INTERVIEW: The Old Pink House

INTERVIEW:

PHOTO CREDIT: Alex Robson

 The Old Pink House

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ONE of the best bands…

in the North East right now; I have been chatting with The Old Pink House about their start and where they are heading in terms of gigs; what the inspiration behind Jaded, their latest single, is; what we will get from their upcoming E.P. – I learn what the scene is like in the North East (and where they are based in Newcastle) right now in terms of promising acts coming through.

I ask which new acts we need to look out for; what the band’s favourite memory is; what they hope to achieve in 2018; how it feels being supported by BBC Radio 1’s Huw Stephens; why they look to aspects of 1980s’ music for inspiration – the guys each select a tune to end the interview with.

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Hi, guys. How are you? How has your week been?

We’re good, thanks!

For those new to your music; can you introduce yourselves, please?

We’re a four-piece Cosmic-Pop band from Newcastle, U.K.

Tell me a bit about Jaded. What is the story behind the song?

The song was born out of the guitar riff, originally. I think I just started playing it in our rehearsal room and Max added in that stomping beat - which just kick-started the process and the rest came quite easily. Lyrically; the song is about dealing with your emotions becoming blunted and weary over time and the need to try to combat that.

It is the current cut from your upcoming E.P. Can you reveal the themes that inspired the E.P.?

I think the over-arching theme in all of our music is guilt in all its different forms...

Musically, we’re quite a sunny, upbeat-sounding band but I always go to darker places for the lyrics and I’m fascinated with the way we deal with negative feelings, which stems mostly from my own problems with self-worth and guilt.

How did The Old Pink House get together? When did you first start jamming?

The band was born out of the break-up of a previous band. Max and I had been in a fledgling act which never really got off the ground and I, in particular, took it pretty hard. I just hid myself away and started working on demos which would become the first Pink House tunes. After about six months of trying to work up the courage to get out there and let people hear it, I found the other guys and we started playing shows.

You are based out of Newcastle. What is the vibe like there? Do you think a lot of people overlook the city?

It comes and goes. We’re in a period now where people are looking at Newcastle again, which is great, because there’s always been talent up here that deserves recognition. There are, of course, some great artists who have come out of the North East like Maxïmo Park and Nadine Shah more recently but, as we’re so distant from the main music centres like Manchester and London, it does feel sometimes like we get forgotten about.

The band has been supported by, among others, BBC Radio 1’s Huw Stephens. Is it pretty strange having someone like that back you? How does it feel to get that backing?

It’s strange when anyone takes notice, really, especially since most of our music comes out of me humming a melody in the shower or staying up all night programming drum beats in my spare room. It’s a wonderful feeling knowing that something you’ve made has impacted someone in any way, really.

PHOTO CREDIT: Alex Robson

Which artists do you count as influences? Is music of the 1980s pretty important to you guys?

We all have pretty diverse tastes which range from the likes of Black Sabbath to Kendrick Lamar. The main artists which inspired the initial spate of songs were probably Unknown Mortal Orchestra and Tame Impala and my own personal favourite band are Grizzly Bear. I think the 1980s sound sort of crept in and we fully embrace it - but I wouldn’t say that many '80s artists actually directly influence the writing of the music.

Can we see you tour this year? What gigs do you have coming along?

At the moment, we’re focused on our own hometown headline show at The Cluny in Newcastle on 18th August, which we’re really excited for. We’ll also be showing up at Liverpool Calling and Evolution Emerging festivals in June and we’re planning some U.K. dates to be announced later in the year. Keep your eyes peeled!

What do you hope to achieve in 2018?

We just want to write and release music that we’re proud of and, if that helps us reach a wider audience and make new fans, it’s just a nice side-effect.

Have you each got a favourite memory from your time in music – the one that sticks in the mind?

I think, collectively, opening for The Cribs and the Manic Street Preachers was an experience we won’t forget. It’s the biggest stage we’ve played to date and the vibe was just so fun, it was an incredible feeling.

If you could support any musician alive today, and choose your own rider, what would that entail?

For me, it would be Grizzly Bear because I love them. For the rider, I’d demand that the actor who plays Varys in Game of Thrones comes in full costume and feeds us hand-peeled grapes on a golden, ornate divan.

What advice would you give to new artists coming through?

Ignore what other people are doing and concentrate on writing good music that you care about. Don’t let social media engagement or any of that other extraneous crap worry you: as long as the quality is there in the music, and you’re willing to put the time and hard work in, the rest will come.

IMAGE CREDIT: Kitty Hedley

Are there any new artists you recommend we check out?

Some quality North East bands that deserve a shout out are Penguin, Callum Pitt and FEVA. Imogen is pretty amazing as well!

IN THIS PHOTO: Callum Pitt/PHOTO CREDIT: Daniel Stark

Do you get much time to chill away from music? How do you unwind?

I try not to let music consume my life, and it can be difficult to disconnect from, but it’s important for my sanity. I’m an avid movie fan and I’ve recently been spending way too much time playing the new God of War game. It will consume your life.

Finally, and for being good sports; you can each choose a song and I’ll play it here (not any of your music - I will do that).

Peace of Mind – The Pale White

Pink Lemonade – James Bay

Hunnybee – Unknown Mortal Orchestra

California Dreamin’ – The Mamas & the Papas

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Follow The Old Pink House

Facebook:

https://www.facebook.com/theoldpinkhousemusic/

Twitter:

https://twitter.com/theoldpinkhouse

Instagram:

https://www.instagram.com/theoldpinkhouse/

Spotify:

https://open.spotify.com/artist/6jd689eTs0lyeBJ4WgHQ3n?si=ygqswn83QmiDEX-JrXbtlw

SoundCloud:

https://soundcloud.com/the-old-pink-house

FEATURE: The May Playlist: Vol. 3: “I Would…It’s Just I’m Not That Good at Being Open…”

FEATURE:

 

The May Playlist

 IN THIS PHOTO: Courtney Barnett 

Vol. 3: “I Would…It’s Just I’m Not That Good at Being Open…”

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I am excited…

IN THIS PHOTO: Christine and the Queens

there is a new album out from Courtney Barnett. Tell Me How You Really Feel has been collecting some ace reviews and proves she is one of the wittiest, most relevant and sharp songwriters in the world. Alongside a cut from the Australian songwriter are new tracks from Gruff Rhys and CHROMATICS; Christine and the Queens and Drenge have released awesome works – there are videos from Arctic Monkeys and Sigrid in there.

It is another intense, mixed and bubbling cauldron of works that will appeal to all tastes and curiosities. I recommend you dive in and digest as much as you can – a brilliant pile of musical wonders that will keep you full and satisfied!

ALL PHOTOS/IMAGES (unless credited otherwise): Getty Images

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Gruff Rhys - Limited Edition Heart

André 3000 - Me & My (To Bury Your Parents)

PHOTO CREDIT: Zackery Michael

Arctic Monkeys - Four Out of Five

CHROMATICS – Black Walls

Johnny Marr – Hi Hello

Drenge – This Dance

Pale Waves – Kiss

 

Sigrid – High Five

Nine Inch Nails – God Break Down the Door

Snail Mail – Let’s Find An Out

Backstreet Boys - Don't Go Breaking My Heart 

Christina Aguilera (ft. Demi Lovato) - Fall in Line

Bella Thorne – GOAT

Black Eyed Peas - RING THE ALARM pt.1, pt.2, pt.3

Christine and the Queens (ft. Dâm-Funk) - Girlfriend

James – HANK

Jennifer Lopez (ft. DJ Khaled and Cardi B) - Dinero 

The Kooks – All the Time

Lady Leshurr – OMW

Lykke Li – utopia

Pharrell Williams x Camila Cabello - Sangria Wine (Pseudo Video)

Stefflon Don – Senseless

Tom Grennan - Barbed Wire

PHOTO CREDIT: Pooneh Ghana

Courtney Barnett – Charity

James Bay – I Found You

Kelly Clarkson - Meaning of Life

The Charlatans - Totally Eclipsing

PHOTO CREDIT: @dalb.y

Laura Jean Anderson - Silence Won't Help Me Now 

Suuns - Look No Further

Years & Years - If You're Over Me

Parquet Courts – Tenderness

Chelsea Cutler – The Reason

Nick Mulvey – The Doing Is Done

HAERTS – Your Love

Betty Who – Taste

The Joy Formidable - Dance of the Lotus

Disclosure (ft. Fatoumata Diawara) - Ultimatum

Migos - Narcos

TRACK REVIEW: Eleanor Friedberger - Everything

TRACK REVIEW:

 

Eleanor Friedberger

Everything

 

9.5/10

Everything is available via:

https://soundcloud.com/frenchkiss_records/03-everything

GENRES:

Alternative; Pop

ORIGIN:

New York, U.S.A.

The album, Rebound, is available via:

https://open.spotify.com/album/0oOqcEOKXsr3f6cfIfZqrX

RELEASE DATE:

4th May, 2018

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THERE is a lot to love and admire…

when it comes to Eleanor Friedberger. I will talk about her latest single (and album) soon but, before then, it is worth exploring a few sides to her personality and path into music. I want to talk about the bubble and excitement of New York; those artists who are inspired by great adventure and moments; a look at adding new elements to your career as time goes by; going from playing with a band to recording on your own (more or less); music and artwork that is more personal and self-reliant; getting good reviews from the critics; eyes being opened to new artists that can go really far. I will touch on New York because that is where Friedberger is based. I have reviewed a few New York artists over the years and it always brings me back to one subject: the thrill and excitement of the city (or state, if you want to be precise). It is a busy and adventurous area of the world that always inspires the mind. I have never been myself but have followed the music of New York for decades. It is a vast wonderland and has produced some of the biggest musicians from history. Whereas London is a city with all sort of cultures and possibilities working alongside one another; New York seems even more broad and exciting. I can imagine the sheer busy bustle of the place can be intimidating and scary to many people. What I wanted to highlight was the way the people and streets can compel songwriting. If one looks at Friedberger’s album, Rebound, and you get a lot of personal tales and insights into her mindset – there is influence from the flavours and feel of New York. I have been looking to go to New York to see what makes the music there so immense and compelling. No two artists (from New York) are the same: each one has their own drive but there is that common link and ambition. Friedberger is a mercurial songwriter who absorbs everything from her surroundings and delivers something majestic and pure.

I will look at other sides of her music but, before I come onto that; let’s look at artists who define what a city/area is all about. I love music that has variegation and goes in various directions. I feel, if Rebound were one-dimensional and easy to appreciate, you would not bond with it the same way and take much interest. Friedberger could never create an album like that: she puts her everything into the music and, as I mentioned, collates scraps and impressions from the streets. I do not want to bring gender into the mix but, in a week that has seen Courtney Barnett release an album, it seems there is a lot of attention coming the way of female artists – it is long overdue and, let’s hope, this will lead to something big and evolved. There are many strong female artists out there but, with songwriters like Friedberger and Barnett; you get every box ticked and taken into a wonderful and entrancing world. Both artists look into themselves and put their everything onto the page. Whilst Barnett’s music might be a bit harder and raw; Friedberger is a more passionate and ethereal soul – an artist who has made big strides and is gaining a lot of focus right now. I have mentioned New York and, when you listen to the music unfold, you might wonder how it correlates to the city and the impression we have of it – the traffic noise and the never-ending chatter and clamber. New York is a complex city and state that has so much beauty and richness working in every corner and seam. I will move on from this point but I can hear the vibes and scents of New York working through Friedberger’s album. Even if you do not hear what I hear: you cannot argue there is an immense amount of quality coming from here. London is dear to my heart but we often ignore New York and other areas of the U.S. Let’s hope, with Friedberger’s latest album out, there are more eyes cast the way of New York.

One of the things that has struck me is Friedberger and her 2016 adventures. There, she spent most of the time on the road and immersing herself in Greece and its people. Maybe that was a reason her latest album sounds so natural and confident: that need for rebirth and a sense of direction. Over in Greece, Friedberger was looking for a recharge and wanted to write some new music. This is where the inspiration from the album comes from. The pace of Athens differed from that of New York. In a year where political activation was occurring and change was occurring (not always good); there was tension and discontent in the U.S. Things were not exactly rosy in Greece but there was a different mood coming through. There was fight in the spirit of the Greek people but, alongside that, a lot of beauty and chance to relax. Friedberger asked a friend what she should do before she left. The reply she got was to visit a club called Rebound. It was/is only open after 3 A.M. on a Saturday and a spot that is a 1980s Goth space where people do The Chicken Dance and time, in many ways, stands still. It is isolated away from all the crap and tension going on outside. To go somewhere where people are free to be open and let themselves go; there are no expectations and you can be as silly as you want – liberating and freeing of the senses. You can travel the world in search of answers and that ‘perfect’ moment. In the case of Friedberger and her latest album; that spark and sense of direction came from an unusual and unexpected place. That club was very smoky – despite signs banning it – and there was warped and dark sounds coming from the walls. I am not sure whether there exists any other club like that in the world. It seems to be from a different time.

We are two years down the line and the album that is named after the club is out into the open. It is not only Rebound that goes into the album: there are embers and flecks of Greece you can hear alongside the New York inspirations. It is that balance between the modernity of N.Y.C. and the older, classical shades of Greece that perfectly contrast and conspire. So many genres and years of music fuse together and go into an album that seduces the listener and takes their mind away. Because of Greece and the adventure she took there; Friedberger invents her own little world and brings myriad sounds to the party. The strains in the U.S. and the political fire exploding in the air made her rethink her motivation and reinvent her ambitions. There was that need to escape from the angry voices and find a part of the world that provided magic and a degree of calm. If anything; there is a transposition of moods when you look at albums New View (2016, where she recorded with a band) and her current release. The former is a more serene and touching collection; the latter is a busier and more accelerated record – despite the country that, in many ways, inspired its creation. I guess Rebound is about the various worlds and mystical souls that converged in that space when Friedberger was in Greece. Her adventure was needed and it gave the music she is producing now an extra edge and brilliance. Artists travel and pick up new ideas from wherever they go. I have not heard of someone having such a radical shift and sense of confirmation from a brief trip. Friedberger was keen to find something wonderful in Greece/Athens – she found that muse and has brought all of her visions and memories into her latest smash.

I will look at Rebound and its latest single but, before I come to that, let us look at Friedberger and her progress. I have mentioned her 2016 album and how New View was recorded with a band. That band was the one she toured with and the sounds we hear on both albums are very different. I am not sure whether there was too much clutter on her previous record or there were too many bodies in the mix. I can imagine her head was in a different place and her ambitions were different. The turmoil of the past couple of years, politically, meant a restructure was needed and a chance to streamline things. New View is a fantastic album and one that jumps into the brain. There is great passion working throughout and the music is incredible. You can hear the evolution on Rebound and so many different colours coming into her work. I will talk about that shift from band to solo but, listening to Friedberger right now and you get the sense of an artist who has found her place and is extremely confident. Even though the line-up is different, you can detect fresh ideas coming into the music. Rather than stick with the same sounds we know her for; Rebound is a chance to keep that core strong but try out other ideas and really push things. I have been excited seeing how all the different layers and imaginations come together. It is as though that time in Greece, paired with her time in New York, has changed everything and given new lease. There are not many artists who would take such a leap and make it work. I feel this is the start if a creative attack that will lead to some awesome revelations. The critics are already raving about Rebound (released on 4th May) and throwing their weight behind it – no wonder when you dive in and listen to the tracks unfold.

I have alluded to the fact Eleanor Friedberger recorded her 2016 album with her touring band. Now, in 2018, she has changed dynamics and recorded alongside producer Clemens Knieper. They have worked through the ideas and crafted an album that sounds very much like Friedberger but takes some risks along the way. I will talk more about Everything soon but the song itself is indicative of what you get on the album – brilliant storytelling and music that stays in the brain for ages. Stereolab, Suicide and Lena Platonos are among the inspirations for Rebound. It is a fantastic album that benefits from that singularity and simplicity. Although this album is busier and bolder than anything Friedberger has done before; that is not to say her previous work should be overlooked and seen as a step to where she is now. Her career has been fantastic and, with every work, that confidence has grown. I know there is a lot more in the tank from Friedberger. Whether she recruits a new band to tour with – or has one already – and her writing process changes I do not know. It is good to hear something focused and incredibly immediate from Friedberger. She has taken all of her experiences from the past couple of years and embroidered them into a fantastic story. Each song flows naturally into the next but they all have their personality and place. Here is an artist that does not create songs to be forgotten and skipped. What one gets with every album she brings out is an immersive and fulsome climate that involves the listener in the music and makes them think harder about their own life. The new ambition and sound from Friedberger come from that self-reliance and a desire to cast away any distractions. Journalists have commended Rebound and realise how meaningful the songs are (to Friedberger). She is an artist at the top of her game right now – there is a lot more to come from her.

I will move on to look at her latest single but I wanted to mention a couple more things. I have mentioned personality and how that seems to define Friedberger as an artist. Every song she puts down on paper brims with candour, warmth and a sense of the mysterious. I have been looking out for artists who open my eyes and distract me from my daily tasks. I have been sitting down with Friedberger and finding so much wonder and brilliance in her music. She writes music that comes from the heart but wants to involve every listener in the experience. What you get is a musician who wants her music to touch everyone and reach around the world. That should hardly seem a shock when you consider the bi-continent influence of Rebound and the sort of things that compelled the songwriting. It is fantastic finding an artist who goes that extra mile and really puts their all into music. I am keen to distance myself (to a degree) from familiar sounds and embrace someone who has that unique edge and can hook the imagination. There have been some great albums this year but, to my ears, there have been few huge albums that have resonated and lingered. Maybe we have expected too much or it has been a bit of a weaker year than previous ones. Friedberger might not get the same attention as Jack White and Arctic Monkeys – she has, in my view, created a better album than both and should be given just acclaim. Rebound should challenge the top-ten of this year and be marked as a huge album. I have discovered an artist that will stay in my heart and gets huge respect. I feel other albums have failed to hit the mark and there have been missed opportunities. Friedberger has rocked up with a great album that has gained a lot of love and continues to drop knees and jaws. Everything is a song I wanted to highlight because it seems to distil all Rebound’s motives and skins into one and gets the mind working.

There is a lot to ponder from the first moments of Everything. There are some wonderful notes and a playfulness that gets the brain whirling and the imagination fired. The electronics and beats have a cheerfulness and light side that means you bond with the song instantly and are invested. The heroine is not one to settle, as she says, and wants everything. There is a sense of ambition and motivation that means life as she knows it is not quite that fulfilling. Maybe she has been stuck and, musically, there is a need to expand and move on. Given her success and experiences, one can forgive her for not settling and wanting to get a lot more out of life. She does not care who is right – she wants everything. There is a cryptic manner to the song and the lyrics. You see it, at first, as a song about wanting to get more out of life and chasing dreams. The more it goes on, I get to thinking about other angles and where she is coming from. You can read it from a professional standpoint: that evolution and casting off other people; embracing a new phase and wanting things on her own terms. There are romantic embers and ideas that come to the front. I was thinking about that want of the heart and fulfilling other passions. What I love about the song is it never truly reveals everything and gives too much away. The listener is free to cast their own story and decide what Everything is about. The composition comes to the front after a few seconds. There is a parp and jubilant lift; an additional spritz of light and fun that keeps that sunny and bright aspect alive. The track looks at the wider world and a variety of characters. There is the filmstar and lovers in Europe; people who want their integrity and honour – the brain works overtime and pictures various different ideas.

From that moment, when thinking about the film industry, something political came to mind – certain reviled figures came in and got me thinking about recent controversies. In any case, there is that look at celebrity and wealth; a certain excess that contrasts from the everyday desires and realities of most. Friedberger is casting her mind around the world and looking at the way various people have different objectives and standards – maybe they are never happy or are always looking for something more. There are people who want nothing and everything; never satisfied and sure of what they really want. One of the most celebrated lines from the song regards houses – wanting two of them after a moment of confusion. I get to thinking about materialism and that sense of extravagance. Maybe people think you need a certain level of material wealth and comfort to make life happy; they are living by other people’s standards and following something false and cliché. The narrator delivers lines about lacking clarity with real personality and humour. Alongside these questions and investigations is the composition. It adds so much story and imagination to the song. It has a simplicity and brilliance that makes you smile and, whilst you are thinking about the lyrics and what they mean; your mind pulls in different directions and comes to various conclusions. Everything is a fascinating song that means something different to everyone. It is clear in the mind of the heroine but there is enough room to wonder and draw your own conclusions. The contradictory nature of people and certain fickleness keeps emerging. People want nothing and then, all of a sudden, they want it all. This is delivered in a song that gets you digging deep and picking apart the words. It is a brilliant creation from Eleanor Friedberger and shows why so many people have been raving about Rebound. I keep listening to Everything and trying to get on top of everything. It is a song that will provoke realisations and make you look differently at the world around you. There are not many songwriters who are doing that right now. A wonderful, sparkling and entrancing song from one of the finest songwriters working at the moment.

I wonder whether Eleanor Friedberger is coming to the U.K. and playing this year. She is playing the U.S. and Canada right now and I do know she is playing Green Man in August. If you are near the Welsh festival, you can go and catch Friedberger bring her sounds to the people. I wonder whether there will be any other U.K. dates either side of that. You can look at her social media channels to keep abreast of all the latest happenings. I am impressed by Rebound and Everything. It is an exciting time for Friedberger and let’s hope she continues to look up. Her record is getting a lot of brilliant reviews and it is all rightfully and richly warranted. I have mentioned New York and Greece and how, in their own ways, they have inspired Rebound and where Friedberger is now. I wonder how she will move from here and what her next album will be all about. The U.S.-based artist will want to take time to tour and then, when it is all done, settle and have a bit of a chill. Music is such a demanding industry that people expect more material straight after you have brought something out. It seems, in any case, she is in a better place compared to a couple of years back. The music seems more immersive and the production clearer; the songs are at their peak and Friedberger has brought more to the party. That bold and innovative approach could have led to sticky and unfocused results. As it is; we have seen a new phase from Friedberger and her finest album to date. I have not had time to review the entire thing but I recommend you get involved with it and investigate every song. Things are hot right now and there are few artists out there who can challenge as hard and proudly as Friedberger. I will bring this to a close but I wanted to congratulate her on a wonderful album that will score big come the end-of-the-year lists. Another incredible achievement from an artist who is captivating and stunning every human being…

WHO hears her music.    

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Follow Eleanor Friedberger

Official:

http://www.eleanorfriedberger.com/

Twitter:

https://twitter.com/eleanoronly

Instagram:

https://www.instagram.com/eleanoronly/

Facebook:

https://www.facebook.com/eleanor.friedberger.official/

Spotify:

https://open.spotify.com/artist/42WJFNdxsAgcn9PfjT61Z3?si=5jhOhnyhR_mbkbqSY4OnOA

PHOTOS OF ELEANOR:

Chris Eckert

INTERVIEW: Ice Baths

INTERVIEW:

Ice Baths

___________

IT has been a lot of fun…

speaking with the talented Ice Baths. I have been chatting with the guys (Tom takes up most of the responses) about their new track, Relic, and what themes inspired their eponymous, debut album - I ask whether there is a cut from the album Tom feels is strongest.

I learn how the band got together and the sounds that inspire them; what it is like releasing music on Blank Editions; if they have any gigs coming up; how they all unwind away from the stress and demands of music; if there are any new artists we need to check out – I ask whether the guys have special memories from their time in music.

___________

Hi, guys. How are you? How has your week been?

Tom: Fairly quiet. Al’s been touring Europe with Specimens, Jack’s working his socks off at a new job - and me and Ed are routinely recovering from hangovers.

For those new to your music; can you introduce yourselves, please?

ASL? Around two/three-years-old; Ice Baths, London? Alex – Drums/Voice; Jack – Bass; Ed – Guitar; Tom – Guitar/Voice.

Relic is your latest single. What is the tale behind the song?

It seems straightforward but it’s a tricky bastard for us. We used a spreadsheet to plan it in the studio; we wanted something tight and minimal that runs away from us into a bit of a mess. We also have a very beautiful video, shot by Lucie Rox, for it.

Your debut album is out. Can you tell me about the sort of themes and inspirations behind the songs?

A lot of the books I was reading around that time and before were hard-boiled and gritty; some classic American detective fiction. I think I wanted to aim for this stark and blunt feeling you get in those types of books.

It is released on Blank Editions. How did you come to hook up with them? Is it quite exciting being attached with them?

We took a look at the roster that David (who runs the label) had and we knew we wanted to go for it - Housewives, Ben Vince; Dairy Classics, Thurston Moore. We sent it over and he didn’t laugh at us.

Is there a cut from the album you’d select as a highlight?

I think I like Alex’s drums on Circuits a lot. Towards the end; the flourishes sound like they are going to break my speakers.

How would you describe the sound of Ice Baths? Who do you draw inspiration from?

I like to think we’re trebly, wiry and sparse but we are probably just a sound guy’s nightmare! I was listening to a lot of Eddy Current Suppression Ring, U.S. Maple and These New Puritans around that time. I think a lot of the one-note playing was me ripping off Eddy Current Suppression Ring.

Can you remember when the band got together? When was the moment you decided to make music together?

Me and Al found each other unglamorously on Gumtree - we probably have the emails! Jack and Al have played in bands together previously; Ed did sound for us once and then we head-hunted him because his other band, Aathens, is awesome.

Where are you heading on tour? Where can we catch you?

We’re lining up a U.K. tour later this year but, if you’re in London, we’re about to play our album launch show at The Others in Hackney on 19th May with Merlin Nova and Dairy Classics; then, a quick stop at Rough Trade on 23rd May and we’re with one of our faves, H. Grimace, at The Old Blue Last on 13th June.

What do you hope to achieve in 2018?

Not crashing a tour van on the way to Glasgow and trying out a few new tunes on the road later in the year…

Have you each got a favourite memory from your time in music – the one that sticks in the mind?

Ed getting a meal served to him on stage mid-song.

Alex: Finding myself with a morning off on my first-ever U.S. tour in a beautiful lagoon in Sedona Arizona with a guy we met at the gig before. It was his birthday and he wanted to show us his favourite secret spot. There was no one else there and it was incredibly hard to find/get to - it was one of those moments when you know you’d never have visited this place if it wasn’t for playing a show.

If you could support any musician alive today, and choose your own rider, what would that entail?

Lawrence English (because he is living legend and one of the biggest influences on my personal music). As for a rider? Haha. To be honest, Walnut Whips are kinda having a resurgence in my life, so maybe a multi-pack of those and some kind of posh soft drink or mint tea (rock ‘n’ roll, I know!).

What advice would you give to new artists coming through?

Tom: Often, beer tokens are just raffle tickets.

Are there any new artists you recommend we check out?

Alex: Vida Vojić. She is amazing. Not a lot out yet, but she has some great stuff coming up – and she’s incredible live!

Do you get much time to chill away from music? How do you unwind?

Toboggan hurling.

Finally, and for being good sports; you can each choose a song and I’ll play it here (not any of your music - I will do that).

Tom: The Prats – Disco Pope

Jack: Crack Cloud - Graph of Desire

Alex: Christina Vantzou - Some Limited and Waning Memory

Ed: Wu-Tang Clan - Wu-Tang: 7th Chamber Part II

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Follow Ice Baths

Facebook:

https://www.facebook.com/icebaths/

Spotify:

https://open.spotify.com/artist/06PCe6OiavknZiaqIGsULW

SoundCloud:

https://soundcloud.com/ice-baths

FEATURE: Digital Witnesses: The Continued Growth of BBC Radio 6 Music and the Digital Upswing

FEATURE:

 

Digital Witnesses

IMAGE CREDIT: Getty Images/BBC 

The Continued Growth of BBC Radio 6 Music and the Digital Upswing

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THIS is, to be fair, my first…

PHOTO CREDIT: Unsplash

real passion-piece about BBC Radio 6 Music since last year! I have shackled my hands and will not do another vacillating and fevered article about the station until, oooh…next month! There is a reason why I am bringing the station back into the spotlight: the latest RAJAR figures are out. Rather than (RAJAR) being a super-spy looking out across the land for the most discerning listeners; it is a slightly-less-cool-and-awesome acronym for 'Radio Joint Audience Research'. We are now in the position where digital radio is more popular than A.M. and F.M. That seems extraordinary given that, as recently as a few years ago, the dominance of the big boys/girls. Over 50% of the radio audience is tuning in via laptops and D.A.B. radios. I will come to look at, what I think, is the leader of the digital market – before I get there; I want to bring in an article that highlights the facts and shows why digitally-produced radio is vibing so hard right now:

“Digital listening has reached a new record share of 50.9% – a landmark achievement for the industry which hopes will trigger action from the Government about the future of DAB.

This compares to 47.2% in Q1 2017 and to 24.0% in Q1 2010 when the Government’s Digital Radio Action Plan, which outlined a programme of work to progress digital radio take up, was launched.

With the 50% digital listening threshold now met, it is anticipated that the Government will undertake a review to assess digital radio progress and determine next steps in due course.

PHOTO CREDIT: Unsplash 

Speaking at the Tuning In commercial radio conference yesterday, Margot James, Minister of State for Digital and the Creative Industries, said “The 50% share will be an important milestone for radio” and confirmed that Government will “work closely with all partners – the BBC, commercial radio, Arqiva, car manufacturers and listeners – and subject to this will make some further announcements.”

Ford Ennals, CEO, Digital Radio UK, told RadioToday: “This is a landmark moment for the radio industry and for listeners alike. Digital platforms now account for the majority of all radio listening for the first time. The digital transition is good news for radio and is helping our industry compete more effectively in a digital age. We look forward to continuing to work with broadcasters, the supply chain and Government on delivering radio’s digital future and the upcoming digital radio review.”

Digital listening share is comprised of listening across all digital platforms – DAB in homes and in cars, Apps and online (which includes the growing number of smart and voice-controlled speakers) and DTV – and this is the first time that listening to digital has been greater than analogue platforms – FM and AM.

Overall, digital listening hours grew by 7.8% compared to Q1 2017. The greatest amount of digital listening takes place on a DAB radio which now accounts for 36.8% of all listening and 72.2% of digital listening, with hourly growth of 8.9% year on year. Online and Apps now accounts for 9.3% of all listening and 18.3% of digital listening, with the greatest percentage hourly growth of 17%. Listening via digital TV meanwhile accounts 4.8% of all listening and 9.4% of digital listening”.

IMAGE CREDIT: Getty Images/BBC

It is unsurprising, given the ultra-technical world in which we live, more and more people are discovering radio through digital means. It does not mean the audience is exclusively young and fewer middle-aged/older people are tuning out – the demographics are shifting and more listeners are buying radios and listening via the Internet. It is easy to understand why digital radio is proving popular and on the rise: the Internet provides vast access to a world of great radio and, the more people that go online; the more people will seek out other options. To paraphrase a running joke of Mark Radcliffe – on his (week)daily show with Stuart Maconie – the average BBC Radio 2 listener might be found drinking sick from a pub toilet whilst a group of chanting drunks weald bicycle chains and scream over the sound of vomiting. The BBC Radio 6 Music listener, on the other hand, is busy inventing the next big breakthrough; curing stubborn diseases and leaving a flaming bag of dog poo on the doorstep of Piers Morgan. I joke, of course: the listeners of BBC Radio 2 are a more sophisticated bunch but it seems, with its cooing vibes and seductive rhythms; the sounds of BBC Radio 6 Music is a preferable option for many. The station has announced weekly listening figures in excess of 2.53 million – it is a station that has benefited from fantastic word-of-mouth and the power of the Internet!

The addictive quality of the station and its ethos means it is hard being even a day without the glorious music and chat. I have started a new job and have to endure another day without my favourite shows from the station – I am routinely screaming and punching a toilet door to cope without the glorious dead air of Shaun Keaveny or a fantastic piece of wordplay from Radcliffe and Maconie; some brilliant tunes and wit from Lauren Laverne, for instance. My daily routine consists of mornings with Keaveny and then the continued northern warmth of Laverne and RadMac – bits of Steve Lamacq and, when I have the time, lashings of Marc Riley and Mary Anne Hobbs. I love a bit of Nemone and Tom ‘Ravers’ Ravenscroft and love Chris ‘The Hawk’ Hawkins – so much personality and passion packed into every show. I have speculated as to why stations like BBC Radio 6 Music have grown and continued to recruit followers at an alarming rate. One listens to the music and the range coming from the airwaves and is inspired to be better and have great ambitions. I, myself, am planning a music T.V. show – it will need a lot of money and patience to get it off the ground – and pushing myself as a music journalist. Many others have changed their horizons and, because of BBC Radio 6 Music, have found a great sense of comfort and familiarity...

IN THIS PHOTO: Lauren Laverne/PHOTO CREDIT: Getty Images/BBC 

The reason I stumbled upon the station was dissatisfaction with my previous ‘favourite’ – I shall not name the station...but it rhymes with ‘Babsolute Radio’. I had been longing for an option where the D.J.s were there for the music and keen to promote the finest new sounds and keep the best of the archives burning and moving forward! I have discovered older acts like Can through BBC Radio 6 Music; glorious new blood like Kamasi Washington, Nils Frahm and Hannah Peel – every week, you find a new sensation and are, in many ways, waiting to hear the greatest song ever. There is that link between producers, D.J.s and other talent on the show: many stations put walls between D.J.s and producers and the experience comes off rather cold and too-formal. We have great music news presenters like Matt Everitt, Georgie Rogers (possibly, the most seductive and purest voice on the station) and Clare Crane; Helen Weatherhead and Elizabeth ‘Alcopops’ Alker, too. Every show, too, has its own identity and sound. Craig Charles favours Funk and Soul; Nemone has her Electric Ladyland; Laverne, Keaveny and RadMac have their mix and particular style. One can navigate the schedules and find D.J.s/programmes bespoke and ready to cater to your every desire – if you want a broader option then there are shows to satisfy and slake. I have professed my love, enough, for D.J.s like Lauren Laverne and Shaun Keaveny; the banter/passive-aggressive love between Matt (Everitt) and Keavney; Laverne’s endless passion and wonder – the way she seems to drink and live music every moment.

You need only look at every D.J. on the station to know their place there is because of that dedication to music and a level of quality you will not find anywhere. I have not even mentioned D.J.s like Amy Lamé, Gideon Coe and Cerys Matthews. If anything, there are little steps the station could take. The website is fantastic but looks like any other BBC radio station page. It is organised to an extent but they could benefit from something with a bit more edge and order – it can be quite hard navigating and honing in on presenters and shows. BBC Radio 6 Music could run and command an award show – one that people genuinely look forward to; recognises the actual best in music! I have been trying to pitch a music T.V. show but, in essence, it would be a visual form of BBC Radio 6 Music: fantastic live performances and a mix of classic music (looking at one legendary album a week) and the brand-new. There are no T.V. options out there like that: a venture by BBC Radio 6 Music could fill the gap and be a prudent and popular move. That may all happen, but I am glad the station continues to find new fans and feed those who love music the most. I have broadened my visions and pushed myself harder through finding the station. I am discovering new gems and wonderful music each and every day.

PHOTO CREDIT: Getty Images/BBC

Whilst the music is fantastic and it is all-killer-and-no-filler; it is the people behind the microphones that keep me hooked. The accents (northern presenters as dominant as southern vocals) and unique voices make the music stand out and, with it, make the listener feel at home a part of the party. BBC Radio 6 Music sees the outsider and welcomes them in; it hugs the senses and keeps everyone safe and warm. It is a festival for those who know their music but are willing to allow someone else to infect their bloodstream and suggest other options. There are other great digital stations out there – one can do their research and surf a bit – but BBC Radio 6 Music is at the top of the tree and is the Grand Master of the Digital World. I will continue to listen and promote the station because it continued to give so much and has made a huge impact on my life. I hear call-ins and regular features on various shows and can hear the D.J.s truly connect and emphasise with their followers. There is that two-way connection and relationship that means new listeners need not be afraid or tepid. They are all welcome to dive in and excited to share their stories and favourite music. For a station that faced closure a few years back; it is amazing to see this huge recovery and dominance – not that the station was ever in any trouble at all or lacked genius! It shows you cannot judge a station by its place in the market and how underground it is. BBC Radio 6 Music is still in the ‘cool’ part of the pie-chart but is starting to compete with the biggest stations in the U.K. For new and old listeners alike; let’s keep the digital waves alive, growing and…

 IN THIS PHOTO: Steve Lamacq/PHOTO CREDIT: Getty Images

CATERING to those who love their music variegated and incredibly good!

INTERVIEW: Volkova Sisters

INTERVIEW:

Volkova Sisters

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THE past few weeks…

have exposed me to musicians from all around the world. I have been speaking with the Budapest-formed band Volkova Sisters and ask how they got together – they have been telling me about their latest track, Faceblind, and reveal its story.

I ask them what the differences are between England and Hungary in terms of music; whether there are any new artists they would recommend to us; if they have gigs coming up where we can catch them; what we can expect from their upcoming album, Slowin Away – they  talk about their upbringing and what the future holds.

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Hi, guys. How are you? How has your week been?

Dalma: Quite intense, actually: a breakup and general life issues (smiles).

Dani: I see material for a few new songs here…

For those new to your music; can you introduce yourselves, please?

We are a group of people living in different European countries, working together for almost ten years now. We like dark and atmospheric sounds and, as kids growing up in the ‘80s, we were heavily influenced by the music of that decade. At the same time, we always aim to find new and less-explored ways in music.

Someone described our genre as ‘Goth-Tron’.

How did Volkova Sisters form? When did you all meet?

Dalma: We all knew each other from the Budapest music scene. We've been best friends with Daniel for more than a decade now; we also have had a previous band before. When we started Volkova Sisters, we knew that we were missing an element and we really didn't want to be a duo: we wanted to involve other ideas into our world and Geri just came in the right time.

Daniel showed him our first demo and the rest is history. Tibi, our drummer (who is a member of the legendary Hungarian Dark-Rock band, Sexepil), came into the picture roughly two years ago when we were thinking about ways to expand our stage presence.

Is it true you borrowed your name from a William Gibson novel? What struck you about the name?

I'm a big Sci-Fi fan, including all the side-genres, and Willian Gibson is one of my favourite authors. Very easy to read, with lots of action and quite precise future forecasts. When I read his book, Pattern Recognition, I was a mesmerized by this character pair and I thought it really resonates with the way we think about art.

Faceblind is your new single. Can you reveal its story?

Dani: We were in a car in the Hungarian countryside on our way to a week of songwriting in a remote location. It was late at night and we listened to a radio talk show about people who were ‘faceblind’. It's a rare condition of the brain when someone is unable to recognise faces. This, straight away, inspired a whole new range of characters for our mythology. We wrote the song the next day…

It is from your upcoming album, Slowin Away. What sort of stories can we expect to find in the record?

The stories revolve around all the feelings we gathered since we started to live lives less bound to a single geographical location - from feeling lonely in a metropolis to the general angst of our generation that we see from very different angles in different places.

Also; we took some inspiration from the underground Techno scene in London…so expect something more upbeat (sometimes, almost danceable).

You formed in Hungary but are based in England. Was it difficult finding a scene and base in Hungary? How does England compare in terms of its sounds and artists?

Dalma: It was hard to gain attention in our home country but our fanbase is growing, so I'm happy that are native fellows dig our stuff. 

The U.K. still has its distinctive sound. Not from a genre perspective: I'm talking about the mixing and mastering process here. Music-wise; I don't think it's an island anymore: every European country which I've been to had a surprisingly vivid and amazing underground scene. The problem is that, if you're not looking for it, you'll not gonna find it. The markets are still segregated - and underground artist can barely compete with acts signed to major labels.

What music were you all raised on? Did you grow up in musical households?

I was, and Daniel too; both our families had massive vinyl collections and were part of the local underground scene...

Dani: Actually; my parents were part of the scene as musicians, so I spent my very early years already around studios, gigs and rehearsal rooms. Music was always playing somewhere; a lot of '80s Post-Punk, New Wave and Alternative stuff on Jugoslavian-pressed vinyl and cassette tapes copied from my parents' German friends.

Can we see you tour this year? What gigs do you have coming along?

Dani: We'll play one gig in London this summer – this will be in Birthdays on 2nd June. Apart from a few festival dates in Hungary, we'll spend most of the summer setting up our brand new studio space and start working on some new material.

Our experience in the U.K. so far shows that there's a certain limit to your opportunities for gigs as a D.I.Y. band. To reach further, you need to be supported by a record label or a booking agency. Maybe, we'll get there with the third album (this was an open call).

What do you hope to achieve in 2018?

I think, technically, as a band, we already achieved our goals for the year. Now, it's up to our fans and everyone else out there if they will like what we've done. For the rest of the year, I'd like to chill a lot and take a very slow pace in starting something new; again, with a slightly different approach.

Have you each got a favourite memory from your time in music – the one that sticks in the mind?

Dalma: I can't really pick one particular moment. The most touching thing for me, in general, is when I see people singing our songs. That’s when your vision starts to live its own life.

If you could support any musician alive today, and choose your own rider, what would that entail?

I would love to open for The Perfect Circle. I think Maynard is a genius.

Dani: I'd choose Daniel Lanois. I think Geri would let him play one of the solos on our gig.

What advice would you give to new artists coming through?

Dalma: Very briefly; simple advice: never give up (smiles).

Dani: Focus on yourself and your own art, not what others do or say.

 IN THIS PHOTO: Sidsel Endresen

Are there any new artists you recommend we check out?

Well; I'm not particularly following the new trends…but I can recommend one of my favourite singers, Sidsel Endresen, as she is one of the cultic figures of the Norwegian Jazz scene.

Dani: Peggy Gou's It Makes You Forget has the best bassline of 2018 - so far (smiles).

IN THIS PHOTO: Peggy Gou/PHOTO CREDIT: Dan Medhurst

Do you get much time to chill away from music? How do you unwind?

Dalma: It's the opposite for us, I think (smiles). Making music is our chill time (smiles).

Dani: Dalma's right. But, if I need to reset my ears, I always go to the riverside. There's a nice little beach close to our studio, only accessible during low tide.

Finally, and for being good sports; you can each choose a song and I’ll play it here (not any of your music - I will do that).

Etienne Jaumet – For Falling Asleep

Dalma: John Hassel – Vernal Equinox

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Follow Volkova Sisters

Official:

http://volkovasisters.com/

SoundCloud:

https://soundcloud.com/volkovasisters

Facebook:

https://www.facebook.com/volkovasisters

Spotify:

https://open.spotify.com/artist/2R7HJ8U8vfMaHeobFgcdZN

YouTube:

https://www.youtube.com/user/volkovasisters

FEATURE: A Storm in Every Season: How Willow Smith’s Confession of Self-Harm Should Give Strength to Others

FEATURE:

 

A Storm in Every Season

IN THIS PHOTO: Willow Smith/ALL PHOTOS (unless credited otherwise): Getty Images/Press 

How Willow Smith’s Confession of Self-Harm Should Give Strength to Others

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AS this is Mental Health Awareness Week…

I am exploring a few different sides of mental-health and trying to provide inspiration. I have already covered exercise and physical activity’s role in lifting the mood/creativity; I have compiled an inspirational (I hope) playlist and will, if I find enough time in the schedule, look at discussion...and the ways of making it easier to open up regarding mental illness. A story caught my mind that, to be fair, is common to a lot of people. We have seen musicians talk about self-harm but, for the most part, we absorb yourself in the event and then move on. Maybe it is the timeliness of the revelation, but Willow Smith – the teenage daughter of Will Smith and Jada Pinkett-Smith – has spoken about the fame she accrued following the release of Whip My Hair (back in 2010) and the pressure on her shoulders. She is still only seventeen and so, at such a young age, that sort of focus and pressure, invariably, took its toll. Smith spoke about living in a famous household and having well-known parents. There was that press attention and the expectation to follow such a hit single. Whilst many might assume someone who has wealthy parents should not feel any pressure and has no right to complain; Willow Smith spoke about the transition and disruption in her life – acclimatising to this new world and trying to mix her normal existence with one that included high-profile interviews and huge gigs.

Quoting from NME they have covered the story/Smith’s interview and why she has decided to go public with her admissions of self-harm:

“Speaking on Red Table Talk with her mother, she spoke about how the pressures of fame at such a young age pushed her to extremes.

“It was after that whole ‘Whip My Hair’ thing and I had just stopped doing singing lessons and I was kind of just in this grey area of, ‘Who am I? Do I have a purpose? Is there anything I can do besides this?’,” she said.

Willow continued:  “After the tour and the promotion and all of that, they wanted me to finish my album. And I was like, I’m not gonna do that. And after all of that kinda settled down and it was like a kind of lull.” Explaining why she turned to self-harm, she said: “I honestly felt like I was experiencing so much emotional pain but my physical circumstances weren’t reflecting that.”

“A lot of adolescent girls struggle with self-harm.”

Willow added that she didn’t tell her family about what she was going through, and that only one of her friends knew that she was self-harming.

“I never talk about it because it was such a short, weird point in my life. But you have to pull yourself out of it,” she said.

“One night I was like, ‘This is actually psychotic’. And I just stopped”.

Whilst it is heartbreaking to hear of Smith’s struggle; it seems she is on a safer footing and is looking ahead to the future. Maybe there is less spotlight on her following her debut single – she is an older artist and, even at seventeen, a big music career is seen as normal and routine now. Maybe it was a lot to ask of her at nine years old; taking on all that responsibility and being thrust into a strange and frightening world. It is the way Smith, and so many of her peers, have dealt with that pressure that struck me. Willow Smith is not the only musician who has elevated the stress and anxiety of a busy career with self-harm and physical mutilation. There are many out there who do it routinely; artists like Demi Lovato, Sid Vicious and Richey Edwards – a broad and varied list, I know! – have coped with struggle and stress with self-harm. So too has Courtney Love, Amy Winehouse and Paris Jackson (the daughter of Michael Jackson). I have not written this piece to highlight Smith as a tragic case or someone who outranks anyone else. The reason I have written this is to congratulate her, and other artists, who come out and reveal such harrowing visions. She is not the first musician to talk about self-harm but the candid and human way Smith opened up should give guidance and courage to many.

PHOTO CREDIT: Unsplash

I am not suggesting every artist and musical creative who suffers self-harm should jump the media and embark on a lengthy social media post – self-harm is very private and emotional; it is understandable many would want to keep that information confidential. Smith, as a teenager, has the pressures of school and growing up. She has celebrity parents which, whilst it has benefits, puts an expectation on her back and everyone will associate her with mum and dad, Jada and Wil!. Not that she is living in their shadows or hanging on their apron strings: she has her own career and sibling, Jaden, who is an actor – experiencing the same sort of attention his sister does. A lot of the time, we buy music and go to gigs without realising what an artist does away from the stage. We have seen the suicide of some big names in recent years; one, sadly, as recently as a week ago. People do not go from suicidal without experiencing self-harm and some lower-level form of abuse. It is hard to open up and, for musicians, there is a public image and two sides: the persona and human we see in print/on record and the real human who everyone else sees. That compartmentalisation and separation is not only isolating and confusing but harrowing and exhausting. I can only imagine how someone like Willow Smith must have felt going from a young girl at school to an (almost) overnight Popstar.

PHOTO CREDIT: Unsplash

I am glad she has come through the worst and did not, as far as I know, get to the point of contemplating suicide. She has many teenage fans and girls/boys who look up to her. It would have been easy to remain quiet and put on a façade. Those who do should not be condemned or forced to talk. The fact Willow Smith has will help many and reveals the pressure we put on young artists and musicians in general. It is a week where mental-health gets a rare time to shine and provoke conversation. My great fear is that, as early as next week, the bunting will be down and all the symposiums, forums and articles floating around online will be consigned to archiving. We have to wait another year for more discussion and a chance to put mental illness out to the world. There have been so many positive and informative pieces put out; so many have shared their stories online and someone, somewhere will take inspiration and change their life. It is hard to quantify how many people will be saved and seek help based on the information coming out this week. I wanted to focus on Willow Smith and her story because that, I hope, will give other artists the courage to break a wall and tell their tale. Self-harm is a complex and upsetting reality for many; it is really hard taking that step and opening up.

IN THIS PHOTO: Demi Lovato (who has spoken about her battle with self-harm)

That is not to say, too, that celebrities exposing their worst moments cheapens the severity of self-harm and distracts from the thousands of non-famous sufferers who are unable to find light and reticent about talking to anyone. There are many great mental-health charities but I want to, again, put the Samaritans’ contact details into the ether for anyone who thinks they might be suffering mental illness. I said the subject of self-harm was complex…it very much is. One might self-harm because of pressures at home or broken relationships; stress at work or an exacerbation of depression. There are countless combinations and reasons why an individual would let their tension out in such a way. Having someone famous/well-known step-up and talk about their demons is empowering and, as I also said, will provide comfort to many – showing famous artists are the same as everyday humans. I want this week to lead to change and continued conversation where mental-health is given as much prominence as any other illness. One need only look at the posts on social media and realise the personal and affecting stories of those afflicted by mental illness are not isolated. The issue is growing and we need to oxidise the ever-growing beast of mental ill health. Music is one of those industries that is especially prone to those who suffer psychological issues.

Willow Smith is one of many musicians who, over the years, have told about their struggles with self-harm. I hope her revelation and backstory stays out there because there are many who will be going through the same emotions – whilst the reasons for self-harming are not the same – and require that comfort and guidance. We have seen Willow Smith speak but I wonder whether her, and many other people’s, story will lead to more funding – both here and in the U.S. The NHS is stretched to the limits and I wonder how our Government will adapt to the growing wave of mental illness; a problem that is raging like wildfire. I feel big names talking about mental illness/self-harm are taking big risks. They have record labels (many do) and there is a certain ‘box’ they need to fit into – the commercial risk of talking about mental illness could cost more than money and dropped sales. Instead, more conversations will flare and others, in time, will feel less stigmatised regarding the weighty conversation of self-harm and mental-health. I hope those afflicted by dark thoughts and self-harm will find some light and relatability in Smith’s words – and her musician peers who have had to hide their issues and felt afraid to come forward. It is a nightmare and horrible situation when you are moved to the point of cutting yourself and having to keep that secret. Whilst talking about it might seem embarrassing or upsetting; doing so, to a family member or a profession, is…

PHOTO CREDIT: Unsplash

A very big and brave step.

FEATURE: Running on Empty: Exercise and the Benefit on the Creative Mind

FEATURE:

 

Running on Empty

ALL PHOTOS: Unsplash 

Exercise and the Benefit on the Creative Mind

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WITH the weather changing…

and the sun staying out for longer, there is hope the coldest temperatures are behind us and we will have more sustained periods of warmth. The weather is still changeable and unpredictable – being Britain, we are never too far away from some miserable downpours - but there is a great chance to improve the mood and capitalise on the clement conditions. It is Mental Health Awareness Week, and so, there are many talking about their experiences and how mental illness affects them. Musicians, especially, are prone to mental-health struggles and are under a lot of stress. I am reading so many stories of working endless hours and pushing themselves to unhealthy lengths. The hotter the weather gets, the more (musicians) are prone to widening their ambitions and planning for festivals. That push and drive might take the form of increased gigs or more time on the Internet, contacting venues and getting warm-up gigs booked. I am in a position where I have a new (temporary) job where I will have less time available to review and interview musicians – something that has given me a lot of fulfilment. I will not get a lot of time to be outside and will spend most of my days/hours in an office. I feel we are all spending too much time locked away and not really getting out there.

Maybe longer working hours and the cost of a night out means we are keeping ourselves inside and cloistered. Even if we have some spare time at the weekend, I wonder how many hours we spend outside and getting into the open. I mentioned musicians and wanted to write this piece because of the effects of exercise and physical activity on the creative process. We are all more stressed and in-demand so it is natural we would spend any free time unwinding and chilling: expending more energy seems counterintuitive and a struggle. There are articles available that explain and prove the link between exercise and creativity:

“Feeling good is not trivial. By necessity, studies hew to the quantifiable aspects of the relationship between exercise and creativity, namely defined types of cognition. But creativity, itself a fuzzy term, flourishes in ways that go well beyond divergent or convergent thinking. Certain emotional states, such as feeling good—and thus having low anxiety and fear—helps induce the flow states that are foundational to creative work…And scientists would do well to listen. Because, although the number of artists regularly exercising may not fill a yoga class, those who do illuminate many aspects of creativity that remain unstudied. Beyond mental dexterity, they tell us that creativity thrives when there is emotional balance, models for practice, and an array of tools at hand, not to mention ideas in which the muscles, too, can revel”.

A 2013 article explained on the premise and offered another angle:

“Specifically, researchers noted that regular exercise seems to be associated with improved divergent and convergent thinking, which are considered the two components of creative thinking; the former involves thinking of multiple solutions for one problem, while the latter involves thinking of one solution for a problem.

“Exercising on a regular basis may thus act as a cognitive enhancer promoting creativityin inexpensive and healthy ways,” study researcher Lorenza Colzato, a cognitive psychology at Leiden University in the Netherlands, said in a statement”.

Maybe these findings and facts are not new to us at all. What is known is that regular exercise can aid creativity and lead to clarity and a less stressful mind. If one balances the benefits on the creative mind and the nourishment exercise gives to the body, then we can all justify getting out there and being more active. It does have to be anything as full-on as running and long distances: a brisk walk or routine trek around the block can do wonders. Dedicating a set amount of time each day can get the body moving, mind cleared and the creativity part of the brain working and imagining. Many might argue it is hard to commit to regular exercise and it is hard finding time from their busy schedules. I guess, in many ways, one does not have to leave the house to get some exercise – it might be smutty and explicit, but we can all understand where that train of thought is heading…

What we are all exposed to, in the music world, is an overload of information and a cyber lifestyle. If we are not browsing and glued to phones for most of the day; we are on the laptop working on stuff and on social media. Away from eating and sleeping; are we all getting sufficient exercise and air? One can argue the health risks, for anyone, of spending too much time indoors. Forget the serotonin and mental benefits: ensuring we are physical activity means we can maintain a healthy weight and do not get into bad habits. If we become too isolated and do not exercise then that can have devastating effects on our general health and wellbeing. Music is as physical a job as any out there and (during gigs) requires a lot of energy and physical commitment. In order to maintain a level of fitness that means gigs are not daunting and a shock to the system; it is prudent to get into a regular cycle of exercise to ensure the muscles are kept trained and healthy – so they do not atrophy and cramp. That may sound extreme but the workout and level of commitment need not be that daunting. Rather than running a few miles each day; perhaps walking a couple of miles a day would be a good compromise – getting into the good weather and finding time to detach from all the strains and information of the music business.

I feel musicians, as I said, are under undue pressure and tend to spend too much time online and lacking necessary energy to exercise and take some time out. The multiple benefits of regular activity and exercise are clear: the creative mind is sharpened and the body is afforded care it needs. We are talking about mental illness and stress and cannot do so without recognising exercise and sunshine. I know something that simple is not going to cure depression and provide a cure for anxiety – mental illness is complex and there are a number of things that need to be considered when affecting a cure and solution. It is a perfect time of year to get into a better headspace and promise yourself more time outside. It is hard juggling the online demands and mustering enough energy to get up and remain active. Maybe starting off with a few days a week of fairly strenuous activity and it is a positive step in the right direction. It is wonderful what a brief amount of time out in the warmer weather can do to the mind. Not only is the mood lifted but that creative region is stimulated and primed; the body is touched and every part of you is engaged. If you can throw in a social aspect then that is so much better.

Mixing sociability with exercise, even for a little time each week, can improve mental-health and, if you can form a routine, it is a great balance between time inside/online and being outside in the fresh air. We are all looking about for ideas and solutions when it comes to the mental-health crisis that is before us. There is no single cure for everyone – something as mundane and simple as physical exercise is going to be the answer. Rather than see it as a ‘magic elixir’ then consider it one of the steps to a more improved and healthier mind. There are many I know who have suffered from depression and other mental illnesses and found their mood has been lifted immeasurably by regular exercise. I shall end things here but wanted to urge people in the industry – and in the general public – to have a look at how much exercise they get and how much time they spend inside. We could all probably stand to do a bit more and earmark more time to unwinding away from our screens. It is getting warmer and the days are growing longer: a fantastic opportunity to stretch the legs and blow away the cobwebs. It isn’t a hard-and-fast-rule but the benefits of exercise are proven and are especially helpful to those in an industry like music. Not only does it help you get match-fit and stimulate the creative part of your brain; it helps improve mental wellbeing and can lead a much…

 HEALTHIER life.

INTERVIEW: Trailhead

INTERVIEW:

PHOTO CREDIT: Katarzyna Mazur

Trailhead

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I have been chatting with the incredible Trailhead…

PHOTO CREDIT: Karolina Kuszyk

about the fantastic new album, Keep Walking. Berlin-based Trailhead (Tobias Panwitz) speaks about the inspirations on the album and standout cuts; which country is especially impactful when it comes to its influence; why walking and being in the open leads to songwriting – I discover if there are tour dates coming up.

Trailhead talks about musical icons and favourite albums; if there is any time to get away from music and relax; a new act to keep a track of; what he hopes to achieve before 2018 is through – he ends the interview by picking a great song.

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Hi, Trailhead. How are you? How has your week been?

Pretty good, so far. It’s a sunny Monday, so only good things so far!

For those new to your music; can you introduce yourself, please?

I’m a songwriter; conditioned both by California’s Great North Woods, where I worked in the trail crew back in the '90s, and by California’s '60s and '70s singer-songwriter scene, amongst other things - hence, my inclination to write songs about walking, trails and travels…and to call myself ‘Trailhead’.

Keep Walking is your new album. Can you tell me the stories behind it?

Walking is my favourite means of transporting myself from one place to another. It’s rhythmic and monotonous, in a good way. Very meditative. Songs come easy to me while walking and, while doing so many times in Spain, Norway; Poland, Germany; South America and other places, I ended up with so many walking songs that I decided to put them all together on a quasi-concept album called Keep Walking. There’s a very Roots-y, earthy feel to the songs - at least to me. A musical reflexion of my walking adventures, if you will. With a strong emphasis on Spain.

Do songs come to you when you’re out walking and exploring? Is that a good place for you to muse?

It’s the best place for me. I don’t have to be thinking about anything. I don’t like to walk without a destination where I’m headed because, without it, I’d have to make my mind up about directions all the time. If I can just turn on my walking machine, I let it run and song ideas start coming with the rhythm of my walking feet.

Is there a song from the album that you would select as a favourite?

I like the easygoing flow of Walking Round Madrid (Such a great place to walk). Also, White Flag, a song about climbing Everest, is one I enjoy listening to still - even though that one’s not based on my experiences.

You have travelled a lot! Is there a particular county that stands out – in terms of the people and vibes?

As mentioned, Spain is a place I always enjoy returning to. The dryness of the inland, the Andalusian coast and mountains, where I shot my recent videos for Walking the Camino and Volcano Ground but, also, the Canary Islands with their lush vegetation and diverse climate zones...all hugely inspiring.

To me, the people have what we Germans sometimes lack: a natural positivity and the capability of having a good time without a particular reason. Norway’s amazing, too - though I never get to see the grand landscapes, because I always end up hanging out and drinking with friends there. I’ve been to Norway many times, but I haven’t yet seen a fjord!

PHOTO CREDIT: Thorsten Biernath

When did music come into your life? What was the reason for taking it up?

I grew up in a family of Classical musicians. As a kid, I learned to play the violin. I was pretty good at it, too. But, it never really was for me. So, as a teenager, I taught myself to play guitar and piano after my brother got me hooked on The Beatles, Pink Floyd; the Eagles, Peter Gabriel and other stuff that spoke to me much more strongly.

Which artists would you count as influences?

Oh, man; which ones are not? I’d have to mention The Beatles of course and, most definitely, Tom Petty, The Jayhawks; Neil Finn…I’m a lot into melodies and harmonies.

PHOTO CREDIT: Thorsten Biernath

Can we see you tour this year? What gigs do you have coming along?

This summer, I have a show coming up in Switzerland and, later this year, lots of gigs all over Germany. The dates are all up on www.trailheadmusic.com. I love playing. The only thing I’m worried about is my carbon footprint with all that driving.

What do you hope to achieve in 2018?

I’d like to get better at producing and mixing - something I have neglected for a long time. There’s a new walking adventure coming up and I hope to start pre-production on a new album.

PHOTO CREDIT: Philipp Gabriel

Have you got a favourite memory from your time in music – the one that sticks in the mind?

The favourite ones for me are the ones sitting in a room with friends and guitars, singing songs. Nothing beats that. It’s such a beautiful way of connecting and sharing.

Which three albums mean the most to you, would you say?

That’s an easy one:

Wildflowers by Tom Petty; Joy by Phish and Amused to Death by Roger Waters.

What advice would you give to new artists coming through?

Keep going, set achievable goals and don’t complain.

IN THIS PHOTO: I'm With Her

Are there any new artists you recommend we check out?

I’m a bit of a conservative who’s stuck in the '60s and '70s - so better ask me about old artists I’d recommend! But, I recently went to a show by I’m With Her. I’d definitely recommend seeing them live if you’re into vocal harmonies and Folk music. Wonderful stuff.

Do you get much time to chill away from music? How do you unwind?

My garden, my boat and walking. I love watching plants grow. Very meditative, too. Being out on the water in a kayak is a bit like walking, only, you use your arms. In Germany, we call it Wasserwandern: water hiking.

Finally, and for being a good sport; you can choose a song and I’ll play it here (not any of your music - I will do that).

Alright, cool! Let’s hear a song by The Jayhawks’ Gary Louris: True Blue.

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Follow Trailhead

PHOTO CREDIT: Karolina Kuszyk

Official:

http://www.trailheadmusic.com/walking-songs

Instagram:

https://www.instagram.com/trailheadmusic/

Twitter:

https://twitter.com/trailheadmusic

Facebook:

https://www.facebook.com/trailheadband/

Spotify:

https://open.spotify.com/user/1124683322/playlist/1gQlrahDCo1azvDu9wer8u

YouTube:

https://www.youtube.com/user/trailheadmusic

INTERVIEW: Saarloos

INTERVIEW:

Saarloos

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MY focus turns to the Dublin boys of Saarloos…

as they discuss their debut single, Changes. I learn more about the scene in Dublin and what it has been like supporting some huge names (including Bon Jovi) – they look ahead at gigs and where we can catch them play.

I ask the guys how they got together and how they spend time away from music; whether they are coming to the U.K. to play; what it feels like having a debut single out there; if there is more material coming later in the year – the guys end the interview by selecting a song that means a lot to them.

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Hi, guys. How are you? How has your week been?

Hi! It’s been great. We’ve been busy promoting the single and we’re blown away by the response it’s getting.

For those new to your music; can you introduce yourselves, please?

We’re a three-piece band from Dublin. We’ve been together about six months. We all have similar tastes in music and have known each other a long time. Andy and Craig went to school together and Brian and Craig met on the pub scene in Dublin (Craig likes to think he brought us all together!)

Talk to me about your debut single, Changes. What is the story behind it?

Like every great story, it started with a cup of tea! Literally, Craig was making a cup of tea when the chorus just popped into his head. He recorded it on his phone (well; after finishing the tea). A couple of days later, him and Brian sat down and it was finished within a couple of hours.

Is it exciting putting the song out there?! Did you know, instinctively, this song was the first you wanted to be released?

Yeah. It’s exciting/nerve-wracking! We put a lot of work into the song and we were really happy with how it sounded but you never know how it’s going to go. We knew straight away we wanted this as the first single because it was a new sound for us: going from an acoustic act to a full band.

Might we see more material coming in the future months?

We’re currently working on an E.P. and we’re in rehearsal rooms most days writing and practising for the upcoming tour.

What is the craic like in Dublin? Is it a great place to play music – with lots of like-minded folks?

The craic is 90! Dublin’s great for music; Brian and Craig spent years bashing the guitars in Temple Bar. There are loads of great places to play original songs in front of live audiences - Ruby Sessions and Zodiac Sessions are two well-known open mic nights that have always been supporting up-and-coming artists.

How did Saarloos get together? Was it love at first sight?

Brian and Craig were two solo singers doing their own thing. After doing years of cover gigs, they decided to create a band. Andy was a late addition to the band, he knew the guys a long time, so he fitted in nicely. We’re very fortunate that we get along together – it makes it easier when you’ve to spend ten hours a day in a room going over and over songs.

You have already supported big names like Bon Jovi and Daniel Beddingfield! How much of an impact has that had on your ambitions and confidence?

Great question! Playing in front of that many people is terrifying and amazing. It drives you to be better and work harder to get the opportunity to do it again. At the same time, it’s great to come back and play small shows and connect with the audience.

Do you all share musical tastes? Which artists do you count as influences?

For the most part, our tastes are very similar. Brian probably has the most eclectic taste whereas Craig has always liked the sound of an acoustic guitar so stuck to the likes of Coldplay and Snow Patrol. Andy is a massive Dolly Parton fan!

Where are you heading on tour? Where can we catch you?

We’ve a busy June planned! We start in Belgium at the end of May and finishing up in Zurich and playing shows in Germany, the Netherlands; Milan, Paris and Copenhagen. Super-excited!

Do you reckon you’ll come to the U.K. and gig here at all?

Yeah. We just got back from London playing Never Fade Sessions with Newton Faulkner. We’re playing in London’s 02 Shepard’s Bush Empire on 9th June. We’re hoping to do our own headline show there soon.

What do you hope to achieve in 2018?

By the end of the year, we hope to do our own tour around Ireland and add in shows in places like London, the Netherlands and Germany.

Have you each got a favourite memory from your time in music – the one that sticks in the mind?

Last year Craig and Brian got to support Gavin James in the 3Arena in Dublin. Playing in front of 16,000 people was surreal!

If you could support any musician alive today, and choose your own rider, what would that entail?

We’d love to support Coldplay, but Andy’s holding out for Dolly Parton! As long as there are a few cold Coronas in the fridge we’re happy!

What advice would you give to new artists coming through?

Don’t be afraid to put yourself out there. Never turn down a gig…and enjoy it!

IN THIS PHOTO: David Keenan/PHOTO CREDIT: Benson Portrait Studio

Are there any new artists you recommend we check out?

There are tonnes of amazing Irish Acts coming through: David Keenan, Talos and Tim Chadwick to name a few.

Do you get much time to chill away from music? How do you unwind?

Craig is a pond aficionado - seriously, he loves them! Andy loves the outdoors. You’ll find him on a bike in the mountains most Sunday morning. As for Brian?! He couldn’t be more chilled!

Finally, and for being good sports; you can each choose a song and I’ll play it here (not any of your music - I will do that).

Craig: JCB Song - Nizlopi

Brian: Time - Tom Waits

Andy:  Islands in the Stream - Dolly Parton and Kenny Rogers!

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Follow Saarloos

Twitter:

https://twitter.com/Saarloosmusic

Facebook:

https://www.facebook.com/saarloosmusic/

Spotify:

https://open.spotify.com/artist/5PkPEYDAzPR5pJhiqPCy6y

INTERVIEW: Lindsay Kay

INTERVIEW:

Lindsay Kay

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IT has been really revealing and interesting…

speaking with the L.A.-based songwriter, Lindsay Kay. She has been talking to me about her latest track, Invited, and the inspiration behind it. I probed Kay about her upcoming album and what the reason was behind hiring an all-female team – she reveals to me the artists and albums that have impacted her the hardest.

The Canadian-born talent tells me how she spends time away from music; what her favourite memory from music is; why she relocated from Canada to L.A.; which new artists we need to keep our ears peeled for; what she hopes to achieve before this year is through – Kay ends the interview by selecting a song perfect for the sunnier weather!

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Hi, Lindsay. How are you? How has your week been?

Hi! I’m doing well, thanks for asking. My week has been really nice. The weather in L.A. is super-beautiful right now - it’s that end of spring/beginning of summer vibe where it smells like jasmine everywhere and still isn’t too hot and it’s staying light out later and later…the best time of the year!

For those new to your music; can you introduce yourself, please?

I’m a Canadian singer-songwriter based in Los Angeles. I play and write quiet, melancholy; acoustic-based music with a subtle Jazz influence and I’m currently finishing up my debut, full-length album.

Invited, your new single, is out. Can you talk about its story and what influenced it?

I wrote Invited, and a big chunk of this album, in the fall of 2016…right before the Women’s Marches and the #MeToo movement popped off, but right in the midst of the pussy-grabbing chaos of Trump’s campaign and eventual election. So, there was a definite stirring in the air amongst women happening. One particular night, when I was walking down Hollywood Blvd, I passed a group of men and one of them started hassling me and wouldn’t let me pass.

He touched my arm and pulled on my shirt and was just really in my space and whispering whatever in my ear. This is certainly not an isolated incident: this type of thing happens to me and all women daily, weekly, etc. But, this guy just caught me on a bad night and, because of the climate politically and socially, I was starting to awaken and realize that normalizing these events was the opposite of normal.

I was examining my experiences as a woman more whereas, prior to that, I was just letting these things roll off my back and barely acknowledging them because, if women allowed ourselves to feel every event like this, we would just unravel, because they’re so frequent. I just remember feeling really upset and so violated and thinking to myself: ‘Why is this a difficult concept to grasp? Why do you feel entitled to my time/space/body/energy? Why do you feel no need to ask me if I want you near me? Do not touch me unless I INVITE YOU TO DO SO’. I wrote Invited the next day and it kind of felt like taking some semblance of my power back by being able to articulate this very simple idea in a concise, well-organized song form.

I know you have an album coming out. Is it true it was created, top to bottom, by a female team? Is that a reflection of the album’s themes and meditations?

Yes, that’s true. The album centers around women’s experiences and the way in which we compress ourselves for our masculine counterparts and stay quiet; pretty and do what is expected of us and many other things pertaining to femininity. I had to enter into a really vulnerable space both to write the music and to realize it on a recording, and I simply didn’t feel comfortable putting those songs into the care of men in any sense.

I wanted to be understood in the studio and not challenged or undermined because of my gender. I wanted the songs to be understood by people who had lived those same feelings and who could really connect to the words. I wanted to see if it made a difference; if I’d be able to hear that authenticity in the music and I really believe that you can! It’s subtle but it’s tangible. It felt so wonderful to be surrounded exclusively by feminine energy in my creative life for an extended period of time.

How was it putting an album together? Did you learn anything about yourself when recording?

This was my third go at a studio project (I have two independently-released E.P.s out under my given name) and, with each, I have learned so much and refined the process a little. This was definitely the most successful endeavour thus far, and I feel like for the first time I was really able to make an album that sounds like me. This is my voice, this is my sound; this is my message and it hasn’t been muddled or messed with in any way.

I self-produced and am the sole writer on the album, which felt very empowering and important to me - and I did all of the arranging and handpicked all of the instrumentalists myself. There were so many wonderful folks involved that helped me bring the album to life and who offered their collaborative efforts and expertise and, while I certainly couldn’t have done it without them and their incredible talent, I am really proud of the fact that I maintained complete creative control and saw my vision through exactly the way I wanted.

The main lesson I learned while making this album is that this is truly what I am meant to do with my life – this is what I was built for. In the past, I may have lacked the confidence to give myself the credit where it was due or to walk into a studio and really feel at ease and like I had business being there. I always felt like I was faking it, or like I had something to prove (to men). But on this project, because so much of the creation of it was on my shoulders, and because I am truly so proud of the music that we made, I started to finally see that I absolutely do belong and that I’m really good at my job. Certainly, there are always moments of doubt and stress and feeling stuck – days when you’re exhausted and burnt-out and unsure of if what you’re making is working or if it’s ‘good’. But, on the whole, the experience was so creatively-fulfilling and really instilled in me a sense of confidence in my abilities that I was lacking on previous projects - and which had been holding me back creatively and otherwise.

When did music come into your life? What was the reason for taking it up?

I started singing when I was really young, just along with songs in the car or at home and my mom noticed that I had an affinity for music and enrolled me in some children’s choirs and provided outlets to channel that into. There was no rhyme or reason to taking it up except that I just loved singing so much. I can’t remember a time that I wasn’t singing on a daily basis…I’ve been fortunate to be actively doing the thing I love most for nearly my entire life! I started playing the guitar around the age of twelve as a means to begin writing my own songs and, from there, it really started to feel like a career path.

When did you move from Canada to L.A.? Are there big differences in terms of sound and the feel of the place?

I left Calgary when I was eighteen-years-old to go to Berklee College of Music in Boston and lived there for five years before eventually moving to L.A. in 2016. Canada has a wonderful and thriving music scene and, sometimes, I feel a little sad that I’m not as actively involved in it as I could be, simply because I’m not physically there and haven’t been in a long time. The fabulous thing about the Internet is that it makes the world so much smaller and so I am able to be actively part of the scene here and still keep up with what’s being made in Canada. I always felt drawn to being down here in the U.S. I don’t know exactly why, but I had this feeling, from a pretty young age, that it was where I was meant to be and I followed that intuition.

I love the music being made here right now. It’s an exciting time for music in L.A. It feels like anything is possible. It’s hard for me to pinpoint whether there’s a distinct difference in sound and feel between the places, but I will say that Canadian artists do seem to have this community and camaraderie and support for each other that is very special. I’d love to see more of that here.

Which artists would you count as influences?

So many…I find myself being influenced by a lot of music that sounds absolutely nothing like the music that I make, and yet, I still learn deep lessons and store away information from them for my own work. Solange Knowles, Leonard Cohen; Sufjan Stevens, Kendrick Lamar; John Mayer, Joni Mitchell; Esperanza Spalding, Bob Dylan; Chance the Rapper, Chris Thile/Punch Brothers; Herbie Hancock, Cardi B; Frank Ocean, Harry Styles; Sampha, SZA; Elton John, John Coltrane; Miles Davis and Ryan Adams…just to name a few off the top of my head.

Can we see you tour this year? What gigs do you have coming along?

As I’m still finishing up my album and have yet to set a release date (late summer sometime!), we haven’t booked a tour as of now. However, I will, of course, perform an album release show here in L.A. and in my hometown of Calgary when the time comes and I am in the beginning stages of conceptualizing and planning a live show, which I intend to be very visual and perhaps even a little theatrical. So, I’ll be spending the next few months plotting that and am looking forward performing again very soon.

What do you hope to achieve in 2018?

My perfect 2018 looks like: I release this album, it resonates in a meaningful way with women and female-identifying people, I play some shows, someone somewhere pays me money for it and I have some very good meals.

Have you got a favourite memory from your time in music – the one that sticks in the mind?

Wow; this is a tough one…

There have been lots of great moments, but one is coming to mind. I seem to remember being a very quiet, socially-anxious teenager in high-school and feeling a little invisible and generally unsure of how to relate to my peers. There was some sort of an open mic thing happening at a coffee shop in town and everyone at school was going. I decided to go for it. I’d been playing out around town a lot, but no one at school really knew I played music. I was sort of living this double life: going with my mom to open mics on school nights and being exhausted the next day at school because I didn’t get to play until like midnight; recording demos on weekends, just doing whatever I could…but I hadn’t yet played my songs in front of people I knew.

I was terrified, but I got up there in front of everyone and played one or two of my own songs and people were shocked. I remember, just for this one night, feeling like people finally saw the real me and feeling appreciated and special. It was a nice moment and one of the first instances I can remember where I fell in love with performing my own music in front of people because it enabled me to be my truest self and made me feel like I had a superpower.

Which three albums mean the most to you, would you say?

John Mayer – Continuum

Sufjan Stevens – Carrie and Lowell

John Coltrane – A Love Supreme

That was a very hard question to answer!

What advice would you give to new artists coming through?

Get good first.

PHOTO CREDIT: Pisces Dreams/COVER DESIGN: Mark Nubar

Are there any new artists you recommend we check out?

Yes! My dear pal Alec Watson has a solo project called DPCD – he makes super beautiful acoustic music and has a truly stunning album out called Good Visions. It’s a must-listen. My friend Elizabeth Goodfellow, who is an amazing drummer and played the drums on my album, just released a fantastic album called Silly Sun. It’s the perfect summer album – super groovy, lots of synths; great balance of fun and depth.

Lara Somogyi, who I was also so fortunate to have play on my album, is an incredible harpist and she does a lot of really innovate things on the harp…she plays with pedals and different effects, ventures into electronic production; incorporates movement and just generally does a lot of unexpected and beautiful things on the instrument. Highly recommend checking out her work.

IN THIS PHOTO: Lara Somogyi

Do you get much time to chill away from music? How do you unwind?

Yes, I definitely do. Although I do work really hard, I try to make a point of checking in with myself often and making time to relax and unwind. I’m really introverted and need quite a lot of alone time to feel good and I love being in my little apartment and cooking delicious meals.

I can get burnt-out quickly with music if I’m not feeding my creativity in other ways; so I try to consume a lot of art outside of music by going to galleries and museums frequently, going to the movies; seeing live theatre, reading lots; watching T.V, and spending quality time with my friends, who are an amazing group of creatives who understand this weird lifestyle and can commiserate and ease some of the pressure.

Routine is also really important to my well-being, and I have my little daily and weekly rituals that help me stay balanced (hiking, coffee-making; going to the farmer’s market, podcast listening etc.)

Finally, and for being a good sport; you can choose a song and I’ll play it here (not any of your music - I will do that).

Sister Golden Hair – America

A classic bop for this current L.A. weather!

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Follow Lindsay Kay

Official:

http://lindsaykaymusic.com/

Twitter:

https://twitter.com/lindsaykaymusic

Facebook:

https://www.facebook.com/lindsaykaymusic

Instagram:

https://www.instagram.com/lindsaykaymusic/

Spotify:

https://open.spotify.com/artist/0l4R9iqx4fRbJkCRcCKJkX

BandCamp:

https://lindsaykay.bandcamp.com/releases

FEATURE: The Rise of the ‘Superfan': Those Keeping Vinyl Sales Burning Bright

FEATURE:

 

The Rise of the ‘Superfan’

ALL PHOTOS: Unsplash 

Those Keeping Vinyl Sales Burning Bright

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THERE is a good reason why I return to the subject…

of vinyl and its popularity. Over the weekend; I will explore radio and getting into the industry – collating guides and pointers from those in the industry. Today, an article caught my eye that deconstructed the purchasing habits of those who love their vinyl. Record collectors spent more than $200 million (£147 million) at the online marketplace last year. The Beatles’ promotional seven-inch single, Love Me Do, was the top request: Pet Shops Boys and Prince were included in the top-five. An article published by the BBC laid out the statistics:

“A hardcore of 'superfans' buy more than two-thirds of all the vinyl records sold in the UK, according to new data.

The Entertainment Retailers Association (ERA) says these collectors fork out more than £400 every year, accounting for 72% of sales.

With the average LP costing £20.31, superfans are each purchasing at least 19 albums.

The figure illustrates how niche the "vinyl revival" is, despite record-breaking sales over the last few years.

In total, 4.1m vinyl albums were sold in 2017, the highest number since the 1990s.

But the format only accounts for 3% of the total music market, and in 2015 a BBC/ICM poll found that almost half (48%) of the vinyl records people buy never get played”.

We can extrapolate a couple of things from the statistics: the fact the majority of vinyl purchases are by ‘superfans’ means other people are less interested: maybe there are spearheading a mass army that is bringing the honesty and physicality back into music.

I would split my mind between the two: the fact so many buy an arm-full of records each year means they want to keep the passion alive and connect deeply with the music; there is still the need to recruit others and create a better split between digital and physical. I am one of those who spread themselves across all formats. I have wallets full of C.D.s for the car; I am on Spotify, YouTube and SoundCloud when reviewing and at the laptop; I have my case of vinyl for when I need to unwind and experience music at its very finest. The article I quoted above stated the ‘superfan’ dominates the Blu-Ray market: there are fewer when it comes to D.V.D.s and C.D.s. Maybe it is the sheer size and force of a record. It is like carrying home a new-born baby to obsesses over and have. The C.D. is great – I am keeping the market propped-up on my own! – but it is easy to chuck them away and not really drool over them. Digital music is great but we take a much more casual and fast-paced attitude to the format – playing loads of songs and skipping through without digesting what is being said in some cases. With Record Store Day still in the memory; it seems the communal shop experience is vital to record lovers.

The price of vinyl, as I have said before, can be damning and eye-watering. I have been looking around for some new records and, even if they are not mega-successful and popular; they can cost anything over £20. What amazes me is how much one can spend when they get to a record shop. You go in looking for one thing and then, before you know it, you have four or five other L.P.s under the arm and are spending anywhere close to a hundred quid! Maybe the trip down to your favourite vinyl spot is a rarity: when you do go down, you are spending a lot and buying quite a few records. That is a different dynamic to buying C.D.s or D.V.D.s, for instance. It would be good to see more pressing plants so we can produce a lot more records. I am not sure what the costs are involved with making a record but the extra money coming into the industry – can we not build more spaces, factories or local presses, when we could make a record more effectively and cheaply? I appreciate it is a big process making a record and printing on the sleeve etc. but I wonder if the high costs are excluding those testing the waters – the ‘superfans’ are still the ones who will overcome anything to get their hands on some vinyl.

I wonder if there is a pragmatic way of lowing production costs and ensuring we tempt more buyers in. If you look at a C.D. and the size of it – is it too unreasonable to ask £20 for a record when a C.D. costs only half that?! I know the ‘superfans’ will not mind shelling out but some in-store loyalty programmes could be implemented where they get discounts for bulk-buying and loyal custom; promoting seven-inch singles and smaller vinyl so that people can get a taste and bond with the format. We have to ask ourselves, over the past few years: who are the ones buying vinyl? A 2016 article found some interesting results:

“Those who have recently purchased a vinyl album are most likely to be aged between 45 and 54, apparently. In fact, those in the 18-24 age group are the least likely. It is not just an act of hoarding by hobbyists, either – it has emotional significance: older vinyl buyers are slightly more likely to keep their feelings to themselves (56% of vinyl buyers versus 53% of all UK adults) and enjoy being alone (69% of vinyl buyers versus 66% all UK adults)”.

Fortune followed that up a year later:

“The demographic responsible for the comeback is actually 18-24 year olds, an interesting age group given that they likely grew up buying digital copies of music rather than physical ones, unlike older generations.

 One in four people in the 18-24 demographic said they had purchased a vinyl record in the last year, with a good number of those indicating they purchase a new vinyl each month. 83% of the age group has purchased some sort of physical media in the past year (DVDs, books, CDs, records), which is much higher than the 76% average across all age groups”.

It seems the shift has gone from the middle-aged to the younger listeners: those who grew up around their parents’ vinyl collection are carrying on that trait and spending their cash on records. Whilst there is no real age and profile of what a ‘superfan’ constitute, some worrying research shows that nearly half of all vinyl purchases are not being listened to:

“…But new research suggests that while more people, notably young people, are buying into vinyl, a lot of them aren’t actually playing the records.

An ICM poll, shared with the BBC, says 48% of people who bought vinyl last month have yet to play the record. Some 7% of those surveyed said they didn’t even own a turntable, while a further 41% said they have one but don’t use it. We humbly suggest people could rectify this situation with one of our recommended turntables”.

It is concerning so many people have vinyl as a piece of art or never actually putting it onto a turntable – does it matter what we do with a record and how we see fit to display it?! Maybe we should recommend turntables as heavily as vinyl. Does that mounting expense put people off buying an L.P. in the first place? Are the younger generation more concerned with nostalgia, a lost beauty and physicality – the middle-aged and older buyer continuing as they did as children and unwilling to bend to the digital dominance?! Those loyal and much-reliable fans are pushing up vinyl figures but it would be good to see more money provided to the industry so we can keep record stores alive and expanding. The perfect experience would be to see a singular space for everything vinyl – records ordered according to gene and hardware (headphones and turntables) in another section; have singles and rare memorability in another part. Having a nice and clean décor would attract in those younger listeners but, rather than them walking away with vinyl as a fashion piece – they would learn about all the components and have someone, you’d hope, in the store who could talk about the tech and turntables. I guess, regardless of what people are buying records for; the fact they are popular and still resonating is the main thing!

Those so-called ‘superfans’ are the people who, through economical high wind and rain, are coming out in droves and scouring through racks and crates of vinyl. I am glad all ages are engaging with records and we can mix streaming and digital tastes with the physical and long-playing. Kudos to those who continue to keep vinyl alive and in rude health. I am confident this side of the market will continue to swell and expand as time goes on. It is that loyal core that helps keep the figures impressive and hopeful. It would be good to see more people actually play records. I can understand it is quite a cumbersome and energy-consuming – compared to digital means – but the experience is wonderful and ever-lasting. I will end things here but I cheered to hear about the continued success of vinyl and those hardcore fans who will accept no alternatives. I want to see all physical means survive – vinyl has a particularly fond place in the heart and is a combined artistic and audio experience. If we can encourage growth across all ages and enhance the necessity of playing records – in addition to sporting them as items of art – then that will encourage a wave of interest that will last for generations. Respect to the ‘superfans’ who, whilst they do not wear capes, have a love and curiosity that is impressive indeed. Seeing that kind of hunger and loyalty makes the news is…

DEEPLY impressive indeed.

INTERVIEW: Austel

INTERVIEW:

Austel

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THERE is a lot to digest in a song like Lost At Home…

and its messages will connect with everyone. I have been discussing the track with Austel and what it means to her. She talks about filming its video and working with producer Adam Stark; if she is looking ahead to gigs and any other songs; which albums she courts as favourites – she recommends some new artists to have a good look at.

I asked her whether a change has come into the music; whether Austel has any plans for the remainder of the year; which artists she counts as idols; how she spends her leisure time – Austel provides some sage advice for new artists.

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Hi, Austel. How are you? How has your week been?

Hey! It’s been good, thanks. Busy, but good! Enjoying the sun.

For those new to your music; can you introduce yourself, please?

Austel is a new music project combining dark, moody songwriting with ethereal electronic soundscapes. I’ve been working both as a solo artist and in other bands for a few years, but the new direction in sound and songwriting for this project deserves its own platform. I started working with Adam Stark - my producer and bandmate - a couple of years ago and Austel is a combination of my singer-songwriter, Classical and Indie background with his experience as a composer and music technologist.

Lost At Home is your new single. Can you talk about its origins and story?

I wrote Lost At Home at a time when I was feeling very isolated and disconnected - from my surroundings, from other people and from myself. It’s about the uncomfortable realisation that the place you’ve tried so hard to convince yourself is where you belong is actually wrong and you’re compromising a huge part of yourself to be there.

The video interests me. Where was that filmed? What was it like to shoot?

The music video was directed by my friend, Matt Bell, who’s an incredible photographer and filmmaker. Matt followed me walking around London for two days with a camera and perfectly documented my experiences of feeling anonymous in the city.

It was a really cathartic video to make, as I retraced a lot of old footsteps and memories - visiting places I hadn’t been for a long time; making peace with unanswered questions and realising that what I’d been looking for was actually right here, within myself.

You are working with producer Adam Stark. How did you come to meet him? What does he add to the creative process?

Adam was one of the first people I met when I moved to London, which was pretty lucky! I was performing alongside his band Rumour Cubes at Glastonbury in 2013 and we quickly became friends. We started working on my music together in 2015 and it just worked really well - we totally understood each other’s ideas and share very similar influences. His background in composition, performance and music technology has added something (very) unique to the sound and sculpture of the songs.

He’s invaluable to the project; not only for crafting my songs with me and adding so many beautiful ideas to the production but, also, as a bandmate, all-round collaborator and friend.

Have you noticed a change in you as a performer and writer? Do you think Lost At Home is your most confident work so far?

It’s funny, because the sentiment of Lost At Home is the opposite of confident: in fact; a lot of these songs document a time in my life when I was feeling really insecure and rudderless. However, through the process of writing, recording and releasing them; I feel like I’ve finally found my wings and started to let go of the things that I felt were holding me back. I’ve learnt so much over the past five years - both as a musician and a person - and am very excited to continue that journey.

Is there going to be more material coming later this year?

Yes! We have a debut E.P. on the way, which will be out in July. There might also be another single coming before that. Watch this space…

When did music come into your life? What was the reason for taking it up?

As far as I’m aware (and I know this is the biggest cliché), it was always there. I honestly can’t remember not singing or not being interested in music. My parents were both musicians and music lovers - there were always records playing at home and in the car.

I learnt piano from the age of five; went to a musical theatre school and performed in my school Jazz band and choir - so it was pretty inevitable that I’d end up writing my own songs and forming bands. It’s always been a very natural part of who I am.

Which artists would you count as influences?

Eva Cassidy, Radiohead/Thom Yorke; PJ Harvey, Goldfrapp; Daughter, Bon Iver; The National, Bat for Lashes; Patti Smith, Jon Hopkins; Cocteau Twins/Elizabeth Fraser; London Grammar, Bonobo; Fever Ray, Nils Frahm; Jeff Buckley, Nina Simone; Johnny Cash, Martha Wainwright and Leonard Cohen…so many more!

Can we see you tour this year? What gigs do you have coming along?

We’ve just announced our E.P. launch show at The Finsbury, London on 23rd July! That’ll be our big show of the summer and then we’re lining a few things up for later in the year.

What do you hope to achieve in 2018?

We’re releasing our EP, Unfold, in July alongside the launch show, so I’d like to see that do well and for people to enjoy it! Then, we want to continue making music, playing great gigs and meeting new people…this is just the beginning. We’ve got so many ideas.

Have you got a favourite memory from your time in music – the one that sticks in the mind?

I’ve had so many brilliant memories: it’s hard to choose just one! Most of my favourite memories of music involve being on stage singing songs and having a great time with people I love. It’s the best feeling in the world.

Which three albums mean the most to you, would you say?

This is the hardest question ever…but I’ll say:

Eva Cassidy – Songbird; Radiohead - The Bends and Bon Iver - Bon Iver…

PJ Harvey - Stories from the City, Stories from the Sea, Goldfrapp - Seventh Tree; The National - Trouble Will Find Me, Tracy Chapman - Tracy Chapman; Starsailor - Love Is Here, The Clash - London Calling and Elliott Smith - Either/Or are all strong contenders, too.

What advice would you give to new artists coming through?

Stick to your gut, trust your own ideas; don’t compromise yourself or your art but, equally, don’t be scared of trying out new ideas. Surround yourself with good people who have your best interests at heart. Take a moment every now and then to zoom out, because it’s easy to forget how far you’ve come if you’re constantly looking ahead.

Don’t give up - there’s often something brilliant just around the corner; you’ve just got to keeping walking to get there.

IN THIS PHOTO: Bryde

Are there any new artists you recommend we check out?

If you haven’t already, definitely check out my pals Amaroun, IDER; Bryde, Marie Naffah and Mono Club. All brilliant artists making amazing music.

I’m also totally obsessed with the new Middle Kids record at the moment.

IN THIS PHOTO: Middle Kids

Do you get much time to chill away from music? How do you unwind?

Ha. My friends and family will all tell you that I’m terrible at switching off: I’m a bit of a workaholic!

It sounds simple, but one of my absolute favourite things to do is go for a long walk and listen to a record. It’s my time to think and get a bit lost in my head. I also draw a lot, write poems; read books and go to a lot of gigs, exhibitions and brunch dates with friends.

Finally, and for being a good sport; you can choose a song and I’ll play it here (not any of your music - I will do that).

Shortwave by Yo La Tengo - close your eyes for five minutes and escape.

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Follow Austel

Official:

https://austelmusic.com/

Twitter:

https://twitter.com/austelmusic

Facebook:

https://www.facebook.com/austelmusic/

Instagram:

https://www.instagram.com/austelmusic/

Spotify:

https://open.spotify.com/artist/7jMnfga7535wl3kJmUlRvq

YouTube:

https://www.youtube.com/channel/UCxgw5LIraJ31LpTjSHqJXOw

INTERVIEW: Dámì Sule

INTERVIEW:

Dámì Sule

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WITH such a vivid and interesting road into music…

I was keen to chat with Dámì Sule about his album, Rough Canvas, and some of the things that inspired the songwriting. He talks about growing up in Nigeria and moving to the U.K.; whether music holds spiritual sway and power; which artists he considers influences – Sule reveals plans for touring.

The songwriter tells me which three albums are most important to him; if he spends any time away from the rush of music; what advice he would give to new songwriters of the moment; a couple of underground acts we need to get involved with – he ends the interview by selecting a song that is in his mind right now.  

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Hi, Dámì. How are you? How has your week been?

I’m good, thank you. My week has been very eventful.

For those new to your music; can you introduce yourself, please?

I go by the name of Dámì Sule. I am twenty years of age. I write poems and I make music - born and raised in Nigeria for ten years and now living in Manchester. I would best describe my music as emotion-filled and, in some ways, thought-provoking.

Rough Canvas is your first full-length. Can you tell me about the ideas expressed and what influenced its creation?

The whole idea of Rough Canvas is about portraying everything perfect yet imperfect. It is about finding your flaws and making it a canvas for everything beautiful to be made. I try to play with the ideas everyone can relate to, as well as drawing from my own day to day experiences. I try to believe my work is an embodiment of me; as to say I am my own influence in terms of sharing my lived experiences and putting it into my creation.

Chains seems to be a bit of a standout. Does that hold personal relevance and a special place? How did that track come together?

Chains is all about breaking free. It holds a lot of relevance in my personal life in terms of breaking the burdens ahead of me. As well as this, when writing for Chains, I tried to put myself in the shoes of the millions of common men and women I walk past in each day. I tried to put in words the problems we all face and reflect how restraining our problems can feel.

You are Nigerian-born. Do you take a lot of the music and spirits from Nigeria and put it into your work?

I definitely believe I am influenced by my upbringing in Nigeria, although I believe it's largely an unconscious process. However, in the future, I do aim to intentionally to induce the sound Nigeria carries into my music; in my pursuit to create something unique and closer to me.

Which artists would you count as influences? Did music come into your life at an early stage?

It is really hard to consider which of the artist I listen to are influences as it isn't my aim to draw from other artists. I try to embody my own personal experiences into my music in order to make them relatable to the masses. Making music did not come to me at an early stage: I only understood the depth of my talent and how I could use it for good about a year ago.

I started writing poetry from my college days and, from then on, I began to understand what I was actually doing and what I could make it into - which is what I am doing today.

What, to you, does music mean? Does it hold a spiritual and awesome power?

Music is absolutely spiritual. That is why I aim to only create and preach positivity. I believe we listen to music in very spiritual ways in terms of when we are jubilant, sad etc.

How do you think you have grown since 2017’s (E.P.) Crayons? Have you noticed changes in your music?

I think, since my Crayons E.P., I have discovered more ways to use my voice in terms of playing around with different sounds and not sticking to a genre, B.P.M. etc. I am not the same person since making the Crayons E.P. - in terms of the fact I am older and have experienced different things since then; it has impacted my music by adding more depth.

Can we see you tour this year? What gigs do you have coming along?

I am collaborating with The Pit LDN and Relentless Energy Drink to create a show called Introducing Dámì Sule with my live band The Youth Club. It is a show about introducing my sound to new ears. The date for the show is 21st June in Manchester – at the Zombie Shack - and tickets will be available through my website and Dice.fm.

What do you hope to achieve in 2018?

Growth. Growth has always been my aim each year. Everything else I consider as further blessings.

Which three albums mean the most to you, would you say?

The Score by Fugees, Dear Daisy: Opium by Kojey Radical and The Paradox by Jacob Banks are albums that I have indulged (plus, a couple more).

What advice would you give to new artists coming through?

To stay original.

It is very easy to sway towards the desires of others or what's the latest trend. Being original leads to longevity…and that's what I have learnt in my short time.

IN THIS PHOTO: Indigo Dee

Are there any new artists you recommend we check out?

I would highly recommend you listen to ChinaLilly and Indigo Dee, who will be my special guest at my show on 21st June.

Do you get much time to chill away from music? How do you unwind?

I currently juggle university, placement and my part-time work away from music. So, in my very little downtime, I’m on my Xbox being LeBron James on NBA 2K18.

Finally, and for being a good sport; you can choose a song and I’ll play it here (not any of your music - I will do that).

Dry Cry by Wretch 32, Avelino (ft. Stacey Barthe)

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Follow Dámì Sule

Official:

http://damisule.com/

Twitter:

https://twitter.com/damisule1

Facebook:

https://www.facebook.com/damisule1/

Instagram:

https://www.instagram.com/damisule/

Spotify:

https://open.spotify.com/artist/6XE4Nnt9XkRoh4iSi1rTa9

YouTube:

https://www.youtube.com/channel/UClcdq6bE-M6Q8UJgZpJw5ZA

INTERVIEW: Hannah Scott

INTERVIEW:

PHOTO CREDIT: Simone Lezzi 

Hannah Scott

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HER album, Pieces of the Night, is out on 22nd June…

so I have spent the time speaking with Hannah Scott about its stories and messages. She tells me how she is adapting having been diagnosed with ankylosing spondylitis; what gigs she has coming up; if she has a favourite memory from music – Scott recommends a couple of newer artists worth some time and energy.

Scott talks about Stefano Della Casa’s role in her music and how important her time in Italy was; whether she gets any time to detach away from music; what she hopes to achieve by the end of this year; the artists she counts as idols – the young songwriter ends the interview by selecting a stunning track.

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Hi, Hannah. How are you? How has your week been?

Hi! I’m not too bad, thanks. A busy week leading up to the release of my new single, Boy in the Frame!

For those new to your music; can you introduce yourself, please?

My name is Hannah Scott. I perform ‘Contemporary Folk’ music with thoughtful lyrics and a distinctive voice (so I’m told!). I work closely with my creative partner, Stefano Della Casa, and we make, tour and release all the music just the two of us.

Pieces of the Night is your album, out on 22nd June. Can you reveal the inspiration behind the album and the moods contained within?

I would say these are honest songs about the human condition and human connection in an increasingly hectic world. These are songs inspired by family, hope and self-belief. I think, on first listen, it could come across as downbeat, but I hope there are positive messages to be taken from the lyrics.

Is it true you were recently diagnosed with a form of arthritis? Has this made a big impact on how and how often you perform?

Yes. I was diagnosed with ankylosing spondylitis (impressed if you can pronounce it: I’ve only just learnt to spell it…) about three years ago. In hindsight, I should probably have taken a break to look after myself, but I’m not very good at stopping. There have been times when Stefano has had to help me up and down from the stage! He always carries all our equipment and ends up looking like a roadie rather than an artist!

I feel guilty making you type some replies! Has that diagnosis, in a sense, made you more determined, or are you a bit more selective regarding what you write?

More determined, definitely. I try to use my physical pain to drive me forwards, even though it is tough at times. I would say I am probably more selective regarding the shows I do because travel is hard on my body. In terms of writing, I think I have a new perspective, but I’m not sure I’d say I was selective regarding what I actually write.

Many commentators and media sources have complemented your arresting vocals and beautiful songwriting. Did it take a lot of experimentation to get to where you are now?

I would say time, rather than experimentation. I’ve learnt my craft by doing it over the past ten years or so; I’ve learned how to be on stage by regularly getting up on stage and learned how to write (hopefully) good songs by getting my head down and writing.

Who would you count as influenced regarding your own songwriting?

My early influences were artists such as Counting Crows, Ryan Adams; Ray LaMontagne - and I continue to listen to them today. Some of my favourite current artists include Christine and the Queens, John Smith and Foy Vance.

PHOTO CREDIT: Simone Lezzi

How important is Stefano Della Casa with regards your music and progress? When did you two meet one another?

Paramount, I would say!

We met through a mutual contact when he was first moving to London and just started jamming together - and it went from there really. It’s possible we met years prior to that though because, when I lived in Italy, I regularly passed through the train station he was working in at the time! Over the past five or so years, we’ve been working very closely; all the songs on the album have been written together and I definitely wouldn’t be the artist I am without his input and presence.

Italy is where you spend a lot of time and split your time. Is it a great country to play and create in?

Yes. I’ve been in love with Italy ever since I went there just after my A-levels and decided to change my degree course to include Italian. I lived there for a year as part of my degree and that year was so important to the choices I have made and the direction I have taken. I love spending time there, whether it’s to write, perform or just be.

Can we see you tour this year? What gigs do you have coming along?

Yes! Lots of festivals coming up over the summer. We have an album launch party on 21st June at The Nave on Bishopsgate in London and we’re also making our way north as far as Preston (Winedown, 14th June) and to Wales (Blue Sky Cafe, Bangor on 15th June). You can find more dates at my website.

What do you hope to achieve in 2018?

I’m looking forward to putting the new record out, getting on the road and meeting new people. I hope we reach some new ears with this music!

Have you got a favourite memory from your time in music – the one that sticks in the mind?

I would say one of the highlights was performing live on Radio 2 on Dermot O’Leary’s show. He had played a previous single of mine, Hurricanes, on his ‘Some Mother’s Do Indie’ feature the previous week and it went down so well that they invited us into the studio for a live session the following week.

I also feel very privileged to have travelled with my music - not only to Italy but also twice to the U.S. (with funding from PRS Foundation and thanks to a successful PledgeMusic campaign) and Germany.

What advice would you give to new artists coming through?

Play live as much as you can, write as often as you can; see it as a journey rather than a destination.

IN THIS PHOTO: IDER/PHOTO CREDIT: Lottie Turner

Are there any new artists you recommend we check out?

I’ve been enjoying listening to IDER and Talos recently - definitely worth a listen!

Do you get much time to chill away from music? How do you unwind?

Ha! Occasionally! Yoga and swimming - and the moment to try and keep my body moving…

Finally, and for being a good sport; you can choose a song and I’ll play it here (not any of your music - I will do that).

Sara Bareilles – Satellite Call. LOVE this

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Follow Hannah Scott

Twitter:

https://twitter.com/hannahscottuk

Facebook:

https://www.facebook.com/hannahscottuk/

Spotify:

https://open.spotify.com/artist/7GYb6inSvyPyZABFFI29Qt

YouTube:

https://www.youtube.com/user/Hannahscottuk

INTERVIEW: D.A.N

INTERVIEW:

D.A.N

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I have been chatting with D.A.N about…

his fantastic new track, 0300 (Human), and its nocturnal inspiration. D.A.N discusses new material and why he relocated from Northern Ireland to London; how it feels knowing his music is connecting with the public; what gigs he has lined up – I ask what music he grew up around as a child.

The multi-talented musician discusses his upbringing and bonding with music; which three albums mean the most to him; if he gets time to chill outside of music; the advice he would offer new songwriters emerging – D.A.N ends the interview by picking a pretty ace song.

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Hi, D.A.N. How are you? How has your week been?

I’m good, thanks. My week’s been pretty busy. I'm organising some upcoming things for the next few months.

For those new to your music; can you introduce yourself, please?

I’m an artist from Ireland, but I moved to London when I was eighteen. I’ve been playing and writing music since I was young – started on piano, classically, but I now create in an electronic, soulful world with a big focus on songwriting.

 

0300 (Human) is your latest single. I believe insomnia is at its heart of it. Is it based on your personal experiences?

The song is based on personal experiences - I’m definitely a person who likes staying up quite late and I think it’s in those hours when you really start to delve deep into your thoughts. The track is an admission, really, that, sometimes, I’m not totally strong and, like anyone, there are times where I break and don’t have everything together. But, by writing the song and being honest about that, it had a positive effect and it made me feel stronger.

That hour, '3.A.M.', is when we shift from consciousness to dreams. What is it about that time/mindset that compelled you to write? Is insomnia, in a way, conducive to inspiration and creativity?

I think the song’s quite autobiographical – 3 A.M. happened to be the time when I wrote it and the lyrics are the narrative of everything that was going through my mind.

PHOTO CREDIT: Cora Hamilton

What comes next in terms of material? Might we see an E.P. later this year?

There’s definitely more music happening this year…pretty soon, actually. I’ve been living with it for a while, making sure it’s the best it can be and that it feels right, so I’m really looking forward to finally putting it out.

You are Northern Ireland-raised but live in London. What is the scene like there at the moment? What provoked the move?

I moved to London when I was eighteen - I always wanted to live here. I’d been a few times when I was younger and it seemed like the best place to pursue my music and work with the people I was inspired by. It’s such a fast-paced environment that it really teaches you to focus on what you’re doing and drives you to take it to the next level. I studied Popular Music at Goldsmiths for three years, too, and there’s always lots of stuff happening south of the river as well. I think there’s pretty much something for everyone here.

Your music has proved popular with fans and the media alike. Does that (popularity) drive you forward to keep reaching and aiming high?

It definitely reinforces that people might like it, which I’m really grateful for. But, I think the main thing that motivates me is the connection people have with the songs. When someone relates to a subject that I’ve experienced or written about, it’s the best feeling because you feel like you’ve expressed something that people can share and take comfort in.

Give me an impression of the artists you were raised on. Was your childhood home a musical one?

My family wasn’t overly-musical but we definitely had our car trip favourites – it was a mixture of everything from Björk to Damian Rice to Shania Twain. I’d say I always really gravitated towards Pop music too and I loved a lot of that; artists like Gwen Stefani, Marina and the Diamonds - that kind of vibe. Then, I studied piano and violin classically until I was eighteen, which was a good discipline for understanding music in a different way; some of these traits I probably then transferred when making Pop music.

Do you have any gigs lined up? Where are you heading?

Some summer gigs are being confirmed at the minute, so I’m excited to announce those soon…

 PHOTO CREDIT: Joe Hunt

If you had to select three albums that mean the most to you; which would they be and why?

Lorde – Melodrama

I think this one of the best Pop albums. It’s so instantly gratifying on a listening level but its lyrical content is what makes it so relatable. It’s a really beautifully crafted album, too. It has intricacies no other artists ever really discuss or looks into, lines like: “I overthink your punctuation use” and “I care for myself the way I used to care about you”. A modern twist without feeling overdone. Writer in the Dark is one of my favourites on it.

James Vincent McMorrow – We Move

I really love this album because of how delicate it is, but also because it knows the right moments to swell and blow up; a lot of moods to it. I’ve been a huge fan of his since We Don’t Eat and If I Had a Boat. I think this album pushed things to a new level, too, in terms of production: it merges Pop sensibilities with attention to songwriting. My favourites are One Thousand Times and Get Low. 

Jessie Ware – Tough Love

Tough Love feels like a really sophisticated Pop record. It’s got that understated voice with really luxurious production throughout. I’m a big Jessie Ware fan, so all of the albums hold a big place in my heart. Say You Love Me is one of those perfect Pop songs. It absolutely hits the nail on the head; every line means something and has a purpose – it’s strong but entirely vulnerable at the same time, which is a quality I really love in songwriting.

What do you hope to achieve in 2018?

In 2018, I hope to keep putting out and making more music that I’m proud of, more live dates and, hopefully, reaching more people that find a connection with it too.

Have you got a favourite memory from your time in music – the one that sticks in the mind?

Being able to work with Dave Okumu has created some of the most beautiful experiences I’ve had in music  - he’s been at the heart of so many of my favourite songs, so I feel really blessed that he’s a part of mine too.

What advice would you give to new artists coming through?

Do what feels right and plan as much of it yourself as possible. Work with people who make you a better artist and who give you good energy.

 IN THIS PHOTO: Nilüfer Yanya

Are there any new artists you recommend we check out?

There’s an artist I really like called Jamie Isaac. He’s releasing a new album soon - the song, Wings, is great.

I also love this artist called Nilüfer Yanya – the track, Baby Luv, is definitely one of my favourites.

There’s an Australian artist called Alexander Biggs. Very chilled and I really love his track, Out in the Dark.

Definitely, Grace Carter. I’ve been a fan for a while, but everyone should listen to her track, Silence. It’s one of those songs I wish I’d written.

 IN THIS PHOTO: Grace Carter

Do you get much time to chill away from music? How do you unwind?

Yoga and walking are really great ways to take a step aside from everything for a while. I also love designing visuals and reading magazines (too) for inspiration.

Finally, and for being a good sport; you can choose a song and I’ll play it here (not any of your music - I will do that).

George Michael – Faith

This is one of my favourite songs. It’s one of those tracks that feels completely Pop but also discusses a subject matter that everyone probably can relate to at some stage. It’s a man being completely honest, which makes him a stronger character in the end, all at the same time making you feel great and helping when you listen. A genius Pop song.

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Follow D.A.N

Official:

https://www.danmusic.co.uk/

Twitter:

https://twitter.com/dan_online

Facebook:

https://www.facebook.com/danonline95/

Instagram:

https://www.instagram.com/dan_online/

Spotify:

https://open.spotify.com/artist/6CtWl0QypaiAQ0XbMe3CMa?si=-0Bo8XFmTl6vCS6e53IYWA

YouTube:

https://www.youtube.com/channel/UCv_O5b-VxuGEb54Pn5xUblw

FEATURE: We Are United: The Mental Health Awareness Week Playlist

FEATURE:

 

We Are United

ALL PHOTOS: Unsplash 

The Mental Health Awareness Week Playlist

__________

THIS week…

is an important one we should all mark. It is Mental Health Awareness Week and many people are reflecting and sharing their story. I am one among the millions affected by a mental-health problem: so many people have to live through a daily regime of anxiety, stress and depression. The subject and nature of mental illness is a spectrum that many people misconstrue – it is not as simple as someone being ‘depressed’. We cannot treat mental illness as a binary thing in 2018! Even though, for many, talking does little to resolve the enormity of their burden; there are options out there but the solution is a lot more challenging than most assume. There still is a stigma attached to mental-health and fighting illnesses like depression. This week is intended to help those who are going through bad times and raise awareness of a problem that is growing larger and more severe. Organisations and charities like the Samaritans are available to talk to and are free-of-charge. Music is there for people and a way of coping with the worst sides of mental illness. I have compiled a list of songs that either address mental illness or lift the mood – designed to, at least. It is important, as the week goes on, to keep the message alive and use the hashtag #MentalHealthAwarenessWeek. There is not an easy and quick answer to the epidemic of poor mental-health but the more we raise awareness, the quicker we will be able to…

SOLVE the problem.

INTERVIEW: Auld

INTERVIEW:

Auld

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THE music industry needs more artists…

like Auld right now. I have been speaking with him (Thomas Pitts) about his sound and what he can reveal regarding his new song, Bugs in my Gut. He explains why he chooses to be genre-fluid and unlimited; how it felt seeing the positive reaction to his E.P., Curriculum Vitae – I ask whether there will be any gig dates approaching.

Auld talks to me about albums that mean a lot to him and his musical tastes; whether there are any new artists we should look out for; what we can expect from one of his live shows – he ends the interview by selecting an impactful and emotional song.

___________

Hi, Auld. How are you? How has your week been? 

Hello. I am pretty good; thanks very much for asking. I’ve just had a meeting with the new ‘Auld’ mascot. I am yet to get a manager or label so I’ve settled for a mascot. What he lacks in industry contacts and know-how he makes up for in morale-boosting. 

For those new to your music; can you introduce yourself, please?

My name is Thom and I am Auld. I make brooding, Electronic; Alternative, Indie-Pop.  

If applied accurately, each song should make you wanna dance and make you wanna cry; ideally, at the same time.  

Your music is genre-fluid and wide-ranging. Do you think too many artists are restrictive and narrow when it comes to their sounds? Do artists need to be a bit broader with their music? 

I can’t say what other artists should do with their music. I’ve always tried to be different because that’s what excites me and I’ve never been very good at copying what others do. That’s why I’d be rubbish in a wedding band - I hear that’s where the money is though…

Can you tell me about Bugs in My Gut? What is the inspiration behind it? 

My mascot will tell you It’s about being a sh*t person that wants so much love and respect from people but gives so little back to the world. 

I would tell you it’s about social anxiety. 

Your E.P., Curriculum Vitae, is out there. Have you been pleased with the response to it? What was it like putting it all together? 

I’ve been very pleased with it. It’s the best work I have done and it has had some very lovely write-ups. It was a pleasure to create. Writing is my favourite part of the whole process and trying new and different ways to structure songs is something I am finding very exciting now…I don’t get out much  

Did music come into your life early? Which artists struck your tender ears? 

My earliest music memories are listening to Bruce Springsteen and Tom Petty in the car with my parents on the way up to Scotland. It must have been when I was about five or six and I don’t have the greatest memory as a rule, but I remember that very vividly.  

It was when I was obsessed with the Spice Girls that I started writing songs. They were nearly all Pop bangers and they were about Boy Power and boys’ rights.

I was ahead of my time… 

Do you already have more material brewing? How far along are you looking? 

I am currently recording two E.P.s, which will make a full album. The album will be out by the end of the year. The first E.P. should be out by July. It’s not as electronic as this E.P: it’s gonna be a full band set up like they did in the early-noughties. 

Can we see you tour this year? 

October is tour time.  

What gigs do you have coming along? 

Just doing some acoustic gigs over the next few weeks and looking for London shows for when the E.P. is out. 

What form do your live shows take? If we wanted to come along and see you play; what might we see and experience? 

We have been playing full band recently. There are six of us. We try to make it just on the edge of uncomfortable viewing so people stay interested. 

When it’s too difficult to get the band to join me, I play solo with samplers and guitars and synths. I just try to look as busy as possible. 

What do you hope to achieve in 2018? 

My main aim is to just get the music out there to as many people as possible. If I could start paying the rent with my music then that would be a good start.

I’ve got to get better at the whole social network game, as just having really amazing, superb songs aren’t enough anymore. This is why I have brought in a mascot/sponsor/marketing man to help me. 

Have you got a favourite memory from your time in music – the one that sticks in the mind? 

Someone once said my stage presence seemed quite ‘threatening’. I’m one of those boring people that people describe as ‘too nice’, so it was a dream come true to come across as threatening. 

Which three albums mean the most to you, would you say? 

The first three that popped into my head were:

Arcade Fire - Funeral

Franck Ocean - Blond(e)

Tom Waits - Rain Dogs 

Rain Dogs always comes to mind whenever a question like this comes up and Funeral has definitely had the biggest impact on me over the last ten years or so; more than any other album. Blond(e) I choose because it’s the only album I’ve had downloaded to my phone for the last year and a half and the album as a whole is beautiful and unpredictable and, after a year and a half of listening to Nights and White Ferrari, I still get shivers of joy every single time. 

What advice would you give to new artists coming through? 

Don’t eat meat.

Be the best.

If you become successful, always remember your old pal ‘Auld’.

IN THIS PHOTO: High Hazels

Are there any new artists you recommend we check out? 

We supported the High Hazels a couple of weeks ago. They are from Sheffield and they are beautiful: if Beach House were four lads from Sheffield then that is High Hazels. I hope that’s a compliment it is meant to be…

I am also very excited for Self Esteem’s album. It’s Rebecca from Slow Club’s solo project. 

Do you get much time to chill away from music? How do you unwind? 

When I’m not doing music, I’m working any job I can get to pay for rent and recording. 

I’ve worked at every tourist attraction in London and I’m now doing some office work, just to get that full nine-to-five horrible commute experience I’ve heard so much about. It’s all good inspiration though. 

Finally, and for being a good sport; you can choose a song and I’ll play it here.

Frightened Rabbit - Fast Blood 

A superb songwriter, a beautiful human and a huge loss.

____________

Follow Auld

Twitter:

https://twitter.com/Auldmusic

Facebook:

https://www.facebook.com/auldmusic

Instagram:

https://www.instagram.com/auldmusic/

SoundCloud:

https://soundcloud.com/auldmusic

YouTube:

https://www.youtube.com/channel/UC9iXFMo5nITnEZ2t5MSsQeA?view_as=subscriber

INTERVIEW: Madison Ryan

INTERVIEW:

Madison Ryan

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SHE is a teenage star-in-the-making…

who is turning heads in the U.S. I have been learning more about Madison Ryan and her debut E.P., Primary. She tells me about the scene in Harrisburg, PA, and which albums influence her most – I ask whether there will be any tour dates coming and if she will pop by and see us in the U.K.

Ryan tells me when music came into her life and what advice she would give to new artists; if there are any artists she recommends we check out; how she spends time away from music; what she hopes to accomplish before the end of the year – Ryan selects a rather quality track to end the interview with.

___________

Hi, Madison. How are you? How has your week been?

Hello! I’m doing great, thank you! My week has been pretty relaxed and slow so far. 

 For those new to your music; can you introduce yourself, please?

My name is Madison Ryan. I’m eighteen-year-old Pop/Rock artist from Harrisburg, PA! I just released my debut E.P., Primary. 

 

What can you reveal about your E.P., Primary? Are there consistent themes and ideas that inspired the music?

This record is me in a nutshell.

A lot of the themes on this E.P. have to do with relationships; not just romantic ones but ones with myself, my peers and my goals. I chose to call the record 'Primary' because this is my beginning. It’s such a strong and bold word to me and I really wanted to capture that vibe with all the songs and the E.P. as a whole.  

Was it a good experience putting it all together? Are you excited to get it out there?

It was such a great experience putting it together. I learned a lot about myself, not only as an artist but as an individual as well. It’s definitely been a long time coming and I’m so excited to finally be able to share it with the world. 

You are from Harrisburg, PA. Is the area quite busy in terms of music – or is it difficult getting your voice heard?

I’d say Harrisburg has an up-and-coming music scene. It’s pretty small but I love that: everyone knows everyone and we all work together as fellow artists. It’s really cool to have a community of artists that feels like a family. 

When did music come into your life? Which artists influenced you to write your own stuff?

Music has been in my life since before I was even born. I grew up in a musical household; it was always present. I’ve been influenced by so much over the years. To pick one main influence that inspired me to write my own music, it would definitely be Taylor Swift. I always admired how she told stories through her songs and could describe things so perfectly and cleverly. 

Can we see you tour this year? What gigs do you have coming along?

At the moment, I have nothing lined up tour-wise. But, I do have a packed summer! I’ll be playing SummerFest in Milwaukee this July as part of the Emerging Artists Series on the Johnson Controls World Stage as well as some other cool festivals and hometown shows. 

Might you come to the U.K. and see us here?

I would LOVE to come to the U.K. It’s on my bucket list! 

You have played some great festivals and dates so far. Do you find yourself growing in strength with every performance?

Each show is a definitely a learning experience. I grow each time, mentally and physically. After every show, I look at how I can make it better for myself and my audience. 

What do you hope to achieve in 2018?

In 2018, I hope to write more, play as many shows as possible and continue to grow as an artist and as a person. 

Have you got a favourite memory from your time in music – the one that sticks in the mind?

My favorite memory so far was seeing Primary chart on Billboard. I never thought that was possible and I’m so grateful for all the opportunities I’ve been given. It’s truly humbling. 

Which three albums mean the most to you, would you say?

Abbey Road by The Beatles, 1989 by Taylor Swift and Mister Asylum by Highly Suspect

While these three albums don’t have much in common with each other, they have influenced my songwriting so much. These have stuck with me over the years. I can listen to these albums front-to-back, nonstop and never get tired of them. As a songwriter, that’s something I hope to achieve someday. 

What advice would you give to new artists coming through?

To new artists, the most important thing (as cliché as it sounds) is to never give up. There will be so many times, at the beginning especially, where you just want to throw in the towel. But, it’s all worth it. The highs, the lows…everything. Never stop working hard and always be kind. 

IN THIS PHOTO: The Aces

Are there any new artists you recommend we check out?

I’m really into this new girl group right now called The Aces. I’ve been listening to them a lot lately. Definitely, check them out! I’m also really digging Tove Styrke lately. She just released a new album and it’s amazing. 

IN THIS PHOTO: Tove Styrke

Do you get much time to chill away from music? How do you unwind?

Music is my life, even when I’m unwinding I’m always still thinking about music or at least listening to music. But, if I do get time to relax, I’ll usually just wrap myself in blankets and binge-watch Netflix shows while drinking coffee. 

Finally, and for being a good sport; you can choose a song and I’ll play it here (not any of your music - I will do that).

Hard Feelings/Loveless by Lorde!

____________

Follow Madison Ryan

Official:

https://www.madisonryanmusic.com/

Facebook:

https://www.facebook.com/madisonryanmusic

Instagram:

https://www.instagram.com/madisonryanmusic/

Twitter:

https://twitter.com/MadRyMusic

Spotify:

https://open.spotify.com/artist/5XkeErjiTIPdC0flcUEdIx

INTERVIEW: Alex Dingley

INTERVIEW:

Alex Dingley

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I have been aware of Alex Dingley's music for a while...

so it was cool to chat with him about the track, Not Alone in the Dark. He tells me about his lauded album, Beat the Babble, and releasing it in the U.K. through Libertino Records; what it was like travelling to the U.S. to record it - he reveals his favourite song from the album.

I ask Dingley what it was like working with Cate Le Bon on that record and what comes next; the musicians he counts as idols; whether there are going to be any gigs coming up; whether he gets time to unwind away from music - he selects a couple of new acts to get behind. 

___________

Hi, Alex. How are you? How has your week been?

Great thanks. SUNNY. I think I may have heatstroke!

For those new to your music; can you introduce yourself, please?

Hello. I'm Alex Dingley.

Not Alone in the Dark is out and about. I have heard the song. Can you reveal the story behind it?

Ummmm. I'm probably the last person you should ask...

I can lose track of where songs come from and my writing process can get quite convoluted before I filter it down again. I guess that one possible answer (of many to this question) is that I'd been watching a lot of Twin Peaks and went down a David Lynch YouTube rabbit hole; ending up where he was talking about his meditation and where thoughts come from; how they start off as 'a feeling' and bubble through the subconscious as garbled strands of half-formed mental data (I'm desperately paraphrasing here); being filtered by memory/experience/ego before emerging in sharp focus as an idea that can be expressed.

I had a notion of writing a song using these principles as a kind of lyrical template. Not necessarily THIS song but, in the end, the song and the idea fitted together. My theory was always that the 'feeling' of the song needed to be strong enough to carry the idea. Whether it worked or not, I guess isn't for me to say.

It is from the album, Beat the Babble. Birth Records put it out in the U.S. How come it is only now getting a U.K. release (via Libertino)?

Sometimes, we're all just drifting on the sea waiting to get caught by the right wind!

Is there a cut from the record that stands out to you?

If I Asked You to Dance. Everything was live, nothing was added; nothing was taken away. It’s just the sound of those people (Cate, Tim and myself), in that room, on that day and at that time. It's like a photograph. For this reason, I find it very evocative.

Tell me about Cate Le Bon’s involvement in the album? How did you come to meet her?

Cate and myself come from the same area of Wales. She's one of my oldest and dearest friends. She's so busy these days that doing something professionally together is the only way I get to see her.

You travelled from Wales to the West Coast of America to record it. What was that experience like? Why did that part of the world speak to you?

I felt that, if making the record was an adventure, then I'd make a better record. San Francisco was the adventure. I'd been a big fan of Kerouac, and his descriptions of California are so vivid and tangible. It was a thrill to be in the land of so many of my favourite books. We were in a place called Stinson outside San Francisco and the coastline was just jaw-dropping and so primal. I kept expecting to see a pterodactyl fly out from behind the trees.

On my day off from the studio, I went hiking through the Redwood forests, which led all the way down to Muir Woods. There were signs along the path warning you to make noise as you walked so that you wouldn't surprise a Mountain Lion out in the open – in which case, it could turn on you. I didn't take any chances and walked through this beautiful, giant; primaeval, empty forest singing nonsense at the top of my voice and clapping my hands. I passed a couple of old walkers who thought I was demented. I don't think I've ever been so happy!

There are various influences working in your music? Do you have particular musical heroes and early memories of experiencing music?

Ummmm. I dunno. For some reason, I find it hard to settle on a musical hero for any length of time. I think it's because it can be such an ephemeral medium and, possibly, gets distorted by fame more than any other art form. Today, though, it's Vivian Stanshall, Tom Waits; Graham Coxon and Euros Childs. One of my earliest childhood musical memories was listening to Lola by the Kinks and having that dawning moment of realisation about what it was on about! It felt like a rite of passage into a more adult world.

I’ve always loved music that promises to reveal some important secret to you. It gets harder to find as you get older, but it's still out there.

Do you think there will be any more material coming later in the year?

Hope so. There's an album clanking around in there somewhere. I just need to get it out.

Can we see you tour this year? What gigs do you have coming along?

The album launch is in Cardiff on 16th June. We're going to be putting some more dates together. Keep an eye out at the Libertino webpage for details as they come in.

What do you hope to achieve in 2018?

Learn to speak Welsh. I go to classes. I'm getting better!

Have you got a favourite memory from your time in music – the one that sticks in the mind?

Oh, God! There's a question. Most of my favourite moments wouldn't mean much to anyone else. One of my happiest memories is sat in the back seat of a car with the sun coming through the window on the way to a gig, and another adventure with Ween blasting out through the stereo. All excitement and possibilities!

I'm still a sucker for those feelings of togetherness that you can get from playing music with other people. I'm very lucky to have met so many amazing people through music.

If you could support any musician alive today, and choose your own rider, what would that entail?

HA HA! This is one of those 'fantasy' questions yes?! I'm afraid I'm not very good at these. I've never bought into the nostalgia gig scene. My favourite time to see an artist is just before they reach their peak; when they're still pulling up trees to get there and it's exciting for everyone. You get to see them in better, more intimate venues too. Things get so sanitised and impersonal in those big places.

My favourite new album of the last year was Baxter Dury’s Prince of Tears, so I guess I'd love to support him to hear that record live. I don't really care much about a rider (red wine/olives/pistachios/bananas for luck) - what I'd really love is to have someone drive me to the gig, set up my gear; pack me up afterwards, drive me home and break the infernal cycle of carrying amplifiers up and down stairs!

What advice would you give to new artists coming through?

Don't listen to anything I say: I'm the worst person to give advice.

If you asked me again, though, and really pushed me, then I'd probably say:

As far as I can tell, every doubt about your own ability, about the worth of what you do; about the point of it all has been shared by pretty much every creative person, in every creative medium throughout the whole of mankind’s creative history. Keep at it.

IN THIS PHOTO: Accü

Are there any new artists you recommend we check out?

Accü is amazing. She’s also found a home for her new record at Libertino. We're all a bunch of mongrels, really.

Farm Hand is great, too. It's Mark from Islets’ solo project. It's really interesting stuff. His gigs are always so incongruous. I love it!

IN THIS PHOTO: Farm Hand

Do you get much time to chill away from music? How do you unwind?

I think that music probably IS the way that I unwind. I take my frustrations and pent-up aggression out on a guitar or a piano. My house is full of half-destroyed instruments. The angry sessions can be the most fertile, because your brain turns off and your subconscious takes over. Otherwise, I like to read. My favourite thing is to find an author that I like and to read everything they've done. Cate introduced me to Kurt Vonnegut last year and I've almost finished his novels. Next up are his collections and short stories.

H. Hawkline introduced me to Richard Brautigan the year before that and I did the same thing with him. Brautigan shot himself in Bolinas, which is the community next to Stinson where we recorded Beat the Babble. The people in Bolinas were known locally for being reclusive and they must have been so PISSED at a world-famous author killing himself in their town.

Now, they're known GLOBALLY for being reclusive! They keep ripping down the road signs which, at one time, must have made it a difficult place to find. I don't think it's such an issue now people have sat nav on their phones...

Finally, and for being a good sport; you can choose a song and I’ll play it here (not any of your music - I will do that).

Thank You! I'd like to choose Corner Shops from Cate (Le Bon) and Tim Presley's (DRINKS) Hippo Lite album

Many Thanks!

____________

Follow Alex Dingley

Official:

https://www.dingleydingley.com/

Twitter:

https://twitter.com/beatthebabble

Spotify:

https://open.spotify.com/artist/75qX48HI3ci503BmaSxgZc