INTERVIEW: MAYKA

INTERVIEW:

MAYKA

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THERE are a lot of energetic and passionate…

artists working in music right now. It can be hard deciphering and discovering which artists are better than the average. It takes no time at all to realise MAYKA is a hot talent who needs no time and chance to bed in. I have been speaking with her about the single, Rich, and what comes next for her; which new artists she recommends – whether there are any tour dates confirmed.

The Swedish-based artist discusses the music in the country and how she got into music/D.J.ing. I ask whether MAYKA has any advice for new artists and what she wants to achieve before the end of the year – ending the song with a great song choice.

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Hi, MAYKA. How are you? How has your week been?

Hi! My last week has been intense with lots of sessions and also promo-stuff, but I'm feeling very good and excited! 

For those new to your music; can you introduce yourself, please?

I'm MAYKA; born and raised in Sweden. I make dark, naive and edgy Pop with Trap, Future-Bass and Hip-Hop influences. My background lies in D.J.ing and the EDM-scene. 

Rich is your new song. What is the tale behind the song?

From the beginning, the song was about a relationship scenario - and I pictured dating some guy who's just bragging and showing off. Lately, I've found a deeper meaning, and now, I think it's more about striving for success – how we're chasing goals and trying to find happiness outside ourselves.

I'm so tired of that and I just wanna go back to simplicity and the richness of being present. 

It is a colourful and huge track. Did you design it with the summer in mind? It has that crowd-uniting sound to it!

Thanks! Actually, it was written a year ago, right before summer. I wanted it to be happy and cheerful but, at the same time, with an ounce of melancholy and heaviness. 

What was it like producing alongside LIOHN?

I love making music with LIOHN. He's such a genius with great composer skills and, at the same time, awesome at making beats and sounds. 

Are you looking ahead to new material? Might we expect an E.P. before the end of the year?

Yeah. I've got so many nice songs stored. Hopefully, there will be another single before summer and an E.P. this fall. 

You are one-half of the Electro-Rap-Pop duo, Death Team. Do you think your first solo outing differs from the work you do with Death Team? Are you going to balance the two projects?

Hm. Yeah; my solo-stuff is a bit more dark and less '90s party. I love both of the projects and I feel like they represent different aspects of me. Right now, I'm focusing more on my own thing - but the goal is to balance the two. 

How did you get your start in music? Were there particular artists that got you hooked?

When I was a kid, I listened to Nirvana, Snoop Dogg and Rage Against the Machine. I was a real music nerd and bought new records every week. But it wasn't until I was about twenty-one-years-old I started pursuing music myself. I heard Justice – We Are Your Friends on a dancefloor while living in Barcelona and I got totally blown away. There and then I decided to become a D.J.

I started out playing records at Indie clubs and, after a while, I learned production. I did that for some years and then got crazy-inspired by M.I.A., Uffie and Fever Ray. So; I started singing/rapping and writing. I've always been drawn to rebellious, high-energy music with a Punk and don't-give-a-f*ck-vibe.  

PHOTO CREDIT: Adam Chiapponi

You are Swedish-born. Is the music scene in Sweden quite varied and promising? How would you sum up Sweden’s ‘sound’ in a few words?

Swedes are awesome at making music.

I guess people are extremely creative and productive since it's dark and cold, like, nine months a year. I would say the Swedish sound is forward-thinking, fresh; melodic and trend-setting, but, with a lot of soul and essence. 

Can we see you tour soon? What gigs do you have coming up?

I have some gigs coming up in Sweden during spring. So excited. A tour is not planned yet and I'm busy rehearsing and putting my live set together.

What do you hope to achieve in 2018?

I just hope my songs will find new homes - and that I will keep developing and experimenting with my sound. I always think the best is yet to come. 

Have you got a favourite memory from your time in music – the one that sticks in the mind?

I have many. There are so many roadblocks I've been forced to climb during my journey, and it's crazy that I'm still doing this and haven't given up yet. One of my best memories was my first festival summer with Death Team. I was insanely nervous since I had no live experience. But, with all of the support from our fans, it felt like I got superpowers on stage and I grew more and more for every show we did.

Total bliss and euphoria. 

What advice would you give to new artists coming through?

Collaborate and don't try to do everything by yourself. Join a community and look for support and people who can hold your back. Also, put some focus on finding visual concepts that represent you and your music. 

IN THIS PHOTO: Mallrat

Are there any new artists you recommend we check out?

Yeah. A singer-songwriter girl, Mallrat, from Australia is my new favorite. Also; Swedish producer MagnusTheMagnus makes awesome beats. 

IN THIS PHOTO: MagnusTheMagnus

Do you get much time to chill away from music? How do you unwind?

Some periods are crazy-hectic and other times it feels like I got nothing to do at all. When I don't have gigs at the weekends, I love to do some yoga, hang-out with friends; chill out and watch Netflix series. 

Finally, and for being a good sport; you can choose a song and I’ll play it here (not any of your music - I will do that).

Louis the Child, Elohim – Love Is Alive 

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Follow MAYKA 

Facebook:

https://www.facebook.com/maykamusic

Instagram:

https://www.instagram.com/maykamayka/

SoundCloud:

https://soundcloud.com/dj-mayka

YouTube:

https://www.youtube.com/user/IamMayka

INTERVIEW: RIVVRS

INTERVIEW:

RIVVRS

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HE has been a rather busy man…

over the past few weeks! Even though he has a newer song out there (Let It Die); I have been speaking with RIVVRS about his sizzler, Don’t Wanna Know. The U.S. songwriter is in hectic form and looking ahead to a new album – one I was keen to know more about.

Brandon (RIVVRS) discusses his influenced and the music scene in L.A.; what it feels like having his music picked up by T.V. and publications; whether we can see him in the U.K. during 2018 – he ends the interview with an artist I was not overly-familiar with…

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Hi, RIVVRS. How are you? How has your week been?

Hello! You can call me Brandon! (Smiles). I’ve had a really nice week after a few not so nice weeks, so I’m feeling really good! I just got back from Palm Springs, so I’m pretending I’m still there as I type this...

For those new to your music; can you introduce yourself, please?

Sure! I’m Brandon - sometimes I go by the name ‘RIVVRS’. Sometimes, I play with a band; sometimes I play by myself. Sometimes, I just watch Netflix instead. In terms of the type of music I play, it’s always changing. Right now, I’m very much in this Americana/Rock ‘n’ Roll phase and having a lot of fun playing out with the band. I listen to a lot of different types of music - so it’s usually really hard for me to stay focused on one genre.

Can I ask about that name – and where ‘RIVVRS’ comes from?

One of my first bands after high-school was called ‘RIVER SHIVER’ and we were a duo (myself and a drummer) and played around San Francisco a lot. When I decided to move to L.A. and start a new project, I wanted to do something new but also keep the familiarity of the old band name. RIVERS was one that always played in my head, but it’s such a common word that it’s impossible to separate yourself online (legally) without changing the spelling. I never really had any pressure to change the name, so I just started making music without a name.

After I wrote my first song in L.A., it was placed in a T.V. show that talks about a band from San Francisco. When I found out they were using my song, they asked what my band name was and I had to give them something on the fly! It was ‘RIVVERS’ at first and then I dropped the ‘E’ to make it ‘RIVVRS’.

Don’t Wanna Know is your latest cut. What is the story behind the song?

I wrote that song with my buddy, Joshua James, after we toured together last year. He has a wife and two kids at home, so touring is definitely harder on him. I have a girlfriend and two cats at home, so it’s not exactly the same - but I definitely miss them when I’m gone. We had such a good time while traveling.

I remember thinking at one point: ‘What if we just don’t go home and never go back?!’. Mostly as a joke, but then actually played out the scenario in my head. It’s a little scary to think about leaving an entire life behind, but it happens every day. Husbands leave their wives and their kids all the time…

I experienced it as a child and I still wonder what it takes to do something like that. I think that’s, generally, what inspired the song. Along the way, we swapped out the words ‘If I do drugs on the weekend’ for a lighter version of ‘If I get high on the weekend’. Haha - it’s really just an angsty song about life on the road and what you leave behind when you’re gone - and the fear that it might not be waiting for you when you get back.

I know it has picked up traction from the likes of NYLON. Is it touching knowing people are responding so strongly to your music?

I’m just grateful to be able to do this for a living. It’s incredibly flattering to know people are listening and connecting to the songs! It’s truly what keeps the fire going.

Your latest L.P., Cosmic Dream, is due later this year. Are there particular stories and aspects that influence the music? How do you feel it develops from your earliest work?

This album feels like my first record; mostly because it was created in a three-year period with the intention of being a RECORD. For that reason, I feel like it’s very congruent from song to song. My first record was more of a compilation of songs I wrote at different period of my life and then put it out when the time felt right. This new album has been a long, slow process and I’ve taken a lot more care with it.

It’s definitely similar to previous work but stands on its own, for sure.

Your music has been used on network television shows – you have accrued massive numbers on Spotify. How have these television placements helped get your music to new audiences?

It’s been really helpful! Especially with Shazam. It’s easy for someone to get instantly connected to your catalog just by clicking the Shazam button when they hear a song they like. That’s been a huge advantage for sure. It’s always nice to connect with someone at a live show and they tell you: “Oh, yeah; I discovered you by watching this T.V. show!” It’s not really how I ever imagined people would discover my music and I think it’s really rad!

What music did you grow up on? Was Classic-Rock a big part of that education?

Absolutely. My dad came from that era, so anything he grew up listening to I listened to. Luckily, I also had the incredible music of the '90s to add to that, so overall I got a very eclectic mix of music at an early age.  Tom Petty, The Red Hot Chili Peppers; AC/DC and Ben Harper. Those acts stand out in my head as big influences from an early age.

It seems like your early life was, at times, quite displaced. Was your childhood quite uprooted and unsettled? Did you travel about a lot?

We moved around a lot when I was younger but, by the time I was in middle-school, things mellowed out a little bit. There’s a lot of drug abuse and mental illness that runs on both sides of my family so, naturally, I’ve become a product of that environment - but I feel like I was raised well under those circumstances.

Now, I just write songs about it! Haha.

You are a native of Northern California, now based in L.A. What made you move away and embrace a new crowd? What are the main differences between Northern California and L.A.?

I moved to L.A. to be closer to the music scene, naturally. It’s been a transition, but I love L.A. The difference is the people. In Northern California, there’s a stronger sense of community and connection. In Los Angeles, I feel like most connections are surface level and motivated by self-interest. It’s a town that lives for money, not art. BUT on the flip side, there are communities within the city that embrace the Northern California vibe - and I’m slowly starting to find those and embrace them.

Can we see you tour soon? What gigs do you have coming up?

We won’t be touring until later in 2018, into 2019. But this May, we’ll be playing the Main Stage at Bottle Rock in Napa Valley! Friday, May 25th to be exact…

Do you think your music comes alive when you have a full band on the stage? How important is it getting music out to the people?

The music is (at best) half-alive without the band. I’m realizing how vital the band is with this new record. The songs just don’t translate the same when it’s only me and a guitar. It translates: it just does it differently. I’m really excited to keep playing with the full group!

What do you hope to achieve in 2018?

Total enlightenment…just kidding. I just wanna release my record and have a tour in place by the end of 2018 - and then hit the road hard in 2019.

Have you got a favourite memory from your time in music – the one that sticks in the mind?

Oh yeah! When I lived in Napa, I used to submit myself to the local theater as an opening act for the larger touring artists that came through. After two years of no response, one day the booker emailed me to let me know she’d confirmed me to open for Jewel for two nights. That was single-handedly the most memorable experience I have to date, simply because she was so nice and encouraging to me and it gave me this confidence boost I didn’t have at twenty-years-old. I think it just validated my dream and made me feel like it was realistic for the first time.

What advice would you give to new artists coming through?

…to listen to advice. Haha

I think it’s easy to let good advice slip by you. Just be open and willing to learn and to adapt to change. There’s always learning to do.

Are there any new artists you recommend we check out?

Mt. Joy! Really loving them right now. Also, Field Report!

Do you get much time to chill away from music? How do you unwind?

Now that the record is done and I’m not hitting the road, I have been chilling HARD. Now that the weather is heating up, I’ve been spending a lot of time outdoors. Any escape from the concrete helps me unwind.

Otherwise, I’m definitely a homebody; lots of writing and listening to music and watching Shark Tank.

Finally, and for being a good sport; you can choose a song and I’ll play it here (not any of your music - I will do that).

YES! I’m sure you’ve heard it by now but listen to The Joke by Brandi Carlile; or a song called Sugartooth. The whole album she just released is SO GOOD

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Follow RIVVRS

Official:

http://www.rivvrs.com/

Facebook:

https://www.facebook.com/rivvrs

Twitter:

https://twitter.com/rivvrsmusic

Instagram:

https://www.instagram.com/rivvrs/

Soundcloud:

https://soundcloud.com/rivvrs

Spotify:

https://open.spotify.com/artist/5T3N5ks9c3L7D4aXw54DVs

YouTube:

https://www.youtube.com/user/rivvrsband

FEATURE: The April Playlist: Vol. 2: Sky Full, Fists Pumped and Crying Pretty

FEATURE:

 

The April Playlist

 IN THIS IMAGE: Florence Welch/IMAGE CREDIT: Unskilledworker 

Vol. 2: Sky Full, Fists Pumped and Crying Pretty

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THIS is another bumper week for new music…

IN THIS PHOTO: Kamasi Washington

We have a stunning new song from Florence + the Machine; a wondrous cut from Kamasi Washington and an alluring and busy gem from LUMP – a new project of Laura Marling and Mike Lindsay.

If all that wasn’t enough to whet the appetite – you have some nerve! – then we have Janelle Monáe, Gaz Coombes and Nicki Minaj; Sigrid, Manic Street Preachers and JONES – with a bit of CHVRCHES and Frank Turner to add a bit of spice and excitement!

ALL PHOTOS/IMAGES (unless credited otherwise): Getty Images

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Florence + the Machine – Sky Full of Song

Kamasi Washington – Fists of Fury

PHOTO CREDIT: Mathew Parri & Esteban Diacono_100

LUMP - Curse of the Contemporary

The Weeknd - Call Out My Name

The Magic Numbers - Ride Against the Wind

ZAYN - Let Me

Meek Mill - 1942 Flows

Carrie Underwood - Cry Pretty

Amy Shark – I Said Hi

Bebe Rexha – Ferrari

Frank Turner – Make America Great Again

Vance Joy – Saturday Sun

Ina Wroldsen – Sea

Janelle Monáe (ft. Grimes) – PYNK

Catherine McGrath – Wild

Gaz Coombes – Shit (I’ve Done It Again)

Nicki Minaj – Chun-Li

Sigrid – High Five

Breaking Benjamin - Torn in Two

Maren Morris - Rich

Miley Cyrus – The Bitch Is Back

Plan B – It’s a War

Snow Patrol – Life on Earth

PHOTO CREDIT: Laura E. Partain

Courtney Marie Andrews – Songs for Tourists

Daktoa, Not3s - Sober

Twin Shadow – When You’re Wrong

Isaac Gracie – telescope

The Shires – The Hard Way

Laura Veirs – The Canyon

JONES – Tender

Matthew and the Atlas – Cali

Manic Street Preachers – Vivian

Noel Gallagher’s High Flying Birds – She Taught Me How to Fly

CHVRCHES – Miracle

Superorganism – Night Time

Youngr – Drive

PHOTO CREDIT: Shervin Lainez

Speedy Ortiz – Villain

Tinashe, Little Dragon - Stuck with Me

TRACK REVIEW: Laish - Dance to the Rhythm

TRACK REVIEW:

 

Laish

Dance to the Rhythm

9.6/10

Dance to the Rhythm is available via:

https://www.youtube.com/watch?v=9ihY8frdo18

GENRES:

Art-Rock; Acoustic

ORIGIN:

London, U.K.

VIDEO RELEASE DATE:

29th March, 2018

The album, Time Elastic, is available here:

https://open.spotify.com/album/3HJBOLvvgSBDcJMzOYzvoD

RELEASE DATE:

13th April, 2018

LABEL:

Talitres

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THIS is the time of the year…

when the sun starts to rouse from its slumbers and gets its bottom out into the working world. So far, it has been like a student during the first year of university studies: occasionally nipping into lectures but, for the most part, pissing it up the wall every night and spunking its student loans up the wall! I am not sure where that analogy is going but my point remains: it has not been showing its face as frequently as the average pasty Brit would like! That being said, today, there are ample signs to show spring may be, briefly at least, here! I have got my favourite new T-shirt out and am priming the arms for some much-needed warmth. To accompany my sojourn into springtime; I have been searching around for a soundtrack that can accompany all the moods I will assimilate into my movements. I am going to do a bit of a John Travolta strut; I will wistfully contemplate the changing seasons and, yes, I need something to provide some smile and curiosity. Alongside that, there is the desire to have the spirits uplifted and the mind nourished. That is a rather demanding rider but, right in front of me, is an artist I have reviewed once before: Laish is a fascinating talent whose almost-too-perfectly-trimmed facial hair is as spectacular as the music that emanates from him. Before I look at his new album – highlighting the featured track from it – I will address a few other things. I want to look at the city and all the wonderful things that intrigue and spike the mind; radio features and getting attention from some big sources; having incredible promotional videos back your music; the ‘northern spirit’; I will look at the way musicians can cram so much life and range into an album – touching on my desire to have a bespoke, all-encompassing music show on T.V.

‘Laish’ is the moniker of Yorkshire-born Danny Green and, to start, gets me looking at the North and the indomitable candour and grace of its people. My mind has been split between a move to South London: either that or locating to Manchester. I adore Yorkshire and, as part of my plans, want to visit a lot of the artists who play there. I have always been a massive fan of that part of the U.K. There is a natural inventiveness and variegation that exceeds expectation and tops that coming out of London. Laish moved from Yorkshire – he brings that homegrown wit and talent with him. One of the reasons I want to move to Manchester, aside from the warm people and humour, is the music coming out of there. Many critics and listeners overlook the North and the music coming out of there. This year’s best album, in my view, will be released by a northern-formed band: Arctic Monkeys look set to unleash the record 2018 demands. Even though Laish has replaced the rolling hills and splendid tea of Yorkshire for the too-cool-to-speak-to-you hipster bars of London and its irascible energy; he has translated and retained his key attributes and northern wit. That humorous dynamic has lifted his music from the realms of the ordinary – taking it to new heights and providing the listener with something smile-worthy and character-filled. His new record, Time Elastic, has been pressed by the respected (French) label Taitres and shows his music is unique. I have been casting my fishing net out into the musical lake and have been seeing a lot of sad-faced fish with no real colour and nutritional value. Now, as the sun is out and the water is clear, I have caught Laish and see something wonderful: great skin, eye-catching shades and a nice big grin. Maybe I need to lay off the early-morning shot of caffeine but I stand by my assertions. This year has seen some oh-so-serious music: the artists who provide a bit of fun and energy are in the minority.

I will move on to look at other areas but, before then, I want to stick with northerners and humour. I am not suggesting all musicians crack out the comedy numbers and do something funny. Laish is a serious artist whose music and mannerisms are special and multi-layered. What he does is go beyond what most listeners expect and chucks in a cart-load of bright and optimistic. His songs look at life and all the issues we face – struggling with love and the self; negotiating the hurdles of the city – but, rather than make it all mordent and gloomy; the sun is out and one is treated to something more accessible and nurturing. I guess there is that heritage and elements of the North that help bring the music beyond the pit of weary and samey. Laish’s mindset is clear: put out songs that people can connect to but will not bring the spirit down. This year has been a tough and challenging one for us all and, as we try and see what the world will throw at us; music is there to aid and assist our decisions. I have been pining for an artist who has that rare mixture of incredible lyrics, bright textures and a depth that the soul demands. Laish has been around a while and seen where there is a gap in the market. There has been a real lack of engaging and nuanced music that strays beyond what is out there and offers the listener a real burst of originality. Maybe it is the way he has transitioned from the North and located to London that has added all these fresh fabrics and tones to his music. The young artist has accrued a lot of experience and visions into his work; he has progressed between works and now, in 2018, he is making music that sets aside from the rabble and stays in the brain.

I have alluded to the city and how its energy and mix of people can lure and attract artists. Even though I am deciding between London and a move further north; it seems Laish has found his niche down in the capital. He lives with his girlfriend, instruments and, one suspects, a pet is in there somewhere. It seems like a very idyllic and comfortable life for the musician. What that provides is a security and inspiration that has bled into his music. Green’s movements and sense of ambition comes from the people around him and that established and life-giving core. I can imagine the flat Laish’s creator resides in: there would be the guitars hanging on the wall and an amp somewhere, perhaps. One might expect a piano in the corner – with some character and age; a cup of coffee nearby – and some great records propping up a turntable. Outside, I can envisage the rush of London and a rather charming backdrop. This might sound like the opening page of a Richard Curtis script but, when thinking about Laish’s music, London has fuelled his imagination and impacted the music. I am not saying, were he back in Yorkshire, he would not have access to the same humans and wonderful scenes. Laish has great venues at his door and some wonderful creative talents right in front of him. One of the reasons I have been looking to South London is the population: all ages, races and nationalities living together and integrating in the community. You have that blend of hectic and busy and places to escape to. For a songwriter; that choice and excitement can only seep into the body and provoke fantastic music. Danny Green has carried his Yorkshire heart and borrowed the bones and body of London. That anatomical cut-and-shut could, in lesser hands, be a mismatch and incompatible beast. Instead; it is the perfect conspiracy that has infused the music world with something rare and divine.

Maybe I am blathering a little but I have always been caught by Laish and how he does things. I will talk about his album in the conclusion but, before I move onto other things; I wanted to look at directing and how great collaborators can elevate music. I have talked a lot about Laish’s background and D.N.A. – without going into the music itself and reasons why it resonates. One of the reasons I have selected Dance to the Rhythm is because it seems to epitomise all the pluses and sides of Time Elastic.  Green has always been a master of splicing emotions and a world of different themes into his music. 2016’s Pendulum Swing was a bold and varied work that stunned critics and showed how far Laish has come (since his debut). Time Elastic goes further and shows the songwriter at his brilliant best. The last time I featured Laish was when he unveiled the single, Learning to Love the Bomb. That was from his previous album and (its video was) directed by Ruth Pickett. I know her work to be good because, some sixteen years ago, I encountered her work, first-hand, at Cambridge. She was one of the brightest bulbs in The Footlights and stood out from the other performers in the society. Her repertoire mixed music and comedy; she had/has great dramatic chops and sprinkles the odd and charming alongside the grounded and gravelled. That curiosity and exceptional ability has mutated into screenwriting, directing and acting. She has retained comedic elements and that sense of fantasy in her directing. There are some great female video directors out there – they are not as proffered and exposed as they should be. The reason I bring Pickett, and directors, up is how a faithful and natural unity between artist and director can bring music to new audience. I love the video for Dance to the Rhythm. It has that low-budget brilliance but that does not squander ambition and visual delight.

PHOTO CREDIT: Mike Watts

What Pickett and Green have done is create something that stands out on its own. I cannot listen to the album without going straight to the single. Maybe it is the incredible sound and songwriting throughout: to me, there is that visual wonder and the way I associate the video with Dance to the Rhythm. You have to watch it to see what I mean but it is the visuals and scenes laid out that give the song a fresh brilliance and sense of memorability. There is a trust between director and performer throughout. I know, from seeing social media posts, the filming process was hugely enjoyable and a great experience for everyone involved. The shoot sees the bizarre and humorous integrate and conspire inside a London flat. Whilst it is easy to imagine songwriters’ personality and charms within music itself; great music videos showcase more and help clarify and cement that assumption. By that; I mean we see a new side to the musician and how they want their music to look. There are so many bands and artists who put out quick and lazy videos. Some put thought and invention into their work but, for the most part, I pass by what they throw out there. In fact, LUMP (a side-project of Laura Marling), have just released the video for their debut single, Curse of the Contemporary.  It is a charming and wonderful video that, well…you’ll have to go and see it. Those videos that stand out and make you watch it time again are very rare in this day and age. I will come to look at that a bit more but there is an innate visual aspect to music. An artist can project a sense of theatre and the visual through their words – they turn that to a director and it is their job to bring something new from the song. One of the reasons I wanted to highlight Pickett’s work was the fact she can work on a smaller budget but does not compromise the artistic and visually-arresting.

Laish’s music is bold and sumptuous; it is a complicated and bountiful aroma that requires intelligent and respectful handling. Directors who mangle his work or conceive dull treatments are going to damage that track and put listeners off. Pickett has picked up on something in the music, and Danny Green, and been able to bring her personality into the fold. It is hard to quantify how many people have turned onto Laish’s music because of the videos – mere YouTube figures do not give you a clear and reliable guide. We often ignore the music video and assume it is not going to be worth watching. The past few years have seen very few out-and-out classics from that side of the industry. Directors do not have deep pockets and, unless you are a mainstream artist, you cannot afford to realise your most lurid, heightened and ambitious dreams. Many directors will work on a three/four-digit budget and have to deliver the goods with little luxury. I hope Laish and Pickett work together more because their unity is one that results in fantastic videos and memorable scenes. Both have the disposal and endless resources of London right next to them. There are lush parks and packed streets; historical monuments and some of the most arresting sights in the country. The fact the two can create wonderful videos – with the help of a crew – in the recess and comfort of a medium-sized flat amazes me! There is something, mind, about the aura and peripheral of the London buzz that filters into the nostrils of Pickett and her team. She has years’ experience and work in her toolkit and is an accomplished comedic performer and dramatic writer. I hope her expanding chops and confidence sees more fruitful Laish work. Danny Green, actually, seems like a natural and charismatic presence in front of the camera – maybe, a short film featuring him would be a natural next move?! In any case; I am hooked and compelled by the latest music video from Laish.

I will come to the song in question but, when thinking of Laish, I cannot help look back at his achievements and how many sources have turned onto his music. It is fuck*ng impressive looking at the roster of radio stations who have spun a Laish cut. BBC Radio 6 Music has been pretty involved with his music. Steve Lamacq, Tom Robinson and Tom Ravenscroft have played his music and backed his work. Amazing Radio and other great stations have shown their backing of a great artist. It is hard getting people to play your music but there is that combination of dogged determination and natural talent that has led to this proliferation and accomplishment. Green, as a person, does not want his music to sit on the shelf like a misunderstood sin. Once the track has come out of the studio and been laid down to tape; he could easily let it fester and not really push it out there. He is active on social media and ensures every Laish movement gets as far as it can. He puts out his music to radio sources and lets people know about his work. There is that determination and need to get the music out the people and spread it as far as possible. He has achieved a lot already but, with Time Elastic fresh and hungry; I expect the likes of BBC Radio 6 Music will be behind it and features the singles released. I am not sure whether they have already played Dance to the Rhythm already – surely, only a matter of time before it gets played! There are few musicians who have been taken to heart as firmly and readily as Laish. I am compelled to see how far he can go and what his next moves are. So far, over the course of his career, he has been championed by British sources – I know international recognition and U.S. dates cannot be too far behind! I have talked enough about Laish and components that make his work stand out from everything else. I will come to look at his album but, right now, a look at a song that has caught my eye.

The track’s video sees the hero, in a wife-beater/vest and casual attire, move through his flat and sit on the sofa with a girl (his girlfriend?!). The song itself looks at songwriting and is very meta, in fact. His girlfriend – whether Danny Green is cribbing from a real-life conversation – has suggested he writes a song with a bit of a chiming and, I guess, banal cooing and chorusing. Maybe that is ironic and tongue firmly in cheek but, as Dance to the Rhythm starts; Laish talks about something commercial and peppy. Maybe the suggestion is aimed at producing something hopefully and happy; a chance to get the listener lifted and the radio smiling. Maybe there is that need to write something commercial and Pop-inspired. All these thoughts entangle and wrestle in a sweaty and sexual tussle as those calm and Noah and the Whale-influenced tones come through (there is a bit of Charlie Fink in Danny Green). The backing vocal and aural rush are infectious and gripping. There is a blast of 1960s Pop and something uniquely Laish; the vocal has a seriousness and masked expression to it – maybe, reflecting the fatigue and dubiousness of the hero. The girlfriend, proffering ideals of fame and celebrity or a need to get the song out there, is talking with the hero. She says (the song) will get onto Spotify and be sh*t-white-hot by this time next year. Laish turns to the camera and gives a look that one might give if they were given a box of elastic bands for their birthday: that mock-sincerity and forced smile. Maybe there is cynicism the song is intended for the hype and chundering (sic./sick) mechanics of the modern machine. Laish wants people to listen to his music but, perhaps, not intending it to nestle alongside your Ed Sheerans and Cardi Bs. The heroine is excitable and showing faith: our man seems more comfortable in his undercrackers and sharing a brew. Maybe that is a bit of Yorkshire dour and realism creeping into the bloodbuzz and commercialism of London – he does not want to think too far ahead and get carried away.

The song itself seems like a study and exposure of the creative mind and questions posed by labels and higher-ups. The moral of the song seems to be adding hooks and melodic sensibilities to the pot. The hero, in the video, is reading a book of lyrics/guides and nodding effusively. He wants to pen a song that has a sexy rhythm and gets the average body motivated and boogying. There seems to be irony and a bit of humour in the seriousness of the words. Laish is a great songwriter who does not pen his songs for the ultra-cool and those who want empty calories and untutored vowels. He does not create mindless choruses and songs, merely, that get the listeners grinning. That said, on the latest single; our man has crafted a flowering and heady nosegay that mixes ingénue backing vocals that has sweetness and infantile delight. It is great listening to a song that is about the nature of songwriting. One would listen to the song and feel the video is crying out for the likes of Michel Gondry – someone who would relish the chance to bring something to a song that looks at songs; bringing quirk and the visually-stunning to the mix. The reason I love Ruth Pickett’s direction is because it brings personality and the filmic from a small set and a physically-limited movement. Most of the action takes place around the sofa; relying on props, the bond of the lead actors and the beauty of the song. In fact…scratch that last bit! An alluring Devil’s claw (Pickett herself, I believe!) comes into frame and tempts the lovers into another world. The set transforms from a modest and homely – code for ‘lived-in’ – and places the sweethearts in a palatial and luxurious mansion. They are decked in finery and exquisite fashions; strangers to the value of the setting – a representation, I gleam, of commercial sacrifice and adding needless glamour and expense to a song that holds weight in its simplicity and honesty. Although the hero seems comfortable and acclimatised to thrones, Georgian makeup (almost like a George IV figure at this point, minus the enormous gluttony and gut!) and servants. The hero looks at love and how his life will progress.

PHOTO CREDIT: Michaela Meadow

One feels he is living a life that seems predictable and predetermined. There is that sense of living for someone else and doing what everyone else does: settling down and having children. In fact, Laish gives a wonderful Jarvis Cocker-esque “Why not?!” to camera upon that proposition. It is another nuance and angle that shows what a personality and sense of songwriting ability he has. The chorus swigs back in and Laish is backed by dancers and enthralled supporters. His wardrobe changes from that nineteenth-century grace to something a little more casual. He has the look of Jay-Z’s barber crossed with an extra from a Disco-inspired flick from the 1970s. He is getting more used to the changing landscape and adapting to the excesses and exhilaration of fame. To me; you get the view that, if you pen something danceable and energetic, you can get a number-one and rake in money. You would sell your ethics and talent for something more profitable and populist – how would the soul cope with that deal?! The sets get more elaborate – Laish transforms into a P.G. Wodehouse acid-trip – and the man, flanked by pipe-playing peeps and an elegant cane gets into the groove. The simplicity and bare-naked domesticity of the opening have transformed into the arresting and beguiling – adding an extra ‘0’ to the video’s budget, no less! The song seems to look at the lifespan of a song and the questions that come to the mind; how some sell-out and others have to make those compromises. Laish seems less resistant, and less happy when he gets big and popular. The track’s assessment of fame and commercial demands sees him bat away a Devil hand – not as tempted to follow this time… - and project a cooing chorus with less determination and passion as one would hope. Dance to the Rhythm is a wonderfully compelling and fascinating song from a talent who seems to get finer and more ambitious every time he brings out an album. It is a perfect embodiment of the wit, arresting colours and wonderful sounds one can experience throughout Time Elastic.

I have talked about music T.V. shows and why we should get a decent one on the box. Sounds like Friday Night is on and, well…it is aimed at the Pop market. We have Jools Hollands’ established and years-running show but there is nothing new that expands from that and features a range of musicians. The reason I bring this up is because Laish seems perfect for a retooled and rebranded music shows. I feel his music deserves television exposure and, with the video for his latest single out; many will see how he mixes visuals and music to great effect. His sound is unlikely anything else out there and warrants a huge and dedicated audience. In the past, we has music T.V. and it was much more popular and influential than it is now. I wonder whether YouTube is sufficient and (if) it gives musicians the reach and attention they deserve. I would like a brilliant new music T.V. show out there that captures the spirit of The Old Grey Whistle Test and would be a perfect fit for Laish. I will not speak in-length about Time Elastic – lest my hands fall off and I need reconstructive surgery on my buttocks – but the record is full of life and brilliance. Look at some of the songtitles – Listening to God, University and I Would Prefer Not To – and you are compelled to listen to the track to see what it is all about! It is a fulsome and expansive album that touches on a number of themes. There are those sides of love under-explored and look at the soul; introspective moments and the passing of time. The album’s title, in fact, raises questions around mortality, youth and our time of life. It is a wonderfully rich and candid work that has plenty of wit, intelligence and musical highlights. I urge people to check it out on Spotify (see at the top of this review) and investigate every track. I know Laish plays Brighton and London in the next few days. He is off to Newcastle and Bristol soon – heading over to France by the end of the month. Look at his Facebook page (see below) for all the updated news and gigs. It has been great returning to Laish and investigating a stunning song: Dance to the Rhythm is another marvellous cut from an artist who continues to produce music…

LIKE nobody else.  

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Follow Laish

Official:

https://laishmusic.com/

Facebook:

https://www.facebook.com/laishmusic/

Twitter:

https://twitter.com/LAISHmusic

Instagram:

https://www.instagram.com/laishmusic/

YouTube:

https://www.youtube.com/user/Laishmusic/videos

Soundcloud:

https://soundcloud.com/laishmusic/sets

Spotify:

https://open.spotify.com/artist/7t8yI4NdwroxLKOeffJ1B4

Bandcamp:

https://laish.bandcamp.com/

INTERVIEW: Leisure Tank

INTERVIEW:

Leisure Tank

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THE life of the duo…

always intrigues me and causes fascination. I have been talking with Leisure Tank and how they came to be; whether there is a special story behind their name; what inspired their latest cut, Higher; whether there is more material on the horizon – which artists mean the most to them both.

K.C. and Budi reveal what they do away from music and what they would tell to new artists; which current acts are catching their imagination; how they have developed since their earliest songs – and, how their music comes together.

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Hi, guys. How are you? How has your week been?

Hello. Very good, thank you. We just finished our U.K. tour and are looking forward to two more shows here in London.

For those new to your music; can you introduce yourselves, please?

We are Leisure Tank; an Indie-Rock power-duo located in London. Our concept is pretty simple: electric guitar, vocals; drums and a loop we sometimes use.

Our sound is rather raw, a bit retro, due to our love for our 1968 Ludwig drumkit and the music we love.

Higher is a fresh cut. Can you tell us how the song came together and what inspired it?

I (K.C.) had a guitar loop and riff I experimented with. It all came together pretty quickly and the song basically wrote itself once I had the subject and parts. Budi’s drum came in and we tried to keep everything simple to keep the natural flow...

The song reflects emotions in our chosen partners. Sometimes, we fly high on love without realising that it is happening more in our own heads than between partners. The coming-down can be harsh and we tend to blame the other side. The blame a friend put on an ex-partner in that way inspired the lyrics to Higher. I guess you can say things like that in a song…but not always into someone's face…

How does an average Leisure Tank song come together? K.C. and Budi. Do you work separately or do you sit in a room and hash a song out?

K.C. writes the songs. Sometimes we rehearse ideas but K.C. usually comes with a finished song into rehearsals. Then we add drums to it, loops; other parts etc. We always try to filter through what serves the song: the initial idea best. We have songs that came together quite quickly and others we are still messing with, after years of playing them.

Can I ask about that name, ‘Leisure Tank’? To me, it seems to combine two Blur albums (Leisure and Think Tank)! What is the origin of the name? How did you meet one another, too?

Haha. We noticed the Blur connection after we named the band. That would explain all those disappointed Britpop-ers at our shows…

We named the band at a time when K.C. was thinking about the lack of leisure in our society, in our lives. Inspiration comes from 'leisure'. Just think Newton under the apple tree; the lack of leisure, the constant pressure of having to do or produce something. We figured that, nowadays, you have to protect your right to do nothing: not watching anything, not making and not achieving. That’s how the word ‘Tank’ forced its way in. One needs to be fierce and protective about the leisure time we have.

On the other hand, it makes a nice double-meaning in terms of 'fish tank', swimming etc. We tend to play with the marine part of the double-meaning, just because it is fun.

Is there going to be more material later in the year?

We, honestly, don’t know at this point. We would like to release more music, of course, but need time to write and record.

Do you think you have grown as writers and performers since the 2014 album, Westsuit?

We played the album live a lot, so we feel we have grown as performers. The writing process hasn’t changed much, though. We’re laying more leads to better control of our instruments, and that influences the writing - and it is up to others to say if we have grown.

It is hard to compare your music to other artists. If you had to select the acts, you feel, have inspired you most; which would you highlight?

That’s a hard one. We listen to so much different music and don’t always agree on artists. Budi, as a drummer, listened to a lot of Led Zeppelin and sixties/seventies music when he was younger, as well as Jazz, Skiffle; Rock ’n’ Roll…

We saw the Jazz drummer Max Roach once in Berlin together, which was very inspiring. But, I wouldn’t say we can actually hear it in our music. As a highlight, we both agree on….mh….

Probably, Led Zeppelin, PJ Harvey; Karate, The Band; Bob Dylan, Björk; Bonnie ‘Prince’ Billy, Janis Ian; Sandy Denny, Fairport Convention and Scout Niblett…

Can we see you tour soon? What gigs do you have coming up?

We will play London’s Water Rats on 14th April and the Dublin Castle in London on 26th April.

The summer is, sort of, almost here! Do you think you might get a chance to play some festivals at all?

Unfortunately, no festival wanted us this year...

What do you hope to achieve in 2018?

Write and record. Play more shows. I guess every band does that. Haha.

Have you got a favourite memory from your time in music – the one that sticks in the mind?

Oh; many! We supported Dave Swarbrick in London before his death. That was great. We recorded our last single at Jimmy Hogarth’s studio which was a great experience and a learning curve. We met Robert Plant last year at a festival. If your own music carries you that far, that’s a great feeling.

What advice would you give to new artists coming through?

I guess that depends on what the artists want to achieve.

Good advice we give ourselves is to ignore them all, which didn’t help in terms of commercial success...but we always had a hell of a time doing what we want to.

IN THIS PHOTO: Marine/PHOTO CREDIT: Bex Wade Photography 

Are there any new artists you recommend we check out?

Marine, You; Blue Statue and Son of Dave.

IN THIS PHOTO: Blue Statute

Do you both get much time to chill away from music? How do you unwind?

It’s the other way round: we relax most by making music and writing songs.

Finally, and for being good sports; you can each choose a song and I’ll play it here (not any of your music - I will do that).

K.C.: Joe Gideon & the Shark – Kathy Ray

Budi: Primus – Too Many Puppies

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Follow Leisure Tank

Official:

http://www.leisuretank.com/

Facebook:

https://www.facebook.com/leisuretank

Twitter:

https://twitter.com/leisuretank

Instagram:

https://www.instagram.com/leisuretank/

Soundcloud:

https://soundcloud.com/leisuretank

Spotify:

https://open.spotify.com/artist/0JRTABfgjvDWDA6ciUGloN

Bandcamp:

https://leisuretank.bandcamp.com/

INTERVIEW: Filo Vals

INTERVIEW:

Filo Vals

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GOING into the weekend…

I am featuring a couple of great new artists with plenty of ambition and energy. Filo Vals tells me about his new single, Just Guessin’, and how it differs from his popular song, Mr. World. I ask whether there is more material coming; what we can expect in terms of gigs – which artists inspired his progression and sound.

Vals looks back at good musical memories and ahead to the remainder of this year; how he spends time away from music; which new artists we need to look out for; being compared to the likes of Paolo Nutini – ending with a song by the great man himself.

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Hi, Filo. How are you? How has your week been?

Hi! I’m very good, thank you! This week has been very tiring. There’s a lot going on - but I really love what I do so I can’t complain really.

For those new to your music; can you introduce yourself, please?

I’m a singer-songwriter and I’m from Rome. I moved to the U.K. when I was eighteen and I’m currently living in London as well as working on my new album (that will come out very soon!).

Just Guessin’ is your new song. Tell me about its origination and story…

Just Guessin’ is a song I wrote one year ago when I was into a girl I used to see at the time. The song is really about those feelings you have when you start seeing someone you like. I wanted to try to express that kind of insecurity you have - as you don’t know what you can tell or ask but, at the same time, you literally want to feel free to be yourself with that person.

How do you think it differs from a track like, say, Mr. World?

Well. The main difference between two tracks is that Mr. World is a song about personal thoughts sometimes combined with poetic images, while Just Guessin’ is (just) about personal feelings that I have actually lived.

Is there going to be an E.P. or album later this year?      

We will have more singles coming out in the next few months - before launching the whole album later this year.

How did music come into your life? Is it true you first picked up a guitar aged six?

My father used to roughly play the guitar. He wrote a song about the Disney characters for me and my sister when we were little, and I was really fascinated by that instrument. So, yes, when I was six I decided I wanted to learn it!

I hear elements of Paolo Nutini and Bob Dylan in your sound. Which artists have influenced your music and direction?               

First of all, thank you very much; I take that as a big compliment. The two artists you mentioned are two artists that I really love and that I have listened to for a long time, so I can’t deny those are the ones I’m inspired by.

I would also add, as influences, Bob Marley and Jack Johnson!

You have received support from the BBC and streaming sites. Is that kind of backing pivotal when it comes to pressing on and aiming high?!            

Yes. Those events are big opportunities to reach a wider audience!

Do you have any gigs lined up? Where are you heading?

My next gig confirmed is 30th April at Nell’s Jazz and Blues. I am really excited and I can’t wait! Come along! Then, I’ll have another one at the Troubadour on 25th May.

How does it make you feel being on stage? Can you describe the feeling?!       

Being on stage is great, especially when the crowd is warm. Sometimes, you feel so much adrenaline that, when you’re done, you can’t even remember how it was.     

What do you hope to achieve in 2018? 

I hope to share and play my music and reach as many people as I can.   

Have you got a favourite memory from your time in music – the one that sticks in the mind?

One of the strongest memories is from when I played at a festival in Italy in front of 15,000 people. The energy I felt was insane. The best live experience I’ve ever had.

What advice would you give to new artists coming through?    

The only advice I would give to anyone is the advice I’m following myself: if you believe in what you’re doing and have a vision, fight to make it happen, no matter what.

Are there any new artists you recommend we check out?

I am sure you know him already, but I really enjoyed discovering Tom Misch this year! Great Sound! I would also advise you to listen to Jack Martini - he is a very talented friend of mine with a great acoustic sound.

IN THIS PHOTO: Jack Martini/PHOTO CREDIT: Flaminia Reposi

Do you get much time to chill away from music? How do you unwind?

Haha. I think I chill just like everyone else: laying on the sofa and watching movies. I love watching movies!

Finally, and for being a good sport; you can choose a song and I’ll play it here (not any of your music - I will do that).

I suggest Pencil Full of Lead by Paolo Nutini. It always puts me in a great mood!

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Follow Filo Vals

Facebook:

https://www.facebook.com/filovals/

Twitter:

https://twitter.com/filovalsmusic

Instagram:

https://www.instagram.com/filovals/

Spotify:

https://open.spotify.com/artist/0WKmUBSMQFDjnSNxiw5FIM

INTERVIEW: Tommy Down

INTERVIEW:

Tommy Down

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THERE are some fantastically soulful voices…

in the world of music right now, exciting the senses and compelling critics. In America, there is Leon Bridges; here, and with a hot tune ready for us, is Tommy Down. I have been speaking with the young maestro about being compared with Nile Rodgers; what factors/threads influenced Superficial - and, whether we can see an E.P. very soon.

Tommy Down tells me about his musical tastes and how he got into the industry; what it was like working with producer Rhys Lewis on Superficial; some new artists we need to spend some time with – how the former band leader has adapted to life as a solo artist.

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Hi, Tommy Down. How are you? How has your week been?

Hey. I’m good, thanks. I’ve just been working with my band, Harker Moon, a lot this week as we’re trying to finish this new song we’ve been working on.

For those new to your music; can you introduce yourself, please?

Hi. I’m Tommy and I’ve recently released a lyrically-heavy, Funk-inspired track called Superficial - but wouldn’t say I’m tied to one genre at all; so, always keen to try new things with later releases.

Superficial is your new song. What can you reveal about its creation and story?

Well. I was introduced to Rhys Lewis by his brother and we ended up having a writing session together. I showed him some chords I had recently written and he came up with the bass line, which ended up being the chore of the track.

It was great fun to work with him and we pretty much finished the song that day. We wrote the song very quickly - but it felt like a very natural collaboration, so it didn’t feel rushed.

I picked up on an aspect of social media obsession. Do you feel we are all becoming too obsessed with our laptops and phones? How do we break out of this?!

I’m probably not the right person to ask concerning how to break out of it, as I’m likely just as bad as anyone else but, yeah, the song was inspired through an observation of our generation. I remember talking to Rhys about how people at my uni (in Bristol), for some, reason loved wearing vintage Nike/Adidas sportswear and how everyone seemed to jump on this bandwagon. Suddenly, all my brother’s old clothes were cool (laughs).

I think, once a group of people have started to do something, it's considered fine. I (just) can’t ever imagine my grandmother taking a selfie and mailing that photo to all her friends sixty years ago yet, online, it’s considered the norm. I don’t think we’re obsessed – but it’s nice to take a break now and then.

Superficial seems to mix Nile Rodgers and Sade. It is a bit of a stomper! Were you channelling any particular artists for this song?

Thanks, man, appreciate it. I do love a bit of Nile. I’d been listening to a lot of Seramic and at the time and not sure whether I was listening to him then – but, I think Steve Lacy is great. Love the bass-y nature of some of his tracks – like, in Some.

I also like the lyrical nature of the Arctic Monkeys - and thought it would be cool to get a bit of a story into the track.

What did producer Rhys Lewis bring to the track, do you think? Was it a good experience working with him?

It was great to work with Rhys.

He’s a great producer and musician. I felt he helped me look at the creation of a song in a different way. I usually have an idea of what the song will sound like before I record it, but trying out different sounds while writing the song was great. I also rarely repeat a lyric in a verse, but Rhys actually wrote the lyric “God, I hate the taste; I hate this place”, which is repeated in the second verse.

It felt it was a good idea as it applied in both contexts.

Is there going to be more material coming later in the year? Will we see an E.P.?

There likely will be some more material coming in the year. I’m trying a few different genres at the moment, so just have to make sure I like what I make before I share it, really.

I will be releasing a music video for Superficial this year, however, which I made with my friend Tobias Harris. My band, Harker Moon, will be releasing a track this year, too.

How did you get started in music? Did you begin with open mics? Was there a particular event that influenced that decision?

My parents always played music at home and I remember listening to Magic 105.4 in the car with my mum on the way to school every day. I started writing music when I got my first cheap recording kit around the age of fourteen - and enjoy listening back to the terrible songs I wrote...

Yeah; I think I started with open mics - which were always fun - but singing in my university’s Jazz band probably made me start to think of music as my ideal career. We went on tour to Switzerland. It was great being around all those musicians and was one of the best experiences of my life.

Who are the artists who opened your eyes growing up?

Stevie Wonder, James Brown; Marvin Gaye, Michael Jackson; Otis Redding, Al Green and the Arctic Monkeys - and Queen’s greatest hits was actually the first album I bought. I have always loved Soul music, though.

You are a band leader as well as a solo artist. Do you have to change the way you perform and write in each environment? What are the main differences?

Yep. It’s quite a different writing process with the band. I usually write a blueprint for a song and then the band add their particular spin on it; the changes can go on for months. I wouldn’t say I perform differently, though - you’ll have to come to a gig some time to find out.

What do you hope to achieve in 2018?

I hope to release some material through my band and my solo project - that I am proud of – and, hopefully, play a few festivals along the way.

Have you got a favourite memory from your time in music – the one that sticks in the mind?

I usually don’t drink a drop before getting on stage, but I remember thinking I had finished my set for my uni’s jazz band in this small village in Switzerland by the sea. Thinking I had no more songs to sing, I got pretty drunk. The conductor Paddy, without warning, announced that I was going to finish the set with Feeling Good by Nina Simone. I remember repeating the lyric tree a lot.

Luckily, everyone was foreign – so, I don’t think they knew what I was saying anyway. 

What advice would you give to new artists coming through?

I would tell them to take time writing every individual part of the first song they release…especially if you’re in a band as, when it comes to the day you record it, you will want to know exactly what you’re playing. So, make a demo. Make sure that you are entirely happy with the first song you release as you only really get one chance…unless you take it down and put another one up, of course.

Talk to as many people in the industry you can, keep asking for advice; spend a lot of time writing and try release as much material as you can.

IN THIS PHOTO: Daniel Caesar/PHOTO CREDIT: Keavan J. Yazdani 

Are there any new artists you recommend we check out?

I’ve been listening to a lot of Daniel Caesar. He’s great. I’ve already mentioned Steve Lacy. She’s not that new, but Jorja Smith is great too.

 IN THIS PHOTO: Jorja Smith

Do you get much time to chill away from music? How do you unwind?

Luckily, my bandmates are actually my friends too, so it's always nice hanging out with them. You’d probably bump into me at some pub in Camden with my mates if you’re round there during the weekend.

Finally, and for being a good sport; you can choose a song and I’ll play it here (not any of your music - I will do that).

Sweet - and thanks for the Interview. All the best, Tommy. I will leave you with the King of Soul:

People Get Up and Drive Your Funky Soul (Remix) – James Brown, Fred Wesley and The J.B.'s

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Follow Tommy Down

Facebook:

https://www.facebook.com/Tommy-Down-138191366266833/

Instagram:

https://www.instagram.com/tommydownmusic/

SoundCloud:

https://soundcloud.com/nii-amar-children

Spotify:

https://open.spotify.com/artist/01gw02eOtd3kFn3f3rGlxg

INTERVIEW: Harlequiin

INTERVIEW:

Harlequiin

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HIS year has already been busy and eventful…

so it was good to sit down with Harlequiin and discuss his new music. He (Rory Simmons) chats about the song, Young One, and what new/recent stuff is coming up. Simmons tells me about his tastes and upbringing; what gigs there are cemented; which three albums mean the most to him – what it was like playing alongside Blur!

Simmons also tells me how he spends his time away from music; which new artists we need to investigate; why he decided to go into music; whether he has developed as an artist  - completing the interview with a good song decision.

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Hi, Rory. How are you? How has your week been?

Good, thanks; pretty jet-lagged. I came back from Singapore yesterday - playing a gig over there for the Singapore Jazz Festival.

For those new to your music; can you introduce yourself, please?

I’m a multi-instrumentalist and producer called Rory Simmons but I’m now releasing new music under the moniker ‘Harlequiin’ - this music is influenced by Four Tet/LCD Soundsystem/Little Dragon/Sampha etc. I play almost all the instruments on it but I have featured vocalists on different tracks - though, singer Elliot Cole features predominantly on the music.

I’ve been a session musician for years touring with different people, but I have released my own music before. But, this has been more within the Jazz and Ambient music world. This is quite a big change in direction for me.

 

Young One is the new single. What can you reveal about its inception?

Young One is a collaboration with vocalist Amelka May and it started off as a kind of Industrial-House type vibe. I then moved into more the Zola Jesus/Björk-type territory as the lyrical ideas unfolded. We actually started working on it two years ago - but it sat on my hard-drive for a good while until we decided to resurrect it. 

I believe there is a new Harlequiin coming up. Can you tell me what themes influenced it? Is there a song that, to you, stand out from the pack?

The newest track, Your Hearts Afloat, is about watching somebody pretend they are in love with someone they are not - until they even convince themselves they are, and kind of musing on whether that is really what love is; pretending until you believe yourself. (I don’t really believe this - it’s just an interesting idea on how we consolidate and develop emotional ideas). The main sample of the song is from a 1930s Blues track.

The track features amazing musicians and producers Dave De Rose and Pete Ibbetson on bass and drums; plus, the brilliant Elliot Cole on vocals.

Do you remember when music came into your life? Which artists inspired you growing up?

I was very young when Dangerous (Michael Jackson) came out - but that was a huge influence on me. I feel in love with the album and everything Michael Jackson did. Soon after that, I discovered Grunge with Nirvana, Smashing Pumpkins; Pearl Jam etc., plus some more of the British Rock scene from the mid-'90s.

Then, as a teenager, my tastes took a big shift into Jazz and improvised music, with Miles Davis, Keith Jarrett; Clifford Brown, Lou Donaldson and other great artists from the '50s and '60s.

You have worked alongside the likes of Blur! Did those big experiences teach you a lot about music?!

Working with big bands like that as a session musician is definitely an amazing experience, musically; to perform in massive venues and see a touring entourage and how slick it is at that level. But, also, on a personal level, it’s really insightful seeing from the inside how bands or solo artists who’ve had huge success move forward together and grow, musically and creatively - and the investment of time and energy into new album cycles and projects.

What compelled the decision to step alone and start writing? Did you feel the need to prove yourself on your own terms?

I’ve actually written and released quite a lot of music on my own or as collaboration with others in the past (Fringe Magnetic, Monocled Man; Eyes of a Blue Dog and Embla) but I suppose this is the first thing I’ve done in much more of an Alternative Pop/Electronic music genre. 

I don’t really feel the need to prove myself - but I am striving to keep developing my sound and get better at what I do.

In your mind; do you think you have moved on as a songwriter? What have you learnt since your earliest days?

I think I started off thinking about sound and timbre and that was the genesis of new music and new songs, specifically. More recently, I’ve been trying to use lyric and narrative as the thing that inspires new songs; to try and create something that has a tangible meaning (even if it has abstract elements) to be the basis of a song. I’ve been loving the Jamie Lidell podcast Hanging Out with Audiophiles, and that’s been really informing my songwriting and production approach.

If you had to select the three albums that mean the most to you; which would they be and why?

Björk – Homogenic

This had a huge influence on me in my twenties: the production/the songwriting and the sentiment. I’ve always loved Björk but probably ‘overdosed’ on her a bit in those days. But, it’s still a huge part of my musical identity.

Mule Variations - Tom Waits

It was also a really important album for me, the depth of songwriting; Tom’s voice and, also, all the instrumental performances on the album (the guitarist, Marc Ribot, particularly).

Finally: Nirvana – Nevermind

It will always have a huge connection for me. As a teenager, that album was everything to me and, weirdly, I see so many parallels in fairly avant-garde contemporary Jazz from the early-2000s. The same trashy approach to harmony and the ‘Grungey’ sound is something that I hear massively in N.Y.C-based improvised music, as much as I hear in Kurt Cobain’s music of the early-'90s.

But, most importantly, Nirvana were a significant part of my growing up. The music and culture of West Coast Grunge was so exciting for me - and still influences me now.

Do you have any gigs lined up? Where are you heading?

We’re playing Paris Disquaire Day on 18th April; Eldorado Festival in July…and more to be announced soon!

What do you hope to achieve in 2018?

I’m planning to record an album with Harlequiin later this year: after three E.P.s, I feel something longer-form is what I need to do next. But, before that, I’m going to be a dad again!

So; probably some sleep deprivation will feature too…

Have you got a favourite memory from your time in music – the one that sticks in the mind?

Playing Parklike with Blur at Madison Square Garden in 2015 was pretty damn fun. I loved that music as a kid - so to the opportunity to tour with them was pretty special.

What advice would you give to new artists coming through?

Listen to everyone's advice: then forget it all and make up your own mind. Be hungry for new music and new skills.

Are there any new artists you recommend we check out?

Jamie Doe, Snowpoet; Dexter Story and Ivan Dorn are all relatively new artists that I’m loving at the moment. All pretty different, too…

IN THIS PHOTO: Ivan Dorn

Do you get much time to chill away from music? How do you unwind?

I maintain an unhealthy balance of drinking craft beer, writing letters of complaint and eating over-priced pulled pork burgers in my spare time.

In that exact order...

Finally, and for being a good sport; you can choose a song and I’ll play it here (not any of your music - I will do that).

Town & Country by Bibio…glorious English-ness for a spring day. Bibio is still one of my favourites

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Follow Harlequiin

Official:

www.rorysimmons.com

Facebook:

https://www.facebook.com/harlequiinmusic/

Twitter:

https://twitter.com/rory_simmons

Instagram:

https://www.instagram.com/rorysimmonsmusic/

SoundCloud:

https://soundcloud.com/Rory_Simmons

YouTube:

https://www.youtube.com/channel/UC5F6rzDf4-D3Sob6g0-3juw

INTERVIEW: Espanola

INTERVIEW:

Espanola

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IT has been a little while…

since I visited Canada and talked to an artist from there. I have been discovering more about Espanola – the alter ego of Aaron Goldstein. He discusses the single, Outside Saskatoon, and what comes next; how his career has developed and shifted – whether there are any tour dates in the diary so far.

I find out which artists Goldstein grew up around and what advice he would give to new artists; which current musicians are compelling him; whether he will come to the U.K. – ending the interview with a great song selection!

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Hi, Aaron. How are you? How has your week been?

I’m fine, thanks. It’s been a super-busy week. Last night, I played the launch of Michael Barclay’s new Tragically Hip biography. The band was Ian Blurton, Caitlin Dacey and Ryan Gassi (all from Public Animal); Sean Dean from the Sadies and me.

We spent the whole beginning of the week rehearsing and tons of awesome singers got up to do Hip songs. Owen Pallett, Mike O’Neil and Michelle McAdorey: everybody was amazing. I also, somehow, found time yesterday before load-in to play on the new Wintersleep AND the new Matt Mays. It’s been CanCon o’clock around here.

For those new to your music; can you introduce yourself, please?

I’ve been recording and touring for almost ten years now, mostly as a pedal steel player but also often on guitar and keyboards occasionally. A lot of people might know me from a stint I did in the City and Colour live band a number of years ago. I have toured off and on for many years with Daniel Romano and also Tom Wilson’s Lee Harvey Osmond project, appearing on several records with each of them. I’ve also done recordings and/or touring work with Elliott Brood, Bry Webb; Cowboy Junkies, Matt Mays; Kathleen Edwards and many, many more.

If you’re from Hamilton, you may know me best from my Rock band, Huron, who released a record on Latent Recordings in 2010 and played lots around town. That’s probably the band that has the most in common with the music I’m releasing now as ‘Espanola’.

Can you tell me about Outside Saskatoon and the inspiration behind it?

I don’t wanna get too deep into it, but it’s definitely centred upon some times I had hanging out in that province over several visits and I guess, mostly, it has to do with the people I was hanging with, and the scenery and all that. The lyric actually comes from several different perspectives in different stanzas - and I wanna believe that I’m not one of them…but I might be.

How did The Dunk (Prince Edward Island) and Saskatchewan influence your latest single? It sounds like that experience, back in 2013, was quite a revelation?!

I went down to The Dunk in a bit of a huff because I had two weeks blocked off for a tour that, all-of-a-sudden, didn’t happen.

So; I got in touch with Hal who built and ran the place - it was literally just his house but he was a sweet guy who was really into music and welcoming to artists - and asked if I could come down. Anyway; the solitude was definitely good for me and I got a bunch of writing done there. I’m pretty severely A.D.D. and/or who knows what else is going on in my brain (I’m serious; I don’t even really know) and I just find it really hard to settle down at home and write.

I’ve always had trouble sticking to one thing which maybe accounts for my nomadic nature as a sideman; playing fairly short times with a lot of different people. Anyway; being down there and knowing I had basically one thing to do was helpful and really reminded me that I COULD write songs and that I should keep at it if I ever wanted to write anything good.

Then, when I eventually took those songs to Saskatchewan to record, I was lucky enough to write another couple on the trip before the session, including Ever Kind and True (which I released last fall).

It’s kinda hard to put into perspective why these trips had this effect on me. I have travelled so, so much in my professional life and definitely been to more traditionally ‘interesting’ places. In fact, it wasn’t even like it was my first time on P.E.I., or even at The Dunk – and, certainly, I had been through Saskatchewan on tour SEVERAL times before. I guess I would chock it up to the pals old and new I was hanging with and the good times we had.

Will there be more material coming later this year? Do you find yourself writing a lot right now?

I’m planning to do another A and B-side single, which will be my third - and I hope to release the L.P. before year’s end. It is virtually done, with just a few little scraps to take care of. I’m writing a little more now. It’s still hard to find the time. My main pursuit these days is producing music for other people - and it has been for some time.

How important is Canada and the varied landscape to your writing and creativity?

Well; it’s an inescapable part of my identity and, certainly, one might infer that it figures highly into my writing given this song. But, the truth is, most of the rest of the record is about people that I know; the struggle to be my best creative self and all kinds of other boring things. At the very least, I hope its good Rock and Roll.

Most days, I think it is…

Which artists did you grow up around? Can you recall when music entered your life?

The earliest memory I can summon is watching Cab Calloway in his white tux on Sesame Street, singing The Hi De Ho Man. I don’t really remember a time when music wasn’t essentially my guiding force. As a really young kid, I became obsessed with early Rock and Roll and, strangely, I kind-of experienced the evolution of popular music the same way they world did, but in my own little bubble, thirty years later.

I was obsessed with Buddy Holly, Chuck Berry; Fats Domino, Little Richard and Elvis - all the Sun stuff…girl-groups and The Beach Boys. Then; The Beatles hit and knocked me out for years. Kids around me were listening to - I don’t know. Duran Duran?

Anyway, it was a complete and utter obsession with Rock and Roll and Pop circa-1956-1968, until I started to get hip to new music in junior-high school. Dookie, Nevermind and The Blue Album were all favourites at that time and, in fairness, also probably did a lot to inform my writing today. It’s clear to me now that there is no Weezer without Buddy Holly - and that has nothing to do with their song by that name. Simple, singable; three-chord sh*t?

Weezer et al do it well - but they didn’t do it first. Years later, when I began to appreciate bands like Big Star and Black Sabbath, it was clear where those bands fit into the puzzle, chronologically, in-between the '60s and '90s music I loved so much.  

Do you have any gigs lined up? Where are you heading?

Nothing on the calendar at the moment. I’m hoping to do some regional traveling in the fall...

Will you come to the U.K. and play? Have you been here before?

I’ve played throughout the U.K. as a sideman many times, but Espanola has never been there. I love that side of the world; I love playing there so much. The whole music racket can, unfortunately, boil down to a numbers game sometimes - if any of your readers are a fantastically ambitious Rock and Roll talent-buyer connect me with them, would you?

Which albums, old and new, do you count as favourites and standouts?

Oh, gosh…there are so many. I’d be nothing without ‘The Brown Album’ (The Band) and Tonight’s the Night (Neil Young).

But, there are so, so many…

What do you hope to achieve in 2018?

I hope to reach as many interested parties as possible with my unique brand of Canadian Alt-Country/Rock and Roll and would love to play in person to as many of those people as possible.

Have you got a favourite memory from your time in music – the one that sticks in the mind?

There are many…

Any time the band hit a stride, a moment of collective mind where we transcended our individual selves and became greater than the sum of our parts. Those are the moments I live for…that’s why I do this. Sometimes, you spend many nights on the road looking for that moment. Some tours you’re lucky and they happen often.

What advice would you give to new artists coming through?

When I started playing pedal steel, I had a couple of lessons from the great musician Bob Egan - who played in Blue Rodeo for many years - and was with Wilco for a time. He has this great story. When he was starting with Wilco but hadn’t yet committed to them full-time, he met Johnny Cash backstage at a concert and they chatted briefly.

Bob expressed that it was a difficult decision to commit to music full-time and Johnny said to him: “It can be very rewarding, if your heart is in it.” I think about that story quite a lot actually. I have no doubt that my heart is in it. But, I know many people whose hearts have been in it, who haven’t made it. How have I managed to make it work, thus far? Brutal and never-ending hard work; lots of luck and good timing. This isn’t the easiest way to make a living, by a long shot. It probably NEVER was but, nowadays, more so.

If you came from the middle-class like I did and think you’re going to dive into music and make the kind of money your parents did, and have the kind of life they made for you, you’re taking a risk. But, if you’re ready to accept that risk - and you know that this is the only thing in the world for you to do, like I do - well, then, you have no choice, do you?

Are there any new artists you recommend we check out?

Full disclosure: all artists I’ve produced:

Side Hustle; Major Love - their second single just entered the CBC Radio 2 Top 20 at #10 this week. Also; Tired Kid.

IN THIS PHOTO: Major Love

Do you get much time to chill away from music? How do you unwind?

I do NOT get much of a chance to chill, which is one of the pitfalls of turning your passion into your career. I haven’t unwound since 2007. I have a beautiful, humongous record collection and I hope one day to be able to lay on the couch and listen to After the Gold Rush for an afternoon.

Finally, and for being a good sport; you can choose a song and I’ll play it here (not any of your music - I will do that).

Dave Rawlings Machine - Ruby

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Follow Espanola

Facebook:

https://www.facebook.com/espanolamusic/

Twitter:

https://twitter.com/aarongoldstein

Instagram:

https://www.instagram.com/agoldrules/

Soundcloud:

https://soundcloud.com/agoldrules

Bandcamp:

https://espanola.bandcamp.com/

INTERVIEW: Maaike Siegerist

INTERVIEW:

 ALL PHOTOS (unless credited otherwise): Catherine Rudie 

Maaike Siegerist

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THERE are few artists who can claim…

BBC Radio 6 Music has played their music. I have been talking to Maaike Siegerist about the station spinning Keep It in the Dark and Yangtze River Blues. She tells me about her debut album, Born Before the Wind, and how her travels and relation influenced her songwriting. Siegerist discusses a move to Bath and what she has coming up in terms of songwriting – what tour dates we can expect in the coming weeks.

I learn about new artists she is vibing to; the sort of music she is influenced by; how she spends her time away from music; the advice she would give to new artists – she talks about a fond memory from her time in music.

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Hi, Maaike. How are you? How has your week been?

Really good! Tom Robinson played my track, Keep It in the Dark, twice on BBC Radio 6 Music last weekend, so I’ve been buzzing all week.

For those new to your music; can you introduce yourself, please?

I’m a Dutch singer-songwriter based in Bristol. I play a Spanish guitar and love Jazz chords - but have also sung in atmospheric Metal bands. You can hear all those elements in my music.

Born Before the Wind is your debut album. What sort of themes influenced the songs on the record?

The sea, the wind; ships – there’s a lot of maritime imagery in the lyrics. I grew up close to the sea and it’s an important element of Dutch culture. The imagery has made its way into my songs about travels.

There’s also literal and figurative darkness in some of the songs – a love kept in the shadows, a sinking ship; a young woman who ends her life.

It was recorded in Bath – you moved there in 2014. What was the reason for relocating there?

I had spent a week in a mansion in the rainy Scottish countryside in 2013, together with twenty-five other songwriters. We were on a songwriting boot-camp, writing a song a day, and it was one of the best weeks of my life. The camp was run by Bath Spa University and their team mentioned they run a yearlong songwriting course in Bath, so I applied (after working and saving up for a year).

BBC Radio 6 Music has played Yangtze River Blues. What was that like?! Is it important getting that sort of focus?

It’s a thrill to be played on national radio! When the music you wrote and recorded yourself is on the radio, that’s a huge compliment. It also gives you credibility. All of a sudden, you’re not just another girl with a guitar…

You’re the girl with the guitar whose music was played on 6 Music.

PHOTO CREDIT: Jonni Slater

How does the music scene differ in Bath compared to where you were raised in Holland? Is it true you lived in China for a time?

I love the buskers in Bath – they are pros, singing and playing for hours…even in the winter.

You don’t see that many and such good buskers in Rotterdam. There are also way more open mics in the U.K. in general than in the Netherlands. Bath even has one in a church, St Michael’s Without. I met a few of my best friends and fellow musicians at open mic nights in Bath!

A while ago, I lived in China for a year. I studied Chinese in Hangzhou, a beautiful city with a big lake and fields of green tea, near Shanghai. It’s the home of more than nine-million people. The country has inspired two of my songs so far: Yangtze River Blues is the story of a farmer who lives near the Three Gorges Dam, whose land is flooded in the name of progress; Long Way Down is written from the perspective of a Chinese student who ends her life because she can’t live up to her family’s expectations.

I hear different sounds in your music. What sort of music did you grow up around?

My dad listened to all kinds of music: Mike Oldfield, Annie Lennox; Donna Summer, Sergio Mendes; Queen, Eurodance acts – I had no choice but to love them all.

When I was in my teens, my elderly guitar teacher introduced me to classic Jazz – his repertoire basically ended with The Beatles. The Jazz chords and melodies are amazing! I also started listening to Gothic Metal - bands like Within Temptation and Nightwish were really big in the Netherlands. I wanted to sing like their frontwomen, so I took classical singing lessons and started listening to Classical music as well.

PHOTO CREDIT: Jonni Slater

There are Spanish and Argentine elements in your blend of Folk. That is something we do not hear in music a lot. Do you think it is important to remain true to you and not compromise?

Yes. That’s the only way to add something. There’s no point in trying to sound like anyone else. Although, there is room for negotiation when you’re co-writing. Keep It in the Dark was a co-write with Catherine Rudie, who you can also hear on the track.

The song is different from what we write on our own; it’s where our styles meet. We each had to sacrifice a few of our favourite ideas along the way, but I love the result!

What do you hope to achieve in 2018?

Get the songs to the people who will love them – online, via the radio, and live.

Behind the scenes, I’m also writing and recording new tracks. There are a few songs in the pipeline I’m very enthusiastic about!

IMAGE CREDIT: Artist/Getty Images

Can we catch you perform anytime soon? What dates do you have coming up?

Friday, 20 April, Arts House Café, Bristol

Saturday, 28 April, St Alfege Church, Greenwich (London)

Friday, 18 May, Komedia Café, Bath

Saturday, 26 May, Bath Pizza Company

Sunday, 9 September, Half Moon Putney, London

How important is it getting your music on stage and performing it to people?

Being online is vital, but gigs are definitely still important. I like the personal connection you can make with people at a show - and gigs are also a way of introducing your music to people who haven’t heard it before. I love turning gigs into happenings.

When we’re performing in Greenwich this month, we’ll have piano, flute; trombone and many voices. I’m really looking forward to it.

Have you got a favourite memory from your time in music – the one that sticks in the mind?

My album launch in Rotterdam last year! It was in a small, dark wooden church with model ships hanging from the ceiling. On stage with me were my British friends Susanna and Jonni on piano and keys and my Dutch friends on upright bass, flute and violin. In the audience were one-hundred people who had supported my musical journey that far.

It was totally nerve-wracking beforehand, but it was a magical night.

What advice would you give to new artists coming through?

I think I’m still pretty new myself...

But; my advice would be: be yourself musically; don’t try to sound like anyone else. Make music that you think is good and find the people who love it too. Musical tastes are subjective so don’t dwell on rejections. If you put enough effort in, some of your songs will float to the surface – they’ll get on national radio, make people cry; have people singing along – and that’s amazing!

IN THIS PHOTO: Jonni Slater

Are there any new artists you recommend we check out?

Yes! Jonni Slater, a Bristol-based Indie-Alternative artist, is releasing his new E.P., Inversions, later this month. It’s pure quality.

Leandro Maia, a Brazilian artist who lives in Bath, makes beautiful, interesting music and sings in Brazilian Portuguese.

Or if you like Folk; check out Sharon Lazibyrd. She has a gorgeous voice and a witty way with words.

For Rock ‘n’ Roll, go to David Sinclair Four. Their lyrics are masterful.

IN THIS PHOTO: Sharon Lazibyrd

Do you get much time to chill away from music? How do you unwind?

Fine wine and good food - and travelling to far-away places or nearby castles. I also like reading Frank Sinatra biographies and watch a lot of Netflix.

Finally, and for being a good sport; you can choose a song and I’ll play it here (not any of your music - I will do that).

Here are two of my amazingly talented friends – Chloe Tyghe & Guillem Mitchel (The Slightest Hiss of Wind)

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Follow Maaike Siegerist

Official:

http://www.maaikesiegerist.com/

Facebook:

https://www.facebook.com/maaikesiegeristmusic/

Twitter:

https://twitter.com/maaikesiegerist

Instagram:

https://www.instagram.com/maaikesiegeristmusic/

SoundCloud:

https://soundcloud.com/maaikesiegerist

Spotify:

https://open.spotify.com/artist/53Xt6CRZkrbOvr91ZmTzMt?si=B-5eR--DR3SOy_BlyV7tJw

INTERVIEW: Sakura

INTERVIEW:

PHOTO CREDIT: Richard Taylor 

Sakura

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A few weeks ago…

I came across the music of Sakura and was compelled to pin her down to an interview. She has provided the time to talk about December – her stunning track released late last year. The songwriter talks about her Asian roots and the music she holds dear; what she has planned in terms of future material – how London, and its pace, affects her songwriting and drive.

Sakura tells me about future gigs and whether women get an equal shot in the music industry; some new artists to look out for; how she unwinds away from music; why Jeff Buckley is an influence – she ends the interview with a pretty hot song selection.

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Hi, Sakura. How are you? How has your week been?

Hey, Sam! I’m doing great. It’s been a busy week; so I'm glad it’s Friday!

For those new to your music; can you introduce yourself, please?

I’m Sakura. I’m a twenty-year-old Japanese/Chinese musician, based here in London. I love all things art and try and incorporate that within my artistry and my music. I try to be authentic and as genuine as possible with my songs - and I hope that comes across!

The track, December, was released last November. It got quite a big reaction! Were you surprised by the feedback it got?

I was! It’s always great when your music reaches people and it was just a little acoustic Christmas song that I put together with friends...so I was surprised, for sure.

What inspired you to write that song? Does it hold personal relevance to you?

We finished the whole production and music video for that song in less than a month - it was a really spontaneous decision!

I wrote the song because everywhere I went in London, I would see street sleepers in the cold and it really made me sad to know that so many people were out there, during what’s supposed to be the happiest time of the year. So; I decided to release a Christmas song and donate half of the proceeds to a charity working with street sleepers. It was so great that so many people got involved to help me create this vision that I had!

PHOTO CREDIT: Richard Taylor 

What can we expect in terms of future material? What are you working on right now?

I’m currently working on a four-track E.P. titled Roots. It’s quite a big jump from the music I’ve previously released, so I’m quite excited to see what everyone thinks when it’s out! It’s a little heavier and moodier than Evolve and December but I don't want to give too much away!

Fairly recently, it was International Women’s Day. Do you think women in music get the respect and parity they deserve?!

I think there’s a huge new wave of kick-ass female musicians in the Indie scene that’s really inspiring and are representing the diversity and lack of women in the music industry. It’s a step in the right direction!

You have Japanese and Chinese blood – born and raised in Hong Kong. How important is your Asian background in regards your style and musicianship?

It’s played a huge part in my development as a person, let alone music. It really motivates me to know that I am representing women of colour every time I pick up a guitar and play.

How different do you find London and the people? Do you take a lot of inspiration from the city?

It’s pretty different here. Haha! But, I feel like London is a melting pot for creatives and that’s definitely worth the move. There are so many gigs going on every day of the week here and it’s so easy to meet musicians too - there are also so many great talents that inspire and push you to work hard.

PHOTO CREDIT: Richard Taylor 

I hear shades of Jeff Buckley in your music. Which artists did you listen to growing up?

Jeff Buckley was definitely a huge influence on my songwriting and lyricism! I really admire his musicality and the way he uses his voice as an instrument. Other favourites from growing up are Joni Mitchell, Tracy Chapman and, probably, John Mayer. I’ve learnt a lot about songwriting from John Mayer!

What do you hope to achieve in 2018?

I want to get everything ready for my E.P. release in early-2019 and I'm also really buzzed to start gigging with a full band in London!

Can we catch you perform anytime soon? What dates do you have coming up?

I’m heading on a solo adventure to Bali for a month to recharge myself and my creativity but, the night before that, I’ll be playing at the open mic that I host at The Monarch in Camden! It’ll be on April 9th and it’s on bi-monthly. ‘Open Mind Open Mic’ on Facebook for anyone that wants to come down and share their art with us!

Have you got a favourite memory from your time in music – the one that sticks in the mind?

My favourite memories would probably be my first few weeks in London, playing open mic nights and gigs, meeting loads of amazing people; being exposed to so much live music and getting to develop a lot as an artist.

Or the release of my debut single, Evolve! The video shoot for that was a lot of fun. We went out to Surrey and spent a day in a beautiful park with the best crew!

What advice would you give to new artists coming through?

Be your most authentic self.

IN THIS PHOTO: Joe Traxler/PHOTO CREDIT: Clemens Neumeister

Are there any new artists you recommend we check out?

There are so many amazing artists here in London, but a few that come to mind first are Joe Traxler, Julian LeBen and Chris Reardon.

IN THIS PHOTO: Julian LeBen/PHOTO CREDIT: Samantha Jane Photography

Do you get much time to chill away from music? How do you unwind?

I love travelling so, every few months, I end up escaping London for a bit and doing some exploring!

Finally, and for being a good sport; you can choose a song and I’ll play it here (not any of your music - I will do that).

I’ve fallen in love with a song by Japanese Breakfast called Boyish - so I think I’ll choose that! Thanks so much, Sam, for all these great questions, and for having me on Music Musings and Such

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Follow Sakura

PHOTO CREDIT: Richard Taylor   

Facebook:

https://www.facebook.com/SAKURAKATSUURA/

Instagram:

https://www.instagram.com/SAKURAKATSUURA/

SoundCloud:

https://soundcloud.com/sakurakatsuura

BandCamp:

https://iamsakura.bandcamp.com/

INTERVIEW: Bessie Turner

INTERVIEW:

 ALL PHOTOS: Chris Driver Photography 

Bessie Turner

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I have been learning more about…

Bessie Turner and her debut E.P., 22:22. It is out on 20th April and is a sign she is primed for big things! I talk to her about her upbringing and musical tastes; how she feels about touring with Baxter Dury; the artists she connects with most; what it felt like playing for Steve Lamacq – what tour dates she has coming up in the diary.

Turner talks about how she has progressed in the past year; which new artists we need to check out; the three albums that mean the most to her; if songwriting has been a cathartic and emotional release – she provides some helpful advice for new artists.

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Hi, Bessie. How are you? How has your week been?

Heyyyy! I’m writing this on a Monday afternoon after work, but last week was just swell…and the week before - and the one before and on, and on, and on...

For those new to your music; can you introduce yourself, please?

My name is Bessie Turner. I’m twenty-four and I’m a singer-songwriter from Suffolk.

Your debut E.P., 22:22, is out soon. What are the main themes and ideas you explore on the E.P.? I believe your sister is the ‘inspiration’ behind the title?

22:22 was a really obvious name for me to choose: I didn’t even think about it, really.

My sister Ruby and I are two years and two weeks apart. She was born at 22:22 hours; being the age of twenty-two was incredibly significant to whatever version of myself I am now. I look at the time, when it’s 22:22, about five days a week; lots of significant things in my life are associated with that number.

I could babble on about it for ages…

I guess the main themes are all very personal ones: feelings of being low, feeling brave; feeling nothing, feeling love; feeling rage…

What was it like recording with George Perks at The Crypt Studios?

A joy; what a guy. An instant friend to anyone he meets and a spot-on-wonderful producer. He really gets to know the vibe and feel you want to something before any sound even comes into it. I would urge anybody to record with George if you ever get the opportunity. I was petrified and had never been in a studio before and he made it the most fun thing in the world. It’s a beautiful studio.

It seems like you explore several genres and styles. Does that reflect a broad music taste? Which artists, current or past, are your main idols?

My music taste is really long and far and wide. I love Classic FM when I’m driving in the dark and screamy Punk madness when I’m trying to chill out. I will always love Joni Mitchell, Lou Reed; the first album by Jose Gonzales - I paid a weird old man from the estate £3 to burn for me. At the moment, I have Kala by M.I.A. in my car - and I get most of my new music loves from having BBC Radio 6 Music on, whenever I have an internet connection.

I get the impression the songs explore mortality and personal fears. How cathartic and revealing was it putting the material together?

The songs are all very confessional. To a listener observing the lyrics, you might not know what’s going on but every sentence has an indirect reference to something for me, personally. It’s great to have them recorded; kind of lets me move on.

2017 was when you released your debut single, Big Sleep. You have come a long way in a short time! Can you believe everything you have achieved since then?!

Not at all: It’s wild. Sometimes, I’m sat in my pants, worrying about money and work - and then a wave of reality washes over me and I realise life is fu*king wicked.

You have played for the likes of Steve Lamacq; your music is a regular fixture on BBC Radio 1 and 6 Music. Are there any other ambitions and goals you want to tick off and accomplish?

I’ve always dreamed of being on Jools Holland but that’s a really big one. That would make me feel insane, I’d probably pass out. Glastonbury is an obvious one but I bet that feels incredible…I just want to have a nice and full life; make opportunities to travel and, maybe, have a whippet and babies one day. I like growing vegetables and going to gigs…

I have no expectation of life, really: I just want to make sure it’s all as good as it possibly can be.

What dates do you have coming up? Are there particular gigs you are really looking forward to?

I’m really looking forward to the shows we (Don’t Try Records) are putting on ourselves in London at the Servant Jazz Quarters on 16th April and the Manor Social Club in Ipswich on 27th April. I find it really exciting being more of a part of it and promoting and organising events. The Ipswich show sold out six weeks before it was due, so we’ve moved to a bigger room. It will be full of friends and the supports I’ve booked are really wicked. I can’t wait to have a boogie.

You will be supporting Baxter Dury. Are you looking forward to that? What did you think of his album, Prince of Tears?

I AM SO PUMPED; I CAN’T BELIEVE IT.

I’m usually really chilled out before gigs but I think I’ll be all jittery and weird. My old housemate showed me Baxter Dury a few years ago and I’ve been a fan ever since. I was so happy to be invited to play a couple of shows with him.

I think Prince of Tears is a marvellous creation. I haven’t listened to it as much as some of his previous albums but I love the way he writes. I think it comes from his darkest and most opaque places, blotted with a bit of colloquial London pitter-patter. I really relate to it. Loads of people write happy lyrics about love or thongs or other beige things. I can only write when I’m feeling a bit crazy. Maybe he’s a bit the same…maybe I’m mad and overthinking it, as it’s the first time I’ve ever been asked….

Soz, guyz...

If you had to select three albums that stand out to you; which would they be and why?

Blue by Joni Mitchell

It’s just perfect, night or day; happy or sad. I struggle to comprehend why people worship Rihanna or Little Mix (who are all probably really brilliant people) while her music is around. It’s totally timeless and totally moving.

Moon Safari by Air

Was played loads and loads by my mumma when I was a child. I remember it really moving me from a tiny one - me and my friends still pop it on now when we’re chilling out or fighting over who controls Spotify.

Ooohhh…this is really hard…erm…

Parquet Courts - Light Up Gold

Really fun start-of-the-day bouncy music. Kind of moody and all-round-great.

Have you got a favourite memory from your time in music – the one that sticks in the mind?

Playing at Latitude for BBC Introducing was really special. The crowd was nuts and my best people in the world were all there supporting me and helping me kill it. I’d been attending for many years and always secretly dreamt of getting to play.

What advice would you give to new artists coming through?

Be as brave as you can mentally and physically muster up. I have the confidence of a shrivelled-up prune sometimes, but I’ve learnt that you just have to give things a good go. Accept any help, skills and love that is offered your way. The small team around me keep me going 100%: friends, boyfriends; creative friends…I owe them so much.

Are there any new artists you recommend we check out?

I heard a band called Sorry on the radio a few months ago and I really, really love them loads. I came across a band called Omni, too, that are super-rad. Dingus Khan will always be one of my all-time favourite bands.

IN THIS PHOTO: Omni/PHOTO CREDIT: Kayla Thornton

Do you get much time to chill away from music? How do you unwind?

Not as much time as I used to…

Being this present version of myself, there’s always something to do or complete or reply to - and I can get really overwhelmed by that. I try and spend as much time as I can with friends: I think it’s really important to talk and laugh and cry to stay grounded. I’m really lucky to have such a good bunch.

To unwind, I love going for massive walks, putting a bottle of wine and some marmite sandwiches into a backpack and just setting off. Music is my downtime - listening to other people, though, not my own…or watching bands too…

I was watching a duo called Sealion Woman the other week in a tiny venue called The Smokehouse in Ipswich and I just started crying. I had no idea where it came from but it was so real and honest. The music just really touched me. So; I took a deep breath and went to find some more whiskey…

Finally, and for being a good sport; you can choose a song and I’ll play it here (not any of your music - I will do that).

Ahh thanks; errmmmm…

I played a song called No Destination by The Garden three times in a row yesterday while I was getting ready to go out. I love the synthy vibes, the drums; the melody. Really spacy and fun

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Follow Bessie Turner

Twitter:

https://twitter.com/bessie_turner

Facebook:

https://www.facebook.com/bessieturnermusic/

Instagram:

https://www.instagram.com/bessieturnermusic/

SoundCloud:

https://soundcloud.com/user-585735472

Spotify:

https://open.spotify.com/artist/2WZfCTpqwLC3MTIGmLrzaJ

INTERVIEW: You Want Fox

INTERVIEW:

You Want Fox

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THE Nottingham-based duo…

You Want Fox have been talking about their development and what goes into their new album, Reverse the Curse. Natalie and Colette discuss being compared with some modern Rock greats; whether they have made leaps since their debut in 2016 – if there are any new artists worth a shout.

I ask whether they have tour dates cemented and what the scene is like in Nottingham; if they feel female duos/acts are on the rise; whether they have a golden memory of music – they end the interview with a couple of great tracks.

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Hi, You Want Fox. How are you? How has your week been?

Hi! We’re very well, thanks. It’s been an awesome Bank Holiday weekend. 

For those new to your music; can you introduce yourselves, please?

We are Natalie (Bass/Vocals) and Colette (Drums/Vocals) and we are from Nottingham. 

 

Reverse the Curse is your latest album. What is the story behind the record? What themes do you address?

When we first started out, lots of things kept going wrong. Once we started to look more closely, we realised what was happening and since addressing it: it’s no longer been a problem. So, we ‘reversed the curse’. It’s kind of superstitious, I guess. 

The songs are about all kinds of things, from calling people out for being underhand right through to the odd cheeky love song - and everything in between. 

The debut, You Can’t Sit With Us, was released in 2016. Have you noticed big differences between the albums?

Definitely. We have been more uniform in recording this release. We have our sound nailed now. We’ve spent a lot of time honing our sound and finding what works for us. 

The reaction to your music has been impressive. How important is it getting kudos form big names?

It’s always awesome to get recognition from big names as it helps to project your name out there a little bit further. It can be hard to get noticed when you’re a D.I.Y. band. 

How did You Want Fox get together? How did you find one another?

We have known each other for years and played in various projects together.  We’d always talked about writing grungy pop songs and one day we just decided to give it a go and see what happened. I’m so glad we did! 

Your sound has been compared to the likes of Royal Blood. Which artists do you take influence from?

Everything from Skindre, to Deftones to Sleigh Bells...we draw influence from all over though; not just from music. 

Being a female duo; do you think acts like yourself and Rews signal female-based Rock music is on the rise?

I think female-based Rock has been on the rise for a very long time. You don’t have to look very far to find some amazing female acts. REWS are a great example. 

Nottingham is where you are based. What is the music scene like up there?

It’s great! It’s so diverse and there are a LOT of great bands. The D.I.Y. scene here is amazing, too - lots of great little venues where you can get right in and mosh your heart out. 

Do you have any gigs lined up? Where are you heading?

We do indeed and we are currently booking more for the rest of the year. So, if you are a booking agent, please get in touch with us! 

We have gigs lined up for Derby, Staleybridge; Cheltenham, Bristol and London as well as our album launch-party on 27th April at The Chameleon in Nottingham. 

What do you hope to achieve in 2018?

We’d love to have played Download Festival! But, honestly; we just want our album out there for people to enjoy and to be able to play gigs off the back of the release - and have people singing and dancing along to the new tunes. 

Have you both got a favourite memory from your time in music – the one that sticks in the mind?

We recently had a stage invasion during our last song of a live set whilst we were playing a festival. That was pretty special! 

What advice would you give to new artists coming through?

Keep going! Sometimes it can be frustrating when you get writers block or you feel like you’re struggling to be heard but the rewards far outweigh the struggles. 

Are there any new artists you recommend we check out?

There are loads of great Nottingham bands. We have Desensitised and Marty, both female bands, who will be supporting us at our album launch. 

Do you both get much time to chill away from music? How do you unwind?

We don’t get much time but when we play gigs, we make sure to grab a nice meal and try and chill out a bit before we play if we can.  

Finally, and for being good sports; you can each choose a song and I’ll play it here (not any of your music - I will do that).

Ooh! We’d like to hear Led Zeppelin, Immigrant Song and Skindred, Kill the Power please (smiles).

Thanks! 

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Follow You Want Fox

Twitter:

https://twitter.com/youwantfox

Facebook:

https://www.facebook.com/youwantfox/

SoundCloud:

https://soundcloud.com/youwantf0x

YouTube:

https://www.youtube.com/channel/UC9It034p8GinvQUiQeA4wuw

INTERVIEW: Johny Dar

INTERVIEW:

Johny Dar

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I listen to Johny Dar…

and hear the words he says and, in many ways, he puts me in mind of musical innovators like David Bowie – inventing a new language and taking the listener somewhere intergalactic. Dar reveals the story behind his single, Gigi, and what ‘Alien-Rap’ entails – which musicians have made a big impact on his life.

I learn what we can expect from the album, Dardelica, and when the songwriter will be touring; if he has some favourite albums; why a relocation to L.A. was so pivotal to him; if he has the chance to relax away from music – he ends the interview with a rather stunning track!

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Hi, Johny. How are you? How has your week been?

It’s been great, actually. I’m working on a new body-art campaign and had some shoots in California this week. It’s a very intimate series that I’m photographing myself, in nature; without a crew - highlighting the strength, beauty; fragility and tenderness of the earth, the feminine and their connection to each other.

For those new to your music; can you introduce yourself, please?

I’m an alien - coming to Earth to deliver a new experience in sound (smiles).

Gigi is your new single. What is the story behind the song?

Gigi is, basically, about that feeling when your body overtakes you and you let go into the sensation of what you are experiencing and lose yourself in it with no inhibitions.

It operates in the ‘Alien-Rap’ realm. Can you talk more about that genre/style and what it entails?

'Alien-Rap' is a new sonic language that I have developed - which I’m now fusing with Electronic Dance music, thanks to my producer, Dan Vinci. It doesn’t really fit into any existing genres except the one we are creating - 'Dardelica'!

Gigi is from the album, Dardelica. What sort of themes and ideas inspired the songs?

I start with the sound - the Alien-Rap – and, from there, the vision for the song unfolds and the theme develops as we write it. I can be quite unpredictable with my process so we don’t have a fixed methodology - that’s how I have learned to create pieces of art that are timeless and not based on any existing formula.

But, Dardelica plays with an alien theme - exploring outer space and journeying into the depths of the universe and parts of the body we don’t usually explore consciously.

You moved to L.A. to study Fashion and then moved into music I believe? Was there an artist/moment that influenced that choice?

I actually moved to L.A. to study Film, but then I got into a motorcycle accident, so I couldn’t go to film-school on my football scholarship - and I ended up going to fashion-school instead. But, now, I am making films anyway! My novel, Darya, is the first part of a trilogy movie that I’m working on...

In terms of influences, I guess you could say that Star Wars is a benchmark for me because I want to bring people the new Star Wars - that is truly futuristic in its conception and production.

How, do you think, fashion and music integrate? Is there a close association?

For me, they are both mediums through which it’s possible to rediscover the potential of our bodies and our experience as human beings - I aim to create fashion and music that empowers the super-self in everybody.

You have collaborated with a series of great artists. What has that taught you about the music industry and, maybe, your own self?

To stay focused on what I am doing and then, when the collaboration is right, it just feels natural. I was never one to imitate but always one to initiate. Then, the rest of the pieces just fall into place.

Did music come into your life early? Which artists caught your ear at a young age?

I was always a big fan of Michael Jackson...

Do you have any gigs lined up? Where are you heading?

We have some gigs lined up - mainly in London and also in Europe, but those are still to be announced, so I can’t share too many details just now. The main thing is that we are working on a live show that incorporates art; technology, costume design and performance to bring people a new evolution of entertainment and sensory experience.

What do you hope to achieve in 2018?

A lot! I like to aim high...so, in the immediate, to deliver Dardelica live to the people of Earth; to release my new art book, DAR the BOOK 4, and my first novel, Darya.

Those, but there are so many more projects in the pipeline - I had to invent my own time just to keep track!

Have you got a favourite memory from your time in music – the one that sticks in the mind?

I have a few - I used to go to a lot of festivals in California and all over the world. You can’t beat that sublime feeling of dancing to great music at sunrise. Although, having said that, that’s exactly what I want to do with Dardelica - top my own and everyone else’s previous peak experiences...

What advice would you give to new artists coming through?

Never give up.

Are there any new artists you recommend we check out?

Other than me? That’s a tough question...can I say Dardelica (smiles)? Honestly, there are a lot of amazing artists out there. But, I try to stay focused on my own thing. That’s the only way to keep breaking through my own limitations to deliver the next groundbreaking expression.

If you had to choose the three albums that mean the most to you; which would they be and why?

Michael Jackson - Thriller

The Jimi Hendrix Experience - Electric Ladyland

The Doors - The Doors

Because they are all timeless, breakthrough albums that introduced people to new ways of being and seeing the world...

Do you get much time to chill away from music? How do you unwind?

I like to go to the beach whenever I can - and otherwise - sleeping on the plane!

Finally, and for being a good sport; you can choose a song and I’ll play it here (not any of your music - I will do that).

Nirvana – The Man Who Sold the World

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Follow Johny Dar

Official:

https://johnydar.com/

Twitter:

https://twitter.com/JohnyDar

Instagram:

https://www.instagram.com/johnydarcreations/

Facebook:

https://www.facebook.com/johny.dar.5/

Spotify:

https://open.spotify.com/artist/3mTekwi2ewzlxAdih6IAjA

SoundCloud:

https://soundcloud.com/johnydar

YouTube:

https://www.youtube.com/channel/UCETMTHu3unObULKFYI96XxA

INTERVIEW: Fuzzwalker

INTERVIEW:

Fuzzwalker

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THEY are a fun and fiery band…

who are preparing to release their new single, Energy. I ask the group about the song and the inspiration behind it; how they all got together; whether they have a favourite memory from their time in music – what gigs they have coming up in the coming weeks.

Fuzzwalker reveal the music that inspired them; a new artist we should all get involved with; where that unique name comes from; how songs come together for them; what they all get up to when they are not playing and recording – what they hope to achieve in the remainder of the year.

___________

Hi, guys. How are you? How has your week been?

Hello, Sam. Excellent, cheers! We had a big old Easter weekend - ‘Good Fuzzday’ occurred on the Friday with a gig in Staines, which was smashing - barring Matt powering through of a chest infection! Easter Sunday shall now forever be known as ‘Easter Ed’, as our lead guitarist Ed played host to us all and whipped us all up a succulent roasto.

For those new to your music; can you introduce yourselves, please?

We are Fuzzwalker – hard-cut Indie-Rock riffs, Britpop sensibilities; a bit of fuzzy magic. There’s four of us: Matt on vocals and guitar, Ed on lead guitar and backing vocals; Donna on drums and Billy on bass. We love to get Fuzzy with the people of the world.

Can I ask where the name ‘Fuzzwalker’ comes from?!

Nobody really knows for sure - it came from somewhere deep within the workings of Matt’s mind. It was originally a working title for a song and we all liked the sound of it as a word, and it stuck. Not only for the song, which is on our debut E.P., but also for us as a band name...

The single, Energy, is out on 4th May. What can you tell us about the song’s background – and, will there be any cheeky Star Wars nods?!

We are constantly writing new songs and Energy is one that came to us all at once a few months ago now. Matt liked it so much, he insisted we give it the studio recording treatment the very next day. The title makes reference to something people always tell us after a gig (usually along the lines of: “Wow; you guys have so much energy!”).

It got to the point where it was getting a bit weird; people saying that exact line to us every time. I suppose you could also say we are using our energy in much the same way a Jedi would - to move people's body parts in all manner of ways.

Are you guys working on any other material for later in the year?

Absolutely. In fact, Energy is the first single from our second E.P. (which will be out in the summer). There'll be another single before the E.P. - and then, one final single to coincide with its actual release.

How do songs come together? Will one/two of you work on one part and bring it into the room? Give me an insight…

We tend to write songs together mainly.

One of us will bring an idea to a rehearsal, and we'll jam on it; see where that takes us. Usually, once a song is fleshed out, then Matt will develop a melody for it and get some lyrics together. Sometimes he already has an idea.

What sort of artists did you all grow up around? It seems like 1970s Punk and 1990s’ best feature highly!

There are loads of various influences between us. Matt traversed his adolescence during the height of '00s Indie and, as a result, is a massive fan of bands like Hard-Fi, but also took to '90s Britpop - bands like Oasis, Blur etc. and their influences like The Stone Roses. Similarly, Billy grew up listening to bands like the Arctic Monkeys, Bloc Party and the Foo Fighters, whilst also having an encyclopaedic knowledge of all things Led Zeppelin.

Ed is a huge fan of bands like Guns N’ Roses and Halestorm - which is probably how he got the nickname ‘Shred-win’. Donna is a Bon Jovi and Thunder nut and even has the nickname ‘Don Bonham’ - in reference to Zeppelin’s drummer.

Take me back to the very start. How did Fuzzwalker get started?

It was a bit of a chance meeting - Donna and Billy were looking to get something new off the ground, having played together as a rhythm section for a few years in a previous band. After putting an advert out to find a guitarist/singer, Matt answered the call by proxy of a different man called Matt who found our Matt on a different website. Eventually, after a few meetings and chats here and there, the Donna, Matt and Billy combo that exists today got together and formed Fuzzwalker.

For the first year, we were joined by Carlos on lead guitar, who held the position brilliantly until he could no longer. It was at this point Ed joined our ranks - and our current lineup was solidified.

Do you have any gigs lined up? Where are you heading?

We sure do!

Thur, 12th April – The Facebar, Reading

Sat, 14th April – Nambucca, London

Sat, 21st April – York Uni

Fri, 27th April – The Star, Staines

Fri, 4th May – Boileroom, Guildford

If you had to choose a ‘dream line-up’ – three acts to play with – and any rider you could get; what would that entail?

The dream line-up would be Fuzzwalker, Hard-Fi; Arctic Monkeys and Muse. On our rider, we would demand only yellow and green Skittles, as well as plenty of beer and toast (with Marmite).

What do you all hope to achieve in 2018?

We're ready to reach more people's ears and faces this year with our music, building our fanbase and bringing the fuzz. All of our releases are available to stream on Spotify and for download from our Bandcamp.

Just striving to put on the fuzziest show possible with each and every gig we do.

Have you each got a favourite memory from your time in music – the one that sticks in the mind?

There are so many weird and wonderful Fuzzwalker moments; the fuzziest being a time when we busked in Guildford - an incredibly drunk man decided to tell us he was fifty-three and “full of sh*t” whilst clutching a bottle of stolen red wine. He proceeded to dance in a slightly intimidating way whilst we busked on the high-street. He was also keen for us to play anything by The Doors.

What advice would you give to new artists coming through?

Take your music seriously - but never take yourself too seriously (smiles).

IN THIS PHOTO: Rews

Are there any new artists you recommend we check out?

Definitely worth checking out Rews! They're an awesome duo we've all discovered independently, and absolutely love. We've even had the pleasure of supporting them recently!

Do you get much time to chill away from music? How do you unwind?

Music is, essentially, our lives; our way to unwind from the stresses of the real world. When Billy's not music-ing, he likes to chain-cook roasts. Ed drives his van in circles around Milford when he can. Donna's been learning Spanish and Russian recently and Matt wanders around different ASDA stores to look at all the things.

Finally, and for being a good sport; you can choose a song and I’ll play it here (not any of your music - I will do that).

Rews – Shake Shake

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Follow Fuzzwalker

Official:

http://www.newdivisionmusic.com/

Twitter:

https://twitter.com/fuzzwalkerband

Instagram:

https://www.instagram.com/fuzzwalkerband/

Facebook:

https://www.facebook.com/FuzzwalkerBand/

Spotify:

https://open.spotify.com/artist/70x7C8JrmDBq6oK5yv2Mky

SoundCloud:

https://soundcloud.com/fuzzwalkerband

YouTube:

https://www.youtube.com/channel/UCDBLedzsQeCQeXu9JP_mthw

Bandcamp:

https://fuzzwalker.bandcamp.com/

INTERVIEW: The New Division

INTERVIEW:

The New Division

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I have been speaking with The New Division…

about the incredible new track, Jealous. The project is the moniker of L.A. songwriter John Kunkel – he reveals his path into music and what inspires him. With an impressive body of work under his belt; I ask what comes next and how his latest work differs from his previous stuff – he talks about touring and his start.

I was curious to discover what we can expect from the upcoming E.P., FADER, and what the scene is like in L.A.; how Kunkel met the band he plays with on the road; how he spends any time away from music – he ends the interview with a great song choice.

___________

Hi, John. How are you? How has your week been?

Great. Thanks for asking!

For those new to your music; can you introduce yourself, please?

Sure thing. I’m John Kunkel and I’m the lead singer, songwriter and producer for The New Division.

 

Jealous is your new track. Can you tell me how it all came together? Is there a story behind it?

I don’t remember the exact moment of when I wrote it, but I recall wanting to write a Pop-driven song and had sketched out some early ideas for it around 2016. Over the course of the past year or so, I worked on it gradually and had my co-producer, F.J. DeSanto, come in and help with the arrangement. As with all the songs on this record, he was pivotal in bringing them to life!

It is taken from the upcoming E.P., FADER. What sort of themes and songs can we expect from it?

FADER touches on several experiences - but also deals with some more narrative-driven topics. I like to write my songs as stories, meaning they’re a mix of the personal and fictional.

You have released several E.P.s so far. How do you think you have evolved as a songwriter through those releases?

I feel like I’ve evolved into a more self-conscious songwriter, for better or worse. When I started New Division all those years back, it was a lot easier to write whatever I felt as there was no ‘standard’ - and it was almost natural in a way.

Nowadays, everything feels overly-calculated. In some sense, it’s not as fun as it once was - which is a sign I might need to take a break and work on some other projects. That’s not to say however I don’t like writing songs as The New Division; it just means there’s more pressure to write better songs and that pressure isn’t necessarily conducive towards that goal.

L.A. is where you are based. Is it the best place in the world to make and release music, do you feel?

I think it’s a great place for both.

I’ve, personally, never really recorded much in L.A.-based studios; I do everything from home. As far as releasing music, unless you’re signed to a label based out of L.A.; I don’t see there being much of a difference where you’re located. Since I self-release everything, it doesn’t affect what I do either way. However; L.A. is very inspirational and the weather beats anywhere I've been.

Give me an impression regarding the artists you hold dear. What sort of music do you listen to away from your own? 

Depeche Mode has always been the Holy Grail of lyrics and songwriting for me, while New Order has been what I’ve strived for as far as musical energy, rawness and Pop-songwriting goes. Their arrangements are (really) unique and their care-free attitude translate incredibly into their body of work...

As far as music I listen to outside of my own, I spend a lot of time playing ambient and down-tempo stuff such as Billow Observatory, Steve Hauschildt; Emeralds, Tangerine Dream; Terry Riley, Leandro Fresco; The KLF, The Orb and loads more. I also really have a love for Trance, House, and Techno when it comes to Dance music.

Vaporwave has also been a huge inspiration for me as of the past couple of years. As far as a few honorable mentions: Com Truise, Jon Hopkins; Brian Reitzell, Disasterpiece; Underworld, Vangelis; Massive Attack, Gus Gus; The Jesus & Mary Chain, Röyksopp, Air; Future Unlimited, Gustavo Cerati; Oasis, The Chameleons; Black Swan Lake…and the list goes on and on.

Do you have any gigs lined up? Where are you heading?

We’re planning an East Coast tour and a couple of dates in Germany this year, which I’m excited about.

Will you come and play the U.K.? Have you ever been over here?

We’d love to come to the U.K. It’s on our bucket-list for sure so, hopefully, we can make it out soon. I’m a huge fan of the U.K., so it’s a must.

I believe you have a band you play with on the road. How did you come to meet them?

I met everyone at different times, but Janzie (Keys/Synths), I met in college back in 2005 and have remained friends ever since. Alex (Drums) came to one of our shows in Santa Monica probably in 2012 and, at the time, we didn’t have a drummer, so he joined right away.

Danny (Bass) grew up with Alex and had played in bands together before ours. He joined shortly after Alex. James (Guitars) and I met through his solo project, Missing Words. I produced his first E.P. and we became friends during that whole process.

What do you hope to achieve in 2018?

On an artistic level, I hope to write more and complete more tunes. It’s been hard finishing songs lately due to a hectic schedule. I want to be more focused, creatively, which can be hard when you’re working on several productions for any number of people or companies. So, yeah; I just want to write better songs and feel like I’m contributing something to the wider Indie/Electronic community.

Have you got a favourite memory from your time in music – the one that sticks in the mind?

We played a show back in Houston, TX a few years back. We played on my birthday and I got to celebrate that during the show with our fans who were there. That was a really special moment for me. One I’ll never forget.

What advice would you give to new artists coming through?

I’ve given this advice to a lot of people but no one seems to take it (for whatever reason)…but, I think it’s pretty important when you’re starting out: if you can write, produce and sing your own music, then don’t involve others into that project until you are ready to finalize it.

I think collaboration is great when you’re working on a ‘collaborative’ project where everyone’s involved from day one but, when it's your own, be the sole creator of it from start to finish.

If I hadn’t done that when I started New Division, the project would’ve likely died out very fast and I wouldn’t have been able to make a living off of the songs I’d written. Just imagine trying to split a record five or six ways with your bandmates when your total royalties are under $800 a month. Good luck trying to make rent…

That’s not to say you shouldn’t get advice, feedback or have a producer work on your record. It just means, if you’re going to put all of your time into a project and you can do it all on your own, why involve anyone else? If you want to collaborate with your buddies, set up a side-project where everyone does their fair share of work.

Just my two cents on the matters...

IN THIS PHOTO: George Clanton/PHOTO CREDIT: Brian Hamelman 

Are there any new artists you recommend we check out?

Yes. I’d highly recommend George Clanton, Dark Dark Dark; I love Parallels, MUNA - and there’s a few more I can’t remember but, yes, there’s loads of good music coming out this year!

IN THIS PHOTO: MUNA

If you had to choose the three albums that mean the most to you; which would they be and why?

Oasis – (What’s the Story) Morning Glory?

This record propelled me to form my first band at thirteen; so that one’s easy.

Lost in Translation (O.S.T.)

If it weren’t for this film, I would’ve never discovered The Jesus & Mary Chain, My Bloody Valentine; Sébastien Tellier and Death in Vegas.

New Order – International

This was my first introduction to New Order; a greatest-hits collection. Without this compilation, I probably would’ve gotten a bad introduction to them.

Do you get much time to chill away from music? How do you unwind?

When at home, I have to make a concerted effort but, when I do, I like to play Fallout 4 (or any other similar game). As far as traveling goes, camping is a great way to unwind. It’s relaxing and one of the best ways to disconnect from the outer world.

Finally, and for being a good sport; you can choose a song, and I’ll play it here (not any of your music - I will do that).

Sure thing. This song has been on-repeat for years now, so figured I’d share it with you: Arnej - People Come People Go (Original Mix)

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Follow The New Division

Official:

http://www.newdivisionmusic.com/

Twitter:

https://twitter.com/TheNewDivision

Instagram:

https://www.instagram.com/thenewdivision/

Facebook:

https://www.facebook.com/thenewdivision/

Spotify:

https://open.spotify.com/artist/1Cb9Edoxp02mgY0VWVlwQo

SoundCloud:

https://soundcloud.com/thenewdivision

YouTube:

https://www.youtube.com/channel/UCboaQiuakgLsaHfkchx8pnQ

INTERVIEW: Bahari

INTERVIEW:

Bahari

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A fantastic song that ranks…

among my absolute favourites; I have been looking to speak with Bahari about their cover of Buffalo Springfield’s For What It’s Worth. They bring a special and personal take to the song. I have been asking the American group about their foundations and what they have planned; whether they are playing the U.K. later this year – what sort of music drives and moulds them.

I ask about their advocacy of gun control and whether, they feel, the U.S. is in a state of trouble. They discuss their formation and give advice for new artists – recommending a song to end the interview with!

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Hi, guys. How are you? How has your week been?

Amazing! Thank you

For those new to your music; can you introduce yourselves, please?

Hi. We a Bahari. I’m Sidney; I play guitar and sing. I’m Natalia; I play bass and sing. I’m Ruby; I play keys and sing as well.

I am interested why you chose to cover the Buffalo Springfield classic, For What It’s Worth. Is this a song you all grew up around?

We grew up listening to this song because all of our parents were into Classic-Rock. We definitely think the world could use it right now.

Your version is touching but powerful. Did it take a while to get the studio version down? What do you think of the final mix?

Making the track took a bit of time to perfect but singing it came so natural to us. We LOVE how it came out.

Will there be more material coming from Bahari? What are you working on?

YES! We have been in the process of writing an E.P. We have almost all of the songs done and we can’t wait to share!

How did you all find one another? Take me back to the start…

We all had our own connections with our producers, Rock Mafia. We met each other there and immediately clicked. We started writing together and the rest is historyyyyyy.

You are advocates of gun control and non-profits such as March for our Lives. Do you think now, more than ever, America needs to tighten its gun control?

Absolutely.

How do you feel Trump and his people are dealing with gun-related atrocities?! Is it quite worrying living in America right now?!

It’s disappointing that children and peoples lives have been taken and affected so greatly by gun violence - and things are yet to change.

I feel music brings people together. Do you feel you can make sense of the world, and bad situations, through performance and songwriting?

Yes. Music is universal and so important in bringing people together.

Can we see you tour soon? What gigs do you have coming up?

We hope to be touring once the E.P. is out! As of now, we are going to be playing around in L.A. We have a show scheduled for April 24 at The Moroccan Lounge.

Will you come to the U.K. and play this year?

If you’ll have us! Haha!

What do you each hope to achieve in 2018?

To get our music out and to play as much as possible! We can’t wait!

Have you all got a favourite memory from your time in music – the one that sticks in the mind?

All of our favorite moments were playing live on tour.

What advice would you give to new artists coming through?

Don’t be afraid to stand up for what you believe in and use your music to touch people - because it really makes a difference in the world.

IN THIS PHOTO: Elohim

Are there any new artists you recommend we check out?

Yoshi Flower and Elohim!

Do you get much time to chill away from music? How do you unwind?

Our chill time is music! We all live together, so we basically always are playing or listening to music.

Finally, and for being good sports; you can each choose a song and I’ll play it here (not any of your music - I will do that).

Natalia: Gone by Harry Hudson

Sidney: Saviour by George Ezra (ft. First Aid Kit)

Ruby: Panic Attacks by Elohim (ft. Yoshi Flower)

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Follow Bahari

Official:

https://www.bahari-music.com/

Twitter:

https://twitter.com/Bahari

Instagram:

https://www.instagram.com/bahari/

Facebook:

https://www.facebook.com/baharimusic/

Spotify:

https://open.spotify.com/artist/0fs8oBR1rx7JIXZi75h7Uu?si=bb_9Ma0bSYiTcGcAotENag

SoundCloud:

https://soundcloud.com/bahariofficial

INTERVIEW: Bokito

INTERVIEW:

Bokito

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THE lads are always up for a laugh…

and give a great interview! I have been speaking with Bokito about their latest smash, Love Gotten, and whether any more material is brewing. They discuss how their music has evolved and all the sounds they put together; if they have a treasured memory from their time in music; what they do to unwind – if there are some new artists we need to spend time with.

The guys tell me about their plans regarding gigs; whether they feel the mainstream, and big festivals, is getting a bit too predictable; what they hope to achieve before the end of the year – some of the artists and sounds they all grew up on.

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Hi, guys. How are you? How has your week been?

Moses: How’ya! It’s been a busy-mad week!  

For those new to your music; can you introduce yourselves, please?

Moses Moorhouse: We are Bokito. We’ve been described as 'Tropical-Indie' or 'Alternative-Pop'. Both, I can reluctantly agree with! We are best known for our lively gigs. I’m Moses, the vocalist.

Tom Houghton: I’m Tom. I play drums.

Sam Cahilan: Hello. I’m Sam. I play keys (I’m the DJ Lethal of the group).

Joe Mashitter: I’m Joe - guitarist.

Jody Lahart: I’m Jody - bassist.

Love Gotten is your new offering. Tell us the story behind this song…

Moses: It’s a song about a big ol’ bout of selfishness and desperation; how leaving one relationship and then diving straight into another, without really learning lessons or spending the time to grow, can leave a world of hurt around…

Bar that, musically, it’s our most fun song yet!

It mixes Afrobeat and Irish sounds together. That seems like a rare concoction in music. Does that reflect your heritage and musical tastes?

I don’t know if that is that rare back home! Irish music (specifically modern) to me isn’t so much ‘diddly-di-di’ and Lord of the Dance as much as it is what the Irish do best, which is to bastardise. You have bands like Republic of Loose or Messiah J and The Expert – or, even more popularly, U2 - who have taken all these influences and meshed them together to create their own sound, mainly because we don’t have the influences and music scenes to grow up around initially. I think that's why we are drawn to a lot of African music so much, because their interpretation of Funk, Disco and Blues is just so charming and distinct from American.

So; I do think it reflects our heritage, but not necessarily in the traditional way.

I get the impression you have a blast in the studio! Is there an infectious mood when a song like Love Gotten is being laid down?!

Joe: Definitely. We’ve been getting more and more comfortable in the studio and now we feel very much at home there. We really feed off each other’s energy and, as soon as the drum and bass tracks are down, the groove grabs us and the ideas flow. Our producer, Ben, is a calming influence and seems to know how to harness that energy into the track – so, we have a nice working relationship there.

Moses: There’s never a boring moment in the studio, which is surprising when you listen to the same song about 300 times in one sitting! But; we all are on the same wave creatively and it’s an addictive feeling.

Will there be more material from Bokito this year?

Oh lord, yes.

IMAGE CREDIT: Julie Moorhouse

Do you think you have made leaps since your first couple of songs? How do you think you have evolved as a band?

I feel so. We have developed, essentially, a whole new set since recording the first song, Better At Getting Worse, and the biggest difference is that we have all made these songs together and not just myself having something written before coming in. The evolution seems to be the defining style, but the diversity of the lads’ individual sounds working in each song.

Can we see you tour soon? What gigs do you have coming up?

Agh. We get this the whole time! No tour yet but it’s coming, I promise! Once we have a couple more tracks released, we can justify visiting a few cities around the U.K. and Ireland.

In the meantime, we do have a few gigs coming up...

Most likely the one you’ll be able to see by the time this is released is in Strongroom Bar & Kitchen on 27th May.

What can one expect from a typical Bokito gig? I can imagine it is quite a riot!

Joe: Our gigs very much depend on where in the line-up we play. If we are the support, then it tends to be a mostly listening audience, with a few people moving a bit (they’re still sober at this point!).

If we headline or go on later, then we are determined to get the whole crowd bouncing and, by the time we play our closer (Hoochie), it can be outright carnage on the dancefloor - which is fun for us, especially when they try to imitate Mo’s dance moves!

Moses: Oh, you betcha! Expect swinging hips, lively music; lots of ginger-haired men and a (usually) drunk audience. If there is one thing we can brag, is that we are a lot of craic live.

Is it quite hard, given the styles of music you fuse, to get gig attention from mainstream events?! Do you think mainstream festivals need to open their ears and minds when it comes to the headliners they book?!

Jody: We're still in our infancy as a band and aren't really on major festivals radar just yet. We'll be releasing lots of music this year so, hopefully, next year we'll be right up there.

I do think mainstream festivals lack imagination when it comes to headline acts: Coldplay/Muse/Metallica/Foo Fighters seem to have been headlining all U.K. festivals for the last ten years

What do you hope to achieve, as a band, in 2018?

Tom: In 2018, we hope to get on some of the major festivals. We want to start performing our music to a wider audience in an environment we think we are well suited for - due to the energy at our shows.

Have you each got a favourite memory from your time in music – the one that sticks in the mind?

Tom: I was celebrating my 30th birthday and we played a stonking set at Whelans in Dublin and all the fun that came after that show…it was immense.

Jody: I'll have to go with Tom. The gig we played in Whelans was special. It was the first time my family and friends from home got to see us. A great night was had afterwards.

Moses: Dammit guys, that’s mine, too! That, or the second time we visited Ireland for the Hard Working Class Heroes festival. It was incredible because of that unique feeling you get from an Irish crowd. I felt I met my match.

Joe: Playing live is the pinnacle of playing music for me, so I’d have to say our set at The Great Escape festival in Brighton. It was an early slot but the venue was packed and there was a great vibe in the room. We were really on our game and got a great response from the audience. Awesome feeling.

Sam: For me, it's when we played at Tooting Tram and Social. I hadn't been with the band for too long and it was probably the first time I heard a crowd proper belting out our lyrics back to us. To hear that was pretty special.

What advice would you give to new artists coming through?

Moses: Leave the ego at the door in rehearsals and the studio and then take that ego in full force when you play live. It makes both experiences a whole lot more enjoyable.

IN THIS PHOTO: Good Guy Clarence

Are there any new artists you recommend we check out?

Jody: We gigged with Good Guy Clarence recently - they were class.

Moses: Oh ya, they were CLASS.

Do you all get much time to chill away from music? How do you unwind?

Tom: I like Sci-Fi movies and taking the pooch out for a walk in the forest.

Sam: I teach, so I get school holidays to chill. So, for me, that's sitting down with a big cup of Earl Grey tea and eating a whole pack of biscuits.

Moses: I’m a filthy Playstation fiend, but find solace in jogging.

Finally, and for being good sports; you can each choose a song and I’ll play it here (not any of your music - I will do that).

Jody: Metronomy - Mick Slow

Joe: Sylvia Says - Charlotte Gainsbourg

Sam: Tayutafu - Susumu Yokota

Tom: Lines -The Hics

Moses: Rejjie Snow (ft. Caroline Smith) - 23

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Follow Bokito

Twitter:

https://twitter.com/Bokitoband

Instagram:

https://www.instagram.com/bokitoband/

Facebook:

https://www.facebook.com/bokitoband

Spotify:

https://open.spotify.com/artist/4HttgOXydeewsSHPPF22tb

SoundCloud:

https://soundcloud.com/bokitoband

FEATURE: Spotlight: Amber Mark

FEATURE:

 

Spotlight

 PHOTO CREDIT: Immstagramer 

Amber Mark

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IF you have not affiliated yourself…

IMAGE CREDIT: Getty Images

with the brilliant Amber Mark; ensure you correct that and get involved with her music. The New York-based artist has come a long way since her beginnings. A couple of years ago, Noisey spoke to Mark and asked where she recorded her music:

“What's the most enjoyable part of the process for you?
Yes, 90 percent of the times it's been in my bedroom. I've had the opportunity to work with other producers, but I feel I've produced my best work on my own, such as Space. For me the most enjoyable part would be the production side. Don't get me wrong, I have many days where I sit for hours and get nowhere. But when I feel the beat is good and I'm vibin' with it, its almost a mediation for me”.

Love Me Right is the songwriter’s current gem and shows what development and evolution have taken place since her introduction. It is a mix of eclectic, tropical beats and a summer-ready feel; vocals that are chocolate-rich and divine. One gets impressions Erykah Badu and some of the finest female artists of the past couple of decades. It is a brilliant song and one that shows she is ready and able to handle everything chucked her way. There is a lot of interest in the American songwriter at the moment.

PHOTO CREDIT: Rachel Cabitt/Pitchfork

Handling devastating loss can be tough for all of us. There are artists who tackle that pain and channel it into terrific music: most like to retreat and not really open up about it. Amber Mark lost her mother in 2013 and, following her death, poured her talented and sadness into music. What arrived from that transition was a stunning sound and imaginative palette. Her first track, S P A C E, was released last year and proved an instant hit with critics and fans. It was like nothing out there and, listening to it the context of her current material; one can hear that confidence and talent early on – she has grown and blossomed since then, too. Zane Lowe picked up her music and, after a few months, so many people were flocking her way. Her debut E.P., 3:33am, is out (released last year) and demonstrates what a consistent and alluring proposition Mark is. Each of the tracks on her E.P. is about stages of grief. There is the dealing of isolation and grief; having to accept things and realise she (her mum) is gone. The number ‘three’ plays a big part in Amber Mark’s life – she was born in 1993; her brother in 1983; her mum died on 3rd June, 2013. The aspiring star has managed to turn that anger and loss into something genuinely brilliant and spiritual. There is a lot of maturity and confession in the E.P.

Amber Mark has been hot on the interview trail and has not long left the U.K. – promoting a song, one hopes, leads to another E.P. She has taken advantage of some our best spots and, fingers crossed, she comes back and plays real soon. The New Yorker will not have a lot of time to get to the U.K. – what with 3:33am loved by many and gaining a lot of traction. The young artist, I know, was obsessed with Michael Jackson growing up. One can imagine her parents playing some great vinyl and exposing the impressionable music lover to wonderful sounds. Based in the U.S.; Amber Mark is competition with some incredible artists. We have brilliant Soul and Pop artists out there – to me, there is something different, refreshing and long-lasting about Mark. She has the strength and fortitude to bridge any problems and tackle the barriers and strain of the music industry. Mark breathes tenacity and natural spirit, which means she can negotiate any hard sell and cheating tongues – get her music out to the world and navigate her way through music on her own terms. Mark recently talked to Pitchfork about making the E.P. and how it got started:

“I didn’t really have the intention of writing an EP. “S P A C E” was one of the first songs I’d ever written, mainly because I had been dealing with a bunch of emotional roller coaster shit within myself. That was a way I could express myself properly, and it felt like a release. I was also really frustrated with myself, because I knew I wanted to be in music and to write music, but I wasn’t finding any producers that were working for me. So I just took matters into my own hands. Someone had given me Logic, and I started to do it all on my own. Writing by myself in my bedroom is definitely where I feel most creative”.

IMAGE CREDIT: Getty Images/Amber Mark

She went on to assess what the E.P. means and how she wants 3:33am to connect with other people:

“I want this EP to have a bigger meaning, and I want people to feel even more emotional with this than they did with the previous one. Like, I still have drama. It may be all, like, love drama now. But it’s still drama”.

Mark will tour through North America through the spring and summer. It looks like we can expect her back in the country later in the year. Many fellow songwriters will take guidance from her and be inspired by what she is doing and the sound she throws done. There are elements of Sade – who she has covered and, after being written to by Mark, recognised her as a torchbearer and natural soul – and you feel, when listening to any of her songs, alive and exposed at the same time. Her seven-track E.P. talks about everything from drinking heavily and losing patience; having to shoulder the loss of an idol and assimilating grief and numbness into her life. One might read those words and assume everything is gloomy and hopeless. Instead, what we get is an E.P. filled with hope and passion. Amber Mark’s voice has so many layers and colours constantly bubbling, fizzing and swooning.

I cannot wait to see where Amber Mark goes and how the music world reacts to her. She is not naïve and an ingénue artist: there's a fierceness and understanding that goes into confident and assured music. One listens to her perform and it is like she has been doing this all her life. I can imagine her domestic scene being rather adventurous and fun. She revealed in an interview – with NME, I think – her boyfriend neglecting to put down the toilet seat is bugging her! You can sense that charm and humour that emanates from Mark. More than anything; in a year where female artists, in music and other industries, have to fight harder for recognition – it is humbling seeing Amber Mark among the leading voices in music. Barely singing a word; she proves what incredible female talent there is in music right now. There is a definite gap in the industry that requires filling: the sumptuous vocals and deep songs of Amber Mark are there to take the breath and resonate with the listener.

PHOTO CREDIT: Mon Mon Dieu

3:33am is out and, rightfully, it has accrued some massive love. This is the first big time for Mark and her career. From here, she hits the road pretty hard and will get to see a lot of new faces. I hope she is okay and gets some great reaction. I am confident people will fall for her music and take her to heart – it is only right! I am a big fan for a number of reasons...Mark has that intriguing and engaging personality that makes you want to listen to every word she says. The music gets into the soul and is unlike anything out in music. Finally, and importantly, there is a durability and a sense she will continue to reign and influence decades from now. I can hear that star quality and iconic sound from her debut E.P. If you have the time, and are so inclined; let 3:33am fill your ears and see why so many people…

IMAGE CREDIT: Getty Images

ARE tipping her for big things.

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Follow Amber Mark

IMAGE CREDIT: Getty Images

Twitter:

https://twitter.com/Amb3rMark

Instagram:

https://www.instagram.com/instagramber/

Facebook:

https://www.facebook.com/AmberMark/

Spotify:

https://open.spotify.com/artist/0tbeZu9lv8YEKSQ9tZSslu

YouTube:

https://www.youtube.com/channel/UCMpn3xVjGSB8zztwLjENjvw

SoundCloud:

https://soundcloud.com/ambermark

FEATURE: The Seasons Change: The Spring Playlist

FEATURE:

 

The Seasons Change

 ALL PHOTOS: Unsplash 

The Spring Playlist

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YOU cannot help but notice the weather is changing…

and things are getting warmer and brighter! Sure; we have wet conditions and cloudy skies but, by and large, the weather is turning and people are dispensing with their winter clothes. I have been making plans and getting quite comfortable with the improving sky. Spring gives us all a chance to reflect and get outside; be more optimistic and reveal in the longer days. With the changing season comes the possibility of festivals and experiencing more music. I have been thinking about spring-related songs and sounds that put me in mind of optimism, warmer days and the changing light. Here, before we start a new working week, is a list of songs that, I hope, put you in the mood for spring. Sit back, relax and let these songs – regardless of what the weather is doing outside – to put you…

IN a better mood.

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