INTERVIEW: PBSR

INTERVIEW:

PBSR

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IT has been cool speaking with PBSR…

about his upcoming E.P., …and dusky doors. It is released on 27th April and is crammed with wonderful songs and fascinating insights. He reveals the inspiration behind the song, Volcano, and what defines the E.P. as a whole.

PBSR talks about moving from Spain to London; how he got started in music; the albums and artists who mean a lot to him; what gigs he has lined up; what advice he would give to new musicians – he tells me about a particularly fond musical memory.

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Hi, PBSR. How are you? How has your week been?

It’s been great, thanks. Just arrived from my hometown, where I’ve been chilling for a week. Also, I'm doing a gig as the bass player of MAVICA.

For those new to your music; can you introduce yourself, please?

I am a 24-year-old composer and multi-instrumentalist from Murcia, Spain. I’ve got a Classical background and also write music for pictures - in addition to working with graphic designers, photographers and other artists in art exhibitions and performances.

...and dusky doors is your new E.P. How would you define it in terms of the themes it explores?

This E.P. represents a journey that starts when I left Spain to come to study in London - and all those ‘dusky doors’ that I’ve had to face since then. There is openness and embrace of the natural world throughout.

How important was it providing a lyrically and musically panoramic, scenic sensation?

I feel that music is intimately related to the image and, therefore, to the (visual) world we live in.  

I am interested in the song, Volcano. Can you talk a bit about how it came together and the role it has in the E.P.?

It’s got a very important role in the E.P., at least for me, as it was the song that gave me the inspiration to shape the E.P. - and it kind of influenced the rest of the songs to have a similar aesthetic approach.

What do you hope people get from the E.P.? Is there a message you want the listener to take away?

The process of making this E.P. has taught me a lot of things: to be patient, to trust myself and to work consistently until something is done. Hopefully, people can read through that message and, through the music, find themselves their own meaning.

Murcia, in South East Spain, is where you were raised. Did your parents bring music into your life at an early age?

Yes. My mother played in a Folk band in Murcia and my father has been my source of music inspiration from an early age. I started to study classical guitar when I was seven with an old Admira Spanish guitar that my mother had.

Can you remember a time or artist who changed your world and set you on this path?

My father used to play a lot of Mike Oldfield. I think he was one of the first and most important musicians I’ve ever paid attention to - and I still think I have something that reminds me of him in my music. Later on, when I was sixteen, bands like Sigur Rós and Explosions in the Sky opened my mind to other territories I had never explored before.

Do you have any gigs lined up? Where are you heading?

I’ll be playing WAM Festival in Murcia on 5th May. It’s going to be great to present my new E.P. there - in front of all the people that have seen me grow, both as a person and as a musician.

I’m also supporting Telefon Tel Aviv on 24th June at Achspace, London.

If you had to select the three albums that mean the most to you; which would they be and why?

Mike Oldfield - Tubular Bells III

It was the first album I probably listened to from a critical and musical perspective, still being a kid.

Sigur Rós - Takk

With this album, I matured my musical taste and it opened a whole new world of possibilities never heard before.

Bon Iver - 22, A Million

An album that’s had a massive impact on me, emotionally and inspirationally-speaking.

What do you hope to achieve in 2018?

To play in as many places I can. In a few months, I’ll have the band ready, so we’ll be able to expand the set and reach a larger audience, hopefully.

Have you got a favourite memory from your time in music - the one that sticks in the mind?

I used to play with my older brother, Guille, and my friend el Monfly in a sort of American Punk-Rock band and it was hilarious. A few weeks back, I watched a few videos and I can’t believe it’s been more than ten years already!

What advice would you give to new artists coming through?

Just be honest with yourself and with your music.

IN THIS IMAGE: The album cover for Nonduermas (by Rey Lobo)

Are there any new artists you recommend we check out?

MAVICA, Rey Lobo; Malena Zavala and ASTRO...

 IN THIS PHOTO: Malena Zavala/PHOTO CREDIT: Victoria Cranstoun and Malena Zaval

Do you get much time to chill away from music? How do you unwind?

I try to meditate every day: it’s the way I’ve found to not think of anything.

Finally, and for being a good sport; you can choose a song and I’ll play it here (not any of your music - I will do that).

Sufjan Stevens – Movement II – Sleeping Invaders

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Follow PBSR

 Official:

http://www.pbsrworld.com/

Facebook:

https://www.facebook.com/pbsrworld/

Instagram:

https://www.instagram.com/pbsr.world/

Twitter:

https://twitter.com/PBSRworld

Soundcloud:

https://soundcloud.com/pbsrworld

YouTube:

https://www.youtube.com/channel/UC_mrtTijaJ2eVM9KMO4xylQ

Spotify:

https://open.spotify.com/artist/1hcR66sinceJiPFq2AgCGs

FEATURE: On the Grass, Earphones In… The Sunshine Playlist

FEATURE:

 

On the Grass, Earphones In…

 PHOTO CREDIT: Dean Chalkley/NME 

The Sunshine Playlist

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WE are at a time of the year…

PHOTO CREDIT: Unsplash

when the sun is out and we are not freezing our bottoms off as soon as we leave the house! The days of scraping the ice from the windscreen and wearing two layers of clothing are, it seems, done with. I am glad we do not have to endure the endless chill and negotiate single-digit temperatures! I recently put out a spring-themed playlist that nodded its head to the warming climate and the lighter days. I wanted to go further and get together a collection of songs that project sunshine, heat and the approaching seduce of summer. I have included a song from the sadly-departed producer, Avicii – who lost his life yesterday at the age of twenty-eight. Alongside him are artists old and new who can put us in mind of warmer days.

IN THIS PHOTO: Avicii/PHOTO CREDIT: Sergi Alexander/FilmMagic (2015)

It is just as well things are turning and we are all in a better mood. I have been scowling the annals and libraries of music and have collated a summer/sunshine playlist that keeps the vibes going and pumps heat and a sense of sweaty allure from the speakers. Sit back and listen to songs from a range of genres that do, I hope, get the blood pumping and put smiles on faces. We may only be in April but there are signs to suggest things will only improve from here. Let’s get together, crank up the stereo high and spin some songs that…

PHOTO CREDIT: Unsplash

GETS the heat rising!  

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FEATURE: High Court Judges with Northern Accents: Does Morrissey’s Latest Controversy Mean We Need to Create Distinction Between the Artist and the Music?

FEATURE:

 

High Court Judges with Northern Accents

 ALL IMAGES/PHOTOS (unless credited otherwise): Getty Images 

Does Morrissey’s Latest Controversy Mean We Need to Create Distinction Between the Artist and the Music?

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THE BBC raised an interesting point…

in an article that asked whether it is possible to separate an artist like Morrissey from his music. I will crib a section from an NME article that outlined the latest controversies and contradictions from the always-nuts world of Morrissey:

“The former Smiths frontman has been increasingly vocal on his new Morrissey Central website in recent weeks, using the site to fire back at newspaper articlesand to take aim at Sadiq Khan.

Now, in a new blog post, Morrissey has voiced his support for For Britain, the far-right party founded by Anne Marie Waters. Waters formed the party following her departure from UKIP after Nigel Farage dubbed the activist and her supporters “Nazis and racists”.

“I despise racism,” Morrissey writes in his post, which takes its title ‘I’ve Been Dreaming Of A Time When / the English / are sick to death of Labour and Tories’ from the singer’s ‘Irish Blood, English Heart’ lyric.

“I despise fascism,” he adds, continuing: “I would do anything for my Muslim friends, and I know they would do anything for me”.

This is not, as we know, the first time the legendary songwriter has been embroiled in scandal. It seems odd, for a man who seems so against and horrified by racism he would align himself with a far-right organisation. He has taken to the stage to attack, well…anything and everyone.

Maybe it is the ongoing violence in London or the chemical attacks in Syria – maybe he has a bad case of piles and wanted to vent at the world! Whatever has rattled the parrot in his cage; it is clear the Mancunian icon needs to calm it down a bit. Existing and life-long fans have been turning their support away from the songwriter and criticising his words. I can understand why someone like Morrissey would feel enraged and annoyed at the world. We know spiky and open songwriters like Mark E. Smith tend to leave the filter behind and say whatever comes to mind – the fact he is no longer with us leaves a bit of a gap. What bugs me is the fact Morrissey has a platform where he can inspire and act as an inspiration. I can approve of his attack of the P.M. and the way of Government are handling the affairs of the nation. Morrissey went after London Mayor Sadiq Khan – a semi-racist and noxious slight... – and accused him of lacking any love and respect. Mayor Khan is doing the best he can and, whether you like him or not; he is not culpable for the spate of murders in the capital. Morrissey’s usual ‘meat-is-murder-and-people-who-eat-it-are-wankers' rant came out – he needs to update and polish that tired argument! – and, although I am a pescatarian myself; he is winning no new fans by being so angered and spiteful.

PHOTO CREDIT: Unsplash

He is allowed his own politics and agendas – one feels he has been saying the same thing for decades and it has not changed things for the better. Many might argue the fact Morrissey is adding nothing new to the cauldron of controversy should not irk people too much. Morrissey's blog piece (reported by NME) raised eyebrows:

“In his post, Morrissey describes Labour as “hopelessly naive,” Prime Minister Theresa May as having “turned Britain into a international target” with her policies and the “Loony Left” as “concerned only with victim culture”.

He accuses the press of making “inflammatory and unjust comments against any new party that threatens the same old bloody pointless two-party system”.

“Please give For Britain a chance,” Morrissey appeals again. “They will bring an end to the modern Westminster mania for self-destruction. For Britain is the bulldog breed that will never surrender. Both Labour and Conservatives have already sold you down the river into righteous oblivion.”

“This is my last political strike,” Moz adds. “No wish to upset anyone! But the time has come to fight, and Labour and the Conservatives have their backs to the sea. Are you capable of change?”

Morrissey has given his views about the Kevin Spacey-Harvey Weinstein scandal – rationalising their crimes and being rather naïve about the seriousness – and has barely said a positive and nation-unifying thing since his days in The Smiths.

PHOTO CREDIT: Unsplash

This brings me to the issue of the music vs. the artist. We can separate the two but they are intrinsically linked. People, young and old, listen to a musician’s work and they are going to be interested in what they say. What grinds my gears is the strength of Morrissey’s music and how he and fellow artists have inspired the music world. Outspoken musicians such as Liam Gallagher have never been short of oxygen and outrage – most of Liam Gallagher’s anger and comments are aimed at his brother, Noel. In fact; Liam does not attack every politician out there and alienate himself from the rest of the world. I listen to Morrissey’s music and it can be hard keeping my brain engaged and my mind focused. I always think about things he comes out with and wonder, truly, if he wants people like me listening to his songs. You can separate a musician from their songs – that does not mean you respect them and do not judge them when they say something stupid. A musician’s primary job is to provide fantastic sounds and do the best they can in the industry. Part of their job entails being responsible and trying to inspire those who follow them. There is a difference between rebellion and a Rock and Roll spirit compared to those who court condemnation and judgment.

IN THIS IMAGE: Liam Gallagher

Many have marked the death of Morrissey as a force in the industry. If you judge his earliest bloom (1984) and his latest album (Low in High School was released last year) – have we finally had enough of the icon?! Low in High School had some good moments but was a definite deterioration and slump compared to some of his recent albums. My favourite moments from Morrissey’s solo career come around 1992-1994. I love Your Arsenal (1992) and it seemed, after a fairly unbalanced start to his solo life, he was hitting the stride we knew he was capable of. That album was full of swagger, bite and hard-hitting, brain-buzzing tunes. Vauxhall & I, the fan favourite, was released in 1994 and kept that pace and genius alight. If one wants an abridged history of Morrissey’s barbed and scathing comments; you need only look at a Rolling Stone article from 2013:

“When Morrissey blamed Beyoncé for the near-extinction of the rhinoceros at a Los Angeles show last week – "The rhino is now more or less extinct, and it's not because of global warming or shrinking habitats. It's because of Beyoncé's handbags" – it was only the latest in a decades-long series of pointedly provocative comments by the ex-Smiths singer and animal rights activist. Earlier in the week, Morrissey refused to appear on Jimmy Kimmel Live! because the cast of pro-hunting reality series Duck Dynasty were slated to be fellow guests. Kimmel bashed Morrissey on the show and aired a parody Duck cast-as-vegans clip; Morrissey responded in typically withering fashion, saying Kimmel "found time to jokingly promote gun-ownership – hugely amusing for the parents at Sandy Hook, no doubt" and claiming that "Jimmy Kimmel himself has finally revealed his show to have an overwhelming loss of meaning."

 But animal rights is only one of Morrissey's pet issues. The singer also has a history of lashing out at the British royal family – and pretty much anything and anyone else he feels like. Some of his outbursts have drawn accusations of racism; others, merely poor taste. And some are just funny. Here are Morrissey's most vicious disses, bon mots and general nastiness:

·         2013: Morrissey refers to David and Victoria Beckham as "The Peckhams," describes them as "insufferable" and says they should be "dragged to the edge of the village and flogged."

·         2012: Morrissey links the suicide of a London nurse to the Duchess Kate Middleton. "There's no blame placed at Kate Middleton, who was in the hospital for, as far as I can see, absolutely no reason . . . She feels no shame about the death of this woman. The arrogance of the British royals is staggering, absolutely staggering."

·         2012: Morrissey has his band wear "We Hate William and Kate" shirts onstage.

·         2012: In an open letter to his fan club, Morrissey rips into the "blustering jingoism" of the London Olympics, comparing the mood in the U.K. to Nazi Germany. "The 'dazzling royals' have, quite naturally, hijacked the Olympics for their own empirical needs, and no oppositional voice is allowed in the free press. . . The spirit of 1939 Germany now pervades throughout media-brand Britain."

·         2011: In an interview with Billboard, Morrissey calls Lady Gaga"nothing new" and says her style is "fraudulent, and the exact opposite of erotic." He also refers to Madonna as "McDonna" and says Michael Bublé is "famous and meaningless."

·         2011: Of the Norway massacre in which 77 people died, Morrissey heralds to a Warsaw crowd, "That is nothing compared to what happens in McDonald's and Kentucky Fried shit every day."

PHOTO CREDIT: Unsplash 

·         2010: Discussing animal cruelty in China, Morrissey tells The Guardian, "You can't help but feel that the Chinese people are a subspecies."

·         2009: Morrissey leaves the stage at Coachella, explaining "The smell of burning animals is making me sick. I can smell burning flesh . . . and I hope to God it's human."

·         2002: From documentary The Importance of Being Morrissey: "Bring me the head of Elton John . . . which is one instance in which meat would not be murder, if it were served on a plate."

·         1997: Morrissey bashes Madonna again. "Madonna reinforces everything absurd and offensive. Desperate womanhood. Madonna is closer to organized prostitution than anything else."

·         1994: When asked about an incident in which an Australian student shot a starting pistol at the Prince of Wales, Morrissey responds, "I wish that Prince Charles had been shot. I think it would have made the world a more interesting place."

·         1992: Morrissey knocks dance music. "It's the refuge for the mentally deficient. It's made by dull people for dull people."

·         1985: Morrissey slams the charity group Band Aid and its co-founder. "Bob Geldof is a nauseating character. Band Aid was the most self-righteous platform ever in the history of popular music."

·         1984: Morrissey blasts the Cure. "Robert Smith is a whingebag."

·         1984: Morrissey laments the failed assassination attempt on Prime Minister Margaret Thatcher after the Brighton hotel bombing. "The sorrow of the IRA Brighton bombing is that Thatcher escaped unscathed."

I am a big fan of Morrissey’s stance on animal rights and the fact he does, deep down, have a love of Britain and wanting to keep the people safe. I have quoted so heavily from other sources because we need the facts in front of us – my personal views should not muddy the water and create bias.

It seems like artists who command respect and assume a sphere of influence should be more pragmatic and conscientious when it comes to what they say. A lot of media sources have attacked Morrissey and questioned what is happening with him. He has suffered health issues through the years and struggled with mental-health issues – should this be used as a justifiable excuse?! Other mainstream artists have anger and things to say to those in a position of leadership. They are better at articulating that frustration through something productive and inoffensive. One can look at comments made by the likes of Stormzy – who has voiced his opinions on the Government following the handling of the Grenfell tragedy – but his anger is motivated by that one event. He is not someone who takes swipes at multiple sectors of society and claims racism is bad – only to side with a party who are known for their radical views and hatred. I still listen to Morrissey’s music but am getting more and more bored of the man who created such brilliant albums. It is sad to think that the former Smiths frontman who, alongside Johnny Marr, penned some of the finest songs of the 1980s, has now been reduced to a rather bitter and bile-spewing middle-aged man who is tainting his legacy. He may loathe racism and oppression: the fact he is throwing his weight behind For Britain. His misguided comments and outbursts may not destroy his legacy and music; what they do is give the music an unwanted…

PHOTO CREDIT: Nick Knight for The Face, 1984.

TASTE of bitterness.  

INTERVIEW: Patricia Vonne

INTERVIEW:

 Patricia Vonne

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THE prolific and extraordinary Patricia Vonne…

has been discussing her new album, Top of the Mountain. It is a full and intriguing record that boasts her traditional mix of English and Spanish-sung lyrics. I ask her about the album’s themes and why she concentrated on the idea of human embrace and uplift.

She talks to me about her upbringing and career so far; whether she has a favourite memory from music; if there will be tour dates outside of her home in the U.S.; what advice she would offer new artists of the moment – I ask what it feels like to be hailed as a Renaissance woman of Austin, Texas.

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Hi, Patricia. How are you? How has your week been?

I’m in Germany on a five-week tour promoting my seventh album, Top of the Mountain - so, I’m having a great time sharing my music and rockin’ each town!

For those new to your music; can you introduce yourself, please?

I’m a Latin Roots rocker from San Antonio, Texas residing in Austin. All my albums are bilingual. My music is Texas-influenced Roots Rock with a Latin flavor. My song, Traeme Paz, was featured in the film, Once Upon a Time in Mexico. 

 

Your seventh album, Top of the Mountain, is out on 25th May. What are the main themes and ideas you investigate through the record?

Triumph of the human spirit (Top of the Mountain); finding love the second time around (Tidal Wave); the power of the Holy Spirit (Illuminaria); love lost (God’s Hands); a wedding song (Canción de la Boda); Western mythology (Western Blood); Elvis (Graceland Trip); a song for my mother (Madre de Perla); human survival (City Is Alive); the challenges of dating in this day and age of online dating and #MeToo (Lil’ Lobo) - and  Lekker Ding is a coquettish love song inspired by the Dutch band, Golden Earring. It’s a charming Dutch phrase meaning  ‘sweet thing’ - which the lead singer called out to me when I shared the bill with them.

There is a celebration of the human spirit and the need to embrace something powerful and healing. Do you think, in these turbulent times, that message is paramount?!

Yes. It is paramount that we the people need to stand up and use our voices to resist the powers that be - that are devoid of human decency and moral compass. We are living in dark times.

The first track, Citadel, expresses this urgency: “This world is changing/our hands are tied/I’ve seen hatred lead the blind/Out of darkness comes the light/no more hatred no more lies”.

Have you noticed a shift from your earliest material? How do you manage to stay fresh but keep your identity intact?

For me, it’s about finding inspiration. I found tremendous inspiration with each song, and some were exciting collaborations. I love to travel and meet people from all over the world. I love languages and incorporating different cultures into the music. I’m always searching for a fine muse and curiosity ignites the fire.

 

You are a recent winner at the Madrid International Film Festival - Best Animation for Huerta de San Vicente. How did that make you feel?! Tell us more about that video…

That experience was life-altering. The honor of winning Best Animation in Lorca’s ancestral country is the greatest honor and confirms my intention of keeping his spirit alive and honoring his contributions. An added gift was meeting his niece, Laura Garcia Lorca. She invited me to an exhibition celebrating his life at Residencia de Estudiantes, which was the progressive school in Madrid where he met his influential friends Salvador Dali and Luis Buñuel.

I wrote the song as a homage to Federico García Lorca; one of the most influential Spanish poets of the 20th century. He was also a playwright and theatre director who, in a career that spanned nineteen years before his untimely death during the Spanish Civil War, resurrected the most basic strains of Spanish poetry.

Lorca spent summers at the Huerta de San Vicente from 1926-1936. Here he wrote some of his major works such as Romancero Gitano (Gypsy Ballads, 1928), Bodas de Sangre (1933’s Blood Wedding); Yerma (1934) and Casa de Bernarda Alba (1936), which I feature in my animation.

I visited his home, which is now a museum, in Granada, Spain and the experience was so impactful it inspired the song and animation.

I used original illustrations and stop-motion photography; illustrations by Patricia Vonne and Michael Martin. Rotoscoped by Johnny Villarreal (Edge of Imagination Station); music and lyrics shot and edited by Patricia Vonne.

You have been called a Renaissance woman of Austin, Texas. What is Austin like for an ambitious songwriter?

Austin offers a great quality of life. It’s a liberal pocket in a conservative state. It’s the home of many influential artists, so the potential to be able to collaborate with them is great. With over 4000 musicians in Austin, the competition is also stiff, so it keeps you on your game.

We have entities like Austin Music Foundation that offer complimentary educational programs about the business, which is very helpful.

Every night of the week, you can go out and listen to live music, which is very inspiring. One of my favorites is Jimmie Vaughan at his weekend residency at CBoys. He gave me the best tip on guitar-playing since I’ve been playing lead on my instrumental compositions...he told me: “Just play what you hear”...

Thanks, Jimmie!

Which musicians mean the most to you? What sounds did you grow up around?

I would listen to the Cruzados, Lone Justice; Johnny Reno, Buddy Holly and Elvis...

I was greatly influenced by the Mexican folksongs of the Mariachis growing up in San Antonio. My parents encouraged music in the house and we would sing as a family, with my mom accompanying us on Spanish guitar and teaching us how to harmonize.

I feel honored to have worked with or shared the bill with some of my musical heroes like Joe Ely, Rosie Flores; Charlie Sexton, Alejandro Escovedo; Texas Tornadoes, Johnny Reno; Joe King Carrasco, Raul Malo; Los Lobos, Flaco Jimenez and Doyle Bramhall, to name a few.

Can we see you perform soon? Where are you heading?

A complete list of live dates is on my website. I’m on tour in Europe right now promoting Top of the Mountain. I have C.D. release parties back home in Austin TX at the Continental Club, May 26th; June 2nd at Sam’s Burger Jt. in my hometown of San Antonio and June 8th in Houston at the Continental Club.  I’ll be returning in the fall in Europe.

Will you head to the U.K. at all? Are you a fan of our music?

I toured the U.K. back in 2006 and got to perform a private event for Sir Michael Parkinson. I struck up a conversation with him about the film, The Slipper and the Rose, with British actress Gemma Craven (which is a family favorite). I enjoyed it immensely. I’d love to return.

What do you hope to achieve in 2018?

After the release of my new album, I look forward to producing more music videos and animation films with my own Bandolera Productions.

Have you got a favourite memory from your time in music – the one that sticks in the mind?

Touring as a member of Tito and Tarantula...

They scored many of my brother’s films, From Dusk Till Dawn, Desperado and Machete. Tito Larriva, the lead singer-songwriter, had a band called the Cruzados. They were hugely influential in my music. On my debut album, I wrote El Cruzado as an homage. On my new album, I co-wrote Western Blood with the lead guitarist of the Cruzados, Steven Medina Hufsteter. That was a dream come true - and I got to play lead guitar on the recording. I feel like an honorary Cruzado!

What advice would you give to new artists coming through?

Believe in yourself and your art. You have one life to live...so make it count.

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Follow Patricia Vonne 

Official:

http://www.patriciavonne.com/

Facebook:

https://www.facebook.com/PatriciaVonneMusic/

Instagram:

https://www.instagram.com/PatriciaVonne/

Twitter:

https://twitter.com/patriciavonne

YouTube:

https://www.facebook.com/PatriciaVonneMusic

INTERVIEW: Marchildon!

INTERVIEW:

Marchildon!

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IT is great discovering an artist…

who has had a long career and continues to make bold and fascinating moves. I have been speaking with Marchildon! about the new track, Sweet Potato Kisses, and what we can expect from his album, Please Pass the Potatoes. He tells me about fond music memories and the new artists we need to check out.

The Canadian songwriter reveals the inspiration behind his latest single and how that amazing and nostalgic video came to be; what the scene is like in Toronto right now; if he will come to the U.K. and play – he ends the interview with a cool song.

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Hi, Marchildon! How are you? How has your week been?

I’m well. This week has been exciting. It feels good to release new music.

For those new to your music; can you introduce yourself, please?

I’ve been making music in Toronto for about sixteen years. The music I write and perform is Rock ‘n’ Roll songs sprinkled with a velvety Country tinge. I began playing bass in the critically-lauded, now-defunct Math-Rock quartet, From Fiction. While playing in From Fiction, I was encouraged to pursue my own projects. I had never really played the guitar before with songwriting as a focus. I quickly realized how fun and creatively rewarding it was.

So; ten full-length albums and one E.P. later; I think it’s fair to say that I’m happily obsessed…

Sweet Potato Kisses is your new single. What is the derivation of the track?

Sweet Potato Kisses is a song I wrote for my son, Charles. I quit my full-time job to take a part-time job on weekends when he was a one-year-old. I stayed home with him during the week when my wife went back to work. He loved mashed sweet potatoes for lunch. He’d have this orange sheen around his mouth and then he’d kiss my knees while I played the guitar for him, which he loved.

So, the song was right in front of me. He’d just stare at me with those big blue eyes. The song is about when a parent finds focus with their child and appreciates the time spent.

The video was shot by your uncle in the 1980s, is that right?! Was it hard digging it up – or was it something you had safe and treasured?

Yes. My uncle shot the footage on a VHS-C video camera in ’85 or ’86. I emailed my Aunt Mary around a year ago inquiring. They miraculously had it in a long-forgotten box in their basement. It was like receiving treasure! Really meaningful. I digitized the footage and then my friend Valerie Calam edited it.

Please Pass the Potatoes, your eleventh album, is out on 4th May. What sort of themes are addressed throughout? I sense a ‘potato’ theme shaping up…!

The album is about the simplicity of happiness, the relaxing joy of monogamy and a driving ambition for self-awareness; all seen through the lens of family life. As for potatoes, they are really easy to grow. You are very likely to end up with accidental potatoes. Just like a surprise pregnancy!

Is it hard coming up with new angles and materials so far into a career?! Does music itself give you constant inspiration?!

Not at all. I swear by a Lou Reed lyric from that Velvet song, Some Kinda Love: “Between thought and expression lies a lifetime”.

Yeah; I just love music. My evenings are mostly spent listening. It’s easy these days to keep up with what’s out there. I believe constant inspiration comes from constant repetition and practice. I believe everyone has a creative muscle. You just have to take the time to exercise it…

As Lou said: “The possibilities are endless”.

Toronto is where you are based. How would you describe the city’s music scene right now?

The Toronto music scene is constantly shifting and full of surprises. It’s a wonderful place to live and be creative. There are so many pockets with different scenes. I can go watch a Roots band or attend an Ambient music night. Whatever your flavour. 

The scene is overwhelming with talented people, young and old. It’s exciting!

What do you hope to achieve in 2018?

The same thing I’ve always hoped to achieve: giving my current musical project existence and then moving on. It’s very important to eventually get away from what you’ve been attached to creatively. Start from scratch; turn your eyes into a blank canvas and go for a long walk.

Have you got a favourite memory from your time in music – the one that sticks in the mind?

Definitely, the time spent in Chicago recording the From Fiction L.P. with Steve Albini. He was such a great person. Watching him work was inspiring; one of the most articulate people I've ever met; hard-working and to the point. I had serviced my Fender Bassman before leaving for Chicago.

Right when we were about to hit the record button, he came in over the talk-back and said: “Something doesn't sound right with your amp, Owen”. So, down he came along the winding stairs in his mechanic suit and took the grill off my amp. He got me to hit a couple notes. It was discovered that one of the two speakers on the amp wasn't working. So, I ended up using one of his homemade speakers, which sounded way better. So much chunk and aggressive low end. We were all amazed.

If you could select the three albums that mean the most to you; which would they be and why?

Have Moicy by Michael Hurley, The Unholy Model Rounders, Jeffrey Frederick and the Clamtones.

This is my all-time favourite Folk-Rock album. Listening to this album made me realize that you can write songs about anything. As long as you mean it. Also; Jeffrey Fredrick doesn’t get enough credit. His songs are clever and heartfelt.

Top Track: What Made My Hamburger Disappear by Jeffrey Frederick and the Clamtones

Crazy Rhythms by The Feelies

I love a jingle-jangle sounding guitar. It just doesn't get any better than this: a real meditative listen from beginning to end.

Top Track: Forces at Work

Cowboy in Sweden by Lee Hazlewood 

This album blends cowboy songs with Psychedelic production; well-written songs that exist in a world of their own. Everyone is always talking Phil Spector production: I say ‘Lee Hazlewood production!’.

Top Track: The Night Before

Are there tour dates coming up? Might we see you in the U.K.?

I will be playing The Cameron House in Toronto on May 4th to celebrate the release of Please Pass The Potatoes. (I’ll be playing on) Saturday, May 12th in Hamilton at the Capitol Bar. Opening acts for the shows: Julie Kendall (1977) and Jose Miguel Contreras (By Divine Right)

Unfortunately, no U.K. shows.

Is the stage somewhere you love being? How does it feel getting up there and playing songs to the people?

I was involved in a lot of theatre during my teens and early-twenties. Some film as well. I took acting in college. I like being on the stage. Playing songs in front of people is fun but what I love more is spontaneous banter. If I’m on top of my game with the stage banter, I find it fuels my band’s performance. It makes everyone loosen their grip and relax into their parts.

This is usually followed by stage moves and newfound postures. That’s when you know the show is cooking. That combination is what I live for when playing live.

What advice would you give to new artists coming through?

I would say just focus on your body of work and try not to get too obsessed with the notion of ‘making it’.

 IN THIS PHOTO: CupcakKe

Are there any new artists you recommend we check out?

Oh yeah. Here’s a list of artists I admire from this year so far:

Cupcakke, Sidney Gish; Shopping, Onyx Collective, Nap Eyes; TNC6, Maxo Kream; Birthing Hips, JPEGMAFIA; Ought, Loma; Jennifer Castle, No Age; Rolling Blackouts Costal Fever, Cut Worms; The Men, EMA; Portal, The Soft Moon; Lea Bertucci, Tal National; Iceage, Beach House; U.S. Girls, John Prine, Parquet Courts; Suuns, A.A.L; Mark Renner, MorMor; Colin Fisher, Victime; Dick Stusso, Abyss X; Park Jiha, Grouper, Kraus; Eric Chenaux, Andre Ethier; Wand, Snail Mail; Kilchhofer, Jenny Hval; Vive la Void, Jean Grae; Quelle Chris and Kamasi Washington.

 IN THIS PHOTO: Jean Grae

Do you get much time to chill away from music? How do you unwind?

It’s not really something I like to get away from. It’s always on my mind because it’s the only thing in life that I’m in total control of. No one’s telling me what to do with it because it’s inside my head. It’s my own private playful secret. It brings me great joy.

How do I unwind? Listening to records. It slows everything down.

Finally, and for being a good sport; you can choose a song and I’ll play it here (not any of your music - I will do that).

So Hot (Wash Away All of My Tears) by Spacemen 3. Thanks a lot Sam. This was fun!

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Follow Marchildon!

 Official:

http://www.purplehillrecords.com/

Facebook:

https://www.facebook.com/Purple-Hill-Records-29372939270/

Instagram:

https://www.instagram.com/purplehillrecords/

Twitter:

https://twitter.com/PurpleHillBand

YouTube:

https://www.youtube.com/channel/UCRkctfo973iPWjnHuNlVjJQ

INTERVIEW: RUEN

INTERVIEW:

 RUEN

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RUEN has been talking with me…

about her debut single, Bad Behaviour, and its background. I ask her whether there will be more material to follow; if there are new artists we should be backing this year; what it is like working with Palm Bay Music – I ask whether RUEN thinks female artists are being overlooked.

She is a producer and musician so, with that in mind, I ask why she transitioned from behind the microphone to step out-front; what gigs she has in the pipeline; whether her childhood household was a musical one – RUEN talks about ambitions and aims for the rest of 2018.

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Hi, RUEN. How are you? How has your week been?

I’m good. A little tired, as I’ve just adopted a little puppy - but it’s been a great week, thanks!

For those new to your music; can you introduce yourself, please?

Sure thing. My music has been described as early PJ Harvey-meets-Yeah Yeah Yeahs after a heavy night out sleeping with your ex.

Bad Behaviour is your debut single. Can you tell me about the background and how the song came together?

I wrote part of the song ages ago and then stumbled across it before Christmas last year whilst going through voice memos on my phone. I thought to myself: ‘Hmmmm; I actually quite like this…why didn’t I do anything with it?!’ I then brought it to a writing session and the song developed from there.

It’s about someone in an abusive relationship that keeps going back.

The track is quite Jazz-tinged and smoky. Was it a fun track to put together?

It really was. I actually ended up using most of the demo takes and then added to it later down the line. I love the break after the chorus - I had fun looping it over and over in the studio and jamming guitar ideas over it.

Will there be more material coming along? Can you reveal what other singles are in the pipeline?

There is, yes! My next single is due to be released in June and, following that, there will be a couple more singles.

What is it like working with Palm Bay Music? Do you get a lot of creative freedom and mobility?

As one of the founders of Palm Bay Music, I wanted to create a home for the music I was making - and so I set up an Independent music label. It’s been quite an exciting venture; we already have a second artist we are working with and are planning to release more music later this year.

You are a producer-turned-musician. What compelled the decision to embark on your own music career?

I’ve been very musical from an early age and was always playing in bands growing up. I think there was a point when working with other artists where I was thinking: ‘this is really cool - I wish it could be my song’. I really enjoy the production side of music as it can be so creative. I started co-writing for the first time last year and then thought to myself: ‘I love these songs; I’m going to have a go at self-producing and then release them’.

Female producers and artists are relatively overlooked and under-promoted. Do you think this is a problem that needs correcting?

I think it’s more about people’s awareness than a problem that needs correcting. The music industry has always been very much male-dominated, especially form the recording side of it, but I think more women are now speaking up and making themselves known.

The rise in social media has provided a platform for women to speak more about what they’re doing and, through this, I think they are gaining more recognition and people’s awareness and perceptions are changing.

Which musicians influenced you to take up music? Who are your childhood heroes?

I grew up with watching my mum play in bands and was always taken to her gigs. I think that got me into playing music, initially. My parents’ music was an eclectic mix of Folk and Heavy Rock; so there was lots of Queen, Deep Purple; Van Halen and Led Zeppelin when growing up.

When I started buying my own music, I was listening to a lot of Muse, Yeah Yeah Yeahs; PJ Harvey, Incubus and Placebo.

Can we see you tour soon? What gigs do you have coming up?

You can, yes. I’ll be at The Finsbury in London on 3rd July.

What do you hope to achieve in 2018?

That’s a hard one to answer! Musically, I’d love to do some more writing and start recording some new music. I already have a few new ideas that I’m ready to take into the studio. I’d also love for my music to reach as many ears as possible!

Have you got a favourite memory from your time in music – the one that sticks in the mind?

I worked with singer-songwriter Kimberly Anne recently on her album project and we recorded a track at Konk Studios in London. That was pretty cool. Such an iconic studio and seeped in so much history. It felt really great working there.

What advice would you give to new artists coming through?

Oh, wow. Well, as a new artist myself, that’s a tricky one! I guess I would say keep writing songs. I think we can get so caught up in everything else that is involved in being an artist these days such as being you own manager, accountant; label, booking agent, social media manager etc. that we forget that it’s all about the music we make.

So, yeah… just keep writing - it’s all about the songs.

IN THIS PHOTO: ARK

Are there any new artists you recommend we check out?

There’s an artist called ARK who I wrote with last year and she’s amazing. She has just released a new single. You should also go check out DIDI - proper Pop-Punk-Rock. She’s a great songwriter.

IN THIS PHOTO: DIDI

Do you get much time to chill away from music? How do you unwind?

I always make sure I get downtime.

When music turns from a hobby into a job, I find it’s so important to do non-musical things to wind down. I like to go walking and I often take long walks along the beach, which also often end up with sitting in a pub with a pint. I love reading and have a strange obsession with crime dramas - Netflix is my go-to at the moment. I enjoy watching Luther.

Finally, and for being a good sport; you can choose a song and I’ll play it here (not any of your music - I will do that).

I came across this band on Spotify called BLOXX and I’ve been hooked! Their song, Curtains, is currently on my regular listening list

____________

Follow RUEN

 Facebook:

https://www.facebook.com/ruenmusic/

Instagram:

https://www.instagram.com/iamruen/

Twitter:

https://twitter.com/iamruen

Soundcloud:

https://soundcloud.com/iamruen

FEATURE: The April Playlist: Vol. 3: As Record Store Day Takes Hold…

FEATURE:

 

The April Playlist

IN THIS PHOTO: Father John Misty 

 Vol. 3: As Record Store Day Takes Hold…

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THERE are a lot of people stepping up…

IN THIS PHOTO: Bishop Briggs

their passion for music today! Record Store Day is here and, with it, fervent and feverish crate-diggers will be out in force – getting their hands on all the re-releases, new offerings and classic vinyl. Away from the throng of record store heat are the best new songs from the world of popular music. There are cuts from Father John Misty and Ariana Grande; Janelle Monáe and Leon Bridges; The Coral and Courtney Barnett – a rare and unexpected release from Mazzy Star has gifted our ears this week!

It is an exciting, packed and big-name week for music that sees the likes of Anne-Marie and Blossoms stack up alongside Prince, Bishop Briggs and Miles Kane – something, you’ll agree, for everyone!

ALL PHOTOS/IMAGES (unless credited othewrise): Getty Images

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Father John Misty – Just Dumb Enough to Try

Anne-Marie – 2002

PHOTO CREDIT: Sara M. Méndez

Miles Kane – Loaded

Janelle Monáe – I Like That

Ariana Grande – No Tears Left to Cry

Blossoms – There’s a Reason Why (I Never Returned Your Calls)

Prince – Nothing Compares 2 U

Billie Eilish, Khalid - lovely

Leon Bridges – Beyond

The Coral – Sweet Release

Courtney Barnett – City Looks Pretty

Grace Savage – The Hunger

Kelsey Lu – Shades of Blue

Louise Golbey – Still

Lykke Li – deep end

Mahalia – No Reply

Mazzy Star - Quiet, the Winter Harbour

Morrissey – By the Time I Get to Wherever I’m Going

Sasha Sloan – Runaway (Vertical Video)

 

The Vamps – Hair Too Long

Alexis Taylor – A Hit Song

PHOTO CREDIT: @lindseybyrnes

Bishop Briggs – Wild Horses

The Paper Kites – Arms

The Shires – Loving You Too Long

PHOTO CREDIT: Rahi Rezvani

Editors – Darkness at the Door

AURORA – Queendom

Let’s Eat Grandma – It’s Not Just Me

Ben Howard – Towing the Line

The Tallest Man on Earth – Somewhere in the Mountains, Somewhere in New York

Morgan Saint - Just Friends

Daughter - All I Wanted (Live at Asylum Chapel)

JONES - Tender (Acoustic in London)

Kylie Minogue (ft. Gente de Zona) – Stop Me From Falling

The Pale White – Peace of Mind

TRACK REVIEW: Gypsyfingers - Half World

TRACK REVIEW:

 

Gypsyfingers

Half World

9.5/10

Half World is available via:

https://www.youtube.com/watch?v=mNqJSlL3tk8&feature=youtu.be

GENRES:

Folk-Rock; Pop

ORIGIN:

London, U.K.

RELEASE DATE:

20th April, 2018

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IT has been a little while since I last reviewed Gypsyfingers…

but they seem to have lost none of their step and magic. I will talk about their new song, Half World, in a minute but, before then, I have a few things to talk about. I wanted to talk about changing dynamics and sounds; duos who have a clear connection and understanding; how Folk is expanding and subverting expectations; bringing physicality and dance into music; building a reputation as live performers; where Gypsyfingers go from here; the rare inspiration behind songs. I have featured Victoria and Luke Oldfield before when they released their album, Circus Life. I was mesmerised by the record and was blown away by all the sounds and beauties working away. The rich interplay between Victoria and Luke; the incredible songwriter that mixed fast-flowing raps and luscious acoustic music. In many ways, Gypsyfingers remind me of a modern-day Fleetwood Mac. There are other artists who have similar sounds to Gypsyfingers but, when you examine the duo carefully; they have extra strands and dynamics that take them beyond the simple rivals and those who aim for something big. Circus Life is a remarkable album but, on their latest song, there is an indication the sophomore album will be even richer and more astonishing. On Half World; one gets the impression touring and extra time has added to the locker of Gypsyfingers. That brings me back, actually, two artists: Fleetwood Mac and Kate Bush. The former, in this case, can be brought in when it comes to comparing Circus Life’s sounds and what we can expect going forward…think the transition between Rumours and Tusk. It sounds like irony – considering Circus Life and Tusk have elephants in common – but I mean there is a toughening and added confidence in Gypsyfingers’ latest sounds. They have added to the brilliance and innovation of their debut album and now, listening to what they are creating now; I hear added muscle, production genius and naturalness. I cannot wait to digest the rest of their album but, on Half World; there is something magical and exciting we can digest. Luke and Victoria have been touring a lot since their album and have, in that time, sipped from the waters of current music and seen what others are doing.

They have quenched a thirst and sojourned to the studio. In the time between then and now – 2014 to April, 2018 – there has been a lot brought on board. Some might say a four-year gap is a long time between records but the time has been spent crafting something that seems natural to them. Mainstream artists are a bit hit-and-miss when it comes to leaving that sort of gap. Royal Blood and London Grammar failed to add anything to their debuts when they left a three/four-year break. The same, I assume, cannot be said of Arctic Monkeys. The Yorkshire band is back with a fresh album very soon and, you know, it will live up to the marker laid down by AM. One of the reasons I feel Gypsyfingers will satisfy the demand and justify the pause is because they have spent their time working on something that departs from their album. I can hear aspects of Circus Life on their latest single but, when you dive deeper into the song; there is nuance and sounds I did not notice before. Maybe it is the extra experience of being on the road but, when you keep hearing the song; I feel it is the strength of the lyrics and how much the song means to the duo. I said I would mention Kate Bush – I know I said I’d cool it on the Bush references but, as it is relevant, I cannot go back now. Bush saw her music expand and strengthen from her debut album, The Kick Inside – which, I maintain, is her finest L.P. – and really hit her stride by Hounds of Love (1985). That seven-year period saw her move through phases and take more control of her music. Although our duo has not had the same experience as Kate Bush; I notice a difference between the sounds of Circus Life and Half World. In a way; their album has more in common with the earliest work of Kate Bush: it is light and innovative and has that ethereal beauty running throughout.

Half World is a darker and, maybe, more mature work that has extra production layers and sees authority and confidence rule out. That is not to say Circus Life lacked oomph and wonder: I stand by the review when I said the record was one of the best of the year. Now, a bit further down the line, we are seeing the new phase of Gypsyfingers and where they are now. I will talk more about that but, right now, I want to explore duos again. If anything, duos are the most varied and nimble form of music in the world. I am articulating that a little hazily. What I mean is there is the freedom and mobility to explore new sounds and not be too beholden to festivals and what has come before. Luke and Victoria started making music together when they were dating – maybe only friends, I guess. They are now married and that would assume they’d be cemented and on the same page. One of the big reasons some bands split up is because members have different ideas in terms of direction and what they should be making. Many duos comprise married couples or lovers – that does not mean they are more secure and solid. If anything, there is a risk that closeness could compromise creativity unity. Victoria and Luke have been together a long time and have a democracy that works well for them. Whilst Luke is more involved with composition and production; Victoria is more in the forefront when it comes to the songwriting and lyrics (as she writes most of the songs). I may be jumping ahead when it comes to their writing but they each have their role and fulfil it wonderfully – even though Luke does provide vocals at times and the duo both work on music and ideas. Other duos, in other genres, have a different set-up and way of working. What connects all of them is that passion and understanding. I have reviewed the likes of Rews – a female duo – and it is that incredible friendship that leads to brilliant music.

Whereas solo artists are alone; bands are more driven by other factors…duos build their work on that close relationship and something means a lot to both. In the case of Gypsyfingers; Luke and Victoria have similar tastes and ideas; they are incredibly close and that love for one another comes through in their music. That closeness could lead to squabbles and disagreements – I have seen duos form cracks because there have been different agendas – but Gypsyfingers are one of the tightest and most together forces in music. One can detect this similarity and connection when listening to the music. I still feel duos do not get the respect they deserve. I have known Luke Oldfield a while now – he is the song of the legendary Mike Oldfield and a knob-twiddling super-producer who has worked at Toe Rag Studios – and know his past. I have been reading up on Gypsyfingers and it is their different backgrounds that, oddly, leads to that harmony and brilliance. Luke comes from a Rock background and, one feels, has spent more studio time with the likes of The Wytches (a Brighton band) and similarly heavy-hitting groups. Victoria has a Classical background and knowledge of dance. In a way – returning to my Kate Bush analogy – it is like Bush and Dave Gilmour (who was hugely influential when it came to her debut album) in the same group. You have that understanding of Rock and Alternative sounds and someone who brings expression and physical beauty to the songs. Many duos I see write in a similar way and share musical tastes. A reason why Gypsyfingers are so strong and varied is because of their disparate and eclectic starts. When you melt Victoria’s seduction, dance and beautiful voice with Luke’s production, musicianship and history – you get a fantastic brew that surpasses everything I can see out there in the music market.

It would be naïve to simply label Gypsyfingers as ‘Folk’. Sure; one can hear elements of Folk artists and acoustic sounds but they are more than that. Luke and Victoria have taken the genre and added their own musical backgrounds to the genre. On Circus Life; I noticed Kate Tempest-like Rap and Hip-Hop with Fleetwood Mac-nodding sounds. The record was full and lush; it retained its core and foundations but was not as restrictive and narrow as some Folk albums. That record was laid down at Tilehouse Studios. It is a space created by Mike Oldfield that houses vintage recording equipment and a beautiful scene outside the door. It is nestled in countryside and is perfect for those who want to study and knuckle down in the studio; relax and detach when they have finished for the day. That may sound like an odd digression but, when you hear the music; that contrast comes through. Gypsyfingers have that connection with nature and their take from the world around them. I hear that bond with nature and spirituality; the grace and perfection of the outside air. They mix that style and inspiration with what older technology boasts: a nod to past music and how artists used to work. On Half World, for instance; you hear the crackle and nostalgic pull of the production with the nature-explosion of the vocals. By that; there is a pulling together of classic and vintage music with the here and now. Gypsyfingers are not a duo who are drenched in nostalgia and want to return to the past: their music operates in the present-day but, given their upbringing and love of music; a nod to older sounds is only to be expected. I have seen many duos come and go – it seems like Gypsyfingers are here for the long run! The fact they have such depth and diversity in the ranks means they’ll have creative options for years to come. I have not talked about live sounds and how working on the road can strengthen what happens in the studio.

After Circus Life was unveiled; the duo embarked on extensive touring and visited a lot of different stages. They toured with James Blunt in Warsaw (in 2014) and did a three-week tour of Poland. They got a huge reception in Eastern Europe and were afforded the chance to connect with people who would not otherwise have got to hear the music of Gypsyfingers. They supported Tubular Bells for Two and are ready to strike on their own and get new gigs. In fact; they have Isle of Wight Festival (23rd June) booked and will head to Hyde Park BST (13th July). Those are huge dates and much deserved when you think about it! The fact they have visited new countries and fresh faces means all of those travelogues and sights assimilate into their new music. I can hear more depth and adventure in Half World. I have tipped my hat to a new album but, when the time is right, the duo will unleash that to the world. What I am expecting is something that builds from Circus Life’s expansive mind and curious heart and integrates all the threads and memories they have collected from the road. Touring and constant live gigs are reasons why artists strengthen and create their best work. I can only imagine what the duo will learn when they head to big festivals this summer. They will be on some enormous platforms and get the chance to play to thousands of people. Right now, they are in a great position and have a worldwide fanbase. All of these little boosts and bonuses have been brought into camp and go into their latest single. I will come to look at the song in time but, before then, I will remain on this theme. Many overlook how important gigs are when it comes to creativity and longevity. We are in a time when venues are closing and people fear irreversible damage will be done to the scene.

I am hopeful resurgence will occur and we will be able to retain the spaces we have out there. It is vital artists have somewhere they can play and new acts are able to cut their teeth – imagine what will happen to music if we are denied that! When Gypsyfingers hit the road – after their album was released – they had Patrick Kenneally supporting. He can play keyboard and drums at the same time – one might assume he has sticks being clasped by his testicles; the answer is a lot less graphic than that! – and bassist Tali Trow with them. Victoria, as a multi-instrumentalist, was on piano, French horn and guitars (with her vocal input) and Luke, as you’d expect, handled guitar duties and did vocals, too. That luscious and vast live experience meant Gypsyfingers were able to realise the sounds on the album and not have to compromise. After having that set-up and options at their fingertips; this has kept the creative flame burning and translated into the studio. What I hear now is even more bravery and inventive spirit of the duo. They have learnt new skills and been hit by other sounds. There is that distinct Gypsyfingers lustre and connection; it has been joined by other fabrics and feelings. It is hard to articulate, I guess – one needs to hear Half World and contrast that with Circus Life. You get all of the skills and experience of the performers in Gypsyfingers’ live performances. Victoria brings that dance and love of movement; Luke has that ear for epic performance – his old man’s influence comes into things – and, combined, there is an extraordinary show! You might wonder where the duo goes from here and how they will adapt. I cannot disclose too much regarding albums and future plans but, with a new song out; you know there will be a lot of chatter among fans. The duo has been busy since their debut L.P. and has been bringing their music to the people of the world. I am confident this year will be one of the biggest for them. There are fresh challenges and new stages to conquer; a sound that is more alive and stunning than ever – these are wonderful times for Luke and Victoria.

Victoria has expended words in regards Half World and it was her guitar experiments and noodling that sparked the song into life. One may assume, when it comes to guitar starts, it would be Luke that’d be behind that. It was Victoria’s that started things and the lyrics were influenced by news stories of migration and hostility. I am seeing artists compelled by what is happening on the news and how people are being overlooked. That title becomes apt and apparent when you think of the divisions and lack of humanity we are witnessing. The fact is this: we are living in a divided world and this is not the planet we want to see. Victoria was shocked and stunned by images from the news and how people can be so cruel. We should not live in a time when others are being discarded like trash and left to die – others have to fight their way to safety and negotiate a daily regime of bombing and violence. Victoria brought her sketch to Luke and that was then worked on in the studio. That germ and initial passion was given more body and direction when the two joined heads in the studio. The vocal ideas and marching footsteps were added to give momentum and guidance; Luke’s production gave the song unexpected elements – mellotron choir and ghostly sounds – but it all started from Victoria’s playing and observations. From Luke’s perspective; the new song picks up from where Circus Elephant (from Circus Life) ended. The big sound is aided by Pat Kenneally and Simon Hedges (bass); the song was featured in gigs when Gypsyfingers played Poland back in 2015. It has mutated and evolved since then but, from those earliest airings; people reacted and bonded with the song. The reason why the song is more relevant now is that more people are displaced and things are getting more callous in the world. The fact it has been played on the road and had the chance to expand and wander goes into the studio recording. It started life as a big, live-sounding song and has been kept in-tact in the studio version. It is a fascinating birth and progression that makes me think deeply about how music evolves and where inspiration comes from.

There are lips sour and worn by the dust and battle cries. There is a war and river running through her eyes and one gets big scenes and epic imaginations coming through. Half World begins with a gorgeous rippling and entrancing notes. Piano trickles and there is a build-up that gets into the mind and compels the spirit. It is a gorgeous and enticing opening that gets you thinking and produces an immense amount of atmosphere. Percussion and unexpected notes add physicality, emotions and new layers to the song. Victoria’s vocal is strong and focused. There is a sadness and seriousness that mixes with the beauty and sense of wonder. When one listens to the lyrics; you hear about boats left to dry and souls hovering in the sky. It is haunting to think but, when looking at the thing that influenced the song – migration and humans being left to die – you get a much larger and more striking view of the song. It is shocking to imagine people struggling to find safety and taking immense risks. The way Victoria delivers her words and builds those visions into the mind is staggering. Luke’s production and musical input give the song a physicality and depth that means every listener will involve themselves and get thinking. The video demonstrates new steps for Gypsyfingers. Their visual elements are more stirring and ambitious. At the start, we see Victoria walking along and the camera following her. That scene and setting mirror the relative calm of the opening moments. The song seems to take on personal relevance and meaning as it goes on. The heroine runs and is tracked through woodland; the visions match the lyrics and we cut between different settings – Victoria running and looking to the horizon. The narrative turns away from the news and ideas of immigration and to something more personal. She is still inspired by the need to change and make the world better – the horror and shocking scenes have made her look inside her heart and make improvements.

Maybe we all get humbled and stunned by seeing others struggle and endure hardships. We think about ourselves and wonder whether our quibbles and complaints are justifiable. The percussion becomes heavier and the piano picks up speed. The heroine keeps the beauty and passion of the song solid but heightens and flies with the song. The video sees her in woodland, dancing in the sun; we cut to a bath where she gets in fully-clothed. In the song itself; there is a tightrope and things were good until the need we/he fell off. I think of these words as a metaphor for a security and safety that has now gone. Maybe there is a personal insecurity and transition that is being documented. In my mind; there is a look out at the world and the feeling life is not as safe and happy as it should be. The world is splitting and there is a clear divide between the privileged and those who have to struggle to live. You can hear those expressions of upset and wonder – where are we headed and how will the world change?! The mind is split between the personal doubts and anxieties and projection of the wider world. There are little elements of Muse when one hears the symphonic piano and drums clash – it is an interesting brew. If the demo for the song was influenced by news stories and displaced souls; there is more working away in the studio version. Our heroine has inspiration in her heart and is going through a change. It is hard to say whether hardships and stark images have focused her mind on music and making the most of her life; whether they act as a comparison to the wars and conflicts in her life. As the striking and memorable video moves along – images of the heroine in a bath and in the expansive openness of nature – you imagine different interpretations. Half World is a song that has a clear origin but its actual meanings can be interpreted differently by each listener. I was looking towards the heroine and how she has gone through phases and now, in 2018; there is a desire to change the world and make the most of her life. She is aware of the cracks in the planet and, maybe, she is casting her voice in the body of a migrant. They are looking at a better world and hope to reach some promised land. They see the way the world could be and that chance for happiness – getting into boats and risking their lives to escape poverty and war.

The duo have been playing together since 2010 and started as the solo project of Victoria  - she was living in Paris at the time. Victoria moved to London and was introduced to Luke Oldfield. This was before they were married, you understand. He offered to produce a debut Gypsyfingers album and lend his hand to the mix. Their partnership formed and became deeper from there. Rather than it being a solo offering from Victoria; the duo became closer and, by 2013, they were a concrete and connected duo. New sounds were brought into the fold and, in 2014; Circus Life was brought into the world. It is interesting seeing how Gypsyfingers has grown from Victoria’s moniker and taken on a new life in 2018. Now; the guys now have expanded their sound and are working as a four-piece. They have recruited Tali Trow on bass guitar and have a fuller sound. I have mentioned them as a duo because I am not sure whether they will operate as a four-piece on the road or studio too – and, whether any of the notes we hear on Half World were part of the new line-up. In any case; it seems like things are evolving and growing for Gypsyfingers. Those fresh additions and ideas will add to their arsenal when they head to the Isle of Wight and play big stages this year. Half World is the next chapter in the Gypsyfingers odyssey. They have made changes since 2014 and are growing bigger and stronger by the release. I have been following them since then – I was not aware of them prior to that – and can hear new inspirations and chemistry in the music. I cannot wait to hear what comes next and where Gypsyfingers will go. They are playing gigs over the coming weeks/months and it will be chance to see Half World brought to the world. I am not sure what they have marked in regards a new album and when it is coming out – one assumes the new single is the first step from their sophomore record. I am looking forward to watching Victoria and Luke’s duo grow and tackle new areas. Half World is a fantastic and fascinating song from an act that is amongst the finest in the music world. Once you hear Half World; you will be taken away and compelled to think more closely. I have been listening to the song over and over and still…

CAN’T get enough of it!

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Follow Gypsyfingers

Official:

https://www.gypsyfingers.com/

Facebook:

https://www.facebook.com/gypsyfingers/

Instagram:

https://www.instagram.com/gypsyfingers/

Twitter:

https://twitter.com/Gypsyfingers

Spotify:

https://open.spotify.com/artist/77ldPpauhUXAZGYT4abA8h

YouTube:

https://www.youtube.com/channel/UCQ1x8RNElu-Zb2_UvrMm9Ag

Soundcloud:

https://soundcloud.com/gypsyfingers

PHOTO CREDITS:

Sleeping pic by Julien Weber

Jumping pic by Alexandra Cameron

Clothes rail pic by Sally Low

Victoria singing pic by Sally Low

Sitting in grass pic by Alex Cameron

Band Dressing room pic by Sally Low

INTERVIEW: Dakota Danielle

INTERVIEW:

Dakota Danielle

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THE debut single is always…

an exciting and eventful occasion for any artist. I have been speaking with the American songwriter Dakota Danielle about One Church and what inspired it. She talks about the artists who have inspired her to take up music; what it is like living and playing in Nashville; whether there is more material arriving this year – I ask whether she will come to the U.K. and play.

Dakota Danielle tells me about her studies in Tennessee and what she has planned for the rest of this year; if there are new artists we should get our ears around; what the music scene is like in Illinois (where she hails from) – the songwriter talks to me about her favourite albums and what she does away from music.

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Hi, Dakota. How are you? How has your week been?

Hi! I am doing good (smiles). My week has been busy - but in a good way!

For those new to your music; can you introduce yourself, please?

Of course! My name is Dakota Danielle and I am originally from Teutopolis, IL. I graduated from Middle Tennessee State and have been living in Nashville for two years, now pursuing a music career.

Your debut single, One Church, is out. What is the story behind it?

This song is about my hometown. It has a population of 1600 people and consists of one church and three bars. This song was written about the common characteristics (you hear) small towns have, but yet, there is still something unique about the town I am from.

What was it like working with Mookie & Evan (and) Michael J. Clouse III on the song?

It was a lot of fun! They were great to work with! I felt like my song was in good hands the whole time and we all shared the same vision.

Is there going to be more material coming? Might we see an E.P. later in the year?

Yes. There will be more music coming! I have another single recorded that I am excited to put out there later this year (smiles).

How did you get into songwriting? Was there an artist you were compelled by at a young age?

Songwriting, for me, started when I picked up the guitar my senior year of high-school. I wrote a song about my aunt who had passed away when I was young. I played it for my family and seeing how something I had written touch them emotionally made me really want to dive more into songwriting.

I grew up listening to Aretha Franklin, Toby Keith; Dolly Parton, The Beach Boys; Neil Diamond and more. I feel like I had a lot of different artists that influenced my love of music.

I know you are taking Nashville by storm – studying a degree in Commercial Songwriting at Middle Tennessee State University as you go. What are the people like in Nashville? Is it a great place to play?

I love Nashville! I feel like I am in a small town living in a big city (smiles). All the people I have met so far have been very nice and supportive. I love how there is music playing almost everywhere you go. It influences me and keeps me motivated.

You are from Illinois. What are the main differences between there and Tennessee, would you say?!

In Illinois, there is definitely more fields, farms and flat land - also, windmills are a common thing. I had a few friends comment on how they have never seen a windmill...and that was so strange to me because I saw them a lot living in Illinois (smiles).

Do you have any gigs lined up? Where are you heading?

I do! I am playing in Carbondale, IL, coming up and various places around Nashville in the coming weeks.

Will you come to the U.K. and play? Have you visited here before?

I would love to someday travel to the U.K. and play! I have never been.

If you had to select three albums that mean the most to you; which would they be and why?

I would have to pick the three albums I remember listening to all the time growing up because it brings me back to those memories.

Toby Keith - 35 Biggest Hits

I would have How Do You Like Me Now?! on-repeat

Aretha Franklin - Greatest Hits

Respect was my jam!

The Beach Boys - Sounds of Summer: The Very Best of The Beach Boys

Loved singing along to, pretty much, every song on this album!

What do you hope to achieve in 2018?

I hope to advance my music career in 2018 as well as grow as a person. I would love to have my music heard by multiple people in the hopes of helping them express joy or sadness.

Have you got a favourite memory from your time in music – the one that sticks in the mind?

I will always remember the very first time I performed in public. It was at the Effingham Country Fair Talent Show. I played New Strings by Miranda Lambert and it was the first time any of my friends/family really heard me sing. It was a memory I will never forget (smiles).

What advice would you give to new artists coming through?

I would tell them to never give up, believe in yourself and don’t be afraid to step outside of your comfort zone - because that will help you learn and grow as an artist (smiles).

 IN THIS PHOTO: Meg Williams/PHOTO CREDIT: Desirae Cop

Are there any new artists you recommend we check out?

Yes! My friends Meg Williams, Allie Keck; Jessilynn Kidd, Cory Fisher; Meredith Joi, Stevie Woodward; Luke Caccetta, Taylor Martin and New North are a few off the top of my head!

IN THIS PHOTO: Meredith Joi

Do you get much time to chill away from music? How do you unwind?

Music is a part of my life and, without it, I feel lost...but, if I have time to chill and unwind, I am definitely a Netflix person.

Finally, and for being a good sport; you can choose a song and I’ll play it here (not any of your music - I will do that).

I am choosing a song that I always love to listen to! Dust on the Bottle - David Lee Murphy (smiles)

____________

Follow Dakota Danielle

Official:

https://www.dakotadanielle.com/

Facebook:

https://www.facebook.com/dakotadaniellemusic/

Instagram:

https://www.instagram.com/dakotadaniellemusic/

Twitter:

https://twitter.com/DDanielleMusic

Spotify:

https://open.spotify.com/artist/5dsoBGWAERV53KgiJrZLHj

INTERVIEW: Hein Cooper

INTERVIEW:

PHOTO CREDIT: Eve Thomas

Hein Cooper

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FROM the North of England…

PHOTO CREDIT: Eve Thomas

I am now speaking with a songwriter who hails from Australia. Hein Cooper talks about his current track, Hear My Voice, and what it was like touring his debut album in Cornwall – the brilliant and celebrated The Art of Escape.

I ask Cooper whether he will tour in the U.K. and which artists have inspired him to get into music. He explains why this week has been a bit tough; what the scene is like in Sydney (where he is based) and whether he feels like he is moving into a new creative phase – Cooper closes the interview by choosing a pretty stunning song.

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Hi, Hein. How are you? How has your week been?

Hey, there. I'm good! I've been told to rest my voice by my doctor, so the last week has been a challenge regards not talking to anyone and staying quiet at home!

For those new to your music; can you introduce yourself, please?

I'm a singer-songwriter from Australia working with music inspired by artists like Frank Ocean, Bon Iver; Ben Howard and Chet Faker. I love the idea of what is possible with Pop music: a song can be very left-of-field and still be a Pop hit.

I think my music is an exploration of a more authentic version of Pop. 

Hear My Voice is your new single. What is the story behind the song?

I wrote this song over a year or so. It took its time and started off as a poem I had written; then I wrote the music later on and placed it in. It's a conversation I'm having with myself about the self-discovery I'd been going through at the time.

It delves into the idea that we create different versions of ourselves as we live and grow - and it asks the question: 'Is there any real self behind all these people?'

In a way, it seems to be the start of a new phase for you. Do you think this is a big change and time of transition?!

Yes. I think so. I've had a lot of time since the release of my debut album to tour and think about music. I think this has really given me a new perspective and maturity to what I'm working on now. 

What was it like working with producer Will Hicks on the track?

It was great. He's one of those people who's got a casual vibe whilst doing real complicated stuff and, because it was only the two of us in the studio together, he kept it flowing well. 

PHOTO CREDIT: Eve Thomas

You toured your debut album, The Art of Escape, and lived in Cornwall. What was that experience like? Did you learn a lot about yourself in that setting?!

Yes. As I said earlier; touring definitely moulded me as a person. Through 2016-2017, I played hundreds of shows through Europe and the U.S. without very much luxury or certainty. I'd be in Europe and have three-four shows booked weeks apart and have to figure out what to do in-between, without breaking the bank...

This led to staying with friends of friends, even grandparents of friends, in cities, small towns; near the ocean, arriving late at night and sometimes being stranded! It kept changing and, at times, it wasn't even clear what was happening the following week.

I think all of this really helped me develop into someone who was able to deal with that kind of stuff. It certainly helped me write new music. I ended up living in Cornwall for seven months after that and, basically, wrote music the whole time.

Sydney is where you are from. What is the music scene like there? Are there big differences between Australian and British music?

Sydney has a load of great musicians and songwriters at the moment and I think, more and more, are moving here which keeps lifting the vibe. It's the kind of place where you can get to the beach through the day and see a gig at night - which is pretty good in my opinion.

Is there more material arriving later in the year?

Yes.

Which artists did you grow up around? Did you live in a very musical household?

My grandma was an Opera singer and my brother played Classical piano, but my parents weren't very musical. I started listening to music a lot more when I went to high-school. I fell in love with artists like Angus and Julia Stone and Jack Johnson. I was learning guitar and they had all these cool things for me to try and learn.

Do you have any gigs lined up? Where are you heading?

Yes!

April 27th: Black Bear Lodge (Brisbane)

April 28th: Penny Black (Melbourne)

April 29th: Porch Sessions (Adelaide)

May 3rd: Leadbelly (Sydney)

What do you hope to achieve in 2018?

I'm taking it all as it comes (as things are always changing and reshaping), but I'd like to have more music out and get out there in the world to perform for as many people as possible.

Have you got a favourite memory from your time in music – the one that sticks in the mind?

There's a load. I've had one particular experience performing in Hamburg, Germany to a sold-out audience that I'll never forget. When people are all there in one room to hear your songs and you get the chance to share it, it is truly magical.

What advice would you give to new artists coming through?

Be real. Don't worry if you're different to what's currently popular, because artists come and go these days like they were never even there - so, you may as well give people something you feel is true to you.

IN THIS PHOTO: Julia Michaels

Are there any new artists you recommend we check out?

It's super-Pop, but I dig Julia Michaels. Others are Nick Hakim, SZA and Beach House.

IN THIS IMAGE: SZA

Do you get much time to chill away from music? How do you unwind?

Usually, it's a pretty constant thing - at least it's running through my mind always. If I get a chance, I like to go surfing.

Finally, and for being a good sport; you can choose a song and I’ll play it here (not any of your music - I will do that).

Thank you (smiles). Frank Ocean - Thinkin Bout You

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Follow Hein Cooper

Official:

https://www.heincooper.com/

Facebook:

https://www.facebook.com/heincoopermusic/

Instagram:

https://www.instagram.com/heincooper/

Twitter:

https://twitter.com/HeinCooperMusic

Spotify:

https://open.spotify.com/artist/75Cb1lVnzQa6mPaJA16Ho0

Soundcloud:

https://soundcloud.com/heincoopermusic

YouTube:

https://www.youtube.com/channel/UC_F0o-B1oztyo4Fh4nsew-A/videos

INTERVIEW: Beth Macari

INTERVIEW:

 Beth Macari

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I have been chatting with the awesome Beth Macari…

about her new single, Clone. It is out on 18th May and I have been given access to the track ahead of its release. It is a confident and inspiringly upbeat song from a young songwriter on the rise. I speak to Macari about her home of Newcastle upon Tyne and whether more material will come; the music she grew up around – what touring dates she has booked.

Macari talks about supporting Rae Morris and the albums that mean the most to her; what advice she would give to new artists; if she gets much time to relax away from music – a fascinating window into the life and work of Beth Macari.

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Hi, Beth. How are you? How has your week been?

I am great, thank you! I am en route to Barcelona; so, it is a good week so far.

For those new to your music; can you introduce yourself, please?

I am a Soul/Pop singer and songwriter from Newcastle upon Tyne.

Clone is out on 18th May. Can you reveal how the song came together?

I was in the studio. I wasn't in a great mood; so, I felt inspired to write a sassy but uplifting song – and, so, Clone was born.

PHOTO CREDIT: Daniel Stark, Vicky Hedley

The song has a classic Pop vibe you do not hear much nowadays. Was it important mixing modern sounds with those classic roots?

Definitely. That's what my music is about: channelling the sounds that inspire me but keeping the production fresh.

Which musicians have inspired your sound? Do you find greater inspiration in new or older acts?

I have always been inspired by the big voices of soul such as Aretha Franklin, Chaka Khan and Stevie Wonder. But, there are so many current artists and sounds that inspire me. I love listening to Anne-Marie and Jessie Ware at the moment.

Will there be an E.P. or album later this year?

I am working on the music for my debut album at the moment.

Newcastle upon Tyne is your home. What is the area like for music? Do you take a lot from the people and sounds around you?

Newcastle has some great music venues and a great live music scene. One thing I do take from the people around me is the dedication to their art. We Geordies give our music everything we have got.

You have supported big names - including Rae Morris. How important have these experiences been? Which artist, do you think, has taught you the most?

Rae Morris was lush. She had so much energy and appreciation for the audience. Every gig is as important as the next one. I try to learn something from every show I play.

Do you have any gigs lined up? Where are you heading?

I am really looking forward to performing at Hit the North Festival, in Newcastle, in May.

I’m also performing at Hardwick Live and Bingley Music Live in the summer and I will be hitting the road with my band later this year.

If you had to select the three albums that mean the most; which would they be and why?

Joss Stone – The Soul Sessions Vol. 2

Because it’s just lush - and I love her cover of Teardrops.

Paramore - Paramore

Because it’s so fun and has such a diverse mix of songs and interludes.

Alicia Keys - Unplugged

Because I love how raw and true her voice is. Her early music (such as Fallin' and A Woman’s Worth) will always be some of my favourite songs.  

Have you got a favourite memory from your time in music – the one that sticks in the mind?

When Nicole Scherzinger told me my voice came from the baby Jesus.

What advice would you give to new artists coming through?

Don’t forget why you are doing it. It’s easy to get caught up in the technicalities of the music industry: try to focus on your creativity and passion. 

IN THIS PHOTO: Anne-Marie

Are there any new artists you recommend we check out?

Anne-Marie! I was lucky enough to meet her when she performed on a Sky One show I fronted the house band on - and she was so lovely. Since then; I have followed her music and really love her sound.

Do you get much time to chill away from music? How do you unwind?

I like to go out for food with friends and family or go to the comedy stand in Newcastle. I think it’s really important to find time to switch off.

Finally, and for being a good sport; you can choose a song and I’ll play it here (not any of your music - I will do that).

I recently performed with The Manchester Camerata on a Motown and Northern Soul Show and Heatwave by Martha Reeves and the Vandellas has been stuck in my head ever since...

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Follow Beth Macari

PHOTO CREDIT: Ollie Rillands 

Facebook:

https://www.facebook.com/bethmacarimusic/

Instagram:

https://www.instagram.com/bethmacariofficial/

Twitter:

https://twitter.com/BethMacari

Spotify:

https://open.spotify.com/artist/4Ed1Lbt202UlmZRX7KQL75

Soundcloud:

https://soundcloud.com/beth-macari 

INTERVIEW: Cocoa Futures

INTERVIEW:

Cocoa FUtures

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THERE are musicians I always look to feature…

more than once because, every time I include them, there is a new angle or interesting revelation. I have been speaking with Cocoa Futures (Greg) about the hot new single, Sink in the Water, and its backstory. He looks ahead and reveals plans to release more material; why he and his band went on a brief hiatus – he tells me whether there are any dates in the diary.

I ask Greg what music he is influenced by and the new acts we need to keep an eye out for; if he has a favourite memory from his time in music; how he spends his relaxation time – he ends the interview with a rather good song choice!

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Hi, Cocoa Futures. How are you? How has your week been?

Good, thanks. Watched a bit of the Commonwealth Games. That was weird. Had a trip to Brixton. That was nice. Made a Gousto box. That kind of thing…

For those new to your music; can you introduce yourselves, please?

I’m Greg. I make music under the name ‘Cocoa Futures’ with my friends, Dave and Nick. We put out a debut E.P. in late-2016 and we’re following it up this year.

Sink in the Water is your latest track. What is the tale behind that one?

It’s about getting older and thinking about whether you’re growing or not. Not in a physical way: it’s not a song about getting taller...

You hooked up with producer Brendan Williams. What did he bring to the recording, do you think? Was it a good experience working at Manchester’s Low Four Studios?

Brendan and his studio are both great. It’s a pleasure to work with him.

What did he bring? I think you can think too deeply about why good producers are good producers. I think it, basically, comes down to the fact he’s really bloody good at music - and that he shares a vision of where things could go.

He’s also not afraid to bring out the bongos. 

The new track comes after a bit of a hiatus. Do you feel recharged and repurposed as a band?

Things feel pretty good at the moment; it’s nice to be popping songs out and playing shows. Things have also really livened up with a fancy new shirt that I bought.

I believe five other songs will be released this year! Can you reveal which song comes next?

Sorry. I’m not actually sure yet (smiles).

PHOTO CREDIT: Rou Gilissen

It seems Sink in the Water is a new direction for the band. The songwriting takes from new areas. Were particular artists in mind when writing the song?

I’ve been listening to loads of Prefab Sprout and The Blue Nile. I love how the songs are sung - and that’s definitely an influence.

The mood seems pretty good in the camp. Is this, do you think, the best time for Cocoa Futures?!

I think it’s a good time; I feel quite nice. It’s good to have six songs that I believe in coming out this year.

I’ve also given up vaping, which I think has made my voice better. Life is good.

What do you hope to achieve in 2018?

I’d love to play some more shows outside of London. Also; to be proud of the music that we’ve put out.

If you each had to choose the album that means the most; which would they be and why?

I’ll be a dictator and pick for everyone: In Rainbows (Radiohead). Cos it’s great.

Can we catch you perform anytime soon? What dates do you have coming up?

Yep. We’re playing our first full band show of the year on Friday, 11th May at Paper Dress Vintage in London.

Have you got a favourite memory from your time in music – the one that sticks in the mind?

Playing The Great Escape last year was really, really fun. A lovely, attentive crowd - and all done in time for tea.

What advice would you give to new artists coming through?

Don’t think too much...

IN THIS PHOTO: Kylypso

Are there any new artists you recommend we check out?

Kylypso’s last tune was a banger; Coby Sey keeps putting out amazing music; Hejira are incredible; Koalas from Manchester – played with these lot recently. Great!

IN THIS PHOTO: Koalas/PHOTO CREDIT: Adrian Lambert

Do you all get much time to chill away from music? How do you unwind?

Yes. I like watching golf. Golf is life.

Finally, and for being good sports; you can each choose a song and I’ll play it here (not any of your music - I will do that).

Stephane Sévérac – Hold on

__________

Follow Cocoa Futures

Official:

https://www.cocoafuturesband.com/

Facebook:

https://www.facebook.com/cocoafutures

Instagram:

https://www.instagram.com/cocoafutures/

Twitter:

https://twitter.com/cocoafuture

Spotify:

https://open.spotify.com/artist/06wSoowaQECM5FhKiLIXeJ

Soundcloud:

https://soundcloud.com/cocoafutures

INTERVIEW: Beach Riot

INTERVIEW:

Beach Riot

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MY quest for superb band-made music…

takes me to the shores of Beach Riot. I have been talking to Rory (Guitars/Vocals) about their latest pearl, Serial Scruff, and what the heck it is all about. He talks about their formation and how they have developed since their start – I ask whether new material is planned for the coming months.

Rory tell me what it is like having the support of Daniel P. Carter; the artists the band are influenced by; what their gig schedule is looking like; who they would support if they had the chance (and a dream rider to go with it); the albums that mean the most to them – Rory selects some new artists to get our gnashers around!

___________

Hi, guys. How are you? How has your week been?

Hey! Pretty damn good, thank you. Nice to finally not feel like we live in the tundra, eh!?

For those new to your music; can you introduce yourselves, please?

I’m Rory (Guitar/Vocals) and we have Cami (Guitar/Vocals), Jim (Bass/Vocals) and Jonny (Drums).

Serial Scruff is your latest track. What is the story behind it?

I (Rory) was watching a documentary on this serial killer in America, and the psychology behind him, and it just got me thinking about what goes through someone’s mind. For some reason, lyrics just started pouring out of me - which they usually don’t...

Obviously; I could never actually know someone’s thoughts, so it’s all very hypothetical and, basically, more of a story. But, it suited the feeling of the song I’d just written: kinda bleak and anthemic.

The video, shot in the woods in black-and-white, looks like it was cool to shoot. Who came up with the concept? What was it like filming it?!

It was definitely cool: it was February and feckin’ freezing! But, super-fun to do. It was all the amazing mind and vision of Jim, our bassist. It’s kinda open to interpretation: we didn’t want to go too much into a literal story, but it’s got some nice cult-like Blair Witch-kinda-vibes going on.

Daniel P. Carter has played the song! What is it like having kudos from a D.J. like that?!

Unbelievably mind-blowing, to be honest! I considered packing up and retiring to some distant island after that (laughs).

How do you think you have developed since She’s a Hurricane. You sound more confident in your new song. Would that be a fair assessment?

That’s nice to hear! I think that first single was perfect for us because it really laid the foundation for what we are: a super-sweaty, energetic live band (hopefully, with a catchy chorus or two thrown in). This latest single is a bit more of a song if that makes sense.

But, it still has our fuzz-fest trademark all over it - although, our next single is gonna have a slightly different feeling to it…so, stay tuned (smiles).

Might we see a Beach Riot E.P. coming soon?

You, 100%, definitely might…

You have had a busy past few months! What are the things you have learnt about music and the band during that time?

We’ve learnt that it’s really important to be nice to people, to support your fellow bands and friends and, most importantly, to (just) do what you do best and have loads of fun doing it. Don’t look elsewhere and try to predict/copy everyone else. Be the people down the front singing along to your fellow bands; not at the back with your arms folded.

WE’RE ALL IN IT TOGETHER!

How did Beach Riot form? When did you all find one another?

So, I was playing bass in another band, but I had just had written a few absolute fuzz-monsters that I had to exorcise from my body...so, I went to the perfect duo of Jimmy and Jonny to get some demos done. They sounded so good and I had so much fun - that I just knew I needed to do something proper with them. A mutual friend sent me the way of Cami and, luckily, she felt the same about the songs...

We never really practised, to be honest: we just learnt the songs and got gigging. This band is built on just having fun and not labouring too much on all the details. So, I took the plunge and left my last band - and I haven’t looked back.

Who are the musicians you count as heroes and idols?

Jim, my bassist, is, basically, my main music idol. I love everything that boy does. He’s the most talented, humble and incredible musician I know. I wish I could write songs like he does. After that, I can’t ignore the obvious Kurt Cobain inspiration. He taught me that you don’t need to have complicated chords or songs, or clever lyrics: it’s about the hooks and the feeling and the passion.

Mr. Josh Homme has also got a big part to play in the sound, as have an old English band called Cable. Finally, all the killer female-influenced bands I’ve grown up loving: The Breeders, Sleater Kinney; The Passions, Courtney Love…to name a few.

I know the rest of the band would say similar names. One massive one for Cami and Jim is the legend that is PJ Harvey.

Do you guys have any gigs lined up? Where are you heading?

We have a tonne of shows booked! We’re headlining The Lock Tavern in London on 28th April and, before that, we’re headlining The Prince Albert in Brighton on the 19th. May is gonna have us play at (at) least two Alternative Escape shows on Friday 18th - with a warm-up show the night before at The Social. There’s a few more dotted about, too.

Basically, we gig non-stop (smiles).

If you had to select a dream artist to support, and a perfect rider, what would that include?

Hands down, Demob Happy.

We all love that band and they’ve recently come to a few of our shows and moshed - which is, basically, a dream come true. Awesome guys as well. Our rider would probably be red wine and four rounds of Sobs’ mozzarella sticks (Sobs is this dive of a late night takeaway in Brighton. It’s glorious).

If you each had to select the one album that means the most; which would they be and why?

I’m not with the others, so I’m gonna have to selfishly answer this one alone. I wish I could say something cool and interesting, but, I think if I had to pick one, it has to be Nevermind. It’s no exaggeration to say that, hearing that when I was twelve/thirteen, literally, changed my life.

What do you all hope to achieve in 2018?

I think we’d love to get out and tour proper and if we can get some festivals in, too. We’d be pretty chuffed with that.

Have you each got a favourite memory from your time in music – the one that sticks in the mind?

Again, just me (Rory). Sorry. I think my favourite memory is actually a very recent one. We played a show for Bitch Craft in Brighton that was packed out and rammed at, like, 1 A.M. or something and people were moshing, crowd-surfing and singing along. Going from writing these songs in my room and imagining people doing that to actually having it happen in front of you...I mean; that’s what it’s all about right!? Dream...

What advice would you give to new artists coming through?

Do what you love, not what you think other people will love. Get involved in your local scene, support your local amazing promoters and bands. Be part of something not on the edge of something. Know when to stick up for your band...

Are there any new artists you recommend we check out?

Not sure how new they count now, because they are KILLING IT, but our pals, Calva Louise, are cosmic.

Also: Two Tribes, Cutting Ties; Skinny Milk and many, many more…

IN THIS PHOTO: Two Tribes/PHOTO CREDIT: Natasha Rukavishnikova

Do you guys get much time to chill away from music? How do you unwind?

Wine, Sobs; nice British ale, stories about how amazing the wine and food is in Argentina; cats, barge holidays; coffee, Japanese food – and, probably, more wine.

Finally, and for being good sports; you can each choose a song and I’ll play it here (not any of your music - I will do that).

Freeze the Atlantic by Cable

Anything by Ty Segal for Jonny

Anything old from PJ Harvey for Cami and Jim

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Follow Beach Riot

 Facebook:

https://www.facebook.com/wearebeachriot/

Twitter:

https://twitter.com/wearebeachriot

YouTube:

https://www.youtube.com/channel/UCb6zWfkBlvufsLrGwK87tmw

Spotify:

https://open.spotify.com/artist/55bBJNuY224tmQf4odUqXV

Soundcloud:

https://soundcloud.com/wearebeachriot

INTERVIEW: Bleona

INTERVIEW:

Bleona

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THERE is something alluring and utterly…

entrancing about Bleona. Maybe it is the accent and the way she sings; perhaps it is the passion and seductiveness she puts into the music – there is a feast for the soul, eyes and heart! I have been speaking with the Albanian-born, California-based artist about her new song, Wicked Love, and what follows that (Bleona’s just number one in the Billboard Breakout Dance Songs Chart).

She talks about moving from Albania to the U.S. - and shares a favourite musical memory. Bleona reveals her favourite music and what gigs are coming up; what it was like recording and creating Wicked Love; if we will see her in the U.K. this year; what it was like working with Timbaland – the Albanian songwriter tells me what it is like being revered as a musical icon.

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Hi, Bleona. How are you? How has your week been?

Hi, darling. As I am writing these answers for this interview, I am sitting in the lounge of the Westlake Recording Studios in Los Angeles, CA. I just finished my vocals from my new record called I Don’t Need Your Love, while now, I am getting ready to give this interview for Wicked Love - which is already out, as you know.

For those new to your music; can you introduce yourself, please?

My name is Bleona…

I have been singing and performing since I was five. I have released eight albums back home and I am working on my first album in English (Executive Producers: Timbaland, Federico Vindver and Rob Knox etc.)

My music is Dance-Pop and is fun - but, it also has a very strong message about female empowerment! Back home, I have always been known as a rebellious entertainer and my music now, in English, is not any different.

Wicked Love is out. What can you reveal about its creation?

It is a song about real love, but that which is twisted. I got in the studio with the amazing Rob Knox and we came up with a record of real feelings; about how people are not perfect, because the human race is not perfect but, in the end, you still LOVE THEM and you still would do everything for them...

It has heat-sauciness and tropical bliss! Did you write it with summer and festivals in mind?!

No. It just what came out for our hearts in the studio but, given the fact that in Los Angeles it is always summer, it would be super-hard to come up with a ‘winter-colour’ type of record (smiles).

Is there going to be more material coming down the line?

Absolutely. As I said earlier; I just finished the second record today. It is really beautiful. My plan is to finish my first English E.P. and release teaching songs and videos every two months – so, I will be a little ‘busy’ this year (smiles).

You were born in Albania but found your way to L.A. What compelled the reason to come to Los Angeles?! What is the city like for music and inspiration?

If you want to rock the world, there is only one place you need to start from: Los Angeles, California. I just happened to want exactly that. It is the only way to start. If you make it in the U.S., you have made it pretty much everywhere! I love this country and I am privileged to live in the U.S.!

A lot of Americans don't understand how lucky they are to be born in the U.S. Coming from a different world, I understand that nothing is impossible in America. 

Did you always want to be an Albanian icon?

I fell in love with the music at a very early age. All I knew is that I wanted to do music and I wanted to be on stage. The fame, the money and the icon status came later. It wasn’t planned…I just did what I loved and I loved doing it.

Music, I know, came into your life very early. Was there a particular artist that motivated you to start songwriting?

I was raised listening to Celine Dion, Whitney Houston and Mariah Carey - which happened to be the three greatest voices of this world!

So, I was very clear, since I was a little girl, that ‘this profession I have chosen’; it wasn’t going to take ‘just talent’, but hard work and dedication; some self-sacrifice and self-discipline - and, I think they are, absolutely, some of the people that inspired me on writing my own records.

What was it like hooking with Timbaland? What did he bring to singles, Show Off and Pass Out?

Timbaland was a challenge...but I love to challenges; I LIVE for challenges…

I love to challenge myself! EVERY DAY! It’s funny you are mentioning his name right now because, as we speak, he is working in Studio D and I am working out of the Studio E at Westlake Studios. We just greeted each other when I first got in the building and, as I was entering, Tim was like: “Here comes ‘Miss Dedication!”.

It is heart-warming, after all these years, to hear that one of the world’s best music producers; the first thing that comes on his mind when they see you is the word ‘DEDICATION’. I am happy about this fact as I want to be respected as an artist - especially from other professionals like Timbaland.

So, today overall, I am having a great day...

What do you hope to achieve in 2018?

I hope for my music to be played everywhere - and I hope for people to have the time of their lives while they are listening to it. That’s all.

Which albums are most important to you – in terms of their power and impact?

Adele, Sam Smith and Bruno Mars, I would say, translate to POWER!

Can we catch you perform anytime soon? What dates do you have coming up?

My next concert will be in N.Y.C. at the end of April.

Will you come to the U.K. and play this year?

I would love to do that. I am looking forward to people inviting me to sing in the U.K.

Have you got a favourite memory from your time in music – the one that sticks in the mind?

It would take long nights to talk about memories in music for me. I remember, when I did my first tour ever, I passed through the main square of the town on my way to my concert. I saw so many people gathered together, like 20-30,000 people, and I asked my team that was with me in the car: “What else is going on tonight other than my concert? Where are these people going?”...

They started laughing and they said: “They are here for your concert, indeed!” I was like: “Whaaaaaaaa?! They all came to see meeee?!”

It was a very strange feeling that I will never forget…

What advice would you give to new artists coming through?

Good is the enemy of great!

Do you get much time to chill away from music?

No, because I would die and I would be like a vegetable...

How do you unwind?!

What’s that?! I like going with 100 miles/hr. Slowing down has never been my thing…

Finally, and for being a good sport; you can choose a song and I’ll play it here (not any of your music - I will do that).

Breathe - Jax Jones (ft. Ina Wroldsen)

I would love to have a record with him on it. I think he is fantastic.

__________

Follow Bleona

 Official:

https://www.iambleona.com/

Facebook:

https://www.facebook.com/Bleona

Twitter:

https://twitter.com/bleona

Instagram:

https://www.instagram.com/bleona/

YouTube:

https://www.youtube.com/BleonaQWorld

Spotify:

https://open.spotify.com/artist/4GL4UxOpLEkaMrgK9SQWN7?si=VhizBNsbSvyXVRfX6Sm3ow

Soundcloud:

https://soundcloud.com/bleona

INTERVIEW: Calan Mai

INTERVIEW:

 Calan Mai

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JORDAN Lawrence is the man behind 'Calan Mai'…

and has been talking to me about his brilliant new single, We’ve Got Love. I ask what the story behind the song is and how he manages to balance the fun and dark. Lawrence reveals his musical past and what comes next for him; which musicians are key to his sound and development – he tells me about plans to move to L.A. and lay down roots there.

I ask whether we can see a Calan Mai concert in the U.K. and, if pushed, which three albums mean the most to him; whether there are any new artists worth seeking out; how he spends time away from music – Lawrence ends the interview by picking a classic cut.

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Hi, Jordan. How are you? How has your week been?

Hey, there! I’m doing well because it’s Thursday - and Thursday is the next best thing to Friday. My week has been stressful, as I’m currently packing up all my stuff and moving house. Looking forward to putting my feet up and watching some Netflix. Still trying to get through The Series of Unfortunate Events, which is dragging a little, if I’m being honest.

For those new to your music; can you introduce yourself, please?

My name is Jordan Lawrence and I perform under the name 'Calan Mai' - which means ‘the first day of summer’ in Welsh. I write, record and perform Indie-Folk music, with a strong focus on lyrics and storytelling.

What can you reveal about your single, We’ve Got Love? What is the story behind it?

We’ve Got Love is about unconditional love and the pain associated with it. The song is the story of my family - a snapshot of our lives. Since I was a child, I’ve always been anxious for the well-being of my father, mother and brother and this song sums up the worry, sadness and joy of loving and being loved by damaged people.

I like the video and its animations/art. Did you have a lot of say regarding the concept?

I did. The director, Callum Scott-Dyson, has created videos for me before and he is great at creating treatments based on the vision of the artist. I wanted the clip to visually depict the lyrics because the song is, essentially, a story. To watch that story play out in animation is a lot of fun and, hopefully, forces the listener to hear what I’m actually saying!

The song has a light and fun sound – its lyrics are heavier and deeper. Was it hard mixing a breezy and sunny composition with the emotion of the words?

That will always be the hardest aspect of production. Finding the right way to present such a heavy song was difficult. On one hand, you have lines about my brother claiming he’ll die alone and my father escaping into the ecstasy of addiction.

On the other hand, you have a positive message about the importance of loving unconditionally. All of that needs to be presented in an honest way that draws the listener into the story. That’s what we tried to do.

Is there more material coming down the track?

Absolutely. Too much material! I need to get decisive and figure out what’s next in the pipeline…

You hail from Australia’s Gold Coast. What is the music scene like there? Was it easy finding likeminded people and chances to perform?

The Gold Coast has a very small music scene but, ultimately, it is a city most people move away from for greener pastures. This is a real shame because plenty of talented people grow up here. I do believe, as the city grows, there will be more chances for people to perform...

In terms of finding likeminded people - I was extremely lucky to find people early on who fostered my growth as an artist and helped me take this whole music thing seriously. They’re in a band called FAIRCHILD. Give them a listen!

PHOTO CREDIT: Eddie Jag

Which musicians struck your heart at a young age? Who do you count as influences?

The very first music to really strike my heart was Blink-182. I was eleven-years-old and they seemed to know what was going on. I think I’ve carried a lot of their influence with me, as strange as it sounds. Major Key melodies, simple refrains; catchy hooks - that’s a huge part of what I’m aiming for when I write a song.

But, it was artists like Bob Dylan and Paul Simon who really shaped me as a lyricist. I always want to tell a story the way they did.

Do you have any gigs lined up? Where are you heading?

No gigs lined up as of yet. My main focus is to save my money and move to Los Angeles so I can really start playing in America!

Might you come to the U.K. and play here? Do you like British music?

I lived in Manchester for two years and played over there a lot! I love British music and I was absolutely blown away at how much talent was hiding in a single city. I still miss the U.K. and am very eager to go back again. Fingers crossed it’s sooner rather than later.

If you had to select three albums that mean the most to you; which would they be and why?

1) August and Everything After - Counting Crows

I discovered this album, accidentally, at the age of fifteen and Adam Duritz blew my mind. From the opening of Round Here, where he orders the listener to “Step out the front door like a ghost, into the fog where no one notices the contrast of white on white”; I knew I was hearing something special. These tracks got me through my last years of high-school - and really informed the sort of lyricist I became.

2) I’m Wide Awake, It’s Morning - Bright Eyes

This album is the pinnacle of what I’m trying to do whenever I write a song - that is, let a listener into my world and create a time capsule of a certain time and place in my life. I’m Wide Awake, It’s Morning gives you full insight into the mind of Conor Oberst at the time he recorded it: from the minutia of details about yellow birds to the state of the world to post-9/11 - it is an incredible listen and only grows more relevant to me the older I get.

3) For Emma, Forever Ago - Bon Iver

Yeah: I know how typical this choice is. There’s not much left to be said about this album that hasn’t already been said. But, go listen to Justin Vernon’s recordings in the lead up to this masterpiece and try to figure out where the hell these songs even came from. The change in his songwriting and performance style is so immense, you have to wonder if it’s even the same man. That always gives me hope about myself as an artist. You never know how much you’re going to change. Heartbreak, misjudgements, loss - all of these things will continually shape you.

PHOTO CREDIT: Eddie Jag

What do you hope to achieve in 2018?

I hope to move to the United States.

Have you got a favourite memory from your time in music – the one that sticks in the mind?

Opening for Band of Horses at the Manchester Royal Albert Hall. Unreal.

What advice would you give to new artists coming through?

Surround yourself with people who do what they say they are going to do. Beware of those who only talk…

IN THIS PHOTO: Dan Bettridge

Are there any new artists you recommend we check out?

Check out Dan Bettridge. He’s an amazing singer-songwriter from Wales - and he’s currently releasing his debut L.P. in waves on Spotify. He and I have been friends since we met in New York for CMJ in 2015. Since then, we’ve both supported Band of Horses on the same tour, played SXSW 2018 and explored the streets of L.A. in wide-eyed wonder! All of this was by chance. Fortune has forced us into friendship. Life’s weird.

Do you get much time to chill away from music? How do you unwind?

I’m a pretty major film buff and, in a lot of ways, I’m a bigger fan of movies than I am of music. At least as a consumer. I get to just enjoy movies. Music forces me to look at my own output and compare myself to other artists. So; I’d say watching movies, exercising and walking long distances for coffee are my ways to unwind.

Finally, and for being a good sport; you can choose a song and I’ll play it here (not any of your music - I will do that).

Play Lift Me Up by Jeff Lynne! Impossible to listen to that song without a smile on your face. Thanks for having me.

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Follow Calan Mai

PHOTO CREDIT: Eddie Jag

 Official:

http://www.calanmai.com/

Facebook:

https://www.facebook.com/calanmaimusic

Twitter:

https://twitter.com/calanmaimusic

Instagram:

https://www.instagram.com/iamcalanmai/

YouTube:

https://www.youtube.com/channel/UCruqiQtKaIbQC5YOymm3DMg

Spotify:

https://open.spotify.com/artist/7BSjUIqbJMumDCIoY5B8Hi

Soundcloud:

https://soundcloud.com/calan-mai

INTERVIEW: Moonheart

INTERVIEW:

Moonheart

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IT is to Brooklyn…

and a chat with the remarkable force that is Moonheart. I have been finding out about their new song, Bridestep, and whether they can shed any light regarding its birth. The guys – Kim takes up most of the answers – tell me how they got together and what their upcoming album, Feel It Out, will contain – what it was like recording it.

I ask how important Brooklyn is and what sounds they were raised on; if they have words of advice for artists coming through; if a trip to the U.K. is part of their plans – Kim and Michael tell me what they hope to achieve before the end of this year.

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Hi, guys. How are you? How has your week been?

Kim: Hey! Doing pretty well. Thanks for asking (smiles). Aside from still having to do my taxes and being scared to do them (they’re gonna be a mess), I can’t complain. Michael already did his…overachiever.

For those new to your music; can you introduce yourselves, please?

I write songs and Michael produces them. It’s hard to describe how it sounds in words, but other people have done a really nice job of it. One of my friends calls it 'Future-Folk' and I like that. My family calls it ‘nice’.

Michael: Yea. I’d like to think that we’re somewhere in between ‘Future-Folk’ and ‘nice’. Kim writes beautiful songs with heart-wrenching lyrics and I try to dance around them with some electronic bleeps and bloops.

Bridestep is your new single. Can you explain its background and story?

Kim: Writing Bridestep helped me to sort out some lingering feelings that were eating at me about a relationship I’d ended in the past, without expressing myself in a way that I feel honoured how important that relationship was and is to me. I was meditating a lot on closure or the lack of it, on boundaries and what’s allowed to be said after the fact - and this song is an outgrowth of those thoughts.

Feel It Out, coming in spring, sounds exciting! What themes and ideas have gone into the record?

I’m always thinking about my ancestors, trying to connect and open up a pathway to them; feeling them work through my own work and movement; so, there’s always that thread somewhere in my lyrics. There’s also a good amount of grief in this album - the grief of physical and/or emotional loss, of dealing with some mental illness stuff (or not dealing with it). Opposites interacting with one another - openings and closings, expansion and contraction; high and lows and trying to find the balance among them - also plays a large part.

I think Michael, especially, did so much to portray that in his production. There’s a lot of organic sounds weaved into the digital sounds. I promise it’s not as depressing as this description makes it sound though. Ha.

How was it recording the album? Do you both like being in the studio?

Michael: We actually recorded it in the apartment that we share here in Brooklyn, piece by piece over the course of about eight months or so. Some parts were much easier - getting to do them on our own time - than they would have been in a studio.

Kim: Especially vocal takes. I’m the queen of “just one more” take and then wanting to do at least ninety-three more...

Michael: Yea. I’m glad we didn’t have to pay for that…

Kim: But, for real though; it’s a little dream come true every time a song starts coming together and Michael and I have a little E.S.P going on in that regard. He tends to just know what I’m looking for without my having to explain much and it feels like magic every time.

It’s really fulfilling to shape something and see it through from beginning to end - and such a different muscle from writing. I love it

Michael and Kim. How did you meet one another? What brought you together?

We met in Boston, where we went to the same music conservatory. We didn’t really start making music or hanging out much until I moved to Brooklyn a couple years after he did, in 2014.

Michael: We bonded over trying to be better songwriters. We would do writing exercises where we’d send each other songs every day and ended up getting into each other’s music - and that’s what made us want to work together.

I believe Brooklyn played a role in your careers. What is/was it about the area that led to songwriting?

Kim: It’s hard to pinpoint all the ways living here has changed me and helped me grow as a writer and person. But I’d say, for sure, one of the biggest factors in all of that is all of the sweet friends and artists around me who I get to watch do their thing beautifully often. The community here is constantly inspiring…

Michael: Yea. The community of musicians here is like nowhere I’ve ever been. I’m constantly humbled and inspired to do and be better by those around me, and that’s a great thing.

Kim: If you’re lucky you can find your people and what keeps you inspired anywhere, or at least on the internet. But, I’m glad we’ve found it here. I feel lucky to live here.

In terms of music; what sort of sounds did you both grow up around?

My dad was always playing all kinds of good stuff. A lot of Stevie Wonder, Erykah Badu; Earth, Wind & Fire, The O’Jays and Prince. My mom loved Michael Jackson and the Whitney Houston. My granddad has a gorgeous voice and plays guitar and piano. My Nonnie sings too. Every family gathering with them is anchored by group singing and it was really special to grow up that way. They love standards, old spirituals and some Folk tunes, which got me into all of those things.

Michael: I grew up listening to a lot of Jazz. My parents weren’t that much into music, but my saxophone teacher introduced me to a lot of Jazz and Classical music. I was really into Stravinsky, Thelonious Monk and Duke Ellington. Later, my sister got me really into Elliott Smith, Deerhoof and Björk.

Will you be touring any time soon - and does that include an eventual trip to the U.K.?

Kim: Fingers crossed!

What do you hope to achieve in 2018 with your music?

On the topic of touring; I’d really like to tour our record in an extensive way outside of the city. I’m finding that playing shows is a whole other part of the body that writing and recording live in - and I want to tend to and feed that part much more; especially because I’m in love with playing in our current configuration - Michael and I, plus our friends Connor Baker on drums and Parker McAllister on bass. It’s new (we’ve only played two shows with this setup), but it feels really good and they make it so easy to sing.

I also hope that the music makes people feel soothed or lighter, or more comforted or recognized after listening to it, live or recorded. If it makes someone feel that way, I feel like I’m doing my job as a writer and a person.

Have you each got a favourite memory from your time in music – the one that sticks in the mind?

Honestly; it’s been putting this album together. It’s a little dream come true every time a piece of the puzzle of a song is put in place

What advice would you give to new artists coming through?

Michael: Try not to compare yourself too much to those you think are doing better than you. Your path is always gonna be uniquely your own. Sorry for that Malcolm Gladwell corniness.

Kim: Be honest in your writing and be nice to yourself when it’s not coming easy.

Are there any new artists you recommend we check out?

Hite (Julia Easterlin) made a gorgeous record last year called Light of a Strange Day. She’s also a friend of mine. Her singing is so inspiring to me. She has so much control over her instrument and (especially) uses dynamics in such a moving way – and, whenever I hear her live, it makes me cry.

I love L’Rain’s self-titled album and can’t stop playing it. I’ve also been really into Kalbells lately - this great band from here that’s led by Kalmia from Rubblebucket. She’s great.

Michael: I’m really into Violents right now. I love Monica Martin’s voice and I really like the production...

IN THIS PHOTO: Violents

Do you get much time to chill away from music? How do you unwind?

I try to meditate, but I’m not good at; so, I usually go on runs or watch YouTube tutorials about other things I’m not good at.

Kim: I like to be in nature when it’s not cold and to read as much as I can. I also like watching trash T.V. when I have nothing going on; specifically, this beautiful mess called Vanderpump Rules, which I feel much less shame about now I know Rihanna watches it. 

Finally, and for being good sports; you can each choose a song and I’ll play it here (not any of your music - I will do that).

Kim: Oo. This is hard...I’ll show you my favorite Hite song (Light) since I told you about her.

Michael: Solo by Frank Ocean

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Follow Moonheart 

Official:

http://moonheartmusic.com/

Facebook:

https://www.facebook.com/moonheartmusic

Twitter:

https://twitter.com/moonhearttt

Instagram:

https://www.instagram.com/moonhearttt/

YouTube:

https://www.youtube.com/channel/UCHN9stFMQguzqQ7fcdMCJdQ

Spotify:

https://open.spotify.com/album/1gcWG6Rpkkimf2HTVNpT1z

Soundcloud:

https://soundcloud.com/moonheart_music

INTERVIEW: Makk Mikkael

INTERVIEW:

 Makk Mikkael

___________

AS the warm weather teases my mind with alluring brightness…

I am thinking of Makk Mikkael and her latest track, How It Feels. I have been listening to the song for a bit and learning more about myself from hearing it. The Canadian songwriter has been telling me about that track - and what she has planned for the coming months. I ask how influential relationships, good or bad, are to her songwriting; if she will come and see us in Britain this year – if there are new artists we need to get behind.

Makk Mikkael gives me the skinny about her creative flow and how she has transitioned as an artist; which albums mean the most to her; if she gets time to detach from the demands of the music day – she offers some sound advice for artists coming through.

___________

Hi, Makk. How are you? How has your week been?

Hey! I am doing good, thanks! I’ve been in the studio lots working on my third single - so stay tuned exciting things are coming.

For those new to your music; can you introduce yourself, please?

Hey guys. My name is Makk Mikkael. I’m nineteen-years-old; currently living between Calgary and Toronto right now. I love creating music/listening to music, probably more than anything else in the world. I’m working on my debut album right now - so am super-stoked. Thank you all so much for listening to my music and for the support. Hope to see you on the road.

How It Feels is new. It is inspired by a dark time – the end of a relationship. Was it hard translating that hurt and upset into music?!

How It Feels was written in ten minutes in my basement. Haha. It was written from an experience I had from my trip to L.A. My friend sent me a beat, and it inspired How It Feels pretty instantly. I was so happy turning my anger, sadness towards someone into music; so, it was a very emotionally rewarding process which closed the chapter for me.

The video looks like it was pretty epic and interesting to film. What was it like filming it? Do you enjoy music videos?

I love watching music videos. You get to see the artists thought process when they were writing portrayed through visuals, which is super-dope.

For How It Feels; we started setting up at the first location at 4 P.M. and ended the shoot at 4 A.M. It was a long night, but super-cool to shoot at so many different locations. I love making music so I can make videos for it: I think they go hand in hand and people may relate to the video more than the song, or vice versa. But, it’s just another way of showing what you felt or experienced through visuals.

Have relationships, good and bad, played a big role in your career? Are you in a happier place at the moment?

I am in a really good place right now.

I’m surrounded by such great individuals and my family so it’s a really special time. As far as relationships go; the bad ones are the ones I write about. I typically don’t write happy songs: I like to write from a deep place and write the good and bad I experienced with that person all in one.

Is there more material arriving later this year?

There will, 100%, be new material this year. My third single will be released, hopefully soon; we’re just getting it mastered right now. After that, I will start working on my debut album, which I’m all kinds of excited for.

You hail from Calgary and started recording music aged fourteen – under the name of ‘Mackenzie Rose’. How do you think you have changed in the past five years?

Haha. I’ve changed a lot. I don’t listen to Country music - and haven't since I was fourteen. I was really into Taylor Swift though; so that influenced my sound then. Now, I’m just into different stuff and have grown a lot with my sound/style.

How important was it going to L.A. and experience a new creative and personal lease? Do you think you might move away in future years? Are you quite rooted right now?

I think it’s important to try going to different places. Everything is a different experience - and you get the good and bad, but getting out of your comfort zone is so important. I loved living in L.A.; I learned a lot about the industry when I was there and was surrounded by super-talented individuals. L.A. has such different vibe then Toronto. It’s a huge music hub for everyone around the world to gather which, I think, Toronto is now turning into.

Before I move anywhere again, I want to finish my album. When I get on the road, I feel like that will help me decide where I wanna be. I’ve always been super in love with London, though.

Which artists inspired you as a child? Has music always been in your life?

Music has always been in my life. When I was younger, I listened to JoJo, Taylor Swift; The Pussycat Dolls, Maroon 5 (love their early stuff so much); Hootie and the Blowfish, Hilary Duff; deadmau5 and Lilly Allen. It pretty much ranged from everything my parents listened to - to what was on Disney Channel.

Do you have any gigs lined up? Where are you heading?

I don’t have any gigs lined up. Hopefully, some shows will start in the summer. I’m super-busy creating right now.

Will you come and play the U.K. at all? Do you like the music over here?

I love the vibes in the U.K. The music that comes out of there is crazy-good. I’m so inspired by the sound over there. I will definitely come play there once this album is out.

If you had to select the three albums that mean the most; which would they be and why?

The Internet - Ego Death

I saw them live in the summer in Toronto and was like: ‘What the heck; who are they?!’ They have such an energy and vibe on stage. Love the beats, lyrics: everything is spot on. The perfect way to describe them is (chill Lounge music), which is so inspiring for my sound and vision.

Toro y Moi - Boo Boo

When I was living on my own in Toronto, a friend showed me Toro y Moi. I’d never heard of him and I was completely taken to a different universe. For the next five months, after he introduced me to him, Boo Boo was the only album I had on rotate. I would walk everywhere in the city by myself and his music made me feel so comforted everywhere I went.

The 1975 - The 1975 (Deluxe Version)

The first song I heard from them was Girls. I was hooked. I recently saw them in concert and there just incredible live. They have released so much since there early stuff and it’s all great music - absolutely my favourites. They inspired me to release music and be myself in this industry.

What do you hope to achieve in 2018?

I want to release this album, tour and constantly keep creating.

Have you got a favourite memory from your time in music – the one that sticks in the mind?

Yes. I was on the back of a motorcycle on the outskirts of Toronto and I got a D.M. from Bipolar Sunshine, who was, at the time, coming to Toronto to perform at the Drake Hotel. He asked me if I wanted to open for him. So that was pretty dope...

Obviously, I said yes.

What advice would you give to new artists coming through?

Just do your thing. The more original and true to yourself you are the more chance you have of being successful. If you have it in you then you're good. Stay true to the music.

IN THIS PHOTO: Alex Lustig

Are there any new artists you recommend we check out?

I’m digging Sam Austins, Lou Val and my super-talented homie, Alex Lustig.

Do you get much time to chill away from music? How do you unwind?

For sure. I live thirty minutes away from the mountains, so I get outside as much as I can. I get inspiration when I take time away from it and usually come back with lots of ideas, so it’s great. Honestly, I love it though; so, I don’t really need breaks from creating.

Finally, and for being a good sport; you can choose a song and I’ll play it here (not any of your music - I will do that).

Wasted Times - The Weeknd

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Follow Makk Mikkael

 Facebook:

https://www.facebook.com/makksmusic/

Twitter:

https://twitter.com/makkmikkael

Instagram:

https://www.instagram.com/makkmikkael/

YouTube:

https://www.youtube.com/channel/UCLBiBc97bABBIT-eavbho8w

Spotify:

https://open.spotify.com/album/7qCrxbKAlYDXCKVyYDFNcm

Soundcloud:

https://soundcloud.com/makkmikkael

INTERVIEW: Dom Fricot

INTERVIEW:

Dom Fricot

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I always enjoy chatting with Dom Fricot because he…

reveals something new and fascinating. This time around, the Canadian songwriter has been discussing his new track, Echoes, and what the tale behind it is. I ask what we can expect from the upcoming mini-album, Deserts, and whether there are gigs planned.

Fricot reveals whether he is coming to the U.K. and what the scene is like in Vancouver; which artists he was raised on; if there are any new artists worth checking out; what he has planned for the remainder of the year – he ends the interview with a pretty cool song.

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Hi, Dom. How are you? How has your week been?

Been great. Just got back to the Netherlands after a nice month of playing shows on the road in Canada. Been writing with the Folk Road Show and enjoying the arrival of spring.

For those new to your music; can you introduce yourself, please?

My name is Dom Fricot, I’m from a small town in BC, Canada called Salmon Arm. I’ve been in and out of bands since my late-teens and am currently putting out my third solo studio effort, Deserts.

The video for Echoes is out. I believe it was shot in Nepal. Were you there touring/playing at the time?

I wasn’t, no. I’ve never actually been. The filmmaker, who was interested in making a video for Echoes, was shooting other projects in Uganda and Nepal and pitched me a very loose concept for the video. Originally, I think he was going to do the project in Uganda - and just ended up having a better chance to do it in Nepal.

What were the people like who feature in the video? Was it a memorable experience?

As I wasn’t there, I can only speak from what Dwight has told me. I’m sure it was, yes.

Echoes is from the E.P./mini-album, Deserts. Is there going to be more material from the E.P. released into the world?

Yes. I had slotted to put out the entire eight tracks in March, but the label, Knight Vision Records (Warner) approached me and wanted to put out the album. So, some of the plans shifted a little. We’re putting out Deserts now in three parts: Pt. 1 was released digitally on April 5 and Part II should be out later this month.

What was it like recording the E.P.? What sort of themes were you inspired by during that time?

The E.P. was pretty exciting to make. We took a quite minimal approach, largely building around my Rhodes, loop station and vocal parts. The last ingredients were merely some synth, mostly bass and then Classical strings.

In terms of creativity and music; are you working on new stuff right now?

At the moment, I’m writing with my other project for Folk Road Show’s next album. I like to have about three times the material than what ends up getting recorded, so we’re in the middle of a lot of writing. It’s feeling pretty fresh and inspired, which is great.

Which artists did you grow up around? Give me a sense of the music you were raised on…

I have older sisters who were into everything from Wilson Phillips to Milli Vanilli and New Kids (on the Block) to Jon Secada, Janet Jackson and, of course, Phil Collins (smiles). My mother was a Beatles lover through and through – but, later she got into some strange stuff like Tony Byrd and Francis Cabrel.

Vancouver is where you are from. Are there a lot of great artists working in the city right now?

Oh yeah; always have been. Right now, man; so many stellar acts: Bend Sinister, Peach Pit; We Are the City, Lion Bear Fox; REGAL (ahem…side project); Young Blood, JP Maurice; Savvie and Fraankie. Such a wealth of talent - I know I’m missing so many...

Do you have any gigs lined up? Are you heading to the U.K. this year?

I’m moving into a period of touring with the Folk Road Show in May/June and back to Canada with them for the end of July and August. Then, back to some more solo touring. Balancing is tough. I need a manager. Any takers? (smiles).

What do you hope to achieve in 2018?

Seems lofty...but I’d like to get over a million plays on songs off of Deserts. Haven’t decided which: I’m just starting off by putting that into the universe.  

Have you got a favourite memory from your time in music – the one that sticks in the mind?

I wrote my high-school grad song with a good friend. We performed it in front of a few thousand people with only an acoustic guitar. Playing it in a packed arena was nuts. When they jumped up to applaud, I nearly fell over. The rush was so huge.

What advice would you give to new artists coming through?

Look for fellow musicians who you feel creative sparks with; people who push you to see and hear things differently and work hard to push each other.

Are there any new artists you recommend we check out?

Nimbus 3000.

Do you get much time to chill away from music? How do you unwind?

I like hiking, beaching and eating - in no particular order.

Finally, and for being a good sport; you can choose a song and I’ll play it here (not any of your music - I will do that).

Nimbus 3000 (ft. Fricot Cane) - ALONE

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Follow Dom Fricot

Official:

http://dominiquefricot.com/

Facebook:

https://www.facebook.com/domfricot

Twitter:

https://twitter.com/domfricot

Instagram:

https://www.instagram.com/domfricot/

YouTube:

https://www.youtube.com/user/dominiquefricot

Spotify:

https://open.spotify.com/artist/5HGZ6YBn36wAyz2uZn6FEq

Soundcloud:

https://soundcloud.com/domfricot

ALL PHOTOS OF DOM FRICOT:

Justin Broadbent

INTERVIEW: Vincent John

INTERVIEW:

Vincent John

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HIS latest single has been wrapped around my brain…

and coming into my vision at unexpected times. I have been speaking with the U.S. songwriter Vincent John about his new track, Shiny Car, and what compelled its birth. His E.P., Tangerine, is upcoming, so I was eager to know a bit more about it. I discover what the scene is like in Philadelphia – where Vincent John is based – and whether he will come to the U.K.

He tells me whether he is a fan of British music and what his favourite career memory is; if he gets time to switch off from music; which musicians have inspired him; what it has been like working with the legendary Lee Fields – Vincent John ends the interview by choosing a stunning song.

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Hi, Vincent. How are you? How has your week been?

Hello! Thank you for having me. I am very well - and hope the same for you.

For those new to your music; can you introduce yourself, please?

My name is Vincent John. I am a songwriter, musician; producer and artist.

Tell me about Shiny Car. What is the song about? Did it come together easily?

Shiny Car started out as an instrumental. I had just finished releasing my debut, Never Go Back, and felt this was a step in the right direction for the next batch of songs and, at the same time, an extension of Never Go Back.

It is taken from the E.P., Tangerine. Can you reveal the subjects and stories that compelled the songs? What sort of topics inspired you during its creation?

I pull from my own life and the lives of those close to me for inspiration. Occasionally, political themes creep in - but my intention is to create music that makes people feel good. I try to create metaphors for those themes when they do arise.

The E.P. brings together classic recording with some modern touches. Is it important you blend the old and new in your music?

Absolutely. Most of the music I love dates back to the '60s thru the '80s. But, it is important to me to try to bridge the gap between what inspires me and what most people relate to these days. It’s not easy but, in the end, it is very gratifying.

You have worked with Lee Fields, Nicole Wray and Aaradhna. Have those experiences been impactful and important?!

Working with these people has been a gift. All of those individuals, as well as ones not mentioned, have been very important to me as a person and an artist. I have an immense respect for those who I collaborate for and with. Not only are those some of my favorite artists, they are friends and role models who I consider myself lucky to know.

Which artists inspired you to get into music? Who do you count as influences?

I grew up listening to Motown. My mother loved the '60s and '70s Pop music, so that’s what I was listening to in my formative years. It’s hard to pin down one favorite but, for what it’s worth, I think the best (Soul) singers who ever lived are Sam Cooke and Marvin Gaye.

Philadelphia is where you are based. What is the area like in regards to music? Is it a good place to perform?

Philadelphia is known as a hotbed for Indie Rock and R&B. I love to perform in Philadelphia. It is my home and I’m proud of it. My favorite venues would have to be The Fillmore, Union Transfer and Johnny Brenda’s.

Can we see you tour soon? What gigs do you have coming up?

Yes! We are booking dates in PHL, N.Y.C. and L.A. right now for 2018. Stay tuned for more info soon.

Do you think you’ll play the U.K. this year? Do you like the music coming out of here?

I would love to make it across the pond with this project this year. I do tend to like a lot of what’s coming out of the U.K. these days - Michael Kiwanuka, Alex Francis; Pale Waves and Fishbach…to name a few.

 IN THIS PHOTO: Pale Waves

What do you hope to achieve in 2018?

A broader awareness of the music I am making for a generation in flux. I hope the records can brighten someone’s day every day...

Have you got a favourite memory from your time in music – the one that sticks in the mind?

I played L’Olympia in Paris with Lee Fields this January 2018. That was pretty moving. The Beatles, and countless others, have played there.

What advice would you give to new artists coming through?

Do as much as you can yourself to ensure your vision is not obscured. This day in age, you have to wear many hats, but don’t let the records suffer as a result - that’s always got to be number-one.

Do you get much time to chill away from music? How do you unwind?

I honestly don’t lately, but I am happiest when I am busy working. Occasionally, I’ll go on a vinyl buying tear - but that’s not really getting away from music, is it?! (laughs).

Finally, and for being a good sport; you can choose a song and I’ll play it here (not any of your music - I will do that).

William Onyeabor - Good Name

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Follow Vincent John

  Official:

https://vincentjohn.squarespace.com/

Facebook:

https://www.facebook.com/vincentjohnofficial/

Twitter:

https://twitter.com/vincentjohnsay

Instagram:

https://www.instagram.com/vincentjohn/

Spotify:

https://open.spotify.com/artist/5AkvLafnOnwOcDD7zCz8gd

Soundcloud:

https://soundcloud.com/vincentjohnofficial

INTERVIEW: Jazz Mino

INTERVIEW:

Jazz Mino

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THIS is not the first time I have featured Jazz Mino…

on these pages. She has been talking about her new single, Warriors, and how it differs from her much-loved interpretation of Crush. The songwriter reveals new artists she is responding to; what it is like being based in London; whether she has had time to reflect on a busy, successful 2017 – she looks ahead to gigs and ambitions for this year.

I ask Mino whether there will be more material and how she crafts that incredible stage presence. She selects her favourite albums and reveals some important advice for new artists – telling me how she spends her time away from music.

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Hi, Jazz. How are you? How has your week been?

It’s been great, thanks, despite the miserable rain in London! Spent my weekend trying to battle the weather, failing...and then settling on hiding inside and finishing up my Easter eggs.  

For those new to your music; can you introduce yourself, please?

Hey, everyone. My name is Jazz and I’m a singer-songwriter most known for my single, Crush, which hit number-five in the U.K. club charts. I used to hate marmite but now I love it. But, there was a weird transition period where I was sort of ‘meh’; so I still disagree with the slogan (smiles).

Warriors is your current track. Can you reveal the story behind it?

I think I speak for a quite a few people when I say 2017 was a pretty rough year and I really wanted to write a song about standing together and knowing that, no matter how bad things get, your squad have always got your back. I needed a song that would uplift me on those days where I’m down - and I really achieved that with Warriors. When I listen to it, it gets me into the mindset of being able to achieve anything.

How does it differ from previous tracks like Crush? Did you adopt a new persona and colour scheme for Warriors?

Crush was quite a playful track about not over-thinking things and I think Warriors shows a different, bolder side to my personality. Singing Warriors makes me feel more connected to my friends and fans, as it’s about how they’ve made me feel and the confidence and courage they’ve given me to rise up through difficult times.

The colour theme for Warriors is blue/double denim. I associate the blue with feeling downbeat and double denim is something which has really come back and started trending again over past year. So, the theme is sort of a play on this: feeling down and coming back with a bang….

Do you think we all need to find strength and togetherness this year? How important is music in that regard?

I do and it’s very important to me that my music speaks from the heart. I strongly believe that, if we all support each other more and give out more kindness, the world still might not be perfect but it would be an easier place to live. We live in a very individualistic world where the focus is on bettering yourself in all aspects of life - leaving no time to spare for anybody else.

In London, it’s very easy to get completely caught up in this idea and, whilst I think it’s healthy to have goals and focus, there needs to be more of a balance. For me, life isn’t just about self-improvement; it’s about embracing each moment and sharing happiness and laughter amongst others.

Will we see more material later this year? What are you working on?

I might have a few more releases planned for this year! You’ll just have to keep posted on my socials (smiles).

(Vero – Search ‘Jazz Mino’ for new song previews and exclusives).

You had a busy 2017! Have you had time to take it all in? Do you feel you have grown in confidence as a songwriter?

The past six months have been a bit of a whirlwind but, to be honest, I’ve just tried to enjoy everything as it comes and it’s been a great 2018 so far. In terms of songwriting; I’ve definitely got more confident with speaking my mind and putting out music that I’m really proud of and love. When you put your all into something and it connects with you on such a deep level, it’s the best feeling to hear that it’s connecting with others in the same way. 

What is it like living in London? Does the city provide inspiration for you? Is it quite challenging finding that work-relax balance?

I really love London but, yeah, it can be tricky finding a work-life balance…especially when I love working on my music. But, no matter how much you love something, I’ve realised, over the past few months, that you still need a mental break. I work from home a lot, songwriting and recording, and it’s so easy to let a whole day slip by without even going outside.

Lately, I’ve been making a conscious effort to make sure I give myself a proper lunch break completely unrelated to music - and it’s really helped this balance and to get some perspective.

What do you hope to achieve in 2018?

I’m very much focused on enjoying everything as it comes along; so, I guess I don’t have any strict goals. I’m looking forward to releasing some new material and hoping that it connects with everyone as much as my last three singles do. I love singing my stuff live, too, so I’m also looking forward to playing more gigs.

If you had to choose the three albums that mean the most to you; which would they be and why?

Right now, my favourite albums are:

Someone Out There – Rae Morris

Don’t Kill My Vibe (E.P.) – Sigrid

Melodrama – Lorde

Can we catch you perform anytime soon? What dates do you have coming up?

Yeah. My next London show is:

18th April: The Old Queen’s Head, London. Tickets available here.

Your performances and stage manner has been praised. Do you feel at your most comfortable on the stage?

Being on stage and singing my heart out is one of my favourite things to do in the entire world. There is just no feeling like it. I really do give my everything on stage and being up there, communicating my inner-most thoughts, vulnerabilities and feelings is euphoric. I love sharing my music online with the world but I think there’s something so special about connecting with my fans at a live gig.

I also tend to play all my unreleased material at gigs, so it’s nice for my fans to get a sneak preview of what’s next on the release radar!

Have you got a favourite memory from your time in music – the one that sticks in the mind?

That time one of my favourite artists, Oliver Nelson, got in touch to say he wanted to remix my song! That’s a big high of my music career so far. Also; being championed by one of the senior editors at Spotify for my voice and live performance. He literally changed my life and continues to support my music. 

To be honest, there are so many amazing highlights! I feel incredibly humbled and grateful.

What advice would you give to new artists coming through?

Be yourself, trust yourself and don’t let anybody make you feel less than...

Are there any new artists you recommend we check out?

I recently came across the Indie-Pop band, Zkeletonz, who I highly recommend. I saw them live for the first time last week and they were brilliant! So full energy and fun.

My other favourites of 2018 are Rae Morris, ALMA; Lauv, Sigrid; RAYE, Grace Grundy and Tara Carosielli.

IN THIS IMAGE: ALMA

Do you get much time to chill away from music? How do you unwind?

I have little time, but I’m trying to make the most of that time. When everything is always so exciting, it’s hard to turn your head away for even a second - but, I’m learning to appreciate and love my downtime just as much as music.

I love running, long walks in the park and catching up with friends and my family. One of my sisters is pregnant at the moment, so that’s really exciting (and it’s the first time I’ll be an auntie!).

Finally, and for being a good sport; you can choose a song and I’ll play it here (not any of your music - I will do that).

One of my favourite songs and artists at the moment...

Atletico (The Only One)  – Rae Morris

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Follow Jazz Mino

 Official:

http://www.jazzmino.com/

Facebook:

https://www.facebook.com/JazzMinoUK/

Twitter:

https://twitter.com/Jazz__Mino

Instagram:

https://www.instagram.com/jazz_mino_uk/

YouTube:

https://www.youtube.com/user/JazzMinoUK

Spotify:

https://open.spotify.com/artist/2uiFUbeyr7hVJrlnjolYct

Soundcloud:

https://soundcloud.com/jazzmino