FEATURE: “I’m Here Because…” The Power of Film and T.V. in Regards Discovering Music

FEATURE:

 

 

“I’m Here Because…”

ALL PHOTOS/IMAGES (unless credited otherwise): Unsplash 

The Power of Film and T.V. in Regards Discovering Music

__________

THE quote above is what you see endlessly…

when accessing your favourite songs on YouTube. We are spared the sentence on Spotify and SoundCloud but, with the comments enabled, you get to hear those three words all the time (on YouTube)! I used to get angry about the fact and get irked by people’s rather lazy discoveries. If, say, I was looking at a video for Michael Jackson or a Jeff Buckley song; the recent comments would be filled by people saying they were here (at this video) because they heard it on T.V. My normal reaction used to be a mix of derision and annoyance – why do people only discover great songs when they hear them on films and T.V. shows?! I have to confess I have not discovered a lot of new or older music through watching shows/films but I have reversed my attitude regarding others doing so. If there are great tracks that are not being promoted by Spotify and other outlets then how are people going to hear them?! There are only a handful of radio stations that play an eclectic mix and people tend to get settled in their ruts and routines. I have my tastes and preferences and I need to get out of that habit. I listen to BBC Radio 6 Music and BBC Radio 2 and, whilst I get to experience some great new releases; I wonder whether I am being as broad and explorative as possible.

I miss the days when I could have my eyes opened and find a song that is new to me – maybe one that has been around for decades. That thrill is hard to find but it does happen and then. I am not going to go to lengths and comment on YouTube but I am discovering songs from new dramas and comedies. Whether it is watching a new U.S. comedy or a drama on British T.V.; I have unveiled a few songs that are new to my mind. I rely a lot on radio and the Internet but, without a formal and visible music T.V. presence, I wonder whether music played on T.V. shows and film is the new music television. Great films can boast great soundtracks. I discovered a lot of new songs (new to my mind) through the Baby Driver score. Directed (the film) and curated by Edgar Wright; there were tracks on there that were new and some I had forgotten about! The fact I had not heard these songs on the radio made me a bit worried. I guess you cannot hear everything and catch each brilliant song but there used to be a time when stations like MTV and VH1 would introduce older songs to young listeners and play the latest hits. There are chart shows on music T.V. but they tend to be very niche and particular – the BBC Radio 1-listening audience and those who like their commercial Pop.

I know there are some good music shows on T.V. but it is hard to find. I also know there are some great new Pop artists emerging and some brilliant Folk acts; brilliant Hip-Hop innovators from the 1980s and 1990s that I am either unaware of or need to keep in my pocket. In fact, T.V. shows set in particular time periods can open up a soundtrack and give free license for producers and directors to go nuts. I often argue that we need music-based T.V. shows and dramas on the air. How often do we see shows set, say, at the birth of Hip-Hop or during the 1990s? A great film about the 1970s’ complex and rich music scene would be great to watch but introduce so much terrific music to a variety of ears. Radio is the most viable and popular choice for those who love finding new music but, as I say, we often do not switch between stations and get a full view of music’s tapestry. So many classic tracks never had music videos made so T.V./film can bring them to life in a way listening to an album cannot. The only problem I have with music on T.V. is when it is used for advertising. One might say there is no practical difference between using a song to score a dramatic scene or one used to sell a credit card.

I would look at those words and disagree! There are very few adverts, ever, that are classy and memorable – music, good music, should be left out of advertising and I wonder why some artists agree to have their songs used. Every year, we see a spate of Christmas adverts with horrible cover versions of great songs (usually by thin-voiced female artists). I wrote a piece about this theme last year and explored soundtracks and shows.  The reason I am revisiting the subject is (because of) the way we digest music and consume songs. Music T.V. is a dying force and new artists often struggle to get onto the radio. Streaming services usually promote the biggest artists and do not focus a lot on lesser-heard artists and older musicians. The only other way we can get a good musical education is through radio or word-of-mouth. Many of us are watching T.V. and film more than listening to the radio so it seems like a brilliant platform. I am against music in advertising but I feel there is a huge opportunity for brand-new artists and classic icons to get their music heard by new generations. I am frustrated sites like YouTube do not have an organised way of compiling playlists and opening our eyes – it is all about marketing and promoting newcomers/mainstream acts.

Whilst I object to the rather tiring way certain YouTube videos have that inevitable phrase – “I’m here because…” – the fact people are discovering music through T.V. and film is good. Since my last piece, things have not really changed that much. For many younger people; film soundtracks especially are an invaluable and accessible way of diving into a scene they are not aware of. It is much more palatable and potent having a 1980s soundtrack being accompanied by visuals and fantastic acting. Rather than get them to listen to the same songs on their phones or laptops; cinema brings them to life and can change the course of their listening tastes. This article looks at films such as Clueless and how they can define a decade (in terms of their themes and messages) but have no limitations regarding music and the soundtrack:

“Another perfect distillation of American class consciousness, teen romance and youth culture – with an Austenian twist – Clueless reinvigorated the teen film genre and its genre-spanning soundtrack covered all the scenes of the decade, including alt.rock, pop, rap, ska and retro covers (though, noticeably, no grunge). The platinum soundtrack is stacked with Capitol artists (thanks to a famous $1 million advance from the label) that includes Counting Crows covering The Psychedelic Furs’ ‘The Ghost In You’, Luscious Jackson, pop-punks Smoking Popes, Coolio (who’d been enjoying a soundtrack boost from the film Dangerous Minds) and even a nod to the Britpop phenomenon at the time with teen anthem ‘Alright’, by Supergrass”.

Certain film directors have defined decades and helped bring new music to millions. To me, there is nobody better at that than Quentin Tarantino:

“If John Hughes was the grand architect of 80s film soundtracks, then Quentin Tarantino was the auteur of 90s soundtracks. How else do you explain Harry Nilsson’s ‘Coconut’ being in regular rotation at college parties in 1992? Based on his filmography, it’s clear Tarantino was not only a careful student of classic cinema but also of classic albums. In this way, he owes more to Martin Scorsese than John Hughes, picking up the former’s knack for finding a classic song, only to completely redefine its meaning through its – often grisly – use on screen. 

As Tarantino explained in the liner notes to The Tarantino Experience: Ultimate Tribute To Quentin Tarantino album, “When I have an idea for a film, I go through my record collection and just start playing songs, trying to find the personality of the movie, find the spirit of the movie”.

The same article talks about directors such as Wes Anderson bringing music to the masses in the past decade or two and current directors like Edgar Wright proving to be golden curators. As the above-quoted article goes on to say; streaming services have transformed the role of film soundtracks:

“When the physical soundtracks market started to dry up in the 2010s, music supervisors and labels no longer had the big budgets to commission original songs. Enter streaming services and the resurgence and redemption of film soundtracks. With the right synchronisation license, older and current artists get to simultaneously introduce their music to a new set of fans and have moviegoers explore their wider discography. Just in 2017, the classic rock-driven Guardians Of The Galaxy Vol.2 soundtrack became the first soundtrack album made up entirely of previously released songs to hit No.1 on the Billboard charts”.

I have been listening to film soundtracks such as Grease and Saturday Night Fever and, between them, getting a taste of the 1950s/1970s and Disco. Grease’s vibe is more 1950s Rock ‘n’ Roll mixed with some 1970s winks whereas Saturday Night Fever is a pure Disco fest. Listening to soundtracks, after watching the films, makes me explore music made around the time the films were based. Maybe film is more powerful when it comes to music and opening minds but T.V. is important. A lot of us do not go to the cinema so services like Netflix and Amazon Prime let us see great and new T.V. shows from America. Without knowing it, we will see a great scene unfold and listen to a song that is fresh to us. We can pause the show or bring up the name of that song on the screen. Before long, we have that song in our mind and, because of that, we look in another direction and broaden our scope. I find radio stations are great but T.V. and film are a lot more eclectic and less limited. Filmmakers can dip into the musical world and bring that to people around the world. Maybe the YouTube cliché comment is grating but, if people are discovering music through film and T.V. then that can only be a good thing. I have discovered plenty of great songs through films but not so many through T.V. Alas; I am determined to keep my mind open and wait for the moment something brilliant arrives on the screen. When I do, I will go to YouTube and add that song to my rotation but I will resist the temptation to say…

IMAGE CREDIT: Getty Images

“I’M here because…”.

FEATURE: The 1990s in Modern Music: Pure Nostalgia or Genuine Progression?

FEATURE:

 

 

The 1990s in Modern Music

ILLUSTRATION CREDIT: LOZMULHEARN 

Pure Nostalgia or Genuine Progression?

__________

MAYBE neither of those words apply to why…

ILLUSTRATION CREDIT: Jack Dylan for Pitchfork

the 1990s is coming back in force to music. I am inspired by an article from The Guardian that asked why Britpop is back on the scene. That movement, to me, seemed to define a time when British music was at the forefront of the international priority list and bands such as Oasis and Blur were spawned and there was a lot of hope in the air. There are some, mind, who feel Britpop was shambolic:

“That's a grotesque simplification, of course. But it's also fitting, because a grotesque simplification is what Britpop became, a collection of lowest common denominators that ended up setting music back: a slavish devotion to a set of signifiers that included 60s music, mod fashion, football, and intoxication. None of those are bad things in isolation. But put together they resulted in a generation of bands and fans who resembled nothing so much as a parody of the football hooligans of a generation before. The racism of the hooligans was verboten, but the sense of Little England loomed large. While literal flagwaving – Noel Gallagher's union jack guitar aside – was a rarity, the concentration on Britishness in lyrics, dress, attitudes was at odds with British pop's historic magpie internationalism. Everything that made inspirations such as the Kinks or the Beatles interesting – their borrowings from black culture, filtered through suburban English eyes, or their wide-eyed sense of exploration – was left undigested”.

Maybe things were not as heady as when The Beatles and The Kinks ruled music but there was a unity and patriotism; a feeling the country was on the same page and the music coming from Britpop was genuinely world-class. There is a reason why we have an appetite for reformed bands like Cast and James (who have been going all this time so I can’t really say they are reformed). Earlier this month, Cool Britannia ran and it is a festival that brought together 1990s stars such as Space and Dodgy. The punters got to belt out hits they grew up with and the dance tent at the festival features a lot of legends from back in the day. Many might say the festival is nothing more than nostalgia and trying to relive the past but, given the reception and popularity of Cool Britannia; I feel this will lead to some movements and changes in music. The article I mentioned at the top of this feature brought together Cool Britannia organisers, Davis Heartfield and Jack Gray: Gray spoke about the 1980s and how many bands from that time are coming back:

“If you go back to the 80s thing, when Rewind started, Martin Fry from ABC or Tony Hadley [from Spandau Ballet] were playing small venues,” he continues. “Now they’re doing the Royal Albert Hall with an orchestra. I now want to give that platform to these [90s] artists”.

Bands like Sleeper vowed never to record another album and go back on the road but, after only a few gigs, they found themselves heading for the studio – it seems like they are back on the rails and embarking on a new creative phase.

This idea of reformation, as The Guardian explains, is more than a novelty – people have a definite fondness for the 1990s bands and new generations are turning onto their hits:

“It is clear that the era’s bands are indeed reforming or reactivating their recording careers to a noticeably warm reception. Last year, Shed Seven’s first album since 2001, Instant Pleasures, was critically well received and made the Top 10; Embrace reconvened after a lengthy sabbatical from recording in 2014 and both their subsequent albums debuted in the Top 5. “Our fanbase is amazing – they’re just so loyal,” says the band’s guitarist Richard McNamara, while waiting for his band’s turn on the Cool Britannia stage. “We’ve always been kind of the underdogs – we never really got the recognition that they all think we deserved – so that sort of magnetises them to us a bit more”.

The need to retreat and find comfort in solid bands with great hits during troubled times is understandable. We have dispensed with the flag-waving and jingoism of the 1990s but have retained a lot of the stalwart bands. Maybe Oasis will not reform but Blur are still (just) going; Ocean Colour Scene and The Bluetones are still playing and there are countless artists who were popular during the decade still going today. It is obvious why many are returning to the 1990s and want to bring the music back: it was a time when the country was still together and we did not have Brexit, Trump and all the other sh*t we have to deal with right now. Maybe there is escapism, in some part, but it is not mere nostalgia.

IMAGE CREDIT: Getty Images/Rex

Bands are not as popular and evident as they once were and music has changed drastically. Whether you like modern Pop and Indie; it is clear we have fewer iconic artists and sounds that remain in the head and have the potential to last for decades. I grew up listening to all the Britpop magic but was obsessed by the Dance music of the time. The bangers back in the day – everyone from The Prodigy to Urban Cookie Collective – filled my ears are still with me today. I listen to the equivalent today and do not hear anything as fresh, varied and long-lasting – maybe it was a sign of the times or technological development means we will never hear Dance that good again! Look at all the classic albums from the 1990s and we still take guidance from then today. Not only are festivals like Cool Britannia bringing in 1990s die-hards and new generations but modern artists are keeping the era alive. I hear shades of bands like Oasis and The Verve in modern artists; the best Pop and Dance of the time is being mutated and moulded into a 2018 template. Listen to what is happening in music and you cannot escape the fact the 1990s is back – maybe it never went away! For some, there is that need to escape from what is happening now and recognise a time when they felt safe and the music was of the highest quality.

IN THIS PHOTO: The Prodigy in the 1990s/PHOTO CREDIT: Getty Images/Rex

Britpop was all about the pride of Britain and celebrating some terrific sounds. I guess the Union flags and some elements of the movement were flawed and are best left in the past but you cannot deny the sheer quality and innovation of the 1990s. Britpop alone seemed to be the last time we had working-class bands at the forefront and shining bright. There was chart jostling between Blur and Oasis and Britpop outsiders – not quite as mainstream as the big guns – were dropping fantastic albums and classy anthems. You had the great Dance and Electronic songs; the Grunge movement and American guitar music. Check out the critics’ choice of the 1990s’ best albums and the brilliance you get is eye-watering. Pop legends like Michael Jackson, Madonna and Prince were entering new phases and producing great work; we still had Top of the Pops and music T.V.; MTV was still going and music magazines could be bought and digested. Music, in many ways, was much more human, involving and connective than it is now. We discussed the bands of the day and swapped cassettes/C.D.s around school. We could read a music magazine and read the latest news and watch the artists of the day bringing their hits to T.V. I hope 1990s festivals and the big bands recording new material leads to a change in the industry.

There is some great music being made now but there are definite holes and gaps that need to be filled. The lack of working-class voices at the top is one. We do not have the same sort of bands as Pulp and Oasis that were talking about society and life as we know it – maybe IDLES are replacing them but there are few other bands supporting them. I look at Club music and Dance tracks and there is nothing that spikes the mind. Given the fact that the nation is in a poorer state and we are more divided than ever; a revocation of the 1990s would not be a bad thing. Perhaps the iconic bands that are reforming and playing cannot spark that revolution themselves but they act as a guide to new bands and musicians coming through. Whether it is the Dance music scene retuning and improving or a swarm of great bands providing anthems and nation-uniting songs that will be remembered for years, I know something needs to be done. I mentioned how I can hear the 1990s in modern music and it is true the decade has never really gone away. I interview artists all the time and they often name-drop bands like Oasis as fountains of inspiration; others are drawn to Grunge and artists like Nirvana and Pearl Jam (more Alternative-Rock than Grunge I guess!). In terms of quality, the 1990s was far stronger than this decade and the '00s and there are a lot of lessons to be learned. Ironically, embracing a decade whose pop culture and music have stood the test of time and provided so much joy might be the way to…

IN THIS ILLUSTRATION: Noel Gallagher/ILLUSTRATION CREDIT: Biggi De

PUSH modern music forward.

INTERVIEW: Abraham Brody

INTERVIEW:

Abraham Brody

___________

MY final interview of the weekend is with Abraham Brody…

as he talks about his new single, Judith. I ask what the story behind the track is and what we can expect from his album, Crossings. The songwriter tells me what he hopes to achieve before the end of the year and, as an American-Lithuanian, what the music scene is like in Lithuania.

Brody now resides in Iceland so talks about the music vibe there; whether there are any tour dates coming up; the albums that are most important to him – he selects some rising artists we should get behind.

__________

Hi, Abraham. How are you? How has your week been?

I am fine! Currently in Reykjavik where it is a sunny 10 ºC.

For those new to your music; can you introduce yourself, please?

I am a singer, composer and multi-instrumentalist. I work with various influences: Electronic, contemporary Classical and Folk - and I like to layer these into my compositions.

Your single, Judith, is out. What is the story behind the song?

This song takes an ancient Lithuanian melody as inspiration and transforms into my own lyrics in English. I was thinking of breaking social norms. I dearly love Lithuania and they have come a long way since their independence from the Soviet Union in 1991 but the society is still too male-centric and hetero-centric for my taste. I wanted to tell an abstract story with this song.

It is from the album, Crossings. Are there particular themes and ideas that inspired the work?

The new album is coming out in November.

Unlike my previous work which mainly coming from the Lithuanian folk tradition (albeit Judith is the only song on the new album in Lithuanian!), the new album deals more immediately with my own life, relationships and experiences. The songs speak a lot about the relationships of our time, the transient-fleeting nature of how we often interact with others and the mythologies and mysterious of our own contemporary time.

I was listening a lot to Susanne Sundfør’s Music for People in Trouble, Antony and the Johnsons’ Cut the World, and Anna von Hausswolff’s Dead Magic while I was in the process of creating this so they were big influences.

You are an American-Lithuanian artist. What is the music scene like in Lithuania?

It is very vibrant. There are an incredible number of talented Lithuanian artists of all genres. We also have a deep history of folk traditions. Lithuanian has certain ritual songs that are still performed and were deemed by UNESCO as the oldest in Europe. So, it’s a mixed bag! But, I did feel that, while I love Vilnius (the capital) and the scene there, it was a bit too limiting - that is why I moved to Iceland. Although it’s a tiny country, the Icelandic music scene is one of the most creative and innovative I have ever seen.

Did music play a big role in your life as a child? Was the household you grew up on music?

Yes. I started playing the violin and piano first when I was six. I never stopped after that. My father was a Jazz pianist, so we also had a lot of music around and he taught me how to improvise. My mother is a writer and poet so I think her influence was more on the singing/lyric writing side of my work.

Your compositional skills have seen you compared to the likes of Björk. Are you flattered by such comparisons?

Very. I am not sure if that is true!

What do you hope to achieve by the end of 2018?

Along with finishing the new album, Crossings, I am working on a really exciting project with the string quintet Wooden Elephant; arranging all of my new songs with them. They are renowned for using very unusual techniques like milk frothers, vibrators (!); bells, wine glasses and percussion on their instruments to create a whole huge sound world. Their arrangements of Björk and Radiohead using only their wooden instruments is groundbreaking I think.

I hope to tour with them and grow this project - which starts at the London Jazz Festival in November. They are so rewarded to work with. I also hope that in Iceland I can absorb a lot of music here and maybe further develop my style in more electronic directions.

Have you got a favourite memory from your time in music so far – the one that sticks in the mind?

I have a few. To be honest, one was performing last winter in the Great Amber Hall in Latvia for an audience of one-thousand. It sounds really random but it is one of the most beautiful concert halls I have ever played in (and I have performed in the Southbank Centre, Kennedy Center in Washington; Prague Philharmonic etc.). This one had an incredible acoustic and looked amazing! I really felt my music could speak there.

The second, more recent memory I think would be recording the video of Red Sun with Wooden Elephant. I haven’t had so much fun working with a group like that in years.

Which three albums mean the most to each of you would you say (and why)?

Antony and the Johnsons - Cut the World (Live)

I cannot praise ANOHNI (formerly Antony and the Johnsons) enough. She is such an intelligent, brave performer and human being. Not only is her voice unbelievably powerful and emotional but I believe her message and her music is so strong that she is capable of inducing significant social change. Her music has helped me through really difficult times, as I am sure it has many people.

Björk - Medulla

My favourite album of Björk’s. In general, as a composer, she is incredibly creative and I love how many different textures, sound effects; layers and noises she explores and employs. She is also an extremely brave performer of course and I often hold her as a role model - not to be afraid to be different.

Susanne Sundfør - The Silicone Veil

I have probably listened to this album thousands of times. Susanne’s voice and her melodies; the way she uses synths and electronics - I just love it. Her music is not simple but it has the ability to catch in almost everyone’s ear. Even my mother, who listens to mostly Classical music, likes her! Her song, White Foxes, is one of my all-time favourite songs. Her lyrics are just amazing.

If you could support any musician alive today, and choose your own rider, what would that entail?

I actually couldn’t choose a musician, but it would definitely be one of the above three.

My rider…I think my current rider is already complicated enough to give any sound engineer a heart attack! But, if you really say that, probably I would be on vocals, synths; violin and organ. Then, I would have a string quintet (Wooden Elephant!), full choir and someone really good doing live beats.

Might we see some tour dates coming up? Where might we be able to catch you play?

Yes. Lots of things are in planning but, at the moment, I have confirmed shows in Lithuania (Vilnius and Kaunas, 28th and 30th Sept.); Oslo, Norway at Bla on 4th October; Reykjavik at Mengi on 6th October; National Sawdust in New York on 21st October and 18th November at the London Jazz Festival at Village Underground.

What advice would you give to new artists coming through?

Be yourself.

IN THIS PHOTO: Samaris

Are there any new artists you recommend we check out?

Well. She isn’t exactly new but I love JFDR from the Icelandic group Samaris. Also; Lithuanian Electronic musician Saulius Spindi.

IN THIS PHOTO: Saulius Spindi

Do you get much time to chill away from music? How do you unwind?

Nature. In Iceland, there are a lot of opportunities to unwind in a mountain or hot spring or lava field! Haha.

Finally, and for being a good sport; you can choose a song and I’ll play it here (not any of your music - I will do that).

Antony and the Johnsons - I Fell in Love with a Dead Boy

___________

Follow Abraham Brody

Official:

https://www.abrahambrody.com/

Facebook:

https://www.facebook.com/Abrahambrody/

Twitter:

https://twitter.com/abrahambrodylt

YouTube:

https://www.youtube.com/channel/UCuAQxriYtaxsQcKFJIRMaJg

SoundCloud:

https://soundcloud.com/abemcw64

Spotify:

https://open.spotify.com/artist/23QXqZQhXajNnWbZTdqVPP?si=8nLEUPbPTOOHcR8qpn-PYQ

INTERVIEW: Mark Pelli

INTERVIEW:

Mark Pelli

___________

I have been speaking with Mark Pelli…

about his musical past and his new single, You Changed Me. The Toronto musician discusses his ascension and favourite musical memory; which artists and albums have made an impact on him; when music came into his life – I ask what it feels like producing music for some of the music world’s big names.

Pelli talks about upcoming plans and where he heads next; which artists we need to get behind and follow; if there are plans in regards touring – he ends the interview by selecting a classic cut!

__________

Hi, Mark. How are you? How has your week been?

Hi, there (smiles). How are you? My week has been great, thank you! I played a music festival in Richmond, BC with my group Magic! and now I’m back in L.A. working in the studio. Hope you’re having a great week yourself!

For those new to your music; can you introduce yourself, please?

Well. My name is Mark Pelli. I sing, play instruments and produce lots of music. Recently, I released my first solo single entitled, You Changed Me.

You Changed Me is your latest single. What is the story behind the song?

It’s a throwback 6/8 record, reminiscent of early-'60s Motown music. I’m very inspired by artists such as Sam Cooke and Smokey Robinson.

Might we see more material coming next year? How far ahead are you looking regarding material?

Definitely gonna be releasing much more material very soon. I actually have the entire album finished but I’m releasing songs one by one for a while and then I’ll probably drop the entire collection either later this year or early next year.  

Having produced for some top artists; how does that experience feed into your own music? Who did you enjoy working with the most?

Producing music for other artists has definitely helped me with my own. I suppose I’ve developed some technical skills that allow me to bring to life the ideas in my head. Playing in different groups of contrasting musical genres and attempting to produce records from various styles has been helpful as well so that I can draw from all these influences. If you liken music production to painting on a canvas, you’ll see the importance of having a large palette of colors from which to choose. 

I’ve been super-lucky to work with many fantastic artists over the years but recently I was in the studio with J. Cole and my buddy T-Minus. We produced the record Kevin’s Heart for him off his last release and basically decided to get back in again. J. Cole is a super intelligent guy and has great energy to work with in the studio. T-Minus and I make a nice production team and I hope to do lots more work with him in the studio.  

Did music play a big role in your life as a child? Was the household you grew up on music?

Music did play a big role in my life as a child. My dad played guitar in an Italian wedding band when he was younger. My uncle Chuck is a fantastic professional guitarist. My mom is a huge music fan and has a great voice and was constantly playing music around the house. I started learning piano at six and later started guitar at eleven, but took it more seriously at thirteen. I was super-nerdy about music and practised many hours every day. I learned to play drums and bass from asking other musicians what to work on. I studied classical piano and Jazz guitar in university.  

Do you remember the artists you followed growing up? Who do you rank as idols?

When I was younger, I had pretty broad musical tastes. When I was ten, I had cassette tapes of Beethoven’s third and ninth symphonies - I listened to those two symphonies over and over. Of course, with a child’s mind, I wasn’t able to fully grasp the full breadth of what he was doing from a compositional standpoint…to be honest, even as an adult, I still don’t come close (laughs)…but I did have every note and moment memorized on my tapes. The first ‘Pop’ tape I bought was Bell Biv DeVoe featuring the song Poison - I absolutely loved the bounce of the snare drum on that record. When I was fourteen, I became a huge Radiohead fan. I feel like their melancholic musical aesthetic, coupled with very interesting lyrical perspectives, really spoke to how I was feeling. I also loved The Beatles and listened to their entire catalogue as a kid over and over. 

At fifteen, I started playing in a Soul/R&B cover band and that was a huge pivotal musical awakening for me. I started being exposed to the music of Marvin Gaye, Bill Withers; Donny Hathaway etc. It was around this time I also began playing Jazz in school and that was also extremely impactful for me. I started listening to the albums of Miles Davies, John Coltrane; Bill Evans, Bud Powell etc. A few years after that, I started getting really heavy into Gospel music…admittedly not so much from a religious standpoint but more because the musicianship is so outstanding. 

I would try to absorb that style of music on the instruments I was learning to play. I still do this all the time. You can spend all day long not being able to play what Tony Royster Jr. has posted on his Insta story (laughs)…but even trying to do it has most certainly made you a better drummer/musician.

What do you hope to achieve by the end of 2018?

By the end of 2018, I’m really just hoping I can reach a wider audience with my music. I hope to be able to tour and provide a great musical experience for everyone (smiles).

Have you got a favourite memory from your time in music so far – the one that sticks in the mind?

I have some amazing memories from my time in music…

The one that stands out the most is when I opened up for Stevie Wonder in the South of France at a Roman Coliseum. Stevie was incredible as always and, after the show, I was introduced to him. I told him: “I love you Stevie” and he said: “I love you too”…even though it was clearly just his standard response to constantly being told he is loved, just hearing him say it made me feel great and I’ll never forget that experience. 

I’ve been super-lucky to travel all over the world playing music for gigantic crowds. I used to play with a singer named Justin Nozuka and we did some extensive touring mostly around Europe. When Rude exploded for Magic!, the touring insanity started again and I was lucky to go all across the globe numerous times.

Which three albums mean the most to you would you say (and why)?

It’s really hard for me to list my top-three albums of all-time, but I can tell you recently that my top-three albums have been:  Robert Glasper - Black Radio (volume 1); Kim Burrell - Live in Concert and Brad Mehldau - Live in Tokyo.

If you could support any musician alive today, and choose your own rider, what would that entail?

If I could support any artist today, I would choose Sam Cooke. I feel like his life ended so tragically and abrupt. The guy deserved to be alive much, much longer and create more amazing music. 

As for the rider, I would ask him what he wanted and just make sure it was all there (laughs).

Might we see some tour dates coming up? Where might we be able to catch you play? 

The dates I have coming up are with my band, Magic! I’ll be playing an East Coast tour in Canada at the beginning of October. We’re talking about doing some touring in Brazil and Latin America soon as well but those dates haven’t been firmed up. I hope to also tour with my solo project very soon.

What advice would you give to new artists coming through?

The advice I would give to new artists is just to simply never give up. It’s so very difficult ‘making it’ in the music business so, definitely, don’t equate your self-worth with how well you’re doing - especially monetarily. I know this sounds somewhat ridiculous because there’s an obvious attempt at becoming successful inherent in the process of making music in the Pop realm, but really try hard to disassociate yourself from needing this success. Focus on making music that you like and measure your success based on how pleased you are with your music. You’ll constantly run into obstacles and that’s ok… just keep going. 

Don’t limit yourself to one thing. In addition to being an artist, you can also collaborate on other people’s projects and make new connections. Having a small-vested interest in numerous people’s songs largely increases your chances of earning money in the business. Whether you come in as someone who co-produces, plays instruments; writes lyrics, etc. it’s all relevant and necessary to make a good song.  Your songs are your assets. The more songs you’re a part of, the better. 

Are there any new artists you recommend we check out?

New artists to check out: Snarky Puppy is really amazing and my friend Larnell Lewis is one of their drummers. He’s absolutely incredible on the kit…gotta check them out. I really dig this band from Australia called Hiatus Kaiyote.  

IN THIS IMAGE: Hiatus Kaiyote/IMAGE CREDIT: Wilk

Do you get much time to chill away from music? How do you unwind?

I really don’t get too much time away from music but I try to do yoga as much as possible and also go to the gym. I like swimming in the ocean too (smiles). I suppose that’s really how I unwind but I do work on music pretty obsessively. I don’t generally burn out though so I don’t really need to take time away. For me, working on music is my release.  

Finally, and for being a good sport; you can choose a song and I’ll play it here (not any of your music - I will do that).

Ok, sweet. I get to pick a song. How about You Send Me by Sam Cooke

___________

Follow Mark Pelli

Official:

http://markpelli.com/

Facebook:

https://www.facebook.com/MarkPelliMusic

Twitter:

https://twitter.com/MarkPelli

Instagram:

https://www.instagram.com/MarkPelli/

YouTube:

https://www.youtube.com/channel/UCbCrqTvi_LaIy6XHh33O0tw

SoundCloud:

https://soundcloud.com/mark-pelli

Spotify:

https://open.spotify.com/album/6o7Hsxt5gup9w8nKiU0V4G?si=kEcF-TGdSX6WUVEDnbPvUg

INTERVIEW: Handsomebeast

INTERVIEW:

PHOTO CREDIT: Daniel Jackson  

Handsomebeast

___________

THE guys of Handsomebeast…

have been chatting about the new song, Playboi, and filming its video. I asked how they got together and whether there is more material coming along; what sort of musicians and sounds inspire them; if there are any rising artists we need to get behind – they select albums that means a lot to them.

The guys reveal whether they are touring and whether the American band are coming to the U.K. at some point; how they chill away from music; what advice they would give to artists coming through – they end the interview by selecting a song each.

__________

Hi, guys. How are you? How has your week been?

Eventful, to say the least….

Nick was actually asked to try out for the American Idol producers, who were in Houston for the auditions. He was told he was just too good-looking for T.V. Today is actually Nick’s birthday (Sept. 5). We are in the final stages of Olympic-training-level rehearsals for a tour next week.

We’ve been getting a ton of awesome reactions to our new video for, Playboi, which is definitely a quantum leap up in quality for us. We love how the song and video came out. Superstardom will surely be on the way.

For those new to your music; can you introduce yourselves, please?

Handsomebeast isn’t a band: it’s a lifestyle. We classify our music at times as Astro-Soul, or Space-Rock-Bump-‘n’-Grind - or as Psychedelic G-Funk. We try to make musically ambitious and artistic Pop music with a distinct Rock ‘n’ Roll flair...in the tradition of artists like David Bowie or St. Vincent.

Nick: Singer; pretty boi with a silver tongue. Proficient in most sports. From D.C.

Peewee: Intellectual bohemian that with golden fingers and smells like...flowers.

Tony: Ivory tickler; all-around hell-raiser; the soul of an old Blues player; future Country star.

Carlos: Backbeat of this venture; amateur botanist; father of a small businessman.

Jacob: That guy in the studio setting up mics; likes drum solos, fishing and medium walks up mountains.

Tell me about the new single, Playboi. What are the origins of the song?

We were watching a bunch of heist and crime movies at the time...I believe we experienced some osmosis during this process as that vibe seems to have seeped into the music. We also were interested in experimenting with more minimal song arrangements, compared to what we were doing before. We wanted to make a hot, hot hit.

The video looks like it was cool to film! How was the experience?!

It was amazing. We shot it in ONE SINGLE DAY in New Orleans with stud director/editor Richard White. He’s as equally handsome as he is talented. We tried to stage the robbery scene in a real bank but, for some reason, they would not allow us to. They even went as far as to shoo us off their property when we tried to use their exterior for the shot. Might have been something about the ski masks.

Is there more material coming from the band? Are you guys working on other stuff?

Absolutely. Everyone should keep their eyes glued on our Instagram page for more news on that. There MAY even be something coming very soon. We’ll definitely put out a longer collection of songs at some point next year, like an album or E.P. This also isn’t the last you’ll be seeing of the Playboi and his Goons.

How did Handsomebeast get together? Were you all in Houston at the time?

Handsomebeast really started hitting it when Nick moved to Houston from New Orleans in 2013. That’s also when Carlos joined the band. That being said, the band technically formed in 2009 while everyone except Carlos was at school at Loyola University, New Orleans. However, we had all been playing in bands with each other since middle school so we’ve sort of been a band for like fifteen years.

Which artists are you all inspired by? Did you grow up around a lot of different sounds?

That list is seriously pages-long but we do love artists who are musically ambitious, but who also make Pop-focused music that brings people into the music. Anderson .Paak, Vulfpeck; St. Vincent, Outkast; Arctic Monkeys, the Eagles; Unknown Mortal Orchestra...that’s the tip of the iceberg right there. We all were lucky to have families that gave us great musical educations, on music from every era.

Tony was also somewhat of a Texan prodigy as a church music director and band leader as a young boy. Carlos also played in church a lot. Due to a lifetime of rock ‘n’ roll behaviors, neither one is technically ‘allowed anywhere near a church’ anymore. Go figure.

PHOTO CREDIT: Daniel Jackson  

Do you think there will be touring dates? Can we catch you play?

Yes, indeed! In the U.S., at least. We are dying to get over to the U.K.

9/13: Memphis - The Hi Tone cafe

9/15: Asheville, NC - Foggy Mountain Brewpub

9/20: NYC - Pianos

9/21: Philly - Connie’s Ric Rac

9/22: DC - Gypsy Sally’s.

Might you come to the U.K. and see us here? Do you like the music here?

We would GIVE OUR SPLEENS (you don’t need them that badly, right?) TO GO TO THE U.K. We are thinking we might be better suited pulling a Hendrix and use the U.K.’s excellent music taste to get famous over there first and springboard into superstardom in our homeland. The British Invasion influenced Jacob’s parents, which is why we cover lots of '60s stuff. We Love Arctic Monkeys, Radiohead; Cream and Amy Winehouse. Obviously, wayyyy more bands than that but that’s probably the U.K. Mt. Rushmore for our band.

Given your band’s name; who is the most-handsome beast in the band?!

Our van. It’s so handsome and built like a beast. A purple 1995 Chevy G20 with matching interior and limo lights.

If you each had to select an album that means the most to you; which would they be and why?

Jacob: Gorillaz - Gorillaz

The first C.D. I bought with my own money in fifth grade. Mixed my love of cartoons with Hip-Hop and Rock. Genre-bending music that stands the tests of time.

Nick: That was a fantastic answer by Jacob. I’d probably have to go with AM by Arctic Monkeys

Alex Turner is my favorite songwriter and I feel like that album is perfect front to back and has some really cool moments that blend Hip-Hop minimalism and glorious Rock ‘n’ Roll. Plus, when you add the fashion into it you get an even more visceral 3-D experience.

Peewee: Blackstar, because...(David) Bowie.

Carlos: Take Off Your Pants and Jacket by Blink-182

When I first started sitting down and learning how to play records from front to back, inside and out.

Tony: Californication (Red Hot Chili Peppers) because of Chad Smith.

Have you each got a favourite memory from your time in music – the one that sticks in the mind?

We have had a ton of amazing moments (and many more to come) and we’re all best friends, so there are really too many to count but, if we had to pick one, it would be this one from Jacob:

Jacob: Mine was playing those songs for my dad after his funeral with you guys. It brought joy to my family in a very sad time. He would have really liked that (smiles).

If you could support any musician alive today, and choose your own rider, what would that entail?

Topo Chico Agua mineral water, Lone Star Beer; Sour Patch Kids and a pool table. We’d support Foreigner.

What advice would you give to artists coming through?

Make sure you make music you really enjoy playing. Make music with your friends. Make love to your own music. If you can’t, then your music isn’t good enough, yet.

 IN THIS PHOTO: TOMA

Are there any new artists you recommend we check out?

The Quintessential Octopus (NOLA), TOMA (ATX); Sleepy.Jay (HTX), Reflexson (HTX); Fat Tony (HTX-LA), Gio Chamba (HTX); Primpce (NOLA); Tygersounds (NYC), Vodi (HTX); Dollie Barnes (HTX) and Consumer (NOLA).

IN THIS PHOTO: Fat Tony

Do you get much time to chill away from music? How do you unwind?

Shoot some pool (billiards), BBQ; fish, hike; play football, run and smoke.

Finally, and for being good sports; you can each choose a song and I’ll play it here (not any of your music - I will do that).

Jacob: James Brown – Get Up (I Feel Like Being a) Sex Machine – Pts. 1 & 2

Nick: Justin Timberlake – Montana

Peewee: The Ramones - Now I Wanna Sniff Some Glue

Tony: Phoenix – Chloroform

Carlos: Bruno Mars – Treasure

___________

Follow Handsomebeast

Official:

https://www.handsomebeastmusic.com/

Facebook:

https://www.facebook.com/handsomebeastmusic/

Instagram:

https://www.instagram.com/handsomebeasttx/

YouTube:

https://www.youtube.com/channel/UCJOGt6Z764qW8DLug_4mDgQ

TRACK REVIEW: Creature - Something More

TRACK REVIEW:

 

Creature

 Something More

9.5/10

The track, Something More, is available via:

https://wearecreature.bandcamp.com/track/something-more

GENRE:

Grunge

ORIGIN:

Newcastle, U.K.

RELEASE DATE:

27th August, 2018

_________

WHEN thinking about Creature…

it seems their name is very apt! I will come to the topic of Grunge and grittier sounds in music but, before then, I am compelled to investigate bands whose live shows have mess, scramble and memorability; bands and the artists they take influence from; creating a unique sound; the music coming from Newcastle and the North East – I will look at Creature and where they might head. I am getting excited about bands again because, at the moment, there seems to be a revival (of sorts). I mentioned this when reviewing yesterday and it seems, in the North, this is especially true. Maybe bands have always been hot there but here, in the South, it is the solo artist that is ruling. I am not sure why there is this charge and revival but, in many ways, some of the artists of the mainstream, like IDLES, show a band are capable of delivering something meaningful and deep whilst being exciting. In the case of Creature; they have a great dynamic and sound that serves them very well. Their live shows have been celebrated for having so much energy, physicality and endeavour. They are tight-knit and professional but there is that electric spirit that runs through their bones which means you can never know what will happen. I see a few live artists but, to my mind, the most memorable gigs are ones where the sweat is dripping and the crowd are jumping. There is nothing like being part of a crowd that is surrendering to that moment; enraptured and caught by a white-hot flame of energy and music. If anything, the band are more interesting and exciting live than most acts working today. They have picked up great reviews and are a hugely popular act in the North East.

I will talk about music from that area of the country but, before moving on to something new, it is worth sticking with the subject of the live act. Most of us tend to listen to music from our laptops or phones and we do not often get to gigs. We are getting out less and less and it is a shame we are all too busy or tired to get out in the evening. A lot of us still get to gigs but I think more of us should make time to go and see an artist and blow away the cobwebs. That is what Creature do: their shows get into the blood and they can deliver a catchy and emphatic set that is a pretty good night out. I wonder whether they will come to areas like London and bring their music here. Right now, they have a great local following and it seems like they are in productive mood. I feel a lot of us do not go to gigs because we assume it will not be as good as on the record or it will be too expensive. There are venues that are expensive and it can be a pricey night out but, more and more, it is becoming possible to go and see gigs. Most venues do not charge that much to get through the door and, so long as you keep the beers to a minimum, it will not break the bank! The reason artists are allowed to exist and thrive is because of gigs and the support they get there. We know there is not a lot of money to be made from releasing music so it seems, more and more, the money comes from merchandise and gigs. Artists like Creature need people to come out and see them – one of the reasons they provide a stonking and sharp set. I know they will continue to play this year and are setting their sights on a productive and busy 2019.

Yesterday, I spoke about bands and how they are starting to claim back credit. I am going into this more later today but one of the reasons why bands are making a bit of a comeback is because decades like the 1990s are coming back to the fore. I feel more artists, solo at least, are borrowing from the 1980s but it seems the 1990s is striking a chord right now. Maybe it is the unity and togetherness the popular bands provided; the sheer quality that was coming out and the way we all felt back then. Popular culture was a lot more exciting and inspiring and I feel like music was in a much better state. Maybe I am being wrapped in nostalgia but I am excited there seems to be a nod to the 1990s and bands are integrating sounds from that time. Creature’s live sound has been compared to groups of the decade such as Nirvana and The Smashing Pumpkins. You get a gnarly and explosive set but it is the sophistication of the sounds that stand out. Creature do not simply turn the amps up and aimlessly slam. They have a great set of songs in their pocket that provides a fantastic show. It is always interesting seeing where artists take their influence and what goes into their fold. I have mentioned a couple of bands but, alongside them, there are godfathers of Grunge and Rock acts such as Led Zeppelin and Black Sabbath. Creature are influenced by Neil Young & Crazy Horse and modern acts like PUP. They have quite a nice mixture of influences that drive what they do but that is not to say they take too heavily from them. I am always compelled by the artists others are inspired by and how they approach their own music. You definitely get a sense of the heavy and raw with Creature but there is definite intelligence and emotional diversity.

You can tell they grew up around some heavyweights and were exposed to brilliant artists as children. You look at their influences and more and more of them are from the past. I wonder whether there are enough solid bands/artists in today’s music to really captivate and intrigue newcomers. Maybe the likes of Royal Blood and Foo Fighters (although they started life a long time ago) are still worthy but the new breed are a few years off from truly igniting upcoming musicians. We have some great bands coming through but still, more and more, artists are looking further back and following what they grew up on. Maybe that has the way it’s always been but it is interesting to note. I have said bands are starting to swing back but it might be a little time yet before they are as prominent as they were back in the 1990s. I wonder whether that is a reason why bands are less popular than they were. Because solo artists are taking more attention and focus, it is harder for modern bands to get heard and, because of that, other bands are taking inspiration from further back. This sound all negative and doomed but I am pleased artists like Creature are poking through strong and determined to be a success. The more and more we uncover and promote these bands, the stronger and more varied the scene becomes. I am seeing a lot of great groups showcase their material and there are many possible stars of the future. Creature set in their own niche but I feel, the more exposure and gigs they get, the more they will craft their own sound. I will talk about their unique edge but they will start to create more of a personality when more material comes. Being compared to other acts is great but those who remain and continue to evolve are those who break away from influences and go their own way.

It is hard to be unique in music and, in fact, there are very few that can claim to be associated with that word. Maybe artists have a little bit of individual character here and there but how many artists can you name that are impossible to compare with anyone else?! I feel there might be a few and, although it is not the most important thing, it is always impressive finding someone who is in their own league. I think Creature have a lot of original intent and movements and, in years to come, they will be associated with the word ‘unique’. Most bands starting out will look at the artists they grew up around and, naturally, that is going to define what they do and how they sound. Whilst there are some obvious influences when you hear Creature on the record and live; I feel they are already showing signs they want to detach from the legends they love and do their own thing. There is a lot to suggest they will be a nationwide force soon enough and the way to do that is to have those influences with them but be defined by their own minds. Their new single, Something More, puts you in a familiar space but there is something unusual and unexpected about the song. It is a complex and hard thing, I guess. I love to discover artists that I can bond with straight away and have some familiar notes. You can get on board with their music quicker and that nostalgia value is great. You also get to discover artists they are influenced by and check out their music – seeing where that band/artist comes from and what goes into making their sound. How easy is it, in 2018, to be unique and not be compared with anyone? I feel like it is unwise to be too out-there and on your own plain because that will alienate people and can be a huge gamble. Artists that have a balance of original thought and familiar influence are what we need to hear.

At the moment, Creature have a dizzying array of influences and favourite sounds and that leads to deep and colourful music. I feel future gigs and records will see some of that stripped away and a more focused and linear sound emerge. They have already proven themselves to be a tantalising and superb live act and, on their recordings, something new presents itself. I like how they can possess these different auras and not feel confused and contradictory. I will move on from this subject because I am keen to return to the North and what is coming from there. Yesterday, I looked at a band from Yorkshire and was determined to convey all the great music and sounds coming from there. I feel Yorkshire is a fantastic county that does not get the credit it deserves and has so many wonderful artists working there. The North East has always been in my mind and, historically, it has always been relevant. Maybe we pay more attention to the North West and areas like Manchester but we cannot ignore Newcastle. Current North East artists like Nadine Shah are in the minds of the mainstream and there is a distinct difference between artists from London and places like Newcastle. Maybe acts in the capital get more attention and there is great variation but, to me, Newcastle artists have more personality and flair. You get something spunkier and more personable; a better brew that lasts in the mind longer. Creature are starting to come into their own and, with each movement, pressing their own sound and forging their own direction. The trio are making waves and getting that great local press. I am interested to see how they progress but I wonder whether they will remain in the North East.

Newcastle and Sunderland have great venues are becoming more gentrified. That is not to say the authenticity is being taken away and the cities are losing what makes them great. Venues are surviving and more money is being injected into the areas; licks of paint are being applied here and there and, whilst not as gentrified and expensive as some areas of London; the North East is becoming a more attractive and profitable and local artists are remaining there. I wonder whether the media will spend adequate time seeking out artists from there and bringing them into the light. The likes of Creature are doing great things and getting buzz but it will take more national focus in order for them to get where they deserve. I still feel there are very few eyes straying to the North East and that has to change very soon. I know Creature will be a success very soon and they are growing stronger by the year. I am watching where they go and what they have in mind. Whilst I think they need to remain where they are and continue to seduce the local audiences; their tour plans will need to include cities like London and Manchester. It can be expensive getting out there and getting gigs but I know they have music that will be taken to heart by punters there. They are among the most interesting and promising new bands around and that needs to be rewarded. Perhaps all that is to come next year and I am sure the guys have plans to spread their wings and get out there. I have covered a lot of ground and spoken about various things and I think there is a lot of life in Creature. Their sounds rumble and get into the brain; they have emotional sophistication and intelligent lyrics that mark them above the rather basic and aimless bands. I will move on to their new song, Something More.

One gets little chance for breath and reflecting when Something More chugs away. Like a Grunge-Devil locomotive leaving the station with a fire burning in the back and steam billowing; the guitars churn and the percussion rifles. It is a bold and exhilarating opening that gets the blood running and make you wonder what is coming next. There are slight hints of Royal Blood in the guitar and Nirvana in the vocals but neither is too obvious – that combination works well and it provides a great blend of emotions and sounds. There is talk of evil love and it being wrong; the hero is looking for something different and it seems like a rather tense time is unfolding. I was instantly thinking about love going wrong and a painful split: the possibility of movement and improvement are at the back of the mind. If some of the vocals get buried beneath the composition and there are some intelligibility issues at times – path of the course for a Grunge band and that intensity – it is not a big factor. You get a really authentic blast of 1990s Grunge but it is modernised and bespoke to the tastes of Creature. They have ingested great bands and take a little of each on board. The tightness of their performances and the explosion of the composition get straight into the brain. The guitars weave and bite like vipers whilst the bass and percussion drive the song forward and create an avalanche. Something More is a song that wastes no time in getting under the skin and make you feel alive. I was picturing the hero being annoyed by a lover or feeling like they are taking too much from him. A need for something different and more substantial is on his mind. It seems like the lead has been looking for a reason to stay and looking deep inside his sweetheart. Maybe things are not over and it has been a hard road to realisation.

There have been problems and setbacks but our man has staying put and discovering something new. I love how the band manages to fuse gritty and fuzzy notes together with a more polished production. You have a professional shine – that does not take away from the music – but some real dirt that works its way through. The more the song goes on, my mind starts to look at this relationship and how things are progressing. It would be easy to walk away from something that is not perfect but that desire for something more keeps the hero pining and searching. With huge vocals and soaring words; combine that with chugging and rampant strings; throw in some meaty beats and a general feeling of dark smoke and you have a song that keeps on biting and seducing. It looks like the hero wants things to work and they are going to make it. Whether wanting something more involves greater physicality or trust, I am not sure. Maybe there is greater complexity at the heart of the relationship. You definitely get hints of the 1990s and early-2000s in the vocal and song. Bits of Linkin Park mix in with the influences Creature name. It is a great sound that comes together and, although there are some influences working away, the trio manages to create something that is true to them and new. Certainty, in 2018, there are not many bands in the mainstream that have such a dramatic and impressive sound that offers more than easy riffs and vague lyrics. You get a sense of wisdom and maturity in the words and the band has taken the trouble to craft a composition that has nuance and depth. There is definite sexiness and sweat to be found in the lyrics. The hero wants to fill the space inside the girl – nobody does it like her – and he wants to feel more connected. You feel there is palpable electricity and lust working away but there is enough emotional maturity to ensure the song does not get too smutty.

The more it continues and the more you get involved; the more beauty and pleasure come to the fore. Creature throw in great little diversions and ensure the song is never predictable. It changes direction and attacks; it stops for a second and throws in some backing vocals. By the end of the song, your head is all over the place and it has been an exhilarating ride. I went back and listened to the song and got something new on that occasion. Something More reveals new skin and insight the more you listen and that is a mark of a great band. With great lyrics that are easy to understand but offer mystery and interpretation; a composition that takes the body and heart and does something strange with them – it is a fantastic cocktail that gets into every pore and does something fantastic. It is wonderful hearing the song come together and alive. I can only imagine what it sounds like on the stage and can imagine it is not as clean as it is on the record. The band have the option of being professional and disciplined musicians who can write brilliant songs but can strip them apart and open them up on the stage. It will be wonderful to see them play and I hope I get to see them play Something More if they come down to London. Whatever the truth behind the song is; I have been getting to grips with it and discovering a fantastic new band in the process. If you are not aware of the wonders of Creature and what they do then ensure you follow them closely and see where they head next. They are already proving they have the muscle and talent to go a very long way in the industry – I know they will continue to improve and grow as we go into 2019. An exciting and brilliant time for a fantastic northern band!

There is a lot to be excited about when it comes to Creature. Listen to their single and, if you can, get involved with their live shows and go see them. Check out their social media channels and follow where they head next. They have local gigs coming and, at the moment, they are promoting Something More. Many journalists have expressed their support and love for them and it seems they are hitting their stride. I wonder whether there will be more material coming next year and what the trio have in mind. I feel, based on their latest release, there is a lot of energy and inspiration in the camp. It is clear the band want to go far and have that great mix of older bands and modern influence. I have asked whether it is possible to be unique in this age and what the right balance is. You can hear everyone from Nirvana and Neil Young is the work of Creature and that mixes with the trio’s unique blends. Put that together and you get an intense and busy style of music that will appeal to a variety of tastes and ages. Let’s look ahead and see where Creature will go. I would like to see them get down to London and try and get some gigs in other areas of the nation. I think their sound travels well and they could find success at some bigger venues down here. The reviews for their live sets mark them as ones to watch and I feel that is something they should be proud of. With many people resisting the temptation to get out to gigs and spend money at venues; I feel the likes of Creature have an important role to play. I have not seen them perform but I would definitely be interested if they came down to the South. Listening to what they are producing now and you feel Creature will keep on making music and growing.

The connection and chemistry they have is what shines and sparks. I did not mention it further up when looking at what they do but you can hear how close they are. I can hear a lot of bands where you know the balance is off and they are not on the same page. Look at what Creature are throwing out and they definitely have a closeness and kinship that makes their music so solid. Make sure you check out the band and follow their movements. It has been a busy and productive year for them and I know next year will be even bigger. If anything, I hope more people cast their eyes to the North and take a greater interest in artists up here. There is nothing to suggest the area will remain dormant in the critical mindset and we will hook onto London. The more great acts coming from there the easier it will be for the national media to break away from the obvious and show a bit more boldness. In order for music to be diverse and all-inclusive; we all need to get out of our comfort zones and search other areas of the country. I know Newcastle and the North East have always been relevant and active but, with the media being largely based out of London, it is harder for artists in the North to get their due. Creature do not have to move location and compromise who they are in order to get ahead quicker. They have a great live sound and sound gilded and solid when in the studio. As bands come more to the fore and there is this change happening; it is the time for the likes of Creature to rise and bite. The intrepid trio has crafted a brilliant song in Something More and it hints at a very bright future. Get behind the guys and give them your support because, in a tough and busy music scene, they are a shining light. It may be a while before they hit the bigger leagues and get mainstream attention but, if they carry on like they are, they will make that transition…

WITHOUT many problems.

___________

Follow Creature

Twitter:

https://twitter.com/creatureband

Facebook:

https://www.facebook.com/wearecreature

Instagram:

https://www.instagram.com/creaturesband/

Bandcamp:

https://wearecreature.bandcamp.com/

SoundCloud:

https://soundcloud.com/creature-uk

INTERVIEW: Party Nails

INTERVIEW:

PHOTO CREDIT: Bia Jurema

Party Nails

___________

I end the day by speaking with Party Nails…

PHOTO CREDIT: Bia Jurema

about her latest song, My 404, and what it is all about. Elana (Party Nails) talks about songwriting influence (including mental-health) and her upcoming album, Past Lives and Paychecks – I ask whether she considers herself spiritual in terms of love and life.

I wanted to know what it felt like moving to New York to pursue music; which artists and albums are important to her; whether there is an aspiring talent we need to get behind; what tour dates are coming up – Party Nails reveals whether she gets time to unwind away from music.  

__________

Hi, Elana. How are you? How has your week been?

Hi! I'm good. This week has been emotional, fun and a lot of work. The usual, I guess? Haha.

 For those new to your music; can you introduce yourself, please?

I'm Party Nails. I'm originally from Chatham, New York and I now live in Los Angeles. I started writing songs when I was eleven and never stopped! I started becoming interested in recording and production when I was a teenager. It wasn't until Party Nails came about that I was able to merge my love of songwriting, singing; sound and production - and Electronic, Pop and country music.

When did ‘Party Nails’ come to be? Is there a story behind that moniker?

It's weird to think back to the beginning because it was so unlike what it is now! Initially, Party Nails was a duo and I was more interested in my solo project at the time which was weird Art-Electronic music. I didn't want to ‘conform’ and Pop felt like conforming, at the time. But, the more I continued to develop my skills, the more I realized that Party Nails was everything I'd been working toward and waiting for. So, the very beginning was 2013 or 2014. But, it wasn't until 2015 that it was totally my project. That early period was dramatic. It has not been a short or easy journey by any means but I wouldn't change it because I learned so much and, for that, I am so grateful.

The name itself came from watching a group of girls get ready for a night out. I loved how much joy doing their nails contributed to it.

 

My 404 is your latest track. What is the story behind that track?

Luke, who is in Coast Modern, played guitar in my live band when I first moved to LA. So, we have just kept in touch and, one day, they sent a couple tracks they were looking for vocals on because they were doing a mixtape. I really liked this track in particular and wrote My 404, hoping it would be on their mixtape. When it didn't make the cut, my management suggested I make it a Party Nails song. So, I played it at a few shows and liked the vibe and response and decided to do it.

What's funny is that we didn't have any high-res versions of the instrumental because Coleman (of Coast Modern) had broken his computer or lost his hard-drive or something. So, I cut my final vocals to an MP3 and we mixed that. I had pitched down the MP3 too because the version they first sent me was too high for me to sing to. NOT what you're ‘supposed’ to do but here we are... 

Past Lives and Paychecks is your upcoming album. Are there core themes and stories that inspired the songs? Do you have a favourite cut from the record?

I loved making this record so much. If no one likes it, I will still be so proud and happy that I was able to work and create something that is how I felt and what I wanted to communicate, lyrically, melodically; sonically and rhythmically. I know I will evolve forever and there are a million records I want to make by yesterday, but there was a special peace and calm that came with making this and I think it's important for me to acknowledge that.

The song, Clothes, was the first song I wrote with the intention it would be on this album. It was terrifying in the beginning because I knew stuff that had never come out of me would start coming out of me. Clothes was written like that - it was hours of me sitting and playing with ideas and then suddenly there was this song there in my mouth and on the page and it had such a personality that I could understand and feel excited by. I imagine it must feel similar to meeting your child for the first time? Haha. And it was about loving someone unconditionally, so that tempered the rest of the record-making process. It made it less scary to keep challenging myself.

The power of love is a big theme on the record. But, there is more than love. How Can We is about the modern world, our belief systems and spirituality; the irony and sadness inherent in that mix. It sounds really specific, but I try to imbue all of my music with some self-awareness of our era, so power, money and religion are all themes on this record for that reason. Art with that awareness, it's more fun; it's thoughtful and smart; it feels more real. In my opinion. So, that's what I always strive for.

PHOTO CREDIT: Bia Jurema

I get the sense you have quite a spiritual outlook on life and love. Would that be fair to say?!

Haha, yes. How could you tell?!

I love mental-health awareness. I go to therapy and I keep a notebook. I try to grow and ‘spread light’ and be my best self. I use tarot cards occasionally. I try to be as consistent and present for my friends and family as possible. Honestly, that usually just consists of more hugs and better listening!

I know you started performing early. Was it quite scary moving to New York and perusing music in the big city?!

I was eleven the first time I played and sang alone on stage and I was shaking. Before that, I played viola and sang in choir at school.

I was twenty when I moved to New York City. It was nerve-wracking because I had about $100 at first. And then I spent it when my brother's car, which I was borrowing, got towed. It was a whole series of unfortunate events. Living in New York, there were many unpleasant moments but, in general, it wasn't scary. I actually left N.Y.C. because I knew I needed to try something else. It felt like the only music happening in New York was Indie-Rock and it was becoming obvious that I wasn't moving forward in that scene at all.

 PHOTO CREDIT: Bia Jurema

Which artists compelled you growing up? What sort of music were you raised on?

My earliest music memories are of Bob Marley and Neil Young. Harvest Moon is still one of my favorite records. Later, I was really taken by Led Zeppelin and this box-set of girl groups that Rhino Records put out...my mom gave that to me for a birthday, I believe. SO much over the top lyric-writing and girl Punk power - even before punk was a thing.

What do you hope to achieve by the end of 2018?

I hope to have a good album release and an amazing time touring in the fall and winter - and some new things ready to release in the New Year! Next year, I hope to tour Europe!

Have you got a favourite memory from your time in music – the one that sticks in the mind?

There are so many it's really hard to choose.

One of my favorite songs to have come out in the last five years is Somebody to Anybody by Margaret Glaspy. After watching every video of her I could find; I saw she was playing a show in Los Angeles so I went to the show. She and her band were incredible. They played so well together and had this gentle strength that you could feel. And…her voice. There is nothing like it.

After they played for about forty-five minutes, her band left the stage and Margaret did a handful of songs by herself with just her guitar. One of them was Harvest Moon by Neil Young, actually. I was completely enamored. At one point, I looked around the venue and realized that everyone (including myself) was crying. Not a dry eye. That was magical.

PHOTO CREDIT: Bia Jurema

Which three albums mean the most to you would you say (and why)? 

Robyn's Body Talk series is a masterpiece and, without flooding all of our attention, became a massive influence on a lot of Pop music that came after it.

SZA's CTRL changed my life. It's so solid, yet vulnerable and unexpected. It's smart, it's earnest and, lyrically it's a perspective I didn't even know I was missing. SZA has inspired me so much.

(It's really hard to stick to just three!)

White Blood Cells by The White Stripes was huge for me. I was eleven or twelve and would listen to it very loudly. I didn't really understand how modern Rock music worked. I didn't understand what it meant to be cool, or to play with sound or to play shows and get the crowd riled up. I lived eight miles outside of a town of two-thousand people so we didn't have any of that! But, this record had such great and memorable songs on it and ignited an interest in me that never stopped growing.

If you could support any musician alive today, and choose your own rider, what would that entail?

Sheryl Crow or Paramore. That would be incredible to witness every night.

If my rider was limitless, I'd be sure to put Nutella, La Croix and graham crackers on it. Also, socks and a massage...a pep talk from a professional pep talker, too. If that's a thing?

 Can we see you on tour soon? What dates are coming up?

I'm touring the U.S. this fall/winter. I'm really sad that I'm not going to be going to Texas again. But, all the other cities I've either been to already or I'm going to for the first time! More info at http://partypartynails.com:

* w/ Bad Bad Hats

^ w/ Somme + Eve 6

Oct 30 - Nashville, TN*

Nov 1 - Birmingham, AL*

Nov 2 - Atlanta, GA*

Nov 3 - Gainsville, FL*

Nov 4 - Orlando, FL*

Nov 5 - Jacksonville, FL*

PHOTO CREDIT: Bia Jurema

Nov 7 - Charlotte, NC*

Nov 8 - Carrboro, NC*

Nov 9 - Norfolk, VA*

Nov 10 - Richmond, VA*

Nov 11 - Charlottesville, VA*

Nov 13 - Newport, KY*

Nov 14 - DeKalb, IL*

Nov 15 - Davenport, IA*

Nov 28 - Salt Lake City, UT^

Nov 29 - Seattle, WA^

Nov 30 - Portland, OR^

Dec 1 - Los Angeles, CA^

Dec 5 - Kansasville, WI^

Dec 6 - Grand Rapids, MN^

Dec 7 - Detroit, MI^

Dec 8 - Chicago, IL^

Dec 9 - Springfield, MO^

Dec 11 - Pittsburg, PA^

Dec 12 - Poughkeepsie, NY^

Dec 13 - Philadelphia, PA^

Dec 14 - Asbury Park, NJ^

Dec 15 - Boston, MA^

Dec 16 - New York, NY^

What advice would you give to new artists coming through?

You are going to be challenged in ways you can't even imagine. And, that's okay: it's part of what will make you a stronger artist.

Don't quit!

 IN THIS PHOTO: Bad Bad Hats/PHOTO CREDIT: Zoe Prinds-Flash Photography 

Are there any new artists you recommend we check out?

If you haven't already, check out Bad Bad Hats! They aren't ‘new’ but they might be ‘new to you’.

Do you get much time to chill away from music? How do you unwind?

‘Yes’ and ‘no’. I do a lot of writing, personal essays and poems. I enjoy working. And I have trouble unwinding, unfortunately so, sometimes, I get sick. (I'm sick right now! Because I had trouble relaxing over the weekend and instead just fretted and paced!). For when I need to take a step away, I'm always looking for something funny. I LOVE comedy.

My friends have a writing and performance group called Maiden Voyage that I'm lucky enough to get to see in person because we all live in Los Angeles. After their shows, my face hurts from laughing. I like to spend time outdoors, but I haven't been doing that nearly as much as I should lately. I like to cook and bake too.

Finally, and for being a good sport; you can choose a song and I’ll play it here (not any of your music - I will do that).

Bad Habit by Your Smith. I can't stop listening to it since I first heard it a couple weeks ago

___________

Follow Party Nails

PHOTO CREDIT: Lindsey Byrnes  

Official:

https://www.partypartynails.com/

Twitter:

https://twitter.com/partypartynails

Facebook:

https://www.facebook.com/partypartynails

Instagram:

https://www.instagram.com/partypartynails/

SoundCloud:

https://soundcloud.com/partypartynails

FEATURE: Queen Nadine: Why I Feel Nadine Shah Should Win This Year’s Mercury Music Prize

FEATURE:

 

 

Queen Nadine

IN THIS PHOTO: Nadine Shah/ALL PHOTOS/IMAGES (unless credited otherwise): Getty Images 

Why I Feel Nadine Shah Should Win This Year’s Mercury Music Prize

__________

A few days back…

at the AIM Independent Music Awards; it was good to see some great artists celebrated. The reason why the awards are more credible and impressive than any others is that of the variety and quality of artists acknowledged. The awards saw the likes of Peggy Gou and Tracey Thorn walk away with gongs. Thorn was presented with a lifetime achievement award whilst Peggy Gou saw her track It Makes You Forget (Itgehane) celebrated as the year’s best. IDLES won an award for being the hardest-working band - ironically, too busy working to collect it! – and it was pleasing to see so many great artists, who would be excluded normally at the mainstream ceremonies, get their props. The speech and award that caught my ear was that given to/by Nadine Shah. She saw her latest work, Holiday Destination, win the award for the best album and her speech was filled with humour and great lines. The album itself, as I shall explore, is one that asks big questions and takes risks. It is not your usual safe and routine album that looks at relationships and never really pushes the envelope. Whilst there is plenty of melody, uplift and great tunes; the reason why the record is successful and gained huge reviews is that of the talent of the woman who wrote it.

The Whitburn-born artist is a second-generation immigration and knows how hard it is for immigrants to feel welcome and like they belong in the country. Their plight is difficult and many risk their lives to be here. I will return to the subjects of Holiday Destination and why the album warrants a Mercury win (the ceremony takes place on 20th September) but, look back at Shah’s previous album, Love Your Dum and Mad, and you can see themes emerging. That album tackled mental-health issues. She spoke to journalists after the album was released and stated that two of her close friends/former boyfriends took their own lives; Shah wanted to shine a light on mental-health being seen as a social stigma. Released in 2013, the record saw critics and observers ask her to speak and have her say. Earlier this year, when speaking with the Evening Standard, she revealed how hard it is being in a rather unique situation:

“I’m finding it quite difficult at the moment,” she tells me. “I’m a female musician who’s made a political album, and my first album was about mental health, and I’m a Muslim. So I get asked to speak at so many things that I have to start saying no”.

Love Your Dum and Mad was released in 2013 and 2015’s Fast Food saw Shah’s stock rise and more eyes come her way.

One of the reasons Nadine Shah has gained a lot of love and is standing out is because of her empathy and reflecting on something serious. In the same interview, she talked about artists who write escapist music and why it is important to go beyond that:

“There’s definitely a place for artists who want to provide escapism as well,” she says, “but I think the reason you’re an artist is you have a heightened sense of empathy. You can see something and kind of feel it. So you tell people’s stories. I think that’s your main job”.

Holiday Destination seems to be her most personal and angry album. When tackling mental illness and suicide; you knew how much those words meant and how she wanted to disintegrate the stigma out there. Immigration and feeling displaced have been part of her creative consciousness since the start. I will bring in more-recent interview snippets but, when speaking with The Guardian, as she promoted Fast Food (2015), Shah discussed her experience:

“The only reason why I was so determined for people to hear that I was Pakistani was so my nieces – my cousin’s children, two beautiful girls – could have Pakistani role models,” she says. “We didn’t have any growing up. So I think it’s almost wonderful that they can see it’s realistic and achievable, I can be from this culture and making this music.”

  “…Her relationship with her father’s Muslim heritage was not always easy. “[At school] I loved being a bit different. I’d get a day off for Eid. Or at show-and-tell I could bring in these amazing outfits that my aunts would send over. It was only after 9/11 that there was lots of racism. From then on it was awful to be Pakistani and I would lie about it. I would say I was Persian. Arabian. Anything that wasn’t … but then finally leaving Newcastle and moving to London, a really multicultural city, I’m 10 a penny!”

Her family experience and understanding of the immigration crisis around the world feed into music. She has stated in interviews how, as an act of resistance against President Trump, she is applying for another visa and will not be pushed down. Shah wants to see more commercial artists talk about political subjects and tackle areas that are being unexplored. Her success has provided her with a larger platform on which to campaign; exposure has provided her with the chance to write music about something more substantial and rare than having a broken heart. That unique position she is in – a political Muslim woman in music – is something she always has to take into consideration. Speaking with NME earlier this year, she spoke about Islamophobia and the rise in nationalism – her desire to see more artists do what she is doing:

“Not in an arrogant or vanity way, but I’m glad that my album is present because I wanted to see some political artists,” Shah told NME. “I think that part of my job is to document the times that we live in. I wanted to speak about the rise in nationalism and a decline in empathy. Also, as a Muslim female in this industry – there’s not very many of us. I wanted to speak about Islamophobia for one; it scares me and it scares my family”.

I have listened to Holiday Destination repeatedly and a few things strike me. It is full of nuance and has so many layers. You hear something new when spinning it but it is those stark images and that emphatic voice that gets into the head. We need a political album to win the Mercury and set an example. The prize is designed to recognise the best albums and artists that do not get big mainstream applause – and are able to say something important and change music. Previous years have not seen a lot of socially-aware and important albums take the prize. We have to reflect quality and the best album but, in the case of this year's rundown; the best album (from Shah) is also one that delivers a big punch and plenty of food for thought. I would consider it an outrage if she does not walk away with the award on the night - the effort she has put in warrants true recognition!

Shah ticks all the boxes and, to boot, she has the personality to take her music as far as possible. She is open and natural in interviews; always funny and intelligent and has a great beauty - not important but it is hard to find a flaw or anything wrong with her. I am always blown away by the energy she brings to interviews and how fascinating she is to listen to. I will finish by conveying my feelings regarding the album but music awards like the Mercury are designed to boost artists that are doing great work and are not the go-to option when it comes to the big radio stations and magazines. Shah might not court the same attention as Nicki Minaj or Taylor Swift – one feels she wouldn’t want to hang with them and would be a bit put out by their entourage and rather delicate demeanours. Every interview I read Shah had given, at some point, seems to involve a drink and a cheeky grin – that’s the kind of person you want leading music and showing the way! Nadine Shah has given a fresh interview with The Guardian and has spoken about her progression and award nomination.

PHOTO CREDIT: Katherine Anne Rose for The Observer

I will crib a photo from that shoot – legally and all fair, guv! – but there are revelations and insights that show why Holiday Destination is the result of an authentic voice. Shah talked about her experiences with racism at school and how she was outcast and alienated by ignorant peers (a Guardian quote that sees Shah cheekily swirling a drink!):

“I’ve never been white enough to be white, or brown enough to be brown. At Asian weddings, I’d get called ‘gora’” – a Pakistani slur sometimes used to describe a white person – “and in school I’d be called Paki.” On the single Out the Way she sings: “Where would you have me go / I’m second-generation, don’t you know,” because, she says, swirling her G&T, “people were starting to say to me on social media: ‘Go back to where you come from’, and I was like: ‘What? Whitburn?’”

She explained how she was disappointed certain artists made the Mercury shortlist (Noel Gallagher, for one) and was annoyed that artists like Gwenno did not make the cut. I thought Let’s Eat Grandma would be a shoe-in and felt Young Fathers and Shame would be among the chasing pack. There are some interesting nominations for this year’s awards but I feel, as Shah does, there are not many political commentators on the list. Given the fracture and friction around the world; the political divisions and racism rearing its head – why are artists still not looking beyond the bedroom and condoms crusting up their shoes?! You have mainstream artists pouring out their bleeding hearts or male bands talking about their bawdy adventures and recklessness. Genuine, rawer artists like are out there and a couple of recent albums, as I shall end on, have followed on from Shah’s lead and look set to be nominated for next year’s Mercury!

Shah, in the interview, said how she as bullied in a relationship when writing the album and, whilst great for lyrics and inspiration; perhaps it is best to walk away and take some time out. I mentioned how Shah would not hang around Taylor Swift but she has respect for artists who can reach millions and hold that kind of power – would we be out of the E.U. if Taylor Swift rebelled against it, for instance?! She knows artists like Arctic Monkeys and Lily Allen do not need the award – given the themes they explore and the fact they are established and past their prime – and the songwriter is not keen to make another political album...even if she is one of the leading political songwriting commentators out there. It seems, as she stated in The Guardian, she is brewing with ideas for a new album and has opinions regarding gender visibility and bias:

“The first lyric of the album I’ve got so far,” she says, “is ‘Shave my legs, freeze my eggs / Will you fuck me when I’m old?’” She wishes there were more stories like these in music, as an antidote to the number of male musicians over 50 who still manage to infiltrate the charts. “Men, older men, they’re heard,” she says. “There’s hardly any older women by comparison. I want someone who is 60 to sing to me and say: ‘You know what? It’s like this. I had a terrible pregnancy, I couldn’t breastfeed, [the baby] didn’t latch’. I want someone to say: ‘Listen, I was 32, and I had endometriosis, and I was going to have to have all my organs out’. Or: ‘I got to 40 and I couldn’t have a fucking kid.’We need older women’s voices more than younger women’s voices right now. There’s a real lack”.

I feel Holiday Destination will win the Mercury in a year that has seen a few other artists come through and go beyond the predictable. This month has seen Anna Calvi and IDLES release career-best, year-defining records. The former, Hunter, looks at gender and the patriarchy; it explores women’s roles and the strength they have – a gusty and striking album from a virtuoso guitar player, songwriter and vocalist. IDLES’ Joy as an Act of Resistance looks set to break the top-five in the album charts and has been getting five-star reviews all over the shop. That record, like Shah’s, looks at subjects that are seen as stigmatising or controversial. They tackle mental-health concerns and toxic masculinity – delivered with fire and incredible tightness. I feel a movement has been started where artists are looking at something more important and hard-edged. It seems, even given these artists, Shah stands out alone! I cannot think of another female Muslim songwriter who is in the same position as her. That sort of pressure (if that is the right word?!) could be a burden or seen as an obstacle but, for Shah, it is a chance to change things and bring about progression. I am confident Holiday Destination will win for Shah and she will get to deliver a pretty epic acceptance speech! The record sounds haunting and stirring but it wants us to open our eyes and, as an alternative to the broken-hearts-and-spurned-relationships we see all over the place; it would be great recognising an artist who, unlike some of her peers on the Mercury list, is actually talking about something important. I would be disappointed if Shah does not win the award and, when she does, I would expect her to stride up, gin and tonic in hand, and provide one hell of…

A fuc*ing good speech!

FEATURE: Sisters in Arms: An All-Female, Autumn-Ready Playlist (Vol. I)

FEATURE:

 

 

Sisters in Arms

IN THIS PHOTO: Let's Eat Grandma/PHOTO CREDIT: Laura Harvey for The Line of Best Fit 

An All-Female, Autumn-Ready Playlist (Vol. I)

__________

I started this series in the summer…

IN THIS PHOTO: GRAACE

and, given the fact it is autumn, I am starting a new series up! Here is a selection of female-led sounds that are guaranteed to keep the heat and excitement of summer going but get you ready for autumn and all the colour it offers. I have looked around and selected the best new songs – and a few from last year – that will get into the ears and excite the brain. Have a scan through this assortment of female-driven songs and I am sure there is something in there that will inspire. The weather is getting cooler and the nights are drawing in but, with music like this, that is…

 IN THIS PHOTO: TRILLS/PHOTO CREDIT: Mitchell Collin

NOTHING to fear.

ALL PHOTOS (unless credited otherwise): Getty Images/Artists

_____________

Tkay Maidza – Growing Up

PHOTO CREDIT: Sven Serkis

Evvol – Oceania

PHOTO CREDIT: Mitchell Collins

TRILLS – Speak Loud

PHOTO CREDIT: Michelle Homonylo

Dilly Dally – Doom

Charlene Soraia – Where’s My Tribe

Ella Vos – White Noise

The Pink Slips – Texas

Zairah – Sex + Cigarettes

Sarah MacDougall – We Are Fire

Cherry Glazerr – Juicy Socks

GRAACE – Last Night

My Ultra Violet – Wilde as Me

PHOTO CREDIT: Laura Harvey for The Line of Best Fit

Let’s Eat Grandma – Falling Into Me

Rachel Button – Will I Be Ready

Suzie Stapleton – Negative Prophet

Cally Rhodes – Your Place

Ladytron – The Island

Kelly Oliver – Botany Bay (Trad.)

Kelela – Jupiter

Chelsea Cutler – Cold Showers

Chelcee Grimes – I Need a Night Out

Million Miles – Honey

Anna Wang – Hindsight

Jess Williamson – Wild Rain

Jess Connelly – Mine

Grizzly Coast – Zuzu’s Petal

INTERVIEW: Mike Edel

INTERVIEW:

Mike Edel

___________

MY final interview of the day is with Mike Edel…

who talks with me about his new track, 31. I ask him what the song’s story is and which artists/albums have inspired him; whether there are going to be tour dates and whether there are any rising artists we need to keep an eye out for.

Edel tells me his goals for the remainder of the year and his favourite musical memory; what advice he would give to artists coming through and whether he gets chance to chill away from music – he closes the interview with a good song selection.

__________

Hi, Mike. How are you? How has your week been?

It has been good, even though I got really sad yesterday. But, this morning, I woke up early and me and my band are rehearsing today and I went for a long walk and it was really great. I think balance and health and positivity are important!

For those new to your music; can you introduce yourself, please?

Mike Edel. I’m Canadian but I currently spend my home time in Seattle, WA.

31 is your current track. Is there a story behind the track?

The song is about not letting time and age get you down. One time, I noticed all my friends were talking about was renovating their basements and buying houses - and I realized I wasn’t in my twenties anymore.

Do you feel the song is a rebuttal and rebellion against what you are ‘supposed’ to be in your thirties?!

There are forces of our culture and society and our families - and our bodies and stuff - that want us to sit on our couches and watch Netflix and work a nine-to-five and have a kid and renovate our basements. All these things are totally fine, but it’s sort of me dealing with the questions of how my life will look in these stages.

Is there going to be more material coming in the future? What are you working on right now?

Yes, there will be!

In terms of music; who do you count as idols and influences? Did you grow up around a lot of music?

I grew up playing drums in a Blink-182 band and also at church. I waded my way through both of those things and I think I listen to a lot of really great music these days.

What do you hope to achieve by the end of 2018?

Happiness and contentment, to be honest. I am a bit of an ‘achiever’ and I want to tone that down today.

Have you got a favourite memory from your time in music so far – the one that sticks in the mind?

Every day! My friend Jeremy and bass player Jeremy are sleeping on the couch beside me in a kitchen and I keep referring to this as ‘his bedroom.’ This is my favourite moment.

Which album means the most to each of you would you say (and why)?

My friend Sam Weber just put out a record/E.P. It’s seven-songs-long and I like listening to it because it’s not exactly what I do. But, I like listening to it and I feel like I can get inside his mind a little when I listen; sort of like when Harry Potter and Voldemort get into each other’s minds. It’s called New Agile Freedom.

Might we see some tour dates coming up? Where might we be able to catch you play?

9/5: Kelowna, BC | Fernandos

9/6: Calgary, AB | The Gateway

9/7: Whitefish, MT | The Great Northern

9/13: Victoria, BC | Rifflandia Festival

9/15: Vancouver, BC | Westward Festival

9/16: Parksville, BC | REALM

10/4: Red Deer, AB | Bo’s

10/5: Edmonton, AB | Up+DT Festival

10/20: Burlington, VT | Nectar’s

10/24: Toronto, ON | Burdock

10/25: Ottawa, ON | Cafe Dekcuf

10/27: London, ON | London Music Club

What advice would you give to new artists coming through?

Celebrate the little victories!

IN THIS PHOTO: Grouper

Are there any new artists you recommend we check out?

Grouper - Grid of Points is what I’m listening to right now and it’s very, very cool.

Do you get much time to chill away from music? How do you unwind?

I’m gonna get a job at a brewery and then work for two days and then leave town for a tour. That’s my new thought on how to chill and unwind and have some friends around.

Finally, and for being a good sport; you can choose a song and I’ll play it here (not any of your music - I will do that).

Grouper - Parking Lot

___________

Follow Mike Edel

Official:

http://mikeedel.com/

Twitter:

https://twitter.com/Mikeedelmusic

Facebook:

https://www.facebook.com/mikeedelmikeedel/

YouTube:

https://www.youtube.com/channel/UCvCZBgLb3EOFtx-rduNAZzw

SoundCloud:

https://soundcloud.com/mikeedel

INTERVIEW: Maria Matveeva

INTERVIEW:

Maria Matveeva

___________

IT is interesting stepping into Maria Matveeva’s world…

as I ask her about the track, Princess of Ukok, and working with Deep Forest on the piece. She tells me about her music plans and what we will get next; when music came into her life and when she left her hometown of Omsk (Siberia).

Matveeva discusses her plans going forward and whether she has any ambitions to fulfil; what advice she would give to artists coming through; where she sources inspiration – she ends the interview by selecting a great song.

__________

Hi, Maria. How are you? How has your week been?

Hello! I am good. My week was great, thank you.

For those new to your music; can you introduce yourself, please?

My name is Maria Matveeva. I was born in Siberia (Russia). I am an Opera singer. I have a Classical musical education in Piano and Academic Vocal. During a certain period of my life, I performed Opera, Chamber and Sacred Music. It was a period of ‘Classical music’ in my life. But, I always dreamed about creating something new and innovative in music; to do some kind of experiment mixing different musical styles, electronic sounds; ethnic elements ...

My first experimental C.D. named ROSES TIME was released in 2000 in Russia where I mixed Classical music and Electronic sounds. But, later, my Classical music studies brought me to the world of Opera; taking me away, as it seemed to me at that time, from my dream. Only many years later,  when I met the legendary leader of Deep Forest - Eric Mouquet, did I begin to realize my old dream! At that time, I also met other wonderful musicians such as Mike Garson, Alessandro Alessandroni; Alex Elena and others. It was an amazing collaboration and a wonderful experience in the new - for me - world of Pop music.

Talk to me about the track, Princess of Ukok. What is the story behind it?

The inspiration for the song Princess of Ukok comes from a really fascinating story...

In 1993, the group of archaeologists from Novosibirsk, led by Natal'ja Polos'mak,  discovered a sacred place at the foot of the mountains on the Ukok Plateau in the Altai Mountains region of Russia called the ‘Russian Shambala’. This region is one of the most mystical places in the World where there is still a strong presence of shamanic culture and tribal peoples’ heirs of the Gorny Altai Kurgan Pazyryk culture. It is a timeless place where people still live in harmony with nature and communicate with the spirits. The group of archaeologists found an ancient mummy of a mysterious young woman known as The Ukok Princess by the name of the place where she was found, Ukok plateau.

Shamans from Altai believe that White Mistress or ‘Ak-Kadyn’ - like they call her in their language - was a spiritual priestess and her early death was a part of her spiritual mission. Thus, she maintains a balance between our world and the world of shadows. Princess of Ukok is a symbol of Altai and she is the protector of this land. In this song, I express my spiritual connection with the Princess of Ukok singing about her difficult destiny and her return to our times from the magical land of Altai to the whole world.

How did you come to work with Deep Forest? What was it like working with the first French Grammy winner?!

At the time, when I was singing Opera, I had a dream to collaborate with my favorite artist Eric Mouquet - the leader of the legendary group Deep Forest. I always was a big fan of this group and I really love their music. Finally, my dream has come true. We met in France and began our collaboration and, as a result, produced some tracks inspired by the harmony and magic of my land. Eric is a wonderful person; a great musician. For me, it’s a great and exciting experience to collaborate with him!

One day, Eric Mouquet told me a very important phrase that became for me a rule: “You must be honest in your music and always be yourself …". So, I follow his advice. The work on our joint project, Siberian Trilogy, opened up for me new facets of my abilities.

Siberian Trilogy Project is your E.P. Are there themes and particular stories that inspired it?

The theme that unites all songs from the E.P., Siberian Trilogy Project, is Siberia - my birthplace. I’ve chosen to follow this way because I felt the need to share with my audience the colors, charm; mysteries and sounds of an unknown world. At the same time, I have a possibility to tell the story of my life through this music; about the places where I came from, about incredible people that I have met in my life: shamans, princesses and ordinary people.

I am seeking the way to create a different original musical mosaic. The stories I tell are related to Siberia, to the Altai Mountains called Russian Tibet. Russia is a great country that has rediscovered its traditions after dark times. It boasts a rich folklore full of colors and shades that are very important for an artist’s creativity.

You are a celebrated soprano. How did music arrive in your life? Did you grow up around a lot of different music?

In my family, there are no professional musicians. My father is a scientist; my mother is a teacher at the university. My lovely grandmother, Maria, was a teacher of geography and astronomy but she loved the music a lot and she always sang at home. Since I was a small child, she used to sing me Russian folk songs, romances…

At the age of five-years-old, I decided to become a pianist (smiles) and began my study on piano at the musical school. And only at the age of seventeen, after graduating from the physics and mathematics college, I learned that I possess a naturally delivered classical soprano voice.

Omsk (in Siberia) is your hometown. When did you decide to move to Italy? Do you still find time to get back to Omsk?

I left my hometown, Omsk, many years ago. I understood that, in order for me to move on and create a career, it was necessary to study a lot. I planned to study in Moscow, but I was invited to study in another city in Siberia, Khanty-Mansiysk. It was an amazing period in my life. I had many concerts, performances. After one of my performances in Moscow, I was invited to continue my study in Italy, in the Conservatory, Benedetto Marcello, in Venice. That's why I decided to move to Italy.

Every year, I and my son go to Omsk to visit my family and my friends to get an extraordinary inspiration in the Deep Siberian Forest (smiles). For me, visiting Russia - and especially Siberia - is a sort of energy recharging. That's why it so important to me!

Do you have any ambitions to fulfil before the end of the year?

The new single, Kalinushka (from the Siberian Trilogy Project), created together with Deep Forest will be released in this autumn. Also, the Siberian Trilogy Project itself will be released too. The work on a new video clip, Kalinushka, has a particular importance for me. Here, for the first time, I perform not only as a singer, author of lyric and actress but also as a director of a video!

So, for me, this work is very exciting and, at the same time, responsible. Hope you will enjoy this video clip. I am also working on another project right now. Let it be a surprise to my audience!

Have you got a favourite memory from your time in music – the one that sticks in the mind?

I had different periods in my creative path and all of them are very important to me in their own way...because every period gave me certain experience or taught me something.

I remember all periods but I try to live here and now. So, I like this period in my music. I could describe this period as ‘conscious creativity’; the creation of something new and the period of intense internal work.

Which three albums mean the most to you would you say?

What a difficult question - since I have much more than three albums, which for me are very different (smiles).

So, let it be:

Mike Oldfield's The Songs of a Distant Earth

Deep Forest and Rahul Sharma’s Deep India…

And, the wonderful soundtrack from the film Gladiator by Hans Zimmer and Lisa Gerrard - and many others…

What advice would you give to new artists coming through?

First of all, be prepared professionally; listen to a lot of good music from different musical styles and different musical epochs to cultivate your personal musical culture and find your own individual style. Be yourself and believe in what you are doing!

Do you get much time to chill away from music? How do you unwind?

Now, in summer, I have enough time to relax (smiles). But, for me, music is like a part of me so, when I'm alone and I have time, I try to create some new ideas. I always take with me my book, in which I write new ideas that come into my head, even when I'm on the beach (smiles). 

But, when I feel tired and emptiness and the inspiration does not come; I realize that my energy is exhausted...in order to return that energy and inspiration to myself, I practice yoga, meditation; swimming, dancing. Also, travel, nature and even watching an interesting film helps in restoring mental balance.

Finally, and for being a good sport; you can choose a song and I’ll play it here (not any of your music - I will do that).

If you can play it for me, I’ll choose the composition that I love - Only Time Will Tell by Mike Oldfield.

Thank you!

____________

Follow Maria Matveeva

Official:

https://www.mariamatveeva.co.uk/

Facebook:

https://www.facebook.com/Maria-Matveeva-254058064635321/

YouTube:

https://www.youtube.com/channel/UCqt-Ii-N5v4e8LI0anyL7rQ

INTERVIEW: MASUMI

INTERVIEW:

MASUMI

___________

I have been speaking with MASUMI…

about her latest single, Run Baby, Run, and what its story is. She talks about life in Los Angeles and what comes next for her; what sort of music she grew up around; whether there are tour dates coming up - she reveals what she hopes to achieve by the end of the year.

MASUMI tells me how an earthquake in Japan changed her world and ambitions; which rising artist we should get behind; the three albums that are important to her – she ends the interview by selecting a great track.

__________

Hi, MASUMI. How are you? How has your week been?

Hi! My week has been amazing! The release of my single - that I’ve been working on for so long - was nerve-wrecking but then, having so many positive reactions from it after the release made it all the work worth it. I’m on the plane to Japan as I am writing this and I’m headed to Tokyo to release the song as well. So, the excitement continues!

For those new to your music; can you introduce yourself, please?

Hi. My name is Masumi! I came from Tokyo, Japan to pursue my dream of being a singer/songwriter and I’m now based in Los Angeles! I play acoustic guitar and write songs that are in the genre of Indie/Folk/Pop. My mission is to bring hope and empowerment through the art of music!

Run Baby, Run is your track. What is the story behind the song?

Thank you for asking! The music and lyrics are written by me - and Marko Fazio is the producer of this song. He relentlessly worked on it with me for a year to really bring the emotion and the message I wanted to convey through this song. In 2016, I received a life-changing offer to be managed by a prestigious management team in Japan. I decided to walk away from this career-defining moment and chose to remain in the States to explore possibilities that were more aligned with the artist I wanted to grow into. But, that brought a dark period of depression and self-doubt. I was confused if I made the right choice.

A stranger popped into my life during that time and left me a message to “live with urgency” because “time is running out”. It slapped me awake. It was my second awakening - and helped me get back into motion again. Run Baby, Run is a fight song and it tells the story of finding the warrior within us and letting our strength guide us to our authentic selves. The Astronaut in this music video represents the stranger who blew life back into me.

I was incredibly fortunate to have Loic Zimmerman, who worked in films like Ghost in the Shell, Guardians of the Galaxy; Harry Potter, True Grit and Prisoners, to work for my music video. He beautifully captured the visions I had using The Astronaut and the story I wanted to tell. Marko brought the emotion of the song to the ears and Loic brought the emotion of the message to the eyes and, together, it creates a visceral experience. I can’t be more grateful for the people who were involved with the making.

Is it true the 2011 Tohoku earthquake inspired you to get into music?! Was that a seismic moment that opened your eyes?!

Absolutely. I always felt like there was something else that I really wanted to pursue other than going to university and study Anthropology. But, I didn’t realize how much music and singing meant to me until that moment where I was standing in the middle of the earthquake. I saw my entire life flash by my eyes and all I could think of was how cowardly I was to never pursue that one thing that meant so much to me. And that was music!

You moved to Los Angeles. How important is the music scene there? Did you settle into the city quite quickly?

I was born in Palos Verdes, CA and moved to Japan when I was three-years-old. So, it felt like coming home in a sense. But, of course, entering the music scene didn’t feel that way. I constantly felt overwhelmed by the amount of talent that I was surrounded by - and talented musicians are everywhere in Los Angeles! It’s inspiring, motivating but terrifying at the same time. I’ve definitely grown as a musician being in such a competitive market. 

Which artists did you grow up around? Were you hooked on music from a young age?

Yes. I loved American mainstream Pop growing up! But, J-Pop artist like Utada Hikaru and Shiina Ringo were my favorite artists to listen to and I was also in a Punk-Rock band in junior-high-school; so I would listen to a lot of U.K. Punk-Rock music as well. My brother, who is ten years older than me, would always play R&B like D’Angelo and Brian McNight on a loudspeaker at the house, so I was exposed to a variety of different music as a young age.

You have appeared in some big music videos and enjoyed a lot of success. Is it a bit of a blur looking back on it all?!

Oh. You are so kind for saying that! Haha, a little bit! I definitely had been blessed with opportunities to be a part of exciting things recently and I can’t wait for more to come!

Might we see more material next year at some point?

Yes! I’m working on my new single that I’ll be releasing at the beginning of next year! I’m really excited for this song and to get back into creative mode in the studio.

What do you hope to achieve by the end of 2018?

This year was full of transformations for me. Personally and musically as an artist, so much growth took place this year. The launch of my single, Run Baby, Run, marked the new beginning for me as MASUMI. My tangible goal for the year will be to definitely have the new single wrapped and also to elevate my live performance style to better communicate the artist that I am.

But, most importantly, my biggest focus for the rest of this year is to achieve a solid foundation and clarity about my identity as an artist. I’m starting to finally understand what message I want to carry out after writing many different songs. Now is the time to zoom in on what exactly I stand for and build myself on that solid ground.

Have you got a favourite memory from your time in music so far – the one that sticks in the mind?

I have to say, going to Japan with my acoustic trio - MASUMI Trio - was one of my fondest memories! Having musicians that I grew to call family and play with them in my own hometown; feeling the support from everybody every show we played was truly fulfilling! Opening for Moby at the NAMM Show 2015 was also incredibly humbling as well.

Which three albums mean the most to you would you say (and why)?

All of Nina Simone

Jeff Buckley - Live at Sin-é

It changed the way I looked at singing. He expresses himself so authentically with his voice without having second doubts or fear. It gives me chills every time I listen to it.

India Arie - Acoustic Soul

I listened to this album so many times and I never get bored of it. It makes me feel like I'm having conversations with an older sister or something. So much wisdom and love in this album.

If you could support any musician alive today, and choose your own rider, what would that entail?

I love Bishop Briggs!

Will there be some tour dates coming up? Where might we be able to catch you play?

I’ll be back in Los Angeles to play a show in October (date T.B.D.). I’ll make an announcement through my social media as well!

What advice would you give to new artists coming through?

Trust in your greatness and the warrior within you!

IN THIS PHOTO: Matt Maeson

Are there any new artists you recommend we check out?

Matt Maeson (Cringe – Stripped)

Do you get much time to chill away from music? How do you unwind?

This is something I had to work on: to nurture myself away from music to keep balance. My favorite way to unwind when I have the time is to do ahinrin-yoku (bathing of the forest) and go hiking or walking around the forest.

Finally, and for being a good sport; you can choose a song and I’ll play it here (not any of your music - I will do that).

I LOVE Jeff Buckley’s cover of Be Your Husband. It gives me chills every time. Please play this song! (Smiles). Thank you for your time in reading this xx

____________

Follow MASUMI

Official:

http://www.masumicherrie.com/

Twitter:

https://twitter.com/MASUMI_Cherrie

Instagram:

https://www.instagram.com/masumi.music/

Facebook:

https://www.facebook.com/MASUMI.official/

Spotify:

https://open.spotify.com/artist/7cKulXsXjXbFKGP0Vuzv3J

YouTube:

https://www.youtube.com/channel/UCxF1uiW6BLiOVKz7ekkolUA

SoundCloud:

https://soundcloud.com/user-507546172

FEATURE: The September Playlist: Vol. 2: Summer in Suspirium

FEATURE:

 

The September Playlist

 IN THIS PHOTO: Childish Gambino (Donald Glover) 

Vol. 2: Summer in Suspirium

 __________

THIS week is a shorter Playlist…

IN THIS PHOTO: Lenny Kravitz/PHOTO CREDIT: Mathieu Bitton

but brings together a selection of underground treats and some big treasures. There are new songs from Paul McCartney and Paul Simon; Eminem and Thom Yokre is in there alongside Childish Gambino. Nestling alongside those huge artists are great selections from Amber Mark, Dua Lipa; Say Lou Lou and Sasha Sloan – a busy and packed week of music that is guaranteed to lift the spirits and give you plenty to chew over!

ALL PHOTOS/IMAGES (unless credited otherwise): Getty Images/Artists

___________

Childish Gambino – Feels Like Summer

Thom Yorke – Suspirium

PHOTO CREDIT: Rory Haans Blair

Gengahr – Atlas Please

Tyler, the Creator – PUFF

Paul McCartney – Dominoes

Paul Simon - Pigs, Sheep and Wolves

 PHOTO CREDIT: Mark Seliger

Lenny Kravitz – Raise Vibration

Drenge – Fades to Black

She Drew the Gun – Resister

Swearin’ – Future Hell

Silk City, Dua Lipa (ft. Diplo, Mark Ronson) - Electricity

PHOTO CREDIT: Billboard

Nile Rodgers, CHIC – Sober

PHOTO CREDIT: Jeremy Cowart

 Lauren Daigle – You Say

PHOTO CREDIT: Craig McDean

Eminem – Fall

Machine Gun Kelly – Rap Devil

Amber Mark – Put You On

St. Paul & the Broken Bones - Convex

Sasha Sloan – The Only

Rich the Kid – Leave Me

PHOTO CREDIT: Nicolas Karakatsanis

Say Lou Lou – Golden Child

Lauren Aquilina – Psycho

Maribou State – Kingdom

Alice Merton – Why So Serious

Tom Walker – Angels

Elle King – Good Thing Gone

Chelsea Cutler – Cold Showers

Estelle – Better

Dizzee Rascal (ft. Skepta) – Money Right

Jessie Reyez – F*** Being Friends

Emily Middlemas (ft. Rob Late) - Habit

Mahalia – Surprise Me

Teleman – Always Dreaming

Dua Lipa – Want To

TRACK REVIEW: Sandra’s Wedding - Run, Rabbit, Run

TRACK REVIEW:

 

Sandra’s Wedding

 Run, Rabbit, Run

9.3/10

The track, Run, Rabbit, Run, is available via:

https://soundcloud.com/sandraswedding/run-rabbit-run

GENRES:

Alternative-Rock; Folk

ORIGIN:

Goole, Yorkshire

The E.P., Good Morning, Bad Blood, is available via:

https://soundcloud.com/sandraswedding/sets/good-morning-bad-blood

 RELEASE DATE:

17th August, 2018

_________

BEFORE getting down to looking at…

Sandra’s Wedding and what they are all about; I wanted to look at a few different topics that are relevant to them. For a start, I will have a peek at Yorkshire and why the county continues to produce good music; songs that reflect real life and have an authenticity to them; songs collections that have range and emotional variation; whether bands can assume a mantle of control and get back to the top of the musical tree – I will talk about Sandra’s Wedding and what comes next for them. I have not been to Yorkshire for a while and have spent a lot of time investigating music from London. Now, back to Yorkshire, I get a chance to focus on a county that continues to pump out great music and show its originality. One of my favourite Yorkshire-based artists, Billie Marten, releases her first new music this Sunday – it is exciting to see her back and where she is now in her career. One of the reasons why I love Yorkshire is the sheer variation and diversity of sounds. London has a lot of great artists but there is something unpressured and free about Yorkshire. There are fewer commercial acts and you have musicians that seem a lot more relaxed and inventive. Sandra’s Wedding are a fantastic band that have been playing for a while and define what Yorkshire is all about. Their songwriting and sounds have a classic edge but are very much based in the here and now. What gets to me is how they create such seamless and interesting music that is not like anything out there. I will not go and say it is unique and never been heard before – that is impossible in modern music – but you can sense their personalities and surroundings through the music. Maybe that is a symptom of how they want their music to resonate but I feel it is a characteristic of Yorkshire and what it is all about.

One can move between counties and parts of the country and gain a distinct flavour. Maybe the bigger cities have an urgency and distinct tone but Yorkshire seems to be on a different plain. I have never been there myself but can only imagine how the warm people and stunning geography impacts what comes from the artists. Many move to larger cities to get money and attention but there are more and more artists remaining put and unwilling to shift. That is impressive in a time when music is becoming more directed towards the capital. Another thing that shines in Yorkshire is the way the music is made. The artists here seem to have less concern about charts and commercial gain and want to produce something that stands the test of time. The bands coming from the country have a special edge; the solo artists extra-cool and original – so much to recommend about the music coming from there and where it will go. I have a lot of faith in the county and feel we should all look at Yorkshire in regards where the future sounds are coming. Maybe it will take a bit of time for Yorkshire to get its credit but it will come. Sandra’s Wedding are a great band who present a vivid and emotive brand of music that has plenty of guts and passion. Look around them and there are not really any bands that have the same blends. There are a lot of talented musicians but, in terms of their band competition; I have yet to discover another example of what Sandra’s Wedding are all about. I wanted to look at them and their latest music because it gets into the heart and leaves its memories. I feel we all need to move beyond the big cities and realise there is a lot of life and variation in other parts of the U.K. Music is a broad and fascinating market and, unless we get to grips with as much as possible out there, I do not feel we are going to be truly fulfilled.

Good Morning, Bad Blood is the new E.P. from Sandra’s Wedding and that follows from their album, Northern Powerhouse, in February 2017. That album gained a lot of praise and saw the band compared to the likes of The Smiths and The Beautiful South. That may seem like an odd northern clash – because both bands have different lyrical styles – but it seems right to me. Both of those bands were less concerned with obvious themes and stories and took from their own lives. The witty, acerbic and honest songs have survived through the decades and are known to most of us. Rather than follow the more commercial, stadium artists; Sandra’s Wedding have followed in those big footsteps and write what is true. One of this year’s biggest albums, Joy as an Act of Resistance, has seen IDLES catapulted into the public mindset. They gained a lot of love after their 2017 debut but now, on their follow-up, they have hit new peaks and gained exceptional reviews. Maybe you can ascribe that to the music but it is the lyrics and honesty that comes from the words that have made the biggest impact. The band are not penning easy songs and stuff that is radio-friendly and uncomplicated. The guys challenge perceptions and misconceptions and have brought us one of the best albums of the last few years. Not that Sandra’s Wedding are providing the same sort of music as IDLES. The reason I bring the bands together is that of the shared honesty and reality that emanates from their music. I often wonder, when listening to modern music, how many of the artists out there are writing about what is real to them and something meaningful. You see a lot of popular artists with teams behind them and you get to thinking whether they are pulling the strings or the artist needs those bodies to bring their own visions to life.

Have a look at the most enduring and popular artists from music and it is their voice that shines through. They have a sense of what they want to create and produce inspiring, truthful music. I am not suggesting most artists in the mainstream are fake but there is a lot of calculation and marketing that goes into what they say. There is nothing more important in music that originality and authenticity. If an artist is hiding or getting others to say something for them, I feel that takes something away and comes across as rather cold. I want artists I can connect with and feel like they understand me. Sandra’s Wedding have gained a foothold in the industry because they write from the heart and soul and want to connect with the listener on a deeper level. The guys reflect what is happening in working-class towns of the North and what is happening around them. Many modern artists are still detached from the social and economic problems around them and talk about love and what is happening in their lives. It is good to find artists who want to open their hearts but, in these troubled times; there is something cathartic and pleasing discovering musicians talking about what is happening in the wider world. A lot of us are unaware of the strains and imbalances happening in the North. The economic climate there is troubling and many people are fighting for survival. The sepia-tinged songs have wormed their way into the hearts of many and you get that purity – a band that is not willing to sell out and write about something meaningless. I am ore drawn, now, to artists who pen tracks that look at the modern world and try to make sense of it all. With Sandra’s Wedding; you have wit and humour running through the marrow of what they do. It is never too heavy and bleak, nor is it too whimsical and light-hearted. The way they balance tones and emotions is really impressive.

Good Morning, Bad Blood is a great E.P. packed with great tunes, plenty of personality and warmth. Critics love the work they have already put out and the new E.P. is getting credit and positivity. Inspired by the likes of Pulp and The Beautiful South, the band want to document what life is really like where they are and how there are cracks running through the nation. In a way, their current E.P. could be brought to Parliament to show the realities and complexities in the North. Many of us do not know what is happening in other parts of the country and we have to rely on what the news tells us. In many ways, music is a great source of information and undistorted reality. We can get a real sense of how life is for northern artists or those in other parts of the world. Not only do songs like Run, Rabbit, Run have energy and spring but there are intriguing lyrics and nuances. I am drawn to the while E.P. but wanted to highlight that song as being particularly strong. They could have created an E.P. that was all hard-edged and Alternative or they could have gone all Folk/Pop – something softer and yearning. Whilst there are not the same Pop and Indie tones of The Beautiful South and The Smiths in the music; you get a similar lyrical feel and sense of purpose. The band want the public to feel uplifted and brightened by their music but are not willing to compromise their ethics and what they believe in. The reality and observations that went into their album are present on the E.P. If anything, they have gotten stronger and incorporated new elements into their music. The sonic blends and textures that run through the songs is what gets to me. One is immersed in a very special world and, when listening to the songs, you vividly project images and walk alongside the band. It is more potent, reliable and informative than any news report or conversation.

I will move on to another theme soon but, right now, I wanted to look at bands and how they have been a bit quiet lately. I mentioned IDLES and how they are succeeding but I wonder whether we are seeing a true resurgence. It is good to see more band focus come through and it has been a long time coming. The solo artist still rules the roost and they are taking a lot more of the focus. Bands used to be the most sought-after commodity until fairly recently and I feel there has been a turn towards solo artists and what they have to say. You can interpret that shift however you like but, to me, it is because of the honesty that comes from them. Maybe they have more variation and fewer restrictions than bands but it is how they can emote and create something personal that strikes me. Bands have multiple members and it can be difficult writing something that has the same power and soulful revelation as a solo artist. The solo artist can more easily write from the heart and project something uncluttered and emotive. Bands, by and large, are more raw and energised and it can be more difficult getting into the soul of the listener. Sandra’s Wedding do not go for the gut and wash songs with big chords and fat choruses. Maybe they are not destined for stadiums and bigger gigs but, at the same time, they have a much more impressive and stirring brand of music. It is hard for bands to be quieter and write something heartfelt but Sandra’s Wedding want people to know about the realities of where they live and what life is like for them. They could have gone for the easier avenues of life and love and penned something very commercial. Gambling a little; they are bringing out much more potent and personal sounds that will stand the test of time. That might sound like a big claim but I feel artists who are writing about modern life and problems out there will endure.

I do wonder how long before bands get back in control and whether they can regain the acclaim they had years ago. The fact Sandra’s Wedding are inspired by Britpop favourites like Pulp leads me to believe they are heading in the right direction. There is a big demand for 1990s music now and it seems like the decade is coming back in. Perhaps it is the dislocating nation and the fact our Government is shambolic. We want to return to a time when things were a bit more secure and there was hope in the air. I am not suggesting things were great and perfect back then but there was a unity and a time when bands were at the forefront and ruling. There was this hope things were changing and we were heading in a better direction. Things are different now and I am not sure where the nation is headed. I feel we are all in a worse state than years ago and there is uncertainty in the air.  Look back at the 1990s and when bands like Oasis and Blur were top of the tree. Perhaps that is why there is this new interest in the decade: people looking at fonder times and a time when bands were truly popular. I feel like that transformation and reverse will happen but, as the artists of the 1990s showed, we need to hear a lot more real-life and relevant music come through. If they are all writing about personal concerns or something vague then that is not going to bring us together. The secret to band success, as Sandra’s Wedding show, is writing about modern Britain and how things are. Maybe it is not as celebratory and positive as the 1990s but there is an appetite for an undistorted and true social-political view of the nation – especially how there is a North-South divide. The guys do write about love and splits but that is all part of the blend – the same way Arctic Monkeys did when they started out (and still do).

It is interesting to bring that band in because they are still going strong but have changed direction. They are older than once they were so they might not be able to write about chips, fights and loose characters in the same way they did back then – it would lack a sense of reality and conviction. There is a great gap for bands to fill that hole – the lyrical one; nothing smutty! – and document how things really are out on the streets. I am seeing bands emerge that are doing that and, before long, the tide will shift. Maybe that has been a long time coming but the pressure needs to remain. I will move on but I feel like Sandra’s Wedding have a long future ahead. Perhaps it will take a while before they get to the bigger leagues and can get the same attention as the biggest bands around. The band can go far and I feel they are primed for something good. Their live shows are celebrated but it is the music they make in the studio that gets into the blood. You listen to their music and it hits you and stays in the mind. There are very few modern artists who can represent something political, social and real and make you sing along. That humour and candidness mix well and you feel like the band want to bring you into their world. I am excited to see their stock rise and know they will go far. I have been following the music of Yorkshire for a long time and can attest to how varied and consistent it is. Music is always shifting and changing and I wonder how it will transform in the next couple of years. Given the state of the nation and tension out there; I feel there is a new place for bands and a bigger role. Whether the big guns can step up and lead the charge has yet to be seen. I am hopeful we will fall back in love with bands and, whilst we will not see another Britpop movement; perhaps there will be a pronounced and sustained wave that will help effect political change.

Whereas songs like Titanic and Saturday Night Television are gentler and more emotive in their tones; I wanted to look at Run, Rabbit, Run because it seems like the black sheep of the family. It closes the E.P. but, rather than throw aimless riffs and big drums into the blend; the boys get things started with a spicy and flavoursome lick that mutates into a festival feel. You get a trumpet sound and, oddly, there is a slight mariachi feel to things! They do not crack out the sombreros, donkeys and pistols and go completely nuts but there is an eccentric and humorous musical edge that makes you smile. The opening phases of the song sound like something from a Quentin Tarantino film – there are shades of Pulp Fiction in there. Elmer Fudd and tasting blood are not sentiments and visions you would see put together but, backed by that rushing horn sound; we are treated to some rather vivid and exciting images. The hero – sounding like a blend of Paul Heaton and Morrissey – is reading the daily news and seeing someone’s face on there. Maybe it is a maligned figure or someone in the public eye. Right away, I am interested and hooked into the song. The song dispenses with the horns soon enough and the band create a rousing, racing and spirited composition that gets you moving and propels the song. I wonder whether the track is about accusing and driving a hated figure into the open. The chorus is delivered with intent and emotion but there are lighter tones to be found. The frontman speaks of the English sun and being out in the atmosphere. I still get the feeling there is an observation of the media culture and political mistrust. Perhaps that is not explicitly revealed in the opening verse but that is where my mind went to.

When the Tarantino-influenced sound comes back in; I get a more bloodied and violent image. Maybe that is a false assumption but it seems like the yearning vocals hide a more spiked and dark intent. You are drawn to the song because of the unexpected sounds and great lead vocal. The band is incredibly tight and the song sounds like it has been worked on a lot in the studio. That does not mean it is polished and overly-rehearsed: there are plenty of raw edges and moments for invention. The second verse looks at someone wanting your way of life and teaching an old dog new tricks. One gets a sense of the oblique which allows some personal interpretation. I still get political senses and maybe the divide between the rich in the South and those in the North. The chorus, in a way, highlights a sense of fear and being chased; the rich and elite chasing the rabbit and less -well-off. It is that chorus burst and rush that makes the biggest mark. The choruses are strong and impressive but the band is masterful when it comes to recording instant and memorable choruses. You find yourself singing along and, even after one spin, the song gets into the head. Before the song is through, we get electric guitar, new elements and a composition that gets hotter and more colourful. Sandra’s Wedding provide a fulsome, eclectic and fascinating brew that brings the song to life. How you view the lyrics and what they mean is up to you. I was thinking about political divides and problems in the country. Maybe there is something more personal and insular being ascribed. In any case, the band has created a wonderful song and a perfect ending to a brilliant E.P. Make sure you listen to each of the four tracks but, to me, the save the best for last. I am curious seeing what comes next and how they follow things up. I have listened to Run, Rabbit, Run a few times and am finding new things every time. Make sure you get involved with the track and keep an eye out for the band on all their social media channels.

Good Morning, Bad Blood is a great E.P. from Sandra’s Wedding and one I suggest you listen to in full. Produced in Hull by Dan Foster; the guys have upped their games and are showing new sides to their music. We could say their time will come a long time from now but I see they are turning heads and getting acclaim. I like the way there are softer and gentler offerings on the E.P. In fact, Run, Rabbit, Run is the only real full-out stormer that has that Alternative-Rock spirit. The remaining tracks and more reflective and calm but have plenty of teeth. I wonder whether the band will be gigging down South and what they have in mind. There are a lot of fans where they are in Yorkshire and I feel their demand in the North is assured and growing. I would love to see their music spread down this way and get bigger radio time. I am excited about the band and what they represent. I feel we need to look back at artists like The Smiths and Pulp and realise why they were so popular and are to this day! There is a return and renewed interest in the 1990s and I wonder whether this will remain. Sandra’s Wedding are showing their stuff and I feel like they have a lot more material in them. Make sure you check the guys out and, if you can, get to see them on the road. I have been exploring their new E.P. and digesting all its strands and stories. Where they go next is up to them. I feel they could get festivals next year and a lot of radio-play in London; new exposure and the chance to tour a bit more widely. In any case, we have seen how a good and honest band can make its way into the heart and resonate. Their music might take a bit more time to impact than the stadium acts but, once it does hit, it is hard to shift. Their E.P. is titled Good Morning, Bad Blood but, when hearing it, the listener is not troubled and stressed: you are afforded the chance to reflect, imagine and…

FLOAT away.

___________

Follow Sandra’s Wedding

Twitter:

https://twitter.com/sandraswedding

Facebook:

https://www.facebook.com/sandraswedding

Instagram:

https://www.instagram.com/sandraswedding/

Spotify:

https://open.spotify.com/artist/0YWbVTqUSgKXyzff9J4JDM?si=ibNISLcqS3Wq3FrGlrNe1Q

YouTube:

https://www.youtube.com/watch?v=LYSpF-1QG5w

SoundCloud:

https://soundcloud.com/sandraswedding

INTERVIEW: HAVVK

INTERVIEW:

HAVVK

___________

THE brilliant HAVVK…

have been telling me about the video for the single, Glass, and what it was like shooting it. I was keen to know how they started life and what we can expect from them going forward – they highlight some artists to look out for and whether they grew up in musical households.

I ask how they spend their time away from music and which albums they each hold dearest; whether they all love being on stage and connecting with the crowd during gigs – they provide some useful advice for artists starting out.

__________

Hi, HAVVK. How are you? How has your week been?

Actually, ridiculously productive!

For those new to your music; can you introduce yourselves, please?

We’re Matt, Julie and Sam. We’re an Indie-Grunge band based between Berlin and London.

How did you all get together? When did the band start life?

I had a disastrous first attempt at an open mic in London (in my defence, most people’s first open mic night is pretty bad). Luckily, Matt was working on the desk and encouraged me to come back and fight the nerves. We soon started working on my solo songs together but eventually packed in the acoustic stuff to form a nice new, noisy band. It’s pretty much been getting noisier since then. A couple of years ago, we relocated to Berlin and we’ve been hopping back and forth since then.

The video for your song, Glass, is out. How did the concept come together? What was it like to make the video?

The inspiration is directly drawn from the Pride (rainbow) flag. We released the song in solidarity with the Marriage Equality campaigners in Ireland in 2015. I’m from the West of Ireland and we’d been on tour there in the run-up to the referendum. The video was shot by our good friend and amazing director James Byrne. It was a super-hands-on, D.I.Y. video-shoot that we did right outside Matt’s front door. The actual cut that you see only took about fifteen seconds to shoot in the end. A little bit like the Mirror Maze video, we spent most of our time trying to figure out how to shoot it without ourselves turning up in the reflections!

Are you working on any new material? Might we expect something new next year?

We are really excited about next year’s releases. Matt’s been producing with Rocky O’ Reilly in Belfast who has worked on some projects that we absolutely love, like And So I Watch You From Afar. I can’t say too much just yet but you’ll know before the year is out.

Did you all grow up in musical households? Which artists did you follow when young?

We all had loads of encouragement growing up to listen to music and try different instruments. We all feel really lucky in that regard. I grew up in the West of Ireland and my earliest memories are of bouncing on my mum’s lap watching my dad play the guitar at trad sessions (still happens, minus the lap bouncing).

What do you hope to achieve by the end of 2018?

We are seriously keen to get back on stage. We locked ourselves away a bit during the middle of this year, finishing off tracks and working on other projects outside of the band. We run a label called Veta Records and I recently co-founded a D.I.Y. music initiative called SelfMade which has kicked off pretty quickly - no complaints though! But, I think we’re all really keen to reconnect with our audience - we’ll be announcing some winter live shows pretty soon!

Which one album means the most to each of you would you say (and why)?

Julie: Sleater-Kinney - The Woods

Reason: I think it was the first time I listened to an album and felt a true calling to be in a band.

Matt: Radiohead - OK Computer

Reason: It was the first album that I stayed up past my bedtime listening to on headphones when I was young and introduced me to all sorts of unusual noises and different ways of thinking about music.

Sam: Ministry of Sound Ibiza Club Classics '08

Reason: Carrig lads on tour4lyf!

If you could support any musician alive today, and choose your own rider, what would that entail?

Savages…

On-site twenty-four-hour breakfast chef.

Might we see some tour dates coming up? Where might we be able to catch you play?

It’s all in the works…

Do you all love being on the stage? What is it like travelling between gigs and bonding with one another?

Being on stage is amazing. It’s the part of music with the most risk so, when everything comes to together at a good show, it feels like nothing else. Travelling together is pretty silly - there are a lot of car games and playlists. But, everyone pulls their weight and even though it’s hard work, it’s really rewarding. There’s always a kind of ‘summer camp’ sadness afterwards.

What advice would you give to new artists coming through?

Ask questions. There are so many aspects to a music career that aren’t songwriting and playing, but they pretty much have to get done. Things like planning the timings for a release, getting a website; registering tracks for royalty collection…

Ask other artists about how they’re doing it. Sign up to music groups on Facebook. Buddy-up and go to free industry events and panels. And, also, please know that you are not the only one who is feeling clueless. Sometimes it can feel like all of your peers know exactly what they’re doing and this can be really isolating. Ask questions and you’ll probably find out there are things that you can advise them on in return.

IN THIS PHOTO: Just Mustard

Are there any new artists you recommend we check out?

Off the top of my head: Just Mustard, Pillow Queens; Party Fears, Pearly; Fangclub, Lprrrds and Scrounge. And our label buddies Dyvr and Maria Kelly whom we love dearly.

IN THIS PHOTO: Party Fears/PHOTO CREDIT: Nina Agnes

Do you get much time to chill away from music? How do you unwind?

We are all the kind of people that fill our ‘spare’ time with extra projects, so I’m gonna say ‘no’, we don’t get that much time to chill. BUT, we do love and believe in everything we do, so it’s worth it. When I have an hour or so, Berlin lakes are my getaway.

Finally, and for being good sports; you can choose a song and I’ll play it here (not any of your music - I will do that).

Pillow Queens – Rat

____________

Follow HAVVK

Official:

https://www.havvkmusic.com/

Twitter:

https://twitter.com/HAVVKmusic

Facebook:

https://www.facebook.com/HAVVKmusic/

Spotify:

https://open.spotify.com/artist/0up20da9ITwCzq8Qv9JTCB

YouTube:

https://www.youtube.com/channel/UC_hNyAVfJTZjsRArYhg3eqA

INTERVIEW: Nick Lopez

INTERVIEW:

Nick Lopez

___________

IT has been cool speaking with Nick Lopez…

about his new song, Words, and where he heads from here. Lopez reveals when music came into his life and which artists compel him; if there are gigs booked in the diary – he recommends some rising artists that are worth a shout.

Lopez talks about his plans for the remainder of the year and what he would say to artists coming through; if he gets time to relax away from music – he ends the interview with a great song choice.

__________

Hi, Nick. How are you? How has your week been?

This week has been great! I am currently at my beach house relaxing.

For those new to your music; can you introduce yourself, please?

I am a Pop artist and songwriter. I write songs about my life in Los Angeles.

Can you talk about the inspiration behind the track, Words? How did it start life?

It’s about a friend who was going through a rough patch in her life and me basically reassuring her that everything was gonna be ok if we just took a spontaneous road trip to get out of L.A.

Might we see more material next year? How far ahead do you look?

Yes. Probably another single or two before the end of this year!

How did music come into your life? Which artists did you follow as a child?

I grew up listening to a lot of Alternative and Soft-Rock music - The Maine; Lifehouse, Train; The Fray etc. I just always had a natural love for music and singing. Once I started playing piano and writing songs I was hooked.

Is it true you played in front of 5,000 people are a rally at high-school?! Is that when you knew music was what you were meant to do?

Ha. Well more like 2,500. But, yes. I performed an original song at a high-school rally in front of the whole school and the reaction I got made it clear to me that music should be my main focus in life.

What do you hope to achieve by the end of 2018?

A few more songs released and, hopefully, some cool collaborations with other artists. I also have been writing songs with groups like Xuitcasecity, my friend Zach from the band A R I Z O N A; gianni & kyle, ASTN; Christian French, Crankdat and more up-and-coming artists. Hopefully, some of those get released too.

Have you got a favourite memory from your time in music so far – the one that sticks in the mind?

I always like going to music festivals and watching my friends perform for tens of thousands of people. I hope that one day I can be on the stage like them.

Which three albums mean the most to you would you say (and why)?

Room for Squares by John Mayer is the first album that I really fell in love with. Pioneer by The Maine is probably, through and through, my favorite album of all time. California 37 by Train is also a very great album - especially the songs that weren’t the Pop radio singles.

If you could support any musician alive today, and choose your own rider, what would that entail?

Probably John Mayer. I wouldn’t even be thinking about the rider…

Will there be some tour dates coming up? Where might we be able to catch you play?

Hopefully soon!

What advice would you give to new artists coming through?

Don’t be afraid to write songs for other artists at first. It’s a great way to break into the industry even if you don’t have a big following.

IN THIS PHOTO: Christian French

Are there any new artists you recommend we check out?

My favourite new artists at the moment are Christian French and ASTN. Great friends as well.

IN THIS PHOTO: ASTN

Do you get much time to chill away from music? How do you unwind?

I really don’t - which is why I’m stressed all the time. Haha.

Finally, and for being a good sport; you can choose a song and I’ll play it here (not any of your music - I will do that).

Like We Did (Windows Down) by The Maine (smiles)

____________

Follow Nick Lopez

Official:

https://www.whoisnicklopez.com/

Twitter:

https://twitter.com/nicklopezmusic

Instagram:

https://www.instagram.com/nicklopezmusic/

SoundCloud:

https://soundcloud.com/nicklopezmusic

Spotify:

https://open.spotify.com/artist/15NoI73ol1fVF11li1RKMB

INTERVIEW: Ben Katzman’s DeGreaser

INTERVIEW:

 Ben Katzman’s DeGreaser

___________

I have been speaking with Ben of Ben Katzman’s DeGreaser…

and the upcoming album, Quarter Life Crisis. He talks about some of the album’s themes and which song he would choose as a highlight; whether he gets time to chill away from music; which albums are important to him – I ask whether there are tour dates coming up with the band.

The American songwriter talks about his musical growth and his favourite memory from his time so far what he would tell artists emerging - Katzman ends the interview by selecting an interesting cut.

__________

Hi, Ben. How are you? How has your week been?

My week has been excellent. We’ve been touring through the South in the U.S. We just chilled at Elvis Presley’s house. It was so crazy but they only had one Shredstick (guitar) on display! Did you know he used to eat peanut butter and banana sandwiches cooked in bacon grease? Dude was a party animal.

For those new to your music; can you introduce yourself, please?

Hey, Hey. I’m Ben Katzman. I’m an Aries raised in Miami Beach, Florida! I really like KISS, ABBA and Mötley Crue. Other things that interest me are the movies Face/Off, Heavyweights and Bill & Ted’s Bogus Journey. I like to talk about cartoons, too, so if you like Aaahhh! Real Monsters we can probably talk for a long time.

Can you talk about Ben Katzman's DeGreaser and how it came together? Is it mainly you in the studio creating the sounds - or do you have a group of people you record and tour with?

DeGreaser is really just the personification of my life through shredding. When I was in high-school, I was forced to play in the school’s production of Grease or the Principal wasn’t going to let me graduate. I kinda realized that I have the same sad-boi/bad-boi complex as Danny Zuko, so DeGreaser is all about me de-Grease-ing from my high-school personality. Haha.

I write and do as much as of the recording and playing as possible. However, I have a rotating cast of best friends who make up my backing band. I always keep it in the crew and try to surround myself with friends I’ve had since I was a little kid. Why not travel the world with your best buds?

Quarter Life Crisis is forthcoming. The album seems to deal with the struggles of your twenties. Was it quite painful putting those songs together?!

It wasn’t painful putting the songs together: it was more painful to live through the stuff that inspired them. My life is pretty good though but going through life and realizing how things begin to work in the long run is a little depressing. 

With this record, I really just tried to make a positive out of all the continuous bummers I kept going through. As you go through life, you realize you aren’t guaranteed work for your college degree and that some friendships dissipate over time; you lose the comfortability you had as a spunky teenager. You have to redefine what your solid rock is in life. So, this album is really about me trying to shred and re-shred through life!

Do you have a cut from the album that stands as a highlight?

My favourite song to play is a track titled Too Old for Retail. I believe a lot of people in this generation have trouble finding work even when they went to college and got degrees and diplomas. There is no job security in 2018 for most people. So, Too Old for Retail is about realizing you are more than what your job is and you have the power to make that change in your life. Also, retail sucks! You get paid too little to turn your brain off and fold clothes for eight hours.

How do you think your music has evolved and changed since the start of your career?

I think it’s gotten a little funnier. To me, lyrics and guitar solos are pretty important. I just try to turn my diary entries into singalong anthems. I just hope to keep boiling down my experiences into head-banging anthems.

It seems like, with the musicians around you, there is a definite harking back to theatrical Rock and some serious kick! Do you think that is missing from today’s scene?!

I don’t know what is missing from today’s scenes - maybe humility. People don’t rock-out and have a good time just enough. I just know that I started playing music to express myself and have fun. To me, playing music is also sharing an experience with the audience. If flipping my guitar over my head makes people laugh and rock a little harder then, hell yeah. We are all in this show together!

Which artists have been most influential to you? Who do you count as idols?

My biggest overall influences are KISS, ABBA; Mötley Crue, Ramones; Madonna, Happy Jawbone Family Band and John Travolta. I idolize all of them. Sure; some of them have become more business than art but that work ethic and hustle is something to be admired just as much as the art. I’m a big fan of lyrics and guitar solos you can hum on the way home from the show and music that is uplifting and relatable.

What do you hope to achieve by the end of 2018?

To melt twice as many faces as I did in 2017 with shredding.

PHOTO CREDIT: Drew Gibson

Have you got a favourite memory from your time in music – the one that sticks in the mind?

Living in Boston in 2013/2014. There were so many awesome bands and labels: Guerilla Toss, Fat Creeps; Happy Jawbone Family Band and Krill to name a few. Having these nationally-known bands just shredding basements to a bunch of kids packed in like sardines in a Krusty Krab. It was so cool to just have a million awesome bands shredding as part of a local community that was fully supportive of the art. Shout-out to Feeding Tube Records. That label rules.

Which three albums mean the most to you would you say (and why)?

Boiling it down to three is such a hard question!

Three albums I love though are KISS’ Love Gun Because it features Ace Frehley’s first vocal track and his sickest guitar solo on the song Shock Me! I also love ABBA’s Voulez-Vous is a hard-rocking Disco album with killer riffs, synth lines and harmonies. Some key tracks are As Good as New and the Gimme! Gimme! Gimme! (A Man After Midnight) (which was later sampled by Madonna on my favourite Madonna record). Third in the list is this totally sick Krautrock album called Traumreisen by this German shredder Michael Rother! You should put on the deep sea episode of Planet Earth, turn off the audio from the documentary and crank this sick shred album.

If you could support any musician alive today, and choose your own rider, what would that entail?

I’d like to go on one of those retro '80s tours with Men Without Hats, Flock of Seagulls or Tiffany. It would be so sick to support these old shredders who are still rocking hard. P.s. both those bands’ first records rule.

My rider would probably include a Vegan Crunchwrap Supreme from Taco Bell; a ton of fruits; a T.V. with the movie Face/Off playing and maybe some good hummus.

Can we see you on tour soon? What dates are coming up?

We are touring the West Coast of the United States in October. We plan on hitting the U.K. before the year is through and we will be shredding the South again in December!

What advice would you give to new artists coming through?

My only advice is to make your art the most you that you can be. Write lyrics the way you speak; make riffs that reflect your attitude and do it for yourself. If you aren’t having fun or making yourself happy then what is it all about!?

IN THIS PHOTO: MonoLisa

Are there any new artists you recommend we check out?

There are tons of sick bands out there! Mtvh1n1, Dirty Princess; MonoLisa, Kimmy Gibbler; Lemonade Stand (and the first Mötley Crue record - because you missed it the first time around).

Do you get much time to chill away from music? How do you unwind?

Well. My band members are usually my best friends so I don’t think of it as playing music; I think of it as ‘rocking with my friends’. So, if I try to unwind, I just ‘chill with my friends’ instead of rocking with my friends. I like swimming, '90s blockbuster movies and eating fruits.

Finally, and for being a good sport; you can choose a song and I’ll play it here (not any of your music - I will do that).

I Like by Men Without Hats is my all-time pump-up jam. If you don’t like that one, I say give Smash Mouth’s Walking on the Sun a second chance. It’s a really good song

____________

Follow Ben Katzman’s DeGreaser

Official:

http://www.benkatzman.com/

Twitter:

https://twitter.com/bkdegreaser69

Facebook:

https://www.facebook.com/chillinmadhard

Instagram:

https://www.instagram.com/bkdegreaser69/

Bandcamp:

https://benkatzman.bandcamp.com/

INTERVIEW: Adam Prince King

INTERVIEW:

PHOTO CREDIT: Ruben M. Angel

 Adam Prince King

___________

WITH a new single out…

I have been speaking with Adam King Prince about Saskia and what its story is. He reveals what we can expect from his upcoming E.P. and how music came into his life – King reveals his favourite memory from music so far.

I wanted to know which albums are most important to him and whether we might see any tour dates; how his music has changed and evolved since the early days; if he gets chance to chill away from music – King ends the interview by selecting a great track.

__________

Hi, Adam. For those new to your music; can you introduce yourself, please?

I’m Adam Prince King. I am a singer from London and write and produce my own songs. I’m a big fan of David Bowie, the '80s; Kate Bush, Prince and mainly enjoy making music videos (at the moment). I am just finishing up my second E.P. which will be released through Little Assembly later this year.

Saskia is your latest track. What is the story behind the song?

I had the name in my head for a song as I like the way it feels on the tongue - with that I came up with the vocals for the chorus first and the song just rolled out from there...and then I kind of hated the production and abandoned her for a while and then recently fell back in love with her and went back and freshened it up a bit. I think the song is summed up by the lyric “I’m not afraid of anything, with you, I hear the sound of golden mandolins”. It’s a love song, a song of hope I guess. I’m quite a lone wolf in real life.

It is the second single from your upcoming E.P. Are there particular themes and ideas that inspired the music?

The E.P. is probably going to be called Music Man - and the track Music Man is really personal, sad and uplifting at the same time: “The muses took me in, got under my skin/Said: “Boy, go be irregular”/so here I am; I’m a music man”. I think this E.P. feels more like I’m stepping into my personal power as a musician.

When did music come into your life? Which artists did you obsess over?

Music has always been there. the radio was always on in my house blaring out London Greek Radio or a record player playing Cat Stevens…or my older brother’s band practising in the living room. I always wanted to hold the mic and always looked up to the singers in his bands. I loved Motown as a kid and was surrounded by eclectic tastes.

I was a massive fan of the film, Labyrinth - my first introduction to the Holy Bowie. I would watch that and the Return to Oz pretty much every day - and of a Greek singer called Glykeria when I was very young.

How do you think you have changed and evolved as an artist since your earliest days?

I feel like a different artist because I’m a different human. Things feel less try-hard these days and less angry than some of the music I used to make when I was younger. My lyrics are more vulnerable.

What do you hope to achieve by the end of 2018?

I’m feeling honest today; I need to rediscover my confidence for singing live and gigging. I sometimes get into a rut and build up gigs to be the ‘big bad wolf’ (a lot of wolves going on today!).

Have you got a favourite memory from your time in music so far – the one that sticks in the mind?

The first time I was played on BBC Radio 1 was pretty special. It was a different project a few years back - I was in my room painting a picture when I found out and had just about decided to throw in the towel…and I think that saved me a little bit.

Which three albums mean the most to you would you say (and why)?

This changes on a regular basis but, today, it’s Joni Mitchell - Blue

Because Joni knows!

Britney Spears – Blackout

Because, from a production point of view, this was completely groundbreaking and ahead of its time - especially for an artist going through a dark period of personal struggle at the time.

Hounds of Love - Kate Bush

Because it’s brilliantly barmy and I love how theatrical it is: “Let me be weak, let me sleep…and dream of sheep”. And Running Up That Hill (A Deal with God) is one of the best Pop songs ever written.

If you could support any musician alive today, and choose your own rider, what would that entail?

I’d time-travel back to the late-'70s/'80s and support the Thin White Duke on his world tour.

I’m really nice so I feel like I would need to up my rider game. So, I would ask for a masseuse, a water feature; a shamanic healer to help with my stage fright, watermelon juice; a single shot of single malt whiskey and, fu*k it, I want a white pony dammit!

Might we see some tour dates coming up? Where might we be able to catch you play?

I’m working on finding the courage to get out there and sing in front of people again. Once I’m on stage it’s all go. But, the build-up to a gig gives me major heebie-jeebies.

PHOTO CREDIT: Ruben M. Angel

How important is it being on stage and performing? Is it the place you feel most comfortable?

The feeling once you’re in the zone and out of the woods is something else but, at the moment, I’m in a reclusive phase and focusing on studio work and videos. But, I feel it coming and I’m sure I’ll gig a heap next year. It does feel like home and when you are on that stage. It’s like nothing else matters and you are fully present.

What advice would you give to new artists coming through?

Gig! Feel the fear and just gig. Acknowledge the voice that keeps telling you you’re sh*t and still GIG. I’m talking to myself here…

Are there any new artists you recommend we check out?

Do you know what, I’m such a shi*emaster at this. I am currently being aurally complacent and only listening to old music, so someone please send me a playlist of new music to listen to.

Do you get much time to chill away from music? How do you unwind?

This week, I’m doing more chilling than working but that’s cos I got ill and kind of the only time I let myself slow down. I do love a box-set, though, and have a penchant for a murder mystery! I do yoga and, recently, I went on an Ayahuasca Retreat - which is definitely not unwinding but that story is for another time...

Finally, and for being a good sport; you can choose a song and I’ll play it here (not any of your music - I will do that).

My inner-child would love to hear David Bowie’s Within You from the Labyrinth soundtrack please, kind sir!

____________

Follow Adam Prince King

PHOTO CREDIT: Ruben M. Angel 

Official:

http://www.adamprinceking.com/

Twitter:

https://twitter.com/adamprinceking

Facebook:

https://www.facebook.com/adamprincekingmusic/

Instagram:

https://www.instagram.com/adamprinceking/

YouTube:

https://www.youtube.com/adamprinceking

Spotify:

https://open.spotify.com/artist/2RPMdwteLtPo3OVltehKFX

INTERVIEW: Midnight Embargo

INTERVIEW:

Midnight Embargo

___________

I have been chatting with the chaps of Midnight Embargo…

about their new E.P., 00:00, and what sort of ideas inspired the music. They discuss their formation and whether they each have favourite cuts from their E.P. – I ask whether there are any rising artists we should be aware of and follow.

The guys share favourite music memories and which albums they hold dearest; if there are going to be any gigs coming and what we can expect from their live set; the advice they would give to artists coming through – the band members each select a song to end the interview with.

__________

Hi, chaps. How are you? How has your week been?

Rob Macpherson (Synth/Vox): Hey. We’re good. Excited. It’s been a packed summer getting these tracks recorded - and now we’re all ready to shout about them.

For those new to your music; can you introduce yourselves, please?

Ha! The obvious question, right?! I love describing other bands. It’s much harder to describe your own stuff...

Well. We’re Midnight Embargo - an Alt-Rock trio. Definitely upbeat. The kind of music you want to get up and move to. But, there’s also some attitude there; an electronic edge to our songs. Mixing Micro-Korgs with guitar riffs. ‘Dark-Disco’ I call it.  

00:00 is your new E.P. What sort of themes and ideas influenced the songwriting throughout?

Mario Rojas (Drums): I think there’s definitely much more of an emotional edge to this E.P. than our first one. On 00:00, one of the main things on my mind is the heartbreak thing. I mean, it’s the title of the first track so I guess it hits you straight off the bat.

Rob was going through a break-up when we were writing the songs, recovering through that and I’ve been going through a slow break-up. It’s tough but definitely been a theme. Rob uses the second-person a lot in his lyrics - talking about ‘you’. Maybe he has someone in mind?

Rob: Yeah, I do that a lot. I guess it adds a bite to the lyrics when I’m on stage and feeling that attitude. That doesn’t mean the songs are about anyone in particular - not every time anyway. Maybe that helps people identify with them while listening.

As Mario said, we’ve been through a lot when writing these songs. The music has been a great way to get through it - that wave of feelings. From feeling strong to angry to vulnerable and out the other end. We’ve all been there, right? I think these songs reflect that.

You recorded the E.P. in Nottingham. Was it a like putting the songs together? Do you each have a standout cut?

Mario: Standout cut was definitely HRTBRK because of how many takes it took and how intricate it is. I love the ending; how the coda switches up. It came together really nicely. Guy (Elderfield, Producer) was really good. He let us really do our thing and didn’t chop up our songs. Maybe we’ve matured and they were good as they were? You tell us.

He gave us a really good sound which we really love. He brought the idea of more produced drums which gave them an electronic edge. We’re quite a hybrid in our sound between live Rock and Electronic. I think that’s a cool sound.

Ian Wybron (Guitar): It’s definitely HRTBRK for me. We kept thinking which song should go first on the E.P. and we wanted to start with our best single. HRTBRK’s got everything.

Rob: The rest of the E.P. definitely shows off our range of influences though. Borderline is a proper 100 M.P.H. rock song. We wanted to capture the energy we give off when playing it live. Burn Your Fires was probably our biggest surprise. We brought it into the studio with one vibe and it came out sounding a hundred times bigger. The vocal harmonies are huge.

How did Midnight Embargo get together? When did the band start life?

Ian: I’m definitely claiming credit for this one, guys. Well; I was ready to start a new project like three/four years ago. I was working with Rob at the time and knew he was into his music too. We got chatting and realised we had some similar interests; got the guitars out and tried a few songs...

But, it wasn’t until we found Mario through a friend of a friend that things really clicked. We didn’t know what to expect for our first practice session. But, we got into this great little rehearsal space in Hoxton called Kafri - really lo-fi but chilled out. We just jammed for three-hours-straight. When it feels right, you just know.

Rob: Yeah; I think we all felt it. Like; that feeling when you’re all about to change mid-song and you do it at the same time without making a big deal of it. Just a little look and BAM, here comes a chorus. We’ve always been at our best when the three of us are just jamming in a room.

We considered a fourth member and tried out a couple of bassists but it never had that connection that we instantly found as a three. We joke that we have probably forgotten more songs than we’ve written. But, the good scraps always find a way of coming back into new projects. 

In terms of artists and music; what did you all grow up listening to?

Mario: I’ve been through so many phases. I grew up first listening to Pop music like Michael Jackson, stuff like that. Then, into Rock through R.E.M. in the late-'80s and early-'90s; College-Rock in the U.S. I went through a big Metal phase in my teenage years.

Ian: Yeah; me too. I was in a Metal band in school. Luckily, we don’t have the tapes here.

Rob: Obviously, I went through that Nirvana phase as a teen. But, quite quickly found myself drawn to bands where the sounds were as interesting as the songs: The Cooper Temple Clause, Nine Inch Nails; Radiohead. Then some electronic stuff too: LCD Soundsystem, Daft Punk. I love hearing sounds I haven’t heard before. 

Do you think there will be touring dates? Can we catch you play?

Ian: So. We just played a couple of summer dates to launch the E.P. Mario is in the U.S. for a few months but, in the meantime, we are lining up some tour dates in the New Year when our intrepid drummer returns. If you add Midnight Embargo on Twitter or Facebook we will announce some dates very soon and hopefully do some gigs around the country. Watch this space.

What could we expect in terms of your stage show? Is the stage somewhere you all love to be?

Rob: Oh, there’s definitely a side of me that loves getting on that stage and strutting our stuff. Especially when you’re playing your own songs. I put everything into it - which anyone who has given me a sweaty hug after our gig will attest to!

Mario: Anyone that’s seen Rob knows he’s very energetic. Ian and I keep the show on the road and Rob is the frontman. The three of us work evenly on stage. We all love being there.

If you each had to select an album that means the most to you; which would they be and why?

Mario: God. I gotta think about this one...

Maybe Thriller? I know it doesn’t maybe work with being a Rockstar. But, I love that album a lot. One of the more recent albums that totally slays me every time is Funeral by Arcade Fire. Every song is incredible. They use so many instruments to create such haunting melodies.

Ian: Appetite for Destruction by Guns N’ Roses

Despite the fact I play a Strat out of a tweed amp, Slash was/is my guitar idol. Watching him as a kid made me want to learn guitar.

Rob: Musically, I’d have to pick The Fragile by Nine Inch Nails

I must have listened to it a thousand times and I’m still finding new layers in there that sound like nothing else. But, on a more emotional level, I would say Born to Die by Lana Del Rey. The production is amazing but I listened to it so much when dragging myself through a rough patch a few years ago and some of those tracks just cut you open.

There’s a line in one of our songs called Algorhythm where I sing “Now the songs that used to cut in two/They don’t touch me like the way you do”. I always think of Lana when singing that line because her songs can make you cry when you’re struggling but also uplift you once you’re back on your feet.

Have you each got a favourite memory from your time in music – the one that sticks in the mind?

Ian: Can we have two? A good one and a funny one? Our best gig was maybe supporting The Libertines’ John Hassall and his new band at Proud in Camden last summer. That was a great venue and all the bands that night did a great job of filling it. A shame that it shut down. Our funniest memory is definitely a gig we played in Nottingham recently…

Mario: The Spinal Tap gig. Ha!

Ian: Right. It got arranged at short notice while we were up there recording. I’ll spare the name of the venue but they didn’t know a gig was on that evening when we turned up. We had to cobble together kit from all corners. The drums kept collapsing throughout the songs until I started holding it up with my leg. Rob almost electrocuted himself on the microphone because of some dodgy connection…

Rob: Yeah. That wasn’t fun. It’s only after it got sorted that the sound guy told us that people have died on stage that way. 

Ian: Oh…did I mention the pub was basically empty?

Rob: We still had a great time. It doesn’t matter if there are ten or one-hundred - we still love playing our songs.

Mario: On a more serious note; the last gig we just did at The Water Rats will live long in my memory. The culmination of a few years of playing together. Loads of our fans came out and we love how much they support us. We’re used to these thirty-minute sets that get cut short with some promoter trying to keep everyone on schedule and I always want to play more. It was great to play for almost an hour and show off our good energy.

If you could support any musician alive today, and choose your own rider, what would that entail?

Mario: Wow. This is hard. Interpol are back with a new album so they come to mind. The National, certainly. I’d love to play a show with them.

Ian: I’d play with The Black Keys. Our early songs were definitely strongly influenced by them. We even had a ‘Black Keys Ones’ as a working title which ended up becoming ‘BlackList’. I also saw the Dandy Warhols recently in Toronto and thought they were still awesome. That would be a fun gig!

Rob: Yeah. I’m guessing the rider would include a bit more than just blue M&Ms though for that one! I don’t know what we’d demand. Just some burgers, beers and a bottle of tequila? We all need to get a little bit better at being prima donnas.

What advice would you give to artists coming through?

Mario: Just keep practising. More than we get to at least! Don’t have full-time jobs or leave the country for a few months like I have. Ha! Always have something to work towards. Book a gig or a recording session. It’s so much cooler when we’re preparing for something. Let’s just get on with it.

Are there any new artists you recommend we check out?

Rob: I would say all the music I discover these days is through Spotify recommending stuff or Shazam-ing tracks on T.V. programmes and in bars. But, that isn’t always new stuff you know? I was in this great bar in Brooklyn recently. All it did was serve meatballs and play '90s Hip-Hop. I basically Shazam-ed a whole playlist over dinner.

Ian: People should definitely hear the two bands who played at our E.P. launch party. Wild Rival are a filthy sounding two-piece worthy of the Royal Blood or Death from Above comparisons. doops have a great new single people should check out.

IN THIS PHOTO: doops/PHOTO CREDIT: Jon Mo 

Do you get much time to chill away from music? How do you unwind?

Mario: Well, yeah, in a way. We all have jobs, so that is time away from the music. But, to relax? I love to travel to new places. Oh…and I love karaoke. Love singing. Is that getting away from music? Who knows…

Rob: I would say I use music as a way of chilling out. Both playing and listening. I’ll happily noodle around on a piano or guitar for ages coming up with new things.

Finally, and for being good sports; you can each choose a song and I’ll play it here (not any of your music - I will do that).

Ian: Thickfreakness from The Black Keys

Mario: Hate to Say I Told You So - The Hives. The driving drums in that song has had such a big influence on my style, even today

Rob: Sad and Lonely - Secret Machines

____________

Follow Midnight Embargo

Twitter:

https://twitter.com/midnightembargo

Facebook:

https://www.facebook.com/midnightembargo/

SoundCloud:

https://soundcloud.com/midnight_embargo

Spotify:

https://open.spotify.com/artist/5mlyWl4h94e6L1KEUycDrz

INTERVIEW: KayBe

INTERVIEW:

 KayBe

___________

THANKS to KayBe…

PHOTO CREDIT: @premakemyday 

for talking with me about her new single, Love You Naughty, and what its story is. I ask her about the album, Lovesongs, and what it was like producing and working on the songs. She talks about her life in Los Angeles and how she got into music – KayBe reveals her favourite artists and albums.

I wanted to know whether she is touring soon and what advice she would give to artists emerging; what she hopes to achieve before the end of the year; how her diagnosis of pertussis affected her – the songwriter ends the interview by selecting a great song.

__________

Hi, KayBe. How are you? How has your week been?

So great! (Smiles). Thanks! Loving the break from the heat! How has your week been? (Winks).

For those new to your music; can you introduce yourself, please?

Of course! I am KayBe. I write and sing love songs. I write about real-life feelings, scenarios; instances all with serious, passionate emotions but, really, while hoping to emote a little fun…I have to laugh at my obsessive behavior and feelings sometimes! I write heart on my sleeve lyrics and melodies that move those feelings to life. Outside of music, I love to laugh; listen to jokes, play board games; workout and be with my family.

Love You Naughty is your latest song. Is there a personal story behind the song?

Love You Naughty was a daydream. I RARELY remember my dreams (only nightmares), however… when I’m daydreaming, I seriously space and I remember certain vivid scenes that still come to life when I sing some of these lyrics. When I sing this song and listening to the full-produced track, I literally feel like I am living my own naive, young love; innocent, movie; happy-go-lucky, fairytale; no-worries romance. And that’s exactly how my daydreams were.

The love that people tell you doesn’t REALLY exist, that’s this song…and it does exist!  Not just in daydreams (smiles). I daydreamed my own love for the majority of my life and wrote songs about them with whatever outcome I chose…and now I am living out the songs and the love that I manifested (smiles).

It is from the album, Lovesongs. You produced the record. What was it like working on the songs and seeing them come to life in the studio?

Honestly…it was THE BEST feeling ever. And, going into these sessions, I would literally say to myself: “In a few hours, you’re going to have a sound and a song that no one knew existed”. That is the best part about being a creator! This project actually came about because I was so frustrated sitting on so many songs that only had roots. They had the melody, they had the lyrics; the songs were there but there was no life…and I was waiting around…feeling dependent on someone else who I thought could only bring my music to life.

Then, I literally thought the words ‘And for what? What is all this for if you’re not sharing it with anyone else?’. I was given a voice in music and a voice with words and it was hiding in my books and in-between the walls of my bedroom and so I said: ‘I’m going to produce this music myself…and, besides, no one can no better the sounds that I’m hearing in my head except me’.  And so I produced it and, other than my mixer, the first time anyone’s heard these tracks is the day that they’re released.

Literally, creating something from nothing; brand-new. I’m like: ‘Let’s see what I can do today!’ Knowledge and creativity is power and it’s important to realize your strengths, talk yourself up; be proud of your offerings and let your gifts come to life so that you can continue to keep giving!

But, as far as production; I’ve NEVER done this before! That thought inhibited me for years. I was telling myself I wasn’t a producer because I’d never done it and I’d never had lessons, or taken classes or anything of the sort. But, once I broke through that fallacy production was so fun! And, honestly, for this being my first project…I am actually thankful that I went into it with no guidelines, teachings or anything because I got to start with a blank canvas: no preconceived rules or notions. There was no such thing as right or wrong or technicalities or anything. If it sounded good that was it. 

After having produced fourteen tracks, I have learned so much and improved throughout the making of this record which has inspired me to learn and actually research into certain techniques because I have the taste now and I want to get better and learn more about the art. So, we’ll see what happens next time on my next project! (Winks).

You were raised on Country music and grew up around a lot of great stuff. When did music come into your life and which artists do you view as most important?

Yes, I was! (Smiles). I loved LeAnn Rimes and Shania Twain. I feel like I learned to belt from LeAnn and Shania’s songs were my favorite! I think her songwriting and down-to-earth lyrics and playful vibe really inspired me. But, I have to talk about Whitney Houston and Celine Dion because I always listened to them too - and I think those classic love songs really moved me to be such a hopeless, passionate romantic which you also hear in my songs as well.

I also was a dancer for twelve years and that aspect of my life was crazy-important too because there is definitely something about a song that can not only move your soul but move your body as well. Not all of them have to do both, but I think both elements are absolutely crucial to have in your repertoire. Sometimes, it’s important to take ourselves seriously; be in our feelings and hearts - and other times it’s just about letting go and shaking your body. No one artist or element is more important than the other because each different inspiration that I take from the greats around me helps influence and mould me into the unique, multi-elemental musician I am today (smiles).

Starting life in St. Louis; you are now based in Los Angeles. How have you adapted to the changing landscape?! Do you find you’re taking in new sounds and sources of inspiration?

Ummmm…yes it feels like I am on a completely different planet. Haha. The cultures and lifestyles are so different but I am thankful for both worlds. I love St. Louis and it was a great place for me to grow up and I love Los Angeles now and it’s a great place for me to be now pursuing my music and playing and singing around town. But, that’s not to say things don’t change in the future. Wherever life takes me or calls me, I want to go. I feel like I’ve done the most growing as a person and definitely as an artist in Los Angeles.

I’ve just learned a lot about life and myself and I feel like I’ve really come into everything that I was meant to be (and still am). It’s great that I feel like I’m living that uninhibitedly. In L.A., I have learned to take more risks and to not be afraid to be myself…and I am constantly presented with wonderful music opportunities. It’s a real treasure to be surrounded by so many other crazy-talented musical people in this little hub on the planet!

You were diagnosed with pertussis years ago - and that affected your vocal chords. Did you feel that would end your music career?! How have you adapted since then?

To be completely honest: no, I didn’t. It was even a thought EVER that I would stop singing but it was sooooo frustrating I was in high-school and there was NO time to stop and think. Maybe I should really, really take some time off and care for my voice because I never really wanted to believe that the damage was that serious. So, I continued in three-four choirs. I was a cheerleader and a social butterfly and my chords never healed and I tried to push them and push them through everything else I was doing and it was a vicious cycle. After years, it became the normal and I remember thinking to myself all the time: ‘What is wrong with me!?  Why can’t I do so effortlessly what I used to be able to do without thinking?’

PHOTO CREDIT: @premakemyday

They were so fragile; the littlest things would affect how I sounded and everything was just a vicious cycle. I felt like an injured athlete on the sidelines watching everyone else do what I knew I could do too. Then I started getting NERVOUS before performances - which I NEVER used to do - and that seriously affected me and my mentality and my overall performance, of course. I would get nervous cus I didn’t know what was going to happen. I didn’t know if I was going to be able to sing as well I had or if I could hit all the notes or what would happen with my voice.

I became so much more critical of myself, which wasn’t a good thing either. Then, all of a sudden, years later…I was taking better care of my voice and I was training it again, properly; giving it love and working it out like a muscle and giving it rest when it asked for. Then, I started improving again instead of moving backwards. Songs that I couldn’t sing three months prior on the radio were all of a sudden effortless and then things kept going. The songs I wrote three/four years ago are different than the songs I’m writing now because my range keeps improving again. I will ALWAYS put my health and my vocal chords as a top priority. It’s so important to take time off if needed and to take the extra time to care for myself. My body is my instrument - and it’s the only one I have!

What do you hope to achieve by the end of 2018?

Make more music! Play more shows! Sing, sing, sing! I just have been thinking about my life more from a bird’s-eye view lately. I just want to look back at myself and know that I tried my hardest and took all the opportunities I could! If there’s an opportunity to play, to sing, to dance, to write then I’m going to do it. Of course; I hope my music reaches as many people that want to hear it and as many people as it will move. But, I also know that it already has too (smiles). I’m thankful for my success; I aim to keep moving forward and growing and as long as there is a space. I want to sing every chance I can get.

Have you got a favourite memory from your time in music so far – the one that sticks in the mind?

Honestly, when I play live - every single time - I get so high and feel so good. Like I was made for something and that I have purpose, value and I am living it. Some shows over others hit me harder, but seriously, live music is the best. You’re there with people. You’re feeling and singing the lyrics and the emotions yourself but you’re sharing that with people on a live, real intimate level…right there! Together!

Music is universal and it’s a connection with others that feel you, have felt you; know you and your experiences feelings and thoughts, which is what being a human and what this life is all about. It’s instant gratification. You see the room of people connecting, feeling and enjoying what you’re putting out there. It’s totally awesome.

Which three albums mean the most to you would you say (and why)? 

…Baby One More Time - Britney Spears

She was the female Pop Icon of my time. I’m pretty sure I made up a music video for every one of those songs in front of my mirror. Honestly; that’s some good, classic Pop and those songs still hold up today (smiles).

Thriller - Michael Jackson

Obviously. Everybody knows why...

No Shoes, No Shirt, No Problems - Kenny Chesney

I played this album over and over and OVER again and it included the mega Country hit The Good Stuff. That was, honestly, the first song that made me look inside myself and say: ‘I want to write songs too’. That was the album I listened to as a wannabe songwriter. I started analyzing lyrics because they moved me on some level in every emotion and I knew I wanted to be the one writing those!

If you could support any musician alive today, and choose your own rider, what would that entail?

I'm so into Ariana Grande right now - and her new music is great.  I would love to open for her. All I would require is gummy bears in my dressing room and a comfortable place to sleep (smiles).

Might we see some tour dates coming up? Where might we be able to catch you play?

Yes! West Coast dates coming so soon! In and out of L.A., so stay tuned! I also plan to travel back to the Midwest and play a bit in my hometown St. Louis! Look out (smiles).

What advice would you give to new artists coming through?

Don’t give up and have faith in yourself. If you like what you’re doing and you believe in it, then you’re doing it. Also; remember what’s important and do it because you love it and it means something. There are a lot of fallacies and myths about what matters and what makes you a good artist; like what your numbers are; your following and money…but that’s not true. Good music is what’s important, so stay true to that and to you.

PHOTO CREDIT: Jaqueline Justice/LOGO DESIGN: Jessica Yohn 

Are there any new artists you recommend we check out?

To be honest, I’ve been listening to Ariana Grande’s new album for the last two weeks. Haha But, I did recently see Roots of a Rebellion on their West Coast tour in L.A. They’re a Reggae band based out of Nashville and their show was so much fun! Great lyrics, great vibes and great music!

Do you get much time to chill away from music? How do you unwind?

When I’m doing music then that is my chill time! It’s what I’d rather be doing above all else. But, I love working out. It feels so good. I love hiking (because I live in L.A. and everyone does (laughs). I love exploring and eating my way through new, local restaurants and I love board games and puzzles. I’ve also watched The Office thousands of times while doing crosswords and sudokus. Also; I’m into the new Castle Rock Stephen King show on Hulu!

Finally, and for being a good sport; you can choose a song and I’ll play it here (not any of your music - I will do that).

Yay! Haha. I think you should play In My Feelings by Drake…cus he does shout-out KayBe (smiles).

____________

Follow KayBe

Official:

http://www.thekaybe.com/

Instagram:

https://www.instagram.com/thekaybe/

Twitter:

https://twitter.com/thekaybe

Facebook:

https://www.facebook.com/thekaybe

YouTube:

https://www.youtube.com/user/TheKayBeMusic

SoundCloud:

https://soundcloud.com/thekaybe

Spotify:

https://open.spotify.com/artist/3ZVWWSQdSJuNJz00dcD0Bt