FEATURE: The April Playlist: Vol. 3: As Record Store Day Takes Hold…

FEATURE:

 

The April Playlist

IN THIS PHOTO: Father John Misty 

 Vol. 3: As Record Store Day Takes Hold…

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THERE are a lot of people stepping up…

IN THIS PHOTO: Bishop Briggs

their passion for music today! Record Store Day is here and, with it, fervent and feverish crate-diggers will be out in force – getting their hands on all the re-releases, new offerings and classic vinyl. Away from the throng of record store heat are the best new songs from the world of popular music. There are cuts from Father John Misty and Ariana Grande; Janelle Monáe and Leon Bridges; The Coral and Courtney Barnett – a rare and unexpected release from Mazzy Star has gifted our ears this week!

It is an exciting, packed and big-name week for music that sees the likes of Anne-Marie and Blossoms stack up alongside Prince, Bishop Briggs and Miles Kane – something, you’ll agree, for everyone!

ALL PHOTOS/IMAGES (unless credited othewrise): Getty Images

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Father John Misty – Just Dumb Enough to Try

Anne-Marie – 2002

PHOTO CREDIT: Sara M. Méndez

Miles Kane – Loaded

Janelle Monáe – I Like That

Ariana Grande – No Tears Left to Cry

Blossoms – There’s a Reason Why (I Never Returned Your Calls)

Prince – Nothing Compares 2 U

Billie Eilish, Khalid - lovely

Leon Bridges – Beyond

The Coral – Sweet Release

Courtney Barnett – City Looks Pretty

Grace Savage – The Hunger

Kelsey Lu – Shades of Blue

Louise Golbey – Still

Lykke Li – deep end

Mahalia – No Reply

Mazzy Star - Quiet, the Winter Harbour

Morrissey – By the Time I Get to Wherever I’m Going

Sasha Sloan – Runaway (Vertical Video)

 

The Vamps – Hair Too Long

Alexis Taylor – A Hit Song

PHOTO CREDIT: @lindseybyrnes

Bishop Briggs – Wild Horses

The Paper Kites – Arms

The Shires – Loving You Too Long

PHOTO CREDIT: Rahi Rezvani

Editors – Darkness at the Door

AURORA – Queendom

Let’s Eat Grandma – It’s Not Just Me

Ben Howard – Towing the Line

The Tallest Man on Earth – Somewhere in the Mountains, Somewhere in New York

Morgan Saint - Just Friends

Daughter - All I Wanted (Live at Asylum Chapel)

JONES - Tender (Acoustic in London)

Kylie Minogue (ft. Gente de Zona) – Stop Me From Falling

The Pale White – Peace of Mind

TRACK REVIEW: Gypsyfingers - Half World

TRACK REVIEW:

 

Gypsyfingers

Half World

9.5/10

Half World is available via:

https://www.youtube.com/watch?v=mNqJSlL3tk8&feature=youtu.be

GENRES:

Folk-Rock; Pop

ORIGIN:

London, U.K.

RELEASE DATE:

20th April, 2018

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IT has been a little while since I last reviewed Gypsyfingers…

but they seem to have lost none of their step and magic. I will talk about their new song, Half World, in a minute but, before then, I have a few things to talk about. I wanted to talk about changing dynamics and sounds; duos who have a clear connection and understanding; how Folk is expanding and subverting expectations; bringing physicality and dance into music; building a reputation as live performers; where Gypsyfingers go from here; the rare inspiration behind songs. I have featured Victoria and Luke Oldfield before when they released their album, Circus Life. I was mesmerised by the record and was blown away by all the sounds and beauties working away. The rich interplay between Victoria and Luke; the incredible songwriter that mixed fast-flowing raps and luscious acoustic music. In many ways, Gypsyfingers remind me of a modern-day Fleetwood Mac. There are other artists who have similar sounds to Gypsyfingers but, when you examine the duo carefully; they have extra strands and dynamics that take them beyond the simple rivals and those who aim for something big. Circus Life is a remarkable album but, on their latest song, there is an indication the sophomore album will be even richer and more astonishing. On Half World; one gets the impression touring and extra time has added to the locker of Gypsyfingers. That brings me back, actually, two artists: Fleetwood Mac and Kate Bush. The former, in this case, can be brought in when it comes to comparing Circus Life’s sounds and what we can expect going forward…think the transition between Rumours and Tusk. It sounds like irony – considering Circus Life and Tusk have elephants in common – but I mean there is a toughening and added confidence in Gypsyfingers’ latest sounds. They have added to the brilliance and innovation of their debut album and now, listening to what they are creating now; I hear added muscle, production genius and naturalness. I cannot wait to digest the rest of their album but, on Half World; there is something magical and exciting we can digest. Luke and Victoria have been touring a lot since their album and have, in that time, sipped from the waters of current music and seen what others are doing.

They have quenched a thirst and sojourned to the studio. In the time between then and now – 2014 to April, 2018 – there has been a lot brought on board. Some might say a four-year gap is a long time between records but the time has been spent crafting something that seems natural to them. Mainstream artists are a bit hit-and-miss when it comes to leaving that sort of gap. Royal Blood and London Grammar failed to add anything to their debuts when they left a three/four-year break. The same, I assume, cannot be said of Arctic Monkeys. The Yorkshire band is back with a fresh album very soon and, you know, it will live up to the marker laid down by AM. One of the reasons I feel Gypsyfingers will satisfy the demand and justify the pause is because they have spent their time working on something that departs from their album. I can hear aspects of Circus Life on their latest single but, when you dive deeper into the song; there is nuance and sounds I did not notice before. Maybe it is the extra experience of being on the road but, when you keep hearing the song; I feel it is the strength of the lyrics and how much the song means to the duo. I said I would mention Kate Bush – I know I said I’d cool it on the Bush references but, as it is relevant, I cannot go back now. Bush saw her music expand and strengthen from her debut album, The Kick Inside – which, I maintain, is her finest L.P. – and really hit her stride by Hounds of Love (1985). That seven-year period saw her move through phases and take more control of her music. Although our duo has not had the same experience as Kate Bush; I notice a difference between the sounds of Circus Life and Half World. In a way; their album has more in common with the earliest work of Kate Bush: it is light and innovative and has that ethereal beauty running throughout.

Half World is a darker and, maybe, more mature work that has extra production layers and sees authority and confidence rule out. That is not to say Circus Life lacked oomph and wonder: I stand by the review when I said the record was one of the best of the year. Now, a bit further down the line, we are seeing the new phase of Gypsyfingers and where they are now. I will talk more about that but, right now, I want to explore duos again. If anything, duos are the most varied and nimble form of music in the world. I am articulating that a little hazily. What I mean is there is the freedom and mobility to explore new sounds and not be too beholden to festivals and what has come before. Luke and Victoria started making music together when they were dating – maybe only friends, I guess. They are now married and that would assume they’d be cemented and on the same page. One of the big reasons some bands split up is because members have different ideas in terms of direction and what they should be making. Many duos comprise married couples or lovers – that does not mean they are more secure and solid. If anything, there is a risk that closeness could compromise creativity unity. Victoria and Luke have been together a long time and have a democracy that works well for them. Whilst Luke is more involved with composition and production; Victoria is more in the forefront when it comes to the songwriting and lyrics (as she writes most of the songs). I may be jumping ahead when it comes to their writing but they each have their role and fulfil it wonderfully – even though Luke does provide vocals at times and the duo both work on music and ideas. Other duos, in other genres, have a different set-up and way of working. What connects all of them is that passion and understanding. I have reviewed the likes of Rews – a female duo – and it is that incredible friendship that leads to brilliant music.

Whereas solo artists are alone; bands are more driven by other factors…duos build their work on that close relationship and something means a lot to both. In the case of Gypsyfingers; Luke and Victoria have similar tastes and ideas; they are incredibly close and that love for one another comes through in their music. That closeness could lead to squabbles and disagreements – I have seen duos form cracks because there have been different agendas – but Gypsyfingers are one of the tightest and most together forces in music. One can detect this similarity and connection when listening to the music. I still feel duos do not get the respect they deserve. I have known Luke Oldfield a while now – he is the song of the legendary Mike Oldfield and a knob-twiddling super-producer who has worked at Toe Rag Studios – and know his past. I have been reading up on Gypsyfingers and it is their different backgrounds that, oddly, leads to that harmony and brilliance. Luke comes from a Rock background and, one feels, has spent more studio time with the likes of The Wytches (a Brighton band) and similarly heavy-hitting groups. Victoria has a Classical background and knowledge of dance. In a way – returning to my Kate Bush analogy – it is like Bush and Dave Gilmour (who was hugely influential when it came to her debut album) in the same group. You have that understanding of Rock and Alternative sounds and someone who brings expression and physical beauty to the songs. Many duos I see write in a similar way and share musical tastes. A reason why Gypsyfingers are so strong and varied is because of their disparate and eclectic starts. When you melt Victoria’s seduction, dance and beautiful voice with Luke’s production, musicianship and history – you get a fantastic brew that surpasses everything I can see out there in the music market.

It would be naïve to simply label Gypsyfingers as ‘Folk’. Sure; one can hear elements of Folk artists and acoustic sounds but they are more than that. Luke and Victoria have taken the genre and added their own musical backgrounds to the genre. On Circus Life; I noticed Kate Tempest-like Rap and Hip-Hop with Fleetwood Mac-nodding sounds. The record was full and lush; it retained its core and foundations but was not as restrictive and narrow as some Folk albums. That record was laid down at Tilehouse Studios. It is a space created by Mike Oldfield that houses vintage recording equipment and a beautiful scene outside the door. It is nestled in countryside and is perfect for those who want to study and knuckle down in the studio; relax and detach when they have finished for the day. That may sound like an odd digression but, when you hear the music; that contrast comes through. Gypsyfingers have that connection with nature and their take from the world around them. I hear that bond with nature and spirituality; the grace and perfection of the outside air. They mix that style and inspiration with what older technology boasts: a nod to past music and how artists used to work. On Half World, for instance; you hear the crackle and nostalgic pull of the production with the nature-explosion of the vocals. By that; there is a pulling together of classic and vintage music with the here and now. Gypsyfingers are not a duo who are drenched in nostalgia and want to return to the past: their music operates in the present-day but, given their upbringing and love of music; a nod to older sounds is only to be expected. I have seen many duos come and go – it seems like Gypsyfingers are here for the long run! The fact they have such depth and diversity in the ranks means they’ll have creative options for years to come. I have not talked about live sounds and how working on the road can strengthen what happens in the studio.

After Circus Life was unveiled; the duo embarked on extensive touring and visited a lot of different stages. They toured with James Blunt in Warsaw (in 2014) and did a three-week tour of Poland. They got a huge reception in Eastern Europe and were afforded the chance to connect with people who would not otherwise have got to hear the music of Gypsyfingers. They supported Tubular Bells for Two and are ready to strike on their own and get new gigs. In fact; they have Isle of Wight Festival (23rd June) booked and will head to Hyde Park BST (13th July). Those are huge dates and much deserved when you think about it! The fact they have visited new countries and fresh faces means all of those travelogues and sights assimilate into their new music. I can hear more depth and adventure in Half World. I have tipped my hat to a new album but, when the time is right, the duo will unleash that to the world. What I am expecting is something that builds from Circus Life’s expansive mind and curious heart and integrates all the threads and memories they have collected from the road. Touring and constant live gigs are reasons why artists strengthen and create their best work. I can only imagine what the duo will learn when they head to big festivals this summer. They will be on some enormous platforms and get the chance to play to thousands of people. Right now, they are in a great position and have a worldwide fanbase. All of these little boosts and bonuses have been brought into camp and go into their latest single. I will come to look at the song in time but, before then, I will remain on this theme. Many overlook how important gigs are when it comes to creativity and longevity. We are in a time when venues are closing and people fear irreversible damage will be done to the scene.

I am hopeful resurgence will occur and we will be able to retain the spaces we have out there. It is vital artists have somewhere they can play and new acts are able to cut their teeth – imagine what will happen to music if we are denied that! When Gypsyfingers hit the road – after their album was released – they had Patrick Kenneally supporting. He can play keyboard and drums at the same time – one might assume he has sticks being clasped by his testicles; the answer is a lot less graphic than that! – and bassist Tali Trow with them. Victoria, as a multi-instrumentalist, was on piano, French horn and guitars (with her vocal input) and Luke, as you’d expect, handled guitar duties and did vocals, too. That luscious and vast live experience meant Gypsyfingers were able to realise the sounds on the album and not have to compromise. After having that set-up and options at their fingertips; this has kept the creative flame burning and translated into the studio. What I hear now is even more bravery and inventive spirit of the duo. They have learnt new skills and been hit by other sounds. There is that distinct Gypsyfingers lustre and connection; it has been joined by other fabrics and feelings. It is hard to articulate, I guess – one needs to hear Half World and contrast that with Circus Life. You get all of the skills and experience of the performers in Gypsyfingers’ live performances. Victoria brings that dance and love of movement; Luke has that ear for epic performance – his old man’s influence comes into things – and, combined, there is an extraordinary show! You might wonder where the duo goes from here and how they will adapt. I cannot disclose too much regarding albums and future plans but, with a new song out; you know there will be a lot of chatter among fans. The duo has been busy since their debut L.P. and has been bringing their music to the people of the world. I am confident this year will be one of the biggest for them. There are fresh challenges and new stages to conquer; a sound that is more alive and stunning than ever – these are wonderful times for Luke and Victoria.

Victoria has expended words in regards Half World and it was her guitar experiments and noodling that sparked the song into life. One may assume, when it comes to guitar starts, it would be Luke that’d be behind that. It was Victoria’s that started things and the lyrics were influenced by news stories of migration and hostility. I am seeing artists compelled by what is happening on the news and how people are being overlooked. That title becomes apt and apparent when you think of the divisions and lack of humanity we are witnessing. The fact is this: we are living in a divided world and this is not the planet we want to see. Victoria was shocked and stunned by images from the news and how people can be so cruel. We should not live in a time when others are being discarded like trash and left to die – others have to fight their way to safety and negotiate a daily regime of bombing and violence. Victoria brought her sketch to Luke and that was then worked on in the studio. That germ and initial passion was given more body and direction when the two joined heads in the studio. The vocal ideas and marching footsteps were added to give momentum and guidance; Luke’s production gave the song unexpected elements – mellotron choir and ghostly sounds – but it all started from Victoria’s playing and observations. From Luke’s perspective; the new song picks up from where Circus Elephant (from Circus Life) ended. The big sound is aided by Pat Kenneally and Simon Hedges (bass); the song was featured in gigs when Gypsyfingers played Poland back in 2015. It has mutated and evolved since then but, from those earliest airings; people reacted and bonded with the song. The reason why the song is more relevant now is that more people are displaced and things are getting more callous in the world. The fact it has been played on the road and had the chance to expand and wander goes into the studio recording. It started life as a big, live-sounding song and has been kept in-tact in the studio version. It is a fascinating birth and progression that makes me think deeply about how music evolves and where inspiration comes from.

There are lips sour and worn by the dust and battle cries. There is a war and river running through her eyes and one gets big scenes and epic imaginations coming through. Half World begins with a gorgeous rippling and entrancing notes. Piano trickles and there is a build-up that gets into the mind and compels the spirit. It is a gorgeous and enticing opening that gets you thinking and produces an immense amount of atmosphere. Percussion and unexpected notes add physicality, emotions and new layers to the song. Victoria’s vocal is strong and focused. There is a sadness and seriousness that mixes with the beauty and sense of wonder. When one listens to the lyrics; you hear about boats left to dry and souls hovering in the sky. It is haunting to think but, when looking at the thing that influenced the song – migration and humans being left to die – you get a much larger and more striking view of the song. It is shocking to imagine people struggling to find safety and taking immense risks. The way Victoria delivers her words and builds those visions into the mind is staggering. Luke’s production and musical input give the song a physicality and depth that means every listener will involve themselves and get thinking. The video demonstrates new steps for Gypsyfingers. Their visual elements are more stirring and ambitious. At the start, we see Victoria walking along and the camera following her. That scene and setting mirror the relative calm of the opening moments. The song seems to take on personal relevance and meaning as it goes on. The heroine runs and is tracked through woodland; the visions match the lyrics and we cut between different settings – Victoria running and looking to the horizon. The narrative turns away from the news and ideas of immigration and to something more personal. She is still inspired by the need to change and make the world better – the horror and shocking scenes have made her look inside her heart and make improvements.

Maybe we all get humbled and stunned by seeing others struggle and endure hardships. We think about ourselves and wonder whether our quibbles and complaints are justifiable. The percussion becomes heavier and the piano picks up speed. The heroine keeps the beauty and passion of the song solid but heightens and flies with the song. The video sees her in woodland, dancing in the sun; we cut to a bath where she gets in fully-clothed. In the song itself; there is a tightrope and things were good until the need we/he fell off. I think of these words as a metaphor for a security and safety that has now gone. Maybe there is a personal insecurity and transition that is being documented. In my mind; there is a look out at the world and the feeling life is not as safe and happy as it should be. The world is splitting and there is a clear divide between the privileged and those who have to struggle to live. You can hear those expressions of upset and wonder – where are we headed and how will the world change?! The mind is split between the personal doubts and anxieties and projection of the wider world. There are little elements of Muse when one hears the symphonic piano and drums clash – it is an interesting brew. If the demo for the song was influenced by news stories and displaced souls; there is more working away in the studio version. Our heroine has inspiration in her heart and is going through a change. It is hard to say whether hardships and stark images have focused her mind on music and making the most of her life; whether they act as a comparison to the wars and conflicts in her life. As the striking and memorable video moves along – images of the heroine in a bath and in the expansive openness of nature – you imagine different interpretations. Half World is a song that has a clear origin but its actual meanings can be interpreted differently by each listener. I was looking towards the heroine and how she has gone through phases and now, in 2018; there is a desire to change the world and make the most of her life. She is aware of the cracks in the planet and, maybe, she is casting her voice in the body of a migrant. They are looking at a better world and hope to reach some promised land. They see the way the world could be and that chance for happiness – getting into boats and risking their lives to escape poverty and war.

The duo have been playing together since 2010 and started as the solo project of Victoria  - she was living in Paris at the time. Victoria moved to London and was introduced to Luke Oldfield. This was before they were married, you understand. He offered to produce a debut Gypsyfingers album and lend his hand to the mix. Their partnership formed and became deeper from there. Rather than it being a solo offering from Victoria; the duo became closer and, by 2013, they were a concrete and connected duo. New sounds were brought into the fold and, in 2014; Circus Life was brought into the world. It is interesting seeing how Gypsyfingers has grown from Victoria’s moniker and taken on a new life in 2018. Now; the guys now have expanded their sound and are working as a four-piece. They have recruited Tali Trow on bass guitar and have a fuller sound. I have mentioned them as a duo because I am not sure whether they will operate as a four-piece on the road or studio too – and, whether any of the notes we hear on Half World were part of the new line-up. In any case; it seems like things are evolving and growing for Gypsyfingers. Those fresh additions and ideas will add to their arsenal when they head to the Isle of Wight and play big stages this year. Half World is the next chapter in the Gypsyfingers odyssey. They have made changes since 2014 and are growing bigger and stronger by the release. I have been following them since then – I was not aware of them prior to that – and can hear new inspirations and chemistry in the music. I cannot wait to hear what comes next and where Gypsyfingers will go. They are playing gigs over the coming weeks/months and it will be chance to see Half World brought to the world. I am not sure what they have marked in regards a new album and when it is coming out – one assumes the new single is the first step from their sophomore record. I am looking forward to watching Victoria and Luke’s duo grow and tackle new areas. Half World is a fantastic and fascinating song from an act that is amongst the finest in the music world. Once you hear Half World; you will be taken away and compelled to think more closely. I have been listening to the song over and over and still…

CAN’T get enough of it!

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Follow Gypsyfingers

Official:

https://www.gypsyfingers.com/

Facebook:

https://www.facebook.com/gypsyfingers/

Instagram:

https://www.instagram.com/gypsyfingers/

Twitter:

https://twitter.com/Gypsyfingers

Spotify:

https://open.spotify.com/artist/77ldPpauhUXAZGYT4abA8h

YouTube:

https://www.youtube.com/channel/UCQ1x8RNElu-Zb2_UvrMm9Ag

Soundcloud:

https://soundcloud.com/gypsyfingers

PHOTO CREDITS:

Sleeping pic by Julien Weber

Jumping pic by Alexandra Cameron

Clothes rail pic by Sally Low

Victoria singing pic by Sally Low

Sitting in grass pic by Alex Cameron

Band Dressing room pic by Sally Low

INTERVIEW: Dakota Danielle

INTERVIEW:

Dakota Danielle

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THE debut single is always…

an exciting and eventful occasion for any artist. I have been speaking with the American songwriter Dakota Danielle about One Church and what inspired it. She talks about the artists who have inspired her to take up music; what it is like living and playing in Nashville; whether there is more material arriving this year – I ask whether she will come to the U.K. and play.

Dakota Danielle tells me about her studies in Tennessee and what she has planned for the rest of this year; if there are new artists we should get our ears around; what the music scene is like in Illinois (where she hails from) – the songwriter talks to me about her favourite albums and what she does away from music.

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Hi, Dakota. How are you? How has your week been?

Hi! I am doing good (smiles). My week has been busy - but in a good way!

For those new to your music; can you introduce yourself, please?

Of course! My name is Dakota Danielle and I am originally from Teutopolis, IL. I graduated from Middle Tennessee State and have been living in Nashville for two years, now pursuing a music career.

Your debut single, One Church, is out. What is the story behind it?

This song is about my hometown. It has a population of 1600 people and consists of one church and three bars. This song was written about the common characteristics (you hear) small towns have, but yet, there is still something unique about the town I am from.

What was it like working with Mookie & Evan (and) Michael J. Clouse III on the song?

It was a lot of fun! They were great to work with! I felt like my song was in good hands the whole time and we all shared the same vision.

Is there going to be more material coming? Might we see an E.P. later in the year?

Yes. There will be more music coming! I have another single recorded that I am excited to put out there later this year (smiles).

How did you get into songwriting? Was there an artist you were compelled by at a young age?

Songwriting, for me, started when I picked up the guitar my senior year of high-school. I wrote a song about my aunt who had passed away when I was young. I played it for my family and seeing how something I had written touch them emotionally made me really want to dive more into songwriting.

I grew up listening to Aretha Franklin, Toby Keith; Dolly Parton, The Beach Boys; Neil Diamond and more. I feel like I had a lot of different artists that influenced my love of music.

I know you are taking Nashville by storm – studying a degree in Commercial Songwriting at Middle Tennessee State University as you go. What are the people like in Nashville? Is it a great place to play?

I love Nashville! I feel like I am in a small town living in a big city (smiles). All the people I have met so far have been very nice and supportive. I love how there is music playing almost everywhere you go. It influences me and keeps me motivated.

You are from Illinois. What are the main differences between there and Tennessee, would you say?!

In Illinois, there is definitely more fields, farms and flat land - also, windmills are a common thing. I had a few friends comment on how they have never seen a windmill...and that was so strange to me because I saw them a lot living in Illinois (smiles).

Do you have any gigs lined up? Where are you heading?

I do! I am playing in Carbondale, IL, coming up and various places around Nashville in the coming weeks.

Will you come to the U.K. and play? Have you visited here before?

I would love to someday travel to the U.K. and play! I have never been.

If you had to select three albums that mean the most to you; which would they be and why?

I would have to pick the three albums I remember listening to all the time growing up because it brings me back to those memories.

Toby Keith - 35 Biggest Hits

I would have How Do You Like Me Now?! on-repeat

Aretha Franklin - Greatest Hits

Respect was my jam!

The Beach Boys - Sounds of Summer: The Very Best of The Beach Boys

Loved singing along to, pretty much, every song on this album!

What do you hope to achieve in 2018?

I hope to advance my music career in 2018 as well as grow as a person. I would love to have my music heard by multiple people in the hopes of helping them express joy or sadness.

Have you got a favourite memory from your time in music – the one that sticks in the mind?

I will always remember the very first time I performed in public. It was at the Effingham Country Fair Talent Show. I played New Strings by Miranda Lambert and it was the first time any of my friends/family really heard me sing. It was a memory I will never forget (smiles).

What advice would you give to new artists coming through?

I would tell them to never give up, believe in yourself and don’t be afraid to step outside of your comfort zone - because that will help you learn and grow as an artist (smiles).

 IN THIS PHOTO: Meg Williams/PHOTO CREDIT: Desirae Cop

Are there any new artists you recommend we check out?

Yes! My friends Meg Williams, Allie Keck; Jessilynn Kidd, Cory Fisher; Meredith Joi, Stevie Woodward; Luke Caccetta, Taylor Martin and New North are a few off the top of my head!

IN THIS PHOTO: Meredith Joi

Do you get much time to chill away from music? How do you unwind?

Music is a part of my life and, without it, I feel lost...but, if I have time to chill and unwind, I am definitely a Netflix person.

Finally, and for being a good sport; you can choose a song and I’ll play it here (not any of your music - I will do that).

I am choosing a song that I always love to listen to! Dust on the Bottle - David Lee Murphy (smiles)

____________

Follow Dakota Danielle

Official:

https://www.dakotadanielle.com/

Facebook:

https://www.facebook.com/dakotadaniellemusic/

Instagram:

https://www.instagram.com/dakotadaniellemusic/

Twitter:

https://twitter.com/DDanielleMusic

Spotify:

https://open.spotify.com/artist/5dsoBGWAERV53KgiJrZLHj

INTERVIEW: Hein Cooper

INTERVIEW:

PHOTO CREDIT: Eve Thomas

Hein Cooper

___________

FROM the North of England…

PHOTO CREDIT: Eve Thomas

I am now speaking with a songwriter who hails from Australia. Hein Cooper talks about his current track, Hear My Voice, and what it was like touring his debut album in Cornwall – the brilliant and celebrated The Art of Escape.

I ask Cooper whether he will tour in the U.K. and which artists have inspired him to get into music. He explains why this week has been a bit tough; what the scene is like in Sydney (where he is based) and whether he feels like he is moving into a new creative phase – Cooper closes the interview by choosing a pretty stunning song.

___________

Hi, Hein. How are you? How has your week been?

Hey, there. I'm good! I've been told to rest my voice by my doctor, so the last week has been a challenge regards not talking to anyone and staying quiet at home!

For those new to your music; can you introduce yourself, please?

I'm a singer-songwriter from Australia working with music inspired by artists like Frank Ocean, Bon Iver; Ben Howard and Chet Faker. I love the idea of what is possible with Pop music: a song can be very left-of-field and still be a Pop hit.

I think my music is an exploration of a more authentic version of Pop. 

Hear My Voice is your new single. What is the story behind the song?

I wrote this song over a year or so. It took its time and started off as a poem I had written; then I wrote the music later on and placed it in. It's a conversation I'm having with myself about the self-discovery I'd been going through at the time.

It delves into the idea that we create different versions of ourselves as we live and grow - and it asks the question: 'Is there any real self behind all these people?'

In a way, it seems to be the start of a new phase for you. Do you think this is a big change and time of transition?!

Yes. I think so. I've had a lot of time since the release of my debut album to tour and think about music. I think this has really given me a new perspective and maturity to what I'm working on now. 

What was it like working with producer Will Hicks on the track?

It was great. He's one of those people who's got a casual vibe whilst doing real complicated stuff and, because it was only the two of us in the studio together, he kept it flowing well. 

PHOTO CREDIT: Eve Thomas

You toured your debut album, The Art of Escape, and lived in Cornwall. What was that experience like? Did you learn a lot about yourself in that setting?!

Yes. As I said earlier; touring definitely moulded me as a person. Through 2016-2017, I played hundreds of shows through Europe and the U.S. without very much luxury or certainty. I'd be in Europe and have three-four shows booked weeks apart and have to figure out what to do in-between, without breaking the bank...

This led to staying with friends of friends, even grandparents of friends, in cities, small towns; near the ocean, arriving late at night and sometimes being stranded! It kept changing and, at times, it wasn't even clear what was happening the following week.

I think all of this really helped me develop into someone who was able to deal with that kind of stuff. It certainly helped me write new music. I ended up living in Cornwall for seven months after that and, basically, wrote music the whole time.

Sydney is where you are from. What is the music scene like there? Are there big differences between Australian and British music?

Sydney has a load of great musicians and songwriters at the moment and I think, more and more, are moving here which keeps lifting the vibe. It's the kind of place where you can get to the beach through the day and see a gig at night - which is pretty good in my opinion.

Is there more material arriving later in the year?

Yes.

Which artists did you grow up around? Did you live in a very musical household?

My grandma was an Opera singer and my brother played Classical piano, but my parents weren't very musical. I started listening to music a lot more when I went to high-school. I fell in love with artists like Angus and Julia Stone and Jack Johnson. I was learning guitar and they had all these cool things for me to try and learn.

Do you have any gigs lined up? Where are you heading?

Yes!

April 27th: Black Bear Lodge (Brisbane)

April 28th: Penny Black (Melbourne)

April 29th: Porch Sessions (Adelaide)

May 3rd: Leadbelly (Sydney)

What do you hope to achieve in 2018?

I'm taking it all as it comes (as things are always changing and reshaping), but I'd like to have more music out and get out there in the world to perform for as many people as possible.

Have you got a favourite memory from your time in music – the one that sticks in the mind?

There's a load. I've had one particular experience performing in Hamburg, Germany to a sold-out audience that I'll never forget. When people are all there in one room to hear your songs and you get the chance to share it, it is truly magical.

What advice would you give to new artists coming through?

Be real. Don't worry if you're different to what's currently popular, because artists come and go these days like they were never even there - so, you may as well give people something you feel is true to you.

IN THIS PHOTO: Julia Michaels

Are there any new artists you recommend we check out?

It's super-Pop, but I dig Julia Michaels. Others are Nick Hakim, SZA and Beach House.

IN THIS IMAGE: SZA

Do you get much time to chill away from music? How do you unwind?

Usually, it's a pretty constant thing - at least it's running through my mind always. If I get a chance, I like to go surfing.

Finally, and for being a good sport; you can choose a song and I’ll play it here (not any of your music - I will do that).

Thank you (smiles). Frank Ocean - Thinkin Bout You

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Follow Hein Cooper

Official:

https://www.heincooper.com/

Facebook:

https://www.facebook.com/heincoopermusic/

Instagram:

https://www.instagram.com/heincooper/

Twitter:

https://twitter.com/HeinCooperMusic

Spotify:

https://open.spotify.com/artist/75Cb1lVnzQa6mPaJA16Ho0

Soundcloud:

https://soundcloud.com/heincoopermusic

YouTube:

https://www.youtube.com/channel/UC_F0o-B1oztyo4Fh4nsew-A/videos

INTERVIEW: Beth Macari

INTERVIEW:

 Beth Macari

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I have been chatting with the awesome Beth Macari…

about her new single, Clone. It is out on 18th May and I have been given access to the track ahead of its release. It is a confident and inspiringly upbeat song from a young songwriter on the rise. I speak to Macari about her home of Newcastle upon Tyne and whether more material will come; the music she grew up around – what touring dates she has booked.

Macari talks about supporting Rae Morris and the albums that mean the most to her; what advice she would give to new artists; if she gets much time to relax away from music – a fascinating window into the life and work of Beth Macari.

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Hi, Beth. How are you? How has your week been?

I am great, thank you! I am en route to Barcelona; so, it is a good week so far.

For those new to your music; can you introduce yourself, please?

I am a Soul/Pop singer and songwriter from Newcastle upon Tyne.

Clone is out on 18th May. Can you reveal how the song came together?

I was in the studio. I wasn't in a great mood; so, I felt inspired to write a sassy but uplifting song – and, so, Clone was born.

PHOTO CREDIT: Daniel Stark, Vicky Hedley

The song has a classic Pop vibe you do not hear much nowadays. Was it important mixing modern sounds with those classic roots?

Definitely. That's what my music is about: channelling the sounds that inspire me but keeping the production fresh.

Which musicians have inspired your sound? Do you find greater inspiration in new or older acts?

I have always been inspired by the big voices of soul such as Aretha Franklin, Chaka Khan and Stevie Wonder. But, there are so many current artists and sounds that inspire me. I love listening to Anne-Marie and Jessie Ware at the moment.

Will there be an E.P. or album later this year?

I am working on the music for my debut album at the moment.

Newcastle upon Tyne is your home. What is the area like for music? Do you take a lot from the people and sounds around you?

Newcastle has some great music venues and a great live music scene. One thing I do take from the people around me is the dedication to their art. We Geordies give our music everything we have got.

You have supported big names - including Rae Morris. How important have these experiences been? Which artist, do you think, has taught you the most?

Rae Morris was lush. She had so much energy and appreciation for the audience. Every gig is as important as the next one. I try to learn something from every show I play.

Do you have any gigs lined up? Where are you heading?

I am really looking forward to performing at Hit the North Festival, in Newcastle, in May.

I’m also performing at Hardwick Live and Bingley Music Live in the summer and I will be hitting the road with my band later this year.

If you had to select the three albums that mean the most; which would they be and why?

Joss Stone – The Soul Sessions Vol. 2

Because it’s just lush - and I love her cover of Teardrops.

Paramore - Paramore

Because it’s so fun and has such a diverse mix of songs and interludes.

Alicia Keys - Unplugged

Because I love how raw and true her voice is. Her early music (such as Fallin' and A Woman’s Worth) will always be some of my favourite songs.  

Have you got a favourite memory from your time in music – the one that sticks in the mind?

When Nicole Scherzinger told me my voice came from the baby Jesus.

What advice would you give to new artists coming through?

Don’t forget why you are doing it. It’s easy to get caught up in the technicalities of the music industry: try to focus on your creativity and passion. 

IN THIS PHOTO: Anne-Marie

Are there any new artists you recommend we check out?

Anne-Marie! I was lucky enough to meet her when she performed on a Sky One show I fronted the house band on - and she was so lovely. Since then; I have followed her music and really love her sound.

Do you get much time to chill away from music? How do you unwind?

I like to go out for food with friends and family or go to the comedy stand in Newcastle. I think it’s really important to find time to switch off.

Finally, and for being a good sport; you can choose a song and I’ll play it here (not any of your music - I will do that).

I recently performed with The Manchester Camerata on a Motown and Northern Soul Show and Heatwave by Martha Reeves and the Vandellas has been stuck in my head ever since...

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Follow Beth Macari

PHOTO CREDIT: Ollie Rillands 

Facebook:

https://www.facebook.com/bethmacarimusic/

Instagram:

https://www.instagram.com/bethmacariofficial/

Twitter:

https://twitter.com/BethMacari

Spotify:

https://open.spotify.com/artist/4Ed1Lbt202UlmZRX7KQL75

Soundcloud:

https://soundcloud.com/beth-macari 

INTERVIEW: Cocoa Futures

INTERVIEW:

Cocoa FUtures

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THERE are musicians I always look to feature…

more than once because, every time I include them, there is a new angle or interesting revelation. I have been speaking with Cocoa Futures (Greg) about the hot new single, Sink in the Water, and its backstory. He looks ahead and reveals plans to release more material; why he and his band went on a brief hiatus – he tells me whether there are any dates in the diary.

I ask Greg what music he is influenced by and the new acts we need to keep an eye out for; if he has a favourite memory from his time in music; how he spends his relaxation time – he ends the interview with a rather good song choice!

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Hi, Cocoa Futures. How are you? How has your week been?

Good, thanks. Watched a bit of the Commonwealth Games. That was weird. Had a trip to Brixton. That was nice. Made a Gousto box. That kind of thing…

For those new to your music; can you introduce yourselves, please?

I’m Greg. I make music under the name ‘Cocoa Futures’ with my friends, Dave and Nick. We put out a debut E.P. in late-2016 and we’re following it up this year.

Sink in the Water is your latest track. What is the tale behind that one?

It’s about getting older and thinking about whether you’re growing or not. Not in a physical way: it’s not a song about getting taller...

You hooked up with producer Brendan Williams. What did he bring to the recording, do you think? Was it a good experience working at Manchester’s Low Four Studios?

Brendan and his studio are both great. It’s a pleasure to work with him.

What did he bring? I think you can think too deeply about why good producers are good producers. I think it, basically, comes down to the fact he’s really bloody good at music - and that he shares a vision of where things could go.

He’s also not afraid to bring out the bongos. 

The new track comes after a bit of a hiatus. Do you feel recharged and repurposed as a band?

Things feel pretty good at the moment; it’s nice to be popping songs out and playing shows. Things have also really livened up with a fancy new shirt that I bought.

I believe five other songs will be released this year! Can you reveal which song comes next?

Sorry. I’m not actually sure yet (smiles).

PHOTO CREDIT: Rou Gilissen

It seems Sink in the Water is a new direction for the band. The songwriting takes from new areas. Were particular artists in mind when writing the song?

I’ve been listening to loads of Prefab Sprout and The Blue Nile. I love how the songs are sung - and that’s definitely an influence.

The mood seems pretty good in the camp. Is this, do you think, the best time for Cocoa Futures?!

I think it’s a good time; I feel quite nice. It’s good to have six songs that I believe in coming out this year.

I’ve also given up vaping, which I think has made my voice better. Life is good.

What do you hope to achieve in 2018?

I’d love to play some more shows outside of London. Also; to be proud of the music that we’ve put out.

If you each had to choose the album that means the most; which would they be and why?

I’ll be a dictator and pick for everyone: In Rainbows (Radiohead). Cos it’s great.

Can we catch you perform anytime soon? What dates do you have coming up?

Yep. We’re playing our first full band show of the year on Friday, 11th May at Paper Dress Vintage in London.

Have you got a favourite memory from your time in music – the one that sticks in the mind?

Playing The Great Escape last year was really, really fun. A lovely, attentive crowd - and all done in time for tea.

What advice would you give to new artists coming through?

Don’t think too much...

IN THIS PHOTO: Kylypso

Are there any new artists you recommend we check out?

Kylypso’s last tune was a banger; Coby Sey keeps putting out amazing music; Hejira are incredible; Koalas from Manchester – played with these lot recently. Great!

IN THIS PHOTO: Koalas/PHOTO CREDIT: Adrian Lambert

Do you all get much time to chill away from music? How do you unwind?

Yes. I like watching golf. Golf is life.

Finally, and for being good sports; you can each choose a song and I’ll play it here (not any of your music - I will do that).

Stephane Sévérac – Hold on

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Follow Cocoa Futures

Official:

https://www.cocoafuturesband.com/

Facebook:

https://www.facebook.com/cocoafutures

Instagram:

https://www.instagram.com/cocoafutures/

Twitter:

https://twitter.com/cocoafuture

Spotify:

https://open.spotify.com/artist/06wSoowaQECM5FhKiLIXeJ

Soundcloud:

https://soundcloud.com/cocoafutures

INTERVIEW: Beach Riot

INTERVIEW:

Beach Riot

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MY quest for superb band-made music…

takes me to the shores of Beach Riot. I have been talking to Rory (Guitars/Vocals) about their latest pearl, Serial Scruff, and what the heck it is all about. He talks about their formation and how they have developed since their start – I ask whether new material is planned for the coming months.

Rory tell me what it is like having the support of Daniel P. Carter; the artists the band are influenced by; what their gig schedule is looking like; who they would support if they had the chance (and a dream rider to go with it); the albums that mean the most to them – Rory selects some new artists to get our gnashers around!

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Hi, guys. How are you? How has your week been?

Hey! Pretty damn good, thank you. Nice to finally not feel like we live in the tundra, eh!?

For those new to your music; can you introduce yourselves, please?

I’m Rory (Guitar/Vocals) and we have Cami (Guitar/Vocals), Jim (Bass/Vocals) and Jonny (Drums).

Serial Scruff is your latest track. What is the story behind it?

I (Rory) was watching a documentary on this serial killer in America, and the psychology behind him, and it just got me thinking about what goes through someone’s mind. For some reason, lyrics just started pouring out of me - which they usually don’t...

Obviously; I could never actually know someone’s thoughts, so it’s all very hypothetical and, basically, more of a story. But, it suited the feeling of the song I’d just written: kinda bleak and anthemic.

The video, shot in the woods in black-and-white, looks like it was cool to shoot. Who came up with the concept? What was it like filming it?!

It was definitely cool: it was February and feckin’ freezing! But, super-fun to do. It was all the amazing mind and vision of Jim, our bassist. It’s kinda open to interpretation: we didn’t want to go too much into a literal story, but it’s got some nice cult-like Blair Witch-kinda-vibes going on.

Daniel P. Carter has played the song! What is it like having kudos from a D.J. like that?!

Unbelievably mind-blowing, to be honest! I considered packing up and retiring to some distant island after that (laughs).

How do you think you have developed since She’s a Hurricane. You sound more confident in your new song. Would that be a fair assessment?

That’s nice to hear! I think that first single was perfect for us because it really laid the foundation for what we are: a super-sweaty, energetic live band (hopefully, with a catchy chorus or two thrown in). This latest single is a bit more of a song if that makes sense.

But, it still has our fuzz-fest trademark all over it - although, our next single is gonna have a slightly different feeling to it…so, stay tuned (smiles).

Might we see a Beach Riot E.P. coming soon?

You, 100%, definitely might…

You have had a busy past few months! What are the things you have learnt about music and the band during that time?

We’ve learnt that it’s really important to be nice to people, to support your fellow bands and friends and, most importantly, to (just) do what you do best and have loads of fun doing it. Don’t look elsewhere and try to predict/copy everyone else. Be the people down the front singing along to your fellow bands; not at the back with your arms folded.

WE’RE ALL IN IT TOGETHER!

How did Beach Riot form? When did you all find one another?

So, I was playing bass in another band, but I had just had written a few absolute fuzz-monsters that I had to exorcise from my body...so, I went to the perfect duo of Jimmy and Jonny to get some demos done. They sounded so good and I had so much fun - that I just knew I needed to do something proper with them. A mutual friend sent me the way of Cami and, luckily, she felt the same about the songs...

We never really practised, to be honest: we just learnt the songs and got gigging. This band is built on just having fun and not labouring too much on all the details. So, I took the plunge and left my last band - and I haven’t looked back.

Who are the musicians you count as heroes and idols?

Jim, my bassist, is, basically, my main music idol. I love everything that boy does. He’s the most talented, humble and incredible musician I know. I wish I could write songs like he does. After that, I can’t ignore the obvious Kurt Cobain inspiration. He taught me that you don’t need to have complicated chords or songs, or clever lyrics: it’s about the hooks and the feeling and the passion.

Mr. Josh Homme has also got a big part to play in the sound, as have an old English band called Cable. Finally, all the killer female-influenced bands I’ve grown up loving: The Breeders, Sleater Kinney; The Passions, Courtney Love…to name a few.

I know the rest of the band would say similar names. One massive one for Cami and Jim is the legend that is PJ Harvey.

Do you guys have any gigs lined up? Where are you heading?

We have a tonne of shows booked! We’re headlining The Lock Tavern in London on 28th April and, before that, we’re headlining The Prince Albert in Brighton on the 19th. May is gonna have us play at (at) least two Alternative Escape shows on Friday 18th - with a warm-up show the night before at The Social. There’s a few more dotted about, too.

Basically, we gig non-stop (smiles).

If you had to select a dream artist to support, and a perfect rider, what would that include?

Hands down, Demob Happy.

We all love that band and they’ve recently come to a few of our shows and moshed - which is, basically, a dream come true. Awesome guys as well. Our rider would probably be red wine and four rounds of Sobs’ mozzarella sticks (Sobs is this dive of a late night takeaway in Brighton. It’s glorious).

If you each had to select the one album that means the most; which would they be and why?

I’m not with the others, so I’m gonna have to selfishly answer this one alone. I wish I could say something cool and interesting, but, I think if I had to pick one, it has to be Nevermind. It’s no exaggeration to say that, hearing that when I was twelve/thirteen, literally, changed my life.

What do you all hope to achieve in 2018?

I think we’d love to get out and tour proper and if we can get some festivals in, too. We’d be pretty chuffed with that.

Have you each got a favourite memory from your time in music – the one that sticks in the mind?

Again, just me (Rory). Sorry. I think my favourite memory is actually a very recent one. We played a show for Bitch Craft in Brighton that was packed out and rammed at, like, 1 A.M. or something and people were moshing, crowd-surfing and singing along. Going from writing these songs in my room and imagining people doing that to actually having it happen in front of you...I mean; that’s what it’s all about right!? Dream...

What advice would you give to new artists coming through?

Do what you love, not what you think other people will love. Get involved in your local scene, support your local amazing promoters and bands. Be part of something not on the edge of something. Know when to stick up for your band...

Are there any new artists you recommend we check out?

Not sure how new they count now, because they are KILLING IT, but our pals, Calva Louise, are cosmic.

Also: Two Tribes, Cutting Ties; Skinny Milk and many, many more…

IN THIS PHOTO: Two Tribes/PHOTO CREDIT: Natasha Rukavishnikova

Do you guys get much time to chill away from music? How do you unwind?

Wine, Sobs; nice British ale, stories about how amazing the wine and food is in Argentina; cats, barge holidays; coffee, Japanese food – and, probably, more wine.

Finally, and for being good sports; you can each choose a song and I’ll play it here (not any of your music - I will do that).

Freeze the Atlantic by Cable

Anything by Ty Segal for Jonny

Anything old from PJ Harvey for Cami and Jim

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Follow Beach Riot

 Facebook:

https://www.facebook.com/wearebeachriot/

Twitter:

https://twitter.com/wearebeachriot

YouTube:

https://www.youtube.com/channel/UCb6zWfkBlvufsLrGwK87tmw

Spotify:

https://open.spotify.com/artist/55bBJNuY224tmQf4odUqXV

Soundcloud:

https://soundcloud.com/wearebeachriot

INTERVIEW: Bleona

INTERVIEW:

Bleona

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THERE is something alluring and utterly…

entrancing about Bleona. Maybe it is the accent and the way she sings; perhaps it is the passion and seductiveness she puts into the music – there is a feast for the soul, eyes and heart! I have been speaking with the Albanian-born, California-based artist about her new song, Wicked Love, and what follows that (Bleona’s just number one in the Billboard Breakout Dance Songs Chart).

She talks about moving from Albania to the U.S. - and shares a favourite musical memory. Bleona reveals her favourite music and what gigs are coming up; what it was like recording and creating Wicked Love; if we will see her in the U.K. this year; what it was like working with Timbaland – the Albanian songwriter tells me what it is like being revered as a musical icon.

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Hi, Bleona. How are you? How has your week been?

Hi, darling. As I am writing these answers for this interview, I am sitting in the lounge of the Westlake Recording Studios in Los Angeles, CA. I just finished my vocals from my new record called I Don’t Need Your Love, while now, I am getting ready to give this interview for Wicked Love - which is already out, as you know.

For those new to your music; can you introduce yourself, please?

My name is Bleona…

I have been singing and performing since I was five. I have released eight albums back home and I am working on my first album in English (Executive Producers: Timbaland, Federico Vindver and Rob Knox etc.)

My music is Dance-Pop and is fun - but, it also has a very strong message about female empowerment! Back home, I have always been known as a rebellious entertainer and my music now, in English, is not any different.

Wicked Love is out. What can you reveal about its creation?

It is a song about real love, but that which is twisted. I got in the studio with the amazing Rob Knox and we came up with a record of real feelings; about how people are not perfect, because the human race is not perfect but, in the end, you still LOVE THEM and you still would do everything for them...

It has heat-sauciness and tropical bliss! Did you write it with summer and festivals in mind?!

No. It just what came out for our hearts in the studio but, given the fact that in Los Angeles it is always summer, it would be super-hard to come up with a ‘winter-colour’ type of record (smiles).

Is there going to be more material coming down the line?

Absolutely. As I said earlier; I just finished the second record today. It is really beautiful. My plan is to finish my first English E.P. and release teaching songs and videos every two months – so, I will be a little ‘busy’ this year (smiles).

You were born in Albania but found your way to L.A. What compelled the reason to come to Los Angeles?! What is the city like for music and inspiration?

If you want to rock the world, there is only one place you need to start from: Los Angeles, California. I just happened to want exactly that. It is the only way to start. If you make it in the U.S., you have made it pretty much everywhere! I love this country and I am privileged to live in the U.S.!

A lot of Americans don't understand how lucky they are to be born in the U.S. Coming from a different world, I understand that nothing is impossible in America. 

Did you always want to be an Albanian icon?

I fell in love with the music at a very early age. All I knew is that I wanted to do music and I wanted to be on stage. The fame, the money and the icon status came later. It wasn’t planned…I just did what I loved and I loved doing it.

Music, I know, came into your life very early. Was there a particular artist that motivated you to start songwriting?

I was raised listening to Celine Dion, Whitney Houston and Mariah Carey - which happened to be the three greatest voices of this world!

So, I was very clear, since I was a little girl, that ‘this profession I have chosen’; it wasn’t going to take ‘just talent’, but hard work and dedication; some self-sacrifice and self-discipline - and, I think they are, absolutely, some of the people that inspired me on writing my own records.

What was it like hooking with Timbaland? What did he bring to singles, Show Off and Pass Out?

Timbaland was a challenge...but I love to challenges; I LIVE for challenges…

I love to challenge myself! EVERY DAY! It’s funny you are mentioning his name right now because, as we speak, he is working in Studio D and I am working out of the Studio E at Westlake Studios. We just greeted each other when I first got in the building and, as I was entering, Tim was like: “Here comes ‘Miss Dedication!”.

It is heart-warming, after all these years, to hear that one of the world’s best music producers; the first thing that comes on his mind when they see you is the word ‘DEDICATION’. I am happy about this fact as I want to be respected as an artist - especially from other professionals like Timbaland.

So, today overall, I am having a great day...

What do you hope to achieve in 2018?

I hope for my music to be played everywhere - and I hope for people to have the time of their lives while they are listening to it. That’s all.

Which albums are most important to you – in terms of their power and impact?

Adele, Sam Smith and Bruno Mars, I would say, translate to POWER!

Can we catch you perform anytime soon? What dates do you have coming up?

My next concert will be in N.Y.C. at the end of April.

Will you come to the U.K. and play this year?

I would love to do that. I am looking forward to people inviting me to sing in the U.K.

Have you got a favourite memory from your time in music – the one that sticks in the mind?

It would take long nights to talk about memories in music for me. I remember, when I did my first tour ever, I passed through the main square of the town on my way to my concert. I saw so many people gathered together, like 20-30,000 people, and I asked my team that was with me in the car: “What else is going on tonight other than my concert? Where are these people going?”...

They started laughing and they said: “They are here for your concert, indeed!” I was like: “Whaaaaaaaa?! They all came to see meeee?!”

It was a very strange feeling that I will never forget…

What advice would you give to new artists coming through?

Good is the enemy of great!

Do you get much time to chill away from music?

No, because I would die and I would be like a vegetable...

How do you unwind?!

What’s that?! I like going with 100 miles/hr. Slowing down has never been my thing…

Finally, and for being a good sport; you can choose a song and I’ll play it here (not any of your music - I will do that).

Breathe - Jax Jones (ft. Ina Wroldsen)

I would love to have a record with him on it. I think he is fantastic.

__________

Follow Bleona

 Official:

https://www.iambleona.com/

Facebook:

https://www.facebook.com/Bleona

Twitter:

https://twitter.com/bleona

Instagram:

https://www.instagram.com/bleona/

YouTube:

https://www.youtube.com/BleonaQWorld

Spotify:

https://open.spotify.com/artist/4GL4UxOpLEkaMrgK9SQWN7?si=VhizBNsbSvyXVRfX6Sm3ow

Soundcloud:

https://soundcloud.com/bleona

INTERVIEW: Calan Mai

INTERVIEW:

 Calan Mai

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JORDAN Lawrence is the man behind 'Calan Mai'…

and has been talking to me about his brilliant new single, We’ve Got Love. I ask what the story behind the song is and how he manages to balance the fun and dark. Lawrence reveals his musical past and what comes next for him; which musicians are key to his sound and development – he tells me about plans to move to L.A. and lay down roots there.

I ask whether we can see a Calan Mai concert in the U.K. and, if pushed, which three albums mean the most to him; whether there are any new artists worth seeking out; how he spends time away from music – Lawrence ends the interview by picking a classic cut.

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Hi, Jordan. How are you? How has your week been?

Hey, there! I’m doing well because it’s Thursday - and Thursday is the next best thing to Friday. My week has been stressful, as I’m currently packing up all my stuff and moving house. Looking forward to putting my feet up and watching some Netflix. Still trying to get through The Series of Unfortunate Events, which is dragging a little, if I’m being honest.

For those new to your music; can you introduce yourself, please?

My name is Jordan Lawrence and I perform under the name 'Calan Mai' - which means ‘the first day of summer’ in Welsh. I write, record and perform Indie-Folk music, with a strong focus on lyrics and storytelling.

What can you reveal about your single, We’ve Got Love? What is the story behind it?

We’ve Got Love is about unconditional love and the pain associated with it. The song is the story of my family - a snapshot of our lives. Since I was a child, I’ve always been anxious for the well-being of my father, mother and brother and this song sums up the worry, sadness and joy of loving and being loved by damaged people.

I like the video and its animations/art. Did you have a lot of say regarding the concept?

I did. The director, Callum Scott-Dyson, has created videos for me before and he is great at creating treatments based on the vision of the artist. I wanted the clip to visually depict the lyrics because the song is, essentially, a story. To watch that story play out in animation is a lot of fun and, hopefully, forces the listener to hear what I’m actually saying!

The song has a light and fun sound – its lyrics are heavier and deeper. Was it hard mixing a breezy and sunny composition with the emotion of the words?

That will always be the hardest aspect of production. Finding the right way to present such a heavy song was difficult. On one hand, you have lines about my brother claiming he’ll die alone and my father escaping into the ecstasy of addiction.

On the other hand, you have a positive message about the importance of loving unconditionally. All of that needs to be presented in an honest way that draws the listener into the story. That’s what we tried to do.

Is there more material coming down the track?

Absolutely. Too much material! I need to get decisive and figure out what’s next in the pipeline…

You hail from Australia’s Gold Coast. What is the music scene like there? Was it easy finding likeminded people and chances to perform?

The Gold Coast has a very small music scene but, ultimately, it is a city most people move away from for greener pastures. This is a real shame because plenty of talented people grow up here. I do believe, as the city grows, there will be more chances for people to perform...

In terms of finding likeminded people - I was extremely lucky to find people early on who fostered my growth as an artist and helped me take this whole music thing seriously. They’re in a band called FAIRCHILD. Give them a listen!

PHOTO CREDIT: Eddie Jag

Which musicians struck your heart at a young age? Who do you count as influences?

The very first music to really strike my heart was Blink-182. I was eleven-years-old and they seemed to know what was going on. I think I’ve carried a lot of their influence with me, as strange as it sounds. Major Key melodies, simple refrains; catchy hooks - that’s a huge part of what I’m aiming for when I write a song.

But, it was artists like Bob Dylan and Paul Simon who really shaped me as a lyricist. I always want to tell a story the way they did.

Do you have any gigs lined up? Where are you heading?

No gigs lined up as of yet. My main focus is to save my money and move to Los Angeles so I can really start playing in America!

Might you come to the U.K. and play here? Do you like British music?

I lived in Manchester for two years and played over there a lot! I love British music and I was absolutely blown away at how much talent was hiding in a single city. I still miss the U.K. and am very eager to go back again. Fingers crossed it’s sooner rather than later.

If you had to select three albums that mean the most to you; which would they be and why?

1) August and Everything After - Counting Crows

I discovered this album, accidentally, at the age of fifteen and Adam Duritz blew my mind. From the opening of Round Here, where he orders the listener to “Step out the front door like a ghost, into the fog where no one notices the contrast of white on white”; I knew I was hearing something special. These tracks got me through my last years of high-school - and really informed the sort of lyricist I became.

2) I’m Wide Awake, It’s Morning - Bright Eyes

This album is the pinnacle of what I’m trying to do whenever I write a song - that is, let a listener into my world and create a time capsule of a certain time and place in my life. I’m Wide Awake, It’s Morning gives you full insight into the mind of Conor Oberst at the time he recorded it: from the minutia of details about yellow birds to the state of the world to post-9/11 - it is an incredible listen and only grows more relevant to me the older I get.

3) For Emma, Forever Ago - Bon Iver

Yeah: I know how typical this choice is. There’s not much left to be said about this album that hasn’t already been said. But, go listen to Justin Vernon’s recordings in the lead up to this masterpiece and try to figure out where the hell these songs even came from. The change in his songwriting and performance style is so immense, you have to wonder if it’s even the same man. That always gives me hope about myself as an artist. You never know how much you’re going to change. Heartbreak, misjudgements, loss - all of these things will continually shape you.

PHOTO CREDIT: Eddie Jag

What do you hope to achieve in 2018?

I hope to move to the United States.

Have you got a favourite memory from your time in music – the one that sticks in the mind?

Opening for Band of Horses at the Manchester Royal Albert Hall. Unreal.

What advice would you give to new artists coming through?

Surround yourself with people who do what they say they are going to do. Beware of those who only talk…

IN THIS PHOTO: Dan Bettridge

Are there any new artists you recommend we check out?

Check out Dan Bettridge. He’s an amazing singer-songwriter from Wales - and he’s currently releasing his debut L.P. in waves on Spotify. He and I have been friends since we met in New York for CMJ in 2015. Since then, we’ve both supported Band of Horses on the same tour, played SXSW 2018 and explored the streets of L.A. in wide-eyed wonder! All of this was by chance. Fortune has forced us into friendship. Life’s weird.

Do you get much time to chill away from music? How do you unwind?

I’m a pretty major film buff and, in a lot of ways, I’m a bigger fan of movies than I am of music. At least as a consumer. I get to just enjoy movies. Music forces me to look at my own output and compare myself to other artists. So; I’d say watching movies, exercising and walking long distances for coffee are my ways to unwind.

Finally, and for being a good sport; you can choose a song and I’ll play it here (not any of your music - I will do that).

Play Lift Me Up by Jeff Lynne! Impossible to listen to that song without a smile on your face. Thanks for having me.

__________

Follow Calan Mai

PHOTO CREDIT: Eddie Jag

 Official:

http://www.calanmai.com/

Facebook:

https://www.facebook.com/calanmaimusic

Twitter:

https://twitter.com/calanmaimusic

Instagram:

https://www.instagram.com/iamcalanmai/

YouTube:

https://www.youtube.com/channel/UCruqiQtKaIbQC5YOymm3DMg

Spotify:

https://open.spotify.com/artist/7BSjUIqbJMumDCIoY5B8Hi

Soundcloud:

https://soundcloud.com/calan-mai

INTERVIEW: Moonheart

INTERVIEW:

Moonheart

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IT is to Brooklyn…

and a chat with the remarkable force that is Moonheart. I have been finding out about their new song, Bridestep, and whether they can shed any light regarding its birth. The guys – Kim takes up most of the answers – tell me how they got together and what their upcoming album, Feel It Out, will contain – what it was like recording it.

I ask how important Brooklyn is and what sounds they were raised on; if they have words of advice for artists coming through; if a trip to the U.K. is part of their plans – Kim and Michael tell me what they hope to achieve before the end of this year.

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Hi, guys. How are you? How has your week been?

Kim: Hey! Doing pretty well. Thanks for asking (smiles). Aside from still having to do my taxes and being scared to do them (they’re gonna be a mess), I can’t complain. Michael already did his…overachiever.

For those new to your music; can you introduce yourselves, please?

I write songs and Michael produces them. It’s hard to describe how it sounds in words, but other people have done a really nice job of it. One of my friends calls it 'Future-Folk' and I like that. My family calls it ‘nice’.

Michael: Yea. I’d like to think that we’re somewhere in between ‘Future-Folk’ and ‘nice’. Kim writes beautiful songs with heart-wrenching lyrics and I try to dance around them with some electronic bleeps and bloops.

Bridestep is your new single. Can you explain its background and story?

Kim: Writing Bridestep helped me to sort out some lingering feelings that were eating at me about a relationship I’d ended in the past, without expressing myself in a way that I feel honoured how important that relationship was and is to me. I was meditating a lot on closure or the lack of it, on boundaries and what’s allowed to be said after the fact - and this song is an outgrowth of those thoughts.

Feel It Out, coming in spring, sounds exciting! What themes and ideas have gone into the record?

I’m always thinking about my ancestors, trying to connect and open up a pathway to them; feeling them work through my own work and movement; so, there’s always that thread somewhere in my lyrics. There’s also a good amount of grief in this album - the grief of physical and/or emotional loss, of dealing with some mental illness stuff (or not dealing with it). Opposites interacting with one another - openings and closings, expansion and contraction; high and lows and trying to find the balance among them - also plays a large part.

I think Michael, especially, did so much to portray that in his production. There’s a lot of organic sounds weaved into the digital sounds. I promise it’s not as depressing as this description makes it sound though. Ha.

How was it recording the album? Do you both like being in the studio?

Michael: We actually recorded it in the apartment that we share here in Brooklyn, piece by piece over the course of about eight months or so. Some parts were much easier - getting to do them on our own time - than they would have been in a studio.

Kim: Especially vocal takes. I’m the queen of “just one more” take and then wanting to do at least ninety-three more...

Michael: Yea. I’m glad we didn’t have to pay for that…

Kim: But, for real though; it’s a little dream come true every time a song starts coming together and Michael and I have a little E.S.P going on in that regard. He tends to just know what I’m looking for without my having to explain much and it feels like magic every time.

It’s really fulfilling to shape something and see it through from beginning to end - and such a different muscle from writing. I love it

Michael and Kim. How did you meet one another? What brought you together?

We met in Boston, where we went to the same music conservatory. We didn’t really start making music or hanging out much until I moved to Brooklyn a couple years after he did, in 2014.

Michael: We bonded over trying to be better songwriters. We would do writing exercises where we’d send each other songs every day and ended up getting into each other’s music - and that’s what made us want to work together.

I believe Brooklyn played a role in your careers. What is/was it about the area that led to songwriting?

Kim: It’s hard to pinpoint all the ways living here has changed me and helped me grow as a writer and person. But I’d say, for sure, one of the biggest factors in all of that is all of the sweet friends and artists around me who I get to watch do their thing beautifully often. The community here is constantly inspiring…

Michael: Yea. The community of musicians here is like nowhere I’ve ever been. I’m constantly humbled and inspired to do and be better by those around me, and that’s a great thing.

Kim: If you’re lucky you can find your people and what keeps you inspired anywhere, or at least on the internet. But, I’m glad we’ve found it here. I feel lucky to live here.

In terms of music; what sort of sounds did you both grow up around?

My dad was always playing all kinds of good stuff. A lot of Stevie Wonder, Erykah Badu; Earth, Wind & Fire, The O’Jays and Prince. My mom loved Michael Jackson and the Whitney Houston. My granddad has a gorgeous voice and plays guitar and piano. My Nonnie sings too. Every family gathering with them is anchored by group singing and it was really special to grow up that way. They love standards, old spirituals and some Folk tunes, which got me into all of those things.

Michael: I grew up listening to a lot of Jazz. My parents weren’t that much into music, but my saxophone teacher introduced me to a lot of Jazz and Classical music. I was really into Stravinsky, Thelonious Monk and Duke Ellington. Later, my sister got me really into Elliott Smith, Deerhoof and Björk.

Will you be touring any time soon - and does that include an eventual trip to the U.K.?

Kim: Fingers crossed!

What do you hope to achieve in 2018 with your music?

On the topic of touring; I’d really like to tour our record in an extensive way outside of the city. I’m finding that playing shows is a whole other part of the body that writing and recording live in - and I want to tend to and feed that part much more; especially because I’m in love with playing in our current configuration - Michael and I, plus our friends Connor Baker on drums and Parker McAllister on bass. It’s new (we’ve only played two shows with this setup), but it feels really good and they make it so easy to sing.

I also hope that the music makes people feel soothed or lighter, or more comforted or recognized after listening to it, live or recorded. If it makes someone feel that way, I feel like I’m doing my job as a writer and a person.

Have you each got a favourite memory from your time in music – the one that sticks in the mind?

Honestly; it’s been putting this album together. It’s a little dream come true every time a piece of the puzzle of a song is put in place

What advice would you give to new artists coming through?

Michael: Try not to compare yourself too much to those you think are doing better than you. Your path is always gonna be uniquely your own. Sorry for that Malcolm Gladwell corniness.

Kim: Be honest in your writing and be nice to yourself when it’s not coming easy.

Are there any new artists you recommend we check out?

Hite (Julia Easterlin) made a gorgeous record last year called Light of a Strange Day. She’s also a friend of mine. Her singing is so inspiring to me. She has so much control over her instrument and (especially) uses dynamics in such a moving way – and, whenever I hear her live, it makes me cry.

I love L’Rain’s self-titled album and can’t stop playing it. I’ve also been really into Kalbells lately - this great band from here that’s led by Kalmia from Rubblebucket. She’s great.

Michael: I’m really into Violents right now. I love Monica Martin’s voice and I really like the production...

IN THIS PHOTO: Violents

Do you get much time to chill away from music? How do you unwind?

I try to meditate, but I’m not good at; so, I usually go on runs or watch YouTube tutorials about other things I’m not good at.

Kim: I like to be in nature when it’s not cold and to read as much as I can. I also like watching trash T.V. when I have nothing going on; specifically, this beautiful mess called Vanderpump Rules, which I feel much less shame about now I know Rihanna watches it. 

Finally, and for being good sports; you can each choose a song and I’ll play it here (not any of your music - I will do that).

Kim: Oo. This is hard...I’ll show you my favorite Hite song (Light) since I told you about her.

Michael: Solo by Frank Ocean

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Follow Moonheart 

Official:

http://moonheartmusic.com/

Facebook:

https://www.facebook.com/moonheartmusic

Twitter:

https://twitter.com/moonhearttt

Instagram:

https://www.instagram.com/moonhearttt/

YouTube:

https://www.youtube.com/channel/UCHN9stFMQguzqQ7fcdMCJdQ

Spotify:

https://open.spotify.com/album/1gcWG6Rpkkimf2HTVNpT1z

Soundcloud:

https://soundcloud.com/moonheart_music

INTERVIEW: Makk Mikkael

INTERVIEW:

 Makk Mikkael

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AS the warm weather teases my mind with alluring brightness…

I am thinking of Makk Mikkael and her latest track, How It Feels. I have been listening to the song for a bit and learning more about myself from hearing it. The Canadian songwriter has been telling me about that track - and what she has planned for the coming months. I ask how influential relationships, good or bad, are to her songwriting; if she will come and see us in Britain this year – if there are new artists we need to get behind.

Makk Mikkael gives me the skinny about her creative flow and how she has transitioned as an artist; which albums mean the most to her; if she gets time to detach from the demands of the music day – she offers some sound advice for artists coming through.

___________

Hi, Makk. How are you? How has your week been?

Hey! I am doing good, thanks! I’ve been in the studio lots working on my third single - so stay tuned exciting things are coming.

For those new to your music; can you introduce yourself, please?

Hey guys. My name is Makk Mikkael. I’m nineteen-years-old; currently living between Calgary and Toronto right now. I love creating music/listening to music, probably more than anything else in the world. I’m working on my debut album right now - so am super-stoked. Thank you all so much for listening to my music and for the support. Hope to see you on the road.

How It Feels is new. It is inspired by a dark time – the end of a relationship. Was it hard translating that hurt and upset into music?!

How It Feels was written in ten minutes in my basement. Haha. It was written from an experience I had from my trip to L.A. My friend sent me a beat, and it inspired How It Feels pretty instantly. I was so happy turning my anger, sadness towards someone into music; so, it was a very emotionally rewarding process which closed the chapter for me.

The video looks like it was pretty epic and interesting to film. What was it like filming it? Do you enjoy music videos?

I love watching music videos. You get to see the artists thought process when they were writing portrayed through visuals, which is super-dope.

For How It Feels; we started setting up at the first location at 4 P.M. and ended the shoot at 4 A.M. It was a long night, but super-cool to shoot at so many different locations. I love making music so I can make videos for it: I think they go hand in hand and people may relate to the video more than the song, or vice versa. But, it’s just another way of showing what you felt or experienced through visuals.

Have relationships, good and bad, played a big role in your career? Are you in a happier place at the moment?

I am in a really good place right now.

I’m surrounded by such great individuals and my family so it’s a really special time. As far as relationships go; the bad ones are the ones I write about. I typically don’t write happy songs: I like to write from a deep place and write the good and bad I experienced with that person all in one.

Is there more material arriving later this year?

There will, 100%, be new material this year. My third single will be released, hopefully soon; we’re just getting it mastered right now. After that, I will start working on my debut album, which I’m all kinds of excited for.

You hail from Calgary and started recording music aged fourteen – under the name of ‘Mackenzie Rose’. How do you think you have changed in the past five years?

Haha. I’ve changed a lot. I don’t listen to Country music - and haven't since I was fourteen. I was really into Taylor Swift though; so that influenced my sound then. Now, I’m just into different stuff and have grown a lot with my sound/style.

How important was it going to L.A. and experience a new creative and personal lease? Do you think you might move away in future years? Are you quite rooted right now?

I think it’s important to try going to different places. Everything is a different experience - and you get the good and bad, but getting out of your comfort zone is so important. I loved living in L.A.; I learned a lot about the industry when I was there and was surrounded by super-talented individuals. L.A. has such different vibe then Toronto. It’s a huge music hub for everyone around the world to gather which, I think, Toronto is now turning into.

Before I move anywhere again, I want to finish my album. When I get on the road, I feel like that will help me decide where I wanna be. I’ve always been super in love with London, though.

Which artists inspired you as a child? Has music always been in your life?

Music has always been in my life. When I was younger, I listened to JoJo, Taylor Swift; The Pussycat Dolls, Maroon 5 (love their early stuff so much); Hootie and the Blowfish, Hilary Duff; deadmau5 and Lilly Allen. It pretty much ranged from everything my parents listened to - to what was on Disney Channel.

Do you have any gigs lined up? Where are you heading?

I don’t have any gigs lined up. Hopefully, some shows will start in the summer. I’m super-busy creating right now.

Will you come and play the U.K. at all? Do you like the music over here?

I love the vibes in the U.K. The music that comes out of there is crazy-good. I’m so inspired by the sound over there. I will definitely come play there once this album is out.

If you had to select the three albums that mean the most; which would they be and why?

The Internet - Ego Death

I saw them live in the summer in Toronto and was like: ‘What the heck; who are they?!’ They have such an energy and vibe on stage. Love the beats, lyrics: everything is spot on. The perfect way to describe them is (chill Lounge music), which is so inspiring for my sound and vision.

Toro y Moi - Boo Boo

When I was living on my own in Toronto, a friend showed me Toro y Moi. I’d never heard of him and I was completely taken to a different universe. For the next five months, after he introduced me to him, Boo Boo was the only album I had on rotate. I would walk everywhere in the city by myself and his music made me feel so comforted everywhere I went.

The 1975 - The 1975 (Deluxe Version)

The first song I heard from them was Girls. I was hooked. I recently saw them in concert and there just incredible live. They have released so much since there early stuff and it’s all great music - absolutely my favourites. They inspired me to release music and be myself in this industry.

What do you hope to achieve in 2018?

I want to release this album, tour and constantly keep creating.

Have you got a favourite memory from your time in music – the one that sticks in the mind?

Yes. I was on the back of a motorcycle on the outskirts of Toronto and I got a D.M. from Bipolar Sunshine, who was, at the time, coming to Toronto to perform at the Drake Hotel. He asked me if I wanted to open for him. So that was pretty dope...

Obviously, I said yes.

What advice would you give to new artists coming through?

Just do your thing. The more original and true to yourself you are the more chance you have of being successful. If you have it in you then you're good. Stay true to the music.

IN THIS PHOTO: Alex Lustig

Are there any new artists you recommend we check out?

I’m digging Sam Austins, Lou Val and my super-talented homie, Alex Lustig.

Do you get much time to chill away from music? How do you unwind?

For sure. I live thirty minutes away from the mountains, so I get outside as much as I can. I get inspiration when I take time away from it and usually come back with lots of ideas, so it’s great. Honestly, I love it though; so, I don’t really need breaks from creating.

Finally, and for being a good sport; you can choose a song and I’ll play it here (not any of your music - I will do that).

Wasted Times - The Weeknd

____________

Follow Makk Mikkael

 Facebook:

https://www.facebook.com/makksmusic/

Twitter:

https://twitter.com/makkmikkael

Instagram:

https://www.instagram.com/makkmikkael/

YouTube:

https://www.youtube.com/channel/UCLBiBc97bABBIT-eavbho8w

Spotify:

https://open.spotify.com/album/7qCrxbKAlYDXCKVyYDFNcm

Soundcloud:

https://soundcloud.com/makkmikkael

INTERVIEW: Dom Fricot

INTERVIEW:

Dom Fricot

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I always enjoy chatting with Dom Fricot because he…

reveals something new and fascinating. This time around, the Canadian songwriter has been discussing his new track, Echoes, and what the tale behind it is. I ask what we can expect from the upcoming mini-album, Deserts, and whether there are gigs planned.

Fricot reveals whether he is coming to the U.K. and what the scene is like in Vancouver; which artists he was raised on; if there are any new artists worth checking out; what he has planned for the remainder of the year – he ends the interview with a pretty cool song.

___________

Hi, Dom. How are you? How has your week been?

Been great. Just got back to the Netherlands after a nice month of playing shows on the road in Canada. Been writing with the Folk Road Show and enjoying the arrival of spring.

For those new to your music; can you introduce yourself, please?

My name is Dom Fricot, I’m from a small town in BC, Canada called Salmon Arm. I’ve been in and out of bands since my late-teens and am currently putting out my third solo studio effort, Deserts.

The video for Echoes is out. I believe it was shot in Nepal. Were you there touring/playing at the time?

I wasn’t, no. I’ve never actually been. The filmmaker, who was interested in making a video for Echoes, was shooting other projects in Uganda and Nepal and pitched me a very loose concept for the video. Originally, I think he was going to do the project in Uganda - and just ended up having a better chance to do it in Nepal.

What were the people like who feature in the video? Was it a memorable experience?

As I wasn’t there, I can only speak from what Dwight has told me. I’m sure it was, yes.

Echoes is from the E.P./mini-album, Deserts. Is there going to be more material from the E.P. released into the world?

Yes. I had slotted to put out the entire eight tracks in March, but the label, Knight Vision Records (Warner) approached me and wanted to put out the album. So, some of the plans shifted a little. We’re putting out Deserts now in three parts: Pt. 1 was released digitally on April 5 and Part II should be out later this month.

What was it like recording the E.P.? What sort of themes were you inspired by during that time?

The E.P. was pretty exciting to make. We took a quite minimal approach, largely building around my Rhodes, loop station and vocal parts. The last ingredients were merely some synth, mostly bass and then Classical strings.

In terms of creativity and music; are you working on new stuff right now?

At the moment, I’m writing with my other project for Folk Road Show’s next album. I like to have about three times the material than what ends up getting recorded, so we’re in the middle of a lot of writing. It’s feeling pretty fresh and inspired, which is great.

Which artists did you grow up around? Give me a sense of the music you were raised on…

I have older sisters who were into everything from Wilson Phillips to Milli Vanilli and New Kids (on the Block) to Jon Secada, Janet Jackson and, of course, Phil Collins (smiles). My mother was a Beatles lover through and through – but, later she got into some strange stuff like Tony Byrd and Francis Cabrel.

Vancouver is where you are from. Are there a lot of great artists working in the city right now?

Oh yeah; always have been. Right now, man; so many stellar acts: Bend Sinister, Peach Pit; We Are the City, Lion Bear Fox; REGAL (ahem…side project); Young Blood, JP Maurice; Savvie and Fraankie. Such a wealth of talent - I know I’m missing so many...

Do you have any gigs lined up? Are you heading to the U.K. this year?

I’m moving into a period of touring with the Folk Road Show in May/June and back to Canada with them for the end of July and August. Then, back to some more solo touring. Balancing is tough. I need a manager. Any takers? (smiles).

What do you hope to achieve in 2018?

Seems lofty...but I’d like to get over a million plays on songs off of Deserts. Haven’t decided which: I’m just starting off by putting that into the universe.  

Have you got a favourite memory from your time in music – the one that sticks in the mind?

I wrote my high-school grad song with a good friend. We performed it in front of a few thousand people with only an acoustic guitar. Playing it in a packed arena was nuts. When they jumped up to applaud, I nearly fell over. The rush was so huge.

What advice would you give to new artists coming through?

Look for fellow musicians who you feel creative sparks with; people who push you to see and hear things differently and work hard to push each other.

Are there any new artists you recommend we check out?

Nimbus 3000.

Do you get much time to chill away from music? How do you unwind?

I like hiking, beaching and eating - in no particular order.

Finally, and for being a good sport; you can choose a song and I’ll play it here (not any of your music - I will do that).

Nimbus 3000 (ft. Fricot Cane) - ALONE

__________

Follow Dom Fricot

Official:

http://dominiquefricot.com/

Facebook:

https://www.facebook.com/domfricot

Twitter:

https://twitter.com/domfricot

Instagram:

https://www.instagram.com/domfricot/

YouTube:

https://www.youtube.com/user/dominiquefricot

Spotify:

https://open.spotify.com/artist/5HGZ6YBn36wAyz2uZn6FEq

Soundcloud:

https://soundcloud.com/domfricot

ALL PHOTOS OF DOM FRICOT:

Justin Broadbent

INTERVIEW: Vincent John

INTERVIEW:

Vincent John

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HIS latest single has been wrapped around my brain…

and coming into my vision at unexpected times. I have been speaking with the U.S. songwriter Vincent John about his new track, Shiny Car, and what compelled its birth. His E.P., Tangerine, is upcoming, so I was eager to know a bit more about it. I discover what the scene is like in Philadelphia – where Vincent John is based – and whether he will come to the U.K.

He tells me whether he is a fan of British music and what his favourite career memory is; if he gets time to switch off from music; which musicians have inspired him; what it has been like working with the legendary Lee Fields – Vincent John ends the interview by choosing a stunning song.

___________

Hi, Vincent. How are you? How has your week been?

Hello! Thank you for having me. I am very well - and hope the same for you.

For those new to your music; can you introduce yourself, please?

My name is Vincent John. I am a songwriter, musician; producer and artist.

Tell me about Shiny Car. What is the song about? Did it come together easily?

Shiny Car started out as an instrumental. I had just finished releasing my debut, Never Go Back, and felt this was a step in the right direction for the next batch of songs and, at the same time, an extension of Never Go Back.

It is taken from the E.P., Tangerine. Can you reveal the subjects and stories that compelled the songs? What sort of topics inspired you during its creation?

I pull from my own life and the lives of those close to me for inspiration. Occasionally, political themes creep in - but my intention is to create music that makes people feel good. I try to create metaphors for those themes when they do arise.

The E.P. brings together classic recording with some modern touches. Is it important you blend the old and new in your music?

Absolutely. Most of the music I love dates back to the '60s thru the '80s. But, it is important to me to try to bridge the gap between what inspires me and what most people relate to these days. It’s not easy but, in the end, it is very gratifying.

You have worked with Lee Fields, Nicole Wray and Aaradhna. Have those experiences been impactful and important?!

Working with these people has been a gift. All of those individuals, as well as ones not mentioned, have been very important to me as a person and an artist. I have an immense respect for those who I collaborate for and with. Not only are those some of my favorite artists, they are friends and role models who I consider myself lucky to know.

Which artists inspired you to get into music? Who do you count as influences?

I grew up listening to Motown. My mother loved the '60s and '70s Pop music, so that’s what I was listening to in my formative years. It’s hard to pin down one favorite but, for what it’s worth, I think the best (Soul) singers who ever lived are Sam Cooke and Marvin Gaye.

Philadelphia is where you are based. What is the area like in regards to music? Is it a good place to perform?

Philadelphia is known as a hotbed for Indie Rock and R&B. I love to perform in Philadelphia. It is my home and I’m proud of it. My favorite venues would have to be The Fillmore, Union Transfer and Johnny Brenda’s.

Can we see you tour soon? What gigs do you have coming up?

Yes! We are booking dates in PHL, N.Y.C. and L.A. right now for 2018. Stay tuned for more info soon.

Do you think you’ll play the U.K. this year? Do you like the music coming out of here?

I would love to make it across the pond with this project this year. I do tend to like a lot of what’s coming out of the U.K. these days - Michael Kiwanuka, Alex Francis; Pale Waves and Fishbach…to name a few.

 IN THIS PHOTO: Pale Waves

What do you hope to achieve in 2018?

A broader awareness of the music I am making for a generation in flux. I hope the records can brighten someone’s day every day...

Have you got a favourite memory from your time in music – the one that sticks in the mind?

I played L’Olympia in Paris with Lee Fields this January 2018. That was pretty moving. The Beatles, and countless others, have played there.

What advice would you give to new artists coming through?

Do as much as you can yourself to ensure your vision is not obscured. This day in age, you have to wear many hats, but don’t let the records suffer as a result - that’s always got to be number-one.

Do you get much time to chill away from music? How do you unwind?

I honestly don’t lately, but I am happiest when I am busy working. Occasionally, I’ll go on a vinyl buying tear - but that’s not really getting away from music, is it?! (laughs).

Finally, and for being a good sport; you can choose a song and I’ll play it here (not any of your music - I will do that).

William Onyeabor - Good Name

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Follow Vincent John

  Official:

https://vincentjohn.squarespace.com/

Facebook:

https://www.facebook.com/vincentjohnofficial/

Twitter:

https://twitter.com/vincentjohnsay

Instagram:

https://www.instagram.com/vincentjohn/

Spotify:

https://open.spotify.com/artist/5AkvLafnOnwOcDD7zCz8gd

Soundcloud:

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INTERVIEW: Jazz Mino

INTERVIEW:

Jazz Mino

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THIS is not the first time I have featured Jazz Mino…

on these pages. She has been talking about her new single, Warriors, and how it differs from her much-loved interpretation of Crush. The songwriter reveals new artists she is responding to; what it is like being based in London; whether she has had time to reflect on a busy, successful 2017 – she looks ahead to gigs and ambitions for this year.

I ask Mino whether there will be more material and how she crafts that incredible stage presence. She selects her favourite albums and reveals some important advice for new artists – telling me how she spends her time away from music.

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Hi, Jazz. How are you? How has your week been?

It’s been great, thanks, despite the miserable rain in London! Spent my weekend trying to battle the weather, failing...and then settling on hiding inside and finishing up my Easter eggs.  

For those new to your music; can you introduce yourself, please?

Hey, everyone. My name is Jazz and I’m a singer-songwriter most known for my single, Crush, which hit number-five in the U.K. club charts. I used to hate marmite but now I love it. But, there was a weird transition period where I was sort of ‘meh’; so I still disagree with the slogan (smiles).

Warriors is your current track. Can you reveal the story behind it?

I think I speak for a quite a few people when I say 2017 was a pretty rough year and I really wanted to write a song about standing together and knowing that, no matter how bad things get, your squad have always got your back. I needed a song that would uplift me on those days where I’m down - and I really achieved that with Warriors. When I listen to it, it gets me into the mindset of being able to achieve anything.

How does it differ from previous tracks like Crush? Did you adopt a new persona and colour scheme for Warriors?

Crush was quite a playful track about not over-thinking things and I think Warriors shows a different, bolder side to my personality. Singing Warriors makes me feel more connected to my friends and fans, as it’s about how they’ve made me feel and the confidence and courage they’ve given me to rise up through difficult times.

The colour theme for Warriors is blue/double denim. I associate the blue with feeling downbeat and double denim is something which has really come back and started trending again over past year. So, the theme is sort of a play on this: feeling down and coming back with a bang….

Do you think we all need to find strength and togetherness this year? How important is music in that regard?

I do and it’s very important to me that my music speaks from the heart. I strongly believe that, if we all support each other more and give out more kindness, the world still might not be perfect but it would be an easier place to live. We live in a very individualistic world where the focus is on bettering yourself in all aspects of life - leaving no time to spare for anybody else.

In London, it’s very easy to get completely caught up in this idea and, whilst I think it’s healthy to have goals and focus, there needs to be more of a balance. For me, life isn’t just about self-improvement; it’s about embracing each moment and sharing happiness and laughter amongst others.

Will we see more material later this year? What are you working on?

I might have a few more releases planned for this year! You’ll just have to keep posted on my socials (smiles).

(Vero – Search ‘Jazz Mino’ for new song previews and exclusives).

You had a busy 2017! Have you had time to take it all in? Do you feel you have grown in confidence as a songwriter?

The past six months have been a bit of a whirlwind but, to be honest, I’ve just tried to enjoy everything as it comes and it’s been a great 2018 so far. In terms of songwriting; I’ve definitely got more confident with speaking my mind and putting out music that I’m really proud of and love. When you put your all into something and it connects with you on such a deep level, it’s the best feeling to hear that it’s connecting with others in the same way. 

What is it like living in London? Does the city provide inspiration for you? Is it quite challenging finding that work-relax balance?

I really love London but, yeah, it can be tricky finding a work-life balance…especially when I love working on my music. But, no matter how much you love something, I’ve realised, over the past few months, that you still need a mental break. I work from home a lot, songwriting and recording, and it’s so easy to let a whole day slip by without even going outside.

Lately, I’ve been making a conscious effort to make sure I give myself a proper lunch break completely unrelated to music - and it’s really helped this balance and to get some perspective.

What do you hope to achieve in 2018?

I’m very much focused on enjoying everything as it comes along; so, I guess I don’t have any strict goals. I’m looking forward to releasing some new material and hoping that it connects with everyone as much as my last three singles do. I love singing my stuff live, too, so I’m also looking forward to playing more gigs.

If you had to choose the three albums that mean the most to you; which would they be and why?

Right now, my favourite albums are:

Someone Out There – Rae Morris

Don’t Kill My Vibe (E.P.) – Sigrid

Melodrama – Lorde

Can we catch you perform anytime soon? What dates do you have coming up?

Yeah. My next London show is:

18th April: The Old Queen’s Head, London. Tickets available here.

Your performances and stage manner has been praised. Do you feel at your most comfortable on the stage?

Being on stage and singing my heart out is one of my favourite things to do in the entire world. There is just no feeling like it. I really do give my everything on stage and being up there, communicating my inner-most thoughts, vulnerabilities and feelings is euphoric. I love sharing my music online with the world but I think there’s something so special about connecting with my fans at a live gig.

I also tend to play all my unreleased material at gigs, so it’s nice for my fans to get a sneak preview of what’s next on the release radar!

Have you got a favourite memory from your time in music – the one that sticks in the mind?

That time one of my favourite artists, Oliver Nelson, got in touch to say he wanted to remix my song! That’s a big high of my music career so far. Also; being championed by one of the senior editors at Spotify for my voice and live performance. He literally changed my life and continues to support my music. 

To be honest, there are so many amazing highlights! I feel incredibly humbled and grateful.

What advice would you give to new artists coming through?

Be yourself, trust yourself and don’t let anybody make you feel less than...

Are there any new artists you recommend we check out?

I recently came across the Indie-Pop band, Zkeletonz, who I highly recommend. I saw them live for the first time last week and they were brilliant! So full energy and fun.

My other favourites of 2018 are Rae Morris, ALMA; Lauv, Sigrid; RAYE, Grace Grundy and Tara Carosielli.

IN THIS IMAGE: ALMA

Do you get much time to chill away from music? How do you unwind?

I have little time, but I’m trying to make the most of that time. When everything is always so exciting, it’s hard to turn your head away for even a second - but, I’m learning to appreciate and love my downtime just as much as music.

I love running, long walks in the park and catching up with friends and my family. One of my sisters is pregnant at the moment, so that’s really exciting (and it’s the first time I’ll be an auntie!).

Finally, and for being a good sport; you can choose a song and I’ll play it here (not any of your music - I will do that).

One of my favourite songs and artists at the moment...

Atletico (The Only One)  – Rae Morris

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Follow Jazz Mino

 Official:

http://www.jazzmino.com/

Facebook:

https://www.facebook.com/JazzMinoUK/

Twitter:

https://twitter.com/Jazz__Mino

Instagram:

https://www.instagram.com/jazz_mino_uk/

YouTube:

https://www.youtube.com/user/JazzMinoUK

Spotify:

https://open.spotify.com/artist/2uiFUbeyr7hVJrlnjolYct

Soundcloud:

https://soundcloud.com/jazzmino

INTERVIEW: Comfort

INTERVIEW:

Comfort

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MY eyes are cast across the musical landscape…

in search of great bands that can fill festival tents and stand in the mind. There is a lot of competition out there but, riding near the top of the pack, we have Comfort. The guys chat to me about their Comfort EP and what sort of ideas go into it; whether there is a song that stands aside; how they all got together – whether we can see them tour this year at all.

I learn which artists inspire them and how they spend downtime away from music; what their base of Brighton is like in terms of opportunities and vibe; they choose a song each to end the album – recommending a great new artist to look out for.

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Hi, guys. How are you? How has your week been?

Brendan: Hey! So far, so good. Been writing some demos in my bedroom and getting some stuff recorded, which is exciting me.

For those new to your music; can you introduce yourselves, please?

We are a three-piece born and bred on the South Coast. We’ve been together since late-2016 and have been writing and recording by ourselves ever since. We like to push ourselves, genre-wise, and aren’t really tied down to a cookie-cutter format of writing songs. That’s why it’s exciting to be in this band: we kind of just write and play how we feel in that time, whilst obviously not straying too far to the point of people not recognising the band.

Your Comfort EP is new. Can you describe the stories and ideas that influenced the songwriting?

Yeah. It came out on 2nd April after a string of singles released since January. Well, the four tracks were all the really early solo demos I made and we decided to spend time over the band’s duration to make them the best they can sound but still hold onto the energy of when they were created. That’s why we thought it was nice to release the songs in order and not lose them. The early stuff was very influenced by a strenuous and deeply affecting relationship with my first love, and the songs were just an expression of what I was feeling at the time.

Comfort is pretty literal in that regard and was sort of written as an emotional release; Pass Me the Syrup and Their Laughter Is a Killer were attempts to counteract sadness with wigged-out fun. In the end, we felt they all deserved to be on the debut E.P. as an introduction and expression of that specific time in our lives.

Is there a track from the E.P. you would select as highlights?

I think Comfort. It’s hard to have an opinion on my own songs, but there is something about that track for me, personally. Musically, it’s dreamy and hazy but also directed. Really, it’s a just a vulnerable, messy love song. The person in that song does feel kind of weak and defeated in parts and bold and positive in others; the topsy-turvy-ness I like. Lyrically, it was kind of hard to put out there as it was so personal, but now that it has transcended that emotion, I just like the track sonically. Pass Me the Syrup is probably the consensus, though.

That’s fun to play….

How did Comfort get together? Is it true you are all childhood friends?

It started out as demos by myself. The songs were very different to what I had made in the past and think that was a direct reaction to my messy emotions at the time. Then, James and Jake joined me and we made it work in a live setting and we continued to grow from there. Jake and James adding parts, writing drums and bass lines; working off each other to push the songs to another place.

Yeah, we’re all childhood friends who have had many musical projects separately and together - but we kind of looped back around and started making music again together, which is awesome.

Can you remember the music you were listening to back then? Are there particular artists that inspired you to start a band?

Yeah, for sure. I think the early stuff we got into that made us realise that music wasn’t just the charts were Nirvana, Radiohead; Jeff Buckley…around the ages of sixteen-eighteen or so. I mean, there are loads. I specifically remember listening to Nirvana for the first time when I was, like, eleven and thinking: ‘Woah… this is a big deal’.

What is Brighton like in terms of inspiration and its people? Is it a great city to perform in?

Brighton is just a small, artistic; bohemian, unique little hub of creativity. It’s a great place to perform and just be in. Like any place, it has its ups and downs, but as beach towns go, it’s up there with the best. If it were summer all year round, it would put the cherry on the cake.

Do you have any gigs lined up? Where are you heading?

Our next gig is at The Waiting Room in London. We’re supporting MOHIT alongside Purs. It’s great, as MOHIT are also childhood friends, so all getting to share a space and play together is awesome. We really bounce off of each other, creatively. It’s going to be a good one. Other than that, we are just planning the year ahead gig-wise, with a few exciting things on the horizon.

How important is it to gig and get onto the stage? Can you describe the sensation of being on stage and performing?

It’s, basically, what you do it for. Writing the songs in a small bedroom, recording for countless hours; mixing, mastering…all that, it’s just so we can get on a stage and connect with an audience face to face. As I’m also an actor, the ‘performance’ side of things is really important to me. For me, anyway, it’s kind of a hazy feeling on stage. I blink and the set is over. Not to say I don’t enjoy myself, but all forms of performance I kind of float away. I think I need to ground myself sometimes. Hopefully, that doesn’t sound too silly...

Making sure not to think too much is key, I guess but I also love the idea of real honed stagecraft and showmanship; so, pushing into that direction would be awesome. People not just seeing yet another gig, but a show. We’ll hopefully get there one day. For now, though yeah; it’s just us playing instruments and having fun. The show is kind loose and carefree at the moment, which is a blast.

If you each had to select the one album that means the most to you; which would they be and why?

That’s always such a hard question…but I guess I would go with Kid A by Radiohead

I know that’s kind of an easy answer. It’s just a daring record. Divisive, important and timeless. It means a lot to me, personally, and inspired my approach to songwriting, like, hang on; why can’t music just be music and not a tick box of genre pleasing tables and graphs?!

James: Mine is Sketches for My Sweetheart the Drunk by Jeff Buckley

My reasons for this are because it's the first album/mixtape I heard that didn't have to be a certain way. Capturing the energy and ideas of the songs with so much rawness. Its low-fi vibe makes you feel like you're there. A very inclusive body of work.

Jake: Doolittle by Pixies

I learned to play by listening to that album on-repeat and working out the bass lines. It's pretty much why everything I write is so simple. Alternative answer: Willennium - It's a fuc*ing masterpiece.

What do you all hope to achieve in 2018?

Brendan: I’ll just settle for nice weather and good tele at Christmas. Lots of shows and more recording with new and exciting people would be nice, too. We’re currently working on the follow-up singles and E.P. and would be lovely if we kept up the momentum of releases and get stuff out, sooner rather than later.

Have you each got a favourite memory from your time in music – the one that sticks in the mind?

For this band, specifically; I guess recording the debut E.P. We recorded at Nice Weather for Airstrikes Studios in Puburough and just being in the countryside for the weekend, hashing out these songs I wrote on a laptop in my bedroom; it was, creatively, very rewarding. Also, recording and mixing it ourselves was a great learning experience and added to the personal vibe of the songs.

What advice would you give to new artists coming through?

Blimey. I don’t really feel like I can give advice as we’re basically babies in this industry. I guess: don’t ever compromise on your craft, have fun; be kind and polite to people and don’t forget why you wanted to do it in the first place.

Are there any new artists you recommend we check out?

I’ve been listening to Anna Burch’s new record, Quit the Curse, on-repeat, so I’d give that a go. A lot of new music that people are fawning over isn’t quite hitting me - but there is some great stuff out there if you look hard enough.

Do you all get much time to chill away from music? How do you unwind?

The other night, I watched, like, six hours of golf, which is like meditation to me. I love the outdoors too, like the woods, especially - but I don’t get myself motivated enough to go regularly. I’m a very frantic person, mentally and physically, so chilling is important, otherwise, I’ll just burn myself out before dinner. Reading. Watching movies. All the usual, nice stuff…

Finally, and for being good sports; you can each choose a song and I’ll play it here (not any of your music - I will do that).

Great, cheers!

Brendan: Unknown Mortal Orchestra - American Guilt

Jake: Air – Sexy Boy

James: Ski Mask The Slump God - Catch Me Outside

It's a loose-trap record with references to cartoons I watched growing up - and, also, captures a moment in time

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Follow Comfort

Official:

https://www.comfortmusic.co.uk/

Facebook:

https://www.facebook.com/comfortmusik/

Twitter:

https://twitter.com/comfortmusik

Instagram:

https://www.instagram.com/comfortmusik/

YouTube:

https://www.youtube.com/channel/UCjNibnRUAuqR2eQ0vrT9-TQ

Spotify:

https://open.spotify.com/artist/5r8486KI1AEkNxLYnxXrgG?si=-bYgLofdQHeacoujfcMNFA

Soundcloud:

https://soundcloud.com/user-697838429

INTERVIEW: Dead Man’s Knee

INTERVIEW:

Dead Man’s Knee

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WITH a fantastic single out there….

it was a good moment to speak with Dead Man’s Knee and find out more. They talk about Pleasure and what inspired the single. They tell me about their formation and influences such as Funkdaelic; whether there is more material brewing in the camp – the members each choose an album that means a lot to them.

The Rock band reveal what they do when not making music; new artists worth looking out for; what sort of gigs they have lined up; if they each have a favourite memory from their time in music – the guys all select a kick-ass song to conclude the interview.

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Hi, guys. How are you? How has your week been?

Hi. It’s been a pretty good week. We’ve all been busy promoting our new single, Pleasure. It seems to be going pretty well - and we’re happy with the reception it’s been getting.

For those new to your music; can you introduce yourselves, please?

Well. We’re a four-piece Rock band from London called Dead Man’s Knee. Angelos is a Greek living in London and he plays the guitar; George is also a Greek living in London and he plays the bass; Leonn is our drummer; he’s from Walthamstow in North East London and Del is from Brixton in South London and he plays the guitar and sings. 

I like the sound of Pleasure. How did the song come together? What inspired it?

Pleasure was one of the very first songs we ever wrote together but it went through about three different versions before we settled on the version that we finally released. The melody and the lyrics stayed pretty much the same as they are now - but the music changed drastically.

Musically, the song was inspired by a wide range of things; underneath all of the distorted guitars and the Blues influences that are pretty obvious to the ear. There’s this '60s R&B and Motown vibe in the drums and bass. It’s a song for dancing.

It, in a way, rallies against the image of Rock. What do you think of the new breed of Rock/Punk bands? Does the return of a band like Arctic Monkeys hint at a genuineness that has been missing?

The intention wasn’t so much going against the image of Rock per se: it was more saying you don’t have to do what everyone else expects you to do; you should be able to live your life in a way that makes you happy without feeling guilty about what you like or ashamed for enjoying yourself. We don’t really have a set opinion on the new Rock and Punk bands that are out there. As is always the case, some are good some are not to our taste...

We’ve said before, we really like what Royal Blood are doing. We also really like what Nothing But Thieves have been doing as well. As for Arctic Monkeys; we’re excited to see where they go musically after AM. That had a lot of different influences; from Hip-Hop and R&B mixed into their core sound (and made for an exciting record).

How did Dead Man’s Knee come together? Did you instantly know you set up a band?

Del and Angelos had known each other through George and some other mutual friends for a while - but had never played in the same bands because most of what we did as session musicians only required one guitarist.

So, as an excuse to play together, we decided to have some late-night jams and things kind of kept going from there. We all really enjoyed the music that we were making together, so we just kept doing it and started writing songs based on bits of those jams. At some point, we decided we should give ourselves a name and, now, here we are...

I hear shades of Funkadelic in your tones. Which artists are most important you all?

We love Funkadelic, so we’re glad you can hear that influence in what we’re doing.

We’ve got such a mixed bag of important influences from the Blues legends like Muddy Waters, John Lee Hooker and the Chess Records artists to the Gospel influences of Andre Crouch and the Edward Hawkins Singers; from Led Zeppelin and AC/DC down to Queens of the Stone Age and The Foo Fighters.

Might we see more material later this year? What are you guys working on?

Right now, we are working on an E.P. called Fear of Flying - Pleasure is actually the first single from that project. We’re intending to put out another single from that later this year and then the E.P. should be ready for release towards the end of the year.

If you each had to select the one album that means the most to you; which would they be and why?

Angelos: AC/DC – Who Made Who

Because it was the first album I bought when I was eight-years-old and it made me want to play the guitar and be in a Rock band.

Del: It’s really, really hard to select just one - but I’ll say Lewis Taylor’s first album. It’s just called Lewis Taylor and it’s one of those albums I’ve never stopped listening to since the first time I heard it.

George: Miles Davis - In a Silent Way

Because it’s optimistic, it’s dirty; it’s stressful, it’s peaceful; it’s a constant journey through feelings and emotions.

Do you guys have any gigs lined up? Where can we see you play?

Playing in front of an audience is where we are most at home and the songs really shine in a live environment. As of right now, we don’t have any gigs booked in but we are working on some festivals for the summer and we’re hopeful that, once the E.P has been released, it’ll get enough support for us to get out on a small tour.

If people keep up with us on our social media, we’ll be letting everyone know about our next shows as soon as we’ve got everything confirmed.

If you had the chance to support any artist, and choose any rider; what would that include?

If we could support any artist on tour right now it would probably be the Foo Fighters. As for the rider; we’ll take everything on the menu times four, please.

What do you hope to achieve in 2018?

The plan for 2018 is to get the E.P. finished and get that released so people can start hearing who we are and what we bring to the table; then get out on the road and let people come and see and hear how we do it live. It’d be nice to really get a good buzz going so that we have something to springboard onto the next phase of our evolution as a band…

Have you each got a favourite memory from your time in music – the one that sticks in the mind?

Angelos: Most of my friends come from music and are musicians so, whenever I see friends, I have happy musical memories

Del: Every time I look around on stage and realise I’m playing music I love with friends I love. Sometimes, it can be very overwhelming realising how lucky I am to be able to do that.

George: I have way too many memorable music moments to be able to choose just one: my whole life is music.

What advice would you give to new artists coming through?

Keep doing what you do because you love it, and don’t give up on your dreams: keep chasing them until you catch them because, eventually, you will…

IN THIS PHOTO: Michael Jablonka

Are there any new artists you recommend we check out?

Michael Jablonka, Kadija Kamara; Jodie Abacus, Sebastian Blake; Marli Artiste; Neon Family, K N DÉ and Blue Lab Beats.

IN THIS PHOTO: K N DÉ

Do you all get much time to chill away from music? How do you unwind?

We all enjoy spending downtime with our respective families and we like a bit of sport; mostly basketball, football; boxing or watching Formula 1. Music is always there, though. Even when we’re relaxing; we all have other artists we work with and projects we’re involved with – as well as Dead Man’s Knee. Some for work; others just for fun.

Finally, and for being good sports; you can each choose a song and I’ll play it here (not any of your music - I will do that).

Michael Jablonka – I Found You

Kadija Kamara – Nothing Left to Lose

AC/DC – Ride On

Soundgarden – Black Hole Sun

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Follow Dead Man’s Knee

Facebook:

https://www.facebook.com/Deadmansknee/

Twitter:

https://twitter.com/deadmansknee

Instagram:

https://www.instagram.com/deadmansknee/

YouTube:

https://www.youtube.com/channel/UCqq7h2sGckk7lQv92snas1Q

Spotify:

https://open.spotify.com/artist/1AzAoFQlAhx2dwvViKn1W6

Soundcloud:

https://soundcloud.com/deadmansknee

INTERVIEW: Unparalleled Height

INTERVIEW:

PHOTO CREDIT: Kyle Hines

 Unparalleled Height

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THERE is enough grit and raw power…

in the arsenal of Unparalleled Height to power a nuclear power station! The Pittsburgh band talk about their music and what they have planned for the future. I ask why they covered Zedd and Alessia Cara’s song, Stay, and what we can expect from their forthcoming album.

The guys talk about influences and the scene in Pittsburgh; whether they are coming to the U.K. this year; what they hope to achieve before the end of the year; how they spend time away from music – they end the interview with some awesome songs!

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Hi, guys. How are you? How has your week been?

I am doing well! This week has been very exciting in terms of releasing our new single, Stay. It has been great to see the reaction from our fans and new listeners!

For those new to your music; can you introduce yourselves, please?

We are Unparalleled Height; a Metal band from Pittsburgh, PA in the United States. We started the band in 2011 when we were seniors in high-school. We started out, originally, playing shows where we covered songs by bands like Avenged Sevenfold, Bullet for My Valentine etc.

Those bands became our biggest influences as we started writing our own music. Over the course of the last seven years, we have evolved quite a bit. We believe that our newest single, Stay, shows the process of that evolution taking place.

What was the reason behind covering Zedd and Alessia Cara's single, Stay?! Was there something in the song that stood out?

This, truly, began as an idea when had a total shift in the way we began looking at releasing music. We want to keep our fans interested by releasing music between our E.P. and album releases. So, we decided to do a Pop-goes-Punk-esque cover. We wanted to challenge ourselves by covering a Pop song. We really enjoy taking songs and making them our own. It is fun and a totally different process than writing original music.

The reason behind doing Stay is that our vocalist, Dave, is actually a fan of Alessia Cara. We took a look at a few different Pop songs that were rather popular and decided that Stay was a great choice for many reasons.

Was it quite hard transforming the song and producing the version you have out?!

Truthfully; it came together much faster than we anticipated. This song came together rather naturally.

How long did it take to get the song together? Were there quite a few different takes?

The outline of the song came together in a little over a week.

We had a pretty good vision of what we wanted the song to be like and then we executed it rather fast! The guitar solos and other production elements took some additional time to piece together. Even with this, the actual writing of the song did not too long!

Is there going to be more material coming soon? What are you working out?

The first volume of Resurgence, a two-E.P. feature, was released back in September 2017. That is available worldwide on all platforms: iTunes, Spotify; Apple Music, etc. Resurgence, Vol. 2 will be released in the near-future. We are very excited about it. It has a somewhat different feel and vibe than Volume 1. There has not been a definitive release date set for it yet, but that will be coming very shortly.

How did Unparalleled Height get together? How did you all find out another?

CJ (Lead Guitar), Justin (Drums) and I actually all went to school together as far back as middle-school. Some of the other original members were in the same boat as well. We played in concert band together back then. As we grew older, we all developed a very similar taste in Rock and Metal.

One summer, before our senior year of high-school, CJ, Justin and I got together and jammed. The rest is pretty much history after that! We met our bassist, Marshall, in college. Things naturally clicked!

What sort of music did you all grow up around?

Each one of us would have a different answer here - and I can only speak for myself. I grew up around many different kinds. My mom is very into Classic-Rock and other great artists such as Elton John and Stevie Wonder. I grew up around a lot of Classic-Rock and artists like that!

Pittsburgh is where you are based. Is there quite a big and active scene there?

That really would depend on who you talk to, I guess. For us, we really aren't a part of the Pittsburgh music scene. Our following began to grow in a national and global way ever since we started releasing music. So, for us, we are in a little bit of a different situation. I do have many friends that are a part of the Pittsburgh music scene...

I want nothing but the best for it!

Do you have any gigs lined up? Where are you heading?

As of right now, we have been focusing, primarily, on getting music out online and trying to get our fans excited as well as attract new listeners. We don't have any gigs lined up at the moment, however; we have been discussing some possible tours.

Will we see you come over to the U.K.?

I believe it is only a matter of time for that. We have a rather large U.K. following - in proportion to our total following, that is. A lot of our page ‘likes’, followers; streams, etc. come from the U.K. and mainland Europe. Hopefully, we can get over there A.S.A.P. We've had a lot of fans waiting for quite some time.

What do you hope to achieve in 2018?

Stay was a big focus for 2018. The release of Resurgence, Vol. 2 is next up! After that, we have something else, cover-wise, up of our sleeve that we are incredibly excited about. I think people are going to be caught by total surprise in terms of the song. We are looking into some other things at the moment as well that I cannot speak about quite yet! They are quite exciting - and I can't wait until we can share them.

Have you each got a favourite memory from your time in music – the one that sticks in the mind?

I would have to say watching our song, Embrace the Storm, played on NBC Sports during World Series of Fighting would be up there for me, personally. That was awesome to see.

What advice would you give to new artists coming through?

That is a tough question....

There are so many details I could go on about. I think the most important thing is to truly develop a strong mindset and resilience. I think, if artists can do that, it will solve 95% of their problems that they will meet along the way. If you stay in the game long enough and work hard at it, success will eventually find you if you make great music. That is the most important thing: make great music.

Are there any new artists you recommend we check out?

Personally, I have been very into a lot of different stuff. There are so many great artists out there; it would be hard for me to name only a few!

Do you get much time to chill away from music? How do you unwind?

I really enjoy working out. It is a great way for me to release a lot of stress and emotion in a positive way.

Finally, and for being good sports; you can choose a song and I'll play it here (not any of your music - I will do that).

Polaris - Consume

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Follow Unparalleled Height

 Facebook:

https://www.facebook.com/UnparalleledHeight/

Twitter:

https://twitter.com/UPH_Official

YouTube:

https://www.youtube.com/user/UnparalleledHeight1

Spotify:

https://open.spotify.com/artist/30N8IA37Wc4Dk83DTOFq5p

INTERVIEW: jellyskin

INTERVIEW:

jellyskin

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IT has been a real ball…

speaking with Will and Zia of jellyskin. The guys talk to me about their new single, Judder, and what its story is. I ask where they are heading now and what new material is coming; if they have tour dates booked and, as they are based in Leeds; I was curious to ask what the scene is like in the North.

The duo reveals new acts to watch and what music they are inspired by; how they spend their time away from music; what sort of music they grew up around – they provide some useful advice for new artists.

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Hi, guys. How are you? How has your week been?

Will: Yeah, alright. It was nice to release some new music because we haven’t done that in a long while.

Zia: We’re in our final year at uni, so things are getting a bit stressful - but putting music out always cheers me up!

For those new to your music; can you introduce yourselves, please?

Will: I’m Will and I play the guitar and sing a bit and tend to make most of the beats.

Zia: I’m Zia and I sing and play synth.

How did ‘jellyskin’ come to be? Zia and Will. How did you come to work with one another?

Will: We met at uni and started going out, and then decided to make music. I think it’s a bit problematic if you get bands that were first bands and then people start getting involved with each other. We had a life before the band for almost a year before we started jellyskin. I reckon it must be quite weird to start going out with a bandmate; almost like a cousin or something, but y’know, as they say, each to their own...

Zia: When we first got together, Will was in another band and I was making my own stuff, but we were always on the same wavelength in terms of the music we listened to or created. After a while, we thought it’d be fun to start our own band…

Judder is your new single. What is the story behind it?

It was a sketch that Will brought to the table and it was so promising. I helped to flesh it out with some ideas I had and we spent a bit of time honing it, then recorded it with our friend Theo Cookson at his studio. He engineered and co-produced the song, which was a great experience because he’s enormously talented and a really positive creative influence on us.

Will: It was nice having another pair of ears as, before Theo’s input, it was a little more monotonous; he encouraged us to break the song up a bit. I used his steel pan on the song too which was fun.

Zia: In the past, we’ve really enjoyed shooting music videos for our songs so we definitely wanted to release Judder with its own video. I think the visual aspect of the band is really important as it adds that extra bit of depth.

It was great to film in the Hyde Park Picture House as it’s such an iconic place.

Do you feel there will be more material coming later this year?

Definitely - and we can’t wait! We’ve got a couple of songs that are pretty much finished that we’re so excited about - we’ve got the writing bug at the moment.

Will: We’ll hopefully record them soon - and they’ll be out over summer.

Listening to Judder; it seems you have changed courses and stepped away from that dreamy sound. What was the decision behind that?

I suppose we just decided to make music with a bit more bite and we were probably just listening to more abrasive music. I like to think I listen to a wide range of music, but what usually happens is that I kind of oscillate between different types of music.

At the moment, I’m listening to poppy, pure ‘happy’ stuff like Michael Farneti, the Alessi Brothers; Arthur Lyman and Esquivel but, if I remember during Judder, I was exposed to the delights of artists like Kahn, Commodo and Pinch, and revisited stuff like Throbbing Gristle, Sote; Neubaten etc.

Zia: It wasn’t a conscious decision as such, but we definitely resented being categorised as a ‘Shoegaze’ band just because our first couple of releases half-fitted that description. We love trying new things. As lame as it sounds, we don’t want to be pigeon-holed as a certain type of band in one genre. As Will said, Judder was spawned from a period of listening to a certain type of music and that, inevitably, infiltrates your creative mindset.

Leeds is where you are based. What is the music scene like there? Do you think the North gets as much respect as it deserves?!

Will: It’s alright. We’re never sure whether there’s a ‘scene’ there or not and, even if there is; I don’t reckon we’re part of it - we wouldn’t want to be. We just like to do our own thing. Scenes have a tendency to be very cliquey - if they’re based around similarities in sound - so it’s probably best to (just) have a load of people doing different things in the same place, rather than any ‘scene’.

That’s an interesting question. I’d say that it probably does, simply for its long history of producing amazing stuff. It’s like anywhere, really. Everyone’s aware of music that’s come out of Manchester, Sheffield etc. Obviously, London seems a focal point for music and maybe this diverts a little attention away from smaller places like Bristol, Sheffield or Leeds for the ‘average’ music fan who isn’t hell-bent on finding new artists. But, in terms of respect, I think it garners lots of it.

Zia: The North is the best! We don’t feel part of a ‘scene’ but we’re very much aware and mutually supportive where we can be of other local bands, i.e. Hookworms, Team Picture; Girl Sweat etc. who are all fantastic in their own right. The North has that special atmosphere that you can’t quite pinpoint - the creative communities in the North just feel friendlier, more accepting and less ‘cliquey’ and stifling than some of the London scenes, which sometimes come across as unwelcoming or just too broad. But, yeah; as Will said, we don’t want to be lumped in with a group of bands – although, we’re supportive of our fellow strugglers.

Will: Also, with a ‘scene’; you will always be considered alongside and in relation to other bands. What people think of you isn’t hugely important, but it must be a bit disheartening for every comment to mention three other of your contemporaries.

What sort of music did you grow up around? Did you each come into music through different paths?

Pretty classic stuff that has mostly stayed with me like Doves, The La’s (an all-time favourite) and Stone Roses - fairly homogenous stuff, but good nonetheless. I grew up in Bristol so I was also exposed to Massive Attack, Portishead; Tricky - all that good stuff - and they’ve all stayed with me.

It took until I was about fourteen-fifteen to really start immersing myself in music. The main route in was having friends that were all getting into music at the same time, as well as all playing in bands and later on putting on gigs. So, you’re just exposed to more stuff earlier on and get that hunger to play live sooner. Having a good independent record shop (Trading Post in Stroud) was definitely influential too.

Zia: My parents were both active in the '70s/'80s Liverpool Punk scene, so I’ve always been into that stuff - but they have a whopping music collection that I’ve always been surrounded by, e.g. lashings of Dub, '60s Pop;  techno, The B-52’s, Patti Smith; Soft Cell etc…just anything and everything really. As I got into my teenage years, I started expanding my knowledge a lot more as well and really delved deeper into the things I was brought up on like The Doors, Nick Cave...

I could honestly go on about my favourite music forever; so I’ll just stop it there.

Are there tour dates approaching? Where can we see you play?

Will: We’ve got a few things in the pipeline that are yet to be announced but follow us on social media to stay up to date.

Zia: Towards the end of May/early-June we’ll be out and about, so keep an eye out!

What do you hope to achieve in 2018?

Will: We’d love to do some bigger gigs and play new places. We really want to play a festival or two in 2019. That’s the dream.

Zia: My hopes for 2018 are to play to larger audiences, go on tour with a band we love and release some more music that we’re proud of. Glasto 2019 is one of my ultimate goals.

If you each had to select the one album that means the most to you; which would it be and why?

Will: The first Velvet Underground album is unequalled for me. It’s as close to perfection that anyone’s got. Sublime. I think it was the first thing Zi noticed when she first came round my flat, too…

Zia: Yeah. The Velvet Underground & Nico is a special one for us. I think I’m going to go for Nuggets: Original Artyfacts from the First Psychedelic Era, 1965-1968, as it’s just loaded with memories for me; blasting it out of the car on family holidays, meeting Will; parties with friends…it’s the king of compilations. (Assembled in 1972 by Lenny Kaye, who went on to be the lead guitarist for the Patti Smith Group). I just love that it’s a collection of amazing songs by bands that never quite ‘made it’ in the '60s - it’s an important, influential time capsule.

Have you got a favourite memory from your time in music – the one that sticks in the mind?

Will: Supporting The Moonlandingz at The Leadmill was amazing. It’s the biggest place we’ve played and it was just a great experience. I also got recognised by Faris from The Horrors after one of their gigs in Leeds. We’d sent our music to them months previously and, for some reason, he remembered my face. They’re one of my all-time favourites, so that was pretty crazy.

Zia: I was so annoyed that I wasn’t with Will for that Faris encounter. Playing The Leadmill was pretty overwhelming (in the best way). But, we recently played a brand-new song at a gig and it went so well that we couldn’t stop grinning on stage - little moments like that are my favourite!

What advice would you give to new artists coming through?

Will: Practically-speaking: just shout about your band/project as much as you can. Send your music to anyone you can: you never know who’s going to listen. Even if someone sees your name in the email or whatever and doesn’t think anything of it, if they chance upon your name again, it’ll ring a bell and they might check you out.

Also, write as much as you can. Have band practice as much as you can. I always remember what (John) Cale said about how he and Lou felt about making music in The Velvets: he said: “The work is more fun than the fun”.

I would also downsize as much as you can; it’ll make you think about arrangements and song structure more, also…life’s too short to be worrying whether the third guitarist will make it to band practice.

Zia: Don’t worry about pleasing everyone. I can be thin-skinned at times but I’m also good at not caring what people think about me or the band. You’ve got to focus on pursuing songs and making decisions that are right for you, before anyone else. You know your band best and if someone gives you advice or makes you an offer that doesn’t sit right, don’t feel guilty about not taking it. 

Get some material behind you before you start making social media accounts and booking gigs, too. Write, rehearse; perform and spread your band’s juicy seeds wherever you can.

Are there any new artists you recommend we check out?

Will: Some of these aren’t ‘new’ per se, but they are yet to find widespread popularity: Girl Sweat, The Fishing Party; Warmduscher and Happa.

IN THIS IMAGE: The cover for Warmduscher's album,Whale City/ IMAGE CREDIT: Brian Rose

Zia: Mysteron from Sheffield! They deserve to be huge. They’re one of the most interesting bands out there - think Scott Walker covering The Fall.

IN THIS PHOTO: Mysteron/PHOTO CREDIT: Duncan Sandelind Stafford 

Do you both get much time to chill away from music? How do you unwind?

Will: I suppose, in time spent outside of the band I like going to gigs, listening to music; partying, complaining - all the usual stuff. In terms of non-musical things, I try to read lots (usually fiction). I like (James) Joyce, (John) Steinbeck and Laurie Lee amongst others. Most of my interests are based on music, though.

Zia: As I mentioned before, we’re snowed under with uni work so it’s a frenzied time but, when we do get time to relax, we might stick on a Disney film with a glass of wine. I also keep a sketchbook, as I find it very relaxing to sketch and paint whilst listening to music. One of my main pastimes, though, is getting trapped in a YouTube vortex - it happens almost nightly.

Finally, and for being good sports; you can each choose a song and I’ll play it here (not any of your music - I will do that).

Will: Seabird by the Alessi Brothers - This is my new musical obsession; there’s something very special about this song. I’m not really sure what it is though. You’ll have to listen to understand

Zia: I Heard Wonders by David Holmes - Also my new musical obsession; an absolutely magical song with not one single note of gloominess. Probably one of the most uplifting songs in the world - and it’s helped me through a really stressful time. With Martin Rev on lead vocals, how could you not love it?! I like to pretend this song soundtracks a jellyskin tour video montage when I listen to it…one day!

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Follow jellyskin

 Facebook:

https://www.facebook.com/jellyskinband/

Twitter:

https://twitter.com/jellyskinband

Soundcloud:

https://soundcloud.com/jellyskin

YouTube:

https://www.youtube.com/channel/UCrtzyeVf-a6eSfI3ePKo27Q

Spotify:

https://open.spotify.com/artist/1IQqH6l5hZu8xbajarpR2m

FEATURE: First-Person Narrative: Is Love or Singledom the Greatest Muse?

FEATURE:

 

First-Person Narrative

ALL PHOTOS: Unsplash

Is Love or Singledom the Greatest Muse?

__________

IF Morrissey bemoaned his lack of action and sexual braggadocio…

on The Smiths’ song Never Had No One Ever; one cannot even start to get their head around my lack of relationship glory! A lot of my daily creativity throws in a moral and soulful conundrum around passion and companionship. In order to peruse my desires and aspirations to the nth-degree; I need to have a degree of solitude and focus. How much would I be able to produce if I had a committed relationship and was dividing my time? Would consistent journalism and the relentless curiosity that comes with it create a distraction and, thus, have a detrimental impact on the relationship? I do weight that up and am not assuming that if I had greater clarity in respect of placing my bodily needs over that of the mind, I would be able to find someone and be happier. The reason I embark on such a lonesome and all-hours-consuming drive is that I can get more done and have few distractions. I am interviewing a lot of people and a few things are coming to light. For a start; many of the songwriters I feature are single by choice. They feel there is a risk of having to balance the full-time demands of a relationship with the full-time job and full-time career in music. Full-time-squared is less pressured and destructive than, say, full-time-squared.

One might say the pleasures and burden-sharing benefits of a relationship make the equation less daunting and less heavy. It is possible being in a relationship and being able to commit to music and all it holds. Another thing I have noticed is the fact many are looking for love in order to help get their mind away from music. They are actively seeking a boyfriend/girlfriend because music is such a demanding and tiring pursuit. Having an extra body and that affectionate company allows a sense of de-stress and assistant. We are more anxious and solitary than any time in human history. The rise of machinery and the digital means we fabricate friendships and have access to all things at the click of a button – there is less need to go out and bond with people. Whilst we can get conversation and communication from the Internet; they have not advanced technology so we can have a relationship and sex through this method. Relationships are, luckily, one of the last human pursuits that cannot be outsold to big corporations and technology. Maybe we can communicate with our girlfriend/boyfriend online but the physicality and sociability need to be there in order to make it work. What, then, does this have to do with music?! The other thing I am picking up (from interviews) is that failed relationships and the need for personal space are becoming bigger motivators for creativity than love itself.

We look back to the music of the 1960s and 1970s and a lot of the best songs are about relationships and the paens of common connection. Now, in this fast-paced age, sex and relationships are more complicated and variegated – the full spectrum is being explored and exposed. I am caught between a rock and a hard place right now. I want a relationship myself but feel, if I relinquish the lure of writing and the demands it puts on me; that risks exsanguinating my proliferation and taking my attentions away from my true pursuit. Songwriting, I have found, is less clear-cut than recent years. More and more artists are talking about the benefits of solo life and being able to have independence. Whilst many artists are painting pictures of doomed love and deceitful lovers; they are finding relief in that transition and looking more inward. We have seen the new breed of Pop artist – from Sigrid and Dua Lipa to Tom Misch and Superorganism – and the palette is not as commercial and lyrically predictable as you’d imagine. When artists such as Dua Lipa are talking about love, there is a lot more bravery, personality and broadness – the sex is more sizzling and saucy; the single life more nourishing and less fearful; the relationships more even and challenging.

If you had to answer this simple question: Do you feel songwriters are talking more about love than being single – what would you answer be? I feel the once-reliable muse of romance is being replaced by a move towards single life. So many of the artists I review and speak to are either single by choice or unable to find love. Whilst that might paint an image of loneliness and stress; many are using that sense of freedom to expand their careers and become more ambitious. Songs are reflecting a less confined and predetermined life – children and marriage – and artists, because of the hours they put in, are unable to commit to proper relationships. I am not saying hook-ups are substituting relationships and long-term love: there is a sense that time is limited and a career in music is impossible if one were in a relationship. That being said; I am discovering artists, like I said, who are finding it harder to find love. Dating websites are out there but that either leads to dodgy dates and mixed results. Few are finding anyone substantial and, largely, the liaisons are brief and unmemorable. That desire for love is still part of the songwriting cannon but, more and more, artists are embracing – willingly or not – a life of singledom.

From my viewpoint; I commit a lot of time to writing and, when I do go out, it is for errands and not necessarily sociable. I get carried away with writing and, whilst I get a lot done and pleased with my work; there is little time at the end of the day to do anything (but sleep, I guess). The weekends are very similar: a lot of work and scant time outside and mingling. Although that concentration and discipline leads to a prolific output and a good routine; I wonder whether my work would be stronger were I to embark on a relationship – fewer pieces but better quality, owing to greater happiness and fulfilment. So much of music involves relationships and how sex and love are entwined in the fabric and bones of the process. There are songwriters who write about conventional desire and being in contended romances: there are more and more who are writing about separation and the need to embark on a solo life. Does this mean, though, we are a less together and compatible people?  Are successful relationships harder at a time when there is less disposal income in the pocket and more strain on the shoulders?! I find myself coming back to the paradigm of the modern Popstar: the embodiment of youth and the representation of young life.

Whilst artists in Folk and Rock articulate the complexities and realities of love as good as anyone else; it is those young Pop artists who have always focused on love more. Songs are becoming, largely, more mature and there is less emphasis on the ‘Ls’ of life: love, loss; lips, losers and loquaciousness. Artists are talking about psychological concerns and nurturing the self; coping with anxieties and finding it more difficult to concecrate their lives to relationships. It is odd comparing the way Pop and the mainstream, especially, has evolved through the years. Listen to a lot of the 1960s’ best and, yes, you will hear recrimination and romantic fall-out. There are more songs that express happiness and contentment in life. Even as recently as a few years ago; it seemed writers were in a more embracing and open mindset. Whereas love and its allure was a driving force then; now, as we look at new artists coming through – is love and its benefits outweighing solo life and tackling things lone? If I had to do a reconnaissance of all the interviews and reviews I have done over the past few weeks; when I ask artists about song inspiration and their status, the breakdown is quite clear: more artists are speaking about the negatives of life and more artists are single (than those in relationships).

Maybe that is just the artists I have been seeing: I feel they represent the changing nature of music and how artists’ lives are. That projection is not necessarily gloomy and clandestine. Loads of people are happily in love but I guess, given the time one needs to put into music; a lot are talking about love in more theoretical and less tangential terms – the need for something sustainable and uplifting is still there, though. I am one of those people who is motivated by career and creative success rather than embarking on a relationship and laying down roots. That is not to say, too, we cannot see classic love songs coming from the radio in years to come. I think love is a wider spectrum and more open forum than it was in previous years. We are more understanding of different orientations; people are not being defined by relationships and the life of the single person does not need to have any stigma attached. I shall leave things there but wanted to leave the feature’s headline question on the tongue. Listen to modern music and compare it with stuff we grew up with. One can chart a development and shift regarding the nature of a love song and what artists are writing about. Perhaps the charts are less beholden to inane love songs; maybe music has become more diverse and artists are exploring new territory – there is a definite change in the air! That eternal muse of love is strong but her skin is wrinkling and there are crow’s feet forming. What about me, then?! Well; I am hopeful of finding someone soon but feel, in order to achieve what I want from journalism and music my relationship status is not…

ONE I can change and negotiate with any time soon.

FEATURE: The Second War of Independence: Does Coachella Show What a British Music Festival Should Be?!

FEATURE:

 

The Second War of Independence

ALL PHOTOS/IMAGES (unless stated otherwise): Getty Images

Does Coachella Show What a British Music Festival Should Be?!

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THERE is still the amazing buzz around Coachella…

and the you-had-to-be-there-to-believe-it reunification of Destiny’s Child! That rare appearance of the trio (last night) was part of a career-spanning set from Beyoncé: one of the first major shows she has performed since giving birth to her twins last year. I, personally, couldn’t give a flying-f*ck about her twins – I am all warm and paternal that way! – but feel it amazing she has managed to get back onto the stage and not lose any of her spark and swagger! I am not going to turn this into a showcase and feature about Beyoncé – I am a big fan but have written about her before – but feel her set and performance was what Coachella is all about. There is that assumption and gospel that Glastonbury is the best festival on the planet. Whilst I argue Glastonbury has an aura and atmosphere that cannot be beaten; I wonder whether the main thing, the music, is as strong as the U.S. best?! I haven’t even mention SXSW when it comes to the U.S. showing – another huge festival that commands the biggest names in music. One of the problems with Glastonbury is the need to either have modern and obvious headliners or a male-majority featuring. Maybe we have a good female showing lower down the bill: the headliners are usually male, Rock-based and commercial.

IN THIS PHOTO: Björk

One of my hopes is we have Beyoncé headline Glastonbury in 2019 – there is a fallow year in 2018 – and, maybe, someone like St. Vincent or Björk doing another headline set. The fact all three of those artists are relevant and contemporary – two have released albums in the past few months – they can command a show and perfectly enthral the crowds. Coachella would think nothing of having a huge showing like that in their ranks. Beyoncé has been called in after giving birth; she has been given the platform to wow and show she is still one of the strongest modern artists around. Look around the bill and one can see much greater diversity and gender-balance. SZA, St. Vincent and HAIM are among the biggest acts; Cardi B is in the line-up and will be one of the biggest attractions. Tonight (Sunday, 15th April) will see Eminem take to the stage and, let’s hope, feature a number of songs from his classic alums – fewer from his recent effort, Revival. Another reason I wanted to highlight Beyoncé as a reason why Coachella is braver and bolder than Glastonbury is the reviews that followed her headline set yesterday. The Guardian wrote about the event:

“She’s also indebted to her musical past, and not just her own history. She splices Drunk in Love with Nina Simone’s Lilac Wine, elevated on a crane over the crowd. She has a go at husband Jay Z’s back catalogue, her orchestra alluding to Dirt Off Your Shoulder. There are classic hits from her early solo days, including Baby Boy; outings of the likes of Flawless and Don’t Hurt Yourself showcase her rock stardom with her third outfit change into black PVC. When she sings the infamous line “I woke up like this”, she turns to Coachella and asks: “How did you wake up this morning?”

 IN THIS PHOTO: Beyoncé

The thing is, Beyonce did wake up like this. There is clearly a double entendre to the notion of wokeness, but the show doesn’t get woke at the expense of actually waking everyone up to the joy and togetherness of live performance.

Once she’s proved her mettle more times than necessary the thought of potential guests starts looming. She covers a smidgen of Dawn Penn’s You Don’t Love Me (No, No, No) and you wonder if it might segue into Destiny’s Child’s No, No, No, but not yet. There are a few hits to get through – Hold Up, Countdown, Check on It – and then Jay Z comes out for Deja Vu. After Beyoncé has spent almost an hour singing scorned female anthems about adultery, they display a heart-melting chemistry for one another. Moving into Run the World, however, she appears in army khaki, and you know it’s coming. She has to paid her dues to the thing that got her to this point”.

That gives you an impression of what a festival headliner is all about. Sure, last year, we had Radiohead do a pretty bold and emphatic set. They were amazing and played songs from their earliest days – taking us right up to the moment and producing a spine-tingling performance. The other headliners – Foo Fighters and Ed Sheeran – pale into insignificance when it comes to the acts on offer in the U.S.

There is Kamasi Washington and David Byrne; Portugal. the Man and Fleet Foxes. Coachella’s ‘first round’ will conclude today – next Friday, Saturday and Sunday will repeat the action we have seen since Friday. You look through the bill and, whilst there are a lot of male acts; there is great balance than many festivals in this country. The fact the U.S. organisers have featured one female headliner is a lot better than our festivals – this year’s Reading and Leeds and last year’s Glastonbury have all been male-headlined. I have alluded to SXSW but, if you put it up against Reading and Leeds; one would have to give the advantage to the U.S. Many American artists who play over here always say Glastonbury is their best festival. That may be a kindness to us but I feel it has more to do with the spirit of the people as opposed to the facilities, music and weather. You cannot deny the British are among the world’s best when it comes to defying the conditions and sending chills through the air. We are wonderful at raising sun when there isn’t any; making a lot of noise and all joining together. One gets the impression Coachella is more relaxed, open and casual. We assume the audiences are not as together and rapturous; the sensations not as vivacious and mesmeric; the rules more strict and rigid.

IN THIS PHOTO: Kamasi Washington

The Americans are tighter when it comes to having drinks on site and being a bit lary. Gone are the days when people could drink and smoke what they wanted; climb over fences and do what they wanted. Whilst a sense of liberty and relaxation adds to a more harmonious and chilled festival; the added booze and excess leads to sore heads and regretful mornings. Coachella is more serious and is not quite as willing to let its patrons wander around with beers in hand. The fact is, when you go to the site and explore the facilities; it can match Glastonbury for its options, food and produce. One of the biggest decision-breakers come when you weight up what weather you want for a festival. Many say the cloudy and wet conditions is knitted into the fabric of the country. We moan whatever the weather is doing – we would not be happy if it were sunny and warm. California is hot and sunny; it can be stifling but, if anything means people are in a good mood before they get there. The British have learned to adapt to the bad weather and show that sense of adversity. I would prefer a festival where the temperature was a bit warmer and the sun was out – getting drenched is only appealing when you can dry off and have somewhere cosy to sleep.

PHOTO CREDIT: Unsplash

A lot of people go to bigger festivals like Reading and Leeds, Glastonbury and the like because of the community and additions: music is not the only reason why humans flock in their thousands. I feel, though, the music itself is the centre and soul of any festival. If you are forgiving of inequality, poor quality and predictable then why would you spend all that money going? Reading and Leeds’ line-up for this year has been slagged off for having too few great names and too many Rap/Grime acts. Although Kendrick Lamar is there to add some beef and authority; the likes of Kings of Leon, Fall Out Boy and Panic! At the Disco is a rather lacklustre and dreary proposition. There is no Glastonbury this year: the remaining festivals are offering few big names. Coachella has Jorja Smith and Jessie Ware: some of our very best are going to the U.S. because, one feels, they are not being afforded proper exposure at British festivals. Although Dua Lipa and Wolf Alice will take to the stage at Reading and Leeds; where are the exciting headliners and those epic sets?! I doubt we will produce anything as scintillating and years-lasting as Coachella will this weekend. Many have argued there is something ultra-fashionable about Coachella. People taking selfies and posing; Californian cool oozing from every palm tree and the bijou and hip shining bright.

There is something muddy and charming about Glastonbury. If we had to balance the merits of the British and American best; it all comes down to that final category: the quality and spread of the music. You can award Britain merit for its people and its upcoming artists; the way we flip a finger to the weather; the unique spirit only we can bring. The music itself is the reason people come to festivals and why they need to be supported. I worry about the quality of our headliners and how some festivals are losing their ethos and edge. There is an imbalance regards gender and we are not putting another of the biggest stars on the big stages – our attempts to match the sparks of Coachella and SXSW are rather timid and worn-out. The fact our premier Rock festival has Kings of Leon and Fall Out Boy headlining tells you all you need to know! I worry Glastonbury, when it returns next year, will not learn anything and make the same mistakes (regards its commercial headliners and lack of female names). We can teach the Americans a lot about the people and atmosphere: they are schooling us regarding the quality of music, the spread of genres and their all-killer-no-filler approach to bookings. We are being promised a hot summer in this country but I doubt, no matter how warm the weather gets; the music on show at our festivals will not be as fierce and memorable as the artists…

TAKING to the stage at Coachella!