sport; you can choose a song and I’ll play it here (not any of your music - I will do that).

Oooo. In that case. I'd recommend Grace by Bess Atwell. Stunning melodies and lyrics in particular in this one.

Thank you!

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Follow Jacko Hooper

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INTERVIEW: Luca Schreiner

INTERVIEW:

Luca Schreiner

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I have been chatting with Luca Schreiner...

about his latest track, Over You, and what its story is. I ask the Electronic artist/producers what comes next and what it has been like working with some of music’s biggest names – he reveals how he got into music and what advice approaching musicians should take to heart.

Schreiner reveals an approaching musician to watch and tells me whether there are gigs coming next year; what Christmas present he wants this year and whether he gets time to chill away from music – he selects a great song to end the interview with.

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Hi, Luca. How are you? How has your week been?

Hey, guys. I’m super-well! I’ve had an amazing week. I played my first ever show in Bahrain and just got back home. 

For those new to your music; can you introduce yourself, please?

Sure. I’m Luca Schreiner; a twenty-four-year old D.J. and producer from Germany. I’m signed with Ultra Music and released official remixes for artists such as James Arthur, Alessia Cara; Clean Bandit and many more.

 

Over You is your new track. Is there an inspiration behind it?

I’ve written Over You together with some amazing guys, including Neil Ormandy, who is one of the best songwriters of right now. I think the track perfectly shows my current style, which is a crossover between Dance and Pop elements.  

Do you think there might be more material coming next year?

Definitely! I’m constantly working on new original music as well as new remixes for some huge artists which hopefully get released soon!

When did you get into music? Were there particular artists you looked up to?

I got into music when I was sixteen-years-old. I remember watching videos of Tiesto performing in front of thousands of people! That was really inspiring me to start working on my own music and explore the whole electronic music industry!

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You have remixed for some big artists. Which has been your favourite collaboration?

I loved working with James Arthur and his team. They were all super-nice and his voice is just outstanding! My remix of his track Say You Wont Let Go is still my most successful remix that I worked on.

Have you got a favourite memory from your time in music so far – the one that sticks in the mind?

Playing at Marquee in New York was definitely one of my favorite memories! I opened for 4B that night, who is playing pretty different compared to what I’m playing; but the people were really into it and just enjoyed every track that I played.  

What does music mean to you? How important is it in your life?

Music is super-important to me! I grew up in a family were music always played a big role. My dad owns a music distribution that also introduced me to the particular genre of Electronic music.

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As Christmas is coming up; if you had to ask for one present what would it be?

If I could ask for a non-material present/gift, I think I would choose health for me and my family. No matter how talented you are in music, if you don’t feel good in your body or have health issues then you can enjoy life.

What advice would you give to new artists coming through?

If you’ve just got started, don’t stress yourself. Start exploring and see what genre and what style fits the best for you. I always experimented at the beginning of my career and still try to be as creative with trying different styles in the studio every now and then to just get inspired.

I think, as soon as you have found the right style, you just have to go for it and have fun producing new music. Labels will automatically reach out to you once your sound is right so don’t worry.  

Do you have tour dates coming up? Where can we catch you play?

Yes. I’ve already got some shows confirmed for next year, which I’ll announce soon!

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 IN THIS PHOTO: James Carter

Are there any new artists you recommend we check out?

I just really love what James Carter (from the U.K.) does! He’s still kind of underrated for all the amazing stuff he’s releasing! So, definitely check him out!

Do you get much time to chill away from music? How do you unwind?

Yes. I always try to take time to chill and get inspired again! I think surrounding yourself with people that understand what you do and help you get inspired and chilled is super-important to be able to work on new music again.

Finally, and for being a good sport; you can choose a song and I’ll play it here (not any of your music - I will do that).

I love the new Chainsmokers song, Beach House. So, I would choose this one. Absolutely love the melody of the main part and their songwriting in this one

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Follow Luca Schreiner

INTERVIEW: Katey Brooks

INTERVIEW:

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Katey Brooks

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THE awesome Katey Brooks...

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has been telling me about her latest single, In Your Arms, and what its story is. I ask what she has planned next year and whether we will see more from her; which albums are most important and some rising artists we should follow and investigate.

Brooks tells me about a bittersweet musical memory and where we can catch her play; who she would support on tour if she had the chance and what advice she would offer artists emerging – she selects a great track to end the interview with.

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Hi, Katey. How are you? How has your week been?

Hi! I'm good, thanks. How are you? My week has been really wonderful thanks...and busy!

For those new to your music; can you introduce yourself, please?

I'm a singer-songwriter/producer originally from Bristol (U.K.) living in London. I've been writing, releasing and touring music for over a decade now and have been fortunate enough to see many parts of the world because of it. My back catalogue spans a variety of genres but my current vibe is Indie/Folk-Pop with hints of Gospel and Soul. Is that enough of an intro? I'm a bit awkward; can you tell? (Smiles).

In Your Arms is your new single. What is the story behind it?

I went through a very painful breakup over the summer. I parted with the woman I loved very dearly and one day I just picked up my guitar and decided to tell her how I felt, in song. I had always felt like she never quite believed me when I told her I loved her and this was my way of really saying it. I'm happy it came out this way because I think, or at least hope, there's something in the lyrics we can all relate to - that pure, sweet, unconditional love for someone.

Will there be more material coming along? How far along are you looking?

There absolutely will. I'm just finishing the production on the second single - which will be out in late-January - followed by third and then the album in the spring! In between my original music, I'm also going to be sharing some covers of my favourite songs so watch this space (smiles).

In terms of artists; who do you count as idols?

Neil Young, Joni Mitchell; Annie Lennox, Tracy Chapman; Otis Redding, Jeff Buckley and John Martyn...god, the list is endless!

Do you already have plans for 2019?

Yes. Gentle ones. I was on the road relentlessly for a few years until this time last year and, as amazing as that was, that's not how I want to do things these days. I've discovered I'm actually more of a home-bird than I ever wanted to admit. So, I'll be releasing a lot of music (including my album Hearing Voices in the spring) and playing some special concerts in venues I love. Past that, we shall see!

Have you got a favourite memory from your time in music so far – the one that sticks in the mind?

Ooh, there are a few. Singing at the Bethlehem Live festival in Palestine and London 2012 are up there, but I'm going to say all the way back in 2007 at the Bordeaux Fête le Fleuve. I was a youngster on the main stage both opening and closing this beautiful festival. It was both a very exciting and extremely painful moment for me. My mum had literally passed away two days before but I had promised her I would go and play the festival. 

As hard as it was, I wanted to keep that promise. I thought about her and mentally dedicated it to her as I sung my song You Will Be Free. It was a very powerful moment and, to be honest, I felt her presence. I'll never forget that.

What does music mean to you? How important is it in your life? 

As both the receiver and the creator, it's everything. It's literally saved my life at certain times. It gives meaning when there is none; it makes sense when there is none and it gives joy without ever wanting anything in return. Music is just beyond words amazing, isn't it?!

Which three albums mean the most to you would you say (and why)? 

Rumours by Fleetwood Mac

Just because it's perfection.

Tracy Chapman – Tracy Chapman

That record inspired me to write and sing.

Blue by Joni Mitchell

My friend Patrick Duff mentored me a little when I was younger and he recommended I listen for my development. Exquisite album which definitely influenced the way I sang at the time.

As Christmas is coming up; if you had to ask for one present what would it be? 

Oh, that would be telling...it's quite soppy. Can I keep you posted? (Winks).

If you could support any musician alive today, and choose your own rider, what would that entail?

It would be someone like Matt Corby because then I could really enjoy his set afterwards. I adore his voice/music and his presence on stage. 

My rider is always pretty simple: just a nice bottle of Malbec, decent veggie food and somewhere private, quiet and comfy to chill out before and after I play. Anything more than that is a bonus but to be honest wouldn't be on my mind before I play.

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What advice would you give to new artists coming through?

Just make music you love, work hard and be gracious. Look after and respect yourself. The rest is up to the gods.  

Do you have tour dates coming up? Where can we catch you play?

There are shows to be announced but, in the meantime, I have two special shows coming up in these lovely venues:

Friday, 1st Feb at Landmark Arts Centre - London

Saturday, 2nd Feb at Arnos Vale – Bristol

Tickets are available from my website.

 IN THIS PHOTO: Ash Radford

Are there any new artists you recommend we check out?

Ash Radford. Beautiful music, beautiful man. I think he's going to do big things in 2019. Fraser Anderson for all the same reasons. His voice is gold.

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 IN THIS PHOTO: Fraser Anderson

Do you get much time to chill away from music? How do you unwind?

My answer to that question used to always be ‘no’. Haha.  But, nowadays, I'm trying to keep the balance. I like to just hang out with friends and family eating nice food and having the odd glass of wine or two. I love movies and have been known to indulge in many Netflix binge sessions. I'm trying to get back into sports too as I know how much my mental-health thrives from it. Climbing is at the forefront of my mind at the moment. I just need to find the time!

Finally, and for being a good sport; you can choose a song and I’ll play it here (not any of your music - I will do that).

Oh, thanks! Let's go with Fraser Anderson - Only a Boy. It's my favourite of his and features the beautiful bass playing of Danny Thompson (John Martyn, Nick Drake)

Nice chatting to you (Smiles).

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Follow Katey Brooks

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INTERVIEW: Big Wild

INTERVIEW:

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Big Wild

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AMERICAN producer Big Wild...

has been telling me about his new single, Heaven, and its story. I was eager to know about the upcoming album, Superdream, and what sort of themes inspired it; the kind of music he grew up around the albums he loves the most.

Big Wild talks about his plans and who he’d like to support on the road; a rising artist we should all look out for and whether there are any tour dates in the diary – he ends the interview by selecting a great song.

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Hi, Big Wild. How are you? How has your week been?

I’m doing well! This week has been busy. Just finished two co-headline shows at Bill Graham in San Francisco and WaMu Theater in Seattle. Now, I can finally decompress a little bit.

For those new to your music; can you introduce yourself, please?

My music is fairly diverse but often falls into Electronic, Indie and Dance genres. I produce, sing and write it myself so my songs are very much a representation of me.

Heaven is your latest track. Is there a story behind it?

Heaven was inspired by a photograph I found online of rain in the ocean with a man floating in the centre with the biggest grin. It seemed as if this person was in total bliss. I wanted to write a song capturing that feeling; of witnessing something so special, euphoric or breathtaking that it feels like ‘Heaven’.

Your album, Superdream, is out in February. What sort of themes inspired the songs?

Superdream covers a variety of topics that are all rooted in my own personal experiences. Existentialism, falling in love and moving across country are some of the things I sing about. The album is largely a reflection of moments in my life.

You have received support from the Electronic duo ODESZA. How important is that support and faith?

Their support early on was really helpful in getting exposure, understanding the music industry better and putting together a live show. Their role in my career was invaluable.

Are there particular artists that inspired you to get into music?

I first got into music by producing hip hop instrumentals. Artists like Dr. Dre, Pharrel, and Timbaland were my favourites and inspired me to have my own unique sound. Since then, my inspirations have evolved a lot but Hip-Hop producers formed my foundation for understanding and producing music.

Do you already have plans for 2019?

Lots of plans. Superdream drops February 1st; I embark on a headline tour in March and then there are lots of shows planned throughout the summer and the rest of the year. I’m also working on some live sessions and stripped back versions of my new songs so people can hear them in a different light and understand my voice a little better.

2019 is going to be a busy year.

Have you got a favourite memory from your time in music so far – the one that sticks in the mind?

Co-headlining Red Rocks. Such a beautiful venue and a perfect night. Definitely a life highlight.

Which three albums mean the most to you would you say (and why)?

Dr. Dre - 2001

Tame Impala - Currents

Gorillaz - Demon Days

All three are super unique especially in terms of production. Finding your own production and songwriting style is such an amazing form of self-expression and I feel these albums embody that.

As Christmas is coming up; if you had to ask for one present what would it be?

A Neumann U 67 microphone. That’s what I used on this record and I love the way it captured my voice. It isn’t cheap though. Haha.

If you could support any musician alive today, and choose your own rider, what would that entail?

I would want to go on tour with Paul McCartney. Give me a fridge full of kombucha and I’m all set.

What advice would you give to new artists coming through?

Before anything else, focus on having a unique style and sound that is true to who you are. The more my career progresses, the more I realize how the ultimate artistic goal is to create art that is a perfect representation of yourself, vulnerabilities and everything. Establish this as your goal and then build your business and success around it.

Do you have tour dates coming up? Where can we catch you play?

I’ll be at Decadence in Denver on N.Y.E. and then Holy Ship! in January. After that, I’ll be working on the set for Superdream and then starting the Superdream tour for pretty much all March. I’m hoping to begin playing the new set overseas in 2019 as well...

Are there any new artists you recommend we check out?

I’ve recently found this artist named Louis Cole. His YouTube videos are hyper-creative and his music is really good too.

Do you get much time to chill away from music? How do you unwind?

Music is both my main source of stress and relaxation, ironically. When I’m truly unwinding though I like to hike and explore nature a bit.

Finally, and for being a good sport; you can choose a song and I’ll play it here (not any of your music - I will do that).

Only You - Theophilus London (ft. Tame Impala)

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Follow Big Wild

INTERVIEW: Johanna Glaza

INTERVIEW:

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PHOTO CREDIT: Willie Nash

Johanna Glaza

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THANKS to Johanna Glaza...

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PHOTO CREDIT: Willie Nash

for talking about her epic new single, Albion, and the E.P. of the same name (out tomorrow); what is coming up next year and how the Lithuanian-born, London-based artist mixes those two rather different lands – Glaza highlights a rising musician that we should have a look at.

I ask whether there are tour dates coming and whether she has a favourite music memory; the albums that are most important in her life and who she’d support on tour given the chance – she ends the interview with a great track selection.

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Hi, Johanna. How are you? How has your week been?

I’m good, thanks. I’ve been trying to spend more time off line this week and it feels wonderful.

For those new to your music; can you introduce yourself, please?

I’m an independent, London-based artist, writing long Baroque-Folk songs with an Avant-Garde twist.

Albion is your latest track. Can you reveal the inspiration behind the song?

I intended to compose a song using William Blake’s words just for fun for a friend of mine but ended up writing an eight-minute piece which took me months to complete. The dramatic events of the poem perfectly mirrored my own heart at the time. 

It is from the E.P. of the same name. What sort of themes and ideas influenced the music?

The desire to live and to be alive. I was coming out of grieving for my both parents whom I lost one after the other.

You are from Lithuania but based in London. Is it easy to balance the two worlds?

They merged naturally into one strange world for me. I need both the energy of metropolis and the complete solitude in the wild. The only difficulty is trying to figure out where am I in the first seconds after waking up.

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 PHOTO CREDIT: Willie Nash

In terms of artists; who do you count as idols?

They die in me from time to time. At this moment, I’m still looking for the new one. 

Do you already have plans for 2019?

I fear the word ‘plan’ more than anything. I just hope to keep doing what I’m doing.

Have you got a favourite memory from your time in music so far – the one that sticks in the mind?

The shooting of the video for Albion felt like being in a different world. I’d love to relive it.

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PHOTO CREDIT: Rachel Poulton

What does music mean to you? How important is it in your life?

Good question: I never thought about it. Music has always been there in my life. Like oxygen - I didn’t question it. It's my own world I can escape to any time.

Which three albums mean the most to you would you say (and why)?

Björk – Debut

For breaking all the boundaries I knew at the time.

Joni Mitchell – Blue

For being so naked.

Roy Harper – Stormcock

For teaching me that a song is not just a verse-chorus thing.

As Christmas is coming up; if you had to ask for one present what would it be?

One way ticket to India? Don’t ask me why (smiles).

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PHOTO CREDIT: Rachel Poulton

If you could support any musician alive today, and choose your own rider, what would that entail?

I’d love to support Julianna Barwick for the show in Iceland and would ask them to build us a church made of ice. It would melt as we sung. 

What advice would you give to new artists coming through?

Stay away from perfection.

Do you have tour dates coming up? Where can we catch you play?

Come and say ‘hi’ to The Finsbury, London on Jan 21. More dates to be announced on my social media soon.

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 IN THIS PHOTO: Vesper Wood

Are there any new artists you recommend we check out?

Vesper Wood is wonderful. 

Do you get much time to chill away from music? How do you unwind?

Fetching the water from a well with a bucket for my countryside hut keeps me grounded. 

Finally, and for being a good sport; you can choose a song and I’ll play it here (not any of your music - I will do that).

Please play Linda Perhacs – Parallelograms

Thank you for your lovely questions and your support. Have a great week.

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Follow Johanna Glaza

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INTERVIEW: Jim Junior

INTERVIEW:

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Jim Junior

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THE excellent Jim Junior...

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has been telling me about his latest single, Is It the Right Time, and its background. I ask him what is coming next and what music means to him – he selects a few albums that means a lot and recommends some rising artists worth checking out.

Jim Junior discusses his musical background and looks ahead to 2019; gaining a solid reputation in his hometown and what advice he would give to artists coming through – he selects a great song to end the interview with.

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Hi, Jim. How are you? How has your week been?

Creatively fulfilling and exciting as I have discovered a new tonic wine that stimulates my faculties in the studio and makes me feel great.

For those new to your music; can you introduce yourself, please?

I go by Jim Junior. I am a singer-songwriter and producer and multi-instrumentalist from Toronto, Canada. I have a background that includes House music, Jazz; Country and Hip-Hop. I mostly produce and write my material and people tell me they like it.

 

Is It the Right Time is your new track. Can you reveal the story behind it?

Yes, I can. I wrote it about two years ago in Toronto. I was riding the Subway (your tube) home from my then-day job and had this chord progression spinning around in my head. At some point, the lyric hit me and I arrived home at around 2 A.M. I fired up my computer and started putting it together.

The lyrics just happened. I was feeling intoxicated and excited but also nervous about romantic aspects of my life, not knowing where to turn but also feeling a deep sense of inevitability. I think it’s just that feeling of limbo I was trying to capture in the song.

You are signed to LAB Records. What was the reason behind that move? What is life like under the label?

They offered me the best deal. It’s like having a cool uncle with money who also knows people at Spotify.

Will there be more material coming next year?

Yes, there will. We are potentially seeing some remix type stuff in the short-term; some collaborations in the spring and likely another body of tunes from juste moi. Expect things to get wilder musically...

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Can you remember when you knew music was the path for you? Did something trigger that?

Not really; it was so early in my life that I just always wanted to be playing and singing. I think around thirteen was when I consciously conceived of it as a job - but it was always like water for me.

Is it true you are known in your Canadian hometown for illegal parties?! Did that, alongside your D.J. skills, help spur you to where you are now?

Well. I am known for a lot of things in my hometown. My circle of friends got to putting on events in D.I.Y. spaces starting around 2010 where we sold drinks and provided music. My project kind of blossomed out of that as I got into writing this brand of R&B that I though could sit alongside the House and Hip-Hop that was getting spun. I was usually just the warm up D.J. and mostly played older Disco and Funk records but, when sh*t got going, other guys would spin and I would toast (emcee) on top of the House records, improvising lyrics and even writing whole tunes on the spot sometimes.

So, I learned how to work a club crowd, got more into Dance music - to which I was somewhat new - and my sound changed. I started using more drum machines and synths, changing how I approached my melodies etc. It was a blast.

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Do you already have plans for 2019?

Doing some dates in Canada in the winter. Hoping to put together a full batch of songs for the spring and travelling as much as I can.  

Have you got a favourite memory from your time in music so far – the one that sticks in the mind?

No, to be honest. Haha. It’s all been a joyous whirlwind.

What does music mean to you? How important is it in your life?

I don't really exist comfortably without it. It's the centre of my being and the medium in which I am my most natural self.

Which three albums mean the most to you would you say (and why)?

A Love Supreme - John Coltrane

When I was about twelve-years-old, I would put it on every night before bed and find the spot where I had fallen asleep and start from there in the morning. I did this for about three months I think. It was such a pure and brilliant compromise between raw improvisation and composition that it captivated me over and over.

This Year's Model - Elvis Costello and the Attractions

Learned to play bass from this guy.

Lifestylez ov da Poor & Dangerous - Big L

The Hip-Hop record that completely took me in and turned my head out.

As Christmas is coming up; if you had to ask for one present what would it be?

Probably for Canada to recognize its continued abuse and neglect of its native population and deal with it in more than a cursory way.

If you could support any musician alive today, and choose your own rider, what would that entail?

I would love to support any artist with a fan base with whom my stuff would resonate. I don’t know who that is but my rider would include rum, ginger beer and chicken.

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What advice would you give to new artists coming through?

In terms of the music itself, figure out what makes you shine as an individual and develop that. There are a lot of talented people doing what someone else does, just not quite as well. Don’t fall into that trap. As far as the industry is concerned, I am still figuring it out - ask somebody with real success.

Do you have tour dates coming up? Where can we catch you play?

I am planning a few dates in Canada in the winter but it’s pending. I expect to be playing in impromptu circumstances and only if the money is right. Otherwise, I am at Handlebar in Toronto in January. Check IG.

How important is it getting onto the stage and delivering music to the people?

It’s the only way musicians can really make a living now, so that’s the main thing. I hope we start to see more flow from streaming as we figure out how the whole Internet thing will continue to work; but for now we gotta hit the stage. I have a performance background and I love it the same as I love writing and recording...so it’s a big part of my thing. I think a lot of artists today are lacking in live chops and, considering the circumstances I’ve described, that seems kind of backwards.

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 IN THIS PHOTO: Birthday Boy/PHOTO CREDIT: @mayafuhr

Are there any new artists you recommend we check out?

Birthday Boy and Harrison out of Toronto make some of the cooler Hybrid music with a real back-beat out there. Also from Toronto are Casey MQ and Myst Milano. I love NAO from the U.K.

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 IN THIS PHOTO: Casey MQ/PHOTO CREDIT: Haley V. Parker

Do you get much time to chill away from music? How do you unwind?

I force myself to hang out without a recording setup sometimes, yeah. I love to cook and did it for many years as a day job, so I’m pretty decent. Otherwise, I love watching sports and talking politics, history and philosophy.

Finally, and for being a good sport; you can choose a song and I’ll play it here (not any of your music - I will do that).

Let’s put on SAINT off of Birthday Boy’s latest E.P. - cause he probably won’t ask anyone to play it…

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INTERVIEW: The Mojo Cams

INTERVIEW:

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The Mojo Cams

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IT has been interesting speaking with Steve Bull...

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about his musical moniker, The Mojo Cams, and how that came to be. He talks about his David Bowie-inspired project, Nebula Tuesday, and the latest song from it, These Are the Days – he reveals a few albums that are especially important to him.

I ask Bull about combining literature and music together and whether there is a natural connection; what he has planned coming up and what his favourite musical memory is – he ends the interview by selecting a great Kate Bush song.

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Hi, Steve. How are you? How has your week been?

I’m doing okay, thanks. How are you? I’ve been getting out and about and enjoying the early autumn mornings the last week or so. The amazing colours of the trees and the falling leaves seem to make me want to reminisce.. I’m hoping it will inspire me to write something.

It’s been such a very busy time with non-music stuff recently so it’s really nice to take time out and have a chat with your good self about creative matters!

For those new to your music; can you introduce yourself, please?

I am a songwriter and composer with a keen interest in digital art. I love to get artists together to develop new songs and recordings. I like to produce music via collaborations and conceptual ideas. The Mojo Cams is my vehicle for delivering this music.

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Can you talk about Nebula Tuesday and what it is about? When did the idea come to you?

The idea came to me shortly after David Bowie died. Nebular Tuesday is essentially about how we treat the ‘others’ in life: how we view strangers and outsiders who don’t see the world the same. It is also about injustice and truth.

In the initial stages, I was developing an idea for a concept album. I was also looking to reflect the changes in the cultural and political climate. It started off and remains, thematically dark. I wanted to speak about the blighted concept of ‘fact’; the rise of the populist right and xenophobia. Nebular has grown its own arms and legs now. It’s a fully-scripted musical story and I’m not exactly sure how that happened.

I’ve put some tunes in there, though. It’s not all heavy…

The first track, These Are the Days, sets the story. Were you inspired by particular films or books regarding the story arc?!

Absolutely. I was thinking about The Wicker Man and all its weirdness and spooky isolation. The setting and the feel were a definite colouring of my vision for Nebular. I also had Straw Dogs (the original) in mind - to express the terror of the outsider in the story.

Might we see another project like Nebula Tuesday in the coming months/years?

I’m in talks to produce a musical dramatic work concerning the Scottish bard Robert Burns just now. I’m also working on the songs of a new musical that I hope to unveil early next year. Don’t want to say too much in case I jinx it....

Do you feel there is a natural link between music and literature - and should more musicians create form a literary viewpoint?

Well. There is a link, in the fact that songs are essentially literal due to the words and concepts of lyrics. Great lyrics often set dramatic scenes, tells stories and explore themes in a very concise and clever way. Writing Nebular; I found that matching a lyric to a dramatic scene and storyline can be somewhat limiting and, conversely, a focus for ideas.

I had never really tried writing songs in this way before. The lyrics had to be described through the eyes of the characters in the story and confined by their motivation and situations. This forced me into a new way of developing words.

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Should more musicians explore this? Well, I quickly realised that it was definitely something I should have been doing all along. It was creatively liberating in the sense that I could say things through a character that I could never say personally. Artists who write for other people must experience something similar.

Overall though, I feel that music is most relevant when it explores an empathic and emotional narrative. When the listener is captured, immersed and taken on an internal journey then I suppose they are experiencing music in its purest form. Whatever device a songwriter or composer uses to accomplish this is absolutely fine by me. It is not an easy thing to do. In songs, stories and themes will always play a part.

Do you already have plans for 2019?

I am looking at taking Nebular towards a full stage/screen production. I also have other projects on the go that promise to take up all of my time.

Have you got a favourite memory from your time in music so far – the one that sticks in the mind?

I’ve met loads of famous people. Muse, U2. Very cool experiences. I’ve had a write up in The Big Issue. Geri Halliwell was on the next page. A big highlight was supporting The Levellers and having Eddie Reader’s son ask for an autograph!

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Which three albums mean the most to you would you say (and why)?

Guns N’ Roses – Appetite for Destruction

For the sound of the guitars - and it sounds like they recorded it all last week.

Portishead – Dummy

For the spookiness the Mellotron, the vocal and the otherworldliness of it. It’s a seminal album that’s for sure.

Kate Bush – Hounds of Love

Because it’s Her Majesty Kate and that is enough. Right?

As Christmas is coming up; if you had to ask for one present what would it be?

I would absolutely LOVE a two-in-one Neumann 24x4 analogue summing mixer by Vintage Maker. Sorry...you’re none the wiser? Gearhead geek alert! Do you think they will send me one now that I have mentioned them in your interview? In time for Christmas?

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If you could support any musician alive today, and choose your own rider, what would that entail?

I would love to support Noel Gallagher. The rider would be beers and a copy of The Beatles Anthology.

What advice would you give to new artists coming through?

If everyone is running into the six yard box, head for the wing. Someone might pass you the ball.

Do you have tour dates coming up? Where can we catch you play?

There may be some conventional gigs in 2019 but, right now, I’m organising a rehearsed reading of Nebular Tuesday in February.

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 IN THIS PHOTO: SIAN

Are there any new artists you recommend we check out?

I love the vocal group SIAN

Niteworks (ft. Sian) - Air Fàir an Là:

‘Air fàir an là’ means ‘At dawn of day’. It’s a traditional Gaelic ‘waulking song’ and the melody is utterly gorgeous. One of the Sian singers, Ceitlin LR Smith, sings in English on Nebular.

Do you get much time to chill away from music? How do you unwind?

Digital painting keeps me off the streets. Sometimes.

Finally, and for being a good sport; you can choose a song and I’ll play it here (not any of your music - I will do that).

Please play Experiment IV by Kate Bush. Nigel Kennedy’s in it you know and I can play violin...so there...

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